{"meta":{"query_hash":"b15cfa11063b","filters":{"venue":"Intersections Canadian Journal of Music"},"cohort_total":519,"direct_labels_cover":1,"predictions_cover":519,"exported":519,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/b15cfa11063b","api":"https://metacan.xera.ac/api/v1/cohort?venue=Intersections+Canadian+Journal+of+Music"},"results":[{"id":"W132966514","doi":"","title":"The Idea of a Christian University","year":2001,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Catholicism and Religious Studies","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Philosophy","score_opus":0.020477432230394204,"score_gpt":0.18833136300850697,"score_spread":0.16785393077811278,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W132966514","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03637317,0.0020650695,0.005232943,0.1417335,0.0016427351,0.00003414874,0.000045310455,0.0000474291,0.8128257],"genre_scores_gemma":[0.9183401,0.00047176584,0.001358799,0.015910534,0.0007494064,0.0000435586,0.000015587637,0.0000411539,0.06306928],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965275,0.0019236,0.000074048556,0.00041528506,0.00043809373,0.00062143884],"domain_scores_gemma":[0.9956481,0.0011406926,0.00025029297,0.00038329512,0.0006044998,0.00197315],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038257865,0.00025262928,0.00027532032,0.0015397179,0.0123318825,0.0102409385,0.00085865764,0.006181836,0.013306536],"category_scores_gemma":[0.0051108478,0.00028262357,0.00029804368,0.0008617587,0.04567237,0.007869835,0.005675831,0.010709943,0.0011574306],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000044182416,0.000004316519,0.00007637879,0.0000027365654,5.6214407e-7,0.0000075005814,0.0011660245,0.000013110608,0.000014912548,0.9964553,0.0015536854,0.00070112816],"study_design_scores_gemma":[0.0000408532,0.00003512525,0.00073617155,0.00009644979,0.000006701726,0.00008941517,0.0072289547,0.00035691273,0.000111480156,0.75704104,0.23422587,0.000031079147],"about_ca_topic_score_codex":0.009520696,"about_ca_topic_score_gemma":0.013191873,"teacher_disagreement_score":0.013306536,"about_ca_system_score_codex":0.0073116114,"about_ca_system_score_gemma":0.007428348,"threshold_uncertainty_score":0.053049684},"labels":[],"label_agreement":null},{"id":"W1476890765","doi":"10.7202/1030881ar","title":"David Schroeder. 2013. Experiencing Mozart: A Listener's Companion. Lanham, MD: Scarecrow. 236 pp. ISBN 9780810884281","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"MOZART; Art; History; Art history","score_opus":0.030894619519856007,"score_gpt":0.21723282529162366,"score_spread":0.18633820577176766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1476890765","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00090084865,0.585959,0.003514002,0.05182476,0.012472338,0.00008088585,0.0011438504,0.0008872579,0.343217],"genre_scores_gemma":[0.0078021656,0.19493659,0.0021852695,0.0054611242,0.0015754247,0.00008252313,0.0006569722,0.000654175,0.78664577],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992409,0.00013465219,0.00005694805,0.00011538697,0.00037876025,0.00007337939],"domain_scores_gemma":[0.9988091,0.00042192262,0.00008453321,0.000051248764,0.00040497503,0.00022829518],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009596075,0.0014614578,0.000732679,0.0018759846,0.0022471896,0.004087105,0.0012865621,0.0027250007,0.26131165],"category_scores_gemma":[0.003209992,0.00083238323,0.00037855218,0.0021840357,0.0012384345,0.007359957,0.0032080486,0.0032413509,0.15926953],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025215611,0.0000062694116,0.000052659554,0.0002589195,0.000002488618,0.00006181188,0.0006939236,0.000019184765,0.000146747,0.0021543326,0.90352803,0.09305036],"study_design_scores_gemma":[0.0000031535892,0.0000066441557,0.00026278006,0.00041007364,0.0000034818413,0.00015833473,0.00118018,0.000013663939,0.000059058537,0.00079563976,0.9970994,0.0000075559105],"about_ca_topic_score_codex":0.015547231,"about_ca_topic_score_gemma":0.043656435,"teacher_disagreement_score":0.26131165,"about_ca_system_score_codex":0.0016339009,"about_ca_system_score_gemma":0.001796834,"threshold_uncertainty_score":0.87417454},"labels":[],"label_agreement":null},{"id":"W1494338106","doi":"10.7202/1003502ar","title":"Yannick Simon. 2009. Composer sous Vichy. Lyon : Symétrie. Collection « Perpetuum Mobile », 424 p. ISBN 978-2-914373-57-9","year":2010,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Trie; Humanities; Physics; Art; Computer science; Operating system; Data structure","score_opus":0.06575055961307308,"score_gpt":0.2585489047151941,"score_spread":0.19279834510212102,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1494338106","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017678199,0.42209876,0.0071347677,0.024152488,0.017187148,0.00011611061,0.0022871846,0.0014961734,0.52375954],"genre_scores_gemma":[0.0075738276,0.10888736,0.0028862688,0.00088709436,0.0017312915,0.00008372405,0.0011145963,0.0010320154,0.8758039],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99905485,0.00012576135,0.00008397533,0.0001689382,0.00050459977,0.00006187389],"domain_scores_gemma":[0.9988494,0.00026970418,0.00009222863,0.00005834726,0.0005673215,0.00016289733],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00080328673,0.0022753077,0.0010970456,0.002967107,0.0022630773,0.0054168277,0.0009071909,0.0015071328,0.2468339],"category_scores_gemma":[0.002689338,0.0007495068,0.00039454005,0.0041337404,0.0009770343,0.0052253134,0.0017464395,0.0018293704,0.22875139],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005861251,0.0000069925263,0.00012601375,0.00048120384,0.000006224859,0.0000883224,0.0009790959,0.00007105166,0.0005771677,0.0068169017,0.8066319,0.18415652],"study_design_scores_gemma":[0.0000021075473,0.000004818766,0.0002700578,0.00013677422,0.0000021924598,0.00007795353,0.00039112513,0.00001930538,0.00010728276,0.0006055534,0.99837697,0.000005831847],"about_ca_topic_score_codex":0.018582642,"about_ca_topic_score_gemma":0.047194585,"teacher_disagreement_score":0.2468339,"about_ca_system_score_codex":0.003141487,"about_ca_system_score_gemma":0.0022704266,"threshold_uncertainty_score":0.82574165},"labels":[],"label_agreement":null},{"id":"W1498649980","doi":"10.7202/1013317ar","title":"Gail Dixon. 2004. The Music of Harry Freedman. Toronto: University of Toronto Press, viii, 190 pp. ISBN 0-8020-8964-X (hardcover)","year":2005,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Freedman; Media studies; Art history; Humanities; Art; Sociology; History; Archaeology","score_opus":0.014662360471209692,"score_gpt":0.20558241336474006,"score_spread":0.19092005289353037,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1498649980","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00036446797,0.91851306,0.00042104532,0.020282201,0.0030084024,0.000020159468,0.001213456,0.00014710445,0.056030158],"genre_scores_gemma":[0.010002154,0.58191466,0.0012215279,0.0032426375,0.0014193445,0.000040147064,0.0009323392,0.00029207306,0.40093514],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992778,0.00008642181,0.0000421862,0.00009686993,0.00038727763,0.0001095298],"domain_scores_gemma":[0.9989225,0.00025267707,0.00011087167,0.000047220452,0.00047431118,0.0001924333],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007905915,0.0023376378,0.00092211476,0.0036052486,0.002803824,0.00410603,0.0014229876,0.0020441534,0.10106413],"category_scores_gemma":[0.002189294,0.0011706516,0.00033065482,0.0066411477,0.002196346,0.0041046026,0.001675692,0.0025357406,0.056183048],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023400942,0.0000028392162,0.00009936805,0.00031372494,0.000003964527,0.000042205455,0.0007161958,0.00003855875,0.000081732316,0.0032609773,0.9516746,0.043742377],"study_design_scores_gemma":[0.000004118795,0.0000036478182,0.00096748234,0.00060548895,0.0000060198417,0.00007295881,0.00089997816,0.000012832131,0.00005640121,0.0008562239,0.9965035,0.000011433538],"about_ca_topic_score_codex":0.4148195,"about_ca_topic_score_gemma":0.7484604,"teacher_disagreement_score":0.5851805,"about_ca_system_score_codex":0.0143456515,"about_ca_system_score_gemma":0.008296811,"threshold_uncertainty_score":0.82480997},"labels":[],"label_agreement":null},{"id":"W1508556933","doi":"10.7202/029959ar","title":"Adrian Thomas. 2005. Polish Music since Szymanowski. Cambridge, UK: Cambridge University Press. 384 pp. ISBN-13: 978-052-105472-0 (paper)","year":2008,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Catholicism, Bioethics, Media, Education","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Media studies; Art history; Sociology","score_opus":0.03775312420583971,"score_gpt":0.25556899247653003,"score_spread":0.21781586827069033,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1508556933","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00055935554,0.84738564,0.0011801511,0.031913746,0.0070267473,0.000034834982,0.00079480774,0.00012837097,0.11097623],"genre_scores_gemma":[0.010705434,0.5700708,0.0018861466,0.0039130314,0.0024986526,0.000074021395,0.0007101973,0.00018986686,0.40995187],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99933463,0.00007483098,0.00008584072,0.00008366027,0.0003635548,0.000057394613],"domain_scores_gemma":[0.99908555,0.00026188884,0.000115863215,0.00003865079,0.00036793487,0.00013017848],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007516161,0.0015738215,0.00073405326,0.0030946396,0.0018830855,0.00424548,0.0009384235,0.0018807639,0.093496785],"category_scores_gemma":[0.0023320187,0.00077951275,0.00033778453,0.004649693,0.0017022217,0.0069747553,0.0014013662,0.0024789823,0.061809592],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003553385,0.000006911416,0.00012706181,0.0005366671,0.0000064952333,0.000059924467,0.0007736195,0.000033821598,0.00013345572,0.009536528,0.8502508,0.13849914],"study_design_scores_gemma":[0.000004391024,0.000005131905,0.0007645021,0.00048586412,0.000005355751,0.00010245922,0.00060700416,0.000013122122,0.00006624804,0.002266944,0.99567115,0.000007840884],"about_ca_topic_score_codex":0.02078723,"about_ca_topic_score_gemma":0.062735744,"teacher_disagreement_score":0.093496785,"about_ca_system_score_codex":0.0033959295,"about_ca_system_score_gemma":0.0021248043,"threshold_uncertainty_score":0.31277788},"labels":[],"label_agreement":null},{"id":"W1512653924","doi":"10.7202/1009290ar","title":"Theodore Gracyk and Andrew Kania, eds. 2011. The Routledge Companion to Philosophy and Music. New York: Routledge. ISBN 978-0-415-48603-3","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art history; Philosophy; Media studies; History; Sociology","score_opus":0.03916593590995972,"score_gpt":0.21752323303078358,"score_spread":0.17835729712082388,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1512653924","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00034317,0.91186243,0.0022187033,0.042624887,0.0045883204,0.000024749936,0.00032087482,0.00010911814,0.03790776],"genre_scores_gemma":[0.006235293,0.88636106,0.004081713,0.004232305,0.0024552902,0.00009302714,0.0003118741,0.00030138582,0.09592808],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99820757,0.0005904262,0.00014918334,0.00030549368,0.00061975705,0.00012755023],"domain_scores_gemma":[0.99639684,0.0021377981,0.0003807426,0.00018232889,0.0006406065,0.00026183695],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025593014,0.00249517,0.0016900218,0.00346003,0.0025620258,0.007963167,0.0017169064,0.0053266976,0.038066305],"category_scores_gemma":[0.0057807122,0.002021987,0.000757136,0.00598859,0.004651234,0.01735051,0.0032457367,0.006586682,0.027358277],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008056251,0.000021957621,0.00020835055,0.001811712,0.000014973068,0.00018005719,0.0043993443,0.00014705696,0.0002526108,0.03181992,0.79353696,0.16752644],"study_design_scores_gemma":[0.000007444566,0.00000825059,0.00039597866,0.0015020134,0.0000097419515,0.00027169575,0.0015213029,0.000042750813,0.00010280121,0.018047895,0.9780703,0.000019794817],"about_ca_topic_score_codex":0.017136538,"about_ca_topic_score_gemma":0.031805694,"teacher_disagreement_score":0.038066305,"about_ca_system_score_codex":0.0039543104,"about_ca_system_score_gemma":0.0070051686,"threshold_uncertainty_score":0.12734443},"labels":[],"label_agreement":null},{"id":"W1513288106","doi":"10.7202/1009291ar","title":"Alan Gillmor, ed. Eagle Minds: Selected Correspondence of Istvan Anhalt and George Rochberg, 1961–2005. Waterloo: Wilfrid Laurier University Press, 2007. xliii, 426 pp. ISBN 978-1-55458-018-7","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Linguistics and language evolution","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"George (robot); Eagle; Classics; History; Art history","score_opus":0.008669173010712735,"score_gpt":0.18309851993326995,"score_spread":0.1744293469225572,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1513288106","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00022125126,0.9281796,0.0008592857,0.016879138,0.008547561,0.000017540253,0.00041600317,0.00013380808,0.044745773],"genre_scores_gemma":[0.004430554,0.69854534,0.001361814,0.005474193,0.006892103,0.000051210085,0.00051857485,0.0003582414,0.28236797],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99891865,0.0002441158,0.000088112894,0.00024178521,0.000430216,0.00007710141],"domain_scores_gemma":[0.99847883,0.0005748597,0.00014951991,0.000058589703,0.00049825665,0.00023995811],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013108104,0.002568557,0.001615532,0.004801796,0.0015533158,0.0027639673,0.0014904921,0.0026131733,0.064252704],"category_scores_gemma":[0.0028257417,0.0009992089,0.000536204,0.006474762,0.0019643689,0.007923715,0.0017119894,0.0026573227,0.04804164],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002120212,0.0000061299634,0.00007489363,0.00033980008,0.0000051885786,0.000052157982,0.00047237027,0.00004172961,0.00007312907,0.0016085766,0.9386711,0.058633883],"study_design_scores_gemma":[0.0000021821147,0.0000034927739,0.00029647822,0.000440814,0.0000032110481,0.00011328676,0.00030456178,0.0000100529305,0.000041914103,0.00076065585,0.99801576,0.000007564672],"about_ca_topic_score_codex":0.03428903,"about_ca_topic_score_gemma":0.08480146,"teacher_disagreement_score":0.064252704,"about_ca_system_score_codex":0.0041167308,"about_ca_system_score_gemma":0.0036342111,"threshold_uncertainty_score":0.21494669},"labels":[],"label_agreement":null},{"id":"W1517781048","doi":"10.7202/1009294ar","title":"Mondher Ayari et Hamdi Makhlouf, dir. 2010. Musique, signification et émotion. Sampzon : Delatour France, 392 p. ISBN 987-2-7521-0077-1 (couverture souple)","year":2010,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.09777299205711772,"score_gpt":0.275609223902292,"score_spread":0.17783623184517428,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1517781048","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012180817,0.89018023,0.0017356486,0.03402073,0.012683112,0.00002821422,0.00054412737,0.00020852634,0.059381347],"genre_scores_gemma":[0.023019943,0.51151764,0.0032803614,0.0040558637,0.0069489134,0.00011483763,0.00079412793,0.0004127814,0.44985557],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99918085,0.00020171574,0.000051454113,0.00015517748,0.00032154072,0.00008927637],"domain_scores_gemma":[0.9991683,0.00031685585,0.00007968357,0.000032549735,0.00031040714,0.00009220652],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011909492,0.0019586391,0.0011530805,0.0022792558,0.0020214578,0.0039466606,0.00073657697,0.0028745157,0.11176292],"category_scores_gemma":[0.0024019033,0.000716904,0.0004824959,0.002884797,0.0012121692,0.005224064,0.0016481322,0.0026420585,0.046351556],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000100006124,0.000012284077,0.0003334167,0.00064463477,0.000012905267,0.00017117966,0.0015006013,0.00008705039,0.000639918,0.00800691,0.7690821,0.2194089],"study_design_scores_gemma":[0.000005092944,0.0000130547705,0.0012297143,0.0003196751,0.000005158397,0.00033942895,0.00082631654,0.000042965636,0.00016878323,0.00087584177,0.9961623,0.000011684735],"about_ca_topic_score_codex":0.027094161,"about_ca_topic_score_gemma":0.04238687,"teacher_disagreement_score":0.11176292,"about_ca_system_score_codex":0.0034635486,"about_ca_system_score_gemma":0.0020826359,"threshold_uncertainty_score":0.3738842},"labels":[],"label_agreement":null},{"id":"W1520902500","doi":"10.7202/1018589ar","title":"Charles Ford, Mozart. 2012. Sexuality and the Enlightenment in Mozart’s Figaro, Don Giovanni and Così fan tutte. Burlington, VT: Ashgate. 336 pp. ISBN 978–0754668893","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"MOZART; Enlightenment; Humanities; Art; Cartography; Art history; Philosophy; Theology; Geography","score_opus":0.027759340908260457,"score_gpt":0.21921069938059692,"score_spread":0.19145135847233646,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1520902500","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006289881,0.8454539,0.0007604535,0.048365455,0.0047875405,0.000026916794,0.0007528401,0.0001572132,0.09906666],"genre_scores_gemma":[0.015100244,0.39470673,0.0013161218,0.005875428,0.0015899322,0.0000815473,0.00045372744,0.00032495282,0.5805513],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99946505,0.00006969083,0.000035859226,0.00009727861,0.00026853825,0.000063547785],"domain_scores_gemma":[0.999084,0.00026470018,0.00007637883,0.000045037905,0.00040549308,0.00012439469],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00064275507,0.0010052794,0.0007356065,0.002049971,0.0030689936,0.0035627917,0.0010667127,0.0038926364,0.10769033],"category_scores_gemma":[0.0022997141,0.0009419377,0.00032835317,0.003637981,0.0022726364,0.0048261383,0.0013886939,0.0033965993,0.040115073],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019528781,0.0000052649802,0.00013860974,0.0002706948,0.0000044926433,0.00005831913,0.0009943886,0.00003867101,0.00009031911,0.0075438907,0.9076209,0.08321488],"study_design_scores_gemma":[0.0000024331696,0.0000021917197,0.0006778966,0.00036068985,0.0000028343247,0.000054337823,0.0004743024,0.0000071175864,0.00003327435,0.0010617316,0.99731773,0.000005489836],"about_ca_topic_score_codex":0.15238328,"about_ca_topic_score_gemma":0.31798148,"teacher_disagreement_score":0.15238328,"about_ca_system_score_codex":0.0061498666,"about_ca_system_score_gemma":0.0038554366,"threshold_uncertainty_score":0.36026007},"labels":[],"label_agreement":null},{"id":"W1535001632","doi":"10.7202/1018587ar","title":"Suzannah Clark. 2011. Analyzing Schubert. Cambridge: Cambridge University Press. 290 pp. ISBN 978–0-521–84867–1","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.033426184274480436,"score_gpt":0.2663593401726804,"score_spread":0.2329331558982,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1535001632","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005779766,0.85080844,0.00450338,0.034958154,0.0044381768,0.000041542266,0.0017786546,0.00041300847,0.10248061],"genre_scores_gemma":[0.015236341,0.6890155,0.008877843,0.0045252754,0.0037997523,0.00019124866,0.0023195809,0.0012281955,0.27480635],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887234,0.0002327427,0.00012240093,0.00017190905,0.0005199627,0.0000806185],"domain_scores_gemma":[0.9953269,0.002591956,0.00040140768,0.00017410035,0.0012306524,0.00027504924],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018418245,0.0021311925,0.0010523229,0.0073341043,0.0016911727,0.0038466726,0.0015015168,0.0027040138,0.120432],"category_scores_gemma":[0.0076109823,0.0016062602,0.0005808391,0.008742735,0.0026835278,0.008252699,0.0018847416,0.0026503103,0.064394444],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023345308,0.00000679005,0.00019407959,0.00047782814,0.000008405674,0.00005953349,0.0007771168,0.0000857651,0.000094279996,0.017302852,0.8710243,0.10994565],"study_design_scores_gemma":[0.0000050688573,0.000005405587,0.0009529785,0.0014527772,0.000009312046,0.00009905926,0.0008486012,0.000051957497,0.00007311225,0.013385767,0.98309773,0.000018104578],"about_ca_topic_score_codex":0.02422774,"about_ca_topic_score_gemma":0.0628379,"teacher_disagreement_score":0.120432,"about_ca_system_score_codex":0.0035053187,"about_ca_system_score_gemma":0.002870947,"threshold_uncertainty_score":0.40288514},"labels":[],"label_agreement":null},{"id":"W1539910929","doi":"10.7202/1009297ar","title":"Vincent Giroud. 2010. French Opera. A Short History. Yale : Yale University Press, 366 p. ISBN 978-0-300-11765-3 (couverture rigide)","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Opera; History; Art history; Art; Media studies; Sociology","score_opus":0.02434405371790948,"score_gpt":0.18858819096929222,"score_spread":0.16424413725138273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1539910929","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00039654243,0.8985095,0.000618067,0.021775527,0.0056773,0.000013183906,0.0004747082,0.00012355318,0.072411604],"genre_scores_gemma":[0.01445745,0.41288942,0.0021302756,0.0045067966,0.004874331,0.00004894877,0.00068276003,0.00042526735,0.55998474],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991749,0.00015694239,0.000041696072,0.00011620025,0.00041926405,0.000090937894],"domain_scores_gemma":[0.9990632,0.00026762663,0.00008652769,0.000026045765,0.00043777458,0.00011871161],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010637048,0.0017567765,0.0008409759,0.0033032321,0.0030495233,0.004245601,0.0010921604,0.0025524793,0.10028685],"category_scores_gemma":[0.0019093707,0.00073912623,0.0004290287,0.0044201384,0.0016274336,0.0053656804,0.0011171955,0.0032263985,0.056840133],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005153113,0.0000071447994,0.00013445591,0.00028950613,0.0000039810357,0.00008181423,0.00067465985,0.000052377032,0.00015228486,0.008282202,0.8936722,0.096597716],"study_design_scores_gemma":[0.0000028145098,0.0000050604585,0.00047458298,0.00032191456,0.000001869251,0.00009016861,0.00036680538,0.000011368856,0.000042333824,0.00081619027,0.99785966,0.0000072208077],"about_ca_topic_score_codex":0.11178088,"about_ca_topic_score_gemma":0.17239374,"teacher_disagreement_score":0.11178088,"about_ca_system_score_codex":0.0064581637,"about_ca_system_score_gemma":0.0029799743,"threshold_uncertainty_score":0.3354929},"labels":[],"label_agreement":null},{"id":"W1541276325","doi":"10.7202/1013218ar","title":"Sten Ingelf. Learn from the Masters: Classical Harmony. Hjärup, Sweden: Sting Musik, 2010. 222 pp. (paper), 193 pp. on DVD. ISBN 91-971133-5-2","year":2011,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sting; Harmony (color); Art; Art history; Engineering; Visual arts; Aerospace engineering","score_opus":0.10176982482111102,"score_gpt":0.2218715433698702,"score_spread":0.12010171854875917,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1541276325","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0031741476,0.43346846,0.004977552,0.025445456,0.0073730964,0.00005308634,0.0014410416,0.00095915544,0.52310795],"genre_scores_gemma":[0.024103148,0.14385858,0.0047838655,0.001486577,0.0015297956,0.00006215764,0.0011510965,0.00093964284,0.82208514],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999592,0.0000661305,0.000028610066,0.00005550243,0.00020670662,0.000050988267],"domain_scores_gemma":[0.99974424,0.00008319672,0.000020248022,0.000020075167,0.000057815898,0.00007447869],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00061643583,0.0012684187,0.0006145355,0.0017963133,0.001331308,0.0035351051,0.00096757297,0.0016865421,0.1557776],"category_scores_gemma":[0.0010630576,0.0006225351,0.00038032446,0.0013251663,0.0015127367,0.0051121814,0.002389392,0.0018126027,0.06593311],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007150318,0.000022889213,0.00012881366,0.00061871606,0.0000102876975,0.00007744605,0.0010192438,0.00010951097,0.0005522501,0.010201424,0.7311233,0.2560646],"study_design_scores_gemma":[0.000006955986,0.000016812555,0.0009847835,0.00055337313,0.0000074545533,0.00016217609,0.0010398595,0.0000438605,0.0003323112,0.0047405423,0.9921015,0.000010347273],"about_ca_topic_score_codex":0.0059438436,"about_ca_topic_score_gemma":0.018853066,"teacher_disagreement_score":0.1557776,"about_ca_system_score_codex":0.0014117628,"about_ca_system_score_gemma":0.0015144468,"threshold_uncertainty_score":0.521128},"labels":[],"label_agreement":null},{"id":"W1542477419","doi":"10.7202/1013168ar","title":"Rupa Huq. Beyond Subculture. Pop, Youth and Identity in a Postcolonial World. London : Routledge, 2006. viii, 217 p. ISBN 0-415-27815-5 (couverture souple)","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Youth Education and Societal Dynamics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subculture (biology); Identity (music); Media studies; Sociology; Humanities; Art","score_opus":0.01325902053177606,"score_gpt":0.2723891570818321,"score_spread":0.259130136550056,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1542477419","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00042392215,0.9093068,0.0010516406,0.031777203,0.0032246069,0.000042379947,0.0006659406,0.00017281431,0.0533347],"genre_scores_gemma":[0.019366069,0.7281065,0.0042339163,0.006090825,0.0022196698,0.00015475949,0.00056647905,0.00034693666,0.23891495],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898535,0.0002899597,0.00009879117,0.00008824694,0.00044065272,0.00009690496],"domain_scores_gemma":[0.997897,0.00090366544,0.00019757396,0.00009870444,0.0007055108,0.0001974666],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017421012,0.0014617438,0.00088434375,0.0034574545,0.0029677912,0.0033369134,0.0014411804,0.0030001155,0.0742236],"category_scores_gemma":[0.0039190394,0.0009132853,0.00042299795,0.0057250303,0.0018496678,0.0083938455,0.0020523749,0.0035418875,0.02621083],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029860226,0.0000118415655,0.00012990287,0.00085635716,0.000007437705,0.00009913479,0.0023692215,0.000052349686,0.00014897827,0.011390954,0.84274673,0.14215729],"study_design_scores_gemma":[0.0000040465306,0.00001154492,0.0011175841,0.0009950997,0.000006652598,0.00015644077,0.0017048615,0.00003290247,0.00011759411,0.0040118126,0.99182594,0.000015527079],"about_ca_topic_score_codex":0.07090087,"about_ca_topic_score_gemma":0.11575805,"teacher_disagreement_score":0.0742236,"about_ca_system_score_codex":0.004138411,"about_ca_system_score_gemma":0.0037702196,"threshold_uncertainty_score":0.2483027},"labels":[],"label_agreement":null},{"id":"W1560883700","doi":"10.7202/1000037ar","title":"Célébrons la musicologie francophone","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"French; Art; Humanities","score_opus":0.02743098478847448,"score_gpt":0.2616711811946576,"score_spread":0.23424019640618313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1560883700","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1281869,0.035272922,0.0015078647,0.03218371,0.0078117033,0.000023313498,0.0004966543,0.00017600763,0.7943409],"genre_scores_gemma":[0.6269447,0.008272524,0.0007938738,0.0016179904,0.0037196162,0.000029766477,0.00016912192,0.00011130524,0.35834113],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981704,0.0006374617,0.00004145474,0.00021347265,0.0005119072,0.0004253694],"domain_scores_gemma":[0.99887747,0.0003609793,0.00009021712,0.00008625967,0.00025725283,0.00032780672],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018702906,0.0010978705,0.0004782227,0.0021661662,0.009905543,0.008060146,0.00053528644,0.0029044254,0.029576957],"category_scores_gemma":[0.0023273062,0.00023890453,0.0004885852,0.0014390148,0.0046542548,0.0018966547,0.002159169,0.0039565517,0.0032177411],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00050235516,0.0001446224,0.005690405,0.00025973556,0.0000737063,0.0011565683,0.03132142,0.000606323,0.003681286,0.6904187,0.13658796,0.12955703],"study_design_scores_gemma":[0.00001860638,0.000028455612,0.01007032,0.00012394432,0.000007591591,0.00035077642,0.005181703,0.00010336261,0.0002338826,0.0028451653,0.9810099,0.00002627496],"about_ca_topic_score_codex":0.25993758,"about_ca_topic_score_gemma":0.32777318,"teacher_disagreement_score":0.25993758,"about_ca_system_score_codex":0.015856639,"about_ca_system_score_gemma":0.004809593,"threshold_uncertainty_score":0.51684916},"labels":[],"label_agreement":null},{"id":"W1575481471","doi":"10.7202/1009296ar","title":"William Moylan. 2007. Understanding and Crafting the Mix : The Art of Recording. 2 éd. Burlington, MA : Focal Press, 2007. xxviii, 396 pp. ISBN 978-0-240-80755-3 (couverture souple)","year":2010,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history; History; Media studies; Sociology","score_opus":0.04169551099757427,"score_gpt":0.23112958204924547,"score_spread":0.1894340710516712,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1575481471","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001046515,0.7250634,0.005580867,0.07629136,0.005555803,0.000073938994,0.0007715192,0.00026729188,0.18534926],"genre_scores_gemma":[0.02485129,0.3720046,0.0075516035,0.008651889,0.0022726979,0.00016495302,0.00041008656,0.0005078179,0.5835851],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887675,0.00030483326,0.00007365682,0.00018238812,0.00047228948,0.00009006954],"domain_scores_gemma":[0.99894196,0.0004516726,0.000104850864,0.000060949,0.00034111863,0.00009943462],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014517005,0.0014272138,0.00063800183,0.002201532,0.0044034687,0.0045722034,0.0013891343,0.0041166567,0.059002213],"category_scores_gemma":[0.003140615,0.0010188193,0.0003118826,0.0027964185,0.0038575854,0.012517501,0.0025647397,0.0036291266,0.023297817],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003649756,0.000008542853,0.00015945615,0.0003869546,0.0000047799012,0.000083684165,0.003324269,0.000054391363,0.00024177735,0.030448373,0.831484,0.13376717],"study_design_scores_gemma":[0.000003322093,0.000004776274,0.00035498707,0.0005760649,0.0000024196117,0.00008384841,0.0014062704,0.000016995424,0.00012557342,0.0064249095,0.9909909,0.000009903212],"about_ca_topic_score_codex":0.061036427,"about_ca_topic_score_gemma":0.14343315,"teacher_disagreement_score":0.061036427,"about_ca_system_score_codex":0.0045510796,"about_ca_system_score_gemma":0.003975975,"threshold_uncertainty_score":0.19738209},"labels":[],"label_agreement":null},{"id":"W1584540846","doi":"10.7202/1013221ar","title":"Mihaela Corduban. 2011. Le premier livre du Clavier bien tempéré de Jean-Sébastien Bach : Rhétorique et sémiologie. Sampzon : Delatour France. 140 p. ISBN 9783752101150","year":2011,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Bach Studies and Logistics Development","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04418525037313,"score_gpt":0.22212363989281514,"score_spread":0.17793838951968513,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1584540846","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001932846,0.6932921,0.0018510121,0.04709415,0.006478927,0.000046631478,0.0007023606,0.00031758827,0.24828444],"genre_scores_gemma":[0.056204736,0.31409302,0.004327833,0.003935082,0.0036645837,0.00018427096,0.0009855814,0.0005946082,0.6160103],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994424,0.00010428992,0.000024049052,0.00009516029,0.00028220945,0.000051806634],"domain_scores_gemma":[0.9991591,0.0003022691,0.00009257239,0.00003935133,0.0003140162,0.000092712864],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00068852765,0.0010228943,0.0005682638,0.0024283149,0.0029101965,0.00452538,0.0008880545,0.0018435972,0.0896184],"category_scores_gemma":[0.0025863242,0.00042420873,0.00025126417,0.00297078,0.001235845,0.005617809,0.0017744234,0.0022241243,0.03187945],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009506467,0.000013108011,0.00028783118,0.00068791636,0.0000057854986,0.00017967098,0.0041619097,0.00007207311,0.00058911013,0.05475868,0.7238979,0.21525103],"study_design_scores_gemma":[0.0000031279899,0.000005397836,0.00062650733,0.0005445924,0.000002581196,0.0001202703,0.0006368138,0.00003000204,0.0001374573,0.0021635003,0.99572384,0.0000059410636],"about_ca_topic_score_codex":0.043214742,"about_ca_topic_score_gemma":0.073771775,"teacher_disagreement_score":0.0896184,"about_ca_system_score_codex":0.0058762725,"about_ca_system_score_gemma":0.0027459722,"threshold_uncertainty_score":0.29980344},"labels":[],"label_agreement":null},{"id":"W1595561234","doi":"10.7202/1013316ar","title":"Barbara L. Kelly. Tradition and Style in the Works of Darius Milhaud 1912-1939. Aldershot: Ashgate, 2003. xvi, 212 p. ISBN 0-7546-3033-1 (couverture rigide)","year":2005,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Style (visual arts); History; Art history; Art; Archaeology","score_opus":0.024298267161256916,"score_gpt":0.20648547279447302,"score_spread":0.1821872056332161,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1595561234","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005034123,0.9311815,0.00034700148,0.011886168,0.0021919576,0.000009823831,0.00017169435,0.00005936863,0.0536491],"genre_scores_gemma":[0.028629139,0.5990872,0.0013370487,0.004059311,0.0021693255,0.000049696147,0.00024043489,0.0002471773,0.36418065],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99945575,0.00014249944,0.000042816824,0.00008665469,0.00021039335,0.00006188002],"domain_scores_gemma":[0.9994448,0.00024733518,0.000079151294,0.000023172708,0.00013904394,0.00006651567],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007490245,0.0014557927,0.0006319363,0.0038470728,0.0027314706,0.0029243813,0.0010209457,0.0019245031,0.03975785],"category_scores_gemma":[0.001610076,0.0006876031,0.0003093445,0.004290391,0.0025268726,0.0044235853,0.0016701221,0.0018903463,0.019491324],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005690582,0.000010623061,0.0002437481,0.00076804333,0.000008802645,0.00015160044,0.0067182053,0.000054238895,0.00024861083,0.016176982,0.8449022,0.13066001],"study_design_scores_gemma":[0.0000035966261,0.0000052127175,0.0012591174,0.0011327513,0.0000052407813,0.00016622679,0.0022709668,0.000009992201,0.000081057675,0.0031627035,0.99189305,0.000010131045],"about_ca_topic_score_codex":0.06365368,"about_ca_topic_score_gemma":0.18870121,"teacher_disagreement_score":0.06365368,"about_ca_system_score_codex":0.0052001146,"about_ca_system_score_gemma":0.0017648159,"threshold_uncertainty_score":0.13300323},"labels":[],"label_agreement":null},{"id":"W1608915145","doi":"10.7202/039116ar","title":"Nicolas Dufetel et Malou Haine, éd. 2007. Liszt : un saltimbanque en province. Lyon : Symétrie, xii, 424 p. ISBN 978-2-914373-27-2 (couverture rigide)","year":2009,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Physics; Philosophy","score_opus":0.013212934689072522,"score_gpt":0.21807053633049436,"score_spread":0.20485760164142183,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1608915145","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007444724,0.90332985,0.0024682768,0.021706719,0.0055250674,0.000016806658,0.00041368947,0.00023681246,0.06555832],"genre_scores_gemma":[0.009327591,0.75767404,0.0044605965,0.0027426793,0.0019661451,0.00004854438,0.00067976513,0.0003655169,0.22273517],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99913114,0.00015756943,0.00005184575,0.00015170554,0.00042147783,0.00008623731],"domain_scores_gemma":[0.9991781,0.0002613861,0.00007409428,0.000025734682,0.00032553734,0.00013509417],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010103553,0.0015216338,0.00095452525,0.0026661607,0.0017577033,0.005092952,0.0011725851,0.0021597627,0.06062073],"category_scores_gemma":[0.002429366,0.0007962764,0.00047132847,0.0038577411,0.0014551225,0.008520019,0.0017225507,0.003124581,0.04670572],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060479666,0.000013376634,0.0003414054,0.0008297695,0.000008991703,0.00012550132,0.0024173106,0.00012365745,0.00021870415,0.010910516,0.7735314,0.21141896],"study_design_scores_gemma":[0.0000024830222,0.0000041342423,0.0003823759,0.00059785304,0.000004608422,0.00024940126,0.0008237604,0.000028885523,0.00009533291,0.0016583591,0.99614453,0.00000819715],"about_ca_topic_score_codex":0.033792347,"about_ca_topic_score_gemma":0.06548023,"teacher_disagreement_score":0.06062073,"about_ca_system_score_codex":0.004001874,"about_ca_system_score_gemma":0.0059491936,"threshold_uncertainty_score":0.20279652},"labels":[],"label_agreement":null},{"id":"W1809937325","doi":"10.7202/1018586ar","title":"Delphine Grivel. 2011. Maurice Denis et la musique. Lyon : Symétrie. Coll. « Perpetuum Mobile », 328 p. ISBN 978-2-914373-53-1 (couverture souple)","year":2012,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.019906882921295666,"score_gpt":0.26526092115791966,"score_spread":0.245354038236624,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1809937325","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00043866807,0.8518979,0.0011926236,0.025315382,0.00695426,0.00003041219,0.0007372796,0.00022008593,0.11321346],"genre_scores_gemma":[0.012144903,0.39826307,0.0019158716,0.0032580534,0.0025092172,0.000111245914,0.00068910565,0.00047763163,0.5806309],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907076,0.00019760235,0.000071621995,0.00020487557,0.00036933884,0.00008577903],"domain_scores_gemma":[0.9989008,0.00036066098,0.000122062054,0.000056549245,0.00040947733,0.00015046356],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010184379,0.002218863,0.0012154585,0.0029416378,0.0026920598,0.0045240982,0.001250241,0.0029926568,0.19754925],"category_scores_gemma":[0.0031134805,0.0010523825,0.00043173274,0.004371897,0.0019378683,0.007156196,0.0023244072,0.0037852596,0.10855867],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003600495,0.00000718441,0.00015104939,0.0006477564,0.0000061082715,0.0000996473,0.0017067475,0.000051329025,0.00017447582,0.012241946,0.8778001,0.10707773],"study_design_scores_gemma":[0.000002261719,0.0000045847987,0.00046780985,0.0005511571,0.0000018079485,0.00011918353,0.00075425726,0.000009352428,0.000041826344,0.0010245375,0.997018,0.0000052428704],"about_ca_topic_score_codex":0.047155105,"about_ca_topic_score_gemma":0.09181038,"teacher_disagreement_score":0.19754925,"about_ca_system_score_codex":0.0055421116,"about_ca_system_score_gemma":0.0031965312,"threshold_uncertainty_score":0.66086805},"labels":[],"label_agreement":null},{"id":"W1856777416","doi":"10.7202/1030869ar","title":"Marcel Dupré's “Dark Years”: Unveiling His Occupation-Period Concertizing","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pride; Period (music); German; Conscience; Adversary; History; Musical; Government (linguistics); Ancient history; Art history; Art; Political science; Literature; Law; Aesthetics; Philosophy; Archaeology","score_opus":0.06400414548649239,"score_gpt":0.24187431780802973,"score_spread":0.17787017232153735,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1856777416","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30691952,0.013724982,0.0055785095,0.03444221,0.0015043127,0.000034057484,0.000114334514,0.00013238912,0.63754964],"genre_scores_gemma":[0.9588291,0.0015982394,0.0007729256,0.0021438736,0.00026369997,0.000011145773,0.000022031978,0.000059774324,0.0362993],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99876875,0.00058071245,0.000022251475,0.00014698064,0.00021141066,0.000269853],"domain_scores_gemma":[0.998988,0.0004184964,0.00011918726,0.0001024652,0.00012356916,0.00024822642],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016818102,0.00037017022,0.0002104213,0.001277792,0.007772967,0.005580288,0.00052091357,0.0011838711,0.0030846759],"category_scores_gemma":[0.0034315474,0.00018180738,0.00012422998,0.00066976075,0.014447873,0.0027948841,0.0025561117,0.0026794204,0.00054870226],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001140552,0.000020405607,0.0024668942,0.00006242889,0.000008310446,0.00079808634,0.39465326,0.00015882651,0.001139542,0.5257878,0.045107,0.02968343],"study_design_scores_gemma":[0.000010405294,0.00004686245,0.005713241,0.00018835564,0.0000071383506,0.0010054715,0.14984185,0.0001983022,0.0007599641,0.020232482,0.8219677,0.00002817315],"about_ca_topic_score_codex":0.024347706,"about_ca_topic_score_gemma":0.059913896,"teacher_disagreement_score":0.9756523,"about_ca_system_score_codex":0.004029878,"about_ca_system_score_gemma":0.0019001502,"threshold_uncertainty_score":0.048411965},"labels":[],"label_agreement":null},{"id":"W1858011775","doi":"10.7202/1030871ar","title":"La Baladodiffusion ou l’écoute comme surgissement du présent","year":2015,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.34670674501412313,"score_gpt":0.3091402100222583,"score_spread":0.03756653499186485,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1858011775","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12842678,0.02637392,0.01467446,0.074913315,0.003242109,0.00005396333,0.00014729958,0.00011232624,0.75205594],"genre_scores_gemma":[0.8487092,0.0058633573,0.0019410633,0.005706871,0.00051577616,0.00005416472,0.000047317397,0.0001145405,0.13704765],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887353,0.0005326578,0.00002782976,0.00017831245,0.00021094705,0.0001766431],"domain_scores_gemma":[0.999087,0.00047410702,0.00009765695,0.000119063196,0.00010903401,0.00011324948],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011218062,0.00045505166,0.00024446903,0.00047988034,0.0050313706,0.006993516,0.0006459299,0.0018966321,0.010203341],"category_scores_gemma":[0.0025439626,0.00016384032,0.00016949688,0.00066351704,0.009485171,0.004776369,0.004029497,0.004464409,0.0012462651],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005899711,0.000019147003,0.0011391443,0.00021018593,0.000005831236,0.00025793834,0.0653999,0.00007006782,0.0015530364,0.89961505,0.007128325,0.024542453],"study_design_scores_gemma":[0.000012980038,0.000039966926,0.0020029522,0.00042836153,0.000009270517,0.0003444244,0.043509256,0.00013519682,0.0011172864,0.044332262,0.90804446,0.000023633369],"about_ca_topic_score_codex":0.008431817,"about_ca_topic_score_gemma":0.02577678,"teacher_disagreement_score":0.010203341,"about_ca_system_score_codex":0.0029144168,"about_ca_system_score_gemma":0.0021814508,"threshold_uncertainty_score":0.034133554},"labels":[],"label_agreement":null},{"id":"W1864641272","doi":"10.7202/1013115ar","title":"Jacotin. 2004. Chansons. Éditées par Frank Dobbins. Centre d’Études Supérieures de la Renaissance, Programme Ricercar. Collection « Épitome musical ». Turnhout: Brepols. xlix, 121 p. ISBN 2-503-51593-2 (couverture souple)","year":2007,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"The Renaissance; Art; Humanities; Art history","score_opus":0.016895890515504986,"score_gpt":0.23221329657553133,"score_spread":0.21531740606002633,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1864641272","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014185731,0.5587424,0.0033491128,0.028851086,0.043928444,0.00016043255,0.007702082,0.0009497437,0.35489807],"genre_scores_gemma":[0.004204793,0.1004487,0.00156769,0.0015808447,0.002627354,0.000104415485,0.002068816,0.0008431831,0.88655424],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998798,0.00012425403,0.00008434263,0.00026763088,0.00064054964,0.000085253785],"domain_scores_gemma":[0.9988016,0.00023828243,0.00008644779,0.000056148623,0.00067908195,0.00013853607],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012627809,0.0020809607,0.0014999543,0.0039523784,0.0019218004,0.0045102723,0.0011648629,0.0015030568,0.24076828],"category_scores_gemma":[0.002990926,0.0008029623,0.0006522167,0.0055496697,0.0009254201,0.0042773047,0.0015973503,0.0028998812,0.14068314],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041292256,0.000008376345,0.00008844724,0.0003876551,0.0000057767484,0.00005599372,0.0002787157,0.00005134432,0.0002520786,0.0027163983,0.9302029,0.06591095],"study_design_scores_gemma":[0.0000025461504,0.0000060939396,0.00050147413,0.00014945767,0.0000019290635,0.00005868026,0.00012376919,0.000009308521,0.00005221221,0.00023842101,0.99885166,0.0000044591698],"about_ca_topic_score_codex":0.04413872,"about_ca_topic_score_gemma":0.086507425,"teacher_disagreement_score":0.24076828,"about_ca_system_score_codex":0.0040308773,"about_ca_system_score_gemma":0.0030802346,"threshold_uncertainty_score":0.80545014},"labels":[],"label_agreement":null},{"id":"W1865725062","doi":"10.7202/1030872ar","title":"Littérature et vocalité chez Xenakis ou comment traiter des abîmes","year":2015,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.067182563323895,"score_gpt":0.28223088500819016,"score_spread":0.21504832168429516,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1865725062","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82463014,0.04666406,0.0065261354,0.013558708,0.0022104778,0.000108249704,0.00030782318,0.00014430395,0.10585004],"genre_scores_gemma":[0.8364173,0.018484319,0.0038122984,0.0033655418,0.0007258181,0.0001510491,0.00017341497,0.00016956542,0.13670075],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992729,0.00028855386,0.00003401735,0.000108557775,0.00022234391,0.00007352044],"domain_scores_gemma":[0.9993363,0.00037984946,0.00007053834,0.000045708108,0.00008151414,0.00008612343],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00094774994,0.00039797078,0.00034534012,0.0005078706,0.00236719,0.0023770707,0.00031172208,0.0013036242,0.00624678],"category_scores_gemma":[0.0024823404,0.00015491027,0.00017003722,0.00041772833,0.003070079,0.001153426,0.0014722828,0.0018551128,0.0013903129],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000554155,0.00027085043,0.028555034,0.0017630485,0.00007220396,0.019532602,0.52771676,0.00040763718,0.056779183,0.050355703,0.020902812,0.29309005],"study_design_scores_gemma":[0.000020576908,0.0005171528,0.058172114,0.001407776,0.00007902384,0.03690888,0.16045688,0.00039811296,0.006201523,0.004689703,0.7310429,0.000105393716],"about_ca_topic_score_codex":0.003783926,"about_ca_topic_score_gemma":0.009070586,"teacher_disagreement_score":0.00624678,"about_ca_system_score_codex":0.0008313856,"about_ca_system_score_gemma":0.0011358871,"threshold_uncertainty_score":0.020897567},"labels":[],"label_agreement":null},{"id":"W1868505409","doi":"10.7202/019300ar","title":"Carl Wilson. 2007. Let’s Talk About Love: A Journey to the End of Taste. New York: Continuum. 164 pp. ISBN 13: 978-0-8264-2788-5 (paperback).","year":2007,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Jungian Analytical Psychology","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Taste; Art history; Philosophy; Humanities; Art; Psychology","score_opus":0.041883748246336554,"score_gpt":0.29998661657163495,"score_spread":0.2581028683252984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1868505409","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012301835,0.5768624,0.0024266609,0.14206007,0.013627012,0.00006580608,0.00088376034,0.00039190697,0.26245227],"genre_scores_gemma":[0.010234817,0.2294673,0.0022330447,0.00897174,0.0017290652,0.0000737948,0.000415559,0.00048975233,0.74638486],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99948835,0.00007516653,0.000032739514,0.00006469929,0.00027354877,0.00006537853],"domain_scores_gemma":[0.9991373,0.00019436613,0.000067701265,0.000025958127,0.00031532432,0.00025947744],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006880554,0.0011910445,0.0004976058,0.0016666523,0.0026404383,0.0037823408,0.0009533173,0.0026303376,0.15278445],"category_scores_gemma":[0.0017353791,0.00054677896,0.0002664395,0.002024495,0.0016388647,0.008815775,0.001930158,0.0031656586,0.08160874],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022680946,0.0000064823666,0.00006517852,0.00018153992,0.0000022433844,0.00003978649,0.0005305424,0.000009997348,0.00012535424,0.004030211,0.9306189,0.06436704],"study_design_scores_gemma":[0.0000033787337,0.000004503576,0.00034868048,0.00028552118,0.0000023516477,0.0000612708,0.0014889132,0.000008147895,0.00006349845,0.002219784,0.9955065,0.0000074816357],"about_ca_topic_score_codex":0.018051019,"about_ca_topic_score_gemma":0.063819945,"teacher_disagreement_score":0.15278445,"about_ca_system_score_codex":0.0029024193,"about_ca_system_score_gemma":0.0026062191,"threshold_uncertainty_score":0.5111149},"labels":[],"label_agreement":null},{"id":"W1871403703","doi":"10.7202/1025559ar","title":"Patrik N. Juslin et John A. Sloboda (éd). 2010 (c2001). Handbook of Music and Emotion : Theory, Research, Applications. Oxford : Oxford University Press. 976 p. ISBN 978-0-19-960496-8, couverture souple","year":2012,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Media studies; Art; Sociology","score_opus":0.046397797364085065,"score_gpt":0.2514263266671529,"score_spread":0.20502852930306786,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1871403703","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003924548,0.9566805,0.0015166344,0.00958287,0.0048250165,0.000024222738,0.0006607537,0.0001284504,0.026189165],"genre_scores_gemma":[0.004126118,0.8900644,0.00345158,0.0020836852,0.0014641654,0.00008037272,0.0008807557,0.0001922425,0.09765671],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992567,0.00010178268,0.00007649307,0.00014050564,0.00037018888,0.000054346405],"domain_scores_gemma":[0.9989384,0.00043190896,0.00012274992,0.00003466232,0.00035294457,0.0001192607],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011906191,0.0015731399,0.0014519271,0.0025083357,0.00094972044,0.0038066127,0.00093391596,0.0018173584,0.05960922],"category_scores_gemma":[0.0026261578,0.0010958705,0.00044014325,0.0039952924,0.0011906828,0.0058502406,0.0017784161,0.0027619686,0.05438759],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049582693,0.000014971156,0.00031023117,0.0019052532,0.000011179244,0.0000719273,0.00081664004,0.000064693624,0.00030865896,0.002253704,0.66898394,0.32520926],"study_design_scores_gemma":[0.000005258159,0.00001397278,0.0016240538,0.0018184931,0.00001082435,0.0003888017,0.0006102941,0.000031691863,0.00012141042,0.0012003492,0.99415946,0.000015329992],"about_ca_topic_score_codex":0.013591244,"about_ca_topic_score_gemma":0.026393453,"teacher_disagreement_score":0.05960922,"about_ca_system_score_codex":0.0018764721,"about_ca_system_score_gemma":0.004595859,"threshold_uncertainty_score":0.1994127},"labels":[],"label_agreement":null},{"id":"W1872106695","doi":"10.7202/1030880ar","title":"Tanya Buchdahl Tintner. 2013. Out of Time: The Vexed Life of Georg Tintner. Waterloo: Wilfrid Laurier University Press, x, 420 pp. ISBN 978-1-55458-938-8","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Philosophy, History, and Historiography","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.018382139619446188,"score_gpt":0.17507330469315663,"score_spread":0.15669116507371045,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1872106695","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001118865,0.7712578,0.0018067537,0.058583166,0.009559021,0.000016866801,0.0005271416,0.00025111492,0.15687932],"genre_scores_gemma":[0.024078827,0.40158373,0.0019561579,0.0056584897,0.002505168,0.000069222035,0.00051530765,0.0005170816,0.56311595],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929297,0.00011336934,0.000043367807,0.00011972236,0.00035975207,0.00007081149],"domain_scores_gemma":[0.999151,0.0003327947,0.00009840816,0.00004649767,0.00024189541,0.00012936916],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008380113,0.001113393,0.0005346763,0.0014619352,0.002184627,0.004165459,0.0008952624,0.00229287,0.067200065],"category_scores_gemma":[0.002439132,0.00066009915,0.00020877736,0.002765077,0.0026546663,0.007675181,0.0020429017,0.0035541756,0.027003728],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044044315,0.000006411237,0.00012250141,0.0003451812,0.0000037162938,0.00010025907,0.0028249978,0.000082542945,0.00018811776,0.03507039,0.82459086,0.136621],"study_design_scores_gemma":[0.000002157442,0.000002746226,0.00028673824,0.00030830188,0.0000019123977,0.000067221874,0.0008160073,0.000014369832,0.000064178195,0.003105077,0.9953243,0.000006968506],"about_ca_topic_score_codex":0.047548283,"about_ca_topic_score_gemma":0.096361,"teacher_disagreement_score":0.9524517,"about_ca_system_score_codex":0.005540593,"about_ca_system_score_gemma":0.0044913874,"threshold_uncertainty_score":0.2248066},"labels":[],"label_agreement":null},{"id":"W1926306389","doi":"10.7202/1032700ar","title":"Seeds for a Mature Compositional Style: An Analysis of Melody, Musical Layers, and Signals in Claude Vivier’s Chants","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Style (visual arts); Musical; Melody; Composition (language); Musical composition; Musical analysis; Literature; Art; Computer science","score_opus":0.05577770755004125,"score_gpt":0.2650944845254179,"score_spread":0.20931677697537665,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1926306389","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92437226,0.0005633648,0.018407365,0.00071252265,0.000043363467,0.000063133804,0.000055191616,0.00007893208,0.05570385],"genre_scores_gemma":[0.9907799,0.0000927036,0.004032926,0.000042279353,0.000011871086,0.000018938848,0.000027664877,0.0000538431,0.004939861],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993517,0.0001536195,0.000019563824,0.00012494193,0.00027836618,0.000071801915],"domain_scores_gemma":[0.99846894,0.0006654602,0.00017180014,0.0001359393,0.00028973323,0.00026812073],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00091974426,0.00023350315,0.00018852673,0.0010699303,0.0018269863,0.0037905355,0.0003399411,0.0004775954,0.0032391315],"category_scores_gemma":[0.0048427065,0.00022645984,0.0001695861,0.00059523206,0.004218063,0.0015996264,0.0017025103,0.0009482593,0.00033876154],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006038388,0.000078673795,0.036615286,0.00026902332,0.00004873627,0.003160373,0.5649185,0.00077577936,0.05937888,0.22040156,0.0019993985,0.11175001],"study_design_scores_gemma":[0.00011613821,0.00075977575,0.36874086,0.00042989646,0.000081249134,0.0038598806,0.28056014,0.006611571,0.015296999,0.12983514,0.19347021,0.00023822152],"about_ca_topic_score_codex":0.0020036108,"about_ca_topic_score_gemma":0.0038611363,"teacher_disagreement_score":0.0037905355,"about_ca_system_score_codex":0.0008645654,"about_ca_system_score_gemma":0.00085393054,"threshold_uncertainty_score":0.010835946},"labels":[],"label_agreement":null},{"id":"W1963962877","doi":"10.7202/1013312ar","title":"Remembering a Dream: The Tragedy of Romantic Memory in the Modulatory Processes of Schubert's Sonata Forms","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dream; Tragedy (event); Romance; Theme (computing); Illusion; Literature; Art; Philosophy; Psychology; Cognitive psychology; Computer science; Neuroscience","score_opus":0.04108172449235054,"score_gpt":0.21980474593383423,"score_spread":0.1787230214414837,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1963962877","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61792266,0.008413297,0.018565446,0.026618931,0.0016022228,0.00005297811,0.00011184886,0.00026048406,0.32645214],"genre_scores_gemma":[0.9900413,0.00080206874,0.0015920502,0.00054436974,0.00009820733,0.000012485579,0.000014987467,0.000041134823,0.006853401],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994629,0.00026712136,0.000011146979,0.00006321695,0.00015186565,0.000043693282],"domain_scores_gemma":[0.9991404,0.00038364457,0.00009949488,0.00014541841,0.00011748612,0.00011363343],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008967005,0.00021404789,0.00016658334,0.00046763106,0.0019780837,0.0026488625,0.00038688575,0.00055975013,0.0020089229],"category_scores_gemma":[0.004459277,0.00013322092,0.00014537963,0.00021161765,0.0071682534,0.0022333378,0.002133041,0.0015099166,0.00028735472],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041246694,0.000057809106,0.0039386423,0.0002586398,0.0000418859,0.0010736826,0.28696686,0.00033735935,0.014563576,0.57450616,0.015596286,0.10224666],"study_design_scores_gemma":[0.00009016223,0.00051475,0.017722653,0.0006861193,0.000100596866,0.003455242,0.21422987,0.0012542732,0.01874886,0.31302726,0.42998728,0.00018300589],"about_ca_topic_score_codex":0.0024669056,"about_ca_topic_score_gemma":0.0042111645,"teacher_disagreement_score":0.0026488625,"about_ca_system_score_codex":0.0006775897,"about_ca_system_score_gemma":0.0008615395,"threshold_uncertainty_score":0.0067204833},"labels":[],"label_agreement":null},{"id":"W1965743445","doi":"10.7202/039113ar","title":"The Gregorian Institute of Canada: Traditions in Western Plainchant","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Archaeology","score_opus":0.024269352792518545,"score_gpt":0.18830695595125707,"score_spread":0.16403760315873853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1965743445","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2995557,0.06881411,0.0007549734,0.0654478,0.0010371514,0.00015904699,0.0018007053,0.00014737752,0.5622831],"genre_scores_gemma":[0.6509286,0.021320548,0.0019160582,0.0031075112,0.00015217731,0.00008836136,0.00038342277,0.0001040925,0.32199922],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931014,0.00007407299,0.00001734832,0.000066528155,0.00021331462,0.0003184635],"domain_scores_gemma":[0.9991291,0.0001028743,0.000058158857,0.00002716832,0.00030322638,0.00037953752],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000522191,0.00030585472,0.00028805088,0.0023682772,0.02433435,0.0062260614,0.00086838385,0.0012742068,0.021465238],"category_scores_gemma":[0.0011413612,0.0002720895,0.00012110401,0.0064001023,0.006341355,0.001746185,0.0034052446,0.0015577066,0.0007750863],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017478385,0.00006954852,0.026968481,0.00078207033,0.000032057327,0.0029788485,0.29350656,0.00022387669,0.002085519,0.2751511,0.20277557,0.19525166],"study_design_scores_gemma":[0.000010737207,0.000010412398,0.07466451,0.0005080844,0.000016824073,0.00034878528,0.12745601,0.00007358867,0.0002733241,0.0047186147,0.79188776,0.00003147467],"about_ca_topic_score_codex":0.9804134,"about_ca_topic_score_gemma":0.99697924,"teacher_disagreement_score":0.04418149,"about_ca_system_score_codex":0.04418149,"about_ca_system_score_gemma":0.10496105,"threshold_uncertainty_score":0.32056063},"labels":[],"label_agreement":null},{"id":"W1967640243","doi":"10.7202/1006379ar","title":"Hybridization and the Creation of “Third Spaces”: an Analysis of Two Works by Tomás Gubitsch","year":2011,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Popularity; Phenomenon; Period (music); Musical; Performance art; History; First world war; World War II; Art history; Art; Visual arts; Literature; Humanities; Aesthetics; Political science; Epistemology; Philosophy; Law","score_opus":0.026119116273489982,"score_gpt":0.20816587110920548,"score_spread":0.1820467548357155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1967640243","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63551474,0.010527148,0.0030860414,0.006737272,0.0005616701,0.00008405281,0.000073822295,0.0000761385,0.34333915],"genre_scores_gemma":[0.97624296,0.0017177769,0.0008525524,0.00036580957,0.000105877414,0.00004366844,0.00003120899,0.00006236036,0.02057765],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99863154,0.00072083675,0.000026640695,0.00014979142,0.00026361746,0.00020759464],"domain_scores_gemma":[0.9992748,0.00041822527,0.000076135504,0.000054493696,0.00006337236,0.000113035414],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001091804,0.00060140673,0.0003945316,0.0021623208,0.014238512,0.0057434896,0.0006300119,0.001235286,0.004375003],"category_scores_gemma":[0.0017849853,0.00018861069,0.00026905967,0.0023308995,0.014754716,0.002852457,0.004483146,0.001981752,0.0003970204],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010812557,0.000021709671,0.0012343896,0.00012413232,0.000009268607,0.0018661681,0.84904134,0.00011901473,0.0009217318,0.12370409,0.00491092,0.017939165],"study_design_scores_gemma":[0.000020061916,0.00009937258,0.009509788,0.0004008752,0.000021012322,0.0020481038,0.6298707,0.00027478393,0.00086395326,0.012975057,0.34387344,0.000042873147],"about_ca_topic_score_codex":0.017085623,"about_ca_topic_score_gemma":0.037867017,"teacher_disagreement_score":0.017085623,"about_ca_system_score_codex":0.0064185862,"about_ca_system_score_gemma":0.0017414188,"threshold_uncertainty_score":0.0465703},"labels":[],"label_agreement":null},{"id":"W1968323833","doi":"10.7202/1013311ar","title":"\"We Shall Be Better Canadians by Being Conscious Jews\": Multiculturalism and the Construction of Canadian Identity in the Toronto Jewish Folk Choir","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Choir; Multiculturalism; Mainstream; Identity (music); Cultural assimilation; Ethnic group; Gender studies; Judaism; Rhetoric; Musical; Politics; Jewish identity; Sociology; Cultural identity; Religious studies; History; Political science; Aesthetics; Literature; Art; Anthropology; Law; Pedagogy; Social science; Theology; Philosophy","score_opus":0.020426038664220488,"score_gpt":0.20682386122464286,"score_spread":0.18639782256042237,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1968323833","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64739376,0.0043308255,0.0012101459,0.029951585,0.0005085579,0.000043596672,0.00012308263,0.000043035732,0.3163954],"genre_scores_gemma":[0.9891521,0.0006653831,0.00031164265,0.0008695037,0.000025066267,0.0000057358848,0.000017520599,0.000017612438,0.008935344],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9978035,0.0005420026,0.000036235706,0.00019291745,0.00055403524,0.0008712263],"domain_scores_gemma":[0.9984149,0.00035614037,0.00011646385,0.000065690416,0.0005873003,0.00045948345],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023177457,0.00051120453,0.00029340305,0.0016994242,0.045860223,0.009643411,0.0010931361,0.0015097627,0.0035167783],"category_scores_gemma":[0.0026768479,0.00030504222,0.00030952648,0.001894274,0.03201053,0.0020268634,0.0041475,0.0024967242,0.00023245333],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004953984,0.000011202856,0.004883743,0.00004911974,0.000011212347,0.00053047726,0.8811815,0.000078154226,0.0005540657,0.091774695,0.008318638,0.012557713],"study_design_scores_gemma":[0.000010041083,0.0000163491,0.011698614,0.00017478684,0.000030923762,0.00025093136,0.8344896,0.00012148189,0.00035516484,0.0033081288,0.14947858,0.00006544132],"about_ca_topic_score_codex":0.98369825,"about_ca_topic_score_gemma":0.9925327,"teacher_disagreement_score":0.0675303,"about_ca_system_score_codex":0.0675303,"about_ca_system_score_gemma":0.0662952,"threshold_uncertainty_score":0.4899689},"labels":[],"label_agreement":null},{"id":"W1969826315","doi":"10.7202/1018582ar","title":"Proposition d’un cadre conceptuel pour aider le professeur d’instrument à intégrer l’improvisation musicale à son acte pédagogique","year":2013,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Improvisation; Humanities; Art; Philosophy; Visual arts","score_opus":0.04237173583166192,"score_gpt":0.22709848206442323,"score_spread":0.1847267462327613,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1969826315","genre_codex":"methods","genre_gemma":"methods","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"methods","genre_consensus":"methods","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030111335,0.0037234263,0.79625297,0.008403908,0.001160345,0.0014131818,0.0005739087,0.0009893813,0.1573715],"genre_scores_gemma":[0.2778516,0.004659823,0.66039324,0.0016647205,0.00027446248,0.0021224346,0.0010131678,0.0004574643,0.05156309],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99496365,0.0018594455,0.00030489813,0.0008183828,0.0017697663,0.00028381523],"domain_scores_gemma":[0.98924285,0.0058060233,0.00062163605,0.0007968127,0.0030142646,0.00051853916],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005968184,0.0016445051,0.00067298877,0.0036999793,0.0017776358,0.0072375005,0.0020588846,0.002687419,0.019045029],"category_scores_gemma":[0.014410218,0.0005722345,0.0013413547,0.0018694574,0.005109706,0.010461753,0.003555535,0.003148214,0.0040889084],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009481287,0.00011512669,0.0018987899,0.001310465,0.000044741348,0.00025102278,0.008311469,0.0017778162,0.006212711,0.819519,0.005839102,0.15462507],"study_design_scores_gemma":[0.000094747316,0.00037969108,0.003805693,0.0028139742,0.00018939227,0.0010380103,0.015577767,0.018484723,0.0123460125,0.36218634,0.58288586,0.00019770063],"about_ca_topic_score_codex":0.0047995015,"about_ca_topic_score_gemma":0.005460497,"teacher_disagreement_score":0.019045029,"about_ca_system_score_codex":0.0024844147,"about_ca_system_score_gemma":0.006437614,"threshold_uncertainty_score":0.06371194},"labels":[],"label_agreement":null},{"id":"W1970008077","doi":"10.7202/1013214ar","title":"Le Prisonnier de Luigi Dallapiccola : derrière le politique, le religieux","year":2012,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.020192088733716307,"score_gpt":0.21237277004521915,"score_spread":0.19218068131150284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1970008077","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29280284,0.014680125,0.0013897149,0.049029425,0.0012830001,0.0000974695,0.00024822177,0.00009890299,0.6403703],"genre_scores_gemma":[0.7544738,0.0019679847,0.00042104645,0.0021055997,0.00025609045,0.00007235925,0.000066925386,0.000053319065,0.2405829],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99963486,0.00009296725,0.000004909532,0.0000643176,0.00005369096,0.00014926292],"domain_scores_gemma":[0.9997013,0.000048790633,0.00004408665,0.000028767512,0.000037906833,0.0001390905],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004222478,0.00037141962,0.00020244035,0.0004965658,0.0077797417,0.0040754043,0.0005907791,0.0011384999,0.015027263],"category_scores_gemma":[0.00086030865,0.00019819307,0.00014840256,0.00045267216,0.007147203,0.0010311439,0.0023990201,0.002245953,0.0011514977],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033416858,0.0000604301,0.007335881,0.00027848815,0.000017027902,0.0018713998,0.1773151,0.0002906412,0.0022167214,0.67149013,0.08309773,0.05569226],"study_design_scores_gemma":[0.000020822958,0.0000482138,0.018613623,0.00033279654,0.00000876438,0.00028855234,0.03499965,0.00008758778,0.00039435423,0.0048020696,0.94037557,0.000027943843],"about_ca_topic_score_codex":0.15758161,"about_ca_topic_score_gemma":0.3419131,"teacher_disagreement_score":0.15758161,"about_ca_system_score_codex":0.011207077,"about_ca_system_score_gemma":0.0054331264,"threshold_uncertainty_score":0.3133288},"labels":[],"label_agreement":null},{"id":"W1970209212","doi":"10.7202/1025554ar","title":"Où (en) est (l’étude de) la musique (au cinéma ?) du film ?","year":2014,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.009802295167929194,"score_gpt":0.19544471759195933,"score_spread":0.18564242242403015,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1970209212","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.058298323,0.026589466,0.018517798,0.09549318,0.0033581802,0.00006891718,0.00023179698,0.000107933854,0.79733443],"genre_scores_gemma":[0.8687669,0.019435959,0.0049035847,0.010298203,0.002135702,0.00013588533,0.00013363785,0.0001914504,0.09399868],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99619955,0.0021507905,0.00009565091,0.0006673776,0.0004947874,0.0003919657],"domain_scores_gemma":[0.99662566,0.0012647499,0.00041849678,0.00040040474,0.0008309823,0.00045981273],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003770748,0.00044688155,0.00037768797,0.0010919289,0.004418439,0.013040396,0.0011262444,0.0029685518,0.014709472],"category_scores_gemma":[0.008199535,0.00029475024,0.000330148,0.0010878599,0.019114565,0.014101027,0.003191454,0.003441785,0.0019365187],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004896071,0.000029379715,0.0019384559,0.00035262838,0.0000203934,0.00022888773,0.10946605,0.000078327976,0.0009648022,0.831071,0.016566647,0.039234404],"study_design_scores_gemma":[0.000020337393,0.000065447995,0.007836611,0.0011116539,0.00002546491,0.0007410966,0.119561024,0.00031282642,0.0009797404,0.116703995,0.7525925,0.000049361908],"about_ca_topic_score_codex":0.013645421,"about_ca_topic_score_gemma":0.010408515,"teacher_disagreement_score":0.014709472,"about_ca_system_score_codex":0.0045487536,"about_ca_system_score_gemma":0.0023776724,"threshold_uncertainty_score":0.049208105},"labels":[],"label_agreement":null},{"id":"W1972563577","doi":"10.7202/029955ar","title":"Interpreting Gesture as Motive: A Transformational Perspective on Replication in R. Murray Schafer’s Seventh String Quartet1","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"National Institute of Environmental Research","keywords":"Transformational leadership; Terminology; Gesture; Perspective (graphical); String (physics); Set (abstract data type); Replication (statistics); Musical; Linguistics; Computer science; Cognitive science; Psychology; Artificial intelligence; Literature; Art; Philosophy; Mathematics; Social psychology; Programming language; Theoretical physics; Physics","score_opus":0.03017703555031185,"score_gpt":0.3010000173832458,"score_spread":0.2708229818329339,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1972563577","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20891276,0.005062322,0.23962209,0.06729124,0.0014591888,0.00014475358,0.000138317,0.00027562742,0.47709367],"genre_scores_gemma":[0.96511847,0.00073186075,0.020691754,0.0008504887,0.00016244187,0.00010282334,0.00003779277,0.00014828549,0.012156106],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9961576,0.0023376816,0.00011214078,0.0006683852,0.0005080918,0.00021618094],"domain_scores_gemma":[0.99528694,0.0027377252,0.0003529599,0.0009888696,0.00043889703,0.00019459467],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0058653248,0.0005947574,0.0004738834,0.0018860006,0.0047930037,0.0049745576,0.001861606,0.0019017734,0.004566311],"category_scores_gemma":[0.013229668,0.00036411957,0.00058718526,0.0013991565,0.035064038,0.015788533,0.004954766,0.0025021394,0.00053269544],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018975854,0.00000950599,0.00045442846,0.000034986413,0.000006269525,0.00017770448,0.03188706,0.00035217043,0.00021839,0.9555242,0.0010860289,0.010230333],"study_design_scores_gemma":[0.0000128794545,0.000018249564,0.0008712062,0.00007652713,0.0000077748455,0.0002264593,0.012022634,0.0020699238,0.00037044645,0.94287586,0.041422527,0.000025543502],"about_ca_topic_score_codex":0.0030345311,"about_ca_topic_score_gemma":0.0047146063,"teacher_disagreement_score":0.0058653248,"about_ca_system_score_codex":0.0028263452,"about_ca_system_score_gemma":0.0014929575,"threshold_uncertainty_score":0.031019151},"labels":[],"label_agreement":null},{"id":"W1973419492","doi":"10.7202/1025557ar","title":"De l’orchestre À la machine","year":2014,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Star trek; Literature","score_opus":0.031915171249340964,"score_gpt":0.25609531879093084,"score_spread":0.22418014754158988,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1973419492","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03375773,0.0041701337,0.10262936,0.008186904,0.0033430946,0.000096535936,0.0003291957,0.0022712906,0.8452156],"genre_scores_gemma":[0.36068672,0.0034684045,0.05011965,0.001543937,0.0015683072,0.00011249565,0.00039681428,0.0009748676,0.5811289],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993297,0.00015117397,0.000016058142,0.00016561653,0.00026329252,0.00007418536],"domain_scores_gemma":[0.9994862,0.00018434678,0.000021775542,0.00012587481,0.00010169524,0.000080006015],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009495911,0.00061649457,0.00025800592,0.00066806056,0.002367411,0.0044806423,0.00064085267,0.001283399,0.0552838],"category_scores_gemma":[0.0026345907,0.00027376553,0.00043825613,0.0004962686,0.0037872903,0.0028940125,0.002234489,0.0017901746,0.009628163],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034920246,0.000033536307,0.0017244813,0.000374676,0.00003337041,0.0006665647,0.01220367,0.0025980403,0.0218077,0.5886272,0.082306035,0.2892755],"study_design_scores_gemma":[0.0000153349,0.000043571225,0.0012637932,0.00010381185,0.000005859368,0.00031995183,0.0015004525,0.0018476723,0.0021712685,0.011314279,0.9813949,0.00001931622],"about_ca_topic_score_codex":0.010361941,"about_ca_topic_score_gemma":0.012235113,"teacher_disagreement_score":0.0552838,"about_ca_system_score_codex":0.001449444,"about_ca_system_score_gemma":0.0014902331,"threshold_uncertainty_score":0.18494272},"labels":[],"label_agreement":null},{"id":"W1974064083","doi":"10.7202/029953ar","title":"The Tristan Chord Resolved","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":38,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Chord (peer-to-peer); Art history; History; Philosophy; Computer science","score_opus":0.030426160935937495,"score_gpt":0.2185159794521313,"score_spread":0.1880898185161938,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1974064083","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026437053,0.0043923096,0.028981084,0.0060884887,0.0025472818,0.00003893364,0.00018135141,0.000116608535,0.93121696],"genre_scores_gemma":[0.8402437,0.0028457078,0.009007176,0.0023690609,0.0011441351,0.00007119604,0.0002115414,0.0003496987,0.14375785],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99903935,0.0002736755,0.00003444063,0.0002612207,0.00023770335,0.00015356198],"domain_scores_gemma":[0.99936026,0.00018083685,0.00005764315,0.00012464893,0.00020535517,0.000071237104],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009570468,0.00060548104,0.00029013096,0.0012744501,0.0034558023,0.0041630445,0.0009024712,0.0010592131,0.018399514],"category_scores_gemma":[0.004040955,0.00016159478,0.00039458444,0.0010337334,0.008409275,0.005680297,0.0031319163,0.0037115507,0.0022557804],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000124103135,0.0000015455545,0.000040565148,0.000010015427,0.000001380862,0.000018639683,0.0008499355,0.00002552373,0.00005940249,0.99406403,0.001820814,0.0030957202],"study_design_scores_gemma":[0.000014909501,0.000032136533,0.0003154223,0.00009217466,0.0000091843995,0.00018135813,0.002941031,0.00050280447,0.0006495235,0.6977685,0.29747298,0.000019943602],"about_ca_topic_score_codex":0.003519319,"about_ca_topic_score_gemma":0.005923419,"teacher_disagreement_score":0.018399514,"about_ca_system_score_codex":0.0036994764,"about_ca_system_score_gemma":0.0020688854,"threshold_uncertainty_score":0.061552465},"labels":[],"label_agreement":null},{"id":"W1975821986","doi":"10.7202/1013241ar","title":"\"A Confusion of Glory\": Orthodox Visitors as Sources for Muscovite Musical Practice (Late 16th-mid 17th century)","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Glory; Archbishop; Poetry; History; Narrative; Literature; Period (music); Confusion; Memoir; Singing; Classics; Ancient history; Art; Psychology","score_opus":0.03285763598396737,"score_gpt":0.33218286187027246,"score_spread":0.2993252258863051,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1975821986","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9199135,0.004188025,0.00031106273,0.0028817272,0.00015271423,0.000014787735,0.000028696642,0.000015440559,0.072494045],"genre_scores_gemma":[0.9953365,0.00065169105,0.000076753444,0.00015969126,0.000032194428,0.0000047859908,0.000007632508,0.000011739134,0.003719128],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998376,0.000878234,0.000047294154,0.00014252277,0.0002232996,0.00033268883],"domain_scores_gemma":[0.9991635,0.00038740382,0.00015508616,0.00005558758,0.00007247388,0.00016603856],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026783722,0.0003127267,0.00042754973,0.0019065266,0.011799741,0.007407725,0.0006585942,0.0015965899,0.0027599155],"category_scores_gemma":[0.002701893,0.00034172562,0.00012462045,0.0015339069,0.017627833,0.0031333684,0.006968126,0.002209482,0.0002489461],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002359212,0.0000045777174,0.0025353413,0.000027858263,0.0000024717363,0.0006130218,0.96349496,0.0000069380617,0.00028029605,0.027829386,0.00071745965,0.004464135],"study_design_scores_gemma":[0.000012485998,0.000049500253,0.013224828,0.00031221577,0.000007837831,0.0012916367,0.86787724,0.00003819411,0.00025222325,0.0021280611,0.11478913,0.000016703667],"about_ca_topic_score_codex":0.013813404,"about_ca_topic_score_gemma":0.032002065,"teacher_disagreement_score":0.013813404,"about_ca_system_score_codex":0.00468146,"about_ca_system_score_gemma":0.0021633736,"threshold_uncertainty_score":0.03396648},"labels":[],"label_agreement":null},{"id":"W1983587658","doi":"10.7202/039107ar","title":"Tom Johnson : le simple du village","year":2010,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.01647922296978264,"score_gpt":0.23012518199842197,"score_spread":0.21364595902863934,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1983587658","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04500586,0.0068732915,0.0034631405,0.07955758,0.0024862615,0.000036896996,0.00013545889,0.00020586539,0.86223555],"genre_scores_gemma":[0.6032276,0.0016390512,0.0009811394,0.0071768314,0.0005797687,0.000041433643,0.000062739375,0.0001486514,0.38614285],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990509,0.00033653196,0.000015042757,0.00017161756,0.00019934715,0.00022656348],"domain_scores_gemma":[0.9996082,0.00007914529,0.000026910551,0.00003530167,0.0000911705,0.00015926597],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005397345,0.00029720546,0.00021761953,0.0005305163,0.009987897,0.0064757345,0.0005807503,0.0017444255,0.018676208],"category_scores_gemma":[0.0015679231,0.00023828688,0.00013092138,0.00052875327,0.009994279,0.004467542,0.0033350952,0.0026984557,0.002300352],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049416536,0.000016105223,0.0008604563,0.000060416685,0.0000039289134,0.00033964607,0.031972095,0.00009897838,0.00029762436,0.8331408,0.11726641,0.015894227],"study_design_scores_gemma":[0.000016159936,0.000025812671,0.0010794842,0.00007865265,0.000003916871,0.00018257159,0.023641054,0.00015784607,0.00016688077,0.06361314,0.9110166,0.000017969625],"about_ca_topic_score_codex":0.030337924,"about_ca_topic_score_gemma":0.08154177,"teacher_disagreement_score":0.030337924,"about_ca_system_score_codex":0.006203693,"about_ca_system_score_gemma":0.0032093371,"threshold_uncertainty_score":0.062478185},"labels":[],"label_agreement":null},{"id":"W1983930278","doi":"10.7202/1013212ar","title":"Un cas de « production ratée » : « The Velvet Underground and Nico », mise en scène phonographique et analyse transphonographique","year":2012,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Physics; Philosophy","score_opus":0.02671707631825535,"score_gpt":0.26821577060193813,"score_spread":0.24149869428368279,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1983930278","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.321901,0.0055648694,0.029315395,0.0111829685,0.000800929,0.00008022021,0.0003413113,0.00013945161,0.6306738],"genre_scores_gemma":[0.9553085,0.0008697613,0.0025884858,0.00033506838,0.00010306792,0.00006372944,0.00009211877,0.00012061231,0.04051868],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985335,0.0007005738,0.000043078137,0.00025451067,0.00027518612,0.0001931768],"domain_scores_gemma":[0.998728,0.00061211234,0.00017993755,0.00020611593,0.00018414721,0.00008971589],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012158417,0.00055889954,0.00032964133,0.0016166992,0.0038979796,0.005457473,0.0010907125,0.0012340554,0.0066057923],"category_scores_gemma":[0.0037170774,0.0002336773,0.00024251868,0.0015599643,0.009534325,0.0041105323,0.0034928636,0.0022033951,0.00058849296],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005765658,0.000006116858,0.0038118255,0.00014306074,0.000007674967,0.0004031938,0.14345214,0.00019443034,0.0012287104,0.8261565,0.002377426,0.022161348],"study_design_scores_gemma":[0.000015232027,0.0000699144,0.017317152,0.0006819438,0.00003593576,0.0010319857,0.21600248,0.001602371,0.0023111051,0.105589144,0.65527236,0.0000704438],"about_ca_topic_score_codex":0.039904226,"about_ca_topic_score_gemma":0.06119897,"teacher_disagreement_score":0.039904226,"about_ca_system_score_codex":0.0062594,"about_ca_system_score_gemma":0.0021694626,"threshold_uncertainty_score":0.079343915},"labels":[],"label_agreement":null},{"id":"W1990690480","doi":"10.7202/1013162ar","title":"La télévision française et les « voix québécoises » populaires : le trompe-l’oeil d’un étiquetage médiatique","year":2012,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.10804451889914225,"score_gpt":0.2771975241614126,"score_spread":0.16915300526227034,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1990690480","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.578188,0.006797273,0.0012272159,0.02642664,0.000393065,0.000031316707,0.0003874815,0.000038629427,0.3865104],"genre_scores_gemma":[0.9309418,0.0019116753,0.00035354716,0.0008865153,0.00006315337,0.000016578577,0.00007136824,0.00003112031,0.06572414],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992999,0.00019536288,0.000010512592,0.00007322071,0.00021817784,0.00020290632],"domain_scores_gemma":[0.9988217,0.00034731,0.00009639471,0.000070016176,0.00039057026,0.0002740217],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00096713845,0.0003994219,0.00018536499,0.0014618336,0.009514335,0.0062966323,0.00043920902,0.0009805448,0.01152853],"category_scores_gemma":[0.0021350333,0.00021300207,0.0001762292,0.00222732,0.007207836,0.0019295829,0.0018483019,0.0016472952,0.00044095062],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037014246,0.000063827385,0.043324634,0.00035842217,0.00007656138,0.0012765921,0.49293163,0.00046859274,0.005513261,0.28152376,0.041287575,0.13280492],"study_design_scores_gemma":[0.000017753886,0.000068740235,0.13774279,0.00051208714,0.000046461915,0.000317311,0.2737425,0.00033610873,0.0010922832,0.0050231633,0.58101064,0.00009020382],"about_ca_topic_score_codex":0.8862369,"about_ca_topic_score_gemma":0.9565079,"teacher_disagreement_score":0.113763094,"about_ca_system_score_codex":0.020280888,"about_ca_system_score_gemma":0.012902709,"threshold_uncertainty_score":0.2288661},"labels":[],"label_agreement":null},{"id":"W1990737715","doi":"10.7202/1013309ar","title":"Finno-Ugric Rune Song Tradition Revisited: A Critical Discourse Analysis of Värttinä's \"Äijö\"","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Consumption (sociology); Popular music; Folk music; Sociology; History; Literature; Linguistics; Art; Philosophy; Social science","score_opus":0.04220953218254619,"score_gpt":0.2517504648127921,"score_spread":0.20954093263024592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1990737715","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8987653,0.0030709228,0.0017192835,0.0028682873,0.00016575496,0.00008001104,0.00006914171,0.000022385564,0.093238935],"genre_scores_gemma":[0.9968779,0.00037933353,0.00030463262,0.00012840301,0.00002724852,0.00002468288,0.000019771573,0.00001012006,0.0022279525],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99810886,0.0009042914,0.00005718672,0.00027330694,0.00031391418,0.0003424015],"domain_scores_gemma":[0.9957902,0.003392716,0.0002570429,0.00010750066,0.00023721356,0.00021550436],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033620463,0.00067289063,0.00049499044,0.003912563,0.016591778,0.01130646,0.0012244718,0.002313159,0.0017713635],"category_scores_gemma":[0.005100808,0.00027936324,0.00026461654,0.003670278,0.025365645,0.005423624,0.003984612,0.0025961983,0.00013226793],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021376765,0.000012309782,0.0008305039,0.00006063682,0.0000025199602,0.00046464318,0.9723332,0.00002097848,0.00041172208,0.022224387,0.0002704389,0.0033473647],"study_design_scores_gemma":[0.0000044543262,0.000017192711,0.002913319,0.0002009293,0.000010756155,0.00022914131,0.97100645,0.0001190486,0.00046143273,0.0026419228,0.022384351,0.000010964181],"about_ca_topic_score_codex":0.027725322,"about_ca_topic_score_gemma":0.053372473,"teacher_disagreement_score":0.027725322,"about_ca_system_score_codex":0.010097385,"about_ca_system_score_gemma":0.006009515,"threshold_uncertainty_score":0.073261976},"labels":[],"label_agreement":null},{"id":"W1991573224","doi":"10.7202/1013246ar","title":"Tonal and Rhythmic-Metric Process in Brahms's Early C-Minor Scherzos","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Piano; Rhythm; Violin; Minor (academic); Piano sonata; Art; Movement (music); Period (music); Communication; Literature; Visual arts; Psychology; Art history; Humanities; Aesthetics","score_opus":0.043909474229650414,"score_gpt":0.2756897826781766,"score_spread":0.2317803084485262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1991573224","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26674646,0.002728036,0.012311711,0.0022760076,0.0003136562,0.000039694463,0.000059394926,0.00013536109,0.7153896],"genre_scores_gemma":[0.9651468,0.00028570043,0.0019503351,0.00015939855,0.000042651183,0.000010323821,0.000021686772,0.000042171287,0.032340866],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9995683,0.000119254226,0.000014115857,0.00010213621,0.00011999507,0.0000762493],"domain_scores_gemma":[0.9998406,0.00006813938,0.00001575915,0.000022388485,0.000029943423,0.00002318894],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00050352054,0.00024534724,0.00016012142,0.0006965986,0.0018422806,0.0022970298,0.0003406605,0.00066970463,0.0028516704],"category_scores_gemma":[0.0018464574,0.00013847601,0.00011412543,0.000364338,0.010248355,0.0014633602,0.0014428166,0.0012179728,0.0005101013],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016357479,0.000013839906,0.000708756,0.00004435423,0.0000033971733,0.000453871,0.070428945,0.0002665018,0.005317904,0.8883704,0.0021788217,0.032049615],"study_design_scores_gemma":[0.000079869955,0.00018664279,0.018306367,0.00024769132,0.000021781116,0.001690681,0.032756798,0.0015707938,0.0072243875,0.2986067,0.6392054,0.000102909326],"about_ca_topic_score_codex":0.01004029,"about_ca_topic_score_gemma":0.022014482,"teacher_disagreement_score":0.01004029,"about_ca_system_score_codex":0.0019151241,"about_ca_system_score_gemma":0.00083389634,"threshold_uncertainty_score":0.019963682},"labels":[],"label_agreement":null},{"id":"W1993280192","doi":"10.7202/1009289ar","title":"Jean Molino et les histoires de la musique : de nouveaux modèles pour les réécritures de l’histoire","year":2012,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.11019578419210244,"score_gpt":0.2852919170658585,"score_spread":0.17509613287375606,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1993280192","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08128529,0.028051613,0.02191556,0.13293451,0.001980493,0.00011548065,0.00023385046,0.00014999908,0.7333332],"genre_scores_gemma":[0.8399264,0.009182505,0.005982469,0.004976313,0.0011463009,0.0001457939,0.00006908234,0.00018480326,0.13838635],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99865806,0.0006769199,0.000025124518,0.00019504534,0.0003351342,0.000109743356],"domain_scores_gemma":[0.99827135,0.001053634,0.00016270932,0.0001285462,0.00024009572,0.00014363429],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020768475,0.00055147795,0.00028634557,0.0018222254,0.0073226015,0.0064526736,0.00085009163,0.0022794183,0.007769681],"category_scores_gemma":[0.0048375158,0.00022640004,0.00023744412,0.0014807965,0.013339317,0.005801924,0.0022295828,0.0026946857,0.00073535205],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005179561,0.000013883653,0.001445069,0.000120531346,0.000007740465,0.00014897238,0.06319922,0.0002493203,0.00042260013,0.9012123,0.011735966,0.021392608],"study_design_scores_gemma":[0.000025750644,0.00003749613,0.004474593,0.00044246324,0.000014961314,0.00022770952,0.03854784,0.0006674417,0.0007658097,0.13804637,0.8167119,0.00003772166],"about_ca_topic_score_codex":0.03346238,"about_ca_topic_score_gemma":0.06367702,"teacher_disagreement_score":0.03346238,"about_ca_system_score_codex":0.0068865004,"about_ca_system_score_gemma":0.0037383314,"threshold_uncertainty_score":0.066535234},"labels":[],"label_agreement":null},{"id":"W1994418130","doi":"10.7202/1009282ar","title":"Clementi’s “Progressive Sonatinas,” Op. 36: Sonata semplice or Mediating Genre between Minuet and Sonata Design?","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"University of Oxford; University of South Carolina","keywords":"Exposition (narrative); Art; Literature; Dimension (graph theory); Mathematics; Pure mathematics","score_opus":0.11468932905424545,"score_gpt":0.27061038536938814,"score_spread":0.1559210563151427,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1994418130","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025924902,0.0045279637,0.04029039,0.013791254,0.0007068284,0.00007587776,0.00008405537,0.0001511429,0.91444755],"genre_scores_gemma":[0.88444895,0.002010964,0.015289523,0.0021549328,0.000425438,0.00015979828,0.00005940338,0.00020400925,0.09524703],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99909306,0.0004091447,0.00002913077,0.00021060261,0.00015536936,0.00010259606],"domain_scores_gemma":[0.9994517,0.00025160424,0.000048800553,0.00009804905,0.000097108335,0.000052709398],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013763104,0.00057914504,0.00021626592,0.0010602989,0.0034779364,0.004272841,0.0007163634,0.0017600198,0.005608776],"category_scores_gemma":[0.0030625635,0.00020720888,0.00037142882,0.00062430394,0.017530274,0.0053503313,0.0018831114,0.0025124194,0.0010654726],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011642078,0.0000028260263,0.00015097662,0.00001453942,0.0000011840891,0.000031756466,0.005325262,0.000036942954,0.00009723032,0.9868024,0.0022713577,0.005253846],"study_design_scores_gemma":[0.000018890554,0.000055438617,0.0017265538,0.0001757816,0.00001216657,0.00043848887,0.0054560346,0.000625722,0.000897996,0.34735745,0.64320487,0.000030539653],"about_ca_topic_score_codex":0.008052277,"about_ca_topic_score_gemma":0.011320097,"teacher_disagreement_score":0.008052277,"about_ca_system_score_codex":0.0038023188,"about_ca_system_score_gemma":0.0014820879,"threshold_uncertainty_score":0.027587831},"labels":[],"label_agreement":null},{"id":"W1995819836","doi":"10.7202/1003497ar","title":"La Pensée de Lévi-Strauss comme objet esthétique","year":2011,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.09341836556448713,"score_gpt":0.27471572951937123,"score_spread":0.1812973639548841,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1995819836","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.102702096,0.0129400855,0.018072352,0.045213617,0.0014678919,0.00004962126,0.00017361427,0.00015088833,0.8192298],"genre_scores_gemma":[0.7853693,0.0031439613,0.0031297004,0.0036704768,0.00040428975,0.00005129459,0.00006615817,0.00015950667,0.2040054],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99749714,0.0010737462,0.00006409333,0.00037930664,0.0006503548,0.0003353624],"domain_scores_gemma":[0.9988135,0.00047162088,0.00013179559,0.00015914663,0.00032668473,0.00009724598],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018911914,0.00069817214,0.00033036683,0.0016776889,0.006485706,0.005500954,0.000865953,0.0024046197,0.0069154343],"category_scores_gemma":[0.0031658043,0.00023530942,0.0004010922,0.0013256188,0.014368852,0.0043300916,0.003569871,0.0042049964,0.0014115779],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013363649,0.0000045111115,0.00046709445,0.000030028148,0.0000046789423,0.000055387824,0.025999501,0.00006644296,0.00026790943,0.958695,0.00505924,0.00933683],"study_design_scores_gemma":[0.000010795968,0.000047846526,0.002732029,0.00028792187,0.000015383843,0.00033261455,0.02122758,0.00043039172,0.0012725019,0.1403281,0.83326876,0.00004607279],"about_ca_topic_score_codex":0.038354613,"about_ca_topic_score_gemma":0.077973045,"teacher_disagreement_score":0.038354613,"about_ca_system_score_codex":0.008335723,"about_ca_system_score_gemma":0.0049286312,"threshold_uncertainty_score":0.07626271},"labels":[],"label_agreement":null},{"id":"W2001329405","doi":"10.7202/1018583ar","title":"The Theory and Practice of Integrating Invertible Counterpoint into Classical Theme-Types","year":2013,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Counterpoint; Theme (computing); Invertible matrix; Epistemology; Linguistics; Literature; Computer science; Mathematics; Philosophy; Sociology; Art; Pure mathematics","score_opus":0.027655432160658175,"score_gpt":0.2723569972112526,"score_spread":0.24470156505059443,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2001329405","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031006824,0.004337927,0.6457819,0.009779311,0.00062713114,0.00014502235,0.00005286015,0.00038972375,0.3078793],"genre_scores_gemma":[0.7763363,0.0019505209,0.20156847,0.0011342863,0.0003037407,0.00031533427,0.000041485026,0.0002883751,0.018061502],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99312055,0.004124187,0.00030355187,0.0011521415,0.0010473453,0.00025217416],"domain_scores_gemma":[0.9913901,0.005469845,0.0004728218,0.002061761,0.00042799933,0.00017751342],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0074702217,0.00084568403,0.00054274756,0.0024376079,0.0028306716,0.0067196116,0.0021618013,0.0027645507,0.0059988964],"category_scores_gemma":[0.016411582,0.00065217726,0.00089136284,0.0015534317,0.057304814,0.015092645,0.0050300006,0.0039407453,0.0011485256],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000650845,0.000003965554,0.00008784497,0.000034247783,0.0000020690015,0.000017472816,0.0032468643,0.0001548451,0.00016930899,0.9896563,0.00023297155,0.006387574],"study_design_scores_gemma":[0.000017715052,0.000027954313,0.00017633195,0.0001551921,0.000007969539,0.00017060764,0.0022239531,0.0013108097,0.0010239189,0.92685544,0.068011925,0.000018175046],"about_ca_topic_score_codex":0.0017647152,"about_ca_topic_score_gemma":0.0015553863,"teacher_disagreement_score":0.0074702217,"about_ca_system_score_codex":0.0032453216,"about_ca_system_score_gemma":0.0025827254,"threshold_uncertainty_score":0.039506793},"labels":[],"label_agreement":null},{"id":"W2003611219","doi":"10.7202/1013305ar","title":"Miniatures and tensions: phenomenological reverberations in and around Kaija Saariaho's Lichtbogen (1985-86)","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Phenomenology (philosophy); Musical; Active listening; Poetics; Art; Visual arts; Literature; Narrative; Art history; Psychology; Philosophy; Communication; Epistemology","score_opus":0.03161724198744164,"score_gpt":0.23613718299180028,"score_spread":0.20451994100435864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2003611219","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9725644,0.0028830532,0.00044922304,0.0011287215,0.00016388975,0.000047018562,0.000057142424,0.000026466916,0.022680067],"genre_scores_gemma":[0.99487793,0.00085851096,0.00011954825,0.00013205328,0.000033154953,0.000028505952,0.000022916409,0.000023399636,0.0039039007],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9982445,0.0009802842,0.0000562863,0.000179325,0.00020211296,0.00033752221],"domain_scores_gemma":[0.9985259,0.0009159484,0.00021426838,0.000070759765,0.0000796394,0.00019349414],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019322819,0.00060909335,0.0007206089,0.0018972452,0.014043119,0.0052150125,0.0012893019,0.0016726364,0.0029368],"category_scores_gemma":[0.0042620236,0.00067587214,0.00038419027,0.0019801906,0.018247092,0.003745269,0.00549198,0.0028296812,0.0003268593],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021981557,0.0000098154715,0.0008175875,0.000037630565,0.0000033284587,0.00048205425,0.99456245,0.000018450157,0.00037764286,0.0013956953,0.00036763676,0.0019057245],"study_design_scores_gemma":[0.0000027946435,0.000027899983,0.007574316,0.000071191105,0.0000054515726,0.00034358384,0.97091115,0.000011174876,0.00011819315,0.0001631361,0.020758463,0.000012804119],"about_ca_topic_score_codex":0.019853067,"about_ca_topic_score_gemma":0.042737354,"teacher_disagreement_score":0.019853067,"about_ca_system_score_codex":0.005158874,"about_ca_system_score_gemma":0.0015552257,"threshold_uncertainty_score":0.039475024},"labels":[],"label_agreement":null},{"id":"W2005045919","doi":"10.7202/1013159ar","title":"Exploration morphologique et sémantique des leitmotive communs à Tristan und Isolde et aux Wesendonck-Lieder de Richard Wagner","year":2012,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.10765885370934836,"score_gpt":0.3321844359989668,"score_spread":0.22452558228961844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2005045919","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55287874,0.0042463345,0.048225787,0.0052312063,0.00044870444,0.00007818036,0.00037197396,0.00025113896,0.3882679],"genre_scores_gemma":[0.9693011,0.00058025564,0.0060193846,0.0001283258,0.000032660522,0.000035094938,0.00011582816,0.00013283819,0.02365439],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99934524,0.00030822033,0.000031354033,0.00012762853,0.000120890436,0.00006664124],"domain_scores_gemma":[0.9992275,0.0004447853,0.000088454224,0.000058599202,0.00013994415,0.000040619096],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00097221404,0.000411853,0.00016751836,0.0014405656,0.0021004635,0.0032286488,0.0003999593,0.0005036444,0.004510041],"category_scores_gemma":[0.0024023603,0.00024428684,0.00018621315,0.0015203572,0.0064547868,0.0031166435,0.0014060021,0.0012548001,0.0004370904],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000110420566,0.000008218255,0.0019288649,0.00010216927,0.000012354368,0.00033300885,0.10800651,0.00021263628,0.0028889093,0.8577727,0.0021865899,0.026437577],"study_design_scores_gemma":[0.00004074031,0.000100420584,0.01324152,0.00042062724,0.000058227713,0.001742366,0.14206278,0.0027077966,0.009869942,0.18096502,0.6486629,0.00012771436],"about_ca_topic_score_codex":0.015258813,"about_ca_topic_score_gemma":0.030959617,"teacher_disagreement_score":0.015258813,"about_ca_system_score_codex":0.0043482096,"about_ca_system_score_gemma":0.0016073762,"threshold_uncertainty_score":0.03154856},"labels":[],"label_agreement":null},{"id":"W2006869815","doi":"10.7202/039109ar","title":"The Apostasy Of George Rochberg","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":17,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Metaphysics; Perception; Musical; Duration (music); Psychology; Conflation; Aesthetics; Epistemology; Philosophy; Literature; Art","score_opus":0.017798973315197704,"score_gpt":0.20183135892889303,"score_spread":0.18403238561369534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2006869815","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0058054286,0.086240314,0.0040136497,0.5561656,0.034334533,0.000019420146,0.000114596296,0.00017880076,0.3131276],"genre_scores_gemma":[0.36618704,0.046063393,0.0039075725,0.193465,0.0343857,0.00007263139,0.00009332621,0.00071885204,0.35510653],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985343,0.00058026897,0.00003357255,0.0002727432,0.00043804134,0.00014109684],"domain_scores_gemma":[0.99853635,0.000778084,0.00007213342,0.0001150069,0.0003232266,0.00017522916],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016623797,0.00043387403,0.0004184836,0.0008672118,0.0036896244,0.0050113257,0.0006465865,0.0025555403,0.006067098],"category_scores_gemma":[0.0074994992,0.00018739566,0.00020229814,0.00061180047,0.0070246696,0.0036554812,0.0020146575,0.007080685,0.0023053545],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003280654,0.000025338386,0.00014484714,0.00004142084,0.0000056449603,0.00014436862,0.0012635053,0.0001278023,0.0001758461,0.49388435,0.48863062,0.01552348],"study_design_scores_gemma":[0.0000062508934,0.000008820967,0.00014379565,0.00011675551,0.0000025728489,0.00012976528,0.0003587266,0.00014490189,0.00010958808,0.06716357,0.9318004,0.000014828997],"about_ca_topic_score_codex":0.0075518102,"about_ca_topic_score_gemma":0.007417422,"teacher_disagreement_score":0.0075518102,"about_ca_system_score_codex":0.0033421954,"about_ca_system_score_gemma":0.002175935,"threshold_uncertainty_score":0.024249434},"labels":[],"label_agreement":null},{"id":"W2007253625","doi":"10.7202/1018578ar","title":"Les chroniques musicales de Léo-Pol Morin — vecteur d’influence pour une réception québécoise de la modernité musicale française","year":2013,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Morin; Medicine","score_opus":0.020050017492830995,"score_gpt":0.26768736326164544,"score_spread":0.24763734576881444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2007253625","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.69208753,0.012127611,0.0014235458,0.010470924,0.0006874626,0.00006914626,0.0002666871,0.000023912748,0.2828431],"genre_scores_gemma":[0.8966157,0.0028347166,0.0003723733,0.00058613054,0.00009320952,0.000026290076,0.00006472704,0.00003038925,0.099376544],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991571,0.00017995203,0.000013964534,0.00009617379,0.00023181498,0.0003211071],"domain_scores_gemma":[0.99913305,0.00015134888,0.00008919908,0.00003258996,0.00034374342,0.0002501283],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012536419,0.0003720295,0.00021039,0.0010534859,0.012059022,0.0032310174,0.00042581093,0.0006564075,0.009108449],"category_scores_gemma":[0.0013261826,0.00024256032,0.00015915347,0.00127348,0.005996651,0.0010964809,0.0020715827,0.0020169434,0.00047988468],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037572393,0.00004503363,0.040104896,0.0003013517,0.000031587242,0.0014581229,0.6760015,0.00023236661,0.004862443,0.13205886,0.023988068,0.12054002],"study_design_scores_gemma":[0.000010605023,0.000056766195,0.11500878,0.0003011577,0.000012342562,0.00029302624,0.15815468,0.00008711536,0.00042764933,0.0011301215,0.7244732,0.00004466389],"about_ca_topic_score_codex":0.8488232,"about_ca_topic_score_gemma":0.95979166,"teacher_disagreement_score":0.15117681,"about_ca_system_score_codex":0.027527694,"about_ca_system_score_gemma":0.016392304,"threshold_uncertainty_score":0.3041342},"labels":[],"label_agreement":null},{"id":"W2007375685","doi":"10.7202/1006375ar","title":"“Give a man a mask and he’ll tell the truth”: Arnold Schoenberg, David Bowie, and the Mask of Pierrot","year":2011,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Musical; Art history; Parallels; Performance art; Character (mathematics); Psychoanalysis; Visual arts; History; Psychology; Engineering","score_opus":0.03546014572405948,"score_gpt":0.1689354814987889,"score_spread":0.13347533577472942,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2007375685","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04468122,0.037454423,0.0035678488,0.5813314,0.004586196,0.000035773337,0.000048851423,0.000101559286,0.32819286],"genre_scores_gemma":[0.8209774,0.01259425,0.002204158,0.04476369,0.002505638,0.000060111714,0.000023478742,0.00015167642,0.1167196],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976605,0.0012947156,0.000038932027,0.00019170126,0.0005506077,0.0002635],"domain_scores_gemma":[0.9986406,0.0007211269,0.0001186709,0.00006338628,0.0001825169,0.00027372467],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017115574,0.00040731716,0.00025349788,0.0006926506,0.013100239,0.0074903797,0.0006856083,0.0027921307,0.0039522974],"category_scores_gemma":[0.005637061,0.00030352734,0.00012591419,0.000550704,0.026479626,0.0067320513,0.0031404647,0.005858533,0.0011049064],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000756367,0.000026607557,0.00045333314,0.00008330898,0.0000064641317,0.00067671016,0.18582866,0.000090256835,0.00059430045,0.51668084,0.272405,0.023078835],"study_design_scores_gemma":[0.000015497446,0.000028007893,0.00054184825,0.00022926935,0.0000041925687,0.00094696943,0.07972196,0.00017602112,0.0003681907,0.049111,0.8688155,0.00004162019],"about_ca_topic_score_codex":0.028358173,"about_ca_topic_score_gemma":0.043250628,"teacher_disagreement_score":0.028358173,"about_ca_system_score_codex":0.0051727565,"about_ca_system_score_gemma":0.0025949047,"threshold_uncertainty_score":0.056386173},"labels":[],"label_agreement":null},{"id":"W2007440681","doi":"10.7202/1025553ar","title":"Centring The Periphery: Local Identity in the Music of Theodore Antoniou and other Twentieth-Century Greek Composers","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"National and Kapodistrian University of Athens","keywords":"Historiography; Argument (complex analysis); Identity (music); Context (archaeology); Literature; History; Art history; Art; Aesthetics; Epistemology; Philosophy; Archaeology","score_opus":0.023884814964249126,"score_gpt":0.20932758658235764,"score_spread":0.18544277161810852,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2007440681","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8359688,0.0035680786,0.0008629959,0.0026523268,0.00014547899,0.000023672,0.000017855346,0.000014538155,0.15674622],"genre_scores_gemma":[0.9896846,0.00060372177,0.00014925358,0.00019386025,0.00003325017,0.000008072505,0.000005802868,0.000013883978,0.009307596],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9988966,0.0004682008,0.00003584991,0.00020468365,0.00018848825,0.00020616292],"domain_scores_gemma":[0.9994186,0.00016058738,0.000115086565,0.000054319506,0.000072543626,0.00017885353],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014274388,0.00037434587,0.0006561818,0.0024096968,0.012332324,0.007199528,0.0007067227,0.0013022728,0.0030438516],"category_scores_gemma":[0.0019433923,0.00018225952,0.00015566884,0.0017764245,0.019927014,0.0035695964,0.006086784,0.0017051647,0.00032617385],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000477761,0.000011237818,0.0019793015,0.00003966611,0.0000036652573,0.00056031265,0.94467336,0.000032670578,0.000752363,0.040852774,0.00076300977,0.010283858],"study_design_scores_gemma":[0.000012445242,0.000055090157,0.014819152,0.00018675422,0.000008820631,0.00088763254,0.88825554,0.00007841795,0.00033096806,0.0073126717,0.088023566,0.000028955237],"about_ca_topic_score_codex":0.020883957,"about_ca_topic_score_gemma":0.050327934,"teacher_disagreement_score":0.979116,"about_ca_system_score_codex":0.0046025803,"about_ca_system_score_gemma":0.0018304513,"threshold_uncertainty_score":0.041524768},"labels":[],"label_agreement":null},{"id":"W2009335269","doi":"10.7202/1013303ar","title":"La réception des productions culturelles rock : étude comparée entre la presse musicale québécoise et française","year":2012,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.02091309446300631,"score_gpt":0.24123652607917592,"score_spread":0.2203234316161696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2009335269","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90729535,0.0017201001,0.00045420212,0.0018701688,0.00008206764,0.000034878547,0.00026879218,0.000010018348,0.08826434],"genre_scores_gemma":[0.9832585,0.00067272055,0.0001393906,0.000116763695,0.00001983903,0.000020584126,0.00007607718,0.000012129784,0.015684046],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9982394,0.00038124068,0.000040598632,0.00020360506,0.0005284882,0.00060664146],"domain_scores_gemma":[0.9973513,0.0008830692,0.0003449415,0.00011090872,0.0008440368,0.000465741],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016987538,0.00047269784,0.00038472388,0.0027797353,0.009964077,0.0059808064,0.00084020494,0.0007175554,0.015050995],"category_scores_gemma":[0.0035546094,0.00025087278,0.00020029287,0.004339845,0.0056769825,0.0013511073,0.0022878272,0.001218477,0.0004584964],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002294073,0.000072603696,0.07459611,0.00035963053,0.00007380698,0.0015216167,0.82636905,0.00023597071,0.0040125526,0.023564689,0.005557166,0.06340742],"study_design_scores_gemma":[0.00001005667,0.000069703754,0.27788016,0.00023988183,0.000027342365,0.00032377796,0.6294665,0.00011483069,0.00051799556,0.0003641217,0.09093678,0.000048952483],"about_ca_topic_score_codex":0.8911325,"about_ca_topic_score_gemma":0.9585048,"teacher_disagreement_score":0.108867526,"about_ca_system_score_codex":0.021534244,"about_ca_system_score_gemma":0.019532016,"threshold_uncertainty_score":0.21901727},"labels":[],"label_agreement":null},{"id":"W2009764364","doi":"10.7202/1018580ar","title":"Le médium mythologique du Rock’n roll et la musique contemporaine","year":2013,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Art history","score_opus":0.019433343020589598,"score_gpt":0.22599120885343704,"score_spread":0.20655786583284744,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2009764364","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06886246,0.005416307,0.004493395,0.010207188,0.0005253423,0.000016860291,0.000060287253,0.00007811131,0.9103401],"genre_scores_gemma":[0.8847328,0.0020052963,0.0010129536,0.0005867868,0.00026117964,0.000028494103,0.000042353815,0.00008572195,0.11124445],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991787,0.00033121192,0.000018110419,0.00012272128,0.0002074813,0.00014170154],"domain_scores_gemma":[0.9995285,0.00024082855,0.00004728494,0.000057757854,0.000044675417,0.00008086017],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00088146585,0.0003993564,0.0002373364,0.0015888868,0.006063471,0.006950496,0.0005640787,0.0010791447,0.012507043],"category_scores_gemma":[0.0016957378,0.00014514278,0.0001782402,0.0012288111,0.0154007375,0.0044530747,0.0029694384,0.002483029,0.00094797305],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034582805,0.0000066781854,0.0005016187,0.00004413807,0.0000037703442,0.00016457755,0.03541129,0.000064256164,0.0003611078,0.94939035,0.004249442,0.009768219],"study_design_scores_gemma":[0.000021797903,0.000054105527,0.0039661895,0.00025927764,0.000011537587,0.0007433982,0.05932704,0.00031290576,0.00060063787,0.11992843,0.8147401,0.000034652512],"about_ca_topic_score_codex":0.019593775,"about_ca_topic_score_gemma":0.03875249,"teacher_disagreement_score":0.019593775,"about_ca_system_score_codex":0.003568272,"about_ca_system_score_gemma":0.0019828735,"threshold_uncertainty_score":0.041840255},"labels":[],"label_agreement":null},{"id":"W2010302627","doi":"10.7202/1013242ar","title":"Music, Drinking and Dance at Aristocratic Russian Weddings under Peter the First as Witnessed by Friedrich Wilhelm von Bergholz","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Cultural Studies of Poland","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reign; Dance; Ceremony; Art; Ancient history; Performance art; History; Classics; Art history; Literature; Archaeology; Law; Political science; Politics","score_opus":0.019158021778162827,"score_gpt":0.19372793440112598,"score_spread":0.17456991262296315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2010302627","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9688371,0.0014989728,0.00012803414,0.00032904456,0.000047287456,0.0000074442687,0.000040552626,0.000007514814,0.029104121],"genre_scores_gemma":[0.99192554,0.00084871467,0.0001041142,0.00003623227,0.000014477996,0.0000033924634,0.000017287453,0.000007985648,0.007042349],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997693,0.00007265245,0.000007469149,0.000038219558,0.000054037493,0.00005839899],"domain_scores_gemma":[0.99991345,0.000024183044,0.000027354414,0.0000069895154,0.0000073302394,0.000020831309],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002796945,0.00018504074,0.00018249133,0.0005916582,0.0023758418,0.0014199641,0.00019110412,0.0003329431,0.0016837463],"category_scores_gemma":[0.0006466068,0.00014550779,0.000078583136,0.00043900913,0.002945961,0.00054737413,0.001413581,0.0007227716,0.0003462541],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00044783694,0.00013736567,0.035715118,0.0003724391,0.00006134668,0.0023217981,0.8107267,0.00026765116,0.013634024,0.03049616,0.0061896257,0.09962994],"study_design_scores_gemma":[0.000017090448,0.00024552026,0.35631457,0.00040463026,0.00003879674,0.0015044415,0.42914775,0.000114560025,0.0030438006,0.0014556004,0.207651,0.00006216077],"about_ca_topic_score_codex":0.010237812,"about_ca_topic_score_gemma":0.037692007,"teacher_disagreement_score":0.010237812,"about_ca_system_score_codex":0.0008511786,"about_ca_system_score_gemma":0.00046162697,"threshold_uncertainty_score":0.020356417},"labels":[],"label_agreement":null},{"id":"W2010835379","doi":"10.7202/1013158ar","title":"Iphigénie à Paris: Positioning Gluck Historically in Early Twentieth-Century France","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Opera; Art; Narrative; Musical; Literature; Art history","score_opus":0.019556918737057755,"score_gpt":0.20380628352416902,"score_spread":0.18424936478711126,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2010835379","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33214772,0.014792681,0.0014317823,0.017945874,0.00063286955,0.000021443546,0.00009277382,0.00014612028,0.6327888],"genre_scores_gemma":[0.9020222,0.0025976498,0.00036404913,0.0015539156,0.00016004687,0.000014381253,0.000034127752,0.00010905061,0.09314451],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985637,0.0005409454,0.000021949842,0.00024687382,0.0002619596,0.00036454177],"domain_scores_gemma":[0.99960357,0.00014695432,0.0000707253,0.000024529856,0.00006775463,0.00008636305],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013983679,0.000473501,0.00029152984,0.0022666652,0.013850798,0.010942467,0.0006682344,0.0023625416,0.008245478],"category_scores_gemma":[0.002354955,0.00025425552,0.00017499978,0.002109476,0.015284436,0.00284838,0.0029709055,0.002958654,0.0008780575],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016039942,0.00003682367,0.004774035,0.00011218944,0.000016205035,0.0024982505,0.3729555,0.0003806535,0.00070736045,0.5481299,0.023526737,0.046701893],"study_design_scores_gemma":[0.000011673755,0.000057813617,0.011379813,0.00032995158,0.000010563773,0.0006163802,0.090691105,0.0001133716,0.00043992896,0.005795599,0.8905017,0.00005199919],"about_ca_topic_score_codex":0.12533809,"about_ca_topic_score_gemma":0.21183634,"teacher_disagreement_score":0.12533809,"about_ca_system_score_codex":0.027353512,"about_ca_system_score_gemma":0.00461742,"threshold_uncertainty_score":0.24921703},"labels":[],"label_agreement":null},{"id":"W2012592097","doi":"10.7202/029957ar","title":"Musiques. Une Encyclopédie pour le XXI siècle. 