{"meta":{"query_hash":"0750aac967c2","filters":{"venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques"},"cohort_total":468,"direct_labels_cover":2,"predictions_cover":468,"exported":468,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/0750aac967c2","api":"https://metacan.xera.ac/api/v1/cohort?venue=Interm%C3%A9dialit%C3%A9s+Histoire+et+th%C3%A9orie+des+arts+des+lettres+et+des+techniques"},"results":[{"id":"W1484618196","doi":"10.7202/1023537ar","title":"L’expérience et son double","year":2012,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.1304171861278443,"score_gpt":0.33921153006146354,"score_spread":0.20879434393361923,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1484618196","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.052421294,0.021682594,0.07045793,0.0076412284,0.0038485858,0.0010224006,0.00011828463,0.0022555343,0.84055215],"genre_scores_gemma":[0.86303973,0.0015044363,0.030762149,0.008003165,0.00063645694,0.00018043806,0.00005580171,0.00014167393,0.095676124],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99431205,0.0005533749,0.0011315752,0.0011157664,0.00080872205,0.0020785106],"domain_scores_gemma":[0.9959132,0.0004209773,0.00051033613,0.0014067922,0.00073169096,0.001016969],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["scholarly_communication"],"category_scores_codex":[0.0015262706,0.0011310104,0.0008863047,0.00034693867,0.0010523887,0.0036203833,0.0016262431,0.00051640836,0.00022652654],"category_scores_gemma":[0.00039647226,0.000977978,0.0005873566,0.0008299277,0.00348443,0.018198444,0.0012916614,0.0009464606,0.00017512101],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012491099,0.0007591318,0.00044455315,0.00030790345,0.00007645204,0.0003273814,0.039564196,0.000007885895,0.004166648,0.6479794,0.022861606,0.28337997],"study_design_scores_gemma":[0.00047250142,0.0009999601,0.0011593665,0.0021711106,0.00007894062,0.0017539385,0.00042399744,0.0001030663,0.05068053,0.060208052,0.88038355,0.0015649636],"about_ca_topic_score_codex":0.00702869,"about_ca_topic_score_gemma":0.0019366286,"teacher_disagreement_score":0.85752195,"about_ca_system_score_codex":0.0011734106,"about_ca_system_score_gemma":0.00028051733,"threshold_uncertainty_score":0.9995836},"labels":[],"label_agreement":null},{"id":"W1524598882","doi":"10.7202/1023530ar","title":"Don et image de don","year":2012,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Feminism, Gender, and Sexuality Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.0619995220733012,"score_gpt":0.3589238976388535,"score_spread":0.2969243755655523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1524598882","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13323244,0.03530483,0.011404557,0.02107866,0.004186212,0.0012324473,0.0003373203,0.0021340833,0.7910895],"genre_scores_gemma":[0.83342004,0.012500795,0.028207593,0.0099366335,0.0017843622,0.00036633774,0.000076616154,0.00023893495,0.113468714],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9917644,0.002753155,0.0012022379,0.00096540735,0.0009107803,0.002403967],"domain_scores_gemma":[0.9961385,0.0011612101,0.00052953075,0.00091092923,0.0005304917,0.00072934554],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0053086523,0.001062552,0.0010943542,0.0003631817,0.002304947,0.00062508776,0.001082695,0.0007779589,0.0005558074],"category_scores_gemma":[0.0013415618,0.0011047053,0.00065363967,0.0006636639,0.009584321,0.0029199838,0.00061613106,0.0011119075,0.00008654452],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017433906,0.0012077052,0.009779842,0.0008703243,0.00034148246,0.00016325715,0.31932154,0.000001334957,0.004388301,0.30191967,0.07000247,0.29182974],"study_design_scores_gemma":[0.00030005284,0.00052588293,0.002178006,0.0010601286,0.0002289711,0.00012225166,0.03111669,0.000006043284,0.008529073,0.035041764,0.91958153,0.0013096104],"about_ca_topic_score_codex":0.017508646,"about_ca_topic_score_gemma":0.011774039,"teacher_disagreement_score":0.84957904,"about_ca_system_score_codex":0.0026344224,"about_ca_system_score_gemma":0.00042168974,"threshold_uncertainty_score":0.9991403},"labels":[],"label_agreement":null},{"id":"W1527909399","doi":"10.7202/1023534ar","title":"Facing Severance []","year":2012,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Culinary Culture and Tourism","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Severance; Business; Economics; Labour economics","score_opus":0.03752184083734782,"score_gpt":0.28272991331386327,"score_spread":0.24520807247651544,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1527909399","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42419228,0.062322732,0.00214697,0.023193143,0.004230223,0.0012609762,0.0004739444,0.002003709,0.48017603],"genre_scores_gemma":[0.8216081,0.0025650538,0.0067590144,0.003819702,0.0024002858,0.00014152813,0.0001362382,0.00003157501,0.16253845],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957334,0.0006543685,0.000834883,0.0007752549,0.00047124896,0.0015308425],"domain_scores_gemma":[0.99806035,0.00039547845,0.00034381074,0.00034189224,0.00032306643,0.0005354234],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001128702,0.0008433849,0.00073733897,0.000085806736,0.0013994691,0.00044410484,0.0007388638,0.0006074318,0.0015933063],"category_scores_gemma":[0.00026093356,0.00049128773,0.0006054836,0.00053340953,0.0023764577,0.002476572,0.00040608938,0.0008232444,0.00019522524],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012482975,0.00076763,0.0070921765,0.00031533968,0.00012148022,0.00019106596,0.006543716,0.000002873263,0.044185553,0.051971607,0.051730417,0.83695334],"study_design_scores_gemma":[0.00015948918,0.0006448523,0.008048304,0.0013578327,0.000109382156,0.00050605973,0.0005933951,0.0000072405687,0.023995414,0.015938403,0.9475967,0.0010429244],"about_ca_topic_score_codex":0.00297622,"about_ca_topic_score_gemma":0.0017465106,"teacher_disagreement_score":0.8958663,"about_ca_system_score_codex":0.0006510287,"about_ca_system_score_gemma":0.000041097108,"threshold_uncertainty_score":0.9999006},"labels":[],"label_agreement":null},{"id":"W1560949627","doi":"10.7202/1023523ar","title":"Commencements []","year":2012,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Human auditory perception and evaluation","field":"Engineering","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.0603896292881024,"score_gpt":0.33039660305168406,"score_spread":0.2700069737635816,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1560949627","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15286875,0.014178619,0.090807185,0.0044730906,0.011503649,0.001570145,0.00027039798,0.004261473,0.72006667],"genre_scores_gemma":[0.8555864,0.0027469378,0.03425919,0.0029842088,0.0023318394,0.00043852685,0.00023989248,0.0003348747,0.10107812],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99595976,0.00070598436,0.0009801888,0.0005064653,0.00057826145,0.0012693605],"domain_scores_gemma":[0.998007,0.00022941703,0.00023180885,0.000745952,0.0003110272,0.00047481203],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0017915954,0.0007860873,0.00060703646,0.0004104736,0.00078434584,0.00034819436,0.0005286221,0.0004745416,0.013949644],"category_scores_gemma":[0.0002615111,0.00089191576,0.0003599149,0.000307767,0.0017802385,0.0024862248,0.00023109042,0.0007966691,0.0022200278],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000638026,0.00064005895,0.0038862322,0.0010630231,0.00021037416,0.00003709992,0.01910864,0.00008611051,0.015251118,0.019447258,0.22342958,0.7167767],"study_design_scores_gemma":[0.0003620583,0.00031717314,0.005806601,0.0017457969,0.0001662278,0.00011234155,0.000554922,0.00026215942,0.009632983,0.0077717025,0.97222394,0.0010440672],"about_ca_topic_score_codex":0.00024867753,"about_ca_topic_score_gemma":0.00045819438,"teacher_disagreement_score":0.7487944,"about_ca_system_score_codex":0.0026862908,"about_ca_system_score_gemma":0.00007293923,"threshold_uncertainty_score":0.9993532},"labels":[],"label_agreement":null},{"id":"W1589899872","doi":"10.7202/1005449ar","title":"Intermédialité et interperformativité : Web Last Entry: Bombay, 1stJuly... A Travel Log through Time, Space and Identity de Andrea Zapp","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Identity (music)","score_opus":0.10241608291776867,"score_gpt":0.3148324143006312,"score_spread":0.21241633138286253,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1589899872","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12583004,0.0077000964,0.12196681,0.003584028,0.0013975499,0.0013161885,0.00046722285,0.0016000884,0.736138],"genre_scores_gemma":[0.91082746,0.0034603183,0.03818389,0.0062598214,0.0002777456,0.00014860809,0.00007401882,0.00017660773,0.04059152],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9939901,0.0009952211,0.0013599104,0.0013651868,0.0006427691,0.0016468071],"domain_scores_gemma":[0.9963852,0.00044073883,0.0006709739,0.0011912414,0.0005703402,0.00074148155],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow","scholarly_communication"],"category_scores_codex":[0.0014592551,0.001358257,0.0012715592,0.00040709047,0.00084164395,0.0036403828,0.0015890263,0.0006264032,0.0002588731],"category_scores_gemma":[0.00051054684,0.0012146378,0.00057245436,0.0007011875,0.004371862,0.017816419,0.0018328448,0.0011759453,0.00009567545],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003584041,0.0012600663,0.0011466268,0.0008976136,0.00032935652,0.0012072922,0.105007954,0.0000013352192,0.010961386,0.6616735,0.026463049,0.19069344],"study_design_scores_gemma":[0.0019877828,0.004629029,0.008510977,0.010950463,0.0004544587,0.0085477885,0.002362531,0.0012599861,0.06920558,0.38735276,0.50034916,0.004389503],"about_ca_topic_score_codex":0.009225298,"about_ca_topic_score_gemma":0.0070313853,"teacher_disagreement_score":0.7849974,"about_ca_system_score_codex":0.000974664,"about_ca_system_score_gemma":0.00041084847,"threshold_uncertainty_score":0.99991685},"labels":[],"label_agreement":null},{"id":"W1606426173","doi":"10.7202/1023522ar","title":"Intermédialités","year":2012,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Illusion; Art; Humanities; Psychology; Neuroscience","score_opus":0.1433116504959512,"score_gpt":0.3395470087626045,"score_spread":0.1962353582666533,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1606426173","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028624652,0.03104557,0.06798368,0.006736556,0.006461127,0.0010899567,0.000230909,0.0026259278,0.8552016],"genre_scores_gemma":[0.77074444,0.0015097475,0.029731939,0.0089611495,0.0014642433,0.00019189598,0.000088244386,0.00021977013,0.18708856],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9927683,0.00092446926,0.0015739492,0.0012791445,0.0008651395,0.002589],"domain_scores_gemma":[0.9947245,0.00061509525,0.0006180026,0.0017588804,0.000911684,0.0013718412],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow","scholarly_communication"],"category_scores_codex":[0.0016500975,0.0014711426,0.001201781,0.0005362858,0.0011925914,0.003933745,0.001966664,0.00072268856,0.00042258695],"category_scores_gemma":[0.0009789708,0.0013006473,0.0009255316,0.00094129296,0.004577054,0.016848179,0.0016921336,0.001182971,0.000311459],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007686881,0.0008037157,0.0006518931,0.00039776933,0.0001442793,0.0003451895,0.017596314,0.0000022548895,0.0029092517,0.47988802,0.028841257,0.4683432],"study_design_scores_gemma":[0.0003706804,0.0009255348,0.0016567477,0.0027605852,0.00013227438,0.0019875783,0.00037831845,0.00007894244,0.028778477,0.05291715,0.90823436,0.0017793368],"about_ca_topic_score_codex":0.0050295205,"about_ca_topic_score_gemma":0.0012559211,"teacher_disagreement_score":0.8793931,"about_ca_system_score_codex":0.0016547336,"about_ca_system_score_gemma":0.000282349,"threshold_uncertainty_score":0.9998038},"labels":[],"label_agreement":null},{"id":"W1828666252","doi":"10.7202/1015085ar","title":"Ce qui de l’autre nous accompagne : Erice Kiarostami. Correspondencias","year":2013,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.02830017479161819,"score_gpt":0.2987985176489343,"score_spread":0.2704983428573161,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1828666252","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4479273,0.03060083,0.002755116,0.027801968,0.003447224,0.0019616305,0.00034264592,0.0023883379,0.48277497],"genre_scores_gemma":[0.7571918,0.0026076098,0.0108425645,0.020195426,0.0012854568,0.00056173117,0.00012439182,0.00015206833,0.20703898],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99266344,0.0020539649,0.0012467309,0.0012474603,0.00082967133,0.0019587409],"domain_scores_gemma":[0.99556506,0.00083666807,0.0006601684,0.00090532587,0.00129003,0.00074273255],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0015528593,0.0011050083,0.0012215846,0.0004305848,0.0024227384,0.0015501677,0.0016123587,0.0010365803,0.0040420867],"category_scores_gemma":[0.0008899549,0.0010203507,0.0009188694,0.001539408,0.0071673673,0.003269242,0.0004802495,0.0013012103,0.00029527023],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022165907,0.0011249972,0.0042800675,0.00056276546,0.00048706224,0.0005573953,0.07705944,0.000011390073,0.012367849,0.10150877,0.17657396,0.6252447],"study_design_scores_gemma":[0.00035083576,0.00077338476,0.0035359012,0.0013861022,0.0004784025,0.00024577856,0.011455152,0.00007029503,0.004387648,0.07549633,0.9001728,0.0016473188],"about_ca_topic_score_codex":0.024189424,"about_ca_topic_score_gemma":0.018851575,"teacher_disagreement_score":0.7235989,"about_ca_system_score_codex":0.0021914227,"about_ca_system_score_gemma":0.00049128727,"threshold_uncertainty_score":0.9994863},"labels":[],"label_agreement":null},{"id":"W1893838950","doi":"10.7202/1023538ar","title":"Oralité []","year":2012,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Political and Social Issues","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.05394276470198241,"score_gpt":0.34967331680708247,"score_spread":0.2957305521051001,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1893838950","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07094527,0.030814173,0.0021852583,0.018064814,0.0038137592,0.00078332494,0.00024203656,0.0017888256,0.8713625],"genre_scores_gemma":[0.7702661,0.0032018751,0.008004659,0.0048904796,0.002910728,0.00019357076,0.000044377783,0.00015824991,0.21032995],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99250436,0.002084425,0.0011029438,0.00075825927,0.00088664406,0.0026633919],"domain_scores_gemma":[0.99635524,0.0008824037,0.00035564817,0.00070631836,0.00052205886,0.0011783376],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0027649025,0.00090653944,0.0010328696,0.0002733373,0.0022531606,0.0005306894,0.0010381088,0.0008910655,0.001295743],"category_scores_gemma":[0.0012764903,0.0009274422,0.0007394295,0.0007754947,0.013198705,0.0032424144,0.0004524327,0.00097355264,0.00035287978],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039891616,0.0005682861,0.0027097233,0.00025713808,0.00010030539,0.0000601862,0.034624916,1.9082809e-7,0.00036068264,0.65942276,0.012644853,0.28921106],"study_design_scores_gemma":[0.00015507564,0.00026841366,0.0012784926,0.0009993145,0.00015900609,0.000036331803,0.002718855,0.0000024435772,0.004090926,0.15947409,0.829851,0.00096605177],"about_ca_topic_score_codex":0.023161717,"about_ca_topic_score_gemma":0.0045849783,"teacher_disagreement_score":0.81720614,"about_ca_system_score_codex":0.002168659,"about_ca_system_score_gemma":0.00028004168,"threshold_uncertainty_score":0.9996172},"labels":[],"label_agreement":null},{"id":"W1950300156","doi":"10.7202/1020623ar","title":"Trésor perdu et expérience cinématographique de l’adresse au tiers : Le beau dimanche de Dominique Cabrera, 2007","year":2013,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.02267778628455109,"score_gpt":0.26586243153116684,"score_spread":0.24318464524661576,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1950300156","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53347105,0.027583627,0.020403706,0.12749557,0.0020813474,0.002519375,0.00045869875,0.0022103342,0.28377628],"genre_scores_gemma":[0.7775995,0.01767962,0.012751491,0.008745632,0.0014708972,0.0017851369,0.00009762566,0.00027204774,0.179598],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99382377,0.0012410389,0.0013312055,0.0011109642,0.0005592453,0.001933793],"domain_scores_gemma":[0.9963109,0.00067320926,0.00055605854,0.0008009674,0.00094108604,0.00071779196],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0015504751,0.0011906822,0.0013313922,0.00038782004,0.0074258866,0.0011332659,0.0010474343,0.00063262874,0.0011820927],"category_scores_gemma":[0.00053273374,0.0010591258,0.0012096656,0.00036473578,0.0077496544,0.0019841676,0.00044579006,0.0013106668,0.00006223404],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014630101,0.0009321391,0.002223717,0.0008324004,0.0006527641,0.00033749203,0.28333685,0.000017123668,0.0016345027,0.44406953,0.19558494,0.07023225],"study_design_scores_gemma":[0.00041030458,0.00060638,0.00059489824,0.0013035225,0.00033427804,0.00013264129,0.012234728,0.00006596151,0.0017815689,0.06851793,0.9125502,0.0014676064],"about_ca_topic_score_codex":0.121271454,"about_ca_topic_score_gemma":0.03517288,"teacher_disagreement_score":0.71696526,"about_ca_system_score_codex":0.007576175,"about_ca_system_score_gemma":0.0004642468,"threshold_uncertainty_score":0.9999037},"labels":[],"label_agreement":null},{"id":"W1964126400","doi":"10.7202/1024116ar","title":"Ré-animer les créatures de Frankenstein","year":2014,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.028318879114657438,"score_gpt":0.2719589977684745,"score_spread":0.24364011865381704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1964126400","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13874231,0.09655681,0.012361688,0.11895246,0.0030895032,0.0011892414,0.0005183875,0.002812228,0.62577736],"genre_scores_gemma":[0.59038836,0.015010799,0.007240917,0.005741394,0.0028292316,0.00029882422,0.00010633611,0.00026505635,0.3781191],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99464756,0.0010938431,0.0011925014,0.0010183388,0.0006253069,0.0014224247],"domain_scores_gemma":[0.996876,0.00066962757,0.00047369316,0.0007384841,0.000797238,0.0004449633],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0012099791,0.0011232911,0.0013225223,0.00029927003,0.008948148,0.0009539343,0.0008779584,0.00064586627,0.001517888],"category_scores_gemma":[0.0005911694,0.00096737006,0.0012339203,0.0002541812,0.007222156,0.00093376316,0.00039839692,0.00120575,0.00008946702],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010667333,0.00040951016,0.0005358047,0.0005838445,0.00049948844,0.00011209675,0.05286292,0.0000070938104,0.00081916334,0.5004916,0.07133116,0.37224066],"study_design_scores_gemma":[0.00025813538,0.00067189033,0.00018975606,0.0010996384,0.0005255746,0.000050728726,0.0020098584,0.000043824806,0.0011025486,0.054763924,0.9381072,0.0011769469],"about_ca_topic_score_codex":0.025722254,"about_ca_topic_score_gemma":0.026478987,"teacher_disagreement_score":0.866776,"about_ca_system_score_codex":0.0047030505,"about_ca_system_score_gemma":0.000079648686,"threshold_uncertainty_score":0.99939483},"labels":[],"label_agreement":null},{"id":"W1964696406","doi":"10.7202/037541ar","title":"The Suspension of History in Contemporary Media Arts","year":2008,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Suspension (topology); The arts; Media arts; Visual arts; Art; Sociology; Media studies; Mathematics","score_opus":0.0796575496382529,"score_gpt":0.27464266405738136,"score_spread":0.19498511441912847,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1964696406","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24935251,0.38608408,0.0008788538,0.008589207,0.005519979,0.0010284972,0.00026265107,0.00031536783,0.34796882],"genre_scores_gemma":[0.899934,0.051794637,0.002717944,0.0012920552,0.00030246543,0.00020519072,0.000051197636,0.00012818255,0.043574356],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958561,0.00027652332,0.0020201,0.0008037246,0.00020333118,0.0008402054],"domain_scores_gemma":[0.9962486,0.0013822977,0.00097655284,0.00089157873,0.0003133418,0.00018760483],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0018141979,0.0006391412,0.0013466994,0.00065023743,0.0005991921,0.00005827641,0.0006609811,0.00040291247,0.00016904414],"category_scores_gemma":[0.001781532,0.00064641575,0.00050237105,0.00037110047,0.0068235304,0.00081916555,0.00037236072,0.00074645435,0.000037133792],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006460717,0.0011640895,0.07583776,0.0010521656,0.00032856682,0.0013117549,0.053092785,0.0000058129376,0.001372282,0.38963735,0.2832548,0.19229655],"study_design_scores_gemma":[0.0006092871,0.0004284861,0.016701242,0.0015431549,0.000027197566,0.00015707962,0.00083497603,0.000020759255,0.0029871413,0.02720673,0.94879377,0.0006901586],"about_ca_topic_score_codex":0.0046927044,"about_ca_topic_score_gemma":0.00842009,"teacher_disagreement_score":0.66553897,"about_ca_system_score_codex":0.00207535,"about_ca_system_score_gemma":0.00026986294,"threshold_uncertainty_score":0.9995987},"labels":[],"label_agreement":null},{"id":"W1965334696","doi":"10.7202/044679ar","title":"Exposer en mathématiques","year":2010,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Political science","score_opus":0.08623640020686783,"score_gpt":0.3229646968119616,"score_spread":0.23672829660509376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1965334696","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1424674,0.0055447323,0.04740159,0.011004839,0.0043796226,0.0010978793,0.0001879207,0.003261777,0.78465426],"genre_scores_gemma":[0.73763233,0.0011882324,0.10891073,0.006387266,0.00090490264,0.00020225765,0.00006571171,0.00020159764,0.14450698],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9947437,0.00059898896,0.0012502628,0.001268309,0.0006982931,0.0014404213],"domain_scores_gemma":[0.9955323,0.00066243333,0.00047883447,0.0016293082,0.0009557298,0.0007414248],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0012277784,0.001165569,0.00093151757,0.00041644968,0.0009587854,0.0046937657,0.0019356888,0.0007737679,0.00039213384],"category_scores_gemma":[0.0010140401,0.0010018394,0.00063820905,0.00060939556,0.0038464973,0.010419382,0.0012106514,0.0015657372,0.00015160048],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044384047,0.00044857766,0.00021196707,0.00032934648,0.000081871105,0.0006874398,0.016678326,0.0000015177178,0.028609272,0.551658,0.020911116,0.38033822],"study_design_scores_gemma":[0.00024611814,0.00081192417,0.0012727269,0.0016035397,0.000065244596,0.001696966,0.00020860415,0.00014504312,0.085289754,0.17450474,0.7328301,0.0013252146],"about_ca_topic_score_codex":0.0042209495,"about_ca_topic_score_gemma":0.0055493424,"teacher_disagreement_score":0.711919,"about_ca_system_score_codex":0.00063530065,"about_ca_system_score_gemma":0.00031352046,"threshold_uncertainty_score":0.9992432},"labels":[],"label_agreement":null},{"id":"W1966008861","doi":"10.7202/1012654ar","title":"Jouer ensemble : une mutation des pratiques orchestrales dans la première moitié du 19e siècle","year":2012,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.028651622990236127,"score_gpt":0.30263674518613237,"score_spread":0.27398512219589627,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1966008861","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37417808,0.0136057595,0.009973307,0.0053554,0.0013071963,0.00089127524,0.00017041867,0.0014452619,0.5930733],"genre_scores_gemma":[0.889374,0.0038051293,0.01993018,0.00079640927,0.0011437042,0.0003671304,0.0000749866,0.00015333651,0.084355116],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9931678,0.0024236238,0.0011929999,0.0008489358,0.0007616352,0.0016050048],"domain_scores_gemma":[0.99631697,0.0013263939,0.00052122405,0.0005689355,0.00065231905,0.0006141491],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0022240633,0.00096238486,0.00094174425,0.00030250507,0.0031821677,0.00045777074,0.00075492455,0.0006688503,0.00020709095],"category_scores_gemma":[0.001117893,0.00093995774,0.0005495087,0.0009740378,0.012114652,0.0042767664,0.0003192389,0.0008437744,0.000057939444],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012948527,0.0009620724,0.012887237,0.0006815383,0.0002227343,0.0002627735,0.27367145,0.000005575683,0.0027536198,0.38021508,0.012337992,0.31587043],"study_design_scores_gemma":[0.00026218366,0.0006468991,0.005948405,0.0017914115,0.0002471269,0.00022572307,0.009761409,0.000015183932,0.008782964,0.04900073,0.92212236,0.0011956354],"about_ca_topic_score_codex":0.012445164,"about_ca_topic_score_gemma":0.01302956,"teacher_disagreement_score":0.9097843,"about_ca_system_score_codex":0.0025052559,"about_ca_system_score_gemma":0.00028913328,"threshold_uncertainty_score":0.99930507},"labels":[],"label_agreement":null},{"id":"W1966019844","doi":"10.7202/044411ar","title":"Night-clubs et discothèques : visions d’architecture","year":2010,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Vision; Art; Sociology","score_opus":0.031836039010960236,"score_gpt":0.30262848981076423,"score_spread":0.270792450799804,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1966019844","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036882117,0.0077653313,0.011092919,0.021459412,0.005067726,0.0013314843,0.0022372648,0.0025211396,0.9116426],"genre_scores_gemma":[0.58457613,0.002591731,0.012915672,0.008820845,0.002664065,0.0003469389,0.00033689174,0.00043568015,0.38731205],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99396527,0.0007508369,0.0014380016,0.0013144473,0.0007220426,0.0018093846],"domain_scores_gemma":[0.9956548,0.00079914456,0.00052377756,0.0015891953,0.0007263458,0.00070668553],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0012356804,0.0014442427,0.001191005,0.0006565217,0.003175121,0.0019736565,0.0012898381,0.00078889786,0.0026793545],"category_scores_gemma":[0.00059398956,0.0013357187,0.0009641409,0.000040103045,0.011850243,0.0022377826,0.00071121386,0.0027161094,0.00012571138],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011327775,0.0007285743,0.00023854415,0.0005625628,0.00021996365,0.00027696337,0.099757664,0.0000044235176,0.003180321,0.7147673,0.044101477,0.13604896],"study_design_scores_gemma":[0.0002942272,0.000659001,0.00021799875,0.0014864772,0.00020744675,0.0002553167,0.0010463013,0.000026559777,0.0062062126,0.1937462,0.79458904,0.0012652427],"about_ca_topic_score_codex":0.014159865,"about_ca_topic_score_gemma":0.15647125,"teacher_disagreement_score":0.75048757,"about_ca_system_score_codex":0.0006238464,"about_ca_system_score_gemma":0.00045172955,"threshold_uncertainty_score":0.9998307},"labels":[],"label_agreement":null},{"id":"W1966406694","doi":"10.7202/1005534ar","title":"L’accès à la musique et la condition d’auditeur chez Schoenberg","year":2011,"lang":"fr","type":"preprint","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.040862949411069396,"score_gpt":0.2931460722002947,"score_spread":0.2522831227892253,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1966406694","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07091149,0.0021754703,0.0055424576,0.004174011,0.0017893412,0.0012409114,0.0009830829,0.0019113087,0.9112719],"genre_scores_gemma":[0.803519,0.005109799,0.008143961,0.011488508,0.0016633106,0.0015986442,0.0013960678,0.00044361912,0.1666371],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9899695,0.004118154,0.0019541369,0.00197266,0.00063270103,0.0013528852],"domain_scores_gemma":[0.9938987,0.0016436477,0.0012864617,0.0015793048,0.0010677367,0.0005241527],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.0031986302,0.0018907596,0.002045876,0.00097075367,0.0021934947,0.0015629517,0.0015866414,0.0019501817,0.007346234],"category_scores_gemma":[0.0007693451,0.0018490786,0.0016950155,0.00024953738,0.012841735,0.0016324428,0.0015713365,0.0037328133,0.00021373897],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030453296,0.001202345,0.00025992855,0.0011169162,0.00095405016,0.0007459004,0.030082025,0.0000096019485,0.0012419511,0.8374203,0.025486736,0.10117571],"study_design_scores_gemma":[0.00036376112,0.00047855885,0.00094573095,0.0029498364,0.0008323309,0.00023870988,0.0005932806,0.000018632763,0.0031890546,0.20996615,0.77884614,0.0015777803],"about_ca_topic_score_codex":0.009412371,"about_ca_topic_score_gemma":0.018192785,"teacher_disagreement_score":0.75335944,"about_ca_system_score_codex":0.00093964586,"about_ca_system_score_gemma":0.00046715574,"threshold_uncertainty_score":0.99972266},"labels":[],"label_agreement":null},{"id":"W1967059659","doi":"10.7202/1024119ar","title":"Animisme de l’image","year":2014,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.09881017395196713,"score_gpt":0.3230369164338862,"score_spread":0.2242267424819191,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1967059659","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0124988165,0.0042243516,0.29431757,0.009625132,0.0011980897,0.00050794205,0.00007922874,0.0018477653,0.67570114],"genre_scores_gemma":[0.7151723,0.0011666354,0.12864897,0.012238629,0.00081752485,0.0001297231,0.000052193627,0.00019648984,0.14157757],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.994761,0.0008178038,0.0010167687,0.0011833943,0.0005890786,0.0016319435],"domain_scores_gemma":[0.9960621,0.000567507,0.00041975317,0.0013554125,0.0007861451,0.00080906705],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0013536451,0.0010191449,0.00086566096,0.0003344427,0.0010154066,0.0042565274,0.0016281967,0.00050725724,0.00017710462],"category_scores_gemma":[0.001185633,0.0009135422,0.00059507636,0.00060446723,0.00388967,0.0076729516,0.0009535907,0.00083171076,0.00012703902],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051887866,0.0003693587,0.00012432177,0.00036154495,0.000067215544,0.00049867464,0.00872647,0.000005001471,0.01519557,0.49161747,0.03462165,0.44836083],"study_design_scores_gemma":[0.00029407736,0.0011337791,0.0007973165,0.0018305182,0.000070660404,0.0013212479,0.00011968274,0.00073455024,0.040783226,0.18827844,0.7634778,0.0011587291],"about_ca_topic_score_codex":0.0040497286,"about_ca_topic_score_gemma":0.0016024074,"teacher_disagreement_score":0.72885615,"about_ca_system_score_codex":0.0011850192,"about_ca_system_score_gemma":0.00026603005,"threshold_uncertainty_score":0.99933153},"labels":[],"label_agreement":null},{"id":"W1967137318","doi":"10.7202/044040ar","title":"Une époque circuitée","year":2010,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.10504796571746125,"score_gpt":0.32436745842485754,"score_spread":0.21931949270739629,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1967137318","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.051641468,0.0052866163,0.055213258,0.014030042,0.005124257,0.0009760554,0.00019129986,0.0026724888,0.8648645],"genre_scores_gemma":[0.8000671,0.0007261866,0.03228611,0.007154146,0.0008704753,0.00015380287,0.000069833986,0.00018498083,0.15848735],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945177,0.00041435022,0.0012568822,0.0014393748,0.00074042485,0.0016312914],"domain_scores_gemma":[0.9951997,0.0005133246,0.0005112944,0.0018177966,0.0010741284,0.000883746],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0010119821,0.0012050505,0.0009746427,0.00041941745,0.0012299868,0.0044531096,0.002013713,0.0007672957,0.00028281615],"category_scores_gemma":[0.0009137838,0.0010687786,0.0007049256,0.0010609064,0.0055861967,0.008835324,0.0009925485,0.0017278763,0.00016097141],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003379586,0.00041744384,0.00014927189,0.00024141553,0.000076052864,0.00085762556,0.007168286,0.0000026990874,0.025954483,0.512677,0.01773571,0.43468618],"study_design_scores_gemma":[0.00028579828,0.00072583265,0.0011258586,0.0013011594,0.000069450565,0.0020134877,0.00012636847,0.00012351487,0.044999983,0.21889552,0.7290222,0.0013108323],"about_ca_topic_score_codex":0.013621578,"about_ca_topic_score_gemma":0.015241069,"teacher_disagreement_score":0.74842566,"about_ca_system_score_codex":0.0006836814,"about_ca_system_score_gemma":0.00040165836,"threshold_uncertainty_score":0.99917626},"labels":[],"label_agreement":null},{"id":"W1967467839","doi":"10.7202/1005519ar","title":"No Sex Last Night: The Look of the Other","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Construct (python library); Photography; Feeling; Visual arts; Art; Aesthetics; Psychology; Computer science; Social psychology","score_opus":0.058828093935547034,"score_gpt":0.27377572055952126,"score_spread":0.21494762662397424,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1967467839","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01866247,0.0003772385,0.0008055287,0.0005548642,0.00068462413,0.00053209945,0.00017417528,0.00049777987,0.9777112],"genre_scores_gemma":[0.79901284,0.000072731986,0.00077292445,0.0039306493,0.0004799025,0.00012290936,0.000008925934,0.000104512874,0.19549458],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977407,0.0003521952,0.0006312428,0.00038757405,0.0003338174,0.0005544581],"domain_scores_gemma":[0.998119,0.00019408997,0.00031483115,0.0008960652,0.00037590018,0.000100103054],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000567376,0.0004383289,0.00041635285,0.0001273198,0.0011151758,0.00018266322,0.00095730287,0.00013405179,0.0010454332],"category_scores_gemma":[0.00014442705,0.0002652995,0.00039807003,0.000014815048,0.0062826327,0.00048659972,0.00031357186,0.00040713133,0.00004514802],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000084722196,0.00033717332,0.0012804692,0.00020411507,0.00017157575,0.000020096923,0.267752,4.6475074e-7,0.0010024386,0.67250925,0.027165197,0.029472519],"study_design_scores_gemma":[0.00013480091,0.00023768969,0.00028520686,0.00036010615,0.00007388102,0.000022914734,0.0016427957,0.0000064469505,0.018833933,0.060477372,0.91755897,0.00036585782],"about_ca_topic_score_codex":0.0058774026,"about_ca_topic_score_gemma":0.027787767,"teacher_disagreement_score":0.8903938,"about_ca_system_score_codex":0.000184466,"about_ca_system_score_gemma":0.00009226116,"threshold_uncertainty_score":0.9999799},"labels":[],"label_agreement":null},{"id":"W1968838826","doi":"10.7202/1001965ar","title":"Intermédialité : ressemblances de famille","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.059504535444333095,"score_gpt":0.30725312373277086,"score_spread":0.24774858828843777,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1968838826","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026013574,0.01703552,0.0037978652,0.0014182492,0.0021616158,0.0005024235,0.0006007405,0.000977875,0.9474921],"genre_scores_gemma":[0.7582453,0.008409978,0.0103866635,0.0032047692,0.0030460628,0.00029835384,0.00013882326,0.00030482266,0.21596523],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945601,0.0007743479,0.0014613253,0.0011100919,0.0005526942,0.0015414406],"domain_scores_gemma":[0.99628717,0.00040069944,0.00064096606,0.0011814025,0.000976806,0.00051298225],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.001529961,0.0011263611,0.0011800559,0.0006597267,0.0019866775,0.0011449548,0.0012352287,0.00048232634,0.0036144077],"category_scores_gemma":[0.0007402787,0.0011014729,0.0009652373,0.00023734773,0.007519808,0.0012020965,0.00051903824,0.0009156075,0.000119471515],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023161527,0.0007943637,0.0013138648,0.00066956005,0.000506332,0.00068971096,0.044995848,0.0000019818413,0.00030293915,0.7866221,0.01701271,0.14685898],"study_design_scores_gemma":[0.00030427804,0.00078334095,0.00043081256,0.0026018154,0.0006471469,0.0001140168,0.0048741596,0.000056513752,0.0070305327,0.15524165,0.8265987,0.0013170006],"about_ca_topic_score_codex":0.030650325,"about_ca_topic_score_gemma":0.015243213,"teacher_disagreement_score":0.80958605,"about_ca_system_score_codex":0.0009705375,"about_ca_system_score_gemma":0.00031457364,"threshold_uncertainty_score":0.99989194},"labels":[],"label_agreement":null},{"id":"W1969124215","doi":"10.7202/1005761ar","title":"The Coming Of Paper","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Global Maritime and Colonial Histories","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"China; History; Section (typography); Engineering; Archaeology; Computer science","score_opus":0.037377982929036456,"score_gpt":0.3030945147149647,"score_spread":0.26571653178592824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1969124215","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04267286,0.0018977104,0.00071428885,0.0013720659,0.0006144091,0.000462482,0.000027765815,0.00065211864,0.9515863],"genre_scores_gemma":[0.97801125,0.0009471442,0.005144052,0.0008655611,0.0001374425,0.00012619571,0.000005037865,0.00004300789,0.01472028],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974966,0.0005694744,0.000558242,0.00034017087,0.00043244663,0.00060303236],"domain_scores_gemma":[0.99818575,0.00044500065,0.00026207845,0.00048074828,0.00047157396,0.00015486326],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0014196385,0.00028826421,0.00036051992,0.00011155296,0.00218236,0.00014694844,0.00085998944,0.0002039977,0.00020016215],"category_scores_gemma":[0.00074257975,0.00023956763,0.00025404218,0.00031126314,0.0062008416,0.0007861368,0.00021038827,0.0002880358,0.000011965726],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001761195,0.0001481008,0.0021231254,0.00005634161,0.000054998924,0.000040889143,0.03789054,7.60494e-8,0.0014189712,0.7013092,0.006391438,0.2503902],"study_design_scores_gemma":[0.00009492833,0.00030575116,0.00094680546,0.0002467572,0.000041004267,0.000009880472,0.0020968986,4.8732136e-7,0.004831597,0.11526173,0.8758658,0.00029832803],"about_ca_topic_score_codex":0.01523906,"about_ca_topic_score_gemma":0.028177911,"teacher_disagreement_score":0.93686604,"about_ca_system_score_codex":0.000543173,"about_ca_system_score_gemma":0.00019925335,"threshold_uncertainty_score":0.99911666},"labels":[],"label_agreement":null},{"id":"W1969771193","doi":"10.7202/1015082ar","title":"Traverser : du papier vers l’électronique et le numérique","year":2012,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Medicine","score_opus":0.086877426001051,"score_gpt":0.30571184061700085,"score_spread":0.21883441461594985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1969771193","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027493283,0.012360225,0.11085288,0.01766284,0.0024989555,0.0010770959,0.00013373974,0.0019786148,0.82594234],"genre_scores_gemma":[0.89673036,0.0020636064,0.017044485,0.008877665,0.0006211209,0.00018085778,0.00007084803,0.00017462709,0.07423645],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9942641,0.00094599643,0.001057201,0.0010585503,0.00062861684,0.0020454996],"domain_scores_gemma":[0.99628943,0.00048684428,0.00045012598,0.0011998754,0.00065250136,0.0009212048],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["scholarly_communication"],"category_scores_codex":[0.0014946926,0.0011839157,0.0009165694,0.00036967732,0.0010078007,0.0025545037,0.0013078902,0.00064314273,0.00022969853],"category_scores_gemma":[0.0005227527,0.0010656497,0.0007271024,0.0006586028,0.002874441,0.013961087,0.00078528887,0.0011245939,0.00010336056],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000106366475,0.00092201465,0.00042420652,0.00025337568,0.00016356379,0.00035812747,0.02999265,0.000011580226,0.00601778,0.79029906,0.030944759,0.1405065],"study_design_scores_gemma":[0.00046431198,0.0008307758,0.001162892,0.0013046493,0.000055350596,0.0013743354,0.00072692585,0.0000912949,0.049769428,0.048274636,0.8944845,0.0014608548],"about_ca_topic_score_codex":0.0073378365,"about_ca_topic_score_gemma":0.003128981,"teacher_disagreement_score":0.86923707,"about_ca_system_score_codex":0.0015154252,"about_ca_system_score_gemma":0.0005288303,"threshold_uncertainty_score":0.9998392},"labels":[],"label_agreement":null},{"id":"W1969803065","doi":"10.7202/1020622ar","title":"Il était deux fois une petite fille de quinze ans","year":2013,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.032284212243132375,"score_gpt":0.2744177005450693,"score_spread":0.24213348830193693,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1969803065","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32115352,0.010526006,0.001430975,0.019732628,0.0019040601,0.0014792823,0.0010177526,0.0020176363,0.6407381],"genre_scores_gemma":[0.4356234,0.0046488503,0.006096565,0.0039811474,0.0015019934,0.0005911222,0.0002067125,0.00024852302,0.5471017],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951506,0.000596978,0.0012147252,0.00096520165,0.00053913926,0.0015333272],"domain_scores_gemma":[0.99682564,0.0004065303,0.00043858343,0.00091430487,0.00092511514,0.00048985746],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00074179505,0.0010714466,0.0009824472,0.0003835848,0.0027402437,0.0027168323,0.001007069,0.00054689235,0.008907306],"category_scores_gemma":[0.00036244228,0.0010585373,0.00082118035,0.0002685627,0.0064355917,0.0035952795,0.0004886758,0.0010789891,0.00062734395],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010241899,0.00094685284,0.0009646421,0.0016007149,0.00035631534,0.00043168888,0.07839571,0.0000047078292,0.0066784387,0.55687726,0.20040824,0.15323302],"study_design_scores_gemma":[0.00032354027,0.0007048033,0.0010134181,0.0024546068,0.00021203654,0.0002314164,0.005546109,0.000031624913,0.0044704527,0.062425613,0.92132264,0.0012637092],"about_ca_topic_score_codex":0.1027633,"about_ca_topic_score_gemma":0.114282794,"teacher_disagreement_score":0.7209144,"about_ca_system_score_codex":0.001399833,"about_ca_system_score_gemma":0.00017278937,"threshold_uncertainty_score":0.9991865},"labels":[],"label_agreement":null},{"id":"W1970204148","doi":"10.7202/044047ar","title":"Conduite sociale et compétence écrite","year":2010,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Marxism and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Sociology; Political science; Art","score_opus":0.036730391365308174,"score_gpt":0.30057083347579533,"score_spread":0.2638404421104872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1970204148","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04595199,0.006142841,0.0033120809,0.014149692,0.0044057346,0.0008752825,0.0013117064,0.0016298586,0.9222208],"genre_scores_gemma":[0.70750153,0.0021109353,0.008391314,0.013198385,0.0018786526,0.0003061972,0.00020243296,0.00030067723,0.26610988],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945809,0.0010278368,0.0012582155,0.0010740164,0.0006117738,0.0014472146],"domain_scores_gemma":[0.9957597,0.0012734092,0.00035624573,0.0010931795,0.0010009359,0.00051652815],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.002119072,0.0010839918,0.0010711361,0.00037034226,0.0024104973,0.0017537158,0.0011464196,0.00065417343,0.0052479287],"category_scores_gemma":[0.00091225555,0.0011074629,0.0007242363,0.00017988248,0.017095666,0.0022286782,0.0005809581,0.0022077716,0.00020321309],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011290738,0.0004897904,0.000107397085,0.0006639921,0.000097126256,0.00026048595,0.011204769,2.5490348e-7,0.004329394,0.7387206,0.016542511,0.22747079],"study_design_scores_gemma":[0.00026791307,0.00040861915,0.000106846834,0.0012364096,0.00013674876,0.00014891909,0.0011669657,0.000013651546,0.0043118075,0.2832227,0.7080207,0.00095871836],"about_ca_topic_score_codex":0.004007408,"about_ca_topic_score_gemma":0.011729395,"teacher_disagreement_score":0.6914782,"about_ca_system_score_codex":0.0003998342,"about_ca_system_score_gemma":0.00028268914,"threshold_uncertainty_score":0.99928254},"labels":[],"label_agreement":null},{"id":"W1970428398","doi":"10.7202/1009072ar","title":"Breton’s Wall, Carrington’s Kitchen: Surrealism and the Archive","year":2012,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Studio; Politics; Painting; Power (physics); Art; Art history; History; Visual arts; Political science; Law","score_opus":0.043983809997092116,"score_gpt":0.28533600743391807,"score_spread":0.24135219743682595,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1970428398","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.067873135,0.0044285483,0.0030903271,0.0044011986,0.0012397103,0.0011361364,0.00047559716,0.0015794727,0.9157759],"genre_scores_gemma":[0.95471764,0.00061875314,0.0012747588,0.005848472,0.0010584346,0.0002817922,0.00008799007,0.00013053192,0.035981636],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970174,0.0005043701,0.00065397733,0.00047429546,0.00035314824,0.0009968097],"domain_scores_gemma":[0.997894,0.0006276953,0.0002484545,0.00067539146,0.00023966338,0.0003148217],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0011718816,0.000589036,0.00061696547,0.00021866578,0.0015768895,0.000553005,0.0005341378,0.00014861189,0.00022313943],"category_scores_gemma":[0.00024308583,0.0004344274,0.00032836563,0.000011470283,0.007591784,0.0011453985,0.00036451398,0.0005653471,0.000019943967],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013138125,0.000121102064,0.0007418399,0.00015412093,0.00012015614,0.00001906883,0.26888877,2.9755415e-7,0.00017556775,0.67874396,0.013487089,0.037416667],"study_design_scores_gemma":[0.00048080334,0.00014660713,0.00050414464,0.00030553073,0.0001303331,0.0000993809,0.0024505714,0.00001982552,0.001557704,0.10675179,0.8869573,0.00059602613],"about_ca_topic_score_codex":0.01175883,"about_ca_topic_score_gemma":0.019430546,"teacher_disagreement_score":0.8868445,"about_ca_system_score_codex":0.00033225858,"about_ca_system_score_gemma":0.00007282656,"threshold_uncertainty_score":0.99981076},"labels":[],"label_agreement":null},{"id":"W1972094223","doi":"10.7202/044410ar","title":"Paysages de la ville électronique","year":2010,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.025297064712971978,"score_gpt":0.30606332878477965,"score_spread":0.28076626407180766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1972094223","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07563074,0.021707458,0.004190382,0.007995523,0.0026630135,0.0007508389,0.00012066816,0.0017368334,0.88520455],"genre_scores_gemma":[0.8141113,0.0141339395,0.019656071,0.0027761655,0.0016157661,0.00040442398,0.000024144028,0.00019647699,0.1470817],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9940269,0.0020107517,0.0008164083,0.0008651826,0.00063363486,0.0016471251],"domain_scores_gemma":[0.99657506,0.0014390893,0.00037697877,0.0006374746,0.0004764991,0.0004949014],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0033291325,0.00083548,0.00086765044,0.00025775933,0.002820293,0.0007153385,0.0010566764,0.0010745473,0.00078697636],"category_scores_gemma":[0.0017694688,0.0008707501,0.0006500815,0.00064262206,0.017469231,0.0011631662,0.0003858666,0.0019912382,0.0000468636],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044532528,0.00041315175,0.0016044133,0.0001919986,0.0001539922,0.0001687761,0.044930536,9.0042994e-7,0.0052114516,0.63068986,0.037828084,0.27876228],"study_design_scores_gemma":[0.00018799523,0.00031556646,0.0010484696,0.000528834,0.00010701728,0.00006756731,0.0016518559,0.000007912024,0.007417814,0.18376027,0.80409646,0.0008102614],"about_ca_topic_score_codex":0.038405284,"about_ca_topic_score_gemma":0.063009754,"teacher_disagreement_score":0.7662684,"about_ca_system_score_codex":0.002455285,"about_ca_system_score_gemma":0.00059998943,"threshold_uncertainty_score":0.99937433},"labels":[],"label_agreement":null},{"id":"W1972560549","doi":"10.7202/1005556ar","title":"The Sounds of Disappearance","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Temporality; Active listening; Sound (geography); Simplicity; Subject (documents); Fading; Event (particle physics); Acoustics; Psychology; Communication; Computer science; Epistemology; Physics; Philosophy; Telecommunications; Astrophysics","score_opus":0.03741221835748651,"score_gpt":0.2812356969282185,"score_spread":0.24382347857073197,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1972560549","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06933815,0.0048006997,0.38705435,0.0020436118,0.00090767455,0.0006241762,0.000022225304,0.0028542562,0.5323549],"genre_scores_gemma":[0.9529752,0.0006866005,0.040203553,0.0006379204,0.000042246393,0.00017350136,0.0000019495105,0.00003366278,0.00524534],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99774307,0.00024809228,0.0006158285,0.0005299861,0.00029699726,0.00056600187],"domain_scores_gemma":[0.99774635,0.00034212775,0.00029018745,0.0012490259,0.00029227024,0.00008006554],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00096423907,0.00036973853,0.00042543543,0.00017888284,0.0011541737,0.00014662372,0.0019764644,0.00019437469,0.000015153752],"category_scores_gemma":[0.00035296005,0.00027255,0.00024652068,0.00039053572,0.004416102,0.00075508247,0.0007395119,0.00041215203,0.000008543717],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047435744,0.00012291461,0.0018853018,0.00006385504,0.000077829565,0.00003799363,0.010508007,1.844074e-7,0.0007291608,0.68237674,0.0027821579,0.30136845],"study_design_scores_gemma":[0.0002560736,0.00072891155,0.0069085443,0.0005411929,0.000039723986,0.00014169424,0.00056102645,0.00004894644,0.032813072,0.64596534,0.31127384,0.00072160945],"about_ca_topic_score_codex":0.0003798531,"about_ca_topic_score_gemma":0.00082988694,"teacher_disagreement_score":0.8836371,"about_ca_system_score_codex":0.00015910045,"about_ca_system_score_gemma":0.00006623163,"threshold_uncertainty_score":0.99997264},"labels":[],"label_agreement":null},{"id":"W1972621493","doi":"10.7202/1005448ar","title":"Nation/Natio","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Argument (complex analysis); Liberalism; Racism; Sociology; Ethnic group; Patriotism; Intervention (counseling); Gender studies; Law; Political science; Anthropology; Psychology; Politics","score_opus":0.06302113837591235,"score_gpt":0.3154748136155735,"score_spread":0.25245367523966117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1972621493","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022994261,0.0007907455,0.0030651414,0.0010465023,0.00064142916,0.00047214163,0.000037084512,0.0017088838,0.9692438],"genre_scores_gemma":[0.9290394,0.0003911753,0.010990532,0.0023724327,0.00039339298,0.00025627823,0.000038597336,0.00007454948,0.0564436],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99720824,0.0005980689,0.0005196259,0.00054129254,0.0005274239,0.00060535833],"domain_scores_gemma":[0.9983397,0.00013571861,0.00024481202,0.00046328362,0.0005652396,0.0002512461],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0012734294,0.0003848854,0.0003648597,0.000278387,0.0019467826,0.00018356876,0.0007984347,0.00031547816,0.0009647152],"category_scores_gemma":[0.0007468942,0.00037923982,0.00027240234,0.00042963968,0.0032487542,0.0015045685,0.00013220668,0.0004398856,0.00005472615],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008163605,0.0003389916,0.00089929893,0.00008267388,0.000063641586,0.000099016084,0.13469362,3.7226084e-7,0.002183241,0.6668895,0.018935788,0.17573225],"study_design_scores_gemma":[0.00013897648,0.0001731051,0.00072371913,0.00024302646,0.00003903457,0.000022895065,0.001949755,0.000001349756,0.0054243994,0.10326832,0.8874978,0.0005176126],"about_ca_topic_score_codex":0.003398437,"about_ca_topic_score_gemma":0.011266831,"teacher_disagreement_score":0.9128002,"about_ca_system_score_codex":0.0010151927,"about_ca_system_score_gemma":0.0002306159,"threshold_uncertainty_score":0.99994856},"labels":[],"label_agreement":null},{"id":"W1973820233","doi":"10.7202/1001954ar","title":"Broder les rythmes","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.0569712219588212,"score_gpt":0.27411786322933696,"score_spread":0.21714664127051575,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1973820233","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07838461,0.05953371,0.0034522226,0.036138162,0.0028130857,0.0009741824,0.00051680254,0.0022299667,0.81595725],"genre_scores_gemma":[0.3948022,0.022585664,0.008657463,0.002696163,0.001620513,0.00036058028,0.00009507808,0.00026165732,0.5689207],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951361,0.0006405261,0.0012949525,0.0010560551,0.0005761535,0.0012962513],"domain_scores_gemma":[0.99709266,0.00031333163,0.00049135817,0.00074974133,0.00094914745,0.0004037471],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00073032605,0.0011361332,0.0012591587,0.00031441162,0.0088166995,0.00063060346,0.0008646976,0.0005164799,0.004190648],"category_scores_gemma":[0.00030124767,0.00097088463,0.0012330975,0.00026430067,0.009274596,0.0014245193,0.00049195177,0.00096740783,0.00014550744],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012486689,0.0006812561,0.00059376593,0.0005438442,0.00060869247,0.00027686224,0.1548674,7.4813715e-7,0.0001546464,0.46169865,0.053598635,0.32685065],"study_design_scores_gemma":[0.00021828363,0.00069218763,0.00025120119,0.0010472364,0.00052184437,0.00006238001,0.005334144,0.0000074977697,0.0009100684,0.0714647,0.9182552,0.0012352688],"about_ca_topic_score_codex":0.03913865,"about_ca_topic_score_gemma":0.029261742,"teacher_disagreement_score":0.86465657,"about_ca_system_score_codex":0.004292315,"about_ca_system_score_gemma":0.00007736323,"threshold_uncertainty_score":0.99953},"labels":[],"label_agreement":null},{"id":"W1974118758","doi":"10.7202/1005506ar","title":"Le travail de la caméra : une pratique intermédiale. La conception de l’image du caméraman Eugen Schüfftan (1886–1977)","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.02678128917025728,"score_gpt":0.2844349879469879,"score_spread":0.2576536987767306,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1974118758","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10208927,0.0036456566,0.008775962,0.0029644463,0.0007610876,0.000928579,0.00035275336,0.0015436767,0.87893856],"genre_scores_gemma":[0.92585826,0.0023930566,0.0077118687,0.0028754605,0.0014297098,0.00042665194,0.00012766907,0.00031919059,0.058858108],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9925911,0.0034036916,0.0012332876,0.0009993725,0.00039916715,0.0013733963],"domain_scores_gemma":[0.9968353,0.0006512552,0.00057937135,0.0008413939,0.00058903225,0.0005036799],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0028968588,0.0011622126,0.0010036627,0.00041444844,0.0021839375,0.0013911073,0.0010605387,0.0008740785,0.0012288785],"category_scores_gemma":[0.0005104073,0.001192539,0.00069823914,0.00022122046,0.017340792,0.0022965556,0.0003812346,0.0015407206,0.00008196664],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033579863,0.0009996505,0.00036975017,0.00056322035,0.00023753669,0.00076033303,0.15102048,0.0000011516735,0.009407816,0.721364,0.026951944,0.0879883],"study_design_scores_gemma":[0.0006681743,0.0012543207,0.0006249338,0.0023547881,0.00029205804,0.00073496945,0.014505757,0.000024667519,0.030213548,0.09760467,0.8503113,0.0014108071],"about_ca_topic_score_codex":0.022683013,"about_ca_topic_score_gemma":0.025902491,"teacher_disagreement_score":0.82376903,"about_ca_system_score_codex":0.001094707,"about_ca_system_score_gemma":0.00076215406,"threshold_uncertainty_score":0.99968415},"labels":[],"label_agreement":null},{"id":"W1975049422","doi":"10.7202/1024120ar","title":"Du mode d’existence des objets animés","year":2014,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Philosophy","score_opus":0.03926708716213706,"score_gpt":0.2718587358342341,"score_spread":0.23259164867209703,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1975049422","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034288805,0.058961537,0.0048467326,0.0077035977,0.003169707,0.000845937,0.0004133382,0.0021076207,0.8876627],"genre_scores_gemma":[0.6447153,0.009525048,0.0093945665,0.0029422955,0.0023656844,0.00044190147,0.00009939083,0.00023092475,0.33028486],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99450755,0.00075928343,0.001321564,0.0012224923,0.00068005454,0.0015090619],"domain_scores_gemma":[0.996509,0.0005777692,0.0005011007,0.00084037945,0.0010906074,0.0004811001],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.00087054085,0.0013079408,0.0012722681,0.00027730758,0.0045966473,0.0011851025,0.0010686279,0.000441263,0.0011798826],"category_scores_gemma":[0.000825078,0.001138502,0.0007997285,0.00026011403,0.01321882,0.0019179934,0.00053627806,0.0009187374,0.00016646084],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000116314804,0.00053806236,0.00033191656,0.00093728007,0.0001906047,0.00013344732,0.027688216,0.000005152135,0.00070268643,0.5953173,0.057337593,0.31670138],"study_design_scores_gemma":[0.00029615912,0.0012379736,0.0003066008,0.0022138814,0.00021260684,0.00015378864,0.0012433861,0.000073571944,0.001706209,0.115142345,0.87609917,0.0013143334],"about_ca_topic_score_codex":0.013861577,"about_ca_topic_score_gemma":0.016964005,"teacher_disagreement_score":0.8187615,"about_ca_system_score_codex":0.0019417065,"about_ca_system_score_gemma":0.00009320996,"threshold_uncertainty_score":0.9999672},"labels":[],"label_agreement":null},{"id":"W1975374410","doi":"10.7202/044673ar","title":"Picture Policies in Documents","year":2010,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Idealism; Dynamics (music); Plane (geometry); Epistemology; Sociology; Philosophy; Geometry","score_opus":0.029123108561101396,"score_gpt":0.3042837866556281,"score_spread":0.2751606780945267,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1975374410","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37089822,0.00029037273,0.00012739483,0.0011273889,0.0008274107,0.00042839133,0.00007463822,0.00091759727,0.6253086],"genre_scores_gemma":[0.94903445,0.00008647305,0.0011428777,0.0036033196,0.00067132304,0.00017834803,0.00006029318,0.00009792492,0.04512497],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975966,0.00022223053,0.0006452375,0.00052629696,0.0003170893,0.00069250056],"domain_scores_gemma":[0.9986729,0.00016193757,0.0001894168,0.00055976724,0.0002491794,0.00016680411],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00063609506,0.00055363524,0.00050538534,0.00040257163,0.00086876674,0.00067660544,0.00062820106,0.00022464327,0.0012724252],"category_scores_gemma":[0.0002104593,0.0004593849,0.00026620794,0.00011952841,0.002835732,0.0012850827,0.00023285675,0.0009032653,0.00005808326],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000090888934,0.00029011088,0.0009449535,0.00012903358,0.000049274964,0.00009287175,0.06565177,5.9179985e-7,0.012267131,0.8535237,0.009482828,0.057476852],"study_design_scores_gemma":[0.00024745415,0.00027780232,0.00040617998,0.0003838131,0.000029496105,0.00004769144,0.0021488837,0.0000021305673,0.011620737,0.11610488,0.86813307,0.0005978953],"about_ca_topic_score_codex":0.0018592726,"about_ca_topic_score_gemma":0.029379815,"teacher_disagreement_score":0.8586502,"about_ca_system_score_codex":0.00019878219,"about_ca_system_score_gemma":0.000057084435,"threshold_uncertainty_score":0.999878},"labels":[],"label_agreement":null},{"id":"W1975862541","doi":"10.7202/1005458ar","title":"Des diables au seuil de la conscience moderne","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Conscience; Philosophy; Art","score_opus":0.051917994684262496,"score_gpt":0.28826036723002235,"score_spread":0.23634237254575985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1975862541","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10168153,0.02009488,0.010747751,0.0006630243,0.0010355026,0.00045793256,0.00042482995,0.0011920149,0.86370254],"genre_scores_gemma":[0.78592795,0.0025547324,0.017698098,0.0016517054,0.00073392125,0.00023118386,0.000045471817,0.00016632375,0.19099063],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9943804,0.0013882854,0.00114904,0.001037602,0.0005029954,0.0015416724],"domain_scores_gemma":[0.99667025,0.00092933845,0.00041420053,0.00084250676,0.0005444221,0.00059929356],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0017757008,0.0010029462,0.00096915656,0.00052308495,0.003279499,0.0009498287,0.0011562052,0.00047707016,0.002379166],"category_scores_gemma":[0.0005771414,0.00094491686,0.00067206594,0.00032286134,0.022574097,0.0027329654,0.00039379983,0.00092273386,0.00007159688],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021428533,0.001141928,0.0032370342,0.0009197372,0.00022155905,0.0006641045,0.14240497,0.000005669989,0.0013327665,0.6268103,0.012290492,0.21075714],"study_design_scores_gemma":[0.0002207456,0.0007216591,0.000589376,0.0019891069,0.00025424527,0.0002650026,0.0014642525,0.000076877084,0.007482518,0.16586666,0.8199973,0.001072227],"about_ca_topic_score_codex":0.037201885,"about_ca_topic_score_gemma":0.00743849,"teacher_disagreement_score":0.80770683,"about_ca_system_score_codex":0.002081395,"about_ca_system_score_gemma":0.00048553868,"threshold_uncertainty_score":0.9993001},"labels":[],"label_agreement":null},{"id":"W1977598880","doi":"10.7202/1005503ar","title":"Transference and Transparency: Digital Technology and the Remediation of Cinema","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":20,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hollywood; Interactivity; Transparency (behavior); Representation (politics); Narrative; Movie theater; Digital media; Multimedia; Sociology; Aesthetics; Computer science; Visual arts; Art; Political science; World Wide Web; Computer security; Literature; Law; Art history","score_opus":0.041776918710983435,"score_gpt":0.24749742699427327,"score_spread":0.20572050828328983,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1977598880","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68930733,0.015362402,0.024057107,0.0036919387,0.0002796595,0.0008780556,0.00027787487,0.00044791348,0.2656977],"genre_scores_gemma":[0.9923095,0.0038914494,0.0025713777,0.00016808465,0.000027923339,0.00012934291,0.0000090641815,0.000027842923,0.00086537993],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9986302,0.00003198377,0.00066019,0.00037099942,0.00005210758,0.00025448774],"domain_scores_gemma":[0.9991747,0.00016544838,0.00021755368,0.000290687,0.00009239128,0.00005922473],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00046954822,0.0002426555,0.0005542,0.0003859493,0.00020787976,0.000052934465,0.00022415527,0.0001378007,0.000029477962],"category_scores_gemma":[0.00035677466,0.00020083942,0.00010179114,0.00024566887,0.003012711,0.00046355106,0.000076800316,0.00019522182,0.0000021365613],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020829926,0.00010667522,0.040265046,0.00025094303,0.000095965945,0.000012801564,0.01924427,8.4009415e-8,0.00037691888,0.77872854,0.00023844036,0.16047202],"study_design_scores_gemma":[0.0016684363,0.00090148795,0.023368806,0.0006011879,0.00008520281,0.000107949534,0.0014089029,0.000030130659,0.01122276,0.9100955,0.049797926,0.00071170507],"about_ca_topic_score_codex":0.0003475742,"about_ca_topic_score_gemma":0.00045610403,"teacher_disagreement_score":0.30300218,"about_ca_system_score_codex":0.00005349188,"about_ca_system_score_gemma":0.000016169526,"threshold_uncertainty_score":0.99970055},"labels":[],"label_agreement":null},{"id":"W1977786686","doi":"10.7202/1005746ar","title":"L’imprimé et le non-imprimé","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.14464815529027233,"score_gpt":0.3174365830481853,"score_spread":0.17278842775791295,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1977786686","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016987497,0.00906134,0.106449984,0.004696365,0.0022309285,0.00095328205,0.00014850935,0.001984122,0.857488],"genre_scores_gemma":[0.83079267,0.0016536379,0.06613764,0.008916151,0.0003564492,0.00017623082,0.00006115722,0.00020872176,0.09169736],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9941047,0.00059026945,0.0013769993,0.0015244788,0.00070486456,0.001698682],"domain_scores_gemma":[0.9954912,0.00036009957,0.00060568884,0.0017730949,0.0009313346,0.0008385901],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0011929864,0.0013157005,0.0011441184,0.00047718312,0.0010884777,0.0029183407,0.002118409,0.0006540997,0.00023041955],"category_scores_gemma":[0.000522805,0.0011731451,0.0007876162,0.0007805444,0.0041322466,0.010950424,0.0015526162,0.0010806844,0.0001383791],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010540623,0.0010474022,0.00015298191,0.00036786622,0.00014632927,0.0010140784,0.022394985,0.0000025146503,0.007765707,0.5201383,0.031136906,0.4157275],"study_design_scores_gemma":[0.0006765022,0.0020590713,0.0023242233,0.0033665285,0.000121663856,0.0015931892,0.0004962553,0.0001965427,0.12132613,0.15281263,0.71280015,0.002227112],"about_ca_topic_score_codex":0.017477175,"about_ca_topic_score_gemma":0.0038340818,"teacher_disagreement_score":0.81380516,"about_ca_system_score_codex":0.0008625145,"about_ca_system_score_gemma":0.0005848974,"threshold_uncertainty_score":0.99995947},"labels":[],"label_agreement":null},{"id":"W1977795235","doi":"10.7202/1005480ar","title":"Liberté de l’amour","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.06764263288028448,"score_gpt":0.3012216413402425,"score_spread":0.233579008459958,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1977795235","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014850499,0.034076583,0.005647279,0.003612686,0.002457188,0.00067889725,0.000106121784,0.0014896365,0.9370811],"genre_scores_gemma":[0.6561792,0.014701269,0.029442819,0.0046351803,0.0013096627,0.00037223575,0.000022635395,0.00022368516,0.2931133],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9943017,0.0013914192,0.0009715519,0.0009010071,0.0006613085,0.0017730339],"domain_scores_gemma":[0.99728876,0.0004989435,0.00043651683,0.0006371233,0.0005573568,0.00058132043],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0019703885,0.0008754725,0.0009397903,0.00028913553,0.0025416112,0.00036760338,0.0011738669,0.000756353,0.001219418],"category_scores_gemma":[0.00093198335,0.0009340205,0.0007227718,0.0007401293,0.011934418,0.0015073568,0.00045241456,0.000937578,0.00012259402],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007018128,0.000478306,0.0017011716,0.00021477565,0.00018900262,0.00026432637,0.10038123,3.0150676e-7,0.00019256261,0.5113834,0.044613935,0.3405108],"study_design_scores_gemma":[0.00020213882,0.00050616363,0.0015412341,0.0010530404,0.00016780087,0.000046662903,0.0030835029,0.000006659811,0.002450985,0.20965607,0.78034943,0.0009363199],"about_ca_topic_score_codex":0.060090646,"about_ca_topic_score_gemma":0.03351943,"teacher_disagreement_score":0.7357355,"about_ca_system_score_codex":0.003380026,"about_ca_system_score_gemma":0.0004286707,"threshold_uncertainty_score":0.99969363},"labels":[],"label_agreement":null},{"id":"W1977870201","doi":"10.7202/1005469ar","title":"Le centre d’indétermination : une esthétique de l’interactivité","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Philosophical and Theoretical Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.03047425009653998,"score_gpt":0.2710768488345558,"score_spread":0.24060259873801582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1977870201","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.058650736,0.002295735,0.008117668,0.02295421,0.00068115094,0.0005169925,0.00031636315,0.0009739561,0.9054932],"genre_scores_gemma":[0.9367752,0.001166769,0.0045770174,0.0023060467,0.0006829376,0.00013671989,0.000091156646,0.00016891748,0.054095212],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99547064,0.0010117834,0.0010560509,0.00090855156,0.00041535828,0.0011376083],"domain_scores_gemma":[0.99724317,0.00048663895,0.00043691747,0.00072540203,0.00064327766,0.00046457534],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0009331736,0.00087996025,0.0008949352,0.0004479696,0.001574236,0.00057120883,0.0007740485,0.00048083963,0.002163047],"category_scores_gemma":[0.000419648,0.000860976,0.00081206235,0.00027289442,0.007878774,0.0017135114,0.00035185434,0.0010338915,0.000097124816],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021271435,0.001222964,0.00014690257,0.000382581,0.00024095846,0.00047538377,0.026161794,9.834533e-7,0.0005698285,0.76449835,0.0012980619,0.20478947],"study_design_scores_gemma":[0.00025152,0.00042586974,0.00017068334,0.0015871363,0.0002932096,0.00015788442,0.0010172352,0.00008765842,0.014837809,0.62974423,0.3506128,0.0008139519],"about_ca_topic_score_codex":0.014740632,"about_ca_topic_score_gemma":0.0117607,"teacher_disagreement_score":0.8781245,"about_ca_system_score_codex":0.0007198351,"about_ca_system_score_gemma":0.00021983535,"threshold_uncertainty_score":0.9997256},"labels":[],"label_agreement":null},{"id":"W1978139384","doi":"10.7202/044042ar","title":"Programming and Reprogramming Artworks: A Case of Painting and Practicing Conceptual and Media Art by Other Means","year":2010,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Art, Technology, and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Painting; Visual arts; Relation (database); Exhibition; Automation; Art; Computer science; Sociology; Engineering","score_opus":0.028160186680268668,"score_gpt":0.28076411507591664,"score_spread":0.252603928395648,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1978139384","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9479125,0.004050543,0.0024876955,0.0011168557,0.00027830404,0.00094848324,0.00011099565,0.001442737,0.04165186],"genre_scores_gemma":[0.98055744,0.00023188254,0.016591815,0.00048715906,0.00019133474,0.00013433004,0.000023254277,0.00007828578,0.0017044687],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99808794,0.00015716012,0.0005524553,0.0005695274,0.00015968637,0.00047319874],"domain_scores_gemma":[0.99848175,0.00043946796,0.00035203138,0.00034358472,0.00023835404,0.00014478176],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0009481182,0.00040823844,0.00048022726,0.00016451285,0.00091071834,0.00039814203,0.00015811718,0.00025797484,0.000064247986],"category_scores_gemma":[0.0006440823,0.00035395013,0.00008802248,0.000056852652,0.007631518,0.0007907106,0.0001988883,0.00071004353,7.003395e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058986578,0.00014452431,0.0021341834,0.00026192423,0.00011869353,0.0003345653,0.1383428,7.218043e-8,0.005408562,0.17015947,0.0028500191,0.6801862],"study_design_scores_gemma":[0.00036985407,0.00047710308,0.000035839792,0.0008369656,0.00016741538,0.0021392656,0.04431672,0.000029475299,0.0048535164,0.011010378,0.93507725,0.0006862051],"about_ca_topic_score_codex":0.0012741102,"about_ca_topic_score_gemma":0.01999825,"teacher_disagreement_score":0.93222725,"about_ca_system_score_codex":0.000044391745,"about_ca_system_score_gemma":0.000022349002,"threshold_uncertainty_score":0.9998912},"labels":[],"label_agreement":null},{"id":"W1980313552","doi":"10.7202/037539ar","title":"Travail/sursis – délai sans rémission","year":2008,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Multiculturalism, Politics, Migration, Gender","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Physics; Political science; Art","score_opus":0.10584081927410295,"score_gpt":0.37435821163699146,"score_spread":0.2685173923628885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1980313552","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4591526,0.017120691,0.0077740448,0.031881824,0.0042422432,0.0021723048,0.00056458655,0.0032207093,0.473871],"genre_scores_gemma":[0.63484216,0.009403286,0.0132027585,0.012046711,0.0012307806,0.00020855025,0.00017143466,0.0002357016,0.3286586],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99227583,0.0019756649,0.0014756165,0.0012747922,0.0012061594,0.0017919515],"domain_scores_gemma":[0.9958219,0.0006094084,0.00060618366,0.0010044558,0.0011259578,0.000832124],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0015265829,0.0011228453,0.0010346927,0.00043694206,0.0032799614,0.0004451558,0.0011752038,0.0009415466,0.0012550341],"category_scores_gemma":[0.001035909,0.0011176794,0.000824964,0.0006585491,0.016421065,0.0023223364,0.0002757788,0.00095733436,0.00013914907],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001671866,0.0012086022,0.009678013,0.000629837,0.0003443358,0.0005969694,0.29067805,0.000017095927,0.0063793776,0.13858157,0.22126783,0.33045113],"study_design_scores_gemma":[0.0003724583,0.00041575605,0.0061031217,0.0013431866,0.00019305776,0.00032364932,0.006750163,0.00003377509,0.01730465,0.005037803,0.9607222,0.0014001917],"about_ca_topic_score_codex":0.02468521,"about_ca_topic_score_gemma":0.016920848,"teacher_disagreement_score":0.7394544,"about_ca_system_score_codex":0.0060928776,"about_ca_system_score_gemma":0.0010622174,"threshold_uncertainty_score":0.9996579},"labels":[],"label_agreement":null},{"id":"W1981469098","doi":"10.7202/044409ar","title":"Insecurity Cameras: Cinematic Elevators, Infidelity and the Crime of Time","year":2010,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Elevator; Movie theater; Duration (music); Natural (archaeology); Aesthetics; Art; Visual arts; History; Engineering; Literature; Archaeology","score_opus":0.023392629935491537,"score_gpt":0.2642528164057138,"score_spread":0.24086018647022225,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1981469098","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81560445,0.004854613,0.0015637215,0.0023953002,0.00046156248,0.0008229005,0.00020641636,0.0003512133,0.17373985],"genre_scores_gemma":[0.99130726,0.0012422105,0.0039588525,0.0009434523,0.0001190965,0.00016457726,0.000017075765,0.00005023774,0.0021972442],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99787563,0.0001113082,0.0010658221,0.00046656534,0.00009817214,0.00038252308],"domain_scores_gemma":[0.99790967,0.00058235344,0.00053119176,0.00066352304,0.00019803127,0.00011523522],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0017700125,0.00036194094,0.0009224416,0.00026176675,0.000374501,0.00010765542,0.00039839372,0.00017382005,0.0001756313],"category_scores_gemma":[0.0018218284,0.00029776114,0.00024428868,0.00021821179,0.0032759868,0.00041326476,0.00027036952,0.0005143363,0.000021367046],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027413297,0.00032419583,0.028797215,0.00083147275,0.0002714075,0.000022398735,0.013932537,4.63768e-7,0.005102378,0.89917797,0.010083286,0.041182563],"study_design_scores_gemma":[0.001951762,0.0005181232,0.026802104,0.0007017439,0.00013670983,0.00013463969,0.000513802,0.00014601344,0.01370463,0.6780269,0.27615592,0.0012076129],"about_ca_topic_score_codex":0.002166008,"about_ca_topic_score_gemma":0.0010603208,"teacher_disagreement_score":0.26607266,"about_ca_system_score_codex":0.000104132516,"about_ca_system_score_gemma":0.000039100752,"threshold_uncertainty_score":0.9999474},"labels":[],"label_agreement":null},{"id":"W1982333212","doi":"10.7202/1005551ar","title":"La perception du mouvement entre disparition et apparition : réminiscence mallarméenne de l’intermédialité","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.047463508712271,"score_gpt":0.2922304206282496,"score_spread":0.2447669119159786,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1982333212","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11173522,0.0034773264,0.008298489,0.008846794,0.00216475,0.0011106818,0.00034308847,0.0012557558,0.8627679],"genre_scores_gemma":[0.9385091,0.014291006,0.009704172,0.0026660394,0.00052012486,0.00037190435,0.00011578343,0.00008675204,0.03373511],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9944267,0.0019322764,0.00090641034,0.00094046455,0.0006651664,0.0011289279],"domain_scores_gemma":[0.9978734,0.00030477328,0.00043045357,0.0004012141,0.0005500271,0.00044011767],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.001957971,0.0007756166,0.0007135765,0.00021445964,0.0019169109,0.0004010302,0.0007321934,0.00059527415,0.0017984601],"category_scores_gemma":[0.00042255767,0.0007680099,0.00056875474,0.00044289677,0.0058090277,0.0018501126,0.00042210534,0.00075050234,0.0000985815],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000324321,0.0017449248,0.005106854,0.0006342619,0.00020652977,0.0003600245,0.14704439,0.0000017411979,0.00295576,0.47215202,0.024757141,0.34471202],"study_design_scores_gemma":[0.00041576938,0.0008030194,0.010575826,0.0023536526,0.00031597103,0.0001173682,0.014010597,0.000017673765,0.0014551386,0.03762574,0.93114334,0.0011658933],"about_ca_topic_score_codex":0.034710705,"about_ca_topic_score_gemma":0.018386314,"teacher_disagreement_score":0.9063862,"about_ca_system_score_codex":0.0040674736,"about_ca_system_score_gemma":0.00015823754,"threshold_uncertainty_score":0.99975574},"labels":[],"label_agreement":null},{"id":"W1983719056","doi":"10.7202/1005508ar","title":"Questions et hypothèses à partir des systèmes d’écritures : remédiation ou plurimédialité?","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Philosophy; Psychology; Perspective (graphical); Art","score_opus":0.16585850143512287,"score_gpt":0.32750423688439495,"score_spread":0.16164573544927208,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1983719056","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.058486026,0.04082844,0.08344357,0.0075358716,0.0037940727,0.0020090875,0.0005752135,0.0049782265,0.7983495],"genre_scores_gemma":[0.8641737,0.0044515096,0.061565667,0.0056559634,0.000560184,0.00039278722,0.00013633713,0.00023055312,0.06283331],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99254227,0.001428155,0.0017504666,0.0016212617,0.00086148677,0.0017963756],"domain_scores_gemma":[0.994416,0.00075536576,0.0007915317,0.00164384,0.0015055753,0.0008876888],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0014981262,0.0014827535,0.0012020372,0.0006409868,0.0017259537,0.003765671,0.0016838396,0.00074968627,0.00022310941],"category_scores_gemma":[0.0018736095,0.0013187142,0.0008163507,0.0010014029,0.005787048,0.012287077,0.00096723705,0.0010221328,0.000108224034],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014278757,0.0009670567,0.00060265354,0.00067404355,0.00019912755,0.0006372582,0.033772834,0.000012760626,0.0028392617,0.6559053,0.013844521,0.2904024],"study_design_scores_gemma":[0.0005527728,0.0019501802,0.010260336,0.005982877,0.00032752918,0.0014495276,0.00076040346,0.00016137457,0.049949046,0.47016373,0.4559807,0.0024615175],"about_ca_topic_score_codex":0.016610434,"about_ca_topic_score_gemma":0.009371229,"teacher_disagreement_score":0.80568767,"about_ca_system_score_codex":0.0013907055,"about_ca_system_score_gemma":0.0005541394,"threshold_uncertainty_score":0.99979216},"labels":[],"label_agreement":null},{"id":"W1989083330","doi":"10.7202/1005505ar","title":"Intermediality, Intertextuality, and Remediation: A Literary Perspective on Intermediality","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":908,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Intertextuality; Perspective (graphical); Meaning (existential); The arts; Sociology; Epistemology; Value (mathematics); Heuristic; Linguistics; Art; Computer science; Philosophy; Visual arts","score_opus":0.06259446995588089,"score_gpt":0.3118129440987804,"score_spread":0.24921847414289952,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1989083330","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14397761,0.0007942232,0.00086379965,0.0013717845,0.0014850458,0.0008280785,0.00022906424,0.0014954557,0.8489549],"genre_scores_gemma":[0.98055273,0.00022395315,0.00095028325,0.005547442,0.0010692126,0.00024513397,0.00008532269,0.00011983486,0.011206064],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9961072,0.0008167224,0.00096091494,0.00097597635,0.00044490412,0.0006942443],"domain_scores_gemma":[0.9975187,0.0003866992,0.00036986257,0.0007268047,0.0006740651,0.00032382767],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012591827,0.0007811871,0.0007546845,0.00045837517,0.0009746265,0.00065292773,0.0007007084,0.0002371177,0.0011933224],"category_scores_gemma":[0.000627481,0.0006662352,0.00038481306,0.00012565358,0.0060413494,0.001703074,0.0005562848,0.0008388854,0.00006088567],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00044941125,0.00044457737,0.0003496456,0.00016234923,0.00012484893,0.00010262213,0.25969368,1.5825147e-8,0.00034551194,0.6522158,0.00448453,0.081627026],"study_design_scores_gemma":[0.0006906697,0.002604985,0.001196041,0.0020125252,0.00015179049,0.00013604625,0.017237779,0.0000070678548,0.008541504,0.6908586,0.2751472,0.0014157941],"about_ca_topic_score_codex":0.0011294124,"about_ca_topic_score_gemma":0.0047166315,"teacher_disagreement_score":0.8377489,"about_ca_system_score_codex":0.0006359322,"about_ca_system_score_gemma":0.0000790474,"threshold_uncertainty_score":0.99971974},"labels":[],"label_agreement":null},{"id":"W1990979946","doi":"10.7202/1005530ar","title":"Déjouer : imaginaires de la fiction romanesque dans Les failles de l’Amérique et L’acquittement","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Chicoutimi","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.10221813276900395,"score_gpt":0.3190640863105721,"score_spread":0.21684595354156816,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1990979946","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.058402155,0.0068836533,0.20595531,0.0054052845,0.00073882134,0.0006270095,0.00008853339,0.0015302117,0.72036904],"genre_scores_gemma":[0.8821129,0.0025628908,0.06188673,0.0034691396,0.00025681563,0.00025378895,0.000039310828,0.00014026804,0.049278148],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948249,0.0014319262,0.0009476348,0.0009992813,0.0004562389,0.0013400067],"domain_scores_gemma":[0.9971285,0.0004363573,0.00041628312,0.00093717594,0.0005137809,0.00056788884],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0013223907,0.00096003036,0.0006759758,0.00034101208,0.0009060859,0.0023100858,0.0011956535,0.0005618526,0.00015865467],"category_scores_gemma":[0.0004638246,0.0008666095,0.0005103464,0.00041306103,0.0039232248,0.0060276436,0.00073047815,0.0008386756,0.000021793454],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000096004165,0.00081207533,0.0025131293,0.00046543177,0.00013057872,0.001466691,0.07343769,0.000024001183,0.013524702,0.63302165,0.023806985,0.25070107],"study_design_scores_gemma":[0.0003685536,0.0011383899,0.011341933,0.0032550069,0.00012194366,0.0035205763,0.0015009448,0.00051381945,0.09345286,0.13242353,0.750894,0.0014684373],"about_ca_topic_score_codex":0.036081173,"about_ca_topic_score_gemma":0.014518019,"teacher_disagreement_score":0.82371074,"about_ca_system_score_codex":0.002089238,"about_ca_system_score_gemma":0.00042332712,"threshold_uncertainty_score":0.99937844},"labels":[],"label_agreement":null},{"id":"W1991363880","doi":"10.7202/1005539ar","title":"De la « surface trompeuse » à l’agréable imposture. Le visage au XVIIe siècle","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art; Portrait; Art history","score_opus":0.03656358074757647,"score_gpt":0.2728752740446865,"score_spread":0.23631169329711,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1991363880","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034887157,0.017957898,0.001341766,0.003207317,0.0016554093,0.0006408021,0.0003138262,0.0014179589,0.9385779],"genre_scores_gemma":[0.75481445,0.0025728873,0.010018804,0.0026288205,0.0010814907,0.00021086841,0.00006183236,0.0002840722,0.22832677],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99491364,0.0009872884,0.0010692945,0.00097640604,0.00046790272,0.001585455],"domain_scores_gemma":[0.99728465,0.00047894684,0.00040612725,0.00083660835,0.00052442,0.0004692645],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0013656341,0.0011189779,0.0010909103,0.00022417011,0.0044212034,0.0007371511,0.0009258206,0.00056325074,0.0010672024],"category_scores_gemma":[0.00036107822,0.0010530301,0.00074712996,0.00022130545,0.010334696,0.0015768538,0.0004937928,0.0011222494,0.00012221666],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028784855,0.0014504842,0.0009154778,0.00066713244,0.00040717982,0.00051998085,0.13413793,0.0000023401699,0.004060146,0.7067703,0.10477838,0.046002783],"study_design_scores_gemma":[0.00038807595,0.0008931526,0.0006594361,0.00096425915,0.00025562535,0.0001500382,0.003453379,0.0000052684677,0.009120201,0.04486139,0.9380565,0.0011926178],"about_ca_topic_score_codex":0.026996225,"about_ca_topic_score_gemma":0.013729053,"teacher_disagreement_score":0.8332782,"about_ca_system_score_codex":0.0019140644,"about_ca_system_score_gemma":0.00038953745,"threshold_uncertainty_score":0.999846},"labels":[],"label_agreement":null},{"id":"W1995197531","doi":"10.7202/044412ar","title":"“A Bridge Between Imagination and Reality Must Be Built”: Film and Spatial Critique in the Work of Patrick Keiller","year":2010,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":20,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Movie theater; Scholarship; Reading (process); Perspective (graphical); Bridge (graph theory); Aesthetics; Space (punctuation); Sociology; Film studies; Art; Art history; Visual arts; Philosophy; Political science; Linguistics; Law","score_opus":0.04426870861801518,"score_gpt":0.29749469595114136,"score_spread":0.2532259873331262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1995197531","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9429664,0.0020290643,0.003953798,0.0067328997,0.0002399077,0.00057241437,0.000320904,0.00012680891,0.0430578],"genre_scores_gemma":[0.9958245,0.0011747944,0.0016582512,0.0006177022,0.00014086593,0.00012170857,0.0000397401,0.000031909996,0.0003904933],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9983625,0.00010823639,0.0007069499,0.00043754876,0.00008167231,0.00030309148],"domain_scores_gemma":[0.9986658,0.00047577766,0.00028405807,0.00038168853,0.000119877855,0.00007280468],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013788146,0.0002685406,0.00054154854,0.00031639688,0.00022187446,0.0001123039,0.00025569406,0.00016677308,0.000027512879],"category_scores_gemma":[0.000813903,0.00024514727,0.000100617304,0.00023743986,0.0013186394,0.00037476595,0.00017000228,0.00044819622,0.0000012003591],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009695092,0.00024025013,0.57250434,0.00046301837,0.00007676811,0.0000433023,0.020321397,4.1702003e-7,0.0007010445,0.09555816,0.00823786,0.3017565],"study_design_scores_gemma":[0.00051134767,0.00026371604,0.75914055,0.0002616777,0.000037084625,0.00003533606,0.00042130073,0.000016068714,0.0020533998,0.07956923,0.15716016,0.0005301522],"about_ca_topic_score_codex":0.0074386965,"about_ca_topic_score_gemma":0.00820581,"teacher_disagreement_score":0.30122635,"about_ca_system_score_codex":0.00008747892,"about_ca_system_score_gemma":0.00002150988,"threshold_uncertainty_score":0.9996815},"labels":[],"label_agreement":null},{"id":"W1995668636","doi":"10.7202/044683ar","title":"Éthérotopies : retour sur des espaces hôtes","year":2010,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.10282078575876274,"score_gpt":0.31972471293789223,"score_spread":0.21690392717912949,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1995668636","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4135655,0.015310552,0.020848405,0.012338519,0.00481155,0.0016201704,0.00022456866,0.003757807,0.5275229],"genre_scores_gemma":[0.74240535,0.002123115,0.057604652,0.0034682225,0.00085599313,0.0002480749,0.000054508444,0.00020278746,0.1930373],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9940069,0.0005337909,0.0012944449,0.0015101226,0.00081860326,0.001836177],"domain_scores_gemma":[0.9944181,0.0008496377,0.0005994743,0.0016963999,0.0015756907,0.0008607169],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0011905662,0.0013960452,0.0011367874,0.00050801947,0.0016969709,0.0059958985,0.0020919556,0.00076293945,0.00030058803],"category_scores_gemma":[0.0019980527,0.0011877439,0.00076316606,0.0008925466,0.00837901,0.011566518,0.0012879926,0.0015235327,0.00009603886],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000102770595,0.0006792128,0.0020091035,0.0007287175,0.00017116014,0.0009814862,0.02145297,0.0000037168138,0.036014922,0.42335415,0.026154872,0.4883469],"study_design_scores_gemma":[0.00035487983,0.0010913641,0.0028606695,0.0025448718,0.00009743801,0.0015492296,0.00046581432,0.00012182894,0.100569785,0.16465189,0.72400206,0.0016901914],"about_ca_topic_score_codex":0.00861865,"about_ca_topic_score_gemma":0.021594469,"teacher_disagreement_score":0.6978472,"about_ca_system_score_codex":0.0006503049,"about_ca_system_score_gemma":0.0004045847,"threshold_uncertainty_score":0.999879},"labels":[],"label_agreement":null},{"id":"W1997540954","doi":"10.7202/1005456ar","title":"Le secret du raconteur","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.1409108304224291,"score_gpt":0.3044222643771987,"score_spread":0.1635114339547696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1997540954","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015345069,0.010224404,0.10628445,0.004797565,0.0019303933,0.0007163929,0.00010394265,0.001997215,0.85860056],"genre_scores_gemma":[0.8412728,0.0014707585,0.04269337,0.006698608,0.0004446153,0.0000966808,0.00005159934,0.00016013237,0.107111484],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99524873,0.00055511994,0.0010507925,0.0012463141,0.00053781614,0.0013612494],"domain_scores_gemma":[0.9963045,0.00026726088,0.00048313334,0.0013376751,0.0008963908,0.0007109995],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00090502435,0.001015954,0.0008942346,0.00029041953,0.0012647929,0.0023967398,0.0017655494,0.00049685396,0.00041321726],"category_scores_gemma":[0.00053223636,0.0009448426,0.0006639838,0.0005171794,0.0043852027,0.009195753,0.0011409145,0.0007647966,0.0001824938],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010365171,0.0006336542,0.0002588331,0.00023889825,0.00011774427,0.0014223009,0.034383386,0.0000013435049,0.00224064,0.60261047,0.028930433,0.32905865],"study_design_scores_gemma":[0.00044197997,0.0012529014,0.0013082665,0.001891303,0.00007918676,0.0018043144,0.0005575504,0.00016278055,0.026264843,0.192978,0.77183133,0.0014275295],"about_ca_topic_score_codex":0.023304705,"about_ca_topic_score_gemma":0.0084803905,"teacher_disagreement_score":0.8259277,"about_ca_system_score_codex":0.00051044073,"about_ca_system_score_gemma":0.00043760764,"threshold_uncertainty_score":0.9993002},"labels":[],"label_agreement":null},{"id":"W1998045324","doi":"10.7202/1009077ar","title":"Google : une mémoire en trompe-l’oeil","year":2012,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.11109933421631162,"score_gpt":0.3286915947881676,"score_spread":0.217592260571856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1998045324","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.040873673,0.028084932,0.05550087,0.013720016,0.004173002,0.0010952917,0.00022684393,0.0027297598,0.8535956],"genre_scores_gemma":[0.7741511,0.0011252218,0.03538775,0.004967077,0.0011465825,0.00015408403,0.00007966711,0.00017776975,0.18281074],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99374527,0.000829673,0.0012859734,0.0011403634,0.0007916632,0.0022070734],"domain_scores_gemma":[0.9955842,0.0006461652,0.00051438046,0.0014870476,0.0006653982,0.0011028036],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0012585936,0.0012810361,0.0010818567,0.000406553,0.0011806607,0.0027959058,0.0016980253,0.0006548804,0.00022678838],"category_scores_gemma":[0.0006759871,0.001115707,0.0007579832,0.0010338018,0.0035317813,0.013202845,0.0012407234,0.001011173,0.00021266089],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000662777,0.0008469093,0.00042156584,0.00036226824,0.00013528747,0.00037388483,0.023454672,0.0000053329013,0.005519862,0.46476343,0.03294459,0.47110593],"study_design_scores_gemma":[0.00036702867,0.00091922906,0.0024630777,0.0020495704,0.0001207515,0.0015715796,0.00044695337,0.000110834364,0.024306435,0.04864354,0.9174497,0.0015512804],"about_ca_topic_score_codex":0.0070995754,"about_ca_topic_score_gemma":0.0018921426,"teacher_disagreement_score":0.88450515,"about_ca_system_score_codex":0.0019318995,"about_ca_system_score_gemma":0.00030765057,"threshold_uncertainty_score":0.99999416},"labels":[],"label_agreement":null},{"id":"W1998462630","doi":"10.7202/1005504ar","title":"Phantasia and Technè at the Fin-de-siècle","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Modernity; Liveness; Subject (documents); Object (grammar); Movie theater; Representation (politics); Sociology; Aesthetics; Epistemology; Simultaneity; Art; Philosophy; Art history; Computer science; Political science","score_opus":0.051505801851628744,"score_gpt":0.286747676868405,"score_spread":0.2352418750167763,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1998462630","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21915516,0.0017094986,0.00050576014,0.0008620573,0.0003636393,0.0005150227,0.000099766345,0.0011567286,0.7756324],"genre_scores_gemma":[0.94620126,0.00032104432,0.0012631927,0.0031620723,0.0003809021,0.00020846861,0.000027910493,0.000095841766,0.048339292],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99799615,0.00027168478,0.00045212713,0.000473667,0.00022620076,0.00058016117],"domain_scores_gemma":[0.9987897,0.00017153236,0.00017763392,0.0005296196,0.0001841535,0.0001473243],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0007585004,0.00045960274,0.0003733613,0.00015139741,0.0020217844,0.0003375081,0.00050207117,0.000142563,0.0013796391],"category_scores_gemma":[0.00011702596,0.00032172006,0.00021841915,0.000072507224,0.005014839,0.00069327693,0.0003678428,0.00038839827,0.00005105767],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018033564,0.00020864305,0.00037428766,0.00013317833,0.00009298238,0.000100290265,0.10464694,8.138999e-8,0.0055024466,0.74009323,0.024635762,0.12403184],"study_design_scores_gemma":[0.00018525856,0.00049550954,0.00024097261,0.00035796434,0.00008503161,0.00017420523,0.0031356975,0.0000026037887,0.043313168,0.10221468,0.84926087,0.00053402345],"about_ca_topic_score_codex":0.00088645075,"about_ca_topic_score_gemma":0.00465769,"teacher_disagreement_score":0.82462513,"about_ca_system_score_codex":0.00025052737,"about_ca_system_score_gemma":0.00004429969,"threshold_uncertainty_score":0.99992347},"labels":[],"label_agreement":null},{"id":"W1998600621","doi":"10.7202/1005510ar","title":"Différenciations romanesques","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.16535773703311843,"score_gpt":0.31981631214839273,"score_spread":0.1544585751152743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1998600621","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023167033,0.008453866,0.064246364,0.0024158487,0.0018848525,0.0007383759,0.000162462,0.0023273048,0.8966039],"genre_scores_gemma":[0.77834314,0.0013713252,0.066973604,0.004678469,0.00042152684,0.00019143173,0.000070468566,0.00014882472,0.14780119],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953054,0.0005058892,0.0011375877,0.0011449088,0.00058869063,0.0013175328],"domain_scores_gemma":[0.99627066,0.00031136972,0.00049807655,0.0013164454,0.00096049276,0.0006429353],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0006719224,0.001003689,0.0008120072,0.00043267818,0.0011383494,0.0023823094,0.0015581143,0.00047900938,0.0003934893],"category_scores_gemma":[0.0005855776,0.0008828903,0.00060234184,0.0007468445,0.0034005195,0.009557953,0.00092456094,0.00069742056,0.00013926311],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049100065,0.0007428175,0.000385255,0.00024262907,0.00011750645,0.0007816416,0.030625885,0.0000013683249,0.0019296271,0.6418237,0.013661969,0.3096385],"study_design_scores_gemma":[0.00032570655,0.0015766671,0.0053140456,0.0025326854,0.0001472968,0.0013198525,0.00040934343,0.00016169017,0.039422132,0.29003137,0.6569961,0.0017631328],"about_ca_topic_score_codex":0.012592397,"about_ca_topic_score_gemma":0.0062530786,"teacher_disagreement_score":0.7551761,"about_ca_system_score_codex":0.0009272501,"about_ca_system_score_gemma":0.0002618959,"threshold_uncertainty_score":0.9993622},"labels":[],"label_agreement":null},{"id":"W1999232431","doi":"10.7202/1005479ar","title":"Don et image de don : esthétique documentaire et communauté","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.11213247156476602,"score_gpt":0.3418873387459807,"score_spread":0.22975486718121468,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1999232431","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.074061505,0.0074702734,0.10120393,0.016825361,0.0015807925,0.001461307,0.00024269545,0.0031338918,0.79402024],"genre_scores_gemma":[0.8188585,0.003114918,0.11537771,0.017449547,0.00025382964,0.00027133437,0.0001343264,0.0002336664,0.044306166],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9933976,0.0016407816,0.001334997,0.0012753014,0.000657479,0.0016938411],"domain_scores_gemma":[0.9954057,0.0006064321,0.0006316458,0.0018187577,0.00074858207,0.0007889284],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow","scholarly_communication"],"category_scores_codex":[0.0019211721,0.001334408,0.0010451372,0.0004348836,0.0010011693,0.003843316,0.0022208448,0.00064042356,0.00037232044],"category_scores_gemma":[0.00060424575,0.0011868908,0.0007162842,0.0006391438,0.003846303,0.013932259,0.0017079862,0.0014679132,0.00006340316],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022683271,0.0013185795,0.00062210823,0.000503303,0.00018499632,0.0022631316,0.073569536,0.000004108987,0.008969945,0.60651934,0.038629666,0.26718843],"study_design_scores_gemma":[0.00071255036,0.0025532255,0.0028249326,0.005810416,0.00015501257,0.003069467,0.001169445,0.00017008379,0.10360321,0.2966975,0.5808919,0.0023422556],"about_ca_topic_score_codex":0.0328096,"about_ca_topic_score_gemma":0.012617938,"teacher_disagreement_score":0.7497141,"about_ca_system_score_codex":0.0015800468,"about_ca_system_score_gemma":0.00048897363,"threshold_uncertainty_score":0.9999407},"labels":[],"label_agreement":null},{"id":"W2000747766","doi":"10.7202/044672ar","title":"Pour une histoire transnationale des expositions d’art ancien","year":2010,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.030162928211680897,"score_gpt":0.27247687230317935,"score_spread":0.24231394409149845,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2000747766","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13554634,0.017292082,0.007898645,0.17546226,0.0037818754,0.0012039051,0.0014046881,0.0019989584,0.65541124],"genre_scores_gemma":[0.41539893,0.0037365062,0.0119333975,0.002562561,0.0015510473,0.00051912817,0.00033150142,0.00020389413,0.563763],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953172,0.0004110884,0.0012891709,0.0010374275,0.0007170325,0.0012280843],"domain_scores_gemma":[0.99646133,0.00054339657,0.0004308085,0.00069369125,0.0013854872,0.0004852842],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0007406536,0.0010379232,0.0010875718,0.00037795492,0.015141187,0.00080583146,0.0008442887,0.0005173816,0.0031479397],"category_scores_gemma":[0.0003683504,0.000954893,0.001221977,0.00044394078,0.013172107,0.0016965178,0.00022585335,0.0013202055,0.000148149],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000082240535,0.0010149454,0.00022800265,0.00047822742,0.00040645376,0.00018173327,0.06625607,0.0000054159455,0.0051772324,0.62823176,0.110270746,0.18766715],"study_design_scores_gemma":[0.00032107404,0.00042812966,0.00027010747,0.00060255337,0.00045777785,0.0001026348,0.0025056005,0.000024599092,0.0009834734,0.11068503,0.882513,0.0011060424],"about_ca_topic_score_codex":0.009000323,"about_ca_topic_score_gemma":0.07741167,"teacher_disagreement_score":0.77224225,"about_ca_system_score_codex":0.0054807267,"about_ca_system_score_gemma":0.00018834439,"threshold_uncertainty_score":0.99929017},"labels":[],"label_agreement":null},{"id":"W2001231476","doi":"10.7202/1001962ar","title":"Articulation et rythme : matière, pensée et création dans le discours","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Philosophy; Articulation (sociology); Political science; Politics","score_opus":0.04698778228637602,"score_gpt":0.30585063456840805,"score_spread":0.25886285228203204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2001231476","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09532143,0.0046394165,0.041984696,0.02213598,0.001992239,0.0011205035,0.00019899684,0.0013985537,0.83120817],"genre_scores_gemma":[0.892124,0.0015555279,0.017075727,0.0024611566,0.00038728607,0.00028648178,0.0001121693,0.000120911856,0.08587673],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99431366,0.0020007486,0.0011141653,0.0008938186,0.0007132489,0.00096437737],"domain_scores_gemma":[0.99756587,0.0004597535,0.000529436,0.00060712674,0.0005038351,0.00033399745],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0019034673,0.0007508771,0.0007656605,0.00031255503,0.0019630513,0.0003345129,0.0006208038,0.00043278618,0.00035590536],"category_scores_gemma":[0.00059042906,0.0007354589,0.00048408407,0.00068266335,0.0055773924,0.003481116,0.00030122034,0.0006857199,0.000070832146],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000096461066,0.00061559223,0.002348348,0.00020192738,0.0001096872,0.000105026156,0.18910988,0.000005030831,0.0008873238,0.6994418,0.0063640764,0.10071485],"study_design_scores_gemma":[0.00030560122,0.0006717968,0.00866572,0.0013918893,0.00018851444,0.000054650383,0.005772741,0.00005413525,0.0033391935,0.17720777,0.801186,0.0011619652],"about_ca_topic_score_codex":0.02449337,"about_ca_topic_score_gemma":0.016428519,"teacher_disagreement_score":0.7968026,"about_ca_system_score_codex":0.001593825,"about_ca_system_score_gemma":0.00028030388,"threshold_uncertainty_score":0.99950963},"labels":[],"label_agreement":null},{"id":"W2002092919","doi":"10.7202/1015090ar","title":"Ce qui reste des images du futur","year":2012,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Contemporary art, education, critique","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Political science; Art","score_opus":0.03614402536185065,"score_gpt":0.3279699996554737,"score_spread":0.29182597429362306,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2002092919","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1779428,0.051804572,0.008487615,0.059497774,0.006868424,0.0020049284,0.0003104726,0.0029232642,0.69016016],"genre_scores_gemma":[0.7630919,0.014719674,0.026989346,0.003272178,0.0032312176,0.0004840342,0.00009432718,0.00027739946,0.18783988],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.98934454,0.0048049768,0.0015394308,0.0011655253,0.00090270955,0.0022428115],"domain_scores_gemma":[0.9945244,0.0013462093,0.0006948847,0.0012750312,0.0011467455,0.0010127232],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.006481113,0.0011921705,0.0010573798,0.0005724736,0.0035307126,0.0008778261,0.0015070435,0.00076781044,0.0012684518],"category_scores_gemma":[0.0017801626,0.001314126,0.0007089879,0.0010210979,0.013197269,0.015687482,0.00043875803,0.0011050358,0.00016911146],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018478736,0.0014964938,0.03585147,0.0009801225,0.00021995077,0.00015543003,0.12967965,0.0000011531038,0.002915059,0.27925566,0.2088941,0.34036613],"study_design_scores_gemma":[0.0002645787,0.0004186756,0.005334199,0.0022416613,0.00018385919,0.0002285235,0.013143632,0.0000034998977,0.011479433,0.06931272,0.8959442,0.0014450669],"about_ca_topic_score_codex":0.01940524,"about_ca_topic_score_gemma":0.008734095,"teacher_disagreement_score":0.68705004,"about_ca_system_score_codex":0.002569499,"about_ca_system_score_gemma":0.00084521045,"threshold_uncertainty_score":0.9996445},"labels":[],"label_agreement":null},{"id":"W2003147288","doi":"10.7202/1020617ar","title":"Introduction. Socialité et médialité : inclure du tiers","year":2013,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Philosophy","score_opus":0.030106469868545097,"score_gpt":0.28436847459820236,"score_spread":0.25426200472965726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2003147288","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026679697,0.033259664,0.00400961,0.14533143,0.009280205,0.0023083605,0.0002583862,0.002555968,0.7763167],"genre_scores_gemma":[0.53084314,0.02561108,0.016480453,0.017392606,0.012715208,0.0016957893,0.0002076274,0.00046794166,0.39458615],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99117976,0.0028044682,0.0015088472,0.0014147304,0.0011838073,0.0019083864],"domain_scores_gemma":[0.9955281,0.0008239297,0.0007301658,0.00084891776,0.0014166528,0.0006522407],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0029060002,0.0012498824,0.0014061113,0.00042076883,0.0043764412,0.0011963835,0.0012797178,0.0010454128,0.0027169923],"category_scores_gemma":[0.0020106754,0.0013243632,0.00096320565,0.0012298414,0.014581128,0.0033266607,0.0007440802,0.0014254865,0.00035214893],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034489447,0.00036955104,0.00061861775,0.00021837036,0.000261527,0.00004843567,0.044016596,0.0000029821947,0.00022526608,0.43380824,0.31650048,0.20389546],"study_design_scores_gemma":[0.00030351576,0.00038865852,0.0011258979,0.0005524216,0.00017784761,0.000034100216,0.0055588884,0.000011014789,0.0005093064,0.16307831,0.8270678,0.0011922643],"about_ca_topic_score_codex":0.07003701,"about_ca_topic_score_gemma":0.01833613,"teacher_disagreement_score":0.5105673,"about_ca_system_score_codex":0.00471113,"about_ca_system_score_gemma":0.00062299555,"threshold_uncertainty_score":0.9998405},"labels":[],"label_agreement":null},{"id":"W2004995547","doi":"10.7202/1024121ar","title":"Les images de synthèse peuvent-elles avoir une âme ?","year":2014,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.11759257548416659,"score_gpt":0.3368687938195573,"score_spread":0.21927621833539074,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2004995547","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.046474133,0.015984785,0.24917518,0.029379828,0.0017224237,0.0009255175,0.00021915085,0.0029187251,0.65320027],"genre_scores_gemma":[0.87281024,0.0010374592,0.042002194,0.0045695063,0.00045786853,0.00012922764,0.000048879294,0.00016428127,0.07878033],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99411297,0.001019281,0.0011923776,0.0013250116,0.000665598,0.0016847908],"domain_scores_gemma":[0.9955413,0.00092829525,0.00053648587,0.0014116025,0.00080070796,0.0007816109],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0013250393,0.0012157473,0.0010383736,0.000414207,0.0013159751,0.003996443,0.0017710717,0.00057068345,0.00013613842],"category_scores_gemma":[0.0013035593,0.0010681502,0.00072594493,0.0007318369,0.0046822475,0.0059334273,0.0010188665,0.0009437229,0.00008472028],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058761816,0.00041735228,0.00024337934,0.00043567823,0.00009423789,0.00054259476,0.00646537,0.000020867456,0.012146123,0.5018459,0.014936764,0.462793],"study_design_scores_gemma":[0.00033636388,0.0011197394,0.0010847045,0.0033653958,0.00012223475,0.0012790945,0.00032668206,0.00038873465,0.092627704,0.18631409,0.7115197,0.0015155695],"about_ca_topic_score_codex":0.012389762,"about_ca_topic_score_gemma":0.0047720876,"teacher_disagreement_score":0.82633615,"about_ca_system_score_codex":0.001255665,"about_ca_system_score_gemma":0.0002564986,"threshold_uncertainty_score":0.9999842},"labels":[],"label_agreement":null},{"id":"W2005220528","doi":"10.7202/1005559ar","title":"The Disappearing Medium: Remarks on Language in Translation","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Translation Studies and Practices","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ethnocentrism; German; Linguistics; Romanticism; Criticism; Translation studies; Sociology; Philosophy; Literature; Art; Anthropology","score_opus":0.06789066626462623,"score_gpt":0.3078448506904885,"score_spread":0.23995418442586228,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2005220528","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028572725,0.0027930597,0.00085281755,0.0018665806,0.00048004845,0.0004658221,0.000038011367,0.0005685221,0.96436244],"genre_scores_gemma":[0.9914335,0.0011107582,0.0016184279,0.00079294154,0.00021887258,0.00016100898,0.000021493739,0.00006318581,0.0045798],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980641,0.00032499497,0.00055422995,0.0003602648,0.0002792289,0.00041716313],"domain_scores_gemma":[0.9985962,0.0006534664,0.0001925012,0.0003835749,0.00010625676,0.00006802049],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00096029486,0.0003266339,0.0002929887,0.00019021434,0.0011220353,0.000341795,0.00035209346,0.0000945501,0.0002760497],"category_scores_gemma":[0.000092800554,0.00023913868,0.00016967944,0.000092361595,0.0014559379,0.00088907575,0.000056366505,0.00044086165,0.0000173278],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034299222,0.00014254013,0.00065393955,0.00008224324,0.000060862156,0.000052418873,0.14417766,9.113396e-7,0.0002946444,0.16597466,0.00096046005,0.68725663],"study_design_scores_gemma":[0.000309499,0.0003672534,0.0017480762,0.00061016006,0.000047567555,0.000013825935,0.008224835,0.000014056811,0.0025391965,0.020906871,0.9647471,0.00047161497],"about_ca_topic_score_codex":0.0028726042,"about_ca_topic_score_gemma":0.046060916,"teacher_disagreement_score":0.9637866,"about_ca_system_score_codex":0.00014372898,"about_ca_system_score_gemma":0.000028769684,"threshold_uncertainty_score":0.97517926},"labels":[],"label_agreement":null},{"id":"W2005606599","doi":"10.7202/1001961ar","title":"Articulating the African Diaspora through Rhythm","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":18,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Diaspora; Rhythm; Musical; Hybridity; Popular music; History; Sociology; Aesthetics; Art; Visual arts; Anthropology; Gender studies","score_opus":0.06901875069961858,"score_gpt":0.2719387971099613,"score_spread":0.20292004641034275,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2005606599","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.067338444,0.000999105,0.0016405055,0.0005379212,0.0007347706,0.0005435675,0.0000658975,0.0012773754,0.9268624],"genre_scores_gemma":[0.96346563,0.000058312115,0.0040173833,0.0036525924,0.0006269667,0.00029890973,0.00003248553,0.000104882274,0.027742863],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99738705,0.000362655,0.0006841776,0.00056224444,0.0003522436,0.00065164146],"domain_scores_gemma":[0.9982598,0.000173595,0.00033145564,0.0007716605,0.00033144714,0.00013204152],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0006360005,0.0005497981,0.00046934583,0.00011197324,0.0022943213,0.00035394233,0.00055586384,0.00015408367,0.0035022092],"category_scores_gemma":[0.00018420325,0.00038674267,0.00036972872,0.00012818855,0.004252164,0.0012060121,0.00018929233,0.0005837637,0.000059805734],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000076384094,0.00017218698,0.000080186604,0.000099507204,0.00007854412,0.00013061547,0.3676766,6.228624e-7,0.00039962283,0.5595904,0.022844015,0.048851326],"study_design_scores_gemma":[0.00014041558,0.00028173602,0.00019343931,0.0004070673,0.00009185457,0.00010554678,0.016156219,0.0000058783075,0.0030130865,0.06563046,0.91335607,0.00061826204],"about_ca_topic_score_codex":0.002991509,"about_ca_topic_score_gemma":0.008219478,"teacher_disagreement_score":0.89911956,"about_ca_system_score_codex":0.00031697913,"about_ca_system_score_gemma":0.00006354604,"threshold_uncertainty_score":0.99985844},"labels":[],"label_agreement":null},{"id":"W2006627030","doi":"10.7202/1005476ar","title":"Les inventions de Tendre","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.07857465385742436,"score_gpt":0.32656111708684565,"score_spread":0.2479864632294213,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2006627030","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.040365513,0.01882369,0.0067719277,0.0036978116,0.0017066402,0.00058043795,0.00018601278,0.0013744725,0.92649347],"genre_scores_gemma":[0.62499714,0.0053240033,0.032716036,0.0022327926,0.0007501958,0.00036772125,0.00003703671,0.00014472721,0.33343035],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950209,0.0013696116,0.00095963513,0.0008243291,0.00051454734,0.0013109557],"domain_scores_gemma":[0.99764824,0.0003911223,0.00036021054,0.00060028274,0.0004950215,0.00050511205],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0013903861,0.00072825205,0.00075373583,0.00035170448,0.002985936,0.0002108401,0.0009466134,0.00055974425,0.001596156],"category_scores_gemma":[0.00064314145,0.00073562807,0.00068705744,0.00078157696,0.0093238065,0.0015444038,0.0003711712,0.0008536711,0.00009548358],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064116626,0.0006262471,0.0053827898,0.00028348985,0.0001534641,0.00024079396,0.10530938,2.6758195e-7,0.0002919719,0.4888843,0.019968389,0.3787948],"study_design_scores_gemma":[0.00014885492,0.00051778666,0.0023951302,0.001251438,0.00016450963,0.00007049275,0.0023385314,0.0000040051464,0.0012117568,0.09250115,0.8986225,0.00077381346],"about_ca_topic_score_codex":0.03918337,"about_ca_topic_score_gemma":0.014178186,"teacher_disagreement_score":0.8786541,"about_ca_system_score_codex":0.0023813536,"about_ca_system_score_gemma":0.0002584961,"threshold_uncertainty_score":0.99950945},"labels":[],"label_agreement":null},{"id":"W2007622626","doi":"10.7202/039230ar","title":"After Brecht: the Impact (Effects, Affects) of Intermedial Theatre","year":2010,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Marxist philosophy; Context (archaeology); Drama; Aesthetics; Politics; Perception; Sociology; Art; Epistemology; Philosophy; Visual arts; History; Political