{"meta":{"query_hash":"b15cfa11063b","filters":{"venue":"Intersections Canadian Journal of Music"},"cohort_total":519,"direct_labels_cover":1,"predictions_cover":519,"exported":519,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/b15cfa11063b","api":"https://metacan.xera.ac/api/v1/cohort?venue=Intersections+Canadian+Journal+of+Music"},"results":[{"id":"W132966514","doi":"","title":"The Idea of a Christian University","year":2001,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Catholicism and Religious Studies","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Philosophy","score_opus":0.020477432230394204,"score_gpt":0.18833136300850697,"score_spread":0.16785393077811278,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W132966514","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8692415,0.0012432629,0.000043939683,0.002177933,0.0029018468,0.000051537085,0.000030703955,0.0000058053465,0.12430352],"genre_scores_gemma":[0.9950817,0.00016637811,0.000003539586,0.00007055049,0.0003504101,1.17722436e-7,2.3954564e-7,0.000003870848,0.0043231635],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996146,0.00001989261,0.0001515259,0.000034996283,0.000057091936,0.00012188326],"domain_scores_gemma":[0.9994556,0.000040513187,0.00011613597,0.0000743371,0.00021530743,0.00009811343],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009375221,0.000047929774,0.00008981729,0.00021707219,0.0006899216,0.000036964408,0.00013994933,0.0000143153575,0.000286793],"category_scores_gemma":[0.000025412093,0.000033381228,0.000114054834,0.000058862188,0.00036680172,0.000058212012,0.000007824876,0.00011408284,0.0000086990885],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000959623,0.00004385816,0.0021240741,0.000015663973,0.0005116432,0.00050367834,0.36073565,0.000059975813,0.000051707415,0.17235631,0.4546589,0.008842568],"study_design_scores_gemma":[0.00012746718,0.00008276972,0.00079417764,0.00003212642,0.000036516856,0.00018873019,0.082413025,0.0000030881893,0.0000040089544,0.0004867204,0.9157888,0.000042539144],"about_ca_topic_score_codex":0.13196185,"about_ca_topic_score_gemma":0.9027164,"teacher_disagreement_score":0.7707545,"about_ca_system_score_codex":0.00007007723,"about_ca_system_score_gemma":0.00019616084,"threshold_uncertainty_score":0.87381846},"labels":[],"label_agreement":null},{"id":"W1476890765","doi":"10.7202/1030881ar","title":"David Schroeder. 2013. Experiencing Mozart: A Listener's Companion. Lanham, MD: Scarecrow. 236 pp. ISBN 9780810884281","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"MOZART; Art; History; Art history","score_opus":0.030894619519856007,"score_gpt":0.21723282529162366,"score_spread":0.18633820577176766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1476890765","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9236963,0.0011803553,0.00086871244,0.004425063,0.0084971795,0.00016336811,0.00005367642,0.000054319127,0.061061066],"genre_scores_gemma":[0.9918116,0.000021854494,0.00009168391,0.002750461,0.002717728,0.0000098723285,0.000009839928,0.00002713215,0.002559857],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983115,0.00016662103,0.00060762215,0.0002368732,0.00020709877,0.00047024188],"domain_scores_gemma":[0.9981482,0.00012150827,0.00031847184,0.0002803403,0.00048236962,0.00064909825],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003508277,0.00023324825,0.00043332178,0.00063056604,0.0010673227,0.00033166006,0.0003919119,0.00010660149,0.015488033],"category_scores_gemma":[0.00013873437,0.00020385472,0.0003942111,0.00016977852,0.0004811152,0.0004356124,0.000030370216,0.0005274275,0.00020780956],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000381601,0.00012643384,0.0009647994,0.000033784087,0.0005703443,0.00015327948,0.11373773,0.00070850184,0.00047567236,0.04725706,0.82923836,0.0066958615],"study_design_scores_gemma":[0.00051341415,0.00031336822,0.00047755757,0.00015447722,0.00020265231,0.0002950537,0.025578935,0.00059125724,0.00008243875,0.0008183033,0.97064334,0.00032922564],"about_ca_topic_score_codex":0.073813036,"about_ca_topic_score_gemma":0.77403826,"teacher_disagreement_score":0.70022523,"about_ca_system_score_codex":0.00021646227,"about_ca_system_score_gemma":0.00041444527,"threshold_uncertainty_score":0.98541194},"labels":[],"label_agreement":null},{"id":"W1494338106","doi":"10.7202/1003502ar","title":"Yannick Simon. 2009. Composer sous Vichy. Lyon : Symétrie. Collection « Perpetuum Mobile », 424 p. ISBN 978-2-914373-57-9","year":2010,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Trie; Humanities; Physics; Art; Computer science; Operating system; Data structure","score_opus":0.06575055961307308,"score_gpt":0.2585489047151941,"score_spread":0.19279834510212102,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1494338106","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85406214,0.008967892,0.0070720725,0.011524261,0.069113836,0.00076335063,0.00026020582,0.00009015762,0.04814606],"genre_scores_gemma":[0.9569676,0.00014271586,0.0006651729,0.0014078103,0.0020095543,0.000010055204,0.000007133743,0.000047304897,0.038742654],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99691767,0.00015428086,0.0010091454,0.00046338871,0.0004445722,0.0010109217],"domain_scores_gemma":[0.9951491,0.00013802516,0.0005793155,0.0005638505,0.0013446175,0.0022251322],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040438623,0.000478943,0.00053767866,0.0011161643,0.0009844019,0.0022686406,0.00091722124,0.00038620734,0.0030450367],"category_scores_gemma":[0.00018747771,0.00043512887,0.00055397605,0.0016441464,0.00047781764,0.0035643496,0.00007354353,0.0016710607,0.00041312544],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000082663115,0.00035929139,0.0009522437,0.00006634854,0.0004767542,0.0021641904,0.021968773,0.0020571342,0.0077587888,0.0071964827,0.9329828,0.023934502],"study_design_scores_gemma":[0.00089746865,0.0016970156,0.0028305491,0.00036124157,0.0001481014,0.011050979,0.0029559482,0.003983338,0.0013799177,0.0020779204,0.9718992,0.00071831566],"about_ca_topic_score_codex":0.15669455,"about_ca_topic_score_gemma":0.7748973,"teacher_disagreement_score":0.61820275,"about_ca_system_score_codex":0.0007065641,"about_ca_system_score_gemma":0.0032366721,"threshold_uncertainty_score":0.99981004},"labels":[],"label_agreement":null},{"id":"W1498649980","doi":"10.7202/1013317ar","title":"Gail Dixon. 2004. The Music of Harry Freedman. Toronto: University of Toronto Press, viii, 190 pp. ISBN 0-8020-8964-X (hardcover)","year":2005,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Freedman; Media studies; Art history; Humanities; Art; Sociology; History; Archaeology","score_opus":0.014662360471209692,"score_gpt":0.20558241336474006,"score_spread":0.19092005289353037,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1498649980","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32282394,0.123249695,0.00037549422,0.0077152383,0.014484934,0.0009783506,0.001027671,0.000060472892,0.5292842],"genre_scores_gemma":[0.9849002,0.0020543402,0.000093125316,0.0003320336,0.0010367001,8.1678957e-7,0.0000018131396,0.000017002598,0.011564004],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99858904,0.0001719312,0.00038831096,0.00014586862,0.00035740875,0.00034742444],"domain_scores_gemma":[0.9982733,0.00007373729,0.0004320261,0.00027610877,0.0003853962,0.00055939675],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005055315,0.00011778591,0.0002724687,0.000113406415,0.0009755893,0.000098968834,0.0006920865,0.00012704164,0.017847039],"category_scores_gemma":[0.00012620047,0.00013478589,0.0003295845,0.00013968138,0.0009934417,0.00092449994,0.000023204613,0.00025524167,0.000016814387],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003201601,0.000045748217,0.00034885138,0.000013429563,0.0001513649,0.00003148819,0.050676838,0.00021277143,0.0000783466,0.0013293438,0.939841,0.0072388146],"study_design_scores_gemma":[0.00029738786,0.00008243394,0.0028978812,0.00007606735,0.00010517144,0.00002148453,0.027214106,0.00001376961,0.000011139603,0.00003785488,0.96911657,0.00012615182],"about_ca_topic_score_codex":0.99614537,"about_ca_topic_score_gemma":0.9999431,"teacher_disagreement_score":0.66207623,"about_ca_system_score_codex":0.0045917598,"about_ca_system_score_gemma":0.0036409723,"threshold_uncertainty_score":0.99922943},"labels":[],"label_agreement":null},{"id":"W1508556933","doi":"10.7202/029959ar","title":"Adrian Thomas. 2005. Polish Music since Szymanowski. Cambridge, UK: Cambridge University Press. 384 pp. ISBN-13: 978-052-105472-0 (paper)","year":2008,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Catholicism, Bioethics, Media, Education","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Media studies; Art history; Sociology","score_opus":0.03775312420583971,"score_gpt":0.25556899247653003,"score_spread":0.21781586827069033,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1508556933","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86772615,0.0015177459,0.00026397873,0.013926053,0.013375766,0.0005248712,0.0002481478,0.000084767096,0.10233255],"genre_scores_gemma":[0.9709943,0.0009437588,0.0001803393,0.0012277884,0.0031075433,0.0000028332597,0.000014969268,0.000041548083,0.023486936],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99678093,0.0005261523,0.000634967,0.00040265097,0.00065378495,0.001001521],"domain_scores_gemma":[0.9961093,0.00023091657,0.00058582105,0.00045891895,0.0008535785,0.0017614558],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0010785497,0.00030752175,0.00042628832,0.0009313861,0.0021575636,0.00018418129,0.00093613606,0.0003611815,0.0005217281],"category_scores_gemma":[0.00074215565,0.00036864151,0.00037938563,0.0009280307,0.0014007698,0.001151596,0.00003927415,0.0011618319,0.000069415226],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004975341,0.0001310471,0.004242277,0.000017399008,0.00014226759,0.00067178794,0.093480095,0.000081370046,0.00016248233,0.007891308,0.8922326,0.00089759356],"study_design_scores_gemma":[0.00059226033,0.00012199312,0.030248009,0.0001363695,0.00012475098,0.00077483826,0.051861215,0.000015284513,0.00009072411,0.000023483859,0.91557926,0.00043184223],"about_ca_topic_score_codex":0.6571657,"about_ca_topic_score_gemma":0.91530186,"teacher_disagreement_score":0.25813612,"about_ca_system_score_codex":0.0026481298,"about_ca_system_score_gemma":0.010583935,"threshold_uncertainty_score":0.99987656},"labels":[],"label_agreement":null},{"id":"W1512653924","doi":"10.7202/1009290ar","title":"Theodore Gracyk and Andrew Kania, eds. 2011. The Routledge Companion to Philosophy and Music. New York: Routledge. ISBN 978-0-415-48603-3","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art history; Philosophy; Media studies; History; Sociology","score_opus":0.03916593590995972,"score_gpt":0.21752323303078358,"score_spread":0.17835729712082388,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1512653924","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9326582,0.0014729673,0.00016675948,0.020858744,0.0065970933,0.0003133725,0.000075841686,0.000026072148,0.037830934],"genre_scores_gemma":[0.98839694,0.000016004124,0.00006181821,0.0039180433,0.0041364194,0.0000056462814,0.000003925765,0.000024357603,0.0034368136],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987058,0.00009425763,0.00044333984,0.00024709274,0.00014387474,0.00036560468],"domain_scores_gemma":[0.99831486,0.00014268787,0.00021242251,0.00026600435,0.00023099281,0.00083302695],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003224577,0.00024061435,0.00036579408,0.0005682529,0.0010589818,0.00035570067,0.0003228663,0.0001169197,0.01085897],"category_scores_gemma":[0.00008342148,0.00016970052,0.00019316051,0.0001283701,0.00062845275,0.0002822091,0.000051928015,0.00082420494,0.0001160571],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009944155,0.00010557541,0.0023502035,0.000030152965,0.0006276885,0.00009143377,0.099974796,0.000016284805,0.0005277818,0.20578368,0.6564282,0.03396478],"study_design_scores_gemma":[0.0007154716,0.00036418953,0.0074208253,0.00009038436,0.00038939237,0.00047889457,0.007171246,0.00007257069,0.00002348867,0.014024841,0.968888,0.0003606952],"about_ca_topic_score_codex":0.035914894,"about_ca_topic_score_gemma":0.77462375,"teacher_disagreement_score":0.73870885,"about_ca_system_score_codex":0.00005051235,"about_ca_system_score_gemma":0.00027139956,"threshold_uncertainty_score":0.99004525},"labels":[],"label_agreement":null},{"id":"W1513288106","doi":"10.7202/1009291ar","title":"Alan Gillmor, ed. Eagle Minds: Selected Correspondence of Istvan Anhalt and George Rochberg, 1961–2005. Waterloo: Wilfrid Laurier University Press, 2007. xliii, 426 pp. ISBN 978-1-55458-018-7","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Linguistics and language evolution","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"George (robot); Eagle; Classics; History; Art history","score_opus":0.008669173010712735,"score_gpt":0.18309851993326995,"score_spread":0.1744293469225572,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1513288106","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9812316,0.00066653214,0.000062646766,0.0002376188,0.0051250015,0.00014631513,0.00036832035,0.000017940898,0.0121440645],"genre_scores_gemma":[0.97470963,0.000038710372,0.00010790639,0.000090563146,0.0012744956,7.627416e-7,0.000016382322,0.00001987131,0.0237417],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886584,0.000066585824,0.0003620995,0.0001788473,0.00016845929,0.00035815028],"domain_scores_gemma":[0.99832577,0.000059696664,0.000291121,0.00019657571,0.0006912103,0.00043565378],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022884365,0.00017249389,0.00024378655,0.0003756745,0.00046408223,0.00012038119,0.0002484161,0.00009849137,0.004824679],"category_scores_gemma":[0.00019190037,0.00016513372,0.0001051163,0.00008529904,0.00039342203,0.00025426055,0.000025135247,0.0005147261,0.000013752947],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034314068,0.00022924214,0.004141101,0.00009465668,0.00050418405,0.00080600183,0.072295085,0.00005813714,0.003592605,0.016663514,0.8997038,0.0015685629],"study_design_scores_gemma":[0.0005399995,0.00024111908,0.0025354568,0.00010993561,0.00012970707,0.0002963451,0.0076714153,0.00023901727,0.0002875564,0.00005314609,0.9876606,0.00023571837],"about_ca_topic_score_codex":0.13480978,"about_ca_topic_score_gemma":0.61941487,"teacher_disagreement_score":0.48460507,"about_ca_system_score_codex":0.00012480633,"about_ca_system_score_gemma":0.0005545354,"threshold_uncertainty_score":0.99608505},"labels":[],"label_agreement":null},{"id":"W1517781048","doi":"10.7202/1009294ar","title":"Mondher