{"meta":{"query_hash":"33d103c7fbb1","filters":{"venue":"International Journal of Performance Arts and Digital Media"},"cohort_total":11,"direct_labels_cover":0,"predictions_cover":11,"exported":11,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/33d103c7fbb1","api":"https://metacan.xera.ac/api/v1/cohort?venue=International+Journal+of+Performance+Arts+and+Digital+Media"},"results":[{"id":"W2059605592","doi":"10.1386/padm.1.3.189/1","title":"Image schemata - a guiding principle for multi-modal expression in performance design","year":2005,"lang":"en","type":"article","venue":"International Journal of Performance Arts and Digital Media","topic":"Spatial Cognition and Navigation","field":"Engineering","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Computer science; Expression (computer science); Representation (politics); Set (abstract data type); Modal; Multimedia; Discipline; Problem of universals; Dance; Modalities; Fidelity; Human–computer interaction; Visual arts; Linguistics; Sociology; Art","score_opus":0.057290073840277456,"score_gpt":0.29298346459838825,"score_spread":0.2356933907581108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2059605592","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94669306,0.00012133795,0.05231885,0.00007016497,0.00036221012,0.00008852565,0.000012702834,0.00001755106,0.0003156037],"genre_scores_gemma":[0.9758268,0.00022446156,0.023542067,0.000029469771,0.00033530215,0.0000068634354,0.00001373621,0.000010909187,0.000010365351],"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9993008,0.000003025314,0.00031954044,0.00006332116,0.00020405892,0.00010930027],"domain_scores_gemma":[0.9996049,0.000054723096,0.00008016106,0.000035527963,0.00016523557,0.000059493726],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017540753,0.00008353454,0.00010030847,0.00015732583,0.000025422927,0.00009493347,0.00011092948,0.00003236764,0.00001634255],"category_scores_gemma":[0.00009844929,0.00007221598,0.000030284024,0.000040433657,0.000021593489,0.0017703432,0.000020840898,0.000075010605,0.000006939756],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010625307,0.0003845882,0.020334462,0.00021179851,0.00010293983,0.00003246226,0.0040183063,0.029453566,0.08758792,0.00018855586,0.001134639,0.85548824],"study_design_scores_gemma":[0.0027199418,0.00013205559,0.012477364,0.0005968994,0.000006465877,0.00010383404,0.00009136112,0.85868204,0.1176551,0.000045936973,0.0072875405,0.00020147936],"about_ca_topic_score_codex":1.5915562e-7,"about_ca_topic_score_gemma":0.0000011623074,"teacher_disagreement_score":0.8552868,"about_ca_system_score_codex":0.000054979737,"about_ca_system_score_gemma":0.00001817688,"threshold_uncertainty_score":0.29448822},"labels":[],"label_agreement":null},{"id":"W2060275864","doi":"10.1386/padm.2.1.69/1","title":"<i>Juliette at Zulu Time</i> : Robert Lepage and the aesthetics of ?techno-en-scene?","year":2006,"lang":"en","type":"article","venue":"International Journal of Performance Arts and Digital Media","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Zulu; Art; Aesthetics; Visual arts; Art history; Philosophy","score_opus":0.005320751398714382,"score_gpt":0.18120703542688255,"score_spread":0.17588628402816817,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2060275864","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9397505,0.0013989481,0.0000063487496,0.0021583776,0.0005213005,0.00005020889,0.000042620017,0.000008397425,0.056063276],"genre_scores_gemma":[0.9954347,0.0012515966,0.000026215726,0.00015099676,0.0008319913,0.0000012969675,0.0000068697454,0.0000083285395,0.0022879865],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991082,0.0000073733017,0.00037225988,0.000071942115,0.00032379653,0.00011643507],"domain_scores_gemma":[0.99933445,0.00012606762,0.00023083904,0.00006506915,0.00021128931,0.00003228119],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019042646,0.00011491075,0.00020300181,0.000087943175,0.00012928153,0.00015531322,0.00017089602,0.000024107192,0.00008600076],"category_scores_gemma":[0.000018509452,0.00006634727,0.000070901944,0.000017686525,0.0006288822,0.0006207019,0.00010188204,0.00011012846,0.00001850407],