science; Law; Archaeology","score_opus":0.01696928403132614,"score_gpt":0.27931169990348703,"score_spread":0.2623424158721609,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2007622626","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5769258,0.0010503383,0.0002005123,0.0007223727,0.0014796228,0.00076527765,0.00020809607,0.00065027823,0.41799772],"genre_scores_gemma":[0.99271363,0.00029672272,0.00047584664,0.0006337436,0.0010241832,0.0003778966,0.000027936898,0.00010207568,0.0043479796],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977324,0.00027635,0.0005593328,0.00044593666,0.000331122,0.00065488665],"domain_scores_gemma":[0.9978584,0.0006850677,0.00026259758,0.0007896966,0.00027672804,0.00012749266],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0007557787,0.0006265555,0.0006613757,0.00028391965,0.0010110638,0.00034333716,0.00070631225,0.00017978303,0.0008440256],"category_scores_gemma":[0.00014498297,0.00038990157,0.0005913708,0.000114139075,0.005463536,0.0008641077,0.00030814737,0.0008518544,0.000025829164],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008291216,0.0004657491,0.0064476696,0.00073649816,0.00048245006,0.00010419378,0.10872397,0.0000011435835,0.008768292,0.0740835,0.017434904,0.7819225],"study_design_scores_gemma":[0.00070247235,0.0025120047,0.0066184876,0.0018289598,0.00031666874,0.0001767919,0.0028756075,0.0000195642,0.061537724,0.034887303,0.88709855,0.0014258669],"about_ca_topic_score_codex":0.001955137,"about_ca_topic_score_gemma":0.017135065,"teacher_disagreement_score":0.86966366,"about_ca_system_score_codex":0.0001555366,"about_ca_system_score_gemma":0.00007202185,"threshold_uncertainty_score":0.9998553},"labels":[],"label_agreement":null},{"id":"W2008110946","doi":"10.7202/039231ar","title":"Le « projet multithéâtral »","year":2010,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"History, Culture, and Society","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04400680657486972,"score_gpt":0.3569648571804991,"score_spread":0.31295805060562937,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2008110946","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06529699,0.0057001812,0.007963369,0.016937787,0.010465704,0.003340948,0.00074758794,0.003369237,0.8861782],"genre_scores_gemma":[0.53285503,0.0013983474,0.09125358,0.009957361,0.0023354923,0.001181916,0.00028183375,0.0004979894,0.3602384],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.991646,0.0023786323,0.0017605987,0.001395677,0.00070904434,0.0021100708],"domain_scores_gemma":[0.994849,0.00085952325,0.0007528415,0.0015826985,0.0011310832,0.0008248563],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["sts","research_integrity"],"category_scores_codex":[0.003157101,0.0012248505,0.0012734701,0.00034840096,0.0045120292,0.00027876545,0.0012692343,0.0022941513,0.0012664718],"category_scores_gemma":[0.0016039135,0.0012443485,0.00097283046,0.0005159538,0.008020381,0.0017545626,0.0003937073,0.0054187397,0.00025970876],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025285073,0.0015126074,0.0033686461,0.0026794905,0.00026897216,0.0003633214,0.10182495,0.0000014785322,0.031755835,0.3472847,0.31272215,0.19796501],"study_design_scores_gemma":[0.00075080054,0.00048186432,0.0010651995,0.0023610631,0.0001594599,0.00015985817,0.0049627316,0.000023387278,0.0060896967,0.012866383,0.96974975,0.0013297973],"about_ca_topic_score_codex":0.01021005,"about_ca_topic_score_gemma":0.03864582,"teacher_disagreement_score":0.6570276,"about_ca_system_score_codex":0.0016065784,"about_ca_system_score_gemma":0.0016045794,"threshold_uncertainty_score":0.9996465},"labels":[],"label_agreement":null},{"id":"W2008731292","doi":"10.7202/044684ar","title":"Nouvelles formes d’art et d’expérience esthétique dans une culture en transit : les promenades de Janet Cardiff","year":2010,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art","score_opus":0.048421903374108025,"score_gpt":0.3036062324032586,"score_spread":0.2551843290291506,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2008731292","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26629668,0.004874117,0.11557815,0.016335376,0.001966125,0.0019284034,0.00051004795,0.0026906251,0.58982044],"genre_scores_gemma":[0.8332062,0.0020406106,0.06579524,0.003093949,0.00046804405,0.00031709988,0.00013556497,0.00017033902,0.09477295],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99413294,0.0007368783,0.001178181,0.0014572513,0.00077636715,0.0017184059],"domain_scores_gemma":[0.9961815,0.0004988088,0.00045198985,0.0013097809,0.0007357118,0.00082223193],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0012525347,0.0013805487,0.0010937997,0.0003259267,0.001308052,0.0033731165,0.0020273132,0.0009859654,0.00011869823],"category_scores_gemma":[0.00061924785,0.0011308908,0.0007171341,0.00082287815,0.0046504764,0.0074236207,0.00064553664,0.0019333862,0.00003523313],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012589364,0.00077462127,0.0005603147,0.0007205684,0.00019809758,0.0014175809,0.19354217,0.000039961986,0.10898507,0.39977226,0.034669068,0.2591944],"study_design_scores_gemma":[0.0003789657,0.0013131655,0.001569433,0.0019440711,0.00012268827,0.003572808,0.0023773648,0.0002078828,0.09942423,0.060145456,0.8272489,0.0016950521],"about_ca_topic_score_codex":0.0087081725,"about_ca_topic_score_gemma":0.038485,"teacher_disagreement_score":0.7925798,"about_ca_system_score_codex":0.0008167082,"about_ca_system_score_gemma":0.00066645024,"threshold_uncertainty_score":0.99999213},"labels":[],"label_agreement":null},{"id":"W2009798985","doi":"10.7202/044038ar","title":"Pr gr mm r : l m ch n c t , l s st m t c t , l’ nd t rm n, l s r l t , l’ rt1","year":2010,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University; Université Laval","funders":"","keywords":"Humanities; Combinatorics; Mathematics; Art","score_opus":0.030343248760999676,"score_gpt":0.3078180045257576,"score_spread":0.2774747557647579,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2009798985","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21739514,0.018582858,0.000887794,0.027022688,0.007942226,0.0015817914,0.00066912395,0.0023232996,0.7235951],"genre_scores_gemma":[0.7317049,0.0021269876,0.010650031,0.014412486,0.0031117187,0.00043989197,0.00028088287,0.00020702576,0.23706609],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99278843,0.0013442266,0.001433138,0.001561804,0.0009959186,0.0018764662],"domain_scores_gemma":[0.99544996,0.0005966122,0.00071716204,0.0011969988,0.0012756184,0.00076366245],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["sts","research_integrity"],"category_scores_codex":[0.0021766035,0.0012581327,0.0013328685,0.00047698733,0.0030881113,0.0014552622,0.0018134322,0.0014850755,0.0026780593],"category_scores_gemma":[0.0010262318,0.0011393287,0.0011442354,0.0014986554,0.011677749,0.0028394985,0.0004983115,0.0023559493,0.00014248776],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014208161,0.0008741494,0.002328928,0.00043864027,0.00045629154,0.0003745971,0.025222026,0.0000018405426,0.014277438,0.41555992,0.09451986,0.44580424],"study_design_scores_gemma":[0.0002912721,0.0004945094,0.0007593649,0.0007659825,0.0004375964,0.0001529522,0.0014220962,0.000018434008,0.0060341354,0.0741111,0.9141803,0.0013322924],"about_ca_topic_score_codex":0.0063795173,"about_ca_topic_score_gemma":0.050684627,"teacher_disagreement_score":0.8196604,"about_ca_system_score_codex":0.0009314653,"about_ca_system_score_gemma":0.00038720598,"threshold_uncertainty_score":0.99994564},"labels":[],"label_agreement":null},{"id":"W2010677505","doi":"10.7202/1005466ar","title":"L’image est le mouvant","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Philosophical and Theoretical Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.04312381262006365,"score_gpt":0.2708610077487242,"score_spread":0.22773719512866053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2010677505","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011424377,0.0070916386,0.006531456,0.009795783,0.0008882828,0.00050331844,0.0005430819,0.001258636,0.9619634],"genre_scores_gemma":[0.89480805,0.0020748493,0.013929217,0.0032281477,0.0011481479,0.000239556,0.00010858936,0.00025113692,0.08421229],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9949915,0.0007547999,0.001326316,0.0010894564,0.0005359858,0.0013019475],"domain_scores_gemma":[0.9968761,0.0003907615,0.00040499345,0.0010324139,0.00072429556,0.0005714238],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0010220275,0.0010779215,0.0011621601,0.0004647338,0.002086505,0.0007523075,0.0010872175,0.00046825592,0.005125017],"category_scores_gemma":[0.00042871357,0.0009777081,0.0010423587,0.00026333446,0.017481664,0.00174125,0.000584201,0.0010858998,0.00032474412],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021623453,0.0012723723,0.000069828835,0.0005185228,0.0003416806,0.000572873,0.013744241,2.6841724e-7,0.0008580855,0.8627165,0.0031427837,0.116546586],"study_design_scores_gemma":[0.00021418894,0.00062491617,0.000072466115,0.0010538235,0.00031180377,0.000092099806,0.00066224457,0.000043044027,0.0065118982,0.57122284,0.41832295,0.00086772494],"about_ca_topic_score_codex":0.012179998,"about_ca_topic_score_gemma":0.003937918,"teacher_disagreement_score":0.8833837,"about_ca_system_score_codex":0.000523194,"about_ca_system_score_gemma":0.0001603632,"threshold_uncertainty_score":0.99926734},"labels":[],"label_agreement":null},{"id":"W2011600595","doi":"10.7202/1012653ar","title":"Synchronisations, désynchronisations. Le jeu intermédial des corps, des écritures et des instruments","year":2012,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.12202581507192412,"score_gpt":0.3333281073560395,"score_spread":0.2113022922841154,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2011600595","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46260837,0.043437652,0.14181848,0.004175615,0.0039863796,0.0021908164,0.00064024836,0.0031914995,0.33795094],"genre_scores_gemma":[0.898976,0.0036700699,0.0705863,0.0040887543,0.00069562276,0.00033967377,0.00024094619,0.00021819165,0.021184403],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99173886,0.0014127906,0.0018466333,0.0014497131,0.0009744079,0.0025775784],"domain_scores_gemma":[0.9943454,0.00074025313,0.00077765767,0.0015307099,0.0013274157,0.0012785221],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow","sts","scholarly_communication"],"category_scores_codex":[0.0016772156,0.0016928236,0.0012441387,0.0007345743,0.0035183448,0.0053605074,0.0019320733,0.00076392724,0.00027722848],"category_scores_gemma":[0.0018648009,0.0015675992,0.0008296241,0.0010260084,0.012863235,0.020382684,0.0015797513,0.0012035108,0.00012267196],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013837656,0.0015489521,0.004081644,0.0009537579,0.00028305943,0.00019785434,0.040911745,0.000024924453,0.005523965,0.3456794,0.013831619,0.5868247],"study_design_scores_gemma":[0.0016004333,0.0025573233,0.020700512,0.0095207095,0.0004089405,0.0035935217,0.0023207306,0.00038850334,0.075845964,0.3199002,0.55907434,0.0040888023],"about_ca_topic_score_codex":0.012594742,"about_ca_topic_score_gemma":0.009518145,"teacher_disagreement_score":0.5827359,"about_ca_system_score_codex":0.0035352404,"about_ca_system_score_gemma":0.0009675535,"threshold_uncertainty_score":0.9995818},"labels":[],"label_agreement":null},{"id":"W2012820966","doi":"10.7202/044044ar","title":"« Programmer l’imprévisible » : la programmation comme pragmatique radicale","year":2009,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Computer science; Programmer; Programming language","score_opus":0.12739710903194804,"score_gpt":0.4252868271352076,"score_spread":0.2978897181032596,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2012820966","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.053757068,0.010114684,0.036698673,0.14410129,0.0028441162,0.003203747,0.00009746504,0.003103573,0.7460794],"genre_scores_gemma":[0.85847336,0.004748958,0.09880517,0.0051328004,0.0020196664,0.0007565492,0.00027763037,0.000121315774,0.029664539],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99293864,0.0034567276,0.0010746971,0.00079068606,0.00060399924,0.0011352622],"domain_scores_gemma":[0.9958362,0.00186714,0.0005839283,0.0005542511,0.0007554866,0.00040301323],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.006256028,0.0006530787,0.0006628585,0.0003155283,0.0018685645,0.00064924936,0.00079379167,0.000812313,0.00020474328],"category_scores_gemma":[0.0020157357,0.0006978649,0.00041535156,0.00081435026,0.01026843,0.001788725,0.000093892646,0.0009937454,0.000031935684],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018038063,0.0006476608,0.00076734077,0.0001697559,0.000055601275,0.000014082671,0.0378598,0.0000013002821,0.00019004791,0.46077746,0.0064164153,0.4930825],"study_design_scores_gemma":[0.00025679803,0.00069944514,0.0018355709,0.0012894038,0.00010376871,0.00008177876,0.007998444,0.000025429903,0.00070802565,0.19985452,0.7864344,0.00071240467],"about_ca_topic_score_codex":0.0017536381,"about_ca_topic_score_gemma":0.0009132402,"teacher_disagreement_score":0.8047163,"about_ca_system_score_codex":0.0010734398,"about_ca_system_score_gemma":0.00057853817,"threshold_uncertainty_score":0.99954724},"labels":[],"label_agreement":null},{"id":"W2014608530","doi":"10.7202/044414ar","title":"Intermedial Maps: The Street as Site of Cultural-Political Regulation in Modern Brazil","year":2010,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Modernization theory; Politics; Geography; Poverty; Poetry; Power (physics); Architecture; Humanities; Archaeology; Art; Political science","score_opus":0.02365606265149436,"score_gpt":0.29027138715387424,"score_spread":0.2666153245023799,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2014608530","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5958301,0.00038324695,0.000269584,0.0014502134,0.0009628471,0.0005934072,0.00029177693,0.0004858365,0.399733],"genre_scores_gemma":[0.9859347,0.000037247748,0.0009286291,0.0024858383,0.0007529237,0.00014617784,0.00021324087,0.00006818471,0.009433059],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9973577,0.00024849895,0.00082164083,0.0005000807,0.00042118254,0.00065089087],"domain_scores_gemma":[0.99819523,0.00026441758,0.00021436601,0.0006175691,0.00054990203,0.0001585107],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00055008504,0.00048799586,0.00050600624,0.0002438989,0.00054454955,0.0005815509,0.0005589972,0.00027369108,0.0003661657],"category_scores_gemma":[0.00032357528,0.00034085015,0.00030579866,0.00010668484,0.0043770582,0.0012708738,0.00018154219,0.0009090564,0.000012257773],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013145979,0.00020864618,0.00061586744,0.00016032162,0.000039003306,0.000042848147,0.06544026,7.086258e-7,0.0074534593,0.8900663,0.0057060276,0.030135054],"study_design_scores_gemma":[0.0006350813,0.0005485593,0.0010054525,0.0011605195,0.00010801576,0.000118565724,0.0093980385,0.00006784439,0.033458948,0.48997808,0.46260065,0.0009202711],"about_ca_topic_score_codex":0.0013597724,"about_ca_topic_score_gemma":0.021251421,"teacher_disagreement_score":0.4568946,"about_ca_system_score_codex":0.00018928362,"about_ca_system_score_gemma":0.00007290823,"threshold_uncertainty_score":0.99990433},"labels":[],"label_agreement":null},{"id":"W2015353979","doi":"10.7202/044677ar","title":"Restitution Exhibitions: Issues of Ethnic Identity and Art","year":2010,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Memory, Trauma, and Commemoration","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Restitution; Exhibition; Ethnic group; Identity (music); Cultural property; Sociology; Property (philosophy); Order (exchange); Political science; Aesthetics; Art; Media studies; Visual arts; Law; Epistemology; Philosophy; Business","score_opus":0.05926983237457153,"score_gpt":0.3704392361940892,"score_spread":0.3111694038195177,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2015353979","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.69939756,0.0028002243,0.019337172,0.0015760557,0.0013654551,0.0008053753,0.00010570259,0.0010500941,0.27356237],"genre_scores_gemma":[0.97703934,0.00051368825,0.010958226,0.0006984553,0.00025191312,0.00025462545,0.00009515341,0.00006203788,0.010126584],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9976687,0.0004029533,0.000699515,0.0005491262,0.00029152023,0.00038820197],"domain_scores_gemma":[0.99818623,0.00021936696,0.00029452727,0.0007825706,0.0003778842,0.00013940663],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0011251951,0.00036010394,0.00044791278,0.00036012343,0.00041738938,0.00014435285,0.0003762487,0.00033898177,0.00055678084],"category_scores_gemma":[0.00041590535,0.0003630039,0.00016993146,0.00032561936,0.0023454214,0.001131865,0.0001299161,0.0006154746,0.00005161431],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002567391,0.0006799542,0.0024840853,0.00031689237,0.00010011612,0.00008823717,0.007638282,6.3732284e-7,0.09000866,0.54131895,0.020461712,0.33664575],"study_design_scores_gemma":[0.0016493143,0.0018110151,0.056353603,0.0017910375,0.00031389625,0.00080433046,0.0020000935,0.000029853398,0.16711865,0.41412342,0.35217217,0.0018326043],"about_ca_topic_score_codex":0.0010574813,"about_ca_topic_score_gemma":0.0060066734,"teacher_disagreement_score":0.33481315,"about_ca_system_score_codex":0.00012555225,"about_ca_system_score_gemma":0.000053507345,"threshold_uncertainty_score":0.9998822},"labels":[],"label_agreement":null},{"id":"W2016037411","doi":"10.7202/1005446ar","title":"Naissance sur l’échafaud ou la tragédie du début du XVIIe siècle","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.051099799437500364,"score_gpt":0.29235623771467495,"score_spread":0.24125643827717458,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2016037411","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.066507034,0.021005195,0.0036171395,0.010898209,0.0031810168,0.0008581465,0.00024087673,0.0019181767,0.8917742],"genre_scores_gemma":[0.8708781,0.00903673,0.0079748295,0.003039854,0.001237779,0.00034596203,0.00003056931,0.0001892577,0.10726692],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99324876,0.0017697865,0.0013293854,0.0012672542,0.00081143447,0.0015733675],"domain_scores_gemma":[0.9962233,0.0010627655,0.0005531174,0.0008041959,0.0007545968,0.0006020746],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0021311564,0.0011098541,0.001220035,0.00034125068,0.0036996766,0.00032740974,0.001405659,0.0007189502,0.0008374762],"category_scores_gemma":[0.0012085976,0.0011029439,0.0008103178,0.0009038401,0.014507789,0.002435685,0.00049902446,0.0010210512,0.00014006991],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023038115,0.0011601496,0.0056497566,0.00043978123,0.0002328997,0.0009261602,0.09724066,8.0567787e-7,0.00035124493,0.4837109,0.050079234,0.35997802],"study_design_scores_gemma":[0.00033349943,0.000726149,0.002835308,0.0012958309,0.00016304781,0.00012390682,0.00097584847,0.000010888645,0.0019000615,0.04328344,0.9471302,0.0012217932],"about_ca_topic_score_codex":0.0165764,"about_ca_topic_score_gemma":0.0055128084,"teacher_disagreement_score":0.897051,"about_ca_system_score_codex":0.0015358357,"about_ca_system_score_gemma":0.00027748826,"threshold_uncertainty_score":0.99914205},"labels":[],"label_agreement":null},{"id":"W2017705678","doi":"10.7202/1005532ar","title":"Plays of Destruction","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Digital Games and Media","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Aesthetics; Space (punctuation); Aesthetic experience; Cognition; Process (computing); Human life; Epistemology; Psychology; Art; Sociology; Philosophy; Literature; Computer science; Linguistics","score_opus":0.04619328234986967,"score_gpt":0.3087589205758712,"score_spread":0.2625656382260015,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2017705678","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1470097,0.0003116489,0.002697654,0.00015590049,0.00044152176,0.00035939153,0.000033991,0.00067137106,0.8483188],"genre_scores_gemma":[0.9547738,0.0005485426,0.0187855,0.00039261897,0.00016658958,0.00009547411,0.000017208844,0.000060603423,0.025159683],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99778825,0.00027012426,0.00056338025,0.00040168033,0.00042387776,0.00055268826],"domain_scores_gemma":[0.9985432,0.00016585883,0.00028511626,0.00040127584,0.00036724156,0.00023731923],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00088880054,0.00030466716,0.00040294474,0.000260127,0.00033585343,0.0001246173,0.00054475496,0.00022929766,0.00024115015],"category_scores_gemma":[0.00059987896,0.00029722965,0.00025843905,0.00032244978,0.0037147242,0.0011733405,0.00013611469,0.00025043136,0.0000126183],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010515916,0.00020603152,0.002911343,0.00010318692,0.000043471744,0.000044880082,0.031954784,2.3219306e-7,0.0020694153,0.28540283,0.0011362645,0.6760224],"study_design_scores_gemma":[0.0002481155,0.0006677875,0.0036949595,0.0008258481,0.00007361844,0.000047735473,0.0036259193,0.0000019590582,0.04851265,0.089217454,0.85240376,0.00068020396],"about_ca_topic_score_codex":0.0029097435,"about_ca_topic_score_gemma":0.003836975,"teacher_disagreement_score":0.8512675,"about_ca_system_score_codex":0.0003850033,"about_ca_system_score_gemma":0.00017670533,"threshold_uncertainty_score":0.99994797},"labels":[],"label_agreement":null},{"id":"W2018009317","doi":"10.7202/044680ar","title":"Reflections on the Pragmatics of the Illustrated Perspective Treatise","year":2010,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Art, Aesthetics, and Perception","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Perspective (graphical); Literal and figurative language; Pragmatics; Contradiction; Unconscious mind; Representation (politics); Epistemology; Linguistics; Field (mathematics); Grice; German; Cognitive science; Philosophy; Computer science; Psychology; Artificial intelligence; Mathematics","score_opus":0.06336434850297254,"score_gpt":0.3291817182111328,"score_spread":0.2658173697081603,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2018009317","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25783908,0.000058444904,0.0002943878,0.0042398935,0.0006044904,0.0006185292,0.00014783927,0.00043174438,0.7357656],"genre_scores_gemma":[0.97828346,0.000095436524,0.0008641826,0.0012157209,0.00030441463,0.00013659142,0.000016736647,0.00006154191,0.019021887],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982676,0.00034976847,0.00046920803,0.00031248492,0.00029025876,0.0003106827],"domain_scores_gemma":[0.9979689,0.00031291432,0.0002813619,0.0007143605,0.0006566682,0.00006579025],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00051977974,0.00033802947,0.0002898527,0.00012532041,0.0015931894,0.0002658665,0.0004928273,0.00014107107,0.0007825376],"category_scores_gemma":[0.00040332536,0.00020614218,0.00028327398,0.00008658262,0.004744648,0.00037598892,0.000092040675,0.0006862036,0.000015208481],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005987078,0.00023830692,0.00011191274,0.00003911581,0.000051119114,0.0000044751378,0.11367542,0.000002354482,0.0048690597,0.85165125,0.007359279,0.021937817],"study_design_scores_gemma":[0.00023646635,0.0009149282,0.0010969369,0.00063993066,0.00015598317,0.000073197705,0.020608433,0.00003570542,0.014012601,0.27579233,0.6858297,0.00060380273],"about_ca_topic_score_codex":0.0026418534,"about_ca_topic_score_gemma":0.04489776,"teacher_disagreement_score":0.7204444,"about_ca_system_score_codex":0.00025153052,"about_ca_system_score_gemma":0.00008392413,"threshold_uncertainty_score":0.9997066},"labels":[],"label_agreement":null},{"id":"W2018108478","doi":"10.7202/039232ar","title":"Interartialité et remédiation scénique de la peinture","year":2010,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.020532480220332355,"score_gpt":0.31523530861029875,"score_spread":0.2947028283899664,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2018108478","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11978491,0.0073624332,0.009296637,0.023779156,0.0043182075,0.0009631089,0.00023466416,0.001882728,0.83237815],"genre_scores_gemma":[0.824241,0.0032564795,0.023235574,0.007363664,0.0015945738,0.0003761166,0.00007681046,0.00018234426,0.13967346],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9925584,0.003317154,0.0011260301,0.0010295877,0.0006925691,0.0012762155],"domain_scores_gemma":[0.996095,0.0014731803,0.00050472084,0.0007675384,0.00061404676,0.0005454831],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["sts"],"category_scores_codex":[0.004017416,0.0009034565,0.0008899373,0.00038683522,0.0019501207,0.0007124552,0.001024527,0.0010969985,0.00079178927],"category_scores_gemma":[0.0022056599,0.00090500416,0.0006547691,0.00077245926,0.01032188,0.0022677963,0.00041705364,0.0023525902,0.00006385902],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012641164,0.00051835016,0.0018863191,0.00029526715,0.00012472927,0.00021182791,0.08461883,0.0000023435439,0.0061200266,0.5801158,0.033908896,0.29207122],"study_design_scores_gemma":[0.00021836851,0.00039621664,0.0010308708,0.00096674846,0.00011100162,0.0001225593,0.0007705977,0.000021639533,0.003795222,0.10224924,0.88943577,0.00088176917],"about_ca_topic_score_codex":0.01089096,"about_ca_topic_score_gemma":0.0126875825,"teacher_disagreement_score":0.85552686,"about_ca_system_score_codex":0.0017167104,"about_ca_system_score_gemma":0.00051619374,"threshold_uncertainty_score":0.99994904},"labels":[],"label_agreement":null},{"id":"W2018370675","doi":"10.7202/1024118ar","title":"Dégel","year":2014,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.044475404773884064,"score_gpt":0.3044953727497391,"score_spread":0.260019967975855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2018370675","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011229489,0.02784457,0.011493824,0.010811231,0.0039579277,0.0007179671,0.00010504327,0.0015918519,0.9322481],"genre_scores_gemma":[0.6580649,0.010651173,0.014500704,0.0061076074,0.0024754752,0.00031060714,0.00004233895,0.0002149833,0.30763218],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99370223,0.0017918054,0.0010440302,0.0010133849,0.0008681492,0.0015804038],"domain_scores_gemma":[0.9966605,0.00097404775,0.00046230684,0.0007297827,0.0006625658,0.00051079725],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0024998325,0.0009182908,0.001083409,0.0002903456,0.0031490584,0.0005950376,0.0011062732,0.0007081281,0.0006223697],"category_scores_gemma":[0.0016780974,0.0009680997,0.00073259557,0.0007750416,0.013734098,0.0013900572,0.00046195462,0.00090887636,0.00017241323],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031814227,0.00024902346,0.000545673,0.00021585057,0.00011585163,0.00004798253,0.022642525,0.0000013382643,0.00020627634,0.50996375,0.050880734,0.41509914],"study_design_scores_gemma":[0.00022349953,0.00048653997,0.0006317315,0.0010933368,0.00012489561,0.000020153324,0.001263434,0.000019996849,0.0010351766,0.1742541,0.8199496,0.0008975098],"about_ca_topic_score_codex":0.024367608,"about_ca_topic_score_gemma":0.024775304,"teacher_disagreement_score":0.7690689,"about_ca_system_score_codex":0.0026831934,"about_ca_system_score_gemma":0.00023766312,"threshold_uncertainty_score":0.99927694},"labels":[],"label_agreement":null},{"id":"W2020225579","doi":"10.7202/1005459ar","title":"La technique et son récit. Petite histoire de l’histoire de la photographie","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.026881837358955874,"score_gpt":0.2639135913416682,"score_spread":0.2370317539827123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2020225579","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.051875614,0.03779115,0.016118055,0.020273002,0.0016775222,0.0017150613,0.0006590476,0.0034431422,0.8664474],"genre_scores_gemma":[0.71148294,0.026556758,0.029243898,0.0043393252,0.0009676574,0.0020097373,0.00015741521,0.00057922595,0.22466305],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9922612,0.0024541493,0.0014967838,0.0013252663,0.0006907799,0.0017718594],"domain_scores_gemma":[0.99597853,0.0009189932,0.0007478916,0.0009941708,0.00071994436,0.00064047676],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0028184492,0.0015307057,0.0015825179,0.00070165365,0.0091337375,0.0007770183,0.0012743542,0.0011710345,0.0013894585],"category_scores_gemma":[0.0005454456,0.0014390426,0.0017476074,0.00052771915,0.017414408,0.0012704112,0.00055847754,0.0021774787,0.00003653793],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003522482,0.0016390522,0.0015986734,0.0012940567,0.00077814946,0.0015082698,0.13840416,0.0000024152089,0.003430192,0.60077345,0.040664855,0.2095545],"study_design_scores_gemma":[0.00035420136,0.00077411573,0.00042094564,0.0022173477,0.0006971468,0.00038726503,0.0029279492,0.00001407908,0.0020792237,0.10304765,0.8853973,0.0016827495],"about_ca_topic_score_codex":0.053513296,"about_ca_topic_score_gemma":0.028056983,"teacher_disagreement_score":0.84473246,"about_ca_system_score_codex":0.011503928,"about_ca_system_score_gemma":0.00026518435,"threshold_uncertainty_score":0.9997442},"labels":[],"label_agreement":null},{"id":"W2022258094","doi":"10.7202/1005517ar","title":"L’enfant effacé ou retrouver le fil d’une figure","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.06337961100863185,"score_gpt":0.35502033822438317,"score_spread":0.2916407272157513,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2022258094","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03884603,0.017494636,0.00902415,0.0072086714,0.003303778,0.0011584869,0.00049656583,0.0011939724,0.9212737],"genre_scores_gemma":[0.6209748,0.0029417677,0.014295184,0.0037907304,0.0007078906,0.00069062575,0.00019431986,0.00040234148,0.35600236],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9889524,0.0034947863,0.001986315,0.002276895,0.00083150325,0.0024580997],"domain_scores_gemma":[0.9940759,0.0006748073,0.00077097106,0.0028820739,0.00083063217,0.0007656429],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.0037668776,0.0015246773,0.0017642052,0.0011399565,0.0014297104,0.00037613275,0.0021558187,0.00165809,0.007538983],"category_scores_gemma":[0.00041488273,0.0015460431,0.0013840663,0.0014131176,0.00805648,0.00119334,0.00051633955,0.0026298312,0.0007760767],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016314716,0.0031452675,0.008949442,0.00062995125,0.0012074311,0.0030251252,0.026628071,0.0000010607105,0.0034923996,0.11474057,0.24036013,0.5961891],"study_design_scores_gemma":[0.0013213956,0.0021570874,0.012425957,0.0018872184,0.00040946054,0.0010031111,0.0014945392,0.000018095054,0.0049177133,0.053779535,0.91882735,0.0017585588],"about_ca_topic_score_codex":0.011203728,"about_ca_topic_score_gemma":0.0039554765,"teacher_disagreement_score":0.6784672,"about_ca_system_score_codex":0.00092844985,"about_ca_system_score_gemma":0.00030269253,"threshold_uncertainty_score":0.9998703},"labels":[],"label_agreement":null},{"id":"W2022406989","doi":"10.7202/1015086ar","title":"Turning Rice into Pilau: the Art of Video Narration in Tanzania","year":2013,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"African history and culture studies","field":"Social Sciences","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Orality; Hierarchy; Tanzania; Shot (pellet); Storytelling; Visual arts; Art; History; Aesthetics; Sociology; Literature; Political science; Law","score_opus":0.022955573707787152,"score_gpt":0.2956084306040651,"score_spread":0.27265285689627794,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2022406989","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19969645,0.0021326125,0.0029842749,0.005978857,0.00046077275,0.0012130339,0.000011670371,0.00068908394,0.7868332],"genre_scores_gemma":[0.98518926,0.00029638418,0.0034709321,0.0009631635,0.00015665503,0.0003772461,0.0000089569585,0.000035631216,0.009501788],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99725354,0.0008100369,0.00063243124,0.00039718585,0.0004446585,0.00046212733],"domain_scores_gemma":[0.9983054,0.00044060193,0.00033599586,0.00036577714,0.00045213144,0.00010014193],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0014236678,0.00031382494,0.00042707493,0.00019408573,0.001478875,0.00015986219,0.0005993658,0.00017884428,0.00018923543],"category_scores_gemma":[0.0011125297,0.00024503574,0.00018180943,0.0005169118,0.0036936575,0.0010950847,0.00014693118,0.0004111472,0.000025988094],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012603021,0.00034714743,0.006585066,0.0002555484,0.00011700466,0.00004106631,0.5320428,0.000009519525,0.03988466,0.21801187,0.06537014,0.13720913],"study_design_scores_gemma":[0.00024568662,0.00039084235,0.006582594,0.0008566058,0.00005870997,0.000014113887,0.037262574,0.000009031083,0.0063463934,0.11174263,0.8357484,0.000742464],"about_ca_topic_score_codex":0.007441109,"about_ca_topic_score_gemma":0.021510163,"teacher_disagreement_score":0.7854928,"about_ca_system_score_codex":0.0008190919,"about_ca_system_score_gemma":0.00012701645,"threshold_uncertainty_score":0.99982107},"labels":[],"label_agreement":null},{"id":"W2023161772","doi":"10.7202/1020618ar","title":"Le tiers inclus et la médialité de la procédure","year":2013,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Law in Society and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Political science; Humanities; Sociology; Art","score_opus":0.018266350772332053,"score_gpt":0.310962736688643,"score_spread":0.2926963859163109,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2023161772","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03789284,0.009133087,0.0026051847,0.026585033,0.0009889004,0.00137856,0.0001470357,0.0017451023,0.91952425],"genre_scores_gemma":[0.7659356,0.008707858,0.02554109,0.014909051,0.00096747145,0.0011073609,0.00008751094,0.00027488085,0.1824692],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99137825,0.0043696035,0.0009408811,0.0009991622,0.00082076463,0.0014913143],"domain_scores_gemma":[0.9963539,0.0012120439,0.00048304806,0.00074321416,0.0006079811,0.0005997728],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["sts"],"category_scores_codex":[0.0037720257,0.0009300939,0.00086559774,0.000096413445,0.002640686,0.0013733024,0.0013954908,0.0016609184,0.00061209354],"category_scores_gemma":[0.0009286016,0.00093639764,0.0008001727,0.0007266238,0.014458652,0.0026996324,0.0005708244,0.0017856662,0.000090846486],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000479276,0.0005832678,0.0007174205,0.00047289502,0.00019420433,0.00013755079,0.08737868,0.0000072134094,0.0019387427,0.6552139,0.08590443,0.16740377],"study_design_scores_gemma":[0.0003218612,0.0002335369,0.00043386238,0.0012405852,0.00011513164,0.00015643069,0.006455561,0.0000122387655,0.0028091983,0.17935547,0.80793494,0.00093119964],"about_ca_topic_score_codex":0.01842115,"about_ca_topic_score_gemma":0.0033092313,"teacher_disagreement_score":0.73705506,"about_ca_system_score_codex":0.0015608433,"about_ca_system_score_gemma":0.0012355788,"threshold_uncertainty_score":0.99966335},"labels":[],"label_agreement":null},{"id":"W2023417020","doi":"10.7202/1005475ar","title":"Aimer hors chant : réinvention de l’amour et invention du « roman »","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.07896384613329266,"score_gpt":0.3062574697925773,"score_spread":0.22729362365928463,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2023417020","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.056128424,0.008572957,0.0040106513,0.007797548,0.003039303,0.00089223677,0.00010604833,0.001383912,0.91806895],"genre_scores_gemma":[0.8979737,0.009587217,0.008301632,0.0024450067,0.00065902295,0.0002897453,0.000058745503,0.00010660367,0.08057831],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.995272,0.0012945598,0.000847482,0.00082234474,0.0006311607,0.0011324815],"domain_scores_gemma":[0.9979956,0.00015364376,0.00050789554,0.00038524528,0.0005226603,0.00043491888],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0018974495,0.00071225624,0.000711438,0.00027512558,0.0022559336,0.00030195017,0.00073118537,0.00050397,0.001035746],"category_scores_gemma":[0.0004797541,0.0006777747,0.0007323268,0.00059174595,0.0049699796,0.001938589,0.0004117972,0.0006519548,0.00013626415],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014542104,0.0008844304,0.002149166,0.00030104275,0.00023572659,0.00022254535,0.060232688,8.1279103e-7,0.0013745438,0.73926884,0.035370734,0.15981403],"study_design_scores_gemma":[0.00024757048,0.0006724484,0.0029179794,0.0012433906,0.0002644966,0.000049915652,0.003291338,0.000008660278,0.0024871454,0.12329878,0.86467403,0.0008442178],"about_ca_topic_score_codex":0.03763467,"about_ca_topic_score_gemma":0.024634002,"teacher_disagreement_score":0.8418453,"about_ca_system_score_codex":0.0025367835,"about_ca_system_score_gemma":0.00015264277,"threshold_uncertainty_score":0.99987745},"labels":[],"label_agreement":null},{"id":"W2023666272","doi":"10.7202/1005748ar","title":"Fototopografia: The “Futures Past” of Surveying","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Futures contract; Aerial photography; Visual arts; Geography; Remote sensing; Art; Business","score_opus":0.07472355350872559,"score_gpt":0.2983497072374326,"score_spread":0.223626153728707,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2023666272","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37488493,0.0019504314,0.0010645726,0.00029521927,0.0008615589,0.0010517259,0.0002618885,0.0012816655,0.618348],"genre_scores_gemma":[0.99200803,0.0002141261,0.0013310246,0.0010804682,0.00037337508,0.00024542652,0.000041037434,0.00008139676,0.004625096],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997482,0.000473563,0.00069474994,0.00045708538,0.00034592772,0.0005466857],"domain_scores_gemma":[0.99814355,0.00025082272,0.00035400176,0.0006464919,0.00048618088,0.0001189711],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0009652879,0.0005087373,0.0005206337,0.00027224454,0.0013395731,0.0002698931,0.0008078381,0.00017374079,0.0006311077],"category_scores_gemma":[0.00013355013,0.0003461536,0.0005186864,0.0001770159,0.0043470506,0.0007706038,0.00020754762,0.00052675867,0.000007208056],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030664628,0.00055232504,0.0038369717,0.0003869582,0.00030203885,0.000065823675,0.18185641,2.8371883e-7,0.0055786003,0.71929854,0.0139311245,0.07388425],"study_design_scores_gemma":[0.00041673274,0.0014015038,0.0058442364,0.0012673493,0.00022620165,0.000084732004,0.013195869,0.0000041186527,0.101478584,0.08235359,0.79248303,0.0012440264],"about_ca_topic_score_codex":0.0042528477,"about_ca_topic_score_gemma":0.008020974,"teacher_disagreement_score":0.77855194,"about_ca_system_score_codex":0.000094626375,"about_ca_system_score_gemma":0.000042021267,"threshold_uncertainty_score":0.99996054},"labels":[],"label_agreement":null},{"id":"W2024676538","doi":"10.7202/1005507ar","title":"Un théâtre d’acteurs vidéographiques : Les aveugles de Denis Marleau","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art","score_opus":0.05131460621644924,"score_gpt":0.27430581606413224,"score_spread":0.222991209847683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2024676538","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07490242,0.048007574,0.004864754,0.0036277582,0.0016630844,0.0008318213,0.0007973599,0.0026875325,0.8626177],"genre_scores_gemma":[0.6788401,0.011880037,0.02229183,0.003485252,0.0016025773,0.000443741,0.00018367654,0.0004213853,0.28085142],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9934879,0.0014780296,0.0015580984,0.0012514063,0.00057929213,0.0016452516],"domain_scores_gemma":[0.9962908,0.0006205668,0.000616863,0.0010796043,0.0007445882,0.0006475512],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0011396749,0.0014218253,0.0012656939,0.00092933874,0.0031019938,0.00093279127,0.0013108604,0.0007062223,0.0043644733],"category_scores_gemma":[0.00034115868,0.0013541752,0.0013007808,0.00041277398,0.009756538,0.002471285,0.00041988018,0.0013270555,0.00008068477],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033345842,0.0011317817,0.0032995755,0.0007271911,0.0004903676,0.00086888776,0.05476945,4.450704e-7,0.0006222795,0.52031827,0.022613095,0.3948252],"study_design_scores_gemma":[0.00025316537,0.0011146793,0.0010311207,0.002303669,0.0005173937,0.00026506686,0.0017809351,0.000009406246,0.00730109,0.088219695,0.89573485,0.0014689285],"about_ca_topic_score_codex":0.032128766,"about_ca_topic_score_gemma":0.010312205,"teacher_disagreement_score":0.87312174,"about_ca_system_score_codex":0.0011505637,"about_ca_system_score_gemma":0.00019168423,"threshold_uncertainty_score":0.9998532},"labels":[],"label_agreement":null},{"id":"W2026296899","doi":"10.7202/1005540ar","title":"Autour du portrait d’identité : visage, empreinte digitale et ADN","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Scientific Studies","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McCord Museum","funders":"","keywords":"Art; Humanities","score_opus":0.050970434307867483,"score_gpt":0.2939034516950798,"score_spread":0.24293301738721232,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2026296899","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06299735,0.019486234,0.014215433,0.0044897296,0.0071044993,0.0013413401,0.000474007,0.0023327884,0.88755864],"genre_scores_gemma":[0.5734669,0.0033479214,0.011529939,0.0036105923,0.00088683463,0.0003294998,0.00011709849,0.00025616656,0.40645504],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9933022,0.0006539603,0.0017653782,0.0015780804,0.0009958589,0.001704514],"domain_scores_gemma":[0.9957341,0.0005429449,0.00057852326,0.0013760254,0.0009625755,0.00080585125],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0020411192,0.0012447279,0.0015352324,0.0006813928,0.0012131672,0.00043251418,0.0010533376,0.0005979519,0.0023062984],"category_scores_gemma":[0.0019635747,0.0011719927,0.0010510656,0.00078561,0.00625546,0.00187121,0.00082413416,0.0012328189,0.00041913486],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00065252197,0.0030982478,0.009098139,0.0020397445,0.0010060628,0.0064835516,0.0512883,0.0000016669975,0.006541242,0.0990839,0.25534245,0.5653642],"study_design_scores_gemma":[0.0007101487,0.0017252332,0.007634262,0.005048833,0.0006023145,0.0009206749,0.0010314152,0.00003408259,0.0127053,0.024104873,0.9440149,0.0014679476],"about_ca_topic_score_codex":0.0040673413,"about_ca_topic_score_gemma":0.0023592203,"teacher_disagreement_score":0.6886724,"about_ca_system_score_codex":0.0018846012,"about_ca_system_score_gemma":0.00039349645,"threshold_uncertainty_score":0.999073},"labels":[],"label_agreement":null},{"id":"W2029351483","doi":"10.7202/1005470ar","title":"Diagramming Duration : Bergsonian Multiplicity and Chaos Theory","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Philosophical and Theoretical Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Multiplicity (mathematics); Epistemology; Duration (music); CHAOS (operating system); Philosophy; Linguistics; Mathematics; Computer science; Literature; Art; Mathematical analysis","score_opus":0.0440964680640961,"score_gpt":0.2625502475815323,"score_spread":0.21845377951743616,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2029351483","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25066173,0.00083419227,0.012933204,0.0020978202,0.00030148326,0.00061257975,0.00014119304,0.0014992141,0.7309186],"genre_scores_gemma":[0.99032724,0.0001776925,0.0024865835,0.0013495022,0.0002922224,0.00015030144,0.000036425776,0.00006329725,0.005116761],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9977783,0.00036765196,0.00059953175,0.00053714396,0.00023865644,0.0004787279],"domain_scores_gemma":[0.9986136,0.00032435887,0.00019240889,0.00039972266,0.00025107103,0.00021886105],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00076720864,0.00044099955,0.00047059738,0.00024366075,0.0010617473,0.00030601362,0.00033395726,0.00015023747,0.0010041322],"category_scores_gemma":[0.00037089753,0.00035487008,0.00026292607,0.00009147454,0.0044748485,0.00079768314,0.0002175403,0.00037494744,0.000020895646],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000119267504,0.00018243935,0.00040347764,0.00008701695,0.00009092709,0.00004145746,0.023079453,6.1287274e-8,0.0005224848,0.81347364,0.000093513685,0.16190627],"study_design_scores_gemma":[0.00017112082,0.00033564898,0.00053932215,0.00030487566,0.00014372016,0.00002777612,0.0007264179,0.000035276513,0.0068214396,0.9260669,0.06427049,0.0005570121],"about_ca_topic_score_codex":0.0012093744,"about_ca_topic_score_gemma":0.0030753561,"teacher_disagreement_score":0.7396655,"about_ca_system_score_codex":0.00014317797,"about_ca_system_score_gemma":0.000020723035,"threshold_uncertainty_score":0.9999091},"labels":[],"label_agreement":null},{"id":"W2029719494","doi":"10.7202/1005468ar","title":"La transparence : obsession et métamorphose","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Philosophical and Theoretical Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art; Political science","score_opus":0.06484926464405476,"score_gpt":0.29364224580827836,"score_spread":0.22879298116422359,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2029719494","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030169556,0.009193662,0.010480343,0.0071462495,0.00078711554,0.0005252159,0.0006439872,0.0012578798,0.939796],"genre_scores_gemma":[0.9471989,0.0045189746,0.005076167,0.0030425608,0.0004453875,0.00021351253,0.00009883288,0.00017148147,0.039234158],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9945286,0.0015693636,0.0012227297,0.0010465062,0.00057744473,0.0010553654],"domain_scores_gemma":[0.9969985,0.00075284974,0.0003661791,0.000866303,0.00049798057,0.00051822374],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0014703718,0.0010273859,0.0010599487,0.00040613435,0.0013902803,0.00060813647,0.0010099706,0.0005790455,0.004948859],"category_scores_gemma":[0.00035650804,0.0008869565,0.0009177157,0.00027498213,0.013500869,0.0015661787,0.0003574868,0.0013455035,0.00012825087],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002791498,0.000982806,0.0001936369,0.00045638613,0.00021024187,0.0004813581,0.022244515,5.6701214e-7,0.00056135294,0.7811042,0.0013452693,0.19214053],"study_design_scores_gemma":[0.00024457867,0.0006619313,0.0002872488,0.0029485843,0.00038431503,0.00009769071,0.00058548467,0.000022221859,0.007627787,0.5614339,0.42478862,0.0009176208],"about_ca_topic_score_codex":0.005404153,"about_ca_topic_score_gemma":0.0029039558,"teacher_disagreement_score":0.9170294,"about_ca_system_score_codex":0.00045751253,"about_ca_system_score_gemma":0.00013815278,"threshold_uncertainty_score":0.99990976},"labels":[],"label_agreement":null},{"id":"W2030102697","doi":"10.7202/1005491ar","title":"The Hermeneutics of Transmission: Deciphering Discourses on Poetry and the Arts in Early Modern Europe (1500-1800)","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Hermeneutics; Constitution; Institutionalisation; The arts; Politics; Sociology; Aesthetics; Cultural history; Literature; History; Epistemology; Law; Political science; Art; Anthropology; Philosophy","score_opus":0.04854398215327772,"score_gpt":0.33032073999591804,"score_spread":0.28177675784264034,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2030102697","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47752777,0.0022697118,0.0018394968,0.0018632651,0.00027226016,0.0007375433,0.000012652623,0.0003634931,0.5151138],"genre_scores_gemma":[0.9924127,0.0021045825,0.0014803988,0.00068735745,0.00007451804,0.00009675011,0.0000013159159,0.00004609999,0.0030962972],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99735165,0.00068559137,0.00060293154,0.0003842427,0.00045028882,0.00052527944],"domain_scores_gemma":[0.9981945,0.0007721465,0.00021182258,0.0004554346,0.0001982702,0.00016779281],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0014790851,0.00030723622,0.0003893362,0.00012396045,0.0012565396,0.00017638164,0.0006911152,0.00015602488,0.000023230687],"category_scores_gemma":[0.0005498481,0.00019682782,0.00016085051,0.0003561873,0.0055504786,0.0005454378,0.000121204495,0.00041421957,0.0000030899703],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006997732,0.00026952327,0.0036563443,0.00006679525,0.000044678407,0.000093124516,0.15189406,0.000004878612,0.0011755314,0.373639,0.00042887605,0.46802744],"study_design_scores_gemma":[0.0012929157,0.001155939,0.01020311,0.0024816762,0.00014601578,0.00003284828,0.006876735,0.00007107313,0.013977105,0.42626038,0.53624034,0.0012618498],"about_ca_topic_score_codex":0.0042722267,"about_ca_topic_score_gemma":0.0034268207,"teacher_disagreement_score":0.5358115,"about_ca_system_score_codex":0.00026198322,"about_ca_system_score_gemma":0.00012700028,"threshold_uncertainty_score":0.99715585},"labels":[],"label_agreement":null},{"id":"W2032155719","doi":"10.7202/1005524ar","title":"Vingt ans après","year":2006,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Aging, Elder Care, and Social Issues","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.04775075805512685,"score_gpt":0.35225066350640455,"score_spread":0.3044999054512777,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2032155719","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15100221,0.02643256,0.021962268,0.010148393,0.005005824,0.0022802083,0.00057391054,0.0038890482,0.7787056],"genre_scores_gemma":[0.70937794,0.002863714,0.016676499,0.010518935,0.0030344133,0.0005842447,0.0002919887,0.00045509514,0.25619715],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9904963,0.0028810604,0.002087577,0.0013671175,0.0008240224,0.0023439405],"domain_scores_gemma":[0.9947002,0.0014290225,0.0009069879,0.0013025843,0.0011334099,0.00052777235],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.0023279414,0.0013210957,0.0015132459,0.00057563186,0.00382583,0.0004335663,0.0011382422,0.0016241528,0.0011393264],"category_scores_gemma":[0.00092640775,0.0014169926,0.00085983076,0.00069939526,0.0055320696,0.00170802,0.00066582323,0.0025610768,0.00023971936],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002597295,0.0012435844,0.020251451,0.0035623792,0.00030323796,0.0009751505,0.09494455,0.0000070855094,0.0027967035,0.30518407,0.20335723,0.36711484],"study_design_scores_gemma":[0.0005662704,0.00059542706,0.0028784191,0.006411496,0.00029841857,0.000079448284,0.009767849,0.000022164024,0.0045597474,0.14370807,0.8295098,0.0016028855],"about_ca_topic_score_codex":0.04309423,"about_ca_topic_score_gemma":0.032999966,"teacher_disagreement_score":0.6261526,"about_ca_system_score_codex":0.002929231,"about_ca_system_score_gemma":0.0005858221,"threshold_uncertainty_score":0.99995404},"labels":[],"label_agreement":null},{"id":"W2032413674","doi":"10.7202/1009075ar","title":"Entre Voltaire et Borges : archiver, trier ?","year":2012,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Borges, Kipling, and Jewish Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Library and Archives Canada","funders":"","keywords":"Humanities; Philosophy","score_opus":0.034485116425739995,"score_gpt":0.2860687563264422,"score_spread":0.2515836399007022,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2032413674","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09625394,0.064561985,0.0044813757,0.008445505,0.0074516353,0.0015201047,0.0017977644,0.0025745055,0.8129132],"genre_scores_gemma":[0.7370375,0.007873878,0.0041271197,0.0038244957,0.002876553,0.0002776732,0.00030878925,0.00035910698,0.24331489],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9933071,0.001139921,0.0015104898,0.00108873,0.0007947616,0.0021590057],"domain_scores_gemma":[0.9959632,0.00070188777,0.0007008849,0.0011923194,0.0006726046,0.00076910877],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0019323635,0.0013956225,0.0012767909,0.0006508978,0.0026433605,0.0015680607,0.0010563523,0.00058312557,0.0025533098],"category_scores_gemma":[0.0006177244,0.0014273387,0.0010144886,0.00024281545,0.0074910773,0.0043220706,0.00070838863,0.0015607165,0.00021427141],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001737637,0.001307939,0.007618338,0.0011231097,0.0003714946,0.00019299245,0.05173531,0.0000013005285,0.0006213147,0.63191295,0.084125035,0.22081645],"study_design_scores_gemma":[0.00048422185,0.00048839464,0.0034066003,0.0023982602,0.00039228282,0.00020275541,0.0022430234,0.000011302576,0.0046123075,0.044065572,0.940156,0.0015393153],"about_ca_topic_score_codex":0.011984813,"about_ca_topic_score_gemma":0.0156603,"teacher_disagreement_score":0.85603094,"about_ca_system_score_codex":0.0011837074,"about_ca_system_score_gemma":0.00031712675,"threshold_uncertainty_score":0.9998794},"labels":[],"label_agreement":null},{"id":"W2032471968","doi":"10.7202/1005447ar","title":"Le ventre du géant","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.056377361927865466,"score_gpt":0.34588235149939006,"score_spread":0.2895049895715246,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2032471968","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.041197773,0.017334862,0.0094826585,0.0072901314,0.003151692,0.0009466497,0.00030105913,0.0010469453,0.9192482],"genre_scores_gemma":[0.8043618,0.004189422,0.010218577,0.0037529706,0.0008552578,0.0005940963,0.00012603165,0.00035563024,0.17554617],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99064523,0.0031554773,0.001659689,0.0018376906,0.0006257502,0.0020761895],"domain_scores_gemma":[0.99519354,0.0005504943,0.00062630937,0.0022051807,0.00074467354,0.00067983026],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0032637122,0.001202045,0.0014116383,0.0010073032,0.0013226038,0.0003354236,0.0018350687,0.0011284967,0.0047185756],"category_scores_gemma":[0.00036397472,0.0012678434,0.0011616191,0.0009370103,0.00788261,0.0010194192,0.0004973749,0.0018027008,0.0006665984],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011578279,0.0035435073,0.015123836,0.00044734593,0.0009400134,0.003384037,0.024896685,6.3677174e-7,0.0021842977,0.27386755,0.097062305,0.577392],"study_design_scores_gemma":[0.0010859617,0.0015795117,0.007582657,0.0015153358,0.0003454108,0.0016722148,0.0015145205,0.000014481629,0.0039615696,0.069780245,0.90955555,0.0013925575],"about_ca_topic_score_codex":0.0069078417,"about_ca_topic_score_gemma":0.002797893,"teacher_disagreement_score":0.8124932,"about_ca_system_score_codex":0.0006619561,"about_ca_system_score_gemma":0.00035123035,"threshold_uncertainty_score":0.9999775},"labels":[],"label_agreement":null},{"id":"W2032599352","doi":"10.7202/1005518ar","title":"Mise en récit et mise en oeuvre. De l’enregistrement à la fiction dans les filatures de Sophie Calle","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.1205704807571795,"score_gpt":0.31692487644118944,"score_spread":0.19635439568400995,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2032599352","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08149947,0.007219704,0.09485579,0.005091554,0.0010199946,0.0009481806,0.0002512575,0.0018655532,0.8072485],"genre_scores_gemma":[0.86478806,0.0026243655,0.05928421,0.0030201257,0.00039119308,0.00020872253,0.0000785127,0.00014884985,0.06945598],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948281,0.0012956897,0.00094970514,0.0010787157,0.0005503983,0.0012973584],"domain_scores_gemma":[0.9968829,0.0005422794,0.00043138032,0.0010801174,0.0004155819,0.00064773374],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0013947098,0.0009939055,0.00069358264,0.00032587556,0.00080004625,0.0017360103,0.0014236314,0.00075295183,0.00017637086],"category_scores_gemma":[0.0006539747,0.00088849466,0.00057768525,0.00038244514,0.0021784299,0.003572011,0.0007210245,0.001022072,0.000020069238],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031823508,0.0014271233,0.0011253656,0.0006601241,0.0002789902,0.0025527694,0.21116194,0.000040896433,0.020504333,0.38676584,0.057082925,0.31808147],"study_design_scores_gemma":[0.00056466094,0.0013520612,0.0067681856,0.0031067424,0.00020441489,0.0022810823,0.0016079809,0.0005078628,0.06257423,0.07302341,0.846308,0.0017013673],"about_ca_topic_score_codex":0.021261545,"about_ca_topic_score_gemma":0.008461477,"teacher_disagreement_score":0.7892251,"about_ca_system_score_codex":0.0019357858,"about_ca_system_score_gemma":0.00041741645,"threshold_uncertainty_score":0.99935657},"labels":[],"label_agreement":null},{"id":"W2033415033","doi":"10.7202/1005460ar","title":"How to Watch the Story of Film Adaptation. Cortázar, Antonioni, Blow-Up","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Storytelling; Narrative; Adaptation (eye); Movie theater; Agency (philosophy); Aesthetics; Sociology; Visual arts; History; Media studies; Art; Literature; Social science; Psychology","score_opus":0.06447790791121671,"score_gpt":0.26950363835813174,"score_spread":0.20502573044691502,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2033415033","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32329735,0.0027780414,0.014741863,0.0060823085,0.0028364677,0.0020480666,0.00064324314,0.0018922902,0.64568037],"genre_scores_gemma":[0.9083214,0.00014542477,0.0054602283,0.0020305368,0.00033335225,0.0002452562,0.000069020694,0.00009893478,0.08329588],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973698,0.00050617167,0.0006415199,0.0005156896,0.00044179382,0.00052500266],"domain_scores_gemma":[0.997522,0.00045264832,0.00027833853,0.000716294,0.00086139544,0.00016934097],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008468145,0.00047971876,0.00048638237,0.00027833233,0.0012834811,0.0004620352,0.00069979153,0.00012592995,0.0010167074],"category_scores_gemma":[0.00038553157,0.00037650333,0.00029991486,0.00014229199,0.0025876963,0.0013302304,0.0001314532,0.00044146107,0.00001638088],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018654244,0.00020921197,0.00018609813,0.000184431,0.000104914405,0.00004247482,0.35019776,0.0000021268108,0.00067420315,0.49649042,0.02032435,0.13139747],"study_design_scores_gemma":[0.00025432964,0.0007048021,0.0007469263,0.00058286625,0.00009964872,0.000038321443,0.020532405,0.000033435335,0.008793058,0.024430381,0.943177,0.0006068481],"about_ca_topic_score_codex":0.0020680202,"about_ca_topic_score_gemma":0.005861227,"teacher_disagreement_score":0.92285264,"about_ca_system_score_codex":0.00021081821,"about_ca_system_score_gemma":0.00011580855,"threshold_uncertainty_score":0.9998965},"labels":[],"label_agreement":null},{"id":"W2033763450","doi":"10.7202/1024115ar","title":"« L’âme est l’architecte de son propre corps »","year":2014,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.03011531522642799,"score_gpt":0.29882048153341756,"score_spread":0.2687051663069896,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2033763450","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.084206365,0.013337154,0.021350432,0.014586738,0.0025924568,0.0011745044,0.00019668213,0.0023545653,0.8602011],"genre_scores_gemma":[0.73647445,0.0029845308,0.022048105,0.004237407,0.0017860983,0.00042939404,0.000051255705,0.00020755401,0.2317812],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99289125,0.0022807373,0.001098754,0.0011383602,0.0008011602,0.001789747],"domain_scores_gemma":[0.99655503,0.0009926126,0.00047540336,0.00080285105,0.00051696756,0.00065710826],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.002417653,0.0009686195,0.0010754411,0.0003582094,0.0028098673,0.00043581118,0.0011789844,0.0006272333,0.00040859755],"category_scores_gemma":[0.0014556306,0.000947839,0.00064247573,0.00082139485,0.009229278,0.00133816,0.0004709222,0.0011599928,0.00012455689],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001409428,0.00049848435,0.002384873,0.0005772344,0.00013044452,0.00017594706,0.057966944,0.0000054982183,0.00093202747,0.2656933,0.017771935,0.65372235],"study_design_scores_gemma":[0.00024238382,0.00094361644,0.0008992881,0.0016842246,0.00013925832,0.00010389753,0.00059655966,0.00005238687,0.0014916704,0.072684124,0.9201317,0.0010309166],"about_ca_topic_score_codex":0.011997895,"about_ca_topic_score_gemma":0.008243165,"teacher_disagreement_score":0.9023597,"about_ca_system_score_codex":0.0025601492,"about_ca_system_score_gemma":0.00032493653,"threshold_uncertainty_score":0.9992972},"labels":[],"label_agreement":null},{"id":"W2034061696","doi":"10.7202/1009081ar","title":"Intermedia History, 1973, 01:01:34 (2011)","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Intermedia; Geology; Art; Art history","score_opus":0.06146122585313391,"score_gpt":0.26396236690441194,"score_spread":0.20250114105127803,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2034061696","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031179849,0.13932782,0.009028963,0.004663058,0.013071313,0.001227109,0.0007046856,0.0013062492,0.7994909],"genre_scores_gemma":[0.5505114,0.039693832,0.035156485,0.006275479,0.0016564929,0.0009849604,0.00019870304,0.0005879604,0.36493465],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9938725,0.0002950126,0.0022575492,0.0016464734,0.00023226498,0.0016961752],"domain_scores_gemma":[0.9960187,0.00043802863,0.0011711627,0.0015003502,0.0003485242,0.00052322395],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0016790569,0.0012707129,0.0018933802,0.0010905473,0.0006580149,0.00020035465,0.0012839535,0.0007653082,0.00604432],"category_scores_gemma":[0.0009925242,0.0015284951,0.00097293645,0.00031047946,0.0063181934,0.0016300487,0.0007723676,0.0012021045,0.0008025537],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037614576,0.0012418417,0.018061655,0.0012789436,0.00061442493,0.00067059457,0.03695503,4.1879744e-7,0.0003179888,0.32415178,0.28647703,0.32985413],"study_design_scores_gemma":[0.00061043265,0.0010570965,0.005638777,0.001525272,0.00016110357,0.00020076097,0.00077541714,0.000021229564,0.0024310006,0.05443101,0.9315894,0.0015584688],"about_ca_topic_score_codex":0.007685444,"about_ca_topic_score_gemma":0.006694903,"teacher_disagreement_score":0.6451124,"about_ca_system_score_codex":0.004488408,"about_ca_system_score_gemma":0.00020566939,"threshold_uncertainty_score":0.99997544},"labels":[],"label_agreement":null},{"id":"W2034318197","doi":"10.7202/039233ar","title":"Digital Multivocality and Embodied Language in Theatrical Space","year":2010,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Windsor","funders":"","keywords":"Orality; Materiality (auditing); Embodied cognition; Space (punctuation); Relation (database); Visual arts; Digital era; Art; Aesthetics; Sociology; Computer science; Linguistics; Philosophy","score_opus":0.03293812044691589,"score_gpt":0.31571605828648885,"score_spread":0.28277793783957295,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2034318197","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28730875,0.00027971325,0.0009459737,0.000688124,0.00007811027,0.00035712108,0.0001336535,0.00040627483,0.70980227],"genre_scores_gemma":[0.9718544,0.00007085035,0.0016154377,0.00027265152,0.00021205505,0.00010826204,0.000036013058,0.00005655544,0.025773812],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99803287,0.0001984536,0.00043259785,0.00049183134,0.00029755043,0.00054669095],"domain_scores_gemma":[0.9986234,0.00051370123,0.0000976263,0.00038326601,0.0001901818,0.00019182976],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00061451166,0.00036177062,0.00041537252,0.0002610153,0.0005392014,0.00061716884,0.0003090456,0.0001418593,0.00047924495],"category_scores_gemma":[0.00059094554,0.0003002653,0.00013257879,0.00008553103,0.004221825,0.0008265807,0.00025903617,0.00072414154,0.000021074648],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016876464,0.00031831366,0.007563568,0.00013261451,0.000036678284,0.00020933674,0.027303023,1.3365306e-7,0.0021380445,0.626057,0.0015194501,0.33455303],"study_design_scores_gemma":[0.0011767121,0.0010076435,0.008939364,0.000746608,0.00006585366,0.00016997251,0.020760195,0.00015439429,0.008454502,0.08881899,0.8680559,0.0016498796],"about_ca_topic_score_codex":0.0021488308,"about_ca_topic_score_gemma":0.009528626,"teacher_disagreement_score":0.86653644,"about_ca_system_score_codex":0.00017572219,"about_ca_system_score_gemma":0.00005896103,"threshold_uncertainty_score":0.9999449},"labels":[],"label_agreement":null},{"id":"W2034577703","doi":"10.7202/1005756ar","title":"La migration de l’aura ou comment explorer un original par le biais de ses fac-similés","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Aura; Philosophy","score_opus":0.06554061544098871,"score_gpt":0.2879264257188981,"score_spread":0.22238581027790938,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2034577703","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16276444,0.02050257,0.024557425,0.017649552,0.0016712422,0.0010729933,0.0009390016,0.0023287062,0.76851404],"genre_scores_gemma":[0.91477334,0.003793644,0.022173312,0.0059017106,0.0007402258,0.00045735808,0.0001549553,0.00020207834,0.051803373],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951912,0.0013573883,0.0011047807,0.00079411565,0.00040747412,0.0011450421],"domain_scores_gemma":[0.9975762,0.00047450865,0.0004162923,0.00068624894,0.00040121196,0.00044554312],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0011387159,0.0009118706,0.00081768114,0.000452397,0.0021000023,0.0006967753,0.00073978194,0.00044576798,0.0022817054],"category_scores_gemma":[0.00018830007,0.0008760947,0.0006470836,0.00021472946,0.004350818,0.0019343158,0.00021581435,0.00089833187,0.000060378614],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003485502,0.0015228045,0.0020652588,0.00059152866,0.00036816354,0.00071715476,0.13786006,0.0000038218714,0.0007862494,0.59080267,0.067833714,0.19710006],"study_design_scores_gemma":[0.0002941049,0.000806528,0.00032924477,0.0012639205,0.00024831778,0.00019021938,0.0025777398,0.0000426782,0.01624075,0.049365092,0.9276784,0.0009630112],"about_ca_topic_score_codex":0.024900023,"about_ca_topic_score_gemma":0.0056546545,"teacher_disagreement_score":0.8598447,"about_ca_system_score_codex":0.0014029179,"about_ca_system_score_gemma":0.00028970183,"threshold_uncertainty_score":0.99936897},"labels":[],"label_agreement":null},{"id":"W2034667424","doi":"10.7202/1005747ar","title":"Imiter, reproduire, inventer","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Art; Humanities","score_opus":0.06912902620885086,"score_gpt":0.3115494365341002,"score_spread":0.24242041032524936,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2034667424","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03994256,0.024079947,0.0022259096,0.0048438935,0.0039594756,0.00086325547,0.00016568312,0.001589523,0.9223298],"genre_scores_gemma":[0.47234157,0.0070667565,0.02365052,0.006586158,0.0014365065,0.00046209127,0.00004954408,0.00022932523,0.4881775],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.993559,0.0014729529,0.001343626,0.001412038,0.00072286587,0.0014895329],"domain_scores_gemma":[0.99683094,0.0003670252,0.0005103419,0.0010992814,0.00063997146,0.00055245735],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0018786476,0.0009758121,0.0010389346,0.00040657006,0.0021578993,0.00026640433,0.0012095629,0.0005821261,0.0015006069],"category_scores_gemma":[0.0007858233,0.0009542289,0.0007767429,0.00089978025,0.010517445,0.0024432156,0.0006119775,0.000925359,0.00020522955],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021751426,0.0010026388,0.006305191,0.00046398267,0.00024664184,0.00052182697,0.1481958,1.5189876e-7,0.00028259435,0.29007664,0.05823138,0.49445564],"study_design_scores_gemma":[0.00021958812,0.00076305366,0.0011003619,0.0015150593,0.00014933053,0.000073542746,0.0011578943,0.0000027574226,0.002269674,0.06975846,0.9219789,0.0010113807],"about_ca_topic_score_codex":0.01473021,"about_ca_topic_score_gemma":0.004794236,"teacher_disagreement_score":0.86374754,"about_ca_system_score_codex":0.0018633312,"about_ca_system_score_gemma":0.00019700087,"threshold_uncertainty_score":0.9994122},"labels":[],"label_agreement":null},{"id":"W2034990469","doi":"10.7202/1012658ar","title":"(Dé)synchro-Shadok. Animation, musique concrète et ingénierie à l’ORTF","year":2012,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Art history","score_opus":0.03636427858122216,"score_gpt":0.2829720554250745,"score_spread":0.24660777684385232,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2034990469","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.113605425,0.08339994,0.0073327315,0.098083824,0.0049651386,0.0019122296,0.0010379712,0.0029392065,0.68672353],"genre_scores_gemma":[0.73533964,0.021217778,0.0061141844,0.0092898,0.0027547546,0.0005379101,0.0003403591,0.00029282598,0.22411273],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9939246,0.0010702575,0.001633578,0.0009384268,0.0007381157,0.0016949949],"domain_scores_gemma":[0.9961322,0.00059001026,0.00075149845,0.0007745665,0.0011377564,0.00061396684],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0016278024,0.0012613527,0.0014502966,0.00035715988,0.0071300743,0.00095830316,0.00076776976,0.000594004,0.0021744175],"category_scores_gemma":[0.0006391829,0.0011324005,0.0011037672,0.00038492394,0.0062495708,0.0030876754,0.00043980265,0.0011796388,0.00014751453],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001002138,0.0007357697,0.001051158,0.0009589483,0.00067913195,0.00011329095,0.17006023,0.0000048069605,0.00060090516,0.6439211,0.087273225,0.09450124],"study_design_scores_gemma":[0.00028823718,0.0005302271,0.00024738215,0.001179997,0.0005192174,0.00007809855,0.0040728687,0.0000216511,0.0007689977,0.023989154,0.9668902,0.0014139767],"about_ca_topic_score_codex":0.012499627,"about_ca_topic_score_gemma":0.0127687445,"teacher_disagreement_score":0.879617,"about_ca_system_score_codex":0.0064377002,"about_ca_system_score_gemma":0.0001340688,"threshold_uncertainty_score":0.9991126},"labels":[],"label_agreement":null},{"id":"W2036120154","doi":"10.7202/044417ar","title":"Quand le théâtre s’écoute","year":2010,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.04157719086313976,"score_gpt":0.2821994887233874,"score_spread":0.24062229786024764,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2036120154","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.051300514,0.015388763,0.0023631973,0.010837318,0.005025184,0.0007029449,0.00081750395,0.0017327984,0.9118318],"genre_scores_gemma":[0.38171402,0.0010520144,0.005703849,0.002555119,0.0018695877,0.00019276855,0.0001644501,0.00021282864,0.6065354],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950392,0.00061189785,0.001365779,0.0011410475,0.00057342905,0.0012686463],"domain_scores_gemma":[0.9965152,0.000596169,0.00048560754,0.0011558759,0.00070029765,0.0005468496],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0010191485,0.0011402627,0.0011202858,0.0005406693,0.0031978681,0.0013887852,0.0010617966,0.0006097264,0.0031166591],"category_scores_gemma":[0.00039324752,0.0010825369,0.000939008,0.00028012143,0.008481307,0.0026850072,0.00035979573,0.0018460645,0.00017319998],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015132288,0.0008115394,0.0003165894,0.0005828042,0.00021816605,0.00039650535,0.016685564,0.00000114096,0.003224911,0.73195493,0.070345275,0.17531127],"study_design_scores_gemma":[0.000311941,0.00061004836,0.00012382444,0.0010780864,0.00022914552,0.00019898334,0.00073645153,0.000026661997,0.00402695,0.06296061,0.9284785,0.0012188044],"about_ca_topic_score_codex":0.01959803,"about_ca_topic_score_gemma":0.020629896,"teacher_disagreement_score":0.8581332,"about_ca_system_score_codex":0.0005578376,"about_ca_system_score_gemma":0.00031879114,"threshold_uncertainty_score":0.99964786},"labels":[],"label_agreement":null},{"id":"W2036346380","doi":"10.7202/1020619ar","title":"Le « devoir de mémoire » comme formule-tierce","year":2013,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.13268310710988782,"score_gpt":0.3249597306994789,"score_spread":0.1922766235895911,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2036346380","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.038394332,0.008048329,0.12179749,0.019904735,0.0010817457,0.0012744893,0.00011277385,0.0021645457,0.8072216],"genre_scores_gemma":[0.79069597,0.0007538097,0.05841731,0.012323863,0.0003410429,0.00032885672,0.0000655433,0.00017191556,0.1369017],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9944393,0.00062052713,0.0012244496,0.00116502,0.0006266701,0.001924038],"domain_scores_gemma":[0.99553186,0.0005325205,0.00047839736,0.0014820648,0.0010292097,0.000945955],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0008288152,0.0011415306,0.00097174494,0.00037400203,0.0015586036,0.0050262595,0.0019420087,0.0006194925,0.00019124508],"category_scores_gemma":[0.0006248231,0.0010345621,0.0006678204,0.0006915592,0.0038346867,0.012734288,0.0012564177,0.0009794265,0.00019396568],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003360526,0.0004913307,0.00018400294,0.00033519862,0.00009688255,0.00035193926,0.00867349,0.000010355989,0.005455878,0.5822364,0.05053464,0.35159627],"study_design_scores_gemma":[0.00039850493,0.00086973683,0.0010378503,0.0021119877,0.000059902442,0.0015289156,0.0004393149,0.0005744201,0.027601548,0.25716648,0.7067936,0.0014177577],"about_ca_topic_score_codex":0.023980884,"about_ca_topic_score_gemma":0.0044879667,"teacher_disagreement_score":0.75230163,"about_ca_system_score_codex":0.0016936114,"about_ca_system_score_gemma":0.00072242774,"threshold_uncertainty_score":0.99974126},"labels":[],"label_agreement":null},{"id":"W2037446361","doi":"10.7202/1012657ar","title":"Face à l’idée de synchronisme. Notes d’un preneur de son sur le théâtre et le cinéma","year":2012,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.03507324258262171,"score_gpt":0.2720094806332549,"score_spread":0.2369362380506332,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2037446361","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16569783,0.08614905,0.047697768,0.036926758,0.0028386074,0.001464354,0.0012192072,0.0032596362,0.6547468],"genre_scores_gemma":[0.821408,0.0022349095,0.007965624,0.004299487,0.0014214411,0.00027378777,0.0001534641,0.00025722937,0.16198607],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99382013,0.0015402376,0.0012116341,0.0009210174,0.0005169814,0.001989972],"domain_scores_gemma":[0.99638635,0.0010540949,0.00051099824,0.0009434689,0.00041150532,0.0006936046],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0016183628,0.0011797139,0.0011269078,0.00044139253,0.002609808,0.00096560613,0.0009493466,0.000591986,0.00092315715],"category_scores_gemma":[0.00056472805,0.0011816496,0.0008741211,0.00025291287,0.0036629105,0.0034888743,0.00041766866,0.001226501,0.000064981155],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021890218,0.0023660234,0.0018615349,0.0011808249,0.0003922644,0.00030298255,0.067759566,0.000041764357,0.0038116314,0.7223405,0.035700098,0.16402386],"study_design_scores_gemma":[0.00043746518,0.0006196444,0.0006006395,0.0016063032,0.00029512637,0.00025742128,0.0012497404,0.00011796334,0.025517263,0.020647667,0.9473138,0.0013369798],"about_ca_topic_score_codex":0.02428716,"about_ca_topic_score_gemma":0.005280887,"teacher_disagreement_score":0.9116137,"about_ca_system_score_codex":0.0014163036,"about_ca_system_score_gemma":0.0006003467,"threshold_uncertainty_score":0.9999901},"labels":[],"label_agreement":null},{"id":"W2037868125","doi":"10.7202/1005454ar","title":"La symphonie-histoire d’Alfred Schnittke","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.04063008162540949,"score_gpt":0.26371771009868117,"score_spread":0.22308762847327168,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2037868125","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04545732,0.046357457,0.001644572,0.01842796,0.0030130965,0.0009797172,0.0007024627,0.0023873476,0.8810301],"genre_scores_gemma":[0.4946917,0.0171808,0.0067122555,0.0023982867,0.001236597,0.0005253496,0.0001567433,0.00033680012,0.47676146],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9937435,0.0011377265,0.0015849813,0.0012806492,0.0007324296,0.0015207428],"domain_scores_gemma":[0.99628186,0.0004716008,0.0006589566,0.0009939359,0.0010405004,0.000553164],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0011167403,0.0014009671,0.0015604077,0.00044544798,0.01083718,0.0007531114,0.0011881642,0.0007656944,0.0027193583],"category_scores_gemma":[0.00041742795,0.0012555753,0.0014871466,0.00040176226,0.013995479,0.001618448,0.0006126525,0.0013440492,0.00019052198],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018607576,0.00096171675,0.0003180228,0.0006963332,0.0006737413,0.0006587434,0.15018986,7.4281706e-7,0.00024179432,0.44843924,0.05430258,0.34333116],"study_design_scores_gemma":[0.000368167,0.0007903481,0.00018544719,0.0015889388,0.0006770882,0.00013584433,0.005964593,0.000008809146,0.00070747494,0.053410523,0.9346185,0.0015442754],"about_ca_topic_score_codex":0.038207155,"about_ca_topic_score_gemma":0.024789888,"teacher_disagreement_score":0.8803159,"about_ca_system_score_codex":0.008270268,"about_ca_system_score_gemma":0.00015475179,"threshold_uncertainty_score":0.99987406},"labels":[],"label_agreement":null},{"id":"W2041095978","doi":"10.7202/1020625ar","title":"« Trade-Routes of the Mind »","year":2013,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Media, Communication, and Education","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art; Ethnology; Sociology","score_opus":0.046996798434061876,"score_gpt":0.3246705046705466,"score_spread":0.2776737062364847,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2041095978","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4154851,0.017430058,0.0016743147,0.06198011,0.0040335506,0.0019032558,0.000100224934,0.00042249027,0.49697086],"genre_scores_gemma":[0.9316327,0.004319138,0.011493129,0.0015179571,0.00048397674,0.00031784145,0.000031393352,0.000074624324,0.050129227],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99545264,0.0017321048,0.0009931038,0.0004954027,0.0005992402,0.00072752906],"domain_scores_gemma":[0.99641675,0.0009637385,0.0006234234,0.0012538838,0.00048678208,0.00025543218],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0015580833,0.00047592353,0.00053731375,0.00019817162,0.0013868944,0.00029179893,0.0016655122,0.00042162708,0.0011560483],"category_scores_gemma":[0.0009698442,0.00040757863,0.00044045193,0.00062597817,0.009003999,0.0014892841,0.00027366786,0.000604827,0.000065156564],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018802499,0.0005238841,0.005082319,0.0003351786,0.000089234156,0.0000026524247,0.13393638,0.0000017382207,0.0024734018,0.10232246,0.03320352,0.72201043],"study_design_scores_gemma":[0.00018650058,0.0002767919,0.011482343,0.0022157342,0.0001698581,0.000032712334,0.011519268,0.000026613236,0.021521693,0.12734888,0.82449436,0.00072523096],"about_ca_topic_score_codex":0.01755609,"about_ca_topic_score_gemma":0.0070848777,"teacher_disagreement_score":0.7912908,"about_ca_system_score_codex":0.0008807543,"about_ca_system_score_gemma":0.00046295876,"threshold_uncertainty_score":0.99991316},"labels":[],"label_agreement":null},{"id":"W2042470183","doi":"10.7202/1005749ar","title":"« Puissance littéraire » de la reproduction de l’oeuvre d’art","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.0399637427836556,"score_gpt":0.2800821324661897,"score_spread":0.24011838968253407,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2042470183","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007739233,0.026796523,0.002358465,0.0041760392,0.0018654767,0.00053385494,0.00012262569,0.0015190733,0.9548887],"genre_scores_gemma":[0.36553776,0.00707263,0.014739821,0.0020636427,0.003399544,0.0005414572,0.000057198344,0.00026116864,0.60632676],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99530125,0.0010398788,0.0009514284,0.0010783233,0.00038993207,0.0012391639],"domain_scores_gemma":[0.99754465,0.00026728757,0.00038881652,0.00088501436,0.00056127826,0.00035294765],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0017589364,0.00089881575,0.00084816816,0.00026018103,0.0028550313,0.00048366387,0.0006564943,0.00051138346,0.0016738295],"category_scores_gemma":[0.0007199138,0.0008654335,0.0006007518,0.00022279365,0.009396692,0.0013131758,0.00028687346,0.0010967572,0.00017026933],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001929165,0.00081564474,0.0007092889,0.0005876096,0.00019741665,0.000312485,0.12264625,6.466278e-7,0.0005680912,0.55215925,0.13142623,0.19038418],"study_design_scores_gemma":[0.00021994502,0.00064181583,0.0006405455,0.0014336994,0.00022264534,0.00033724357,0.002639697,0.0000037962038,0.0039760093,0.07626425,0.91271454,0.000905799],"about_ca_topic_score_codex":0.0045201564,"about_ca_topic_score_gemma":0.0046349373,"teacher_disagreement_score":0.7812883,"about_ca_system_score_codex":0.0019374337,"about_ca_system_score_gemma":0.00018441015,"threshold_uncertainty_score":0.99937963},"labels":[],"label_agreement":null},{"id":"W2042984863","doi":"10.7202/1005473ar","title":"Variations sur l’insignifiant génétique : les métaphores du (non-)code","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Philosophy and History of Science","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Philosophy","score_opus":0.06670997879715065,"score_gpt":0.27186570247362124,"score_spread":0.20515572367647059,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2042984863","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02528059,0.0099124,0.011890451,0.0050456566,0.0029064605,0.0009919526,0.0009377056,0.0014574822,0.9415773],"genre_scores_gemma":[0.90662736,0.0043711253,0.014619636,0.0022863518,0.0013384814,0.0004021833,0.00008044895,0.00022438198,0.07005006],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948928,0.00067622046,0.0013516869,0.0012302923,0.0006122159,0.0012368243],"domain_scores_gemma":[0.99638534,0.0004542681,0.0006361569,0.0010546421,0.0009933342,0.00047627068],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0015286558,0.0010854675,0.000949422,0.00076023996,0.0045963107,0.0008272927,0.0014383869,0.0005229783,0.002311608],"category_scores_gemma":[0.00044223515,0.0011174117,0.0006969444,0.00027743235,0.0140278125,0.0031474174,0.00042554594,0.0010456224,0.00011853368],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001701103,0.0010369016,0.00038730178,0.00051511807,0.00016594722,0.00040933437,0.08182146,0.0000025713557,0.0020233237,0.8080303,0.018335547,0.08710208],"study_design_scores_gemma":[0.00031403537,0.0011258482,0.0012331225,0.001961086,0.00022469537,0.00019731623,0.001458234,0.00006252281,0.006923326,0.20317213,0.78197074,0.0013569185],"about_ca_topic_score_codex":0.021220012,"about_ca_topic_score_gemma":0.01876933,"teacher_disagreement_score":0.88134676,"about_ca_system_score_codex":0.0011694841,"about_ca_system_score_gemma":0.00042227985,"threshold_uncertainty_score":0.99913555},"labels":[],"label_agreement":null},{"id":"W2043069814","doi":"10.7202/1005537ar","title":"Masks, Marriage and the Byzantine Mandylion: Classical Inversions in the Tenth Century. Narratio de translatione Constantinopolim imaginis Edessenae","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Byzantine Studies and History","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Byzantine architecture; Legend; Parallels; Face (sociological concept); Legitimacy; Ratification; Art; Philosophy; History; Ancient history; Classics; Literature; Law; Politics; Political science","score_opus":0.04057209358931033,"score_gpt":0.2604332347791596,"score_spread":0.21986114118984926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2043069814","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0246799,0.0036777456,0.00068525417,0.012470108,0.00050403964,0.0009429367,0.00011350593,0.0004156651,0.95651084],"genre_scores_gemma":[0.98944247,0.0015322175,0.0014076353,0.003442088,0.00029206273,0.00020444053,0.000029817362,0.00005663928,0.003592628],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99753183,0.00057619595,0.0006292069,0.00042827422,0.0002857971,0.0005487112],"domain_scores_gemma":[0.99867016,0.00038566638,0.00021432391,0.00045205306,0.00018394168,0.000093825896],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0011466807,0.00042473883,0.00048017243,0.00022911561,0.0018226826,0.0003119709,0.0004900686,0.00010747909,0.00044844332],"category_scores_gemma":[0.00012453705,0.00027202643,0.00023456904,0.00012750382,0.00843396,0.00054521754,0.00014646372,0.0005782194,0.000006193735],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031941733,0.00020072464,0.001046691,0.00010452513,0.00007342626,0.00009134168,0.15861696,9.8722985e-8,0.00013062128,0.80960846,0.014819675,0.014988071],"study_design_scores_gemma":[0.0010142957,0.00019991651,0.0012017051,0.00034111878,0.0001369448,0.00011214917,0.016286902,0.000025151896,0.0002767358,0.009281012,0.97068924,0.00043483847],"about_ca_topic_score_codex":0.0023479818,"about_ca_topic_score_gemma":0.013583205,"teacher_disagreement_score":0.96476257,"about_ca_system_score_codex":0.000054503966,"about_ca_system_score_gemma":0.00007591346,"threshold_uncertainty_score":0.9999732},"labels":[],"label_agreement":null},{"id":"W2044143709","doi":"10.7202/1001957ar","title":"“Film-Symphonie vom Leben und Sterben der Blumen”: Plant Rhythm and Time-Lapse Vision in Das Blumenwunder","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"German Literature and Culture Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Temporality; Art; Miracle; Eternity; Context (archaeology); Aestheticism; Art history; Modernity; Dance; Literature; Philosophy; History; Theology","score_opus":0.02925345682949096,"score_gpt":0.2749100245370728,"score_spread":0.24565656770758185,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2044143709","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13953607,0.0072826766,0.00026289045,0.00075723307,0.0005988386,0.0010633226,0.0003857286,0.0010453548,0.84906787],"genre_scores_gemma":[0.9538193,0.00044852492,0.0022532009,0.002097582,0.0003557682,0.00023300422,0.00018982377,0.00012781368,0.04047501],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971755,0.00027413596,0.00076223246,0.0007461198,0.000327365,0.00071463094],"domain_scores_gemma":[0.9986763,0.00014059574,0.00023767646,0.0005191901,0.00025520872,0.00017102798],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0005064756,0.0007037898,0.00069801044,0.0003709661,0.0008691149,0.00063313154,0.00037164948,0.00022863579,0.0007660223],"category_scores_gemma":[0.000059162274,0.00057775,0.0002021866,0.00011155174,0.0021512466,0.0014149514,0.00034415684,0.0004976384,0.00004501978],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006878463,0.0009069017,0.0015202963,0.000725405,0.00064636115,0.00092219457,0.41638795,9.3406646e-7,0.002348533,0.41474104,0.05593219,0.10518034],"study_design_scores_gemma":[0.00074934337,0.001001364,0.0016108493,0.0017385563,0.00020980879,0.00020552338,0.0039768284,0.000019120605,0.0038727773,0.048581075,0.9367124,0.001322362],"about_ca_topic_score_codex":0.0013695325,"about_ca_topic_score_gemma":0.00951324,"teacher_disagreement_score":0.8807802,"about_ca_system_score_codex":0.00028653938,"about_ca_system_score_gemma":0.00005171716,"threshold_uncertainty_score":0.9996674},"labels":[],"label_agreement":null},{"id":"W2044705873","doi":"10.7202/1005541ar","title":"Modernity and the Face","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Modernity; Face (sociological concept); Aesthetics; Identity (music); Value (mathematics); Sociology; Psychoanalysis; Art; Psychology; Philosophy; Epistemology; Computer science; Social science","score_opus":0.07666955068491296,"score_gpt":0.28636044448558035,"score_spread":0.20969089380066738,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2044705873","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044126693,0.00131091,0.008756768,0.0010678805,0.00041343784,0.0006701053,0.00015111243,0.001130863,0.9423722],"genre_scores_gemma":[0.9324192,0.00043612145,0.0017958015,0.003574918,0.00029179486,0.00018660612,0.000022987158,0.000090692825,0.061181907],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977347,0.00036554146,0.00054748193,0.0004811581,0.00026335407,0.00060773175],"domain_scores_gemma":[0.998461,0.0002698438,0.00020481058,0.0006231718,0.00026639568,0.00017475302],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00076172274,0.00047732866,0.0004935648,0.00016089386,0.0014893136,0.00039690264,0.00051916554,0.00013504861,0.00038664968],"category_scores_gemma":[0.00019581114,0.00034550074,0.00025259392,0.000008853097,0.008652909,0.0008452267,0.0003037071,0.00044904332,0.000022184155],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019233991,0.00013470907,0.00020374662,0.000114392664,0.000088640656,0.000035426714,0.3016173,3.2014262e-7,0.00008229822,0.6373075,0.004431594,0.05579172],"study_design_scores_gemma":[0.0005612467,0.00028024506,0.0002764629,0.0002781026,0.00012014191,0.0000742364,0.0042550745,0.00006947382,0.0032484892,0.35477063,0.6354292,0.00063667644],"about_ca_topic_score_codex":0.007751189,"about_ca_topic_score_gemma":0.018591052,"teacher_disagreement_score":0.8882925,"about_ca_system_score_codex":0.0001822299,"about_ca_system_score_gemma":0.00005890483,"threshold_uncertainty_score":0.9998997},"labels":[],"label_agreement":null},{"id":"W2045054485","doi":"10.7202/1005461ar","title":"L’image du trépas","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Image (mathematics); Computer science; Artificial intelligence","score_opus":0.052720721202844524,"score_gpt":0.26039787206301757,"score_spread":0.20767715086017305,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2045054485","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006643943,0.054059744,0.0012749345,0.004925408,0.0030524966,0.00065601704,0.0003518804,0.0015647958,0.9274708],"genre_scores_gemma":[0.28572822,0.020371398,0.023468161,0.0042632986,0.002972298,0.00070995215,0.00012727297,0.0003587336,0.66200066],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99552846,0.0004938364,0.0011923523,0.0010017497,0.00051502534,0.0012685809],"domain_scores_gemma":[0.9973041,0.00025329101,0.0004385691,0.00071274274,0.00089329516,0.00039801485],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00064618856,0.0011489277,0.0010621159,0.00027518152,0.0031531297,0.0006332592,0.00090667716,0.00039081692,0.005894408],"category_scores_gemma":[0.0003660953,0.0009933682,0.0008163853,0.00021582418,0.010956344,0.001979656,0.0004703765,0.00087199936,0.00029603372],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015949103,0.00088640157,0.00020857406,0.0006638705,0.00027921397,0.00050950545,0.05915021,9.655057e-8,0.00056413794,0.54457533,0.17409304,0.21891013],"study_design_scores_gemma":[0.00028330635,0.0011713982,0.00042275625,0.0012808681,0.00025861838,0.00015121726,0.0021179786,0.0000055209143,0.0025398207,0.060150426,0.9304024,0.0012156987],"about_ca_topic_score_codex":0.01505322,"about_ca_topic_score_gemma":0.009244482,"teacher_disagreement_score":0.75630933,"about_ca_system_score_codex":0.0013890379,"about_ca_system_score_gemma":0.00008951035,"threshold_uncertainty_score":0.99925166},"labels":[],"label_agreement":null},{"id":"W2045292525","doi":"10.7202/1005538ar","title":"Le portrait en malade. Histoire de sa face cachée","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"History of Medicine Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Portrait; Art; The Renaissance; Humanities; Art history","score_opus":0.04211746817561542,"score_gpt":0.2730326068844855,"score_spread":0.23091513870887007,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2045292525","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013056001,0.043220874,0.0032814632,0.010797343,0.0037093547,0.0010619782,0.00046811652,0.0020500433,0.9223548],"genre_scores_gemma":[0.59161854,0.0029993237,0.011603297,0.0035807623,0.0013885025,0.00044772407,0.00008699199,0.00040389702,0.38787094],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9933363,0.0011031245,0.001641939,0.0013199706,0.00075016264,0.0018484795],"domain_scores_gemma":[0.9962857,0.00049902627,0.00071308727,0.001213691,0.0006804991,0.0006079994],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0018426265,0.0014515863,0.0015104845,0.00072362093,0.0040164865,0.0003337234,0.0013491713,0.0006363182,0.0022163338],"category_scores_gemma":[0.00073258503,0.001549585,0.00083108,0.00020454942,0.0170011,0.0017041512,0.00053192244,0.001587948,0.00013007126],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022690737,0.0008113339,0.00055667374,0.001179268,0.00036976452,0.0011597554,0.1702145,0.0000013133116,0.00068013626,0.54922557,0.10504414,0.17053063],"study_design_scores_gemma":[0.00057043356,0.0012981235,0.0011454003,0.003067468,0.00040915443,0.000536048,0.012731872,0.0000077577315,0.002407751,0.022031812,0.9542349,0.0015593],"about_ca_topic_score_codex":0.028445585,"about_ca_topic_score_gemma":0.025599139,"teacher_disagreement_score":0.8491907,"about_ca_system_score_codex":0.0032709937,"about_ca_system_score_gemma":0.0007970874,"threshold_uncertainty_score":0.9998234},"labels":[],"label_agreement":null},{"id":"W2046316313","doi":"10.7202/1001956ar","title":"Les rythmes contagieux d’une danse noire : le cake-walk","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":22,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.0805525668547069,"score_gpt":0.30483355345591795,"score_spread":0.22428098660121104,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2046316313","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.041163445,0.046543095,0.003280212,0.006067888,0.0028224804,0.0010333055,0.0002357479,0.001764559,0.89708924],"genre_scores_gemma":[0.8140762,0.009115977,0.009367526,0.001815515,0.0008760418,0.00036285518,0.00004246923,0.000202296,0.16414112],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9934707,0.001427543,0.0013084087,0.0012083126,0.0008471791,0.0017378009],"domain_scores_gemma":[0.99654233,0.00061355525,0.00061892543,0.000841772,0.00083607866,0.00054734014],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0015838239,0.001166338,0.0013413728,0.00033256318,0.0043147053,0.00044139815,0.0013123513,0.0008816486,0.00079594826],"category_scores_gemma":[0.000786921,0.0012285383,0.00088003126,0.0009339829,0.017222257,0.0018227511,0.0005261341,0.0010723412,0.00007792071],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011210014,0.00060388644,0.0015011906,0.00028215823,0.00026750405,0.00037988738,0.11277511,4.458508e-7,0.00037548313,0.47767588,0.027011128,0.3790152],"study_design_scores_gemma":[0.00044478162,0.0006917043,0.0030051584,0.0015327279,0.00022212784,0.000059886934,0.012577251,0.000006061373,0.003595954,0.09976789,0.876678,0.001418453],"about_ca_topic_score_codex":0.3025677,"about_ca_topic_score_gemma":0.169238,"teacher_disagreement_score":0.8496669,"about_ca_system_score_codex":0.0026117777,"about_ca_system_score_gemma":0.0005100335,"threshold_uncertainty_score":0.99901646},"labels":[],"label_agreement":null},{"id":"W2047011318","doi":"10.7202/1005481ar","title":"L’amour, en ruines : notes sur quelques photogrammes du film de Bill Morrison Light is Calling","year":2004,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities; Geology","score_opus":0.03522002146461575,"score_gpt":0.2921570149171472,"score_spread":0.2569369934525314,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2047011318","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62643635,0.07584569,0.013803208,0.043873698,0.0047091567,0.0037629686,0.0034880457,0.0070336317,0.22104725],"genre_scores_gemma":[0.94938534,0.012058429,0.007826567,0.0072746817,0.002054994,0.00052041974,0.00019918922,0.00036344642,0.020316942],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9941195,0.000724486,0.0014345376,0.0012884841,0.0006391114,0.001793856],"domain_scores_gemma":[0.99628353,0.0006826722,0.00059099897,0.0009130718,0.0009856883,0.00054402335],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0012425932,0.0015527366,0.0013045175,0.0007024658,0.002529416,0.0017760625,0.0011160263,0.000901929,0.00090171583],"category_scores_gemma":[0.0006599956,0.001317127,0.0012990538,0.00039754395,0.0043126596,0.0022694422,0.00036824693,0.0014187018,0.000041518084],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00074098114,0.003264182,0.0045774225,0.0031193793,0.0010950767,0.0014096434,0.26019716,0.00005943958,0.030342497,0.5177611,0.046353586,0.13107951],"study_design_scores_gemma":[0.0005889556,0.0011988891,0.00023923215,0.0045927973,0.00034561922,0.00028009142,0.003122008,0.000043592383,0.16524737,0.058881443,0.763852,0.0016079764],"about_ca_topic_score_codex":0.07706166,"about_ca_topic_score_gemma":0.030489016,"teacher_disagreement_score":0.7174984,"about_ca_system_score_codex":0.0012949525,"about_ca_system_score_gemma":0.00031852003,"threshold_uncertainty_score":0.9997221},"labels":[],"label_agreement":null},{"id":"W2047087605","doi":"10.7202/1009079ar","title":"Archiver — geste du temps, esprit d’escalier et conversion numérique","year":2012,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.08843399219807692,"score_gpt":0.30639439274631436,"score_spread":0.21796040054823745,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2047087605","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.081190534,0.015025708,0.12254656,0.017811634,0.0042462945,0.0014804328,0.00030050942,0.0025354512,0.7548629],"genre_scores_gemma":[0.88730454,0.002799607,0.022472955,0.010300264,0.0007548364,0.00011486891,0.00010307171,0.00016942549,0.075980395],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9942061,0.0010558916,0.0011168714,0.0011033437,0.00074178644,0.0017760142],"domain_scores_gemma":[0.9958213,0.0007211424,0.00050568505,0.0012765378,0.0006394968,0.0010358461],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.001393716,0.0011746096,0.00094349723,0.00041598905,0.0009763943,0.002593123,0.0014084203,0.0005704381,0.00024103107],"category_scores_gemma":[0.0005741782,0.0010139829,0.0006814719,0.0005535228,0.0034211287,0.012369144,0.0014412791,0.0010683271,0.0001913399],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017681206,0.0012010868,0.0028593806,0.00072621566,0.0001847412,0.0007098244,0.04751107,0.000009621243,0.0065194014,0.6940807,0.05310015,0.192921],"study_design_scores_gemma":[0.0004275924,0.0007202079,0.0026326522,0.0025168157,0.00006425382,0.0015958324,0.00041258926,0.00015911281,0.030543586,0.02706083,0.93243045,0.0014360538],"about_ca_topic_score_codex":0.004091045,"about_ca_topic_score_gemma":0.0010880051,"teacher_disagreement_score":0.87933034,"about_ca_system_score_codex":0.0010712054,"about_ca_system_score_gemma":0.00024572422,"threshold_uncertainty_score":0.999291},"labels":[],"label_agreement":null},{"id":"W2047140638","doi":"10.7202/1005521ar","title":"Théâtre d’ombres chez Sophie Calle : les mises en scène du moi et de l’absence","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.05226607434393758,"score_gpt":0.26648158375046893,"score_spread":0.21421550940653133,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2047140638","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03894656,0.06755134,0.0016295885,0.011735541,0.0019536677,0.0008881714,0.0005208686,0.0019034112,0.87487084],"genre_scores_gemma":[0.66140705,0.020490464,0.0072807004,0.0027029524,0.0014944385,0.00049105077,0.00007808113,0.00021575457,0.30583948],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99482644,0.00096445647,0.0011641767,0.0010806996,0.0005645563,0.0013996969],"domain_scores_gemma":[0.99706674,0.00061616546,0.00046795627,0.0006963668,0.00071748835,0.00043528166],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00104471,0.001245185,0.0011246684,0.00028827472,0.003010871,0.00058698404,0.0011212723,0.0005270859,0.0025873752],"category_scores_gemma":[0.00064937945,0.0010722317,0.00075666694,0.00021276846,0.008699459,0.0015327149,0.00059625384,0.0010896558,0.00008077889],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002332085,0.0010580078,0.0014345248,0.00095642806,0.00037793632,0.00059198093,0.08727032,0.0000023463092,0.0011889697,0.6832058,0.0990335,0.12464698],"study_design_scores_gemma":[0.00029975732,0.0009920174,0.0016424218,0.0020096672,0.00024273046,0.00019409086,0.003670434,0.000008445804,0.0047415267,0.05297955,0.93189895,0.001320379],"about_ca_topic_score_codex":0.041524578,"about_ca_topic_score_gemma":0.02637569,"teacher_disagreement_score":0.8328655,"about_ca_system_score_codex":0.001691704,"about_ca_system_score_gemma":0.00022248777,"threshold_uncertainty_score":0.9991728},"labels":[],"label_agreement":null},{"id":"W2048653637","doi":"10.7202/1005527ar","title":"Jeux narratifs, fictions ludiques","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy; Art history","score_opus":0.06486455166825758,"score_gpt":0.3142062520198953,"score_spread":0.24934170035163775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2048653637","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018425776,0.022449816,0.005070222,0.0061780578,0.0037072857,0.0008042771,0.00024148848,0.0021212231,0.94100183],"genre_scores_gemma":[0.46299502,0.01048996,0.033860136,0.0038370586,0.0013457618,0.00058588246,0.00006334973,0.00020682685,0.48661602],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9941451,0.001460154,0.0012487691,0.0010886817,0.00067427027,0.0013830081],"domain_scores_gemma":[0.99691397,0.000501509,0.00045826612,0.000806899,0.0007732743,0.0005460779],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00136065,0.000946701,0.0009845415,0.00040564055,0.0035826296,0.00029755643,0.0010485153,0.0006327072,0.0018703364],"category_scores_gemma":[0.00071742537,0.0009469731,0.0007182497,0.0009753034,0.010072031,0.0024765865,0.00040851752,0.0009789777,0.00015285908],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010950951,0.0007957815,0.0016549982,0.000298235,0.00022501526,0.0002504508,0.19456957,3.798751e-7,0.00030539534,0.41100597,0.08467923,0.30610546],"study_design_scores_gemma":[0.00015137943,0.0007706551,0.00065286015,0.0012112404,0.00015262376,0.00006210444,0.0031486496,0.000004341331,0.0017441945,0.07317896,0.91793686,0.0009861264],"about_ca_topic_score_codex":0.017118601,"about_ca_topic_score_gemma":0.013116703,"teacher_disagreement_score":0.8332576,"about_ca_system_score_codex":0.0020819013,"about_ca_system_score_gemma":0.0002727473,"threshold_uncertainty_score":0.9992981},"labels":[],"label_agreement":null},{"id":"W2049697379","doi":"10.7202/1005467ar","title":"Une ombre dans le regard","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Philosophical and Theoretical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.043111463659417815,"score_gpt":0.2660357127166451,"score_spread":0.2229242490572273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2049697379","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019252114,0.0056386194,0.0071476134,0.012866519,0.00087573135,0.00047358734,0.00045626666,0.0012738379,0.9520157],"genre_scores_gemma":[0.8231948,0.0014025872,0.0045575476,0.002820534,0.00094729493,0.00019664498,0.00009940646,0.00021368005,0.16656747],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9949084,0.0008558272,0.0013249709,0.0011107303,0.00054817187,0.0012519234],"domain_scores_gemma":[0.9969457,0.00034740346,0.0004105729,0.001110592,0.0006322978,0.000553436],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0009843438,0.0010729054,0.0011705563,0.00041574187,0.002309049,0.0005972406,0.0011489649,0.0005225311,0.0025410359],"category_scores_gemma":[0.0003253325,0.0009774225,0.0010917075,0.00036300992,0.01831144,0.0014018475,0.0005210968,0.001088355,0.00018704998],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024212834,0.0010334844,0.00015218643,0.0004485528,0.00039557964,0.00050325517,0.021176644,6.4711173e-7,0.00058734964,0.8466289,0.0037751733,0.12505609],"study_design_scores_gemma":[0.00020742955,0.00060652255,0.00011677165,0.0010816031,0.0003155505,0.00009376918,0.00090928655,0.000017266553,0.0068666195,0.565754,0.42324373,0.0007874666],"about_ca_topic_score_codex":0.027859818,"about_ca_topic_score_gemma":0.011512091,"teacher_disagreement_score":0.80394274,"about_ca_system_score_codex":0.0006373313,"about_ca_system_score_gemma":0.00015425088,"threshold_uncertainty_score":0.99926764},"labels":[],"label_agreement":null},{"id":"W2050888222","doi":"10.7202/1005494ar","title":"Cinéma, médiation et transmission chamaniques, d’après Poétique du cinéma de Raoul Ruiz","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.036913254711698006,"score_gpt":0.26646706914778573,"score_spread":0.22955381443608772,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2050888222","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013159163,0.026828637,0.047150925,0.008601588,0.001492715,0.0012256253,0.00048682667,0.0019612717,0.8990933],"genre_scores_gemma":[0.7640929,0.012084317,0.025334744,0.015648285,0.0021043245,0.0006881408,0.00041282465,0.00050555455,0.17912889],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99329305,0.0020158316,0.0014883336,0.001148586,0.00055735727,0.001496816],"domain_scores_gemma":[0.99651736,0.0006264544,0.00041700446,0.00094995665,0.00086936913,0.00061985105],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0025098075,0.0012789905,0.001095846,0.0005940537,0.0016004653,0.0010757543,0.0009107379,0.0009224269,0.003295719],"category_scores_gemma":[0.0004061916,0.001244106,0.0008327332,0.00023052438,0.0046287565,0.0026267637,0.00024300479,0.0015916269,0.00006171726],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003766638,0.0008857313,0.00015028859,0.00092664844,0.00015725598,0.0005029427,0.063454166,8.738154e-7,0.002126805,0.76569706,0.019565586,0.146156],"study_design_scores_gemma":[0.00041424454,0.0012108017,0.0003024791,0.0032554104,0.00022558005,0.0002670832,0.0010811938,0.000039380262,0.020132197,0.23434137,0.7376027,0.001127527],"about_ca_topic_score_codex":0.004712861,"about_ca_topic_score_gemma":0.0016891096,"teacher_disagreement_score":0.75093377,"about_ca_system_score_codex":0.0009709013,"about_ca_system_score_gemma":0.00035088442,"threshold_uncertainty_score":0.9999962},"labels":[],"label_agreement":null},{"id":"W2051387148","doi":"10.7202/1005750ar","title":"Hitler’s Voice","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Structuring; Loudspeaker; Socialism; Politics; Power (physics); Political science; Sociology; Political economy; Aesthetics; Acoustics; Law; Art; Physics","score_opus":0.12465463369346166,"score_gpt":0.2830162179186376,"score_spread":0.15836158422517596,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2051387148","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042867698,0.00058619236,0.0005302896,0.00052766094,0.00079389504,0.00046801683,0.000102273225,0.0018697263,0.95225424],"genre_scores_gemma":[0.9138864,0.00021618902,0.006135011,0.004565694,0.0004542429,0.00032955586,0.000031460222,0.000117607655,0.07426382],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973632,0.0002541871,0.0006275574,0.00065144396,0.00035941688,0.0007441779],"domain_scores_gemma":[0.9983211,0.00023511935,0.0002463971,0.00054806104,0.00046381625,0.00018547909],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0005450257,0.0005899618,0.00059471914,0.0002552021,0.0013143654,0.0005983273,0.0007255456,0.00016566177,0.003900008],"category_scores_gemma":[0.0003254785,0.0004910249,0.00035499068,0.00010657812,0.0048077176,0.0009933638,0.0005098673,0.0004395547,0.00028089542],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014394645,0.00047865743,0.00079638726,0.00013883213,0.00016569458,0.00023405821,0.051007606,1.6336261e-7,0.0004194833,0.77803546,0.034187235,0.13439244],"study_design_scores_gemma":[0.00019283837,0.00061875023,0.0007678124,0.00029298183,0.00008453676,0.000026152795,0.0021967106,0.0000015309442,0.0022286735,0.061058875,0.93187714,0.00065397815],"about_ca_topic_score_codex":0.002951118,"about_ca_topic_score_gemma":0.004224815,"teacher_disagreement_score":0.89768994,"about_ca_system_score_codex":0.00043586685,"about_ca_system_score_gemma":0.000043770822,"threshold_uncertainty_score":0.9999858},"labels":[],"label_agreement":null},{"id":"W2052851112","doi":"10.7202/1015089ar","title":"Translation and the Passage to Politics in Contemporary Palestinian Art","year":2013,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Jewish and Middle Eastern Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Subjectivity; Politics; Vision; Poetry; Translation (biology); Dissent; Aesthetics; Contemporary art; Art; Visual arts; Sociology; Literature; Art history; Political science; Philosophy; Law; Anthropology; Epistemology; Performance art","score_opus":0.05953870903830792,"score_gpt":0.31673389199514534,"score_spread":0.2571951829568374,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2052851112","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17275439,0.0059032063,0.0028965338,0.01890056,0.00028379058,0.002163293,0.000040034105,0.0006821185,0.79637605],"genre_scores_gemma":[0.9854344,0.00036451855,0.0028324544,0.0028818408,0.0001415549,0.00043084426,0.000010861723,0.00003696355,0.007866553],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976043,0.00068623386,0.0005040504,0.00037086898,0.00030584738,0.000528678],"domain_scores_gemma":[0.99863535,0.0005771182,0.00012292073,0.00027149668,0.00019997219,0.00019313596],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0012934993,0.00028690073,0.00040738352,0.00020720843,0.0007751198,0.00033714256,0.00032560146,0.00014460488,0.000023902237],"category_scores_gemma":[0.0005922342,0.00022826802,0.000117530326,0.00026196943,0.0031488216,0.00073266064,0.00011303566,0.00027367895,0.0000311042],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008580176,0.00011759805,0.025748087,0.00009211324,0.000041340572,0.00003658992,0.054997377,4.1117758e-7,0.000290562,0.2464704,0.0034454707,0.66867423],"study_design_scores_gemma":[0.0014304422,0.00036163384,0.017419856,0.0012564362,0.00004941214,0.000026792473,0.014641449,0.000022231723,0.00074152986,0.22300299,0.7401086,0.0009386034],"about_ca_topic_score_codex":0.008853586,"about_ca_topic_score_gemma":0.019355977,"teacher_disagreement_score":0.81268,"about_ca_system_score_codex":0.00023115445,"about_ca_system_score_gemma":0.0000981577,"threshold_uncertainty_score":0.99956405},"labels":[],"label_agreement":null},{"id":"W2053541054","doi":"10.7202/1012663ar","title":"Radio as Music. A Video Document by (and with) Glenn Gould","year":2012,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Radio, Podcasts, and Digital Media","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Visual arts; Computer science","score_opus":0.029176460123277403,"score_gpt":0.30191157106280503,"score_spread":0.2727351109395276,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2053541054","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2240025,0.059092175,0.001489309,0.008294038,0.002678139,0.0014348285,0.00021376915,0.0012383921,0.70155686],"genre_scores_gemma":[0.86990994,0.0060467524,0.005551398,0.0041495957,0.0012826752,0.00039219816,0.00006266258,0.00020252452,0.112402275],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9942821,0.00091136596,0.00096314546,0.0009775057,0.00097228715,0.0018935768],"domain_scores_gemma":[0.9964765,0.00082379574,0.00046246685,0.0007467293,0.00032345453,0.0011670728],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0017464338,0.0010230737,0.0009841693,0.000307011,0.0013460295,0.000918867,0.0007741025,0.0006284598,0.0006484157],"category_scores_gemma":[0.00069806515,0.00095992733,0.00035842514,0.000576447,0.010503429,0.004505336,0.00030416163,0.00079208746,0.00012158803],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027565463,0.0006356102,0.0045810263,0.00043556507,0.00022793985,0.00018847195,0.045903783,5.2332325e-7,0.0009419088,0.1463574,0.08304116,0.7174109],"study_design_scores_gemma":[0.0005008059,0.0011583838,0.000414676,0.0018195818,0.00022223129,0.0004526996,0.0023602846,0.0000029018704,0.006206143,0.025032347,0.9605825,0.0012474728],"about_ca_topic_score_codex":0.011716106,"about_ca_topic_score_gemma":0.003198036,"teacher_disagreement_score":0.8775413,"about_ca_system_score_codex":0.0017490159,"about_ca_system_score_gemma":0.0002832268,"threshold_uncertainty_score":0.9999541},"labels":[],"label_agreement":null},{"id":"W2053699557","doi":"10.7202/1005525ar","title":"Le temps logé en la photographie. À partir de Barthes et Kracauer","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.0520260854972875,"score_gpt":0.2966662942386441,"score_spread":0.2446402087413566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2053699557","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.045839865,0.008205178,0.0012872125,0.0063284417,0.0011469907,0.00064679,0.00013602461,0.0011569232,0.93525255],"genre_scores_gemma":[0.92858386,0.01147508,0.008782575,0.0026603455,0.00036605058,0.00032344696,0.00002188498,0.00010962934,0.047677133],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99428576,0.002110509,0.00083380286,0.0008957145,0.0005797237,0.0012944614],"domain_scores_gemma":[0.997462,0.00071452,0.00038004346,0.00049568486,0.00045430163,0.00049345376],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0020914953,0.0008096156,0.000869796,0.00028363697,0.0026285474,0.00044299447,0.0009996305,0.0006481914,0.0006101338],"category_scores_gemma":[0.0007067641,0.00075385696,0.0007316292,0.00074632803,0.013608075,0.0016813419,0.00047963083,0.00088695256,0.00009705052],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013486981,0.000736479,0.0024738298,0.00021883938,0.00024238288,0.00029330567,0.109377526,7.6137684e-7,0.001231505,0.74251693,0.01657463,0.12619892],"study_design_scores_gemma":[0.00022736518,0.00043925678,0.0016567353,0.00082482875,0.00018521889,0.000058438876,0.0057533546,0.0000017215724,0.004642229,0.08899211,0.89632684,0.0008919011],"about_ca_topic_score_codex":0.045223273,"about_ca_topic_score_gemma":0.031273294,"teacher_disagreement_score":0.88757545,"about_ca_system_score_codex":0.0010407462,"about_ca_system_score_gemma":0.00032760558,"threshold_uncertainty_score":0.9994912},"labels":[],"label_agreement":null},{"id":"W2054066728","doi":"10.7202/1005450ar","title":"What is Necromedia?","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Digital Games and Media","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Immortality; Humanism; Aesthetics; Sociology; Media studies; Political