Ayari et Hamdi Makhlouf, dir. 2010. Musique, signification et émotion. Sampzon : Delatour France, 392 p. ISBN 987-2-7521-0077-1 (couverture souple)","year":2010,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.09777299205711772,"score_gpt":0.275609223902292,"score_spread":0.17783623184517428,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1517781048","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36412343,0.014496188,0.2826619,0.15762843,0.09583911,0.0014339011,0.0006763266,0.00022431187,0.08291637],"genre_scores_gemma":[0.926147,0.00012046968,0.0026469664,0.007833098,0.0013541143,0.000008093201,0.000021525408,0.000057322093,0.061811447],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968934,0.00022563482,0.0010148293,0.00053108536,0.00048634672,0.0008486843],"domain_scores_gemma":[0.9953173,0.00015565995,0.00076183333,0.0007035763,0.0013454829,0.0017161475],"candidate_categories":["metaepi_narrow","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00067916187,0.00051988947,0.0004866172,0.0008831853,0.0005800252,0.0023496253,0.0009474551,0.0005351347,0.0020189073],"category_scores_gemma":[0.00041251563,0.00045664227,0.00051946373,0.0010883572,0.00038757347,0.005962647,0.000085139574,0.002339122,0.0002471953],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033782144,0.00037486377,0.00083050464,0.00006290405,0.00034119186,0.00078568596,0.020502938,0.0033752718,0.0066265883,0.061716374,0.87615865,0.02919124],"study_design_scores_gemma":[0.00091157405,0.00055344845,0.02625349,0.0005248836,0.00013132326,0.0047434364,0.0011442445,0.0046187905,0.00051379664,0.01010769,0.94967777,0.0008195478],"about_ca_topic_score_codex":0.12175069,"about_ca_topic_score_gemma":0.6490475,"teacher_disagreement_score":0.5620235,"about_ca_system_score_codex":0.00037946468,"about_ca_system_score_gemma":0.0022791775,"threshold_uncertainty_score":0.9999625},"labels":[],"label_agreement":null},{"id":"W1520902500","doi":"10.7202/1018589ar","title":"Charles Ford, Mozart. 2012. Sexuality and the Enlightenment in Mozart’s Figaro, Don Giovanni and Così fan tutte. Burlington, VT: Ashgate. 336 pp. ISBN 978–0754668893","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"MOZART; Enlightenment; Humanities; Art; Cartography; Art history; Philosophy; Theology; Geography","score_opus":0.027759340908260457,"score_gpt":0.21921069938059692,"score_spread":0.19145135847233646,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1520902500","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97742695,0.0056859152,0.000059202313,0.00821857,0.0021725497,0.0002308218,0.00006200418,0.000010866053,0.0061331214],"genre_scores_gemma":[0.9935181,0.00020953092,0.00002484155,0.002690812,0.0012753641,0.000014802176,0.0000056829913,0.000016508215,0.002244357],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983334,0.00022620971,0.0005914366,0.00018841766,0.00017041975,0.0004900926],"domain_scores_gemma":[0.998696,0.000185894,0.00026573008,0.0001943391,0.00016343102,0.00049456384],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009622285,0.00022294164,0.0004311823,0.00041083343,0.0006502579,0.00019899721,0.00018790177,0.00012766113,0.0031517164],"category_scores_gemma":[0.000094955736,0.0001549499,0.00017148076,0.00011003745,0.000854558,0.00055067247,0.000041325475,0.00067147665,0.000018668105],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000558449,0.0005796799,0.021026747,0.00015094844,0.0019725831,0.00022728032,0.4216836,0.000075972566,0.00024252203,0.1581528,0.35780126,0.037528135],"study_design_scores_gemma":[0.0024272788,0.00029350191,0.014487041,0.0001724116,0.00050706713,0.00042371338,0.047861584,0.0001809743,0.00007582447,0.0047255456,0.9283736,0.0004714692],"about_ca_topic_score_codex":0.042463586,"about_ca_topic_score_gemma":0.6240536,"teacher_disagreement_score":0.58159006,"about_ca_system_score_codex":0.00013652472,"about_ca_system_score_gemma":0.00014247432,"threshold_uncertainty_score":0.9977595},"labels":[],"label_agreement":null},{"id":"W1535001632","doi":"10.7202/1018587ar","title":"Suzannah Clark. 2011. Analyzing Schubert. Cambridge: Cambridge University Press. 290 pp. ISBN 978–0-521–84867–1","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.033426184274480436,"score_gpt":0.2663593401726804,"score_spread":0.2329331558982,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1535001632","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7283316,0.004734415,0.0007793747,0.0037117917,0.008226286,0.00026312677,0.00008337449,0.00006742266,0.25380257],"genre_scores_gemma":[0.984675,0.00017597432,0.000100267986,0.00040933545,0.001282769,8.7660345e-7,0.0000021349636,0.000016375949,0.013337289],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99810237,0.00028293967,0.00037105998,0.00016830182,0.0003159712,0.0007593375],"domain_scores_gemma":[0.9972251,0.00010527782,0.00027536848,0.00020752441,0.00043819917,0.0017485071],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007582435,0.00016307313,0.00026243148,0.00052821374,0.0012420318,0.000112204274,0.000494024,0.00016435426,0.000573079],"category_scores_gemma":[0.00031261155,0.00017725877,0.00028505453,0.0005465394,0.00038106754,0.0014472057,0.000025054049,0.00057904195,0.00017098994],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040746734,0.000101099344,0.035509177,0.000011145772,0.00018484797,0.00026085874,0.010347892,0.00006785662,0.00015757208,0.028705204,0.92281973,0.0017938764],"study_design_scores_gemma":[0.0002493834,0.00007054203,0.012439417,0.00004523144,0.000106383704,0.00007249913,0.0077634226,0.000010042286,0.0000355156,0.00000991158,0.9789761,0.00022156499],"about_ca_topic_score_codex":0.46685657,"about_ca_topic_score_gemma":0.23048554,"teacher_disagreement_score":0.25634333,"about_ca_system_score_codex":0.0017565131,"about_ca_system_score_gemma":0.0018680128,"threshold_uncertainty_score":0.95528305},"labels":[],"label_agreement":null},{"id":"W1539910929","doi":"10.7202/1009297ar","title":"Vincent Giroud. 2010. French Opera. A Short History. Yale : Yale University Press, 366 p. ISBN 978-0-300-11765-3 (couverture rigide)","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Opera; History; Art history; Art; Media studies; Sociology","score_opus":0.02434405371790948,"score_gpt":0.18858819096929222,"score_spread":0.16424413725138273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1539910929","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84213525,0.00066639343,0.00029871153,0.0037916035,0.02760477,0.0002842157,0.00022537478,0.000056752386,0.124936946],"genre_scores_gemma":[0.9340061,0.00001815556,0.00007461851,0.001123019,0.0016335002,0.0000021024189,0.000011468212,0.000019666422,0.0631114],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99867296,0.000090140704,0.00038867933,0.00025293598,0.00018988302,0.00040539433],"domain_scores_gemma":[0.9983138,0.00006280967,0.00018620111,0.00031537417,0.00046185238,0.00065994955],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002172072,0.00022361465,0.00035255266,0.000550051,0.0007062496,0.000101939004,0.0005186272,0.0001774173,0.047328737],"category_scores_gemma":[0.000067557616,0.00020503395,0.00039203794,0.000095723124,0.00065953634,0.0004413519,0.000037437494,0.001112125,0.00007559725],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029834839,0.00013362578,0.0006800328,0.0000136914405,0.00039980764,0.00034673724,0.014001235,0.000047376187,0.00031344258,0.02009603,0.9620218,0.0019163606],"study_design_scores_gemma":[0.0002737434,0.00013615699,0.0014117459,0.00003445769,0.00026848484,0.000110237095,0.0024243442,0.00011628636,0.000017995457,0.00009059223,0.9948835,0.00023248505],"about_ca_topic_score_codex":0.21314801,"about_ca_topic_score_gemma":0.94196975,"teacher_disagreement_score":0.72882175,"about_ca_system_score_codex":0.00083683286,"about_ca_system_score_gemma":0.0010115898,"threshold_uncertainty_score":0.9535421},"labels":[],"label_agreement":null},{"id":"W1541276325","doi":"10.7202/1013218ar","title":"Sten Ingelf. Learn from the Masters: Classical Harmony. Hjärup, Sweden: Sting Musik, 2010. 222 pp. (paper), 193 pp. on DVD. ISBN 91-971133-5-2","year":2011,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sting; Harmony (color); Art; Art history; Engineering; Visual arts; Aerospace engineering","score_opus":0.10176982482111102,"score_gpt":0.2218715433698702,"score_spread":0.12010171854875917,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1541276325","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85073143,0.0013505797,0.00017430895,0.027977742,0.014421956,0.0003603525,0.000272019,0.000075867036,0.10463574],"genre_scores_gemma":[0.97991693,0.000032353357,0.00008114941,0.0093257595,0.0039189137,0.000011906383,0.000014151098,0.00004402963,0.006654791],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977382,0.00027541464,0.0007421952,0.0003354613,0.00029126494,0.0006175084],"domain_scores_gemma":[0.99794096,0.00034328704,0.0004410638,0.00040256736,0.0002539414,0.00061821245],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00042422462,0.00032660068,0.00046070397,0.00034211355,0.001296904,0.00032566674,0.000661475,0.0001739898,0.04233821],"category_scores_gemma":[0.00019330326,0.00023253709,0.0005191417,0.000160581,0.00069877837,0.0004712141,0.000057087116,0.001363086,0.00042224076],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022371141,0.00023444576,0.0014259105,0.000013979081,0.0013755184,0.00053353177,0.11777353,0.00007180642,0.00016790959,0.0151282335,0.85076946,0.012281965],"study_design_scores_gemma":[0.0007245321,0.000544032,0.006242608,0.00025996566,0.0005728095,0.00012056351,0.040334232,0.00017779101,0.000032011143,0.0016568437,0.9489125,0.0004221039],"about_ca_topic_score_codex":0.095015556,"about_ca_topic_score_gemma":0.7817525,"teacher_disagreement_score":0.68673694,"about_ca_system_score_codex":0.0002552054,"about_ca_system_score_gemma":0.00041791357,"threshold_uncertainty_score":0.9974868},"labels":[],"label_agreement":null},{"id":"W1542477419","doi":"10.7202/1013168ar","title":"Rupa Huq. Beyond Subculture. Pop, Youth and Identity in a Postcolonial World. London : Routledge, 2006. viii, 217 p. ISBN 0-415-27815-5 (couverture souple)","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Youth Education and Societal Dynamics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subculture (biology); Identity (music); Media studies; Sociology; Humanities; Art","score_opus":0.01325902053177606,"score_gpt":0.2723891570818321,"score_spread":0.259130136550056,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1542477419","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9769975,0.00066080136,0.00009105418,0.004494551,0.004048685,0.00019835221,0.000097483266,0.000014870803,0.01339668],"genre_scores_gemma":[0.99117655,0.000034616816,0.000068532674,0.00070350815,0.0008952555,0.0000036058782,0.000012871663,0.000016167045,0.007088893],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9984184,0.00016503068,0.00047103476,0.00019272654,0.00029632731,0.00045646026],"domain_scores_gemma":[0.9987669,0.000047600497,0.00025158178,0.000121794335,0.0003077453,0.000504383],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005706952,0.0001651589,0.00025003878,0.0007042373,0.00072811625,0.00032416795,0.00029671178,0.00017851853,0.0005029389],"category_scores_gemma":[0.00017864692,0.0001694583,0.00018692928,0.0010770755,0.00039144052,0.0006906862,0.000013921709,0.00058438774,0.000013228572],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010581828,0.0004212383,0.30282927,0.00003764706,0.00018793315,0.000270748,0.53109646,0.00050534646,0.00026360137,0.022816863,0.13945735,0.0020077494],"study_design_scores_gemma":[0.0026767761,0.00025743872,0.5453395,0.0003330374,0.00029079706,0.00019275204,0.31077176,0.00012913586,0.0000212126,0.009532286,0.12937433,0.0010809696],"about_ca_topic_score_codex":0.39650655,"about_ca_topic_score_gemma":0.9930556,"teacher_disagreement_score":0.59654903,"about_ca_system_score_codex":0.00092429714,"about_ca_system_score_gemma":0.0014321529,"threshold_uncertainty_score":0.69103086},"labels":[],"label_agreement":null},{"id":"W1560883700","doi":"10.7202/1000037ar","title":"Célébrons la musicologie francophone","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"French; Art; Humanities","score_opus":0.02743098478847448,"score_gpt":0.2616711811946576,"score_spread":0.23424019640618313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1560883700","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5366983,0.001066765,0.00042985784,0.012163678,0.008261647,0.000098959514,0.000011330853,0.000030762527,0.44123873],"genre_scores_gemma":[0.9948851,0.000023586246,0.0001399631,0.0011154106,0.0008883583,8.494885e-7,2.1342338e-7,0.0000031955708,0.0029433575],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992448,0.00011727421,0.00020316063,0.00006945373,0.00012642005,0.00023888335],"domain_scores_gemma":[0.9992191,0.00009037017,0.00008490829,0.000064071806,0.00014498238,0.00039656938],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028191894,0.000064136584,0.00013243861,0.00029725104,0.00064583676,0.00004303177,0.00018813748,0.000065642824,0.001012909],"category_scores_gemma":[0.00028554248,0.00005844026,0.00011879075,0.00046100927,0.00021230083,0.00018694926,0.0000033833164,0.00024828533,0.00003580026],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023998653,0.000106304666,0.0029239098,0.0000032396117,0.00009838208,0.00057543296,0.2756828,0.000041343934,0.00017106485,0.016922021,0.613356,0.09009548],"study_design_scores_gemma":[0.00011762937,0.00015193454,0.009173461,0.000022026254,0.00000979111,0.00003406159,0.010111017,7.7347016e-7,0.000003193527,0.0012786535,0.97902733,0.000070113834],"about_ca_topic_score_codex":0.03275913,"about_ca_topic_score_gemma":0.38292128,"teacher_disagreement_score":0.4581868,"about_ca_system_score_codex":0.0003624646,"about_ca_system_score_gemma":0.00090393727,"threshold_uncertainty_score":0.9999003},"labels":[],"label_agreement":null},{"id":"W1575481471","doi":"10.7202/1009296ar","title":"William Moylan. 