2007. « 5. L’Unité de la musique », sous la direction de Jean-Jacques Nattiez. Arles-Paris : Actes Sud/Cité de la musique, 1253 p., ISBN 978-2-7427-6974-2 (couverture rigide)","year":2008,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.013396132854605232,"score_gpt":0.22497151474073135,"score_spread":0.21157538188612612,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2012592097","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018659913,0.2801559,0.0038049817,0.009068705,0.010459245,0.00015234709,0.016130093,0.0022982708,0.6760646],"genre_scores_gemma":[0.007394942,0.112070404,0.0054141185,0.0029055555,0.0023884976,0.00023543136,0.01171083,0.0015107989,0.8563694],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990075,0.00014395325,0.00012476271,0.00012304791,0.00049783825,0.000102866485],"domain_scores_gemma":[0.9990841,0.0002726564,0.00009460905,0.00008330862,0.000329679,0.00013570354],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00064591604,0.0018435945,0.0011581442,0.0043500043,0.0013265939,0.0059986464,0.0010969975,0.0015665748,0.26877454],"category_scores_gemma":[0.0022658717,0.00058972626,0.0006422655,0.0065406314,0.0009928317,0.004838611,0.0021330146,0.0025062487,0.14951928],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053506257,0.000018936673,0.00030070418,0.0010069261,0.00001118829,0.00007449338,0.0006232141,0.00009563334,0.0005979062,0.00633809,0.7994277,0.19145173],"study_design_scores_gemma":[0.0000016030748,0.0000052327723,0.0006042745,0.00033316005,0.0000019993865,0.000074712676,0.00015856365,0.00001155075,0.000053777254,0.00041883826,0.9983315,0.000004966371],"about_ca_topic_score_codex":0.014107504,"about_ca_topic_score_gemma":0.03453862,"teacher_disagreement_score":0.26877454,"about_ca_system_score_codex":0.0025337539,"about_ca_system_score_gemma":0.0034054338,"threshold_uncertainty_score":0.8991404},"labels":[],"label_agreement":null},{"id":"W2014232157","doi":"10.7202/1013306ar","title":"Alexander Scriabin's and Igor Stravinsky's Influence upon Early Twentieth-Century Finnish Music: The Octatonic Collection in the Music of Uuno Klami, Aarre Merikanto and Väinö Raitio","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"University of Cambridge; Yale University","keywords":"Movement (music); Art; Style (visual arts); Musical; Literature; Art history; Musical analysis; Tone (literature); Poetry; History; Visual arts; Aesthetics","score_opus":0.024340178784309597,"score_gpt":0.2132939314444283,"score_spread":0.18895375266011868,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2014232157","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51249737,0.033992577,0.0015863009,0.009705844,0.001113072,0.000019896699,0.00007423889,0.000050223727,0.44096044],"genre_scores_gemma":[0.96422267,0.005546863,0.00029667927,0.0005534359,0.00022880167,0.000008740394,0.000024493507,0.00003515325,0.029083114],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99945134,0.00016482486,0.000018438648,0.00008710154,0.00012690821,0.0001514143],"domain_scores_gemma":[0.9997024,0.00014347001,0.000051492556,0.000021727641,0.000032308177,0.000048606034],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010754623,0.0004415544,0.00023924392,0.0012155748,0.0063885874,0.0028583314,0.00044454983,0.000876527,0.0017861301],"category_scores_gemma":[0.0011457206,0.0001644805,0.00017313838,0.00091358076,0.008101432,0.0014090448,0.0029821612,0.0014102485,0.0003944878],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003190809,0.000037093487,0.009802929,0.00036333615,0.000036206755,0.0017912264,0.5047063,0.00041582392,0.0042965985,0.38906083,0.016968112,0.07220242],"study_design_scores_gemma":[0.000029671115,0.00014494838,0.033830244,0.0006113946,0.00004668732,0.0014600896,0.1329565,0.00023202546,0.0024013836,0.023855004,0.8043663,0.00006577466],"about_ca_topic_score_codex":0.012474881,"about_ca_topic_score_gemma":0.032094527,"teacher_disagreement_score":0.012474881,"about_ca_system_score_codex":0.0025205512,"about_ca_system_score_gemma":0.0019087727,"threshold_uncertainty_score":0.024804592},"labels":[],"label_agreement":null},{"id":"W2016381783","doi":"10.7202/1013161ar","title":"Dark Mirrors and Dead Ringers: Music for Suspense Films about Twins","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Narrative; Art; Meaning (existential); Hierarchy; Literature; Art history; Musical instrument; Philosophy; Physics","score_opus":0.06647494334404933,"score_gpt":0.25169659908646447,"score_spread":0.18522165574241514,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2016381783","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59587914,0.0056688385,0.0029912004,0.0065500955,0.0011862483,0.0000744868,0.00014228321,0.00006448656,0.38744318],"genre_scores_gemma":[0.9647322,0.0021500334,0.0014663632,0.0005786427,0.0003403291,0.000034191547,0.00009530053,0.00008411333,0.030518863],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99916565,0.0004005098,0.000021005053,0.00007658763,0.00022777375,0.000108599554],"domain_scores_gemma":[0.99927586,0.0003900576,0.0000679955,0.00005904662,0.00006255467,0.0001445016],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00085939874,0.00038160192,0.00021060275,0.0008985928,0.0063936682,0.0049274345,0.0005646532,0.0006618438,0.00607021],"category_scores_gemma":[0.0040799454,0.00016648014,0.00018078797,0.00068110134,0.0035594043,0.0023061475,0.0033593697,0.001526268,0.00042701064],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00065116,0.00012500744,0.0062448345,0.00036054733,0.000031045056,0.001871099,0.7192946,0.00011643023,0.007651871,0.12676428,0.025794595,0.11109463],"study_design_scores_gemma":[0.00004374073,0.00017581176,0.02094358,0.00041464204,0.000049326132,0.002160112,0.45622563,0.00030929258,0.003737085,0.009368461,0.5065147,0.000057609825],"about_ca_topic_score_codex":0.006360719,"about_ca_topic_score_gemma":0.02458744,"teacher_disagreement_score":0.0063936682,"about_ca_system_score_codex":0.0016857241,"about_ca_system_score_gemma":0.0007221358,"threshold_uncertainty_score":0.020306826},"labels":[],"label_agreement":null},{"id":"W2024355891","doi":"10.7202/1013113ar","title":"Privileging Narratives: Singing, the Polish Tatras, and Canada","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"CARE Canada; Canadian University Music Society","funders":"","keywords":"Narrative; Singing; Homeland; Centrality; Phrase; Diaspora; History; Aesthetics; Literature; Multiculturalism; Space (punctuation); Sociology; Art; Linguistics; Gender studies; Political science; Philosophy; Law; Acoustics","score_opus":0.01948526790801348,"score_gpt":0.181334945100252,"score_spread":0.16184967719223853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2024355891","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8305298,0.0029570071,0.0005188133,0.010292116,0.00009243517,0.00006788898,0.00020466138,0.000036508416,0.15530072],"genre_scores_gemma":[0.9863533,0.0014398806,0.00019890135,0.00050714234,0.0000072335624,0.000024715118,0.000056496476,0.000028572103,0.011383715],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9978065,0.00035460657,0.000070170434,0.00020586234,0.0004784674,0.0010844639],"domain_scores_gemma":[0.99794775,0.0005618273,0.00017491655,0.00007952781,0.00041894804,0.00081699947],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014281438,0.00045408448,0.000530042,0.0022733957,0.038833175,0.01571569,0.0016645043,0.0017745332,0.005457118],"category_scores_gemma":[0.0041120476,0.0004027806,0.00022559975,0.005528638,0.02092484,0.0049938923,0.01030225,0.0036661113,0.00027707356],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007263475,0.000020882211,0.003467559,0.00008103974,0.000010236155,0.0014758877,0.9224594,0.00009401194,0.00046829504,0.05410004,0.0041627935,0.013587298],"study_design_scores_gemma":[0.0000053025688,0.000005793674,0.004142518,0.000077731565,0.0000075518524,0.0001727925,0.93352115,0.00007427575,0.00014664736,0.0022005476,0.05961923,0.000026467775],"about_ca_topic_score_codex":0.95968044,"about_ca_topic_score_gemma":0.9802485,"teacher_disagreement_score":0.058664437,"about_ca_system_score_codex":0.058664437,"about_ca_system_score_gemma":0.080064386,"threshold_uncertainty_score":0.4256423},"labels":[],"label_agreement":null},{"id":"W2025214502","doi":"10.7202/1013228ar","title":"In & Out of the Classroom: Reflections on Identity, Technology, and the Radio Project","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literacy, Media, and Education","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Identity (music); Sociology; Transgressive; Politics; Order (exchange); Identification (biology); Media studies; Pedagogy; Political science; Aesthetics; Law; Art","score_opus":0.07710114618272208,"score_gpt":0.3079898750605981,"score_spread":0.23088872887787604,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2025214502","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63482344,0.0061914977,0.006614705,0.10024688,0.0040612477,0.00028228256,0.00015850973,0.0002258952,0.2473955],"genre_scores_gemma":[0.9326106,0.002881226,0.0013964623,0.007356759,0.00080255436,0.00020970771,0.000037195197,0.0003124129,0.054393083],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.98431456,0.0111882975,0.0002102177,0.0007149265,0.0015253103,0.0020466477],"domain_scores_gemma":[0.9867164,0.008927179,0.000749841,0.00049691915,0.00083724945,0.0022723363],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.011169564,0.0011679282,0.000989758,0.0020177404,0.029432897,0.014372727,0.0027475124,0.0062046074,0.0055506015],"category_scores_gemma":[0.023267161,0.0008176503,0.0006158782,0.0011668795,0.034668226,0.0074509466,0.0123699885,0.02227342,0.0016487899],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003145743,0.00008040854,0.00054809474,0.000055699547,0.000003851069,0.0011229627,0.9720505,0.000046178837,0.0005873842,0.010481652,0.007554426,0.0074374047],"study_design_scores_gemma":[0.00000638282,0.000037601993,0.0005808022,0.00012668676,0.000004708102,0.0004235656,0.89383346,0.000044925433,0.00045038087,0.0012894322,0.10318161,0.000020490615],"about_ca_topic_score_codex":0.012051815,"about_ca_topic_score_gemma":0.020109681,"teacher_disagreement_score":0.029432897,"about_ca_system_score_codex":0.0064562303,"about_ca_system_score_gemma":0.0044013686,"threshold_uncertainty_score":0.059071004},"labels":[],"label_agreement":null},{"id":"W2025295355","doi":"10.7202/1013225ar","title":"Local Logics and the Gendering of Music Technology: A Newfoundland Case Study","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sociology","score_opus":0.03126284176184617,"score_gpt":0.20302971070656217,"score_spread":0.171766868944716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2025295355","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8975434,0.00087164564,0.00044481622,0.0025114266,0.00001970917,0.000046595243,0.00009887297,0.000010387419,0.09845326],"genre_scores_gemma":[0.9826125,0.0006242428,0.00017461916,0.00024336849,0.0000044447825,0.00002891846,0.000028637292,0.000009301017,0.016274001],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9978635,0.00082131446,0.000045546472,0.00015787594,0.00018685118,0.00092496397],"domain_scores_gemma":[0.99761707,0.0013455477,0.0002617886,0.00017042157,0.00022986834,0.00037532186],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0023018892,0.00026886477,0.00033589872,0.0018139991,0.016776435,0.0050645135,0.0012036029,0.0013185856,0.00975364],"category_scores_gemma":[0.0030857804,0.00025405004,0.00022298265,0.0031898436,0.011571046,0.0029462092,0.0045690145,0.0015962002,0.00047284385],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010235691,0.00016148185,0.035490654,0.00013281273,0.000015897063,0.009396284,0.8749527,0.00036219615,0.0006689956,0.043053154,0.0045462362,0.031117197],"study_design_scores_gemma":[0.0000075021385,0.00002617872,0.016688237,0.00016056717,0.000014629675,0.0004742086,0.95518017,0.0001027574,0.00016309481,0.00062155013,0.026546719,0.0000143318875],"about_ca_topic_score_codex":0.87123674,"about_ca_topic_score_gemma":0.9580448,"teacher_disagreement_score":0.98322356,"about_ca_system_score_codex":0.038465504,"about_ca_system_score_gemma":0.014038109,"threshold_uncertainty_score":0.27908802},"labels":[],"label_agreement":null},{"id":"W2026506040","doi":"10.7202/1013244ar","title":"Novák's Lucerna and the Historiographical Problem of \"Czech Modernism\"","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Czech; Modernism (music); Historiography; Anachronism; Folklore; Opera; Literature; Art; History; Art history; Philosophy; Law; Political science; Linguistics; Politics","score_opus":0.028870687679880186,"score_gpt":0.19758143467279438,"score_spread":0.1687107469929142,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2026506040","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19555828,0.01743808,0.0037575979,0.020638207,0.001217478,0.00004910322,0.00015743462,0.00012858499,0.7610553],"genre_scores_gemma":[0.9701764,0.002088066,0.00056922185,0.0008402331,0.000119701406,0.00001548764,0.000033035478,0.000054072334,0.026103761],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99876297,0.00033634677,0.00007701796,0.00025086178,0.00030562608,0.00026723612],"domain_scores_gemma":[0.9996145,0.000114823175,0.00007649558,0.0000704146,0.00006567019,0.00005811368],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016876865,0.00029511578,0.00026381068,0.0014532295,0.005439946,0.006197144,0.0005471509,0.0008056117,0.002204855],"category_scores_gemma":[0.002528837,0.00021689906,0.00019184133,0.0010403508,0.016614744,0.0027728518,0.00354857,0.0029772653,0.00028486727],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000094540075,0.000015867543,0.0013981108,0.00009214807,0.000008403369,0.00024424715,0.022772973,0.00034237455,0.00046491384,0.9460233,0.009127703,0.019415453],"study_design_scores_gemma":[0.00004426693,0.00005755311,0.017678158,0.00033821212,0.000020861817,0.00062659866,0.015218748,0.0006117972,0.0009188195,0.091198444,0.87319744,0.000089024805],"about_ca_topic_score_codex":0.028560923,"about_ca_topic_score_gemma":0.054708555,"teacher_disagreement_score":0.028560923,"about_ca_system_score_codex":0.008511424,"about_ca_system_score_gemma":0.004478048,"threshold_uncertainty_score":0.061755},"labels":[],"label_agreement":null},{"id":"W2026770814","doi":"10.7202/029954ar","title":"Pierre Boulez et le Théâtre de la Cruauté d’Antonin Artaud : De Pelléas à Rituel, in memoriam Bruno Maderna","year":2009,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.015119057413363064,"score_gpt":0.24368659002298163,"score_spread":0.22856753260961857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2026770814","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01705154,0.14222884,0.0030229953,0.50022537,0.023594394,0.000050606868,0.00017641234,0.00010448024,0.3135454],"genre_scores_gemma":[0.4154017,0.044162024,0.001889473,0.05866016,0.009959728,0.00015866294,0.00009505351,0.00043256875,0.4692406],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972983,0.0011758257,0.00004934093,0.00039327613,0.00069774676,0.00038549484],"domain_scores_gemma":[0.9988337,0.0007561009,0.000076211065,0.000046483397,0.00013777659,0.00014973518],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002037398,0.00057531096,0.00050420064,0.0007408748,0.011152876,0.007092844,0.0011263689,0.004229661,0.008002309],"category_scores_gemma":[0.00524318,0.0003993558,0.00035414757,0.00063108857,0.012346625,0.0049853814,0.0031327948,0.008962736,0.0016015811],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022822098,0.000026310581,0.0008656263,0.0003218275,0.000018976083,0.00073145994,0.11585647,0.00015885798,0.0008010527,0.46771207,0.3773111,0.035968013],"study_design_scores_gemma":[0.0000047111553,0.0000059017516,0.00064635446,0.00015586971,0.000002654735,0.00011447016,0.00920979,0.000027534898,0.00018390758,0.005520583,0.98411626,0.000012018877],"about_ca_topic_score_codex":0.100805454,"about_ca_topic_score_gemma":0.21219617,"teacher_disagreement_score":0.100805454,"about_ca_system_score_codex":0.008800055,"about_ca_system_score_gemma":0.0043082745,"threshold_uncertainty_score":0.20043743},"labels":[],"label_agreement":null},{"id":"W2026808825","doi":"10.7202/1006374ar","title":"La musique populaire : vers une économie du don","year":2010,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.021375888617579834,"score_gpt":0.2051404939031842,"score_spread":0.18376460528560437,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2026808825","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08751231,0.094996706,0.010507842,0.246117,0.0029905348,0.000045900695,0.0011619235,0.0001541447,0.5565136],"genre_scores_gemma":[0.7592969,0.036894407,0.0036987318,0.008682241,0.002676256,0.00012324426,0.00030130974,0.00021046126,0.18811648],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99783045,0.00066278473,0.00006344948,0.00029644434,0.00076178747,0.00038509336],"domain_scores_gemma":[0.99821633,0.0008420052,0.00017072652,0.00017043728,0.00034226401,0.00025820197],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021425385,0.0006047722,0.0009446528,0.0030386064,0.0029184683,0.010343541,0.00063881994,0.0027948152,0.021879578],"category_scores_gemma":[0.0071638464,0.00058042683,0.0004278031,0.0046217088,0.0060671302,0.0064872247,0.0031530093,0.004563176,0.0013273048],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058485053,0.00001864902,0.0013386023,0.000074921896,0.000033754746,0.000060651735,0.00056123786,0.00060132786,0.00018596175,0.95844316,0.014895716,0.023727534],"study_design_scores_gemma":[0.000052017524,0.000053774787,0.009431202,0.00075552217,0.00004656839,0.00014744842,0.0033951062,0.0012810675,0.00031668495,0.20532988,0.7791439,0.000046843124],"about_ca_topic_score_codex":0.16098727,"about_ca_topic_score_gemma":0.18464364,"teacher_disagreement_score":0.16098727,"about_ca_system_score_codex":0.018396402,"about_ca_system_score_gemma":0.011014817,"threshold_uncertainty_score":0.32010043},"labels":[],"label_agreement":null},{"id":"W2034261208","doi":"10.7202/1018581ar","title":"Examining a Canadian Jazz Icon: Pitch-Class Hierarchy in Some Representative Examples of Kenny Wheeler","year":2013,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Chord (peer-to-peer); Melody; Jazz; Hierarchy; Class (philosophy); Computer science; Musical; History; Visual arts; Art; Artificial intelligence; Political science; Law","score_opus":0.0632093598468317,"score_gpt":0.2309090899564162,"score_spread":0.1676997301095845,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2034261208","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5861061,0.00226379,0.0048788097,0.0044891383,0.00030406096,0.00013196243,0.00053984293,0.00020852384,0.40107778],"genre_scores_gemma":[0.9389403,0.0011703104,0.00427854,0.0005913122,0.000056821238,0.000028229706,0.0002151942,0.00018304342,0.054536197],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989109,0.00018289966,0.000020090636,0.00016446432,0.00045142756,0.00027020968],"domain_scores_gemma":[0.9992021,0.00019974596,0.00005992133,0.0000509231,0.00024720863,0.00024016514],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00094259763,0.0006007365,0.00035728302,0.0033475747,0.01791528,0.0039775786,0.0009681115,0.0007737391,0.0060448023],"category_scores_gemma":[0.0022230104,0.000215575,0.00024315887,0.0035120107,0.0070085786,0.0010156691,0.0019430869,0.0014255552,0.0006186085],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034857084,0.000065301676,0.015202139,0.00030879633,0.00004341095,0.006347348,0.7116881,0.0005994377,0.013129847,0.12103882,0.04697833,0.08424987],"study_design_scores_gemma":[0.000017121252,0.00006335864,0.07757224,0.0003165451,0.000048287853,0.0023764377,0.37148196,0.0009155864,0.0024488578,0.004365287,0.54024684,0.00014754466],"about_ca_topic_score_codex":0.8665445,"about_ca_topic_score_gemma":0.9755348,"teacher_disagreement_score":0.13345551,"about_ca_system_score_codex":0.01787087,"about_ca_system_score_gemma":0.008851969,"threshold_uncertainty_score":0.26848286},"labels":[],"label_agreement":null},{"id":"W2036410675","doi":"10.7202/1013223ar","title":"In and Out of the Sound Studio","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":30,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Guelph; Queen's University; Memorial University of Newfoundland","funders":"","keywords":"Studio; Invisibility; Sound (geography); Terminology; Ethnography; Sociology; Visual arts; Aesthetics; Computer science; Linguistics; Art; Anthropology; Acoustics; Philosophy; Artificial intelligence","score_opus":0.04671937185781399,"score_gpt":0.21588197369704135,"score_spread":0.16916260183922735,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2036410675","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029530847,0.025165785,0.004771574,0.07665346,0.022423165,0.000058404312,0.00036411115,0.00048993074,0.84054273],"genre_scores_gemma":[0.3844974,0.01875301,0.005073355,0.017712295,0.0065110344,0.000077676785,0.00041740897,0.0012113162,0.56574655],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967559,0.0010271567,0.000085944885,0.00038287792,0.0012580715,0.0004900274],"domain_scores_gemma":[0.9985018,0.000571755,0.00007422024,0.0001306394,0.00034949483,0.00037206226],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015438866,0.0007279814,0.0005735764,0.0017203147,0.019181062,0.014955499,0.0013373921,0.0029850688,0.032424625],"category_scores_gemma":[0.004648248,0.0005026387,0.0005059198,0.0018018408,0.010079504,0.005408149,0.0059778504,0.005131564,0.0040270733],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009351827,0.00004814413,0.0032288323,0.00031755865,0.000022121128,0.0007669613,0.24470723,0.000073455994,0.0013469079,0.16331156,0.44150656,0.14457722],"study_design_scores_gemma":[0.0000011867826,0.000010990248,0.0011835581,0.00010340874,0.0000050332333,0.00018654748,0.038619857,0.000010498185,0.00015832335,0.0020855996,0.95762134,0.000013629445],"about_ca_topic_score_codex":0.10443406,"about_ca_topic_score_gemma":0.32013398,"teacher_disagreement_score":0.10443406,"about_ca_system_score_codex":0.0071012415,"about_ca_system_score_gemma":0.00585501,"threshold_uncertainty_score":0.20765239},"labels":[],"label_agreement":null},{"id":"W2037692586","doi":"10.7202/1013243ar","title":"Great-Rag-Sketches, Source Study for Stravinsky's Piano-Rag-Music","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Improvisation; Art; Piano; Literature; Visual arts; Art history","score_opus":0.03676500885117232,"score_gpt":0.24564561633517498,"score_spread":0.20888060748400267,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2037692586","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3987048,0.0031909682,0.029718662,0.0010818043,0.00034530537,0.00019675151,0.0005719435,0.000729661,0.5654601],"genre_scores_gemma":[0.94121647,0.0008275917,0.005616511,0.000054789773,0.000035925365,0.00003081123,0.00022000782,0.000215235,0.051782727],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99957544,0.00013601965,0.000016314287,0.00007141775,0.00016233111,0.000038457205],"domain_scores_gemma":[0.9991726,0.00053897896,0.00004111862,0.00014761418,0.000051779265,0.000047867903],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005795783,0.00040606645,0.00018903846,0.0017313228,0.0019008169,0.0026948573,0.0005121588,0.00042441583,0.010052265],"category_scores_gemma":[0.0028680665,0.00015878196,0.00019822881,0.0010147798,0.0035402016,0.0016212219,0.0016686312,0.00090873905,0.0010873326],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016461386,0.00007812669,0.0048635504,0.0005691418,0.000032357962,0.0017386773,0.2197728,0.0011138103,0.011559076,0.5966357,0.010342326,0.15312977],"study_design_scores_gemma":[0.000017805014,0.0001677357,0.015648337,0.00030570867,0.000027931086,0.004111893,0.068161495,0.0010403735,0.011599859,0.040563136,0.8583042,0.000051426166],"about_ca_topic_score_codex":0.0013209023,"about_ca_topic_score_gemma":0.0060060034,"teacher_disagreement_score":0.010052265,"about_ca_system_score_codex":0.0009912924,"about_ca_system_score_gemma":0.000577481,"threshold_uncertainty_score":0.033628166},"labels":[],"label_agreement":null},{"id":"W2038724113","doi":"10.7202/1018577ar","title":"The Loosening Role of Polyphony: Texture and Formal Functions in Mozart’s “Haydn” Quartets","year":2013,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":19,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"University of Oxford; University of Cambridge; McGill University","keywords":"MOZART; Polyphony; Contrast (vision); Texture (cosmology); Phrase; Computer science; Art; Cognitive science; Artificial intelligence; Literature; Psychology; Image (mathematics)","score_opus":0.010260440124281577,"score_gpt":0.1735803799264172,"score_spread":0.16331993980213563,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2038724113","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46494117,0.0039468263,0.05314379,0.011069612,0.0005370023,0.000047979804,0.000059163023,0.00027297702,0.46598148],"genre_scores_gemma":[0.98117065,0.00016192957,0.0019563446,0.00020232396,0.000044043958,0.0000094885,0.000007588331,0.00004953181,0.016397927],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99959785,0.00016111386,0.00001633564,0.00007262392,0.00009584046,0.000056261644],"domain_scores_gemma":[0.9997203,0.00012270479,0.00003062998,0.0000622982,0.000039895494,0.000024209035],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000622023,0.00026340174,0.00020766299,0.0004973294,0.0022127905,0.0026995519,0.0002967256,0.0006938117,0.0021771942],"category_scores_gemma":[0.0017491058,0.00014787978,0.00016694334,0.00027988496,0.009330257,0.0019694918,0.0016529362,0.0015126142,0.0002480056],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009061661,0.000010174807,0.0005290999,0.00003947045,0.000004569285,0.00021480751,0.045731567,0.00020999445,0.002241222,0.928483,0.0020189933,0.020426521],"study_design_scores_gemma":[0.00008542861,0.00015731933,0.0059779175,0.00022008357,0.000031291624,0.0009949984,0.024301108,0.0023963125,0.004296309,0.3577084,0.6037691,0.00006176126],"about_ca_topic_score_codex":0.0049738144,"about_ca_topic_score_gemma":0.008543745,"teacher_disagreement_score":0.0049738144,"about_ca_system_score_codex":0.001713019,"about_ca_system_score_gemma":0.00033975186,"threshold_uncertainty_score":0.01242888},"labels":[],"label_agreement":null},{"id":"W2040013036","doi":"10.7202/1013307ar","title":"Northern Ways to Think About Music: Glenn Gould's Idea of North as an Aesthetic Category","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Counterpoint; Musical; Metaphor; Perspective (graphical); Aesthetics; Meaning (existential); Epistemology; Value (mathematics); Sociology; Visual arts; Art; Philosophy; Linguistics; Pedagogy; Computer science","score_opus":0.08574569139242925,"score_gpt":0.22783837639191168,"score_spread":0.1420926849994824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2040013036","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12224355,0.018602997,0.01794766,0.1660141,0.0017047081,0.0000339322,0.000031255036,0.00013180843,0.67329],"genre_scores_gemma":[0.95412827,0.0025743912,0.0043248795,0.009440771,0.00021073286,0.00004105924,0.0000074785266,0.00006856341,0.029203756],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961385,0.0022699554,0.000060615643,0.00029539072,0.0009084048,0.0003271193],"domain_scores_gemma":[0.9979188,0.0013949038,0.00012371999,0.00009788691,0.00020677589,0.0002579112],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035725792,0.0004174367,0.0003651017,0.0017846104,0.011726931,0.0066344664,0.0009339574,0.0026236225,0.0018320855],"category_scores_gemma":[0.004195065,0.0002859467,0.0002863685,0.0012268891,0.047585417,0.007489309,0.004683707,0.005442191,0.00024331892],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002581235,0.000010977604,0.00043963196,0.000051374045,0.000002803696,0.0001815929,0.22090058,0.00019384423,0.00033028968,0.7528595,0.011863902,0.013139758],"study_design_scores_gemma":[0.000010443691,0.000022184677,0.0011794616,0.00034384706,0.0000072599614,0.0006139097,0.12963264,0.00049136434,0.00027288857,0.40981102,0.45755473,0.000060199505],"about_ca_topic_score_codex":0.036939945,"about_ca_topic_score_gemma":0.07860672,"teacher_disagreement_score":0.9630601,"about_ca_system_score_codex":0.010880388,"about_ca_system_score_gemma":0.0048982953,"threshold_uncertainty_score":0.07894319},"labels":[],"label_agreement":null},{"id":"W2041156101","doi":"10.7202/1000042ar","title":"Samba : entre musique, danse et carnaval","year":2010,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Brazilian cultural history and politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.02502434040248755,"score_gpt":0.27437973650112735,"score_spread":0.2493553960986398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2041156101","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3911775,0.054538034,0.0069442494,0.086993955,0.0011940353,0.00006309005,0.00016166778,0.00009111544,0.45883638],"genre_scores_gemma":[0.9777565,0.0032050957,0.0006664051,0.0013999977,0.00007074881,0.000022829228,0.000018964072,0.000023451252,0.016836077],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9991652,0.0004571691,0.0000141731325,0.00009505999,0.00007866409,0.00018979453],"domain_scores_gemma":[0.99946874,0.00025398395,0.000058897214,0.000045594865,0.00007711445,0.000095806885],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011061466,0.00046182706,0.00033901824,0.0016267295,0.009276379,0.0040194574,0.00054407323,0.0012797731,0.0067657153],"category_scores_gemma":[0.0020416297,0.00021651661,0.00015533197,0.0023575008,0.016234888,0.0030531236,0.0031334725,0.002014809,0.0004110603],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006867126,0.000015442158,0.0036975748,0.00018720767,0.000012615213,0.00042686416,0.16136788,0.00009254486,0.0008936095,0.8079302,0.0037230123,0.02158439],"study_design_scores_gemma":[0.000024784753,0.00006729604,0.012760716,0.0006855626,0.000025063231,0.0006366867,0.25912112,0.00022459243,0.00078989234,0.09671039,0.62892264,0.000031232626],"about_ca_topic_score_codex":0.08562288,"about_ca_topic_score_gemma":0.20067832,"teacher_disagreement_score":0.08562288,"about_ca_system_score_codex":0.009995067,"about_ca_system_score_gemma":0.0054607377,"threshold_uncertainty_score":0.17024899},"labels":[],"label_agreement":null},{"id":"W2042329844","doi":"10.7202/1006380ar","title":"Les nouveaux enjeux de la granulation sonore : l’esthétique populaire de l’Intelligent Dance Music (IDM)","year":2011,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.0635105413624917,"score_gpt":0.2663176717369287,"score_spread":0.20280713037443704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2042329844","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29753837,0.07224301,0.09302796,0.030422792,0.0030608287,0.00017904518,0.0004353494,0.0006255307,0.5024671],"genre_scores_gemma":[0.70304877,0.031567983,0.05423008,0.0033194628,0.0015103143,0.00017560943,0.00029906747,0.00040008585,0.2054485],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999079,0.00017901848,0.000035115747,0.00018384914,0.00045721274,0.00006582809],"domain_scores_gemma":[0.9991404,0.00040796088,0.00007161257,0.00012784987,0.00019118845,0.000061085884],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013655208,0.00031541256,0.00029156514,0.00076691195,0.0014651191,0.0034976003,0.00058799115,0.0010060166,0.0052810786],"category_scores_gemma":[0.002461022,0.00028999438,0.0003167475,0.0012379279,0.0033834518,0.0019528638,0.0016412422,0.0012226199,0.001213996],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005565188,0.000092603674,0.004018033,0.001178946,0.000045420897,0.0007664963,0.015659515,0.0032171232,0.053023238,0.45806143,0.018453868,0.44492677],"study_design_scores_gemma":[0.00004781969,0.00020739762,0.010097564,0.0005389349,0.000026307114,0.0008520193,0.004291106,0.0033361325,0.024061786,0.03960681,0.9168594,0.00007480561],"about_ca_topic_score_codex":0.0050186063,"about_ca_topic_score_gemma":0.006427323,"teacher_disagreement_score":0.0052810786,"about_ca_system_score_codex":0.0016535525,"about_ca_system_score_gemma":0.0010325852,"threshold_uncertainty_score":0.017666996},"labels":[],"label_agreement":null},{"id":"W2043899630","doi":"10.7202/1018584ar","title":"Constructing the Monk: Francis Poulenc and the Post-War Context","year":2013,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Autobiographical and Biographical Writing","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"Keele University; McGill University","keywords":"Seriousness; Period (music); Literature; Persona; Counterpoint; History; Biography; Art; Context (archaeology); Art history; Aesthetics; Humanities; Sociology; Law; Political science","score_opus":0.013012649461738881,"score_gpt":0.17269791128489523,"score_spread":0.15968526182315634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2043899630","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49954605,0.02619512,0.0008190912,0.12453329,0.0031190866,0.00003311838,0.00010869989,0.000112969974,0.3455326],"genre_scores_gemma":[0.9605309,0.0023019498,0.00014353062,0.0028244816,0.00031143194,0.00000702142,0.0000145616295,0.00004467982,0.033821423],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99762374,0.0010703842,0.000051756913,0.0002455646,0.00033649156,0.0006721323],"domain_scores_gemma":[0.9981791,0.0006290122,0.00020978022,0.00008627173,0.00030276732,0.00059316173],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020211835,0.00041464923,0.00036626396,0.0014044913,0.029387739,0.010241548,0.0011120717,0.003353721,0.004799192],"category_scores_gemma":[0.0046793655,0.00027765692,0.00011262101,0.0013255482,0.024289213,0.004361997,0.0041423077,0.0046089157,0.0006583337],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010289991,0.000034321587,0.0011439143,0.00007564158,0.000006950439,0.003111656,0.84826297,0.00011299426,0.0005156328,0.10535073,0.028639086,0.012643117],"study_design_scores_gemma":[0.0000060947114,0.00003483809,0.0023783632,0.000227847,0.0000052491514,0.0010141189,0.36009315,0.00007209613,0.00033596906,0.005054038,0.63073176,0.000046505636],"about_ca_topic_score_codex":0.1654638,"about_ca_topic_score_gemma":0.30196318,"teacher_disagreement_score":0.1654638,"about_ca_system_score_codex":0.017996268,"about_ca_system_score_gemma":0.007354938,"threshold_uncertainty_score":0.32900143},"labels":[],"label_agreement":null},{"id":"W2044293026","doi":"10.7202/019292ar","title":"L’impact des politiques institutionnelles sur la création d’opéra au Canada entre 1980 et 2003 : Les cas de Montréal et Toronto1","year":2008,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.04879955075707373,"score_gpt":0.27115711207514,"score_spread":0.22235756131806625,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2044293026","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8898086,0.009627686,0.000635965,0.010191101,0.00015429505,0.00011205105,0.0028345904,0.00007748186,0.086558245],"genre_scores_gemma":[0.9708029,0.0022753503,0.00027269972,0.00029521296,0.000021668271,0.000023711174,0.0005145429,0.000024734429,0.025769198],"study_design_codex":"observational","study_design_gemma":"qualitative","domain_scores_codex":[0.9964026,0.00023359865,0.00006488848,0.00019136755,0.0009608017,0.0021467304],"domain_scores_gemma":[0.9935087,0.0005185701,0.0007883084,0.00014672634,0.001986119,0.003051585],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013101365,0.00054231315,0.00056445785,0.003542953,0.011124326,0.0062324903,0.001616984,0.0008860497,0.012097786],"category_scores_gemma":[0.0037539296,0.00045381603,0.00054669945,0.0074536726,0.0057233637,0.0012592028,0.0033895227,0.0018102395,0.00048509665],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009591924,0.0003230184,0.6217385,0.000707196,0.00032484418,0.003142121,0.056475993,0.005169929,0.002714289,0.11089691,0.046614494,0.15093358],"study_design_scores_gemma":[0.000033346092,0.00005610844,0.855387,0.00021852528,0.000053410895,0.00010836898,0.025010789,0.0005611323,0.0004807714,0.0008260825,0.11718725,0.000077159195],"about_ca_topic_score_codex":0.9978853,"about_ca_topic_score_gemma":0.99937373,"teacher_disagreement_score":0.18446295,"about_ca_system_score_codex":0.18446295,"about_ca_system_score_gemma":0.1665921,"threshold_uncertainty_score":0.94590735},"labels":[],"label_agreement":null},{"id":"W2044293716","doi":"10.7202/1003499ar","title":"Lévi-Strauss, homme de sens et de paradoxe","year":2011,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities; Soul; Art; Theology","score_opus":0.07729589235202333,"score_gpt":0.2448701174797661,"score_spread":0.16757422512774275,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2044293716","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16444984,0.018420627,0.027089154,0.1480305,0.0007497148,0.00005078059,0.00015293735,0.000085152824,0.64097136],"genre_scores_gemma":[0.98283076,0.0022191699,0.002129229,0.0033061781,0.00014674105,0.00004724653,0.00002216473,0.000033546767,0.009265077],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959252,0.0024449374,0.00011525355,0.0005800026,0.0005704281,0.00036412888],"domain_scores_gemma":[0.9968168,0.0021308956,0.00025650286,0.00035808238,0.00029460434,0.00014309218],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0054152017,0.0005273912,0.0007433079,0.0026922238,0.009564475,0.006975987,0.0012978863,0.0032652244,0.0039002541],"category_scores_gemma":[0.006859661,0.00027154447,0.00042308363,0.0028343957,0.055023383,0.011367532,0.006437529,0.0043517207,0.00043545556],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006490142,0.000002918712,0.0002237897,0.000020861711,0.0000030788462,0.000061964776,0.022159558,0.000051264993,0.000029151111,0.9739445,0.00106931,0.0024271547],"study_design_scores_gemma":[0.000009368196,0.000011170338,0.0006693021,0.00014134595,0.00000728134,0.00019764846,0.03235264,0.00019699322,0.00015750097,0.89857835,0.06766235,0.000016085749],"about_ca_topic_score_codex":0.025535036,"about_ca_topic_score_gemma":0.024933916,"teacher_disagreement_score":0.025535036,"about_ca_system_score_codex":0.009209169,"about_ca_system_score_gemma":0.004326863,"threshold_uncertainty_score":0.06681752},"labels":[],"label_agreement":null},{"id":"W2045557117","doi":"10.7202/1000041ar","title":"Enseignement à distance de la musique ou l’e-learning musical","year":2010,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.020830451239672237,"score_gpt":0.2328508162828036,"score_spread":0.21202036504313138,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2045557117","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3588692,0.0030821324,0.08026485,0.009165587,0.00089954294,0.0003649645,0.00016712678,0.0008844367,0.5463021],"genre_scores_gemma":[0.70315844,0.0023832805,0.044085458,0.0010455588,0.00028568602,0.0001335162,0.00019741448,0.00018232886,0.24852827],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.9980599,0.00061990117,0.000075496595,0.0002764175,0.0007321349,0.00023602103],"domain_scores_gemma":[0.9969029,0.0009372106,0.00019222657,0.0006021153,0.00063482096,0.000730642],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021070032,0.00040966843,0.00026062812,0.0007200992,0.0022269737,0.00411808,0.0010618415,0.001551262,0.03303525],"category_scores_gemma":[0.0064819097,0.00015764943,0.0004077884,0.0006130052,0.0020682202,0.0037987514,0.0043034093,0.001569366,0.00629384],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002875658,0.0004855545,0.0070134765,0.00048976525,0.00003432614,0.0011192535,0.053008027,0.000633807,0.023543458,0.06483211,0.012515573,0.83603716],"study_design_scores_gemma":[0.000054471664,0.00068027107,0.02094511,0.00041056518,0.00003687854,0.0016801632,0.043461196,0.0017199136,0.010422306,0.016469764,0.90403944,0.000079844205],"about_ca_topic_score_codex":0.006204952,"about_ca_topic_score_gemma":0.014846127,"teacher_disagreement_score":0.03303525,"about_ca_system_score_codex":0.0012676091,"about_ca_system_score_gemma":0.0021821703,"threshold_uncertainty_score":0.110513926},"labels":[],"label_agreement":null},{"id":"W2046017221","doi":"10.7202/039108ar","title":"Pour une histoire sociale de la musique de George Crumb dans les années 1970","year":2010,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.026004971214381452,"score_gpt":0.229508944591098,"score_spread":0.20350397337671655,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2046017221","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3087812,0.03611238,0.0036516942,0.050855592,0.0015332068,0.00010395588,0.00032369702,0.00008160461,0.5985567],"genre_scores_gemma":[0.83557546,0.0065342267,0.0015308511,0.002508839,0.00017588133,0.00007523294,0.00009394455,0.00005101168,0.1534544],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994593,0.00018842185,0.000010660021,0.0000649266,0.000095555406,0.0001811897],"domain_scores_gemma":[0.99953365,0.00027308075,0.000046159348,0.00002664674,0.000057317528,0.000063168816],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007059937,0.00035858585,0.00016912009,0.0016765591,0.008068537,0.0024392956,0.00047842608,0.002087728,0.0069351136],"category_scores_gemma":[0.0019932988,0.00020221811,0.00019159309,0.0014189923,0.013062649,0.0014948944,0.0021437644,0.003220249,0.00053792767],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008427479,0.0000102332715,0.0022105828,0.00020003668,0.000009242029,0.0010718263,0.42902544,0.0002464335,0.002162,0.5142025,0.025503913,0.025273578],"study_design_scores_gemma":[0.0000053870795,0.000023837261,0.011679168,0.00045836816,0.00000694579,0.00039706347,0.076268725,0.000080490965,0.00060523587,0.010290094,0.90015054,0.000034139925],"about_ca_topic_score_codex":0.3240591,"about_ca_topic_score_gemma":0.53527504,"teacher_disagreement_score":0.3240591,"about_ca_system_score_codex":0.010817361,"about_ca_system_score_gemma":0.00463681,"threshold_uncertainty_score":0.64434576},"labels":[],"label_agreement":null},{"id":"W2048221628","doi":"10.7202/1025556ar","title":"Son organisé, partition sonore, ordre musical : la pensée et la pratique cinématographiques d’Edgard Varèse et de Michel Fano","year":2014,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Art history","score_opus":0.07216637351764527,"score_gpt":0.29615883703805446,"score_spread":0.2239924635204092,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2048221628","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20234126,0.037418798,0.037097972,0.0879858,0.0037176702,0.00008612984,0.00007084874,0.00017616022,0.63110536],"genre_scores_gemma":[0.8192406,0.0068918252,0.0048485515,0.0032630926,0.0007345505,0.00005011968,0.000023547143,0.00009731143,0.16485031],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923325,0.00038294218,0.000010922572,0.00013038919,0.00016345162,0.00007906363],"domain_scores_gemma":[0.9994173,0.00032769874,0.00003381647,0.000031934087,0.00009836954,0.00009083305],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015767614,0.00044904609,0.0002580662,0.00065743277,0.004350721,0.0048202267,0.0004451187,0.0014269304,0.005520606],"category_scores_gemma":[0.0021375725,0.00021161826,0.00017720075,0.00030626325,0.009544715,0.0040772185,0.0017615176,0.0035590003,0.00059176167],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006674005,0.000031385018,0.0006857224,0.00006911513,0.000005504763,0.00036673617,0.17244323,0.00021283924,0.0036565547,0.7621621,0.02339394,0.036906254],"study_design_scores_gemma":[0.000016425158,0.00005967564,0.0014561701,0.00024086832,0.000007042048,0.00076245004,0.043131296,0.0006207312,0.001144136,0.048106663,0.90441066,0.00004390309],"about_ca_topic_score_codex":0.014294378,"about_ca_topic_score_gemma":0.020556081,"teacher_disagreement_score":0.014294378,"about_ca_system_score_codex":0.0032110417,"about_ca_system_score_gemma":0.0016905811,"threshold_uncertainty_score":0.028422356},"labels":[],"label_agreement":null},{"id":"W2057496060","doi":"10.7202/1013227ar","title":"Un entretien avec Diane Labrosse","year":2012,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.11747891826097817,"score_gpt":0.260869121668952,"score_spread":0.14339020340797382,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2057496060","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21820934,0.008616821,0.03825348,0.057026755,0.0071027954,0.00031397006,0.0007460395,0.0010164591,0.66871434],"genre_scores_gemma":[0.34262344,0.0019931542,0.009222099,0.0039242855,0.00061142014,0.00009548518,0.00024332796,0.0006695275,0.64061725],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9963546,0.0009843057,0.000046576235,0.0008484792,0.0011022902,0.00066373317],"domain_scores_gemma":[0.9969367,0.0005342319,0.00014340339,0.00028329907,0.0007452872,0.0013571252],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027869507,0.0009362703,0.00042280706,0.0011677664,0.012245934,0.0065755434,0.001467474,0.002176555,0.029537238],"category_scores_gemma":[0.004270681,0.00059646263,0.0004993125,0.0011986934,0.006450666,0.0037988203,0.0078617,0.0043946286,0.003834042],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008535907,0.00025521772,0.012494862,0.00042436918,0.000053465887,0.008249689,0.33144015,0.001197092,0.023623535,0.22975639,0.19763245,0.19401926],"study_design_scores_gemma":[0.00000994978,0.000068178626,0.0023599076,0.00006724982,0.0000067200676,0.0006972023,0.015749231,0.00014745232,0.0013486115,0.0013341187,0.9781771,0.000034335342],"about_ca_topic_score_codex":0.17624208,"about_ca_topic_score_gemma":0.40137824,"teacher_disagreement_score":0.17624208,"about_ca_system_score_codex":0.009943598,"about_ca_system_score_gemma":0.008731184,"threshold_uncertainty_score":0.35043246},"labels":[],"label_agreement":null},{"id":"W2058662028","doi":"10.7202/1013224ar","title":"Gender, Genre and Electroacoustic Soundmaking Practices","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Posthumanist Ethics and Activism","field":"Social Sciences","cited_by":44,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Electroacoustic music; Context (archaeology); Studio; Categorization; Abstraction; Art; Sociology; Visual arts; Aesthetics; Literature; Linguistics; History; Epistemology; Composition (language); Philosophy; Archaeology","score_opus":0.10592739571019154,"score_gpt":0.3426953440641169,"score_spread":0.23676794835392534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2058662028","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70849943,0.0038952213,0.009624634,0.003907657,0.0003910241,0.000045202334,0.000055701345,0.000043814493,0.27353722],"genre_scores_gemma":[0.9871841,0.00085666135,0.0010641078,0.00017732238,0.000057655117,0.000018501782,0.000010638367,0.00003181511,0.010599127],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9956176,0.0024175735,0.00018236744,0.0003861468,0.0010695254,0.00032679865],"domain_scores_gemma":[0.99433666,0.003764767,0.00058470445,0.00033832062,0.000512955,0.00046266592],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005261184,0.00028721968,0.0002705341,0.0023595395,0.004045648,0.0060855174,0.00055647804,0.000677558,0.005017225],"category_scores_gemma":[0.012110056,0.00018765441,0.00018745697,0.0013156872,0.011077692,0.0030294661,0.0030966087,0.0009842104,0.0004494493],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013417863,0.0000476848,0.022391697,0.00016493884,0.00001598992,0.0009847751,0.6922759,0.00015416922,0.0044368436,0.19373702,0.0018099922,0.08384684],"study_design_scores_gemma":[0.000025009462,0.00013443154,0.042453278,0.00054563914,0.000021904867,0.0019401408,0.66945404,0.00033386998,0.0025070417,0.0841187,0.19840719,0.000058784655],"about_ca_topic_score_codex":0.0019098413,"about_ca_topic_score_gemma":0.0033947134,"teacher_disagreement_score":0.0060855174,"about_ca_system_score_codex":0.001456457,"about_ca_system_score_gemma":0.00083086366,"threshold_uncertainty_score":0.027824104},"labels":[],"label_agreement":null},{"id":"W2059870449","doi":"10.7202/019291ar","title":"Something to Sing About: A Preliminary List of Canadian Staged Dramatic Music Since 1867","year":2008,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Repertoire; Artifact (error); Musical; Scope (computer science); Politics; History; Visual arts; Foundation (evidence); Field (mathematics); Musicology; Literature; Art; Psychology; Political science; Archaeology; Computer science; Law","score_opus":0.050019809375784284,"score_gpt":0.20604259127739344,"score_spread":0.15602278190160915,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2059870449","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14772801,0.040575087,0.0041695493,0.006734945,0.0040511517,0.0009114297,0.056729056,0.00063172093,0.73846906],"genre_scores_gemma":[0.49114728,0.054153323,0.019884102,0.0024708258,0.0013247533,0.0007114482,0.05549645,0.0007420611,0.37406975],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99652416,0.0001488751,0.0001395694,0.00028822126,0.002206868,0.0006923167],"domain_scores_gemma":[0.99563956,0.00033606164,0.00013522716,0.00017879427,0.0031453245,0.00056504965],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015293587,0.001065015,0.0006648362,0.018296702,0.016808586,0.004966744,0.0012457613,0.00079570716,0.026897248],"category_scores_gemma":[0.0043006744,0.0004389133,0.0004943214,0.021786172,0.002665391,0.0012877648,0.0018764605,0.0013724811,0.0042580226],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041479315,0.000055223532,0.018163593,0.0026499713,0.000048176284,0.0015030788,0.068670556,0.00035966298,0.0037893998,0.047571372,0.30326226,0.5535119],"study_design_scores_gemma":[0.0000025787526,0.000020771045,0.030705355,0.0003153308,0.0000181254,0.00026541666,0.0093702385,0.00003099555,0.00036881745,0.0002525053,0.95861524,0.000034613997],"about_ca_topic_score_codex":0.9435688,"about_ca_topic_score_gemma":0.9868858,"teacher_disagreement_score":0.056431174,"about_ca_system_score_codex":0.040852327,"about_ca_system_score_gemma":0.060783293,"threshold_uncertainty_score":0.29640573},"labels":[],"label_agreement":null},{"id":"W2063917837","doi":"10.7202/1000039ar","title":"Aspects de l’ethos musical dans l’antiquité grecque","year":2010,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Classical Antiquity Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Ethos; Philosophy","score_opus":0.033119979209427976,"score_gpt":0.28634404476440406,"score_spread":0.25322406555497606,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2063917837","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12486073,0.01430304,0.015767524,0.022009537,0.0011212782,0.000057149715,0.00009736042,0.000049264254,0.8217342],"genre_scores_gemma":[0.9542319,0.0044712597,0.0023386732,0.0011332069,0.00045287682,0.000041682368,0.00003706985,0.000054769123,0.037238516],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9974026,0.0013753899,0.00009165886,0.0002782937,0.0006385893,0.00021341119],"domain_scores_gemma":[0.99699605,0.0017413845,0.00024670048,0.00033356235,0.0005329122,0.00014929501],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032965387,0.00045215723,0.00037645013,0.0024104638,0.005951162,0.007855774,0.0007672266,0.0021265603,0.0077408287],"category_scores_gemma":[0.005630011,0.0002090409,0.00019363128,0.0025271429,0.016875781,0.0039441814,0.0025211687,0.0031119864,0.00073258363],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037631173,0.000014004128,0.0012785414,0.00014988196,0.000006709694,0.00022798909,0.07934574,0.00006732972,0.00042769205,0.895005,0.0019912443,0.02144827],"study_design_scores_gemma":[0.000032355732,0.00005906406,0.010513479,0.0010985915,0.000019389063,0.0009167528,0.084835336,0.00040969154,0.0009230358,0.18975995,0.7113794,0.000052942465],"about_ca_topic_score_codex":0.011001943,"about_ca_topic_score_gemma":0.022034775,"teacher_disagreement_score":0.011001943,"about_ca_system_score_codex":0.0051476685,"about_ca_system_score_gemma":0.003822564,"threshold_uncertainty_score":0.037349105},"labels":[],"label_agreement":null},{"id":"W2064060300","doi":"10.7202/1003496ar","title":"Lévi-Strauss, brèves réflexions sur ses inspirations, sa démarche et son legs","year":2011,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Emile Durkheim and Sociology","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.11461932742092452,"score_gpt":0.30156793497596857,"score_spread":0.18694860755504406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2064060300","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04999634,0.14635234,0.016321829,0.29726312,0.0029209214,0.000047217298,0.00017607062,0.0001583597,0.48676392],"genre_scores_gemma":[0.80175877,0.033321217,0.0057999413,0.016705807,0.0013460169,0.000099714256,0.000079320875,0.00021740541,0.1406718],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960692,0.0021872649,0.000103964696,0.00049806776,0.0008549999,0.00028634348],"domain_scores_gemma":[0.9980411,0.0009515098,0.00017436962,0.00020216295,0.00045774045,0.00017318781],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038429599,0.00077592063,0.00045513842,0.002453992,0.006981496,0.007092777,0.0011942396,0.003474479,0.0048630126],"category_scores_gemma":[0.0051894127,0.00030508413,0.0003817844,0.0019175839,0.02303454,0.006894292,0.0044261566,0.0057603284,0.0017468352],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019523066,0.000008803311,0.00039190566,0.000072033414,0.0000075923745,0.000098757526,0.03602114,0.00009138509,0.0002014365,0.9286158,0.013910696,0.020560877],"study_design_scores_gemma":[0.000007154756,0.000037698584,0.0008835868,0.0005422809,0.0000086727905,0.00029287298,0.020171797,0.00018996587,0.00068622804,0.32181594,0.6553336,0.000030242534],"about_ca_topic_score_codex":0.028730033,"about_ca_topic_score_gemma":0.03743228,"teacher_disagreement_score":0.028730033,"about_ca_system_score_codex":0.010754017,"about_ca_system_score_gemma":0.007456467,"threshold_uncertainty_score":0.078026235},"labels":[],"label_agreement":null},{"id":"W2064209463","doi":"10.7202/039111ar","title":"Music, History, Autonomy, and Presentness: When Composers and Philosophers Cross Swords. Martin Kaltenecker and François Nicolas, eds. 2006. Penser l’oeuvre musicale au XX siècle: avec, sans ou contre l’histoire? Paris: Centre de documentation de la musique contemporaine. 134 pp. ISBN: 2-9516440-9-4 (paper)","year":2009,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Humanities; Art; Philosophy; Art history","score_opus":0.013462913387621032,"score_gpt":0.22412519756480687,"score_spread":0.21066228417718583,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2064209463","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027561614,0.556161,0.0028810902,0.15124865,0.00419104,0.00002996471,0.0001588479,0.0001426924,0.25762513],"genre_scores_gemma":[0.5204795,0.28515738,0.0033656056,0.014032013,0.004680738,0.0001115742,0.00025753403,0.0004576902,0.17145798],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99452126,0.002125881,0.00028925447,0.0007060653,0.0017106958,0.00064680015],"domain_scores_gemma":[0.99504036,0.00314743,0.0004674901,0.00025825974,0.00049323705,0.00059328764],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004633853,0.0009100254,0.0014250855,0.003589106,0.008492066,0.020986801,0.0012487003,0.0044432892,0.022979714],"category_scores_gemma":[0.010384952,0.0010859759,0.000477919,0.007965125,0.021135066,0.024577852,0.008801573,0.005847629,0.0030255974],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014812111,0.000048024154,0.0032513866,0.00076134095,0.000053997992,0.0009150662,0.37663266,0.00012523365,0.00073477556,0.23744194,0.18703347,0.19285405],"study_design_scores_gemma":[0.000012676412,0.00002182069,0.006638834,0.0012294067,0.00002520472,0.0004968676,0.2410759,0.00006682214,0.00024322202,0.06999616,0.68015,0.000043093816],"about_ca_topic_score_codex":0.025263576,"about_ca_topic_score_gemma":0.056900162,"teacher_disagreement_score":0.025263576,"about_ca_system_score_codex":0.009449662,"about_ca_system_score_gemma":0.0055778218,"threshold_uncertainty_score":0.07687479},"labels":[],"label_agreement":null},{"id":"W2065082673","doi":"10.7202/1006376ar","title":"Bruce Springsteen, sociologie d’un rocker","year":2011,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.0868606842871064,"score_gpt":0.20774285973204462,"score_spread":0.12088217544493822,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2065082673","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12729223,0.06123167,0.0035264285,0.25886646,0.0038702586,0.000049474736,0.00017801081,0.00006369486,0.5449218],"genre_scores_gemma":[0.77779764,0.02483659,0.0014726644,0.013409051,0.0011008908,0.00009381867,0.00005314224,0.00010875147,0.18112747],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9984407,0.0008624839,0.000040273833,0.00017871823,0.00029491715,0.0001829175],"domain_scores_gemma":[0.9986891,0.0007850889,0.00013450894,0.000042040097,0.00015243632,0.00019688216],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013545526,0.00028987133,0.00020629085,0.0011301452,0.013186245,0.003815043,0.0005600629,0.0016100791,0.009062272],"category_scores_gemma":[0.0023337477,0.00021162086,0.00009909091,0.0011861472,0.016706577,0.0044943565,0.0024771811,0.0028281142,0.0010179655],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005500321,0.000030646435,0.0027594515,0.00020852339,0.0000055262235,0.00091470196,0.3015257,0.00008600663,0.0008496625,0.5834583,0.08348514,0.026621262],"study_design_scores_gemma":[0.0000063099787,0.000024591547,0.002941137,0.00036417422,0.000004072098,0.00037810495,0.11100889,0.00006766163,0.00034129762,0.03626357,0.8485749,0.000025293046],"about_ca_topic_score_codex":0.069180585,"about_ca_topic_score_gemma":0.1163511,"teacher_disagreement_score":0.069180585,"about_ca_system_score_codex":0.0046372,"about_ca_system_score_gemma":0.0037314647,"threshold_uncertainty_score":0.13755578},"labels":[],"label_agreement":null},{"id":"W2066217832","doi":"10.7202/1013110ar","title":"The Present State of Unpopular Music","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernism (music); State (computer science); Musical; History; Vocabulary; Popular music; Aesthetics; Literature; Art history; Art; Linguistics; Philosophy; Computer science","score_opus":0.04011356629751363,"score_gpt":0.20665091838503552,"score_spread":0.1665373520875219,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2066217832","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.246071,0.01378679,0.0016151593,0.04583712,0.00059840333,0.000029231403,0.0005247556,0.0001112985,0.6914262],"genre_scores_gemma":[0.9482908,0.0052085705,0.00051142514,0.0042907316,0.0005456994,0.000018072951,0.00022172826,0.00005244625,0.040860653],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983315,0.00022365665,0.000058231257,0.00032024202,0.0007088596,0.00035755467],"domain_scores_gemma":[0.9973074,0.00051910995,0.0003639811,0.0002638807,0.00086889387,0.0006766878],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016627129,0.00017732718,0.00024298692,0.0020962798,0.007212963,0.011634754,0.0008333228,0.0009549691,0.02374473],"category_scores_gemma":[0.0034779697,0.00015377149,0.00013332335,0.0023679987,0.014911988,0.0054079616,0.003288169,0.002209342,0.0021974652],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002074468,0.000056332858,0.011053811,0.0005230611,0.000028957518,0.0006816247,0.17082526,0.000103662685,0.0048877024,0.519499,0.045324586,0.24680845],"study_design_scores_gemma":[0.000011604882,0.00005303744,0.029945062,0.00043224928,0.00001760783,0.0007495877,0.12045123,0.00015953527,0.00087566255,0.04212886,0.80513006,0.00004550177],"about_ca_topic_score_codex":0.051316544,"about_ca_topic_score_gemma":0.11437455,"teacher_disagreement_score":0.051316544,"about_ca_system_score_codex":0.0068769776,"about_ca_system_score_gemma":0.005468997,"threshold_uncertainty_score":0.1020357},"labels":[],"label_agreement":null},{"id":"W2067166113","doi":"10.7202/1009284ar","title":"Two-Part Transition or Two-Part Subordinate Theme?","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Piano sonata; Theme (computing); Movement (music); Exposition (narrative); Context (archaeology); Transition (genetics); Sonata cycle; Piano; Key (lock); Sonata form; Literature; Philosophy; Art; History; Computer science; Art history; Aesthetics; Chemistry","score_opus":0.05174832720469408,"score_gpt":0.24480257252337537,"score_spread":0.1930542453186813,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2067166113","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.055725917,0.0050160848,0.0521748,0.02994907,0.0029421132,0.00006208923,0.00011214744,0.00021648075,0.8538013],"genre_scores_gemma":[0.8970836,0.0012449782,0.008095497,0.0048927157,0.0011118784,0.000092062124,0.00007480074,0.00036655492,0.08703796],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99885464,0.00037668936,0.00002549792,0.00029044063,0.00020701897,0.00024571968],"domain_scores_gemma":[0.99960524,0.00015108564,0.000036952002,0.00008922643,0.000055888253,0.000061589984],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010934002,0.0005040274,0.00034516174,0.0006411145,0.0031040155,0.0047761607,0.0011419479,0.0026722245,0.012627231],"category_scores_gemma":[0.0022678755,0.00031038848,0.000481092,0.00051007094,0.013061451,0.011348465,0.0036581673,0.0048952424,0.0025721046],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004505327,0.000006172331,0.000100910365,0.000031326646,0.0000021685132,0.00007097568,0.010238867,0.000015594575,0.0003485128,0.97765315,0.0036842774,0.0078030224],"study_design_scores_gemma":[0.000046399324,0.00008211494,0.0010697584,0.00023639417,0.000013799031,0.0006696797,0.02216014,0.00044146666,0.0012386453,0.5641478,0.4098612,0.00003260916],"about_ca_topic_score_codex":0.0024029787,"about_ca_topic_score_gemma":0.003404023,"teacher_disagreement_score":0.012627231,"about_ca_system_score_codex":0.0020440472,"about_ca_system_score_gemma":0.0011100016,"threshold_uncertainty_score":0.04224235},"labels":[],"label_agreement":null},{"id":"W2070090692","doi":"10.7202/1000038ar","title":"De l’ubiquité poïétique dans l’oeuvre de Iannis Xenakis — Espace, Temps, Musique, Architecture","year":2010,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.008611072203848052,"score_gpt":0.2062907962127451,"score_spread":0.19767972400889705,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2070090692","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14665157,0.015810125,0.07517883,0.031723075,0.0010358217,0.000099404424,0.00016896574,0.00030231796,0.72902983],"genre_scores_gemma":[0.7783209,0.006602437,0.010894815,0.0014301878,0.00029098912,0.00009860265,0.00006790305,0.00024273594,0.20205148],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99866426,0.00056404265,0.000045745594,0.00025985323,0.00033349937,0.0001326813],"domain_scores_gemma":[0.99879587,0.00050415035,0.0001540853,0.00023828198,0.0001756961,0.00013188102],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016036883,0.00053718296,0.00036303123,0.0008478351,0.0033068294,0.0058395676,0.0005718316,0.0016445364,0.008534532],"category_scores_gemma":[0.0020619377,0.00029146954,0.00036603777,0.0010140839,0.017176136,0.0061465013,0.004181414,0.0026629013,0.0021452785],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041032537,0.000006863768,0.0007568067,0.000095492986,0.0000050267668,0.00021964946,0.021107897,0.00044213195,0.001506372,0.9563491,0.003019891,0.016449777],"study_design_scores_gemma":[0.00001445196,0.00008272706,0.0018916747,0.00024632626,0.000015891217,0.0010467374,0.019991305,0.00083894463,0.0031543658,0.2318832,0.74077475,0.00005956175],"about_ca_topic_score_codex":0.0035374004,"about_ca_topic_score_gemma":0.0045484146,"teacher_disagreement_score":0.008534532,"about_ca_system_score_codex":0.0035655333,"about_ca_system_score_gemma":0.0023645204,"threshold_uncertainty_score":0.028550804},"labels":[],"label_agreement":null},{"id":"W2070220430","doi":"10.7202/039112ar","title":"Survey of University-Based Music Programs in Canada","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Staffing; Music education; Institutional research; Higher education; Public relations; Library science; Political science; Sociology; Pedagogy; Computer science","score_opus":0.07421687609051056,"score_gpt":0.20027408714561784,"score_spread":0.12605721105510728,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2070220430","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.966822,0.0007482475,0.00032821775,0.00092325505,0.000020536354,0.0002907338,0.011945342,0.000071066665,0.01885061],"genre_scores_gemma":[0.9814292,0.0012889899,0.0006836734,0.0005079455,0.0000132896985,0.00015193278,0.004939729,0.00001897716,0.010966214],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99839693,0.000089898596,0.000056898327,0.000121541896,0.0008164261,0.00051831885],"domain_scores_gemma":[0.99486285,0.00022490673,0.000520403,0.00007375783,0.002255379,0.0020626707],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00075492635,0.00024207123,0.00031756872,0.0045245364,0.0031802487,0.0012516606,0.0011018923,0.0002756016,0.005678762],"category_scores_gemma":[0.002783849,0.000255672,0.00021483426,0.009991627,0.0006621214,0.00040254853,0.0011378576,0.0005212625,0.0006862689],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014227226,0.00027115058,0.8806172,0.00032208284,0.00005227873,0.00025468672,0.009539032,0.00030400674,0.0013857076,0.0012461881,0.019488696,0.086376786],"study_design_scores_gemma":[0.0000063065777,0.00004429311,0.9766093,0.00006420745,0.000009683729,0.00004805207,0.00978426,0.00026923412,0.00017538542,0.000034444947,0.012935477,0.000019273315],"about_ca_topic_score_codex":0.9905027,"about_ca_topic_score_gemma":0.9961545,"teacher_disagreement_score":0.9705281,"about_ca_system_score_codex":0.029471884,"about_ca_system_score_gemma":0.057097856,"threshold_uncertainty_score":0.21383446},"labels":[],"label_agreement":null},{"id":"W2071742295","doi":"10.7202/1013226ar","title":"Le son généreux [pour une hyper-écoute]","year":2012,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.21298903639970515,"score_gpt":0.2803257594252701,"score_spread":0.06733672302556495,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2071742295","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014719519,0.008156247,0.21172647,0.014009097,0.0070372093,0.00017340753,0.00040184183,0.0026490889,0.7411272],"genre_scores_gemma":[0.23138249,0.0073584015,0.1271292,0.0037544796,0.0020702186,0.00035101688,0.0005988003,0.0022966997,0.6250587],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99867827,0.0005434731,0.00006177547,0.00022383763,0.00039114075,0.000101521204],"domain_scores_gemma":[0.99880517,0.00044139795,0.00006426398,0.00028738723,0.000309706,0.000092085684],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012571596,0.000704101,0.00027562815,0.0012458741,0.0030321346,0.0056302357,0.0010247119,0.002062712,0.03407573],"category_scores_gemma":[0.0035556601,0.00036835973,0.0004935041,0.0012759786,0.0052727438,0.005865166,0.0031093364,0.002320761,0.0067762695],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006853031,0.000015938323,0.00030804938,0.00020307492,0.00001080469,0.00041364413,0.007852705,0.00032388393,0.0025087134,0.8783018,0.037907504,0.07208527],"study_design_scores_gemma":[0.000012117148,0.0000214279,0.00026489503,0.00012673574,0.000006200708,0.00048891106,0.0015309304,0.00066324853,0.0018163958,0.046569027,0.94847965,0.000020382591],"about_ca_topic_score_codex":0.0069602514,"about_ca_topic_score_gemma":0.011127096,"teacher_disagreement_score":0.03407573,"about_ca_system_score_codex":0.0017346621,"about_ca_system_score_gemma":0.0016380395,"threshold_uncertainty_score":0.11399472},"labels":[],"label_agreement":null},{"id":"W2079048818","doi":"10.7202/029956ar","title":"Wearing Two Hats: Anne Eggleston as Composer and Pedagogue","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Piano; Bridge (graph theory); Piano pedagogy; Art; Personality; Music education; Visual arts; Art history; Literature; Sociology; History; Psychology; Psychoanalysis","score_opus":0.030747049488710126,"score_gpt":0.30009409910613133,"score_spread":0.2693470496174212,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2079048818","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13433132,0.024478426,0.0020483555,0.4083989,0.014519623,0.00009443878,0.00017258558,0.00030649157,0.4156498],"genre_scores_gemma":[0.570928,0.00729712,0.0020600206,0.043136436,0.001104996,0.000046516478,0.00005879252,0.00027897223,0.37508917],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99615175,0.0010005718,0.000056276174,0.0003941951,0.0016743405,0.00072281406],"domain_scores_gemma":[0.99558496,0.0005896474,0.0001428941,0.00013748677,0.001681165,0.0018638371],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002346876,0.00050041004,0.0004419317,0.0014354057,0.030553266,0.0076286285,0.0010118252,0.0021445896,0.007342162],"category_scores_gemma":[0.0062553524,0.00037271783,0.00018509864,0.0009949555,0.012557064,0.0032512797,0.0031296113,0.0050892616,0.0013291383],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058317146,0.000048886337,0.004718217,0.000083829946,0.000013573691,0.0018790363,0.3269016,0.00011389189,0.0012706068,0.04325315,0.57173336,0.049925506],"study_design_scores_gemma":[0.0000035149992,0.000015255624,0.0035718107,0.00014854234,0.000006679928,0.00073229615,0.22308889,0.000046808364,0.0002543448,0.0016084464,0.77046597,0.000057348185],"about_ca_topic_score_codex":0.7605121,"about_ca_topic_score_gemma":0.9215308,"teacher_disagreement_score":0.7605121,"about_ca_system_score_codex":0.025677184,"about_ca_system_score_gemma":0.023540543,"threshold_uncertainty_score":0.4817965},"labels":[],"label_agreement":null},{"id":"W2080160007","doi":"10.7202/1013112ar","title":"Crossing the Rubicon: Debussy and the Eternal Present of the Past","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Heteroglossia; Literature; Art; Path (computing); History; Computer science","score_opus":0.032375606540614096,"score_gpt":0.21503387713198455,"score_spread":0.18265827059137046,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2080160007","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.102550246,0.012156491,0.0058777016,0.027368244,0.0009245806,0.00001563703,0.0000307866,0.000072813076,0.8510034],"genre_scores_gemma":[0.94378287,0.0019590827,0.0011034795,0.0015136063,0.0001694188,0.000012410031,0.000013144884,0.0000695304,0.05137643],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984366,0.00070072233,0.0000317249,0.00025449105,0.0003114663,0.00026485254],"domain_scores_gemma":[0.9994097,0.00024034703,0.00006045658,0.00007733628,0.000092165144,0.00012000625],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019149402,0.0003076228,0.00028701356,0.001219227,0.012848292,0.0068710954,0.0007525818,0.0017244393,0.007272775],"category_scores_gemma":[0.002849545,0.00022853806,0.00019739177,0.0006961119,0.027066628,0.009998205,0.0054081436,0.0039805286,0.0007431223],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014116728,0.0000058266114,0.00023975142,0.000017687778,0.0000012207443,0.00019744747,0.09082718,0.00003171787,0.000101207595,0.8986976,0.00292983,0.0069363816],"study_design_scores_gemma":[0.000012891751,0.000028185306,0.0008361104,0.00024449933,0.000007225798,0.0006455802,0.100822575,0.00017326491,0.00033108785,0.19061257,0.7062633,0.00002275884],"about_ca_topic_score_codex":0.019138375,"about_ca_topic_score_gemma":0.037134048,"teacher_disagreement_score":0.019138375,"about_ca_system_score_codex":0.006644693,"about_ca_system_score_gemma":0.0024268425,"threshold_uncertainty_score":0.04821086},"labels":[],"label_agreement":null},{"id":"W2081553228","doi":"10.7202/1006377ar","title":"La genèse d’une reconnaissance réfléchie de la musique de film au Québec : le Prix Jutra","year":2011,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.034231610216918465,"score_gpt":0.2557254553097671,"score_spread":0.22149384509284864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2081553228","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61377877,0.004065718,0.0036561866,0.026599966,0.00053985976,0.00007279014,0.00035199415,0.00008100735,0.3508537],"genre_scores_gemma":[0.9227144,0.0010382852,0.00064743945,0.00072971615,0.000038378308,0.00001901361,0.00006283969,0.000042632826,0.07470733],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99911386,0.00029328052,0.000014078539,0.00014535438,0.00022945485,0.0002039582],"domain_scores_gemma":[0.9977604,0.000590989,0.00018666126,0.00012987979,0.0008013514,0.0005308065],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013935858,0.00036944487,0.00018640679,0.000970692,0.012771735,0.0067437952,0.0007828354,0.0011054497,0.018168585],"category_scores_gemma":[0.0031593344,0.00023018123,0.00014830001,0.0010004572,0.008504545,0.002110484,0.0020584546,0.0021949157,0.00066156784],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010469082,0.000049095644,0.02070058,0.00028338726,0.000028880037,0.00078996114,0.77953666,0.00020772302,0.0052289385,0.09961092,0.032179046,0.061280135],"study_design_scores_gemma":[0.000009708171,0.00006228502,0.072708406,0.0004685378,0.000037771762,0.00031768924,0.38593107,0.00039852553,0.001788881,0.0024710405,0.5357332,0.00007288993],"about_ca_topic_score_codex":0.8833485,"about_ca_topic_score_gemma":0.96129376,"teacher_disagreement_score":0.116651475,"about_ca_system_score_codex":0.0300035,"about_ca_system_score_gemma":0.01868317,"threshold_uncertainty_score":0.2346769},"labels":[],"label_agreement":null},{"id":"W2082938387","doi":"10.7202/1013213ar","title":"Performance Strategies in Three Recordings of Bach’s Invention No. 1 in C Major: A Comparative Study","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Parallels; Scholarship; Phrase; Teleology; Cognitive science; Psychology; Linguistics; Engineering; Epistemology; Philosophy; Political science; Law","score_opus":0.09739562970917974,"score_gpt":0.3029358827579921,"score_spread":0.20554025304881235,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2082938387","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9880008,0.0003420209,0.0005203213,0.00016167822,0.00003323766,0.000071063994,0.00020360341,0.000009891634,0.010657513],"genre_scores_gemma":[0.9912186,0.00053963356,0.0012168011,0.00010518732,0.000074411284,0.00011894428,0.00037649597,0.00003537019,0.006314436],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9979176,0.0008177465,0.0001322916,0.00035626645,0.00045051935,0.00032562966],"domain_scores_gemma":[0.99326444,0.003860716,0.00082181004,0.00033500887,0.0010411302,0.00067681854],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002049016,0.0005421059,0.0006187807,0.003868162,0.004623194,0.003046201,0.000982584,0.001689237,0.004276714],"category_scores_gemma":[0.011828777,0.00040481344,0.00033872406,0.0033142255,0.003426211,0.0013291232,0.002598606,0.0018712255,0.0007170321],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000789225,0.0004657187,0.031905305,0.00052065775,0.00004589658,0.0033975476,0.89629734,0.00011425581,0.018018987,0.0032535696,0.0023602196,0.042831287],"study_design_scores_gemma":[0.000042183172,0.00073417684,0.40704888,0.00026023478,0.000037953254,0.0024997708,0.5622523,0.00026759942,0.0025979104,0.00067126285,0.023466777,0.00012095742],"about_ca_topic_score_codex":0.0137977395,"about_ca_topic_score_gemma":0.06408158,"teacher_disagreement_score":0.0137977395,"about_ca_system_score_codex":0.0024696223,"about_ca_system_score_gemma":0.0006872251,"threshold_uncertainty_score":0.027434826},"labels":[],"label_agreement":null},{"id":"W2085247511","doi":"10.7202/039110ar","title":"Madness in Linda Bouchard’s Black Burned Wood","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Yale University","keywords":"Paranoia; Musical; Poetry; Art; Anger; Literature; Cognitive dissonance; Visual arts; Psychology; Social psychology","score_opus":0.022545468172276588,"score_gpt":0.22651141421933163,"score_spread":0.20396594604705504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2085247511","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5451502,0.012393623,0.0038766211,0.048976656,0.0013527287,0.000054786917,0.000057600635,0.0001556983,0.3879821],"genre_scores_gemma":[0.94511604,0.0012909698,0.0008045154,0.00220476,0.000121513454,0.000014404033,0.000009323165,0.00005181955,0.050386608],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99914205,0.0004947078,0.000008969426,0.00006755607,0.0001645383,0.00012227905],"domain_scores_gemma":[0.9994685,0.00025102127,0.00005577147,0.000027501846,0.000051894323,0.00014527526],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008845031,0.00030996028,0.00022557823,0.0008131674,0.009675666,0.0041996366,0.00048720723,0.0010162212,0.0035014297],"category_scores_gemma":[0.001833799,0.00017858946,0.000121660974,0.00039239417,0.01406167,0.0019550957,0.0024043876,0.003414802,0.00038465933],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015291938,0.00004014462,0.0013527771,0.00008522348,0.000012032858,0.0018827594,0.73541975,0.00013338157,0.0019186077,0.20944254,0.028095523,0.021464366],"study_design_scores_gemma":[0.000018263507,0.000088843975,0.0052644247,0.0003313684,0.0000109336925,0.0026011092,0.36162645,0.00040032694,0.0011988814,0.018710537,0.60969007,0.00005881868],"about_ca_topic_score_codex":0.042072747,"about_ca_topic_score_gemma":0.10914524,"teacher_disagreement_score":0.042072747,"about_ca_system_score_codex":0.0031356777,"about_ca_system_score_gemma":0.001216125,"threshold_uncertainty_score":0.083655715},"labels":[],"label_agreement":null},{"id":"W2086294628","doi":"10.7202/1000040ar","title":"Euler et les réseaux harmoniques","year":2010,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.03853178051363011,"score_gpt":0.2793739608408493,"score_spread":0.2408421803272192,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2086294628","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.066545084,0.013239069,0.040972583,0.00942855,0.0018091513,0.000030305613,0.00014019282,0.00012210682,0.86771303],"genre_scores_gemma":[0.7560533,0.006456039,0.015947616,0.0012956583,0.0010307678,0.000074698626,0.00014337739,0.00011960918,0.21887892],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992224,0.0002481296,0.000026842401,0.00017413637,0.00023600522,0.000092516995],"domain_scores_gemma":[0.99964523,0.00017064056,0.00004045685,0.000046942496,0.00007045579,0.000026306201],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00075080607,0.00043878134,0.00028065237,0.00092169095,0.0017840067,0.0019182985,0.00037181107,0.0009417237,0.011343759],"category_scores_gemma":[0.0023329551,0.00019178848,0.00029182737,0.0006536153,0.0067482074,0.003404343,0.0016118537,0.0020113133,0.0016427806],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000067011197,0.0000016285958,0.000044524608,0.000012076714,0.0000010969386,0.000014631791,0.00052634755,0.00010387438,0.00017170882,0.9947883,0.0008121822,0.0035169404],"study_design_scores_gemma":[0.00001970905,0.000021007403,0.00042939192,0.000029488308,0.000003873868,0.00012225012,0.0007225071,0.0005341861,0.0006353759,0.8185865,0.17888227,0.000013420553],"about_ca_topic_score_codex":0.0019658988,"about_ca_topic_score_gemma":0.0021435216,"teacher_disagreement_score":0.011343759,"about_ca_system_score_codex":0.0017101102,"about_ca_system_score_gemma":0.00066573464,"threshold_uncertainty_score":0.03794861},"labels":[],"label_agreement":null},{"id":"W2090035686","doi":"10.7202/1013215ar","title":"Glenn Gould, Conductor: Critical Reception, Chronicle, and Commentary","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Performance art; Art history; Art; Reading (process); Idyll; History; Literature; Philosophy; Linguistics","score_opus":0.04995358650799554,"score_gpt":0.2528748995577559,"score_spread":0.20292131304976035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2090035686","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019456244,0.016722882,0.0003839964,0.9126285,0.048348498,0.00006315047,0.000042920314,0.000040695042,0.019823818],"genre_scores_gemma":[0.10476067,0.017363748,0.00092094374,0.72897625,0.07355726,0.0004627205,0.00006528495,0.00036814463,0.073525],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98735374,0.0073657343,0.00037838984,0.0010152647,0.002610355,0.001276423],"domain_scores_gemma":[0.97394943,0.018502505,0.0009991146,0.00053113565,0.004292074,0.0017256998],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.012492158,0.0011998941,0.0009074623,0.0032977562,0.030868934,0.010959386,0.0042482647,0.02086101,0.0056702388],"category_scores_gemma":[0.05050278,0.00062815595,0.0006427771,0.002268751,0.02862482,0.008952217,0.006027829,0.029849472,0.0014049474],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032100106,0.00000902575,0.000054234555,0.0001510077,0.0000032992077,0.00056464056,0.025706807,0.000026423419,0.00016669881,0.033769377,0.93658805,0.0029282751],"study_design_scores_gemma":[0.000012292421,0.000010300198,0.00014865883,0.00065687625,0.0000058087667,0.00028194484,0.04187261,0.000044664688,0.00017196033,0.0056456686,0.9511173,0.000031961594],"about_ca_topic_score_codex":0.08104146,"about_ca_topic_score_gemma":0.1262633,"teacher_disagreement_score":0.91895854,"about_ca_system_score_codex":0.025549645,"about_ca_system_score_gemma":0.019806385,"threshold_uncertainty_score":0.18537652},"labels":[],"label_agreement":null},{"id":"W2094524143","doi":"10.7202/1013211ar","title":"Xenakis et le sérialisme : l’apport d’une analyse génétique de Metastasis","year":2012,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.23855820813099562,"score_gpt":0.31346380901981347,"score_spread":0.07490560088881784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2094524143","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.69930196,0.042217847,0.07837325,0.022354059,0.0007416762,0.00017737434,0.0008436819,0.00016755504,0.1558226],"genre_scores_gemma":[0.947544,0.01409416,0.01189192,0.0007658219,0.00020320863,0.00007987272,0.00019134469,0.00011533614,0.025114335],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99911004,0.00032258057,0.00003789724,0.00015836241,0.00027128385,0.000099831836],"domain_scores_gemma":[0.99643695,0.0024219244,0.00049646344,0.00019511889,0.00031317948,0.00013620689],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019685444,0.00034240785,0.00040548312,0.0029371823,0.0013976763,0.0045793233,0.00050949294,0.0008761157,0.005643407],"category_scores_gemma":[0.004378346,0.0002193017,0.0006576427,0.0037069093,0.005164082,0.0034732083,0.0014572435,0.0013554933,0.00037712147],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024978403,0.00004862952,0.056433354,0.0008024932,0.00014872476,0.0031082705,0.03758217,0.0041960552,0.020548176,0.73310435,0.0031692518,0.14060874],"study_design_scores_gemma":[0.000052018204,0.00034331996,0.15014777,0.0009856743,0.00034966657,0.009440386,0.05462863,0.008249838,0.013698148,0.37891188,0.38303113,0.00016148233],"about_ca_topic_score_codex":0.010078143,"about_ca_topic_score_gemma":0.014176805,"teacher_disagreement_score":0.010078143,"about_ca_system_score_codex":0.003789873,"about_ca_system_score_gemma":0.0029302044,"threshold_uncertainty_score":0.02749759},"labels":[],"label_agreement":null},{"id":"W2094834613","doi":"10.7202/1013308ar","title":"Glenn Gould's Idea of North and the production of place in music","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Musical; Identity (music); Object (grammar); Visual arts; Art; Sense of place; Literature; Aesthetics; Art history; Sociology; Linguistics; Philosophy; Social science","score_opus":0.02606865908013487,"score_gpt":0.18798735522061263,"score_spread":0.16191869614047777,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2094834613","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08945357,0.013678276,0.012461061,0.05302205,0.000727776,0.000037704904,0.000037281767,0.000058961014,0.83052325],"genre_scores_gemma":[0.9576275,0.0025644368,0.0033465447,0.0031380442,0.000114287825,0.000038138744,0.000010074334,0.0000434574,0.033117604],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9974361,0.0015663723,0.000042140753,0.00024992143,0.0005236727,0.00018185674],"domain_scores_gemma":[0.9985967,0.0009403949,0.00011794631,0.00009982004,0.00011278368,0.00013235539],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001969029,0.00043418637,0.0002360899,0.002108053,0.007123847,0.005233561,0.0008272424,0.002001419,0.0030852156],"category_scores_gemma":[0.002661033,0.00022502744,0.00020416439,0.001223845,0.051919516,0.0055059595,0.0036960475,0.0022801852,0.00024598412],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027506747,0.000007346049,0.00053696183,0.00006549218,0.0000024178632,0.00018667681,0.1470065,0.00011094822,0.00040499217,0.83382815,0.006496777,0.011326194],"study_design_scores_gemma":[0.000016383898,0.0000289176,0.002771418,0.0004848154,0.00000851678,0.00084760797,0.114738524,0.0002500161,0.0005711661,0.3498314,0.53039914,0.000052199768],"about_ca_topic_score_codex":0.031702306,"about_ca_topic_score_gemma":0.06008822,"teacher_disagreement_score":0.9682977,"about_ca_system_score_codex":0.0074289385,"about_ca_system_score_gemma":0.0031239826,"threshold_uncertainty_score":0.06303555},"labels":[],"label_agreement":null},{"id":"W2098786151","doi":"10.7202/1003498ar","title":"L’expérience sensible et son devenir abstrait: comment deux amis ont lié d’amitié deux disciplines","year":2011,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Yale University","keywords":"Humanities; Philosophy","score_opus":0.05583512231507092,"score_gpt":0.2649680109041862,"score_spread":0.20913288858911527,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2098786151","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4575572,0.0039231386,0.013069789,0.032073192,0.0011415726,0.000045476078,0.00006525669,0.000069041635,0.49205524],"genre_scores_gemma":[0.9743887,0.0006386184,0.00073502393,0.0008694405,0.0001455575,0.00002248151,0.00001947259,0.000032056814,0.02314857],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99095964,0.0051209745,0.00023216466,0.0009657489,0.0014703978,0.0012511123],"domain_scores_gemma":[0.99481624,0.0025424834,0.0005028163,0.0005374128,0.00079781155,0.00080322195],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006016337,0.00053679646,0.0006503893,0.0017745933,0.018743949,0.013739679,0.001161552,0.003784643,0.0081915315],"category_scores_gemma":[0.010351354,0.00039572341,0.00071594544,0.0016421238,0.041614473,0.01355641,0.011243469,0.0077620265,0.0008080066],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033008248,0.000022244496,0.0011412579,0.000039187653,0.000009288817,0.00087477337,0.74040437,0.00007612026,0.0006108533,0.25053108,0.0013951244,0.004862724],"study_design_scores_gemma":[0.000014112707,0.000050023344,0.0024824287,0.00017129182,0.000013667484,0.000768275,0.7414126,0.00016769733,0.0004465732,0.0346599,0.2197674,0.0000460783],"about_ca_topic_score_codex":0.017970096,"about_ca_topic_score_gemma":0.017859792,"teacher_disagreement_score":0.018743949,"about_ca_system_score_codex":0.0071415715,"about_ca_system_score_gemma":0.0042428803,"threshold_uncertainty_score":0.051815987},"labels":[],"label_agreement":null},{"id":"W2100474136","doi":"10.7202/1003501ar","title":"Mytheme and Motif: Lévi-Strauss and Wagner","year":2011,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Levi strauss; Mythology; Motif (music); Philosophy; Art history; Literature; Art; Humanities; Aesthetics","score_opus":0.06391352443234898,"score_gpt":0.19094653272532428,"score_spread":0.1270330082929753,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2100474136","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.119201265,0.021340895,0.07588898,0.05893685,0.0011152074,0.000051165905,0.00008763683,0.00016262011,0.7232154],"genre_scores_gemma":[0.9695276,0.0020609128,0.0059563555,0.0016293286,0.0002434662,0.00004543221,0.000030596286,0.0001262261,0.02037996],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9972173,0.0018057545,0.00006495591,0.00025831183,0.00042671195,0.00022691091],"domain_scores_gemma":[0.9985487,0.00085517357,0.00011413389,0.00016794252,0.00021202587,0.000101990496],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024363722,0.0003780451,0.00041724037,0.0020618455,0.005013366,0.0052696606,0.0009233909,0.0020584008,0.0030119123],"category_scores_gemma":[0.006939861,0.00023484722,0.00039420172,0.0016295874,0.023939885,0.0074949972,0.0035502363,0.003170664,0.0006997522],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006225346,0.0000023391692,0.00008061319,0.0000063511698,0.0000017369989,0.000009999992,0.0038363435,0.000058182624,0.000029310713,0.9922518,0.00091949216,0.0027975014],"study_design_scores_gemma":[0.000009033718,0.00001796672,0.00020192834,0.000075113574,0.000006407344,0.00009224679,0.0046496033,0.0003716112,0.00016900102,0.91776127,0.0766295,0.000016344944],"about_ca_topic_score_codex":0.007486297,"about_ca_topic_score_gemma":0.013495254,"teacher_disagreement_score":0.007486297,"about_ca_system_score_codex":0.005568042,"about_ca_system_score_gemma":0.0020610646,"threshold_uncertainty_score":0.040399194},"labels":[],"label_agreement":null},{"id":"W2110364754","doi":"10.7202/1030868ar","title":"The Cyclic Nature of Joni Mitchell's Court and Spark","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"SPARK (programming language); Scholarship; Romance; Perspective (graphical); Musical; Inference; Literature; Norm (philosophy); Computer science; Epistemology; Art; Philosophy; Artificial intelligence; Law; Political science","score_opus":0.029809319868950808,"score_gpt":0.20628311576270839,"score_spread":0.17647379589375758,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2110364754","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12992108,0.0036546513,0.0061012865,0.066905946,0.0027631994,0.000055375218,0.00009810986,0.00016968831,0.79033065],"genre_scores_gemma":[0.9197939,0.0006160072,0.0014690646,0.00302496,0.0005728369,0.000037546448,0.000029170846,0.00013971272,0.07431682],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977684,0.0007465637,0.000045520814,0.0003403934,0.00079862226,0.00030052822],"domain_scores_gemma":[0.9964734,0.0017330695,0.00039442335,0.00034623925,0.00037490195,0.00067796925],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017108864,0.00030609974,0.00021870575,0.0009699182,0.011956641,0.008444716,0.0009570049,0.0019373298,0.004595567],"category_scores_gemma":[0.006127605,0.00022794785,0.00015044514,0.0009128681,0.019230729,0.004181376,0.004057788,0.0045205154,0.0005582569],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004586551,0.00002435081,0.0007218826,0.00004049906,0.0000035739838,0.0006119654,0.11179365,0.00007756138,0.0007813486,0.8258951,0.04753146,0.012472758],"study_design_scores_gemma":[0.000012723672,0.000024302679,0.0021772652,0.0001316659,0.000005165213,0.00062023837,0.04922535,0.00030439065,0.0007034806,0.06974347,0.8770181,0.00003381392],"about_ca_topic_score_codex":0.015416053,"about_ca_topic_score_gemma":0.038942873,"teacher_disagreement_score":0.015416053,"about_ca_system_score_codex":0.005859533,"about_ca_system_score_gemma":0.0029414892,"threshold_uncertainty_score":0.042514145},"labels":[],"label_agreement":null},{"id":"W2111044829","doi":"10.7202/1009283ar","title":"Closure in Classical Themes: The Role of Melody and Texture in Cadences, Closural Function, and the Separated Cadence","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":44,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Cadence; Theme (computing); Closure (psychology); Function (biology); Rhythm; Mathematics; Art; Aesthetics; Psychology; Computer science; Acoustics; Physics; World Wide Web; Economics; Biology","score_opus":0.01580907763338856,"score_gpt":0.20492882644106233,"score_spread":0.18911974880767377,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2111044829","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.418703,0.002802907,0.07423285,0.00489021,0.0004906611,0.0000696406,0.000048860024,0.00010604796,0.49865592],"genre_scores_gemma":[0.9894538,0.00019797386,0.003939908,0.00015372777,0.000086212174,0.000025925909,0.000016167904,0.000047437574,0.0060787853],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99861825,0.0006634507,0.000039910963,0.00017487073,0.00032483565,0.00017863345],"domain_scores_gemma":[0.9980044,0.0010905529,0.00020442846,0.00020502883,0.00023878671,0.00025684907],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018978292,0.00033982072,0.00032832532,0.0012345127,0.0026794039,0.004655678,0.0007696211,0.0008556141,0.0036369215],"category_scores_gemma":[0.0060163853,0.00021440352,0.0003912665,0.0005393285,0.015717918,0.0060748355,0.0042002453,0.0022083172,0.00025063177],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015704156,0.000027264887,0.0010254645,0.000067067944,0.0000058636574,0.00023289234,0.06051666,0.00013961506,0.0019281906,0.91532123,0.0007649526,0.019813854],"study_design_scores_gemma":[0.00012786982,0.00036464853,0.0140714245,0.00041212304,0.000035334368,0.0014237884,0.09390801,0.0029221626,0.0037970766,0.74367917,0.13914669,0.00011179275],"about_ca_topic_score_codex":0.0022865552,"about_ca_topic_score_gemma":0.0028021245,"teacher_disagreement_score":0.004655678,"about_ca_system_score_codex":0.0017845698,"about_ca_system_score_gemma":0.0009411075,"threshold_uncertainty_score":0.012947977},"labels":[],"label_agreement":null},{"id":"W2113624537","doi":"10.7202/1013229ar","title":"Musical Washing Machines, Composer-Performers, and Other Blurring Boundaries: How Women Make a Difference in Electroacoustic Music","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Appropriation; Musical; Art; Character (mathematics); Visual arts; Electroacoustic music; Documentation; Musical analysis; Performing arts; Aesthetics; Literature; Linguistics; Computer science; Philosophy","score_opus":0.03791728108904442,"score_gpt":0.21963130934131486,"score_spread":0.18171402825227045,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2113624537","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5361411,0.007328137,0.004565566,0.01978469,0.0004677498,0.000038043734,0.000043098753,0.00008164702,0.43155003],"genre_scores_gemma":[0.9706734,0.001061657,0.0006424321,0.001125109,0.000053361957,0.000018955398,0.000009858448,0.00005361057,0.026361665],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99602085,0.0024660355,0.00007399863,0.00031316964,0.00058193883,0.0005441183],"domain_scores_gemma":[0.99808156,0.0013426202,0.00014819976,0.00009963999,0.000118762364,0.00020913991],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037960692,0.00049526064,0.00043351908,0.0014798894,0.011555393,0.010717463,0.0010331589,0.0014044417,0.008400512],"category_scores_gemma":[0.0059626997,0.0003197241,0.00022423564,0.0011728202,0.026748437,0.005727096,0.0054605203,0.0017158198,0.0007438379],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006427731,0.000022240563,0.00287707,0.00007201457,0.0000075069393,0.00040739545,0.8901311,0.000036684196,0.0010585826,0.07281984,0.0023156807,0.030187534],"study_design_scores_gemma":[0.000014814419,0.000040118815,0.0052702413,0.00019205916,0.000010652521,0.00025832705,0.8378579,0.000063127736,0.00048193915,0.012740114,0.1430514,0.00001935176],"about_ca_topic_score_codex":0.022353815,"about_ca_topic_score_gemma":0.042389747,"teacher_disagreement_score":0.022353815,"about_ca_system_score_codex":0.003601559,"about_ca_system_score_gemma":0.0027125566,"threshold_uncertainty_score":0.044447422},"labels":[],"label_agreement":null},{"id":"W2120888922","doi":"10.7202/019295ar","title":"Opera as Trans-Atlantic Culture in Pre-Confederation British North America: Mozart’s “Crudel! perchè finora” on an 1844 Toronto Concert Programme","year":2008,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Amateur; MOZART; Ballad; Opera; Musical; Art; Guitar; Colonialism; History; Art history; Visual arts; Literature; Archaeology; Poetry; Management","score_opus":0.04001911893592459,"score_gpt":0.2978221345025841,"score_spread":0.2578030155666595,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2120888922","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90145534,0.0013258174,0.000086884116,0.004999559,0.00012365881,0.000011518351,0.000054047374,0.000006607094,0.09193662],"genre_scores_gemma":[0.9801153,0.0006876391,0.00006578236,0.00045670546,0.000018662951,0.000010234483,0.000024691146,0.000014787339,0.018606246],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9989661,0.0002943868,0.000018892131,0.00009429892,0.00021103442,0.0004152086],"domain_scores_gemma":[0.998885,0.00019856558,0.00008686526,0.000039295654,0.00028318542,0.00050717685],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009621255,0.00020305181,0.00022983296,0.000991382,0.019050049,0.006241475,0.00068510405,0.0009902461,0.0059457324],"category_scores_gemma":[0.0013090969,0.00024305134,0.00008205748,0.0017436816,0.012188023,0.0013527032,0.0037918987,0.0027317903,0.00038443645],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004183426,0.000024189194,0.0060105426,0.000028676795,0.0000038119435,0.0003384824,0.9724793,0.000012473328,0.000564384,0.00857413,0.0037245727,0.008197663],"study_design_scores_gemma":[0.000004084935,0.000022159764,0.0332905,0.00009154787,0.000005447445,0.00012455332,0.8610461,0.000022782788,0.00009371359,0.0002998931,0.10498201,0.000017269565],"about_ca_topic_score_codex":0.88757455,"about_ca_topic_score_gemma":0.9766291,"teacher_disagreement_score":0.11242545,"about_ca_system_score_codex":0.023395834,"about_ca_system_score_gemma":0.009817611,"threshold_uncertainty_score":0.22617501},"labels":[],"label_agreement":null},{"id":"W2123755173","doi":"10.7202/1013310ar","title":"Yrjö Kilpinen: Finnish Composer and German Lieder in the 1930s","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"German History and Society","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"German; Nazism; Ideology; Musical; Politics; Nazi Germany; Literature; Aryan race; Identity (music); Art; History; Art history; Aesthetics; Political science; Law; Ancient history; Archaeology","score_opus":0.038634675053982936,"score_gpt":0.22174322663397178,"score_spread":0.18310855157998884,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2123755173","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63196725,0.022658305,0.00038049286,0.005315316,0.0012323395,0.000026847309,0.00013394958,0.000045854194,0.3382396],"genre_scores_gemma":[0.9460697,0.003041465,0.00014684068,0.00045457156,0.00012991758,0.000010640136,0.00004215305,0.000029388668,0.05007522],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99909747,0.000212501,0.000028584296,0.00016345168,0.00021276849,0.00028526253],"domain_scores_gemma":[0.99969184,0.000113000875,0.000045388057,0.000019246188,0.00004538031,0.00008507105],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010806961,0.0006345707,0.00037843996,0.0016860755,0.01097232,0.0039246147,0.0006512701,0.0019329387,0.004551371],"category_scores_gemma":[0.0016257276,0.00034951788,0.0001800256,0.0011999107,0.0064852885,0.002129516,0.0033867126,0.0019597681,0.00072178565],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035367653,0.00007941979,0.010274828,0.0003423834,0.000032633256,0.009276086,0.7480179,0.00024362674,0.00330327,0.14458649,0.025162453,0.05832718],"study_design_scores_gemma":[0.000019561954,0.000096491836,0.034711823,0.0004966475,0.0000354327,0.0020564813,0.27495363,0.00012124195,0.0013390926,0.0038039756,0.6822945,0.00007113343],"about_ca_topic_score_codex":0.05001619,"about_ca_topic_score_gemma":0.16760294,"teacher_disagreement_score":0.05001619,"about_ca_system_score_codex":0.0068977633,"about_ca_system_score_gemma":0.0022123263,"threshold_uncertainty_score":0.09945011},"labels":[],"label_agreement":null},{"id":"W2125439388","doi":"10.7202/1009288ar","title":"Poésie et musique : L’Horizon chimérique, de Jean de la Ville de Mirmont à Gabriel Fauré","year":2012,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.01417696761711855,"score_gpt":0.23201507867483506,"score_spread":0.2178381110577165,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2125439388","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0533346,0.1608251,0.009498819,0.43162066,0.0075461124,0.000034408902,0.000102292346,0.00022992831,0.33680806],"genre_scores_gemma":[0.74808216,0.031903703,0.00381856,0.020526977,0.0034582121,0.000040266772,0.000035893092,0.00031620613,0.19181803],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986314,0.00070789823,0.00001654002,0.00016186382,0.00031318687,0.00016902143],"domain_scores_gemma":[0.99886096,0.00057530316,0.000099668454,0.00006565524,0.00018498392,0.00021336807],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022170667,0.00050545804,0.00034408493,0.0008114185,0.009063907,0.008135349,0.0005690386,0.0028584905,0.0058515137],"category_scores_gemma":[0.0035744505,0.00024005002,0.00030113154,0.0006560726,0.015364895,0.0069284798,0.002847562,0.0049159327,0.00090852217],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000067841145,0.000017452514,0.00080860854,0.00009165645,0.0000092944,0.00049002416,0.08307519,0.0001388699,0.000547918,0.7972462,0.08853848,0.028968478],"study_design_scores_gemma":[0.000006707888,0.0000194456,0.0012110583,0.00017917487,0.0000040081336,0.00047712412,0.021086596,0.00015030504,0.00026181558,0.029857744,0.9467226,0.000023327068],"about_ca_topic_score_codex":0.06733821,"about_ca_topic_score_gemma":0.102896206,"teacher_disagreement_score":0.06733821,"about_ca_system_score_codex":0.0066534937,"about_ca_system_score_gemma":0.0045369645,"threshold_uncertainty_score":0.13389254},"labels":[],"label_agreement":null},{"id":"W2126703831","doi":"10.7202/1030873ar","title":"Quand le metal flirte avec ABBA : Analyse des transformations formelles et thématiques de « Summer Night City »","year":2015,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.09729562245249997,"score_gpt":0.2548548691651037,"score_spread":0.15755924671260374,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2126703831","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90877366,0.0007532944,0.002812992,0.0010478859,0.00011459905,0.000042138097,0.00022890704,0.000043990698,0.08618253],"genre_scores_gemma":[0.970017,0.0002874339,0.0008884358,0.00008211489,0.000018040746,0.000019210627,0.0001224155,0.00005125732,0.028514147],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994357,0.00013390975,0.000014374252,0.00010886205,0.00016425393,0.0001427655],"domain_scores_gemma":[0.99954045,0.00014165205,0.00006655872,0.000047870133,0.00011728246,0.00008614456],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007493836,0.00031682843,0.00020513868,0.0010426443,0.004626522,0.004299382,0.0005328989,0.00067886134,0.012032952],"category_scores_gemma":[0.0016644503,0.00017679165,0.00031299458,0.0018483838,0.004134023,0.0017531068,0.0016691524,0.0009116112,0.0014133132],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033842007,0.000057741738,0.046711937,0.00036474728,0.00003935065,0.0016247029,0.7855566,0.0004112827,0.0121685155,0.048957925,0.0064942604,0.09727455],"study_design_scores_gemma":[0.0000088146035,0.000082550425,0.21647018,0.00014451964,0.000026308944,0.00066920294,0.6088165,0.00044536416,0.0016241368,0.0031847977,0.16848317,0.000044499964],"about_ca_topic_score_codex":0.08633181,"about_ca_topic_score_gemma":0.22225067,"teacher_disagreement_score":0.08633181,"about_ca_system_score_codex":0.0035285302,"about_ca_system_score_gemma":0.0018979947,"threshold_uncertainty_score":0.17165864},"labels":[],"label_agreement":null},{"id":"W2128972639","doi":"10.7202/019294ar","title":"Pathways And Pilgrimages: The In-Between Spaces in the Patria Cycle1","year":2008,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pilgrimage; Movement (music); Improvisation; Space (punctuation); Kuala lumpur; Visual arts; History; Art; Aesthetics; Computer science; Archaeology; Business","score_opus":0.058368054250936136,"score_gpt":0.21321603282647933,"score_spread":0.1548479785755432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2128972639","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21014993,0.004833006,0.013675468,0.015557688,0.00034939832,0.00009029149,0.00007313262,0.00013532776,0.7551358],"genre_scores_gemma":[0.9866433,0.0007678318,0.0009596919,0.0003085485,0.000033604232,0.00003500401,0.000017548628,0.00005689368,0.011177526],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974209,0.0015224951,0.000039906437,0.00016858407,0.00033854315,0.0005095748],"domain_scores_gemma":[0.998502,0.0006078853,0.00018493737,0.00015148934,0.00014590987,0.00040774883],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013892793,0.00056860514,0.0002886227,0.0016153775,0.012959262,0.013613189,0.0011665523,0.0018973544,0.011069436],"category_scores_gemma":[0.0048280717,0.00038989628,0.00027462037,0.0021252646,0.03961625,0.011126981,0.014088278,0.0042869034,0.0010357759],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000090700196,0.000024587023,0.0013550716,0.000078865975,0.000004743765,0.0005434513,0.25522125,0.0002124017,0.00022065925,0.7146235,0.0045405864,0.023084242],"study_design_scores_gemma":[0.00003262281,0.00008183099,0.003200591,0.00044122472,0.000009856304,0.00095107796,0.33450145,0.00048643484,0.00053092797,0.3118157,0.34788826,0.00006000373],"about_ca_topic_score_codex":0.009922955,"about_ca_topic_score_gemma":0.015685242,"teacher_disagreement_score":0.013613189,"about_ca_system_score_codex":0.0060500964,"about_ca_system_score_gemma":0.0037855224,"threshold_uncertainty_score":0.043896735},"labels":[],"label_agreement":null},{"id":"W2131903602","doi":"10.7202/1030870ar","title":"Musicology, Performance, Slavery: Intellectual Despotism and the Politics of Musical Understanding","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Scholarship; Legitimacy; Musical; Musicology; Politics; Power (physics); Aesthetics; Discipline; Identity (music); Epistemology; Elite; Sociology; TRACE (psycholinguistics); Trope (literature); Music theory; Literature; Social science; Law; Political science; Art; Philosophy; Linguistics","score_opus":0.10174758724120136,"score_gpt":0.22493534024565848,"score_spread":0.12318775300445711,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2131903602","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1380081,0.01582211,0.0055863634,0.093565136,0.0011626038,0.000029401604,0.00002623736,0.000050862986,0.7457491],"genre_scores_gemma":[0.971763,0.0017691876,0.0004021838,0.002692881,0.00066879776,0.000026613785,0.000009316799,0.000044253153,0.022623854],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99502593,0.0036343478,0.00008420717,0.0002852299,0.00048476018,0.0004855011],"domain_scores_gemma":[0.9976857,0.0017031021,0.00016694612,0.00014955066,0.000096327596,0.00019835195],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00357133,0.0003583804,0.00042641087,0.0014094671,0.010626696,0.0079728,0.0009884787,0.0034025412,0.003980203],"category_scores_gemma":[0.0057261265,0.00015017425,0.00024592102,0.0010682207,0.068877004,0.0075128134,0.007140621,0.0045424923,0.00055554317],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022955797,0.000017224493,0.00022353473,0.000043040647,0.000001956406,0.00021894478,0.15841095,0.00006809198,0.00021422954,0.83183676,0.0037628266,0.0051793796],"study_design_scores_gemma":[0.000040497212,0.00004563466,0.0013755298,0.00038357117,0.0000051762922,0.00039900554,0.1617706,0.0002942996,0.00042040122,0.56617296,0.26907367,0.000018643264],"about_ca_topic_score_codex":0.002241798,"about_ca_topic_score_gemma":0.0029390976,"teacher_disagreement_score":0.010626696,"about_ca_system_score_codex":0.0037186919,"about_ca_system_score_gemma":0.0019701677,"threshold_uncertainty_score":0.026981115},"labels":[],"label_agreement":null},{"id":"W2132948865","doi":"10.7202/029963ar","title":"Karen Ahlquist, ed. 2006. Chorus and Community. Illinois: University of Illinois Press. 336 pp. ISBN-13: 978-0-252-03037-6 (cloth and compact disc)","year":2008,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Chorus; History; Media studies; Art; Sociology; Literature","score_opus":0.03874839605094665,"score_gpt":0.192359290998689,"score_spread":0.15361089494774235,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2132948865","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004084775,0.8747089,0.00086771336,0.011253779,0.0018133048,0.000021188493,0.00042799627,0.00020090182,0.11029782],"genre_scores_gemma":[0.0067059617,0.7891118,0.0028185698,0.0014429349,0.0007627118,0.00008086388,0.00060264446,0.00026601448,0.19820844],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942076,0.000109127344,0.000053393494,0.00010092418,0.00025005333,0.00006577528],"domain_scores_gemma":[0.9990571,0.00037161013,0.0000928617,0.00004227148,0.00026674845,0.00016934218],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00085212855,0.0022081672,0.0011537024,0.0029271746,0.0021631802,0.004299704,0.0011779475,0.0022804162,0.09688839],"category_scores_gemma":[0.0017953491,0.0012593481,0.00042257394,0.003915125,0.002174455,0.0070580486,0.0020057457,0.003163945,0.05679566],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051637657,0.000019810988,0.00027018966,0.0009116101,0.0000073345836,0.00008896206,0.0016706911,0.00011847854,0.0001551462,0.008576883,0.8064017,0.18172757],"study_design_scores_gemma":[0.0000038136839,0.0000047377675,0.000652185,0.0017910176,0.000005672994,0.0001533564,0.0011802929,0.000024430316,0.00006954924,0.0029564747,0.9931443,0.000014129894],"about_ca_topic_score_codex":0.037089564,"about_ca_topic_score_gemma":0.069755964,"teacher_disagreement_score":0.09688839,"about_ca_system_score_codex":0.0029007639,"about_ca_system_score_gemma":0.004564614,"threshold_uncertainty_score":0.32412398},"labels":[],"label_agreement":null},{"id":"W2137640522","doi":"10.7202/1030874ar","title":"« A garland on Pierre Boulez ». Quelques considérations sur Pour le Dr. Kalmus (1969/2005)","year":2015,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.06421483838599426,"score_gpt":0.27052687192610747,"score_spread":0.2063120335401132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2137640522","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03621181,0.06312002,0.0067085424,0.21189854,0.025617313,0.000076059,0.00043307513,0.00048317123,0.65545154],"genre_scores_gemma":[0.31716207,0.009209281,0.003273758,0.021201804,0.0038135878,0.00007171709,0.00013071201,0.00050780526,0.64462936],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983175,0.0005308332,0.000053617186,0.00035481306,0.00052867923,0.00021456776],"domain_scores_gemma":[0.9985997,0.0006098992,0.000118949305,0.000089319285,0.0003551126,0.0002269961],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011948125,0.0006963899,0.00033231362,0.0010086597,0.008383129,0.006037988,0.0006382543,0.0027137503,0.0191015],"category_scores_gemma":[0.005403852,0.0002567309,0.0003077284,0.0006179921,0.0055911047,0.0033440604,0.0024383746,0.0048614736,0.00476336],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030555192,0.000020684094,0.0015552446,0.00040774717,0.000030060844,0.00093489396,0.07197361,0.0001648619,0.0029422934,0.43081334,0.4133712,0.0774804],"study_design_scores_gemma":[0.0000034854295,0.0000106337575,0.0011012029,0.00015506509,0.000004693908,0.00031341822,0.006554799,0.00003963574,0.0005129077,0.0038680974,0.98742086,0.000015236104],"about_ca_topic_score_codex":0.042783093,"about_ca_topic_score_gemma":0.10877209,"teacher_disagreement_score":0.042783093,"about_ca_system_score_codex":0.004557446,"about_ca_system_score_gemma":0.0028744135,"threshold_uncertainty_score":0.08506811},"labels":[],"label_agreement":null},{"id":"W2138967679","doi":"10.7202/1003500ar","title":"Structuralists contra Serialists? Claude Lévi-Strauss and Pierre Boulez on Avant-Garde Music","year":2011,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":22,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Denunciation; Metaphor; Literature; Philosophy; Art history; Art; Embodied cognition; Epistemology; Linguistics","score_opus":0.05787450645445464,"score_gpt":0.2200073758494412,"score_spread":0.16213286939498656,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2138967679","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04672363,0.04392042,0.013311538,0.5197186,0.0048661595,0.000024677458,0.000082975246,0.00017724546,0.37117478],"genre_scores_gemma":[0.84891117,0.013979794,0.0050910795,0.030636778,0.005344949,0.00007011732,0.000059983,0.0002941099,0.09561195],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99843055,0.00068900565,0.00003134913,0.00028332826,0.00037891607,0.0001868144],"domain_scores_gemma":[0.9988098,0.0006105278,0.00008947851,0.0001383814,0.0002548291,0.00009706198],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017959056,0.00050556357,0.0003494899,0.0013082954,0.0038644667,0.0045908624,0.0009650522,0.0026999535,0.005722064],"category_scores_gemma":[0.005642572,0.0002339555,0.0003248122,0.0008852063,0.0156027805,0.007257203,0.0024205544,0.0045538433,0.0012982875],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016713846,0.0000091185175,0.00017100183,0.00002428328,0.0000051930037,0.00008108898,0.0055748704,0.00012017283,0.00017615476,0.9589499,0.02495319,0.009918313],"study_design_scores_gemma":[0.000019683024,0.000021358894,0.0005864182,0.00019755107,0.0000070239503,0.00013320787,0.006707918,0.00040252824,0.00030980588,0.4836209,0.5079722,0.00002141425],"about_ca_topic_score_codex":0.01842126,"about_ca_topic_score_gemma":0.025338905,"teacher_disagreement_score":0.01842126,"about_ca_system_score_codex":0.0047484483,"about_ca_system_score_gemma":0.001990401,"threshold_uncertainty_score":0.036628067},"labels":[],"label_agreement":null},{"id":"W2140056040","doi":"10.7202/1013245ar","title":"Composer en tant que catholique : une relecture de la musique vocale de Lili Boulanger","year":2012,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.015391942134720256,"score_gpt":0.2156315206949347,"score_spread":0.20023957856021443,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2140056040","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30289385,0.012909367,0.0058871433,0.047468707,0.0014626906,0.000041445564,0.00019291475,0.0003269177,0.6288169],"genre_scores_gemma":[0.7507847,0.0017064295,0.0013902442,0.0022139053,0.00025911565,0.000025746858,0.000057202586,0.00020429822,0.2433584],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993006,0.0002938253,0.000012996538,0.0001328744,0.0001393863,0.000120318124],"domain_scores_gemma":[0.99931586,0.00032076787,0.00005977638,0.00004110165,0.00012266966,0.00013977072],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014066731,0.0004191755,0.00023817923,0.0009155466,0.009670682,0.0032697234,0.000520097,0.0014464181,0.010535199],"category_scores_gemma":[0.002019231,0.00020986148,0.00014029042,0.0005705707,0.006129781,0.0020657168,0.0019389744,0.0027316331,0.001655847],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032590583,0.000029501854,0.004180799,0.00019781456,0.000017663246,0.0009347267,0.59391254,0.00017616269,0.008281783,0.25748718,0.0640962,0.07035969],"study_design_scores_gemma":[0.0000061221344,0.00007223505,0.006738441,0.00017621409,0.000009182545,0.0006709264,0.0712008,0.00023349452,0.0013432394,0.0023476821,0.9171489,0.000052717267],"about_ca_topic_score_codex":0.08414539,"about_ca_topic_score_gemma":0.23664828,"teacher_disagreement_score":0.08414539,"about_ca_system_score_codex":0.0063635106,"about_ca_system_score_gemma":0.0014821409,"threshold_uncertainty_score":0.16731125},"labels":[],"label_agreement":null},{"id":"W2149852999","doi":"10.7202/1006378ar","title":"L’expérience musicale est une expérience sociale : de l’intellectualisation de la musique électronique à Lima (Pérou)","year":2011,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.045151030333214166,"score_gpt":0.26439036783769865,"score_spread":0.2192393375044845,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2149852999","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7682448,0.0032146894,0.0031147029,0.013286991,0.00018373864,0.000026246842,0.000020760466,0.00002357893,0.21188447],"genre_scores_gemma":[0.99082536,0.0006169173,0.00022773932,0.00031322762,0.000033937507,0.000011520038,0.000004272992,0.000007793004,0.007959306],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99845445,0.0010195044,0.000028151524,0.00013249817,0.00016729624,0.00019803832],"domain_scores_gemma":[0.99785197,0.001429495,0.00018712577,0.00012722798,0.0001539391,0.00025033797],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025232201,0.00026226882,0.00020428063,0.0011108456,0.005619445,0.0061825803,0.00066511193,0.0013537549,0.0039110803],"category_scores_gemma":[0.0039032637,0.00018055835,0.00020014243,0.00079696986,0.021128988,0.004675392,0.005381872,0.0019003076,0.00022870526],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030180163,0.00002131409,0.0021014228,0.00007260005,0.0000063777406,0.00055918004,0.9018146,0.000040678093,0.0011358487,0.07748735,0.00082991214,0.015900485],"study_design_scores_gemma":[0.000008041286,0.000065201384,0.0085328,0.00019179037,0.000009329193,0.0007809223,0.84486544,0.00016094356,0.0006601832,0.012707301,0.13198614,0.000032048145],"about_ca_topic_score_codex":0.007732146,"about_ca_topic_score_gemma":0.011082603,"teacher_disagreement_score":0.007732146,"about_ca_system_score_codex":0.0026512723,"about_ca_system_score_gemma":0.0017997083,"threshold_uncertainty_score":0.019236445},"labels":[],"label_agreement":null},{"id":"W2159581974","doi":"10.7202/1018579ar","title":"Relire Ingarden : l’ontologie des oeuvres musicales, entre fictions et montagnes","year":2013,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Social and Cultural Dynamics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Humanities; Art; Philosophy; Art history","score_opus":0.041005065245207646,"score_gpt":0.2678767026472662,"score_spread":0.22687163740205857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2159581974","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14990728,0.005163816,0.03710306,0.008516852,0.00045608715,0.000053914748,0.000105356696,0.00013539969,0.79855824],"genre_scores_gemma":[0.9427236,0.001626553,0.00339428,0.0005208555,0.0001662604,0.000050956314,0.000073265626,0.00014650646,0.051297896],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9985576,0.0006951245,0.0000373081,0.00023933093,0.0003280085,0.00014261884],"domain_scores_gemma":[0.99875426,0.0006829423,0.00011143214,0.0002018628,0.00014976012,0.00009969384],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014540969,0.00048354108,0.00027026545,0.0016055722,0.0047585117,0.008505539,0.00090381136,0.0013599123,0.0074567427],"category_scores_gemma":[0.004128977,0.00026815207,0.00031847984,0.0013997322,0.023704927,0.009573333,0.003875238,0.002450813,0.0009076734],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026317248,0.000008625369,0.00058417994,0.00005840563,0.0000037216137,0.00019394956,0.109090604,0.00012400914,0.0007283503,0.8752921,0.0011603372,0.012729267],"study_design_scores_gemma":[0.000021262216,0.000061118706,0.0044062603,0.0003264936,0.000015393689,0.0008810638,0.10525499,0.0010965947,0.0013379466,0.39890656,0.487644,0.00004837258],"about_ca_topic_score_codex":0.0057383645,"about_ca_topic_score_gemma":0.0057184547,"teacher_disagreement_score":0.008505539,"about_ca_system_score_codex":0.002307269,"about_ca_system_score_gemma":0.0013655709,"threshold_uncertainty_score":0.024945319},"labels":[],"label_agreement":null},{"id":"W2162701418","doi":"10.7202/019298ar","title":"George et Ira Gershwin. 2000. Pardon My English: Vocal Score. Édité par Steven D. Bowen. Paroles et musique de George et Ira Gershwin. Livret de Herbert Fields et Morrie Ryskind. Miami, Floride : Warner Bros Music Corp. xxiii, 357 p. ISBN 0-7692-9201-1, ISBN 978-0-7692-9201-4 (couverture rigide).","year":2007,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"George (robot); Art; Miami; Art history; Humanities; Geology","score_opus":0.018287453987110264,"score_gpt":0.2236564569353641,"score_spread":0.20536900294825383,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2162701418","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015077798,0.2875339,0.0026266999,0.03921534,0.017020386,0.00017080952,0.0038635144,0.0010776732,0.646984],"genre_scores_gemma":[0.0049409075,0.046710834,0.00092133286,0.0018693084,0.001079546,0.00009257348,0.0010277402,0.0006021445,0.9427556],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992582,0.00008438286,0.00005008166,0.00011212054,0.00042115577,0.0000739799],"domain_scores_gemma":[0.9992192,0.00015697717,0.00006450655,0.00004284075,0.00039998462,0.000116459676],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00089017674,0.0017557933,0.0008294213,0.0020323156,0.0016777833,0.0036150238,0.0013397754,0.0019765538,0.31842384],"category_scores_gemma":[0.002415196,0.0007132952,0.0003055994,0.0025170338,0.0009932659,0.0036227521,0.0018097053,0.0021232956,0.23412791],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015456513,0.0000042051856,0.000049958606,0.00019186227,0.0000018141453,0.000029545712,0.00033560029,0.000012479281,0.00020938714,0.0010870978,0.9294841,0.068578385],"study_design_scores_gemma":[0.0000024728188,0.0000064533388,0.00083224836,0.00019810983,0.0000016547154,0.00006597262,0.00040882567,0.0000066537395,0.00005565771,0.00018479429,0.9982331,0.0000039762376],"about_ca_topic_score_codex":0.05378735,"about_ca_topic_score_gemma":0.14508946,"teacher_disagreement_score":0.31842384,"about_ca_system_score_codex":0.0027868343,"about_ca_system_score_gemma":0.0021218432,"threshold_uncertainty_score":0.9721857},"labels":[],"label_agreement":null},{"id":"W2165042151","doi":"10.7202/019296ar","title":"Report—Centre and periphery, roots and exile: Interpreting the music of István Anhalt and György Kurtág. Centre et périphérie, racines et exil : L’interprétation de la musique d’István Anhalt et de György Kurtág. Rozsa Centre, University of Calgary January 22–25 janvier, 2008","year":2008,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Art history","score_opus":0.020215163860370238,"score_gpt":0.21735247089580612,"score_spread":0.1971373070354359,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2165042151","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68521845,0.020338282,0.0025765758,0.040217288,0.0093546705,0.00029005297,0.00076983037,0.00014178528,0.24109305],"genre_scores_gemma":[0.80545676,0.006464608,0.0011759253,0.0026468404,0.0010699971,0.0001683018,0.0004726677,0.00022968049,0.18231514],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990845,0.00029198092,0.00004705471,0.000109586865,0.00023575015,0.00023124018],"domain_scores_gemma":[0.9992093,0.0002829102,0.00013378127,0.000043304743,0.00016952859,0.00016115647],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023049617,0.00058589614,0.0003055015,0.0014641338,0.0054580187,0.004139327,0.00080818485,0.0011876401,0.0072785956],"category_scores_gemma":[0.00199642,0.00041053593,0.000227758,0.0016667537,0.0040100724,0.0021960721,0.0048081507,0.002597778,0.0010658341],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002451638,0.00007619435,0.013310112,0.0005428868,0.000022531365,0.0021282097,0.76923025,0.0001500089,0.0035305573,0.040023554,0.12373275,0.04700776],"study_design_scores_gemma":[0.000014057102,0.0000550182,0.03456242,0.000303207,0.000016780228,0.0004040962,0.58840454,0.000051716863,0.0009468089,0.0012046976,0.37401354,0.000023136603],"about_ca_topic_score_codex":0.041469827,"about_ca_topic_score_gemma":0.12447937,"teacher_disagreement_score":0.041469827,"about_ca_system_score_codex":0.0046632807,"about_ca_system_score_gemma":0.0031851802,"threshold_uncertainty_score":0.08245689},"labels":[],"label_agreement":null},{"id":"W2167154184","doi":"10.7202/1013111ar","title":"La musique dans la vie des jeunes enfants : recension, analyse et critique de quelques théories du développement musical","year":2012,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Sociology","score_opus":0.038834900047549054,"score_gpt":0.28465531654157367,"score_spread":0.2458204164940246,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2167154184","genre_codex":"empirical","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83082944,0.04665701,0.0058881314,0.017158775,0.00038451978,0.000050979106,0.000076133576,0.000033838463,0.098921224],"genre_scores_gemma":[0.97653496,0.012480729,0.0017407336,0.00039783062,0.000056132463,0.000028663095,0.000022427057,0.000011352968,0.00872722],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99887687,0.00043110852,0.00003994632,0.00018613786,0.00027650475,0.0001895345],"domain_scores_gemma":[0.9971655,0.0017506663,0.00036185817,0.00010145602,0.00037678267,0.00024370826],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027732593,0.0006071786,0.0003908342,0.0018277202,0.0032092456,0.004535012,0.00083445554,0.0014095508,0.003199477],"category_scores_gemma":[0.0053362176,0.00031544865,0.00035520826,0.0010801099,0.00978091,0.0025324456,0.0019640855,0.0021636598,0.00030519205],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007776872,0.000095622585,0.04778174,0.0007993129,0.00005914611,0.0014616784,0.6647543,0.00039316664,0.0022082252,0.16653836,0.0020293056,0.11380138],"study_design_scores_gemma":[0.000019983276,0.00020329902,0.17795622,0.0021390177,0.00008518992,0.0019248213,0.63322514,0.0006841081,0.0011598071,0.033797376,0.14871533,0.00008963538],"about_ca_topic_score_codex":0.045171324,"about_ca_topic_score_gemma":0.1170742,"teacher_disagreement_score":0.045171324,"about_ca_system_score_codex":0.004235455,"about_ca_system_score_gemma":0.0049879914,"threshold_uncertainty_score":0.08981681},"labels":[],"label_agreement":null},{"id":"W2171511503","doi":"10.7202/1009287ar","title":"Formal Mixture in the Sonata-Form Movements of Middle- and Late-Period Beethoven","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Tonality; Movement (music); Period (music); Sonata form; Sonata rondo form; Piano sonata; Literature; Art; History; Musical; Art history; Aesthetics","score_opus":0.0405388992705341,"score_gpt":0.21789541341926544,"score_spread":0.17735651414873133,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2171511503","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82823944,0.0009924924,0.011262856,0.00039764852,0.00009272284,0.000027500459,0.00007156926,0.00009681676,0.15881895],"genre_scores_gemma":[0.97831213,0.00018270964,0.003676435,0.000047497942,0.00001763796,0.000009330129,0.000049351343,0.00006443126,0.017640537],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99967945,0.000067703055,0.000011192455,0.00007961811,0.00008440354,0.00007769622],"domain_scores_gemma":[0.99976426,0.00008856067,0.000029783334,0.000027928256,0.00003705783,0.000052430994],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034334845,0.00021098061,0.00018547564,0.00094683166,0.0013897067,0.0025394484,0.0002791436,0.0003774452,0.005887065],"category_scores_gemma":[0.0015270822,0.00021295961,0.00011302144,0.0007444832,0.0022503105,0.0013556335,0.001561993,0.00060502527,0.0005811188],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011523453,0.000070265574,0.013773499,0.00015559289,0.00002632854,0.001217514,0.22732995,0.000980798,0.03474451,0.5167859,0.004467057,0.19929619],"study_design_scores_gemma":[0.00012158777,0.00044911416,0.15702292,0.00035994226,0.00006913745,0.0046801134,0.14289907,0.008474995,0.014519161,0.13566837,0.5354751,0.0002605386],"about_ca_topic_score_codex":0.0045779194,"about_ca_topic_score_gemma":0.014283672,"teacher_disagreement_score":0.005887065,"about_ca_system_score_codex":0.0007679405,"about_ca_system_score_gemma":0.0003555786,"threshold_uncertainty_score":0.01969421},"labels":[],"label_agreement":null},{"id":"W2194864677","doi":"","title":"Why Diversity and Civic Engagement Don’t Talk to Each Other on College Campuses: The Need for Public Work","year":2007,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Service-Learning and Community Engagement","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Diversity (politics); Work (physics); Civic engagement; Public engagement; Sociology; Public university; Media studies; Political science; Public relations; Public administration; Engineering; Anthropology; Law","score_opus":0.07877624767322153,"score_gpt":0.28117998887813966,"score_spread":0.20240374120491814,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2194864677","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6624491,0.0012520636,0.00081673224,0.2458848,0.00070695457,0.0000476095,0.00006467233,0.000051561572,0.088726506],"genre_scores_gemma":[0.99250495,0.00018415826,0.00012611935,0.0044102212,0.00010022084,0.000027787039,0.000016696527,0.000033909007,0.0025959632],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.98464084,0.0067155114,0.00026301842,0.0010705775,0.0020513837,0.005258606],"domain_scores_gemma":[0.9616269,0.009223661,0.0028710666,0.0018404726,0.004131399,0.020306505],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010063862,0.00032339702,0.0008570922,0.0021041017,0.029172253,0.024792608,0.0027794628,0.006770021,0.024132032],"category_scores_gemma":[0.029172352,0.00082879595,0.00086630665,0.002076818,0.025593327,0.014411517,0.018470943,0.010402147,0.001536005],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00043257477,0.0011500062,0.21498324,0.00029443065,0.00020841268,0.00086578215,0.5225565,0.0002721475,0.0008169629,0.10299011,0.0603415,0.095088385],"study_design_scores_gemma":[0.000050750717,0.000054840188,0.058749277,0.0002720396,0.000049395512,0.00013472987,0.86323476,0.00016774822,0.00017874205,0.034401786,0.042640425,0.00006552422],"about_ca_topic_score_codex":0.067765325,"about_ca_topic_score_gemma":0.14125884,"teacher_disagreement_score":0.067765325,"about_ca_system_score_codex":0.012818728,"about_ca_system_score_gemma":0.024683444,"threshold_uncertainty_score":0.13474178},"labels":[],"label_agreement":null},{"id":"W2200819395","doi":"10.7202/1032697ar","title":"Anhalt’s Oppenheimer: The History of a Never-Finished Major Work","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Opera; Negotiation; Fantasy; Period (music); Musical; History; Art history; Literature; Art; Law; Political science; Aesthetics","score_opus":0.08878148005999602,"score_gpt":0.213969914804312,"score_spread":0.12518843474431596,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2200819395","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17522366,0.019148206,0.0036180215,0.013224956,0.001978694,0.000052642776,0.0001412915,0.00016992228,0.7864426],"genre_scores_gemma":[0.8532837,0.0061643883,0.0009508277,0.0008870634,0.00025092604,0.000021376707,0.000050451246,0.00023319366,0.13815801],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99840194,0.0005467356,0.000045771714,0.00022654523,0.00045614404,0.00032276232],"domain_scores_gemma":[0.998874,0.00055515167,0.000091135604,0.00013666612,0.00010820298,0.00023488283],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014887751,0.00046114187,0.0002578645,0.0012781029,0.012712542,0.007426524,0.000803778,0.0011528586,0.011027744],"category_scores_gemma":[0.004208396,0.00038158498,0.00015110373,0.0011630971,0.01930569,0.0040059816,0.005631226,0.0028741306,0.001577386],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013710746,0.000042593816,0.0008777928,0.0001677932,0.000012209699,0.0012966548,0.24651419,0.000176647,0.00087098504,0.65589255,0.03710907,0.056902327],"study_design_scores_gemma":[0.0000039017577,0.000024705296,0.0009055902,0.00018308967,0.000005662576,0.00045600947,0.04447253,0.00004747008,0.00072686106,0.010963428,0.9421972,0.000013408232],"about_ca_topic_score_codex":0.019410614,"about_ca_topic_score_gemma":0.056039385,"teacher_disagreement_score":0.019410614,"about_ca_system_score_codex":0.0060740663,"about_ca_system_score_gemma":0.0035661317,"threshold_uncertainty_score":0.04407066},"labels":[],"label_agreement":null},{"id":"W2224609704","doi":"10.7202/1032698ar","title":"“The Spectacle of a Young Man”: Glenn Gould, Graham Steed, and an Unpublished Concert Review for the Windsor Star","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Windsor; Spectacle; Context (archaeology); History; Art history; Law; Archaeology; Political science","score_opus":0.0658250505096798,"score_gpt":0.249557846481866,"score_spread":0.1837327959721862,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2224609704","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00053337275,0.69292367,0.00011443165,0.24773405,0.055041783,0.000016623027,0.00008825515,0.000010533882,0.0035373021],"genre_scores_gemma":[0.019134687,0.61369455,0.00059666776,0.24476048,0.10424475,0.00011207207,0.00015798547,0.000101084646,0.017197656],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98901576,0.003874273,0.0010679412,0.0008624262,0.0045404863,0.00063921174],"domain_scores_gemma":[0.95636225,0.01620554,0.0031584548,0.00088131597,0.020155668,0.0032367278],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.015577987,0.0006499268,0.0009779708,0.0053189415,0.003137291,0.0068995794,0.001574014,0.0048057875,0.0029166124],"category_scores_gemma":[0.044730704,0.0004974398,0.0005220018,0.0053614522,0.004561519,0.004384274,0.0020859772,0.0043766852,0.0012732083],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029370236,0.0000037020698,0.00015585648,0.0019896496,0.00003300012,0.0001365131,0.0017043331,0.000018865194,0.00012080962,0.002956155,0.9745321,0.018319428],"study_design_scores_gemma":[0.0000046184578,0.0000072760745,0.00029787995,0.003172242,0.000022135366,0.00011777038,0.0007524933,0.0000037560403,0.00004445801,0.00024590932,0.9953211,0.000010332594],"about_ca_topic_score_codex":0.06440902,"about_ca_topic_score_gemma":0.14529018,"teacher_disagreement_score":0.935591,"about_ca_system_score_codex":0.0100429915,"about_ca_system_score_gemma":0.031900253,"threshold_uncertainty_score":0.12806821},"labels":[],"label_agreement":null},{"id":"W2235928116","doi":"","title":"The D ivide Within (Not Between) Liberal Arts and Professional Education","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Legal Education and Practice Innovations","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Liberal arts education; Liberal education; The arts; Pedagogy; Mathematics education; Sociology; Visual arts; Political science; Art; Higher education; Psychology; Law","score_opus":0.03698551778382118,"score_gpt":0.3348344261495152,"score_spread":0.297848908365694,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2235928116","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033364892,0.0028439173,0.0060884985,0.033537347,0.0008210385,0.00003006311,0.000053919448,0.00005168971,0.9232088],"genre_scores_gemma":[0.8831306,0.0010273036,0.0024647987,0.0049979454,0.00033141545,0.000041360236,0.000041721818,0.00006829577,0.10789644],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.992277,0.0027509858,0.00018939245,0.0009908184,0.0021008735,0.0016908689],"domain_scores_gemma":[0.9954268,0.0010948377,0.00032843862,0.00048369198,0.0009184022,0.0017476887],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027082271,0.0002183326,0.0003879228,0.0023695743,0.014900526,0.025835497,0.0010474494,0.0045041447,0.033999003],"category_scores_gemma":[0.007678544,0.00040825672,0.00034032323,0.0022883748,0.02461457,0.011973524,0.012829364,0.006136888,0.003453389],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018973338,0.00003441888,0.0025516327,0.000034158493,0.000006117141,0.000066720895,0.010312803,0.000042951327,0.00024010947,0.9465479,0.0073777414,0.032766454],"study_design_scores_gemma":[0.000017024675,0.00005595938,0.009257683,0.00034599882,0.000017162456,0.0001873653,0.06805799,0.00016515813,0.000504802,0.3515518,0.5698098,0.000029223345],"about_ca_topic_score_codex":0.025041876,"about_ca_topic_score_gemma":0.05999711,"teacher_disagreement_score":0.033999003,"about_ca_system_score_codex":0.011132911,"about_ca_system_score_gemma":0.019637518,"threshold_uncertainty_score":0.113738},"labels":[],"label_agreement":null},{"id":"W2236857815","doi":"","title":"Freedom of a Christian--College: Looking through the Lens of Vocation","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Lens (geology); History; Philosophy; Sociology; Optics; Physics","score_opus":0.02173955371220513,"score_gpt":0.2616469773983359,"score_spread":0.2399074236861308,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2236857815","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044952996,0.0019832454,0.0030232735,0.048254102,0.00033046905,0.00001556961,0.00006787128,0.000022582684,0.90134984],"genre_scores_gemma":[0.9751813,0.00040655842,0.00045040963,0.002043919,0.00020077503,0.000014143792,0.00002114864,0.000042329386,0.021639423],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99560225,0.0025591752,0.00004239504,0.00029389485,0.0005133135,0.0009890565],"domain_scores_gemma":[0.995194,0.0023319707,0.00022365099,0.00042924428,0.00050731585,0.0013138821],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0039930237,0.00037435087,0.00044354916,0.0024328656,0.025432933,0.01930261,0.0013936337,0.0047638398,0.015052588],"category_scores_gemma":[0.0067226705,0.00023397604,0.00044324994,0.0021089402,0.07945115,0.011262718,0.0076872287,0.008275233,0.0004721417],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004785212,0.0000042353654,0.00008368355,0.000003609299,6.99461e-7,0.000017606071,0.0067992844,0.00002686257,0.000017653281,0.99124837,0.0010926663,0.0007004554],"study_design_scores_gemma":[0.000016201655,0.000011761151,0.001395523,0.00007632373,0.0000050536682,0.000054938388,0.06169719,0.00024897873,0.00011545935,0.78176194,0.15459342,0.000023249246],"about_ca_topic_score_codex":0.08097757,"about_ca_topic_score_gemma":0.11222918,"teacher_disagreement_score":0.08097757,"about_ca_system_score_codex":0.015840469,"about_ca_system_score_gemma":0.0110829985,"threshold_uncertainty_score":0.16101241},"labels":[],"label_agreement":null},{"id":"W2244396835","doi":"","title":"The Lutheran Calling in Education: Context and Prospect","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Context (archaeology); History; Archaeology","score_opus":0.013441383918930863,"score_gpt":0.2701560523972615,"score_spread":0.25671466847833063,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2244396835","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08138897,0.08049031,0.0016735101,0.48321036,0.0038949167,0.000025077201,0.0001342037,0.000032438697,0.3491502],"genre_scores_gemma":[0.94768286,0.015319428,0.0005821374,0.014379665,0.0041870424,0.000026809146,0.000035904584,0.000030304262,0.017755944],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9961816,0.0023119177,0.00007352796,0.00026698125,0.00030764862,0.0008582671],"domain_scores_gemma":[0.9931605,0.0037185415,0.0005294862,0.00022979015,0.00090825197,0.0014535661],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004141975,0.00034451572,0.0005954391,0.0025233931,0.01738363,0.016687175,0.0020999168,0.009369937,0.014924243],"category_scores_gemma":[0.0062463507,0.00029907125,0.00027540172,0.002995676,0.039482657,0.009736168,0.0048913625,0.0074718515,0.0007354915],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008746784,0.00012005399,0.0036314346,0.00022075244,0.000007389215,0.00070921186,0.07127284,0.00011036459,0.00016419656,0.86460286,0.01759539,0.041477963],"study_design_scores_gemma":[0.00003079373,0.00008086958,0.015102182,0.001295737,0.000024254972,0.00094865344,0.32674056,0.00023953413,0.0002124977,0.16546398,0.48975426,0.00010666002],"about_ca_topic_score_codex":0.051159684,"about_ca_topic_score_gemma":0.1431811,"teacher_disagreement_score":0.051159684,"about_ca_system_score_codex":0.010769317,"about_ca_system_score_gemma":0.015965428,"threshold_uncertainty_score":0.10172379},"labels":[],"label_agreement":null},{"id":"W2244930635","doi":"","title":"Reinventing Lutheran Liberal Arts: A Preliminary Report on Project DAVID","year":2013,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical Legal Studies and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Liberal arts education; The arts; Art history; History; Visual arts; Art; Sociology; Political science; Law; Higher education","score_opus":0.04586903274614527,"score_gpt":0.28483135019822636,"score_spread":0.2389623174520811,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2244930635","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4148047,0.003027747,0.0030220032,0.13383482,0.0034005756,0.0023810188,0.0013780025,0.0002290557,0.43792206],"genre_scores_gemma":[0.71011806,0.0013758331,0.0044144127,0.02196343,0.00023021891,0.000979953,0.0007165278,0.00013640693,0.2600651],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99274206,0.0017666157,0.00013338383,0.00041674517,0.001362911,0.0035782068],"domain_scores_gemma":[0.99574393,0.0010865891,0.0001441387,0.00031702936,0.0007425538,0.001965778],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009650755,0.0005411372,0.00046681313,0.0015425846,0.021109026,0.009270304,0.0018305018,0.004760524,0.02097364],"category_scores_gemma":[0.011900681,0.00030118148,0.00044301254,0.0014164917,0.0052414015,0.0030572717,0.011128529,0.0042034215,0.0018918341],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009828755,0.0024054,0.023455624,0.0008189313,0.000047802976,0.0019826097,0.08269488,0.0010533131,0.007352673,0.38514218,0.22593719,0.26812652],"study_design_scores_gemma":[0.00013664302,0.00038459356,0.014828407,0.0001565855,0.000030080477,0.00017340471,0.06685497,0.00023329639,0.0051368154,0.01013142,0.9018918,0.000041973228],"about_ca_topic_score_codex":0.08380473,"about_ca_topic_score_gemma":0.23114859,"teacher_disagreement_score":0.08380473,"about_ca_system_score_codex":0.012320133,"about_ca_system_score_gemma":0.060350657,"threshold_uncertainty_score":0.16663384},"labels":[],"label_agreement":null},{"id":"W2246186922","doi":"","title":"From the Publisher: Staying Connected","year":2013,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Publishing and Scholarly Communication","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.04620787413943208,"score_gpt":0.20283509969779287,"score_spread":0.15662722555836078,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2246186922","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0060750176,0.009433345,0.0019338346,0.38921806,0.05894853,0.000047087644,0.00018930048,0.0005420285,0.5336127],"genre_scores_gemma":[0.097913705,0.009088148,0.0019965412,0.11519045,0.020148797,0.000083949126,0.00035744894,0.0020364632,0.75318444],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98768336,0.0036223738,0.0005224587,0.0014455548,0.0050170342,0.0017092648],"domain_scores_gemma":[0.95673996,0.006904064,0.0019487017,0.0033532653,0.014699777,0.016354308],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.006130673,0.00074121414,0.0009900013,0.0032352356,0.030194774,0.04115315,0.0027391566,0.010230919,0.14807422],"category_scores_gemma":[0.048943006,0.00079277286,0.0007380898,0.004890608,0.012944522,0.04807249,0.018095767,0.015968876,0.06279089],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024268027,0.000038591337,0.000564927,0.00009989176,0.000016318876,0.00040465695,0.018917227,0.00002320451,0.00016929401,0.057686333,0.8809208,0.041134458],"study_design_scores_gemma":[0.0000040977907,0.000011529379,0.0001916037,0.000134364,0.00000978273,0.0001443506,0.012576887,0.000015069734,0.00005432873,0.007492733,0.97934717,0.000018129094],"about_ca_topic_score_codex":0.01737945,"about_ca_topic_score_gemma":0.041892715,"teacher_disagreement_score":0.95884687,"about_ca_system_score_codex":0.0077997097,"about_ca_system_score_gemma":0.01859626,"threshold_uncertainty_score":0.49535763},"labels":[],"label_agreement":null},{"id":"W2248773718","doi":"","title":"The