science; Art; Law; Literature","score_opus":0.04880177804495137,"score_gpt":0.3180695687015029,"score_spread":0.2692677906565515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2054066728","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03907166,0.001842647,0.0010118233,0.0018611759,0.0016166684,0.00061558874,0.000043819982,0.0014967116,0.9524399],"genre_scores_gemma":[0.75369406,0.007922014,0.014138142,0.008727138,0.0005664273,0.0003583781,0.0000452605,0.00017759923,0.21437095],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99674356,0.000335614,0.00062208547,0.0006786163,0.0006322553,0.0009878926],"domain_scores_gemma":[0.99794436,0.00025673068,0.00024624867,0.0006430425,0.0004075467,0.0005020579],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.001185344,0.00048548172,0.0005191329,0.00030320874,0.0006072052,0.0008406273,0.0009363785,0.00033160864,0.0008111622],"category_scores_gemma":[0.0005105415,0.00046668146,0.0003806506,0.0004184914,0.004594566,0.0037081055,0.0002670703,0.00041112097,0.00008852936],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006325959,0.00022895505,0.00087580463,0.00007230487,0.00005106626,0.00013518991,0.09516597,3.3937795e-8,0.00039109396,0.0748139,0.009186531,0.8190159],"study_design_scores_gemma":[0.00014967225,0.00030738636,0.0006412809,0.0007355805,0.000041369974,0.000023626473,0.00613256,8.4204163e-7,0.008300969,0.043879375,0.9392007,0.0005866094],"about_ca_topic_score_codex":0.0026263245,"about_ca_topic_score_gemma":0.005252359,"teacher_disagreement_score":0.9300142,"about_ca_system_score_codex":0.0005864612,"about_ca_system_score_gemma":0.00024556962,"threshold_uncertainty_score":0.9997785},"labels":[],"label_agreement":null},{"id":"W2054810823","doi":"10.7202/1005549ar","title":"Disparaître à présent. Introduction","year":2007,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.03738220134870998,"score_gpt":0.3125044911933986,"score_spread":0.27512228984468867,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2054810823","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03203426,0.052233208,0.018195014,0.027349059,0.01033416,0.0012683736,0.00012285277,0.0020031391,0.8564599],"genre_scores_gemma":[0.5590837,0.015617663,0.014372623,0.003133311,0.009331514,0.00021258651,0.00009961538,0.00023802582,0.39791092],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99420387,0.00087849895,0.0011919612,0.0010804803,0.0009160352,0.0017291337],"domain_scores_gemma":[0.99700147,0.00061683374,0.00051006576,0.0006526941,0.00072800956,0.00049093424],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0031192899,0.0008718279,0.0009169542,0.000381518,0.002957761,0.0004663307,0.000798701,0.00069906336,0.0007192304],"category_scores_gemma":[0.0011403213,0.0009241886,0.00063481036,0.0010776235,0.011971689,0.0016914274,0.0003557509,0.0009818983,0.00010032137],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010149298,0.00042230712,0.0010420894,0.00023763542,0.00016305895,0.00014416542,0.030767497,0.0000016379338,0.0006094614,0.41550514,0.13454731,0.4164582],"study_design_scores_gemma":[0.000224662,0.00043691305,0.0019138464,0.0007316384,0.00015474398,0.000045811536,0.0038613754,0.0000041818826,0.0031949228,0.068347834,0.9201572,0.00092689274],"about_ca_topic_score_codex":0.020593245,"about_ca_topic_score_gemma":0.041707724,"teacher_disagreement_score":0.7856099,"about_ca_system_score_codex":0.004153351,"about_ca_system_score_gemma":0.00021912303,"threshold_uncertainty_score":0.99966955},"labels":[],"label_agreement":null},{"id":"W2055966084","doi":"10.7202/1001960ar","title":"L’art du trompe-l’oreille rythmique","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.03465277669902815,"score_gpt":0.25499674918894466,"score_spread":0.2203439724899165,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2055966084","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008907891,0.020714976,0.002553661,0.0032293552,0.0036315243,0.00081059174,0.00075208175,0.0016106627,0.95778924],"genre_scores_gemma":[0.3754604,0.0045643537,0.013147733,0.0074884347,0.0031309833,0.00045939675,0.0003640502,0.00041238673,0.5949723],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99450696,0.0008506131,0.0014573052,0.0011712919,0.00052170345,0.0014921402],"domain_scores_gemma":[0.99647677,0.00041846925,0.0005291786,0.001245239,0.00082753226,0.0005028133],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.001120884,0.0013452278,0.001150883,0.0006357282,0.0019467158,0.0011407939,0.0010770244,0.00074023026,0.0072549456],"category_scores_gemma":[0.00030426134,0.0013009898,0.0009066988,0.00025001384,0.0075020734,0.0024988141,0.00041879705,0.0013783241,0.0003484643],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002076864,0.00068695,0.00037192946,0.00068538054,0.00024055548,0.0007859781,0.04780562,3.3970824e-7,0.00036563014,0.6492058,0.16150962,0.13813451],"study_design_scores_gemma":[0.0003639369,0.001319885,0.00029546185,0.0026206737,0.00021798509,0.00050748367,0.0010527463,0.000010892774,0.006086675,0.06886026,0.91729426,0.001369706],"about_ca_topic_score_codex":0.004661763,"about_ca_topic_score_gemma":0.0050235884,"teacher_disagreement_score":0.7557847,"about_ca_system_score_codex":0.0008195766,"about_ca_system_score_gemma":0.0002226798,"threshold_uncertainty_score":0.9999299},"labels":[],"label_agreement":null},{"id":"W2058235960","doi":"10.7202/1009073ar","title":"Archives du pathos","year":2012,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.032602879014929434,"score_gpt":0.26805217978140067,"score_spread":0.23544930076647125,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2058235960","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1261791,0.09788777,0.0053746477,0.08575181,0.0050700563,0.0012223572,0.00070711225,0.002184087,0.67562306],"genre_scores_gemma":[0.59658474,0.027293088,0.0057413643,0.0033136385,0.0044327914,0.0004050617,0.00013176486,0.00023020645,0.36186734],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99506986,0.00081791094,0.0011712336,0.00076923455,0.000543494,0.0016282436],"domain_scores_gemma":[0.9972672,0.0006369861,0.00045500955,0.00064933073,0.000405035,0.0005864228],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.000835919,0.001053981,0.0011779597,0.00029319836,0.008308605,0.0006771209,0.0007288899,0.0003542877,0.0014410315],"category_scores_gemma":[0.00039619036,0.00089620106,0.0012199717,0.00022659269,0.007954936,0.0018001423,0.00052070565,0.0008948378,0.00013641504],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008852803,0.0008387374,0.0017732263,0.00052071875,0.00043121362,0.00011501491,0.19289707,0.0000011183603,0.00035239026,0.45881248,0.037357852,0.30681166],"study_design_scores_gemma":[0.00020909829,0.00045115958,0.000376104,0.0009569818,0.0004603334,0.00007806472,0.0046168,0.000011145643,0.0005228284,0.033777487,0.9573948,0.0011452241],"about_ca_topic_score_codex":0.006948135,"about_ca_topic_score_gemma":0.004507471,"teacher_disagreement_score":0.9200369,"about_ca_system_score_codex":0.0034974404,"about_ca_system_score_gemma":0.00006153168,"threshold_uncertainty_score":0.99966466},"labels":[],"label_agreement":null},{"id":"W2059520749","doi":"10.7202/1005544ar","title":"« Ô ton visage comme un nénuphar flottant » (thème et variations)","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.09041322477937319,"score_gpt":0.3766043224457051,"score_spread":0.2861910976663319,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2059520749","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02791434,0.012869606,0.04740913,0.010274138,0.0035437746,0.0015393101,0.0007826066,0.0014731265,0.89419395],"genre_scores_gemma":[0.82051647,0.00601751,0.032702427,0.013674418,0.00079347845,0.0011393166,0.000389464,0.00054828776,0.12421862],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.98711467,0.005759446,0.0021428564,0.0020199143,0.00081219256,0.0021508988],"domain_scores_gemma":[0.993726,0.0011555016,0.00084244646,0.0026776432,0.00087592046,0.00072247547],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.00529385,0.0014365797,0.00164127,0.0012793982,0.001358595,0.0004880962,0.0020640967,0.0013335306,0.00840727],"category_scores_gemma":[0.00043516967,0.0014883752,0.001125723,0.001265123,0.00514625,0.0013691754,0.0005822947,0.0024319377,0.0006898145],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001228173,0.004232593,0.007574647,0.00043174665,0.0014067473,0.001958988,0.036868896,0.0000012545037,0.0049884613,0.33623093,0.055908695,0.5491689],"study_design_scores_gemma":[0.0017007373,0.0024411909,0.014175952,0.001837444,0.00074138533,0.0013327486,0.00092615286,0.000045217497,0.0073934863,0.12799667,0.839304,0.0021050205],"about_ca_topic_score_codex":0.003907737,"about_ca_topic_score_gemma":0.0017984267,"teacher_disagreement_score":0.7926021,"about_ca_system_score_codex":0.0010199863,"about_ca_system_score_gemma":0.00024642193,"threshold_uncertainty_score":0.9999629},"labels":[],"label_agreement":null},{"id":"W2061123195","doi":"10.7202/1005543ar","title":"Face of the Human and Surface of the World","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Walter Benjamin Studies Compilation","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Movie theater; Immanence; Transcendence (philosophy); Realm; Face (sociological concept); Subject (documents); Mysticism; Aesthetics; Art; Philosophy; Deleuze and Guattari; Literature; Art history; Epistemology; History; Computer science","score_opus":0.0693911474831315,"score_gpt":0.2859998889348204,"score_spread":0.21660874145168893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2061123195","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.56521654,0.0004981741,0.00017115474,0.00033265774,0.00028471588,0.00046463846,0.00007199634,0.00017763923,0.4327825],"genre_scores_gemma":[0.9755398,0.000038286402,0.00100385,0.00029646102,0.000056430723,0.0000311622,0.000003857119,0.000045395762,0.022984775],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99830294,0.00028260783,0.00058346597,0.0002918052,0.00026963503,0.00026955834],"domain_scores_gemma":[0.99842876,0.00016749432,0.00042703963,0.0006521043,0.00028354814,0.000041047722],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00040434411,0.00030134767,0.0003811127,0.0001072109,0.0008514187,0.00007740223,0.00061372237,0.00006009015,0.0001528223],"category_scores_gemma":[0.00008465572,0.00019336653,0.00021626159,0.00012354561,0.0048478274,0.0003615142,0.0005121546,0.0002603682,0.0000011793376],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006179716,0.00024607824,0.018536016,0.00039599815,0.00015073753,0.000004196386,0.106588416,0.0000031494835,0.00907607,0.84295815,0.0047023143,0.017277101],"study_design_scores_gemma":[0.0005997354,0.0006431369,0.05791786,0.0031794296,0.0003212358,0.00003241625,0.0064292024,0.000019438861,0.32265645,0.13163823,0.47541556,0.0011472828],"about_ca_topic_score_codex":0.0015105361,"about_ca_topic_score_gemma":0.011262846,"teacher_disagreement_score":0.71131986,"about_ca_system_score_codex":0.00012167762,"about_ca_system_score_gemma":0.000026869062,"threshold_uncertainty_score":0.99786043},"labels":[],"label_agreement":null},{"id":"W2061590996","doi":"10.7202/1005555ar","title":"La vidéo à l’épreuve de la disparition (Julieta Hanono, Fiorenza Menini)","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.07654219815941099,"score_gpt":0.32134915586086216,"score_spread":0.24480695770145117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2061590996","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03170158,0.021021895,0.0060118968,0.0015094725,0.001471567,0.0006818886,0.00018757765,0.0012273291,0.9361868],"genre_scores_gemma":[0.8929702,0.011621321,0.018439295,0.001813668,0.0007839301,0.00046149318,0.00004335585,0.0001707548,0.073696],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99225223,0.003883699,0.0009406875,0.00090407697,0.0006418726,0.0013774569],"domain_scores_gemma":[0.99662983,0.001458121,0.00045338113,0.00058445905,0.0004013461,0.00047283954],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["sts"],"category_scores_codex":[0.0033751726,0.0008565201,0.000916848,0.000270408,0.0022057702,0.0005441243,0.0010131757,0.001334698,0.0007931862],"category_scores_gemma":[0.0012688211,0.00091560325,0.0006719688,0.00062520785,0.015873581,0.0014358299,0.00043591938,0.0013904524,0.00006109274],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012591692,0.0007869081,0.0029345627,0.00033871882,0.0002883863,0.000351398,0.14760448,6.347112e-7,0.00051001477,0.53326845,0.051724654,0.2620659],"study_design_scores_gemma":[0.00031273838,0.0004856226,0.0038160346,0.0015268315,0.00025418864,0.000069648486,0.0040093847,0.000010442339,0.0035930516,0.161007,0.8239105,0.0010045612],"about_ca_topic_score_codex":0.02689418,"about_ca_topic_score_gemma":0.018033251,"teacher_disagreement_score":0.8624908,"about_ca_system_score_codex":0.0027220878,"about_ca_system_score_gemma":0.00033298938,"threshold_uncertainty_score":0.9999618},"labels":[],"label_agreement":null},{"id":"W2063038592","doi":"10.7202/1005471ar","title":"Bergson anachronique, ou la métaphysique est-elle soluble dans l’intermédialité?","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Philosophical and Theoretical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Philosophy; Humanities","score_opus":0.04086543474369933,"score_gpt":0.27927347904983446,"score_spread":0.23840804430613513,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2063038592","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014913857,0.0069078123,0.01298209,0.004977342,0.0012661457,0.0007909483,0.0005130434,0.0015743884,0.95607436],"genre_scores_gemma":[0.85866004,0.0041637863,0.0051153633,0.0024586753,0.00129591,0.00045195775,0.00016903378,0.00035275705,0.12733248],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9925701,0.0017011295,0.0017599389,0.0015369297,0.0006991318,0.0017327807],"domain_scores_gemma":[0.9957173,0.00073647074,0.00060961646,0.0014087954,0.00076786225,0.0007599434],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0015516544,0.0015501357,0.0015846894,0.00062266615,0.0021875396,0.0009356925,0.0015240464,0.00082944136,0.005008911],"category_scores_gemma":[0.00033448078,0.0014571819,0.0015641403,0.0003992115,0.017544637,0.0019758486,0.0008162975,0.0016164907,0.00021477863],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033260992,0.0016350319,0.00020237156,0.00080041843,0.0005984565,0.00061920576,0.023987947,0.0000016901023,0.0008156689,0.8535659,0.0049186735,0.11252207],"study_design_scores_gemma":[0.00031578733,0.0010117446,0.000110635556,0.0019742278,0.00052031194,0.00014117,0.00084351056,0.00008386864,0.010957688,0.5418404,0.4409194,0.0012812933],"about_ca_topic_score_codex":0.017095389,"about_ca_topic_score_gemma":0.011127193,"teacher_disagreement_score":0.8437462,"about_ca_system_score_codex":0.0010659302,"about_ca_system_score_gemma":0.0002241371,"threshold_uncertainty_score":0.9997247},"labels":[],"label_agreement":null},{"id":"W2063066946","doi":"10.7202/044675ar","title":"L’exposition comme produit dérivé","year":2010,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Exposition (narrative); Humanities; Art; Philosophy; Literature","score_opus":0.06015621287942327,"score_gpt":0.3202536111680514,"score_spread":0.2600973982886281,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2063066946","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044397525,0.0058607007,0.00079327845,0.026140662,0.0060239006,0.0010581465,0.00021784374,0.0016838297,0.9138241],"genre_scores_gemma":[0.81032974,0.0037740145,0.010405961,0.003654622,0.001702214,0.0003373297,0.00008326391,0.00011981775,0.16959307],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99554783,0.00067590876,0.0008618685,0.00095320406,0.0007642564,0.0011969601],"domain_scores_gemma":[0.99729204,0.00037462788,0.00041888666,0.0006016137,0.00084404397,0.0004688063],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0013007111,0.0007886061,0.00081077503,0.0002151349,0.00358189,0.0005880875,0.0009886282,0.00062403793,0.0010062061],"category_scores_gemma":[0.0007631579,0.00073484244,0.0005753869,0.00068877084,0.0103803,0.0019602955,0.0004865815,0.0013169433,0.00021894404],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008309739,0.00058188225,0.0006683382,0.00026071648,0.00012300759,0.00013896324,0.025233516,4.8387744e-7,0.005782086,0.5429605,0.053066738,0.37110066],"study_design_scores_gemma":[0.00020559157,0.00049111637,0.0006610383,0.0007254011,0.00015564794,0.000060165545,0.0012784736,0.000003171027,0.003782262,0.070085995,0.92166543,0.0008857157],"about_ca_topic_score_codex":0.016428702,"about_ca_topic_score_gemma":0.023657607,"teacher_disagreement_score":0.8685987,"about_ca_system_score_codex":0.0017185996,"about_ca_system_score_gemma":0.00015165297,"threshold_uncertainty_score":0.999907},"labels":[],"label_agreement":null},{"id":"W2063692271","doi":"10.7202/1005542ar","title":"Visage et ornement. Remarques sur une préhistoire de la visagéité photographique dans la modernité allemande chez Simmel et George","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities; George (robot); Philosophy; Art history","score_opus":0.034472819852109954,"score_gpt":0.28790609640424425,"score_spread":0.2534332765521343,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2063692271","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09501172,0.007924204,0.008531793,0.0022532514,0.00072178885,0.0013837885,0.0007245377,0.0022273702,0.88122153],"genre_scores_gemma":[0.8631305,0.0073735514,0.0045391284,0.007751605,0.0005081364,0.0006711099,0.00030204048,0.00050276925,0.115221165],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99051195,0.0041533294,0.0016144923,0.0014211682,0.00068435725,0.0016147168],"domain_scores_gemma":[0.99577475,0.0010704809,0.0007614044,0.0012162236,0.0006350027,0.00054213917],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0042985254,0.0016940554,0.0014024081,0.0006497947,0.002156325,0.0012317796,0.0012764406,0.00096449134,0.0016202526],"category_scores_gemma":[0.00043224258,0.0016358391,0.0011005581,0.00031243492,0.011228458,0.0023173916,0.0006324386,0.0018981327,0.000044312164],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00053733896,0.0020055962,0.0005964511,0.0010361223,0.0005226761,0.0010165119,0.21735741,0.000004537686,0.007326991,0.72185093,0.018638955,0.02910647],"study_design_scores_gemma":[0.0007536649,0.0012035002,0.0006220162,0.0040471363,0.0004258285,0.00043621482,0.0073568784,0.000043346205,0.024282942,0.14033605,0.81861204,0.0018803672],"about_ca_topic_score_codex":0.021637913,"about_ca_topic_score_gemma":0.038178433,"teacher_disagreement_score":0.7999731,"about_ca_system_score_codex":0.001013357,"about_ca_system_score_gemma":0.00039586035,"threshold_uncertainty_score":0.99980503},"labels":[],"label_agreement":null},{"id":"W2063810809","doi":"10.7202/1005751ar","title":"Objective Landscapes: The Mediated Evidence of Repeat Photography","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Photography; Witness; Objectivity (philosophy); Ideology; Negative; Visual arts; Aesthetics; Sociology; Art; Epistemology; Law; Philosophy; Political science","score_opus":0.05541494158738908,"score_gpt":0.33368098279307473,"score_spread":0.27826604120568565,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2063810809","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39916992,0.0031975466,0.0005353066,0.0011892772,0.0006345479,0.0013393597,0.000073837786,0.0015565342,0.5923037],"genre_scores_gemma":[0.99137926,0.0019126469,0.0038802435,0.0006321881,0.00010806764,0.0003292925,0.000010544896,0.00005963502,0.0016880974],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963867,0.0009881682,0.00076157047,0.00058397406,0.0006205693,0.0006590361],"domain_scores_gemma":[0.996196,0.0014257091,0.0005042651,0.0007669165,0.0009194328,0.00018770457],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0018358573,0.00042300462,0.0004913629,0.00061423215,0.001561206,0.00019868415,0.0012337359,0.000235709,0.00060784305],"category_scores_gemma":[0.0020251824,0.00033982837,0.0005557662,0.00094053824,0.0059940126,0.0014713771,0.00024413427,0.0005683407,0.000016533366],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018832855,0.0017047836,0.07546209,0.00056213496,0.0011360168,0.00028497752,0.577867,0.0000022134068,0.022478763,0.2352839,0.02170991,0.061624963],"study_design_scores_gemma":[0.0011174161,0.0062666168,0.06878635,0.010992911,0.0010946258,0.0002445891,0.15831026,0.000020685096,0.114723556,0.23472716,0.39952004,0.0041957856],"about_ca_topic_score_codex":0.0254411,"about_ca_topic_score_gemma":0.088158496,"teacher_disagreement_score":0.59220934,"about_ca_system_score_codex":0.00028392428,"about_ca_system_score_gemma":0.00014848792,"threshold_uncertainty_score":0.99990535},"labels":[],"label_agreement":null},{"id":"W2063906144","doi":"10.7202/1020621ar","title":"L’institution du « spectateur-témoin »","year":2013,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"North African History and Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.02072834939786239,"score_gpt":0.2469135990844105,"score_spread":0.2261852496865481,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2063906144","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.060153767,0.020307912,0.001204436,0.006909349,0.004196245,0.0013792102,0.0005905132,0.0017632155,0.9034954],"genre_scores_gemma":[0.69570255,0.0019799557,0.0033283222,0.003692875,0.0023885476,0.0005090075,0.00022106493,0.00021646026,0.29196122],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951323,0.0007629501,0.0012422719,0.0010761471,0.0005264252,0.0012599075],"domain_scores_gemma":[0.9968288,0.00030476562,0.0005112171,0.00094946584,0.0009277216,0.00047806307],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00074120564,0.0011449293,0.0009268714,0.000586407,0.0030083286,0.0017384387,0.00082758476,0.000508785,0.005988365],"category_scores_gemma":[0.0003089767,0.0011313672,0.0006717826,0.00026466063,0.009259505,0.0037850474,0.00027886708,0.0012518751,0.0005268723],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011873015,0.0005792543,0.00063448894,0.00075954496,0.00015581002,0.0004522188,0.03493545,0.000004085297,0.0010848789,0.70552814,0.13648154,0.11926586],"study_design_scores_gemma":[0.00033345542,0.00074113044,0.00050046225,0.0019653488,0.00015941358,0.0003187027,0.0014325597,0.000017166754,0.0017143248,0.03322678,0.9583547,0.0012359194],"about_ca_topic_score_codex":0.007828988,"about_ca_topic_score_gemma":0.004833431,"teacher_disagreement_score":0.8218732,"about_ca_system_score_codex":0.0016783669,"about_ca_system_score_gemma":0.00023552025,"threshold_uncertainty_score":0.99929786},"labels":[],"label_agreement":null},{"id":"W2064080308","doi":"10.7202/1005499ar","title":"Transmettre et communiquer. Chassés-croisés conceptuels à partir de Régis Debray","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Philosophy; Political science","score_opus":0.1834375446173868,"score_gpt":0.3351507768912537,"score_spread":0.15171323227386693,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2064080308","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06670317,0.018538198,0.21186936,0.010144433,0.0015987197,0.0015435664,0.00038824292,0.0029756094,0.6862387],"genre_scores_gemma":[0.87332666,0.0022551734,0.06933616,0.0130093675,0.00021928061,0.0002754843,0.00008506903,0.00021327726,0.041279536],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.992665,0.0017578437,0.0015393615,0.0013243039,0.0006856363,0.0020278574],"domain_scores_gemma":[0.9948285,0.00066733453,0.0006144572,0.001958599,0.0009354337,0.0009956636],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0017673689,0.0014402805,0.00128757,0.00040753293,0.0013836263,0.00317031,0.0024990977,0.00076691544,0.0004517489],"category_scores_gemma":[0.0005160372,0.0012819872,0.0009153929,0.00082358066,0.008039032,0.008890068,0.00095224235,0.0014582083,0.00007122005],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018687574,0.0011245788,0.00051197055,0.00046985951,0.00024614236,0.001306582,0.115433484,0.000005596144,0.010699438,0.49668354,0.017675921,0.355656],"study_design_scores_gemma":[0.00070027245,0.002149267,0.0019366161,0.0038142116,0.00020656314,0.0018149769,0.00091379066,0.00023513027,0.18974216,0.20202331,0.5942152,0.0022484874],"about_ca_topic_score_codex":0.019361392,"about_ca_topic_score_gemma":0.009595538,"teacher_disagreement_score":0.80662346,"about_ca_system_score_codex":0.0011561529,"about_ca_system_score_gemma":0.00053045206,"threshold_uncertainty_score":0.99991643},"labels":[],"label_agreement":null},{"id":"W2064167160","doi":"10.7202/039234ar","title":"Quand le son écoute la scène","year":2010,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.11369815390505163,"score_gpt":0.322004985924044,"score_spread":0.20830683201899236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2064167160","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08073365,0.005825513,0.05279493,0.012612154,0.0035313072,0.0008222323,0.00016813856,0.002234105,0.84127796],"genre_scores_gemma":[0.8096841,0.0006582441,0.043457374,0.0034030983,0.0005190709,0.00010903693,0.000049864397,0.00014870933,0.14197049],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99526185,0.00051556446,0.0010414681,0.001230866,0.0006217708,0.0013285117],"domain_scores_gemma":[0.9960102,0.00060589414,0.00044554842,0.0014224263,0.00080232066,0.0007136408],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0012086189,0.0010268809,0.0008598165,0.00036352075,0.0011715799,0.004873515,0.0015935345,0.0006973182,0.00014043906],"category_scores_gemma":[0.0007937893,0.00090343686,0.0005933852,0.00061866106,0.005109234,0.00829737,0.0009563587,0.0014471462,0.00008405036],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005847732,0.0004946359,0.00017037714,0.00023386607,0.00007512417,0.0007314041,0.0063615185,0.0000025517315,0.024588864,0.5767742,0.0197896,0.3707194],"study_design_scores_gemma":[0.00037499098,0.0006360747,0.00095437927,0.0012877176,0.00005868502,0.0016455963,0.00014194209,0.00019694131,0.047448363,0.1274932,0.8185989,0.0011631708],"about_ca_topic_score_codex":0.010330963,"about_ca_topic_score_gemma":0.011289607,"teacher_disagreement_score":0.79880935,"about_ca_system_score_codex":0.0004350036,"about_ca_system_score_gemma":0.00048244666,"threshold_uncertainty_score":0.9993416},"labels":[],"label_agreement":null},{"id":"W2064475584","doi":"10.7202/1005523ar","title":"Du documentaire au documontage : Vingt ans après de Sophie Calle","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.13565511509294892,"score_gpt":0.32388456795313575,"score_spread":0.18822945286018683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2064475584","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.109582625,0.0058626356,0.064830266,0.0063874605,0.0022070974,0.0010529668,0.00015512045,0.0023408514,0.807581],"genre_scores_gemma":[0.87774116,0.0011660726,0.03631235,0.0051688994,0.0005996003,0.00017651122,0.000042623284,0.00016206822,0.078630686],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9943195,0.00059686624,0.0012108744,0.0013208857,0.0006311014,0.0019207975],"domain_scores_gemma":[0.9962446,0.0002933398,0.0005071246,0.0013876143,0.000616511,0.00095080497],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0010402565,0.0011947023,0.0009310834,0.000384205,0.0014565858,0.0024771884,0.0019266598,0.0005504679,0.00036358793],"category_scores_gemma":[0.0004578347,0.0010661964,0.0007076646,0.00061837764,0.004060112,0.010628281,0.0013142914,0.00084970274,0.00008918054],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001727475,0.0010112198,0.0025533652,0.0004723661,0.00020520594,0.0037148276,0.072052084,0.0000036984734,0.0038190077,0.5328814,0.02112574,0.36198837],"study_design_scores_gemma":[0.00070541975,0.0024297663,0.0051658144,0.0033887704,0.00020586775,0.0032372363,0.0012334356,0.00018050098,0.058856018,0.23029521,0.691817,0.0024849512],"about_ca_topic_score_codex":0.04865068,"about_ca_topic_score_gemma":0.01924812,"teacher_disagreement_score":0.76815856,"about_ca_system_score_codex":0.0027812743,"about_ca_system_score_gemma":0.00056116394,"threshold_uncertainty_score":0.99984336},"labels":[],"label_agreement":null},{"id":"W2065065797","doi":"10.7202/1005477ar","title":"Aimer une statue : Pygmalion ou la fable de l’amour comblé","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Perversion; Fable; Statue; Philosophy; Art history; Literature; Psychology","score_opus":0.053211327719062264,"score_gpt":0.31449701295339944,"score_spread":0.26128568523433715,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2065065797","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03217402,0.014463108,0.0075723315,0.0057282387,0.0017771069,0.00070408935,0.00020269088,0.0014163797,0.935962],"genre_scores_gemma":[0.6819236,0.0050187386,0.023269648,0.0028887135,0.000575045,0.00028100517,0.00004207531,0.00018070912,0.28582042],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9936814,0.002020833,0.0010676108,0.0009695776,0.00066587335,0.0015947043],"domain_scores_gemma":[0.9970883,0.0006884334,0.00044343414,0.0006760154,0.0005219662,0.000581842],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.002092112,0.0008925362,0.0009665931,0.0003698587,0.0022235434,0.00030141103,0.001002786,0.0006766345,0.0007841839],"category_scores_gemma":[0.0005268874,0.0008903209,0.00057605765,0.0010641332,0.008533827,0.0019199072,0.00040081848,0.0010216858,0.000104923616],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020584752,0.00092448725,0.0036719465,0.00037552777,0.00020812487,0.000539391,0.11659902,0.0000010985273,0.0006547402,0.5469239,0.04488911,0.28500682],"study_design_scores_gemma":[0.00025048692,0.0006507252,0.0010775415,0.0011330841,0.00017014648,0.00007806704,0.0019587313,0.000008264336,0.0027566883,0.09251058,0.898469,0.00093672983],"about_ca_topic_score_codex":0.04884011,"about_ca_topic_score_gemma":0.009695639,"teacher_disagreement_score":0.8535798,"about_ca_system_score_codex":0.002054979,"about_ca_system_score_gemma":0.00031665663,"threshold_uncertainty_score":0.9993547},"labels":[],"label_agreement":null},{"id":"W2065287513","doi":"10.7202/1005553ar","title":"Colonel Chabert ou le revenant intempestif","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.05491391867590023,"score_gpt":0.2722479242880968,"score_spread":0.21733400561219657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2065287513","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.070996694,0.05024456,0.003547686,0.0931022,0.0044432553,0.0016708699,0.0006593803,0.0024115716,0.77292377],"genre_scores_gemma":[0.42120785,0.015331234,0.0062023993,0.0028850136,0.0011344777,0.0004944177,0.000095737414,0.0002367359,0.55241215],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99490947,0.0006842398,0.0014471646,0.0010928058,0.00054228876,0.0013240259],"domain_scores_gemma":[0.9968765,0.00031336443,0.0005918365,0.00079435547,0.0009703841,0.00045360607],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0009975744,0.001111346,0.0013960279,0.00030777807,0.0076043014,0.00051267847,0.00096009223,0.000494467,0.0012568246],"category_scores_gemma":[0.00043098532,0.0009515847,0.0011486671,0.00030533384,0.008081539,0.0013439509,0.00056276,0.0010018636,0.00014180887],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001889436,0.0010569207,0.00028109355,0.0006266714,0.00062879804,0.00041806395,0.1458259,5.938384e-7,0.0003416201,0.61891395,0.06996485,0.16175258],"study_design_scores_gemma":[0.00028297343,0.0009681346,0.00017538405,0.0016216078,0.0004197266,0.00007344828,0.004065784,0.0000096820795,0.0012963257,0.07129209,0.91857207,0.0012227772],"about_ca_topic_score_codex":0.049389184,"about_ca_topic_score_gemma":0.031838715,"teacher_disagreement_score":0.84860724,"about_ca_system_score_codex":0.0045872955,"about_ca_system_score_gemma":0.00015170248,"threshold_uncertainty_score":0.99965614},"labels":[],"label_agreement":null},{"id":"W2065467781","doi":"10.7202/1015087ar","title":"La médialité redite par l’oralité","year":2013,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Philosophy; Tact; Art; Psychology","score_opus":0.036467873043860205,"score_gpt":0.2988930276926395,"score_spread":0.26242515464877925,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2065467781","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030400686,0.014790108,0.0012102681,0.00790713,0.0032191623,0.0009905268,0.00080210157,0.0013152218,0.9393648],"genre_scores_gemma":[0.6992976,0.0049918643,0.005218177,0.0041108467,0.0048514945,0.0004376215,0.0003295733,0.00036947837,0.28039333],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.993419,0.0012332696,0.0017535149,0.001262875,0.00077805965,0.0015533058],"domain_scores_gemma":[0.99494594,0.0008492007,0.0007000268,0.0014009568,0.0014767754,0.0006271087],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0016319227,0.0013277575,0.001355778,0.0006812349,0.002241044,0.0030857509,0.0011033218,0.00068816345,0.0063667055],"category_scores_gemma":[0.0009208233,0.0012764697,0.0011413902,0.0002901728,0.009524411,0.00192265,0.00053892675,0.0011977612,0.0004363231],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000639393,0.00067281007,0.00065670925,0.000684103,0.0004885523,0.0004040418,0.011785997,0.0000058649184,0.00037654562,0.7125354,0.08670606,0.18562002],"study_design_scores_gemma":[0.00031928017,0.00045773707,0.00031595372,0.0018816843,0.00056948356,0.000103203776,0.0019141864,0.00007529556,0.0015404383,0.1507952,0.84070617,0.0013213537],"about_ca_topic_score_codex":0.03609198,"about_ca_topic_score_gemma":0.004866249,"teacher_disagreement_score":0.7540001,"about_ca_system_score_codex":0.000833001,"about_ca_system_score_gemma":0.00026774788,"threshold_uncertainty_score":0.99994737},"labels":[],"label_agreement":null},{"id":"W2065657483","doi":"10.7202/1023521ar","title":"Traverser dix ans d’Intermédialités","year":2012,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":4,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology; Art","score_opus":0.12816822255708132,"score_gpt":0.33023184098768726,"score_spread":0.20206361843060594,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2065657483","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0489533,0.017211992,0.063994974,0.005806884,0.006159156,0.001243894,0.0003692832,0.0025249075,0.8537356],"genre_scores_gemma":[0.77159554,0.0012795842,0.02031271,0.0074947225,0.0012958236,0.00016749905,0.000097915814,0.00021571033,0.1975405],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9926634,0.00088125834,0.0015507538,0.0013467611,0.00090987707,0.0026479943],"domain_scores_gemma":[0.9948971,0.0005556888,0.00058998377,0.0017409723,0.00081696105,0.0013992388],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow","scholarly_communication"],"category_scores_codex":[0.0014210921,0.00153293,0.0012351813,0.0005204079,0.0012159322,0.0034874221,0.0018789619,0.00075792853,0.000555199],"category_scores_gemma":[0.0006719757,0.0013533748,0.0010320025,0.0008970027,0.004444021,0.015596069,0.0012333049,0.0011595482,0.0002937908],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001191736,0.001101926,0.00094607874,0.00046856317,0.00021342403,0.00053499994,0.03317041,0.0000042626966,0.004603107,0.5018499,0.031996213,0.42499194],"study_design_scores_gemma":[0.000473293,0.001003333,0.0022429875,0.0024135374,0.00017308598,0.0017614958,0.0006610598,0.00009447798,0.029056434,0.032769624,0.92740846,0.0019422162],"about_ca_topic_score_codex":0.006059334,"about_ca_topic_score_gemma":0.0019310726,"teacher_disagreement_score":0.89541227,"about_ca_system_score_codex":0.0015549095,"about_ca_system_score_gemma":0.0002722961,"threshold_uncertainty_score":0.9997419},"labels":[],"label_agreement":null},{"id":"W2065744159","doi":"10.7202/1001958ar","title":"Le film comme « symphonie du monde »","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.06458257663979168,"score_gpt":0.2582277087108576,"score_spread":0.19364513207106593,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2065744159","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0056949747,0.06513034,0.0010081931,0.0068302467,0.0027434153,0.00065276964,0.00040425643,0.0015078995,0.9160279],"genre_scores_gemma":[0.5615915,0.012007699,0.0045011244,0.003958253,0.0014028087,0.00050901005,0.00011273863,0.00023385201,0.41568303],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99564654,0.0004997591,0.0011714029,0.0009483888,0.00048355255,0.0012503569],"domain_scores_gemma":[0.9973865,0.00028523282,0.00044520132,0.0007521132,0.00073897524,0.00039194128],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0005697247,0.0010993492,0.0010794628,0.0002593319,0.0037520248,0.000551871,0.000984867,0.00041084227,0.0024147735],"category_scores_gemma":[0.0002685819,0.000996968,0.0007740572,0.00020555624,0.00921451,0.0016240939,0.0005460825,0.0008351755,0.00017694975],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012484462,0.0009131321,0.0002374641,0.00046281907,0.00027366896,0.00031080513,0.046212483,7.148567e-7,0.0002212265,0.6653645,0.17122181,0.11465653],"study_design_scores_gemma":[0.00034875996,0.00094006234,0.00034321847,0.0012968736,0.00019570158,0.00014372543,0.0026162432,0.000009723042,0.0026482532,0.08020536,0.9100711,0.0011810232],"about_ca_topic_score_codex":0.03408894,"about_ca_topic_score_gemma":0.016581818,"teacher_disagreement_score":0.7388493,"about_ca_system_score_codex":0.0012531221,"about_ca_system_score_gemma":0.00016954655,"threshold_uncertainty_score":0.9992481},"labels":[],"label_agreement":null},{"id":"W2066118158","doi":"10.7202/1005535ar","title":"T’es où [Luc Courchesne]?","year":2007,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Political science","score_opus":0.03133960033522651,"score_gpt":0.29101795821618875,"score_spread":0.2596783578809623,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2066118158","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016950142,0.05218228,0.010871502,0.004774735,0.0032136473,0.000778748,0.0006181102,0.0016629425,0.9089479],"genre_scores_gemma":[0.6474759,0.0022728066,0.008768344,0.008343515,0.0031120193,0.00016263315,0.00019545552,0.00031908532,0.32935026],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9936979,0.00073260034,0.0015841128,0.0011272848,0.00072019105,0.0021379145],"domain_scores_gemma":[0.99543005,0.0014376664,0.00035609675,0.0011017576,0.0009832848,0.0006911538],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0032362512,0.0012491004,0.001113461,0.0006114147,0.0021238108,0.0016153185,0.0010114226,0.00073866925,0.002443431],"category_scores_gemma":[0.00077592046,0.0012151437,0.0008648542,0.00027904753,0.012670994,0.0020351661,0.0003859234,0.0016005123,0.0001580467],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002145601,0.0005618602,0.000107861946,0.00075697893,0.00016362937,0.00069521193,0.014529092,4.4624596e-7,0.0009447083,0.6904675,0.028472768,0.26308542],"study_design_scores_gemma":[0.0002720889,0.0008260621,0.00013186989,0.0027080493,0.00019030292,0.00022827378,0.0018625347,0.0000043407363,0.010257147,0.2202896,0.76213706,0.0010926446],"about_ca_topic_score_codex":0.001845993,"about_ca_topic_score_gemma":0.0037396357,"teacher_disagreement_score":0.73366433,"about_ca_system_score_codex":0.0012178993,"about_ca_system_score_gemma":0.0001871625,"threshold_uncertainty_score":0.9994211},"labels":[],"label_agreement":null},{"id":"W2066284403","doi":"10.7202/1005455ar","title":"Telling versus Counting? A Media-Archaelogical Point of View","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Digital Games and Media","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Relation (database); Point (geometry); Function (biology); Digital media; Sociology; Epistemology; Aesthetics; History; Literature; Computer science; Art; Mathematics; Philosophy; World Wide Web","score_opus":0.07800224344286866,"score_gpt":0.3291409660669035,"score_spread":0.25113872262403486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2066284403","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0744426,0.0014600349,0.0033806341,0.0004233385,0.00082097726,0.00054852734,0.000046644793,0.0008815695,0.9179957],"genre_scores_gemma":[0.9727874,0.0020688472,0.018966133,0.00068823167,0.0002532288,0.00008831602,0.000022344244,0.00007393753,0.0050515984],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99691796,0.00037972652,0.00076458644,0.0005221151,0.0006529663,0.00076266454],"domain_scores_gemma":[0.9976806,0.00073796633,0.000338014,0.00044794197,0.00047465792,0.0003208232],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.001808404,0.00039393664,0.0006141509,0.00024794237,0.00035587614,0.00014897634,0.00077768177,0.000270575,0.00035942445],"category_scores_gemma":[0.0018803044,0.0003568821,0.00035897613,0.00037901825,0.00510003,0.0009148071,0.00025232852,0.00037762366,0.000017714623],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030684288,0.00030461414,0.0007162976,0.00015804902,0.000065650944,0.00011416862,0.067042165,2.1847728e-7,0.00060956157,0.21850727,0.00073038554,0.7114448],"study_design_scores_gemma":[0.000470879,0.0008739044,0.0006581877,0.0014028024,0.00010456786,0.000024199358,0.0065105595,0.0000037598181,0.013533058,0.06037866,0.91523486,0.0008045597],"about_ca_topic_score_codex":0.0022209098,"about_ca_topic_score_gemma":0.0050802026,"teacher_disagreement_score":0.91450447,"about_ca_system_score_codex":0.00041207415,"about_ca_system_score_gemma":0.00021501356,"threshold_uncertainty_score":0.9998883},"labels":[],"label_agreement":null},{"id":"W2066575394","doi":"10.7202/1005497ar","title":"Le chef invité de Tarragone","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.06017587345917161,"score_gpt":0.2755841207433269,"score_spread":0.21540824728415528,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2066575394","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13109967,0.012536707,0.0019208592,0.0038187199,0.0016815482,0.00073560356,0.0004018067,0.001576079,0.846229],"genre_scores_gemma":[0.69419885,0.0030459028,0.008389673,0.0032350058,0.001077758,0.00025788564,0.00010200019,0.00021942492,0.2894735],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99585897,0.0005821391,0.0010507294,0.0008438991,0.0003952174,0.0012690261],"domain_scores_gemma":[0.9976751,0.00016729267,0.00040225705,0.0008040106,0.000539528,0.00041181353],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0009971461,0.00089400896,0.00085374416,0.00035527817,0.0025084869,0.0011360958,0.0009481127,0.0005183995,0.0033822053],"category_scores_gemma":[0.000271895,0.000940176,0.00069114566,0.00017714867,0.007558097,0.0027718914,0.00045443105,0.0010463643,0.00016848842],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016545758,0.00082172995,0.00028481442,0.00080703164,0.00021276792,0.00049907545,0.10876957,4.7704407e-7,0.003898751,0.7782047,0.023324369,0.083011284],"study_design_scores_gemma":[0.00031790376,0.00076388504,0.0004297728,0.0017324245,0.00018398048,0.00025788555,0.004954848,0.0000054890993,0.018850815,0.14204146,0.8293927,0.0010688417],"about_ca_topic_score_codex":0.076390736,"about_ca_topic_score_gemma":0.07330051,"teacher_disagreement_score":0.8060683,"about_ca_system_score_codex":0.00090878183,"about_ca_system_score_gemma":0.000278656,"threshold_uncertainty_score":0.9999008},"labels":[],"label_agreement":null},{"id":"W2068722052","doi":"10.7202/1005529ar","title":"Les jeux narratifs des remakes de Pierre Huyghe","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.21000279067853256,"score_gpt":0.3389954406151593,"score_spread":0.12899264993662674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2068722052","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07540326,0.023280304,0.081181884,0.0019245106,0.0015065197,0.0008963193,0.00013745879,0.002478586,0.8131912],"genre_scores_gemma":[0.75461584,0.0020478799,0.107853435,0.0030560633,0.00044640992,0.00019045435,0.000044720935,0.00020199311,0.1315432],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99390084,0.0008118268,0.0013441995,0.0013954105,0.0006584477,0.0018892657],"domain_scores_gemma":[0.9955506,0.00039788568,0.0005677501,0.0015218721,0.0010874307,0.00087446574],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.001153934,0.0013146471,0.001036162,0.00045390672,0.0018414286,0.0028688798,0.0019575548,0.00071370864,0.00046600614],"category_scores_gemma":[0.00095507334,0.0011416941,0.0007419408,0.00080685224,0.006940775,0.008069758,0.0009863043,0.001004935,0.000073202864],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013272223,0.00067052955,0.0009957872,0.00056095794,0.00016076546,0.0013829083,0.06949175,0.0000039291504,0.005104908,0.31256983,0.016746994,0.59217894],"study_design_scores_gemma":[0.00044566471,0.002209839,0.004889123,0.005501314,0.00017305632,0.0031221537,0.001611505,0.00019700339,0.07951572,0.29138988,0.60864574,0.0022990105],"about_ca_topic_score_codex":0.015301054,"about_ca_topic_score_gemma":0.011523335,"teacher_disagreement_score":0.68164796,"about_ca_system_score_codex":0.0015662012,"about_ca_system_score_gemma":0.0003474959,"threshold_uncertainty_score":0.9999605},"labels":[],"label_agreement":null},{"id":"W2069025301","doi":"10.7202/044678ar","title":"Exposer le temps","year":2010,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Exposition (narrative); Art history; Philosophy; Literature","score_opus":0.029701854094904622,"score_gpt":0.26942412694972473,"score_spread":0.23972227285482012,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2069025301","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23534594,0.018892089,0.0015222824,0.11774105,0.0055629974,0.0010630622,0.0005141674,0.0021594092,0.617199],"genre_scores_gemma":[0.5258839,0.006249339,0.0051760995,0.0027348364,0.0022483605,0.00032986468,0.000101831654,0.00021169976,0.45706406],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99538636,0.00046998414,0.0012461373,0.0010383457,0.0005998712,0.0012593099],"domain_scores_gemma":[0.9968544,0.00041118922,0.0004587842,0.00086578744,0.0009542948,0.00045549177],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.000923742,0.0010565491,0.0011870814,0.00028946332,0.009815115,0.00106046,0.00093587756,0.00058648933,0.0019181476],"category_scores_gemma":[0.00044379232,0.00092554884,0.0011514032,0.0002707738,0.008863423,0.0015681174,0.00048446225,0.0016141568,0.00014980185],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007572529,0.000682591,0.00029788943,0.00040945766,0.00039202961,0.00019772284,0.062394615,0.0000012037966,0.0029503193,0.65497166,0.06792495,0.20970184],"study_design_scores_gemma":[0.00026204626,0.00045534823,0.000088730594,0.000564648,0.00028800956,0.000064508924,0.0032872248,0.0000092348455,0.0019339523,0.05482368,0.93707484,0.0011477761],"about_ca_topic_score_codex":0.024675952,"about_ca_topic_score_gemma":0.066748455,"teacher_disagreement_score":0.86914986,"about_ca_system_score_codex":0.00262183,"about_ca_system_score_gemma":0.00014270961,"threshold_uncertainty_score":0.9999765},"labels":[],"label_agreement":null},{"id":"W2070001492","doi":"10.7202/1005515ar","title":"À l’image de l’histoire : formalisation, cristallisation, circulation","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.14384794286135383,"score_gpt":0.31425866526738777,"score_spread":0.17041072240603394,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2070001492","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016319195,0.004249307,0.32504788,0.002763779,0.001098407,0.000731946,0.00010265058,0.001518815,0.648168],"genre_scores_gemma":[0.85251945,0.0006253627,0.10671514,0.0036616328,0.00029479855,0.00015917789,0.00013607835,0.00013800734,0.035750344],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953054,0.00056769577,0.0012727511,0.0010092325,0.0006052394,0.0012396418],"domain_scores_gemma":[0.99604225,0.00022353676,0.0006309871,0.0011182805,0.0014057796,0.0005791566],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0010812863,0.00089415006,0.00065574213,0.00042788615,0.0015871036,0.0022735954,0.001117889,0.00048709477,0.00031784133],"category_scores_gemma":[0.0007328062,0.00086291024,0.0005008318,0.0006983334,0.0035929026,0.013725777,0.00049513817,0.0005963848,0.00006148098],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009469294,0.00056221074,0.00086959713,0.0004904013,0.000100631565,0.00045964046,0.0521556,0.000009517214,0.006146199,0.67303616,0.01179839,0.25427696],"study_design_scores_gemma":[0.0006341296,0.001184019,0.01568267,0.002574018,0.00020987299,0.0019274467,0.0010812515,0.0015373299,0.03226469,0.4458472,0.49472174,0.0023356066],"about_ca_topic_score_codex":0.008923582,"about_ca_topic_score_gemma":0.0029151754,"teacher_disagreement_score":0.83620024,"about_ca_system_score_codex":0.0020486645,"about_ca_system_score_gemma":0.00038550387,"threshold_uncertainty_score":0.9997127},"labels":[],"label_agreement":null},{"id":"W2070436515","doi":"10.7202/044676ar","title":"Exposer l’« art contemporain du Moyen-Orient »","year":2010,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Multiculturalism, Politics, Migration, Gender","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Humanities; Art; Art history","score_opus":0.07498240154808852,"score_gpt":0.363107354197668,"score_spread":0.2881249526495795,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2070436515","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35551342,0.0022528074,0.004166299,0.036652695,0.007417953,0.0020263395,0.0004412886,0.0020356146,0.5894936],"genre_scores_gemma":[0.61327386,0.0011207028,0.011700352,0.01372177,0.001874094,0.00038342725,0.0002089693,0.00021587523,0.3575009],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9927772,0.001504189,0.0016118233,0.001304157,0.0010891886,0.0017134038],"domain_scores_gemma":[0.99496096,0.0007982134,0.00071667146,0.0012050851,0.0014941689,0.000824888],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0027436663,0.0011450981,0.0010049111,0.00038266412,0.002009139,0.0009199907,0.0012708497,0.0010058804,0.0014709637],"category_scores_gemma":[0.0021013895,0.0011387793,0.00072708627,0.00049459323,0.014850366,0.0025017457,0.00039911157,0.0014611162,0.0002134692],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001262603,0.00083436415,0.0054308763,0.000326076,0.0002207422,0.00032184983,0.102924,0.000003759493,0.010630528,0.6029609,0.21037428,0.06584637],"study_design_scores_gemma":[0.0004075106,0.00033346884,0.0015385819,0.0006682463,0.00013138392,0.0001716945,0.005283032,0.00003924465,0.012013866,0.013380015,0.96474224,0.0012907076],"about_ca_topic_score_codex":0.013900572,"about_ca_topic_score_gemma":0.061940808,"teacher_disagreement_score":0.75436795,"about_ca_system_score_codex":0.0033598794,"about_ca_system_score_gemma":0.00094292325,"threshold_uncertainty_score":0.9994418},"labels":[],"label_agreement":null},{"id":"W2070663183","doi":"10.7202/1029055ar","title":"L’autre Gould","year":2012,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.05981451541616022,"score_gpt":0.31743687782513874,"score_spread":0.2576223624089785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2070663183","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021085007,0.101313666,0.0015487712,0.012044378,0.0056579877,0.0008331011,0.00018155987,0.0015566209,0.85577893],"genre_scores_gemma":[0.70650035,0.013390158,0.006884069,0.0038574005,0.0029408375,0.00030695568,0.000042832788,0.00018573483,0.26589167],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9936274,0.0013987322,0.001040769,0.0007976294,0.0008952483,0.002240217],"domain_scores_gemma":[0.9968218,0.0007244882,0.00046776238,0.00067859085,0.00055970816,0.0007476392],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0022799938,0.0009800765,0.0010507792,0.00029405957,0.0031647682,0.00045839715,0.0009874566,0.0008440987,0.0010085816],"category_scores_gemma":[0.0010256949,0.0010235002,0.0007799545,0.00088389573,0.012215722,0.0026267946,0.00051101926,0.0010539106,0.00021729783],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004148344,0.00056978577,0.003575078,0.0002779339,0.0001946029,0.00006354347,0.051178847,6.129143e-7,0.0002981797,0.5178069,0.09641382,0.32957923],"study_design_scores_gemma":[0.00022297105,0.0003081536,0.002059321,0.0011531223,0.00019079591,0.000037693364,0.0032198038,0.0000035119344,0.0015580647,0.05526746,0.93489385,0.0010852555],"about_ca_topic_score_codex":0.023388946,"about_ca_topic_score_gemma":0.012591162,"teacher_disagreement_score":0.83848,"about_ca_system_score_codex":0.0036895722,"about_ca_system_score_gemma":0.00024351639,"threshold_uncertainty_score":0.99990463},"labels":[],"label_agreement":null},{"id":"W2070678863","doi":"10.7202/1005442ar","title":"Intermédialités : le temps des illusions perdues","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":37,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"University of Cambridge","keywords":"Humanities; Art","score_opus":0.1718277306596616,"score_gpt":0.3233242328558716,"score_spread":0.15149650219621,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2070678863","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.061353378,0.014807593,0.07118827,0.002934113,0.002714548,0.0011804576,0.00027743154,0.0029400568,0.84260416],"genre_scores_gemma":[0.80650854,0.002361564,0.05704412,0.004200932,0.00050438923,0.00023502501,0.00007496071,0.0002469672,0.12882353],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99242103,0.0010175254,0.0018036551,0.0018251864,0.00080414023,0.002128463],"domain_scores_gemma":[0.99425733,0.0005072743,0.00067168695,0.0019970068,0.0014333797,0.0011333203],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0012683622,0.0016335656,0.0013582287,0.00069196493,0.0024304083,0.0032897184,0.0026259853,0.00075834966,0.0005015552],"category_scores_gemma":[0.0010735925,0.0014354463,0.0010706092,0.0010749397,0.009509824,0.011848676,0.0023481841,0.0011850931,0.00016468807],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014090056,0.0011370131,0.00041815027,0.00047522513,0.00019668764,0.001143831,0.05785512,0.0000022568495,0.004592983,0.48254645,0.010837862,0.44065353],"study_design_scores_gemma":[0.0006127623,0.0022243818,0.0026609623,0.0055081826,0.00018636748,0.002404533,0.0020580464,0.00014304735,0.05593627,0.24653888,0.6791446,0.0025819296],"about_ca_topic_score_codex":0.025745472,"about_ca_topic_score_gemma":0.010761941,"teacher_disagreement_score":0.74515516,"about_ca_system_score_codex":0.0013232721,"about_ca_system_score_gemma":0.00060448825,"threshold_uncertainty_score":0.9996412},"labels":[],"label_agreement":null},{"id":"W2071219097","doi":"10.7202/1015083ar","title":"« Comment m’entendez-vous ? Je parle de si loin. »*","year":2013,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Pathos; Art history; Literature","score_opus":0.03216984540925316,"score_gpt":0.30144315183047743,"score_spread":0.26927330642122427,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2071219097","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13007703,0.046419736,0.0061614434,0.1657444,0.004912847,0.0026902684,0.00029271847,0.0024510955,0.64125043],"genre_scores_gemma":[0.74374634,0.0053874776,0.019277962,0.07973586,0.0017957409,0.000754238,0.00015511076,0.0001799424,0.14896731],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99342173,0.0019818533,0.0011945954,0.0009414172,0.0007133387,0.001747088],"domain_scores_gemma":[0.99625677,0.00058943004,0.0005920991,0.00074044004,0.0010927609,0.0007285003],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0016274496,0.0009340391,0.0010358831,0.0003093996,0.0025869894,0.0017064068,0.0013218779,0.00080905424,0.0019487586],"category_scores_gemma":[0.00063713425,0.0008246313,0.0009515302,0.00080681243,0.006639189,0.0024878904,0.00040501496,0.001223666,0.0002030756],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006617994,0.000847542,0.001864243,0.00030674203,0.0004579539,0.0002918105,0.032444928,0.0000040329483,0.0020570636,0.22374842,0.28570488,0.4522062],"study_design_scores_gemma":[0.00025521236,0.00056456705,0.0004102164,0.0008790787,0.00030756133,0.00018347503,0.0042351265,0.000034931883,0.0020613659,0.11821599,0.8719356,0.0009168382],"about_ca_topic_score_codex":0.011588669,"about_ca_topic_score_gemma":0.007510506,"teacher_disagreement_score":0.61366934,"about_ca_system_score_codex":0.0022846153,"about_ca_system_score_gemma":0.00027919613,"threshold_uncertainty_score":0.99942046},"labels":[],"label_agreement":null},{"id":"W2071493344","doi":"10.7202/1005545ar","title":"Impressions et figurations du visage dans quelques films de Chris Marker","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.053318478798496015,"score_gpt":0.3046737752816424,"score_spread":0.2513552964831464,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2071493344","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019490238,0.0069679394,0.004870739,0.0066985777,0.0017609036,0.00074675406,0.0004951257,0.0014141402,0.9575556],"genre_scores_gemma":[0.8131077,0.016244505,0.02558964,0.004814189,0.00057181425,0.00058950955,0.00009100387,0.000145392,0.1388462],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950458,0.0014065111,0.0008953808,0.0008615142,0.00058488146,0.001205933],"domain_scores_gemma":[0.99737555,0.00051325647,0.0004244168,0.00054593623,0.0006103998,0.0005304399],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0012750214,0.000799891,0.00077095436,0.00021439069,0.0035876553,0.00041274345,0.0009820333,0.00054483186,0.0025450964],"category_scores_gemma":[0.0010047994,0.000715302,0.0006570117,0.00060468965,0.007057353,0.0021772885,0.00052747433,0.0007898655,0.00010588262],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015451224,0.0010883751,0.004364099,0.0002748899,0.00031711446,0.00038764256,0.17205179,0.0000019670163,0.0039013226,0.56754965,0.14472218,0.10518648],"study_design_scores_gemma":[0.0002118655,0.00048363645,0.0055590486,0.0013652983,0.0002564439,0.000059041853,0.009059593,0.000014752408,0.0034014022,0.036900323,0.9416443,0.0010442898],"about_ca_topic_score_codex":0.052584086,"about_ca_topic_score_gemma":0.02886166,"teacher_disagreement_score":0.8187094,"about_ca_system_score_codex":0.0019484728,"about_ca_system_score_gemma":0.00026413504,"threshold_uncertainty_score":0.9995298},"labels":[],"label_agreement":null},{"id":"W2072885249","doi":"10.7202/1024117ar","title":"Cabaret Crusades de Wael Shawky","year":2014,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Middle East and Rwanda Conflicts","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Ethnology; History","score_opus":0.03791912489921855,"score_gpt":0.3150281893802295,"score_spread":0.2771090644810109,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2072885249","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.074123405,0.01192193,0.01466319,0.014537622,0.0026960603,0.0009619714,0.00019613958,0.0019831234,0.87891656],"genre_scores_gemma":[0.7401334,0.003330488,0.014732587,0.005362122,0.0018429091,0.0002562213,0.00006276983,0.00023796003,0.23404153],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9924764,0.0022502488,0.0011673928,0.0011780021,0.0009104638,0.0020174927],"domain_scores_gemma":[0.99609107,0.0008894552,0.0005106453,0.0009991034,0.00067694444,0.0008327848],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0036670617,0.0010539332,0.0010671269,0.00045159375,0.0024849288,0.00086005655,0.0014838551,0.0009716429,0.0010039523],"category_scores_gemma":[0.0015888038,0.0010780965,0.0007280571,0.00072959275,0.00973339,0.0016987418,0.00045127785,0.0011565537,0.00016418213],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010161223,0.0003115696,0.0016804702,0.0005045635,0.00011986131,0.00013583674,0.036392543,0.000004707613,0.0019463832,0.45063776,0.013854751,0.49430993],"study_design_scores_gemma":[0.00034726918,0.0005707228,0.00076183525,0.002273518,0.00019702993,0.00013764157,0.0017636744,0.000071909824,0.006848302,0.08889428,0.8969405,0.0011933144],"about_ca_topic_score_codex":0.0122804,"about_ca_topic_score_gemma":0.0136741875,"teacher_disagreement_score":0.8830857,"about_ca_system_score_codex":0.0018342246,"about_ca_system_score_gemma":0.00054076803,"threshold_uncertainty_score":0.9999093},"labels":[],"label_agreement":null},{"id":"W2073331463","doi":"10.7202/1005520ar","title":"Quelques r.-v. avec Hervé. Quand Sophie Calle rencontre encore Hervé Guibert","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.08504054519727516,"score_gpt":0.30560372139029574,"score_spread":0.22056317619302057,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2073331463","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019659834,0.024945408,0.0006855733,0.008873896,0.0033585487,0.0009962561,0.00021090481,0.0016733364,0.93959624],"genre_scores_gemma":[0.6992214,0.018533524,0.013090309,0.0038509038,0.0012905727,0.00040142843,0.00006035051,0.0001892163,0.26336232],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9936468,0.0011190342,0.0013365308,0.0013325892,0.00092159247,0.0016434598],"domain_scores_gemma":[0.9965229,0.00034890175,0.0006243699,0.00077000615,0.0010438032,0.0006899903],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0012382123,0.0011936021,0.0013539982,0.000278958,0.0031753758,0.0004356022,0.0014069196,0.0008162284,0.002452501],"category_scores_gemma":[0.0007455358,0.0010717214,0.00092800613,0.00077781646,0.010810619,0.0023099587,0.0006768007,0.00096851354,0.00022667213],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002902299,0.0009913845,0.0016088493,0.0004991454,0.00040606633,0.0008052401,0.14527082,6.01248e-7,0.0004132402,0.3262777,0.07815105,0.44528568],"study_design_scores_gemma":[0.00034245118,0.0009305639,0.0010756752,0.0016305892,0.0002642719,0.000059861715,0.0058645103,0.0000035493147,0.0015991764,0.09553631,0.891329,0.0013640414],"about_ca_topic_score_codex":0.11302913,"about_ca_topic_score_gemma":0.102702975,"teacher_disagreement_score":0.81317794,"about_ca_system_score_codex":0.0027808165,"about_ca_system_score_gemma":0.00025872432,"threshold_uncertainty_score":0.9991733},"labels":[],"label_agreement":null},{"id":"W2074011867","doi":"10.7202/1005753ar","title":"The Photographic Now: David Claerbout’s Vietnam","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Photography; Animation; Shot (pellet); Art; Temporality; Computer graphics (images); Visual arts; Relation (database); Art history; Computer science","score_opus":0.05713983388865859,"score_gpt":0.28988284760035177,"score_spread":0.23274301371169318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2074011867","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11298541,0.0029255082,0.0005807348,0.000599548,0.0013655352,0.0011456915,0.00020558461,0.0024533772,0.8777386],"genre_scores_gemma":[0.97290665,0.0013014626,0.0011924574,0.0025803004,0.0004312358,0.0006068511,0.00005882102,0.00014317741,0.020779045],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99671555,0.0004139807,0.0008150631,0.0006973592,0.00043968388,0.0009183774],"domain_scores_gemma":[0.99773777,0.00023664786,0.000340457,0.0009244172,0.000518876,0.00024185776],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0009461512,0.0007298448,0.00054347736,0.00033573227,0.0031928,0.0008477865,0.0011229336,0.00024570792,0.0007244714],"category_scores_gemma":[0.00013454957,0.00051527016,0.00071518763,0.0002467438,0.006223323,0.0011019071,0.00025933716,0.0008158339,0.000046792793],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00046273207,0.0006197609,0.0014368526,0.00024087571,0.0003469242,0.00013481885,0.093693845,1.06769455e-7,0.0047778203,0.78233665,0.029520253,0.08642937],"study_design_scores_gemma":[0.00023049278,0.00071033556,0.0006187721,0.0005196329,0.00011165183,0.000057123187,0.0029081237,0.0000035304017,0.015783854,0.05926909,0.91899323,0.00079412886],"about_ca_topic_score_codex":0.0017436339,"about_ca_topic_score_gemma":0.015582698,"teacher_disagreement_score":0.889473,"about_ca_system_score_codex":0.00016867158,"about_ca_system_score_gemma":0.000065783905,"threshold_uncertainty_score":0.9997299},"labels":[],"label_agreement":null},{"id":"W2074734037","doi":"10.7202/1005528ar","title":"Doors and Perception: Fiction vs. Simulation in Games","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Digital Games and Media","field":"Social Sciences","cited_by":83,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Fictional universe; Perception; Doors; Metaverse; Possible world; Game mechanics; Metagaming; Computer science; Video game; Fiction theory; Video game design; Game theory; Aesthetics; Epistemology; Human–computer interaction; Repeated game; Literature; Multimedia; Mathematical economics; Literary fiction; Virtual reality; Art; Philosophy; Simultaneous game; Mathematics; Literary criticism","score_opus":0.044648088283271305,"score_gpt":0.32044757547371916,"score_spread":0.27579948719044783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2074734037","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31110436,0.0002961041,0.0022392427,0.00040357444,0.00029245293,0.00044767966,0.0000135949085,0.00063109666,0.68457186],"genre_scores_gemma":[0.9790619,0.0008069694,0.0046338416,0.0006210799,0.0001381819,0.000095321855,0.00001683501,0.000039649956,0.014586213],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99812317,0.00027944308,0.000427921,0.00042729639,0.0002985558,0.00044360885],"domain_scores_gemma":[0.99907506,0.00018797042,0.00014013423,0.00024047503,0.00017956395,0.0001768169],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00084128993,0.00026639257,0.0002980004,0.0002915903,0.0003125824,0.0002268664,0.00024029634,0.0002158881,0.00018328137],"category_scores_gemma":[0.00044000385,0.00026524387,0.000119342054,0.0002715246,0.0018935178,0.0014483962,0.0000949835,0.00024196223,0.0000081503085],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012726971,0.00015644167,0.010357131,0.00006762324,0.000014684317,0.00004031617,0.07033035,0.0000055772357,0.00032313084,0.024446134,0.0006790602,0.8934523],"study_design_scores_gemma":[0.0003554462,0.00057451666,0.048057813,0.00085415156,0.00004158065,0.000021643129,0.007913085,0.00008621349,0.0010207226,0.02716657,0.9131535,0.000754747],"about_ca_topic_score_codex":0.0026844183,"about_ca_topic_score_gemma":0.0065837875,"teacher_disagreement_score":0.91247445,"about_ca_system_score_codex":0.0004945538,"about_ca_system_score_gemma":0.00007682286,"threshold_uncertainty_score":0.99998},"labels":[],"label_agreement":null},{"id":"W2078136140","doi":"10.7202/1005554ar","title":"“llusions of Absence:” Disappearances, Displacements, and the Limits of Responsibility in The Winter's Tale and The Remains of the Day","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Servant; Subject (documents); Literature; Judaism; Rest (music); Illusion; Art; History; Philosophy; Psychology; Theology","score_opus":0.03923092172340357,"score_gpt":0.27923289678657665,"score_spread":0.24000197506317308,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2078136140","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71886754,0.0063599884,0.00022745672,0.0036865703,0.00025928277,0.0015219871,0.00022158584,0.000062397514,0.2687932],"genre_scores_gemma":[0.99626684,0.00029780454,0.00014166464,0.0007530316,0.00004458769,0.00009949055,0.0000047004755,0.000018376359,0.0023735063],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9970943,0.0014550675,0.000712245,0.00026149128,0.0002665695,0.00021036043],"domain_scores_gemma":[0.99750817,0.0012358279,0.00032092427,0.000721944,0.00018383557,0.00002931196],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0028707946,0.00024493484,0.00045210047,0.00008873522,0.00048957375,0.00009791631,0.00063204695,0.000067296285,0.000045525907],"category_scores_gemma":[0.00051456236,0.00010768749,0.00020864938,0.0001077818,0.012285306,0.00036359284,0.00025988673,0.00032286346,1.6996088e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009455991,0.00015052372,0.0019178651,0.00018673245,0.000049789236,0.000005463939,0.2067154,6.0293864e-8,0.00037986308,0.7812131,0.00046093794,0.007974623],"study_design_scores_gemma":[0.0045168647,0.0012550339,0.038782407,0.0077753616,0.00043619398,0.00011385988,0.05079122,0.000050016515,0.016049257,0.6525787,0.22668655,0.0009645271],"about_ca_topic_score_codex":0.0012133564,"about_ca_topic_score_gemma":0.008895071,"teacher_disagreement_score":0.2773993,"about_ca_system_score_codex":0.000031081094,"about_ca_system_score_gemma":0.000043387616,"threshold_uncertainty_score":0.9904027},"labels":[],"label_agreement":null},{"id":"W2079121629","doi":"10.7202/1005558ar","title":"Gardens of Things: The Vicissitudes of Disappearance","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Eastern European Communism and Reforms","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Elegy; Poetry; Cogito ergo sum; Soviet union; Literature; Art; Aesthetics; Philosophy; Law; Political science; Epistemology; Politics","score_opus":0.04634062936456132,"score_gpt":0.3069997320750425,"score_spread":0.2606591027104812,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2079121629","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11815717,0.0012076063,0.0023656497,0.00042589862,0.00023012342,0.00043330248,0.000025155256,0.0004113703,0.87674373],"genre_scores_gemma":[0.9839864,0.00079669687,0.005747557,0.00052451214,0.000066803856,0.000021784463,0.000004881801,0.000051632203,0.008799772],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974935,0.0007005665,0.00063633773,0.00028282127,0.00045004167,0.00043675536],"domain_scores_gemma":[0.99815494,0.00023447565,0.00041501294,0.00074039743,0.00034830417,0.00010687411],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0016784683,0.00028277343,0.0004182908,0.00013739288,0.0008417892,0.00007424863,0.0013357527,0.00013724112,0.00016920113],"category_scores_gemma":[0.00033254124,0.00018740224,0.00028125985,0.00022333754,0.0062604332,0.0005585997,0.00034057169,0.00035133716,0.000008121109],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004001145,0.00085726357,0.018707953,0.0005714172,0.00025065814,0.00006488527,0.4793982,0.0000012977669,0.0055137547,0.195031,0.0017787358,0.29742473],"study_design_scores_gemma":[0.00087965134,0.0018120648,0.044355985,0.007128069,0.00031669048,0.00006551395,0.039862618,0.000010784941,0.084049545,0.20673183,0.6127156,0.0020716398],"about_ca_topic_score_codex":0.0029704948,"about_ca_topic_score_gemma":0.0022800243,"teacher_disagreement_score":0.86794394,"about_ca_system_score_codex":0.00013751995,"about_ca_system_score_gemma":0.000091054426,"threshold_uncertainty_score":0.996444},"labels":[],"label_agreement":null},{"id":"W2079500575","doi":"10.7202/1005757ar","title":"Autour de la migration de l’aura : le grand déménagement","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Contemporary art, education, critique","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.041705396130228736,"score_gpt":0.3215598424147249,"score_spread":0.2798544462844962,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2079500575","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.109332174,0.0060642315,0.041234974,0.04244104,0.0013471295,0.0013332147,0.00010737919,0.0016571995,0.7964827],"genre_scores_gemma":[0.82414484,0.00608406,0.042612642,0.0019876566,0.00049682433,0.00043924776,0.00003796592,0.0001347592,0.12406202],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9918661,0.0048341393,0.0009368417,0.00078812265,0.00045812724,0.0011166784],"domain_scores_gemma":[0.9973088,0.0006684984,0.00042610327,0.0006875781,0.00046064853,0.00044840475],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.006257861,0.0006493915,0.000559507,0.0003920879,0.0017748869,0.00055943144,0.00089750014,0.0005662952,0.00065877003],"category_scores_gemma":[0.00070978224,0.00075843633,0.0004096827,0.00053022214,0.005798605,0.0040814052,0.00017405007,0.0007100901,0.00003227731],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014275983,0.0011191451,0.008673523,0.00036868747,0.00014430369,0.00022946943,0.1515084,0.0000021418223,0.0021540674,0.49037725,0.09296009,0.25232014],"study_design_scores_gemma":[0.00026009817,0.00034033103,0.004134225,0.0011102301,0.00009808275,0.00010243633,0.0052674585,0.000025034164,0.013892316,0.22800191,0.74602133,0.0007465713],"about_ca_topic_score_codex":0.04820506,"about_ca_topic_score_gemma":0.026777664,"teacher_disagreement_score":0.71481264,"about_ca_system_score_codex":0.0018091064,"about_ca_system_score_gemma":0.0014231233,"threshold_uncertainty_score":0.99952465},"labels":[],"label_agreement":null},{"id":"W2079696806","doi":"10.7202/1005492ar","title":"Survivances du Voyage en Italie","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.048201050413345055,"score_gpt":0.27449906071395447,"score_spread":0.22629801030060942,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2079696806","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027501876,0.021268668,0.0031043447,0.0024225279,0.003214048,0.0005765156,0.0006924049,0.0012886551,0.939931],"genre_scores_gemma":[0.58404815,0.0034633637,0.0068407613,0.0023578499,0.0019686033,0.00021312336,0.00014998863,0.00022460708,0.40073356],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9938194,0.0014800065,0.0016837192,0.0011658628,0.00062208145,0.0012289378],"domain_scores_gemma":[0.99642646,0.0007919,0.000597978,0.0010495279,0.000671828,0.00046228242],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0016028911,0.0011869305,0.0012881568,0.0005476047,0.002220756,0.00082648767,0.0012495288,0.0004726562,0.0071064285],"category_scores_gemma":[0.0005182676,0.0010839076,0.0010008118,0.00028467958,0.00707478,0.0030384783,0.0004246491,0.0009636982,0.0002692204],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025121757,0.0010795168,0.0018935854,0.0007449385,0.0003461932,0.00084493775,0.08045295,8.09916e-7,0.00023611731,0.7067652,0.0433449,0.16403969],"study_design_scores_gemma":[0.00022497895,0.0010193029,0.00056467607,0.0013839526,0.00026895615,0.00014077884,0.0016024397,0.00001137027,0.0027122146,0.054777835,0.93604726,0.0012462275],"about_ca_topic_score_codex":0.013939513,"about_ca_topic_score_gemma":0.0060870093,"teacher_disagreement_score":0.89270234,"about_ca_system_score_codex":0.0010334743,"about_ca_system_score_gemma":0.00014489405,"threshold_uncertainty_score":0.9991611},"labels":[],"label_agreement":null},{"id":"W2080159261","doi":"10.7202/1005498ar","title":"In the University's Ruins, Some Audiovisual Thoughts","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Radio, Podcasts, and Digital Media","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Commodification; Excellence; Argument (complex analysis); Commodity; Sociology; LEAPS; Theory of multiple intelligences; Resource (disambiguation); Aesthetics; Visual arts; Pedagogy; Epistemology; Art; Computer science; Philosophy","score_opus":0.05139657240025699,"score_gpt":0.3086680644916077,"score_spread":0.25727149209135075,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2080159261","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18771805,0.00083919876,0.00074625626,0.0017561598,0.0007244502,0.0006892372,0.000043594748,0.00080094236,0.8066821],"genre_scores_gemma":[0.97858256,0.00092156033,0.0027486102,0.002257561,0.00053623726,0.000045509194,0.0000138058285,0.000051616506,0.014842532],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99681103,0.0009630939,0.0004238472,0.0005106196,0.00053170964,0.0007597211],"domain_scores_gemma":[0.9984731,0.0004667134,0.00017638803,0.00051077636,0.00015845134,0.00021457052],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0014745217,0.0003732791,0.00039646344,0.00036879574,0.0010499032,0.00025809198,0.0011940649,0.00025842414,0.00012573923],"category_scores_gemma":[0.0005180195,0.00031857658,0.00025802932,0.00050476857,0.0040855273,0.0025174227,0.0001558292,0.00045100998,0.000038173173],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019868492,0.0005143209,0.0027345563,0.000082251296,0.00004948986,0.0010536613,0.16342339,2.3966345e-7,0.00031875863,0.64646685,0.018426144,0.16673164],"study_design_scores_gemma":[0.00026841002,0.0003733258,0.0027599814,0.00034216762,0.000041096322,0.00005295004,0.010478195,0.0000018069107,0.0022184316,0.102945425,0.8799314,0.0005868113],"about_ca_topic_score_codex":0.0052422136,"about_ca_topic_score_gemma":0.011316375,"teacher_disagreement_score":0.86150527,"about_ca_system_score_codex":0.0007440848,"about_ca_system_score_gemma":0.00022949988,"threshold_uncertainty_score":0.9999266},"labels":[],"label_agreement":null},{"id":"W2081154953","doi":"10.7202/1005464ar","title":"Why Intermediality — if at all?","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Computability, Logic, AI Algorithms","field":"Computer Science","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Intertextuality; Hermeneutics; Epistemology; Closure (psychology); Aesthetics; Sociology; Philosophy; Literature; Art; Political science; Law","score_opus":0.052480247801609425,"score_gpt":0.2942363077097874,"score_spread":0.241756059908178,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2081154953","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"methods","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.050706618,0.00057723565,0.7455898,0.0030679563,0.0021679264,0.0013319751,0.00007179391,0.00626452,0.19022217],"genre_scores_gemma":[0.6660077,0.00021034018,0.31679556,0.012401177,0.00030535547,0.00047004534,0.000050168215,0.00016618273,0.0035934714],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99382347,0.0009661909,0.0013084128,0.0017723094,0.00078869855,0.0013409312],"domain_scores_gemma":[0.9951923,0.00058600557,0.0004862244,0.002559797,0.00063703145,0.00053863326],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0019629723,0.0009806815,0.0009447326,0.00052642706,0.0007656027,0.000549285,0.0035169935,0.00041152936,0.00029126718],"category_scores_gemma":[0.00066098373,0.00091945747,0.0006270515,0.0006330643,0.0031201085,0.0022961667,0.0032062465,0.00077346235,0.000071384864],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026124387,0.0013843923,0.0052508228,0.0004114861,0.0002543334,0.00090477226,0.028548371,0.000003944686,0.0056933267,0.13799599,0.03321414,0.7860772],"study_design_scores_gemma":[0.00074743,0.0019630387,0.008626744,0.0006935729,0.00011155331,0.00093920704,0.00018933305,0.0012264419,0.07896315,0.32834443,0.5754782,0.0027169301],"about_ca_topic_score_codex":0.0018578073,"about_ca_topic_score_gemma":0.0019152133,"teacher_disagreement_score":0.78336024,"about_ca_system_score_codex":0.0018418814,"about_ca_system_score_gemma":0.00015753723,"threshold_uncertainty_score":0.99959284},"labels":[],"label_agreement":null},{"id":"W2082014882","doi":"10.7202/1005522ar","title":"Sophie Calle: Follow me","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Identity (music); Sexual identity; Art; Sexual life; Psychoanalysis; Sociology; Gender studies; Psychology; Art history; Human sexuality; Aesthetics; Medicine","score_opus":0.07243936277793751,"score_gpt":0.2639728305100817,"score_spread":0.1915334677321442,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2082014882","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014154076,0.0060596266,0.0005499571,0.0010742135,0.0011347362,0.0004586248,0.000088931876,0.0018259884,0.97465384],"genre_scores_gemma":[0.8082687,0.00093881274,0.0044852975,0.0023743904,0.000712793,0.00042174346,0.00005090736,0.00012369649,0.18262365],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973341,0.00018710263,0.00070520246,0.0006472991,0.00039162004,0.0007346495],"domain_scores_gemma":[0.9984352,0.00012703672,0.00023399174,0.0005025088,0.0004777767,0.00022347816],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00035584753,0.00064561126,0.00065264624,0.00020053802,0.0017087432,0.00027458632,0.00064049056,0.00016836458,0.0023818298],"category_scores_gemma":[0.00020211136,0.00050166814,0.00046429835,0.00012375454,0.0035473467,0.0009542137,0.00026278757,0.00045319373,0.00010495208],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015902554,0.00048428596,0.00029551587,0.00022054707,0.00023640602,0.00022331,0.07287789,1.5043264e-7,0.0009460265,0.6489313,0.10578663,0.16983888],"study_design_scores_gemma":[0.00021219402,0.00062108255,0.00022250012,0.0003203962,0.00009052435,0.000035701272,0.0013156828,0.0000017969077,0.0028699313,0.06809639,0.9254744,0.00073942094],"about_ca_topic_score_codex":0.004446979,"about_ca_topic_score_gemma":0.011373763,"teacher_disagreement_score":0.8196877,"about_ca_system_score_codex":0.00056402356,"about_ca_system_score_gemma":0.000045106728,"threshold_uncertainty_score":0.9997435},"labels":[],"label_agreement":null},{"id":"W2082524703","doi":"10.7202/1005752ar","title":"Le martyre de sainte Sébastienne","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy; Art history","score_opus":0.03988369980005711,"score_gpt":0.25834861122008185,"score_spread":0.21846491142002472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2082524703","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07118226,0.025525643,0.0066901655,0.04429476,0.002042548,0.0008450633,0.00047950563,0.0018082744,0.8471318],"genre_scores_gemma":[0.53396267,0.008518212,0.010451318,0.0035706733,0.0011959852,0.00027817453,0.00008301553,0.00023288578,0.44170704],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99539083,0.0006689975,0.0011280157,0.00091862545,0.00043945553,0.0014540553],"domain_scores_gemma":[0.9973595,0.0002756667,0.00043615018,0.000677553,0.0007729578,0.00047813973],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00093972246,0.0009651435,0.0011083354,0.0002910805,0.007267879,0.0005068519,0.0008451419,0.00043697475,0.0019837257],"category_scores_gemma":[0.000351087,0.0008833203,0.0011251726,0.0002599462,0.00748856,0.0012293903,0.00047129192,0.0009119601,0.00011078249],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014762835,0.00069254555,0.0003653333,0.00044832163,0.00047078673,0.00035293226,0.13591714,0.0000011350787,0.00029555275,0.66612846,0.049100164,0.14608002],"study_design_scores_gemma":[0.00024728492,0.00072610506,0.000172015,0.0009908717,0.0003898937,0.00007103452,0.0058625736,0.000013648034,0.0011167396,0.09653203,0.89282113,0.0010566695],"about_ca_topic_score_codex":0.049486306,"about_ca_topic_score_gemma":0.045175288,"teacher_disagreement_score":0.843721,"about_ca_system_score_codex":0.0052927816,"about_ca_system_score_gemma":0.00018243419,"threshold_uncertainty_score":0.99936175},"labels":[],"label_agreement":null},{"id":"W2083165384","doi":"10.7202/037540ar","title":"Sursis – Respite – Aufschub","year":2008,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Clinical practice guidelines implementation","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Respite care; Nursing; Medicine","score_opus":0.1537619103264141,"score_gpt":0.42537289161053077,"score_spread":0.27161098128411665,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2083165384","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4198864,0.045461766,0.053136446,0.0746628,0.011008179,0.0050509353,0.0010839776,0.004961425,0.38474807],"genre_scores_gemma":[0.7724189,0.017909443,0.0674899,0.018338019,0.00306909,0.00046389064,0.0005632181,0.00052629935,0.11922123],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9907379,0.0014569034,0.0033706508,0.0014876196,0.0011826146,0.0017643109],"domain_scores_gemma":[0.9907775,0.003960595,0.0011249882,0.0017168506,0.0015649623,0.00085513],"candidate_categories":["metaresearch","metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0044161635,0.0011972283,0.0015207431,0.0007492687,0.0013736753,0.00027367825,0.0008229815,0.00082339434,0.0018127802],"category_scores_gemma":[0.012436429,0.001270632,0.00095506146,0.0008984747,0.0064466842,0.0026129696,0.00056608894,0.0018228489,0.00035402403],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014218466,0.0015060971,0.017025447,0.001141127,0.0005454343,0.0033869916,0.006135363,0.000008892625,0.008922061,0.020422403,0.15415181,0.7853325],"study_design_scores_gemma":[0.0016413847,0.0026974995,0.009921035,0.0045211073,0.0008648176,0.0028360316,0.00091214455,0.00008523665,0.017660819,0.012314985,0.94515216,0.0013927869],"about_ca_topic_score_codex":0.0068035396,"about_ca_topic_score_gemma":0.002948545,"teacher_disagreement_score":0.79100037,"about_ca_system_score_codex":0.002893889,"about_ca_system_score_gemma":0.00093158457,"threshold_uncertainty_score":0.9999264},"labels":[],"label_agreement":null},{"id":"W2083328660","doi":"10.7202/1005546ar","title":"Visages-légendes : de Boris Karloff à Frankenstein","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.046255105289741374,"score_gpt":0.2729542818929591,"score_spread":0.22669917660321776,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2083328660","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15341762,0.075397104,0.005976392,0.030695945,0.0032075106,0.0012931508,0.0007705588,0.0027494088,0.7264923],"genre_scores_gemma":[0.5525934,0.02042432,0.011235698,0.0028742512,0.0017347482,0.00042336807,0.000087001186,0.00029258957,0.41033462],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9943014,0.0008644272,0.0013982257,0.001124127,0.000635769,0.0016760896],"domain_scores_gemma":[0.9968438,0.00036927595,0.0005331089,0.00083820464,0.0008601618,0.00055546314],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0011385013,0.0012365093,0.0013840285,0.0003608508,0.0076698214,0.0006852237,0.001019084,0.0006065786,0.0034141862],"category_scores_gemma":[0.00038774905,0.0011039443,0.0013767537,0.0003387427,0.0075599714,0.0014174348,0.00047551442,0.0011395946,0.00013645194],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019779097,0.00092929084,0.0010305644,0.00072541565,0.000885927,0.00062174676,0.2571546,0.000001401769,0.0005463111,0.39607966,0.06106943,0.28075784],"study_design_scores_gemma":[0.0002818133,0.00094252406,0.00037165295,0.0011267671,0.00067677017,0.000079985846,0.0061135604,0.000013472693,0.0016854581,0.06318655,0.9241169,0.0014045216],"about_ca_topic_score_codex":0.041553583,"about_ca_topic_score_gemma":0.021784911,"teacher_disagreement_score":0.8630475,"about_ca_system_score_codex":0.0067887823,"about_ca_system_score_gemma":0.00013809439,"threshold_uncertainty_score":0.9991411},"labels":[],"label_agreement":null},{"id":"W2084340760","doi":"10.7202/1005445ar","title":"Naître en paradis","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Cégep André Laurendeau","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.0666272167909543,"score_gpt":0.3681115980631699,"score_spread":0.3014843812722156,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2084340760","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.050307132,0.02299683,0.008457884,0.0047127465,0.0031530422,0.0010642385,0.00042012008,0.001192998,0.907695],"genre_scores_gemma":[0.60615385,0.0059024584,0.01954316,0.004196226,0.00095221994,0.0008747577,0.00015918401,0.00043296014,0.3617852],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9885541,0.0045827213,0.001803024,0.0020513807,0.0007010152,0.0023077442],"domain_scores_gemma":[0.99446714,0.00095584005,0.00062118494,0.0025376673,0.00064406294,0.0007741042],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.004023818,0.0014014506,0.00157674,0.0011958124,0.0010751121,0.00034833327,0.0021050766,0.0015050177,0.008393122],"category_scores_gemma":[0.00044611294,0.0014287081,0.0012408464,0.0011089497,0.0077923997,0.0011197435,0.00048181694,0.0023250484,0.00091950403],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010419844,0.0023648348,0.01438972,0.00048164773,0.001012179,0.002463311,0.036333326,4.908581e-7,0.0016707826,0.120984875,0.09174679,0.72751004],"study_design_scores_gemma":[0.0009187369,0.001913972,0.012855289,0.0016808041,0.00047107477,0.0015674822,0.0015063708,0.000010940169,0.0031459155,0.073477276,0.9008477,0.0016044569],"about_ca_topic_score_codex":0.004094738,"about_ca_topic_score_gemma":0.0019980704,"teacher_disagreement_score":0.80910087,"about_ca_system_score_codex":0.001021125,"about_ca_system_score_gemma":0.00021075486,"threshold_uncertainty_score":0.99997663},"labels":[],"label_agreement":null},{"id":"W2084518371","doi":"10.7202/1020620ar","title":"Le tiers serti","year":2013,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Middle East Politics and Society","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Political science; Philosophy","score_opus":0.0326090152991048,"score_gpt":0.30094352244259165,"score_spread":0.26833450714348683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2084518371","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09024568,0.008226579,0.0054534352,0.021915572,0.0022954259,0.0012680757,0.00014298964,0.0013623614,0.8690899],"genre_scores_gemma":[0.7477727,0.0025293462,0.012474656,0.0060552326,0.0008093735,0.0003824035,0.00004312182,0.00017844015,0.22975476],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9942091,0.0012084676,0.0010671571,0.0009503762,0.000766982,0.0017979178],"domain_scores_gemma":[0.99673396,0.00043465782,0.0004172998,0.0008608534,0.0007782901,0.0007749645],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0015383945,0.00082333473,0.00083740294,0.00023125729,0.0024759045,0.0009495299,0.001160366,0.0007856677,0.0013593009],"category_scores_gemma":[0.0005180845,0.00090191385,0.00079840684,0.0005769577,0.010622596,0.0023944648,0.00040377112,0.0009543634,0.00029527594],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016315144,0.00036448718,0.0008568776,0.00030911627,0.00013770032,0.000051586878,0.029949725,0.0000025077884,0.0008133446,0.69892967,0.04005792,0.22851077],"study_design_scores_gemma":[0.00022659868,0.0002905487,0.00056514057,0.000983269,0.00008157451,0.000042227,0.0056668133,0.00005139122,0.0025172695,0.18964933,0.7989701,0.00095576246],"about_ca_topic_score_codex":0.04713416,"about_ca_topic_score_gemma":0.0062950607,"teacher_disagreement_score":0.75891215,"about_ca_system_score_codex":0.0016197042,"about_ca_system_score_gemma":0.00077408494,"threshold_uncertainty_score":0.9995536},"labels":[],"label_agreement":null},{"id":"W2085288477","doi":"10.7202/044413ar","title":"Mitoyenneté dans le cinéma urbain de Johan van der Keuken","year":2010,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.02673766738759691,"score_gpt":0.2859537002954755,"score_spread":0.2592160329078786,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2085288477","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10043242,0.017198795,0.010219962,0.014090356,0.004154936,0.0010164288,0.000186585,0.0016910797,0.8510094],"genre_scores_gemma":[0.76341826,0.00342137,0.019843664,0.0028562848,0.0020693126,0.00035392903,0.000044003642,0.00022492706,0.20776823],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99371237,0.0014410935,0.0010594376,0.0010825348,0.00077194185,0.001932654],"domain_scores_gemma":[0.99663365,0.0007891527,0.00047023242,0.0008419176,0.00057776854,0.00068725506],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0024169628,0.000994955,0.0010332504,0.00031259345,0.0038742567,0.0006673909,0.0014207641,0.0010096706,0.0005712257],"category_scores_gemma":[0.0013849963,0.0010803733,0.000765955,0.0007848692,0.014306462,0.0014068423,0.00048573274,0.0016378162,0.000072462615],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005573399,0.00055508193,0.0030816954,0.0002223245,0.00025939482,0.00024603299,0.07207079,0.0000022210481,0.0075633624,0.611399,0.051253192,0.2532912],"study_design_scores_gemma":[0.00030930756,0.00035183164,0.0021977157,0.00060371164,0.00016921911,0.000063440784,0.003573083,0.000020617195,0.0070292545,0.15795621,0.8266283,0.0010973047],"about_ca_topic_score_codex":0.0601758,"about_ca_topic_score_gemma":0.1711382,"teacher_disagreement_score":0.7753751,"about_ca_system_score_codex":0.0024184997,"about_ca_system_score_gemma":0.00072080205,"threshold_uncertainty_score":0.99916464},"labels":[],"label_agreement":null},{"id":"W2085383510","doi":"10.7202/044415ar","title":"Models for Public Space","year":2009,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Urbanization and City Planning","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Public space; Space (punctuation); Computer science; Architectural engineering; Engineering","score_opus":0.0679600697533985,"score_gpt":0.3267045336250098,"score_spread":0.2587444638716113,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2085383510","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0071438393,0.009172004,0.2649844,0.05686042,0.0014504677,0.0014243444,0.00022709003,0.0021357033,0.6566017],"genre_scores_gemma":[0.77202904,0.0020424754,0.045690693,0.009462045,0.00078278827,0.00019808381,0.00014067326,0.00013736187,0.16951686],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956476,0.0007134236,0.0008464994,0.0008644127,0.0006145705,0.0013135105],"domain_scores_gemma":[0.99707735,0.0005114107,0.00042004188,0.0005842683,0.00092230027,0.00048464927],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0017357446,0.0006798038,0.00069695537,0.00040303913,0.0021076547,0.0009750236,0.0009309197,0.0006094205,0.0002769051],"category_scores_gemma":[0.0009182696,0.000755797,0.00048998656,0.0008541217,0.0032396684,0.003119761,0.00013368168,0.00055802235,0.00002691598],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056181216,0.0003059618,0.00019428348,0.00012520523,0.00005397861,0.00003307227,0.013368757,0.000025852678,0.00044671854,0.6683176,0.038427323,0.27864507],"study_design_scores_gemma":[0.00025177983,0.0005413341,0.00010309844,0.00078164175,0.00008308279,0.00003451587,0.0011733249,0.00047613517,0.0015163501,0.25145558,0.7428487,0.0007344529],"about_ca_topic_score_codex":0.0014257538,"about_ca_topic_score_gemma":0.00254896,"teacher_disagreement_score":0.7648852,"about_ca_system_score_codex":0.0014088035,"about_ca_system_score_gemma":0.00037979215,"threshold_uncertainty_score":0.9994893},"labels":[],"label_agreement":null},{"id":"W2085413649","doi":"10.7202/1005509ar","title":"Des vertus heuristiques de l’intermédialité","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.150511862743755,"score_gpt":0.3255463891889697,"score_spread":0.17503452644521472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2085413649","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.072187066,0.018074414,0.10370315,0.001738155,0.0021323361,0.0009846194,0.00023591344,0.0031010287,0.79784334],"genre_scores_gemma":[0.81362116,0.0038401172,0.09074025,0.006643197,0.0005810338,0.00023513555,0.00006044807,0.00026561276,0.08401307],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9926334,0.0010771948,0.0016137805,0.0016270232,0.00070713926,0.0023414646],"domain_scores_gemma":[0.99469316,0.00051048375,0.0006253407,0.0017274643,0.0012441918,0.001199337],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0014083841,0.0015448357,0.0012456721,0.0005462747,0.001426307,0.0032863305,0.0023670488,0.00075486465,0.0004630097],"category_scores_gemma":[0.0011714883,0.0014014813,0.0009435094,0.0008226066,0.007826792,0.009530425,0.0014217447,0.0011154785,0.000120273886],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025061754,0.0010336158,0.001121395,0.0007055735,0.00022621035,0.002478241,0.047641736,0.0000020863881,0.0047001,0.4166394,0.017392686,0.5078083],"study_design_scores_gemma":[0.00056164485,0.0027559083,0.0059516644,0.0055429065,0.00021670153,0.0036200366,0.00064056256,0.0001962923,0.096834235,0.3865726,0.49457854,0.0025289047],"about_ca_topic_score_codex":0.021136548,"about_ca_topic_score_gemma":0.0049594496,"teacher_disagreement_score":0.7414341,"about_ca_system_score_codex":0.0020516838,"about_ca_system_score_gemma":0.00051406934,"threshold_uncertainty_score":0.9998737},"labels":[],"label_agreement":null},{"id":"W2085523565","doi":"10.7202/1005552ar","title":"Aspects philosophiques de la disparition : un détour par la Chine ancienne","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.06141984123163484,"score_gpt":0.3659819181199109,"score_spread":0.304562076888276,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2085523565","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.163667,0.015840642,0.011459328,0.0043735253,0.0009862062,0.0007438076,0.00029125772,0.0010402557,0.80159795],"genre_scores_gemma":[0.94917893,0.007820539,0.019666098,0.0029916917,0.0009455554,0.000626495,0.00013026684,0.00030484554,0.018335551],"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.98741424,0.0070563774,0.0014031102,0.0016568602,0.0005476424,0.0019217668],"domain_scores_gemma":[0.99517465,0.0012835391,0.00059377635,0.0017246852,0.00052263215,0.0007007244],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.006082022,0.0011891702,0.0012904529,0.0010023373,0.0010244137,0.0004154183,0.0014324869,0.0014659066,0.002455143],"category_scores_gemma":[0.00065471703,0.001214484,0.0008967244,0.0008808501,0.009073121,0.0009785596,0.00036304432,0.0023057929,0.00014698616],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013998466,0.0050426982,0.031016903,0.00063769403,0.0010001251,0.0049794666,0.019586928,9.820986e-7,0.010129963,0.37098578,0.0349968,0.5202228],"study_design_scores_gemma":[0.0012702089,0.0018642611,0.08494872,0.0022092743,0.0004870796,0.0029944843,0.0004007354,0.000018733212,0.012456689,0.5068124,0.384943,0.0015944497],"about_ca_topic_score_codex":0.003358121,"about_ca_topic_score_gemma":0.0010369874,"teacher_disagreement_score":0.785512,"about_ca_system_score_codex":0.0009288993,"about_ca_system_score_gemma":0.00023279579,"threshold_uncertainty_score":0.99999595},"labels":[],"label_agreement":null},{"id":"W2085642656","doi":"10.7202/1005531ar","title":"Le spectateur hors jeu : investigation ludique du réseau interférentiel","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Philosophy","score_opus":0.04964761063877525,"score_gpt":0.27939600755623006,"score_spread":0.2297483969174548,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2085642656","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.039338,0.0062294593,0.005607637,0.004551678,0.00246521,0.0006337814,0.0003696614,0.0010282645,0.9397763],"genre_scores_gemma":[0.8953423,0.003011146,0.005791879,0.0020500727,0.002103525,0.00020220148,0.00020907882,0.00024290575,0.091046914],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953654,0.00067326945,0.0014004001,0.0010418963,0.00048525876,0.0010338025],"domain_scores_gemma":[0.99664235,0.00023716316,0.0006675625,0.00093156326,0.0010737359,0.00044761394],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0010830219,0.00099778,0.00096179935,0.0007263995,0.0018991968,0.0010797593,0.0008970717,0.00039395774,0.0018697632],"category_scores_gemma":[0.00062440935,0.0010277476,0.0008015277,0.000249731,0.0073507307,0.0014649028,0.00044483852,0.0008263399,0.000105267645],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013338996,0.0006310786,0.0012232711,0.000493017,0.00043205338,0.00038657425,0.043680333,0.000002214318,0.00047951902,0.8960391,0.020764463,0.035734963],"study_design_scores_gemma":[0.00033167657,0.0007180975,0.00030914726,0.0019332131,0.0005637879,0.000089067675,0.0045889793,0.00008216462,0.01678095,0.25636306,0.71698135,0.0012584748],"about_ca_topic_score_codex":0.047270168,"about_ca_topic_score_gemma":0.030793775,"teacher_disagreement_score":0.8560043,"about_ca_system_score_codex":0.00072680553,"about_ca_system_score_gemma":0.00047493048,"threshold_uncertainty_score":0.9999572},"labels":[],"label_agreement":null},{"id":"W2086752057","doi":"10.7202/1005457ar","title":"Raconter : témoigner face au silence de la langue","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Silence; Art","score_opus":0.032472585776357955,"score_gpt":0.28122606186622645,"score_spread":0.2487534760898685,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2086752057","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02148173,0.01837259,0.008048244,0.0012259225,0.0012977244,0.00048064956,0.0004492275,0.0009449604,0.94769895],"genre_scores_gemma":[0.74793786,0.000817704,0.0068947435,0.0041586137,0.0010662861,0.00024136346,0.00005413381,0.00017365676,0.23865561],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99519646,0.0014455153,0.0008821926,0.0008134405,0.00035696715,0.0013054301],"domain_scores_gemma":[0.99721926,0.0008711648,0.00023319168,0.00082370645,0.0004311897,0.0004214851],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015908179,0.00088707265,0.00075170305,0.00030759012,0.0012065629,0.0008424151,0.0008672113,0.0005961169,0.0032985616],"category_scores_gemma":[0.00049806,0.0008289176,0.00057714776,0.00013484021,0.010826174,0.0016362489,0.00031007305,0.0011685728,0.00010751391],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015057014,0.0005342944,0.00025475715,0.00057730783,0.00013160304,0.00064429315,0.085641466,3.0260009e-7,0.0010306232,0.76384515,0.018875614,0.12831405],"study_design_scores_gemma":[0.00023012263,0.0005957064,0.00028646743,0.0025567706,0.00016429176,0.00023906534,0.00337844,0.000005616,0.010488308,0.22261623,0.75857764,0.0008613486],"about_ca_topic_score_codex":0.00845614,"about_ca_topic_score_gemma":0.0020391312,"teacher_disagreement_score":0.73970205,"about_ca_system_score_codex":0.0008938908,"about_ca_system_score_gemma":0.00021329526,"threshold_uncertainty_score":0.9994162},"labels":[],"label_agreement":null},{"id":"W2087225450","doi":"10.7202/1009074ar","title":"Missing Links: Digital Cinema, Analogical Archives, Film Historiography","year":2012,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; Digitization; Historiography; Exhibition; Film studies; Visual arts; Motion picture; Art; History; Computer science; Archaeology; Telecommunications; Artificial intelligence","score_opus":0.041600210757090174,"score_gpt":0.2677749756184283,"score_spread":0.2261747648613381,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2087225450","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07739786,0.03229748,0.032087512,0.0024434454,0.0017430619,0.0006804401,0.00047472006,0.0013412309,0.85153425],"genre_scores_gemma":[0.9737817,0.0015413003,0.012680314,0.0013651554,0.0006594916,0.00017504678,0.0001168234,0.00010958843,0.0095705725],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99715585,0.00007374589,0.0010413979,0.000668932,0.00012133527,0.00093875424],"domain_scores_gemma":[0.9981516,0.00037870163,0.0004237115,0.00059570465,0.00008316796,0.0003670905],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000594296,0.00056074106,0.00089102064,0.00074659195,0.00061421056,0.00028388394,0.00046032204,0.00029138508,0.00018453377],"category_scores_gemma":[0.0006717361,0.0005655436,0.0005784227,0.00039993125,0.0016018952,0.0011981584,0.00026903884,0.0006464171,0.00005739024],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020919662,0.0011418762,0.23095801,0.0005213035,0.0004118956,0.00013444274,0.014836977,0.0000026146931,0.0009310982,0.3028758,0.04050212,0.40747467],"study_design_scores_gemma":[0.00031450682,0.0003228772,0.015068039,0.00038100555,0.00003779248,0.00008562082,0.0002541858,0.000017310887,0.0007507826,0.06679399,0.9151464,0.0008274756],"about_ca_topic_score_codex":0.0002890243,"about_ca_topic_score_gemma":0.00011714067,"teacher_disagreement_score":0.8963838,"about_ca_system_score_codex":0.00038204182,"about_ca_system_score_gemma":0.00003041132,"threshold_uncertainty_score":0.9996796},"labels":[],"label_agreement":null},{"id":"W2087266961","doi":"10.7202/1012655ar","title":"Sense and Synchrony: Infant Communication and Musical Improvisation","year":2012,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Child and Animal Learning Development","field":"Psychology","cited_by":18,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Improvisation; Musical; Interpersonal communication; Meaning (existential); Psychology; Expression (computer science); Jazz; Communication; Semiotics; Process (computing); Cognitive psychology; Linguistics; Cognitive science; Computer science; Art","score_opus":0.02748845796924681,"score_gpt":0.31140795761222184,"score_spread":0.283919499642975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2087266961","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9000439,0.0026165966,0.0016840706,0.0012419905,0.00020682841,0.00041175276,0.00001778843,0.00061542494,0.093161665],"genre_scores_gemma":[0.98615193,0.00036761895,0.009664094,0.0014666539,0.00013111361,0.00011511677,0.000048646423,0.000054675318,0.0020001375],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.998107,0.00042704985,0.0004184658,0.0004042098,0.0001623862,0.00048089458],"domain_scores_gemma":[0.99876636,0.0003020046,0.00017417295,0.0004558744,0.000104159706,0.00019740994],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0009822315,0.00031835816,0.00032236957,0.0001789898,0.00051261147,0.00015132612,0.000109973065,0.00019385696,0.00010212742],"category_scores_gemma":[0.0002222928,0.00029610423,0.000075507494,0.00010844424,0.0012394738,0.0005271104,0.00025636976,0.00041667084,0.00001417132],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029021726,0.00042049342,0.03326525,0.00021198807,0.00014542435,0.000069320165,0.0455529,2.37359e-7,0.009962224,0.17663562,0.0065577314,0.7268886],"study_design_scores_gemma":[0.0007346362,0.0007238091,0.46046144,0.0008915434,0.00012131598,0.0013066686,0.0014190524,0.000025448755,0.00356833,0.008325232,0.5213365,0.0010860357],"about_ca_topic_score_codex":0.00067438226,"about_ca_topic_score_gemma":0.00022259755,"teacher_disagreement_score":0.72580254,"about_ca_system_score_codex":0.00023884622,"about_ca_system_score_gemma":0.000030335194,"threshold_uncertainty_score":0.9999491},"labels":[],"label_agreement":null},{"id":"W2088261908","doi":"10.7202/1001955ar","title":"Optique ou haptique : le rythme dans les études sur l’art au début du 20e siècle","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Walter Benjamin Studies Compilation","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.07934264821981642,"score_gpt":0.2800583885709681,"score_spread":0.2007157403511517,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2088261908","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.082575336,0.004928136,0.018299818,0.0064355084,0.0020861444,0.0014153628,0.0006269661,0.0022195193,0.8814132],"genre_scores_gemma":[0.85492116,0.002856354,0.011620554,0.001201476,0.0013675439,0.0006003548,0.00019380733,0.0004049892,0.12683374],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99347407,0.0010846765,0.0017832281,0.0014085785,0.0006279056,0.0016215455],"domain_scores_gemma":[0.995683,0.00063233165,0.00078379986,0.0012500786,0.0012335943,0.00041718024],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0015231856,0.0015126566,0.0013236282,0.0005890772,0.003857942,0.00083264476,0.0012388452,0.0006302866,0.0008508946],"category_scores_gemma":[0.00046820112,0.0015788698,0.0008167853,0.00024751844,0.00917124,0.0028120652,0.000883419,0.0011423314,0.0001263525],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002705567,0.0012361469,0.004192991,0.0008513726,0.00044605645,0.00043353034,0.07605767,0.000009563876,0.0014522963,0.794304,0.019546982,0.10119884],"study_design_scores_gemma":[0.00058450474,0.0013234215,0.0063888803,0.0028663462,0.00029977542,0.00030121676,0.0060653845,0.00009361807,0.01899234,0.029758822,0.93134683,0.0019788425],"about_ca_topic_score_codex":0.03789248,"about_ca_topic_score_gemma":0.087588556,"teacher_disagreement_score":0.91179985,"about_ca_system_score_codex":0.002419112,"about_ca_system_score_gemma":0.00049168296,"threshold_uncertainty_score":0.99976224},"labels":[],"label_agreement":null},{"id":"W2092956856","doi":"10.7202/1005496ar","title":"La transmission des oeuvres d’art : du monument à l’art de l’interprétation. Les ruses de Christian Boltanski","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art","score_opus":0.040653095540663216,"score_gpt":0.2761861686414854,"score_spread":0.23553307310082217,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2092956856","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1400852,0.0195359,0.029178737,0.0038205453,0.00097360136,0.0010292412,0.00051172497,0.001875127,0.8029899],"genre_scores_gemma":[0.794049,0.011399609,0.02093279,0.0013468593,0.0007654476,0.00037894148,0.00014717701,0.00025023022,0.17072992],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99536264,0.0009862029,0.0011451484,0.0008278915,0.0004512161,0.0012269248],"domain_scores_gemma":[0.99766785,0.00038725432,0.0003802114,0.00057041243,0.0005085348,0.00048572797],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0012662186,0.0009863642,0.000809237,0.00040009053,0.0027809392,0.0014319558,0.0008450947,0.0005743379,0.005594338],"category_scores_gemma":[0.0002772168,0.00095745217,0.00072493596,0.00016051445,0.0072990204,0.0022722378,0.00023340776,0.0009432836,0.00012990585],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004654072,0.0013592934,0.0020145413,0.0018539118,0.00035623708,0.0008865938,0.25955236,0.000004054327,0.004057351,0.38967195,0.07023372,0.26954457],"study_design_scores_gemma":[0.00036219024,0.00078748,0.0015322089,0.0047280025,0.00031942775,0.0003996093,0.008680317,0.00003857253,0.012976495,0.06698323,0.9021299,0.0010625541],"about_ca_topic_score_codex":0.02718048,"about_ca_topic_score_gemma":0.033196747,"teacher_disagreement_score":0.8318962,"about_ca_system_score_codex":0.0014448575,"about_ca_system_score_gemma":0.00020824462,"threshold_uncertainty_score":0.99960464},"labels":[],"label_agreement":null},{"id":"W2093303635","doi":"10.7202/1005443ar","title":"Sens(a)ble Intermediality and Interesse","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":22,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sublime; Dialectic; German; Mediation; Philosophy; Ontology; Perspective (graphical); Hermeneutics; Epistemology; Aesthetics; Art history; Art; Sociology; Social science; Linguistics","score_opus":0.08047899224454254,"score_gpt":0.29637633283267806,"score_spread":0.21589734058813553,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2093303635","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2205883,0.00079185213,0.0045591868,0.00042339545,0.0011209444,0.000665985,0.0003408499,0.0015722312,0.7699373],"genre_scores_gemma":[0.959388,0.0002829516,0.0047800485,0.0023714018,0.0005987883,0.00010946508,0.00005186014,0.00013530607,0.03228214],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971398,0.00032080035,0.00078673876,0.0006875331,0.0002741716,0.0007909386],"domain_scores_gemma":[0.99816746,0.00017717981,0.00027397214,0.00068589457,0.00038741704,0.00030808288],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0006346699,0.0006194915,0.0006278799,0.00032585903,0.00091258413,0.00039805146,0.0005097937,0.00019821314,0.00079261465],"category_scores_gemma":[0.00021833612,0.0005686123,0.00025740257,0.000012496716,0.0061277687,0.0011825449,0.00044129582,0.0004915606,0.000024960536],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002924323,0.0005424682,0.0017092869,0.00056618144,0.00023692755,0.00027680167,0.38848442,1.952568e-7,0.0017307183,0.49010321,0.011099148,0.104958236],"study_design_scores_gemma":[0.00047339947,0.0008301509,0.0005916696,0.0010003481,0.00018319246,0.0002155129,0.0049040513,0.000048831367,0.01821482,0.19189946,0.7803591,0.001279495],"about_ca_topic_score_codex":0.007833916,"about_ca_topic_score_gemma":0.024981977,"teacher_disagreement_score":0.7692599,"about_ca_system_score_codex":0.00035055153,"about_ca_system_score_gemma":0.00008728221,"threshold_uncertainty_score":0.9996765},"labels":[],"label_agreement":null},{"id":"W2093403485","doi":"10.7202/039235ar","title":"Sense & Sensation: the Act of Mediation and its Effects","year":2010,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cybernetics and Technology in Society","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Unconscious mind; Perception; Consciousness; Mediation; Opposition (politics); Sensation; Psychology; Empirical research; Cognitive science; Sensory system; Sociology; Cognitive psychology; Aesthetics; Epistemology; Psychoanalysis; Philosophy; Neuroscience; Law; Political science; Social science","score_opus":0.02426064934945529,"score_gpt":0.2739863894138098,"score_spread":0.24972574006435452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2093403485","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9153528,0.0006338572,0.00027266133,0.001888743,0.000617597,0.0005125269,0.000054888882,0.0005892625,0.08007767],"genre_scores_gemma":[0.99221563,0.00034458953,0.0018191006,0.0006841585,0.00026808743,0.0000990623,0.000030866242,0.00004902017,0.0044894614],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985662,0.00015389633,0.0004194319,0.0003194043,0.00024782386,0.00029322563],"domain_scores_gemma":[0.99822515,0.0006137624,0.00025660975,0.00045492168,0.00038159787,0.00006792989],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0006668114,0.00029902635,0.0003205124,0.00012992203,0.00070312456,0.00019054112,0.00021589221,0.00021858487,0.00015089735],"category_scores_gemma":[0.00048363028,0.00022643764,0.00016316601,0.00007708893,0.003064644,0.000340642,0.00016432964,0.0005651175,0.0000072792327],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035550845,0.00011794377,0.00066856656,0.0002512069,0.00009943905,0.000023027724,0.034706187,3.1076686e-7,0.029818691,0.83811474,0.0033687896,0.092795566],"study_design_scores_gemma":[0.00033955026,0.00034276838,0.0016113445,0.00032464496,0.00012726345,0.00015369439,0.000769923,0.00004162918,0.06739792,0.09454787,0.8337764,0.00056699273],"about_ca_topic_score_codex":0.00028217334,"about_ca_topic_score_gemma":0.0044013155,"teacher_disagreement_score":0.8304076,"about_ca_system_score_codex":0.00007322834,"about_ca_system_score_gemma":0.000038650654,"threshold_uncertainty_score":0.99964845},"labels":[],"label_agreement":null},{"id":"W2094625727","doi":"10.7202/1012659ar","title":"Du Nagra au caméscope : questions de synchronisation