2007. Understanding and Crafting the Mix : The Art of Recording. 2 éd. Burlington, MA : Focal Press, 2007. xxviii, 396 pp. ISBN 978-0-240-80755-3 (couverture souple)","year":2010,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history; History; Media studies; Sociology","score_opus":0.04169551099757427,"score_gpt":0.23112958204924547,"score_spread":0.1894340710516712,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1575481471","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31622386,0.07097606,0.02208548,0.14554879,0.16810061,0.002389334,0.0027351493,0.00012329586,0.27181742],"genre_scores_gemma":[0.9478007,0.0007166969,0.0001173968,0.0016365153,0.007246828,0.0000060178563,0.000005747855,0.000068435336,0.04240167],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99765486,0.00015412463,0.00086771505,0.00025568646,0.00029317988,0.00077442866],"domain_scores_gemma":[0.99761456,0.00038180425,0.0006079388,0.0003867852,0.0004270392,0.00058186543],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00080626976,0.00035251406,0.0004186528,0.00026725142,0.0021802476,0.00044411552,0.00046317317,0.00024168903,0.003334613],"category_scores_gemma":[0.000273694,0.00025475578,0.00035840186,0.000026310876,0.0020699876,0.00045021792,0.000057975303,0.0017862921,0.000016899798],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003841299,0.00005122488,0.0008135685,0.000078917976,0.0004231879,0.00007074638,0.09222496,0.0001884377,0.000052042364,0.02951175,0.8749304,0.0016163506],"study_design_scores_gemma":[0.00041443706,0.00023834892,0.00025730746,0.0004298389,0.00035118026,0.00065961713,0.042735625,0.0013856849,0.000025193987,0.0051463326,0.9480777,0.0002787559],"about_ca_topic_score_codex":0.11192624,"about_ca_topic_score_gemma":0.82532144,"teacher_disagreement_score":0.7133952,"about_ca_system_score_codex":0.00036493916,"about_ca_system_score_gemma":0.00083089963,"threshold_uncertainty_score":0.99999046},"labels":[],"label_agreement":null},{"id":"W1584540846","doi":"10.7202/1013221ar","title":"Mihaela Corduban. 2011. Le premier livre du Clavier bien tempéré de Jean-Sébastien Bach : Rhétorique et sémiologie. Sampzon : Delatour France. 140 p. ISBN 9783752101150","year":2011,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Bach Studies and Logistics Development","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04418525037313,"score_gpt":0.22212363989281514,"score_spread":0.17793838951968513,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1584540846","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3979881,0.08585481,0.01711864,0.07734723,0.0807844,0.0017358382,0.0020152864,0.0001526913,0.337003],"genre_scores_gemma":[0.953634,0.0026970713,0.0016867148,0.0019955393,0.0029095847,0.000029858176,0.000013509967,0.00008089978,0.03695278],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969996,0.00032562032,0.0010561964,0.00037406175,0.00021947135,0.0010250076],"domain_scores_gemma":[0.99710494,0.00026063382,0.0006139708,0.00033361794,0.0008151365,0.00087168947],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00094912515,0.00048816385,0.0006428426,0.0006398055,0.0013201078,0.00021104567,0.0005741672,0.00033925535,0.01413829],"category_scores_gemma":[0.0002981932,0.00046241793,0.00044159673,0.0001409909,0.00086667837,0.00043795185,0.00008836187,0.0013523365,0.00021097212],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011866945,0.00037133755,0.012458321,0.00011304505,0.0011834181,0.000702075,0.13407736,0.00023638086,0.000010445233,0.056385532,0.7872851,0.007058325],"study_design_scores_gemma":[0.00065660494,0.0008275932,0.013203967,0.0005155843,0.00020566792,0.00058961165,0.033187326,0.000082376886,0.000012330243,0.0021157009,0.9480727,0.00053058454],"about_ca_topic_score_codex":0.26116493,"about_ca_topic_score_gemma":0.5401594,"teacher_disagreement_score":0.55564594,"about_ca_system_score_codex":0.0010599795,"about_ca_system_score_gemma":0.0024415404,"threshold_uncertainty_score":0.99998003},"labels":[],"label_agreement":null},{"id":"W1595561234","doi":"10.7202/1013316ar","title":"Barbara L. Kelly. Tradition and Style in the Works of Darius Milhaud 1912-1939. Aldershot: Ashgate, 2003. xvi, 212 p. ISBN 0-7546-3033-1 (couverture rigide)","year":2005,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Style (visual arts); History; Art history; Art; Archaeology","score_opus":0.024298267161256916,"score_gpt":0.20648547279447302,"score_spread":0.1821872056332161,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1595561234","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9624373,0.0015618242,0.00015260217,0.0070392005,0.0019537853,0.00023736518,0.00009974668,0.000010697402,0.026507534],"genre_scores_gemma":[0.99416614,0.000042801938,0.00005469851,0.0035517325,0.0010422153,0.0000070451506,0.000009997907,0.000013627669,0.0011117156],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99863124,0.00016101712,0.0005645925,0.00016903006,0.000173275,0.0003008415],"domain_scores_gemma":[0.9989231,0.000115644885,0.00026038915,0.00018558402,0.0002746892,0.00024057516],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040051716,0.00018104336,0.00032902107,0.00068614905,0.00041273425,0.000152193,0.00027564348,0.00012864832,0.0061327987],"category_scores_gemma":[0.00009144194,0.00013455126,0.00017932602,0.00031710957,0.00050712377,0.00044689103,0.000009714016,0.00068985025,0.000013453524],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017331164,0.00042430183,0.0011056929,0.0000649572,0.00073211367,0.00042164017,0.23057546,0.0010566735,0.00022249226,0.033106286,0.7073743,0.02474283],"study_design_scores_gemma":[0.0016098634,0.0006241366,0.0068850447,0.00043276622,0.0005746512,0.0006562564,0.08109013,0.001072895,0.00005855502,0.0021588856,0.9043433,0.00049349014],"about_ca_topic_score_codex":0.020342324,"about_ca_topic_score_gemma":0.79674435,"teacher_disagreement_score":0.77640206,"about_ca_system_score_codex":0.00013860539,"about_ca_system_score_gemma":0.00035209462,"threshold_uncertainty_score":0.9947757},"labels":[],"label_agreement":null},{"id":"W1608915145","doi":"10.7202/039116ar","title":"Nicolas Dufetel et Malou Haine, éd. 2007. Liszt : un saltimbanque en province. Lyon : Symétrie, xii, 424 p. ISBN 978-2-914373-27-2 (couverture rigide)","year":2009,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Physics; Philosophy","score_opus":0.013212934689072522,"score_gpt":0.21807053633049436,"score_spread":0.20485760164142183,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1608915145","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2650106,0.044017356,0.004096487,0.31840044,0.07627989,0.001985966,0.0021811042,0.00021048367,0.28781766],"genre_scores_gemma":[0.829863,0.00057434995,0.0003688111,0.021625854,0.0077738687,0.000010538859,0.00004131986,0.00007997412,0.13966227],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99576527,0.0006364157,0.0014545219,0.0005537436,0.000418239,0.001171793],"domain_scores_gemma":[0.9959559,0.00039538,0.0007870895,0.0005214853,0.0008578984,0.0014822673],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00096670043,0.0006758665,0.0009895727,0.0015727455,0.0014273302,0.00062313024,0.0007851074,0.00065712124,0.048398975],"category_scores_gemma":[0.00042849657,0.00063826755,0.0010501748,0.00048873114,0.0008281852,0.0010265675,0.000046486748,0.0024796124,0.0004003325],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014808589,0.00035733706,0.00029133027,0.00007102741,0.0008722568,0.0014996342,0.013100312,0.000361564,0.00005366977,0.081378415,0.88691086,0.014955485],"study_design_scores_gemma":[0.0010300587,0.0015006249,0.0026260044,0.00064701214,0.0010518169,0.0008034263,0.003987227,0.00038780548,0.00004715178,0.0059638997,0.9812631,0.00069186755],"about_ca_topic_score_codex":0.066567294,"about_ca_topic_score_gemma":0.7859685,"teacher_disagreement_score":0.7194012,"about_ca_system_score_codex":0.0011492189,"about_ca_system_score_gemma":0.0031281635,"threshold_uncertainty_score":0.9998727},"labels":[],"label_agreement":null},{"id":"W1809937325","doi":"10.7202/1018586ar","title":"Delphine Grivel. 2011. Maurice Denis et la musique. Lyon : Symétrie. Coll. « Perpetuum Mobile », 328 p. ISBN 978-2-914373-53-1 (couverture souple)","year":2012,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.019906882921295666,"score_gpt":0.26526092115791966,"score_spread":0.245354038236624,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1809937325","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84014124,0.05060561,0.0004454631,0.036293823,0.032550942,0.0007633691,0.00065020664,0.00006464377,0.03848473],"genre_scores_gemma":[0.9493116,0.0009694408,0.00028662413,0.009520748,0.0050965394,0.00003389335,0.00002485305,0.00005156431,0.03470473],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957152,0.0011079756,0.00095319684,0.00038713354,0.00055880804,0.0012776741],"domain_scores_gemma":[0.9954369,0.00029729717,0.0007135186,0.00032194678,0.0011121305,0.0021181803],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014558702,0.0005156687,0.00074161886,0.0008315482,0.0013724933,0.0004286873,0.00076961506,0.00076266006,0.016356725],"category_scores_gemma":[0.0002433123,0.00045757476,0.00089999684,0.0015205127,0.00095086434,0.0018833224,0.000059712132,0.0016800932,0.00031495476],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006794231,0.00036089862,0.004746266,0.000063514824,0.001146232,0.000361222,0.09934982,0.00026417224,0.00063584035,0.008185467,0.8783382,0.0064803925],"study_design_scores_gemma":[0.0005313906,0.00034054648,0.0040985346,0.00024233323,0.0009073414,0.0010833323,0.03325192,0.000059548467,0.000042528805,0.0005922125,0.95828736,0.00056296296],"about_ca_topic_score_codex":0.13837041,"about_ca_topic_score_gemma":0.7510001,"teacher_disagreement_score":0.6126297,"about_ca_system_score_codex":0.0011983474,"about_ca_system_score_gemma":0.0022698026,"threshold_uncertainty_score":0.9999276},"labels":[],"label_agreement":null},{"id":"W1856777416","doi":"10.7202/1030869ar","title":"Marcel Dupré's “Dark Years”: Unveiling His Occupation-Period Concertizing","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pride; Period (music); German; Conscience; Adversary; History; Musical; Government (linguistics); Ancient history; Art history; Art; Political science; Literature; Law; Aesthetics; Philosophy; Archaeology","score_opus":0.06400414548649239,"score_gpt":0.24187431780802973,"score_spread":0.17787017232153735,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1856777416","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.951767,0.00023797395,0.00026513485,0.0015227125,0.005299628,0.00006816649,0.000027792856,0.000017869588,0.040793676],"genre_scores_gemma":[0.9951507,0.0000017089553,0.00008993818,0.0012857094,0.0013997615,0.0000028958032,0.0000048684374,0.000013590417,0.002050837],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990167,0.00007298603,0.0003935374,0.00011932748,0.00014485154,0.00025256694],"domain_scores_gemma":[0.9986825,0.00004410501,0.00019814298,0.00012887453,0.00042486648,0.0005215243],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028094277,0.00011351974,0.00022338348,0.00058677426,0.00034053868,0.00016739668,0.00019124222,0.00005922744,0.0062930253],"category_scores_gemma":[0.00016013443,0.0001061438,0.00019761844,0.00012236183,0.00029131112,0.0002839634,0.000012670515,0.00032169707,0.00011177449],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013428698,0.000119272714,0.0068140537,0.000024558634,0.00095362007,0.0010263586,0.33960846,0.0008722442,0.00018664342,0.03763433,0.59702116,0.015604988],"study_design_scores_gemma":[0.00092338247,0.00039371054,0.002088486,0.000113543014,0.0002856806,0.00037526447,0.05947026,0.00031903092,0.000027926757,0.002697767,0.9329576,0.0003473316],"about_ca_topic_score_codex":0.028196666,"about_ca_topic_score_gemma":0.5440464,"teacher_disagreement_score":0.5158497,"about_ca_system_score_codex":0.0002673198,"about_ca_system_score_gemma":0.00079527724,"threshold_uncertainty_score":0.9946154},"labels":[],"label_agreement":null},{"id":"W1858011775","doi":"10.7202/1030871ar","title":"La Baladodiffusion ou l’écoute comme surgissement du présent","year":2015,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.34670674501412313,"score_gpt":0.3091402100222583,"score_spread":0.03756653499186485,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1858011775","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51472145,0.008869715,0.03627592,0.10063532,0.06489125,0.00042845387,0.00009739753,0.000051958268,0.27402854],"genre_scores_gemma":[0.98506576,0.000045619523,0.00026747168,0.0016020027,0.00096531544,0.000001322059,0.0000026365983,0.000015589014,0.012034258],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99814165,0.0002056362,0.00060652127,0.0001944855,0.0003450457,0.00050668896],"domain_scores_gemma":[0.99602896,0.00009097872,0.00033661182,0.00028253294,0.0008983329,0.0023625642],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00058150763,0.00023766566,0.00028736552,0.000483354,0.00024047209,0.001418817,0.0005370155,0.00013889813,0.0004048639],"category_scores_gemma":[0.00023077035,0.00019571488,0.0002670952,0.0005193801,0.00023075148,0.002141424,0.000089353234,0.0004922007,0.00011966514],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024689614,0.0002300141,0.0012288868,0.000022538856,0.00017609335,0.0045375745,0.04110196,0.0012469703,0.00006519851,0.029333893,0.89573205,0.02630013],"study_design_scores_gemma":[0.00095713005,0.0007679566,0.0038865826,0.0005772935,0.00006804378,0.015108009,0.0042446177,0.0020633661,0.00008005073,0.003984569,0.96793437,0.00032801164],"about_ca_topic_score_codex":0.10856812,"about_ca_topic_score_gemma":0.3058333,"teacher_disagreement_score":0.47034433,"about_ca_system_score_codex":0.0008927973,"about_ca_system_score_gemma":0.002236004,"threshold_uncertainty_score":0.9996178},"labels":[],"label_agreement":null},{"id":"W1864641272","doi":"10.7202/1013115ar","title":"Jacotin. 