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0038949205,0.00067006255,0.06860836,0.00018919921,0.0009428922,0.00011413459,0.09161201,0.0002818946,0.0007034151,0.20824583,0.06437202,0.56036526],"study_design_scores_gemma":[0.003017638,0.00033239246,0.005159058,0.00025405752,0.00007058013,0.0004113712,0.00090663275,0.00079881004,0.0010941871,0.0048681763,0.9828302,0.00025686575],"about_ca_topic_score_codex":0.000012534566,"about_ca_topic_score_gemma":0.000063147614,"teacher_disagreement_score":0.9184582,"about_ca_system_score_codex":0.000017120423,"about_ca_system_score_gemma":0.000015354226,"threshold_uncertainty_score":0.2705563},"labels":[],"label_agreement":null},{"id":"W2089635306","doi":"10.1386/padm.2.2.171_1","title":"Breath, skin and clothing: Using wearable technologies as an interface into ourselves","year":2006,"lang":"en","type":"article","venue":"International Journal of Performance Arts and Digital Media","topic":"Innovative Human-Technology Interaction","field":"Computer Science","cited_by":28,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Clothing; Wearable computer; Interface (matter); Human–computer interaction; Wearable technology; Computer science; Aesthetics; Art; History; Operating system","score_opus":0.014346400876982456,"score_gpt":0.28103601754861374,"score_spread":0.26668961667163127,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2089635306","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9735575,0.00032070038,0.023251573,0.001108347,0.0007150246,0.000035451165,0.0000015363544,0.00006497116,0.00094494986],"genre_scores_gemma":[0.99314845,0.000085440704,0.006508758,0.000053646265,0.00015374884,8.8820735e-7,0.0000012054836,0.000006620556,0.00004123917],"study_design_codex":"design_other","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9990531,0.0000073907354,0.00033086818,0.00017084744,0.00029710113,0.00014068802],"domain_scores_gemma":[0.9991433,0.00004863648,0.00028111387,0.00011536541,0.00037949422,0.00003209314],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016820042,0.00012318364,0.0001402707,0.00042882716,0.00008800908,0.00053496554,0.00050112733,0.000072468465,0.0000038000007],"category_scores_gemma":[0.00008439924,0.00010162684,0.000025803394,0.000115798,0.00020582981,0.004956956,0.00021312661,0.00024086463,0.0000051475295],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019419493,0.00040019664,0.02996271,0.000026170947,0.00016820188,0.00023226185,0.005627456,0.0004245888,0.017230155,0.13547763,0.0003653134,0.8098911],"study_design_scores_gemma":[0.0051637525,0.003876427,0.0538261,0.0021466056,0.0000625787,0.024819251,0.009853177,0.1443507,0.38939065,0.32453966,0.040070523,0.0019005645],"about_ca_topic_score_codex":0.000020098612,"about_ca_topic_score_gemma":0.0000068283816,"teacher_disagreement_score":0.80799055,"about_ca_system_score_codex":0.000066009474,"about_ca_system_score_gemma":0.000043426353,"threshold_uncertainty_score":0.5158685},"labels":[],"label_agreement":null},{"id":"W2095195104","doi":"10.1386/padm.5.1.35_1","title":"Digitally augmented reality characters in live theatre performances","year":2009,"lang":"en","type":"article","venue":"International Journal of Performance Arts and Digital Media","topic":"Augmented Reality Applications","field":"Computer Science","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Augmented reality; Visual arts; Art; Computer graphics (images); Aesthetics; Computer science; Multimedia; Human–computer interaction","score_opus":0.01572553329429104,"score_gpt":0.25509105874396,"score_spread":0.23936552544966894,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2095195104","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9764574,0.0001087506,0.0089873765,0.006571041,0.00043917366,0.00008901629,0.000016477561,0.000025019503,0.0073057534],"genre_scores_gemma":[0.998784,0.00037311245,0.0002646192,0.00036497726,0.00017146926,0.000001868534,0.0000121490975,0.0000032012053,0.000024573266],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99871886,0.000008599163,0.00046605323,0.0001510349,0.00048854336,0.00016689976],"domain_scores_gemma":[0.9992018,0.00007008278,0.0002696035,0.00014015085,0.00020290355,0.00011549324],