Value of Evoking Vocation and the Vocation of Evoking Value","year":2013,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Philosophy and Theoretical Science","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Value (mathematics); Mathematics; Statistics","score_opus":0.01626906260898094,"score_gpt":0.2559941995808055,"score_spread":0.23972513697182454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2248773718","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035306767,0.0025422766,0.031313054,0.018346112,0.0007199992,0.000037048438,0.000059304333,0.000063371685,0.9116121],"genre_scores_gemma":[0.97368544,0.0005183853,0.0045711934,0.0015709681,0.00036731115,0.00005194662,0.000035866706,0.00015729888,0.01904157],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9911243,0.0050843474,0.00026121558,0.0008910934,0.0016530554,0.0009860777],"domain_scores_gemma":[0.98834115,0.0063379537,0.0007796385,0.0016656152,0.001995336,0.0008802294],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0066239564,0.00050166756,0.0005795838,0.0018526564,0.006320393,0.010692532,0.0015281878,0.004470941,0.012910018],"category_scores_gemma":[0.015361295,0.0005151972,0.00062514225,0.0014033268,0.0509762,0.015212526,0.0057622236,0.0059816,0.000949601],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026024587,0.000007595062,0.0002127624,0.000023573606,0.0000051623006,0.000031460877,0.0032383788,0.000053273707,0.00011233121,0.9924785,0.00081705436,0.0029938156],"study_design_scores_gemma":[0.00002735795,0.000028844845,0.00084412756,0.00010289464,0.000019443458,0.00016443395,0.005041273,0.00034581826,0.00044310285,0.9447243,0.048229743,0.000028647379],"about_ca_topic_score_codex":0.0033073886,"about_ca_topic_score_gemma":0.004226722,"teacher_disagreement_score":0.012910018,"about_ca_system_score_codex":0.004356889,"about_ca_system_score_gemma":0.003358217,"threshold_uncertainty_score":0.043188274},"labels":[],"label_agreement":null},{"id":"W2252376050","doi":"","title":"Hope in the Face of Ecological Decline","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Face (sociological concept); Ecology; History; Geography; Sociology; Social science; Biology","score_opus":0.019060155192057476,"score_gpt":0.2176016784089717,"score_spread":0.19854152321691423,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2252376050","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17265573,0.0036116147,0.002025524,0.36489737,0.0024565083,0.000035096058,0.00012096362,0.00009877821,0.45409846],"genre_scores_gemma":[0.97709775,0.0005078103,0.00020967181,0.006377976,0.00039750946,0.000013835569,0.000020585801,0.000027117187,0.015347623],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982992,0.00051008235,0.000024057032,0.00009028329,0.00019583078,0.00088054343],"domain_scores_gemma":[0.99479795,0.0007889513,0.00036316304,0.0002598769,0.00059807353,0.0031920595],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033837655,0.00017603436,0.00033970395,0.00077617244,0.0149982255,0.008818925,0.001063971,0.0037926664,0.018185442],"category_scores_gemma":[0.010554512,0.00018822425,0.00027320752,0.00056150206,0.016581409,0.0065437215,0.008853683,0.007112436,0.0011125411],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026353615,0.00015334078,0.011392409,0.00008294131,0.000040909734,0.0026159754,0.08849849,0.00059602584,0.00031614146,0.6741005,0.1543714,0.067568265],"study_design_scores_gemma":[0.000045094883,0.00006762872,0.007074845,0.00014752493,0.00001604925,0.0005533927,0.18163235,0.00037790014,0.00020335912,0.3460474,0.46379018,0.000044302622],"about_ca_topic_score_codex":0.011134743,"about_ca_topic_score_gemma":0.037256043,"teacher_disagreement_score":0.018185442,"about_ca_system_score_codex":0.0036408424,"about_ca_system_score_gemma":0.0063665533,"threshold_uncertainty_score":0.060836375},"labels":[],"label_agreement":null},{"id":"W2252753958","doi":"","title":"An Apostolate of Hope","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.018042556481760702,"score_gpt":0.2830254721232478,"score_spread":0.2649829156414871,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2252753958","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008787846,0.0044038864,0.006335491,0.30001533,0.010201339,0.00003208194,0.00011455473,0.00011499902,0.6699946],"genre_scores_gemma":[0.66805553,0.0013991356,0.0018352665,0.07287019,0.006954874,0.00009567398,0.00006212192,0.00021097485,0.24851625],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99690574,0.001316509,0.00008975834,0.00040304082,0.0006726716,0.00061228813],"domain_scores_gemma":[0.99539006,0.001610543,0.00028759302,0.0009493444,0.00084109337,0.00092137605],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0040283394,0.00040986022,0.000531595,0.0011315655,0.013555185,0.00956088,0.0011448,0.0064875195,0.012833043],"category_scores_gemma":[0.013699339,0.00030663662,0.00047463842,0.0007254771,0.042451605,0.009583787,0.005921108,0.01507825,0.0022218525],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006077993,0.0000035205821,0.000041971874,0.0000038792195,0.0000015868294,0.00002509568,0.0011448557,0.000012698141,0.000012750843,0.9746061,0.022710806,0.0014307518],"study_design_scores_gemma":[0.000016636453,0.00000965135,0.00012781519,0.000040762134,0.0000043148407,0.000090553156,0.0023010126,0.00013829359,0.00006548595,0.65681165,0.34037846,0.000015350575],"about_ca_topic_score_codex":0.008599248,"about_ca_topic_score_gemma":0.021178449,"teacher_disagreement_score":0.013555185,"about_ca_system_score_codex":0.005882733,"about_ca_system_score_gemma":0.00572664,"threshold_uncertainty_score":0.04293078},"labels":[],"label_agreement":null},{"id":"W2253798572","doi":"","title":"Dreaming God's Dream: A Sermon on Isaiah 56:1-2, 6-8","year":2011,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Biblical Studies and Interpretation","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sermon; Dream; Literature; Art; Theology; Philosophy; History; Psychology; Psychotherapist","score_opus":0.07002284409077295,"score_gpt":0.2140324607153725,"score_spread":0.14400961662459955,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2253798572","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023316633,0.13976578,0.0014826148,0.56321853,0.10016483,0.000053378993,0.00009255408,0.00008626422,0.17181942],"genre_scores_gemma":[0.45068935,0.080179445,0.0019981163,0.16034485,0.04219814,0.00010458194,0.0001159571,0.00042123976,0.2639483],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984444,0.00079726486,0.00006539744,0.00012956066,0.00021970182,0.00034378833],"domain_scores_gemma":[0.9989429,0.000382809,0.000089112735,0.000072303046,0.00020526432,0.00030756692],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003818379,0.0007368062,0.00082485663,0.0010749148,0.016064081,0.00628557,0.0010482485,0.0050489726,0.006519549],"category_scores_gemma":[0.004471956,0.0003693401,0.00063766725,0.0008152797,0.018271282,0.007409643,0.005466399,0.016088512,0.001608147],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007381855,0.00008173532,0.00081001676,0.00026827856,0.000016705926,0.0012301913,0.16234721,0.000050100363,0.00023436254,0.3130767,0.48383704,0.03797383],"study_design_scores_gemma":[0.000010297305,0.0000275166,0.00073128205,0.0004314982,0.000008081901,0.00086148956,0.08411573,0.000037186313,0.00009062575,0.016490713,0.89716905,0.000026506203],"about_ca_topic_score_codex":0.010536984,"about_ca_topic_score_gemma":0.02937954,"teacher_disagreement_score":0.016064081,"about_ca_system_score_codex":0.0051561,"about_ca_system_score_gemma":0.005741165,"threshold_uncertainty_score":0.03741032},"labels":[],"label_agreement":null},{"id":"W2254401331","doi":"","title":"From the Publisher","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Human auditory perception and evaluation","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science; History","score_opus":0.021024862968683555,"score_gpt":0.2060859194436746,"score_spread":0.18506105647499105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2254401331","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006642413,0.005969356,0.0018004744,0.0073578265,0.049570672,0.00027268782,0.0031363273,0.0016674439,0.929561],"genre_scores_gemma":[0.00044081727,0.00064597913,0.00016205445,0.00061754463,0.0008324039,0.000017751318,0.0003965793,0.00013360869,0.9967533],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928755,0.0000655558,0.00004973738,0.00011800833,0.00042239294,0.00005676012],"domain_scores_gemma":[0.99676657,0.00038394536,0.000087050175,0.0005479251,0.0018381439,0.00037633642],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00072881544,0.000861089,0.0012146131,0.0029530607,0.0019897674,0.0052610394,0.0015355189,0.0017775326,0.6859238],"category_scores_gemma":[0.005077702,0.0005347706,0.00052334124,0.0028714056,0.00068442704,0.002515045,0.0017379615,0.0018957541,0.66574675],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018176717,0.00001926465,0.000058366702,0.00009532779,0.0000025875067,0.000029984261,0.000015088715,0.0000399806,0.00017949754,0.0014957424,0.9236299,0.07441613],"study_design_scores_gemma":[0.0000039519714,0.0000069966086,0.00018266545,0.00006440591,0.0000022933873,0.000029673756,0.000018605773,0.00004298939,0.00009803483,0.00051215774,0.99903417,0.0000039974007],"about_ca_topic_score_codex":0.0050584767,"about_ca_topic_score_gemma":0.011391496,"teacher_disagreement_score":0.3140762,"about_ca_system_score_codex":0.0011680301,"about_ca_system_score_gemma":0.0017865296,"threshold_uncertainty_score":0.44799155},"labels":[],"label_agreement":null},{"id":"W2255515000","doi":"","title":"The Neglected Miracle of Pentecost","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Pentecostalism and Christianity Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Miracle; History; Philosophy; Theology","score_opus":0.01955621471188521,"score_gpt":0.20265830070966637,"score_spread":0.18310208599778116,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2255515000","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13554446,0.0074757147,0.0005011128,0.07098729,0.001390645,0.00001327121,0.00006269088,0.000028973112,0.78399575],"genre_scores_gemma":[0.9597304,0.0009043227,0.0001472213,0.005762441,0.00019319014,0.000008103197,0.0000141178125,0.00003511168,0.0332051],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99866116,0.0004992,0.000027089303,0.00014748571,0.0002029763,0.00046204706],"domain_scores_gemma":[0.99913776,0.00029353268,0.000085685104,0.000108371605,0.00012570235,0.00024902102],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001350843,0.00022263553,0.0003319865,0.00085898413,0.011169137,0.0058852546,0.00052342855,0.001762841,0.0126720825],"category_scores_gemma":[0.0026247443,0.00018289636,0.00009139764,0.0011312519,0.02672642,0.002969797,0.0042459555,0.004472535,0.00056569127],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007637757,0.000009891323,0.00042344147,0.000054073927,0.0000045024685,0.00017790473,0.026847115,0.000030825267,0.00017292258,0.94494694,0.017867133,0.009388914],"study_design_scores_gemma":[0.00003601994,0.000038463742,0.004685321,0.00041470904,0.000011706282,0.0005191239,0.07327201,0.00008986948,0.00037622123,0.12181141,0.7987063,0.000038766528],"about_ca_topic_score_codex":0.032651734,"about_ca_topic_score_gemma":0.074266456,"teacher_disagreement_score":0.032651734,"about_ca_system_score_codex":0.005150406,"about_ca_system_score_gemma":0.004584726,"threshold_uncertainty_score":0.064923346},"labels":[],"label_agreement":null},{"id":"W2256955986","doi":"","title":"The State of Civil Discourse on Campus and in Society","year":2011,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Service-Learning and Community Engagement","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"State (computer science); Civil society; Media studies; Political science; Sociology; History; Law; Computer science; Programming language","score_opus":0.041860631110183226,"score_gpt":0.27376217053789814,"score_spread":0.2319015394277149,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2256955986","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30141428,0.01218105,0.0022627686,0.14798285,0.00093113165,0.000041624276,0.00029925385,0.00008458764,0.53480244],"genre_scores_gemma":[0.9923396,0.00093185797,0.00011342018,0.0011901408,0.000224261,0.00001413592,0.000028338474,0.000032165153,0.0051261256],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9884369,0.005529781,0.0002711582,0.001073166,0.0023981018,0.0022909245],"domain_scores_gemma":[0.9718202,0.016150536,0.0019378894,0.0022077416,0.0038372297,0.0040464015],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.011382386,0.00027857357,0.0006053933,0.0066320403,0.022555036,0.04724384,0.00203766,0.0052065714,0.013971212],"category_scores_gemma":[0.027365128,0.00045331358,0.00026341205,0.0078214705,0.07067169,0.017902633,0.009379804,0.0073111965,0.00095654314],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058068577,0.00004397071,0.0036699858,0.00011226708,0.000017168051,0.00007482681,0.2802541,0.00012204084,0.00033249363,0.6746824,0.009446298,0.03118638],"study_design_scores_gemma":[0.000014470038,0.00003257622,0.014230422,0.000526808,0.000022477923,0.00006388012,0.5198116,0.00032994704,0.00052657805,0.17360921,0.29074088,0.00009111698],"about_ca_topic_score_codex":0.09586882,"about_ca_topic_score_gemma":0.15747331,"teacher_disagreement_score":0.09586882,"about_ca_system_score_codex":0.024704501,"about_ca_system_score_gemma":0.02783032,"threshold_uncertainty_score":0.19062161},"labels":[],"label_agreement":null},{"id":"W2257230522","doi":"","title":"John 3:16-17","year":2008,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Biblical Studies and Interpretation","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.048355729191327225,"score_gpt":0.21597577544147878,"score_spread":0.16762004625015156,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2257230522","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017613724,0.0050396575,0.00017294266,0.0075301724,0.004545003,0.00003168638,0.00017342031,0.00009524314,0.98065037],"genre_scores_gemma":[0.008335744,0.0009382704,0.00011907469,0.0011355162,0.0005073436,0.000014226381,0.00004915271,0.000072647985,0.98882806],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930596,0.000096180316,0.000030635572,0.00011957261,0.00026461206,0.00018304549],"domain_scores_gemma":[0.9995577,0.0000611381,0.000015987871,0.000047200174,0.00019005315,0.0001279689],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00089366833,0.0005983787,0.00038833663,0.0019543895,0.008404211,0.010125607,0.0008024983,0.003062207,0.2398653],"category_scores_gemma":[0.0016218246,0.00035726855,0.00043624666,0.0015481499,0.0042006695,0.0028195144,0.0029691078,0.0027017815,0.064278916],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004886182,0.000037504375,0.0006368962,0.00016271345,0.000007344726,0.0002745409,0.0046945903,0.000035960755,0.00034886965,0.25109434,0.6921188,0.050539587],"study_design_scores_gemma":[0.000003488782,0.0000037936811,0.0005494237,0.00007365083,0.0000026370774,0.00003166206,0.0010563732,0.000008458709,0.000073396935,0.002916327,0.99527645,0.000004304921],"about_ca_topic_score_codex":0.109834865,"about_ca_topic_score_gemma":0.31682435,"teacher_disagreement_score":0.2398653,"about_ca_system_score_codex":0.006640402,"about_ca_system_score_gemma":0.0061011924,"threshold_uncertainty_score":0.8024294},"labels":[],"label_agreement":null},{"id":"W2258560057","doi":"","title":"Practicing Hope: The Charisms of Lutheran Higher Education","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformed Theology and Governance","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Sociology; Art","score_opus":0.02160447632123183,"score_gpt":0.2267472962929563,"score_spread":0.20514281997172448,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2258560057","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.122942664,0.003220493,0.0012496153,0.59815574,0.0020266331,0.000029706169,0.00004400255,0.000059606286,0.27227154],"genre_scores_gemma":[0.9542298,0.00031549289,0.0001905405,0.018732142,0.00033573603,0.000014171594,0.0000062915938,0.00002021874,0.026155744],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9955059,0.0023043093,0.000059249385,0.00019503607,0.000451574,0.0014839126],"domain_scores_gemma":[0.9960006,0.0011371655,0.00030633947,0.00022854668,0.00037884936,0.0019484689],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006212613,0.00019634714,0.00023501391,0.00066752185,0.019981308,0.010522814,0.00069157215,0.003804073,0.007291928],"category_scores_gemma":[0.008329459,0.00018219402,0.00025676496,0.00067263324,0.038360626,0.004173491,0.0068239584,0.009577384,0.0005461518],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035447225,0.00003456545,0.0012820363,0.000021653042,0.000005405574,0.00015561997,0.057565298,0.00004944925,0.00010214337,0.890282,0.03909763,0.011368768],"study_design_scores_gemma":[0.000049799153,0.000047123,0.004451261,0.00016613862,0.000010674603,0.0002263026,0.12886246,0.0002572425,0.00024159174,0.31554833,0.55008274,0.000056384168],"about_ca_topic_score_codex":0.021804964,"about_ca_topic_score_gemma":0.08031197,"teacher_disagreement_score":0.021804964,"about_ca_system_score_codex":0.010667588,"about_ca_system_score_gemma":0.015302294,"threshold_uncertainty_score":0.077399135},"labels":[],"label_agreement":null},{"id":"W2260910417","doi":"","title":"The Breadth and the Depth: Dimensions of Christian-Muslim Relations at Educational Institutions of the ELCA","year":2011,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Linguistic Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology; Genealogy; History; Mathematics education; Mathematics","score_opus":0.05407941876695902,"score_gpt":0.2657878677965967,"score_spread":0.21170844902963767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2260910417","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97541773,0.00017798394,0.00017707527,0.00073231425,0.000009670771,0.000009137495,0.000016388589,0.0000024977664,0.023457209],"genre_scores_gemma":[0.9994273,0.000019586008,0.00002717112,0.00002514236,0.0000029573098,0.0000017191124,0.0000025083912,9.0115645e-7,0.0004927856],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99746215,0.0010948234,0.00007155061,0.00012619782,0.00034768027,0.0008975823],"domain_scores_gemma":[0.9952088,0.0019248102,0.00064110855,0.00015363489,0.00044485356,0.0016267993],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022273806,0.00015700645,0.00023056057,0.0025631348,0.010085282,0.008299942,0.0007896963,0.0011488135,0.0057881027],"category_scores_gemma":[0.0064334925,0.00025438186,0.00012611799,0.0022455887,0.013678377,0.003511233,0.0067110625,0.0018953291,0.00024387098],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019054537,0.00007663962,0.08112129,0.00006352042,0.000020830494,0.00039901744,0.8422935,0.00012323564,0.0012515443,0.061466232,0.0005968282,0.012396797],"study_design_scores_gemma":[0.000007685674,0.00004309626,0.088840395,0.000074702155,0.000007542391,0.00013021418,0.8952223,0.00009813291,0.00016240506,0.0077222637,0.0076731956,0.000018089184],"about_ca_topic_score_codex":0.014390821,"about_ca_topic_score_gemma":0.035869684,"teacher_disagreement_score":0.014390821,"about_ca_system_score_codex":0.0043109264,"about_ca_system_score_gemma":0.0043810946,"threshold_uncertainty_score":0.031278074},"labels":[],"label_agreement":null},{"id":"W2262228621","doi":"","title":"The Information Deluge: Navigating the Digital Age with Recent Scholars","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Library Science and Administration","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Computer science; Data science; World Wide Web","score_opus":0.01800567203921801,"score_gpt":0.24903123119825185,"score_spread":0.23102555915903383,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2262228621","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33514518,0.026205914,0.028210592,0.27234116,0.0031894885,0.00017231138,0.00078152237,0.0011509858,0.3328028],"genre_scores_gemma":[0.9425686,0.010090911,0.015325047,0.008243497,0.0010695071,0.00013471134,0.00034386988,0.0004045762,0.02181935],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99393785,0.003603496,0.00025799917,0.0004901801,0.0010441337,0.00066634844],"domain_scores_gemma":[0.95236814,0.028910488,0.003476878,0.0029010037,0.005154542,0.0071889875],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.015284227,0.0006155332,0.0006723855,0.014856885,0.020069692,0.045551952,0.0024380926,0.0047642803,0.017133214],"category_scores_gemma":[0.0516493,0.00063951075,0.00057171093,0.012546515,0.023410082,0.07795928,0.0314416,0.00571907,0.0021277019],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010264145,0.00009696522,0.021404942,0.00039117213,0.000026526644,0.0008012118,0.55707574,0.00020441502,0.00037843644,0.26046938,0.04559734,0.11345117],"study_design_scores_gemma":[0.000013130638,0.000045809713,0.0020231288,0.0006020813,0.000033208715,0.00034674822,0.5159286,0.00052791135,0.00026828822,0.13952237,0.3406399,0.000048734615],"about_ca_topic_score_codex":0.014979389,"about_ca_topic_score_gemma":0.034121625,"teacher_disagreement_score":0.045551952,"about_ca_system_score_codex":0.00734462,"about_ca_system_score_gemma":0.013207661,"threshold_uncertainty_score":0.08083165},"labels":[],"label_agreement":null},{"id":"W2263238931","doi":"","title":"More Value than Many Sparrows: A Sermon on Matthew 10:26-31","year":2013,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sermon; Value (mathematics); History; Art; Mathematics; Archaeology; Statistics","score_opus":0.024333222093488014,"score_gpt":0.26625908697249107,"score_spread":0.24192586487900306,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2263238931","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016861917,0.0078062355,0.0012678034,0.6041078,0.007604239,0.000020107955,0.00008149704,0.000052902076,0.36219746],"genre_scores_gemma":[0.31822374,0.0024683606,0.00088159536,0.255521,0.006963526,0.000055485758,0.000032168813,0.00025002295,0.41560408],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979857,0.00083530304,0.00004139816,0.00035422714,0.00029241262,0.00049096247],"domain_scores_gemma":[0.99857044,0.00071018207,0.00008896676,0.00011351719,0.00030523888,0.00021172316],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019567162,0.00037718765,0.0004499575,0.000599691,0.015857412,0.0069725923,0.0010583864,0.009173765,0.012335142],"category_scores_gemma":[0.004392501,0.00035101603,0.0003375169,0.0005572793,0.018675867,0.0063980436,0.0032491202,0.013786986,0.002389751],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021769085,0.000009720651,0.0003967399,0.000024722383,0.0000050360673,0.00021009879,0.013898488,0.000023102348,0.00011441549,0.5394966,0.43798396,0.007815313],"study_design_scores_gemma":[0.000010298568,0.000013803394,0.0010045796,0.00017942181,0.0000069810308,0.0002054317,0.013496003,0.000057752357,0.00021020051,0.07126872,0.9135142,0.000032573804],"about_ca_topic_score_codex":0.048873655,"about_ca_topic_score_gemma":0.17363244,"teacher_disagreement_score":0.048873655,"about_ca_system_score_codex":0.0046722777,"about_ca_system_score_gemma":0.0035206554,"threshold_uncertainty_score":0.0971784},"labels":[],"label_agreement":null},{"id":"W2263358743","doi":"","title":"From the Publisher","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Human auditory perception and evaluation","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science; History","score_opus":0.02846189087091277,"score_gpt":0.22595449643338922,"score_spread":0.19749260556247644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2263358743","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006384021,0.005832506,0.0017795637,0.007961196,0.052999016,0.00026431662,0.0030413563,0.0016513176,0.9258324],"genre_scores_gemma":[0.0004406529,0.0006310891,0.00015648686,0.00065343047,0.00085650675,0.00001769717,0.00037938994,0.00013572937,0.996729],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992379,0.0000686167,0.000052351992,0.00012529077,0.00045559846,0.000060263726],"domain_scores_gemma":[0.9966714,0.0003960401,0.00008773157,0.0005527547,0.0019113616,0.00038084082],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00073569553,0.00084981194,0.0011728068,0.0028660996,0.0020279093,0.00545186,0.0015225941,0.0018179597,0.6808798],"category_scores_gemma":[0.005311412,0.000527315,0.0005187985,0.0028402156,0.00070692046,0.0025557603,0.0018464696,0.0020256157,0.6643972],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016736432,0.000017693084,0.000056475932,0.00008781466,0.0000024745757,0.000028891802,0.000014526021,0.000037562717,0.0001725132,0.0014633893,0.9278582,0.07024379],"study_design_scores_gemma":[0.0000036741499,0.0000063450448,0.00017041047,0.00006126387,0.0000021176681,0.000027584916,0.00001855273,0.000041321928,0.000094501185,0.0004948008,0.9990754,0.0000039262027],"about_ca_topic_score_codex":0.005655777,"about_ca_topic_score_gemma":0.012910144,"teacher_disagreement_score":0.31912023,"about_ca_system_score_codex":0.001251772,"about_ca_system_score_gemma":0.0019660168,"threshold_uncertainty_score":0.45518625},"labels":[],"label_agreement":null},{"id":"W2263560638","doi":"","title":"Professional Education/Liberal Arts Education: Not a Case of Either-Or but Both-And","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Higher Education Governance and Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Liberal arts education; Liberal education; Pedagogy; Mathematics education; The arts; Sociology; Political science; Visual arts; Higher education; Psychology; Art; Law","score_opus":0.022043773658001663,"score_gpt":0.31094764417084864,"score_spread":0.288903870512847,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2263560638","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.109465264,0.0010398596,0.00473128,0.112577334,0.00094486255,0.000048948546,0.000055165645,0.000040981748,0.7710962],"genre_scores_gemma":[0.93420094,0.0003132729,0.0012799827,0.011702517,0.00026383245,0.00003934218,0.000023767712,0.000028794446,0.052147493],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99498147,0.000982141,0.00014253861,0.00073813566,0.0009604576,0.0021951802],"domain_scores_gemma":[0.9971204,0.0008570081,0.00031547298,0.00035785974,0.00037637437,0.0009729269],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034222538,0.00024665814,0.00041106265,0.00095657184,0.011714118,0.008487566,0.0011847257,0.008391497,0.025449988],"category_scores_gemma":[0.006550067,0.00031120333,0.0004338748,0.0012312053,0.026086612,0.008433572,0.006619001,0.007686261,0.0013400555],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021648877,0.000028245504,0.0018414677,0.000017938652,0.0000051175984,0.0011104243,0.0056951833,0.000022246906,0.00013032743,0.9737432,0.008853851,0.00853045],"study_design_scores_gemma":[0.00008500249,0.00004791903,0.0054648747,0.00034659536,0.000040575374,0.010076747,0.08023854,0.00055425544,0.0009902496,0.5456293,0.35645556,0.00007026325],"about_ca_topic_score_codex":0.01492751,"about_ca_topic_score_gemma":0.036045957,"teacher_disagreement_score":0.025449988,"about_ca_system_score_codex":0.003622021,"about_ca_system_score_gemma":0.0069459393,"threshold_uncertainty_score":0.08513868},"labels":[],"label_agreement":null},{"id":"W2265476093","doi":"","title":"From the Outgoing and Incoming Editors","year":2011,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Academic Writing and Publishing","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science; History","score_opus":0.05510619112690129,"score_gpt":0.20107702124654853,"score_spread":0.14597083011964723,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2265476093","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00034218375,0.0035943994,0.00022836194,0.09513601,0.86137843,0.000051964475,0.0001573147,0.00012422694,0.038987022],"genre_scores_gemma":[0.0029092615,0.0038849274,0.0002488645,0.027947852,0.34990475,0.000055833953,0.000107246844,0.000178077,0.61476314],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99395883,0.00041544004,0.00037952876,0.00064893346,0.003969922,0.0006273301],"domain_scores_gemma":[0.96735895,0.0023812323,0.0009617645,0.0008526187,0.020088533,0.00835688],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0044572894,0.0015424055,0.0012687771,0.003337107,0.005657614,0.015504928,0.0019245506,0.006147524,0.1318041],"category_scores_gemma":[0.022958843,0.000918289,0.0007622648,0.0016975307,0.0019998176,0.005336899,0.0036753106,0.009042138,0.09339879],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015315049,0.000008948827,0.0000912918,0.000047658785,0.0000019994247,0.000054098502,0.00005140019,0.000008639225,0.00008895091,0.0007553743,0.98986757,0.009008643],"study_design_scores_gemma":[0.0000051601055,0.000007597301,0.00022389364,0.000054670636,0.0000033006381,0.000046060257,0.00016886862,0.000025947915,0.000068248875,0.000335247,0.99905294,0.000008076078],"about_ca_topic_score_codex":0.0040962063,"about_ca_topic_score_gemma":0.015081132,"teacher_disagreement_score":0.1318041,"about_ca_system_score_codex":0.0028782384,"about_ca_system_score_gemma":0.007137441,"threshold_uncertainty_score":0.44092864},"labels":[],"label_agreement":null},{"id":"W2269194527","doi":"","title":"\"Our Calling in Education\": An Educator's Perspective","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Mathematics education; Sociology; Pedagogy; Psychology; Computer science; Artificial intelligence","score_opus":0.02669630778791525,"score_gpt":0.3340196032933512,"score_spread":0.3073232955054359,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2269194527","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0044923574,0.003728627,0.002631577,0.89453745,0.005917912,0.000021552507,0.000016231865,0.000038222504,0.08861614],"genre_scores_gemma":[0.38880244,0.004344962,0.0026878992,0.5321648,0.008357137,0.00013973539,0.000022077891,0.00022494784,0.06325594],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.96614546,0.0237121,0.00071182824,0.0015795024,0.0028888462,0.004962308],"domain_scores_gemma":[0.9717981,0.014857162,0.0011516853,0.00044128968,0.0045013176,0.0072504175],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.023336397,0.0011643897,0.0014829992,0.00372376,0.06112649,0.036195096,0.0066050002,0.044519115,0.0104744965],"category_scores_gemma":[0.027880723,0.0008989392,0.0010300914,0.0023485704,0.083714925,0.019090652,0.016192598,0.0545892,0.0014302594],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001810742,0.00007721519,0.0005259227,0.00011023834,0.000009149261,0.00053707365,0.14420389,0.00009712387,0.00008753492,0.74833834,0.09966849,0.006326961],"study_design_scores_gemma":[0.000033320553,0.000057757206,0.00064692186,0.00094240514,0.00003120734,0.0006917213,0.29420927,0.00024752633,0.00020245116,0.108975105,0.59388995,0.0000723222],"about_ca_topic_score_codex":0.06396449,"about_ca_topic_score_gemma":0.11973455,"teacher_disagreement_score":0.06396449,"about_ca_system_score_codex":0.0258439,"about_ca_system_score_gemma":0.039465427,"threshold_uncertainty_score":0.1875115},"labels":[],"label_agreement":null},{"id":"W2270504506","doi":"","title":"Lutheran Colleges: Past and Prologue","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Prologue; History; Archaeology","score_opus":0.02794471426647169,"score_gpt":0.20422573929671367,"score_spread":0.17628102503024198,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2270504506","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028407652,0.11686924,0.0005425062,0.6046534,0.014169097,0.00003422797,0.00019808393,0.00008263337,0.23504318],"genre_scores_gemma":[0.6508794,0.050538044,0.0012283287,0.09204169,0.010495832,0.000060176742,0.00014004421,0.00009287651,0.19452354],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982993,0.00036368507,0.000051701452,0.0001568952,0.0004436288,0.0006848719],"domain_scores_gemma":[0.99646807,0.0006756945,0.00018120595,0.00013271655,0.00069405703,0.0018483428],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037926263,0.00028165866,0.00023768014,0.0021128342,0.009700549,0.010977201,0.0010085308,0.0044208434,0.020244775],"category_scores_gemma":[0.0040739435,0.00028240107,0.00016087007,0.0031287412,0.013000193,0.003997864,0.0033273676,0.0060531334,0.0013572638],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005594065,0.00015250978,0.0023161662,0.00028144172,0.000006409246,0.00013157549,0.0042645917,0.000099128774,0.00021016122,0.6781498,0.19961205,0.11472012],"study_design_scores_gemma":[0.000017340302,0.000020912608,0.003926037,0.00031515706,0.0000041269514,0.0000592904,0.004177768,0.000063970365,0.00009271276,0.015304836,0.97600037,0.000017536875],"about_ca_topic_score_codex":0.05153461,"about_ca_topic_score_gemma":0.23606506,"teacher_disagreement_score":0.05153461,"about_ca_system_score_codex":0.023315938,"about_ca_system_score_gemma":0.032200683,"threshold_uncertainty_score":0.16916972},"labels":[],"label_agreement":null},{"id":"W2270804574","doi":"10.7202/1032704ar","title":"Keith Potter, Kyle Gann, and Pwyll Ap Siôn, eds. 2013. The Ashgate Research Companion to Minimalist and Postminimalist Music. Burlington VT: Ashgate. 458 pp. ISBN 978-1-4724-0278-3 (ebook), ISBN 978-1-4094-3549-5 (cloth). ISBN 978-1-4094-3550-1 (PDF)","year":2013,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Honour; Art history; Art; History; Media studies; Sociology; Archaeology","score_opus":0.06678062667121065,"score_gpt":0.2967703662317489,"score_spread":0.22998973956053825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2270804574","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00060340617,0.8044419,0.0019259726,0.06390296,0.0067534056,0.000041737232,0.00096917717,0.00029373218,0.12106773],"genre_scores_gemma":[0.0056758374,0.5042772,0.0017366811,0.0035580304,0.0012491184,0.000058318812,0.00042128286,0.00038563865,0.48263785],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988423,0.0002242984,0.00008036858,0.0001867872,0.0005574277,0.00010888035],"domain_scores_gemma":[0.9981178,0.00076123147,0.00013650094,0.00010378108,0.0005405422,0.00034020067],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015681329,0.0016700346,0.0013829073,0.0021194527,0.0019792656,0.006609852,0.0015015211,0.0031339703,0.11207503],"category_scores_gemma":[0.0034173408,0.0013389598,0.00049139856,0.004173644,0.0018697173,0.01169366,0.002903271,0.0036233792,0.07363555],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020792966,0.000007248566,0.00008996685,0.0004941179,0.00000409104,0.00003730529,0.0008793161,0.000033245382,0.000108613924,0.003046763,0.914663,0.08061555],"study_design_scores_gemma":[0.000002953031,0.0000043938976,0.0004049727,0.00045913405,0.00000440531,0.0000844327,0.0011276084,0.000012450047,0.00007348664,0.0018021391,0.99601305,0.000010901677],"about_ca_topic_score_codex":0.030506535,"about_ca_topic_score_gemma":0.09486487,"teacher_disagreement_score":0.11207503,"about_ca_system_score_codex":0.004053872,"about_ca_system_score_gemma":0.0049329787,"threshold_uncertainty_score":0.37492836},"labels":[],"label_agreement":null},{"id":"W2272511365","doi":"","title":"\"Annoying the Student with Her Rights:\" Human Life Coram Hominibus ; Reflections on Vocation, Hope, and Politics","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Contemporary Political Dynamics","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; Sociology; Gender studies; Media studies; Political science; Law","score_opus":0.04229094593589008,"score_gpt":0.2608017978736744,"score_spread":0.21851085193778433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2272511365","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.032106146,0.012941419,0.00044822172,0.83079624,0.013989422,0.000051109477,0.00004287107,0.000036668065,0.10958797],"genre_scores_gemma":[0.618608,0.0077952086,0.00045419534,0.25181475,0.007888311,0.00015074213,0.000021646038,0.00019449931,0.11307258],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9950948,0.0029829275,0.00008905563,0.0002684609,0.0004789842,0.0010857803],"domain_scores_gemma":[0.99593437,0.0021814206,0.00026609606,0.00011587,0.00030951877,0.0011927144],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00617682,0.000705247,0.00073342887,0.000902561,0.052640542,0.013340699,0.0020467658,0.01418005,0.006160832],"category_scores_gemma":[0.011884102,0.00044230005,0.00038574444,0.00079471373,0.04100005,0.010365471,0.0090541,0.032272134,0.0007764628],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046671976,0.00007090091,0.00054167607,0.0001121571,0.00000930992,0.0007467024,0.50070155,0.000047651767,0.00020521524,0.234757,0.25337875,0.009382379],"study_design_scores_gemma":[0.000012438823,0.000026696502,0.0007659443,0.0003777803,0.0000069717607,0.0002743118,0.6205171,0.000049217993,0.00014795175,0.01607405,0.36171558,0.0000318828],"about_ca_topic_score_codex":0.055046972,"about_ca_topic_score_gemma":0.14783551,"teacher_disagreement_score":0.055046972,"about_ca_system_score_codex":0.008134459,"about_ca_system_score_gemma":0.013907741,"threshold_uncertainty_score":0.10945314},"labels":[],"label_agreement":null},{"id":"W2273629079","doi":"","title":"A Lutheran Ethic of Environmental Stewardship","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion, Ecology, and Ethics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Stewardship (theology); Environmental stewardship; Environmental ethics; Sociology; Philosophy; Environmental resource management; Political science; Environmental science; Law","score_opus":0.04691118480554973,"score_gpt":0.29129001592261516,"score_spread":0.24437883111706543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2273629079","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.087846205,0.0015581934,0.01906043,0.13233072,0.00056550663,0.000042650317,0.00007307728,0.00006455754,0.75845873],"genre_scores_gemma":[0.97219986,0.00025721733,0.0026866614,0.0042898427,0.00019480362,0.00003325839,0.00001150466,0.000018489643,0.020308338],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99695075,0.0014242962,0.000087738925,0.0003759972,0.0007270952,0.00043411288],"domain_scores_gemma":[0.9965036,0.0009698723,0.00034970988,0.00061954866,0.0010177279,0.0005395406],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0051805703,0.00021948999,0.00028246787,0.0010615936,0.0052147205,0.0042648716,0.0005360513,0.0030839634,0.0068717264],"category_scores_gemma":[0.0060618157,0.0001835023,0.00026645907,0.00044735082,0.027184935,0.0024425199,0.0021687143,0.0028414002,0.0005806767],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007677508,0.00001448216,0.0006066342,0.000013072093,0.0000064276396,0.000024592122,0.0008726143,0.00012296977,0.00020616296,0.99259514,0.002078038,0.0034522293],"study_design_scores_gemma":[0.000027899569,0.000033059154,0.0048868586,0.00008276143,0.000013778661,0.00010348385,0.0013750963,0.0008269054,0.000324582,0.92762524,0.0646743,0.000025971105],"about_ca_topic_score_codex":0.008715256,"about_ca_topic_score_gemma":0.024740666,"teacher_disagreement_score":0.008715256,"about_ca_system_score_codex":0.0041560167,"about_ca_system_score_gemma":0.006677453,"threshold_uncertainty_score":0.030154228},"labels":[],"label_agreement":null},{"id":"W2273848455","doi":"","title":"Rich and Poor in an Era of Globalized Religion and Economies: Challenges to Lutheran Colleges","year":2007,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Catholicism and Religious Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Economy; History; Economic history; Economics; Political science","score_opus":0.02548896850295857,"score_gpt":0.23559938667219743,"score_spread":0.21011041816923887,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2273848455","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036914654,0.0038966911,0.000120552795,0.9411262,0.0010532591,0.0000145218255,0.000039911167,0.000015899277,0.016818319],"genre_scores_gemma":[0.67888075,0.009398338,0.00070254767,0.28880355,0.0024569554,0.00008457455,0.000035665144,0.00005497732,0.019582687],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9928894,0.002446977,0.00015556089,0.00026618113,0.0007115684,0.0035303503],"domain_scores_gemma":[0.9708585,0.0045403168,0.0010713186,0.00039492897,0.00156332,0.021571452],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.011127962,0.0003865193,0.0009292127,0.0015801227,0.04043088,0.021488536,0.0019547225,0.012097747,0.025934028],"category_scores_gemma":[0.012831604,0.00043782452,0.0005086295,0.0020347743,0.028888725,0.013040053,0.021811368,0.015429151,0.001173194],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003299239,0.0005725798,0.033856455,0.0004934629,0.00007427501,0.0019805424,0.15208526,0.0003011468,0.0006060515,0.33271667,0.3584055,0.118578255],"study_design_scores_gemma":[0.00012554167,0.0001480264,0.02637724,0.000989968,0.00005424067,0.00062611955,0.48006853,0.00019330658,0.00024092174,0.09758898,0.39342916,0.0001578898],"about_ca_topic_score_codex":0.06479008,"about_ca_topic_score_gemma":0.24450544,"teacher_disagreement_score":0.06479008,"about_ca_system_score_codex":0.013023756,"about_ca_system_score_gemma":0.056824967,"threshold_uncertainty_score":0.1288259},"labels":[],"label_agreement":null},{"id":"W2274075377","doi":"","title":"Vocation and the Vocation of a Lutheran College (Cows, Colleges and Contentment)","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Contentment; Religious studies; Sociology; Psychology; Philosophy; Social psychology","score_opus":0.022463329868383803,"score_gpt":0.19652080457846102,"score_spread":0.1740574747100772,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2274075377","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43023852,0.001581291,0.00043482872,0.021018794,0.00050209253,0.000027810955,0.00008131673,0.000023273336,0.54609203],"genre_scores_gemma":[0.945,0.0001302371,0.00012284554,0.00093567296,0.00007541628,0.000006582942,0.000016780661,0.000012802849,0.053699832],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99850875,0.0005230828,0.000026488442,0.00008839262,0.00019987786,0.00065340096],"domain_scores_gemma":[0.9986117,0.00017881005,0.000121953795,0.000043691638,0.00028522089,0.00075865915],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013623118,0.00008668643,0.00013777544,0.0008560564,0.017881727,0.006804241,0.00037960146,0.0010209146,0.010778952],"category_scores_gemma":[0.0028920113,0.00011592155,0.000082697305,0.0010316938,0.010804557,0.0019215406,0.0032034426,0.0018646535,0.00064115605],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010771478,0.000086290485,0.010784758,0.000021758391,0.0000060375364,0.00021375236,0.11882677,0.000060619324,0.0005265338,0.81829363,0.024628345,0.02644384],"study_design_scores_gemma":[0.000024154944,0.000091425776,0.07742814,0.000095081734,0.000012431707,0.00019336815,0.20042962,0.00012081642,0.0005507888,0.036543645,0.68446165,0.00004886562],"about_ca_topic_score_codex":0.079566374,"about_ca_topic_score_gemma":0.23732065,"teacher_disagreement_score":0.079566374,"about_ca_system_score_codex":0.0091269305,"about_ca_system_score_gemma":0.0062604942,"threshold_uncertainty_score":0.15820646},"labels":[],"label_agreement":null},{"id":"W2275355198","doi":"","title":"Scarred Epistemologies: What a Theolog y of the Cross Has to Say about the Gay Marriage Ban","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Legal Systems and Judicial Processes","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology; Gender studies","score_opus":0.03686937369963159,"score_gpt":0.2859495322431794,"score_spread":0.24908015854354784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2275355198","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0651477,0.020821692,0.02397695,0.51912826,0.004656196,0.000040303166,0.00014035347,0.000052610474,0.36603594],"genre_scores_gemma":[0.9517968,0.00400824,0.0031721368,0.023933757,0.0029565888,0.000061113395,0.0000616265,0.000120295415,0.01388939],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9897093,0.006640247,0.00024283826,0.0008789594,0.0013966716,0.0011319688],"domain_scores_gemma":[0.9770486,0.015237023,0.0010592826,0.0021551717,0.0026878903,0.001812003],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01652672,0.0006991229,0.0013331757,0.0044709896,0.016426574,0.02484722,0.003475475,0.012896734,0.013187516],"category_scores_gemma":[0.033295482,0.00067413657,0.0007924292,0.0036820546,0.08633939,0.040864907,0.009676158,0.022481352,0.00084206724],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009426041,0.000011886817,0.00013899474,0.00001598064,0.0000056201475,0.000041504973,0.0072434237,0.000042928063,0.000015911688,0.987849,0.0024563277,0.0021690694],"study_design_scores_gemma":[0.000009393522,0.000004439895,0.00013691976,0.000112373695,0.000006190056,0.000035717858,0.009820519,0.00015649883,0.0000430488,0.96850955,0.021155205,0.000010125474],"about_ca_topic_score_codex":0.020136874,"about_ca_topic_score_gemma":0.017406808,"teacher_disagreement_score":0.02484722,"about_ca_system_score_codex":0.009696683,"about_ca_system_score_gemma":0.010397515,"threshold_uncertainty_score":0.08740264},"labels":[],"label_agreement":null},{"id":"W2275417879","doi":"","title":"A Lutheran Dialectical Model for Higher Education","year":2013,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dialectic; Sociology; Psychology; Psychoanalysis; Philosophy; Epistemology","score_opus":0.05335348994273886,"score_gpt":0.3224980550646894,"score_spread":0.26914456512195056,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2275417879","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013721144,0.0012831838,0.095874496,0.054683927,0.0005790929,0.00012980161,0.00015634086,0.00015866102,0.83341336],"genre_scores_gemma":[0.8531983,0.0007481583,0.037213176,0.0053248308,0.00045093626,0.00047762613,0.00011477106,0.00013865568,0.10233341],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9966993,0.0019982385,0.00011111603,0.00035734396,0.0004892226,0.00034484456],"domain_scores_gemma":[0.99818474,0.0007430842,0.000117990225,0.00018806907,0.00045950458,0.00030653176],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0039949412,0.0006181988,0.0004694029,0.0027708113,0.008758469,0.008458642,0.0017121059,0.003992589,0.013440187],"category_scores_gemma":[0.003985784,0.00034791086,0.0005885257,0.0023119508,0.027293889,0.00796163,0.0031527265,0.004817261,0.0023121191],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[8.287467e-7,0.000002004543,0.0000117305,0.0000020354735,3.798428e-7,0.0000037565405,0.0007066906,0.000031059248,0.0000060996017,0.9985153,0.00039233692,0.0003276635],"study_design_scores_gemma":[0.000010394558,0.000004358693,0.000051115032,0.000014238614,0.0000017613465,0.000020067395,0.00094999775,0.0004684705,0.000028737157,0.9789443,0.019501554,0.000005110131],"about_ca_topic_score_codex":0.013687862,"about_ca_topic_score_gemma":0.01695827,"teacher_disagreement_score":0.013687862,"about_ca_system_score_codex":0.013040739,"about_ca_system_score_gemma":0.010458683,"threshold_uncertainty_score":0.094617605},"labels":[],"label_agreement":null},{"id":"W2275825964","doi":"","title":"Living at the Intersection of Fear and Hope","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Interdisciplinary Cultural and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Intersection (aeronautics); Psychology; Geography; Cartography","score_opus":0.018794442371173618,"score_gpt":0.2679784850194676,"score_spread":0.24918404264829397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2275825964","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42102918,0.004717376,0.0105733555,0.14992155,0.0021544418,0.00005901693,0.00012002561,0.00014566343,0.41127947],"genre_scores_gemma":[0.99286807,0.00038163632,0.00045042383,0.0017677895,0.0001492185,0.000012690335,0.000016070107,0.00002315696,0.0043309443],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950498,0.0022955805,0.000094473915,0.0003191607,0.00073923066,0.0015018189],"domain_scores_gemma":[0.99498147,0.0009139997,0.000601888,0.00035269852,0.0005935746,0.0025564826],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0053842766,0.0005340554,0.0008603389,0.001957071,0.02170859,0.016136263,0.001443899,0.0038038779,0.00981311],"category_scores_gemma":[0.006277352,0.00047127722,0.0011449935,0.0010123517,0.048175216,0.009969827,0.016045302,0.0119248945,0.00085961336],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015015506,0.00015164091,0.008237622,0.000064270855,0.000105399726,0.0014154741,0.25917444,0.00022710457,0.0005539493,0.699267,0.012696846,0.017956082],"study_design_scores_gemma":[0.000044516062,0.000120993,0.0052470327,0.00022831175,0.00006962026,0.0016300359,0.42687747,0.0003599634,0.00036380437,0.46795478,0.09697343,0.0001300968],"about_ca_topic_score_codex":0.007993634,"about_ca_topic_score_gemma":0.011840126,"teacher_disagreement_score":0.99200636,"about_ca_system_score_codex":0.0057664188,"about_ca_system_score_gemma":0.007309944,"threshold_uncertainty_score":0.041838527},"labels":[],"label_agreement":null},{"id":"W2276660455","doi":"","title":"Lutheran Higher Education and the Public Intellectual","year":2007,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology; History; Political science","score_opus":0.04072620874242173,"score_gpt":0.22390559625662665,"score_spread":0.18317938751420493,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2276660455","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06464444,0.008230976,0.0002215446,0.10878721,0.0006892737,0.00001687464,0.000042872223,0.00003557345,0.81733125],"genre_scores_gemma":[0.88248783,0.0010431434,0.00008883088,0.006990292,0.00061630335,0.000012037715,0.000014526129,0.000019197802,0.10872791],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977277,0.0006932884,0.000032861106,0.00014297565,0.00027152052,0.0011316775],"domain_scores_gemma":[0.99758506,0.0010543768,0.00018167967,0.00021621423,0.00030002234,0.00066255947],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029569326,0.00024597146,0.00033619124,0.0020514082,0.019323772,0.01229057,0.00071794394,0.0048644966,0.024328701],"category_scores_gemma":[0.004386566,0.00018324231,0.00019823901,0.0018034299,0.033422444,0.004092234,0.0044579073,0.005210532,0.0008807498],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012042658,0.000025408823,0.00024902963,0.000009121487,0.0000014448813,0.000036840906,0.006055026,0.00001527014,0.00002549538,0.9811276,0.0085788,0.0038639032],"study_design_scores_gemma":[0.00004671236,0.000033912966,0.0035439522,0.00016338196,0.000009575403,0.00009762907,0.020476202,0.000113038914,0.00019836752,0.27167517,0.7036199,0.000022109909],"about_ca_topic_score_codex":0.053550538,"about_ca_topic_score_gemma":0.13754831,"teacher_disagreement_score":0.053550538,"about_ca_system_score_codex":0.022343602,"about_ca_system_score_gemma":0.018923074,"threshold_uncertainty_score":0.16211498},"labels":[],"label_agreement":null},{"id":"W2276789429","doi":"","title":"The Vocation of a Lutheran College--Living the Legacy of the Reformation in the Twenty-first Century","year":2007,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Sociology","score_opus":0.021812764514180634,"score_gpt":0.21372882344467192,"score_spread":0.1919160589304913,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2276789429","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24626909,0.014466829,0.001061014,0.18202484,0.0031653412,0.000033284,0.00008997674,0.000057653247,0.55283195],"genre_scores_gemma":[0.9239258,0.0012056878,0.00018581511,0.006602621,0.0004047922,0.000007560646,0.0000129187065,0.000020082965,0.06763475],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998703,0.0004614154,0.000023693914,0.00011187693,0.00024230032,0.00045776198],"domain_scores_gemma":[0.99881244,0.00019735315,0.0001261618,0.00009631185,0.00024126821,0.00052644074],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018803028,0.00016370742,0.00020203905,0.0006432499,0.012903923,0.0059008533,0.0004061052,0.0015038913,0.0069399527],"category_scores_gemma":[0.0027551528,0.000088140645,0.00009937867,0.00060936215,0.028107662,0.0031263013,0.0033829345,0.003910687,0.0005464056],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043,0.000033909953,0.0014696936,0.000045708006,0.0000037005573,0.00012436579,0.046363316,0.00004403836,0.00027243243,0.91748315,0.017468646,0.016648032],"study_design_scores_gemma":[0.0000151899285,0.000038484704,0.0055117756,0.00013751956,0.0000032018804,0.0001360258,0.033434246,0.00006574022,0.00034004136,0.043046433,0.9172485,0.000022815268],"about_ca_topic_score_codex":0.03983676,"about_ca_topic_score_gemma":0.10483161,"teacher_disagreement_score":0.03983676,"about_ca_system_score_codex":0.010337276,"about_ca_system_score_gemma":0.008968833,"threshold_uncertainty_score":0.079209805},"labels":[],"label_agreement":null},{"id":"W2279160149","doi":"","title":"SCAM-ing Service-Learning and Mission Trips: A Satirical Essay","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Tourism, Volunteerism, and Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"TRIPS architecture; Service (business); Narrative; Term (time); Service-learning; Best practice; Public relations; Sociology; Business; Political science; Engineering; Marketing; Pedagogy; Law; Art; Literature; Transport engineering","score_opus":0.022222805616419483,"score_gpt":0.2769172119865211,"score_spread":0.2546944063701016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2279160149","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05072973,0.04230914,0.0068514855,0.49829394,0.02015968,0.00009698706,0.000102706486,0.000057644444,0.38139868],"genre_scores_gemma":[0.73830855,0.023176042,0.0033515256,0.030371374,0.0105304755,0.00014945051,0.00007219308,0.00009693466,0.19394349],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991418,0.0005262479,0.000028264554,0.00006230016,0.00013508373,0.000106361214],"domain_scores_gemma":[0.99774384,0.0015205601,0.00014559037,0.000072243536,0.00024603843,0.00027174558],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027670206,0.0002888641,0.00020392705,0.0004195663,0.004565541,0.0038254266,0.00051731244,0.0022413789,0.0022178823],"category_scores_gemma":[0.005124624,0.00010069998,0.00018917712,0.00046767204,0.009866109,0.0045192153,0.002324822,0.0037103824,0.0005519013],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005484322,0.00006617305,0.00075251784,0.00020820677,0.000005827614,0.0004877399,0.11241268,0.00024748378,0.0004588749,0.5351907,0.3193667,0.030748246],"study_design_scores_gemma":[0.0000050939957,0.000030513651,0.0013590495,0.00032928857,0.000002781527,0.00023839745,0.057349365,0.00020567949,0.00016878686,0.02464288,0.91565377,0.000014399861],"about_ca_topic_score_codex":0.0026127135,"about_ca_topic_score_gemma":0.0051926607,"teacher_disagreement_score":0.004565541,"about_ca_system_score_codex":0.0030887902,"about_ca_system_score_gemma":0.0022586961,"threshold_uncertainty_score":0.02241081},"labels":[],"label_agreement":null},{"id":"W2279968631","doi":"","title":"Liberal Arts and Professional Education: A Call for Philosopher-Servants","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Legal Education and Practice Innovations","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Liberal arts education; The arts; Sociology; Media studies; Pedagogy; Political science; Visual arts; Management; Art; Higher education; Law; Economics","score_opus":0.04735761823137846,"score_gpt":0.3497705589858728,"score_spread":0.3024129407544943,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2279968631","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010746147,0.0010732125,0.00018432803,0.9906309,0.0021626833,0.000009229886,0.0000041734443,0.000015612515,0.004845232],"genre_scores_gemma":[0.0932294,0.0029291322,0.001494644,0.8652866,0.0072243595,0.0001313456,0.000023556873,0.00011307462,0.029567998],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9764737,0.009156727,0.00076388556,0.0019033311,0.0039113048,0.0077910936],"domain_scores_gemma":[0.8988323,0.03535437,0.0030643758,0.0022673863,0.007921945,0.05255963],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.031644627,0.00073868304,0.0014942446,0.0021175465,0.0366934,0.026959585,0.0037820428,0.07488446,0.04211482],"category_scores_gemma":[0.053590454,0.0010240069,0.0013500211,0.0013641216,0.044887055,0.030728446,0.024621222,0.0535086,0.0041620345],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007247521,0.00020212804,0.0011267654,0.00013767814,0.000010665634,0.000826507,0.028152134,0.00008139116,0.00033936006,0.22948854,0.7172698,0.022292554],"study_design_scores_gemma":[0.00010222056,0.000063134896,0.0015046508,0.00059141853,0.000012254184,0.00043725903,0.07214215,0.00019656439,0.00011173337,0.08553216,0.8392093,0.000097207376],"about_ca_topic_score_codex":0.01751763,"about_ca_topic_score_gemma":0.045285523,"teacher_disagreement_score":0.07488446,"about_ca_system_score_codex":0.013975331,"about_ca_system_score_gemma":0.0727678,"threshold_uncertainty_score":0.16735476},"labels":[],"label_agreement":null},{"id":"W2281370564","doi":"","title":"Lutheran Identity, Academic Integrity, and Religious Diversity","year":2007,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Identity (music); Religious diversity; Academic integrity; Diversity (politics); Sociology; History; Genealogy; Anthropology; Psychology; Art; Aesthetics; Social psychology","score_opus":0.04942573018190098,"score_gpt":0.335726102228445,"score_spread":0.286300372046544,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2281370564","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9668737,0.00021828327,0.00006523863,0.0021527663,0.00001968161,0.0000041336857,0.000027979053,0.0000022347717,0.030635849],"genre_scores_gemma":[0.9991709,0.000038629878,0.000015850344,0.000052261938,0.000006712386,0.0000012302825,0.00000806401,6.6232064e-7,0.0007057663],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99873704,0.0004025869,0.000049770602,0.00007024867,0.00032075364,0.00041960223],"domain_scores_gemma":[0.9933001,0.0010158041,0.002270518,0.0003230635,0.0006635616,0.0024269286],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017084643,0.00013512,0.00031413295,0.0016770621,0.006090997,0.004429568,0.00063741114,0.00080316275,0.008387573],"category_scores_gemma":[0.0076866182,0.00010327914,0.00020510545,0.0014772121,0.00467604,0.0013703848,0.0033532062,0.001612074,0.00036092883],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037730558,0.0014238833,0.81683713,0.000047984027,0.000107650696,0.00037573138,0.06125977,0.00016373667,0.0004507461,0.080796085,0.0021063087,0.036053654],"study_design_scores_gemma":[0.000038241797,0.00014639167,0.88101673,0.00007400389,0.00006454352,0.00028733828,0.092494115,0.0003426905,0.00026208372,0.01803648,0.007206218,0.000031153577],"about_ca_topic_score_codex":0.017439412,"about_ca_topic_score_gemma":0.053100727,"teacher_disagreement_score":0.017439412,"about_ca_system_score_codex":0.0025330852,"about_ca_system_score_gemma":0.0027103375,"threshold_uncertainty_score":0.034675837},"labels":[],"label_agreement":null},{"id":"W2283291673","doi":"","title":"Lutheran Heritage Across the Curriculum: Reflections from a Faculty/Staff Development Seminar","year":2007,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Hannah Arendt's Political Philosophy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Curriculum; Pedagogy; Sociology; Mathematics education; Library science; Medical education; Psychology; Medicine; Computer science","score_opus":0.07193972528969828,"score_gpt":0.36328281086067143,"score_spread":0.29134308557097316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2283291673","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39532068,0.0017378696,0.0009028645,0.5113418,0.0062358873,0.0002202387,0.00007255366,0.00006334735,0.08410483],"genre_scores_gemma":[0.8029238,0.0013375132,0.0009297247,0.056021817,0.0010421204,0.00013354006,0.000039462513,0.00016586664,0.13740614],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9913838,0.0035481793,0.00013640615,0.00044771112,0.0010170479,0.003466794],"domain_scores_gemma":[0.98093456,0.0026195333,0.00038888946,0.00020141483,0.0012890936,0.014566482],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.012317986,0.0005141706,0.0005408925,0.0012952455,0.064799204,0.0127714155,0.002294783,0.0066371537,0.016114218],"category_scores_gemma":[0.013886431,0.00067805604,0.0004390347,0.0013639118,0.010628371,0.0038287733,0.0164394,0.016715366,0.0011565986],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018010646,0.0012914018,0.005766038,0.0001326408,0.000013621501,0.0025279261,0.7315956,0.00013798184,0.0013989429,0.031704817,0.17441002,0.050840996],"study_design_scores_gemma":[0.00004649692,0.00015039809,0.0042676907,0.00014744188,0.000011107892,0.00017708099,0.6632058,0.00006712269,0.0005778647,0.0019125404,0.3294088,0.00002769133],"about_ca_topic_score_codex":0.0729449,"about_ca_topic_score_gemma":0.2337572,"teacher_disagreement_score":0.0729449,"about_ca_system_score_codex":0.019516937,"about_ca_system_score_gemma":0.04342516,"threshold_uncertainty_score":0.14504063},"labels":[],"label_agreement":null},{"id":"W2283318830","doi":"","title":"Leading from Within: Peer-Learning Consultations to Explore Our Callings and Campus Capacities for Leadership","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Education and Critical Thinking Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Peer review; Sociology; Psychology; Management; Pedagogy; Public relations; Political science","score_opus":0.23489638943533325,"score_gpt":0.3516594775835381,"score_spread":0.11676308814820485,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2283318830","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35985887,0.0016396504,0.016590841,0.20587885,0.01629313,0.0016390759,0.00034340122,0.00090692,0.39684922],"genre_scores_gemma":[0.84849083,0.0006093876,0.0062007885,0.015643723,0.0014231888,0.00069143926,0.000118035285,0.0004928838,0.12632975],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9819462,0.011673621,0.0003916491,0.00077371905,0.0017186985,0.003496068],"domain_scores_gemma":[0.9489115,0.015739609,0.0018434384,0.0019264115,0.0072029615,0.024376102],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0098020155,0.00080021704,0.00061038113,0.0010756678,0.046932213,0.012266896,0.0036936176,0.0069810036,0.05433665],"category_scores_gemma":[0.04267796,0.0004178793,0.0006279255,0.0009881279,0.00833717,0.0075835474,0.02016887,0.015033044,0.008142859],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027656433,0.0005330884,0.002048148,0.00030644544,0.0000212036,0.0030802225,0.72941387,0.00028079344,0.0044194753,0.027080752,0.17603911,0.05650039],"study_design_scores_gemma":[0.000023051089,0.00009698062,0.0008229523,0.00015981564,0.000010327446,0.00034849302,0.79539055,0.00016378962,0.0006556785,0.0062566292,0.19601384,0.00005795717],"about_ca_topic_score_codex":0.006683487,"about_ca_topic_score_gemma":0.030198528,"teacher_disagreement_score":0.05433665,"about_ca_system_score_codex":0.007450862,"about_ca_system_score_gemma":0.021188885,"threshold_uncertainty_score":0.1817742},"labels":[],"label_agreement":null},{"id":"W2284202512","doi":"","title":"Hope in a Period of Economic Decline","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cuban History and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Period (music); History; Economic history; Art","score_opus":0.020520447011573607,"score_gpt":0.266186934515687,"score_spread":0.24566648750411338,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2284202512","genre_codex":"empirical","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76040447,0.0020802359,0.00030947605,0.12263694,0.0011288279,0.000029170702,0.00012823084,0.000026123846,0.11325648],"genre_scores_gemma":[0.9869708,0.0002764756,0.000046922447,0.0025553748,0.000108826855,0.000013947715,0.000023310271,0.000011463836,0.009992868],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987186,0.00025932866,0.000017765979,0.000044892382,0.00006499931,0.00089440227],"domain_scores_gemma":[0.99828535,0.00017090775,0.00014539072,0.00004598091,0.00016402965,0.0011883489],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014587486,0.00020290723,0.0003485097,0.0009661977,0.029035434,0.008266288,0.00080532354,0.002607377,0.006105977],"category_scores_gemma":[0.0029220686,0.00024886258,0.00021660888,0.0008730994,0.012890095,0.0032937073,0.007084357,0.0067186346,0.00038258373],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00076898176,0.00026791843,0.024857802,0.00010069051,0.00004404472,0.005429161,0.4572826,0.00032206246,0.0007263461,0.41090575,0.067476295,0.031818364],"study_design_scores_gemma":[0.00004212687,0.00006345584,0.022312814,0.00013979863,0.000016726926,0.0006395146,0.7049773,0.00018380512,0.00023068556,0.027784174,0.24356303,0.000046598896],"about_ca_topic_score_codex":0.12042465,"about_ca_topic_score_gemma":0.2502452,"teacher_disagreement_score":0.12042465,"about_ca_system_score_codex":0.011997788,"about_ca_system_score_gemma":0.008591003,"threshold_uncertainty_score":0.23944741},"labels":[],"label_agreement":null},{"id":"W2284968002","doi":"","title":"\"We're Looking for a College--Not a Vocation\": Articulating Lutheran Higher Education to Prospective Students and Parents Seeking Relevance","year":2013,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Catholicism and Religious Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Relevance (law); Psychology; Pedagogy; Sociology; Political science","score_opus":0.03105293963816667,"score_gpt":0.265956379769668,"score_spread":0.23490344013150136,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2284968002","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33983514,0.0025786185,0.006616203,0.44009286,0.0030545772,0.00010148942,0.00005190785,0.0000700743,0.20759913],"genre_scores_gemma":[0.9685353,0.0003990111,0.0007464091,0.01864733,0.00017651705,0.00003442744,0.000015067943,0.000028215643,0.011417848],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9940646,0.0037425852,0.00010886554,0.00025414606,0.00036565072,0.0014640939],"domain_scores_gemma":[0.99436426,0.0019119941,0.00040379868,0.00017483316,0.0006156335,0.0025294118],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0076169916,0.00047644388,0.00035833995,0.0010636294,0.030990506,0.013045621,0.0019526893,0.006000043,0.0042795027],"category_scores_gemma":[0.007961588,0.00031358236,0.0003529433,0.0008055903,0.03989124,0.0066487235,0.010981644,0.013437354,0.00044630578],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001755109,0.000068486974,0.004181383,0.00005498429,0.0000055330597,0.00037175967,0.62780756,0.000053555195,0.00013685218,0.3477308,0.011974518,0.007597123],"study_design_scores_gemma":[0.000011451628,0.000027169575,0.0031861512,0.00028030897,0.000013656953,0.0002122081,0.8505135,0.00012324558,0.00016725996,0.032676652,0.11276057,0.000027847142],"about_ca_topic_score_codex":0.054363754,"about_ca_topic_score_gemma":0.1719807,"teacher_disagreement_score":0.054363754,"about_ca_system_score_codex":0.014118332,"about_ca_system_score_gemma":0.031624578,"threshold_uncertainty_score":0.10809463},"labels":[],"label_agreement":null},{"id":"W2286333699","doi":"","title":"Fumbling Toward Integrity: A Sermon on Mark 8:34-38, Pastor Kaj Munk, and Father Maximilian Kolbe","year":2011,"lang":"eo","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Biblical Studies and Interpretation","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sermon; Theology; Art; Philosophy","score_opus":0.10467420741138096,"score_gpt":0.2353273783772599,"score_spread":0.13065317096587892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2286333699","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024856178,0.03283281,0.0020302148,0.8871023,0.027336637,0.000023368159,0.00002268967,0.00007502705,0.048091456],"genre_scores_gemma":[0.14890295,0.027791383,0.0038684986,0.4383797,0.03531152,0.00014369226,0.000029616598,0.00078135193,0.3447912],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9922552,0.004180716,0.00030717545,0.0007434326,0.0017115184,0.00080194836],"domain_scores_gemma":[0.9919573,0.004651059,0.0003686283,0.00043261072,0.0012488059,0.0013415939],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009900746,0.0006104748,0.00075376144,0.0009794561,0.018841546,0.0147951,0.0012397169,0.013082226,0.0058664954],"category_scores_gemma":[0.014601214,0.0005862941,0.00037161476,0.0006244667,0.034242928,0.011999026,0.006469868,0.028139787,0.0019153823],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023450733,0.00002399232,0.00013218232,0.00006956093,0.0000067862607,0.00019534984,0.022079987,0.000041428408,0.0001513199,0.2225472,0.73565227,0.019076575],"study_design_scores_gemma":[0.000006590971,0.000012647239,0.00017361196,0.00023129536,0.0000045268807,0.00018234103,0.00910867,0.0000618183,0.0001804993,0.026120232,0.9638885,0.000029193989],"about_ca_topic_score_codex":0.017292332,"about_ca_topic_score_gemma":0.05502057,"teacher_disagreement_score":0.018841546,"about_ca_system_score_codex":0.0056720027,"about_ca_system_score_gemma":0.00933654,"threshold_uncertainty_score":0.052360773},"labels":[],"label_agreement":null},{"id":"W2287465184","doi":"","title":"Sexuality over the Lifespan--Social Trends Pose Moral Dilemmas for Communities of Faith","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Family Dynamics and Relationships","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Faith; Human sexuality; Sociology; Gender studies; Psychology; Social psychology; Epistemology; Philosophy","score_opus":0.05817693128704143,"score_gpt":0.29385396738723313,"score_spread":0.2356770361001917,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2287465184","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5949907,0.005646346,0.0036236504,0.2241711,0.00074818626,0.00003572503,0.00013111864,0.00002955648,0.1706237],"genre_scores_gemma":[0.99434066,0.00069632335,0.0003282505,0.0017003067,0.000071641305,0.000008346761,0.000011762649,0.000007674436,0.0028350651],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9955651,0.0027479713,0.00009373075,0.00028913483,0.00063654414,0.0006673337],"domain_scores_gemma":[0.9885132,0.0037603884,0.0012994335,0.00086850626,0.0022348906,0.003323664],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009879636,0.00014908421,0.0004234752,0.0012460692,0.01040042,0.008067191,0.000996772,0.0029651397,0.0076795323],"category_scores_gemma":[0.019827094,0.00025530905,0.00023133634,0.0009233271,0.028234886,0.0071398104,0.0057425206,0.0035284227,0.00046218088],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017360275,0.00016429185,0.093507096,0.00012399531,0.00007075268,0.0016189204,0.21128033,0.00044939396,0.001018097,0.5452312,0.017427126,0.1289352],"study_design_scores_gemma":[0.000022227207,0.00015002872,0.055249102,0.0005201232,0.000038640224,0.0020161665,0.50024015,0.00058904727,0.00043918157,0.33315185,0.10749307,0.00009038313],"about_ca_topic_score_codex":0.020679245,"about_ca_topic_score_gemma":0.04050364,"teacher_disagreement_score":0.020679245,"about_ca_system_score_codex":0.0042302534,"about_ca_system_score_gemma":0.0069026975,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W2287760422","doi":"","title":"Learning Across Campus: Hearing Bok's Call to Conversation","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Critical Race Theory in Education","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Conversation; Psychology; Communication","score_opus":0.022955734094424505,"score_gpt":0.334983351439945,"score_spread":0.3120276173455205,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2287760422","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0073771514,0.0023367286,0.00078531547,0.9418967,0.03322693,0.00002835886,0.00005125204,0.00010815077,0.014189461],"genre_scores_gemma":[0.16552618,0.0030115482,0.002073184,0.73074174,0.02091684,0.00021260652,0.00006998821,0.0005928846,0.07685499],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9910234,0.0040523843,0.00020140877,0.0007519073,0.0013116836,0.0026591462],"domain_scores_gemma":[0.9704921,0.009313009,0.00078061206,0.000656803,0.0026133195,0.016144067],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.012424879,0.0009420369,0.0010706995,0.001214811,0.03633279,0.016610982,0.0032263878,0.03211806,0.015797567],"category_scores_gemma":[0.030556176,0.00079192914,0.0009894817,0.0007737395,0.013653477,0.016636074,0.012054547,0.058106825,0.0047462042],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000075541335,0.00017052035,0.00054678455,0.00008620191,0.000017857557,0.0007487809,0.08179928,0.000064438915,0.00052649266,0.011048544,0.888418,0.016497599],"study_design_scores_gemma":[0.000026127642,0.000060082315,0.0011604237,0.0003491069,0.000015051222,0.00036473252,0.21884692,0.00014604662,0.00019220255,0.008754086,0.7699935,0.000091709524],"about_ca_topic_score_codex":0.026618704,"about_ca_topic_score_gemma":0.08445298,"teacher_disagreement_score":0.03633279,"about_ca_system_score_codex":0.008009596,"about_ca_system_score_gemma":0.014102472,"threshold_uncertainty_score":0.06570977},"labels":[],"label_agreement":null},{"id":"W2289435311","doi":"","title":"The New (con)Texts of Jewish-Christian Engagement","year":2011,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Jewish and Middle Eastern Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Judaism; Religious studies; History; Literature; Art; Philosophy; Archaeology","score_opus":0.07065802693676228,"score_gpt":0.26855211405036156,"score_spread":0.1978940871135993,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2289435311","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26740578,0.006228797,0.0021527153,0.039980616,0.0023488062,0.000041999134,0.00018893946,0.000075507734,0.6815769],"genre_scores_gemma":[0.9619508,0.0006098707,0.000502403,0.0014958087,0.0005158739,0.00001843661,0.00005708409,0.000062474486,0.034787204],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982855,0.00080791663,0.000054363216,0.0001379094,0.00040704894,0.0003072965],"domain_scores_gemma":[0.9967843,0.0016020291,0.00024060844,0.00038303094,0.0005694577,0.0004205328],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002680648,0.00043753313,0.00023436251,0.0027650702,0.012703077,0.009701735,0.0008118064,0.002394037,0.00820632],"category_scores_gemma":[0.0055949315,0.00021783792,0.00013124051,0.0022675076,0.022368614,0.0052784616,0.0034367286,0.0034180442,0.00061077974],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008189362,0.000022584043,0.00087669166,0.00006369056,0.000005655932,0.000261277,0.36769968,0.000038018166,0.0009255153,0.6008392,0.015184582,0.014001178],"study_design_scores_gemma":[0.000024122404,0.00003196547,0.0058377115,0.00026600168,0.000012369189,0.0004141054,0.21804443,0.000201339,0.00083782524,0.05790579,0.71639735,0.000026984912],"about_ca_topic_score_codex":0.016911622,"about_ca_topic_score_gemma":0.06462238,"teacher_disagreement_score":0.016911622,"about_ca_system_score_codex":0.008520845,"about_ca_system_score_gemma":0.0033367423,"threshold_uncertainty_score":0.06182331},"labels":[],"label_agreement":null},{"id":"W2289454170","doi":"","title":"Sojourners in a Pluralistic Land: The Promise and Peril of Christian Higher Education","year":2007,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Sociology","score_opus":0.025628764420529016,"score_gpt":0.30654621049868613,"score_spread":0.2809174460781571,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2289454170","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3819211,0.0023647945,0.0012868549,0.21293677,0.001326902,0.00002392873,0.000040898773,0.000058315552,0.4000405],"genre_scores_gemma":[0.9780629,0.00020475624,0.00015924018,0.002812479,0.00015990763,0.000006106832,0.0000061874616,0.000023667675,0.01856483],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99533695,0.001997555,0.00005469674,0.00028977433,0.00044564184,0.001875345],"domain_scores_gemma":[0.9941665,0.0012235792,0.00043600422,0.00052585773,0.00067094644,0.0029771053],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004816632,0.00023310586,0.00038642756,0.000795316,0.033726025,0.012813877,0.0015604018,0.005199412,0.02351324],"category_scores_gemma":[0.00904615,0.00028300428,0.00022615086,0.00074390485,0.061156392,0.010780615,0.01159104,0.00940268,0.0012545688],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010760439,0.000091175236,0.0031259672,0.00003551287,0.000009665314,0.00036966827,0.20756073,0.000114760114,0.00022152893,0.74233484,0.022593062,0.023435427],"study_design_scores_gemma":[0.000046417565,0.000054474003,0.0059908666,0.00024196735,0.000012277597,0.00023484488,0.4597078,0.00029642618,0.00025661965,0.24834876,0.28474826,0.00006128176],"about_ca_topic_score_codex":0.032016706,"about_ca_topic_score_gemma":0.098726146,"teacher_disagreement_score":0.033726025,"about_ca_system_score_codex":0.005852998,"about_ca_system_score_gemma":0.010235599,"threshold_uncertainty_score":0.078659594},"labels":[],"label_agreement":null},{"id":"W2293681853","doi":"","title":"Putting Principles into Practice: An Interview with Kenneth Foster about Concordia's Sustainability Council","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Service-Learning and Community Engagement","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sustainability; Sociology; Psychology; Ecology","score_opus":0.10094876199204922,"score_gpt":0.32662151580998633,"score_spread":0.2256727538179371,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2293681853","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11909408,0.003959942,0.0031086076,0.8274129,0.0062571573,0.00036646586,0.00004133071,0.00006968969,0.039689828],"genre_scores_gemma":[0.54748535,0.003212808,0.0044034533,0.3668803,0.0013345649,0.0003984548,0.00004083032,0.0004113753,0.07583283],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9605974,0.0250816,0.0010496927,0.0021540092,0.0043376116,0.0067796716],"domain_scores_gemma":[0.945364,0.026680196,0.0020401378,0.0010488187,0.006461902,0.018404916],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.02251622,0.00071202585,0.0010505904,0.0017210674,0.08061745,0.017572677,0.004670557,0.027144048,0.005060337],"category_scores_gemma":[0.05065171,0.0019009355,0.00080289034,0.0017085994,0.028973147,0.009494933,0.012210065,0.06423076,0.00075357757],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037236216,0.00018652657,0.0012273475,0.000100216326,0.00001829367,0.00292927,0.85301566,0.0001818989,0.0009696816,0.015805842,0.11722244,0.008305667],"study_design_scores_gemma":[0.0000096498825,0.0000451632,0.0007782777,0.00023930805,0.000006752334,0.00043962462,0.6590677,0.00009582118,0.00024695514,0.001601057,0.33741605,0.000053629665],"about_ca_topic_score_codex":0.1472435,"about_ca_topic_score_gemma":0.29930258,"teacher_disagreement_score":0.1472435,"about_ca_system_score_codex":0.038540915,"about_ca_system_score_gemma":0.06458904,"threshold_uncertainty_score":0.2927729},"labels":[],"label_agreement":null},{"id":"W2296096955","doi":"","title":"From Alien to Citizen","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Asian American and Pacific Histories","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Alien; Citizen science; Alien species; Political science; Ecology; Biology; Invasive species; Botany; Law","score_opus":0.017391285576942542,"score_gpt":0.264035779375559,"score_spread":0.24664449379861647,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2296096955","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016587047,0.0009893312,0.0007774782,0.07328384,0.0017561408,0.000015019163,0.00006441357,0.00006017855,0.9064664],"genre_scores_gemma":[0.49343732,0.0011383418,0.00043310501,0.032439597,0.0009861913,0.000057217505,0.00009053543,0.00026641734,0.47115132],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99479705,0.0016681119,0.00010360936,0.0005945324,0.00083765626,0.0019990262],"domain_scores_gemma":[0.99700975,0.00043944546,0.00014119588,0.00030507936,0.00047208153,0.0016324662],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025477053,0.0005532707,0.0005111356,0.0014122967,0.03893053,0.01636702,0.0011795262,0.0055707335,0.034318905],"category_scores_gemma":[0.0045441613,0.00034837218,0.0005003599,0.0013276973,0.033349965,0.011553318,0.01792118,0.013117012,0.005773851],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013683395,0.000023336697,0.00080187933,0.000020743224,0.0000044301046,0.00025469615,0.07278565,0.000016539028,0.000107197295,0.84410506,0.07304942,0.008817444],"study_design_scores_gemma":[0.0000041606118,0.000013987362,0.00062016,0.000093933435,0.000005404238,0.00017654948,0.066594906,0.000021442489,0.00007774251,0.049185686,0.8831918,0.000014336305],"about_ca_topic_score_codex":0.04317515,"about_ca_topic_score_gemma":0.0905379,"teacher_disagreement_score":0.04317515,"about_ca_system_score_codex":0.008431974,"about_ca_system_score_gemma":0.012265144,"threshold_uncertainty_score":0.11480814},"labels":[],"label_agreement":null},{"id":"W2297001879","doi":"","title":"Attentional Commons and the Common Good: Technology and Higher Education","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Digital Education and Society","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Commons; Psychology; Cognitive psychology; Political science; Law","score_opus":0.025909420968686796,"score_gpt":0.2514049739461946,"score_spread":0.2254955529775078,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2297001879","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18198049,0.0096306605,0.013363481,0.051386822,0.00045097573,0.000025245448,0.0001300863,0.000090894406,0.74294126],"genre_scores_gemma":[0.98955697,0.0007934174,0.0006891904,0.0007607207,0.00013327057,0.000011360737,0.0000150134865,0.00002665541,0.00801327],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99737597,0.0009910729,0.00007932156,0.00036812993,0.0005651192,0.00062042556],"domain_scores_gemma":[0.99115574,0.0047383145,0.0007985972,0.0011505113,0.00083792454,0.001318854],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037250323,0.0004167618,0.00061812723,0.0031725198,0.0068441764,0.016913494,0.0010809015,0.0041186274,0.02620443],"category_scores_gemma":[0.008052006,0.00032060195,0.00049150136,0.0028873235,0.035253122,0.014380368,0.009130653,0.0029703856,0.0008582245],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008913039,0.00005269009,0.0015227022,0.00006473097,0.000018067107,0.00009934227,0.009802333,0.0003048144,0.00040424545,0.96913224,0.0035168696,0.014992865],"study_design_scores_gemma":[0.000030916577,0.000023667088,0.0042580105,0.00010654807,0.000021266005,0.00008008992,0.010891985,0.00039931887,0.00028470674,0.94109726,0.042778287,0.000027968676],"about_ca_topic_score_codex":0.020294651,"about_ca_topic_score_gemma":0.022833848,"teacher_disagreement_score":0.02620443,"about_ca_system_score_codex":0.007369599,"about_ca_system_score_gemma":0.0066353213,"threshold_uncertainty_score":0.08766258},"labels":[],"label_agreement":null},{"id":"W2297110691","doi":"","title":"Vocation and the Common Good","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Computer science","score_opus":0.0381681262954571,"score_gpt":0.2836514838949945,"score_spread":0.2454833575995374,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2297110691","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06191113,0.0022069502,0.0031337321,0.027862977,0.00018906935,0.000020103183,0.00007202557,0.000023924491,0.90458006],"genre_scores_gemma":[0.9765912,0.00029788565,0.00032356987,0.001237918,0.00010315349,0.000013890584,0.000017019716,0.000015136523,0.021400172],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950832,0.002207586,0.0000975613,0.00057474966,0.00061890937,0.0014180939],"domain_scores_gemma":[0.99572456,0.0017260608,0.00034599542,0.0007014403,0.0006879658,0.0008139489],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0044554197,0.00027978013,0.00069250143,0.0018678717,0.01365286,0.010780717,0.0009403519,0.0048665144,0.0144128725],"category_scores_gemma":[0.0068680993,0.00026890475,0.0004927677,0.0019925362,0.041803934,0.005896483,0.0047926167,0.0039970004,0.000720334],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005338337,0.0000058736273,0.00013862575,0.0000028235263,0.0000019686106,0.000012361423,0.0007059399,0.000038312293,0.000011364669,0.9971945,0.00093854975,0.00094430294],"study_design_scores_gemma":[0.0000139875165,0.000007624364,0.0008143234,0.000022337008,0.000007737742,0.00002469267,0.0023887092,0.0001305825,0.000050280654,0.9616017,0.0349285,0.000009545319],"about_ca_topic_score_codex":0.05369131,"about_ca_topic_score_gemma":0.0857328,"teacher_disagreement_score":0.05369131,"about_ca_system_score_codex":0.008984439,"about_ca_system_score_gemma":0.010110802,"threshold_uncertainty_score":0.10675758},"labels":[],"label_agreement":null},{"id":"W2297200530","doi":"","title":"Students in the Cloud: Creating Digital Citizens","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Online Learning and Analytics","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cloud computing; Computer science; Internet privacy; Operating system","score_opus":0.014395287405198465,"score_gpt":0.2617130626111808,"score_spread":0.24731777520598236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2297200530","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30128217,0.0009011485,0.054273874,0.083095536,0.0017545153,0.00032158478,0.00043116807,0.0013495126,0.55659044],"genre_scores_gemma":[0.9430586,0.0006432999,0.013065629,0.0032386952,0.00035605486,0.000088853674,0.00026715186,0.00030095238,0.03898079],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958556,0.0019312389,0.00009645721,0.00033764748,0.0006542054,0.0011246816],"domain_scores_gemma":[0.9927492,0.0011889096,0.00040012173,0.0011529546,0.00073161465,0.0037771799],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038458852,0.0002950989,0.00025249468,0.0007434364,0.006818754,0.01500225,0.0016131771,0.002161529,0.020402115],"category_scores_gemma":[0.0067128777,0.00023820627,0.00041763557,0.0019881197,0.0036132743,0.017487759,0.01616268,0.0032167626,0.004164638],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029391696,0.0009541037,0.031115713,0.00016224696,0.00003624164,0.0008556037,0.030175602,0.0018820888,0.002148893,0.48060757,0.17206956,0.27969855],"study_design_scores_gemma":[0.00007152048,0.00015689577,0.003571573,0.00015335016,0.000036950303,0.0003114017,0.084295355,0.010529983,0.003135072,0.22987844,0.6678088,0.00005066447],"about_ca_topic_score_codex":0.006318213,"about_ca_topic_score_gemma":0.01073375,"teacher_disagreement_score":0.020402115,"about_ca_system_score_codex":0.002117623,"about_ca_system_score_gemma":0.009424472,"threshold_uncertainty_score":0.06825185},"labels":[],"label_agreement":null},{"id":"W2297442225","doi":"","title":"About the Cover and Artist","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Art, Technology, and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cover (algebra); Art; Art history; Visual arts; Engineering","score_opus":0.04002687731142136,"score_gpt":0.21866492770524432,"score_spread":0.17863805039382297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2297442225","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017881903,0.01016053,0.00024748978,0.09150645,0.07567549,0.000042902524,0.0006269097,0.00021262864,0.8197394],"genre_scores_gemma":[0.016370568,0.0049250233,0.00019165142,0.018786337,0.023915341,0.00003062343,0.0002796976,0.00018606857,0.93531466],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993204,0.000062373256,0.00002116492,0.00006997969,0.00038197578,0.00014409903],"domain_scores_gemma":[0.9975932,0.00030533184,0.000081392755,0.00015570484,0.0009859712,0.00087835966],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00074126496,0.00051741226,0.0004544331,0.0015301753,0.0052186055,0.0074296948,0.00056310586,0.0029620498,0.32076582],"category_scores_gemma":[0.0043835184,0.00027944928,0.00037219125,0.0010313375,0.0013020899,0.0037498947,0.0017328275,0.0035359112,0.079835206],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001753688,0.000012483788,0.0001826949,0.00002831706,0.000001520748,0.000045122415,0.00015993425,0.000011811795,0.000096450356,0.004751831,0.9705641,0.024128199],"study_design_scores_gemma":[0.0000012600036,0.0000022166791,0.00027293433,0.0000328223,8.7196196e-7,0.000033756623,0.00020486195,0.000008638247,0.000018626504,0.00037995022,0.9990415,0.0000025958743],"about_ca_topic_score_codex":0.019445838,"about_ca_topic_score_gemma":0.041737393,"teacher_disagreement_score":0.32076582,"about_ca_system_score_codex":0.00254855,"about_ca_system_score_gemma":0.0020726752,"threshold_uncertainty_score":0.9688451},"labels":[],"label_agreement":null},{"id":"W2297783079","doi":"","title":"Mentoring in the Academy: Of Gurus, Coaches, and Sponsors","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Mentoring and Academic Development","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology","score_opus":0.11192876281427866,"score_gpt":0.323353666730688,"score_spread":0.21142490391640933,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2297783079","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":"incentives","model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":"incentives","domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73724735,0.0052453997,0.00083336746,0.101425596,0.0028103068,0.000074793854,0.0000652821,0.00007293101,0.15222509],"genre_scores_gemma":[0.98774254,0.0005632376,0.00013725311,0.0017628584,0.00020808294,0.000016438746,0.00000996222,0.000022983433,0.009536631],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.98862225,0.0056997845,0.00018298913,0.00041635623,0.0014897293,0.0035887773],"domain_scores_gemma":[0.9618861,0.004430821,0.0016490521,0.0009210284,0.0023072872,0.02880569],"candidate_categories":["metaresearch"],"consensus_categories":[],"category_scores_codex":[0.009109366,0.000360202,0.00049775315,0.0018570997,0.02433423,0.01523352,0.001416263,0.0028270546,0.01261726],"category_scores_gemma":[0.025717782,0.00028810473,0.00034609405,0.0016019105,0.008098571,0.0063450756,0.009900952,0.006364165,0.000936128],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009065481,0.0014662646,0.14368866,0.00025078192,0.000095399235,0.0017700667,0.3105133,0.0002617661,0.00073691295,0.07882979,0.1074994,0.35398117],"study_design_scores_gemma":[0.00006667659,0.00026408074,0.054923683,0.0005454047,0.000038472303,0.0007908329,0.8022036,0.0003127065,0.00030037347,0.016285835,0.124180384,0.00008789333],"about_ca_topic_score_codex":0.021268291,"about_ca_topic_score_gemma":0.08083924,"teacher_disagreement_score":0.9908906,"about_ca_system_score_codex":0.009465519,"about_ca_system_score_gemma":0.021174759,"threshold_uncertainty_score":0.068677425},"labels":[],"label_agreement":null},{"id":"W2298734707","doi":"","title":"Facing Tornados and Climate Change: An Interview with Jim Dontje about Environmental Innovation at Gustavus","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"demographic modeling and climate adaptation","field":"Decision Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Climate change; History; Tornado; Sociology; Geography; Meteorology; Oceanography; Geology","score_opus":0.16254306944856306,"score_gpt":0.32216056723887987,"score_spread":0.1596174977903168,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2298734707","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4548725,0.0027122784,0.0008893595,0.4902799,0.003960461,0.00009440004,0.00011446539,0.00003985441,0.047036745],"genre_scores_gemma":[0.8660303,0.002452836,0.0006196804,0.092010915,0.00059791136,0.00008480243,0.000045908928,0.000088243076,0.038069423],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957552,0.0018498341,0.000112101035,0.00025845956,0.000461041,0.0015634269],"domain_scores_gemma":[0.990375,0.0032340353,0.00050253375,0.00010500943,0.00079030904,0.0049930783],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005436753,0.00047184786,0.00053048425,0.0012401402,0.03484008,0.006284763,0.0019758022,0.009946157,0.007049662],"category_scores_gemma":[0.010618908,0.0006620873,0.0004846652,0.0009504139,0.010240295,0.0044884807,0.0072173383,0.01988768,0.0006489006],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033229993,0.00006716101,0.0052927667,0.000058760437,0.000013915946,0.004660083,0.94400674,0.00016132894,0.0006123726,0.0034729335,0.036420535,0.0052001607],"study_design_scores_gemma":[0.000002195903,0.000015795433,0.0015497495,0.00006281494,0.0000042372535,0.00026973366,0.9299115,0.00003723938,0.000058080263,0.00032263962,0.067745686,0.000020306008],"about_ca_topic_score_codex":0.18531585,"about_ca_topic_score_gemma":0.34867555,"teacher_disagreement_score":0.18531585,"about_ca_system_score_codex":0.010971885,"about_ca_system_score_gemma":0.009556858,"threshold_uncertainty_score":0.36847436},"labels":[],"label_agreement":null},{"id":"W2298903227","doi":"10.7202/1032692ar","title":"Canadian Music: A Personal Perspective","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Digital Humanities and Scholarship","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Lament; Musicology; George (robot); Perspective (graphical); Musical; League; Music education; Music history; Sociology; Media studies; Performance art; Experiential learning; Visual arts; History; Art; Art history; Literature; Pedagogy","score_opus":0.08895995113312181,"score_gpt":0.23157625652550906,"score_spread":0.14261630539238723,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2298903227","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023805037,0.016158758,0.00073212606,0.21128395,0.0039947117,0.000030342164,0.00044709412,0.000102006736,0.743446],"genre_scores_gemma":[0.5340691,0.03127086,0.0016717422,0.06140573,0.0011774746,0.000055121247,0.0003067004,0.00023029387,0.3698129],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959351,0.00060303503,0.00007785421,0.00043011628,0.001561556,0.0013922637],"domain_scores_gemma":[0.9959194,0.000449587,0.00012005726,0.00010437273,0.0014411166,0.001965575],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020304942,0.00077172334,0.0005017766,0.0027163466,0.0587157,0.016785081,0.0018538646,0.004338553,0.03434847],"category_scores_gemma":[0.0043210615,0.00035376052,0.00032336958,0.006913889,0.02188242,0.004863915,0.005698286,0.007830983,0.002464989],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003879061,0.000043155527,0.002529075,0.00016606749,0.000017397093,0.00081950275,0.15598594,0.00026715716,0.0003950071,0.33734617,0.46059993,0.04179188],"study_design_scores_gemma":[0.0000025304369,0.0000064284686,0.00091754395,0.00011961238,0.0000057214,0.00012795533,0.07888455,0.000040458428,0.000050192582,0.0030031977,0.9168064,0.000035439694],"about_ca_topic_score_codex":0.98799974,"about_ca_topic_score_gemma":0.9941288,"teacher_disagreement_score":0.11634324,"about_ca_system_score_codex":0.11634324,"about_ca_system_score_gemma":0.14582586,"threshold_uncertainty_score":0.8441332},"labels":[],"label_agreement":null},{"id":"W2299246599","doi":"10.7202/1032696ar","title":"Providing the Taste of Learning: Nadia Boulanger’s Lasting Imprint on Canadian Music","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musicology; Musical; Taste; Legend; Art; Visual arts; Performance art; Art history; History; Psychology","score_opus":0.08631397848555768,"score_gpt":0.22746680636037145,"score_spread":0.14115282787481376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2299246599","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31411648,0.035765365,0.002098291,0.19327615,0.002866878,0.000040837895,0.00071151776,0.00022938577,0.45089513],"genre_scores_gemma":[0.9113726,0.006724014,0.0009514854,0.007681807,0.00018229455,0.000010666139,0.00006867928,0.00012992766,0.072878495],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981964,0.00025289468,0.000018003902,0.00020298752,0.0006124702,0.00071729894],"domain_scores_gemma":[0.9976706,0.00039639368,0.00007923957,0.000078056626,0.0008678188,0.00090794446],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014790194,0.00033538003,0.0004198202,0.001458595,0.036547255,0.006778395,0.0010240171,0.0014418598,0.010392384],"category_scores_gemma":[0.002932745,0.00026682514,0.00020921836,0.0020678127,0.01668406,0.001930734,0.0035239812,0.0030508547,0.0008297288],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029919273,0.000051341947,0.011101376,0.00020799339,0.000030814143,0.0017879431,0.35916713,0.00044236123,0.001902789,0.26209944,0.22995447,0.13295518],"study_design_scores_gemma":[0.000007121716,0.0000148781055,0.009561299,0.0001669766,0.000010691309,0.00032609637,0.0906207,0.00009620068,0.00039093275,0.0035747988,0.895164,0.000066327935],"about_ca_topic_score_codex":0.9910228,"about_ca_topic_score_gemma":0.9974859,"teacher_disagreement_score":0.09970603,"about_ca_system_score_codex":0.09970603,"about_ca_system_score_gemma":0.07607057,"threshold_uncertainty_score":0.7234213},"labels":[],"label_agreement":null},{"id":"W2299771953","doi":"10.7202/1032693ar","title":"The Wild Hunter, the Wandering Jew, and the Flying Dutchman: The Hunt In Wagner’s Der fliegende Holländer","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Opera; Musical; Legend; Art history; History; Literature; Art","score_opus":0.05565369436166589,"score_gpt":0.2201082757252965,"score_spread":0.16445458136363061,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2299771953","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8223184,0.0024929156,0.002413428,0.009658458,0.00075046817,0.000014596371,0.000037526883,0.00003384111,0.16228032],"genre_scores_gemma":[0.98031574,0.00050840643,0.00042586945,0.0006332834,0.000082609746,0.000004253795,0.00001494323,0.000040443498,0.017974451],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99955505,0.00019361987,0.000008963673,0.000044728786,0.000102219354,0.00009539466],"domain_scores_gemma":[0.99971443,0.00012488435,0.0000485714,0.000015071722,0.000036901874,0.000059982023],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005944451,0.00027771067,0.000146494,0.00056355284,0.0058771227,0.0039567095,0.0003942748,0.0008992181,0.0021310323],"category_scores_gemma":[0.001263235,0.00017356765,0.00010951674,0.00043059752,0.008081558,0.0017904378,0.0018291468,0.0016589715,0.0003323846],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009486367,0.000046733207,0.003973643,0.0000673145,0.000014886461,0.0025042782,0.832572,0.000089815294,0.0025596821,0.11085433,0.027107313,0.02011517],"study_design_scores_gemma":[0.000007749115,0.000036210102,0.0061625666,0.00012633447,0.000012768677,0.0019639686,0.75598156,0.0001567168,0.0007819805,0.006315383,0.2284242,0.00003054301],"about_ca_topic_score_codex":0.014165039,"about_ca_topic_score_gemma":0.09179252,"teacher_disagreement_score":0.014165039,"about_ca_system_score_codex":0.0014600459,"about_ca_system_score_gemma":0.00066613767,"threshold_uncertainty_score":0.028165162},"labels":[],"label_agreement":null},{"id":"W2301452080","doi":"","title":"Making the Common Good Common","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Legal Education and Practice Innovations","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.16638333527002278,"score_gpt":0.3935733161518743,"score_spread":0.22718998088185152,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2301452080","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016418261,0.002636598,0.04900455,0.15775043,0.002954761,0.0001962439,0.0001659056,0.00029847605,0.77057475],"genre_scores_gemma":[0.8065975,0.0018633105,0.022909367,0.03061201,0.0011443769,0.00027479234,0.00020765403,0.0004773517,0.13591366],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.952173,0.020885248,0.001812392,0.0072965776,0.012463262,0.0053694844],"domain_scores_gemma":[0.95020133,0.010445616,0.0023756807,0.015967747,0.013686845,0.0073227608],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.028172145,0.0010864731,0.0015931899,0.0054180613,0.024783771,0.032544456,0.0038611144,0.013497749,0.02781901],"category_scores_gemma":[0.054385524,0.0013533604,0.0020150237,0.003332693,0.07972406,0.030378778,0.025177289,0.0154161835,0.0047658407],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016543956,0.000024201365,0.0005236002,0.00005533712,0.000031145366,0.00012443078,0.0085333465,0.00020564297,0.00021208014,0.9571408,0.020838594,0.012294209],"study_design_scores_gemma":[0.000018955083,0.000029055467,0.00066694734,0.0003820976,0.00005934657,0.000119573706,0.011987034,0.00027498396,0.0004196129,0.65712106,0.32886332,0.000057987843],"about_ca_topic_score_codex":0.048152186,"about_ca_topic_score_gemma":0.06965996,"teacher_disagreement_score":0.048152186,"about_ca_system_score_codex":0.019896716,"about_ca_system_score_gemma":0.039722238,"threshold_uncertainty_score":0.14899033},"labels":[],"label_agreement":null},{"id":"W2301805995","doi":"10.7202/1032699ar","title":"Neglected Canadian Orchestral Music","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Repertoire; Musical; Performance art; Visual arts; Art; Literature; History; Art history; Sociology; Aesthetics","score_opus":0.05801569301363827,"score_gpt":0.2724126167610948,"score_spread":0.21439692374745653,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2301805995","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3655607,0.029300198,0.0023887574,0.025979726,0.0017512095,0.000098699,0.0012825594,0.00017507026,0.57346296],"genre_scores_gemma":[0.9372207,0.013950395,0.001261988,0.0022038561,0.0001605806,0.000034502034,0.0003593038,0.000114252805,0.04469453],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99344033,0.00054930017,0.00019049572,0.000745892,0.0035605514,0.0015134255],"domain_scores_gemma":[0.9967313,0.000466,0.00033290306,0.00022964692,0.0016106196,0.0006296075],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025367409,0.0011221034,0.0008491861,0.005359383,0.036481656,0.009330111,0.0023886722,0.0016070221,0.013641249],"category_scores_gemma":[0.0056260675,0.00045573973,0.0004346686,0.009937033,0.012039449,0.0020969373,0.0067506237,0.0023013952,0.0010615648],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002657862,0.000040499537,0.026960686,0.0019384298,0.000134288,0.005428127,0.44229552,0.00063445076,0.005927498,0.19862898,0.09763265,0.2201131],"study_design_scores_gemma":[0.000009136017,0.000028024093,0.03131603,0.00092368986,0.00009440424,0.0019758504,0.2535145,0.00021440446,0.0007709728,0.003173289,0.7078716,0.00010804112],"about_ca_topic_score_codex":0.9698029,"about_ca_topic_score_gemma":0.99180907,"teacher_disagreement_score":0.06980719,"about_ca_system_score_codex":0.06980719,"about_ca_system_score_gemma":0.1074922,"threshold_uncertainty_score":0.5064889},"labels":[],"label_agreement":null},{"id":"W2302157014","doi":"10.7202/1032694ar","title":"Perspectives on the Late Piano Music of Oskar Morawetz and John Weinzweig","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"University of Toronto","keywords":"Piano; oskar; Violin; Performing arts; Psychology; Communication; Art; Visual arts; Art history","score_opus":0.05760765564097645,"score_gpt":0.21711821846282148,"score_spread":0.15951056282184503,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2302157014","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09504802,0.16424346,0.0030593385,0.30222812,0.008181652,0.000029473775,0.000066130066,0.000060172042,0.42708355],"genre_scores_gemma":[0.7349637,0.06901617,0.00227889,0.041996576,0.0057694316,0.00005777064,0.000046515604,0.00016940934,0.14570159],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991073,0.00033147357,0.00002349389,0.00009963021,0.0002962208,0.00014185827],"domain_scores_gemma":[0.9992612,0.0003992857,0.000049867915,0.000021789978,0.000119915894,0.00014782225],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021306714,0.00036330216,0.0003654414,0.0012491584,0.008824437,0.007017668,0.0008316811,0.0021675124,0.0031084688],"category_scores_gemma":[0.0017559129,0.00023627927,0.00013648304,0.0008756295,0.016925644,0.0035472736,0.0030358445,0.005305351,0.00054228934],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056784706,0.00004286931,0.00043616784,0.000095874144,0.0000054013954,0.0007591433,0.08611554,0.0001050444,0.0008312121,0.8039684,0.08622887,0.021354664],"study_design_scores_gemma":[0.0000061453234,0.000021087244,0.0011628625,0.00023765021,0.0000028876068,0.00056723296,0.028778544,0.00007770399,0.00025793706,0.047016155,0.9218502,0.000021548274],"about_ca_topic_score_codex":0.016233569,"about_ca_topic_score_gemma":0.03729483,"teacher_disagreement_score":0.98376644,"about_ca_system_score_codex":0.0059179715,"about_ca_system_score_gemma":0.0031744204,"threshold_uncertainty_score":0.042938054},"labels":[],"label_agreement":null},{"id":"W2302299013","doi":"10.7202/1032695ar","title":"The Eventual Premiere of Issipile: Porpora and the Palchetti War","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Indictment; Context (archaeology); Opera; Art; History; Art history; Law; Humanities; Political science","score_opus":0.1023736424875048,"score_gpt":0.21478240135661647,"score_spread":0.11240875886911167,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2302299013","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21775632,0.00851103,0.0013087785,0.05130152,0.0036837282,0.00004763981,0.00005214689,0.00007546347,0.71726346],"genre_scores_gemma":[0.9035973,0.0020971978,0.00014827875,0.009101658,0.0005827175,0.000035036013,0.000023771165,0.00006630077,0.084347725],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9983394,0.000388505,0.000026027144,0.00016127313,0.00015529481,0.00092943164],"domain_scores_gemma":[0.9994955,0.00011119985,0.000059856782,0.00004200476,0.000067546214,0.00022393878],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011977172,0.0004619677,0.0002664761,0.00035905876,0.015808284,0.010374357,0.0007495657,0.003253849,0.010297599],"category_scores_gemma":[0.0022858744,0.00034309615,0.00023228939,0.00048771786,0.011827908,0.004185407,0.0075722877,0.008781922,0.0016403579],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002076758,0.000104915365,0.00510634,0.0001894845,0.000018911105,0.0071780556,0.20033383,0.00012523803,0.00086766767,0.62197495,0.11500586,0.04888705],"study_design_scores_gemma":[0.000021371108,0.000074692434,0.0056080967,0.00045241037,0.00001063485,0.0021563338,0.16696668,0.000101101476,0.0007446083,0.018707812,0.8051103,0.000045990706],"about_ca_topic_score_codex":0.0135258045,"about_ca_topic_score_gemma":0.030963099,"teacher_disagreement_score":0.015808284,"about_ca_system_score_codex":0.0032604171,"about_ca_system_score_gemma":0.002947631,"threshold_uncertainty_score":0.03444892},"labels":[],"label_agreement":null},{"id":"W2302687810","doi":"","title":"Superheroes and Origin Stories: Tools to Discover and Claim One's Callings","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Genealogy; History; Sociology","score_opus":0.1142959432901209,"score_gpt":0.24982233236175072,"score_spread":0.13552638907162984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2302687810","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21925947,0.0038896783,0.09653384,0.0158517,0.0008774022,0.00024309086,0.0033585161,0.002529784,0.6574565],"genre_scores_gemma":[0.8970782,0.0014385836,0.04786833,0.0006783474,0.00019096205,0.00029019656,0.0012225751,0.0011143781,0.050118305],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971615,0.0017721759,0.00011336231,0.00024118985,0.0005220481,0.00018970353],"domain_scores_gemma":[0.97420484,0.0201523,0.0013067111,0.0021707208,0.0011091479,0.0010561597],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0041093985,0.0006759179,0.00025630806,0.0073251254,0.0052356967,0.0139133325,0.0016826855,0.0019767869,0.023634188],"category_scores_gemma":[0.024782714,0.00045823993,0.00027908743,0.004600617,0.008933939,0.019715376,0.00822709,0.0021241342,0.0025006996],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012857484,0.00003446801,0.0041669263,0.0002737129,0.00001501965,0.0004868328,0.6222719,0.000159636,0.0008746159,0.27036256,0.028500808,0.07272498],"study_design_scores_gemma":[0.00001588249,0.000018464661,0.0023994187,0.0005763585,0.000032509815,0.0005038223,0.36603105,0.0016238221,0.0013322701,0.081573285,0.5458449,0.00004822262],"about_ca_topic_score_codex":0.004860041,"about_ca_topic_score_gemma":0.013035113,"teacher_disagreement_score":0.023634188,"about_ca_system_score_codex":0.0017000053,"about_ca_system_score_gemma":0.0018910095,"threshold_uncertainty_score":0.07906425},"labels":[],"label_agreement":null},{"id":"W2304114133","doi":"10.7202/1032701ar","title":"The Power of Stories: Canadian Music Scholarship’s Narratives and Counter-Narratives","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Scholarship; Power (physics); Diversity (politics); Nationalism; Institution; Government (linguistics); Political science; Sociology; Sovereignty; Media studies; Gender studies; History; Aesthetics; Literature; Social science; Art; Anthropology; Law; Linguistics; Philosophy","score_opus":0.0384289748406493,"score_gpt":0.2629435441652044,"score_spread":0.22451456932455507,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2304114133","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4450317,0.009051613,0.0036126613,0.14723386,0.0015789594,0.000110917455,0.0004417526,0.00014562054,0.3927929],"genre_scores_gemma":[0.9826622,0.0016014058,0.000614629,0.0026139386,0.000104319406,0.00003074206,0.000076503384,0.00006466779,0.012231532],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.98602146,0.004893329,0.0003148853,0.00087347353,0.00458167,0.0033150932],"domain_scores_gemma":[0.9828351,0.008949638,0.00092656974,0.00075548154,0.0034787545,0.0030543506],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.012130193,0.001057571,0.0006998629,0.007101988,0.06118257,0.027342357,0.0039661243,0.0051136175,0.0067298706],"category_scores_gemma":[0.02498878,0.0006053979,0.00047990645,0.008148518,0.060910672,0.010449414,0.0129595855,0.008026134,0.00036391534],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030201028,0.000008046594,0.0009558111,0.000046272686,0.0000067920605,0.00043806862,0.8669357,0.00009041065,0.00016134436,0.115124896,0.009496033,0.0067064906],"study_design_scores_gemma":[0.0000076082015,0.0000064730457,0.0011974245,0.0001640934,0.00001251318,0.00016318109,0.7994149,0.00020082376,0.00018132832,0.009532314,0.18907301,0.000046398956],"about_ca_topic_score_codex":0.93981844,"about_ca_topic_score_gemma":0.96079576,"teacher_disagreement_score":0.93881744,"about_ca_system_score_codex":0.123127446,"about_ca_system_score_gemma":0.09993822,"threshold_uncertainty_score":0.8933563},"labels":[],"label_agreement":null},{"id":"W2321808860","doi":"10.7202/1025560ar","title":"Murray Dineen. 