{"meta":{"query_hash":"cc9c0e67e94c","filters":{"venue":"International fiction review"},"cohort_total":228,"direct_labels_cover":0,"predictions_cover":228,"exported":228,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/cc9c0e67e94c","api":"https://metacan.xera.ac/api/v1/cohort?venue=International+fiction+review"},"results":[{"id":"W1479892501","doi":"","title":"Justin D. Edwards. Gothic Passages: Racial Ambiguity and the American Gothic","year":2006,"lang":"en","type":"article","venue":"International fiction review","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ambiguity; Art; Philosophy; History; Linguistics","score_opus":0.010340014104355826,"score_gpt":0.32397518411610937,"score_spread":0.31363517001175356,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1479892501","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018836994,0.1880402,0.0045403824,0.44488117,0.0052955523,0.0016470276,0.00006799659,0.00034994166,0.33634076],"genre_scores_gemma":[0.7885983,0.18106793,0.00015150437,0.01417129,0.0027237935,0.0001068189,0.00005689996,0.000012272922,0.013111167],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983292,0.000441156,0.00031308524,0.00020245291,0.00056362536,0.00015045886],"domain_scores_gemma":[0.99908066,0.00024804467,0.00025508515,0.00012883135,0.00023303418,0.00005434465],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016486155,0.00009947569,0.00025695693,0.00005978369,0.00031620928,0.00013034944,0.00023261484,0.000046130004,0.00034422314],"category_scores_gemma":[0.000750448,0.000068126865,0.00016294011,0.00037697953,0.0005073893,0.00015001585,0.00003094563,0.00022362487,0.000048469887],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010973478,0.00016950915,0.008767452,0.0003976956,0.00033552316,0.000020659316,0.006119489,0.000020944197,0.000050789757,0.41913956,0.35457355,0.2102951],"study_design_scores_gemma":[0.00021101627,0.000006621711,0.0040568495,0.00027023652,0.00012286771,0.000003163074,0.00016928923,0.00004882518,0.0000032314815,0.0013012233,0.99372447,0.00008219991],"about_ca_topic_score_codex":0.0036596174,"about_ca_topic_score_gemma":0.0016824846,"teacher_disagreement_score":0.7697613,"about_ca_system_score_codex":0.000078389436,"about_ca_system_score_gemma":0.00007989645,"threshold_uncertainty_score":0.5532271},"labels":[],"label_agreement":null},{"id":"W1481121483","doi":"","title":"\"Flowers in All Their Colours\": Natios and Communities in Ngugi Wa Thiong'o's Petals of Blood","year":2004,"lang":"en","type":"article","venue":"International fiction review","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ideal (ethics); Harmony (color); Narrative; Humanity; Aesthetics; Sociology; History; Literature; Art; Gender studies; Theology; Political science; Philosophy; Law; Visual arts","score_opus":0.04516328179211078,"score_gpt":0.2749810906910134,"score_spread":0.22981780889890263,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1481121483","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80112135,0.09355734,9.452301e-7,0.01474677,0.000945253,0.00072069943,0.0006884638,0.000051973806,0.0881672],"genre_scores_gemma":[0.95652723,0.04093821,0.000014581814,0.0012981108,0.00006693179,0.000052068528,0.00014134467,0.0000045088173,0.00095700833],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999346,0.00004635132,0.00032827925,0.00008068793,0.0001175935,0.00008109619],"domain_scores_gemma":[0.9996442,0.00007104068,0.00010059864,0.000059290986,0.000110148554,0.000014688446],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001502092,0.00009407285,0.00020992279,0.00008276111,0.000053552958,0.00003211325,0.00011663961,0.000019316887,0.0012590275],"category_scores_gemma":[0.000038005728,0.000069068155,0.000052240015,0.000037124657,0.00010170055,0.00024282494,0.000042620482,0.00010027944,0.000007653616],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009589362,0.001071808,0.004067964,0.0019390834,0.0006436593,0.00004262015,0.14307995,0.00010672278,0.00015746713,0.8184294,0.015351775,0.015013641],"study_design_scores_gemma":[0.00057714956,0.00008701383,0.002355241,0.0036618912,0.000028692817,0.000016825968,0.003115511,0.000019726083,0.00003108651,0.0018832249,0.9880907,0.00013293888],"about_ca_topic_score_codex":0.0006117091,"about_ca_topic_score_gemma":0.0041089617,"teacher_disagreement_score":0.9727389,"about_ca_system_score_codex":0.00003146853,"about_ca_system_score_gemma":0.000012324465,"threshold_uncertainty_score":0.99965394},"labels":[],"label_agreement":null},{"id":"W1482232440","doi":"","title":"Dubem Okafor, ed. Meditations on African Literature","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.02447642266238786,"score_gpt":0.2666348366454946,"score_spread":0.24215841398310672,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1482232440","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00043116353,0.054928996,0.000009451256,0.016409354,0.00438167,0.00028338842,0.00020728607,0.000097843986,0.92325085],"genre_scores_gemma":[0.52122205,0.18849367,0.00021335155,0.03127966,0.0041913,0.00049313466,0.00092761184,0.000041388157,0.25313783],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926907,0.000048145892,0.00022174075,0.00015023639,0.0002126991,0.0000981094],"domain_scores_gemma":[0.9994862,0.0000621754,0.00007984207,0.00008425478,0.00025139726,0.000036112804],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008905237,0.00011496054,0.00013230667,0.000047607075,0.00022712466,0.000121984405,0.00010557721,0.000019129364,0.005324289],"category_scores_gemma":[0.00016902099,0.00007893558,0.00011378665,0.000052710773,0.000044585388,0.00025871972,0.00001035139,0.00010745889,0.00047006307],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004454052,0.000043035478,0.000008369158,0.00008480265,0.000049700102,0.000003304115,0.0016805958,0.0000010629677,0.0000030521062,0.6040145,0.39193,0.002177096],"study_design_scores_gemma":[0.00008170469,0.000047065543,0.00008590887,0.0011753791,0.000018822628,0.000008454485,0.0001326936,0.000002344097,0.0000071188715,0.0011310446,0.9972143,0.00009516716],"about_ca_topic_score_codex":0.0000056934327,"about_ca_topic_score_gemma":0.0000255039,"teacher_disagreement_score":0.670113,"about_ca_system_score_codex":0.000037614696,"about_ca_system_score_gemma":0.000012301408,"threshold_uncertainty_score":0.99558496},"labels":[],"label_agreement":null},{"id":"W1483710970","doi":"","title":"Evelyne Accad. Wounding Words: A Woman's Journal in Tunisia","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"Islamic Studies and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.030408091451391187,"score_gpt":0.346214665215726,"score_spread":0.31580657376433485,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1483710970","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013117747,0.058955435,0.0001088477,0.02654414,0.003551709,0.00030355633,0.000004269741,0.000057900885,0.8973564],"genre_scores_gemma":[0.19056974,0.7335482,0.00022669838,0.0047318325,0.00169322,0.0000419801,0.0000067788774,0.000014232636,0.06916729],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894756,0.0001103096,0.00029203168,0.00011760579,0.00037624245,0.00015624572],"domain_scores_gemma":[0.9996751,0.00004555714,0.00009313418,0.000057722347,0.00008935191,0.00003916169],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008274107,0.00006687588,0.00014005942,0.00009370134,0.00032143103,0.000054717133,0.0002297099,0.000036797624,0.01014323],"category_scores_gemma":[0.00015250253,0.00006469044,0.00008709669,0.0002119956,0.00005893558,0.0002303405,0.000013767012,0.00018806124,0.00023918547],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026612734,0.00015399724,0.0018887619,0.0001033372,0.00008521166,0.000055942175,0.009066695,0.000025898815,0.000008163593,0.047209382,0.2891277,0.65224826],"study_design_scores_gemma":[0.00013767778,0.000006473091,0.0018588093,0.00093370967,0.000007709503,0.000013405764,0.00036308257,0.000011959421,1.5846949e-7,0.00030825697,0.9962893,0.00006946287],"about_ca_topic_score_codex":0.0003388287,"about_ca_topic_score_gemma":0.00045725668,"teacher_disagreement_score":0.8281891,"about_ca_system_score_codex":0.0005578568,"about_ca_system_score_gemma":0.00008181956,"threshold_uncertainty_score":0.99076164},"labels":[],"label_agreement":null},{"id":"W1483885135","doi":"","title":"Jeffrey J. Folks. In A Time of Disorder: Form and Meaning in Southern Fiction from Poe to O'Connor","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Meaning (existential); Psychoanalysis; History; Literature; Philosophy; Psychology; Art; Epistemology","score_opus":0.02324333712598094,"score_gpt":0.2671567370303663,"score_spread":0.24391339990438535,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1483885135","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85311264,0.01427578,0.00050380355,0.0036113982,0.0013484715,0.00068441185,0.00007049062,0.000042667623,0.12635034],"genre_scores_gemma":[0.98834383,0.003210559,0.000093212555,0.0014570648,0.00030256,0.000018524715,0.00004656941,0.000009213033,0.006518453],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927735,0.0000109906905,0.00031258963,0.00012395397,0.00019612792,0.00007896467],"domain_scores_gemma":[0.9997359,0.000041150786,0.00007818202,0.00005386335,0.0000592009,0.000031694566],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004719119,0.000059315684,0.00014280653,0.00017553628,0.00003275182,0.000012341823,0.000089696376,0.0000168376,0.0015381713],"category_scores_gemma":[0.000072112736,0.00005130494,0.000027712827,0.000055780383,0.000042872005,0.00014574164,0.00001622469,0.00006193683,0.00006554405],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024846345,0.0007117154,0.048753478,0.00087701716,0.00009921096,0.000037253678,0.30148956,0.00006412829,0.002227745,0.046898182,0.03540836,0.56318486],"study_design_scores_gemma":[0.00032231986,0.000057846853,0.002808635,0.0022312473,0.000009905938,0.0000019931983,0.0020862534,0.00016112196,0.000011315745,0.00025626642,0.9919698,0.000083242056],"about_ca_topic_score_codex":0.0014068154,"about_ca_topic_score_gemma":0.0045672106,"teacher_disagreement_score":0.9565615,"about_ca_system_score_codex":0.00006164541,"about_ca_system_score_gemma":0.000009764244,"threshold_uncertainty_score":0.99937457},"labels":[],"label_agreement":null},{"id":"W1483971641","doi":"","title":"The Provocations of Lenina in Huxley's Brave New World","year":2002,"lang":"en","type":"article","venue":"International fiction review","topic":"Joseph Conrad and Literature","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Bestiary; Civilization; History; Face (sociological concept); Rhetoric; Art history; Art; Literature; Philosophy; Theology; Archaeology","score_opus":0.04303837352558327,"score_gpt":0.2589279215587377,"score_spread":0.2158895480331544,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1483971641","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016624101,0.1773126,0.000050570787,0.06257583,0.0038250587,0.00081759936,0.000053398457,0.00007424784,0.7536283],"genre_scores_gemma":[0.60980004,0.053743973,0.000057753772,0.0027788044,0.0014556557,0.00006944177,0.000053338204,0.000017353766,0.33202365],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993804,0.000028403841,0.00028518258,0.000088328066,0.00015002783,0.000067663794],"domain_scores_gemma":[0.9995691,0.00006267374,0.000103614206,0.00011340045,0.00013220008,0.000019002686],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009965942,0.00006151341,0.00009416752,0.00007023166,0.00007581071,0.00007970807,0.00016100085,0.00001158391,0.0055370075],"category_scores_gemma":[0.00006290078,0.000041741143,0.00006908856,0.00007054728,0.000042168445,0.00015744049,0.000013749271,0.00010694249,0.000098273966],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000032478185,0.000056406854,0.00012448734,0.00010623858,0.000031168875,9.0900687e-7,0.0060472256,0.000003706157,0.000007619841,0.76227033,0.15642665,0.07492202],"study_design_scores_gemma":[0.00008251879,0.000011481725,0.0002131941,0.0008034153,0.000007906211,0.0000020057482,0.000047806207,0.0001122764,0.0000020286973,0.00068084605,0.9979922,0.00004432672],"about_ca_topic_score_codex":0.00007395391,"about_ca_topic_score_gemma":0.00075088395,"teacher_disagreement_score":0.84156555,"about_ca_system_score_codex":0.000024742163,"about_ca_system_score_gemma":0.000012623178,"threshold_uncertainty_score":0.99537206},"labels":[],"label_agreement":null},{"id":"W1484469121","doi":"","title":"Rawi Hage. De Niro's Game","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Jewish and Middle Eastern Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Sociology","score_opus":0.03453304028893772,"score_gpt":0.3721398805222654,"score_spread":0.33760684023332765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1484469121","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0043787956,0.1552029,0.014187522,0.01161757,0.0032978011,0.00037853784,0.000008925235,0.00017753185,0.8107504],"genre_scores_gemma":[0.80634546,0.14794485,0.00044855863,0.0066540767,0.0017977536,0.00002805292,0.000015171764,0.000012530176,0.03675357],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991511,0.000050629733,0.00019583978,0.00011417422,0.0003099524,0.00017827938],"domain_scores_gemma":[0.9995701,0.0000679793,0.00007735553,0.00006450441,0.00014888034,0.00007119221],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010636785,0.000059075814,0.000098979806,0.000043681925,0.00011982358,0.00003035996,0.00016582117,0.000033923046,0.00043855517],"category_scores_gemma":[0.000348266,0.000056242974,0.00008234858,0.00012228018,0.000060050847,0.00012908778,0.000025637702,0.00007455718,0.00031988524],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012665197,0.00009630533,0.034365885,0.00017426886,0.0001097839,0.000026180362,0.0014068501,0.0000024751855,0.00008110761,0.18344365,0.04988135,0.7303995],"study_design_scores_gemma":[0.000068701534,0.0000060412185,0.006453256,0.00038053375,0.000012650272,0.000004798225,0.00032158155,0.000003520616,0.000016964526,0.00048078297,0.99218965,0.00006154958],"about_ca_topic_score_codex":0.00023036312,"about_ca_topic_score_gemma":0.0003872883,"teacher_disagreement_score":0.94230825,"about_ca_system_score_codex":0.00014577348,"about_ca_system_score_gemma":0.0000405681,"threshold_uncertainty_score":0.48018718},"labels":[],"label_agreement":null},{"id":"W1484996647","doi":"","title":"Janet Lungstrom and Elizabeth Sauer, eds. Agonistics: Arenas of Creative Contest","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"Social and Cultural Dynamics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"CONTEST; History; Sociology; Art; Philosophy; Theology","score_opus":0.02144069948265634,"score_gpt":0.33110183044867825,"score_spread":0.3096611309660219,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1484996647","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014044669,0.122801095,0.00115525,0.00781395,0.0029433372,0.0010348865,0.00024077049,0.00011404949,0.84985197],"genre_scores_gemma":[0.4453639,0.53450495,0.0008752342,0.0020597198,0.00041262148,0.00004858008,0.00011436768,0.000014059429,0.016606538],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992162,0.00011934541,0.00021312134,0.00011480823,0.00025132127,0.00008517993],"domain_scores_gemma":[0.99928635,0.000080679616,0.00014761281,0.000045452878,0.00039060952,0.00004930398],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026283905,0.00006793609,0.00015366169,0.000019032335,0.00013335832,0.000026560063,0.0000928848,0.000043076237,0.00095375354],"category_scores_gemma":[0.000899478,0.000058357487,0.0000579172,0.00010993309,0.00014682031,0.00010117286,0.000010643235,0.000065905355,0.00002018424],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001191099,0.0001226867,0.0056523215,0.00028400612,0.00016548415,0.0000036214897,0.0023787036,0.000006076776,0.00013471067,0.9051537,0.034187682,0.051899135],"study_design_scores_gemma":[0.00013865787,0.000023013004,0.0024401655,0.0006360392,0.00004219452,0.0000029434036,0.00092025637,0.000027227756,0.000018640229,0.0018243025,0.9938338,0.00009280419],"about_ca_topic_score_codex":0.0004301254,"about_ca_topic_score_gemma":0.00014274304,"teacher_disagreement_score":0.95964605,"about_ca_system_score_codex":0.000057128098,"about_ca_system_score_gemma":0.000051404386,"threshold_uncertainty_score":0.9999595},"labels":[],"label_agreement":null},{"id":"W1485398134","doi":"","title":"Orality and Subversion in Jack Mapanje's of Chameleons and Gods","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subversion; Politics; Law; Poetry; Criticism; Dictator; History; Literature; Sociology; Art; Political science","score_opus":0.022892606863407782,"score_gpt":0.2751236745954063,"score_spread":0.25223106773199855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1485398134","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83676124,0.06598603,0.000010346269,0.010554266,0.00080681266,0.00032752054,0.00008134211,0.000028406297,0.08544404],"genre_scores_gemma":[0.97272956,0.024509333,0.000016829597,0.0005071891,0.000087279695,0.0000027250587,0.000015508334,0.0000017967687,0.00212978],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995987,0.0000134074335,0.0001824355,0.00007834341,0.0000769482,0.000050198334],"domain_scores_gemma":[0.9998085,0.000025279525,0.00005666196,0.000028119211,0.00006563285,0.000015831694],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017260225,0.00004888008,0.000108969725,0.000032393622,0.00004659342,0.000013858773,0.000031708005,0.000011639705,0.00033741145],"category_scores_gemma":[0.000020142683,0.00003601487,0.000023050367,0.00002004899,0.00006553028,0.0001410066,0.000026938009,0.000039503444,0.000004401421],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001515488,0.00023162707,0.058527697,0.0024269125,0.00016137288,0.000016176315,0.018182512,5.4017477e-7,0.00037666046,0.74123794,0.018409185,0.16027783],"study_design_scores_gemma":[0.00013907341,0.000034321856,0.05828718,0.0007455628,0.000010514782,0.00000524579,0.00031208128,0.000006606787,0.000023747449,0.00047037165,0.93990666,0.000058656075],"about_ca_topic_score_codex":0.00014982914,"about_ca_topic_score_gemma":0.00038596385,"teacher_disagreement_score":0.92149746,"about_ca_system_score_codex":0.000012732549,"about_ca_system_score_gemma":0.0000021741962,"threshold_uncertainty_score":0.36944187},"labels":[],"label_agreement":null},{"id":"W1486498297","doi":"","title":"Misrecognizing history. Complicitous Genres in The Remains of the Day","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Complicity; Dramatization; Literature; Narrative; Regret; Theme (computing); Criticism; Aesthetics; Romance; History; Art; Psychoanalysis; Philosophy; Psychology; Law; Computer science","score_opus":0.05425453765442406,"score_gpt":0.26084277165887176,"score_spread":0.2065882340044477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1486498297","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0050857966,0.1348441,0.000042610747,0.036140364,0.0026739163,0.0004634074,0.00003972681,0.000025858812,0.8206842],"genre_scores_gemma":[0.97569895,0.0024152477,0.0000128136035,0.011921998,0.0008501175,0.000026958329,0.000017773196,0.000005642347,0.00905051],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929744,0.00011195849,0.0002738097,0.000080955775,0.0001820204,0.00005383491],"domain_scores_gemma":[0.99958223,0.00008503763,0.00009344751,0.00013675005,0.000094866096,0.000007659019],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00035056315,0.00006036537,0.00009806211,0.00003336352,0.000051466886,0.0000263851,0.00026339132,0.00001250441,0.0016221129],"category_scores_gemma":[0.000056443463,0.000033855005,0.000100145706,0.000024048846,0.000050992363,0.00013100036,0.000018084513,0.00010824011,0.000023426544],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000042094202,0.00009860937,0.00013698055,0.00018958669,0.000028130014,0.0000022206805,0.010592244,0.0000033565823,0.000037672362,0.67296475,0.28840426,0.027537994],"study_design_scores_gemma":[0.00005808791,0.0000054215466,0.00036405018,0.0008158814,0.0000119154,0.0000066484367,0.00019222108,0.000048400685,0.000005728456,0.00015817455,0.9982939,0.000039622988],"about_ca_topic_score_codex":0.00004063165,"about_ca_topic_score_gemma":0.00046969557,"teacher_disagreement_score":0.9706131,"about_ca_system_score_codex":0.00005904326,"about_ca_system_score_gemma":0.000016533742,"threshold_uncertainty_score":0.9992905},"labels":[],"label_agreement":null},{"id":"W1487164999","doi":"","title":"Diane Long Hoeveler and Tamar Heller, eds. Approaches to Teaching Gothic Fiction: The British and American Traditions","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Classics; Art history; Art","score_opus":0.0508243706608181,"score_gpt":0.30398854610993786,"score_spread":0.25316417544911973,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1487164999","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.043466076,0.21271665,0.009052879,0.6098451,0.001851533,0.0016191093,0.00009436423,0.00023315205,0.12112114],"genre_scores_gemma":[0.61569333,0.35474342,0.0017116416,0.012398522,0.0025009585,0.00018016949,0.00007231712,0.000016612152,0.012683016],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989429,0.00018990361,0.00021374381,0.0002174193,0.00030808098,0.0001279279],"domain_scores_gemma":[0.99951434,0.00013224308,0.000088848166,0.00009159957,0.00005617954,0.00011678254],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007228398,0.00008251921,0.000155342,0.000053504133,0.0007561499,0.00038187814,0.00013611112,0.000036557827,0.00022480598],"category_scores_gemma":[0.00021391796,0.000071593946,0.000069692804,0.00023095649,0.00015230317,0.0002718497,0.00001889121,0.00022294994,0.000014680756],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002475436,0.00005058266,0.0011899096,0.000054665776,0.00009653314,0.000002982436,0.004609294,0.000012226191,0.0000049222135,0.006505278,0.072171636,0.9152995],"study_design_scores_gemma":[0.00005496427,0.000010822819,0.005162341,0.0004096359,0.000060231247,0.00002732471,0.00046858942,0.000085702806,0.0000011756764,0.00005125923,0.9935837,0.000084256746],"about_ca_topic_score_codex":0.00082289276,"about_ca_topic_score_gemma":0.0025546213,"teacher_disagreement_score":0.92141205,"about_ca_system_score_codex":0.00006072236,"about_ca_system_score_gemma":0.00003088593,"threshold_uncertainty_score":0.581577},"labels":[],"label_agreement":null},{"id":"W1488011169","doi":"","title":"Connie A. Jacobs. The Novels of Louise Erdrich: Stories of Her People","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"Race, History, and American Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Psychoanalysis; Art; Art history; Psychology","score_opus":0.027587184024026986,"score_gpt":0.3349755746003642,"score_spread":0.3073883905763372,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1488011169","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021037268,0.1376578,0.0031010935,0.010612805,0.006292367,0.0009936548,0.00008135704,0.00007695582,0.8201467],"genre_scores_gemma":[0.9242777,0.06708094,0.00023405907,0.0009676189,0.00017876996,0.00002689803,0.0000055500745,0.000007996335,0.007220454],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989602,0.0001690595,0.0002790662,0.000101013255,0.00041083203,0.00007984762],"domain_scores_gemma":[0.9990433,0.00015196604,0.00030331666,0.00011882749,0.0003541093,0.000028500455],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007160762,0.00005956292,0.00017906511,0.000018742512,0.00014064774,0.000008249998,0.000206075,0.000029809813,0.0016191525],"category_scores_gemma":[0.00048804432,0.000045592584,0.00014791942,0.0002585697,0.00030528964,0.00009607343,0.00001019825,0.000068802576,0.00001884175],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018268329,0.00044346275,0.018978534,0.0007713705,0.00034205156,0.0000011529435,0.046158202,0.000049430633,0.00059841824,0.4777245,0.42327535,0.03163926],"study_design_scores_gemma":[0.00006515385,0.000011028837,0.0010478668,0.00017543489,0.000023120514,7.416596e-7,0.002685691,0.0000037405941,0.00004297781,0.0001024362,0.9957933,0.000048553968],"about_ca_topic_score_codex":0.0006523835,"about_ca_topic_score_gemma":0.00015479517,"teacher_disagreement_score":0.90324044,"about_ca_system_score_codex":0.000095103016,"about_ca_system_score_gemma":0.000117993506,"threshold_uncertainty_score":0.9992935},"labels":[],"label_agreement":null},{"id":"W1491313141","doi":"","title":"Doug Killam and Ruth Rowe, eds. The Companion to African Literatures","year":2001,"lang":"en","type":"article","venue":"International fiction review","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"ROWE; History; Art history; Art; Management; Economics","score_opus":0.023184531001062787,"score_gpt":0.2611133602068568,"score_spread":0.23792882920579403,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1491313141","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03859727,0.24089341,0.00001629105,0.17363186,0.0051895725,0.0010739225,0.00019380447,0.00019157298,0.5402123],"genre_scores_gemma":[0.86918324,0.06617544,0.00002210933,0.017004956,0.0018674105,0.00009174776,0.00007691123,0.000009197886,0.045569],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942875,0.000030956828,0.00017685037,0.00012805624,0.00014999056,0.0000853745],"domain_scores_gemma":[0.9996715,0.00002967126,0.000053466738,0.00007159777,0.00014017802,0.000033555418],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008319257,0.000094439776,0.0001194951,0.000026835804,0.00025955072,0.00020364182,0.00012124338,0.000010856749,0.0010665482],"category_scores_gemma":[0.000027228556,0.000051577586,0.000055704488,0.0000438457,0.00004839807,0.00017001202,0.000049709073,0.000069405665,0.00008680697],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051960276,0.0000764249,0.000645474,0.00018236862,0.00017514416,0.000009321239,0.015259459,0.0000049028827,0.000038776623,0.3859641,0.51097935,0.08661273],"study_design_scores_gemma":[0.000053116433,0.000029598892,0.0025659753,0.00045331137,0.000016032316,0.00001854927,0.00015363583,0.000008015687,0.0000015340904,0.00027413742,0.9963525,0.00007359883],"about_ca_topic_score_codex":0.0000546791,"about_ca_topic_score_gemma":0.00008449248,"teacher_disagreement_score":0.83058596,"about_ca_system_score_codex":0.000016600992,"about_ca_system_score_gemma":0.000003381415,"threshold_uncertainty_score":0.99984664},"labels":[],"label_agreement":null},{"id":"W1491719275","doi":"","title":"Dissolving the Reader/Author Binary: Sylvia Molloy's Certificate of Absence , Helena Parente Cunha's Woman Between Mirrors , and Jeanette Winterson's Written on the Body","year":2002,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"White (mutation); Binary opposition; Movie theater; Literature; Psychoanalysis; Allusion; Art; Art history; Philosophy; Psychology","score_opus":0.14022216598494525,"score_gpt":0.2953068191435825,"score_spread":0.15508465315863723,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1491719275","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17630453,0.12218391,0.00009018056,0.55950797,0.003625787,0.0023406185,0.0006884751,0.00025171568,0.13500679],"genre_scores_gemma":[0.98056227,0.0046763513,0.0000038269013,0.003108187,0.00032034336,0.000048990554,0.00004688325,0.000015134531,0.011217993],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987472,0.00013322914,0.00042094695,0.00024176722,0.0003135889,0.00014321068],"domain_scores_gemma":[0.99908185,0.00025776494,0.00020540456,0.00027369912,0.0001395108,0.000041783962],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003087273,0.00017296,0.00022797093,0.00006450764,0.0002555982,0.00017002298,0.0003360396,0.000030122479,0.001778421],"category_scores_gemma":[0.00008314121,0.000098539684,0.0001379037,0.000057750643,0.00018460448,0.00023245081,0.000050864008,0.00023503572,0.00006307706],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000074875396,0.00030986892,0.0032762515,0.0013611361,0.0007654603,0.00004662167,0.020747561,0.0000013845687,0.0006547449,0.4120227,0.5363106,0.024428774],"study_design_scores_gemma":[0.00009167133,0.000077437224,0.0017482236,0.002795492,0.00007097334,0.00000846982,0.00054677814,0.00023687008,0.000037684815,0.0002529325,0.9939949,0.00013859782],"about_ca_topic_score_codex":0.000046760175,"about_ca_topic_score_gemma":0.000013020907,"teacher_disagreement_score":0.80425775,"about_ca_system_score_codex":0.000021466696,"about_ca_system_score_gemma":0.0000046919276,"threshold_uncertainty_score":0.99913406},"labels":[],"label_agreement":null},{"id":"W1492464023","doi":"","title":"Oliver Lovesey. Ngugi wa Thiong'o","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"Asian Studies and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Theology; Philosophy","score_opus":0.027059255670639413,"score_gpt":0.3459544484084313,"score_spread":0.3188951927377919,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1492464023","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006591461,0.041318703,0.00027575745,0.004946535,0.0019535394,0.00014731492,0.0000036070217,0.00004156294,0.9512471],"genre_scores_gemma":[0.24032022,0.5900004,0.0005433051,0.005720598,0.0013018781,0.00007460696,0.000019112334,0.000023032204,0.16199686],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991542,0.0001037149,0.00018418019,0.00012800783,0.00032235304,0.00010752496],"domain_scores_gemma":[0.9995618,0.00003245172,0.00008890998,0.00007806863,0.00019084087,0.000047952137],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00042850783,0.0000585567,0.00010370704,0.000032293778,0.00026387558,0.000020070667,0.00013268381,0.00003211338,0.006562053],"category_scores_gemma":[0.00034931212,0.00005515426,0.00008190096,0.000120152305,0.000077160315,0.00012487176,0.000013183691,0.00007568521,0.0008038651],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000013416603,0.000031183663,0.00031317852,0.000045768888,0.000033663346,0.0000029397377,0.00064935884,0.0000010976153,0.00000285329,0.5660992,0.41874555,0.014073879],"study_design_scores_gemma":[0.000050278486,0.0000046998694,0.0003543053,0.00020987932,0.000012101408,0.0000019367542,0.0005267039,0.0000024629308,0.0000011148296,0.00022296188,0.99855155,0.000062033214],"about_ca_topic_score_codex":0.00012747115,"about_ca_topic_score_gemma":0.00010283211,"teacher_disagreement_score":0.7892502,"about_ca_system_score_codex":0.00019525248,"about_ca_system_score_gemma":0.00006677181,"threshold_uncertainty_score":0.99997413},"labels":[],"label_agreement":null},{"id":"W1492543862","doi":"","title":"Holly A. Laird. Women Coauthors","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"Historical Studies on Reproduction, Gender, Health, and Societal Changes","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Psychology","score_opus":0.07291549292764536,"score_gpt":0.3003050783063925,"score_spread":0.22738958537874715,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1492543862","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003910742,0.105973534,0.00016178958,0.014583079,0.014929103,0.000607634,0.000052542095,0.0002756154,0.85950595],"genre_scores_gemma":[0.2057901,0.4009398,0.00013476763,0.0147709,0.004374512,0.00053777214,0.000083399245,0.000058584043,0.37331018],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99890405,0.00007869366,0.00029881892,0.0002462384,0.00029350838,0.00017868132],"domain_scores_gemma":[0.99938667,0.00002794651,0.00010733805,0.0001390407,0.00026181104,0.00007717001],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004423278,0.00011552368,0.0001977726,0.000041386833,0.00039600694,0.000043598673,0.00011037012,0.000028726872,0.008368321],"category_scores_gemma":[0.00016233054,0.000099067074,0.00011086393,0.00005809902,0.000079765494,0.000119705204,0.000013100708,0.00012111365,0.00042827675],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000734037,0.00015818464,0.00017158911,0.0006615337,0.00014519008,0.0000026864261,0.020028876,0.000002742249,0.0000040324,0.35356987,0.6127278,0.012520143],"study_design_scores_gemma":[0.000085022446,0.00003431924,0.00005478688,0.00011624541,0.000012066221,0.0000055992646,0.001974551,0.0000016835327,0.000002766954,0.00047927478,0.9971259,0.000107737666],"about_ca_topic_score_codex":0.00005057151,"about_ca_topic_score_gemma":0.00004164114,"teacher_disagreement_score":0.48619577,"about_ca_system_score_codex":0.00036068723,"about_ca_system_score_gemma":0.000033196222,"threshold_uncertainty_score":0.99253815},"labels":[],"label_agreement":null},{"id":"W1493289398","doi":"","title":"Carol Shields. Jane Austen: A Penguin Life","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"Short Stories in Global Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Shields; History; Art history; Geology; Paleontology","score_opus":0.02236312875366404,"score_gpt":0.2737314669992202,"score_spread":0.25136833824555616,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1493289398","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00017345628,0.065320104,0.00003449463,0.015315532,0.0050841295,0.00028143392,0.000110684254,0.00013737683,0.9135428],"genre_scores_gemma":[0.69292074,0.042756535,0.00052433053,0.06563133,0.020779274,0.0002387243,0.00058272656,0.000057928853,0.17650841],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998997,0.00003052135,0.0003392514,0.0001900904,0.00032164165,0.000121500445],"domain_scores_gemma":[0.9993286,0.00003174896,0.000105582105,0.00018223505,0.0002855052,0.00006629509],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014385123,0.00012950739,0.00017153117,0.000051956442,0.00011529346,0.00012964905,0.00025068704,0.00004291828,0.025144074],"category_scores_gemma":[0.00017567401,0.00011087362,0.00012749353,0.00003977772,0.000051909938,0.00029876654,0.00004403827,0.0001775214,0.000475532],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006714018,0.000034168403,0.000048997852,0.00010509739,0.00005479271,0.0000030165452,0.0008087736,0.00000822687,0.0000016620746,0.2991928,0.69034743,0.009388339],"study_design_scores_gemma":[0.0000920712,0.000017130627,0.000036758283,0.0005375255,0.000030517376,0.000015904485,0.000071220704,0.00006002196,0.0000031937977,0.00007576122,0.99894226,0.00011764939],"about_ca_topic_score_codex":0.000026254906,"about_ca_topic_score_gemma":0.00006464475,"teacher_disagreement_score":0.7370344,"about_ca_system_score_codex":0.000111293,"about_ca_system_score_gemma":0.000026521235,"threshold_uncertainty_score":0.97574705},"labels":[],"label_agreement":null},{"id":"W1493920064","doi":"","title":"José María Arguedas. The Fox from Up Above and the Fox from Down Below","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"Latin American Literature Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Archaeology; History; Ancient history; Geography; Environmental ethics; Philosophy","score_opus":0.012515302664140186,"score_gpt":0.3106696616358403,"score_spread":0.2981543589717001,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1493920064","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0037619004,0.4304219,0.0007161923,0.12532066,0.007241074,0.0013905363,0.00032528036,0.00011621962,0.43070623],"genre_scores_gemma":[0.7243468,0.24514593,0.0005258676,0.017665867,0.0011608343,0.00021891197,0.00007776624,0.000021524927,0.010836496],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982795,0.00054154394,0.00029736446,0.00023934722,0.0005047932,0.00013745656],"domain_scores_gemma":[0.99850315,0.00086075347,0.00021798875,0.00019594557,0.00019227233,0.000029896712],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007920641,0.00012519541,0.000227869,0.000019555246,0.0004842917,0.00016455055,0.00031610983,0.00004157964,0.002118787],"category_scores_gemma":[0.0012378267,0.00006820811,0.00012376445,0.0001980944,0.00045665912,0.00017096962,0.000054535536,0.00018964836,0.00008487699],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007280237,0.00007159919,0.0046124663,0.000058262536,0.0009554944,0.0000053237186,0.023408957,0.000008659214,0.000028594723,0.49861988,0.33707196,0.13508601],"study_design_scores_gemma":[0.00026896657,0.0000046339565,0.004359909,0.0003186115,0.00006202441,0.0000011919609,0.0007032855,0.0000104802875,0.0000035467124,0.007505413,0.98667514,0.000086810585],"about_ca_topic_score_codex":0.0027298438,"about_ca_topic_score_gemma":0.00037257493,"teacher_disagreement_score":0.7205849,"about_ca_system_score_codex":0.00007689584,"about_ca_system_score_gemma":0.00004805221,"threshold_uncertainty_score":0.9987934},"labels":[],"label_agreement":null},{"id":"W1494125567","doi":"","title":"Peter Swirski. From Lowbrow to Nobrow","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Eastern European Communism and Reforms","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology; History","score_opus":0.0283621048456949,"score_gpt":0.3567563175559202,"score_spread":0.3283942127102253,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1494125567","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010915656,0.0075933207,0.009882781,0.011575677,0.003954229,0.0003865596,0.000032381675,0.00016209239,0.9554973],"genre_scores_gemma":[0.85150653,0.074497744,0.002458043,0.024578547,0.0035109613,0.000015785536,0.00015792763,0.000044613244,0.043229826],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989845,0.0000723648,0.0002510707,0.0001468431,0.0003947561,0.00015045621],"domain_scores_gemma":[0.9994316,0.00006002446,0.000075306576,0.0001754101,0.00013701011,0.00012065655],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007891218,0.00007354614,0.00010232758,0.000056095138,0.00016983062,0.00005395571,0.000442488,0.00003281295,0.0023693377],"category_scores_gemma":[0.00015649245,0.000058538622,0.00008926934,0.00013487738,0.000037199632,0.00017636118,0.0000781389,0.00010829826,0.0019122763],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000662864,0.00027085413,0.009200115,0.0001748324,0.00016068283,0.00006372854,0.005192986,0.000013081156,0.00047381243,0.030387146,0.1622926,0.7917039],"study_design_scores_gemma":[0.00006185053,0.00000995666,0.008624262,0.0005667231,0.000008131556,0.0000018168934,0.000095929056,0.0000028174547,0.000029418128,0.00011776051,0.99039996,0.00008136552],"about_ca_topic_score_codex":0.0005419764,"about_ca_topic_score_gemma":0.00054982107,"teacher_disagreement_score":0.9122675,"about_ca_system_score_codex":0.00010036534,"about_ca_system_score_gemma":0.000020016025,"threshold_uncertainty_score":0.9988648},"labels":[],"label_agreement":null},{"id":"W1494414993","doi":"","title":"Mary Lawson. Crow Lake","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"History of Science and Natural History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.029275957252951217,"score_gpt":0.25829786784084463,"score_spread":0.22902191058789342,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1494414993","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00048909173,0.06945804,0.000019527413,0.014439899,0.0038840412,0.00013942167,0.00003380926,0.00011421822,0.91142195],"genre_scores_gemma":[0.08727478,0.06735729,0.00042515618,0.040746182,0.0064552524,0.00006519647,0.00016839923,0.000025721485,0.797482],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993268,0.000015051715,0.00020965429,0.00013162832,0.00023702334,0.000079799946],"domain_scores_gemma":[0.9996676,0.000013778688,0.0000786201,0.00008550907,0.00011952947,0.00003500381],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016969808,0.00006977226,0.000092593764,0.0000632538,0.0001804517,0.000030180463,0.00018660098,0.000016521277,0.03952595],"category_scores_gemma":[0.00002382879,0.000058913145,0.00009163078,0.000023293598,0.00011093097,0.00044201908,0.0000139268095,0.00009280045,0.002503501],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000024822282,0.000025041525,0.000008958088,0.0000470756,0.000008403857,0.0000014795287,0.00042353605,0.0000017662037,0.000017519176,0.031180933,0.9075248,0.060757995],"study_design_scores_gemma":[0.000050187064,0.000009569719,0.000049781713,0.00027880707,0.000008033527,0.0000063322423,0.000017032547,0.000029935101,0.0000049162063,0.00003976746,0.9994303,0.00007533956],"about_ca_topic_score_codex":0.0000135298515,"about_ca_topic_score_gemma":0.00051415386,"teacher_disagreement_score":0.113939926,"about_ca_system_score_codex":0.000096238466,"about_ca_system_score_gemma":0.000017383838,"threshold_uncertainty_score":0.9982732},"labels":[],"label_agreement":null},{"id":"W1495032701","doi":"","title":"Donald Rayfield. Understanding Chekhov: A Critical Study of Chekhov's Prose and Drama","year":2002,"lang":"en","type":"article","venue":"International fiction review","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Drama; Literature; Art","score_opus":0.12939343808005113,"score_gpt":0.3149837712113125,"score_spread":0.18559033313126136,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1495032701","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.106886074,0.11114392,0.00019813448,0.032196205,0.004064256,0.0016572496,0.00008746603,0.0001860916,0.7435806],"genre_scores_gemma":[0.9784085,0.018467331,0.0000078171,0.00047120286,0.00034449776,0.00003165363,0.0000030902497,0.000006021987,0.0022598845],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993056,0.000024504725,0.0002644381,0.00012814799,0.00019526742,0.00008201272],"domain_scores_gemma":[0.9996528,0.00007539199,0.000063337386,0.00007911651,0.000105931606,0.000023404065],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011996389,0.000088353154,0.00017776694,0.000056085042,0.00015147071,0.00005071885,0.00007360678,0.000015852198,0.004635727],"category_scores_gemma":[0.00004881734,0.000069969276,0.000047763035,0.000027868786,0.00009268788,0.0001885509,0.0000347813,0.00008765482,0.000025720063],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008129702,0.002131948,0.0067124707,0.0038778663,0.000825031,0.000016005693,0.08525022,0.000007036062,0.00003452369,0.64517295,0.21817218,0.03771845],"study_design_scores_gemma":[0.0006511213,0.0004251424,0.0008567969,0.0018408211,0.00015712417,0.000019008281,0.00942385,0.00028291234,0.000011315912,0.0011425067,0.9849677,0.00022172047],"about_ca_topic_score_codex":0.00004012953,"about_ca_topic_score_gemma":0.0000936456,"teacher_disagreement_score":0.8715224,"about_ca_system_score_codex":0.000028022172,"about_ca_system_score_gemma":0.0000027157955,"threshold_uncertainty_score":0.9962742},"labels":[],"label_agreement":null},{"id":"W1495161291","doi":"","title":"\"Subterranean Fires\" and the \"Weeds\" of Asian Modernity in Lu Xun, Yosano Akiko, and Oba Minako","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Japanese History and Culture","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Modernity; Literature; Subjectivity; Context (archaeology); Poetry; History; Aesthetics; Art; Philosophy; Archaeology","score_opus":0.023920672391917516,"score_gpt":0.3158656333402732,"score_spread":0.29194496094835565,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1495161291","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37250575,0.14229889,0.00033944042,0.03239543,0.001759033,0.0013535089,0.000026572607,0.0000664961,0.44925487],"genre_scores_gemma":[0.97930956,0.018271254,0.000021964386,0.0005955942,0.00010591101,0.000008745848,0.00000533115,0.000002889083,0.0016787378],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919814,0.00013223701,0.00023223959,0.00011524801,0.00023991751,0.00008222392],"domain_scores_gemma":[0.9996399,0.00007369948,0.00010664098,0.00006534508,0.000076585624,0.000037787715],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011655927,0.000060810118,0.00013942069,0.00003514845,0.0001321198,0.000016735456,0.00012464903,0.000048940514,0.00020708838],"category_scores_gemma":[0.00019489699,0.000043766388,0.000044840715,0.000111082685,0.00025077362,0.00013069066,0.000020014977,0.000106666776,0.0000038201724],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035044726,0.00033243603,0.026821347,0.0016091781,0.00016620407,0.000031918455,0.10888531,0.000012515484,0.00032818326,0.26017544,0.023137264,0.57814974],"study_design_scores_gemma":[0.00065837486,0.000018302393,0.03489068,0.0011510695,0.000039369002,0.000018176683,0.0036961993,0.000081689126,0.0000148250965,0.0017843395,0.95751476,0.00013220633],"about_ca_topic_score_codex":0.00067077734,"about_ca_topic_score_gemma":0.002122271,"teacher_disagreement_score":0.9343775,"about_ca_system_score_codex":0.00005456489,"about_ca_system_score_gemma":0.000021672775,"threshold_uncertainty_score":0.22674724},"labels":[],"label_agreement":null},{"id":"W1496204311","doi":"","title":"Scott Lee. Traces de l'excès. Essai sur la nouvelle philosophique de Balzac","year":2004,"lang":"fr","type":"article","venue":"International fiction review","topic":"Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities; Art","score_opus":0.025258950823008018,"score_gpt":0.2784773489406913,"score_spread":0.2532183981176833,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1496204311","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005550933,0.532222,0.00023860423,0.1178162,0.0031898897,0.00029540973,0.00022775483,0.00007843174,0.34537664],"genre_scores_gemma":[0.07010955,0.68904227,0.00033615803,0.01711752,0.008183519,0.00015671077,0.00017947308,0.00005060422,0.21482418],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985807,0.00014475136,0.00045043856,0.0002778808,0.00028440432,0.00026184323],"domain_scores_gemma":[0.99901026,0.00008233215,0.0001880637,0.00014284499,0.0004913016,0.0000851968],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043245603,0.00026214146,0.0003196202,0.000058869544,0.00032744298,0.00029285005,0.000246691,0.00013368191,0.0038731324],"category_scores_gemma":[0.00014862377,0.00022541641,0.0002594277,0.00007709238,0.00019636785,0.0004972918,0.000047398225,0.00036964778,0.00026896756],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013663598,0.00031035248,0.000053058517,0.0013634055,0.00032759574,0.00004537179,0.004412105,0.00005641886,0.000026582218,0.72553325,0.2614208,0.006437388],"study_design_scores_gemma":[0.00036936798,0.000051627503,0.00012340455,0.0074545573,0.00016751896,0.00013122648,0.0002461377,0.000011748504,0.000059591483,0.009215662,0.9819354,0.00023380292],"about_ca_topic_score_codex":0.00058240804,"about_ca_topic_score_gemma":0.00031407512,"teacher_disagreement_score":0.72051454,"about_ca_system_score_codex":0.00030439033,"about_ca_system_score_gemma":0.0001692754,"threshold_uncertainty_score":0.9970375},"labels":[],"label_agreement":null},{"id":"W1496788284","doi":"","title":"The Other Questioned: Exoticism and Displacement in Michael Ondaatje's The English Patient","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"South Asian Studies and Diaspora","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Exoticism; Displacement (psychology); History; Psychoanalysis; Art history; Psychology","score_opus":0.01446663709907904,"score_gpt":0.23676314413758578,"score_spread":0.22229650703850676,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1496788284","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08841725,0.24235201,0.000024132885,0.061666526,0.007422453,0.0020310371,0.00015648562,0.00013327756,0.59779686],"genre_scores_gemma":[0.89682835,0.08027692,0.000009248418,0.0077328812,0.00096390495,0.00023842612,0.000018975796,0.000016173353,0.013915125],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.999349,0.000056324014,0.00023772278,0.000107990796,0.00016138032,0.00008757882],"domain_scores_gemma":[0.99965185,0.00009010854,0.000060217873,0.00009912373,0.000081409824,0.00001728024],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022312358,0.000077213466,0.00008419214,0.000016558317,0.00028381718,0.00009430003,0.000092166396,0.000010527183,0.0031183471],"category_scores_gemma":[0.00005412799,0.0000406994,0.00004292775,0.000021893864,0.000090052454,0.00006912037,0.000020812042,0.00008806047,0.00008930091],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006492515,0.00013672929,0.0009983713,0.000121113866,0.00013583693,0.000004590158,0.048358064,0.000035658744,3.695612e-7,0.3964401,0.12800977,0.42569447],"study_design_scores_gemma":[0.00010749652,0.000017323693,0.00092172367,0.0003385037,0.000012027964,0.0000015994934,0.0028463188,0.000041627645,3.12825e-7,0.00026060393,0.9954004,0.000052014628],"about_ca_topic_score_codex":0.00020333027,"about_ca_topic_score_gemma":0.0005277081,"teacher_disagreement_score":0.8673907,"about_ca_system_score_codex":0.000029093844,"about_ca_system_score_gemma":0.000005845174,"threshold_uncertainty_score":0.99779296},"labels":[],"label_agreement":null},{"id":"W1496895926","doi":"","title":"Tahar Djaout. The Last Summer of Reason","year":2004,"lang":"en","type":"article","venue":"International fiction review","topic":"African Studies and Geopolitics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Ancient history","score_opus":0.03704180041015004,"score_gpt":0.36192095994722584,"score_spread":0.3248791595370758,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1496895926","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006286684,0.05003027,0.00080707535,0.07015084,0.0024227886,0.00057377457,0.000051653373,0.00006360909,0.8696133],"genre_scores_gemma":[0.8620353,0.13065855,0.00011586845,0.0025492427,0.000612079,0.00002648699,0.000009096859,0.000006150509,0.0039872387],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993388,0.000040709874,0.00016800557,0.000071310526,0.00029555958,0.000085611915],"domain_scores_gemma":[0.99954164,0.000052059404,0.00010401471,0.000077209,0.00020083584,0.000024240724],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00032049202,0.000041370786,0.00008860522,0.000014720187,0.00015421616,0.000010790605,0.00017244712,0.000017623413,0.000428612],"category_scores_gemma":[0.00024869794,0.000028343271,0.00007687015,0.00012963683,0.00012383448,0.00005666735,0.000026461874,0.00005104136,0.00007346945],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000023329412,0.0000549603,0.0016625792,0.00007551044,0.00006664959,0.000001006272,0.0017401406,0.000024953251,0.0000032957412,0.9315942,0.052681167,0.0120932255],"study_design_scores_gemma":[0.000054615655,0.000007634751,0.0013259351,0.00034617013,0.0000164287,8.7691984e-7,0.00095089164,9.438489e-7,0.0000064197116,0.0014016178,0.9958563,0.000032179225],"about_ca_topic_score_codex":0.0010565612,"about_ca_topic_score_gemma":0.00036046046,"teacher_disagreement_score":0.94317514,"about_ca_system_score_codex":0.00007829595,"about_ca_system_score_gemma":0.000052344443,"threshold_uncertainty_score":0.46930006},"labels":[],"label_agreement":null},{"id":"W1496960257","doi":"","title":"Paul Comeau. Margaret Laurence's Epic Imagination","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"History of Science and Natural History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"EPIC; History; Art history; Literature; Art","score_opus":0.02650690853943719,"score_gpt":0.27862729301496153,"score_spread":0.2521203844755243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1496960257","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010400473,0.087562,0.000511979,0.012909518,0.010626427,0.00035641372,0.000043811717,0.00020825335,0.8867415],"genre_scores_gemma":[0.8347583,0.028362105,0.0002910992,0.014928984,0.0026286284,0.000036809695,0.00036336476,0.000027715116,0.11860302],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999042,0.000018654002,0.0002779393,0.00016769164,0.0003718219,0.00012191964],"domain_scores_gemma":[0.99939936,0.00003572971,0.00012822649,0.0001008245,0.00028778624,0.000048057456],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005472223,0.000089251,0.00011371513,0.00013806258,0.00021799679,0.00003940311,0.00022042368,0.000022752636,0.013610863],"category_scores_gemma":[0.00005674162,0.000077492514,0.00008641042,0.00005578334,0.00016892183,0.00047147978,0.000015459402,0.00012724829,0.0007829592],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000071148743,0.000045612345,0.00007146403,0.000116442396,0.000014680267,0.000009569912,0.0009759983,5.7344437e-7,0.000055775246,0.11271177,0.78528786,0.100703165],"study_design_scores_gemma":[0.00006937173,0.000017397891,0.00037937955,0.00031901445,0.000010800499,0.000009261217,0.00007650694,0.000018940082,0.000012315779,0.0003911992,0.99859893,0.00009686238],"about_ca_topic_score_codex":0.000047619516,"about_ca_topic_score_gemma":0.00020726705,"teacher_disagreement_score":0.83371824,"about_ca_system_score_codex":0.00020578432,"about_ca_system_score_gemma":0.000019790623,"threshold_uncertainty_score":0.99999505},"labels":[],"label_agreement":null},{"id":"W1497817247","doi":"","title":"Psiche Hughes, ed. Violations: Stories of Love by Latin American Women","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Latin American and Latino Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Latin Americans; History; Psychology; Philosophy; Linguistics","score_opus":0.01962699617754138,"score_gpt":0.3578678405258952,"score_spread":0.33824084434835383,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1497817247","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029957091,0.06300634,0.017565811,0.02414023,0.0026132725,0.0011474737,0.00012787763,0.00026648038,0.8611754],"genre_scores_gemma":[0.85413945,0.12973438,0.0020378784,0.0023550282,0.00044239117,0.000031331234,0.000040366096,0.000014836973,0.011204353],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987378,0.00008674045,0.0003935216,0.0001522632,0.00045080914,0.00017883234],"domain_scores_gemma":[0.9988808,0.0002459487,0.0003930302,0.00011027571,0.00030368762,0.000066257846],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008119935,0.00008885149,0.00022884709,0.00005610382,0.00011360482,0.000021436079,0.00021407717,0.000024468327,0.00105136],"category_scores_gemma":[0.0006067089,0.00008194931,0.00007213932,0.0004152097,0.00028634953,0.00017214866,0.000035576955,0.000084660845,0.000054864635],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003703844,0.00028926955,0.071508095,0.00026210895,0.00040652757,0.0000026787193,0.030448113,0.000009197974,0.0002913164,0.09293111,0.38825837,0.4155562],"study_design_scores_gemma":[0.000068701745,0.0000335398,0.008974209,0.00021017068,0.000010903772,2.9738345e-7,0.004173631,0.000008455863,0.000021956366,0.00012549557,0.9862762,0.00009641786],"about_ca_topic_score_codex":0.0015832663,"about_ca_topic_score_gemma":0.00021101993,"teacher_disagreement_score":0.84997106,"about_ca_system_score_codex":0.00023755757,"about_ca_system_score_gemma":0.000055782286,"threshold_uncertainty_score":0.99986184},"labels":[],"label_agreement":null},{"id":"W1499192163","doi":"","title":"David Lucking. The Serpent's Part: Narrating the Self in Canadian Literature","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Serpent (symbolism); History; Environmental ethics; Art; Art history; Astrobiology; Philosophy; Archaeology; Biology","score_opus":0.01934342814212023,"score_gpt":0.2656536611830529,"score_spread":0.24631023304093266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1499192163","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026225552,0.22866525,0.000001980068,0.24581937,0.005691533,0.000793072,0.00014269883,0.00009965788,0.5161639],"genre_scores_gemma":[0.8965464,0.038638946,0.00004772003,0.040056877,0.005977947,0.00021983933,0.00016589282,0.000022302485,0.018324075],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99902844,0.00010781448,0.0003290613,0.0001755031,0.00016740528,0.00019175213],"domain_scores_gemma":[0.9994375,0.00006914554,0.000099009674,0.00017839561,0.00017986131,0.000036081707],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00058445724,0.00012721347,0.00013376273,0.000070408896,0.00045676876,0.00029823967,0.00030994994,0.00003296554,0.0014798433],"category_scores_gemma":[0.000111261295,0.00006775946,0.000091582064,0.000081598104,0.00007859573,0.00023546803,0.00003072521,0.00031485688,0.00009844562],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007839014,0.000047826165,0.0013128711,0.00021144052,0.00014325591,0.000016428878,0.1091555,0.000032035972,0.0000013280873,0.3171382,0.5531782,0.018755099],"study_design_scores_gemma":[0.00006428732,0.000009590532,0.00062631373,0.0010137822,0.0000140474385,0.000022812847,0.00077084644,0.00008886497,5.29929e-7,0.00011289821,0.9971966,0.000079387646],"about_ca_topic_score_codex":0.0030997721,"about_ca_topic_score_gemma":0.12739961,"teacher_disagreement_score":0.8939238,"about_ca_system_score_codex":0.000108256245,"about_ca_system_score_gemma":0.000046777866,"threshold_uncertainty_score":0.9994329},"labels":[],"label_agreement":null},{"id":"W1499405920","doi":"","title":"The Embrace of the Rosebush: Anti-Hebraism in Modern Jewish Literature","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Jewish and Middle Eastern Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Haskalah; Hebrew; Judaism; Jewish culture; Enlightenment; Jewish literature; Literature; History; Multiculturalism; Jewish studies; Religious studies; Classics; Law; Philosophy; Theology; Political science; Art; Archaeology","score_opus":0.02008338663944349,"score_gpt":0.3240369545646452,"score_spread":0.30395356792520173,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1499405920","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027745418,0.78537035,0.00046918212,0.022754844,0.0044814046,0.0007378874,0.000022575614,0.00004337636,0.15837494],"genre_scores_gemma":[0.91505027,0.078856915,0.00001590268,0.00089285744,0.0002501507,0.000010555928,0.0000030461329,0.0000046611235,0.0049156155],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989305,0.000103379396,0.00029564122,0.00011513989,0.0004111428,0.0001441754],"domain_scores_gemma":[0.9993124,0.00015496758,0.00015679578,0.00013013498,0.00022178558,0.000023889785],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012045829,0.00006599637,0.000115878625,0.000031751017,0.00021800015,0.000047934598,0.0003738332,0.000042584863,0.000012588178],"category_scores_gemma":[0.00049049157,0.000038650567,0.00010681814,0.00032949468,0.00011786383,0.00014219507,0.000060657956,0.00014450091,0.000009452911],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011159477,0.000089755624,0.07128275,0.0001884565,0.00007349502,0.0000047972626,0.0030181261,0.000014320535,0.0001445862,0.19714868,0.007776385,0.7202475],"study_design_scores_gemma":[0.00015220525,0.0000065231307,0.07714754,0.0026536158,0.000014103354,0.000004687846,0.00054667034,0.00003113515,0.000057068308,0.0050306856,0.91426283,0.00009290274],"about_ca_topic_score_codex":0.000069476504,"about_ca_topic_score_gemma":0.0014846359,"teacher_disagreement_score":0.90648645,"about_ca_system_score_codex":0.000059413964,"about_ca_system_score_gemma":0.000036536283,"threshold_uncertainty_score":0.1676703},"labels":[],"label_agreement":null},{"id":"W1500682913","doi":"","title":"Neil