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002184511,0.000115597315,0.00015640231,0.00022541596,0.00004095928,0.00036915037,0.0006584219,0.000034940625,0.0000054574634],"category_scores_gemma":[0.00003868094,0.00009104633,0.00005319938,0.00013267533,0.00006637137,0.0037429435,0.000086009895,0.00016699728,0.000012626891],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013646929,0.0005021602,0.022075124,0.000009389163,0.00006583748,0.00007618746,0.0036869673,0.00049707486,0.0002106078,0.009386479,0.00036664482,0.96298707],"study_design_scores_gemma":[0.002558906,0.000987946,0.93691343,0.0005357741,0.000013643051,0.00084701943,0.00059516326,0.033764,0.0011166043,0.009740013,0.012403644,0.00052384904],"about_ca_topic_score_codex":0.0000030807166,"about_ca_topic_score_gemma":0.0000044459466,"teacher_disagreement_score":0.9624632,"about_ca_system_score_codex":0.00007382795,"about_ca_system_score_gemma":0.00007113356,"threshold_uncertainty_score":0.37127614},"labels":[],"label_agreement":null},{"id":"W2141237315","doi":"10.1386/padm.8.1.31_1","title":"Orpheus in New Media: Images of the voice in digital opera","year":2012,"lang":"en","type":"article","venue":"International Journal of Performance Arts and Digital Media","topic":"Sound Studies and Aurality","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Opera; Digital media; Art; Visual arts; Multimedia; Computer science; Computer graphics (images); World Wide Web","score_opus":0.029701140555472023,"score_gpt":0.29940217988549905,"score_spread":0.26970103933002704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2141237315","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.988326,0.0009804374,0.000008192883,0.0008991049,0.0021822609,0.000036480422,0.000028536078,0.000001760998,0.007537203],"genre_scores_gemma":[0.9990411,0.00011900099,0.00001558798,0.00010364569,0.00056263024,8.0137e-7,0.0000022890108,0.0000047671283,0.00015022121],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.999086,0.000007675336,0.00039423115,0.00006459112,0.00028658527,0.00016090987],"domain_scores_gemma":[0.99940336,0.0001848916,0.00017211803,0.00006782652,0.000099735626,0.00007209],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017398651,0.00008133223,0.00015757319,0.000094565876,0.00001506326,0.000062458435,0.00022941951,0.00003164441,0.00007384015],"category_scores_gemma":[0.0002605839,0.000050240782,0.00005371992,0.00008429959,0.00010413363,0.0011439227,0.00009014896,0.00015830873,0.000013283678],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010262558,0.00015232181,0.9334334,0.000003072369,0.00003692858,0.000011387431,0.00634626,0.0000054951274,0.0000135801,0.00072822196,0.0010549679,0.058111735],"study_design_scores_gemma":[0.0009306664,0.00004214445,0.98875076,0.00008799367,0.0000038411495,0.000112579466,0.0016136693,0.000005472101,0.000061942716,0.0004922412,0.007833132,0.000065547414],"about_ca_topic_score_codex":0.00003036758,"about_ca_topic_score_gemma":0.00003341849,"teacher_disagreement_score":0.05804619,"about_ca_system_score_codex":0.00003079443,"about_ca_system_score_gemma":0.00003666332,"threshold_uncertainty_score":0.20487596},"labels":[],"label_agreement":null},{"id":"W2980588757","doi":"10.1080/14794713.2019.1677026","title":"Step, step, rest, step: challenging age-related norms and biometric bodies through self-tracking data-rematerialization","year":2019,"lang":"en","type":"article","venue":"International Journal of Performance Arts and Digital Media","topic":"Technology Use by Older Adults","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal; Concordia University; Université de Montréal","funders":"","keywords":"Tracking (education); Biometrics; Choreography; Sociology; Computer science; Key (lock); Dance; Visual arts; Art; Artificial intelligence; Pedagogy; Computer