2011. Friendly Remainders: Essays in Musical Criticism after Adorno. Montreal and Kingston: McGill-Queen’s University Press. xi, 248 pp. ISBN 978-0-7735-3884-9 (hardcover), ISBN 978-0-7735-3919-8 (paperback)","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Queen (butterfly); Art history; Criticism; Art; Media studies; Humanities; Sociology; Visual arts; Literature","score_opus":0.03239484204775266,"score_gpt":0.2016256881463801,"score_spread":0.16923084609862743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2321808860","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010873601,0.7008508,0.00069716654,0.12550454,0.013718411,0.000035485322,0.00031681563,0.00008852023,0.15770085],"genre_scores_gemma":[0.05487386,0.24425654,0.001200989,0.018374383,0.006674974,0.00016965962,0.00029461127,0.00044409037,0.67371094],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971601,0.00085716567,0.00014456795,0.00024960053,0.0013578993,0.00023075516],"domain_scores_gemma":[0.996576,0.0014537859,0.00024887215,0.00014247013,0.0012082886,0.00037050984],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002494521,0.0011918423,0.0009530799,0.0020021382,0.008565657,0.006967892,0.002052284,0.00443494,0.035405125],"category_scores_gemma":[0.010778323,0.0008099542,0.00031825007,0.0033580062,0.0065236306,0.008608325,0.0034465084,0.00452855,0.009239933],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003499702,0.0000062133763,0.00008918897,0.00026994993,0.0000032154437,0.000072185016,0.005692259,0.000021755484,0.000081351194,0.016914178,0.9443514,0.032463335],"study_design_scores_gemma":[0.000004707223,0.0000032829262,0.0006102599,0.00045671992,0.0000030423785,0.00002996295,0.0027164998,0.000007454301,0.000052367966,0.0025148026,0.9935895,0.000011321587],"about_ca_topic_score_codex":0.17636682,"about_ca_topic_score_gemma":0.38789177,"teacher_disagreement_score":0.17636682,"about_ca_system_score_codex":0.016561523,"about_ca_system_score_gemma":0.00813049,"threshold_uncertainty_score":0.35068047},"labels":[],"label_agreement":null},{"id":"W2330056093","doi":"10.7202/1013313ar","title":"Jean-Jacques Nattiez, dir., avec la collaboration de Margaret Bent, Rossana Dalmonte et Mario Baroni. Musiques, une encyclopédie pour le XXI siècle. Volume 1, Musiques du XX siècle. Arles : Actes Sud; Paris: Cité de la Musique, 2003. v, 1492 p. ISBN 2-7427-4204-2 (couverture rigide)","year":2005,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Art; Humanities","score_opus":0.009029234057001673,"score_gpt":0.2241782472153948,"score_spread":0.21514901315839313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2330056093","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014625964,0.7151795,0.0033174304,0.104296654,0.020868279,0.00005839089,0.00078447413,0.0003297824,0.15370283],"genre_scores_gemma":[0.0115453815,0.20875356,0.0027947712,0.008284662,0.005643117,0.00009218669,0.00041521154,0.0005001949,0.76197094],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99875176,0.00029300404,0.000057376674,0.00022624133,0.00059295,0.00007869657],"domain_scores_gemma":[0.9984439,0.00057093805,0.000118779986,0.000049499566,0.00061654137,0.000200358],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018444599,0.0015922647,0.0010133199,0.0019522439,0.0026904088,0.004294461,0.00090008083,0.0022743943,0.10112072],"category_scores_gemma":[0.003446595,0.00069604395,0.0004401871,0.0026675265,0.0013383555,0.0046387534,0.0018335215,0.0032104878,0.055955514],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037194084,0.000010771382,0.0003284065,0.0003825561,0.000008813155,0.000100228746,0.0016432231,0.000053264397,0.0004332819,0.00609084,0.9047681,0.08614336],"study_design_scores_gemma":[0.000002242828,0.000003798595,0.00088958157,0.00016816682,0.0000027171316,0.000108261906,0.00065966137,0.000015050063,0.000089404326,0.00052039034,0.9975345,0.0000061026767],"about_ca_topic_score_codex":0.041345626,"about_ca_topic_score_gemma":0.07734749,"teacher_disagreement_score":0.10112072,"about_ca_system_score_codex":0.0033794378,"about_ca_system_score_gemma":0.0035593214,"threshold_uncertainty_score":0.33828247},"labels":[],"label_agreement":null},{"id":"W2420197436","doi":"","title":"Toward an Adequate Theology of Christian Higher Education","year":2000,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Christian Theology and Mission","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Theology; Religious studies; Philosophy; History","score_opus":0.04408864089923285,"score_gpt":0.242093382826842,"score_spread":0.19800474192760914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2420197436","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034274943,0.011169402,0.09503931,0.40309483,0.006867344,0.000348911,0.0001564311,0.00016272064,0.44888613],"genre_scores_gemma":[0.8917213,0.0031762235,0.05174327,0.019172376,0.0023207008,0.00047430524,0.00008492219,0.00017639114,0.03113045],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9897349,0.0063913567,0.0005902454,0.00058209256,0.0017992189,0.0009021762],"domain_scores_gemma":[0.98274106,0.0041114255,0.0011360245,0.0016757217,0.0067967386,0.0035391243],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.019548157,0.00064851943,0.0008317857,0.0060116057,0.017623747,0.020061137,0.0024121578,0.008103655,0.004369523],"category_scores_gemma":[0.019270457,0.0006771655,0.0004931812,0.0025629788,0.07911368,0.012604036,0.007871168,0.017556623,0.00080676406],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000016772997,0.000011439691,0.000059340215,0.0000105259205,9.985172e-7,0.000012255324,0.0026723428,0.000059271268,0.000025424904,0.99364144,0.0021430876,0.0013623132],"study_design_scores_gemma":[0.00001106109,0.0000075472744,0.0003368003,0.00017985686,0.0000041282206,0.00003624779,0.011665505,0.00038244465,0.000088069915,0.8897247,0.09754441,0.000019258787],"about_ca_topic_score_codex":0.04483273,"about_ca_topic_score_gemma":0.071243465,"teacher_disagreement_score":0.04483273,"about_ca_system_score_codex":0.019667618,"about_ca_system_score_gemma":0.054403167,"threshold_uncertainty_score":0.14269924},"labels":[],"label_agreement":null},{"id":"W2427173817","doi":"","title":"Diversity, Integrity, and Lutheran Colleges","year":2000,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Diversity (politics); Academic integrity; History; Sociology; Library science; Computer science; Anthropology","score_opus":0.03127108540647443,"score_gpt":0.2636983568155256,"score_spread":0.23242727140905117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2427173817","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32079342,0.0019025814,0.000860807,0.075241625,0.00017374384,0.000030004627,0.000083871884,0.000020336369,0.60089356],"genre_scores_gemma":[0.98515713,0.00012426762,0.00008046032,0.0017480336,0.00010349919,0.000009525162,0.000010547134,0.000004413091,0.012762175],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9964611,0.0011262881,0.00008415549,0.0003009479,0.0006495343,0.0013780349],"domain_scores_gemma":[0.98839706,0.0037510362,0.0011007432,0.000520896,0.0014591235,0.0047711595],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003999127,0.00009828611,0.00033872,0.0019201161,0.021599224,0.008822739,0.00079418375,0.0027112619,0.015921507],"category_scores_gemma":[0.01746679,0.00015164573,0.00021074337,0.0019711112,0.015905503,0.0035469031,0.005936647,0.0041598924,0.00056956575],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052724492,0.00007442432,0.010315343,0.0000108526965,0.000007187307,0.00003630474,0.005491211,0.00010575136,0.00005188401,0.9682263,0.0047957827,0.010832171],"study_design_scores_gemma":[0.00011127398,0.000115268944,0.054398622,0.00016826966,0.000037254136,0.00014065679,0.021402149,0.0005207422,0.0004669069,0.80521685,0.117366545,0.000055442735],"about_ca_topic_score_codex":0.03835418,"about_ca_topic_score_gemma":0.12565458,"teacher_disagreement_score":0.03835418,"about_ca_system_score_codex":0.009706872,"about_ca_system_score_gemma":0.013502081,"threshold_uncertainty_score":0.07626188},"labels":[],"label_agreement":null},{"id":"W2427803684","doi":"","title":"A Fifth Teat on a Cow","year":2000,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Financial Crisis of the 21st Century","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Animal science; Mathematics; Biology","score_opus":0.0246954316007516,"score_gpt":0.19087489105410738,"score_spread":0.16617945945335577,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2427803684","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007816072,0.018877314,0.008073338,0.6052184,0.099388465,0.000068620844,0.00060155476,0.00046503355,0.25949118],"genre_scores_gemma":[0.105818905,0.009328983,0.007838952,0.17633787,0.022312406,0.00010040736,0.0003732326,0.0009985565,0.67689073],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99683905,0.0007969214,0.00011446877,0.0005200343,0.0008675984,0.0008619656],"domain_scores_gemma":[0.991235,0.0016981771,0.00029050888,0.0014067083,0.0029237873,0.0024457995],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004284606,0.0008420933,0.0013247745,0.0028077678,0.012484502,0.017226655,0.0021472974,0.008268352,0.070918806],"category_scores_gemma":[0.018543284,0.0005325929,0.0013986429,0.0019175437,0.008076461,0.013650567,0.00864746,0.012810819,0.009911619],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001853887,0.000060260412,0.0007694582,0.00008932152,0.00004196328,0.00022871258,0.0019662618,0.00017357968,0.0002797467,0.2453824,0.70595163,0.04487131],"study_design_scores_gemma":[0.00001649357,0.00003259569,0.00047285747,0.00021623119,0.000011856736,0.00007780419,0.0021621499,0.00014181138,0.00014673469,0.04783624,0.9488481,0.00003714789],"about_ca_topic_score_codex":0.036225006,"about_ca_topic_score_gemma":0.06838929,"teacher_disagreement_score":0.070918806,"about_ca_system_score_codex":0.0063214353,"about_ca_system_score_gemma":0.008985603,"threshold_uncertainty_score":0.23724699},"labels":[],"label_agreement":null},{"id":"W2428843548","doi":"","title":"From Pietism to Paradox: The Development of a Lutheran Philosophy of Education","year":2000,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pietism; Philosophy; Theology; Literature; Art history; Art; German; Linguistics","score_opus":0.030148897240049793,"score_gpt":0.29549094846529633,"score_spread":0.26534205122524657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2428843548","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08057585,0.003652672,0.01947184,0.1007464,0.00083613367,0.00004567077,0.00005572795,0.00007881853,0.79453695],"genre_scores_gemma":[0.9723609,0.00058239466,0.0032360817,0.0031796547,0.00017915912,0.000037077607,0.000013094148,0.000039115737,0.020372441],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9973779,0.0015781785,0.000062578794,0.0002775616,0.000380987,0.00032288174],"domain_scores_gemma":[0.99754995,0.0011775388,0.00017041189,0.0003082393,0.00047692642,0.0003168393],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0050058863,0.00031242872,0.00042648136,0.0015881145,0.0073813424,0.007762008,0.0011321801,0.0029637122,0.0053471704],"category_scores_gemma":[0.0068689776,0.00025403817,0.000343061,0.00095456204,0.040741283,0.007172942,0.004846543,0.006393998,0.00043911338],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000023580853,0.0000034287305,0.000032586562,0.0000029783644,4.08258e-7,0.000009354922,0.001961727,0.000032750155,0.000009950536,0.996666,0.00044388932,0.0008344101],"study_design_scores_gemma":[0.000009676961,0.0000071268214,0.00011202557,0.000025983818,0.0000014089638,0.000035755842,0.0016192389,0.0003378949,0.000038966737,0.9700806,0.027725374,0.000005943987],"about_ca_topic_score_codex":0.0078271525,"about_ca_topic_score_gemma":0.00880347,"teacher_disagreement_score":0.008616346,"about_ca_system_score_codex":0.008616346,"about_ca_system_score_gemma":0.009393703,"threshold_uncertainty_score":0.06251621},"labels":[],"label_agreement":null},{"id":"W2429102477","doi":"","title":"The Literature of Spiritual Reflection and Social Action","year":2000,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Theological Perspectives and Practices","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Action (physics); Reflection (computer programming); Sociology; Epistemology; History; Psychoanalysis; Philosophy; Psychology; Computer science; Physics","score_opus":0.0483829387547017,"score_gpt":0.33599996606207116,"score_spread":0.2876170273073695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2429102477","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.052846145,0.06806977,0.0074531455,0.13290001,0.0015692704,0.000043461165,0.00004273476,0.000044043354,0.73703134],"genre_scores_gemma":[0.9652795,0.019282809,0.00096498715,0.0036370214,0.0009271875,0.00005395962,0.000018088022,0.00003189425,0.00980462],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9933855,0.005026623,0.000113136455,0.00027251002,0.0007486865,0.00045360095],"domain_scores_gemma":[0.97965586,0.01668817,0.00091059454,0.0009398947,0.00095891464,0.00084657746],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008236927,0.00055874453,0.000546107,0.004632527,0.010845332,0.013671764,0.0018280614,0.0042576264,0.008235529],"category_scores_gemma":[0.0143445525,0.00026826124,0.00031937254,0.005382944,0.0933922,0.009097885,0.0064123035,0.0052552233,0.0004210305],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000135253795,0.0000221949,0.00025056594,0.00016074834,0.0000063680604,0.000084110565,0.071982905,0.000075561635,0.00003482549,0.912667,0.0031027962,0.011599407],"study_design_scores_gemma":[0.000028916362,0.000026567504,0.0010717206,0.0013050721,0.000012379935,0.00021132946,0.10168514,0.00022784642,0.00009992775,0.712133,0.18318102,0.000017129305],"about_ca_topic_score_codex":0.0126292,"about_ca_topic_score_gemma":0.016636027,"teacher_disagreement_score":0.013671764,"about_ca_system_score_codex":0.008732307,"about_ca_system_score_gemma":0.012992167,"threshold_uncertainty_score":0.06335759},"labels":[],"label_agreement":null},{"id":"W2438492106","doi":"","title":"Education for Peace and Justice","year":2000,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Peace and Human Rights Education","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Economic Justice; Criminology; Political science; History; Sociology; Law","score_opus":0.03213834273795173,"score_gpt":0.3096119185438724,"score_spread":0.27747357580592064,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2438492106","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0067470954,0.004380638,0.00046058648,0.14469548,0.0024777243,0.00003153853,0.000042523352,0.000046823,0.8411175],"genre_scores_gemma":[0.33670995,0.005064686,0.0011919205,0.03918865,0.001604127,0.00007351004,0.00007118474,0.0000609225,0.61603504],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975141,0.0006274276,0.00003972785,0.00015422078,0.0005724901,0.0010921138],"domain_scores_gemma":[0.996914,0.0004047133,0.00011472701,0.000112280104,0.00035618592,0.0020980558],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023248,0.00047812815,0.00034606914,0.0012346803,0.021600736,0.00936215,0.00083950994,0.0045567774,0.07968216],"category_scores_gemma":[0.004881221,0.00020023654,0.0003280506,0.00080901274,0.009222915,0.0048926068,0.0079946965,0.00831638,0.0060787923],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022324122,0.00014068875,0.00078818493,0.000067164474,0.000006605376,0.00011075672,0.012880682,0.00009642838,0.00016411704,0.6036275,0.2991232,0.08297229],"study_design_scores_gemma":[0.000011724768,0.000020105952,0.0017025915,0.00022957067,0.0000044710177,0.000059046288,0.012691603,0.000043003776,0.000117991425,0.077926464,0.9071834,0.000009870223],"about_ca_topic_score_codex":0.101174794,"about_ca_topic_score_gemma":0.31928897,"teacher_disagreement_score":0.101174794,"about_ca_system_score_codex":0.012710716,"about_ca_system_score_gemma":0.04446482,"threshold_uncertainty_score":0.26656336},"labels":[],"label_agreement":null},{"id":"W2440146823","doi":"","title":"A View From the Other Side","year":2000,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Race, History, and American Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Computer science","score_opus":0.02205691635682415,"score_gpt":0.2533522500225117,"score_spread":0.23129533366568755,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2440146823","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0033637036,0.011056604,0.0033459866,0.7639148,0.0101785185,0.000008903314,0.000089573645,0.00005229999,0.2079897],"genre_scores_gemma":[0.372249,0.0139887985,0.0030927006,0.42202443,0.025956491,0.00011903192,0.0001517364,0.00035513908,0.16206273],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971961,0.0009121861,0.00007662431,0.00048438768,0.0008396975,0.00049098115],"domain_scores_gemma":[0.9961599,0.0011679537,0.00020905459,0.00027639954,0.0012859456,0.00090075296],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003377272,0.00049341284,0.0008765065,0.0016564598,0.009312014,0.011795499,0.0022573543,0.00970837,0.019071357],"category_scores_gemma":[0.006516418,0.0002869895,0.0005653886,0.0012880806,0.025618354,0.012381382,0.0039742417,0.019463757,0.0032583089],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022581035,0.000011149506,0.000255119,0.000040220664,0.000008537265,0.000047163292,0.003593487,0.00004087774,0.00010986646,0.90789557,0.08114418,0.0068312427],"study_design_scores_gemma":[0.000026905233,0.0000147590845,0.0006387891,0.0002926509,0.00001613279,0.00011979094,0.01143852,0.00013470383,0.00011494195,0.35742757,0.6297508,0.000024571218],"about_ca_topic_score_codex":0.056521975,"about_ca_topic_score_gemma":0.07047965,"teacher_disagreement_score":0.056521975,"about_ca_system_score_codex":0.0062169544,"about_ca_system_score_gemma":0.008710198,"threshold_uncertainty_score":0.11238599},"labels":[],"label_agreement":null},{"id":"W2444446430","doi":"","title":"Faith, Understanding, and Action","year":2000,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion, Spirituality, and Psychology","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Action (physics); Faith; History; Sociology; Philosophy; Epistemology; Physics","score_opus":0.10133376397125976,"score_gpt":0.33938926611853,"score_spread":0.23805550214727023,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2444446430","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1650865,0.009207626,0.0067046336,0.03940068,0.00023940639,0.000027704844,0.00010265345,0.000034047003,0.77919674],"genre_scores_gemma":[0.9926818,0.001058568,0.00066497724,0.00040993912,0.000034253913,0.000008281862,0.000022831478,0.0000074908066,0.0051118783],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998128,0.0011029734,0.000051217477,0.00016262606,0.0003104322,0.00024486234],"domain_scores_gemma":[0.9969818,0.0016859144,0.00035029984,0.0002660195,0.00033470156,0.0003812758],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029196134,0.00025517255,0.00032113513,0.0016630042,0.004808545,0.009078301,0.00061828305,0.002098176,0.01040475],"category_scores_gemma":[0.005505931,0.00019964269,0.00024372872,0.001333704,0.031940047,0.005170063,0.002949571,0.0021213868,0.00027400654],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029855642,0.000054322423,0.002590492,0.00005343027,0.000014819756,0.000087390166,0.049161058,0.00019667552,0.00016006466,0.92676777,0.0021365087,0.018747635],"study_design_scores_gemma":[0.000019608375,0.000023496685,0.0072178575,0.0002152841,0.000019943542,0.00010591911,0.055146433,0.00029888554,0.00012082208,0.8834469,0.053363185,0.00002164302],"about_ca_topic_score_codex":0.043609876,"about_ca_topic_score_gemma":0.04857201,"teacher_disagreement_score":0.043609876,"about_ca_system_score_codex":0.0048801624,"about_ca_system_score_gemma":0.0065296413,"threshold_uncertainty_score":0.08671212},"labels":[],"label_agreement":null},{"id":"W2462195888","doi":"","title":"A Lutheran Learning Paradigm","year":2011,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cognitive science; Psychology","score_opus":0.062397129386477616,"score_gpt":0.28344599615218613,"score_spread":0.2210488667657085,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2462195888","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00938374,0.00084888,0.034471102,0.037793055,0.00036357203,0.00004172615,0.000109563785,0.000099035504,0.91688937],"genre_scores_gemma":[0.7463945,0.0007832761,0.016640134,0.006208021,0.0009048848,0.00027781125,0.00009580658,0.00011824522,0.22857727],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9978842,0.0009869579,0.00006456737,0.00037244312,0.00041843587,0.00027328558],"domain_scores_gemma":[0.9979013,0.0008057628,0.00013268366,0.00030717297,0.00052320445,0.00032994724],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002968868,0.00052440487,0.0005276891,0.0020009999,0.0076761944,0.0068029393,0.001526053,0.003265012,0.02215768],"category_scores_gemma":[0.0040074033,0.00025057062,0.00047415885,0.0011064222,0.020072717,0.0073998263,0.0034794342,0.0047186315,0.0031314357],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[8.190147e-7,0.0000022169525,0.00001036314,0.0000016550233,2.671569e-7,0.0000016228822,0.00015242153,0.00001783701,0.00000345024,0.9986388,0.0006203855,0.00055008265],"study_design_scores_gemma":[0.000006359753,0.0000041867447,0.000033192082,0.000009842563,0.0000011644024,0.000011649128,0.00018781351,0.00020536712,0.000022332104,0.97421515,0.025300225,0.0000027302553],"about_ca_topic_score_codex":0.00929963,"about_ca_topic_score_gemma":0.014303478,"teacher_disagreement_score":0.02215768,"about_ca_system_score_codex":0.009316969,"about_ca_system_score_gemma":0.0061501027,"threshold_uncertainty_score":0.07412481},"labels":[],"label_agreement":null},{"id":"W2465493876","doi":"","title":"\"In, With, and Under:\" The Tradition and the Teaching of Christian Ethics","year":2003,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Sociology; Epistemology","score_opus":0.03296803432406477,"score_gpt":0.28130743616672305,"score_spread":0.2483394018426583,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2465493876","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.039179213,0.007295112,0.008888435,0.24514376,0.0031886536,0.00003413199,0.000057689023,0.0001115421,0.69610155],"genre_scores_gemma":[0.85747296,0.0014392509,0.002467171,0.03151782,0.0016067239,0.000055196273,0.000022295571,0.00010891011,0.10530975],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9954631,0.0031235348,0.00006492579,0.00028797146,0.00060287345,0.00045767103],"domain_scores_gemma":[0.9967272,0.0019231967,0.00025096603,0.00032542212,0.00039380512,0.00037945982],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003871167,0.0003057416,0.0002049518,0.00075692206,0.010200183,0.0066963322,0.001023822,0.0044236355,0.0066294367],"category_scores_gemma":[0.009592268,0.00017043036,0.00020275194,0.00085299526,0.04372361,0.005435647,0.0038268168,0.008897513,0.0005531998],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000073190777,0.0000039418223,0.0001390797,0.00001418809,0.0000010850924,0.000024478073,0.021630596,0.000022711632,0.000039793227,0.95869565,0.016181499,0.0032397828],"study_design_scores_gemma":[0.000018920788,0.000017978606,0.000857087,0.00033431384,0.0000088989345,0.00013001407,0.03874848,0.00033171265,0.0004899227,0.5288835,0.43015766,0.000021530812],"about_ca_topic_score_codex":0.020307811,"about_ca_topic_score_gemma":0.040128663,"teacher_disagreement_score":0.020307811,"about_ca_system_score_codex":0.0036423733,"about_ca_system_score_gemma":0.009070844,"threshold_uncertainty_score":0.040379226},"labels":[],"label_agreement":null},{"id":"W2491304933","doi":"","title":"Translations of the Sublime: Introduction","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Magical Realism, García Márquez","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sublime; Art; History; Art history","score_opus":0.030852890972045955,"score_gpt":0.20911838178486097,"score_spread":0.178265490812815,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2491304933","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006199496,0.037095726,0.010267065,0.028673494,0.01819692,0.00009537303,0.00130437,0.00032774368,0.8978397],"genre_scores_gemma":[0.25014797,0.041039634,0.018692326,0.009072104,0.022878917,0.00038859728,0.0026267904,0.0023171487,0.65283656],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989899,0.000429806,0.00007440375,0.0001573317,0.0002388974,0.00010967508],"domain_scores_gemma":[0.9989894,0.00043801218,0.00004690973,0.00012942425,0.00032803768,0.000068083704],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001045123,0.0007191412,0.00040094595,0.0023458893,0.003139799,0.004811903,0.00065844605,0.001320377,0.054058474],"category_scores_gemma":[0.0029319252,0.00026287718,0.0003088989,0.0022871068,0.004380783,0.004146807,0.0023217252,0.0025685972,0.010456429],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005526218,0.000015478123,0.00015803652,0.00036456416,0.0000047149542,0.00011117009,0.008119289,0.000047837337,0.0005498065,0.77475107,0.16737974,0.04844294],"study_design_scores_gemma":[0.000005303424,0.000009966821,0.00024776987,0.00018797512,0.000002203469,0.00009628677,0.0015843872,0.000035818317,0.00015697106,0.027202385,0.9704624,0.000008512847],"about_ca_topic_score_codex":0.008048748,"about_ca_topic_score_gemma":0.012971632,"teacher_disagreement_score":0.054058474,"about_ca_system_score_codex":0.002804908,"about_ca_system_score_gemma":0.0018086624,"threshold_uncertainty_score":0.18084365},"labels":[],"label_agreement":null},{"id":"W2525145585","doi":"","title":"The impact of power distribution in actor training","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Human Motion and Animation","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Training (meteorology); Power (physics); Distribution (mathematics); Psychology; Computer science; Mathematics education; Mathematics; Geography; Physics; Meteorology","score_opus":0.042156754151956514,"score_gpt":0.25040017232717077,"score_spread":0.20824341817521425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2525145585","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6598098,0.0008104626,0.01789721,0.0061799847,0.00021844052,0.00006632474,0.00015821219,0.00012285616,0.31473663],"genre_scores_gemma":[0.9920512,0.000099593846,0.00044355102,0.000046755642,0.000023013856,0.000008653428,0.00001640351,0.000020935957,0.0072898613],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.9982705,0.0009592488,0.00003307034,0.0001379072,0.00022458404,0.00037462977],"domain_scores_gemma":[0.9909004,0.006601728,0.00036704188,0.00033143695,0.0010236631,0.00077571644],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002156918,0.00027083218,0.0002563875,0.0009278963,0.001767687,0.0024792075,0.0009495988,0.000949374,0.04817734],"category_scores_gemma":[0.016914992,0.00021300674,0.00019691634,0.001040782,0.0014126672,0.0029223145,0.0019443247,0.0009775935,0.002173307],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.005234147,0.0027293572,0.059771698,0.0003671009,0.00010123263,0.00050295534,0.004268991,0.11837158,0.004179308,0.1957881,0.011218107,0.5974675],"study_design_scores_gemma":[0.001153905,0.0040231673,0.18918271,0.0011664168,0.00037294117,0.00091918267,0.060919,0.29490605,0.014136623,0.30710882,0.12596753,0.00014360785],"about_ca_topic_score_codex":0.009378789,"about_ca_topic_score_gemma":0.012785914,"teacher_disagreement_score":0.04817734,"about_ca_system_score_codex":0.002495068,"about_ca_system_score_gemma":0.0017447976,"threshold_uncertainty_score":0.16116923},"labels":[],"label_agreement":null},{"id":"W2528587317","doi":"","title":"Translations of the Sublime. The Early Modern Reception and Dissemination of Longinus' Peri Hupsous in Rhetoric, the Visual Arts, Architecture and the Theatre","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Giambattista Vico and Joyce","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sublime; Rhetoric; The arts; Architecture; Peri; Art; Literature; Visual arts; Philosophy; Linguistics","score_opus":0.01581444696030554,"score_gpt":0.2194333137070294,"score_spread":0.20361886674672386,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2528587317","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.039456155,0.035804227,0.0020417848,0.03764902,0.004054019,0.000032427975,0.0001956187,0.00013645737,0.8806303],"genre_scores_gemma":[0.8551081,0.003155312,0.00069559243,0.0033171822,0.0021093136,0.0000484902,0.000057915804,0.00028602444,0.13522208],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99795294,0.0010872594,0.00006601766,0.00026784444,0.000339175,0.0002867778],"domain_scores_gemma":[0.998268,0.0009226927,0.00017620985,0.00018738168,0.00027776032,0.00016790029],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022186053,0.00070005236,0.0003987278,0.0024023629,0.00937494,0.008342423,0.0005652482,0.003108513,0.010826095],"category_scores_gemma":[0.0048763365,0.00033080965,0.00019473012,0.001807628,0.024412008,0.005506025,0.0033574766,0.005013994,0.001582492],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005712239,0.0000095654195,0.00011979472,0.00012393262,0.000002515824,0.00013596287,0.07217192,0.0000233775,0.0003465919,0.89977896,0.016687147,0.0105430875],"study_design_scores_gemma":[0.000028137412,0.00003965507,0.00195671,0.00036952455,0.000008636557,0.0003669284,0.025980156,0.00014854062,0.00069039443,0.07339748,0.8969855,0.00002848025],"about_ca_topic_score_codex":0.011461491,"about_ca_topic_score_gemma":0.02289988,"teacher_disagreement_score":0.011461491,"about_ca_system_score_codex":0.009324317,"about_ca_system_score_gemma":0.0026751258,"threshold_uncertainty_score":0.06765294},"labels":[],"label_agreement":null},{"id":"W2530927572","doi":"","title":"No Child Left Behind Meets Philip Melanchthon: A Reflective Conversation","year":2007,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Architectural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Conversation; Philosophy; Psychology; Psychoanalysis; Linguistics","score_opus":0.02512197561001657,"score_gpt":0.2170003103508452,"score_spread":0.1918783347408286,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2530927572","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36056513,0.005570564,0.0033740972,0.52248883,0.0135464575,0.00008292845,0.00013422185,0.00010979845,0.09412801],"genre_scores_gemma":[0.87197155,0.0031563248,0.0011138595,0.06834501,0.0013208298,0.000086817025,0.000045473233,0.00026532335,0.05369479],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99345547,0.0037053053,0.00013681182,0.00057074724,0.00046440292,0.0016673103],"domain_scores_gemma":[0.9904828,0.00517634,0.0005787324,0.00019994641,0.0006731724,0.002889016],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005802818,0.0011018357,0.0011912851,0.0006691792,0.047896568,0.009292621,0.0031843886,0.020298071,0.009241679],"category_scores_gemma":[0.020966021,0.0011753646,0.0008331434,0.0007540887,0.016628213,0.009466338,0.012305873,0.04262666,0.0015904421],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006507485,0.00006177872,0.00072742265,0.000051654893,0.000012466246,0.014501391,0.9330171,0.00007487941,0.0005975931,0.017951943,0.02960896,0.0033297453],"study_design_scores_gemma":[0.000004374413,0.000031542128,0.0003033737,0.0001445208,0.000010613368,0.003151152,0.8978699,0.000047622827,0.0002557349,0.0019829653,0.096166894,0.000031374693],"about_ca_topic_score_codex":0.035043065,"about_ca_topic_score_gemma":0.058751937,"teacher_disagreement_score":0.047896568,"about_ca_system_score_codex":0.008964791,"about_ca_system_score_gemma":0.009485806,"threshold_uncertainty_score":0.06967819},"labels":[],"label_agreement":null},{"id":"W2562901357","doi":"","title":"Why Interfaith Work is Not a Luxury: Lutherans as Neighboring Neighbors","year":2016,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion and Society Interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Work (physics); Sociology; Engineering","score_opus":0.030239686140106914,"score_gpt":0.2832883426033509,"score_spread":0.253048656463244,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2562901357","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83799833,0.0010608459,0.00029058158,0.054324813,0.00036865697,0.000018505381,0.00003426984,0.000013146529,0.10589089],"genre_scores_gemma":[0.98270816,0.00022655056,0.0000864882,0.0031703527,0.000024326628,0.000009535461,0.000009385139,0.00000825474,0.013756886],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99854857,0.00047139867,0.000014955537,0.00010125857,0.00009829811,0.0007653968],"domain_scores_gemma":[0.99830353,0.0002247661,0.00014718354,0.00006999027,0.00017638528,0.0010780606],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012015004,0.00018024666,0.00026135074,0.00056261173,0.024682507,0.005650478,0.00089607487,0.0023545846,0.014177703],"category_scores_gemma":[0.002489532,0.00020649118,0.00015847823,0.0007754183,0.009515077,0.0033891068,0.004334271,0.003270182,0.0008313598],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009005565,0.00011706219,0.02798809,0.000033368895,0.000017227116,0.0010230679,0.7816475,0.00006175926,0.0004375611,0.1491121,0.018683601,0.020788642],"study_design_scores_gemma":[0.000015193134,0.000029215733,0.010180688,0.000077139804,0.000014347836,0.00016688199,0.8828745,0.000054970937,0.000088982335,0.006370216,0.10010703,0.000020817552],"about_ca_topic_score_codex":0.12223573,"about_ca_topic_score_gemma":0.3537177,"teacher_disagreement_score":0.12223573,"about_ca_system_score_codex":0.0059253927,"about_ca_system_score_gemma":0.005089003,"threshold_uncertainty_score":0.24304843},"labels":[],"label_agreement":null},{"id":"W2569516561","doi":"","title":"Vocational Re-Formation for a Multi-Religious World","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Vocational education; History; Psychology; Pedagogy","score_opus":0.06518315080279041,"score_gpt":0.3306973368846872,"score_spread":0.2655141860818968,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2569516561","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42268708,0.0008321156,0.0022946028,0.0825027,0.0013436743,0.0001293773,0.00008926049,0.00008486331,0.49003637],"genre_scores_gemma":[0.8933582,0.00018622534,0.000997374,0.0029887897,0.000097492375,0.000029587703,0.000043185384,0.000041777115,0.102257475],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9971318,0.00059147575,0.00004978709,0.00018865007,0.000301253,0.001736968],"domain_scores_gemma":[0.9942914,0.00017536303,0.0001583551,0.00025493157,0.00042173816,0.004698209],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025027883,0.00021568006,0.00031148948,0.00096065714,0.029289214,0.0096000815,0.0014838143,0.0037414157,0.047561325],"category_scores_gemma":[0.003076089,0.00025792967,0.00069772784,0.0005672038,0.0059896936,0.0047862213,0.016753435,0.006700432,0.003911235],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017101831,0.0010064724,0.025853835,0.000110300054,0.000031682335,0.002425514,0.10805536,0.0004596686,0.002078246,0.64701295,0.085263796,0.12753122],"study_design_scores_gemma":[0.00006213072,0.00015556542,0.035583463,0.0002174125,0.000015004065,0.00088643696,0.2576522,0.0006809511,0.0004052908,0.058819704,0.6454588,0.000063020125],"about_ca_topic_score_codex":0.031388618,"about_ca_topic_score_gemma":0.17078294,"teacher_disagreement_score":0.047561325,"about_ca_system_score_codex":0.0068263565,"about_ca_system_score_gemma":0.02025109,"threshold_uncertainty_score":0.15910846},"labels":[],"label_agreement":null},{"id":"W2585125173","doi":"","title":"Religious Diversity and the Vocation of a Lutheran College","year":2016,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Religious diversity; Diversity (politics); Sociology; Religious studies; History; Anthropology; Philosophy","score_opus":0.026154721256038512,"score_gpt":0.18933543989419557,"score_spread":0.16318071863815706,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2585125173","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8618941,0.0009085318,0.0000743593,0.019342527,0.00028279718,0.000012856561,0.000026279611,0.0000051847505,0.1174535],"genre_scores_gemma":[0.992591,0.00005835296,0.000020494877,0.0005934791,0.000034035616,0.0000015307522,0.0000029404023,0.0000021313056,0.006696009],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998569,0.00047014112,0.000021160104,0.000056267665,0.00017741941,0.00070597976],"domain_scores_gemma":[0.9973361,0.00036108782,0.00019592325,0.000064215,0.00026668262,0.0017759785],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001451024,0.000080743885,0.00016862509,0.00075201225,0.018449994,0.004269193,0.00050837256,0.0010711107,0.0059662024],"category_scores_gemma":[0.0032899338,0.00008298018,0.00010790027,0.00065070955,0.010645779,0.0010260185,0.0035268255,0.0029938438,0.00027529855],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029908834,0.00046063666,0.060039338,0.000047062513,0.000027164695,0.0013139045,0.40054753,0.00009213558,0.0016460391,0.45919302,0.021884361,0.054449733],"study_design_scores_gemma":[0.00006140423,0.00016592174,0.14401458,0.0001525825,0.000019427256,0.00064926245,0.52774984,0.00014276407,0.00055093254,0.022107609,0.3043162,0.000069466194],"about_ca_topic_score_codex":0.05888533,"about_ca_topic_score_gemma":0.25588667,"teacher_disagreement_score":0.05888533,"about_ca_system_score_codex":0.006653591,"about_ca_system_score_gemma":0.005367734,"threshold_uncertainty_score":0.11708516},"labels":[],"label_agreement":null},{"id":"W2594952250","doi":"10.7202/1038946ar","title":"Opus sorabjianum : les joies et les souffrances d’un biographe","year":2017,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.11757685218084749,"score_gpt":0.24839149329801027,"score_spread":0.1308146411171628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2594952250","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3452689,0.062880106,0.006142692,0.07465691,0.008690512,0.00017749694,0.0007125104,0.00015493139,0.5013159],"genre_scores_gemma":[0.75751305,0.026702235,0.003292707,0.0041659,0.0010139848,0.00013324084,0.000227662,0.00015001345,0.20680115],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992223,0.00030954974,0.000029011127,0.00009758238,0.00019392773,0.00014765165],"domain_scores_gemma":[0.9986082,0.0007757714,0.00011213387,0.00010518271,0.00023100586,0.0001677094],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017561961,0.00049506925,0.00025015528,0.0018589727,0.009807372,0.0042186296,0.00044997103,0.0008881497,0.010925289],"category_scores_gemma":[0.0034527064,0.0002958203,0.00014370082,0.0028212776,0.007385952,0.0035815223,0.0021398326,0.0025843433,0.0010420579],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000113883936,0.000031467684,0.0053065475,0.00076167565,0.000015330568,0.001333917,0.59198064,0.00018817013,0.004709966,0.18354511,0.052392103,0.1596212],"study_design_scores_gemma":[0.0000036108909,0.000024292956,0.008311927,0.00061077176,0.000009175663,0.0004662809,0.10358014,0.0000593432,0.0006296266,0.0039510727,0.88233465,0.000019059797],"about_ca_topic_score_codex":0.053846065,"about_ca_topic_score_gemma":0.14598724,"teacher_disagreement_score":0.053846065,"about_ca_system_score_codex":0.004580234,"about_ca_system_score_gemma":0.008480161,"threshold_uncertainty_score":0.10706526},"labels":[],"label_agreement":null},{"id":"W2595098500","doi":"10.7202/1038947ar","title":"Ethics and Musical Language: A Gramscian Reading of Dallapiccola’s Liriche greche and Their Influence","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Political theory and Gramsci","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Lyrics; Reading (process); Musical; Nexus (standard); Poetry; Literature; Period (music); Politics; Art; History; Linguistics; Aesthetics; Philosophy; Law; Political science; Computer science","score_opus":0.0611985786365982,"score_gpt":0.34790905836192015,"score_spread":0.28671047972532193,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2595098500","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.117618404,0.023252878,0.001399643,0.083114035,0.0012532937,0.000036394973,0.000046473808,0.00007573769,0.7732031],"genre_scores_gemma":[0.9552612,0.003000621,0.0002793832,0.004446566,0.0008644136,0.000029216615,0.000018161643,0.000047316906,0.03605317],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99919826,0.0004543863,0.000010791308,0.00007395106,0.000117601216,0.00014504939],"domain_scores_gemma":[0.9995915,0.00023235765,0.00004778564,0.000026085598,0.000046879086,0.000055399392],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00097576174,0.0006844094,0.0002533655,0.0019362082,0.0072253654,0.005564207,0.000621676,0.0015269963,0.0023162938],"category_scores_gemma":[0.0019898326,0.00015167118,0.00011552386,0.0011009265,0.02393016,0.0019089364,0.0019460475,0.002712131,0.00026608538],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037535425,0.000024304358,0.00086343085,0.00005160309,0.000004061759,0.00038539813,0.23136453,0.00009586331,0.00032969535,0.7251238,0.028067194,0.013652597],"study_design_scores_gemma":[0.000021163338,0.0000324259,0.006520903,0.00033376896,0.0000079535575,0.00022302338,0.08087979,0.00024012638,0.00030131236,0.057851028,0.8535695,0.000019046633],"about_ca_topic_score_codex":0.03763756,"about_ca_topic_score_gemma":0.058770962,"teacher_disagreement_score":0.03763756,"about_ca_system_score_codex":0.013765761,"about_ca_system_score_gemma":0.002293649,"threshold_uncertainty_score":0.09987807},"labels":[],"label_agreement":null},{"id":"W2595895376","doi":"10.7202/1038942ar","title":"Fonctionnalisme technologique en musique","year":2017,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.19004867454191,"score_gpt":0.2964950109174576,"score_spread":0.10644633637554762,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2595895376","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019678582,0.0051471363,0.3690482,0.012195475,0.00059635926,0.000112358095,0.00026006065,0.00048867654,0.59247315],"genre_scores_gemma":[0.7904039,0.0042346646,0.11362215,0.0020070085,0.0005204756,0.0004966276,0.00036938232,0.00044596253,0.08789973],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9971169,0.0015400847,0.00012666143,0.00066315674,0.00038684468,0.0001663473],"domain_scores_gemma":[0.99846053,0.00073577,0.000094615934,0.00040641584,0.00021140167,0.00009127989],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027883572,0.00089650566,0.00047043592,0.0024036155,0.0026120353,0.007635627,0.0012847645,0.0018664846,0.011106474],"category_scores_gemma":[0.0036652826,0.00043462138,0.0011606523,0.0014095643,0.02392605,0.010640446,0.0034612434,0.002976934,0.0016548967],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000045139973,0.00000169115,0.000112826274,0.000027777236,0.000003555093,0.000016700733,0.0015126353,0.00022705318,0.00011791908,0.9945156,0.00035560696,0.0031040607],"study_design_scores_gemma":[0.000008858171,0.00001592032,0.0004425461,0.00009574318,0.000011306253,0.00015119625,0.0017228506,0.0013837276,0.0003904439,0.8655982,0.1301624,0.000016836102],"about_ca_topic_score_codex":0.007111163,"about_ca_topic_score_gemma":0.0063056545,"teacher_disagreement_score":0.011106474,"about_ca_system_score_codex":0.0050205593,"about_ca_system_score_gemma":0.0023120565,"threshold_uncertainty_score":0.037154794},"labels":[],"label_agreement":null},{"id":"W2596314647","doi":"10.7202/1038945ar","title":"Demographics of Tenure-Stream Music Faculty in Canadian Post-secondary Institutions","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Demographics; Ethnic group; Race (biology); Demographic economics; Snapshot (computer storage); Demography; Political science; Sociology; Gender studies; Economics; Database; Law","score_opus":0.09573499113993522,"score_gpt":0.2730550831936198,"score_spread":0.1773200920536846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2596314647","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":"incentives","model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":"incentives","domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9844886,0.0006192376,0.000108916,0.00097522646,0.000023080978,0.00009332806,0.006093902,0.000027383083,0.0075702467],"genre_scores_gemma":[0.9931172,0.000750671,0.00021766707,0.00029447261,0.00001626838,0.000060265127,0.0016891831,0.00001229341,0.0038419971],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99804914,0.000069586466,0.00007798667,0.00014334003,0.0007443865,0.00091553415],"domain_scores_gemma":[0.9954945,0.00016335316,0.0005785223,0.000056045545,0.0014267259,0.0022809114],"candidate_categories":["metaresearch"],"consensus_categories":[],"category_scores_codex":[0.0010781038,0.00021890686,0.00032362124,0.004214113,0.005455206,0.0018162809,0.0014108301,0.00053186924,0.0076416745],"category_scores_gemma":[0.0038799217,0.00029399697,0.0002921286,0.006389701,0.001283451,0.0007989511,0.0014559266,0.00065769785,0.0011115703],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011571241,0.00009131312,0.95141715,0.00008106235,0.000018221564,0.00021285917,0.0125015965,0.00011490822,0.0007256847,0.00069914054,0.009274062,0.02474835],"study_design_scores_gemma":[0.0000027961742,0.000037933558,0.9743284,0.00004453484,0.000004546215,0.00011933996,0.019203536,0.00007988576,0.00007237465,0.000051850362,0.006033275,0.000021632428],"about_ca_topic_score_codex":0.97058433,"about_ca_topic_score_gemma":0.98968923,"teacher_disagreement_score":0.9989219,"about_ca_system_score_codex":0.02809364,"about_ca_system_score_gemma":0.03844394,"threshold_uncertainty_score":0.20383453},"labels":[],"label_agreement":null},{"id":"W2597092708","doi":"10.7202/1038943ar","title":"Addressing Common Parental Concerns about Factors That Could Influence Piano Students’ Autonomous Motivation, Diligence, and Performance","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Diligence; Piano; Psychology; Creativity; Sitting; Feeling; Competence (human resources); Developmental psychology; Social psychology; Applied psychology; Management; Medicine","score_opus":0.1607823338281348,"score_gpt":0.3070099630022962,"score_spread":0.1462276291741614,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2597092708","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99905115,0.00011226752,0.00017740692,0.000180621,0.0000051231295,0.000008314043,0.000015486854,0.0000020666532,0.00044759715],"genre_scores_gemma":[0.9992481,0.00012531188,0.00039444643,0.000026199725,0.0000043907908,0.000012141389,0.00002178585,9.0072166e-7,0.00016677837],"study_design_codex":"observational","study_design_gemma":"qualitative","domain_scores_codex":[0.99810046,0.00089334114,0.0001320612,0.00016339138,0.00048522337,0.00022550333],"domain_scores_gemma":[0.98708224,0.0066537396,0.0036079027,0.00069325324,0.0009422113,0.0010206639],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004836389,0.00031569414,0.00024279497,0.0005220753,0.0007053549,0.00089077017,0.000339679,0.00032431554,0.0011882524],"category_scores_gemma":[0.019719137,0.0001813541,0.00026967167,0.00034107888,0.00059642567,0.0004730501,0.0006370398,0.00062310765,0.00009560408],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000465005,0.00021917332,0.97256947,0.000036626738,0.000030105355,0.00025461602,0.006555646,0.000049163285,0.00039957982,0.0001163558,0.00013338655,0.019589495],"study_design_scores_gemma":[0.000007439149,0.0004494239,0.982285,0.000053716925,0.000051658815,0.0003334954,0.014794953,0.00027429813,0.00064846757,0.00017376289,0.0009148015,0.000013006526],"about_ca_topic_score_codex":0.0055279434,"about_ca_topic_score_gemma":0.017067766,"teacher_disagreement_score":0.0055279434,"about_ca_system_score_codex":0.00058627146,"about_ca_system_score_gemma":0.0014469314,"threshold_uncertainty_score":0.025577605},"labels":[],"label_agreement":null},{"id":"W2597176154","doi":"10.7202/1038944ar","title":"Musiques et identités remixées","year":2017,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.3157629017055493,"score_gpt":0.470500428189036,"score_spread":0.15473752648348665,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2597176154","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33251557,0.008690517,0.030422036,0.008739063,0.0010499819,0.00016562727,0.0003525483,0.00023102685,0.6178336],"genre_scores_gemma":[0.8553953,0.0025430338,0.008451888,0.00050441397,0.00016596506,0.00010315034,0.00017199668,0.00016411569,0.13250013],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9961987,0.0016722188,0.00012471128,0.0005859989,0.00094367797,0.00047466316],"domain_scores_gemma":[0.997776,0.0010411311,0.00036242255,0.0002483001,0.00039118933,0.00018091404],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003050898,0.0008966736,0.0004803613,0.003559293,0.009166487,0.0063943015,0.0010051563,0.001312722,0.014251569],"category_scores_gemma":[0.0061711557,0.00032523856,0.00033389413,0.0036071194,0.018559454,0.0051112603,0.0050913864,0.0022988392,0.0011393353],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004141205,0.000015497162,0.003547458,0.0002427037,0.00002133782,0.0006476884,0.4433061,0.00021392867,0.0012334259,0.5080051,0.0034058273,0.03931951],"study_design_scores_gemma":[0.000014637674,0.000037071746,0.013904233,0.00060176104,0.000026614041,0.0009701041,0.2779272,0.00072456215,0.001244248,0.052267917,0.65221804,0.00006354782],"about_ca_topic_score_codex":0.070710704,"about_ca_topic_score_gemma":0.14714278,"teacher_disagreement_score":0.9292893,"about_ca_system_score_codex":0.008638353,"about_ca_system_score_gemma":0.006787498,"threshold_uncertainty_score":0.1405983},"labels":[],"label_agreement":null},{"id":"W2597475191","doi":"10.7202/1009293ar","title":"Analytical Approaches to World Music 1, no. 1.","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.2590045222030712,"score_gpt":0.22757378346215418,"score_spread":0.03143073874091701,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2597475191","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012669871,0.13271555,0.019714251,0.05946793,0.0028579591,0.000054366817,0.00021036723,0.00010884698,0.7722009],"genre_scores_gemma":[0.7379318,0.062333245,0.013976632,0.008124195,0.0044721975,0.00021381369,0.0003736146,0.0002329412,0.17234145],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986436,0.00086695986,0.00004078683,0.00011214778,0.00023417895,0.00010229106],"domain_scores_gemma":[0.9986902,0.00075875974,0.00010426203,0.00010722742,0.00020827234,0.00013128384],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017499594,0.00073331565,0.00039696216,0.0035510005,0.00563203,0.009654844,0.0010757728,0.0013850307,0.011653566],"category_scores_gemma":[0.0035120442,0.00030004542,0.00044460746,0.0036111102,0.021620512,0.0062642572,0.0023599155,0.0025779253,0.0012224737],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001686048,0.000028392551,0.0007702862,0.00015532655,0.000009449136,0.00009930608,0.008914245,0.000118719574,0.000106443695,0.93617517,0.035124566,0.0184813],"study_design_scores_gemma":[0.000007981652,0.000019883873,0.0026934112,0.00065976015,0.000016339784,0.00021790805,0.025261689,0.0004477831,0.00016985089,0.6412158,0.32927573,0.000013871839],"about_ca_topic_score_codex":0.011847805,"about_ca_topic_score_gemma":0.03909449,"teacher_disagreement_score":0.011847805,"about_ca_system_score_codex":0.005193873,"about_ca_system_score_gemma":0.0030614543,"threshold_uncertainty_score":0.038985074},"labels":[],"label_agreement":null},{"id":"W2599941844","doi":"","title":"Mapping Interfaith Encounters","year":2016,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion, Society, and Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.027567596838840785,"score_gpt":0.256607300641335,"score_spread":0.22903970380249425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2599941844","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7765449,0.0008069711,0.026287038,0.0006803866,0.00007635788,0.00021006636,0.0057309195,0.00043998327,0.18922336],"genre_scores_gemma":[0.97230566,0.00023541252,0.014943701,0.000028659673,0.000010205375,0.000120597535,0.002416791,0.00012299207,0.009815954],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99901915,0.00028691476,0.000049747927,0.00024973342,0.0002275391,0.00016681603],"domain_scores_gemma":[0.99801886,0.00076302094,0.00027342883,0.000278023,0.00045991503,0.00020674201],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00059637794,0.00024406242,0.00021351386,0.0071229395,0.0028585123,0.0041961623,0.0008067514,0.0007486484,0.021965114],"category_scores_gemma":[0.0048597204,0.00022448227,0.0003369218,0.009063774,0.0011672137,0.0038379016,0.0037365435,0.000821166,0.002641629],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003898228,0.00015651842,0.27796113,0.00081543776,0.00009593495,0.0010550632,0.22005828,0.0032157653,0.0076110736,0.086828195,0.01854824,0.3832646],"study_design_scores_gemma":[0.00002416694,0.00010500053,0.29464868,0.00057591376,0.000108147586,0.00072399457,0.43101183,0.016081989,0.003354761,0.038581382,0.21470262,0.000081562495],"about_ca_topic_score_codex":0.034960747,"about_ca_topic_score_gemma":0.07239236,"teacher_disagreement_score":0.034960747,"about_ca_system_score_codex":0.0016217282,"about_ca_system_score_gemma":0.0019143779,"threshold_uncertainty_score":0.073480606},"labels":[],"label_agreement":null},{"id":"W2601186284","doi":"","title":"From the Publisher and Editor","year":2016,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Academic Writing and Publishing","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.02572450734715494,"score_gpt":0.19497093925926512,"score_spread":0.16924643191211017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2601186284","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00011354721,0.005865918,0.00023868858,0.05561962,0.91636634,0.00004820228,0.00012052748,0.00014149182,0.021485735],"genre_scores_gemma":[0.0022390895,0.0088150855,0.00054049,0.08790451,0.43990132,0.00011233533,0.00025523696,0.00026304324,0.4599689],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99584913,0.0005524904,0.0004139693,0.0006166354,0.002261429,0.00030633263],"domain_scores_gemma":[0.98106605,0.0029297823,0.0010480292,0.0012574048,0.011286121,0.0024126326],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032309177,0.0014174249,0.0020026774,0.0027716337,0.0029739847,0.010472594,0.0031032132,0.007708041,0.11386519],"category_scores_gemma":[0.024288636,0.0008662294,0.0009221279,0.0018000372,0.0018472114,0.0041776076,0.0024729595,0.00840966,0.10836224],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013562583,0.0000067245064,0.000021338974,0.000076072196,0.0000034334578,0.000051890587,0.000009389663,0.000008692337,0.00004893095,0.00030205701,0.99072963,0.008728153],"study_design_scores_gemma":[0.000007914,0.000009488408,0.00008846526,0.000116309806,0.000005651292,0.0000902637,0.000029068078,0.000026523185,0.00009228526,0.00028230267,0.9992446,0.000007102065],"about_ca_topic_score_codex":0.0016005527,"about_ca_topic_score_gemma":0.0036540315,"teacher_disagreement_score":0.11386519,"about_ca_system_score_codex":0.0018666311,"about_ca_system_score_gemma":0.0047551254,"threshold_uncertainty_score":0.380917},"labels":[],"label_agreement":null},{"id":"W2611234566","doi":"","title":"Types, Methods, and Sagas in Lutheran Higher Education: Learning from Childers","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology; History","score_opus":0.03022152118197473,"score_gpt":0.3301338692873683,"score_spread":0.2999123481053936,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2611234566","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9426327,0.0014498676,0.0017597085,0.0049132095,0.0000781063,0.000059193902,0.000109056826,0.00003949878,0.048958685],"genre_scores_gemma":[0.9825529,0.0006315517,0.0026479596,0.0003869356,0.000017376145,0.000063000545,0.00006479244,0.00005488343,0.013580658],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9926082,0.004820596,0.0003150539,0.00036719773,0.001051506,0.00083743763],"domain_scores_gemma":[0.9813492,0.011520168,0.0019134529,0.0015939025,0.001958645,0.0016646847],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0112475455,0.0003281019,0.00040367505,0.0028602292,0.006413686,0.0067084376,0.0014534924,0.0015769701,0.010265477],"category_scores_gemma":[0.025203677,0.0005906026,0.00041148096,0.0023665,0.0083494,0.008906887,0.006764783,0.0031493488,0.0009617002],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032232906,0.00053831696,0.13803597,0.00017130231,0.000016857197,0.00026227903,0.704418,0.00010602152,0.0004968927,0.06623064,0.0051330863,0.08426842],"study_design_scores_gemma":[0.00004176234,0.00019082623,0.08960703,0.00052119483,0.00003893774,0.00042482326,0.826919,0.00028340114,0.00084464694,0.024432404,0.056634627,0.00006130686],"about_ca_topic_score_codex":0.023015274,"about_ca_topic_score_gemma":0.07471677,"teacher_disagreement_score":0.023015274,"about_ca_system_score_codex":0.0074113016,"about_ca_system_score_gemma":0.0053733937,"threshold_uncertainty_score":0.05948341},"labels":[],"label_agreement":null},{"id":"W2621259597","doi":"","title":"Laboratories for Living in a Diverse World","year":2016,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Biomedical and Engineering Education","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Geography","score_opus":0.01290723152618611,"score_gpt":0.19870416767052965,"score_spread":0.18579693614434353,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2621259597","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07440762,0.005808133,0.0244505,0.11687264,0.0050891587,0.0003957769,0.0004527861,0.001464846,0.77105856],"genre_scores_gemma":[0.6384482,0.0026526358,0.0418147,0.017778894,0.001272459,0.0005775843,0.00056469557,0.000610896,0.29627997],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99536765,0.0018618439,0.00015640135,0.0006681396,0.0008424488,0.0011035164],"domain_scores_gemma":[0.98402506,0.00090779277,0.00067176344,0.0013079568,0.0020542007,0.011033129],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004159936,0.0009080691,0.00061188766,0.0020121022,0.02717358,0.015750011,0.0032385944,0.003461857,0.099003464],"category_scores_gemma":[0.006051754,0.0004147253,0.0007137872,0.001721522,0.0137466965,0.011124762,0.031254955,0.0062497645,0.015224676],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002443808,0.00059333805,0.010328813,0.0003843687,0.000056774217,0.0012696149,0.04252073,0.00048161764,0.0067652185,0.5066149,0.24971679,0.18102345],"study_design_scores_gemma":[0.000041479394,0.00014572745,0.0078188665,0.00044727098,0.000021954185,0.0005954679,0.059848197,0.00023501091,0.0009508846,0.0703405,0.8594503,0.00010436325],"about_ca_topic_score_codex":0.014738594,"about_ca_topic_score_gemma":0.06432882,"teacher_disagreement_score":0.099003464,"about_ca_system_score_codex":0.005523552,"about_ca_system_score_gemma":0.024315376,"threshold_uncertainty_score":0.3311996},"labels":[],"label_agreement":null},{"id":"W2621744348","doi":"","title":"Making Dry Bones Stand: Lutheran Higher Education at Century's End","year":2003,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Catholicism and Religious Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dry cleaning; History; Engineering; Waste management","score_opus":0.040403326715523866,"score_gpt":0.24185294562439794,"score_spread":0.20144961890887408,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2621744348","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07270712,0.0051751942,0.00068778,0.39571074,0.0057264953,0.000031592546,0.00008365249,0.00007905382,0.5197983],"genre_scores_gemma":[0.5666777,0.0009629202,0.00051980215,0.07835187,0.0014721063,0.00003234903,0.000036006586,0.000098212455,0.35184902],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971691,0.00062145776,0.000039213595,0.00017172706,0.0003323199,0.0016661639],"domain_scores_gemma":[0.9985958,0.00017770035,0.000055244855,0.00005694141,0.00013462301,0.0009797411],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027375084,0.00035585108,0.00030398407,0.00081543863,0.02877944,0.012295481,0.00086366583,0.009025664,0.024377016],"category_scores_gemma":[0.0036079288,0.0002841062,0.00031919812,0.0006906504,0.016252909,0.0056867967,0.008532265,0.009756371,0.0018783227],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046623274,0.000057830635,0.00090065325,0.00002284313,0.000004176245,0.00023965767,0.034694202,0.0000409848,0.00021755602,0.8084812,0.13607378,0.019220456],"study_design_scores_gemma":[0.000020816631,0.000021314347,0.0023619635,0.00008502249,0.0000043503564,0.000069001486,0.025835907,0.00003257575,0.00012472803,0.048778065,0.92264664,0.000019633788],"about_ca_topic_score_codex":0.04835139,"about_ca_topic_score_gemma":0.21417588,"teacher_disagreement_score":0.04835139,"about_ca_system_score_codex":0.010740598,"about_ca_system_score_gemma":0.018373072,"threshold_uncertainty_score":0.09613991},"labels":[],"label_agreement":null},{"id":"W2624695564","doi":"","title":"Jonah: The Anti-Hero of Vocation","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Jewish and Middle Eastern Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"HERO; Art; Literature; History","score_opus":0.057125085441786516,"score_gpt":0.29758091110903895,"score_spread":0.24045582566725243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2624695564","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14098793,0.0072772005,0.0011562158,0.13514353,0.009764801,0.000022083488,0.00006864415,0.0001076271,0.7054719],"genre_scores_gemma":[0.75462437,0.0008195631,0.00030764993,0.0150535265,0.0009318307,0.000012837244,0.00001694518,0.00014567918,0.2280877],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980592,0.0008875778,0.0000331042,0.00014678563,0.00029902233,0.00057431206],"domain_scores_gemma":[0.9985813,0.0003339583,0.00013102689,0.000109405875,0.00033794806,0.0005063264],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002179459,0.0003381478,0.0003345601,0.0006685905,0.0230362,0.0073299017,0.0005856337,0.0030313998,0.00852747],"category_scores_gemma":[0.003561284,0.00021821336,0.00015507801,0.0005215108,0.016347555,0.0034018573,0.003229091,0.006544201,0.001442616],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012436716,0.000037122998,0.0017802536,0.00005906631,0.000014859204,0.00057387934,0.26297113,0.000030814634,0.00081975467,0.5710389,0.14907399,0.013475893],"study_design_scores_gemma":[0.000011435531,0.000029727433,0.0021494145,0.000106451946,0.000007320722,0.0004727732,0.13564615,0.000054468892,0.00041813936,0.013091385,0.84798664,0.000026137153],"about_ca_topic_score_codex":0.021033084,"about_ca_topic_score_gemma":0.06412146,"teacher_disagreement_score":0.0230362,"about_ca_system_score_codex":0.0036666861,"about_ca_system_score_gemma":0.0034798773,"threshold_uncertainty_score":0.0418213},"labels":[],"label_agreement":null},{"id":"W2625173464","doi":"","title":"Health Food in the Inner City: An Interview with Brian Noy about Augsburg's Campus Kitchen","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Consumer behavior in food and health","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Inner city; Psychology; Gerontology; Environmental health; Sociology; Medicine; Socioeconomics","score_opus":0.10077628041137944,"score_gpt":0.34316157421972965,"score_spread":0.24238529380835022,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2625173464","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87020046,0.0011845512,0.00032341623,0.10500069,0.0009065793,0.00011639948,0.00020250368,0.00003902294,0.022026338],"genre_scores_gemma":[0.9173224,0.0015879613,0.0006167991,0.04534209,0.00022074736,0.00012725269,0.00010337838,0.000093423616,0.034585856],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9983398,0.00074959564,0.0000435136,0.000103929764,0.00018061946,0.00058244437],"domain_scores_gemma":[0.9951013,0.0010720845,0.00034298492,0.00006956445,0.0006644736,0.002749789],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017921875,0.00043131766,0.00053230487,0.0009220554,0.024143994,0.0035694507,0.0012607162,0.004716625,0.010357927],"category_scores_gemma":[0.004166147,0.0009356901,0.00033356898,0.0007756959,0.004558967,0.0020744463,0.0035620062,0.008977594,0.0012444431],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010062498,0.00041843794,0.03199737,0.00008060615,0.000018348288,0.007736028,0.8908957,0.0000765267,0.0021663883,0.00060982653,0.056354336,0.009545817],"study_design_scores_gemma":[0.0000032754924,0.00004745597,0.0113030365,0.000044726483,0.000003966923,0.0002577425,0.9613819,0.000023149927,0.000099671444,0.000051057817,0.026766337,0.000017701437],"about_ca_topic_score_codex":0.24334115,"about_ca_topic_score_gemma":0.533343,"teacher_disagreement_score":0.24334115,"about_ca_system_score_codex":0.0069109886,"about_ca_system_score_gemma":0.005658664,"threshold_uncertainty_score":0.48384947},"labels":[],"label_agreement":null},{"id":"W2625335800","doi":"","title":"Grinding for the Common Good and Getting Roasted","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Mineral Processing and Grinding","field":"Engineering","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Grinding; Computer science; Engineering; Mechanical engineering","score_opus":0.037843744935179925,"score_gpt":0.2324385243350359,"score_spread":0.19459477939985598,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2625335800","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13580048,0.012762338,0.021915281,0.038264386,0.0055093565,0.00017889887,0.00021913086,0.0009576073,0.78439265],"genre_scores_gemma":[0.37932518,0.005181193,0.029920157,0.0035349636,0.00066837785,0.000044330314,0.00019130827,0.00094304717,0.58019143],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99705374,0.00036469416,0.00009578242,0.00024815346,0.001467664,0.00076989766],"domain_scores_gemma":[0.99854136,0.0001358587,0.00011244269,0.00022544141,0.0005058959,0.00047892737],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002268455,0.0006483871,0.0005032403,0.001792062,0.009560912,0.0058241077,0.0011360045,0.0017477309,0.042596087],"category_scores_gemma":[0.0036224667,0.00033599194,0.0006441769,0.0012121005,0.0072342264,0.0028891414,0.0058579748,0.003435786,0.007915934],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00058552023,0.00046066506,0.006937941,0.00069949066,0.00009310555,0.0015021715,0.04445622,0.00051850843,0.026447926,0.19431956,0.21760568,0.5063732],"study_design_scores_gemma":[0.000024661163,0.00022822653,0.015677398,0.00033865904,0.000036744845,0.001487662,0.04274814,0.00023355588,0.005042799,0.024343276,0.9097345,0.00010443931],"about_ca_topic_score_codex":0.022664506,"about_ca_topic_score_gemma":0.11050124,"teacher_disagreement_score":0.042596087,"about_ca_system_score_codex":0.0028754044,"about_ca_system_score_gemma":0.004499975,"threshold_uncertainty_score":0.14249808},"labels":[],"label_agreement":null},{"id":"W2625558547","doi":"","title":"Religion in the Age of Trump","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion and Society Interactions","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.04497203710100523,"score_gpt":0.3224328188992247,"score_spread":0.2774607817982195,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2625558547","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31210366,0.010229432,0.0007588399,0.2825355,0.0029428357,0.00002270164,0.00010900758,0.000035408044,0.39126256],"genre_scores_gemma":[0.97806805,0.00092174154,0.00011171633,0.0074545876,0.0005179829,0.000006671837,0.000010981866,0.000017359032,0.012890915],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973183,0.0010997279,0.00004480777,0.0001190111,0.0003890645,0.0010291019],"domain_scores_gemma":[0.99556917,0.0011682479,0.00042912934,0.00019183946,0.0007481344,0.001893467],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003942428,0.00014351131,0.00030829574,0.0011471191,0.016062392,0.0074093128,0.0007601717,0.0032276777,0.011736186],"category_scores_gemma":[0.009299916,0.00019267653,0.0001661655,0.0009108251,0.022437602,0.007077665,0.0063143554,0.0076989396,0.00067081995],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008517611,0.000042593474,0.0035149641,0.000033343007,0.000008614328,0.0005415672,0.20191424,0.000042334053,0.00019336959,0.7412506,0.034181748,0.018191501],"study_design_scores_gemma":[0.000039916402,0.00005322844,0.007525153,0.00020663979,0.000008347732,0.00033141582,0.26330134,0.00009912501,0.00013702297,0.1580163,0.5702443,0.000037176203],"about_ca_topic_score_codex":0.04820985,"about_ca_topic_score_gemma":0.09570652,"teacher_disagreement_score":0.04820985,"about_ca_system_score_codex":0.006891877,"about_ca_system_score_gemma":0.007576334,"threshold_uncertainty_score":0.095858455},"labels":[],"label_agreement":null},{"id":"W2625632383","doi":"","title":"Distinctive Lutheran Contributions to the Conversation about Vocation","year":2016,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Conversation; Psychology; Linguistics; Sociology; Communication; Philosophy","score_opus":0.022964320833925335,"score_gpt":0.22786261715117262,"score_spread":0.2048982963172473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2625632383","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13118745,0.006083386,0.0031908876,0.14270242,0.0023898464,0.0000304562,0.000115048846,0.000087527886,0.714213],"genre_scores_gemma":[0.96003455,0.0007061066,0.00039035096,0.006547865,0.000380908,0.000017870334,0.000019649833,0.000096846685,0.031805906],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958061,0.002360477,0.000068035966,0.00022957844,0.0005517773,0.0009840605],"domain_scores_gemma":[0.9955739,0.0028603547,0.00021089565,0.00018467222,0.0005288248,0.00064134406],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004850422,0.0004401598,0.00040214334,0.002081736,0.023616252,0.008116647,0.00094058353,0.004295489,0.0078772325],"category_scores_gemma":[0.008626976,0.00032797115,0.00021266702,0.0015915661,0.03267844,0.0047916346,0.004304629,0.0079463795,0.0006836343],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044299184,0.000011738966,0.00036023726,0.000027303236,0.000003931079,0.00015279846,0.40450242,0.00002379628,0.00033174237,0.57941365,0.011025697,0.0041022776],"study_design_scores_gemma":[0.0000196944,0.00002097534,0.0034916517,0.00021602289,0.000017079847,0.0002794094,0.26528352,0.00021580853,0.00067062024,0.05353862,0.6761928,0.00005376178],"about_ca_topic_score_codex":0.08026762,"about_ca_topic_score_gemma":0.18709497,"teacher_disagreement_score":0.08026762,"about_ca_system_score_codex":0.015584962,"about_ca_system_score_gemma":0.0069004293,"threshold_uncertainty_score":0.1596008},"labels":[],"label_agreement":null},{"id":"W2625796772","doi":"","title":"Dual Citizenship in Athens and Jerusalem: Ricoeur's Hermeneutics and the Promise of Lutheran Higher Education","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Hermeneutics and Narrative Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hermeneutics; Citizenship; Dual (grammatical number); Sociology; Philosophy; History; Theology; Art; Literature; Political science; Law; Politics","score_opus":0.03633073412153231,"score_gpt":0.23616302456973773,"score_spread":0.1998322904482054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2625796772","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.57120377,0.009189715,0.0012566852,0.03240797,0.0007524143,0.000063655556,0.00004125317,0.000048557376,0.38503605],"genre_scores_gemma":[0.9807328,0.00022649701,0.00018157453,0.0013755626,0.00007613118,0.000015576008,0.000008240654,0.0000165368,0.017367031],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99635303,0.001901201,0.0000895923,0.00036090877,0.000268443,0.0010268601],"domain_scores_gemma":[0.9990445,0.0004168453,0.000111204274,0.00012252248,0.00008332016,0.00022153501],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004928126,0.0005627805,0.0008174439,0.0018486653,0.020132476,0.010022807,0.0011868107,0.003976196,0.0042882403],"category_scores_gemma":[0.0047323,0.0003957517,0.00027709364,0.001095237,0.040973485,0.0050338916,0.009113494,0.0053190426,0.00037889625],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048637652,0.000032872802,0.00044731304,0.00002715165,0.000005233605,0.0002941456,0.29113516,0.000045602916,0.00016426075,0.69636357,0.0030067973,0.008429302],"study_design_scores_gemma":[0.00007998836,0.00011040656,0.007691489,0.00037233267,0.000028524208,0.0006479549,0.42619717,0.0002931673,0.00067203055,0.11169203,0.45213133,0.00008359285],"about_ca_topic_score_codex":0.03147072,"about_ca_topic_score_gemma":0.069997944,"teacher_disagreement_score":0.03147072,"about_ca_system_score_codex":0.009229118,"about_ca_system_score_gemma":0.0051880586,"threshold_uncertainty_score":0.0669623},"labels":[],"label_agreement":null},{"id":"W2625971493","doi":"","title":"Why Martin Luther and the Reformation Mattter 500 Years Later","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Martin luther; History; Art; Philosophy; Theology","score_opus":0.027240723399836006,"score_gpt":0.20968366126617374,"score_spread":0.18244293786633775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2625971493","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042892452,0.022666322,0.0005130236,0.6995734,0.008805598,0.000017967726,0.00009932572,0.00005307364,0.2253788],"genre_scores_gemma":[0.49782062,0.004302894,0.0003170425,0.10817983,0.0030957698,0.00002818741,0.000040140676,0.0001832696,0.3860322],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99728036,0.0009707787,0.000042725915,0.00034763478,0.00045653828,0.0009019695],"domain_scores_gemma":[0.99829036,0.00058892043,0.00013684298,0.00013913389,0.0003932274,0.00045152806],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031626895,0.00023394749,0.0003217339,0.00059766707,0.01009568,0.0060092956,0.00058370194,0.006566109,0.021928262],"category_scores_gemma":[0.008923475,0.00020545482,0.00023300097,0.00059849164,0.016861055,0.0053498265,0.0028274443,0.0074616466,0.0031049794],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009398369,0.000028851184,0.00066246185,0.000034617722,0.0000068984136,0.00018471266,0.015299429,0.000046697816,0.0001951055,0.76031756,0.21100552,0.012124217],"study_design_scores_gemma":[0.00002206712,0.00001806581,0.0010557711,0.00012387939,0.0000042601964,0.00008062416,0.006979054,0.000029090872,0.00021961781,0.025206855,0.9662361,0.00002461878],"about_ca_topic_score_codex":0.042836063,"about_ca_topic_score_gemma":0.08943586,"teacher_disagreement_score":0.042836063,"about_ca_system_score_codex":0.011425171,"about_ca_system_score_gemma":0.0055471915,"threshold_uncertainty_score":0.08517349},"labels":[],"label_agreement":null},{"id":"W2626572187","doi":"","title":"The Vocation of a Lutheran College","year":2001,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology; History","score_opus":0.03452849256501875,"score_gpt":0.21481865055855878,"score_spread":0.18029015799354003,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2626572187","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25981098,0.0029478753,0.000499151,0.22655363,0.008869586,0.000060725528,0.000102832295,0.000080297556,0.50107485],"genre_scores_gemma":[0.61176944,0.00032515294,0.00017652703,0.012757053,0.0006755637,0.000010232498,0.000013306222,0.000049473605,0.3742233],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99849474,0.00035030756,0.000022330987,0.000117239455,0.00022392524,0.0007913788],"domain_scores_gemma":[0.9982508,0.00012230553,0.00006511755,0.000055522716,0.00022130794,0.0012849815],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013151134,0.00019401289,0.00023133808,0.0005338246,0.02701832,0.0059742695,0.0005077002,0.0024153786,0.015866978],"category_scores_gemma":[0.002420375,0.00015881921,0.0001667375,0.00042587158,0.011135536,0.0018639376,0.004869083,0.0064479616,0.0017579007],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001486665,0.00015306422,0.0039196005,0.000051608382,0.00000813472,0.00095569756,0.08637208,0.00007160619,0.0014353725,0.65373397,0.21901071,0.034139536],"study_design_scores_gemma":[0.0000126984505,0.000047712674,0.0042868904,0.000047905534,0.0000034310267,0.00022990908,0.041586816,0.000058234047,0.00040476446,0.0069273063,0.9463677,0.000026640166],"about_ca_topic_score_codex":0.047698766,"about_ca_topic_score_gemma":0.23469658,"teacher_disagreement_score":0.047698766,"about_ca_system_score_codex":0.0089414315,"about_ca_system_score_gemma":0.008292026,"threshold_uncertainty_score":0.094842255},"labels":[],"label_agreement":null},{"id":"W2626572792","doi":"","title":"Academic Vocation: What the Lutheran University has to Offer","year":2004,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Catholicism and Religious Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology; Visual arts; Mathematics education; History; Art; Psychology","score_opus":0.04608787743292229,"score_gpt":0.21349899844787837,"score_spread":0.1674111210149561,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2626572792","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00836224,0.020758923,0.00029624742,0.90967864,0.009834548,0.0000065839845,0.000047171627,0.00005245645,0.05096317],"genre_scores_gemma":[0.56498736,0.02629783,0.0016425095,0.27769575,0.0207902,0.000056009136,0.00012949175,0.00026468892,0.10813622],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9909751,0.0030208835,0.00021048458,0.00031555406,0.0015910871,0.0038868114],"domain_scores_gemma":[0.9627146,0.0033975518,0.0005820291,0.0006929389,0.0030093666,0.029603446],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.014400726,0.00053440884,0.00082740595,0.0012924401,0.027167406,0.023083854,0.00199803,0.016451456,0.031120386],"category_scores_gemma":[0.0168159,0.00035194537,0.00072844006,0.0013641468,0.018692777,0.015626227,0.010173321,0.012135503,0.0061791386],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013649528,0.0003063604,0.005041671,0.00033931658,0.00003229962,0.00034237176,0.011878905,0.00011264529,0.0002990409,0.2081632,0.61284626,0.16050148],"study_design_scores_gemma":[0.000019851243,0.00005462297,0.0058362773,0.0010444362,0.000022838924,0.00023036312,0.058249176,0.000068801564,0.00013444679,0.038477495,0.89578056,0.00008109482],"about_ca_topic_score_codex":0.026612323,"about_ca_topic_score_gemma":0.10828531,"teacher_disagreement_score":0.031120386,"about_ca_system_score_codex":0.014910985,"about_ca_system_score_gemma":0.04192027,"threshold_uncertainty_score":0.10818726},"labels":[],"label_agreement":null},{"id":"W2629847302","doi":"","title":"Why Did the Chicken Cross the Road? : a Homily on Liminality and Vocation","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Wittgensteinian philosophy and applications","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Liminality; Homily; Art; Aesthetics; Literature","score_opus":0.0655222803188682,"score_gpt":0.2597123457029955,"score_spread":0.1941900653841273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2629847302","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2976915,0.0067930003,0.003976518,0.08972227,0.001969533,0.000031229967,0.00005120906,0.00007524538,0.59968954],"genre_scores_gemma":[0.9608716,0.00060969533,0.0005237079,0.005451131,0.0001704143,0.000007567062,0.00001464586,0.00009957741,0.032251555],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989409,0.000520907,0.000016450964,0.00016767521,0.000088653294,0.00026550665],"domain_scores_gemma":[0.99910057,0.00040209122,0.000063748674,0.00010821927,0.0001558518,0.00016953213],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018824189,0.0003225263,0.00035675854,0.00068672164,0.017518714,0.0065559866,0.0011699209,0.0037538533,0.0076468834],"category_scores_gemma":[0.0040989695,0.00024326092,0.00022465957,0.0005652775,0.026941339,0.007965799,0.0038329423,0.0061795632,0.00080197543],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008735193,0.000028986244,0.001856988,0.000036141286,0.000010342679,0.0011575181,0.5733375,0.00004778618,0.0003639306,0.3847512,0.02531074,0.013011589],"study_design_scores_gemma":[0.000013632622,0.000037466103,0.0022066836,0.00018934287,0.000016337504,0.0009994224,0.60759586,0.00017591176,0.0004655953,0.06727327,0.32099184,0.00003456411],"about_ca_topic_score_codex":0.02217211,"about_ca_topic_score_gemma":0.04768435,"teacher_disagreement_score":0.02217211,"about_ca_system_score_codex":0.0025437495,"about_ca_system_score_gemma":0.0015088487,"threshold_uncertainty_score":0.04408616},"labels":[],"label_agreement":null},{"id":"W2634724040","doi":"","title":"Well, Well . . . Plumbing Our Depths, Telling Our Stories","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Educational Leadership and Practices","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Story telling; Art; Narrative; Literature","score_opus":0.06820277834501,"score_gpt":0.3269390343105223,"score_spread":0.2587362559655123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2634724040","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04025463,0.011741417,0.017293872,0.4023659,0.010391534,0.00014619071,0.0005617306,0.0006883055,0.51655644],"genre_scores_gemma":[0.57469785,0.009580064,0.011273045,0.06288876,0.00254077,0.00016316,0.00038181923,0.0010391887,0.3374354],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964386,0.0016755752,0.00008669575,0.0002358013,0.0009646228,0.0005986436],"domain_scores_gemma":[0.9945872,0.0011514898,0.00051029416,0.0004235333,0.001383756,0.0019437381],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029255215,0.0007928378,0.0004985409,0.0012519957,0.016416078,0.011956597,0.0010855952,0.0033894756,0.022680724],"category_scores_gemma":[0.01446313,0.00044122137,0.0004935582,0.001094176,0.01733079,0.013239918,0.00644025,0.009080775,0.0088517675],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009483234,0.00005949848,0.0024928101,0.00026031228,0.000049182847,0.0011125087,0.34275755,0.00017875004,0.0029731416,0.14193511,0.4623189,0.045767453],"study_design_scores_gemma":[0.000006344372,0.000018657553,0.00085183204,0.00027622862,0.000012822084,0.00059019116,0.16899396,0.00006614134,0.00046003933,0.021362599,0.80732155,0.000039623486],"about_ca_topic_score_codex":0.0203188,"about_ca_topic_score_gemma":0.03374724,"teacher_disagreement_score":0.022680724,"about_ca_system_score_codex":0.0046033626,"about_ca_system_score_gemma":0.0043580104,"threshold_uncertainty_score":0.07587463},"labels":[],"label_agreement":null},{"id":"W2635986866","doi":"","title":"The Prophetic Vocation and the Nature(s) of College: Reimagining College with Jim Farrell","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology; Art history; History; Art","score_opus":0.008261290322734064,"score_gpt":0.23607130172109342,"score_spread":0.22781001139835935,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2635986866","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0039505907,0.0116536915,0.00027567495,0.95176834,0.013281883,0.000008418952,0.0000066975945,0.000018849654,0.019035958],"genre_scores_gemma":[0.16391324,0.011020055,0.0007409311,0.6550885,0.013905798,0.000045867415,0.000011777815,0.00017830226,0.1550955],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950812,0.0020770533,0.00010340043,0.0005467765,0.0007671668,0.0014244196],"domain_scores_gemma":[0.99302155,0.002954469,0.0002385442,0.00019754577,0.00080979394,0.002778059],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0075531793,0.00060151564,0.0006308964,0.0007340837,0.04573545,0.014007124,0.0021006893,0.014196724,0.009888395],"category_scores_gemma":[0.012504946,0.00046086963,0.00044222458,0.00059263484,0.016795479,0.011793215,0.006903354,0.035441425,0.0015253294],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004111497,0.000056151,0.00037181194,0.000053491334,0.000006272959,0.00027368646,0.04803198,0.00005431551,0.00018245919,0.077885285,0.8494745,0.023568988],"study_design_scores_gemma":[0.000008824084,0.000019357589,0.00028880447,0.00013793296,0.000005269865,0.00012042652,0.041404326,0.000038857608,0.00013271766,0.010222739,0.94759184,0.000028767729],"about_ca_topic_score_codex":0.056863327,"about_ca_topic_score_gemma":0.19778517,"teacher_disagreement_score":0.056863327,"about_ca_system_score_codex":0.010033377,"about_ca_system_score_gemma":0.014294855,"threshold_uncertainty_score":0.11306471},"labels":[],"label_agreement":null},{"id":"W2638031997","doi":"","title":"Honesty of Mind: On the Uses and Abuses of Socratic Ignorance in Environmental Studies, Religion, and the Classroom","year":2002,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion, Ecology, and Ethics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ignorance; Honesty; Socratic method; Socratic questioning; Psychology; Epistemology; Environmental ethics; Philosophy; Social psychology","score_opus":0.04945264811793934,"score_gpt":0.2701005659764987,"score_spread":0.22064791785855933,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2638031997","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7221534,0.0060557057,0.004319527,0.09858168,0.0002897022,0.000053292286,0.000033896904,0.00003261553,0.16848007],"genre_scores_gemma":[0.9969235,0.00058803754,0.00036577115,0.001111493,0.00005561004,0.00002262045,0.0000040316786,0.00001536983,0.00091352616],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.96906906,0.024428876,0.00068911695,0.00092034193,0.0033149489,0.0015776549],"domain_scores_gemma":[0.8806261,0.09422217,0.011007614,0.0053220005,0.0060570785,0.00276497],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.024330536,0.00036869332,0.00048193696,0.0028969464,0.012806725,0.012457582,0.0019008061,0.005580219,0.0029351052],"category_scores_gemma":[0.08241068,0.0007480031,0.00041644447,0.002099725,0.0651494,0.013468301,0.008325438,0.0089400755,0.0002447774],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011482358,0.00013998938,0.013062117,0.00008621453,0.000018527644,0.0003103587,0.7561505,0.00008462492,0.00035746142,0.20313106,0.002811034,0.023733353],"study_design_scores_gemma":[0.0000786362,0.000080895115,0.02759151,0.0007797084,0.00007990006,0.0006795107,0.75772566,0.00066699274,0.0008344346,0.15785359,0.053527653,0.00010146927],"about_ca_topic_score_codex":0.015868787,"about_ca_topic_score_gemma":0.01960456,"teacher_disagreement_score":0.024330536,"about_ca_system_score_codex":0.005851508,"about_ca_system_score_gemma":0.006446377,"threshold_uncertainty_score":0.12867373},"labels":[],"label_agreement":null},{"id":"W2660220596","doi":"","title":"Alister McGrath: Glimpsing the Divine: The Search for Meaning in the Universe","year":2002,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Meaning (existential); Philosophy; Literature; Theology; Epistemology; Art","score_opus":0.11315147845532889,"score_gpt":0.2419229221322196,"score_spread":0.12877144367689072,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2660220596","genre_codex":"commentary","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022611783,0.13400123,0.004872324,0.7497002,0.013496912,0.00002769035,0.00020015732,0.00021071303,0.09522965],"genre_scores_gemma":[0.0840988,0.14961962,0.012182304,0.3219781,0.015471114,0.00018740777,0.00032327225,0.0010585713,0.41508076],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99872845,0.00066260697,0.00004947506,0.00011712964,0.00031593832,0.0001262871],"domain_scores_gemma":[0.9959514,0.002662315,0.00014181506,0.00020585542,0.00044777538,0.0005909587],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025419248,0.0013243367,0.0008477968,0.002539637,0.008580876,0.010690999,0.0020163541,0.013389113,0.031244459],"category_scores_gemma":[0.010035376,0.0007050944,0.00053709693,0.0026572,0.021782687,0.028567057,0.0062572826,0.015150189,0.0072053047],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031743748,0.0000098724695,0.00016061924,0.00013701998,0.000011182142,0.00028380333,0.01747362,0.00010234654,0.00012174962,0.17821336,0.7783799,0.025074778],"study_design_scores_gemma":[0.000008906367,0.0000044141966,0.00013509419,0.00049553864,0.000004531555,0.0001914718,0.016134702,0.00007077569,0.00012904676,0.08272021,0.9000794,0.000025881227],"about_ca_topic_score_codex":0.033965066,"about_ca_topic_score_gemma":0.061897818,"teacher_disagreement_score":0.033965066,"about_ca_system_score_codex":0.002584395,"about_ca_system_score_gemma":0.0034668338,"threshold_uncertainty_score":0.10452312},"labels":[],"label_agreement":null},{"id":"W2663237542","doi":"","title":"Finding Words that Matter (Proverbs 1:20-21; 4:10-13)","year":2005,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Biblical Studies and Interpretation","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Linguistics; History; Philosophy","score_opus":0.03950431080634016,"score_gpt":0.22666834334306843,"score_spread":0.18716403253672825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2663237542","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20937388,0.01894289,0.031049004,0.051371574,0.0039135776,0.0001462441,0.0021491717,0.00049210136,0.68256164],"genre_scores_gemma":[0.9356086,0.0036439095,0.0130856745,0.0044981237,0.000746683,0.00007565112,0.000892154,0.00078992464,0.040659253],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9942762,0.0029861357,0.0003386251,0.00087195204,0.0010546999,0.00047240363],"domain_scores_gemma":[0.9886386,0.007086379,0.0010642548,0.0010803032,0.0016922725,0.00043824545],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032801025,0.00057934,0.000558324,0.0043445057,0.0059355325,0.008396379,0.0010036118,0.0025569664,0.037203535],"category_scores_gemma":[0.023370493,0.0004488931,0.00043140384,0.0056558335,0.0126786465,0.010005868,0.0031715112,0.0023793594,0.0068686483],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002407178,0.000072104536,0.012811986,0.0007892515,0.000078966004,0.0008228148,0.0862948,0.000104584724,0.0028798624,0.70220506,0.05944524,0.1342546],"study_design_scores_gemma":[0.00005746615,0.00007019198,0.018259747,0.0008436294,0.00016190248,0.0012495127,0.09798186,0.0002667843,0.0036187551,0.40053427,0.47686806,0.000087754794],"about_ca_topic_score_codex":0.009175087,"about_ca_topic_score_gemma":0.011969796,"teacher_disagreement_score":0.037203535,"about_ca_system_score_codex":0.003173304,"about_ca_system_score_gemma":0.003592909,"threshold_uncertainty_score":0.124458194},"labels":[],"label_agreement":null},{"id":"W2663874819","doi":"","title":"Semper Reformanda : Lutheran Higher Education in the Anthropocene","year":2016,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion, Ecology, and Ethics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Anthropocene; History; Philosophy; Environmental ethics","score_opus":0.03705949702752314,"score_gpt":0.323031120540581,"score_spread":0.2859716235130578,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2663874819","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41908205,0.0062478264,0.0005701469,0.16161627,0.0013652437,0.000050486855,0.00013441723,0.000063640306,0.41086984],"genre_scores_gemma":[0.86897975,0.0007407736,0.00023328445,0.008346513,0.00030879007,0.000028726443,0.00003084632,0.000017394479,0.12131392],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9990847,0.00027372997,0.000019606014,0.000058671005,0.00008931802,0.00047386822],"domain_scores_gemma":[0.99950993,0.00015979951,0.000058576756,0.000031003547,0.00006573355,0.0001748132],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001351628,0.00015688958,0.00016972848,0.00054673856,0.008089975,0.0030770618,0.0004081462,0.0024515,0.014469862],"category_scores_gemma":[0.0020503309,0.00011092467,0.00009389074,0.00064084964,0.005149351,0.0014906711,0.0034173555,0.0028416866,0.00072486204],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000101805585,0.000092221366,0.004665122,0.00008198193,0.0000041266508,0.00046732483,0.026522584,0.000092586895,0.00062328996,0.8936187,0.030817384,0.04291278],"study_design_scores_gemma":[0.000033557502,0.00007402945,0.029946653,0.00014948387,0.000006603076,0.00019220337,0.019422973,0.0002055266,0.0009264711,0.028125623,0.92089695,0.000019918523],"about_ca_topic_score_codex":0.017971443,"about_ca_topic_score_gemma":0.0897848,"teacher_disagreement_score":0.017971443,"about_ca_system_score_codex":0.006235855,"about_ca_system_score_gemma":0.0067340536,"threshold_uncertainty_score":0.04840648},"labels":[],"label_agreement":null},{"id":"W2671783409","doi":"","title":"Response to Robert Benne","year":2003,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Psychotherapy Techniques and Applications","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.025353399649220464,"score_gpt":0.3061500574127082,"score_spread":0.2807966577634877,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2671783409","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00021071648,0.0031824205,0.00007060919,0.93143374,0.061817296,0.000025618185,0.00004914666,0.000063608146,0.0031467741],"genre_scores_gemma":[0.0013321142,0.0008711916,0.00008233815,0.95595235,0.018547285,0.000042426513,0.000017086271,0.000030561758,0.023124652],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99542326,0.0008062062,0.0003358451,0.0007885165,0.001708719,0.0009374497],"domain_scores_gemma":[0.9861481,0.00486777,0.00086295995,0.00056129217,0.0035976782,0.00396215],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0041330867,0.0016158674,0.0023044685,0.0012570554,0.00760872,0.0066064117,0.0037559418,0.05778995,0.032724623],"category_scores_gemma":[0.04011288,0.0011340961,0.0017916108,0.0008083555,0.0039215866,0.003117801,0.0058203517,0.047691476,0.020031668],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017617795,0.000007862981,0.00008829411,0.000032254793,0.000008116131,0.00024371601,0.00008700378,0.00001698219,0.0000615271,0.0004511751,0.9966732,0.0023123086],"study_design_scores_gemma":[0.000021834254,0.00001902624,0.00043801023,0.00018645513,0.000013808975,0.00035048972,0.0005758263,0.000046774538,0.000096124524,0.0007535869,0.9974698,0.000028266566],"about_ca_topic_score_codex":0.011034589,"about_ca_topic_score_gemma":0.026011176,"teacher_disagreement_score":0.05778995,"about_ca_system_score_codex":0.006243114,"about_ca_system_score_gemma":0.0069794105,"threshold_uncertainty_score":0.10947478},"labels":[],"label_agreement":null},{"id":"W2676537286","doi":"","title":"The Impropriety of Jesus' Teaching: The Woman at the Well and The Vagina Monologues","year":2003,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Biblical Studies and Interpretation","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Appearance of impropriety; Vagina; Art; Medicine; Philosophy; Anatomy; Theology","score_opus":0.016547081815502646,"score_gpt":0.20321665930572702,"score_spread":0.18666957749022436,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2676537286","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11378596,0.00748294,0.0023197222,0.07894929,0.003576998,0.000032652777,0.00005167191,0.000087907356,0.79371285],"genre_scores_gemma":[0.9294182,0.0008141082,0.0003390229,0.005585447,0.00041526702,0.000017143975,0.00001292228,0.00013683218,0.06326095],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99456114,0.003292392,0.000076040815,0.00034423068,0.00072067673,0.0010054582],"domain_scores_gemma":[0.9966293,0.001975901,0.00017635163,0.00022491577,0.00027888318,0.0007147536],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003866255,0.0005277185,0.00067170046,0.001361632,0.0405517,0.013326709,0.001838982,0.0047193794,0.006685241],"category_scores_gemma":[0.007950982,0.00040494156,0.00021611503,0.0011815345,0.05683703,0.0067238715,0.007450301,0.015584129,0.00095323735],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002100058,0.000022735256,0.00018438412,0.000029052251,0.000003488267,0.00025022213,0.49119797,0.000022970213,0.00012960825,0.49509135,0.009498584,0.0035485798],"study_design_scores_gemma":[0.000016058022,0.00002882156,0.00070722913,0.00023325322,0.000012126178,0.00035172538,0.46330035,0.00010248363,0.00043771177,0.07535557,0.45942646,0.000028180903],"about_ca_topic_score_codex":0.034912888,"about_ca_topic_score_gemma":0.10125294,"teacher_disagreement_score":0.0405517,"about_ca_system_score_codex":0.010266824,"about_ca_system_score_gemma":0.008519999,"threshold_uncertainty_score":0.07449138},"labels":[],"label_agreement":null},{"id":"W2690182127","doi":"","title":"The Marks of An ELCA College: One Bishop's Reflections","year":2002,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Catholicism and Religious Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Genealogy; History; Art history","score_opus":0.05587400393572233,"score_gpt":0.23348577419144959,"score_spread":0.17761177025572725,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2690182127","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05801888,0.0030128085,0.0004319293,0.80835944,0.018912427,0.00007235686,0.000047755733,0.000044735047,0.111099616],"genre_scores_gemma":[0.4688244,0.0023297556,0.0005315919,0.31382617,0.009099119,0.000093664,0.000029925819,0.00027473815,0.20499068],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99359035,0.0017770872,0.00012915109,0.0004270007,0.0010112125,0.0030653558],"domain_scores_gemma":[0.99223936,0.0016440384,0.00026589123,0.00019699393,0.0010577093,0.0045959963],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0054745707,0.0007498669,0.0006888,0.001036571,0.08841253,0.019722722,0.0044038137,0.024692694,0.015759615],"category_scores_gemma":[0.015422293,0.0008808337,0.00082560204,0.00092697114,0.02421166,0.008951824,0.020513674,0.0597574,0.0016998921],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013814455,0.00033369192,0.0016243642,0.00012947687,0.00002494158,0.0045111417,0.2738182,0.00017026428,0.000773519,0.14491585,0.55380255,0.019757899],"study_design_scores_gemma":[0.00003012598,0.000059434748,0.0013680718,0.0001868248,0.000013149964,0.0004438449,0.43846387,0.000060563078,0.00038601362,0.0057816734,0.5531355,0.000070990536],"about_ca_topic_score_codex":0.10789828,"about_ca_topic_score_gemma":0.3026184,"teacher_disagreement_score":0.10789828,"about_ca_system_score_codex":0.01200976,"about_ca_system_score_gemma":0.0153938485,"threshold_uncertainty_score":0.21454054},"labels":[],"label_agreement":null},{"id":"W2696596982","doi":"","title":"Colleges Lead Way: Curiosity, Faith, Discernment, Mission are Key","year":2008,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Management and Marketing Education","field":"Business, Management and Accounting","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Discernment; Curiosity; Key (lock); Faith; Lead (geology); Astrobiology; Psychology; Computer science; Philosophy; Epistemology; Computer security; Geology; Social psychology; Biology","score_opus":0.03128767636354369,"score_gpt":0.21688558617838052,"score_spread":0.18559790981483684,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2696596982","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1127204,0.007492532,0.011380437,0.45549315,0.0055932137,0.00021260128,0.00012578821,0.00051738095,0.40646452],"genre_scores_gemma":[0.9476292,0.0017224042,0.0028683338,0.01644696,0.0005372797,0.00006787542,0.000044629705,0.0002062305,0.030477114],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98195213,0.0067478213,0.0005191888,0.0012279435,0.0053543136,0.004198581],"domain_scores_gemma":[0.90220374,0.016281744,0.0038991144,0.0017171465,0.016119298,0.05977889],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.015696863,0.0004937878,0.0007280251,0.0024030427,0.024183646,0.0368262,0.0018911599,0.005472357,0.022931106],"category_scores_gemma":[0.041826516,0.0006236456,0.0003561567,0.002028107,0.026908532,0.013542719,0.014689334,0.011515539,0.004293056],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023829094,0.00057753565,0.04113739,0.0005314803,0.0001367707,0.0010928791,0.18103258,0.00039674694,0.0015627883,0.24885015,0.26645988,0.25798348],"study_design_scores_gemma":[0.000053426018,0.0001412596,0.02393156,0.0011176921,0.00007181226,0.00054398604,0.32575807,0.00046833904,0.0010118824,0.17410257,0.47255713,0.000242241],"about_ca_topic_score_codex":0.022600569,"about_ca_topic_score_gemma":0.062203784,"teacher_disagreement_score":0.0368262,"about_ca_system_score_codex":0.012532622,"about_ca_system_score_gemma":0.056266543,"threshold_uncertainty_score":0.09093094},"labels":[],"label_agreement":null},{"id":"W2720653686","doi":"","title":"Room at the Table: Reflections on Identity and Inclusion from a Lutheran-Friendly Muslim","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Inclusion (mineral); Identity (music); Table (database); Sociology; Art; Gender studies; Computer science; Database; Aesthetics","score_opus":0.05629489485944902,"score_gpt":0.36198797064667365,"score_spread":0.30569307578722466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2720653686","genre_codex":"empirical","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49686655,0.004073906,0.0014158412,0.3379586,0.015662225,0.0000984647,0.00010524241,0.00010030605,0.14371882],"genre_scores_gemma":[0.8944795,0.0010280693,0.0005573148,0.042036448,0.0011518442,0.00004920751,0.000025886355,0.00019158263,0.06048014],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9906619,0.0052547106,0.00012534679,0.00041722818,0.00062241266,0.0029185195],"domain_scores_gemma":[0.9932594,0.0022298624,0.0002613642,0.00025909342,0.0005370374,0.0034532303],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008056057,0.0011233242,0.0012631406,0.0011704408,0.108656146,0.014274135,0.0032494443,0.012380187,0.013488197],"category_scores_gemma":[0.010861028,0.0007914991,0.0010850618,0.00094180263,0.04248414,0.009588409,0.024858441,0.04313423,0.0019253239],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058369176,0.00007978554,0.0005156284,0.00002711552,0.0000074458676,0.0014211006,0.9631486,0.000023429273,0.00024434825,0.015522044,0.016033113,0.0029191368],"study_design_scores_gemma":[0.000007747956,0.000023226572,0.00033002818,0.00004956831,0.000005584423,0.00029893973,0.93647754,0.000018754105,0.00012870794,0.0018461527,0.06079475,0.000019069397],"about_ca_topic_score_codex":0.03595336,"about_ca_topic_score_gemma":0.084796615,"teacher_disagreement_score":0.108656146,"about_ca_system_score_codex":0.010051107,"about_ca_system_score_gemma":0.008986384,"threshold_uncertainty_score":0.07292616},"labels":[],"label_agreement":null},{"id":"W2721945749","doi":"","title":"From Our Students: Gifty Arthur","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American and British Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Mathematics education; Computer science; Psychology","score_opus":0.014498024288675875,"score_gpt":0.21746963987024642,"score_spread":0.20297161558157054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2721945749","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007612123,0.014104734,0.00056710927,0.87466615,0.03273134,0.000028016402,0.0000736714,0.00012819831,0.070088595],"genre_scores_gemma":[0.13182727,0.010788218,0.0008989514,0.32794496,0.011903397,0.0000745539,0.000069166315,0.00042611585,0.5160674],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966292,0.0014298601,0.00009383979,0.00033684506,0.0009131807,0.0005971288],"domain_scores_gemma":[0.9890498,0.0015400304,0.00036117036,0.00033618175,0.002182131,0.006530682],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031622867,0.0006160203,0.0006418891,0.0017243153,0.022283463,0.010122792,0.0009997864,0.0043964423,0.023628138],"category_scores_gemma":[0.01743747,0.00032243712,0.0003765476,0.000901247,0.009060238,0.0072862282,0.008776823,0.013043349,0.0076662297],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014002663,0.00002005261,0.0004492266,0.000033840734,0.000005119185,0.0002982181,0.012646192,0.000013537642,0.0001122043,0.016680872,0.95644695,0.013279758],"study_design_scores_gemma":[0.0000057002367,0.000010906262,0.0006393614,0.00017170212,0.000004938369,0.00049725606,0.04261757,0.000025473193,0.00010946552,0.0059856847,0.94990927,0.000022686902],"about_ca_topic_score_codex":0.028203964,"about_ca_topic_score_gemma":0.071761295,"teacher_disagreement_score":0.028203964,"about_ca_system_score_codex":0.005216133,"about_ca_system_score_gemma":0.008795964,"threshold_uncertainty_score":0.079044044},"labels":[],"label_agreement":null},{"id":"W2724653527","doi":"","title":"Journey Toward Pluralism: Reimagining Lutheran Identity in a Changing World","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pluralism (philosophy); Identity (music); Sociology; History; Art; Art history; Aesthetics; Epistemology; Philosophy","score_opus":0.052646639404788996,"score_gpt":0.24983618080759062,"score_spread":0.19718954140280162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2724653527","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34282464,0.008041734,0.0042175776,0.27226174,0.0038318292,0.000057303114,0.000054703527,0.00012406922,0.3685864],"genre_scores_gemma":[0.96261173,0.00078424165,0.0008848655,0.0062500197,0.00028435036,0.000021515627,0.000018091267,0.000068810354,0.029076241],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9953649,0.0025776157,0.000099293095,0.00029906808,0.00045572312,0.0012032954],"domain_scores_gemma":[0.99708337,0.0007011935,0.00016132726,0.0003306469,0.00043047688,0.0012930112],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0074796323,0.00036637468,0.00042387767,0.0015355808,0.032242548,0.015154579,0.001322647,0.0040157363,0.0090254685],"category_scores_gemma":[0.005976808,0.00021267473,0.00031827675,0.0009851364,0.049310688,0.011040461,0.015430701,0.006878104,0.00085319125],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032707423,0.00004016312,0.0006466304,0.00003199604,0.000004073213,0.00021111076,0.41845545,0.000034237295,0.00025616138,0.5514299,0.010553103,0.018304363],"study_design_scores_gemma":[0.00001681822,0.000047780784,0.0010257767,0.0001726527,0.000008184173,0.0002181648,0.40324908,0.00010920267,0.00034657837,0.1368663,0.45791283,0.000026583868],"about_ca_topic_score_codex":0.017064959,"about_ca_topic_score_gemma":0.039293073,"teacher_disagreement_score":0.032242548,"about_ca_system_score_codex":0.010263713,"about_ca_system_score_gemma":0.015554633,"threshold_uncertainty_score":0.07446879},"labels":[],"label_agreement":null},{"id":"W2725721736","doi":"","title":"Reforming Lutheran Higher Education: Ecclesiological Reflection and Theological Leadership","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reflection (computer programming); Theology; Sociology; Political science; Philosophy; Computer science; Programming language","score_opus":0.21445721938745343,"score_gpt":0.28756328115611507,"score_spread":0.07310606176866163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2725721736","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1355381,0.0116605405,0.0012044111,0.5081513,0.0042252988,0.00004749091,0.000024953788,0.000042483425,0.33910558],"genre_scores_gemma":[0.95284605,0.0008416654,0.00020640733,0.01613172,0.0005675074,0.000015055018,0.0000057826624,0.00002194128,0.029363858],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99413186,0.002764246,0.00011272381,0.00030930317,0.0005521071,0.0021297303],"domain_scores_gemma":[0.9949414,0.0025442685,0.00034250604,0.00036935857,0.0007048438,0.0010975314],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00996539,0.00043779347,0.0003893421,0.0015761496,0.02158975,0.0143585615,0.0012869432,0.007002655,0.008815566],"category_scores_gemma":[0.011665566,0.0002312091,0.00021770834,0.0011275621,0.05308012,0.0059408075,0.0064250818,0.010941337,0.0004157951],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024348192,0.000058738857,0.00026155938,0.000031430274,0.0000042363345,0.000079201214,0.04516796,0.00005947661,0.00011386217,0.9333129,0.013461016,0.0074252523],"study_design_scores_gemma":[0.00007496481,0.000060335904,0.0032392351,0.0003540525,0.00001831162,0.00009539405,0.11317731,0.0003017732,0.0008605646,0.24181102,0.63995093,0.000056109544],"about_ca_topic_score_codex":0.040410273,"about_ca_topic_score_gemma":0.096656255,"teacher_disagreement_score":0.040410273,"about_ca_system_score_codex":0.029763825,"about_ca_system_score_gemma":0.029119324,"threshold_uncertainty_score":0.2159527},"labels":[],"label_agreement":null},{"id":"W2726642601","doi":"","title":"From Our Students: David Kamins","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Sports and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Mathematics education; Psychology","score_opus":0.016561516670912598,"score_gpt":0.22399800834200848,"score_spread":0.20743649167109587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2726642601","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006412017,0.04062582,0.0004431762,0.8249692,0.090708815,0.0000127876765,0.00011618028,0.00011143153,0.04237153],"genre_scores_gemma":[0.018643156,0.032179333,0.00061957835,0.383961,0.04413211,0.000036706824,0.0001096272,0.00026048467,0.52005804],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985323,0.00035467878,0.000047150676,0.0001808872,0.0006312801,0.0002537728],"domain_scores_gemma":[0.99152327,0.00086736993,0.00020978977,0.0001722001,0.002753405,0.004473876],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017280262,0.0008243498,0.0006728009,0.0013816389,0.008162515,0.007542682,0.0012913517,0.003911662,0.042166695],"category_scores_gemma":[0.013671147,0.0003302695,0.00038454862,0.0006269514,0.0036224097,0.0060580387,0.0067846477,0.010752277,0.02496562],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004181194,0.000005962089,0.000052737152,0.00001732409,0.0000012761105,0.000026546877,0.00027069473,0.000009727067,0.000017758477,0.0029555,0.9916549,0.004983406],"study_design_scores_gemma":[0.000002759249,0.000005064423,0.0001070593,0.00011804285,0.000002400528,0.00012828666,0.00184297,0.00001315995,0.000042612668,0.0029370163,0.99479264,0.000007895988],"about_ca_topic_score_codex":0.013828516,"about_ca_topic_score_gemma":0.03471716,"teacher_disagreement_score":0.042166695,"about_ca_system_score_codex":0.0030752236,"about_ca_system_score_gemma":0.004976951,"threshold_uncertainty_score":0.1410616},"labels":[],"label_agreement":null},{"id":"W2730409083","doi":"","title":"Farming and Eating Locally: An Interview with Garry Griffith about Augustana's Farm2Fork Program","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Rural development and sustainability","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology; History","score_opus":0.024305844318251876,"score_gpt":0.2278213287620265,"score_spread":0.2035154844437746,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2730409083","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5792002,0.0016570672,0.0014677666,0.3636597,0.0024887437,0.00044233506,0.0003237449,0.0001622696,0.05059812],"genre_scores_gemma":[0.7213621,0.0019378541,0.0025631285,0.16223048,0.00042070352,0.00040663054,0.00016202683,0.00034672263,0.11057042],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9957819,0.0020019377,0.00007214069,0.00028429445,0.00037750817,0.0014821696],"domain_scores_gemma":[0.9910616,0.0018793675,0.000398425,0.00010310009,0.0007408799,0.0058166757],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004664835,0.0007382819,0.00075374165,0.0011520633,0.04171823,0.004486981,0.0021710445,0.007639657,0.012454673],"category_scores_gemma":[0.0065217856,0.0010763274,0.0004368665,0.0010423328,0.008624391,0.004745254,0.0069524157,0.021853913,0.0014256672],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042418742,0.0002418318,0.003746066,0.00005767524,0.000005321129,0.0022612847,0.93964654,0.00004271688,0.0019189573,0.0012945218,0.044263706,0.0064789364],"study_design_scores_gemma":[0.0000033867202,0.000037580838,0.0025845051,0.000052890442,0.0000024375445,0.0002206578,0.91255957,0.000027016164,0.00013091721,0.00018449684,0.084177054,0.000019531988],"about_ca_topic_score_codex":0.13754013,"about_ca_topic_score_gemma":0.41029912,"teacher_disagreement_score":0.8624599,"about_ca_system_score_codex":0.011385172,"about_ca_system_score_gemma":0.010490769,"threshold_uncertainty_score":0.2734791},"labels":[],"label_agreement":null},{"id":"W2730665050","doi":"","title":"Martin Luther, Vocation, and Church Colleges: Nurturing Future Leaders for Faith and Community","year":2002,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Architecture, Design, and Social History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Faith; Sociology; Psychology; Theology; Philosophy","score_opus":0.061356972544930985,"score_gpt":0.21803235914813757,"score_spread":0.15667538660320657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2730665050","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.057650838,0.011734551,0.0012006094,0.78698075,0.004241915,0.00004187011,0.00002626186,0.000089362424,0.13803376],"genre_scores_gemma":[0.71913797,0.0074682403,0.0020413303,0.07045158,0.0008466935,0.00009795993,0.000021856147,0.00013078343,0.19980346],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980071,0.0010612129,0.000017016795,0.00008402835,0.00022627863,0.00060436915],"domain_scores_gemma":[0.9961337,0.0006078015,0.00015086375,0.00009131276,0.000281554,0.0027349063],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033392373,0.000245571,0.00015504519,0.0004634923,0.022736335,0.007075524,0.000801157,0.0042666863,0.016121494],"category_scores_gemma":[0.0060927817,0.0002677898,0.00014450148,0.0003099981,0.009449956,0.0053138025,0.005318889,0.006504152,0.0016466673],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006614377,0.00019037939,0.0028464382,0.00009189268,0.000007139114,0.00028927467,0.061338276,0.000069951086,0.000441959,0.1869438,0.65472394,0.092990756],"study_design_scores_gemma":[0.000027474363,0.000046882873,0.003206371,0.00028306636,0.000011460996,0.00019186611,0.14516222,0.00012952852,0.00038265946,0.021486465,0.82904595,0.000026005757],"about_ca_topic_score_codex":0.025403455,"about_ca_topic_score_gemma":0.20017326,"teacher_disagreement_score":0.025403455,"about_ca_system_score_codex":0.0047925715,"about_ca_system_score_gemma":0.01735103,"threshold_uncertainty_score":0.053931832},"labels":[],"label_agreement":null},{"id":"W2730998119","doi":"","title":"Post-Secular Religion on Campus: Conversing with Jacobsen and Jacobsen","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion and Society Interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Sociology","score_opus":0.010593398275469164,"score_gpt":0.2421012201905234,"score_spread":0.23150782191505426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2730998119","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.57868886,0.0067715184,0.00027370863,0.3650581,0.010302282,0.00006555883,0.0001489231,0.000046629415,0.03864439],"genre_scores_gemma":[0.87742704,0.0061090193,0.0004181439,0.07450497,0.0018522722,0.00007127249,0.000088940695,0.00011626622,0.03941198],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99524313,0.002458929,0.00013796221,0.0002753875,0.0006914756,0.0011930626],"domain_scores_gemma":[0.97437686,0.004590338,0.0015535469,0.000379816,0.0023997235,0.016699724],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0065126186,0.00050124404,0.000761541,0.0009908854,0.029763268,0.010376521,0.0016156435,0.0076711285,0.012959713],"category_scores_gemma":[0.022734575,0.0005263893,0.00039518694,0.0009175285,0.0061508254,0.0073278863,0.009857747,0.015228328,0.0019151479],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000082245315,0.00029133965,0.02539214,0.00011777964,0.000031589927,0.0017784508,0.8261899,0.000035806523,0.0006869702,0.0023084483,0.11577657,0.02730879],"study_design_scores_gemma":[0.0000057518314,0.000031454303,0.005060639,0.00013208085,0.000007150055,0.0003031277,0.92316234,0.000021363106,0.0000640031,0.00026836165,0.0709177,0.000026100244],"about_ca_topic_score_codex":0.051423967,"about_ca_topic_score_gemma":0.18462439,"teacher_disagreement_score":0.051423967,"about_ca_system_score_codex":0.0057301377,"about_ca_system_score_gemma":0.010810567,"threshold_uncertainty_score":0.102249265},"labels":[],"label_agreement":null},{"id":"W2731035499","doi":"","title":"A River Runs Through It: CLU as a Church-Related University","year":2001,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Catholicism and Religious Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.02780777976739914,"score_gpt":0.21095950075485417,"score_spread":0.18315172098745502,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2731035499","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26077813,0.0024569365,0.0021333648,0.2832987,0.0025539123,0.00009596178,0.000078361096,0.00018425532,0.44842038],"genre_scores_gemma":[0.8915727,0.0005864994,0.0006993606,0.01843069,0.00022366343,0.00004048552,0.00002244933,0.00019042846,0.08823379],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99455124,0.0023785445,0.000050128634,0.0002959659,0.00036535133,0.0023586599],"domain_scores_gemma":[0.99152476,0.0005400309,0.00020796343,0.00016270611,0.0004922196,0.0070724017],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036532779,0.00027489543,0.0003343624,0.0015447345,0.08763366,0.028607428,0.0024737855,0.00932945,0.03660979],"category_scores_gemma":[0.0055356342,0.0005927046,0.00038300233,0.0018294757,0.0243734,0.015202506,0.017261526,0.015274593,0.0029501924],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000857611,0.00028644328,0.008154759,0.000053775053,0.0000110508845,0.0022039185,0.26849958,0.00013112286,0.00039444875,0.54050857,0.13708207,0.042588536],"study_design_scores_gemma":[0.000019413123,0.00006241202,0.0033197312,0.00019434186,0.000011452137,0.0005126776,0.5215974,0.0003057482,0.00016317125,0.027612872,0.44612888,0.000071905844],"about_ca_topic_score_codex":0.10389694,"about_ca_topic_score_gemma":0.3451619,"teacher_disagreement_score":0.8961031,"about_ca_system_score_codex":0.016759807,"about_ca_system_score_gemma":0.036163088,"threshold_uncertainty_score":0.2065844},"labels":[],"label_agreement":null},{"id":"W2732521327","doi":"","title":"Honoring the Word: Lutherans and Creative Writing","year":2003,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Word (group theory); Linguistics; History; Literature; Computer science; Art; Philosophy","score_opus":0.03614433936404849,"score_gpt":0.2137391841466625,"score_spread":0.177594844782614,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2732521327","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10897916,0.01874753,0.0012270068,0.101933464,0.0021447411,0.000027380702,0.000034522156,0.0000827755,0.7668235],"genre_scores_gemma":[0.9275522,0.0014465185,0.00028615553,0.0038445909,0.0004964722,0.000011998923,0.0000076226306,0.00004841754,0.06630601],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.997212,0.0014473669,0.0000794741,0.00020649254,0.00040370712,0.00065094564],"domain_scores_gemma":[0.9968155,0.0017126761,0.00031455708,0.00030460279,0.0003602819,0.00049242],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035145814,0.0004427409,0.000342077,0.0015823632,0.022083541,0.018135743,0.0009853875,0.0038284042,0.010029418],"category_scores_gemma":[0.008428175,0.0002291136,0.00016210994,0.0016164399,0.055382375,0.0063040266,0.004854562,0.005397346,0.0007325596],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027950304,0.000020083084,0.0002678028,0.000028816397,0.00000321208,0.000120355406,0.12434988,0.000025606749,0.00010771255,0.85040593,0.01406845,0.0105742905],"study_design_scores_gemma":[0.000049492726,0.000029344506,0.0016325251,0.00024671937,0.000015337368,0.0002470258,0.14039285,0.000112122805,0.0004557606,0.24719636,0.60958093,0.000041491694],"about_ca_topic_score_codex":0.030896913,"about_ca_topic_score_gemma":0.06762323,"teacher_disagreement_score":0.030896913,"about_ca_system_score_codex":0.010635313,"about_ca_system_score_gemma":0.0077241636,"threshold_uncertainty_score":0.07716501},"labels":[],"label_agreement":null},{"id":"W2734164577","doi":"","title":"Teaching as a Form of Servant Leadership","year":2001,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious, Philosophical, and Educational Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Contradiction; Servant; Servant leadership; Sociology; Pedagogy; Epistemology; Philosophy; Political science; Public relations; Engineering; Leadership style","score_opus":0.11891856700919867,"score_gpt":0.3252391503959149,"score_spread":0.20632058338671622,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2734164577","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.071432084,0.0010050815,0.008499504,0.05000505,0.0011721124,0.000053925494,0.000020635403,0.0002720404,0.8675396],"genre_scores_gemma":[0.9148436,0.00031924903,0.0016859474,0.0040222704,0.0003748158,0.00003303789,0.000013018199,0.00006107786,0.078647],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99623317,0.0021589806,0.00005484083,0.0002224403,0.0006720998,0.00065844686],"domain_scores_gemma":[0.9965669,0.0004210399,0.0003925596,0.00041682436,0.00036591644,0.0018368147],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021305387,0.0002089801,0.00017585454,0.00052745553,0.006459244,0.006792209,0.00076502835,0.0014082722,0.0073886337],"category_scores_gemma":[0.0033382315,0.00013739681,0.00019237051,0.00059862854,0.019654108,0.003550228,0.0047674645,0.0034080676,0.0015364484],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018717748,0.000100072626,0.00090440817,0.00004961964,0.000005005421,0.00028554458,0.074498914,0.00021553563,0.00064812344,0.87212026,0.025561297,0.025592428],"study_design_scores_gemma":[0.00003908046,0.00022014552,0.001991988,0.00016608853,0.0000080078335,0.00070281624,0.049217124,0.001101426,0.00055281015,0.19694947,0.74901617,0.00003482796],"about_ca_topic_score_codex":0.0028932076,"about_ca_topic_score_gemma":0.00810602,"teacher_disagreement_score":0.0073886337,"about_ca_system_score_codex":0.0035942597,"about_ca_system_score_gemma":0.0046659466,"threshold_uncertainty_score":0.026078343},"labels":[],"label_agreement":null},{"id":"W2734756816","doi":"","title":"Richard T. Hughes: How Christian Faith Can Sustain the Life of the Mind","year":2002,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion, Spirituality, and Psychology","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Faith; Christian faith; Philosophy; History; Environmental ethics; Theology","score_opus":0.04403594984313051,"score_gpt":0.2774797368709565,"score_spread":0.233443787027826,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2734756816","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0033657518,0.054068655,0.0011114754,0.8901447,0.014503217,0.000012248052,0.000037047343,0.000033594326,0.036723256],"genre_scores_gemma":[0.34007517,0.07718068,0.005029425,0.37586698,0.021273095,0.000068365865,0.00006400184,0.00023146806,0.18021086],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99881375,0.0006013715,0.00003495095,0.000111144676,0.00031732058,0.00012144059],"domain_scores_gemma":[0.9979809,0.001002881,0.00009598053,0.00010893823,0.00043675763,0.00037456144],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002335968,0.00033563288,0.00030552712,0.00054239354,0.0035826336,0.004462129,0.0009725499,0.0057742205,0.0048411763],"category_scores_gemma":[0.0074370154,0.00018697837,0.00030166254,0.00037839304,0.010449957,0.006440366,0.0023420637,0.008486779,0.0011988442],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005541262,0.000022781933,0.00045097494,0.00014316797,0.000023799785,0.00044698434,0.01279076,0.00016433491,0.00029264353,0.33580223,0.62794095,0.021865796],"study_design_scores_gemma":[0.000025530971,0.000021676473,0.0009719072,0.00048595128,0.000014120965,0.00042761816,0.012936111,0.0002101544,0.00046772583,0.21374199,0.7706475,0.00004968134],"about_ca_topic_score_codex":0.026176512,"about_ca_topic_score_gemma":0.041725922,"teacher_disagreement_score":0.026176512,"about_ca_system_score_codex":0.001953546,"about_ca_system_score_gemma":0.0024054835,"threshold_uncertainty_score":0.052048326},"labels":[],"label_agreement":null},{"id":"W2742770774","doi":"","title":"Who Said You Have Only One Calling","year":2008,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Biblical Studies and Interpretation","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Computer science","score_opus":0.06272599985992526,"score_gpt":0.22222087814561797,"score_spread":0.1594948782856927,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2742770774","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017329257,0.0042831698,0.0029150352,0.3185974,0.022215173,0.00006172101,0.000452627,0.00035113198,0.6337944],"genre_scores_gemma":[0.25880283,0.0024478051,0.0024696977,0.09817845,0.0044669383,0.000094210736,0.00026301068,0.00072049664,0.63255656],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9943809,0.0015048898,0.0002822558,0.0007863465,0.0015113779,0.0015342564],"domain_scores_gemma":[0.9910007,0.0011598994,0.00044988721,0.0006332947,0.005124541,0.0016317527],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0045849606,0.00042339286,0.0009285577,0.00195933,0.01922397,0.011337134,0.0014241115,0.0060960394,0.06126964],"category_scores_gemma":[0.018150713,0.00056159566,0.0006977677,0.0018123086,0.008553817,0.011735074,0.0040553953,0.009591108,0.01622511],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011529924,0.000049969753,0.0053829793,0.00018207473,0.00005301457,0.00091471325,0.09533156,0.000025768926,0.00064701296,0.23934984,0.606525,0.051422827],"study_design_scores_gemma":[0.000011503621,0.000009939797,0.0011542039,0.0003347494,0.000037263984,0.00060010224,0.07587433,0.00003723674,0.00036456162,0.0136765195,0.90783197,0.00006770177],"about_ca_topic_score_codex":0.06407255,"about_ca_topic_score_gemma":0.10420046,"teacher_disagreement_score":0.06407255,"about_ca_system_score_codex":0.008066244,"about_ca_system_score_gemma":0.007947632,"threshold_uncertainty_score":0.20496738},"labels":[],"label_agreement":null},{"id":"W2748270506","doi":"","title":"Resistance in the Age of Trump: An interview with Ivonne Wallace Fuentes","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Political and Social Dynamics","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Resistance (ecology); History; Psychoanalysis; Art history; Psychology; Biology","score_opus":0.04659476510518184,"score_gpt":0.2436485542775346,"score_spread":0.19705378917235275,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2748270506","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15213999,0.009899323,0.0012918559,0.7509865,0.0076676807,0.000096831085,0.000064322434,0.00006283061,0.07779072],"genre_scores_gemma":[0.75592935,0.0062867654,0.00085317343,0.1573002,0.0015851969,0.00019071288,0.000033164644,0.0003330345,0.07748829],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.989794,0.006189519,0.00020572198,0.0006428264,0.00096077897,0.0022070296],"domain_scores_gemma":[0.9884693,0.005792265,0.000856356,0.00022829007,0.0013681568,0.0032857328],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0072590825,0.000768368,0.0010066346,0.0020736074,0.03862883,0.01090403,0.002605613,0.011846811,0.005117343],"category_scores_gemma":[0.0315146,0.0011596268,0.00047371522,0.0015989898,0.018515836,0.012902709,0.0086147785,0.02969747,0.00074714987],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032603963,0.0000457372,0.00092245056,0.00006185505,0.000010235135,0.0020850464,0.8575302,0.00004612758,0.00037454691,0.022186486,0.110015675,0.006689054],"study_design_scores_gemma":[0.000004163322,0.000022951794,0.0005791976,0.00023914856,0.000004326343,0.0005257399,0.70245695,0.000038608516,0.00012988526,0.00156569,0.2944011,0.000032308868],"about_ca_topic_score_codex":0.04722308,"about_ca_topic_score_gemma":0.055534184,"teacher_disagreement_score":0.04722308,"about_ca_system_score_codex":0.007691192,"about_ca_system_score_gemma":0.0069882725,"threshold_uncertainty_score":0.09389645},"labels":[],"label_agreement":null},{"id":"W2750531602","doi":"","title":"Dual Citizenship: Reflections on Educating Citizens at Augsburg College","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Sociology and Education Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Citizenship; Dual (grammatical number); Citizenship education; Sociology; Pedagogy; Media studies; Mathematics education; Political science; Art; Psychology; Literature; Law","score_opus":0.09643920682078896,"score_gpt":0.36888975739525687,"score_spread":0.2724505505744679,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2750531602","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41357777,0.0017557016,0.0005825413,0.512867,0.0073830015,0.00023727606,0.000076028475,0.000077056255,0.06344365],"genre_scores_gemma":[0.7924843,0.0013854854,0.000800431,0.11659005,0.0015318772,0.00022722218,0.00005624229,0.00021502993,0.0867094],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.98319614,0.0059263944,0.00024661503,0.0007982384,0.001187544,0.00864504],"domain_scores_gemma":[0.97794867,0.0033608181,0.0004886694,0.00028541722,0.0012795985,0.016636845],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009185007,0.0007868768,0.0008413205,0.0016352502,0.08290119,0.01971664,0.0046487735,0.018667087,0.020683432],"category_scores_gemma":[0.01377887,0.0009823303,0.0010871901,0.0015707809,0.022505624,0.008617569,0.033885244,0.035713594,0.002146312],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000100577025,0.00067676796,0.0082437545,0.000104370636,0.000017734134,0.0044332384,0.86261594,0.00006982072,0.00073623494,0.014808737,0.08301544,0.025177397],"study_design_scores_gemma":[0.000020565167,0.00007162891,0.0026630543,0.00015197138,0.000011822101,0.00019638351,0.8942769,0.000024406467,0.00015263283,0.0012165672,0.10118873,0.000025297975],"about_ca_topic_score_codex":0.18732934,"about_ca_topic_score_gemma":0.410771,"teacher_disagreement_score":0.81267065,"about_ca_system_score_codex":0.022298649,"about_ca_system_score_gemma":0.04833862,"threshold_uncertainty_score":0.37247795},"labels":[],"label_agreement":null},{"id":"W2750614429","doi":"","title":"\"Our Calling in Education\": Working Together to Generate a Strong Social Statement on Public Schools, Lutheran Schools and Colleges, and the Faith Formation of Children and Young People","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Faith; Statement (logic); Sociology; Pedagogy; Gender studies; Political science; Theology; Law; Philosophy","score_opus":0.02360337266785004,"score_gpt":0.2769485709504321,"score_spread":0.25334519828258206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2750614429","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.059905786,0.0015432743,0.0016475026,0.8938507,0.009478206,0.00015017179,0.000026764797,0.00010452274,0.033293106],"genre_scores_gemma":[0.6389715,0.001015184,0.004418898,0.3087833,0.0030189294,0.000438772,0.00007000909,0.00023031581,0.043053135],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.97558933,0.015408441,0.0005434595,0.0007873833,0.0028148917,0.004856446],"domain_scores_gemma":[0.956559,0.013084838,0.0027423883,0.0011342092,0.004191065,0.022288479],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.027812619,0.0010491727,0.0006602102,0.0023553653,0.08038974,0.019421637,0.0027342546,0.018589204,0.0061154296],"category_scores_gemma":[0.04772458,0.000808099,0.0007367774,0.0012717098,0.030843882,0.009859654,0.02606675,0.04367896,0.0011259527],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002274164,0.00027685406,0.006158752,0.00010162068,0.000023824718,0.0004905011,0.664537,0.00006493627,0.00081095786,0.053200874,0.2381073,0.03620468],"study_design_scores_gemma":[0.000015952839,0.000042854612,0.006540134,0.00024538525,0.000020942853,0.00015588845,0.70843977,0.00012553818,0.000362287,0.013795083,0.2701807,0.00007533875],"about_ca_topic_score_codex":0.030019367,"about_ca_topic_score_gemma":0.07168559,"teacher_disagreement_score":0.08038974,"about_ca_system_score_codex":0.012396247,"about_ca_system_score_gemma":0.05143711,"threshold_uncertainty_score":0.14708894},"labels":[],"label_agreement":null},{"id":"W2750711900","doi":"","title":"Robert Benne: Quality With Soul: How Six Premier Colleges and Universities Keep Faith With Their Religious Traditions","year":2002,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Soul; Faith; Quality (philosophy); Theology; Management; Religious studies; Sociology; Philosophy; Epistemology; Economics","score_opus":0.022310558807350438,"score_gpt":0.22842577449567494,"score_spread":0.2061152156883245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2750711900","genre_codex":"commentary","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013522132,0.0072372644,0.0016984945,0.8578449,0.0029565585,0.000023275123,0.000048280184,0.00007255142,0.11659656],"genre_scores_gemma":[0.394681,0.0066985437,0.0032440794,0.2657001,0.0013479022,0.000060825296,0.00006593494,0.0004728438,0.32772872],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99580824,0.002450378,0.00005203744,0.0002775337,0.00059216225,0.0008197596],"domain_scores_gemma":[0.9942484,0.0020214699,0.00023378263,0.00016657464,0.0007310032,0.002598814],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0042729913,0.00046547037,0.0002822124,0.0007638642,0.027253624,0.016231705,0.0020123455,0.013454446,0.02278948],"category_scores_gemma":[0.01268171,0.00045686343,0.00032872998,0.0011146517,0.013434289,0.014723709,0.0056656706,0.012242232,0.003177056],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037611368,0.000041194122,0.0017338205,0.00004561687,0.000012446293,0.00041472752,0.056728814,0.000102089725,0.00017549166,0.15111695,0.76668036,0.022910815],"study_design_scores_gemma":[0.000019918296,0.000019007204,0.001328309,0.00022173674,0.000014539541,0.00016346193,0.15582617,0.00013948971,0.00037609387,0.051639244,0.79019415,0.000057913694],"about_ca_topic_score_codex":0.09996625,"about_ca_topic_score_gemma":0.27724087,"teacher_disagreement_score":0.09996625,"about_ca_system_score_codex":0.007572524,"about_ca_system_score_gemma":0.009688367,"threshold_uncertainty_score":0.1987688},"labels":[],"label_agreement":null},{"id":"W2752080828","doi":"","title":"Vocational Discernment: Personal Recollections","year":2002,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Legal Education and Practice Innovations","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Discernment; Vocational education; Psychology; Philosophy; Pedagogy; Epistemology","score_opus":0.07887919405590774,"score_gpt":0.3086591120516482,"score_spread":0.22977991799574046,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2752080828","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.54723483,0.011010183,0.025473572,0.077171445,0.0025580528,0.00011242371,0.0005210918,0.00038984558,0.3355285],"genre_scores_gemma":[0.966965,0.0014297406,0.0025705502,0.0016515887,0.00046972805,0.000034165998,0.00017656799,0.00016446822,0.026538232],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954046,0.002638324,0.00018571682,0.0003591537,0.000905068,0.00050723064],"domain_scores_gemma":[0.97457904,0.016647212,0.0020263821,0.0018882517,0.0029042892,0.001954843],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0070052613,0.0004686871,0.00031657692,0.003745392,0.010736348,0.012293802,0.0012755048,0.002799747,0.007038246],"category_scores_gemma":[0.05555581,0.0004224382,0.00031251687,0.002693695,0.009994807,0.010088658,0.0067581027,0.006227359,0.0013321096],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057509526,0.000032448876,0.0063267685,0.00007137545,0.000008717512,0.0006149068,0.89155793,0.000047305184,0.00037356283,0.054436136,0.017888473,0.028584827],"study_design_scores_gemma":[0.000005506604,0.000023922788,0.0048624077,0.0002828671,0.000011468717,0.0016405298,0.7465931,0.00031898028,0.0005796907,0.022956803,0.22267905,0.000045652152],"about_ca_topic_score_codex":0.0042080884,"about_ca_topic_score_gemma":0.008732117,"teacher_disagreement_score":0.012293802,"about_ca_system_score_codex":0.0034111526,"about_ca_system_score_gemma":0.0026811222,"threshold_uncertainty_score":0.037047803},"labels":[],"label_agreement":null},{"id":"W2752476522","doi":"","title":"A Church, the Human Condition, and the Fissured Face of Peace","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Face (sociological concept); History; Philosophy; Linguistics","score_opus":0.0159316364332128,"score_gpt":0.26590236050410204,"score_spread":0.24997072407088924,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2752476522","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1974679,0.0037691076,0.001465578,0.1212622,0.0006742607,0.00002215032,0.0000662717,0.00001917618,0.6752534],"genre_scores_gemma":[0.9909865,0.00035216776,0.00009964953,0.0014761803,0.00012405607,0.0000053997787,0.000005017988,0.0000056310655,0.0069454163],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979798,0.00084612134,0.000030724914,0.00010709148,0.0002170118,0.00081931584],"domain_scores_gemma":[0.9978625,0.0008272865,0.00021902646,0.00013316529,0.000187485,0.00077051745],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025704976,0.00014577943,0.00026008277,0.0008896802,0.018189564,0.009980276,0.0006931631,0.0036097786,0.018575246],"category_scores_gemma":[0.005096843,0.00015119367,0.00023340207,0.0006842969,0.04646055,0.004053718,0.0047675734,0.005711228,0.0004669511],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039433475,0.000029543067,0.0009447783,0.000014108914,0.0000045827314,0.00017564866,0.01629557,0.0000867728,0.00010020804,0.9707757,0.0049874214,0.0065462147],"study_design_scores_gemma":[0.00005981462,0.000048949667,0.008065043,0.00018602042,0.000018496354,0.0003002534,0.13535807,0.0002777703,0.00030469242,0.65753007,0.19781159,0.000039298942],"about_ca_topic_score_codex":0.025383769,"about_ca_topic_score_gemma":0.058904707,"teacher_disagreement_score":0.025383769,"about_ca_system_score_codex":0.0053215916,"about_ca_system_score_gemma":0.0075214766,"threshold_uncertainty_score":0.062140405},"labels":[],"label_agreement":null},{"id":"W2754557277","doi":"","title":"From Our Students: Danya Tazyeen","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"South Asian Studies and Diaspora","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mathematics education; Computer science; Psychology","score_opus":0.030280781415290316,"score_gpt":0.23406843850433312,"score_spread":0.2037876570890428,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2754557277","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.064682394,0.049627148,0.001568344,0.62637997,0.086622834,0.0002516541,0.0005040616,0.00041995198,0.16994366],"genre_scores_gemma":[0.14901105,0.017841833,0.0014812715,0.102144636,0.0109322565,0.00020660255,0.0001374225,0.00041659272,0.71782833],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924076,0.00022917561,0.000029314006,0.000118826385,0.00018019724,0.0002017407],"domain_scores_gemma":[0.99740607,0.00015297867,0.00011341823,0.000049094433,0.0004115614,0.001866933],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012310763,0.0010421735,0.0009423399,0.00080702663,0.022147363,0.006901916,0.0010739291,0.0020488668,0.039343935],"category_scores_gemma":[0.0033631793,0.00035765395,0.00045067695,0.0006463422,0.0039727115,0.0048202653,0.0076148515,0.011298568,0.012769251],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000096432625,0.00025335426,0.0031450624,0.0004401863,0.00002235286,0.0024778398,0.115324356,0.00006954146,0.0021442056,0.019667378,0.8022684,0.054090966],"study_design_scores_gemma":[0.0000072842035,0.000043715772,0.0012803284,0.00023397457,0.000009392943,0.0011131826,0.110311754,0.00002519944,0.00023988522,0.0018379367,0.8848736,0.000023750721],"about_ca_topic_score_codex":0.00868051,"about_ca_topic_score_gemma":0.022188656,"teacher_disagreement_score":0.039343935,"about_ca_system_score_codex":0.0022959996,"about_ca_system_score_gemma":0.0051842653,"threshold_uncertainty_score":0.13161856},"labels":[],"label_agreement":null},{"id":"W2755129688","doi":"","title":"Reclaiming Grundtvig at Grand View College","year":2008,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Education, Healthcare and Sociology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Appropriation; Variety (cybernetics); Ethos; Institution; Danish; Sociology; Emigration; Social worlds; Pedagogy; Social science; Political science; Law; Epistemology","score_opus":0.14793160274058453,"score_gpt":0.3867125347608897,"score_spread":0.23878093202030515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2755129688","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15214862,0.0045189657,0.0031580995,0.52962875,0.023893628,0.00008144446,0.00010201112,0.00033558023,0.28613284],"genre_scores_gemma":[0.58012855,0.0014700699,0.0019554312,0.10906631,0.001786894,0.000052847292,0.000051784526,0.0003154833,0.30517274],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960542,0.00080829934,0.000104961146,0.0006643029,0.001431627,0.0009365641],"domain_scores_gemma":[0.9969752,0.00047913112,0.00016403232,0.00021174022,0.00064644404,0.001523494],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002220407,0.00026404168,0.00020837126,0.00044063947,0.013391577,0.0067582633,0.0011614016,0.004521831,0.009105966],"category_scores_gemma":[0.007248273,0.000292567,0.00028078302,0.00035854243,0.0076892446,0.0028019715,0.004651852,0.010357208,0.002288918],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005653716,0.000056352892,0.0037661183,0.00006948183,0.000012499032,0.0020975373,0.11229505,0.00007518819,0.0022980627,0.229156,0.60542774,0.044689484],"study_design_scores_gemma":[0.0000039711013,0.000024476485,0.0014950102,0.00009216755,0.0000036068539,0.00042793053,0.032932267,0.0000495876,0.00029357514,0.00453918,0.9601183,0.000019999008],"about_ca_topic_score_codex":0.06562093,"about_ca_topic_score_gemma":0.18806638,"teacher_disagreement_score":0.9343791,"about_ca_system_score_codex":0.008241537,"about_ca_system_score_gemma":0.012835931,"threshold_uncertainty_score":0.13047796},"labels":[],"label_agreement":null},{"id":"W2760015246","doi":"","title":"Interfaith Campus Organizing at California Lutheran University","year":2016,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Mormonism, Religion, and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology; Media studies; Library science; Computer science","score_opus":0.018620862253306,"score_gpt":0.16586949937922466,"score_spread":0.14724863712591865,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2760015246","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16874304,0.0026393365,0.0003596741,0.055859607,0.0044158665,0.00014683872,0.0005152683,0.00028073118,0.76703966],"genre_scores_gemma":[0.083120584,0.00033181196,0.00021761152,0.0012949981,0.0002836255,0.000031391348,0.00009097354,0.00005512806,0.91457397],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99892515,0.00013775505,0.000015627349,0.00012453097,0.00027247914,0.000524451],"domain_scores_gemma":[0.9970368,0.00012227347,0.000046994337,0.00006419487,0.0003938771,0.0023359202],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009770297,0.00033197072,0.00023188091,0.0009722071,0.021114007,0.00499312,0.00078549073,0.0015953097,0.13188638],"category_scores_gemma":[0.0010476955,0.00021287984,0.00019241986,0.00069064583,0.0015875129,0.0012871897,0.0041955886,0.0025425146,0.008727982],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013817569,0.0005623698,0.018052228,0.000070777736,0.000012166786,0.0006973059,0.010535785,0.00012712127,0.0015264755,0.030969767,0.84315515,0.09415267],"study_design_scores_gemma":[0.0000071193904,0.000037215566,0.01930619,0.00004441742,0.0000044773833,0.00004126697,0.013071133,0.00007167408,0.000277435,0.00052319147,0.9666001,0.000015928234],"about_ca_topic_score_codex":0.08332446,"about_ca_topic_score_gemma":0.507919,"teacher_disagreement_score":0.13188638,"about_ca_system_score_codex":0.0072648893,"about_ca_system_score_gemma":0.018762343,"threshold_uncertainty_score":0.4412039},"labels":[],"label_agreement":null},{"id":"W2760517347","doi":"","title":"Lutheran Higher Education in Global Context: Called to Serve the World","year":2008,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Context (archaeology); History; Computer science; Archaeology","score_opus":0.03690590344674817,"score_gpt":0.32017180657533384,"score_spread":0.2832659031285857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2760517347","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.051726397,0.0069377325,0.0003274719,0.8522632,0.0044360184,0.000015123487,0.00003122964,0.00005058461,0.08421223],"genre_scores_gemma":[0.6857424,0.0035187365,0.0006148264,0.22185412,0.0026003155,0.000039523675,0.000039317096,0.00008530001,0.08550547],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957385,0.0014593874,0.00006068678,0.00018494477,0.00034450166,0.0022120513],"domain_scores_gemma":[0.9952903,0.000534104,0.00020866164,0.00016065949,0.0004823017,0.0033239026],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033332536,0.0005098381,0.00047834284,0.0008304952,0.02197165,0.008399452,0.00073531526,0.007939143,0.018502995],"category_scores_gemma":[0.003593155,0.00018407956,0.00036114064,0.0011440995,0.013903635,0.0056590466,0.00867645,0.009989402,0.001506282],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011806205,0.00027982227,0.014288648,0.00025234115,0.000029959223,0.0011883937,0.10849506,0.00011756376,0.0015520987,0.40674862,0.37128288,0.095646575],"study_design_scores_gemma":[0.000028716226,0.0000524568,0.009147364,0.00029776106,0.000016979582,0.00042515036,0.09095999,0.00007232772,0.0002650436,0.025476517,0.8732181,0.000039596733],"about_ca_topic_score_codex":0.02225253,"about_ca_topic_score_gemma":0.09721773,"teacher_disagreement_score":0.02225253,"about_ca_system_score_codex":0.008109045,"about_ca_system_score_gemma":0.018740589,"threshold_uncertainty_score":0.06189865},"labels":[],"label_agreement":null},{"id":"W2762888526","doi":"","title":"Wilhelm Löhe and Higher