2004. Chansons. Éditées par Frank Dobbins. Centre d’Études Supérieures de la Renaissance, Programme Ricercar. Collection « Épitome musical ». Turnhout: Brepols. xlix, 121 p. ISBN 2-503-51593-2 (couverture souple)","year":2007,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"The Renaissance; Art; Humanities; Art history","score_opus":0.016895890515504986,"score_gpt":0.23221329657553133,"score_spread":0.21531740606002633,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1864641272","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86378706,0.01722772,0.0016700301,0.027242444,0.026700843,0.0009839038,0.00052754185,0.00016149772,0.061698973],"genre_scores_gemma":[0.97165865,0.00028461847,0.0002344791,0.0027734325,0.008530061,0.000017346456,0.000028631292,0.00009984065,0.016372956],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949335,0.0006476295,0.0014642163,0.00063281326,0.0004959533,0.0018259287],"domain_scores_gemma":[0.9951927,0.00065602286,0.0008565409,0.00042158156,0.0009478768,0.0019252585],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0017873446,0.00072196376,0.0009968271,0.0019021434,0.0025839866,0.0007729589,0.00063360896,0.0009236409,0.0120682195],"category_scores_gemma":[0.00064555265,0.000689421,0.0011592434,0.0010210556,0.0024479004,0.000628565,0.000055219443,0.0025239557,0.000079047626],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004431742,0.0010638657,0.0049740337,0.00024229374,0.0024819481,0.002554963,0.06536382,0.00050768803,0.00046918553,0.029091554,0.88138205,0.011425401],"study_design_scores_gemma":[0.0013000236,0.0006637388,0.010164204,0.00059871486,0.0013375254,0.002231713,0.020783542,0.00020822536,0.0001533085,0.0008541718,0.9609569,0.0007479617],"about_ca_topic_score_codex":0.1382743,"about_ca_topic_score_gemma":0.88274527,"teacher_disagreement_score":0.74447095,"about_ca_system_score_codex":0.0013956397,"about_ca_system_score_gemma":0.0021673073,"threshold_uncertainty_score":0.99977726},"labels":[],"label_agreement":null},{"id":"W1865725062","doi":"10.7202/1030872ar","title":"Littérature et vocalité chez Xenakis ou comment traiter des abîmes","year":2015,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.067182563323895,"score_gpt":0.28223088500819016,"score_spread":0.21504832168429516,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1865725062","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34910345,0.07556992,0.0008804321,0.34580523,0.042475235,0.00031786278,0.0003011731,0.000036763475,0.18550994],"genre_scores_gemma":[0.9553908,0.00024870774,0.0003382799,0.008252481,0.002215937,0.0000040271552,0.000002661554,0.000018416775,0.033528704],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980834,0.0004795013,0.0004889401,0.00015286855,0.00029623474,0.0004990524],"domain_scores_gemma":[0.9975992,0.00009701887,0.00021028744,0.00011473578,0.0005006698,0.0014780816],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00082258426,0.00019477561,0.0003138061,0.0003300679,0.0006203604,0.00014004935,0.0003052589,0.00017024753,0.0010569316],"category_scores_gemma":[0.00021855587,0.00017495583,0.0002920424,0.0008066851,0.0009604,0.00056879444,0.000017879442,0.00065655826,0.000073543335],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017373512,0.00009183243,0.002390238,0.00002025044,0.0002262986,0.00022966298,0.43386105,0.00004346346,0.0000044870394,0.0211833,0.5212262,0.020705802],"study_design_scores_gemma":[0.00029923854,0.00035995973,0.0012503831,0.00025185107,0.000081365826,0.00016735191,0.04306746,0.000007331834,0.0000042506636,0.0022987234,0.9520358,0.0001762702],"about_ca_topic_score_codex":0.14548983,"about_ca_topic_score_gemma":0.656371,"teacher_disagreement_score":0.60628736,"about_ca_system_score_codex":0.001544505,"about_ca_system_score_gemma":0.001508218,"threshold_uncertainty_score":0.99985623},"labels":[],"label_agreement":null},{"id":"W1868505409","doi":"10.7202/019300ar","title":"Carl Wilson. 2007. Let’s Talk About Love: A Journey to the End of Taste. New York: Continuum. 164 pp. ISBN 13: 978-0-8264-2788-5 (paperback).","year":2007,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Jungian Analytical Psychology","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Taste; Art history; Philosophy; Humanities; Art; Psychology","score_opus":0.041883748246336554,"score_gpt":0.29998661657163495,"score_spread":0.2581028683252984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1868505409","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4984223,0.014106812,0.011849017,0.040707145,0.040300343,0.0010818497,0.00028315658,0.0000464274,0.39320293],"genre_scores_gemma":[0.9581517,0.000023565033,0.00031117935,0.006905406,0.0027586925,0.0000014669465,0.0000032138526,0.00007819061,0.031766597],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962665,0.00026440498,0.0014767005,0.0004234292,0.00039253352,0.0011764371],"domain_scores_gemma":[0.9956917,0.00034034,0.0006940246,0.00080254773,0.00047064121,0.0020007151],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0014187684,0.0003835654,0.00068127265,0.00095100293,0.00014955312,0.000100554294,0.001064756,0.0003393273,0.02813749],"category_scores_gemma":[0.0004084988,0.00032494345,0.00057925656,0.0011145925,0.00054230663,0.00017003978,0.000039437175,0.0014227025,0.0022740704],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022593055,0.00009998556,0.00162064,0.000007295697,0.000611007,0.0006973695,0.011152695,0.000061972314,0.0005657567,0.0011153467,0.97328895,0.010553071],"study_design_scores_gemma":[0.0016561118,0.00091791264,0.03982348,0.00022116736,0.00025736485,0.0050553475,0.016826978,0.000008152301,0.00009020475,0.00031468368,0.9344426,0.00038602765],"about_ca_topic_score_codex":0.080359586,"about_ca_topic_score_gemma":0.6927449,"teacher_disagreement_score":0.61238533,"about_ca_system_score_codex":0.0005643859,"about_ca_system_score_gemma":0.0010785494,"threshold_uncertainty_score":0.99992025},"labels":[],"label_agreement":null},{"id":"W1871403703","doi":"10.7202/1025559ar","title":"Patrik N. Juslin et John A. Sloboda (éd). 2010 (c2001). Handbook of Music and Emotion : Theory, Research, Applications. Oxford : Oxford University Press. 976 p. ISBN 978-0-19-960496-8, couverture souple","year":2012,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Media studies; Art; Sociology","score_opus":0.046397797364085065,"score_gpt":0.2514263266671529,"score_spread":0.20502852930306786,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1871403703","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6065154,0.12713744,0.04670962,0.03611721,0.026527938,0.003816415,0.0044262623,0.00012217619,0.14862755],"genre_scores_gemma":[0.9430041,0.0034205772,0.00026372456,0.001148878,0.002702329,0.000013530252,0.00004950215,0.000049310634,0.04934807],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99685365,0.0009261282,0.0007263013,0.0003195426,0.0003486594,0.0008257349],"domain_scores_gemma":[0.9963596,0.0005150971,0.00057533325,0.00039127652,0.0009867431,0.0011719825],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0019400878,0.00032605848,0.0005627076,0.001331861,0.001709275,0.0001598194,0.00045582498,0.00039788554,0.007331028],"category_scores_gemma":[0.00022195574,0.00032301518,0.00042853848,0.00043666267,0.0019996928,0.0008653671,0.00009852369,0.0015385378,0.00001775382],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000332123,0.0006282759,0.0016505232,0.00032938874,0.0013318087,0.000090725356,0.05516935,0.00016577092,0.0001038466,0.337338,0.57278216,0.030078007],"study_design_scores_gemma":[0.0007264232,0.00037370503,0.0015309945,0.00029188936,0.0007067235,0.00015604991,0.025306726,0.00011168709,0.000029079587,0.0031360541,0.9673438,0.0002868765],"about_ca_topic_score_codex":0.053602964,"about_ca_topic_score_gemma":0.3590881,"teacher_disagreement_score":0.39456162,"about_ca_system_score_codex":0.0005566436,"about_ca_system_score_gemma":0.0011686656,"threshold_uncertainty_score":0.9999222},"labels":[],"label_agreement":null},{"id":"W1872106695","doi":"10.7202/1030880ar","title":"Tanya Buchdahl Tintner. 2013. Out of Time: The Vexed Life of Georg Tintner. Waterloo: Wilfrid Laurier University Press, x, 420 pp. ISBN 978-1-55458-938-8","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Philosophy, History, and Historiography","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.018382139619446188,"score_gpt":0.17507330469315663,"score_spread":0.15669116507371045,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1872106695","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3207739,0.004568105,0.00018104396,0.009383715,0.023921426,0.0006772151,0.0009862486,0.000085757376,0.6394226],"genre_scores_gemma":[0.97884506,0.000062932006,0.00002793658,0.00023440855,0.0014118406,0.0000012088508,0.0000064771953,0.000028875502,0.019381277],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985476,0.00017608707,0.0005646546,0.00016940416,0.00024278268,0.00029944742],"domain_scores_gemma":[0.9980023,0.00008141717,0.00060315017,0.00035711442,0.0005665108,0.00038951624],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038389373,0.00020226947,0.00040058175,0.0005617387,0.0005881195,0.00004946923,0.00054730906,0.00008670716,0.002161271],"category_scores_gemma":[0.0000726549,0.00016895341,0.0004366518,0.00010966524,0.0010512024,0.00027792112,0.000026133088,0.00040588583,0.00004288095],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013238064,0.0001117186,0.00025598507,0.00006079677,0.0005098442,0.0000258133,0.05464031,0.000074938886,0.00049661886,0.02366776,0.91952133,0.0005025089],"study_design_scores_gemma":[0.0004405033,0.0003180223,0.00026196675,0.00009836485,0.00020016608,0.000018519151,0.0033354072,0.00003879079,0.000064854794,0.00036148567,0.9946802,0.00018169903],"about_ca_topic_score_codex":0.08070343,"about_ca_topic_score_gemma":0.33594638,"teacher_disagreement_score":0.65807116,"about_ca_system_score_codex":0.00020628853,"about_ca_system_score_gemma":0.0004832651,"threshold_uncertainty_score":0.99875087},"labels":[],"label_agreement":null},{"id":"W1926306389","doi":"10.7202/1032700ar","title":"Seeds for a Mature Compositional Style: An Analysis of Melody, Musical Layers, and Signals in Claude Vivier’s Chants","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Style (visual arts); Musical; Melody; Composition (language); Musical composition; Musical analysis; Literature; Art; Computer science","score_opus":0.05577770755004125,"score_gpt":0.2650944845254179,"score_spread":0.20931677697537665,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1926306389","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9961715,0.00014663755,0.00044315166,0.0009828281,0.0006219883,0.000112693044,0.00028799532,0.0000045357215,0.0012287216],"genre_scores_gemma":[0.9981076,0.0000020340597,0.00018979011,0.00094778166,0.0005160416,0.000007937247,0.00003553488,0.000009907969,0.0001833673],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99886674,0.000112542424,0.00047949073,0.00015704874,0.00015207377,0.00023208474],"domain_scores_gemma":[0.9986003,0.00011019467,0.00022738303,0.00011249601,0.00046870945,0.00048091979],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00046195983,0.00013119177,0.0004802068,0.0018530317,0.00017253365,0.00007613076,0.00016176036,0.000097663054,0.0018186175],"category_scores_gemma":[0.000070804046,0.000115452276,0.00025159793,0.000332247,0.00030570675,0.00026426718,0.0000126963405,0.000255332,0.0000017043327],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018037513,0.0013410458,0.03562857,0.00018881845,0.016557323,0.00055537315,0.5473947,0.012254521,0.0034941854,0.26935568,0.10210193,0.009324128],"study_design_scores_gemma":[0.014083492,0.009828537,0.194313,0.0010852678,0.023315486,0.000834796,0.34365067,0.07667542,0.0004499409,0.033923466,0.29877475,0.0030651882],"about_ca_topic_score_codex":0.015719604,"about_ca_topic_score_gemma":0.80889136,"teacher_disagreement_score":0.79317176,"about_ca_system_score_codex":0.000123355,"about_ca_system_score_gemma":0.00034043976,"threshold_uncertainty_score":0.99909383},"labels":[],"label_agreement":null},{"id":"W1963962877","doi":"10.7202/1013312ar","title":"Remembering a Dream: The Tragedy of Romantic Memory in the Modulatory Processes of Schubert's Sonata Forms","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dream; Tragedy (event); Romance; Theme (computing); Illusion; Literature; Art; Philosophy; Psychology; Cognitive psychology; Computer science; Neuroscience","score_opus":0.04108172449235054,"score_gpt":0.21980474593383423,"score_spread":0.1787230214414837,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1963962877","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.986121,0.0006239218,0.000022563181,0.00069966714,0.0006363351,0.000090519796,0.000011848103,0.000002004197,0.011792168],"genre_scores_gemma":[0.99893767,0.000006923951,0.000008272458,0.0003956968,0.00038285324,0.0000051804127,9.868872e-7,0.0000073306046,0.00025511353],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99905956,0.00008701543,0.00043101035,0.000060304974,0.00014015163,0.00022198533],"domain_scores_gemma":[0.9991349,0.00014607086,0.0002665082,0.00016501478,0.00019152103,0.00009599025],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006300654,0.00009072242,0.00021241345,0.00039120618,0.00024095344,0.000030212535,0.0003312774,0.000039520324,0.0014040222],"category_scores_gemma":[0.00014806013,0.00005043224,0.0001589656,0.00019193535,0.0003902412,0.00032593406,0.000011853255,0.00031789148,0.0000028776462],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008610727,0.00057893124,0.008944289,0.000451779,0.0011032069,0.00006844157,0.88005805,0.0007278093,0.00071225513,0.078341484,0.020034792,0.00889284],"study_design_scores_gemma":[0.0022470772,0.0011675074,0.085103944,0.0015266384,0.0019833932,0.0013208854,0.702802,0.00048641404,0.0021693825,0.0103596095,0.189933,0.00090013514],"about_ca_topic_score_codex":0.01490813,"about_ca_topic_score_gemma":0.6250281,"teacher_disagreement_score":0.61011994,"about_ca_system_score_codex":0.00004695803,"about_ca_system_score_gemma":0.00028719121,"threshold_uncertainty_score":0.99950886},"labels":[],"label_agreement":null},{"id":"W1965743445","doi":"10.7202/039113ar","title":"The