security","score_opus":0.03308248367286574,"score_gpt":0.29655459104131404,"score_spread":0.2634721073684483,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2980588757","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99263096,0.00083634997,0.00031610287,0.0008654438,0.0019354781,0.0001227685,0.00003087999,0.00005746911,0.0032045462],"genre_scores_gemma":[0.99564993,0.0030677011,0.0008694947,0.000040689836,0.0002540867,8.8458967e-7,0.000026778356,0.000011755781,0.00007870262],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99852365,0.000019443534,0.0004363851,0.00019414228,0.00061878044,0.00020758569],"domain_scores_gemma":[0.9989956,0.00013248029,0.00035917608,0.00013411233,0.00029990985,0.00007874181],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045486126,0.00012388664,0.00020532375,0.0004037663,0.00013747957,0.0004441753,0.0004588134,0.000090431655,0.00002829276],"category_scores_gemma":[0.00030937884,0.0001010074,0.000027749637,0.00018931067,0.00020013649,0.004039241,0.00020619588,0.00015105064,0.000013850736],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038252756,0.0005653139,0.4087797,0.00025196932,0.001187276,0.00043221004,0.06331983,0.00008798544,0.00063768256,0.04831904,0.0023254985,0.47371095],"study_design_scores_gemma":[0.011520444,0.0013566634,0.36956826,0.0034261527,0.00025411395,0.0012975724,0.030057672,0.012794306,0.00085492607,0.0073953085,0.55952156,0.0019529987],"about_ca_topic_score_codex":0.000028726574,"about_ca_topic_score_gemma":0.0000694991,"teacher_disagreement_score":0.5571961,"about_ca_system_score_codex":0.000063900414,"about_ca_system_score_gemma":0.00006286737,"threshold_uncertainty_score":0.42831928},"labels":[],"label_agreement":null},{"id":"W3112081097","doi":"10.1080/14794713.2020.1827206","title":"A year (in five months) of living dangerously: hidden intimacies in Zoom exigencies","year":2020,"lang":"en","type":"article","venue":"International Journal of Performance Arts and Digital Media","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Zoom; Aesthetics; Reading (process); Happiness; Ephemeral key; Sociology; Visual arts; Media studies; Psychology; Art; Computer science; Social psychology; Law; Engineering; Computer security","score_opus":0.03052728766262496,"score_gpt":0.23200983444164078,"score_spread":0.2014825467790158,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3112081097","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98511624,0.000552662,0.0000034751706,0.0006815726,0.00039752538,0.000036634694,0.000033042055,0.0000045265947,0.013174337],"genre_scores_gemma":[0.998458,0.00068884087,0.000034324552,0.00013170156,0.00058565126,0.0000013405078,0.0000018494393,0.0000057782568,0.00009247861],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9991652,0.0000060444563,0.00038058567,0.00007364056,0.00026374197,0.0001107824],"domain_scores_gemma":[0.9994815,0.00013676449,0.00015637987,0.00003331863,0.00013995994,0.000052102783],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000113650116,0.00008858031,0.00019909116,0.00017590464,0.00002871748,0.00010281384,0.00016249307,0.000017333277,0.00015146192],"category_scores_gemma":[0.00017985515,0.00006805657,0.000046671044,0.00003535083,0.00015660774,0.0010753025,0.000074832955,0.00011901289,0.0000072630473],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041733368,0.0001630907,0.3388473,0.00009635925,0.00012646163,0.00008025074,0.5586606,0.00012377164,0.000071328715,0.007302053,0.0012154526,0.09289596],"study_design_scores_gemma":[0.004632315,0.003277766,0.4664327,0.005971941,0.000087784596,0.00017630558,0.3169802,0.004517468,0.0010181039,0.003306345,0.19214587,0.0014532192],"about_ca_topic_score_codex":0.000032068452,"about_ca_topic_score_gemma":0.00025056655,"teacher_disagreement_score":0.24168041,"about_ca_system_score_codex":0.000020389163,"about_ca_system_score_gemma":0.000034453034,"threshold_uncertainty_score":0.27752665},"labels":[],"label_agreement":null},{"id":"W4226487036","doi":"10.1080/14794713.2022.2040095","title":"Covid-19: theatre goes digital – provocations","year":2022,"lang":"en","type":"article","venue":"International Journal of Performance Arts and Digital Media","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":26,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Coronavirus disease 2019 (COVID-19); Severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2); 2019-20 coronavirus outbreak; Art; Visual arts; Media