Education","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Philosophy, Science, and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.033599381816978816,"score_gpt":0.21593804013569745,"score_spread":0.18233865831871865,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2762888526","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0045123314,0.035130765,0.00050848693,0.6407592,0.0055013276,0.000012089694,0.000046059682,0.000025771405,0.31350407],"genre_scores_gemma":[0.16398984,0.018628608,0.0008738,0.1284774,0.0073184636,0.000048567803,0.000047296813,0.000102697115,0.6805133],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998348,0.00053624983,0.000045157776,0.0002071839,0.00049199525,0.0003714817],"domain_scores_gemma":[0.9977336,0.0011902382,0.00011336041,0.00011693343,0.00033201973,0.000513829],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022687982,0.0003911162,0.00048786617,0.0011848848,0.0069066375,0.0057153315,0.00066743244,0.0070279725,0.01623328],"category_scores_gemma":[0.0059421337,0.00032882305,0.00021723413,0.0010336151,0.0077721733,0.0070991577,0.0036340314,0.0072070956,0.002921552],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016338881,0.000032885957,0.00028954924,0.000039736115,0.0000043752534,0.000071202485,0.0012633231,0.00011966378,0.0000611465,0.65385586,0.32444498,0.019800937],"study_design_scores_gemma":[0.000015754526,0.000008484554,0.00071959326,0.0000971405,0.0000026022858,0.000034550143,0.0012752723,0.00009315861,0.000080328806,0.121224895,0.87643224,0.000015993774],"about_ca_topic_score_codex":0.029803434,"about_ca_topic_score_gemma":0.07905658,"teacher_disagreement_score":0.029803434,"about_ca_system_score_codex":0.0055163195,"about_ca_system_score_gemma":0.0062170695,"threshold_uncertainty_score":0.05925989},"labels":[],"label_agreement":null},{"id":"W2765610202","doi":"","title":"Ethical Deliberation and the Biblical Text--A Lutheran Contribution to Reading the Bible","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reading (process); Deliberation; Biblical studies; Philosophy; Literature; Theology; Linguistics; Art; Political science; Law","score_opus":0.0206028130726984,"score_gpt":0.2201259913772342,"score_spread":0.1995231783045358,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2765610202","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013112568,0.033467796,0.014589731,0.2870564,0.0055699456,0.0000592566,0.00007173988,0.000097886754,0.64597476],"genre_scores_gemma":[0.88818574,0.006920456,0.0068452037,0.03034414,0.004615807,0.00012661544,0.000034871522,0.00019832856,0.062728845],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9819774,0.0137848,0.0004903298,0.0006388675,0.0021514813,0.0009571048],"domain_scores_gemma":[0.9689251,0.025867961,0.0011407904,0.0011417255,0.0021390007,0.00078534655],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.018335229,0.00060327136,0.0008311713,0.0036720745,0.017636366,0.01705816,0.0022576118,0.009686135,0.006099273],"category_scores_gemma":[0.029513588,0.0004191126,0.00045442875,0.0018445326,0.11115416,0.009296621,0.0055150692,0.012073692,0.00092199526],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000052036908,0.000005862832,0.00003527603,0.000039853683,0.0000026695368,0.00003849028,0.015448046,0.000042908552,0.000033340373,0.97584915,0.005775575,0.002723648],"study_design_scores_gemma":[0.000015658889,0.00000836925,0.00021439539,0.00046328746,0.000006750777,0.000076889126,0.010183396,0.00016264814,0.00022403184,0.78557134,0.20305035,0.000022964827],"about_ca_topic_score_codex":0.012523019,"about_ca_topic_score_gemma":0.022312602,"teacher_disagreement_score":0.018335229,"about_ca_system_score_codex":0.016805554,"about_ca_system_score_gemma":0.01525999,"threshold_uncertainty_score":0.1219334},"labels":[],"label_agreement":null},{"id":"W2766212930","doi":"","title":"Lutheran Education in the None Zone","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.015403090795851504,"score_gpt":0.28550227648178267,"score_spread":0.27009918568593116,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2766212930","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7509074,0.0022209226,0.00019319289,0.033122193,0.00025997145,0.000021913042,0.00009179457,0.000016841916,0.21316579],"genre_scores_gemma":[0.9721318,0.00025221426,0.00006329764,0.0009878724,0.000030094414,0.00000774916,0.000014326885,0.000004124585,0.026508445],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99892575,0.00024422375,0.000014145069,0.000035631034,0.00004893603,0.00073125307],"domain_scores_gemma":[0.9993019,0.00010698147,0.000043255757,0.000020041423,0.000042638614,0.0004852028],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00074770977,0.00013376701,0.00027815,0.00073044904,0.012010699,0.0029192735,0.0005637589,0.0012657215,0.0155165],"category_scores_gemma":[0.0010174714,0.0001553133,0.00015903333,0.0007476385,0.0040607913,0.0014258309,0.0055716895,0.0021738303,0.00047286684],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029640106,0.00028401447,0.053325262,0.00015825848,0.000014859729,0.0017688287,0.087567925,0.00025156804,0.0013240159,0.7842184,0.0156228,0.055167664],"study_design_scores_gemma":[0.00011551976,0.00024317412,0.18945237,0.00039237688,0.00003382892,0.0007399687,0.232838,0.0003299791,0.000752676,0.057948537,0.51710373,0.000049822316],"about_ca_topic_score_codex":0.094732866,"about_ca_topic_score_gemma":0.44474635,"teacher_disagreement_score":0.9052671,"about_ca_system_score_codex":0.0070447205,"about_ca_system_score_gemma":0.010786903,"threshold_uncertainty_score":0.18836296},"labels":[],"label_agreement":null},{"id":"W2786467037","doi":"","title":"Report on \"Vocation for Life\" Initiative","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Migration, Aging, and Tourism Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.0637076299293613,"score_gpt":0.31179759824195946,"score_spread":0.24808996831259816,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2786467037","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04255615,0.0061443625,0.004138577,0.4069712,0.100086324,0.010009951,0.082676075,0.0019259297,0.34549147],"genre_scores_gemma":[0.0702447,0.0037705258,0.004972644,0.23129438,0.010334917,0.014998103,0.04982734,0.00071275496,0.6138447],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99487597,0.00049437094,0.00019978563,0.00038306456,0.0023069065,0.0017399518],"domain_scores_gemma":[0.99108994,0.0013838133,0.0003233481,0.00031831255,0.0022366866,0.004647938],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0082092155,0.0013759919,0.0008544018,0.0015239314,0.005725538,0.005080905,0.0031957563,0.01742196,0.04014902],"category_scores_gemma":[0.007864226,0.0005233682,0.0012275857,0.0012629626,0.0008906692,0.0020534717,0.0072286082,0.008092927,0.014159247],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002035959,0.00053618284,0.0019006141,0.00017423916,0.000015168096,0.00027756143,0.00030560745,0.00007004392,0.0005608002,0.0020277663,0.9849652,0.008963172],"study_design_scores_gemma":[0.00020767718,0.0003007127,0.029557731,0.00017332858,0.00005043731,0.00007988394,0.0025050768,0.00018810532,0.001265446,0.00066974596,0.96495646,0.000045361186],"about_ca_topic_score_codex":0.08106892,"about_ca_topic_score_gemma":0.13769147,"teacher_disagreement_score":0.08106892,"about_ca_system_score_codex":0.0025667972,"about_ca_system_score_gemma":0.036532115,"threshold_uncertainty_score":0.16119415},"labels":[],"label_agreement":null},{"id":"W2787118855","doi":"","title":"Called to Serve","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Educational Leadership and Practices","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.06032480320035736,"score_gpt":0.3404111192310539,"score_spread":0.2800863160306965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2787118855","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009092007,0.0015758482,0.0013936503,0.13291673,0.038623672,0.00036832847,0.0008043323,0.0008609527,0.8143645],"genre_scores_gemma":[0.014149315,0.0004084486,0.00033086087,0.025266338,0.0014208845,0.000092981354,0.00027341096,0.00018684489,0.957871],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969428,0.00046328263,0.00007628517,0.0002996168,0.00077344326,0.0014445744],"domain_scores_gemma":[0.9916924,0.00023174018,0.0001243678,0.00028715385,0.0016386082,0.00602566],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014882265,0.00093959284,0.00084543834,0.00138998,0.021847725,0.0071500936,0.0018462753,0.005271811,0.45343345],"category_scores_gemma":[0.0064690495,0.0005835145,0.0009136978,0.00073220255,0.0022712543,0.0047800518,0.0086572105,0.009598567,0.22655022],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030228386,0.000107723085,0.00096274406,0.000037788945,0.0000047091958,0.00030418602,0.0018900367,0.000010520174,0.00023015402,0.0083256485,0.9665985,0.021497706],"study_design_scores_gemma":[0.000010055981,0.000027452525,0.001089935,0.00006868249,0.0000045460233,0.00018668981,0.0058135875,0.000017153223,0.00007061882,0.0016525114,0.9910466,0.000012189352],"about_ca_topic_score_codex":0.020173779,"about_ca_topic_score_gemma":0.082771234,"teacher_disagreement_score":0.45343345,"about_ca_system_score_codex":0.00327407,"about_ca_system_score_gemma":0.0126276,"threshold_uncertainty_score":0.7796108},"labels":[],"label_agreement":null},{"id":"W2788586276","doi":"","title":"Calling and Learning: On Losing and Then Finding Myself","year":2000,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion, Spirituality, and Psychology","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reflexive pronoun; Computer science; Psychology; Epistemology; Philosophy","score_opus":0.048028575093872365,"score_gpt":0.3161256957619276,"score_spread":0.26809712066805524,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2788586276","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21867937,0.013262946,0.0055292533,0.20592478,0.004215806,0.000093051865,0.00011608501,0.0002241899,0.55195445],"genre_scores_gemma":[0.9088202,0.0036681392,0.001601051,0.015898973,0.0008647192,0.00006123838,0.00006972705,0.00025785717,0.06875801],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9939135,0.0032353057,0.00009706116,0.00036137732,0.0012239306,0.0011689005],"domain_scores_gemma":[0.9928549,0.0019587346,0.0006550436,0.0006483732,0.001117554,0.0027654374],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0053266995,0.00045637705,0.0005581261,0.0017146671,0.014236224,0.014124744,0.0021676011,0.006643491,0.016431222],"category_scores_gemma":[0.016784718,0.0004034221,0.00056349405,0.0011191127,0.034058735,0.011726599,0.008077336,0.012406958,0.0027857306],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002572172,0.0005286636,0.016038138,0.00021209678,0.000046558962,0.00089466217,0.51081854,0.00015653852,0.0010584097,0.22164209,0.090577796,0.15776922],"study_design_scores_gemma":[0.000046229856,0.0001161979,0.015740557,0.00053488516,0.00006848821,0.0012919204,0.58846384,0.00023242738,0.00060567894,0.12641442,0.26633584,0.00014955434],"about_ca_topic_score_codex":0.022514457,"about_ca_topic_score_gemma":0.033490375,"teacher_disagreement_score":0.022514457,"about_ca_system_score_codex":0.0040216222,"about_ca_system_score_gemma":0.0066963043,"threshold_uncertainty_score":0.05496788},"labels":[],"label_agreement":null},{"id":"W2788705423","doi":"","title":"Freedom, Humor, and Community: A Lutheran Vision for Higher Education","year":2002,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology; Sociology","score_opus":0.05954563050253061,"score_gpt":0.32008038694557933,"score_spread":0.26053475644304874,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2788705423","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04536981,0.028294466,0.005842269,0.43998197,0.0027301472,0.000036614954,0.000070520924,0.000097283235,0.4775769],"genre_scores_gemma":[0.9278873,0.004065854,0.0012927883,0.01776343,0.0017926332,0.000044578974,0.000022834185,0.00003660642,0.04709394],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99783367,0.0011015319,0.000036767313,0.00015150665,0.0003541188,0.0005223758],"domain_scores_gemma":[0.99809045,0.0004582912,0.000120581455,0.00017021617,0.00023765655,0.0009228471],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036863675,0.0006000812,0.00054354896,0.0019376377,0.01792918,0.013805067,0.00091100123,0.006351118,0.0067187557],"category_scores_gemma":[0.0023793073,0.00019317745,0.00037162023,0.0011012648,0.09252896,0.008927359,0.008063605,0.007992844,0.0005790888],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013835008,0.000020405323,0.00022737737,0.00001814458,0.0000024608414,0.000026085643,0.008858219,0.00006118647,0.000053470136,0.9735757,0.010001033,0.007141944],"study_design_scores_gemma":[0.000028492692,0.000031073625,0.0011987466,0.00013293703,0.000006505031,0.00011411945,0.018421793,0.00017937883,0.00010027543,0.7308537,0.24890207,0.000030882366],"about_ca_topic_score_codex":0.036585413,"about_ca_topic_score_gemma":0.073144756,"teacher_disagreement_score":0.036585413,"about_ca_system_score_codex":0.00982317,"about_ca_system_score_gemma":0.016371174,"threshold_uncertainty_score":0.072744966},"labels":[],"label_agreement":null},{"id":"W2789037084","doi":"","title":"Emily Dickinson in Columbus, Ohio","year":2003,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American and British Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.014113919639035766,"score_gpt":0.19206537480157715,"score_spread":0.17795145516254138,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2789037084","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010749841,0.024348352,0.0008249376,0.33470744,0.030176913,0.000075345735,0.00047841648,0.00025031195,0.59838843],"genre_scores_gemma":[0.01830864,0.004081988,0.00040265688,0.015836433,0.0012804553,0.000026059055,0.00008955968,0.00008675962,0.95988744],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992473,0.00013991703,0.000020026495,0.00015889872,0.00023260238,0.00020125431],"domain_scores_gemma":[0.9988508,0.00015904455,0.000038634484,0.000032183,0.00029624277,0.00062306056],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011472988,0.0003672927,0.00024296237,0.0008964472,0.0147594595,0.0038389317,0.00060565793,0.0025011827,0.12442798],"category_scores_gemma":[0.0017869006,0.0003122155,0.00020595086,0.00077699043,0.0011896883,0.0023862475,0.0033012847,0.003575186,0.014968873],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020196323,0.000041361633,0.0010257161,0.000037431608,0.0000034267096,0.00034913313,0.00083993684,0.000027225944,0.0002179766,0.006927847,0.9601685,0.030341333],"study_design_scores_gemma":[0.000001963073,0.0000042049815,0.0010813617,0.00004017642,0.0000013316745,0.000046890076,0.0017420714,0.000009383446,0.000046558467,0.000590549,0.99643147,0.0000039078436],"about_ca_topic_score_codex":0.05872657,"about_ca_topic_score_gemma":0.26647818,"teacher_disagreement_score":0.12442798,"about_ca_system_score_codex":0.0033154623,"about_ca_system_score_gemma":0.005567934,"threshold_uncertainty_score":0.41625303},"labels":[],"label_agreement":null},{"id":"W2794201752","doi":"","title":"\"The Earth is the Lord's And the Fullness Thereof\": Six Theses Regarding Global Education at the Colleges of the Church","year":2003,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion, Society, and Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Earth (classical element); Mathematics education; Theology; History; Pedagogy; Philosophy; Sociology; Psychology; Mathematics; Mathematical physics","score_opus":0.01654568505092472,"score_gpt":0.26060625805661736,"score_spread":0.24406057300569264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2794201752","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08287964,0.0034213106,0.00064330606,0.81146634,0.0064953524,0.00007288692,0.000026755182,0.000024821713,0.094969496],"genre_scores_gemma":[0.80615944,0.0027710355,0.0005883423,0.13480976,0.0017931069,0.00007466299,0.000026856309,0.000058056667,0.053718757],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99144214,0.0042713755,0.0001706552,0.00033813537,0.0012378019,0.0025399048],"domain_scores_gemma":[0.99089265,0.0025072305,0.0005177677,0.0002433211,0.0010737377,0.0047652763],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.011644869,0.00046098104,0.0003955056,0.0007227393,0.049221933,0.012622173,0.0021054198,0.009669202,0.005682045],"category_scores_gemma":[0.01635264,0.00039726216,0.00044173904,0.0010121082,0.030454483,0.00887586,0.013491973,0.03906705,0.00042498202],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052724394,0.00016399444,0.002380316,0.00011933181,0.000007418003,0.00063417066,0.60568625,0.000120842466,0.0003607676,0.21524543,0.1538053,0.02142341],"study_design_scores_gemma":[0.000011348563,0.000030200734,0.0038445739,0.00025255987,0.000008156853,0.0001379735,0.6893465,0.000042014904,0.00017265762,0.014973088,0.2911473,0.000033675547],"about_ca_topic_score_codex":0.091425546,"about_ca_topic_score_gemma":0.3219936,"teacher_disagreement_score":0.091425546,"about_ca_system_score_codex":0.014094538,"about_ca_system_score_gemma":0.03854205,"threshold_uncertainty_score":0.18178678},"labels":[],"label_agreement":null},{"id":"W2794346863","doi":"","title":"Do You Teach in a Different Manner in a Lutheran College? Unraveling the Lutheran Knot and Highlighting the Glory in the Theology of the Cross","year":2003,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Glory; Knot (papermaking); Theology; Art; Philosophy; Physics; Engineering","score_opus":0.02735222497785501,"score_gpt":0.2252153318579734,"score_spread":0.1978631068801184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2794346863","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12336318,0.006990858,0.0009930332,0.7534289,0.0033603478,0.000016142187,0.00001958192,0.00004047563,0.11178745],"genre_scores_gemma":[0.88657117,0.002321111,0.0007128668,0.061557233,0.0008405737,0.000023443496,0.000009836453,0.00008357191,0.047880247],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99521446,0.0024533982,0.000061855346,0.00027432738,0.00048036734,0.0015156872],"domain_scores_gemma":[0.9952276,0.0013755865,0.000434872,0.00017241325,0.00042247595,0.0023671424],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0059268735,0.00028437775,0.0003257956,0.00097107404,0.027563099,0.013691976,0.00089805527,0.0044848127,0.0099271955],"category_scores_gemma":[0.008569809,0.00026936614,0.00026197243,0.0009810154,0.026315382,0.0089697875,0.007525692,0.01007754,0.00091071404],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007009176,0.00009556518,0.0043705218,0.00009942305,0.00001540177,0.0004442916,0.36570525,0.000066191395,0.00057504704,0.52358216,0.07979629,0.025179802],"study_design_scores_gemma":[0.000024702016,0.000070893824,0.006037367,0.00037453184,0.000020494303,0.000269706,0.4116226,0.00014132952,0.0003070256,0.03417361,0.54689336,0.00006436914],"about_ca_topic_score_codex":0.057316266,"about_ca_topic_score_gemma":0.21057476,"teacher_disagreement_score":0.057316266,"about_ca_system_score_codex":0.012011492,"about_ca_system_score_gemma":0.014285425,"threshold_uncertainty_score":0.11396533},"labels":[],"label_agreement":null},{"id":"W2795783376","doi":"10.7202/1043820ar","title":"Cadre pédagogique pour l’enseignement-apprentissage de l’improvisation musicale classique fondé sur la pratique des experts du domaine","year":2018,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Improvisation; Humanities; Art; Sociology; Visual arts","score_opus":0.030487356603982236,"score_gpt":0.23671378725438666,"score_spread":0.2062264306504044,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2795783376","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29597154,0.008499776,0.170442,0.051835816,0.0014154327,0.0008802551,0.00017028181,0.00047921157,0.47030562],"genre_scores_gemma":[0.83786005,0.0052875676,0.055528544,0.002560351,0.00027073003,0.00066164066,0.00012619229,0.00016082161,0.09754409],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9904204,0.00470189,0.0003763532,0.0009737567,0.0027944667,0.000733127],"domain_scores_gemma":[0.9860049,0.007291507,0.00085030985,0.00084788416,0.0032544208,0.0017509557],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010808829,0.00049160584,0.0004456972,0.0020386192,0.004619303,0.009036243,0.0012199433,0.0026408527,0.0133330375],"category_scores_gemma":[0.02298888,0.00032955303,0.00041004896,0.0010843907,0.006656459,0.006034326,0.004903011,0.0037059006,0.0035685112],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010418765,0.00023475893,0.010655815,0.0011903001,0.000026907788,0.00084636663,0.488038,0.0005144775,0.008772744,0.22147983,0.014130552,0.25400603],"study_design_scores_gemma":[0.00005137329,0.00021062825,0.017970132,0.0021531656,0.000035983074,0.0010908133,0.2610472,0.0017012155,0.0029236076,0.054757543,0.6579624,0.00009590565],"about_ca_topic_score_codex":0.012763525,"about_ca_topic_score_gemma":0.022252936,"teacher_disagreement_score":0.0133330375,"about_ca_system_score_codex":0.004671743,"about_ca_system_score_gemma":0.012023771,"threshold_uncertainty_score":0.05716324},"labels":[],"label_agreement":null},{"id":"W2796274583","doi":"10.7202/1043821ar","title":"Quels sont les paradigmes didactiques présents dans les méthodes de guitare destinées aux débutants : expérimentation d’une méthodologie d’analyse","year":2018,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.15654999910073847,"score_gpt":0.37910336659010996,"score_spread":0.2225533674893715,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2796274583","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.061580516,0.0015327756,0.9001908,0.0025532716,0.00029358172,0.0017539454,0.00030174057,0.00027006192,0.03152325],"genre_scores_gemma":[0.3361925,0.001308631,0.64304453,0.0005003607,0.00007890655,0.004468247,0.00029633942,0.00036837996,0.013742075],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.95344377,0.033942085,0.001934976,0.004267349,0.0055933623,0.000818418],"domain_scores_gemma":[0.9217833,0.060292564,0.002391098,0.0059744706,0.008973111,0.00058539485],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.03698645,0.0014828361,0.0010722644,0.0047641764,0.003636486,0.011106815,0.0021424885,0.0017526988,0.009759256],"category_scores_gemma":[0.093169495,0.00085109717,0.00133966,0.0054309084,0.011081573,0.0075683394,0.0041880826,0.003856578,0.0018805893],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038149912,0.00026576704,0.016773652,0.0024269677,0.00020661582,0.0003532945,0.3496911,0.0015812088,0.008447762,0.30131784,0.0028779039,0.31567645],"study_design_scores_gemma":[0.0004207811,0.00065721193,0.034298807,0.0041336883,0.00043031477,0.0009717369,0.29669705,0.022268578,0.01958896,0.2971602,0.32302222,0.000350441],"about_ca_topic_score_codex":0.014977072,"about_ca_topic_score_gemma":0.022012176,"teacher_disagreement_score":0.03698645,"about_ca_system_score_codex":0.0069184806,"about_ca_system_score_gemma":0.0078117996,"threshold_uncertainty_score":0.1956054},"labels":[],"label_agreement":null},{"id":"W2796302305","doi":"","title":"Editing Early Music: Principles, Historiography, Future Directions","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Historiography; History; Literature; Computer science; Art; Archaeology","score_opus":0.12590676833081824,"score_gpt":0.21612635023818236,"score_spread":0.09021958190736412,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2796302305","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03829438,0.46389893,0.016928941,0.12939827,0.005190092,0.00013143329,0.00013815281,0.00021436437,0.3458054],"genre_scores_gemma":[0.6217894,0.24950449,0.019348519,0.0064910403,0.00561535,0.00013190108,0.000108847395,0.00022735106,0.09678311],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976278,0.0011404195,0.00015225678,0.00024243588,0.0005680585,0.00026901727],"domain_scores_gemma":[0.98686,0.0073451772,0.0004987212,0.0010219084,0.0027108174,0.0015634059],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010855992,0.0005179242,0.00039353597,0.0048034275,0.0051828832,0.0147296935,0.0016410274,0.002421895,0.008530455],"category_scores_gemma":[0.01163204,0.00022871637,0.00016715999,0.005333073,0.022022177,0.006822559,0.001913732,0.002625039,0.000811022],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006256269,0.000082502935,0.0013511423,0.0006693527,0.000008017255,0.00018691241,0.05355414,0.0002499462,0.00046935448,0.65532273,0.025215052,0.26282826],"study_design_scores_gemma":[0.000020594984,0.00005424835,0.0023030494,0.0022104275,0.0000128327965,0.0005133102,0.037550226,0.00030377577,0.0010665337,0.098479494,0.8574276,0.00005792378],"about_ca_topic_score_codex":0.035300165,"about_ca_topic_score_gemma":0.07299039,"teacher_disagreement_score":0.035300165,"about_ca_system_score_codex":0.011478764,"about_ca_system_score_gemma":0.01398143,"threshold_uncertainty_score":0.083284676},"labels":[],"label_agreement":null},{"id":"W2796451403","doi":"10.7202/1043822ar","title":"De la musique à l’architecture : le mystère des pans de verre « ondulatoires » du couvent de la tourette de le corbusier et Xenakis","year":2018,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Contemporary art, education, critique","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01666584500592037,"score_gpt":0.2838637501978259,"score_spread":0.2671979051919055,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2796451403","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20575833,0.009569886,0.013790096,0.023414917,0.00087257294,0.000042558975,0.00012228316,0.00013029668,0.746299],"genre_scores_gemma":[0.9261417,0.0019129972,0.001851545,0.00052353425,0.00017351893,0.000022828055,0.000036553305,0.000068278976,0.06926901],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989988,0.00041502225,0.00002316681,0.00019146039,0.00026047108,0.00011105019],"domain_scores_gemma":[0.99899,0.00044167947,0.00010264714,0.00016608335,0.00015363438,0.00014598215],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001231305,0.00043978277,0.00018737157,0.0015333074,0.0055017,0.0057728933,0.0005341896,0.0010982293,0.010913414],"category_scores_gemma":[0.0033726834,0.0002369746,0.00020970726,0.0015743918,0.017396249,0.0038773408,0.0025825608,0.0024244576,0.00066347694],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064682186,0.00000840423,0.0019561818,0.000067876776,0.0000065019767,0.00016185164,0.13199933,0.00021494538,0.0008516635,0.8316502,0.0052595143,0.027758747],"study_design_scores_gemma":[0.000028144019,0.000069611684,0.015841424,0.00032788748,0.00001711285,0.00075963314,0.11800786,0.0007034891,0.001128016,0.12062962,0.7424388,0.000048429953],"about_ca_topic_score_codex":0.052303173,"about_ca_topic_score_gemma":0.10445727,"teacher_disagreement_score":0.052303173,"about_ca_system_score_codex":0.006989758,"about_ca_system_score_gemma":0.004431791,"threshold_uncertainty_score":0.10399747},"labels":[],"label_agreement":null},{"id":"W2797682828","doi":"10.7202/1043866ar","title":"The “Szymanowski Clash”: Harmonic Conflict and Ambiguity in the Szymanowski Mazurkas","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Harmonic; Ambiguity; Musical; Vocabulary; Semitone; Linguistics; Hum; Perception; Computer science; Communication; Psychology; Speech recognition; Epistemology; Philosophy; Acoustics; History; Art; Literature; Physics; Performance art","score_opus":0.04951741710284153,"score_gpt":0.23850758128963753,"score_spread":0.188990164186796,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2797682828","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18734102,0.025002083,0.08388454,0.05088211,0.001895983,0.00008981362,0.00011767503,0.00021890257,0.6505678],"genre_scores_gemma":[0.9730961,0.0017536543,0.006543976,0.0015043078,0.00042454348,0.000043387427,0.00002199376,0.00011695629,0.01649507],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983882,0.00061129406,0.00008641399,0.00026532682,0.00050624873,0.00014247638],"domain_scores_gemma":[0.99896765,0.0005781161,0.000129923,0.0001251123,0.00012989625,0.00006928613],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022997875,0.0005299513,0.00040771047,0.0016865178,0.0048961737,0.0070739966,0.0007553984,0.0016873634,0.0026601069],"category_scores_gemma":[0.005166974,0.00044909812,0.00038748572,0.0009970422,0.026776612,0.007751113,0.0046858704,0.0037428914,0.0005326957],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025283978,0.0000032325363,0.0001223196,0.000015491778,0.0000023012906,0.0000947347,0.0100401705,0.000050531246,0.00028502016,0.9853681,0.0011520839,0.002840803],"study_design_scores_gemma":[0.000026762527,0.000028679708,0.00080394855,0.00015348749,0.000013300823,0.00049723923,0.010660507,0.00080924586,0.0005363323,0.89116526,0.09526591,0.000039324903],"about_ca_topic_score_codex":0.0033027064,"about_ca_topic_score_gemma":0.0044524106,"teacher_disagreement_score":0.0070739966,"about_ca_system_score_codex":0.0027532382,"about_ca_system_score_gemma":0.0015137879,"threshold_uncertainty_score":0.019976258},"labels":[],"label_agreement":null},{"id":"W2797925852","doi":"10.7202/1043868ar","title":"La Musicologie du cinéma : enjeux disciplinaires et problèmes méthodologiques","year":2018,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy; Political science","score_opus":0.08166276742659266,"score_gpt":0.2939739858006762,"score_spread":0.2123112183740835,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2797925852","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027285393,0.055737406,0.6698096,0.05041615,0.001753096,0.00048320656,0.0005296678,0.00036290346,0.19362263],"genre_scores_gemma":[0.58169067,0.033868756,0.34722254,0.0040948633,0.0017927064,0.0016004182,0.00041503317,0.00050229364,0.028812679],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.92606777,0.060579393,0.0018878244,0.0040858868,0.0066899094,0.00068927516],"domain_scores_gemma":[0.8789639,0.10187537,0.0020499793,0.009400951,0.006982786,0.0007270376],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.047955744,0.0013402317,0.001500164,0.006354035,0.0042403126,0.020840181,0.00418528,0.0032663639,0.00743966],"category_scores_gemma":[0.08272357,0.00089475804,0.0012348603,0.006759512,0.028955031,0.014212053,0.005540267,0.006697757,0.0015534584],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028413739,0.00003480753,0.0013552211,0.0007920904,0.0000630209,0.00008366712,0.019720478,0.00055425876,0.00026476977,0.9258529,0.0025727025,0.048677657],"study_design_scores_gemma":[0.00003607544,0.00002815475,0.0013253624,0.0017118234,0.000032154287,0.00023515664,0.016154526,0.004140893,0.0007160647,0.85387367,0.12169598,0.000050033846],"about_ca_topic_score_codex":0.012544955,"about_ca_topic_score_gemma":0.009789106,"teacher_disagreement_score":0.047955744,"about_ca_system_score_codex":0.008946089,"about_ca_system_score_gemma":0.008131797,"threshold_uncertainty_score":0.25361723},"labels":[],"label_agreement":null},{"id":"W2798003243","doi":"10.7202/1043867ar","title":"L’enseignement et l’action créative : de l’inférence comme indice de professionnalisation du futur enseignant de musique","year":2018,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.26777022298820863,"score_gpt":0.4277651362076492,"score_spread":0.1599949132194406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2798003243","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27545282,0.0028779923,0.07585798,0.07267439,0.0005827646,0.00019179343,0.00019182672,0.00014763825,0.57202274],"genre_scores_gemma":[0.98561966,0.00039906398,0.004272756,0.000814391,0.00007236974,0.000070928094,0.00003212227,0.00004094287,0.0086777415],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9794333,0.012121024,0.00060923316,0.0025928474,0.003904333,0.0013392428],"domain_scores_gemma":[0.9590163,0.027168976,0.004052227,0.003891824,0.0043619964,0.00150864],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.023629319,0.0005551581,0.00040129584,0.003489335,0.005963593,0.009748056,0.00197042,0.0031119743,0.0104641365],"category_scores_gemma":[0.05813098,0.0005065423,0.00051865954,0.001769053,0.05700123,0.012223017,0.0060823285,0.004764167,0.0008572845],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008808333,0.00003355218,0.006383067,0.000117271135,0.000015903892,0.00017255815,0.17022623,0.00019662229,0.0004654212,0.7946095,0.0015250186,0.02616682],"study_design_scores_gemma":[0.00006643855,0.00009917023,0.018636715,0.00069389667,0.000038141756,0.00032933868,0.14984474,0.0018553918,0.0016243,0.738413,0.088299066,0.00009976158],"about_ca_topic_score_codex":0.01741805,"about_ca_topic_score_gemma":0.011060279,"teacher_disagreement_score":0.023629319,"about_ca_system_score_codex":0.008278743,"about_ca_system_score_gemma":0.008993428,"threshold_uncertainty_score":0.12496531},"labels":[],"label_agreement":null},{"id":"W2800030417","doi":"","title":"Vocation on Campus: Reading Mark Tranvik's Martin Luther and the Called Life at Pacific Lutheran University","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Archaeological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reading (process); Martin luther; History; Art history; Theology; Philosophy; Linguistics","score_opus":0.023873141447012757,"score_gpt":0.17856437120902444,"score_spread":0.1546912297620117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2800030417","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01930146,0.043203562,0.0002985777,0.80394655,0.035474133,0.000029458572,0.00006387627,0.00004891248,0.09763356],"genre_scores_gemma":[0.3169786,0.029649386,0.00031106666,0.23239242,0.019311681,0.000110451,0.000052261556,0.00044538462,0.4007488],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99748945,0.00115719,0.000060185994,0.0001959715,0.0004072167,0.00068993156],"domain_scores_gemma":[0.99702185,0.00097631896,0.00014810609,0.00008311763,0.00037216736,0.0013984749],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030420262,0.00079766545,0.00086494733,0.0014449223,0.04095029,0.014079007,0.0017257433,0.009988807,0.008427254],"category_scores_gemma":[0.004734376,0.00056586164,0.0004013823,0.0013817844,0.019736113,0.010602574,0.0100531615,0.023494542,0.001751747],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022283426,0.000048377256,0.00049846055,0.00008803345,0.0000068350732,0.00046074728,0.22448501,0.0000385015,0.0001630809,0.07740782,0.68510014,0.011680726],"study_design_scores_gemma":[0.0000023872021,0.000010612879,0.0010483916,0.00022775913,0.000003797439,0.00010092639,0.17573932,0.000012865561,0.00006321097,0.0027137147,0.8200589,0.000018116083],"about_ca_topic_score_codex":0.16297124,"about_ca_topic_score_gemma":0.5177603,"teacher_disagreement_score":0.16297124,"about_ca_system_score_codex":0.018575698,"about_ca_system_score_gemma":0.016811674,"threshold_uncertainty_score":0.3240453},"labels":[],"label_agreement":null},{"id":"W2800145957","doi":"","title":"Vocation for Emerging Adulthood: Within and Beyond College","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Education Systems and Policy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Psychology","score_opus":0.034454939985729585,"score_gpt":0.32582900053253544,"score_spread":0.29137406054680587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2800145957","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.54135054,0.011927883,0.0008863655,0.19412601,0.0017792237,0.00010736438,0.0003943264,0.000054908625,0.24937345],"genre_scores_gemma":[0.98001456,0.0017611482,0.00015739085,0.0036794958,0.00027634838,0.000025152342,0.000071855386,0.000017225024,0.013996924],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.996561,0.00055973936,0.00008180944,0.00023471915,0.00033253845,0.0022301401],"domain_scores_gemma":[0.987038,0.00055251684,0.0005421232,0.00018724667,0.0009481841,0.010731978],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00209622,0.0002356718,0.0005182042,0.0014660773,0.0165694,0.011664099,0.0016670482,0.0034419976,0.023426697],"category_scores_gemma":[0.004997324,0.00018201378,0.0004608747,0.0012167153,0.0073165623,0.008202922,0.011085806,0.005018425,0.0012018563],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034586928,0.0010812152,0.1224076,0.00029735177,0.000044208187,0.0011382933,0.11436502,0.00017087856,0.00073177903,0.5115775,0.042573832,0.20526649],"study_design_scores_gemma":[0.00003315537,0.00023718261,0.15985017,0.0010386693,0.000038813345,0.0002624874,0.5767063,0.00022656556,0.0003757553,0.04426266,0.21688606,0.000082229075],"about_ca_topic_score_codex":0.15226586,"about_ca_topic_score_gemma":0.42144796,"teacher_disagreement_score":0.15226586,"about_ca_system_score_codex":0.009978858,"about_ca_system_score_gemma":0.033096932,"threshold_uncertainty_score":0.3027591},"labels":[],"label_agreement":null},{"id":"W2800598114","doi":"","title":"About the Cover and Issue","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Human auditory perception and evaluation","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cover (algebra); Computer science; History; Engineering","score_opus":0.026912673737774933,"score_gpt":0.24630059593901266,"score_spread":0.21938792220123773,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2800598114","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00067783834,0.0050632413,0.0004109373,0.061041642,0.3020619,0.00016680533,0.001980442,0.0009629571,0.6276342],"genre_scores_gemma":[0.0023430777,0.0012708497,0.00013153958,0.011550909,0.043102577,0.00007188197,0.0006478406,0.0003186999,0.9405626],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886775,0.00008509841,0.000046169003,0.00013935345,0.00070796587,0.00015364576],"domain_scores_gemma":[0.99455357,0.00083268207,0.0002476436,0.00041871623,0.0027930497,0.0011542479],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009045057,0.0008259904,0.0009752923,0.0025034775,0.0028733802,0.007464055,0.0011790028,0.005835975,0.58413],"category_scores_gemma":[0.009814802,0.0004386701,0.00070399424,0.0014612289,0.0010098476,0.0036238434,0.0023293353,0.003943571,0.43271518],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000104980045,0.0000095572295,0.000034303917,0.00001868793,6.966988e-7,0.000016426678,0.00000542845,0.00000578569,0.00003067933,0.00042315558,0.99170494,0.0077398955],"study_design_scores_gemma":[0.000007730363,0.000007133432,0.00029698625,0.000050110266,0.0000013706485,0.000020524201,0.000041579053,0.000044353976,0.000034946555,0.00040624305,0.9990845,0.000004522983],"about_ca_topic_score_codex":0.005170983,"about_ca_topic_score_gemma":0.008828233,"teacher_disagreement_score":0.58413,"about_ca_system_score_codex":0.001671354,"about_ca_system_score_gemma":0.0022162008,"threshold_uncertainty_score":0.59318805},"labels":[],"label_agreement":null},{"id":"W2802122563","doi":"","title":"Called to Compassion over the Course of a Life: A Buddhist Perspective","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion, Spirituality, and Psychology","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Compassion; Buddhism; Perspective (graphical); Life course approach; Course (navigation); Psychoanalysis; Psychology; History; Philosophy; Art; Developmental psychology; Theology; Visual arts; Engineering; Archaeology","score_opus":0.04003367941913114,"score_gpt":0.3522495024256189,"score_spread":0.31221582300648776,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2802122563","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14030783,0.030514771,0.0055504167,0.5074731,0.0035409967,0.000046052144,0.000075434626,0.00003567047,0.31245568],"genre_scores_gemma":[0.9605094,0.0049437685,0.00096829794,0.025298618,0.0009688465,0.000024811223,0.000015266376,0.000027384798,0.007243621],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9970757,0.0017501281,0.000065466615,0.00024699233,0.00032206625,0.0005395503],"domain_scores_gemma":[0.9968606,0.001097227,0.00024238,0.00014637955,0.0005473277,0.0011060013],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004665118,0.0003459944,0.0006154795,0.0012380972,0.014379451,0.009710525,0.0019882927,0.0057074632,0.0017200083],"category_scores_gemma":[0.0037445968,0.0003626167,0.00030657317,0.0008594237,0.07421439,0.0055457707,0.0056818565,0.015974892,0.00022902928],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003043288,0.000055796943,0.001444832,0.00005799452,0.000021683829,0.00036184513,0.18290019,0.0001067735,0.0002433803,0.799288,0.007465096,0.008023928],"study_design_scores_gemma":[0.000047227295,0.000090413516,0.006625249,0.00073925254,0.000039935836,0.0012351328,0.32470185,0.0003739004,0.00031581652,0.4030884,0.26266915,0.00007370284],"about_ca_topic_score_codex":0.04822637,"about_ca_topic_score_gemma":0.091579884,"teacher_disagreement_score":0.04822637,"about_ca_system_score_codex":0.012101441,"about_ca_system_score_gemma":0.011368487,"threshold_uncertainty_score":0.0958913},"labels":[],"label_agreement":null},{"id":"W2802236481","doi":"","title":"Vocation and Civil Discourse: Discerning and Defining","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Labor Movements and Unions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology; Linguistics; History; Philosophy","score_opus":0.01930592453544109,"score_gpt":0.2842526755941906,"score_spread":0.2649467510587495,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2802236481","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5467994,0.0055269217,0.00629692,0.022558255,0.00016281779,0.00007335079,0.00013611463,0.00005061655,0.41839555],"genre_scores_gemma":[0.99586713,0.00056568324,0.0005846756,0.00021915707,0.000029962435,0.000024606172,0.000035519908,0.000021382046,0.0026520032],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99143535,0.0052728443,0.0002733115,0.0005909401,0.0010471457,0.0013803737],"domain_scores_gemma":[0.9830626,0.011254058,0.0020794775,0.0007538555,0.0017107112,0.0011393516],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008406481,0.000412542,0.00048810715,0.006763214,0.012512003,0.025638383,0.001943568,0.003352247,0.007080651],"category_scores_gemma":[0.025987318,0.00041739276,0.00029331158,0.007597977,0.04524531,0.014635337,0.008185792,0.0029758501,0.0004825709],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000061064005,0.000057573463,0.011121913,0.00011606071,0.0000072301195,0.00013113266,0.5244825,0.00009943316,0.00027158004,0.4444743,0.0010356179,0.01814146],"study_design_scores_gemma":[0.000011980091,0.000021653374,0.013893989,0.0003508996,0.0000148566205,0.000081907485,0.8290652,0.000440137,0.00032187786,0.11936787,0.03640083,0.000028752782],"about_ca_topic_score_codex":0.072985485,"about_ca_topic_score_gemma":0.07419335,"teacher_disagreement_score":0.072985485,"about_ca_system_score_codex":0.011402971,"about_ca_system_score_gemma":0.020435512,"threshold_uncertainty_score":0.14512128},"labels":[],"label_agreement":null},{"id":"W2808412540","doi":"10.7202/1043869ar","title":"Rubén López-Cano et Ursula San Cristobal Opazo. 2014. Investigación artística en música. Problemas, métodos, experiencias y modelos. Mexico et Barcelone : Fondo Nacional para la Cultura y las Artes et ESMuC. p. 259. ISBN : 978-84-697-1948-0","year":2016,"lang":"es","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Multidisciplinary Research Papers Compilation","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Humanities; Art","score_opus":0.05047682909845577,"score_gpt":0.34508462393124884,"score_spread":0.2946077948327931,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2808412540","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00062770443,0.85987735,0.0021202762,0.028698605,0.004813126,0.000035113713,0.0009777404,0.00035694696,0.10249308],"genre_scores_gemma":[0.01810093,0.6412037,0.0058903955,0.003582749,0.0030413559,0.00015253722,0.0014225269,0.0009007472,0.32570493],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985562,0.00024765768,0.000090234214,0.00018120838,0.00080915785,0.00011554622],"domain_scores_gemma":[0.99706763,0.0011523471,0.00025669317,0.00015077468,0.001095489,0.00027696634],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019585292,0.0016777234,0.001320147,0.0045543667,0.0015658409,0.0049955226,0.0019387068,0.0025921243,0.09185136],"category_scores_gemma":[0.0059992834,0.0008056463,0.00044811371,0.0050458927,0.0014279112,0.006179294,0.002473969,0.002892311,0.041272733],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056333563,0.000015686095,0.00025029006,0.0012242235,0.000012159482,0.00007519904,0.0013256278,0.00011322049,0.00023710755,0.011163906,0.7672443,0.21828194],"study_design_scores_gemma":[0.0000046466953,0.0000060823836,0.001011321,0.0013273022,0.000009357909,0.00011481651,0.00071304693,0.000040306655,0.000110928595,0.0020960264,0.99455595,0.000010190555],"about_ca_topic_score_codex":0.029862655,"about_ca_topic_score_gemma":0.04299456,"teacher_disagreement_score":0.09185136,"about_ca_system_score_codex":0.0036078328,"about_ca_system_score_gemma":0.003155368,"threshold_uncertainty_score":0.3072734},"labels":[],"label_agreement":null},{"id":"W2888128067","doi":"","title":"It's Time to Rewrite the Rules of Civility","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Labor Movements and Unions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Civility; Computer science; Law; Political science","score_opus":0.021147637465053964,"score_gpt":0.2712633632801188,"score_spread":0.2501157258150648,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2888128067","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007132813,0.0064605707,0.023539998,0.70812154,0.08327906,0.0001267103,0.0003713211,0.0006369489,0.17033108],"genre_scores_gemma":[0.21519843,0.0055303643,0.054353986,0.41280273,0.020523287,0.00030815008,0.0005276074,0.0023627486,0.28839266],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9900535,0.002650085,0.00080727733,0.0010474989,0.0037744695,0.0016671577],"domain_scores_gemma":[0.97325563,0.006925873,0.0008471166,0.0039895917,0.012817241,0.0021646149],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0097808875,0.00070172356,0.0011967877,0.0015542604,0.0098504,0.015043697,0.0030109475,0.0075627184,0.016264874],"category_scores_gemma":[0.04569935,0.0006170751,0.001229472,0.0010809153,0.024351899,0.011946006,0.0040135058,0.03418541,0.009821529],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046417415,0.00005110393,0.0005074172,0.00008506416,0.000030000308,0.00009106942,0.0058007557,0.00023918024,0.0003457405,0.7579284,0.20293283,0.031942062],"study_design_scores_gemma":[0.000018647874,0.000026321075,0.0006638694,0.00017532604,0.000021628033,0.00005615612,0.004101523,0.000121553836,0.00025238356,0.17896472,0.8155349,0.00006305402],"about_ca_topic_score_codex":0.11232963,"about_ca_topic_score_gemma":0.13377425,"teacher_disagreement_score":0.8876704,"about_ca_system_score_codex":0.008913052,"about_ca_system_score_gemma":0.017628297,"threshold_uncertainty_score":0.2233516},"labels":[],"label_agreement":null},{"id":"W2893538957","doi":"10.7202/1043870ar","title":"Jean-Christophe Branger et Malou Haine. 2014. Ernest van Dyck et Jules Massenet : Un interprète au service d’un compositeur. Paris : VRIN, 172 p. Coll. « MusicologieS ». ISBN : 978-2-7116-2547","year":2016,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.02539051420544868,"score_gpt":0.2551403052821713,"score_spread":0.2297497910767226,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2893538957","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008627522,0.84878594,0.0032804504,0.060788054,0.0061140237,0.000026967396,0.00086346257,0.0002449517,0.07903341],"genre_scores_gemma":[0.03157966,0.5479597,0.0061242394,0.007514779,0.0040562144,0.00014957147,0.0011764315,0.0014047498,0.40003467],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99860364,0.00032952926,0.000080825346,0.00021448727,0.000660062,0.00011147772],"domain_scores_gemma":[0.99769324,0.0010451426,0.00017563374,0.000081413804,0.0008186893,0.00018577921],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017912808,0.0019406889,0.0008931341,0.0029372175,0.0025502548,0.006127431,0.0012972461,0.0031727687,0.075866535],"category_scores_gemma":[0.0057825516,0.00094631076,0.00036875077,0.003709226,0.0023533907,0.00942445,0.002215485,0.004594084,0.037805393],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005358479,0.000010787052,0.00021684708,0.00064461905,0.000008179642,0.0001285328,0.0036342975,0.000074893476,0.0002473606,0.022684218,0.85251814,0.119778454],"study_design_scores_gemma":[0.0000048864604,0.0000040812874,0.0006078806,0.00069081254,0.00000431007,0.00013581627,0.0015891566,0.000023987584,0.00011613979,0.0029078082,0.99390537,0.000009638731],"about_ca_topic_score_codex":0.04961848,"about_ca_topic_score_gemma":0.06861088,"teacher_disagreement_score":0.075866535,"about_ca_system_score_codex":0.0043616015,"about_ca_system_score_gemma":0.004226329,"threshold_uncertainty_score":0.25379884},"labels":[],"label_agreement":null},{"id":"W2895858394","doi":"10.7202/1051599ar","title":"“Listening Out” to Experimental Music in Canada: Publics, Subjects, Places","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Active listening; Craft; Visual arts; John Cage; Media studies; Aesthetics; History; Sociology; Art; Performance art; Art history; Communication","score_opus":0.039345944360155136,"score_gpt":0.2114926470379701,"score_spread":0.17214670267781496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2895858394","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.747626,0.0054158536,0.0027167203,0.037362292,0.0010975758,0.00024988307,0.0016695157,0.00020416288,0.20365806],"genre_scores_gemma":[0.9641645,0.0012792283,0.0006560996,0.0031971561,0.00009702873,0.000054493,0.0003516664,0.00010491767,0.030095],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9960758,0.0006367158,0.00005805444,0.0004777505,0.0010819591,0.0016696366],"domain_scores_gemma":[0.9956958,0.0010349908,0.00020607322,0.00023263,0.0012600854,0.0015703987],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003660744,0.0006627817,0.0006161128,0.0024207537,0.04813323,0.015025012,0.0025874577,0.0025969492,0.013490228],"category_scores_gemma":[0.0054986123,0.0005138717,0.00047695579,0.004570494,0.028835092,0.0036312842,0.006110235,0.005134333,0.0007473365],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037968977,0.0002131494,0.021246413,0.0002685311,0.000042443196,0.0013878942,0.8016113,0.0003478978,0.0018894736,0.05419641,0.050574634,0.06784225],"study_design_scores_gemma":[0.000024717481,0.00005730841,0.027531363,0.00022376013,0.000022762777,0.00014650804,0.79819924,0.00019322269,0.0006790369,0.001746893,0.17106616,0.00010906591],"about_ca_topic_score_codex":0.9932597,"about_ca_topic_score_gemma":0.9983121,"teacher_disagreement_score":0.14390302,"about_ca_system_score_codex":0.14390302,"about_ca_system_score_gemma":0.15611193,"threshold_uncertainty_score":0.99295115},"labels":[],"label_agreement":null},{"id":"W2896103812","doi":"10.7202/1051595ar","title":"A Portrait of Composer Steven Gellman for His Seventieth Birthday","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Biography; Portrait; Art history; Art; Literature; History","score_opus":0.10120803566498651,"score_gpt":0.23582889406767804,"score_spread":0.13462085840269153,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2896103812","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.039475005,0.015724296,0.0019724837,0.04703002,0.009357569,0.00007110967,0.0005594506,0.00027666986,0.8855333],"genre_scores_gemma":[0.24815813,0.010267305,0.0020481483,0.006642417,0.0011691981,0.00004718029,0.0002742112,0.00035660958,0.73103684],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990996,0.00018012196,0.000011291105,0.00008233084,0.00043378543,0.00019289023],"domain_scores_gemma":[0.99957925,0.000051270235,0.000018151093,0.000016748443,0.00013061185,0.00020402072],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00060262025,0.00069740944,0.0002546568,0.0010722844,0.018659327,0.0037662168,0.0007485913,0.0016649916,0.016654884],"category_scores_gemma":[0.0010203486,0.00021889497,0.00027442537,0.000900484,0.0038247688,0.0013876032,0.0016870913,0.0053332928,0.0046160137],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010597824,0.000050660623,0.0016988761,0.0001565903,0.000015405727,0.003537181,0.1972865,0.00023729929,0.0025576316,0.14274514,0.6029655,0.04864321],"study_design_scores_gemma":[0.0000012114865,0.0000070546234,0.0006393067,0.00005900835,0.0000019097893,0.0004768001,0.024086948,0.000028529379,0.0001554875,0.0006220701,0.9739111,0.000010536198],"about_ca_topic_score_codex":0.33637968,"about_ca_topic_score_gemma":0.65221244,"teacher_disagreement_score":0.33637968,"about_ca_system_score_codex":0.008996935,"about_ca_system_score_gemma":0.007902737,"threshold_uncertainty_score":0.66884345},"labels":[],"label_agreement":null},{"id":"W2896210624","doi":"10.7202/1051597ar","title":"True Reflections on Barron’s Reflections of Canada: “Canada 150: Music and Belonging”","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Art history","score_opus":0.060049309417481295,"score_gpt":0.25129965079638183,"score_spread":0.19125034137890054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2896210624","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09114455,0.04307905,0.0027186028,0.5214357,0.012581978,0.0001226747,0.0007975013,0.00021704158,0.32790288],"genre_scores_gemma":[0.60224885,0.018192297,0.0023463345,0.0917012,0.0011091008,0.00008135038,0.00019614091,0.00045922663,0.28366545],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964394,0.0009468406,0.00004905616,0.00026168188,0.0012807797,0.0010222276],"domain_scores_gemma":[0.99590117,0.00079769886,0.00012727446,0.00009925274,0.0013499253,0.001724639],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029066727,0.0007074818,0.00037926505,0.0016855997,0.039048087,0.011054959,0.0016738964,0.0032755425,0.008359778],"category_scores_gemma":[0.005666449,0.0003752044,0.00031015064,0.0024910849,0.022784846,0.003729133,0.004604462,0.008495491,0.0009325494],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060552786,0.000020918202,0.0013516624,0.000115641604,0.000011220885,0.0007926755,0.36361519,0.0001240296,0.00074747583,0.074530564,0.5345789,0.02405114],"study_design_scores_gemma":[0.000003850685,0.0000063652574,0.001565536,0.0001694978,0.00000498301,0.000181567,0.16191551,0.000032508713,0.00019332222,0.0016981437,0.834185,0.00004362464],"about_ca_topic_score_codex":0.97547615,"about_ca_topic_score_gemma":0.9924448,"teacher_disagreement_score":0.08458837,"about_ca_system_score_codex":0.08458837,"about_ca_system_score_gemma":0.096932314,"threshold_uncertainty_score":0.6137345},"labels":[],"label_agreement":null},{"id":"W2896728296","doi":"10.7202/1051600ar","title":"Writing for CBC Wartime Radio Drama: John Weinzweig, Socialism, and the Twelve-Tone Dilemma","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Drama; Politics; Socialism; Literature; Radio program; Media studies; History; Communism; Sociology; Art; Political science; Law","score_opus":0.018474448822733386,"score_gpt":0.2613609189570315,"score_spread":0.24288647013429812,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2896728296","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.078101695,0.016954105,0.001830368,0.3652936,0.0022486746,0.000051023228,0.0000767531,0.00007384252,0.53537005],"genre_scores_gemma":[0.85423934,0.007427732,0.0015911032,0.021385232,0.0008817252,0.000046577246,0.000043429714,0.00013776752,0.114247024],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99724835,0.0009975625,0.00005694571,0.00029846898,0.0008641561,0.00053447334],"domain_scores_gemma":[0.99687994,0.0014203354,0.00020033169,0.00012465288,0.00071184186,0.00066289894],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029238472,0.00040013762,0.00023426555,0.0013971751,0.032804042,0.013593354,0.001248855,0.0026659563,0.0039648567],"category_scores_gemma":[0.0058494285,0.00027408256,0.00012851048,0.0016902084,0.0361381,0.0035956483,0.0029213547,0.0044915606,0.0007050736],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026705004,0.00002639778,0.0009950488,0.00006757329,0.000009003458,0.00053853035,0.20390828,0.00018364358,0.00040735377,0.5256264,0.22903258,0.039178506],"study_design_scores_gemma":[0.00001111319,0.000007534721,0.0013409874,0.00013594917,0.000007654727,0.00015887052,0.12073302,0.00013342373,0.00034296358,0.03869695,0.8383995,0.00003200603],"about_ca_topic_score_codex":0.63358486,"about_ca_topic_score_gemma":0.7276708,"teacher_disagreement_score":0.36641514,"about_ca_system_score_codex":0.03308135,"about_ca_system_score_gemma":0.030628035,"threshold_uncertainty_score":0.737146},"labels":[],"label_agreement":null},{"id":"W2896794770","doi":"10.7202/1051594ar","title":"The Message of the Carillon: Bells as Instruments of Colonialism in Twentieth-Century Canada","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Colonialism; Context (archaeology); Politics; Harmony (color); Rhetorical question; History; Parliament; Archaeology; Art; Law; Political science; Literature; Visual arts","score_opus":0.009122062541561766,"score_gpt":0.21871428629290748,"score_spread":0.20959222375134573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2896794770","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60584486,0.008968428,0.0012788574,0.07602957,0.0007253976,0.00003273278,0.00017216498,0.000055773442,0.30689225],"genre_scores_gemma":[0.97571534,0.0011127406,0.00013276954,0.0018863842,0.00004141837,0.0000040294162,0.000011313038,0.000021521959,0.021074515],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99850404,0.000251318,0.000018230503,0.0001273931,0.00038063433,0.00071845675],"domain_scores_gemma":[0.99872166,0.0003848518,0.00009670095,0.00005178473,0.00035656386,0.0003883855],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001424631,0.00026829937,0.0002477943,0.000737527,0.02898138,0.0085931355,0.0010344145,0.0024714814,0.0049077827],"category_scores_gemma":[0.0036647078,0.0002551217,0.00011217398,0.0013101802,0.026300147,0.0021891023,0.003922546,0.0053172316,0.00022226945],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008558534,0.000015790321,0.0046568173,0.00007344011,0.000012431527,0.0011569608,0.57841843,0.00021497777,0.00078134524,0.35221002,0.038375605,0.0239986],"study_design_scores_gemma":[0.000016470787,0.00002235526,0.013189092,0.00026665887,0.000026609478,0.00030866667,0.3844122,0.00025349602,0.0008381105,0.008701998,0.59188265,0.00008165401],"about_ca_topic_score_codex":0.9728415,"about_ca_topic_score_gemma":0.9907205,"teacher_disagreement_score":0.063033,"about_ca_system_score_codex":0.063033,"about_ca_system_score_gemma":0.048923686,"threshold_uncertainty_score":0.45733857},"labels":[],"label_agreement":null},{"id":"W2896861573","doi":"10.7202/1051596ar","title":"The Jack Pine: Preserving the Northern Ontario Landscape through Painting, Music, and Short Film","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Piano; Visual arts; Art; Landscape painting; Art history; Performance art","score_opus":0.03327366041489106,"score_gpt":0.2195074688628303,"score_spread":0.18623380844793924,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2896861573","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23558858,0.0076740026,0.002819271,0.017625824,0.001431361,0.00008874568,0.00041672363,0.0001565032,0.734199],"genre_scores_gemma":[0.76199996,0.005449401,0.0022750816,0.0013828537,0.00021603041,0.000045537985,0.00017055775,0.00017911498,0.22828153],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930704,0.00012947712,0.0000095614,0.000063928186,0.00030306002,0.00018702477],"domain_scores_gemma":[0.9996363,0.00008032731,0.00002854456,0.000036985937,0.000101966616,0.00011574569],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00064941344,0.000518886,0.00019631999,0.0009409079,0.020086266,0.005631109,0.0009455361,0.0008319705,0.011355712],"category_scores_gemma":[0.0015558611,0.0001977263,0.00016510196,0.0014105117,0.010042371,0.0014183416,0.0028164885,0.0015842747,0.00057708565],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022876861,0.00004616621,0.004691906,0.00033326133,0.000028031815,0.0016129365,0.6539734,0.00038864373,0.0060763997,0.10675694,0.13209705,0.093766466],"study_design_scores_gemma":[0.000007562509,0.000023733883,0.010169703,0.00017968942,0.000019439334,0.00031460027,0.2006852,0.0001258757,0.00085261115,0.002231334,0.7853623,0.000027951508],"about_ca_topic_score_codex":0.882642,"about_ca_topic_score_gemma":0.98160434,"teacher_disagreement_score":0.11735803,"about_ca_system_score_codex":0.026273936,"about_ca_system_score_gemma":0.016658602,"threshold_uncertainty_score":0.23609829},"labels":[],"label_agreement":null},{"id":"W2897526585","doi":"10.7202/1051598ar","title":"Une approche contextualiste des relations voix/gestes dans les improvisations de Tanya Tagaq : un « acte performanciel »","year":2018,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.05284202078038168,"score_gpt":0.22931121989249995,"score_spread":0.17646919911211828,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2897526585","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04091948,0.00226063,0.91561556,0.0012252692,0.00030026253,0.00034242234,0.0007623535,0.0030545746,0.035519544],"genre_scores_gemma":[0.40342936,0.0017741886,0.5614547,0.0003194869,0.00012090766,0.0004252205,0.001490507,0.0007282665,0.030257467],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.99811697,0.00038961042,0.00011569053,0.00074300217,0.00047901977,0.00015571916],"domain_scores_gemma":[0.99846125,0.0004956843,0.00012118363,0.000267081,0.0005433767,0.00011144226],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017819894,0.0012653695,0.0006376548,0.0020820096,0.0019024054,0.0065795253,0.0016169056,0.0018750232,0.012386613],"category_scores_gemma":[0.0043714857,0.0009670223,0.0011599539,0.0013865286,0.0026838416,0.0035972684,0.002938332,0.0016642341,0.0037431475],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011389953,0.00011915175,0.024476716,0.0027203567,0.00028017545,0.0025634007,0.055798646,0.015739249,0.14501579,0.09048558,0.010128778,0.6515332],"study_design_scores_gemma":[0.00012765407,0.0004398758,0.052155394,0.0023041358,0.00085078256,0.004095933,0.050996907,0.15987213,0.046965893,0.07431429,0.60745287,0.0004241203],"about_ca_topic_score_codex":0.024522882,"about_ca_topic_score_gemma":0.048720963,"teacher_disagreement_score":0.024522882,"about_ca_system_score_codex":0.0016694766,"about_ca_system_score_gemma":0.0026001167,"threshold_uncertainty_score":0.048760235},"labels":[],"label_agreement":null},{"id":"W2898019185","doi":"10.7202/1051602ar","title":"A Tribe Called Red’s Halluci Nation: Sonifying Embodied Global Allegiances, Decolonization, And Indigenous Activism","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Indigenous; Oppression; Tribe; Gender studies; Decolonization; Aotearoa; Sociology; Media studies; Identity (music); Political science; Politics; Anthropology; Law; Aesthetics","score_opus":0.08889728597370454,"score_gpt":0.24146252424319636,"score_spread":0.1525652382694918,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898019185","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59124047,0.005026839,0.0015386816,0.017380638,0.00092440844,0.000044684486,0.000042972646,0.00005597911,0.38374537],"genre_scores_gemma":[0.96552634,0.0008185016,0.00025997855,0.0010929139,0.00008131506,0.000013480751,0.000009831577,0.000030336634,0.03216737],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99884665,0.00052970403,0.000018248693,0.00010160991,0.00015398591,0.00034982967],"domain_scores_gemma":[0.99902964,0.00037769825,0.00010303077,0.00011789959,0.00012248468,0.00024937952],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015675805,0.0003493112,0.00018439999,0.00067388284,0.013453307,0.008428796,0.0008264017,0.0014057403,0.004038304],"category_scores_gemma":[0.0017750214,0.0001669459,0.00018047504,0.00054803665,0.028713519,0.0033291024,0.0051239016,0.0027365126,0.0003465837],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032885368,0.000029586883,0.001999686,0.00008742444,0.000006201701,0.000642565,0.8726128,0.000050439117,0.0007885297,0.103278995,0.008596122,0.011874776],"study_design_scores_gemma":[0.0000073258875,0.000042379557,0.0051194127,0.00018643717,0.000011461358,0.00038616036,0.7534806,0.0000912496,0.00060701027,0.005114665,0.23492908,0.00002428988],"about_ca_topic_score_codex":0.08362691,"about_ca_topic_score_gemma":0.25994068,"teacher_disagreement_score":0.9163731,"about_ca_system_score_codex":0.009595204,"about_ca_system_score_gemma":0.004346821,"threshold_uncertainty_score":0.16628033},"labels":[],"label_agreement":null},{"id":"W2899287087","doi":"","title":"Sprigs of Mint","year":2018,"lang":"hu","type":"article","venue":"Intersections Canadian Journal of Music","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Computer science","score_opus":0.03007993629871247,"score_gpt":0.2465240868401425,"score_spread":0.21644415054143,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899287087","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019450918,0.0010371066,0.0037233806,0.0048005427,0.0034224538,0.0000636998,0.0005488078,0.00070419174,0.9662488],"genre_scores_gemma":[0.13911201,0.0005048574,0.0054560388,0.0017410663,0.0007646929,0.000052259416,0.0006355605,0.001063572,0.85067],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986683,0.00021177501,0.000046282767,0.00033772926,0.00041823345,0.00031769858],"domain_scores_gemma":[0.9990709,0.00008053669,0.000038692928,0.00016616588,0.0002587784,0.00038482083],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00090722466,0.00078078214,0.0006399192,0.0015153324,0.008896904,0.0052988203,0.001103035,0.0015670895,0.20062028],"category_scores_gemma":[0.0021613014,0.00039496704,0.0006499286,0.0011830751,0.002485761,0.0036914602,0.005506824,0.003197306,0.04109202],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00077988516,0.00018104735,0.004377896,0.0003004008,0.000056376022,0.0009149676,0.018752823,0.0003421667,0.0034880452,0.26162228,0.43581223,0.273372],"study_design_scores_gemma":[0.000011134363,0.00006495939,0.0021071516,0.000093036455,0.000008655431,0.00023186064,0.0046971757,0.00013538043,0.00052598317,0.008336609,0.9837731,0.000014762851],"about_ca_topic_score_codex":0.0071350494,"about_ca_topic_score_gemma":0.030470494,"teacher_disagreement_score":0.20062028,"about_ca_system_score_codex":0.0024504354,"about_ca_system_score_gemma":0.0019416487,"threshold_uncertainty_score":0.6711417},"labels":[],"label_agreement":null},{"id":"W2899812537","doi":"","title":"Lutheran Higher Education in the Land of Anxiety","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Anxiety; Psychology; History; Sociology; Psychiatry","score_opus":0.03407412008303577,"score_gpt":0.23517051261106975,"score_spread":0.20109639252803396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899812537","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33607864,0.004804129,0.00050973304,0.17543587,0.0014520264,0.000028488828,0.00005302938,0.00005723092,0.48158082],"genre_scores_gemma":[0.93970126,0.00033834964,0.00007844012,0.005277382,0.00023125054,0.0000054937746,0.000005734652,0.00001065639,0.05435156],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998914,0.0002934504,0.000011291042,0.000047499947,0.000096084295,0.00063765346],"domain_scores_gemma":[0.9991491,0.00018555133,0.00005119209,0.00004016466,0.000081518214,0.0004924965],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001124854,0.00015436293,0.00018637197,0.000634454,0.012862755,0.004583516,0.0003851099,0.0020325128,0.014461057],"category_scores_gemma":[0.0019157169,0.00010853366,0.00013033944,0.0005777409,0.0143482145,0.0017390375,0.0034966662,0.0045509804,0.00065822835],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004943686,0.000081560785,0.0017467809,0.000023977225,0.0000033084107,0.00028945442,0.038829017,0.000060870116,0.00031329857,0.9146424,0.026374651,0.017585184],"study_design_scores_gemma":[0.00007001271,0.00009535224,0.016486295,0.00022222915,0.00001047181,0.0002921423,0.07952749,0.0002488357,0.00048642277,0.11596664,0.786556,0.00003804994],"about_ca_topic_score_codex":0.041282535,"about_ca_topic_score_gemma":0.15588248,"teacher_disagreement_score":0.95871747,"about_ca_system_score_codex":0.011093195,"about_ca_system_score_gemma":0.009890567,"threshold_uncertainty_score":0.08208448},"labels":[],"label_agreement":null},{"id":"W2908098590","doi":"","title":"Luther, the Catechisms, and Intellectual Disability","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Intellectual disability; History; Psychology; Psychiatry","score_opus":0.039380228595958994,"score_gpt":0.217655808207616,"score_spread":0.178275579611657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2908098590","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3733855,0.012502269,0.00058729824,0.09973272,0.00073410396,0.000028883858,0.00011801163,0.000041441857,0.51286983],"genre_scores_gemma":[0.97157526,0.0013567528,0.00015515393,0.00199197,0.000085709806,0.000011759485,0.000009729301,0.000008712818,0.024804918],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99934095,0.00025975317,0.00001974767,0.000043491822,0.00009116647,0.00024493344],"domain_scores_gemma":[0.9992829,0.00035843274,0.00008275422,0.000062473664,0.00007101149,0.00014241094],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001169131,0.0001966366,0.00018206394,0.0012233445,0.0070008016,0.0032878814,0.00032908618,0.0014698096,0.0066929874],"category_scores_gemma":[0.0021361643,0.00008739743,0.00011111671,0.0006963096,0.022029132,0.0017155813,0.0025041252,0.0021574527,0.00023001627],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030313115,0.000050867216,0.002007668,0.000040142848,0.0000032918242,0.00038072237,0.07760928,0.000031826305,0.00021277364,0.8934725,0.009131273,0.017029228],"study_design_scores_gemma":[0.00006814442,0.000065537104,0.015588712,0.00034835056,0.000029199078,0.0015983992,0.16007653,0.00014253346,0.0006229716,0.27086273,0.5505458,0.000051112733],"about_ca_topic_score_codex":0.029408323,"about_ca_topic_score_gemma":0.07685821,"teacher_disagreement_score":0.029408323,"about_ca_system_score_codex":0.0041537737,"about_ca_system_score_gemma":0.0048004333,"threshold_uncertainty_score":0.058474302},"labels":[],"label_agreement":null},{"id":"W2948077900","doi":"10.7202/1059894ar","title":"Texts—Textures—Intertexts: Brian Cherney’s Transfiguration (1990)","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Apotheosis; Intertextuality; Art; Literature; The Holocaust; Judaism; Art history; Philosophy; Theology","score_opus":0.021202109724077947,"score_gpt":0.20291061762817603,"score_spread":0.1817085079040981,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948077900","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13160914,0.022938665,0.015799357,0.10801595,0.0034849746,0.000113154696,0.00015250068,0.0004266913,0.71745956],"genre_scores_gemma":[0.9322935,0.0038565265,0.0035142112,0.004538038,0.000662516,0.000053952674,0.000048706956,0.0003069234,0.05472572],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99879223,0.0005689253,0.000034015327,0.0001638593,0.00026945124,0.00017147628],"domain_scores_gemma":[0.9988613,0.0006872566,0.00010554977,0.000097569085,0.00011967966,0.00012874049],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010693866,0.00044974373,0.00018421968,0.0012503522,0.0091433665,0.0061896276,0.00057922845,0.001822162,0.0041244347],"category_scores_gemma":[0.0031750135,0.00027622952,0.00015336821,0.0012428263,0.02449221,0.007956694,0.0036706442,0.004069024,0.00047384598],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000119589255,0.000020422756,0.0005634765,0.00008823956,0.000006276854,0.00053490786,0.2338586,0.00008975641,0.0010276134,0.67769676,0.050257366,0.03573703],"study_design_scores_gemma":[0.000026503632,0.00003351722,0.0020044856,0.00015921345,0.000008336931,0.00063434313,0.049021326,0.0001597828,0.00079376274,0.0545743,0.89255667,0.00002770039],"about_ca_topic_score_codex":0.0291588,"about_ca_topic_score_gemma":0.039635643,"teacher_disagreement_score":0.0291588,"about_ca_system_score_codex":0.005676409,"about_ca_system_score_gemma":0.001626944,"threshold_uncertainty_score":0.057978153},"labels":[],"label_agreement":null},{"id":"W2948180711","doi":"10.7202/1059889ar","title":"Commissioning Brian Cherney’s String Trio","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cello; Violin; German; String (physics); Reputation; Performance art; Art history; Art; Viola; Commission; Visual arts; History; Law; Political science; Mathematics; Piano","score_opus":0.030562487967958192,"score_gpt":0.19146703331421955,"score_spread":0.16090454534626136,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948180711","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02239969,0.0074513806,0.0070621627,0.085293576,0.046046752,0.00041518232,0.0005173379,0.0010064417,0.8298075],"genre_scores_gemma":[0.07958904,0.0036047443,0.0049083396,0.009963897,0.0048983814,0.00013863984,0.00038161734,0.00094249327,0.8955728],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958306,0.00037131013,0.00010722079,0.0004682935,0.0024941387,0.00072840985],"domain_scores_gemma":[0.996256,0.0003513234,0.00013663615,0.00018889987,0.0015259964,0.0015412319],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023439897,0.0005619681,0.00032946662,0.0017202637,0.012101867,0.0062588183,0.0008431262,0.0025569045,0.06316142],"category_scores_gemma":[0.0055160914,0.0005363996,0.0002861357,0.0011997375,0.0024023114,0.0021573717,0.0038459895,0.0052704355,0.017893497],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007846703,0.000030337016,0.00053685444,0.00008023433,0.0000043952023,0.00066540774,0.002356312,0.00006391534,0.0024044835,0.021588454,0.93422073,0.037970267],"study_design_scores_gemma":[0.0000032263833,0.00001649601,0.00047795652,0.000034655277,0.000001152169,0.00014382048,0.00085461105,0.000020262458,0.00040856024,0.00032242027,0.9977054,0.000011456645],"about_ca_topic_score_codex":0.053920228,"about_ca_topic_score_gemma":0.16237469,"teacher_disagreement_score":0.06316142,"about_ca_system_score_codex":0.0050253873,"about_ca_system_score_gemma":0.006894622,"threshold_uncertainty_score":0.21129602},"labels":[],"label_agreement":null},{"id":"W2948219053","doi":"10.7202/1059895ar","title":"Performance Practice of Brian Cherney’s Music: Interviews with Marina Thibeault, Julia Den Boer, and Paul Vaillancourt","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Performance practice; Performance art; Interpretation (philosophy); Art; Art history; Visual arts; History; Musical; Philosophy; Linguistics","score_opus":0.020535861242017135,"score_gpt":0.20645106781918168,"score_spread":0.18591520657716454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948219053","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8742986,0.0026936838,0.0014510638,0.030608596,0.00033807472,0.00014484195,0.00014638084,0.00006585719,0.09025288],"genre_scores_gemma":[0.984309,0.0010849042,0.0006018153,0.0019459472,0.00004325974,0.00006718308,0.00003736963,0.000052951917,0.011857596],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9911253,0.004341528,0.0001727078,0.00079358846,0.0020152642,0.001551509],"domain_scores_gemma":[0.9893801,0.0055533675,0.00073554384,0.00020939301,0.0020094262,0.0021122508],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0049252557,0.0006368218,0.00086180517,0.0023026965,0.035709564,0.00841819,0.0021804308,0.003432457,0.006094676],"category_scores_gemma":[0.015317441,0.00090567954,0.00029290724,0.0029192718,0.025029335,0.0036539375,0.0038526524,0.005401702,0.0006165713],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023925983,0.000015526408,0.0010466084,0.00003880305,0.0000034784669,0.00059722166,0.9872111,0.00004028665,0.00073968933,0.00237161,0.0047560725,0.0031557777],"study_design_scores_gemma":[0.0000023902091,0.00001311417,0.0018553125,0.00009822186,0.000002907338,0.00015198124,0.967861,0.00003667907,0.00013263385,0.00013744377,0.029685488,0.000022881752],"about_ca_topic_score_codex":0.79503,"about_ca_topic_score_gemma":0.88987416,"teacher_disagreement_score":0.79503,"about_ca_system_score_codex":0.035919245,"about_ca_system_score_gemma":0.026866244,"threshold_uncertainty_score":0.41235417},"labels":[],"label_agreement":null},{"id":"W2948345098","doi":"10.7202/1059885ar","title":"Brian Cherney in Conversation with Chris Paul Harman","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Conversation; Art history; Art; Philosophy; Linguistics","score_opus":0.030394374687507806,"score_gpt":0.2241295107525413,"score_spread":0.1937351360650335,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948345098","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005655963,0.027283376,0.002492159,0.69828314,0.044941377,0.00006500345,0.00025982765,0.0002865958,0.22073258],"genre_scores_gemma":[0.07107064,0.012590401,0.0021823873,0.2628136,0.0083459085,0.00010515736,0.00015078606,0.0006780343,0.6420631],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973048,0.0008229776,0.000073656716,0.00040624963,0.0009625277,0.00042967824],"domain_scores_gemma":[0.99642307,0.0011611935,0.00017479362,0.000075026386,0.0009530643,0.001212716],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002377808,0.0007214937,0.00060222985,0.0009315938,0.01832106,0.0050316975,0.0012510713,0.0041977926,0.034463193],"category_scores_gemma":[0.010329917,0.00039456243,0.0003581591,0.0009961189,0.0037421926,0.0043792045,0.0025781842,0.009597081,0.0078077763],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028148372,0.000009487948,0.00027618668,0.000058260575,0.0000047753915,0.0002899404,0.0057150284,0.000031982057,0.0002728584,0.007258859,0.97753465,0.008519859],"study_design_scores_gemma":[0.0000024882747,0.000007121881,0.00042040666,0.00007279715,0.0000028094735,0.00026445673,0.009119108,0.000026792095,0.00015574212,0.0010442868,0.98886275,0.000021276226],"about_ca_topic_score_codex":0.11467101,"about_ca_topic_score_gemma":0.26613352,"teacher_disagreement_score":0.11467101,"about_ca_system_score_codex":0.006082297,"about_ca_system_score_gemma":0.0050769076,"threshold_uncertainty_score":0.22800708},"labels":[],"label_agreement":null},{"id":"W2948350555","doi":"10.7202/1059892ar","title":"Brian Cherney’s Illuminations","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Vision; Meditation; Variety (cybernetics); String (physics); Mysticism; Art; Literature; Visual arts; Jewish mysticism; Philosophy; Aesthetics; Computer science; Artificial intelligence; Theoretical physics; Theology","score_opus":0.013861690130103441,"score_gpt":0.20924863325162116,"score_spread":0.19538694312151772,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948350555","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013097621,0.01460877,0.0042462116,0.098819725,0.010239541,0.000036930058,0.00014858818,0.00049341307,0.8583092],"genre_scores_gemma":[0.3724649,0.007848862,0.0027314322,0.015327668,0.00284324,0.000043276817,0.00008459213,0.0005968662,0.5980592],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99845076,0.00035751183,0.00003824816,0.0002594624,0.0006399429,0.00025401046],"domain_scores_gemma":[0.9990183,0.0002671737,0.000039871324,0.000077483724,0.00030316468,0.00029390847],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007981654,0.00041634525,0.0002224172,0.00079464185,0.0086874105,0.0046888646,0.00044819704,0.0011106895,0.013052061],"category_scores_gemma":[0.0032495155,0.00024198215,0.00015364676,0.0006230456,0.007341725,0.0025718012,0.0026577914,0.0045472123,0.0027849467],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000097225566,0.000016391317,0.00040625868,0.00007160736,0.0000067182823,0.00033123576,0.011251216,0.00013808698,0.0010556947,0.43130878,0.5051704,0.050146487],"study_design_scores_gemma":[0.0000043692944,0.0000076397655,0.00026968113,0.00004540218,0.0000020942744,0.00013152638,0.001279486,0.000054201362,0.00035891944,0.010796657,0.9870395,0.000010593209],"about_ca_topic_score_codex":0.0511314,"about_ca_topic_score_gemma":0.0789704,"teacher_disagreement_score":0.0511314,"about_ca_system_score_codex":0.006163951,"about_ca_system_score_gemma":0.0028004744,"threshold_uncertainty_score":0.10166758},"labels":[],"label_agreement":null},{"id":"W2948388825","doi":"10.7202/1059886ar","title":"Brian Cherney as Scholar and Creative Artist","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"University of Toronto","keywords":"Scholarship; Musicology; German; Subject (documents); Criticism; Art history; Art; Performance art; Music history; Visual arts; Music education; Sociology; History; Literature; Library science; Political science; Law; Computer science","score_opus":0.021226282304006094,"score_gpt":0.21338487654917454,"score_spread":0.19215859424516846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948388825","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011038715,0.13857974,0.0054195374,0.35721073,0.036315482,0.000046671772,0.00019510437,0.0004935126,0.45070055],"genre_scores_gemma":[0.18927737,0.065367535,0.0071573975,0.047127083,0.008094137,0.00006024843,0.0001406652,0.00071293506,0.6820626],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960573,0.0007317055,0.00011590796,0.0005892965,0.0021214157,0.00038446696],"domain_scores_gemma":[0.99547845,0.0010877149,0.00021101585,0.00023313484,0.0013049075,0.0016848177],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001921922,0.00046116582,0.00041862665,0.0024692065,0.012087237,0.011290943,0.0011845315,0.001810629,0.015301741],"category_scores_gemma":[0.0077069616,0.0002721764,0.00016485217,0.0021944365,0.008550719,0.004771695,0.0030466178,0.0045546843,0.0038706649],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037606827,0.000022124324,0.0007642697,0.00016013271,0.0000063564858,0.0002804755,0.012105298,0.00009032377,0.00032060937,0.18885763,0.74063027,0.05672496],"study_design_scores_gemma":[0.0000031044185,0.0000050784897,0.00032932128,0.00016395576,0.000002031792,0.00030061524,0.0039281794,0.00005523771,0.00012875443,0.009010196,0.98606175,0.000011650849],"about_ca_topic_score_codex":0.057191763,"about_ca_topic_score_gemma":0.12703378,"teacher_disagreement_score":0.057191763,"about_ca_system_score_codex":0.0070694727,"about_ca_system_score_gemma":0.010728065,"threshold_uncertainty_score":0.113717735},"labels":[],"label_agreement":null},{"id":"W2948574695","doi":"10.7202/1059893ar","title":"Leçons de Tenebrae: Brian Cherney, Paul Celan, and a Music of Witness","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature and Cultural Memory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Witness; Intertextuality; Art; The Holocaust; Reading (process); Choir; Composition (language); Philosophy; Linguistics; Theology; Visual arts","score_opus":0.019693444278846655,"score_gpt":0.19009298217401446,"score_spread":0.17039953789516782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948574695","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20699346,0.029584212,0.00454148,0.10148216,0.008715388,0.00008082172,0.00012985413,0.00025453317,0.6482181],"genre_scores_gemma":[0.83250993,0.0030723156,0.0014529236,0.004396337,0.000627301,0.000039122904,0.000032078176,0.00012720398,0.15774283],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992211,0.00029226072,0.000012905961,0.00012256588,0.00021452308,0.00013669979],"domain_scores_gemma":[0.999366,0.00022667558,0.00005661574,0.00003015316,0.00010118482,0.00021942468],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006985369,0.000401665,0.00021008292,0.0008823141,0.010914475,0.005338256,0.0005359154,0.0011360764,0.01047989],"category_scores_gemma":[0.0030090185,0.00016359786,0.00011128786,0.0007211606,0.007989442,0.0029065872,0.002457764,0.0028735758,0.0007620484],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032891397,0.000053752934,0.0019124863,0.00019747565,0.000016182605,0.0028356456,0.23397945,0.00013708632,0.0025239019,0.54758424,0.14276282,0.06766812],"study_design_scores_gemma":[0.000013088871,0.000029827415,0.0013198841,0.00016476765,0.0000048120282,0.000842936,0.07365845,0.0000893952,0.0005402918,0.009397208,0.91391325,0.000025975523],"about_ca_topic_score_codex":0.046139084,"about_ca_topic_score_gemma":0.117649406,"teacher_disagreement_score":0.046139084,"about_ca_system_score_codex":0.0054468955,"about_ca_system_score_gemma":0.0024925652,"threshold_uncertainty_score":0.091741085},"labels":[],"label_agreement":null},{"id":"W2948597623","doi":"10.7202/1059888ar","title":"Ascending Music: Meaning and Expression in the Chamber Music of Brian Cherney","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Musical expression; Meaning (existential); Piano; Violin; Musical; Expression (computer science); Chamber music; Composition (language); Musical composition; Set (abstract data type); Music; Tracing; Visual arts; Art; Linguistics; Computer science; Literature; Music education; Art history; Epistemology; Philosophy; Programming language","score_opus":0.03848938639507078,"score_gpt":0.22098346477302785,"score_spread":0.18249407837795706,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948597623","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44071913,0.012099185,0.015195863,0.011050029,0.00066861353,0.00005577636,0.00011560712,0.00019804273,0.5198979],"genre_scores_gemma":[0.9849865,0.0014404781,0.0018150791,0.00033232066,0.00010452408,0.000014457188,0.000022636606,0.00007840438,0.011205608],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99895144,0.00040122017,0.000022924332,0.00011827809,0.00035296113,0.00015314718],"domain_scores_gemma":[0.9992719,0.00043570934,0.00007149929,0.000030412191,0.0000936589,0.00009679401],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00078604714,0.00031425094,0.0002250502,0.0010511916,0.006419602,0.0044792388,0.00035757723,0.00073009974,0.0033967237],"category_scores_gemma":[0.0024100717,0.00015903695,0.000106669664,0.0012773674,0.011308565,0.0023977526,0.0024507702,0.0016672204,0.0003052881],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025031387,0.000018982213,0.0022413149,0.00022941324,0.000011296401,0.00081028783,0.48565054,0.0002898573,0.007637691,0.44838402,0.008370726,0.046105552],"study_design_scores_gemma":[0.000033735505,0.00012248717,0.020963632,0.0005828198,0.000031285548,0.0013575542,0.3675151,0.0007947667,0.002975824,0.079700984,0.52581555,0.000106360865],"about_ca_topic_score_codex":0.034129854,"about_ca_topic_score_gemma":0.060478903,"teacher_disagreement_score":0.034129854,"about_ca_system_score_codex":0.0032764517,"about_ca_system_score_gemma":0.0016133308,"threshold_uncertainty_score":0.06786239},"labels":[],"label_agreement":null},{"id":"W2948700773","doi":"10.7202/1059887ar","title":"Music as Refuge: Stillness in Brian Cherney’s Mature Piano Works","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Silence; Piano; Style (visual arts); MAGIC (telescope); Art; History; Literature; Art history; Visual arts; Aesthetics","score_opus":0.0187226911226314,"score_gpt":0.2107510676634626,"score_spread":0.1920283765408312,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948700773","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47847444,0.018538654,0.0027328506,0.051965363,0.0019292218,0.000081743834,0.00011581515,0.0001330946,0.4460288],"genre_scores_gemma":[0.94982076,0.0024293931,0.0004981519,0.0022505645,0.00020057904,0.000020287713,0.000025143532,0.00006885961,0.04468619],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989849,0.00034432954,0.000025872565,0.00013480603,0.00024047686,0.00026964612],"domain_scores_gemma":[0.99919826,0.0003967028,0.0000777602,0.00004463962,0.00008894784,0.00019363254],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00085339166,0.00040439222,0.00027058928,0.0014256408,0.01614338,0.0076951846,0.0006749185,0.0015111263,0.005300718],"category_scores_gemma":[0.0022881157,0.00020890162,0.00013867143,0.0014335621,0.020105366,0.004692028,0.0038853937,0.0044040293,0.00035828445],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000093055285,0.00002498728,0.00092724245,0.00008185461,0.000005326749,0.0014458287,0.751184,0.000065520166,0.0008191721,0.20782065,0.01907288,0.018459553],"study_design_scores_gemma":[0.000016634607,0.00006095907,0.0035794375,0.00023095954,0.000007737736,0.001183632,0.54175854,0.000090604684,0.00045473772,0.013182062,0.43939415,0.000040572773],"about_ca_topic_score_codex":0.0630794,"about_ca_topic_score_gemma":0.14852726,"teacher_disagreement_score":0.0630794,"about_ca_system_score_codex":0.006574432,"about_ca_system_score_gemma":0.0034989703,"threshold_uncertainty_score":0.1254245},"labels":[],"label_agreement":null},{"id":"W2948728285","doi":"10.7202/1059896ar","title":"Ziad Kreidy. 2018. La facture du piano et ses métamorphoses. Château-Gontier (Fr) : Éditions Aedam Musicae, coll. « Musiques xxe–xxie siècles », 128 p. ISBN 978-2-919046485","year":2019,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Piano; Humanities; Art history","score_opus":0.06477576102474476,"score_gpt":0.2584652372002465,"score_spread":0.19368947617550175,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948728285","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013344631,0.6585545,0.0013075783,0.07245517,0.009878024,0.00003323885,0.000889545,0.00023218193,0.2553153],"genre_scores_gemma":[0.03207212,0.33157897,0.0014326907,0.0063757617,0.003797382,0.000091450594,0.00072240055,0.0004744738,0.62345463],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911326,0.000101909674,0.000056131976,0.00013761315,0.00049294095,0.00009816112],"domain_scores_gemma":[0.99935144,0.00018338389,0.000078384866,0.00003564044,0.000261176,0.000090012014],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00071834633,0.0011522756,0.0008058997,0.0019233704,0.0030923898,0.0057899444,0.00073494716,0.0022321895,0.10850287],"category_scores_gemma":[0.002704571,0.00055184634,0.00027340217,0.002300177,0.0021445355,0.007833762,0.0032326581,0.0040401914,0.045270015],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006815262,0.000008012093,0.00015807636,0.00066724507,0.000005594281,0.00011248744,0.0034709885,0.000030879455,0.00035901734,0.040761918,0.8253448,0.1290128],"study_design_scores_gemma":[0.0000038688654,0.000003546125,0.0005218447,0.0003122892,0.0000019655356,0.0000922831,0.00097391626,0.000007990775,0.00006000299,0.0015293483,0.99648714,0.0000058082314],"about_ca_topic_score_codex":0.028939832,"about_ca_topic_score_gemma":0.05276034,"teacher_disagreement_score":0.10850287,"about_ca_system_score_codex":0.005026167,"about_ca_system_score_gemma":0.0026015057,"threshold_uncertainty_score":0.36297822},"labels":[],"label_agreement":null},{"id":"W2948807825","doi":"10.7202/1059890ar","title":"Brian Cherney’s String Trio: Transcendent Pedagogy and the Spiritualization of Technique","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Parallels; Impermanence; String (physics); Musical; Perspective (graphical); Musical expression; Expression (computer science); Consciousness; Architecture; Power (physics); Epistemology; Philosophy; Art; Literature; Aesthetics; Visual arts; Computer science; Theoretical physics; Theology; Physics","score_opus":0.03266193254068971,"score_gpt":0.23764771267314203,"score_spread":0.2049857801324523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948807825","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04228369,0.02586882,0.026018372,0.12605292,0.0031051487,0.000063514955,0.000035008514,0.00019076932,0.7763818],"genre_scores_gemma":[0.89710134,0.012006126,0.008020616,0.008841849,0.0008072898,0.00010014799,0.000019839734,0.00014627892,0.07295649],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99818426,0.0009657314,0.000042076786,0.00017218116,0.00044706548,0.00018859576],"domain_scores_gemma":[0.9984573,0.0010233058,0.00009928511,0.0000797687,0.00016739519,0.00017301517],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001609407,0.00032618133,0.0002654276,0.0014547444,0.005908366,0.005301978,0.00054374814,0.0017459041,0.0034958676],"category_scores_gemma":[0.0031405077,0.0001741432,0.00018227499,0.0013219808,0.028150626,0.005543541,0.0027144887,0.0043595643,0.00047588514],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024824774,0.000014795444,0.00015075415,0.00005461818,0.0000018301332,0.00012887444,0.025202366,0.0000756652,0.00024763803,0.94911414,0.012220115,0.012764351],"study_design_scores_gemma":[0.000025449795,0.000057450972,0.0009552616,0.00032935754,0.00000638556,0.00046834504,0.026455497,0.0005832457,0.0005695148,0.48903778,0.48148164,0.00002997901],"about_ca_topic_score_codex":0.0120900385,"about_ca_topic_score_gemma":0.015602803,"teacher_disagreement_score":0.0120900385,"about_ca_system_score_codex":0.004571744,"about_ca_system_score_gemma":0.0038141331,"threshold_uncertainty_score":0.03317052},"labels":[],"label_agreement":null},{"id":"W2948971972","doi":"10.7202/1059884ar","title":"Brian Cherney: Collaborator and Composer","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"German; Musical; Art history; Art; Performance art; History; Literature; Visual arts","score_opus":0.01048364557899512,"score_gpt":0.2127417992703121,"score_spread":0.20225815369131697,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948971972","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013679649,0.050607216,0.018895807,0.23225191,0.11117815,0.0003478043,0.0023729405,0.0046717436,0.5659948],"genre_scores_gemma":[0.11368898,0.006616918,0.008532319,0.028285207,0.009245754,0.00024660444,0.00072269456,0.0039492887,0.8287122],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9946919,0.0012194513,0.00018153463,0.0013392887,0.0021835668,0.00038424248],"domain_scores_gemma":[0.99343735,0.00092769647,0.00028177208,0.0005805285,0.0028132102,0.00195942],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00278154,0.0013640767,0.0011602798,0.0024413536,0.012791735,0.0063818167,0.0015838788,0.0019271409,0.0934997],"category_scores_gemma":[0.015344707,0.000491086,0.0003156547,0.0023817376,0.0026434513,0.0034337477,0.00450411,0.004709206,0.049390197],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007472186,0.000015378284,0.0004620936,0.00016809515,0.000007321538,0.0005469968,0.012602258,0.00003825157,0.0013690048,0.00919447,0.9307503,0.044771],"study_design_scores_gemma":[0.0000031925165,0.0000053597837,0.00028934775,0.000074755255,0.0000031741831,0.00039981105,0.0048965747,0.000033976143,0.00027203205,0.0005986669,0.9934036,0.000019588939],"about_ca_topic_score_codex":0.023175823,"about_ca_topic_score_gemma":0.055151172,"teacher_disagreement_score":0.97682416,"about_ca_system_score_codex":0.0041377624,"about_ca_system_score_gemma":0.0048456946,"threshold_uncertainty_score":0.31278765},"labels":[],"label_agreement":null},{"id":"W2952511322","doi":"","title":"Rooted and Open as Resource for Expanding Opportunities on Your Own Campus","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Distributed and Parallel Computing Systems","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Resource (disambiguation); Computer science; Data science; History; Computer network","score_opus":0.06892556239636205,"score_gpt":0.28967870349133074,"score_spread":0.22075314109496869,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2952511322","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03164362,0.0012886652,0.015145433,0.1702678,0.01388394,0.00027370104,0.0004889095,0.0024958341,0.764512],"genre_scores_gemma":[0.18955246,0.0009450105,0.016400304,0.019314498,0.0025733286,0.00024351948,0.00047715192,0.0020343312,0.7684593],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99541146,0.0008266486,0.00009949149,0.00040399446,0.0015783698,0.0016801397],"domain_scores_gemma":[0.95380205,0.0006870649,0.0005351474,0.001800378,0.0035896348,0.03958559],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002897978,0.00043663895,0.00067926716,0.002050482,0.02063846,0.019832492,0.00299857,0.0032154266,0.24701148],"category_scores_gemma":[0.011043199,0.00053848885,0.0006955681,0.0015969275,0.005246919,0.014219457,0.032925077,0.009967323,0.09106801],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000083285864,0.00040989893,0.0032044663,0.00006718938,0.000017045406,0.00043188507,0.008631711,0.00013304374,0.0013161241,0.09782438,0.74913025,0.13875067],"study_design_scores_gemma":[0.000013475398,0.0000399491,0.0014417119,0.00008778084,0.0000066766484,0.00013506426,0.016876094,0.000117495794,0.00016387473,0.02752425,0.95355225,0.000041309537],"about_ca_topic_score_codex":0.0064092483,"about_ca_topic_score_gemma":0.03966358,"teacher_disagreement_score":0.24701148,"about_ca_system_score_codex":0.0031944609,"about_ca_system_score_gemma":0.022874923,"threshold_uncertainty_score":0.8263357},"labels":[],"label_agreement":null},{"id":"W2953794263","doi":"","title":"Finding Flourishing : Teaching Self-Care as Course Content","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Higher Education and Employability","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Flourishing; Course (navigation); Content (measure theory); Psychology; Medical education; Mathematics education; Computer science; Medicine; Social psychology; Engineering; Mathematics","score_opus":0.044505369426047284,"score_gpt":0.3209787114916802,"score_spread":0.27647334206563295,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2953794263","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8112258,0.0008005693,0.027906306,0.014040329,0.000700132,0.00052310864,0.00009387202,0.00080935477,0.1439006],"genre_scores_gemma":[0.96682143,0.00028678356,0.020521518,0.0007340875,0.00004944703,0.00016264737,0.00005794058,0.00009764487,0.0112685],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973968,0.0014010825,0.000051731276,0.00023903105,0.00059410266,0.00031714706],"domain_scores_gemma":[0.98647296,0.006950576,0.0006826935,0.00087105576,0.0012164753,0.0038062758],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0043745604,0.00028958684,0.00030635725,0.00065183325,0.0022690909,0.005579732,0.0014264882,0.0007331528,0.008740441],"category_scores_gemma":[0.01842855,0.00020397216,0.0003728756,0.00047074855,0.0019877488,0.002509177,0.003527526,0.0020071312,0.0008563212],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023700221,0.006288513,0.02769984,0.00033575777,0.000039324612,0.00015227492,0.038826443,0.00062475423,0.004907909,0.03351183,0.02669295,0.86068344],"study_design_scores_gemma":[0.00075549923,0.004624493,0.21821007,0.0022690939,0.00048801868,0.0008054114,0.23320015,0.020960294,0.02337642,0.2633755,0.23162182,0.0003132997],"about_ca_topic_score_codex":0.0034304743,"about_ca_topic_score_gemma":0.010999275,"teacher_disagreement_score":0.008740441,"about_ca_system_score_codex":0.0031485166,"about_ca_system_score_gemma":0.0071319593,"threshold_uncertainty_score":0.029239714},"labels":[],"label_agreement":null},{"id":"W2955217238","doi":"10.7202/1059883ar","title":"How I Might Have Become a Composer","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Piano; Musical; Reading (process); History; Performance art; Visual arts; Art history; Literature; Media studies; Art; Sociology; Political science; Law","score_opus":0.022786175655373785,"score_gpt":0.24771377051858226,"score_spread":0.22492759486320849,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2955217238","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044456653,0.017775891,0.003100256,0.43185404,0.03188938,0.00010896313,0.00011916125,0.0003028362,0.4703928],"genre_scores_gemma":[0.39432958,0.010248139,0.0018546871,0.12808721,0.0043998705,0.00010638673,0.00013366468,0.0005800605,0.46026054],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99201983,0.0033251795,0.00014978963,0.00092844106,0.0016596292,0.0019171326],"domain_scores_gemma":[0.9930534,0.00051169796,0.0002688023,0.00033818427,0.0013649033,0.0044629136],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0063189114,0.00080631446,0.000622227,0.0010149678,0.029296074,0.0153899845,0.0018360723,0.0052778907,0.017564816],"category_scores_gemma":[0.014740845,0.00059761154,0.0006657623,0.0007152846,0.021227917,0.010587113,0.005854519,0.01337386,0.011995143],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012680952,0.00013048823,0.0043541943,0.0001488951,0.000036888407,0.0023258938,0.4528771,0.000069200534,0.001017145,0.08538704,0.41709653,0.036429755],"study_design_scores_gemma":[0.000012182002,0.000059121085,0.00082187477,0.00020620256,0.000011235447,0.00093140296,0.1408109,0.000026528123,0.00013746497,0.005646514,0.85129505,0.000041496398],"about_ca_topic_score_codex":0.072899096,"about_ca_topic_score_gemma":0.1391809,"teacher_disagreement_score":0.072899096,"about_ca_system_score_codex":0.008927173,"about_ca_system_score_gemma":0.007646297,"threshold_uncertainty_score":0.14494956},"labels":[],"label_agreement":null},{"id":"W2961898626","doi":"","title":"From Our Students: Annie Schone","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Educational Leadership and Practices","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.0643848260872666,"score_gpt":0.3627402233365029,"score_spread":0.2983553972492363,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2961898626","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011644502,0.02258607,0.00022057892,0.90826017,0.053982355,0.000012425699,0.00007123116,0.00005252561,0.013650255],"genre_scores_gemma":[0.036331765,0.026784323,0.00071980816,0.62249225,0.036262825,0.00008039813,0.000079296515,0.00030142616,0.27694792],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.996414,0.0011037987,0.0001194313,0.00042529264,0.0013563051,0.0005812936],"domain_scores_gemma":[0.98544794,0.0018346431,0.0004282407,0.0002483497,0.0035329186,0.00850788],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033401945,0.0011466399,0.0010226751,0.0012911537,0.009818993,0.008014578,0.0013138496,0.0049856342,0.028282735],"category_scores_gemma":[0.023496073,0.00039449232,0.00047072544,0.00061185675,0.005719924,0.0064620324,0.0074150595,0.01786318,0.015325447],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009172262,0.000025827858,0.00019457469,0.00004610874,0.0000045451916,0.000118851436,0.0022570556,0.000015191163,0.00006650539,0.0038235735,0.9874872,0.005951479],"study_design_scores_gemma":[0.0000065793233,0.000015029459,0.00041867455,0.00033402065,0.000005795069,0.00049276085,0.011761278,0.000022726055,0.00008398539,0.0036051893,0.98322886,0.000024999234],"about_ca_topic_score_codex":0.016612673,"about_ca_topic_score_gemma":0.04223499,"teacher_disagreement_score":0.028282735,"about_ca_system_score_codex":0.0042285305,"about_ca_system_score_gemma":0.008417653,"threshold_uncertainty_score":0.09461516},"labels":[],"label_agreement":null},{"id":"W2965642599","doi":"10.7202/1059891ar","title":"Experiencing Time in Brian Cherney’s String Quartet No. 4 (1994)","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Counterpoint; Movement (music); Spacetime; Coherence (philosophical gambling strategy); String (physics); Cohesion (chemistry); Linguistics; Literature; Philosophy; Epistemology; Mathematics; Sociology; Art; Aesthetics; Theoretical physics; Physics; Statistics","score_opus":0.018055885636654057,"score_gpt":0.19393770347933728,"score_spread":0.17588181784268322,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2965642599","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14616714,0.01714577,0.01933542,0.11564163,0.0056771757,0.00007778821,0.0001672963,0.00035677658,0.695431],"genre_scores_gemma":[0.8455357,0.0021633976,0.0041844235,0.005793706,0.00036085144,0.00006725349,0.000057913694,0.0001869969,0.14164977],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998681,0.0006831425,0.000026083868,0.00017616009,0.0002476865,0.00018595533],"domain_scores_gemma":[0.9994357,0.0002587001,0.000056247478,0.00004286753,0.00009187259,0.000114571754],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010126821,0.00039195138,0.000213921,0.00072592346,0.0072789746,0.006165032,0.0005033164,0.0016955788,0.004427531],"category_scores_gemma":[0.0025102778,0.00022265632,0.00016549221,0.0006597394,0.014421538,0.0041227955,0.002432382,0.003785731,0.000673764],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010421515,0.000017665414,0.00058902544,0.000053014213,0.000005063456,0.0003362567,0.09982568,0.00011793278,0.0008331645,0.81954193,0.058107417,0.020468634],"study_design_scores_gemma":[0.000017445545,0.000050724637,0.0014894844,0.00010308683,0.0000064777983,0.00042003405,0.035332154,0.00019692421,0.0005962172,0.07714843,0.8846055,0.0000333834],"about_ca_topic_score_codex":0.02136485,"about_ca_topic_score_gemma":0.032748852,"teacher_disagreement_score":0.97863513,"about_ca_system_score_codex":0.005233879,"about_ca_system_score_gemma":0.0017838452,"threshold_uncertainty_score":0.042480946},"labels":[],"label_agreement":null},{"id":"W2973113312","doi":"","title":"Rooted and Open : Background, Purpose, and Challenges","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cooperative Studies and Economics","field":"Business, Management and Accounting","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.06014858783024658,"score_gpt":0.2195575808594851,"score_spread":0.1594089930292385,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2973113312","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.041541878,0.14822172,0.034866154,0.4065828,0.004312101,0.00015035938,0.0003750604,0.000148531,0.3638015],"genre_scores_gemma":[0.82105106,0.09954073,0.013972835,0.025834467,0.0077696,0.00033656263,0.00031278864,0.0004753766,0.030706676],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9906983,0.0044147265,0.0004245892,0.001417834,0.0015859758,0.0014586364],"domain_scores_gemma":[0.9620727,0.025911862,0.0018365347,0.0025665886,0.0038252547,0.0037870363],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.013431099,0.0007113222,0.0014708423,0.0050645373,0.014827852,0.036356803,0.0052766316,0.011112776,0.012669177],"category_scores_gemma":[0.022833591,0.0007588555,0.0006098886,0.011686801,0.073217124,0.038976356,0.011989482,0.014826814,0.002234592],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019866551,0.000052834534,0.0007416745,0.00021530138,0.0000026821763,0.00007012794,0.016721906,0.00005520092,0.00004972005,0.94558287,0.0049443035,0.031543437],"study_design_scores_gemma":[0.000008751537,0.00003077041,0.0013227074,0.0021794802,0.000012149425,0.00028707203,0.057104163,0.0004269965,0.00014944442,0.75970507,0.17873627,0.000037109618],"about_ca_topic_score_codex":0.019123666,"about_ca_topic_score_gemma":0.026568655,"teacher_disagreement_score":0.036356803,"about_ca_system_score_codex":0.010548946,"about_ca_system_score_gemma":0.020350683,"threshold_uncertainty_score":0.076538324},"labels":[],"label_agreement":null},{"id":"W2980381649","doi":"10.7202/1051601ar","title":"Le crossover en musique classique au Québec : portrait d’une pratique établie chez l’Orchestre symphonique de Québec","year":2018,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Political science","score_opus":0.024355937698893864,"score_gpt":0.2539621755006314,"score_spread":0.22960623780173753,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2980381649","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8094008,0.0014738018,0.0050182403,0.011078774,0.00015670765,0.000113872404,0.00031123,0.00007832943,0.1723683],"genre_scores_gemma":[0.9461588,0.0003910768,0.00080006605,0.00038065558,0.000012071095,0.000026151385,0.00006159861,0.00002527775,0.052144334],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9991358,0.00020789802,0.000017045919,0.00014957404,0.0002016843,0.0002880312],"domain_scores_gemma":[0.9983735,0.00040048375,0.00011853387,0.000063699976,0.00059888576,0.00044482114],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001211356,0.0002855879,0.00025581734,0.0010916876,0.015550982,0.0046126493,0.00082211726,0.0009252681,0.014168989],"category_scores_gemma":[0.002080616,0.0002139104,0.00018344108,0.001817708,0.0077952826,0.001525806,0.0017197455,0.002071836,0.0004496904],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001584757,0.0000682732,0.036007263,0.000189945,0.000032465836,0.0009508959,0.76164204,0.000751943,0.00503308,0.09068599,0.019288594,0.08519099],"study_design_scores_gemma":[0.000013929726,0.00006734219,0.09543901,0.00024052977,0.000026908261,0.00016878366,0.56088436,0.0010695837,0.0008439083,0.0024237733,0.33875167,0.000070328104],"about_ca_topic_score_codex":0.9703784,"about_ca_topic_score_gemma":0.9908613,"teacher_disagreement_score":0.05889413,"about_ca_system_score_codex":0.05889413,"about_ca_system_score_gemma":0.039194647,"threshold_uncertainty_score":0.4273088},"labels":[],"label_agreement":null},{"id":"W2989459781","doi":"","title":"Marked by Lutheran Higher Education","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.020516380373304187,"score_gpt":0.20378998025610984,"score_spread":0.18327359988280564,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2989459781","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022991102,0.005294251,0.0003027457,0.09484003,0.0155366985,0.000038506205,0.0005623746,0.00024539037,0.86018884],"genre_scores_gemma":[0.09533613,0.00043148763,0.0002178661,0.0050822007,0.0010049145,0.0000148707495,0.00007100908,0.00004989176,0.89779156],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99955505,0.000045651104,0.000008936079,0.000061939245,0.00013359,0.00019478389],"domain_scores_gemma":[0.9995222,0.00005173528,0.00002138681,0.000033514738,0.000092027956,0.0002791975],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000493099,0.00022784271,0.00030924953,0.0006593764,0.0071820244,0.005147319,0.00043961426,0.002624536,0.09337517],"category_scores_gemma":[0.0008545072,0.0001643073,0.00017609549,0.0007089363,0.004368152,0.0009032054,0.0024734924,0.0031859723,0.013285411],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000600211,0.000025889529,0.0007926794,0.00005591312,0.0000033191036,0.00013558056,0.001109268,0.00004530997,0.0006101536,0.2759619,0.6960931,0.025106909],"study_design_scores_gemma":[0.0000055973874,0.0000060278758,0.0038202698,0.000018166209,8.91842e-7,0.000027134976,0.0005853056,0.000027521002,0.000092642935,0.0036607096,0.9917503,0.0000054296925],"about_ca_topic_score_codex":0.08148476,"about_ca_topic_score_gemma":0.3047167,"teacher_disagreement_score":0.09337517,"about_ca_system_score_codex":0.006314706,"about_ca_system_score_gemma":0.0074443794,"threshold_uncertainty_score":0.31237108},"labels":[],"label_agreement":null},{"id":"W2990731963","doi":"","title":"The Vocation of White People in a Racist Society","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"White (mutation); Sociology; Gender studies; History; Biology","score_opus":0.013249098296367152,"score_gpt":0.2573898965886233,"score_spread":0.24414079829225618,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2990731963","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80912393,0.0005027556,0.00016501293,0.021571847,0.00053122645,0.000024944535,0.0000354943,0.000009069031,0.16803561],"genre_scores_gemma":[0.9581685,0.00016792674,0.000057876907,0.0036183023,0.000116133466,0.000015228908,0.000013738819,0.000018079532,0.0378242],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99583274,0.001558612,0.000046757486,0.00024131588,0.0004364943,0.001884123],"domain_scores_gemma":[0.9978502,0.00024270183,0.00019657631,0.00006071123,0.0002935399,0.0013562227],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023944061,0.00037059764,0.0004049174,0.0015507443,0.05945925,0.008246629,0.0008248133,0.0026457428,0.008565519],"category_scores_gemma":[0.0027425757,0.00025222835,0.00021819066,0.0011809348,0.0138426,0.0023363105,0.0066826036,0.0039508822,0.00063811924],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008760466,0.00010506986,0.013643281,0.00002677556,0.000014512126,0.00081816013,0.91197026,0.00002308433,0.00080643955,0.04011318,0.019590952,0.012800637],"study_design_scores_gemma":[0.00000732137,0.00003716011,0.013996763,0.00004779819,0.000010191352,0.00020149062,0.8979907,0.000027998689,0.00019200056,0.0021768045,0.08529391,0.000017871222],"about_ca_topic_score_codex":0.16192333,"about_ca_topic_score_gemma":0.43119752,"teacher_disagreement_score":0.16192333,"about_ca_system_score_codex":0.0046296455,"about_ca_system_score_gemma":0.0072409245,"threshold_uncertainty_score":0.3219617},"labels":[],"label_agreement":null},{"id":"W2991669585","doi":"","title":"Reconciled Diversity: Reflections on our Calling to Embrace our Religious Neighbors","year":2011,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion, Society, and Development","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Diversity (politics); Data science; Epistemology; Sociology; History; Computer science; Anthropology; Philosophy","score_opus":0.10906989910046301,"score_gpt":0.3157652172464126,"score_spread":0.2066953181459496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991669585","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07068785,0.0035135713,0.0024359243,0.8316228,0.004446478,0.000032224925,0.000038978218,0.000035997262,0.08718615],"genre_scores_gemma":[0.8795671,0.0011491211,0.0014689103,0.10090113,0.0011460491,0.000061263054,0.000023995119,0.00011958391,0.01556285],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.97455424,0.01543364,0.0004331531,0.0011830538,0.0025578453,0.0058381],"domain_scores_gemma":[0.9790247,0.00794956,0.0010171627,0.001336937,0.0034437962,0.0072278506],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.023230456,0.0005136553,0.00084098877,0.0013478576,0.049878284,0.01786769,0.004518222,0.01801967,0.008423143],"category_scores_gemma":[0.03410382,0.00051340443,0.00068091246,0.0017085376,0.08326829,0.013448448,0.020465763,0.034390423,0.0006716298],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003481589,0.00004757597,0.0013683056,0.000049358976,0.000020433114,0.0005675955,0.7238217,0.000079116944,0.00029375448,0.21449378,0.045441754,0.0137817925],"study_design_scores_gemma":[0.000027272657,0.00002035662,0.0011485958,0.00022599773,0.000013811203,0.00033121798,0.636515,0.00006675531,0.00018269278,0.0602219,0.30119616,0.00005025609],"about_ca_topic_score_codex":0.09093882,"about_ca_topic_score_gemma":0.18488154,"teacher_disagreement_score":0.9090612,"about_ca_system_score_codex":0.017217489,"about_ca_system_score_gemma":0.02818408,"threshold_uncertainty_score":0.18081897},"labels":[],"label_agreement":null},{"id":"W2991731235","doi":"","title":"Response: Tat for Teat","year":2000,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Pacific and Southeast Asian Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.0321873717290768,"score_gpt":0.2870638950951373,"score_spread":0.2548765233660605,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991731235","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00030570434,0.0007250186,0.00012423482,0.92857456,0.067755744,0.00004475658,0.00010892078,0.00008074452,0.0022803457],"genre_scores_gemma":[0.001291322,0.00023547544,0.000083136765,0.9686584,0.012066862,0.000070308924,0.00002654622,0.000039372317,0.017528562],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99540174,0.0011540959,0.00047857917,0.0007471723,0.0010309109,0.0011874655],"domain_scores_gemma":[0.9855822,0.005879771,0.00087841117,0.0005097437,0.004031836,0.003118122],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0041951304,0.0016882512,0.0019016251,0.0012182803,0.012140317,0.008385381,0.0033040205,0.07108652,0.048917376],"category_scores_gemma":[0.04317575,0.0011744228,0.0026149596,0.0009310463,0.004718479,0.0051430766,0.0068786065,0.06269448,0.028622705],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032546926,0.000008710736,0.00019486522,0.000032823886,0.000009403537,0.0002776501,0.0002137783,0.000021761593,0.00009422591,0.0006117166,0.99715173,0.0013507933],"study_design_scores_gemma":[0.00005937254,0.00004567414,0.0009568194,0.00024561005,0.000025973166,0.00044628253,0.0036297464,0.00014360559,0.00017988264,0.0023473846,0.9918285,0.00009110577],"about_ca_topic_score_codex":0.012556922,"about_ca_topic_score_gemma":0.019223873,"teacher_disagreement_score":0.07108652,"about_ca_system_score_codex":0.006210323,"about_ca_system_score_gemma":0.008766748,"threshold_uncertainty_score":0.16364497},"labels":[],"label_agreement":null},{"id":"W2991755534","doi":"","title":"What it Means to Build the Bridge: Identity and Diversity at ELCA Colleges","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Higher Education Research Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Bridge (graph theory); Diversity (politics); Identity (music); Genealogy; Geography; Library science; History; Sociology; Computer science; Anthropology; Biology; Art; Aesthetics","score_opus":0.0513426286116968,"score_gpt":0.34364811863965533,"score_spread":0.2923054900279585,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991755534","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8686049,0.0006742181,0.00068851124,0.061353542,0.00034793295,0.000029925339,0.000034355246,0.000023140215,0.06824347],"genre_scores_gemma":[0.9938712,0.00010625435,0.00014458917,0.0015004694,0.000031505897,0.000010227824,0.000007916069,0.000011234095,0.004316619],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9828467,0.0058328384,0.00032094136,0.00097208965,0.0029398436,0.0070875986],"domain_scores_gemma":[0.97178483,0.0034289714,0.0017368277,0.00060651544,0.0020492817,0.02039354],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0088887,0.00027356826,0.0005850078,0.0024460917,0.049225703,0.030436298,0.003505117,0.005139194,0.022262229],"category_scores_gemma":[0.020088602,0.0004162504,0.00042174733,0.0026590605,0.02281961,0.011218311,0.02791353,0.008025618,0.0014029325],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017227296,0.0004978617,0.080358654,0.00011875305,0.000043158157,0.00073188887,0.73198915,0.00015278034,0.0006212927,0.088416435,0.017747104,0.079150625],"study_design_scores_gemma":[0.000010405313,0.00004863958,0.015117129,0.000117311465,0.000011031376,0.00011282949,0.953964,0.00007991925,0.00012795076,0.010830955,0.019543331,0.00003641227],"about_ca_topic_score_codex":0.06284857,"about_ca_topic_score_gemma":0.14125441,"teacher_disagreement_score":0.06284857,"about_ca_system_score_codex":0.013263936,"about_ca_system_score_gemma":0.03502924,"threshold_uncertainty_score":0.12496549},"labels":[],"label_agreement":null},{"id":"W2991847427","doi":"","title":"Things That Renew Hope","year":2000,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Computer science","score_opus":0.01974664954621228,"score_gpt":0.18832230124979718,"score_spread":0.1685756517035849,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991847427","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027741455,0.012796026,0.0022666687,0.7803536,0.03875262,0.000035686357,0.00014137344,0.00021364429,0.1626662],"genre_scores_gemma":[0.2267562,0.008050358,0.0032359276,0.49283063,0.02404296,0.00019109625,0.00019577224,0.0005485397,0.24414861],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9937464,0.0020478503,0.0001831845,0.00059218233,0.0019363433,0.0014940599],"domain_scores_gemma":[0.9837917,0.0032394268,0.0006334072,0.0021169477,0.002841971,0.0073764776],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008281766,0.0007625027,0.0008463282,0.0016618875,0.0172696,0.0213285,0.0016626075,0.010991836,0.043047644],"category_scores_gemma":[0.025786176,0.00042519133,0.0008279655,0.0011215621,0.04028218,0.019898575,0.012019983,0.023060339,0.010671358],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002455801,0.00003936706,0.0003079417,0.00005796144,0.000018908708,0.00009120197,0.0048178555,0.000062109524,0.00010026497,0.56029314,0.41333994,0.02084678],"study_design_scores_gemma":[0.000017908667,0.000012617939,0.0001750225,0.00014843531,0.000008740766,0.000055599892,0.0067388574,0.00003394659,0.00006270484,0.27587134,0.71685195,0.000022830252],"about_ca_topic_score_codex":0.010700702,"about_ca_topic_score_gemma":0.03270046,"teacher_disagreement_score":0.043047644,"about_ca_system_score_codex":0.006777104,"about_ca_system_score_gemma":0.019344218,"threshold_uncertainty_score":0.1440087},"labels":[],"label_agreement":null},{"id":"W2991859172","doi":"","title":"What Could the Lutheran Colleges and Universities Contribute to the ELCA Discussion of Sexuality--But What Would They Actually Contribute?","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Theology and Canon Law Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Human sexuality; Sociology; Library science; Gender studies; Computer science","score_opus":0.015028052639333218,"score_gpt":0.21637397472953646,"score_spread":0.20134592209020324,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991859172","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006924171,0.0057672462,0.00035003526,0.92954415,0.005980507,0.000026126016,0.000028639544,0.000012380109,0.051366717],"genre_scores_gemma":[0.36947832,0.0074649127,0.0011644209,0.5623139,0.009315447,0.000114255745,0.000041016356,0.000071618706,0.05003621],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98015344,0.011189645,0.00028697363,0.00051515043,0.0031011747,0.004753663],"domain_scores_gemma":[0.9398015,0.033914905,0.00216197,0.0016079977,0.009332404,0.01318125],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.03776145,0.0007460848,0.0010064831,0.0041940887,0.02410871,0.025928233,0.0035624837,0.027800867,0.019106187],"category_scores_gemma":[0.05729064,0.00049602764,0.0010783585,0.0029751388,0.027038176,0.018686593,0.012806405,0.0156000415,0.0018021427],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000092026174,0.00017223902,0.0071042436,0.00041221833,0.00006247085,0.000350415,0.03080419,0.0001754262,0.00011860323,0.7259419,0.19151628,0.04325],"study_design_scores_gemma":[0.000070593036,0.000049099766,0.0055122,0.0017967197,0.00008571404,0.0001854772,0.13566194,0.00033478678,0.0003176037,0.12662524,0.72927815,0.00008249865],"about_ca_topic_score_codex":0.054318223,"about_ca_topic_score_gemma":0.10051397,"teacher_disagreement_score":0.054318223,"about_ca_system_score_codex":0.01744699,"about_ca_system_score_gemma":0.039291706,"threshold_uncertainty_score":0.19970399},"labels":[],"label_agreement":null},{"id":"W2991861143","doi":"","title":"Reforming Our Visions of City Nature","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Environmental and Regional History","field":"Environmental Science","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Vision; Political science; Sociology; Anthropology","score_opus":0.014173142913205403,"score_gpt":0.23095991612395378,"score_spread":0.21678677321074838,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991861143","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035778094,0.003969273,0.012816038,0.41019666,0.0031462212,0.00003545524,0.00016403782,0.0001463308,0.53374785],"genre_scores_gemma":[0.89323896,0.0016631964,0.005309382,0.019260302,0.00091753155,0.00007811054,0.00010943648,0.00020251678,0.0792205],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953053,0.0019189153,0.0001270756,0.00046126405,0.0010617661,0.0011256358],"domain_scores_gemma":[0.99520135,0.00085188425,0.00021490811,0.0006146006,0.0018149948,0.0013023013],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0062222034,0.00052970485,0.0005677471,0.0020163024,0.02170809,0.023810888,0.0024529896,0.007824069,0.01264039],"category_scores_gemma":[0.007963276,0.00044447358,0.0004817549,0.0021012032,0.052619018,0.015451731,0.007603754,0.013474974,0.0011488397],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006572845,0.000012836757,0.00025307204,0.000014815581,0.000003615422,0.000018944467,0.008973085,0.00032469624,0.000046000234,0.96901894,0.01742651,0.003900975],"study_design_scores_gemma":[0.000009901619,0.00001073229,0.0006734012,0.00007912034,0.000009574361,0.000028948347,0.031832486,0.00040536857,0.00012324932,0.4808382,0.48596296,0.000026075797],"about_ca_topic_score_codex":0.20107754,"about_ca_topic_score_gemma":0.38303587,"teacher_disagreement_score":0.20107754,"about_ca_system_score_codex":0.024379805,"about_ca_system_score_gemma":0.029265087,"threshold_uncertainty_score":0.39981425},"labels":[],"label_agreement":null},{"id":"W2991885400","doi":"","title":"Building on a Firm Foundation: ELCA Inter-Religious Relations","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Foundation (evidence); Geography; Archaeology","score_opus":0.02511094689754678,"score_gpt":0.3003124766974927,"score_spread":0.27520152979994594,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991885400","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10178114,0.001140921,0.002155446,0.08543291,0.00040556947,0.000042879692,0.000050822502,0.00006129692,0.80892897],"genre_scores_gemma":[0.9143213,0.00027299867,0.00050897035,0.004863046,0.00007527702,0.000019270927,0.000021727927,0.000030317164,0.07988703],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99676836,0.0010194978,0.000046584337,0.00023248914,0.00048046056,0.0014527082],"domain_scores_gemma":[0.99502426,0.0012101603,0.00028595063,0.00042054756,0.0010371895,0.0020218242],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0046746023,0.00018468362,0.00022748584,0.0016705436,0.018740913,0.017236985,0.001478554,0.0037525622,0.057380497],"category_scores_gemma":[0.007874717,0.00025229086,0.0002689945,0.0018835927,0.01581025,0.010058634,0.011449601,0.0050078435,0.0032874844],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030566927,0.000096240394,0.005060773,0.000022435142,0.0000078396115,0.00025116024,0.026243616,0.000116978255,0.00015348579,0.89667785,0.026820397,0.044518597],"study_design_scores_gemma":[0.000040396095,0.00003193279,0.01912779,0.00030262626,0.000018035505,0.000105726045,0.1628348,0.00050450483,0.00026968346,0.20354676,0.6131784,0.000039436094],"about_ca_topic_score_codex":0.15149245,"about_ca_topic_score_gemma":0.35030386,"teacher_disagreement_score":0.15149245,"about_ca_system_score_codex":0.018801449,"about_ca_system_score_gemma":0.026616244,"threshold_uncertainty_score":0.3012213},"labels":[],"label_agreement":null},{"id":"W2991951999","doi":"","title":"Original Song Lyrics: \"Just a Little\"","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Lyrics; History; Art; Literature","score_opus":0.048498577892354684,"score_gpt":0.22452567619717725,"score_spread":0.17602709830482258,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991951999","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014552015,0.012931271,0.009277353,0.07308439,0.1471993,0.00023991785,0.0035319242,0.0021065779,0.7370773],"genre_scores_gemma":[0.08372271,0.005205379,0.0054791146,0.015465713,0.033671897,0.00012919068,0.0019292624,0.0022523198,0.8521445],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991788,0.00021971294,0.00003645902,0.00008690275,0.00040025197,0.00007787045],"domain_scores_gemma":[0.99757993,0.0002986924,0.000061454004,0.00020832174,0.0014854711,0.0003660518],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006289737,0.00079756096,0.00041759457,0.0016455239,0.0036252595,0.0050646574,0.0006301249,0.0011703694,0.09378747],"category_scores_gemma":[0.0064942474,0.00021905343,0.0002716973,0.0013718087,0.0017615168,0.0024379233,0.0024359364,0.0031210927,0.03363343],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011319107,0.000015649095,0.00027365936,0.00019703784,0.000008521168,0.00012757425,0.002421164,0.00003970869,0.0014202278,0.010427304,0.9144963,0.07045968],"study_design_scores_gemma":[0.00000761493,0.000012339322,0.00076934224,0.0001241345,0.000005862092,0.00015105995,0.0016229079,0.000058784753,0.00023572052,0.0009175484,0.9960821,0.000012659051],"about_ca_topic_score_codex":0.011380901,"about_ca_topic_score_gemma":0.034963932,"teacher_disagreement_score":0.09378747,"about_ca_system_score_codex":0.0012972029,"about_ca_system_score_gemma":0.0012206162,"threshold_uncertainty_score":0.31375033},"labels":[],"label_agreement":null},{"id":"W2991957792","doi":"","title":"Paul Dovre: The Future of Religious Colleges: The Proceedings of the Harvard Conference on the Future of Religious Colleges October 6-7, 2000","year":2002,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Library science; Sociology; Computer