Gregorian Institute of Canada: Traditions in Western Plainchant","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Archaeology","score_opus":0.024269352792518545,"score_gpt":0.18830695595125707,"score_spread":0.16403760315873853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1965743445","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8251199,0.0019486032,0.000049960672,0.013638707,0.023191845,0.00021192318,0.0001891058,0.000007687477,0.13564226],"genre_scores_gemma":[0.99576825,0.000008844491,0.0000050685585,0.00060460565,0.00076414144,0.000001137222,0.0000022800582,0.0000041213593,0.0028415564],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992891,0.000028531937,0.00034133354,0.000051578892,0.00011384277,0.00017559806],"domain_scores_gemma":[0.9994083,0.000029517196,0.00014067245,0.00009429552,0.000135722,0.00019149561],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015452119,0.000070414266,0.00013136097,0.00032200495,0.00038637925,0.000053249914,0.00016441733,0.000022206892,0.00025487947],"category_scores_gemma":[0.00002360407,0.00005252364,0.00006831105,0.00006191944,0.0001691447,0.00018169609,9.4093224e-7,0.00025967462,0.0000011877114],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000674394,0.00007518915,0.00031367625,0.00002114004,0.00013860496,0.0006627326,0.33705497,0.00017445914,0.00005769396,0.29230833,0.36204943,0.007076316],"study_design_scores_gemma":[0.0001688887,0.00012794464,0.0016246702,0.000088877474,0.000014371007,0.000096379415,0.00524241,0.000006919643,0.000005750857,0.00072905864,0.99183375,0.000061001625],"about_ca_topic_score_codex":0.5334888,"about_ca_topic_score_gemma":0.99981815,"teacher_disagreement_score":0.6297843,"about_ca_system_score_codex":0.00033936158,"about_ca_system_score_gemma":0.0016524071,"threshold_uncertainty_score":0.46961775},"labels":[],"label_agreement":null},{"id":"W1967640243","doi":"10.7202/1006379ar","title":"Hybridization and the Creation of “Third Spaces”: an Analysis of Two Works by Tomás Gubitsch","year":2011,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Popularity; Phenomenon; Period (music); Musical; Performance art; History; First world war; World War II; Art history; Art; Visual arts; Literature; Humanities; Aesthetics; Political science; Epistemology; Philosophy; Law","score_opus":0.026119116273489982,"score_gpt":0.20816587110920548,"score_spread":0.1820467548357155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1967640243","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9656297,0.00037201386,0.0007204575,0.000099138786,0.00060660834,0.000068809066,0.00004807526,0.0000033643507,0.03245182],"genre_scores_gemma":[0.99882555,0.00000646405,0.000029562305,0.00012632176,0.00012946887,0.000001414923,0.000008659266,0.000004914002,0.00086764415],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99937546,0.00009059921,0.00030458157,0.000064490996,0.000086472704,0.000078382225],"domain_scores_gemma":[0.99913394,0.000022841667,0.000330371,0.00010746977,0.00029605368,0.00010929078],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024934008,0.000066918736,0.00019974857,0.0004108492,0.00022509044,0.000044674125,0.000105793675,0.000027548629,0.0043085204],"category_scores_gemma":[0.000029979392,0.000047616646,0.00012050067,0.00015732714,0.00038861512,0.00028377466,0.0000034110903,0.000129005,7.789416e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000183476,0.000095269446,0.002807854,0.000021191829,0.001516378,0.000009217908,0.82910347,0.0003921449,0.00028738953,0.12299063,0.03872378,0.0038691887],"study_design_scores_gemma":[0.006240849,0.0017121367,0.01280681,0.000775817,0.011883042,0.00021944556,0.58844733,0.005001982,0.0013027897,0.005505567,0.36512992,0.00097432523],"about_ca_topic_score_codex":0.050257802,"about_ca_topic_score_gemma":0.7311349,"teacher_disagreement_score":0.6808771,"about_ca_system_score_codex":0.000040194325,"about_ca_system_score_gemma":0.000097529075,"threshold_uncertainty_score":0.9966017},"labels":[],"label_agreement":null},{"id":"W1968323833","doi":"10.7202/1013311ar","title":"\"We Shall Be Better Canadians by Being Conscious Jews\": Multiculturalism and the Construction of Canadian Identity in the Toronto Jewish Folk Choir","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Choir; Multiculturalism; Mainstream; Identity (music); Cultural assimilation; Ethnic group; Gender studies; Judaism; Rhetoric; Musical; Politics; Jewish identity; Sociology; Cultural identity; Religious studies; History; Political science; Aesthetics; Literature; Art; Anthropology; Law; Pedagogy; Social science; Theology; Philosophy","score_opus":0.020426038664220488,"score_gpt":0.20682386122464286,"score_spread":0.18639782256042237,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1968323833","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94268286,0.003444395,0.000005492881,0.011522535,0.004016857,0.00028157208,0.00023577733,0.000004671083,0.03780583],"genre_scores_gemma":[0.9952786,0.0000300233,0.000015317111,0.003229959,0.0007103643,0.000008249266,0.000006421277,0.000009276594,0.00071178726],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886936,0.00017196254,0.00037797625,0.00009055916,0.0001447835,0.0003453353],"domain_scores_gemma":[0.9990398,0.00007060909,0.00019239957,0.0001359278,0.00015432139,0.00040692868],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00044855027,0.00013698959,0.00020816764,0.00028549763,0.0007610054,0.00016743779,0.0002523767,0.000071205686,0.0024848857],"category_scores_gemma":[0.000063120686,0.000086924774,0.00011864613,0.00011325623,0.0007750402,0.0007871077,0.00000602589,0.00035469033,0.0000025831994],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009686571,0.000013318088,0.0010988906,0.000013814088,0.00010424919,0.000022255943,0.764078,0.0000019789966,0.000029314955,0.05108028,0.18225434,0.0012938683],"study_design_scores_gemma":[0.0005273251,0.000031876625,0.0008626078,0.00007112199,0.00009607239,0.00039972397,0.22836082,0.000005944891,0.0000036772258,0.00043027833,0.7690787,0.00013188206],"about_ca_topic_score_codex":0.97470117,"about_ca_topic_score_gemma":0.9999404,"teacher_disagreement_score":0.5868243,"about_ca_system_score_codex":0.0005256618,"about_ca_system_score_gemma":0.00033168594,"threshold_uncertainty_score":0.998427},"labels":[],"label_agreement":null},{"id":"W1969826315","doi":"10.7202/1018582ar","title":"Proposition d’un cadre conceptuel pour aider le professeur d’instrument à intégrer l’improvisation musicale à son acte pédagogique","year":2013,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Improvisation; Humanities; Art; Philosophy; Visual arts","score_opus":0.04237173583166192,"score_gpt":0.22709848206442323,"score_spread":0.1847267462327613,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1969826315","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90328354,0.00060197327,0.0007608594,0.0425354,0.025307223,0.00090895913,0.00012758287,0.00003647431,0.026437985],"genre_scores_gemma":[0.9520959,0.00003065181,0.0002911353,0.0020001964,0.004375432,0.000063669,0.00002722708,0.00005726422,0.041058477],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99749005,0.00031080452,0.000924081,0.0003109299,0.00031491657,0.00064919493],"domain_scores_gemma":[0.9964812,0.000075973934,0.00075174577,0.00027513623,0.0015725535,0.00084339804],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00032878542,0.00033421227,0.00036301152,0.0007089638,0.0013090537,0.0010826996,0.00033354101,0.00024746178,0.047020216],"category_scores_gemma":[0.00011327603,0.00035799036,0.0003028829,0.00018167535,0.0007538166,0.001976472,0.00003172068,0.0009166058,0.0008051634],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028819282,0.0006497934,0.0005432041,0.0001851926,0.0006488154,0.00016170918,0.28824025,0.0001278293,0.00082380394,0.07505853,0.5685574,0.06497468],"study_design_scores_gemma":[0.0014698346,0.0006586245,0.006500744,0.0011003029,0.0003027943,0.0008708112,0.2561588,0.00033533003,0.0007457865,0.0052091754,0.7259633,0.00068447],"about_ca_topic_score_codex":0.2920106,"about_ca_topic_score_gemma":0.40443805,"teacher_disagreement_score":0.15740594,"about_ca_system_score_codex":0.0013103553,"about_ca_system_score_gemma":0.0041300887,"threshold_uncertainty_score":0.9999911},"labels":[],"label_agreement":null},{"id":"W1970008077","doi":"10.7202/1013214ar","title":"Le Prisonnier de Luigi Dallapiccola : derrière le politique, le religieux","year":2012,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.020192088733716307,"score_gpt":0.21237277004521915,"score_spread":0.19218068131150284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1970008077","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5543955,0.039903324,0.00043536414,0.31897947,0.0091901,0.0001640529,0.00011259621,0.000024476483,0.07679514],"genre_scores_gemma":[0.94561917,0.00064300536,0.000094849354,0.0009938712,0.003983851,0.0000055704672,0.0000029431621,0.000028473643,0.04862827],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99817914,0.00015910217,0.00056196825,0.00013634052,0.00016034163,0.00080312794],"domain_scores_gemma":[0.99799263,0.000059542006,0.00028092577,0.0001462607,0.00043645146,0.0010841937],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030248798,0.00022088969,0.0003920861,0.0003051559,0.004740284,0.00021660913,0.00025640754,0.00015581529,0.001323253],"category_scores_gemma":[0.00010347466,0.00021044587,0.00058864686,0.00017125004,0.00048936566,0.00060720945,0.000026607027,0.0006111768,0.0000617411],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000096812355,0.00017225789,0.0019495054,0.000036144127,0.00066198455,0.00006971849,0.18951108,0.000043524924,0.000015694695,0.3354796,0.47081888,0.0012319444],"study_design_scores_gemma":[0.00026223113,0.00011060693,0.00079687947,0.00010760818,0.000199045,0.00021531539,0.079927556,0.000010799397,0.0000081593935,0.0019167949,0.9162085,0.00023649256],"about_ca_topic_score_codex":0.73102456,"about_ca_topic_score_gemma":0.896211,"teacher_disagreement_score":0.44538963,"about_ca_system_score_codex":0.0032905082,"about_ca_system_score_gemma":0.0019643272,"threshold_uncertainty_score":0.9995897},"labels":[],"label_agreement":null},{"id":"W1970209212","doi":"10.7202/1025554ar","title":"Où (en) est (l’étude de) la musique (au cinéma ?) du film ?","year":2014,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.009802295167929194,"score_gpt":0.19544471759195933,"score_spread":0.18564242242403015,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1970209212","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8311396,0.0021842364,0.0009967197,0.107913546,0.0083518345,0.00008456165,0.00006566309,0.000015671398,0.04924813],"genre_scores_gemma":[0.97109294,0.00041967275,0.000059906954,0.0011402088,0.0061095166,0.0000037574516,0.0000023054142,0.000023276742,0.021148391],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998225,0.0004093444,0.0005157787,0.00015386003,0.00015756591,0.0005384942],"domain_scores_gemma":[0.99811953,0.00029566762,0.000259983,0.00012912342,0.0003907466,0.0008049319],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00066750194,0.00022477734,0.00039763073,0.0003130259,0.0035136105,0.00024626296,0.00027657603,0.00017058845,0.004909286],"category_scores_gemma":[0.00035509493,0.00019420021,0.0005701448,0.00015612887,0.00068321964,0.00024355658,0.000021867992,0.00071012485,0.00010195566],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018125987,0.00013866802,0.0024615969,0.00006575084,0.0009884937,0.00035114362,0.6213868,0.0010109111,0.000016523389,0.11183694,0.25030446,0.011420559],"study_design_scores_gemma":[0.00026774424,0.00027649876,0.0021444273,0.00017200121,0.00034857294,0.00034256192,0.030470403,0.000217016,0.0000018106475,0.0012552954,0.96427226,0.00023140169],"about_ca_topic_score_codex":0.42379415,"about_ca_topic_score_gemma":0.942965,"teacher_disagreement_score":0.7139678,"about_ca_system_score_codex":0.005400898,"about_ca_system_score_gemma":0.0005534317,"threshold_uncertainty_score":0.9984172},"labels":[],"label_agreement":null},{"id":"W1972563577","doi":"10.7202/029955ar","title":"Interpreting Gesture as Motive: A Transformational Perspective on Replication in R. Murray Schafer’s Seventh String Quartet1","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"National Institute of Environmental Research","keywords":"Transformational leadership; Terminology; Gesture; Perspective (graphical); String (physics); Set (abstract data type); Replication (statistics); Musical; Linguistics; Computer science; Cognitive science; Psychology; Artificial intelligence; Literature; Art; Philosophy; Mathematics; Social psychology; Programming language; Theoretical physics; Physics","score_opus":0.03017703555031185,"score_gpt":0.3010000173832458,"score_spread":0.2708229818329339,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1972563577","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98672605,0.000008142313,0.0007573165,0.004485696,0.00078689534,0.00017353604,0.000010634434,0.000015173898,0.007036569],"genre_scores_gemma":[0.9963328,0.000008610076,0.00003284983,0.0033908065,0.00013960418,0.0000039951783,8.2054817e-7,0.000008060354,0.000082400045],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99864686,0.00012715,0.00038525384,0.00030318167,0.00025061253,0.00028697075],"domain_scores_gemma":[0.9991803,0.00007312859,0.00018355166,0.000193963,0.00012277807,0.00024624495],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003491206,0.00013045983,0.00014039183,0.0010779304,0.00024745628,0.00009144444,0.00026457082,0.00006180638,0.00018471225],"category_scores_gemma":[0.0008626784,0.00012762427,0.000115108895,0.00063712016,0.00008915913,0.00069414,0.0000040932628,0.0005830119,0.000028708979],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031206154,0.0003664494,0.00049076346,0.0000109354805,0.00001419746,0.00038597066,0.13297759,0.0051516034,0.7824029,0.030112827,0.0028745974,0.044900164],"study_design_scores_gemma":[0.008973848,0.016355192,0.5300752,0.0054714424,0.00016735004,0.018123867,0.18750313,0.0073682526,0.13527288,0.052381743,0.035198756,0.0031083338],"about_ca_topic_score_codex":0.002065813,"about_ca_topic_score_gemma":0.017730515,"teacher_disagreement_score":0.64712995,"about_ca_system_score_codex":0.0009044264,"about_ca_system_score_gemma":0.00048389554,"threshold_uncertainty_score":0.9894044},"labels":[],"label_agreement":null},{"id":"W1973419492","doi":"10.7202/1025557ar","title":"De