studies; Sociology; Virology; Medicine; Outbreak","score_opus":0.02911112747546949,"score_gpt":0.25404110488498355,"score_spread":0.22492997740951406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4226487036","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8428569,0.00095605734,0.000034344586,0.0073801903,0.0037208537,0.000119242446,0.00069444353,0.00004004802,0.14419793],"genre_scores_gemma":[0.99644464,0.00023880274,0.0000094215375,0.0007269664,0.0013566011,0.000008886016,0.000046618487,0.000009995588,0.0011580526],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99892575,0.0000066108105,0.00033634296,0.000099732126,0.00048804126,0.00014351231],"domain_scores_gemma":[0.99928,0.000108373235,0.00019257954,0.00006879044,0.00018538655,0.00016488876],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011851993,0.000115419156,0.00014633722,0.00019867919,0.00045705773,0.0005134921,0.00027611395,0.000010876081,0.0010638451],"category_scores_gemma":[0.00008015516,0.0000865783,0.00008035954,0.000031617004,0.00022949238,0.0018189938,0.00015605644,0.00017014713,0.000018407409],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00089665997,0.0007923366,0.037183665,0.00008113302,0.0007331429,0.00016855256,0.16861035,0.0008116676,0.000020262645,0.0709725,0.04891431,0.6708154],"study_design_scores_gemma":[0.0005029313,0.00026918575,0.00053003465,0.000017629096,0.000013267437,0.00024743844,0.010190265,0.000089244466,0.000008352184,0.001770239,0.9862351,0.00012630179],"about_ca_topic_score_codex":0.000007631733,"about_ca_topic_score_gemma":0.000021452279,"teacher_disagreement_score":0.9373208,"about_ca_system_score_codex":0.00007840641,"about_ca_system_score_gemma":0.00017210093,"threshold_uncertainty_score":0.9998493},"labels":[],"label_agreement":null},{"id":"W4393317393","doi":"10.1080/14794713.2024.2329829","title":"Eye-tracking digital music creation and performance: disability and ableism","year":2024,"lang":"en","type":"article","venue":"International Journal of Performance Arts and Digital Media","topic":"Tactile and Sensory Interactions","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Campion College; University of Regina","funders":"Canada Foundation for Innovation","keywords":"Ableism; Tracking (education); Aesthetics; Computer science; Psychology; Sociology; Art; Pedagogy; Gender studies","score_opus":0.032195572331214,"score_gpt":0.2992300095821406,"score_spread":0.26703443725092657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393317393","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9944992,0.00011142616,0.00004987904,0.0005983757,0.0012088083,0.000044814224,0.00003847873,0.000020588343,0.0034284461],"genre_scores_gemma":[0.99850786,0.00073590025,0.000013815535,0.00009740957,0.00047776385,0.000001307664,0.000004562006,0.000009259764,0.00015210964],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99905616,0.0000062719514,0.00030360968,0.00017955374,0.00032944418,0.0001249524],"domain_scores_gemma":[0.99936885,0.0002795281,0.00009488974,0.000054416196,0.00009249152,0.00010981862],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.000061079445,0.000114315895,0.00012032662,0.00012853424,0.00009003156,0.0011864151,0.00009377387,0.000034161494,0.000035287692],"category_scores_gemma":[0.00025185006,0.00008786102,0.00003901298,0.00006466239,0.00024851077,0.005257195,0.00005779675,0.00020424018,0.000010309016],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023660166,0.00013082816,0.14139421,0.000079383535,0.000046352037,0.00010013049,0.0033503228,0.0000420365,0.005825668,0.0010846485,0.00018658498,0.8475232],"study_design_scores_gemma":[0.0021938256,0.0014358136,0.75910544,0.0019489855,0.00009987177,0.009046937,0.0021145667,0.050482053,0.03974261,0.002770689,0.13006967,0.0009895593],"about_ca_topic_score_codex":0.0000013082399,"about_ca_topic_score_gemma":0.0000013730769,"teacher_disagreement_score":0.84653366,"about_ca_system_score_codex":0.00003788943,"about_ca_system_score_gemma":0.000025995305,"threshold_uncertainty_score":0.99985045},"labels":[],"label_agreement":null},{"id":"W4408065260","doi":"10.1080/14794713.2025.2465949","title":"The Invisible Labour Loops project – Tracing Maternal Labour","year":2025,"lang":"en","type":"article","venue":"International Journal of Performance Arts and Digital Media","topic":"Interdisciplinary