Ten Kortenaar. Self, Nation, Text in Salman Rushdie's \"Midnight's Children\"","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Midnight; History; Literature; Art; Physics; Astronomy","score_opus":0.0172815812122595,"score_gpt":0.25216026412633585,"score_spread":0.23487868291407635,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1500682913","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07925496,0.07063126,0.000037903526,0.025938619,0.0055909986,0.0013442822,0.0001894519,0.0004944957,0.816518],"genre_scores_gemma":[0.92767614,0.031502884,0.000096754986,0.008864642,0.0027339137,0.00007880346,0.0004211353,0.000025889725,0.028599853],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987872,0.000029665152,0.0004942703,0.00021855833,0.00028937525,0.00018087726],"domain_scores_gemma":[0.99942327,0.00004082013,0.00014203788,0.00009655719,0.00025337606,0.00004394031],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031229446,0.00015529923,0.00020829472,0.000115471616,0.00018324154,0.00008631071,0.00019547693,0.00003263112,0.002162408],"category_scores_gemma":[0.000049867092,0.00011555117,0.000116608106,0.00008620214,0.000049374037,0.00045602498,0.00004379959,0.0001399247,0.00030617038],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009032134,0.00068828696,0.025691748,0.0004481857,0.00057139405,0.00004087545,0.012879106,0.0000063317048,0.000031158565,0.6543847,0.23095284,0.07421505],"study_design_scores_gemma":[0.00020680964,0.000038917107,0.04467362,0.00054523756,0.000022777838,0.000015471345,0.000103485865,0.000010347256,0.0000062445242,0.00045507954,0.95377,0.00015201034],"about_ca_topic_score_codex":0.0002056167,"about_ca_topic_score_gemma":0.000711595,"teacher_disagreement_score":0.84842116,"about_ca_system_score_codex":0.000107418695,"about_ca_system_score_gemma":0.000013690998,"threshold_uncertainty_score":0.99874973},"labels":[],"label_agreement":null},{"id":"W1501013933","doi":"","title":"Myth and Ritual in Liam O'Flaherty's Short Story \"Spring Sowing\"","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Jungian Analytical Psychology","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mythology; Psychic; Honor; Psyche; Literature; Realm; Dream; Aesthetics; Psychoanalysis; Sociology; Philosophy; Psychology; History; Art","score_opus":0.03552920372571013,"score_gpt":0.3954165510123845,"score_spread":0.3598873472866744,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1501013933","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09501577,0.10590905,0.011137463,0.022079643,0.009525453,0.0009236891,0.000013287388,0.00021985582,0.75517577],"genre_scores_gemma":[0.9710743,0.008574584,0.00032331405,0.012003607,0.00048439731,0.000014238664,0.00001481564,0.00003059949,0.0074801375],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987416,0.00008979986,0.0004171603,0.00034019316,0.00019246551,0.00021876201],"domain_scores_gemma":[0.99945664,0.00014899777,0.000059904905,0.00018973631,0.000060917788,0.00008382454],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0010745467,0.000121639714,0.00021751934,0.00021428877,0.000021361915,0.000012489165,0.00017121031,0.00010084312,0.00200923],"category_scores_gemma":[0.00014088355,0.0001222191,0.00007784598,0.00016749722,0.000063341926,0.00011592692,0.000039269627,0.00035120302,0.00078700646],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020994396,0.00078207866,0.12881467,0.00042655363,0.0004883274,0.00055141974,0.000726559,0.000008975537,0.00043000406,0.13813938,0.16553517,0.56388694],"study_design_scores_gemma":[0.00028966874,0.000032780954,0.24346781,0.000474976,0.00002133903,0.000088990535,0.00006093405,0.00003471735,0.0000033038255,0.000099411765,0.7552918,0.00013428161],"about_ca_topic_score_codex":0.000039734514,"about_ca_topic_score_gemma":0.0000670908,"teacher_disagreement_score":0.8760585,"about_ca_system_score_codex":0.00012067479,"about_ca_system_score_gemma":0.0000094633515,"threshold_uncertainty_score":0.999991},"labels":[],"label_agreement":null},{"id":"W1501124068","doi":"","title":"The Liberal Tradition in South African Literature: Still a Curse? Nadine Gordimer's A Guest of Honour Revisited","year":2006,"lang":"en","type":"article","venue":"International fiction review","topic":"South African History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Honour; Politics; State (computer science); Curse; History; Romance; Political science; Law; Aesthetics; Sociology; Literature; Art; Anthropology","score_opus":0.014274386670077039,"score_gpt":0.27219659226281734,"score_spread":0.2579222055927403,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1501124068","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.084165104,0.4418717,0.00026765926,0.038695306,0.010499068,0.003877783,0.0009908823,0.00044246914,0.41919002],"genre_scores_gemma":[0.9893901,0.0059379973,0.000042766267,0.00034679956,0.0009031672,0.000056630666,0.00011988339,0.0000073913034,0.003195266],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99873513,0.00022999315,0.00037482975,0.0001680367,0.000360435,0.00013158596],"domain_scores_gemma":[0.9992957,0.000072489565,0.00025362347,0.000116323215,0.00021987029,0.000041971856],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00055655645,0.00009417207,0.00016757965,0.00007350872,0.00016082762,0.00005282104,0.00024811437,0.00005969536,0.0001595461],"category_scores_gemma":[0.00022834739,0.000071271745,0.00012744388,0.000617434,0.00012295223,0.00018426364,0.0000097105085,0.00016679041,0.000021402579],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026607624,0.0007177644,0.009899137,0.00086277165,0.00023248809,0.000057172514,0.09904034,0.000113971444,0.0002922352,0.5219994,0.3523228,0.014195818],"study_design_scores_gemma":[0.00015216842,0.000017203309,0.0024364472,0.0012464332,0.000022771184,0.000003305022,0.0009333292,0.000017736837,0.000003977166,0.0005324849,0.99454117,0.00009295834],"about_ca_topic_score_codex":0.00012154515,"about_ca_topic_score_gemma":0.0001374448,"teacher_disagreement_score":0.905225,"about_ca_system_score_codex":0.00016428951,"about_ca_system_score_gemma":0.000060103346,"threshold_uncertainty_score":0.29063773},"labels":[],"label_agreement":null},{"id":"W1501296362","doi":"","title":"Acid in the Nation's Bloodstream: Satire, Violence, and the Indian Body Politic in Salman Rushdie's The Moor's Last Sigh","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"Literature, Magical Realism, García Márquez","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Body politic; History; Literature; Gender studies; Art; Sociology; Political science; Law; Politics","score_opus":0.01408071786755989,"score_gpt":0.24804250344511392,"score_spread":0.23396178557755404,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1501296362","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24987756,0.108306356,0.000004257903,0.11772515,0.0016673452,0.0035424219,0.00033320606,0.00012813447,0.5184156],"genre_scores_gemma":[0.9500751,0.036417052,0.0000032021007,0.0111307055,0.00054774596,0.00018791168,0.000075134136,0.000010942956,0.0015522123],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984029,0.00035487209,0.00044326932,0.00021252717,0.00040685924,0.00017955973],"domain_scores_gemma":[0.9991554,0.000378484,0.00011301528,0.00023241692,0.0000901051,0.000030555046],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007531575,0.0001615975,0.00019746106,0.000094684096,0.00018843217,0.00034865734,0.00046289034,0.000040137365,0.0021850758],"category_scores_gemma":[0.0001806798,0.00007595364,0.00009446611,0.0001342576,0.00030706942,0.00022645266,0.00003498201,0.00036306234,0.00007986515],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003090636,0.000101975864,0.00078182976,0.000115377414,0.00004228513,0.000014337756,0.008219122,0.0000064799924,0.000001169008,0.9500502,0.004707394,0.03592895],"study_design_scores_gemma":[0.0006944687,0.00002539739,0.0109795565,0.0022224402,0.000034032346,0.000040472092,0.0005772542,0.0001375235,0.000002413115,0.019301414,0.96584725,0.00013777685],"about_ca_topic_score_codex":0.00093871733,"about_ca_topic_score_gemma":0.001559565,"teacher_disagreement_score":0.96113986,"about_ca_system_score_codex":0.000058554422,"about_ca_system_score_gemma":0.00002621341,"threshold_uncertainty_score":0.9987271},"labels":[],"label_agreement":null},{"id":"W1501477324","doi":"","title":"A Narrative of Migration: Gabrielle Alioth's Die Erfindung von Liebe und Tod","year":2007,"lang":"de","type":"article","venue":"International fiction review","topic":"German Colonialism and Identity Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Intertextuality; Narrative; Plot (graphics); Literature; Legend; Metaphor; Fantasy; Art; History; Philosophy; Linguistics","score_opus":0.03035092177173571,"score_gpt":0.31161500871227477,"score_spread":0.28126408694053906,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1501477324","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021455007,0.8510088,0.00037054092,0.033325758,0.018133767,0.0011975621,0.00034078787,0.00008340964,0.074084386],"genre_scores_gemma":[0.40735596,0.54461324,0.000060803457,0.0021988982,0.004929532,0.00004343771,0.0003419186,0.00003476137,0.040421456],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979156,0.000079879435,0.0009442722,0.00030037295,0.0005464998,0.00021333777],"domain_scores_gemma":[0.9981474,0.0001339998,0.00056624674,0.00020422107,0.00088603626,0.00006206728],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006061458,0.00024173669,0.0004473639,0.0001815671,0.00039384828,0.00016296825,0.00025729765,0.00007920988,0.0044927257],"category_scores_gemma":[0.00016981178,0.00022996232,0.000285185,0.000104145394,0.00018873489,0.00037616896,0.00009931868,0.00019505568,0.00036737366],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014682731,0.00060937845,0.00082119805,0.0031509323,0.0024567253,0.00005246993,0.06991488,0.0000120755,0.0000852226,0.14977998,0.7615172,0.01145306],"study_design_scores_gemma":[0.0002626524,0.00011867323,0.0013393434,0.0031255458,0.00035755066,0.000003281807,0.0019738448,0.000026603495,0.00012743504,0.0002519892,0.9922005,0.00021258731],"about_ca_topic_score_codex":0.0009235571,"about_ca_topic_score_gemma":0.0038602722,"teacher_disagreement_score":0.38590094,"about_ca_system_score_codex":0.00012818725,"about_ca_system_score_gemma":0.00006152382,"threshold_uncertainty_score":0.9964173},"labels":[],"label_agreement":null},{"id":"W1502135085","doi":"","title":"Wolfgang G. Natter. Literature at War, 1914-1940: Representing the \"Time of Greatness\" in Germany","year":2001,"lang":"en","type":"article","venue":"International fiction review","topic":"Literature and Cultural Memory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Greatness; History; Classics; Literature; Philosophy; Art","score_opus":0.022282509122091173,"score_gpt":0.2661296419043656,"score_spread":0.24384713278227443,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1502135085","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22404587,0.26628304,0.0000055626465,0.028574502,0.004133685,0.0010112687,0.000113283546,0.0001377987,0.47569498],"genre_scores_gemma":[0.7126982,0.05057124,0.000018944877,0.008820926,0.0025054982,0.00010377637,0.00033059565,0.00003034639,0.22492048],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990081,0.00006878758,0.00039184158,0.00017567744,0.00024499267,0.00011058989],"domain_scores_gemma":[0.99937093,0.000054123444,0.00017052596,0.00017830898,0.00020625757,0.000019862202],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021140638,0.000117171774,0.00018261398,0.00006190648,0.00013095894,0.00007877964,0.00022472536,0.000035189347,0.0064704507],"category_scores_gemma":[0.00004857752,0.0000702391,0.00014299451,0.000100046236,0.000059280406,0.00033356767,0.000062034735,0.0001712288,0.00018784434],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017926274,0.0004034036,0.0061425925,0.0029622298,0.00050160097,0.0002856999,0.083830185,0.00004197115,0.0035371077,0.06823109,0.790694,0.043190837],"study_design_scores_gemma":[0.00012243784,0.0000086366135,0.00093171315,0.003192981,0.000020672738,0.00006951814,0.00009425498,0.000056111032,0.00006225993,0.00014363138,0.9952082,0.000089575246],"about_ca_topic_score_codex":0.000026986952,"about_ca_topic_score_gemma":0.000041127918,"teacher_disagreement_score":0.48865232,"about_ca_system_score_codex":0.00004808643,"about_ca_system_score_gemma":0.00000586539,"threshold_uncertainty_score":0.99443775},"labels":[],"label_agreement":null},{"id":"W1503061400","doi":"","title":"Hearts of Stone: Quarrying the Canadian Shield in Recent Canadian Women's Writing","year":2006,"lang":"en","type":"article","venue":"International fiction review","topic":"Short Stories in Global Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"","keywords":"Metaphor; Narrative; Geology; Symbol (formal); Literature; History; Paleontology; Art; Archaeology; Art history; Philosophy","score_opus":0.018140010284326435,"score_gpt":0.2572722719416712,"score_spread":0.23913226165734475,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1503061400","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009868834,0.02108917,0.000001617903,0.017058546,0.0036198436,0.0004391161,0.00023399164,0.000024325214,0.94766456],"genre_scores_gemma":[0.99160963,0.0017596596,0.000013623693,0.003835395,0.0005955987,0.000048600625,0.0000920902,0.000008330924,0.0020370856],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99909896,0.000041582072,0.0003393006,0.000117647585,0.00020629293,0.00019623418],"domain_scores_gemma":[0.9994825,0.000037141952,0.000080486716,0.00012152714,0.0002111903,0.00006712556],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034428117,0.00008335182,0.0001262821,0.00013768394,0.00020218745,0.00010155665,0.00017501555,0.000033924607,0.004442876],"category_scores_gemma":[0.00007922208,0.00006752764,0.00004262404,0.00009294959,0.000059206202,0.0001242729,0.000011409151,0.00016818068,0.000013046389],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000037492657,0.000017958122,0.0033015097,0.00014688227,0.000025201709,0.000015153149,0.003297777,0.000046691177,0.0000020772638,0.90416384,0.08224565,0.006733507],"study_design_scores_gemma":[0.000038625014,0.0000067926862,0.0008168409,0.0006593088,0.0000041787166,0.000006480848,0.0004373339,0.000017259063,0.0000017726535,0.00042592516,0.99751866,0.00006681959],"about_ca_topic_score_codex":0.7213106,"about_ca_topic_score_gemma":0.9773732,"teacher_disagreement_score":0.9817408,"about_ca_system_score_codex":0.0009187719,"about_ca_system_score_gemma":0.00021135958,"threshold_uncertainty_score":0.9964672},"labels":[],"label_agreement":null},{"id":"W1503152126","doi":"","title":"Lilas Desquiron. Reflections of Loko Miwa","year":2001,"lang":"en","type":"article","venue":"International fiction review","topic":"African history and culture studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geology","score_opus":0.062486711342134106,"score_gpt":0.3964926559746045,"score_spread":0.33400594463247035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1503152126","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005767401,0.02625258,0.0007673489,0.006244768,0.0013473828,0.00016700244,0.000005463655,0.00005930062,0.9645794],"genre_scores_gemma":[0.59966713,0.34620792,0.00042841397,0.0015942918,0.0009788236,0.00007569719,0.000015676575,0.000010008804,0.051022064],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993074,0.000072279894,0.0001942175,0.00010068431,0.00024976055,0.000075639844],"domain_scores_gemma":[0.9995909,0.00003182743,0.00011360204,0.00006613524,0.00016618647,0.000031377793],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024264226,0.000050213977,0.00010941193,0.000036862977,0.00024500632,0.000007191027,0.00013386863,0.000027510274,0.0017441296],"category_scores_gemma":[0.00022531784,0.00004542268,0.00009049333,0.00022858374,0.00012075197,0.0001217118,0.0000136458675,0.00005713742,0.00009135515],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037493377,0.0003660677,0.0060125883,0.00024461775,0.00029458987,0.000010931233,0.010326907,0.000024293893,0.0004707336,0.34173277,0.5894385,0.051040504],"study_design_scores_gemma":[0.000035129895,0.0000118672815,0.0004744156,0.00024182811,0.000020528854,0.0000034534776,0.0004976955,9.11604e-7,0.0000062373488,0.00028380903,0.998379,0.000045138368],"about_ca_topic_score_codex":0.0001729761,"about_ca_topic_score_gemma":0.00042216273,"teacher_disagreement_score":0.91355735,"about_ca_system_score_codex":0.00012768307,"about_ca_system_score_gemma":0.00003772286,"threshold_uncertainty_score":0.9991684},"labels":[],"label_agreement":null},{"id":"W1504785807","doi":"","title":"In Breach of Story: Breaking the Shackles of Traditional Fiction","year":2006,"lang":"en","type":"article","venue":"International fiction review","topic":"Digital Storytelling and Education","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Plot (graphics); Craft; Narrative; Literature; Fiction writing; Creative writing; Aesthetics; History; Art; Visual arts","score_opus":0.08873332527313323,"score_gpt":0.4000885527808686,"score_spread":0.31135522750773537,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1504785807","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34510157,0.045517508,0.0039576413,0.040181648,0.016566398,0.0026756257,0.00040789793,0.00015218831,0.54543954],"genre_scores_gemma":[0.9938711,0.0028850583,0.00006530327,0.0004719797,0.0005062099,0.00008308815,0.00016224007,0.000008576842,0.0019464326],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988001,0.00016576253,0.00055514014,0.000113501344,0.00027278956,0.000092683505],"domain_scores_gemma":[0.99891055,0.00034983296,0.00039149955,0.00011004057,0.000224214,0.0000138614705],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007038831,0.00006849339,0.00015644389,0.00009775607,0.00009210167,0.0000032520988,0.00013371996,0.00005058625,0.000699267],"category_scores_gemma":[0.00012773802,0.00005339869,0.00007968165,0.00017684726,0.000040307306,0.00017872686,0.000012891687,0.00020839402,0.00003353177],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000073184696,0.0009143719,0.039842516,0.0030925616,0.000082389575,0.0000012650663,0.0011704656,0.0010814443,0.00079433277,0.14082372,0.78388745,0.028236305],"study_design_scores_gemma":[0.00025406276,0.000027145366,0.11287299,0.00454111,0.000025606507,0.0000065129657,0.00024895856,0.00027844612,0.000065518434,0.0019980338,0.8795925,0.000089136774],"about_ca_topic_score_codex":0.00051890535,"about_ca_topic_score_gemma":0.000046478886,"teacher_disagreement_score":0.64876956,"about_ca_system_score_codex":0.00016046251,"about_ca_system_score_gemma":0.000086774875,"threshold_uncertainty_score":0.76564837},"labels":[],"label_agreement":null},{"id":"W1506284444","doi":"","title":"Ben Stoltzfus. Valley of Roses","year":2004,"lang":"en","type":"article","venue":"International fiction review","topic":"European history and politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Archaeology; Geology","score_opus":0.04615327099493946,"score_gpt":0.3563654589316729,"score_spread":0.31021218793673344,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1506284444","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005058931,0.024322402,0.0008077939,0.0059223506,0.002173144,0.00022512309,0.000026563424,0.000072726594,0.961391],"genre_scores_gemma":[0.8435674,0.1411045,0.0004919653,0.0022723475,0.0006926139,0.000010463141,0.000026992984,0.0000121220555,0.011821618],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993567,0.00008373476,0.00018372797,0.00007354042,0.00023746787,0.00006483183],"domain_scores_gemma":[0.99961776,0.000030573836,0.000095374846,0.00007037243,0.00014925559,0.000036662685],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003663339,0.000038804894,0.00008169532,0.00003059016,0.00009637288,0.000007831432,0.00016737069,0.000018928375,0.00094308704],"category_scores_gemma":[0.0002325659,0.000038504666,0.000068765934,0.00007206966,0.000070841765,0.0001026115,0.000012722964,0.000048787366,0.00015155021],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000032516377,0.00009808287,0.0004971803,0.00022103089,0.000036989222,0.0000035277594,0.0021110736,0.00010133133,0.00004407791,0.9719655,0.015608264,0.009309683],"study_design_scores_gemma":[0.00006174963,0.000009817083,0.00044250744,0.0005088693,0.000010747615,0.000001326879,0.000047001336,5.0402514e-7,0.00003296823,0.00060970045,0.9982362,0.000038651695],"about_ca_topic_score_codex":0.00032241177,"about_ca_topic_score_gemma":0.00007941237,"teacher_disagreement_score":0.98262787,"about_ca_system_score_codex":0.00011250031,"about_ca_system_score_gemma":0.00005563672,"threshold_uncertainty_score":0.9999702},"labels":[],"label_agreement":null},{"id":"W1506562264","doi":"","title":"The Frummer in the Attic: Rachel Lichtenstein and Iain Sinclair's Rodinsky's Room and Jewish Memory","year":2006,"lang":"en","type":"article","venue":"International fiction review","topic":"Jewish and Middle Eastern Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Judaism; Narrative; Mythology; Art history; Art; History; Literature; Archaeology","score_opus":0.022683455705096403,"score_gpt":0.30556619049027883,"score_spread":0.28288273478518244,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1506562264","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034535583,0.7003756,0.0000708505,0.07767633,0.0008511095,0.0007547275,0.000010615244,0.000042246797,0.1856829],"genre_scores_gemma":[0.8779983,0.11102465,0.000026564483,0.0025645304,0.0005645485,0.000066539724,0.0000066692264,0.000006677977,0.007741516],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99893206,0.00022264697,0.0002320684,0.00015517828,0.0003157405,0.00014231159],"domain_scores_gemma":[0.9994337,0.00027706605,0.00008777974,0.00008788282,0.000089455505,0.000024136354],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011898924,0.000082764076,0.00011727394,0.000027387405,0.00040451024,0.00013668223,0.00017987358,0.00003353483,0.0000173998],"category_scores_gemma":[0.00024000731,0.000050320978,0.000043118995,0.00011446957,0.00015838434,0.00012074959,0.00005095493,0.00011064706,0.000014115622],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008567024,0.000067738954,0.044818953,0.00009582155,0.000050290746,0.000008960323,0.0010792591,0.0000021735643,0.000013652102,0.122136384,0.03712273,0.7945955],"study_design_scores_gemma":[0.00016692627,0.000012469722,0.051842645,0.00035225772,0.00002364279,0.0000102414,0.0012880099,0.000023301456,0.0000016746611,0.0024939277,0.9437021,0.0000828285],"about_ca_topic_score_codex":0.00084744615,"about_ca_topic_score_gemma":0.004804307,"teacher_disagreement_score":0.9065793,"about_ca_system_score_codex":0.000042969314,"about_ca_system_score_gemma":0.000019956828,"threshold_uncertainty_score":0.31112066},"labels":[],"label_agreement":null},{"id":"W1506774714","doi":"","title":"Proto-Postcolonial? Angus Wilson and the Languages of Liberalism","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Adventure; HERO; MAGIC (telescope); Literature; Romance; Narrative; Liberalism; History; Postmodernism; Art; Art history; Law; Political science; Politics","score_opus":0.0150919397180897,"score_gpt":0.2606240085941841,"score_spread":0.2455320688760944,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1506774714","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033623755,0.28411657,0.0000064261953,0.046295226,0.0020341123,0.0022765885,0.00013929623,0.000091258815,0.6314168],"genre_scores_gemma":[0.89813346,0.043980543,0.000060142465,0.007278302,0.0005992608,0.00038717408,0.00003957983,0.000012230968,0.049509335],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994829,0.00006948378,0.00019319127,0.00008251041,0.00011640773,0.00005546066],"domain_scores_gemma":[0.9996635,0.000047640762,0.00009903994,0.000058103513,0.00011939772,0.000012327355],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016334293,0.0000691143,0.00014625017,0.000015480447,0.00010828252,0.00004032192,0.00007329565,0.0000111716,0.00093971886],"category_scores_gemma":[0.000086531436,0.000036177244,0.00006614216,0.000019503834,0.00015112334,0.00013122926,0.000017726468,0.000050292776,0.000013975204],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027503002,0.000024970397,0.00014042307,0.00022706925,0.000085314474,0.0000013724639,0.004955487,2.1679023e-7,0.000012375413,0.9719413,0.017616091,0.0049678837],"study_design_scores_gemma":[0.0002702827,0.000024232768,0.0002876483,0.00040435322,0.000028323808,0.000010061237,0.00018283981,0.0000027101155,0.00003227298,0.00080990134,0.9978996,0.000047778656],"about_ca_topic_score_codex":0.00008002826,"about_ca_topic_score_gemma":0.00003780296,"teacher_disagreement_score":0.9802835,"about_ca_system_score_codex":0.000008117432,"about_ca_system_score_gemma":0.00000574876,"threshold_uncertainty_score":0.99997354},"labels":[],"label_agreement":null},{"id":"W1506957937","doi":"","title":"Peter Dickinson. Here Is Queer: Nationalism, Sexualities, and the Literatures of Canada","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"European history and politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Nationalism; Human sexuality; Gender studies; History; Sociology; Political science; Law; Politics","score_opus":0.01569387943049419,"score_gpt":0.2885245716854996,"score_spread":0.27283069225500545,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1506957937","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0073961,0.11085217,0.000008421539,0.0337332,0.0011710208,0.0003069585,0.00023810998,0.000025503583,0.84626853],"genre_scores_gemma":[0.48864484,0.17941864,0.000060967493,0.044764344,0.0010183409,0.00002761234,0.00005984571,0.0000149795815,0.28599045],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99906397,0.00022399984,0.00020259815,0.000085708365,0.000351616,0.00007210762],"domain_scores_gemma":[0.99951863,0.00015009115,0.00007334085,0.000074423726,0.00014697868,0.000036515707],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00044134678,0.000051500658,0.00009486549,0.000014557187,0.00016793006,0.000027447422,0.00014598836,0.000018921295,0.003992606],"category_scores_gemma":[0.00012556167,0.000038096838,0.00003868405,0.000060630333,0.00015225152,0.000090617345,0.000008873181,0.00007198715,0.000007661324],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000179204,0.000012466572,0.0003120084,0.00017735414,0.000050477258,0.0000021842623,0.00530631,0.000005151401,5.8202227e-7,0.5589796,0.4295336,0.0056023947],"study_design_scores_gemma":[0.00009964108,0.000002726502,0.0004579221,0.000252249,0.000010383706,0.0000035015112,0.000080932215,0.000006272333,0.0000014871724,0.00041597712,0.9986277,0.000041160485],"about_ca_topic_score_codex":0.049974643,"about_ca_topic_score_gemma":0.021442581,"teacher_disagreement_score":0.5690942,"about_ca_system_score_codex":0.00008767382,"about_ca_system_score_gemma":0.00019203336,"threshold_uncertainty_score":0.9969179},"labels":[],"label_agreement":null},{"id":"W1507451790","doi":"","title":"Alan D. Hodder and Robert Meagher, eds. The Epic Voice","year":2006,"lang":"en","type":"article","venue":"International fiction review","topic":"Philosophy, History, and Historiography","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"EPIC; History; Art; Literature","score_opus":0.01799413670116533,"score_gpt":0.23105729782072257,"score_spread":0.21306316111955723,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1507451790","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00027157104,0.2894205,0.00003283818,0.010025958,0.0038839665,0.0002248905,0.00003247248,0.00007752185,0.6960303],"genre_scores_gemma":[0.5902828,0.23245227,0.00012113877,0.018897107,0.014117015,0.00027083344,0.00029211017,0.00007723505,0.14348952],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993009,0.000038832226,0.00022762435,0.00015136799,0.00020056099,0.00008069592],"domain_scores_gemma":[0.99957806,0.000038379323,0.000102192884,0.00012908348,0.00012924416,0.000023028168],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014457139,0.00010130133,0.0001253211,0.00007786889,0.000274211,0.000069088506,0.00014588065,0.000019791823,0.0019197576],"category_scores_gemma":[0.000013767229,0.000072383125,0.00011600696,0.000034169734,0.00013785459,0.00014158264,0.000016783517,0.000096268486,0.00014543906],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004697306,0.0000552798,0.00017448087,0.00013399562,0.000055876502,0.000001869741,0.00048557177,0.0000013686818,0.000008354005,0.30911675,0.6815546,0.008407119],"study_design_scores_gemma":[0.00008523872,0.000012782747,0.0005067137,0.0002053281,0.000045358596,0.0000072786806,0.000014009666,0.000011309872,8.86427e-7,0.0024580837,0.9965647,0.000088336106],"about_ca_topic_score_codex":0.00065557205,"about_ca_topic_score_gemma":0.0005737158,"teacher_disagreement_score":0.5900112,"about_ca_system_score_codex":0.000042008982,"about_ca_system_score_gemma":0.000009982337,"threshold_uncertainty_score":0.9989926},"labels":[],"label_agreement":null},{"id":"W1507719639","doi":"","title":"Using the Heart: The Symbolism of Individual Change in Bessie Head's Maru","year":2004,"lang":"en","type":"article","venue":"International fiction review","topic":"African history and culture studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Humanity; Racism; Politics; Sociology; Head (geology); Nexus (standard); Law; Extension (predicate logic); History; Gender studies; Political science; Computer science","score_opus":0.1382771328557247,"score_gpt":0.40641697918422226,"score_spread":0.2681398463284975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1507719639","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08995108,0.41904512,0.00036984723,0.29638168,0.0076212483,0.0033089127,0.00010930204,0.00011278022,0.18310001],"genre_scores_gemma":[0.9795108,0.016998297,0.000046893194,0.0027976304,0.0004304624,0.000051436327,0.000002819532,0.0000031390903,0.00015855794],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921405,0.0001253913,0.00016991669,0.00007665411,0.00033616007,0.00007780737],"domain_scores_gemma":[0.9996997,0.000041878477,0.00009553962,0.00006664483,0.00008311694,0.000013096845],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006456987,0.000048142712,0.0001015823,0.000022566568,0.00026467728,0.000013336325,0.00023578716,0.000022399743,0.00016595026],"category_scores_gemma":[0.00010964074,0.000027711274,0.00006418779,0.00020142889,0.00017309276,0.00010983416,0.00003302874,0.00009401542,0.000008539014],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021077301,0.00030947427,0.010317771,0.00031744337,0.00022318475,0.000008895064,0.18618643,0.00019168298,0.00009183648,0.7482859,0.02047662,0.033569716],"study_design_scores_gemma":[0.000096931464,0.000008552784,0.013851569,0.0009209585,0.00002923112,0.000004608319,0.0028374474,0.00000245318,0.00000440998,0.0009092574,0.98127735,0.00005723518],"about_ca_topic_score_codex":0.0009134874,"about_ca_topic_score_gemma":0.00089402066,"teacher_disagreement_score":0.9608007,"about_ca_system_score_codex":0.000115581955,"about_ca_system_score_gemma":0.000045859677,"threshold_uncertainty_score":0.20357105},"labels":[],"label_agreement":null},{"id":"W1507859836","doi":"","title":"Nicolai Riedel. Uwe Johnson-Bibliographie 1959-1998","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"German Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.019039494357448013,"score_gpt":0.25694421146973856,"score_spread":0.23790471711229055,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1507859836","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00071811385,0.0995372,0.0000061028313,0.005909399,0.0018454974,0.0002632734,0.000107885506,0.00014358733,0.89146894],"genre_scores_gemma":[0.19261207,0.56623054,0.000060194463,0.021741342,0.005047128,0.00024277212,0.0004730943,0.00003898615,0.21355388],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990201,0.000031069787,0.00032276765,0.0002094018,0.0002802544,0.00013639688],"domain_scores_gemma":[0.99954945,0.000019794152,0.0000770365,0.00014078927,0.00017078605,0.00004213149],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000115827344,0.0001517636,0.00019493086,0.00020505043,0.000254604,0.00020314244,0.0001909749,0.000030091944,0.031105427],"category_scores_gemma":[0.000011227951,0.000115983086,0.00021731562,0.000195704,0.00007962425,0.000328166,0.000016987833,0.00014220428,0.0015762168],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008299114,0.00005639502,0.000037076123,0.00015018211,0.000118706455,0.000004023324,0.00095439603,0.0000011342897,0.0000041114386,0.046934728,0.9283376,0.023393348],"study_design_scores_gemma":[0.000117991236,0.000023092123,0.00018571292,0.0007777197,0.00004828935,0.000010897348,0.00005826029,0.000006032441,0.0000030047938,0.00041154108,0.9982222,0.0001352979],"about_ca_topic_score_codex":0.000035541238,"about_ca_topic_score_gemma":0.00007661242,"teacher_disagreement_score":0.67791504,"about_ca_system_score_codex":0.000018325056,"about_ca_system_score_gemma":0.000007977899,"threshold_uncertainty_score":0.9992012},"labels":[],"label_agreement":null},{"id":"W1509206813","doi":"","title":"Peter Kafer. Charles Brockden Brown's Revolution and the Birth of American Gothic","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art","score_opus":0.012621294717664589,"score_gpt":0.3149554725553132,"score_spread":0.3023341778376486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1509206813","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.082919866,0.45969665,0.015050699,0.14193416,0.005163812,0.002436452,0.000072938165,0.00024378911,0.29248166],"genre_scores_gemma":[0.7969019,0.19579217,0.0001472915,0.0024750147,0.00047321775,0.000014149613,0.000013315548,0.0000048782676,0.0041780756],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894106,0.00015971901,0.00027981648,0.00012235297,0.0003955393,0.000101519894],"domain_scores_gemma":[0.99916846,0.00021877325,0.00022814004,0.000096879165,0.00024036312,0.000047391568],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015792211,0.0000608594,0.00018143549,0.00007232475,0.00011497083,0.000025169595,0.00015360928,0.000031219257,0.00022129065],"category_scores_gemma":[0.0005478987,0.00004031732,0.00011320025,0.0002949456,0.00034244807,0.00012627688,0.000019828663,0.000108302454,0.000012156211],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002636528,0.00015338976,0.0311523,0.0009607994,0.0006998981,0.000008503758,0.018845964,0.0000048459497,0.00045860015,0.46135297,0.049526777,0.4365723],"study_design_scores_gemma":[0.00016244233,0.000010458774,0.007506236,0.000459488,0.00006747506,0.000003318429,0.00035774184,0.000013001421,0.000017262086,0.00037035326,0.9909795,0.000052739982],"about_ca_topic_score_codex":0.00071205804,"about_ca_topic_score_gemma":0.00059145206,"teacher_disagreement_score":0.9414527,"about_ca_system_score_codex":0.000047183297,"about_ca_system_score_gemma":0.00003508432,"threshold_uncertainty_score":0.24229775},"labels":[],"label_agreement":null},{"id":"W1509980907","doi":"","title":"Celia M. Britton. Edouard Glissant and Postcolonial Theory: Strategies of Language and Resistance","year":2001,"lang":"en","type":"article","venue":"International fiction review","topic":"African history and culture studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Resistance (ecology); Linguistics; Philosophy; Biology; Agronomy","score_opus":0.013536553489095887,"score_gpt":0.3153442052168032,"score_spread":0.3018076517277073,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1509980907","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034673177,0.28578874,0.00017427857,0.0073218583,0.0005335389,0.00030650882,0.000030748153,0.00005279542,0.6711184],"genre_scores_gemma":[0.83520824,0.15894383,0.00009128821,0.00020484588,0.00016961813,0.000011282617,0.000003551072,0.0000029831244,0.005364353],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99946797,0.000087810775,0.00012676544,0.00009916844,0.00015928887,0.000058997695],"domain_scores_gemma":[0.9997062,0.000045443277,0.000083518506,0.000039843224,0.00010077494,0.000024212888],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026021225,0.00004854938,0.0001122223,0.000017538267,0.0001534998,0.000020506513,0.00006661037,0.000022237275,0.00022685732],"category_scores_gemma":[0.00013134883,0.000041790398,0.000027155946,0.000070141774,0.0001996926,0.00013911077,0.000016482867,0.00004245811,0.0000027489937],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003839799,0.000028221815,0.0010683994,0.00020682221,0.00005831868,0.000009105315,0.013519906,3.1673767e-7,0.00014334414,0.9592496,0.018352542,0.0073250076],"study_design_scores_gemma":[0.000076558645,0.00001429276,0.0030504751,0.0004141031,0.000024609766,0.0000036432223,0.009124199,3.754566e-7,0.000003060376,0.0024909894,0.9847427,0.000054984015],"about_ca_topic_score_codex":0.00009920015,"about_ca_topic_score_gemma":0.0004915357,"teacher_disagreement_score":0.9663902,"about_ca_system_score_codex":0.000028173561,"about_ca_system_score_gemma":0.000025507637,"threshold_uncertainty_score":0.24839285},"labels":[],"label_agreement":null},{"id":"W1510007103","doi":"","title":"Alexa Alfer and Michael J. Noble, eds. Essays on the Fiction of A. S. Byatt: Imagining the Real","year":2004,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history; History; Literature","score_opus":0.02666108764635211,"score_gpt":0.2594621804790807,"score_spread":0.2328010928327286,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1510007103","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0047620214,0.04498998,0.000120741424,0.07500043,0.0019684923,0.00049625523,0.00009160209,0.00005723293,0.87251323],"genre_scores_gemma":[0.9625463,0.026027197,0.0000124782055,0.006211158,0.0005665643,0.00004935164,0.000050469996,0.000011312156,0.004525195],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992771,0.000042162792,0.00027089575,0.00013061013,0.00020847478,0.0000707335],"domain_scores_gemma":[0.99947155,0.00008803794,0.00011024895,0.00014512741,0.00016814536,0.000016887592],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025533373,0.00009803912,0.00012023382,0.000038716254,0.00017203686,0.0000975239,0.00014242814,0.000018830811,0.00080021954],"category_scores_gemma":[0.000035321198,0.000054258362,0.00008218077,0.00003199291,0.00011120256,0.00019475714,0.00002562646,0.00014653117,0.000024718362],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008190603,0.000034054276,0.000022264398,0.000089903784,0.000043739594,0.0000012764629,0.0019038747,0.0000035829619,0.00002318005,0.9713805,0.02103014,0.0054593496],"study_design_scores_gemma":[0.00015323918,0.00003721175,0.00018926358,0.0013351507,0.00003510413,0.0000101891255,0.00033064315,0.000033053504,0.0000338923,0.0031620988,0.99460995,0.00007020642],"about_ca_topic_score_codex":0.00014926304,"about_ca_topic_score_gemma":0.000045656438,"teacher_disagreement_score":0.9735798,"about_ca_system_score_codex":0.000019695046,"about_ca_system_score_gemma":0.000016375483,"threshold_uncertainty_score":0.8761843},"labels":[],"label_agreement":null},{"id":"W1510251371","doi":"","title":"Justin D. Edwards. Exotic Journeys: Exploring the Erotics of U.S. Travel Literature, 1840-1930","year":2004,"lang":"en","type":"article","venue":"International fiction review","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art; Art history; Genealogy; Environmental ethics; Philosophy","score_opus":0.08887708844793994,"score_gpt":0.2654688845465672,"score_spread":0.17659179609862724,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1510251371","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.056984656,0.4017777,0.0021490608,0.46161535,0.020621875,0.0014841119,0.00023122242,0.00023575737,0.054900255],"genre_scores_gemma":[0.51697797,0.46484014,0.00011323649,0.0024063352,0.0021913766,0.0000936653,0.00005758136,0.000018279197,0.013301433],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990136,0.00003226496,0.00039865242,0.00012535037,0.00032954,0.00010058431],"domain_scores_gemma":[0.9992696,0.000030199386,0.00016603753,0.000102262435,0.00039884236,0.000033040295],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017181766,0.000112078415,0.0002314306,0.000037383823,0.00061487284,0.00007504526,0.00020758736,0.00001793679,0.0006816543],"category_scores_gemma":[0.00011142968,0.000064174346,0.00027893487,0.00009187932,0.000082949344,0.00018446281,0.000032186646,0.00016023869,0.000051656145],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024355315,0.0004550378,0.00008496487,0.0021196667,0.0012397179,0.000030485302,0.1097469,0.00058278843,0.000058352358,0.687221,0.15586811,0.042568598],"study_design_scores_gemma":[0.00014674207,0.000030055908,0.00017694947,0.0018236066,0.00018138553,0.0000088249,0.0010391172,0.000017412844,0.000011793272,0.0015518937,0.99489295,0.00011927479],"about_ca_topic_score_codex":0.00014122944,"about_ca_topic_score_gemma":0.00013531421,"teacher_disagreement_score":0.83902484,"about_ca_system_score_codex":0.0003873705,"about_ca_system_score_gemma":0.000012592618,"threshold_uncertainty_score":0.7463637},"labels":[],"label_agreement":null},{"id":"W1510966221","doi":"","title":"Alejandro Hernàndez Dìaz. The Cuban Mile","year":2000,"lang":"ca","type":"article","venue":"International fiction review","topic":"Cuban History and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mile; Humanities; History; Art; Geology; Geodesy","score_opus":0.02390886728372415,"score_gpt":0.328623322539458,"score_spread":0.3047144552557338,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1510966221","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027921787,0.2080743,0.000044226857,0.061714895,0.0068361713,0.0008802598,0.00010269418,0.00012389613,0.7194314],"genre_scores_gemma":[0.08797727,0.6530501,0.000022282047,0.0118471505,0.0021425365,0.000070087975,0.00005657888,0.000020735943,0.24481325],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99767244,0.00040318424,0.0005093989,0.00034531447,0.0008159604,0.00025369707],"domain_scores_gemma":[0.99905556,0.00015247504,0.00019397942,0.0002996781,0.00018993107,0.000108381464],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0010981559,0.00019045497,0.00026222054,0.000023087357,0.00087881007,0.00011653488,0.0007046691,0.00013264886,0.0987362],"category_scores_gemma":[0.000114502065,0.00015167425,0.00050017075,0.00034756982,0.00031733487,0.00029991593,0.000033671713,0.00035371204,0.00369745],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011284613,0.00011146001,0.00014326187,0.0001752152,0.0001266822,0.0000053864937,0.0040633366,0.000023007471,0.000004503165,0.0076760342,0.87078685,0.11687296],"study_design_scores_gemma":[0.00013577021,0.000019925705,0.00038786468,0.0010643156,0.000087154134,0.000011585338,0.000371787,0.00010106384,0.00000217934,0.00019590052,0.9974511,0.00017130056],"about_ca_topic_score_codex":0.00046855668,"about_ca_topic_score_gemma":0.00015851534,"teacher_disagreement_score":0.47461814,"about_ca_system_score_codex":0.00042398705,"about_ca_system_score_gemma":0.0001430716,"threshold_uncertainty_score":0.9970783},"labels":[],"label_agreement":null},{"id":"W1511102806","doi":"","title":"Daylanne K. English. Unnatural Selections: Eugenics in American Modernism and the Harlem Renaissance","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Harlem Renaissance; Eugenics; The Renaissance; Modernism (music); Art history; Art; History; Law; Performance art; Political science","score_opus":0.02401537744129791,"score_gpt":0.2823958310892669,"score_spread":0.258380453647969,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1511102806","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.049058136,0.268044,0.0020254627,0.061547257,0.014264105,0.0017087129,0.000039256545,0.00030444955,0.6030086],"genre_scores_gemma":[0.93198246,0.04998353,0.000078298064,0.006384532,0.0011365209,0.00003084505,0.00001810779,0.000007981651,0.010377726],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929696,0.000028082399,0.00023489755,0.0001317689,0.00020586084,0.000102450394],"domain_scores_gemma":[0.9995517,0.00007399261,0.000102316044,0.00007572846,0.00016463257,0.000031640862],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00073457405,0.000067547524,0.00013368818,0.000078448655,0.00014977262,0.000032869968,0.00012520404,0.000010716985,0.0002762469],"category_scores_gemma":[0.00017941685,0.000043796157,0.000038640956,0.00007043475,0.00044786464,0.00019717719,0.00001369453,0.00015624255,0.000016372238],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017047559,0.00013687747,0.0008746504,0.00029249277,0.000092854185,0.000017353319,0.05088789,0.000029174673,0.000060624614,0.5446001,0.1968375,0.206],"study_design_scores_gemma":[0.00025356183,0.000018249044,0.0005327919,0.00033683088,0.000010829443,0.000008023971,0.0006527667,0.00024014067,0.0000034097711,0.00018673908,0.9977055,0.000051115847],"about_ca_topic_score_codex":0.0002438783,"about_ca_topic_score_gemma":0.0011369191,"teacher_disagreement_score":0.8829243,"about_ca_system_score_codex":0.00006150986,"about_ca_system_score_gemma":0.000015001164,"threshold_uncertainty_score":0.30247098},"labels":[],"label_agreement":null},{"id":"W1511345826","doi":"","title":"Monika Maron. Animale Triste","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"Historical, Literary, and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.04266881857451107,"score_gpt":0.2603186647184715,"score_spread":0.2176498461439604,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1511345826","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006161353,0.11788559,0.000028953493,0.0026307623,0.0027947878,0.00017301115,0.000024924004,0.000073981275,0.8757719],"genre_scores_gemma":[0.25445622,0.1746863,0.00017497201,0.0059660817,0.0020615782,0.00018788007,0.00010698837,0.00003030152,0.56232965],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993114,0.000038795228,0.00024205726,0.00013858065,0.00018176914,0.00008742036],"domain_scores_gemma":[0.99963695,0.000018735112,0.00007793004,0.000075430624,0.00016050311,0.000030453224],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009660044,0.000094519244,0.0001442028,0.000025479127,0.00020450121,0.000063176485,0.00009493204,0.000014630803,0.011419752],"category_scores_gemma":[0.00006301317,0.00007059276,0.00011765635,0.000028859702,0.000041039242,0.00017114317,0.000010398159,0.00006716969,0.00058763806],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000484252,0.00005846351,0.00016885642,0.00016255543,0.000067913046,0.0000037214302,0.0012672236,4.722353e-7,0.000008028944,0.28186557,0.7093582,0.0070341495],"study_design_scores_gemma":[0.000084811516,0.000021121912,0.000083536725,0.00024267155,0.000022401655,0.000007650158,0.00012350202,0.0000031202496,0.0000036839765,0.00023827987,0.99907887,0.00009037383],"about_ca_topic_score_codex":0.000036027177,"about_ca_topic_score_gemma":0.000022288703,"teacher_disagreement_score":0.31344217,"about_ca_system_score_codex":0.00008038462,"about_ca_system_score_gemma":0.000007682995,"threshold_uncertainty_score":0.98948395},"labels":[],"label_agreement":null},{"id":"W1512615347","doi":"","title":"Joanna Trollope. Girl from the South","year":2004,"lang":"en","type":"article","venue":"International fiction review","topic":"Race, History, and American Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Girl; History; Art; Genealogy; Psychology; Developmental psychology","score_opus":0.02651513606332059,"score_gpt":0.3233702787025028,"score_spread":0.2968551426391822,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1512615347","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009222777,0.13820302,0.0054887803,0.19371986,0.009152015,0.00114285,0.00016820546,0.0003727656,0.6425297],"genre_scores_gemma":[0.72352064,0.21337168,0.0008774111,0.0379535,0.004462735,0.00012749717,0.00008558037,0.000028530581,0.01957242],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990167,0.000105873885,0.00018895444,0.0001554645,0.00042557894,0.00010741777],"domain_scores_gemma":[0.9994998,0.000069192916,0.00013723099,0.00012800629,0.00011689443,0.000048891525],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041393153,0.00006912674,0.000116776835,0.000011012556,0.00040244244,0.000044470886,0.0003385061,0.00003243816,0.0014607555],"category_scores_gemma":[0.00024090514,0.000051060968,0.00017420939,0.00015472676,0.00019844262,0.00013264787,0.000017154893,0.0001163207,0.00042593075],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018636518,0.00017702681,0.0046604224,0.000056255354,0.00028961827,0.0000072810535,0.0389104,0.00013087042,0.00006891816,0.07414863,0.7901266,0.0914053],"study_design_scores_gemma":[0.000115493574,0.0000053691188,0.0014661931,0.0002529351,0.000020147616,4.4518677e-7,0.0013040998,0.0000025517684,0.0000019475588,0.0004078425,0.99636006,0.00006289878],"about_ca_topic_score_codex":0.0018871855,"about_ca_topic_score_gemma":0.0001941429,"teacher_disagreement_score":0.7142979,"about_ca_system_score_codex":0.00024929087,"about_ca_system_score_gemma":0.00011338619,"threshold_uncertainty_score":0.99945205},"labels":[],"label_agreement":null},{"id":"W1512992037","doi":"","title":"Stephen Gill. Wordsworth and the Victorians","year":2001,"lang":"en","type":"article","venue":"International fiction review","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; History; Art history","score_opus":0.022776368473089167,"score_gpt":0.23980754234956,"score_spread":0.21703117387647083,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1512992037","genre_codex":"commentary","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0055980827,0.12392613,0.00017578715,0.6594488,0.0038628334,0.00049364875,0.000021627433,0.00011814495,0.20635493],"genre_scores_gemma":[0.14599323,0.72701526,0.000014335966,0.0066410266,0.0024211037,0.0000853099,0.000028271377,0.000009397178,0.11779205],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994388,0.000035889472,0.00018752842,0.00010066121,0.00017228657,0.00006481254],"domain_scores_gemma":[0.99965835,0.00005022908,0.00006971817,0.000060540595,0.00013812084,0.000023040879],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013626381,0.00006913271,0.00015124041,0.000013065549,0.0007878201,0.00006649633,0.00009869378,0.00001111797,0.0034379247],"category_scores_gemma":[0.000045637607,0.000035394685,0.00011997118,0.000035884317,0.00010962362,0.000086659726,0.00002775121,0.0000671908,0.00007724924],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034730532,0.000049288235,0.0004316982,0.00010337931,0.00046397303,0.000005181661,0.016995763,0.000003976921,5.9479316e-7,0.6301567,0.30100992,0.050744776],"study_design_scores_gemma":[0.00015027463,0.0000055636833,0.000048893802,0.0000994529,0.00006543829,0.0000028381826,0.0002579035,0.00003265618,2.3932902e-8,0.0008095295,0.9984755,0.00005195104],"about_ca_topic_score_codex":0.00022479013,"about_ca_topic_score_gemma":0.00043088535,"teacher_disagreement_score":0.69746554,"about_ca_system_score_codex":0.00015832437,"about_ca_system_score_gemma":0.0000026710502,"threshold_uncertainty_score":0.99747306},"labels":[],"label_agreement":null},{"id":"W1514584315","doi":"","title":"Sophie Kinsella. Can You Keep a Secret","year":2006,"lang":"en","type":"article","venue":"International fiction review","topic":"Psychoanalysis, Philosophy, and Politics","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; History; Art history; Computer science","score_opus":0.024062833341906086,"score_gpt":0.3351065878180458,"score_spread":0.31104375447613974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1514584315","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0032762296,0.042686433,0.0007417539,0.02600177,0.0065293475,0.0003680779,0.00025315266,0.00017373312,0.9199695],"genre_scores_gemma":[0.90431124,0.020793147,0.00016317898,0.020147234,0.0058967425,0.00016524357,0.0010142828,0.000059391616,0.047449533],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99855447,0.00010062327,0.00051104213,0.0003161664,0.00030675268,0.000210969],"domain_scores_gemma":[0.9991831,0.00005155143,0.00019625326,0.00035188615,0.00015564033,0.00006156983],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019807635,0.00016746603,0.00025334192,0.00015254729,0.000064539425,0.000030967392,0.00028726115,0.00008255832,0.007323032],"category_scores_gemma":[0.000029165089,0.00016166821,0.00024749525,0.00023012147,0.00004478232,0.000057157515,0.000019353512,0.0001669143,0.0013167217],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027357799,0.00034208252,0.0043091257,0.00023274605,0.00048115492,0.000041717838,0.000100377416,0.00003003426,0.000046820733,0.3695352,0.6147902,0.010063171],"study_design_scores_gemma":[0.00025937747,0.000022798169,0.0045903623,0.00027722726,0.000112196154,0.00006448833,0.000007606744,0.000036977643,0.000007482753,0.01112183,0.98333323,0.00016643043],"about_ca_topic_score_codex":0.00053596334,"about_ca_topic_score_gemma":0.00005306768,"teacher_disagreement_score":0.901035,"about_ca_system_score_codex":0.000094624826,"about_ca_system_score_gemma":0.000022390323,"threshold_uncertainty_score":0.9994609},"labels":[],"label_agreement":null},{"id":"W1514935537","doi":"","title":"David W. Price. History Made, History Imagined: Contemporary Literature, Poiesis, and the Past","year":2001,"lang":"en","type":"article","venue":"International fiction review","topic":"Vietnamese History and Culture Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art history; Literature; Art","score_opus":0.032726107886922116,"score_gpt":0.28876576219482186,"score_spread":0.25603965430789977,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1514935537","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000021446667,0.5418545,0.000039952243,0.029212436,0.002068519,0.00023532349,0.000003646812,0.000049598326,0.42651457],"genre_scores_gemma":[0.08614319,0.6854004,0.00007018535,0.017546948,0.0019801783,0.00024029826,0.00006444785,0.00002142254,0.20853288],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987023,0.00028428625,0.0002844177,0.0002212528,0.0003872815,0.00012047629],"domain_scores_gemma":[0.9992786,0.000049805793,0.00019608934,0.00013817384,0.00027679675,0.000060536684],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007991869,0.00012925759,0.00022158006,0.00005241912,0.00036119917,0.00002811073,0.00025188737,0.000050392195,0.0012970066],"category_scores_gemma":[0.00025664494,0.0000906343,0.00013368776,0.000109200286,0.00052435143,0.00038379506,0.000041106425,0.00019579839,0.000053168118],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032679833,0.000027781633,0.00034847352,0.000104074934,0.000054051783,0.000010295801,0.009459613,1.431015e-7,0.0000047413655,0.060579877,0.9269559,0.0024224077],"study_design_scores_gemma":[0.00028954516,0.000006781735,0.0004136726,0.00057686894,0.000030077857,0.00001782385,0.00055823283,0.0000030113365,5.9579644e-8,0.00030161446,0.99769783,0.00010448188],"about_ca_topic_score_codex":0.00009880541,"about_ca_topic_score_gemma":0.000037273945,"teacher_disagreement_score":0.21798168,"about_ca_system_score_codex":0.00084050663,"about_ca_system_score_gemma":0.0001283709,"threshold_uncertainty_score":0.99961597},"labels":[],"label_agreement":null},{"id":"W1515237773","doi":"","title":"Willa Cather's Use of Inner Light","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"American and British Literature Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Character (mathematics); Literature; Depiction; Philosophy; Aesthetics; Art history","score_opus":0.023414486393631737,"score_gpt":0.2508497130345532,"score_spread":0.22743522664092147,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1515237773","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0053055775,0.1288036,0.0004756087,0.06718822,0.002309608,0.0005147707,0.00032428664,0.00019593335,0.7948824],"genre_scores_gemma":[0.701317,0.09535195,0.0006787533,0.034250937,0.0038913526,0.00004962653,0.00030785621,0.000036519177,0.16411597],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99939144,0.000022315155,0.00026822966,0.0000997104,0.00016443494,0.00005386099],"domain_scores_gemma":[0.99948263,0.000019043786,0.00013332257,0.000096190124,0.00024779717,0.000020995092],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006164666,0.00006418272,0.00014890039,0.00006290093,0.0000366176,0.00006310313,0.00009171585,0.000013180501,0.010540207],"category_scores_gemma":[0.000033218865,0.00005198913,0.0001343133,0.00004385153,0.00004590339,0.0003037873,0.00001386118,0.000053606545,0.00013359865],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000060347697,0.00011383472,0.00012421956,0.00012584138,0.00021359822,0.000002519715,0.0011097281,0.000015667278,0.000057848043,0.09950741,0.786816,0.1119073],"study_design_scores_gemma":[0.00003836584,0.000009911385,0.000043539178,0.00051206775,0.000040641444,0.0000051619495,0.000022277472,0.0000574504,0.000024395024,0.000016561105,0.9991711,0.00005855412],"about_ca_topic_score_codex":0.00011335581,"about_ca_topic_score_gemma":0.00007473002,"teacher_disagreement_score":0.6960115,"about_ca_system_score_codex":0.000023450724,"about_ca_system_score_gemma":0.000008247612,"threshold_uncertainty_score":0.9903643},"labels":[],"label_agreement":null},{"id":"W1515488452","doi":"","title":"Geary Hobson. The Last of the Ofos; and Nora Marks Dauenhauer. Life Woven with Song","year":2002,"lang":"en","type":"article","venue":"International fiction review","topic":"Vietnamese