l’orchestre À la machine","year":2014,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Star trek; Literature","score_opus":0.031915171249340964,"score_gpt":0.25609531879093084,"score_spread":0.22418014754158988,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1973419492","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.052660175,0.0039573126,0.009483421,0.009455747,0.0020518294,0.00007280207,0.00016530528,0.0000075324906,0.9221459],"genre_scores_gemma":[0.9347331,0.0000509326,0.000115775925,0.0002763494,0.0018566941,0.0000015103759,0.0000018108317,0.000019017512,0.0629448],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987931,0.00032205257,0.00028492263,0.00008557527,0.0001229852,0.00039131666],"domain_scores_gemma":[0.99851584,0.00027766995,0.00012159362,0.00010795823,0.00026858892,0.00070836727],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006033719,0.00011952738,0.00017675171,0.00040373285,0.00056298584,0.000265551,0.0001942205,0.00007705306,0.016971234],"category_scores_gemma":[0.00031343798,0.00011396457,0.0001646836,0.00006720084,0.00082616945,0.00016869926,0.000011347927,0.0006021524,0.00014334578],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022409668,0.000056995363,0.002459851,0.00004785548,0.00020602795,0.00029118467,0.02064559,0.00009027587,0.000012088673,0.7809519,0.13751449,0.057701334],"study_design_scores_gemma":[0.00024455838,0.00035741992,0.0016504102,0.0002816909,0.00007479317,0.0009111096,0.017654503,0.00069537427,0.0000098461815,0.0030076287,0.97500056,0.000112081645],"about_ca_topic_score_codex":0.15612073,"about_ca_topic_score_gemma":0.500542,"teacher_disagreement_score":0.8820729,"about_ca_system_score_codex":0.0003623018,"about_ca_system_score_gemma":0.0011376829,"threshold_uncertainty_score":0.98392737},"labels":[],"label_agreement":null},{"id":"W1974064083","doi":"10.7202/029953ar","title":"The Tristan Chord Resolved","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":38,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Chord (peer-to-peer); Art history; History; Philosophy; Computer science","score_opus":0.030426160935937495,"score_gpt":0.2185159794521313,"score_spread":0.1880898185161938,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1974064083","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60895693,0.0011116972,0.00042870734,0.03697747,0.0093584,0.00017307849,0.000028159577,0.000030057936,0.34293553],"genre_scores_gemma":[0.9894711,0.0000080243935,0.000010904292,0.0023679752,0.0013012721,0.0000011348136,8.8964794e-7,0.000004785216,0.006833908],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923605,0.00005906725,0.00031683824,0.00007143331,0.00008962883,0.000226981],"domain_scores_gemma":[0.9991586,0.00007885361,0.000144551,0.00013380403,0.00022843255,0.00025575454],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025672867,0.00008181395,0.00013840132,0.0002839888,0.0011012576,0.0002021865,0.00024161027,0.000036048965,0.0038771252],"category_scores_gemma":[0.00010219574,0.00005311564,0.0002170793,0.000092407005,0.00027980946,0.00012913471,0.000003461825,0.00031332695,0.000037553094],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000092020724,0.000059903636,0.00010364059,0.000002417854,0.00033922782,0.00016912074,0.038425766,0.00003083315,0.00009280555,0.30246183,0.5849967,0.07322576],"study_design_scores_gemma":[0.00017137006,0.00024327534,0.000826252,0.000016199832,0.00007292098,0.000054055647,0.0068549295,0.000016720973,0.000009614455,0.0054460047,0.9862153,0.0000733352],"about_ca_topic_score_codex":0.00680499,"about_ca_topic_score_gemma":0.7508722,"teacher_disagreement_score":0.7440672,"about_ca_system_score_codex":0.0000975888,"about_ca_system_score_gemma":0.00026200683,"threshold_uncertainty_score":0.9998088},"labels":[],"label_agreement":null},{"id":"W1975821986","doi":"10.7202/1013241ar","title":"\"A Confusion of Glory\": Orthodox Visitors as Sources for Muscovite Musical Practice (Late 16th-mid 17th century)","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Glory; Archbishop; Poetry; History; Narrative; Literature; Period (music); Confusion; Memoir; Singing; Classics; Ancient history; Art; Psychology","score_opus":0.03285763598396737,"score_gpt":0.33218286187027246,"score_spread":0.2993252258863051,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1975821986","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9721085,0.0005761113,0.00077789405,0.0021971385,0.006206413,0.0002266199,0.000017862183,0.000014967759,0.017874515],"genre_scores_gemma":[0.99653935,0.000043653334,0.0004511777,0.00095935905,0.0015543246,0.0000046373098,0.0000013794358,0.000015242952,0.0004308877],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99824655,0.00026976797,0.0005047335,0.00012635128,0.00034609975,0.000506472],"domain_scores_gemma":[0.99713767,0.0005222652,0.00049516687,0.0001367199,0.0006486987,0.0010594993],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012038386,0.00012660441,0.0002544291,0.00046853218,0.0007091222,0.000071249146,0.00027796233,0.00014341729,0.00067097583],"category_scores_gemma":[0.0025816127,0.00011994687,0.0002697003,0.00047370684,0.00034194582,0.0009933015,0.000013868349,0.00031192432,0.00003446693],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009699551,0.00097015954,0.041216206,0.00012540945,0.0008406523,0.00024723148,0.769493,0.0005276202,0.010408247,0.05871775,0.06859867,0.04788514],"study_design_scores_gemma":[0.0003711601,0.0002865345,0.0018937703,0.00008635983,0.0001339829,0.00005935838,0.033645146,0.000004312558,0.00023016999,0.00032746387,0.96279675,0.00016498133],"about_ca_topic_score_codex":0.11400063,"about_ca_topic_score_gemma":0.11568129,"teacher_disagreement_score":0.8941981,"about_ca_system_score_codex":0.0005224046,"about_ca_system_score_gemma":0.0015058527,"threshold_uncertainty_score":0.90045524},"labels":[],"label_agreement":null},{"id":"W1983587658","doi":"10.7202/039107ar","title":"Tom Johnson : le simple du village","year":2010,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.01647922296978264,"score_gpt":0.23012518199842197,"score_spread":0.21364595902863934,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1983587658","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7931914,0.0029473875,0.00018018151,0.030011145,0.036932647,0.00008201237,0.000053688527,0.000011185061,0.13659036],"genre_scores_gemma":[0.97758675,0.00008809413,0.000117811964,0.0007046247,0.0041854004,0.0000014209578,8.198358e-7,0.000012536522,0.017302547],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99874556,0.00013867213,0.0003862222,0.00012721831,0.00018165863,0.00042065958],"domain_scores_gemma":[0.9983972,0.00010897653,0.00019428851,0.00011658189,0.00031314063,0.0008698345],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041046573,0.00013215478,0.00022870289,0.00035413817,0.0012160093,0.00008819435,0.00030164586,0.00014565603,0.0055837296],"category_scores_gemma":[0.0002719154,0.00013316282,0.00025643717,0.00060120056,0.0006618957,0.0004613228,0.000014315728,0.0006922823,0.00012755964],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013763241,0.0001098037,0.006842129,0.000017553557,0.00019724859,0.0005014805,0.15633605,0.000022501676,0.0002531566,0.050368655,0.74066365,0.044674035],"study_design_scores_gemma":[0.00015896071,0.00012711789,0.002140117,0.000037295416,0.000038408056,0.00018713527,0.008638101,0.000012603734,0.000011303881,0.0011365486,0.98737544,0.00013698539],"about_ca_topic_score_codex":0.44297674,"about_ca_topic_score_gemma":0.942232,"teacher_disagreement_score":0.4992553,"about_ca_system_score_codex":0.00033867828,"about_ca_system_score_gemma":0.001676291,"threshold_uncertainty_score":0.9953253},"labels":[],"label_agreement":null},{"id":"W1983930278","doi":"10.7202/1013212ar","title":"Un cas de « production ratée » : « The Velvet Underground and Nico », mise en scène phonographique et analyse transphonographique","year":2012,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Physics; Philosophy","score_opus":0.02671707631825535,"score_gpt":0.26821577060193813,"score_spread":0.24149869428368279,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1983930278","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91142684,0.021572132,0.00023334443,0.059456497,0.0056685247,0.00019475706,0.000034912606,0.000010485405,0.0014024919],"genre_scores_gemma":[0.9891348,0.0017604914,0.00017994178,0.0050105276,0.0023631311,0.000010896861,0.0000053652716,0.000018075834,0.001516755],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99699587,0.001382499,0.0005237792,0.00021596297,0.00019924887,0.0006826572],"domain_scores_gemma":[0.9979768,0.00017428903,0.0003435097,0.00019219318,0.00036116666,0.00095206016],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019108969,0.00025535878,0.0003323525,0.00069726625,0.0011895564,0.00027875483,0.00031400038,0.00030862773,0.00057530834],"category_scores_gemma":[0.00017605946,0.00019471726,0.00049471686,0.001994744,0.0011791543,0.001136429,0.0000114911645,0.0010195201,0.0000063949246],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013763072,0.00049123436,0.10119475,0.000100841185,0.004553921,0.00018335885,0.7686264,0.00046106425,0.0021997213,0.033445116,0.062345702,0.026260298],"study_design_scores_gemma":[0.00093614415,0.000504089,0.1387087,0.00046928567,0.0034210803,0.0046754307,0.25893447,0.00005954023,0.00040746326,0.009544548,0.58143646,0.00090284407],"about_ca_topic_score_codex":0.13576256,"about_ca_topic_score_gemma":0.88079184,"teacher_disagreement_score":0.7450293,"about_ca_system_score_codex":0.00051568437,"about_ca_system_score_gemma":0.00083172764,"threshold_uncertainty_score":0.91492265},"labels":[],"label_agreement":null},{"id":"W1990690480","doi":"10.7202/1013162ar","title":"La télévision française et les « voix québécoises » populaires : le trompe-l’oeil d’un étiquetage médiatique","year":2012,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.10804451889914225,"score_gpt":0.2771975241614126,"score_spread":0.16915300526227034,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1990690480","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89849955,0.020979717,0.014374432,0.026255023,0.008298022,0.00018393762,0.000095666575,0.00004157021,0.03127209],"genre_scores_gemma":[0.99211526,0.00013057954,0.0009998493,0.0014775299,0.00078364793,0.0000027928545,0.000003529881,0.000031140902,0.004455649],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976745,0.00044820367,0.0006748718,0.00022069874,0.00026622976,0.00071550073],"domain_scores_gemma":[0.99696,0.00021713246,0.0004174033,0.00031734412,0.00038523893,0.0017028813],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00060643244,0.00032942244,0.00037128682,0.00061950187,0.0005290699,0.0010934883,0.00056674826,0.00028161096,0.00046939403],"category_scores_gemma":[0.0003319712,0.000278849,0.00043178783,0.0005290717,0.0002921402,0.00555899,0.000070998576,0.00092103175,0.000060304264],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006294563,0.0010474083,0.01098498,0.00015114207,0.00068049604,0.002799088,0.1987635,0.0013062685,0.0013455796,0.3140693,0.21994923,0.24884008],"study_design_scores_gemma":[0.0007580308,0.000554706,0.11046346,0.0008744519,0.00010873194,0.010553332,0.005060926,0.00038511827,0.00053774595,0.002040119,0.8680354,0.0006280254],"about_ca_topic_score_codex":0.6408378,"about_ca_topic_score_gemma":0.778056,"teacher_disagreement_score":0.64808613,"about_ca_system_score_codex":0.000293351,"about_ca_system_score_gemma":0.0020887959,"threshold_uncertainty_score":0.9999664},"labels":[],"label_agreement":null},{"id":"W1990737715","doi":"10.7202/1013309ar","title":"Finno-Ugric Rune Song Tradition Revisited: A Critical Discourse Analysis of Värttinä's \"Äijö\"","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Consumption (sociology); Popular music; Folk music; Sociology; History; Literature; Linguistics; Art; Philosophy; Social science","score_opus":0.04220953218254619,"score_gpt":0.2517504648127921,"score_spread":0.20954093263024592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1990737715","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9407666,0.0012682903,0.00054101774,0.0008050594,0.0049165413,0.00009664185,0.00036510915,0.000014446884,0.051226344],"genre_scores_gemma":[0.99693924,0.0000022645465,0.000040450926,0.00033253024,0.0016504294,0.0000027223468,0.000017851435,0.000011190595,0.0010033096],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989057,0.000091627626,0.00047417748,0.000092353905,0.00016460633,0.0002715104],"domain_scores_gemma":[0.998831,0.00006085499,0.0002256944,0.00014974817,0.0003033792,0.00042936637],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002942679,0.00012588972,0.0003238258,0.001045796,0.00041342757,0.00006778551,0.00014747593,0.00005896556,0.025398085],"category_scores_gemma":[0.000113636124,0.000107891916,0.0004106709,0.0003197974,0.00036070205,0.00053584354,0.000004301632,0.0003199993,0.000022618367],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000649692,0.0003598354,0.0034394749,0.00010191708,0.0025448136,0.0001049283,0.4054429,0.000119516604,0.00035459374,0.33406025,0.24997897,0.0034278466],"study_design_scores_gemma":[0.0005459582,0.0005343097,0.014958279,0.00044789116,0.006041979,0.0003528105,0.15598412,0.00016135187,0.000045014025,0.0006962211,0.81965244,0.00057961256],"about_ca_topic_score_codex":0.005469726,"about_ca_topic_score_gemma":0.2050975,"teacher_disagreement_score":0.5696735,"about_ca_system_score_codex":0.00017330704,"about_ca_system_score_gemma":0.00020031884,"threshold_uncertainty_score":0.97549284},"labels":[],"label_agreement":null},{"id":"W1991573224","doi":"10.7202/1013246ar","title":"Tonal