Cultural and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Emily Carr University of Art and Design","funders":"","keywords":"Tracing; Visual arts; Sociology; Labour economics; Computer science; Art; Economics; Programming language","score_opus":0.01799681463189157,"score_gpt":0.32018659008710915,"score_spread":0.3021897754552176,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408065260","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9566781,0.00048306468,0.000017704582,0.006963504,0.002082206,0.00005456323,0.000012811791,0.000008893767,0.03369914],"genre_scores_gemma":[0.99245787,0.001301919,0.000024192583,0.00018659458,0.00086725486,0.000002044123,9.0632835e-7,0.000002731466,0.005156498],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990499,0.000019099998,0.00027393622,0.00006870489,0.00042615994,0.00016222571],"domain_scores_gemma":[0.9991764,0.00013524464,0.00014812534,0.000030738433,0.00046447988,0.000045031396],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036644575,0.0000756251,0.00011148491,0.000071848255,0.00065053493,0.00059789536,0.000306383,0.000033002114,0.000013109465],"category_scores_gemma":[0.00022059065,0.000044203134,0.00006234349,0.000105476036,0.00025189982,0.0009314235,0.00010110903,0.0001333857,0.0000053648837],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005218215,0.00012812113,0.13115,0.00003593909,0.00047528566,0.00008309811,0.057151176,0.000020295687,0.000097472184,0.32870713,0.0065667443,0.4750629],"study_design_scores_gemma":[0.0010292217,0.00018609897,0.22226797,0.00053081586,0.000025568981,0.000055109304,0.039825123,0.000051049064,0.00037619076,0.023899911,0.71149856,0.00025436035],"about_ca_topic_score_codex":0.00008572653,"about_ca_topic_score_gemma":0.00029090222,"teacher_disagreement_score":0.70493186,"about_ca_system_score_codex":0.00007183612,"about_ca_system_score_gemma":0.00012370068,"threshold_uncertainty_score":0.57655185},"labels":[],"label_agreement":null},{"id":"W4408125076","doi":"10.1080/14794713.2025.2471519","title":"Mothers of the South: power, suffering, and identity in maternal narratives of South Indian cinema","year":2025,"lang":"en","type":"article","venue":"International Journal of Performance Arts and Digital Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Movie theater; Narrative; Identity (music); Power (physics); Media studies; Gender studies; Sociology; Aesthetics; Art; Visual arts; History; Literature","score_opus":0.009859224852862019,"score_gpt":0.2353347172475427,"score_spread":0.22547549239468068,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408125076","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99220383,0.00020947799,0.0000056360095,0.00029229408,0.0006542199,0.000037464,0.000046628265,0.0000016887042,0.0065487423],"genre_scores_gemma":[0.99954224,0.00001661488,0.000008267047,0.00005472741,0.00010908933,5.1099886e-7,8.939164e-7,0.0000032731411,0.00026437888],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9993242,0.0000067699802,0.0003149754,0.00005777471,0.00022710545,0.00006915564],"domain_scores_gemma":[0.99951035,0.000017421795,0.00024133602,0.000045085937,0.00015703813,0.00002876465],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008474895,0.00007400347,0.00014513692,0.00014579947,0.00003366409,0.000115432355,0.00017252729,0.000021694292,0.00008981721],"category_scores_gemma":[0.00004675159,0.000045155895,0.00004880645,0.000033040138,0.00023275665,0.00059454876,0.000050287035,0.00009648182,5.915656e-7],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001652692,0.000059350336,0.57250553,0.00006476169,0.000116407056,0.000010375254,0.403022,0.000010277131,0.00013685599,0.020267587,0.000091228605,0.0035503386],"study_design_scores_gemma":[0.0022137533,0.00021619775,0.8126533,0.0015365194,0.000023950157,0.000058685557,0.17335458,0.00003630285,0.0012834404,0.004575816,0.0038704537,0.00017702083],"about_ca_topic_score_codex":0.0000057160564,"about_ca_topic_score_gemma":0.000072868366,"teacher_disagreement_score":0.24014772,"about_ca_system_score_codex":0.000008383381,"about_ca_system_score_gemma":0.0000302889,"threshold_uncertainty_score":0.1841404},"labels":[],"label_agreement":null}]}