History and Culture Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; History","score_opus":0.02226214173051502,"score_gpt":0.2651488159289089,"score_spread":0.24288667419839385,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1515488452","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005850287,0.2556007,0.00009913805,0.12169367,0.0016629159,0.0008721675,0.000025840885,0.000049951297,0.61414534],"genre_scores_gemma":[0.89334184,0.0920552,0.000048269823,0.0029734208,0.00039342933,0.000056935605,0.0000022762374,0.0000077211835,0.011120909],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992611,0.00012151195,0.00014092443,0.00009650718,0.00031317925,0.000066771536],"domain_scores_gemma":[0.99959636,0.000028695815,0.0001267381,0.00009371604,0.00012925334,0.000025236272],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028212706,0.00005912775,0.000103308164,0.000010378284,0.0005127919,0.000020183126,0.00019697344,0.00002283242,0.0007144456],"category_scores_gemma":[0.00018395286,0.000029548579,0.00005833831,0.00013511628,0.00024446973,0.0001092778,0.00003721268,0.00009849432,0.000017712857],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023460381,0.0001362412,0.009140898,0.0004011461,0.000341494,0.0000021822018,0.026365416,0.000022579361,0.000029253417,0.0402877,0.8757177,0.0475319],"study_design_scores_gemma":[0.00006054377,0.000012451648,0.003269554,0.00052525505,0.00003183016,0.0000026095663,0.0015072506,0.000012161554,9.124445e-7,0.00003741703,0.994497,0.000043037602],"about_ca_topic_score_codex":0.00004789688,"about_ca_topic_score_gemma":0.0003430411,"teacher_disagreement_score":0.8874915,"about_ca_system_score_codex":0.000034531055,"about_ca_system_score_gemma":0.000019230027,"threshold_uncertainty_score":0.78226787},"labels":[],"label_agreement":null},{"id":"W1518859172","doi":"","title":"Gustavo Fares and Eliana C. Hermann, eds. Contemporary Argentinean Women Writers. A Critical Anthology","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Psychoanalysis; Art history; Psychology","score_opus":0.040920385017095995,"score_gpt":0.309567309935143,"score_spread":0.268646924918047,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1518859172","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08749084,0.23462759,0.00014516388,0.031465627,0.0014801688,0.00046595486,0.00033423677,0.00017723032,0.6438132],"genre_scores_gemma":[0.9344463,0.024768047,0.000020756357,0.008100822,0.0006155208,0.000046082314,0.00012753476,0.00001165724,0.031863302],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894494,0.00010345767,0.00040376716,0.00023517958,0.00016720871,0.0001454663],"domain_scores_gemma":[0.9995301,0.00006881753,0.000050915074,0.000118240954,0.00015988166,0.00007204297],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018741156,0.00013231192,0.00026898005,0.00008340815,0.00015205746,0.00017208289,0.00012452896,0.000022839036,0.061214108],"category_scores_gemma":[0.00003593031,0.00011333609,0.0001009998,0.000037271555,0.0001832154,0.00038433785,0.00002447013,0.00011000142,0.00023773727],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009951975,0.00042403687,0.0006727292,0.0009107204,0.00039628186,0.00010205098,0.007953977,0.0000035678731,0.000034681154,0.4257576,0.44172415,0.12192071],"study_design_scores_gemma":[0.00013249599,0.00004456579,0.00030647672,0.00041521492,0.000024931209,0.00002368394,0.00025802493,0.00021173104,0.000002665444,0.0008113691,0.99764466,0.00012415774],"about_ca_topic_score_codex":0.000023739454,"about_ca_topic_score_gemma":0.000006466526,"teacher_disagreement_score":0.8469554,"about_ca_system_score_codex":0.000021857963,"about_ca_system_score_gemma":0.000012164118,"threshold_uncertainty_score":0.93964404},"labels":[],"label_agreement":null},{"id":"W1519897999","doi":"","title":"Duncan Petrie. Contemporary Scottish Fictions: Film, Television and the Novel","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art; Media studies; Art history; Sociology","score_opus":0.04617387341924701,"score_gpt":0.2800376113876087,"score_spread":0.23386373796836168,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1519897999","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004686742,0.19913197,0.0033159365,0.017008178,0.0124737,0.0015068011,0.0002469541,0.000275155,0.76135457],"genre_scores_gemma":[0.8877068,0.04282921,0.00013030844,0.0093267895,0.0026629148,0.000082570434,0.00031816546,0.000030099209,0.056913115],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99882066,0.000047010668,0.00044533436,0.00019661081,0.00039456165,0.00009581447],"domain_scores_gemma":[0.9989214,0.0003109512,0.00020570689,0.00013139765,0.000384021,0.000046508678],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001233163,0.00011188056,0.00017202902,0.00012322022,0.00043295702,0.00014243623,0.00018441843,0.00003037776,0.0032332386],"category_scores_gemma":[0.00035770854,0.00008266611,0.00010883734,0.00007007391,0.00028506393,0.00046902185,0.00004405689,0.0001653624,0.00012233702],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008611825,0.00009038017,0.00017083797,0.00014502097,0.00009103957,0.0000045500437,0.0005087372,0.0000024721,0.0000145807235,0.6550778,0.33583942,0.007969046],"study_design_scores_gemma":[0.0005897305,0.000014948475,0.0012342108,0.00053017715,0.000029131146,0.000032364835,0.00012994956,0.000080000726,0.000006799498,0.00044888788,0.9968069,0.00009688354],"about_ca_topic_score_codex":0.00027534747,"about_ca_topic_score_gemma":0.0002655929,"teacher_disagreement_score":0.8830201,"about_ca_system_score_codex":0.00006814846,"about_ca_system_score_gemma":0.000035361776,"threshold_uncertainty_score":0.9976779},"labels":[],"label_agreement":null},{"id":"W1520068536","doi":"","title":"Is There a Work in This Classroom? Interpretations, Textual Readings, and American Fiction","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Interpretation (philosophy); Presupposition; Epistemology; Persuasion; Philosophy; Watson; Sociology; Literature; Linguistics; Art; Computer science","score_opus":0.02393113566163671,"score_gpt":0.29335875267555545,"score_spread":0.2694276170139187,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1520068536","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.046256166,0.10230622,0.0011328117,0.06562491,0.0012011455,0.00067535404,0.00015175466,0.00022903553,0.7824226],"genre_scores_gemma":[0.94761074,0.035518315,0.000085772896,0.0037082732,0.0003916457,0.00004352574,0.0000441728,0.000010131868,0.012587446],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990595,0.000053633215,0.0003789941,0.00020923115,0.000190435,0.00010819188],"domain_scores_gemma":[0.99955165,0.00005739061,0.0001383425,0.00010090017,0.000114981216,0.000036706715],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001990772,0.00011442247,0.00020124085,0.00013851855,0.000101586564,0.00012238979,0.00011290719,0.000022154833,0.009656048],"category_scores_gemma":[0.000056735134,0.00010053993,0.0000980882,0.00010369899,0.00009832082,0.0003295001,0.00002376708,0.00014875681,0.00019602245],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043700922,0.00023604007,0.0057925684,0.00021262873,0.00022665241,0.0000052207483,0.009499805,0.000018293318,0.00001326231,0.1931144,0.3624154,0.42842203],"study_design_scores_gemma":[0.0000953797,0.000022741946,0.0014008558,0.0010610117,0.00004434311,0.0000052573237,0.0008093611,0.0007519069,0.000006142256,0.00010929082,0.99558055,0.00011316971],"about_ca_topic_score_codex":0.0001955171,"about_ca_topic_score_gemma":0.00030544886,"teacher_disagreement_score":0.90135455,"about_ca_system_score_codex":0.000087766995,"about_ca_system_score_gemma":0.0000102675585,"threshold_uncertainty_score":0.99124926},"labels":[],"label_agreement":null},{"id":"W1521228536","doi":"","title":"Carol Shields. Unless","year":2004,"lang":"en","type":"article","venue":"International fiction review","topic":"Short Stories in Global Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Shields; History; Geology; Petrology; Shield","score_opus":0.01835769717015644,"score_gpt":0.26764093331120703,"score_spread":0.24928323614105058,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1521228536","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00027313808,0.028957935,0.00017908726,0.0061852382,0.008413303,0.00022735224,0.00010564723,0.00013855907,0.95551974],"genre_scores_gemma":[0.9030543,0.031874906,0.0003186193,0.024474971,0.0063752024,0.00015110735,0.00047523255,0.000040359537,0.03323528],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930835,0.0000123862155,0.00021241179,0.00014221386,0.00023860211,0.00008600912],"domain_scores_gemma":[0.99954957,0.000012323121,0.000066517394,0.00013418998,0.00020615426,0.000031271284],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007947277,0.0000920536,0.000114953116,0.000036212514,0.000099042365,0.00009471509,0.00019444797,0.00002878107,0.0052599097],"category_scores_gemma":[0.000050114006,0.00007789067,0.0000922531,0.000034420464,0.000051831958,0.00021086213,0.000029265597,0.000118825614,0.00017597224],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002979459,0.000023394676,0.00002999407,0.00009260001,0.000031183423,0.0000050226763,0.00060918427,0.0000123431155,0.0000022490683,0.93462604,0.06199199,0.0025729907],"study_design_scores_gemma":[0.000091417554,0.000013212739,0.000030459532,0.0008294241,0.000017568853,0.000014798769,0.00005062644,0.000002093387,0.000010989026,0.0018184296,0.9970366,0.0000844162],"about_ca_topic_score_codex":0.000053581913,"about_ca_topic_score_gemma":0.000044088196,"teacher_disagreement_score":0.9350446,"about_ca_system_score_codex":0.00012539033,"about_ca_system_score_gemma":0.000021250062,"threshold_uncertainty_score":0.9956494},"labels":[],"label_agreement":null},{"id":"W1521694083","doi":"","title":"Anne Tyler. The Amateur Marriage; Joanna Trollope. Second Honeymoon","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Historical Gender and Feminism Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Honeymoon; Amateur; History; Art; Philosophy; Linguistics; Archaeology","score_opus":0.03490935367895471,"score_gpt":0.35528276701408174,"score_spread":0.32037341333512703,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1521694083","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00029368213,0.04059979,0.000995297,0.0087499,0.0036699185,0.000334766,0.000013364598,0.0000818951,0.94526136],"genre_scores_gemma":[0.780151,0.11177407,0.00011460077,0.008036053,0.0020993352,0.000056389323,0.000019599875,0.000017128732,0.09773183],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987778,0.00010117928,0.00031110863,0.00016536689,0.00045747397,0.00018704892],"domain_scores_gemma":[0.9993709,0.00015547936,0.00011485286,0.00011692422,0.00017228255,0.00006958042],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015240408,0.00008880745,0.00014946837,0.00004059921,0.00046933547,0.000039609844,0.000299508,0.000043996846,0.0038454512],"category_scores_gemma":[0.00031011732,0.00006325162,0.00012777201,0.00024271084,0.00009896804,0.00012315888,0.00003444612,0.00013390936,0.0004051019],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023105424,0.000081160564,0.0010913257,0.00011862599,0.00012616943,0.000012763632,0.010777326,0.0000016083798,0.00005638689,0.01746547,0.8964809,0.07376512],"study_design_scores_gemma":[0.000080029306,0.000011356337,0.003316913,0.00010847094,0.000017644183,0.0000026308314,0.0011361941,0.000002599183,0.0000084217345,0.00021913381,0.99502075,0.000075833304],"about_ca_topic_score_codex":0.00011530498,"about_ca_topic_score_gemma":0.00022686351,"teacher_disagreement_score":0.8475296,"about_ca_system_score_codex":0.00016504856,"about_ca_system_score_gemma":0.000030126257,"threshold_uncertainty_score":0.9970652},"labels":[],"label_agreement":null},{"id":"W1521776953","doi":"","title":"Alfred Doeblin. Berlin Alexanderplatz. The Story of Franz Biberkopf","year":2006,"lang":"en","type":"article","venue":"International fiction review","topic":"European history and politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art history; Art; Philosophy","score_opus":0.026409344862196434,"score_gpt":0.3185038554255676,"score_spread":0.29209451056337116,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1521776953","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008250789,0.06804231,0.00048908737,0.015589103,0.0035692027,0.00043585035,0.00007580486,0.000093382405,0.9034545],"genre_scores_gemma":[0.77903885,0.080425315,0.00023785079,0.0059410804,0.0030558459,0.00003454112,0.00013147978,0.00002715588,0.13110788],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988764,0.00034418996,0.00025410595,0.000100001365,0.00033268845,0.00009264245],"domain_scores_gemma":[0.9993057,0.00020505315,0.00016060747,0.00012377337,0.0001777066,0.000027162889],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009500814,0.000059459173,0.0001041318,0.0000475261,0.0002575224,0.00001482422,0.00026493854,0.000031836862,0.0014972809],"category_scores_gemma":[0.00019182556,0.000045690427,0.0001086822,0.00014057726,0.00016056877,0.0001002141,0.000015486306,0.00014343289,0.00012333463],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000062324093,0.00007142313,0.00077482994,0.00011182371,0.000033639422,0.0000022898148,0.0008534258,0.00004786101,0.000037059097,0.33611295,0.65515906,0.006789396],"study_design_scores_gemma":[0.000063816784,0.000006441358,0.0017618384,0.0002301641,0.000019792828,0.0000016654562,0.00006479726,0.0000071925665,0.000010111815,0.00038653225,0.99739796,0.000049659862],"about_ca_topic_score_codex":0.00055066403,"about_ca_topic_score_gemma":0.0002517433,"teacher_disagreement_score":0.7723466,"about_ca_system_score_codex":0.000077534234,"about_ca_system_score_gemma":0.000057325105,"threshold_uncertainty_score":0.99941546},"labels":[],"label_agreement":null},{"id":"W1522062075","doi":"","title":"Andrei Bitov on \"Russian Wealth\"","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Eastern European Communism and Reforms","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Emblem; Demise; Period (music); History; Soviet union; Classics; Barbarism; Literature; Philosophy; Ancient history; Law; Civilization; Art; Political science; Politics; Aesthetics; Archaeology","score_opus":0.03271154161397414,"score_gpt":0.3793505646881934,"score_spread":0.34663902307421923,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1522062075","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016536934,0.0057548573,0.0006203302,0.011660452,0.0022926712,0.00020234691,0.000005110094,0.000094409945,0.97771615],"genre_scores_gemma":[0.6796706,0.26565707,0.00021560596,0.010869877,0.0020667394,0.000008907557,0.000046861776,0.000023840912,0.041440517],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903977,0.00008399904,0.00023599951,0.000113445196,0.0003810759,0.0001457013],"domain_scores_gemma":[0.99956316,0.000051365543,0.00010166198,0.0001378831,0.00006182351,0.00008408918],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011292683,0.00006516631,0.00008779099,0.00006947548,0.00023770328,0.00003478202,0.00030533076,0.00003342212,0.00084868056],"category_scores_gemma":[0.00009084746,0.00004817492,0.00007393337,0.00013452383,0.000054567317,0.00012973005,0.000029740537,0.0001354913,0.0007787506],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003329474,0.00018791677,0.0032241654,0.00021992659,0.000048464717,0.000034015167,0.0010425289,0.0000043923274,0.00002229915,0.36483997,0.02690122,0.60344183],"study_design_scores_gemma":[0.000075243835,0.000020905185,0.003979595,0.00076225953,0.0000044993403,0.000003568694,0.00010093644,0.000003082194,0.000010792059,0.00013486894,0.9948417,0.000062582534],"about_ca_topic_score_codex":0.00011953869,"about_ca_topic_score_gemma":0.00016960157,"teacher_disagreement_score":0.96794045,"about_ca_system_score_codex":0.000097084674,"about_ca_system_score_gemma":0.000030187754,"threshold_uncertainty_score":0.9999993},"labels":[],"label_agreement":null},{"id":"W1522852127","doi":"","title":"Saad Elkhadem. Two Avant-Garde Egyptian Novels. \"The Great Egyptian Novel,\" \"From Travels of the Egyptian Odysseus\"","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"Islamic Studies and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Avant garde; Art; Ancient history; Art history; History","score_opus":0.02975869506238272,"score_gpt":0.31168926372474504,"score_spread":0.2819305686623623,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1522852127","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010626412,0.040097717,0.0004268554,0.11077989,0.008778741,0.0017279658,0.00045912783,0.00015811753,0.8269452],"genre_scores_gemma":[0.61758757,0.17570856,0.00048532063,0.017800989,0.0037809997,0.00017893074,0.00008596121,0.00007987038,0.18429178],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977132,0.00019798435,0.00060343696,0.00033700812,0.00086879125,0.0002795588],"domain_scores_gemma":[0.99884343,0.0001562145,0.0003131307,0.00038190396,0.00024180028,0.00006354726],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006582175,0.00020222767,0.00033156504,0.000051052248,0.0007133069,0.000052172556,0.00095660216,0.00008602232,0.013514146],"category_scores_gemma":[0.00014347302,0.00013752833,0.00037035166,0.00015863976,0.00044362553,0.00016240812,0.00006650136,0.00027883702,0.00036719828],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000085018946,0.00050288934,0.0015651815,0.0003016763,0.0010968038,0.000010252942,0.04988909,0.00024880888,0.0008457537,0.04609362,0.41645372,0.48290718],"study_design_scores_gemma":[0.00027482887,0.000013954205,0.006484572,0.00078675046,0.00010940208,0.000005438378,0.00030697024,0.000053275413,0.000020807805,0.00019107165,0.99159586,0.00015708133],"about_ca_topic_score_codex":0.0050050733,"about_ca_topic_score_gemma":0.0077612395,"teacher_disagreement_score":0.6426534,"about_ca_system_score_codex":0.0003211427,"about_ca_system_score_gemma":0.0001507911,"threshold_uncertainty_score":0.98738766},"labels":[],"label_agreement":null},{"id":"W1524214344","doi":"","title":"Günter Grass. My Century","year":2004,"lang":"en","type":"article","venue":"International fiction review","topic":"German History and Society","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.027826395475438047,"score_gpt":0.2515950064295098,"score_spread":0.22376861095407177,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1524214344","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006114162,0.05927263,0.0003186204,0.014468945,0.013129764,0.00044873692,0.00007808029,0.00028614438,0.9058829],"genre_scores_gemma":[0.8468511,0.089425474,0.00011181814,0.0220175,0.0026709966,0.000088296554,0.0002506945,0.000030043524,0.038554043],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99945843,0.000014299028,0.00018204236,0.000111213165,0.00016288605,0.00007111819],"domain_scores_gemma":[0.999704,0.000007824125,0.000064654516,0.0000851841,0.00011062119,0.000027684393],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000090465015,0.00007098134,0.00009163476,0.000024347466,0.00012786848,0.00004103998,0.00011582048,0.00001764856,0.007624464],"category_scores_gemma":[0.000013936821,0.0000613951,0.00014185288,0.000014824794,0.000050442257,0.00018008586,0.000014840208,0.000088223074,0.00093672686],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000041751555,0.00010992623,0.00005155781,0.00028181332,0.00007692786,0.000006671573,0.0046564587,0.000016572441,0.000015868729,0.7010029,0.28924987,0.00452725],"study_design_scores_gemma":[0.00012280313,0.000008813599,0.00010277136,0.00043623938,0.000014538678,0.000005716517,0.000099284625,0.000001963292,0.0000043782707,0.00058935845,0.9985444,0.00006975388],"about_ca_topic_score_codex":0.000025307296,"about_ca_topic_score_gemma":0.00002505956,"teacher_disagreement_score":0.8673289,"about_ca_system_score_codex":0.000111227266,"about_ca_system_score_gemma":0.000014788522,"threshold_uncertainty_score":0.99984115},"labels":[],"label_agreement":null},{"id":"W1524550543","doi":"","title":"The Significance of the Epiphany in der Steppenwolf","year":2002,"lang":"en","type":"article","venue":"International fiction review","topic":"Franz Kafka Literary Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Epiphany; Witness; Literature; Portrait; Subject (documents); Poetry; Value (mathematics); Connotation; Art; Philosophy; Art history; Linguistics","score_opus":0.042858316809333344,"score_gpt":0.24910877663291356,"score_spread":0.2062504598235802,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1524550543","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0050516073,0.32665578,0.000020794218,0.06417995,0.006086592,0.0011903743,0.000053158343,0.000044988436,0.59671676],"genre_scores_gemma":[0.8940789,0.05196741,0.000008389182,0.00243485,0.00034225936,0.000117137264,0.0000025719344,0.000008757248,0.051039703],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993039,0.00005893872,0.00028852772,0.00008417849,0.00019575325,0.00006874838],"domain_scores_gemma":[0.99950254,0.00012105243,0.000121848854,0.00013690836,0.00011031621,0.00000732048],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016273497,0.0000611664,0.00009832116,0.000020528943,0.00013073318,0.000036004523,0.00025356616,0.000008507883,0.0026206274],"category_scores_gemma":[0.00008854399,0.00003205833,0.00008015377,0.00004282767,0.00012253312,0.00011655597,0.00003534375,0.00007674833,0.00007713835],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009841277,0.00015566332,0.0026674902,0.00041998067,0.00015825214,0.000002023492,0.005464908,0.000025880985,0.000017145445,0.5171564,0.4160429,0.057879508],"study_design_scores_gemma":[0.000064948385,0.000007210825,0.0013536133,0.0005713201,0.000008223286,0.000001204512,0.0000847886,0.00011151344,0.0000082063225,0.00028534592,0.9974666,0.000036972444],"about_ca_topic_score_codex":0.000039311453,"about_ca_topic_score_gemma":0.0002052374,"teacher_disagreement_score":0.8890273,"about_ca_system_score_codex":0.00002761565,"about_ca_system_score_gemma":0.0000037896002,"threshold_uncertainty_score":0.99829113},"labels":[],"label_agreement":null},{"id":"W1524843803","doi":"","title":"Aharon Appelfeld. The Conversion","year":2001,"lang":"en","type":"article","venue":"International fiction review","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.02945544293267443,"score_gpt":0.3492481071822927,"score_spread":0.3197926642496183,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1524843803","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00041749643,0.008218822,0.0011692891,0.06625426,0.0015566242,0.0001987881,0.000009392784,0.00005409003,0.9221212],"genre_scores_gemma":[0.75460327,0.18704773,0.000063043844,0.016938835,0.0011745755,0.0000254252,0.000035741585,0.0000051277266,0.040106233],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992594,0.00009188896,0.00013462627,0.000086086635,0.00032588353,0.00010209125],"domain_scores_gemma":[0.99956644,0.00009793624,0.000068706875,0.00007925709,0.00014259422,0.000045096887],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033729713,0.000046775003,0.000064046144,0.000018164726,0.00031818866,0.000027021797,0.00021559055,0.00002319031,0.0038072267],"category_scores_gemma":[0.00015945591,0.000034093056,0.00006918497,0.00012253186,0.0002224831,0.00011910778,0.000019106634,0.00007433404,0.00042841688],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000024587682,0.000009057782,0.000904671,0.000012446636,0.000012541806,0.000002207018,0.00004965273,0.0000032381886,0.0000024843512,0.885055,0.108984895,0.0049613533],"study_design_scores_gemma":[0.00003555181,0.0000042876377,0.00023279576,0.00015354225,0.000011807069,0.0000099409235,0.00011318328,0.00001168118,0.0000018276512,0.0001445258,0.99923813,0.000042726333],"about_ca_topic_score_codex":0.0006481081,"about_ca_topic_score_gemma":0.000038446862,"teacher_disagreement_score":0.89025325,"about_ca_system_score_codex":0.0001012425,"about_ca_system_score_gemma":0.00018108207,"threshold_uncertainty_score":0.99710345},"labels":[],"label_agreement":null},{"id":"W1525386659","doi":"","title":"A. S. Byatt. A Whistling Woman","year":2004,"lang":"en","type":"article","venue":"International fiction review","topic":"Political and Economic history of UK and US","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; History","score_opus":0.03561913985905796,"score_gpt":0.34072563469751044,"score_spread":0.3051064948384525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1525386659","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003645007,0.011907075,0.00069888856,0.041276626,0.002348869,0.00013994348,0.0000070403244,0.0001006986,0.93987584],"genre_scores_gemma":[0.8449629,0.09219992,0.0005144418,0.0237782,0.002101139,0.00005684694,0.0000328692,0.000014107414,0.036339577],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995082,0.00001827427,0.00014707966,0.000095745985,0.00012313966,0.00010753529],"domain_scores_gemma":[0.999778,0.000013913693,0.00003951931,0.000047577818,0.000045528945,0.00007546674],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022337942,0.00003994806,0.00007680305,0.000025742173,0.0001823849,0.000020353084,0.00012640252,0.00002371544,0.0020625817],"category_scores_gemma":[0.000106923595,0.000039364375,0.000069208756,0.00004267043,0.00005589293,0.00012975255,0.00000893499,0.000051667776,0.00078693766],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000039237343,0.00007370957,0.00017954165,0.000095532356,0.000029564213,0.0000061037244,0.0009950035,0.000034029374,0.000011111975,0.91756225,0.055893097,0.025116164],"study_design_scores_gemma":[0.000070952294,0.0000042727256,0.00014238038,0.00029051088,0.0000053295125,0.0000020791856,0.000043184406,0.0000033471056,0.0000021326705,0.0030991589,0.9962882,0.000048488393],"about_ca_topic_score_codex":0.00053953537,"about_ca_topic_score_gemma":0.00011568706,"teacher_disagreement_score":0.94039506,"about_ca_system_score_codex":0.00028442728,"about_ca_system_score_gemma":0.00006795172,"threshold_uncertainty_score":0.99999106},"labels":[],"label_agreement":null},{"id":"W1525909246","doi":"","title":"Radmila J. Gorup and Nadeda Obradovic, eds. The Prince of Fire: An Anthology of Contemporary Serbian Short Stories","year":2001,"lang":"en","type":"article","venue":"International fiction review","topic":"European Cultural and National Identity","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Serbian; History; Philosophy; Linguistics","score_opus":0.06953281774870758,"score_gpt":0.3741241145345463,"score_spread":0.30459129678583874,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1525909246","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6834474,0.15115632,0.00011976966,0.036350112,0.0023988932,0.0011044568,0.00009496266,0.00008877552,0.12523927],"genre_scores_gemma":[0.8783534,0.1186377,0.00004336386,0.0004618393,0.00016397517,0.000006063877,0.000021507552,0.000003261545,0.0023088842],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989781,0.00022521472,0.000298357,0.00012355429,0.0003130982,0.000061701794],"domain_scores_gemma":[0.9993151,0.00008719281,0.00015804156,0.00008403149,0.00031776892,0.000037875034],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00067128823,0.00005966613,0.00014198551,0.000023613535,0.00013525349,0.000018139155,0.00023492558,0.000029765833,0.00022025341],"category_scores_gemma":[0.00027174363,0.000042152766,0.000053844924,0.000151503,0.0002536874,0.00035235536,0.00003828437,0.00007306696,0.00000499352],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015345422,0.00055322447,0.31445035,0.0009297894,0.00035056937,0.000039908875,0.0061118877,0.000015667994,0.0018076717,0.41230765,0.045677464,0.21760234],"study_design_scores_gemma":[0.000070171816,0.000031817646,0.068962514,0.00027330592,0.000014364128,0.000014259217,0.00023141092,0.000018195222,0.0000446892,0.00026990773,0.9300095,0.00005987306],"about_ca_topic_score_codex":0.0006317274,"about_ca_topic_score_gemma":0.0004241284,"teacher_disagreement_score":0.884332,"about_ca_system_score_codex":0.000026797301,"about_ca_system_score_gemma":0.000064308326,"threshold_uncertainty_score":0.24116203},"labels":[],"label_agreement":null},{"id":"W1526171705","doi":"","title":"J. Michael Dash. The Other America: Caribbean Literature in a New World Context","year":2001,"lang":"en","type":"article","venue":"International fiction review","topic":"Caribbean history, culture, and politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dash; Context (archaeology); History; Archaeology; Philosophy; Linguistics","score_opus":0.0293246784650871,"score_gpt":0.32466724952474146,"score_spread":0.29534257105965434,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1526171705","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007298104,0.23228657,0.00035769196,0.11629302,0.0048249313,0.0009448265,0.000099477154,0.00012293966,0.64434075],"genre_scores_gemma":[0.18589246,0.23790625,0.0001607489,0.0938072,0.0061072125,0.00009493134,0.00015979963,0.00004563884,0.47582576],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99890304,0.00017243365,0.00025849926,0.00016774931,0.00032732708,0.00017098212],"domain_scores_gemma":[0.99941367,0.000082866136,0.00011570651,0.00015033355,0.00015729494,0.00008011572],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030674067,0.00010389575,0.00015704204,0.00008219024,0.00014866558,0.000088899746,0.00031381426,0.00004883325,0.001628937],"category_scores_gemma":[0.00019834758,0.00007717829,0.00013288557,0.0005066485,0.00010449091,0.00016295974,0.000017700508,0.00022397397,0.00014623933],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010751848,0.00004315059,0.0020264036,0.000038048038,0.00003467085,0.000011426256,0.009086617,0.000005078731,0.0000047801436,0.17313747,0.7742669,0.041334696],"study_design_scores_gemma":[0.000113235285,0.00000503673,0.0005252669,0.00069018523,0.000014633503,0.0000072709367,0.00051400455,0.000008456709,7.4454164e-7,0.0003379838,0.9976951,0.00008811355],"about_ca_topic_score_codex":0.007934112,"about_ca_topic_score_gemma":0.02308282,"teacher_disagreement_score":0.22342816,"about_ca_system_score_codex":0.00027963438,"about_ca_system_score_gemma":0.0001353951,"threshold_uncertainty_score":0.99928373},"labels":[],"label_agreement":null},{"id":"W1527513116","doi":"","title":"The Paradox of Globalization as an \"Untotalizable Totality\" in Salman Rushdie's the Ground beneath Her Feet","year":2001,"lang":"en","type":"article","venue":"International fiction review","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Globalization; Cultural globalization; Phenomenon; Politics; Hegemony; Sociology; Aesthetics; Political economy; Political science; Law; Epistemology; Philosophy","score_opus":0.027335926771348426,"score_gpt":0.2898387779144817,"score_spread":0.26250285114313326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1527513116","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32597384,0.108522244,0.000020791716,0.029389245,0.0038860526,0.0013545651,0.00014160943,0.00010693982,0.5306047],"genre_scores_gemma":[0.91683704,0.060301997,0.000004596076,0.0023136975,0.00052567484,0.00008571853,0.00012642231,0.00000871691,0.01979615],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990709,0.00009175035,0.00035698042,0.00012969277,0.0002417536,0.000108918095],"domain_scores_gemma":[0.99947536,0.00004530839,0.0001445653,0.00013521775,0.00018070878,0.000018811019],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025492386,0.00010099772,0.00014008318,0.000018711307,0.0003035674,0.00012642251,0.00022922186,0.00001778012,0.00090454443],"category_scores_gemma":[0.000046037985,0.000052344603,0.00007603562,0.00007138194,0.00010506979,0.00038737737,0.000038428287,0.000059095284,0.000036831523],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040728904,0.00010573509,0.0016797212,0.00007611821,0.000080986756,0.0000033904082,0.0032711304,0.000022919783,0.000005330193,0.9737048,0.010938843,0.010070262],"study_design_scores_gemma":[0.00010060121,0.000052855095,0.004821411,0.00036549813,0.000019302473,0.000013690405,0.00053956656,0.00008237224,0.0000024324552,0.005295123,0.98863643,0.000070742615],"about_ca_topic_score_codex":0.0010195789,"about_ca_topic_score_gemma":0.0020455893,"teacher_disagreement_score":0.97769755,"about_ca_system_score_codex":0.0000482937,"about_ca_system_score_gemma":0.0000107334,"threshold_uncertainty_score":0.9904127},"labels":[],"label_agreement":null},{"id":"W1527659125","doi":"","title":"Hayley R. Mitchell, ed. Readings on \"Native Son\": Literary Companion to American Literature","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"American Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art; Art history","score_opus":0.01442813477734646,"score_gpt":0.2698098631789919,"score_spread":0.25538172840164547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1527659125","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0034979272,0.05113545,0.00037150717,0.01714588,0.0041570547,0.00103651,0.00044821005,0.0002924216,0.92191505],"genre_scores_gemma":[0.64378923,0.0347385,0.0010620594,0.16535039,0.004318515,0.00036929257,0.0013955767,0.00011557257,0.14886083],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99863744,0.00011874183,0.00034271224,0.00036638704,0.00035313907,0.00018156538],"domain_scores_gemma":[0.99900067,0.000055916546,0.00020816864,0.00019595188,0.00042718434,0.00011209986],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015237658,0.00024296134,0.0003149292,0.00012706977,0.00017073726,0.00032561534,0.00021662712,0.00003507285,0.004014631],"category_scores_gemma":[0.00011013647,0.00018703284,0.00018232576,0.00019147326,0.00009370148,0.0003419758,0.000019989662,0.00030508018,0.0005780145],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023789193,0.0001158189,0.0000620578,0.000111150366,0.000081389706,0.000009714894,0.011981332,0.0000029285673,0.000036547917,0.34319082,0.6301782,0.014206215],"study_design_scores_gemma":[0.0001070199,0.0001369694,0.00010307937,0.00275084,0.000023639172,0.000018197054,0.00035004926,0.0000059577155,0.00004388067,0.00030265396,0.99593997,0.00021776062],"about_ca_topic_score_codex":0.00001723819,"about_ca_topic_score_gemma":0.0000062991594,"teacher_disagreement_score":0.7730542,"about_ca_system_score_codex":0.00009541175,"about_ca_system_score_gemma":0.000020950256,"threshold_uncertainty_score":0.99689585},"labels":[],"label_agreement":null},{"id":"W1528388903","doi":"","title":"Clayton Koelb. Legendary Figures: Ancient History in Modern Novels","year":2001,"lang":"en","type":"article","venue":"International fiction review","topic":"Religious Studies and Spiritual Practices","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; History; Art history; Literature","score_opus":0.07739336210447814,"score_gpt":0.2982542150497908,"score_spread":0.22086085294531269,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1528388903","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0053494163,0.24192175,0.000087981745,0.007771833,0.0033807084,0.00027883443,0.000021098416,0.00006305213,0.74112535],"genre_scores_gemma":[0.40925384,0.52757454,0.000035482986,0.019145146,0.0012636905,0.000109356435,0.00006719536,0.000024434892,0.042526353],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894613,0.00003611991,0.00037787802,0.00020961827,0.00028762448,0.00014261625],"domain_scores_gemma":[0.99947894,0.000048796377,0.00015447069,0.0001247749,0.0001606297,0.000032386797],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023160402,0.00011797493,0.00018638711,0.000093261704,0.00010035069,0.00004545246,0.00016694074,0.00002544205,0.005735989],"category_scores_gemma":[0.00006997915,0.00010155221,0.00010641977,0.000029620322,0.00005668302,0.00033552415,0.00003843212,0.00015363644,0.0002449391],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002663571,0.00018396789,0.00019118607,0.00027257882,0.000063424864,0.000031851567,0.0025647639,0.000053846074,0.00003415553,0.06994587,0.8861724,0.0404593],"study_design_scores_gemma":[0.00014534694,0.000028242192,0.0003721036,0.00070310023,0.0000150212745,0.000014188307,0.00018259576,0.00037666285,6.494973e-7,0.00024036193,0.9978082,0.000113522154],"about_ca_topic_score_codex":0.000654618,"about_ca_topic_score_gemma":0.0010765255,"teacher_disagreement_score":0.698599,"about_ca_system_score_codex":0.0003219293,"about_ca_system_score_gemma":0.00003354828,"threshold_uncertainty_score":0.9951729},"labels":[],"label_agreement":null},{"id":"W1528765323","doi":"","title":"Amin Malak. Muslim Narratives and the Discourse of English","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Asian Studies and History","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Linguistics; Literature; History; Sociology; Philosophy; Art","score_opus":0.015053613820896882,"score_gpt":0.346297641299234,"score_spread":0.33124402747833714,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1528765323","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0051445966,0.06212263,0.000684942,0.012367908,0.0024179665,0.00037811903,0.000007916585,0.0000260066,0.9168499],"genre_scores_gemma":[0.8975874,0.09649385,0.00008829904,0.00044099282,0.0008254717,0.000014491418,0.000003155961,0.000003866647,0.0045424714],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944025,0.000065556385,0.00016594269,0.00006913799,0.00019940177,0.000059680624],"domain_scores_gemma":[0.99949384,0.00010796925,0.000109043474,0.000046235284,0.00022257816,0.000020362058],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010053508,0.000037133632,0.00010037189,0.000020889207,0.00016996691,0.000007978348,0.000093136376,0.000015757621,0.00023800877],"category_scores_gemma":[0.0004362598,0.000025067116,0.000052571402,0.00006666856,0.0004562706,0.000076776625,0.000019853454,0.000048307702,0.0000038243047],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041233303,0.00005408953,0.0011359432,0.00014943408,0.00010884494,0.0000018269321,0.14872281,6.6075637e-7,0.000004439611,0.71483594,0.05426499,0.0806798],"study_design_scores_gemma":[0.00012521612,0.0000053066938,0.0021841829,0.00022462472,0.000011040955,2.7188403e-7,0.050660264,9.2155e-7,8.3788e-7,0.00012065876,0.94663715,0.000029537225],"about_ca_topic_score_codex":0.00010678728,"about_ca_topic_score_gemma":0.00029848557,"teacher_disagreement_score":0.91230744,"about_ca_system_score_codex":0.000039767936,"about_ca_system_score_gemma":0.000017336277,"threshold_uncertainty_score":0.26060292},"labels":[],"label_agreement":null},{"id":"W1528915973","doi":"","title":"Lee Horsley. The Noir Thriller","year":2006,"lang":"en","type":"article","venue":"International fiction review","topic":"Law in Society and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Geology","score_opus":0.01855149042069362,"score_gpt":0.3263186622278679,"score_spread":0.3077671718071743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1528915973","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003993116,0.051173236,0.00019063533,0.11037166,0.0022340685,0.00030950585,0.000009586853,0.00009681746,0.8352152],"genre_scores_gemma":[0.24298519,0.5403597,0.00023878578,0.021422734,0.0065443334,0.00015744432,0.00010019964,0.000019006153,0.18817261],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991744,0.00008884835,0.00015244406,0.000102249825,0.00038746904,0.000094583804],"domain_scores_gemma":[0.99962,0.00004564209,0.00007424624,0.00008742743,0.00015378097,0.000018903078],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004509958,0.00005399974,0.00006900744,0.0000022305223,0.00039537094,0.000059043494,0.00026367247,0.000047766363,0.002830162],"category_scores_gemma":[0.00007076561,0.000034047232,0.00013117523,0.00013918156,0.0001060958,0.00013274566,0.0000186102,0.00010023532,0.00027756297],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[7.2694644e-7,0.000018312447,0.00018259369,0.00001679905,0.000014595134,4.7395233e-7,0.00030292384,0.0000134187685,0.000007759453,0.2063693,0.78870964,0.0043634353],"study_design_scores_gemma":[0.000038059483,0.0000020858565,0.00052948453,0.0001554011,0.000011839643,0.0000016721519,0.00019200282,0.0000063868697,0.000004537555,0.001854722,0.9971561,0.000047712078],"about_ca_topic_score_codex":0.00033749253,"about_ca_topic_score_gemma":0.00021242483,"teacher_disagreement_score":0.6470426,"about_ca_system_score_codex":0.00007184547,"about_ca_system_score_gemma":0.000029244826,"threshold_uncertainty_score":0.9980814},"labels":[],"label_agreement":null},{"id":"W1529068791","doi":"","title":"Stefan G. Meyer. The Experimental Arabic Novel: Postcolonial Literary Modernism in the Levant","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"Global Maritime and Colonial Histories","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Arabic; Modernism (music); Literature; Philosophy; Art; History; Art history; Linguistics","score_opus":0.03199286688958041,"score_gpt":0.3450458605658673,"score_spread":0.31305299367628686,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1529068791","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044131152,0.19346973,0.00036299677,0.093782924,0.008083081,0.0024938197,0.000053747066,0.000115166804,0.65750736],"genre_scores_gemma":[0.9844354,0.007860442,0.0000536767,0.0054572336,0.00026446462,0.000121047015,0.000009512945,0.000005345387,0.0017929175],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986973,0.00031237182,0.00022468442,0.00014776779,0.00047834718,0.00013955495],"domain_scores_gemma":[0.99959797,0.000090310015,0.00007573564,0.00012601516,0.000083603285,0.000026357551],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00080634287,0.000082674145,0.00010024679,0.000027401053,0.00033007795,0.00008679635,0.00039395166,0.00003995068,0.00043955215],"category_scores_gemma":[0.0001909879,0.000053768967,0.00009001645,0.00017779286,0.0001120039,0.00016738797,0.00002242227,0.00012841255,0.00006143405],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004749038,0.0005683862,0.00135771,0.000055488606,0.000054773132,0.000017831824,0.024222605,0.000025002539,0.00026036784,0.9159434,0.04604441,0.01140253],"study_design_scores_gemma":[0.00011623445,0.000025651778,0.0006986505,0.0001317937,0.00000781535,0.000012816775,0.00045104662,0.00001474936,0.000011447279,0.0009807092,0.9974827,0.00006634729],"about_ca_topic_score_codex":0.0004761885,"about_ca_topic_score_gemma":0.00040119365,"teacher_disagreement_score":0.9514383,"about_ca_system_score_codex":0.00018726834,"about_ca_system_score_gemma":0.00009963816,"threshold_uncertainty_score":0.4812788},"labels":[],"label_agreement":null},{"id":"W1529355090","doi":"","title":"John Clement Ball. Imagining London: Postcolonial Fiction and the Transnational Metropolis","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ball (mathematics); Art history; Art; History; Geometry; Mathematics","score_opus":0.01815547821714295,"score_gpt":0.27272650773473633,"score_spread":0.25457102951759336,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1529355090","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012066911,0.088471554,0.00082234293,0.37123597,0.009383336,0.001745532,0.00034691498,0.00026337328,0.51566404],"genre_scores_gemma":[0.96917623,0.014687759,0.00007859828,0.007824288,0.0015708677,0.00007055563,0.00015275994,0.000010944297,0.006427969],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988906,0.00005191038,0.00040255426,0.00017462306,0.0003376,0.00014275256],"domain_scores_gemma":[0.9993766,0.000118784024,0.0001309991,0.00006755264,0.00026991675,0.000036170022],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00057736895,0.00013259429,0.00018121369,0.000058557183,0.00041673487,0.00013963584,0.00013381147,0.000019681247,0.0021887359],"category_scores_gemma":[0.000044348937,0.000081306214,0.00012914429,0.000047374593,0.00021632072,0.00035646954,0.000037249145,0.00012734791,0.000022693292],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012934083,0.000038602615,0.000106556596,0.00007476784,0.00015629017,0.0000030024485,0.0026474553,0.0000013171773,0.00001313742,0.9597857,0.021586195,0.015457618],"study_design_scores_gemma":[0.0006850421,0.000036992493,0.0017203463,0.0001452536,0.0000684098,0.000021289152,0.00033413715,0.00005841786,0.000011942329,0.0006504617,0.99616545,0.00010222846],"about_ca_topic_score_codex":0.000100300094,"about_ca_topic_score_gemma":0.000197115,"teacher_disagreement_score":0.9745793,"about_ca_system_score_codex":0.000071775765,"about_ca_system_score_gemma":0.0000108036975,"threshold_uncertainty_score":0.9987234},"labels":[],"label_agreement":null},{"id":"W1529414174","doi":"","title":"Robert Walser. The Robber","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Psychoanalysis, Philosophy, and Politics","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Classics; History","score_opus":0.031767341079484084,"score_gpt":0.3933123695161199,"score_spread":0.36154502843663583,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1529414174","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000854528,0.047171906,0.003098219,0.026838487,0.0068883384,0.00027537005,0.000020573592,0.000074518815,0.91477805],"genre_scores_gemma":[0.7803353,0.036000237,0.00020300846,0.074915856,0.005768869,0.00011437373,0.00018249595,0.00005595043,0.10242391],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988504,0.00007456022,0.0004220999,0.00019992662,0.00026707025,0.00018594926],"domain_scores_gemma":[0.99914354,0.0001551868,0.00013997804,0.00035462316,0.00015592911,0.000050760264],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00070996856,0.00011333753,0.00015361425,0.000074027,0.00007629064,0.000020142532,0.00034303905,0.000055878765,0.009048705],"category_scores_gemma":[0.00006545416,0.000078835656,0.0002038836,0.00019354223,0.000040993153,0.00006294664,0.000023226095,0.00017805403,0.0022484171],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029982917,0.0001881746,0.0030407412,0.00008265895,0.0005917561,0.000016695094,0.00022158648,0.000010833461,0.000017974999,0.2868186,0.6658765,0.04310448],"study_design_scores_gemma":[0.00011811068,0.0000119417355,0.0104667675,0.0001733485,0.000076851415,0.000054969623,0.000015799546,0.000010356094,0.00000848776,0.0017488564,0.9872271,0.000087400076],"about_ca_topic_score_codex":0.000076099976,"about_ca_topic_score_gemma":0.000019206916,"teacher_disagreement_score":0.81235415,"about_ca_system_score_codex":0.0000598175,"about_ca_system_score_gemma":0.000010005099,"threshold_uncertainty_score":0.9985284},"labels":[],"label_agreement":null},{"id":"W1529940066","doi":"","title":"Robert Goddard. Caught in the Light","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"Diverse Historical and Scientific Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art; Philosophy","score_opus":0.032044394148065695,"score_gpt":0.25044649745000425,"score_spread":0.21840210330193854,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1529940066","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00015702464,0.015367696,0.0000015194241,0.03181987,0.0019275022,0.00011045049,0.00001302353,0.00001903932,0.9505839],"genre_scores_gemma":[0.0425601,0.041448858,0.000009311749,0.010040103,0.0010616016,0.00009038809,0.00003649559,0.0000067428714,0.9047464],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993996,0.00003006789,0.00016815327,0.000107677784,0.00022948383,0.00006498973],"domain_scores_gemma":[0.99980146,0.000019662728,0.000027557206,0.000082165745,0.000057947294,0.000011222037],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018751415,0.00005491614,0.00008414204,0.0000296611,0.0001369445,0.00006416259,0.00018508239,0.000008121092,0.041741468],"category_scores_gemma":[0.000019651337,0.000032234948,0.00007004675,0.000045600005,0.000039904266,0.00010583977,0.000009966756,0.00006079562,0.0014914122],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000021064775,0.000043523112,0.000011306259,0.000025542044,0.000010482635,0.0000042490656,0.0023410986,0.000001719123,4.4619668e-7,0.079731,0.8989149,0.01891364],"study_design_scores_gemma":[0.000046098183,0.000003733834,0.00006572167,0.0001834892,0.000008536633,0.0000029500586,0.00011985992,0.000009819762,3.1881896e-7,0.00019866138,0.9993175,0.000043274984],"about_ca_topic_score_codex":0.000062567386,"about_ca_topic_score_gemma":0.00020034712,"teacher_disagreement_score":0.100402646,"about_ca_system_score_codex":0.000039426875,"about_ca_system_score_gemma":0.0000046504156,"threshold_uncertainty_score":0.99928606},"labels":[],"label_agreement":null},{"id":"W1530009431","doi":"","title":"In Defense of Flat Characters: A Discussion of Their Value to Charles Dickens, Jane Austen, and Leo Tolstoy","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"Literature Analysis and Criticism","field":"Medicine","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Value (mathematics); History; Psychoanalysis; Psychology; Philosophy; Art history; Computer science","score_opus":0.0131286762517917,"score_gpt":0.2994186666943406,"score_spread":0.2862899904425489,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1530009431","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91614294,0.04324407,0.0000700417,0.03299682,0.00027496583,0.000729506,0.00007937745,0.000017300132,0.006444952],"genre_scores_gemma":[0.95703906,0.037783045,0.00007508628,0.0026085258,0.00009778251,0.000017798175,0.000065812455,0.0000071434984,0.0023057298],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99909115,0.00003961343,0.00044020827,0.00015367538,0.00020697174,0.000068359885],"domain_scores_gemma":[0.9995759,0.000026149843,0.000084028885,0.00013535179,0.00012620754,0.000052332565],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019979391,0.00008902253,0.00035422677,0.00012168777,0.000010500388,0.0000070728693,0.000056488334,0.00003765191,0.00079105666],"category_scores_gemma":[0.00005605688,0.000052132185,0.00011238651,0.00016629694,0.000020977455,0.00010809371,0.00001565785,0.00008075154,0.000013677451],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001472094,0.001735848,0.051421404,0.011967254,0.0012343341,0.0001526857,0.007837642,0.00003951877,0.05587707,0.020045612,0.03311919,0.81509733],"study_design_scores_gemma":[0.0017644422,0.00048825346,0.07327576,0.040444072,0.00046649287,0.00028623504,0.0002636664,0.00051245856,0.0040762485,0.00039061537,0.8776873,0.00034447867],"about_ca_topic_score_codex":0.000022939937,"about_ca_topic_score_gemma":0.0000039511174,"teacher_disagreement_score":0.8445681,"about_ca_system_score_codex":0.000025023517,"about_ca_system_score_gemma":0.000012080348,"threshold_uncertainty_score":0.8661516},"labels":[],"label_agreement":null},{"id":"W1531036795","doi":"","title":"Early Precursors to the Egyptian Novel","year":2002,"lang":"en","type":"article","venue":"International fiction review","topic":"Islamic Studies and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Narrative; Literature; Rhetorical question; Rhyme; Plot (graphics); History; Emancipation; Politics; Aesthetics; Art; Poetry; Law","score_opus":0.051851904915210655,"score_gpt":0.31956070857479035,"score_spread":0.2677088036595797,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1531036795","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006348039,0.024776192,0.00064022804,0.21973692,0.0042425646,0.00048617023,0.000014012199,0.00006511342,0.749404],"genre_scores_gemma":[0.36882272,0.2752503,0.0005000033,0.04227426,0.0041731326,0.00032772275,0.000008659031,0.000028384113,0.30861485],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99933296,0.000035177516,0.00013119982,0.00010463091,0.00030082764,0.000095202035],"domain_scores_gemma":[0.99968874,0.000034041906,0.000050263447,0.00008575177,0.000112176116,0.000029026984],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00027685784,0.00004607807,0.0000690348,0.00002695737,0.00031535418,0.000027018581,0.00024381134,0.000018314873,0.0027121638],"category_scores_gemma":[0.00018216133,0.00003458075,0.00006675743,0.00013737015,0.000044675355,0.0000671604,0.000024445737,0.000061668405,0.0010252744],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000012705832,0.000036251127,0.00011112267,0.000019313758,0.000031663898,5.4202735e-7,0.006436928,0.000007519277,0.0000037304223,0.072801135,0.866484,0.05406652],"study_design_scores_gemma":[0.00003153902,0.000007864553,0.0011736533,0.00018068816,0.0000086861055,6.9263143e-7,0.000106809144,0.000019533043,2.2638135e-7,0.000015445576,0.9984112,0.000043676606],"about_ca_topic_score_codex":0.0004861055,"about_ca_topic_score_gemma":0.00039361618,"teacher_disagreement_score":0.44078916,"about_ca_system_score_codex":0.00013117418,"about_ca_system_score_gemma":0.000009207353,"threshold_uncertainty_score":0.9997525},"labels":[],"label_agreement":null},{"id":"W1533402415","doi":"","title":"Matthew Guinn. After Southern Modernism: Fiction of the Contemporary South","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"Race, History, and American Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Modernism (music); History; Art history; Art","score_opus":0.031701364677075294,"score_gpt":0.30121806149760494,"score_spread":0.26951669682052964,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1533402415","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0122950105,0.06418254,0.004650366,0.008387347,0.0054310584,0.0011898804,0.00016539058,0.00015315552,0.90354526],"genre_scores_gemma":[0.97088134,0.006833681,0.00015815186,0.002118295,0.00019336204,0.000058050093,0.000005836327,0.0000131368,0.019738147],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99862796,0.00029881607,0.00031631638,0.000167457,0.00048349946,0.0001059336],"domain_scores_gemma":[0.99923205,0.000038530026,0.00030463198,0.00018446172,0.0001973645,0.000042957097],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00060782814,0.00009104159,0.0001635914,0.000024830822,0.00021325157,0.000020109126,0.00023838972,0.000053619544,0.0015528899],"category_scores_gemma":[0.00019266696,0.000070149916,0.00025331136,0.00016815227,0.00025002955,0.00012285223,0.000016532797,0.00011420296,0.00009724825],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009977546,0.0006849887,0.0667996,0.0012133352,0.0006496387,0.000007566815,0.10934853,0.0001543986,0.0005392683,0.07542176,0.7227367,0.022344435],"study_design_scores_gemma":[0.000092303024,0.0000065724566,0.00061201164,0.00041793624,0.000021288804,0.0000014231983,0.0026816714,0.00001705125,0.000014376532,0.00017848672,0.995874,0.00008286155],"about_ca_topic_score_codex":0.0002323834,"about_ca_topic_score_gemma":0.000019687173,"teacher_disagreement_score":0.95858634,"about_ca_system_score_codex":0.00013725378,"about_ca_system_score_gemma":0.00016283612,"threshold_uncertainty_score":0.99935985},"labels":[],"label_agreement":null},{"id":"W1533751009","doi":"","title":"German Minority Literature: Tongues Set Free & Pointed Tongues","year":2001,"lang":"en","type":"article","venue":"International fiction review","topic":"German Colonialism and Identity Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"German; Literature; History; Publishing; Bulgarian; Classics; Art history; Art; Philosophy; Linguistics","score_opus":0.03412693223835409,"score_gpt":0.30479115256883615,"score_spread":0.27066422033048204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1533751009","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.067414805,0.18033573,0.00005274781,0.05424336,0.015687859,0.0010354428,0.0008983539,0.0006093389,0.67972237],"genre_scores_gemma":[0.57874244,0.21463771,0.00006169093,0.008661336,0.007910216,0.00016307554,0.0012348612,0.000037267113,0.18855138],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99893135,0.00004922881,0.00034881098,0.00021911677,0.00030606872,0.00014545182],"domain_scores_gemma":[0.9990911,0.000032720294,0.00012873096,0.0002390748,0.0004659006,0.000042505064],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016121202,0.0001558693,0.00021897699,0.000101335994,0.00023808132,0.0002901462,0.0003293061,0.000032127773,0.005814963],"category_scores_gemma":[0.00012540007,0.0001344519,0.00016958264,0.00006641211,0.000076061464,0.00048672935,0.000107821696,0.00013600376,0.00045859953],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012262093,0.00006720341,0.00055182615,0.00031874262,0.00012102612,0.000036208443,0.003014581,2.3843856e-7,0.000013043465,0.059574,0.9343069,0.0019839306],"study_design_scores_gemma":[0.00016511344,0.000024818897,0.0029313052,0.00091648655,0.000050703715,0.00004535301,0.00007945366,0.0000135745995,0.000007506833,0.0010850065,0.99453413,0.00014653931],"about_ca_topic_score_codex":0.00028894836,"about_ca_topic_score_gemma":0.0010223049,"teacher_disagreement_score":0.5113276,"about_ca_system_score_codex":0.00005175688,"about_ca_system_score_gemma":0.000010794641,"threshold_uncertainty_score":0.9950939},"labels":[],"label_agreement":null},{"id":"W1533842657","doi":"","title":"Between Generations Across Cultures: Exploring Female Memory in Women's Fiction","year":2002,"lang":"en","type":"article","venue":"International fiction review","topic":"Irish and British Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Unconscious mind; Order (exchange); Turkish; Gender studies; History; Relation (database); Literature; Sociology; Psychology; Psychoanalysis; Art; Philosophy; Linguistics","score_opus":0.11325054798461055,"score_gpt":0.3778598408149414,"score_spread":0.26460929283033086,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1533842657","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3598192,0.081786595,0.0009252489,0.029225295,0.006990258,0.0014812341,0.00014941112,0.000465289,0.51915747],"genre_scores_gemma":[0.6955269,0.2942264,0.00010048266,0.0010785828,0.0016201366,0.0004585331,0.000028151238,0.00000930589,0.006951504],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987938,0.00010167067,0.00031128473,0.00019623578,0.00036494803,0.00023207332],"domain_scores_gemma":[0.9995704,0.00005452698,0.00008690259,0.00007684073,0.00015372413,0.000057548583],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000496398,0.000085436855,0.00016317033,0.000053409185,0.00044620148,0.000088443114,0.00016399733,0.00004622065,0.0012102339],"category_scores_gemma":[0.00030624744,0.000089031666,0.00007215866,0.00028839722,0.000059908612,0.00052956847,0.00003298836,0.0001273189,0.00015221616],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005027205,0.0001779261,0.013136996,0.00023529056,0.00010812088,0.000015721997,0.029852854,0.00009105234,0.000020337116,0.0007647985,0.5768549,0.37873697],"study_design_scores_gemma":[0.0001521668,0.000011013138,0.0072404738,0.0006206485,0.0000078760795,0.0000018258372,0.0041570934,0.000023653047,0.0000122356,0.000025276702,0.9876244,0.00012331092],"about_ca_topic_score_codex":0.00027839644,"about_ca_topic_score_gemma":0.00014516938,"teacher_disagreement_score":0.51220596,"about_ca_system_score_codex":0.0003434655,"about_ca_system_score_gemma":0.000012898532,"threshold_uncertainty_score":0.9997028},"labels":[],"label_agreement":null},{"id":"W1534569991","doi":"","title":"Margit