science","score_opus":0.017602120615537686,"score_gpt":0.22965466559572087,"score_spread":0.2120525449801832,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991957792","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010525854,0.041020155,0.00017499585,0.9151809,0.016813457,0.00002353263,0.00008471532,0.000016355545,0.025633289],"genre_scores_gemma":[0.075639516,0.060072985,0.0009823656,0.43003014,0.03165898,0.00012371012,0.00022837818,0.00015381108,0.40111023],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99518496,0.0014617413,0.00013239936,0.0005343812,0.0016309344,0.0010557021],"domain_scores_gemma":[0.9916733,0.0023307677,0.0003517584,0.0001750832,0.0012950759,0.0041739433],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007094605,0.0007853912,0.0005865979,0.0014539383,0.019042708,0.015083207,0.002911669,0.02823459,0.026973374],"category_scores_gemma":[0.013757187,0.0006766759,0.0005650567,0.0020442887,0.0061910795,0.015506574,0.00902398,0.022277178,0.0031162289],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015662203,0.000017379418,0.00013910796,0.00005100209,0.0000032912076,0.000047871017,0.001097165,0.000032626773,0.000051312476,0.032960374,0.95983636,0.0057478514],"study_design_scores_gemma":[0.000015329739,0.0000052274727,0.000688086,0.00024198288,0.0000038790567,0.000025319821,0.0032416377,0.000029906969,0.0000563148,0.0052109957,0.9904599,0.00002133821],"about_ca_topic_score_codex":0.14069515,"about_ca_topic_score_gemma":0.42003718,"teacher_disagreement_score":0.14069515,"about_ca_system_score_codex":0.013867071,"about_ca_system_score_gemma":0.021007733,"threshold_uncertainty_score":0.27975243},"labels":[],"label_agreement":null},{"id":"W2991959743","doi":"","title":"The Identity, Mission, Vision, and Goals of a Lutheran College vis à vis Bacon's \"Of Studies\" and Newman's \"The Idea of a University\"","year":2002,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Catholicism and Religious Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Identity (music); Theology; Sociology; Media studies; Art history; Philosophy; History; Aesthetics","score_opus":0.030061268774794495,"score_gpt":0.23394084758134714,"score_spread":0.20387957880655266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991959743","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42189464,0.0012603296,0.0020376707,0.14940515,0.0009731975,0.000040783038,0.00005663049,0.000030542607,0.4243011],"genre_scores_gemma":[0.9829039,0.00015630682,0.00032087404,0.002556107,0.000048089834,0.000010209392,0.000008577433,0.000009612539,0.013986361],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9960756,0.0021843554,0.000079639765,0.00016390493,0.0006229611,0.0008734967],"domain_scores_gemma":[0.994222,0.0004543695,0.00038832994,0.00011538796,0.0006738969,0.004146055],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034853066,0.00017277936,0.0001497297,0.0014148408,0.018185334,0.011894095,0.0005474177,0.001868945,0.0034155063],"category_scores_gemma":[0.0049660816,0.00015440282,0.000113568305,0.0009228262,0.023353424,0.0037278133,0.005330061,0.004674986,0.00036845985],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003635031,0.00009440698,0.010827811,0.000019686457,0.00000675332,0.00009361453,0.10862929,0.000060861727,0.00030420272,0.83927625,0.022048315,0.018602423],"study_design_scores_gemma":[0.000030166668,0.00010263647,0.03258815,0.0002566197,0.000015813552,0.0002453044,0.479854,0.00043798704,0.00054310745,0.19327633,0.29257694,0.00007287962],"about_ca_topic_score_codex":0.04351007,"about_ca_topic_score_gemma":0.12503329,"teacher_disagreement_score":0.04351007,"about_ca_system_score_codex":0.008120936,"about_ca_system_score_gemma":0.020566111,"threshold_uncertainty_score":0.08651364},"labels":[],"label_agreement":null},{"id":"W2992015037","doi":"","title":"Polarization, Incivility, and a Need for \"Change\"","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Social and Intergroup Psychology","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Incivility; Computer science; Psychology; Political science; Computer security; Social psychology","score_opus":0.06751791375971286,"score_gpt":0.3315072656579449,"score_spread":0.263989351898232,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992015037","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83199865,0.00014264493,0.0023829949,0.016072089,0.00007967161,0.000025060057,0.00004563299,0.000029054432,0.14922424],"genre_scores_gemma":[0.9990102,0.000021710734,0.00016190376,0.00017854276,0.000009648948,0.000007906789,0.0000086038735,0.000003716274,0.0005976833],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971572,0.0013164841,0.0000809392,0.00027508975,0.00048937736,0.000680829],"domain_scores_gemma":[0.9898605,0.002950197,0.0022343101,0.0010616962,0.0013930063,0.0025003732],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028324488,0.00013666562,0.00020936485,0.0009904456,0.006434986,0.0057400595,0.0006900829,0.0020905351,0.00612337],"category_scores_gemma":[0.009741889,0.00022945245,0.0002806318,0.00076774514,0.012113971,0.0032977264,0.0047351285,0.0028059713,0.00034514166],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00061691325,0.000876941,0.19691896,0.0001824302,0.00008513854,0.00090225093,0.1467397,0.0006091997,0.004674109,0.5717786,0.007224446,0.06939137],"study_design_scores_gemma":[0.00011630021,0.0002271558,0.2445663,0.000114486,0.00007003517,0.0008118948,0.29573473,0.0015214152,0.0013622773,0.4022703,0.053107597,0.00009766459],"about_ca_topic_score_codex":0.0025279736,"about_ca_topic_score_gemma":0.0038445902,"teacher_disagreement_score":0.006434986,"about_ca_system_score_codex":0.0019352518,"about_ca_system_score_gemma":0.0028482652,"threshold_uncertainty_score":0.020484686},"labels":[],"label_agreement":null},{"id":"W2992084547","doi":"","title":"Serving Two Masters: Teaching and Writing Between Academy and Church","year":2000,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mathematics education; Computer science; History; Visual arts; Art; Psychology","score_opus":0.0441349426240434,"score_gpt":0.33372142005730526,"score_spread":0.2895864774332619,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992084547","genre_codex":"empirical","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6020082,0.0050585796,0.0016378461,0.12577692,0.0029135293,0.00013450389,0.00006413687,0.000110389046,0.26229587],"genre_scores_gemma":[0.933744,0.00086376833,0.0010581516,0.004972782,0.00028775792,0.000076674616,0.00003310417,0.00008955302,0.05887412],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9881661,0.0072691734,0.00023291043,0.00056718953,0.0014244925,0.002340091],"domain_scores_gemma":[0.96245337,0.013938997,0.0020551207,0.0011617691,0.0028977648,0.0174929],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010790714,0.00041335274,0.0006097543,0.001985714,0.030588994,0.015698137,0.0022307106,0.0036625266,0.01629685],"category_scores_gemma":[0.03880794,0.0005821552,0.00036921387,0.0015054647,0.016380852,0.009188096,0.010038769,0.01226482,0.0016953545],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013541758,0.0006788569,0.009410019,0.0000662964,0.00001053953,0.00070510624,0.84523124,0.000045954766,0.00041212467,0.033743702,0.044884432,0.06467638],"study_design_scores_gemma":[0.00004118661,0.00007804144,0.0070754536,0.00015409163,0.000011356256,0.000237637,0.902632,0.000078805795,0.00027354722,0.006497422,0.08289436,0.00002609724],"about_ca_topic_score_codex":0.03858562,"about_ca_topic_score_gemma":0.16014312,"teacher_disagreement_score":0.03858562,"about_ca_system_score_codex":0.013921644,"about_ca_system_score_gemma":0.031745158,"threshold_uncertainty_score":0.10100907},"labels":[],"label_agreement":null},{"id":"W2992197395","doi":"","title":"Moving Forward by Looking Back: Lutheran Vocation as Foundation for Interfaith Ministry","year":2016,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion, Society, and Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Christian ministry; Foundation (evidence); Theology; Philosophy; Political science; Law","score_opus":0.02089188921839083,"score_gpt":0.27995325906070734,"score_spread":0.25906136984231654,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992197395","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034265466,0.00809026,0.00095425383,0.73399705,0.0076553817,0.000030513533,0.000079594865,0.000099533354,0.21482785],"genre_scores_gemma":[0.71055263,0.0024260567,0.0014200328,0.07824577,0.0015194861,0.00006319255,0.00005676029,0.00018733923,0.20552869],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99647456,0.0010028795,0.00005601914,0.00019229834,0.00037858513,0.001895601],"domain_scores_gemma":[0.9969765,0.0002875066,0.00011191788,0.0001330874,0.0004475763,0.0020433639],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0043956744,0.0003704678,0.0003278464,0.0008357041,0.019249214,0.012234998,0.0008969461,0.0062251086,0.023012154],"category_scores_gemma":[0.004744416,0.00021362402,0.00035823951,0.00067207543,0.012381726,0.008934957,0.010308908,0.010121283,0.0024193008],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034435187,0.000053195738,0.00084903854,0.000034082892,0.00000590791,0.0001652473,0.017345414,0.000056956138,0.0002282854,0.8062372,0.15374424,0.021246087],"study_design_scores_gemma":[0.000013245596,0.000025306934,0.0017198214,0.0001394387,0.000007144032,0.00007053927,0.02140384,0.000085922904,0.00014780964,0.05332543,0.9230324,0.000029099392],"about_ca_topic_score_codex":0.07027831,"about_ca_topic_score_gemma":0.21665554,"teacher_disagreement_score":0.07027831,"about_ca_system_score_codex":0.01490782,"about_ca_system_score_gemma":0.03695094,"threshold_uncertainty_score":0.1397385},"labels":[],"label_agreement":null},{"id":"W2992207702","doi":"","title":"Reflections on Our Shared Commitments","year":2007,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Educational Leadership and Practices","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology","score_opus":0.213949616664614,"score_gpt":0.4440855520695553,"score_spread":0.2301359354049413,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992207702","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0041616093,0.0011188202,0.00087446754,0.9522782,0.012420059,0.000015460379,0.00006181576,0.00003442121,0.029035231],"genre_scores_gemma":[0.33631948,0.0014458998,0.0017278966,0.54240465,0.009244784,0.00024704152,0.000109494875,0.0005123406,0.107988365],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9439462,0.022108393,0.0013751718,0.0051855897,0.014385958,0.012998682],"domain_scores_gemma":[0.93276155,0.024218492,0.0025144205,0.005052326,0.01651921,0.01893402],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.028669275,0.0012254162,0.00129491,0.001756294,0.056412436,0.04088404,0.0063671866,0.03727717,0.028081957],"category_scores_gemma":[0.097623415,0.0009178511,0.0013018845,0.0020851158,0.064665586,0.02324146,0.02888837,0.09245238,0.0049763448],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057993813,0.00006097613,0.00038069597,0.000050065453,0.000030466426,0.0004389467,0.11362977,0.0001616525,0.00039232476,0.4012616,0.47523877,0.008296732],"study_design_scores_gemma":[0.000022445463,0.000011726506,0.00037771466,0.00018618282,0.000010496206,0.0001622335,0.1433542,0.00012836762,0.00026441735,0.08102035,0.774369,0.00009283975],"about_ca_topic_score_codex":0.07742098,"about_ca_topic_score_gemma":0.095139146,"teacher_disagreement_score":0.07742098,"about_ca_system_score_codex":0.0278695,"about_ca_system_score_gemma":0.035919562,"threshold_uncertainty_score":0.20220834},"labels":[],"label_agreement":null},{"id":"W2992213497","doi":"","title":"The Lutheran Theological Tradition and Recruiting Lutheran Students","year":2002,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical Legal Studies and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Theology; Sociology; Religious studies; Philosophy; History","score_opus":0.06443459299106656,"score_gpt":0.2762069297512646,"score_spread":0.21177233676019802,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992213497","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63782173,0.003115567,0.00049424404,0.22614662,0.0017734215,0.00020256614,0.000057625457,0.000022848752,0.13036534],"genre_scores_gemma":[0.92964244,0.0013301121,0.0005607006,0.023306997,0.0003297286,0.00027504753,0.000023243936,0.000023677689,0.04450814],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9868559,0.005987975,0.00029857812,0.0004269004,0.0014447131,0.004985824],"domain_scores_gemma":[0.9727999,0.0064770803,0.0018363543,0.0006204077,0.0026159987,0.015650278],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.012740347,0.0002549809,0.000384632,0.0025501119,0.037235,0.01188119,0.0014911536,0.0049969754,0.027111907],"category_scores_gemma":[0.030406777,0.00045190987,0.00017438896,0.0020963377,0.010654697,0.004673741,0.010329503,0.0050318623,0.0025146299],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021374889,0.0010622276,0.079512,0.00023290615,0.000013276199,0.0010602946,0.5810847,0.000057179102,0.0014114742,0.13232529,0.09691996,0.10610695],"study_design_scores_gemma":[0.00006386165,0.00022205334,0.035927694,0.0007214972,0.000013560061,0.0005041642,0.7113746,0.00008611145,0.00030998187,0.011512628,0.2392187,0.000045202967],"about_ca_topic_score_codex":0.01650885,"about_ca_topic_score_gemma":0.14572005,"teacher_disagreement_score":0.037235,"about_ca_system_score_codex":0.0092212735,"about_ca_system_score_gemma":0.041361287,"threshold_uncertainty_score":0.09069842},"labels":[],"label_agreement":null},{"id":"W2992326054","doi":"","title":"The Musician's Vocation","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicians’ Health and Performance","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.028397554660689814,"score_gpt":0.2826122401502361,"score_spread":0.2542146854895463,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992326054","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04448628,0.007915217,0.000699866,0.10096209,0.005436553,0.000020711757,0.00017451507,0.000090916976,0.8402139],"genre_scores_gemma":[0.7631094,0.0058038873,0.0008523242,0.012326187,0.0036773554,0.000027706175,0.00013808005,0.000110027606,0.21395504],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967796,0.0007365863,0.00007385526,0.00021930119,0.0011235597,0.0010670142],"domain_scores_gemma":[0.997024,0.0002921715,0.0001452825,0.00008497601,0.00064877485,0.0018047262],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019122043,0.00039607496,0.00055184605,0.0018793948,0.017533205,0.009555269,0.0007698067,0.0023196605,0.038788687],"category_scores_gemma":[0.003709462,0.00018722922,0.0003321654,0.001810504,0.011071508,0.0023861956,0.006399793,0.0040016025,0.003086106],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022090066,0.0001218082,0.010027908,0.00021230988,0.000049039085,0.0008062956,0.07393512,0.00009670501,0.0012935359,0.4621626,0.30889112,0.14218266],"study_design_scores_gemma":[0.000017288738,0.00006133519,0.021410221,0.00023657162,0.000018002802,0.0004022991,0.06795402,0.00004462872,0.00018435993,0.015248712,0.89438486,0.000037733924],"about_ca_topic_score_codex":0.13839589,"about_ca_topic_score_gemma":0.38069132,"teacher_disagreement_score":0.13839589,"about_ca_system_score_codex":0.009982034,"about_ca_system_score_gemma":0.020738747,"threshold_uncertainty_score":0.2751807},"labels":[],"label_agreement":null},{"id":"W2992392965","doi":"","title":"A College with a Calling: Vocation at Augsburg","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Political and Social Issues","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.024568185556351787,"score_gpt":0.27579940636149497,"score_spread":0.2512312208051432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992392965","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62613535,0.0026909653,0.0006115174,0.17209727,0.017223287,0.00033854455,0.0007946119,0.00046112147,0.17964719],"genre_scores_gemma":[0.57428235,0.00096212566,0.0006475795,0.021761715,0.0020648339,0.0000821057,0.00024022997,0.00046037996,0.39949876],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9981667,0.00029492003,0.000024089833,0.00016348173,0.0001870017,0.0011638129],"domain_scores_gemma":[0.99712116,0.000054399796,0.00005274626,0.000025818237,0.00011944018,0.0026263788],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010355267,0.00082380243,0.0005778064,0.00089115516,0.06547869,0.0054903314,0.0019389588,0.009087519,0.0592201],"category_scores_gemma":[0.0013687211,0.0004302853,0.000492799,0.0008953673,0.005021781,0.0021810273,0.009967817,0.009958368,0.005830854],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008662311,0.0011181548,0.026504224,0.0003503129,0.000049301954,0.05273748,0.2648518,0.00041290218,0.009609153,0.013431076,0.558331,0.071738385],"study_design_scores_gemma":[0.000022310736,0.00020740209,0.027945923,0.00016385526,0.000011387366,0.0029202744,0.55703044,0.000079532605,0.00029125687,0.00071421766,0.41054386,0.00006950108],"about_ca_topic_score_codex":0.12650712,"about_ca_topic_score_gemma":0.6005275,"teacher_disagreement_score":0.12650712,"about_ca_system_score_codex":0.007641425,"about_ca_system_score_gemma":0.012183494,"threshold_uncertainty_score":0.2515415},"labels":[],"label_agreement":null},{"id":"W2992543531","doi":"10.7202/1051593ar","title":"Marshall Mcluhan and Higher Music Education","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Media, Communication, and Education","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Improvisation; Interpretation (philosophy); Music education; Sociology; Musicology; Epistemology; Aesthetics; Pedagogy; Visual arts; Art; Philosophy; Linguistics","score_opus":0.04974526781130165,"score_gpt":0.30893696238180446,"score_spread":0.25919169457050284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992543531","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020829117,0.031208498,0.0019521003,0.40038034,0.000905394,0.000022683427,0.000032137366,0.000042851803,0.54462695],"genre_scores_gemma":[0.828891,0.008796351,0.0015675464,0.026532939,0.0011426476,0.000052288808,0.00001598952,0.00004288311,0.13295837],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9977817,0.001064752,0.00004582698,0.00019278062,0.00059432624,0.0003205712],"domain_scores_gemma":[0.9969326,0.0016838613,0.00033271546,0.00016158416,0.00036828875,0.00052085397],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022776644,0.0002450499,0.00018136759,0.0012108393,0.008587523,0.006308802,0.0007451497,0.0034539008,0.008954147],"category_scores_gemma":[0.005548104,0.00015788244,0.00015692398,0.0013840332,0.02001017,0.004294461,0.003967526,0.0040908935,0.0008972081],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000072549865,0.000015012138,0.00027531676,0.000033207216,0.0000013594339,0.000032258115,0.0039312337,0.00006804931,0.000027237393,0.954121,0.03077726,0.010710755],"study_design_scores_gemma":[0.000014619999,0.000015928248,0.0013540292,0.0003328398,0.0000034077668,0.00006887566,0.008066642,0.00028574263,0.00020068165,0.40794817,0.5816869,0.000022100712],"about_ca_topic_score_codex":0.062118746,"about_ca_topic_score_gemma":0.10709725,"teacher_disagreement_score":0.93788123,"about_ca_system_score_codex":0.017098872,"about_ca_system_score_gemma":0.010041224,"threshold_uncertainty_score":0.124061584},"labels":[],"label_agreement":null},{"id":"W2992666163","doi":"","title":"\"Greed is an Unbelieving Scoundrel\": The Common Good as Commitment to Social Justice","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Human Behavior and Motivation","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Economic Justice; Social justice; Sociology; Psychology; Political science; Criminology; Social psychology; Law","score_opus":0.12500023830475812,"score_gpt":0.3628383191668271,"score_spread":0.23783808086206895,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992666163","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5641451,0.0020949969,0.0033273925,0.12502621,0.0009312269,0.000049616265,0.000054951055,0.00003315014,0.30433747],"genre_scores_gemma":[0.99434704,0.00015075468,0.00018525273,0.0019700455,0.00005079789,0.000008546562,0.000007197984,0.000015163851,0.0032651047],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.995131,0.0028659261,0.00007819822,0.00034020247,0.00065485307,0.0009298295],"domain_scores_gemma":[0.99189353,0.0025681132,0.0013586074,0.0005884218,0.00081303174,0.0027783553],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005636056,0.00024093055,0.00039149594,0.0013704606,0.013540867,0.010549737,0.0013075331,0.004423911,0.00622921],"category_scores_gemma":[0.012466965,0.00031652985,0.00029470248,0.0011466373,0.041048788,0.0070295506,0.00569064,0.0076663895,0.00040282396],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017569441,0.00026809852,0.020692728,0.000078049845,0.00004972167,0.00065602263,0.34029683,0.00022723562,0.00040973854,0.593025,0.018399479,0.025721349],"study_design_scores_gemma":[0.0000556426,0.00007907555,0.0437473,0.00025824763,0.00005643111,0.00044350792,0.5477614,0.00073266233,0.0002520204,0.32271698,0.08377893,0.00011787101],"about_ca_topic_score_codex":0.03309063,"about_ca_topic_score_gemma":0.07581809,"teacher_disagreement_score":0.03309063,"about_ca_system_score_codex":0.005438512,"about_ca_system_score_gemma":0.0066994256,"threshold_uncertainty_score":0.06579602},"labels":[],"label_agreement":null},{"id":"W2992669493","doi":"","title":"Luther's Sutra: An Indian, Subaltern (Dalit) Perspective","year":2017,"lang":"ceb","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Vietnamese History and Culture Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subaltern; Perspective (graphical); History; Philosophy; Sociology; Art; Political science; Visual arts; Law","score_opus":0.04771414305160716,"score_gpt":0.3196306868955177,"score_spread":0.27191654384391056,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992669493","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39765653,0.02423456,0.00033561897,0.08078519,0.0009626444,0.000044253353,0.0001230048,0.000037023616,0.49582124],"genre_scores_gemma":[0.9489775,0.0062493905,0.00015274926,0.006656614,0.00021438583,0.000020387086,0.000017275355,0.000014202353,0.037697487],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99950695,0.00013791089,0.000010752855,0.000040857805,0.000035237823,0.00026823187],"domain_scores_gemma":[0.99953413,0.00015578685,0.000051229406,0.000019462486,0.000050263174,0.00018908834],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00067790615,0.0004628696,0.00036882865,0.00137172,0.015704371,0.007362037,0.0009240527,0.0022611604,0.007637763],"category_scores_gemma":[0.0006924229,0.0002045972,0.000143447,0.0014183768,0.014167364,0.0032693008,0.0037056487,0.005563753,0.00041634822],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000080821505,0.00009925755,0.0033668454,0.00026342014,0.000015866568,0.0017201988,0.43161803,0.000074578355,0.00072169444,0.5332306,0.0096046,0.019204192],"study_design_scores_gemma":[0.000019034129,0.00008518717,0.014438359,0.0005082687,0.000036689522,0.00078438246,0.65002465,0.00014584741,0.0003614967,0.026058793,0.30749002,0.000047203102],"about_ca_topic_score_codex":0.11989821,"about_ca_topic_score_gemma":0.31014797,"teacher_disagreement_score":0.11989821,"about_ca_system_score_codex":0.0072068633,"about_ca_system_score_gemma":0.0070972517,"threshold_uncertainty_score":0.23840064},"labels":[],"label_agreement":null},{"id":"W2992848554","doi":"","title":"Educating for Peace: 21st Century Models for Thinking Globally and Acting Locally","year":2003,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Education and Critical Thinking Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Systems thinking; Computer science; Artificial intelligence","score_opus":0.04233243504932842,"score_gpt":0.3087305593262794,"score_spread":0.266398124276951,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992848554","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011202055,0.008897328,0.028031364,0.28483033,0.002355612,0.00009250416,0.00004315991,0.00013371216,0.6644139],"genre_scores_gemma":[0.8687463,0.0071639502,0.02296726,0.022989877,0.0011528158,0.0004387742,0.00006082498,0.00020009908,0.076280065],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9912615,0.0056775017,0.00015691937,0.0004989126,0.0013806385,0.0010245357],"domain_scores_gemma":[0.99025905,0.0047095264,0.0005928063,0.00075106625,0.001531953,0.0021556192],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01612504,0.0010082278,0.00059713953,0.0024988307,0.016784577,0.022010874,0.0022927774,0.0063525965,0.013177907],"category_scores_gemma":[0.012467576,0.0004075009,0.0005749908,0.0019092135,0.08236625,0.019598559,0.010331287,0.008798201,0.0015029509],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006490123,0.00002067228,0.000090601345,0.000044870896,0.000003750178,0.000022804245,0.018582596,0.00017156031,0.000025961284,0.9647123,0.009956026,0.0063623176],"study_design_scores_gemma":[0.000012194888,0.000010610229,0.00012364383,0.00017709857,0.000005800092,0.000029971612,0.016047424,0.00023117535,0.00007786473,0.8400451,0.14322637,0.000012749383],"about_ca_topic_score_codex":0.029523144,"about_ca_topic_score_gemma":0.04774477,"teacher_disagreement_score":0.029523144,"about_ca_system_score_codex":0.02162038,"about_ca_system_score_gemma":0.03905655,"threshold_uncertainty_score":0.15686756},"labels":[],"label_agreement":null},{"id":"W2993035033","doi":"","title":"Conciliatory and Queer: the Radical Love of Lutheran Higher Education","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"German Social Sciences and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Queer; Gender studies; Queer theory; Sociology; Psychoanalysis; Literature; Psychology; Art; Religious studies; Philosophy","score_opus":0.01797119549567856,"score_gpt":0.2565104322672631,"score_spread":0.23853923677158456,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993035033","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1310478,0.007777838,0.0006393844,0.24970922,0.0021213386,0.000019120353,0.00006658027,0.000048305967,0.60857046],"genre_scores_gemma":[0.9300578,0.00062456605,0.000087856286,0.01325863,0.00062185136,0.000010093981,0.00000911231,0.000033555116,0.055296507],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9965449,0.001885171,0.0000405656,0.00020904905,0.00040103038,0.00091933616],"domain_scores_gemma":[0.99779785,0.0009452848,0.00022139937,0.00019399545,0.0003101455,0.00053143734],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0039001263,0.0003210984,0.00037714987,0.0009368213,0.02750392,0.010696281,0.00086209056,0.0050795716,0.008084146],"category_scores_gemma":[0.0063433563,0.00020338624,0.00020301793,0.0011062562,0.049779676,0.0049982797,0.0047151926,0.009180212,0.00061789167],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003954917,0.000022169592,0.00050752144,0.00001942753,0.000005853794,0.00017332703,0.13939576,0.00003529707,0.00011917785,0.819532,0.03427764,0.0058722408],"study_design_scores_gemma":[0.000038008817,0.00003327665,0.0028933515,0.00014910586,0.0000129213095,0.00026526602,0.15710941,0.00014413326,0.00025825397,0.1324007,0.7066436,0.000051997198],"about_ca_topic_score_codex":0.06399592,"about_ca_topic_score_gemma":0.15877497,"teacher_disagreement_score":0.06399592,"about_ca_system_score_codex":0.011057639,"about_ca_system_score_gemma":0.008878725,"threshold_uncertainty_score":0.12724686},"labels":[],"label_agreement":null},{"id":"W2993121505","doi":"","title":"Can a Christian Be a Journalist","year":2001,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Media, Religion, Digital Communication","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.05875454015194558,"score_gpt":0.23570269160377072,"score_spread":0.17694815145182513,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993121505","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013602618,0.0038703873,0.00027439446,0.47400305,0.009169105,0.000025943606,0.00004353322,0.000052429423,0.49895862],"genre_scores_gemma":[0.46842635,0.0045432444,0.0006442283,0.2084108,0.00476787,0.000046021585,0.00006226815,0.00012506409,0.31297418],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99374795,0.0019746567,0.00011070453,0.00039629903,0.0014075709,0.0023628229],"domain_scores_gemma":[0.9650473,0.004535633,0.0015711696,0.0010979164,0.0047513903,0.022996664],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006278893,0.00035439024,0.00034398207,0.0017044344,0.024123376,0.017572222,0.0014234626,0.010623453,0.060847558],"category_scores_gemma":[0.038813185,0.0004037809,0.00030499746,0.0011743171,0.020418398,0.014842313,0.0049429857,0.008024874,0.017055906],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015062094,0.00019856743,0.005339897,0.000128526,0.00002055853,0.0010379078,0.019648563,0.000048896796,0.00026790772,0.27304903,0.662104,0.0380056],"study_design_scores_gemma":[0.000023055914,0.00002115996,0.0013763312,0.0002878033,0.000009905054,0.0003750589,0.042269405,0.000032699383,0.00014285665,0.044309903,0.9111074,0.000044360226],"about_ca_topic_score_codex":0.02219638,"about_ca_topic_score_gemma":0.06268504,"teacher_disagreement_score":0.060847558,"about_ca_system_score_codex":0.0058160266,"about_ca_system_score_gemma":0.013709598,"threshold_uncertainty_score":0.20355535},"labels":[],"label_agreement":null},{"id":"W2993159237","doi":"","title":"\"Faithful Nones\" and the Importance of a Rooted and Open Pedagogy","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Open Education and E-Learning","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mathematics education; Sociology; Psychology","score_opus":0.01808924771407727,"score_gpt":0.27168165282362466,"score_spread":0.2535924051095474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993159237","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09875767,0.0035652374,0.04689629,0.1735433,0.0016916265,0.00009316633,0.000054796517,0.0002072461,0.6751907],"genre_scores_gemma":[0.9814627,0.000310974,0.002882858,0.0036325497,0.00013985187,0.000046778747,0.000009327312,0.00008379944,0.011431061],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.98159456,0.011125728,0.00048636677,0.0018013137,0.0030150653,0.0019770593],"domain_scores_gemma":[0.97437197,0.013606935,0.0016238911,0.0041697435,0.0028398256,0.0033876766],"candidate_categories":["open_science"],"consensus_categories":[],"category_scores_codex":[0.017501011,0.0004725365,0.0007715707,0.0013727648,0.0117872935,0.013478201,0.0022089614,0.005204668,0.005174644],"category_scores_gemma":[0.030395953,0.00046105747,0.00041615876,0.0007242351,0.13312568,0.016554086,0.014567641,0.014589529,0.00049272005],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000807394,0.000010661646,0.0001730575,0.000015563459,0.0000025021798,0.000022152606,0.010868565,0.000051085837,0.000060520888,0.9848595,0.0010087065,0.0029195745],"study_design_scores_gemma":[0.000010988016,0.00001384029,0.00028695518,0.00006768872,0.000004140556,0.000041042324,0.008391575,0.00015297986,0.00012077307,0.96071774,0.030177746,0.000014573188],"about_ca_topic_score_codex":0.0068257554,"about_ca_topic_score_gemma":0.009243033,"teacher_disagreement_score":0.99779105,"about_ca_system_score_codex":0.00725801,"about_ca_system_score_gemma":0.012320917,"threshold_uncertainty_score":0.092555285},"labels":[],"label_agreement":null},{"id":"W2993183221","doi":"","title":"Engaging the Local Community: Why Bother?","year":2008,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Education Systems and Policy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.09628019733300887,"score_gpt":0.31709881322340666,"score_spread":0.2208186158903978,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993183221","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022224016,0.005325098,0.0016014023,0.91172236,0.00233934,0.000053565953,0.000054437056,0.00008092708,0.056598812],"genre_scores_gemma":[0.67992496,0.0041072974,0.0017587863,0.2523652,0.0016394879,0.00024247431,0.000069667374,0.00024348093,0.05964861],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.98428094,0.008295592,0.00022950037,0.0011361585,0.0018349274,0.0042229234],"domain_scores_gemma":[0.9745335,0.0049750707,0.0011414188,0.0010166672,0.0035300914,0.014803288],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.013042533,0.00058622094,0.0010694254,0.0015367535,0.0237247,0.019315626,0.0027367522,0.015965339,0.045740232],"category_scores_gemma":[0.0255913,0.00047760727,0.00069126877,0.0014651791,0.02615953,0.02722248,0.019323196,0.013563248,0.0062668785],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017122804,0.00048024586,0.011183299,0.0009392366,0.000084088024,0.001257187,0.14593634,0.00015110786,0.0008483952,0.27837172,0.44709876,0.1134784],"study_design_scores_gemma":[0.00007372749,0.00009239565,0.004679779,0.00155727,0.000054714266,0.00047893132,0.39210618,0.00015064409,0.00023081,0.09456286,0.5059177,0.00009499572],"about_ca_topic_score_codex":0.051958755,"about_ca_topic_score_gemma":0.11338587,"teacher_disagreement_score":0.051958755,"about_ca_system_score_codex":0.009314689,"about_ca_system_score_gemma":0.026668588,"threshold_uncertainty_score":0.15301627},"labels":[],"label_agreement":null},{"id":"W2993204157","doi":"","title":"The Promise and Peril of the Interfaith Classroom","year":2016,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Education and Islamic Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology","score_opus":0.02473563763168501,"score_gpt":0.2651196906702839,"score_spread":0.2403840530385989,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993204157","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1036343,0.012262907,0.0077179223,0.22760646,0.0015748914,0.000026677435,0.000083389605,0.00020909714,0.6468843],"genre_scores_gemma":[0.9702588,0.0018479014,0.0018539109,0.0028033012,0.00066449883,0.0000473489,0.00001773394,0.00007027152,0.022436228],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99386287,0.0034074064,0.00008108932,0.0005140565,0.0011489172,0.0009857978],"domain_scores_gemma":[0.98852134,0.006585241,0.0004711902,0.0011929898,0.00091711385,0.0023120292],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010263767,0.0004020567,0.00058175414,0.0014466351,0.012138818,0.021703428,0.002064915,0.0045023127,0.03067864],"category_scores_gemma":[0.014030627,0.00039023056,0.00035248665,0.0007701563,0.042867202,0.029240055,0.014628237,0.009422545,0.002037566],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000065676104,0.00007922103,0.00086152984,0.00006575043,0.0000063707107,0.000088863235,0.019667942,0.00011624853,0.00020192174,0.93938893,0.00625778,0.033199772],"study_design_scores_gemma":[0.00004374997,0.00006930312,0.0020765357,0.0002326935,0.000012311304,0.00017737453,0.049285438,0.00063702685,0.00032605103,0.73068416,0.21640924,0.00004608208],"about_ca_topic_score_codex":0.0067550726,"about_ca_topic_score_gemma":0.014192225,"teacher_disagreement_score":0.03067864,"about_ca_system_score_codex":0.0059303944,"about_ca_system_score_gemma":0.0099447435,"threshold_uncertainty_score":0.10263026},"labels":[],"label_agreement":null},{"id":"W2993238549","doi":"","title":"Poetry: After Months of Clouds, the Sun; First Bird","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; History; Art","score_opus":0.0297554526369019,"score_gpt":0.22644144752037576,"score_spread":0.19668599488347385,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993238549","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.068368755,0.045790773,0.005319709,0.10645239,0.016571566,0.000037011505,0.00026886657,0.00016256185,0.7570284],"genre_scores_gemma":[0.87179023,0.0057553295,0.0009511262,0.004132911,0.0031816033,0.000021636488,0.000066181514,0.00038990815,0.113711104],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99851185,0.0007762409,0.000039015114,0.00016309251,0.00034083068,0.00016897396],"domain_scores_gemma":[0.99731475,0.0012449817,0.00023584775,0.00024995132,0.00052042515,0.0004340681],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018650176,0.00037092567,0.0003591079,0.0016236849,0.013106313,0.010916734,0.0005866239,0.0020192973,0.011783244],"category_scores_gemma":[0.008116451,0.0002507666,0.00018222565,0.0022038491,0.020996768,0.0069078184,0.0023975007,0.005307697,0.0010843395],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011376876,0.000021255299,0.0013140672,0.00011848776,0.000013503772,0.00038537974,0.16834913,0.000060214694,0.00035926566,0.6567299,0.14991158,0.022623355],"study_design_scores_gemma":[0.000009650289,0.000016845577,0.0037816926,0.00022365994,0.000008428506,0.00038996385,0.09854478,0.00006592411,0.00020436669,0.03047709,0.8662605,0.000017032187],"about_ca_topic_score_codex":0.027581235,"about_ca_topic_score_gemma":0.064891085,"teacher_disagreement_score":0.027581235,"about_ca_system_score_codex":0.004653798,"about_ca_system_score_gemma":0.0028860853,"threshold_uncertainty_score":0.0548414},"labels":[],"label_agreement":null},{"id":"W2993302565","doi":"","title":"Called for Life","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Educational Leadership and Practices","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.08314289553720192,"score_gpt":0.34965034522949073,"score_spread":0.2665074496922888,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993302565","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008283316,0.0014647049,0.001591524,0.10510561,0.024013795,0.0001240144,0.0004093352,0.0004917126,0.8585159],"genre_scores_gemma":[0.06647786,0.000577452,0.0009441292,0.035591587,0.0013745583,0.000107686836,0.0003274616,0.0003748443,0.8942244],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953831,0.0012746485,0.00011946109,0.00053813076,0.0012898484,0.0013948568],"domain_scores_gemma":[0.99240255,0.0003907917,0.00019843211,0.00061878364,0.0017003403,0.004689147],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002242613,0.0007260594,0.0006466891,0.0013484373,0.022579888,0.00967843,0.0014275414,0.004094514,0.18759839],"category_scores_gemma":[0.010433033,0.00036562924,0.0009902498,0.0007797134,0.0065126005,0.006620609,0.010481171,0.010241112,0.06869962],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003330276,0.00007559882,0.0012357734,0.0000510443,0.000011374803,0.00027552422,0.01112464,0.000018970637,0.00024716117,0.063032925,0.88852113,0.035372533],"study_design_scores_gemma":[0.0000040809014,0.000011094035,0.0005072706,0.000056241166,0.0000033873573,0.00010905265,0.008889943,0.000008313899,0.000042574935,0.004158419,0.98619777,0.0000118047765],"about_ca_topic_score_codex":0.014690155,"about_ca_topic_score_gemma":0.05087974,"teacher_disagreement_score":0.18759839,"about_ca_system_score_codex":0.005794544,"about_ca_system_score_gemma":0.010533871,"threshold_uncertainty_score":0.62757915},"labels":[],"label_agreement":null},{"id":"W2993304593","doi":"","title":"Sense of Vocation","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Scheduling and Timetabling Solutions","field":"Decision Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sense (electronics); Engineering; Electrical engineering","score_opus":0.09259193457445508,"score_gpt":0.3426845377894289,"score_spread":0.25009260321497384,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993304593","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15311922,0.001156057,0.024234815,0.007223586,0.0009421197,0.000065860906,0.00025277544,0.00011559236,0.81289],"genre_scores_gemma":[0.9721299,0.00020306866,0.0024549677,0.00076564983,0.00008638899,0.000029226285,0.000102330225,0.000055918594,0.024172619],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99596405,0.0013033634,0.00015467715,0.00060797605,0.0011912903,0.0007786194],"domain_scores_gemma":[0.9954171,0.0005169755,0.0006457001,0.0006321769,0.0014764691,0.0013115272],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021525524,0.00035133626,0.00043647294,0.0014817662,0.0037139126,0.0066528944,0.00077493745,0.0011567859,0.013867221],"category_scores_gemma":[0.0079144845,0.00023792005,0.00044975104,0.0009670293,0.007723279,0.00455468,0.006622987,0.0021609848,0.0013898906],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002934227,0.00009076237,0.017777504,0.00014475886,0.00009502883,0.0006523278,0.11304135,0.0006078103,0.0046409485,0.77379435,0.018269453,0.07059227],"study_design_scores_gemma":[0.00003755915,0.00031610168,0.044622,0.00025824874,0.00006177746,0.0020767637,0.18175195,0.0017789855,0.0014635607,0.27319667,0.49425322,0.00018321346],"about_ca_topic_score_codex":0.004980412,"about_ca_topic_score_gemma":0.006567724,"teacher_disagreement_score":0.013867221,"about_ca_system_score_codex":0.0016055737,"about_ca_system_score_gemma":0.001623385,"threshold_uncertainty_score":0.046390474},"labels":[],"label_agreement":null},{"id":"W2993351002","doi":"","title":"On Sharing the Sacred Sauna","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Indian and Buddhist Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.038370801615297205,"score_gpt":0.21254859952957905,"score_spread":0.17417779791428184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993351002","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07312356,0.0025588123,0.0027972248,0.030769343,0.001187335,0.000016782797,0.0000485756,0.000040038867,0.88945836],"genre_scores_gemma":[0.93190295,0.000984163,0.0007880715,0.0021202727,0.00027127922,0.000016837887,0.000028611523,0.00007375263,0.06381413],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99702114,0.0016379297,0.00004380924,0.00021460839,0.0004871901,0.0005952948],"domain_scores_gemma":[0.99816966,0.0006263329,0.00012372337,0.00046155942,0.00032640534,0.00029227632],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002864383,0.0005082134,0.00045179657,0.0010095965,0.02546496,0.012920649,0.0014175625,0.003568211,0.021101708],"category_scores_gemma":[0.0048731696,0.0002581186,0.00030799082,0.0012912878,0.036077756,0.012427647,0.009484795,0.0054171826,0.0016427414],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003748963,0.000017256505,0.00027722382,0.000030398847,0.000006450591,0.00014172475,0.11416534,0.00006304983,0.00018276047,0.85860634,0.014352677,0.012119183],"study_design_scores_gemma":[0.000013162058,0.000037678532,0.0007301782,0.00028890345,0.000017456443,0.00027111082,0.18558428,0.00012061373,0.00030518664,0.2644837,0.5481212,0.000026509297],"about_ca_topic_score_codex":0.016264929,"about_ca_topic_score_gemma":0.035853032,"teacher_disagreement_score":0.02546496,"about_ca_system_score_codex":0.0050671063,"about_ca_system_score_gemma":0.0037031358,"threshold_uncertainty_score":0.070592284},"labels":[],"label_agreement":null},{"id":"W2993373127","doi":"","title":"Impelled to Pluralism: Thoughts About Teaching in a Lutheran University","year":2003,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Education, Psychology, and Social Research","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pluralism (philosophy); Sociology; Epistemology; Pedagogy; Philosophy; Mathematics education; Psychology","score_opus":0.04696184628539157,"score_gpt":0.3645257393729915,"score_spread":0.3175638930875999,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993373127","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31381515,0.0025103725,0.0011016451,0.49568862,0.0029215016,0.00003777262,0.00003099231,0.00005165732,0.18384236],"genre_scores_gemma":[0.94983333,0.00032572626,0.00028044058,0.026299508,0.0006935155,0.000018209581,0.000006865944,0.00004945352,0.022492979],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.98771894,0.0067765447,0.00016075616,0.00061461644,0.0008987584,0.0038304573],"domain_scores_gemma":[0.99115175,0.0023921905,0.00054666057,0.00021877457,0.00069177663,0.0049987985],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009658218,0.00043438695,0.00063434336,0.0016970559,0.08449519,0.021649182,0.0030623844,0.014410957,0.0068490687],"category_scores_gemma":[0.010338325,0.000515456,0.00076802575,0.0017625593,0.06709188,0.01112886,0.016574709,0.023723286,0.00064110896],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004964563,0.00008386977,0.0015086852,0.000028509765,0.00001054087,0.00086334016,0.6835324,0.00006199676,0.00019178548,0.28999746,0.019832863,0.0038388935],"study_design_scores_gemma":[0.000032612952,0.000055774795,0.0019574864,0.00012422018,0.000014387662,0.00042698183,0.7512023,0.00014560836,0.0001692045,0.058933537,0.18688709,0.000050862673],"about_ca_topic_score_codex":0.06939997,"about_ca_topic_score_gemma":0.15159692,"teacher_disagreement_score":0.08449519,"about_ca_system_score_codex":0.027096631,"about_ca_system_score_gemma":0.018092103,"threshold_uncertainty_score":0.19660074},"labels":[],"label_agreement":null},{"id":"W2993496793","doi":"","title":"Vocation and Dharma throughout Life's Stages: A Hindu Perspective","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion, Spirituality, and Psychology","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dharma; Hinduism; Perspective (graphical); History; Sociology; Gender studies; Religious studies; Buddhism; Art; Philosophy; Visual arts; Archaeology","score_opus":0.053107568759889,"score_gpt":0.3635199606681512,"score_spread":0.3104123919082622,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993496793","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70322716,0.029469552,0.0007876577,0.030505108,0.00079079176,0.000030223879,0.00013921387,0.000011806564,0.23503855],"genre_scores_gemma":[0.9896242,0.003246002,0.00020040487,0.0012687106,0.00012567814,0.0000064701176,0.000020465992,0.000005003616,0.005503168],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9995919,0.00017201994,0.0000062141485,0.000027332111,0.000032897933,0.00016965788],"domain_scores_gemma":[0.99954337,0.000136042,0.000050182403,0.00001602061,0.00006132408,0.00019302119],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006299054,0.00024389585,0.000254558,0.0007602209,0.008186563,0.004453277,0.000737313,0.0009975372,0.0032637615],"category_scores_gemma":[0.0005579484,0.00015439752,0.00016012647,0.00087408745,0.009975434,0.0021885692,0.0025635518,0.0025997828,0.0003227816],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012475648,0.00010851577,0.012342024,0.00014654736,0.00001857428,0.00093102374,0.5810188,0.00006072137,0.00087549794,0.35776103,0.006245738,0.040366713],"study_design_scores_gemma":[0.000017289138,0.00015894794,0.06817434,0.0003950894,0.000027306452,0.0011935054,0.6537785,0.00018473345,0.00032173007,0.027170675,0.24853371,0.000044118045],"about_ca_topic_score_codex":0.033656817,"about_ca_topic_score_gemma":0.11892837,"teacher_disagreement_score":0.033656817,"about_ca_system_score_codex":0.004175053,"about_ca_system_score_gemma":0.003127107,"threshold_uncertainty_score":0.06692183},"labels":[],"label_agreement":null},{"id":"W2993517209","doi":"","title":"Lutheran Identity and Diversity in Education","year":2003,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Diversity (politics); Identity (music); Sociology; Genealogy; Gender studies; History; Anthropology; Art; Aesthetics","score_opus":0.04111598049995903,"score_gpt":0.30922330057891884,"score_spread":0.2681073200789598,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993517209","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6231058,0.0016298566,0.00061587885,0.015250428,0.00013055159,0.000010463382,0.000042004758,0.0000072117614,0.35920778],"genre_scores_gemma":[0.99653435,0.00008619556,0.000046467765,0.00016161191,0.000014281044,0.0000021930932,0.0000038641883,0.0000011460075,0.0031499139],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99817777,0.00079122116,0.000042939762,0.00012063732,0.000277385,0.00059005985],"domain_scores_gemma":[0.99808514,0.0005187236,0.00026208657,0.0000982672,0.00022739598,0.0008083879],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019165812,0.00013652339,0.00029067835,0.002157702,0.012962941,0.006836405,0.00047911247,0.0010556706,0.008008455],"category_scores_gemma":[0.003186351,0.00009588446,0.00015287558,0.0017000497,0.015279591,0.0023508875,0.005504503,0.0015433619,0.0002514916],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052321215,0.000090923466,0.024105756,0.000023954193,0.000011414089,0.00014980098,0.10886185,0.00007890193,0.00014843734,0.84936994,0.001712143,0.015394584],"study_design_scores_gemma":[0.000059511203,0.0000953081,0.082726546,0.00019721901,0.000040249026,0.00044583762,0.34497827,0.0003361093,0.0003103423,0.47617105,0.09459384,0.000045704342],"about_ca_topic_score_codex":0.031144211,"about_ca_topic_score_gemma":0.09125574,"teacher_disagreement_score":0.031144211,"about_ca_system_score_codex":0.0057260427,"about_ca_system_score_gemma":0.0047794823,"threshold_uncertainty_score":0.06192583},"labels":[],"label_agreement":null},{"id":"W2993517866","doi":"","title":"Gift and Calling: A Lutheran Perspective on Higher Education","year":2011,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Sociology; Aesthetics; Epistemology; Psychology; Pedagogy; Art; Visual arts; Philosophy","score_opus":0.06706319502608744,"score_gpt":0.31590092317278756,"score_spread":0.24883772814670013,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993517866","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02939405,0.011674537,0.0051047285,0.19343215,0.0019618615,0.000021535914,0.000058871447,0.000049254744,0.7583029],"genre_scores_gemma":[0.8789054,0.0036783812,0.0014771697,0.025825165,0.0023379843,0.000045921286,0.000020423577,0.00005670397,0.08765272],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983839,0.0008908703,0.000037096983,0.00012640144,0.0001917552,0.0003699631],"domain_scores_gemma":[0.9987092,0.0005781644,0.00008265624,0.000076219585,0.00015339503,0.0004004868],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027152502,0.00045175137,0.00047028344,0.0027856685,0.0118162995,0.008237894,0.0010573171,0.0070511983,0.009286377],"category_scores_gemma":[0.0027002553,0.00018591298,0.00031951445,0.0019682287,0.047942877,0.0063130544,0.003451166,0.007182817,0.0005829586],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002418634,0.0000040940545,0.00003669766,0.0000035006417,3.6564663e-7,0.000015059829,0.00268461,0.000015654845,0.000006744479,0.9948565,0.0015010218,0.0008733383],"study_design_scores_gemma":[0.000023215944,0.00002088219,0.00072342495,0.00008757354,0.000005735645,0.00013252499,0.008624031,0.00020913329,0.000051773794,0.790784,0.19931626,0.000021345697],"about_ca_topic_score_codex":0.03493311,"about_ca_topic_score_gemma":0.068538435,"teacher_disagreement_score":0.03493311,"about_ca_system_score_codex":0.013077683,"about_ca_system_score_gemma":0.0072540264,"threshold_uncertainty_score":0.09488571},"labels":[],"label_agreement":null},{"id":"W2993630144","doi":"","title":"Vocation of the Lutheran College and Religious Diversity","year":2011,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Religious diversity; Diversity (politics); Religious studies; Sociology; History; Anthropology; Philosophy","score_opus":0.046981092874975594,"score_gpt":0.1855359392421443,"score_spread":0.1385548463671687,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993630144","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.884643,0.0012598378,0.000059010792,0.008567828,0.00014606243,0.000009563732,0.000065515254,0.0000027815306,0.10524633],"genre_scores_gemma":[0.9951426,0.00009063346,0.000011078299,0.00024948924,0.000031268064,0.0000014463267,0.000006135775,0.0000014645233,0.004465816],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99848586,0.00040788186,0.00003076545,0.00010224097,0.00028104836,0.00069229235],"domain_scores_gemma":[0.9973418,0.00049401756,0.00027270184,0.000078441866,0.0003927828,0.0014201569],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012921429,0.00007310125,0.00022789223,0.0012652231,0.0108758835,0.004008391,0.00055883854,0.0006570146,0.009587965],"category_scores_gemma":[0.004015923,0.00006978953,0.00010361997,0.001213825,0.007438399,0.0010513589,0.0035075464,0.0018925797,0.00029215837],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033496914,0.00034255136,0.21192533,0.0000688372,0.000060004593,0.00068610604,0.22380853,0.00010160613,0.0013593298,0.46057433,0.014601648,0.086136684],"study_design_scores_gemma":[0.000040186987,0.00011016997,0.55249274,0.00015850108,0.000032645752,0.0005268446,0.26262572,0.00010112801,0.00046936978,0.018430771,0.16495831,0.00005362521],"about_ca_topic_score_codex":0.0819195,"about_ca_topic_score_gemma":0.34915864,"teacher_disagreement_score":0.0819195,"about_ca_system_score_codex":0.006168688,"about_ca_system_score_gemma":0.0052657058,"threshold_uncertainty_score":0.16288531},"labels":[],"label_agreement":null},{"id":"W2993748401","doi":"","title":"Building an Interfaith Bridge","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Linguistic Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Bridge (graph theory); Computer science; Medicine","score_opus":0.04733972508628864,"score_gpt":0.2987259143913205,"score_spread":0.25138618930503187,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993748401","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0897473,0.0012190499,0.31688777,0.014313005,0.0015244549,0.00037080576,0.00024887966,0.001703698,0.5739851],"genre_scores_gemma":[0.7029122,0.0009247746,0.15385307,0.0022277676,0.00026145196,0.0006535433,0.0007042295,0.0013020689,0.13716088],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949714,0.0019796104,0.000263557,0.00085062895,0.00094418245,0.0009906711],"domain_scores_gemma":[0.9912369,0.0020428344,0.000346292,0.0021560425,0.0024010967,0.0018167095],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006166338,0.00058694603,0.00059723406,0.0040377327,0.011866426,0.01566717,0.0046150824,0.004136405,0.08515139],"category_scores_gemma":[0.012986641,0.00085806666,0.00096123945,0.0026088532,0.0061213044,0.025555192,0.033333335,0.00486994,0.018386452],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000098536075,0.0002410192,0.0046237484,0.00020766041,0.00004400569,0.0007679689,0.03997031,0.0011986956,0.0024413147,0.7628612,0.023219755,0.1643258],"study_design_scores_gemma":[0.000030664803,0.00015258476,0.0021288302,0.00066022115,0.000052538922,0.00024852672,0.057345055,0.0036010381,0.0013174865,0.3909527,0.54346144,0.000048890466],"about_ca_topic_score_codex":0.003625862,"about_ca_topic_score_gemma":0.006750461,"teacher_disagreement_score":0.08515139,"about_ca_system_score_codex":0.0027458235,"about_ca_system_score_gemma":0.0060238643,"threshold_uncertainty_score":0.28485978},"labels":[],"label_agreement":null},{"id":"W2993776589","doi":"","title":"Higher Education in the Age of Trump","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Higher Education Governance and Development","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.03818068818060662,"score_gpt":0.32231464045958425,"score_spread":0.28413395227897764,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993776589","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09530795,0.0035843593,0.0006248244,0.6932438,0.0033621977,0.000020213789,0.00010593218,0.00004569728,0.20370504],"genre_scores_gemma":[0.8798936,0.0017929815,0.00041499038,0.063857265,0.002061923,0.00002792848,0.000039890532,0.000052079482,0.05185931],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99559045,0.00078889483,0.00008002448,0.00022354472,0.000664316,0.0026529091],"domain_scores_gemma":[0.991388,0.0012469073,0.0005871673,0.00021819552,0.00091837114,0.005641313],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004321343,0.00018327656,0.000325709,0.0012058923,0.012872385,0.00935687,0.00091976655,0.006082631,0.023509491],"category_scores_gemma":[0.01414505,0.00022550773,0.0002500482,0.001283253,0.012534924,0.0112245865,0.010129154,0.011725621,0.0016785373],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000595233,0.000059334903,0.0044226833,0.00004098071,0.000006192758,0.0007286638,0.039983068,0.00007071479,0.00017259861,0.7581702,0.15994483,0.036341283],"study_design_scores_gemma":[0.000028046305,0.000048978134,0.0070363856,0.00021624517,0.000004410694,0.00031105377,0.075152256,0.0001451919,0.0001403197,0.14886446,0.7680217,0.000030951163],"about_ca_topic_score_codex":0.04644396,"about_ca_topic_score_gemma":0.1123446,"teacher_disagreement_score":0.04644396,"about_ca_system_score_codex":0.009959036,"about_ca_system_score_gemma":0.018785467,"threshold_uncertainty_score":0.092347264},"labels":[],"label_agreement":null},{"id":"W2993861453","doi":"","title":"Putting the Kind Back in Human","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.028413713199203494,"score_gpt":0.28968335579802024,"score_spread":0.26126964259881674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993861453","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.051964343,0.0076772836,0.025640776,0.058904074,0.0017924347,0.000048856757,0.00023030995,0.00023908234,0.8535028],"genre_scores_gemma":[0.9685037,0.0014889641,0.005272356,0.003751704,0.00037915914,0.00004792529,0.000074745854,0.00030523379,0.020176243],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951852,0.0025602023,0.00014121518,0.00065371627,0.00076657557,0.0006930963],"domain_scores_gemma":[0.9942146,0.0025352756,0.00041721688,0.0014078747,0.00085769885,0.00056730455],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0049509215,0.00097567856,0.001026722,0.007781567,0.019311035,0.019337352,0.0019694674,0.005133994,0.02144976],"category_scores_gemma":[0.010117042,0.00083765533,0.00075147,0.005570218,0.12061001,0.02813813,0.010361607,0.0056729387,0.0014862127],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015137854,0.0000075356693,0.00047709365,0.000041227788,0.000010033028,0.000057436675,0.023496881,0.00008343481,0.00007842237,0.9689452,0.0025976968,0.004189944],"study_design_scores_gemma":[0.000010403,0.0000091639595,0.0004488973,0.00016727054,0.000016170115,0.000090629044,0.03993347,0.00011739302,0.00014718193,0.87972987,0.07930925,0.000020378655],"about_ca_topic_score_codex":0.036585104,"about_ca_topic_score_gemma":0.047533505,"teacher_disagreement_score":0.036585104,"about_ca_system_score_codex":0.008139601,"about_ca_system_score_gemma":0.008221329,"threshold_uncertainty_score":0.07274431},"labels":[],"label_agreement":null},{"id":"W2993949488","doi":"","title":"Women in Leadership: Obstacles, Opportunities, and Entry Points","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Gender Diversity and Inequality","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science; Computer science","score_opus":0.3991283967786325,"score_gpt":0.28469992995468874,"score_spread":0.11442846682394375,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993949488","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65262884,0.0024137364,0.0010580977,0.112326086,0.0011214858,0.00010000719,0.00010199288,0.000053430642,0.23019634],"genre_scores_gemma":[0.98602027,0.00037475195,0.00026524466,0.0013859788,0.00011694089,0.000036153673,0.000022171776,0.000021737442,0.011756711],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9813374,0.006858202,0.00023749619,0.00048295507,0.0013687937,0.0097150635],"domain_scores_gemma":[0.98230207,0.0035302353,0.0008325474,0.00022849986,0.0012353975,0.011871263],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007795072,0.00048030043,0.0006624218,0.0017572775,0.03127477,0.01980631,0.0024984742,0.003605641,0.028335126],"category_scores_gemma":[0.014059338,0.00049801223,0.0005211115,0.0016290303,0.010656603,0.0077033704,0.015384167,0.0059871827,0.0017546838],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00055286835,0.0011346963,0.117903806,0.00032571892,0.000043104,0.004614516,0.4367075,0.00022681634,0.00061838364,0.25596043,0.061042316,0.120869875],"study_design_scores_gemma":[0.000046630594,0.00011863719,0.016768744,0.00045116383,0.000013319015,0.00030827778,0.91086704,0.00015280808,0.00015801609,0.02500676,0.046074957,0.00003360896],"about_ca_topic_score_codex":0.025592852,"about_ca_topic_score_gemma":0.077576615,"teacher_disagreement_score":0.03127477,"about_ca_system_score_codex":0.006117392,"about_ca_system_score_gemma":0.025929812,"threshold_uncertainty_score":0.09479046},"labels":[],"label_agreement":null},{"id":"W2993959484","doi":"","title":"Lutheran Colleges, the Lutheran Tradition, and the Future of Service-Learning","year":2011,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Service-Learning and Community Engagement","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Service (business); Service-learning; Sociology; History; Pedagogy; Business; Marketing","score_opus":0.03753588784797251,"score_gpt":0.23161830156489002,"score_spread":0.1940824137169175,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993959484","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.076514296,0.022105392,0.0010871271,0.49320146,0.0014033508,0.00001974248,0.000052311443,0.000045124234,0.4055712],"genre_scores_gemma":[0.91894,0.0034461955,0.00046363787,0.024973247,0.0007341125,0.000024304984,0.000016208885,0.000029695568,0.051372677],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9956535,0.0019341772,0.000083332874,0.00030428747,0.0006334618,0.0013911879],"domain_scores_gemma":[0.9938211,0.0022778462,0.00052751467,0.0003282079,0.0006166459,0.0024286462],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00526408,0.00021950965,0.00035472773,0.0013310906,0.020763334,0.012482921,0.00076140196,0.0053230557,0.017197603],"category_scores_gemma":[0.006534942,0.00017256795,0.0002076743,0.0019211638,0.033392433,0.0055662077,0.0052975435,0.007442266,0.00085455563],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025082394,0.00003379579,0.0008123446,0.000033061686,0.0000024586504,0.000038870643,0.013234352,0.000034338475,0.000042932184,0.95739466,0.012744162,0.015603799],"study_design_scores_gemma":[0.00004778583,0.000050238265,0.0044738697,0.00043576016,0.000009642169,0.000115062685,0.027756058,0.00023138557,0.0001376961,0.29516256,0.67153066,0.00004928753],"about_ca_topic_score_codex":0.07609863,"about_ca_topic_score_gemma":0.267184,"teacher_disagreement_score":0.07609863,"about_ca_system_score_codex":0.020724248,"about_ca_system_score_gemma":0.02632763,"threshold_uncertainty_score":0.15131134},"labels":[],"label_agreement":null},{"id":"W2993980442","doi":"","title":"Celebrating the Reformation: The Lutheran Foundation of a Called Life","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Foundation (evidence); History; Art history; Art; Archaeology","score_opus":0.05732148491245332,"score_gpt":0.2378332078827841,"score_spread":0.18051172297033077,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993980442","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.070324585,0.0046179313,0.0020392716,0.12590472,0.0016626178,0.000034572724,0.000055246743,0.000062785955,0.79529834],"genre_scores_gemma":[0.9457444,0.0004995378,0.00038759984,0.00531706,0.00036668594,0.000016226782,0.000011957875,0.00004638398,0.047610156],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99697554,0.001406446,0.000050250736,0.00024833097,0.00047362334,0.00084585615],"domain_scores_gemma":[0.99726,0.0009044749,0.00020695158,0.0004624759,0.00052318897,0.0006428311],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004590025,0.00024808742,0.00032869456,0.0009997479,0.017377121,0.009456988,0.0007689928,0.0035665128,0.010221513],"category_scores_gemma":[0.0072540985,0.00019153045,0.0002002436,0.0006505285,0.057017613,0.004706096,0.004729437,0.006644329,0.00070400233],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015174728,0.000008339271,0.00014204862,0.000008053199,0.0000018011166,0.00003352407,0.015160822,0.000023244864,0.000047567628,0.9734793,0.008017172,0.0030629938],"study_design_scores_gemma":[0.000035177705,0.000027196345,0.0021422727,0.00016659098,0.000012833933,0.00012151683,0.0275839,0.00021428762,0.0003397626,0.38558722,0.58372855,0.000040680687],"about_ca_topic_score_codex":0.041767612,"about_ca_topic_score_gemma":0.0942803,"teacher_disagreement_score":0.041767612,"about_ca_system_score_codex":0.010293614,"about_ca_system_score_gemma":0.01103929,"threshold_uncertainty_score":0.08304894},"labels":[],"label_agreement":null},{"id":"W2993999394","doi":"","title":"Negotiating Legitimate and Conflicting Values","year":2016,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Global Peace and Security Dynamics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Negotiation; Political science; Law","score_opus":0.022468446637405055,"score_gpt":0.2832055816392441,"score_spread":0.26073713500183904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993999394","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.089139394,0.00096849405,0.032233644,0.033385642,0.0003265927,0.00008501159,0.000051537747,0.00005093848,0.84375864],"genre_scores_gemma":[0.98486495,0.00021135912,0.0043890667,0.0010180186,0.0000667306,0.00008246293,0.000026002563,0.000050155675,0.0092912605],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.96421856,0.021444114,0.0008426573,0.0023274103,0.006912254,0.0042550266],"domain_scores_gemma":[0.97261775,0.01673032,0.0015822435,0.0028755912,0.00359878,0.0025953255],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.025179274,0.00074034475,0.0010171802,0.0036299578,0.015920706,0.029773436,0.0033404646,0.009189841,0.013368337],"category_scores_gemma":[0.041459847,0.0011433221,0.0006705892,0.0032690214,0.061204102,0.018417126,0.015029028,0.009147904,0.0012155118],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021911368,0.000013602431,0.0004233873,0.000019340494,0.0000122811925,0.00010917115,0.026610347,0.00016192425,0.00018370237,0.96738106,0.0011161459,0.003947111],"study_design_scores_gemma":[0.000025920966,0.000013904986,0.00058865966,0.00013285813,0.000020115107,0.00008053129,0.039065976,0.0008475761,0.00027064854,0.91863304,0.040290516,0.000030213174],"about_ca_topic_score_codex":0.010977904,"about_ca_topic_score_gemma":0.018109007,"teacher_disagreement_score":0.029773436,"about_ca_system_score_codex":0.014858217,"about_ca_system_score_gemma":0.01801437,"threshold_uncertainty_score":0.13316238},"labels":[],"label_agreement":null},{"id":"W2994016690","doi":"","title":"Diversity and Dialogue: Twenty Years and Counting","year":2016,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Feminist Epistemology and Gender Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Diversity (politics); Geography; History; Genealogy; Sociology; Anthropology","score_opus":0.03898881762509722,"score_gpt":0.25312258906511736,"score_spread":0.21413377144002016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994016690","genre_codex":"review","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.043077227,0.54334444,0.004897095,0.2554531,0.009519208,0.00008632393,0.00019925172,0.00012285543,0.1433005],"genre_scores_gemma":[0.782951,0.1309178,0.003486726,0.028016802,0.010648923,0.00025683135,0.00013437604,0.00028525348,0.043302238],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99057007,0.0057133897,0.00038324445,0.00078938104,0.0015374067,0.0010065841],"domain_scores_gemma":[0.9739048,0.017429562,0.0010375979,0.0020295784,0.003044403,0.0025540283],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.021404358,0.0009424696,0.0012666502,0.005183623,0.013886333,0.029676089,0.0020251782,0.006391657,0.008444341],"category_scores_gemma":[0.023024153,0.0007537787,0.00047006854,0.007142819,0.062360775,0.03694886,0.0134212505,0.008793843,0.0009904093],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007019915,0.00006492601,0.0010900918,0.00039315788,0.00001481108,0.00013763555,0.22158897,0.000073374336,0.00016760493,0.66530895,0.030673536,0.080416724],"study_design_scores_gemma":[0.000016027801,0.000040012666,0.0019694727,0.0016891706,0.000014238506,0.00019731528,0.16470736,0.00012803271,0.00016241349,0.17148295,0.65953016,0.000062766165],"about_ca_topic_score_codex":0.014837517,"about_ca_topic_score_gemma":0.028135296,"teacher_disagreement_score":0.029676089,"about_ca_system_score_codex":0.011848246,"about_ca_system_score_gemma":0.01224199,"threshold_uncertainty_score":0.1131984},"labels":[],"label_agreement":null},{"id":"W2994025452","doi":"","title":"Integrity and Fragmentation: Can the Lutheran Center Hold?","year":2000,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Fragmentation (computing); Center (category theory); History; Computer science; Operating system; Chemistry","score_opus":0.03594993657158084,"score_gpt":0.21514518911941116,"score_spread":0.1791952525478303,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994025452","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09116927,0.009621449,0.0032249535,0.43415585,0.0012879808,0.00005334394,0.0001231147,0.00006589234,0.4602981],"genre_scores_gemma":[0.9610027,0.0011589489,0.0005387978,0.015649332,0.00060731027,0.00003719673,0.000024882556,0.000053680396,0.020927219],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99680126,0.0008751032,0.000071754715,0.00055170537,0.00039234385,0.001307786],"domain_scores_gemma":[0.99440503,0.0018627007,0.0006245118,0.0006559123,0.00078224164,0.0016695502],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006590206,0.00034901046,0.0009865472,0.0015379398,0.017518623,0.016628696,0.0018634099,0.009030706,0.033948343],"category_scores_gemma":[0.012342702,0.0003262519,0.0005553227,0.001538325,0.067574196,0.018554,0.009892051,0.00782442,0.0018841944],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052289943,0.000023506049,0.00061919534,0.000019714651,0.0000088737,0.00006976631,0.010646132,0.000041337185,0.000042809883,0.96992123,0.008803398,0.009751841],"study_design_scores_gemma":[0.0000802748,0.000042975993,0.0023938662,0.0002791545,0.000034763612,0.00011908441,0.031395856,0.00016082091,0.00020874369,0.83049935,0.13474199,0.000043020857],"about_ca_topic_score_codex":0.04063793,"about_ca_topic_score_gemma":0.053056937,"teacher_disagreement_score":0.04063793,"about_ca_system_score_codex":0.013491877,"about_ca_system_score_gemma":0.018070305,"threshold_uncertainty_score":0.113568485},"labels":[],"label_agreement":null},{"id":"W2994112339","doi":"","title":"Say Something Theological: A Meditation on the Vocation of Lutheran Colleges and Universities to Serve the Common Good","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Catholicism and Religious Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Meditation; Theology; Religious studies; Philosophy; Sociology","score_opus":0.05370075128571266,"score_gpt":0.2398426843713377,"score_spread":0.18614193308562504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994112339","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.121785946,0.009159706,0.0013271619,0.70114875,0.020558968,0.000047062254,0.00005608445,0.000057719975,0.14585857],"genre_scores_gemma":[0.8112184,0.0028600083,0.0006097366,0.14132437,0.0046371943,0.00006145123,0.000018289044,0.000104087805,0.03916662],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954815,0.003017666,0.00003852701,0.0002348899,0.00035175605,0.00087563385],"domain_scores_gemma":[0.9952939,0.0027981095,0.0003028539,0.00019650834,0.000371332,0.0010371475],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005311024,0.0005715262,0.0004047758,0.00072053104,0.034877926,0.008945218,0.0014754001,0.0066443,0.0031492126],"category_scores_gemma":[0.008079146,0.0003084336,0.0005320492,0.000609945,0.039846912,0.00640967,0.00569108,0.024522481,0.0005649735],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022439093,0.0002456564,0.0012719122,0.00012655038,0.000036371373,0.00047475318,0.5512773,0.000121072095,0.0010111752,0.24620274,0.18548264,0.013525392],"study_design_scores_gemma":[0.000055073877,0.00009221503,0.0031221109,0.00040653744,0.000020970636,0.00020716588,0.5334687,0.00014258154,0.0005532593,0.02347767,0.43839836,0.00005527989],"about_ca_topic_score_codex":0.022732886,"about_ca_topic_score_gemma":0.07557831,"teacher_disagreement_score":0.034877926,"about_ca_system_score_codex":0.007352192,"about_ca_system_score_gemma":0.0060655023,"threshold_uncertainty_score":0.05334413},"labels":[],"label_agreement":null},{"id":"W2994208761","doi":"","title":"Between Suspicion and Trust","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Intelligence, Security, War Strategy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.03753937220143332,"score_gpt":0.2962512945538822,"score_spread":0.2587119223524489,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994208761","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25239596,0.0028745353,0.017147465,0.072339624,0.00037646413,0.000059809983,0.00015498743,0.00006067543,0.6545905],"genre_scores_gemma":[0.9969261,0.00012975918,0.00023918637,0.00040748404,0.000039206512,0.000009831727,0.000010191527,0.000008388294,0.0022298172],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9896668,0.005568856,0.00046847464,0.0010617862,0.002201492,0.0010326046],"domain_scores_gemma":[0.8939423,0.07209526,0.01397958,0.006707211,0.008600197,0.0046753995],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008156302,0.00027024074,0.00048445436,0.0022545336,0.0049548154,0.010910568,0.00080689054,0.0042620194,0.014670932],"category_scores_gemma":[0.09124072,0.00049695,0.00035119327,0.0015972378,0.021792494,0.011150521,0.004733857,0.005198282,0.0008690042],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013371394,0.000057395027,0.014880239,0.000060118964,0.00004013519,0.00027665275,0.01721255,0.00035245027,0.00015112103,0.94970524,0.004237094,0.012893209],"study_design_scores_gemma":[0.000048842347,0.000040222123,0.0077630766,0.00008584608,0.000037196187,0.00045399842,0.012185066,0.0009807282,0.00015170351,0.9576824,0.020529706,0.000041252923],"about_ca_topic_score_codex":0.0094738295,"about_ca_topic_score_gemma":0.0068064234,"teacher_disagreement_score":0.014670932,"about_ca_system_score_codex":0.0064430633,"about_ca_system_score_gemma":0.004274696,"threshold_uncertainty_score":0.04907918},"labels":[],"label_agreement":null},{"id":"W2994219974","doi":"","title":"One Life, Many Callings: Vocation Across the Lifespan","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Migration, Aging, and Tourism Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Sociology; Psychology","score_opus":0.03510809031249206,"score_gpt":0.29211424262837643,"score_spread":0.25700615231588436,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994219974","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84199387,0.010953434,0.0011324415,0.023516987,0.0015621731,0.000032512,0.0004780026,0.00011537723,0.120215125],"genre_scores_gemma":[0.9737959,0.0032186483,0.00078215235,0.0028155514,0.00025286825,0.000025184627,0.00014648437,0.000060569844,0.018902676],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.998665,0.00041744186,0.000042718206,0.00015387805,0.00033729535,0.00038370455],"domain_scores_gemma":[0.995924,0.0002899101,0.00037859974,0.00019518852,0.00073153235,0.0024807604],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00144583,0.00021934017,0.00050133123,0.0010909297,0.0076776035,0.005924834,0.000736405,0.0014698901,0.009826737],"category_scores_gemma":[0.0050592422,0.0002473682,0.00029350963,0.0008572029,0.0035145732,0.0031553996,0.004506324,0.0023444814,0.0013198829],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026299257,0.00040488414,0.1910153,0.00031020681,0.00015210293,0.0014418227,0.40204573,0.00016157444,0.0029143624,0.018624008,0.075692266,0.3069747],"study_design_scores_gemma":[0.000013047993,0.00014899478,0.2600179,0.00033083264,0.00006821589,0.0015448,0.5477017,0.000084601044,0.00021723876,0.0042430824,0.18553,0.000099531935],"about_ca_topic_score_codex":0.024631748,"about_ca_topic_score_gemma":0.09696149,"teacher_disagreement_score":0.024631748,"about_ca_system_score_codex":0.0016577345,"about_ca_system_score_gemma":0.003378184,"threshold_uncertainty_score":0.04897672},"labels":[],"label_agreement":null},{"id":"W2994321934","doi":"","title":"The Vocation of Intersections on its Twentieth Birthday","year":2016,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Architecture and Art History Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art; Art history","score_opus":0.04346555611036076,"score_gpt":0.22130393846724655,"score_spread":0.1778383823568858,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994321934","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21374565,0.012329994,0.00114812,0.05316318,0.0055911164,0.00003603349,0.0006609246,0.00014753369,0.7131775],"genre_scores_gemma":[0.8142847,0.0022576249,0.0003357606,0.0019088789,0.0008463506,0.000030953655,0.00023095752,0.00023652246,0.17986824],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978969,0.00038737443,0.000046088684,0.0002436527,0.00046651426,0.00095940754],"domain_scores_gemma":[0.99874157,0.00017046584,0.000093229486,0.00009747239,0.00034813985,0.0005491674],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018036308,0.00030173102,0.00049564935,0.0017597801,0.028038492,0.011007205,0.0007842986,0.001996326,0.017192254],"category_scores_gemma":[0.0031585807,0.00039286356,0.0002730643,0.0029175153,0.008936607,0.0036514404,0.008462375,0.0073594414,0.0015843931],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019560702,0.000050639752,0.005134284,0.00011359756,0.000021577875,0.00076872756,0.2969688,0.00012181092,0.000583321,0.4959593,0.14106266,0.059019756],"study_design_scores_gemma":[0.0000027376693,0.000016765396,0.004902888,0.00008996437,0.0000037012169,0.00009796284,0.037010938,0.000014737925,0.00007795492,0.0027642392,0.9550028,0.000015328],"about_ca_topic_score_codex":0.09894361,"about_ca_topic_score_gemma":0.29172376,"teacher_disagreement_score":0.09894361,"about_ca_system_score_codex":0.011399425,"about_ca_system_score_gemma":0.005229635,"threshold_uncertainty_score":0.19673538},"labels":[],"label_agreement":null},{"id":"W2994366197","doi":"","title":"Risky Speech--Gifted Friendships","year":2016,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Language, Discourse, Communication Strategies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology","score_opus":0.054199348691043495,"score_gpt":0.2518319091737732,"score_spread":0.1976325604827297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994366197","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85538477,0.00030374352,0.002294836,0.0034556624,0.00008256743,0.000022591114,0.000057153855,0.000049396967,0.13834912],"genre_scores_gemma":[0.9963862,0.000032078497,0.0001143282,0.00004478335,0.000008565665,0.0000034079271,0.000007900224,0.000005215916,0.0033975318],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9979576,0.0010137025,0.00008168973,0.0002088855,0.00042200458,0.0003160816],"domain_scores_gemma":[0.9928571,0.0027808405,0.0012359633,0.0007345348,0.00064407726,0.001747414],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022295902,0.00026981338,0.00030668866,0.0010466883,0.0048169955,0.004951417,0.000490203,0.0013348719,0.019223593],"category_scores_gemma":[0.0115801245,0.00020391596,0.00021269055,0.0005061976,0.0048150048,0.0027871602,0.0044262153,0.0015117546,0.0011638907],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006996375,0.00048755942,0.1588555,0.00012409978,0.00008911055,0.00522524,0.3481441,0.0008232804,0.0037333367,0.4000789,0.0064276913,0.075311475],"study_design_scores_gemma":[0.00015399598,0.000325896,0.14682981,0.0002234199,0.000106244705,0.0057871765,0.4833063,0.0030814207,0.0029262078,0.26387468,0.09324749,0.0001373564],"about_ca_topic_score_codex":0.0039231777,"about_ca_topic_score_gemma":0.0049837427,"teacher_disagreement_score":0.019223593,"about_ca_system_score_codex":0.0011807256,"about_ca_system_score_gemma":0.00096227444,"threshold_uncertainty_score":0.06430936},"labels":[],"label_agreement":null},{"id":"W2994428314","doi":"","title":"The Dangers of \"Vocation\" for Students Thinking about Career","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Career Development and Diversity","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology; Pedagogy; Sociology; Mathematics education","score_opus":0.08445207632891172,"score_gpt":0.316689687379543,"score_spread":0.2322376110506313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994428314","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.094003946,0.0029387528,0.005610198,0.8047355,0.004306255,0.00003531681,0.00007016563,0.00014229471,0.08815756],"genre_scores_gemma":[0.90695155,0.0018026341,0.0037468018,0.06985673,0.0012894344,0.00009344427,0.000051164327,0.0002067142,0.016001562],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9670013,0.02163857,0.00072082196,0.0010615604,0.0065155784,0.0030621234],"domain_scores_gemma":[0.9156962,0.03383348,0.0064890604,0.0044326456,0.015703833,0.023844752],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.027051408,0.0006255821,0.0006549222,0.002299595,0.032626167,0.020204859,0.0023224838,0.009373412,0.012684904],"category_scores_gemma":[0.081031345,0.0008546135,0.0008003421,0.0013080231,0.042962745,0.017275898,0.01514582,0.024013316,0.0022735677],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019537931,0.00024906182,0.017558593,0.00020799963,0.000045044464,0.0006872638,0.48865527,0.00030526883,0.00046125334,0.3304631,0.11074331,0.050428532],"study_design_scores_gemma":[0.000048139696,0.00007819271,0.0063114213,0.0007074404,0.00003365966,0.0006594768,0.5384886,0.00046335693,0.0003229391,0.2253732,0.22736469,0.00014883438],"about_ca_topic_score_codex":0.03311292,"about_ca_topic_score_gemma":0.053325895,"teacher_disagreement_score":0.03311292,"about_ca_system_score_codex":0.010383619,"about_ca_system_score_gemma":0.026804125,"threshold_uncertainty_score":0.14306319},"labels":[],"label_agreement":null},{"id":"W2994429599","doi":"","title":"Women Presidents in Higher Education: How They Experience Their Calling","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Workplace Spirituality and Leadership","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Media studies; History; Gender studies; Political science; Sociology","score_opus":0.1961603522920243,"score_gpt":0.32097478594702467,"score_spread":0.12481443365500036,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994429599","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90440667,0.0013941226,0.0004019203,0.011816982,0.0009909758,0.000028594357,0.000098415556,0.000081840764,0.08078037],"genre_scores_gemma":[0.97617686,0.0005136303,0.0001913008,0.002813493,0.0001844335,0.000027393731,0.00008109948,0.00006027463,0.019951522],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99521184,0.002431864,0.00009767204,0.00019916166,0.0006629365,0.0013964806],"domain_scores_gemma":[0.9893941,0.0021116764,0.0015619814,0.00022513744,0.0013612545,0.005345933],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002624279,0.0003078393,0.00043528707,0.0013183746,0.011098652,0.010195645,0.0008644175,0.0035708246,0.011930947],"category_scores_gemma":[0.015482054,0.00040888536,0.00037787415,0.0008317623,0.002973569,0.0030141312,0.005201358,0.004746952,0.002986504],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037370995,0.00030973932,0.056330368,0.000107234,0.00007365652,0.0014626858,0.8629062,0.000064053245,0.0021083758,0.0036937727,0.02790733,0.044662885],"study_design_scores_gemma":[0.000010032365,0.000068649126,0.034004092,0.00006470667,0.000014599037,0.00032400643,0.9040599,0.000041622196,0.00012673435,0.00042778903,0.060810115,0.00004785872],"about_ca_topic_score_codex":0.010495448,"about_ca_topic_score_gemma":0.03862944,"teacher_disagreement_score":0.011930947,"about_ca_system_score_codex":0.002510802,"about_ca_system_score_gemma":0.0023144488,"threshold_uncertainty_score":0.039913},"labels":[],"label_agreement":null},{"id":"W2994444989","doi":"","title":"Mars, Mammon--and Other Options","year":2004,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Space Science and Extraterrestrial Life","field":"Physics and Astronomy","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mars Exploration Program; Astrobiology; Environmental science; Physics","score_opus":0.021427255301757993,"score_gpt":0.23804935782687736,"score_spread":0.21662210252511938,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994444989","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004505831,0.0051384442,0.0013115378,0.053700764,0.002885558,0.0000115590465,0.00027960518,0.0001300564,0.9320366],"genre_scores_gemma":[0.1793846,0.004572518,0.003026708,0.029713439,0.0022523976,0.000074174146,0.00048506522,0.000295401,0.7801957],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989881,0.00026911678,0.000023829181,0.00014146607,0.00033639692,0.00024106014],"domain_scores_gemma":[0.99934286,0.00009763633,0.0000401836,0.00010877794,0.00013421616,0.00027632606],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013445716,0.00060309743,0.00047148732,0.00079392386,0.005210223,0.0058105453,0.0012104495,0.00369508,0.20229779],"category_scores_gemma":[0.0030002524,0.00020930276,0.0005852077,0.000758742,0.0023245588,0.0060352925,0.0047579627,0.0029464918,0.028061518],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034870082,0.000068371635,0.0019526946,0.00016443759,0.00003129219,0.00042328867,0.0012412637,0.00029795416,0.00054023374,0.47715586,0.39319453,0.124581315],"study_design_scores_gemma":[0.000010419061,0.000022887825,0.000675416,0.00010338912,0.000006259189,0.00016231887,0.0010858319,0.00004696743,0.00006374875,0.02754832,0.97026044,0.000014016501],"about_ca_topic_score_codex":0.0056187497,"about_ca_topic_score_gemma":0.01875676,"teacher_disagreement_score":0.20229779,"about_ca_system_score_codex":0.0010475722,"about_ca_system_score_gemma":0.0012634842,"threshold_uncertainty_score":0.6767535},"labels":[],"label_agreement":null},{"id":"W2994538836","doi":"","title":"Sharing Leadership within Colleges and Universities","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Higher Education Governance and Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Management; Political science; Pedagogy; Sociology; Economics","score_opus":0.10829670544140754,"score_gpt":0.2894650546817981,"score_spread":0.18116834924039057,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994538836","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.57305163,0.000715547,0.008604249,0.026621507,0.0005432245,0.00016571913,0.00009504677,0.00029865824,0.3899044],"genre_scores_gemma":[0.9853732,0.00006223649,0.0005044395,0.0004167039,0.0000521023,0.000018552328,0.000023330585,0.000024297988,0.013525094],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.97773874,0.010045158,0.0004925374,0.0014830427,0.0042116623,0.0060289255],"domain_scores_gemma":[0.9487592,0.0082115065,0.002869052,0.004594559,0.006650914,0.028914863],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008969965,0.0002390312,0.00055788644,0.0034134458,0.027046086,0.019814685,0.0025488094,0.0031025007,0.03733669],"category_scores_gemma":[0.02629494,0.00042412992,0.00044549242,0.004196025,0.0087647755,0.008558772,0.01998874,0.0030226891,0.0023907276],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002944766,0.0010004006,0.09294501,0.00017124231,0.00013449889,0.0010489098,0.22316524,0.0017503827,0.0023356816,0.29259744,0.059051163,0.32550552],"study_design_scores_gemma":[0.000079238074,0.00042425952,0.08189277,0.00032519133,0.000066291184,0.00030008744,0.4554672,0.002528501,0.0010993792,0.12066883,0.33698362,0.00016463056],"about_ca_topic_score_codex":0.028899197,"about_ca_topic_score_gemma":0.082387805,"teacher_disagreement_score":0.03733669,"about_ca_system_score_codex":0.016096454,"about_ca_system_score_gemma":0.043351695,"threshold_uncertainty_score":0.12490362},"labels":[],"label_agreement":null},{"id":"W2994559141","doi":"","title":"A College Degree or a College Experience? Reflecting on Selingo's College (Un)Bound","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Higher Education Governance and Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Degree (music); Mathematics education; Psychology; Physics","score_opus":0.08628242658074815,"score_gpt":0.34779905371895065,"score_spread":0.2615166271382025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994559141","genre_codex":"empirical","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.735574,0.00070122746,0.00028915293,0.08522995,0.0018870068,0.00003599168,0.00010175683,0.000018277866,0.17616266],"genre_scores_gemma":[0.95492965,0.00050505117,0.00012760381,0.007536175,0.00013271735,0.00001831369,0.00004208501,0.000031522595,0.0366769],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978904,0.00059379946,0.00005019775,0.00011344777,0.00029403673,0.0010580523],"domain_scores_gemma":[0.9915337,0.0007787213,0.00039593352,0.0001177602,0.00060896145,0.006564884],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002281928,0.00017238753,0.00030361448,0.000691302,0.016371582,0.00833378,0.0007748042,0.0018503017,0.019079749],"category_scores_gemma":[0.0075331395,0.0001960596,0.00020754682,0.00077844015,0.0051190667,0.004999314,0.006927935,0.0055813594,0.0010851093],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008617337,0.00025412516,0.046222184,0.000054578646,0.000010677479,0.0010435086,0.80146515,0.000042539472,0.00077947695,0.028429499,0.07944279,0.04216926],"study_design_scores_gemma":[0.0000019998895,0.000013108714,0.010590526,0.00005599495,0.0000020875598,0.000054294065,0.9459298,0.000014532248,0.000056651003,0.00069617096,0.042575106,0.000009606577],"about_ca_topic_score_codex":0.08654237,"about_ca_topic_score_gemma":0.26434824,"teacher_disagreement_score":0.08654237,"about_ca_system_score_codex":0.00506628,"about_ca_system_score_gemma":0.007552665,"threshold_uncertainty_score":0.1720773},"labels":[],"label_agreement":null},{"id":"W2995049426","doi":"","title":"In a Diverse Society, Why Should Lutheran College/Universities Claim their Theological Roots?","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Catholicism and Religious Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Theology; Sociology; Religious studies; Philosophy","score_opus":0.03605749659305146,"score_gpt":0.22137299799617852,"score_spread":0.18531550140312705,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2995049426","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15696065,0.0031219616,0.0011754007,0.68169045,0.0033965574,0.000030870993,0.00006224247,0.000043808126,0.15351813],"genre_scores_gemma":[0.894952,0.0007429434,0.00039701373,0.088026375,0.00067805557,0.000016951768,0.000019915367,0.000031183357,0.015135484],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9935091,0.0023736684,0.0001459627,0.0004685098,0.0012235949,0.002279219],"domain_scores_gemma":[0.9852437,0.0032512697,0.0010886458,0.0006092379,0.0026241234,0.007183049],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0077811885,0.00023548605,0.00040531735,0.0015375965,0.027903814,0.014603301,0.0012503017,0.006436952,0.01293879],"category_scores_gemma":[0.019862423,0.00018680572,0.0002262339,0.0016330804,0.03521067,0.008359999,0.007947917,0.009363366,0.001301287],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000082409504,0.00014256383,0.011431427,0.00011880988,0.000029258907,0.00041106238,0.12291615,0.000046780176,0.0006794714,0.7349982,0.082571454,0.04657244],"study_design_scores_gemma":[0.000062665225,0.000042471227,0.015820622,0.0005843834,0.000025923075,0.00028070173,0.40296656,0.00014985522,0.00046099946,0.1619333,0.41757986,0.0000926968],"about_ca_topic_score_codex":0.041521296,"about_ca_topic_score_gemma":0.11844593,"teacher_disagreement_score":0.041521296,"about_ca_system_score_codex":0.010226396,"about_ca_system_score_gemma":0.014463782,"threshold_uncertainty_score":0.08255929},"labels":[],"label_agreement":null},{"id":"W2995342795","doi":"","title":"Deep Roots, Big Questions, Bold Goals","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Education Studies and Reforms","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology; History; Cognitive science","score_opus":0.024087997089300345,"score_gpt":0.27276222204016665,"score_spread":0.2486742249508663,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2995342795","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006137864,0.0063201273,0.00710317,0.93738747,0.0024318788,0.0000295054,0.00019798668,0.00008176715,0.04031024],"genre_scores_gemma":[0.6640134,0.00922267,0.02036908,0.25296605,0.008936861,0.0003246812,0.0003915895,0.000395938,0.043379735],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9882371,0.0047697956,0.0003262854,0.0015440458,0.0029260113,0.0021968016],"domain_scores_gemma":[0.93873036,0.035839874,0.0016487967,0.0047205156,0.008367485,0.010692923],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.025063232,0.00082753884,0.0016021774,0.0020653629,0.013030611,0.019896166,0.0030536607,0.011216957,0.01804608],"category_scores_gemma":[0.050994657,0.00049898395,0.0006057748,0.0021492345,0.0520367,0.030376341,0.010595974,0.022496482,0.0027793823],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035932422,0.00005003231,0.00058559893,0.00011404587,0.000020265355,0.000060011116,0.0026774467,0.00018246703,0.00017805431,0.9016749,0.075815804,0.018605532],"study_design_scores_gemma":[0.000011287542,0.000005621471,0.00028965677,0.00012830013,0.0000047846997,0.000016114178,0.003535865,0.00016037379,0.00005989114,0.95041186,0.045363102,0.000013122041],"about_ca_topic_score_codex":0.011714365,"about_ca_topic_score_gemma":0.01881361,"teacher_disagreement_score":0.025063232,"about_ca_system_score_codex":0.013194449,"about_ca_system_score_gemma":0.031644467,"threshold_uncertainty_score":0.13254863},"labels":[],"label_agreement":null},{"id":"W3003172536","doi":"10.7202/1066617ar","title":"Le geste sonore comme objet d’analyse pour observer les pratiques musicales distinctives d’improvisateurs jazz","year":2020,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Jazz; Art history","score_opus":0.10976296498321825,"score_gpt":0.28354373824800816,"score_spread":0.1737807732647899,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3003172536","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3635024,0.0027688975,0.5119663,0.0021456517,0.0005440408,0.0003405836,0.0009932417,0.0011595472,0.11657933],"genre_scores_gemma":[0.83132,0.0010932157,0.11872744,0.00033536553,0.00015999736,0.00035825736,0.00047059066,0.00069813867,0.04683709],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.9982521,0.00057472714,0.00007794601,0.000430094,0.00054587703,0.00011922606],"domain_scores_gemma":[0.9966653,0.0017405355,0.0002471121,0.00041952205,0.0007859635,0.00014158661],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002579597,0.0008620979,0.000544874,0.0019815906,0.0018902115,0.005892876,0.0006681895,0.0011655982,0.013955258],"category_scores_gemma":[0.007840273,0.00044715512,0.00070039165,0.0015447747,0.0030327302,0.003690594,0.0021931066,0.0016589423,0.0035439632],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008625844,0.00011409576,0.037310693,0.0022633672,0.00026579454,0.0009784643,0.12479798,0.005414951,0.2058929,0.15259808,0.007291197,0.46220982],"study_design_scores_gemma":[0.00011732264,0.00068305345,0.22756533,0.001723294,0.0004462171,0.0030204197,0.12680627,0.050210733,0.07620729,0.09996024,0.4127866,0.0004733027],"about_ca_topic_score_codex":0.005914427,"about_ca_topic_score_gemma":0.008750354,"teacher_disagreement_score":0.013955258,"about_ca_system_score_codex":0.0011750556,"about_ca_system_score_gemma":0.0012635582,"threshold_uncertainty_score":0.04668504},"labels":[],"label_agreement":null},{"id":"W3003376356","doi":"10.7202/1066624ar","title":"William Cheng. 2016. Just Vibrations: The Purpose of Sounding Good. Ann Arbor: University of Michigan Press. 160 pp. 17 images. ISBN 978-0-472-07325-2 (hardcover), ISBN 978–0–472–05325–4 (paperback), ISBN 978-0-472-90056-5 (open access)","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Depth sounding; Art history; Media studies; History; Art; Sociology; Cartography; Geography","score_opus":0.06539131880916016,"score_gpt":0.277704436864711,"score_spread":0.21231311805555086,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3003376356","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015285681,0.5193434,0.0020774752,0.13428955,0.010970677,0.00006606661,0.0009540418,0.00045862995,0.33031154],"genre_scores_gemma":[0.022180127,0.1681506,0.0019420268,0.010368895,0.0031084695,0.00010513521,0.0004002687,0.0005448057,0.7931998],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886936,0.000218004,0.00008494262,0.00012716606,0.0005826294,0.00011791305],"domain_scores_gemma":[0.99823195,0.00048883096,0.00014834909,0.00009701748,0.00073818595,0.00029567548],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010238191,0.0011414378,0.00054874644,0.0015869893,0.0030984993,0.0058063213,0.001170414,0.0030437345,0.07918428],"category_scores_gemma":[0.0044584237,0.00070608925,0.00026853327,0.002256507,0.002424189,0.007748348,0.0019117849,0.0037264677,0.045348577],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001849212,0.0000054465695,0.00011422578,0.00018728228,0.0000026367493,0.000047471563,0.0007969079,0.00002459354,0.00010078197,0.007518335,0.9289707,0.06221317],"study_design_scores_gemma":[0.0000032834207,0.0000046520313,0.0006505568,0.00038275018,0.0000029030934,0.000054091393,0.0010050032,0.00001846087,0.00007352725,0.004100378,0.9936946,0.000009769138],"about_ca_topic_score_codex":0.030287055,"about_ca_topic_score_gemma":0.09233224,"teacher_disagreement_score":0.07918428,"about_ca_system_score_codex":0.002722914,"about_ca_system_score_gemma":0.002947788,"threshold_uncertainty_score":0.26489782},"labels":[],"label_agreement":null},{"id":"W3003518998","doi":"10.7202/1066616ar","title":"Predictors of Piano Student Dropouts","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Piano; Attrition; Likert scale; Psychology; Musical; Mathematics education; Scale (ratio); Music education; Developmental psychology; Pedagogy; Visual arts; Medicine; Art; Geography","score_opus":0.05360638831801103,"score_gpt":0.23000244478309567,"score_spread":0.17639605646508463,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3003518998","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9988593,0.00011675551,0.000054151045,0.00015402942,0.000007161513,0.000015897012,0.00014145618,0.000008000514,0.00064324116],"genre_scores_gemma":[0.9991393,0.00010626108,0.000051635867,0.000029703468,0.0000074524714,0.000011907368,0.00028406014,0.0000039802576,0.00036561332],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.998701,0.00017610918,0.00014939679,0.000105805826,0.0005195959,0.00034817882],"domain_scores_gemma":[0.993852,0.00080579077,0.0019383727,0.00021588823,0.0011195616,0.002068336],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013433088,0.00020942371,0.0005277286,0.0012894659,0.0011555111,0.0009585991,0.0007628422,0.0005827906,0.004808132],"category_scores_gemma":[0.009423676,0.00025338578,0.00047457282,0.0011477771,0.00042005995,0.0006018503,0.0011978266,0.001575695,0.00064477883],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032936085,0.00009886193,0.99713385,0.000008934843,0.000008975384,0.00006641228,0.00024244297,0.000014017567,0.000033598568,0.000014315592,0.00017284237,0.0021727446],"study_design_scores_gemma":[0.0000021137616,0.00009528297,0.9981659,0.000017068965,0.00001133726,0.00014607402,0.0011696223,0.00012849132,0.000035239642,0.000025803742,0.00019920533,0.000003901504],"about_ca_topic_score_codex":0.0126115335,"about_ca_topic_score_gemma":0.013509927,"teacher_disagreement_score":0.0126115335,"about_ca_system_score_codex":0.0004747228,"about_ca_system_score_gemma":0.0009823687,"threshold_uncertainty_score":0.02507627},"labels":[],"label_agreement":null},{"id":"W3003553070","doi":"10.7202/1066618ar","title":"Les enjeux de la cartographie sonore par rapport à la frontière de la neutralité","year":2020,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Geographic Information Systems Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.044245696157093374,"score_gpt":0.27969054834159085,"score_spread":0.23544485218449748,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3003553070","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29129064,0.0050289556,0.065854736,0.008321321,0.0005258456,0.0001803652,0.001149531,0.0004327312,0.62721586],"genre_scores_gemma":[0.9204667,0.0024187348,0.020624548,0.00019605688,0.00013858934,0.00010270015,0.00045356643,0.00025798113,0.055341102],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99632263,0.0018736974,0.000116519,0.00047188014,0.0009331139,0.00028219755],"domain_scores_gemma":[0.99267864,0.0036810671,0.0008206446,0.000925892,0.0015075364,0.00038624316],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003737861,0.0005135008,0.0003768309,0.0069290083,0.0042862683,0.0118029835,0.00068687316,0.00095686986,0.0132797975],"category_scores_gemma":[0.01018725,0.00029703154,0.00038002126,0.009682874,0.010892398,0.008565799,0.0031506887,0.0015895013,0.0011306222],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000092713766,0.00001325412,0.013744482,0.0002651393,0.000031440057,0.00027431778,0.15447778,0.0007774835,0.0013704253,0.73985654,0.006345091,0.08275147],"study_design_scores_gemma":[0.00001737391,0.00006380533,0.03792766,0.00063215976,0.000041408202,0.00064663833,0.14370549,0.001959837,0.0018910513,0.094713755,0.7183083,0.000092470924],"about_ca_topic_score_codex":0.058134563,"about_ca_topic_score_gemma":0.08263817,"teacher_disagreement_score":0.058134563,"about_ca_system_score_codex":0.009282424,"about_ca_system_score_gemma":0.0057987897,"threshold_uncertainty_score":0.11559236},"labels":[],"label_agreement":null},{"id":"W3003888460","doi":"10.7202/1066619ar","title":"Developing Variation in Gilles Tremblay’s Croissant: Transformation and Identity","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Variation (astronomy); Transformational leadership; Sonority hierarchy; Identity (music); Style (visual arts); Focus (optics); String (physics); Sociology; Transformation (genetics); Linguistics; Literature; Art; Philosophy; Aesthetics; Psychology; Mathematics","score_opus":0.05920239416683561,"score_gpt":0.23989608311010882,"score_spread":0.1806936889432732,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3003888460","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4224111,0.0027459138,0.009888486,0.019612696,0.00036325582,0.000075111784,0.000060082086,0.00008553242,0.54475784],"genre_scores_gemma":[0.9644649,0.00021273975,0.0011568661,0.0004763511,0.000013741215,0.0000071643644,0.000011113584,0.00002805802,0.03362895],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99872094,0.000530768,0.000023117995,0.00019584909,0.00029054136,0.00023877183],"domain_scores_gemma":[0.99924636,0.00022228203,0.000066118984,0.000070203576,0.00023840128,0.00015671969],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015666456,0.0001954977,0.00016515108,0.0007330962,0.009972718,0.004162752,0.0006651652,0.001059899,0.0041155247],"category_scores_gemma":[0.0028525572,0.00012712761,0.00013176954,0.0006208929,0.0134981815,0.0016886798,0.0023123852,0.0020903184,0.00032439566],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005249037,0.000023814488,0.0026566957,0.000021404492,0.000004784873,0.0005979124,0.28999084,0.00016889827,0.0007953193,0.6631218,0.0064488477,0.036117144],"study_design_scores_gemma":[0.00002730898,0.00008686717,0.015235847,0.00017394549,0.000012344942,0.0008251354,0.23783137,0.0009796558,0.0011685104,0.05696753,0.68662053,0.00007095885],"about_ca_topic_score_codex":0.42113286,"about_ca_topic_score_gemma":0.7043805,"teacher_disagreement_score":0.42113286,"about_ca_system_score_codex":0.013505187,"about_ca_system_score_gemma":0.006565247,"threshold_uncertainty_score":0.8373632},"labels":[],"label_agreement":null},{"id":"W3004038399","doi":"10.7202/1066621ar","title":"Ruth Crawford’s String Quartet, Mvt. 3: An Analysis of Dynamic Counterpoint, Contour Similarity, and Musical Form","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Counterpoint; Similarity (geometry); Movement (music); String (physics); Dynamics (music); Sequence (biology); Musical; Texture (cosmology); Art; Mathematics; Literature; Computer science; Physics; Artificial intelligence; Aesthetics; Image (mathematics)","score_opus":0.021290626876579875,"score_gpt":0.2420390861159565,"score_spread":0.22074845923937664,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3004038399","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50005305,0.00074339495,0.059872553,0.0014751591,0.00009841965,0.00010071903,0.00028993137,0.00023215756,0.43713465],"genre_scores_gemma":[0.9749076,0.0001146525,0.0098926425,0.0000627739,0.000016114232,0.000043815595,0.00011599768,0.000056759214,0.014789698],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996824,0.00009341072,0.00001048571,0.00007295023,0.00010241808,0.000038395683],"domain_scores_gemma":[0.9990408,0.0004801275,0.00015620925,0.000108357264,0.00014117175,0.00007338472],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00038794163,0.00017657332,0.0001467844,0.0016071415,0.001236465,0.0027718039,0.00040090716,0.0006848106,0.008885075],"category_scores_gemma":[0.004748678,0.00015153486,0.00019643271,0.0014117272,0.0038648997,0.0023606957,0.0006882239,0.000700624,0.0005963936],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010331073,0.000024698616,0.006907781,0.00005937113,0.000004924051,0.00030376067,0.016659528,0.00084883405,0.002660666,0.9154519,0.004061913,0.052913334],"study_design_scores_gemma":[0.000080520585,0.0004049523,0.14765647,0.0002479582,0.00005043018,0.002938115,0.029550593,0.036298558,0.007154008,0.48185435,0.29363963,0.00012437518],"about_ca_topic_score_codex":0.0075595877,"about_ca_topic_score_gemma":0.011758356,"teacher_disagreement_score":0.008885075,"about_ca_system_score_codex":0.0019954436,"about_ca_system_score_gemma":0.0005549428,"threshold_uncertainty_score":0.029723585},"labels":[],"label_agreement":null},{"id":"W3004055425","doi":"10.7202/1066620ar","title":"A Synthesis of Animation and Jazz in Begone Dull Care","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Jazz; Animation; Narrative; Visual arts; Art; Movement (music); Aesthetics; Literature","score_opus":0.03171491713449184,"score_gpt":0.19451951151991018,"score_spread":0.16280459438541833,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3004055425","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07524574,0.07866372,0.011432471,0.03558801,0.0064917803,0.00014787239,0.00037183415,0.000115888295,0.7919427],"genre_scores_gemma":[0.79945236,0.048477292,0.0063393926,0.004891476,0.0034667922,0.00019812386,0.00038265024,0.00027787258,0.13651401],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921143,0.00042131636,0.000025043348,0.00006591101,0.0001648752,0.000111411406],"domain_scores_gemma":[0.9987255,0.0009765925,0.000049504837,0.000041096842,0.0000995457,0.000107767984],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000993141,0.00062545936,0.000349356,0.0026886119,0.003306795,0.006307537,0.0005745145,0.00119817,0.011167137],"category_scores_gemma":[0.003568811,0.00018571172,0.00030149578,0.0016171741,0.0049412106,0.0022820344,0.002423573,0.0018333835,0.000560022],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029732625,0.000056706813,0.0009716855,0.0012033965,0.00002623293,0.0010028629,0.1510069,0.0007358765,0.0012494406,0.67679477,0.06581866,0.10083613],"study_design_scores_gemma":[0.00001670088,0.000039386123,0.0034559926,0.0015009799,0.000013229437,0.0002726484,0.028907023,0.00031196605,0.00023230932,0.019203672,0.9460233,0.000022876584],"about_ca_topic_score_codex":0.010328562,"about_ca_topic_score_gemma":0.033649437,"teacher_disagreement_score":0.011167137,"about_ca_system_score_codex":0.004387943,"about_ca_system_score_gemma":0.0017540826,"threshold_uncertainty_score":0.037357807},"labels":[],"label_agreement":null},{"id":"W3004304423","doi":"10.7202/1066615ar","title":"Eccentric/Exzentrisch: On Gould, Gulda, and Becoming a Cultural Icon","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Studies and Postmodernism","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Icon; Musical; Kabuki; Eccentric; Art; Cultural history; Ambivalence; Visual arts; Literature; Performance art; Art history; Sociology; Psychology; Anthropology; Engineering; Computer science","score_opus":0.08882991283233861,"score_gpt":0.2979438515956109,"score_spread":0.20911393876327228,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3004304423","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5449771,0.0053199385,0.0015772027,0.018768707,0.00058932276,0.000033585788,0.000042287145,0.0000955745,0.42859623],"genre_scores_gemma":[0.9799154,0.00077723054,0.0003424331,0.0010097352,0.0000406335,0.000006685778,0.000012061919,0.00003659504,0.017859101],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984687,0.0004242696,0.000021472113,0.00015775506,0.0004205261,0.0005072591],"domain_scores_gemma":[0.9992144,0.00017827516,0.00008033155,0.000050972023,0.00016046502,0.00031553247],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017299727,0.0005139102,0.00025903474,0.002606798,0.02019289,0.008849951,0.00076597155,0.0012995587,0.00431629],"category_scores_gemma":[0.0024561044,0.00014575204,0.00013395926,0.0015730229,0.044996187,0.0039034144,0.0070870537,0.0022424413,0.00034111517],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007435438,0.000016097232,0.0032593233,0.000047278703,0.000003309204,0.000633214,0.6849378,0.000044686614,0.00065526465,0.26774067,0.009963004,0.032625124],"study_design_scores_gemma":[0.00000769702,0.000032803637,0.006687231,0.00025525605,0.000008168493,0.00063982076,0.6797734,0.00007974519,0.00042027753,0.0124365445,0.2996197,0.000039395385],"about_ca_topic_score_codex":0.3037028,"about_ca_topic_score_gemma":0.5325771,"teacher_disagreement_score":0.69629717,"about_ca_system_score_codex":0.01665295,"about_ca_system_score_gemma":0.009756754,"threshold_uncertainty_score":0.60387015},"labels":[],"label_agreement":null},{"id":"W3014609539","doi":"","title":"Business as Usual? Marketing, God, and the Limits of Christian Callings","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion, Society, and Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology; Religious studies; Philosophy","score_opus":0.02938901958940621,"score_gpt":0.2620827131846221,"score_spread":0.2326936935952159,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3014609539","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29746675,0.004582688,0.0007924739,0.11033638,0.00033277023,0.00001599448,0.000057870715,0.000025048379,0.58639],"genre_scores_gemma":[0.99074453,0.0004166804,0.00014570542,0.002745306,0.00013731924,0.000007743638,0.0000070538504,0.000015894067,0.005779741],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958929,0.0021896781,0.00008345646,0.0003105398,0.00071795896,0.0008054136],"domain_scores_gemma":[0.98773545,0.005950977,0.0014149457,0.00075905066,0.00096839515,0.0031712435],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0052230977,0.00011357621,0.00033984354,0.00092243415,0.008200877,0.012510972,0.0010424714,0.0032948018,0.015342115],"category_scores_gemma":[0.014508822,0.00027690112,0.00018139803,0.0009172129,0.032471083,0.007982343,0.0038343247,0.005097211,0.0007458115],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001253096,0.00016975502,0.00624044,0.000056596902,0.000012512312,0.00016365366,0.09175281,0.00005839493,0.00025000033,0.8682535,0.007951467,0.024965558],"study_design_scores_gemma":[0.00006928246,0.000068350935,0.037297618,0.00076064287,0.000032673077,0.0003103106,0.3168702,0.0003328277,0.00026559288,0.34281418,0.30108675,0.00009170473],"about_ca_topic_score_codex":0.02203821,"about_ca_topic_score_gemma":0.040878937,"teacher_disagreement_score":0.02203821,"about_ca_system_score_codex":0.004407221,"about_ca_system_score_gemma":0.0049577546,"threshold_uncertainty_score":0.051324487},"labels":[],"label_agreement":null},{"id":"W3014750312","doi":"","title":"The Responsible Professional: Vocation and Economic Life","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Labor Movements and Unions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology","score_opus":0.0302110833913057,"score_gpt":0.2788389703829096,"score_spread":0.2486278869916039,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3014750312","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34997115,0.014972397,0.0013866078,0.13784556,0.00071281387,0.000022373506,0.00012684209,0.000016027227,0.49494624],"genre_scores_gemma":[0.98400015,0.001447068,0.00009027298,0.0010053434,0.0001210352,0.000005563198,0.0000131230145,0.0000064433,0.013311056],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975835,0.001223047,0.000033887696,0.00011077322,0.00033283932,0.0007159553],"domain_scores_gemma":[0.9948538,0.0017240694,0.00055412593,0.00012714486,0.00055366737,0.0021871694],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026749913,0.00017687884,0.00029544794,0.0015500144,0.010374774,0.009831336,0.0007608616,0.0025931133,0.013106609],"category_scores_gemma":[0.006858349,0.00014797217,0.00014604293,0.0019249208,0.016817132,0.0034391202,0.0028937566,0.002163598,0.00049016374],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000100894686,0.00023121822,0.023084015,0.000048519338,0.000015356363,0.0003685378,0.06089785,0.0002360461,0.00011403509,0.85595405,0.019773304,0.039176125],"study_design_scores_gemma":[0.000042485735,0.00008743009,0.07067433,0.00030972902,0.000029781759,0.00032439237,0.32255653,0.0006627538,0.00016662797,0.34804103,0.25703555,0.000069466776],"about_ca_topic_score_codex":0.12385517,"about_ca_topic_score_gemma":0.23182777,"teacher_disagreement_score":0.12385517,"about_ca_system_score_codex":0.0073206644,"about_ca_system_score_gemma":0.0135340085,"threshold_uncertainty_score":0.24626851},"labels":[],"label_agreement":null},{"id":"W3015553332","doi":"","title":"Responding to Student Hunger at NECU Institutions","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Dietetics, Nutrition, and Education","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology","score_opus":0.16191042529591626,"score_gpt":0.4185572574009874,"score_spread":0.25664683210507117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015553332","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7839432,0.0008786652,0.0005562661,0.1588798,0.003549541,0.00013520941,0.000093266244,0.00015128893,0.051812828],"genre_scores_gemma":[0.96120864,0.0005431056,0.0005482058,0.017641535,0.0008306587,0.00007631144,0.00005677553,0.00005281479,0.019042015],"study_design_codex":"observational","study_design_gemma":"qualitative","domain_scores_codex":[0.99255556,0.002054038,0.00017425272,0.00024504983,0.00088094635,0.0040901783],"domain_scores_gemma":[0.9709579,0.0012959258,0.0018817777,0.00035751623,0.0028058332,0.022701085],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0044785966,0.00035814085,0.00036746816,0.0011393755,0.0136641925,0.005248343,0.0017737411,0.004439435,0.032655466],"category_scores_gemma":[0.013754411,0.00042388655,0.0005922974,0.0007864847,0.0027531348,0.001684241,0.0134288175,0.00722014,0.0031852075],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006192323,0.0037909742,0.4503792,0.00037483464,0.00012159657,0.0036873282,0.0616892,0.00040324643,0.00409606,0.0049298652,0.24970229,0.22020622],"study_design_scores_gemma":[0.00012737956,0.0017185454,0.2678606,0.00059119216,0.00004985169,0.0013717652,0.5215572,0.0010262198,0.0012838774,0.003560233,0.20071624,0.00013688162],"about_ca_topic_score_codex":0.010437878,"about_ca_topic_score_gemma":0.04012591,"teacher_disagreement_score":0.032655466,"about_ca_system_score_codex":0.0054667075,"about_ca_system_score_gemma":0.013643399,"threshold_uncertainty_score":0.10924345},"labels":[],"label_agreement":null},{"id":"W3015726148","doi":"","title":"Guest Editorial: Moral Deliberation in NECU Classrooms","year":2020,"lang":"en","type":"editorial","venue":"Intersections Canadian Journal of Music","topic":"Education and Critical Thinking Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Deliberation; Sociology; Mathematics education; Political science; Psychology; Law","score_opus":0.02913862405626304,"score_gpt":0.29985103205438296,"score_spread":0.2707124079981199,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015726148","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000027529815,0.0017590036,0.000035454384,0.039448503,0.95742476,0.000013051861,0.000030203739,0.000015554257,0.0012460155],"genre_scores_gemma":[0.0005567934,0.0017560421,0.000057253867,0.016922168,0.9720283,0.00003713314,0.000020364947,0.000027452503,0.008594562],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9915031,0.0017432804,0.0007816488,0.00085468945,0.004352384,0.00076489605],"domain_scores_gemma":[0.956721,0.020273976,0.0016859103,0.0008369993,0.014583272,0.0058989604],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.011225476,0.0035474033,0.0034161068,0.005270548,0.0066948994,0.013401585,0.004383568,0.027083157,0.025887273],"category_scores_gemma":[0.049945343,0.0011541975,0.002297762,0.0021579529,0.0037968627,0.004561493,0.0033674175,0.022579672,0.009157128],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015097619,0.0000071440477,0.000013249667,0.00007186205,0.0000052830196,0.00005659381,0.000018273593,0.000008389182,0.000015467873,0.00021300837,0.9980305,0.0015452171],"study_design_scores_gemma":[0.00009660794,0.000026732434,0.00040246363,0.00083145784,0.00005608317,0.00018069302,0.00022621766,0.00017304248,0.00008515594,0.0015699654,0.9963243,0.000027136633],"about_ca_topic_score_codex":0.0049658157,"about_ca_topic_score_gemma":0.016915364,"teacher_disagreement_score":0.027083157,"about_ca_system_score_codex":0.007136651,"about_ca_system_score_gemma":0.008845553,"threshold_uncertainty_score":0.086601555},"labels":[],"label_agreement":null},{"id":"W3015993470","doi":"","title":"ELCA Social Teaching for the Classroom","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Educational Practices and Policies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mathematics education; Social studies; Computer science; Psychology","score_opus":0.09457131912854332,"score_gpt":0.3568812323239625,"score_spread":0.2623099131954192,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015993470","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037725724,0.0062306547,0.0015971748,0.18611516,0.0027990418,0.00006940444,0.0001403726,0.00029555894,0.765027],"genre_scores_gemma":[0.41785276,0.0021156468,0.002143093,0.016515471,0.001153477,0.00011559696,0.000078125566,0.00013799316,0.5598879],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975873,0.00064563274,0.000050399765,0.00013812071,0.00064291357,0.00093559566],"domain_scores_gemma":[0.99512935,0.0009796268,0.00019015143,0.00036619423,0.0009559396,0.002378781],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033051907,0.0003243159,0.00020346325,0.0013419631,0.013809788,0.010291341,0.0010417125,0.0047786385,0.084011585],"category_scores_gemma":[0.00605114,0.0001653318,0.00033754006,0.00066186645,0.0061023696,0.0046531702,0.007351535,0.0042448733,0.0049841492],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000084256586,0.00027691296,0.0032658551,0.00014770846,0.00001003371,0.00024976215,0.008114562,0.00016087256,0.0005988426,0.6463888,0.1941945,0.14650783],"study_design_scores_gemma":[0.000026455218,0.000029968513,0.004768693,0.00031379415,0.000009141633,0.00006235077,0.011499781,0.00017980045,0.00037252074,0.03714717,0.94557106,0.000019227538],"about_ca_topic_score_codex":0.13274541,"about_ca_topic_score_gemma":0.3394127,"teacher_disagreement_score":0.13274541,"about_ca_system_score_codex":0.018859692,"about_ca_system_score_gemma":0.04367566,"threshold_uncertainty_score":0.28104675},"labels":[],"label_agreement":null},{"id":"W3016105587","doi":"","title":"Gen Z is Made for Lutheran Higher Education","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Generational Differences and Trends","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art","score_opus":0.08750728756026037,"score_gpt":0.30582914547374124,"score_spread":0.21832185791348085,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3016105587","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025539882,0.003945415,0.0010932771,0.2204802,0.15218304,0.00014317785,0.0027049875,0.0014769033,0.59243315],"genre_scores_gemma":[0.015494682,0.00018230629,0.00019527224,0.0036462962,0.0010803557,0.000010702153,0.0001343404,0.00007543048,0.97918075],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992599,0.00006952969,0.000023932194,0.00012675801,0.0002287601,0.00029109875],"domain_scores_gemma":[0.9984035,0.0001283525,0.0000768184,0.000117811534,0.00040356978,0.00086996413],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00072427304,0.0005182321,0.00063299027,0.0010033442,0.0051167845,0.0025260577,0.0008040032,0.0024704542,0.3704358],"category_scores_gemma":[0.001887678,0.00027010575,0.0005481267,0.00057720393,0.0009068503,0.0009979483,0.0031077997,0.0024011333,0.15122561],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013811851,0.00005048247,0.002706341,0.000050905786,0.000011497551,0.00062773813,0.0002658141,0.000063068685,0.00066708715,0.016866427,0.9152415,0.06331119],"study_design_scores_gemma":[0.000009721744,0.000031240546,0.0029454723,0.000017713943,0.000004490616,0.0001197841,0.00027888725,0.000053875963,0.00009999044,0.00055033964,0.99588287,0.000005621397],"about_ca_topic_score_codex":0.0113864215,"about_ca_topic_score_gemma":0.0625675,"teacher_disagreement_score":0.3704358,"about_ca_system_score_codex":0.0021859154,"about_ca_system_score_gemma":0.004664817,"threshold_uncertainty_score":0.8979969},"labels":[],"label_agreement":null},{"id":"W3023583300","doi":"","title":"Making Diversity Matter: Inclusion is the Key","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Gender Diversity and Inequality","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Key (lock); Diversity (politics); Inclusion (mineral); Sociology; Computer science; Anthropology; Computer security","score_opus":0.09949437593105301,"score_gpt":0.2784497643460162,"score_spread":0.1789553884149632,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3023583300","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06235362,0.011633935,0.004483104,0.5556522,0.0036689988,0.00007107061,0.00015883175,0.00005420779,0.36192408],"genre_scores_gemma":[0.9513493,0.0046038255,0.0008505105,0.028549356,0.002188029,0.00006677128,0.000051176863,0.00007399504,0.012267113],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9789571,0.008449239,0.00049723306,0.0015206788,0.004804959,0.0057707475],"domain_scores_gemma":[0.96751785,0.0133380685,0.0020731252,0.0014717337,0.0036477156,0.011951563],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.016488802,0.00048056373,0.0014619882,0.0026392343,0.018962342,0.020469043,0.0022841904,0.006717244,0.023196882],"category_scores_gemma":[0.031723306,0.0003817955,0.0005335309,0.0022642305,0.046770025,0.0183542,0.02499165,0.0076306644,0.0016380777],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008832843,0.00011834515,0.0079167625,0.0003596924,0.00008334392,0.0003447098,0.054320794,0.00016488474,0.00066055084,0.8040955,0.046309132,0.08553796],"study_design_scores_gemma":[0.000046360743,0.000065068365,0.00898844,0.001669896,0.00005435743,0.00020424735,0.065642625,0.00010164481,0.00039010725,0.6805828,0.24219021,0.000064274245],"about_ca_topic_score_codex":0.020483576,"about_ca_topic_score_gemma":0.034291714,"teacher_disagreement_score":0.023196882,"about_ca_system_score_codex":0.007453176,"about_ca_system_score_gemma":0.02582358,"threshold_uncertainty_score":0.08720219},"labels":[],"label_agreement":null},{"id":"W3025117141","doi":"","title":"The Perils and Promise of Privilege","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Military and Defense Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Privilege (computing); History; Computer science; Computer security","score_opus":0.014670540419614414,"score_gpt":0.24071172398977975,"score_spread":0.22604118357016534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3025117141","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.046448875,0.013017027,0.011141047,0.3006778,0.0016380026,0.000026234447,0.00017266966,0.00009576927,0.62678266],"genre_scores_gemma":[0.96998435,0.0020957342,0.0011806486,0.0073248213,0.0019468685,0.000046033594,0.000030063695,0.00008118182,0.017310293],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98595285,0.006961193,0.0003607552,0.0015228216,0.0030942413,0.0021081783],"domain_scores_gemma":[0.9742459,0.014089267,0.0015023684,0.0038468812,0.0024316504,0.0038839658],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.018642116,0.00048787013,0.0012468386,0.002742286,0.014416368,0.022382136,0.0023406658,0.009075002,0.023695767],"category_scores_gemma":[0.036944915,0.0007076322,0.00053961435,0.0018022216,0.094890915,0.03460898,0.013140507,0.013339205,0.0019771117],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001953498,0.000008738559,0.00022673978,0.00001209841,0.0000035557423,0.000024848485,0.0014443189,0.000048076334,0.000035479705,0.9914016,0.0026292133,0.004145797],"study_design_scores_gemma":[0.000013665743,0.000012780083,0.0004010425,0.00007154392,0.000004690244,0.00006731032,0.002743371,0.00011775289,0.00004441937,0.956743,0.039763458,0.000016957878],"about_ca_topic_score_codex":0.0068761413,"about_ca_topic_score_gemma":0.00981673,"teacher_disagreement_score":0.023695767,"about_ca_system_score_codex":0.007945151,"about_ca_system_score_gemma":0.008935666,"threshold_uncertainty_score":0.098590076},"labels":[],"label_agreement":null},{"id":"W3029993976","doi":"","title":"Seeing in a New Way: A Meditation","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Architectural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Meditation; Computer science; History; Archaeology","score_opus":0.02819186180852727,"score_gpt":0.19381621144870997,"score_spread":0.1656243496401827,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3029993976","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15307882,0.043921046,0.016267914,0.27455685,0.054008815,0.00032655866,0.0002998054,0.00043718048,0.45710295],"genre_scores_gemma":[0.7439251,0.017831627,0.013631616,0.06396071,0.01107702,0.00035555856,0.0001222889,0.00038822767,0.1487079],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99872595,0.00073196425,0.000021819325,0.0002053045,0.00014878814,0.00016620899],"domain_scores_gemma":[0.99848336,0.00084208674,0.00006234169,0.00012827614,0.000120313656,0.0003636198],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018684159,0.0014306185,0.0005067615,0.0008074605,0.009514838,0.0057137795,0.0017359342,0.00373255,0.003969952],"category_scores_gemma":[0.0039220746,0.0003635878,0.00082994386,0.00038815563,0.017053813,0.006320956,0.004979587,0.017293895,0.0011564168],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00045728224,0.0011390181,0.0012084328,0.0005862835,0.000107278654,0.0017256072,0.49812582,0.00029945048,0.0056822086,0.14660613,0.26991898,0.07414348],"study_design_scores_gemma":[0.000117334435,0.0002661853,0.0024587999,0.00082017784,0.00006736241,0.0021863098,0.2507928,0.0004426032,0.0017526277,0.0302099,0.71079725,0.00008859639],"about_ca_topic_score_codex":0.0030932645,"about_ca_topic_score_gemma":0.009013091,"teacher_disagreement_score":0.009514838,"about_ca_system_score_codex":0.0022984564,"about_ca_system_score_gemma":0.0014567808,"threshold_uncertainty_score":0.016676545},"labels":[],"label_agreement":null},{"id":"W3032604657","doi":"","title":"The \"V\" Word: Different Dimensions of Vocation in a Religiously Diverse Classroom","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Word (group theory); Linguistics; Psychology; Philosophy","score_opus":0.019656107129356983,"score_gpt":0.27343692891221033,"score_spread":0.2537808217828533,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3032604657","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9142608,0.00018917905,0.00090138987,0.0029131218,0.00014187569,0.000017858227,0.000021481539,0.0000152174025,0.081539035],"genre_scores_gemma":[0.99767476,0.000029984432,0.0001550194,0.00012394835,0.000008502868,0.000007545468,0.0000074499053,0.000008726383,0.001984093],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9983261,0.0007821701,0.00004676405,0.00010438825,0.00038346977,0.0003571108],"domain_scores_gemma":[0.99815863,0.00030098457,0.00020542795,0.00006848953,0.00025165835,0.0010148566],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008420624,0.00017852969,0.0002567882,0.0008070532,0.007694904,0.006497956,0.0006460444,0.0008248955,0.004304584],"category_scores_gemma":[0.0029331718,0.00014763504,0.00018519061,0.00059844943,0.006615904,0.0026543883,0.0042043775,0.0024121432,0.000313519],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023796345,0.0003454185,0.04637502,0.000074948104,0.000015332245,0.0004653492,0.76096445,0.00009933036,0.0048571727,0.14432003,0.0067234454,0.035521567],"study_design_scores_gemma":[0.000016033853,0.00007189563,0.03982186,0.000064017535,0.000010557441,0.00020263095,0.93012017,0.00022038973,0.00042157396,0.0104893185,0.018533403,0.00002809733],"about_ca_topic_score_codex":0.01416883,"about_ca_topic_score_gemma":0.0463912,"teacher_disagreement_score":0.01416883,"about_ca_system_score_codex":0.0021446366,"about_ca_system_score_gemma":0.0028638465,"threshold_uncertainty_score":0.028172731},"labels":[],"label_agreement":null},{"id":"W3032872259","doi":"","title":"Learning