image/son","year":2012,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.08964695877640458,"score_gpt":0.3274684448857693,"score_spread":0.23782148610936474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2094625727","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08248873,0.014168653,0.30683166,0.010742161,0.0031984476,0.0010271235,0.0001618123,0.0022641777,0.57911724],"genre_scores_gemma":[0.89909226,0.0012236118,0.05874009,0.003034253,0.0011664621,0.00017729525,0.00007617488,0.000121693934,0.03636819],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951653,0.0007676917,0.00094884704,0.0007995322,0.00053629035,0.0017823663],"domain_scores_gemma":[0.99649966,0.0004242661,0.00043241738,0.0010134208,0.0007548138,0.00087539875],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0013868358,0.0008964102,0.00066662027,0.0003426105,0.0014336192,0.0028703085,0.0010090022,0.0004610726,0.00011826393],"category_scores_gemma":[0.0010226136,0.00081336754,0.00047147597,0.0006067376,0.0031728647,0.013406177,0.00065146695,0.0006890781,0.00012112447],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047241618,0.000702061,0.001365104,0.00037172364,0.00008995875,0.00022807057,0.027351025,0.000009712198,0.008182409,0.5758939,0.016615588,0.36914322],"study_design_scores_gemma":[0.00040157815,0.0010511653,0.009397331,0.0035470836,0.0001978412,0.0026639218,0.00043527142,0.0004958828,0.044976052,0.06102679,0.87400913,0.0017979798],"about_ca_topic_score_codex":0.019207157,"about_ca_topic_score_gemma":0.00407068,"teacher_disagreement_score":0.8573935,"about_ca_system_score_codex":0.0039006926,"about_ca_system_score_gemma":0.00058223156,"threshold_uncertainty_score":0.99992317},"labels":[],"label_agreement":null},{"id":"W2095144006","doi":"10.7202/1005474ar","title":"Présentation : aimer – la technique","year":2004,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Computer science; Art","score_opus":0.09902473225224084,"score_gpt":0.4168739235741512,"score_spread":0.31784919132191036,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2095144006","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037740152,0.0066720997,0.09491507,0.056402516,0.007331526,0.0021858483,0.0001525761,0.0022742264,0.792326],"genre_scores_gemma":[0.83174103,0.005122047,0.11779362,0.0034272447,0.0035064693,0.0011517941,0.00018535205,0.0001795971,0.036892843],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9943149,0.0024783034,0.000917845,0.00082582544,0.00054510083,0.0009180063],"domain_scores_gemma":[0.99646825,0.0015534344,0.000469705,0.0005108236,0.00070213486,0.0002956716],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.005023706,0.0006303268,0.00056465133,0.0003739778,0.001830485,0.00033964866,0.0007070017,0.00077776494,0.00026142405],"category_scores_gemma":[0.001513099,0.0007041311,0.00040562675,0.00071725505,0.013109242,0.0016915546,0.0001360555,0.00087149127,0.0000535955],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025498326,0.00053484197,0.0009809517,0.00026083912,0.00010947812,0.000038345355,0.065457016,0.000012011967,0.0023966855,0.7761534,0.0058345273,0.14819643],"study_design_scores_gemma":[0.0003066143,0.00036818546,0.0012354908,0.0018548161,0.00013067911,0.00014658216,0.014167224,0.0000018428705,0.008423983,0.3211999,0.65131253,0.0008521778],"about_ca_topic_score_codex":0.0054876185,"about_ca_topic_score_gemma":0.001973071,"teacher_disagreement_score":0.79400086,"about_ca_system_score_codex":0.0018270403,"about_ca_system_score_gemma":0.00082397985,"threshold_uncertainty_score":0.999541},"labels":[],"label_agreement":null},{"id":"W2095440656","doi":"10.7202/044407ar","title":"Entre textes urbains et critique cinématographique : Kracauer scénariste de la ville","year":2010,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.019656592531725133,"score_gpt":0.27716388562351685,"score_spread":0.2575072930917917,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2095440656","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029071566,0.043259885,0.0014025383,0.015247353,0.002196988,0.00087663974,0.0005895879,0.0018331226,0.90552235],"genre_scores_gemma":[0.6572888,0.013121585,0.008094039,0.0064337295,0.0016876251,0.0006483859,0.00011667164,0.00027261526,0.3123366],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.994665,0.00119788,0.0011704776,0.001060977,0.0005262229,0.0013793975],"domain_scores_gemma":[0.9962941,0.0011607811,0.00043017106,0.00077014376,0.0008427939,0.0005020497],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0014225323,0.0012346979,0.0010874559,0.000421024,0.003129291,0.0013099924,0.00089336274,0.00080473727,0.0019848298],"category_scores_gemma":[0.0008660546,0.0011026065,0.0009227801,0.0002898668,0.011927125,0.0015318069,0.00044603483,0.0023805902,0.000056303154],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008330227,0.0007834123,0.0009150945,0.00065706164,0.00024293744,0.00035538088,0.03072397,0.0000010883028,0.004708546,0.75001025,0.14018816,0.07133081],"study_design_scores_gemma":[0.00030118175,0.0005323078,0.00063641823,0.0015484868,0.00020902365,0.00034414761,0.0018809006,0.000010530137,0.0031566508,0.09088402,0.8992598,0.0012365031],"about_ca_topic_score_codex":0.013604235,"about_ca_topic_score_gemma":0.033217337,"teacher_disagreement_score":0.75907165,"about_ca_system_score_codex":0.0008356616,"about_ca_system_score_gemma":0.00022049058,"threshold_uncertainty_score":0.99992096},"labels":[],"label_agreement":null},{"id":"W2100100546","doi":"10.7202/1015088ar","title":"Remanier les dialogues, rénover les tableaux","year":2013,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.042919557211277964,"score_gpt":0.2648820032580039,"score_spread":0.2219624460467259,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2100100546","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.122140035,0.083928175,0.0034533502,0.111244075,0.003562588,0.0021512054,0.00078247377,0.002726972,0.6700111],"genre_scores_gemma":[0.36000127,0.023553075,0.003988024,0.0029325967,0.0023787844,0.00073378475,0.00022808167,0.00028740524,0.60589695],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9943384,0.000745556,0.0014962391,0.0011795388,0.00072391005,0.0015163586],"domain_scores_gemma":[0.9962258,0.00055618444,0.0005738634,0.00082540326,0.0013627645,0.00045603001],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0007330107,0.0012903736,0.001468909,0.00032917902,0.010476336,0.0014786791,0.00094561203,0.0006610516,0.005947476],"category_scores_gemma":[0.0004799458,0.0010855986,0.001209835,0.00031403793,0.008552371,0.0020794936,0.0005870722,0.0011923152,0.0003361162],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006197306,0.00074160344,0.0005798688,0.0007076036,0.00063802995,0.00014170748,0.052821044,0.0000039422557,0.0005894211,0.33597088,0.22985342,0.37789053],"study_design_scores_gemma":[0.0002470014,0.00062937604,0.00021704553,0.0011556236,0.00043880532,0.000040448293,0.0038682814,0.000020203996,0.000484341,0.059145913,0.93239963,0.0013533168],"about_ca_topic_score_codex":0.106026486,"about_ca_topic_score_gemma":0.04509856,"teacher_disagreement_score":0.70254624,"about_ca_system_score_codex":0.005984767,"about_ca_system_score_gemma":0.000086261265,"threshold_uncertainty_score":0.9999848},"labels":[],"label_agreement":null},{"id":"W2105958555","doi":"10.7202/1020624ar","title":"Le cinéma d’Ozu et les images animées comme tiers destructeur","year":2013,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.03916221659852012,"score_gpt":0.26928723878180055,"score_spread":0.23012502218328043,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2105958555","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23162028,0.09067182,0.016153634,0.070733,0.0041002347,0.0022447363,0.0015553426,0.0016835626,0.5812374],"genre_scores_gemma":[0.83447886,0.025180878,0.03289176,0.00527718,0.00054578704,0.00081239536,0.0001838654,0.0003092877,0.10032],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99489117,0.00042181546,0.0017843697,0.0012834439,0.00020046637,0.0014187625],"domain_scores_gemma":[0.9964325,0.0007318158,0.0008864665,0.0010749387,0.0004855091,0.0003888137],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.001313795,0.0010879217,0.0016220809,0.00077208254,0.0012460902,0.00081842125,0.00096886064,0.0006411864,0.0006476991],"category_scores_gemma":[0.0011556114,0.0012930166,0.0007015276,0.00050702743,0.004773558,0.0022864533,0.000667087,0.0011428766,0.00023100185],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000082281505,0.0005723365,0.022795543,0.00095851015,0.00041284994,0.00014947933,0.0082335,0.0000053140575,0.0011213933,0.49651816,0.13197531,0.3371753],"study_design_scores_gemma":[0.0006622826,0.0006955442,0.012703255,0.0014254941,0.00009162089,0.00019604794,0.0018297132,0.00003769791,0.0057786787,0.10928297,0.86581445,0.0014822348],"about_ca_topic_score_codex":0.015009901,"about_ca_topic_score_gemma":0.004626962,"teacher_disagreement_score":0.73383915,"about_ca_system_score_codex":0.0007020045,"about_ca_system_score_gemma":0.00016876111,"threshold_uncertainty_score":0.998952},"labels":[],"label_agreement":null},{"id":"W2106293431","doi":"10.7202/1012656ar","title":"Les « convulsions paroxystiques » de l’acteur. La synchronisation de l’image et du son sur le corps de Jerry Lewis","year":2012,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.1236377024951614,"score_gpt":0.3275200579296664,"score_spread":0.20388235543450497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2106293431","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28862596,0.012326328,0.31665146,0.013482408,0.0009179285,0.0008889655,0.00021788063,0.002495167,0.3643939],"genre_scores_gemma":[0.93121034,0.0025192054,0.050965767,0.003543028,0.0004446805,0.00016402737,0.00007681481,0.00013793791,0.010938227],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.994318,0.0017816636,0.00092116045,0.00077758334,0.00042346027,0.0017781149],"domain_scores_gemma":[0.99594605,0.0012219842,0.0005077295,0.00082994177,0.000633436,0.00086088636],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.002344038,0.0009143718,0.0007495673,0.00031119317,0.0011390769,0.002830356,0.0010156306,0.0006407171,0.00009154277],"category_scores_gemma":[0.0015528466,0.00085750665,0.0004845433,0.00039887393,0.0028556066,0.009435905,0.00066766154,0.00094715244,0.000025972508],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010098147,0.0012769941,0.005042367,0.00053858565,0.00013673352,0.00057896104,0.038637463,0.000022984112,0.04097344,0.6195127,0.027030487,0.26614833],"study_design_scores_gemma":[0.0006318149,0.00089880766,0.01995719,0.0034399268,0.00018790142,0.004836191,0.000768194,0.0012530498,0.12079318,0.061853953,0.7834843,0.0018955353],"about_ca_topic_score_codex":0.025442185,"about_ca_topic_score_gemma":0.0036866204,"teacher_disagreement_score":0.75645375,"about_ca_system_score_codex":0.002435874,"about_ca_system_score_gemma":0.0008579162,"threshold_uncertainty_score":0.999858},"labels":[],"label_agreement":null},{"id":"W2116492257","doi":"10.7202/1005516ar","title":"L’abdication devant l’image? Figures du manque, de la disparition et du deuil dans les oeuvres récentes de Sophie Calle","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.03642340644361012,"score_gpt":0.26368302623925627,"score_spread":0.22725961979564616,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2116492257","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.061322432,0.057538096,0.02040897,0.010128497,0.001100283,0.00096239324,0.00064896344,0.0018065217,0.8460838],"genre_scores_gemma":[0.89434505,0.03179382,0.016368868,0.0020525625,0.0012496021,0.000771425,0.0002274899,0.00020244783,0.052988723],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99557847,0.001172565,0.0009718902,0.000807109,0.00042554396,0.001044423],"domain_scores_gemma":[0.9975822,0.00058037345,0.00044289816,0.0004955824,0.0005703987,0.00032852317],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0010778848,0.00090692105,0.0007438325,0.00024552963,0.0028720086,0.0006637806,0.000725829,0.0004618447,0.001155851],"category_scores_gemma":[0.00070536445,0.00080690486,0.0005337652,0.00015081107,0.0077171293,0.0013255504,0.0003160327,0.0008231514,0.000037799557],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021774188,0.0013538534,0.005151746,0.0009796461,0.00027395,0.00039860827,0.084663466,0.0000029203206,0.0032490373,0.7429553,0.09537222,0.0653815],"study_design_scores_gemma":[0.00033653565,0.000674532,0.007856368,0.002208276,0.00028901157,0.00026259018,0.0034012627,0.000046251917,0.007950483,0.09628108,0.87963766,0.0010559277],"about_ca_topic_score_codex":0.033700723,"about_ca_topic_score_gemma":0.024586977,"teacher_disagreement_score":0.83302265,"about_ca_system_score_codex":0.001905124,"about_ca_system_score_gemma":0.00015865915,"threshold_uncertainty_score":0.99975723},"labels":[],"label_agreement":null},{"id":"W2124470845","doi":"10.7202/037536ar","title":"Sauts temporels et dé-placements","year":2008,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.06423459654270823,"score_gpt":0.3173998507056709,"score_spread":0.25316525416296265,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2124470845","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0622037,0.03690685,0.0033807112,0.010803427,0.0038578266,0.0012929259,0.00029291373,0.0017941453,0.8794675],"genre_scores_gemma":[0.6684974,0.029772276,0.009445247,0.006090368,0.0010401761,0.0005523696,0.00008388328,0.00020833546,0.28430995],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9928511,0.0017644381,0.0013127938,0.0011626376,0.0012235882,0.0016854891],"domain_scores_gemma":[0.996652,0.0007555565,0.00060428836,0.0007379373,0.0007010533,0.00054915494],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0020652476,0.0010891936,0.0012221234,0.00036534911,0.004102466,0.00039404718,0.0011220409,0.0007513592,0.0008555522],"category_scores_gemma":[0.0010021788,0.0011531321,0.00076420617,0.00091321365,0.014087913,0.0019487274,0.00056135905,0.0010787415,0.00014945811],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014645967,0.0010751906,0.005639346,0.00041293676,0.00047636146,0.00066725013,0.12333039,0.0000043843615,0.0004918793,0.41076198,0.2810033,0.17599052],"study_design_scores_gemma":[0.00042402803,0.00063589896,0.0016917621,0.0013857954,0.00012949956,0.000071396076,0.0019830845,0.000005977808,0.0016221212,0.049971927,0.94087017,0.0012083178],"about_ca_topic_score_codex":0.029174196,"about_ca_topic_score_gemma":0.017772777,"teacher_disagreement_score":0.6598669,"about_ca_system_score_codex":0.0034047733,"about_ca_system_score_gemma":0.0005671201,"threshold_uncertainty_score":0.99909186},"labels":[],"label_agreement":null},{"id":"W2125400326","doi":"10.7202/044046ar","title":"Interactivity and Affect in Intermedial Art: Theorizing Introverted and Extraverted Intermediality","year":2010,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Innovative Human-Technology Interaction","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Extraversion and introversion; Interactivity; Affect (linguistics); Point (geometry); Psychology; Dream; Art; Aesthetics; Communication; Social psychology; Big Five personality traits; Computer science; Personality; Multimedia; Mathematics","score_opus":0.020031223440651093,"score_gpt":0.3035107032681536,"score_spread":0.2834794798275025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2125400326","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8515956,0.00008312049,0.11799797,0.0014901632,0.0014844241,0.00074497465,0.000020653923,0.0014038747,0.02517925],"genre_scores_gemma":[0.97896767,0.00009532286,0.018929081,0.0010858735,0.00013512716,0.00022606504,0.000022404265,0.00006598221,0.00047249402],"study_design_codex":"design_other","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99623233,0.00062978,0.000884147,0.001184062,0.00032119456,0.00074849866],"domain_scores_gemma":[0.9970606,0.0010440148,0.00042015867,0.00094655657,0.00035291733,0.00017572822],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0017561516,0.0006925705,0.00073782855,0.0011055508,0.00043466865,0.0006378951,0.0010319195,0.00046951143,0.000049553208],"category_scores_gemma":[0.0018284275,0.00067453063,0.00014536768,0.0005813265,0.0035777288,0.0033967171,0.0011616817,0.002115858,0.00001157488],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024871505,0.00029654935,0.00716095,0.00014450602,0.00007453909,0.00021986871,0.0063416455,1.3444456e-7,0.20870626,0.21762295,0.0007030926,0.5584808],"study_design_scores_gemma":[0.003263585,0.0032130748,0.098948754,0.0038392376,0.00011739756,0.0032915983,0.00097617094,0.004251663,0.4089323,0.40227622,0.06696994,0.0039200587],"about_ca_topic_score_codex":0.0003378309,"about_ca_topic_score_gemma":0.004907512,"teacher_disagreement_score":0.5545607,"about_ca_system_score_codex":0.00049770955,"about_ca_system_score_gemma":0.000090158945,"threshold_uncertainty_score":0.9995706},"labels":[],"label_agreement":null},{"id":"W2125976048","doi":"10.7202/044408ar","title":"La prolifération des signes : Tokyo","year":2010,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.03776296402820618,"score_gpt":0.30673879141810395,"score_spread":0.2689758273898978,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2125976048","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13636717,0.018865915,0.003936962,0.005221436,0.00365651,0.0012051392,0.0001394982,0.0017452395,0.82886213],"genre_scores_gemma":[0.8685095,0.00639943,0.01681189,0.0013458828,0.001656673,0.0004951195,0.000041606334,0.00016674517,0.10457317],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99439853,0.0015211526,0.001001727,0.0009414445,0.0007939573,0.0013432048],"domain_scores_gemma":[0.9966179,0.0009925751,0.0004641231,0.00061276177,0.00086963654,0.0004429664],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0025203836,0.00088501634,0.0008862815,0.00030582646,0.003552059,0.00084320264,0.0009507727,0.0009860548,0.00060886657],"category_scores_gemma":[0.0018360977,0.0009079675,0.0005883837,0.0008055983,0.01969326,0.0021012272,0.00036285748,0.0013931906,0.0000730829],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057442496,0.00040880364,0.0015954496,0.00033777705,0.00012647138,0.00011153341,0.053158186,0.0000010300822,0.0037204302,0.425192,0.01598895,0.49930194],"study_design_scores_gemma":[0.00022138433,0.0004333824,0.0014131506,0.0008423608,0.00013693002,0.000050799827,0.0024216855,0.000011364272,0.0048461794,0.17983337,0.80886877,0.00092059874],"about_ca_topic_score_codex":0.019603677,"about_ca_topic_score_gemma":0.09393339,"teacher_disagreement_score":0.7928798,"about_ca_system_score_codex":0.001550431,"about_ca_system_score_gemma":0.00041736252,"threshold_uncertainty_score":0.9993371},"labels":[],"label_agreement":null},{"id":"W2126968212","doi":"10.7202/1005533ar","title":"Digital Games for Education: When Meanings Play","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Educational Games and Gamification","field":"Psychology","cited_by":34,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"York University; Simon Fraser University","funders":"","keywords":"Narrative; Game design; Selection (genetic algorithm); Video game development; Game Developer; Character development; Game art design; Computer science; Character (mathematics); Content (measure theory); Game mechanics; Metagaming; Video game design; Multimedia; Sociology; Non-cooperative game; Game theory; Artificial intelligence; Art; Simultaneous game; Literature","score_opus":0.05049675819476723,"score_gpt":0.33200539832106357,"score_spread":0.28150864012629634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2126968212","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044515308,0.0016293458,0.029863087,0.0019215841,0.0015654936,0.0012353769,0.00019361427,0.0011253455,0.91795087],"genre_scores_gemma":[0.8195012,0.000077352386,0.044001985,0.0028463367,0.00049459445,0.0020698642,0.00034911433,0.00015780875,0.13050172],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99767977,0.00014392032,0.00068398024,0.0007279587,0.0002307144,0.0005336592],"domain_scores_gemma":[0.99780196,0.00032829022,0.00034292467,0.0007527625,0.00057998445,0.00019409611],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0005038519,0.00044572185,0.0003841721,0.00031843883,0.00038618318,0.0002606555,0.0006081235,0.0002493535,0.0007950954],"category_scores_gemma":[0.0003416557,0.00043894828,0.00029752502,0.00017596627,0.0011049312,0.0009375848,0.00009544674,0.00027684154,0.00007082533],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018061802,0.0007309465,0.0029359923,0.000098051176,0.00010453819,0.00000638476,0.033345982,9.19439e-8,0.0004640472,0.32772738,0.055979945,0.578426],"study_design_scores_gemma":[0.00022720447,0.0005271606,0.0076071573,0.0003630102,0.000068924666,0.00012535644,0.0027451557,0.0000016917422,0.0036057092,0.13947302,0.8446591,0.000596514],"about_ca_topic_score_codex":0.00047622176,"about_ca_topic_score_gemma":0.0001628778,"teacher_disagreement_score":0.7886791,"about_ca_system_score_codex":0.00039647968,"about_ca_system_score_gemma":0.00020173904,"threshold_uncertainty_score":0.9998062},"labels":[],"label_agreement":null},{"id":"W2128374509","doi":"10.7202/1015084ar","title":"Le cinéma projeté","year":2013,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.10152712278230466,"score_gpt":0.31174764939863103,"score_spread":0.21022052661632637,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2128374509","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016277123,0.008100836,0.043912146,0.024743048,0.0016715784,0.0015413489,0.00007016154,0.0022064946,0.9014773],"genre_scores_gemma":[0.7337677,0.00079234847,0.03738131,0.0065857163,0.00045273514,0.00040015503,0.000051532665,0.00015666582,0.22041184],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.994758,0.00053302356,0.001191448,0.0012995811,0.0006536021,0.0015643372],"domain_scores_gemma":[0.9958133,0.00034944122,0.0004648903,0.0014178919,0.0012221662,0.0007323138],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0005517114,0.0010783143,0.0009027518,0.00039109433,0.0011641402,0.005523741,0.0016781663,0.0005133262,0.00026334735],"category_scores_gemma":[0.00055547827,0.0009399787,0.00060324435,0.00077327056,0.003928437,0.013310462,0.0011620787,0.0008184725,0.00032508353],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002408563,0.0004521659,0.00009146669,0.00029072384,0.00007718505,0.00040754114,0.0073834383,0.0000027776732,0.005042673,0.49259067,0.044902463,0.44873482],"study_design_scores_gemma":[0.00034684048,0.0010781195,0.0011528011,0.0021155623,0.000051073064,0.0014669754,0.00036454498,0.0002521883,0.03137822,0.16932148,0.7910753,0.0013969201],"about_ca_topic_score_codex":0.018989569,"about_ca_topic_score_gemma":0.004275022,"teacher_disagreement_score":0.7461728,"about_ca_system_score_codex":0.00072342134,"about_ca_system_score_gemma":0.0005241848,"threshold_uncertainty_score":0.99930507},"labels":[],"label_agreement":null},{"id":"W2132582168","doi":"10.7202/1005493ar","title":"Transmettre l’expérience d’une rencontre : le cas du cinéma léger synchrone","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.032661340050812594,"score_gpt":0.25317265217773427,"score_spread":0.22051131212692168,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2132582168","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1734945,0.07598709,0.02800703,0.019335374,0.0042143003,0.0014987031,0.0009162057,0.0011858643,0.69536096],"genre_scores_gemma":[0.8916275,0.01569263,0.016030746,0.0019526614,0.00055432826,0.0004822353,0.00006568177,0.00023050791,0.07336369],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9946227,0.00024083056,0.0019518344,0.0015075447,0.00020648661,0.0014706175],"domain_scores_gemma":[0.9967673,0.00040160646,0.0008341826,0.0011809922,0.00040961299,0.0004063276],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0013382701,0.0010940023,0.0017339751,0.0006871969,0.0011710539,0.00025971138,0.0009947963,0.0006089485,0.0008932313],"category_scores_gemma":[0.000708234,0.0012793149,0.00079903734,0.0007769146,0.0047641303,0.0017368799,0.00036492734,0.00087983103,0.0001494563],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003697018,0.0016565294,0.020475738,0.0013348135,0.0006545133,0.0016279664,0.14523956,0.0000036333145,0.00077874504,0.33168444,0.041753914,0.45442045],"study_design_scores_gemma":[0.0012407558,0.0014657954,0.014773506,0.0024710726,0.00022208464,0.00062356464,0.0037663912,0.000071398186,0.011569874,0.08094239,0.8807007,0.0021524644],"about_ca_topic_score_codex":0.02663391,"about_ca_topic_score_gemma":0.021193448,"teacher_disagreement_score":0.83894676,"about_ca_system_score_codex":0.0011435536,"about_ca_system_score_gemma":0.0001835626,"threshold_uncertainty_score":0.9989657},"labels":[],"label_agreement":null},{"id":"W2140366276","doi":"10.7202/1009076ar","title":"Knowledge Experiments: Technology and the Library","year":2012,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Library Science and Administration","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Embodied cognition; Context (archaeology); Space (punctuation); Process (computing); Sociology; Computer science; History","score_opus":0.04076199599082116,"score_gpt":0.33543488183022946,"score_spread":0.2946728858394083,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2140366276","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15536691,0.0059892596,0.00083985936,0.011898286,0.00043719902,0.0006552179,0.000014154656,0.0014344987,0.8233646],"genre_scores_gemma":[0.9700575,0.0008884026,0.0049986467,0.0017956255,0.00028564583,0.00020982896,0.000011527427,0.000036791298,0.02171604],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997811,0.000581026,0.00037991468,0.0003437588,0.0002536673,0.00063062576],"domain_scores_gemma":[0.9988495,0.0003449374,0.00015297158,0.00036978695,0.00007475137,0.0002080583],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0011672691,0.00026894713,0.00028662704,0.00031166457,0.0016464812,0.0004732062,0.00065279636,0.00021873713,0.00017717436],"category_scores_gemma":[0.00034767305,0.00019941597,0.00011833498,0.0006546806,0.008295091,0.004790272,0.00029358844,0.0002893146,0.00001931658],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054736145,0.00013063161,0.006437916,0.000025087864,0.0000179824,0.000007091148,0.03158549,2.9059967e-8,0.000797777,0.837692,0.0042499215,0.11900129],"study_design_scores_gemma":[0.0002465422,0.00013857661,0.0006379774,0.00019075983,0.000020923635,0.000027898142,0.006772684,0.0000023458833,0.019421976,0.08831939,0.88388556,0.00033536073],"about_ca_topic_score_codex":0.00028723234,"about_ca_topic_score_gemma":0.00023659847,"teacher_disagreement_score":0.87963563,"about_ca_system_score_codex":0.0001350645,"about_ca_system_score_gemma":0.00018429871,"threshold_uncertainty_score":0.9996532},"labels":[],"label_agreement":null},{"id":"W2140500828","doi":"10.7202/1005550ar","title":"Marx, Wittgenstein et l’amante du mage : remarques sur la disparition, l’évidence et le pouvoir","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.05041750855823851,"score_gpt":0.28440868976370437,"score_spread":0.23399118120546586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2140500828","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02643464,0.030548595,0.007420452,0.01807725,0.0019865076,0.0011493851,0.00029339048,0.0018311033,0.9122587],"genre_scores_gemma":[0.8585502,0.027271846,0.013506344,0.00527166,0.00059561117,0.00039289772,0.00006416308,0.00021282905,0.09413446],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99171156,0.0033859666,0.0013000277,0.0012402605,0.0009072204,0.0014549692],"domain_scores_gemma":[0.9957531,0.0013674683,0.0006550723,0.00080309075,0.0009573117,0.00046397612],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0038314722,0.0010866682,0.0011971506,0.00033664572,0.0023445801,0.0007211131,0.0012758618,0.00076322636,0.00045963092],"category_scores_gemma":[0.002023631,0.0011533282,0.0007377447,0.0007683483,0.011893078,0.0033290659,0.0006931972,0.0011372786,0.000058186983],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001452488,0.000848853,0.0025702424,0.0004404378,0.00022682692,0.00058009545,0.058395218,8.395618e-7,0.0006031583,0.77314776,0.08160756,0.081433766],"study_design_scores_gemma":[0.00040966622,0.0005748025,0.0051243114,0.0031613077,0.00017666984,0.000100415295,0.0032726233,0.000012301084,0.0028491917,0.14957742,0.8333482,0.001393103],"about_ca_topic_score_codex":0.07561779,"about_ca_topic_score_gemma":0.08550122,"teacher_disagreement_score":0.83211553,"about_ca_system_score_codex":0.0015167345,"about_ca_system_score_gemma":0.000607667,"threshold_uncertainty_score":0.9990917},"labels":[],"label_agreement":null},{"id":"W2146864199","doi":"10.7202/1005557ar","title":"Faire et contrefaire : les disparitions d’un auteur","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Art History and Market Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.04459518407718118,"score_gpt":0.2687851267488002,"score_spread":0.22418994267161899,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2146864199","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015944412,0.019800201,0.011129436,0.005089731,0.0018630389,0.0008947384,0.0013057574,0.0021645173,0.94180816],"genre_scores_gemma":[0.6436105,0.0043226928,0.010475326,0.0027024164,0.0006494971,0.00048097724,0.00033795048,0.00028671193,0.33713394],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.994115,0.0014396873,0.0014616962,0.001190284,0.00052823435,0.001265095],"domain_scores_gemma":[0.9964437,0.00049999234,0.0006250704,0.0011759093,0.00077487616,0.00048049114],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0013852037,0.0012479309,0.0012468759,0.0006764519,0.004545834,0.0006774049,0.0009967528,0.0005784855,0.008765173],"category_scores_gemma":[0.00037677432,0.00127401,0.0012313266,0.0002511045,0.009910151,0.002672185,0.0004885468,0.0012083092,0.0001335721],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024467183,0.0010039165,0.0006431519,0.0005628028,0.00053382514,0.00050352636,0.046036698,0.0000010436296,0.00016211114,0.63429886,0.036654696,0.2793547],"study_design_scores_gemma":[0.0003825756,0.0007741719,0.00065444515,0.002078824,0.00080471305,0.00015988805,0.004037979,0.00003135194,0.0011458561,0.07314187,0.91538996,0.0013983883],"about_ca_topic_score_codex":0.016700448,"about_ca_topic_score_gemma":0.047629364,"teacher_disagreement_score":0.87873524,"about_ca_system_score_codex":0.0009432045,"about_ca_system_score_gemma":0.00024142518,"threshold_uncertainty_score":0.998971},"labels":[],"label_agreement":null},{"id":"W2155678263","doi":"10.7202/044406ar","title":"Bâtir. La ville intermédiale","year":2009,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University; Université de Montréal","funders":"","keywords":"Geography","score_opus":0.03995358941719785,"score_gpt":0.3090524960134961,"score_spread":0.26909890659629826,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2155678263","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018661961,0.042589746,0.0027571449,0.0125751,0.0027094416,0.0008268745,0.00014143577,0.001644518,0.9180938],"genre_scores_gemma":[0.75726867,0.021547612,0.008587452,0.007442812,0.0016666879,0.00019079793,0.000050232546,0.00016198379,0.20308378],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99340224,0.0017605391,0.00120741,0.0011048003,0.00087448326,0.0016505477],"domain_scores_gemma":[0.9967172,0.0008633396,0.0005052636,0.00074145943,0.00062574545,0.00054699474],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0020470298,0.0010597153,0.001205557,0.0003763548,0.0026754937,0.0007781565,0.0012539299,0.0008657215,0.0005597688],"category_scores_gemma":[0.0011486657,0.0011280305,0.00089355296,0.001056935,0.01111487,0.0017419604,0.00037171738,0.0011603321,0.00011636129],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006730966,0.00049863884,0.00024371248,0.00013100255,0.00012590307,0.00024354813,0.03270533,0.0000017675361,0.0005239512,0.36016595,0.060109522,0.54518336],"study_design_scores_gemma":[0.00031001662,0.00074903265,0.0008046115,0.001639898,0.00013166294,0.000041419902,0.0023604762,0.000010299989,0.0015877399,0.11660695,0.87465376,0.001104121],"about_ca_topic_score_codex":0.009186978,"about_ca_topic_score_gemma":0.009728108,"teacher_disagreement_score":0.81454426,"about_ca_system_score_codex":0.0030578324,"about_ca_system_score_gemma":0.00035494915,"threshold_uncertainty_score":0.99911696},"labels":[],"label_agreement":null},{"id":"W2156759056","doi":"10.7202/1001959ar","title":"“As Regarding Rhythm”: Rhythm in Modern Poetry and Cinema","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; Rhythm; Poetry; Narrative; Structuring; Literature; Art; Aesthetics; History; Political science","score_opus":0.04982912649564698,"score_gpt":0.26946421067331816,"score_spread":0.2196350841776712,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2156759056","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5120688,0.010005673,0.0041362057,0.00070711994,0.00039201407,0.00050254463,0.00007416042,0.00050626067,0.4716072],"genre_scores_gemma":[0.98015213,0.0031055654,0.007864815,0.0010580432,0.00013602589,0.00022399143,0.000014216768,0.000098939694,0.0073462855],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9974587,0.00006970037,0.00095173146,0.0007894667,0.00008789291,0.0006424994],"domain_scores_gemma":[0.998701,0.00015668284,0.0003310272,0.0005378664,0.00010224636,0.00017118786],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0008051581,0.00047642324,0.00085480546,0.00065970863,0.00033237512,0.00011878652,0.0002724329,0.00022901843,0.00011935912],"category_scores_gemma":[0.0005471367,0.000512468,0.00020352424,0.000286359,0.00097218266,0.0008312613,0.0003039225,0.00041860112,0.000030016992],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00044658137,0.00045465902,0.112741664,0.00073859555,0.00023051603,0.0009541038,0.034094863,0.0000019625354,0.0007539064,0.57062954,0.005063359,0.27389026],"study_design_scores_gemma":[0.0016370807,0.0010782038,0.03175729,0.0020795872,0.00006643456,0.0010750649,0.0020975098,0.00015468056,0.012830576,0.7098726,0.2350472,0.0023037826],"about_ca_topic_score_codex":0.0022785938,"about_ca_topic_score_gemma":0.001748597,"teacher_disagreement_score":0.46808332,"about_ca_system_score_codex":0.00038310888,"about_ca_system_score_gemma":0.000028787612,"threshold_uncertainty_score":0.9997327},"labels":[],"label_agreement":null},{"id":"W2158722066","doi":"10.7202/1033342ar","title":"Regard intermédial sur le devenir numérique des archives","year":2015,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.1553276838817159,"score_gpt":0.31882204257418884,"score_spread":0.16349435869247295,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2158722066","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07541389,0.013659481,0.14185922,0.005927321,0.002694708,0.0011240807,0.00019890709,0.0025012882,0.7566211],"genre_scores_gemma":[0.78494215,0.001143262,0.057923067,0.0032673297,0.0007663775,0.00020747633,0.000094207135,0.00023177532,0.15142438],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99294853,0.0011390375,0.0015710017,0.0016265281,0.00081347936,0.0019013976],"domain_scores_gemma":[0.994479,0.0007002445,0.0006298682,0.0015892691,0.0012063093,0.0013952862],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0011698239,0.0014596708,0.001294375,0.00059791404,0.0010858536,0.0043930504,0.0022836928,0.00058671477,0.00005572762],"category_scores_gemma":[0.0017386412,0.0013117385,0.00084618444,0.00082111807,0.007874103,0.010598362,0.0017942063,0.001150405,0.00008153487],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003820034,0.0010463892,0.0005152143,0.000544739,0.00021261045,0.001737899,0.05738051,0.00003035623,0.004639794,0.3736355,0.030976279,0.5288987],"study_design_scores_gemma":[0.00082408445,0.001715505,0.00054993684,0.0038037896,0.00005322327,0.0023150346,0.00096982537,0.00036061343,0.042386968,0.3072191,0.6380676,0.001734322],"about_ca_topic_score_codex":0.012021038,"about_ca_topic_score_gemma":0.013179557,"teacher_disagreement_score":0.7095282,"about_ca_system_score_codex":0.0014063724,"about_ca_system_score_gemma":0.0013026494,"threshold_uncertainty_score":0.9998153},"labels":[],"label_agreement":null},{"id":"W2159142081","doi":"10.7202/1005478ar","title":"Aimer, s’aimer à s’y perdre? Les jeux spéculaires de Cahun-Moore","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.08708803451580069,"score_gpt":0.31633471757644543,"score_spread":0.22924668306064475,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2159142081","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.067703575,0.03279553,0.00090908963,0.006352848,0.0025189994,0.00082860776,0.0001937783,0.0016864189,0.8870112],"genre_scores_gemma":[0.7848312,0.010797678,0.014362733,0.0029236437,0.00102166,0.00031198797,0.000039527287,0.0001785815,0.18553297],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9942755,0.00095786736,0.0010186437,0.0011510594,0.0008658246,0.0017311083],"domain_scores_gemma":[0.99708074,0.0003677258,0.0004738591,0.00064361433,0.00078785105,0.00064619025],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0013193922,0.0010654979,0.0010778683,0.00027920792,0.0039823675,0.00039678608,0.0014103386,0.0007452151,0.002285319],"category_scores_gemma":[0.0007146184,0.0009803897,0.0009055941,0.0007208231,0.012304999,0.0016431297,0.00068092666,0.00096687616,0.00021188056],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020068455,0.0008148794,0.0053301603,0.0004183636,0.0003892468,0.00052220904,0.088790394,0.0000010285745,0.0012191125,0.37364113,0.07419126,0.4544815],"study_design_scores_gemma":[0.0002553624,0.0006072914,0.0023218202,0.0013059442,0.00035866335,0.000081402395,0.0058726766,0.0000046645196,0.0045779455,0.045456603,0.93787384,0.0012837569],"about_ca_topic_score_codex":0.084739774,"about_ca_topic_score_gemma":0.029287856,"teacher_disagreement_score":0.8636826,"about_ca_system_score_codex":0.0031425208,"about_ca_system_score_gemma":0.00027169168,"threshold_uncertainty_score":0.99926466},"labels":[],"label_agreement":null},{"id":"W2159733550","doi":"10.7202/044043ar","title":"Programmer un pays","year":2010,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Philosophical and Theoretical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Philosophy","score_opus":0.028409179278957017,"score_gpt":0.27830089547159775,"score_spread":0.24989171619264072,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2159733550","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.056077424,0.0070216893,0.002729365,0.03440959,0.0024126528,0.000898184,0.00060238555,0.0019312229,0.8939175],"genre_scores_gemma":[0.9069818,0.0014308159,0.008027079,0.004209405,0.002282419,0.0003777819,0.00015574947,0.00023976878,0.076295175],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948706,0.00060783065,0.0012952696,0.0011332146,0.00065005885,0.001443005],"domain_scores_gemma":[0.99642456,0.000590966,0.000389778,0.0011199352,0.000808797,0.00066596887],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0012721182,0.0011168225,0.0011003177,0.00042633168,0.002210401,0.0012845269,0.0010885359,0.00066600426,0.0062247077],"category_scores_gemma":[0.00063466636,0.0009640757,0.0011077133,0.00031885286,0.018265055,0.0012191344,0.00052532397,0.002063155,0.0002537026],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009622317,0.0007899739,0.00013669964,0.00030693458,0.00026230098,0.00024217954,0.003290276,2.4545142e-7,0.0012141279,0.62757856,0.0019622224,0.36412027],"study_design_scores_gemma":[0.00016672647,0.00043953094,0.000046652844,0.0005136067,0.00029473015,0.0001064153,0.00015240046,0.000020967975,0.004506216,0.45898077,0.5340597,0.00071228016],"about_ca_topic_score_codex":0.003264477,"about_ca_topic_score_gemma":0.0054512294,"teacher_disagreement_score":0.8509044,"about_ca_system_score_codex":0.00037220234,"about_ca_system_score_gemma":0.00011007936,"threshold_uncertainty_score":0.9997522},"labels":[],"label_agreement":null},{"id":"W2161272628","doi":"10.7202/1005754ar","title":"Marina Abramović : The Artist Is [Tele]Present","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Humanities; Performative utterance; Art history; Aesthetics","score_opus":0.06565120090947947,"score_gpt":0.2857907296021886,"score_spread":0.22013952869270914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2161272628","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.053178787,0.016579995,0.000711923,0.013111109,0.0026131992,0.0012221257,0.00067761494,0.001251929,0.9106533],"genre_scores_gemma":[0.41931462,0.004971607,0.0026255264,0.0056557036,0.0016165766,0.00036636755,0.00008018448,0.00021267656,0.5651567],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953092,0.0006691861,0.0012066044,0.0009504814,0.0006054712,0.001259073],"domain_scores_gemma":[0.9969939,0.00030603292,0.00047483548,0.0012405423,0.0006522837,0.00033241935],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0009878821,0.0010062392,0.0008204656,0.00026758114,0.0035311305,0.0019428224,0.0013610778,0.00042794485,0.0097225625],"category_scores_gemma":[0.00018723533,0.00081233634,0.00086016254,0.00020473577,0.010461793,0.002371165,0.0007960621,0.0011977806,0.00035123096],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016485434,0.000608632,0.0003876955,0.0006208711,0.0002681932,0.00042544084,0.10673993,2.5981618e-7,0.000362199,0.5903247,0.10952369,0.19057356],"study_design_scores_gemma":[0.00021506385,0.0005974589,0.0010017781,0.0012995558,0.00025418864,0.00022290062,0.004256069,0.000010625213,0.0061143613,0.0941076,0.89096606,0.00095432095],"about_ca_topic_score_codex":0.058791824,"about_ca_topic_score_gemma":0.043375656,"teacher_disagreement_score":0.7814424,"about_ca_system_score_codex":0.0007975144,"about_ca_system_score_gemma":0.000119829405,"threshold_uncertainty_score":0.99943274},"labels":[],"label_agreement":null},{"id":"W2162559473","doi":"10.7202/1005495ar","title":"Transmettre l’avenir : autour de l’essai-vidéo d’Ingrid Wildi, ¿Aquí vive la Señora Eliana M…?","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Migration and Exile Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy; Physics","score_opus":0.04644459078607016,"score_gpt":0.3149699361563269,"score_spread":0.26852534537025674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2162559473","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024678241,0.009536335,0.014690932,0.010090672,0.001589714,0.0010678582,0.0003338623,0.00214433,0.9358681],"genre_scores_gemma":[0.8568233,0.01060762,0.026311047,0.004070072,0.0008433924,0.00046397164,0.000052642266,0.00023941671,0.10058849],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9927532,0.0023229516,0.0012651951,0.0011607583,0.00079675287,0.0017011523],"domain_scores_gemma":[0.9967965,0.00065143255,0.0005543249,0.0007283245,0.0006499469,0.0006194593],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.002842363,0.001091188,0.0011112161,0.00051003456,0.002396593,0.00048674073,0.0011536638,0.00084319816,0.0015554201],"category_scores_gemma":[0.0007122883,0.0011262298,0.0008532825,0.0009611301,0.0089864675,0.0018065321,0.00029312895,0.0011516031,0.0001200173],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000231189,0.0008589054,0.0029664827,0.0005692546,0.00041455394,0.00056647096,0.15944876,0.0000028048912,0.0010926153,0.34903044,0.06347379,0.42134473],"study_design_scores_gemma":[0.00041014963,0.0006207898,0.001727702,0.0020081666,0.00031773382,0.00013557417,0.007947792,0.00003510613,0.0076258876,0.072874494,0.90496075,0.0013358439],"about_ca_topic_score_codex":0.02035262,"about_ca_topic_score_gemma":0.027381476,"teacher_disagreement_score":0.841487,"about_ca_system_score_codex":0.0017131997,"about_ca_system_score_gemma":0.00056901266,"threshold_uncertainty_score":0.9993573},"labels":[],"label_agreement":null},{"id":"W2168444420","doi":"10.7202/044041ar","title":"Programmation architecturale et architecture virtuelle","year":2010,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Architecture and Computational Design","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Architecture; Art; Humanities; Visual arts","score_opus":0.015701401321271534,"score_gpt":0.2680717660198761,"score_spread":0.2523703646986046,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2168444420","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"methods","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09659131,0.004830302,0.710354,0.010416944,0.0027017654,0.0019576536,0.0002727304,0.004190012,0.1686853],"genre_scores_gemma":[0.71167743,0.00037495216,0.2701366,0.0017059306,0.0008223258,0.0005291239,0.00029971794,0.000371757,0.014082201],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952295,0.00073753536,0.0011197849,0.0009961165,0.0006820115,0.0012350681],"domain_scores_gemma":[0.9969851,0.0008854678,0.00031165345,0.00095442403,0.0004173612,0.0004460441],"candidate_categories":["metaepi_narrow","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0011673757,0.0011901589,0.0008312488,0.00068223994,0.00080465496,0.0006347114,0.00093422836,0.0006727466,0.00035512517],"category_scores_gemma":[0.0004537126,0.0012047141,0.000627683,0.00059610425,0.0025650063,0.0009084601,0.00034492204,0.002718574,0.00008895156],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014176493,0.0002557927,0.00018875269,0.0008913072,0.00020308301,0.00019535229,0.008923059,0.0031570187,0.03417891,0.11146931,0.0032575652,0.83713806],"study_design_scores_gemma":[0.00047513456,0.00083698815,0.0013588951,0.0016342144,0.00017557874,0.0011965384,0.00012312362,0.001625488,0.040105898,0.31447485,0.6362852,0.001708139],"about_ca_topic_score_codex":0.0009310125,"about_ca_topic_score_gemma":0.0036788867,"teacher_disagreement_score":0.83542997,"about_ca_system_score_codex":0.0005328446,"about_ca_system_score_gemma":0.0002293883,"threshold_uncertainty_score":0.9995822},"labels":[],"label_agreement":null},{"id":"W2178594267","doi":"10.7202/1012660ar","title":"L’archi-road movie, ou le routage des sens","year":2012,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science; Philosophy","score_opus":0.14170097614538205,"score_gpt":0.3348046373438778,"score_spread":0.19310366119849573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2178594267","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10299478,0.037176725,0.07671295,0.0067814286,0.0030399936,0.0012494499,0.00033716368,0.0029243503,0.76878315],"genre_scores_gemma":[0.81674796,0.0017571404,0.04369142,0.0040532337,0.0009367337,0.0001411977,0.00007956059,0.00019694353,0.13239583],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9932398,0.0008297587,0.0013501015,0.0012432189,0.0007962366,0.0025408785],"domain_scores_gemma":[0.995391,0.0004800946,0.00053701364,0.0015967268,0.00075254106,0.0012426003],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow","sts","scholarly_communication"],"category_scores_codex":[0.001377241,0.0013699913,0.0011085516,0.0004774736,0.0017430214,0.0034374578,0.0016364414,0.00057405524,0.00014103045],"category_scores_gemma":[0.00079465413,0.0012077785,0.0007754393,0.0008138885,0.0059729344,0.014113735,0.0014384285,0.0010371775,0.00016268168],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007325584,0.0009596677,0.0007360323,0.00048775977,0.00014794173,0.00052575313,0.021143513,0.0000074463396,0.005999136,0.36684436,0.013847122,0.58922803],"study_design_scores_gemma":[0.00049541576,0.0010682752,0.0044770944,0.0029535217,0.00013888087,0.0024395362,0.0006368178,0.0001952546,0.043713123,0.08706709,0.8546168,0.0021981855],"about_ca_topic_score_codex":0.01097594,"about_ca_topic_score_gemma":0.0034767706,"teacher_disagreement_score":0.8407697,"about_ca_system_score_codex":0.001241089,"about_ca_system_score_gemma":0.0003437329,"threshold_uncertainty_score":0.9999051},"labels":[],"label_agreement":null},{"id":"W2208706169","doi":"10.7202/1033340ar","title":"Le (re)mixage musical de George Martin et Francis Dhomont : la modulation, le chevauchement, l’interférence","year":2015,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Philosophy; George (robot); Art; Art history","score_opus":0.11776935356551037,"score_gpt":0.32458729115290635,"score_spread":0.20681793758739597,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2208706169","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07073724,0.0043708202,0.31600797,0.01897489,0.0011631873,0.0008650348,0.00013232941,0.0016251825,0.58612335],"genre_scores_gemma":[0.928145,0.0002552681,0.03044732,0.005283279,0.0002847701,0.0001545852,0.00006847567,0.0001154122,0.035245914],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99463063,0.0009988532,0.0011523193,0.0011985342,0.00071739126,0.0013022964],"domain_scores_gemma":[0.9960953,0.00040182445,0.0004799204,0.0011776056,0.00095013535,0.0008952312],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0017182403,0.0009126211,0.000810518,0.0002911598,0.00068483,0.002857859,0.0013533834,0.00049093686,0.00007691886],"category_scores_gemma":[0.0011771893,0.0008708632,0.00047076825,0.0005839496,0.002691976,0.006735564,0.0011221354,0.0008475291,0.000047663703],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016203032,0.0013571027,0.00045426944,0.00029380445,0.00012283954,0.0009929729,0.038008925,0.00010016749,0.0106706275,0.6487603,0.058742076,0.2403349],"study_design_scores_gemma":[0.00083785265,0.0008961241,0.0015224626,0.0015806895,0.00005946189,0.0008385417,0.0007304457,0.0034062085,0.03551535,0.14115976,0.8120141,0.0014390256],"about_ca_topic_score_codex":0.015283497,"about_ca_topic_score_gemma":0.007276557,"teacher_disagreement_score":0.85740775,"about_ca_system_score_codex":0.0010586847,"about_ca_system_score_gemma":0.0010173602,"threshold_uncertainty_score":0.9993742},"labels":[],"label_agreement":null},{"id":"W2234900236","doi":"10.7202/1033335ar","title":"Démonter/remonter le cinéma","year":2015,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.16431329500998865,"score_gpt":0.32968690630151154,"score_spread":0.1653736112915229,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2234900236","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023676915,0.018231537,0.085049525,0.018250095,0.0031992344,0.00087893096,0.00013525356,0.0022017686,0.84837675],"genre_scores_gemma":[0.7045028,0.00060142635,0.03495235,0.008213327,0.0006522871,0.00012640998,0.00006295696,0.0001832179,0.25070518],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9943363,0.0006853042,0.00126871,0.0013593549,0.00080821646,0.001542098],"domain_scores_gemma":[0.99515396,0.00029136502,0.00048585486,0.0015427849,0.0013628668,0.0011631908],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0011724873,0.0011777567,0.001029104,0.0004186902,0.0007841415,0.0041469373,0.0017989809,0.00053498545,0.00006626626],"category_scores_gemma":[0.0008008005,0.0010326896,0.0006691404,0.0006979902,0.0036129472,0.010757903,0.001359894,0.00084722636,0.00014513628],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017498308,0.00081485894,0.00024929523,0.0002871514,0.00015465092,0.0018101551,0.02436624,0.0000106859425,0.0027084043,0.38513142,0.12998518,0.454307],"study_design_scores_gemma":[0.00065435737,0.0015166536,0.0003547428,0.0022136667,0.000067405184,0.001730243,0.0006093717,0.00028786756,0.023919793,0.09779785,0.8694558,0.0013922168],"about_ca_topic_score_codex":0.011754369,"about_ca_topic_score_gemma":0.0064624543,"teacher_disagreement_score":0.73947066,"about_ca_system_score_codex":0.0013214493,"about_ca_system_score_gemma":0.00059506414,"threshold_uncertainty_score":0.9992123},"labels":[],"label_agreement":null},{"id":"W2235412798","doi":"10.7202/1033344ar","title":"Archigram, de l’amplificateur à la ville. Les technologies du son comme modèle social et architectonique","year":2015,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.08652425204335638,"score_gpt":0.29706468058104635,"score_spread":0.21054042853768995,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2235412798","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18419494,0.027285324,0.026515324,0.36135957,0.0012922139,0.0016214323,0.0010801534,0.007189446,0.3894616],"genre_scores_gemma":[0.9225219,0.011398181,0.00983366,0.0021870474,0.00092201965,0.000670202,0.0001626057,0.00025863125,0.052045777],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9941897,0.0015958879,0.001168296,0.0009932676,0.0006403314,0.0014125354],"domain_scores_gemma":[0.99694246,0.00075845263,0.0005323444,0.000625113,0.00078906177,0.0003525562],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0018964714,0.0011277522,0.001348411,0.00041754553,0.0065365974,0.0010923239,0.0011745744,0.00073951686,0.00014685812],"category_scores_gemma":[0.00085026765,0.0009925653,0.0010269041,0.00032543676,0.010577457,0.000792144,0.0008128466,0.0017142701,0.000034297373],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017344837,0.00067406613,0.0005098532,0.00039057859,0.00039341848,0.00023508491,0.14018723,0.000013175546,0.00039312785,0.5940922,0.04887591,0.21406192],"study_design_scores_gemma":[0.00032799444,0.00056109275,0.00009380761,0.0005829432,0.0002641345,0.00010945009,0.014234367,0.000044008244,0.00069121824,0.17959698,0.8024558,0.0010382342],"about_ca_topic_score_codex":0.02506094,"about_ca_topic_score_gemma":0.02352633,"teacher_disagreement_score":0.75357985,"about_ca_system_score_codex":0.0053520724,"about_ca_system_score_gemma":0.00019951805,"threshold_uncertainty_score":0.9999446},"labels":[],"label_agreement":null},{"id":"W2238476753","doi":"10.7202/1033336ar","title":"Stratégies de virtualisation de l’image filmique. L’art archivistique (post)féministe de Constanze Ruhm","year":2015,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.04568614402041046,"score_gpt":0.2835087105584498,"score_spread":0.23782256653803932,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2238476753","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02332793,0.025385309,0.018468807,0.017783219,0.0014127266,0.00095934985,0.0012574563,0.001854592,0.9095506],"genre_scores_gemma":[0.5402917,0.0073255976,0.037632927,0.006589393,0.0020032013,0.00082566554,0.0004023996,0.0003054781,0.40462363],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.994686,0.0012929952,0.0011422562,0.00083430635,0.00052956946,0.0015148795],"domain_scores_gemma":[0.99649024,0.00072163437,0.00047090076,0.00058935623,0.0010330296,0.00069484144],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0016769384,0.0010347851,0.000955492,0.00027150504,0.0018967979,0.0011515213,0.0007324979,0.00042353774,0.00062280137],"category_scores_gemma":[0.0014344747,0.0009814954,0.00055365055,0.00017324675,0.009127683,0.0014851299,0.00031821383,0.0010435608,0.00008118607],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002961418,0.0005420074,0.00024435986,0.0007497809,0.0002315706,0.00053125236,0.06967371,0.0000075393514,0.0037085228,0.6243702,0.22173733,0.07790755],"study_design_scores_gemma":[0.0003789967,0.0014915459,0.00028390303,0.0016403503,0.00022289908,0.0003873913,0.0067674844,0.00005116308,0.0050780727,0.101760775,0.88082004,0.0011173615],"about_ca_topic_score_codex":0.009901565,"about_ca_topic_score_gemma":0.013456387,"teacher_disagreement_score":0.6590827,"about_ca_system_score_codex":0.0042662616,"about_ca_system_score_gemma":0.00069327396,"threshold_uncertainty_score":0.9998854},"labels":[],"label_agreement":null},{"id":"W2241023483","doi":"10.7202/1033339ar","title":"Tinkering in Game Worlds","year":2015,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Literacy, Media, and Education","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Parallels; Media literacy; Perspective (graphical); Media studies; Inclusion (mineral); Digital media; Visual arts; New media; Sociology; Multimedia; Art; Aesthetics; Computer science; Engineering; World Wide Web; Social science","score_opus":0.059718455872038986,"score_gpt":0.30614062211558163,"score_spread":0.24642216624354263,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2241023483","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.57938373,0.0015467104,0.0005709027,0.0011129926,0.0019156188,0.00048121193,0.000040617968,0.0011355098,0.41381267],"genre_scores_gemma":[0.9682472,0.0001167541,0.0023009197,0.0015192615,0.00094495737,0.00025815284,0.00008474769,0.00009761446,0.026430398],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975414,0.00025985012,0.0007091637,0.00050414563,0.0003495598,0.00063584273],"domain_scores_gemma":[0.99844205,0.0002062585,0.000200673,0.00050855806,0.0003905622,0.00025190145],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0009426986,0.00044049908,0.0004525621,0.0005354173,0.00032730968,0.00061225664,0.0004526096,0.00013563417,0.00034631396],"category_scores_gemma":[0.00041388767,0.00041458834,0.00016960783,0.00015416778,0.0014492299,0.0015731173,0.00014511541,0.00046108125,0.000059677695],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013425572,0.00034907606,0.004512736,0.0002193464,0.000039100767,0.00010678819,0.64233965,0.0000032845742,0.00017270815,0.08180527,0.013567598,0.2567502],"study_design_scores_gemma":[0.00033316814,0.00030159255,0.0005258795,0.0010173704,0.00002635634,0.00004582139,0.021405604,0.000028711485,0.0028462699,0.06766518,0.9051288,0.0006752473],"about_ca_topic_score_codex":0.00298027,"about_ca_topic_score_gemma":0.008404933,"teacher_disagreement_score":0.8915612,"about_ca_system_score_codex":0.000801921,"about_ca_system_score_gemma":0.0001786833,"threshold_uncertainty_score":0.9998306},"labels":[],"label_agreement":null},{"id":"W2247061520","doi":"10.7202/1033343ar","title":"The Realm of the Earth: Simultaneous Broadcasting and World Politics in Interwar Cinema","year":2015,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; Realm; Politics; Broadcasting (networking); Reading (process); Relation (database); Interwar period; Political science; Media studies; Art; Sociology; Art history; World War II; Law; Computer science","score_opus":0.051944198320258914,"score_gpt":0.27102768597482,"score_spread":0.2190834876545611,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2247061520","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2100257,0.018412398,0.00008687839,0.005046827,0.0013169964,0.0008658961,0.00007353717,0.00050520716,0.76366657],"genre_scores_gemma":[0.933378,0.00030983292,0.00040778317,0.00044105697,0.00025629133,0.00006828203,0.0000037897366,0.000034360637,0.06510064],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978962,0.00034268503,0.0006174534,0.0003159675,0.0003428092,0.00048491178],"domain_scores_gemma":[0.9978764,0.00090314704,0.0002069893,0.00035415,0.0005518778,0.00010740885],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0007371217,0.00031350937,0.0003823536,0.00014154102,0.0012768056,0.00023227715,0.00045162145,0.000068210895,0.00002804725],"category_scores_gemma":[0.0011409178,0.00017973674,0.00014051031,0.00018271446,0.004783518,0.0003043402,0.0003520708,0.00046602954,0.0000030563526],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011656955,0.00022044558,0.0013044039,0.00023851266,0.000084145664,0.00007380842,0.099172726,0.000010698347,0.0005197829,0.631186,0.0259904,0.24108249],"study_design_scores_gemma":[0.00016201349,0.00028888966,0.00017087739,0.00073560496,0.000026355616,0.000028803937,0.004340589,0.000030134279,0.0011231083,0.043686576,0.94913894,0.00026809057],"about_ca_topic_score_codex":0.0045759864,"about_ca_topic_score_gemma":0.047315534,"teacher_disagreement_score":0.9231486,"about_ca_system_score_codex":0.0003580448,"about_ca_system_score_gemma":0.00004844476,"threshold_uncertainty_score":0.99792486},"labels":[],"label_agreement":null},{"id":"W2254214585","doi":"10.7202/1033337ar","title":"De quelques figures contemporaines de la « politisation de l’art »","year":2015,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.057607061091192666,"score_gpt":0.329940206513274,"score_spread":0.2723331454220813,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2254214585","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02771418,0.037582323,0.008396808,0.0099431565,0.0010605885,0.00061928714,0.00014829786,0.0013397842,0.91319555],"genre_scores_gemma":[0.774376,0.008018438,0.01660042,0.006323817,0.0016513503,0.00037393937,0.000057875903,0.00015834915,0.19243985],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9930348,0.0033696138,0.00081408734,0.000645133,0.0006357786,0.0015006235],"domain_scores_gemma":[0.99659413,0.0011749081,0.0004093402,0.00041708635,0.00067647913,0.00072807143],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0045016604,0.0007001995,0.0008135436,0.00026759406,0.0014803044,0.0008063945,0.0007357814,0.00078686955,0.0002019441],"category_scores_gemma":[0.0034795164,0.00076566375,0.00045835832,0.00046961513,0.010529771,0.0012840247,0.00023275902,0.00073845003,0.000043204454],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008203304,0.00034601934,0.0050266106,0.0002497741,0.00014937179,0.00022970757,0.09575599,0.000004784958,0.00041575954,0.622676,0.19584964,0.07921432],"study_design_scores_gemma":[0.00027981497,0.00030759085,0.0009142095,0.00094790536,0.00008873649,0.00007048998,0.0047629285,0.000021471247,0.001601383,0.32515883,0.66526556,0.00058106903],"about_ca_topic_score_codex":0.06976944,"about_ca_topic_score_gemma":0.017988533,"teacher_disagreement_score":0.7466618,"about_ca_system_score_codex":0.0071320664,"about_ca_system_score_gemma":0.0013252072,"threshold_uncertainty_score":0.9999306},"labels":[],"label_agreement":null},{"id":"W2269704176","doi":"10.7202/1033338ar","title":"Vidding: Remix as Affective Media Literacy","year":2015,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Digital Games and Media","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Media literacy; Reading (process); Literacy; Sociology; Media studies; Mode (computer interface); Aesthetics; Visual arts; Art; Pedagogy; Political science; Computer science","score_opus":0.041526831228719516,"score_gpt":0.3453098277518334,"score_spread":0.30378299652311386,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2269704176","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07028788,0.0012240789,0.0014756478,0.00169545,0.0011029535,0.0006625515,0.000053774515,0.001677436,0.9218202],"genre_scores_gemma":[0.9175931,0.0006224562,0.008845911,0.0024915,0.00074035604,0.00025665935,0.00006607072,0.00012583438,0.06925811],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960719,0.00068043324,0.0006201539,0.000739429,0.00091168657,0.00097639434],"domain_scores_gemma":[0.99654907,0.00087519817,0.0002884126,0.00058761745,0.0008797094,0.00081996573],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0021322467,0.00053462776,0.00060174585,0.00037004822,0.0005177594,0.00085794315,0.0008576426,0.00034635284,0.00013551611],"category_scores_gemma":[0.00523386,0.0005109405,0.00034183933,0.00055682514,0.0035586057,0.0024670942,0.0003098765,0.00052004337,0.00009185126],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014194488,0.00021112345,0.0009572321,0.00005640458,0.000051353152,0.00023391079,0.08897706,6.4976547e-7,0.000467915,0.12957379,0.012055777,0.76727283],"study_design_scores_gemma":[0.00027597963,0.00042103382,0.00025145535,0.0007037992,0.000043540804,0.000050968043,0.004124197,0.0000028248612,0.0042912583,0.07598719,0.9132379,0.00060983683],"about_ca_topic_score_codex":0.002868138,"about_ca_topic_score_gemma":0.004343272,"teacher_disagreement_score":0.9011821,"about_ca_system_score_codex":0.0014837708,"about_ca_system_score_gemma":0.0005426955,"threshold_uncertainty_score":0.9997342},"labels":[],"label_agreement":null},{"id":"W2295488266","doi":"10.7202/1034167ar","title":"Conférence-projection et performance orale","year":2015,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.06963014838919603,"score_gpt":0.31477236170609807,"score_spread":0.24514221331690206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2295488266","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.108534425,0.009642789,0.0017449502,0.003912364,0.0029914745,0.0009022854,0.00030728205,0.0016338809,0.8703306],"genre_scores_gemma":[0.64720684,0.0023409536,0.0029596076,0.0051882095,0.0014395051,0.00028957403,0.00019488405,0.00019662303,0.34018382],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99561423,0.00090872217,0.0010050677,0.0008610592,0.00058248837,0.0010284039],"domain_scores_gemma":[0.99719846,0.00021575329,0.00043505145,0.00070788775,0.0010280428,0.0004148193],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0018855982,0.00093473255,0.00081274466,0.0003930269,0.001682043,0.0011759172,0.0006674774,0.00042322805,0.0008411996],"category_scores_gemma":[0.00029561692,0.00087077514,0.00042451333,0.00021692416,0.0059714117,0.0031451245,0.00034352762,0.0010046675,0.00023314584],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033892755,0.00054458814,0.00040422374,0.0006526003,0.00014199427,0.0001296182,0.050059624,0.0000069094062,0.00077623257,0.6715821,0.06586582,0.20949736],"study_design_scores_gemma":[0.0004387659,0.0020121953,0.00008182686,0.0023366087,0.00015154609,0.00023730876,0.004010637,0.000066132576,0.009676637,0.034670837,0.9452494,0.0010681527],"about_ca_topic_score_codex":0.0034585106,"about_ca_topic_score_gemma":0.0041539418,"teacher_disagreement_score":0.8793835,"about_ca_system_score_codex":0.00078907254,"about_ca_system_score_gemma":0.00033051483,"threshold_uncertainty_score":0.99986094},"labels":[],"label_agreement":null},{"id":"W2295685149","doi":"10.7202/1034161ar","title":"The Automatic Exhibition: Slide Shows and Electronics at the Swiss National Exhibition 1964","year":2015,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Exhibition; Rationalization (economics); Electronics; Visual arts; Engineering; Art; Political science; Electrical engineering; Law","score_opus":0.04738654124557109,"score_gpt":0.2824466082536683,"score_spread":0.2350600670080972,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2295685149","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33468747,0.008709869,0.00038236214,0.012335011,0.00079752674,0.0013348594,0.00021953644,0.001322314,0.64021105],"genre_scores_gemma":[0.95721895,0.00043448777,0.00055511296,0.0026182642,0.0005046197,0.00038099496,0.00008774918,0.00006795284,0.038131878],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99774444,0.00030264596,0.00053568085,0.0003893858,0.00053357915,0.0004942673],"domain_scores_gemma":[0.9983986,0.00033112496,0.00022445963,0.00036507501,0.0005389214,0.00014179798],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0009827907,0.00039027724,0.0002792008,0.00008094424,0.002439676,0.0009578025,0.00035921193,0.00010991022,0.00037557178],"category_scores_gemma":[0.00022784043,0.00023655125,0.00017663806,0.00007194091,0.0024982817,0.0006434209,0.00021177615,0.00036032355,0.000025477075],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009818939,0.00009903883,0.000073719864,0.000112799884,0.00007593587,0.000025744852,0.021260517,0.0000019147876,0.0016537668,0.7825133,0.08207834,0.11200673],"study_design_scores_gemma":[0.00021551474,0.0003196684,0.00008435673,0.00027680374,0.000040798546,0.000137806,0.0029318251,0.000080174825,0.0024307338,0.107799634,0.88529676,0.00038590573],"about_ca_topic_score_codex":0.0004629643,"about_ca_topic_score_gemma":0.022047358,"teacher_disagreement_score":0.8032184,"about_ca_system_score_codex":0.0007921417,"about_ca_system_score_gemma":0.00011247594,"threshold_uncertainty_score":0.998859},"labels":[],"label_agreement":null},{"id":"W2297128809","doi":"10.7202/1034160ar","title":"Déplacer l’index","year":2015,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Index (typography); Art; Projection (relational algebra); Mathematics; Computer science; Algorithm","score_opus":0.16527975480024648,"score_gpt":0.3405639124843128,"score_spread":0.1752841576840663,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2297128809","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012547066,0.015821178,0.09842619,0.010201029,0.0032373285,0.0008222721,0.00012854111,0.0022071206,0.8566093],"genre_scores_gemma":[0.63535374,0.0008945712,0.028777694,0.008257334,0.00078340963,0.00014574705,0.00006464107,0.00018592474,0.32553694],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99449134,0.0006235984,0.0011382578,0.0012850781,0.0009231019,0.0015386352],"domain_scores_gemma":[0.9951159,0.00035218784,0.0004573949,0.0014376951,0.0014152002,0.0012216677],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.001244464,0.00112797,0.0009390051,0.00041731537,0.00076264486,0.004225194,0.0016345071,0.0005813621,0.00016814265],"category_scores_gemma":[0.0009584922,0.0009778277,0.0005635655,0.0008256673,0.004003047,0.009901738,0.0012576652,0.0008857132,0.00020071375],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015915935,0.000594744,0.00044838767,0.00027184794,0.00012757178,0.0013946514,0.01593773,0.00002885826,0.0010303863,0.39837003,0.13549607,0.4461406],"study_design_scores_gemma":[0.0004919452,0.0011427563,0.00040690484,0.0016491403,0.00006487111,0.001545117,0.00036251056,0.0004218188,0.0099110585,0.13458018,0.84815866,0.0012650723],"about_ca_topic_score_codex":0.007208358,"about_ca_topic_score_gemma":0.0031539619,"teacher_disagreement_score":0.7126626,"about_ca_system_score_codex":0.0017312905,"about_ca_system_score_gemma":0.0005603637,"threshold_uncertainty_score":0.9994027},"labels":[],"label_agreement":null},{"id":"W2297535922","doi":"10.7202/1034165ar","title":"The “Corporeality” of the Image in Walter Gropius’ Monumentale Kunst und Industriebau Lecture","year":2015,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Criticism; German; Art history; Art; Visual arts; Ephemeral key; Architecture; Projection (relational algebra); Reading (process); History; Computer science; Literature; Philosophy; Archaeology","score_opus":0.05660410152453608,"score_gpt":0.30972842222609287,"score_spread":0.25312432070155677,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2297535922","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59923166,0.0031132377,0.00036199484,0.0031481613,0.0011684579,0.0015679508,0.0004245803,0.00063700724,0.39034697],"genre_scores_gemma":[0.99310374,0.0001588928,0.00027601037,0.0010895514,0.0002272481,0.00016553694,0.000044016037,0.000060141683,0.004874839],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975291,0.0004825372,0.0006731632,0.00039275794,0.00041825662,0.00050417584],"domain_scores_gemma":[0.9983223,0.0001888027,0.00033126114,0.0006608494,0.00036654828,0.00013022436],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00082379725,0.0004365636,0.00041036465,0.00016382514,0.00088252156,0.000434174,0.00083911035,0.00019492544,0.00007578514],"category_scores_gemma":[0.0002225438,0.00025928085,0.000320544,0.00024153582,0.0047159246,0.00069984194,0.00028200573,0.0007183274,0.000003886514],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00077942346,0.00092381146,0.008538111,0.00035800468,0.00033595887,0.00011204978,0.13157567,0.0000050220992,0.00832106,0.6863124,0.058731887,0.10400663],"study_design_scores_gemma":[0.0004951876,0.00059898937,0.0010150885,0.00080512534,0.00008853682,0.000037040947,0.0045830198,0.00000796594,0.051746245,0.11895027,0.8210768,0.00059570465],"about_ca_topic_score_codex":0.0048574237,"about_ca_topic_score_gemma":0.020731667,"teacher_disagreement_score":0.76234496,"about_ca_system_score_codex":0.00033707995,"about_ca_system_score_gemma":0.00011508474,"threshold_uncertainty_score":0.99998593},"labels":[],"label_agreement":null},{"id":"W2301037100","doi":"10.7202/1034163ar","title":"Beyrouth : projections autour d’une ville et de son histoire","year":2015,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Middle East Politics and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.05541570657926431,"score_gpt":0.3342227661586673,"score_spread":0.278807059579403,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2301037100","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05702992,0.008199501,0.014400515,0.026667075,0.0035469495,0.001336279,0.0004519315,0.0022999025,0.8860679],"genre_scores_gemma":[0.7637491,0.0017095677,0.021922136,0.00542333,0.001207613,0.00042421996,0.00009574249,0.0002465205,0.20522177],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99274075,0.00208365,0.0011655724,0.0010900956,0.0010192856,0.0019006357],"domain_scores_gemma":[0.99596006,0.0004596151,0.00057249743,0.0009146317,0.001034547,0.0010586747],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0037591932,0.00095640204,0.00096745114,0.00034518898,0.0028549936,0.0007367727,0.0010891545,0.0009342067,0.00028970503],"category_scores_gemma":[0.0012771343,0.0010397932,0.00082745973,0.0010078595,0.008245638,0.0017039783,0.00045237842,0.0013481305,0.00007736023],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000070445356,0.00079883466,0.0016057563,0.0003325261,0.00017552295,0.00017685404,0.1639465,0.000018005496,0.0003728739,0.65189505,0.058000077,0.122607574],"study_design_scores_gemma":[0.00041808802,0.00064393855,0.00040144898,0.0012348669,0.00019294907,0.00014899546,0.014913237,0.00012623663,0.00082462374,0.11511993,0.8648698,0.001105894],"about_ca_topic_score_codex":0.06471627,"about_ca_topic_score_gemma":0.023248004,"teacher_disagreement_score":0.80686975,"about_ca_system_score_codex":0.00667441,"about_ca_system_score_gemma":0.0022590412,"threshold_uncertainty_score":0.99920523},"labels":[],"label_agreement":null},{"id":"W2311240203","doi":"10.7202/1034154ar","title":"Photographie illégitime, cinéma du pauvre : le destin impossible de la diapositive","year":2015,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"National Science Foundation","keywords":"Humanities; Art","score_opus":0.08936557110012865,"score_gpt":0.31804984198564445,"score_spread":0.2286842708855158,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2311240203","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09461408,0.010950893,0.076160245,0.005860612,0.0012054165,0.0010714376,0.000217034,0.0022187852,0.8077015],"genre_scores_gemma":[0.9069332,0.0011697253,0.04586941,0.004222296,0.00046109702,0.0002487103,0.00006984074,0.00017230354,0.040853437],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9942603,0.001306184,0.0010305563,0.001202707,0.00066031364,0.0015399164],"domain_scores_gemma":[0.9950749,0.0009411022,0.00047510036,0.0010669176,0.001225982,0.0012159824],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0017918175,0.0011050284,0.0009100787,0.00053144625,0.0010718268,0.004301264,0.001430884,0.00062390236,0.000048407714],"category_scores_gemma":[0.0013158373,0.0010006033,0.00061777886,0.0011510361,0.006264789,0.0070509706,0.0009932121,0.00090512994,0.00004113617],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027925198,0.0014027036,0.0017779662,0.000368756,0.00024810014,0.0040594055,0.038468424,0.00003606157,0.010825282,0.48631853,0.06714995,0.38906556],"study_design_scores_gemma":[0.0010687313,0.0022696366,0.0022978687,0.003403928,0.00015172617,0.00532669,0.0010552375,0.00053972896,0.09172081,0.20849198,0.68158495,0.0020887095],"about_ca_topic_score_codex":0.017090505,"about_ca_topic_score_gemma":0.0024813977,"teacher_disagreement_score":0.8123191,"about_ca_system_score_codex":0.0012824731,"about_ca_system_score_gemma":0.0009866002,"threshold_uncertainty_score":0.99924445},"labels":[],"label_agreement":null},{"id":"W2313647335","doi":"10.7202/1034158ar","title":"When the Carousel stops turning …","year":2015,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Meaning (existential); Embodied cognition; Entertainment; Subject matter; Visual arts; Photography; Subject (documents); GRASP; Sociology; Ephemeral key; Aesthetics; Media studies; Art; Computer science; Psychology; World Wide Web; Pedagogy; Artificial intelligence","score_opus":0.06953506838121143,"score_gpt":0.30487026476212636,"score_spread":0.23533519638091493,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2313647335","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2231435,0.0031966513,0.001499462,0.0023200181,0.0013149646,0.0009858052,0.00020989595,0.002740526,0.7645892],"genre_scores_gemma":[0.9666789,0.000113657625,0.0015243494,0.004023461,0.0007460371,0.0002727802,0.00006777034,0.000111891626,0.026461152],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973274,0.0004507501,0.0005756145,0.00052576116,0.00047170432,0.0006487891],"domain_scores_gemma":[0.99803525,0.00022989878,0.0002514648,0.0006585973,0.00058293354,0.00024183442],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0010377922,0.0005594445,0.00047277915,0.00022996658,0.0014622813,0.00092293177,0.0008255471,0.00017745928,0.0002806392],"category_scores_gemma":[0.0002948386,0.0003873275,0.00038424725,0.0001265097,0.0032297566,0.0011420151,0.0002472077,0.00072017155,0.000030256157],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021010141,0.00029278744,0.0007443262,0.00016549324,0.00020117518,0.000119510645,0.28793475,0.0000029883072,0.0027755927,0.52762294,0.11756979,0.062360585],"study_design_scores_gemma":[0.00023609225,0.0004698953,0.00009358097,0.00039900222,0.00008307242,0.00007445585,0.007566339,0.000008974165,0.006255117,0.06178882,0.9224488,0.00057583506],"about_ca_topic_score_codex":0.0031467888,"about_ca_topic_score_gemma":0.0063990597,"teacher_disagreement_score":0.804879,"about_ca_system_score_codex":0.00031897528,"about_ca_system_score_gemma":0.00009928832,"threshold_uncertainty_score":0.99985784},"labels":[],"label_agreement":null},{"id":"W2336499441","doi":"10.7202/1034156ar","title":"Projections photographiques et cinéma des premiers temps : La Houillère de Gustave Marissiaux et les origines du cinéma minier","year":2015,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.052443165411400074,"score_gpt":0.318116439405225,"score_spread":0.2656732739938249,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2336499441","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29113755,0.02474407,0.0039582625,0.006103401,0.0021501374,0.0028103385,0.002059952,0.00416056,0.6628758],"genre_scores_gemma":[0.8383669,0.018920371,0.01605712,0.004443849,0.0015317239,0.0016070084,0.0004915407,0.0005789879,0.118002445],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9923128,0.0025582258,0.0014121346,0.0013535023,0.0007477004,0.0016156188],"domain_scores_gemma":[0.9951879,0.0007432833,0.0006818595,0.0010125032,0.0015837203,0.00079078437],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0028723807,0.0016514758,0.001283827,0.0011794039,0.0025545568,0.002066285,0.0010636318,0.0011230225,0.00042570595],"category_scores_gemma":[0.0008475456,0.0015266767,0.0011343898,0.000708467,0.010590998,0.0028430703,0.0004568973,0.0019795753,0.000016152502],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00083133124,0.0019160049,0.009383822,0.0017798912,0.00092771155,0.0005783122,0.16337025,0.000010556231,0.002937987,0.62608516,0.14617223,0.046006735],"study_design_scores_gemma":[0.0007209164,0.0017350815,0.0010865122,0.003717489,0.00048689265,0.00068617583,0.013485662,0.00003183775,0.009730258,0.032073095,0.93451184,0.0017342619],"about_ca_topic_score_codex":0.028637277,"about_ca_topic_score_gemma":0.036082745,"teacher_disagreement_score":0.7883396,"about_ca_system_score_codex":0.00085647916,"about_ca_system_score_gemma":0.00073200226,"threshold_uncertainty_score":0.99962324},"labels":[],"label_agreement":null},{"id":"W2336918702","doi":"10.7202/1034170ar","title":"Changer le monde, c’est le réinventer en permanence","year":2015,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.04240692696843775,"score_gpt":0.2832924068416003,"score_spread":0.24088547987316253,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2336918702","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011377252,0.052056003,0.0030845308,0.01610992,0.0026161198,0.000756537,0.0005901761,0.0011764748,0.912233],"genre_scores_gemma":[0.6292236,0.0013908218,0.0037612736,0.006448072,0.0021125996,0.00036529783,0.00020992897,0.00024028278,0.35624814],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950984,0.0010886574,0.0010096958,0.0009728221,0.0005843967,0.0012459877],"domain_scores_gemma":[0.99690086,0.00043299797,0.00024795573,0.00094953395,0.0008581408,0.00061051437],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0014634312,0.0009770389,0.00089231855,0.0004080893,0.0012788684,0.0013507392,0.0009491954,0.0005176663,0.00068852864],"category_scores_gemma":[0.00045833367,0.00096077385,0.0005793571,0.00018741385,0.0074936333,0.0025320072,0.0004696018,0.0011041635,0.00017636335],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014527257,0.00070244167,0.000053596734,0.00053885655,0.00012505661,0.00048750266,0.034395665,0.000001364536,0.000702475,0.80951077,0.072769955,0.08056707],"study_design_scores_gemma":[0.0003835655,0.00069655274,0.00002556085,0.0019708741,0.00010714774,0.00021639836,0.0030114467,0.000024016834,0.004965946,0.1917357,0.79595983,0.00090294215],"about_ca_topic_score_codex":0.0054503144,"about_ca_topic_score_gemma":0.0023443454,"teacher_disagreement_score":0.7231899,"about_ca_system_score_codex":0.00075485447,"about_ca_system_score_gemma":0.00037705866,"threshold_uncertainty_score":0.99968594},"labels":[],"label_agreement":null},{"id":"W2337357106","doi":"10.7202/1034164ar","title":"Probing Light: Projection Mapping, Architectural Surface, and the Politics of Luminous Abstraction","year":2015,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Architecture; Performative utterance; Aesthetics; Materiality (auditing); Spectacle; Publicity; Movie theater; Politics; Visual arts; Sociology; Agency (philosophy); Art; Political science; Social science; Law","score_opus":0.055372431704495045,"score_gpt":0.2941332767666497,"score_spread":0.23876084506215464,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2337357106","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8002822,0.0010332428,0.00041633256,0.00072659814,0.00042859768,0.0008718985,0.000052138526,0.0005890742,0.19559994],"genre_scores_gemma":[0.99047625,0.00007402475,0.0011089797,0.0003322177,0.0002637891,0.00009321688,0.000026149683,0.00004261683,0.007582764],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982657,0.00028094143,0.000512085,0.00031675232,0.00026853016,0.00035602777],"domain_scores_gemma":[0.9987668,0.00013456376,0.00030089187,0.00027389417,0.00041732614,0.00010654309],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0007339429,0.00033409835,0.00038541196,0.00020483158,0.0008095516,0.0003240045,0.00023047584,0.00011946739,0.000024467881],"category_scores_gemma":[0.00014697955,0.00022842542,0.00020185478,0.000103989514,0.0029986484,0.0006052418,0.00009913706,0.00040749455,0.0000018396836],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005530103,0.0003369755,0.0009928101,0.0007296336,0.00023169217,0.000029068406,0.3954548,0.000006708307,0.011317472,0.5373465,0.0054386286,0.04756275],"study_design_scores_gemma":[0.0015413614,0.0014720027,0.00074015075,0.0017104425,0.00022979834,0.00049059594,0.024207978,0.00008819009,0.07371418,0.13249934,0.7621439,0.0011620482],"about_ca_topic_score_codex":0.0033431626,"about_ca_topic_score_gemma":0.002112401,"teacher_disagreement_score":0.7567053,"about_ca_system_score_codex":0.00015886125,"about_ca_system_score_gemma":0.000063812775,"threshold_uncertainty_score":0.9997146},"labels":[],"label_agreement":null},{"id":"W2338038955","doi":"10.7202/1034162ar","title":"Aux commencements de la perspective : section ou projection ?","year":2015,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Architecture and Art History Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Mathematics","score_opus":0.06376936281895958,"score_gpt":0.33279170988064805,"score_spread":0.2690223470616885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2338038955","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020083545,0.01392324,0.008665722,0.00929937,0.0031743539,0.0010071059,0.00021361526,0.0013828283,0.9422502],"genre_scores_gemma":[0.7322192,0.0021873848,0.006842327,0.0041925823,0.0030723072,0.0006900501,0.00007610958,0.0002597148,0.25046033],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99582475,0.0013293264,0.00071157486,0.00077528926,0.00047643977,0.00088260026],"domain_scores_gemma":[0.9974737,0.0003834588,0.00036437702,0.0004899625,0.0009877782,0.00030068224],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0015188331,0.0007871073,0.00064920157,0.0005041247,0.0030061158,0.0006027956,0.0004325532,0.00034166788,0.0002206343],"category_scores_gemma":[0.0005457397,0.0007837025,0.0003869155,0.00018392775,0.007968341,0.0012909557,0.00032846953,0.0010152668,0.00003453218],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040597,0.00081763515,0.00092443696,0.00039379523,0.00037505248,0.00018976926,0.26337212,0.000012642312,0.00044042096,0.45572624,0.12990859,0.14743334],"study_design_scores_gemma":[0.0004115999,0.0014012615,0.00017071728,0.001068977,0.00019881238,0.0002267165,0.016856493,0.000027536013,0.001122176,0.08336435,0.8944019,0.0007494443],"about_ca_topic_score_codex":0.013761475,"about_ca_topic_score_gemma":0.011711476,"teacher_disagreement_score":0.76449335,"about_ca_system_score_codex":0.0043140072,"about_ca_system_score_gemma":0.00042342156,"threshold_uncertainty_score":0.99950826},"labels":[],"label_agreement":null},{"id":"W2338242147","doi":"10.7202/1034157ar","title":"La science des projections","year":2015,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.05976614348084175,"score_gpt":0.34279506128379633,"score_spread":0.2830289178029546,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2338242147","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07045232,0.016150353,0.004147957,0.004240056,0.0027615952,0.00078003685,0.000121161764,0.0015531317,0.8997934],"genre_scores_gemma":[0.7477675,0.0029064687,0.025212198,0.0014297017,0.00090405636,0.00040136362,0.000017572067,0.00012377514,0.22123733],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99376065,0.0015179841,0.00093179144,0.0011262435,0.0011524131,0.0015109467],"domain_scores_gemma":[0.9960098,0.00064863387,0.00034502445,0.00068646646,0.0014649364,0.0008451047],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0039668716,0.00076325407,0.0007736769,0.0006277017,0.004473448,0.0007427345,0.001329701,0.00044504905,0.00016350775],"category_scores_gemma":[0.0025592986,0.00073418545,0.00041596012,0.0024254946,0.042042244,0.0037336487,0.0006385459,0.0009155086,0.00009620545],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000086347165,0.00063736655,0.0024238601,0.00026377494,0.000082915794,0.0002080089,0.14622559,0.0000027021708,0.00054982404,0.32714486,0.024369681,0.49800506],"study_design_scores_gemma":[0.00020609568,0.0006952319,0.00046600233,0.0011351078,0.00009909103,0.00014425085,0.004901084,0.000011465503,0.0012348902,0.0729701,0.9173294,0.0008073286],"about_ca_topic_score_codex":0.014887414,"about_ca_topic_score_gemma":0.0072370227,"teacher_disagreement_score":0.89295965,"about_ca_system_score_codex":0.0051918305,"about_ca_system_score_gemma":0.0012188284,"threshold_uncertainty_score":0.99951094},"labels":[],"label_agreement":null},{"id":"W2338582336","doi":"10.7202/1034168ar","title":"Le mur d’images au cinéma et à la télévision : mise en lumière d’un dispositif de projection mentale","year":2015,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.07239629954677597,"score_gpt":0.32374529488765724,"score_spread":0.2513489953408813,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2338582336","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15547752,0.0036513384,0.08240205,0.009994693,0.0014399756,0.001226987,0.00018474192,0.0019196611,0.743703],"genre_scores_gemma":[0.9061822,0.00058618526,0.029890003,0.0023128407,0.00035365572,0.00016565975,0.000101026104,0.00012963923,0.060278755],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948309,0.0014623527,0.00086339103,0.0010676828,0.0006511164,0.0011245445],"domain_scores_gemma":[0.99691963,0.00044196437,0.00039039046,0.0008968948,0.0006260726,0.0007250394],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0017529789,0.0008754913,0.00069150375,0.0003485943,0.00086872,0.0029331844,0.0010517759,0.00049595494,0.000030111662],"category_scores_gemma":[0.0006042269,0.00078725425,0.0004365885,0.0005560536,0.0020293586,0.007840656,0.0009930636,0.00074644457,0.000031117826],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002117769,0.0012408704,0.0007862266,0.0003946692,0.00013432335,0.0012972446,0.04443908,0.000023701125,0.016823156,0.19881763,0.023463883,0.7123674],"study_design_scores_gemma":[0.0009879242,0.0021361622,0.004005228,0.0033776406,0.00013609696,0.003704723,0.0018725209,0.0005859264,0.13118404,0.050816577,0.7995038,0.0016893729],"about_ca_topic_score_codex":0.014801624,"about_ca_topic_score_gemma":0.0031391445,"teacher_disagreement_score":0.7760399,"about_ca_system_score_codex":0.0017431227,"about_ca_system_score_gemma":0.0008989637,"threshold_uncertainty_score":0.99945784},"labels":[],"label_agreement":null},{"id":"W2339857489","doi":"10.7202/1034159ar","title":"Otto Piene, The Proliferation of the Sun (1967) : la projection lumineuse dans l’expanded cinema","year":2015,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Movie theater; Art history","score_opus":0.1280012166401404,"score_gpt":0.3265658886769818,"score_spread":0.1985646720368414,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2339857489","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3625509,0.0040059616,0.04897241,0.015881725,0.0031107932,0.0028678535,0.00012026002,0.0011776097,0.56131244],"genre_scores_gemma":[0.9401338,0.00022700586,0.004364958,0.0014810475,0.0003118119,0.00019859376,0.000020328858,0.00006601132,0.053196434],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99603766,0.0010279042,0.0009119396,0.0006700113,0.00070880505,0.0006436881],"domain_scores_gemma":[0.99647516,0.00034908694,0.00056389096,0.0012128169,0.0011405682,0.00025849417],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0013372023,0.0006170302,0.0005183633,0.00017911647,0.000770023,0.0016755165,0.0013142852,0.0003072148,0.000011449627],"category_scores_gemma":[0.0011604122,0.00036472478,0.00038589624,0.0008353603,0.0033401337,0.00443756,0.0007235392,0.00055831496,0.0000070614747],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027978138,0.0011790576,0.0040514725,0.00054905127,0.00019065378,0.00017883547,0.10525026,0.000082405466,0.020310601,0.54715645,0.046475794,0.2742956],"study_design_scores_gemma":[0.0009632589,0.002538419,0.007028038,0.003619928,0.00024558767,0.0028332241,0.0021797502,0.001690994,0.24476522,0.10012495,0.6325186,0.0014920403],"about_ca_topic_score_codex":0.0050393897,"about_ca_topic_score_gemma":0.008023365,"teacher_disagreement_score":0.5860428,"about_ca_system_score_codex":0.0007235244,"about_ca_system_score_gemma":0.00048477357,"threshold_uncertainty_score":0.9998805},"labels":[],"label_agreement":null},{"id":"W2341818023","doi":"10.7202/1034166ar","title":"Activer ou projeter","year":2015,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Death, Funerary Practices, and Mourning","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy; Physics","score_opus":0.09074994807891601,"score_gpt":0.35861697465197573,"score_spread":0.2678670265730597,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2341818023","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044041634,0.009737534,0.006004243,0.012480089,0.0038555805,0.001065835,0.00011634207,0.0014808559,0.92121786],"genre_scores_gemma":[0.31236988,0.0028952784,0.022655914,0.0046670693,0.0015778459,0.0003005607,0.000052296247,0.00022247502,0.65525866],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9928385,0.0023931372,0.0010259696,0.0011451025,0.0010840384,0.0015132374],"domain_scores_gemma":[0.99588126,0.0008115852,0.00072391494,0.0008448874,0.00091331766,0.0008250214],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0036891422,0.0009292596,0.00089104415,0.0004474227,0.0016154933,0.0010218745,0.0011405044,0.00074402423,0.0005704922],"category_scores_gemma":[0.0016305736,0.000952524,0.00053774513,0.00072043226,0.0061637694,0.006138023,0.0004748021,0.001340923,0.00021392725],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000332433,0.0006147172,0.0011178071,0.00028587348,0.00021562785,0.0005583188,0.06820936,0.000005230179,0.00088303065,0.07900064,0.047997724,0.8007792],"study_design_scores_gemma":[0.00043134126,0.00081408344,0.00014622393,0.0012457457,0.00020302531,0.00019580616,0.003113785,0.000028303873,0.0038622087,0.030961223,0.95792043,0.0010778233],"about_ca_topic_score_codex":0.007318885,"about_ca_topic_score_gemma":0.0062566497,"teacher_disagreement_score":0.9099227,"about_ca_system_score_codex":0.0022758225,"about_ca_system_score_gemma":0.00080216356,"threshold_uncertainty_score":0.9996843},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"not_applicable","genre":"other","about_ca_system":false,"about_ca_topic":false,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"design_other","genre":"other","about_ca_system":false,"about_ca_topic":false,"confidence":"low"}],"label_agreement":"split"},{"id":"W2534712998","doi":"10.7202/1037319ar","title":"Peuples de la nuit","year":2016,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.03971275259412194,"score_gpt":0.31370628511656434,"score_spread":0.2739935325224424,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2534712998","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027382588,0.052329913,0.010225883,0.015135107,0.0020020292,0.0006629063,0.00023358403,0.0016265484,0.8904014],"genre_scores_gemma":[0.6715175,0.02770434,0.0096830735,0.0022474625,0.0013497286,0.0002960333,0.000010076701,0.00016489369,0.28702688],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99381155,0.0022702604,0.000849517,0.0008519468,0.00069107284,0.001525672],"domain_scores_gemma":[0.99599004,0.0021336535,0.00038228338,0.0005701045,0.00045550513,0.00046840453],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.002676975,0.0007910687,0.00085430755,0.00025724855,0.0022781938,0.0005014306,0.001013187,0.0007623677,0.00085143925],"category_scores_gemma":[0.001974626,0.0006751412,0.00065380073,0.00055493426,0.019926617,0.0013627567,0.0004091119,0.0006039359,0.00010399878],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004258389,0.00024718998,0.001999691,0.00014469434,0.00013810817,0.00015767824,0.023112344,2.7304878e-7,0.0012309958,0.4653986,0.050245583,0.45728225],"study_design_scores_gemma":[0.0002563223,0.000294232,0.0014736218,0.0018164767,0.000110943554,0.000043615895,0.0012512015,0.0000016618022,0.002747156,0.19417728,0.7970726,0.0007548932],"about_ca_topic_score_codex":0.02104073,"about_ca_topic_score_gemma":0.016370751,"teacher_disagreement_score":0.746827,"about_ca_system_score_codex":0.0044090264,"about_ca_system_score_gemma":0.0004687127,"threshold_uncertainty_score":0.99956995},"labels":[],"label_agreement":null},{"id":"W2535140645","doi":"10.7202/1037315ar","title":"Échappée nocturne sur l’autoroute du Soleil : propositions pour une lecture paysagère de la section Beaune–Marseille","year":2016,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Night-time city culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.020373103072275148,"score_gpt":0.2937305286951099,"score_spread":0.27335742562283477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2535140645","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0957746,0.010508531,0.08138847,0.19362117,0.004057608,0.0030288137,0.00083448784,0.005833029,0.6049533],"genre_scores_gemma":[0.8228256,0.0039191237,0.015928019,0.00359993,0.0024486592,0.00034130286,0.00008874185,0.00024572932,0.1506029],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99266845,0.0026906338,0.0010220214,0.0012209638,0.00082765537,0.0015703043],"domain_scores_gemma":[0.99592906,0.001052008,0.0005961546,0.0008458085,0.0009982547,0.00057871116],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["sts"],"category_scores_codex":[0.0021149165,0.001095678,0.0009445334,0.00031840647,0.0024185183,0.00073069235,0.0010805863,0.0014627096,0.0006408139],"category_scores_gemma":[0.0012288803,0.000900594,0.00076465856,0.00083713466,0.0072353035,0.0022454772,0.00029267938,0.0012237667,0.00006768793],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000244663,0.0012032434,0.0015403428,0.00038338715,0.00034194038,0.0005248297,0.04185772,0.00001615938,0.0782542,0.23644976,0.10339277,0.535791],"study_design_scores_gemma":[0.0005946985,0.0005609725,0.0013935727,0.0026822777,0.00024878533,0.00047529142,0.0006764995,0.000020828425,0.025656488,0.09396045,0.87253535,0.0011947897],"about_ca_topic_score_codex":0.0116189215,"about_ca_topic_score_gemma":0.02360545,"teacher_disagreement_score":0.76914257,"about_ca_system_score_codex":0.004655477,"about_ca_system_score_gemma":0.0009345818,"threshold_uncertainty_score":0.9998336},"labels":[],"label_agreement":null},{"id":"W2535281972","doi":"10.7202/1037316ar","title":"Festive, libertine, rebelle : Montréal la nuit","year":2015,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Night-time city culture","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"McGill University","funders":"","keywords":"Art; Humanities","score_opus":0.03879641317139406,"score_gpt":0.3115984687744744,"score_spread":0.27280205560308035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2535281972","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033161707,0.029796038,0.00256311,0.018660476,0.0022434455,0.0012363355,0.00022690014,0.0024528056,0.9096592],"genre_scores_gemma":[0.3763747,0.0032941473,0.03801854,0.003834754,0.0016342509,0.00037966546,0.00010814008,0.00035855474,0.5759973],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99175483,0.0027624192,0.0012623514,0.00131173,0.0012596546,0.0016490419],"domain_scores_gemma":[0.9951057,0.0008747033,0.00063062715,0.0010561391,0.001263159,0.0010696829],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0030914014,0.0011571266,0.00114639,0.0003713018,0.0017499095,0.0008668185,0.0015419297,0.001192701,0.00054293155],"category_scores_gemma":[0.0023613449,0.0011645403,0.00065857085,0.0011350033,0.009740317,0.0026797536,0.0007011705,0.0015079705,0.00030272358],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027280784,0.0008586945,0.0012972936,0.00030952177,0.00021913071,0.0008830033,0.06748823,0.00001254321,0.0012462151,0.29674438,0.2872307,0.34343746],"study_design_scores_gemma":[0.0004821355,0.0006016498,0.00037849575,0.0016922138,0.0001848152,0.00024282566,0.002868785,0.000022149281,0.0046259994,0.06978172,0.9178876,0.0012315796],"about_ca_topic_score_codex":0.0339821,"about_ca_topic_score_gemma":0.030095221,"teacher_disagreement_score":0.6306569,"about_ca_system_score_codex":0.0029485414,"about_ca_system_score_gemma":0.0007801888,"threshold_uncertainty_score":0.9995497},"labels":[],"label_agreement":null},{"id":"W2536379561","doi":"10.7202/1037317ar","title":"Danser au son d’un orchestre dans le Montréal nocturne de l’entre-deux-guerres : salles de danse, gramophone et radio","year":2016,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal; McGill University","funders":"","keywords":"Art; Humanities","score_opus":0.019892712756903692,"score_gpt":0.2463583265004166,"score_spread":0.22646561374351293,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2536379561","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6107438,0.038760383,0.0334835,0.17516649,0.0019285007,0.0013037152,0.0011440323,0.0024460447,0.13502352],"genre_scores_gemma":[0.7984755,0.021473799,0.006144159,0.0016858057,0.0012852754,0.00035051434,0.00009769709,0.0002600939,0.17022716],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99354863,0.0013763389,0.0013360092,0.0011841428,0.00064868847,0.001906162],"domain_scores_gemma":[0.99656016,0.00084964104,0.00055979454,0.00084786833,0.0005450997,0.0006374683],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0013092506,0.0013091575,0.0014301636,0.000284468,0.0067617665,0.0006764931,0.0010334682,0.0006146223,0.0005288273],"category_scores_gemma":[0.0005216697,0.000982403,0.0012621277,0.00027673505,0.00664305,0.0013160309,0.0004719633,0.00090029417,0.00004900851],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004918744,0.0014536673,0.0037916922,0.0006647336,0.0014349908,0.00088659336,0.29487512,0.000019175019,0.011907882,0.3275816,0.060583014,0.29630965],"study_design_scores_gemma":[0.0009301256,0.00081562455,0.0015846245,0.0020900795,0.0006987073,0.0002247987,0.010695379,0.000033623583,0.008074771,0.0531972,0.9198469,0.0018081511],"about_ca_topic_score_codex":0.11754055,"about_ca_topic_score_gemma":0.18854189,"teacher_disagreement_score":0.8592639,"about_ca_system_score_codex":0.012313915,"about_ca_system_score_gemma":0.00040101193,"threshold_uncertainty_score":0.99996597},"labels":[],"label_agreement":null},{"id":"W2536829624","doi":"10.7202/1037320ar","title":"Exprimer des états nocturnes","year":2016,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Night-time city culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.040770918219896576,"score_gpt":0.3236159620243686,"score_spread":0.282845043804472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2536829624","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18959035,0.028771283,0.014351419,0.027224418,0.005531777,0.002191937,0.0005941769,0.00438467,0.72735995],"genre_scores_gemma":[0.62997085,0.00721652,0.03884487,0.003498881,0.0021931604,0.00043433334,0.000044604192,0.00036530834,0.31743148],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9913261,0.0021156345,0.0014554498,0.0016413131,0.0012052659,0.0022562535],"domain_scores_gemma":[0.9946665,0.0012012824,0.0007011739,0.0013232696,0.0012508171,0.0008569657],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0022311762,0.0014327395,0.0012884189,0.000490573,0.0030923442,0.0008016478,0.0019319863,0.0012073076,0.0026033516],"category_scores_gemma":[0.0017825783,0.0011487827,0.00096013607,0.0010334793,0.021755427,0.0040431228,0.0006457468,0.0009485443,0.0004829364],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015763336,0.00051161303,0.0021200734,0.00039879404,0.00024185689,0.00024544777,0.029696519,7.4203734e-7,0.029007198,0.20069897,0.061636098,0.67528504],"study_design_scores_gemma":[0.0004187491,0.000502023,0.0010059419,0.0039336346,0.00019216136,0.00015730958,0.0011320799,0.0000013916688,0.05357451,0.14351399,0.7941262,0.0014420114],"about_ca_topic_score_codex":0.006665371,"about_ca_topic_score_gemma":0.013686096,"teacher_disagreement_score":0.7324901,"about_ca_system_score_codex":0.0033275627,"about_ca_system_score_gemma":0.00048732696,"threshold_uncertainty_score":0.99994934},"labels":[],"label_agreement":null},{"id":"W2537152916","doi":"10.7202/1037318ar","title":"Quand la radio habite la nuit","year":2016,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Night-time city culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.03638936865175671,"score_gpt":0.31026049773735903,"score_spread":0.2738711290856023,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2537152916","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.041355163,0.014994115,0.008212302,0.026458481,0.0020733033,0.00124586,0.0004390606,0.002614481,0.90260726],"genre_scores_gemma":[0.5780096,0.0056161783,0.01425831,0.0019725782,0.0010431168,0.00029408312,0.000030468453,0.00026994702,0.39850572],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9912291,0.0036488394,0.001174273,0.001328209,0.0010168961,0.0016026499],"domain_scores_gemma":[0.99471563,0.0022902526,0.0005790398,0.0010952228,0.0006511441,0.0006687162],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0033220672,0.001120372,0.0011108358,0.0003959678,0.0017152297,0.00090856844,0.0015867299,0.0013064191,0.0013274685],"category_scores_gemma":[0.0017022351,0.00092011143,0.00080650306,0.00078977965,0.015389421,0.0028413488,0.00046614182,0.0010315625,0.00025971603],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000121725454,0.00039934978,0.001748968,0.000278223,0.00017804193,0.0004514278,0.019007128,4.319641e-7,0.008750647,0.4608166,0.06859442,0.43965304],"study_design_scores_gemma":[0.000489527,0.00037710142,0.0008435006,0.0035613661,0.00016392315,0.0002700779,0.00062527606,0.0000021218427,0.010789169,0.07303755,0.9086446,0.0011957675],"about_ca_topic_score_codex":0.0056369407,"about_ca_topic_score_gemma":0.0107857,"teacher_disagreement_score":0.8400502,"about_ca_system_score_codex":0.002466384,"about_ca_system_score_gemma":0.0004923063,"threshold_uncertainty_score":0.9999901},"labels":[],"label_agreement":null},{"id":"W2539180537","doi":"10.7202/1037314ar","title":"A Reflection on Light as a Medium: Surveillance, the Sublime, and Poetics in Montreal’s Nocturnal Landscape","year":2015,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Night-time city culture","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Sublime; Mediation; Spectacle; Poetics; Perception; Power (physics); Nocturnal; Aesthetics; Art; Urban landscape; Control (management); Visual arts; Sociology; Geography; Political science; Literature; Psychology; Computer science; Social science; Law; Artificial intelligence; Poetry; Ecology; Environmental planning","score_opus":0.037002044924051875,"score_gpt":0.3276955210733574,"score_spread":0.2906934761493055,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2539180537","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27871794,0.0012044454,0.0001588108,0.014608754,0.00050427305,0.0007455781,0.000025174208,0.0006888547,0.7033462],"genre_scores_gemma":[0.9824648,0.0007566584,0.0010744758,0.0018549507,0.00038751864,0.0001277363,0.000019840214,0.000054995897,0.013259056],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965025,0.0011305792,0.00050527015,0.000531393,0.00070775644,0.00062250416],"domain_scores_gemma":[0.99816495,0.00041652765,0.00023124627,0.00043413695,0.00044861,0.00030453937],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0024714703,0.00039688087,0.00043995795,0.00033808599,0.0008776676,0.00051934074,0.00056980486,0.00035188728,0.00006256558],"category_scores_gemma":[0.0014222156,0.00029433746,0.00013330547,0.00061993906,0.0015970083,0.00067083986,0.00014910946,0.00068562804,0.000018432962],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018486788,0.0009744761,0.062157594,0.00020377291,0.00023005565,0.000713869,0.25059244,0.000019010622,0.0054513332,0.23292181,0.2133707,0.23151627],"study_design_scores_gemma":[0.0007505843,0.0008974669,0.011539574,0.00059326633,0.000042596086,0.00015307165,0.00593907,0.000015488931,0.004149232,0.08305957,0.8920632,0.00079691055],"about_ca_topic_score_codex":0.010612943,"about_ca_topic_score_gemma":0.16399479,"teacher_disagreement_score":0.70374686,"about_ca_system_score_codex":0.0007705826,"about_ca_system_score_gemma":0.0002575049,"threshold_uncertainty_score":0.9999509},"labels":[],"label_agreement":null},{"id":"W2539293647","doi":"10.7202/1037313ar","title":"La nuit urbaine à l’ère de la prospérité (1945-1965)","year":2016,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Night-time city culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.02264482628900164,"score_gpt":0.31165265603897524,"score_spread":0.2890078297499736,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2539293647","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0698042,0.015500077,0.008720404,0.021777641,0.0015826613,0.001752111,0.0005049352,0.003347855,0.8770101],"genre_scores_gemma":[0.6234847,0.003925461,0.019645054,0.0024562404,0.0011940934,0.00046796224,0.000031045784,0.00028304948,0.3485124],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99015754,0.004391379,0.0011824887,0.0013509487,0.0010006091,0.0019170335],"domain_scores_gemma":[0.9946112,0.0022288754,0.0005955379,0.0011196929,0.0006937932,0.00075092004],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.004440304,0.0011747535,0.0011024781,0.00037244707,0.0017056628,0.0008627252,0.0017538702,0.0016480183,0.0012926519],"category_scores_gemma":[0.0024669284,0.0009794984,0.0007812877,0.0008765035,0.016636414,0.002319963,0.00056900113,0.0013349154,0.00017891372],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014301055,0.000637573,0.0031319857,0.00043254715,0.00018796844,0.00070793607,0.028529605,7.804084e-7,0.017347405,0.4569423,0.06412766,0.42781126],"study_design_scores_gemma":[0.0004961841,0.00042605778,0.00091478915,0.003810412,0.00017018322,0.00036930168,0.0007597773,0.0000034984319,0.017276088,0.08811788,0.88645023,0.0012055832],"about_ca_topic_score_codex":0.005429091,"about_ca_topic_score_gemma":0.007869376,"teacher_disagreement_score":0.8223226,"about_ca_system_score_codex":0.0033137216,"about_ca_system_score_gemma":0.0007206625,"threshold_uncertainty_score":0.99964803},"labels":[],"label_agreement":null},{"id":"W2569206031","doi":"10.7202/1037321ar","title":"De la flaque à l’ampoule","year":2016,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Night-time city culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.02758689726045023,"score_gpt":0.3197758611589772,"score_spread":0.292188963898527,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2569206031","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.050854284,0.007094277,0.01397702,0.026709441,0.0015912834,0.00097123696,0.00030095765,0.0024109003,0.8960906],"genre_scores_gemma":[0.573108,0.0045807683,0.026001064,0.003995008,0.0013497607,0.00032801784,0.000025726142,0.00025578254,0.39035583],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9918169,0.003425017,0.0010095987,0.0011463107,0.0008244662,0.0017777226],"domain_scores_gemma":[0.99543065,0.0017792775,0.00048378334,0.0009959687,0.0006160796,0.00069424533],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0034703522,0.0009780456,0.00090454816,0.00034067786,0.0017815854,0.0008102658,0.0015215632,0.0012973322,0.0018925968],"category_scores_gemma":[0.0020517404,0.00081925833,0.0007060035,0.00070918293,0.014886129,0.002401804,0.00046314904,0.0009961382,0.00025568204],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000082110986,0.00035598414,0.0012993233,0.0002091849,0.00012481121,0.00034397145,0.01574361,7.3499297e-7,0.021224206,0.5200405,0.05511792,0.38545763],"study_design_scores_gemma":[0.00032218194,0.00030600553,0.0005026667,0.002580497,0.00011777451,0.00020654296,0.000632912,0.0000024362325,0.029389763,0.14090073,0.8240705,0.0009679867],"about_ca_topic_score_codex":0.0064707696,"about_ca_topic_score_gemma":0.0063590165,"teacher_disagreement_score":0.7689526,"about_ca_system_score_codex":0.0038908012,"about_ca_system_score_gemma":0.000647577,"threshold_uncertainty_score":0.99999917},"labels":[],"label_agreement":null},{"id":"W2617082854","doi":"10.7202/1039812ar","title":"Traduction, re-traduction, hétérolinguisme dans la littérature postcoloniale italienne","year":2017,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Translation Studies and Practices","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.039010928409748076,"score_gpt":0.30918755818667965,"score_spread":0.2701766297769316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2617082854","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025947984,0.038385347,0.0017323158,0.042074066,0.006583232,0.001002323,0.0009815916,0.0013331815,0.88196],"genre_scores_gemma":[0.77719104,0.030013504,0.0059034587,0.0015410634,0.0052065453,0.00031971768,0.0001654776,0.00031582237,0.17934334],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950655,0.00087067275,0.0012686101,0.0011329659,0.0005712452,0.0010909814],"domain_scores_gemma":[0.9955221,0.00055629073,0.0011398275,0.0014840076,0.0009733319,0.00032446426],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.00160127,0.0010549828,0.0009739915,0.00032894278,0.008753844,0.003546377,0.0011074106,0.0006301357,0.0006722994],"category_scores_gemma":[0.0005856702,0.001053117,0.0006934324,0.00015038293,0.011272426,0.003895921,0.00027145701,0.0013103853,0.000052504103],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042046816,0.0006756299,0.00079054077,0.00077321695,0.0005053292,0.00040318255,0.065781355,0.0000074132877,0.0009538907,0.5571842,0.026014432,0.3464903],"study_design_scores_gemma":[0.0004685451,0.00068404677,0.0013568426,0.0015037336,0.00042216608,0.00048432112,0.0050593344,0.000009015386,0.002016029,0.041852873,0.9450494,0.0010937022],"about_ca_topic_score_codex":0.007613072,"about_ca_topic_score_gemma":0.029997898,"teacher_disagreement_score":0.91903496,"about_ca_system_score_codex":0.00066275796,"about_ca_system_score_gemma":0.00020268891,"threshold_uncertainty_score":0.99919194},"labels":[],"label_agreement":null},{"id":"W2617172453","doi":"10.7202/1039810ar","title":"L’art comme remise en scène de la vie quotidienne : traduire le social en esthétique","year":2017,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.11659657276996152,"score_gpt":0.34885870409325437,"score_spread":0.23226213132329285,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2617172453","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04743126,0.004593555,0.03624596,0.04432288,0.0012681682,0.00092876167,0.00020248326,0.0017280505,0.86327887],"genre_scores_gemma":[0.8805909,0.0019116108,0.02354577,0.0035629913,0.0008372035,0.00014910602,0.000053166408,0.00016733947,0.08918192],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99405587,0.001671264,0.0010340177,0.0011658762,0.00054305047,0.0015299375],"domain_scores_gemma":[0.99548465,0.00096071337,0.0007148512,0.0016434119,0.0005253818,0.0006710149],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0023234184,0.0010756055,0.0010579305,0.000261606,0.003257093,0.0065662414,0.0028501425,0.00089327927,0.00006318839],"category_scores_gemma":[0.0017064161,0.0010096282,0.000735755,0.0002544465,0.00650267,0.008282612,0.0014303013,0.0013008155,0.00004772701],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000110442736,0.00067121995,0.00027266008,0.0003607635,0.00012393623,0.0015583262,0.02362104,0.0000029781163,0.0063912184,0.46828088,0.052597016,0.44600952],"study_design_scores_gemma":[0.00058716023,0.00063994055,0.0029150152,0.0021746368,0.00009111002,0.001669869,0.00031738426,0.00018307286,0.025239348,0.13763136,0.8272358,0.0013152601],"about_ca_topic_score_codex":0.0078167925,"about_ca_topic_score_gemma":0.0049634106,"teacher_disagreement_score":0.8331596,"about_ca_system_score_codex":0.0015606157,"about_ca_system_score_gemma":0.0006428588,"threshold_uncertainty_score":0.9992354},"labels":[],"label_agreement":null},{"id":"W2617683019","doi":"10.7202/1039815ar","title":"Letters On The Move: Erín Moure and Chus Pato’s Secession/Insecession and Nathanaël (Nathalie Stephens)’s Absence Where As (Claude Cahun and the Unopened