and Rhythmic-Metric Process in Brahms's Early C-Minor Scherzos","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Piano; Rhythm; Violin; Minor (academic); Piano sonata; Art; Movement (music); Period (music); Communication; Literature; Visual arts; Psychology; Art history; Humanities; Aesthetics","score_opus":0.043909474229650414,"score_gpt":0.2756897826781766,"score_spread":0.2317803084485262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1991573224","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9966352,0.000041837855,0.000079852536,0.00024383175,0.0017618114,0.00008621169,0.000006505859,0.0000062502627,0.001138493],"genre_scores_gemma":[0.998534,0.000008937433,0.000026093408,0.0009545906,0.00032143542,0.000003955128,1.132699e-7,0.000010310809,0.0001405685],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9989275,0.000068245055,0.0002704496,0.00015583582,0.00018280456,0.0003951707],"domain_scores_gemma":[0.9991704,0.00005842467,0.00012236284,0.000092010814,0.00005535187,0.00050145696],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025997072,0.000101286154,0.00012762696,0.0013714667,0.00016243194,0.00008319855,0.00016674447,0.00005253318,0.00024496208],"category_scores_gemma":[0.00043850765,0.00009570968,0.000052804717,0.0010507138,0.00017015428,0.0010276332,0.000011970092,0.000351858,0.000026682443],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012530836,0.0003520077,0.26133755,0.00006174578,0.000016998652,0.0007613108,0.05210583,0.00022918772,0.63928294,0.0013507283,0.003946304,0.040430102],"study_design_scores_gemma":[0.0009635706,0.00049642456,0.96898717,0.00015890539,0.000026522495,0.0069213808,0.0036047366,0.000129697,0.010198871,0.0003265677,0.007801402,0.0003847589],"about_ca_topic_score_codex":0.0025966372,"about_ca_topic_score_gemma":0.015669668,"teacher_disagreement_score":0.70764965,"about_ca_system_score_codex":0.0001518388,"about_ca_system_score_gemma":0.0003465662,"threshold_uncertainty_score":0.8744043},"labels":[],"label_agreement":null},{"id":"W1993280192","doi":"10.7202/1009289ar","title":"Jean Molino et les histoires de la musique : de nouveaux modèles pour les réécritures de l’histoire","year":2012,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.11019578419210244,"score_gpt":0.2852919170658585,"score_spread":0.17509613287375606,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1993280192","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7072635,0.057439066,0.08862141,0.030015836,0.006448959,0.00019621837,0.00008669687,0.000067978435,0.10986032],"genre_scores_gemma":[0.9773547,0.0001592803,0.0041870526,0.0023774074,0.00082525605,0.0000032526775,0.000001656897,0.000031746084,0.015059664],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977366,0.0004844799,0.00046480395,0.00018251587,0.00018172458,0.00094988506],"domain_scores_gemma":[0.99698436,0.00034079794,0.00029038909,0.00024468897,0.0003116708,0.0018281175],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0006630072,0.00029907166,0.00029382147,0.00056545774,0.00071947905,0.0008549296,0.00059406774,0.000313005,0.00036454693],"category_scores_gemma":[0.00061344355,0.00026952644,0.00035237076,0.00030307533,0.0005795544,0.0021632249,0.000057971127,0.0009680433,0.000014884176],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059947713,0.0006552285,0.014756655,0.0001498231,0.0004794799,0.0033145433,0.17674959,0.012349932,0.0091696475,0.34231496,0.34726322,0.09273698],"study_design_scores_gemma":[0.00082338037,0.00050913525,0.046900794,0.001495856,0.00023413663,0.039841313,0.015884921,0.0034468211,0.0015363266,0.015318712,0.8730079,0.0010006974],"about_ca_topic_score_codex":0.3634093,"about_ca_topic_score_gemma":0.46501336,"teacher_disagreement_score":0.5257447,"about_ca_system_score_codex":0.002302443,"about_ca_system_score_gemma":0.0038065887,"threshold_uncertainty_score":0.9999757},"labels":[],"label_agreement":null},{"id":"W1994418130","doi":"10.7202/1009282ar","title":"Clementi’s “Progressive Sonatinas,” Op. 36: Sonata semplice or Mediating Genre between Minuet and Sonata Design?","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"University of Oxford; University of South Carolina","keywords":"Exposition (narrative); Art; Literature; Dimension (graph theory); Mathematics; Pure mathematics","score_opus":0.11468932905424545,"score_gpt":0.27061038536938814,"score_spread":0.1559210563151427,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1994418130","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9887551,0.0018819118,0.00088970945,0.0023070935,0.0024828499,0.000258802,0.00023226759,0.000023019593,0.0031692195],"genre_scores_gemma":[0.9941351,0.000008588701,0.0005000306,0.0010289055,0.0031176936,0.000011567723,0.000015502277,0.000022419263,0.0011602343],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99847037,0.00015939368,0.00050170487,0.00016696696,0.00018254985,0.00051899784],"domain_scores_gemma":[0.99822974,0.00030441987,0.00036475854,0.00013896628,0.0002754651,0.0006866313],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00058928045,0.00019390584,0.00033359457,0.00053262553,0.0008436468,0.00016874685,0.00026724962,0.00009347813,0.009192295],"category_scores_gemma":[0.00019578559,0.00015400283,0.00014307776,0.00013268039,0.0002830694,0.0005873375,0.00004496608,0.000433592,0.000031144755],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003503496,0.00039314217,0.033688746,0.0002090718,0.004867242,0.0008817873,0.47464216,0.000050095205,0.00041340277,0.02607787,0.29870394,0.15972218],"study_design_scores_gemma":[0.0026151699,0.0014653131,0.034662582,0.00047741368,0.002575428,0.0014982594,0.1315328,0.000384186,0.00045288552,0.0024848313,0.8204312,0.0014199424],"about_ca_topic_score_codex":0.008176942,"about_ca_topic_score_gemma":0.24642734,"teacher_disagreement_score":0.5217272,"about_ca_system_score_codex":0.00013079493,"about_ca_system_score_gemma":0.00034784258,"threshold_uncertainty_score":0.9984277},"labels":[],"label_agreement":null},{"id":"W1995819836","doi":"10.7202/1003497ar","title":"La Pensée de Lévi-Strauss comme objet esthétique","year":2011,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.09341836556448713,"score_gpt":0.27471572951937123,"score_spread":0.1812973639548841,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1995819836","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6839854,0.0051361015,0.00050124933,0.012916227,0.013009497,0.000111791356,0.000068581714,0.000016287948,0.28425485],"genre_scores_gemma":[0.98429847,0.00018762315,0.00038170785,0.00090589223,0.0009982344,0.0000025124152,5.099672e-7,0.00001407946,0.0132109765],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983141,0.00051768566,0.0004081393,0.000119287084,0.00014771486,0.00049310294],"domain_scores_gemma":[0.99833983,0.00013288355,0.00020830118,0.00010876181,0.00022578977,0.000984411],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00065603433,0.00014946704,0.0002499922,0.0003307893,0.0006484754,0.000051342537,0.000339606,0.00018855662,0.0039647063],"category_scores_gemma":[0.00017085066,0.00015126556,0.00025439027,0.00048192908,0.0010888966,0.00037116272,0.000013594693,0.0007190235,0.000097704156],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023835511,0.00014172419,0.012611759,0.000026628624,0.00027324737,0.0016646722,0.74088347,0.0000085976535,0.000009906492,0.054067675,0.16889204,0.021396458],"study_design_scores_gemma":[0.00016079859,0.0002554002,0.008447756,0.00018480676,0.000083803745,0.00076708524,0.03069323,0.0000044976546,0.0000067155506,0.003876704,0.95535403,0.00016518458],"about_ca_topic_score_codex":0.36450386,"about_ca_topic_score_gemma":0.7739807,"teacher_disagreement_score":0.786462,"about_ca_system_score_codex":0.001128146,"about_ca_system_score_gemma":0.0015999206,"threshold_uncertainty_score":0.9969458},"labels":[],"label_agreement":null},{"id":"W2001329405","doi":"10.7202/1018583ar","title":"The Theory and Practice of Integrating Invertible Counterpoint into Classical Theme-Types","year":2013,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Counterpoint; Theme (computing); Invertible matrix; Epistemology; Linguistics; Literature; Computer science; Mathematics; Philosophy; Sociology; Art; Pure mathematics","score_opus":0.027655432160658175,"score_gpt":0.2723569972112526,"score_spread":0.24470156505059443,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2001329405","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99001956,0.00004920338,0.001039793,0.0030578785,0.001377531,0.000117764874,0.0000020077036,0.000006215178,0.004330038],"genre_scores_gemma":[0.9967101,0.00003379443,0.00011146234,0.0028598902,0.000104637,0.0000045717884,5.6197244e-8,0.000008103623,0.00016737636],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.99881154,0.00035112287,0.00033232657,0.0001344327,0.00017335608,0.00019722313],"domain_scores_gemma":[0.9980742,0.001113424,0.00025517188,0.00014632718,0.00020701003,0.0002038849],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00077763316,0.00008832608,0.00011320112,0.00023388406,0.0004248387,0.00017025777,0.00026332782,0.000036844496,0.00013391011],"category_scores_gemma":[0.005007082,0.000057194076,0.000066053486,0.00030333313,0.0006560932,0.0007436628,0.000026296604,0.0003276591,0.000016711185],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008933013,0.000034480334,0.00017288249,0.000008261926,0.000013637752,0.000025879657,0.01227092,0.000012424096,0.93569607,0.01737613,0.0071101855,0.027189799],"study_design_scores_gemma":[0.0027066763,0.005689701,0.022012647,0.0014268343,0.00040724303,0.020771798,0.30475882,0.0060402914,0.15927887,0.10040328,0.3750203,0.0014835447],"about_ca_topic_score_codex":0.005010904,"about_ca_topic_score_gemma":0.024372784,"teacher_disagreement_score":0.7764172,"about_ca_system_score_codex":0.00009788957,"about_ca_system_score_gemma":0.00035145765,"threshold_uncertainty_score":0.9934299},"labels":[],"label_agreement":null},{"id":"W2003611219","doi":"10.7202/1013305ar","title":"Miniatures and tensions: phenomenological reverberations in and around Kaija Saariaho's Lichtbogen (1985-86)","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Phenomenology (philosophy); Musical; Active listening; Poetics; Art; Visual arts; Literature; Narrative; Art history; Psychology; Philosophy; Communication; Epistemology","score_opus":0.03161724198744164,"score_gpt":0.23613718299180028,"score_spread":0.20451994100435864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2003611219","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98500544,0.004059171,0.003372467,0.004826175,0.0012163826,0.00007995658,0.000003810664,0.000016541757,0.0014200766],"genre_scores_gemma":[0.9956272,0.00006697208,0.0032958093,0.0007547385,0.00015335753,0.000004245828,2.704777e-7,0.0000036464533,0.000093742434],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9992043,0.000062758816,0.0002596967,0.00012935016,0.00006869431,0.00027521918],"domain_scores_gemma":[0.999323,0.000114624,0.00009134568,0.00015259419,0.00007247085,0.00024594],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003130355,0.00010058157,0.00017841668,0.00057530723,0.00031955235,0.000077805205,0.00020184732,0.00011516733,0.000026280353],"category_scores_gemma":[0.00022335295,0.000084943065,0.00003543833,0.0003053226,0.00020728206,0.0004281082,0.000060599446,0.00036933995,0.0000031131633],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004400635,0.00032561523,0.3953741,0.000039046943,0.0006501594,0.0005901119,0.17701757,0.000066401604,0.0012081051,0.3193126,0.06171631,0.04365597],"study_design_scores_gemma":[0.0016842468,0.00080963544,0.77796435,0.000257795,0.00009700846,0.008003669,0.029067729,0.00050041213,0.000057344743,0.047997966,0.1327809,0.0007789236],"about_ca_topic_score_codex":0.0018610744,"about_ca_topic_score_gemma":0.07459624,"teacher_disagreement_score":0.38259026,"about_ca_system_score_codex":0.00008889383,"about_ca_system_score_gemma":0.00013368824,"threshold_uncertainty_score":0.94228995},"labels":[],"label_agreement":null},{"id":"W2005045919","doi":"10.7202/1013159ar","title":"Exploration morphologique et sémantique des leitmotive communs à Tristan und Isolde et aux Wesendonck-Lieder de Richard Wagner","year":2012,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.10765885370934836,"score_gpt":0.3321844359989668,"score_spread":0.22452558228961844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2005045919","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53611135,0.02917419,0.032076836,0.03063548,0.015202872,0.00044309968,0.0011777934,0.000045564142,0.35513282],"genre_scores_gemma":[0.9829153,0.0009782502,0.00041513934,0.0017775696,0.003044061,0.000008948743,0.000029269719,0.000045638895,0.0107858535],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977933,0.0006197663,0.00063779566,0.00014155681,0.00016579179,0.00064178545],"domain_scores_gemma":[0.9975615,0.0002083759,0.00043252978,0.00023064495,0.0008199969,0.0007469667],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011691174,0.00027248866,0.00037800896,0.000768688,0.0009877103,0.0005209314,0.00025583498,0.0001686133,0.005127489],"category_scores_gemma":[0.0004001566,0.00026076668,0.00036229347,0.00017797081,0.00067494967,0.0010128219,0.000027349135,0.00090385583,0.00006642738],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004922801,0.00040000692,0.0052864035,0.000058063197,0.0014131777,0.00031960872,0.22389598,0.001268152,0.00006982498,0.6787671,0.08700493,0.0014675625],"study_design_scores_gemma":[0.00065075397,0.00049222616,0.0020955142,0.0004797559,0.0012194258,0.0004395919,0.13822922,0.00026711132,0.00010919211,0.008790669,0.8467415,0.00048501644],"about_ca_topic_score_codex":0.2611406,"about_ca_topic_score_gemma":0.8627802,"teacher_disagreement_score":0.7597366,"about_ca_system_score_codex":0.00068751705,"about_ca_system_score_gemma":0.0016819827,"threshold_uncertainty_score":0.99998444},"labels":[],"label_agreement":null},{"id":"W2006869815","doi":"10.7202/039109ar","title":"The