the Language of Inclusive Pedagogy","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Collaborative Teaching and Inclusion","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Linguistics; Sociology; Pedagogy; Computer science; Mathematics education; Psychology; Philosophy","score_opus":0.01309311933113237,"score_gpt":0.31285018880341886,"score_spread":0.2997570694722865,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3032872259","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07035897,0.002532524,0.057503585,0.05213753,0.00089047005,0.00009593237,0.00007600891,0.00029694737,0.8161079],"genre_scores_gemma":[0.93775034,0.0012473501,0.016743667,0.0015170864,0.00016145427,0.00012732571,0.00004636408,0.00013322322,0.042273134],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9951532,0.0028406673,0.00013045683,0.00029253328,0.0011079538,0.00047526695],"domain_scores_gemma":[0.99213696,0.0046394737,0.00037556395,0.00065053074,0.0011328597,0.0010647728],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006351112,0.0005009584,0.0005075746,0.0014074792,0.0075400686,0.014789041,0.0014623654,0.0023986995,0.01224496],"category_scores_gemma":[0.015736882,0.0002708363,0.000363431,0.00096637575,0.022764044,0.01052541,0.007785187,0.0044747503,0.0014919882],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023221399,0.000062862004,0.0006710628,0.000080300044,0.0000056150675,0.00010162723,0.05515011,0.0003477864,0.00048135797,0.9065409,0.005917926,0.030617286],"study_design_scores_gemma":[0.000025843015,0.000034714612,0.00069284765,0.00042086985,0.000011083008,0.00010928225,0.042808242,0.0010953208,0.000997653,0.79529494,0.15848248,0.000026671629],"about_ca_topic_score_codex":0.036027852,"about_ca_topic_score_gemma":0.053326163,"teacher_disagreement_score":0.036027852,"about_ca_system_score_codex":0.008603302,"about_ca_system_score_gemma":0.023192015,"threshold_uncertainty_score":0.07163626},"labels":[],"label_agreement":null},{"id":"W3085614233","doi":"","title":"The American Myth of White Supremacy: A Review of Myths America Lives By","year":2019,"lang":"en","type":"review","venue":"Intersections Canadian Journal of Music","topic":"Race, History, and American Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mythology; White supremacy; White (mutation); History; Art; Political science; Classics; Law; Racism; Biology","score_opus":0.032705845135331604,"score_gpt":0.32439462444765854,"score_spread":0.29168877931232695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3085614233","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000039820035,0.9980254,0.000014174595,0.0014544881,0.00025159144,9.027944e-7,0.000005207187,8.064107e-7,0.00020760104],"genre_scores_gemma":[0.0005583369,0.9976584,0.00003744045,0.0012358208,0.00039556104,0.0000030242788,0.000008260483,8.383068e-7,0.00010244835],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989441,0.00034793376,0.00015858123,0.00014199046,0.0003341548,0.00007319436],"domain_scores_gemma":[0.9965088,0.0024772107,0.0003724705,0.000048088797,0.00043827106,0.00015526525],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030872135,0.00093972404,0.0015869191,0.004118172,0.00092317007,0.0029722177,0.0011940316,0.0028037466,0.0022646678],"category_scores_gemma":[0.0062942007,0.00041276842,0.00052138325,0.005605811,0.0039117252,0.0047807726,0.00229287,0.004452214,0.000493946],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000833717,0.000053998232,0.000687608,0.033611722,0.00019822308,0.00011534342,0.0019885073,0.00018649947,0.00022656228,0.023123177,0.14228383,0.79744124],"study_design_scores_gemma":[0.0000143547895,0.000030019526,0.0022595727,0.049862806,0.00013389294,0.00039019715,0.0015566716,0.000041542822,0.0000515313,0.0073839366,0.9382415,0.000033993816],"about_ca_topic_score_codex":0.008532184,"about_ca_topic_score_gemma":0.020475797,"teacher_disagreement_score":0.008532184,"about_ca_system_score_codex":0.0025745302,"about_ca_system_score_gemma":0.0073087225,"threshold_uncertainty_score":0.018679619},"labels":[],"label_agreement":null},{"id":"W3098192721","doi":"","title":"The Long Pilgrimage of 2020-21","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Tourism and Spaces","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pilgrimage; History; Ancient history","score_opus":0.019231103191000652,"score_gpt":0.25121020565068874,"score_spread":0.23197910245968809,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3098192721","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16326241,0.007511926,0.0011823503,0.13614655,0.06586877,0.00018166858,0.010786777,0.00041429538,0.6146453],"genre_scores_gemma":[0.45162562,0.002189273,0.00088403013,0.02962824,0.0039015696,0.00023031073,0.0052902177,0.00040099927,0.50584966],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99901795,0.00006659915,0.000022664708,0.000061335224,0.00033024434,0.0005011708],"domain_scores_gemma":[0.9989085,0.00006292806,0.000068038666,0.00003846972,0.00032206613,0.00060000614],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010760414,0.00049928896,0.00037041854,0.00088746543,0.005948686,0.0056540826,0.0004691339,0.0035445422,0.03686211],"category_scores_gemma":[0.0025535028,0.00019806557,0.00038655027,0.00082890416,0.0018280518,0.0017896617,0.005455201,0.005470691,0.012473477],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006893132,0.00014220658,0.011224577,0.00047129844,0.000052975185,0.0013033889,0.0046256236,0.00021325394,0.0019359386,0.09702488,0.8241409,0.05817562],"study_design_scores_gemma":[0.000015419088,0.00006231654,0.0275267,0.00013420293,0.0000074831673,0.00013414098,0.0037988748,0.000063519634,0.00026415527,0.0031032078,0.9648657,0.00002417525],"about_ca_topic_score_codex":0.03812563,"about_ca_topic_score_gemma":0.13292032,"teacher_disagreement_score":0.03812563,"about_ca_system_score_codex":0.0052639823,"about_ca_system_score_gemma":0.005577182,"threshold_uncertainty_score":0.12331605},"labels":[],"label_agreement":null},{"id":"W3098605321","doi":"10.7202/1071675ar","title":"Inside Chinese Theatre: Cantonese Opera in Canada","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Opera; China; History; Immigration; Period (music); Chinese culture; Visual arts; Art history; Art; Archaeology; Aesthetics","score_opus":0.020546815839713604,"score_gpt":0.17868485446986082,"score_spread":0.15813803863014722,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3098605321","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7611448,0.008174519,0.00054634595,0.014343794,0.00056197174,0.000107452084,0.0013487418,0.00007087831,0.2137014],"genre_scores_gemma":[0.9471256,0.004875777,0.000398318,0.000747889,0.00004644605,0.000028790671,0.00041336537,0.000052424683,0.04631138],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99909115,0.00006877117,0.000017717097,0.000099083394,0.0003010323,0.00042222656],"domain_scores_gemma":[0.99865305,0.00008739494,0.000053183114,0.000028749573,0.00051198574,0.00066556764],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00072208693,0.0004069626,0.0002543302,0.0016896334,0.019467149,0.0050822212,0.00087261817,0.0006619889,0.009607837],"category_scores_gemma":[0.0012227439,0.0002605377,0.00023198374,0.006467003,0.0046936763,0.0010765227,0.0022779787,0.0017174042,0.0005287389],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00048039434,0.00016527784,0.072583266,0.00080654176,0.000062043655,0.0042302287,0.45937082,0.00093747873,0.004012293,0.08287226,0.18680966,0.18766981],"study_design_scores_gemma":[0.000018463821,0.000056972403,0.16210869,0.0003862545,0.00003303614,0.0005393461,0.3466647,0.0005270976,0.0006067033,0.001230914,0.4876982,0.0001295238],"about_ca_topic_score_codex":0.9946595,"about_ca_topic_score_gemma":0.99870753,"teacher_disagreement_score":0.071627654,"about_ca_system_score_codex":0.071627654,"about_ca_system_score_gemma":0.10558447,"threshold_uncertainty_score":0.5196974},"labels":[],"label_agreement":null},{"id":"W3100342615","doi":"10.7202/1071673ar","title":"Echo and the Recovery of the Past in R. Murray Schafer’s The Princess of The Stars","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Performing arts; Meaning (existential); Environmentalism; Interpretation (philosophy); Echo (communications protocol); Identity (music); Musical; Sound (geography); Aesthetics; Art; Visual arts; History; Psychology; Acoustics; Philosophy; Linguistics; Computer science; Physics; Political science","score_opus":0.017846530200356217,"score_gpt":0.19903196968358353,"score_spread":0.1811854394832273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3100342615","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26697975,0.021213794,0.0045407615,0.097056784,0.003444447,0.000036210997,0.0001016391,0.00016018386,0.6064665],"genre_scores_gemma":[0.9198151,0.0022543562,0.00075555017,0.0026972156,0.00025584234,0.00000780815,0.000015740276,0.00009403669,0.074104376],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988372,0.00045313005,0.000016555168,0.00010134107,0.0004155404,0.00017625201],"domain_scores_gemma":[0.99904996,0.00037169768,0.00006607296,0.00008036161,0.00022892916,0.0002029955],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012215053,0.00029169387,0.00021730436,0.0006007365,0.01802371,0.00712272,0.00048502267,0.0014202805,0.0030216891],"category_scores_gemma":[0.002994974,0.00021169372,0.00015015449,0.00060146005,0.019048315,0.0026641644,0.0026712676,0.0034342224,0.00046185523],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015705156,0.000018680568,0.0012956414,0.00009214377,0.000012443335,0.0013405114,0.5417081,0.00021956651,0.0014063459,0.3410725,0.07509524,0.037581716],"study_design_scores_gemma":[0.000010711285,0.00003402319,0.0032747318,0.00013670519,0.000010297544,0.0010463563,0.21182747,0.00013570214,0.00064048637,0.015578431,0.7672469,0.00005820829],"about_ca_topic_score_codex":0.21867426,"about_ca_topic_score_gemma":0.50765646,"teacher_disagreement_score":0.78132576,"about_ca_system_score_codex":0.010011756,"about_ca_system_score_gemma":0.0057468587,"threshold_uncertainty_score":0.43480283},"labels":[],"label_agreement":null},{"id":"W3100805653","doi":"","title":"Finding Purpose in Chaos: Reflection In and Beyond the Public Health Classroom","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Public Health Policies and Education","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"CHAOS (operating system); Reflection (computer programming); Sociology; Mathematics education; Psychology; Computer science; Computer security; Programming language","score_opus":0.16769329101609134,"score_gpt":0.42013021457584765,"score_spread":0.25243692355975633,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3100805653","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14130382,0.0052863737,0.043868918,0.5326307,0.0036139884,0.00022172049,0.000087699016,0.0003001123,0.27268663],"genre_scores_gemma":[0.9699033,0.0014592916,0.007387446,0.010169579,0.00043261633,0.00019372374,0.000036040583,0.00025208283,0.010165865],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.949998,0.040081665,0.00058418117,0.0018617108,0.003160425,0.004313984],"domain_scores_gemma":[0.8985203,0.07501066,0.0028944265,0.0050166473,0.005745595,0.0128124],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.04166834,0.0010295288,0.0011744397,0.0033068263,0.029298613,0.03235474,0.004859386,0.010067683,0.008590467],"category_scores_gemma":[0.08134776,0.0009176067,0.0009441593,0.0017891582,0.11510211,0.02357387,0.026193645,0.023916822,0.00095446385],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029854391,0.00015109664,0.0020868168,0.000119201715,0.00001792117,0.00024274793,0.76132995,0.00024803999,0.00023113564,0.20439343,0.014806866,0.016342985],"study_design_scores_gemma":[0.000025505677,0.000029500352,0.0007089929,0.00039760207,0.000012175964,0.000113601905,0.7282403,0.00034476287,0.00023231014,0.1791507,0.090708785,0.00003581375],"about_ca_topic_score_codex":0.017153332,"about_ca_topic_score_gemma":0.015619187,"teacher_disagreement_score":0.04166834,"about_ca_system_score_codex":0.014211793,"about_ca_system_score_gemma":0.04859582,"threshold_uncertainty_score":0.22036588},"labels":[],"label_agreement":null},{"id":"W3100996964","doi":"10.7202/1071677ar","title":"Des orgues et des hommes à Québec sous le Régime français : sur la piste du premier facteur d’orgue du Canada","year":2020,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.017771647470197497,"score_gpt":0.19213145954289043,"score_spread":0.17435981207269294,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3100996964","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93296754,0.005499602,0.0004002339,0.008139791,0.0001495055,0.00002695184,0.00051831105,0.000014594133,0.0522834],"genre_scores_gemma":[0.981122,0.0019465557,0.00017639909,0.0004296511,0.00001864069,0.00000953518,0.000079056554,0.000007998794,0.016210102],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988908,0.00014436273,0.000023543522,0.00011623935,0.00028399625,0.00054102973],"domain_scores_gemma":[0.99826294,0.00027634721,0.00022148566,0.000059329956,0.0006668589,0.0005130351],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009483127,0.00027756533,0.00034760003,0.0025188304,0.018218625,0.004116993,0.00083367986,0.00095233234,0.007944463],"category_scores_gemma":[0.0019858358,0.00023601021,0.00019690488,0.003896197,0.0062037082,0.0013999323,0.002116921,0.001959809,0.00027142026],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001555842,0.00005548711,0.20864391,0.00023459895,0.00006640247,0.0013153779,0.6083947,0.00028842408,0.0013743248,0.06900681,0.014903616,0.09556081],"study_design_scores_gemma":[0.000008273017,0.000037238606,0.36700574,0.00041429137,0.00003781814,0.00030715554,0.42969182,0.00020653625,0.00033628885,0.0011690779,0.20070994,0.0000758544],"about_ca_topic_score_codex":0.9955178,"about_ca_topic_score_gemma":0.9988933,"teacher_disagreement_score":0.056423664,"about_ca_system_score_codex":0.056423664,"about_ca_system_score_gemma":0.062391322,"threshold_uncertainty_score":0.40938425},"labels":[],"label_agreement":null},{"id":"W3101617504","doi":"","title":"Learning from Luther on Covid-19","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Patient Dignity and Privacy","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Coronavirus disease 2019 (COVID-19); Severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2); 2019-20 coronavirus outbreak; Virology; Biology; Medicine; Outbreak; Internal medicine; Infectious disease (medical specialty)","score_opus":0.12906957535001393,"score_gpt":0.292295102946018,"score_spread":0.1632255275960041,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3101617504","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00606869,0.010178284,0.0014535937,0.7190471,0.031765472,0.000022605713,0.000050337643,0.00010548391,0.23130843],"genre_scores_gemma":[0.11701661,0.0071682753,0.0014900704,0.33416665,0.008251315,0.000051295738,0.000045000816,0.0002657995,0.53154504],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951857,0.0022003367,0.00014245819,0.0004299406,0.0011644727,0.00087708514],"domain_scores_gemma":[0.992389,0.0021922688,0.00020732371,0.00036245317,0.0016814296,0.0031675322],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006064077,0.00049344666,0.0005075291,0.0010571722,0.012131114,0.007925788,0.0010322182,0.006237362,0.03567993],"category_scores_gemma":[0.018447395,0.0003101885,0.00048614488,0.00052738417,0.012969532,0.006267012,0.0065069324,0.01562655,0.0063828896],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031756088,0.00004341967,0.00056169106,0.000050052953,0.000006865274,0.00037207094,0.006725236,0.00004667135,0.000109259934,0.14198306,0.8041632,0.045906655],"study_design_scores_gemma":[0.000008781686,0.000028143717,0.00035277006,0.00034174797,0.000004677174,0.0005321155,0.006820179,0.00004864032,0.00009497726,0.029091887,0.96265155,0.000024629035],"about_ca_topic_score_codex":0.025512038,"about_ca_topic_score_gemma":0.10683918,"teacher_disagreement_score":0.03567993,"about_ca_system_score_codex":0.009611666,"about_ca_system_score_gemma":0.0121437935,"threshold_uncertainty_score":0.11936128},"labels":[],"label_agreement":null},{"id":"W3102183115","doi":"","title":"Radical Hospitality on Haunted Grounds: Anti-Racism in Lutheran Higher Education","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hospitality; Racism; Sociology; Religious studies; Gender studies; History; Pedagogy; Philosophy; Archaeology; Tourism","score_opus":0.04454200927378765,"score_gpt":0.30884272334589286,"score_spread":0.2643007140721052,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3102183115","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.715025,0.0021584872,0.00032056164,0.15089615,0.0008592241,0.00001738271,0.000038154885,0.00001883526,0.13066626],"genre_scores_gemma":[0.98909014,0.00017750148,0.00004536086,0.002976041,0.000090231915,0.0000037803115,0.0000047099215,0.000007665501,0.0076045785],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99719894,0.0010720238,0.000033480876,0.00012873858,0.00023209104,0.0013347182],"domain_scores_gemma":[0.9979539,0.00044111657,0.00029586218,0.0000918303,0.00023711086,0.0009801333],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002398113,0.00021114762,0.0002688376,0.0008689741,0.029563507,0.007704537,0.0011404597,0.004697699,0.00977417],"category_scores_gemma":[0.003214936,0.00020601723,0.0002068439,0.0009953841,0.023980107,0.0029557662,0.0063020797,0.007917615,0.00041241365],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007394458,0.00020045912,0.013679166,0.00008174418,0.00001726228,0.0012087111,0.5198357,0.000081654434,0.00053241063,0.39744374,0.03970361,0.027141506],"study_design_scores_gemma":[0.00002147125,0.000048541875,0.02290967,0.00021812381,0.000015298476,0.000576496,0.7394557,0.00016088932,0.00033482298,0.030986128,0.20522591,0.000047062484],"about_ca_topic_score_codex":0.077431075,"about_ca_topic_score_gemma":0.26848,"teacher_disagreement_score":0.077431075,"about_ca_system_score_codex":0.00926698,"about_ca_system_score_gemma":0.011883171,"threshold_uncertainty_score":0.15396076},"labels":[],"label_agreement":null},{"id":"W3102422949","doi":"","title":"Activism, Justice, and the Danger of Silence","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Political Philosophy and Ethics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Silence; Economic Justice; Criminology; Political science; History; Sociology; Law; Art; Aesthetics","score_opus":0.07135654458520947,"score_gpt":0.29925087132490213,"score_spread":0.22789432673969268,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3102422949","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07834602,0.0068008467,0.004185615,0.2824711,0.00086845516,0.00003065516,0.00003171864,0.000032400018,0.6272331],"genre_scores_gemma":[0.9763509,0.00066904526,0.0003008169,0.00914322,0.00043005485,0.000025593052,0.000006232952,0.00002296528,0.013051206],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.98880637,0.006076963,0.00023630814,0.00092781027,0.0017403238,0.0022121863],"domain_scores_gemma":[0.9821661,0.0124839395,0.0014029654,0.00080156425,0.0013870018,0.0017584547],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.012514659,0.00027803096,0.0005421087,0.0013418146,0.016891332,0.0157719,0.001332239,0.012521821,0.0069267773],"category_scores_gemma":[0.021788158,0.00031106925,0.00035039152,0.0008268704,0.077595964,0.0074275853,0.007391142,0.011658993,0.0006700193],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019778408,0.000018116812,0.00043134336,0.000017780674,0.000005025156,0.00011124534,0.022436239,0.000054302804,0.000103480255,0.9677856,0.004239109,0.0047780364],"study_design_scores_gemma":[0.000032946296,0.00002024041,0.0010150677,0.00015922137,0.000012660556,0.000168174,0.036086027,0.00021541642,0.0002547905,0.86774474,0.09426607,0.000024539924],"about_ca_topic_score_codex":0.018007947,"about_ca_topic_score_gemma":0.023197223,"teacher_disagreement_score":0.98199207,"about_ca_system_score_codex":0.0064752866,"about_ca_system_score_gemma":0.0096538775,"threshold_uncertainty_score":0.06618464},"labels":[],"label_agreement":null},{"id":"W3102462411","doi":"","title":"Leadership in Lutheran Key at a Time of Pandemics","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Key (lock); Pandemic; History; Political science; Coronavirus disease 2019 (COVID-19); Computer security; Computer science; Medicine","score_opus":0.14740294849573293,"score_gpt":0.21300300411226297,"score_spread":0.06560005561653004,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3102462411","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29924634,0.0026390646,0.00057893235,0.5563811,0.015964339,0.00006762802,0.00010638437,0.00011844765,0.124897785],"genre_scores_gemma":[0.85962516,0.00046599988,0.00025319526,0.054259993,0.0010071526,0.000035796726,0.000023319377,0.00008780311,0.0842417],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967693,0.00049587,0.00004246085,0.0001648213,0.00025248664,0.002275088],"domain_scores_gemma":[0.99607533,0.00029576974,0.00016059831,0.00006112192,0.00033094137,0.0030761214],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023332748,0.0003316335,0.00030167002,0.000618939,0.02733194,0.007508971,0.00087129517,0.006786971,0.020489924],"category_scores_gemma":[0.0050215977,0.00030713313,0.0002864884,0.00046410222,0.009516726,0.0038852182,0.0073516453,0.01233592,0.0019035573],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003572026,0.0002369322,0.009399757,0.00014990557,0.000028095035,0.011909353,0.25737092,0.00018173456,0.002250873,0.28262246,0.4091295,0.026363384],"study_design_scores_gemma":[0.00004576685,0.00013377886,0.0064928853,0.00022608589,0.000011426239,0.0012230991,0.23831894,0.0001422129,0.0004896195,0.015789332,0.73706454,0.00006240994],"about_ca_topic_score_codex":0.026745068,"about_ca_topic_score_gemma":0.11150993,"teacher_disagreement_score":0.02733194,"about_ca_system_score_codex":0.012995323,"about_ca_system_score_gemma":0.013871911,"threshold_uncertainty_score":0.09428811},"labels":[],"label_agreement":null},{"id":"W3102499598","doi":"","title":"Called to Flourish: An Ethic of Care","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Ethics in medical practice","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.14263983951139622,"score_gpt":0.4496332203970543,"score_spread":0.3069933808856581,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3102499598","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03373791,0.0017797871,0.023395982,0.5395214,0.0029013637,0.00012860402,0.000039503324,0.00008921369,0.39840624],"genre_scores_gemma":[0.9089712,0.00047924745,0.008506339,0.059111107,0.0008498198,0.00018370546,0.000018668998,0.00012185923,0.021758063],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.95451707,0.030037355,0.0013027601,0.0025859664,0.0065026972,0.0050541493],"domain_scores_gemma":[0.9697142,0.012254126,0.0019348308,0.0026286573,0.005390281,0.008077939],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.033536393,0.0005281453,0.0008649444,0.0017212263,0.031577095,0.019717615,0.0023301046,0.018087814,0.0066929404],"category_scores_gemma":[0.041409317,0.0007134818,0.0007595197,0.0011023611,0.12752388,0.009780836,0.013941433,0.024026595,0.0010227287],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023853143,0.000039555995,0.0008090983,0.00003284521,0.000013469586,0.00021188604,0.0428657,0.0001084334,0.00024340741,0.92587185,0.022986067,0.0067938454],"study_design_scores_gemma":[0.00007020233,0.00006434625,0.0016147862,0.0004723437,0.00002475591,0.00076496147,0.055140693,0.0005372771,0.00030159845,0.7074229,0.23345162,0.00013451798],"about_ca_topic_score_codex":0.023031583,"about_ca_topic_score_gemma":0.04709608,"teacher_disagreement_score":0.033536393,"about_ca_system_score_codex":0.0128420945,"about_ca_system_score_gemma":0.044391274,"threshold_uncertainty_score":0.17735952},"labels":[],"label_agreement":null},{"id":"W3102674118","doi":"10.7202/1071678ar","title":"Fragments from a Broken Country: Jérôme Blais, in Discussion with Philipp Reisner","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature and Cultural Memory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"History","score_opus":0.02244570265148396,"score_gpt":0.18375630203083115,"score_spread":0.1613105993793472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3102674118","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0025849068,0.05307657,0.0003640548,0.88527626,0.036042325,0.000023958766,0.000097446886,0.000026934971,0.022507567],"genre_scores_gemma":[0.07527431,0.063236184,0.00091088103,0.6688934,0.05102291,0.00018069489,0.00013073072,0.00064294913,0.13970798],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977028,0.0012400722,0.00007533755,0.00030950463,0.0003718617,0.0003004208],"domain_scores_gemma":[0.99566,0.0027044085,0.00018986876,0.00011052188,0.0005671487,0.0007680363],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004127007,0.0017063185,0.001242399,0.0013639358,0.025082545,0.010534969,0.0028502308,0.01446298,0.009756386],"category_scores_gemma":[0.016458424,0.00071104366,0.0007097181,0.0014519949,0.012165838,0.0115352655,0.0064359917,0.032765735,0.0029963057],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033965065,0.000011867148,0.000113368245,0.00014358258,0.000011610435,0.0009831178,0.046841748,0.000051086547,0.000095633026,0.015182832,0.9301944,0.0063369344],"study_design_scores_gemma":[0.0000073420097,0.000006997941,0.0003249061,0.00044903113,0.000008758488,0.0004684027,0.057614468,0.000021852025,0.0000951303,0.0026844996,0.93829167,0.000026929432],"about_ca_topic_score_codex":0.08032136,"about_ca_topic_score_gemma":0.2152157,"teacher_disagreement_score":0.9196786,"about_ca_system_score_codex":0.0064629875,"about_ca_system_score_gemma":0.0055753207,"threshold_uncertainty_score":0.15970773},"labels":[],"label_agreement":null},{"id":"W3103598668","doi":"10.7202/1071679ar","title":"Claude Abromont. 2019. Guide de l’analyse musicale. Dijon (Fr) : Éditions Universitaires de Dijon, 457 p. ISBN 978-2-36441-318-4 (couverture souple)","year":2020,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Contemporary art, education, critique","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.023060471834196242,"score_gpt":0.2645533811440559,"score_spread":0.24149290930985967,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3103598668","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012404773,0.5244376,0.0042881137,0.024496777,0.011367944,0.00009326428,0.0034129706,0.0011414011,0.4295214],"genre_scores_gemma":[0.007873688,0.09276862,0.0039971643,0.001892246,0.0006283363,0.00007846627,0.0015251269,0.0008495331,0.8903869],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983902,0.00020896032,0.00010693524,0.00021678304,0.0009258274,0.00015137634],"domain_scores_gemma":[0.99850684,0.00038160803,0.000095789466,0.00007758259,0.0007884068,0.00014964794],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001780971,0.0017198103,0.0009263063,0.0036899804,0.0024124815,0.007229833,0.0012567029,0.002577255,0.2116502],"category_scores_gemma":[0.0037114837,0.0008156667,0.0004990282,0.004145167,0.0014701658,0.0046216035,0.0018503184,0.003288996,0.12485075],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005753764,0.0000116857345,0.00016078747,0.0005315027,0.000006706548,0.00008557571,0.00097462477,0.00009370757,0.00036870755,0.011838259,0.80130637,0.18456462],"study_design_scores_gemma":[0.0000021006083,0.0000031415839,0.000309082,0.00024901846,0.0000014211406,0.000064238135,0.00024001944,0.000009105345,0.00004981699,0.00044379954,0.99862254,0.000005831368],"about_ca_topic_score_codex":0.10169306,"about_ca_topic_score_gemma":0.14104688,"teacher_disagreement_score":0.2116502,"about_ca_system_score_codex":0.0050473823,"about_ca_system_score_gemma":0.0042947545,"threshold_uncertainty_score":0.7080404},"labels":[],"label_agreement":null},{"id":"W3103937578","doi":"10.7202/1071672ar","title":"La musique actuelle au Québec : enjeux et perspectives méthodologiques d’une analyse génétique","year":2020,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.31301108675472505,"score_gpt":0.3348211765240792,"score_spread":0.02181008976935417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3103937578","genre_codex":"empirical","genre_gemma":"methods","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"methods","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.417442,0.01119236,0.32153067,0.016866172,0.00045992655,0.00096750184,0.0032841868,0.00047966166,0.22777757],"genre_scores_gemma":[0.8800699,0.0040646307,0.068289205,0.0010419703,0.000036824942,0.0006876916,0.00078259094,0.00023597953,0.044791266],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996214,0.002060062,0.00010044773,0.0006627148,0.0007264712,0.00023632169],"domain_scores_gemma":[0.99030215,0.0061617894,0.00038594662,0.00052761706,0.002416176,0.00020628802],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0053886017,0.000960018,0.00061744096,0.004445232,0.00541541,0.008134294,0.0014931117,0.0010936585,0.010640441],"category_scores_gemma":[0.010935909,0.00034520053,0.00049619935,0.006685795,0.008858212,0.0024306446,0.0018895423,0.0017352947,0.00057203113],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018222842,0.00008628984,0.04156678,0.0015846478,0.0002468611,0.001053473,0.34452772,0.005114889,0.0047341497,0.3820306,0.008049428,0.210823],"study_design_scores_gemma":[0.00006312066,0.00011937006,0.10506137,0.0029095947,0.00025136236,0.0005763473,0.36819714,0.0208765,0.004716018,0.08406378,0.41295475,0.00021063129],"about_ca_topic_score_codex":0.8743265,"about_ca_topic_score_gemma":0.90609914,"teacher_disagreement_score":0.12567347,"about_ca_system_score_codex":0.04259631,"about_ca_system_score_gemma":0.031627804,"threshold_uncertainty_score":0.30905932},"labels":[],"label_agreement":null},{"id":"W3104534459","doi":"","title":"A New Image for an Ancient Call: Lutheran Higher Education Amidst Pandemics Today","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Tourism and Spaces","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pandemic; History; Image (mathematics); Art history; Genealogy; Coronavirus disease 2019 (COVID-19); Computer science; Artificial intelligence; Medicine","score_opus":0.040181581001683786,"score_gpt":0.2999299103164604,"score_spread":0.2597483293147766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3104534459","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022632029,0.0058231424,0.000899992,0.79645246,0.036416315,0.00002590668,0.00008793219,0.00017307997,0.13748913],"genre_scores_gemma":[0.3980433,0.0025676808,0.001485743,0.23444912,0.014504616,0.000052886116,0.00008548375,0.00041530092,0.34839594],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99801755,0.0005361276,0.000041329895,0.00018527244,0.00045806242,0.0007617596],"domain_scores_gemma":[0.99679226,0.00039471328,0.00014457681,0.00017826057,0.0003955906,0.002094561],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028836795,0.0006098272,0.00046561725,0.0008426452,0.02539753,0.013978386,0.0011282655,0.011710341,0.03920714],"category_scores_gemma":[0.0049221087,0.00029821252,0.00047963814,0.0006386604,0.018231995,0.009271771,0.009861955,0.02042289,0.0048793983],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000089370515,0.000061588216,0.00089180947,0.00011339826,0.000012735921,0.0009908654,0.054720066,0.00006381585,0.0007951348,0.21390073,0.70386827,0.024492271],"study_design_scores_gemma":[0.000015540658,0.000026534155,0.00096775225,0.00012523303,0.000005278404,0.00036609452,0.032466814,0.000053685286,0.00009355159,0.01445536,0.9513909,0.000033202035],"about_ca_topic_score_codex":0.013191365,"about_ca_topic_score_gemma":0.05726237,"teacher_disagreement_score":0.03920714,"about_ca_system_score_codex":0.008147547,"about_ca_system_score_gemma":0.00947768,"threshold_uncertainty_score":0.13116091},"labels":[],"label_agreement":null},{"id":"W3104552595","doi":"10.7202/1071676ar","title":"Constructing and Negotiating Chinese Cultural Identity in Diaspora Through Music and Martial Arts","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Martial Arts: Techniques, Psychology, and Education","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Martial arts; Luck; Percussion; Dance; Chinatown; Negotiation; Diaspora; Identity (music); Musical; Visual arts; Embodied cognition; Aesthetics; Sociology; Media studies; Art; Gender studies; History; Epistemology; Social science","score_opus":0.05778746853664683,"score_gpt":0.34472745775256397,"score_spread":0.2869399892159171,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3104552595","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9583359,0.0001438528,0.0013888883,0.00086134515,0.000029127079,0.000050574577,0.000011797362,0.000011849794,0.039166644],"genre_scores_gemma":[0.9967115,0.000089290275,0.00037579707,0.000068908754,0.0000033863869,0.000015538535,0.000007970699,0.000005217898,0.0027223013],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99867344,0.0005992691,0.000035951583,0.00011778249,0.00014539357,0.000428255],"domain_scores_gemma":[0.9993895,0.00018747254,0.000066015804,0.000067898254,0.00006507294,0.00022401093],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020832384,0.00044922187,0.00026403915,0.0013421176,0.014354575,0.004543141,0.0008844041,0.00054482283,0.0028891608],"category_scores_gemma":[0.0020687347,0.00022403392,0.0002728202,0.0011834832,0.013625482,0.003102884,0.0065756864,0.0011571435,0.00021778932],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022667622,0.000029434517,0.008902669,0.00003116682,0.000005986324,0.00047130315,0.95702595,0.000058277456,0.0010305332,0.020804165,0.00053679,0.011081019],"study_design_scores_gemma":[0.0000046129267,0.000019686237,0.0071547898,0.000041921077,0.00000972972,0.000115573974,0.97565424,0.00035724463,0.00042464834,0.003048912,0.013153511,0.000015228154],"about_ca_topic_score_codex":0.07605526,"about_ca_topic_score_gemma":0.14148182,"teacher_disagreement_score":0.07605526,"about_ca_system_score_codex":0.006952162,"about_ca_system_score_gemma":0.009537564,"threshold_uncertainty_score":0.15122515},"labels":[],"label_agreement":null},{"id":"W3104727562","doi":"","title":"Called to the Moment: A New Vocation for Lutheran Colleges","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Catholicism and Religious Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Moment (physics); History; Sociology; Physics","score_opus":0.054190488706377486,"score_gpt":0.2287892818697726,"score_spread":0.1745987931633951,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3104727562","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06711535,0.0043732873,0.0009423962,0.7726975,0.028996255,0.00007684805,0.00007537274,0.00021287626,0.12551008],"genre_scores_gemma":[0.48569155,0.0016824632,0.001538193,0.16294472,0.0055191973,0.00007832494,0.000057291396,0.00032374627,0.34216446],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99332035,0.0017720779,0.00011042728,0.0003464083,0.0010264717,0.003424168],"domain_scores_gemma":[0.98757964,0.0004866387,0.00026591663,0.00023727134,0.0006794137,0.010751163],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0042228303,0.00046377582,0.00042218677,0.0007590641,0.0543029,0.013034303,0.0016674268,0.008648874,0.023604529],"category_scores_gemma":[0.00614725,0.00037356262,0.0005776205,0.00073531637,0.013382376,0.0053550326,0.014430738,0.017055346,0.0027373729],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000104572304,0.00020026181,0.0031247018,0.00010329321,0.000011041671,0.0010190154,0.06930547,0.00007442435,0.0013840302,0.10998722,0.75396514,0.06072083],"study_design_scores_gemma":[0.000015529835,0.000049663115,0.002437631,0.000115817595,0.000004779547,0.00027783884,0.076047964,0.000060457267,0.0001734377,0.004740517,0.9160303,0.00004608259],"about_ca_topic_score_codex":0.035042338,"about_ca_topic_score_gemma":0.29602012,"teacher_disagreement_score":0.0543029,"about_ca_system_score_codex":0.012373012,"about_ca_system_score_gemma":0.04131182,"threshold_uncertainty_score":0.08977294},"labels":[],"label_agreement":null},{"id":"W3105805524","doi":"10.7202/1071674ar","title":"Mlle Aimée : étude sur la vie et l’image d’une actrice française à l’étranger au XIXème siècle","year":2020,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.026834891337269986,"score_gpt":0.24183428188527334,"score_spread":0.21499939054800335,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3105805524","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80294794,0.003088832,0.000730379,0.0053954325,0.0001932206,0.000015535983,0.000121494406,0.000014088699,0.18749303],"genre_scores_gemma":[0.96645254,0.0007328982,0.00014788138,0.00035230163,0.00003576757,0.000011792464,0.00002753979,0.000012918231,0.032226294],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990625,0.00029893496,0.00002343041,0.000107814434,0.00023825333,0.0002690965],"domain_scores_gemma":[0.99891365,0.00045558377,0.00016055768,0.000045434936,0.0002094187,0.00021531],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013673753,0.00028101198,0.00019680128,0.001012044,0.0085348105,0.003767024,0.00039907193,0.00093834795,0.006377192],"category_scores_gemma":[0.0018803799,0.00014515441,0.0001630581,0.0010034584,0.0069156173,0.0015534186,0.0020206412,0.0018418245,0.00048643182],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044750934,0.000016292997,0.010700297,0.000072192575,0.000008428628,0.0007237552,0.92633486,0.000045671753,0.0010644151,0.041342292,0.003289428,0.016357565],"study_design_scores_gemma":[0.0000073601286,0.000057111563,0.08701922,0.00032785966,0.000010405769,0.00068263727,0.4923438,0.000080927646,0.00048093832,0.0012038249,0.41774654,0.00003928894],"about_ca_topic_score_codex":0.2466392,"about_ca_topic_score_gemma":0.46283016,"teacher_disagreement_score":0.2466392,"about_ca_system_score_codex":0.008537188,"about_ca_system_score_gemma":0.0042284364,"threshold_uncertainty_score":0.49040717},"labels":[],"label_agreement":null},{"id":"W3106341234","doi":"","title":"Through Truth to Freedom - by Way of Reconciliation","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Forgiveness and Related Behaviors","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Epistemology; Philosophy","score_opus":0.04154984779752987,"score_gpt":0.2733067893341771,"score_spread":0.23175694153664725,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3106341234","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.049737725,0.0019261157,0.085845076,0.07069826,0.0016002087,0.00015063975,0.000093548624,0.0002476853,0.78970075],"genre_scores_gemma":[0.9656773,0.00030468224,0.007915853,0.0027683002,0.0002500685,0.00007123934,0.000041978976,0.00016286674,0.022807682],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9773383,0.01387539,0.0006145411,0.0019866833,0.0038264683,0.0023585923],"domain_scores_gemma":[0.982053,0.0072289184,0.0019569343,0.0044484306,0.0026970073,0.0016156839],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.016308215,0.00061710447,0.00076296326,0.002546369,0.010011897,0.017038232,0.0018722346,0.005551541,0.015410743],"category_scores_gemma":[0.040728204,0.00058213744,0.001023979,0.0012590273,0.055180766,0.020166669,0.014241947,0.00791766,0.0018377912],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030599513,0.000025350908,0.0005151656,0.000033199525,0.000018395223,0.00009471646,0.022150133,0.00015975746,0.00017035262,0.9637831,0.0035537041,0.009465543],"study_design_scores_gemma":[0.000023651268,0.000024281166,0.000505509,0.00011461218,0.000019737023,0.00015416431,0.012396782,0.00041351363,0.0003157622,0.9355964,0.0504072,0.000028419872],"about_ca_topic_score_codex":0.004412769,"about_ca_topic_score_gemma":0.0051447535,"teacher_disagreement_score":0.017038232,"about_ca_system_score_codex":0.005841492,"about_ca_system_score_gemma":0.009173596,"threshold_uncertainty_score":0.086247146},"labels":[],"label_agreement":null},{"id":"W3119095141","doi":"","title":"Old and New Ideas of the Liberal Arts: A Review of Claiming Our Callings","year":2015,"lang":"en","type":"review","venue":"Intersections Canadian Journal of Music","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Liberal arts education; The arts; Sociology; Genealogy; Art history; History; Art; Visual arts; Political science; Law; Higher education","score_opus":0.12130554822863726,"score_gpt":0.36379999621452574,"score_spread":0.24249444798588848,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3119095141","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006172734,0.9957991,0.00003402123,0.0031695098,0.00028322203,0.0000018560607,0.000010105062,0.0000010226257,0.0006392748],"genre_scores_gemma":[0.0016234423,0.9942075,0.00011623217,0.0031603859,0.00065669266,0.0000066865114,0.000017506443,0.000003049184,0.00020858896],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953334,0.0016552547,0.0006545123,0.00039948346,0.0017557294,0.00020170122],"domain_scores_gemma":[0.9733869,0.0216454,0.0013590966,0.0003653197,0.0027691233,0.0004742361],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009273076,0.00085149374,0.001898854,0.013290136,0.0015782095,0.0067786737,0.0017064738,0.0031112495,0.00421994],"category_scores_gemma":[0.027692525,0.0004998308,0.00072619057,0.017402854,0.0077413637,0.0074888417,0.0033185696,0.005253092,0.0007288991],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014047937,0.00005384947,0.0008943837,0.059507962,0.00025821902,0.00016478551,0.0032344447,0.0002352993,0.00037369638,0.10735456,0.13078132,0.69700104],"study_design_scores_gemma":[0.000012542345,0.000021217904,0.0015732954,0.05860883,0.0001390384,0.00018232834,0.0015215403,0.000041516185,0.00006906116,0.015666535,0.92213696,0.000027259246],"about_ca_topic_score_codex":0.009136859,"about_ca_topic_score_gemma":0.022104517,"teacher_disagreement_score":0.013290136,"about_ca_system_score_codex":0.005139577,"about_ca_system_score_gemma":0.016289858,"threshold_uncertainty_score":0.04904133},"labels":[],"label_agreement":null},{"id":"W3121044889","doi":"","title":"The Courage to Change: Creating New Hearts with Palmer and Zajonc","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Service-Learning and Community Engagement","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Courage; Psychology; Theology; Philosophy","score_opus":0.044899715290245557,"score_gpt":0.2752214066174364,"score_spread":0.23032169132719083,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3121044889","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020701097,0.013657808,0.010730673,0.7912205,0.018410148,0.00015776722,0.000056172736,0.00022173335,0.14484414],"genre_scores_gemma":[0.57598746,0.018328913,0.020052783,0.15304485,0.006736107,0.00054519786,0.00005050175,0.00082053896,0.22443354],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99154,0.0062680575,0.00006664976,0.00080397987,0.0008149043,0.00050642557],"domain_scores_gemma":[0.98800653,0.006363952,0.00031329383,0.00048181278,0.0011974635,0.0036369571],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008450888,0.0010732572,0.00054614345,0.0012388392,0.020776207,0.01691994,0.0020612972,0.0056687524,0.008387581],"category_scores_gemma":[0.016783632,0.0004746475,0.0005274857,0.0006623347,0.030926961,0.0147849135,0.007816751,0.020457715,0.0018113857],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012537367,0.00019234148,0.00074000494,0.0002223831,0.000023232375,0.00067100936,0.15585072,0.0002694234,0.00037081755,0.24086449,0.54760325,0.05306699],"study_design_scores_gemma":[0.000041969583,0.000045265144,0.00033073052,0.00031093592,0.000019652747,0.0006200201,0.09711357,0.00032498754,0.0006290331,0.0955782,0.80489874,0.000086857486],"about_ca_topic_score_codex":0.009204951,"about_ca_topic_score_gemma":0.027440427,"teacher_disagreement_score":0.020776207,"about_ca_system_score_codex":0.006783369,"about_ca_system_score_gemma":0.0083238045,"threshold_uncertainty_score":0.049216986},"labels":[],"label_agreement":null},{"id":"W3122016246","doi":"","title":"The Challenge of Inclusion in the Ethics Classroom","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Legal Education and Practice Innovations","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Inclusion (mineral); Sociology; Engineering ethics; Social science; Engineering","score_opus":0.12908029156784992,"score_gpt":0.37137822837466816,"score_spread":0.24229793680681824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3122016246","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.045845672,0.0030248722,0.0062772552,0.6189819,0.0013870453,0.000036406112,0.000019535555,0.00006959154,0.32435775],"genre_scores_gemma":[0.95960325,0.000997924,0.0017829009,0.014893257,0.0010664763,0.00009559212,0.000011571065,0.00010707811,0.02144196],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9581739,0.028509565,0.00048500282,0.001606563,0.006719783,0.004505292],"domain_scores_gemma":[0.9356983,0.039620943,0.0017706925,0.0024426538,0.0055378196,0.01492966],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.03527762,0.0004958627,0.0012919577,0.0021686081,0.037079945,0.030731892,0.0034306552,0.014207078,0.014352018],"category_scores_gemma":[0.05637817,0.00055130036,0.0005838461,0.0011720926,0.094277225,0.022940937,0.027490253,0.021396287,0.0021335941],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020958785,0.000064626096,0.0005625241,0.000050861436,0.0000057579305,0.00016506221,0.058293078,0.00015561431,0.00010447959,0.9113552,0.01400316,0.015218737],"study_design_scores_gemma":[0.00002943547,0.00002294869,0.0005259384,0.00025341212,0.000005314449,0.00013706106,0.05695507,0.00039121674,0.00021268858,0.8059811,0.13546339,0.000022342212],"about_ca_topic_score_codex":0.02953936,"about_ca_topic_score_gemma":0.030328115,"teacher_disagreement_score":0.037079945,"about_ca_system_score_codex":0.017022707,"about_ca_system_score_gemma":0.06263517,"threshold_uncertainty_score":0.18656814},"labels":[],"label_agreement":null},{"id":"W3122016731","doi":"","title":"In the Beginning of the Reformation Was the Word","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Word (group theory); Linguistics; History; Computer science; Philosophy","score_opus":0.050382463341915165,"score_gpt":0.2367460962603242,"score_spread":0.18636363291840902,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3122016731","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.121329114,0.00913702,0.009862643,0.08059029,0.01024897,0.00021445181,0.00030449824,0.00021905113,0.768094],"genre_scores_gemma":[0.79132295,0.0009986405,0.0021441404,0.006411442,0.0009532117,0.000059315455,0.000055118722,0.0001844473,0.19787078],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99787426,0.000708883,0.0000883432,0.00029996334,0.0005653989,0.0004630724],"domain_scores_gemma":[0.9980236,0.00062160427,0.00013338382,0.00021419613,0.0008224151,0.00018479378],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026863357,0.00029711085,0.0004016933,0.0010207313,0.009153179,0.006082487,0.00063584937,0.0028242818,0.011353741],"category_scores_gemma":[0.00664257,0.00026443065,0.0002200268,0.0010552809,0.027740378,0.0031468302,0.0021164385,0.008285907,0.0013446042],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004816161,0.000012924639,0.00027379172,0.000031383177,0.000002466955,0.000054342785,0.015109448,0.00002688378,0.00030819126,0.96974486,0.008330674,0.0060568396],"study_design_scores_gemma":[0.000039792332,0.000046905338,0.0017018474,0.00012232494,0.000010017418,0.00010355804,0.012762973,0.00012737834,0.001061676,0.055296615,0.9286808,0.00004613082],"about_ca_topic_score_codex":0.066964544,"about_ca_topic_score_gemma":0.11107299,"teacher_disagreement_score":0.066964544,"about_ca_system_score_codex":0.0127328215,"about_ca_system_score_gemma":0.008764477,"threshold_uncertainty_score":0.1331495},"labels":[],"label_agreement":null},{"id":"W3126559051","doi":"","title":"Both Priest and Beggar: Luther Among the Poor","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art","score_opus":0.0348544767382256,"score_gpt":0.21632691337346815,"score_spread":0.18147243663524254,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3126559051","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78425634,0.010135754,0.00014814822,0.12935539,0.0007976388,0.000025661204,0.00009591731,0.000022681576,0.07516247],"genre_scores_gemma":[0.96296877,0.0023495443,0.000076232536,0.010625309,0.00010619793,0.000017758728,0.000015619518,0.000013635466,0.023826895],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99876595,0.0003790195,0.000022069893,0.00004794146,0.00006736193,0.00071768253],"domain_scores_gemma":[0.99868995,0.0003386789,0.00017543622,0.00007202978,0.00013155401,0.0005922554],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015970629,0.00026618916,0.00041470057,0.00095979904,0.021745935,0.0042826184,0.0005233782,0.0027735073,0.009611054],"category_scores_gemma":[0.003146974,0.00026329554,0.00012450939,0.001214668,0.011001476,0.003863248,0.00631204,0.004263906,0.00053766626],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012348927,0.00009457477,0.03840899,0.0001755443,0.000017164542,0.0018895823,0.737771,0.000042392076,0.00070600386,0.11942708,0.056548595,0.0447956],"study_design_scores_gemma":[0.0000068022596,0.000034891713,0.019853238,0.0002950497,0.00001292091,0.000650625,0.8098322,0.000018651697,0.00013592758,0.006219107,0.16290973,0.0000309708],"about_ca_topic_score_codex":0.04117073,"about_ca_topic_score_gemma":0.14657065,"teacher_disagreement_score":0.04117073,"about_ca_system_score_codex":0.0031967754,"about_ca_system_score_gemma":0.0054341312,"threshold_uncertainty_score":0.08186215},"labels":[],"label_agreement":null},{"id":"W3128958531","doi":"","title":"Roots and Shoots : Tending to Lutheran Higher Education","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Shoot; Horticulture; Botany; History; Biology","score_opus":0.023053535164069654,"score_gpt":0.30073360241023206,"score_spread":0.2776800672461624,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3128958531","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6926326,0.0026730625,0.00062154356,0.06342602,0.001611343,0.00002477085,0.00006657959,0.0001255689,0.23881847],"genre_scores_gemma":[0.94427973,0.00055458996,0.00029035364,0.0049229986,0.00024744123,0.000009507798,0.00002194899,0.0000810469,0.04959245],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99806684,0.0007150334,0.000036758967,0.00018980299,0.0003594118,0.0006321332],"domain_scores_gemma":[0.9969901,0.0007226198,0.00037659606,0.000118552976,0.00036019486,0.001431802],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015149371,0.00032571022,0.00031532111,0.0021761514,0.02955752,0.0077885548,0.0006802804,0.0024876914,0.023066172],"category_scores_gemma":[0.004777643,0.00020949583,0.00021197082,0.002107291,0.013091278,0.0033600288,0.007145183,0.0057465048,0.0014403097],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009534098,0.000067696106,0.013586829,0.00012644246,0.000010230306,0.0011869649,0.75680035,0.00002545421,0.0010396154,0.15297139,0.031421036,0.04266866],"study_design_scores_gemma":[0.000016015547,0.00004157946,0.01707967,0.00017756657,0.000011438224,0.00056220614,0.6429019,0.000050538612,0.00021242957,0.008696971,0.33022532,0.000024398309],"about_ca_topic_score_codex":0.021246485,"about_ca_topic_score_gemma":0.12648843,"teacher_disagreement_score":0.02955752,"about_ca_system_score_codex":0.0072231316,"about_ca_system_score_gemma":0.0049670176,"threshold_uncertainty_score":0.077163994},"labels":[],"label_agreement":null},{"id":"W3136508660","doi":"10.7202/1075345ar","title":"Reflets de la colonialité dans la scène des musiques nouvelles","year":2021,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.022326639235156126,"score_gpt":0.2360151268576692,"score_spread":0.21368848762251308,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3136508660","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22108084,0.0064025577,0.0034663198,0.04139823,0.0010702788,0.000030303403,0.000082891325,0.00006045674,0.72640806],"genre_scores_gemma":[0.9247782,0.0009308866,0.00070762896,0.001801888,0.00019307199,0.000015268364,0.000023547915,0.00006937995,0.07148018],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99683857,0.0017124527,0.00008019651,0.0002784277,0.0005036633,0.00058669184],"domain_scores_gemma":[0.9975435,0.0011615782,0.00024200632,0.0002498785,0.00039395026,0.00040908402],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030359193,0.00036281362,0.0003401453,0.0011903119,0.016426822,0.008692977,0.00064456376,0.0021357243,0.008742966],"category_scores_gemma":[0.0064523527,0.0002723428,0.00023664586,0.0012418069,0.023062546,0.0040384303,0.005047945,0.004930505,0.0006058586],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044777957,0.00000864949,0.00094089,0.00005268173,0.000005749984,0.00040970885,0.25145844,0.00008129649,0.00046111923,0.7232551,0.01039347,0.012888122],"study_design_scores_gemma":[0.000017525459,0.000039455346,0.0057636574,0.0004031067,0.000011106731,0.00055399275,0.16068187,0.00026860228,0.00068648823,0.045931347,0.78560084,0.000042017306],"about_ca_topic_score_codex":0.054544352,"about_ca_topic_score_gemma":0.1539163,"teacher_disagreement_score":0.054544352,"about_ca_system_score_codex":0.012087008,"about_ca_system_score_gemma":0.00609971,"threshold_uncertainty_score":0.10845375},"labels":[],"label_agreement":null},{"id":"W3136680104","doi":"10.7202/1075347ar","title":"To All Who Should Be Concerned","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Inclusion (mineral); Normative; Order (exchange); Content (measure theory); Power (physics); Indigenous; White (mutation); Music education; Sociology; Art; Humanities; Pedagogy; Gender studies; Mathematics; Epistemology; Philosophy; Physics; Chemistry","score_opus":0.15541508209207283,"score_gpt":0.278596697416767,"score_spread":0.12318161532469418,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3136680104","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000641824,0.016737696,0.001091818,0.7975486,0.0963442,0.000062893625,0.0001294902,0.00043924106,0.087004334],"genre_scores_gemma":[0.009636336,0.008562993,0.00095752376,0.5985381,0.018149722,0.00012025712,0.00017494404,0.00028996065,0.36357015],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.993105,0.0023685237,0.0002908258,0.0010788725,0.0018042491,0.0013525153],"domain_scores_gemma":[0.9833815,0.0026395156,0.0008594551,0.001791629,0.0051423465,0.0061855926],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0056465683,0.0012503946,0.001398589,0.00084478967,0.0073770043,0.014569414,0.0025369953,0.016700294,0.12991972],"category_scores_gemma":[0.03648639,0.0006219338,0.00101827,0.00073194865,0.0057931077,0.012995165,0.010309341,0.019864483,0.11588871],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013846228,0.000022144894,0.00021574603,0.00008054239,0.0000049300897,0.00016381363,0.0008787809,0.000009141593,0.00007996005,0.0054181134,0.9713713,0.021741653],"study_design_scores_gemma":[0.0000037587893,0.0000061608084,0.00009427161,0.00018977323,0.0000028214336,0.00029575336,0.0017524828,0.000010438752,0.000027455488,0.0018379397,0.9957704,0.000008769937],"about_ca_topic_score_codex":0.0031319298,"about_ca_topic_score_gemma":0.0040129395,"teacher_disagreement_score":0.12991972,"about_ca_system_score_codex":0.0026173997,"about_ca_system_score_gemma":0.00885686,"threshold_uncertainty_score":0.4346248},"labels":[],"label_agreement":null},{"id":"W3136910119","doi":"10.7202/1075339ar","title":"Exploring Decolonization, Music, and Pedagogy","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Decolonization; Pedagogy; Sociology; Political science","score_opus":0.13141851255321485,"score_gpt":0.24613833818198283,"score_spread":0.11471982562876798,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3136910119","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.372478,0.0029426417,0.006908909,0.010762268,0.00021544218,0.00004538935,0.000047001125,0.000080250145,0.6065201],"genre_scores_gemma":[0.9771467,0.0006784963,0.0008392702,0.00037905574,0.000024839495,0.000020554739,0.000014778686,0.000049942228,0.020846419],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99793184,0.0010200028,0.000042770793,0.00021730205,0.0003230238,0.0004650252],"domain_scores_gemma":[0.9980476,0.0010127511,0.00019204138,0.00016047158,0.00022929172,0.00035785855],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002527857,0.000364511,0.0003839735,0.0016576776,0.007100912,0.009513032,0.0010534584,0.0009184132,0.010913064],"category_scores_gemma":[0.003783825,0.00015285023,0.00023838141,0.0014459188,0.02189887,0.0050313706,0.008885974,0.002883682,0.00046571158],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009497832,0.00014611261,0.006165417,0.00021748448,0.000012687288,0.00021183891,0.35290763,0.00022102632,0.0014475485,0.5719518,0.0039288118,0.06269467],"study_design_scores_gemma":[0.000040340845,0.00012773625,0.015608172,0.00048317047,0.000026142761,0.00021728294,0.64261204,0.0005343904,0.0014141522,0.08671984,0.25218344,0.000033308428],"about_ca_topic_score_codex":0.017148847,"about_ca_topic_score_gemma":0.057480086,"teacher_disagreement_score":0.017148847,"about_ca_system_score_codex":0.0076363245,"about_ca_system_score_gemma":0.007735714,"threshold_uncertainty_score":0.055405676},"labels":[],"label_agreement":null},{"id":"W3136990615","doi":"10.7202/1075343ar","title":"How We Got into Drum Circles, and How to Get Out: De-Essentializing African Music","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"African cultural and philosophical studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Drum; Appropriation; Representation (politics); Singing; Visual arts; Art; History; Sociology; Linguistics; Acoustics; Political science; Philosophy","score_opus":0.050296454401615,"score_gpt":0.2648258811753381,"score_spread":0.2145294267737231,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3136990615","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4596577,0.0119415615,0.024905832,0.14298034,0.002686178,0.0001751857,0.000046224064,0.00025727067,0.35734975],"genre_scores_gemma":[0.9361507,0.0038181408,0.01048121,0.007738264,0.00019894015,0.00009182959,0.000019332323,0.00022701333,0.041274425],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962394,0.0022678277,0.00006690947,0.0002249217,0.00035125492,0.00084960624],"domain_scores_gemma":[0.9977429,0.0008225665,0.00016328676,0.00019506966,0.00030069283,0.0007754908],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0055221086,0.00056930253,0.00030117432,0.0017197119,0.026407523,0.007996308,0.0009816781,0.002239979,0.0072502736],"category_scores_gemma":[0.007255088,0.00032876414,0.00029452465,0.00090411725,0.028604679,0.01083709,0.010290618,0.0057767183,0.0015319459],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005113382,0.000080507096,0.0014490291,0.00014808158,0.000005458259,0.00045613665,0.7735165,0.00006404119,0.002345004,0.13441835,0.010824596,0.07664112],"study_design_scores_gemma":[0.0000140083985,0.000043432865,0.0016705233,0.0004566027,0.000010672935,0.00033867176,0.6840918,0.00013471984,0.0015372501,0.04025641,0.27141947,0.000026401438],"about_ca_topic_score_codex":0.01599178,"about_ca_topic_score_gemma":0.04303722,"teacher_disagreement_score":0.026407523,"about_ca_system_score_codex":0.0054866564,"about_ca_system_score_gemma":0.008270409,"threshold_uncertainty_score":0.03980863},"labels":[],"label_agreement":null},{"id":"W3137100602","doi":"10.7202/1075346ar","title":"The Long and Narrow Road: An Inuit Student’s Journey Through Post-Secondary Music","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Indigenous Health, Education, and Rights","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Canadian University Music Society; University of British Columbia","funders":"","keywords":"Curriculum; Context (archaeology); Indigenous; Music education; Pedagogy; Eurocentrism; Isolation (microbiology); Sociology; History; Anthropology; Archaeology; Ecology","score_opus":0.026271919633582826,"score_gpt":0.3013750170101281,"score_spread":0.27510309737654526,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3137100602","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9671303,0.0011866784,0.0007119228,0.017230835,0.00038939863,0.000090210764,0.0000753272,0.00006790555,0.013117363],"genre_scores_gemma":[0.97880846,0.0013378825,0.0009929445,0.0039428915,0.00006711621,0.00005880749,0.000055204444,0.00009650017,0.014640276],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9973168,0.0009624865,0.00007923293,0.00022448956,0.00037073964,0.0010463707],"domain_scores_gemma":[0.996849,0.00042433865,0.00018242172,0.000073486204,0.00040571537,0.0020650914],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021691136,0.001070102,0.0015977701,0.0013150865,0.05458383,0.009649674,0.004143569,0.0055515254,0.0051147584],"category_scores_gemma":[0.0042270008,0.0010314953,0.00079538306,0.0012756992,0.012762437,0.005985741,0.010870499,0.012302368,0.0009083439],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018716972,0.00009334446,0.0017149602,0.00004468102,0.0000047170715,0.0027042644,0.9890436,0.000017435774,0.00041529714,0.001136895,0.0012316647,0.0035744647],"study_design_scores_gemma":[9.1416973e-7,0.0000414699,0.00078764034,0.000050883253,0.000003507681,0.0009320402,0.9912827,0.00003057198,0.00008192276,0.00018493386,0.006586415,0.000016953314],"about_ca_topic_score_codex":0.16000606,"about_ca_topic_score_gemma":0.3930726,"teacher_disagreement_score":0.83999395,"about_ca_system_score_codex":0.008489846,"about_ca_system_score_gemma":0.01116192,"threshold_uncertainty_score":0.3181494},"labels":[],"label_agreement":null},{"id":"W3137626356","doi":"10.7202/1075348ar","title":"Dylan Robinson. 2020. Hungry Listening: Resonant Theory for Indigenous Sound Studies. Minneapolis: University of Minnesota Press. 319 pp. ISBN 978-1-5179-0768-6 (hardcover), ISBN 978-1-5179-0769-3 (paperback)","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Active listening; Indigenous; Media studies; Sociology; Communication","score_opus":0.05559030357221818,"score_gpt":0.22285846736293535,"score_spread":0.16726816379071718,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3137626356","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00037313908,0.91609615,0.001903994,0.047728278,0.003785013,0.000029821884,0.0003819417,0.00012442007,0.029577257],"genre_scores_gemma":[0.014460909,0.8141104,0.006281047,0.011679778,0.0031257793,0.00018474585,0.00039076508,0.00041812295,0.14934847],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982874,0.0005596998,0.00015251269,0.0002557363,0.00063121616,0.00011338375],"domain_scores_gemma":[0.9965648,0.0015741154,0.00019412527,0.00009672549,0.0011428137,0.00042743803],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033119754,0.0019373575,0.0012305769,0.0033743859,0.0031160095,0.0038887353,0.0023587472,0.0047196974,0.039605543],"category_scores_gemma":[0.0045371717,0.001892541,0.0005538899,0.0037146271,0.004379639,0.011232914,0.002736121,0.0054825544,0.018294424],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045486417,0.000017869275,0.00020379027,0.0009056949,0.000008916002,0.00011604556,0.002475294,0.00007582107,0.00020676453,0.018668609,0.8784444,0.09883123],"study_design_scores_gemma":[0.00001708771,0.000015576963,0.00094841234,0.0016091688,0.000014489654,0.0001956094,0.0039662127,0.00004611368,0.00017593642,0.009890815,0.9830928,0.000027687805],"about_ca_topic_score_codex":0.06452281,"about_ca_topic_score_gemma":0.13850753,"teacher_disagreement_score":0.06452281,"about_ca_system_score_codex":0.0049611623,"about_ca_system_score_gemma":0.00538796,"threshold_uncertainty_score":0.13249367},"labels":[],"label_agreement":null},{"id":"W3137683654","doi":"10.7202/1075341ar","title":"Decolonizing Desires and Unsettling Musicology: A Settler’s Personal Story of Researching and Teaching Indigenous Music at an American University","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Indigenous; Musicology; Colonialism; Decolonization; Curriculum; Sociology; Power (physics); Visual arts; Media studies; Section (typography); Pedagogy; History; Art; Political science; Archaeology; Law","score_opus":0.0702632681669357,"score_gpt":0.25047421091062677,"score_spread":0.18021094274369107,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3137683654","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77946526,0.0020424442,0.0032453395,0.07720161,0.00077490724,0.00010728772,0.00006740603,0.00011298249,0.1369827],"genre_scores_gemma":[0.9631892,0.0010165094,0.0010595206,0.007027711,0.00018285942,0.000036814,0.0000219989,0.00011594081,0.02734951],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.993328,0.0036849242,0.000072840216,0.0004565679,0.0012364363,0.001221281],"domain_scores_gemma":[0.99646395,0.0012490419,0.00019183708,0.00015663334,0.000541489,0.0013970888],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.004523252,0.0007597477,0.00059006584,0.0015009771,0.06283458,0.0100046825,0.0024777234,0.004745576,0.004395457],"category_scores_gemma":[0.008062187,0.00054233073,0.000522234,0.0012143163,0.03958603,0.0050598066,0.006202344,0.015558591,0.00062239484],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017218472,0.000043693402,0.0006993859,0.000017679306,0.0000046309883,0.0007390035,0.97901505,0.000033076954,0.0004126351,0.010755822,0.0052168383,0.0030449566],"study_design_scores_gemma":[0.0000066586636,0.000038071877,0.0008979725,0.00006165512,0.0000068563663,0.00046122714,0.9313439,0.00012275741,0.00023063469,0.001312356,0.06549244,0.000025450157],"about_ca_topic_score_codex":0.1875748,"about_ca_topic_score_gemma":0.36906558,"teacher_disagreement_score":0.93716544,"about_ca_system_score_codex":0.015183793,"about_ca_system_score_gemma":0.009851437,"threshold_uncertainty_score":0.372966},"labels":[],"label_agreement":null},{"id":"W3137891554","doi":"","title":"Translation in university dissertations : A study of swedish (and finnish) dissertations of the 19th century and earlier","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Translation Studies and Practices","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Library science; Computer science","score_opus":0.03414888719646108,"score_gpt":0.23218139107376856,"score_spread":0.19803250387730748,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3137891554","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97817296,0.0024558415,0.00011164949,0.0021699443,0.00009419815,0.000033523895,0.00008175629,0.000008925704,0.0168711],"genre_scores_gemma":[0.9882528,0.0024353964,0.00015811612,0.00062233844,0.000114768496,0.00004630195,0.0001226651,0.000035137364,0.008212634],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9886769,0.005677493,0.001095491,0.0007636329,0.0024716049,0.0013148343],"domain_scores_gemma":[0.94512105,0.02968574,0.0096882,0.0014656988,0.008646267,0.005392943],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010654737,0.00041483424,0.0007448778,0.0071338876,0.015791126,0.015245994,0.0012585513,0.0021789114,0.006978254],"category_scores_gemma":[0.06914389,0.0005693644,0.00036046407,0.010219732,0.007993184,0.0052853785,0.007176647,0.0033214712,0.0009927228],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037744114,0.000047810456,0.0066522234,0.00007086936,0.000004019049,0.00030477816,0.98491526,0.000005895828,0.00020500005,0.0014707985,0.00056736515,0.0057181865],"study_design_scores_gemma":[0.0000074658396,0.00004724518,0.026053417,0.00025179234,0.0000072221246,0.00045166767,0.9499605,0.000015879637,0.00017783258,0.00026733894,0.022743257,0.00001637512],"about_ca_topic_score_codex":0.018480312,"about_ca_topic_score_gemma":0.02891501,"teacher_disagreement_score":0.018480312,"about_ca_system_score_codex":0.009403417,"about_ca_system_score_gemma":0.011172293,"threshold_uncertainty_score":0.06822693},"labels":[],"label_agreement":null},{"id":"W3138534296","doi":"10.7202/1075342ar","title":"Building Relationships, Sustaining Communities: Decolonial Directions in Higher Ed Bluegrass Pedagogy","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Colonialism; Identity (music); Style (visual arts); Sociology; Resource (disambiguation); Higher education; Media studies; History; Political science; Aesthetics; Art; Archaeology; Law; Computer science","score_opus":0.0777635074837632,"score_gpt":0.26678442274650205,"score_spread":0.18902091526273884,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3138534296","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3539705,0.00919202,0.008439373,0.14124648,0.0008357949,0.0001453717,0.00001732362,0.00011101671,0.48604214],"genre_scores_gemma":[0.96044374,0.0019885306,0.0021241,0.0035005717,0.000087892004,0.00006427251,0.0000067975443,0.000029611783,0.031754546],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9974982,0.0015193429,0.000034514258,0.00017849506,0.00023884616,0.00053054787],"domain_scores_gemma":[0.9975399,0.000849455,0.00015923713,0.00011808291,0.00017832726,0.0011549398],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004919816,0.0003331787,0.0002335423,0.0011446095,0.027118577,0.012307369,0.0014030427,0.0024226257,0.009513472],"category_scores_gemma":[0.0032624605,0.00019438803,0.000136302,0.0009946674,0.03395088,0.008652379,0.016215935,0.004140528,0.00064809987],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021147127,0.00013639954,0.0014837945,0.00013730803,0.000003447988,0.00044127306,0.45836687,0.00010494081,0.0005101496,0.45595044,0.008947185,0.07389706],"study_design_scores_gemma":[0.000016467016,0.00006706524,0.0023722285,0.00028223442,0.000004174662,0.00012361846,0.57868576,0.00015683332,0.00020919307,0.074904725,0.343164,0.000013636854],"about_ca_topic_score_codex":0.020391064,"about_ca_topic_score_gemma":0.091184236,"teacher_disagreement_score":0.97960895,"about_ca_system_score_codex":0.01023046,"about_ca_system_score_gemma":0.017706443,"threshold_uncertainty_score":0.07422757},"labels":[],"label_agreement":null},{"id":"W3138950768","doi":"10.7202/1075344ar","title":"Decolonization in “Wild Schools”: Local Music Pedagogies in Indonesia’s Taman Siswa School System","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Asian Studies and History","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Decolonization; Colonialism; Independence (probability theory); Institution; Government (linguistics); Political science; Certification; Pedagogy; Sociology; Public administration; Law","score_opus":0.025891745137132074,"score_gpt":0.2642640136929526,"score_spread":0.23837226855582053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3138950768","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.957489,0.00029969006,0.00025428107,0.0017685018,0.000020340787,0.00002914603,0.0000117531845,0.000018204626,0.04010913],"genre_scores_gemma":[0.994898,0.00009280819,0.00013701075,0.00015042865,0.0000037288835,0.000012838561,0.0000061823494,0.00000764894,0.004691435],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99950504,0.00017090389,0.000017211878,0.00006128876,0.000030240357,0.00021532943],"domain_scores_gemma":[0.99953556,0.00008900214,0.0000624633,0.00003845453,0.000037848644,0.0002366384],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007481894,0.0001760416,0.00023360467,0.00051503564,0.008289226,0.0037386548,0.000778221,0.00063205045,0.005854216],"category_scores_gemma":[0.00063429377,0.00018327184,0.00013362819,0.00081191276,0.0066623893,0.001926411,0.0045529963,0.0016650464,0.0003429549],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000088139335,0.00039404503,0.036766298,0.00027232638,0.000013692143,0.002866714,0.8453982,0.0002835105,0.0031046893,0.049681682,0.004390546,0.05674016],"study_design_scores_gemma":[0.000019997242,0.00014608106,0.06233673,0.00022824015,0.0000156757,0.00045563505,0.86324567,0.00037105905,0.0008300425,0.0033247042,0.06899959,0.00002651436],"about_ca_topic_score_codex":0.016812528,"about_ca_topic_score_gemma":0.08508032,"teacher_disagreement_score":0.016812528,"about_ca_system_score_codex":0.0050686356,"about_ca_system_score_gemma":0.005103979,"threshold_uncertainty_score":0.03677565},"labels":[],"label_agreement":null},{"id":"W3139306653","doi":"10.7202/1075340ar","title":"Expanding the University Music Ensemble: Lessons from an Intercultural Collaboration","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Indigenous; Curriculum; Sociology; Music education; Pedagogy; Gesture; Visual arts; Order (exchange); Mathematics education; Psychology; Art; Computer science","score_opus":0.06800158585084407,"score_gpt":0.25448770694544415,"score_spread":0.18648612109460008,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3139306653","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60299885,0.0042172847,0.0077173277,0.0808214,0.0013682629,0.00028794634,0.00004526143,0.000146442,0.30239716],"genre_scores_gemma":[0.9746149,0.0019482975,0.0037493277,0.0035718905,0.00019759838,0.00010690368,0.000014754698,0.000079770594,0.015716447],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9899582,0.006542974,0.00015185488,0.00060132216,0.0007947284,0.0019509572],"domain_scores_gemma":[0.99252844,0.0030786896,0.00025922988,0.00053113676,0.00047645875,0.003126073],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010197367,0.00080432306,0.0006686179,0.0018321727,0.049663547,0.016334802,0.003148124,0.00462838,0.009250123],"category_scores_gemma":[0.011416127,0.00045400878,0.00062609813,0.0015475339,0.034624882,0.013408958,0.030296404,0.00875558,0.0011306239],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029724974,0.00015209877,0.0012622781,0.000071345276,0.000008618453,0.0015895269,0.92349595,0.00010634157,0.00038446437,0.046429854,0.0053106025,0.021159107],"study_design_scores_gemma":[0.000012788346,0.00003151216,0.000980289,0.00016448782,0.000006541847,0.00033578114,0.9052887,0.00010825703,0.00014509688,0.0109978095,0.08191045,0.000018302726],"about_ca_topic_score_codex":0.025947485,"about_ca_topic_score_gemma":0.08100899,"teacher_disagreement_score":0.049663547,"about_ca_system_score_codex":0.0088324975,"about_ca_system_score_gemma":0.012844561,"threshold_uncertainty_score":0.06408459},"labels":[],"label_agreement":null},{"id":"W3170565860","doi":"","title":"Leadership in a Pandemic: Grace-Filled Lessons in Unprecedented Times","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Leadership, Courage, and Heroism Studies","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pandemic; Coronavirus disease 2019 (COVID-19); History; Political science; Medicine; Internal medicine","score_opus":0.22073767061255706,"score_gpt":0.3317360654112616,"score_spread":0.11099839479870455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3170565860","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08861031,0.008621818,0.0011374339,0.7345216,0.012076143,0.000036545076,0.00007131315,0.00014903658,0.15477577],"genre_scores_gemma":[0.94105136,0.0032420165,0.00049184344,0.033391427,0.003017455,0.00003089544,0.000037007656,0.00012803117,0.018610017],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99652195,0.0014108098,0.00004632303,0.00014029721,0.00046337326,0.0014171759],"domain_scores_gemma":[0.9926454,0.0012624436,0.00029523374,0.00019955168,0.0005171529,0.005080279],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004703439,0.00037002892,0.00039109515,0.0006863078,0.017280681,0.012215822,0.0010919799,0.0037389107,0.011738476],"category_scores_gemma":[0.009535029,0.00021140951,0.00036798292,0.000597042,0.019563654,0.008823836,0.0064798836,0.01292265,0.0010770084],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018457188,0.00021024283,0.004232704,0.00019997491,0.000034592213,0.0013099281,0.252576,0.00022539259,0.0005727826,0.30402637,0.37695026,0.05947722],"study_design_scores_gemma":[0.00003684414,0.00007662306,0.0056863846,0.00038468943,0.000009199928,0.00036332174,0.4821927,0.0001771944,0.00016754636,0.07127052,0.4395733,0.00006169996],"about_ca_topic_score_codex":0.019046307,"about_ca_topic_score_gemma":0.06393311,"teacher_disagreement_score":0.019046307,"about_ca_system_score_codex":0.0069521293,"about_ca_system_score_gemma":0.014582667,"threshold_uncertainty_score":0.050441384},"labels":[],"label_agreement":null},{"id":"W3171241865","doi":"","title":"Keeping Close From a Distance: Pandemic Reflections of a Library Coordinator","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Library Science and Administration","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pandemic; History; Library science; Coronavirus disease 2019 (COVID-19); Geography; Media studies; Computer science; Sociology; Medicine","score_opus":0.04120193848359355,"score_gpt":0.2999489444448001,"score_spread":0.25874700596120653,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3171241865","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021293128,0.0015504722,0.0007182769,0.9479087,0.014501845,0.00006745187,0.00003677307,0.000079670855,0.013843651],"genre_scores_gemma":[0.28841582,0.0035477162,0.0016953016,0.64083225,0.010024684,0.00023879136,0.000046163525,0.0005944656,0.054604765],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9665259,0.018025262,0.0010097742,0.0018116033,0.0035071005,0.009120267],"domain_scores_gemma":[0.9276504,0.01488735,0.0023278962,0.0014405341,0.012144653,0.04154918],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.02067226,0.0011097863,0.0012631966,0.0016712061,0.07675409,0.02731993,0.007869105,0.032323103,0.013276474],"category_scores_gemma":[0.069765985,0.0019220922,0.0017574456,0.0017034498,0.019875154,0.013323725,0.018385937,0.09152009,0.0029985257],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018454545,0.00053395284,0.003573359,0.0002566192,0.0000762251,0.009779506,0.38912156,0.00034721935,0.0009498059,0.0128086945,0.563139,0.01922954],"study_design_scores_gemma":[0.0000387644,0.00013401391,0.0008329835,0.00032614474,0.000029994828,0.00151958,0.61324644,0.00012431444,0.00020250441,0.0019665593,0.38146958,0.00010907075],"about_ca_topic_score_codex":0.05053383,"about_ca_topic_score_gemma":0.08290889,"teacher_disagreement_score":0.07675409,"about_ca_system_score_codex":0.020173412,"about_ca_system_score_gemma":0.04895335,"threshold_uncertainty_score":0.14636904},"labels":[],"label_agreement":null},{"id":"W3172674040","doi":"","title":"Unconventional Wisdom and Talking About God: A Review of Beckstrom's 'Leading Lutheran Higher Education in a Secular Age'","year":2021,"lang":"en","type":"review","venue":"Intersections Canadian Journal of Music","topic":"Catholicism and Religious Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Secular variation; Religious studies; History; Philosophy; Theology; Sociology; Demography","score_opus":0.04716866583787028,"score_gpt":0.29951591713257325,"score_spread":0.252347251294703,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3172674040","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00004329998,0.9990946,0.00000930498,0.0005859811,0.00013659532,0.0000017075325,0.000006288737,5.315149e-7,0.00012175727],"genre_scores_gemma":[0.00075310405,0.9976115,0.000060971826,0.0013072429,0.00015289712,0.0000044665085,0.000010972463,0.0000011229502,0.0000975504],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99888796,0.00041789698,0.00023874549,0.00012955966,0.00024609093,0.00007967572],"domain_scores_gemma":[0.9944331,0.004421595,0.00037934683,0.000053083175,0.000523262,0.00018959086],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031712248,0.00088021747,0.0026237685,0.0055546667,0.0009518915,0.0034031041,0.0010458875,0.0023827392,0.0036616342],"category_scores_gemma":[0.007850093,0.00051848654,0.0008234379,0.008639856,0.0019933775,0.0034056571,0.0024770033,0.003554986,0.0006460977],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017939818,0.00009883404,0.0005519301,0.15291953,0.00039572094,0.00014790805,0.0023609835,0.00015185289,0.00025581653,0.010322816,0.08674015,0.74587506],"study_design_scores_gemma":[0.000050688388,0.00009691164,0.0030296734,0.15632762,0.0005159188,0.000534357,0.0018558009,0.000038350336,0.00012069294,0.0020474494,0.8353335,0.000049032587],"about_ca_topic_score_codex":0.0103083,"about_ca_topic_score_gemma":0.044253975,"teacher_disagreement_score":0.0103083,"about_ca_system_score_codex":0.0028519253,"about_ca_system_score_gemma":0.008733517,"threshold_uncertainty_score":0.02069223},"labels":[],"label_agreement":null},{"id":"W3179879784","doi":"","title":"Preaching in Christ Chapel on Yom HaShoah: Reflections on Interfaith Relations at a Lutheran College","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Jewish and Middle Eastern Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Chapel; Theology; Religious studies; Art; Philosophy; History","score_opus":0.06896938044745111,"score_gpt":0.30953996259153527,"score_spread":0.24057058214408417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3179879784","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6684423,0.0019442502,0.0010377248,0.1939756,0.007193072,0.00026820393,0.00010684008,0.00014043583,0.12689157],"genre_scores_gemma":[0.823545,0.0006162994,0.0006584524,0.02742041,0.0005904547,0.00008262652,0.000032223084,0.0002528938,0.14680165],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99245995,0.0024586383,0.000072706425,0.0004237179,0.00047480725,0.004110102],"domain_scores_gemma":[0.99105644,0.0009198092,0.00030272888,0.00012088289,0.00071626075,0.0068838648],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0042328797,0.000748755,0.00087978604,0.0015386905,0.14635664,0.016150486,0.0045965244,0.010533047,0.037431017],"category_scores_gemma":[0.007264841,0.0010918608,0.0006428132,0.0013918935,0.031845607,0.0061471076,0.019085402,0.03898535,0.0029390084],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000080528145,0.00025139464,0.0021535442,0.000044579083,0.000009865982,0.003568749,0.94094086,0.00003893782,0.00065244007,0.013221391,0.031621695,0.007416046],"study_design_scores_gemma":[0.0000050294084,0.000023417122,0.0014337376,0.000048490365,0.000003188264,0.00014415779,0.93972003,0.000013844896,0.000095302385,0.0005385152,0.057958573,0.000015769398],"about_ca_topic_score_codex":0.2097483,"about_ca_topic_score_gemma":0.63123345,"teacher_disagreement_score":0.79025173,"about_ca_system_score_codex":0.02744234,"about_ca_system_score_gemma":0.038837075,"threshold_uncertainty_score":0.41705483},"labels":[],"label_agreement":null},{"id":"W3183694755","doi":"","title":"Down and out: First Year Students Encounter Lutheran Theology","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Theology; Art; Philosophy; History; Sociology; Religious studies; Psychology","score_opus":0.021298182207877155,"score_gpt":0.3009734174397206,"score_spread":0.27967523523184346,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3183694755","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8998316,0.0019200213,0.00022198944,0.04973573,0.0025231307,0.00008010727,0.00010935392,0.00008841151,0.04548961],"genre_scores_gemma":[0.95088905,0.0012660472,0.00021951823,0.01014151,0.00024268786,0.000033144093,0.00006277049,0.00006811203,0.037077174],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99721426,0.00070990133,0.000070122165,0.00014706278,0.00035806175,0.0015005884],"domain_scores_gemma":[0.9932729,0.00048133283,0.00040610367,0.00010142842,0.00044678414,0.005291456],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025481745,0.0006379645,0.0010416033,0.0011984498,0.033880945,0.014115804,0.0017739867,0.0071078073,0.023394186],"category_scores_gemma":[0.006498024,0.00097640895,0.00062140526,0.0010343603,0.0076727048,0.0070344843,0.011703865,0.01744734,0.003187907],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015265038,0.0011172375,0.0555541,0.0001104661,0.000023593815,0.02238041,0.83469176,0.000040008625,0.00072692195,0.0073433393,0.05848405,0.019375479],"study_design_scores_gemma":[0.000008592731,0.00008160903,0.0059277522,0.00007926786,0.0000073550814,0.003599793,0.9587171,0.000023585422,0.000059974718,0.00053152215,0.030941997,0.000021418404],"about_ca_topic_score_codex":0.029836735,"about_ca_topic_score_gemma":0.12375005,"teacher_disagreement_score":0.033880945,"about_ca_system_score_codex":0.00676586,"about_ca_system_score_gemma":0.012657153,"threshold_uncertainty_score":0.078261375},"labels":[],"label_agreement":null},{"id":"W3183710444","doi":"","title":"Vocation Outside of Career: Discovering Purpose Through Comics","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Educational Games and Gamification","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Visual arts; History; Sociology; Art; Literature","score_opus":0.0538777741500079,"score_gpt":0.3026610446697362,"score_spread":0.24878327051972832,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3183710444","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7192013,0.0005250593,0.008785829,0.003746372,0.00026064538,0.00006555343,0.00022529383,0.00017284161,0.26701704],"genre_scores_gemma":[0.97819966,0.00015130463,0.0047765407,0.00034109122,0.000021737693,0.000038918915,0.00017598609,0.00010682487,0.016187986],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99865544,0.0006362409,0.000036211895,0.00014048365,0.00024727517,0.00028435665],"domain_scores_gemma":[0.9952042,0.001812135,0.00049193075,0.0005077349,0.00071656326,0.0012674846],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016402799,0.00043778008,0.00035651357,0.0015586851,0.0034993805,0.00908314,0.0008621279,0.0012283454,0.011323434],"category_scores_gemma":[0.009221866,0.0002460545,0.0003452425,0.00097278116,0.0031585882,0.00438655,0.0057809316,0.0016994519,0.002026849],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013856458,0.0011544066,0.24304871,0.0005162835,0.00012020149,0.0010260168,0.32120723,0.00063175056,0.004485085,0.1640778,0.028878666,0.2334682],"study_design_scores_gemma":[0.00006903554,0.0004485143,0.13937128,0.000742238,0.000126969,0.0008209865,0.5366863,0.003586069,0.0023566869,0.120792285,0.19487022,0.0001293977],"about_ca_topic_score_codex":0.0026675912,"about_ca_topic_score_gemma":0.008554924,"teacher_disagreement_score":0.011323434,"about_ca_system_score_codex":0.0009673868,"about_ca_system_score_gemma":0.0014311724,"threshold_uncertainty_score":0.0378806},"labels":[],"label_agreement":null},{"id":"W3192372673","doi":"","title":"Why Lutheran Colleges Need to Engage Civil Society","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Catholicism and Religious Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science; Civil society; Law; Media studies; Sociology; History","score_opus":0.03177072646935899,"score_gpt":0.21685279867480023,"score_spread":0.18508207220544123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3192372673","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.097175956,0.0011333446,0.00053144916,0.84737813,0.0025115684,0.000062232386,0.000041293413,0.000087247914,0.051078655],"genre_scores_gemma":[0.72976756,0.00065490586,0.00075289217,0.23988143,0.0010213503,0.00007538653,0.000037768525,0.00009507384,0.027713638],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9821754,0.005004157,0.00028043575,0.0007456957,0.002680672,0.00911362],"domain_scores_gemma":[0.9074231,0.011157364,0.0036501917,0.0014360446,0.010103465,0.06622985],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010728962,0.00028774815,0.0002983129,0.0010811017,0.02018383,0.015253798,0.001697387,0.01296424,0.041295335],"category_scores_gemma":[0.042147133,0.0004637051,0.0004046344,0.0011203438,0.012937286,0.006382847,0.008057619,0.009717158,0.0051646503],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026228937,0.00091511273,0.0671317,0.00045591837,0.00008252643,0.001353534,0.070304826,0.00017138274,0.002312359,0.12880833,0.6208458,0.10735623],"study_design_scores_gemma":[0.00030509208,0.00015719832,0.061671045,0.0010574162,0.00005993619,0.00087355013,0.3537014,0.0002699518,0.0009785173,0.04499669,0.53576446,0.00016470693],"about_ca_topic_score_codex":0.046234842,"about_ca_topic_score_gemma":0.21152255,"teacher_disagreement_score":0.046234842,"about_ca_system_score_codex":0.017017506,"about_ca_system_score_gemma":0.06080186,"threshold_uncertainty_score":0.13814658},"labels":[],"label_agreement":null},{"id":"W3194402112","doi":"","title":"(Re)Defining Vocation: Gladly Challenging a Vocational Giant","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Higher Education and Employability","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Vocational education; Psychology; Pedagogy","score_opus":0.048646678112196175,"score_gpt":0.31210656725883523,"score_spread":0.26345988914663904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3194402112","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0037527983,0.0059961197,0.0033854113,0.93900585,0.020482179,0.00001858771,0.00004211011,0.00010856214,0.027208382],"genre_scores_gemma":[0.14216414,0.0057910993,0.009003875,0.6779367,0.017321432,0.00011586613,0.00011524898,0.0010049421,0.14654675],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99321645,0.002776165,0.00024446507,0.00086314016,0.0015059923,0.0013937991],"domain_scores_gemma":[0.9923597,0.0018005684,0.00033541836,0.0005498923,0.00230121,0.0026531718],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007147224,0.0009176338,0.0009026603,0.0014920727,0.01887329,0.015399922,0.0029820933,0.018561326,0.0108209085],"category_scores_gemma":[0.014499614,0.00047604166,0.00074903696,0.0010576461,0.03515433,0.016929748,0.012991709,0.040874254,0.0053999987],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027736916,0.000027879381,0.0006699806,0.00010111703,0.000011524982,0.00042283448,0.080292195,0.000068831316,0.0008370829,0.16387421,0.72238225,0.03128443],"study_design_scores_gemma":[0.0000056902295,0.000009711195,0.00043076137,0.00025476425,0.0000057521784,0.0004536052,0.07379256,0.00007379744,0.0001797513,0.039282504,0.885474,0.000037048594],"about_ca_topic_score_codex":0.07105152,"about_ca_topic_score_gemma":0.16724364,"teacher_disagreement_score":0.07105152,"about_ca_system_score_codex":0.009103846,"about_ca_system_score_gemma":0.015056264,"threshold_uncertainty_score":0.14127594},"labels":[],"label_agreement":null},{"id":"W3194425331","doi":"","title":"Teaching as an Expression of a Love Ethic","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Critical and Liberation Pedagogy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Expression (computer science); Philosophy; Epistemology; Sociology; Psychology; Psychoanalysis; Computer science; Programming language","score_opus":0.04972939616286947,"score_gpt":0.35402142510529716,"score_spread":0.3042920289424277,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3194425331","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07712371,0.0005153505,0.01661474,0.029065054,0.0008083566,0.00011463732,0.000022501361,0.00017385291,0.8755617],"genre_scores_gemma":[0.91746074,0.0002675112,0.0061068656,0.0020387343,0.00020144528,0.00011455795,0.0000111497875,0.00011024982,0.0736887],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99504185,0.0029840705,0.00007346429,0.0002829346,0.0011850386,0.00043264456],"domain_scores_gemma":[0.99149007,0.0043170443,0.00061850774,0.00071696885,0.00081864564,0.0020387918],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0039269174,0.00036007082,0.00038422688,0.00109242,0.0109875435,0.007741228,0.0011945013,0.002269066,0.0106151365],"category_scores_gemma":[0.008468359,0.00022715337,0.0003021922,0.0004890423,0.024343709,0.0034442444,0.0068179434,0.0056795264,0.0009770772],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036863203,0.00025463325,0.00069075846,0.0001105127,0.000007937973,0.00022890665,0.17709538,0.00016563221,0.0021614651,0.7808528,0.012721165,0.02567394],"study_design_scores_gemma":[0.00013602884,0.00020645175,0.0029535727,0.0004661402,0.000035017692,0.0007561827,0.1724515,0.001423407,0.0033477622,0.31485292,0.50330645,0.00006453571],"about_ca_topic_score_codex":0.0038088157,"about_ca_topic_score_gemma":0.010896488,"teacher_disagreement_score":0.0109875435,"about_ca_system_score_codex":0.0046683145,"about_ca_system_score_gemma":0.006574157,"threshold_uncertainty_score":0.035511196},"labels":[],"label_agreement":null},{"id":"W3195076777","doi":"","title":"Shelter in Place: Reflections from March 22, 2020","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Posthumanist Ethics and Activism","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geography; History","score_opus":0.06326712057208317,"score_gpt":0.33590631940707216,"score_spread":0.272639198834989,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3195076777","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.081266135,0.00538457,0.0003906498,0.77452606,0.03642692,0.0001361685,0.0010902178,0.00007596698,0.100703366],"genre_scores_gemma":[0.29180345,0.003922625,0.0005819119,0.39279526,0.0060025607,0.00033333027,0.00058143254,0.00025222183,0.3037272],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.996843,0.0005839564,0.000090902075,0.00021449965,0.0005968054,0.0016709132],"domain_scores_gemma":[0.9958425,0.0004847843,0.00016753802,0.000075433745,0.0006116165,0.0028181404],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0039347643,0.00069436803,0.0005344157,0.0007530575,0.029174555,0.012241263,0.0020510969,0.024107689,0.016927565],"category_scores_gemma":[0.008785684,0.0006986151,0.00074092177,0.00097062497,0.0057132374,0.0039502108,0.010342013,0.031300277,0.003814583],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030520724,0.00017052655,0.004279464,0.00016995215,0.000024947312,0.003680017,0.17049836,0.000114102215,0.0009686778,0.0117895,0.7915942,0.016405042],"study_design_scores_gemma":[0.00001313927,0.000053867254,0.0063639823,0.00021512472,0.000008979966,0.00022947062,0.19880526,0.000028534678,0.00021855223,0.0008915149,0.79313,0.000041670155],"about_ca_topic_score_codex":0.19332613,"about_ca_topic_score_gemma":0.5483329,"teacher_disagreement_score":0.19332613,"about_ca_system_score_codex":0.010483955,"about_ca_system_score_gemma":0.013677842,"threshold_uncertainty_score":0.38440168},"labels":[],"label_agreement":null},{"id":"W3195736984","doi":"","title":"Witnessing and Empty Empathy: A Comparison Between Joe Sacco’s Palestine and Jérôme Ruillier’s The Strange","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Middle East and Rwanda Conflicts","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Palestine; Empathy; History; Ancient history; Art; Psychology; Social psychology","score_opus":0.04844563107929321,"score_gpt":0.28623616295232734,"score_spread":0.23779053187303414,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3195736984","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9684617,0.0012224744,0.0001282631,0.005149522,0.0002922189,0.00002976125,0.000020460326,0.0000032024964,0.024692459],"genre_scores_gemma":[0.99674714,0.0005390686,0.000049158294,0.0009514083,0.00003846263,0.000021359345,0.000011630342,0.000009036857,0.0016326575],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959235,0.0022323404,0.00016805604,0.00018706608,0.00055208005,0.0009369017],"domain_scores_gemma":[0.98944366,0.005787489,0.0010998368,0.00046542002,0.00090807304,0.002295422],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0062479316,0.00029915708,0.00064727984,0.0015130233,0.013809228,0.0063737393,0.0014041174,0.0031364544,0.00666375],"category_scores_gemma":[0.03217972,0.00041925185,0.00041585218,0.0012045257,0.011480226,0.005234892,0.00860754,0.0062995777,0.0004195453],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026018303,0.00019329245,0.013808464,0.00009222967,0.000029917182,0.0015382991,0.96459556,0.00003729124,0.00025813884,0.009089986,0.0018828287,0.008213856],"study_design_scores_gemma":[0.000018506358,0.00007608539,0.017013853,0.00013620516,0.000010908394,0.0005575311,0.972316,0.000024694717,0.000063401356,0.00093065575,0.00883363,0.000018499526],"about_ca_topic_score_codex":0.03349397,"about_ca_topic_score_gemma":0.063966334,"teacher_disagreement_score":0.03349397,"about_ca_system_score_codex":0.0043228795,"about_ca_system_score_gemma":0.0051459176,"threshold_uncertainty_score":0.066598},"labels":[],"label_agreement":null},{"id":"W3212869655","doi":"10.47200/intersections.v6i2.686","title":"REGRESI LINEAR BERGANDA DALAM UJI PENGARUH SIKAP DAN PERILAKU TERHADAP KEINGINAN MENABUNG SANTRI PADA BANK SYARIAH","year":2021,"lang":"ms","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Islamic Finance and Communication","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Usury; Islam; Boarding school; Object (grammar); Research Object; Sharia; Economy; Psychology; Classical economics; Economics; Sociology; Business; Theology; Philosophy; Computer science; Business administration; Artificial intelligence","score_opus":0.02400446241407062,"score_gpt":0.25763042664094854,"score_spread":0.23362596422687792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3212869655","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4453725,0.013012126,0.0114068,0.012222671,0.0032607284,0.0004637827,0.0011733753,0.0010056578,0.51208234],"genre_scores_gemma":[0.70611244,0.009480599,0.011224222,0.0008895448,0.0004409336,0.00023486424,0.0007309639,0.00018380005,0.27070266],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99978656,0.000036975343,0.000016510065,0.00003460881,0.00006733322,0.000057920777],"domain_scores_gemma":[0.99968326,0.00006597138,0.000030219973,0.000025282696,0.00011630107,0.0000789315],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005069753,0.00057442166,0.00035233094,0.0006968304,0.0022684627,0.0025757893,0.00041025714,0.0006281188,0.043373518],"category_scores_gemma":[0.0005988083,0.00029548455,0.00024545137,0.00093798514,0.0007164976,0.0011988066,0.0013887198,0.0012409709,0.007893108],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014406978,0.0009612047,0.02984692,0.0017504813,0.000084640364,0.0045245416,0.01445106,0.0018350275,0.025976747,0.06458147,0.08990562,0.76464164],"study_design_scores_gemma":[0.000113333765,0.0004326352,0.04575002,0.0005653836,0.00010485749,0.0022685525,0.018075231,0.0017376305,0.010754174,0.006784234,0.91332144,0.00009261252],"about_ca_topic_score_codex":0.0033069302,"about_ca_topic_score_gemma":0.006422264,"teacher_disagreement_score":0.043373518,"about_ca_system_score_codex":0.00093225035,"about_ca_system_score_gemma":0.0026841837,"threshold_uncertainty_score":0.14509892},"labels":[],"label_agreement":null},{"id":"W3214545061","doi":"10.47200/intersections.v6i2.898","title":"PENINGKATAN AKTIVITAS DAN HASIL BELAJAR FISIKA MATERI HUKUM TERMODINAMIKA MENGGUNAKAN APLIKASI ZOOM CLOUD MEETINGS PADA SISWA KELAS XI IPA-1 SMA NEGERI 1 SIBORONGBORONG SEMESTER 2 TAHUN PELAJARAN 2020/2021","year":2021,"lang":"id","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Educational Methods and Outcomes","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mathematics education; Academic year; Psychology; Action research; SMA*; Class (philosophy); Mathematics; Physics; Computer science; Artificial intelligence; Combinatorics","score_opus":0.02677627175676617,"score_gpt":0.2904336423776177,"score_spread":0.26365737062085154,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3214545061","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6032118,0.008360325,0.016784549,0.004803745,0.001016454,0.00044597246,0.0007809561,0.0006328659,0.3639633],"genre_scores_gemma":[0.79036915,0.006699496,0.023657423,0.0004999174,0.00013423733,0.00029858726,0.00063514325,0.00018757742,0.17751844],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99962234,0.00005857742,0.000017159613,0.000057852256,0.00016876453,0.00007534211],"domain_scores_gemma":[0.99950373,0.00007719942,0.000049147646,0.00005450826,0.00016757796,0.0001479117],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010115375,0.00047562033,0.00031496154,0.00068279076,0.0017432766,0.0019962261,0.0006901182,0.00047467914,0.030321853],"category_scores_gemma":[0.00084183976,0.00019858142,0.00030112694,0.00080259045,0.00081931,0.0012280687,0.0019578536,0.00079723576,0.004962019],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008389056,0.00097098097,0.016611265,0.0026717186,0.000057572048,0.0010691634,0.010274017,0.0011749588,0.037558846,0.023250628,0.023582198,0.88193977],"study_design_scores_gemma":[0.00012897626,0.0016045487,0.10625358,0.0013995897,0.00017733595,0.0014802391,0.024990736,0.0016830718,0.041523192,0.013628808,0.806976,0.00015386158],"about_ca_topic_score_codex":0.0030378033,"about_ca_topic_score_gemma":0.009318012,"teacher_disagreement_score":0.030321853,"about_ca_system_score_codex":0.001219928,"about_ca_system_score_gemma":0.002698593,"threshold_uncertainty_score":0.101436734},"labels":[],"label_agreement":null},{"id":"W3216560198","doi":"10.47200/intersections.v6i2.820","title":"Integrasi Pendidikan Akidah dan Matematika dalam Novel Guru Aini Karya Andrea Hirata","year":2021,"lang":"id","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Education and Character Development","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Faith; Islam; Worship; Value (mathematics); Monotheism; Theology; Philosophy; Morality; Sociology; Mathematics education; Religious studies; Pedagogy; Epistemology; Psychology; Mathematics","score_opus":0.047770552988365085,"score_gpt":0.28389641661093934,"score_spread":0.23612586362257426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3216560198","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20806308,0.044873986,0.004928322,0.020938003,0.005274898,0.00013492511,0.00036560404,0.00027072884,0.7151504],"genre_scores_gemma":[0.7849245,0.015140798,0.005049265,0.0017425382,0.0008967255,0.00008723124,0.00021833563,0.0000868644,0.19185379],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99971575,0.000089058776,0.000012473185,0.000042273656,0.000096029355,0.000044340195],"domain_scores_gemma":[0.9997259,0.000103143284,0.000025154164,0.000026194111,0.00006722231,0.000052414784],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006324867,0.0003607986,0.00025733278,0.00065289024,0.0036059374,0.004458466,0.00049741165,0.00064091774,0.016197711],"category_scores_gemma":[0.00071166834,0.00014338669,0.00021480069,0.0007522033,0.002458483,0.0022013464,0.0015299983,0.0017168835,0.0013325269],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00048668924,0.00020564745,0.0035749143,0.00223747,0.000054041295,0.0028589454,0.08688699,0.00062251085,0.007863139,0.56805086,0.07752989,0.24962881],"study_design_scores_gemma":[0.000021857912,0.00007998266,0.0054176585,0.00040872622,0.000029445815,0.0010501489,0.032251604,0.0003464181,0.0021837556,0.019175988,0.939001,0.0000334196],"about_ca_topic_score_codex":0.0021487519,"about_ca_topic_score_gemma":0.007934476,"teacher_disagreement_score":0.016197711,"about_ca_system_score_codex":0.0021555966,"about_ca_system_score_gemma":0.0022288975,"threshold_uncertainty_score":0.05418676},"labels":[],"label_agreement":null},{"id":"W3217784843","doi":"","title":"Vocational Discernment: A Comprehensive College Program","year":2002,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Education and Islamic Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Discernment; Vocational education; Mathematics education; Engineering; Computer science; Psychology; Pedagogy; Philosophy; Epistemology","score_opus":0.06402271756812275,"score_gpt":0.3076098973267047,"score_spread":0.24358717975858193,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3217784843","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9205217,0.00039592778,0.001402483,0.0103119295,0.00039293864,0.0017133924,0.00042566878,0.00028577613,0.064550176],"genre_scores_gemma":[0.86718184,0.0005161265,0.005368615,0.003015279,0.00019910542,0.0006309955,0.0008173199,0.000065146545,0.1222056],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992711,0.000061522325,0.000013668284,0.00009037781,0.00013785901,0.00042549058],"domain_scores_gemma":[0.99571794,0.00011080229,0.000043316217,0.00009057367,0.0002042817,0.0038330688],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009542047,0.0002443467,0.00025195864,0.00086080184,0.00704293,0.0013129596,0.0015219592,0.0011178827,0.029565759],"category_scores_gemma":[0.0019647747,0.00032272958,0.0002463181,0.000808572,0.0007881494,0.0012171298,0.005210774,0.0020206575,0.0022025828],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011132235,0.035053894,0.050514255,0.00011664018,0.000013476775,0.00095652376,0.004791055,0.0010370621,0.0028096347,0.0066821254,0.0761863,0.8207258],"study_design_scores_gemma":[0.0023011018,0.01230316,0.6237697,0.00030419053,0.00009185561,0.0013360626,0.031896275,0.0049028364,0.0054000006,0.008182818,0.3093385,0.0001734914],"about_ca_topic_score_codex":0.037362672,"about_ca_topic_score_gemma":0.2881841,"teacher_disagreement_score":0.037362672,"about_ca_system_score_codex":0.005119227,"about_ca_system_score_gemma":0.033775575,"threshold_uncertainty_score":0.09890729},"labels":[],"label_agreement":null},{"id":"W4205553230","doi":"10.7202/1071671ar","title":"Éditorial","year":2020,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.039591404261962455,"score_gpt":0.2332498409744216,"score_spread":0.19365843671245916,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205553230","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00010686898,0.0023582813,0.00005212353,0.035137407,0.9485783,0.000034125467,0.00012130289,0.000062196224,0.013549387],"genre_scores_gemma":[0.0018193898,0.0025978216,0.00011079604,0.033964884,0.8643747,0.000046998364,0.00015559988,0.000079691905,0.096850194],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99712557,0.0003860923,0.00019321062,0.00040483606,0.0014620852,0.0004283353],"domain_scores_gemma":[0.98590744,0.0025106613,0.0007308256,0.0007315993,0.0071343253,0.0029851398],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002846662,0.0016560357,0.0011667158,0.0026113966,0.0026174097,0.0070813885,0.0019071256,0.00870263,0.094733894],"category_scores_gemma":[0.026060238,0.0005637194,0.0013115786,0.00087362074,0.0013478467,0.0018070001,0.001379021,0.00808004,0.040910553],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001585238,0.000004663366,0.000023696555,0.000034395358,0.0000036787076,0.000056861558,0.0000044254257,0.0000042999877,0.000021982083,0.0001804883,0.9967409,0.0029088766],"study_design_scores_gemma":[0.000027810413,0.000011833885,0.00020818006,0.0001302457,0.000010248349,0.00011047769,0.000028990185,0.000022193613,0.00006502836,0.000321317,0.9990582,0.000005479737],"about_ca_topic_score_codex":0.0032401741,"about_ca_topic_score_gemma":0.008867729,"teacher_disagreement_score":0.094733894,"about_ca_system_score_codex":0.0030634196,"about_ca_system_score_gemma":0.0034037768,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4230127051","doi":"10.7202/1032691ar","title":"Introduction","year":2013,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.014180285774470471,"score_gpt":0.20513605903035168,"score_spread":0.1909557732558812,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230127051","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013079572,0.0015813187,0.0054021585,0.0116956,0.009082187,0.00022973791,0.0034965947,0.0009465945,0.9662579],"genre_scores_gemma":[0.008571214,0.0014573259,0.0039067552,0.005536885,0.002304176,0.0002188995,0.002913415,0.00038699363,0.97470427],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99869686,0.00015203578,0.000043527172,0.00028167182,0.00063455687,0.00019138391],"domain_scores_gemma":[0.99763405,0.00024496534,0.00007318933,0.00026838493,0.0012552305,0.0005241784],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0014803072,0.00070823403,0.00037449523,0.0014211986,0.0025814038,0.005145803,0.0016910624,0.0019744046,0.5155536],"category_scores_gemma":[0.0047651394,0.00024137611,0.0005810725,0.0011806058,0.0009863555,0.0021722235,0.003101666,0.001794358,0.32066298],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007012006,0.000053335785,0.0006047761,0.00018883588,0.0000038082612,0.00009286653,0.000422355,0.00007916494,0.00049782434,0.053525202,0.76350325,0.18095845],"study_design_scores_gemma":[0.000003488153,0.000008407366,0.00028645055,0.00007370942,0.0000014492053,0.000044553035,0.00014187636,0.000017099192,0.00010027991,0.0028079534,0.99651104,0.0000037967172],"about_ca_topic_score_codex":0.009465305,"about_ca_topic_score_gemma":0.014628717,"teacher_disagreement_score":0.4844464,"about_ca_system_score_codex":0.0023319854,"about_ca_system_score_gemma":0.0048290617,"threshold_uncertainty_score":0.691004},"labels":[],"label_agreement":null},{"id":"W4237034120","doi":"10.7202/1009281ar","title":"A Note from the Editors","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Computer science; History","score_opus":0.019487282319880426,"score_gpt":0.20812335846250676,"score_spread":0.18863607614262634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4237034120","genre_codex":"commentary","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00010871664,0.004478239,0.00017612576,0.51719344,0.475346,0.000019252593,0.00004999003,0.000034056313,0.0025941292],"genre_scores_gemma":[0.0014914224,0.0038771587,0.00033557822,0.6523293,0.29875448,0.00006349408,0.000035094734,0.00006985015,0.04304361],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9920006,0.001237496,0.00085366826,0.0015342981,0.003583777,0.0007902037],"domain_scores_gemma":[0.9565939,0.0137523925,0.0018458258,0.0017378104,0.019627169,0.0064429734],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00888042,0.0015813742,0.0018925942,0.0015718477,0.0063719577,0.009732749,0.0038522426,0.023251524,0.012325322],"category_scores_gemma":[0.053865317,0.0009821727,0.0018083656,0.0011382276,0.0029797817,0.007223063,0.0040383134,0.037113763,0.009709114],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014187867,0.000005811793,0.00005724831,0.000035617853,0.0000048790243,0.000103764876,0.000060387032,0.000010021673,0.00005670305,0.0006317589,0.99589133,0.0031282434],"study_design_scores_gemma":[0.0000113899305,0.000011636996,0.00025940477,0.00013520004,0.000012858777,0.00014076356,0.00023570446,0.000038753824,0.00010754074,0.00066225533,0.99836224,0.000022335329],"about_ca_topic_score_codex":0.010065479,"about_ca_topic_score_gemma":0.022557423,"teacher_disagreement_score":0.023251524,"about_ca_system_score_codex":0.0033011374,"about_ca_system_score_gemma":0.0096146045,"threshold_uncertainty_score":0.046964705},"labels":[],"label_agreement":null},{"id":"W4243437799","doi":"10.7202/1013304ar","title":"Introduction","year":2005,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.015679439502994063,"score_gpt":0.22154603099959722,"score_spread":0.20586659149660316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243437799","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012458207,0.0013992307,0.0053223264,0.01107469,0.008795015,0.00022860161,0.0033592824,0.0009783978,0.96759665],"genre_scores_gemma":[0.0073976573,0.0012199484,0.003381024,0.0048618056,0.00205628,0.00019740315,0.0026795045,0.0003455762,0.97786087],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987662,0.00014058422,0.00004110201,0.00026566736,0.00060570217,0.00018088316],"domain_scores_gemma":[0.9977137,0.00022837105,0.00007048636,0.00026233532,0.0012243919,0.0005008073],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014516797,0.0007061922,0.0003756901,0.0014271851,0.0025049746,0.0050210883,0.0016681063,0.0019555618,0.53427094],"category_scores_gemma":[0.0044756318,0.00024330014,0.0005875788,0.0011360559,0.0008978786,0.002172299,0.0029557832,0.0017425242,0.33957922],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000067715504,0.00005377292,0.0005548957,0.00017087354,0.0000035364178,0.000084634856,0.00036262613,0.00007653943,0.0005108343,0.04991372,0.77860963,0.16959123],"study_design_scores_gemma":[0.0000035904866,0.000008622869,0.00028599554,0.000064190215,0.000001421441,0.000041855903,0.00012545477,0.000018053594,0.00010864757,0.002760055,0.9965785,0.0000036569443],"about_ca_topic_score_codex":0.008146206,"about_ca_topic_score_gemma":0.012553317,"teacher_disagreement_score":0.53427094,"about_ca_system_score_codex":0.002198873,"about_ca_system_score_gemma":0.0042794435,"threshold_uncertainty_score":0.6643059},"labels":[],"label_agreement":null},{"id":"W4244978150","doi":"10.7202/019293ar","title":"Barnardo Boys","year":2008,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Opera; Parallels; Preference; Visual arts; Art; Literature; History; Art history; Engineering","score_opus":0.027572390794272584,"score_gpt":0.22383248154194776,"score_spread":0.19626009074767517,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244978150","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0085815955,0.0047048167,0.0006232818,0.014188522,0.0035980688,0.000059099188,0.0005309167,0.00025489333,0.9674588],"genre_scores_gemma":[0.031138033,0.0013742361,0.0005520453,0.0017041637,0.00027109013,0.000017774075,0.00015380309,0.00014859387,0.9646404],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990938,0.00008280155,0.000014471927,0.00019764365,0.00034798906,0.00026320652],"domain_scores_gemma":[0.99940586,0.000041187206,0.000031112395,0.000024659977,0.00015669987,0.00034047602],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005735043,0.00051592523,0.00033097115,0.0011339805,0.011230393,0.00356572,0.0006738979,0.0009923021,0.12525782],"category_scores_gemma":[0.001251945,0.00029833024,0.00022266526,0.0008101337,0.0021261272,0.0012325294,0.0026011965,0.002237492,0.021442607],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015280143,0.000048862406,0.0020501297,0.00017289771,0.000006052498,0.0007291661,0.010610549,0.000040978895,0.0013850859,0.10593961,0.7900458,0.08881825],"study_design_scores_gemma":[0.0000015406991,0.000006232427,0.00066080125,0.000030206835,7.093331e-7,0.00007497348,0.00081381586,0.0000042297506,0.00008312026,0.00025148477,0.9980696,0.000003284531],"about_ca_topic_score_codex":0.18050006,"about_ca_topic_score_gemma":0.46315297,"teacher_disagreement_score":0.81949997,"about_ca_system_score_codex":0.0055253725,"about_ca_system_score_gemma":0.005107896,"threshold_uncertainty_score":0.41902918},"labels":[],"label_agreement":null},{"id":"W4246744470","doi":"10.7202/1000046ar","title":"Contributors","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.01705619259003233,"score_gpt":0.2322171115514037,"score_spread":0.21516091896137138,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246744470","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019799378,0.0016352732,0.004256496,0.031244269,0.067396656,0.0010711902,0.012873011,0.00298508,0.8765581],"genre_scores_gemma":[0.0022673686,0.0002925955,0.0006940761,0.002647638,0.0019465699,0.0002459978,0.0019053004,0.00040734478,0.98959315],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99735934,0.00035697766,0.000093355,0.00041431448,0.0014546191,0.0003213386],"domain_scores_gemma":[0.9821293,0.0016050747,0.0004186241,0.0013424376,0.010661287,0.0038432055],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0026398483,0.0008400517,0.00063676294,0.0037546235,0.0032652463,0.0055865515,0.0016491832,0.0019354093,0.75884736],"category_scores_gemma":[0.020603191,0.00034345468,0.00041644485,0.0015882401,0.00061278057,0.002106947,0.0033568225,0.0018464494,0.5763058],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033697157,0.000015143372,0.00021878291,0.000044853357,0.0000012542275,0.000037471487,0.000075814554,0.000016302947,0.00010773448,0.0023039405,0.9713417,0.025803298],"study_design_scores_gemma":[0.0000055475607,0.0000033288015,0.00014647921,0.000040112234,0.0000017927713,0.000027290278,0.00010743265,0.000026764783,0.000081262646,0.0005199874,0.999037,0.000002947597],"about_ca_topic_score_codex":0.004019453,"about_ca_topic_score_gemma":0.009328833,"teacher_disagreement_score":0.24115264,"about_ca_system_score_codex":0.0024069634,"about_ca_system_score_gemma":0.0047923964,"threshold_uncertainty_score":0.34397495},"labels":[],"label_agreement":null},{"id":"W4310910907","doi":"10.7202/1105865ar","title":"From the Studio to the Stage: Bruno Mars, Liveness, and the Out-of-Tune Voice in “Locked Out of Heaven” (2012)","year":2023,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Studio; Liveness; Heaven; Mars Exploration Program; Computer science; Art; Visual arts; Lyrics; Aesthetics; Literature; Physics","score_opus":0.045510359192060444,"score_gpt":0.23216950103106967,"score_spread":0.18665914183900922,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4310910907","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4357758,0.03081618,0.0025849205,0.047591053,0.0035717569,0.000048907732,0.0001710664,0.00014938189,0.4792909],"genre_scores_gemma":[0.951199,0.0027047524,0.00051399355,0.001788925,0.0003871625,0.000014463473,0.00003231498,0.00007871529,0.04328068],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993524,0.0002841608,0.000010875082,0.0000982012,0.000111098816,0.00014330453],"domain_scores_gemma":[0.99963415,0.00013252955,0.000054547923,0.000030637042,0.0000474266,0.00010061261],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008111344,0.00036734677,0.00018483125,0.0008364597,0.008687049,0.006610416,0.00057995325,0.0012713888,0.0045546],"category_scores_gemma":[0.002317869,0.0001778901,0.00012435477,0.000800619,0.01242371,0.0024583908,0.0019873562,0.0022799463,0.0005423692],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003328056,0.00003491758,0.0031852273,0.00024765055,0.00001324594,0.002224644,0.7602535,0.00010966603,0.0036910842,0.10634122,0.05061352,0.072952576],"study_design_scores_gemma":[0.000019527206,0.000057838162,0.01527397,0.00042460024,0.000011352326,0.0013669784,0.3423354,0.00011138587,0.0013166737,0.006265784,0.63274795,0.00006843926],"about_ca_topic_score_codex":0.05905264,"about_ca_topic_score_gemma":0.16033994,"teacher_disagreement_score":0.05905264,"about_ca_system_score_codex":0.005248858,"about_ca_system_score_gemma":0.0012407446,"threshold_uncertainty_score":0.11741787},"labels":[],"label_agreement":null},{"id":"W4321463404","doi":"10.7202/1096483ar","title":"À la recherche d’une approche gnoséologique du phénomène musical et de son histoire","year":2023,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.13927677920982376,"score_gpt":0.2804986091561094,"score_spread":0.14122182994628565,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321463404","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033934537,0.019890243,0.17882374,0.070505485,0.004638901,0.00020758311,0.0002292629,0.0001698123,0.69160044],"genre_scores_gemma":[0.80300117,0.0193156,0.04488952,0.0066221943,0.0029657027,0.0005646357,0.00024391191,0.00034797477,0.122049235],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9945898,0.0036757116,0.0001419032,0.00060105626,0.0007041355,0.00028738263],"domain_scores_gemma":[0.99379855,0.0038195045,0.00042068833,0.0007322846,0.0009295791,0.00029932678],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008053892,0.0010458386,0.0006983272,0.003744572,0.005295898,0.012934267,0.0023308075,0.0033810008,0.018730903],"category_scores_gemma":[0.009916043,0.0004042658,0.0007896259,0.0023831823,0.03421375,0.014949725,0.005458498,0.0052330424,0.0024150708],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011627991,0.000008315351,0.00033137674,0.00012566509,0.0000067306123,0.0000955306,0.01951991,0.00013174626,0.00025278848,0.9726274,0.0012567751,0.0056321095],"study_design_scores_gemma":[0.000015748226,0.000040854804,0.0014708067,0.0009365338,0.000024170195,0.00053060555,0.06240758,0.0010789342,0.00067130686,0.5591737,0.37360847,0.000041290765],"about_ca_topic_score_codex":0.010154721,"about_ca_topic_score_gemma":0.01417945,"teacher_disagreement_score":0.9898453,"about_ca_system_score_codex":0.0060596154,"about_ca_system_score_gemma":0.00602518,"threshold_uncertainty_score":0.06266111},"labels":[],"label_agreement":null},{"id":"W4321463448","doi":"10.7202/1096479ar","title":"Au-delà des « vagues » #moiaussi : cinq ans de mobilisation féministe en musique au Québec (2017–2022)","year":2023,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03294498889804832,"score_gpt":0.25758411684782206,"score_spread":0.22463912794977375,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321463448","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5135631,0.02091472,0.0027966495,0.16017471,0.0022297895,0.00016641551,0.0016570975,0.00010714531,0.2983904],"genre_scores_gemma":[0.85847235,0.003727538,0.0006538662,0.0054102642,0.00012971781,0.00008287787,0.0002930141,0.00006816158,0.13116227],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99769944,0.0004098255,0.000044159795,0.0002305196,0.0008030631,0.00081304635],"domain_scores_gemma":[0.997022,0.0004322328,0.00016569784,0.00009834008,0.0012777606,0.0010039923],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003181821,0.00028373103,0.0003416331,0.0016004842,0.02306094,0.0077508707,0.00104282,0.002138263,0.012966675],"category_scores_gemma":[0.003947051,0.00027434505,0.00025100962,0.0024671778,0.011225508,0.0026084126,0.0036626938,0.0040008957,0.00052121235],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019267286,0.000061228006,0.019000236,0.00027628342,0.000030762254,0.000779304,0.5800569,0.00035136202,0.0016975671,0.18207218,0.12568016,0.0898013],"study_design_scores_gemma":[0.000010327576,0.00002411073,0.055676308,0.00041852208,0.000011765502,0.00009397955,0.23788089,0.0001609274,0.0004434395,0.0023120393,0.70290315,0.0000645545],"about_ca_topic_score_codex":0.9918698,"about_ca_topic_score_gemma":0.9967199,"teacher_disagreement_score":0.14041983,"about_ca_system_score_codex":0.14041983,"about_ca_system_score_gemma":0.1256017,"threshold_uncertainty_score":0.99699116},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"qualitative","genre":"empirical","about_ca_system":false,"about_ca_topic":true,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"qualitative","genre":"empirical","about_ca_system":false,"about_ca_topic":true,"confidence":"low"}],"label_agreement":"agree"},{"id":"W4321463466","doi":"10.7202/1096484ar","title":"Jacinthe Harbec. 2021. Ballets russes et Ballets suédois : La musique à la croisée des arts 1917–1924. Paris : Vrin, 504 p. ISBN 978-2-7116-2956-5","year":2023,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"The arts; Art; Humanities; Visual arts","score_opus":0.031363265127713716,"score_gpt":0.23586463699931487,"score_spread":0.20450137187160117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321463466","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014216088,0.71565974,0.0013447232,0.029429568,0.0099940775,0.00005467027,0.004765044,0.00027231747,0.23705818],"genre_scores_gemma":[0.015606918,0.17066398,0.0015897471,0.0014650632,0.0024183553,0.000110218956,0.0022802837,0.00042303532,0.80544233],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992711,0.00008317527,0.00003771811,0.00013035286,0.00040748616,0.00007011545],"domain_scores_gemma":[0.99926716,0.00018762218,0.00007617625,0.000030244637,0.0003415106,0.000097383716],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006124031,0.0011879026,0.00053662615,0.0029773316,0.0021425926,0.0034521143,0.000886907,0.0022200372,0.17217542],"category_scores_gemma":[0.001734943,0.00048745924,0.00025932508,0.0063203904,0.0011231846,0.0040493524,0.0012671672,0.0019400562,0.055798315],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003965772,0.000005373916,0.00014836606,0.00038715045,0.0000040282985,0.00007847228,0.00056585326,0.00004081958,0.00021130651,0.007115973,0.8719905,0.119412445],"study_design_scores_gemma":[0.0000021609367,0.0000025893482,0.00068178936,0.00017329057,0.000001280944,0.000048598387,0.00021325576,0.0000087421595,0.00005551211,0.0003137121,0.9984952,0.0000037749062],"about_ca_topic_score_codex":0.15696001,"about_ca_topic_score_gemma":0.2499469,"teacher_disagreement_score":0.17217542,"about_ca_system_score_codex":0.004452383,"about_ca_system_score_gemma":0.0038098418,"threshold_uncertainty_score":0.5759842},"labels":[],"label_agreement":null},{"id":"W4321463477","doi":"10.7202/1096480ar","title":"Working Interviews: Blending Fieldwork and Technical Work on Tour with Cirque du Soleil","year":2023,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cirque; Ethnography; Musical; Participant observation; Sociology; Mode (computer interface); Performing arts; Visual arts; Emotional labor; Aesthetics; Media studies; Psychology; Art; Social science; Social psychology; Computer science; Anthropology; Geography","score_opus":0.04442932411772871,"score_gpt":0.21945121971731313,"score_spread":0.17502189559958442,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321463477","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.963764,0.00058067875,0.0036839873,0.0018774167,0.00016438607,0.0005916327,0.0003716482,0.00005401726,0.02891218],"genre_scores_gemma":[0.98629516,0.0004561095,0.0021800706,0.000597349,0.00008099142,0.0005624825,0.00016387136,0.0000675365,0.009596439],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.98736215,0.009015519,0.00019968612,0.00088880974,0.0007972004,0.001736571],"domain_scores_gemma":[0.976073,0.01861164,0.0010328717,0.00081333896,0.0014375617,0.0020314925],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.012992737,0.0010796819,0.0007782714,0.003769684,0.020064339,0.0052713333,0.0023767834,0.0027013936,0.006123843],"category_scores_gemma":[0.019196946,0.0008512926,0.00038505613,0.0031071496,0.019528806,0.0031986635,0.007123246,0.0033966557,0.00077631406],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056320805,0.000073910465,0.0012872568,0.00008322619,0.0000029188254,0.0008308967,0.98910797,0.0000635034,0.0008688188,0.0011040969,0.0013801,0.005140887],"study_design_scores_gemma":[0.0000076725455,0.000052957486,0.0017803056,0.000097293705,0.0000021828625,0.000121285426,0.9866316,0.000061422084,0.00027345415,0.00017997123,0.01078087,0.000010942599],"about_ca_topic_score_codex":0.034708038,"about_ca_topic_score_gemma":0.07689376,"teacher_disagreement_score":0.034708038,"about_ca_system_score_codex":0.008729455,"about_ca_system_score_gemma":0.0063213035,"threshold_uncertainty_score":0.069011986},"labels":[],"label_agreement":null},{"id":"W4321463512","doi":"10.7202/1096476ar","title":"Éditorial : Pour des musicologies alternatives","year":2023,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Computer science","score_opus":0.08002591067962686,"score_gpt":0.27916814011114605,"score_spread":0.19914222943151919,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321463512","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005809977,0.0040377476,0.000055146844,0.070426516,0.92401975,0.000014048256,0.000034891145,0.00002566037,0.0013281597],"genre_scores_gemma":[0.00067128363,0.00196014,0.000072301984,0.02894347,0.95871043,0.000019450277,0.00002050847,0.000023836252,0.009578613],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9933385,0.0012513023,0.0007885974,0.0009574371,0.002919031,0.00074505067],"domain_scores_gemma":[0.9792351,0.007821435,0.0012494083,0.00073755276,0.008122169,0.0028343387],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0076660593,0.0048635635,0.0036832409,0.004896002,0.005606032,0.01121929,0.0044175833,0.039323404,0.020445097],"category_scores_gemma":[0.036699098,0.0014891593,0.0035804438,0.00212097,0.0047603953,0.006312833,0.0028326872,0.023881948,0.010218744],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043523323,0.00001294621,0.000024718585,0.00009977182,0.00001474565,0.00009978886,0.000017851768,0.00001871185,0.00005568263,0.000449245,0.9972162,0.001946698],"study_design_scores_gemma":[0.00007793101,0.00002518802,0.00033681435,0.0002469682,0.000041886273,0.00019206683,0.00008587066,0.00010209469,0.00008632448,0.00084687513,0.9979372,0.000020733369],"about_ca_topic_score_codex":0.004585842,"about_ca_topic_score_gemma":0.011322116,"teacher_disagreement_score":0.039323404,"about_ca_system_score_codex":0.006477066,"about_ca_system_score_gemma":0.0047084484,"threshold_uncertainty_score":0.068395674},"labels":[],"label_agreement":null},{"id":"W4321463515","doi":"10.7202/1096478ar","title":"In Auditory Absentia: Music(ology), Modern Art, and Aesthetic Experience","year":2023,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Musical; Art; The arts; Performing arts; Visual arts; Aesthetics; Principal (computer security); Music; Literature; Music education; Computer science","score_opus":0.0342335612761224,"score_gpt":0.22911835059734206,"score_spread":0.19488478932121966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321463515","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18539391,0.10610239,0.013735696,0.02852533,0.0034116975,0.000057060875,0.00006895713,0.00016548442,0.66253936],"genre_scores_gemma":[0.9688756,0.0063917222,0.0010823827,0.0022506993,0.00082850613,0.00003287977,0.000016426902,0.000037089943,0.020484654],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9989243,0.00052281417,0.000030324412,0.00013227084,0.00019893885,0.00019121182],"domain_scores_gemma":[0.9994438,0.00030742373,0.000061038394,0.000045764147,0.00003594516,0.00010593564],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012408361,0.0004706187,0.00031313006,0.0015091039,0.004557567,0.009378231,0.0006352261,0.002265419,0.0051163835],"category_scores_gemma":[0.0022591774,0.00014194024,0.0002321293,0.0010003925,0.028278181,0.004920794,0.006219249,0.0029202118,0.00044814064],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014210462,0.000054414788,0.002012684,0.00046416992,0.00001410467,0.0012890756,0.26983705,0.00017046684,0.0022428385,0.65869045,0.008151021,0.056931596],"study_design_scores_gemma":[0.00003752154,0.0001970509,0.010015304,0.0011694571,0.000022831222,0.005085811,0.25368983,0.00041867624,0.00067174976,0.19246173,0.5361536,0.00007649052],"about_ca_topic_score_codex":0.003947431,"about_ca_topic_score_gemma":0.006302805,"teacher_disagreement_score":0.009378231,"about_ca_system_score_codex":0.0024048586,"about_ca_system_score_gemma":0.0014925722,"threshold_uncertainty_score":0.017448545},"labels":[],"label_agreement":null},{"id":"W4321463518","doi":"10.7202/1096485ar","title":"Chloé Huvet. 