Book)","year":2017,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural and Social Studies in Latin America","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Reciprocity (cultural anthropology); Philosophy; Art; Psychology; Social psychology","score_opus":0.030938531136900087,"score_gpt":0.28761855040897477,"score_spread":0.2566800192720747,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2617683019","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6354501,0.013782885,0.00004944197,0.039506167,0.00056972355,0.0011532261,0.00011350916,0.00042323783,0.3089517],"genre_scores_gemma":[0.969039,0.0074500563,0.0001997796,0.009682394,0.00031087498,0.00020379915,0.000007970147,0.00005408446,0.013052003],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978246,0.0003921171,0.00042931954,0.00055253704,0.00036778016,0.00043364588],"domain_scores_gemma":[0.99804467,0.0006533001,0.00043072648,0.0005752255,0.00017221899,0.00012383018],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.000685303,0.000510377,0.00054301735,0.000059773447,0.0067498693,0.0014707847,0.00058536575,0.00012792452,0.0002151522],"category_scores_gemma":[0.00044829032,0.00027489147,0.00014304061,0.000034968696,0.0104805725,0.0007889123,0.00063793315,0.00054016005,0.0000037338652],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00062227587,0.00010949749,0.0015781764,0.00031225898,0.00023867973,0.00011771406,0.11526006,4.1711934e-7,0.0017856065,0.5400026,0.031966362,0.30800638],"study_design_scores_gemma":[0.0011032571,0.00047497518,0.00482117,0.0025783095,0.0001482909,0.00009377509,0.012195855,0.000027103499,0.0015618018,0.055171918,0.9207283,0.0010951884],"about_ca_topic_score_codex":0.005814347,"about_ca_topic_score_gemma":0.0062210686,"teacher_disagreement_score":0.888762,"about_ca_system_score_codex":0.00013923888,"about_ca_system_score_gemma":0.000025330502,"threshold_uncertainty_score":0.9999703},"labels":[],"label_agreement":null},{"id":"W2617743587","doi":"10.7202/1039813ar","title":"Des problématiques de présentation de l’art vidéo à l’agentivité créatrice : sous-titrage et articulation des temps chez Anri Sala et Vera Frenkel","year":2017,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.112129232026432,"score_gpt":0.3454400058934992,"score_spread":0.23331077386706722,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2617743587","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50097615,0.0037010286,0.29037783,0.0060940282,0.0008889765,0.0016848496,0.00017503096,0.0020486235,0.19405346],"genre_scores_gemma":[0.87941134,0.0016603732,0.09633905,0.0028075115,0.00034615624,0.00026618285,0.00012314197,0.00016118912,0.018885048],"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99370086,0.0013827392,0.0012805106,0.0012664767,0.0007433962,0.0016259952],"domain_scores_gemma":[0.99516624,0.0005904081,0.0010597227,0.001491535,0.0010137742,0.0006783271],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts","scholarly_communication"],"category_scores_codex":[0.002390184,0.0011479012,0.00089137885,0.00043792126,0.002535561,0.008672751,0.0015004078,0.00059054967,0.000081102546],"category_scores_gemma":[0.0018016231,0.0010642279,0.00060127035,0.00044965107,0.0042411913,0.015408335,0.0008375917,0.00089300494,0.00004982032],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034308722,0.0021088475,0.013556621,0.0026670161,0.00046320466,0.0015665054,0.12674883,0.00033974546,0.12889345,0.33173868,0.030569324,0.36100468],"study_design_scores_gemma":[0.0013474962,0.0023641023,0.10452883,0.010956257,0.00045336227,0.0024747571,0.0011292243,0.0034803026,0.30694032,0.39563376,0.16711715,0.0035744475],"about_ca_topic_score_codex":0.0074539976,"about_ca_topic_score_gemma":0.012456943,"teacher_disagreement_score":0.3784352,"about_ca_system_score_codex":0.001861172,"about_ca_system_score_gemma":0.0005822004,"threshold_uncertainty_score":0.9991808},"labels":[],"label_agreement":null},{"id":"W2617921155","doi":"10.7202/1039809ar","title":"Logistical Species and Translational Process: A Critique of the Colonial-Imperial Modernity","year":2017,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Philosophical and Theoretical Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subjectivity; Sketch; Modernity; Epistemology; Colonialism; Geopolitics; Humanism; Relation (database); Discipline; Sociology; Translation studies; Capital (architecture); Capitalism; Social science; Political science; History; Philosophy; Linguistics; Law; Archaeology; Computer science","score_opus":0.05117143850791168,"score_gpt":0.30656993461967713,"score_spread":0.25539849611176546,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2617921155","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4457038,0.000297903,0.0033931136,0.01664537,0.0003322806,0.0005175121,0.0005576581,0.00032364705,0.5322287],"genre_scores_gemma":[0.99573076,0.0000719897,0.00050778716,0.0006496433,0.00038486967,0.00007425675,0.000013636467,0.000031273736,0.0025357734],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99828327,0.00021667618,0.0004951721,0.0003657893,0.00033058992,0.0003084958],"domain_scores_gemma":[0.9985002,0.00028640655,0.0002230341,0.00048549369,0.00039088342,0.00011395452],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00043305024,0.0003075704,0.0004656665,0.00008450636,0.0017626181,0.00048028788,0.0006281808,0.00013523696,0.00044962164],"category_scores_gemma":[0.0008337647,0.00021049034,0.00027578906,0.00003344558,0.013737903,0.00053634465,0.00020640173,0.00035401745,0.000002207731],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014824381,0.00018178498,0.00079591636,0.00019067184,0.000071567985,0.000014402036,0.007701091,9.2826804e-7,0.0008212122,0.9814667,0.000145102,0.00846234],"study_design_scores_gemma":[0.0002056909,0.00019299092,0.0019897348,0.00036281062,0.0001206461,0.000017924447,0.00012742066,0.00007773489,0.005186181,0.9649929,0.02642997,0.0002960249],"about_ca_topic_score_codex":0.0006859743,"about_ca_topic_score_gemma":0.0025941909,"teacher_disagreement_score":0.55002695,"about_ca_system_score_codex":0.000053582757,"about_ca_system_score_gemma":0.000066744724,"threshold_uncertainty_score":0.99953693},"labels":[],"label_agreement":null},{"id":"W2618221317","doi":"10.7202/1039816ar","title":"Le tiers synesthète : espace d’accueil pour la création en langue des signes1","year":2017,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.03162626889052174,"score_gpt":0.30616396499207416,"score_spread":0.27453769610155243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2618221317","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04585977,0.006481424,0.0065102736,0.00836683,0.0011660954,0.00053686614,0.00043286907,0.0007812002,0.92986465],"genre_scores_gemma":[0.7792044,0.0021089797,0.0053400486,0.0006681202,0.0018499695,0.00014617515,0.000116290925,0.00019405904,0.21037193],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959463,0.00077535707,0.00091064314,0.0008955674,0.0005058928,0.00096624275],"domain_scores_gemma":[0.99595433,0.0006414927,0.00078464777,0.0013613303,0.00091718684,0.00034102588],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0014538853,0.0008941129,0.00091982237,0.00046457027,0.004844144,0.0032710354,0.0012107021,0.00048132468,0.0006955265],"category_scores_gemma":[0.0016177455,0.00090986805,0.00071863184,0.00008800408,0.0074665532,0.0017471086,0.00047542743,0.0007019468,0.00008257411],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013232339,0.00053789414,0.0009787063,0.00066081947,0.00040572556,0.00058714586,0.026772205,0.00001553511,0.0009373935,0.8363892,0.015838759,0.11674433],"study_design_scores_gemma":[0.0004532249,0.00030941778,0.0007392046,0.0022522616,0.0005902482,0.00008729595,0.0056166034,0.00015782696,0.0044507426,0.08748671,0.8966647,0.0011918122],"about_ca_topic_score_codex":0.033156913,"about_ca_topic_score_gemma":0.023319172,"teacher_disagreement_score":0.8808259,"about_ca_system_score_codex":0.0006511437,"about_ca_system_score_gemma":0.00044822076,"threshold_uncertainty_score":0.99933517},"labels":[],"label_agreement":null},{"id":"W2618301448","doi":"10.7202/1039814ar","title":"Jean Dupuy : le je(u) du traduire anagrammatique","year":2017,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Translation Studies and Practices","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.05363797783328346,"score_gpt":0.3092660383176156,"score_spread":0.2556280604843322,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2618301448","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01134811,0.027940508,0.0058044572,0.07055332,0.002857419,0.001029517,0.00062478357,0.0012927415,0.87854916],"genre_scores_gemma":[0.8469488,0.023467684,0.0067504896,0.002246155,0.001991509,0.0003097962,0.00010108749,0.00027661517,0.11790787],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953034,0.0007625641,0.001271495,0.0010064469,0.0005357221,0.0011203823],"domain_scores_gemma":[0.99532115,0.0010580352,0.0011162132,0.0015300006,0.0006378092,0.00033679648],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0014635781,0.0010724133,0.0010767689,0.0003251265,0.009383018,0.003922365,0.0013541111,0.0004527786,0.0009809623],"category_scores_gemma":[0.00058134174,0.0010639189,0.00075349776,0.000090803136,0.009703476,0.00500004,0.00042272834,0.0010059584,0.0000840782],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016950746,0.00034470105,0.0005793513,0.00061831746,0.00028001567,0.0002518451,0.017763624,0.0000029639,0.00014961843,0.48063317,0.0147885075,0.48441836],"study_design_scores_gemma":[0.00053343456,0.000563386,0.00081232,0.0018062289,0.00026159117,0.000114562055,0.002287006,0.00004327023,0.0014758848,0.04790179,0.9430517,0.0011488342],"about_ca_topic_score_codex":0.028578287,"about_ca_topic_score_gemma":0.055818498,"teacher_disagreement_score":0.9282632,"about_ca_system_score_codex":0.0004538612,"about_ca_system_score_gemma":0.00021070309,"threshold_uncertainty_score":0.9999323},"labels":[],"label_agreement":null},{"id":"W2619943876","doi":"10.7202/1039811ar","title":"Muliats et Avant les rues : la politique de l’oeuvre hétérolinguale","year":2017,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.051425598590966744,"score_gpt":0.3395258053681788,"score_spread":0.28810020677721204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2619943876","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.038558602,0.0112377675,0.002503159,0.010375347,0.0015141803,0.0005145389,0.0011151955,0.00087291445,0.9333083],"genre_scores_gemma":[0.82928926,0.010390128,0.0061268494,0.002312502,0.002818174,0.00018006763,0.00013936378,0.00026785219,0.14847578],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99463487,0.0010112545,0.0012297924,0.0010664978,0.0005645516,0.0014930632],"domain_scores_gemma":[0.9950689,0.00073893444,0.0009515184,0.0017393191,0.0009824546,0.00051884353],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0022221091,0.0011422762,0.0011886942,0.000505304,0.0050014933,0.0042037745,0.0015362239,0.00063235225,0.0013789955],"category_scores_gemma":[0.002165174,0.0011256612,0.0009918913,0.00005969381,0.008839452,0.0013825976,0.0007207553,0.0012057223,0.000059917595],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011439596,0.00065303803,0.0021142543,0.0007106649,0.00042985048,0.0010857645,0.031223172,0.00000807312,0.00032616724,0.8662138,0.01159895,0.08552185],"study_design_scores_gemma":[0.00033958183,0.00038659686,0.00084266363,0.0030000852,0.00054064224,0.00016061377,0.0020553018,0.000092683375,0.0035491646,0.16415836,0.82369727,0.00117704],"about_ca_topic_score_codex":0.060177017,"about_ca_topic_score_gemma":0.049124096,"teacher_disagreement_score":0.8120983,"about_ca_system_score_codex":0.00089016446,"about_ca_system_score_gemma":0.0004951945,"threshold_uncertainty_score":0.9995339},"labels":[],"label_agreement":null},{"id":"W2767208674","doi":"10.7202/1041089ar","title":"On Re-enacting a Hotel Space","year":2017,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Jewish and Middle Eastern Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Situated; Shot (pellet); Space (punctuation); Cover (algebra); Media studies; Advertising; Sociology; Visual arts; Political science; Engineering; Art; Business; Computer science; Artificial intelligence; Mechanical engineering","score_opus":0.05735160935243939,"score_gpt":0.346132051693253,"score_spread":0.2887804423408136,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2767208674","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12802777,0.0012090069,0.0020234697,0.004023011,0.00079295307,0.00055285316,0.000036290978,0.0011998828,0.86213475],"genre_scores_gemma":[0.9559882,0.00066067826,0.004121692,0.0014312174,0.00046570814,0.00014872583,0.000007566183,0.000087536995,0.03708866],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99672145,0.00047550965,0.00049839535,0.0007202671,0.00062062923,0.00096374546],"domain_scores_gemma":[0.9972435,0.000554205,0.00049990084,0.0010418724,0.00037562774,0.0002848437],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0016373241,0.00050666445,0.0005693133,0.00024017309,0.0055915765,0.0011166717,0.0011849403,0.0002743827,0.000058414065],"category_scores_gemma":[0.0034921912,0.0004851948,0.00033199452,0.00014194174,0.0043991515,0.0013811977,0.00044263634,0.00056691904,0.00005475337],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015869105,0.00022889358,0.011156303,0.00012401036,0.00011464813,0.00024392598,0.021811333,8.377668e-7,0.0010614783,0.3817272,0.0061004753,0.5772722],"study_design_scores_gemma":[0.00066063565,0.0008864761,0.005636292,0.0031791623,0.00012455622,0.00003992017,0.011969166,0.0000065716895,0.013002212,0.20338416,0.75940114,0.0017097077],"about_ca_topic_score_codex":0.008459305,"about_ca_topic_score_gemma":0.024809668,"teacher_disagreement_score":0.82796043,"about_ca_system_score_codex":0.0007894024,"about_ca_system_score_gemma":0.00015455355,"threshold_uncertainty_score":0.99992025},"labels":[],"label_agreement":null},{"id":"W2767318200","doi":"10.7202/1041078ar","title":"Rejouer l’archive par l’animation : la performance du geste graphique comme appropriation mémorielle","year":2017,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.05720600061917908,"score_gpt":0.2876116541976753,"score_spread":0.23040565357849624,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2767318200","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30749264,0.0024295351,0.0022840423,0.01170249,0.0018927135,0.0011368372,0.0005779192,0.00091748236,0.67156637],"genre_scores_gemma":[0.89283353,0.007568106,0.0037471591,0.0009890844,0.0013226758,0.00029713838,0.0002879135,0.00014844275,0.09280592],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99643105,0.0006688504,0.00095341797,0.0007239057,0.00045047866,0.0007723026],"domain_scores_gemma":[0.99692076,0.00030835287,0.0008527606,0.0010707248,0.00062584155,0.00022153709],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0013958156,0.0007526346,0.00070108974,0.0002988066,0.0067178304,0.0034207439,0.0010233888,0.0004287029,0.00049158273],"category_scores_gemma":[0.00045823786,0.0007412424,0.00048704218,0.00007692863,0.0069766133,0.0048050373,0.0005125242,0.0009832616,0.00007272886],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002217577,0.00046650303,0.0032202306,0.0013703142,0.00018615411,0.00015769199,0.055593625,0.000003973311,0.0016195768,0.80652153,0.025171963,0.105466686],"study_design_scores_gemma":[0.00041387443,0.00058606383,0.009236718,0.002744386,0.00018535719,0.00016052791,0.0011357606,0.00014472075,0.0038392001,0.066145584,0.91444993,0.00095784507],"about_ca_topic_score_codex":0.010542808,"about_ca_topic_score_gemma":0.02175184,"teacher_disagreement_score":0.889278,"about_ca_system_score_codex":0.0005869057,"about_ca_system_score_gemma":0.00010130532,"threshold_uncertainty_score":0.99950385},"labels":[],"label_agreement":null},{"id":"W2767330403","doi":"10.7202/1041082ar","title":"Le bord de l’oeuvre. À propos d’Une hypothèse de réinterprétation de Rita Quaglia","year":2017,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.10266719260600578,"score_gpt":0.33642854693554053,"score_spread":0.23376135432953477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2767330403","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11336102,0.005746743,0.24441768,0.029889572,0.0018173525,0.0012640089,0.00017127149,0.001907014,0.60142535],"genre_scores_gemma":[0.8662579,0.00055754965,0.06390706,0.0037170053,0.00041817603,0.00017521289,0.000029612094,0.00013379239,0.064803705],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99515253,0.00059418596,0.00097174017,0.0010823443,0.0005016614,0.0016975304],"domain_scores_gemma":[0.995624,0.00033559787,0.00075981015,0.0018136429,0.0007081526,0.00075876643],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0013204184,0.00091149507,0.0007744534,0.00029149986,0.002520997,0.007156091,0.0023791364,0.0005505123,0.000055809],"category_scores_gemma":[0.0016948001,0.0008684983,0.00055452035,0.00028780958,0.004108563,0.009183241,0.000966839,0.0008372998,0.000047687987],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019672276,0.00076929235,0.0009791416,0.00052801444,0.00014160399,0.0016051437,0.031511255,0.000026407577,0.016682195,0.48466554,0.022736352,0.4401583],"study_design_scores_gemma":[0.0008409053,0.001699624,0.0075282496,0.005033757,0.0001640209,0.002673991,0.0005113274,0.0025462632,0.09073472,0.37511456,0.51111233,0.0020402349],"about_ca_topic_score_codex":0.0536781,"about_ca_topic_score_gemma":0.02300414,"teacher_disagreement_score":0.75289685,"about_ca_system_score_codex":0.0018518806,"about_ca_system_score_gemma":0.0011328731,"threshold_uncertainty_score":0.9993766},"labels":[],"label_agreement":null},{"id":"W2767393163","doi":"10.7202/1041076ar","title":"Simulacres et reenactment : l’aura de Laura entre cinéma et télévision, de Preminger (Laura) à Lynch (Twin Peaks)","year":2017,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.03282280269042717,"score_gpt":0.31181599826246376,"score_spread":0.2789931955720366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2767393163","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20993486,0.015067393,0.012376879,0.036591355,0.0013928794,0.0016071072,0.0011359148,0.0016680498,0.7202256],"genre_scores_gemma":[0.8247464,0.0041917716,0.0053572217,0.004425874,0.00093924487,0.00024903822,0.00016953821,0.00026025207,0.1596607],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9922583,0.002486264,0.0014794265,0.0013171985,0.00074165344,0.0017171622],"domain_scores_gemma":[0.9940899,0.0012705644,0.0012212354,0.0019853204,0.00085726485,0.0005757238],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.004082125,0.0014167791,0.0014164048,0.000585957,0.0048969164,0.0033155796,0.001812992,0.0005887689,0.0026932554],"category_scores_gemma":[0.0015776069,0.0013366386,0.0011139789,0.00015055679,0.0064437827,0.003051443,0.0008368727,0.0014730989,0.000066263674],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00070121733,0.0012190494,0.0025175216,0.0009165761,0.00091115845,0.0009487462,0.08403426,0.00006880844,0.004263566,0.7173282,0.04057314,0.14651777],"study_design_scores_gemma":[0.00077274005,0.001008864,0.0010044532,0.0052142744,0.00066031306,0.00017487117,0.006667486,0.0002446882,0.015495971,0.1051042,0.8619616,0.0016905464],"about_ca_topic_score_codex":0.0052726977,"about_ca_topic_score_gemma":0.012017073,"teacher_disagreement_score":0.8213884,"about_ca_system_score_codex":0.0017878932,"about_ca_system_score_gemma":0.00044600878,"threshold_uncertainty_score":0.99985826},"labels":[],"label_agreement":null},{"id":"W2767433230","doi":"10.7202/1041080ar","title":"L’art du reenactment chez Milo Rau","year":2017,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Political Studies","field":"Social Sciences","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.051575216644956456,"score_gpt":0.3322353863251988,"score_spread":0.2806601696802423,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2767433230","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009800959,0.009783628,0.0017386717,0.05795547,0.0033728962,0.0007808805,0.00020191495,0.0009031493,0.91546243],"genre_scores_gemma":[0.48817474,0.009310069,0.0053321524,0.0045895935,0.002066733,0.0003393033,0.000032753207,0.00014534828,0.4900093],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9940013,0.001103419,0.001095655,0.00108694,0.00090495346,0.0018077018],"domain_scores_gemma":[0.9959084,0.0007712065,0.0006214234,0.0012992936,0.0005863506,0.00081336446],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0020912567,0.00095221755,0.0011473452,0.00018974618,0.0072302506,0.0008980519,0.001795201,0.00064107764,0.0011982862],"category_scores_gemma":[0.0023777587,0.00090666383,0.00078692276,0.00025681357,0.018303264,0.0016900281,0.00086125045,0.00089930836,0.0006019106],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000110908906,0.0006223123,0.0027182286,0.00032644602,0.00019975202,0.00034343454,0.015246866,3.6037372e-7,0.000261008,0.47128695,0.17719701,0.3316867],"study_design_scores_gemma":[0.00028721907,0.0006107921,0.0016419513,0.0012214478,0.00018281664,0.000042666677,0.00046812388,0.000004980324,0.0017734829,0.06894095,0.9238534,0.00097219204],"about_ca_topic_score_codex":0.017903807,"about_ca_topic_score_gemma":0.014741304,"teacher_disagreement_score":0.74665636,"about_ca_system_score_codex":0.0036721348,"about_ca_system_score_gemma":0.00027179244,"threshold_uncertainty_score":0.99971473},"labels":[],"label_agreement":null},{"id":"W2767685138","doi":"10.7202/1041079ar","title":"Once More with Feeling: Re-investigating the Smuttynose Island Murders","year":2017,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Psychoanalytic theory; Norwegian; Feeling; Psychoanalysis; History; Shoal; Sociology; Art history; Psychology; Philosophy; Social psychology; Oceanography; Geology","score_opus":0.06987632311471643,"score_gpt":0.3202795514807357,"score_spread":0.2504032283660193,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2767685138","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24509804,0.0011816913,0.0028854695,0.005778039,0.00065790926,0.00082167744,0.00012696473,0.0013755795,0.7420746],"genre_scores_gemma":[0.9745643,0.00017944613,0.002083095,0.0019917,0.00055095734,0.0002520323,0.000016032549,0.00010190162,0.020260511],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99773717,0.00018784511,0.0005146406,0.00060070684,0.0004038437,0.00055577396],"domain_scores_gemma":[0.99744797,0.00035427933,0.00047888517,0.0010351003,0.0005636098,0.000120155084],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.000631594,0.00053899357,0.0004901655,0.00016747779,0.006763216,0.0016710061,0.00075416104,0.000104300234,0.00017836876],"category_scores_gemma":[0.00055781764,0.00036421494,0.00023223074,0.000057903744,0.0079064155,0.0011849648,0.0003417027,0.00055950496,0.00001630989],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005640996,0.00035423285,0.0070782662,0.0005501571,0.00075683685,0.00031103627,0.32555035,0.000024882862,0.0031392823,0.22927079,0.04883194,0.38356814],"study_design_scores_gemma":[0.00051976385,0.00072958623,0.0018032418,0.0015218637,0.00018356781,0.000080829894,0.021742329,0.000058536833,0.011179531,0.017628575,0.9435364,0.0010157877],"about_ca_topic_score_codex":0.0036333296,"about_ca_topic_score_gemma":0.02364787,"teacher_disagreement_score":0.89470446,"about_ca_system_score_codex":0.00024260343,"about_ca_system_score_gemma":0.000074808806,"threshold_uncertainty_score":0.99988097},"labels":[],"label_agreement":null},{"id":"W2767727040","doi":"10.7202/1041081ar","title":"Raconter la performance : l’entretien comme cadre pour la reprise et la transmission des performances. Entretiens avec Esther Ferrer et Nil Yalter","year":2017,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.044003197904646456,"score_gpt":0.2894193762916024,"score_spread":0.24541617838695595,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2767727040","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17750154,0.022145588,0.000964097,0.013645409,0.0010366837,0.0007891545,0.00025488078,0.0008152691,0.7828474],"genre_scores_gemma":[0.6779381,0.016779186,0.0020966786,0.0016452617,0.00042403603,0.00024823283,0.00006236724,0.00015992696,0.3006462],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9947552,0.0012971376,0.0011098896,0.0010555569,0.00061381736,0.0011683678],"domain_scores_gemma":[0.9966861,0.0005854309,0.0006660772,0.0010529472,0.000625268,0.0003841695],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0015635751,0.0012295474,0.0011037929,0.0002242368,0.0041433927,0.0018801473,0.0011896454,0.00055944885,0.0015709968],"category_scores_gemma":[0.00026161066,0.0009803309,0.00073336554,0.00008555717,0.009503169,0.0028121762,0.00054296607,0.00149394,0.00007959424],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005100288,0.0010527123,0.0046883603,0.0015131887,0.00035411655,0.00054539763,0.18940525,0.0000073881133,0.0004617556,0.10752222,0.06745286,0.6264867],"study_design_scores_gemma":[0.00078688835,0.00059243484,0.0041705286,0.0048504523,0.00023258096,0.00029115684,0.0012466675,0.00009313773,0.0015907545,0.009663631,0.975198,0.0012837735],"about_ca_topic_score_codex":0.0034828288,"about_ca_topic_score_gemma":0.0028389308,"teacher_disagreement_score":0.9077451,"about_ca_system_score_codex":0.00079589017,"about_ca_system_score_gemma":0.00014729725,"threshold_uncertainty_score":0.9993417},"labels":[],"label_agreement":null},{"id":"W2767776333","doi":"10.7202/1041088ar","title":"Performer la collection. Comment le reenactment performe-t-il ce qu’il recrée ?","year":2017,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.052413997281427066,"score_gpt":0.29861935576219145,"score_spread":0.24620535848076439,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2767776333","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09332651,0.0060940855,0.00041016543,0.033338524,0.0027773557,0.0012992383,0.0007269116,0.0007762645,0.86125094],"genre_scores_gemma":[0.497751,0.010502476,0.0025794671,0.0024545072,0.0010196461,0.00044866715,0.00013904605,0.00017283476,0.48493236],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99542946,0.00063151616,0.0011673934,0.00096850947,0.00063218205,0.001170956],"domain_scores_gemma":[0.9963687,0.000316342,0.0007798627,0.0014209159,0.0007316373,0.00038255792],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0015248823,0.0010251771,0.0009782041,0.00032071536,0.011398698,0.004727213,0.0012502166,0.0005243604,0.0027280017],"category_scores_gemma":[0.00040039478,0.0009971416,0.0007726134,0.00009367455,0.008118138,0.0039162133,0.0007291346,0.0012340525,0.00014980794],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037486586,0.0013205083,0.0007854232,0.0012799362,0.0004378591,0.00030513064,0.046518292,0.0000020569782,0.0013018801,0.50989366,0.25961614,0.17816427],"study_design_scores_gemma":[0.00065845606,0.0012723095,0.0009975426,0.0027689543,0.00024641718,0.0002249328,0.004633142,0.000031942756,0.0055112233,0.017211601,0.9652568,0.0011866426],"about_ca_topic_score_codex":0.051259488,"about_ca_topic_score_gemma":0.0423242,"teacher_disagreement_score":0.7056407,"about_ca_system_score_codex":0.0019966182,"about_ca_system_score_gemma":0.00033273106,"threshold_uncertainty_score":0.9992479},"labels":[],"label_agreement":null},{"id":"W2767794353","doi":"10.7202/1041075ar","title":"Introduction. Le reenactment ou le répertoire en régime intermédial","year":2016,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art","score_opus":0.026913451430851713,"score_gpt":0.2681056508002856,"score_spread":0.24119219936943387,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2767794353","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017773231,0.03306934,0.019479377,0.16929603,0.008351222,0.001546891,0.0013679577,0.003038741,0.74607724],"genre_scores_gemma":[0.34352753,0.0029635308,0.0036571387,0.0022448893,0.0065991557,0.0003618214,0.00013982547,0.00026005192,0.6402461],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9935076,0.0013345347,0.0016657142,0.0015056332,0.0006326606,0.0013538226],"domain_scores_gemma":[0.9962719,0.0007257648,0.0005581011,0.0012617721,0.00066924025,0.00051321625],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0011510133,0.0012501959,0.0012364503,0.00066572736,0.0027476642,0.00084576575,0.0010905425,0.0005290655,0.002814222],"category_scores_gemma":[0.000587911,0.0010005438,0.0010203897,0.00026622586,0.0073266593,0.0035901952,0.0005180184,0.0008549595,0.00028243184],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032433483,0.0009138452,0.000083102816,0.0003344979,0.00031297098,0.00023003016,0.011070002,0.0000013077205,0.003031549,0.46634474,0.15950297,0.35785064],"study_design_scores_gemma":[0.0006300582,0.001160999,0.00008544386,0.002025391,0.00021559466,0.0002178726,0.0008599031,0.000008077989,0.00959275,0.0336681,0.9502244,0.0013114209],"about_ca_topic_score_codex":0.011434481,"about_ca_topic_score_gemma":0.0029546956,"teacher_disagreement_score":0.7907214,"about_ca_system_score_codex":0.002335781,"about_ca_system_score_gemma":0.00042357,"threshold_uncertainty_score":0.9992445},"labels":[],"label_agreement":null},{"id":"W2767801194","doi":"10.7202/1041083ar","title":"Lists, Narratives, and Archives of Intangible Heritage: The Politics of Digital Re-enactments","year":2017,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Heritage Management and Preservation","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Saint Paul University; University of Ottawa","funders":"","keywords":"Situated; Narrative; Politics; Context (archaeology); Media studies; Digital media; Sociology; History; Political science; Literature; Art; Computer science; Archaeology; Law","score_opus":0.07503628612454644,"score_gpt":0.2961220708776126,"score_spread":0.22108578475306617,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2767801194","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29257217,0.00093054026,0.00033856477,0.0017897186,0.0001920826,0.00051281456,0.00019075266,0.0001807064,0.70329267],"genre_scores_gemma":[0.9566559,0.00022266309,0.0013750914,0.00017496824,0.00012688343,0.00004710189,0.00005071551,0.00003229472,0.041314352],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998728,0.000114243645,0.0004569339,0.00024941613,0.00019727582,0.00025417906],"domain_scores_gemma":[0.99865353,0.00018253506,0.00041884586,0.000551478,0.00013816137,0.000055447243],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00021802781,0.00026376516,0.00032708154,0.00011358844,0.001340296,0.0007296085,0.0005538381,0.00005439943,0.000102053564],"category_scores_gemma":[0.00017319302,0.0001880896,0.00015029451,0.000028283761,0.0041735447,0.001447525,0.00038634517,0.00017515752,9.0976823e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013031162,0.00016316403,0.0041583036,0.0005716081,0.00015927819,0.00001689837,0.121233374,2.6761967e-7,0.0020577225,0.75619763,0.0026701181,0.11264132],"study_design_scores_gemma":[0.00040048396,0.0007169169,0.003972835,0.0013243012,0.000089495756,0.000011326856,0.020981245,0.000022399532,0.0098168375,0.32108715,0.6410299,0.00054711266],"about_ca_topic_score_codex":0.000865025,"about_ca_topic_score_gemma":0.0017906037,"teacher_disagreement_score":0.6640838,"about_ca_system_score_codex":0.00004353852,"about_ca_system_score_gemma":0.000018969822,"threshold_uncertainty_score":0.9999598},"labels":[],"label_agreement":null},{"id":"W2767829487","doi":"10.7202/1041087ar","title":"Reconstituer Waterloo dans les années 1960 : l’histoire selon Marcel Broodthaers et Norbert Brassinne","year":2017,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.03969162725993178,"score_gpt":0.2765568554122264,"score_spread":0.23686522815229463,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2767829487","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19472808,0.019442435,0.00153912,0.16063398,0.004510044,0.0012444645,0.0011995236,0.0017192237,0.61498314],"genre_scores_gemma":[0.54451394,0.013473691,0.003100955,0.0018903998,0.0011389437,0.00029524553,0.0002135947,0.00023947145,0.43513376],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.993672,0.0008166326,0.0015997271,0.001515143,0.00077379105,0.0016226711],"domain_scores_gemma":[0.9954079,0.0004168112,0.0010772609,0.001571635,0.000979787,0.0005466449],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0011251793,0.0015502694,0.0017479451,0.00035084624,0.032183643,0.0025016484,0.0017584823,0.000712858,0.0009984426],"category_scores_gemma":[0.00060843525,0.0013331522,0.0014607469,0.00015952841,0.019381192,0.0026612878,0.0008977042,0.0013928858,0.00009400077],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003034508,0.0010596502,0.0047923033,0.0012574695,0.0011762683,0.00081323716,0.19018844,0.000007981412,0.0019515761,0.27296573,0.08202273,0.44346115],"study_design_scores_gemma":[0.0004792518,0.00066909764,0.00094316766,0.002328056,0.00070393586,0.000118564116,0.0061535942,0.00002211463,0.0012765218,0.017330518,0.9681372,0.0018379992],"about_ca_topic_score_codex":0.08825514,"about_ca_topic_score_gemma":0.22032037,"teacher_disagreement_score":0.8861145,"about_ca_system_score_codex":0.0068229777,"about_ca_system_score_gemma":0.00017728523,"threshold_uncertainty_score":0.99991477},"labels":[],"label_agreement":null},{"id":"W2767868555","doi":"10.7202/1041086ar","title":"Julien Prévieux. Le reenactment ou l’art de déjouer les codes","year":2017,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.14858836420385305,"score_gpt":0.348387393545816,"score_spread":0.19979902934196295,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2767868555","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017734505,0.010491342,0.054273494,0.026462035,0.001557959,0.0010442111,0.00018947959,0.00146829,0.88677865],"genre_scores_gemma":[0.6168512,0.0027672618,0.043661077,0.0039667045,0.0005450597,0.00021343125,0.000060935552,0.00016177542,0.33177257],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9946354,0.00055226916,0.0011124144,0.0013360095,0.0006989161,0.0016650137],"domain_scores_gemma":[0.99479353,0.00035741282,0.0008563346,0.002441033,0.0007672259,0.00078446977],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0010979903,0.0011311955,0.0010369688,0.00028145255,0.003529619,0.008069307,0.0027820747,0.00057085336,0.00012012278],"category_scores_gemma":[0.001110178,0.0009910474,0.00068504194,0.00022696354,0.0057513523,0.0095584495,0.0017007742,0.0008600857,0.00011497413],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001013554,0.00066666794,0.0008545597,0.00037534343,0.00016549752,0.001079452,0.0064277784,0.000008916123,0.0036073024,0.40761822,0.0824904,0.4966045],"study_design_scores_gemma":[0.00044171058,0.00092279504,0.0031826827,0.002826697,0.00009583705,0.00095857366,0.00017676786,0.00019663209,0.03827402,0.081304036,0.870355,0.0012652286],"about_ca_topic_score_codex":0.01208127,"about_ca_topic_score_gemma":0.00858791,"teacher_disagreement_score":0.7878646,"about_ca_system_score_codex":0.0013523382,"about_ca_system_score_gemma":0.00052131276,"threshold_uncertainty_score":0.999254},"labels":[],"label_agreement":null},{"id":"W2767985107","doi":"10.7202/1041084ar","title":"Le répertoire du fado ou la tradition en action","year":2017,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.05941604699816952,"score_gpt":0.3023006023792752,"score_spread":0.24288455538110568,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2767985107","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12379342,0.0042842384,0.0016801876,0.027278773,0.0038995256,0.00084557635,0.00054198515,0.001399834,0.8362765],"genre_scores_gemma":[0.8108431,0.004052114,0.0011547274,0.0008324391,0.001832789,0.00018969529,0.00015756258,0.00014162587,0.18079592],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99652076,0.00070030376,0.00082489906,0.0007857221,0.00042955086,0.00073875167],"domain_scores_gemma":[0.99740857,0.0002999479,0.0005983757,0.0009866981,0.0004605955,0.00024579352],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0009256447,0.00077502884,0.000723194,0.00026748283,0.0073120836,0.004561732,0.0010214566,0.0005574748,0.0006601723],"category_scores_gemma":[0.00048441367,0.0008022923,0.00066738593,0.000058298723,0.0072974954,0.0057025705,0.00034131616,0.0009583583,0.00009130517],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011691821,0.00048542453,0.00018223037,0.00068047526,0.00014839225,0.00032626235,0.024099318,0.0000010963928,0.0022803838,0.7310868,0.024148494,0.21644424],"study_design_scores_gemma":[0.00040233525,0.00042528647,0.0017202724,0.0022304573,0.00018014372,0.00030833264,0.0034366471,0.00002153892,0.0041623474,0.067773834,0.9184249,0.0009139322],"about_ca_topic_score_codex":0.03163879,"about_ca_topic_score_gemma":0.04096462,"teacher_disagreement_score":0.8942764,"about_ca_system_score_codex":0.0008689444,"about_ca_system_score_gemma":0.00021379575,"threshold_uncertainty_score":0.9994428},"labels":[],"label_agreement":null},{"id":"W2767986331","doi":"10.7202/1041077ar","title":"Psycho/Bates Motel : hyperdiégèse et réactivation sélective","year":2017,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Diverse multidisciplinary academic research","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; BATES; Art; Philosophy","score_opus":0.0901082573944376,"score_gpt":0.4039046958509387,"score_spread":0.31379643845650107,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2767986331","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18699338,0.0032143802,0.0054175206,0.051323086,0.0027150528,0.0018563432,0.00033810313,0.0012183426,0.7469238],"genre_scores_gemma":[0.8425272,0.010351493,0.011905934,0.0013599145,0.00088418816,0.00039454,0.00006736331,0.0002121763,0.13229717],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99193364,0.002360985,0.0010867045,0.0015556714,0.0013395501,0.0017234609],"domain_scores_gemma":[0.9943851,0.0012461866,0.0010032228,0.0016894967,0.0010706423,0.00060534093],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.00463188,0.0010023944,0.0009807394,0.000584337,0.006338949,0.0019280253,0.00278153,0.0010431309,0.0005990184],"category_scores_gemma":[0.003440557,0.0010595944,0.00063486706,0.00054279447,0.015603343,0.007165828,0.0013732542,0.0020949598,0.00019166194],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005087043,0.0008488552,0.008371496,0.0004107404,0.0003209408,0.00033234005,0.055192493,0.000012949997,0.0077997255,0.25217766,0.027557196,0.6464669],"study_design_scores_gemma":[0.00079922675,0.0010418359,0.015292231,0.0037116932,0.00019139973,0.0001017856,0.0059076394,0.00014815625,0.01951196,0.21726435,0.73423153,0.0017981984],"about_ca_topic_score_codex":0.017462788,"about_ca_topic_score_gemma":0.005052196,"teacher_disagreement_score":0.70667434,"about_ca_system_score_codex":0.003073328,"about_ca_system_score_gemma":0.0005959022,"threshold_uncertainty_score":0.99918544},"labels":[],"label_agreement":null},{"id":"W2768072925","doi":"10.7202/1041085ar","title":"Le tango argentin entre apprentissage et improvisation. Quel média pour quel reenactment ?","year":2017,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Agence Nationale de la Recherche","keywords":"Humanities; Art","score_opus":0.04530568271023823,"score_gpt":0.29451062266213474,"score_spread":0.24920493995189652,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2768072925","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10681486,0.015295128,0.0029656105,0.030623741,0.0039040344,0.0021380547,0.0016611194,0.0017260484,0.8348714],"genre_scores_gemma":[0.59748816,0.003467903,0.0036168995,0.0016719566,0.0011021035,0.00034122646,0.0002599697,0.00020688001,0.39184487],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9947355,0.00070229894,0.0013410157,0.0012102815,0.0006595044,0.001351395],"domain_scores_gemma":[0.9958304,0.0002351778,0.0011235531,0.0016552834,0.00071160647,0.00044399063],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0012932366,0.001136283,0.001037065,0.0003387496,0.0058514043,0.005284679,0.0015191567,0.0005240336,0.0023236494],"category_scores_gemma":[0.0005371579,0.0011725929,0.00094151765,0.00008168449,0.005638975,0.004681929,0.00089627533,0.0010676804,0.00019331917],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013578143,0.0010330091,0.000729962,0.0010632534,0.00033883454,0.0003865581,0.023138406,0.0000015614534,0.005636034,0.78979135,0.080886595,0.09685866],"study_design_scores_gemma":[0.0007042188,0.0003986082,0.0012564438,0.002500538,0.00027609177,0.00010285979,0.0049305344,0.000026832924,0.008747814,0.058077697,0.9216365,0.0013418173],"about_ca_topic_score_codex":0.046155546,"about_ca_topic_score_gemma":0.08546238,"teacher_disagreement_score":0.84075,"about_ca_system_score_codex":0.0011496267,"about_ca_system_score_gemma":0.00043933606,"threshold_uncertainty_score":0.99907243},"labels":[],"label_agreement":null},{"id":"W2778214419","doi":"10.7202/1049946ar","title":"Readings at the Intersection: Social Ecologies in Critical Texts","year":2018,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Political and Economic history of UK and US","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Intersection (aeronautics); Criticism; Sociology; Media studies; Aesthetics; Art; Literature; Geography; Cartography","score_opus":0.0560826238302031,"score_gpt":0.357495104861929,"score_spread":0.3014124810317259,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2778214419","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24053715,0.00021545576,0.00046170165,0.010393628,0.00089041,0.00026424642,0.000026162987,0.00055941363,0.7466518],"genre_scores_gemma":[0.96832603,0.000084887826,0.0006380051,0.0030416443,0.00074539,0.00012260096,0.0000062424847,0.000032044853,0.027003132],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975034,0.00050222833,0.00049348566,0.00046922136,0.0002240772,0.00080758904],"domain_scores_gemma":[0.9986233,0.0006640099,0.000104680395,0.00024603092,0.00019449451,0.0001674628],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0013915322,0.00028071424,0.00035882165,0.00014729516,0.0029733453,0.00022320605,0.00055133016,0.00026661908,0.0008889579],"category_scores_gemma":[0.0012122199,0.0002360853,0.00022009092,0.00019728944,0.012312834,0.0006617153,0.00024816918,0.00038054085,0.0001068455],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018403087,0.0001753229,0.002534971,0.000059221646,0.0000306829,0.00006375478,0.0583596,1.1260052e-7,0.00051557977,0.73130107,0.045734882,0.16104075],"study_design_scores_gemma":[0.00012946912,0.0002816814,0.0028130808,0.00016243164,0.000021356096,0.000026920046,0.0028638726,0.0000043005907,0.0015291767,0.13095419,0.8608422,0.00037131703],"about_ca_topic_score_codex":0.0050027184,"about_ca_topic_score_gemma":0.05403729,"teacher_disagreement_score":0.81510735,"about_ca_system_score_codex":0.0023968616,"about_ca_system_score_gemma":0.0001573461,"threshold_uncertainty_score":0.99832463},"labels":[],"label_agreement":null},{"id":"W2888886816","doi":"10.7202/1049945ar","title":"“Arts Once More United”: Bridging Disciplines through Creative Media Research, Toronto, 1953–551","year":2018,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Windsor","funders":"","keywords":"The arts; Bridging (networking); Discipline; Foundation (evidence); Sociology; Media studies; Library science; Visual arts; Social science; Political science; Art; Law","score_opus":0.12186941039851618,"score_gpt":0.39722940288598907,"score_spread":0.2753599924874729,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2888886816","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.051946845,0.0016479081,0.011032707,0.0020645543,0.00033006136,0.00085152563,0.00035051574,0.001190452,0.93058544],"genre_scores_gemma":[0.9350487,0.0007861168,0.0059083435,0.0010602546,0.002185716,0.00042974929,0.00021046818,0.00018941243,0.05418122],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.994637,0.00090619473,0.0008625741,0.0010183459,0.0011458212,0.0014300356],"domain_scores_gemma":[0.9949481,0.0012670951,0.00025677955,0.00091379986,0.0022704194,0.00034381257],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0017969297,0.00071592914,0.0007274298,0.00043540797,0.0038518328,0.0009267607,0.001009669,0.00020955743,0.0029327006],"category_scores_gemma":[0.001429642,0.00060581847,0.0002898032,0.00032215693,0.01762193,0.002395012,0.00080819696,0.0008461051,0.00010053921],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003231912,0.00030441867,0.0004325813,0.00018693312,0.00014767222,0.00017450393,0.1444819,6.270597e-7,0.00091995724,0.6875214,0.035530355,0.12997645],"study_design_scores_gemma":[0.00039458845,0.0012233995,0.00080552866,0.0021306775,0.00007703031,0.000059909886,0.04680601,0.000102806865,0.012337853,0.06368158,0.8713347,0.0010459587],"about_ca_topic_score_codex":0.02006146,"about_ca_topic_score_gemma":0.042503595,"teacher_disagreement_score":0.8831019,"about_ca_system_score_codex":0.0013629417,"about_ca_system_score_gemma":0.00022034433,"threshold_uncertainty_score":0.99963933},"labels":[],"label_agreement":null},{"id":"W2888927988","doi":"10.7202/1049944ar","title":"Une dynamique tensive","year":2018,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Trois-Rivières","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.10554499871532333,"score_gpt":0.3287771787306372,"score_spread":0.2232321800153139,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2888927988","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019548187,0.0063021528,0.13040999,0.015691867,0.0030186311,0.0009596399,0.00018460545,0.0022666906,0.82161826],"genre_scores_gemma":[0.7515907,0.0009813176,0.045832567,0.013257479,0.0010861562,0.00012875926,0.000070460024,0.00018541567,0.18686712],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99457645,0.0005640385,0.0011829915,0.0014396767,0.0006486964,0.0015881486],"domain_scores_gemma":[0.9944712,0.00043982037,0.000521761,0.0015316887,0.0023023055,0.0007332164],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0007616651,0.0011732893,0.0009773703,0.00041102926,0.0013769056,0.0033981074,0.0016087885,0.0006001291,0.00017844273],"category_scores_gemma":[0.0008929798,0.0010113075,0.0006041755,0.0011675096,0.008820948,0.0077762846,0.0011625607,0.0008360906,0.00022730415],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010031442,0.00040261965,0.00009985704,0.00026596343,0.00013456059,0.0011284899,0.014541446,0.0000031001828,0.006700996,0.48694336,0.038174525,0.45150477],"study_design_scores_gemma":[0.00032345884,0.0023195562,0.00092393317,0.0029742531,0.00008925525,0.0018856381,0.00030897433,0.0004863833,0.040310834,0.19770308,0.7512155,0.0014590903],"about_ca_topic_score_codex":0.014396423,"about_ca_topic_score_gemma":0.01253656,"teacher_disagreement_score":0.73204255,"about_ca_system_score_codex":0.0013117613,"about_ca_system_score_gemma":0.00035006148,"threshold_uncertainty_score":0.99992317},"labels":[],"label_agreement":null},{"id":"W2888972722","doi":"10.7202/1049952ar","title":"Intermedial Products for Digital Natives: British Theatre-Cinema on Italian Screens","year":2018,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; Relation (database); Phenomenon; Digital media; Art; New media; Visual arts; Sociology; Media studies; Multimedia; Aesthetics; Computer science; Epistemology; World Wide Web; Philosophy","score_opus":0.04277918553941883,"score_gpt":0.2877762783420198,"score_spread":0.24499709280260096,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2888972722","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1270462,0.00058301433,0.0031594108,0.0018323166,0.0018950666,0.0017376022,0.001760465,0.0018389659,0.86014694],"genre_scores_gemma":[0.94005764,0.00005144109,0.002762909,0.0024211744,0.003034629,0.00035472075,0.0004262445,0.00016649463,0.05072477],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970754,0.0001698708,0.00076621934,0.000851922,0.0004001999,0.00073641393],"domain_scores_gemma":[0.9975031,0.00043635632,0.00021991595,0.0005575723,0.001105675,0.00017739013],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.00045596116,0.00058293843,0.0005473134,0.0003676867,0.0013364895,0.001842208,0.0005699079,0.00014761384,0.00044519198],"category_scores_gemma":[0.00065782224,0.00057987624,0.00032114334,0.00012267826,0.0049097254,0.0020915328,0.00011815216,0.0003142036,0.000042072432],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006298497,0.00065359613,0.0001947399,0.0004691288,0.00018847057,0.00012029534,0.1023988,3.0260725e-7,0.0005506315,0.34807152,0.06551443,0.48120826],"study_design_scores_gemma":[0.00052009645,0.0025496064,0.00021446304,0.001713136,0.00006002395,0.000092192255,0.0036959425,0.000016873464,0.0050594034,0.046583153,0.93867266,0.0008224352],"about_ca_topic_score_codex":0.0005896467,"about_ca_topic_score_gemma":0.005592937,"teacher_disagreement_score":0.8731582,"about_ca_system_score_codex":0.000294491,"about_ca_system_score_gemma":0.00010801135,"threshold_uncertainty_score":0.99996364},"labels":[],"label_agreement":null},{"id":"W2889028440","doi":"10.7202/1049953ar","title":"Cartographie/Thermographie. Regards et corps instruits dans Hollow Man (Paul Verhoeven, 2000)","year":2018,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.09481459940450913,"score_gpt":0.3147874946695084,"score_spread":0.21997289526499925,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2889028440","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15043399,0.011292583,0.037688773,0.006870516,0.004364411,0.001556516,0.00070597266,0.0031877232,0.7838995],"genre_scores_gemma":[0.87602454,0.0024734342,0.020457108,0.008842073,0.0008103976,0.0001994628,0.00015361764,0.00026648768,0.0907729],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9927055,0.00093385956,0.0015007724,0.0018589299,0.0010447535,0.001956172],"domain_scores_gemma":[0.99439365,0.00034825478,0.0007187991,0.0021048964,0.0014590594,0.00097535853],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0012131997,0.0015875888,0.0012369899,0.0010142451,0.0016216079,0.004143578,0.0022827045,0.00078218913,0.00017420194],"category_scores_gemma":[0.0004439237,0.0014192165,0.001072733,0.0022279853,0.0104853725,0.008635573,0.0012014712,0.0011397807,0.0001106672],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022569096,0.0009165725,0.0015919622,0.00044304674,0.00039065778,0.0020560275,0.028945128,0.0000037328305,0.00915251,0.41587418,0.0800543,0.4603462],"study_design_scores_gemma":[0.00068780093,0.0031740738,0.005111399,0.0038618182,0.00018418631,0.0024512827,0.0003446724,0.00010016623,0.038778853,0.06133646,0.8818033,0.002166007],"about_ca_topic_score_codex":0.0070622037,"about_ca_topic_score_gemma":0.018024873,"teacher_disagreement_score":0.801749,"about_ca_system_score_codex":0.001009269,"about_ca_system_score_gemma":0.00050083664,"threshold_uncertainty_score":0.9998936},"labels":[],"label_agreement":null},{"id":"W2889048658","doi":"10.7202/1049943ar","title":"Introduction. L’intermédialité est la carte autant que le territoire","year":2017,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Political science","score_opus":0.08060423284873482,"score_gpt":0.31697547590330605,"score_spread":0.23637124305457125,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2889048658","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021154664,0.009367406,0.038859982,0.05955459,0.006983826,0.0012379872,0.00039302278,0.0024061447,0.8600424],"genre_scores_gemma":[0.7448117,0.0015627368,0.018565157,0.00277971,0.002698123,0.0002095729,0.000086516106,0.00022775661,0.22905874],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9933657,0.00086414604,0.0014703185,0.0018854095,0.0007658588,0.0016485337],"domain_scores_gemma":[0.99344,0.0003784204,0.0010464342,0.0033003155,0.0010143359,0.00082054664],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow","sts","scholarly_communication"],"category_scores_codex":[0.0013959969,0.0014020846,0.0012611672,0.00040722443,0.00398268,0.012363435,0.003138878,0.0007318733,0.0001618461],"category_scores_gemma":[0.0015660248,0.0012754543,0.00086975173,0.00033138756,0.008841279,0.014280076,0.0019788388,0.0012705517,0.00010484495],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009481396,0.0005787224,0.00015513001,0.00035100174,0.00016437484,0.0014805874,0.0077525293,0.000009598207,0.0060151583,0.52722824,0.048278302,0.4078915],"study_design_scores_gemma":[0.0005105476,0.00079763733,0.0013105067,0.0023453727,0.00010567514,0.0029695407,0.0002735068,0.00028451817,0.025332168,0.07265728,0.89189345,0.0015197789],"about_ca_topic_score_codex":0.030367797,"about_ca_topic_score_gemma":0.012478797,"teacher_disagreement_score":0.8436152,"about_ca_system_score_codex":0.0012377943,"about_ca_system_score_gemma":0.0007213147,"threshold_uncertainty_score":0.9998729},"labels":[],"label_agreement":null},{"id":"W2889069363","doi":"10.7202/1049948ar","title":"Le geste intermédial dans une cartographie des études mémorielles1","year":2018,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Memory, Trauma, and Commemoration","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.03975019665573748,"score_gpt":0.32544042520031646,"score_spread":0.285690228544579,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2889069363","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27591807,0.0061838697,0.02725386,0.0042060176,0.00506171,0.0014236041,0.00031025175,0.0020313468,0.6776113],"genre_scores_gemma":[0.9282791,0.0014448499,0.014775303,0.0034360467,0.0023271064,0.00060264766,0.00023087725,0.00045249664,0.04845157],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9908521,0.0022625993,0.0020693473,0.0019755873,0.0007339376,0.002106391],"domain_scores_gemma":[0.99431586,0.0006753541,0.0008308055,0.0022624652,0.0012228469,0.00069264835],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0020127345,0.0016810312,0.0015066607,0.0010736032,0.002643814,0.00081655814,0.0018393877,0.0012320939,0.0008458265],"category_scores_gemma":[0.00047026266,0.0018683118,0.0010373854,0.0014612972,0.018596577,0.0018379265,0.0005846279,0.001519336,0.00024793186],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010493202,0.0018624798,0.0036586258,0.0007508232,0.0006378502,0.00066861167,0.045137152,0.0000031651323,0.012891496,0.30063078,0.032267347,0.60044235],"study_design_scores_gemma":[0.0018638134,0.0048881248,0.0067497934,0.00376385,0.00058501156,0.0012151473,0.0069304183,0.00004408407,0.051246803,0.1121578,0.8078284,0.0027267493],"about_ca_topic_score_codex":0.015469407,"about_ca_topic_score_gemma":0.06368046,"teacher_disagreement_score":0.77556103,"about_ca_system_score_codex":0.0011585668,"about_ca_system_score_gemma":0.0005427992,"threshold_uncertainty_score":0.9995936},"labels":[],"label_agreement":null},{"id":"W2889166750","doi":"10.7202/1049955ar","title":"De la critique des dispositifs à l’intermédialité pour approcher les productions artistiques : bilan des travaux du séminaire Intermedialidades (Université Toulouse-Jean Jaurès, France)","year":2018,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.05432119004411245,"score_gpt":0.30685172312670117,"score_spread":0.2525305330825887,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2889166750","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40261286,0.013216953,0.29810256,0.009478105,0.0018804099,0.0016883769,0.00042334595,0.0038742153,0.26872316],"genre_scores_gemma":[0.8757912,0.0024670286,0.04188729,0.001824482,0.0018386275,0.0002117092,0.00007427696,0.00026186314,0.07564356],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9924639,0.0016886673,0.0013437982,0.0018611611,0.00065501174,0.0019874997],"domain_scores_gemma":[0.9941773,0.00094582356,0.00058096315,0.001423086,0.0018844383,0.0009883867],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.001493942,0.0015716568,0.0012121203,0.0007063878,0.0030439908,0.0052570216,0.0020697843,0.00089459354,0.00032256084],"category_scores_gemma":[0.0019169578,0.0014700595,0.0008324009,0.0010293945,0.020477485,0.0077245026,0.0010622214,0.0012871047,0.00005062598],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026344444,0.0013342998,0.0029935632,0.0010685098,0.0003069116,0.001376236,0.09442046,0.0000064137853,0.022545386,0.20980832,0.018952474,0.64692396],"study_design_scores_gemma":[0.0008907745,0.0033412988,0.012812336,0.010417493,0.0004276937,0.0054417853,0.004488972,0.0004843599,0.14838323,0.20306034,0.606948,0.0033037118],"about_ca_topic_score_codex":0.013138103,"about_ca_topic_score_gemma":0.0083272,"teacher_disagreement_score":0.64362025,"about_ca_system_score_codex":0.0019525816,"about_ca_system_score_gemma":0.0005627967,"threshold_uncertainty_score":0.99970317},"labels":[],"label_agreement":null},{"id":"W2889190650","doi":"10.7202/1049954ar","title":"Une cartographie des relations intermédiales entre le jeu vidéo et les autres médias dans le cadre des franchises transmédiatiques","year":2018,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Digital Games and Media","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Humanities; Philosophy","score_opus":0.03164503859334765,"score_gpt":0.3059517138708415,"score_spread":0.27430667527749386,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2889190650","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24904485,0.02149433,0.01877116,0.007856079,0.0015731682,0.0014395841,0.00087602687,0.0022994524,0.6966454],"genre_scores_gemma":[0.8291899,0.011985569,0.016679035,0.0017614032,0.0009813948,0.00046467772,0.00021309227,0.00034034182,0.13838461],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9907977,0.002388674,0.0018937055,0.0017017176,0.001033564,0.0021846585],"domain_scores_gemma":[0.99437785,0.0013828173,0.00078286,0.0011458085,0.001284384,0.0010263037],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0020560394,0.0016261758,0.0015281329,0.00094849826,0.0036964878,0.0014012719,0.001729667,0.0012167689,0.0006808863],"category_scores_gemma":[0.0016043051,0.0016994405,0.0013685364,0.00198903,0.04102428,0.004914539,0.00045515268,0.001399861,0.00006713963],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018959297,0.0010794636,0.007770618,0.0005750362,0.00033390083,0.00017991083,0.11013731,0.000012952869,0.0020870795,0.24177241,0.012438689,0.62342304],"study_design_scores_gemma":[0.0007286197,0.0014881991,0.008535025,0.005136274,0.00037957306,0.00012626071,0.016708907,0.000026658348,0.015989162,0.12976804,0.8191228,0.0019904636],"about_ca_topic_score_codex":0.04770468,"about_ca_topic_score_gemma":0.23863296,"teacher_disagreement_score":0.80668414,"about_ca_system_score_codex":0.001318981,"about_ca_system_score_gemma":0.0013562357,"threshold_uncertainty_score":0.9996486},"labels":[],"label_agreement":null},{"id":"W2889239039","doi":"10.7202/1049950ar","title":"The Politics of Intermediality in African Theatre Contexts","year":2018,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; Ideology; Context (archaeology); Sociology; Media studies; Aesthetics; Political science; Art; History; Law; Archaeology","score_opus":0.031598666893942313,"score_gpt":0.28948533746029176,"score_spread":0.25788667056634945,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2889239039","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21432702,0.0015188919,0.00013879276,0.0018092041,0.0008960056,0.0004937065,0.00017435315,0.0004026901,0.78023934],"genre_scores_gemma":[0.9862057,0.0004994046,0.00030065913,0.00073095533,0.00071564864,0.00012578348,0.000014797459,0.00005819158,0.0113488715],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975016,0.00031594178,0.0008403503,0.00037613753,0.00029375113,0.0006722125],"domain_scores_gemma":[0.99799067,0.00054765894,0.0002717543,0.0006101916,0.00048243185,0.000097281445],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00093045796,0.00042276148,0.00054898177,0.00024936252,0.0014081303,0.0002512537,0.00063910347,0.00010600224,0.00018508515],"category_scores_gemma":[0.000184998,0.0002970496,0.0002468232,0.0001247537,0.010537852,0.0005600485,0.00027351544,0.00036845257,0.000014662692],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002882589,0.0002192511,0.003389439,0.00020029761,0.00012401104,0.00002282631,0.1266263,1.6093492e-7,0.00042167873,0.5001709,0.0076782187,0.36085868],"study_design_scores_gemma":[0.00028333068,0.00092522724,0.0012963138,0.00079454493,0.00004752674,0.00001820575,0.008516865,0.000005917409,0.0080788005,0.08537923,0.89419484,0.0004591758],"about_ca_topic_score_codex":0.0034453133,"about_ca_topic_score_gemma":0.050112344,"teacher_disagreement_score":0.88651663,"about_ca_system_score_codex":0.00030858972,"about_ca_system_score_gemma":0.000089834255,"threshold_uncertainty_score":0.99994814},"labels":[],"label_agreement":null},{"id":"W2889251859","doi":"10.7202/1049947ar","title":"Intermédialité et écologie des médias : essai de cartographie comparative1","year":2018,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Collège de Maisonneuve","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.20844290828979714,"score_gpt":0.3729235391225411,"score_spread":0.16448063083274397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2889251859","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20386545,0.012311426,0.13693024,0.006825235,0.0033308917,0.0016203873,0.00037959195,0.0034405799,0.6312962],"genre_scores_gemma":[0.88348836,0.0019936883,0.05485798,0.0118610505,0.0008146493,0.00028008842,0.00007332808,0.00020044157,0.046430446],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9911899,0.0020622178,0.0016832704,0.0018350489,0.0007880571,0.0024415131],"domain_scores_gemma":[0.99341184,0.0010677049,0.00074886007,0.0017799493,0.0019039277,0.0010877379],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0022545864,0.0016606977,0.0014996651,0.0007843926,0.0019272814,0.0047407974,0.0024715124,0.00079413695,0.00030933152],"category_scores_gemma":[0.0012681579,0.0014717572,0.00097612105,0.0015144343,0.017062655,0.008790724,0.001746645,0.0012853764,0.00013545126],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033017813,0.001319894,0.0022618014,0.000546174,0.00037193942,0.0012518172,0.038224213,0.000012540703,0.008527265,0.5519788,0.047196213,0.34797913],"study_design_scores_gemma":[0.00086571556,0.0045314045,0.006460932,0.0045164265,0.00022006918,0.0016353277,0.00090046634,0.00037749563,0.061542742,0.24552982,0.6708417,0.0025778967],"about_ca_topic_score_codex":0.011769842,"about_ca_topic_score_gemma":0.017335398,"teacher_disagreement_score":0.6796229,"about_ca_system_score_codex":0.0019223776,"about_ca_system_score_gemma":0.0006865163,"threshold_uncertainty_score":0.999614},"labels":[],"label_agreement":null},{"id":"W2889386662","doi":"10.7202/1049951ar","title":"Thinking Intermediality in Mexico through Artistic Input","year":2018,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Discipline; Art; Aesthetics; Sociology; Visual arts; Art history; Social science","score_opus":0.055474127019739444,"score_gpt":0.32185689760339414,"score_spread":0.26638277058365467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2889386662","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26720533,0.00046174705,0.006116073,0.0010750074,0.0015419546,0.00079995923,0.00013109228,0.001748706,0.72092015],"genre_scores_gemma":[0.9852276,0.00017832953,0.0026948769,0.0054126317,0.0008413657,0.0001857881,0.000064852655,0.00012071386,0.005273849],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961385,0.00048281314,0.0010620467,0.0008384724,0.00053518725,0.00094293995],"domain_scores_gemma":[0.9979541,0.00035315222,0.00032810468,0.00072887004,0.00045166264,0.00018414427],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012428619,0.0006807457,0.0007335948,0.00049440964,0.0011482317,0.000758175,0.00089411886,0.00022287178,0.0009775892],"category_scores_gemma":[0.00042358952,0.00062029925,0.0003373979,0.00024686457,0.0077577196,0.0016888152,0.00045007392,0.0006872749,0.0000728141],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027488035,0.00055429916,0.004468108,0.00025058136,0.000101071506,0.00019398886,0.14280158,3.140141e-7,0.0012540099,0.77314633,0.009887326,0.06706752],"study_design_scores_gemma":[0.00039711263,0.0009853175,0.0011782862,0.0016446582,0.00005789245,0.00005975257,0.0021420477,0.000027937796,0.012432424,0.38626394,0.5938664,0.0009442507],"about_ca_topic_score_codex":0.0035975606,"about_ca_topic_score_gemma":0.03122803,"teacher_disagreement_score":0.7180222,"about_ca_system_score_codex":0.00049338746,"about_ca_system_score_gemma":0.000100989695,"threshold_uncertainty_score":0.9999356},"labels":[],"label_agreement":null},{"id":"W2889447190","doi":"10.7202/1049949ar","title":"Sur les ondes transculturelles. La diversité (des expressions) culturelle(s) selon l’UNESCO","year":2018,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Political science; Philosophy","score_opus":0.04026015742460099,"score_gpt":0.27513879663985247,"score_spread":0.23487863921525148,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2889447190","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28966522,0.058484517,0.0012631576,0.0039979345,0.0023308476,0.0013404127,0.0012888301,0.0024668511,0.63916224],"genre_scores_gemma":[0.64061683,0.014475392,0.003545208,0.0010299514,0.0018133854,0.0001648503,0.00020592581,0.00021991602,0.33792853],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945197,0.0010312612,0.0011724281,0.0012304307,0.00072491704,0.001321255],"domain_scores_gemma":[0.9962083,0.00044350582,0.00045781478,0.00083020737,0.0016001615,0.00045998744],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0008087896,0.0013314112,0.0011079091,0.0003818507,0.0070812404,0.0024759993,0.001217154,0.000903491,0.004052746],"category_scores_gemma":[0.00039216876,0.0011622651,0.0010578162,0.00029331422,0.018208075,0.0036771083,0.0005314764,0.0013110864,0.00017255446],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00048489904,0.00140044,0.00069657236,0.0023122886,0.0005911352,0.0005815445,0.21480267,0.0000023413818,0.031879157,0.45408553,0.13487493,0.15828851],"study_design_scores_gemma":[0.00057696964,0.0008355238,0.0005541105,0.0059438697,0.0004173539,0.00022988397,0.011098944,0.0000071003114,0.021529716,0.025559857,0.93176633,0.0014803545],"about_ca_topic_score_codex":0.022254627,"about_ca_topic_score_gemma":0.06074168,"teacher_disagreement_score":0.7968914,"about_ca_system_score_codex":0.000846354,"about_ca_system_score_gemma":0.00012207488,"threshold_uncertainty_score":0.99994373},"labels":[],"label_agreement":null},{"id":"W2889491318","doi":"10.7202/1049956ar","title":"La nouvelle sphère intermédiatique (colloque du CRI – 1999) à l’épreuve de la remédiation : supports, approches et discours","year":2017,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.08926753853169214,"score_gpt":0.3391876466048657,"score_spread":0.24992010807317358,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2889491318","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13013133,0.003931044,0.09394228,0.0148946745,0.0017793197,0.001441604,0.00036511762,0.001905202,0.75160944],"genre_scores_gemma":[0.92137426,0.002679144,0.019908711,0.0030730627,0.0004807556,0.00026137644,0.00010544675,0.00018299637,0.05193422],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99324644,0.00198929,0.001237713,0.0014448845,0.000674511,0.0014071509],"domain_scores_gemma":[0.9939841,0.0013603588,0.0011664882,0.002086794,0.00067647384,0.0007257823],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0031946434,0.0012649476,0.001063423,0.00038226444,0.002034795,0.009817176,0.0025902975,0.0012130704,0.00010684312],"category_scores_gemma":[0.0031719622,0.0011382556,0.000733687,0.0003019598,0.006020479,0.010994393,0.0018070305,0.0017298489,0.000030241421],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020157275,0.0011595162,0.0048624272,0.0008385271,0.00026004197,0.0025988899,0.070031874,0.00003255418,0.005479486,0.5329181,0.037800726,0.3438163],"study_design_scores_gemma":[0.00079883775,0.0011332906,0.015170419,0.004860342,0.0002068943,0.0031386977,0.0019335167,0.00074107724,0.03126701,0.11349302,0.8248735,0.0023833876],"about_ca_topic_score_codex":0.013673664,"about_ca_topic_score_gemma":0.00875508,"teacher_disagreement_score":0.79124296,"about_ca_system_score_codex":0.0016323617,"about_ca_system_score_gemma":0.0009579775,"threshold_uncertainty_score":0.9992644},"labels":[],"label_agreement":null},{"id":"W2943889927","doi":"10.7202/1058468ar","title":"Voyage sous « Goyave » : anagrammes et autres clefs d’accès à l’univers romanesque de Yodi Karone","year":2019,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Caribbean and African Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.015623255412127623,"score_gpt":0.24621989256158308,"score_spread":0.23059663714945547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2943889927","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07684467,0.016222998,0.00080093875,0.007191503,0.0019096081,0.0012000919,0.0020428158,0.0016187666,0.8921686],"genre_scores_gemma":[0.55160445,0.0027471154,0.0024706046,0.0057274764,0.0009421361,0.00011483903,0.00040309428,0.0002322187,0.43575808],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99489015,0.000797605,0.0010073008,0.0011963398,0.0005549908,0.0015536131],"domain_scores_gemma":[0.9970574,0.0003855053,0.0005061414,0.0010613477,0.00051569677,0.000473959],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.00087722676,0.0012870405,0.0011964549,0.0004966744,0.0014300704,0.0021125907,0.0009889859,0.00071433786,0.0027937652],"category_scores_gemma":[0.0001333531,0.0012177302,0.0009907718,0.000285111,0.0036975043,0.0020544434,0.000404231,0.0015092515,0.00014212285],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030080453,0.0005656706,0.0004975642,0.0010345031,0.00036056363,0.0007494469,0.06066519,0.000010627947,0.0019812135,0.72870815,0.110021144,0.095105134],"study_design_scores_gemma":[0.0005852962,0.0010562213,0.00040316614,0.0025520513,0.00029066406,0.0003001516,0.012507692,0.000032665983,0.002399008,0.028227303,0.95017403,0.001471742],"about_ca_topic_score_codex":0.006444088,"about_ca_topic_score_gemma":0.0101038935,"teacher_disagreement_score":0.8401529,"about_ca_system_score_codex":0.0012091101,"about_ca_system_score_gemma":0.00028119815,"threshold_uncertainty_score":0.99998814},"labels":[],"label_agreement":null},{"id":"W2943905393","doi":"10.7202/1058473ar","title":"Hiding from Whom?","year":2019,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Privacy, Security, and Data Protection","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Horizon 2020 Framework Programme; Agence Nationale de la Recherche; European Commission; Princeton University","keywords":"Anonymity; Variety (cybernetics); Internet privacy; Confidentiality; Computer science; Computer security; Nothing; Context (archaeology); Encryption; Identification (biology); Construct (python library); Epistemology","score_opus":0.03687272924455225,"score_gpt":0.31815216518570133,"score_spread":0.28127943594114907,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2943905393","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50801516,0.0016187072,0.012327628,0.0034637204,0.0017326223,0.0014264575,0.00024115165,0.0030768453,0.46809775],"genre_scores_gemma":[0.9790323,0.00073204114,0.010769061,0.0013876254,0.000549802,0.00016772756,0.00012212468,0.000086027096,0.0071533183],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964889,0.0007821214,0.0005807436,0.00077951554,0.0006019985,0.00076670904],"domain_scores_gemma":[0.9977862,0.00046100546,0.00027553784,0.00093381986,0.00029349027,0.00024993642],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0015287035,0.00043206388,0.00049825525,0.00029889675,0.001673958,0.0008130133,0.0012262403,0.00037682094,0.00062599406],"category_scores_gemma":[0.0012935783,0.00044536806,0.00027086696,0.00038294788,0.0020391066,0.002159522,0.0005821544,0.0005799458,0.00014968541],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033240093,0.00047088554,0.019967677,0.0002834674,0.0001779975,0.00013779722,0.0600798,0.0000018553762,0.029333234,0.23820682,0.024760462,0.6262476],"study_design_scores_gemma":[0.0002700595,0.00024405983,0.0015767058,0.0006822893,0.000044746208,0.000012242718,0.002009679,0.000014839061,0.017271414,0.17370708,0.80344754,0.000719307],"about_ca_topic_score_codex":0.02669172,"about_ca_topic_score_gemma":0.0114377905,"teacher_disagreement_score":0.7786871,"about_ca_system_score_codex":0.0010676074,"about_ca_system_score_gemma":0.00023984502,"threshold_uncertainty_score":0.9997998},"labels":[],"label_agreement":null},{"id":"W2943981028","doi":"10.7202/1058469ar","title":"“Imprisoned Photographs”: The Looted Archive of Photo Rissas (Rassas)—Ibrahim and Chalil (Khalil) Rissas1","year":2019,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Archaeological Research and Protection","field":"Earth and Planetary Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Symbol (formal); Politics; Object (grammar); Law; Bureaucracy; Colonialism; History; Adversary; Literature; Art; Sociology; Political science; Philosophy; Computer science; Linguistics","score_opus":0.025049688856070815,"score_gpt":0.27327818127489223,"score_spread":0.24822849241882142,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2943981028","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88240117,0.002806817,0.008173316,0.00084943377,0.00021309155,0.001690333,0.0003402045,0.00050039473,0.10302524],"genre_scores_gemma":[0.98791045,0.00172665,0.008126853,0.00070608564,0.0000638066,0.000060824,0.000104015926,0.00002580054,0.0012755205],"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9966264,0.0008720377,0.00059374835,0.00063381885,0.00055258424,0.0007214189],"domain_scores_gemma":[0.99754864,0.0011006967,0.00028042277,0.0005944251,0.0001982281,0.00027755817],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015165713,0.00043329512,0.00053025014,0.00032847826,0.00063660636,0.00013415917,0.000670095,0.00022047739,0.0011913521],"category_scores_gemma":[0.0005294606,0.00029627708,0.00025672885,0.000437784,0.0035586932,0.0006404577,0.00018938654,0.00072594604,0.00003342419],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013273304,0.00010165183,0.10917213,0.00044712727,0.00018264136,0.00008549347,0.005190179,0.000022520664,0.022444382,0.004601366,0.0011715629,0.85525364],"study_design_scores_gemma":[0.001557403,0.008244335,0.202191,0.0018031743,0.00015032417,0.00045527495,0.0024478468,0.0013926106,0.14844973,0.39885622,0.23243901,0.0020130803],"about_ca_topic_score_codex":0.014976722,"about_ca_topic_score_gemma":0.008079463,"teacher_disagreement_score":0.85324055,"about_ca_system_score_codex":0.000039553463,"about_ca_system_score_gemma":0.000079616475,"threshold_uncertainty_score":0.9999489},"labels":[],"label_agreement":null},{"id":"W2944651552","doi":"10.7202/1058474ar","title":"Storing Authenticity at the Surface and into the Depths: Securing Paper with Human- and Machine-Readable Devices1","year":2019,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"User Authentication and Security Systems","field":"Computer Science","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Covert; Readability; Computer science; Authentication (law); Space (punctuation); Computer security; Human–computer interaction; Internet privacy; Multimedia","score_opus":0.023514093696525126,"score_gpt":0.2762377002329093,"score_spread":0.25272360653638415,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2944651552","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9720904,0.0025439125,0.009978395,0.0020774752,0.00016844935,0.00075552694,0.000006743739,0.0005709099,0.011808136],"genre_scores_gemma":[0.9900438,0.00013847677,0.0031312366,0.0009422998,0.000033208536,0.0000748384,0.0000055665737,0.000044215496,0.005586322],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99769807,0.0004145189,0.00042331396,0.00065116136,0.00039034075,0.00042259134],"domain_scores_gemma":[0.9980875,0.00038926117,0.00022345183,0.0010139624,0.00016154668,0.00012424652],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0011626777,0.00038095305,0.0003421617,0.000093662165,0.0013324213,0.0007918041,0.00092910434,0.000104117724,0.00002782736],"category_scores_gemma":[0.00004818582,0.0002321634,0.00008573504,0.00020489148,0.0010048365,0.0011359721,0.00079165853,0.0003606981,0.000010728766],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014656267,0.00027672644,0.08050031,0.0012664036,0.00036085237,0.0000815999,0.53271335,0.000016075624,0.0402245,0.22216368,0.0010445628,0.12120539],"study_design_scores_gemma":[0.0021510373,0.0019029223,0.032223023,0.00457381,0.00035460098,0.0014623356,0.0065642046,0.008755559,0.11660246,0.07462063,0.74684256,0.0039468687],"about_ca_topic_score_codex":0.0024718388,"about_ca_topic_score_gemma":0.0082424795,"teacher_disagreement_score":0.745798,"about_ca_system_score_codex":0.0002759287,"about_ca_system_score_gemma":0.00004144191,"threshold_uncertainty_score":0.9999677},"labels":[],"label_agreement":null},{"id":"W2944683380","doi":"10.7202/1058471ar","title":"Les gueules cassées ou l’éthique de l’écran crevé : du masque au visage cinématographique","year":2019,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.042676378926032994,"score_gpt":0.3584288132642152,"score_spread":0.31575243433818223,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2944683380","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31013352,0.01269082,0.012718785,0.0117490105,0.002204036,0.001794602,0.00043889234,0.0012423744,0.64702797],"genre_scores_gemma":[0.87774277,0.006915028,0.007749869,0.00542769,0.0011248913,0.0009559145,0.00018487514,0.00048950565,0.09940946],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.98487747,0.006710031,0.002164117,0.0024285275,0.00082594744,0.0029938924],"domain_scores_gemma":[0.9924879,0.0019622117,0.0008782521,0.0028443304,0.0009349057,0.00089236785],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.0069539165,0.0018040476,0.0021198355,0.0019273503,0.0015645844,0.0006909655,0.0023252561,0.0024553456,0.0035655044],"category_scores_gemma":[0.00064451445,0.001855917,0.0017173928,0.0014195044,0.006785061,0.0011385377,0.00055673276,0.0034849194,0.0004634122],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012390622,0.0023247465,0.21693568,0.0017867117,0.001442753,0.0025415267,0.018393911,0.000011687916,0.010563698,0.27435252,0.043437373,0.42697033],"study_design_scores_gemma":[0.0015224102,0.0020586897,0.034467287,0.0040041823,0.0004893964,0.0029073476,0.0019036776,0.00005750638,0.004456646,0.056327097,0.8894863,0.002319433],"about_ca_topic_score_codex":0.015178849,"about_ca_topic_score_gemma":0.01046876,"teacher_disagreement_score":0.84604895,"about_ca_system_score_codex":0.0020728796,"about_ca_system_score_gemma":0.0004494725,"threshold_uncertainty_score":0.99973524},"labels":[],"label_agreement":null},{"id":"W2944732035","doi":"10.7202/1058472ar","title":"Inhabiting the Profile: Zach Blas’ Facial Weaponization Suite","year":2019,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Ethics and Social Impacts of AI","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Suite; Governmentality; Computer science; Big data; Order (exchange); Data science; Psychology; Political science; Data mining; Politics","score_opus":0.03746304401495471,"score_gpt":0.34334542740931673,"score_spread":0.305882383394362,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2944732035","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26317045,0.0003610851,0.002042854,0.012863603,0.0008786831,0.0014378205,0.00006045214,0.0012603592,0.7179247],"genre_scores_gemma":[0.9681517,0.00044566146,0.0026958406,0.0044831443,0.00052487844,0.00012653971,0.00004477377,0.00009081936,0.023436667],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99607134,0.0010674645,0.0006227507,0.00054643676,0.00082277576,0.00086925057],"domain_scores_gemma":[0.9968986,0.00085510284,0.00036526995,0.00051327824,0.0011525138,0.00021524479],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0033389297,0.00041194243,0.00043872802,0.00020763554,0.0027679284,0.0010890912,0.00088768994,0.00045806676,0.00033326843],"category_scores_gemma":[0.0033509259,0.00034835984,0.00028331994,0.0005524509,0.0032740233,0.0017470068,0.00026515705,0.0008798101,0.000052634066],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010755407,0.00021099343,0.009009974,0.00021266442,0.00010423042,0.000042892585,0.110929795,0.0000069917683,0.0076547256,0.5701585,0.0077568283,0.29380485],"study_design_scores_gemma":[0.0005118741,0.00069986103,0.003913159,0.0013510187,0.000107157124,0.000023129116,0.015172977,0.000073303796,0.011615285,0.1421652,0.8228063,0.0015607636],"about_ca_topic_score_codex":0.0061642937,"about_ca_topic_score_gemma":0.008309868,"teacher_disagreement_score":0.81504947,"about_ca_system_score_codex":0.00084233715,"about_ca_system_score_gemma":0.00044650264,"threshold_uncertainty_score":0.99994785},"labels":[],"label_agreement":null},{"id":"W2944781846","doi":"10.7202/1058467ar","title":"Introduction. The Mediality of Concealment: Material Practices and Symbolic Operativity","year":2019,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Camouflage; Politics; Steganography; Encryption; The Symbolic; Sociology; Aesthetics; Computer science; Psychology; Art; Artificial intelligence; Image (mathematics); Political science; Psychoanalysis; Law; Computer security","score_opus":0.03582798343019438,"score_gpt":0.28556885329153503,"score_spread":0.24974086986134064,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2944781846","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9135221,0.0032698927,0.00044542516,0.00798252,0.0013484635,0.0007669789,0.0002541965,0.00019645135,0.07221392],"genre_scores_gemma":[0.9911887,0.0022939693,0.0014650034,0.0005452156,0.0004451793,0.00014653019,0.000028876453,0.00003827833,0.0038482465],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99811095,0.00016523212,0.000762274,0.0005387511,0.00009601314,0.00032677097],"domain_scores_gemma":[0.9981258,0.00032345124,0.0007884027,0.00053711643,0.00014922435,0.000076039636],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0014097659,0.0002977498,0.00067927665,0.00016362815,0.00032249588,0.00016524988,0.00030464953,0.00012237874,0.00030902366],"category_scores_gemma":[0.00092808506,0.00024658145,0.00013057906,0.00016693902,0.0015342014,0.000737527,0.00024407217,0.00025210239,0.000021498807],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00044882935,0.00044550336,0.08239412,0.0010219873,0.0004296419,0.000018314317,0.018559774,0.0000035197604,0.0150587,0.81311226,0.015421784,0.053085543],"study_design_scores_gemma":[0.0006447549,0.00072297547,0.022500353,0.00029338928,0.00007183858,0.00008880623,0.0012567157,0.000025444726,0.039609846,0.04856412,0.8854934,0.00072837644],"about_ca_topic_score_codex":0.0016677612,"about_ca_topic_score_gemma":0.00054423744,"teacher_disagreement_score":0.8700716,"about_ca_system_score_codex":0.0001842526,"about_ca_system_score_gemma":0.00003675773,"threshold_uncertainty_score":0.9999986},"labels":[],"label_agreement":null},{"id":"W2944781880","doi":"10.7202/1058476ar","title":"Caché-e — Away from Keyboard","year":2019,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.10303715525170767,"score_gpt":0.3152922623484335,"score_spread":0.21225510709672582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2944781880","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13302425,0.016726665,0.028447554,0.0076481365,0.004632903,0.0012342125,0.00044472463,0.002265049,0.8055765],"genre_scores_gemma":[0.7112171,0.0012441289,0.03144357,0.008036467,0.00063704146,0.00010380516,0.0001567034,0.00018388956,0.2469773],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9942235,0.00057993195,0.0012368971,0.001622513,0.00081116287,0.0015260272],"domain_scores_gemma":[0.99545103,0.0006511943,0.0005254033,0.0018598298,0.00078934716,0.00072318065],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00067363936,0.0012126468,0.0011504756,0.00035447843,0.0007641956,0.0039918316,0.001876913,0.0006314742,0.00069220044],"category_scores_gemma":[0.00040693334,0.0010623811,0.0007489893,0.00066901185,0.0027978737,0.008811946,0.0012668681,0.0009902777,0.000586532],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014923916,0.0006248913,0.0014445982,0.00046361703,0.00023281113,0.0010051298,0.013755766,0.000018261471,0.013348043,0.38634503,0.03981822,0.5427944],"study_design_scores_gemma":[0.0004792165,0.001138126,0.0019496474,0.002826689,0.000096110416,0.0004346808,0.0002445064,0.00028702876,0.030564882,0.111811,0.8485893,0.0015787942],"about_ca_topic_score_codex":0.01777005,"about_ca_topic_score_gemma":0.003427057,"teacher_disagreement_score":0.8087711,"about_ca_system_score_codex":0.0013293402,"about_ca_system_score_gemma":0.00033283065,"threshold_uncertainty_score":0.99991596},"labels":[],"label_agreement":null},{"id":"W2944790195","doi":"10.7202/1058470ar","title":"Prises de vue clandestines comme exercice du (contre)pouvoir de l’art : Trevor Paglen et Mohamed Bourouissa reprennent le contrôle du visible","year":2019,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"North African History and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.023391339279913846,"score_gpt":0.2613447072457918,"score_spread":0.23795336796587793,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2944790195","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25370252,0.025835995,0.0028679187,0.029869888,0.002703036,0.0026494113,0.0014471665,0.0025773821,0.6783467],"genre_scores_gemma":[0.73466176,0.0025889252,0.0035068172,0.0064436425,0.0012751287,0.0005082794,0.00031130455,0.00029281434,0.25041133],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9932866,0.0017820537,0.0014423821,0.0013097958,0.000499537,0.0016796367],"domain_scores_gemma":[0.9951152,0.0013327618,0.00078074494,0.00135634,0.00080401637,0.0006108895],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0018744714,0.0013162532,0.0015158537,0.00052903034,0.0019099333,0.0013776483,0.0011018938,0.00064885884,0.0016929591],"category_scores_gemma":[0.00076387555,0.0013182588,0.00081528147,0.00024972795,0.0035862406,0.002031966,0.00038944988,0.0014335361,0.00010652845],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016179761,0.0021315468,0.016472869,0.0022907406,0.00051195995,0.0014110532,0.111604154,0.000048215676,0.0032023634,0.51794475,0.2890579,0.053706426],"study_design_scores_gemma":[0.0011981487,0.0010924063,0.0009097831,0.0033092492,0.00029209335,0.0005911683,0.002964075,0.00009988965,0.0020015887,0.016169121,0.9699116,0.0014608807],"about_ca_topic_score_codex":0.007919847,"about_ca_topic_score_gemma":0.011707732,"teacher_disagreement_score":0.68085366,"about_ca_system_score_codex":0.0016044412,"about_ca_system_score_gemma":0.00066233356,"threshold_uncertainty_score":0.9999589},"labels":[],"label_agreement":null},{"id":"W2989837930","doi":"10.7202/1065020ar","title":"(De)compositions: Time and Technology in William Basinski’s The Disintegration Loops (2002)","year":2019,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Media, Communication, and Education","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Temporality; Appeal; Relation (database); Odds; Aesthetics; Perception; Object (grammar); Art; Sociology; Philosophy; Epistemology; Art history; Computer science; Law; Linguistics; Political science","score_opus":0.02074889451089284,"score_gpt":0.31373757592881063,"score_spread":0.2929886814179178,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2989837930","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.673012,0.0032628223,0.002633644,0.03129414,0.00049786305,0.0015748856,0.0000335816,0.0010946065,0.28659642],"genre_scores_gemma":[0.9783063,0.002026799,0.00638409,0.0009805812,0.000114804876,0.0002447453,0.000049950057,0.0000372811,0.01185544],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978253,0.00073386676,0.0004203644,0.00034522873,0.00024586613,0.00042937207],"domain_scores_gemma":[0.99831784,0.0005165205,0.00017471758,0.00061308325,0.00028175078,0.00009609211],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016807327,0.0002315209,0.0002650731,0.00037972408,0.00091827835,0.00028978958,0.0006150922,0.00024897023,0.00018460402],"category_scores_gemma":[0.00068353716,0.0001978525,0.00007110294,0.0005900617,0.0023354203,0.00076947955,0.000116130585,0.00042227126,0.000037499496],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009123927,0.000506015,0.035482448,0.000130563,0.000052784897,0.000012694217,0.10249405,0.000006496448,0.011570796,0.37217802,0.00951893,0.46795598],"study_design_scores_gemma":[0.0004353019,0.00045139136,0.014511911,0.0018455714,0.00007312887,0.000080542886,0.012829719,0.0001905352,0.0071782004,0.31091568,0.65053695,0.0009510347],"about_ca_topic_score_codex":0.003272159,"about_ca_topic_score_gemma":0.00886874,"teacher_disagreement_score":0.64101803,"about_ca_system_score_codex":0.00078218995,"about_ca_system_score_gemma":0.00027164115,"threshold_uncertainty_score":0.8604953},"labels":[],"label_agreement":null},{"id":"W2989941326","doi":"10.7202/1065013ar","title":"Temporaliser la photographie : Marker, Varda, Wenders–Salgado","year":2019,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Restitution; Art; Philosophy; Political science","score_opus":0.032291011437649245,"score_gpt":0.29069909676484385,"score_spread":0.2584080853271946,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2989941326","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15170784,0.016686656,0.00044927376,0.0020353745,0.0033305984,0.0018432626,0.0011814032,0.0020108458,0.82075477],"genre_scores_gemma":[0.7967734,0.0053438316,0.0024639831,0.0033692524,0.00079703337,0.00038460433,0.00029915132,0.00034243846,0.19022636],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99324316,0.0016477596,0.0013553821,0.0014329695,0.0007717355,0.0015489853],"domain_scores_gemma":[0.9961383,0.00071684655,0.0006250949,0.0013032394,0.00072082895,0.00049569947],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0016175907,0.0015087363,0.0013007356,0.0009038061,0.0020381531,0.0016934725,0.0011959017,0.00090235105,0.0047444426],"category_scores_gemma":[0.00018635741,0.0014463539,0.001488859,0.0005417944,0.008104901,0.0024967142,0.00045340476,0.0019305095,0.00019540961],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00079210877,0.0015807291,0.0044803238,0.002611189,0.00090187154,0.00052919576,0.03461027,0.0000017619261,0.007125134,0.7665208,0.10575535,0.07509129],"study_design_scores_gemma":[0.00067531347,0.0011191807,0.00081112795,0.0035661787,0.0002993812,0.00021317168,0.0036511652,0.000014131392,0.0066173957,0.035910107,0.9453874,0.0017354479],"about_ca_topic_score_codex":0.0076308674,"about_ca_topic_score_gemma":0.00397446,"teacher_disagreement_score":0.83963203,"about_ca_system_score_codex":0.000517806,"about_ca_system_score_gemma":0.00018415441,"threshold_uncertainty_score":0.9997662},"labels":[],"label_agreement":null},{"id":"W2989977626","doi":"10.7202/1065018ar","title":"Volume-Image: The Future as Memory in Thierry Kuntzel’s Video Installation The Waves (2003)1","year":2019,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Department of Higher Education and Training; University of Fort Hare","keywords":"Temporalities; Movie theater; Video art; Computer science; Salient; Agency (philosophy); Computer graphics (images); Multimedia; Visual arts; Artificial intelligence; Sociology; Art","score_opus":0.018739077559302875,"score_gpt":0.2545646330859177,"score_spread":0.23582555552661483,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2989977626","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35255414,0.015037565,0.001077172,0.019194478,0.0023510691,0.001775572,0.00012295617,0.0005402982,0.6073468],"genre_scores_gemma":[0.93850946,0.0036943564,0.0019868636,0.005132529,0.00050226843,0.00036254924,0.000044036413,0.00010672012,0.049661227],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99752945,0.00016946688,0.0009185558,0.00065148965,0.00014766902,0.0005833837],"domain_scores_gemma":[0.9981131,0.0002646018,0.00042955688,0.0008813675,0.00022682284,0.000084527484],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0014885782,0.00045385177,0.00064303144,0.00035288293,0.0005654306,0.00028098834,0.0006919335,0.0002330194,0.00035287958],"category_scores_gemma":[0.0006653997,0.0003374188,0.00023706898,0.0006009326,0.001201477,0.0008606346,0.00030035697,0.00067924673,0.00021940547],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038929054,0.00045140108,0.05946313,0.00061035977,0.00032868728,0.00012922336,0.05269034,0.00002658947,0.0015024417,0.5146189,0.09271436,0.27707532],"study_design_scores_gemma":[0.00039482323,0.00025316337,0.023126293,0.00027896237,0.000023132257,0.000053417487,0.0027760277,0.00008695041,0.0010045832,0.059586108,0.9118576,0.00055891933],"about_ca_topic_score_codex":0.0016040603,"about_ca_topic_score_gemma":0.00345309,"teacher_disagreement_score":0.81914324,"about_ca_system_score_codex":0.0005803836,"about_ca_system_score_gemma":0.00008134124,"threshold_uncertainty_score":0.9999078},"labels":[],"label_agreement":null},{"id":"W2990322378","doi":"10.7202/1065022ar","title":"Introduction. Rendering Time (Basinski)","year":2019,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Spatial and Cultural Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Computer science; Rendering (computer graphics); Computer graphics (images)","score_opus":0.027841651351512432,"score_gpt":0.2918905546598801,"score_spread":0.26404890330836767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2990322378","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14260201,0.018314034,0.0011493393,0.04639804,0.005683138,0.0013576684,0.00012843033,0.0022441254,0.7821232],"genre_scores_gemma":[0.43047813,0.005219165,0.007508263,0.00224761,0.0034144393,0.0002055236,0.00006950882,0.00015916671,0.5506982],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953376,0.0008092159,0.00088002643,0.0010748821,0.00071640924,0.0011818744],"domain_scores_gemma":[0.99775904,0.0003025433,0.00040300514,0.0006509712,0.000592586,0.00029187495],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.0012055387,0.0007896506,0.00088225235,0.00020874983,0.0018740554,0.0004986378,0.000777336,0.00046020688,0.0036581026],"category_scores_gemma":[0.00052439317,0.00074825913,0.0005250256,0.00074381556,0.0049332976,0.0019741124,0.00044589763,0.0007233386,0.0009001024],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015959266,0.000380968,0.0015161566,0.0004669248,0.00031648588,0.00008158974,0.026528563,0.000013209242,0.00941296,0.16060035,0.09843716,0.70208603],"study_design_scores_gemma":[0.00020997123,0.00053308776,0.0007410932,0.0010284805,0.00012126006,0.00007527558,0.002193742,0.00001646231,0.006721246,0.021792768,0.965616,0.0009506224],"about_ca_topic_score_codex":0.008008156,"about_ca_topic_score_gemma":0.004719642,"teacher_disagreement_score":0.86717886,"about_ca_system_score_codex":0.0018479117,"about_ca_system_score_gemma":0.00014946297,"threshold_uncertainty_score":0.9998778},"labels":[],"label_agreement":null},{"id":"W2990786680","doi":"10.7202/1065019ar","title":"Making Memories: Time and Responsibility in Intermedial Metatheatre","year":2019,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Performative utterance; Performing arts; Materiality (auditing); Scenography; Embodied cognition; Sociology; Liveness; Performativity; Aesthetics; Digital media; Presentation (obstetrics); Studio; Representation (politics); Visual arts; Computer science; Art; World Wide Web","score_opus":0.03728791472277355,"score_gpt":0.2976795155715988,"score_spread":0.26039160084882523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2990786680","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6153913,0.000998855,0.000035554975,0.00056565256,0.00046203574,0.0005396118,0.00009932099,0.00052238134,0.38138527],"genre_scores_gemma":[0.9753994,0.0002794783,0.0011988116,0.0009363697,0.00030562712,0.00011579016,0.000029758003,0.00007933183,0.021655478],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99741805,0.00033950614,0.00070712244,0.0006506516,0.0002753668,0.00060928724],"domain_scores_gemma":[0.99848956,0.00048505602,0.00018085924,0.0005543558,0.0001993582,0.0000907823],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.001109506,0.0005249792,0.0007322153,0.00043916295,0.0005692315,0.0003763343,0.0003717123,0.00013763802,0.0008773559],"category_scores_gemma":[0.00017450463,0.00044914638,0.00021266214,0.00011834991,0.0027035556,0.0012390427,0.0003412458,0.00047915362,0.00006605718],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0021478094,0.00050063775,0.02452613,0.0011860178,0.0003392645,0.00022126356,0.2910243,0.000003999391,0.0048603406,0.15131742,0.0050804773,0.5187924],"study_design_scores_gemma":[0.0010263209,0.0017079457,0.004697752,0.0030007968,0.00012788828,0.00011889736,0.008676925,0.00007251265,0.0059722573,0.064774916,0.9081284,0.0016954199],"about_ca_topic_score_codex":0.00063101784,"about_ca_topic_score_gemma":0.009637954,"teacher_disagreement_score":0.9030479,"about_ca_system_score_codex":0.00034662362,"about_ca_system_score_gemma":0.00007074813,"threshold_uncertainty_score":0.99979603},"labels":[],"label_agreement":null},{"id":"W2990896648","doi":"10.7202/1065016ar","title":"Film-théâtre, intermédialité et nouveaux enjeux esthétiques","year":2019,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Contemporary art, education, critique","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.03461276408094097,"score_gpt":0.331807746132332,"score_spread":0.297194982051391,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2990896648","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1295711,0.012565668,0.0046033757,0.07896404,0.0065356824,0.0031021503,0.00050136866,0.0030855143,0.7610711],"genre_scores_gemma":[0.5502657,0.010859293,0.0149954725,0.0082487,0.0009912361,0.0005575224,0.00026963078,0.00038064749,0.41343176],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9858379,0.006431852,0.0022645318,0.0021067741,0.0012405509,0.0021184126],"domain_scores_gemma":[0.99249643,0.0019022758,0.0010498291,0.0020335328,0.0016343688,0.0008835507],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.006710244,0.0016804334,0.0017039967,0.00089990854,0.001682178,0.0014007912,0.002304628,0.0012019332,0.0031604336],"category_scores_gemma":[0.0015545117,0.0018978263,0.0011221241,0.00121011,0.0073494134,0.01005294,0.0006834743,0.001912846,0.00049647276],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000254348,0.0012029677,0.007935388,0.0011595048,0.0002784464,0.0002528836,0.060062308,0.0000069519897,0.0016592665,0.6264582,0.13611194,0.16461775],"study_design_scores_gemma":[0.00046331668,0.0010573488,0.0012251171,0.004664487,0.00015695799,0.00018920067,0.0062355273,0.000030762913,0.0057369997,0.09758554,0.8807615,0.0018932357],"about_ca_topic_score_codex":0.029621044,"about_ca_topic_score_gemma":0.024621937,"teacher_disagreement_score":0.7446496,"about_ca_system_score_codex":0.0026121316,"about_ca_system_score_gemma":0.0021551445,"threshold_uncertainty_score":0.9996359},"labels":[],"label_agreement":null},{"id":"W2990911082","doi":"10.7202/1065017ar","title":"Mémoire et affect dans les recontextualisations multimédiatiques de chansons populaires : autour de Fortunate Son de Creedence Clearwater Revival (CCR) (1969)","year":2019,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Vietnamese History and Culture Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.049591621960655176,"score_gpt":0.3358450931258713,"score_spread":0.2862534711652161,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2990911082","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42730016,0.019486593,0.02323224,0.041746046,0.0023030299,0.0030890414,0.0006284802,0.0034342618,0.47878015],"genre_scores_gemma":[0.8712672,0.0051329164,0.021768985,0.0029963804,0.00053214777,0.0005946817,0.000068913214,0.00020512842,0.09743365],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9912883,0.003930605,0.0010914422,0.0011716658,0.0006677801,0.0018501785],"domain_scores_gemma":[0.99693894,0.0005281723,0.000648588,0.00081445876,0.0005328251,0.0005369956],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0039889417,0.0010834363,0.0011530697,0.00033703877,0.0038440328,0.00053951173,0.001173343,0.000880424,0.0005526239],"category_scores_gemma":[0.001411134,0.0010820777,0.0008818496,0.00051968446,0.0048682163,0.0020795339,0.0003538879,0.0013307307,0.00006654984],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028350423,0.0006666108,0.020838367,0.0013202326,0.0004333876,0.00029958304,0.4117329,0.00008030977,0.010926998,0.27193093,0.022973133,0.25851402],"study_design_scores_gemma":[0.00058916904,0.0014030967,0.008546138,0.0070761438,0.00049641996,0.00027983543,0.036800493,0.00031067446,0.0061926777,0.03871571,0.8973786,0.0022110092],"about_ca_topic_score_codex":0.018738402,"about_ca_topic_score_gemma":0.06976599,"teacher_disagreement_score":0.8744055,"about_ca_system_score_codex":0.0054129697,"about_ca_system_score_gemma":0.0008554183,"threshold_uncertainty_score":0.999163},"labels":[],"label_agreement":null},{"id":"W2991241093","doi":"10.7202/1065015ar","title":"Du document aux flux : sites et temporalité(s) de quelques oeuvres d’art","year":2019,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.08585942515761891,"score_gpt":0.32713963517123235,"score_spread":0.24128021001361344,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991241093","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14746486,0.01218582,0.022659736,0.023847984,0.0024128687,0.0016971548,0.0002138741,0.002941178,0.7865765],"genre_scores_gemma":[0.6371315,0.0015650414,0.031789128,0.016375197,0.0004682083,0.00018269317,0.00019287776,0.00018066005,0.31211466],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9933347,0.0010709804,0.0014384883,0.001555451,0.00087495096,0.0017254114],"domain_scores_gemma":[0.9953106,0.00071126036,0.0006110078,0.0016345162,0.000961225,0.00077141233],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0016788659,0.0013598655,0.0012288456,0.0004740288,0.00081549113,0.0054111476,0.0018219891,0.0005999917,0.0009463962],"category_scores_gemma":[0.00065930473,0.0011773679,0.00079491857,0.00065835624,0.0024014863,0.010797692,0.0013881512,0.0009543943,0.0005583299],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013756081,0.0007536875,0.0029084336,0.000729838,0.00021399562,0.00086652837,0.019505981,0.000021630836,0.009366424,0.7284553,0.11544754,0.12159309],"study_design_scores_gemma":[0.00047111485,0.001403253,0.0010648626,0.0027450847,0.0000807158,0.0009097665,0.00038808858,0.00023060848,0.031550184,0.15278068,0.8068921,0.00148352],"about_ca_topic_score_codex":0.008043011,"about_ca_topic_score_gemma":0.0051809065,"teacher_disagreement_score":0.6914446,"about_ca_system_score_codex":0.0016158879,"about_ca_system_score_gemma":0.00064769195,"threshold_uncertainty_score":0.99996686},"labels":[],"label_agreement":null},{"id":"W2991626055","doi":"10.7202/1065021ar","title":"Repetition, Feedback, and Temporality in Two Compositions by William Basinski","year":2019,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Temporality; Repetition (rhetorical device); Perception; Object (grammar); Duration (music); Cognitive science; Computer science; Psychology; Art; Artificial intelligence; Philosophy; Literature; Epistemology; Linguistics; Neuroscience","score_opus":0.01828675257530923,"score_gpt":0.2866267617654026,"score_spread":0.2683400091900934,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991626055","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76228946,0.0021703742,0.086225614,0.007930004,0.0005403515,0.0010786325,0.000116296265,0.002827244,0.13682202],"genre_scores_gemma":[0.96116585,0.00033651755,0.03346546,0.0018788456,0.00002904381,0.0001574785,0.00003497445,0.000032021882,0.0028997983],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974748,0.00033310242,0.0006095909,0.0008230208,0.00025373543,0.0005057439],"domain_scores_gemma":[0.9983285,0.00027502727,0.00019574826,0.000896813,0.0001969209,0.000106966036],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00081931683,0.0004078157,0.0005199448,0.0003299444,0.0005676065,0.00027009702,0.0007616871,0.00018633227,0.000030802756],"category_scores_gemma":[0.00012974834,0.00039841645,0.0001282636,0.00043182445,0.0016820657,0.0012293203,0.00055971445,0.00050367264,0.000014302121],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010332522,0.0007097212,0.09040859,0.00036804538,0.00012910743,0.00019698591,0.009330924,0.0000048846596,0.011393643,0.70328015,0.024340777,0.15973385],"study_design_scores_gemma":[0.0015592093,0.00096925354,0.031077733,0.0019483283,0.000048069443,0.00047016985,0.0005501561,0.00024616925,0.016622344,0.3788157,0.5657484,0.0019444798],"about_ca_topic_score_codex":0.0008338179,"about_ca_topic_score_gemma":0.0017348648,"teacher_disagreement_score":0.5414076,"about_ca_system_score_codex":0.00035758302,"about_ca_system_score_gemma":0.000056323523,"threshold_uncertainty_score":0.99984676},"labels":[],"label_agreement":null},{"id":"W2991651407","doi":"10.7202/1065014ar","title":"Anarchival Images: The Labour of Chronic Collage","year":2019,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Memory, Trauma, and Commemoration","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Agency (philosophy); Shot (pellet); Art; Spanish Civil War; Visual arts; Art history; History; Sociology; Archaeology; Social science","score_opus":0.028465118428197055,"score_gpt":0.31927553079341486,"score_spread":0.2908104123652178,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991651407","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50221455,0.0017504402,0.0054473747,0.0013123153,0.0009305476,0.001144789,0.00014303431,0.00067413104,0.48638284],"genre_scores_gemma":[0.96146804,0.00018701826,0.0019370579,0.0012202268,0.00024715514,0.00024765244,0.000054589036,0.00010116335,0.034537118],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99686027,0.0008062389,0.000760972,0.00060317194,0.00036169778,0.00060763495],"domain_scores_gemma":[0.99745506,0.000477649,0.0003750619,0.0012973504,0.00028024902,0.000114627386],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010558087,0.00045830134,0.00056003523,0.0002735859,0.00039081593,0.00014472035,0.0009204598,0.00021379579,0.0011134674],"category_scores_gemma":[0.0001294807,0.0003678046,0.00031153916,0.0003485613,0.0016304711,0.00042351065,0.00019247511,0.0005128727,0.00010603501],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006217841,0.0007593411,0.004813156,0.00065434654,0.0002941837,0.00014018409,0.014906308,0.000010395421,0.05810731,0.22472595,0.0324055,0.66256154],"study_design_scores_gemma":[0.0020840636,0.0044432855,0.035032302,0.0017414686,0.00023196178,0.00043895913,0.003822674,0.00007215655,0.15713026,0.059123017,0.7340322,0.0018476265],"about_ca_topic_score_codex":0.0010730834,"about_ca_topic_score_gemma":0.0008758042,"teacher_disagreement_score":0.7016267,"about_ca_system_score_codex":0.00040007196,"about_ca_system_score_gemma":0.00013588191,"threshold_uncertainty_score":0.9998774},"labels":[],"label_agreement":null},{"id":"W3084521941","doi":"10.7202/1070872ar","title":"“Do You Feel Safe at the Border?” An Intermedial Pedagogy for Sensing Communities of Shared Fate","year":2020,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Education and experiences of immigrants and refugees","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Realm; Feeling; Storytelling; Sociology; Vulnerability (computing); Securitization; Diaspora; Environmental ethics; Public relations; Aesthetics; Political science; Narrative; Law; Social psychology; Psychology; Gender studies; Computer security","score_opus":0.062064735933115706,"score_gpt":0.38881320737123826,"score_spread":0.3267484714381226,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3084521941","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8789253,0.0015550829,0.0049309665,0.026948467,0.0010502738,0.0012843873,0.00028524527,0.0007389954,0.084281266],"genre_scores_gemma":[0.98392856,0.00067514443,0.0065086763,0.0035678325,0.00040051783,0.00009866164,0.00010032214,0.000053402728,0.004666873],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99761504,0.0006139452,0.0005490296,0.000348158,0.00036490036,0.0005089412],"domain_scores_gemma":[0.99808604,0.00050693296,0.00031089358,0.00042529093,0.0004428722,0.00022799455],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00096668495,0.00031846025,0.0004381987,0.00012440485,0.0021480555,0.0003475994,0.0008360508,0.00017985268,0.0003081996],"category_scores_gemma":[0.0005819083,0.00024244163,0.00027558158,0.00021641969,0.005050978,0.0007493306,0.00022480472,0.00027757313,0.0000038518274],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036496925,0.00015152003,0.0010323001,0.00016719023,0.000067514404,0.00000775531,0.5086471,0.0000029560638,0.003468856,0.026127521,0.0076098233,0.45235252],"study_design_scores_gemma":[0.00024484095,0.00056376477,0.00026194836,0.00037398766,0.00004274901,0.000010735637,0.11884586,0.000045902903,0.0061874804,0.0029753782,0.8700287,0.00041868634],"about_ca_topic_score_codex":0.0059967143,"about_ca_topic_score_gemma":0.041036204,"teacher_disagreement_score":0.86241883,"about_ca_system_score_codex":0.00023826248,"about_ca_system_score_gemma":0.00023004945,"threshold_uncertainty_score":0.999151},"labels":[],"label_agreement":null},{"id":"W3085609685","doi":"10.7202/1070880ar","title":"Strata-Mapping the Detroit River Border with the Hamilton Perambulatory Unit","year":2020,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"The Imaginary; Performative utterance; Geopolitics; Space (punctuation); Unit (ring theory); Politics; Geography; Archaeology; Colonialism; Sociology; Aesthetics; Political science; Art; Law; Computer science","score_opus":0.055991986000751046,"score_gpt":0.32638026880004745,"score_spread":0.2703882827992964,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3085609685","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5674558,0.0019647046,0.0035357904,0.043616574,0.00038996895,0.0018741951,0.00008999846,0.002496864,0.37857607],"genre_scores_gemma":[0.98306847,0.00035704795,0.0031914364,0.007530839,0.00033511902,0.00024643834,0.000018380308,0.0000871937,0.005165064],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966083,0.00081619126,0.00049699674,0.00061828585,0.00069849065,0.0007617198],"domain_scores_gemma":[0.9975402,0.0006755842,0.00029789863,0.0006588499,0.00058030343,0.00024716248],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0009872305,0.0004915382,0.00039258038,0.00021532967,0.0039277743,0.00080708205,0.0014026959,0.00018698334,0.00040202943],"category_scores_gemma":[0.0004039608,0.00032823044,0.0003203008,0.000791392,0.008135416,0.0012486299,0.0002306694,0.0009824494,0.00003179629],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00049399224,0.00049113214,0.015470969,0.00026458432,0.00089160434,0.0003063547,0.47614634,0.000074753356,0.00571776,0.32171974,0.06418798,0.11423479],"study_design_scores_gemma":[0.00017782729,0.0004562109,0.0063487794,0.00028627392,0.00011199626,0.000030871946,0.032329768,0.000018692848,0.0008610844,0.0045690476,0.95422363,0.00058579],"about_ca_topic_score_codex":0.0058976845,"about_ca_topic_score_gemma":0.04372488,"teacher_disagreement_score":0.8900357,"about_ca_system_score_codex":0.00032966794,"about_ca_system_score_gemma":0.00018919034,"threshold_uncertainty_score":0.999917},"labels":[],"label_agreement":null},{"id":"W3085616899","doi":"10.7202/1070869ar","title":"Introduction. Sensing (Borders)","year":2019,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Global Security and Public Health","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Windsor","funders":"","keywords":"Computer science; Geography","score_opus":0.02664557293336359,"score_gpt":0.32366963896862555,"score_spread":0.29702406603526194,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3085616899","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08381041,0.010404634,0.0064330464,0.11879606,0.008476082,0.0015597645,0.00018464292,0.001925507,0.76840985],"genre_scores_gemma":[0.74936384,0.0073752035,0.023694078,0.012649474,0.0045420798,0.000063325766,0.00014590833,0.00022552561,0.2019406],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9930219,0.0020825497,0.0010979676,0.0012063958,0.0008794552,0.0017117033],"domain_scores_gemma":[0.9965698,0.000542429,0.00048390924,0.00094054325,0.0008462982,0.00061701133],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0034395806,0.0007781307,0.0009012235,0.00038070825,0.0018481092,0.00075407635,0.0008320591,0.0007907146,0.0024702074],"category_scores_gemma":[0.001046187,0.00086393784,0.0004936275,0.0011748557,0.005642171,0.0025988626,0.00033038706,0.0012449521,0.00046217314],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007205341,0.00024187153,0.00047844122,0.0004976743,0.000082807324,0.000065922846,0.016308371,0.0000053067038,0.000355513,0.41945148,0.06178205,0.5006585],"study_design_scores_gemma":[0.00023290113,0.0005038903,0.00021410912,0.001008796,0.0000679755,0.00014349126,0.0029180225,0.00004593091,0.00080533273,0.057721272,0.9354982,0.0008401014],"about_ca_topic_score_codex":0.032166727,"about_ca_topic_score_gemma":0.01433616,"teacher_disagreement_score":0.8737161,"about_ca_system_score_codex":0.0027282932,"about_ca_system_score_gemma":0.000757182,"threshold_uncertainty_score":0.99945134},"labels":[],"label_agreement":null},{"id":"W3085865469","doi":"10.7202/1070871ar","title":"Border Ethics: Translation and Planetarity in Spivak","year":2020,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Anthropological Studies and Insights","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Alterity; Politics; Globe; Discipline; Sociology; Epistemology; Aesthetics; Social science; Political