Resch. Understanding Christa Wolf: Returning Home to a Foreign Land","year":2001,"lang":"en","type":"article","venue":"International fiction review","topic":"German History and Society","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Archaeology; Environmental ethics; Art; Philosophy","score_opus":0.08698199826493722,"score_gpt":0.2747890239297064,"score_spread":0.18780702566476917,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1534569991","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011849372,0.014893417,0.0026147536,0.010156878,0.0034895905,0.00061861245,0.00010375375,0.00026132824,0.9560123],"genre_scores_gemma":[0.9087503,0.022656731,0.00009718358,0.0068227635,0.0016458061,0.00006906475,0.00018026007,0.000031800784,0.0597461],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99920756,0.000032217642,0.00024387156,0.00016657173,0.00022943353,0.00012035313],"domain_scores_gemma":[0.99961305,0.000032626296,0.00008576459,0.00011431975,0.000096855256,0.000057360856],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025026588,0.00009675406,0.00014353998,0.0000648934,0.00026666463,0.00010530328,0.00014417496,0.000025417492,0.008028382],"category_scores_gemma":[0.000033404947,0.00008866319,0.00011880563,0.000048182163,0.000034441116,0.0002040968,0.00002838387,0.000120584285,0.00028107103],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002622407,0.000034424906,0.0010395903,0.00025217753,0.00007425031,0.00001875332,0.0041796505,0.0000141298015,0.000012736699,0.43389413,0.559699,0.0007549272],"study_design_scores_gemma":[0.000113626586,0.000021551745,0.00012318695,0.0008577568,0.000018032984,0.000015604712,0.00050409656,0.000057475572,8.773478e-7,0.0011162854,0.9970583,0.000113242444],"about_ca_topic_score_codex":0.00003406309,"about_ca_topic_score_gemma":0.0000817371,"teacher_disagreement_score":0.8969009,"about_ca_system_score_codex":0.00027224104,"about_ca_system_score_gemma":0.0000138774785,"threshold_uncertainty_score":0.99287844},"labels":[],"label_agreement":null},{"id":"W1534778512","doi":"","title":"The Spectator's Pleasure: Yeat's \"Long-legged Fly\"","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"Memory, Trauma, and Commemoration","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pleasure; The Imaginary; Aesthetics; Battle; Poetry; Art; Forgetting; Literature; Visual arts; Psychoanalysis; History; Psychology; Cognitive psychology","score_opus":0.04041048822047665,"score_gpt":0.35411108200746444,"score_spread":0.3137005937869878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1534778512","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006537991,0.16475405,0.005760853,0.092111826,0.018569643,0.001420298,0.000036164914,0.00041050016,0.7103987],"genre_scores_gemma":[0.8433757,0.066967994,0.00032523923,0.01260848,0.006744271,0.000496074,0.0002134411,0.000067276604,0.06920154],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99865633,0.00016374316,0.00041902004,0.0002409681,0.00035326957,0.0001666739],"domain_scores_gemma":[0.99913734,0.00010656934,0.00016770179,0.00035307807,0.00017976137,0.000055560286],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00051297236,0.00013216492,0.000148264,0.00004646312,0.00018732461,0.00007243209,0.0003573699,0.00005555763,0.0051826583],"category_scores_gemma":[0.000102334416,0.00009885173,0.00014195123,0.00013886277,0.000037414877,0.00014540166,0.000022778504,0.0002046799,0.0034620403],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040843413,0.00012657233,0.0010108302,0.000046012203,0.00015600174,0.000006460114,0.00015468031,0.000017949551,0.000028896471,0.025255106,0.5908392,0.38231745],"study_design_scores_gemma":[0.00027421516,0.000023264989,0.015613539,0.00018724384,0.000031996944,0.000054691784,0.000047226964,0.00010759095,0.00003355175,0.00010775425,0.9834105,0.00010843533],"about_ca_topic_score_codex":0.000020364798,"about_ca_topic_score_gemma":0.000113307564,"teacher_disagreement_score":0.8368377,"about_ca_system_score_codex":0.000105668434,"about_ca_system_score_gemma":0.000023333841,"threshold_uncertainty_score":0.99731386},"labels":[],"label_agreement":null},{"id":"W1534942623","doi":"","title":"The Politics and Poetics of Philippine Festival in Ninotchka Rosca's State of War","year":2002,"lang":"en","type":"article","venue":"International fiction review","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Folklore; Poetics; Ideology; Narrative; Politics; Sociology; History; Literature; Identity (music); State (computer science); Resistance (ecology); Aesthetics; Anthropology; Gender studies; Art; Law; Political science; Poetry","score_opus":0.02890763357403348,"score_gpt":0.30857371341916856,"score_spread":0.2796660798451351,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1534942623","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2303203,0.48376742,0.00017559942,0.062370244,0.0037843513,0.0013423503,0.00019218965,0.000081466846,0.2179661],"genre_scores_gemma":[0.73395526,0.2565339,0.000033677516,0.00024989198,0.0000930986,0.000007653654,0.0000040412165,0.000003731513,0.009118745],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992707,0.00008457932,0.00025998263,0.00007180453,0.00023865233,0.00007431644],"domain_scores_gemma":[0.9995642,0.00006250051,0.00013577106,0.00006484147,0.00014542133,0.000027269221],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031303693,0.00004561494,0.00010899275,0.000026884925,0.00008796953,0.000004991365,0.00013438582,0.000020602556,0.00025512508],"category_scores_gemma":[0.00030938437,0.000034490542,0.000039181887,0.00012295575,0.0001765338,0.00007364401,0.00001732744,0.00007150159,0.000003974486],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041658783,0.00083828706,0.010609159,0.0018953471,0.00021467243,0.0000140498405,0.04304488,0.0001693389,0.0017361545,0.31585264,0.08661308,0.5389707],"study_design_scores_gemma":[0.00009107346,0.000016171944,0.0020052237,0.0005020035,0.000009233041,0.0000021815113,0.00014422963,0.00007832989,0.000038668983,0.0007960779,0.99627507,0.00004172406],"about_ca_topic_score_codex":0.00009603585,"about_ca_topic_score_gemma":0.00015049773,"teacher_disagreement_score":0.909662,"about_ca_system_score_codex":0.000052292522,"about_ca_system_score_gemma":0.000017769356,"threshold_uncertainty_score":0.27934405},"labels":[],"label_agreement":null},{"id":"W1535090563","doi":"","title":"Performing Identity in Gish Jen's Mona in the Promised Land","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subjectivity; Postmodernism; Identity (music); Politics; Sociology; Aesthetics; Identity politics; Epistemology; Political science; Law; Philosophy","score_opus":0.029107655809141694,"score_gpt":0.30366343844257404,"score_spread":0.27455578263343233,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1535090563","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29392707,0.021197353,0.00005653207,0.008167931,0.0019799445,0.0010408621,0.00002277744,0.000058091115,0.6735494],"genre_scores_gemma":[0.99372864,0.001704335,0.000008369753,0.0016879297,0.00052674435,0.000033480694,0.000032191958,0.000004885386,0.002273405],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993399,0.000025570787,0.0002464431,0.00009549589,0.00020538212,0.000087246095],"domain_scores_gemma":[0.9997712,0.000028057664,0.00006125184,0.00006983259,0.000056743,0.000012964553],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00056635006,0.00006237234,0.00009032719,0.00005994906,0.00005600488,0.000076067365,0.00016419955,0.000019447247,0.0017592182],"category_scores_gemma":[0.000056449888,0.000040914332,0.000051655086,0.000063622596,0.000020184616,0.00026381598,0.000010935212,0.0001357152,0.000075990094],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013265555,0.0007625087,0.14391868,0.0021375602,0.00011500505,0.00022036867,0.10054914,0.00004336742,0.000054158692,0.5796615,0.07567167,0.09673339],"study_design_scores_gemma":[0.00028243568,0.000011143698,0.02126812,0.0008116654,0.000009564437,0.000012467661,0.0028243244,0.000043022013,0.0000034551324,0.0004625603,0.9741912,0.00008003268],"about_ca_topic_score_codex":0.00013560108,"about_ca_topic_score_gemma":0.003205464,"teacher_disagreement_score":0.8985195,"about_ca_system_score_codex":0.000036464542,"about_ca_system_score_gemma":0.0000074629274,"threshold_uncertainty_score":0.9991533},"labels":[],"label_agreement":null},{"id":"W1535193512","doi":"","title":"African Interests: White Liberalism and Resistance in Margaret Laurence's \"Pure Diamond Man\"","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Acadia University","funders":"","keywords":"Opposition (politics); White (mutation); Liberalism; Empire; Subject (documents); History; Criticism; Feeling; Religious studies; Philosophy; Literature; Aesthetics; Sociology; Law; Psychoanalysis; Politics; Art; Political science; Ancient history; Psychology; Epistemology","score_opus":0.022367734959376676,"score_gpt":0.2459333251794951,"score_spread":0.2235655902201184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1535193512","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017060824,0.16116703,0.0000053189788,0.037616722,0.0017978833,0.000489283,0.00018771815,0.00008217175,0.781593],"genre_scores_gemma":[0.8648899,0.046326064,0.00013804687,0.0062408596,0.00037129718,0.00013434727,0.0000921951,0.000015529995,0.08179172],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99925154,0.000059586404,0.00026101817,0.00018322298,0.00013681136,0.00010783172],"domain_scores_gemma":[0.9996934,0.000024731728,0.00008225042,0.00007420994,0.00009505739,0.000030334335],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011023926,0.00011605632,0.00017107301,0.00004823097,0.00009788732,0.00010590258,0.00009991269,0.00001985033,0.002238112],"category_scores_gemma":[0.000056260174,0.00008761801,0.000049358194,0.000045656358,0.000074925905,0.00029260208,0.000026311003,0.00010521306,0.000031011816],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002363824,0.000055302826,0.0036422953,0.00045148015,0.00005852203,0.000018957244,0.008389963,2.0736397e-7,0.0000033842919,0.81260407,0.17324771,0.0015044609],"study_design_scores_gemma":[0.00011879736,0.000016049793,0.003335066,0.0013672399,0.0000105722265,0.0000050971057,0.00023325172,0.0000010685502,0.0000014470849,0.0034186037,0.9913845,0.000108294116],"about_ca_topic_score_codex":0.00002520802,"about_ca_topic_score_gemma":0.002096184,"teacher_disagreement_score":0.8478291,"about_ca_system_score_codex":0.000038930128,"about_ca_system_score_gemma":0.000007093234,"threshold_uncertainty_score":0.998674},"labels":[],"label_agreement":null},{"id":"W1535328996","doi":"","title":"Gail Finney. Christ Wolf; and Margit Resch. Understanding Christa Wolf: Returning Home to a Foreign Land","year":2002,"lang":"en","type":"article","venue":"International fiction review","topic":"German History and Society","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; History","score_opus":0.08265320846202692,"score_gpt":0.24999231114877746,"score_spread":0.16733910268675053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1535328996","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022847978,0.10155461,0.001191744,0.02216058,0.003991847,0.0012114574,0.0003668159,0.000408843,0.84626615],"genre_scores_gemma":[0.9063956,0.039104518,0.00009927026,0.005790275,0.0010724529,0.000066262946,0.00010440495,0.000034130127,0.047333065],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999063,0.00003954355,0.00029167117,0.00022666063,0.0002368938,0.00014222648],"domain_scores_gemma":[0.9995438,0.00005020587,0.000110714995,0.00012729975,0.00008944062,0.00007853337],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002393311,0.00013143933,0.00019281376,0.00007548451,0.0003637103,0.00016423194,0.00012944355,0.00003642763,0.008844256],"category_scores_gemma":[0.00004723359,0.00012193081,0.0001019306,0.000047832753,0.00006909602,0.00023424055,0.000041313902,0.00015974244,0.00018637984],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012848103,0.000038142905,0.0005242561,0.000474534,0.00007600301,0.000011736233,0.0066433246,0.0000051664683,0.000009682942,0.15025492,0.8408526,0.0010967718],"study_design_scores_gemma":[0.00018185208,0.000033182187,0.00013254366,0.001054488,0.000025929683,0.000015221793,0.00052745873,0.00024992714,0.0000011701272,0.00053208583,0.9970913,0.00015483152],"about_ca_topic_score_codex":0.000040034396,"about_ca_topic_score_gemma":0.000058128368,"teacher_disagreement_score":0.88354766,"about_ca_system_score_codex":0.00020801916,"about_ca_system_score_gemma":0.000006973271,"threshold_uncertainty_score":0.9920618},"labels":[],"label_agreement":null},{"id":"W1536228228","doi":"","title":"Edgar Allan Poe and E. T. A. Hoffmann: The Double in \"William Wilson\" and The Devil's Elixirs","year":2002,"lang":"en","type":"article","venue":"International fiction review","topic":"Themes in Literature Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"German; Romance; Literature; Romanticism; Uncanny; Philosophy; German literature; Scholarship; Soul; Art; Art history; Classics; Literary criticism; Theology; Law","score_opus":0.025263207816445823,"score_gpt":0.24579500315765568,"score_spread":0.22053179534120987,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1536228228","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0043098833,0.55996823,0.000036106012,0.08572341,0.0016590154,0.0008110956,0.00003342048,0.000064360196,0.34739447],"genre_scores_gemma":[0.70267195,0.25075415,0.000029743298,0.010482589,0.001125171,0.0001232544,0.000030164867,0.0000184674,0.034764513],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927384,0.00006764169,0.0002550491,0.00014828215,0.000172601,0.00008261075],"domain_scores_gemma":[0.9995385,0.000109937115,0.00009428427,0.00015712129,0.00008148137,0.000018698],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034347794,0.000098757824,0.00016486092,0.000050916613,0.00015605192,0.00021506578,0.00017945132,0.000020020576,0.002326589],"category_scores_gemma":[0.000041439453,0.00005106683,0.00007070634,0.000050187966,0.00020730698,0.00017234906,0.000050362698,0.00014224055,0.000046748133],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026984717,0.000043974476,0.00036957397,0.00016345082,0.00020293686,0.0000035851508,0.008726983,0.0000068874515,0.0000014397984,0.8248349,0.13941154,0.026207777],"study_design_scores_gemma":[0.00036208183,0.000007433295,0.00014168627,0.0004006853,0.000053830026,0.000014921203,0.0001486169,0.00037137308,6.7757566e-7,0.000883035,0.99755085,0.00006478949],"about_ca_topic_score_codex":0.00005940997,"about_ca_topic_score_gemma":0.00022754495,"teacher_disagreement_score":0.85813934,"about_ca_system_score_codex":0.000020754711,"about_ca_system_score_gemma":0.0000026016357,"threshold_uncertainty_score":0.9985854},"labels":[],"label_agreement":null},{"id":"W1536776936","doi":"","title":"Mao Dun. The Shop of the Lin Family & Spring Silkworms","year":2006,"lang":"en","type":"article","venue":"International fiction review","topic":"Chinese history and philosophy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Spring (device); Biology; History; Engineering; Structural engineering","score_opus":0.02676431018800928,"score_gpt":0.3039678242349984,"score_spread":0.2772035140469891,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1536776936","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042715486,0.0463374,0.00019037425,0.044797376,0.0051394408,0.0005876483,0.000017979462,0.00005861866,0.8601557],"genre_scores_gemma":[0.99060255,0.0041279704,0.000018625746,0.0011414939,0.0007399702,0.000013411251,0.0000025999377,0.000003917784,0.0033494683],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99920523,0.00010109782,0.00021138441,0.000082581886,0.0003472205,0.00005250111],"domain_scores_gemma":[0.99956155,0.00006800637,0.00012594971,0.00012846244,0.000103628714,0.0000124067865],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004791346,0.000050167353,0.00007898369,0.000017649312,0.00024641998,0.00001649429,0.00034065315,0.00002448637,0.00018195793],"category_scores_gemma":[0.00010597511,0.000028045899,0.00013634433,0.00017443871,0.00010380304,0.000082078215,0.000030320876,0.00009377542,0.000040418174],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007666686,0.00008075548,0.007820661,0.00013501942,0.000032775093,0.0000010202093,0.0006308248,0.00022330623,0.00028756142,0.95397574,0.027252242,0.009552437],"study_design_scores_gemma":[0.000035968693,0.0000023084876,0.012538972,0.0003555975,0.000012283961,7.1048396e-7,0.000015088066,0.000023038956,0.000010916888,0.009906994,0.97706026,0.000037882586],"about_ca_topic_score_codex":0.0010139826,"about_ca_topic_score_gemma":0.00032143455,"teacher_disagreement_score":0.949808,"about_ca_system_score_codex":0.000068206304,"about_ca_system_score_gemma":0.000038289534,"threshold_uncertainty_score":0.19923118},"labels":[],"label_agreement":null},{"id":"W1537108452","doi":"","title":"Walter Bernhart, Steven Paul Scher, and Werner Wolf, eds. Word ; and Music Studies: Defining the Field and Werner Wolf. The Musicalization of Fiction: A Study in the Theory and History of Intermediality","year":2002,"lang":"en","type":"article","venue":"International fiction review","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art history; Field (mathematics); History; Art; Mathematics","score_opus":0.06988321635535204,"score_gpt":0.31314200003681975,"score_spread":0.2432587836814677,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1537108452","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38179418,0.58721787,0.000051762567,0.008925884,0.0020717443,0.0014196913,0.000025664587,0.000031270774,0.018461889],"genre_scores_gemma":[0.9565661,0.037438855,0.000002572698,0.0034400811,0.0002254746,0.00006251247,0.000004328338,0.000007632574,0.0022524525],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987283,0.00042600045,0.00038695554,0.0001810483,0.00020277442,0.000074950185],"domain_scores_gemma":[0.998783,0.00073257287,0.00020303168,0.0001450044,0.00011929563,0.000017082637],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012109561,0.00012465073,0.00022337063,0.00004449356,0.00010901957,0.000037446884,0.00012299554,0.000028118882,0.00083666056],"category_scores_gemma":[0.0002939849,0.000061818864,0.000043131524,0.000033387572,0.00038060689,0.00017749183,0.00009412481,0.00016900629,0.0000017707961],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017261533,0.0005091158,0.0037058224,0.001023741,0.0005707811,0.000006880811,0.357542,0.00000208106,0.000024739045,0.30143312,0.25208938,0.08291971],"study_design_scores_gemma":[0.0005012617,0.00024334555,0.0026547029,0.0012368398,0.00020074038,0.000019655257,0.021184295,0.00015900125,0.0000025486388,0.001788818,0.97186714,0.00014167359],"about_ca_topic_score_codex":0.000047753394,"about_ca_topic_score_gemma":0.00018263128,"teacher_disagreement_score":0.71977776,"about_ca_system_score_codex":0.000033966924,"about_ca_system_score_gemma":0.000008006823,"threshold_uncertainty_score":0.91608465},"labels":[],"label_agreement":null},{"id":"W1537467089","doi":"","title":"Variations on Three Bodies of Knowledge","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"Intelligence, Security, War Strategy","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Agatha; Meaning (existential); Encyclopedia; Set (abstract data type); Computer science; Gesture; Process (computing); Body of knowledge; Epistemology; Sociology of scientific knowledge; Psychology; Cognitive science; Artificial intelligence; History; Philosophy; Art history","score_opus":0.06709707296873157,"score_gpt":0.39139644310637905,"score_spread":0.3242993701376475,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1537467089","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00036935112,0.012079653,0.0029550917,0.0021588008,0.0021513423,0.00031661263,0.000016238253,0.000047354468,0.97990555],"genre_scores_gemma":[0.9439388,0.04909511,0.00037516677,0.0004555064,0.00029596197,0.000052461037,0.000014485371,0.000009991705,0.005762547],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99895734,0.00016072099,0.0003021414,0.00013879577,0.00033288126,0.00010810536],"domain_scores_gemma":[0.9991171,0.00014945416,0.0001405704,0.00011661749,0.00043791716,0.000038362712],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00068553846,0.00007337925,0.0001346886,0.00008176785,0.00015034029,0.000021280955,0.00021420476,0.000048913305,0.002716383],"category_scores_gemma":[0.00090066594,0.00007044355,0.000102793165,0.0001856627,0.00008475757,0.00012315378,0.000010990906,0.00009326786,0.00036160336],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000014879478,0.000084371255,0.00046507202,0.00005791756,0.000024697896,3.9097245e-7,0.0005322584,0.000008593148,0.0000070249507,0.98769736,0.0066445386,0.0044763037],"study_design_scores_gemma":[0.00004517536,0.00002638014,0.0007489627,0.00059840886,0.000018840175,0.000001374716,0.00009860354,0.000038509963,0.00012257928,0.013734506,0.9844868,0.00007983441],"about_ca_topic_score_codex":0.0001642351,"about_ca_topic_score_gemma":0.00061576994,"teacher_disagreement_score":0.9778423,"about_ca_system_score_codex":0.000109589535,"about_ca_system_score_gemma":0.0001404086,"threshold_uncertainty_score":0.9981953},"labels":[],"label_agreement":null},{"id":"W1537883349","doi":"","title":"Günter Grass's Tribute to Uwe Johnson","year":2004,"lang":"en","type":"article","venue":"International fiction review","topic":"Literature and Cultural Memory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"German; Tribute; Friendship; Realm; History; Politics; Literature; Classics; Art history; Art; Sociology; Political science; Law; Social science; Archaeology","score_opus":0.028666848844179384,"score_gpt":0.275714048454954,"score_spread":0.24704719961077462,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1537883349","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0070747393,0.07362103,0.0009507684,0.2547085,0.01898748,0.0015435776,0.00031749203,0.00050341163,0.64229304],"genre_scores_gemma":[0.56102407,0.039769668,0.00046760836,0.13033934,0.011020784,0.00040763454,0.00085708126,0.00006474265,0.2560491],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993018,0.000015563448,0.00022930841,0.00015322826,0.00020294111,0.000097183445],"domain_scores_gemma":[0.9995752,0.000008322556,0.000054654636,0.00010010204,0.00020930415,0.00005239071],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000086421176,0.0001000126,0.00012804422,0.00004877491,0.00009806069,0.00013718006,0.00015171229,0.000020145404,0.004926613],"category_scores_gemma":[0.000034519442,0.00007183873,0.00011678093,0.000039969163,0.000018063873,0.00027421993,0.000021825997,0.00009167748,0.0017197488],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000136842655,0.00006601129,0.000011814462,0.0001867599,0.000065678556,0.000009492246,0.0019205429,0.0000133044405,0.00013364706,0.12237105,0.8597789,0.0154291615],"study_design_scores_gemma":[0.00014104362,0.00003416488,0.00008302718,0.0012853941,0.00001798485,0.000011521517,0.00003796046,8.2692287e-7,0.0001026116,0.0005530205,0.997635,0.00009746246],"about_ca_topic_score_codex":0.000035586036,"about_ca_topic_score_gemma":0.00008407384,"teacher_disagreement_score":0.5539493,"about_ca_system_score_codex":0.00008560724,"about_ca_system_score_gemma":0.000011794548,"threshold_uncertainty_score":0.99905753},"labels":[],"label_agreement":null},{"id":"W1537896935","doi":"","title":"Diane Johnson. L'Affaire","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; History","score_opus":0.19262061035363137,"score_gpt":0.5011792337927445,"score_spread":0.30855862343911317,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1537896935","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014690353,0.038333684,0.00091053866,0.34929642,0.005942319,0.00042151328,0.00001606172,0.00021828471,0.6033921],"genre_scores_gemma":[0.47335246,0.4742138,0.0032033678,0.011856027,0.014336861,0.00015963808,0.000166359,0.000019043584,0.022692434],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989406,0.00020660296,0.0002462713,0.00016126074,0.0003103895,0.00013487626],"domain_scores_gemma":[0.99921006,0.00026395725,0.00011227826,0.00009137814,0.00025423983,0.00006808828],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014550858,0.000070503425,0.000105482235,0.000055177847,0.00027381463,0.00003377541,0.00022936004,0.000056912457,0.0032171875],"category_scores_gemma":[0.0009892765,0.00007173354,0.000088492845,0.00015401332,0.00015916888,0.00028082103,0.00001196394,0.000106501226,0.0005112891],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000017531994,0.00012786656,0.0020797404,0.000085645814,0.00006621631,5.7549283e-7,0.003537426,0.000020860476,0.00001377054,0.42676008,0.38418642,0.18311967],"study_design_scores_gemma":[0.00005985874,0.00000458221,0.0014654835,0.00027348634,0.000011380854,0.0000026116222,0.0010759097,0.000018347597,0.0000026582027,0.00029602248,0.99671334,0.00007630858],"about_ca_topic_score_codex":0.00008301545,"about_ca_topic_score_gemma":0.00007993226,"teacher_disagreement_score":0.61252695,"about_ca_system_score_codex":0.00015600288,"about_ca_system_score_gemma":0.00012570142,"threshold_uncertainty_score":0.997694},"labels":[],"label_agreement":null},{"id":"W1538673010","doi":"","title":"W. J. Leatherbarrow, ed. The Cambridge Companion to Dostoevskii","year":2006,"lang":"en","type":"article","venue":"International fiction review","topic":"Russian Literature and Bakhtin Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.013445884424449734,"score_gpt":0.3221871687528033,"score_spread":0.30874128432835357,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1538673010","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016985134,0.052495014,0.00042482553,0.116692044,0.0025069695,0.00058395206,0.000023519126,0.00010801401,0.82546717],"genre_scores_gemma":[0.84480345,0.0588448,0.00029462652,0.01766069,0.005777018,0.00018101255,0.00007614639,0.00002146515,0.07234081],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904007,0.00010387745,0.00021317905,0.00014122021,0.00037380867,0.00012784995],"domain_scores_gemma":[0.999577,0.00006520667,0.00007394851,0.0001078583,0.0001437266,0.00003224524],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046009422,0.00007746047,0.000113803166,0.000031737996,0.0003663435,0.00009311521,0.00025059385,0.000027421986,0.0003452953],"category_scores_gemma":[0.00007100857,0.000051530165,0.000091676535,0.00020942277,0.000056796533,0.00011862511,0.000030846655,0.00008527386,0.00041262063],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000024018557,0.00002062084,0.0008586391,0.000019576259,0.000014047528,0.0000012174563,0.00023068057,0.000005420916,0.000021991162,0.12216616,0.8702368,0.0064224214],"study_design_scores_gemma":[0.00003915034,0.000006470739,0.00760717,0.00035677367,0.000011974934,0.000002594694,0.000095548996,0.0000024822693,0.0000053057624,0.000108031854,0.99170005,0.0000644504],"about_ca_topic_score_codex":0.0007051201,"about_ca_topic_score_gemma":0.00015221424,"teacher_disagreement_score":0.8431049,"about_ca_system_score_codex":0.0000845187,"about_ca_system_score_gemma":0.00002487882,"threshold_uncertainty_score":0.5303541},"labels":[],"label_agreement":null},{"id":"W1538841826","doi":"","title":"\"That which a man takes for himself no one can deny him\": Amitav Ghosh's The Glass Palace and the Colonial Experience","year":2006,"lang":"en","type":"article","venue":"International fiction review","topic":"South Asian Studies and Diaspora","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Burmese; Colonialism; British Empire; Empire; History; Ancient history; Wife; Politics; Genealogy; Theology; Law; Archaeology; Philosophy","score_opus":0.03284818370138416,"score_gpt":0.2579167178029689,"score_spread":0.22506853410158473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1538841826","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.103665866,0.21377286,0.00083056197,0.29763973,0.013415238,0.0075092856,0.001057715,0.00034781668,0.3617609],"genre_scores_gemma":[0.97577095,0.008191954,0.000045841378,0.0038623114,0.0017987092,0.0006594746,0.000058244368,0.000014098104,0.009598397],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991511,0.000045161323,0.00025447106,0.0001793977,0.00023599301,0.00013389447],"domain_scores_gemma":[0.99916095,0.00019987885,0.00016062566,0.00013472063,0.00032205682,0.000021763142],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023942733,0.000122068624,0.00019011511,0.000021160768,0.00048758258,0.00019390245,0.00019394593,0.000020715659,0.0005688402],"category_scores_gemma":[0.00011460482,0.00006923712,0.000099360586,0.00003456102,0.00022712965,0.00009196114,0.00003410855,0.0000767109,0.00003778162],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020655895,0.000109099194,0.0017721584,0.0003907092,0.00021936407,0.000002186912,0.02348147,0.0000058372184,0.0000051254433,0.7652063,0.2025141,0.0060870973],"study_design_scores_gemma":[0.00054118363,0.000026591106,0.0020774035,0.00026254705,0.00006348191,0.000004990921,0.0026146173,0.00012639597,0.00000388174,0.00043840855,0.99374115,0.00009936421],"about_ca_topic_score_codex":0.000862518,"about_ca_topic_score_gemma":0.002324905,"teacher_disagreement_score":0.8721051,"about_ca_system_score_codex":0.00003913949,"about_ca_system_score_gemma":0.000015871427,"threshold_uncertainty_score":0.6228401},"labels":[],"label_agreement":null},{"id":"W1539397831","doi":"","title":"Ignacio López-Calvo. God and Trujillo: Literal and Cultural Representations of the Dominican Dictator","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Latin American history and culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dictator; Literal (mathematical logic); Philosophy; Linguistics; Political science; Law","score_opus":0.019831312173949737,"score_gpt":0.29185452853364224,"score_spread":0.2720232163596925,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1539397831","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40762913,0.078228325,0.00015259451,0.014560639,0.0055127083,0.0014076467,0.00046086838,0.00014276919,0.4919053],"genre_scores_gemma":[0.98082507,0.0060206167,0.00008196982,0.0016304136,0.0003665318,0.000014862119,0.000028457636,0.0000066827893,0.011025397],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993734,0.00003512138,0.00026812992,0.000119241704,0.0001450262,0.000059107988],"domain_scores_gemma":[0.9995539,0.000054154207,0.00016319484,0.00008959034,0.000107134154,0.00003201613],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014157745,0.00007107024,0.0001211267,0.000020657153,0.0001503173,0.000036523998,0.00008789893,0.000016226682,0.0012149728],"category_scores_gemma":[0.00006972774,0.000042865562,0.000071205126,0.000033125925,0.00026651518,0.0001648408,0.000030426418,0.000081992155,0.0000038577514],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008491211,0.00017658109,0.007084514,0.0007919129,0.00032261483,0.000005407667,0.046484888,0.0000034816799,0.00072252704,0.7338018,0.12738532,0.08313609],"study_design_scores_gemma":[0.00014529093,0.00001875882,0.0062753903,0.00039315154,0.00003956806,0.00001732741,0.0009564201,0.000011591975,0.000020453404,0.00017033376,0.9918881,0.000063588726],"about_ca_topic_score_codex":0.00006097393,"about_ca_topic_score_gemma":0.00005968902,"teacher_disagreement_score":0.8645028,"about_ca_system_score_codex":0.000021211396,"about_ca_system_score_gemma":0.0000074134937,"threshold_uncertainty_score":0.99969804},"labels":[],"label_agreement":null},{"id":"W1539787921","doi":"","title":"I HEAR YOU SISTER: Women of Color Speak (to Each Other)","year":2006,"lang":"en","type":"article","venue":"International fiction review","topic":"Latin American and Latino Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Racism; Sister; Mythology; Solidarity; Nothing; Spanish Civil War; Face (sociological concept); Economic Justice; Gender studies; Sociology; Media studies; History; White (mutation); Law; Political science; Politics; Classics","score_opus":0.02095250773236576,"score_gpt":0.3388269457033019,"score_spread":0.3178744379709362,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1539787921","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015037676,0.006925316,0.00089719635,0.02116228,0.00086394435,0.0005484398,0.00003196051,0.00009294783,0.95444024],"genre_scores_gemma":[0.9479037,0.014421091,0.0014463215,0.005895448,0.0007463632,0.00013517725,0.000011913864,0.0000144875485,0.029425533],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990883,0.00007773374,0.0002689175,0.0001234998,0.00032408402,0.000117502765],"domain_scores_gemma":[0.99952304,0.00005078325,0.00013764945,0.0000841336,0.00016506902,0.00003930648],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003795107,0.000060681097,0.0001685432,0.00004402872,0.00009885374,0.00001979487,0.00017738198,0.00001883685,0.0012425961],"category_scores_gemma":[0.00014542729,0.00005379307,0.00006627148,0.00021816409,0.00007348624,0.0000823915,0.000032308748,0.0000375825,0.00009722569],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005745295,0.000651806,0.027414743,0.0007666652,0.00035759932,0.000008839874,0.013948492,0.00013877898,0.0006549979,0.4711364,0.3212922,0.16357206],"study_design_scores_gemma":[0.000058899772,0.000026759397,0.0038180386,0.00023886957,0.000005654631,7.5784817e-7,0.0002483131,0.000009586743,0.00001188048,0.00016699835,0.99535483,0.000059411806],"about_ca_topic_score_codex":0.0014676764,"about_ca_topic_score_gemma":0.000108747845,"teacher_disagreement_score":0.932866,"about_ca_system_score_codex":0.00014331352,"about_ca_system_score_gemma":0.000036287514,"threshold_uncertainty_score":0.9996704},"labels":[],"label_agreement":null},{"id":"W1540797558","doi":"","title":"Saad Elkhadem. One Night in Cairo (Bilingual Edition)","year":2002,"lang":"en","type":"article","venue":"International fiction review","topic":"Islamic Studies and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art","score_opus":0.05372205289268277,"score_gpt":0.32509818001567503,"score_spread":0.27137612712299225,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1540797558","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009477411,0.07215064,0.000161228,0.046859242,0.0051541044,0.0003881778,0.000015769112,0.00008990779,0.8742332],"genre_scores_gemma":[0.22596934,0.69244325,0.00029825504,0.008586892,0.00456021,0.00012637033,0.00004358618,0.000021538151,0.067950554],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998987,0.00008080831,0.00026527914,0.00015456395,0.0003825138,0.00012984364],"domain_scores_gemma":[0.9996253,0.00006136773,0.00008663314,0.0000730673,0.00012475204,0.000028841356],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037194704,0.000063636086,0.00013836188,0.00007463004,0.00018889866,0.000016481115,0.00015596536,0.00004556324,0.008494639],"category_scores_gemma":[0.00029005035,0.00006670456,0.000075103315,0.00017014019,0.00008210389,0.00014190415,0.000019627852,0.00012354953,0.0004960141],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000043744303,0.0002590071,0.00085264404,0.00014952953,0.000052080522,0.000013699857,0.0045863437,0.000008450725,0.000011747575,0.24507016,0.668348,0.08064393],"study_design_scores_gemma":[0.000101819125,0.0000074846876,0.0008902497,0.0005002185,0.0000089930945,0.0000013273556,0.00014749981,0.000038974875,0.0000012646416,0.00021294416,0.9980155,0.00007370503],"about_ca_topic_score_codex":0.00048909534,"about_ca_topic_score_gemma":0.0014287793,"teacher_disagreement_score":0.80628264,"about_ca_system_score_codex":0.00038612436,"about_ca_system_score_gemma":0.000031783908,"threshold_uncertainty_score":0.99241173},"labels":[],"label_agreement":null},{"id":"W1541676991","doi":"","title":"Christiane Schïnfeld, ed. Commodities of Desire: The Prostitute in Modern German Literature","year":2004,"lang":"en","type":"article","venue":"International fiction review","topic":"European history and politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"German; History; Art; Archaeology","score_opus":0.030083236879764576,"score_gpt":0.3414324452061556,"score_spread":0.31134920832639107,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1541676991","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03464462,0.39873713,0.002237763,0.03529609,0.0064704577,0.001872877,0.00027300665,0.0001872063,0.52028084],"genre_scores_gemma":[0.9443935,0.051320292,0.00009672098,0.0016182667,0.00038571266,0.00001837096,0.000029778343,0.0000063037687,0.002131066],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992324,0.00013010028,0.00022901515,0.000086287415,0.00023508402,0.00008708747],"domain_scores_gemma":[0.9995728,0.00005395536,0.0001043879,0.000108716566,0.00013387277,0.00002626166],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043958213,0.000057882393,0.00009875937,0.00003966841,0.00012533713,0.000028803903,0.00024345027,0.0000312985,0.000107896296],"category_scores_gemma":[0.00021665,0.000045272613,0.000058033227,0.00012336705,0.0001259146,0.00017574691,0.00001877307,0.0001436655,0.000030035682],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008646436,0.00007718765,0.0003434734,0.00034621358,0.000018814404,0.000011900653,0.0060240296,0.00026794773,0.00001605974,0.97754514,0.01165818,0.0036824238],"study_design_scores_gemma":[0.00009939229,0.000010566661,0.00091109105,0.0031114048,0.0000106665275,0.0000068358954,0.00005319006,0.000016606562,0.000020342459,0.0039832746,0.9917107,0.00006591913],"about_ca_topic_score_codex":0.00017393933,"about_ca_topic_score_gemma":0.00007786915,"teacher_disagreement_score":0.98005253,"about_ca_system_score_codex":0.00013218411,"about_ca_system_score_gemma":0.00009164022,"threshold_uncertainty_score":0.18461636},"labels":[],"label_agreement":null},{"id":"W1542767813","doi":"","title":"Elyane Dezon-Jones and Inge Crosman Wimmers, eds. Proust's Fiction and Criticism","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Criticism; Art; Art history; History; Literature","score_opus":0.024444031536414435,"score_gpt":0.27924790282711687,"score_spread":0.2548038712907024,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1542767813","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15227991,0.41474512,0.0015957295,0.07318733,0.0039328896,0.0020493686,0.0002970911,0.00051997777,0.35139257],"genre_scores_gemma":[0.891927,0.078983866,0.0001146018,0.0030773655,0.0015122565,0.000087905304,0.000077033554,0.000017429733,0.024202554],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924,0.00005785803,0.00026819433,0.00019355225,0.00014876427,0.00009166288],"domain_scores_gemma":[0.99957806,0.000044822733,0.000097659526,0.000074805095,0.00016294829,0.000041730844],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002414722,0.000117604686,0.00017600099,0.00008957381,0.00025619692,0.00014519169,0.00006591367,0.000024381483,0.0030251094],"category_scores_gemma":[0.000048479433,0.00009949127,0.00006105312,0.00003290009,0.00013069058,0.0004556672,0.000027472188,0.00009740222,0.000044573124],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004751544,0.00019972555,0.0004138522,0.0009622035,0.0003271606,0.0000068634554,0.004718736,0.0000110299625,0.00035891306,0.6794956,0.0476924,0.26576602],"study_design_scores_gemma":[0.00014453963,0.000031022126,0.00012402615,0.00055834436,0.000074063646,0.000021457106,0.00033843776,0.00024309487,0.000057403286,0.00085169624,0.9974351,0.00012083508],"about_ca_topic_score_codex":0.00003112409,"about_ca_topic_score_gemma":0.0000812066,"teacher_disagreement_score":0.9497427,"about_ca_system_score_codex":0.000026787262,"about_ca_system_score_gemma":0.000006654734,"threshold_uncertainty_score":0.99788624},"labels":[],"label_agreement":null},{"id":"W1543322343","doi":"","title":"International Fiction vs. Ethnic Autobiography: Cultural Appropriation in Mark Twain and Edward Rivera","year":2001,"lang":"en","type":"article","venue":"International fiction review","topic":"Latin American and Latino Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Biography; HERO; Appropriation; Adventure; Theme (computing); Narrative; History; Literature; Ideology; Ethnic group; Art history; Sociology; Art; Anthropology; Philosophy; Politics; Law","score_opus":0.03249592184259274,"score_gpt":0.35486972080440843,"score_spread":0.32237379896181567,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1543322343","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033399817,0.03168581,0.0051421234,0.08740953,0.007797644,0.0018845636,0.000046064455,0.000540049,0.8320944],"genre_scores_gemma":[0.53453034,0.45959416,0.0010179203,0.0017586735,0.0005779825,0.00010030871,0.00008744085,0.000010292132,0.0023228577],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99848187,0.00019729508,0.00038288118,0.00028745862,0.00047940563,0.00017110322],"domain_scores_gemma":[0.999294,0.00008677384,0.00021427924,0.000094890645,0.0002518497,0.000058215115],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006344686,0.00013129729,0.00019756737,0.00018935157,0.0001840546,0.000088409135,0.00023419599,0.00006834918,0.00075790804],"category_scores_gemma":[0.000336535,0.00012071433,0.00010650219,0.0005258959,0.00013332526,0.00058929366,0.0000626891,0.00016947133,0.000028970264],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000106438674,0.00028759876,0.15953605,0.0001883735,0.0003438635,0.000020897764,0.00913489,0.00009075982,0.00011155655,0.054228514,0.067401126,0.7085499],"study_design_scores_gemma":[0.0002878853,0.000021975682,0.120046295,0.00044474928,0.00001790296,0.000009293863,0.000608238,0.00066645833,0.0000019065104,0.0002612678,0.8774729,0.0001611441],"about_ca_topic_score_codex":0.0010618326,"about_ca_topic_score_gemma":0.0002773975,"teacher_disagreement_score":0.8297715,"about_ca_system_score_codex":0.00023096366,"about_ca_system_score_gemma":0.000034833072,"threshold_uncertainty_score":0.82985616},"labels":[],"label_agreement":null},{"id":"W1543444668","doi":"","title":"Raymond Federman. The Voice in the Closet / La Voix dans le cabinet de débarras","year":2005,"lang":"fr","type":"article","venue":"International fiction review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Closet; Cabinet (room); Art; Humanities; History; Visual arts; Archaeology","score_opus":0.02160060366167663,"score_gpt":0.27710231334113566,"score_spread":0.255501709679459,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1543444668","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002135881,0.2961336,0.0002287414,0.3290349,0.0015514841,0.0003363139,0.00021825571,0.00002876299,0.37033206],"genre_scores_gemma":[0.18312642,0.1672579,0.00005905632,0.034213006,0.006580803,0.00017946449,0.0002308147,0.000029116936,0.6083234],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99842376,0.00053820555,0.0004312344,0.00016945096,0.0002741856,0.00016314178],"domain_scores_gemma":[0.99928284,0.00029111456,0.00012914938,0.00017753844,0.00008362178,0.000035759873],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007527952,0.00014809713,0.00016944857,0.000045841585,0.00044750655,0.0002208319,0.0004446666,0.000049406528,0.0029346065],"category_scores_gemma":[0.000076219956,0.00008986889,0.00019547639,0.000091429654,0.00018479711,0.00034174923,0.000030668158,0.00034313079,0.00044554897],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000075011603,0.00025966615,0.00012876405,0.0002336865,0.00007316063,0.000017663067,0.010890662,0.00012876627,0.0000049370547,0.29864892,0.6691951,0.020411167],"study_design_scores_gemma":[0.00012344838,0.000017749619,0.0006423752,0.0007797067,0.00007151038,0.000077665645,0.0004467486,0.0005797204,0.0000027391002,0.00039417594,0.9967553,0.0001088576],"about_ca_topic_score_codex":0.0030919793,"about_ca_topic_score_gemma":0.0015186095,"teacher_disagreement_score":0.3275602,"about_ca_system_score_codex":0.00017718607,"about_ca_system_score_gemma":0.000058009704,"threshold_uncertainty_score":0.99797684},"labels":[],"label_agreement":null},{"id":"W1544846735","doi":"","title":"Eleni Coundouriotis. Claiming History: Colonialism, Ethnography, and the Novel","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"Colonialism, slavery, and trade","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Colonialism; Ethnography; History; Anthropology; Sociology; Archaeology","score_opus":0.04167422616269642,"score_gpt":0.32505455816698386,"score_spread":0.28338033200428747,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1544846735","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08686493,0.30808875,0.0003319345,0.28546718,0.010896914,0.0027145136,0.00007310691,0.0004552111,0.30510747],"genre_scores_gemma":[0.5713828,0.40713567,0.000113228554,0.010317188,0.0010900889,0.000107481836,0.000019403227,0.000015486214,0.009818658],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988442,0.00015340102,0.000245285,0.00018050948,0.00043351765,0.00014306189],"domain_scores_gemma":[0.9994463,0.00018083614,0.00010296185,0.000108862725,0.00010430379,0.000056758334],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008882996,0.00009247113,0.00017354033,0.000045622506,0.00034471945,0.00006743551,0.000244453,0.000058921523,0.00261418],"category_scores_gemma":[0.000117812466,0.00007353439,0.00013117881,0.00013936758,0.0004030745,0.00017818816,0.000015409429,0.00015104166,0.000045233577],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031885598,0.0003129923,0.0018200806,0.00033345487,0.00045804502,0.000015858504,0.039625645,0.000023684282,0.00003859978,0.42085478,0.34004977,0.19614823],"study_design_scores_gemma":[0.0005114768,0.000008761608,0.0010832967,0.00024620738,0.000053646512,0.000009505026,0.00006228404,0.00004690623,9.369185e-7,0.0002587774,0.99763507,0.00008311911],"about_ca_topic_score_codex":0.0028456403,"about_ca_topic_score_gemma":0.001023475,"teacher_disagreement_score":0.6575853,"about_ca_system_score_codex":0.00022934045,"about_ca_system_score_gemma":0.000107116044,"threshold_uncertainty_score":0.9982976},"labels":[],"label_agreement":null},{"id":"W1545310822","doi":"","title":"Marc C. Conner, ed. The Aesthetics of Toni Morrison: Speaking the Unspeakable","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"Culinary Culture and Tourism","field":"Agricultural and Biological Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Psychology","score_opus":0.02628925418065573,"score_gpt":0.2607802285922889,"score_spread":0.23449097441163316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1545310822","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1336416,0.2575538,0.00017887582,0.19884962,0.0044787046,0.0019299609,0.00010783446,0.00014264617,0.40311697],"genre_scores_gemma":[0.89380115,0.09411251,0.00007520289,0.0044275736,0.00055605394,0.00003574494,0.000050584713,0.0000016533644,0.006939537],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992653,0.00009946353,0.00022357702,0.00011096571,0.00021628397,0.00008439579],"domain_scores_gemma":[0.9995551,0.000095259835,0.00013879714,0.00006349124,0.00012833985,0.000019019317],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003674727,0.00007478638,0.00010344696,0.0000032906178,0.00013414312,0.000027924116,0.0002703506,0.000027511021,0.0032383534],"category_scores_gemma":[0.000076917684,0.000019218536,0.0001244809,0.00014669409,0.000045033506,0.000058159476,0.000026375037,0.000098720266,0.00005723388],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022611077,0.0003058371,0.0033875077,0.00015744274,0.000154246,0.00001302616,0.00022462971,0.00012049188,0.006119416,0.124790065,0.62473524,0.23996952],"study_design_scores_gemma":[0.000033401848,0.000030934392,0.0016445842,0.0001818836,0.000017364031,0.00004816552,0.000072543255,0.000025861258,0.0002193536,0.00037722645,0.9972994,0.000049303333],"about_ca_topic_score_codex":0.00006994076,"about_ca_topic_score_gemma":0.000037801805,"teacher_disagreement_score":0.76015955,"about_ca_system_score_codex":0.000013841892,"about_ca_system_score_gemma":0.0000048964603,"threshold_uncertainty_score":0.9976728},"labels":[],"label_agreement":null},{"id":"W1545909325","doi":"","title":"Zina J. Gimpelevich. Vasil Bykau: His Life and Works","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Educational Philosophies and Pedagogies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; History","score_opus":0.0708776263635414,"score_gpt":0.40888831163891515,"score_spread":0.33801068527537376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1545909325","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016427342,0.2702356,0.00096630637,0.29049644,0.005801576,0.00066756894,0.000023547498,0.00021715052,0.41516444],"genre_scores_gemma":[0.5167727,0.46585783,0.0003956201,0.009458275,0.0026193373,0.00002350629,0.000036626207,0.000012335508,0.004823794],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989808,0.00005052,0.0002724697,0.0001649125,0.00038739044,0.00014387036],"domain_scores_gemma":[0.9992111,0.00023166729,0.000116729614,0.000089806585,0.00022646539,0.00012422842],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009519186,0.00008072068,0.00012140409,0.00007149032,0.00023229646,0.0000736511,0.00017873038,0.000057203764,0.0016030978],"category_scores_gemma":[0.00067149964,0.000077232624,0.00006670958,0.00017970092,0.00010454665,0.00027998874,0.00003002843,0.00011415409,0.000100556426],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027497605,0.00013413474,0.012445511,0.00033346534,0.00012169372,0.000005319752,0.0022368138,0.000009172038,0.0000152671,0.45514712,0.27471155,0.25481245],"study_design_scores_gemma":[0.00006186269,0.000008545941,0.008051635,0.0005140001,0.000013496806,0.0000033513682,0.00058637635,0.0000039830675,0.0000013320307,0.0026106562,0.98805666,0.00008808379],"about_ca_topic_score_codex":0.00031881695,"about_ca_topic_score_gemma":0.00018727744,"teacher_disagreement_score":0.7133451,"about_ca_system_score_codex":0.00009071018,"about_ca_system_score_gemma":0.00009174286,"threshold_uncertainty_score":0.9993096},"labels":[],"label_agreement":null},{"id":"W1546844435","doi":"","title":"Shen Congwen. Selected Stories of Shen Congwen","year":2006,"lang":"en","type":"article","venue":"International fiction review","topic":"Chinese history and philosophy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art; Philosophy; Aesthetics","score_opus":0.024654494895155227,"score_gpt":0.32274606910448433,"score_spread":0.2980915742093291,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1546844435","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027061438,0.031632256,0.00038927258,0.012246843,0.0042984695,0.0006602271,0.000100284284,0.0001966518,0.9234145],"genre_scores_gemma":[0.9888543,0.0040024268,0.00009770091,0.00038088873,0.00087470264,0.000023546465,0.00010051865,0.000008054906,0.0056578964],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99895036,0.00012066365,0.00032173446,0.00014093217,0.0003865333,0.00007975846],"domain_scores_gemma":[0.99909365,0.00008137596,0.00019316172,0.00009633035,0.00050077087,0.000034716693],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031893275,0.00008137282,0.00017705979,0.000057642603,0.00014621086,0.000019996187,0.00021872921,0.00004997216,0.0010295038],"category_scores_gemma":[0.00025428002,0.000077803146,0.00009222067,0.00027951147,0.000113730224,0.00019468587,0.000017036034,0.00008408375,0.00005953419],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006174719,0.00031913325,0.022805646,0.00064936583,0.00017631959,0.000008117268,0.0056145005,0.000096464195,0.0007981125,0.7508029,0.21119781,0.0074699237],"study_design_scores_gemma":[0.00011243453,0.00001283014,0.0038729948,0.0003120548,0.000024923342,0.0000017541565,0.000019846046,0.000014596057,0.000026999865,0.004399841,0.99111557,0.00008617953],"about_ca_topic_score_codex":0.0020602369,"about_ca_topic_score_gemma":0.00073580135,"teacher_disagreement_score":0.9617928,"about_ca_system_score_codex":0.0001558789,"about_ca_system_score_gemma":0.00011652486,"threshold_uncertainty_score":0.9998837},"labels":[],"label_agreement":null},{"id":"W1547945169","doi":"","title":"I. F. Clarke, ed. The Great War with Germany, 1890-1914: Fictions and Fantasies of the War-to-come","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art history; Psychoanalysis; Psychology","score_opus":0.013192612125637522,"score_gpt":0.2868504018129215,"score_spread":0.27365778968728394,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1547945169","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34630862,0.08296426,0.00034080705,0.18244989,0.004536916,0.004247594,0.00077768485,0.00025855826,0.37811568],"genre_scores_gemma":[0.7034875,0.2646833,0.00016997404,0.008105677,0.00058372266,0.00011542202,0.000026746233,0.000021248732,0.022806382],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989326,0.00014786885,0.00021790719,0.00014926452,0.00042730288,0.00012508177],"domain_scores_gemma":[0.9994253,0.00009742086,0.000091014896,0.00019109104,0.00014572249,0.00004945813],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004341995,0.000090576,0.00012903057,0.000020736008,0.0005078519,0.000031212447,0.00034524736,0.000043571094,0.0018114874],"category_scores_gemma":[0.00006427775,0.00005075432,0.00011304838,0.00027103417,0.00024243022,0.0001664379,0.000034715802,0.00012465946,0.00007910655],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007896041,0.00019331495,0.03254284,0.00050328794,0.0004888676,0.000004959823,0.028940672,0.0001488245,0.00006426312,0.02414411,0.7841221,0.12876782],"study_design_scores_gemma":[0.00008369703,0.00001768702,0.020135457,0.00048387874,0.000049472863,0.000012028301,0.00043158734,0.000013982837,0.0000120456425,0.00007386284,0.9786117,0.000074570155],"about_ca_topic_score_codex":0.00038489635,"about_ca_topic_score_gemma":0.00019329129,"teacher_disagreement_score":0.3571789,"about_ca_system_score_codex":0.000051241743,"about_ca_system_score_gemma":0.000050989474,"threshold_uncertainty_score":0.999101},"labels":[],"label_agreement":null},{"id":"W1548037477","doi":"","title":"Helene Moglen The Trauma of Gender: a Feminist Theory of the English Novel","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychoanalysis; History; Psychology; Gender studies; Sociology","score_opus":0.0495262154367492,"score_gpt":0.25809408453961646,"score_spread":0.20856786910286726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1548037477","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029680775,0.04958005,0.000099377074,0.0015188588,0.0025191503,0.0003665415,0.00018722613,0.000019138015,0.9427416],"genre_scores_gemma":[0.98982525,0.0013330894,0.000010347215,0.0016468178,0.00024345741,0.000021850625,0.000009124333,0.000006451193,0.006903619],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922353,0.00009246969,0.0003308588,0.00008784246,0.00021078713,0.000054533106],"domain_scores_gemma":[0.9992478,0.00010673097,0.00015870377,0.00018818391,0.0002871094,0.000011485139],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037917108,0.00007419229,0.00013322567,0.000022434448,0.00008020976,0.000029999926,0.00023429563,0.000017848826,0.0018787426],"category_scores_gemma":[0.0001571572,0.000039973624,0.00017562312,0.000037097503,0.00011923044,0.00008336082,0.000018212275,0.00009412964,0.0000037657894],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000051874486,0.000059132642,0.000028991688,0.00017319668,0.00005443304,1.5290787e-7,0.004771318,4.2913877e-7,0.0000263671,0.98666894,0.005931357,0.002280476],"study_design_scores_gemma":[0.000113144626,0.000013016269,0.000112947455,0.000606937,0.00004136946,0.000005096489,0.00090325344,0.0000030023098,0.00021653385,0.0028542646,0.99508595,0.000044489272],"about_ca_topic_score_codex":0.0000051287193,"about_ca_topic_score_gemma":0.000008097917,"teacher_disagreement_score":0.9891546,"about_ca_system_score_codex":0.0000103678785,"about_ca_system_score_gemma":0.000023001816,"threshold_uncertainty_score":0.9990337},"labels":[],"label_agreement":null},{"id":"W1550901851","doi":"","title":"Phoenix Has No Coat: Historicity, Eschatology, and Sins of Omission in Eudora Welty's \"A Worn Path\"","year":2001,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Depiction; Eudora; Phoenix; Narrative; Action (physics); History; Courage; Philosophy; Literature; Aesthetics; Art history; Art; Theology","score_opus":0.03912169234812785,"score_gpt":0.26133065907887376,"score_spread":0.22220896673074592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1550901851","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07284419,0.27202356,0.00025660687,0.027923886,0.011280979,0.001112355,0.00018410379,0.00015713053,0.6142172],"genre_scores_gemma":[0.96696866,0.018794116,0.00001836727,0.0013374782,0.0003317585,0.000019066332,0.00006189408,0.000008797242,0.012459852],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991811,0.00004809801,0.00037940746,0.00015874078,0.00015002873,0.00008264091],"domain_scores_gemma":[0.99950975,0.00004398387,0.0001163592,0.00009683931,0.00019869795,0.000034374454],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015713542,0.0001012292,0.00022568631,0.00010624091,0.00006781937,0.000053030224,0.00010128747,0.000037234364,0.0023861488],"category_scores_gemma":[0.000052302308,0.00008742556,0.00006774645,0.00004304106,0.00010096227,0.00024330175,0.000032837383,0.00012119301,0.000037900794],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021675542,0.0005980118,0.0041506817,0.001538974,0.00009845975,0.0001315029,0.008129109,0.0000011510233,0.00035608275,0.664493,0.2744507,0.045835562],"study_design_scores_gemma":[0.00022802931,0.000037526603,0.00027245344,0.001637427,0.0000147594,0.000024120221,0.000065041444,0.000046270157,0.000007998485,0.00034149614,0.99724096,0.000083930885],"about_ca_topic_score_codex":0.00013258663,"about_ca_topic_score_gemma":0.00015792102,"teacher_disagreement_score":0.89412445,"about_ca_system_score_codex":0.000043674852,"about_ca_system_score_gemma":0.000021750859,"threshold_uncertainty_score":0.9985258},"labels":[],"label_agreement":null},{"id":"W1554119859","doi":"","title":"Yasuko