{"meta":{"query_hash":"530beccb064b","filters":{"venue":"International Journal of Scottish Theatre and Screen"},"cohort_total":4,"direct_labels_cover":0,"predictions_cover":4,"exported":4,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/530beccb064b","api":"https://metacan.xera.ac/api/v1/cohort?venue=International+Journal+of+Scottish+Theatre+and+Screen"},"results":[{"id":"W1483970458","doi":"","title":"Jack, R.D.S. Myths and the Mythmaker: A Literary Account of J.M. Barrie’s Formative Years; Muñoz Corcuera, Alfonso & Elis T. Di Biase (ed) Barrie, Hook and Peter Pan: Studies in Contemporary Myth; Bold, Valentina & Andrew Nash (ed) Gateway to the Modern:","year":2014,"lang":"en","type":"article","venue":"International Journal of Scottish Theatre and Screen","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mythology; Hook; Art; Formative assessment; History; Humanities; Art history; Classics; Sociology; Engineering","score_opus":0.024929557253612105,"score_gpt":0.26859348888217943,"score_spread":0.24366393162856734,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1483970458","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0043658777,0.67048573,0.0026785876,0.19037114,0.0071430975,0.000036789857,0.000108925764,0.00006129179,0.12474854],"genre_scores_gemma":[0.30317158,0.45445696,0.0050792675,0.03982989,0.008537873,0.00029956448,0.00014818307,0.00036114152,0.1881155],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987986,0.00074425095,0.000042524985,0.0001033466,0.00023178219,0.00007943379],"domain_scores_gemma":[0.99735105,0.0017908659,0.00018938545,0.00009247645,0.0003649099,0.0002112848],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002726918,0.0010512732,0.00044858982,0.0018767114,0.005119363,0.005027939,0.0016978218,0.0032825135,0.0048036375],"category_scores_gemma":[0.0042596683,0.00051599357,0.00032624477,0.0022877424,0.0150893,0.009578475,0.0019971565,0.0036991918,0.0014693821],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004224471,0.000035833575,0.00027266715,0.0003829746,0.000006842487,0.00036355935,0.0629721,0.00007685299,0.00018969995,0.17812824,0.7200158,0.037513062],"study_design_scores_gemma":[0.000011557135,0.000015925803,0.0014545812,0.00095516193,0.0000056367107,0.0002888124,0.02325219,0.000054707092,0.0001313948,0.032168537,0.9416415,0.000019960713],"about_ca_topic_score_codex":0.020864742,"about_ca_topic_score_gemma":0.04465156,"teacher_disagreement_score":0.020864742,"about_ca_system_score_codex":0.0033789559,"about_ca_system_score_gemma":0.0033953018,"threshold_uncertainty_score":0.04148662},"labels":[],"label_agreement":null},{"id":"W1843635682","doi":"","title":"From Drama to Silent Film: The Case of Sir James Barrie","year":2001,"lang":"en","type":"article","venue":"International Journal of Scottish Theatre and Screen","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Drama; Art; Literature","score_opus":0.02273462600202803,"score_gpt":0.2595391728036506,"score_spread":0.23680454680162255,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1843635682","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27952075,0.011123544,0.0028001505,0.41702914,0.006266258,0.00015163883,0.00013648593,0.0002563941,0.28271574],"genre_scores_gemma":[0.8052087,0.0039844844,0.0010435414,0.063924715,0.0014767543,0.000088173205,0.00003912438,0.0003382217,0.12389619],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969212,0.0015133838,0.000059864993,0.0002584224,0.00041692719,0.00083019247],"domain_scores_gemma":[0.99492943,0.0025918488,0.00027264637,0.00016128794,0.00033189112,0.0017128747],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031295533,0.0007861486,0.0006733173,0.0010130559,0.041244995,0.012263752,0.00282078,0.016033277,0.011372233],"category_scores_gemma":[0.013305633,0.00070514414,0.0005399534,0.0010009335,0.016378433,0.005422061,0.00789496,0.018884784,0.00154468],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009499786,0.00012799691,0.0011364053,0.00016842682,0.000020000674,0.04011723,0.76001847,0.0001562207,0.0010468217,0.040252805,0.14325619,0.013604447],"study_design_scores_gemma":[0.000013176315,0.000058967842,0.0012542288,0.00037060052,0.000017267263,0.011416105,0.55355567,0.00010729623,0.00037377243,0.0032242117,0.42954126,0.00006745954],"about_ca_topic_score_codex":0.047289256,"about_ca_topic_score_gemma":0.12603141,"teacher_disagreement_score":0.047289256,"about_ca_system_score_codex":0.0048229173,"about_ca_system_score_gemma":0.0039450824,"threshold_uncertainty_score":0.094027996},"labels":[],"label_agreement":null},{"id":"W1890107181","doi":"","title":"Trainspotting