science; Philosophy; Law; Psychology","score_opus":0.09306085507242325,"score_gpt":0.3698975998629761,"score_spread":0.27683674479055287,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3085865469","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16961297,0.009360106,0.0107501205,0.058623977,0.00036790286,0.0012564299,0.00007345843,0.0015020815,0.74845296],"genre_scores_gemma":[0.98028594,0.007525321,0.0059270705,0.005445831,0.00018086492,0.000051269257,0.00002013618,0.000027067525,0.0005364759],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99770373,0.0005891304,0.00043254203,0.00047624303,0.00033462845,0.00046372705],"domain_scores_gemma":[0.9989002,0.0005153583,0.00011166573,0.00014610945,0.00013318066,0.00019352806],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0008490385,0.0002780314,0.00039434584,0.00008514662,0.001268344,0.0001711758,0.00027900515,0.00034211835,0.0003189673],"category_scores_gemma":[0.0006299868,0.00024585443,0.00010727741,0.00027070375,0.004148998,0.0005607227,0.00008569372,0.00068670337,0.00000636065],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020428615,0.00020413338,0.011749226,0.00018673386,0.000045331453,0.00012688812,0.13222148,0.0000024480435,0.00040577378,0.14537267,0.0020488505,0.70743215],"study_design_scores_gemma":[0.00025038884,0.0005656633,0.0053047678,0.00024933554,0.00002534603,0.000004662413,0.005407135,0.000035408375,0.00050926587,0.026840616,0.96033084,0.00047659123],"about_ca_topic_score_codex":0.01453818,"about_ca_topic_score_gemma":0.040004537,"teacher_disagreement_score":0.958282,"about_ca_system_score_codex":0.0002255174,"about_ca_system_score_gemma":0.00007223849,"threshold_uncertainty_score":0.99999934},"labels":[],"label_agreement":null},{"id":"W3086049419","doi":"10.7202/1070878ar","title":"Trajectoires frontalières : exploration de quelques dynamiques paradoxales de l’ambiance coloniale","year":2020,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Political science; Sociology; Philosophy","score_opus":0.04036687944821168,"score_gpt":0.29432595846645854,"score_spread":0.2539590790182469,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3086049419","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19807397,0.08871465,0.0713552,0.12929267,0.003291256,0.0030762763,0.0016132657,0.0057693403,0.4988134],"genre_scores_gemma":[0.88281727,0.02712484,0.024130851,0.013365521,0.0015905898,0.00062880135,0.0001318111,0.00027664873,0.04993367],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99395275,0.0019450504,0.001017958,0.0010140939,0.0006271446,0.0014430218],"domain_scores_gemma":[0.9971802,0.00046501227,0.00050828385,0.00052254234,0.00041071142,0.00091324485],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0013976956,0.000736753,0.0008980956,0.00052560103,0.002905017,0.0017701238,0.0010635753,0.0007125916,0.0005869087],"category_scores_gemma":[0.0011152087,0.001007902,0.0005884291,0.00072982797,0.010372412,0.0033530006,0.00019831001,0.00091557857,0.00007059289],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038046952,0.0004846265,0.0018322329,0.0013521988,0.00021884023,0.0008231077,0.16091591,0.000044928023,0.004929531,0.2996717,0.090544045,0.4388024],"study_design_scores_gemma":[0.00027314943,0.00075469544,0.00088173145,0.0017465714,0.00018729607,0.00006992181,0.004610335,0.00017022333,0.0037439002,0.060531393,0.9259145,0.0011162306],"about_ca_topic_score_codex":0.39094,"about_ca_topic_score_gemma":0.8121647,"teacher_disagreement_score":0.8353705,"about_ca_system_score_codex":0.008462943,"about_ca_system_score_gemma":0.0019327675,"threshold_uncertainty_score":0.99926615},"labels":[],"label_agreement":null},{"id":"W3086078810","doi":"10.7202/1070870ar","title":"Intentional Solidarity as a Decolonizing Practice1","year":2020,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"LGBTQ Health, Identity, and Policy","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Windsor","funders":"","keywords":"Solidarity; Scholarship; Literacy; Sociology; Queer; Reading (process); Indigenous; Gender studies; Openness to experience; Intersectionality; Vulnerability (computing); Aesthetics; Political science; Politics; Social psychology; Psychology","score_opus":0.07054409822403479,"score_gpt":0.3881923658758424,"score_spread":0.3176482676518076,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3086078810","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20831078,0.0017927242,0.0075264266,0.026787508,0.0013765991,0.0010198579,0.00013740383,0.0022510164,0.7507977],"genre_scores_gemma":[0.9455994,0.00058524,0.008364439,0.021888932,0.0009794912,0.00041744177,0.000100763726,0.00018274973,0.021881592],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956206,0.00091757637,0.0009950092,0.00095336104,0.0004759698,0.0010374716],"domain_scores_gemma":[0.99713874,0.0005993407,0.00049660355,0.0006963446,0.0005165423,0.00055242924],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010753365,0.0005991528,0.00064711075,0.0003482535,0.0010669446,0.00044746697,0.0008161081,0.00043831998,0.0013975368],"category_scores_gemma":[0.0017691831,0.0006290629,0.00043332353,0.000451019,0.0016524438,0.0011786256,0.00038866175,0.0011408619,0.00050294434],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014026599,0.0014031966,0.03541971,0.0021315957,0.0005482863,0.0014268692,0.025679294,0.0000018004704,0.0045354282,0.4701219,0.15950166,0.29782763],"study_design_scores_gemma":[0.0010417469,0.0020258094,0.017266747,0.00045600714,0.00034487707,0.0010241445,0.0010768052,0.000023450786,0.0018465504,0.08685832,0.88656574,0.0014697751],"about_ca_topic_score_codex":0.0081150085,"about_ca_topic_score_gemma":0.002421343,"teacher_disagreement_score":0.7372886,"about_ca_system_score_codex":0.0007294549,"about_ca_system_score_gemma":0.0003305436,"threshold_uncertainty_score":0.9996161},"labels":[],"label_agreement":null},{"id":"W3086135286","doi":"10.7202/1070875ar","title":"Dire/Ressentir les frontières sur la scène intermédiale","year":2020,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04384451130217256,"score_gpt":0.29418106456049065,"score_spread":0.2503365532583181,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3086135286","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01962549,0.030422503,0.005097607,0.017393613,0.001930528,0.00072648027,0.0014298204,0.0015446598,0.9218293],"genre_scores_gemma":[0.8235047,0.007871712,0.0040417504,0.004280549,0.0052435007,0.0002150075,0.0003314958,0.0003960548,0.15411521],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99423766,0.00091559277,0.0015631372,0.0013327654,0.000712711,0.0012381537],"domain_scores_gemma":[0.9958689,0.00084169814,0.0006600595,0.0009189659,0.0010645331,0.0006458077],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00091793196,0.001273106,0.0014516833,0.00046698496,0.0019703915,0.0023765415,0.0012257721,0.0005180373,0.0034767499],"category_scores_gemma":[0.0015555067,0.0012642489,0.0012017686,0.0002600102,0.008022967,0.0014190675,0.00074736966,0.0011421557,0.00012735561],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029499875,0.0008264695,0.0011953191,0.0014180403,0.00069514505,0.0010725892,0.025882967,0.000015077837,0.0007801882,0.64345455,0.11230191,0.21206275],"study_design_scores_gemma":[0.00046257462,0.0006097452,0.00015966174,0.002304912,0.00079263304,0.000052745534,0.0019214025,0.00023630765,0.004133852,0.018653786,0.9692826,0.0013897809],"about_ca_topic_score_codex":0.016808057,"about_ca_topic_score_gemma":0.010404249,"teacher_disagreement_score":0.8569807,"about_ca_system_score_codex":0.00053809496,"about_ca_system_score_gemma":0.0002608956,"threshold_uncertainty_score":0.9993289},"labels":[],"label_agreement":null},{"id":"W3086189422","doi":"10.7202/1070882ar","title":"Tales of an Ancient Whisperer (2018)","year":2020,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Archaeology and Historical Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Notice; History; Palm; Visual arts; Media studies; Art; Art history; Sociology; Law","score_opus":0.057123735072782816,"score_gpt":0.283489477357246,"score_spread":0.22636574228446318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3086189422","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27654096,0.0053828484,0.0040942268,0.00547263,0.0009391356,0.0007838545,0.00031310285,0.0019116118,0.70456165],"genre_scores_gemma":[0.9842304,0.0003063855,0.004438771,0.0040647094,0.00044396752,0.00011279275,0.000045367644,0.00007390759,0.0062836804],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99769866,0.00024481557,0.0006659875,0.0005681671,0.00030898585,0.0005133825],"domain_scores_gemma":[0.9985621,0.00018104332,0.00025803628,0.00040276867,0.00036135118,0.00023469159],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00036165677,0.00043888006,0.000641981,0.00016814121,0.0010999677,0.000089717665,0.0005508848,0.00014075424,0.0006903808],"category_scores_gemma":[0.00028355693,0.00037961904,0.00027434467,0.000102869206,0.0067930133,0.00075855164,0.00034705596,0.00038248106,0.00002764449],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003577487,0.00043117904,0.0010338781,0.00040550952,0.00016486872,0.0001274558,0.15938173,0.000002637277,0.0028611962,0.6574352,0.020799465,0.15699914],"study_design_scores_gemma":[0.00020471447,0.0013209487,0.0004624416,0.00020821803,0.0000716881,0.000019401305,0.0021300435,0.000017636108,0.004757851,0.020515857,0.9697754,0.0005158445],"about_ca_topic_score_codex":0.0010382847,"about_ca_topic_score_gemma":0.004800364,"teacher_disagreement_score":0.94897586,"about_ca_system_score_codex":0.0002709265,"about_ca_system_score_gemma":0.00005899125,"threshold_uncertainty_score":0.9998656},"labels":[],"label_agreement":null},{"id":"W3086500208","doi":"10.7202/1070876ar","title":"On Bodily Absence in Humanitarian Multisensory VR","year":2020,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Filmmaking; Empathy; Scholarship; Agency (philosophy); Context (archaeology); Aesthetics; Virtual reality; Sociology; Psychology; Visual arts; Art; Social psychology; Political science; History; Social science; Computer science; Movie theater","score_opus":0.05844222921390258,"score_gpt":0.2975309079584301,"score_spread":0.23908867874452755,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3086500208","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1502479,0.0006022484,0.0003851722,0.002322862,0.0004900521,0.00074777036,0.00014295825,0.0021046158,0.8429564],"genre_scores_gemma":[0.9739033,0.00009219506,0.0010394837,0.011264151,0.0005379365,0.00013780265,0.000055902678,0.00011456229,0.012854651],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99725115,0.0003589851,0.0007026727,0.00071233383,0.00034727599,0.00062756526],"domain_scores_gemma":[0.9986439,0.0002822476,0.00019908586,0.0004361884,0.00021319285,0.00022540688],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00044671062,0.00058026926,0.0005642573,0.0002639239,0.0008651842,0.0004629229,0.00058480515,0.00016131104,0.00087214797],"category_scores_gemma":[0.00038994747,0.00052214635,0.00027883638,0.00011423078,0.0021119136,0.0009026776,0.0001837946,0.00069427217,0.00015477053],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002832437,0.00032937434,0.0001359756,0.00020636014,0.0000482927,0.0003757532,0.096450485,0.000007581828,0.0039144494,0.83212554,0.01472095,0.051401984],"study_design_scores_gemma":[0.0004935569,0.0015140915,0.0002200147,0.0011553614,0.00004092242,0.000026921924,0.004390705,0.0000443467,0.007243095,0.095219314,0.888559,0.0010927009],"about_ca_topic_score_codex":0.0008190659,"about_ca_topic_score_gemma":0.0059954855,"teacher_disagreement_score":0.873838,"about_ca_system_score_codex":0.00030381526,"about_ca_system_score_gemma":0.000052358817,"threshold_uncertainty_score":0.999723},"labels":[],"label_agreement":null},{"id":"W3086640460","doi":"10.7202/1070877ar","title":"Visualizing Lake Ontario through the Installations of Bonnie Devine and Nicole Clouston1","year":2020,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Battle; Portrait; Materiality (auditing); Woodland; The Imaginary; Context (archaeology); Watershed; Geography; Sociology; Environmental ethics; Archaeology; Ecology; Art; Aesthetics; Psychology","score_opus":0.05651762272377307,"score_gpt":0.3446864821053438,"score_spread":0.2881688593815707,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3086640460","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47158062,0.0012003165,0.0014451079,0.02003893,0.00032828824,0.0011683318,0.00010183887,0.0011160912,0.50302047],"genre_scores_gemma":[0.9852117,0.00042311847,0.008028836,0.0024358446,0.00015002971,0.000107976884,0.000023048708,0.000051591844,0.0035679042],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997587,0.00041037516,0.0006527918,0.00045795157,0.00041790478,0.0004739776],"domain_scores_gemma":[0.99814624,0.00050053094,0.00033449082,0.00044884553,0.00039883456,0.000171089],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00059043773,0.0003348953,0.00042333954,0.00016172418,0.0018274809,0.00032512113,0.00074189226,0.00016803425,0.00043100113],"category_scores_gemma":[0.0008820803,0.00029633965,0.00026373376,0.00045353503,0.0041586966,0.001189554,0.000409483,0.00051909697,0.000006031485],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002860333,0.00043969514,0.018945834,0.00026889378,0.00034338015,0.00006837955,0.35255855,0.000022560822,0.005670474,0.5550119,0.030571492,0.035812765],"study_design_scores_gemma":[0.00018971782,0.00051041954,0.0046265475,0.0004073451,0.00011707602,0.000022864362,0.010713626,0.0000071699214,0.001922223,0.031686056,0.94933325,0.00046370327],"about_ca_topic_score_codex":0.05033851,"about_ca_topic_score_gemma":0.77073026,"teacher_disagreement_score":0.91876173,"about_ca_system_score_codex":0.0003359984,"about_ca_system_score_gemma":0.00020592516,"threshold_uncertainty_score":0.99994886},"labels":[],"label_agreement":null},{"id":"W3086653650","doi":"10.7202/1070874ar","title":"Sensing the Border at Roxham Road","year":2020,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Representation (politics); Silhouette; Dimension (graph theory); Indeterminacy (philosophy); Confusion; Border crossing; Layering; Sociology; Visual arts; Political science; Art; Law; Computer science; Epistemology; Psychology; Artificial intelligence; Philosophy","score_opus":0.05498638277273264,"score_gpt":0.2922142696168658,"score_spread":0.23722788684413315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3086653650","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3058456,0.0020589058,0.0008843293,0.019028042,0.00079006184,0.0008898479,0.00016681806,0.002473053,0.66786337],"genre_scores_gemma":[0.91697294,0.00029348355,0.0013331415,0.01172771,0.00095935026,0.000056759254,0.00007416714,0.0001103101,0.06847214],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976713,0.0002762224,0.00058439607,0.0005430801,0.00036738394,0.0005576029],"domain_scores_gemma":[0.998641,0.00015642925,0.00021436348,0.00046289377,0.00033944586,0.00018582512],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0003895598,0.0004873931,0.00045669219,0.000094342475,0.0022863834,0.0011222652,0.0005511281,0.00013367357,0.0016253284],"category_scores_gemma":[0.00026071322,0.0003586177,0.0003772034,0.00011334135,0.0028176887,0.0010814143,0.00043315717,0.0005167438,0.00011936501],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028136506,0.00017018967,0.00025595247,0.0004453602,0.00024538604,0.00035525076,0.25657973,0.000004396907,0.0130155375,0.26415718,0.0942971,0.37019256],"study_design_scores_gemma":[0.00016279859,0.00023987415,0.00014906237,0.00030831993,0.00007383674,0.000062326915,0.003236867,0.000039273837,0.0053281183,0.0075182887,0.982342,0.00053921196],"about_ca_topic_score_codex":0.0038906573,"about_ca_topic_score_gemma":0.022529451,"teacher_disagreement_score":0.8880449,"about_ca_system_score_codex":0.0003706785,"about_ca_system_score_gemma":0.00004247338,"threshold_uncertainty_score":0.99991465},"labels":[],"label_agreement":null},{"id":"W3086750201","doi":"10.7202/1070873ar","title":"Between Security and Spectatorship: The Media of Transnational Mobility at Canadian Airports","year":2020,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Queen's University","funders":"","keywords":"Governmentality; Globalization; Representation (politics); Sociology; Order (exchange); Relation (database); Political science; Media studies; Business; Politics; Computer science; Law","score_opus":0.02975672616518903,"score_gpt":0.27588053869975643,"score_spread":0.2461238125345674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3086750201","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7405917,0.0015817052,0.00031117746,0.039976973,0.00035211723,0.0009811019,0.0010442814,0.00047933904,0.21468158],"genre_scores_gemma":[0.99689764,0.00019931245,0.000357164,0.0014458958,0.00019939884,0.00004488297,0.000044077893,0.000029136412,0.000782476],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977925,0.00045157602,0.00045785363,0.00040639454,0.00045172207,0.00043999567],"domain_scores_gemma":[0.9982874,0.00044661987,0.00016766437,0.00026315136,0.00023401162,0.0006011697],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0010962109,0.00021933028,0.00035340094,0.00030177593,0.0018135875,0.0002419224,0.00046910552,0.00019779935,0.0004265986],"category_scores_gemma":[0.00055856485,0.00023112095,0.00018184642,0.00033632576,0.0065604723,0.0004775979,0.00007958081,0.0003468996,0.0000034859518],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010201644,0.0000988468,0.034304004,0.00037363186,0.00013169856,0.0001839435,0.3247335,9.264887e-7,0.0003560252,0.5354794,0.018600773,0.08563521],"study_design_scores_gemma":[0.00012443186,0.000100885816,0.01760473,0.00008631765,0.00006800055,0.000011668527,0.0020201772,0.0000025183608,0.00064552034,0.045971546,0.93300223,0.000361943],"about_ca_topic_score_codex":0.6002828,"about_ca_topic_score_gemma":0.9873872,"teacher_disagreement_score":0.9144015,"about_ca_system_score_codex":0.002104629,"about_ca_system_score_gemma":0.00095461163,"threshold_uncertainty_score":0.9994859},"labels":[],"label_agreement":null},{"id":"W3086872844","doi":"10.7202/1070879ar","title":"Le slam-poésie dans l’espace camerounais francophone : formes, réception et postures","year":2020,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; French; Humanities","score_opus":0.028369836122197102,"score_gpt":0.28319308811469546,"score_spread":0.25482325199249833,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3086872844","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022376556,0.019311907,0.016753819,0.030985646,0.0020302513,0.000941063,0.0014186606,0.0014474475,0.9047347],"genre_scores_gemma":[0.9194956,0.0073966286,0.004501971,0.00982192,0.0031960884,0.00021065322,0.00048326422,0.00030767213,0.054586194],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950256,0.0006211811,0.0012996066,0.0011875465,0.0007148283,0.0011512568],"domain_scores_gemma":[0.99668145,0.0003556147,0.0006480326,0.00085003884,0.00093386124,0.0005310165],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0007973589,0.0011409521,0.0012185251,0.00038322137,0.0022020347,0.0015520484,0.00087319966,0.00046936012,0.0012066631],"category_scores_gemma":[0.00074795546,0.0011616912,0.0009625715,0.00036131407,0.004652594,0.0014156917,0.00044754593,0.0010663309,0.00010859609],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003134737,0.0005925621,0.00042208037,0.0007835713,0.00052582455,0.0004321769,0.08509688,0.000032642896,0.002893378,0.80866367,0.05679465,0.043449093],"study_design_scores_gemma":[0.0005374328,0.0010879757,0.00037088484,0.0013688324,0.00048559622,0.000066988585,0.015249053,0.00013602374,0.005168688,0.039059713,0.93504953,0.0014192881],"about_ca_topic_score_codex":0.03444016,"about_ca_topic_score_gemma":0.04445935,"teacher_disagreement_score":0.89711905,"about_ca_system_score_codex":0.00059393345,"about_ca_system_score_gemma":0.0005224093,"threshold_uncertainty_score":0.9997064},"labels":[],"label_agreement":null},{"id":"W3166375706","doi":"10.7202/1076382ar","title":"À travers forêts et bétons du texte : les dystopies scopiques de Marie Darrieussecq et de Karoline Georges","year":2021,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.08955908162685201,"score_gpt":0.32854785939891307,"score_spread":0.23898877777206107,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3166375706","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15803903,0.031792898,0.25531435,0.05296646,0.0020676926,0.0012986764,0.00080037693,0.003554615,0.4941659],"genre_scores_gemma":[0.79359585,0.010349109,0.08799031,0.017561428,0.00052999146,0.00021144064,0.00024108322,0.00023309153,0.0892877],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9931734,0.0016413663,0.001267459,0.0014228906,0.00068614143,0.0018087089],"domain_scores_gemma":[0.9947798,0.0013879419,0.0005116392,0.0013222464,0.0011572997,0.00084105897],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0018133217,0.0012737856,0.0011515255,0.00039218483,0.0012903328,0.004568182,0.0014321011,0.0006962891,0.00024353241],"category_scores_gemma":[0.0023236799,0.0011781991,0.00076385913,0.0007084764,0.0035937075,0.006622296,0.0013035382,0.0012039833,0.000020091087],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001350233,0.0007324606,0.0015164138,0.0007756417,0.0002707357,0.004518674,0.02670505,0.00006898376,0.012798132,0.6936376,0.018900078,0.23994121],"study_design_scores_gemma":[0.00049093395,0.0008773477,0.0027254815,0.0042140605,0.00016314516,0.0035186175,0.000758743,0.0003099843,0.10343698,0.15201107,0.7299262,0.0015674417],"about_ca_topic_score_codex":0.01205477,"about_ca_topic_score_gemma":0.022742948,"teacher_disagreement_score":0.71102613,"about_ca_system_score_codex":0.0017129311,"about_ca_system_score_gemma":0.0015444589,"threshold_uncertainty_score":0.9991179},"labels":[],"label_agreement":null},{"id":"W3168125419","doi":"10.7202/1076368ar","title":"Le topos du jardin comme « tapis de Turquie » au temps des humanistes, une figure d’art et de mémoire","year":2021,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.05075104466932354,"score_gpt":0.3119306104400475,"score_spread":0.26117956577072393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3168125419","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029777495,0.01447985,0.002314026,0.037683927,0.001461704,0.00061082933,0.0003014884,0.0011946746,0.912176],"genre_scores_gemma":[0.7368002,0.009831135,0.012100539,0.007434311,0.0011084954,0.000300166,0.0001757587,0.000156659,0.23209272],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9934905,0.0019496334,0.0009937112,0.0010880012,0.0007418846,0.0017362393],"domain_scores_gemma":[0.99660873,0.00076781935,0.0004241704,0.0006373417,0.00093475176,0.0006271941],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0017490244,0.0009640377,0.0011642362,0.00017602036,0.0053751697,0.0008145962,0.0010690913,0.0006846175,0.0006696927],"category_scores_gemma":[0.0013408693,0.00097217626,0.0008758631,0.00093372737,0.009190739,0.00156955,0.00074776344,0.0010337724,0.000109208995],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011540197,0.0009712639,0.004736796,0.0007384824,0.0003757284,0.0012143215,0.06352803,0.000009764179,0.0031028066,0.6902398,0.15237504,0.08259259],"study_design_scores_gemma":[0.00036196946,0.00040228435,0.0016548205,0.0018046175,0.00023571978,0.00019324038,0.00743092,0.0000044069375,0.004739653,0.058593135,0.92349577,0.0010834385],"about_ca_topic_score_codex":0.054349,"about_ca_topic_score_gemma":0.13557239,"teacher_disagreement_score":0.7711207,"about_ca_system_score_codex":0.0076692845,"about_ca_system_score_gemma":0.001478137,"threshold_uncertainty_score":0.9992729},"labels":[],"label_agreement":null},{"id":"W3168703928","doi":"10.7202/1076373ar","title":"Autochromes et jardins des Établissements Georges Truffaut (1911–1939) : deux loisirs créatifs pour un double dispositif de communication visuelle","year":2021,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Agence Nationale de la Recherche","keywords":"Humanities; Art","score_opus":0.09861541620744353,"score_gpt":0.34029140326006774,"score_spread":0.24167598705262422,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3168703928","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.367327,0.039722707,0.14267124,0.018454863,0.0014407027,0.0017105817,0.0004257342,0.002932095,0.42531505],"genre_scores_gemma":[0.8328077,0.0052664443,0.081774145,0.004283698,0.00018560964,0.0002609327,0.0003230122,0.00018687865,0.074911535],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9933859,0.0013223162,0.0014319526,0.0013917206,0.0008010085,0.0016670704],"domain_scores_gemma":[0.9941967,0.000818834,0.00063326,0.0020587626,0.0015426021,0.00074985635],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0013905927,0.0012276513,0.0011188556,0.00041608792,0.002017782,0.0057126237,0.0020014013,0.0005512886,0.00034146168],"category_scores_gemma":[0.0006838221,0.0011636165,0.00072346075,0.0011049517,0.0030990674,0.009046295,0.002023031,0.0009724574,0.00006370736],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023880054,0.002174689,0.0021547792,0.0009582401,0.0005581621,0.0016378994,0.043764513,0.00009917244,0.034705866,0.44597623,0.020372981,0.44735867],"study_design_scores_gemma":[0.0015816579,0.0010505321,0.012221081,0.008082436,0.00037139995,0.0027493732,0.0016131166,0.00095884176,0.30689156,0.20810449,0.45366532,0.0027102078],"about_ca_topic_score_codex":0.009297817,"about_ca_topic_score_gemma":0.0077891373,"teacher_disagreement_score":0.46548072,"about_ca_system_score_codex":0.0020444116,"about_ca_system_score_gemma":0.0007481897,"threshold_uncertainty_score":0.99961394},"labels":[],"label_agreement":null},{"id":"W3168901323","doi":"10.7202/1076369ar","title":"D’or et d’argent : les jardins incas dans les descriptions de Garcilaso de la Vega (1609)","year":2021,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Latin American history and culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Vega; Physics","score_opus":0.04494156099057392,"score_gpt":0.3006986906484433,"score_spread":0.25575712965786934,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3168901323","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07418442,0.019948773,0.018355941,0.0048805517,0.0012426712,0.0006512309,0.0012947675,0.0016099651,0.8778317],"genre_scores_gemma":[0.61461365,0.007534421,0.027490743,0.00489638,0.0010532832,0.0005270402,0.0002766049,0.00032097936,0.3432869],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99331194,0.002825459,0.0010724176,0.0010156544,0.00050563586,0.0012689107],"domain_scores_gemma":[0.99664253,0.0008462422,0.00045267402,0.00091871945,0.00065540493,0.00048444845],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0014048989,0.001051035,0.0009559628,0.0002953322,0.0036234728,0.0012602675,0.0007636466,0.0006656139,0.004659391],"category_scores_gemma":[0.0008421449,0.0010025625,0.0008296735,0.00028729683,0.009415958,0.0011602092,0.0004143588,0.0016075748,0.00003514912],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024521927,0.0012475566,0.0019007978,0.0009190616,0.00040485914,0.002068506,0.1491018,0.000033758908,0.012047322,0.6249443,0.084756546,0.12233025],"study_design_scores_gemma":[0.0003464985,0.000562641,0.0006833001,0.002385588,0.00040098827,0.0012463959,0.016289337,0.000029478331,0.008911383,0.015816804,0.9521608,0.0011667985],"about_ca_topic_score_codex":0.008810278,"about_ca_topic_score_gemma":0.03599692,"teacher_disagreement_score":0.8674042,"about_ca_system_score_codex":0.0032340784,"about_ca_system_score_gemma":0.0010686666,"threshold_uncertainty_score":0.99977654},"labels":[],"label_agreement":null},{"id":"W3168975651","doi":"10.7202/1076379ar","title":"Ce que l’on jardine : les « permis de végétaliser » de vingt municipalités françaises et le projet de la rue-jardin Kléber à Bordeaux","year":2021,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.03942514769226258,"score_gpt":0.32239764897250245,"score_spread":0.2829725012802399,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3168975651","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1454757,0.039880686,0.0027936115,0.017143963,0.000895401,0.0007831494,0.0003342959,0.00128812,0.7914051],"genre_scores_gemma":[0.89917755,0.01720057,0.013103213,0.00555193,0.0009077625,0.0005608372,0.00007137284,0.00024449735,0.06318225],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9897046,0.005295245,0.0010436374,0.0011659005,0.0008344197,0.0019561592],"domain_scores_gemma":[0.9954063,0.002046997,0.00040777607,0.0008527479,0.0007137869,0.000572368],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0043078894,0.0010802209,0.0012586496,0.00028691292,0.0033243059,0.0008775357,0.0010790221,0.0011242793,0.00046655769],"category_scores_gemma":[0.003225593,0.0011772786,0.0009714331,0.00088029396,0.0094541,0.0010500974,0.0006007549,0.0015787325,0.000018197834],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014239232,0.0012656178,0.0067167953,0.0006188558,0.00048645455,0.0011577463,0.100693606,0.000041405892,0.002374012,0.69284105,0.057893302,0.13576876],"study_design_scores_gemma":[0.0005160204,0.000379273,0.002357384,0.002401019,0.00024727138,0.00016768066,0.012500794,0.000040440584,0.010778881,0.05298553,0.9163468,0.0012789301],"about_ca_topic_score_codex":0.11711014,"about_ca_topic_score_gemma":0.060447603,"teacher_disagreement_score":0.85845345,"about_ca_system_score_codex":0.0036876993,"about_ca_system_score_gemma":0.0019802682,"threshold_uncertainty_score":0.9990677},"labels":[],"label_agreement":null},{"id":"W3169373056","doi":"10.7202/1076376ar","title":"Beyond Anti-Conquest: Unearthing the Botanical Archive with Locative Media","year":2021,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Affordance; CONQUEST; Colonialism; Subject (documents); Frame (networking); History; Aesthetics; Sociology; Visual arts; Media studies; Art; Archaeology; Computer science; Ancient history; World Wide Web","score_opus":0.027425795250552637,"score_gpt":0.259658660412677,"score_spread":0.23223286516212435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3169373056","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3908522,0.008086962,0.006776734,0.08410773,0.0013467883,0.0012291067,0.0005479318,0.0023811616,0.5046714],"genre_scores_gemma":[0.97074366,0.0015078798,0.0036336887,0.004257077,0.0007142605,0.00019724181,0.00015703033,0.00009751973,0.01869163],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971027,0.0005113531,0.00061959395,0.0006504574,0.0005044054,0.00061149057],"domain_scores_gemma":[0.9974534,0.0007926081,0.0002468368,0.00051885337,0.00080764666,0.00018068675],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00048509045,0.0005307304,0.00071346323,0.00009081666,0.0049387477,0.00061845063,0.000501866,0.00011817518,0.00046792405],"category_scores_gemma":[0.00038420362,0.00032666896,0.0003725395,0.00019969144,0.0050528594,0.00061032915,0.00029795273,0.00070894434,0.000026050275],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010682614,0.0003300557,0.000437299,0.00013133514,0.00061764574,0.00055498333,0.30853155,0.0000076086826,0.00079751224,0.6013745,0.01933358,0.06777707],"study_design_scores_gemma":[0.00027523877,0.0003768248,0.00025405246,0.00050665496,0.00032449764,0.00009758039,0.01544565,0.000018232253,0.001869763,0.083282344,0.8967068,0.00084233785],"about_ca_topic_score_codex":0.0021454392,"about_ca_topic_score_gemma":0.036944073,"teacher_disagreement_score":0.8773732,"about_ca_system_score_codex":0.0011148262,"about_ca_system_score_gemma":0.00009635506,"threshold_uncertainty_score":0.9999185},"labels":[],"label_agreement":null},{"id":"W3169986160","doi":"10.7202/1076375ar","title":"Stemple Pass (2012) et le projet Two Cabins : l’architecture de la solitude selon James Benning","year":2021,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.08404007630510062,"score_gpt":0.3354632226927366,"score_spread":0.25142314638763597,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3169986160","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05896637,0.031039754,0.21031041,0.026342284,0.0015802736,0.0013036714,0.00046799835,0.0030412762,0.66694796],"genre_scores_gemma":[0.8317678,0.0012897816,0.09854795,0.008515895,0.0004922736,0.00023072332,0.000190543,0.00021371641,0.058751337],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99321645,0.0020410537,0.0010594537,0.0014088734,0.00061338063,0.0016607606],"domain_scores_gemma":[0.99571216,0.000996417,0.0004537629,0.0012961394,0.0008735628,0.00066798326],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0016232304,0.001105815,0.001002246,0.00033550043,0.0012946,0.005233302,0.0012563191,0.00054711953,0.00008590447],"category_scores_gemma":[0.0008589697,0.0010023001,0.0006417527,0.0007860624,0.002844268,0.005737691,0.0013808298,0.001380702,0.000018017858],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008121677,0.00093316496,0.0005157393,0.00068379036,0.00023206408,0.0027156186,0.030184947,0.00012219319,0.017122924,0.5334773,0.026764847,0.3871662],"study_design_scores_gemma":[0.0005733861,0.0005511472,0.0010554016,0.0029124825,0.00009336526,0.0036950973,0.0007094136,0.00018501497,0.046185475,0.1015408,0.84116834,0.0013301062],"about_ca_topic_score_codex":0.008416499,"about_ca_topic_score_gemma":0.009573499,"teacher_disagreement_score":0.8144035,"about_ca_system_score_codex":0.0010978377,"about_ca_system_score_gemma":0.0012456459,"threshold_uncertainty_score":0.9998694},"labels":[],"label_agreement":null},{"id":"W3170593739","doi":"10.7202/1076370ar","title":"Jardiner pour l’oeil et pour l’oreille : le destin musical de la Théorie de l’art des jardins (1779–1785) de C. C. L. Hirschfeld1","year":2021,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.02776598658337369,"score_gpt":0.3087593903146198,"score_spread":0.2809934037312461,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3170593739","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11670981,0.013708364,0.03295038,0.029455742,0.0011777658,0.0006176239,0.0002992157,0.0016665133,0.8034146],"genre_scores_gemma":[0.64800155,0.0063363807,0.08448163,0.006699325,0.0015206649,0.00043128512,0.00008735848,0.0002731319,0.25216866],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98827523,0.005389012,0.001354339,0.0015155702,0.0009014403,0.0025644056],"domain_scores_gemma":[0.9935356,0.0030274636,0.00045275505,0.00094762404,0.0009606168,0.0010759354],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0038518952,0.0012825136,0.001478701,0.00037925565,0.003122683,0.0008333853,0.0012294148,0.0010966199,0.00089459686],"category_scores_gemma":[0.004468139,0.0013346084,0.0011587037,0.0012058219,0.008698123,0.0016872142,0.0008251358,0.0018161086,0.00010938272],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002450918,0.0020980968,0.011444868,0.0007129784,0.0005079841,0.0034656357,0.056985192,0.00004304517,0.010473485,0.46827194,0.2420199,0.20373176],"study_design_scores_gemma":[0.0005668074,0.00034982036,0.0018672888,0.0015870353,0.0002622624,0.0006748884,0.0031885593,0.00006551835,0.0070975684,0.159695,0.82335305,0.0012922187],"about_ca_topic_score_codex":0.009352089,"about_ca_topic_score_gemma":0.0058139395,"teacher_disagreement_score":0.5813331,"about_ca_system_score_codex":0.0050871987,"about_ca_system_score_gemma":0.0032564644,"threshold_uncertainty_score":0.99999267},"labels":[],"label_agreement":null},{"id":"W3170949080","doi":"10.7202/1076378ar","title":"L’Éden dans le discours postcolonial : rencontres interculturelles et imaginaires du lieu idéal dans Le dernier gardien de l’arbre de Jean-Roger Essomba1","year":2021,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"African history and culture studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.016068310970022585,"score_gpt":0.2894932438613356,"score_spread":0.27342493289131303,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3170949080","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1754682,0.036098935,0.013471575,0.103996225,0.0020386605,0.0010502562,0.00059266755,0.0016494305,0.66563404],"genre_scores_gemma":[0.92360413,0.005421141,0.00719504,0.0028925042,0.00090184395,0.00036152935,0.00009222145,0.00018809711,0.059343472],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9916479,0.0033747265,0.0010723127,0.0013804664,0.00073707907,0.0017874949],"domain_scores_gemma":[0.99652565,0.0007296848,0.0005609932,0.0008093672,0.00081118767,0.0005631245],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0019250131,0.0011531007,0.0012385963,0.00021309697,0.0042363037,0.000736087,0.0013257875,0.00070550194,0.000156658],"category_scores_gemma":[0.001694046,0.0011454712,0.0009965184,0.00062162796,0.012250584,0.0018472241,0.0007727014,0.0012540926,0.000023361448],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003420059,0.0015114384,0.009352346,0.00042576922,0.00085250643,0.0027187562,0.4006512,0.000037753896,0.020754341,0.44091824,0.06360002,0.05883563],"study_design_scores_gemma":[0.0006839096,0.0005121298,0.0030092115,0.002099097,0.0005271175,0.000568818,0.09280359,0.000018129125,0.022625316,0.05989032,0.8155092,0.0017531886],"about_ca_topic_score_codex":0.025936054,"about_ca_topic_score_gemma":0.13781905,"teacher_disagreement_score":0.75190914,"about_ca_system_score_codex":0.0031582753,"about_ca_system_score_gemma":0.001635635,"threshold_uncertainty_score":0.99909955},"labels":[],"label_agreement":null},{"id":"W3172300385","doi":"10.7202/1076377ar","title":"Tawâyihk et autres espaces au Jardin des Premières-Nations (Tio’tia:ke/Montréal)","year":2021,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.023640500578228228,"score_gpt":0.28588266535793644,"score_spread":0.2622421647797082,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3172300385","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04437873,0.060032748,0.006254871,0.03451596,0.0039896253,0.0011921892,0.0011789567,0.0018578226,0.8465991],"genre_scores_gemma":[0.37824315,0.028820576,0.017133193,0.003730251,0.0012344836,0.0005613264,0.00027461964,0.0003179368,0.5696845],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99210775,0.002418152,0.0012942682,0.0013975376,0.0010702427,0.0017120612],"domain_scores_gemma":[0.99497265,0.0011966669,0.0006044441,0.0011252441,0.0012349072,0.0008660697],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0021393115,0.0009557446,0.0011096228,0.0015006433,0.0063186265,0.0025318838,0.0011891478,0.0008601099,0.0021962954],"category_scores_gemma":[0.0026237583,0.0012427565,0.0010052904,0.0018061076,0.014355389,0.0032010798,0.00051931187,0.0012171668,0.00016369004],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000096984535,0.0007555248,0.0016374091,0.0009056342,0.00040094406,0.0011090033,0.06294371,0.00003655547,0.0017804316,0.4690829,0.12869015,0.33256075],"study_design_scores_gemma":[0.00032242876,0.0002839032,0.0015190566,0.0026386126,0.0003196047,0.00021248314,0.004771428,0.000017559074,0.002476771,0.0429916,0.94321305,0.001233534],"about_ca_topic_score_codex":0.49381045,"about_ca_topic_score_gemma":0.96606874,"teacher_disagreement_score":0.81452286,"about_ca_system_score_codex":0.011167839,"about_ca_system_score_gemma":0.0033195682,"threshold_uncertainty_score":0.9990022},"labels":[],"label_agreement":null},{"id":"W3172315308","doi":"10.7202/1076372ar","title":"Du jardin à La Jungla : La Havane, 42 calle Panorama. Représentations du jardin et de la nature dans l’oeuvre de Wifredo Lam","year":2021,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.019798024886168785,"score_gpt":0.3224575773970971,"score_spread":0.3026595525109283,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3172315308","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06055548,0.020168731,0.006453672,0.018936532,0.0017676947,0.000613249,0.00036842845,0.0012555631,0.88988066],"genre_scores_gemma":[0.8548306,0.02204607,0.015544867,0.0044032778,0.0013249051,0.00038681438,0.00013748754,0.0002054424,0.10112053],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.989218,0.0066190157,0.00094553863,0.0011086289,0.00078702107,0.0013218089],"domain_scores_gemma":[0.9944932,0.003164397,0.00041605256,0.0007147543,0.00072988897,0.00048172649],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["sts"],"category_scores_codex":[0.0034357395,0.00088447763,0.0010344533,0.00023981876,0.0026460725,0.0011549821,0.0009247283,0.001562289,0.00027729524],"category_scores_gemma":[0.0038917707,0.0009754793,0.00085700786,0.00096035533,0.009150477,0.0010333624,0.0005812452,0.0020361943,0.000022128886],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000066867244,0.0007967999,0.011240814,0.00029253762,0.00043001026,0.0024557195,0.12990908,0.000022352919,0.0018616266,0.663155,0.15138458,0.038384575],"study_design_scores_gemma":[0.00042810943,0.00016373386,0.0065814783,0.0012632856,0.00029267214,0.00041793621,0.009991702,0.000021099171,0.0025913022,0.06597738,0.9113037,0.00096758985],"about_ca_topic_score_codex":0.023507385,"about_ca_topic_score_gemma":0.041587338,"teacher_disagreement_score":0.7942751,"about_ca_system_score_codex":0.003404734,"about_ca_system_score_gemma":0.0013437567,"threshold_uncertainty_score":0.9998819},"labels":[],"label_agreement":null},{"id":"W3172403003","doi":"10.7202/1076374ar","title":"On What a Garden Can Remember. The Jardin du Québec and the Floralies internationales 1980 (Montreal)","year":2021,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of British Columbia","funders":"","keywords":"Materialism; Sociology; Point (geometry); Work (physics); Art history; Media studies; History; Epistemology; Philosophy; Engineering","score_opus":0.023602710562435375,"score_gpt":0.2457754683065094,"score_spread":0.22217275774407402,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3172403003","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24680912,0.021736722,0.00022703482,0.48394734,0.0011414764,0.00083380623,0.0001368906,0.00085462094,0.24431299],"genre_scores_gemma":[0.90197724,0.009457397,0.00015048542,0.0069504525,0.00055176916,0.00027900314,0.000044861816,0.000052787327,0.08053599],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977464,0.00050209486,0.00051569304,0.00046886943,0.00040258357,0.0003643268],"domain_scores_gemma":[0.9977412,0.00099801,0.00020299289,0.00042571945,0.00053944136,0.000092591945],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0005643936,0.00041877918,0.0005493589,0.00007952238,0.004705111,0.0012241616,0.00046049853,0.00008265314,0.00033014663],"category_scores_gemma":[0.00056724163,0.00022799142,0.00046367434,0.00009471513,0.0045526745,0.00049004774,0.0003184301,0.00037778058,0.000010185176],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018571959,0.00012336488,0.00014107839,0.00007213169,0.00049015885,0.000100995,0.22163242,0.000004149015,0.000043264656,0.6147863,0.048579834,0.11384057],"study_design_scores_gemma":[0.00034624193,0.00013050581,0.000109879125,0.0004180345,0.00020787641,0.000041960662,0.018958922,0.000019513998,0.00021592555,0.05825198,0.92090183,0.0003973255],"about_ca_topic_score_codex":0.057150465,"about_ca_topic_score_gemma":0.60886604,"teacher_disagreement_score":0.872322,"about_ca_system_score_codex":0.0015407904,"about_ca_system_score_gemma":0.00007945365,"threshold_uncertainty_score":0.99981266},"labels":[],"label_agreement":null},{"id":"W3172445260","doi":"10.7202/1076371ar","title":"Green Bonds: Ownership, Friendship, and Kinship in Eighteenth-Century British Gardens","year":2021,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Friendship; The arts; Kinship; Sister; Context (archaeology); Painting; Visual arts; Sociology; Art; History; Social science; Anthropology; Archaeology","score_opus":0.034135548157228364,"score_gpt":0.2604883542300094,"score_spread":0.22635280607278102,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3172445260","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07313751,0.01580455,0.00006874944,0.0018842451,0.0006012061,0.00037636908,0.00014764573,0.00087011687,0.9071096],"genre_scores_gemma":[0.9520651,0.0035771914,0.0011017467,0.0019141916,0.0005465894,0.00017629469,0.000100247584,0.00010126801,0.040417355],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99705505,0.0003333176,0.0007095057,0.0007902317,0.00038266848,0.00072922546],"domain_scores_gemma":[0.99857336,0.00020538643,0.00016864821,0.0004126136,0.00042386664,0.00021611204],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00043239494,0.0005280645,0.00068978895,0.00021068976,0.0011803982,0.00065460894,0.00033587008,0.00019201142,0.0008857946],"category_scores_gemma":[0.00029460175,0.00051202567,0.0002443819,0.00016115293,0.0026940666,0.0006024996,0.00032281337,0.00060144503,0.000022612954],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019133849,0.0009139122,0.003997582,0.000888711,0.0002613436,0.002988563,0.13533954,4.649108e-7,0.0012935222,0.5784194,0.06737224,0.20833337],"study_design_scores_gemma":[0.00029759711,0.0002313883,0.00081632717,0.0008620745,0.000062621584,0.00016170327,0.004995173,0.0000016439514,0.0006403708,0.023846675,0.96739286,0.0006915352],"about_ca_topic_score_codex":0.0022608354,"about_ca_topic_score_gemma":0.09228885,"teacher_disagreement_score":0.90002066,"about_ca_system_score_codex":0.0005270186,"about_ca_system_score_gemma":0.00007181756,"threshold_uncertainty_score":0.99973315},"labels":[],"label_agreement":null},{"id":"W3172770335","doi":"10.7202/1076380ar","title":"Jardiner à l’épreuve de la dualité sciences humaines / sciences naturelles","year":2021,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.06741280284620611,"score_gpt":0.34750542682702423,"score_spread":0.28009262398081813,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3172770335","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036452454,0.085897446,0.0014043754,0.011080075,0.0023765778,0.0004332502,0.00013039021,0.00090227486,0.8613232],"genre_scores_gemma":[0.83194274,0.021611432,0.020595338,0.004588574,0.0015209852,0.00020865342,0.00002351599,0.00012123886,0.11938755],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9900826,0.0043498343,0.0010240286,0.0014015038,0.001302907,0.0018391034],"domain_scores_gemma":[0.99479467,0.0030111086,0.00046468418,0.00050746754,0.00080659025,0.0004155032],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0067202444,0.0009243362,0.0010666436,0.00040182876,0.008322651,0.0016642237,0.0014409716,0.0010630712,0.0004669367],"category_scores_gemma":[0.004015465,0.00090600294,0.0007729663,0.0021628086,0.04497429,0.0017133114,0.0007575919,0.001342782,0.000030788164],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023069133,0.00041053616,0.0024844373,0.00026488857,0.00017919138,0.00039318897,0.033937063,0.000013937661,0.0011360182,0.8618576,0.025889108,0.07341098],"study_design_scores_gemma":[0.00022215994,0.000399675,0.00076030695,0.0016903684,0.00015326697,0.00014698913,0.010149993,0.000021864902,0.0052633923,0.14254858,0.83759564,0.0010477474],"about_ca_topic_score_codex":0.009341188,"about_ca_topic_score_gemma":0.010948377,"teacher_disagreement_score":0.81170654,"about_ca_system_score_codex":0.002054766,"about_ca_system_score_gemma":0.0013710671,"threshold_uncertainty_score":0.9993721},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"not_applicable","genre":"empirical","about_ca_system":false,"about_ca_topic":false,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"theoretical_or_conceptual","genre":"other","about_ca_system":false,"about_ca_topic":false,"confidence":"low"}],"label_agreement":"split"},{"id":"W3208591128","doi":"10.7202/1080952ar","title":"Les enjeux politiques du témoignage dans quelques essais de Claire Angelini","year":2021,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.0404601838801252,"score_gpt":0.30260000092759753,"score_spread":0.26213981704747236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3208591128","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020529432,0.07572432,0.0064888154,0.01371208,0.0015440538,0.0005406089,0.0014921656,0.0019483472,0.87802017],"genre_scores_gemma":[0.81284875,0.010622009,0.0114506725,0.010133085,0.0031796508,0.00037726873,0.0004948212,0.00037025037,0.15052347],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9925896,0.0022650473,0.0014780023,0.0013066479,0.0005874403,0.0017732963],"domain_scores_gemma":[0.9946909,0.0011057218,0.00034647255,0.0012102161,0.0020317424,0.0006149325],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0015173488,0.0013102804,0.0012562196,0.00039514835,0.0024382283,0.0023052492,0.00094843784,0.00086472015,0.0032349494],"category_scores_gemma":[0.0014031696,0.0013392243,0.0010459111,0.00026712826,0.009703434,0.002093803,0.000510174,0.0015446054,0.000049694157],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000104135186,0.0007714059,0.00053050683,0.0015262173,0.0002449144,0.0021743986,0.03138541,7.7068955e-7,0.0020736486,0.7881338,0.028611641,0.14444314],"study_design_scores_gemma":[0.00022926512,0.00051103765,0.00029722246,0.0041403766,0.00024534797,0.00053106,0.005516258,0.0000107857,0.021791795,0.32330048,0.6423705,0.0010558264],"about_ca_topic_score_codex":0.011958794,"about_ca_topic_score_gemma":0.010783366,"teacher_disagreement_score":0.79231936,"about_ca_system_score_codex":0.0017719266,"about_ca_system_score_gemma":0.00053004525,"threshold_uncertainty_score":0.9999649},"labels":[],"label_agreement":null},{"id":"W3208770479","doi":"10.7202/1080955ar","title":"Le commentaire de Jean Cayrol pour Nuit et Brouillard d’Alain Resnais : au confluent du témoignage et de l’intermédialité*","year":2021,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.08293732608755924,"score_gpt":0.3247826819307195,"score_spread":0.24184535584316028,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3208770479","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09847647,0.010852775,0.12881678,0.12258297,0.0020772677,0.0015353072,0.0011544011,0.002612794,0.63189125],"genre_scores_gemma":[0.88262796,0.0019307515,0.01959248,0.045901038,0.00044673143,0.0002038323,0.00028292355,0.0002075945,0.04880666],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99092865,0.0028416815,0.0015778174,0.0016534145,0.00080983643,0.0021885936],"domain_scores_gemma":[0.9941635,0.0011855203,0.00066448806,0.0017535192,0.0011106293,0.0011223411],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0024806205,0.0014000473,0.001313603,0.00038128064,0.0013885415,0.0048822053,0.0018464555,0.00068794796,0.00018901685],"category_scores_gemma":[0.0017762773,0.0013972674,0.000997002,0.0006975828,0.002546867,0.0054109744,0.0019670532,0.0013280003,0.0000534217],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019550532,0.0015293207,0.0020819425,0.00069487584,0.00037983467,0.0067946836,0.04025403,0.00008124461,0.018631514,0.6844131,0.10031128,0.1446327],"study_design_scores_gemma":[0.0010324016,0.0008831302,0.0020551009,0.0037532775,0.00015380395,0.0038158386,0.0016669248,0.0003657789,0.077705905,0.052672494,0.85408175,0.0018136231],"about_ca_topic_score_codex":0.036125686,"about_ca_topic_score_gemma":0.034630615,"teacher_disagreement_score":0.7841515,"about_ca_system_score_codex":0.003721346,"about_ca_system_score_gemma":0.0032564085,"threshold_uncertainty_score":0.9999115},"labels":[],"label_agreement":null},{"id":"W3209013510","doi":"10.7202/1080950ar","title":"L’objet en question. Quelques réflexions sur le statut de l’objet dans les mises en scène muséales de la disparition","year":2021,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.03736526728138722,"score_gpt":0.31491260620756495,"score_spread":0.2775473389261777,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3209013510","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.071479596,0.043936208,0.025767015,0.03951037,0.0020333852,0.0008826026,0.0010425644,0.0024446507,0.8129036],"genre_scores_gemma":[0.84818095,0.04166006,0.033302937,0.0025833128,0.0011679155,0.00039566949,0.00024379468,0.00014368989,0.07232169],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9918772,0.00441167,0.0008837938,0.0009417303,0.0006381569,0.0012474527],"domain_scores_gemma":[0.9960441,0.001852425,0.00034162853,0.0004592372,0.0008132817,0.0004893352],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0020538736,0.00079108047,0.00086835545,0.00020388409,0.0032232017,0.00076892105,0.0007370629,0.0007539058,0.00029581782],"category_scores_gemma":[0.0027293765,0.0008032045,0.00061976025,0.0006520859,0.007820059,0.0017561482,0.00046702218,0.0009386402,0.000025633957],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010474598,0.001146276,0.004332574,0.0005748766,0.00025199394,0.00059393584,0.058828305,0.000016330961,0.0063108266,0.8022697,0.021465143,0.10410527],"study_design_scores_gemma":[0.00029413606,0.00026096258,0.004613267,0.0021378915,0.0002551842,0.0001610329,0.009847814,0.000008681967,0.007992176,0.07276219,0.9007306,0.0009360284],"about_ca_topic_score_codex":0.10524346,"about_ca_topic_score_gemma":0.08467422,"teacher_disagreement_score":0.8792655,"about_ca_system_score_codex":0.0049591847,"about_ca_system_score_gemma":0.0013000823,"threshold_uncertainty_score":0.99944186},"labels":[],"label_agreement":null},{"id":"W3210745538","doi":"10.7202/1080959ar","title":"Faire résonner les récits de vie : la plateforme numérique « Archives vivantes »","year":2021,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Oral History, Memory, Narrative Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Humanities; Art","score_opus":0.029722943432987092,"score_gpt":0.28069001884118355,"score_spread":0.25096707540819646,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3210745538","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05631047,0.044292685,0.009692204,0.0084397,0.0013552144,0.0007093433,0.0008515285,0.001536983,0.87681186],"genre_scores_gemma":[0.53340656,0.008009797,0.009086833,0.0019729817,0.0012879383,0.00032484106,0.00025390188,0.00038748636,0.44526967],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99267155,0.0021048987,0.0015365941,0.0014530455,0.0006448901,0.0015890389],"domain_scores_gemma":[0.99552935,0.0012518183,0.0006700049,0.0012060184,0.000814643,0.00052817387],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0010190291,0.0014548403,0.001541707,0.0008096013,0.003065239,0.0012749595,0.0010238378,0.0006613249,0.002662717],"category_scores_gemma":[0.00084288913,0.001469643,0.0013535097,0.0003852972,0.010815724,0.0019402935,0.0005056125,0.0016217574,0.000079038495],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003140761,0.0011929215,0.001289545,0.0017716109,0.0009001008,0.002823157,0.123576835,0.000020765898,0.01491508,0.4805252,0.02046076,0.35220996],"study_design_scores_gemma":[0.00040528146,0.00057102286,0.00025226772,0.0040610395,0.00031333696,0.00057001575,0.015643131,0.0000915814,0.035740264,0.07098985,0.869801,0.0015612497],"about_ca_topic_score_codex":0.0036437833,"about_ca_topic_score_gemma":0.025060039,"teacher_disagreement_score":0.8493402,"about_ca_system_score_codex":0.0015886028,"about_ca_system_score_gemma":0.00072164653,"threshold_uncertainty_score":0.9998201},"labels":[],"label_agreement":null},{"id":"W3210848849","doi":"10.7202/1080953ar","title":"Voix off et voix vive sur fond rouge. Témoignages et images en mouvement dans l’exposition C’est notre histoire : Premières Nations et Inuit1 du XXIe siècle","year":2021,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Exposition (narrative); Literature","score_opus":0.021809665460179845,"score_gpt":0.2665181161893262,"score_spread":0.24470845072914635,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3210848849","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30318475,0.028755317,0.0056684045,0.08747172,0.004222154,0.0033463533,0.012007858,0.0033717952,0.5519717],"genre_scores_gemma":[0.68368065,0.00932162,0.0041846647,0.004083461,0.0007925926,0.00073181867,0.0017222157,0.00029543162,0.29518753],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99287134,0.002015327,0.0016068964,0.0014372658,0.000925017,0.0011441204],"domain_scores_gemma":[0.9952613,0.0010031395,0.00073014974,0.001035466,0.0016124793,0.00035743933],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0013941383,0.0013318366,0.0011557096,0.0005628924,0.0038823662,0.0031087557,0.0009268602,0.00059944077,0.0014423694],"category_scores_gemma":[0.00086995104,0.0014048874,0.00092144794,0.00037040774,0.0043447083,0.005093832,0.00091491593,0.0014072115,0.00007147322],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017777213,0.0021196287,0.0004932488,0.0015897112,0.00058547856,0.0012779699,0.16325429,0.00007206296,0.025016159,0.6894738,0.065663055,0.05027683],"study_design_scores_gemma":[0.00073177356,0.0008423667,0.0022294638,0.0045754937,0.0005350843,0.00032005252,0.011801277,0.000059415357,0.03112573,0.022691166,0.92332757,0.0017606305],"about_ca_topic_score_codex":0.030177971,"about_ca_topic_score_gemma":0.22613023,"teacher_disagreement_score":0.85766447,"about_ca_system_score_codex":0.0026792933,"about_ca_system_score_gemma":0.0005076493,"threshold_uncertainty_score":0.99994326},"labels":[],"label_agreement":null},{"id":"W3210947604","doi":"10.7202/1080954ar","title":"Entre les visages : l’image-témoin en glissement","year":2021,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.02911133606094679,"score_gpt":0.2984242797889111,"score_spread":0.2693129437279643,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3210947604","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033718385,0.052132424,0.00326471,0.013153258,0.002463026,0.0008774298,0.0008657569,0.001756947,0.89176804],"genre_scores_gemma":[0.4378541,0.008557729,0.008941471,0.004193743,0.0026818633,0.0003331208,0.00045935094,0.00036054282,0.53661805],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9938789,0.0016167412,0.001302176,0.0012276518,0.0006494184,0.001325086],"domain_scores_gemma":[0.99646986,0.000685664,0.000417216,0.0009735595,0.0010548747,0.00039883304],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0012175454,0.0012259934,0.0010862765,0.00033122252,0.0026888147,0.0018210381,0.0008157276,0.0005170798,0.0077141225],"category_scores_gemma":[0.00057578256,0.0011948798,0.0008882317,0.00022429832,0.0056314063,0.001893666,0.0007206857,0.0011406922,0.00020475403],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000121078985,0.00096044305,0.00013817527,0.0010805995,0.00035668616,0.0012966068,0.045913253,0.000002060837,0.009431145,0.6147773,0.06387057,0.26205203],"study_design_scores_gemma":[0.00035800957,0.00064756064,0.00009555098,0.00336566,0.00031138308,0.00027264075,0.010724317,0.0000065658146,0.05831285,0.04615442,0.8785314,0.0012196676],"about_ca_topic_score_codex":0.0017481069,"about_ca_topic_score_gemma":0.0073412536,"teacher_disagreement_score":0.8146608,"about_ca_system_score_codex":0.0010806535,"about_ca_system_score_gemma":0.00026024404,"threshold_uncertainty_score":0.9992152},"labels":[],"label_agreement":null},{"id":"W3211607456","doi":"10.7202/1080951ar","title":"Faire la navette : construire un objet-témoin de la mémoire collective de la ville postindustrielle belge de Verviers","year":2021,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.026691745083699873,"score_gpt":0.28142611855081656,"score_spread":0.2547343734671167,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3211607456","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28188616,0.012722898,0.001030838,0.0046774577,0.00058037153,0.0005844575,0.00086035614,0.0009457287,0.6967117],"genre_scores_gemma":[0.7300082,0.0039947415,0.007583487,0.0027329035,0.00069689145,0.00026383562,0.00016311891,0.00023058944,0.25432622],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99263656,0.003745304,0.00091964105,0.00091748283,0.00044737596,0.001333636],"domain_scores_gemma":[0.99583435,0.0019816947,0.00039262624,0.0006484349,0.0006642786,0.0004786193],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0019735333,0.00095425936,0.00095985056,0.00028925386,0.003318977,0.0024134703,0.000701996,0.0011301427,0.00168748],"category_scores_gemma":[0.0012216103,0.0010504266,0.0007374027,0.00039882198,0.010723761,0.0013001625,0.00053501653,0.0019512094,0.000026679867],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028225855,0.0010709309,0.0023008422,0.0010583452,0.00073822285,0.0066343234,0.11156174,0.000014001039,0.009817434,0.6819166,0.058784086,0.12582125],"study_design_scores_gemma":[0.00071337994,0.00038712705,0.00086126465,0.0034382716,0.00041639118,0.0025537494,0.01608364,0.000041657368,0.027918443,0.06297619,0.8834143,0.0011955821],"about_ca_topic_score_codex":0.010188835,"about_ca_topic_score_gemma":0.009904139,"teacher_disagreement_score":0.8246302,"about_ca_system_score_codex":0.003560576,"about_ca_system_score_gemma":0.0018068507,"threshold_uncertainty_score":0.99922514},"labels":[],"label_agreement":null},{"id":"W3211752264","doi":"10.7202/1080956ar","title":"Filip Müller : témoin, narrateur et figure","year":2021,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art; Art history","score_opus":0.11869406062361906,"score_gpt":0.3259081992428421,"score_spread":0.20721413861922303,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3211752264","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019339463,0.02921196,0.044087913,0.029282322,0.0035041317,0.0008063969,0.00033646123,0.0022864523,0.8711449],"genre_scores_gemma":[0.39629728,0.0035384241,0.040964328,0.02381098,0.0006459424,0.00017905438,0.00028407827,0.00023360213,0.53404635],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99353176,0.0011114893,0.0013071761,0.0016674538,0.00082394766,0.0015581535],"domain_scores_gemma":[0.99481434,0.00057837385,0.00047219385,0.0017168827,0.0016577386,0.00076048286],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00095346617,0.0012589453,0.001095362,0.0003159386,0.0010766063,0.0050566047,0.0014216219,0.00066535105,0.00080480415],"category_scores_gemma":[0.0012188999,0.0011332849,0.000826684,0.0010684677,0.0026643723,0.008112598,0.0013831053,0.0012225462,0.000183741],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008632379,0.00085704715,0.00017176615,0.00063458894,0.0002135431,0.004888546,0.021094045,0.000029050467,0.011282227,0.4353111,0.17080694,0.3546248],"study_design_scores_gemma":[0.0003557925,0.0006973861,0.0005329073,0.0030482134,0.00007757249,0.0021998386,0.00052970473,0.00016824364,0.05117804,0.07191795,0.86789334,0.0014010052],"about_ca_topic_score_codex":0.0024736996,"about_ca_topic_score_gemma":0.0043888623,"teacher_disagreement_score":0.6970864,"about_ca_system_score_codex":0.000962955,"about_ca_system_score_gemma":0.00070859643,"threshold_uncertainty_score":0.9991117},"labels":[],"label_agreement":null},{"id":"W3212396785","doi":"10.7202/1080958ar","title":"Faire son temps. Boltanski/Benjamin, le conteur comme témoin","year":2021,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.038166805841007484,"score_gpt":0.28312774711518124,"score_spread":0.24496094127417375,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3212396785","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008087012,0.09361789,0.0040505207,0.015843114,0.0028145402,0.0007194594,0.0013499758,0.001483797,0.8720337],"genre_scores_gemma":[0.52932584,0.0031077296,0.003954079,0.012378669,0.0016886877,0.00028722637,0.00049614446,0.00032009493,0.44844154],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9933922,0.0015504855,0.0015376451,0.0013148526,0.0006359577,0.0015688352],"domain_scores_gemma":[0.9953358,0.0010146459,0.0003456775,0.0013281073,0.0014416669,0.0005340817],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0012247225,0.0012762875,0.0013849892,0.00035202934,0.0023763706,0.0022517662,0.00091310905,0.0007094719,0.001978648],"category_scores_gemma":[0.0008159356,0.0013176502,0.0009774795,0.00029580022,0.008749427,0.0022068773,0.00053423154,0.0016286261,0.00011175212],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000120845776,0.00091168936,0.00007160128,0.0011076529,0.00022711471,0.0014854092,0.0120930625,6.6173817e-7,0.0025404133,0.757386,0.05929865,0.1647569],"study_design_scores_gemma":[0.00045986206,0.0005751761,0.000044600834,0.0039999494,0.00018826906,0.0003797222,0.0032861766,0.000011240347,0.02035013,0.22293228,0.74663776,0.0011348512],"about_ca_topic_score_codex":0.003189314,"about_ca_topic_score_gemma":0.0066856705,"teacher_disagreement_score":0.6873391,"about_ca_system_score_codex":0.00076412753,"about_ca_system_score_gemma":0.00045160553,"threshold_uncertainty_score":0.9999989},"labels":[],"label_agreement":null},{"id":"W4205624914","doi":"10.7202/1005602ar","title":"Notices biobibliographiques","year":2007,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.0578277024809009,"score_gpt":0.32948758041485965,"score_spread":0.27165987793395874,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205624914","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026929105,0.034316953,0.0023903586,0.009013122,0.0036847785,0.00076624507,0.0001460688,0.0019167673,0.9208366],"genre_scores_gemma":[0.82016736,0.029125268,0.014750763,0.004448829,0.0016550593,0.00013362344,0.000046776633,0.00015321975,0.12951908],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99437165,0.0006891305,0.0011726307,0.0010565326,0.0009706454,0.0017393999],"domain_scores_gemma":[0.996472,0.000786299,0.0005426198,0.0005295416,0.0010364117,0.00063312915],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0027701324,0.0009513198,0.0009710295,0.001199963,0.003400564,0.00068281067,0.0011292831,0.00066709047,0.0007118244],"category_scores_gemma":[0.0005233375,0.0008755151,0.0008722991,0.0031455539,0.014520967,0.002516206,0.0005061972,0.0008581016,0.00014622997],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015824138,0.00058319664,0.002589442,0.0003690096,0.00023421149,0.000353419,0.021547083,7.689167e-7,0.00080170325,0.47324184,0.03828243,0.46183866],"study_design_scores_gemma":[0.00020330478,0.000635679,0.0019987118,0.0013121762,0.00021520311,0.000029659328,0.003938406,0.0000011852677,0.0033366529,0.02963637,0.957593,0.0010996141],"about_ca_topic_score_codex":0.031612795,"about_ca_topic_score_gemma":0.040740058,"teacher_disagreement_score":0.9193106,"about_ca_system_score_codex":0.002078281,"about_ca_system_score_gemma":0.000121862206,"threshold_uncertainty_score":0.99936956},"labels":[],"label_agreement":null},{"id":"W4210303132","doi":"10.7202/1033334ar","title":"Présentation","year":2014,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Computer science","score_opus":0.03649989558764746,"score_gpt":0.31293028730562616,"score_spread":0.2764303917179787,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210303132","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007683203,0.00607581,0.01706463,0.0061082365,0.0038798312,0.00048667204,0.0003096278,0.0008831679,0.9575088],"genre_scores_gemma":[0.6978895,0.0026582715,0.010334914,0.0041562137,0.008152926,0.00021239411,0.00035393727,0.0002621686,0.27597967],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959112,0.00065958174,0.001112048,0.00084533385,0.00054402504,0.0009278381],"domain_scores_gemma":[0.99693936,0.00048354533,0.0005024762,0.0008364057,0.0009194062,0.00031881084],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0012323918,0.0008086924,0.0008283607,0.0005080904,0.001914704,0.0014726816,0.00060631987,0.000319419,0.0019707312],"category_scores_gemma":[0.0008194885,0.00080074876,0.0006787394,0.00017200246,0.0049213488,0.0010151985,0.00024767153,0.00059048826,0.00014494528],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006059228,0.0003759877,0.0003413666,0.00047345876,0.00021205143,0.00007820499,0.00945733,0.000009624131,0.00025586513,0.7666438,0.030547356,0.19154432],"study_design_scores_gemma":[0.00024822474,0.0005096845,0.00013700669,0.0012823564,0.00047133077,0.00003952083,0.0011667736,0.00021257931,0.0024409792,0.15736833,0.83529556,0.0008276834],"about_ca_topic_score_codex":0.00947896,"about_ca_topic_score_gemma":0.008640112,"teacher_disagreement_score":0.8047482,"about_ca_system_score_codex":0.00064034236,"about_ca_system_score_gemma":0.00013137136,"threshold_uncertainty_score":0.9995639},"labels":[],"label_agreement":null},{"id":"W4231250302","doi":"10.7202/1005501ar","title":"Rituels","year":2005,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.0342648065014145,"score_gpt":0.31284257411291233,"score_spread":0.27857776761149783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231250302","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.064829215,0.065570556,0.019153792,0.020782683,0.003443697,0.0033177114,0.00251817,0.010698912,0.8096853],"genre_scores_gemma":[0.61632997,0.005408565,0.12873915,0.008361682,0.0027657906,0.0010779108,0.00039483717,0.0017190396,0.23520303],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9863813,0.0026612764,0.003044372,0.0026594335,0.0016434732,0.0036101714],"domain_scores_gemma":[0.991599,0.0011669695,0.0012490749,0.0030216174,0.0016710665,0.0012922308],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0040503847,0.002727304,0.0022695558,0.0016295714,0.0021842418,0.0016379242,0.002635974,0.0015540144,0.0027090872],"category_scores_gemma":[0.0018732359,0.0030880477,0.001627968,0.0015856634,0.014246866,0.006169575,0.0013202282,0.0027115333,0.0036373883],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00051761465,0.0019892538,0.0011112785,0.001053655,0.0004840436,0.00097313884,0.007584198,0.000040629286,0.024451828,0.15185234,0.12796113,0.6819809],"study_design_scores_gemma":[0.00092920155,0.0010872851,0.00061681424,0.0054701157,0.00049258245,0.0015063442,0.00035680088,0.00013136039,0.08854937,0.036568515,0.8614977,0.002793887],"about_ca_topic_score_codex":0.0038612906,"about_ca_topic_score_gemma":0.0093908645,"teacher_disagreement_score":0.7335366,"about_ca_system_score_codex":0.008577218,"about_ca_system_score_gemma":0.000687822,"threshold_uncertainty_score":0.99974215},"labels":[],"label_agreement":null},{"id":"W4231452721","doi":"10.7202/im","title":"Intermédialités: Histoire et théorie des arts, des lettres et des techniques","year":2012,"lang":"fr","type":"paratext","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.10886297358647389,"score_gpt":0.332196402392198,"score_spread":0.2233334288057241,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231452721","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0153539255,0.048833776,0.08966306,0.003924233,0.0054412186,0.004071171,0.0019063291,0.0070191687,0.8237871],"genre_scores_gemma":[0.4348902,0.018934654,0.116983145,0.012826563,0.0028900178,0.0024899067,0.0020786212,0.0015806431,0.40732622],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9780365,0.0036446662,0.005153313,0.0048774704,0.0025458578,0.005742176],"domain_scores_gemma":[0.9831418,0.0024236494,0.003066207,0.004756224,0.0039324723,0.0026796667],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","open_science","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"category_scores_codex":[0.0040777307,0.006061377,0.004994419,0.0023965854,0.0054670484,0.011194834,0.0066631837,0.003170778,0.0012343875],"category_scores_gemma":[0.0027984018,0.005357828,0.0030899043,0.0023981691,0.022532891,0.021237101,0.004961271,0.0047367173,0.0007142723],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006423539,0.0023804938,0.0007441778,0.003776175,0.00093447254,0.0017200041,0.027403004,0.000024985084,0.011399176,0.21927409,0.13297914,0.5987219],"study_design_scores_gemma":[0.0008012798,0.002964072,0.00086199143,0.017202862,0.0006078287,0.0031416125,0.0009285112,0.00006221644,0.057911605,0.097139865,0.8123066,0.006071567],"about_ca_topic_score_codex":0.017702354,"about_ca_topic_score_gemma":0.014625099,"teacher_disagreement_score":0.6793274,"about_ca_system_score_codex":0.0075191064,"about_ca_system_score_gemma":0.0016185587,"threshold_uncertainty_score":0.9996786},"labels":[],"label_agreement":null},{"id":"W4232340216","doi":"10.7202/1086251ar","title":"Rio de Janeiro as a Park of Ruins: Digging through Images in a Site-Specific Poetry Book","year":2021,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Memory, Trauma, and Testimony","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Garcia; Poetry; Digging; Relation (database); Reading (process); Art; Order (exchange); Art history; Humanities; Aesthetics; Sociology; History; Visual arts; Archaeology; Literature; Philosophy; Linguistics; Computer science","score_opus":0.04580536879050136,"score_gpt":0.3419638963689747,"score_spread":0.29615852757847333,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232340216","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20353428,0.11778447,0.007376554,0.0040936107,0.0016339314,0.00096325006,0.0004014599,0.0009228641,0.6632896],"genre_scores_gemma":[0.7800317,0.017531717,0.047524992,0.0071325586,0.0007006355,0.0005465689,0.00023803061,0.00046371465,0.14583008],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99198437,0.0021351995,0.0019370167,0.001613981,0.0005755515,0.0017539106],"domain_scores_gemma":[0.99505055,0.0015903814,0.0006841203,0.0017604446,0.0005533342,0.00036119216],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0016274109,0.0011728616,0.0015871947,0.0005970685,0.0005289816,0.00038202302,0.0009370435,0.0009291097,0.0025035092],"category_scores_gemma":[0.0010467825,0.0013495984,0.0007675721,0.00082052813,0.004556906,0.0011502487,0.00043812505,0.0016299143,0.00012834047],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011490457,0.004509626,0.024439754,0.0031255158,0.0005430246,0.017323595,0.072536565,0.000023910226,0.06462238,0.13941063,0.14803477,0.5242812],"study_design_scores_gemma":[0.0011968645,0.00085449906,0.0044258833,0.0065705287,0.00019291877,0.0020324467,0.002163429,0.000010297164,0.09988592,0.053562213,0.827735,0.0013699874],"about_ca_topic_score_codex":0.0064185425,"about_ca_topic_score_gemma":0.0036631397,"teacher_disagreement_score":0.67970026,"about_ca_system_score_codex":0.0015400776,"about_ca_system_score_gemma":0.0004947712,"threshold_uncertainty_score":0.99889535},"labels":[],"label_agreement":null},{"id":"W4232616941","doi":"10.7202/1033345ar","title":"Index des numéros papier","year":2014,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Diverse Scientific and Economic Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Index (typography); Computer science; World Wide Web","score_opus":0.0379521623370421,"score_gpt":0.25889966917143853,"score_spread":0.22094750683439643,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232616941","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03857749,0.017455868,0.027056582,0.0020744563,0.0072124396,0.0007014374,0.0011182848,0.0007539816,0.90504944],"genre_scores_gemma":[0.42752725,0.0053647975,0.011830839,0.0023284126,0.0006140441,0.00022290557,0.00006209528,0.00019145475,0.5518582],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99460053,0.0002755242,0.0017790301,0.0016267326,0.00017008772,0.0015481166],"domain_scores_gemma":[0.9967319,0.0004369247,0.00088533293,0.0012398376,0.0003287036,0.0003773147],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.002820614,0.0009627764,0.0014747054,0.00075573055,0.0015436908,0.0010063313,0.0011194097,0.00057418545,0.005067231],"category_scores_gemma":[0.0010114348,0.0011733719,0.00076361396,0.0005118092,0.0074339868,0.002091122,0.0007560491,0.00072214374,0.0023678348],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000119304816,0.00050993793,0.027067209,0.0006931047,0.00041811183,0.00006565515,0.009508609,0.000034200933,0.00009379246,0.39210045,0.16572304,0.4036666],"study_design_scores_gemma":[0.00049184536,0.0003524661,0.003409447,0.0009908671,0.000061423496,0.00006261663,0.0008192617,0.00030728767,0.00081208424,0.12480101,0.86670786,0.0011837981],"about_ca_topic_score_codex":0.002779384,"about_ca_topic_score_gemma":0.0015388139,"teacher_disagreement_score":0.70098484,"about_ca_system_score_codex":0.0017620313,"about_ca_system_score_gemma":0.000083547064,"threshold_uncertainty_score":0.99975616},"labels":[],"label_agreement":null},{"id":"W4232934607","doi":"10.7202/1058475ar","title":"Surveillant Intimacies","year":2019,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Gender, Feminism, and Media","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Vignette; Agency (philosophy); Social media; Internet privacy; Object (grammar); The Internet; Sociology; Psychology; Social psychology; Computer science; World Wide Web","score_opus":0.03758982171639993,"score_gpt":0.323026605740096,"score_spread":0.2854367840236961,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232934607","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31584945,0.0008814609,0.0014559389,0.0013817578,0.0013284304,0.0008057457,0.00005831515,0.0015819188,0.67665696],"genre_scores_gemma":[0.94453317,0.0012562084,0.0042912746,0.0016567567,0.00032095044,0.00013902862,0.000048992,0.000091878486,0.047661763],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961198,0.0007639058,0.00065627665,0.00072186976,0.0007209967,0.0010171264],"domain_scores_gemma":[0.9976606,0.0005884439,0.00026186634,0.00069915666,0.0004362184,0.0003537176],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0022638883,0.0005014212,0.00062442664,0.00034488837,0.0009845174,0.00039647496,0.0008678542,0.0003545125,0.0006168269],"category_scores_gemma":[0.00084184116,0.00048111778,0.00035984666,0.00040797677,0.0028579768,0.0008510906,0.00025981333,0.00049648114,0.00015117993],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023485272,0.0004852012,0.04507087,0.00048033768,0.0001959883,0.0002362389,0.17300911,0.0000033815747,0.014440423,0.24536173,0.029907158,0.4905747],"study_design_scores_gemma":[0.0003129685,0.00037181683,0.003784972,0.0004634968,0.000042122865,0.000045850193,0.010819099,0.0000041588464,0.010767405,0.024935525,0.94756186,0.00089070795],"about_ca_topic_score_codex":0.0039855344,"about_ca_topic_score_gemma":0.007123817,"teacher_disagreement_score":0.9176547,"about_ca_system_score_codex":0.0007353257,"about_ca_system_score_gemma":0.0003630922,"threshold_uncertainty_score":0.9998557},"labels":[],"label_agreement":null},{"id":"W4233824210","doi":"10.7202/1012665ar","title":"Errata & corrigenda","year":2012,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Diverse Scientific and Economic Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Chemistry; Mathematics","score_opus":0.07676830383102269,"score_gpt":0.28590319920943325,"score_spread":0.20913489537841057,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233824210","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019692985,0.055425555,0.008872674,0.002148593,0.016657906,0.0006426017,0.0026075514,0.00062791776,0.8933242],"genre_scores_gemma":[0.17974117,0.00706885,0.016760988,0.0022459005,0.0008254598,0.00018140824,0.00015747327,0.00017072538,0.792848],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950616,0.00020241311,0.0016188396,0.0011861445,0.00014833325,0.0017826795],"domain_scores_gemma":[0.99695176,0.00028084044,0.0008382596,0.0012444732,0.00022315471,0.00046153038],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0026919376,0.00086010573,0.001269091,0.0006495599,0.0012211305,0.0006584118,0.00097169797,0.00048667614,0.00988608],"category_scores_gemma":[0.0006553819,0.0010652771,0.000683304,0.00045908435,0.0043367823,0.0028897743,0.0007740168,0.00067980064,0.0061590825],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000072128925,0.0006054277,0.019342905,0.0003938606,0.00035237643,0.00003093597,0.012157848,0.00000537579,0.0000818876,0.35384008,0.4957584,0.11735877],"study_design_scores_gemma":[0.0002943294,0.00015297343,0.001894568,0.00060041406,0.00008283695,0.000102817656,0.000872121,0.000022390826,0.00059245055,0.021120453,0.97313154,0.0011330901],"about_ca_topic_score_codex":0.002530732,"about_ca_topic_score_gemma":0.0011560667,"teacher_disagreement_score":0.47737315,"about_ca_system_score_codex":0.0018055259,"about_ca_system_score_gemma":0.000079033685,"threshold_uncertainty_score":0.9991797},"labels":[],"label_agreement":null},{"id":"W4239063398","doi":"10.7202/1080949ar","title":"Introduction","year":2020,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"","field":"","cited_by":4,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Computer science","score_opus":0.03593650013458555,"score_gpt":0.29699283536738486,"score_spread":0.2610563352327993,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239063398","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06227962,0.05690842,0.074922875,0.23719323,0.0097921835,0.0055856938,0.0031440023,0.02056336,0.52961063],"genre_scores_gemma":[0.7117859,0.007226253,0.111886784,0.023145307,0.01528887,0.0013066801,0.0011789495,0.0027207904,0.12546048],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.988618,0.0025059886,0.002398182,0.0027675729,0.0013007009,0.0024095385],"domain_scores_gemma":[0.9935899,0.00057545985,0.0010958719,0.0019351464,0.0014816239,0.001322011],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0023478358,0.0021263063,0.001883249,0.0008420083,0.0016105075,0.0012840265,0.0018336186,0.0010977661,0.002868599],"category_scores_gemma":[0.003494743,0.0024439879,0.0011829822,0.0019615644,0.010115298,0.004506856,0.0011018171,0.002523057,0.0026567727],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009942438,0.00083956297,0.00067997136,0.0017284232,0.00045608776,0.0008404155,0.012233201,0.00004358774,0.06056806,0.11500652,0.3843651,0.42224482],"study_design_scores_gemma":[0.0006377726,0.0019421391,0.00029918348,0.0018891585,0.00048779283,0.00077264546,0.00065876707,0.00018315292,0.09065514,0.019108582,0.88124484,0.0021208576],"about_ca_topic_score_codex":0.0020181923,"about_ca_topic_score_gemma":0.001299146,"teacher_disagreement_score":0.6495063,"about_ca_system_score_codex":0.0045167217,"about_ca_system_score_gemma":0.0005021334,"threshold_uncertainty_score":0.99977815},"labels":[],"label_agreement":null},{"id":"W4241385279","doi":"10.7202/1020616ar","title":"Liminaire","year":2013,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.04578383009396987,"score_gpt":0.2982262286855542,"score_spread":0.25244239859158435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241385279","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03203878,0.051357605,0.0021819617,0.020547591,0.003594449,0.0013678727,0.00009302652,0.0017136169,0.8871051],"genre_scores_gemma":[0.6278013,0.014255516,0.010528565,0.0047581545,0.0015006652,0.00075433886,0.000034599707,0.00019296256,0.34017387],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99420285,0.0011947401,0.0010737864,0.0009960737,0.00083894195,0.0016936274],"domain_scores_gemma":[0.99665093,0.00069901935,0.00045056044,0.0007008232,0.00093206274,0.0005665944],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0012425759,0.0009607549,0.001035168,0.00029303605,0.003172674,0.00085371913,0.0011163076,0.00074580807,0.0018145186],"category_scores_gemma":[0.0010349489,0.0009927182,0.0007365637,0.00083994603,0.014475008,0.0024458037,0.00051037665,0.0009340043,0.00045656864],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020076328,0.00033290623,0.0007095536,0.00026527472,0.0001483189,0.000091541835,0.03497417,7.061335e-7,0.00026632147,0.31475022,0.128794,0.51964694],"study_design_scores_gemma":[0.00019304472,0.00051395915,0.001871671,0.0014176065,0.00012680107,0.00002860611,0.003858149,0.000011177168,0.0010453204,0.15245722,0.8374514,0.0010250384],"about_ca_topic_score_codex":0.06775428,"about_ca_topic_score_gemma":0.023624858,"teacher_disagreement_score":0.7086574,"about_ca_system_score_codex":0.003192488,"about_ca_system_score_gemma":0.00029584687,"threshold_uncertainty_score":0.9992523},"labels":[],"label_agreement":null},{"id":"W4242673908","doi":"10.7202/1041715ar","title":"Liminaire","year":2016,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.04964839950019842,"score_gpt":0.3046314549637235,"score_spread":0.25498305546352507,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242673908","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01985274,0.04982754,0.007348691,0.034518786,0.0044471747,0.00090677163,0.00024001485,0.0019136166,0.88094467],"genre_scores_gemma":[0.5927181,0.022868825,0.0059577627,0.0028013047,0.0015172962,0.00030222526,0.000013164441,0.00017150545,0.37364978],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9942057,0.0012541752,0.001021515,0.0010411841,0.00083972357,0.001637714],"domain_scores_gemma":[0.9965555,0.0010564682,0.00045456967,0.000716833,0.0007047444,0.0005118942],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0016418102,0.0009182227,0.0009901638,0.00028706223,0.0027578801,0.00039600476,0.0010860616,0.0007101015,0.00091071904],"category_scores_gemma":[0.0015148034,0.00076971884,0.00074971636,0.0007050447,0.017162517,0.0018837634,0.00049502315,0.00057088805,0.00021705258],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004873783,0.0002461301,0.00073587237,0.00016172027,0.00012869296,0.00014467514,0.018820737,1.2132008e-7,0.0005957278,0.37312126,0.057772256,0.54822403],"study_design_scores_gemma":[0.00028420181,0.0005546694,0.0009698043,0.0027185236,0.00012994304,0.00003081215,0.0014433654,0.0000011961573,0.002591711,0.13560674,0.8547146,0.0009544636],"about_ca_topic_score_codex":0.01438882,"about_ca_topic_score_gemma":0.0242604,"teacher_disagreement_score":0.7969423,"about_ca_system_score_codex":0.0040853675,"about_ca_system_score_gemma":0.00034339225,"threshold_uncertainty_score":0.9997378},"labels":[],"label_agreement":null},{"id":"W4243221623","doi":"10.7202/1005502ar","title":"Présentation","year":2005,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Computer science","score_opus":0.03966393754788052,"score_gpt":0.32048036663146323,"score_spread":0.28081642908358273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243221623","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009697646,0.0157511,0.0056734406,0.012981616,0.0028251966,0.0005710911,0.0004933196,0.0009549655,0.95105165],"genre_scores_gemma":[0.5842338,0.005215863,0.01684814,0.004846168,0.011125312,0.00022492842,0.00034553418,0.0002573476,0.37690288],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99601996,0.00042241716,0.001195176,0.00083320163,0.000558457,0.00097081653],"domain_scores_gemma":[0.99720865,0.00031850568,0.00048409967,0.00076783466,0.0008991493,0.00032178426],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0008843613,0.00082548655,0.00077893725,0.000540159,0.0018826198,0.0014427562,0.0005967796,0.0003228474,0.0034465645],"category_scores_gemma":[0.00043369265,0.00082891504,0.0007082363,0.0001801927,0.004642636,0.0014565727,0.00024318125,0.00062820164,0.00021445511],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006913689,0.0005323449,0.0002283206,0.00032743998,0.0002485007,0.00013026882,0.01357139,0.000020468797,0.00026286946,0.66932344,0.046262313,0.26902348],"study_design_scores_gemma":[0.00027894267,0.0003774147,0.00010282239,0.0012378306,0.00051807956,0.00006187619,0.0017093476,0.00017461006,0.004048494,0.05971169,0.93085855,0.0009203644],"about_ca_topic_score_codex":0.007357978,"about_ca_topic_score_gemma":0.015077111,"teacher_disagreement_score":0.8845962,"about_ca_system_score_codex":0.0010471268,"about_ca_system_score_gemma":0.00018389657,"threshold_uncertainty_score":0.99959385},"labels":[],"label_agreement":null},{"id":"W4244125028","doi":"10.7202/1086261ar","title":"Pour un art situé : le travail de Gabriela Golder","year":2021,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Political science","score_opus":0.023530726255941825,"score_gpt":0.26072189075470686,"score_spread":0.23719116449876504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244125028","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02022024,0.06501436,0.0067563704,0.012381959,0.002232119,0.0005069096,0.00075689796,0.0011885954,0.8909425],"genre_scores_gemma":[0.24049929,0.0041291798,0.0133578405,0.009652198,0.0020362523,0.00020755426,0.0004197056,0.0002874053,0.7294106],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9946178,0.0011113045,0.0011986493,0.0011189603,0.0004962223,0.0014570646],"domain_scores_gemma":[0.99651486,0.00062397955,0.00036762282,0.0011124377,0.00091567956,0.000465429],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0009930363,0.001099609,0.0010077214,0.00035348485,0.0017806651,0.0018970198,0.00072578544,0.00069860683,0.004686046],"category_scores_gemma":[0.00041252247,0.0011715636,0.0008501062,0.00027554613,0.004400218,0.0016174566,0.00033698848,0.0014182449,0.0001889385],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008818338,0.00082986377,0.0002837065,0.00077613466,0.00030858588,0.0017726136,0.026623622,0.0000023047414,0.003744801,0.49869043,0.25534606,0.21153371],"study_design_scores_gemma":[0.00046276476,0.0003799531,0.00035378075,0.0026729207,0.00024114703,0.0009005856,0.001649286,0.000016800386,0.031070957,0.068664625,0.89241135,0.0011758144],"about_ca_topic_score_codex":0.0026578421,"about_ca_topic_score_gemma":0.0075058206,"teacher_disagreement_score":0.63706535,"about_ca_system_score_codex":0.00093004265,"about_ca_system_score_gemma":0.0008520925,"threshold_uncertainty_score":0.9995189},"labels":[],"label_agreement":null},{"id":"W4244187162","doi":"10.7202/1005547ar","title":"Facing Severance","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Digital Media and Philosophy","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Severance; Politics; Pity; Aesthetics; Face (sociological concept); Sociology; Interventionism (politics); Order (exchange); Political science; Law; Psychology; Art; Social psychology; Social science","score_opus":0.0472453381457289,"score_gpt":0.27736513540420793,"score_spread":0.23011979725847903,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244187162","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028107394,0.0005929407,0.2492013,0.0007128786,0.00082565757,0.0004409686,0.000031386207,0.0026292843,0.7174582],"genre_scores_gemma":[0.8925705,0.00010583686,0.101097226,0.0024541735,0.00012558574,0.00015547064,0.000010970266,0.00006618522,0.0034140549],"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9972483,0.00021088688,0.00060888875,0.00081045454,0.0004195685,0.0007018948],"domain_scores_gemma":[0.9979321,0.00020659264,0.00021851441,0.0010892693,0.00027459356,0.00027893824],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000533401,0.00052661245,0.00047273166,0.00032816606,0.0004511368,0.00044921724,0.0016678224,0.00018190827,0.00004764429],"category_scores_gemma":[0.00022883757,0.00049828686,0.00028008033,0.00043529714,0.0011355995,0.0029723688,0.0005603073,0.00041272817,0.000058219455],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054157186,0.00024497515,0.0011854881,0.00014780684,0.000053256284,0.00033058447,0.010468068,9.742223e-7,0.0027042194,0.41502103,0.0017357183,0.5680537],"study_design_scores_gemma":[0.00034386176,0.0009164597,0.0016185474,0.0011585383,0.000032515793,0.00038784373,0.00009064625,0.00010831577,0.11046307,0.6740695,0.20939437,0.001416321],"about_ca_topic_score_codex":0.00030894447,"about_ca_topic_score_gemma":0.00012031238,"teacher_disagreement_score":0.8644631,"about_ca_system_score_codex":0.00029065312,"about_ca_system_score_gemma":0.000091826034,"threshold_uncertainty_score":0.99974686},"labels":[],"label_agreement":null},{"id":"W4245460426","doi":"10.7202/1005755ar","title":"En débat : la reproduction numérique","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reproduction; Biology; Ecology","score_opus":0.13003641888660833,"score_gpt":0.31885880543833756,"score_spread":0.18882238655172923,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245460426","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028254231,0.008166732,0.07624057,0.004236254,0.0024659599,0.00080979505,0.00006892532,0.0022828248,0.8774747],"genre_scores_gemma":[0.7745637,0.0022290456,0.051441137,0.0022040275,0.00068245805,0.00016468816,0.000040188042,0.00015718004,0.16851757],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99474,0.0010613828,0.0010654852,0.001512416,0.00051157875,0.0011091465],"domain_scores_gemma":[0.996211,0.0003764544,0.00045559314,0.0016451604,0.00080416654,0.00050763873],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.001528181,0.00094860257,0.0007553029,0.00037921508,0.00074889336,0.0020568892,0.00132342,0.0005984722,0.00022579875],"category_scores_gemma":[0.0010139246,0.00083855045,0.00053047016,0.0006669427,0.003327838,0.009012168,0.00090508425,0.0009139743,0.00009228953],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010276978,0.00059166964,0.00020544558,0.00030383596,0.000099508194,0.00093847903,0.054368734,0.000002613597,0.0038400544,0.4839374,0.014415121,0.44119433],"study_design_scores_gemma":[0.00023372164,0.0010861773,0.0015955752,0.0019810933,0.000053048414,0.0028974495,0.00057070586,0.000059811508,0.08125143,0.21493614,0.69411963,0.0012152055],"about_ca_topic_score_codex":0.007508306,"about_ca_topic_score_gemma":0.0020334905,"teacher_disagreement_score":0.74630946,"about_ca_system_score_codex":0.0009563665,"about_ca_system_score_gemma":0.00024180317,"threshold_uncertainty_score":0.9994065},"labels":[],"label_agreement":null},{"id":"W4245679918","doi":"10.7202/1086250ar","title":"Le non-transférable : éléments de lecture pour une compréhension médiatique de l’image inscrite","year":2021,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.07286655337492166,"score_gpt":0.3185987169442454,"score_spread":0.24573216356932376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245679918","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044473927,0.008476319,0.48214287,0.025415283,0.00091785355,0.00067463936,0.00016111066,0.0011349974,0.436603],"genre_scores_gemma":[0.7814818,0.003297802,0.13914463,0.018824419,0.00036807157,0.00011692755,0.00013716905,0.0001833809,0.056445803],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9947202,0.0008429331,0.0010058986,0.0012295212,0.0005509506,0.0016504966],"domain_scores_gemma":[0.99621665,0.0004021627,0.00032803658,0.0011355256,0.0011703128,0.0007472889],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0007965369,0.0009985715,0.0009414258,0.00027355005,0.0012448385,0.0031092695,0.0010752064,0.00062647305,0.00010464444],"category_scores_gemma":[0.0005314086,0.0009776255,0.00062869437,0.0009780533,0.0018614763,0.0054004914,0.000702397,0.0011258906,0.00003985176],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015173257,0.0016942112,0.00047465018,0.001126416,0.00024678817,0.0060462453,0.020931114,0.00012744442,0.31481886,0.359815,0.039436243,0.2551313],"study_design_scores_gemma":[0.0007216449,0.00060880394,0.0015209985,0.003629289,0.00010677684,0.0021359369,0.0003601452,0.0011082569,0.3916642,0.16148704,0.43527976,0.0013771312],"about_ca_topic_score_codex":0.014038122,"about_ca_topic_score_gemma":0.008023803,"teacher_disagreement_score":0.73700786,"about_ca_system_score_codex":0.0014680235,"about_ca_system_score_gemma":0.0018039572,"threshold_uncertainty_score":0.9992674},"labels":[],"label_agreement":null},{"id":"W4245910282","doi":"10.7202/1005490ar","title":"Circulations alexandrines","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Classical Antiquity Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art; Ethnology; History","score_opus":0.0836342079716251,"score_gpt":0.3354971416792327,"score_spread":0.2518629337076076,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245910282","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.056934047,0.00933941,0.006280696,0.018280061,0.0024457995,0.0010222698,0.00019801188,0.0020491919,0.9034505],"genre_scores_gemma":[0.7411734,0.004948712,0.018682696,0.0023578044,0.0008160157,0.0003143765,0.000034826782,0.00016427485,0.23150788],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99477464,0.0010544029,0.0011008662,0.001013591,0.0007070089,0.0013494631],"domain_scores_gemma":[0.99686605,0.0006968902,0.00044245768,0.00078454695,0.0007645612,0.00044548206],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0013360996,0.0008422396,0.00091729907,0.00036555267,0.0025608845,0.00033899702,0.0010220536,0.0005461379,0.0013668733],"category_scores_gemma":[0.00117576,0.0008657878,0.00069514173,0.0009192948,0.014360283,0.0018277197,0.00063567515,0.00076894456,0.00014653974],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006935655,0.0007377136,0.0051537836,0.00032449447,0.00023454588,0.0002008578,0.040828317,8.4028886e-7,0.00089274894,0.5289981,0.020511517,0.40204775],"study_design_scores_gemma":[0.00020442698,0.00044494026,0.0059272405,0.0014604053,0.00023058474,0.00007204269,0.0021049667,0.000011042343,0.0037290964,0.1450369,0.8397523,0.0010260148],"about_ca_topic_score_codex":0.010920358,"about_ca_topic_score_gemma":0.031862646,"teacher_disagreement_score":0.8192408,"about_ca_system_score_codex":0.0012691705,"about_ca_system_score_gemma":0.00023856046,"threshold_uncertainty_score":0.999546},"labels":[],"label_agreement":null},{"id":"W4246127946","doi":"10.7202/1086259ar","title":"Amazonia—Music Theatre in Three Parts: A Transcultural Operatic Experience?","year":2021,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Arts, Culture, and Music Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Opera; Aesthetics; Indigenous; Politics; Resistance (ecology); Legitimation; Transculturation; History; Visual arts; Art; Sociology; Anthropology; Political science","score_opus":0.05642576598752907,"score_gpt":0.3235756596466342,"score_spread":0.26714989365910513,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246127946","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38822496,0.045240182,0.0024761525,0.019254748,0.0037526337,0.001607395,0.00015007691,0.001154966,0.53813887],"genre_scores_gemma":[0.93041,0.007574138,0.005974523,0.0052908207,0.0009960057,0.0008455492,0.00005676351,0.00013101556,0.04872115],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9936033,0.0013216469,0.0012993012,0.0013418385,0.0008263224,0.0016076132],"domain_scores_gemma":[0.99735886,0.00049594877,0.00028588597,0.00079560705,0.00067140436,0.0003922667],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0010930423,0.0010387327,0.001239563,0.00022474857,0.0022958997,0.0007099576,0.0009012472,0.0005950826,0.0012125811],"category_scores_gemma":[0.00058614707,0.0009490245,0.00072431756,0.0011157234,0.008904897,0.0020809337,0.00032913845,0.0009419586,0.00004416466],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000115389725,0.0008573725,0.006656449,0.0005009942,0.0002494893,0.0013328819,0.43362173,0.000010663577,0.0022016452,0.15184364,0.014191874,0.38841787],"study_design_scores_gemma":[0.00069199444,0.00047023772,0.0024003973,0.0038446437,0.00022104554,0.00029505815,0.054597367,0.000024826573,0.00588341,0.044527628,0.88539743,0.0016459458],"about_ca_topic_score_codex":0.011240277,"about_ca_topic_score_gemma":0.25109136,"teacher_disagreement_score":0.87120557,"about_ca_system_score_codex":0.0015994587,"about_ca_system_score_gemma":0.00048504144,"threshold_uncertainty_score":0.9997004},"labels":[],"label_agreement":null},{"id":"W4247544681","doi":"10.7202/1086256ar","title":"Soundscapes of the Pernambuco New Cycle of Cinema","year":2021,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Radio, Podcasts, and Digital Media","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Soundscape; Movie theater; Relation (database); Sound (geography); Space (punctuation); Aesthetics; Sociology; Visual arts; History; Art; Computer science; Acoustics; Linguistics; Philosophy","score_opus":0.033327799887415535,"score_gpt":0.3062489185723114,"score_spread":0.2729211186848959,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247544681","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34436497,0.029149929,0.0015943194,0.010454149,0.0030790663,0.00064646546,0.00024886747,0.00037550548,0.61008674],"genre_scores_gemma":[0.89606035,0.0031211765,0.0053814244,0.001060731,0.00065584277,0.000039677932,0.000018891586,0.00009870772,0.09356317],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99543405,0.0009297551,0.0012169166,0.0006813052,0.0009007738,0.000837191],"domain_scores_gemma":[0.99634755,0.00084844657,0.00070712244,0.0009773201,0.0007565103,0.00036303833],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0009403119,0.0005859773,0.00095434464,0.00019085409,0.00066281995,0.00025908992,0.0011361707,0.0004365384,0.0006065331],"category_scores_gemma":[0.0019587863,0.00051912834,0.0008627749,0.0009196746,0.008064065,0.0013311534,0.00043989642,0.00052876706,0.000013447379],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010223401,0.0006621814,0.0058165207,0.0008433849,0.00021741971,0.00013581089,0.040003203,0.000011666645,0.00771334,0.25170308,0.021945233,0.6708459],"study_design_scores_gemma":[0.00047868353,0.0005547135,0.003253168,0.0045478586,0.0002824551,0.00021795847,0.0059029995,0.000021888547,0.09174466,0.1484331,0.74366343,0.00089908997],"about_ca_topic_score_codex":0.00796962,"about_ca_topic_score_gemma":0.011849096,"teacher_disagreement_score":0.7217182,"about_ca_system_score_codex":0.0006234218,"about_ca_system_score_gemma":0.0010592868,"threshold_uncertainty_score":0.99972606},"labels":[],"label_agreement":null},{"id":"W4248951668","doi":"10.7202/044039ar","title":"Divinations","year":2010,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cybernetics and Technology in Society","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sculpture; Window (computing); Sound (geography); Visual arts; Oracle; Art; Computer science; Acoustics; World Wide Web","score_opus":0.0291380555467211,"score_gpt":0.28238363850227444,"score_spread":0.25324558295555333,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248951668","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2000315,0.0003113162,0.0012133584,0.0029213633,0.0011567782,0.00043429623,0.00015710026,0.002482794,0.7912915],"genre_scores_gemma":[0.9505106,0.00017154157,0.0076655047,0.001481005,0.00041199347,0.0002548495,0.000062365994,0.00010173943,0.039340362],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979905,0.00009739306,0.00053871627,0.00051765225,0.00028789588,0.0005678482],"domain_scores_gemma":[0.9981898,0.00025440005,0.0002019543,0.00074102066,0.00047607857,0.00013675015],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00056628446,0.0004410408,0.00038679742,0.00025620716,0.0014525391,0.0005362469,0.0006921179,0.00029112236,0.001424288],"category_scores_gemma":[0.00032747065,0.00041252407,0.00033487417,0.0001153831,0.005838183,0.00063671905,0.00029864447,0.0009759833,0.000051802992],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010310185,0.00019955929,0.0005733964,0.00005004622,0.000058450754,0.000028818047,0.013112233,1.4020404e-7,0.0037250458,0.83349186,0.014346706,0.13440345],"study_design_scores_gemma":[0.00014282107,0.00018543754,0.0004031965,0.00013307123,0.000047358688,0.000046774738,0.0007945474,0.000009433581,0.006396382,0.16343476,0.8279377,0.00046851183],"about_ca_topic_score_codex":0.0009499652,"about_ca_topic_score_gemma":0.011829235,"teacher_disagreement_score":0.813591,"about_ca_system_score_codex":0.00019198492,"about_ca_system_score_gemma":0.000063540116,"threshold_uncertainty_score":0.9998474},"labels":[],"label_agreement":null},{"id":"W4249676100","doi":"10.7202/1005444ar","title":"Commencements","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Philosophy","score_opus":0.21063531764142415,"score_gpt":0.336479784976017,"score_spread":0.12584446733459284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249676100","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013217515,0.007193077,0.0688401,0.00293272,0.0022806628,0.0007941188,0.00012772018,0.0015727943,0.9030413],"genre_scores_gemma":[0.7482062,0.0016073511,0.07185239,0.011275993,0.00033850988,0.00018514194,0.000063020845,0.00015637609,0.16631499],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951735,0.0005274826,0.0011301615,0.0011312286,0.0006184637,0.001419156],"domain_scores_gemma":[0.9964982,0.00024430483,0.00046738161,0.0013385845,0.000777239,0.00067425525],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0008282882,0.001005684,0.0007942155,0.00034702543,0.0010186196,0.0022078592,0.0017925256,0.00041573215,0.00049677846],"category_scores_gemma":[0.00036178812,0.000882261,0.00051172305,0.0006477733,0.0040063746,0.008912369,0.0012591354,0.00071130943,0.0001616792],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000082501356,0.00079506787,0.00045494965,0.00027236607,0.0001255873,0.0008816152,0.023823723,7.4617236e-7,0.001592842,0.48752862,0.025293304,0.45914868],"study_design_scores_gemma":[0.00038534604,0.0017720911,0.0014941616,0.0026835827,0.00009506848,0.0008958173,0.0003496163,0.00009472187,0.039464843,0.19076702,0.7605785,0.0014192258],"about_ca_topic_score_codex":0.009441188,"about_ca_topic_score_gemma":0.0020718041,"teacher_disagreement_score":0.7367263,"about_ca_system_score_codex":0.00093673426,"about_ca_system_score_gemma":0.00020497336,"threshold_uncertainty_score":0.9993628},"labels":[],"label_agreement":null},{"id":"W4251071478","doi":"10.7202/1012664ar","title":"“There is a strong visual component in radio”. Glenn Gould in conversation with John Thompson*","year":2012,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Conversation; Studio; Musical; Visual arts; Art; Composition (language); Art history; Video art; Performance art; Literature; Sociology; Communication","score_opus":0.07354029985523453,"score_gpt":0.2902983148005173,"score_spread":0.2167580149452828,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251071478","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7293757,0.0011117568,0.0002707409,0.0014237744,0.00041215625,0.00087645446,0.00007664273,0.0005844264,0.26586834],"genre_scores_gemma":[0.9930054,0.00015594844,0.0010136263,0.0014971466,0.00024094306,0.00028220678,0.00003751723,0.00006716389,0.0037000708],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99736345,0.00034477253,0.0006169893,0.00048909895,0.00038120852,0.00080446684],"domain_scores_gemma":[0.9989032,0.00025552086,0.00023510402,0.0002908965,0.0001741353,0.00014110061],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006717284,0.00052356906,0.00063987356,0.00037939215,0.0004559727,0.0004148507,0.0003407822,0.00016235677,0.00097252923],"category_scores_gemma":[0.00008876848,0.00042564262,0.00015974444,0.00015120278,0.002340569,0.0012609335,0.00023539201,0.00049995485,0.00003037647],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010705515,0.0024066863,0.1288809,0.0005027114,0.00028786686,0.0003650575,0.22164221,0.000010969506,0.0010836138,0.52303064,0.008317182,0.1124016],"study_design_scores_gemma":[0.0015594262,0.0015320231,0.031389788,0.0018402868,0.0001135442,0.000045723515,0.019450549,0.000062980405,0.002701669,0.005549634,0.93424106,0.0015133244],"about_ca_topic_score_codex":0.0033765351,"about_ca_topic_score_gemma":0.0085893525,"teacher_disagreement_score":0.9259239,"about_ca_system_score_codex":0.0011092259,"about_ca_system_score_gemma":0.000041284777,"threshold_uncertainty_score":0.9999407},"labels":[],"label_agreement":null},{"id":"W4252224946","doi":"10.7202/1070868ar","title":"Liminaire","year":2019,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.04185112710597443,"score_gpt":0.30030905627828525,"score_spread":0.2584579291723108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252224946","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.058364708,0.04671077,0.0010284275,0.009859531,0.0050458154,0.0011283107,0.000121128236,0.0013885747,0.8763527],"genre_scores_gemma":[0.60333955,0.010735187,0.0050800154,0.0031674702,0.0010002431,0.00020017588,0.00003240358,0.0001611183,0.37628382],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9943114,0.0011366234,0.0009999373,0.0010774464,0.0008929958,0.0015816162],"domain_scores_gemma":[0.996958,0.00071438093,0.00045893673,0.00078293483,0.0006470534,0.00043866909],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0016145931,0.0009304382,0.0011179394,0.0002958312,0.0021552553,0.0005451929,0.0011093215,0.0007513293,0.0013515982],"category_scores_gemma":[0.0006992025,0.0009848018,0.00078772294,0.000850998,0.009799131,0.0017336467,0.00051519624,0.0009617962,0.0004630624],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006477483,0.00036503182,0.0023091338,0.0004711244,0.00018627568,0.00013459123,0.04124844,0.0000018569087,0.00035452723,0.48359177,0.049348675,0.4219238],"study_design_scores_gemma":[0.00027239125,0.00071978004,0.0013828857,0.0019466198,0.00013557283,0.000029735418,0.003639577,0.000010372501,0.0011931437,0.07897429,0.9106222,0.0010734755],"about_ca_topic_score_codex":0.021720175,"about_ca_topic_score_gemma":0.017982649,"teacher_disagreement_score":0.86127347,"about_ca_system_score_codex":0.003416072,"about_ca_system_score_gemma":0.00035288773,"threshold_uncertainty_score":0.9999366},"labels":[],"label_agreement":null},{"id":"W4254255499","doi":"10.7202/037534ar","title":"Introduction","year":2008,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Computer science","score_opus":0.034566833044826,"score_gpt":0.2949546857266767,"score_spread":0.2603878526818507,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254255499","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22856519,0.05925864,0.035209317,0.035797894,0.012427045,0.0045971614,0.0019902482,0.015823936,0.6063306],"genre_scores_gemma":[0.5658922,0.012877533,0.08102077,0.0038683864,0.0073632714,0.001122068,0.00074938074,0.0017953855,0.32531098],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9881223,0.0025626505,0.0025048465,0.0026113207,0.0014567389,0.0027421862],"domain_scores_gemma":[0.99269056,0.00066806655,0.0011480078,0.0027359396,0.0018456004,0.0009118268],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0028588115,0.0022272144,0.001907857,0.0015868532,0.0030499422,0.0006868073,0.0017149945,0.0012513701,0.0023540244],"category_scores_gemma":[0.0023078572,0.0025388545,0.0012574933,0.0018165222,0.018129878,0.00500563,0.00089112663,0.0024128875,0.0022504674],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008892602,0.0019420277,0.0022703598,0.0011227463,0.00053580076,0.0023355237,0.011746119,0.000038205435,0.040559705,0.10772688,0.46928442,0.36154896],"study_design_scores_gemma":[0.00067420513,0.0014211419,0.0013917334,0.0021406526,0.0003592678,0.006341693,0.00036226807,0.0000543849,0.081396036,0.022697782,0.8808707,0.0022901637],"about_ca_topic_score_codex":0.004360445,"about_ca_topic_score_gemma":0.002514373,"teacher_disagreement_score":0.41158625,"about_ca_system_score_codex":0.006915716,"about_ca_system_score_gemma":0.0006772552,"threshold_uncertainty_score":0.9998886},"labels":[],"label_agreement":null},{"id":"W4254674000","doi":"10.7202/1005561ar","title":"In transit","year":2007,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Transit (satellite); Computer science; Transport engineering; Engineering; Public transport","score_opus":0.032043099055401106,"score_gpt":0.31642750269308284,"score_spread":0.28438440363768175,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254674000","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18765113,0.04076535,0.062390078,0.010654198,0.0044413456,0.0036870658,0.0012344673,0.005425911,0.68375045],"genre_scores_gemma":[0.84401476,0.002647412,0.052583832,0.0062234346,0.0010499832,0.00043113317,0.00020417331,0.0012880652,0.09155722],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.98754305,0.001841092,0.003260229,0.0022584456,0.0013545998,0.0037425852],"domain_scores_gemma":[0.99368376,0.0014550806,0.0008429096,0.0020544364,0.00097061874,0.000993224],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.00783374,0.0022094361,0.0020452277,0.002597438,0.0010461946,0.0007499187,0.0019239255,0.0015425348,0.0013026996],"category_scores_gemma":[0.0012480695,0.0025779605,0.0011633744,0.0023867914,0.010602751,0.004635859,0.000546925,0.002786149,0.00081525237],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0020577586,0.0029688333,0.00489131,0.0020036004,0.00038992165,0.009672228,0.024584005,0.000033947177,0.06753215,0.18704717,0.045727566,0.6530915],"study_design_scores_gemma":[0.0012300059,0.0012377364,0.00335718,0.0063189864,0.0002765271,0.0014909921,0.0008782336,0.00004053124,0.121652536,0.05571514,0.8052007,0.0026014082],"about_ca_topic_score_codex":0.010095542,"about_ca_topic_score_gemma":0.045282792,"teacher_disagreement_score":0.75947315,"about_ca_system_score_codex":0.007889293,"about_ca_system_score_gemma":0.0004996389,"threshold_uncertainty_score":0.99996275},"labels":[],"label_agreement":null},{"id":"W4255570799","doi":"10.7202/1086247ar","title":"La d3$r3f(x) comme opération technique de résistance esthético-politique chez quelques artistes d’Amérique latine","year":2021,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.10831721917786195,"score_gpt":0.3348445421721236,"score_spread":0.22652732299426165,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255570799","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013170285,0.011155813,0.3499459,0.013558756,0.0006477494,0.0011218716,0.00025690443,0.0023758463,0.60776687],"genre_scores_gemma":[0.782748,0.0040427474,0.14542678,0.00904638,0.0004605725,0.0006309012,0.00021538114,0.00022514664,0.05720412],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.992501,0.0021291012,0.0015732411,0.0014764566,0.00065777404,0.001662396],"domain_scores_gemma":[0.9942926,0.0010614302,0.00067016925,0.001559126,0.0016477058,0.00076892454],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0018280661,0.0012732772,0.0011805323,0.00036400155,0.0010055037,0.004462064,0.0012595658,0.00096917024,0.0001398911],"category_scores_gemma":[0.0016462521,0.00125061,0.0006555156,0.0010048981,0.0036885855,0.0068269293,0.0009319591,0.0014337973,0.000026907266],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007743635,0.0007703304,0.00061910204,0.0009580716,0.000115322706,0.0028906022,0.010550931,0.00001554773,0.049629394,0.83240527,0.0077872733,0.094180696],"study_design_scores_gemma":[0.0002946989,0.00059254555,0.0008381008,0.0047204047,0.00007341461,0.004395091,0.0003624348,0.0002841462,0.35119537,0.25455904,0.3813438,0.001340955],"about_ca_topic_score_codex":0.0059434273,"about_ca_topic_score_gemma":0.01257841,"teacher_disagreement_score":0.7695777,"about_ca_system_score_codex":0.0019729582,"about_ca_system_score_gemma":0.0010092488,"threshold_uncertainty_score":0.9990228},"labels":[],"label_agreement":null},{"id":"W4255820308","doi":"10.7202/1009078ar","title":"Archive