Tanimoto. A New Reading of \"The Wings of the Dove\"","year":2006,"lang":"en","type":"article","venue":"International fiction review","topic":"Japanese History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dove; Reading (process); Linguistics; Philosophy; Business","score_opus":0.016061996846640864,"score_gpt":0.28422784065171325,"score_spread":0.26816584380507236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1554119859","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.038420554,0.04004953,0.00019781334,0.047255896,0.006953822,0.0011944923,0.000031847147,0.00006866337,0.8658274],"genre_scores_gemma":[0.94263655,0.002028908,0.000040220362,0.00090111885,0.00048551962,0.0000075383673,0.0000027703118,0.000004961397,0.053892408],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922585,0.00008380034,0.0002119324,0.00007175837,0.00035636616,0.000050299044],"domain_scores_gemma":[0.99950206,0.000022311102,0.00022718083,0.00010236305,0.00013259416,0.000013500144],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000266004,0.000041723026,0.00008785677,0.000011285109,0.00013113699,0.0000073964143,0.00032457054,0.00003155237,0.0005320317],"category_scores_gemma":[0.00017091529,0.000024647517,0.00014330086,0.00021241553,0.00008619681,0.000082921826,0.000022892189,0.00006826103,0.000009672823],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010392717,0.0001047951,0.008073208,0.00037527038,0.000057848578,5.0497135e-7,0.0045680553,0.000064160515,0.005402008,0.46614957,0.503468,0.011726219],"study_design_scores_gemma":[0.000039977265,0.0000024832063,0.003527228,0.0008176156,0.000018878918,0.0000016105677,0.00008225944,0.000002694801,0.00016785535,0.0008565671,0.99445426,0.000028569495],"about_ca_topic_score_codex":0.001423062,"about_ca_topic_score_gemma":0.00032411146,"teacher_disagreement_score":0.904216,"about_ca_system_score_codex":0.000079013305,"about_ca_system_score_gemma":0.000064360895,"threshold_uncertainty_score":0.5825374},"labels":[],"label_agreement":null},{"id":"W1555680558","doi":"","title":"Seodial F. H. Deena. Canonization, Colonization, Decolonization: A Comparative Study of Political and Critical Works by Minority Writers","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Decolonization; Colonization; Politics; History; Political science; Sociology; Archaeology; Law","score_opus":0.03760164361544522,"score_gpt":0.3691869280704307,"score_spread":0.3315852844549855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1555680558","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47006792,0.12313156,0.03199669,0.04300912,0.010864645,0.008637495,0.0004097072,0.00057541276,0.31130746],"genre_scores_gemma":[0.99627644,0.002143836,0.00009061146,0.0006630366,0.00011582931,0.00004416755,0.00005008495,0.0000045733373,0.0006113948],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984095,0.00047139009,0.000366246,0.0002169314,0.0003867647,0.00014914769],"domain_scores_gemma":[0.9987186,0.00014089349,0.00011329608,0.000084691674,0.00081624667,0.00012628007],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003740412,0.00010124833,0.00021424901,0.000048346697,0.0003416571,0.00004905198,0.00012811994,0.00007537368,0.0007767723],"category_scores_gemma":[0.0010888113,0.00010368782,0.000034960558,0.00037064694,0.00021310858,0.0003049274,0.00001534979,0.000108413034,0.000006913264],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026772997,0.001292276,0.04433501,0.0002260448,0.00011649624,0.00000438034,0.0110898595,0.00004077371,0.00002303599,0.86472774,0.07752868,0.000588943],"study_design_scores_gemma":[0.0009971156,0.00022339882,0.0072996444,0.0006731332,0.00020478734,0.000017858716,0.008216154,0.00013089547,0.000031299434,0.000887098,0.98095185,0.00036679357],"about_ca_topic_score_codex":0.00019594759,"about_ca_topic_score_gemma":0.00059439766,"teacher_disagreement_score":0.90342313,"about_ca_system_score_codex":0.00017390259,"about_ca_system_score_gemma":0.00014011779,"threshold_uncertainty_score":0.85051113},"labels":[],"label_agreement":null},{"id":"W1556113762","doi":"","title":"Ishaq Musa al-Husayni. Memoirs of a Hen: A Present-Day Palestinian Fable","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"Jewish and Middle Eastern Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Fable; Memoir; History; Literature; Ancient history; Art","score_opus":0.03473729473532027,"score_gpt":0.34055464978890687,"score_spread":0.3058173550535866,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1556113762","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012398506,0.12750009,0.0001866563,0.024871388,0.0016569134,0.0008098556,0.00007039247,0.0001373912,0.8323688],"genre_scores_gemma":[0.5534259,0.35975003,0.00025571015,0.004484958,0.0010651111,0.0001481136,0.00005442121,0.000022673641,0.08079306],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986308,0.00014043167,0.0003526701,0.00019588767,0.0005085403,0.00017166814],"domain_scores_gemma":[0.9993656,0.0000780881,0.00013791073,0.00012644654,0.00022168041,0.00007027103],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005443308,0.000097309785,0.00021293329,0.00004909208,0.00013813576,0.000029922363,0.00026152743,0.00003869301,0.0030053495],"category_scores_gemma":[0.0002401056,0.000090478236,0.00013507782,0.00020858577,0.000113073336,0.00021174434,0.00002883783,0.00008040078,0.0003326352],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001700325,0.00017896929,0.017195478,0.000335661,0.00019070227,0.000008335449,0.0018524587,0.00002438089,0.000038948063,0.008863203,0.08994689,0.88134795],"study_design_scores_gemma":[0.00012889387,0.000016226977,0.0013426979,0.00096358045,0.000021848618,0.00000322089,0.00032170265,0.000024035695,0.000010694264,0.00018421606,0.9968957,0.00008720402],"about_ca_topic_score_codex":0.0005995685,"about_ca_topic_score_gemma":0.00035179188,"teacher_disagreement_score":0.9069488,"about_ca_system_score_codex":0.000056650773,"about_ca_system_score_gemma":0.000048380745,"threshold_uncertainty_score":0.997906},"labels":[],"label_agreement":null},{"id":"W1557082246","doi":"","title":"Textual Dynamics in Chinua Achebe's Home and Exile and No Longer at Ease","year":2004,"lang":"en","type":"article","venue":"International fiction review","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Ideology; Relation (database); Reading (process); Politics; Postcolonial literature; Representation (politics); Literature; Dimension (graph theory); Sociology; Epistemology; Aesthetics; Philosophy; History; Linguistics; Art; Law; Colonialism; Computer science; Political science; Mathematics","score_opus":0.014446117352414786,"score_gpt":0.23782261207138364,"score_spread":0.22337649471896887,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1557082246","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61637646,0.106001355,0.0000053949084,0.015136395,0.0013784902,0.0006042082,0.00043621092,0.000091678405,0.2599698],"genre_scores_gemma":[0.93797284,0.04043771,0.000023297413,0.0024519786,0.00036360163,0.00003894399,0.00015535014,0.0000073714004,0.018548926],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99951315,0.000012652143,0.00017177241,0.00013390773,0.000095559364,0.000072960065],"domain_scores_gemma":[0.9998066,0.000014804433,0.000046919144,0.00003956198,0.00006341688,0.000028705032],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00005595058,0.00008807628,0.00012883596,0.000030961924,0.00010711318,0.000056787816,0.00004831458,0.000016223781,0.0006423048],"category_scores_gemma":[0.000022218243,0.00006473886,0.000031772626,0.000017052893,0.000072149945,0.00023628786,0.000059113852,0.0000629222,0.00008238102],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011088686,0.0002405389,0.008494307,0.0011058473,0.00018323127,0.000040475807,0.008794422,0.0000072632724,0.00003335621,0.9191625,0.022718402,0.039108735],"study_design_scores_gemma":[0.0003771349,0.000053952142,0.007881127,0.0009437151,0.000018306118,0.000029714709,0.00025242625,0.000064289314,0.0000015420153,0.0007670654,0.9894628,0.00014794117],"about_ca_topic_score_codex":0.00011528486,"about_ca_topic_score_gemma":0.0011265117,"teacher_disagreement_score":0.96674436,"about_ca_system_score_codex":0.000109093846,"about_ca_system_score_gemma":0.0000050909434,"threshold_uncertainty_score":0.70327866},"labels":[],"label_agreement":null},{"id":"W1558311311","doi":"","title":"Challenging Conventional Recreations of the Western Past: Frank Bergon's Shoshone Mike","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mythology; Legend; History; Narrative; Literature; Aesthetics; Art history; Art; Classics","score_opus":0.027579110863094277,"score_gpt":0.2825407433809055,"score_spread":0.25496163251781123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1558311311","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008331687,0.11907221,0.013008837,0.043368526,0.0130596785,0.0015827748,0.00044182298,0.00022969925,0.80090475],"genre_scores_gemma":[0.9560455,0.012263136,0.00013699997,0.0028191502,0.0016904289,0.00005380992,0.00008863321,0.000022034761,0.026880309],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894404,0.000036216665,0.0004178858,0.00014791527,0.0003470058,0.000106904416],"domain_scores_gemma":[0.99911845,0.0000890772,0.00024983785,0.00015790394,0.00035989567,0.000024848063],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028738816,0.00010860761,0.00018049563,0.000073010924,0.00018282558,0.000031937012,0.00020236846,0.000019703984,0.0020171911],"category_scores_gemma":[0.00005570805,0.000077690274,0.00018666504,0.000059056943,0.00015996529,0.00013980856,0.000052162246,0.00012033826,0.000038115522],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005852147,0.00035797444,0.011836931,0.0011355819,0.00084751623,0.0000049843693,0.008777395,0.000032921987,0.00010057116,0.77999365,0.17430176,0.022552205],"study_design_scores_gemma":[0.00011318116,0.000015650941,0.0064297356,0.0014875293,0.000042274838,0.000007323207,0.00018327565,0.000019816724,0.000013543002,0.00012777746,0.99147844,0.000081436214],"about_ca_topic_score_codex":0.00003466849,"about_ca_topic_score_gemma":0.00008689092,"teacher_disagreement_score":0.9477138,"about_ca_system_score_codex":0.00004462038,"about_ca_system_score_gemma":0.000012970547,"threshold_uncertainty_score":0.9988951},"labels":[],"label_agreement":null},{"id":"W1558664675","doi":"","title":"Jeffrey J. Folks. From Richard Wright to Toni Morrison: Ethics in Modern and Postmodern American Narrative","year":2004,"lang":"en","type":"article","venue":"International fiction review","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Wright; Postmodernism; Narrative; History; American literature; Art history; Psychoanalysis; Environmental ethics; Sociology; Philosophy; Art; Literature; Epistemology; Psychology","score_opus":0.03491238445272795,"score_gpt":0.3121347550907448,"score_spread":0.27722237063801686,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1558664675","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38910756,0.2691249,0.0035773406,0.2081593,0.007882497,0.0022953905,0.0010446188,0.00037181948,0.11843659],"genre_scores_gemma":[0.947088,0.031708665,0.0006624804,0.017990751,0.00084017694,0.00012108317,0.00012805453,0.00002288733,0.0014379225],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998847,0.00007838107,0.0003598122,0.00033558454,0.00023693843,0.00014225075],"domain_scores_gemma":[0.99935555,0.000086821616,0.00012564618,0.00013153462,0.00024630796,0.000054124223],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022123163,0.00017359178,0.00031425914,0.00010931913,0.00017913553,0.00010530003,0.00015733071,0.00004463282,0.0004017835],"category_scores_gemma":[0.00014300969,0.00014135992,0.00007294901,0.000063264866,0.00017142479,0.0001925023,0.00006190626,0.0003415986,0.000049596234],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017862755,0.00026508115,0.001561385,0.0003357439,0.00039433868,0.00006124698,0.76837546,0.00019740881,0.000083021754,0.1715167,0.02178186,0.035249144],"study_design_scores_gemma":[0.00039322034,0.00015815273,0.0022450124,0.0015784964,0.000038079474,0.000010593498,0.005057312,0.0000833838,0.000008546575,0.007248738,0.98290807,0.00027038716],"about_ca_topic_score_codex":0.0011703579,"about_ca_topic_score_gemma":0.0025086796,"teacher_disagreement_score":0.9611262,"about_ca_system_score_codex":0.00009068958,"about_ca_system_score_gemma":0.000027308552,"threshold_uncertainty_score":0.57644904},"labels":[],"label_agreement":null},{"id":"W1559075296","doi":"","title":"Nawal El Saadawi's the Fall of the Imam and the Possibility of a Feminine Writing","year":2001,"lang":"en","type":"article","venue":"International fiction review","topic":"Islamic Studies and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subversion; Politics; Plot (graphics); Narrative; Law; HERO; Feminism; Economic Justice; State (computer science); Fall of man; Sociology; Gender studies; Literature; History; Political science; Art","score_opus":0.021963228436448965,"score_gpt":0.3313596182894152,"score_spread":0.3093963898529662,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1559075296","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25460777,0.13270764,0.00010248723,0.11989338,0.002326057,0.0011888068,0.000029395038,0.00002489561,0.48911956],"genre_scores_gemma":[0.9365359,0.06089455,0.000011348421,0.0007215303,0.00016560583,0.000012747003,5.880423e-7,0.000001941636,0.0016557975],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99918497,0.00015998638,0.00024833265,0.00007324521,0.0002767875,0.000056709665],"domain_scores_gemma":[0.9992615,0.00024758468,0.00020433262,0.000107085354,0.0001723549,0.0000071451946],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001320686,0.000039491133,0.000114986105,0.0000087778135,0.0002776285,0.000008265959,0.00023104242,0.00001605769,0.0001207995],"category_scores_gemma":[0.00047858566,0.000018577995,0.000097748416,0.00010439027,0.0005026409,0.000035373585,0.00005762469,0.00007284393,0.0000013840563],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009484362,0.00013672984,0.058620058,0.0004082822,0.00025426838,9.98228e-7,0.025407154,0.00000822737,0.000052023865,0.7376322,0.035879347,0.14150588],"study_design_scores_gemma":[0.0003081646,0.000010369632,0.06871336,0.0007508696,0.000057033758,0.0000061540927,0.002588867,0.0000709923,0.0000035697028,0.0013448842,0.92609566,0.000050046623],"about_ca_topic_score_codex":0.0020999764,"about_ca_topic_score_gemma":0.00091253116,"teacher_disagreement_score":0.89021635,"about_ca_system_score_codex":0.000048206613,"about_ca_system_score_gemma":0.00003750375,"threshold_uncertainty_score":0.31745502},"labels":[],"label_agreement":null},{"id":"W1559123281","doi":"","title":"Alison Lurie. Truth and Consequences","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Qualitative Research Methods and Ethics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.20797087475444548,"score_gpt":0.5870299622222936,"score_spread":0.37905908746784817,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1559123281","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0035850839,0.08985617,0.028230775,0.16774216,0.002884983,0.0006608555,0.000029091958,0.00013337091,0.7068775],"genre_scores_gemma":[0.22374576,0.74939215,0.009729358,0.005589829,0.001033809,0.00003281951,0.000022016062,0.000013249741,0.010441009],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99858165,0.00048691005,0.0001977914,0.00012403866,0.00047783976,0.00013174639],"domain_scores_gemma":[0.9984711,0.0010547838,0.00007222461,0.0000470198,0.00026592403,0.000088951194],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.008423392,0.000046433546,0.000093834155,0.000051675695,0.00019509786,0.000049213,0.00011624724,0.00004543741,0.0009255601],"category_scores_gemma":[0.0036219948,0.00003999504,0.000038890827,0.00014239924,0.00050614186,0.00016410052,0.000018057986,0.00013318569,0.000038096932],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006593705,0.000013756769,0.0005473208,0.00011733334,0.000020515286,0.000004636042,0.0013968226,9.558958e-8,0.000052028834,0.87550896,0.0069651273,0.115366824],"study_design_scores_gemma":[0.000047445857,0.000012939075,0.00071704824,0.00044126617,0.000005178672,0.0000028104855,0.00069324527,0.0000049855003,0.00003815144,0.009984192,0.98800045,0.000052297466],"about_ca_topic_score_codex":0.00046912633,"about_ca_topic_score_gemma":0.00012138319,"teacher_disagreement_score":0.9810353,"about_ca_system_score_codex":0.00006376514,"about_ca_system_score_gemma":0.000076577555,"threshold_uncertainty_score":0.9999877},"labels":[],"label_agreement":null},{"id":"W1559922572","doi":"","title":"Coercion to Speak in J. M. Coetzee's Life & Times of Michael K","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"South African History and Culture","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Coercion (linguistics); Art; Environmental ethics; Philosophy; Linguistics","score_opus":0.020601209193779762,"score_gpt":0.31640246217566365,"score_spread":0.29580125298188387,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1559922572","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.063915834,0.028250232,0.00005214752,0.019524716,0.0013908999,0.0008367907,0.000050171733,0.00008755499,0.8858917],"genre_scores_gemma":[0.9393923,0.024135223,0.00015654125,0.005568104,0.00037356056,0.000045882032,0.000023580957,0.000007877,0.030296894],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923074,0.000087918736,0.00022726326,0.00011350684,0.00026326618,0.00007728357],"domain_scores_gemma":[0.99969167,0.000025877302,0.000058231795,0.000066890345,0.00009161696,0.00006569456],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030673968,0.000050270653,0.00012469172,0.000048923604,0.000050308834,0.000007696976,0.00017035216,0.00003474144,0.017895097],"category_scores_gemma":[0.00019778675,0.000048267128,0.000058796344,0.0002422143,0.00003911184,0.00009402059,0.0000069078546,0.000059782345,0.00048847403],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015828114,0.00045649824,0.007169419,0.00042553278,0.00009181647,0.000013069095,0.036933348,0.0003146904,0.00016771209,0.11732268,0.6621661,0.17478085],"study_design_scores_gemma":[0.00006483245,0.000009983555,0.0012151788,0.00050166476,0.000006391217,5.7571526e-7,0.00039882996,0.0000048166326,0.0000048652705,0.000083677245,0.9976576,0.00005159052],"about_ca_topic_score_codex":0.00016130507,"about_ca_topic_score_gemma":0.00013449468,"teacher_disagreement_score":0.8754765,"about_ca_system_score_codex":0.000089140674,"about_ca_system_score_gemma":0.00005249228,"threshold_uncertainty_score":0.98300266},"labels":[],"label_agreement":null},{"id":"W1559971104","doi":"","title":"Creating the Rogue Hero: Literary Devices in the Picaresque Novels of Martin Amis, Richard Russo, Michael Chabon, Jonathan Safran Foer, and Steve Tesich","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"American and British Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"HERO; Art history; Alley; Art; History; Literature","score_opus":0.014179036412785529,"score_gpt":0.2599794133183445,"score_spread":0.24580037690555898,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1559971104","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19351253,0.5243013,0.0005594482,0.022515342,0.0016442894,0.0018074316,0.00045140804,0.00010081755,0.25510743],"genre_scores_gemma":[0.9824646,0.008401657,0.000055828306,0.0062621976,0.00053309754,0.00003094633,0.00008988418,0.000010889427,0.0021508848],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987094,0.00012092666,0.0005458272,0.00018994088,0.00030186822,0.00013205732],"domain_scores_gemma":[0.9990419,0.00026237484,0.0002843752,0.00016044952,0.0002258708,0.00002499822],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008699118,0.00012929548,0.00023832996,0.0000979675,0.00013835728,0.00015693878,0.0002646964,0.000027673448,0.0005685422],"category_scores_gemma":[0.00007960714,0.00007782973,0.00011876142,0.00015781798,0.0001279196,0.00022456834,0.00003897711,0.00018526614,0.000007795221],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015933375,0.0008279087,0.04636146,0.0026974306,0.0011317821,0.000114259215,0.10948225,0.000007851356,0.0004212015,0.27072853,0.07265558,0.4954124],"study_design_scores_gemma":[0.00017520579,0.000044332137,0.013295077,0.002027377,0.00008128117,0.000035414818,0.002415002,0.00011000724,0.000018565066,0.000258964,0.98140186,0.00013690889],"about_ca_topic_score_codex":0.00047362252,"about_ca_topic_score_gemma":0.0010687594,"teacher_disagreement_score":0.9087463,"about_ca_system_score_codex":0.000024250545,"about_ca_system_score_gemma":0.000013058564,"threshold_uncertainty_score":0.62251383},"labels":[],"label_agreement":null},{"id":"W1560082509","doi":"","title":"Pauline Kaldas and Khaled Mattawa, eds. Dinarzad's Children: An Anthology of Contemporary Arab American Fiction","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Jewish and Middle Eastern Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Literature; Classics; Art","score_opus":0.03037861136826125,"score_gpt":0.35339482402303124,"score_spread":0.32301621265477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1560082509","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6264359,0.25512615,0.002943982,0.009149337,0.0025298218,0.0011955659,0.000120864956,0.0002152203,0.102283165],"genre_scores_gemma":[0.9312667,0.06676937,0.00014750131,0.00077844376,0.0003825738,0.000010863204,0.00005613988,0.000007657442,0.000580737],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99879587,0.00013346161,0.0004122769,0.0002213057,0.00028846314,0.00014861453],"domain_scores_gemma":[0.99918574,0.00007605329,0.00032351434,0.00010572746,0.00022751004,0.0000814659],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00088036177,0.00010590118,0.00027692434,0.000101354104,0.00014436117,0.000018735429,0.000144793,0.000043456697,0.00005651805],"category_scores_gemma":[0.00016218,0.00009919469,0.00007080594,0.00019271547,0.00033019428,0.00024085256,0.000037123038,0.00009461041,0.000016566411],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007647119,0.0002819968,0.4486244,0.0001560172,0.0001879304,0.000014301527,0.000766068,0.0000019517188,0.00017446576,0.0122965,0.008350011,0.5290699],"study_design_scores_gemma":[0.00050383783,0.00024867733,0.3666123,0.00080188987,0.0000620766,0.000057922472,0.0015560918,0.00001649797,0.00007514212,0.00023530364,0.6295709,0.0002593781],"about_ca_topic_score_codex":0.0008635331,"about_ca_topic_score_gemma":0.00042644795,"teacher_disagreement_score":0.6212209,"about_ca_system_score_codex":0.000040450206,"about_ca_system_score_gemma":0.000034010372,"threshold_uncertainty_score":0.40450418},"labels":[],"label_agreement":null},{"id":"W1560434458","doi":"","title":"Donna Tussing Orwin, ed. The Cambridge Companion to Tolstoy","year":2006,"lang":"en","type":"article","venue":"International fiction review","topic":"Themes in Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art; Art history","score_opus":0.01688810615048438,"score_gpt":0.2647965838996024,"score_spread":0.24790847774911803,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1560434458","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0050516156,0.061308954,0.0020855668,0.04081917,0.0072219702,0.0007661678,0.00016298438,0.00025348735,0.88233006],"genre_scores_gemma":[0.9129459,0.0036077704,0.0002071539,0.014987819,0.0066915397,0.000100546014,0.0003533055,0.000033957218,0.061071955],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99902767,0.000055271597,0.00034351967,0.00017467156,0.00028976914,0.00010911083],"domain_scores_gemma":[0.99936557,0.00005077316,0.00011767029,0.00021399124,0.00022664576,0.00002536903],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023001949,0.00011456872,0.00015872375,0.000076018565,0.00022073988,0.00028135377,0.00027539642,0.000017295542,0.0029872106],"category_scores_gemma":[0.000032005017,0.00007525977,0.00015891407,0.00007512676,0.000045952387,0.00019774037,0.00004492565,0.000113118986,0.00049977435],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000030778963,0.00002957283,0.00008238287,0.00005566481,0.00004621725,0.0000015302969,0.00026986902,0.00004304103,0.00003406258,0.30616468,0.6881489,0.0051210076],"study_design_scores_gemma":[0.00004702626,0.000007974867,0.00036506573,0.00064541964,0.00005587985,0.000009317765,0.00005084624,0.000114424154,0.000014213713,0.00013677486,0.9984591,0.00009397259],"about_ca_topic_score_codex":0.0002336919,"about_ca_topic_score_gemma":0.00008781029,"teacher_disagreement_score":0.9078943,"about_ca_system_score_codex":0.000078456076,"about_ca_system_score_gemma":0.000009755245,"threshold_uncertainty_score":0.9979242},"labels":[],"label_agreement":null},{"id":"W1562133859","doi":"","title":"John H. Pearson. The Prefaces of Henry James: Framing the Modern Reader","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Framing (construction); Art history; Archaeology","score_opus":0.04471729454181157,"score_gpt":0.2801741071430849,"score_spread":0.23545681260127332,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1562133859","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0133859925,0.14781332,0.00009508852,0.06577002,0.0021808466,0.0005354959,0.00002514725,0.000058720834,0.77013534],"genre_scores_gemma":[0.5473531,0.16539091,0.00003786345,0.021649832,0.0016872922,0.0000809868,0.00002547454,0.000016997323,0.26375756],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992977,0.000032740973,0.0002080557,0.00009200525,0.00030369632,0.00006580349],"domain_scores_gemma":[0.9996239,0.000049858118,0.00008341729,0.00013065676,0.00009662435,0.000015567108],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032401786,0.0000573573,0.00009344669,0.00002190161,0.0001924188,0.00002636571,0.0002629617,0.000010822798,0.013497674],"category_scores_gemma":[0.000035377696,0.000027687129,0.00006649669,0.000027103952,0.00025775968,0.00015654929,0.000009563379,0.000094720795,0.00014965399],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000114334525,0.00006191878,0.000025103489,0.0002341834,0.00007087896,0.0000015297502,0.039578803,0.00006972513,0.00006394202,0.01969657,0.5342275,0.40595844],"study_design_scores_gemma":[0.000041065035,0.000015270147,0.0000722057,0.00071672164,0.00001987639,0.0000052717364,0.0007007394,0.00025444923,0.00000528922,0.00022122834,0.99791455,0.00003333832],"about_ca_topic_score_codex":0.00012476496,"about_ca_topic_score_gemma":0.000031617783,"teacher_disagreement_score":0.5339671,"about_ca_system_score_codex":0.000019612575,"about_ca_system_score_gemma":0.000019647012,"threshold_uncertainty_score":0.9874041},"labels":[],"label_agreement":null},{"id":"W1562210563","doi":"","title":"Where Do Stories Begin and End? the Example of Marc Petit","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Adventure; HERO; Enlightenment; Literature; Art; History; Art history; Philosophy; Theology","score_opus":0.0462546332784149,"score_gpt":0.26680281301935355,"score_spread":0.22054817974093865,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1562210563","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024190783,0.4099035,0.00013172084,0.0092294505,0.0021788857,0.0002515584,0.00007691606,0.00003931535,0.5757696],"genre_scores_gemma":[0.6329153,0.17917651,0.00013264499,0.0017282121,0.0010131266,0.000071980554,0.00004361589,0.000019421088,0.18489918],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99949354,0.000055648117,0.00017881657,0.000087040644,0.0001412014,0.000043775097],"domain_scores_gemma":[0.9996477,0.00007187583,0.0000762347,0.00008121151,0.00010627291,0.000016740676],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001549305,0.00005584657,0.0001045806,0.000023853769,0.000104742685,0.000039315368,0.00007710208,0.000009297857,0.013709391],"category_scores_gemma":[0.00004798595,0.000034424636,0.000057533816,0.00002515849,0.000082395505,0.00012522306,0.000010481048,0.000053751657,0.000024414023],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000024922942,0.000023618977,0.00021344473,0.00023248213,0.00003958079,6.5975524e-7,0.0016563432,6.631096e-7,0.0000049997857,0.9105653,0.08226678,0.0049936026],"study_design_scores_gemma":[0.00003667804,0.000014721562,0.00006380938,0.00031721577,0.000023292429,0.000004471489,0.000108681954,0.000002960408,0.0000046428386,0.0005300453,0.99885327,0.000040193332],"about_ca_topic_score_codex":0.0003386279,"about_ca_topic_score_gemma":0.000087246925,"teacher_disagreement_score":0.9165865,"about_ca_system_score_codex":0.000016500206,"about_ca_system_score_gemma":0.000008838752,"threshold_uncertainty_score":0.9871922},"labels":[],"label_agreement":null},{"id":"W1563294594","doi":"","title":"Anthony Dawahare. Nationalism, Marxism, and African American Literature between the Wars: A New Pandora's Box","year":2004,"lang":"en","type":"article","venue":"International fiction review","topic":"Race, History, and American Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Nationalism; History; Religious studies; Art history; Political science; Philosophy; Law; Politics","score_opus":0.0189603996651862,"score_gpt":0.3254136958071523,"score_spread":0.3064532961419661,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1563294594","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019062368,0.2690986,0.0070282174,0.5693091,0.003983994,0.0025929029,0.00052658014,0.000633457,0.12776479],"genre_scores_gemma":[0.63596046,0.33931056,0.0016158426,0.012788777,0.0035919636,0.0000941041,0.0001988133,0.000035505636,0.006403973],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99841106,0.00018240255,0.00029632333,0.00028639458,0.0006369782,0.00018684828],"domain_scores_gemma":[0.99900025,0.00017257915,0.0002870744,0.00015879968,0.00023264466,0.00014864997],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005969579,0.00014268646,0.0002434763,0.000054595068,0.00051491,0.00011788768,0.00036594705,0.000049197675,0.00022722597],"category_scores_gemma":[0.00032452072,0.00011001455,0.00015921224,0.0005987796,0.0005207472,0.00030814437,0.000039703264,0.00022919301,0.00003334111],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034436773,0.00017539681,0.012505921,0.00026297887,0.0004898499,0.000019503757,0.042168196,0.000038488393,0.0000653639,0.07947857,0.49517944,0.36958185],"study_design_scores_gemma":[0.00017311408,0.000021898568,0.0060605044,0.0005555613,0.000039912393,0.0000053511317,0.001075004,0.0000016886316,0.0000027714184,0.00076126785,0.9911692,0.00013373603],"about_ca_topic_score_codex":0.0017256466,"about_ca_topic_score_gemma":0.00010026793,"teacher_disagreement_score":0.6168981,"about_ca_system_score_codex":0.000326035,"about_ca_system_score_gemma":0.00022151633,"threshold_uncertainty_score":0.44862634},"labels":[],"label_agreement":null},{"id":"W1563600427","doi":"","title":"Timothy J. Cox. Postmodern Tales of Slavery in the Americas: From Alejo Carpentier to Charles Johnson","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"Colonialism, slavery, and trade","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Art history; History; Philosophy; Art; Literature","score_opus":0.03240650082729043,"score_gpt":0.34731285331165634,"score_spread":0.31490635248436594,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1563600427","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7697541,0.097760774,0.0011796834,0.040462475,0.0050211395,0.002273004,0.00031751813,0.00009126474,0.083140045],"genre_scores_gemma":[0.9320293,0.06456739,0.00015831423,0.002545247,0.00018268904,0.000048915517,0.000024229372,0.0000067980236,0.00043710181],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99866223,0.00029077975,0.0002898259,0.00017149677,0.00046608018,0.00011956133],"domain_scores_gemma":[0.99943167,0.00016786461,0.00012337865,0.00013619514,0.00010302515,0.000037883754],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00052412594,0.0000826342,0.00017932811,0.00006956382,0.00008401209,0.000038338243,0.00029613593,0.00003809723,0.0006497327],"category_scores_gemma":[0.00033314317,0.0000668456,0.00011000424,0.00027121964,0.00007274919,0.00012988359,0.000014558604,0.00008613496,0.000078170546],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023454324,0.0023379521,0.12087932,0.0007688621,0.0008439685,0.000112034715,0.18729007,0.00033957302,0.0012163947,0.1099682,0.23075193,0.34525713],"study_design_scores_gemma":[0.000100457575,0.000018855668,0.011719984,0.000372552,0.000022388314,0.0000018576434,0.00047562947,0.000012179454,0.000039717837,0.00040624774,0.9867538,0.00007630711],"about_ca_topic_score_codex":0.004109898,"about_ca_topic_score_gemma":0.0011743745,"teacher_disagreement_score":0.7560019,"about_ca_system_score_codex":0.00008636382,"about_ca_system_score_gemma":0.00007100599,"threshold_uncertainty_score":0.7114118},"labels":[],"label_agreement":null},{"id":"W1563622253","doi":"","title":"Richard Giannone. Flannery O'Connor, Hermit Novelist; Cynthia L. Seel. Ritual Performance in the Fiction of Flannery O'Connor; and Katherine Hemple Prown. Revising Flannery O'Connor: Southern Literary Culture and the Problem of Female Authorship","year":2002,"lang":"en","type":"article","venue":"International fiction review","topic":"Flannery O'Connor and Thomas Merton","field":"Business, Management and Accounting","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Flannery; O'Connor; Art; Literature; Theology; Philosophy","score_opus":0.022511246726244556,"score_gpt":0.22970530594604402,"score_spread":0.20719405921979947,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1563622253","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7851097,0.12448128,0.00024420262,0.012375044,0.0013204012,0.003638821,0.00017389793,0.00022430213,0.07243236],"genre_scores_gemma":[0.9835058,0.010914022,0.0001498559,0.0016219236,0.0010071946,0.000143397,0.00019832769,0.000045528766,0.0024139786],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99738383,0.00017545788,0.0011075774,0.0004903689,0.0005417858,0.0003009627],"domain_scores_gemma":[0.99822813,0.0001808626,0.0008020952,0.0003632408,0.00039806176,0.000027603379],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0018620813,0.00038545625,0.0006432948,0.00026980788,0.00024885216,0.00023180681,0.00045921205,0.00015291483,0.0003095979],"category_scores_gemma":[0.00017873109,0.00024763096,0.00019637513,0.0006559359,0.00024991285,0.0010349696,0.00016680312,0.00044437434,0.000042062085],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.003058458,0.0027956164,0.33158603,0.06986109,0.0019447969,0.00016863113,0.029642014,0.0009084651,0.0038353084,0.12616639,0.09549399,0.3345392],"study_design_scores_gemma":[0.003657558,0.0001374336,0.017461069,0.011964853,0.00043262783,0.00027977058,0.0013201012,0.016525628,0.00010865775,0.0016415376,0.9455321,0.0009386871],"about_ca_topic_score_codex":0.00015209052,"about_ca_topic_score_gemma":0.000038775757,"teacher_disagreement_score":0.8500381,"about_ca_system_score_codex":0.000035302997,"about_ca_system_score_gemma":0.00001407302,"threshold_uncertainty_score":0.9999976},"labels":[],"label_agreement":null},{"id":"W1564035635","doi":"","title":"Oral Tradition and Modern Storytelling: Revisiting Chinua Achebe's Short Stories","year":2001,"lang":"en","type":"article","venue":"International fiction review","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Literature; Storytelling; Oral tradition; Context (archaeology); Character (mathematics); History; Art","score_opus":0.06342332643009935,"score_gpt":0.28659161808819467,"score_spread":0.22316829165809532,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1564035635","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21711968,0.34553382,0.00060153916,0.0312051,0.0063806605,0.001154687,0.0002740149,0.000565572,0.39716494],"genre_scores_gemma":[0.92031574,0.06614486,0.000047651156,0.0017845421,0.0019158426,0.00004074776,0.00016319007,0.000011170332,0.009576238],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927706,0.000033456985,0.00024762543,0.000170521,0.00017819356,0.00009317691],"domain_scores_gemma":[0.9996785,0.000023442637,0.00006610822,0.000058924015,0.00013874612,0.000034291646],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013587525,0.00011919615,0.00017638756,0.00003290712,0.0002777577,0.000118943564,0.00008143736,0.000018883598,0.0007979474],"category_scores_gemma":[0.000028996703,0.000092159615,0.00007406788,0.000024984145,0.000064328386,0.00050307356,0.00002178992,0.00009783085,0.000026421802],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000072795396,0.000115870615,0.0026794143,0.0008627887,0.00038346314,0.00003233822,0.018406754,0.000015332054,0.00011255408,0.3250907,0.035710324,0.61651766],"study_design_scores_gemma":[0.000062379244,0.000027269902,0.00085119123,0.0007293597,0.000038461094,0.000030220886,0.000218397,0.00020958525,0.0000031100074,0.00060485146,0.9971081,0.00011709329],"about_ca_topic_score_codex":0.00003264646,"about_ca_topic_score_gemma":0.000037542162,"teacher_disagreement_score":0.96139777,"about_ca_system_score_codex":0.000042711472,"about_ca_system_score_gemma":0.000006161723,"threshold_uncertainty_score":0.87369645},"labels":[],"label_agreement":null},{"id":"W1565486942","doi":"","title":"Marlene Kadar, Linda Warley, Jeanne Perreault, Susanna Egan, eds. Tracing the Autobiographical","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Autobiographical and Biographical Writing","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Tracing; Psychology; Computer science; Programming language","score_opus":0.023596104513837264,"score_gpt":0.2710097794771835,"score_spread":0.24741367496334626,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1565486942","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026205437,0.2620133,0.004848117,0.19793428,0.014639641,0.0030542624,0.00047206954,0.0018315335,0.48900136],"genre_scores_gemma":[0.9354961,0.049832255,0.00009655858,0.007830509,0.002733537,0.000047284735,0.00016738873,0.00003447272,0.0037619208],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976287,0.00008816393,0.0008463928,0.0004014541,0.0006296338,0.0004056954],"domain_scores_gemma":[0.998634,0.00030182552,0.00024816493,0.00025571097,0.00042035195,0.0001399533],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013160304,0.00027804277,0.00031675058,0.00031798807,0.00062449864,0.00025316724,0.00051656226,0.000110139896,0.0037857415],"category_scores_gemma":[0.0001523809,0.00017578462,0.0006764651,0.0004365693,0.00046169813,0.00027280033,0.00009009445,0.0005895577,0.00011147486],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011567983,0.00064856635,0.0027145862,0.000762793,0.000654807,0.00007184321,0.0009976891,0.000004282228,0.00019439161,0.42553753,0.14233613,0.4259617],"study_design_scores_gemma":[0.00019249573,0.00006297617,0.0023088127,0.001138737,0.00009351146,0.00003585868,0.0002633681,0.00008674271,0.000036128687,0.0009736451,0.99455166,0.0002560922],"about_ca_topic_score_codex":0.0002261128,"about_ca_topic_score_gemma":0.00034870414,"teacher_disagreement_score":0.9092906,"about_ca_system_score_codex":0.00002867349,"about_ca_system_score_gemma":0.000019738525,"threshold_uncertainty_score":0.9971249},"labels":[],"label_agreement":null},{"id":"W1565570830","doi":"","title":"Shirley Jones Day. The Search for Lyonnesse: Women's Fiction in France 1670-1703","year":2002,"lang":"en","type":"article","venue":"International fiction review","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art; Genealogy","score_opus":0.0466218503059528,"score_gpt":0.2695720801126372,"score_spread":0.22295022980668444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1565570830","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08228597,0.1839693,0.0011352587,0.66963017,0.00894838,0.0024251845,0.0002164719,0.0002629373,0.051126346],"genre_scores_gemma":[0.59609735,0.2704815,0.0000228064,0.004630628,0.0025558139,0.0010104663,0.00007162775,0.000023156284,0.12510666],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999041,0.00005654999,0.00031019418,0.00017744771,0.00025963434,0.00015513941],"domain_scores_gemma":[0.9994389,0.00011472299,0.00008261242,0.000095746145,0.00024014227,0.000027908236],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030997163,0.00010390318,0.0001990548,0.00004100642,0.0008642916,0.000077781624,0.00018769527,0.000025591282,0.0055298945],"category_scores_gemma":[0.000074851116,0.00006422479,0.00016157975,0.000094449104,0.00006562126,0.00016914569,0.000025006413,0.00011941166,0.00013050498],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016641012,0.00038478707,0.00087160966,0.0008755905,0.00041851512,0.000004396596,0.080935284,0.00026426537,0.000015274174,0.116631344,0.71313673,0.08644556],"study_design_scores_gemma":[0.000114957205,0.000022311931,0.00016991589,0.00020118158,0.000019831557,7.735474e-7,0.00087210845,0.0008109201,8.3842053e-7,0.00020050857,0.99749815,0.0000884797],"about_ca_topic_score_codex":0.00013707235,"about_ca_topic_score_gemma":0.0001540646,"teacher_disagreement_score":0.66499954,"about_ca_system_score_codex":0.00057631376,"about_ca_system_score_gemma":0.0000034224915,"threshold_uncertainty_score":0.9953792},"labels":[],"label_agreement":null},{"id":"W1566425839","doi":"","title":"Ian D. Copestake, ed. American Postmodernity: Essays on the Recent Fiction of Thomas Pynchon","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernity; History; Philosophy; Art history; Epistemology; Postmodernism","score_opus":0.04061357773389125,"score_gpt":0.2902328937176098,"score_spread":0.24961931598371856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1566425839","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023072443,0.01100282,0.00037770616,0.021510074,0.0020710437,0.0004155032,0.00008858503,0.00006710061,0.96215993],"genre_scores_gemma":[0.95720786,0.019623166,0.000026057005,0.011642736,0.0011327519,0.000032834607,0.0001747577,0.000021082644,0.010138744],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988517,0.00007571302,0.00042981262,0.00016982117,0.00035530835,0.000117609794],"domain_scores_gemma":[0.9989961,0.00013587228,0.0002359002,0.00020139372,0.00039271766,0.00003800783],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000537317,0.00012722662,0.00018796437,0.000080667574,0.00013962472,0.00007840829,0.00018809405,0.000022098522,0.003711777],"category_scores_gemma":[0.000099601304,0.000087049826,0.00012644818,0.000071969764,0.00011436712,0.00017185832,0.000020181216,0.0001863949,0.00006765614],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007173832,0.00016693577,0.00007360872,0.00012993668,0.00008165052,0.000006324867,0.001406864,0.0000011117178,0.000041588013,0.6080154,0.29967648,0.09032836],"study_design_scores_gemma":[0.00008421269,0.00009965114,0.00026768167,0.00087949267,0.000027393578,0.000006155499,0.000397061,0.0000215586,0.00007151716,0.0003793132,0.99767464,0.00009134171],"about_ca_topic_score_codex":0.000053979675,"about_ca_topic_score_gemma":0.000107653716,"teacher_disagreement_score":0.9549006,"about_ca_system_score_codex":0.000053081072,"about_ca_system_score_gemma":0.000019921348,"threshold_uncertainty_score":0.99719894},"labels":[],"label_agreement":null},{"id":"W1567674681","doi":"","title":"Michael Wood. Children of Silence: On Contemporary Fiction","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Silence; Art; History; Art history; Literature; Aesthetics","score_opus":0.025906573094542643,"score_gpt":0.26257171335032037,"score_spread":0.23666514025577773,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1567674681","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022484072,0.03601915,0.000010693642,0.0028873447,0.0011484618,0.00038865907,0.00022956132,0.00008280916,0.9367492],"genre_scores_gemma":[0.95991504,0.008111177,0.0000075457647,0.0028906553,0.0007227179,0.000032106014,0.00031076124,0.000011866392,0.027998134],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99899876,0.00004652015,0.00042167734,0.00018749299,0.00026702904,0.00007854895],"domain_scores_gemma":[0.99949646,0.000034952594,0.00011468407,0.00016083398,0.00015996458,0.000033130622],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013144656,0.00012491488,0.00019962029,0.0000793348,0.00007780521,0.000051440253,0.00016391015,0.000033330176,0.020212138],"category_scores_gemma":[0.000017873394,0.00010670157,0.00015479559,0.000039909977,0.000059286765,0.00031098447,0.000009593071,0.00012814482,0.0002365734],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000119760996,0.00039915272,0.00023964838,0.00039722837,0.0002188565,0.0000079430565,0.0023525846,0.000006563126,0.000051577663,0.2951788,0.6157411,0.08528679],"study_design_scores_gemma":[0.00020363869,0.000088711975,0.00039403563,0.0019314514,0.000019615753,0.00000911958,0.000060684535,0.000019764297,0.00006141509,0.00023315272,0.9968675,0.00011095682],"about_ca_topic_score_codex":0.00005214694,"about_ca_topic_score_gemma":0.0000034700126,"teacher_disagreement_score":0.937431,"about_ca_system_score_codex":0.000019971585,"about_ca_system_score_gemma":0.00002204929,"threshold_uncertainty_score":0.9806835},"labels":[],"label_agreement":null},{"id":"W1567912262","doi":"","title":"Terry Eagleton. The English Novel: An Introduction","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Themes in Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.020786462226399488,"score_gpt":0.27742758517659744,"score_spread":0.2566411229501979,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1567912262","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005865949,0.0454322,0.012750288,0.081375845,0.05624012,0.0013450041,0.00018194829,0.00094251585,0.79586613],"genre_scores_gemma":[0.78066975,0.010827917,0.00078476715,0.026318079,0.097945966,0.00010610653,0.0010697234,0.000089987974,0.08218769],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989898,0.00003375713,0.00036283827,0.00020465859,0.00029583514,0.00011307756],"domain_scores_gemma":[0.99899215,0.000051597242,0.00015068846,0.00028187592,0.0004904337,0.00003325428],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00077939674,0.00010671003,0.00012567911,0.000092630195,0.00016942619,0.00018371093,0.0002976235,0.000026262853,0.006857992],"category_scores_gemma":[0.00016889379,0.00007115896,0.00013293783,0.00007432996,0.00008442771,0.0004980148,0.00002878491,0.00017617724,0.0000747763],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015049071,0.00011898534,0.00004367409,0.000078745776,0.00016318617,0.0000013736101,0.0049623423,0.000014225114,0.000089996014,0.76723564,0.20259452,0.024682255],"study_design_scores_gemma":[0.00006040814,0.000018083398,0.00009986716,0.00012387417,0.00006465521,0.000009018997,0.0003868945,0.000042835312,0.000029553044,0.00018451907,0.9988954,0.00008489563],"about_ca_topic_score_codex":0.000029932145,"about_ca_topic_score_gemma":0.0001435056,"teacher_disagreement_score":0.7963009,"about_ca_system_score_codex":0.0000647237,"about_ca_system_score_gemma":0.000008020223,"threshold_uncertainty_score":0.99404985},"labels":[],"label_agreement":null},{"id":"W1568401107","doi":"","title":"If English Is Spanish Then Spanish Is ...: Literary Challenges of Representing Bilingual Speech Production and Reception in Esmeralda Santiago's America's Dream","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"Cultural and Social Studies in Latin America","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Linguistics; Dream; Slang; Lyrics; Context (archaeology); Character (mathematics); Representation (politics); History; Sociology; Psychology; Literature; Art; Philosophy","score_opus":0.03974063388527674,"score_gpt":0.29295322999502216,"score_spread":0.25321259610974545,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1568401107","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22462264,0.17464997,0.00002221023,0.021791603,0.008580973,0.0016352811,0.00012323847,0.00023902177,0.56833506],"genre_scores_gemma":[0.6439845,0.34885082,0.0002530854,0.0010634322,0.0015559784,0.000038203772,0.000031254353,0.000018733397,0.004203987],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986737,0.0001111931,0.0004792308,0.0003327027,0.0002749442,0.00012824417],"domain_scores_gemma":[0.99908954,0.000055171222,0.00029828018,0.00013189416,0.0003998777,0.000025230924],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002734387,0.00014576514,0.00030004347,0.000060491653,0.00015115963,0.000060142484,0.000098202676,0.00003700738,0.0025405348],"category_scores_gemma":[0.0005253232,0.00012443101,0.00010796885,0.00009022918,0.00017808382,0.00030927442,0.000048454418,0.0001515266,0.000011107121],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039926494,0.000425489,0.0049190745,0.0014391758,0.00036570217,0.000006084068,0.20185852,0.0000054476113,0.00014023074,0.05097105,0.06862894,0.6712004],"study_design_scores_gemma":[0.000116344316,0.000046794084,0.0009792165,0.0014974228,0.000035381017,0.000007313444,0.0064785,0.000015433103,0.00014017039,0.0011553359,0.98935163,0.00017643132],"about_ca_topic_score_codex":0.00028096457,"about_ca_topic_score_gemma":0.000067928966,"teacher_disagreement_score":0.9207227,"about_ca_system_score_codex":0.00004768375,"about_ca_system_score_gemma":0.000014709902,"threshold_uncertainty_score":0.9983713},"labels":[],"label_agreement":null},{"id":"W1568719946","doi":"","title":"A Little Nostalgia: The Detective Novels of Alexandra Marinina","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Treasure; Art; Art history; Variety (cybernetics); History; Advertising; Computer science; Archaeology; Business","score_opus":0.025353517224658402,"score_gpt":0.273940624097831,"score_spread":0.2485871068731726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1568719946","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020361247,0.080587484,0.00016727915,0.017456565,0.0024896783,0.0004495142,0.00016606181,0.00006411643,0.8965832],"genre_scores_gemma":[0.94029003,0.025384467,0.00014014308,0.004323574,0.0019339768,0.000092611066,0.000038360973,0.0000151246995,0.027781738],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929374,0.000038105543,0.00029769295,0.00013077211,0.00015805637,0.00008165603],"domain_scores_gemma":[0.9993337,0.00008830298,0.00014717085,0.00012763226,0.0002897176,0.000013508716],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021400441,0.000093195216,0.00016323476,0.00004323561,0.00012928985,0.000039703536,0.00017397925,0.000021177242,0.002568685],"category_scores_gemma":[0.00009075926,0.00005800089,0.000120004486,0.000033948756,0.0001777554,0.00014713939,0.000050271236,0.00011813249,0.00008820946],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006936954,0.00018083768,0.0003154169,0.0005406094,0.0005193288,0.0000036359947,0.022545548,0.00000837252,0.0000651254,0.5710647,0.3014685,0.10321857],"study_design_scores_gemma":[0.00010959152,0.000042670188,0.00050013256,0.00040768128,0.00003654335,0.000012118091,0.00039958244,0.000019953719,0.000032031276,0.00025653274,0.99812037,0.00006278931],"about_ca_topic_score_codex":0.000028188733,"about_ca_topic_score_gemma":0.00006896711,"teacher_disagreement_score":0.9382539,"about_ca_system_score_codex":0.000027600428,"about_ca_system_score_gemma":0.000010573284,"threshold_uncertainty_score":0.9983431},"labels":[],"label_agreement":null},{"id":"W1570226888","doi":"","title":"Between Cultural Imperialism and the Fatwa: Colonial Echoes and Postcolonial Dialogue in Salman Rushdie's Haroun and the Sea of Stories","year":2006,"lang":"en","type":"article","venue":"International fiction review","topic":"Islamic Studies and History","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Allegory; Literature; Colonialism; Interpretation (philosophy); History; Reading (process); Postcolonial literature; Simple (philosophy); Philosophy; Aesthetics; Art; Linguistics; Epistemology","score_opus":0.014113765433376413,"score_gpt":0.30225644891164327,"score_spread":0.2881426834782669,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1570226888","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.831295,0.094997495,0.000009396394,0.060721453,0.0018163556,0.0009773334,0.00009170081,0.000021297956,0.01006995],"genre_scores_gemma":[0.93377167,0.06500009,0.0000116280735,0.0002458414,0.0006430245,0.000034512606,0.000010295627,0.0000028160325,0.00028012722],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99913996,0.0002448617,0.00023794807,0.00010903523,0.00018682219,0.000081369086],"domain_scores_gemma":[0.99938977,0.00032945062,0.00013011975,0.0000435254,0.0000956964,0.0000114389095],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008846348,0.00006818256,0.0002264695,0.000022350567,0.00033604176,0.000043574364,0.0000960525,0.000038027738,0.00001672903],"category_scores_gemma":[0.00024883536,0.000038887796,0.000041811647,0.00006522816,0.0010789798,0.00010271046,0.000053741132,0.00008034848,6.5676403e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024033319,0.000025276917,0.05296714,0.00015336803,0.00011478808,0.0000018684731,0.025970291,0.0000013562943,0.000013145203,0.89504963,0.016401954,0.0090608355],"study_design_scores_gemma":[0.0021512636,0.000025999007,0.16346988,0.00027988548,0.00009436794,0.0000039765764,0.0008516573,0.0000127180765,0.0000023817904,0.0038777983,0.82912153,0.00010854884],"about_ca_topic_score_codex":0.023403626,"about_ca_topic_score_gemma":0.008838491,"teacher_disagreement_score":0.8911719,"about_ca_system_score_codex":0.00006804908,"about_ca_system_score_gemma":0.000026012913,"threshold_uncertainty_score":0.98309964},"labels":[],"label_agreement":null},{"id":"W1570406961","doi":"","title":"Nikos Kazantzakis, Nietzsche, and the Myth of the Hero","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"Nietzsche, Schopenhauer, and Hegel","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Zoroaster; Temptation; Mythology; Philosophy; Literature; HERO; Eschatology; Meaning (existential); Zoroastrianism; Destiny (ISS module); New Testament; Theology; Art; Epistemology","score_opus":0.023713784779510808,"score_gpt":0.26666160677240547,"score_spread":0.24294782199289466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1570406961","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009988562,0.34717008,0.000088446715,0.14716585,0.0038952753,0.0013909853,0.0001038232,0.00008289385,0.49011406],"genre_scores_gemma":[0.59000313,0.29660842,0.00011250156,0.033628263,0.0026949444,0.00012910328,0.00002417359,0.000030067851,0.07676938],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991514,0.000072794915,0.00032574197,0.00011867779,0.00025374297,0.00007765977],"domain_scores_gemma":[0.99937564,0.000077565026,0.00017651811,0.0001821582,0.0001670269,0.000021086966],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037279775,0.00009288182,0.00016885539,0.000023497134,0.00018159598,0.00007155314,0.00026675794,0.000020044601,0.0033579585],"category_scores_gemma":[0.0000721498,0.00004686598,0.00014216882,0.0000307736,0.00022637988,0.00018489287,0.00006320729,0.00013597992,0.00010555262],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030677216,0.000058774636,0.00016852518,0.00023138206,0.0001095349,2.4448718e-7,0.002185126,0.000004787032,0.000019143557,0.46759868,0.5071643,0.022428853],"study_design_scores_gemma":[0.00036379712,0.000007297541,0.00021864532,0.00054571545,0.000046263987,0.000008423435,0.00017649945,0.00009030414,0.00003548222,0.00026155496,0.9981876,0.000058422218],"about_ca_topic_score_codex":0.00009407596,"about_ca_topic_score_gemma":0.00013694396,"teacher_disagreement_score":0.5800146,"about_ca_system_score_codex":0.000018559627,"about_ca_system_score_gemma":0.000018137865,"threshold_uncertainty_score":0.9975531},"labels":[],"label_agreement":null},{"id":"W1570418138","doi":"","title":"Caryl Phillips. A Distant Shore","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"Global Maritime and Colonial Histories","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Shore; History; Oceanography; Geology","score_opus":0.018886880653511687,"score_gpt":0.3301993260169215,"score_spread":0.3113124453634098,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1570418138","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001163016,0.071310796,0.00020591174,0.11994147,0.003318804,0.000404037,0.000035921763,0.00018382093,0.8034362],"genre_scores_gemma":[0.81221294,0.15988386,0.0002739639,0.006777068,0.0023685482,0.00007691582,0.000055622742,0.000010192482,0.018340915],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919975,0.000046864374,0.00017211887,0.00012445216,0.00034878668,0.00010804402],"domain_scores_gemma":[0.99962634,0.000021685873,0.00005581348,0.00007547872,0.00016429399,0.00005638918],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002286361,0.000057774894,0.00009523597,0.000024449278,0.00017425694,0.00003229838,0.0001921709,0.000033412456,0.0027166498],"category_scores_gemma":[0.00013409824,0.000056105313,0.00008129755,0.00013009536,0.00006694458,0.00020272656,0.000020604715,0.00006139737,0.00034764592],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000148795,0.00010805861,0.0008941078,0.00008975804,0.00004745275,0.0000072965768,0.0020468526,0.00001058159,0.000016772565,0.30487016,0.45224008,0.23965399],"study_design_scores_gemma":[0.000041117444,0.00000712656,0.00021701542,0.00022999052,0.000013274266,0.000002138831,0.00006049312,0.000010523486,0.0000024019357,0.0004190398,0.9989339,0.00006297264],"about_ca_topic_score_codex":0.0005131459,"about_ca_topic_score_gemma":0.00085612305,"teacher_disagreement_score":0.8110499,"about_ca_system_score_codex":0.0003095498,"about_ca_system_score_gemma":0.00006190226,"threshold_uncertainty_score":0.998195},"labels":[],"label_agreement":null},{"id":"W1571138970","doi":"","title":"Victor