in Montreal: The Dramatic Version","year":2000,"lang":"en","type":"article","venue":"International Journal of Scottish Theatre and Screen","topic":"Transport and Economic Policies","field":"Business, Management and Accounting","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Champlain Regional College","funders":"","keywords":"History","score_opus":0.009033698069406236,"score_gpt":0.20685748884868202,"score_spread":0.19782379077927578,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1890107181","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09404143,0.008956697,0.0010890294,0.12309536,0.014097251,0.000092739974,0.004700192,0.00052356505,0.75340366],"genre_scores_gemma":[0.4188291,0.002545955,0.0004034452,0.008020761,0.002002641,0.000034420427,0.0008468685,0.0003131848,0.56700367],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993544,0.00007535554,0.000010439153,0.000075484866,0.00019706161,0.00028722844],"domain_scores_gemma":[0.9994467,0.000050598017,0.00003245161,0.00003261832,0.00020966076,0.00022797452],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00073627697,0.00050086813,0.00018654762,0.00073759723,0.009029312,0.005446288,0.0011575955,0.001851431,0.045672223],"category_scores_gemma":[0.0022158741,0.00021257093,0.00027779382,0.0015833963,0.0030761345,0.0014369327,0.0018155314,0.0027968544,0.0017583233],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011529044,0.000027419286,0.0031520096,0.00012779681,0.000024825156,0.0011049252,0.022821195,0.00043918728,0.00072427455,0.04861031,0.8847351,0.03811763],"study_design_scores_gemma":[0.000005031691,0.000010935784,0.01181858,0.000044829274,0.0000060991383,0.00006742641,0.009618091,0.00005379764,0.00017012816,0.00048417808,0.9776938,0.000027158012],"about_ca_topic_score_codex":0.9015903,"about_ca_topic_score_gemma":0.97213227,"teacher_disagreement_score":0.09840971,"about_ca_system_score_codex":0.025033735,"about_ca_system_score_gemma":0.015234485,"threshold_uncertainty_score":0.1979785},"labels":[],"label_agreement":null},{"id":"W2802980560","doi":"","title":"Emerging adulthood and the Peter Pan Generation in Damion Dietz’s Neverland (2003)","year":2017,"lang":"en","type":"article","venue":"International Journal of Scottish Theatre and Screen","topic":"Media, Gender, and Advertising","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Sociology; Order (exchange); Aesthetics; Adaptation (eye); History; Literature; Art; Psychology","score_opus":0.026667368652031714,"score_gpt":0.3226719922019802,"score_spread":0.29600462354994844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2802980560","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86824185,0.0034124586,0.00040330633,0.019743877,0.00040401658,0.000031220443,0.00006316996,0.000019564288,0.107680544],"genre_scores_gemma":[0.96364367,0.0012403134,0.00018565629,0.0015494776,0.000031265776,0.000014245823,0.000014397742,0.000020856258,0.033300105],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99976605,0.00009112935,0.000004500377,0.00002908264,0.000029538935,0.000079669146],"domain_scores_gemma":[0.99986005,0.000044443594,0.000022065622,0.000008111499,0.000009257511,0.000055980763],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00056527485,0.0002002285,0.00015598325,0.00034762127,0.006709381,0.0026858642,0.00025523483,0.00092662533,0.003524403],"category_scores_gemma":[0.0007131409,0.00020978645,0.00011408365,0.0002683472,0.0039167837,0.0026437668,0.0027839511,0.0023817034,0.0003108416],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006321458,0.000058369777,0.004108228,0.000035938087,0.0000046282107,0.0033554656,0.86363244,0.000016732634,0.00082447246,0.09240622,0.013644919,0.021849439],"study_design_scores_gemma":[0.00001333835,0.00008301538,0.01302527,0.00016904461,0.0000068052123,0.0034251262,0.55640006,0.000046644032,0.00052136736,0.0061712684,0.42011112,0.000026928486],"about_ca_topic_score_codex":0.022507375,"about_ca_topic_score_gemma":0.06713753,"teacher_disagreement_score":0.022507375,"about_ca_system_score_codex":0.0013216119,"about_ca_system_score_gemma":0.00076025317,"threshold_uncertainty_score":0.044752717},"labels":[],"label_agreement":null}]}