Drift","year":2012,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"The Imaginary; Nothing; Code (set theory); Phenomenon; Aesthetics; History; Theoretical physics; Art; Computer science; Epistemology; Physics; Philosophy; Psychoanalysis; Psychology","score_opus":0.044630920796195975,"score_gpt":0.28316714191772246,"score_spread":0.2385362211215265,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255820308","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07475079,0.0014857267,0.0010251285,0.0006975691,0.0009373145,0.00050270156,0.00020397859,0.0015322013,0.9188646],"genre_scores_gemma":[0.9409731,0.0002369523,0.004638793,0.0025456788,0.0011309097,0.00024665313,0.000118956785,0.00012566242,0.049983267],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99738437,0.00026470012,0.00061994226,0.00045720726,0.0003448052,0.0009289858],"domain_scores_gemma":[0.9984931,0.00018728357,0.0002154514,0.0005541742,0.00024522125,0.000304784],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00056873116,0.0005745479,0.00050581683,0.00020941743,0.0012157378,0.00054818764,0.0005195199,0.00014257515,0.0021522574],"category_scores_gemma":[0.00012855449,0.00046722864,0.00037881674,0.000079563935,0.0025345911,0.0018271056,0.00023237255,0.00048794778,0.00011880569],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007253285,0.00030083244,0.0006781397,0.00019263501,0.0000837567,0.000040448263,0.061855163,2.2865669e-7,0.0027305677,0.77237564,0.034272358,0.12739769],"study_design_scores_gemma":[0.00015598472,0.0002740739,0.00054353976,0.00044715372,0.000053787197,0.00006121617,0.0024063261,0.0000029320163,0.003716639,0.024543205,0.9671257,0.0006693998],"about_ca_topic_score_codex":0.0016522792,"about_ca_topic_score_gemma":0.004267014,"teacher_disagreement_score":0.9328534,"about_ca_system_score_codex":0.00027620382,"about_ca_system_score_gemma":0.000039044586,"threshold_uncertainty_score":0.9997779},"labels":[],"label_agreement":null},{"id":"W4255913665","doi":"10.7202/1005463ar","title":"Mes modèles","year":2003,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mod; Mathematics; Computer science; Combinatorics","score_opus":0.05497785187627915,"score_gpt":0.3065304758419362,"score_spread":0.2515526239656571,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255913665","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011675184,0.08114301,0.0051444937,0.0045035025,0.0033451235,0.0007959707,0.00013144346,0.0013158278,0.8919454],"genre_scores_gemma":[0.5927123,0.024227127,0.023511535,0.0034196044,0.0009699602,0.00040089263,0.000031856296,0.0002317204,0.35449502],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9932714,0.0020375974,0.0010866888,0.0010466785,0.00089274097,0.0016648563],"domain_scores_gemma":[0.9968648,0.00082982786,0.00045067506,0.00068623706,0.0006685957,0.00049989147],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0021428866,0.0009986006,0.0011145307,0.00031636693,0.0032814576,0.00061199674,0.00091900915,0.00072122784,0.00093228265],"category_scores_gemma":[0.0018049901,0.0010471174,0.0007848011,0.00092047773,0.013730829,0.0016072576,0.00027157622,0.0008783173,0.00010985882],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029867448,0.00037537032,0.00073221064,0.00023620138,0.00020263452,0.000134121,0.02988157,0.0000028724737,0.0002854574,0.7178944,0.03797286,0.21225245],"study_design_scores_gemma":[0.00021125349,0.0003347553,0.00030834874,0.0009263773,0.0001394799,0.000033746073,0.003101879,0.000005390672,0.0028085283,0.20193635,0.7892567,0.0009372116],"about_ca_topic_score_codex":0.015577993,"about_ca_topic_score_gemma":0.020138195,"teacher_disagreement_score":0.7512838,"about_ca_system_score_codex":0.0030238752,"about_ca_system_score_gemma":0.00041418662,"threshold_uncertainty_score":0.999981},"labels":[],"label_agreement":null},{"id":"W4256451300","doi":"10.7202/1034155ar","title":"The Diorama Effect","year":2015,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Symbol (formal); Art; Fantasy; Art history; Movie theater; Animation; Shot (pellet); MAGIC (telescope); Special effects; Narrative; Illusion; Exoticism; Visual arts; Literature; Philosophy; Psychology; Physics; Chemistry","score_opus":0.038086562282536394,"score_gpt":0.32452788807372823,"score_spread":0.28644132579119186,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4256451300","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06090617,0.0056905514,0.0013588332,0.0053637144,0.0013867518,0.00080342713,0.000028781627,0.0017970244,0.92266476],"genre_scores_gemma":[0.9034996,0.0009445149,0.002409848,0.0015353662,0.0006985684,0.00041404448,0.0000152666,0.00008007959,0.09040271],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99606603,0.0013871116,0.00053595274,0.000498951,0.0006927531,0.00081919366],"domain_scores_gemma":[0.9972603,0.0011656216,0.00019148356,0.000527702,0.00046928448,0.00038560788],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0029726357,0.00042288323,0.0004795586,0.0001403465,0.0032120887,0.00048910244,0.00086652697,0.00020748995,0.000036032492],"category_scores_gemma":[0.002368925,0.00029804546,0.00029949355,0.00045669204,0.004824774,0.000858402,0.0002717885,0.00045248994,0.00004840009],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024530652,0.0001467267,0.0039126882,0.000069480666,0.00009505606,0.0001356711,0.063000485,6.5891516e-7,0.00026291353,0.2336462,0.072684005,0.6258008],"study_design_scores_gemma":[0.00017019578,0.0005104375,0.00021867384,0.00018923644,0.000034916255,0.000012870744,0.0011084932,0.000001614046,0.00086765934,0.027735356,0.96876866,0.000381895],"about_ca_topic_score_codex":0.0043980703,"about_ca_topic_score_gemma":0.004863376,"teacher_disagreement_score":0.89608467,"about_ca_system_score_codex":0.0013594457,"about_ca_system_score_gemma":0.00019597099,"threshold_uncertainty_score":0.9999472},"labels":[],"label_agreement":null},{"id":"W4292906583","doi":"10.7202/1005597ar","title":"Notices bio-bibliographiques","year":2004,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.054300570129515904,"score_gpt":0.31745920766605795,"score_spread":0.26315863753654206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4292906583","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.043997016,0.04248997,0.0017053817,0.027620686,0.003984506,0.0010252983,0.00024313176,0.002585193,0.8763488],"genre_scores_gemma":[0.86260515,0.041505694,0.017557293,0.00499513,0.0013362595,0.00028948567,0.000055771703,0.00016061527,0.07149462],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9947215,0.0006943762,0.0010302877,0.0011175374,0.0009446667,0.0014916366],"domain_scores_gemma":[0.9970625,0.00037907323,0.00050348113,0.0005572679,0.00092654803,0.0005711149],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0012045942,0.0009957408,0.0010208914,0.0009775554,0.0035537838,0.0008375314,0.0011890014,0.000627334,0.0005390945],"category_scores_gemma":[0.0005777811,0.00091123214,0.0009253715,0.0028757781,0.014501283,0.0028917158,0.0005233464,0.00083410414,0.00018100355],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011710757,0.0008404251,0.0012302758,0.00045642318,0.00030479315,0.00033901865,0.030554393,0.000009316465,0.0006231975,0.68368727,0.022563107,0.25927466],"study_design_scores_gemma":[0.00031582362,0.0007282513,0.00085409865,0.0017791188,0.00023504808,0.000030652827,0.002760782,9.255405e-7,0.0022159019,0.11464591,0.8753428,0.0010906913],"about_ca_topic_score_codex":0.046787594,"about_ca_topic_score_gemma":0.03002806,"teacher_disagreement_score":0.8527797,"about_ca_system_score_codex":0.0027458447,"about_ca_system_score_gemma":0.00021001941,"threshold_uncertainty_score":0.99933386},"labels":[],"label_agreement":null},{"id":"W4300692147","doi":"10.7202/1005599ar","title":"Notices bio-bibliographiques","year":2005,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.05443320927926819,"score_gpt":0.3202952013530764,"score_spread":0.2658619920738082,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4300692147","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026847541,0.04841962,0.0007449021,0.032678694,0.0025899012,0.00082077907,0.00020904171,0.0022128932,0.88547665],"genre_scores_gemma":[0.75233763,0.046083365,0.020691141,0.0064938786,0.0023792174,0.0002798462,0.000051757816,0.00015576289,0.17152742],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9944448,0.00092209294,0.0010902238,0.0011012345,0.00093449774,0.0015071689],"domain_scores_gemma":[0.99690163,0.00052902964,0.0005170939,0.0005618333,0.00092049455,0.00056988845],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.001373156,0.0009888357,0.001015226,0.0009820384,0.0033768727,0.00084074313,0.0012097782,0.00061832665,0.0011751815],"category_scores_gemma":[0.00053867226,0.0009062063,0.00091046904,0.0025127411,0.01273902,0.0034214135,0.00053441874,0.0008318898,0.0002641044],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009496993,0.0006445107,0.001419617,0.0002930532,0.00024104596,0.00011515489,0.022101242,0.0000040088257,0.00041306752,0.3390814,0.08117862,0.5544133],"study_design_scores_gemma":[0.00022048822,0.00053638226,0.0008150497,0.0012120184,0.00024350361,0.000024991567,0.0021910968,0.000007468575,0.0017821046,0.022325838,0.9695027,0.0011383615],"about_ca_topic_score_codex":0.020036388,"about_ca_topic_score_gemma":0.032177813,"teacher_disagreement_score":0.8883241,"about_ca_system_score_codex":0.0022313679,"about_ca_system_score_gemma":0.0001368966,"threshold_uncertainty_score":0.99973786},"labels":[],"label_agreement":null},{"id":"W4300948084","doi":"10.7202/1005594ar","title":"Notices bio-bibliographiques","year":2003,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.057098969462982374,"score_gpt":0.31705931375644475,"score_spread":0.2599603442934624,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4300948084","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019030238,0.04154069,0.0009071618,0.0077189673,0.003458884,0.00076503743,0.00014645212,0.0015893982,0.9248432],"genre_scores_gemma":[0.7697178,0.04305029,0.01638277,0.0042588823,0.0008092976,0.00030920238,0.00003857526,0.00016673087,0.16526642],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99388444,0.0015448306,0.0010335677,0.0011175944,0.00089866726,0.001520913],"domain_scores_gemma":[0.9967864,0.0006087363,0.00050624646,0.0005740204,0.000954323,0.00057025335],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0017184624,0.0009960883,0.001033604,0.0009351167,0.00354739,0.00081724534,0.0009830252,0.0006220758,0.001177491],"category_scores_gemma":[0.0010968797,0.0009129065,0.00089956395,0.0029317485,0.0129416855,0.0025247105,0.00031327415,0.00080818817,0.00015958071],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000068005036,0.00062708306,0.0026475913,0.00037968918,0.00026844675,0.00020237635,0.018089987,0.0000016559644,0.00041597587,0.73793286,0.053862333,0.18550397],"study_design_scores_gemma":[0.00021056949,0.00055959803,0.0005546404,0.0010925184,0.00023589471,0.000031337764,0.0031197758,0.0000014274874,0.0022090385,0.06699003,0.92389596,0.0010992253],"about_ca_topic_score_codex":0.017020606,"about_ca_topic_score_gemma":0.014889219,"teacher_disagreement_score":0.8700336,"about_ca_system_score_codex":0.0017417086,"about_ca_system_score_gemma":0.00017514295,"threshold_uncertainty_score":0.9997356},"labels":[],"label_agreement":null},{"id":"W4312279898","doi":"10.7202/1093773ar","title":"« It’s you and me, Norman. It has always been you and me » : deuil, mélancolie et nostalgie dans <i>Bates Motel</i>","year":2022,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"BATES; Humanities; Art; Engineering","score_opus":0.10859910542850323,"score_gpt":0.3064532345679063,"score_spread":0.19785412913940306,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312279898","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15822998,0.03437462,0.03349971,0.08689579,0.0031068083,0.003009826,0.0020970544,0.0031274355,0.67565876],"genre_scores_gemma":[0.88112396,0.0039203633,0.018394891,0.032028787,0.00031807774,0.00040115745,0.00024188282,0.00024674207,0.063324116],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9941325,0.0007450499,0.0012508434,0.0015715247,0.00087050267,0.0014295778],"domain_scores_gemma":[0.9965098,0.0006018806,0.0005480735,0.0011335744,0.0004634271,0.0007432774],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0012890281,0.0012133914,0.001077113,0.0004361637,0.00250943,0.0043325652,0.00139281,0.00035069816,0.00013216985],"category_scores_gemma":[0.00040549,0.0011256131,0.000380811,0.0006822042,0.004125703,0.0063989414,0.0031463965,0.0011261419,0.000014421985],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00044338976,0.0014063453,0.0018980467,0.001130073,0.0005046694,0.0033242123,0.13644178,0.000082382496,0.026157558,0.26195666,0.20721342,0.35944146],"study_design_scores_gemma":[0.00060754945,0.0020024562,0.00090372196,0.0010650228,0.00015587416,0.002770328,0.0020488065,0.0006589735,0.01752422,0.03527682,0.9353407,0.0016455483],"about_ca_topic_score_codex":0.006250129,"about_ca_topic_score_gemma":0.005879176,"teacher_disagreement_score":0.72812724,"about_ca_system_score_codex":0.0010192788,"about_ca_system_score_gemma":0.00035975996,"threshold_uncertainty_score":0.9991194},"labels":[],"label_agreement":null},{"id":"W4312420463","doi":"10.7202/1093767ar","title":"Introduction. Retour vers la nostalgie","year":2022,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Political science","score_opus":0.021616499250408466,"score_gpt":0.2642295433529238,"score_spread":0.24261304410251536,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312420463","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023358326,0.024684886,0.00078497664,0.035750907,0.00674925,0.00095608056,0.0026616072,0.0026533252,0.9024006],"genre_scores_gemma":[0.40187675,0.0014842137,0.0040803757,0.0034658464,0.0047484566,0.00052086124,0.00055734353,0.00032895143,0.5829372],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9944099,0.0015490392,0.0010537818,0.0011496954,0.00071275735,0.0011248318],"domain_scores_gemma":[0.9972709,0.00052957016,0.00044292264,0.00096507353,0.0005068166,0.00028475487],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0017002617,0.00092653726,0.00078207854,0.0005838228,0.0046136654,0.0015609812,0.0008746248,0.00033213387,0.0050986395],"category_scores_gemma":[0.00038617957,0.0010263153,0.0006415934,0.00032419423,0.0054068393,0.0013635596,0.00059024716,0.0022293753,0.00005040597],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022671979,0.00045857983,0.000075310185,0.0005077027,0.00016922898,0.0005033035,0.027379073,0.000018602737,0.0006344428,0.565129,0.26094806,0.14395002],"study_design_scores_gemma":[0.00037287368,0.00095793995,0.000097391654,0.0008435319,0.00017820453,0.0008262621,0.007134974,0.000013437268,0.0012812803,0.021772262,0.96544844,0.0010734109],"about_ca_topic_score_codex":0.003007865,"about_ca_topic_score_gemma":0.00072027155,"teacher_disagreement_score":0.7045004,"about_ca_system_score_codex":0.0017412741,"about_ca_system_score_gemma":0.00026951346,"threshold_uncertainty_score":0.9994755},"labels":[],"label_agreement":null},{"id":"W4312526802","doi":"10.7202/1093772ar","title":"Nostalgia, Recursivity, and the Re-Performance of Structural Film1","year":2022,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; Exhibition; Tribe; Feeling; Art; Subject (documents); Event (particle physics); Aesthetics; Set (abstract data type); Visual arts; History; Literature; Sociology; Computer science; Philosophy; Anthropology; Epistemology; World Wide Web","score_opus":0.028627460514426075,"score_gpt":0.2616338122973303,"score_spread":0.23300635178290421,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312526802","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7883724,0.09028582,0.00040081027,0.013767003,0.0027436528,0.0010620333,0.0012377588,0.00021154992,0.10191895],"genre_scores_gemma":[0.9559835,0.011131652,0.0028066568,0.0012551604,0.0001698478,0.00033573015,0.00005223657,0.00008362576,0.028181551],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99693036,0.00033912354,0.0012017923,0.0006804548,0.00018351246,0.00066476676],"domain_scores_gemma":[0.9975193,0.000697048,0.00081221113,0.0006886755,0.00016955571,0.00011319505],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0018655786,0.0005067838,0.001089849,0.00036826584,0.0014076559,0.00014279215,0.00063555397,0.00015925513,0.00048746745],"category_scores_gemma":[0.0006252843,0.0005004863,0.00036763158,0.0004181631,0.0055433647,0.0006489731,0.0010190373,0.00079260225,0.000006327185],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012131704,0.0002958489,0.047771044,0.0018117813,0.00050329964,0.00009018548,0.03776331,0.000039792572,0.0002486894,0.47439173,0.026677255,0.4091939],"study_design_scores_gemma":[0.0021097641,0.0021704554,0.016106045,0.0012995786,0.00020704896,0.00040338637,0.0033276659,0.00064113946,0.0043666074,0.114030175,0.8539575,0.0013806352],"about_ca_topic_score_codex":0.0023954543,"about_ca_topic_score_gemma":0.0010395051,"teacher_disagreement_score":0.8272802,"about_ca_system_score_codex":0.00065271225,"about_ca_system_score_gemma":0.00006563828,"threshold_uncertainty_score":0.99989235},"labels":[],"label_agreement":null},{"id":"W4312588109","doi":"10.7202/1093770ar","title":"Returning “Home”? Or Dwelling in the Pixel Age: On Invader’s Intermedial Space Invasion","year":2022,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Nostalgia and Consumer Behavior","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Graffiti; Space (punctuation); Variety (cybernetics); Art; Visual arts; Aesthetics; Sociology; Computer science; Artificial intelligence","score_opus":0.06939693882497838,"score_gpt":0.3473254542713433,"score_spread":0.27792851544636493,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312588109","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8535924,0.008009434,0.0014703916,0.015966108,0.0063706837,0.0025975707,0.00035807758,0.0010570643,0.11057827],"genre_scores_gemma":[0.9387269,0.00084849,0.0025919417,0.0066473694,0.0004910515,0.0017596674,0.00017975456,0.0003027973,0.048452035],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.98945266,0.0049351486,0.0015309199,0.001513183,0.000989125,0.0015789517],"domain_scores_gemma":[0.9952631,0.0020362737,0.000643755,0.0016018618,0.00018441162,0.00027061458],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0034835744,0.0011452783,0.0010612487,0.0010322314,0.0018782503,0.0005934871,0.0020766342,0.0005659531,0.0022878817],"category_scores_gemma":[0.0006624527,0.0010061747,0.0005520491,0.0011015665,0.0034609572,0.0007279907,0.00096384005,0.0038639472,0.00009004756],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.003738814,0.0031520051,0.0081659835,0.000646185,0.0002271233,0.012373473,0.1148757,0.000020101832,0.012359144,0.064867936,0.041306663,0.7382669],"study_design_scores_gemma":[0.0016826749,0.004297138,0.0037613169,0.003380777,0.00033432222,0.0023060003,0.015439258,0.000020865074,0.0052753035,0.01821899,0.943377,0.0019063493],"about_ca_topic_score_codex":0.002864904,"about_ca_topic_score_gemma":0.0051061735,"teacher_disagreement_score":0.90207034,"about_ca_system_score_codex":0.0021555603,"about_ca_system_score_gemma":0.00032631774,"threshold_uncertainty_score":0.9994212},"labels":[],"label_agreement":null},{"id":"W4312653234","doi":"10.7202/1093768ar","title":"Sculpting Nostalgia: Daniel Arsham, Alicja Kwade, and Kathleen Ryan1","year":2022,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Nostalgia and Consumer Behavior","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Materiality (auditing); Pace; Commodification; Sculpture; Praxis; Aesthetics; Art; Sociology; Visual arts; Political science; Law; Geography","score_opus":0.03961885517238539,"score_gpt":0.33127706637313425,"score_spread":0.29165821120074886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312653234","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5308176,0.054780543,0.0032954647,0.010610708,0.0052304817,0.0028132275,0.0021540395,0.0027963487,0.38750157],"genre_scores_gemma":[0.80286324,0.0014350169,0.00913794,0.0043937326,0.0004180472,0.0015436718,0.0003328944,0.00051550876,0.17935991],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9915118,0.0023584818,0.0015956908,0.0018860056,0.00080178236,0.0018462474],"domain_scores_gemma":[0.9960649,0.0007693454,0.00070094515,0.0015319646,0.00036915144,0.00056369585],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0021073148,0.0013312219,0.0012568622,0.00076200266,0.002685114,0.0005810121,0.0012557105,0.00062505255,0.0023131182],"category_scores_gemma":[0.00033076608,0.0015663147,0.00066278165,0.0007384339,0.0044607036,0.0010703875,0.001765993,0.0022920698,0.00007192639],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005676384,0.0016365175,0.012276921,0.0007848405,0.0005477939,0.0029962237,0.025956525,0.000002999851,0.018253867,0.102035515,0.04769218,0.78724897],"study_design_scores_gemma":[0.0011518052,0.0016731687,0.0047232183,0.0012545781,0.000651157,0.0029636545,0.004633618,0.000016244592,0.0055800015,0.011863224,0.96351695,0.001972356],"about_ca_topic_score_codex":0.005807221,"about_ca_topic_score_gemma":0.0011643578,"teacher_disagreement_score":0.9158248,"about_ca_system_score_codex":0.0015454567,"about_ca_system_score_gemma":0.00027507255,"threshold_uncertainty_score":0.9999439},"labels":[],"label_agreement":null},{"id":"W4312683908","doi":"10.7202/1093776ar","title":"To begin, over again. Dix-huit accès à <i>The Photographer</i> de David Tomas ou comment orner un cadavre de façon opportune1 ?","year":2022,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université du Québec en Outaouais","funders":"","keywords":"Art; Humanities; Performative utterance; Exposition (narrative); Art history; Literature","score_opus":0.10576623195545555,"score_gpt":0.3232694252247154,"score_spread":0.21750319326925988,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312683908","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19329198,0.02560152,0.11754101,0.17819934,0.00556071,0.005745061,0.0016389978,0.004733153,0.46768823],"genre_scores_gemma":[0.78120005,0.0010344443,0.020443667,0.11916276,0.0005734863,0.0013158903,0.00014714127,0.00026080906,0.07586176],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9932331,0.0011986183,0.0011698463,0.0013413813,0.0010596212,0.001997438],"domain_scores_gemma":[0.9957296,0.0005639488,0.0005126735,0.0017548375,0.0004122593,0.0010266522],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0018961153,0.0011379276,0.0008541502,0.0003893409,0.002558226,0.0031083247,0.0028554667,0.00030972282,0.0004977372],"category_scores_gemma":[0.0003525079,0.0009411997,0.00078171806,0.0012736783,0.0019701722,0.0030063116,0.0029218022,0.0013127645,0.000019761093],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024173717,0.00093740085,0.00092938374,0.00023014577,0.00026612493,0.002186723,0.037479706,0.00013682211,0.008983778,0.15917693,0.27897543,0.5104558],"study_design_scores_gemma":[0.00037066688,0.0013569398,0.0007546693,0.0006957224,0.00012063191,0.0013104609,0.0007651616,0.00028863657,0.020965887,0.02966102,0.9424704,0.0012398572],"about_ca_topic_score_codex":0.0134687945,"about_ca_topic_score_gemma":0.0029786632,"teacher_disagreement_score":0.6634949,"about_ca_system_score_codex":0.0027772468,"about_ca_system_score_gemma":0.00047065874,"threshold_uncertainty_score":0.9993039},"labels":[],"label_agreement":null},{"id":"W4312818365","doi":"10.7202/1093769ar","title":"Analog Desires: On <i>Stranger Things</i> and the Logics of Nostalgia","year":2022,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Nostalgia and Consumer Behavior","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec en Abitibi-Témiscamingue","funders":"","keywords":"Situated; Psychoanalytic theory; Omnipresence; Relation (database); Object (grammar); Aesthetics; Subject (documents); Sociology; Psychoanalysis; Psychology; Epistemology; Philosophy; Computer science; Linguistics","score_opus":0.04088057296027724,"score_gpt":0.3215197089891927,"score_spread":0.28063913602891544,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312818365","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5262733,0.055166434,0.003353705,0.020767095,0.0041648354,0.0036718328,0.001988898,0.0013052081,0.38330865],"genre_scores_gemma":[0.9490913,0.0018397082,0.0026192113,0.006775083,0.0001304448,0.0007679304,0.00010045981,0.00020142627,0.038474396],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9930941,0.002936839,0.0012574104,0.0010430468,0.00068054313,0.000988073],"domain_scores_gemma":[0.995882,0.0016392489,0.0006775225,0.0012705895,0.00030120977,0.00022947472],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0025111116,0.0008728896,0.0011068614,0.0004399772,0.0015379805,0.00022551765,0.0011145195,0.0003972512,0.0011881321],"category_scores_gemma":[0.00030972794,0.0007559141,0.0006239016,0.0005439243,0.009335808,0.0005218388,0.00071997533,0.0016723014,0.000018813176],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0030159012,0.0015721914,0.003091425,0.0006146603,0.00046863605,0.00094761816,0.028409949,0.0000051705683,0.0061762813,0.40168047,0.018848889,0.5351688],"study_design_scores_gemma":[0.0038784267,0.003949875,0.0049193525,0.0019238994,0.0013177521,0.0019499894,0.00640837,0.000019410118,0.016524384,0.093447536,0.8636204,0.0020405937],"about_ca_topic_score_codex":0.00361852,"about_ca_topic_score_gemma":0.00045220982,"teacher_disagreement_score":0.8447715,"about_ca_system_score_codex":0.0006168632,"about_ca_system_score_gemma":0.00016910149,"threshold_uncertainty_score":0.9997619},"labels":[],"label_agreement":null},{"id":"W4312828757","doi":"10.7202/1093774ar","title":"Bâtir le théâtre, désamorcer la mélancolie. L’élan créateur chez Charlotte Salomon","year":2022,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.03725988156468576,"score_gpt":0.2797473971252714,"score_spread":0.24248751556058565,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312828757","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.172441,0.016430259,0.00030322163,0.012178428,0.0032428026,0.0014217414,0.0019351363,0.002353212,0.7896942],"genre_scores_gemma":[0.4865668,0.002752418,0.00079709745,0.002784885,0.0011590059,0.0006682557,0.00035834732,0.00026861433,0.5046446],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9937672,0.0015969654,0.0012760374,0.0011783085,0.00082798,0.0013535337],"domain_scores_gemma":[0.99728715,0.00037856275,0.0005842857,0.0009494037,0.00043694966,0.00036367078],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0016311844,0.0011257776,0.0011138329,0.00051997235,0.0053894324,0.0020373215,0.0012855323,0.00037670924,0.0054202527],"category_scores_gemma":[0.00018010814,0.0012010589,0.0008940851,0.00035258615,0.0055463617,0.0022898535,0.0011914101,0.0018555976,0.000116296214],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030977992,0.0011712222,0.00038570014,0.0010177882,0.00032640394,0.001205705,0.05704725,0.000015248708,0.003432664,0.7467702,0.1121548,0.07616323],"study_design_scores_gemma":[0.0005389787,0.0008660603,0.00044915223,0.0009555446,0.00020391351,0.0004745394,0.006251328,0.000028314365,0.0026141799,0.02817006,0.9580569,0.0013909721],"about_ca_topic_score_codex":0.030602366,"about_ca_topic_score_gemma":0.018711612,"teacher_disagreement_score":0.84590214,"about_ca_system_score_codex":0.0015233727,"about_ca_system_score_gemma":0.00029333614,"threshold_uncertainty_score":0.9991943},"labels":[],"label_agreement":null},{"id":"W4312944389","doi":"10.7202/1093766ar","title":"Liminaire","year":2022,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.05000638682060466,"score_gpt":0.3036128276630897,"score_spread":0.25360644084248507,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312944389","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021754976,0.07443027,0.0014399204,0.019007273,0.0057325517,0.0010590394,0.00037789208,0.0017326829,0.8744654],"genre_scores_gemma":[0.64548326,0.008557041,0.0048181457,0.00533807,0.0011493795,0.000910527,0.00006627557,0.00019340638,0.3334839],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9930499,0.0021769048,0.0010030853,0.0010356209,0.0011889676,0.0015454843],"domain_scores_gemma":[0.9973014,0.00066791894,0.000489484,0.00067641813,0.0004520007,0.0004127687],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0022515315,0.0008446355,0.00096557604,0.00034586544,0.0076596555,0.0004349035,0.0013564889,0.0003744,0.0020349273],"category_scores_gemma":[0.00072419475,0.0009796574,0.0007888502,0.0011690352,0.010892503,0.0011842747,0.0011921528,0.0013615661,0.0000625045],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000071547605,0.0005181097,0.00054416456,0.00020433636,0.00016209952,0.00032010378,0.059033718,0.000006509041,0.00014517938,0.42546886,0.10661123,0.40691414],"study_design_scores_gemma":[0.00022133773,0.0008645395,0.0004693135,0.00048317428,0.00014520303,0.00006296615,0.008318319,0.000010751016,0.00043790732,0.09831278,0.88971555,0.0009581527],"about_ca_topic_score_codex":0.028582497,"about_ca_topic_score_gemma":0.017096924,"teacher_disagreement_score":0.7831043,"about_ca_system_score_codex":0.006200608,"about_ca_system_score_gemma":0.00044927036,"threshold_uncertainty_score":0.9992654},"labels":[],"label_agreement":null},{"id":"W4312969548","doi":"10.7202/1093777ar","title":"Y retourner, revisiter. Michel Campeau et <i>The Americans</i>","year":2022,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Michel foucault; Philosophy; Political science; Politics; Law","score_opus":0.11170912683474542,"score_gpt":0.40716193215824314,"score_spread":0.2954528053234977,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312969548","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.066543624,0.047944784,0.010332795,0.27982637,0.010376338,0.0022447947,0.0007554247,0.0018980689,0.58007777],"genre_scores_gemma":[0.7863931,0.012609437,0.02339377,0.04579017,0.0031234066,0.0013606721,0.00032589657,0.00023205327,0.12677151],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9893649,0.0068146815,0.0010296518,0.0009160737,0.00081122643,0.0010634484],"domain_scores_gemma":[0.9945434,0.0030582212,0.0007283678,0.00081659615,0.0005787353,0.00027470192],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.008675532,0.00064209366,0.0006834547,0.0002555027,0.004878275,0.00041124577,0.0015064061,0.00028376974,0.00078673894],"category_scores_gemma":[0.0018767269,0.0006319365,0.0005462975,0.0010549386,0.01308593,0.0012185135,0.00046561743,0.0015860862,0.000025203974],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048981492,0.00047135973,0.0022479405,0.00020472595,0.0001806269,0.000045448847,0.14836805,0.000017677301,0.0007614452,0.49325565,0.13182543,0.22257268],"study_design_scores_gemma":[0.00015097966,0.0004702637,0.00047319042,0.00046940125,0.00012700814,0.00012369217,0.038316295,0.000008814817,0.00021040272,0.049155448,0.9098286,0.0006659233],"about_ca_topic_score_codex":0.00913977,"about_ca_topic_score_gemma":0.0016899079,"teacher_disagreement_score":0.77800316,"about_ca_system_score_codex":0.0019033063,"about_ca_system_score_gemma":0.00078750885,"threshold_uncertainty_score":0.99961317},"labels":[],"label_agreement":null},{"id":"W4312979945","doi":"10.7202/1093771ar","title":"Nostalgie errante : maisons, cinéma et migration","year":2022,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cyprus History, Politics, Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.04151099735883427,"score_gpt":0.3234625098303864,"score_spread":0.2819515124715521,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312979945","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10998577,0.034857742,0.00865389,0.06338439,0.009104275,0.002826997,0.002248406,0.0039606825,0.7649779],"genre_scores_gemma":[0.7996048,0.0060955593,0.011610524,0.014002098,0.00088622747,0.00093729224,0.00034874026,0.00037009228,0.16614467],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98991483,0.0037470937,0.0014973854,0.0014203942,0.0015455051,0.0018747675],"domain_scores_gemma":[0.9957879,0.00096126046,0.0008407503,0.0012151769,0.00061709987,0.000577816],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.004045938,0.0010886906,0.001069148,0.0005152463,0.005031859,0.0005599453,0.0015949763,0.00058013096,0.0018557573],"category_scores_gemma":[0.0009990237,0.0013602751,0.0010937876,0.000874068,0.009083268,0.0019555914,0.0009439111,0.0019582398,0.00007972127],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019296797,0.0011224828,0.001747076,0.00053221575,0.0002548381,0.00038123658,0.16733699,0.00003209361,0.0028054323,0.46865064,0.236308,0.12063604],"study_design_scores_gemma":[0.0003860862,0.00080417265,0.0006390371,0.0006450743,0.0002074107,0.00015241872,0.011941734,0.00006110047,0.0017142559,0.03396829,0.94814646,0.0013339883],"about_ca_topic_score_codex":0.03760481,"about_ca_topic_score_gemma":0.04410062,"teacher_disagreement_score":0.7118384,"about_ca_system_score_codex":0.010165252,"about_ca_system_score_gemma":0.0012272566,"threshold_uncertainty_score":0.9990567},"labels":[],"label_agreement":null},{"id":"W4312999815","doi":"10.7202/1093778ar","title":"Among Different Media: Gerhard Richter’s Landscape and its Medial Exchanges","year":2022,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Ecology, Conservation, and Geographical Studies","field":"Environmental Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Painting; The arts; Openness to experience; Subject (documents); Rendering (computer graphics); Landscape painting; Multidisciplinary approach; Visual arts; Fine art; Photography; Subject matter; Art; Sociology; Psychology; Computer science; Social science; Social psychology; Artificial intelligence; Library science","score_opus":0.026292854822277258,"score_gpt":0.2628742926038527,"score_spread":0.23658143778157545,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312999815","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93146163,0.024956599,0.00029910597,0.012575574,0.0018861818,0.0009057837,0.00046442696,0.0005871081,0.026863582],"genre_scores_gemma":[0.9720652,0.01229601,0.0009140666,0.0027202712,0.0003453962,0.0010003295,0.0001070419,0.00009948564,0.010452172],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99517846,0.0010920026,0.0008345022,0.00108691,0.0007271503,0.0010809702],"domain_scores_gemma":[0.99756867,0.0010751529,0.0003725622,0.00047070513,0.00011372072,0.000399184],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0011948511,0.0007857745,0.00083985715,0.00032382348,0.0024031783,0.00022302504,0.00074271887,0.00032869936,0.0038141357],"category_scores_gemma":[0.0005188551,0.0007632642,0.0003188004,0.0005232912,0.0050266897,0.0008382623,0.0018053902,0.00096984865,0.00002527146],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033969074,0.0011561704,0.6366025,0.00053871184,0.0003689304,0.00053649035,0.022780726,0.000017266955,0.0030922089,0.016103227,0.03997963,0.2784844],"study_design_scores_gemma":[0.0007901417,0.0015904056,0.52216756,0.0004982419,0.00033297873,0.00021393792,0.0017219378,0.0001343769,0.0028127632,0.033907514,0.43432242,0.0015077338],"about_ca_topic_score_codex":0.0018500354,"about_ca_topic_score_gemma":0.025411112,"teacher_disagreement_score":0.3943428,"about_ca_system_score_codex":0.00086203776,"about_ca_system_score_gemma":0.000037766666,"threshold_uncertainty_score":0.99948186},"labels":[],"label_agreement":null},{"id":"W4313062053","doi":"10.7202/1093775ar","title":"“ <i>Tristezza Siderurgica</i> ”","year":2022,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Dialogic; Ethnography; Aesthetics; Uncanny; Invisibility; Semiotics; Sociology; Soundscape; Consciousness; Art; Materiality (auditing); Visual arts; History; Anthropology; Literature; Philosophy; Linguistics; Epistemology","score_opus":0.04010917284713877,"score_gpt":0.3280862132034949,"score_spread":0.28797704035635613,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313062053","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08152806,0.022535127,0.00060022285,0.028639581,0.0056502563,0.0016247099,0.0007528466,0.0028352963,0.8558339],"genre_scores_gemma":[0.8036032,0.0031040288,0.006566143,0.0056190183,0.0006653967,0.0010179341,0.0001110651,0.00023286336,0.1790804],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9910036,0.0027844445,0.0015329156,0.0014237326,0.0014227519,0.0018325655],"domain_scores_gemma":[0.9954566,0.0012246219,0.0008260336,0.001193686,0.000721139,0.00057796756],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0026052464,0.0010637552,0.0010491112,0.0009696665,0.0075537274,0.00087471714,0.002056964,0.0004213047,0.006792903],"category_scores_gemma":[0.0007420069,0.0012786564,0.001260342,0.0017535483,0.010851349,0.0024539505,0.0014465922,0.0022339884,0.00014767735],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041669488,0.0020887782,0.0017470589,0.00043165617,0.00048661593,0.001181906,0.04704558,0.00006737569,0.0024765388,0.5378208,0.2043029,0.2019341],"study_design_scores_gemma":[0.0003040613,0.0012565858,0.00034234184,0.00056662003,0.00023115834,0.00041271388,0.013492379,0.000015589321,0.0012696908,0.06981915,0.91106623,0.0012234908],"about_ca_topic_score_codex":0.020819522,"about_ca_topic_score_gemma":0.0330075,"teacher_disagreement_score":0.7220751,"about_ca_system_score_codex":0.0032091476,"about_ca_system_score_gemma":0.0003875368,"threshold_uncertainty_score":0.99896634},"labels":[],"label_agreement":null},{"id":"W4378698517","doi":"10.7202/1098770ar","title":"Introduction. Confier","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Communism, Protests, Social Movements","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Psychology","score_opus":0.049818461737572255,"score_gpt":0.3423352738655902,"score_spread":0.29251681212801794,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378698517","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.116132796,0.010442833,0.0042546643,0.12490279,0.011718517,0.0034740046,0.00041159525,0.008204656,0.72045815],"genre_scores_gemma":[0.52067655,0.010009193,0.009975187,0.0058441567,0.004908163,0.0011391835,0.00023940166,0.00041230288,0.44679585],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9923741,0.0023921027,0.001263936,0.0011501706,0.0010729104,0.0017467781],"domain_scores_gemma":[0.9959075,0.0009009558,0.0005648295,0.0013133554,0.0008445421,0.0004688515],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.003578527,0.00091491686,0.00093868154,0.00063081324,0.003306954,0.0007567826,0.0015889247,0.00075228617,0.0019268714],"category_scores_gemma":[0.0020230259,0.0010707655,0.00063149433,0.002054125,0.010885984,0.0020411105,0.00096977095,0.0013257711,0.00060625584],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007864131,0.00036358568,0.0010373746,0.00032182306,0.00020217535,0.00017326121,0.0331292,0.000005019033,0.0021142478,0.30698085,0.12576468,0.52982914],"study_design_scores_gemma":[0.00027031873,0.00039543255,0.0010628399,0.00090307696,0.00011460059,0.000030664094,0.0038004818,0.000014426523,0.004117222,0.13330118,0.85504854,0.0009411956],"about_ca_topic_score_codex":0.014722833,"about_ca_topic_score_gemma":0.009856211,"teacher_disagreement_score":0.72928387,"about_ca_system_score_codex":0.0029076855,"about_ca_system_score_gemma":0.00045151985,"threshold_uncertainty_score":0.99917424},"labels":[],"label_agreement":null},{"id":"W4378698518","doi":"10.7202/1098777ar","title":"Le cinéma « gardien des métamorphoses » ? After Life de Hirokazu Kore-eda : une opération pleine de grâce","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art","score_opus":0.03425560282616309,"score_gpt":0.2701930218904193,"score_spread":0.23593741906425625,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378698518","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24367078,0.12136194,0.004883975,0.03235978,0.003202188,0.0018430994,0.0013533775,0.00555311,0.58577174],"genre_scores_gemma":[0.67157775,0.011570875,0.0041795857,0.002671617,0.0016134089,0.0010674912,0.00023473709,0.00022964863,0.30685487],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950033,0.00062280346,0.0011641037,0.0009876734,0.0005560652,0.0016660728],"domain_scores_gemma":[0.9972966,0.0004550195,0.00037965906,0.0006288673,0.00070339086,0.00053650956],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00094053854,0.0010659788,0.0010479477,0.0004093416,0.0034143636,0.0008556498,0.00070223806,0.0004320128,0.0007270494],"category_scores_gemma":[0.0006489746,0.0009937475,0.00070755114,0.00055029854,0.0071158176,0.0014932672,0.00048333415,0.00077866524,0.0001392396],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005871857,0.0008775187,0.001756487,0.0020377247,0.00061821716,0.0010980644,0.09803024,0.000039605897,0.004163111,0.41005325,0.2597825,0.2209561],"study_design_scores_gemma":[0.000419323,0.00097131345,0.0028502813,0.0018494845,0.0002580103,0.000119987504,0.0041207527,0.000052389376,0.003292333,0.04564573,0.93917215,0.0012482379],"about_ca_topic_score_codex":0.028977908,"about_ca_topic_score_gemma":0.052828483,"teacher_disagreement_score":0.67938966,"about_ca_system_score_codex":0.0018289442,"about_ca_system_score_gemma":0.00034669213,"threshold_uncertainty_score":0.9992513},"labels":[],"label_agreement":null},{"id":"W4378698520","doi":"10.7202/1098779ar","title":"Nos images zonardes","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical Geography and Geographical Thought","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.03518531210279352,"score_gpt":0.3211688886427399,"score_spread":0.2859835765399464,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378698520","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01927672,0.030464167,0.0047929734,0.028426977,0.00511058,0.0014417361,0.0006612494,0.006639003,0.9031866],"genre_scores_gemma":[0.5520006,0.04394835,0.017505603,0.0051373756,0.0022804583,0.00085594656,0.00022479572,0.0003936727,0.3776532],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9916269,0.0020833975,0.0013525792,0.0014677562,0.0012376527,0.0022317162],"domain_scores_gemma":[0.99529123,0.0015837208,0.0004580337,0.0010404405,0.00076477096,0.000861804],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0032409448,0.0011095366,0.0011797172,0.0011139514,0.0033748976,0.00063496473,0.0015529398,0.0010013451,0.0009041639],"category_scores_gemma":[0.0014638631,0.0011518629,0.0014700361,0.0059868917,0.015856208,0.0018622952,0.0005772844,0.0014039964,0.00048081257],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011642388,0.00051653467,0.0023603481,0.00050631916,0.00021706153,0.0006473581,0.010968345,0.000005535033,0.0007942299,0.25639972,0.086681835,0.6407863],"study_design_scores_gemma":[0.00022474534,0.0005600289,0.0020291312,0.0013521845,0.00016495223,0.00004193624,0.0011616504,0.00000850299,0.0017935322,0.14552116,0.84598887,0.0011533062],"about_ca_topic_score_codex":0.007905038,"about_ca_topic_score_gemma":0.0038517078,"teacher_disagreement_score":0.759307,"about_ca_system_score_codex":0.0010246934,"about_ca_system_score_gemma":0.0002717124,"threshold_uncertainty_score":0.9990931},"labels":[],"label_agreement":null},{"id":"W4378698521","doi":"10.7202/1098769ar","title":"Liminaire","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.061802515774413105,"score_gpt":0.3191331645158172,"score_spread":0.2573306487414041,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378698521","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.032189894,0.036865536,0.0012491957,0.022625493,0.005464399,0.001007667,0.00022558476,0.0043162303,0.896056],"genre_scores_gemma":[0.49479455,0.030049546,0.0041015376,0.0032104761,0.0018088671,0.0004787388,0.00008589936,0.00023724216,0.46523315],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9940246,0.0011941751,0.0010057136,0.0010308574,0.0009334376,0.0018112157],"domain_scores_gemma":[0.99694556,0.00090262847,0.00038772408,0.00067632785,0.0006082394,0.00047950528],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00211789,0.0008957031,0.0010046668,0.00046768115,0.0036581103,0.00056472555,0.001090193,0.00071692857,0.00050067017],"category_scores_gemma":[0.0013786658,0.000964811,0.0007723362,0.0018905367,0.013009174,0.0014538089,0.0006289172,0.00088471116,0.00044939856],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003716043,0.00020852177,0.0006247091,0.00032965426,0.00015278082,0.00034744825,0.04609522,0.0000022119411,0.00018682025,0.35063595,0.15447336,0.44690618],"study_design_scores_gemma":[0.00019130395,0.00044690678,0.0015922264,0.0015355708,0.00013149533,0.000023023951,0.0045804493,0.000016906299,0.0008608392,0.12348825,0.8661872,0.0009457988],"about_ca_topic_score_codex":0.020632662,"about_ca_topic_score_gemma":0.025110157,"teacher_disagreement_score":0.71171385,"about_ca_system_score_codex":0.0029163468,"about_ca_system_score_gemma":0.0003359276,"threshold_uncertainty_score":0.9992802},"labels":[],"label_agreement":null},{"id":"W4378698523","doi":"10.7202/1098772ar","title":"Confiance, conscience et médium","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Conscience; Humanities; Philosophy; Ethnology; Sociology; Epistemology","score_opus":0.06502689679823288,"score_gpt":0.3930041002567794,"score_spread":0.32797720345854653,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378698523","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05027644,0.011756055,0.006744402,0.024904989,0.0049014706,0.0012633178,0.00075168523,0.0024004446,0.8970012],"genre_scores_gemma":[0.4764345,0.008593174,0.0053568333,0.010929924,0.00065473735,0.00096067844,0.0002752775,0.00033762664,0.49645725],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9884598,0.003909428,0.0017198912,0.0022820118,0.0009925052,0.002636349],"domain_scores_gemma":[0.993651,0.0018040824,0.00062329916,0.0023149233,0.0008782625,0.0007284314],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.007162573,0.00123945,0.001497863,0.0016931823,0.0014292191,0.000767897,0.0021495423,0.0010852959,0.0027997599],"category_scores_gemma":[0.00084384007,0.0012858296,0.00095559034,0.002886233,0.013015143,0.0011892838,0.0006331512,0.0021971993,0.0017098835],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005147402,0.0010021263,0.007330573,0.0005139569,0.00047685858,0.0025257212,0.0100575285,0.000007733091,0.0088374885,0.17558695,0.3062574,0.48688892],"study_design_scores_gemma":[0.0008689922,0.0010933405,0.007851884,0.0017308936,0.00018797514,0.0009535992,0.0011265376,0.000061338214,0.002327662,0.044573564,0.937901,0.0013231894],"about_ca_topic_score_codex":0.0018514014,"about_ca_topic_score_gemma":0.0016803992,"teacher_disagreement_score":0.63164365,"about_ca_system_score_codex":0.0007417005,"about_ca_system_score_gemma":0.00042597787,"threshold_uncertainty_score":0.9998708},"labels":[],"label_agreement":null},{"id":"W4378698551","doi":"10.7202/1098773ar","title":"« Il est difficile de se dire une personne. Et de dire quelle personne nous sommes1 » : l’autoportrait littéraire contemporain entre confession et dissimulation","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Philosophy","score_opus":0.04017121806655271,"score_gpt":0.319885185068292,"score_spread":0.2797139670017393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378698551","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28849167,0.010016487,0.0022644724,0.03491265,0.0014819577,0.0014138063,0.0036186434,0.0031474966,0.65465283],"genre_scores_gemma":[0.8484824,0.0035179802,0.00095572666,0.0023573413,0.0013911984,0.00021521722,0.0013473369,0.0002762559,0.14145657],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9939229,0.0012809121,0.0013480398,0.0012037626,0.00072413817,0.0015202735],"domain_scores_gemma":[0.9959275,0.0011271228,0.0007373387,0.0008990305,0.00073596515,0.0005730492],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0022216823,0.0012029625,0.0012604794,0.0005712263,0.00256428,0.0014022172,0.0006880052,0.00060845003,0.0012632455],"category_scores_gemma":[0.0012148556,0.001172694,0.0010070319,0.0004138142,0.0031778982,0.0009979836,0.00039251245,0.0010549839,0.000056634955],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002631677,0.0011512546,0.0017294077,0.0013880471,0.00053168536,0.0020975806,0.23671141,0.00026384238,0.0013797701,0.6723979,0.026374346,0.055711545],"study_design_scores_gemma":[0.0009362086,0.0006979111,0.0007114482,0.0057256715,0.0007622367,0.00012298989,0.04220155,0.004196549,0.0018197844,0.036321957,0.9046799,0.001823826],"about_ca_topic_score_codex":0.03712101,"about_ca_topic_score_gemma":0.043261718,"teacher_disagreement_score":0.8783055,"about_ca_system_score_codex":0.0014427827,"about_ca_system_score_gemma":0.00088834565,"threshold_uncertainty_score":0.99964976},"labels":[],"label_agreement":null},{"id":"W4378698552","doi":"10.7202/1098778ar","title":"Confier la lettre au cinéma : lecture du parcours intermédial des missives maternelles dans News from Home (1977) de Chantal Akerman","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.021118277046744124,"score_gpt":0.2698039208828434,"score_spread":0.24868564383609926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378698552","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5524129,0.015391966,0.00391623,0.008584797,0.003308933,0.0009823047,0.0031174598,0.0027384672,0.4095469],"genre_scores_gemma":[0.89806974,0.0033061947,0.0014663211,0.003258528,0.0034862638,0.0003452258,0.0008088369,0.0003796872,0.088879205],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9928831,0.00179059,0.0013112102,0.001352558,0.00058729894,0.0020752477],"domain_scores_gemma":[0.9960835,0.0013995761,0.00036546888,0.0009777675,0.0004678859,0.00070581987],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0011534871,0.001517921,0.0013286368,0.00064880244,0.0022633667,0.0021140997,0.0012484294,0.0009003699,0.0017576446],"category_scores_gemma":[0.0004683899,0.0014393355,0.00094365195,0.00033329352,0.013055734,0.0015922636,0.00058545533,0.0014734918,0.00015445559],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006418803,0.0007456223,0.0025532548,0.0014491853,0.0006924288,0.0040461253,0.16106287,0.0000068905106,0.009601842,0.556761,0.056130115,0.20630875],"study_design_scores_gemma":[0.00059589976,0.00074050203,0.001851119,0.004715107,0.0003612073,0.0004192729,0.0067265066,0.000048920254,0.015495919,0.22126535,0.7462053,0.0015749412],"about_ca_topic_score_codex":0.012896794,"about_ca_topic_score_gemma":0.014303562,"teacher_disagreement_score":0.69007516,"about_ca_system_score_codex":0.0011734499,"about_ca_system_score_gemma":0.0003372682,"threshold_uncertainty_score":0.99975693},"labels":[],"label_agreement":null},{"id":"W4378698553","doi":"10.7202/1098776ar","title":"Confier sa poésie scénaristique à l’image : le cas de Par-delà les nuages (1995)","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.11634697595360936,"score_gpt":0.3421078410803751,"score_spread":0.22576086512676574,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378698553","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08094369,0.010660923,0.10908612,0.028100353,0.001981041,0.0013900091,0.00052362325,0.0060190107,0.76129526],"genre_scores_gemma":[0.79559755,0.0033461463,0.031696215,0.0046758098,0.0006120177,0.00026264554,0.00016246137,0.00024404221,0.16340308],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99378186,0.00082345924,0.0012622371,0.0014399259,0.0006801435,0.0020123704],"domain_scores_gemma":[0.9955934,0.0008149256,0.00048798288,0.0013814352,0.00090733427,0.0008148669],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0014384736,0.0012163507,0.0010615073,0.0005651664,0.001765941,0.004287857,0.0017135927,0.00073363556,0.00015925828],"category_scores_gemma":[0.0012023943,0.0011248192,0.00069745985,0.0012073069,0.0051910137,0.0062656966,0.0012672226,0.0011259355,0.00017133847],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000104076316,0.000544631,0.0005092424,0.0007637615,0.00021006128,0.005314351,0.030294225,0.00003279389,0.028655581,0.40371072,0.12257391,0.40728664],"study_design_scores_gemma":[0.00050526025,0.00097626384,0.004164355,0.002987644,0.00010686072,0.0021497076,0.0012162022,0.000636579,0.10092021,0.12998398,0.75437176,0.0019811685],"about_ca_topic_score_codex":0.027970793,"about_ca_topic_score_gemma":0.0074757827,"teacher_disagreement_score":0.7146539,"about_ca_system_score_codex":0.0012575261,"about_ca_system_score_gemma":0.0006535927,"threshold_uncertainty_score":0.99953365},"labels":[],"label_agreement":null},{"id":"W4378698554","doi":"10.7202/1098771ar","title":"Repenser la médiation manuscrite de la parole de l’auteur français médiéval, entre foi et méfiance1","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Medieval European Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Humanities; Philosophy; Political science","score_opus":0.027761394838364418,"score_gpt":0.2836851426740301,"score_spread":0.2559237478356657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378698554","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.053467445,0.020368446,0.0016967433,0.0049120397,0.0016596208,0.00077637436,0.0008910739,0.0027349396,0.91349334],"genre_scores_gemma":[0.371083,0.010425486,0.0062411414,0.010934148,0.001997246,0.00042408428,0.0005431646,0.0005305661,0.5978212],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99251205,0.0032327564,0.0011788582,0.0010599238,0.00062453345,0.0013919044],"domain_scores_gemma":[0.9962621,0.001403344,0.00047255147,0.00096492004,0.00044135127,0.00045575888],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.004003204,0.0010027534,0.0008971772,0.0007387294,0.001659658,0.0015824796,0.0007934794,0.00064605026,0.0011799181],"category_scores_gemma":[0.0007593372,0.0010662606,0.0006874056,0.00031839233,0.0047622495,0.0015648223,0.00034807765,0.0016064337,0.0002760366],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028747032,0.00041116535,0.0006439481,0.0012612608,0.00019582418,0.0022158006,0.07785913,0.000015254416,0.0015426968,0.497318,0.30506673,0.11318271],"study_design_scores_gemma":[0.0005519326,0.00042642318,0.0013996828,0.0033281434,0.00021931202,0.00034718,0.0012104439,0.00007376063,0.0014727422,0.028110608,0.96181566,0.0010440891],"about_ca_topic_score_codex":0.0041346597,"about_ca_topic_score_gemma":0.0018517628,"teacher_disagreement_score":0.65674895,"about_ca_system_score_codex":0.0011439003,"about_ca_system_score_gemma":0.0005529953,"threshold_uncertainty_score":0.99973315},"labels":[],"label_agreement":null},{"id":"W4378698557","doi":"10.7202/1098781ar","title":"MOI (autoportrait)","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Contemporary art, education, critique","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.047487179859907885,"score_gpt":0.34274150312162266,"score_spread":0.29525432326171475,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378698557","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07414611,0.0082998015,0.0034085193,0.11065261,0.0053303717,0.0017750767,0.00036928896,0.0059168274,0.7901014],"genre_scores_gemma":[0.41870722,0.009967372,0.008399757,0.0031626378,0.0013017697,0.0005671678,0.00023126675,0.00026553302,0.5573973],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.991413,0.0030172183,0.0015148006,0.0013458667,0.00095429836,0.0017548122],"domain_scores_gemma":[0.99564016,0.0011296003,0.0005505605,0.0011652441,0.0008465441,0.0006678863],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0058076987,0.0009822829,0.0009554282,0.0008035721,0.002609653,0.00074436027,0.0013881306,0.00074619334,0.0012204243],"category_scores_gemma":[0.001266154,0.0011451922,0.0007018805,0.0019489058,0.008757671,0.005990676,0.00035929383,0.0010527753,0.00041807504],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005970872,0.0004317597,0.0024151087,0.00049681246,0.0001309852,0.00045005552,0.045444813,0.0000040528926,0.0009760229,0.39345023,0.24592203,0.31021842],"study_design_scores_gemma":[0.00018852636,0.00032598843,0.001726361,0.0016079498,0.000093988376,0.00009237988,0.0049252207,0.000023319344,0.0032793432,0.1536364,0.83307374,0.0010268107],"about_ca_topic_score_codex":0.014317955,"about_ca_topic_score_gemma":0.014129718,"teacher_disagreement_score":0.5871517,"about_ca_system_score_codex":0.0018146993,"about_ca_system_score_gemma":0.0012593267,"threshold_uncertainty_score":0.9996926},"labels":[],"label_agreement":null},{"id":"W4378698695","doi":"10.7202/1098774ar","title":"Les promesses du médium. Hospitalité autochtone dans les vidéos du projet Wapikoni Mobile","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities; Political science","score_opus":0.03202375233987365,"score_gpt":0.29846923666188546,"score_spread":0.2664454843220118,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378698695","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42883915,0.014614415,0.0016350136,0.016893521,0.004320926,0.0038102486,0.0013341417,0.006253819,0.52229875],"genre_scores_gemma":[0.6959637,0.016081063,0.002940359,0.0010378362,0.0016263092,0.0024709578,0.00027070486,0.00038062563,0.27922848],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99283874,0.0014499277,0.001356166,0.0014359046,0.0011085976,0.0018106769],"domain_scores_gemma":[0.9962522,0.0006260449,0.0006220767,0.001030033,0.0007809131,0.0006887269],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0023758537,0.001035126,0.0011300438,0.001555158,0.005895052,0.0018639229,0.001622455,0.00092851947,0.0013394237],"category_scores_gemma":[0.00095569337,0.0012689403,0.0008494431,0.0019877043,0.016149784,0.0022843261,0.00057372265,0.0010400136,0.00026755617],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000103107304,0.0008141426,0.0058688726,0.0015519856,0.00030027187,0.0012590197,0.11332812,0.000024399116,0.0019014716,0.21288757,0.11735086,0.54461014],"study_design_scores_gemma":[0.00030497374,0.0007833058,0.0041723773,0.0018596052,0.00022978862,0.00013071141,0.008182886,0.000044490644,0.0012221704,0.0109934965,0.97065514,0.0014210446],"about_ca_topic_score_codex":0.4091891,"about_ca_topic_score_gemma":0.51815844,"teacher_disagreement_score":0.85330427,"about_ca_system_score_codex":0.0068716374,"about_ca_system_score_gemma":0.0012917866,"threshold_uncertainty_score":0.99957347},"labels":[],"label_agreement":null},{"id":"W4378715115","doi":"10.7202/1098780ar","title":"Filmer les yeux fermés. Introduction au dossier d’artiste « Moi (autoportrait), film imaginé par Christophe Loizillon »","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history; Humanities","score_opus":0.09839986413121962,"score_gpt":0.3213181137963003,"score_spread":0.2229182496650807,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378715115","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18628459,0.020034138,0.050927773,0.062284753,0.012713777,0.0029043544,0.0009498569,0.01072251,0.6531783],"genre_scores_gemma":[0.6354673,0.00255422,0.017014235,0.0033377844,0.00330921,0.00036419102,0.0005073791,0.0003103303,0.33713537],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9930402,0.0006047955,0.0015637052,0.0018694664,0.00093159673,0.001990253],"domain_scores_gemma":[0.9956826,0.0003374464,0.0006504501,0.0016794894,0.0009175672,0.0007324759],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0012376633,0.001343485,0.0011134509,0.0006769421,0.00184938,0.0032261147,0.0014549133,0.0006222727,0.00047657464],"category_scores_gemma":[0.00082693674,0.001204557,0.00078553334,0.0017586664,0.0050549167,0.007744097,0.0010864249,0.0011073315,0.00029069488],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013110654,0.00046054786,0.00045393466,0.00066285563,0.00016572831,0.0016199991,0.015478739,0.00007581036,0.01194429,0.13446821,0.2372488,0.59729],"study_design_scores_gemma":[0.00037545714,0.0007355354,0.0061301054,0.0011998301,0.0001246827,0.0012198414,0.0003609611,0.00068379875,0.036179684,0.03402224,0.91740316,0.0015647118],"about_ca_topic_score_codex":0.009754163,"about_ca_topic_score_gemma":0.0032661122,"teacher_disagreement_score":0.6801544,"about_ca_system_score_codex":0.0018188987,"about_ca_system_score_gemma":0.00046067717,"threshold_uncertainty_score":0.99993163},"labels":[],"label_agreement":null},{"id":"W4378716190","doi":"10.7202/1098775ar","title":"La compassion imaginaire","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Health, Medicine and Society","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Compassion; Philosophy; Theology","score_opus":0.05598209734440707,"score_gpt":0.39682649831966904,"score_spread":0.340844400975262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378716190","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18855195,0.01237829,0.009365135,0.1105043,0.007028827,0.0034594182,0.00060968025,0.007995292,0.66010714],"genre_scores_gemma":[0.7656174,0.020930482,0.014501456,0.02753319,0.0019636727,0.0010607657,0.00045259253,0.00055081653,0.16738965],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9865076,0.0071277046,0.001933967,0.0012221299,0.00088195666,0.0023266335],"domain_scores_gemma":[0.9919578,0.004282439,0.00063377444,0.0013341452,0.0008429599,0.00094892515],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["sts","research_integrity"],"category_scores_codex":[0.007796163,0.0010510497,0.0014003892,0.00063304405,0.0033336899,0.00020215151,0.0009483239,0.0023624697,0.0008767423],"category_scores_gemma":[0.002771757,0.0010121928,0.00066538184,0.0013594591,0.005886065,0.0013109905,0.0007669937,0.0057747634,0.0006757968],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010806622,0.00031922146,0.0028703865,0.0039441,0.000093046205,0.0007930385,0.053070176,0.0000015739954,0.0007499219,0.04880128,0.37846178,0.5107874],"study_design_scores_gemma":[0.0007188497,0.0006238075,0.007881328,0.012748769,0.00014433337,0.0001631153,0.011736314,0.00012081523,0.0006844065,0.024870137,0.9393892,0.0009188672],"about_ca_topic_score_codex":0.0057419487,"about_ca_topic_score_gemma":0.002642275,"teacher_disagreement_score":0.57706547,"about_ca_system_score_codex":0.0026682185,"about_ca_system_score_gemma":0.0014678495,"threshold_uncertainty_score":0.9992328},"labels":[],"label_agreement":null},{"id":"W4386654093","doi":"10.7202/1086253ar","title":"Experimental Poetry and the Aesthetics of Resistance in Agitated Times","year":2021,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural and Social Studies in Latin America","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Performative utterance; Poetry; Semiotics; Meaning (existential); Aesthetics; Interpretation (philosophy); Perception; Resistance (ecology); Politics; Point (geometry); Linguistics; Art; Sociology; Literature; Philosophy; Epistemology","score_opus":0.028202951703691363,"score_gpt":0.29005808916048137,"score_spread":0.26185513745679,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386654093","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08986312,0.1529182,0.00009446034,0.009808929,0.0008397574,0.00049063435,0.0002085747,0.00021029699,0.745566],"genre_scores_gemma":[0.8910979,0.00907962,0.00298228,0.0012568448,0.00022849102,0.00012028447,0.00003228165,0.00006538869,0.09513688],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971955,0.0007168175,0.00082957366,0.0004661138,0.00030232346,0.0004896597],"domain_scores_gemma":[0.9980897,0.0006871383,0.00032473367,0.0003629594,0.0004511839,0.00008430851],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00053644786,0.00046657826,0.00077853905,0.00009029691,0.0011319807,0.000321589,0.00031241638,0.00016863843,0.00044387963],"category_scores_gemma":[0.00044454256,0.00036528203,0.0003011634,0.00019441727,0.016647546,0.00043650207,0.00039245907,0.00046418418,0.0000036965162],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029798364,0.00034866692,0.00015348021,0.00035035028,0.00012891142,0.00015854137,0.097958736,6.49242e-7,0.0005302742,0.83767825,0.007018987,0.055375174],"study_design_scores_gemma":[0.00086588704,0.00030732763,0.00028964967,0.0026536763,0.00010839093,0.00006650369,0.029216835,0.000007367394,0.01077721,0.08642573,0.86862874,0.0006527079],"about_ca_topic_score_codex":0.002795725,"about_ca_topic_score_gemma":0.004984603,"teacher_disagreement_score":0.8616097,"about_ca_system_score_codex":0.00041924752,"about_ca_system_score_gemma":0.00007541216,"threshold_uncertainty_score":0.9998799},"labels":[],"label_agreement":null},{"id":"W4388489562","doi":"10.7202/1106547ar","title":"Introduction: The Sleeper’s Unrest","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Latin American and Latino Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University; Université de Montréal","funders":"","keywords":"Unrest; Political science; Law","score_opus":0.03990443410882851,"score_gpt":0.32560036735892256,"score_spread":0.28569593325009407,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388489562","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011776297,0.0108953,0.0036909073,0.23150414,0.005753674,0.0011374898,0.000121016245,0.00376655,0.7313546],"genre_scores_gemma":[0.5214295,0.019853387,0.008293492,0.0071948906,0.0055807238,0.0006413197,0.000077905825,0.00022463316,0.43670416],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9942379,0.0016974715,0.000920293,0.0009912136,0.00080837245,0.0013447597],"domain_scores_gemma":[0.99652565,0.0011319934,0.00044189108,0.0010559491,0.0005674976,0.0002770095],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0025428224,0.00074363564,0.000750053,0.0003166856,0.0038666732,0.0006570638,0.0012901836,0.00034551427,0.00081221765],"category_scores_gemma":[0.001461032,0.0006101044,0.0005214033,0.0021814795,0.014975187,0.0014154139,0.00071591034,0.00089544925,0.00031340687],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030453766,0.00011695601,0.0005518792,0.00013269682,0.00015389913,0.00009894523,0.028905982,0.000009152212,0.00021565214,0.34584364,0.18301402,0.4409267],"study_design_scores_gemma":[0.00014011594,0.00034158555,0.0014140953,0.00047711856,0.00011590635,0.00006766154,0.0061921454,0.000038907936,0.00086618704,0.041074444,0.9485672,0.0007046133],"about_ca_topic_score_codex":0.006809013,"about_ca_topic_score_gemma":0.005697158,"teacher_disagreement_score":0.7655532,"about_ca_system_score_codex":0.0011557568,"about_ca_system_score_gemma":0.0002679135,"threshold_uncertainty_score":0.99980474},"labels":[],"label_agreement":null},{"id":"W4388489563","doi":"10.7202/1106546ar","title":"Liminaire","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.061802515774413105,"score_gpt":0.3191331645158172,"score_spread":0.2573306487414041,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388489563","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.032189894,0.036865536,0.0012491957,0.022625493,0.005464399,0.001007667,0.00022558476,0.0043162303,0.896056],"genre_scores_gemma":[0.49479455,0.030049546,0.0041015376,0.0032104761,0.0018088671,0.0004787388,0.00008589936,0.00023724216,0.46523315],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9940246,0.0011941751,0.0010057136,0.0010308574,0.0009334376,0.0018112157],"domain_scores_gemma":[0.99694556,0.00090262847,0.00038772408,0.00067632785,0.0006082394,0.00047950528],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00211789,0.0008957031,0.0010046668,0.00046768115,0.0036581103,0.00056472555,0.001090193,0.00071692857,0.00050067017],"category_scores_gemma":[0.0013786658,0.000964811,0.0007723362,0.0018905367,0.013009174,0.0014538089,0.0006289172,0.00088471116,0.00044939856],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003716043,0.00020852177,0.0006247091,0.00032965426,0.00015278082,0.00034744825,0.04609522,0.0000022119411,0.00018682025,0.35063595,0.15447336,0.44690618],"study_design_scores_gemma":[0.00019130395,0.00044690678,0.0015922264,0.0015355708,0.00013149533,0.000023023951,0.0045804493,0.000016906299,0.0008608392,0.12348825,0.8661872,0.0009457988],"about_ca_topic_score_codex":0.020632662,"about_ca_topic_score_gemma":0.025110157,"teacher_disagreement_score":0.71171385,"about_ca_system_score_codex":0.0029163468,"about_ca_system_score_gemma":0.0003359276,"threshold_uncertainty_score":0.9992802},"labels":[],"label_agreement":null},{"id":"W4388504431","doi":"10.7202/1106559ar","title":"Watch me sleep: Self-surveillance and aging queer performance anxiety","year":2023,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"McGill University","funders":"","keywords":"Conversation; Exhibition; Queer; The arts; Sleep (system call); Media studies; Visual arts; Broadcasting (networking); Psychology; Sociology; Art; Gender studies; Computer science; Communication","score_opus":0.026607927512203523,"score_gpt":0.25762512973681123,"score_spread":0.2310172022246077,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388504431","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8447863,0.0051079174,0.0018965746,0.004773215,0.0008079935,0.00061562425,0.0001722506,0.0025177626,0.13932236],"genre_scores_gemma":[0.9691285,0.013607296,0.0040541794,0.00086941733,0.00019547832,0.00025766902,0.000042653377,0.00010090102,0.011743943],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975401,0.000069184396,0.0007847823,0.0007692944,0.00011356012,0.0007230391],"domain_scores_gemma":[0.9986756,0.00021037443,0.00028549417,0.0005286878,0.00013862032,0.00016124926],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0012646662,0.000460419,0.00073069107,0.0003529087,0.0006403749,0.00019498332,0.00035509496,0.00017677975,0.000052590425],"category_scores_gemma":[0.00029177507,0.00048275365,0.00019556521,0.0004930867,0.00075666694,0.0006889192,0.00035266433,0.00036504644,0.00008521473],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000102759106,0.00020788533,0.58764166,0.0014073275,0.00037459997,0.00011461425,0.02123387,0.000016470183,0.0013966227,0.09176758,0.026361194,0.2693754],"study_design_scores_gemma":[0.00051373,0.00031533738,0.084261745,0.0004567452,0.00002863824,0.00010040931,0.00038949528,0.0004900576,0.0035072665,0.022832418,0.8859625,0.001141646],"about_ca_topic_score_codex":0.00051898515,"about_ca_topic_score_gemma":0.00053666154,"teacher_disagreement_score":0.8596013,"about_ca_system_score_codex":0.0003673787,"about_ca_system_score_gemma":0.00002469657,"threshold_uncertainty_score":0.9997624},"labels":[],"label_agreement":null},{"id":"W4388504456","doi":"10.7202/1106550ar","title":"“Everyone Enjoys a Siesta After Lunch in the West Indies”: Fictions of Labour and Languor","year":2023,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Caribbean history, culture, and politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Paradise; West indies; Commodification; Tourism; Emancipation; Rest (music); History; Art history; Gender studies; Sociology; Economic history; Ethnology; Political science; Economy; Politics; Law; Archaeology; Economics","score_opus":0.030588356273049108,"score_gpt":0.31541725670104354,"score_spread":0.2848289004279944,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388504456","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8163764,0.0020001552,0.00018581761,0.0022429,0.00045839406,0.0007336223,0.00047684746,0.00076494686,0.17676096],"genre_scores_gemma":[0.9762867,0.0009965703,0.0006858177,0.0012293726,0.00019874168,0.00023538999,0.000035313362,0.00003790739,0.020294202],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99776185,0.0005696181,0.0004338345,0.00032790133,0.00038895005,0.0005178789],"domain_scores_gemma":[0.99861974,0.00054760126,0.00014272865,0.00037267496,0.00020742457,0.000109835935],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012531555,0.00026166087,0.00033819143,0.00033265832,0.00068935874,0.00016714375,0.00041846433,0.0002125866,0.00010276451],"category_scores_gemma":[0.0006223211,0.00022095528,0.00015225197,0.0006170102,0.0026975477,0.0004151146,0.00012109481,0.0003676334,0.000010359812],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015205047,0.0003333567,0.023190783,0.0005369592,0.00008943865,0.0003406792,0.4890165,0.0000026640394,0.0013330971,0.40004808,0.0516767,0.033279687],"study_design_scores_gemma":[0.00018039816,0.00017018737,0.036121305,0.00038435188,0.000044667777,0.000026923226,0.018484095,0.0000016369262,0.00049471663,0.014099399,0.9296126,0.00037974818],"about_ca_topic_score_codex":0.0130613595,"about_ca_topic_score_gemma":0.054701723,"teacher_disagreement_score":0.8779359,"about_ca_system_score_codex":0.00041617276,"about_ca_system_score_gemma":0.00014146237,"threshold_uncertainty_score":0.9939227},"labels":[],"label_agreement":null},{"id":"W4388504505","doi":"10.7202/1106556ar","title":"Bedtime Stories: Audiobooks, Podcasts, and Reading as Listening (and Sleeping)","year":2023,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Radio, Podcasts, and Digital Media","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Bedtime; Active listening; Reading (process); Subjectivity; Sleep (system call); Psychology; Linguistics; Communication; Computer science; Philosophy; Epistemology","score_opus":0.0390117914550443,"score_gpt":0.3292945558943513,"score_spread":0.290282764439307,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388504505","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4065856,0.002490145,0.0007610439,0.0025931515,0.00097358477,0.00079856475,0.00006760682,0.0034265914,0.5823037],"genre_scores_gemma":[0.9579973,0.0026019665,0.004103426,0.0011490273,0.00057782815,0.00017083794,0.00004026893,0.00012750439,0.033231802],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966897,0.0004091124,0.0006042769,0.00077170815,0.0005700178,0.0009552168],"domain_scores_gemma":[0.997679,0.000936668,0.00023690994,0.00041147103,0.0002544992,0.0004814281],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0016873213,0.00049277174,0.0005950055,0.00048994686,0.0018394865,0.00084952894,0.0004445423,0.00030378968,0.00004910578],"category_scores_gemma":[0.0022592868,0.00050932623,0.00017421774,0.0005171328,0.004282798,0.0016404669,0.0003246974,0.00042874564,0.00002806809],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012320535,0.00007186144,0.005691885,0.000288928,0.00010702797,0.0004949813,0.106226966,0.0000011863485,0.0023109633,0.17174056,0.008223645,0.70471877],"study_design_scores_gemma":[0.0003736474,0.0006031285,0.0022917897,0.0017302289,0.00009566388,0.0002161084,0.009787145,0.000032849297,0.0030073563,0.06265796,0.9180089,0.0011952097],"about_ca_topic_score_codex":0.004487098,"about_ca_topic_score_gemma":0.00248187,"teacher_disagreement_score":0.9097853,"about_ca_system_score_codex":0.00058708066,"about_ca_system_score_gemma":0.00018907072,"threshold_uncertainty_score":0.99973583},"labels":[],"label_agreement":null},{"id":"W4388504515","doi":"10.7202/1106551ar","title":"Unveiling The Dream: The New Frontiers of Dream Technology and Radical Rest","year":2023,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Sleep and Wakefulness Research","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dream; Oppression; Aesthetics; Sociology; Consciousness; Context (archaeology); Gender studies; Psychology; History; Politics; Political science; Art; Epistemology; Law; Philosophy","score_opus":0.04491358533003694,"score_gpt":0.32300835655031523,"score_spread":0.2780947712202783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388504515","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8738014,0.003297591,0.0137127945,0.038177755,0.0009695802,0.0019933926,0.000102573584,0.0032588558,0.06468603],"genre_scores_gemma":[0.9883949,0.0012155456,0.0016097957,0.0010603152,0.00013220674,0.00021214467,0.000007219826,0.00008492686,0.007282934],"study_design_codex":"design_other","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9968216,0.00059557,0.0005767188,0.0006865698,0.00057361356,0.0007459231],"domain_scores_gemma":[0.99726754,0.0013088812,0.00019409136,0.00092532375,0.00013794804,0.00016623858],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.001247612,0.0003769714,0.0004445584,0.00071810116,0.001110572,0.00023134408,0.0013416568,0.00025964054,0.000031977826],"category_scores_gemma":[0.0030840968,0.00024293356,0.00018254622,0.0016503523,0.0078078634,0.00038769827,0.0006864618,0.00082233595,0.000015023136],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002913495,0.00016187745,0.0032062281,0.00014039104,0.000075638345,0.00028156015,0.0044463063,0.000010063007,0.1240362,0.1471295,0.06684736,0.65337354],"study_design_scores_gemma":[0.00038782004,0.0004735001,0.0010082105,0.00039144198,0.000054282165,0.00026102734,0.0011416341,0.00020279865,0.55603415,0.097226895,0.34234583,0.00047238803],"about_ca_topic_score_codex":0.0004165268,"about_ca_topic_score_gemma":0.00024232698,"teacher_disagreement_score":0.6529011,"about_ca_system_score_codex":0.00019082366,"about_ca_system_score_gemma":0.00017124576,"threshold_uncertainty_score":0.9948923},"labels":[],"label_agreement":null},{"id":"W4388504517","doi":"10.7202/1106552ar","title":"Practices and Environments of Collective Sleep in Twenty-First-Century Latin American Film","year":2023,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Nostalgia and Consumer Behavior","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Latin Americans; Dystopia; Narrative; Embodied cognition; Power (physics); Movie theater; Politics; Sociology; Aesthetics; Gender studies; History; Political science; Literature; Art; Art history; Epistemology; Law","score_opus":0.03569320607146934,"score_gpt":0.33181360568025176,"score_spread":0.2961203996087824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388504517","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9549754,0.00073930435,0.000195579,0.00045509604,0.00027145952,0.0007098938,0.00012062472,0.0003968897,0.04213574],"genre_scores_gemma":[0.98900366,0.00070058554,0.0017990664,0.00028390612,0.000030863906,0.0005434442,0.00005181195,0.000089096,0.0074975733],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9972502,0.00051784917,0.0006697171,0.00069408305,0.00028897484,0.00057919853],"domain_scores_gemma":[0.99788713,0.000680559,0.0006872519,0.0005414657,0.000067640525,0.00013595358],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00057799683,0.00041542976,0.0005763633,0.0006074364,0.0002723309,0.00007709519,0.00035922977,0.00017495424,0.00016988674],"category_scores_gemma":[0.0003330198,0.0004248731,0.00014541417,0.0006729073,0.0021809475,0.0003412616,0.0002647233,0.00042344187,0.000029208972],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00091726234,0.001004705,0.41343665,0.00022649024,0.00028292075,0.00068844436,0.03609449,0.0000030813217,0.016401984,0.011465735,0.0031069454,0.5163713],"study_design_scores_gemma":[0.0014490813,0.0018277066,0.77545685,0.00093032,0.00026568212,0.00012108392,0.008761526,0.00002847871,0.017715894,0.005748849,0.18636492,0.0013296332],"about_ca_topic_score_codex":0.0034344262,"about_ca_topic_score_gemma":0.0019130339,"teacher_disagreement_score":0.51504165,"about_ca_system_score_codex":0.00040476432,"about_ca_system_score_gemma":0.000051886105,"threshold_uncertainty_score":0.9998203},"labels":[],"label_agreement":null},{"id":"W4388504526","doi":"10.7202/1106562ar","title":"Sacrifices numériques : la mémoire au-delà des algorithmes1","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Physics; Philosophy; Art","score_opus":0.12043629701804921,"score_gpt":0.33784493554640643,"score_spread":0.21740863852835723,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388504526","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06416862,0.014312726,0.064434886,0.008169699,0.0031429077,0.0012891635,0.0004662623,0.008057411,0.8359583],"genre_scores_gemma":[0.68484235,0.006056542,0.049087945,0.002783074,0.0011100629,0.00037259204,0.00020945475,0.0003526113,0.2551854],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9923621,0.0011292552,0.0015063082,0.0017535513,0.0009694414,0.0022793862],"domain_scores_gemma":[0.9946022,0.0011841649,0.00056530343,0.0015542225,0.0011596679,0.0009344327],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0018264344,0.0015155872,0.0012449085,0.0007951719,0.0020879393,0.0060515366,0.002171323,0.0007880944,0.00012866264],"category_scores_gemma":[0.0010377151,0.0013384066,0.0008806654,0.0019081719,0.007575544,0.012050518,0.0015408831,0.0010897204,0.00023587976],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007639629,0.0004450713,0.00044128994,0.00081279076,0.00019007512,0.0023375372,0.04138389,0.000021677726,0.0032961022,0.30868363,0.036194216,0.6061173],"study_design_scores_gemma":[0.00038607416,0.0011539103,0.0016742522,0.0047286586,0.00009633997,0.0015529391,0.0026217469,0.00079059746,0.024100607,0.19336115,0.76758665,0.0019471014],"about_ca_topic_score_codex":0.009554721,"about_ca_topic_score_gemma":0.005521068,"teacher_disagreement_score":0.73139244,"about_ca_system_score_codex":0.0019839096,"about_ca_system_score_gemma":0.00062185625,"threshold_uncertainty_score":0.9997593},"labels":[],"label_agreement":null},{"id":"W4388504536","doi":"10.7202/1106560ar","title":"Grèves perlées","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Social Sciences and Governance","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Perl; Computer science; Programming language","score_opus":0.05242622899818845,"score_gpt":0.34309431247859584,"score_spread":0.2906680834804074,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388504536","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23183681,0.014719158,0.0015619276,0.053582884,0.005770233,0.0011020158,0.00037172326,0.0038638238,0.6871914],"genre_scores_gemma":[0.6456905,0.0143574765,0.004131935,0.0029972752,0.0014292353,0.00028614912,0.000042793556,0.0001552959,0.33090934],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99365234,0.0011121384,0.00095470913,0.0011614009,0.0012411382,0.0018782793],"domain_scores_gemma":[0.99687904,0.0008757468,0.0005241625,0.000691932,0.0004964327,0.00053270964],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0028016865,0.000787452,0.0008216173,0.00034341507,0.003036145,0.0008483566,0.0015575021,0.00061989605,0.0007607131],"category_scores_gemma":[0.0013538944,0.0008071751,0.00068419473,0.0024248955,0.012828681,0.0024893696,0.0005142845,0.00075262005,0.0003653203],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043233234,0.00019286847,0.0034030243,0.00023024363,0.000073928146,0.0002470025,0.04922636,0.0000060595917,0.00070550677,0.32297814,0.09509372,0.5277999],"study_design_scores_gemma":[0.00016459271,0.00037811123,0.0055340733,0.0012811491,0.00007413675,0.000030999683,0.007830771,0.000032945114,0.0014038476,0.11777652,0.86455405,0.00093878014],"about_ca_topic_score_codex":0.04796048,"about_ca_topic_score_gemma":0.04421031,"teacher_disagreement_score":0.7694604,"about_ca_system_score_codex":0.0015894321,"about_ca_system_score_gemma":0.00053533464,"threshold_uncertainty_score":0.9994379},"labels":[],"label_agreement":null},{"id":"W4388504552","doi":"10.7202/1106548ar","title":"L’oeil et l’oreille du sommeil. Lire les vidéo-polysomnographies avec des infirmières de nuit","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Aging, Elder Care, and Social Issues","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.045838766455145834,"score_gpt":0.35881294866687186,"score_spread":0.312974182211726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388504552","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72992384,0.027346855,0.005858202,0.022030285,0.0038264843,0.002541537,0.0009074505,0.008270883,0.19929445],"genre_scores_gemma":[0.8762442,0.03221615,0.008690123,0.010270666,0.0020311968,0.0012099039,0.00036284185,0.0006203798,0.06835454],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.98746765,0.0045733596,0.002245634,0.0015750795,0.0010011229,0.0031371429],"domain_scores_gemma":[0.9919549,0.0034178903,0.0009903554,0.001454924,0.001285967,0.0008959344],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.0043365615,0.0017032772,0.0018898881,0.0015922405,0.006385994,0.0007066002,0.0016224277,0.0019800358,0.0007444305],"category_scores_gemma":[0.0031591812,0.0017798743,0.0012649535,0.0019119302,0.010426061,0.0022234865,0.0013835508,0.003160584,0.00021814561],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031414526,0.0009284704,0.06535159,0.004250236,0.00063507596,0.0011337409,0.31480846,0.000012496639,0.0012424885,0.11921035,0.11034408,0.38176888],"study_design_scores_gemma":[0.0011607311,0.0009199235,0.013017926,0.0103249075,0.00043295007,0.00015722812,0.05299675,0.00008370966,0.003963735,0.14990105,0.7647829,0.0022582214],"about_ca_topic_score_codex":0.026991276,"about_ca_topic_score_gemma":0.059221208,"teacher_disagreement_score":0.6544388,"about_ca_system_score_codex":0.0022118832,"about_ca_system_score_gemma":0.0008646136,"threshold_uncertainty_score":0.9995714},"labels":[],"label_agreement":null},{"id":"W4388504585","doi":"10.7202/1106558ar","title":"Beware the LOLcats : une recherche-création sur les illustrations populaires du sommeil préindustriel","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.3577924705310878,"score_gpt":0.3673272376707512,"score_spread":0.009534767139663392,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388504585","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14878818,0.015411763,0.08998597,0.29086483,0.0048905946,0.003646376,0.0007524101,0.009020676,0.43663922],"genre_scores_gemma":[0.8100077,0.0026924603,0.0066501144,0.0034430358,0.00071018114,0.00030081195,0.00031559574,0.00014687427,0.17573321],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9947623,0.0012485065,0.0011198148,0.0010194506,0.0006931727,0.0011567437],"domain_scores_gemma":[0.99518156,0.0014729371,0.0004884862,0.001240897,0.0012250219,0.00039110752],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0018449675,0.00088158366,0.0006438324,0.00038348988,0.0022097477,0.0033849275,0.0015206012,0.0007865377,0.00007534451],"category_scores_gemma":[0.002857386,0.00067097996,0.00049344567,0.0023754488,0.0033074853,0.006035821,0.00081264204,0.0012978197,0.00008174532],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042953554,0.00042576436,0.00040972405,0.0002238847,0.00010994364,0.00037393384,0.023626968,0.000049151913,0.0014984142,0.21917222,0.1099505,0.6441165],"study_design_scores_gemma":[0.00048707495,0.00078288594,0.0046787327,0.0026649567,0.00013537802,0.0006551179,0.0023682,0.0012007005,0.012215192,0.13624145,0.8371999,0.0013703996],"about_ca_topic_score_codex":0.024070201,"about_ca_topic_score_gemma":0.01496919,"teacher_disagreement_score":0.72724944,"about_ca_system_score_codex":0.0011627031,"about_ca_system_score_gemma":0.0005126109,"threshold_uncertainty_score":0.9995741},"labels":[],"label_agreement":null},{"id":"W4388504604","doi":"10.7202/1106549ar","title":"The New Horizontal Worker: Privacy, Sexuality, and Professionalism in the Digital Bedroom","year":2023,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Walter Benjamin Studies Compilation","field":"Arts and Humanities","cited_by":39,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Bedroom; Human sexuality; Representation (politics); Psychology; Aesthetics; Public relations; Sociology; Art; Political science; Gender studies; History; Law; Politics","score_opus":0.06595553177614864,"score_gpt":0.3204646849998903,"score_spread":0.2545091532237416,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388504604","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6578066,0.0033448169,0.00058405066,0.024741622,0.0016101114,0.002130245,0.00023456523,0.0022379342,0.30731004],"genre_scores_gemma":[0.9723852,0.00031553826,0.00027175917,0.0009000406,0.0005067018,0.00027131414,0.00010790903,0.00007184177,0.025169695],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99745876,0.0003737775,0.00063392665,0.00047687563,0.00047380457,0.0005828616],"domain_scores_gemma":[0.9979312,0.0010863454,0.00019956013,0.0005612743,0.00014346947,0.00007819749],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0011192174,0.00041967223,0.0003499762,0.00020912239,0.0019247415,0.0014134985,0.00071940944,0.000101429025,0.000032318687],"category_scores_gemma":[0.00033775019,0.0002659702,0.00014215782,0.0002220663,0.0023586694,0.00093756494,0.000655709,0.0004894326,0.000020239157],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011701473,0.0001260175,0.0025433535,0.000089709756,0.00007290409,0.00008464997,0.11187553,6.99981e-7,0.000106631414,0.37469277,0.05684386,0.45344687],"study_design_scores_gemma":[0.0002298485,0.00023478818,0.0053774943,0.00045685607,0.000024646995,0.00003865245,0.00778597,0.000016367709,0.00013703077,0.119494684,0.86581326,0.00039038202],"about_ca_topic_score_codex":0.0006663907,"about_ca_topic_score_gemma":0.0053316117,"teacher_disagreement_score":0.80896944,"about_ca_system_score_codex":0.0002417136,"about_ca_system_score_gemma":0.000074359974,"threshold_uncertainty_score":0.99997926},"labels":[],"label_agreement":null},{"id":"W4388504633","doi":"10.7202/1106555ar","title":"Listening with Insomnia","year":2023,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Active listening; Cognitive reframing; Insomnia; Psychology; Anxiety; Sleep (system call); Appreciative listening; Informational listening; Cognitive psychology; Psychotherapist; Psychiatry; Computer science","score_opus":0.11881188314603558,"score_gpt":0.4120537947637177,"score_spread":0.2932419116176821,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388504633","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2974698,0.00040367388,0.0037646706,0.010505978,0.001016872,0.00068544736,0.000040997184,0.003831191,0.6822814],"genre_scores_gemma":[0.9547317,0.0007639318,0.018656945,0.001499904,0.0009257768,0.00034332808,0.000102733065,0.000084160514,0.0228915],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99710447,0.0008484652,0.00043001887,0.0005067869,0.00043075174,0.00067952723],"domain_scores_gemma":[0.99747056,0.0013226529,0.00020546762,0.00035105253,0.0004593136,0.00019095403],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.003153393,0.00031358842,0.00033564912,0.00035129327,0.0020347307,0.00026852268,0.0005291547,0.00023083155,0.00008779231],"category_scores_gemma":[0.001516442,0.00029655165,0.00015149607,0.0007427563,0.0051636877,0.0008197179,0.00009736787,0.0003931537,0.000034632092],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005459922,0.00017392631,0.017122874,0.00015172281,0.00011581252,0.00006376135,0.17189915,0.0000081832195,0.0011266755,0.6208104,0.012335976,0.17613696],"study_design_scores_gemma":[0.00027013925,0.00036324232,0.008455781,0.00088861614,0.00005889707,0.00003425446,0.04713892,0.000009692276,0.0011052432,0.05672153,0.8841537,0.0007999699],"about_ca_topic_score_codex":0.0020415438,"about_ca_topic_score_gemma":0.0030498311,"teacher_disagreement_score":0.87181777,"about_ca_system_score_codex":0.0004940337,"about_ca_system_score_gemma":0.0003592474,"threshold_uncertainty_score":0.9999487},"labels":[],"label_agreement":null},{"id":"W4388504634","doi":"10.7202/1106554ar","title":"The Scent of Sleep: On Night Knowledge and Its Atmospheres","year":2023,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Night-time city culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Situated; Sleep (system call); Kinship; Aesthetics; Sociology; Visual arts; History; Media studies; Art; Anthropology; Computer science","score_opus":0.03465261926099798,"score_gpt":0.3283383848889811,"score_spread":0.2936857656279831,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388504634","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32421878,0.005648169,0.0001521613,0.0058844113,0.0008535003,0.0013066633,0.00007990097,0.0019312847,0.6599251],"genre_scores_gemma":[0.9450295,0.003042154,0.00090566947,0.0004466102,0.00026654013,0.00018100154,0.000015840662,0.000079666985,0.05003303],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967897,0.00081186264,0.00056704314,0.00054438115,0.00055647147,0.0007305565],"domain_scores_gemma":[0.99755573,0.00097144255,0.000251431,0.0004959863,0.00050113094,0.00022429769],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0017029736,0.00040549116,0.00044631673,0.000120199584,0.0022159603,0.00029940513,0.000818888,0.00029069025,0.00010712911],"category_scores_gemma":[0.0011476439,0.00030533256,0.00023270167,0.0006866562,0.0030492076,0.00052098266,0.0003032256,0.00043917177,0.000066201756],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015914894,0.00023757223,0.0011784397,0.00021362242,0.00013875886,0.000066100365,0.039994933,0.0000034415173,0.0060603907,0.6352134,0.050778385,0.2659558],"study_design_scores_gemma":[0.00020193814,0.00034144436,0.0016361676,0.0008091671,0.000053463078,0.000009468619,0.0021255498,0.000024466235,0.028482514,0.029007656,0.93681467,0.0004935046],"about_ca_topic_score_codex":0.0008014629,"about_ca_topic_score_gemma":0.010449733,"teacher_disagreement_score":0.8860363,"about_ca_system_score_codex":0.00051386683,"about_ca_system_score_gemma":0.00015077407,"threshold_uncertainty_score":0.99993986},"labels":[],"label_agreement":null},{"id":"W4388504639","doi":"10.7202/1106553ar","title":"Des dormeurs confiés à nos regards. Figurer et éprouver la sociabilité paradoxale du sommeil","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04650764557330696,"score_gpt":0.37061996128878805,"score_spread":0.3241123157154811,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388504639","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18237567,0.010380423,0.0040352363,0.020890981,0.0030354776,0.0018323084,0.0010495101,0.0026921304,0.7737083],"genre_scores_gemma":[0.6775731,0.012287111,0.005428222,0.0076657473,0.0010507017,0.0018888491,0.00055534,0.0006402588,0.2929107],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9842236,0.00720468,0.002136611,0.0025014034,0.001098208,0.002835465],"domain_scores_gemma":[0.9914714,0.0033637,0.00075668155,0.0025268188,0.0011095499,0.000771859],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.008799077,0.0016487277,0.0019805888,0.0014147498,0.0017615485,0.0008607895,0.0020463783,0.0018638122,0.0030143547],"category_scores_gemma":[0.0015537335,0.0016697301,0.001626549,0.0020147471,0.013227868,0.001291974,0.00067081535,0.00287556,0.001044725],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009918371,0.0026587858,0.023737863,0.0009651036,0.0011515635,0.0026096785,0.02679718,0.000009652338,0.0025713418,0.07394018,0.39224318,0.47232363],"study_design_scores_gemma":[0.0019328749,0.0011829407,0.018847693,0.001928898,0.00039303166,0.00086991675,0.0022857008,0.000041302184,0.0014500951,0.081095725,0.8882901,0.0016817277],"about_ca_topic_score_codex":0.0032579938,"about_ca_topic_score_gemma":0.003860126,"teacher_disagreement_score":0.4960469,"about_ca_system_score_codex":0.0012533222,"about_ca_system_score_gemma":0.0004925376,"threshold_uncertainty_score":0.9997331},"labels":[],"label_agreement":null},{"id":"W4388504649","doi":"10.7202/1106557ar","title":"Do Humans Dream of Electric Ads?","year":2023,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Sleep and Wakefulness Research","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dream; Capitalism; Sleep (system call); Nightmare; Frontier; Consumption (sociology); Exploit; State (computer science); Sociology; Psychology; Political science; Social science; Computer science; Computer security; Psychotherapist","score_opus":0.06314400565022535,"score_gpt":0.34582138653527855,"score_spread":0.28267738088505323,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388504649","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76985073,0.00045444712,0.002612495,0.00071256113,0.00038418703,0.00091996294,0.00011721233,0.002756479,0.22219191],"genre_scores_gemma":[0.9884522,0.00083166256,0.00070947065,0.00064849574,0.00012218143,0.0003801151,0.000022891978,0.00013617378,0.008696796],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9956684,0.0006621946,0.00078785216,0.0009467425,0.0008770737,0.0010577511],"domain_scores_gemma":[0.99718904,0.0010405664,0.00025557357,0.000968034,0.00031865848,0.00022812509],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0011367088,0.00050535565,0.0006100095,0.0011679176,0.0007339585,0.00027564727,0.0012146885,0.0002475595,0.0002014053],"category_scores_gemma":[0.0021117316,0.00047187065,0.00036204176,0.0018817942,0.0020076632,0.00077568315,0.00046580305,0.0006464213,0.00009285909],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021832525,0.00037865315,0.001962285,0.0003415982,0.000042250227,0.000427712,0.0026385044,0.000007258957,0.5017667,0.07414001,0.008604337,0.4094724],"study_design_scores_gemma":[0.00029652845,0.00069212605,0.0013339993,0.00048264142,0.000031542444,0.000082704944,0.00016004371,0.00005717011,0.8878633,0.038414825,0.070009455,0.0005757006],"about_ca_topic_score_codex":0.00036461814,"about_ca_topic_score_gemma":0.00014318107,"teacher_disagreement_score":0.40889668,"about_ca_system_score_codex":0.00040343928,"about_ca_system_score_gemma":0.00014210366,"threshold_uncertainty_score":0.9997733},"labels":[],"label_agreement":null},{"id":"W4395000871","doi":"10.7202/1109853ar","title":"Le Jeu de la réfutation. (Re)médiation du climat à travers un environnement génératif","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Climate Change, Adaptation, Migration","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université Laval; Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.05554343906887077,"score_gpt":0.3166290797254245,"score_spread":0.2610856406565537,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395000871","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4802267,0.0042296294,0.0430796,0.0414304,0.0024853188,0.0027292666,0.0006188667,0.0043814434,0.42081878],"genre_scores_gemma":[0.9476564,0.01439146,0.012616562,0.0026039293,0.00069858704,0.0006978558,0.0007004963,0.00019815429,0.020436576],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99382704,0.0023603633,0.0010755504,0.0008505047,0.0008099337,0.0010765821],"domain_scores_gemma":[0.9967224,0.0014471794,0.00059137505,0.00051120855,0.0003947363,0.00033311683],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0036808602,0.000649879,0.00056052045,0.00059310405,0.0024773963,0.00067046686,0.0006086514,0.0006323669,0.0005260579],"category_scores_gemma":[0.0013391722,0.00079794467,0.00040119118,0.0011685403,0.004413518,0.0020446787,0.00018585469,0.00053575437,0.00014176748],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009602538,0.000526665,0.0029918193,0.00043877168,0.00012993527,0.00015738579,0.14003527,0.0002668768,0.0056970273,0.5186239,0.018110953,0.31292537],"study_design_scores_gemma":[0.00085928134,0.0005832178,0.009745082,0.0012777074,0.00028915989,0.000059592876,0.030220555,0.0012579653,0.013073717,0.13881199,0.80230856,0.0015131504],"about_ca_topic_score_codex":0.010519222,"about_ca_topic_score_gemma":0.024395443,"teacher_disagreement_score":0.7841976,"about_ca_system_score_codex":0.0030954145,"about_ca_system_score_gemma":0.0006816051,"threshold_uncertainty_score":0.99944717},"labels":[],"label_agreement":null},{"id":"W4395019631","doi":"10.7202/1109850ar","title":"Le trompe-l’oeil trop parfait ? Les beauty works numériques ou la perfection de l’imperfection","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Scientific Studies","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Beauty; Art; Humanities; Aesthetics","score_opus":0.03881605662289558,"score_gpt":0.3054264023081118,"score_spread":0.26661034568521624,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395019631","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24093854,0.04157956,0.06841401,0.02340602,0.010144172,0.0022709095,0.0003311933,0.00898011,0.6039355],"genre_scores_gemma":[0.85949767,0.011120556,0.003363805,0.0004775082,0.0014867354,0.00061655854,0.00017591538,0.00022830648,0.123032965],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99352145,0.001506872,0.001190163,0.0013109685,0.00072622974,0.001744307],"domain_scores_gemma":[0.99649376,0.0011152575,0.00037649926,0.0008306519,0.00061099353,0.00057283853],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.003069028,0.00096935057,0.0011992515,0.0008266685,0.002416362,0.0005638168,0.00051611965,0.0008943156,0.00026410568],"category_scores_gemma":[0.0017868981,0.0009667621,0.00082944526,0.0014231042,0.00462419,0.001204852,0.00035500538,0.0014997781,0.00013997519],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00047489608,0.00095713447,0.004876629,0.001470191,0.00038190073,0.0007842309,0.014232065,0.000021251832,0.01678047,0.061864063,0.097311825,0.8008453],"study_design_scores_gemma":[0.00093409023,0.0019649053,0.0046682353,0.0067716134,0.00039057696,0.000737271,0.0054052253,0.00050688983,0.021945113,0.018412527,0.9369506,0.001312939],"about_ca_topic_score_codex":0.005640603,"about_ca_topic_score_gemma":0.004925715,"teacher_disagreement_score":0.83963877,"about_ca_system_score_codex":0.0041764406,"about_ca_system_score_gemma":0.00048272946,"threshold_uncertainty_score":0.99964637},"labels":[],"label_agreement":null},{"id":"W4395019632","doi":"10.7202/1109849ar","title":"An Inquiry into Self-Deception: Memento, Truth-Display, and the Detective Genre","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Deception; Self-deception; Psychology; Art; Detective fiction; Aesthetics; Art history; Social psychology","score_opus":0.049738793982017394,"score_gpt":0.3270834631875759,"score_spread":0.2773446692055585,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395019632","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59838116,0.04638714,0.007958227,0.010912944,0.0091194315,0.003795521,0.0006771442,0.0087718805,0.31399655],"genre_scores_gemma":[0.949303,0.010742654,0.0016621439,0.0017330179,0.0022220819,0.0011311187,0.00009038264,0.00022672275,0.032888934],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951416,0.0012680572,0.0010104657,0.0010909196,0.0005553773,0.00093352655],"domain_scores_gemma":[0.9965126,0.0011686493,0.0003978459,0.00085358496,0.0008079951,0.0002593547],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0019481226,0.0009407064,0.0009292728,0.00059948664,0.004905724,0.0013506435,0.00058141607,0.00033439483,0.00041800126],"category_scores_gemma":[0.00036187508,0.0007638248,0.00049212103,0.000402955,0.011556208,0.0018037359,0.00058399397,0.0008141668,0.00011213643],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00074074103,0.00032865285,0.00023428402,0.0006037079,0.00064278266,0.00012895584,0.2633828,0.0000049272244,0.00058289326,0.453248,0.013329615,0.26677266],"study_design_scores_gemma":[0.0011826091,0.0014719266,0.0014271414,0.00090384786,0.0005209154,0.000148016,0.04575824,0.00018797664,0.0029466923,0.09883911,0.84547484,0.0011386727],"about_ca_topic_score_codex":0.004217286,"about_ca_topic_score_gemma":0.006614522,"teacher_disagreement_score":0.8321452,"about_ca_system_score_codex":0.0008674411,"about_ca_system_score_gemma":0.00009706484,"threshold_uncertainty_score":0.99968606},"labels":[],"label_agreement":null},{"id":"W4395019646","doi":"10.7202/1109843ar","title":"Liminaire","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.061802515774413105,"score_gpt":0.3191331645158172,"score_spread":0.2573306487414041,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395019646","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.032189894,0.036865536,0.0012491957,0.022625493,0.005464399,0.001007667,0.00022558476,0.0043162303,0.896056],"genre_scores_gemma":[0.49479455,0.030049546,0.0041015376,0.0032104761,0.0018088671,0.0004787388,0.00008589936,0.00023724216,0.46523315],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9940246,0.0011941751,0.0010057136,0.0010308574,0.0009334376,0.0018112157],"domain_scores_gemma":[0.99694556,0.00090262847,0.00038772408,0.00067632785,0.0006082394,0.00047950528],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00211789,0.0008957031,0.0010046668,0.00046768115,0.0036581103,0.00056472555,0.001090193,0.00071692857,0.00050067017],"category_scores_gemma":[0.0013786658,0.000964811,0.0007723362,0.0018905367,0.013009174,0.0014538089,0.0006289172,0.00088471116,0.00044939856],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003716043,0.00020852177,0.0006247091,0.00032965426,0.00015278082,0.00034744825,0.04609522,0.0000022119411,0.00018682025,0.35063595,0.15447336,0.44690618],"study_design_scores_gemma":[0.00019130395,0.00044690678,0.0015922264,0.0015355708,0.00013149533,0.000023023951,0.0045804493,0.000016906299,0.0008608392,0.12348825,0.8661872,0.0009457988],"about_ca_topic_score_codex":0.020632662,"about_ca_topic_score_gemma":0.025110157,"teacher_disagreement_score":0.71171385,"about_ca_system_score_codex":0.0029163468,"about_ca_system_score_gemma":0.0003359276,"threshold_uncertainty_score":0.9992802},"labels":[],"label_agreement":null},{"id":"W4395019659","doi":"10.7202/1109848ar","title":"Et si la magie existait ? L’illusionnisme fantastique comme dispositif intermédial (objet chargé — récit fantastique — effet magique)","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.0349493911760864,"score_gpt":0.3056817913725714,"score_spread":0.270732400196485,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395019659","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08276448,0.01711184,0.0047799335,0.038489856,0.0075754966,0.0032155348,0.010588416,0.00665043,0.828824],"genre_scores_gemma":[0.81240034,0.0136969155,0.0043007033,0.016143737,0.0030925958,0.0014372788,0.0023692264,0.0008495011,0.14570972],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9892812,0.0031801648,0.0021773921,0.0020885523,0.0008477799,0.002424945],"domain_scores_gemma":[0.9936404,0.002343451,0.0008115151,0.0015715804,0.0010276022,0.0006054462],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.003422383,0.00225852,0.00217471,0.0013328148,0.0032618074,0.0025219277,0.0017677618,0.0011594493,0.00101034],"category_scores_gemma":[0.0010245997,0.0021762296,0.0012469898,0.00059625384,0.013611245,0.0023535774,0.0018568609,0.0030197394,0.00026386027],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00081751886,0.0007204903,0.0006041234,0.0020947077,0.0005770439,0.003634891,0.086561374,0.0000054905227,0.0019487324,0.72534984,0.09914611,0.07853968],"study_design_scores_gemma":[0.0009142535,0.0015734937,0.0020525912,0.0060604783,0.00038677437,0.0008853506,0.004193699,0.00005675224,0.0024207039,0.06702223,0.9121658,0.0022678364],"about_ca_topic_score_codex":0.003622101,"about_ca_topic_score_gemma":0.009861894,"teacher_disagreement_score":0.81301975,"about_ca_system_score_codex":0.0011551627,"about_ca_system_score_gemma":0.00032118533,"threshold_uncertainty_score":0.99990284},"labels":[],"label_agreement":null},{"id":"W4395019662","doi":"10.7202/1109854ar","title":"Immersed in Desire: Visual Translations of Nicole Brossard’s Le désert mauve","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"African history and culture studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Guelph","funders":"","keywords":"Psychology; Psychoanalysis; Humanities; Social psychology; Art","score_opus":0.049262618980855745,"score_gpt":0.3387478889916844,"score_spread":0.28948527001082863,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395019662","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21024981,0.016730767,0.004881875,0.01396527,0.0023850237,0.0020429906,0.00046352242,0.0019655065,0.7473152],"genre_scores_gemma":[0.9408857,0.0024971317,0.0032260744,0.00058601314,0.00022679544,0.00031476404,0.000057598478,0.00010510839,0.052100785],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99517196,0.0012380122,0.0011533006,0.0007763029,0.00061003905,0.0010503704],"domain_scores_gemma":[0.99795765,0.00057330827,0.00041228265,0.00043481338,0.00039673297,0.00022521256],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0017504139,0.00062853127,0.000950093,0.00051995984,0.0016143268,0.000119149474,0.00067836576,0.00049026276,0.00018748017],"category_scores_gemma":[0.00045193083,0.0006863796,0.00056094624,0.001920492,0.008574189,0.0011831457,0.0001861319,0.0006326916,0.000040664203],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000349007,0.0012506669,0.0038926208,0.0008595922,0.00031780233,0.00031818595,0.20636539,0.00005361823,0.01066702,0.45163238,0.022445004,0.3018487],"study_design_scores_gemma":[0.0008497824,0.0009413583,0.005104321,0.0026270964,0.00023138632,0.000029473422,0.034143016,0.00006549229,0.010141436,0.0917065,0.8526272,0.0015329233],"about_ca_topic_score_codex":0.007112134,"about_ca_topic_score_gemma":0.01930949,"teacher_disagreement_score":0.8301822,"about_ca_system_score_codex":0.0012004592,"about_ca_system_score_gemma":0.0005112922,"threshold_uncertainty_score":0.9996854},"labels":[],"label_agreement":null},{"id":"W4395019663","doi":"10.7202/1109852ar","title":"Physics and Metaphysics of Post-Truth (Or, Do Realia Deliver us from Artefacts of False Witness?)","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cognitive Science and Education Research","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Metaphysics; Witness; Realia; Parallelepiped; Epistemology; Philosophy; Linguistics; Mathematics","score_opus":0.07802463148305533,"score_gpt":0.35905475919117485,"score_spread":0.2810301277081195,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395019663","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97661054,0.0015272254,0.0025390785,0.0015187121,0.00094232906,0.00072547805,0.0015411803,0.00034443807,0.014251043],"genre_scores_gemma":[0.9834557,0.0039472883,0.002309211,0.00069762365,0.00017555029,0.00011339659,0.00008615653,0.000092433926,0.009122644],"study_design_codex":"design_other","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99526983,0.0008811205,0.0009463001,0.0010680824,0.0009330726,0.0009015755],"domain_scores_gemma":[0.9947168,0.0023036208,0.0005469507,0.00083407084,0.0012687006,0.00032984882],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.001198264,0.0005841933,0.0008535294,0.0005263286,0.0005491176,0.00028452888,0.0008401306,0.0002474812,0.00022662223],"category_scores_gemma":[0.0026403482,0.00054205104,0.0003290543,0.0017211877,0.009084637,0.001664295,0.0006166871,0.00055364607,0.000036301415],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00056067447,0.00090321543,0.005128637,0.0010972099,0.00014158711,0.00026944294,0.015932515,0.000013456341,0.23386149,0.071975626,0.0030705822,0.6670456],"study_design_scores_gemma":[0.0005453607,0.0016304349,0.021185052,0.0034483054,0.0002525358,0.00007022156,0.0029884754,0.00021165618,0.79924643,0.13792758,0.03144969,0.0010442835],"about_ca_topic_score_codex":0.0059489575,"about_ca_topic_score_gemma":0.00096400233,"teacher_disagreement_score":0.66600126,"about_ca_system_score_codex":0.00026710422,"about_ca_system_score_gemma":0.0004362222,"threshold_uncertainty_score":0.9997031},"labels":[],"label_agreement":null},{"id":"W4395019664","doi":"10.7202/1109847ar","title":"La mécanique du faux à l’oeuvre dans le spectacle d’illusionnisme","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Spectacle; Art; Humanities; Political science","score_opus":0.0315315703435677,"score_gpt":0.27475294100661324,"score_spread":0.24322137066304556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395019664","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07984234,0.007106614,0.004196224,0.010898218,0.002184239,0.0007349129,0.0008425187,0.003699834,0.8904951],"genre_scores_gemma":[0.5864498,0.0030364431,0.0018160921,0.0018405321,0.0016645585,0.0002838293,0.00028167924,0.0002732504,0.4043538],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9940828,0.0014674818,0.001333967,0.0011768993,0.00062486454,0.0013139759],"domain_scores_gemma":[0.9967884,0.0008851283,0.0004107866,0.0009600087,0.00047506354,0.00048065136],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0014763213,0.001104032,0.001104534,0.00077147287,0.0038822205,0.0011027601,0.0010757938,0.00057104044,0.001773121],"category_scores_gemma":[0.00040798928,0.0010766167,0.00094319327,0.00063047436,0.0073492443,0.002050055,0.0006415111,0.0011775452,0.0003118711],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012748735,0.00067137595,0.00034770006,0.0007102501,0.00022024142,0.001807624,0.08235483,0.000012483704,0.0018246148,0.708913,0.08190237,0.121108],"study_design_scores_gemma":[0.00030510747,0.000635936,0.00042554288,0.0017070812,0.00017510599,0.00027510306,0.0038957444,0.00009640302,0.0031755336,0.059014868,0.92910385,0.0011896947],"about_ca_topic_score_codex":0.021306807,"about_ca_topic_score_gemma":0.008787676,"teacher_disagreement_score":0.8472015,"about_ca_system_score_codex":0.0014031422,"about_ca_system_score_gemma":0.0003028793,"threshold_uncertainty_score":0.9999342},"labels":[],"label_agreement":null},{"id":"W4395019692","doi":"10.7202/1109855ar","title":"Homo Kreuzlingenius 1923 — Aby Warburg à la clinique Bellevue. Une conférence-projection interrompue. Fiction documentaire pour un centenaire","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Multidisciplinary Warburg-centric Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art","score_opus":0.05062484575864599,"score_gpt":0.3639527329360209,"score_spread":0.31332788717737486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395019692","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48845524,0.017078377,0.019896151,0.05026613,0.015743569,0.0056175543,0.0008281662,0.0117748985,0.3903399],"genre_scores_gemma":[0.83262926,0.029520866,0.0070559783,0.0009898592,0.001617079,0.0008984646,0.0002756839,0.0003365793,0.12667622],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9902968,0.002682525,0.001973745,0.0018510481,0.0011357617,0.0020601584],"domain_scores_gemma":[0.99490446,0.0016032101,0.0010070005,0.0010075117,0.0009344366,0.00054335676],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0035102025,0.0013881192,0.0013685969,0.0009748876,0.004153576,0.00062066194,0.0012534162,0.0010419654,0.00042000398],"category_scores_gemma":[0.0011366496,0.0014675366,0.000979652,0.0027086884,0.007856224,0.0021741115,0.0011814897,0.0015571738,0.00018091818],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033822664,0.001086738,0.007905891,0.000731196,0.0006451684,0.0010989862,0.066784635,0.000041704112,0.0009623247,0.025926404,0.06425495,0.8302238],"study_design_scores_gemma":[0.001453463,0.0015808423,0.005469471,0.0066384776,0.00064713735,0.00037986302,0.028510096,0.0009412567,0.0065716,0.057615913,0.8874063,0.002785616],"about_ca_topic_score_codex":0.017536499,"about_ca_topic_score_gemma":0.009200529,"teacher_disagreement_score":0.8274382,"about_ca_system_score_codex":0.0028282285,"about_ca_system_score_gemma":0.0005655195,"threshold_uncertainty_score":0.99988693},"labels":[],"label_agreement":null},{"id":"W4395019693","doi":"10.7202/1109851ar","title":"Tromper