2022. Composer pour l’image à l’ère numérique : Star Wars, d’une trilogie à l’autre. Paris : Vrin, 432 p. ISBN 978-2-7116-2895-7","year":2023,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Physics","score_opus":0.14189199903720542,"score_gpt":0.28244848479167367,"score_spread":0.14055648575446825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321463518","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011025548,0.57974845,0.002812113,0.0473574,0.018714141,0.00007741018,0.0018800396,0.0006643492,0.34764344],"genre_scores_gemma":[0.0065177544,0.14387004,0.0014119769,0.0024369298,0.002376281,0.000066794935,0.00079997216,0.0006119148,0.84190834],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915624,0.000084841115,0.000043812626,0.00013527917,0.0005012134,0.0000786177],"domain_scores_gemma":[0.9991179,0.0002402677,0.000058261347,0.000026773332,0.00041161466,0.0001451869],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008096598,0.0013942695,0.0006307927,0.0025817635,0.001897917,0.005008661,0.0007829585,0.0027200112,0.21204366],"category_scores_gemma":[0.0019446005,0.00066455686,0.00035643947,0.00426245,0.001168359,0.005961012,0.0020688036,0.002582379,0.14542365],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029254645,0.0000045413026,0.00007226997,0.0003242904,0.0000024788499,0.000053560096,0.00050803897,0.000039033304,0.00022103685,0.0037506167,0.89185196,0.10314276],"study_design_scores_gemma":[0.000002225067,0.000003337572,0.00024828053,0.00021945038,0.000001299334,0.000079947495,0.0004202021,0.000012268462,0.00006214458,0.00042218517,0.9985246,0.000004048129],"about_ca_topic_score_codex":0.025492325,"about_ca_topic_score_gemma":0.046550248,"teacher_disagreement_score":0.21204366,"about_ca_system_score_codex":0.0030223744,"about_ca_system_score_gemma":0.0024967575,"threshold_uncertainty_score":0.70935667},"labels":[],"label_agreement":null},{"id":"W4321463533","doi":"10.7202/1096481ar","title":"La musicologie par l’art radiophonique","year":2023,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.24575967702714996,"score_gpt":0.2961989297381355,"score_spread":0.05043925271098554,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321463533","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.084852174,0.006193858,0.010070229,0.0065071816,0.0010915488,0.000052257084,0.0001434993,0.00019712912,0.8908921],"genre_scores_gemma":[0.7626788,0.005043838,0.0038886857,0.001596507,0.0007738949,0.00006395627,0.000067745474,0.00016257355,0.22572401],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980337,0.00083989126,0.000047191174,0.00022096312,0.00060527533,0.00025300204],"domain_scores_gemma":[0.9985208,0.0007433145,0.000128976,0.00020724682,0.00024374994,0.00015583774],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012786144,0.00042698334,0.00021865529,0.0012555557,0.0043569324,0.009166936,0.00055298023,0.0012690581,0.024862666],"category_scores_gemma":[0.0025754059,0.00019076097,0.00028569522,0.0013702856,0.007826549,0.002804796,0.0024266392,0.0021295282,0.0035607035],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020657713,0.000053902255,0.004387251,0.00063159724,0.00003728711,0.0013737547,0.17007826,0.00044208174,0.010392633,0.59042865,0.021304311,0.20066375],"study_design_scores_gemma":[0.000016627628,0.000057551548,0.006025104,0.00031117024,0.000014888884,0.0010822993,0.039349604,0.0001416144,0.0016755068,0.00903457,0.94225216,0.00003888532],"about_ca_topic_score_codex":0.017720578,"about_ca_topic_score_gemma":0.030336548,"teacher_disagreement_score":0.024862666,"about_ca_system_score_codex":0.003087585,"about_ca_system_score_gemma":0.0031859027,"threshold_uncertainty_score":0.08317393},"labels":[],"label_agreement":null},{"id":"W4321463534","doi":"10.7202/1096482ar","title":"What Does Musicology Have to Do With Archiving? Three Experiences of Engagement","year":2023,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Digital and Traditional Archives Management","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Musical; Musicology; Romance; Musical instrument; Visual arts; Object (grammar); Art; Art history; Electronic music; History; Library science; Literature; Computer science; Acoustics","score_opus":0.043198787735455456,"score_gpt":0.22175276929276322,"score_spread":0.17855398155730776,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321463534","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84062773,0.0043793838,0.0043563154,0.032471847,0.0005156618,0.000088081135,0.00005299087,0.00009867733,0.1174094],"genre_scores_gemma":[0.989617,0.0011980139,0.0008104327,0.0014441024,0.00008543992,0.000054910593,0.00001728806,0.00006540892,0.006707536],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.98614836,0.008800355,0.00041262584,0.0007488206,0.0016108431,0.002278947],"domain_scores_gemma":[0.9858996,0.008451406,0.0008181578,0.0011855635,0.0008895166,0.0027556927],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.015297646,0.00080807664,0.0010334635,0.001973886,0.031363294,0.029227654,0.0028572634,0.0073343506,0.00492117],"category_scores_gemma":[0.016977588,0.0006522403,0.000792958,0.002542493,0.05239165,0.020445641,0.019984227,0.010014638,0.00080529513],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023588096,0.00003574324,0.0008180808,0.000036219415,0.000004367673,0.00036670704,0.9827739,0.000015570527,0.00020670638,0.010901116,0.0007370427,0.004080994],"study_design_scores_gemma":[0.000008503966,0.000033494023,0.0007884999,0.00009858918,0.0000046568166,0.0004798609,0.96648484,0.000026588748,0.00017413074,0.0032792152,0.028599719,0.000021901154],"about_ca_topic_score_codex":0.012853451,"about_ca_topic_score_gemma":0.016808586,"teacher_disagreement_score":0.031363294,"about_ca_system_score_codex":0.009859879,"about_ca_system_score_gemma":0.0051246914,"threshold_uncertainty_score":0.080902696},"labels":[],"label_agreement":null},{"id":"W4321463557","doi":"10.7202/1096477ar","title":"Applying a Mad Studies Framework to Opera: Poulenc’s Dialogues des Carmélites","year":2023,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Opera; Metaphor; History; Literature; Art; Visual arts; Linguistics; Philosophy","score_opus":0.14222548827272172,"score_gpt":0.28822564462984585,"score_spread":0.14600015635712413,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321463557","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18321607,0.019879173,0.013444768,0.13021384,0.0034939754,0.00023360272,0.00025780813,0.00023446447,0.6490263],"genre_scores_gemma":[0.9574665,0.0013350165,0.0019250261,0.0037060585,0.00040731355,0.00013506584,0.000035352376,0.00008431081,0.034905408],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99404776,0.004428138,0.00006752323,0.00032408367,0.00043548172,0.00069704355],"domain_scores_gemma":[0.9957482,0.0029480034,0.00020926034,0.00021055614,0.00028000315,0.00060400384],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0063553923,0.0008798757,0.0005459982,0.0030209995,0.018554533,0.011625858,0.0017003954,0.003800986,0.0049324073],"category_scores_gemma":[0.0069977464,0.00034210112,0.00046676397,0.0013916442,0.044340093,0.0055815345,0.0067155105,0.007048594,0.0003417911],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005302784,0.000024729428,0.00028241612,0.000057548663,0.000006564743,0.0005781742,0.62711316,0.000119623124,0.00022388475,0.35689765,0.009572278,0.0050708726],"study_design_scores_gemma":[0.000021574951,0.000042887277,0.0010920357,0.0003839033,0.0000105511135,0.00036087254,0.38774136,0.00025362856,0.0003114876,0.047872443,0.56187385,0.000035383437],"about_ca_topic_score_codex":0.068583675,"about_ca_topic_score_gemma":0.08004583,"teacher_disagreement_score":0.068583675,"about_ca_system_score_codex":0.017975476,"about_ca_system_score_gemma":0.0047173775,"threshold_uncertainty_score":0.13636893},"labels":[],"label_agreement":null},{"id":"W4367157295","doi":"10.7202/1091834ar","title":"Machines et imaginaires musicaux (1900–1950)","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Art, Technology, and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.021086118961061565,"score_gpt":0.23000337582392147,"score_spread":0.2089172568628599,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367157295","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07427288,0.029966975,0.0036953136,0.006430053,0.0015073307,0.000048881586,0.0003040943,0.00006772842,0.8837068],"genre_scores_gemma":[0.7959599,0.012029344,0.0020201143,0.0010177894,0.0010444634,0.00009411544,0.00012782462,0.000054419528,0.18765198],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927133,0.00023466721,0.000032233384,0.0001419357,0.00016407866,0.00015576193],"domain_scores_gemma":[0.9995888,0.00019319275,0.00005788122,0.000030892363,0.00006412784,0.0000651051],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010639664,0.00053868117,0.00016693349,0.0022395123,0.003324369,0.0032696212,0.0002800697,0.0012392788,0.0068962215],"category_scores_gemma":[0.0017723292,0.00020073183,0.0001768542,0.001396046,0.011816995,0.002554494,0.0017778829,0.0017476095,0.00096566253],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005835219,0.0000117655045,0.000779892,0.0000900362,0.0000032353255,0.00011515784,0.028325288,0.00020720524,0.00041637957,0.93663937,0.0093326345,0.024020698],"study_design_scores_gemma":[0.000015246329,0.00005151435,0.007277034,0.00023538868,0.0000039324214,0.00021054798,0.0030227795,0.0001371135,0.00064203556,0.03832874,0.9500584,0.000017253105],"about_ca_topic_score_codex":0.03443743,"about_ca_topic_score_gemma":0.031881977,"teacher_disagreement_score":0.03443743,"about_ca_system_score_codex":0.010135511,"about_ca_system_score_gemma":0.0025992624,"threshold_uncertainty_score":0.07353866},"labels":[],"label_agreement":null},{"id":"W4367157297","doi":"10.7202/1091838ar","title":"Le rêve et la science : Henry Deutsch de la Meurthe, Icare et la musique aéronautique en France avant la Première Guerre mondiale","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Art; Humanities","score_opus":0.009646412016336278,"score_gpt":0.23284896593160295,"score_spread":0.22320255391526667,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367157297","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29148254,0.107164286,0.003017962,0.08522754,0.0018142229,0.000026534948,0.00009773441,0.000040653234,0.5111284],"genre_scores_gemma":[0.9180387,0.012880053,0.0003914733,0.0021924193,0.0005448208,0.000012457901,0.000017558541,0.000025434922,0.065897085],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887305,0.0006272472,0.00001785929,0.0001177903,0.0001889586,0.00017504553],"domain_scores_gemma":[0.9993907,0.00036681243,0.00008086082,0.000031455915,0.00006966976,0.000060418257],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001349253,0.00038486844,0.00018744268,0.0010586492,0.006693289,0.0049772253,0.00028290742,0.001398007,0.002857235],"category_scores_gemma":[0.0019030934,0.00014410808,0.00012223356,0.0008102973,0.016479077,0.0028321769,0.0016612199,0.0017146686,0.00033929612],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006558943,0.000017264296,0.0018271905,0.00011379384,0.0000076055367,0.0004491608,0.30132997,0.00019557518,0.00084117084,0.6420402,0.024721306,0.028391128],"study_design_scores_gemma":[0.000006420831,0.00004465224,0.005060572,0.00024259214,0.000005068326,0.00037629277,0.090165436,0.00006907114,0.00028853788,0.015979802,0.88773656,0.000025000765],"about_ca_topic_score_codex":0.06791881,"about_ca_topic_score_gemma":0.12094322,"teacher_disagreement_score":0.06791881,"about_ca_system_score_codex":0.0065189097,"about_ca_system_score_gemma":0.0033955507,"threshold_uncertainty_score":0.13504696},"labels":[],"label_agreement":null},{"id":"W4367157302","doi":"10.7202/1091843ar","title":"Clark, Caryl, et Sarah Day-O’Connell. 2019. The Cambridge Haydn Encyclopedia. Cambridge : Cambridge University Press, xxxvii + 486 p. ISBN 978-1-107-12901-6","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Encyclopedia; Art; Art history; Philosophy","score_opus":0.02006322427210577,"score_gpt":0.2015379087218498,"score_spread":0.18147468444974402,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367157302","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00044447635,0.8846929,0.0009900267,0.043105464,0.0073034293,0.000029232107,0.0012859505,0.00015154901,0.06199691],"genre_scores_gemma":[0.010169314,0.65461,0.0024209435,0.011262605,0.0030757645,0.00013712767,0.0017266758,0.00051050447,0.3160872],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987264,0.00014662108,0.00009295117,0.00016044111,0.0007582581,0.00011527874],"domain_scores_gemma":[0.99803776,0.00071615697,0.00016730791,0.00007029776,0.0008276204,0.00018098652],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012368831,0.0013898257,0.00089249905,0.0043852897,0.0023886613,0.0067228843,0.0018019746,0.0037340166,0.078982376],"category_scores_gemma":[0.0047897818,0.0010011214,0.00035225353,0.0064719524,0.0026836963,0.009699289,0.0025006093,0.0038450048,0.034216713],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020022555,0.000004068582,0.0001085733,0.00033532624,0.0000031801244,0.000033379634,0.0007052226,0.00001806441,0.00006969776,0.00455372,0.9278013,0.06634735],"study_design_scores_gemma":[0.0000028133634,0.0000030956562,0.0003646432,0.00056329847,0.0000037084726,0.000055739485,0.00053997233,0.0000067850347,0.00004590286,0.0009322553,0.99747413,0.0000075310622],"about_ca_topic_score_codex":0.13208309,"about_ca_topic_score_gemma":0.25393385,"teacher_disagreement_score":0.13208309,"about_ca_system_score_codex":0.005472699,"about_ca_system_score_gemma":0.005439394,"threshold_uncertainty_score":0.26422238},"labels":[],"label_agreement":null},{"id":"W4367157320","doi":"10.7202/1091840ar","title":"Malcolm Forsyth’s Double Concerto: Forging a New Simplicity","year":2022,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Concerto; Simplicity; Realm; Cello; MOZART; Style (visual arts); Simple (philosophy); Violin concerto; Literature; Classical music; Musical; Art; Piano; Art history; Philosophy; History; Epistemology","score_opus":0.06058896640233798,"score_gpt":0.23320463791410764,"score_spread":0.17261567151176965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367157320","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1750804,0.010800114,0.011029418,0.15421925,0.0028777486,0.000054106695,0.00014755703,0.00021307242,0.6455784],"genre_scores_gemma":[0.93526065,0.0011475395,0.0018252814,0.005468865,0.00027141438,0.000015454323,0.000027298527,0.00014608596,0.055837516],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956306,0.0016222791,0.00007811827,0.0004985916,0.0014540317,0.00071642065],"domain_scores_gemma":[0.99680746,0.0012343935,0.00017550425,0.00043469755,0.0008698823,0.00047810577],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004292761,0.00055588566,0.0003224494,0.0015667336,0.018401328,0.00903711,0.00084132655,0.0022061213,0.0046983184],"category_scores_gemma":[0.008123061,0.00023490592,0.00023494085,0.0010184554,0.04677043,0.006869882,0.005332185,0.005718804,0.0005460573],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057710175,0.000009079513,0.00081270654,0.00003976433,0.000006307852,0.00029760797,0.1713896,0.00008134567,0.0006713896,0.77392566,0.03149752,0.021211324],"study_design_scores_gemma":[0.000016423322,0.00003144052,0.0016716815,0.00013254561,0.000007540717,0.00034254536,0.048062723,0.0001793277,0.00091312063,0.047091164,0.9014947,0.000056817957],"about_ca_topic_score_codex":0.21374613,"about_ca_topic_score_gemma":0.36798167,"teacher_disagreement_score":0.21374613,"about_ca_system_score_codex":0.022556588,"about_ca_system_score_gemma":0.011208351,"threshold_uncertainty_score":0.425004},"labels":[],"label_agreement":null},{"id":"W4367157325","doi":"10.7202/1091842ar","title":"Charity Marsh et Mark V. Campbell (sous la dir.). 2020. We Still Here: Hip Hop North of the 49th Parallel. Montréal et Kingston : McGill-Queen’s University Press, 328 p. ISBN 978-0-2280-0350-2","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queen (butterfly); Marsh; Art; Art history; Biology","score_opus":0.012558421001468582,"score_gpt":0.19699907929922633,"score_spread":0.18444065829775774,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367157325","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007734579,0.5139276,0.0015013041,0.1758173,0.033616763,0.00012246662,0.0036396165,0.0007037722,0.26989773],"genre_scores_gemma":[0.006317172,0.10224425,0.0009268146,0.009993488,0.002306199,0.00009261951,0.00082790636,0.00051781023,0.8767737],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984693,0.00018846063,0.0000661074,0.00020674107,0.00085147657,0.00021789153],"domain_scores_gemma":[0.99769527,0.0003034671,0.00017671948,0.00008273494,0.0013224771,0.0004193013],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016162705,0.0011674816,0.0007873223,0.0013936495,0.0037709805,0.0053347247,0.0014577744,0.0029709267,0.20953491],"category_scores_gemma":[0.004044313,0.0010683099,0.00034124963,0.0036014684,0.001600933,0.0051790345,0.0024297035,0.00457639,0.121327095],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009167724,0.0000022417612,0.000045167697,0.00009379113,0.0000010751842,0.000012972544,0.00016961998,0.000008361578,0.000033932924,0.0011661308,0.978695,0.019762525],"study_design_scores_gemma":[0.0000019817169,0.0000019065948,0.00029047852,0.00010991547,0.0000010321163,0.00002058092,0.00023093242,0.0000038282396,0.000022590786,0.00016768885,0.9991431,0.0000059183008],"about_ca_topic_score_codex":0.35986334,"about_ca_topic_score_gemma":0.53784305,"teacher_disagreement_score":0.64013666,"about_ca_system_score_codex":0.008194852,"about_ca_system_score_gemma":0.010233962,"threshold_uncertainty_score":0.7155374},"labels":[],"label_agreement":null},{"id":"W4367157326","doi":"10.7202/1091835ar","title":"Un « divertissement cinématographique » : machine/nature dans la musique de Tibor Harsányi pour le dessin animé La Joie de vivre (1934)","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.011577303921052108,"score_gpt":0.22376611230051607,"score_spread":0.21218880837946397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367157326","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42291227,0.008115406,0.0068945177,0.008540009,0.0016164236,0.000051382718,0.00022343348,0.0000928268,0.55155385],"genre_scores_gemma":[0.93693125,0.0012944842,0.0011059504,0.00022497251,0.00014090752,0.00001602191,0.00003546601,0.000030505693,0.060220443],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99985623,0.00006879103,0.0000028438924,0.000018740142,0.00002074105,0.00003263505],"domain_scores_gemma":[0.9999,0.000052838303,0.000007911483,0.000008120476,0.000011924892,0.000019315628],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00052299345,0.000395654,0.0001216974,0.00059368607,0.003469881,0.0024489008,0.00024051487,0.00054629287,0.008804336],"category_scores_gemma":[0.000660264,0.00014425216,0.00010692824,0.00056555565,0.0062989094,0.0011904463,0.000836716,0.0011396691,0.00035602142],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021386771,0.000022501605,0.0023447378,0.00029258142,0.0000124064945,0.0008911834,0.5223435,0.00039676108,0.010050486,0.4046059,0.017045794,0.04178026],"study_design_scores_gemma":[0.000031551874,0.00012283758,0.018368136,0.0004227736,0.000027454682,0.00087553414,0.17687863,0.0009763773,0.0027817162,0.021385182,0.77807754,0.00005226645],"about_ca_topic_score_codex":0.015493419,"about_ca_topic_score_gemma":0.044204026,"teacher_disagreement_score":0.015493419,"about_ca_system_score_codex":0.002381725,"about_ca_system_score_gemma":0.0007999974,"threshold_uncertainty_score":0.030806482},"labels":[],"label_agreement":null},{"id":"W4367157339","doi":"10.7202/1091841ar","title":"Littérature, musique et émotions : entre l’art des mots et l’art des sons. La mésomusique dans la prose fictionnelle d’Alfredo Bryce Echenique","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Art; Humanities","score_opus":0.016370255648449995,"score_gpt":0.21566889050964191,"score_spread":0.19929863486119193,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367157339","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16384159,0.05134038,0.0047744075,0.0562705,0.0023786237,0.000028634657,0.000169015,0.000098442586,0.7210984],"genre_scores_gemma":[0.85755104,0.0063054496,0.0008606917,0.0022606377,0.0006327177,0.000022767237,0.00005810586,0.00012728602,0.1321813],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99934226,0.00035501624,0.000012077697,0.00006114848,0.0001538792,0.00007559763],"domain_scores_gemma":[0.9993855,0.00031379185,0.00007137327,0.00002819624,0.000119380784,0.00008174407],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00079356274,0.00041115197,0.00026678294,0.0007859782,0.0053066146,0.0034060925,0.00032647187,0.0007553714,0.005138682],"category_scores_gemma":[0.0017116087,0.00011543004,0.00014567589,0.00068641605,0.0075662015,0.0020612294,0.0012576147,0.0019556817,0.0006885093],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011540509,0.00001859436,0.0028377308,0.000328266,0.000013645959,0.0009556654,0.35509023,0.00012125902,0.002119909,0.51644564,0.04736544,0.07458825],"study_design_scores_gemma":[0.000006718528,0.00004393281,0.009834675,0.0003509157,0.000010642513,0.000623177,0.10094399,0.00016090242,0.0005464052,0.014060878,0.8733985,0.000019240984],"about_ca_topic_score_codex":0.039053805,"about_ca_topic_score_gemma":0.10206758,"teacher_disagreement_score":0.039053805,"about_ca_system_score_codex":0.004219493,"about_ca_system_score_gemma":0.001914828,"threshold_uncertainty_score":0.07765293},"labels":[],"label_agreement":null},{"id":"W4367157341","doi":"10.7202/1091836ar","title":"Hear the Machine, Fear the Machine: George Antheil’s Ballet Mécanique and Listener Ambivalence in the Twentieth Century","year":2022,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Johns Hopkins University; University of Minnesota","keywords":"Ballet; Ambivalence; George (robot); Piano; Art; Firth; Art history; Visual arts; Psychology; Psychoanalysis; Dance","score_opus":0.019639462013823644,"score_gpt":0.20670532794292937,"score_spread":0.18706586592910573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367157341","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47103894,0.011629501,0.00082601444,0.09649954,0.002019033,0.000019001674,0.000042520736,0.00007281391,0.41785267],"genre_scores_gemma":[0.94315094,0.0022360152,0.00016484818,0.0057200813,0.0005552718,0.000008351171,0.000008621931,0.00006319177,0.04809257],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983872,0.0007000184,0.00001915041,0.00016814098,0.00043358878,0.00029190042],"domain_scores_gemma":[0.9986172,0.0008184255,0.000095651885,0.00003683382,0.00017830443,0.00025367993],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022867413,0.00030024713,0.00025506283,0.0009875398,0.016420089,0.0075258804,0.0006420001,0.0031152526,0.0039293948],"category_scores_gemma":[0.0028457756,0.00029257315,0.000119900484,0.00060769444,0.01686387,0.0024560203,0.0027870396,0.0067887134,0.0005342104],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005753748,0.000021166736,0.0010776664,0.00003767575,0.0000056749445,0.0011609487,0.7978499,0.000046623496,0.0008264752,0.16859701,0.021080205,0.009239213],"study_design_scores_gemma":[0.000015730846,0.00004547363,0.005155217,0.00023934153,0.000008491223,0.0009366843,0.32000116,0.00012839,0.00045671576,0.009973564,0.6629709,0.00006835735],"about_ca_topic_score_codex":0.06975269,"about_ca_topic_score_gemma":0.12329677,"teacher_disagreement_score":0.06975269,"about_ca_system_score_codex":0.0075643472,"about_ca_system_score_gemma":0.0019974853,"threshold_uncertainty_score":0.13869339},"labels":[],"label_agreement":null},{"id":"W4367157396","doi":"10.7202/1091839ar","title":"La bibliothèque du compositeur : Vincent d’Indy, ses lectures épiques et « l’épopée musicale »","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Digital Humanities and Scholarship","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.03059710591198093,"score_gpt":0.22860052729098562,"score_spread":0.1980034213790047,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367157396","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031962536,0.25500768,0.00727619,0.093576714,0.0068834024,0.000066491746,0.0002747957,0.00010398921,0.6048482],"genre_scores_gemma":[0.46367586,0.045712948,0.002817321,0.0069241147,0.0038788386,0.00009525703,0.00010470812,0.00022381038,0.47656718],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984993,0.00063299603,0.00003286727,0.00027717388,0.00038536653,0.00017230386],"domain_scores_gemma":[0.99933416,0.00035600012,0.00007801041,0.00003239737,0.00011680768,0.00008251361],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012609372,0.0006277969,0.0003143849,0.0016595474,0.0060667996,0.006051797,0.0005538843,0.0019962082,0.007165801],"category_scores_gemma":[0.00393264,0.0002940833,0.00016596583,0.0017833606,0.008107712,0.0041558906,0.002067921,0.003840564,0.0010788373],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008416114,0.000013763662,0.0006771318,0.00016865885,0.0000075233743,0.00016834708,0.03367568,0.00014283262,0.00035410834,0.8424146,0.08415894,0.038134333],"study_design_scores_gemma":[0.000009444676,0.000016279053,0.0014704991,0.00026935714,0.0000032282805,0.00011302035,0.003038191,0.000086535634,0.00030789315,0.028900854,0.96576726,0.000017423383],"about_ca_topic_score_codex":0.06539663,"about_ca_topic_score_gemma":0.08260112,"teacher_disagreement_score":0.06539663,"about_ca_system_score_codex":0.011566471,"about_ca_system_score_gemma":0.006293739,"threshold_uncertainty_score":0.13003194},"labels":[],"label_agreement":null},{"id":"W4367157401","doi":"10.7202/1091837ar","title":"Machines, Films, and Operas: A (Mostly) Soviet Perspective","year":2022,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Opera; Futurist; Cult; Criticism; Ballet; Soviet union; Modernity; Perspective (graphical); Art; Literature; Art history; Aesthetics; History; Visual arts; Philosophy; Epistemology; Political science; Law; Dance","score_opus":0.026782749562312767,"score_gpt":0.21319734129737164,"score_spread":0.18641459173505887,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367157401","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10439497,0.1609118,0.0047268276,0.048666168,0.0029240304,0.000023453591,0.00016516076,0.000084567706,0.678103],"genre_scores_gemma":[0.9084048,0.053337574,0.0007992737,0.003254509,0.0039835474,0.000028954335,0.000061028943,0.000116000505,0.030014228],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985268,0.0008233431,0.000052233576,0.00016505145,0.00020688493,0.00022564593],"domain_scores_gemma":[0.9982973,0.001219486,0.00015656726,0.00012324408,0.00009177468,0.00011158794],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015967329,0.00055092707,0.00037889282,0.002366957,0.0044332687,0.012197079,0.00060153025,0.0023333735,0.0059226244],"category_scores_gemma":[0.0028884944,0.00024542634,0.00024257858,0.0025193647,0.019616703,0.006261524,0.0030661107,0.0041012745,0.00046537316],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041057523,0.00002399537,0.00078366615,0.0001560022,0.000009577626,0.000096919044,0.023739623,0.0001906751,0.00023451044,0.94664913,0.007156296,0.020918565],"study_design_scores_gemma":[0.000020130974,0.00011473231,0.005632857,0.0012158996,0.000020653639,0.00042686524,0.038061492,0.00049521343,0.0007573691,0.119129404,0.8340908,0.000034563902],"about_ca_topic_score_codex":0.0055103824,"about_ca_topic_score_gemma":0.004439918,"teacher_disagreement_score":0.012197079,"about_ca_system_score_codex":0.0037495259,"about_ca_system_score_gemma":0.0010550095,"threshold_uncertainty_score":0.027204812},"labels":[],"label_agreement":null},{"id":"W4386940197","doi":"10.7202/1105864ar","title":"Transmettre des savoirs stylistiques à des élèves clavecinistes et organistes : l’apport de Bernardo Pasquini (1637–1710)","year":2023,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.05427695848899511,"score_gpt":0.2902102803568881,"score_spread":0.235933321867893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386940197","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5450297,0.025011754,0.0092438,0.017857945,0.0012040085,0.00017084224,0.0005034013,0.0001383999,0.4008401],"genre_scores_gemma":[0.9375049,0.004224104,0.0019426616,0.00048155326,0.00029162035,0.00006122689,0.00011720631,0.00013889819,0.055237874],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99864477,0.00060260505,0.000030115456,0.00020992753,0.00036740376,0.00014526189],"domain_scores_gemma":[0.9975189,0.0017424265,0.000190511,0.00010382667,0.00027625763,0.0001681786],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024813735,0.00059254444,0.00039330195,0.0024413932,0.009284249,0.0051181633,0.0006646915,0.0015969268,0.005466438],"category_scores_gemma":[0.0047054146,0.00037794927,0.00018936842,0.0028720556,0.008581318,0.0026799531,0.002699706,0.0037067211,0.00062159775],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006446667,0.000016075775,0.0023862307,0.00015226575,0.000005321499,0.0010373931,0.8924155,0.00007105021,0.0011019243,0.07306794,0.0037774025,0.025904372],"study_design_scores_gemma":[0.000018338726,0.000047329566,0.018133001,0.00048605676,0.0000110709325,0.001043325,0.18326534,0.00015759064,0.001011927,0.0072269286,0.7885634,0.000035665293],"about_ca_topic_score_codex":0.06007845,"about_ca_topic_score_gemma":0.11322837,"teacher_disagreement_score":0.06007845,"about_ca_system_score_codex":0.007480195,"about_ca_system_score_gemma":0.0038968115,"threshold_uncertainty_score":0.11945748},"labels":[],"label_agreement":null},{"id":"W4386940199","doi":"10.7202/1105862ar","title":"Alban Berg’s Lulu as a Foucauldian Heterotopia","year":2023,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Spatial and Cultural Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Heterotopia (medicine); Opera; Michel foucault; Realm; Metaphysics; Epistemology; Sociology; Aesthetics; Art history; Philosophy; Art; History; Politics; Political science","score_opus":0.045384152396442,"score_gpt":0.2960356156009959,"score_spread":0.2506514632045539,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386940199","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.053236786,0.0075489343,0.026200632,0.05297443,0.0012969165,0.000069808935,0.000097791926,0.00018186809,0.85839295],"genre_scores_gemma":[0.94179356,0.0013595267,0.006742422,0.0031590203,0.00028835534,0.000085863205,0.00003047945,0.00010452098,0.046436213],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981255,0.00097118085,0.000046147714,0.0002703067,0.00033486699,0.00025205617],"domain_scores_gemma":[0.9990896,0.00047860434,0.00009477003,0.00011171507,0.0001337067,0.00009151335],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021297033,0.00041225736,0.00030729861,0.0012974067,0.0053101196,0.0062638326,0.00064460124,0.001850957,0.003385139],"category_scores_gemma":[0.0042030877,0.00017319799,0.00023786967,0.0006286327,0.029528273,0.0050566075,0.0030295409,0.003487946,0.0006108263],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014056347,0.0000046621885,0.00007660593,0.000014480085,8.7978685e-7,0.000043000033,0.005877187,0.00004940455,0.00009710105,0.9880144,0.0029512723,0.0028568546],"study_design_scores_gemma":[0.000020615671,0.000030260451,0.0004701534,0.00020826433,0.000008783672,0.00017668068,0.00876686,0.00060330675,0.00047851301,0.69713205,0.29207364,0.000030976695],"about_ca_topic_score_codex":0.008372445,"about_ca_topic_score_gemma":0.010223954,"teacher_disagreement_score":0.008372445,"about_ca_system_score_codex":0.0054575014,"about_ca_system_score_gemma":0.0029172075,"threshold_uncertainty_score":0.039597154},"labels":[],"label_agreement":null},{"id":"W4386940200","doi":"10.7202/1105861ar","title":"Jeunes hommes en quête d’un avenir : de quelques musiciens d’Église de passage à Québec sous le Régime français","year":2023,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science; Philosophy","score_opus":0.012130249512243533,"score_gpt":0.2157111339589185,"score_spread":0.20358088444667496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386940200","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9347746,0.0029513058,0.0002792281,0.010332056,0.00023480153,0.000020871565,0.00012982376,0.000012524425,0.05126476],"genre_scores_gemma":[0.95089215,0.0014348096,0.00013532401,0.001345245,0.00003847135,0.000013007882,0.000052630156,0.000014507524,0.046073887],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99918824,0.00021577111,0.000011218108,0.00009223721,0.00011399534,0.0003785754],"domain_scores_gemma":[0.9991954,0.00015771187,0.00010803794,0.00004008811,0.00024431598,0.00025445627],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00094678154,0.0003460063,0.0003361787,0.0007780048,0.018585116,0.0046597365,0.0006561649,0.0013268857,0.00806486],"category_scores_gemma":[0.0018337746,0.00025262038,0.0001249597,0.0011122804,0.007515185,0.0019073143,0.002116655,0.0024379094,0.00059534976],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005052049,0.000024806788,0.014792356,0.000045703706,0.000012818514,0.0011638079,0.9444127,0.00003497397,0.0005822129,0.015352285,0.006813012,0.016714772],"study_design_scores_gemma":[0.0000064464266,0.000020546593,0.046377122,0.00016381056,0.000012811768,0.0003316144,0.818179,0.00005278632,0.00019710975,0.0007951095,0.1338365,0.000027163542],"about_ca_topic_score_codex":0.88902247,"about_ca_topic_score_gemma":0.96969324,"teacher_disagreement_score":0.11097753,"about_ca_system_score_codex":0.014122374,"about_ca_system_score_gemma":0.011555584,"threshold_uncertainty_score":0.22326213},"labels":[],"label_agreement":null},{"id":"W4386940201","doi":"10.7202/1105866ar","title":"La musique instrumentale produite au Québec durant la décennie 2010 : établissement d’un corpus et analyse du phénomène","year":2023,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.0214277477401575,"score_gpt":0.25751761572485493,"score_spread":0.23608986798469744,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386940201","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92438084,0.0047630733,0.0022570742,0.0044672946,0.00021070841,0.00017506734,0.006563504,0.000054132463,0.05712838],"genre_scores_gemma":[0.9562448,0.0025750624,0.0011941625,0.0005451815,0.000037325637,0.00020257218,0.0028291645,0.00007126064,0.036300596],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99899095,0.00023106358,0.00004569902,0.0002151924,0.00032234596,0.00019463943],"domain_scores_gemma":[0.99552345,0.0015656307,0.00036417783,0.00019387322,0.0019874554,0.00036537278],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017370443,0.00042075527,0.00043301703,0.003630154,0.009574657,0.00409495,0.0010881604,0.00089672266,0.0100745335],"category_scores_gemma":[0.0048247967,0.00027673933,0.00019982741,0.0072892467,0.0049939845,0.0014453145,0.0018192884,0.0015020274,0.0006168322],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021124523,0.00009914508,0.04698354,0.0009923656,0.00006194314,0.0017476598,0.8233163,0.00042020067,0.005469055,0.014350668,0.029994547,0.07635331],"study_design_scores_gemma":[0.000016279888,0.000045728928,0.26613367,0.0007095565,0.00005005499,0.00029018815,0.44823426,0.0004911122,0.0012592667,0.0005443416,0.2821355,0.000090108784],"about_ca_topic_score_codex":0.979814,"about_ca_topic_score_gemma":0.9929068,"teacher_disagreement_score":0.05203031,"about_ca_system_score_codex":0.05203031,"about_ca_system_score_gemma":0.03062873,"threshold_uncertainty_score":0.3775081},"labels":[],"label_agreement":null},{"id":"W4386940202","doi":"10.7202/1105868ar","title":"Márta Grabócz, dir. 2021. Narratologie musicale : topiques, théories et stratégies analytiques. Paris : Hermann Éditeurs, 567 p. ISBN 979-1-0370-0637-0","year":2023,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03186781428999798,"score_gpt":0.2614678577758611,"score_spread":0.22960004348586316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386940202","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00085349864,0.86582446,0.0034541998,0.032485664,0.013629172,0.00004413009,0.0016930894,0.00037683544,0.08163892],"genre_scores_gemma":[0.020471686,0.584331,0.0058237924,0.0036012973,0.00671419,0.00017809676,0.0023137918,0.0010015646,0.37556463],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99872833,0.00031764008,0.00008128589,0.000262247,0.0005110216,0.00009943156],"domain_scores_gemma":[0.99908483,0.0003126879,0.00010140923,0.00003735379,0.00035891237,0.00010477839],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015019487,0.002187169,0.0010502522,0.0033941483,0.0019738635,0.0051150345,0.0007638133,0.0020133501,0.07862399],"category_scores_gemma":[0.0033093086,0.0009522539,0.0005153033,0.0034818174,0.0016136749,0.006415066,0.0021799018,0.0030191147,0.055849712],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048447575,0.000008334598,0.00011586744,0.00051828683,0.000008472327,0.000074012794,0.0011424178,0.00009640474,0.0003112068,0.011146551,0.83256906,0.15396096],"study_design_scores_gemma":[0.0000030380304,0.000006423309,0.00051009946,0.0004312311,0.0000043896835,0.00019816276,0.0006645542,0.00004165467,0.00014677735,0.0029390138,0.99504447,0.000010244117],"about_ca_topic_score_codex":0.020186644,"about_ca_topic_score_gemma":0.020109767,"teacher_disagreement_score":0.07862399,"about_ca_system_score_codex":0.0036020472,"about_ca_system_score_gemma":0.0028110966,"threshold_uncertainty_score":0.26302344},"labels":[],"label_agreement":null},{"id":"W4386940203","doi":"10.7202/1105867ar","title":"The Shortest Distance Between Gamelan and Electronics: Creating a “nexus of understanding” at Martin Bartlett’s Summer Intensives (Vancouver, 1986–1992)","year":2023,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The arts; Visual arts; Indonesian; Electronic music; Nexus (standard); Electronic dance music; Dance; Identity (music); History; Event (particle physics); Performing arts; Art; Art history; Media studies; Sociology; Engineering; Aesthetics; Linguistics","score_opus":0.05731123533864136,"score_gpt":0.2216585314113014,"score_spread":0.16434729607266005,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386940203","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25695005,0.022270989,0.0070507205,0.12681323,0.0015948486,0.00008244711,0.00010874574,0.00011480758,0.58501416],"genre_scores_gemma":[0.79841214,0.009129746,0.0035550352,0.0077938596,0.00019349184,0.000052156352,0.00008080584,0.00020501642,0.18057781],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99892956,0.00045990708,0.000016651711,0.00014419663,0.00020880759,0.00024094421],"domain_scores_gemma":[0.9989753,0.00030262358,0.000047308553,0.000038268798,0.00012521211,0.000511394],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012690623,0.00039336027,0.00027243368,0.0008475439,0.027669597,0.0109730605,0.0009047959,0.0012496819,0.007842892],"category_scores_gemma":[0.0016268379,0.00035890832,0.00012378584,0.0008008181,0.015843851,0.0029992426,0.0038380001,0.0046642213,0.0009812855],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000106479514,0.00009411609,0.004729123,0.00016096846,0.000010669395,0.0011330525,0.64698386,0.00018384593,0.001326213,0.10792334,0.13261415,0.10473416],"study_design_scores_gemma":[0.000007893385,0.000016512908,0.004236672,0.00020904842,0.0000039098727,0.00020354165,0.32743666,0.0000683638,0.00039337628,0.0076162196,0.6597906,0.000017206165],"about_ca_topic_score_codex":0.3449972,"about_ca_topic_score_gemma":0.74612266,"teacher_disagreement_score":0.65500283,"about_ca_system_score_codex":0.012834323,"about_ca_system_score_gemma":0.010192723,"threshold_uncertainty_score":0.6859782},"labels":[],"label_agreement":null},{"id":"W4386940206","doi":"10.7202/1105863ar","title":"SLIDE in a Leading Role: Pitch Structure in Barrie Cabena’s Sonata Festiva","year":2023,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Chord (peer-to-peer); Melody; Sonata form; Contemplation; Art; Literature; Visual arts; Computer science; Musical; Philosophy; Epistemology","score_opus":0.02954870989056302,"score_gpt":0.22774568780607365,"score_spread":0.19819697791551064,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386940206","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23278996,0.0028486568,0.0053401515,0.006896357,0.0009632286,0.000032412117,0.00010450893,0.00012343873,0.75090134],"genre_scores_gemma":[0.9484543,0.00030191726,0.000709142,0.00027574188,0.00012426004,0.000010943214,0.000027990352,0.000041038955,0.05005464],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997956,0.00006620854,0.0000042258066,0.000036717054,0.0000494461,0.00004781359],"domain_scores_gemma":[0.9997763,0.00008081746,0.000013197792,0.000021485353,0.000044415847,0.000063759006],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003189891,0.00022517897,0.00013687793,0.0006176826,0.004482321,0.0023869355,0.00030235964,0.00053859595,0.0062798243],"category_scores_gemma":[0.0012425287,0.0001380449,0.000111919784,0.00029742916,0.0046620155,0.001244586,0.0013213948,0.0013060332,0.0005756538],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003255116,0.000035248275,0.004019219,0.00010605645,0.000010466018,0.0019381996,0.27219075,0.00035078675,0.0038737736,0.6280259,0.033735856,0.05538829],"study_design_scores_gemma":[0.000054264918,0.00015966634,0.017075267,0.00026395117,0.00001450497,0.001214272,0.108373605,0.0006805842,0.0021935622,0.0641863,0.80572236,0.00006167408],"about_ca_topic_score_codex":0.015278529,"about_ca_topic_score_gemma":0.05777192,"teacher_disagreement_score":0.015278529,"about_ca_system_score_codex":0.0020664562,"about_ca_system_score_gemma":0.0005092177,"threshold_uncertainty_score":0.030379176},"labels":[],"label_agreement":null},{"id":"W4386940207","doi":"10.7202/1105860ar","title":"Editorial","year":2023,"lang":"es","type":"editorial","venue":"Intersections Canadian Journal of Music","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.018085675149113644,"score_gpt":0.2554236522118713,"score_spread":0.23733797706275767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386940207","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00003364195,0.0021552378,0.000033058626,0.023119595,0.9655709,0.00003942956,0.00008705113,0.000061693885,0.008899425],"genre_scores_gemma":[0.00055785617,0.002642173,0.00007100029,0.021213608,0.9248369,0.000052012492,0.00010202449,0.00007137709,0.050453052],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99347705,0.0008861998,0.0005035707,0.00060057105,0.0037687062,0.00076394074],"domain_scores_gemma":[0.9691729,0.0046528564,0.0014907162,0.001158577,0.0174674,0.0060575404],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004458265,0.004038281,0.0032731195,0.00638042,0.0053685103,0.011548212,0.0034322273,0.014534999,0.1117842],"category_scores_gemma":[0.03815836,0.0011741415,0.002698927,0.0025428098,0.0022479787,0.0029048147,0.0020661347,0.010743096,0.06527567],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010773037,0.000004220544,0.000009274706,0.000032695163,0.0000034211198,0.00003481584,0.000002651074,0.0000039909037,0.000007039096,0.00006667555,0.9981698,0.0016547312],"study_design_scores_gemma":[0.000056374683,0.000011003338,0.00014139517,0.00023895221,0.000020387106,0.00011764114,0.000031296724,0.000038962073,0.000034594774,0.00040246063,0.9988971,0.000009864175],"about_ca_topic_score_codex":0.006904688,"about_ca_topic_score_gemma":0.01818057,"teacher_disagreement_score":0.1117842,"about_ca_system_score_codex":0.005533005,"about_ca_system_score_gemma":0.0071465336,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4405240523","doi":"10.7202/1114855ar","title":"Un paradigme contemporain d’un principe hétérophonique propre au Moyen-Orient","year":2021,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Political and Social Issues","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.03104159610157014,"score_gpt":0.26954691172020295,"score_spread":0.2385053156186328,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405240523","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09348669,0.0051167374,0.0369648,0.008559672,0.0005979003,0.000044588134,0.00009036346,0.000072112976,0.8550671],"genre_scores_gemma":[0.95066965,0.0019160723,0.007253673,0.00057081523,0.00020711705,0.000045551194,0.000043042197,0.00006993257,0.039224207],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9992501,0.0002836179,0.00002272977,0.00019405338,0.00015445912,0.00009491579],"domain_scores_gemma":[0.9996325,0.00012650318,0.000044173466,0.00008180872,0.00007710538,0.000037918067],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008917213,0.00043328994,0.0002328222,0.00075705594,0.0027056746,0.003541465,0.00060818397,0.00088332564,0.005200556],"category_scores_gemma":[0.0011311722,0.00013450977,0.00018895161,0.0010144849,0.011625594,0.0025864732,0.0015402267,0.0020100302,0.0007062602],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030582363,0.0000045447787,0.0006390008,0.0000597423,0.0000045880524,0.00010580687,0.028522408,0.00009504722,0.0007041777,0.9565577,0.0010428368,0.012233578],"study_design_scores_gemma":[0.00004421318,0.00008636556,0.009717401,0.00034042506,0.00004802069,0.0009098282,0.049567275,0.00075417047,0.0015274925,0.2663923,0.67057973,0.000032703916],"about_ca_topic_score_codex":0.013384232,"about_ca_topic_score_gemma":0.020321049,"teacher_disagreement_score":0.013384232,"about_ca_system_score_codex":0.0032961345,"about_ca_system_score_gemma":0.0021606474,"threshold_uncertainty_score":0.02661264},"labels":[],"label_agreement":null},{"id":"W4405240525","doi":"10.7202/1114856ar","title":"MusCan 2024 conference Report","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"X-ray Diffraction in Crystallography","field":"Materials Science","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.029399697792859707,"score_gpt":0.2528877711373694,"score_spread":0.22348807334450968,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405240525","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029629301,0.005905891,0.0012175569,0.02608134,0.03863795,0.0006082078,0.011133613,0.0008355834,0.91261685],"genre_scores_gemma":[0.0033299131,0.0010044933,0.00072682824,0.0017146891,0.0020278061,0.00013864195,0.0042737643,0.00022380489,0.9865601],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99817896,0.00018610201,0.000046962236,0.00018939754,0.0010422699,0.00035631558],"domain_scores_gemma":[0.9973712,0.00010660738,0.00007178068,0.00012783459,0.0011620877,0.001160441],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0029697374,0.0009992283,0.00053703215,0.0018118592,0.0021922083,0.0050705983,0.0017687507,0.0029624149,0.5357112],"category_scores_gemma":[0.002694601,0.00031421141,0.00084498164,0.0009345044,0.00039230552,0.0011660851,0.0031728968,0.0018315895,0.33637843],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000077557,0.000047786223,0.00014675937,0.000085378146,0.0000065062954,0.00006005384,0.000014436845,0.000069242415,0.0002870481,0.0012413074,0.9784193,0.019544547],"study_design_scores_gemma":[0.00001418995,0.000023038978,0.00059313705,0.000040077513,0.000003451935,0.000029019086,0.000032283133,0.000070893606,0.00019239463,0.0002999302,0.9986979,0.0000037328305],"about_ca_topic_score_codex":0.009949637,"about_ca_topic_score_gemma":0.026192147,"teacher_disagreement_score":0.9900504,"about_ca_system_score_codex":0.0024781784,"about_ca_system_score_gemma":0.008563884,"threshold_uncertainty_score":0.6622516},"labels":[],"label_agreement":null},{"id":"W4405240532","doi":"10.7202/1114854ar","title":"Composing Heterophony: Arranging and Adapting Global Musics for Intercultural Ensembles","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology; Computer science; Human–computer interaction","score_opus":0.047852299789950176,"score_gpt":0.23210778450359262,"score_spread":0.18425548471364245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405240532","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48061323,0.000781157,0.35809788,0.0009881089,0.0002547754,0.00028600649,0.00011495406,0.0015365406,0.15732728],"genre_scores_gemma":[0.8336574,0.00054504815,0.14749685,0.00020222826,0.000078807534,0.00016417696,0.00016408571,0.0009798912,0.016711613],"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9994467,0.00017631598,0.000022448838,0.00016284807,0.0001018264,0.00008986637],"domain_scores_gemma":[0.999456,0.00013696162,0.000045669483,0.00021056402,0.000049414313,0.00010136219],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00095355214,0.0005324104,0.00034705055,0.00086896744,0.0020201334,0.0038996928,0.00074041606,0.00057436747,0.007697067],"category_scores_gemma":[0.0024143436,0.0002638303,0.00035441844,0.00096370396,0.0037730683,0.0040635536,0.0056208577,0.00092139235,0.002078824],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026536616,0.00014444801,0.017773349,0.0005050824,0.00006931438,0.0013701846,0.11869763,0.012966692,0.10521051,0.19576147,0.007762799,0.5394732],"study_design_scores_gemma":[0.000081606646,0.00069669343,0.04927555,0.0004569278,0.0001909722,0.0030288224,0.15645841,0.05454095,0.03082275,0.25885314,0.4452896,0.0003044942],"about_ca_topic_score_codex":0.0011093689,"about_ca_topic_score_gemma":0.0038763776,"teacher_disagreement_score":0.007697067,"about_ca_system_score_codex":0.0004193116,"about_ca_system_score_gemma":0.00065053714,"threshold_uncertainty_score":0.025749266},"labels":[],"label_agreement":null},{"id":"W4405240553","doi":"10.7202/1114853ar","title":"Exploring Elaboration in Balinese Music","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Elaboration; Psychology; Sociology; Aesthetics; Art; Humanities","score_opus":0.15603488468619053,"score_gpt":0.23491932803881815,"score_spread":0.07888444335262762,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405240553","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5149901,0.0026738946,0.013456214,0.0026321157,0.00011711659,0.000069542315,0.00007875579,0.00008542177,0.46589687],"genre_scores_gemma":[0.98753476,0.00058509567,0.0024574006,0.00013449104,0.00004695146,0.000030074647,0.000042548654,0.000048172904,0.009120498],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9981495,0.0011629857,0.00004905139,0.00021291962,0.00024043897,0.00018516499],"domain_scores_gemma":[0.9986823,0.00089353643,0.0001307403,0.00013186967,0.000102401034,0.000059102054],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001465415,0.0005729574,0.00031574228,0.0021465784,0.0051895482,0.005339519,0.00062547636,0.001127993,0.005550954],"category_scores_gemma":[0.0035202424,0.00021027951,0.00029778152,0.0018521114,0.016614877,0.004291691,0.0077009327,0.0017830568,0.000374086],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007109671,0.0000221642,0.0037469873,0.00019327893,0.000015255373,0.00083967997,0.57627463,0.00018908078,0.0018603203,0.39007568,0.0009000457,0.025811803],"study_design_scores_gemma":[0.000039333405,0.00008342621,0.020670904,0.0006181025,0.000045227167,0.0019126277,0.48208767,0.0013287457,0.0028973834,0.13875361,0.351488,0.000074988595],"about_ca_topic_score_codex":0.0038150884,"about_ca_topic_score_gemma":0.008628257,"teacher_disagreement_score":0.005550954,"about_ca_system_score_codex":0.0025006307,"about_ca_system_score_gemma":0.0010398825,"threshold_uncertainty_score":0.018569767},"labels":[],"label_agreement":null},{"id":"W4405240559","doi":"10.7202/1114858ar","title":"Antoni Pizà, ed. 2022. The Way of the Moderns: Six Perspectives on Modernism in Music. Brepols. 172 pp. ISBN: 978-2-503-59773‑7 (hardcover)","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Modernism (music); Art history; Art; History","score_opus":0.028521244402114048,"score_gpt":0.22016720967439532,"score_spread":0.19164596527228128,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405240559","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000582626,0.88655823,0.0014001791,0.02087153,0.0057625733,0.000017363567,0.0004071192,0.0001412516,0.0842591],"genre_scores_gemma":[0.008660954,0.6848577,0.0028150268,0.00292056,0.003618449,0.00006919056,0.00065570313,0.00033664185,0.2960658],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991898,0.00015535728,0.000046102563,0.00014504221,0.00036995715,0.000093710354],"domain_scores_gemma":[0.99945694,0.00019873084,0.000059624195,0.000030845047,0.00017656751,0.00007732283],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00090792717,0.0017889438,0.0009645628,0.0027256138,0.0015504579,0.0053475183,0.0009289728,0.0025057814,0.06593973],"category_scores_gemma":[0.0015219772,0.0011148454,0.0006595288,0.0040683346,0.0015795279,0.0071792775,0.0024001754,0.004499674,0.050520048],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007388077,0.0000120800205,0.00019673038,0.00073379104,0.000011614141,0.00007719319,0.0013922417,0.00011928444,0.00028163832,0.019811919,0.7485983,0.22869135],"study_design_scores_gemma":[0.0000034050543,0.000004725002,0.00028680844,0.000604286,0.000004904727,0.0001161454,0.0004742019,0.000026169662,0.00007616652,0.004213572,0.99418277,0.000006883661],"about_ca_topic_score_codex":0.007912725,"about_ca_topic_score_gemma":0.01397267,"teacher_disagreement_score":0.06593973,"about_ca_system_score_codex":0.0028262066,"about_ca_system_score_gemma":0.002932292,"threshold_uncertainty_score":0.22059035},"labels":[],"label_agreement":null},{"id":"W4405240562","doi":"10.7202/1114851ar","title":"Inhabiting Time: Towards A Heterophony of Temporalities and Traditions","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Temporalities; Temporality; History; Aesthetics; Sociology; Geography; Art; Epistemology; Political science; Philosophy; Law","score_opus":0.026586473500725873,"score_gpt":0.196584941986415,"score_spread":0.1699984684856891,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405240562","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16384052,0.011589682,0.06738856,0.055267796,0.0018395814,0.00007742689,0.000121845376,0.00017065485,0.699704],"genre_scores_gemma":[0.97746104,0.0019507806,0.005178039,0.001869417,0.0004518216,0.000050209823,0.00003753949,0.0001263325,0.012874785],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99712235,0.0015138005,0.00008507278,0.00042098502,0.00047580336,0.0003818782],"domain_scores_gemma":[0.99711585,0.0015105277,0.00030089673,0.00038903338,0.00024202531,0.00044172787],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0039864634,0.0003753738,0.0004274888,0.001709752,0.0077906656,0.012304836,0.0012344221,0.0020020066,0.004574887],"category_scores_gemma":[0.0044520684,0.0002693615,0.00035668898,0.0015752128,0.04944521,0.014128489,0.0063459775,0.0043515656,0.0003725766],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014483562,0.0000041879152,0.00040857441,0.000022852937,0.0000026875423,0.00009145168,0.13976556,0.000056002056,0.00016690961,0.85338986,0.00113061,0.0049468284],"study_design_scores_gemma":[0.000016410146,0.00003551318,0.0017789567,0.0003027467,0.000012929329,0.00043132494,0.16732891,0.0004947929,0.0003032661,0.5307521,0.29850087,0.00004217729],"about_ca_topic_score_codex":0.0150858145,"about_ca_topic_score_gemma":0.016095836,"teacher_disagreement_score":0.0150858145,"about_ca_system_score_codex":0.0040669055,"about_ca_system_score_gemma":0.0032740033,"threshold_uncertainty_score":0.029996037},"labels":[],"label_agreement":null},{"id":"W4405240565","doi":"10.7202/1114848ar","title":"Introduction: Layers of Meaning Explored through a Productively Unstable Concept","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Meaning (existential); Epistemology; Sociology; Psychology; Philosophy","score_opus":0.04391205761458282,"score_gpt":0.2064733043973379,"score_spread":0.16256124678275508,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405240565","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.062436607,0.0075656176,0.11412675,0.09925755,0.003277842,0.00017805731,0.00071101316,0.0004321232,0.71201444],"genre_scores_gemma":[0.90964174,0.0020539823,0.029185144,0.005444707,0.00083223457,0.00028315975,0.00025307178,0.00055809255,0.051747758],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977266,0.0012139783,0.000062870386,0.00031863153,0.00044121617,0.00023662928],"domain_scores_gemma":[0.99707484,0.0019074873,0.00014937717,0.00025880407,0.000423723,0.0001857147],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025850995,0.0006871275,0.00041975075,0.0017755666,0.008809855,0.013413052,0.0014010313,0.0033894533,0.015610172],"category_scores_gemma":[0.006194376,0.00035971846,0.00054162584,0.0023626674,0.033478342,0.014519413,0.004595759,0.006265759,0.0015042144],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013053754,0.0000037811046,0.00012848931,0.00003480888,0.000002011081,0.00005197837,0.05771488,0.000032964053,0.00025719666,0.9344116,0.0046596625,0.0026896256],"study_design_scores_gemma":[0.000012916693,0.000018328286,0.0005788251,0.00031606524,0.000012899029,0.00030760697,0.061752,0.0004628472,0.00046630035,0.5597748,0.37626272,0.000034626515],"about_ca_topic_score_codex":0.013086387,"about_ca_topic_score_gemma":0.011372014,"teacher_disagreement_score":0.015610172,"about_ca_system_score_codex":0.005198839,"about_ca_system_score_gemma":0.003950873,"threshold_uncertainty_score":0.05222118},"labels":[],"label_agreement":null},{"id":"W4405240568","doi":"10.7202/1114857ar","title":"Sabine Mecking, Manuela Schwartz et Yvonne Wasserloos (éd.). 2021. Rechtsextremismus — Musik und Medien. Göttingen: V &amp; R unipress, 376 p. ISBN: 978-3-8471-1327-0 (couverture rigide)","year":2021,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"German legal, social, and political studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Physics","score_opus":0.044756432413063575,"score_gpt":0.30772184129070346,"score_spread":0.26296540887763986,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405240568","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00023915741,0.9318055,0.000967702,0.02323017,0.0086830165,0.000019423,0.0003684184,0.00014242019,0.03454426],"genre_scores_gemma":[0.0034538808,0.79641765,0.001728602,0.004941863,0.0038342322,0.00005724237,0.0005385085,0.00027373605,0.18875422],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988373,0.0001967552,0.00007435394,0.00018246754,0.0005929967,0.0001162543],"domain_scores_gemma":[0.9985251,0.0005482483,0.00014555606,0.00005249301,0.00053535594,0.00019325996],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015095097,0.0018417281,0.0011986153,0.0029114543,0.0013641696,0.005450073,0.0013663071,0.0032779688,0.10861851],"category_scores_gemma":[0.0033350934,0.001137825,0.0005541225,0.0056977514,0.0012212832,0.008783018,0.0020319384,0.0042221146,0.10707239],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028594335,0.000010655759,0.00010542794,0.0007855869,0.000006818547,0.000043946897,0.00061609666,0.000044577147,0.00013784245,0.0022942391,0.86210275,0.13382338],"study_design_scores_gemma":[0.0000023445602,0.000005519207,0.00027448463,0.0005858034,0.0000049571804,0.000117193646,0.00042765756,0.000017298615,0.00006395695,0.0008751613,0.9976174,0.00000822623],"about_ca_topic_score_codex":0.019707514,"about_ca_topic_score_gemma":0.03753153,"teacher_disagreement_score":0.10861851,"about_ca_system_score_codex":0.0024582013,"about_ca_system_score_gemma":0.0046637366,"threshold_uncertainty_score":0.3633651},"labels":[],"label_agreement":null},{"id":"W4405240582","doi":"10.7202/1114850ar","title":"L’hétérophonie « statistique » et l’oralité dans <i>Momente</i> et <i>Telemusik</i> de Karlheinz Stockhausen","year":2021,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Media, Communication, and Education","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04321987432913956,"score_gpt":0.32459195977433125,"score_spread":0.2813720854451917,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405240582","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6878318,0.01191195,0.013288474,0.008052427,0.0005545126,0.000059448295,0.00024897137,0.000051674455,0.27800068],"genre_scores_gemma":[0.9802981,0.0018064801,0.00087714335,0.00015167304,0.000027594171,0.000015305495,0.000038284747,0.000028921231,0.016756445],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99916005,0.00032106673,0.00003802179,0.00017694957,0.0001638165,0.00014016565],"domain_scores_gemma":[0.99921715,0.0004984784,0.00010465394,0.000063063104,0.00006798301,0.000048613678],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018690883,0.00041709485,0.0002652417,0.0012173118,0.003215029,0.0040868665,0.00043771416,0.0006619289,0.005334712],"category_scores_gemma":[0.0018244348,0.00029623572,0.00019725214,0.0012908796,0.011336569,0.0032993318,0.0022904477,0.0014302384,0.0005219521],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013523886,0.00002067326,0.006225852,0.00018164582,0.00001644432,0.00044572615,0.2736435,0.0005981276,0.0017804595,0.6718892,0.0022676538,0.042795487],"study_design_scores_gemma":[0.00003336164,0.00010942909,0.043397967,0.00086874014,0.000057287085,0.0007169308,0.36238548,0.00094129104,0.0033885348,0.124537975,0.46343157,0.00013143469],"about_ca_topic_score_codex":0.024539797,"about_ca_topic_score_gemma":0.041265704,"teacher_disagreement_score":0.024539797,"about_ca_system_score_codex":0.0064922664,"about_ca_system_score_gemma":0.0028144214,"threshold_uncertainty_score":0.048793912},"labels":[],"label_agreement":null},{"id":"W4405240585","doi":"10.7202/1114849ar","title":"Analyzing Heterophony","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.04821523777969442,"score_gpt":0.26556157158746607,"score_spread":0.21734633380777166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405240585","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8769112,0.0010197888,0.089703895,0.00035909933,0.00008978742,0.00005515102,0.0008804158,0.00020260594,0.030778108],"genre_scores_gemma":[0.9790922,0.00025241062,0.017912578,0.00014243543,0.00004288405,0.00004133206,0.00046523236,0.000118068936,0.0019329061],"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99955195,0.00007288376,0.000019450548,0.00016625335,0.00012108529,0.00006845914],"domain_scores_gemma":[0.99826896,0.0008241744,0.0002594649,0.000282157,0.00023945031,0.00012586871],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006398265,0.00024164279,0.00031040417,0.0013795773,0.0005581335,0.0009988296,0.00026314048,0.0004443094,0.004539703],"category_scores_gemma":[0.0038764551,0.00014527072,0.00025634008,0.0011859806,0.0008541185,0.0014486382,0.001473522,0.0006382701,0.00054353283],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011894589,0.00018104611,0.16046564,0.00079714705,0.00031347063,0.0014203257,0.009572491,0.0038267437,0.26470605,0.05376918,0.0062826048,0.49747586],"study_design_scores_gemma":[0.000052540458,0.0003151,0.7992403,0.00015291947,0.00019547045,0.002210523,0.0070724124,0.031162612,0.02043714,0.10824162,0.030813342,0.000106053914],"about_ca_topic_score_codex":0.0013120895,"about_ca_topic_score_gemma":0.001781378,"teacher_disagreement_score":0.004539703,"about_ca_system_score_codex":0.000367739,"about_ca_system_score_gemma":0.00028401762,"threshold_uncertainty_score":0.015186787},"labels":[],"label_agreement":null},{"id":"W4405240617","doi":"10.7202/1114852ar","title":"Claiming Space: Structural aspects of heterophony in the Vietnamese tradition of <i>Vọng Cổ</i> Performance","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Vietnamese History and Culture Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Vietnamese; Space (punctuation); Sociology; Philosophy; Linguistics","score_opus":0.02503449341743561,"score_gpt":0.25011097160239276,"score_spread":0.22507647818495716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405240617","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94302976,0.00047172618,0.0026487524,0.0007143792,0.000035845358,0.000016580456,0.000020897209,0.00000963121,0.0530524],"genre_scores_gemma":[0.9982899,0.0000680324,0.00018238772,0.000029641187,0.000010908606,0.000004411218,0.000007945684,0.0000066490375,0.001400056],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99896705,0.00053559034,0.000030693132,0.00014878233,0.00016437039,0.0001534749],"domain_scores_gemma":[0.99814427,0.0011186721,0.0002737408,0.00017422158,0.00013653816,0.00015259862],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011592236,0.0002009348,0.00016555977,0.00088588125,0.0041756043,0.004051699,0.0004964063,0.000559593,0.002779402],"category_scores_gemma":[0.0028244613,0.0001888817,0.0000898107,0.00082362624,0.014423267,0.0023379158,0.0025257152,0.0009656298,0.00014349146],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042174426,0.000012802152,0.0061357515,0.000059915594,0.000005421486,0.0007322626,0.94011265,0.00005135601,0.0039757965,0.038288865,0.00021001516,0.010373019],"study_design_scores_gemma":[0.000007757288,0.000063090156,0.035371307,0.0001889198,0.000010005282,0.0009907719,0.9248809,0.00024800663,0.0010949267,0.008926375,0.028194563,0.000023393635],"about_ca_topic_score_codex":0.009574535,"about_ca_topic_score_gemma":0.01854525,"teacher_disagreement_score":0.009574535,"about_ca_system_score_codex":0.0014968929,"about_ca_system_score_gemma":0.0014599492,"threshold_uncertainty_score":0.019037604},"labels":[],"label_agreement":null},{"id":"W4410110471","doi":"10.7202/1117690ar","title":"Heitor Villa-Lobos et les Maîtres du Ballet russe : collaboration et héritage artistique avec Adolphe Bolm, Léonide Massine, George Balanchine et Serge Lifar","year":2021,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Ballet; George (robot); Art history; Dance; Visual arts","score_opus":0.013883795407747888,"score_gpt":0.23388760410489134,"score_spread":0.22000380869714345,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410110471","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3644839,0.019418309,0.005980802,0.03425466,0.0019343318,0.000071629445,0.000096875825,0.00017982961,0.57357967],"genre_scores_gemma":[0.85521924,0.004307733,0.0013830867,0.0012041829,0.00018557734,0.000036802794,0.000031798874,0.00014957548,0.13748205],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99819154,0.0010804932,0.000022444841,0.0001684317,0.0002729282,0.00026413376],"domain_scores_gemma":[0.9984199,0.00069619244,0.0001255336,0.00009208818,0.00017069002,0.0004956108],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020615994,0.00039599344,0.00030333613,0.0010026246,0.0100486735,0.006811992,0.0005746651,0.0011451277,0.017908847],"category_scores_gemma":[0.0037849036,0.00020565395,0.00016373067,0.0008364501,0.008697325,0.0035517868,0.0059122792,0.002386151,0.0020994253],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018588059,0.00007519643,0.0063912403,0.0002690113,0.000016003345,0.00148967,0.6715184,0.0001397337,0.0024458056,0.19295393,0.03767832,0.08683688],"study_design_scores_gemma":[0.000008483604,0.00004683838,0.003894767,0.00039487955,0.000007396073,0.00071092113,0.34891298,0.00007512011,0.00045826865,0.0063896407,0.6390806,0.000020186379],"about_ca_topic_score_codex":0.029261531,"about_ca_topic_score_gemma":0.10780702,"teacher_disagreement_score":0.029261531,"about_ca_system_score_codex":0.002807271,"about_ca_system_score_gemma":0.0038842014,"threshold_uncertainty_score":0.059911072},"labels":[],"label_agreement":null},{"id":"W4410110496","doi":"10.7202/1117686ar","title":"The Canadian Electronic Ensemble: Past, Present, and Future","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Research Data Management Practices","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.033883885720360184,"score_gpt":0.27829404002781993,"score_spread":0.24441015430745974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410110496","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009400944,0.07599956,0.0017098429,0.51544875,0.012364496,0.00006685737,0.0028796133,0.00038970105,0.3817403],"genre_scores_gemma":[0.28525943,0.20397605,0.010258627,0.079846434,0.0067841155,0.00016474862,0.005089096,0.00055176456,0.4080698],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99016994,0.0007921717,0.00024180293,0.00077965966,0.0054656034,0.0025507754],"domain_scores_gemma":[0.9839191,0.001119759,0.00036884152,0.0006435739,0.008654211,0.005294488],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010546274,0.0005535914,0.00055137335,0.0032530772,0.017047547,0.015609321,0.003178958,0.0031657638,0.07253179],"category_scores_gemma":[0.012035571,0.00036190025,0.00045505882,0.011383159,0.005665179,0.010003054,0.0052888966,0.0039930595,0.005964624],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005083284,0.00003361461,0.0033925974,0.0002240349,0.0000095727655,0.00009565762,0.001855683,0.00009640381,0.00013146439,0.052067824,0.7485447,0.19349767],"study_design_scores_gemma":[0.0000027858248,0.0000072435982,0.0038730379,0.00022034119,0.0000055990795,0.00003381546,0.005957746,0.000053440726,0.000063209176,0.0015552673,0.9882051,0.000022364453],"about_ca_topic_score_codex":0.9228156,"about_ca_topic_score_gemma":0.97150946,"teacher_disagreement_score":0.07718438,"about_ca_system_score_codex":0.04532893,"about_ca_system_score_gemma":0.1195579,"threshold_uncertainty_score":0.32888597},"labels":[],"label_agreement":null},{"id":"W4410110509","doi":"10.7202/1117687ar","title":"The Canadian Electronic Ensemble in the 1970s and 1980s","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.018625077081938314,"score_gpt":0.2510630414120384,"score_spread":0.23243796433010008,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410110509","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04903381,0.015297485,0.00054780854,0.054598115,0.00218823,0.00003902795,0.0012982093,0.0000741989,0.87692314],"genre_scores_gemma":[0.42724797,0.015623311,0.0006008667,0.009632212,0.000664288,0.000045131106,0.00069115683,0.00014806459,0.545347],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99568176,0.00022162496,0.00005825549,0.00035699463,0.0020256743,0.0016556683],"domain_scores_gemma":[0.9973828,0.00030602652,0.0001076307,0.00011926968,0.0014707284,0.0006135658],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022318624,0.0006755969,0.00040066548,0.003286939,0.026227633,0.009392315,0.0012926217,0.0022420392,0.036532685],"category_scores_gemma":[0.0056535546,0.00045192603,0.0003216119,0.007618152,0.00729584,0.0029831708,0.004372831,0.0029328093,0.00256095],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012913966,0.000044973458,0.0063387617,0.00018250628,0.000017945253,0.0007487593,0.028508749,0.0003829436,0.0003393236,0.34718293,0.50112045,0.11500356],"study_design_scores_gemma":[0.0000041786493,0.0000064776923,0.010240742,0.00009240035,0.0000057140796,0.000041002837,0.009154735,0.000047746227,0.0001479299,0.0010554413,0.979182,0.000021618953],"about_ca_topic_score_codex":0.9886684,"about_ca_topic_score_gemma":0.996476,"teacher_disagreement_score":0.10679876,"about_ca_system_score_codex":0.10679876,"about_ca_system_score_gemma":0.08832737,"threshold_uncertainty_score":0.77488285},"labels":[],"label_agreement":null},{"id":"W4410110514","doi":"10.7202/1117684ar","title":"Des nouvelles du comité éditorial conjoint dialogues","year":2021,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Health, Medicine and Society","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.06300403189862841,"score_gpt":0.3183847240294561,"score_spread":0.2553806921308277,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410110514","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014644854,0.01664183,0.0013348066,0.26276693,0.6664159,0.00012356306,0.0006874019,0.0004126164,0.050152387],"genre_scores_gemma":[0.028822754,0.011995322,0.0027336476,0.12505761,0.5726132,0.00051247416,0.0013629156,0.0019087712,0.25499335],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.94073623,0.012133045,0.0041783024,0.003960441,0.03442004,0.004571971],"domain_scores_gemma":[0.883039,0.038908757,0.00746552,0.0048949993,0.05279339,0.012898376],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.02384031,0.001615675,0.001331996,0.005788339,0.010158144,0.022764873,0.002865451,0.01224842,0.04385865],"category_scores_gemma":[0.11642937,0.0013584452,0.0016034639,0.0042969044,0.0053881006,0.009764022,0.006817498,0.012479646,0.024807997],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000075959724,0.000016457754,0.00008860119,0.0002142942,0.0000097205075,0.00013726472,0.0005102073,0.00002137102,0.00033931804,0.0031365636,0.98415804,0.011292177],"study_design_scores_gemma":[0.000009379166,0.000008922732,0.00012500511,0.00012461518,0.0000050070043,0.00008481508,0.0003241746,0.000028423612,0.00019342384,0.00045912602,0.998623,0.000014048371],"about_ca_topic_score_codex":0.005611537,"about_ca_topic_score_gemma":0.009408909,"teacher_disagreement_score":0.04385865,"about_ca_system_score_codex":0.008929452,"about_ca_system_score_gemma":0.014590371,"threshold_uncertainty_score":0.14672178},"labels":[],"label_agreement":null},{"id":"W4410110604","doi":"10.7202/1117685ar","title":"Introduction: CEE 50","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Global Energy and Sustainability Research","field":"Energy","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.015959381016383264,"score_gpt":0.24093129423539436,"score_spread":0.2249719132190111,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410110604","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00064182346,0.0031621843,0.0011116186,0.016327515,0.05168803,0.00028596603,0.001765071,0.0007887854,0.92422897],"genre_scores_gemma":[0.0012425025,0.00042174474,0.00019941865,0.0021951222,0.0018738107,0.00004926834,0.00033361686,0.00017575084,0.9935088],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99877256,0.00015387143,0.00006160626,0.00019031961,0.00061472197,0.00020695517],"domain_scores_gemma":[0.9974408,0.00027932218,0.000059569895,0.00023107804,0.0013934314,0.00059578277],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015646829,0.0009306343,0.00063658634,0.0020583852,0.0029963353,0.0075737527,0.0015891107,0.0038265935,0.639785],"category_scores_gemma":[0.0048311497,0.0003712794,0.00068988797,0.0011218549,0.00083152816,0.0030552521,0.0039763018,0.0035739222,0.4744111],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023403856,0.000019913577,0.00005705948,0.000059650123,8.584867e-7,0.000042747313,0.000040462615,0.000023548844,0.00016505165,0.0027013489,0.97247136,0.024394613],"study_design_scores_gemma":[0.000003408688,0.00000558531,0.00018373733,0.00005387827,5.116166e-7,0.000025065283,0.000054373544,0.000013622716,0.00006114758,0.00035749754,0.99923813,0.000003178368],"about_ca_topic_score_codex":0.0070911697,"about_ca_topic_score_gemma":0.017993838,"teacher_disagreement_score":0.639785,"about_ca_system_score_codex":0.0022788642,"about_ca_system_score_gemma":0.0030665158,"threshold_uncertainty_score":0.513803},"labels":[],"label_agreement":null},{"id":"W4410110965","doi":"10.7202/1117692ar","title":"Understanding Microtuning Through Recording Analysis: The Transcription and Analysis of Microtuning in Five Recordings from a Variety of Musical Traditions","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music and Audio Processing","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Variety (cybernetics); Musical; Transcription (linguistics); Musical analysis; Cognitive science; Communication; Psychology; Art; Computer science; Linguistics; Literature; Philosophy; Artificial intelligence","score_opus":0.07874509742710986,"score_gpt":0.24428448032543962,"score_spread":0.16553938289832976,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410110965","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71380925,0.0022354196,0.2475519,0.0011950224,0.00040697653,0.00048753349,0.0014374697,0.0007469574,0.032129355],"genre_scores_gemma":[0.8710897,0.0013659102,0.11696396,0.00023016939,0.00016753197,0.00028843756,0.0010299531,0.0004411514,0.008423278],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.99882835,0.00036652488,0.00008054702,0.00024486877,0.0003915918,0.000088147535],"domain_scores_gemma":[0.9963977,0.0020203313,0.00037036583,0.00036688554,0.0007350738,0.000109672736],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016052374,0.00042591745,0.00025600448,0.0015303245,0.0011624077,0.002305905,0.0005874349,0.00078553637,0.002351864],"category_scores_gemma":[0.0066831196,0.0001845224,0.00025108526,0.0019094115,0.001671253,0.0015458004,0.0014465551,0.0009986454,0.00061193114],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004336098,0.00012540293,0.026894646,0.0013895814,0.00009764333,0.0033856388,0.2793878,0.0019245273,0.16364889,0.01118668,0.0049354564,0.5065902],"study_design_scores_gemma":[0.0000905518,0.00071008696,0.30111387,0.001874796,0.00036656117,0.0080995,0.31806964,0.02204551,0.09119096,0.02821058,0.22774649,0.0004814006],"about_ca_topic_score_codex":0.0032629997,"about_ca_topic_score_gemma":0.00820476,"teacher_disagreement_score":0.0032629997,"about_ca_system_score_codex":0.00052506133,"about_ca_system_score_gemma":0.00059819623,"threshold_uncertainty_score":0.00848943},"labels":[],"label_agreement":null},{"id":"W4410111081","doi":"10.7202/1117694ar","title":"Le portfolio de produit musical (PPM) comme outil de professionnalisation en musique","year":2021,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.043046409816460546,"score_gpt":0.29273956745225904,"score_spread":0.2496931576357985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410111081","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29559076,0.0031199546,0.1922629,0.010068687,0.0009919985,0.0020762172,0.00084261876,0.0012323248,0.4938146],"genre_scores_gemma":[0.49890912,0.0021313657,0.1703825,0.00082372135,0.00013404495,0.0008587197,0.0005758204,0.00043014248,0.32575452],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.99667525,0.0012888545,0.000105760526,0.0003451603,0.0012673229,0.00031762474],"domain_scores_gemma":[0.9960001,0.0007985713,0.00022942443,0.00056484574,0.0012997122,0.0011072463],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006211886,0.0005750747,0.00032869456,0.0017079911,0.0037088033,0.0054266965,0.0013852206,0.0009329955,0.022678915],"category_scores_gemma":[0.0073973397,0.0003179726,0.00032105035,0.0015016476,0.0027800961,0.0024649454,0.0043978533,0.0014278283,0.0029521468],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021151222,0.00030158175,0.012328256,0.00067842694,0.000025632831,0.00048795054,0.04869233,0.0012799273,0.0080033885,0.12637624,0.02296936,0.7786454],"study_design_scores_gemma":[0.00007546723,0.0007301123,0.040170826,0.0010570883,0.000044592216,0.0006219377,0.033220615,0.0032314851,0.00829236,0.02331846,0.88913924,0.0000977597],"about_ca_topic_score_codex":0.06712072,"about_ca_topic_score_gemma":0.18743198,"teacher_disagreement_score":0.06712072,"about_ca_system_score_codex":0.008649974,"about_ca_system_score_gemma":0.0181108,"threshold_uncertainty_score":0.1334601},"labels":[],"label_agreement":null},{"id":"W4410111486","doi":"10.7202/1117693ar","title":"Les caractéristiques musicales soutenant la méditation d’attention focalisée chez des pratiquants expérimentés","year":2021,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music Therapy and Health","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Council of Ontario Universities","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.08076599127093674,"score_gpt":0.3675845748656281,"score_spread":0.28681858359469137,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410111486","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98444134,0.00048697664,0.0050181653,0.00026331976,0.00012712211,0.00034089564,0.00011538164,0.000052549763,0.009154245],"genre_scores_gemma":[0.9712116,0.00053651276,0.009150146,0.00019156605,0.00003818022,0.0008976226,0.00010246392,0.00007144688,0.017800437],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9992176,0.0002531925,0.000055437853,0.00019570258,0.00019102826,0.00008705178],"domain_scores_gemma":[0.99650973,0.002350017,0.00017294534,0.00039623614,0.00038306933,0.00018789158],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001330002,0.00045587114,0.00050318736,0.00025638283,0.000624019,0.000908128,0.0005472547,0.0007531457,0.0149945645],"category_scores_gemma":[0.009271745,0.00035985874,0.00023967703,0.00020048565,0.001344713,0.00078790885,0.0011041362,0.0010150868,0.0009254047],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0067163655,0.002417239,0.009726834,0.002356169,0.00018439126,0.0005681547,0.03834111,0.00089315925,0.8262383,0.004698528,0.0013488455,0.10651092],"study_design_scores_gemma":[0.0029886805,0.028132873,0.5083525,0.0009146191,0.0011598273,0.0013431669,0.06943761,0.009023984,0.2806454,0.012926955,0.084607854,0.00046653624],"about_ca_topic_score_codex":0.0026121184,"about_ca_topic_score_gemma":0.0035705054,"teacher_disagreement_score":0.0149945645,"about_ca_system_score_codex":0.00036508605,"about_ca_system_score_gemma":0.00046170971,"threshold_uncertainty_score":0.05016178},"labels":[],"label_agreement":null},{"id":"W4410111501","doi":"10.7202/1117695ar","title":"Alexa Woloshyn. An Orchestra at My Fingertips: A History of the Canadian Electronic Ensemble. McGill-Queen’s University Press. 266 pp. ISBN: 978-0-2280-1734-9 (paperback)","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Digital Humanities and Scholarship","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queen (butterfly); Art history; Art; Media studies; Sociology; Zoology; Biology","score_opus":0.04383268019086598,"score_gpt":0.18647271181311598,"score_spread":0.14264003162225,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410111501","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016587937,0.5024755,0.0014471008,0.061484955,0.009722251,0.000053744963,0.0013371637,0.00033571036,0.42148477],"genre_scores_gemma":[0.018412502,0.16697685,0.0011302348,0.003751207,0.00092015386,0.000021483504,0.00039501648,0.00028890333,0.80810356],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986027,0.00007852201,0.000032383043,0.0001115578,0.0009310711,0.00024380689],"domain_scores_gemma":[0.99882203,0.00012496745,0.000033170472,0.00002935391,0.00065738545,0.00033299488],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007524331,0.0012737632,0.00045878495,0.003385879,0.0072210296,0.0050252946,0.0012348507,0.0016875748,0.10349904],"category_scores_gemma":[0.0016937879,0.0006292543,0.00030211243,0.0057114884,0.0029919725,0.0047119064,0.0019201776,0.0021736792,0.030900974],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023228826,0.0000035795729,0.00013820476,0.0002005897,0.0000028683455,0.00006497418,0.001090797,0.000038058613,0.00014980198,0.008343486,0.9206169,0.06932751],"study_design_scores_gemma":[9.720984e-7,0.0000014804393,0.00054679863,0.00012745593,0.0000019317852,0.00003291665,0.0007629153,0.000008531486,0.00004898088,0.00048794647,0.997973,0.0000070072365],"about_ca_topic_score_codex":0.844346,"about_ca_topic_score_gemma":0.9582125,"teacher_disagreement_score":0.15565401,"about_ca_system_score_codex":0.020628063,"about_ca_system_score_gemma":0.019284714,"threshold_uncertainty_score":0.3462388},"labels":[],"label_agreement":null},{"id":"W4410117857","doi":"10.7202/1117688ar","title":"Grand Opera, Musical Brothel: COMUS’s <i>Nightbloom</i>, the CEE, and the Innovation of Canadian Opera<b/>","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Council of Ontario Universities","funders":"","keywords":"Opera; Musical; Art; Humanities; Advertising; Art history; Business; Visual arts","score_opus":0.026466103215096317,"score_gpt":0.1879205279032791,"score_spread":0.16145442468818277,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410117857","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43538755,0.020446321,0.0014191993,0.03510267,0.00065097807,0.000079619545,0.00034701682,0.0001011247,0.5064655],"genre_scores_gemma":[0.9429245,0.0047774645,0.00055519404,0.00153058,0.00008507115,0.000019264835,0.0000775479,0.0000372409,0.049993217],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9985826,0.00019031228,0.0000151494405,0.0001563938,0.00047820184,0.0005774181],"domain_scores_gemma":[0.9990845,0.00018837974,0.00007466201,0.00003727428,0.00028318283,0.0003319408],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011875451,0.00045355482,0.00020337073,0.0019510215,0.024551604,0.010236966,0.0010072576,0.0014378075,0.0054934644],"category_scores_gemma":[0.0021390764,0.00021958562,0.00016067109,0.0027113906,0.027993295,0.002450953,0.0029681441,0.0021547999,0.0003680761],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013183855,0.000038945174,0.006658885,0.00023190523,0.000013654025,0.0010623113,0.48318624,0.00029353265,0.0014435623,0.38938922,0.05203664,0.06551323],"study_design_scores_gemma":[0.000006377534,0.000025439755,0.015354819,0.00020046187,0.000012881448,0.00027614433,0.19724526,0.00016394176,0.00081453216,0.003777406,0.7820655,0.000057324938],"about_ca_topic_score_codex":0.98039186,"about_ca_topic_score_gemma":0.9921591,"teacher_disagreement_score":0.09784093,"about_ca_system_score_codex":0.09784093,"about_ca_system_score_gemma":0.07982251,"threshold_uncertainty_score":0.70988894},"labels":[],"label_agreement":null},{"id":"W4410117898","doi":"10.7202/1117696ar","title":"Annelies Fryberger. 2023. Juger le singulier : l’évaluation de la musique contemporaine en France et aux États-Unis. Symétrie recherche. Lyon : Symétrie, 224 p. ISBN : 978-2-36485-214-3 (papier), 978-2-36485-255-6 (pdf)","year":2021,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Physics; Philosophy","score_opus":0.05668205831570663,"score_gpt":0.2791597227242512,"score_spread":0.22247766440854458,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410117898","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022125675,0.4945358,0.0031001295,0.11112348,0.014519188,0.00012956349,0.0024330737,0.0005825902,0.37136358],"genre_scores_gemma":[0.018035194,0.15084495,0.0034829727,0.008208053,0.0026637043,0.00018177109,0.0012914209,0.00086038775,0.81443155],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99793243,0.00045751364,0.00010479166,0.0002512431,0.0010795434,0.0001744431],"domain_scores_gemma":[0.9975508,0.00073926605,0.00012867793,0.00005847198,0.0013003424,0.00022242415],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021581682,0.0013279079,0.0007274238,0.0025273173,0.0034970366,0.0051677777,0.00087058684,0.0036755162,0.12916234],"category_scores_gemma":[0.005084032,0.0006101676,0.00060187606,0.0032529642,0.0013732328,0.0067410897,0.001980809,0.0036886728,0.07152961],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032670527,0.0000101407695,0.0001792725,0.00033118227,0.000003760102,0.00006466285,0.0018969374,0.000043853164,0.00020096973,0.006726862,0.9060491,0.0844606],"study_design_scores_gemma":[0.0000030272101,0.0000070332208,0.0007468123,0.00044576364,0.000002604104,0.000075821124,0.0012468781,0.000012357997,0.00011185969,0.0008217146,0.99651706,0.000009043909],"about_ca_topic_score_codex":0.07764339,"about_ca_topic_score_gemma":0.10740588,"teacher_disagreement_score":0.12916234,"about_ca_system_score_codex":0.0047322595,"about_ca_system_score_gemma":0.005119212,"threshold_uncertainty_score":0.43209106},"labels":[],"label_agreement":null},{"id":"W4410117932","doi":"10.7202/1117691ar","title":"Le son du <i>Xūn</i> : musique, rencontre interculturelle, singularité","year":2021,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Linguistics and language evolution","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.011266731622927111,"score_gpt":0.19088412811421074,"score_spread":0.17961739649128364,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410117932","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50303054,0.018656706,0.0038305784,0.012823793,0.0013405468,0.000042653384,0.00014107945,0.000050016795,0.460084],"genre_scores_gemma":[0.94756037,0.0020744586,0.00046278423,0.00055011053,0.00017523028,0.000017789582,0.000051281047,0.00003179303,0.04907622],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99937445,0.00034009147,0.000018954113,0.000112949914,0.00007562177,0.00007791556],"domain_scores_gemma":[0.99951947,0.00021914675,0.000066550725,0.00004663702,0.00008726904,0.00006087476],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011161403,0.00033631062,0.00019956808,0.00073754,0.0054794927,0.004161663,0.00036939397,0.0006657191,0.0050808084],"category_scores_gemma":[0.0014457729,0.00018613203,0.000096815544,0.0010022068,0.00795992,0.0022365267,0.0013621917,0.0015635927,0.0004021805],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000112311,0.000024489662,0.007900959,0.0002473616,0.0000147792225,0.0006898351,0.5203295,0.0000875329,0.0019545988,0.4190839,0.010577289,0.038977616],"study_design_scores_gemma":[0.0000137992165,0.000113534865,0.0306829,0.0004591624,0.000016855072,0.0012131974,0.30758706,0.00024584835,0.0015567098,0.014471017,0.64359415,0.000045695044],"about_ca_topic_score_codex":0.02989194,"about_ca_topic_score_gemma":0.06327049,"teacher_disagreement_score":0.02989194,"about_ca_system_score_codex":0.0029599709,"about_ca_system_score_gemma":0.001215418,"threshold_uncertainty_score":0.059435904},"labels":[],"label_agreement":null},{"id":"W4410117993","doi":"10.7202/1117689ar","title":"Avoiding ‘Rona and Passing the Track: When 50 Years of the Canadian Electronic Ensemble Challenges the Limits of Pandemic-Era Live Improvisation","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Improvisation; Pandemic; Track (disk drive); Coronavirus disease 2019 (COVID-19); 2019-20 coronavirus outbreak; Computer science; Virology; Medicine; Visual arts; Art; Operating system","score_opus":0.035878074264181145,"score_gpt":0.22579073370874522,"score_spread":0.1899126594445641,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410117993","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6095072,0.0033377793,0.0061288374,0.08158779,0.0014165174,0.000100293306,0.00022307997,0.00017166846,0.29752687],"genre_scores_gemma":[0.9714707,0.00075006625,0.0011282176,0.0031829742,0.000069963055,0.000024048677,0.000056360972,0.00007744839,0.023240192],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99421823,0.0011305676,0.00006428576,0.0004691754,0.0018614596,0.0022563497],"domain_scores_gemma":[0.9957846,0.0010500707,0.0002504285,0.00036420007,0.0010092452,0.0015414137],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0055234837,0.00048237955,0.00033806273,0.0010954014,0.046076406,0.015205833,0.002311214,0.0033918316,0.00989926],"category_scores_gemma":[0.010623564,0.00034793044,0.00039443347,0.0015426546,0.023073114,0.0068497467,0.010328152,0.0059255757,0.0007531974],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020550213,0.00006458264,0.014040277,0.00013133661,0.000033105815,0.0021731781,0.681669,0.0007191221,0.0014931868,0.15534085,0.065506,0.07862395],"study_design_scores_gemma":[0.0000117497375,0.000058861526,0.011022342,0.00021645511,0.000020366573,0.00043383293,0.5510778,0.0004343769,0.000596623,0.011105047,0.4249202,0.00010231687],"about_ca_topic_score_codex":0.88781613,"about_ca_topic_score_gemma":0.9640067,"teacher_disagreement_score":0.11218387,"about_ca_system_score_codex":0.041364938,"about_ca_system_score_gemma":0.07102574,"threshold_uncertainty_score":0.30012506},"labels":[],"label_agreement":null},{"id":"W7104176697","doi":"10.7202/1121318ar","title":"Éditorial : « Formation à la médiation de la musique et l’exercice du métier »","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Contemporary art, education, critique","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Intersection (aeronautics); Game studies; Resilience (materials science)","score_opus":0.017776807768131942,"score_gpt":0.2814683374480711,"score_spread":0.26369152967993914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104176697","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000044782413,0.0074905083,0.00007966992,0.04465795,0.9448919,0.00003045066,0.00007192801,0.000030390805,0.0027023985],"genre_scores_gemma":[0.0008478967,0.0061668945,0.00009553012,0.03298613,0.9460601,0.00005003218,0.000058595942,0.000038389655,0.013696495],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9919343,0.001475157,0.00095485523,0.0009914509,0.0039962535,0.0006478977],"domain_scores_gemma":[0.9772006,0.011912802,0.0012280422,0.00048456358,0.0074620433,0.0017118806],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006112054,0.0037190982,0.0037394897,0.0042646225,0.0048172357,0.0073446124,0.00454951,0.021843422,0.019951107],"category_scores_gemma":[0.029543117,0.001043626,0.0030337695,0.0019321874,0.004399436,0.005119254,0.0026625507,0.01949002,0.01444141],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031876694,0.000008649705,0.00001447324,0.00016991251,0.00000805398,0.000056861478,0.00002432579,0.000010399582,0.000049232414,0.000320763,0.99669856,0.0026068373],"study_design_scores_gemma":[0.00006078681,0.000034533266,0.00042049173,0.00080215564,0.000055719916,0.00023471203,0.00011727048,0.00008890518,0.00016572821,0.0011200731,0.9968767,0.000022881959],"about_ca_topic_score_codex":0.004499168,"about_ca_topic_score_gemma":0.0067012534,"teacher_disagreement_score":0.021843422,"about_ca_system_score_codex":0.003984807,"about_ca_system_score_gemma":0.004601591,"threshold_uncertainty_score":0.066743076},"labels":[],"label_agreement":null},{"id":"W7104177004","doi":"10.7202/1121321ar","title":"La formation à la médiation de la musique au CNSMDP : neutralité scientifique et excellence artistique, deux axiomes à revisiter (2021–22)","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Contemporary art, education, critique","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Context (archaeology); National library; Historical heritage","score_opus":0.02648085175388193,"score_gpt":0.3010994764031199,"score_spread":0.274618624649238,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104177004","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28326216,0.004860803,0.047576442,0.06039746,0.001396391,0.00030576024,0.00023264806,0.0001775372,0.6017907],"genre_scores_gemma":[0.95342666,0.0011653146,0.009399017,0.0013077018,0.000098114404,0.00021232484,0.000091168185,0.000053397365,0.034246404],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99118525,0.0040279133,0.00037264935,0.0011164714,0.0023521928,0.00094556226],"domain_scores_gemma":[0.993305,0.002536314,0.0007322281,0.0007280468,0.0014378024,0.0012605515],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009241225,0.0005471752,0.0003942216,0.0016976965,0.0068298196,0.012270871,0.0016902834,0.0019777224,0.009900419],"category_scores_gemma":[0.011102829,0.00028467667,0.00036937356,0.001718442,0.021897348,0.0068480284,0.009485252,0.0043031946,0.0011085934],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041274798,0.000043208034,0.005234332,0.00020492033,0.00001641449,0.0003518926,0.13794817,0.0002643536,0.00087364623,0.7840548,0.0048648324,0.0661021],"study_design_scores_gemma":[0.00003576695,0.00012639748,0.027295155,0.0011092031,0.000034316567,0.00069803756,0.20085531,0.0012476008,0.0016479406,0.16683313,0.60002667,0.00009042746],"about_ca_topic_score_codex":0.03480663,"about_ca_topic_score_gemma":0.046435043,"teacher_disagreement_score":0.03480663,"about_ca_system_score_codex":0.018532474,"about_ca_system_score_gemma":0.029332766,"threshold_uncertainty_score":0.13446313},"labels":[],"label_agreement":null},{"id":"W7104177677","doi":"10.7202/1121319ar","title":"Présentation des articles hors thème","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Intersection (aeronautics); Resilience (materials science)","score_opus":0.0627388572975559,"score_gpt":0.24058033085740915,"score_spread":0.17784147355985325,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104177677","genre_codex":"editorial","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012643044,0.020854073,0.004072022,0.0802072,0.771564,0.00228271,0.0030873562,0.00063872145,0.11602968],"genre_scores_gemma":[0.013950967,0.0294063,0.005005271,0.040467735,0.38091666,0.003485554,0.006038914,0.0015427431,0.5191859],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9935149,0.0010751932,0.0006741678,0.0007542758,0.0033268263,0.0006546615],"domain_scores_gemma":[0.9720643,0.002424156,0.0020505008,0.0009541914,0.018422399,0.004084542],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0059273397,0.0016084211,0.0014666792,0.0037940897,0.002050519,0.009129497,0.0016307288,0.005055478,0.33642492],"category_scores_gemma":[0.030700617,0.0006219566,0.0019016592,0.0015760934,0.000935004,0.0037202023,0.005539408,0.0049545,0.22274081],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018273061,0.000027240712,0.00005953637,0.0013934728,0.000025958834,0.00023688177,0.00014048547,0.000028062173,0.0016479352,0.0016362427,0.958493,0.03612846],"study_design_scores_gemma":[0.00004252351,0.00004495629,0.00014784327,0.00050552364,0.000012408303,0.00017292824,0.00016662049,0.000025900663,0.000549861,0.0009800846,0.99733824,0.000013117033],"about_ca_topic_score_codex":0.00050343585,"about_ca_topic_score_gemma":0.00048914255,"teacher_disagreement_score":0.33642492,"about_ca_system_score_codex":0.0025661136,"about_ca_system_score_gemma":0.005259959,"threshold_uncertainty_score":0.9465093},"labels":[],"label_agreement":null},{"id":"W7104178012","doi":"10.7202/1121320ar","title":"Penser l’articulation disciplinaire entre médiation culturelle et musicologie : recherche participative avec des étudiants en musicologie du Conservatoire national supérieur de musique et de danse de Paris (CNSMDP)","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Contemporary art, education, critique","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Local Development; Order (exchange); Participatory democracy","score_opus":0.15117067954961128,"score_gpt":0.37950217740013925,"score_spread":0.22833149785052798,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104178012","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55244946,0.016115682,0.016832555,0.041429814,0.00088809605,0.00012484058,0.00015532349,0.000078453464,0.37192577],"genre_scores_gemma":[0.96823055,0.0018374037,0.0014028893,0.00064548105,0.00007050498,0.0000401795,0.000017080733,0.000028592242,0.027727386],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99192506,0.005289802,0.0001302804,0.0006219689,0.0012696136,0.0007633084],"domain_scores_gemma":[0.99398154,0.0039451444,0.00046783,0.0003397324,0.000795696,0.00047006097],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008413356,0.0005423338,0.0004288835,0.0017644548,0.014136881,0.013236262,0.0012748993,0.0026429612,0.00706436],"category_scores_gemma":[0.007160286,0.00023031604,0.00033076326,0.0026043828,0.02528218,0.0045567756,0.0056432653,0.0036114806,0.000507579],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004160731,0.000026756976,0.003416594,0.00013865838,0.000016674323,0.0006587098,0.6378818,0.0002626544,0.0009636095,0.32819217,0.0028424165,0.025558216],"study_design_scores_gemma":[0.000011577703,0.00004356892,0.011488416,0.0004740954,0.00001838291,0.00030423075,0.7283652,0.00032524834,0.001275004,0.014108131,0.24353948,0.000046706853],"about_ca_topic_score_codex":0.26785013,"about_ca_topic_score_gemma":0.40384692,"teacher_disagreement_score":0.26785013,"about_ca_system_score_codex":0.031617045,"about_ca_system_score_gemma":0.024293203,"threshold_uncertainty_score":0.53258216},"labels":[],"label_agreement":null},{"id":"W7104178286","doi":"10.7202/1121323ar","title":"Les trajectoires des musiciens intervenants en France","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Representation (politics); Field (mathematics); Tourism; Subject (documents)","score_opus":0.05868046514132166,"score_gpt":0.2448919123843909,"score_spread":0.18621144724306923,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104178286","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94396144,0.0027097869,0.0030008284,0.004051115,0.000091308815,0.000057911584,0.00017091495,0.000051521823,0.045905143],"genre_scores_gemma":[0.97326016,0.001131104,0.0011952121,0.00022589923,0.000021958527,0.00004512468,0.00007463596,0.000028356992,0.024017593],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99608374,0.00239312,0.000066985835,0.00041564478,0.00037745337,0.00066296884],"domain_scores_gemma":[0.9977265,0.0009881561,0.0003297542,0.00008838572,0.0003701536,0.0004971894],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00336282,0.00041309395,0.0002687461,0.0016577109,0.012341051,0.0032060686,0.00080745085,0.0019464161,0.010118608],"category_scores_gemma":[0.0043963376,0.00036134367,0.00035240554,0.0014187827,0.007049148,0.0016854962,0.0030075856,0.0017005525,0.0009800101],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001721647,0.000050889023,0.013965372,0.00015108162,0.000017304048,0.0016978829,0.91272825,0.00042093315,0.0015084299,0.027319616,0.0024322465,0.039535716],"study_design_scores_gemma":[0.000015170092,0.00018569078,0.04220335,0.00028531096,0.000014077046,0.00044275878,0.7692954,0.00019293396,0.00048423273,0.0015852718,0.185229,0.00006672817],"about_ca_topic_score_codex":0.17746547,"about_ca_topic_score_gemma":0.35674244,"teacher_disagreement_score":0.17746547,"about_ca_system_score_codex":0.009226254,"about_ca_system_score_gemma":0.005967455,"threshold_uncertainty_score":0.35286498},"labels":[],"label_agreement":null},{"id":"W7104178436","doi":"10.7202/1121325ar","title":"Canadian Music Studies and/under the Second Trump Presidency","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Scholarship; Presidency; Politics; Sovereignty; Musical; Context (archaeology); Cultural studies; Conversation; Music education","score_opus":0.044093594241482535,"score_gpt":0.2199113083542679,"score_spread":0.17581771411278535,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104178436","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.032692485,0.024083324,0.00077109307,0.26092032,0.009573456,0.00006251062,0.0005217733,0.00011765179,0.6712574],"genre_scores_gemma":[0.5212096,0.014325498,0.0017115466,0.032697324,0.001874377,0.000083681785,0.0003169998,0.00013742888,0.42764366],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99562484,0.00041830508,0.0000634669,0.00038782237,0.0018942431,0.0016113131],"domain_scores_gemma":[0.99659795,0.00044491596,0.00009989347,0.00017243756,0.001456117,0.0012287546],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002444932,0.0004013578,0.00040849225,0.0021178427,0.022677895,0.015144255,0.0014649705,0.0044503375,0.017444348],"category_scores_gemma":[0.0054609966,0.00023582239,0.00036203535,0.002203566,0.009884872,0.0025932305,0.0042884317,0.004206474,0.0011330583],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005253032,0.000016061103,0.0019544268,0.00013964214,0.000011734922,0.00033196795,0.028403852,0.000096815515,0.00045460183,0.5064643,0.38590208,0.07617197],"study_design_scores_gemma":[0.000005208543,0.000007606936,0.0029034552,0.00015700406,0.000007854216,0.000067601286,0.013121216,0.000038702787,0.000107428314,0.005765351,0.977802,0.000016494268],"about_ca_topic_score_codex":0.9678995,"about_ca_topic_score_gemma":0.98716104,"teacher_disagreement_score":0.9191124,"about_ca_system_score_codex":0.08088759,"about_ca_system_score_gemma":0.16564815,"threshold_uncertainty_score":0.5868833},"labels":[],"label_agreement":null},{"id":"W7104178618","doi":"10.7202/1121328ar","title":"Giacomo Fronzi. 2017. Philosophical Considerations on Contemporary Music: Sounding Constellations. Translated from Italian into English by Ruth Anne Henderson. Cambridge Scholars Publishing, 245 + xiv pp. ISBN 978–1-4438–1698–4 (hardcover)","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Depth sounding","score_opus":0.056516631259210505,"score_gpt":0.22972666766418764,"score_spread":0.17321003640497715,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104178618","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012681498,0.7646425,0.0015768592,0.06995911,0.00909669,0.000035223544,0.0006118168,0.00016399234,0.15264575],"genre_scores_gemma":[0.0418301,0.6076061,0.003761169,0.012533274,0.014867564,0.00019068613,0.0012185147,0.00051319273,0.31747946],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935275,0.00014888874,0.000038740956,0.00012044047,0.0002728897,0.0000662495],"domain_scores_gemma":[0.999215,0.00043373872,0.00007992277,0.000037309735,0.00016977581,0.000064304324],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009540901,0.0016808866,0.00073353684,0.0024101187,0.0015765018,0.0034998362,0.0012258966,0.003150659,0.05315483],"category_scores_gemma":[0.0022491373,0.00063057506,0.00045190105,0.0029462609,0.0025615431,0.0056410367,0.0022528963,0.003760789,0.024538673],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006349283,0.000015079764,0.00020319586,0.0012832237,0.000007984634,0.00015669882,0.0056558936,0.000088183355,0.000409793,0.052231297,0.8203619,0.119523264],"study_design_scores_gemma":[0.000007732862,0.000011023616,0.0012035274,0.0011099359,0.0000059621216,0.00022298229,0.0015057515,0.000028856835,0.000079545156,0.009368538,0.98644614,0.000009887681],"about_ca_topic_score_codex":0.011144024,"about_ca_topic_score_gemma":0.020158166,"teacher_disagreement_score":0.05315483,"about_ca_system_score_codex":0.0034699535,"about_ca_system_score_gemma":0.0015232837,"threshold_uncertainty_score":0.17782062},"labels":[],"label_agreement":null},{"id":"W7104178756","doi":"10.7202/1121327ar","title":"Sondage national sur les pratiques musicales au Canada","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Musical; Social function; Social impact","score_opus":0.0512200831534534,"score_gpt":0.22289897478008963,"score_spread":0.17167889162663624,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104178756","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5817045,0.018908767,0.0013207115,0.04388519,0.0010571245,0.00012604888,0.003424174,0.00012574153,0.34944776],"genre_scores_gemma":[0.8870964,0.0109999925,0.0010951717,0.0040196567,0.000081916565,0.000088484194,0.0009048692,0.000051598647,0.09566187],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9969662,0.00029850975,0.000063556465,0.00030534022,0.0013178005,0.0010486022],"domain_scores_gemma":[0.9935375,0.00055800646,0.00034782157,0.00014680812,0.0033946747,0.0020150815],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001771883,0.0002817981,0.00043227038,0.0014713319,0.0134154875,0.0050462857,0.0008884558,0.0007455819,0.01790244],"category_scores_gemma":[0.00395726,0.00028555904,0.00026700916,0.0031820615,0.0041313167,0.0012712762,0.0033715728,0.0022119367,0.0007808956],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004967243,0.0001865605,0.20110416,0.0010360851,0.00016961194,0.0011168291,0.14354272,0.000634078,0.0038487522,0.1114811,0.13946192,0.3969214],"study_design_scores_gemma":[0.000023945262,0.00006928217,0.33929765,0.0010860586,0.000056586538,0.00017186548,0.09325417,0.00022641526,0.00053869473,0.0017838982,0.5634004,0.00009101143],"about_ca_topic_score_codex":0.99137676,"about_ca_topic_score_gemma":0.99707437,"teacher_disagreement_score":0.9478923,"about_ca_system_score_codex":0.052107662,"about_ca_system_score_gemma":0.13525586,"threshold_uncertainty_score":0.37806934},"labels":[],"label_agreement":null},{"id":"W7104178829","doi":"10.7202/1121324ar","title":"Annie Secord’s “Personal Service”: The Role of Affluent Women in Edmonton’s Early Music Culture","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Newspaper; Period (music); Musical development; Work (physics)","score_opus":0.011114129632978599,"score_gpt":0.1976775892535811,"score_spread":0.1865634596206025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104178829","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.906879,0.0018348376,0.00025039463,0.019938696,0.00013573364,0.000015017919,0.000016316046,0.000008761444,0.07092115],"genre_scores_gemma":[0.9775933,0.0004939543,0.00012602154,0.0012956207,0.000020589587,0.0000061861547,0.0000047951385,0.0000064469295,0.020452967],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9989924,0.00031647604,0.000010954817,0.000069960326,0.00013921103,0.0004709574],"domain_scores_gemma":[0.99908733,0.0002595486,0.00006459124,0.00002868182,0.00009188604,0.00046788284],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017276042,0.00020882933,0.00021585205,0.00072138436,0.024807386,0.0036542383,0.0006502492,0.0009650233,0.004102105],"category_scores_gemma":[0.001607364,0.00019372525,0.00007468481,0.00047967202,0.013155443,0.0017155992,0.004344846,0.001839264,0.00018996776],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035563215,0.000033536617,0.011160786,0.000023168144,0.000003412963,0.0013817151,0.9244477,0.000028418166,0.0006425811,0.036421794,0.006884373,0.018936919],"study_design_scores_gemma":[0.000003915308,0.000026910247,0.018279951,0.00008155654,0.0000038564813,0.00045985615,0.858216,0.000040211722,0.00023262676,0.0015670815,0.12106675,0.000021288368],"about_ca_topic_score_codex":0.54665667,"about_ca_topic_score_gemma":0.81313324,"teacher_disagreement_score":0.45334333,"about_ca_system_score_codex":0.011371622,"about_ca_system_score_gemma":0.008665387,"threshold_uncertainty_score":0.91202635},"labels":[],"label_agreement":null},{"id":"W7104178949","doi":"10.7202/1121326ar","title":"National Survey on Music Practices in Canada","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Diversity (politics); Snapshot (computer storage); Recreation; Music education","score_opus":0.1331495264819791,"score_gpt":0.26776686789725535,"score_spread":0.13461734141527623,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104178949","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8521957,0.0023988343,0.0003759204,0.0020744978,0.00007503061,0.0006005269,0.110670865,0.0000897083,0.031518746],"genre_scores_gemma":[0.9541347,0.004105956,0.0012207647,0.0010653163,0.00002745479,0.0004083231,0.03010206,0.000024627241,0.0089108525],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9988789,0.000058175905,0.00008418921,0.00009494551,0.00062849274,0.00025534863],"domain_scores_gemma":[0.9972567,0.00008840495,0.00032275752,0.00004870471,0.0016348978,0.0006485953],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006584938,0.0002821411,0.00030830104,0.0027669286,0.0029208586,0.000999218,0.00094414625,0.00030996886,0.0043100812],"category_scores_gemma":[0.001961557,0.0002875759,0.0004307359,0.0065938495,0.00042869264,0.00034338544,0.0008512046,0.00054358906,0.00062743586],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000075924756,0.00006799079,0.9447171,0.00031202502,0.000067172914,0.0001439527,0.0032617317,0.00015219087,0.0004997395,0.0003725643,0.027491141,0.022838503],"study_design_scores_gemma":[0.0000055356236,0.00001795926,0.9891907,0.00008540246,0.000007881457,0.00004237133,0.0024215477,0.00010869003,0.0000509399,0.000020348396,0.00803317,0.000015582578],"about_ca_topic_score_codex":0.99596334,"about_ca_topic_score_gemma":0.9978751,"teacher_disagreement_score":0.9763427,"about_ca_system_score_codex":0.0236573,"about_ca_system_score_gemma":0.03926262,"threshold_uncertainty_score":0.17164654},"labels":[],"label_agreement":null},{"id":"W7104181659","doi":"10.7202/1121322ar","title":"Opéra et public étudiant : comment favoriser la rencontre ? La pratique de la recherche au service de la formation professionnelle en médiation de la musique","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Publics; Public space; Identity (music); Public service","score_opus":0.3678058197587556,"score_gpt":0.46451619253302245,"score_spread":0.09671037277426686,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104181659","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1328027,0.01033428,0.014822763,0.5182148,0.003539007,0.00012409601,0.000118005024,0.00020992252,0.31983444],"genre_scores_gemma":[0.852297,0.0040628407,0.0026759899,0.024954325,0.0010063626,0.00019762557,0.00007045683,0.000321582,0.1144139],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.96877956,0.020681407,0.0004920926,0.0020364677,0.0037717384,0.004238795],"domain_scores_gemma":[0.9737926,0.014080253,0.0019539718,0.0020329526,0.0036202436,0.0045200554],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.030145057,0.0006089291,0.00075496547,0.001573193,0.023218425,0.022877857,0.002611613,0.006152091,0.028591372],"category_scores_gemma":[0.03247309,0.00039838714,0.0008211394,0.0026387034,0.0376561,0.017932983,0.015296914,0.0124129485,0.0039156177],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006585923,0.0000674186,0.0028515148,0.0002143873,0.000015147277,0.00038620454,0.289728,0.00014433805,0.00031058255,0.6492755,0.029430602,0.027510528],"study_design_scores_gemma":[0.000018702329,0.000064578155,0.0030471925,0.00054841983,0.000015757729,0.0001611051,0.3674237,0.00016535523,0.0003540215,0.040908422,0.58725065,0.000042174575],"about_ca_topic_score_codex":0.057899587,"about_ca_topic_score_gemma":0.07658342,"teacher_disagreement_score":0.057899587,"about_ca_system_score_codex":0.023742406,"about_ca_system_score_gemma":0.039929125,"threshold_uncertainty_score":0.17226404},"labels":[],"label_agreement":null},{"id":"W7138873225","doi":"10.7202/1123489ar","title":"Migration Shaping Musical Careers: The Experiences of Women Artists encountered in Montreal","year":2022,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Negotiation; Sociocultural evolution; Dynamics (music); Power (physics); Mobilities; Exploratory research","score_opus":0.050298243848302136,"score_gpt":0.22751797630418855,"score_spread":0.1772197324558864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7138873225","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.980512,0.0009194982,0.0003502288,0.0029064924,0.000115762596,0.000045411776,0.00010427923,0.00002308472,0.015023278],"genre_scores_gemma":[0.98922837,0.0006648927,0.00021802791,0.00042808137,0.000026476437,0.00002546037,0.00004178362,0.00002424194,0.009342573],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9973002,0.0008678603,0.00004003555,0.00018197527,0.00040747056,0.0012024814],"domain_scores_gemma":[0.9976681,0.0005077505,0.00020278279,0.00005055896,0.0003524171,0.001218414],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022032536,0.00071575714,0.0007371992,0.0017201622,0.024965214,0.006207695,0.002229115,0.0017304486,0.006922459],"category_scores_gemma":[0.0047341622,0.0005291233,0.0003471798,0.002173096,0.013638221,0.0016867499,0.0071119135,0.0023329775,0.00040382938],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049663853,0.000013771715,0.0053130332,0.000045693316,0.0000064117144,0.001268327,0.9847109,0.000033561486,0.0009717782,0.0007321166,0.0012919477,0.0055628414],"study_design_scores_gemma":[0.000002022395,0.00001674072,0.0050283913,0.000032147345,0.0000032721036,0.00012559697,0.9840618,0.00002016874,0.000066672874,0.000039756233,0.010589628,0.000013948471],"about_ca_topic_score_codex":0.7962348,"about_ca_topic_score_gemma":0.9400469,"teacher_disagreement_score":0.20376521,"about_ca_system_score_codex":0.018017855,"about_ca_system_score_gemma":0.016144024,"threshold_uncertainty_score":0.4099304},"labels":[],"label_agreement":null},{"id":"W7138899800","doi":"10.7202/1123488ar","title":"Migrant Women Musicians: From Gendered Differentiations to Multisource Inequalities","year":2022,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Inequality; Face (sociological concept); Social inequality; Thematic analysis; Immigration; Gender inequality; Musical","score_opus":0.04126321147480171,"score_gpt":0.19788513251347745,"score_spread":0.15662192103867573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7138899800","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95496887,0.0038938092,0.0004351875,0.0062346444,0.000082354774,0.000023056264,0.000078228746,0.0000071185473,0.034276757],"genre_scores_gemma":[0.9960771,0.0010667742,0.00013924707,0.00046171353,0.000036758214,0.000019066272,0.000019495685,0.0000056489584,0.0021740734],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9980475,0.0007833707,0.00005304807,0.000208837,0.00030817577,0.00059904484],"domain_scores_gemma":[0.9986577,0.00069826754,0.00022628497,0.000087075714,0.00012834859,0.00020225217],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027110311,0.0002480983,0.00038967538,0.0034800891,0.0071424306,0.0051505775,0.0006202529,0.0008685783,0.005640181],"category_scores_gemma":[0.004009067,0.00018132455,0.00019823787,0.0025944505,0.008338116,0.0032888611,0.0062251757,0.0011758136,0.00019016964],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050798863,0.0000288345,0.036521226,0.00013862502,0.000014530139,0.000560644,0.90178376,0.00002834672,0.0005087631,0.02923254,0.00134937,0.029782599],"study_design_scores_gemma":[0.0000040201026,0.000029889074,0.050020363,0.00024123157,0.000007969594,0.0001652185,0.9351447,0.000025612673,0.00009734691,0.0036993884,0.010555305,0.000008929319],"about_ca_topic_score_codex":0.055874456,"about_ca_topic_score_gemma":0.11103646,"teacher_disagreement_score":0.94412553,"about_ca_system_score_codex":0.0035258888,"about_ca_system_score_gemma":0.0030307078,"threshold_uncertainty_score":0.11109847},"labels":[],"label_agreement":null},{"id":"W7138908858","doi":"10.7202/1123494ar","title":"Renihan, Colleen, John Spilker, and Trudi Wright, eds. Sound Pedagogy: Radical Care in Music. Urbana: University of Illinois Press, 2024. 280 pages. Paperback","year":2022,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sound (geography); Panel discussion","score_opus":0.026095600029285283,"score_gpt":0.19501228905921314,"score_spread":0.16891668902992785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7138908858","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002143202,0.97458017,0.00042229064,0.012971866,0.002424262,0.00001147918,0.00008292462,0.000037269452,0.009255428],"genre_scores_gemma":[0.0031017603,0.9460617,0.0011079677,0.0026742313,0.002639237,0.00004763615,0.00015425358,0.000076601245,0.04413671],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989453,0.00028471087,0.00007506911,0.000121465164,0.00046240646,0.00011110325],"domain_scores_gemma":[0.9983582,0.0007970744,0.00015533135,0.000053464657,0.0004184889,0.00021749029],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019156266,0.0022859275,0.001851989,0.0030556966,0.0018959471,0.004609526,0.0022182455,0.0030126628,0.03307505],"category_scores_gemma":[0.0031064115,0.0014210565,0.00075834873,0.0044838125,0.0020500752,0.0086850785,0.0022734413,0.00420803,0.018462706],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007853264,0.00004771661,0.00033163853,0.0015841097,0.000019246243,0.0001183514,0.0021640859,0.000094968156,0.00015345665,0.0047564846,0.7708564,0.21979503],"study_design_scores_gemma":[0.000018113213,0.000019132423,0.0013923298,0.0026670648,0.000024313329,0.00033848025,0.0020949359,0.000055818702,0.00015820979,0.006398902,0.98680717,0.000025345063],"about_ca_topic_score_codex":0.021795861,"about_ca_topic_score_gemma":0.040314075,"teacher_disagreement_score":0.97820413,"about_ca_system_score_codex":0.0019805045,"about_ca_system_score_gemma":0.0043635005,"threshold_uncertainty_score":0.11064714},"labels":[],"label_agreement":null},{"id":"W7138942826","doi":"10.7202/1123493ar","title":"Travailler sa voix en cours d’éducation musicale et « prendre place », au prisme du capital émotionnel des adolescents","year":2022,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Qualitative analysis; Capital (architecture); Post modernism","score_opus":0.03591394247531659,"score_gpt":0.22338292767811954,"score_spread":0.18746898520280295,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7138942826","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97980505,0.0014034428,0.001171441,0.0013974801,0.00014503214,0.000041862655,0.0000917313,0.000015423515,0.01592834],"genre_scores_gemma":[0.9792677,0.0010859556,0.0012161784,0.00020447522,0.000029054789,0.00005368544,0.00008648915,0.000018658944,0.018037789],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9982723,0.00058294175,0.00006548064,0.00024089731,0.00041462074,0.0004237794],"domain_scores_gemma":[0.99706846,0.00070402137,0.00055644417,0.00013580937,0.00061141996,0.00092379487],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002852967,0.00036743993,0.0003650507,0.0006830505,0.0030234896,0.0035156189,0.0005509896,0.0007036431,0.007834537],"category_scores_gemma":[0.0040452965,0.00018333197,0.0003533975,0.00045801088,0.0022439696,0.0015756065,0.0023853476,0.0014970496,0.0010331081],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016128877,0.00040998895,0.2620762,0.00062979345,0.00008590466,0.0010544914,0.5420163,0.00021532597,0.007416472,0.00943855,0.0050183316,0.17147736],"study_design_scores_gemma":[0.000012678068,0.0003184943,0.4067089,0.00057726126,0.000054240958,0.00044742416,0.47183833,0.00018302449,0.0015130506,0.0012456827,0.11704599,0.000054888813],"about_ca_topic_score_codex":0.029188605,"about_ca_topic_score_gemma":0.07999891,"teacher_disagreement_score":0.029188605,"about_ca_system_score_codex":0.002248229,"about_ca_system_score_gemma":0.0042709387,"threshold_uncertainty_score":0.0580374},"labels":[],"label_agreement":null},{"id":"W7138979557","doi":"10.7202/1123492ar","title":"La musique instrumentale et la systématique musicale : exploration de la relation entre l’instrument et l’univers mélodique et biphonique du dotâr","year":2022,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Relation (database); Lafora disease; Interpretation (philosophy)","score_opus":0.017342708737773722,"score_gpt":0.22284216375910793,"score_spread":0.2054994550213342,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7138979557","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8407512,0.0014405134,0.014021514,0.00060436816,0.00005092793,0.0000293886,0.000039330193,0.000029751956,0.14303312],"genre_scores_gemma":[0.99178505,0.00027668988,0.0022628321,0.000025542047,0.000010252127,0.0000082586685,0.000009859562,0.000010494529,0.005610916],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.99942774,0.00018936288,0.000018043655,0.000107154425,0.000188218,0.000069537855],"domain_scores_gemma":[0.9991774,0.00043947806,0.00012242257,0.00006882974,0.00013569059,0.000056180834],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009529109,0.0003080645,0.00018723868,0.00089456927,0.0015201689,0.0033272174,0.0002539551,0.00038309142,0.0060607754],"category_scores_gemma":[0.0021787696,0.00013608656,0.0001775461,0.00088847394,0.004903467,0.0015845635,0.0016190945,0.0007004774,0.0003825916],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006526083,0.00008411659,0.093024306,0.0007536938,0.000086090746,0.0012567848,0.28355289,0.0014464828,0.0653578,0.25496757,0.0008862695,0.29793143],"study_design_scores_gemma":[0.000052804546,0.00051751843,0.46500152,0.00062773336,0.00010746424,0.0030258063,0.30518067,0.0037657649,0.010814691,0.04093413,0.16983701,0.00013491137],"about_ca_topic_score_codex":0.008366651,"about_ca_topic_score_gemma":0.017768277,"teacher_disagreement_score":0.008366651,"about_ca_system_score_codex":0.0014047613,"about_ca_system_score_gemma":0.0012611258,"threshold_uncertainty_score":0.020275354},"labels":[],"label_agreement":null},{"id":"W7139025923","doi":"10.7202/1123491ar","title":"“I Saw It in a Dream”: Moroccan Women <i>Ša‘bī</i> Musicians in Brussels","year":2022,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Multiculturalism, Politics, Migration, Gender","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Musical; Field (mathematics); Musical instrument; Narrative","score_opus":0.08762069959100961,"score_gpt":0.3414884822392112,"score_spread":0.2538677826482016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139025923","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97502613,0.0020884012,0.00006347223,0.009106322,0.00021302658,0.000019589634,0.000054618107,0.0000058452865,0.013422587],"genre_scores_gemma":[0.9887888,0.0010648733,0.000053912707,0.001783749,0.00006579859,0.000018871106,0.00002270523,0.000011314434,0.008190035],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99884367,0.00042729054,0.000017980425,0.00008342944,0.00009844266,0.0005291309],"domain_scores_gemma":[0.9992768,0.00016073266,0.00011304621,0.000014171864,0.000075206975,0.00036003045],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012455579,0.00036351677,0.0003329136,0.00088428694,0.016917847,0.0043121176,0.00091997476,0.0015734395,0.0055079316],"category_scores_gemma":[0.0013911732,0.0003046688,0.00016319091,0.000851016,0.005198346,0.0018403875,0.003878748,0.002057119,0.00065953104],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008714835,0.0000367699,0.01691118,0.00006987869,0.000007040349,0.0019573357,0.9633822,0.00001503122,0.0007396107,0.0023055673,0.0040794997,0.010408808],"study_design_scores_gemma":[0.0000036281,0.000025130577,0.016061498,0.000079812955,0.0000038149433,0.00028007803,0.9656136,0.000011649214,0.000073049836,0.000086261185,0.017752111,0.000009372725],"about_ca_topic_score_codex":0.2713592,"about_ca_topic_score_gemma":0.46128297,"teacher_disagreement_score":0.2713592,"about_ca_system_score_codex":0.00720845,"about_ca_system_score_gemma":0.0043818415,"threshold_uncertainty_score":0.5395594},"labels":[],"label_agreement":null},{"id":"W7139074239","doi":"10.7202/1123490ar","title":"Immigration Policy and Gender of “Talent”: Iranian Musicians’ Mobility towards France via the <i>Passeport talent</i>","year":2022,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diaspora, migration, transnational identity","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Immigration; Power (physics); Face (sociological concept); Immigration policy; Gender relations; Government (linguistics); Censorship","score_opus":0.029714208268044832,"score_gpt":0.2834216334307971,"score_spread":0.2537074251627523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139074239","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9580292,0.00037236323,0.00015839636,0.0039877547,0.000033795623,0.0000066192883,0.000024192408,0.0000042602283,0.0373834],"genre_scores_gemma":[0.9976987,0.00012729861,0.000040673734,0.00016358642,0.00001010597,0.00000283096,0.0000066803395,0.0000017378876,0.0019483634],"study_design_codex":"observational","study_design_gemma":"qualitative","domain_scores_codex":[0.99898535,0.00039252086,0.000018556717,0.000072015704,0.00013517893,0.00039630217],"domain_scores_gemma":[0.99888533,0.0003405995,0.0003045331,0.000035211775,0.00016274449,0.00027163725],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011934942,0.0001322427,0.00010751173,0.0007786849,0.0045375763,0.003038368,0.0003477968,0.0007382284,0.006324485],"category_scores_gemma":[0.0028235498,0.00006155455,0.00013535896,0.00062957226,0.0037980753,0.0012981682,0.0016009964,0.00071403105,0.00045662548],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003282219,0.00027540993,0.39126387,0.000119166376,0.000038931194,0.002173692,0.38676488,0.0003485913,0.0018675651,0.104873754,0.008086446,0.10385953],"study_design_scores_gemma":[0.000016285265,0.00012101287,0.35857013,0.0001941384,0.000017060156,0.00049647695,0.57512075,0.00020284037,0.0003667515,0.003253278,0.06161058,0.00003073497],"about_ca_topic_score_codex":0.06626254,"about_ca_topic_score_gemma":0.09447001,"teacher_disagreement_score":0.06626254,"about_ca_system_score_codex":0.0033077286,"about_ca_system_score_gemma":0.0031330092,"threshold_uncertainty_score":0.13175368},"labels":[],"label_agreement":null}]}