Brombert. In Praise of Antiheroes: Figures and Themes in Modern European Literature, 1830-1980","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"Historical Geopolitical and Social Dynamics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Praise; History; Literature; Art","score_opus":0.014397856619433025,"score_gpt":0.30879816882147354,"score_spread":0.2944003122020405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1571138970","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14482732,0.06278839,0.00005839516,0.0043254234,0.00054254866,0.00050975697,0.00006192789,0.00005576587,0.7868305],"genre_scores_gemma":[0.8470072,0.13709787,0.00008053769,0.0007188465,0.00016148257,0.000010419028,0.000022800705,0.000008621028,0.014892197],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989703,0.00022937375,0.00030155643,0.00014142506,0.0002376626,0.00011965441],"domain_scores_gemma":[0.99968183,0.00008202554,0.000051757583,0.000056811346,0.00007517733,0.000052420924],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003295908,0.00006808909,0.00016300063,0.00005924572,0.000046609683,0.000024335166,0.00013785534,0.000044829903,0.00043596636],"category_scores_gemma":[0.00024064185,0.000061314524,0.000053107608,0.0002553519,0.000087241286,0.00014829608,0.000013575074,0.00011574844,0.000017340857],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000070248556,0.0008298702,0.019838497,0.0014267502,0.00006087015,0.00007161037,0.032369897,0.00008415274,0.00008047093,0.4159529,0.0072661266,0.52194864],"study_design_scores_gemma":[0.00020566993,0.000017885935,0.015219826,0.0023894138,0.0000070172714,0.0000013938279,0.00009619283,0.00031576774,0.000001371637,0.003273661,0.9783538,0.00011800727],"about_ca_topic_score_codex":0.0006140053,"about_ca_topic_score_gemma":0.0005378791,"teacher_disagreement_score":0.9710877,"about_ca_system_score_codex":0.00006896512,"about_ca_system_score_gemma":0.000027570306,"threshold_uncertainty_score":0.4773526},"labels":[],"label_agreement":null},{"id":"W1571752057","doi":"","title":"A.S. Byatt. The Biographer's Tale","year":2002,"lang":"en","type":"article","venue":"International fiction review","topic":"Political and Economic history of UK and US","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history; Philosophy; History; Literature","score_opus":0.04780036046109527,"score_gpt":0.30825941305162774,"score_spread":0.2604590525905325,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1571752057","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003667771,0.04084641,0.000059200054,0.05322136,0.0016295812,0.00010942443,0.000007689509,0.000043326218,0.9037162],"genre_scores_gemma":[0.55486435,0.31494743,0.000044740256,0.019719984,0.0015764545,0.00005944489,0.000010484714,0.00000816478,0.10876895],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99954134,0.00004244238,0.00012278571,0.00007727244,0.00012081079,0.000095334406],"domain_scores_gemma":[0.99977946,0.000037331516,0.000037002606,0.000063375155,0.000034898538,0.000047902813],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022019554,0.000036265825,0.000057813344,0.000019003164,0.00026017285,0.000024442432,0.0001820495,0.000019866282,0.014035114],"category_scores_gemma":[0.000070946604,0.000025846004,0.000093912124,0.00006989141,0.000117273965,0.00009149888,0.00000922631,0.000051549843,0.0012891853],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[6.6242694e-7,0.000036079877,0.00032486406,0.000020819698,0.000023704777,0.0000010238663,0.00038347277,9.898199e-7,0.0000015201058,0.22047436,0.7007286,0.07800389],"study_design_scores_gemma":[0.000026300251,0.0000031184243,0.0001944068,0.00007181184,0.0000064386927,0.0000014727423,0.000033757497,0.000038038303,4.865225e-7,0.0011255705,0.99846333,0.00003525782],"about_ca_topic_score_codex":0.00020382598,"about_ca_topic_score_gemma":0.00005616428,"teacher_disagreement_score":0.79494727,"about_ca_system_score_codex":0.00004830632,"about_ca_system_score_gemma":0.0000070416627,"threshold_uncertainty_score":0.9994884},"labels":[],"label_agreement":null},{"id":"W1571774372","doi":"","title":"Constance Markey. Italo Calvino: A Journey Toward Postmodernism","year":2001,"lang":"en","type":"article","venue":"International fiction review","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Aesthetics; Philosophy; Art; Literature","score_opus":0.04430014110062188,"score_gpt":0.3458789193537407,"score_spread":0.30157877825311885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1571774372","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00533091,0.054223284,0.0026763845,0.072115526,0.0054362747,0.0007308534,0.00010094608,0.00024098219,0.85914487],"genre_scores_gemma":[0.54816335,0.3944285,0.00038421733,0.013828006,0.0012024412,0.000052244537,0.000083965206,0.000022064214,0.041835237],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99850714,0.00015452052,0.00031206405,0.00021564333,0.0005895328,0.00022107387],"domain_scores_gemma":[0.9991984,0.0000802888,0.00014671813,0.00013482578,0.00031650756,0.00012327312],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00072584895,0.00011254306,0.00017089638,0.000035262397,0.0002716156,0.00010217069,0.0003448831,0.0000806672,0.0057000495],"category_scores_gemma":[0.00030292367,0.0001096815,0.00020453577,0.00018281219,0.00013416153,0.00036301024,0.000033881868,0.00016115946,0.00067974033],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002903779,0.00015734704,0.01034082,0.00025956443,0.00016806518,0.00006843252,0.005786601,0.0000063431794,0.000035069836,0.07553133,0.8463399,0.061277486],"study_design_scores_gemma":[0.00013093409,0.000009964586,0.0016200723,0.0005893615,0.000020306425,0.000030061445,0.00042584006,0.0000358033,0.0000023557686,0.0005139748,0.99649,0.0001313077],"about_ca_topic_score_codex":0.00030511516,"about_ca_topic_score_gemma":0.00007112426,"teacher_disagreement_score":0.8173096,"about_ca_system_score_codex":0.00019648933,"about_ca_system_score_gemma":0.00013807724,"threshold_uncertainty_score":0.99520886},"labels":[],"label_agreement":null},{"id":"W1572603343","doi":"","title":"Patrick Chamoiseau. Chronicle of the Seven Sorrows","year":2002,"lang":"en","type":"article","venue":"International fiction review","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art","score_opus":0.03616548073437836,"score_gpt":0.23554930830414164,"score_spread":0.19938382756976328,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1572603343","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022401461,0.27662513,0.00006343446,0.50345105,0.0058051953,0.00081113697,0.00012401176,0.00013018062,0.19058841],"genre_scores_gemma":[0.7908156,0.13614409,0.0000065342747,0.0018947497,0.0007286745,0.000030957992,0.000008162809,0.000006912536,0.07036431],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993856,0.000027170481,0.00022273767,0.00008489086,0.0002177012,0.000061887346],"domain_scores_gemma":[0.9995984,0.000015969248,0.00012230608,0.00008748522,0.00015917688,0.00001666106],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006081147,0.000059170787,0.0001314096,0.000013180075,0.00043117948,0.000015546986,0.00016474561,0.00001250116,0.010227041],"category_scores_gemma":[0.00003928017,0.00003307893,0.00023552618,0.000053615633,0.00005490177,0.00006912816,0.000035786034,0.000060982627,0.00013450831],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000019178344,0.0001438867,0.00023393358,0.00029526465,0.0002320916,8.2639434e-7,0.011920665,0.000022448556,0.00000977141,0.049245473,0.8850901,0.052803613],"study_design_scores_gemma":[0.000048374422,0.00000865518,0.00006265675,0.00014696461,0.000044840835,6.693793e-7,0.000083544866,0.00021445555,0.000001531606,0.000137535,0.9992052,0.000045585333],"about_ca_topic_score_codex":0.00013185552,"about_ca_topic_score_gemma":0.00009317681,"teacher_disagreement_score":0.76841414,"about_ca_system_score_codex":0.0002838229,"about_ca_system_score_gemma":0.0000026540174,"threshold_uncertainty_score":0.9906778},"labels":[],"label_agreement":null},{"id":"W1574273963","doi":"","title":"Reading Bulgakov's The Master and Margarita from the Perspective of Hinduism","year":2001,"lang":"en","type":"article","venue":"International fiction review","topic":"Religious Studies and Spiritual Practices","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hinduism; Divinity; Mythology; Meaning (existential); Reading (process); Philosophy; Literature; Aesthetics; Epistemology; Sociology; Religious studies; Theology; Art; Linguistics","score_opus":0.05707657427895133,"score_gpt":0.29437129513903354,"score_spread":0.23729472086008221,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1574273963","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0076504047,0.11555514,0.000050606304,0.21214621,0.0013896669,0.00037697883,0.000052170933,0.00002486875,0.66275394],"genre_scores_gemma":[0.6487903,0.335256,0.000017489898,0.0062106936,0.0011621235,0.000027916472,0.000011580443,0.000009833073,0.008514069],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994298,0.000048372527,0.00019101101,0.000109132656,0.00016400925,0.00005763763],"domain_scores_gemma":[0.9992674,0.00026783708,0.00014331285,0.000109697285,0.00020120823,0.000010517738],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020539654,0.00006789389,0.000109198634,0.000012622431,0.00022853883,0.000096720134,0.00014737561,0.000012129501,0.0017399631],"category_scores_gemma":[0.00012104752,0.000033880453,0.00005994266,0.000018564238,0.000096716314,0.00013594584,0.000056941786,0.00010483424,0.00003350449],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000279108,0.000042569784,0.0013332196,0.000044433466,0.00036154818,0.0000036495671,0.011291253,0.000001910543,0.000009906558,0.7396289,0.23423319,0.013021477],"study_design_scores_gemma":[0.0000658414,0.000016811888,0.00070732745,0.0003584735,0.000056302968,0.000008210057,0.004158388,0.000041005842,0.00000102707,0.005940113,0.98860246,0.000044058106],"about_ca_topic_score_codex":0.0037997907,"about_ca_topic_score_gemma":0.00042155827,"teacher_disagreement_score":0.75436926,"about_ca_system_score_codex":0.000028450688,"about_ca_system_score_gemma":0.0000055216306,"threshold_uncertainty_score":0.99917257},"labels":[],"label_agreement":null},{"id":"W1575105805","doi":"","title":"Margaret Drabble. The Peppered Moth","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.03447685463154304,"score_gpt":0.24966607900277948,"score_spread":0.21518922437123644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1575105805","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024235928,0.0839617,0.00017539169,0.44653103,0.004313606,0.00045214337,0.000044263525,0.00012764387,0.46197063],"genre_scores_gemma":[0.36951813,0.31686273,0.000048853868,0.016841974,0.0016601841,0.00017211054,0.00008321848,0.000024410396,0.2947884],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993339,0.000055078675,0.00020288034,0.00011137877,0.00021448557,0.00008224379],"domain_scores_gemma":[0.9995974,0.000035351626,0.00007462391,0.000087087166,0.00018211413,0.00002345514],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014985916,0.00007866614,0.00013040096,0.000013752857,0.00097323884,0.00006578023,0.00013656759,0.000013155359,0.012400518],"category_scores_gemma":[0.00010131265,0.000042132782,0.00018099321,0.000039483046,0.000058891565,0.00008142903,0.00001446484,0.00008178834,0.00030169424],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000012922477,0.000030249883,0.00004817247,0.000050184095,0.00014234093,0.0000010434952,0.003469943,0.0000031840218,0.0000017772128,0.4468699,0.5452535,0.004128387],"study_design_scores_gemma":[0.000043053195,0.0000074926656,0.000019526164,0.00008836413,0.00004757912,0.0000019293082,0.00034969836,0.000012520995,8.6152954e-7,0.00086955715,0.9984973,0.00006209441],"about_ca_topic_score_codex":0.00008810142,"about_ca_topic_score_gemma":0.00015920798,"teacher_disagreement_score":0.45324382,"about_ca_system_score_codex":0.00027948388,"about_ca_system_score_gemma":0.0000062039067,"threshold_uncertainty_score":0.98850226},"labels":[],"label_agreement":null},{"id":"W1575888537","doi":"","title":"Emeka Aniagolu. Black Mustard Seed","year":2004,"lang":"en","type":"article","venue":"International fiction review","topic":"African Botany and Ecology Studies","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mustard seed; Horticulture; Biology","score_opus":0.024411024349893586,"score_gpt":0.2538229034602816,"score_spread":0.229411879110388,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1575888537","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87932044,0.0115878945,0.000058436446,0.07742485,0.0013592975,0.00047990866,0.00006833449,0.00020222994,0.029498588],"genre_scores_gemma":[0.9749664,0.019274393,0.00005832519,0.0038242703,0.00034694318,0.000025805215,0.00004834499,6.0059915e-7,0.0014549269],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993946,0.000019639061,0.00018257843,0.00015919012,0.00013563073,0.00010839057],"domain_scores_gemma":[0.99973494,0.00003693816,0.00007428618,0.000027178103,0.00009287589,0.000033768058],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001169537,0.000077930286,0.00012396327,0.0000058891164,0.00010434632,0.000014352278,0.0001512676,0.000034286997,0.0014065277],"category_scores_gemma":[0.00007077382,0.000030796356,0.000088913985,0.00013325721,0.000045416677,0.000090112764,0.00004291818,0.00006419972,0.00043575463],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021912529,0.0022068198,0.20950691,0.0008674767,0.0015788809,0.00019516933,0.0011387332,0.0007836094,0.08786264,0.04955658,0.37865385,0.2674302],"study_design_scores_gemma":[0.000099990066,0.00007287293,0.13964517,0.00023743529,0.000019071931,0.000013846736,0.00010863542,0.0000072371467,0.000058208097,0.00044656396,0.8591805,0.00011046921],"about_ca_topic_score_codex":0.000032152075,"about_ca_topic_score_gemma":0.00014461957,"teacher_disagreement_score":0.48052663,"about_ca_system_score_codex":0.000058005942,"about_ca_system_score_gemma":0.0000042516795,"threshold_uncertainty_score":0.9995063},"labels":[],"label_agreement":null},{"id":"W1575899115","doi":"","title":"Margaret Drabble. The Seven Sisters","year":2004,"lang":"en","type":"article","venue":"International fiction review","topic":"Multiculturalism, Politics, Migration, Gender","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art","score_opus":0.13173329832666628,"score_gpt":0.4303981291763432,"score_spread":0.2986648308496769,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1575899115","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012506734,0.015140135,0.0015515732,0.7032201,0.007526945,0.0017587759,0.0000760977,0.0003362519,0.25788337],"genre_scores_gemma":[0.7033828,0.08597262,0.00055255275,0.137356,0.0026244351,0.00019062814,0.00024333921,0.000038287122,0.06963933],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988121,0.00012506294,0.00026487806,0.00015375092,0.00049132656,0.00015291676],"domain_scores_gemma":[0.9993303,0.00005692013,0.00012311732,0.00014227221,0.000287077,0.0000603342],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00046572607,0.000085457155,0.00009837208,0.000028306908,0.00029135414,0.00009368617,0.00032645822,0.000043091364,0.0010629221],"category_scores_gemma":[0.00034220773,0.000060270413,0.00011575629,0.00010457564,0.00016482295,0.0002299573,0.000025934763,0.00009788585,0.00032413294],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008312389,0.00013154912,0.0020539777,0.0002140673,0.00021835646,0.000008273644,0.0248449,0.0005143737,0.00006721745,0.57530844,0.3859816,0.010648924],"study_design_scores_gemma":[0.00010240433,0.0000039846645,0.0031639722,0.00028958602,0.000021310376,0.000006796117,0.0010408862,0.000010596518,0.000015443788,0.00029529844,0.9949701,0.00007961678],"about_ca_topic_score_codex":0.0016433109,"about_ca_topic_score_gemma":0.0011139006,"teacher_disagreement_score":0.69087607,"about_ca_system_score_codex":0.00091853697,"about_ca_system_score_gemma":0.0002305022,"threshold_uncertainty_score":0.9998502},"labels":[],"label_agreement":null},{"id":"W1576258918","doi":"","title":"Of Self and Country: U.S. Politics, Cultural Hybridity, and Ambivalent Identity in Jeffrey Eugenides's Middlesex","year":2006,"lang":"en","type":"article","venue":"International fiction review","topic":"Themes in Literature Analysis","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hybridity; Ideology; Politics; Commodification; Aesthetics; Postmodernism; Sociology; Identity (music); Literature; Metaphor; Reactionary; Romanticism; Philosophy; Law; Art; Anthropology; Political science; Theology","score_opus":0.01586955026801046,"score_gpt":0.27584166809462884,"score_spread":0.2599721178266184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1576258918","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6766038,0.223443,0.00008011448,0.004362959,0.00221914,0.00065070274,0.00061433925,0.00011256434,0.09191339],"genre_scores_gemma":[0.976172,0.020609979,0.000059964586,0.00036581088,0.00042513467,0.000009063026,0.00012054441,0.000006519393,0.0022310223],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99918336,0.000038499624,0.00034400428,0.00014396032,0.00021088771,0.00007926547],"domain_scores_gemma":[0.999543,0.000031114483,0.00012963888,0.000083363375,0.00019250759,0.000020375728],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018305209,0.000090392576,0.00019261877,0.00008665327,0.000049983955,0.000114017894,0.000094587085,0.000019418549,0.00041394675],"category_scores_gemma":[0.00003553824,0.00007670486,0.00005305172,0.00004578963,0.00009744875,0.0003951445,0.000047703023,0.000076912,0.0000047402086],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003146689,0.00008621537,0.0077600805,0.0007263712,0.000082990286,0.0000036534173,0.000640125,0.0000026268608,0.000027288312,0.97945935,0.01063058,0.00057759817],"study_design_scores_gemma":[0.00018036038,0.000014186963,0.00911867,0.0008084032,0.00009492394,0.000016670643,0.00009534039,0.00012507311,0.000025329986,0.0038809576,0.9855282,0.00011190836],"about_ca_topic_score_codex":0.001069343,"about_ca_topic_score_gemma":0.0009924419,"teacher_disagreement_score":0.97557837,"about_ca_system_score_codex":0.000051329065,"about_ca_system_score_gemma":0.0000074993213,"threshold_uncertainty_score":0.4532427},"labels":[],"label_agreement":null},{"id":"W1577329551","doi":"","title":"Writing as Tea Ceremony: Kawabata's Geido Aesthetics","year":2002,"lang":"en","type":"article","venue":"International fiction review","topic":"Japanese History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Aesthetics; Enlightenment; Ceremony; Modernity; Consciousness; Buddhism; Art; Civilization; Literature; Philosophy; Theology; History; Epistemology","score_opus":0.037847745795814604,"score_gpt":0.3213401482030602,"score_spread":0.2834924024072456,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1577329551","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00245223,0.043686695,0.00004148515,0.023159662,0.0016697254,0.00024186414,0.000008476353,0.00015284833,0.928587],"genre_scores_gemma":[0.6450621,0.20430587,0.00021280644,0.010338802,0.0018547109,0.000059617545,0.000047551905,0.000024588559,0.13809393],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99895483,0.00010896369,0.00022560642,0.00016065089,0.00042435847,0.00012558431],"domain_scores_gemma":[0.9995178,0.000027700673,0.000105991916,0.000103508195,0.0001756287,0.00006939515],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00034433798,0.00007913346,0.000111784764,0.000031529526,0.000344196,0.000051850253,0.00024532265,0.00006186789,0.011492984],"category_scores_gemma":[0.00018337884,0.00007513901,0.00010428016,0.00014943376,0.00007026419,0.00022230086,0.000017572209,0.00014243487,0.0017498445],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000037875272,0.00017116968,0.00074491743,0.000201627,0.00004901768,0.00002913463,0.005713763,0.000011235291,0.00005313553,0.17207572,0.65038186,0.17056464],"study_design_scores_gemma":[0.000054614677,0.0000084779,0.000061841296,0.0005014253,0.0000151811755,0.000021009633,0.00034427366,0.000032728924,0.0000028722648,0.0002514803,0.9986169,0.000089218745],"about_ca_topic_score_codex":0.00011328189,"about_ca_topic_score_gemma":0.00004594939,"teacher_disagreement_score":0.7904931,"about_ca_system_score_codex":0.00014891005,"about_ca_system_score_gemma":0.000019399038,"threshold_uncertainty_score":0.99902743},"labels":[],"label_agreement":null},{"id":"W1578231388","doi":"","title":"Michael Hardin. Playing the Reader: The Homoerotics of Self-Reflexive Fiction","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reflexivity; Art; Art history; Literature; Philosophy; Sociology; Anthropology","score_opus":0.03797129600994332,"score_gpt":0.28817655456805547,"score_spread":0.25020525855811215,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1578231388","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026904177,0.12947518,0.0003850093,0.019161258,0.0113837775,0.0010644532,0.00013272645,0.00016573517,0.8355414],"genre_scores_gemma":[0.9078699,0.07196302,0.00030933454,0.006834877,0.0017856072,0.00017300178,0.00006962308,0.00003142658,0.010963215],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989919,0.00014672516,0.00038032222,0.00015359926,0.00022002036,0.00010744147],"domain_scores_gemma":[0.99908245,0.00013057864,0.00022380643,0.0001995367,0.00034940874,0.000014225333],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005201214,0.0001230887,0.00017849322,0.000042679603,0.00052495865,0.00009239441,0.00021677338,0.000030914824,0.0006930067],"category_scores_gemma":[0.00016610051,0.000065869666,0.00015618878,0.00005301278,0.0002227642,0.00012414966,0.000027494276,0.00019054396,0.00004370603],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010888407,0.00006101951,0.00025114126,0.00025684282,0.00034968532,0.0000015780943,0.014595605,0.000009291845,0.000017965722,0.77874315,0.20437276,0.001330084],"study_design_scores_gemma":[0.000089918845,0.00003140752,0.00022087198,0.00040189497,0.00010297496,0.000024560683,0.0016611223,0.00002777093,0.00002142719,0.00044352113,0.996902,0.00007253884],"about_ca_topic_score_codex":0.000022568622,"about_ca_topic_score_gemma":0.000019654713,"teacher_disagreement_score":0.9051795,"about_ca_system_score_codex":0.00003297932,"about_ca_system_score_gemma":0.000018690775,"threshold_uncertainty_score":0.7587937},"labels":[],"label_agreement":null},{"id":"W1578735621","doi":"","title":"Joanna Trollope. Brother and Sister","year":2006,"lang":"en","type":"article","venue":"International fiction review","topic":"Housing, Finance, and Neoliberalism","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Brother; Sister; Genealogy; Art; History; Sociology; Anthropology","score_opus":0.025952432794687768,"score_gpt":0.2416274854192572,"score_spread":0.21567505262456943,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1578735621","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017046994,0.12827003,0.004177798,0.006690823,0.0019064664,0.00031613142,0.00010541828,0.000076978824,0.8414094],"genre_scores_gemma":[0.83473855,0.09856107,0.00068339595,0.006637774,0.0008288484,0.00007566903,0.00006931013,0.00004139405,0.05836399],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992411,0.000007849337,0.00040570676,0.00021306895,0.000036346544,0.00009589426],"domain_scores_gemma":[0.99963677,0.000014394335,0.00018396425,0.00011150689,0.00003177064,0.000021605034],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017124278,0.00008799394,0.00020855287,0.00007911853,0.00004208187,0.000046320427,0.00009231034,0.00003816962,0.0012717132],"category_scores_gemma":[0.000009925216,0.00009273597,0.00008538153,0.000077677316,0.00002253471,0.00016321379,0.000018551005,0.000060636256,0.0004907517],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001750712,0.00015925655,0.031736217,0.00041336828,0.00009283143,0.000009995705,0.00007083572,0.00003452191,0.000044869033,0.71786904,0.22811076,0.021440798],"study_design_scores_gemma":[0.00020440429,0.000008976638,0.01495743,0.00019332107,0.000004231788,0.000013292084,6.48437e-7,0.00015971359,0.000008238159,0.0010831667,0.98326266,0.00010390077],"about_ca_topic_score_codex":0.00021038698,"about_ca_topic_score_gemma":0.000017551776,"teacher_disagreement_score":0.81769156,"about_ca_system_score_codex":0.000041279007,"about_ca_system_score_gemma":0.0000035076384,"threshold_uncertainty_score":0.99964124},"labels":[],"label_agreement":null},{"id":"W1579750334","doi":"","title":"Trudier Harris-Lopez. South of Tradition: Essays on African American Literature","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"Race, History, and American Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.01958555140380768,"score_gpt":0.3134266493703889,"score_spread":0.2938410979665812,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1579750334","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0053958734,0.02477409,0.0005486021,0.039415155,0.0018892842,0.0005871382,0.0002536297,0.00016635639,0.9269699],"genre_scores_gemma":[0.93266255,0.05149309,0.0007451506,0.005159864,0.0016931196,0.00004595366,0.00006126842,0.00001687412,0.00812213],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985868,0.00016762307,0.00031902795,0.00022847588,0.0005598042,0.00013827172],"domain_scores_gemma":[0.9990989,0.000069911184,0.000359165,0.00015078709,0.00023069551,0.000090525675],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004038169,0.000115498064,0.00025423258,0.00006602576,0.00019763714,0.000032282504,0.0002626975,0.000039851664,0.0011609027],"category_scores_gemma":[0.00015482053,0.00010719331,0.00023895617,0.00046921792,0.00038625064,0.00019906946,0.000009714445,0.00017151682,0.00011069438],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005300468,0.0004094033,0.0008387112,0.00025152514,0.00021905088,0.0000073127626,0.032826148,0.00007331692,0.00006558932,0.08619423,0.5529494,0.32611224],"study_design_scores_gemma":[0.00009718728,0.00004313275,0.00060739304,0.0006558322,0.000023019673,0.0000014945265,0.0017614345,0.00001816717,0.000009505122,0.000060248785,0.99660987,0.000112722526],"about_ca_topic_score_codex":0.00008828777,"about_ca_topic_score_gemma":0.000023851047,"teacher_disagreement_score":0.92726666,"about_ca_system_score_codex":0.0002950893,"about_ca_system_score_gemma":0.00008490757,"threshold_uncertainty_score":0.99975216},"labels":[],"label_agreement":null},{"id":"W1580040175","doi":"","title":"Jay Bern. A Long Way","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"Cybernetics and Technology in Society","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Philosophy","score_opus":0.020948176993373906,"score_gpt":0.25986391749423693,"score_spread":0.23891574050086303,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1580040175","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011810015,0.02328769,0.000031796462,0.011967333,0.0014467945,0.00022271,0.00004093154,0.00021637966,0.9509764],"genre_scores_gemma":[0.5482813,0.1957872,0.000096161224,0.007396075,0.0013511898,0.000098968485,0.00013851085,0.000026401733,0.24682418],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942327,0.00001174862,0.00019931185,0.00012899839,0.00015343007,0.000083238476],"domain_scores_gemma":[0.99970233,0.000017520326,0.00004819101,0.00012152783,0.00008987513,0.000020554005],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009599779,0.00007499374,0.00010254605,0.000022214139,0.000100080804,0.00005244586,0.00016627533,0.000031296422,0.09754906],"category_scores_gemma":[0.000013519621,0.00006447758,0.00011551315,0.000024204912,0.000084481246,0.00008628297,0.000016332027,0.00011153239,0.0014197659],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003301902,0.000081112514,0.00022348613,0.000105111554,0.00010589222,0.00000623485,0.0007044948,0.000003214585,0.000004456271,0.33764437,0.31073356,0.35038477],"study_design_scores_gemma":[0.00007586297,0.000011535649,0.00029000282,0.00033999304,0.000019714424,0.000011114057,0.000024734036,0.000048173606,0.000006456497,0.00077839615,0.9983212,0.0000728441],"about_ca_topic_score_codex":0.00004668082,"about_ca_topic_score_gemma":0.000044994034,"teacher_disagreement_score":0.70415217,"about_ca_system_score_codex":0.000033050215,"about_ca_system_score_gemma":0.000005506444,"threshold_uncertainty_score":0.99935776},"labels":[],"label_agreement":null},{"id":"W1580325417","doi":"","title":"Reading Amy Tan's Hologram: The Hundred Secret Senses","year":2004,"lang":"en","type":"article","venue":"International fiction review","topic":"Themes in Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Character (mathematics); Vision; Reading (process); Literature; History; Relation (database); Theme (computing); Philosophy; Art; Aesthetics; Linguistics; Computer science","score_opus":0.023637748810425047,"score_gpt":0.28011865078942866,"score_spread":0.25648090197900364,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1580325417","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006836442,0.07269507,0.0022477685,0.09314716,0.011473009,0.0011837371,0.0002763149,0.00067817926,0.81146234],"genre_scores_gemma":[0.92977184,0.02660032,0.00027860244,0.015367591,0.0032635687,0.000094065945,0.00032500533,0.00003426539,0.02426475],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99913687,0.00004946818,0.00028944865,0.00016956261,0.00024852777,0.00010615074],"domain_scores_gemma":[0.9993436,0.000058231988,0.00014671919,0.00022057637,0.00020643538,0.000024448082],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022709015,0.00010534402,0.00015509484,0.00006621251,0.00020356754,0.00020248028,0.00025929313,0.000025053308,0.0028354127],"category_scores_gemma":[0.000100860234,0.000072865514,0.0001899441,0.000070140195,0.00010900673,0.00021860928,0.00003723784,0.00015113693,0.00023793241],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000068922145,0.00004525353,0.000036475307,0.000106605796,0.00024384682,0.000011666707,0.0027822705,0.000045662935,0.000038482438,0.9375411,0.045846272,0.013295417],"study_design_scores_gemma":[0.000090005255,0.00001407968,0.000051722323,0.00080626656,0.0000880091,0.00003059106,0.00017442238,0.0000139600525,0.000020874995,0.0028659576,0.9957553,0.00008881286],"about_ca_topic_score_codex":0.00007074748,"about_ca_topic_score_gemma":0.000043323806,"teacher_disagreement_score":0.94990903,"about_ca_system_score_codex":0.000077947785,"about_ca_system_score_gemma":0.000013246159,"threshold_uncertainty_score":0.99807614},"labels":[],"label_agreement":null},{"id":"W1581598651","doi":"","title":"Helen Fielding. Olivia Joules and the Overactive Imagination","year":2006,"lang":"en","type":"article","venue":"International fiction review","topic":"Political and Economic history of UK and US","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art history; Art","score_opus":0.008573713326045706,"score_gpt":0.29423786776542576,"score_spread":0.28566415443938004,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1581598651","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0049511762,0.029023329,0.0005796476,0.07968053,0.0012378952,0.00023830254,0.000009287365,0.000038742808,0.8842411],"genre_scores_gemma":[0.9392824,0.0435753,0.00003646265,0.0031666197,0.0006839151,0.000024499703,0.000009646537,0.0000027591261,0.013218371],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999576,0.000060782913,0.00011941644,0.00007442028,0.0001013755,0.00006801443],"domain_scores_gemma":[0.99971414,0.00012283382,0.000054196902,0.00003266035,0.00005473438,0.000021431522],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034874215,0.000035331897,0.00007089151,0.00001736082,0.00021289931,0.0000380006,0.00007280855,0.000018123326,0.0006000651],"category_scores_gemma":[0.00013030329,0.000025516943,0.00004409908,0.000025082682,0.00013569937,0.00016671424,0.000010154452,0.0000515904,0.00005157264],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000071050163,0.000013925136,0.0002672711,0.000021492675,0.000010744188,4.1932222e-7,0.00024537643,0.0000018795561,0.0000019542153,0.93851197,0.037439086,0.023478787],"study_design_scores_gemma":[0.00013179646,0.0000020958491,0.0015593636,0.000089425484,0.000010281326,0.000001943963,0.000051133462,0.00011563874,0.000002307152,0.01679823,0.98120236,0.00003541311],"about_ca_topic_score_codex":0.0019389841,"about_ca_topic_score_gemma":0.00011563349,"teacher_disagreement_score":0.9437633,"about_ca_system_score_codex":0.00006987932,"about_ca_system_score_gemma":0.000018875602,"threshold_uncertainty_score":0.6570292},"labels":[],"label_agreement":null},{"id":"W1581718857","doi":"","title":"Luise Rinser. Abelard's Love: Abelards Liebe","year":2001,"lang":"en","type":"article","venue":"International fiction review","topic":"Medieval Philosophy and Theology","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Philosophy","score_opus":0.0421341302015718,"score_gpt":0.28728605085538783,"score_spread":0.24515192065381602,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1581718857","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016132437,0.026212852,0.0001065282,0.018447071,0.00492502,0.00023812178,0.00003469793,0.00009100631,0.9483315],"genre_scores_gemma":[0.61798906,0.21157569,0.00005557864,0.021697832,0.0069544697,0.000066124885,0.00021430347,0.000043064618,0.14140385],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99900395,0.000057977595,0.0003314282,0.00019724856,0.00027073763,0.00013867154],"domain_scores_gemma":[0.99936974,0.000046236306,0.00012098961,0.00017674595,0.00022574306,0.000060566697],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00024965245,0.00012963741,0.00019710245,0.00007116285,0.00009225416,0.000050774775,0.00023329024,0.000038071958,0.057394363],"category_scores_gemma":[0.000092481394,0.000109254135,0.00014730876,0.00003701376,0.00009783001,0.00021389562,0.00003958801,0.0001585828,0.0046620015],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025856545,0.00010376874,0.00014340397,0.00016816605,0.00011008067,0.000028892851,0.0004558994,0.0000032863165,0.000008600095,0.88524383,0.10216363,0.011544568],"study_design_scores_gemma":[0.00018104154,0.000037425852,0.000105455794,0.0005113571,0.000039196588,0.00005199683,0.000028108609,0.000045232566,0.0000057192497,0.008569901,0.9903079,0.00011665049],"about_ca_topic_score_codex":0.00003126749,"about_ca_topic_score_gemma":0.00003442632,"teacher_disagreement_score":0.88814425,"about_ca_system_score_codex":0.000042732678,"about_ca_system_score_gemma":0.000017415188,"threshold_uncertainty_score":0.996113},"labels":[],"label_agreement":null},{"id":"W1583364654","doi":"","title":"\"Musak\": The Office and the Language of Madness","year":2004,"lang":"en","type":"article","venue":"International fiction review","topic":"Latin American Literature Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Uncanny; Interpretation (philosophy); Simplicity; Reading (process); Literature; Reflexive pronoun; Poetry; Philosophy; History; Aesthetics; Art; Epistemology; Linguistics","score_opus":0.010161764403612529,"score_gpt":0.3358020398529367,"score_spread":0.32564027544932417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1583364654","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011738096,0.24438216,0.0005175614,0.25225094,0.0021755472,0.0011846718,0.00003624269,0.0000745219,0.48764026],"genre_scores_gemma":[0.9342909,0.05940553,0.00011007256,0.0036974635,0.00029059342,0.00003440186,0.000003456905,0.0000037084683,0.0021638963],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993958,0.00011666697,0.0001368735,0.000065446264,0.00023601978,0.00004919921],"domain_scores_gemma":[0.9995112,0.00017644395,0.00011158144,0.00007689778,0.00011293389,0.00001097969],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005809887,0.00003892346,0.00009325395,0.000011380186,0.00015203997,0.000023876026,0.00016951335,0.000011271331,0.00015171857],"category_scores_gemma":[0.0004887136,0.000019069892,0.000046160567,0.00013680344,0.00041313306,0.00006298337,0.00003151807,0.000060879232,0.00000882377],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027321383,0.00003065977,0.00029046932,0.00014421307,0.00011951671,0.0000014635832,0.036996048,0.000016120275,0.000022733291,0.91734546,0.011466814,0.03353915],"study_design_scores_gemma":[0.00030395476,0.000006641858,0.001954668,0.00063158496,0.000035084573,0.000004393947,0.0039767046,0.0000030659776,0.000008783111,0.0008462701,0.9921809,0.000047966052],"about_ca_topic_score_codex":0.00096909003,"about_ca_topic_score_gemma":0.00014915019,"teacher_disagreement_score":0.9807141,"about_ca_system_score_codex":0.00002834532,"about_ca_system_score_gemma":0.000028568105,"threshold_uncertainty_score":0.1661212},"labels":[],"label_agreement":null},{"id":"W1583457772","doi":"","title":"Justin D. Edwards. Gothic Canada: Reading the Spectre of a National Literature","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Psychedelics and Drug Studies","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reading (process); History; Art history; Classics; Art; Philosophy; Linguistics","score_opus":0.025211638312882475,"score_gpt":0.3672874393088904,"score_spread":0.34207580099600793,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1583457772","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003485932,0.14406939,0.0011187101,0.039252292,0.007986831,0.00046816238,0.00019814947,0.000045982022,0.8033746],"genre_scores_gemma":[0.95511556,0.019885257,0.00013278557,0.010279566,0.0014091035,0.000051769934,0.000110081375,0.00002053196,0.012995374],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99878097,0.0000427179,0.00040225688,0.00017024265,0.00047549122,0.00012832525],"domain_scores_gemma":[0.99894667,0.00019077196,0.00020509501,0.00013754431,0.00049098633,0.00002896178],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000833266,0.00009946426,0.00015256478,0.00006410649,0.000073812305,0.000012722759,0.00021872489,0.00004163872,0.0007936355],"category_scores_gemma":[0.0002202827,0.00006985424,0.000088996654,0.0002652269,0.000031383508,0.00003951479,0.000029212433,0.00018464726,0.00002798436],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025456951,0.000058645724,0.0014596786,0.0001749522,0.00023816053,0.000013767419,0.00045809709,0.0000071487493,0.000041949992,0.13435312,0.85198545,0.011183552],"study_design_scores_gemma":[0.00013566045,0.000010365661,0.024623264,0.0010248986,0.00002073985,0.00006487345,0.00013280207,0.00001533105,0.000021904865,0.00036123703,0.9735087,0.00008019228],"about_ca_topic_score_codex":0.008956088,"about_ca_topic_score_gemma":0.016173495,"teacher_disagreement_score":0.9516296,"about_ca_system_score_codex":0.00015675147,"about_ca_system_score_gemma":0.000099420235,"threshold_uncertainty_score":0.99764335},"labels":[],"label_agreement":null},{"id":"W1583604261","doi":"","title":"Ellen McCracken. New Latina Narrative: The Feminine Space of Postmodern Ethnicity","year":2002,"lang":"en","type":"article","venue":"International fiction review","topic":"Latin American and Latino Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Narrative; Ethnic group; Space (punctuation); Gender studies; History; Sociology; Psychoanalysis; Art; Psychology; Literature; Anthropology; Philosophy; Linguistics","score_opus":0.055918951991991164,"score_gpt":0.35826901897305863,"score_spread":0.3023500669810675,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1583604261","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013000221,0.04261782,0.0017806303,0.20513932,0.0008811808,0.0005538677,0.000011709913,0.00009180479,0.7476236],"genre_scores_gemma":[0.60890937,0.33397844,0.00086954696,0.003061944,0.0006204161,0.00002390847,0.000006933379,0.00001145908,0.05251794],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886805,0.00017080213,0.00027730718,0.00013876028,0.0004353939,0.00010968399],"domain_scores_gemma":[0.99912643,0.00019876714,0.0002717622,0.00013839902,0.00021853982,0.00004610583],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036746432,0.000084228916,0.00017983692,0.000023903032,0.00023362658,0.000020935906,0.00030867226,0.00002964908,0.0038215315],"category_scores_gemma":[0.00061540294,0.00005795076,0.00010361322,0.00025590183,0.0001689227,0.00014279522,0.000053937416,0.000114247974,0.00006396625],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000831881,0.00012726404,0.0016305927,0.000120615594,0.00020559828,0.000002121502,0.072239816,0.000036241265,0.000059772523,0.081597835,0.5963619,0.24760993],"study_design_scores_gemma":[0.00009864473,0.000025206491,0.0016468999,0.0003753082,0.000020313742,0.0000020021057,0.0014742526,0.00037820093,0.000010995641,0.00023210394,0.9956534,0.00008266645],"about_ca_topic_score_codex":0.0009350894,"about_ca_topic_score_gemma":0.00013390915,"teacher_disagreement_score":0.6951057,"about_ca_system_score_codex":0.000054214885,"about_ca_system_score_gemma":0.000037834514,"threshold_uncertainty_score":0.9970891},"labels":[],"label_agreement":null},{"id":"W1584001093","doi":"","title":"Anne Tyler. A Patchwork Planet","year":2001,"lang":"en","type":"article","venue":"International fiction review","topic":"Political and Economic history of UK and US","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Astrobiology; Planet; Philosophy; Astronomy; Physics","score_opus":0.03611689833487034,"score_gpt":0.3289033636792179,"score_spread":0.29278646534434755,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1584001093","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018297265,0.012939734,0.00008654215,0.015989166,0.0019850244,0.00011076603,0.000020237096,0.00006951294,0.9669693],"genre_scores_gemma":[0.44495338,0.38853472,0.00014156656,0.022352714,0.004105165,0.00006397474,0.00023148867,0.000015534952,0.13960145],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994862,0.00003448483,0.00014765938,0.000093730414,0.000120217795,0.00011769687],"domain_scores_gemma":[0.9997666,0.000031681317,0.000040086066,0.000050336028,0.000030207126,0.0000811301],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022386796,0.000042210908,0.000083645136,0.000020677191,0.00014724229,0.00001837927,0.0001262399,0.000028685552,0.013637837],"category_scores_gemma":[0.000066281136,0.000039906812,0.000042456253,0.000045442313,0.000047253725,0.00010352543,0.000007790941,0.000051025476,0.0015172001],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010720232,0.00006395955,0.0022480332,0.000047685862,0.000030755888,0.000014221152,0.00033380315,0.0000060386396,0.0000022692745,0.13902472,0.7851453,0.07307249],"study_design_scores_gemma":[0.000043872067,0.0000056731187,0.0006918527,0.00014040046,0.00000541209,0.0000054622633,0.00003312801,0.000015621976,1.4740841e-7,0.0006159393,0.9983928,0.00004967104],"about_ca_topic_score_codex":0.0006129789,"about_ca_topic_score_gemma":0.00016581577,"teacher_disagreement_score":0.82736784,"about_ca_system_score_codex":0.00009233279,"about_ca_system_score_gemma":0.000029902752,"threshold_uncertainty_score":0.99926025},"labels":[],"label_agreement":null},{"id":"W1584189784","doi":"","title":"Daragh Carville, ed. New Soundings: An Anthology of New Writing from the North of Ireland","year":2006,"lang":"en","type":"article","venue":"International fiction review","topic":"Irish and British Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.0246612277536893,"score_gpt":0.3305277175347214,"score_spread":0.3058664897810321,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1584189784","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47676805,0.23151569,0.0016170518,0.020547522,0.0030484446,0.00075105217,0.0002653296,0.00009334063,0.2653935],"genre_scores_gemma":[0.8974056,0.097483836,0.0004444828,0.0006860388,0.0020806815,0.0000055717605,0.0000852408,0.0000072700573,0.0018012733],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990948,0.00008170634,0.0003329844,0.00011838893,0.00028005266,0.000092098235],"domain_scores_gemma":[0.9993694,0.00012807055,0.00022604941,0.000076186385,0.0001705795,0.000029706787],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002716975,0.00005732248,0.00017416503,0.000021165408,0.00012895437,0.000019961928,0.00021852826,0.000031709154,0.0003983204],"category_scores_gemma":[0.00021207104,0.000046274137,0.00007824451,0.0001281568,0.0001053663,0.00013301846,0.000028059721,0.00006378373,0.000008086963],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000083322075,0.000047786263,0.15534137,0.000053959164,0.000060621012,0.0000027989568,0.0007713661,0.00001574265,0.000029942512,0.0041252733,0.7936632,0.045879606],"study_design_scores_gemma":[0.00021452521,0.000027919297,0.20170672,0.0009556301,0.00005819008,0.0000053763747,0.0006817535,0.0000071270315,0.000018888513,0.0006377065,0.79559475,0.00009140274],"about_ca_topic_score_codex":0.033155512,"about_ca_topic_score_gemma":0.0040242565,"teacher_disagreement_score":0.42063755,"about_ca_system_score_codex":0.000028214976,"about_ca_system_score_gemma":0.00008353579,"threshold_uncertainty_score":0.9732828},"labels":[],"label_agreement":null},{"id":"W1587323455","doi":"","title":"Alan Sheridan. André Gide: A Life in the Present","year":2001,"lang":"en","type":"article","venue":"International fiction review","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history","score_opus":0.05261239989723891,"score_gpt":0.2790471011301978,"score_spread":0.2264347012329589,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1587323455","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021497779,0.112491615,0.00006653843,0.73845774,0.0015927562,0.00048369364,0.000017547998,0.00006560727,0.12532672],"genre_scores_gemma":[0.4765207,0.46815395,0.000009647334,0.012335139,0.0024953396,0.00018337838,0.00006017563,0.000009606095,0.040232074],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992873,0.000051619496,0.00023844933,0.0001050536,0.0002381129,0.00007943836],"domain_scores_gemma":[0.9997076,0.000038882394,0.00006304905,0.00007291599,0.00009448706,0.000023094035],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016000961,0.00006933513,0.0001376832,0.000021566166,0.00036685952,0.00006446728,0.00017032273,0.00001249159,0.0042799045],"category_scores_gemma":[0.000058950907,0.000038097252,0.00012910672,0.000059406102,0.000035755344,0.00009535901,0.00002007175,0.000085672735,0.00013536618],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000920172,0.00016072027,0.0014851363,0.00011546793,0.00015307362,0.000018449298,0.01709141,0.00002623512,9.960407e-7,0.045755226,0.9121258,0.023058245],"study_design_scores_gemma":[0.00006115387,0.000010326968,0.00036757035,0.00012692453,0.000022259017,0.0000028008826,0.00055181707,0.00006700419,3.555208e-8,0.00020247015,0.9985343,0.000053327105],"about_ca_topic_score_codex":0.0006028862,"about_ca_topic_score_gemma":0.00080291094,"teacher_disagreement_score":0.7261226,"about_ca_system_score_codex":0.00020157087,"about_ca_system_score_gemma":0.000004793074,"threshold_uncertainty_score":0.9966303},"labels":[],"label_agreement":null},{"id":"W1587385193","doi":"","title":"Great War Narrative into Film: Transformation, Reception, and Reaction","year":2001,"lang":"en","type":"article","venue":"International fiction review","topic":"World Wars: History, Literature, and Impact","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mythology; National identity; Nationalism; Narrative; Spanish Civil War; World War II; Nationality; History; Interpretation (philosophy); Movie theater; Literature; Art history; Law; Classics; Art; Political science; Philosophy","score_opus":0.018271731106202598,"score_gpt":0.3273038988615915,"score_spread":0.3090321677553889,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1587385193","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06519737,0.09680164,0.0029849343,0.11724459,0.010165992,0.0023498172,0.00005875506,0.0006184389,0.70457846],"genre_scores_gemma":[0.48284417,0.49163443,0.00023852527,0.0033871583,0.0012280765,0.000088788154,0.0002684956,0.000019149731,0.020291204],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99883026,0.00016537317,0.0003193088,0.00018790118,0.00037010753,0.00012705938],"domain_scores_gemma":[0.9992979,0.00003939905,0.0001406519,0.00009230156,0.00033310824,0.00009663589],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00052282086,0.000111880116,0.0001489976,0.000116467316,0.00047542306,0.00005931436,0.000119521705,0.000070562324,0.0013060347],"category_scores_gemma":[0.0001977379,0.00010498083,0.000079481826,0.00028316496,0.0000953234,0.0010665634,0.000006512008,0.00013816026,0.000084027364],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000109618515,0.0001534361,0.0020583204,0.00038842668,0.00015152547,0.000007469037,0.17339714,0.0000095717605,0.000584171,0.032914337,0.5504918,0.23973416],"study_design_scores_gemma":[0.0001417991,0.000028724435,0.001486603,0.0005703094,0.000020246116,0.0000175952,0.0014283769,0.000027380878,0.0000070645906,0.0006135979,0.995546,0.00011230131],"about_ca_topic_score_codex":0.0005084048,"about_ca_topic_score_gemma":0.00043203367,"teacher_disagreement_score":0.68428725,"about_ca_system_score_codex":0.00039700104,"about_ca_system_score_gemma":0.00006451016,"threshold_uncertainty_score":0.9996069},"labels":[],"label_agreement":null},{"id":"W1587903385","doi":"","title":"Laurence M. Porter and Eugene F. Gray. Gustave Flaubert's \"Madame Bovary.\" A Reference Guide","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Gray (unit); Art; Art history; Medicine; Nuclear medicine","score_opus":0.029204550248672283,"score_gpt":0.2896039175271037,"score_spread":0.2603993672784314,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1587903385","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014839618,0.0752832,0.00087102427,0.005887246,0.0017656477,0.00033212072,0.0000874043,0.00011041652,0.91417897],"genre_scores_gemma":[0.82905215,0.026395254,0.00025190404,0.016767547,0.0017146158,0.000040631563,0.0003986221,0.000028464608,0.12535082],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988849,0.000025061905,0.00044701083,0.00023909763,0.00025982613,0.00014409692],"domain_scores_gemma":[0.99929684,0.000053982894,0.000111821806,0.00015795424,0.00031179277,0.0000676043],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003729104,0.0001420255,0.0001804495,0.0000851191,0.000107346226,0.00014570125,0.00015151472,0.000037237915,0.0050800163],"category_scores_gemma":[0.000052401374,0.00011743181,0.00007071943,0.000037890095,0.000070352035,0.00037641916,0.000039751645,0.00015041047,0.00009377125],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022685534,0.000057176032,0.00015152055,0.00029403807,0.00007212513,0.000060151295,0.001106858,1.02013246e-7,0.00006225583,0.72420794,0.23127878,0.0426864],"study_design_scores_gemma":[0.000112954476,0.000030927717,0.00034000108,0.0009231914,0.000028197352,0.000046746325,0.0000976902,0.000010901249,0.000019706637,0.0008165249,0.9974364,0.00013675832],"about_ca_topic_score_codex":0.000105646635,"about_ca_topic_score_gemma":0.0003566096,"teacher_disagreement_score":0.8275682,"about_ca_system_score_codex":0.000030028299,"about_ca_system_score_gemma":0.000020947573,"threshold_uncertainty_score":0.99582946},"labels":[],"label_agreement":null},{"id":"W1587996413","doi":"","title":"Beast in Chicago: Saul Bellow's Apocalypse in The Dean's December","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"American Jewish Fiction Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Opposition (politics); Narrative; Politics; Theme (computing); Literature; Power (physics); Representation (politics); History; Aesthetics; Philosophy; Law; Art; Political science","score_opus":0.026754390661765447,"score_gpt":0.27482731137467453,"score_spread":0.2480729207129091,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1587996413","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011289155,0.015842605,0.00032660516,0.012234747,0.0013435285,0.0006004687,0.000028120678,0.000068955764,0.95826584],"genre_scores_gemma":[0.96872276,0.014242212,0.00007103826,0.00950505,0.00024534826,0.00014321269,0.000062696745,0.000018525716,0.0069891424],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986084,0.0002373105,0.00046193687,0.00021325292,0.00033895933,0.00014014023],"domain_scores_gemma":[0.9994412,0.00008797665,0.00014019232,0.00019424864,0.000107660526,0.000028686525],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00049574964,0.00012692272,0.00021227237,0.0001497157,0.00008310195,0.0000825618,0.00024303007,0.000025621457,0.010946248],"category_scores_gemma":[0.00018985252,0.00009389118,0.00015156253,0.00021941357,0.00009366665,0.00019523125,0.00001487721,0.00022474218,0.00038283272],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016926,0.0006512557,0.010890886,0.00019717855,0.00018493399,0.00004470797,0.0052448544,0.00032069572,0.000009867425,0.796956,0.1548153,0.03066739],"study_design_scores_gemma":[0.00015828319,0.000011224211,0.0013623983,0.00031990436,0.000028024768,0.000015744414,0.0008954149,0.00017213973,0.0000014895435,0.00029574084,0.9966334,0.000106216656],"about_ca_topic_score_codex":0.00022852668,"about_ca_topic_score_gemma":0.0019245107,"teacher_disagreement_score":0.95743364,"about_ca_system_score_codex":0.000104152394,"about_ca_system_score_gemma":0.000026739395,"threshold_uncertainty_score":0.98995787},"labels":[],"label_agreement":null},{"id":"W1588833486","doi":"","title":"Carol Jacobs and Henry Sussman, eds. Acts of Narrative","year":2006,"lang":"en","type":"article","venue":"International fiction review","topic":"Rhetoric and Communication Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; History; Psychoanalysis; Psychology; Art; Literature","score_opus":0.029568804321706495,"score_gpt":0.27517720853102323,"score_spread":0.24560840420931673,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1588833486","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0060900007,0.21342832,0.00009385483,0.008468481,0.0011911807,0.00031818112,0.000041976757,0.0000623852,0.77030563],"genre_scores_gemma":[0.9002476,0.08458818,0.000035451074,0.00044110665,0.00031647217,0.00003718157,0.000036128917,0.000005640871,0.01429226],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994323,0.000032068114,0.000258167,0.00008557247,0.00014391103,0.000047984642],"domain_scores_gemma":[0.9994171,0.000048097805,0.0001479897,0.00010241464,0.00027269888,0.000011692629],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009787522,0.00006805897,0.00014568241,0.00003684168,0.00011802506,0.000023992367,0.0001000219,0.000012550468,0.0008788388],"category_scores_gemma":[0.000022787872,0.000055172484,0.00005125018,0.000022726515,0.000092176786,0.00012641403,0.000040712857,0.00005179102,0.000019377545],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000084001795,0.00007914523,0.00058153213,0.0002526789,0.00011054132,5.9365186e-7,0.005025525,0.000003739381,0.00002490265,0.86214,0.12357215,0.008200822],"study_design_scores_gemma":[0.0000897564,0.000014399479,0.00085811334,0.0003428637,0.00001888947,0.0000023108685,0.0007019684,0.000016088823,0.0000147892415,0.0006641346,0.9972214,0.000055262175],"about_ca_topic_score_codex":0.00013744831,"about_ca_topic_score_gemma":0.000088910965,"teacher_disagreement_score":0.8941576,"about_ca_system_score_codex":0.000018943072,"about_ca_system_score_gemma":0.00000931983,"threshold_uncertainty_score":0.96226686},"labels":[],"label_agreement":null},{"id":"W1588851648","doi":"","title":"El Evangelio de Lucas Gavilàn : Vicente Lenero's Adaptation of the Gospel to Contemporary Mexico","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"Latin American history and culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Gospel; Adaptation (eye); History; Art; Humanities; Archaeology; Psychology","score_opus":0.037159965714130654,"score_gpt":0.2696863283121896,"score_spread":0.23252636259805892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1588851648","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014025667,0.028004674,0.0002442794,0.009878883,0.0022733912,0.00074510544,0.00018612872,0.00008778367,0.9445541],"genre_scores_gemma":[0.90998447,0.005904163,0.000113814414,0.012669058,0.0006007922,0.00006762689,0.0000619483,0.000017625698,0.07058051],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999241,0.000069655136,0.0002720908,0.00012147311,0.00022567053,0.00007014266],"domain_scores_gemma":[0.99952406,0.0000162918,0.00013575405,0.00013269669,0.0001569261,0.000034248096],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012967372,0.000086424814,0.00013024714,0.000025890733,0.000110548244,0.000023315204,0.00019466918,0.000018905828,0.013787711],"category_scores_gemma":[0.000028063925,0.000059663987,0.0001249009,0.00005503074,0.000060465096,0.00014614807,0.000013926219,0.00008494524,0.00021276201],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009594567,0.00027946284,0.000689347,0.00046736278,0.00019568462,0.0000040548557,0.023264015,0.0009859737,0.0002446364,0.14052072,0.72726935,0.10598344],"study_design_scores_gemma":[0.000091293135,0.000023848897,0.00035539473,0.000794712,0.000021609181,0.000004783427,0.00030564677,0.00014137883,0.00003426126,0.00007995089,0.9980767,0.00007044396],"about_ca_topic_score_codex":0.00022496685,"about_ca_topic_score_gemma":0.00011338043,"teacher_disagreement_score":0.8959588,"about_ca_system_score_codex":0.00008266013,"about_ca_system_score_gemma":0.000045968565,"threshold_uncertainty_score":0.98711383},"labels":[],"label_agreement":null},{"id":"W1588881907","doi":"","title":"Temples and Tabernacles: Alternative Religions in the Fictional Microcosms of Robertson Davies, Margaret Laurence, and Alice Munro","year":2004,"lang":"en","type":"article","venue":"International fiction review","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"","keywords":"Trilogy; Order (exchange); Microcosm; Art history; Art; History; Identity (music); Literature; Aesthetics","score_opus":0.018395240264795377,"score_gpt":0.28737159166859805,"score_spread":0.26897635140380266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1588881907","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07591404,0.41491184,0.00063561636,0.116662234,0.00349505,0.002928388,0.0008784553,0.0001126527,0.38446173],"genre_scores_gemma":[0.48578444,0.5098869,0.00021969217,0.002302073,0.0002705285,0.000074925825,0.000058490907,0.000008990033,0.0013939666],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99917734,0.000085515334,0.00022821991,0.00014173791,0.00028340612,0.000083777115],"domain_scores_gemma":[0.9995811,0.000088454304,0.00012125346,0.00006956125,0.00010087602,0.000038740913],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041448922,0.000059367085,0.00011503149,0.00017006187,0.00024474884,0.00008521024,0.000173249,0.00003582791,0.0001932975],"category_scores_gemma":[0.00013730735,0.00005777583,0.000040895655,0.00018673709,0.00027846763,0.00019025806,0.000021527974,0.00010177036,0.0000036817064],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017311258,0.00015838313,0.0040673222,0.00034265197,0.00007895962,0.000014944,0.01302937,0.000058794565,0.0001249634,0.8471423,0.121029325,0.013935707],"study_design_scores_gemma":[0.00015080693,0.000010893662,0.006532629,0.0007518501,0.000015087911,0.000014826768,0.0005119034,0.0000029017951,0.000002968534,0.0021953147,0.98975164,0.000059192622],"about_ca_topic_score_codex":0.28133315,"about_ca_topic_score_gemma":0.47074857,"teacher_disagreement_score":0.8687223,"about_ca_system_score_codex":0.00023780139,"about_ca_system_score_gemma":0.0001636111,"threshold_uncertainty_score":0.7234525},"labels":[],"label_agreement":null},{"id":"W1588926736","doi":"","title":"Vijay Lakshmi. Pomegranate Dreams & Other Stories","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.027893903013645256,"score_gpt":0.28649501595169713,"score_spread":0.2586011129380519,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1588926736","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017664086,0.021468611,0.0003226132,0.00434891,0.004380995,0.00025453878,0.0000688142,0.00017438144,0.9672147],"genre_scores_gemma":[0.690816,0.008710043,0.00014828195,0.020527823,0.008527809,0.00006979432,0.0002606883,0.000070934,0.27086866],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992216,0.000014992632,0.00025993923,0.00014073223,0.00024248638,0.00012021381],"domain_scores_gemma":[0.99955153,0.000020926607,0.00009864118,0.00010866182,0.00017589069,0.000044333756],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022740748,0.000107691085,0.0001329477,0.000052762432,0.00012558405,0.00007301851,0.00014449791,0.000028303091,0.01774015],"category_scores_gemma":[0.00003747404,0.00008099324,0.0001163446,0.000040762,0.00005294845,0.00016164954,0.000012508992,0.00009971416,0.0006679301],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027201319,0.00008844214,0.00060923933,0.00029103053,0.00015697272,0.000014517089,0.007758389,0.0000010600077,0.00004093089,0.6471609,0.31324786,0.030603474],"study_design_scores_gemma":[0.0001099291,0.000013563968,0.00027872017,0.00045973266,0.0000238058,0.000008609649,0.00075994356,0.0000025536744,0.00002251465,0.00023285387,0.99798846,0.00009928897],"about_ca_topic_score_codex":0.00006353184,"about_ca_topic_score_gemma":0.00030590477,"teacher_disagreement_score":0.6963461,"about_ca_system_score_codex":0.00003825027,"about_ca_system_score_gemma":0.000008636054,"threshold_uncertainty_score":0.98315775},"labels":[],"label_agreement":null},{"id":"W1588927384","doi":"","title":"Alan Freeman. Imagined Worlds: Fiction by Scottish Women 1900–1935","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art history; Art","score_opus":0.01732025181928298,"score_gpt":0.26354734348035613,"score_spread":0.24622709166107315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1588927384","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016823348,0.065331995,0.0024760016,0.0058722855,0.024294645,0.0010829314,0.0004103612,0.00066154613,0.88304687],"genre_scores_gemma":[0.6225313,0.03047607,0.00020084425,0.012009218,0.005617819,0.00025100223,0.0015991569,0.00008312902,0.32723147],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99832225,0.000047900197,0.0005497555,0.00029725913,0.0005574394,0.00022539038],"domain_scores_gemma":[0.99900377,0.00007770434,0.00023835435,0.00017167348,0.00040893306,0.00009953886],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008399471,0.00016769636,0.00021182331,0.00020563442,0.00027893158,0.00015635266,0.00027719018,0.000041883824,0.020645758],"category_scores_gemma":[0.0001290802,0.00017247268,0.0001378156,0.00010317035,0.000106294545,0.0007298565,0.00003578069,0.00018923251,0.0006781583],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024365536,0.000125935,0.00033993006,0.00015640531,0.00008311102,0.000006476676,0.00058059534,0.0000022192066,0.00008624705,0.032474156,0.95781076,0.008309789],"study_design_scores_gemma":[0.0002304279,0.00002726434,0.00066138955,0.0004690018,0.000025665002,0.00001381357,0.00009976308,0.000035107103,0.000037173486,0.00043646398,0.99778074,0.0001832165],"about_ca_topic_score_codex":0.00021858426,"about_ca_topic_score_gemma":0.00043594194,"teacher_disagreement_score":0.60570794,"about_ca_system_score_codex":0.00044742893,"about_ca_system_score_gemma":0.000027561004,"threshold_uncertainty_score":0.9802495},"labels":[],"label_agreement":null},{"id":"W1590493805","doi":"","title":"Bernth Lindfors. ed. Black African Literature in English, 1992-1996","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Linguistics; Philosophy","score_opus":0.018307197595972134,"score_gpt":0.24933382397896564,"score_spread":0.2310266263829935,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1590493805","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0069011203,0.10353019,0.0000032061293,0.0052208207,0.0036236094,0.0005034102,0.00020887026,0.00012948648,0.8798793],"genre_scores_gemma":[0.8529775,0.08729947,0.00005826339,0.0056344424,0.0020792412,0.00014026646,0.00033854158,0.000022654734,0.051449582],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99905837,0.00006311942,0.00033497487,0.00020071071,0.00019904434,0.00014380938],"domain_scores_gemma":[0.99948674,0.000033233347,0.00009984087,0.00009463843,0.00024800503,0.00003751629],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014942819,0.00014819771,0.00020837766,0.00006603045,0.00010171574,0.00015416424,0.00014160773,0.00003246362,0.0026623064],"category_scores_gemma":[0.00016931297,0.00010746261,0.0001229422,0.00008251957,0.000066874745,0.00041230538,0.000023429213,0.00017614143,0.00015058494],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028095988,0.00021649625,0.0011533697,0.0005992601,0.00014557234,0.000028268154,0.031955272,0.000008083938,0.0000061575893,0.6956406,0.26243514,0.007783695],"study_design_scores_gemma":[0.00014558295,0.000029370158,0.0003498132,0.001466315,0.000014386686,0.0000042160586,0.00031724828,0.000006101459,0.000006240737,0.00053567236,0.9969944,0.00013067693],"about_ca_topic_score_codex":0.00005100188,"about_ca_topic_score_gemma":0.00018863443,"teacher_disagreement_score":0.8460764,"about_ca_system_score_codex":0.00006043159,"about_ca_system_score_gemma":0.000012369993,"threshold_uncertainty_score":0.9982494},"labels":[],"label_agreement":null},{"id":"W1590693155","doi":"","title":"Esther Tusquets. Never to Return","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"Latin American and Latino Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Psychoanalysis; Psychology","score_opus":0.030450477852048935,"score_gpt":0.3619067659660413,"score_spread":0.3314562881139924,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1590693155","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00018154527,0.0067010503,0.001637526,0.032046612,0.001036694,0.00027064464,0.0000022599932,0.00007692309,0.95804673],"genre_scores_gemma":[0.5485181,0.18914573,0.008629991,0.10660389,0.000980779,0.00026863252,0.000014428021,0.000040827978,0.14579758],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991791,0.0001243085,0.00016126726,0.00013342746,0.0002925001,0.00010937987],"domain_scores_gemma":[0.99958444,0.00004251542,0.000063119776,0.000091910304,0.00015481576,0.00006321405],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038107377,0.000060135942,0.00010677818,0.000032584212,0.00013867074,0.000032980395,0.00015013802,0.000020442034,0.0035859963],"category_scores_gemma":[0.0006231628,0.000052021667,0.00006263846,0.00022278975,0.000038730195,0.00017404751,0.000016878554,0.000054252167,0.00033262116],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000021832573,0.000043376567,0.00302349,0.000039571758,0.000056564317,0.000003374901,0.0015938974,0.0000056614776,0.00001596384,0.59841573,0.33049226,0.066307925],"study_design_scores_gemma":[0.000035474353,0.000007494536,0.00076878327,0.00018679115,0.000005738888,0.0000016183676,0.00011058137,0.000003336898,0.000006293653,0.00028329372,0.99852437,0.000066209475],"about_ca_topic_score_codex":0.00017924972,"about_ca_topic_score_gemma":0.000043015843,"teacher_disagreement_score":0.8122492,"about_ca_system_score_codex":0.00009089866,"about_ca_system_score_gemma":0.00004756721,"threshold_uncertainty_score":0.9973249},"labels":[],"label_agreement":null},{"id":"W1591188998","doi":"","title":"John Krapp. An Aesthetics of Morality: Pedagogic Voice and Moral Dialogue in Mann, Camus, Conrad and Dostoevsky","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"Philosophy, Ethics, and Existentialism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Morality; Aesthetics; Psychoanalysis; Literature; Philosophy; Art; Psychology; Epistemology","score_opus":0.11612878784706848,"score_gpt":0.3364060879362338,"score_spread":0.2202773000891653,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1591188998","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58105826,0.16468522,0.0000710465,0.08631343,0.0039321776,0.0014262205,0.00066630373,0.00017889068,0.16166846],"genre_scores_gemma":[0.95353967,0.042811166,0.000059576254,0.002234596,0.0005501105,0.000014070783,0.00009917537,0.000010075557,0.0006815453],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908745,0.000072105846,0.00038188644,0.0001773923,0.0001912037,0.000089938665],"domain_scores_gemma":[0.9995121,0.00003008982,0.0001391614,0.00011366361,0.0001572186,0.000047794358],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031260285,0.00011036549,0.0002246367,0.000085912485,0.00006709677,0.00006435397,0.00010430143,0.00004381062,0.0002507119],"category_scores_gemma":[0.000035213907,0.00010098644,0.000048535356,0.000022467895,0.00020648619,0.0003119663,0.000034325938,0.00014155991,0.000016126927],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034924757,0.00023922048,0.0013373215,0.0009005867,0.000061161205,0.000008418196,0.010225611,0.000016992992,0.000028854052,0.95188326,0.003624449,0.03163919],"study_design_scores_gemma":[0.00034659953,0.00007409498,0.0014999144,0.0006412,0.000043838692,0.000026027456,0.00022324864,0.00034143034,0.000008437213,0.006196822,0.99044585,0.00015251318],"about_ca_topic_score_codex":0.0006593918,"about_ca_topic_score_gemma":0.0013550067,"teacher_disagreement_score":0.9868214,"about_ca_system_score_codex":0.000025822013,"about_ca_system_score_gemma":0.000016921114,"threshold_uncertainty_score":0.41181076},"labels":[],"label_agreement":null},{"id":"W1592189327","doi":"","title":"John P. Rooney. Bottling it Up","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Bottling line; History; Bottle; Archaeology","score_opus":0.046965008404922806,"score_gpt":0.27978699657415146,"score_spread":0.23282198816922867,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1592189327","genre_codex":"commentary","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021518508,0.083239615,0.00023078926,0.7444579,0.004181399,0.00024594885,0.00003943637,0.00017409933,0.16527896],"genre_scores_gemma":[0.13228974,0.45269147,0.00015623431,0.022731103,0.007274607,0.00009287826,0.00014455555,0.000022798398,0.38459662],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923265,0.000019233572,0.00028696834,0.00013462547,0.00023441504,0.00009209595],"domain_scores_gemma":[0.99956894,0.000022828732,0.00009189379,0.00006686328,0.00021329279,0.00003616978],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000109566405,0.000087712775,0.00016665806,0.00002678312,0.0006940337,0.00006413845,0.00012757808,0.000017199429,0.014228673],"category_scores_gemma":[0.00005023307,0.000063365835,0.00020589017,0.000034261444,0.00003414851,0.00018314795,0.000026471364,0.00008760147,0.00094138546],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002463595,0.000037556532,0.000016630574,0.0000717776,0.0001440898,9.4880124e-7,0.005229719,0.000022058884,0.0000035426478,0.04202986,0.905077,0.047364376],"study_design_scores_gemma":[0.000056788613,0.000006990651,0.0000070040996,0.00022079627,0.00005175828,0.000001344948,0.00020272702,0.00013935252,0.0000011654898,0.00010345539,0.99912226,0.00008632952],"about_ca_topic_score_codex":0.00011064003,"about_ca_topic_score_gemma":0.00037194652,"teacher_disagreement_score":0.7217268,"about_ca_system_score_codex":0.00053995254,"about_ca_system_score_gemma":0.0000051241473,"threshold_uncertainty_score":0.9998365},"labels":[],"label_agreement":null},{"id":"W1592341423","doi":"","title":"Socialist Realism and the Success of Famous All Over Town","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Latin American and Latino Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Mainstream; Pseudonym; Realism; Diversity (politics); History; Reading (process); Sociology; Media studies; Art history; Literature; Art; Law; Political science; Anthropology","score_opus":0.027024183412054998,"score_gpt":0.3826744826105385,"score_spread":0.3556502991984835,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1592341423","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0035541214,0.033786308,0.0012967269,0.05685219,0.0011380509,0.0005097891,0.00001639706,0.000055000128,0.90279144],"genre_scores_gemma":[0.8315766,0.15925518,0.00012682106,0.0053658495,0.00033798744,0.0000124004955,0.000006737789,0.0000040973746,0.003314336],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992202,0.00008678136,0.00022848301,0.0000835642,0.00030024248,0.00008071563],"domain_scores_gemma":[0.99935436,0.00023683748,0.00018149882,0.0000610581,0.000141809,0.000024407953],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011566253,0.000047236284,0.00013804469,0.000020815552,0.00014023068,0.000023837669,0.0001551744,0.000021503343,0.00035379498],"category_scores_gemma":[0.00033248615,0.000031282543,0.00006346408,0.00011130329,0.00036158625,0.00009140205,0.000038532453,0.00005234521,0.0000022712588],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019776275,0.000024864108,0.0029169128,0.000073982934,0.00010862734,0.0000014978837,0.0049306676,5.6369237e-7,0.0000075050825,0.8431272,0.04039046,0.10839794],"study_design_scores_gemma":[0.00021884049,0.0000054267375,0.009203881,0.00016604242,0.000026144186,0.0000012574052,0.00036711208,0.00001275761,0.0000039073043,0.0010953742,0.98884785,0.00005139085],"about_ca_topic_score_codex":0.004072626,"about_ca_topic_score_gemma":0.0005608416,"teacher_disagreement_score":0.9484574,"about_ca_system_score_codex":0.000039129012,"about_ca_system_score_gemma":0.000022473234,"threshold_uncertainty_score":0.615662},"labels":[],"label_agreement":null},{"id":"W1592504988","doi":"","title":"Moby-Dick and Schopenhauer","year":2004,"lang":"en","type":"article","venue":"International fiction review","topic":"Nietzsche, Schopenhauer, and Hegel","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"German; Pessimism; Passion; Philosophy; German philosophy; Literature; George (robot); Art history; Classics; History; Art; Theology; Psychology; Linguistics","score_opus":0.034952255600774765,"score_gpt":0.28769498395684434,"score_spread":0.2527427283560696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1592504988","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012707673,0.18136925,0.00036048543,0.02225672,0.0047170864,0.0007852199,0.00007394793,0.0002387363,0.7774909],"genre_scores_gemma":[0.40132377,0.48376784,0.0005675977,0.017230097,0.003404129,0.00019018639,0.00018600027,0.0000618266,0.09326854],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991977,0.0000173422,0.00026592865,0.00019173909,0.00022117613,0.00010607951],"domain_scores_gemma":[0.99954784,0.000017381088,0.00008389119,0.000119132936,0.00017142222,0.00006031316],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001668519,0.000112919704,0.00015576472,0.00006198365,0.00016266474,0.00017422884,0.00014466152,0.000025300596,0.011792302],"category_scores_gemma":[0.00004524857,0.00009429728,0.0000760457,0.00002773716,0.000070416034,0.00043230405,0.000041083982,0.00012857144,0.0012742011],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017064573,0.00014016246,0.00014271225,0.0005209664,0.00012886315,0.000010774562,0.0017414277,0.000015669555,0.00007922254,0.69182277,0.28309137,0.022288967],"study_design_scores_gemma":[0.00028505363,0.000023814102,0.00014367877,0.00096040324,0.00002658737,0.000018746978,0.00011227922,0.000007495752,0.000026854605,0.0010372908,0.9972421,0.00011571882],"about_ca_topic_score_codex":0.00016109241,"about_ca_topic_score_gemma":0.0001047397,"teacher_disagreement_score":0.7141507,"about_ca_system_score_codex":0.00004772051,"about_ca_system_score_gemma":0.000026462261,"threshold_uncertainty_score":0.99950343},"labels":[],"label_agreement":null},{"id":"W1593216411","doi":"","title":"George R. Clay. Tolstoy's Phoenix: From Method to Meaning in \"War and Peace\"","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"Seventeenth-Century Political and Philosophical Thought","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"George (robot); Phoenix; Meaning (existential); Philosophy; Art history; History; Art; Archaeology; Epistemology","score_opus":0.04412079408283683,"score_gpt":0.31199922119341866,"score_spread":0.26787842711058185,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1593216411","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021451386,0.055243712,0.0005040977,0.06066701,0.0021691807,0.00088924385,0.00046484178,0.00017539722,0.85843515],"genre_scores_gemma":[0.6543489,0.18546572,0.0051973616,0.094563045,0.008800181,0.00033947531,0.0006756403,0.0001117227,0.050497923],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989451,0.00010059708,0.00034704767,0.00024700438,0.00021506425,0.0001451979],"domain_scores_gemma":[0.9995826,0.00012096356,0.000039327875,0.000101697646,0.000055722994,0.00009970871],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002037919,0.00012261448,0.00021719295,0.000057270758,0.00006983391,0.000052737134,0.0001349207,0.000030417847,0.032306883],"category_scores_gemma":[0.00005036641,0.0001038348,0.000079946956,0.00004366823,0.000030370104,0.00015216785,0.00003300389,0.00015020967,0.00048529677],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000788439,0.00021382704,0.00024414668,0.00019970933,0.00010588977,0.00002668312,0.0029373397,0.000022980941,0.00006325683,0.73543334,0.047369424,0.21330455],"study_design_scores_gemma":[0.00016412447,0.000021604032,0.00026418254,0.0008143581,0.000020905036,0.0000066228563,0.000029427918,0.00012697572,0.000019445091,0.007209899,0.99120164,0.00012083304],"about_ca_topic_score_codex":0.00039678428,"about_ca_topic_score_gemma":0.000056837038,"teacher_disagreement_score":0.9438322,"about_ca_system_score_codex":0.00004755583,"about_ca_system_score_gemma":0.0000066485954,"threshold_uncertainty_score":0.96857774},"labels":[],"label_agreement":null},{"id":"W1593265142","doi":"","title":"Laura Zigman. HER","year":2004,"lang":"en","type":"article","venue":"International fiction review","topic":"Psychoanalysis and Social Critique","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.030964187301541775,"score_gpt":0.4001481181308379,"score_spread":0.3691839308292961,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1593265142","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016737795,0.020539906,0.0022846065,0.09533011,0.0021331036,0.00027638648,0.000009002351,0.00012628875,0.87762684],"genre_scores_gemma":[0.71601975,0.2583485,0.000327923,0.01217201,0.0015439788,0.00006225227,0.000033054763,0.000012554742,0.011479969],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99913895,0.00007497801,0.00019359558,0.000123216,0.00036824244,0.00010102413],"domain_scores_gemma":[0.9995867,0.000021110194,0.00006912826,0.00007555675,0.0001918887,0.00005561579],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004923025,0.000053042608,0.00010974387,0.000039005678,0.00018946403,0.000049157432,0.00018995661,0.000042514934,0.0025387444],"category_scores_gemma":[0.00018714671,0.00005099907,0.00014015028,0.00020087733,0.000049768918,0.00018578871,0.000010445628,0.00008062963,0.00029955656],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000031931834,0.00011121447,0.0005688394,0.000062375235,0.000093546245,0.0000068497284,0.0011959858,0.000025128815,0.000023584891,0.9022213,0.066755556,0.028932407],"study_design_scores_gemma":[0.00007961075,0.0000039295974,0.00048154482,0.00038051122,0.000015900898,0.0000010052717,0.00018804919,0.0000010312286,0.000004101588,0.0042627626,0.99452055,0.000060993185],"about_ca_topic_score_codex":0.00079973554,"about_ca_topic_score_gemma":0.0005208043,"teacher_disagreement_score":0.927765,"about_ca_system_score_codex":0.00018428199,"about_ca_system_score_gemma":0.00006980288,"threshold_uncertainty_score":0.9983731},"labels":[],"label_agreement":null},{"id":"W1593851040","doi":"","title":"Christoph Lorey and John L. Plews, eds. Queering the Canon: Defying Sights in German Literature and Culture","year":2002,"lang":"en","type":"article","venue":"International fiction review","topic":"European history and politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"German; Sight; German culture; Canon; Art; German literature; Art history; History; Literature; Archaeology; Astronomy","score_opus":0.02632217511421452,"score_gpt":0.30755440837911036,"score_spread":0.2812322332648958,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1593851040","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016041035,0.80943406,0.000027238599,0.0098042395,0.0012318341,0.00035468893,0.000017973629,0.00005049501,0.16303845],"genre_scores_gemma":[0.4263825,0.55725485,0.000052319418,0.002269304,0.0005532338,0.000012550488,0.000010263488,0.000007686126,0.013457249],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993718,0.00012703359,0.00014756886,0.000119489945,0.0001460241,0.00008805035],"domain_scores_gemma":[0.99974275,0.000041170988,0.00005586787,0.00006230671,0.000055006272,0.000042877593],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025533902,0.00006486688,0.00008162437,0.000033427048,0.00021683049,0.00007684494,0.00010471944,0.0000365274,0.00018127746],"category_scores_gemma":[0.00009403927,0.000047609676,0.000026276624,0.000103351755,0.00007153832,0.00017171161,0.000020481348,0.00016287377,0.000014348025],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012982984,0.00012798484,0.0039157094,0.0015369916,0.00008475868,0.00012410429,0.15460989,0.000022870845,0.00012879276,0.43642914,0.28572685,0.11727995],"study_design_scores_gemma":[0.0000489209,0.000005077446,0.00042713087,0.0008905124,0.0000067830642,0.000014421471,0.00002698244,0.000051135397,0.0000015364444,0.00024425716,0.9982259,0.00005728921],"about_ca_topic_score_codex":0.00010588624,"about_ca_topic_score_gemma":0.00022648797,"teacher_disagreement_score":0.71249914,"about_ca_system_score_codex":0.000068460235,"about_ca_system_score_gemma":0.000009094308,"threshold_uncertainty_score":0.1984861},"labels":[],"label_agreement":null},{"id":"W1593915183","doi":"","title":"Stephen Harris. The Fiction of Gore Vidal and E. L. Doctorow: Writing the Historical Self","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art history; History; Art; Philosophy","score_opus":0.027204168363002088,"score_gpt":0.26439922398403914,"score_spread":0.23719505562103704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1593915183","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06775509,0.25683987,0.0014257262,0.20905656,0.005277325,0.0016575713,0.00016875232,0.00036672584,0.45745242],"genre_scores_gemma":[0.97159135,0.015766816,0.000038318056,0.0014682558,0.0017898057,0.000033708322,0.000016775088,0.000008156892,0.009286835],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921006,0.00011644649,0.00031041825,0.00010723353,0.00019515159,0.000060690494],"domain_scores_gemma":[0.99940836,0.00012444919,0.0001762346,0.0001033113,0.00017082374,0.000016818893],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00046222523,0.00007806472,0.00013273668,0.000031188054,0.00027073137,0.000056626035,0.00014651708,0.000015303025,0.0026988871],"category_scores_gemma":[0.000049277292,0.000042471154,0.00011201282,0.000037707166,0.00007201302,0.00019041612,0.000026495136,0.000113290975,0.000022335551],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027046102,0.00015632086,0.0004332202,0.00029608706,0.00045592382,0.0000010180756,0.011635758,0.00004909972,0.00010359385,0.7308553,0.1761475,0.07983915],"study_design_scores_gemma":[0.0000673425,0.000016457032,0.00013022631,0.00020524846,0.00008885225,0.0000053141234,0.00048911036,0.0003591712,0.00001647221,0.00027173542,0.99829924,0.00005083887],"about_ca_topic_score_codex":0.000042815256,"about_ca_topic_score_gemma":0.00004490922,"teacher_disagreement_score":0.90383625,"about_ca_system_score_codex":0.00009741955,"about_ca_system_score_gemma":0.00000841093,"threshold_uncertainty_score":0.99821275},"labels":[],"label_agreement":null},{"id":"W1594129985","doi":"","title":"Muriel Spark. Aiding and Abetting","year":2006,"lang":"en","type":"article","venue":"International fiction review","topic":"Psychiatric care and mental health services","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"SPARK (programming language); Computer science; Programming language","score_opus":0.01521176422270767,"score_gpt":0.35632463018043037,"score_spread":0.3411128659577227,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1594129985","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10270606,0.27773947,0.00049384456,0.00853478,0.009718075,0.00056716613,0.000032746815,0.00016509811,0.60004276],"genre_scores_gemma":[0.9437899,0.031663842,0.00051225914,0.012562557,0.0018504749,0.00011148128,0.00013079663,0.000021394228,0.009357302],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993077,0.000026427246,0.00026808406,0.0001706131,0.00012116253,0.00010600345],"domain_scores_gemma":[0.9996932,0.000036211582,0.00011184809,0.000083593164,0.000043332908,0.00003178493],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018446277,0.00006908825,0.000101951635,0.000049917948,0.00006347223,0.000015338925,0.00007352473,0.000031676434,0.0012484062],"category_scores_gemma":[0.0000030767803,0.0000654731,0.00004294293,0.00008719993,0.000009534933,0.00007647804,0.000019942572,0.00007110461,0.00016260058],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000476528,0.00026200552,0.025869872,0.0021869056,0.00012199659,0.000025588435,0.00047114142,0.0000039062165,0.00013462208,0.0980455,0.5423939,0.33043686],"study_design_scores_gemma":[0.00020510195,0.000018387776,0.017311364,0.0007534277,0.00002193861,0.0000737081,0.00010102971,0.000023185501,0.00000795917,0.0003216176,0.98108286,0.00007942298],"about_ca_topic_score_codex":0.0007439776,"about_ca_topic_score_gemma":0.000044045944,"teacher_disagreement_score":0.8410838,"about_ca_system_score_codex":0.000034822013,"about_ca_system_score_gemma":0.0000073696083,"threshold_uncertainty_score":0.9996646},"labels":[],"label_agreement":null},{"id":"W1594345520","doi":"","title":"Toni Morrison's Quarrel with the Civil Rights Ideology in Love","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Race, History, and American Society","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Trilogy; Politics; Ideology; White supremacy; Sociology; Law; Spanish Civil War; History; Gender studies; Religious studies; Political science; Philosophy; Art history","score_opus":0.012146511210922438,"score_gpt":0.32173961603822515,"score_spread":0.30959310482730273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1594345520","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014149846,0.03246027,0.005014777,0.062040698,0.0022920398,0.0006735819,0.000006688252,0.00007605067,0.88328606],"genre_scores_gemma":[0.9503859,0.02872593,0.00023503964,0.0065903976,0.00071959116,0.000022807562,0.000008940101,0.000010199993,0.013301139],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99899864,0.00012485069,0.00019818044,0.00015907326,0.00035923347,0.00016002207],"domain_scores_gemma":[0.9994164,0.00016428797,0.00015051234,0.00010376218,0.00012141073,0.000043625165],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001106531,0.000072914816,0.00013424366,0.00003751579,0.00015247134,0.00001562002,0.0002469638,0.00004320542,0.0012647429],"category_scores_gemma":[0.00007021972,0.00004883449,0.000076323704,0.0002646712,0.00031938916,0.0001440137,0.000011622636,0.00015843702,0.00017439712],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007972547,0.00031915432,0.028688516,0.00014405123,0.0001832687,0.00006106268,0.04134393,0.0001000367,0.00004521937,0.14850116,0.74231344,0.03822043],"study_design_scores_gemma":[0.00009032354,0.00001605355,0.0053957286,0.00017030518,0.000009852312,0.0000036816364,0.0016824163,0.000011203397,0.000002368371,0.00011857478,0.99243087,0.000068633264],"about_ca_topic_score_codex":0.0018886949,"about_ca_topic_score_gemma":0.009535174,"teacher_disagreement_score":0.9362361,"about_ca_system_score_codex":0.0002800403,"about_ca_system_score_gemma":0.000069685484,"threshold_uncertainty_score":0.9996482},"labels":[],"label_agreement":null},{"id":"W1594626289","doi":"","title":"Violeta Kelertas. \"Come into My Time.\" Lithuania in Prose Fiction, 1970-90","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"Historical Geopolitical and Social Dynamics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Literature; Art","score_opus":0.012138982825371087,"score_gpt":0.31408379399527253,"score_spread":0.30194481116990146,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1594626289","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01475284,0.008860352,0.00014809679,0.014750945,0.0019200415,0.0009302752,0.000034750316,0.0002585305,0.95834416],"genre_scores_gemma":[0.25534236,0.189849,0.00074973365,0.013410538,0.003987137,0.00046384745,0.00042236107,0.00007279163,0.5357022],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99821365,0.00021626495,0.00048573813,0.00027675886,0.0005452676,0.00026233232],"domain_scores_gemma":[0.9993525,0.00009785136,0.000078198296,0.00012971375,0.00019319396,0.00014853521],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00056265463,0.00012903781,0.00025126777,0.00007712747,0.00028440438,0.00005711249,0.0003202909,0.00012216049,0.014344406],"category_scores_gemma":[0.00030201487,0.00012626484,0.00014687657,0.000492535,0.00014392778,0.0002603003,0.000022404074,0.00022204236,0.0023975791],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007961476,0.0011737351,0.006242427,0.0006312676,0.0001333976,0.00003393767,0.0067308373,0.00014359127,0.000036784808,0.3874777,0.19832157,0.39899516],"study_design_scores_gemma":[0.000118694334,0.000018371442,0.0015576984,0.0004314259,0.000013181486,0.0000014289875,0.00003239905,0.00026000474,6.141512e-7,0.0022130557,0.9952102,0.00014298194],"about_ca_topic_score_codex":0.0027065885,"about_ca_topic_score_gemma":0.00042201809,"teacher_disagreement_score":0.7968886,"about_ca_system_score_codex":0.0005115801,"about_ca_system_score_gemma":0.00010279655,"threshold_uncertainty_score":0.9983792},"labels":[],"label_agreement":null},{"id":"W1595476562","doi":"","title":"A. S. Byatt. On Histories and Stories: Selected Essays","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"Philosophy, History, and Historiography","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Genealogy; Literature; Art","score_opus":0.02855230840932128,"score_gpt":0.24544690561656068,"score_spread":0.21689459720723941,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1595476562","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00032585338,0.06944435,0.00003823976,0.0015507223,0.007933781,0.00021473499,0.00004852597,0.00014361748,0.9203002],"genre_scores_gemma":[0.8316098,0.08400849,0.00017077131,0.0068096407,0.003020095,0.0002385408,0.0001992608,0.00008306065,0.07386036],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991132,0.000056820154,0.00024732348,0.00022173913,0.00025681895,0.00010408867],"domain_scores_gemma":[0.99932873,0.00004246179,0.00011916874,0.00013690258,0.00031808522,0.000054640794],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014073268,0.00014421817,0.00019084311,0.0001637654,0.0003018027,0.00005270527,0.00010296554,0.000030185138,0.002391783],"category_scores_gemma":[0.00012858148,0.00013508248,0.000087948305,0.00007528991,0.00014067288,0.00017556119,0.0000070235515,0.00012839132,0.000084771345],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009263749,0.000059321526,0.000073359755,0.00016042912,0.000051048497,0.0000019821423,0.0020278576,3.2976615e-7,0.0000074002437,0.7858821,0.21069854,0.0010283708],"study_design_scores_gemma":[0.0001337564,0.00006329989,0.000037572117,0.00028344456,0.00003592692,0.0000058894198,0.00006974049,0.0000015483737,0.0000041251965,0.0012434934,0.99797606,0.0001451181],"about_ca_topic_score_codex":0.00005032882,"about_ca_topic_score_gemma":0.000090441645,"teacher_disagreement_score":0.84643984,"about_ca_system_score_codex":0.00021125424,"about_ca_system_score_gemma":0.000034618693,"threshold_uncertainty_score":0.9985202},"labels":[],"label_agreement":null},{"id":"W1595671653","doi":"","title":"Mary Gallagher. Soundings in French Caribbean Writing since 1950, The Shock of Space and Time","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"Caribbean and African Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Shock (circulatory); History; Space (punctuation); Medicine; Philosophy; Internal medicine; Linguistics","score_opus":0.01118545686965347,"score_gpt":0.23072654733634243,"score_spread":0.21954109046668896,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1595671653","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019944653,0.1192729,0.00001881413,0.048336092,0.0007716181,0.0005354499,0.00027680604,0.00006288146,0.81078076],"genre_scores_gemma":[0.96739805,0.0070206616,0.000043981465,0.0028183467,0.0009864264,0.000013927871,0.0000646439,0.000008753442,0.0216452],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993944,0.00002856499,0.00023854004,0.000115202594,0.00014889578,0.000074355776],"domain_scores_gemma":[0.9996773,0.000040940133,0.0000979315,0.00007336577,0.00009203553,0.000018438952],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017812525,0.00008090237,0.0001351205,0.00003502954,0.000073217365,0.000087886605,0.00010302309,0.000021113594,0.0014424492],"category_scores_gemma":[0.000020669926,0.00005415555,0.00006471513,0.00004124279,0.00006306544,0.00016218674,0.0000256759,0.00012227986,0.000026162152],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001033912,0.00008228575,0.00076569023,0.0004134479,0.00006993637,0.0000041935946,0.009173857,0.000008864927,0.00028734127,0.6892571,0.2852613,0.014665653],"study_design_scores_gemma":[0.00008710803,0.000011616531,0.00038423765,0.00096029154,0.000016924469,0.000011563658,0.00048578728,0.00008484549,0.000010022498,0.00018890087,0.9976906,0.000068092006],"about_ca_topic_score_codex":0.000059929083,"about_ca_topic_score_gemma":0.000108535525,"teacher_disagreement_score":0.9474534,"about_ca_system_score_codex":0.000028235432,"about_ca_system_score_gemma":0.000009182353,"threshold_uncertainty_score":0.99947035},"labels":[],"label_agreement":null},{"id":"W1595911768","doi":"","title":"Wendell Mayo. In Lithuanian Wood","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"Historical Geopolitical and Social Dynamics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Lithuanian; History; Philosophy; Linguistics","score_opus":0.020212457430733896,"score_gpt":0.33158315267748817,"score_spread":0.31137069524675426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1595911768","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024281063,0.004049548,0.000061359,0.009333263,0.0008362664,0.0001845846,0.000011830968,0.000059559534,0.9830355],"genre_scores_gemma":[0.2939113,0.274154,0.0003810579,0.011547069,0.0018361651,0.000098754834,0.00006977591,0.000023978197,0.41797787],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990261,0.000111322566,0.00023701947,0.00013482838,0.00032758055,0.0001631307],"domain_scores_gemma":[0.9996996,0.00004938467,0.000029849536,0.00006272278,0.000071161,0.00008728511],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003237035,0.00005776987,0.00011954584,0.000035099925,0.00011526767,0.000023788773,0.00018852127,0.00005964344,0.013795516],"category_scores_gemma":[0.00015281716,0.000057430796,0.00008018694,0.000247064,0.000067422705,0.00012364534,0.000008524002,0.00012201458,0.00091970136],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000086599475,0.00020296493,0.00090448966,0.00009446506,0.00001650174,0.00001471602,0.0012025702,0.00001781406,0.0000010909617,0.71464735,0.021450201,0.26143914],"study_design_scores_gemma":[0.000058787733,0.000005994253,0.0005557103,0.00022368814,0.0000043627965,6.82379e-7,0.00003804842,0.00007606515,1.11097236e-7,0.0022485869,0.99672234,0.00006559333],"about_ca_topic_score_codex":0.0014883272,"about_ca_topic_score_gemma":0.0006477901,"teacher_disagreement_score":0.9752722,"about_ca_system_score_codex":0.00024202999,"about_ca_system_score_gemma":0.000056082525,"threshold_uncertainty_score":0.9998582},"labels":[],"label_agreement":null},{"id":"W1597048868","doi":"","title":"Julian Rathbone. The Indispensable Julian Rathbone","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"Sociology and Norbert Elias","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.03691828436745888,"score_gpt":0.38533490195660003,"score_spread":0.34841661758914116,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1597048868","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007773689,0.0643019,0.00022341195,0.4642208,0.0044715437,0.00097296666,0.0000202753,0.00022061214,0.45779482],"genre_scores_gemma":[0.52311045,0.2793508,0.00048579916,0.07425163,0.0052917595,0.0002577592,0.00010201255,0.000032489294,0.11711732],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986532,0.0002824118,0.00030022947,0.0001992568,0.00036018685,0.00020475902],"domain_scores_gemma":[0.9992635,0.0001827248,0.00014827686,0.00017185153,0.00016407252,0.00006952518],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0012108717,0.00010220616,0.00015752307,0.000038526854,0.0005832535,0.000052007043,0.0004299849,0.000100214485,0.0063494253],"category_scores_gemma":[0.00046284546,0.00007626817,0.00013796207,0.0002111633,0.00021487374,0.0002739944,0.00003495219,0.00023827188,0.0025338696],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012764852,0.00009204377,0.002044289,0.00002483972,0.0000976252,0.0000042927168,0.0024997331,0.000019719299,0.000023777855,0.08871874,0.8355497,0.070912436],"study_design_scores_gemma":[0.00011279049,0.000008378696,0.0018244436,0.00020736881,0.000023250688,0.0000057792035,0.00019194154,0.00002347843,0.000019747518,0.00034932155,0.99714285,0.00009063136],"about_ca_topic_score_codex":0.00037532861,"about_ca_topic_score_gemma":0.00044654377,"teacher_disagreement_score":0.51533675,"about_ca_system_score_codex":0.00015862595,"about_ca_system_score_gemma":0.00009746964,"threshold_uncertainty_score":0.9982428},"labels":[],"label_agreement":null},{"id":"W1597155603","doi":"","title":"Ghosting the Lost Generation: Geoff Dyer's Paris Trance","year":2006,"lang":"en","type":"article","venue":"International fiction review","topic":"American and British Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Trance; Art; Art history; Subtext; Literature; Trilogy; History; Philosophy; Theology","score_opus":0.018312429705535573,"score_gpt":0.23781404562955516,"score_spread":0.2195016159240196,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1597155603","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010222913,0.15912876,0.0015306274,0.030146727,0.0022550072,0.00030170986,0.000116000316,0.00009783689,0.805401],"genre_scores_gemma":[0.800585,0.03756188,0.00016668282,0.020397538,0.013036272,0.00009069884,0.00078223785,0.000028914921,0.12735079],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99918276,0.00004287472,0.00030561019,0.00015216997,0.00022635088,0.00009024881],"domain_scores_gemma":[0.9994788,0.00003141734,0.00013853762,0.0001149867,0.00022085174,0.000015377413],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014878093,0.00008971396,0.00013074334,0.000032512144,0.00023424508,0.00023653757,0.00014635961,0.000014889727,0.008763927],"category_scores_gemma":[0.000019427787,0.00006297288,0.00014433057,0.000061878614,0.00008232474,0.0001970613,0.000012685238,0.00009740625,0.00025843453],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002010709,0.000046389614,0.0001328634,0.00006018755,0.00007660698,0.0000055900036,0.00027279765,0.000040716823,0.000025045238,0.109086715,0.8546173,0.03563379],"study_design_scores_gemma":[0.00005045866,0.0000071634367,0.00014130092,0.00027284582,0.000050310562,0.00001329194,0.000055089113,0.00062748964,0.000011151955,0.00008141316,0.99860835,0.00008114482],"about_ca_topic_score_codex":0.00039449547,"about_ca_topic_score_gemma":0.00023838632,"teacher_disagreement_score":0.7995627,"about_ca_system_score_codex":0.000029357663,"about_ca_system_score_gemma":0.000011343911,"threshold_uncertainty_score":0.9921422},"labels":[],"label_agreement":null},{"id":"W1599140973","doi":"","title":"Secrecy and Self-Invention: Philip Roth's Postmodern Identity in The Human Stain","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"American Jewish Fiction Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Trilogy; Postmodernism; Identity (music); Performative utterance; Aesthetics; Literature; Subjectivity; Self; Sociology; Philosophy; Psychoanalysis; Art; Epistemology; Psychology","score_opus":0.030280262053924246,"score_gpt":0.3229665136982702,"score_spread":0.2926862516443459,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1599140973","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1264048,0.03837859,0.007996557,0.025965506,0.0026165596,0.0018802355,0.000086523825,0.0004700331,0.79620117],"genre_scores_gemma":[0.9840314,0.007984221,0.0000355757,0.00431357,0.0005890481,0.000032428074,0.00007467222,0.000011904749,0.002927174],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99877095,0.000109472516,0.0004192747,0.00019846662,0.00038293572,0.00011890694],"domain_scores_gemma":[0.9994081,0.000056132092,0.00017689359,0.00015531495,0.00017010371,0.000033418026],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012456814,0.00010639825,0.00015854626,0.00012928469,0.00020916991,0.00015584398,0.00022522899,0.00002205597,0.0059246295],"category_scores_gemma":[0.00005041228,0.00008451305,0.000115642986,0.00013245585,0.00008991497,0.0004517552,0.00003381043,0.00015588236,0.00012068247],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000057472166,0.00028591536,0.005216489,0.0002244046,0.00015984371,0.00001706172,0.005849428,0.0000062592117,0.000011961397,0.96542543,0.009789064,0.013008403],"study_design_scores_gemma":[0.00016439815,0.000021268965,0.008783038,0.00026375434,0.00007054126,0.000021440334,0.0016818634,0.00014542803,0.0000011106802,0.0036495945,0.9850749,0.0001226646],"about_ca_topic_score_codex":0.0003073756,"about_ca_topic_score_gemma":0.0016858734,"teacher_disagreement_score":0.9752858,"about_ca_system_score_codex":0.00009833579,"about_ca_system_score_gemma":0.000011559584,"threshold_uncertainty_score":0.9949841},"labels":[],"label_agreement":null},{"id":"W1599345374","doi":"","title":"Monica Borg and R. K. R. Thornton, eds. Ernest S. Dowson: Collected Shorter Fiction","year":2006,"lang":"en","type":"article","venue":"International fiction review","topic":"Short Stories in Global Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.010361523123657016,"score_gpt":0.24312069177161,"score_spread":0.23275916864795299,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1599345374","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012813358,0.09528433,0.00008331383,0.0032459963,0.005353525,0.0005369978,0.00023937388,0.00024524785,0.89372987],"genre_scores_gemma":[0.6725021,0.10218814,0.00047349263,0.0072254995,0.010502686,0.00040404237,0.0023301786,0.00009747959,0.2042764],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987797,0.00004405433,0.00042204524,0.00028615698,0.00032326847,0.00014478891],"domain_scores_gemma":[0.9992059,0.00003830018,0.00014093911,0.00017572561,0.00039784418,0.00004128344],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013663032,0.00017880155,0.00021385445,0.000076092154,0.00026097547,0.0002517767,0.00015731544,0.000064876935,0.0039803926],"category_scores_gemma":[0.000047742855,0.00015506221,0.00009655922,0.00009132298,0.00009880272,0.00032749216,0.000046802423,0.00016559855,0.00003835266],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019675701,0.00006515475,0.00062610925,0.00015363193,0.00005720502,0.0000074754826,0.00022975155,0.0000040567147,0.000017858145,0.21077886,0.78268915,0.0053510605],"study_design_scores_gemma":[0.00012206201,0.00002834343,0.0016156568,0.00055589806,0.000051835388,0.00004138447,0.00002710972,0.00008520831,0.000011173116,0.00036987558,0.9969298,0.00016160509],"about_ca_topic_score_codex":0.00015383227,"about_ca_topic_score_gemma":0.00015559007,"teacher_disagreement_score":0.6894535,"about_ca_system_score_codex":0.00012349128,"about_ca_system_score_gemma":0.00002250755,"threshold_uncertainty_score":0.9969301},"labels":[],"label_agreement":null},{"id":"W1600750519","doi":"","title":"Margaret Laurence. Long Drums and Cannons: Nigerian Dramatists and Novelists, 1952–1966","year":2006,"lang":"en","type":"article","venue":"International fiction review","topic":"African studies and sociopolitical issues","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Literature; Elegy; History; Poetry","score_opus":0.011547597712008362,"score_gpt":0.3180398136063092,"score_spread":0.3064922158943008,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1600750519","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.047871005,0.28153798,0.0012704395,0.11285933,0.0023104907,0.0012323136,0.00023351201,0.00027651136,0.5524084],"genre_scores_gemma":[0.89251935,0.09816789,0.0002033041,0.0013370636,0.0006045352,0.00003536621,0.00003706265,0.000008523947,0.0070869075],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99905485,0.00007206111,0.00023188838,0.0001823311,0.00029445306,0.0001644184],"domain_scores_gemma":[0.99954295,0.00009505533,0.00008063227,0.00006155721,0.00014592112,0.00007389863],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00030507866,0.000089159614,0.0001778408,0.00002839188,0.0003246684,0.000098506556,0.00009826773,0.000047209105,0.00048400208],"category_scores_gemma":[0.00017495253,0.00008115291,0.000038505645,0.000096117954,0.0002836067,0.00013826348,0.000045976663,0.00007482191,0.000018519971],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000043527866,0.00005794588,0.04168328,0.00029245563,0.00006332475,0.000014079224,0.0022149417,5.561878e-7,0.0000036831589,0.8525955,0.08241904,0.020650858],"study_design_scores_gemma":[0.00010184428,0.000009851636,0.024537703,0.00049277395,0.000020741145,0.000004468742,0.00081488193,0.000010609091,0.0000010694963,0.0021817668,0.97170955,0.00011476221],"about_ca_topic_score_codex":0.0066113123,"about_ca_topic_score_gemma":0.0031502654,"teacher_disagreement_score":0.8892905,"about_ca_system_score_codex":0.00009130039,"about_ca_system_score_gemma":0.000031094238,"threshold_uncertainty_score":0.99943703},"labels":[],"label_agreement":null},{"id":"W1601825697","doi":"","title":"Şeyh Galip. Beauty and Love","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Turkish Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Beauty; Aesthetics; Art; Philosophy","score_opus":0.01696526942456121,"score_gpt":0.26479866199998364,"score_spread":0.24783339257542242,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1601825697","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016583864,0.097874925,0.00014560971,0.0065265275,0.0030191608,0.0002114323,0.000052558218,0.00006681711,0.8904446],"genre_scores_gemma":[0.62331295,0.07431799,0.00025251912,0.040360913,0.009627611,0.00001930447,0.0004520577,0.000041271658,0.25161538],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994666,0.000009372081,0.00018206697,0.000114375565,0.00014494752,0.00008265765],"domain_scores_gemma":[0.99968606,0.000017084025,0.000060996572,0.000062559746,0.00013657946,0.000036724385],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018086455,0.00007351082,0.0000901055,0.000030143585,0.000049783193,0.00010115888,0.00006809802,0.000024398372,0.0057918844],"category_scores_gemma":[0.000022877743,0.000054882286,0.000053819578,0.000019115994,0.00003384294,0.00018295125,0.000014140247,0.00009377265,0.00024344164],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008987886,0.00003390196,0.00015360728,0.00023476419,0.000050737162,0.0000082769675,0.002987,1.4567519e-7,0.00003989382,0.5717693,0.4022603,0.02245308],"study_design_scores_gemma":[0.000066041815,0.0000109670045,0.0003958542,0.0004995294,0.000016904174,0.000018687755,0.00014104863,0.0000025343686,0.000015820615,0.00032573784,0.9984395,0.000067394794],"about_ca_topic_score_codex":0.000013597509,"about_ca_topic_score_gemma":0.00005283767,"teacher_disagreement_score":0.63882923,"about_ca_system_score_codex":0.000026955347,"about_ca_system_score_gemma":0.0000052517867,"threshold_uncertainty_score":0.99511695},"labels":[],"label_agreement":null},{"id":"W1601918835","doi":"","title":"Class, Culture, and the Colonial Context: The Status of Women in Buchi Emecheta's The Joys of Motherhood","year":2002,"lang":"en","type":"article","venue":"International fiction review","topic":"African history and culture studies","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Scholarship; Gender studies; Politics; Sociology; Context (archaeology); Wife; Colonialism; Agency (philosophy); Indigenous; History; Social science; Law; Political science","score_opus":0.02260694300255322,"score_gpt":0.2930334841499733,"score_spread":0.2704265411474201,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1601918835","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027235962,0.37909052,0.00003888872,0.057854638,0.0012255934,0.0018010867,0.000064377855,0.000028657394,0.5326603],"genre_scores_gemma":[0.8617016,0.13446836,0.0000031337051,0.00075353525,0.000074863085,0.00006197314,6.240879e-7,0.0000020070934,0.0029338885],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99899864,0.00031624257,0.00022774699,0.00007299107,0.0002505985,0.00013377202],"domain_scores_gemma":[0.9994289,0.00015801791,0.00019287228,0.00007646868,0.000121110716,0.000022618047],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008765498,0.000052690506,0.0001602817,0.000011632998,0.00019762189,0.000009809695,0.0002021146,0.000023409493,0.00040255435],"category_scores_gemma":[0.0005704109,0.00002308778,0.00006256395,0.00014401742,0.0005634936,0.000050744304,0.00002478335,0.000102153455,0.0000042416314],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000063642416,0.00010857052,0.0027048409,0.00010500884,0.00021407254,5.555282e-7,0.22250065,0.000006265059,0.000018097451,0.70270425,0.044689413,0.026884638],"study_design_scores_gemma":[0.0002389208,0.000016497797,0.0014193455,0.00012402973,0.000018361869,6.9572826e-7,0.007969964,0.0000128734855,0.0000018368286,0.00092952367,0.98923963,0.000028343902],"about_ca_topic_score_codex":0.00063729857,"about_ca_topic_score_gemma":0.0011595688,"teacher_disagreement_score":0.9445502,"about_ca_system_score_codex":0.00014925675,"about_ca_system_score_gemma":0.000022225699,"threshold_uncertainty_score":0.44076878},"labels":[],"label_agreement":null},{"id":"W1603070160","doi":"","title":"Penelope Lively. Spiderweb","year":2001,"lang":"en","type":"article","venue":"International fiction review","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.03196701357905319,"score_gpt":0.3618722378995088,"score_spread":0.3299052243204556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1603070160","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010676363,0.06496756,0.0013789363,0.10600742,0.003037127,0.00031017794,0.00000573157,0.00012884162,0.8230966],"genre_scores_gemma":[0.16418682,0.74418056,0.00031724127,0.014683692,0.0018395984,0.000050329796,0.00006148662,0.000009357668,0.07467091],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99906284,0.00009147082,0.00019917685,0.00013768862,0.00039703923,0.00011179158],"domain_scores_gemma":[0.99945265,0.000054768003,0.000081329476,0.00009025538,0.00024663957,0.00007438087],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005036101,0.000058990634,0.00011656863,0.000063066385,0.00013585012,0.000054806336,0.00019737036,0.00004336463,0.00787297],"category_scores_gemma":[0.0004370579,0.0000518039,0.00011824455,0.00029162213,0.000036089623,0.00022232643,0.000015640442,0.00009048088,0.0005047534],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013264387,0.00015691583,0.01055693,0.00017610958,0.0002573777,0.00007197376,0.0032708142,0.000005663549,0.00008442202,0.15438433,0.5660785,0.26494372],"study_design_scores_gemma":[0.000044328553,0.0000040702416,0.00050311035,0.00037953586,0.00003193952,0.0000059171284,0.00009541205,0.000009463659,0.0000034810369,0.00024489948,0.9986199,0.000057952082],"about_ca_topic_score_codex":0.00015321557,"about_ca_topic_score_gemma":0.00020523135,"teacher_disagreement_score":0.74842566,"about_ca_system_score_codex":0.00007659876,"about_ca_system_score_gemma":0.00006757694,"threshold_uncertainty_score":0.99303395},"labels":[],"label_agreement":null},{"id":"W1603308367","doi":"","title":"Nikolai Bukharin. How It All Began","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"Seventeenth-Century Political and Philosophical Thought","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Philosophy","score_opus":0.07606156275727156,"score_gpt":0.2979435055583867,"score_spread":0.22188194280111517,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1603308367","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00075895677,0.008667497,0.000015099128,0.18759581,0.001953273,0.00024901584,0.00013116564,0.00011881015,0.80051035],"genre_scores_gemma":[0.47075662,0.09255717,0.000059029204,0.08333829,0.0073973713,0.00010499458,0.0005235567,0.000041527906,0.34522143],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990013,0.000047491903,0.00026340113,0.00020720222,0.00031165915,0.00016893071],"domain_scores_gemma":[0.9995419,0.000049996073,0.000052955234,0.00014853508,0.000108417305,0.00009820296],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011514864,0.00013418721,0.00017432557,0.000035687688,0.000100941055,0.00013810206,0.00023255893,0.00003230128,0.10317453],"category_scores_gemma":[0.00004380752,0.00010688139,0.00018611482,0.00002821664,0.000075626514,0.00023971507,0.000022846922,0.00015746785,0.002318277],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001135619,0.00012348799,0.000013673028,0.00015151085,0.000089333684,0.0000060730945,0.00018251182,0.0000012628265,0.0000037358793,0.6950122,0.27872798,0.025676845],"study_design_scores_gemma":[0.00012293254,0.000025551077,0.000037994236,0.0005073866,0.000037792408,0.000012485247,0.000012619541,0.00004272965,0.0000064743385,0.005423487,0.99364364,0.00012689942],"about_ca_topic_score_codex":0.000032381686,"about_ca_topic_score_gemma":0.000010593215,"teacher_disagreement_score":0.71491563,"about_ca_system_score_codex":0.000046885692,"about_ca_system_score_gemma":0.000008473709,"threshold_uncertainty_score":0.9984585},"labels":[],"label_agreement":null},{"id":"W1603502721","doi":"","title":"Emily Toth. Inside Peyton Place: The Life of Grace Metalious","year":2002,"lang":"en","type":"article","venue":"International fiction review","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art; Gerontology; Medicine","score_opus":0.047379347299114555,"score_gpt":0.25644506623898966,"score_spread":0.2090657189398751,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1603502721","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027092446,0.4093157,0.000056483983,0.43731615,0.0032060628,0.00055844936,0.00007261484,0.00012305248,0.12225906],"genre_scores_gemma":[0.46804142,0.43001324,0.000017812978,0.0058355783,0.0008304841,0.000057425987,0.000023214794,0.0000114592785,0.09516935],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999181,0.000038044363,0.00032015005,0.00010765692,0.00028232654,0.00007085881],"domain_scores_gemma":[0.99941456,0.000056502067,0.0001661548,0.000095104675,0.00023867215,0.000028998764],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012357916,0.00008482347,0.00020813997,0.00002363218,0.0005109298,0.000032349315,0.00016497943,0.000016372946,0.010750146],"category_scores_gemma":[0.000119837,0.00004714952,0.00024057191,0.000059208087,0.000081105994,0.00009537484,0.00003075139,0.00008737849,0.00016923975],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000058277064,0.00012696857,0.00010316155,0.00025539848,0.00068141805,0.0000024112308,0.016001612,0.000038940147,0.000009022845,0.077429004,0.8946417,0.010704553],"study_design_scores_gemma":[0.000054272114,0.000015817417,0.000036824917,0.00012789643,0.00013354392,0.0000014246426,0.00036349092,0.00014130608,0.00000143002,0.000108396984,0.9989538,0.00006179207],"about_ca_topic_score_codex":0.000286178,"about_ca_topic_score_gemma":0.00022040354,"teacher_disagreement_score":0.440949,"about_ca_system_score_codex":0.0001539811,"about_ca_system_score_gemma":0.0000034305713,"threshold_uncertainty_score":0.99015415},"labels":[],"label_agreement":null},{"id":"W1603611854","doi":"","title":"Jennifer M. Jeffers. The Irish Novel at the End of the Twentieth Century: Gender, Bodies, and Power","year":2004,"lang":"en","type":"article","venue":"International fiction review","topic":"Vietnamese History and Culture Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Irish; History; Power (physics); Philosophy; Physics; Thermodynamics; Linguistics","score_opus":0.0326305395418114,"score_gpt":0.30839688974552404,"score_spread":0.27576635020371265,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1603611854","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005953291,0.44508275,0.00011922799,0.2097895,0.0075442297,0.001224383,0.000077388984,0.00004694272,0.3301623],"genre_scores_gemma":[0.8515969,0.1327912,0.000019236297,0.0046367566,0.00027087305,0.000052687123,0.0000064787682,0.000007825549,0.01061803],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908686,0.00010107558,0.00017899791,0.00012214309,0.0004199834,0.00009096761],"domain_scores_gemma":[0.9995201,0.000032121778,0.00014659124,0.00013788862,0.00014356872,0.000019711368],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005112212,0.00007652296,0.00010444595,0.000008837438,0.0010149013,0.000022904704,0.00028418866,0.000030518597,0.0005664632],"category_scores_gemma":[0.00019803524,0.000034750137,0.00012355582,0.00007870619,0.0005018505,0.000081582366,0.00009820009,0.00011576527,0.000013055868],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003112974,0.00021615339,0.0023031947,0.00030058913,0.00058204343,0.0000015062753,0.09321858,0.00004208192,0.00031051357,0.19799857,0.69509465,0.009901029],"study_design_scores_gemma":[0.00009950148,0.0000054394495,0.0033037118,0.00020381247,0.000040837185,0.000003917658,0.0023674155,3.322051e-7,0.000006477761,0.000327981,0.9935962,0.000044385135],"about_ca_topic_score_codex":0.00010458492,"about_ca_topic_score_gemma":0.00038750755,"teacher_disagreement_score":0.84564364,"about_ca_system_score_codex":0.00014390101,"about_ca_system_score_gemma":0.000044017117,"threshold_uncertainty_score":0.78059036},"labels":[],"label_agreement":null},{"id":"W1604471154","doi":"","title":"Muriel Spark. The Finishing School","year":2006,"lang":"en","type":"article","venue":"International fiction review","topic":"Global Educational Reforms and Inequalities","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"SPARK (programming language); Computer science; Programming language","score_opus":0.025935078086097803,"score_gpt":0.3595548202342964,"score_spread":0.3336197421481986,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1604471154","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0032484739,0.017344633,0.00018427808,0.09720454,0.0025316789,0.00026756004,0.000016492382,0.00006336941,0.87913895],"genre_scores_gemma":[0.8263932,0.066386074,0.00026386874,0.015615329,0.004552132,0.00015130512,0.00011900299,0.000013148989,0.08650598],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99902743,0.00006863286,0.00023309466,0.000099282894,0.0004587647,0.00011278067],"domain_scores_gemma":[0.99945647,0.000085806394,0.000101896236,0.0000885393,0.0002292664,0.000037998903],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006625615,0.0000560865,0.00007073743,0.00002223145,0.00031967182,0.00012366261,0.00026629315,0.00002733133,0.0033998427],"category_scores_gemma":[0.0006797098,0.000037093323,0.00008158799,0.00013589312,0.0000641209,0.00030329695,0.000019720332,0.00008803777,0.00031433316],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000012233919,0.000023497532,0.001105873,0.00002280206,0.000009583913,3.2637323e-7,0.00011284979,0.000016891454,0.0000026621271,0.5690015,0.42561156,0.0040912367],"study_design_scores_gemma":[0.000028523678,0.000002876928,0.0059509845,0.00023069163,0.0000066566013,0.0000016921236,0.00032511298,0.000010517908,0.0000026663602,0.0050865477,0.98830533,0.000048385038],"about_ca_topic_score_codex":0.0049250214,"about_ca_topic_score_gemma":0.00031319118,"teacher_disagreement_score":0.8231447,"about_ca_system_score_codex":0.00015187703,"about_ca_system_score_gemma":0.0001478606,"threshold_uncertainty_score":0.9975112},"labels":[],"label_agreement":null},{"id":"W1606081310","doi":"","title":"Sandra Cisneros's Modern Malinche: A Reconsideration of Feminine Archetypes in Woman Hollering Creek","year":2002,"lang":"en","type":"article","venue":"International fiction review","topic":"Latin American and Latino Studies","field":"Social Sciences","cited_by":19,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Beauty; Archetype; Subject (documents); History; Gender studies; Negotiation; Subject matter; White (mutation); Feminism; Literature; Sociology; Aesthetics; Art","score_opus":0.07170269301280496,"score_gpt":0.3462381110735111,"score_spread":0.27453541806070614,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1606081310","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.040502716,0.05844682,0.0030132476,0.028662257,0.0011179564,0.0008921693,0.000021684838,0.00015975327,0.8671834],"genre_scores_gemma":[0.9128558,0.0825862,0.0008982746,0.0006148607,0.00009945665,0.000032192427,0.0000050644335,0.0000051882357,0.0029029713],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903154,0.00010183815,0.0003511248,0.00014421006,0.0002687686,0.00010253722],"domain_scores_gemma":[0.9994732,0.000111242385,0.00017491801,0.00008585732,0.000125567,0.000029207553],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036282444,0.00006535995,0.00018973986,0.000064860535,0.00009286354,0.00003187833,0.00012574627,0.00002938153,0.001991576],"category_scores_gemma":[0.00046653204,0.000067259774,0.000062682964,0.00020832599,0.00008547335,0.00018437847,0.000030303021,0.00007948331,0.000015666612],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002469392,0.00048606208,0.060718898,0.0008136214,0.00026958584,0.00002211303,0.033398334,0.00048216645,0.0004858272,0.028154612,0.0817049,0.7934392],"study_design_scores_gemma":[0.001402693,0.00015324273,0.043648534,0.0070384466,0.00007020386,0.000023815097,0.0027303624,0.0200893,0.00013485343,0.002912199,0.9210049,0.0007914683],"about_ca_topic_score_codex":0.0006431306,"about_ca_topic_score_gemma":0.00078161707,"teacher_disagreement_score":0.8723531,"about_ca_system_score_codex":0.000074549534,"about_ca_system_score_gemma":0.00002110146,"threshold_uncertainty_score":0.99892074},"labels":[],"label_agreement":null},{"id":"W1606523037","doi":"","title":"Herta Müller. Nadirs (Niederungen)","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"Ecology, Conservation, and Geographical Studies","field":"Environmental Science","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.014778682757268463,"score_gpt":0.2611328456227773,"score_spread":0.24635416286550882,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1606523037","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036496315,0.041262724,0.0009382222,0.032089975,0.003125955,0.00078853837,0.000013081302,0.00016647179,0.8851187],"genre_scores_gemma":[0.7019883,0.2304416,0.0013792209,0.03702904,0.0001999732,0.00030894746,0.00006172665,0.000030774107,0.028560458],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915975,0.00006224741,0.00023571965,0.0002080681,0.00021175493,0.00012244048],"domain_scores_gemma":[0.9996741,0.00005540794,0.00007589102,0.00011508494,0.000029828001,0.000049692895],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002650632,0.0000910219,0.00011843132,0.00002066036,0.00013799839,0.000014324564,0.0001455812,0.00003608902,0.01919528],"category_scores_gemma":[0.00023877427,0.00007905594,0.0000877655,0.00020555877,0.000075380754,0.00012576715,0.00003684406,0.0000774439,0.0012225249],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005373568,0.00015512588,0.55179256,0.00008670885,0.000121469086,0.0000053805775,0.00004862205,0.000093265844,0.000065777254,0.013080077,0.41527694,0.019268712],"study_design_scores_gemma":[0.000078739125,0.00001272058,0.1206323,0.000071621274,0.000013452169,0.0000088054585,0.000007201662,0.00002579324,0.000012454399,0.0005775891,0.8784804,0.00007897506],"about_ca_topic_score_codex":0.00012515511,"about_ca_topic_score_gemma":0.00027837642,"teacher_disagreement_score":0.85655826,"about_ca_system_score_codex":0.00007508824,"about_ca_system_score_gemma":0.0000059917365,"threshold_uncertainty_score":0.9995551},"labels":[],"label_agreement":null},{"id":"W1606964700","doi":"","title":"Ingeborg Drewitz's Das Hochhaus : The Family Meal and the Myth of Communion","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"German Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Meal; Art; Mythology; Philosophy; Chemistry; Food science; Literature","score_opus":0.017543371463313525,"score_gpt":0.26059639594452644,"score_spread":0.2430530244812129,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1606964700","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006028959,0.29963613,0.000006411938,0.04029019,0.0008844986,0.00045892227,0.000052972362,0.00003602789,0.6526059],"genre_scores_gemma":[0.76669747,0.1937981,0.000009618985,0.020652499,0.0007743125,0.000067206296,0.000059512706,0.0000093535955,0.017931933],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994205,0.00007342997,0.00021458545,0.000073444426,0.0001646052,0.0000534283],"domain_scores_gemma":[0.9995661,0.00006833929,0.00008154108,0.00013305983,0.00014186295,0.0000091032825],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002685596,0.00007698348,0.00014050324,0.000013297624,0.00025638685,0.000064310414,0.00016979054,0.000012899172,0.0010538381],"category_scores_gemma":[0.000017001697,0.00003483286,0.000075276024,0.00002472553,0.00024146831,0.00009110356,0.000029174233,0.00011832321,0.000026809696],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004610238,0.000032163593,0.000013729981,0.00016635456,0.00019983566,5.898971e-7,0.024682572,0.0000019718302,0.0000066552084,0.63798654,0.2864672,0.0503963],"study_design_scores_gemma":[0.0002015364,0.000012996983,0.00027434822,0.00046039477,0.00004743419,0.000005678501,0.0007273228,0.000012396211,0.0000016875997,0.0009618965,0.99725276,0.00004156233],"about_ca_topic_score_codex":0.0000835079,"about_ca_topic_score_gemma":0.00003633433,"teacher_disagreement_score":0.7606685,"about_ca_system_score_codex":0.000007022722,"about_ca_system_score_gemma":0.0000045764086,"threshold_uncertainty_score":0.99985933},"labels":[],"label_agreement":null},{"id":"W1607093565","doi":"","title":"Anne Tyler. Back When We Were Grownups","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Australian History and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.061049915684261706,"score_gpt":0.36222565073949087,"score_spread":0.30117573505522915,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1607093565","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012746698,0.028491562,0.0035370365,0.04740433,0.0065670684,0.00063375576,0.000028845097,0.00020569364,0.911857],"genre_scores_gemma":[0.1889182,0.3020457,0.002145551,0.012479721,0.0039394116,0.00003284789,0.000106038766,0.000034454784,0.49029806],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99896884,0.00007384998,0.0002665578,0.00015521428,0.00037686736,0.00015868535],"domain_scores_gemma":[0.9994893,0.000059457336,0.00011835544,0.00009612339,0.00014626325,0.00009052147],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0010524674,0.00007423761,0.00011844565,0.000029126602,0.00022234849,0.000027195825,0.00023689943,0.00007631932,0.01922498],"category_scores_gemma":[0.00011350618,0.000073886884,0.00014463684,0.0001124669,0.00009515949,0.00026711414,0.000015854626,0.00013202056,0.0013522436],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000055607998,0.000044201137,0.0019515085,0.00012141546,0.00003404897,0.0000054031166,0.0019761345,0.0000014298975,0.00001611414,0.06263051,0.9208659,0.012347801],"study_design_scores_gemma":[0.00006291578,0.000006973579,0.0011764718,0.00043963577,0.0000109640505,0.0000025081342,0.00031512967,0.0000010807235,0.000005733427,0.00028438374,0.997612,0.00008220436],"about_ca_topic_score_codex":0.00018244665,"about_ca_topic_score_gemma":0.00013733457,"teacher_disagreement_score":0.42155898,"about_ca_system_score_codex":0.00026420387,"about_ca_system_score_gemma":0.0000450095,"threshold_uncertainty_score":0.9994253},"labels":[],"label_agreement":null},{"id":"W1607411239","doi":"","title":"Megan Perigoe Stitt. Metaphors of Change in the Language of Nineteenth-Century Fiction: Scott, Gaskell, and Kingsley","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Literature; History; Philosophy; Art","score_opus":0.03736610359271692,"score_gpt":0.29062389778235886,"score_spread":0.25325779418964195,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1607411239","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17841099,0.5667933,0.0000048953434,0.0043595415,0.002097973,0.00093090953,0.00026650063,0.00004741172,0.24708846],"genre_scores_gemma":[0.8799095,0.11756239,0.000027752563,0.0010786217,0.00036692643,0.000046217552,0.00004913018,0.0000063736106,0.00095305615],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999187,0.00007815546,0.00034339045,0.00013397381,0.00018059397,0.00007687377],"domain_scores_gemma":[0.99961245,0.000046074158,0.00012635226,0.00011389863,0.00008923348,0.000012003913],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00029385515,0.00009883663,0.00021755886,0.000081557744,0.00006110533,0.00002662568,0.00013679097,0.000024048473,0.003192432],"category_scores_gemma":[0.00003004313,0.00006541912,0.00008442378,0.000059662085,0.00015195979,0.00014922538,0.000016841066,0.00010228171,0.0000072025546],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023116726,0.00066808565,0.00409614,0.004062268,0.0006487593,0.000039520608,0.38114405,0.000014126874,0.00013048691,0.32703373,0.080817975,0.2011137],"study_design_scores_gemma":[0.00017093879,0.000073310024,0.0024388153,0.001021234,0.000058025907,0.000016112193,0.0024378586,0.00003305911,0.000010797687,0.00003601073,0.99362814,0.00007569645],"about_ca_topic_score_codex":0.0002717164,"about_ca_topic_score_gemma":0.00010596587,"teacher_disagreement_score":0.91281015,"about_ca_system_score_codex":0.000011245341,"about_ca_system_score_gemma":0.0000044527637,"threshold_uncertainty_score":0.9977188},"labels":[],"label_agreement":null},{"id":"W1607720015","doi":"","title":"Malika Mokeddem. Of Dreams and Assassins","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Philosophy","score_opus":0.02483788964113446,"score_gpt":0.2551473379887445,"score_spread":0.23030944834761005,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1607720015","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0057629882,0.03376659,0.000080344544,0.002294239,0.0013362976,0.00020419045,0.000054274475,0.000040808736,0.95646024],"genre_scores_gemma":[0.93896246,0.018551122,0.00013947944,0.0021393145,0.0004220659,0.00003119576,0.000050878934,0.000014504237,0.03968896],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995361,0.000024086961,0.00018127842,0.000087172375,0.0001237703,0.000047612124],"domain_scores_gemma":[0.99969566,0.000012950237,0.000084288156,0.00006288462,0.00012103258,0.000023189354],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009320034,0.00005979821,0.00011016855,0.000025838244,0.00004570141,0.000027236889,0.000051066916,0.000017134298,0.0069555696],"category_scores_gemma":[0.00005824714,0.00004582477,0.000053371932,0.000018319779,0.000043832468,0.000086500855,0.000006112985,0.00004762164,0.000046593697],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002954674,0.000047690268,0.0008361401,0.00035433477,0.00006490936,0.0000017123548,0.0015731149,7.778463e-7,0.000032386557,0.9171525,0.07074404,0.009189425],"study_design_scores_gemma":[0.000092594106,0.000013285981,0.0003099311,0.0004848262,0.000024748471,0.00001238169,0.0003728014,0.0000056198537,0.000029072045,0.0004230442,0.9981805,0.000051190564],"about_ca_topic_score_codex":0.000009943472,"about_ca_topic_score_gemma":0.000012827434,"teacher_disagreement_score":0.93319947,"about_ca_system_score_codex":0.000008582557,"about_ca_system_score_gemma":0.000008386962,"threshold_uncertainty_score":0.9939522},"labels":[],"label_agreement":null},{"id":"W1656357512","doi":"","title":"Margaret Drabble. The Red Queen","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Australian History and Society","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Queen (butterfly); Art; History; Art history; Biology; Zoology","score_opus":0.039964513413883594,"score_gpt":0.3590424300722421,"score_spread":0.31907791665835855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1656357512","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012026586,0.005867675,0.0027793797,0.11373096,0.0054328074,0.00071727554,0.000014584318,0.0002001764,0.8700545],"genre_scores_gemma":[0.7389327,0.08680837,0.00029473647,0.014858031,0.0022822127,0.000040937106,0.00004909189,0.000017357603,0.15671653],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99913925,0.00009641963,0.00019580334,0.0001010894,0.00035065803,0.00011679328],"domain_scores_gemma":[0.99955076,0.00008567265,0.000094024865,0.000097885764,0.00012604833,0.000045609493],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0016114959,0.000049594768,0.00007105417,0.000015333713,0.00034793245,0.000024454488,0.00025677885,0.00004668517,0.0030969246],"category_scores_gemma":[0.00021262513,0.000037804046,0.00010746728,0.00013927827,0.00010077475,0.00012967359,0.0000138853475,0.000120064644,0.00015508059],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000046637406,0.000021372378,0.0029496308,0.000036279944,0.000031634598,0.0000036552628,0.0016024084,0.0000016623931,0.000007773409,0.14339249,0.84446275,0.0074857003],"study_design_scores_gemma":[0.000033520297,0.000003289171,0.004888999,0.00015158816,0.000010271962,0.0000012709982,0.00031993433,8.154359e-7,0.0000041722215,0.00018886667,0.9943516,0.000045627752],"about_ca_topic_score_codex":0.00034916648,"about_ca_topic_score_gemma":0.00010114412,"teacher_disagreement_score":0.7377301,"about_ca_system_score_codex":0.00020637554,"about_ca_system_score_gemma":0.000041355514,"threshold_uncertainty_score":0.99781436},"labels":[],"label_agreement":null},{"id":"W1666871421","doi":"","title":"Yulisa Amadu Maddy. No Past, No Present, No Future","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"African history and culture studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science; Geology","score_opus":0.016505223112814535,"score_gpt":0.3053870744275954,"score_spread":0.28888185131478084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1666871421","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000094250194,0.020225039,0.000011999287,0.009694366,0.0034648292,0.00027151578,0.000026890588,0.00009427981,0.96611685],"genre_scores_gemma":[0.008297317,0.34512568,0.0002230138,0.005832963,0.021237092,0.0001734116,0.00008203701,0.000019336981,0.61900914],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987572,0.00013382865,0.00024878763,0.0002220146,0.00048109744,0.00015711757],"domain_scores_gemma":[0.9992028,0.00003158003,0.000103242026,0.00011973553,0.0004717815,0.00007090169],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002612514,0.00011636541,0.00017339268,0.000023080504,0.00042317927,0.000038376136,0.0002883152,0.00005841745,0.044315003],"category_scores_gemma":[0.00010745392,0.00009827263,0.00015193727,0.0001476549,0.0001117678,0.0002469098,0.000021771173,0.0001364078,0.009496784],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013295278,0.000044951328,0.00014182413,0.00006801721,0.000050815976,0.0000029635942,0.000821435,0.0000017109485,0.000004707176,0.0048475824,0.97588265,0.018120036],"study_design_scores_gemma":[0.00007570726,0.000018145953,0.00026603797,0.00029016126,0.000023186816,0.0000017198098,0.00016105986,0.0000044259637,4.0489488e-7,0.000043058546,0.9990059,0.00011019636],"about_ca_topic_score_codex":0.00008993327,"about_ca_topic_score_gemma":0.000042933207,"teacher_disagreement_score":0.34710768,"about_ca_system_score_codex":0.00015957427,"about_ca_system_score_gemma":0.00003672542,"threshold_uncertainty_score":0.9912744},"labels":[],"label_agreement":null},{"id":"W1673003201","doi":"","title":"Omar Basabe, ed. Memoriales a pura tripa (Memories Straight from the Gut)","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"Latin American Literature Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology","score_opus":0.016480480999095302,"score_gpt":0.3389301802758736,"score_spread":0.3224496992767783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1673003201","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012854163,0.1392628,0.00032195274,0.23885289,0.009013667,0.0010052073,0.0003061275,0.00025720897,0.6096947],"genre_scores_gemma":[0.35288292,0.51165617,0.0056024026,0.02651154,0.041007917,0.00044481526,0.00038179368,0.000064124346,0.061448276],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983176,0.00026187493,0.00037299647,0.00023593323,0.00064297364,0.00016863566],"domain_scores_gemma":[0.9988182,0.00044674173,0.00022125576,0.00018734563,0.00027497395,0.000051466643],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00057273405,0.00013284285,0.00022180717,0.000028258597,0.00043282844,0.0001542338,0.00047495033,0.00004513875,0.009273263],"category_scores_gemma":[0.001036833,0.000089389985,0.00015009398,0.0002582553,0.00027101662,0.00037150222,0.000059073238,0.0001629721,0.0002436642],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010490039,0.00003922212,0.0006320434,0.00002226243,0.00014453313,0.0000013434648,0.0028227475,0.000004695526,0.000022872897,0.029292947,0.8855564,0.081450455],"study_design_scores_gemma":[0.00011132168,0.000009429998,0.0017519895,0.00044274185,0.000041069092,0.0000013274496,0.00044106168,0.0000100293,0.000008573981,0.00028896917,0.9967886,0.00010489259],"about_ca_topic_score_codex":0.0004157804,"about_ca_topic_score_gemma":0.00058406824,"teacher_disagreement_score":0.54824644,"about_ca_system_score_codex":0.00017250357,"about_ca_system_score_gemma":0.00009572521,"threshold_uncertainty_score":0.9916324},"labels":[],"label_agreement":null},{"id":"W1697032533","doi":"","title":"William Boelhower and Alfred Hornung, eds. Multiculturalism and the American Self","year":2002,"lang":"en","type":"article","venue":"International fiction review","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Multiculturalism; History; Anthropology; Philosophy; Theology; Sociology","score_opus":0.018541492033491886,"score_gpt":0.32311196788844776,"score_spread":0.3045704758549559,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1697032533","genre_codex":"commentary","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11352895,0.29510725,0.000054470773,0.39541534,0.0033464124,0.0019320485,0.000021320893,0.0003067515,0.19028747],"genre_scores_gemma":[0.29008293,0.6973602,0.0001274713,0.005446447,0.00026213526,0.00004367233,0.000004356074,0.0000039221077,0.0066688373],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99917483,0.00017086671,0.00017715727,0.00013723431,0.00025177118,0.00008811584],"domain_scores_gemma":[0.9994654,0.00011164999,0.00013423368,0.00007849529,0.00014141234,0.00006882904],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00037399452,0.0000680175,0.0001320752,0.000024988034,0.00024228338,0.00012229789,0.00012340775,0.00001898607,0.0003912829],"category_scores_gemma":[0.00031546413,0.0000435043,0.000050248087,0.00012821029,0.00019252431,0.00007940048,0.000018005427,0.0000820471,0.00006594466],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007485644,0.00003171904,0.001496455,0.000041815143,0.00007759283,0.0000010471142,0.006686951,7.5813125e-7,0.000011852121,0.02549666,0.8944929,0.07165472],"study_design_scores_gemma":[0.00019052903,0.000005569141,0.003857097,0.0001398959,0.000023826093,0.000008017259,0.00022260376,0.00013086313,9.916128e-7,0.00023394212,0.99512064,0.00006601762],"about_ca_topic_score_codex":0.00034707913,"about_ca_topic_score_gemma":0.00003074884,"teacher_disagreement_score":0.40225297,"about_ca_system_score_codex":0.000039991945,"about_ca_system_score_gemma":0.0000095521145,"threshold_uncertainty_score":0.42842734},"labels":[],"label_agreement":null},{"id":"W1697784139","doi":"","title":"Ian McEwan. Atonement","year":2004,"lang":"en","type":"article","venue":"International fiction review","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Atonement; Theology; Philosophy","score_opus":0.04738985639573298,"score_gpt":0.29159438454633546,"score_spread":0.24420452815060248,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1697784139","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010159584,0.01953783,0.00048749146,0.045960058,0.0056378655,0.00024925306,0.000011890707,0.000088157954,0.9270115],"genre_scores_gemma":[0.6766444,0.06229046,0.00034290567,0.058726367,0.0047117607,0.00013285963,0.00014545438,0.000025297595,0.19698049],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99943435,0.000005290475,0.0001596557,0.000097966695,0.00023820973,0.000064507425],"domain_scores_gemma":[0.99974614,0.0000031899103,0.000051326548,0.000068316134,0.00009397818,0.000037035443],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013410508,0.000050070223,0.00007533159,0.000044266613,0.00011132083,0.000029756262,0.000113425405,0.000007287476,0.014544405],"category_scores_gemma":[0.000021992246,0.000039302657,0.00005031863,0.000019050467,0.0000808056,0.00023672989,0.000009064728,0.000045914625,0.00071109436],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000035261733,0.00010216653,0.000016213553,0.00019981105,0.000032081614,0.00000994357,0.004056588,0.000011345927,0.00008069614,0.533882,0.42576528,0.035840347],"study_design_scores_gemma":[0.00012254153,0.0000235042,0.000025179934,0.0008311851,0.000010104541,0.000005942605,0.00020812445,0.0000023423997,0.000012961008,0.00028622494,0.9984263,0.000045559387],"about_ca_topic_score_codex":0.00005894429,"about_ca_topic_score_gemma":0.00006220939,"teacher_disagreement_score":0.730031,"about_ca_system_score_codex":0.000078018566,"about_ca_system_score_gemma":0.00002693146,"threshold_uncertainty_score":0.98635644},"labels":[],"label_agreement":null},{"id":"W1786918381","doi":"","title":"Gloria Sawai. A Song for Nettie Johnson","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; History","score_opus":0.043502873376019026,"score_gpt":0.2799146146881827,"score_spread":0.23641174131216366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1786918381","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00045776306,0.07415123,0.0012947711,0.016969204,0.009910108,0.00094088033,0.0001787783,0.00021649135,0.89588076],"genre_scores_gemma":[0.13689446,0.043850757,0.0017328174,0.06857723,0.049237035,0.0012972803,0.0011939553,0.00009789369,0.6971186],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99943435,0.000014707073,0.00021016959,0.00012699646,0.00013481235,0.00007896312],"domain_scores_gemma":[0.9996253,0.000018479535,0.00008755368,0.00008015088,0.00016076499,0.000027741504],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012675374,0.00007958883,0.00011019148,0.000027088961,0.00017043823,0.000052892898,0.00011733482,0.000022467557,0.028169211],"category_scores_gemma":[0.00003376286,0.000065708795,0.00012877432,0.000014187402,0.000026019892,0.00021836752,0.000008358846,0.000062398045,0.00037864145],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007720397,0.000024208219,0.0000014511049,0.00012250978,0.000023127368,2.406909e-7,0.0006603486,0.000004591042,0.0000061500077,0.16948438,0.7946564,0.035008874],"study_design_scores_gemma":[0.0001327114,0.000020284555,0.0000069301404,0.00040794723,0.000026627853,0.0000035489036,0.000045087836,0.00012845904,0.00000470304,0.00017041425,0.9989725,0.00008079718],"about_ca_topic_score_codex":0.000010626063,"about_ca_topic_score_gemma":0.00018694816,"teacher_disagreement_score":0.20431608,"about_ca_system_score_codex":0.00007444153,"about_ca_system_score_gemma":0.000013725527,"threshold_uncertainty_score":0.9727192},"labels":[],"label_agreement":null},{"id":"W1880392275","doi":"","title":"Wolfgang Iser. The Range of Interpretation","year":2004,"lang":"en","type":"article","venue":"International fiction review","topic":"Philosophy, History, and Historiography","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Interpretation (philosophy); Range (aeronautics); History; Philosophy; Materials science; Linguistics; Composite material","score_opus":0.026061155386596493,"score_gpt":0.2501197132347553,"score_spread":0.2240585578481588,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1880392275","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002091239,0.13063811,0.0009918084,0.016862364,0.010310171,0.0006350879,0.000093232986,0.00013366001,0.8382443],"genre_scores_gemma":[0.9799528,0.014965717,0.00003766568,0.0023508181,0.0008464788,0.000051088344,0.00002519984,0.000012053044,0.001758187],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999332,0.000025305082,0.0002719091,0.00010191929,0.00021345392,0.00005539135],"domain_scores_gemma":[0.9994666,0.000023437608,0.00016371321,0.00012887247,0.0001995319,0.000017831371],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014256482,0.000075953474,0.00012344551,0.000096585754,0.00012375225,0.00002257553,0.00019210536,0.000015149453,0.0013294282],"category_scores_gemma":[0.00003185263,0.000055254834,0.0001838418,0.00004639608,0.00012687885,0.00016898483,0.000012152861,0.00007791046,0.00009902107],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035589364,0.00013577405,0.00006964258,0.00049320754,0.00015243747,0.0000019060599,0.010788452,0.000032171996,0.000037311896,0.9177074,0.0532182,0.01732795],"study_design_scores_gemma":[0.00014335634,0.000026736203,0.00018022994,0.0007664827,0.000045089473,0.0000028080945,0.0000823591,0.000008311266,0.0000071753175,0.0032478464,0.99542624,0.00006339047],"about_ca_topic_score_codex":0.00014737788,"about_ca_topic_score_gemma":0.0001318608,"teacher_disagreement_score":0.9778616,"about_ca_system_score_codex":0.00008559549,"about_ca_system_score_gemma":0.000019168387,"threshold_uncertainty_score":0.9995835},"labels":[],"label_agreement":null},{"id":"W2108756530","doi":"","title":"Violent Days: Algerian Women Writers and the Civil Crisis","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"North African History and Literature","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Political science; Literature; Art","score_opus":0.00911503286958263,"score_gpt":0.2073903696265363,"score_spread":0.19827533675695366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2108756530","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023944061,0.14360228,0.000017391909,0.03600722,0.003418206,0.000787945,0.00021537305,0.0001595744,0.79184794],"genre_scores_gemma":[0.77643025,0.105941236,0.000014354809,0.033696983,0.001684409,0.00028197016,0.000100202924,0.000020421201,0.08183015],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999383,0.00006469447,0.00019837754,0.00012945112,0.00014075535,0.00008374227],"domain_scores_gemma":[0.9997105,0.000029204566,0.00005616328,0.00010820971,0.000059242262,0.00003667958],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021474427,0.00008313807,0.0001290816,0.000030026813,0.00017925394,0.000115943745,0.00011901264,0.00001427389,0.040246416],"category_scores_gemma":[0.000011461186,0.000052865922,0.00006770612,0.00002331844,0.00010858594,0.00015892314,0.000010678454,0.00009438771,0.0001356349],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014519683,0.00006472668,0.000035341793,0.0003167035,0.00017351782,0.0000070657775,0.043490488,0.000004549954,0.000001607604,0.24772054,0.6209424,0.08709784],"study_design_scores_gemma":[0.00021860661,0.000012500598,0.000032366628,0.0003045434,0.00001741994,0.000008172411,0.0004189803,0.000012990629,2.022382e-7,0.0003327152,0.99857634,0.00006515275],"about_ca_topic_score_codex":0.00002861874,"about_ca_topic_score_gemma":0.000023870458,"teacher_disagreement_score":0.7524862,"about_ca_system_score_codex":0.00004606314,"about_ca_system_score_gemma":0.0000072655635,"threshold_uncertainty_score":0.96063095},"labels":[],"label_agreement":null},{"id":"W2136220696","doi":"","title":"Jane Campbell. A. S. Byatt and the Heliotropic Imagination","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychoanalysis; History; Art; Art history; Psychology","score_opus":0.012387450338860769,"score_gpt":0.2581236320183653,"score_spread":0.24573618167950453,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2136220696","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013918079,0.21136262,0.0011519163,0.049505867,0.0031520312,0.0005779753,0.000026302105,0.00008175164,0.7327497],"genre_scores_gemma":[0.9353888,0.02226379,0.000027245751,0.012064984,0.0014438365,0.000030740863,0.00008230588,0.000010268983,0.028687999],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993737,0.000032887176,0.00023939178,0.00010926486,0.00017155708,0.00007324168],"domain_scores_gemma":[0.9995414,0.00008517154,0.00007045595,0.00008672555,0.0001934927,0.000022726805],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041938547,0.000074006275,0.00010669596,0.000050778966,0.00012489455,0.00013597624,0.000093627146,0.000013905617,0.0014697656],"category_scores_gemma":[0.000051291885,0.00004694542,0.000059390863,0.000026781281,0.000121165685,0.00024557815,0.00001970767,0.00009771876,0.00005964227],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016869892,0.000013768965,0.000023493827,0.00009530005,0.000024220568,0.000003453473,0.0009671092,4.497361e-8,0.0000074436366,0.95048654,0.0216696,0.026692178],"study_design_scores_gemma":[0.0003011313,0.00000874147,0.00019812702,0.00034622187,0.000023637589,0.000017557526,0.00011276797,0.000025581883,0.000008684454,0.001918861,0.9969823,0.000056426055],"about_ca_topic_score_codex":0.000035211073,"about_ca_topic_score_gemma":0.000057488105,"teacher_disagreement_score":0.97531265,"about_ca_system_score_codex":0.000018170645,"about_ca_system_score_gemma":0.000006825703,"threshold_uncertainty_score":0.99944305},"labels":[],"label_agreement":null},{"id":"W2143385066","doi":"","title":"The Quest for Community in American Postmodern Fiction","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Postmodernism; Ideology; Liberalism; Politics; Aesthetics; Sociology; Just society; State (computer science); Classical liberalism; Law; End of history; Environmental ethics; Philosophy; Political science; Epistemology","score_opus":0.04462381048856088,"score_gpt":0.3075422027849374,"score_spread":0.2629183922963765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2143385066","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0070248344,0.053620357,0.00096088374,0.021594774,0.0051302933,0.001323441,0.00015113493,0.00012369556,0.9100706],"genre_scores_gemma":[0.98163426,0.0069115767,0.000025879192,0.0034977226,0.0002752425,0.00017894381,0.000102326,0.000010538791,0.007363499],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930674,0.000168099,0.0002530929,0.00008267026,0.00010466171,0.00008471174],"domain_scores_gemma":[0.9993836,0.00020129548,0.00008394827,0.00013384428,0.00017996212,0.000017342296],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004945786,0.000073483454,0.00010802322,0.000035112058,0.000311812,0.00013085226,0.00013359082,0.000011706404,0.0002115656],"category_scores_gemma":[0.00016186776,0.000053197207,0.000080530706,0.000032441178,0.00007087365,0.00017323166,0.000008940744,0.0001637722,0.000014475322],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012801114,0.000070051065,0.00007353217,0.00009125473,0.000022255312,5.7329686e-7,0.0016624347,0.0000011773523,0.0000038076248,0.9482153,0.032708768,0.017138023],"study_design_scores_gemma":[0.000103995524,0.000040109753,0.0001170679,0.00033807143,0.00000863435,0.0000038175435,0.0004782852,0.000055284334,0.0000036165543,0.002025409,0.9967697,0.000055994078],"about_ca_topic_score_codex":0.00016239811,"about_ca_topic_score_gemma":0.0010757222,"teacher_disagreement_score":0.97460943,"about_ca_system_score_codex":0.000042952044,"about_ca_system_score_gemma":0.000016633277,"threshold_uncertainty_score":0.23982373},"labels":[],"label_agreement":null},{"id":"W2232799786","doi":"","title":"Miriam Zolin. Tristessa & Lucido","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"Psychoanalysis and Social Critique","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Philosophy","score_opus":0.03053941145914667,"score_gpt":0.41834041386906257,"score_spread":0.3878010024099159,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2232799786","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006759616,0.033207644,0.0011397703,0.11510499,0.0016982456,0.00029523481,0.000014127621,0.00012143911,0.84774256],"genre_scores_gemma":[0.49160978,0.4433886,0.00061409845,0.01522965,0.005136133,0.00010039578,0.000056082077,0.000016908443,0.043848325],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987902,0.00016839527,0.00030388974,0.00016150966,0.0004461545,0.00012983113],"domain_scores_gemma":[0.9993922,0.00006051787,0.00011148502,0.00010181859,0.0002581788,0.00007579813],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008483551,0.0000698151,0.00015861056,0.000054907043,0.00022102127,0.00006161025,0.0002574634,0.000058265192,0.005376152],"category_scores_gemma":[0.00032574686,0.00006860586,0.0001982431,0.0002229407,0.000054878397,0.00024680406,0.0000135164755,0.000103284736,0.00045591898],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000072121034,0.0001463703,0.000686799,0.00006205243,0.00011059139,0.0000023971875,0.0010431329,0.000010446786,0.000021777118,0.19319834,0.5656063,0.23910457],"study_design_scores_gemma":[0.00008057739,0.0000036187403,0.00035965096,0.00023431814,0.000025764697,9.234888e-7,0.00010215829,0.000035078803,0.0000049166,0.00040225417,0.99867564,0.00007508869],"about_ca_topic_score_codex":0.00028430411,"about_ca_topic_score_gemma":0.00046125005,"teacher_disagreement_score":0.8038943,"about_ca_system_score_codex":0.00018040315,"about_ca_system_score_gemma":0.00006199983,"threshold_uncertainty_score":0.99553305},"labels":[],"label_agreement":null},{"id":"W2233521903","doi":"","title":"Stefan Mattessich. Lines of Flight: Discursive Time and Countercultural Desire in the Work of Thomas Pynchon","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Work (physics); Aesthetics; Sociology; Art history; Art; Engineering; Mechanical engineering","score_opus":0.02167785750312549,"score_gpt":0.2596317703976328,"score_spread":0.23795391289450732,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2233521903","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22117187,0.32161474,0.000034127763,0.067014374,0.0016200393,0.0014565347,0.00041065575,0.000058846697,0.3866188],"genre_scores_gemma":[0.98941034,0.0030120597,0.000024831485,0.0012221255,0.00039286754,0.000016089523,0.00006720633,0.0000047467647,0.005849736],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99936867,0.000047635807,0.00030202608,0.00008280067,0.00015167987,0.000047162383],"domain_scores_gemma":[0.9996016,0.000057097837,0.000112319896,0.00007585309,0.00014333482,0.000009799979],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014194478,0.000072282455,0.00015266318,0.00003892006,0.000030182417,0.000040923893,0.000118832286,0.000016218175,0.0005628731],"category_scores_gemma":[0.000017106338,0.00004202249,0.000060419872,0.000036074554,0.00006622607,0.00024941892,0.000014003554,0.00006603129,0.0000105739155],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009777124,0.00041532575,0.0010131272,0.0014772865,0.00018600326,0.000009894946,0.050207596,0.000007889632,0.00019047907,0.76369053,0.1154784,0.067225724],"study_design_scores_gemma":[0.0001348947,0.000026187998,0.0009963068,0.0031811253,0.00003183055,0.0000075381176,0.0005429076,0.00004037584,0.00003680313,0.0002634856,0.99467057,0.00006798603],"about_ca_topic_score_codex":0.000009395893,"about_ca_topic_score_gemma":0.000036464484,"teacher_disagreement_score":0.8791922,"about_ca_system_score_codex":0.000009515937,"about_ca_system_score_gemma":0.000006136793,"threshold_uncertainty_score":0.61630654},"labels":[],"label_agreement":null},{"id":"W2234072049","doi":"","title":"Ronald Carter and John McRae. The Routledge History of Literature in English. Britain & Ireland","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Classics; Genealogy","score_opus":0.012662645716746171,"score_gpt":0.2640060558824834,"score_spread":0.2513434101657372,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2234072049","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019986566,0.47664207,0.0000038107,0.008907758,0.0018792949,0.0003843729,0.000027670265,0.000040893065,0.49212757],"genre_scores_gemma":[0.61979717,0.2537248,0.000017952314,0.003927882,0.0011727324,0.000066461485,0.000054739958,0.000010849726,0.12122743],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926394,0.00014954648,0.00019049399,0.00011886052,0.00020688494,0.000070288304],"domain_scores_gemma":[0.9996648,0.000034475852,0.00006032464,0.00007737171,0.00013504057,0.000028028477],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041890875,0.00006105463,0.00011301816,0.000029871073,0.00006059223,0.000015983833,0.00014950529,0.000053044827,0.0023459147],"category_scores_gemma":[0.00012218136,0.00004503901,0.000058923328,0.00010998129,0.00010773126,0.00020577872,0.000008407412,0.00014998601,0.000012707195],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042371266,0.00015717057,0.002276927,0.00041126012,0.000059236318,0.000013876502,0.09992261,0.000015338866,0.000054734664,0.031819277,0.75393456,0.11129264],"study_design_scores_gemma":[0.00009325289,0.0000064777105,0.0020878098,0.0007704239,0.000009491636,0.0000030680387,0.0001137863,0.000008791658,4.385671e-7,0.00013507271,0.99672353,0.000047854293],"about_ca_topic_score_codex":0.00014909451,"about_ca_topic_score_gemma":0.0004152237,"teacher_disagreement_score":0.5998106,"about_ca_system_score_codex":0.00023705527,"about_ca_system_score_gemma":0.00005811224,"threshold_uncertainty_score":0.9985661},"labels":[],"label_agreement":null},{"id":"W2236624511","doi":"","title":"Freeman G. Henry, ed. Beginnings in French Literature","year":2004,"lang":"en","type":"article","venue":"International fiction review","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Classics; Art","score_opus":0.013170280655817622,"score_gpt":0.25474872070747645,"score_spread":0.24157844005165882,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2236624511","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0048125056,0.43498018,0.00009732188,0.036552954,0.005438818,0.0006730529,0.00013508002,0.00020852618,0.5171015],"genre_scores_gemma":[0.81938446,0.10346614,0.00032130774,0.022464978,0.0055908607,0.00024294101,0.0012145475,0.000049476832,0.047265325],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991195,0.000019677695,0.000294234,0.00021117472,0.00023072548,0.00012467736],"domain_scores_gemma":[0.99953634,0.000008843785,0.000097208715,0.0001378035,0.00018507936,0.000034740606],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010249157,0.0001406987,0.00017608245,0.00009047123,0.00007967008,0.0002421673,0.00020263923,0.000052848784,0.0026389423],"category_scores_gemma":[0.000029047713,0.0001077073,0.00011698094,0.00008902468,0.0000482817,0.00046147656,0.00002016372,0.00026657866,0.00019420653],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000060318725,0.00012127546,0.00022987428,0.00051770307,0.000048142116,0.0000468034,0.010295524,0.00003022101,0.000040365823,0.44561508,0.53855497,0.0044939877],"study_design_scores_gemma":[0.00022053109,0.000019872838,0.00032849892,0.0063493312,0.000009785853,0.000022762366,0.00005282421,0.0000028178724,0.000011934431,0.0027078853,0.9901496,0.00012413347],"about_ca_topic_score_codex":0.000080790654,"about_ca_topic_score_gemma":0.00014649027,"teacher_disagreement_score":0.8145719,"about_ca_system_score_codex":0.00006623574,"about_ca_system_score_gemma":0.00001625798,"threshold_uncertainty_score":0.9982728},"labels":[],"label_agreement":null},{"id":"W2236681678","doi":"","title":"Elke P. Frederiksen and Elizabeth G. Ametsbichler, eds. Women Writers in German-Speaking Countries: A Bio-Bibliographical Sourcebook","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"European history and politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"German; History; Sociology; Archaeology","score_opus":0.01995810826691939,"score_gpt":0.32357163418990453,"score_spread":0.30361352592298513,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2236681678","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33695474,0.13602886,0.00009426367,0.012799052,0.0016818485,0.00107133,0.00007803592,0.00030781157,0.51098406],"genre_scores_gemma":[0.21752921,0.7625035,0.000087626715,0.00950637,0.0005863283,0.000053916632,0.00002193567,0.000022557304,0.009688545],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986012,0.00025843404,0.0003391758,0.00021671613,0.00034567507,0.00023879518],"domain_scores_gemma":[0.99949944,0.000112921916,0.00008598553,0.00010709257,0.00007983415,0.00011472866],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00088050344,0.00010638164,0.00017989293,0.00037405436,0.00019499754,0.00009253444,0.00020595387,0.000057318957,0.0046493774],"category_scores_gemma":[0.00007892525,0.00010935403,0.000065936205,0.0005096363,0.00022481491,0.0002517171,0.000021145792,0.00016638685,0.00015517221],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027504948,0.0005644936,0.035550073,0.0019355887,0.0004269371,0.00022341174,0.06859231,0.00006876326,0.000054814336,0.16486113,0.24403925,0.48340818],"study_design_scores_gemma":[0.00014237822,0.000017132968,0.0015492446,0.00065680634,0.000009380736,0.000007653261,0.00010898677,0.000018163642,5.908701e-7,0.00019424813,0.99717826,0.00011718699],"about_ca_topic_score_codex":0.0002443011,"about_ca_topic_score_gemma":0.00011241942,"teacher_disagreement_score":0.75313896,"about_ca_system_score_codex":0.00016278255,"about_ca_system_score_gemma":0.000048241447,"threshold_uncertainty_score":0.9962605},"labels":[],"label_agreement":null},{"id":"W2237195567","doi":"","title":"Catherine Wynne. The Colonial Conan Doyle: British Imperialism, Irish Nationalism, and the Gothic","year":2004,"lang":"en","type":"article","venue":"International fiction review","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Colonialism; Irish; Nationalism; Irish nationalism; History; Classics; Art; Philosophy; Political science; Law; Politics; Linguistics; Archaeology","score_opus":0.024545469725221626,"score_gpt":0.26982384340083,"score_spread":0.24527837367560837,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2237195567","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08866372,0.17900462,0.00012750646,0.5415143,0.017535122,0.0022299811,0.00021955051,0.00020318697,0.17050202],"genre_scores_gemma":[0.82703376,0.09971341,0.00002546895,0.043301515,0.004170536,0.00022397173,0.00008723008,0.000019378458,0.025424741],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99910724,0.00004622229,0.00025703284,0.00014583401,0.00035264873,0.00009099951],"domain_scores_gemma":[0.99945885,0.00007328262,0.00011550546,0.00009898279,0.00021958815,0.00003381936],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00066377764,0.000079606245,0.00014231946,0.000023833945,0.00046635256,0.00015728569,0.00023861701,0.0000192255,0.002906362],"category_scores_gemma":[0.00017329777,0.000047929872,0.00006972295,0.00003821442,0.00084397197,0.00018573574,0.000029286955,0.00012365589,0.00006292663],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036906607,0.000059836875,0.00002147463,0.00012473695,0.00007613471,0.0000104333885,0.011972497,0.000012223724,0.00002662124,0.7108353,0.26293784,0.013886038],"study_design_scores_gemma":[0.0007368609,0.000023357428,0.0002529466,0.00049400347,0.00003081133,0.00008885052,0.00018814066,0.000013665696,0.0000017774316,0.0009252297,0.997182,0.00006233749],"about_ca_topic_score_codex":0.0016719523,"about_ca_topic_score_gemma":0.0010948408,"teacher_disagreement_score":0.73837,"about_ca_system_score_codex":0.000070687754,"about_ca_system_score_gemma":0.00006226475,"threshold_uncertainty_score":0.9980051},"labels":[],"label_agreement":null},{"id":"W2239785231","doi":"","title":"Bo Lundè. (Re)educating the Reader: Fictional Critiques of Poststructuralism in Banville's \"Dr Copernicus\"","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Copernicus; Philosophy; Literature; Art; Physics; Astronomy","score_opus":0.04011065791534144,"score_gpt":0.3038012345568693,"score_spread":0.26369057664152784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2239785231","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042173743,0.08953128,0.000010441451,0.051416367,0.002926085,0.00052123563,0.00023102056,0.000099287834,0.81309056],"genre_scores_gemma":[0.88106495,0.038191356,0.000055233,0.005962905,0.0014771324,0.00007396103,0.00023786274,0.000017508823,0.07291907],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988853,0.000100170815,0.0005010321,0.00016093002,0.00025473878,0.000097854056],"domain_scores_gemma":[0.99945265,0.00011385039,0.000111192516,0.00012585944,0.00016952663,0.000026900256],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018831175,0.00010796415,0.00019721819,0.00006511438,0.00013908844,0.00004922971,0.00022034097,0.000024341383,0.06477698],"category_scores_gemma":[0.00006390303,0.00007155885,0.00014169254,0.00006902611,0.00009569036,0.0002895842,0.000014679669,0.00015504968,0.00009731227],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006243622,0.0002745869,0.001027281,0.00082659174,0.00021943793,0.000010709271,0.020321973,0.00011329038,0.00006240384,0.30103374,0.573887,0.102160595],"study_design_scores_gemma":[0.00006857233,0.000018952032,0.00072275137,0.00086174643,0.000021625734,0.000013483996,0.00027820555,0.0000936211,0.000010119335,0.00041270236,0.9974135,0.000084690684],"about_ca_topic_score_codex":0.0008847345,"about_ca_topic_score_gemma":0.00014776006,"teacher_disagreement_score":0.8388912,"about_ca_system_score_codex":0.00007308699,"about_ca_system_score_gemma":0.000024557,"threshold_uncertainty_score":0.93607795},"labels":[],"label_agreement":null},{"id":"W2239891825","doi":"","title":"Marian Sia and Santiago Sia. The Fountain Arethuse","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"Latin American and Latino Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Fountain; Art; History; Archaeology","score_opus":0.01953331781308141,"score_gpt":0.339279020478166,"score_spread":0.31974570266508456,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2239891825","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002172414,0.028015258,0.00024320578,0.09198876,0.0004601098,0.00040820948,0.000009143273,0.000092483984,0.8766104],"genre_scores_gemma":[0.48665583,0.4823658,0.00027595978,0.0104343165,0.0005302013,0.000051009654,0.000008378386,0.000008218043,0.019670302],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992373,0.00013571024,0.00015842202,0.0001222669,0.0002518128,0.00009446901],"domain_scores_gemma":[0.9996452,0.00011663591,0.000063729385,0.0000756292,0.000066031236,0.000032825203],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00039257391,0.000061199295,0.00009885775,0.00001532178,0.00032308698,0.00006986359,0.00017672483,0.0000201145,0.0051797056],"category_scores_gemma":[0.00015819869,0.000041831805,0.00004885037,0.00013342185,0.00015725385,0.00013344907,0.000023822802,0.000073048664,0.000096405565],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000054863526,0.000027413695,0.0035360758,0.00005129183,0.00008462117,0.0000034346097,0.0027804708,0.00000381492,0.000003537055,0.10018694,0.07494893,0.818368],"study_design_scores_gemma":[0.000048622554,0.0000066402067,0.008813301,0.00017159045,0.000013805453,0.0000034033874,0.00024162761,0.000051800314,5.1052734e-7,0.00037703844,0.99021715,0.00005451947],"about_ca_topic_score_codex":0.00058693404,"about_ca_topic_score_gemma":0.0002188675,"teacher_disagreement_score":0.9152682,"about_ca_system_score_codex":0.000037924237,"about_ca_system_score_gemma":0.000027267051,"threshold_uncertainty_score":0.9957297},"labels":[],"label_agreement":null},{"id":"W2240928259","doi":"","title":"Christopher Moseley, ed. From Baltic Shores. Short Stories","year":2002,"lang":"en","type":"article","venue":"International fiction review","topic":"Themes in Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Baltic sea; Shore; Oceanography; Geology","score_opus":0.03246715880512911,"score_gpt":0.2663701762270926,"score_spread":0.23390301742196346,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2240928259","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002083637,0.38853025,0.00032045913,0.0060279327,0.007900065,0.0003545324,0.00036579376,0.00027277018,0.5941446],"genre_scores_gemma":[0.7580774,0.11961596,0.0003087442,0.0071220584,0.0070636156,0.00013104088,0.0006330306,0.000055160286,0.106993034],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988801,0.000043164302,0.00037106947,0.00023992179,0.00035185998,0.000113884984],"domain_scores_gemma":[0.999327,0.000056990884,0.000086201144,0.00025054012,0.00023632322,0.000042957327],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000101253485,0.00014825098,0.00023050088,0.00006620331,0.00012343818,0.00017565157,0.00028205465,0.000034893135,0.10237933],"category_scores_gemma":[0.00006895868,0.00012522638,0.00019552377,0.000050226787,0.000078045734,0.0003262839,0.00003771474,0.0001523619,0.0008898599],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003990078,0.00008290551,0.00022491849,0.00009010181,0.0002942176,0.0000068337226,0.0021392587,0.000006675194,0.000012350174,0.06129004,0.9115227,0.024326006],"study_design_scores_gemma":[0.000050579634,0.0000110939345,0.000060898088,0.0005062695,0.00011271621,0.0000029456085,0.00007685873,0.00033417996,0.000007313786,0.000281173,0.99842095,0.00013499639],"about_ca_topic_score_codex":0.00011184116,"about_ca_topic_score_gemma":0.000075553944,"teacher_disagreement_score":0.7559937,"about_ca_system_score_codex":0.00009040705,"about_ca_system_score_gemma":0.000004925771,"threshold_uncertainty_score":0.99988806},"labels":[],"label_agreement":null},{"id":"W2248002216","doi":"","title":"Liberation Theology and Translation Theory in Galdòs's Nazarìn","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"Historical and Linguistic Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Translation (biology); Theology; Philosophy; Chemistry","score_opus":0.028599592995811902,"score_gpt":0.342297158527601,"score_spread":0.3136975655317891,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2248002216","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001574706,0.06000241,0.00069087604,0.013210201,0.00087007566,0.00027716593,0.000003924204,0.000050359256,0.9233203],"genre_scores_gemma":[0.5080479,0.46441406,0.00038854367,0.002535227,0.00084800535,0.00007555311,0.000023604147,0.000007909984,0.023659203],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993472,0.00016651778,0.00017263328,0.000107340486,0.00013814385,0.000068144305],"domain_scores_gemma":[0.9997138,0.00015061804,0.000030281168,0.00003238068,0.000050911913,0.000022015403],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005210363,0.000043784697,0.00009021544,0.00003357212,0.00011391448,0.000011684524,0.000054517124,0.000033374927,0.0032575885],"category_scores_gemma":[0.00027358817,0.000039193445,0.000026316593,0.000099926205,0.000066583976,0.00006993453,0.000003304815,0.000057004014,0.000055431068],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014699353,0.000028005012,0.0005506188,0.000032890122,0.000010662011,0.0000017711324,0.0021206911,0.0000055067194,0.0000031332668,0.2844784,0.0024483758,0.7103052],"study_design_scores_gemma":[0.00008271098,0.000007769565,0.0015927415,0.00017134556,0.000007941463,0.0000012935435,0.000031013922,0.000046351026,5.4467404e-7,0.009737387,0.9882763,0.00004461124],"about_ca_topic_score_codex":0.0001883681,"about_ca_topic_score_gemma":0.00016846994,"teacher_disagreement_score":0.9858279,"about_ca_system_score_codex":0.00006137302,"about_ca_system_score_gemma":0.000017495528,"threshold_uncertainty_score":0.99765354},"labels":[],"label_agreement":null},{"id":"W2248879699","doi":"","title":"Margaret Laurence. Heart of a Straner","year":2006,"lang":"en","type":"article","venue":"International fiction review","topic":"Race, History, and American Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art; Art history","score_opus":0.01574060729615087,"score_gpt":0.31847485647860063,"score_spread":0.30273424918244973,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2248879699","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005056905,0.053800836,0.0009783211,0.027434679,0.0024381096,0.00050621165,0.00007036816,0.00013468864,0.9095799],"genre_scores_gemma":[0.8963117,0.07155949,0.0011100731,0.0032679278,0.0012347647,0.000042945343,0.00007280081,0.000014564426,0.02638574],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916714,0.00007196408,0.00021130899,0.00010587947,0.00036269845,0.000081019396],"domain_scores_gemma":[0.99958825,0.00003691043,0.00011844139,0.00007096594,0.00015910216,0.000026310845],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033237776,0.000048726437,0.00012522607,0.000022636117,0.00010144288,0.000010746237,0.00013663148,0.000029158242,0.0026231233],"category_scores_gemma":[0.000058063666,0.000046956604,0.00012678125,0.00014424218,0.00016744724,0.00009888685,0.0000066500706,0.000056051093,0.000051636096],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000031033837,0.00008325137,0.0041431384,0.00011830952,0.000021303782,9.0707994e-7,0.00043347178,0.000012812788,0.0002197419,0.040085804,0.94779277,0.0070853806],"study_design_scores_gemma":[0.000043493015,0.0000070830315,0.0027802235,0.00024767098,0.000009644363,9.603151e-7,0.00014820417,0.0000059903878,0.000011306163,0.00014895038,0.99654824,0.000048252154],"about_ca_topic_score_codex":0.0017045097,"about_ca_topic_score_gemma":0.00017065498,"teacher_disagreement_score":0.8912548,"about_ca_system_score_codex":0.000088520945,"about_ca_system_score_gemma":0.000067983216,"threshold_uncertainty_score":0.99828863},"labels":[],"label_agreement":null}]}