au nom de Dieu. Les stratégies de tromperie religieuse d’Alger à Damas","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Archaeology and Historical Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.04463966261917983,"score_gpt":0.2978140587022463,"score_spread":0.25317439608306647,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395019693","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33115077,0.032681134,0.0043622684,0.029397123,0.0030976215,0.0011462172,0.0009191614,0.004963759,0.59228194],"genre_scores_gemma":[0.7969603,0.014549912,0.0058057737,0.0019574629,0.0019091503,0.0006982944,0.00014896509,0.00031343024,0.17765673],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99404645,0.0009579726,0.0012059512,0.0011145138,0.0004781567,0.0021969716],"domain_scores_gemma":[0.9966169,0.0012161039,0.0003868399,0.00087342586,0.00046104525,0.00044570357],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.001483492,0.0011533318,0.001218087,0.00060575065,0.0053052213,0.00045950687,0.0010061502,0.00070086645,0.0009247483],"category_scores_gemma":[0.0008155707,0.00114419,0.000790071,0.00031925685,0.016135175,0.0010855114,0.00085591775,0.0013561017,0.0001460152],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039592173,0.00044574201,0.005052884,0.00090164295,0.00050310115,0.0009958403,0.12236785,0.00001751389,0.0011165956,0.6510683,0.086064935,0.13106968],"study_design_scores_gemma":[0.0003742672,0.0009588907,0.005263058,0.0012460203,0.0002830851,0.00011460347,0.0054462487,0.000026185913,0.0015722404,0.09129296,0.89226204,0.0011604257],"about_ca_topic_score_codex":0.03197841,"about_ca_topic_score_gemma":0.038455002,"teacher_disagreement_score":0.8061971,"about_ca_system_score_codex":0.0031529632,"about_ca_system_score_gemma":0.00049383333,"threshold_uncertainty_score":0.99998856},"labels":[],"label_agreement":null},{"id":"W4395019698","doi":"10.7202/1109844ar","title":"Introduction","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal; Université Laval","funders":"","keywords":"Computer science","score_opus":0.03452458087326147,"score_gpt":0.31001926039100614,"score_spread":0.27549467951774465,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395019698","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17871265,0.033407375,0.019393453,0.0872703,0.021681514,0.0061451467,0.0038872128,0.04498481,0.6045175],"genre_scores_gemma":[0.3702814,0.0116245765,0.0389123,0.0038714742,0.009469335,0.0021146648,0.0021277722,0.0026462367,0.5589523],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9879349,0.0025535447,0.0023519986,0.0026409861,0.00144278,0.0030758302],"domain_scores_gemma":[0.9930711,0.0009268753,0.0009812342,0.0026769917,0.0015170638,0.00082673697],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0049188556,0.0020649096,0.0017323098,0.0024366253,0.00216146,0.0013093288,0.0017601559,0.0012039698,0.001979111],"category_scores_gemma":[0.0030393947,0.0023708502,0.0011850877,0.003775502,0.010793851,0.00429903,0.0012490497,0.0021836518,0.006840714],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042282685,0.00063359214,0.0007002175,0.0011719115,0.00036456887,0.0009881792,0.0057785963,0.000052042382,0.035453845,0.110308856,0.4404724,0.40365297],"study_design_scores_gemma":[0.0005365984,0.001078031,0.0011687311,0.0027601477,0.00038519155,0.0009827734,0.00075001875,0.0001650589,0.057350673,0.05793515,0.87481034,0.002077287],"about_ca_topic_score_codex":0.003178991,"about_ca_topic_score_gemma":0.0031128984,"teacher_disagreement_score":0.43433794,"about_ca_system_score_codex":0.0058961753,"about_ca_system_score_gemma":0.0004876894,"threshold_uncertainty_score":0.9997274},"labels":[],"label_agreement":null},{"id":"W4395022266","doi":"10.7202/1109846ar","title":"Anatomy as Art of Dis-deception: The Moral Anatomies of Alessandro Tommaso Arcudi and Ottavio Scarlattini","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Deception; Art; Humanities; Art history; Philosophy; Psychology; Social psychology","score_opus":0.04234355822571912,"score_gpt":0.31094671517151373,"score_spread":0.2686031569457946,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395022266","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.573104,0.01558776,0.00015651088,0.016460426,0.0016640879,0.00093895476,0.0004045222,0.00061648857,0.39106724],"genre_scores_gemma":[0.8654792,0.005734349,0.0006413637,0.0010626428,0.0004148519,0.00011507359,0.00007030722,0.0000818984,0.12640032],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99654174,0.00037703302,0.0010868665,0.000618795,0.00067242316,0.0007031362],"domain_scores_gemma":[0.9974497,0.00053804903,0.00054106774,0.0007065431,0.0005355341,0.00022910966],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0016869593,0.0005695489,0.00089108996,0.0005907243,0.0012830499,0.00020274014,0.0006842767,0.0002307508,0.0007192476],"category_scores_gemma":[0.00033981985,0.00045526924,0.00036707765,0.00040963915,0.021248048,0.0010723108,0.0003134457,0.000521066,0.000042795386],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020199771,0.00030099548,0.0035896008,0.001429881,0.00018753104,0.00019279035,0.067583166,0.0000036533618,0.0022516837,0.55321383,0.10021756,0.27082732],"study_design_scores_gemma":[0.0003603828,0.0009422297,0.0021879054,0.0030745415,0.00020257433,0.00013513003,0.008698257,0.000027667395,0.0051039793,0.0267013,0.95205975,0.00050630805],"about_ca_topic_score_codex":0.0027777643,"about_ca_topic_score_gemma":0.0025299801,"teacher_disagreement_score":0.85184216,"about_ca_system_score_codex":0.00028628737,"about_ca_system_score_gemma":0.000194974,"threshold_uncertainty_score":0.9997899},"labels":[],"label_agreement":null},{"id":"W4395022267","doi":"10.7202/1109845ar","title":"Puissances du faux, faiblesses du vrai : tromperie, stratégies d’illusion et intelligence artificielle","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.1386654273739205,"score_gpt":0.33229416411171286,"score_spread":0.19362873673779235,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395022267","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16518834,0.01749667,0.14571846,0.041302606,0.0058633783,0.001918507,0.0005150756,0.007939319,0.61405766],"genre_scores_gemma":[0.91214544,0.010790418,0.009999852,0.003360626,0.0005316788,0.00021644161,0.00015187575,0.0001617715,0.06264192],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9935702,0.0007283277,0.0015102535,0.0016091344,0.00093750743,0.0016445862],"domain_scores_gemma":[0.9954495,0.001052161,0.00056354416,0.0013047284,0.0010405418,0.0005895194],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0014834641,0.0012783745,0.0010872387,0.00065823685,0.001774786,0.0054767756,0.0019605798,0.0005062544,0.00024569844],"category_scores_gemma":[0.0011563329,0.0010939279,0.0006442659,0.0018985345,0.004759484,0.009206283,0.0017475447,0.00084796414,0.00019514735],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010548145,0.0005247357,0.00025416934,0.0005802783,0.00010975229,0.0014548067,0.026811536,0.0002955652,0.009751976,0.5523806,0.030602202,0.37712887],"study_design_scores_gemma":[0.00020961153,0.0014830166,0.0013188509,0.0035650562,0.00008185832,0.0008713864,0.0033554554,0.0020328586,0.077658385,0.1105478,0.7970293,0.0018464103],"about_ca_topic_score_codex":0.005399427,"about_ca_topic_score_gemma":0.0046555237,"teacher_disagreement_score":0.7664271,"about_ca_system_score_codex":0.00063839613,"about_ca_system_score_gemma":0.0003756116,"threshold_uncertainty_score":0.99999684},"labels":[],"label_agreement":null},{"id":"W4401087497","doi":"10.7202/1111672ar","title":"L’élan de fabulation à l’oeuvre chez Pierre Perrault","year":2024,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Cegep de Sept Iles","funders":"","keywords":"Art","score_opus":0.11622542664397592,"score_gpt":0.3370413620699728,"score_spread":0.2208159354259969,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401087497","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037879337,0.048922036,0.17582352,0.014258585,0.0040070126,0.0010437852,0.00024254562,0.004774112,0.71304905],"genre_scores_gemma":[0.80900097,0.0018452541,0.020717025,0.0034432446,0.00080267916,0.0001224121,0.00011418315,0.00016330981,0.16379094],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952125,0.0005034302,0.0009995942,0.0012802881,0.00062966393,0.0013745474],"domain_scores_gemma":[0.9972251,0.00041376165,0.0002345184,0.00097345404,0.0005435555,0.0006095954],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.001013587,0.0010194312,0.0007205212,0.00046919932,0.0008672956,0.0062787854,0.0011292119,0.0005951628,0.00024803463],"category_scores_gemma":[0.0004754126,0.0008661,0.0006546374,0.0009140818,0.0024014027,0.007981383,0.00063617644,0.0010155522,0.000118958844],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004083441,0.00022923035,0.00014343028,0.0007276976,0.00011900957,0.001337147,0.029723767,0.00002514272,0.0050181835,0.39586094,0.02849288,0.53828174],"study_design_scores_gemma":[0.00017985089,0.0007513364,0.0011585705,0.005160611,0.00011805649,0.002146983,0.00029346393,0.0032559761,0.015115936,0.11014746,0.86044216,0.0012296056],"about_ca_topic_score_codex":0.004666867,"about_ca_topic_score_gemma":0.0021018225,"teacher_disagreement_score":0.8319493,"about_ca_system_score_codex":0.0018138372,"about_ca_system_score_gemma":0.00046045714,"threshold_uncertainty_score":0.999379},"labels":[],"label_agreement":null},{"id":"W4401087633","doi":"10.7202/1111676ar","title":"Chercher l’issue, ou l’art de fabuler en boucle dans <i>Le Roman de Remort</i>. Un entretien avec Marion Lessard","year":2024,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities; Art","score_opus":0.02572506535838087,"score_gpt":0.301586728196768,"score_spread":0.27586166283838714,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401087633","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06341675,0.035651017,0.015555334,0.047769032,0.0028011384,0.000949917,0.00022529588,0.0026996857,0.83093184],"genre_scores_gemma":[0.34321222,0.0074514877,0.020136876,0.003380469,0.0015767724,0.00029590022,0.000080382815,0.00024485527,0.62362105],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9931301,0.0023403862,0.001006419,0.0011765108,0.0006994373,0.0016471407],"domain_scores_gemma":[0.9974901,0.00080059527,0.00022047457,0.00065885595,0.00026465076,0.0005653012],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.002757428,0.0009005671,0.0008736973,0.0003262496,0.0017598037,0.00065643445,0.0010231038,0.00081629015,0.0010059291],"category_scores_gemma":[0.00058063644,0.0009161001,0.00069156755,0.0008878225,0.004916167,0.0016011061,0.00046599068,0.0012907404,0.0001924488],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009990488,0.00049695786,0.0018359221,0.00070515805,0.0002935067,0.0011266758,0.24410269,0.000003879072,0.0020995212,0.17010254,0.16500376,0.41412947],"study_design_scores_gemma":[0.00017394393,0.00036849093,0.0010341017,0.0018361026,0.0002091117,0.00014246682,0.0020770482,0.000077540055,0.0035443525,0.043734442,0.94585264,0.0009497576],"about_ca_topic_score_codex":0.012896058,"about_ca_topic_score_gemma":0.00617473,"teacher_disagreement_score":0.78084886,"about_ca_system_score_codex":0.005254848,"about_ca_system_score_gemma":0.00059168483,"threshold_uncertainty_score":0.9999073},"labels":[],"label_agreement":null},{"id":"W4401087670","doi":"10.7202/1111666ar","title":"Liminaire","year":2024,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.05024943340546683,"score_gpt":0.31628478303482055,"score_spread":0.2660353496293537,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401087670","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0073839524,0.1950435,0.0036615182,0.018131375,0.006713752,0.00071709446,0.00018412736,0.0028120512,0.7653526],"genre_scores_gemma":[0.5617132,0.031299446,0.006226366,0.0026939134,0.0023251562,0.00035554174,0.000042738113,0.00023294789,0.39511067],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945043,0.0010413075,0.0009841354,0.001135183,0.0008419933,0.0014930997],"domain_scores_gemma":[0.99738187,0.00090294797,0.00021498241,0.00058211706,0.00047413132,0.00044394506],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.001758083,0.0009318634,0.00092094473,0.00039385987,0.002608183,0.0011970679,0.00093331165,0.00071935146,0.0007821581],"category_scores_gemma":[0.0007844845,0.0009566062,0.0008763705,0.0011828234,0.013011918,0.0019298085,0.00044830458,0.0011147829,0.00025126722],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022112687,0.00016134007,0.000113231894,0.0005773774,0.00017603833,0.00042548182,0.03864436,6.787292e-7,0.00013697898,0.4318291,0.08853634,0.43937698],"study_design_scores_gemma":[0.000099052675,0.00044374669,0.00023245408,0.0037254952,0.00020308624,0.0000533501,0.002450759,0.000024274514,0.00087989174,0.14263944,0.848351,0.0008974683],"about_ca_topic_score_codex":0.019951044,"about_ca_topic_score_gemma":0.02143238,"teacher_disagreement_score":0.7598146,"about_ca_system_score_codex":0.003983992,"about_ca_system_score_gemma":0.00047866625,"threshold_uncertainty_score":0.9998398},"labels":[],"label_agreement":null},{"id":"W4401087689","doi":"10.7202/1111668ar","title":"Fabuleux diplomate : « Le pouvoir des fables » de Jean de La Fontaine","year":2024,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Philosophy","score_opus":0.025629064082813263,"score_gpt":0.3175336484119949,"score_spread":0.29190458432918165,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401087689","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.074764065,0.16199562,0.045278985,0.015512018,0.0021532604,0.0009523209,0.0005279702,0.004653346,0.6941624],"genre_scores_gemma":[0.6886346,0.019883253,0.030376218,0.0019121633,0.0011756353,0.00040758197,0.00004587998,0.00025844297,0.25730625],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9930862,0.002358818,0.0010481484,0.0010815955,0.00060989446,0.0018153517],"domain_scores_gemma":[0.9961178,0.0021304328,0.00022577216,0.0005746534,0.00035377813,0.0005976006],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0029903925,0.0009675932,0.00096895767,0.000468714,0.002974855,0.001068885,0.0010169963,0.000668771,0.00034511834],"category_scores_gemma":[0.0011840779,0.0009519368,0.00069740816,0.0010067201,0.012354671,0.002074416,0.00047350005,0.0010573699,0.00007152229],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008747735,0.00041403904,0.0011959855,0.001068538,0.0002624218,0.001121082,0.07286301,0.0000061515725,0.0019126615,0.41004145,0.03419098,0.4768362],"study_design_scores_gemma":[0.00015879539,0.00040417837,0.0003624879,0.0035027598,0.00016984387,0.00016161833,0.0017690398,0.00007339661,0.0030208416,0.18794966,0.801564,0.00086338585],"about_ca_topic_score_codex":0.023377325,"about_ca_topic_score_gemma":0.0105546415,"teacher_disagreement_score":0.767373,"about_ca_system_score_codex":0.0044895536,"about_ca_system_score_gemma":0.0008252648,"threshold_uncertainty_score":0.9999681},"labels":[],"label_agreement":null},{"id":"W4401087696","doi":"10.7202/1111674ar","title":"<i>Shutter Island</i> : ombre et lumière de la fable cinématographique","year":2024,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Contemporary art, education, critique","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Fable; Shutter; Art; Visual arts; Literature","score_opus":0.02421063925433131,"score_gpt":0.32693519065996385,"score_spread":0.30272455140563254,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401087696","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031181753,0.030402243,0.015877413,0.1067051,0.0029033262,0.0013776538,0.00043221138,0.0033772117,0.8077431],"genre_scores_gemma":[0.64835846,0.016240306,0.011569792,0.008371214,0.0012185165,0.00066443137,0.00013581777,0.00032030494,0.31312114],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9893668,0.0059939083,0.0011977057,0.0013132667,0.00067457947,0.0014537357],"domain_scores_gemma":[0.99564767,0.0020613335,0.0002893486,0.00094297336,0.0005063999,0.0005522837],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00700705,0.0010166644,0.0008617505,0.00076957844,0.0016476292,0.0019143261,0.0011465064,0.0009757882,0.00094162556],"category_scores_gemma":[0.00061441713,0.0011072967,0.0007943319,0.0013153801,0.0077247107,0.0060433787,0.00028486268,0.0017209847,0.00008677585],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059457132,0.00044573285,0.004314012,0.0012073293,0.00020551603,0.0005960793,0.051920284,0.0000031718682,0.0013871685,0.47514984,0.39130923,0.0734022],"study_design_scores_gemma":[0.00015421527,0.00025289875,0.00033229633,0.004360439,0.00014196977,0.0003463188,0.0022545126,0.000027636663,0.004285807,0.16891637,0.8179681,0.00095947884],"about_ca_topic_score_codex":0.019405667,"about_ca_topic_score_gemma":0.021685,"teacher_disagreement_score":0.6171767,"about_ca_system_score_codex":0.0015764501,"about_ca_system_score_gemma":0.00158704,"threshold_uncertainty_score":0.9999716},"labels":[],"label_agreement":null},{"id":"W4401087865","doi":"10.7202/1111671ar","title":"Animalités augmentées : leçons filmiques contemporaines","year":2024,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Diverse academic research themes","field":"Decision Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Augment; Philosophy; Linguistics","score_opus":0.12542246404118962,"score_gpt":0.41028741821165265,"score_spread":0.28486495417046304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401087865","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037040368,0.12281148,0.02091156,0.049575977,0.0055393004,0.002560991,0.0021726326,0.0052569457,0.7541307],"genre_scores_gemma":[0.52486956,0.013002873,0.017450692,0.0033228267,0.0010299393,0.0005808144,0.00011944571,0.00039039153,0.43923345],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.98577046,0.0033122336,0.0028688845,0.0027557905,0.0028933284,0.002399298],"domain_scores_gemma":[0.98861253,0.0059979055,0.00058941555,0.0020734016,0.0017254305,0.0010012868],"candidate_categories":["metaresearch","metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.010515041,0.0016599894,0.0017521936,0.0020657158,0.001548473,0.005085429,0.0038392823,0.0010957647,0.0038212673],"category_scores_gemma":[0.008461889,0.0014747507,0.001414634,0.002208863,0.012253358,0.006963141,0.0021280018,0.0024882853,0.0009035955],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021574012,0.0002947901,0.00069758843,0.00079642225,0.00035423058,0.0017914742,0.008799127,0.000003083127,0.0056109303,0.27633342,0.18402693,0.52107626],"study_design_scores_gemma":[0.00023598735,0.00083326665,0.00018301271,0.005813551,0.0001414273,0.00045128772,0.0022315462,0.00022522103,0.017521212,0.25865254,0.7125806,0.0011303133],"about_ca_topic_score_codex":0.0045734677,"about_ca_topic_score_gemma":0.001163281,"teacher_disagreement_score":0.5285537,"about_ca_system_score_codex":0.0023185841,"about_ca_system_score_gemma":0.0012135877,"threshold_uncertainty_score":0.99989027},"labels":[],"label_agreement":null},{"id":"W4401087894","doi":"10.7202/1111667ar","title":"Pourquoi fabuler ?","year":2024,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Philosophy, Sociology, Political Theory","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Philosophy","score_opus":0.05275023156331275,"score_gpt":0.3588375848216746,"score_spread":0.30608735325836184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401087894","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022201912,0.04420183,0.0056836647,0.051305644,0.006002515,0.0009369091,0.00046155558,0.003895026,0.86531097],"genre_scores_gemma":[0.82113445,0.0050000204,0.009940667,0.008270853,0.0032561512,0.0003383809,0.00006383428,0.00031903965,0.15167663],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9914264,0.0030006184,0.0012379505,0.0014330202,0.0007860942,0.0021159328],"domain_scores_gemma":[0.99429524,0.0032573713,0.00023205882,0.0009683973,0.00047890475,0.0007680494],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0034861837,0.0010905941,0.0010714686,0.00053356105,0.0015668961,0.0008314605,0.0014219427,0.0012064938,0.0013870805],"category_scores_gemma":[0.002302029,0.0011221452,0.0010032051,0.0008787926,0.024291947,0.002020289,0.00058454834,0.0018614291,0.00070652936],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048339974,0.00025932843,0.00016158247,0.00059840275,0.00022234226,0.00055498857,0.011852598,0.0000010382046,0.00087786576,0.7605995,0.021327244,0.20349677],"study_design_scores_gemma":[0.00008665264,0.0002816389,0.000074495954,0.0017995961,0.00013682734,0.00009914537,0.00065028726,0.00001546521,0.0014370051,0.4973685,0.49737063,0.0006797381],"about_ca_topic_score_codex":0.004072059,"about_ca_topic_score_gemma":0.0009319635,"teacher_disagreement_score":0.7989325,"about_ca_system_score_codex":0.0033478264,"about_ca_system_score_gemma":0.00066627946,"threshold_uncertainty_score":0.9997329},"labels":[],"label_agreement":null},{"id":"W4401087927","doi":"10.7202/1111675ar","title":"Herzog, Nietzsche et Deleuze vont en vaisseau (<i>The Wild Blue Yonder</i>, 2005)","year":2024,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Economics","score_opus":0.02409809522574646,"score_gpt":0.2834881087530854,"score_spread":0.2593900135273389,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401087927","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0069121765,0.23436075,0.008511236,0.04057709,0.0055832737,0.0013076045,0.001275838,0.0028804634,0.6985916],"genre_scores_gemma":[0.5029759,0.008910265,0.004035582,0.01939412,0.0038575549,0.0007175355,0.00026938293,0.00050551066,0.45933414],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9926702,0.0019474378,0.0014420198,0.0013528802,0.00077041,0.0018170509],"domain_scores_gemma":[0.995225,0.002222824,0.00020893019,0.0012978262,0.00053796155,0.0005074294],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.003002638,0.0014000998,0.001038024,0.00047946913,0.0019483982,0.0041191177,0.0013294241,0.000740252,0.0024677296],"category_scores_gemma":[0.0005834886,0.0011153708,0.0010943854,0.00031563046,0.008347917,0.0024595447,0.0005220574,0.0026559164,0.00023701978],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010063779,0.00033116358,0.000014015606,0.0011860406,0.00033295725,0.0007137123,0.027925441,0.0000032589724,0.00071529363,0.6662517,0.1680205,0.13440524],"study_design_scores_gemma":[0.00017738872,0.000599693,0.000016729411,0.005316589,0.00036750044,0.0003874109,0.0021583023,0.00005887349,0.0037268333,0.16566877,0.8204112,0.0011107175],"about_ca_topic_score_codex":0.0027113792,"about_ca_topic_score_gemma":0.005703267,"teacher_disagreement_score":0.65239066,"about_ca_system_score_codex":0.0011918001,"about_ca_system_score_gemma":0.00041288548,"threshold_uncertainty_score":0.99987495},"labels":[],"label_agreement":null},{"id":"W4401088006","doi":"10.7202/1111673ar","title":"Détours fabuleux de l’analyse de films","year":2024,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Contemporary art, education, critique","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.04088667902403432,"score_gpt":0.34869352284731525,"score_spread":0.30780684382328094,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401088006","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09503587,0.059925474,0.035525143,0.13491052,0.0048521277,0.0015795516,0.0004598758,0.0047826013,0.6629288],"genre_scores_gemma":[0.5806521,0.011638424,0.03906939,0.0038559844,0.0013354052,0.00046426564,0.00010057722,0.00027658662,0.36260724],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99148595,0.003613935,0.0012039064,0.0012463887,0.0006861053,0.0017637202],"domain_scores_gemma":[0.99608266,0.0013552911,0.00029063554,0.00094670145,0.00055127166,0.00077343226],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.006133718,0.0009224883,0.0008215154,0.0007253572,0.0017104374,0.0014604541,0.0012871658,0.0007588657,0.0014572742],"category_scores_gemma":[0.0011525925,0.0010434962,0.0008272997,0.001247811,0.006452221,0.0050233514,0.00024365923,0.0013256293,0.00013114153],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000758405,0.00050239847,0.0033150113,0.0010881386,0.00033726043,0.0009877272,0.080216505,0.000012560655,0.002726122,0.3188727,0.3144945,0.27737126],"study_design_scores_gemma":[0.00012041162,0.00030971298,0.00038427117,0.003752709,0.00028589915,0.00029382293,0.0066713453,0.0001673144,0.008114648,0.13428262,0.8445955,0.0010217489],"about_ca_topic_score_codex":0.025340036,"about_ca_topic_score_gemma":0.017545184,"teacher_disagreement_score":0.530101,"about_ca_system_score_codex":0.0036683371,"about_ca_system_score_gemma":0.0027327538,"threshold_uncertainty_score":0.9995892},"labels":[],"label_agreement":null},{"id":"W4401088058","doi":"10.7202/1111669ar","title":"Les déclinaisons des fables animalières de Benjamin Rabier, symbole des prémices d’un nouveau système médiatique","year":2024,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.1011685515444385,"score_gpt":0.33409042720110005,"score_spread":0.23292187565666156,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401088058","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18484089,0.1528522,0.17917874,0.004305303,0.0019618825,0.0018324956,0.0009193061,0.006175352,0.46793383],"genre_scores_gemma":[0.7620946,0.006513358,0.07740474,0.0013656208,0.0006310419,0.00035381652,0.00010096565,0.00032093975,0.1512149],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99217117,0.0010195962,0.0017343671,0.0019425453,0.00080925546,0.0023230712],"domain_scores_gemma":[0.9947727,0.0013838834,0.00049868866,0.0013018423,0.0010867375,0.00095615984],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0016552818,0.001740882,0.0013902014,0.00079980335,0.0023423505,0.008768943,0.0020848154,0.00092259794,0.0002460722],"category_scores_gemma":[0.00095329346,0.0015301608,0.0009432545,0.0011851345,0.0075746025,0.010294987,0.0012379236,0.0012758165,0.000090886606],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010200671,0.00054335024,0.00074421556,0.0027452707,0.00033958096,0.0020186976,0.031613324,0.00003086328,0.009412687,0.47564518,0.012300381,0.46450445],"study_design_scores_gemma":[0.00038119295,0.0020550007,0.0026650967,0.015030399,0.00037694792,0.003174657,0.0012003744,0.0014353682,0.07451487,0.48984337,0.40674162,0.002581105],"about_ca_topic_score_codex":0.015211399,"about_ca_topic_score_gemma":0.011500048,"teacher_disagreement_score":0.57725376,"about_ca_system_score_codex":0.0034921386,"about_ca_system_score_gemma":0.0009113653,"threshold_uncertainty_score":0.9995337},"labels":[],"label_agreement":null},{"id":"W4401088138","doi":"10.7202/1111670ar","title":"Les personnages fabulateurs dans l’oeuvre de Pedro Almodóvar. Une poétique du désir","year":2024,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.03320547206907985,"score_gpt":0.29448132534420407,"score_spread":0.2612758532751242,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401088138","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19798367,0.05147766,0.010339162,0.015211086,0.004312358,0.001172002,0.00088027725,0.004268412,0.71435535],"genre_scores_gemma":[0.761745,0.007484692,0.0023537844,0.0016208586,0.002324168,0.00027060768,0.00017011852,0.00034210156,0.22368869],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945736,0.00082401914,0.0011581059,0.0013495625,0.0006172652,0.0014774508],"domain_scores_gemma":[0.9974005,0.00042758507,0.00029192073,0.0008649983,0.00058949844,0.00042546995],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0012394849,0.0013114071,0.0010132423,0.0005712239,0.0027363098,0.0035607833,0.0010587836,0.0007441454,0.0016460227],"category_scores_gemma":[0.000322164,0.0012743704,0.001053672,0.0003843887,0.006193286,0.0026015018,0.00040107654,0.0015280866,0.00013738805],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010435741,0.0004888964,0.0010183954,0.0020592457,0.00048950245,0.0020364134,0.12445699,0.000008342569,0.003313573,0.6764349,0.0703428,0.11924661],"study_design_scores_gemma":[0.00022831418,0.0007419915,0.0010755962,0.004996715,0.00054648524,0.00091076,0.009767766,0.0001584286,0.005067871,0.052147612,0.9228731,0.0014853905],"about_ca_topic_score_codex":0.06560891,"about_ca_topic_score_gemma":0.050348893,"teacher_disagreement_score":0.85253024,"about_ca_system_score_codex":0.0021744347,"about_ca_system_score_gemma":0.00029706318,"threshold_uncertainty_score":0.99996376},"labels":[],"label_agreement":null},{"id":"W4406983795","doi":"10.7202/1115019ar","title":"Fragmentation visuelle et immersion sonore des corps dans le cinéma de Lucrecia Martel1","year":2024,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Immersion (mathematics); Fragmentation (computing); Humanities; Biology; Mathematics","score_opus":0.02137550054248372,"score_gpt":0.28275629903755894,"score_spread":0.26138079849507523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406983795","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11193624,0.07665528,0.042043656,0.008496322,0.003167559,0.0010069726,0.0009771419,0.00199724,0.75371957],"genre_scores_gemma":[0.77609533,0.0051636207,0.008830948,0.0040109144,0.0013397209,0.00034806802,0.00048411655,0.00031673952,0.20341054],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950197,0.0012166087,0.0010404894,0.0010224598,0.00047533118,0.0012254138],"domain_scores_gemma":[0.99754316,0.0008195307,0.00018441517,0.0006342789,0.00043252014,0.0003860793],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0015278384,0.0009622268,0.00074386183,0.0004994007,0.0020672346,0.0024131038,0.0006113257,0.0005147243,0.0017228075],"category_scores_gemma":[0.00019957978,0.0009536061,0.00068750535,0.00027930998,0.0067617376,0.0025893173,0.00028792894,0.0011869236,0.00011329789],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015415662,0.00040952183,0.00013335986,0.0016423841,0.00019036744,0.0006172711,0.042468686,0.0000035432997,0.0057929903,0.71020955,0.03534217,0.20303598],"study_design_scores_gemma":[0.0002479178,0.0008538489,0.00016253388,0.005892985,0.0002445953,0.00024977923,0.0062464345,0.00012255461,0.016227264,0.23277062,0.7360774,0.0009040528],"about_ca_topic_score_codex":0.005194444,"about_ca_topic_score_gemma":0.004263918,"teacher_disagreement_score":0.7007352,"about_ca_system_score_codex":0.0014388644,"about_ca_system_score_gemma":0.00032611052,"threshold_uncertainty_score":0.9992914},"labels":[],"label_agreement":null},{"id":"W4406983798","doi":"10.7202/1115017ar","title":"Interpassivity and Presence: Some Reflections on the Concept of <i>Autoteatro</i>","year":2024,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Education and Technology Integration","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Epistemology; Philosophy; Sociology","score_opus":0.04689122283659757,"score_gpt":0.3707996057623134,"score_spread":0.32390838292571583,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406983798","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28916934,0.0034139452,0.009690446,0.06923453,0.0020635976,0.0014348447,0.00012225642,0.0036025185,0.6212685],"genre_scores_gemma":[0.98771584,0.00063421956,0.0014201758,0.0012885508,0.00015295619,0.00021295378,0.000009736819,0.000030164181,0.008535422],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981297,0.0005309745,0.00037199893,0.0003802555,0.00028358438,0.00030347108],"domain_scores_gemma":[0.9982648,0.00094796094,0.00012335576,0.00035959817,0.00022315148,0.000081165075],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0010244672,0.00022757478,0.00023567454,0.00028171306,0.0009327729,0.00028061817,0.00039172414,0.00022830842,0.00013178219],"category_scores_gemma":[0.0011091104,0.00017228216,0.00014575302,0.00039312858,0.005027497,0.0006928997,0.00009245446,0.0005499734,0.0000072421662],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015419851,0.00007778638,0.00015438911,0.00003527035,0.000036968595,0.000007444572,0.022567853,4.207888e-7,0.0028387369,0.85809535,0.009913312,0.10625702],"study_design_scores_gemma":[0.00007287732,0.00045255045,0.00029159398,0.0011966205,0.00005623616,0.00002707582,0.009392625,0.000021992733,0.04871244,0.26020247,0.6792322,0.00034131206],"about_ca_topic_score_codex":0.0021715397,"about_ca_topic_score_gemma":0.0037378029,"teacher_disagreement_score":0.69854647,"about_ca_system_score_codex":0.00044520473,"about_ca_system_score_gemma":0.00021200467,"threshold_uncertainty_score":0.99768025},"labels":[],"label_agreement":null},{"id":"W4406983799","doi":"10.7202/1115018ar","title":"Intermedial Encounters in Experimental Cinema: The Body as Performance Space1","year":2024,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; Art; Visual arts","score_opus":0.02758204847479081,"score_gpt":0.28225232879008605,"score_spread":0.25467028031529526,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406983799","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6783323,0.015485451,0.000834148,0.0034333905,0.0020389766,0.0006673351,0.00007352715,0.0006434588,0.2984914],"genre_scores_gemma":[0.9862769,0.0020604266,0.00064466597,0.0012345329,0.00032710435,0.00048387592,0.000024373161,0.00008973717,0.008858376],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975958,0.00007243855,0.00087266415,0.00071348477,0.0001269543,0.0006186449],"domain_scores_gemma":[0.9988866,0.00026641897,0.00017466741,0.0005011315,0.000059638434,0.000111581794],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0009291361,0.00047206518,0.00060994533,0.0005602955,0.00035769417,0.00033147697,0.00053291844,0.00016022498,0.00025491006],"category_scores_gemma":[0.00028837647,0.0004053441,0.0002839256,0.0003831209,0.0014649791,0.00084407453,0.00029786702,0.00056302536,0.00014100046],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007036988,0.00100766,0.037438083,0.0015721571,0.0005630765,0.0011286775,0.10922433,0.000015153641,0.009998341,0.5908565,0.061637875,0.1858545],"study_design_scores_gemma":[0.0007193512,0.0012957895,0.005862643,0.0023483427,0.0000412121,0.00029133388,0.0034778942,0.0004328862,0.03403392,0.03700564,0.913196,0.0012949402],"about_ca_topic_score_codex":0.0009366643,"about_ca_topic_score_gemma":0.0010141191,"teacher_disagreement_score":0.85155815,"about_ca_system_score_codex":0.00085339055,"about_ca_system_score_gemma":0.000062023064,"threshold_uncertainty_score":0.99983984},"labels":[],"label_agreement":null},{"id":"W4406983804","doi":"10.7202/1115027ar","title":"The Intermedial Matrix of a Mexican Contemporary Artist: Tania Candiani","year":2024,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Matrix (chemical analysis); Sociology; Art history; Anthropology; Materials science; Composite material","score_opus":0.042896661747858965,"score_gpt":0.3129261634110596,"score_spread":0.27002950166320067,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406983804","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011557498,0.11584581,0.006385497,0.013695313,0.008347531,0.0015686345,0.0037775694,0.0018443031,0.83697784],"genre_scores_gemma":[0.7412451,0.0036432834,0.0006728918,0.001122603,0.0016890492,0.00021727956,0.00011398831,0.0002147342,0.25108108],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950543,0.00069359964,0.0016266203,0.00084333157,0.0005852071,0.0011969444],"domain_scores_gemma":[0.99656606,0.0011603724,0.00043007263,0.00092569686,0.0005280013,0.0003897869],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0013375957,0.00092225755,0.0009514667,0.00042178467,0.0018706731,0.001446964,0.0009442223,0.00039011394,0.00046824187],"category_scores_gemma":[0.00037827014,0.00076367485,0.00081171957,0.00004392845,0.01508771,0.0012516133,0.00043176458,0.0010345887,0.000059843183],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019131176,0.00020418351,0.000108968576,0.0012504305,0.00036700044,0.00053528685,0.06885082,6.2694943e-7,0.0005416936,0.7185505,0.072200984,0.13719818],"study_design_scores_gemma":[0.00021007269,0.0008518331,0.000063163505,0.0035120845,0.00020805157,0.00019314102,0.0024721094,0.00009063445,0.0040698,0.115879595,0.871728,0.0007215036],"about_ca_topic_score_codex":0.023748823,"about_ca_topic_score_gemma":0.052377574,"teacher_disagreement_score":0.79952705,"about_ca_system_score_codex":0.001344051,"about_ca_system_score_gemma":0.0007413503,"threshold_uncertainty_score":0.9995896},"labels":[],"label_agreement":null},{"id":"W4406983923","doi":"10.7202/1115012ar","title":"Liminaire","year":2024,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.05024943340546683,"score_gpt":0.31628478303482055,"score_spread":0.2660353496293537,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406983923","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0073839524,0.1950435,0.0036615182,0.018131375,0.006713752,0.00071709446,0.00018412736,0.0028120512,0.7653526],"genre_scores_gemma":[0.5617132,0.031299446,0.006226366,0.0026939134,0.0023251562,0.00035554174,0.000042738113,0.00023294789,0.39511067],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945043,0.0010413075,0.0009841354,0.001135183,0.0008419933,0.0014930997],"domain_scores_gemma":[0.99738187,0.00090294797,0.00021498241,0.00058211706,0.00047413132,0.00044394506],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.001758083,0.0009318634,0.00092094473,0.00039385987,0.002608183,0.0011970679,0.00093331165,0.00071935146,0.0007821581],"category_scores_gemma":[0.0007844845,0.0009566062,0.0008763705,0.0011828234,0.013011918,0.0019298085,0.00044830458,0.0011147829,0.00025126722],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022112687,0.00016134007,0.000113231894,0.0005773774,0.00017603833,0.00042548182,0.03864436,6.787292e-7,0.00013697898,0.4318291,0.08853634,0.43937698],"study_design_scores_gemma":[0.000099052675,0.00044374669,0.00023245408,0.0037254952,0.00020308624,0.0000533501,0.002450759,0.000024274514,0.00087989174,0.14263944,0.848351,0.0008974683],"about_ca_topic_score_codex":0.019951044,"about_ca_topic_score_gemma":0.02143238,"teacher_disagreement_score":0.7598146,"about_ca_system_score_codex":0.003983992,"about_ca_system_score_gemma":0.00047866625,"threshold_uncertainty_score":0.9998398},"labels":[],"label_agreement":null},{"id":"W4406983934","doi":"10.7202/1115024ar","title":"Turning Attention Inwards: Seventeenth-Century Poetry of Interoception","year":2024,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"History of Emotions Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Interoception; Poetry; Literature; Art; Aesthetics; History; Philosophy; Epistemology","score_opus":0.0464380637040563,"score_gpt":0.3153335951982874,"score_spread":0.2688955314942311,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406983934","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42004853,0.007782506,0.013537151,0.0011441757,0.0028329978,0.0010328777,0.00033771765,0.0030617015,0.55022234],"genre_scores_gemma":[0.9650529,0.00060798135,0.0019935288,0.00023199715,0.00041114452,0.00012026574,0.00015730264,0.00012804291,0.03129686],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99704,0.00039654973,0.0008458881,0.0006173578,0.0005608447,0.000539358],"domain_scores_gemma":[0.9984022,0.00022794059,0.00019540233,0.0004953045,0.0005373272,0.00014183663],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00097648555,0.00044842385,0.0004625667,0.0010219893,0.00074637315,0.0005507755,0.00051446445,0.00016987002,0.0015246677],"category_scores_gemma":[0.00026751365,0.00043081053,0.0004692029,0.00020669437,0.0029124946,0.001564134,0.0002426005,0.00068481127,0.00008954476],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019114373,0.00056269986,0.00056098774,0.0025224143,0.00032144858,0.00019767642,0.06800387,0.0000058278406,0.028703952,0.28958902,0.031170841,0.5781701],"study_design_scores_gemma":[0.00018351078,0.0006049638,0.00036617497,0.0043586264,0.00009137704,0.000085125976,0.0033125565,0.00011213643,0.0039035457,0.009313396,0.9770946,0.00057399523],"about_ca_topic_score_codex":0.0007192832,"about_ca_topic_score_gemma":0.001328024,"teacher_disagreement_score":0.94592375,"about_ca_system_score_codex":0.0010818867,"about_ca_system_score_gemma":0.00011614775,"threshold_uncertainty_score":0.9998144},"labels":[],"label_agreement":null},{"id":"W4406984274","doi":"10.7202/1115020ar","title":"Incarner la pietà pour contester l’histoire : les sculptures mémorielles de Tavares Strachan","year":2024,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"History, Culture, and Diplomacy","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Sculpture; Philosophy; Art history","score_opus":0.035182278213396104,"score_gpt":0.2966731013303564,"score_spread":0.2614908231169603,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406984274","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010352586,0.124636985,0.0046668677,0.0054578274,0.0029555429,0.000872551,0.0010640201,0.0030747205,0.8469189],"genre_scores_gemma":[0.5591359,0.0028786273,0.004115658,0.0022371963,0.002309987,0.0003797335,0.0001991741,0.00042903706,0.42831466],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9934493,0.0013271768,0.001423672,0.0014913226,0.00073199486,0.0015765601],"domain_scores_gemma":[0.9962681,0.001082835,0.00037388958,0.0009988126,0.00070750935,0.0005688528],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0013951672,0.0016025967,0.0012036023,0.0007660894,0.003423326,0.0027629375,0.0010962938,0.0009287601,0.0020338153],"category_scores_gemma":[0.0005179308,0.0014857728,0.0011756312,0.00025311104,0.010943009,0.0021028419,0.00028287462,0.0018597965,0.00014490637],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015602731,0.0005082358,0.00021235802,0.0019033507,0.00036815292,0.0014874942,0.056049448,0.0000058349297,0.0025300598,0.58676237,0.1280991,0.22191755],"study_design_scores_gemma":[0.00036819995,0.0005820281,0.00017385432,0.0061166734,0.0004816127,0.00055351603,0.0062743593,0.000060416627,0.0035350577,0.041917417,0.9383074,0.0016294433],"about_ca_topic_score_codex":0.00847803,"about_ca_topic_score_gemma":0.009881161,"teacher_disagreement_score":0.8102083,"about_ca_system_score_codex":0.002233529,"about_ca_system_score_gemma":0.00066262844,"threshold_uncertainty_score":0.9996722},"labels":[],"label_agreement":null},{"id":"W4406984278","doi":"10.7202/1115016ar","title":"Considerations about Materiality and the Medial Processes in the Puppet Company “Die Klappe. Das Kabarett an Fäden”","year":2024,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Arts, Culture, and Music Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Materiality (auditing); Die (integrated circuit); Art; Aesthetics; Engineering; Mechanical engineering","score_opus":0.04938213363122579,"score_gpt":0.35206586574668564,"score_spread":0.30268373211545985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406984278","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49018806,0.019560976,0.0009887791,0.04475321,0.0025162662,0.0034590885,0.0004429818,0.002534904,0.43555573],"genre_scores_gemma":[0.98978233,0.0027730868,0.00091263803,0.0037799971,0.00069067284,0.0006087632,0.00003607355,0.000042623524,0.0013738241],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99627686,0.0014241271,0.0006194598,0.0005808785,0.0005249817,0.0005737184],"domain_scores_gemma":[0.9974799,0.0015153259,0.00013926867,0.0004230033,0.0003229987,0.000119479875],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0029913988,0.00040517686,0.0004978978,0.00015201213,0.0026154318,0.0015613117,0.0005512475,0.00018979552,0.00012059107],"category_scores_gemma":[0.0016833643,0.0002502395,0.00014231593,0.00031393944,0.008634539,0.0011353057,0.0001897824,0.00044550048,0.0000051039087],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001410236,0.00015730399,0.0007219236,0.00037379828,0.000090392066,0.00019737244,0.3727132,7.5775546e-7,0.0004128761,0.57282555,0.019152177,0.033213604],"study_design_scores_gemma":[0.00044273425,0.00019178372,0.0018720211,0.0010593255,0.00014934567,0.00010654159,0.027661467,0.000009565076,0.0013615272,0.24954659,0.7169525,0.0006466098],"about_ca_topic_score_codex":0.005895053,"about_ca_topic_score_gemma":0.079097606,"teacher_disagreement_score":0.69780034,"about_ca_system_score_codex":0.00026689525,"about_ca_system_score_gemma":0.00033103727,"threshold_uncertainty_score":0.999995},"labels":[],"label_agreement":null},{"id":"W4406984282","doi":"10.7202/1115014ar","title":"Between Word and Body: (Re)Organ-izing the Autobiography in bpNichol’s <i>Organ Music: Parts of an Autobiography</i>","year":2024,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Biography; Word (group theory); Art; Literature; Philosophy; Linguistics","score_opus":0.06922487853923506,"score_gpt":0.28235090928278944,"score_spread":0.21312603074355438,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406984282","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7243888,0.0066968827,0.0002136548,0.003003665,0.0009546595,0.001326255,0.0004572851,0.00246519,0.26049364],"genre_scores_gemma":[0.9947524,0.0004805549,0.001049726,0.0013776053,0.00033665253,0.0001970079,0.000048555445,0.0000963841,0.0016611309],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968519,0.0004332795,0.0008516584,0.00079726503,0.0003768131,0.0006890786],"domain_scores_gemma":[0.9981796,0.0006882739,0.00020974262,0.00055603805,0.00021580569,0.00015054175],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0011252823,0.00061948097,0.00075513474,0.0007836827,0.0009508263,0.0012149131,0.00066432,0.00019649079,0.00031167897],"category_scores_gemma":[0.00014509147,0.00045177742,0.00039268506,0.0005165427,0.005740278,0.0011203494,0.00048231042,0.000648265,0.0000067325695],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013264784,0.0005136777,0.0113671115,0.00078891,0.0006157079,0.00033090127,0.09135238,0.000001961046,0.00182466,0.43900135,0.015857179,0.43821353],"study_design_scores_gemma":[0.00026469122,0.00075713446,0.006599273,0.0015273861,0.00023489777,0.00001710872,0.004296623,0.000011784244,0.002602903,0.039532922,0.9433606,0.00079463655],"about_ca_topic_score_codex":0.0020864755,"about_ca_topic_score_gemma":0.0061160782,"teacher_disagreement_score":0.92750347,"about_ca_system_score_codex":0.00016484705,"about_ca_system_score_gemma":0.00004983975,"threshold_uncertainty_score":0.9998219},"labels":[],"label_agreement":null},{"id":"W4406984288","doi":"10.7202/1115021ar","title":"Lire pour / avec le corps : activations sonores de la poésie de Celerina Sánchez et Víctor Gally","year":2024,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.03145495889583418,"score_gpt":0.30806655890887863,"score_spread":0.27661160001304447,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406984288","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1711464,0.015979493,0.023285495,0.019102922,0.0011362294,0.0006241876,0.00095938565,0.0018598234,0.76590604],"genre_scores_gemma":[0.80769235,0.0013384111,0.0072129853,0.0022568465,0.0009851034,0.00032383276,0.00014420059,0.00019128402,0.17985499],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99504924,0.0015440806,0.0010121457,0.0009358184,0.0003897452,0.0010689995],"domain_scores_gemma":[0.99656785,0.0016673262,0.00024455195,0.0006975883,0.0004697082,0.0003529985],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0015620764,0.00092696905,0.0008592337,0.00059342757,0.0016420435,0.0034959351,0.0007308275,0.00038313147,0.001938627],"category_scores_gemma":[0.00036182598,0.0009443611,0.0008648803,0.00028531512,0.004044011,0.002221373,0.0003062723,0.0014122799,0.000049777434],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009571221,0.000647873,0.00037273834,0.0008134613,0.0004322962,0.0007830047,0.04790735,0.000013346997,0.0068810894,0.8088674,0.05533634,0.07784937],"study_design_scores_gemma":[0.00019019636,0.00035253278,0.0007389488,0.0025732042,0.00028358938,0.00041954673,0.0021811451,0.0004996318,0.0075310054,0.15851448,0.8258079,0.00090776774],"about_ca_topic_score_codex":0.0041421056,"about_ca_topic_score_gemma":0.0038713743,"teacher_disagreement_score":0.77047163,"about_ca_system_score_codex":0.00097568764,"about_ca_system_score_gemma":0.00095985725,"threshold_uncertainty_score":0.9996577},"labels":[],"label_agreement":null},{"id":"W4406984496","doi":"10.7202/1115023ar","title":"A Tradition and Its Metamorphoses (1968–2024): Corporeality in Works by Octavio Paz, Ulises Carrión, And Rocío Cerón","year":2024,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.04666077350910238,"score_gpt":0.2949655384858734,"score_spread":0.24830476497677104,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406984496","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8290833,0.04837129,0.00092040596,0.0018011814,0.00056740554,0.0007500966,0.00096494635,0.0009763762,0.11656498],"genre_scores_gemma":[0.98767686,0.0016512319,0.00026527356,0.00075738283,0.00021190068,0.0002485964,0.00017866568,0.00006677849,0.008943312],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99731475,0.00041003464,0.000760911,0.0007851662,0.00027966106,0.0004494886],"domain_scores_gemma":[0.9987841,0.00042767578,0.00013172624,0.00029726978,0.00018170933,0.00017751237],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0006314875,0.0005567766,0.00072368805,0.00045866414,0.0006039073,0.0015425261,0.00023590245,0.00014330435,0.00048707143],"category_scores_gemma":[0.00008535596,0.00049155846,0.00023316713,0.00019606146,0.0017057336,0.0019947255,0.0001301646,0.000534185,0.000004639463],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001950189,0.00035934322,0.0008528947,0.0009631214,0.00029614076,0.00046580675,0.050224412,0.0000012258593,0.0040915958,0.76367646,0.021380337,0.15749362],"study_design_scores_gemma":[0.00048107925,0.00069126254,0.0015969124,0.0047515826,0.0004876578,0.00022242541,0.0048975153,0.00037471292,0.007468089,0.16425298,0.81318617,0.001589604],"about_ca_topic_score_codex":0.0014852632,"about_ca_topic_score_gemma":0.0042386632,"teacher_disagreement_score":0.79180586,"about_ca_system_score_codex":0.00022871848,"about_ca_system_score_gemma":0.00005073401,"threshold_uncertainty_score":0.9997536},"labels":[],"label_agreement":null},{"id":"W4406984514","doi":"10.7202/1115025ar","title":"<i>Intermediate Acts of Incorporation:</i> Body, Psychogeography, and Drift in Arts with Electronic Technologies","year":2024,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Digital Games and Media","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"The arts; Physics; Art; Visual arts","score_opus":0.01872414104893793,"score_gpt":0.2962532587566439,"score_spread":0.27752911770770594,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406984514","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32139972,0.0083545735,0.0024848739,0.003941704,0.00047288075,0.0012396163,0.00007368456,0.002981106,0.65905184],"genre_scores_gemma":[0.9890521,0.0047906856,0.0019650015,0.00026168587,0.00006577075,0.00019895328,0.000022608012,0.00005731712,0.0035858848],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976434,0.0001570577,0.0005321956,0.0005798747,0.00040910533,0.0006783405],"domain_scores_gemma":[0.9988925,0.00027048736,0.00017641211,0.00035413823,0.00018235527,0.0001241218],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00090838847,0.0003698212,0.00045546776,0.0006894444,0.00018470916,0.00039814212,0.0004387112,0.00024978127,0.000014152948],"category_scores_gemma":[0.00026359453,0.00031752553,0.00014881864,0.00083137484,0.0044221305,0.0012827647,0.00014799116,0.0004743102,0.0000026509374],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012564594,0.00015716789,0.005221591,0.0002564887,0.00007024317,0.00015642864,0.008424227,6.853056e-7,0.0020484575,0.36986348,0.0007385632,0.61293703],"study_design_scores_gemma":[0.0002531762,0.00097542675,0.0016346583,0.002508815,0.000054859527,0.000048755952,0.0027247989,0.000008161515,0.009653056,0.09389714,0.8876594,0.0005817769],"about_ca_topic_score_codex":0.0005505212,"about_ca_topic_score_gemma":0.013714781,"teacher_disagreement_score":0.8869208,"about_ca_system_score_codex":0.0003072772,"about_ca_system_score_gemma":0.00029272292,"threshold_uncertainty_score":0.9999277},"labels":[],"label_agreement":null},{"id":"W4406984623","doi":"10.7202/1115015ar","title":"Vers une « mise en corps » de l’existant animé : penser le néo-animisme à travers Hatsune Miku","year":2024,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.03749567439624681,"score_gpt":0.2846647994971235,"score_spread":0.24716912510087666,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406984623","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22203627,0.036128595,0.0015801425,0.02972504,0.0041494826,0.0014565053,0.0016830825,0.003508809,0.69973207],"genre_scores_gemma":[0.58775496,0.0059561897,0.0024253894,0.0015999565,0.0010274774,0.00017330943,0.00017415438,0.00025871847,0.40062985],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99503475,0.0006823265,0.001166994,0.0011595456,0.00058606133,0.0013703107],"domain_scores_gemma":[0.9976059,0.0005282822,0.00026021787,0.0007356706,0.000413043,0.00045685028],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0011074604,0.0011084407,0.00097288354,0.00046909705,0.002148745,0.0030798363,0.00087482436,0.00057798135,0.0018688351],"category_scores_gemma":[0.00021969336,0.0011234204,0.0009819987,0.00032511045,0.0059618372,0.0025927117,0.00030991057,0.0013295215,0.00019214973],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030448072,0.00045408262,0.000040227522,0.0022144828,0.0004488489,0.003053239,0.11135815,0.0000057206344,0.009691952,0.719803,0.073146686,0.079479136],"study_design_scores_gemma":[0.00036811942,0.00069712737,0.00013479409,0.004294661,0.0004131378,0.00050124445,0.0098520415,0.000069136,0.007453982,0.048107322,0.9268416,0.0012668285],"about_ca_topic_score_codex":0.061604857,"about_ca_topic_score_gemma":0.066279694,"teacher_disagreement_score":0.8536949,"about_ca_system_score_codex":0.0025492639,"about_ca_system_score_gemma":0.0005025569,"threshold_uncertainty_score":0.99915034},"labels":[],"label_agreement":null},{"id":"W4406984650","doi":"10.7202/1115026ar","title":"Intercorporeal Togetherness: Live Arts and Embodied Poiesis","year":2024,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Embodied cognition; The arts; Aesthetics; Art; Visual arts; Philosophy; Epistemology","score_opus":0.04284386630060638,"score_gpt":0.27852690543357284,"score_spread":0.23568303913296645,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406984650","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25124818,0.041388303,0.00905804,0.004758383,0.0018733327,0.0009347856,0.0005640849,0.0022483869,0.68792653],"genre_scores_gemma":[0.9737177,0.004772854,0.0052163745,0.0011623215,0.0002888684,0.00032740642,0.000047881214,0.00013192184,0.014334667],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975426,0.00006459524,0.0008729906,0.0008633556,0.00009480601,0.0005616223],"domain_scores_gemma":[0.99867177,0.0003505957,0.00021683815,0.00046718618,0.000114426024,0.00017920745],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0007856796,0.000514052,0.0007914147,0.00055406836,0.00037839304,0.00042719216,0.00032960408,0.00021481367,0.00021684112],"category_scores_gemma":[0.0003808513,0.0005138862,0.00029633482,0.0002502268,0.0014007346,0.0007446616,0.0003219975,0.0004094529,0.000102150414],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012738352,0.00020014554,0.010267952,0.0010274635,0.00041129353,0.0004236071,0.028675087,8.0501934e-7,0.00055043254,0.6640974,0.02035891,0.27385947],"study_design_scores_gemma":[0.0003182506,0.0005589226,0.003000457,0.0017061034,0.00008048783,0.00021366065,0.0014853737,0.00007923907,0.0025243566,0.32091314,0.66804504,0.0010749784],"about_ca_topic_score_codex":0.001442241,"about_ca_topic_score_gemma":0.0017231951,"teacher_disagreement_score":0.7224695,"about_ca_system_score_codex":0.000455575,"about_ca_system_score_gemma":0.000040411305,"threshold_uncertainty_score":0.9997313},"labels":[],"label_agreement":null},{"id":"W4406984671","doi":"10.7202/1115022ar","title":"A Frame for Fiction: On Galo Ghigliotto’s <i>El Museo de la Bruma</i>","year":2024,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Frame (networking); Art; Humanities; Computer science; Telecommunications","score_opus":0.03559709053824495,"score_gpt":0.32089046013470035,"score_spread":0.2852933695964554,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406984671","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042747684,0.004138376,0.021737203,0.0026267343,0.0009930428,0.00076016266,0.00048485055,0.0024597887,0.9240522],"genre_scores_gemma":[0.95259786,0.00024803155,0.0024164834,0.003739901,0.0010176668,0.0006013686,0.000106781124,0.00012363857,0.03914825],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99741536,0.0004101426,0.0006389954,0.00067852787,0.00028663766,0.00057033607],"domain_scores_gemma":[0.9978851,0.0010931012,0.00010984776,0.00048905046,0.0002695509,0.00015337016],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0008566662,0.00053397164,0.00054513477,0.00046978562,0.0010296265,0.001772249,0.00040984616,0.00017596719,0.0007395942],"category_scores_gemma":[0.00015597351,0.00047246667,0.00062754535,0.00014960232,0.0019322335,0.0009850136,0.000098304576,0.0005656073,0.00003007944],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014189965,0.0002551081,0.000043073487,0.00035867115,0.00017882856,0.00012819281,0.028106313,0.0000051046018,0.0009928045,0.837828,0.069154516,0.06280753],"study_design_scores_gemma":[0.00015463875,0.00059653685,0.000038594684,0.0012357095,0.0001337569,0.000059775604,0.00079606497,0.00019926095,0.0037754409,0.12683973,0.86567605,0.0004944461],"about_ca_topic_score_codex":0.00036354756,"about_ca_topic_score_gemma":0.0005720207,"teacher_disagreement_score":0.9098502,"about_ca_system_score_codex":0.0004122094,"about_ca_system_score_gemma":0.00009503271,"threshold_uncertainty_score":0.9997727},"labels":[],"label_agreement":null},{"id":"W4406984812","doi":"10.7202/1115013ar","title":"Introduction","year":2024,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology","score_opus":0.027751194987883917,"score_gpt":0.30709324309227254,"score_spread":0.2793420481043886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406984812","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035659432,0.20279671,0.054385554,0.06402598,0.02489024,0.003962398,0.0028987403,0.0264433,0.58493763],"genre_scores_gemma":[0.45318243,0.011865662,0.058431346,0.0031593253,0.012037841,0.0015074352,0.0009921392,0.0025303653,0.45629343],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9887771,0.002203963,0.0022967635,0.0029224262,0.001293224,0.0025064957],"domain_scores_gemma":[0.99433404,0.0009221106,0.00052649283,0.0022879958,0.0011665312,0.0007628472],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0040362873,0.0021539093,0.0015800247,0.0020377499,0.0015081894,0.0028922418,0.001493176,0.0012080183,0.003164899],"category_scores_gemma":[0.0016703565,0.0023497024,0.0013543344,0.0023060136,0.01079434,0.005775123,0.00087666896,0.0027911921,0.0037325474],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026349,0.00052100536,0.00012386391,0.0022868037,0.00045643412,0.001318215,0.0052104527,0.000016097987,0.027548812,0.22338799,0.29795444,0.44091243],"study_design_scores_gemma":[0.000271022,0.0010841109,0.00015297478,0.007104533,0.0006204275,0.002425693,0.00039206972,0.00024526904,0.059173048,0.07008507,0.8564558,0.0019899944],"about_ca_topic_score_codex":0.0030282466,"about_ca_topic_score_gemma":0.0025922456,"teacher_disagreement_score":0.55850136,"about_ca_system_score_codex":0.008181829,"about_ca_system_score_gemma":0.00070841284,"threshold_uncertainty_score":0.9997917},"labels":[],"label_agreement":null},{"id":"W4413046202","doi":"10.7202/1118685ar","title":"Bunker peinture totale","year":2025,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Poisoning and overdose treatments","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Bunker; Cave; Geology; Archaeology; Geography","score_opus":0.022913608831646382,"score_gpt":0.3192973252694507,"score_spread":0.2963837164378043,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413046202","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1018407,0.076818496,0.008389321,0.012314957,0.005272927,0.0016572835,0.00037892145,0.0025097788,0.7908176],"genre_scores_gemma":[0.54898083,0.0044225715,0.0109001035,0.005913925,0.0006190415,0.00032672632,0.00018691969,0.00019748276,0.42845237],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948913,0.0006309428,0.0011580612,0.001221975,0.00055951375,0.0015382117],"domain_scores_gemma":[0.9966634,0.00059448625,0.00032074365,0.0013731605,0.0005763267,0.0004718742],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00089283957,0.0011854222,0.001295636,0.0006848281,0.0009772514,0.00038114973,0.00065075763,0.0008607909,0.0006735206],"category_scores_gemma":[0.0010853423,0.0011383023,0.0007736654,0.00075968786,0.0036463086,0.00090714975,0.0004680558,0.001278382,0.00016470077],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00068333437,0.0015974925,0.009267478,0.0021846497,0.0010538436,0.0017870956,0.0046963743,0.0000058680826,0.0060709193,0.099583045,0.095918156,0.77715176],"study_design_scores_gemma":[0.0014992281,0.0014131276,0.0052113817,0.018309768,0.0010381112,0.0005573283,0.0006104414,0.00005321218,0.048400328,0.02614415,0.89567226,0.0010906387],"about_ca_topic_score_codex":0.0028994302,"about_ca_topic_score_gemma":0.0009859444,"teacher_disagreement_score":0.79975414,"about_ca_system_score_codex":0.0031640895,"about_ca_system_score_gemma":0.0005554115,"threshold_uncertainty_score":0.9991067},"labels":[],"label_agreement":null},{"id":"W4413046249","doi":"10.7202/1118686ar","title":"Rendre sensible un paysage atmosphérique, à la croisée des formes et pratiques de la recherche-création","year":2025,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Agence Nationale de la Recherche","keywords":"Political science","score_opus":0.0758351685924962,"score_gpt":0.3623194098565786,"score_spread":0.28648424126408245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413046249","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02628965,0.045502566,0.035559803,0.009231461,0.00081186765,0.0010251394,0.00012484206,0.0018424508,0.8796122],"genre_scores_gemma":[0.4909797,0.08218202,0.13575323,0.0053019607,0.0005648677,0.00066068704,0.000083266284,0.0002345688,0.28423968],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9865831,0.009293652,0.0011619177,0.0009980748,0.00061577227,0.0013474677],"domain_scores_gemma":[0.99182034,0.005872786,0.0005262113,0.0006290004,0.00083506247,0.00031661917],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["sts"],"category_scores_codex":[0.008484485,0.00096776726,0.0010543797,0.00027918105,0.0026285455,0.0011137485,0.0008413212,0.0016590789,0.0001848065],"category_scores_gemma":[0.0065865,0.0010137411,0.00064172334,0.001343845,0.012119212,0.0019827106,0.00047058295,0.001828667,0.000013409803],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008039886,0.00037182367,0.0018558494,0.0005174109,0.00025687262,0.00014481133,0.07312165,0.0000039898423,0.000764019,0.5549297,0.034970287,0.33298326],"study_design_scores_gemma":[0.0002622228,0.00027884354,0.0018674074,0.0025037362,0.0001614823,0.00003677063,0.004948727,0.00002559305,0.008459977,0.38705826,0.59368086,0.00071608345],"about_ca_topic_score_codex":0.034082964,"about_ca_topic_score_gemma":0.04838651,"teacher_disagreement_score":0.59537256,"about_ca_system_score_codex":0.0055339695,"about_ca_system_score_gemma":0.0012536404,"threshold_uncertainty_score":0.99992317},"labels":[],"label_agreement":null},{"id":"W4413046282","doi":"10.7202/1118679ar","title":"« Hurricane stories » : réinventer les paysages caribéens à travers les écritures littéraires des ouragans","year":2025,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Caribbean and African Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; History; Humanities","score_opus":0.02634029462936404,"score_gpt":0.2743960210669581,"score_spread":0.24805572643759405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413046282","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.050672762,0.11599643,0.0022097235,0.0139701525,0.0035426198,0.0013115924,0.004512967,0.0022338068,0.80555],"genre_scores_gemma":[0.5681992,0.006635447,0.0018784456,0.0031181267,0.0014198618,0.00027955824,0.00034836165,0.00020736868,0.41791362],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99421006,0.00089253695,0.0013732277,0.0013396111,0.00061902875,0.0015655486],"domain_scores_gemma":[0.9965798,0.0005180235,0.0004512791,0.0009980742,0.001050267,0.00040250397],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.00072173355,0.0015950388,0.0014306678,0.0007080964,0.0044569946,0.0024490473,0.0010888942,0.0008107743,0.0010059348],"category_scores_gemma":[0.00038370045,0.0014152344,0.0012616704,0.00047372223,0.012908322,0.0016131162,0.00042020093,0.0016792264,0.000017388826],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026093694,0.00055563985,0.0010070226,0.0016724953,0.0005924678,0.0003907894,0.06544628,0.0000033413535,0.0009153181,0.5271938,0.124157146,0.27780476],"study_design_scores_gemma":[0.00047870885,0.000697608,0.00082158734,0.006060841,0.00060512417,0.000137195,0.03496108,0.000004730535,0.0051017003,0.04010765,0.9096443,0.0013794714],"about_ca_topic_score_codex":0.013461214,"about_ca_topic_score_gemma":0.035827715,"teacher_disagreement_score":0.7854872,"about_ca_system_score_codex":0.0012318833,"about_ca_system_score_gemma":0.0002852274,"threshold_uncertainty_score":0.99990726},"labels":[],"label_agreement":null},{"id":"W4413046286","doi":"10.7202/1118674ar","title":"Cows, Cliffs, and Caves: Exploring the Angloseen of James Ward’s <i>Gordale Scar</i>","year":2025,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cave; Art; Art history; History; Archaeology","score_opus":0.037977846929446744,"score_gpt":0.27988615883212536,"score_spread":0.2419083119026786,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413046286","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26635423,0.018171776,0.0004142974,0.004021157,0.0015058432,0.00087704894,0.00033394247,0.000970523,0.7073512],"genre_scores_gemma":[0.9719935,0.0022316456,0.0012862849,0.0028429772,0.0003435913,0.00036464757,0.00003559323,0.00006551627,0.020836223],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99771243,0.00034365946,0.0007030413,0.00050000905,0.0002349367,0.00050591136],"domain_scores_gemma":[0.99818075,0.00052712957,0.00022076274,0.00062182144,0.00037267397,0.000076881646],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00074799795,0.00050364557,0.0006753052,0.0003342458,0.0013604558,0.0004045079,0.00055005605,0.00012032742,0.00005821979],"category_scores_gemma":[0.00026885275,0.00036598006,0.00026587368,0.00013393101,0.006169838,0.0007513436,0.00038968064,0.000455269,0.0000028082052],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019233141,0.00015684392,0.0018826755,0.000674162,0.00030787155,0.00004341326,0.111918174,6.5064125e-7,0.0007806241,0.70053256,0.035824563,0.14768611],"study_design_scores_gemma":[0.00025925064,0.000335151,0.0009860129,0.0012855578,0.0001506119,0.000030251422,0.017700026,0.0000023233288,0.005938621,0.035122458,0.93775135,0.00043838882],"about_ca_topic_score_codex":0.0010904709,"about_ca_topic_score_gemma":0.0024899093,"teacher_disagreement_score":0.90192676,"about_ca_system_score_codex":0.00014368692,"about_ca_system_score_gemma":0.000059701302,"threshold_uncertainty_score":0.9999396},"labels":[],"label_agreement":null},{"id":"W4413046287","doi":"10.7202/1118682ar","title":"En co-paysage : écriture scénique intermédiale en ecoute avec les quais de Gaspésie","year":2025,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université Laval; Université du Québec à Chicoutimi","funders":"","keywords":"Art; Humanities","score_opus":0.029126045725963494,"score_gpt":0.31653045320757806,"score_spread":0.28740440748161455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413046287","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031080708,0.042776488,0.018967215,0.020265155,0.0035034723,0.0015594458,0.00049496366,0.0021204494,0.8792321],"genre_scores_gemma":[0.63931257,0.020821935,0.012822469,0.006005674,0.0016215511,0.00065135607,0.00009399335,0.00021888476,0.31845155],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9912086,0.0034414534,0.0014041458,0.0012877509,0.000743632,0.0019143759],"domain_scores_gemma":[0.9953931,0.002144124,0.00048085806,0.0008559231,0.0006451257,0.00048089065],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["sts"],"category_scores_codex":[0.0033785533,0.0012439133,0.0014557331,0.0006049735,0.0030620263,0.0008233187,0.0017370132,0.0014216359,0.0006545485],"category_scores_gemma":[0.0023801064,0.0013383299,0.0010205938,0.00097331015,0.010409948,0.0013892369,0.00066766137,0.0018377176,0.00005551481],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012563991,0.0004959175,0.0034890706,0.00078903214,0.0004515062,0.0003806766,0.105570585,0.0000033927788,0.00078485924,0.37706056,0.11709259,0.39375615],"study_design_scores_gemma":[0.00037080978,0.00040377807,0.0023418851,0.0035052674,0.00028314523,0.000043207303,0.005523603,0.000023308276,0.005620588,0.092158616,0.88854426,0.001181552],"about_ca_topic_score_codex":0.032537773,"about_ca_topic_score_gemma":0.047298126,"teacher_disagreement_score":0.77145165,"about_ca_system_score_codex":0.006934003,"about_ca_system_score_gemma":0.00095192716,"threshold_uncertainty_score":0.9998747},"labels":[],"label_agreement":null},{"id":"W4413046291","doi":"10.7202/1118678ar","title":"Mon paysage quotidien est devenu une icône médiatique du changement climatique","year":2025,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.03455699866164479,"score_gpt":0.3046408111751349,"score_spread":0.2700838125134901,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413046291","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023905607,0.048714936,0.01209118,0.039113253,0.0041198386,0.002074959,0.0002931043,0.0017092348,0.8679779],"genre_scores_gemma":[0.7792382,0.04757127,0.011488306,0.008440179,0.0014251206,0.0013816833,0.000105821215,0.00021204592,0.15013736],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9933364,0.001736589,0.0013923987,0.0011558222,0.0007620415,0.0016167462],"domain_scores_gemma":[0.99650294,0.00092596194,0.000601516,0.00075912866,0.00083949254,0.000370971],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0025319739,0.0010804523,0.0012889224,0.000501283,0.0030386157,0.0005664874,0.0011801713,0.0008063039,0.00028782917],"category_scores_gemma":[0.0013111507,0.0011470866,0.0006921884,0.001611684,0.007624108,0.0012614268,0.00074717717,0.0010005758,0.00005987813],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000749591,0.00061563135,0.0026941053,0.0007126835,0.0003357778,0.00018464451,0.048568748,0.0000044233007,0.00024307592,0.6059591,0.073631205,0.2669756],"study_design_scores_gemma":[0.00038684692,0.00046241935,0.0026717396,0.002883831,0.00024065221,0.000011482964,0.0036684568,0.000028283303,0.002339167,0.11705811,0.8692061,0.0010429134],"about_ca_topic_score_codex":0.055960048,"about_ca_topic_score_gemma":0.10667816,"teacher_disagreement_score":0.7955749,"about_ca_system_score_codex":0.0054767155,"about_ca_system_score_gemma":0.00057955406,"threshold_uncertainty_score":0.99909794},"labels":[],"label_agreement":null},{"id":"W4413046293","doi":"10.7202/1118676ar","title":"Wild and Radioactive Scenery: Nuclearized Landscapes of the Western United States","year":2025,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Radioactive contamination and transfer","field":"Environmental Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geography; Archaeology; Environmental planning","score_opus":0.012724564270296156,"score_gpt":0.2610337159437493,"score_spread":0.24830915167345313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413046293","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87963563,0.00027421577,0.008886942,0.0028481826,0.00016271535,0.0006233414,0.00007008646,0.00032752188,0.10717134],"genre_scores_gemma":[0.9892389,0.00036853497,0.001635433,0.0020803914,0.000011653604,0.00005891563,0.00002059799,0.000033435612,0.0065521155],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99841005,0.00033704832,0.00035744082,0.00038363118,0.00023630004,0.00027553373],"domain_scores_gemma":[0.9991159,0.00026036444,0.0001226444,0.0003564581,0.00007049945,0.00007413131],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036469405,0.00028561833,0.00032268526,0.00018484883,0.0003910508,0.0001004095,0.00038178483,0.000115052346,0.00009936157],"category_scores_gemma":[0.000116445335,0.00021706917,0.00013537011,0.0004301155,0.0020625223,0.0004791333,0.00021462532,0.0002642935,0.0000032627859],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009080972,0.00081487506,0.27586737,0.0004273281,0.0005098805,0.000055043965,0.019429553,0.00011884878,0.06084398,0.037119888,0.009928945,0.5939762],"study_design_scores_gemma":[0.0015535819,0.00048063352,0.25300255,0.001452204,0.00024193415,0.00006138354,0.00097535807,0.00047633948,0.14668313,0.01810416,0.5760414,0.00092734414],"about_ca_topic_score_codex":0.0015617355,"about_ca_topic_score_gemma":0.0016432712,"teacher_disagreement_score":0.5930489,"about_ca_system_score_codex":0.000350171,"about_ca_system_score_gemma":0.000023458879,"threshold_uncertainty_score":0.88518244},"labels":[],"label_agreement":null},{"id":"W4413046298","doi":"10.7202/1118675ar","title":"« Paysages de la durée » : la littérature et l’économie de la nature chez Charles Péguy","year":2025,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Art; Humanities","score_opus":0.01705451440851241,"score_gpt":0.3038308635483873,"score_spread":0.2867763491398749,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413046298","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024425851,0.12410047,0.0017259154,0.020472003,0.0013293254,0.0006775334,0.00023473865,0.0013640985,0.82567006],"genre_scores_gemma":[0.7613962,0.06657324,0.0097750155,0.010556405,0.0010016572,0.00046478922,0.00004757192,0.000169961,0.15001516],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99071056,0.0055436064,0.00085140043,0.0010099906,0.00047682383,0.0014076281],"domain_scores_gemma":[0.99436265,0.003874112,0.00040324533,0.0006192523,0.0003758528,0.0003648643],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["sts","research_integrity"],"category_scores_codex":[0.0050169765,0.0009933262,0.0010984511,0.00038278685,0.0021388805,0.001315736,0.0012284074,0.0024700041,0.00016301502],"category_scores_gemma":[0.0026906356,0.0010218576,0.0007654491,0.00096318,0.014794831,0.001010809,0.0005431317,0.0029737775,0.000012860028],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007990313,0.00039630567,0.0030559849,0.00046319677,0.00032997417,0.0003038389,0.033696596,0.0000033700017,0.00095520966,0.6961313,0.082105376,0.18247893],"study_design_scores_gemma":[0.00030097784,0.000138648,0.004928637,0.0021829826,0.00019337669,0.000048742582,0.002911226,0.000008218982,0.0025628717,0.19454126,0.79139817,0.0007848796],"about_ca_topic_score_codex":0.008005319,"about_ca_topic_score_gemma":0.00781088,"teacher_disagreement_score":0.73697037,"about_ca_system_score_codex":0.003949797,"about_ca_system_score_gemma":0.001196399,"threshold_uncertainty_score":0.9998739},"labels":[],"label_agreement":null},{"id":"W4413046317","doi":"10.7202/1118680ar","title":"The Residual Landscape in the Petrofiction of the Harper Decade: A Reading of Don Gillmor’s <i>Long Change</i>","year":2025,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Short Stories in Global Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Residual; Reading (process); Geography; Mathematics; Philosophy; Linguistics","score_opus":0.027345330449860185,"score_gpt":0.2883486473424069,"score_spread":0.2610033168925467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413046317","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13844128,0.0069870655,0.00019802188,0.006106771,0.002433368,0.0016037864,0.00028664104,0.00039293282,0.84355015],"genre_scores_gemma":[0.9880046,0.0003727608,0.0002643709,0.0017577064,0.00032872145,0.00030238242,0.000025672103,0.000038065064,0.008905721],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975226,0.00054939697,0.00074155733,0.00034735675,0.0004308041,0.00040830072],"domain_scores_gemma":[0.99772924,0.00068658276,0.00033509888,0.00083504326,0.00038338994,0.00003067293],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012474784,0.00034905577,0.00039292703,0.00021886703,0.0011116103,0.0003184273,0.0010605498,0.00016298315,0.00004569653],"category_scores_gemma":[0.00046117217,0.00019586852,0.00025779265,0.00032937157,0.0026133694,0.0005195648,0.00029369097,0.00058676675,4.843257e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024020975,0.00012913131,0.0107668815,0.0002808105,0.00008893157,0.000018358909,0.05323227,0.0000012904234,0.00059161265,0.87080413,0.026795914,0.03705045],"study_design_scores_gemma":[0.0002014832,0.00020559203,0.0048682084,0.0019093741,0.00009904483,0.00003119374,0.005797112,0.0000061161654,0.007932728,0.017245375,0.9614161,0.0002876312],"about_ca_topic_score_codex":0.0013214821,"about_ca_topic_score_gemma":0.009359672,"teacher_disagreement_score":0.9346202,"about_ca_system_score_codex":0.00027837168,"about_ca_system_score_gemma":0.00006937795,"threshold_uncertainty_score":0.96290684},"labels":[],"label_agreement":null},{"id":"W4413046322","doi":"10.7202/1118688ar","title":"Naviguer en oiseau","year":2025,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Medicine","score_opus":0.03542847607563667,"score_gpt":0.3206388739018359,"score_spread":0.2852103978261992,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413046322","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009337423,0.06490514,0.005226296,0.018653985,0.004758002,0.00089991535,0.00015286818,0.0014367314,0.89462966],"genre_scores_gemma":[0.42649612,0.018213201,0.008516869,0.0063000326,0.0011703619,0.00044555665,0.00004620161,0.00013727983,0.53867435],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99402964,0.0016840986,0.0010739637,0.0010271814,0.0007236374,0.0014614905],"domain_scores_gemma":[0.99680036,0.0011332936,0.00033503413,0.000697896,0.0006865066,0.0003468951],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0019516951,0.0009007976,0.0010660063,0.00040550076,0.0030014361,0.0005842535,0.0012042724,0.00081229623,0.0005246675],"category_scores_gemma":[0.0013890176,0.00096026284,0.00076910295,0.0012330959,0.011620814,0.0012896751,0.0006235864,0.0010564679,0.00009055266],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004866767,0.000302011,0.00082995126,0.0003488684,0.00023153615,0.00011200799,0.024585165,0.0000011861235,0.00026108298,0.5181443,0.088334896,0.36680034],"study_design_scores_gemma":[0.00023628892,0.0002364987,0.0009024013,0.0022941623,0.00019371576,0.0000100817315,0.00243539,0.0000066974235,0.0014794202,0.16346431,0.8279764,0.0007646338],"about_ca_topic_score_codex":0.031165432,"about_ca_topic_score_gemma":0.024355426,"teacher_disagreement_score":0.7396415,"about_ca_system_score_codex":0.004552246,"about_ca_system_score_gemma":0.00053926406,"threshold_uncertainty_score":0.9992848},"labels":[],"label_agreement":null},{"id":"W4413046324","doi":"10.7202/1118681ar","title":"Spatialities and Artistries of Crisis: Towards Reinvention in Sara Baume’s <i>A Line Made by Walking </i>(2017)","year":2025,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Line (geometry); Sociology; Psychology; Psychoanalysis; Mathematics","score_opus":0.04184770144225082,"score_gpt":0.30078537793016025,"score_spread":0.25893767648790944,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413046324","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27012435,0.01273243,0.0183385,0.006582708,0.001351086,0.0014003845,0.0012707316,0.001490137,0.68670964],"genre_scores_gemma":[0.9514308,0.0012578327,0.0014544842,0.0018947189,0.00015737322,0.00013975111,0.00013174566,0.00005663843,0.04347663],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974412,0.00029802465,0.00096463074,0.00050090253,0.00026267927,0.00053260196],"domain_scores_gemma":[0.9986792,0.00021350749,0.00028569612,0.00043466061,0.0002890411,0.0000978714],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0006805959,0.00044593556,0.0006498365,0.00045965306,0.0005235872,0.00033263638,0.00031779375,0.00017907054,0.00010950127],"category_scores_gemma":[0.00029538284,0.00043988752,0.00019796022,0.000025751815,0.0027531155,0.0008235622,0.0002262523,0.00033940055,0.000002002835],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030907392,0.00047843673,0.0014370976,0.0020723038,0.00021032736,0.000073668074,0.14184187,0.0000028041654,0.004150923,0.6242314,0.059702583,0.16548952],"study_design_scores_gemma":[0.00053812715,0.00048355735,0.00049944624,0.0026481512,0.0001353112,0.000022363945,0.006595001,0.00003513248,0.06353516,0.23896205,0.68582463,0.00072103844],"about_ca_topic_score_codex":0.012590018,"about_ca_topic_score_gemma":0.029909294,"teacher_disagreement_score":0.6813065,"about_ca_system_score_codex":0.00031518945,"about_ca_system_score_gemma":0.00012937955,"threshold_uncertainty_score":0.99996084},"labels":[],"label_agreement":null},{"id":"W4413046326","doi":"10.7202/1118677ar","title":"How to Envision a Future after Disaster: Cinematic Landscape and Post-Disaster Recovery in Haruka Komori and Natsumi Seo’s <i>Double Layered Town/Making a Song to Replace Our Positions</i> (2019)","year":2025,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Japanese History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Place making; Visual arts; Aesthetics; Sociology; Media studies; History; Art; Architectural engineering; Engineering","score_opus":0.014785022690107811,"score_gpt":0.29446657688003275,"score_spread":0.27968155418992496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413046326","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.892702,0.004852709,0.0020448677,0.040866286,0.0009079203,0.0022748865,0.00016530589,0.0007215316,0.055464536],"genre_scores_gemma":[0.9576069,0.00023305783,0.0052741356,0.006649234,0.00023551339,0.0004418708,0.000027114978,0.000050418585,0.029481752],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973575,0.0004379686,0.0004844803,0.000788583,0.00034290648,0.0005885791],"domain_scores_gemma":[0.9987628,0.00014690497,0.00014262868,0.00046208975,0.00024220407,0.00024340239],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0008706728,0.00045758343,0.00055345293,0.00047647956,0.0008718934,0.00077912107,0.00035899223,0.0003224649,0.000035845464],"category_scores_gemma":[0.00032354883,0.00042025812,0.00014315252,0.00053541973,0.0003698337,0.00125111,0.0003018074,0.0004079139,0.0000045934344],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.006271154,0.00071062165,0.0077767903,0.001779254,0.00023745571,0.00064870354,0.55251044,0.000017164131,0.021721918,0.032162122,0.09580169,0.28036267],"study_design_scores_gemma":[0.0013368691,0.0013048158,0.0044899597,0.008853278,0.00019073617,0.00017217865,0.08888404,0.000014825915,0.0015923661,0.010504818,0.88075787,0.0018982337],"about_ca_topic_score_codex":0.0005749366,"about_ca_topic_score_gemma":0.014943139,"teacher_disagreement_score":0.7849562,"about_ca_system_score_codex":0.00052494294,"about_ca_system_score_gemma":0.000110683315,"threshold_uncertainty_score":0.99982494},"labels":[],"label_agreement":null},{"id":"W4413046330","doi":"10.7202/1118683ar","title":"Prendre le parti du paysage… et le point de vue des mousses","year":2025,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Physics; Humanities; Art","score_opus":0.03051577525082267,"score_gpt":0.2949084036576537,"score_spread":0.26439262840683103,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413046330","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.056676097,0.05666523,0.02096462,0.03862216,0.0021313468,0.0012331718,0.00019499,0.002186827,0.82132554],"genre_scores_gemma":[0.84995574,0.015934065,0.0102632735,0.0046296557,0.0005699349,0.0005484538,0.000043497523,0.00014236388,0.11791303],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9932881,0.0021312449,0.0011774567,0.0010906679,0.00060582504,0.001706688],"domain_scores_gemma":[0.99663436,0.0011125439,0.00043835756,0.00070705294,0.0006991513,0.00040854912],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0024909442,0.0009823069,0.0011636405,0.00037581965,0.00405102,0.0008526523,0.0011698187,0.00070935814,0.00027516592],"category_scores_gemma":[0.0019917986,0.0010543827,0.0007825004,0.0010507519,0.013237194,0.0020039629,0.0006874497,0.0009645061,0.000027626777],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000085460706,0.00080292014,0.0030699512,0.00057425606,0.0003213645,0.00018038829,0.07121374,0.000010878233,0.00059503946,0.64011776,0.09217599,0.19085222],"study_design_scores_gemma":[0.00040221313,0.0003475993,0.0020007482,0.002191544,0.00017240015,0.000030858686,0.011092293,0.000020664811,0.0054218676,0.26794243,0.70945996,0.000917393],"about_ca_topic_score_codex":0.10192948,"about_ca_topic_score_gemma":0.13525364,"teacher_disagreement_score":0.79327965,"about_ca_system_score_codex":0.0030102802,"about_ca_system_score_gemma":0.0012139146,"threshold_uncertainty_score":0.9991906},"labels":[],"label_agreement":null},{"id":"W4413046339","doi":"10.7202/1118673ar","title":"Landscape is Now (Again): Cosmoramic Views from the Arctic Anthropocene","year":2025,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Indigenous Studies and Ecology","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Anthropocene; Arctic; Geography; The arctic; Environmental ethics; History; Environmental resource management; Oceanography; Environmental science; Geology; Philosophy","score_opus":0.04710743905259835,"score_gpt":0.37577418905278126,"score_spread":0.3286667500001829,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413046339","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30594188,0.012931023,0.007970889,0.038846936,0.004062152,0.0046803053,0.0007007451,0.0021678286,0.62269825],"genre_scores_gemma":[0.92104644,0.00521888,0.0038807946,0.04479949,0.00049038907,0.0012494806,0.00017152107,0.00013584932,0.023007147],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99502903,0.0012113351,0.0011602779,0.0007853755,0.00027952594,0.001534474],"domain_scores_gemma":[0.995818,0.0018318191,0.00043323383,0.0010991094,0.00068336754,0.00013446518],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015459381,0.00061571697,0.0009118093,0.00023159747,0.0075956476,0.00010321448,0.00089201605,0.00048153146,0.0010490862],"category_scores_gemma":[0.00064177683,0.00045564747,0.00034375722,0.0004447657,0.0019063444,0.00030732548,0.000828655,0.0013001057,0.00017860533],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005595867,0.0005979745,0.16744919,0.0012055174,0.000730536,0.00018241357,0.09298066,0.000002272023,0.0011257603,0.033860527,0.5616189,0.13968663],"study_design_scores_gemma":[0.0006173202,0.0003837375,0.014259043,0.0020831905,0.0001992785,0.000014435597,0.010975621,0.000024066403,0.0011826402,0.03743119,0.93218863,0.0006408421],"about_ca_topic_score_codex":0.011541768,"about_ca_topic_score_gemma":0.06212353,"teacher_disagreement_score":0.61510456,"about_ca_system_score_codex":0.0014880582,"about_ca_system_score_gemma":0.0004662209,"threshold_uncertainty_score":0.9998641},"labels":[],"label_agreement":null},{"id":"W4413046344","doi":"10.7202/1118672ar","title":"Introduction","year":2025,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.023060477488150335,"score_gpt":0.3057718706645357,"score_spread":0.2827113931763854,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413046344","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03181199,0.053053826,0.056638908,0.056322318,0.012520859,0.003487968,0.0012328268,0.009855434,0.77507585],"genre_scores_gemma":[0.32265285,0.0065878583,0.06497297,0.0071981647,0.0041075586,0.0014969517,0.0006796502,0.0011672988,0.5911367],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9889123,0.0025999623,0.002474352,0.0025754538,0.0010090977,0.0024288727],"domain_scores_gemma":[0.9930717,0.00085170503,0.0009044642,0.0027773445,0.0018343023,0.000560492],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0036560176,0.0020480733,0.0018202828,0.0022252172,0.002091895,0.0013791411,0.0018294918,0.0012721531,0.0016129096],"category_scores_gemma":[0.0029424329,0.002355169,0.001158105,0.0025607338,0.011841508,0.0037840276,0.001161493,0.0023283353,0.0010594272],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00053162803,0.00093799643,0.00078097056,0.0013584533,0.0004541979,0.0002916275,0.0023961507,0.000019521498,0.022956349,0.2684301,0.30231658,0.39952642],"study_design_scores_gemma":[0.00059707015,0.0007242117,0.0007257423,0.004805307,0.0005837052,0.0004628185,0.00045001507,0.0000672361,0.08641027,0.08714721,0.81641054,0.0016158661],"about_ca_topic_score_codex":0.003914382,"about_ca_topic_score_gemma":0.004147542,"teacher_disagreement_score":0.514094,"about_ca_system_score_codex":0.0082024885,"about_ca_system_score_gemma":0.0007989162,"threshold_uncertainty_score":0.99997336},"labels":[],"label_agreement":null},{"id":"W7131254533","doi":"10.7202/1122629ar","title":"Grandir, une fin heureuse ? La construction intermédiale de l’enfant-nation dans <i>Shrek</i> et <i>Maléfique</i>","year":2025,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"New Caledonia Indigenous Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Normative; Context (archaeology); Decorum","score_opus":0.023334448901762412,"score_gpt":0.3131583396067461,"score_spread":0.2898238907049837,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7131254533","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12951954,0.008466812,0.045336556,0.026319994,0.003640052,0.001963876,0.00045267132,0.0023749042,0.7819256],"genre_scores_gemma":[0.84539515,0.021665534,0.03165539,0.008175745,0.0006916562,0.0009628151,0.00014049443,0.00028320533,0.091029994],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.991509,0.0032761295,0.0014982816,0.0012832511,0.00077095284,0.0016623768],"domain_scores_gemma":[0.99543536,0.0017171996,0.0006947215,0.00094242574,0.00085620186,0.00035409527],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0035881433,0.0011274165,0.0011987392,0.0007078459,0.0031089308,0.0008267441,0.0012572315,0.00094556,0.000113681825],"category_scores_gemma":[0.001404192,0.0012569603,0.000721419,0.0016213463,0.012727987,0.0018236778,0.00060054497,0.0014233391,0.00002871204],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033887557,0.0008022286,0.0074159093,0.0008604819,0.00045771888,0.00036450234,0.0865177,0.000019765786,0.008275902,0.5982357,0.02352797,0.2731832],"study_design_scores_gemma":[0.0007410128,0.0005088792,0.0008835146,0.003967232,0.00040879622,0.00028252348,0.006150865,0.000024823874,0.021107893,0.14778239,0.8168896,0.0012524744],"about_ca_topic_score_codex":0.030809067,"about_ca_topic_score_gemma":0.09918906,"teacher_disagreement_score":0.7933616,"about_ca_system_score_codex":0.0040652286,"about_ca_system_score_gemma":0.0013086237,"threshold_uncertainty_score":0.999758},"labels":[],"label_agreement":null},{"id":"W7131257994","doi":"10.7202/1122637ar","title":"<i>Nova’s Film</i> : Notes on a Toddler’s iPhone Movie","year":2025,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Digital Media and Philosophy","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Phone; Shot (pellet); Closeness; Mobile phone; Point (geometry); Contrast (vision); Movie theater","score_opus":0.04946860556925149,"score_gpt":0.30679913506330003,"score_spread":0.25733052949404855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7131257994","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0074222786,0.012103478,0.09784229,0.041208107,0.00698599,0.0012754576,0.00034220927,0.0023328958,0.8304873],"genre_scores_gemma":[0.82235277,0.0018353615,0.041297127,0.030490104,0.0008121718,0.0005148659,0.00010519009,0.0002244594,0.10236797],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99378294,0.0006986978,0.0014221576,0.0017463651,0.0008329607,0.0015168756],"domain_scores_gemma":[0.99437183,0.0018542919,0.00044016354,0.00208366,0.00075210806,0.00049792335],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0011286167,0.0013536285,0.0012422448,0.0009306155,0.0008731843,0.0017489928,0.0024394877,0.00065306586,0.0001928338],"category_scores_gemma":[0.0014975872,0.0013548967,0.0007999746,0.0014775499,0.0039585573,0.002890768,0.0012452478,0.001256699,0.00020221857],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014667663,0.0007446318,0.00020859156,0.00060779706,0.0001442053,0.00048882357,0.002430009,0.000012800972,0.0011516976,0.4234056,0.029270273,0.5413889],"study_design_scores_gemma":[0.0004250909,0.0012597977,0.00029885818,0.0062234085,0.00009962687,0.0001464348,0.0000520331,0.00017215732,0.038472276,0.3156581,0.6360664,0.001125855],"about_ca_topic_score_codex":0.0015738495,"about_ca_topic_score_gemma":0.0009769537,"teacher_disagreement_score":0.8149305,"about_ca_system_score_codex":0.0012149018,"about_ca_system_score_gemma":0.000596124,"threshold_uncertainty_score":0.99992144},"labels":[],"label_agreement":null},{"id":"W7131264463","doi":"10.7202/1122628ar","title":"Introduction. Grandir : entre adultisme, regards en arrière et utopie","year":2025,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Philosophy, Sociology, Political Theory","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal; Université de Montréal","funders":"","keywords":"Perspective (graphical); Context (archaeology); Relation (database); Subject (documents); Work (physics)","score_opus":0.022855637611817334,"score_gpt":0.3318312701425212,"score_spread":0.3089756325307038,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7131264463","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015687997,0.012493556,0.00856503,0.15312675,0.0068411506,0.0013794033,0.00044509335,0.0022734217,0.7991876],"genre_scores_gemma":[0.7664704,0.0070744683,0.010746963,0.012352888,0.0045646033,0.00054570014,0.00015307449,0.00020542297,0.19788648],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9894619,0.005173007,0.0014221951,0.0015098406,0.0006906009,0.0017424845],"domain_scores_gemma":[0.9948134,0.0022217988,0.00043335385,0.0012250181,0.0007913486,0.00051512604],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0039478983,0.0010780973,0.0012850445,0.0006148794,0.0018093976,0.00044007172,0.0014727811,0.0012820247,0.00091279653],"category_scores_gemma":[0.0045619323,0.0011455804,0.00084786897,0.00094499433,0.017207218,0.0015798083,0.0006628229,0.0018974456,0.00012110347],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015744557,0.00042270368,0.00049722166,0.00046113093,0.00027552125,0.00012121007,0.010347419,0.0000032753346,0.00051039597,0.80097747,0.038979612,0.14724658],"study_design_scores_gemma":[0.00027640382,0.00024181181,0.00036134588,0.0011051755,0.00016400304,0.00004124416,0.0013427178,0.0000051000984,0.0019196541,0.4677351,0.52621347,0.00059394777],"about_ca_topic_score_codex":0.004229948,"about_ca_topic_score_gemma":0.002664462,"teacher_disagreement_score":0.7507824,"about_ca_system_score_codex":0.0036921639,"about_ca_system_score_gemma":0.00072148297,"threshold_uncertainty_score":0.9994901},"labels":[],"label_agreement":null},{"id":"W7131275907","doi":"10.7202/1122632ar","title":"Une écriture haptique du devenir-femme : <i>Clèves</i> et <i>Fabriquer une femme</i> de Marie Darrieussecq","year":2025,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Narrative; Identity (music); Period (music); Context (archaeology)","score_opus":0.02795079269673686,"score_gpt":0.3519522531550329,"score_spread":0.3240014604582961,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7131275907","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015058011,0.023601701,0.06437294,0.12665412,0.0030516346,0.0016622968,0.0008169534,0.0014753868,0.763307],"genre_scores_gemma":[0.5382674,0.011254359,0.01700689,0.052103244,0.000953313,0.0015443941,0.00048814702,0.000558032,0.37782425],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9845195,0.0062521556,0.0025119088,0.0027823118,0.00086376775,0.0030703985],"domain_scores_gemma":[0.9915718,0.002419579,0.000796004,0.0030557169,0.0012755265,0.00088138046],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.006460592,0.0020327922,0.0023127347,0.0014785551,0.0016682968,0.0009868786,0.0026547476,0.0024528247,0.0011896014],"category_scores_gemma":[0.0012367826,0.0021421118,0.0015229599,0.0029710578,0.007899601,0.0012689966,0.0008754537,0.0042982353,0.00016052402],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015506134,0.0021334682,0.009188463,0.0009860888,0.0013602952,0.002766932,0.0100440495,0.000012987863,0.009243376,0.2261711,0.4104354,0.3261072],"study_design_scores_gemma":[0.0014508748,0.0008746614,0.003714786,0.003034644,0.00054813235,0.0009945376,0.0010362586,0.000030987132,0.004819807,0.121044666,0.86083454,0.0016161104],"about_ca_topic_score_codex":0.012682983,"about_ca_topic_score_gemma":0.015991477,"teacher_disagreement_score":0.5232094,"about_ca_system_score_codex":0.002250661,"about_ca_system_score_gemma":0.0010517497,"threshold_uncertainty_score":0.99972343},"labels":[],"label_agreement":null},{"id":"W7131286026","doi":"10.7202/1122636ar","title":"Grandir dans un monde en transition : <i>Ma,</i> perception médiale et rite initiatique dans <i>Le Voyage de Chihiro </i> (2002)","year":2025,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Japanese History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Rite; Humanity; Context (archaeology); Globalization; Perception","score_opus":0.015896175475524216,"score_gpt":0.2837550998402465,"score_spread":0.26785892436472225,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7131286026","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16466196,0.008024054,0.09334976,0.016679201,0.0017167021,0.0015765136,0.0006475279,0.0020048795,0.7113394],"genre_scores_gemma":[0.8603309,0.0060265725,0.009339343,0.011643384,0.00056511746,0.00059692777,0.00029387075,0.0001712165,0.11103268],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99166834,0.0041743303,0.0011288841,0.0011539861,0.00062417006,0.0012502846],"domain_scores_gemma":[0.997586,0.00047817657,0.00037904514,0.0007573421,0.0004047626,0.0003946792],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0028191956,0.0009978724,0.00094031007,0.00039600427,0.0031118353,0.00046381113,0.0010271316,0.0012101184,0.00037288584],"category_scores_gemma":[0.0003570423,0.0011044403,0.00077490165,0.0010170186,0.0057542943,0.0023785525,0.0001771284,0.0014955376,0.000037380436],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040353872,0.0014491986,0.0007358087,0.000994163,0.0002707922,0.00040875567,0.42425573,0.00005054119,0.06786925,0.3130816,0.027167603,0.16331303],"study_design_scores_gemma":[0.0009824508,0.00057261536,0.0029459686,0.0032620805,0.0005068525,0.00020962229,0.021257851,0.000062937965,0.020788295,0.101550974,0.8462103,0.0016500299],"about_ca_topic_score_codex":0.013586112,"about_ca_topic_score_gemma":0.028730256,"teacher_disagreement_score":0.81904274,"about_ca_system_score_codex":0.0032760028,"about_ca_system_score_gemma":0.00083628524,"threshold_uncertainty_score":0.99914056},"labels":[],"label_agreement":null},{"id":"W7131292668","doi":"10.7202/1122631ar","title":"The Public Servant and the Auteur: A Comparative Analysis of Julie Andem’s and Sam Levinson’s Showrunning Approaches","year":2025,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Gender, Feminism, and Media","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Public service; Ethnography; Public servant; Representation (politics); Service (business); Social media; Servant","score_opus":0.09320014044576291,"score_gpt":0.3403393632866914,"score_spread":0.24713922284092849,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7131292668","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3226165,0.1788269,0.012816945,0.07785438,0.0020274662,0.002948013,0.00036365294,0.0007400015,0.40180615],"genre_scores_gemma":[0.96102774,0.014042561,0.0024420505,0.001514635,0.00009463893,0.00025996836,0.000029979803,0.000029725028,0.020558685],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99489605,0.002062796,0.0009723247,0.0007382892,0.0005242044,0.0008063195],"domain_scores_gemma":[0.99533284,0.0028958763,0.00052183477,0.00064757204,0.000392742,0.00020915159],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.004329653,0.0005729562,0.001193689,0.00044613084,0.0025262246,0.00073407503,0.00081572763,0.00033586466,0.000029504006],"category_scores_gemma":[0.00084566616,0.00039384424,0.0004628087,0.0014368437,0.018283574,0.000748179,0.0005082259,0.0006377004,0.0000010799223],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020311425,0.00018140198,0.006097718,0.0003034009,0.0017272477,0.000023251585,0.11799141,0.00000510316,0.00009085605,0.49324337,0.004452702,0.37568042],"study_design_scores_gemma":[0.0006284025,0.00021852026,0.005729634,0.000788124,0.0020741904,0.000031934862,0.05192482,0.00070295174,0.0006278978,0.036208574,0.9005013,0.00056365534],"about_ca_topic_score_codex":0.0027205537,"about_ca_topic_score_gemma":0.018015875,"teacher_disagreement_score":0.8960486,"about_ca_system_score_codex":0.00043940483,"about_ca_system_score_gemma":0.00040997117,"threshold_uncertainty_score":0.9999028},"labels":[],"label_agreement":null},{"id":"W7131306503","doi":"10.7202/1122633ar","title":"“One Pill Makes You Larger and One Pill Makes You Small”: Queering Age and Time in Meow Wolf and “White Rabbit”","year":2025,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Queer; Kinship; Adventure; Pill; Heteronormativity; Human sexuality","score_opus":0.024941731324541257,"score_gpt":0.2610074925145542,"score_spread":0.23606576119001293,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7131306503","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30755985,0.21452226,0.00083167804,0.020562135,0.0016130004,0.0019859571,0.0009789407,0.0013417867,0.4506044],"genre_scores_gemma":[0.7000172,0.026137931,0.015463526,0.0058052964,0.00098628,0.00055685575,0.00019004718,0.0003135729,0.25052926],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99547744,0.00063090137,0.0011682652,0.0013226976,0.00027632513,0.0011243826],"domain_scores_gemma":[0.9980355,0.000486398,0.00029996366,0.00064126024,0.00031286635,0.00022400937],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0013118403,0.0010717865,0.0014853232,0.00090443256,0.0015164244,0.0013520657,0.00039708914,0.00054267806,0.00017120538],"category_scores_gemma":[0.00037432203,0.0010933086,0.00023146383,0.00022601825,0.00820754,0.0009827013,0.0006997285,0.0010386953,0.000006601657],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00076033676,0.00082160655,0.00698729,0.0043958756,0.0008389264,0.0011111788,0.10558844,0.0000014362873,0.0045704395,0.61490643,0.009243635,0.2507744],"study_design_scores_gemma":[0.001086395,0.0009362065,0.00856075,0.0075346534,0.0004666964,0.0001669225,0.003942112,0.000025838519,0.0015970694,0.061523013,0.9126087,0.0015516772],"about_ca_topic_score_codex":0.0016212416,"about_ca_topic_score_gemma":0.011525981,"teacher_disagreement_score":0.903365,"about_ca_system_score_codex":0.00035236086,"about_ca_system_score_gemma":0.0000771282,"threshold_uncertainty_score":0.99978346},"labels":[],"label_agreement":null},{"id":"W7131306992","doi":"10.7202/1122634ar","title":"The Wraith of Childhood: How Contemporary TV Series Set the Origin of Characters’ Vulnerability—and of Creative Developments—On Childhood Trauma","year":2025,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Gender, Feminism, and Media","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Temporality; Narrative; Set (abstract data type); Television series; Feeling; Repetition (rhetorical device); Recall; Autobiographical memory; Psychic","score_opus":0.042480681180518454,"score_gpt":0.31664311315142274,"score_spread":0.2741624319709043,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7131306992","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8179869,0.009760585,0.00035257448,0.015873682,0.0012218591,0.0019380751,0.00056630606,0.00018708305,0.15211293],"genre_scores_gemma":[0.9746519,0.0039507044,0.0011188152,0.0007319565,0.00011289616,0.0002078751,0.00003699096,0.00004922289,0.019139694],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952173,0.0017065728,0.0011758691,0.0006285658,0.0006396858,0.0006320038],"domain_scores_gemma":[0.99575514,0.0018410041,0.00091904274,0.00072270475,0.0006007847,0.0001613043],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0027638609,0.00062328856,0.0010220854,0.00025927348,0.0012106437,0.00015334546,0.0009768592,0.00037091543,0.000032341548],"category_scores_gemma":[0.0013208291,0.0004396149,0.00038356424,0.0006442733,0.012835557,0.0007184555,0.00027222806,0.0006630762,9.147907e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00049457396,0.0008967722,0.012267647,0.0008362335,0.00075571076,0.000017148699,0.3263831,7.877002e-7,0.0013005971,0.23087975,0.005828522,0.42033914],"study_design_scores_gemma":[0.0011978557,0.0023052914,0.17399737,0.006909265,0.0003888669,0.000042787702,0.09083021,0.0000017971821,0.14263862,0.07223664,0.5083611,0.0010901842],"about_ca_topic_score_codex":0.0027682446,"about_ca_topic_score_gemma":0.002388851,"teacher_disagreement_score":0.5025326,"about_ca_system_score_codex":0.00037186418,"about_ca_system_score_gemma":0.00091413927,"threshold_uncertainty_score":0.99980557},"labels":[],"label_agreement":null},{"id":"W7131307739","doi":"10.7202/1122635ar","title":"La temporalité de l’enfance et le vieillissement précoce dans le cinéma de Sohrab Shahid Saless","year":2025,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Islamic Studies and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Divergence (linguistics); Convergence (economics); Ligne","score_opus":0.021548732036294312,"score_gpt":0.32218467761403896,"score_spread":0.30063594557774465,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7131307739","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.060499255,0.022371268,0.026270797,0.035464037,0.0015289938,0.001059333,0.00018485013,0.0012212665,0.8514002],"genre_scores_gemma":[0.81958455,0.008036767,0.011818268,0.006844769,0.0003196296,0.0005606976,0.000041230185,0.0001526905,0.15264142],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99309605,0.0025104848,0.0011439151,0.0011157255,0.00057844,0.0015553855],"domain_scores_gemma":[0.9970423,0.00085010374,0.00050512474,0.0008682506,0.00045273025,0.0002814938],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.003995554,0.0008887178,0.0010569609,0.0003918097,0.0029823913,0.0004299993,0.0013481309,0.0007005834,0.0000882177],"category_scores_gemma":[0.0006164303,0.0010135426,0.00062302814,0.00078428246,0.008649256,0.0010303404,0.0006132729,0.0010649596,0.000014923289],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014449358,0.00071580755,0.0025365623,0.0008138923,0.00023629346,0.0002836061,0.081597455,0.000012857982,0.0021702396,0.73806447,0.04015438,0.13326997],"study_design_scores_gemma":[0.0004986783,0.0002869772,0.0028778017,0.0032659716,0.00016078616,0.00006561764,0.012738793,0.00003278603,0.00541866,0.04588706,0.9277946,0.00097229023],"about_ca_topic_score_codex":0.044734612,"about_ca_topic_score_gemma":0.06277175,"teacher_disagreement_score":0.8876402,"about_ca_system_score_codex":0.00443923,"about_ca_system_score_gemma":0.0020456705,"threshold_uncertainty_score":0.99938256},"labels":[],"label_agreement":null},{"id":"W7131312577","doi":"10.7202/1122627ar","title":"Liminaire","year":2025,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Identification (biology); Product (mathematics); Field (mathematics)","score_opus":0.029800803546482273,"score_gpt":0.3152496284739778,"score_spread":0.2854488249274955,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7131312577","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03839859,0.06034727,0.023721071,0.018528543,0.0054174974,0.0029507934,0.001366702,0.008164391,0.84110516],"genre_scores_gemma":[0.5475049,0.005147909,0.04265895,0.008120597,0.0007479386,0.0013051378,0.0003376136,0.0010440632,0.3931329],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.98767626,0.0026412155,0.0027690597,0.0026452218,0.0011761237,0.0030920978],"domain_scores_gemma":[0.99179864,0.0014849545,0.0009877784,0.0031247013,0.0018083918,0.0007955261],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.003355609,0.0025507682,0.0022586423,0.0022696736,0.0024964872,0.0015711962,0.0026945854,0.0016102633,0.00093879976],"category_scores_gemma":[0.0028344668,0.0028994165,0.0015868343,0.002590416,0.014999225,0.003530464,0.0017712895,0.002592713,0.0010169178],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006359859,0.0013719484,0.0020896415,0.0024153646,0.00060205895,0.0011537819,0.004706372,0.000011050624,0.011102072,0.27583805,0.1595593,0.54051435],"study_design_scores_gemma":[0.00079191383,0.0010461458,0.0017596817,0.014455115,0.0007729825,0.00052438106,0.00072257296,0.00008169308,0.0629659,0.0987432,0.81591994,0.00221647],"about_ca_topic_score_codex":0.0054171025,"about_ca_topic_score_gemma":0.0076540173,"teacher_disagreement_score":0.6563606,"about_ca_system_score_codex":0.007881807,"about_ca_system_score_gemma":0.0011727267,"threshold_uncertainty_score":0.9999745},"labels":[],"label_agreement":null},{"id":"W7131313341","doi":"10.7202/1122630ar","title":"Parenting with Metal: Extreme Media Literacy Between Generations","year":2025,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cognitive dissonance; Media literacy; Literacy; Reading (process); Raising (metalworking); Value (mathematics)","score_opus":0.05452721838077349,"score_gpt":0.29307661064413654,"score_spread":0.23854939226336305,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7131313341","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044753037,0.03423104,0.017487198,0.0048565506,0.0032173751,0.0012401517,0.0011684906,0.0019106133,0.8911355],"genre_scores_gemma":[0.5364307,0.00083896716,0.014594518,0.0037559727,0.0024089222,0.0005666806,0.00076075655,0.00022375445,0.44041973],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954926,0.000754984,0.0012426337,0.001023838,0.00049839524,0.000987549],"domain_scores_gemma":[0.99682575,0.0005675812,0.000467623,0.0009173983,0.0009453388,0.00027632882],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00086295034,0.0010107387,0.0010159875,0.0005625151,0.003731079,0.0014429191,0.0007608708,0.0004233537,0.0023730195],"category_scores_gemma":[0.00030713493,0.0009088636,0.0005246114,0.00036343475,0.0054825675,0.0022576065,0.00027055986,0.0010482634,0.000039913215],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000093192866,0.0003611405,0.0008865426,0.00089570455,0.000492498,0.00018871193,0.06069884,0.0000042901993,0.000702942,0.5759236,0.05943988,0.30031267],"study_design_scores_gemma":[0.00033140395,0.00029288427,0.0003358868,0.004209345,0.000685758,0.000047702462,0.0017840369,0.000014112704,0.002839494,0.022111554,0.9663811,0.0009667253],"about_ca_topic_score_codex":0.0020972006,"about_ca_topic_score_gemma":0.015412559,"teacher_disagreement_score":0.90694124,"about_ca_system_score_codex":0.0009507029,"about_ca_system_score_gemma":0.00032039246,"threshold_uncertainty_score":0.9995937},"labels":[],"label_agreement":null},{"id":"W920557986","doi":"10.7202/1012662ar","title":"Encyclopaedia of Manual Operations","year":2012,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Robotic Mechanisms and Dynamics","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Encyclopedia; Computer science; Information retrieval; Library science","score_opus":0.02286120505955412,"score_gpt":0.28329162962853904,"score_spread":0.2604304245689849,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W920557986","genre_codex":"methods","genre_gemma":"methods","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"methods","genre_consensus":"methods","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03679078,0.015288635,0.70734036,0.0012714779,0.0040692217,0.0009128374,0.00041581047,0.0013564758,0.2325544],"genre_scores_gemma":[0.40613675,0.0035306585,0.56028813,0.00048936607,0.00071301253,0.00022790264,0.00013499951,0.00027956034,0.028199624],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99644643,0.00034255232,0.00118,0.00047327505,0.00042015332,0.0011375619],"domain_scores_gemma":[0.9979197,0.0003057473,0.00018364553,0.00082475116,0.00034638276,0.0004197697],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0010315708,0.00075591163,0.00080766715,0.00038659063,0.00043045424,0.00018189734,0.0005785883,0.00053006096,0.0005454468],"category_scores_gemma":[0.0003389238,0.00081868924,0.00043345641,0.0003568638,0.001521628,0.001691104,0.00028124676,0.0006953788,0.000051114625],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039133327,0.00051834894,0.0009678537,0.0011353251,0.00019552959,0.000061211475,0.007963932,0.0031253824,0.010954855,0.70007414,0.0038321002,0.27113223],"study_design_scores_gemma":[0.0015371568,0.0026304787,0.004631912,0.0107010035,0.0014159051,0.0016331768,0.0028651909,0.016508682,0.13746224,0.17680147,0.63753605,0.00627671],"about_ca_topic_score_codex":0.0016373785,"about_ca_topic_score_gemma":0.0010297725,"teacher_disagreement_score":0.63370395,"about_ca_system_score_codex":0.00094953674,"about_ca_system_score_gemma":0.00011693131,"threshold_uncertainty_score":0.9994264},"labels":[],"label_agreement":null}]}