Apostasy Of George Rochberg","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":17,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Metaphysics; Perception; Musical; Duration (music); Psychology; Conflation; Aesthetics; Epistemology; Philosophy; Literature; Art","score_opus":0.017798973315197704,"score_gpt":0.20183135892889303,"score_spread":0.18403238561369534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2006869815","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93107194,0.000093147886,0.000036088662,0.0027309938,0.006381007,0.000044829456,0.000024871213,0.000004445543,0.059612706],"genre_scores_gemma":[0.9948109,0.000003082171,0.000013663865,0.00045160743,0.0009100599,0.0000015525991,9.793822e-7,0.0000066259895,0.003801541],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993102,0.00003564823,0.00032915612,0.000059489852,0.000085159656,0.00018035779],"domain_scores_gemma":[0.99898505,0.0001171648,0.00020703678,0.00014607895,0.00034148022,0.00020320702],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002582168,0.00007225481,0.00014233503,0.00027706823,0.00060923526,0.00007428222,0.00024958103,0.000044743443,0.008994096],"category_scores_gemma":[0.00010183587,0.000047246223,0.00020839613,0.00007385573,0.00056600693,0.000113741306,0.000009179785,0.00043472706,0.000027345615],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055857672,0.00008703074,0.00086640555,0.000013463414,0.00077076466,0.00007492487,0.059791453,0.000028553293,0.0023332625,0.7116374,0.19638884,0.027952055],"study_design_scores_gemma":[0.00014189973,0.000117638134,0.0009554287,0.000014818909,0.00010500302,0.000092090755,0.007289583,0.00001942184,0.00015602345,0.003106728,0.9879255,0.00007584603],"about_ca_topic_score_codex":0.022684893,"about_ca_topic_score_gemma":0.93622965,"teacher_disagreement_score":0.9135447,"about_ca_system_score_codex":0.000024664552,"about_ca_system_score_gemma":0.00030604878,"threshold_uncertainty_score":0.9919118},"labels":[],"label_agreement":null},{"id":"W2007253625","doi":"10.7202/1018578ar","title":"Les chroniques musicales de Léo-Pol Morin — vecteur d’influence pour une réception québécoise de la modernité musicale française","year":2013,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Morin; Medicine","score_opus":0.020050017492830995,"score_gpt":0.26768736326164544,"score_spread":0.24763734576881444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2007253625","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.967817,0.0035471253,0.00073542167,0.011235122,0.0015889965,0.0002044685,0.000047697657,0.000032596494,0.014791582],"genre_scores_gemma":[0.9860576,0.00022611213,0.00053004787,0.0038755094,0.0027422553,0.000029831572,0.000004923354,0.000031017844,0.0065027354],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99692136,0.00096676924,0.00065469096,0.00030701782,0.00030251037,0.0008476708],"domain_scores_gemma":[0.99702597,0.0002621948,0.00041453348,0.00021681769,0.00079089723,0.0012895727],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00059647183,0.0003301858,0.0004481669,0.00050512695,0.0010220803,0.0004973661,0.00056381535,0.00051425316,0.00879817],"category_scores_gemma":[0.00037171968,0.00030753663,0.0005482854,0.0010054873,0.0014548623,0.0009753139,0.000023891791,0.0011390803,0.00017964606],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007831965,0.00083963084,0.020909471,0.00019305163,0.0013957242,0.001083165,0.48669395,0.0065868567,0.027121339,0.041686077,0.24686012,0.1665523],"study_design_scores_gemma":[0.0012858968,0.00073234993,0.10471142,0.0012611952,0.0013166324,0.0018057866,0.073926315,0.0034203816,0.0004243303,0.039429456,0.7703197,0.0013665609],"about_ca_topic_score_codex":0.8393464,"about_ca_topic_score_gemma":0.91737926,"teacher_disagreement_score":0.52345955,"about_ca_system_score_codex":0.0013434496,"about_ca_system_score_gemma":0.002361864,"threshold_uncertainty_score":0.99993765},"labels":[],"label_agreement":null},{"id":"W2007375685","doi":"10.7202/1006375ar","title":"“Give a man a mask and he’ll tell the truth”: Arnold Schoenberg, David Bowie, and the Mask of Pierrot","year":2011,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Musical; Art history; Parallels; Performance art; Character (mathematics); Psychoanalysis; Visual arts; History; Psychology; Engineering","score_opus":0.03546014572405948,"score_gpt":0.1689354814987889,"score_spread":0.13347533577472942,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2007375685","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85196596,0.002098865,0.00002640974,0.0014441691,0.002786616,0.00023394707,0.000071659364,0.0000083843415,0.141364],"genre_scores_gemma":[0.9933892,0.000020478368,0.000018699027,0.00071446237,0.00041378682,0.0000059756294,6.087421e-7,0.00001134895,0.0054254644],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992327,0.0000953584,0.00030066544,0.000101699276,0.000098865465,0.00017068228],"domain_scores_gemma":[0.99922985,0.00007254818,0.00022114992,0.00016684571,0.00012298596,0.00018662935],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028002934,0.00012359869,0.0001913896,0.00018027458,0.0006604016,0.00008957958,0.00020468215,0.000044161225,0.0049590548],"category_scores_gemma":[0.00005995979,0.00006944674,0.000121172816,0.00005455083,0.0010902815,0.00019202041,0.000015316718,0.00039385838,0.000006828304],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015762122,0.000031714473,0.00023457115,0.000030231991,0.00032300645,0.00006108016,0.8204409,0.0000024044987,0.00003372954,0.09802392,0.07884655,0.0018142934],"study_design_scores_gemma":[0.0011814651,0.00031013292,0.0012165544,0.00018702088,0.00029744612,0.0007583475,0.18096204,0.000016705684,0.000032680604,0.0040497594,0.81080097,0.00018686657],"about_ca_topic_score_codex":0.020123716,"about_ca_topic_score_gemma":0.5263204,"teacher_disagreement_score":0.7319544,"about_ca_system_score_codex":0.000044697208,"about_ca_system_score_gemma":0.0001510509,"threshold_uncertainty_score":0.9959505},"labels":[],"label_agreement":null},{"id":"W2007440681","doi":"10.7202/1025553ar","title":"Centring The Periphery: Local Identity in the Music of Theodore Antoniou and other Twentieth-Century Greek Composers","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"National and Kapodistrian University of Athens","keywords":"Historiography; Argument (complex analysis); Identity (music); Context (archaeology); Literature; History; Art history; Art; Aesthetics; Epistemology; Philosophy; Archaeology","score_opus":0.023884814964249126,"score_gpt":0.20932758658235764,"score_spread":0.18544277161810852,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2007440681","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9685066,0.00069593004,0.00019261523,0.00043963132,0.0027865998,0.00012674746,0.000022766579,0.0000041471,0.027224988],"genre_scores_gemma":[0.9978703,0.0000046141836,0.000004671764,0.0014388892,0.0004576114,0.0000017813987,7.5745606e-7,0.000009060927,0.00021231255],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911827,0.00019823141,0.0002807455,0.00008314408,0.00014427325,0.0001753163],"domain_scores_gemma":[0.99943453,0.00005402541,0.00017828972,0.00014536471,0.000091074864,0.00009669886],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00052910805,0.00009992407,0.00015321672,0.00016220684,0.00048398142,0.00012160544,0.00029420166,0.000035944107,0.0029025637],"category_scores_gemma":[0.000026321783,0.000059370705,0.00011346908,0.00009369177,0.0006286071,0.00022559534,0.000010811526,0.00035768497,0.0000042509587],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004254069,0.00006726303,0.0026346252,0.000050874503,0.00013712668,0.00005676669,0.81786805,0.00015531342,0.00007592626,0.12009967,0.05033727,0.008474573],"study_design_scores_gemma":[0.00033736165,0.00009661871,0.002379615,0.0001243569,0.00005123685,0.00020107871,0.19108176,0.000078945945,0.0000033762528,0.0007757277,0.8047734,0.00009650686],"about_ca_topic_score_codex":0.022749864,"about_ca_topic_score_gemma":0.857337,"teacher_disagreement_score":0.83458716,"about_ca_system_score_codex":0.00008149245,"about_ca_system_score_gemma":0.000101622354,"threshold_uncertainty_score":0.9980089},"labels":[],"label_agreement":null},{"id":"W2009335269","doi":"10.7202/1013303ar","title":"La réception des productions culturelles rock : étude comparée entre la presse musicale québécoise et française","year":2012,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.02091309446300631,"score_gpt":0.24123652607917592,"score_spread":0.2203234316161696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2009335269","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89730334,0.022031775,0.000369599,0.009397644,0.015370205,0.00027497183,0.00018168938,0.000031162752,0.05503962],"genre_scores_gemma":[0.9796974,0.0006779706,0.00011516781,0.00028915377,0.0026898813,0.000008466848,0.000004605518,0.000027169288,0.01649017],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977297,0.0007449224,0.00046365143,0.00018240238,0.00028024265,0.00059903885],"domain_scores_gemma":[0.99747306,0.00013204904,0.00030153172,0.00018427757,0.00035495296,0.0015541066],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007584065,0.0001942403,0.00027449985,0.0011176714,0.001697693,0.00043298455,0.00030781774,0.00026656163,0.0061014215],"category_scores_gemma":[0.00029504055,0.0002427254,0.0003468835,0.0007684779,0.0015445586,0.001360583,0.000016808306,0.00090686884,0.00027171208],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015339043,0.00030378616,0.0021752925,0.000056523717,0.00018652508,0.00008582042,0.62077904,0.00057104777,0.00010478146,0.01191942,0.35564414,0.008158262],"study_design_scores_gemma":[0.00023412734,0.00005733584,0.012829381,0.00029467867,0.00023453221,0.0006853393,0.050553244,0.000008515302,0.0000058348933,0.00027330464,0.9346013,0.00022238758],"about_ca_topic_score_codex":0.90790904,"about_ca_topic_score_gemma":0.9992688,"teacher_disagreement_score":0.5789572,"about_ca_system_score_codex":0.0020219197,"about_ca_system_score_gemma":0.0036838157,"threshold_uncertainty_score":0.99960196},"labels":[],"label_agreement":null},{"id":"W2009764364","doi":"10.7202/1018580ar","title":"Le médium mythologique du Rock’n roll et la musique contemporaine","year":2013,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Art history","score_opus":0.019433343020589598,"score_gpt":0.22599120885343704,"score_spread":0.20655786583284744,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2009764364","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26441056,0.0061741606,0.28815582,0.27152902,0.018941037,0.00053274643,0.000041013955,0.00011875917,0.1500969],"genre_scores_gemma":[0.985319,0.00012475206,0.0016163022,0.005312696,0.00045187614,0.000020159283,8.8769593e-7,0.000020112975,0.0071341875],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99779826,0.0005853497,0.00066408224,0.0002804671,0.00014135275,0.0005304948],"domain_scores_gemma":[0.99767476,0.00023917554,0.00040860035,0.00038745033,0.00078195427,0.00050805707],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0009948496,0.00026572897,0.000454861,0.0008226567,0.00055724126,0.0003328452,0.0008503724,0.00041112612,0.00062740676],"category_scores_gemma":[0.00054787094,0.00026874556,0.0002887568,0.0005454453,0.00051589776,0.0010700265,0.00011399761,0.0013192086,0.00014883964],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012017717,0.00016746104,0.0025796548,0.000034773806,0.0004978305,0.0025018014,0.032359876,0.0004262542,0.00010847984,0.5072659,0.4428595,0.01118643],"study_design_scores_gemma":[0.0010824236,0.0006903503,0.012159668,0.00037834502,0.00006151704,0.016708644,0.008689506,0.0012644184,0.00006497327,0.04020475,0.9182009,0.0004944913],"about_ca_topic_score_codex":0.0906202,"about_ca_topic_score_gemma":0.3840727,"teacher_disagreement_score":0.72090846,"about_ca_system_score_codex":0.00020850667,"about_ca_system_score_gemma":0.0032695208,"threshold_uncertainty_score":0.99997646},"labels":[],"label_agreement":null},{"id":"W2010302627","doi":"10.7202/1013242ar","title":"Music, Drinking and Dance at Aristocratic Russian Weddings under Peter the First as Witnessed by Friedrich Wilhelm von Bergholz","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Cultural Studies of Poland","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reign; Dance; Ceremony; Art; Ancient history; Performance art; History; Classics; Art history; Literature; Archaeology; Law; Political science; Politics","score_opus":0.019158021778162827,"score_gpt":0.19372793440112598,"score_spread":0.17456991262296315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2010302627","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93182033,0.0028262278,0.000045176625,0.0069297943,0.0038948872,0.00012633004,0.00001534547,0.000013417113,0.054328468],"genre_scores_gemma":[0.9885618,0.000014336004,0.000007472308,0.001775111,0.0010848464,0.0000062966674,0.0000019093147,0.00001423549,0.008533988],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999132,0.000025912059,0.0002653391,0.00010268516,0.00013946503,0.00033460752],"domain_scores_gemma":[0.9992803,0.000051675655,0.00017096162,0.00009622724,0.00007758554,0.00032326722],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011618169,0.00015220312,0.00017874314,0.00009420256,0.0019221619,0.00016546686,0.00015869702,0.00003909787,0.0020857458],"category_scores_gemma":[0.000026239783,0.00009648359,0.00009832669,0.000063321146,0.00036478692,0.00035231627,0.000024946761,0.00028133608,0.000051185016],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042614356,0.00006740254,0.0092852935,0.000029107061,0.00038763855,0.000031760694,0.28648204,0.000011475226,0.0001954105,0.030266156,0.6723067,0.0008944102],"study_design_scores_gemma":[0.00022040978,0.00011003937,0.0040667625,0.00007204134,0.00008132579,0.00018188985,0.010594437,0.00000376825,0.000012417538,0.00044410359,0.9840464,0.00016641953],"about_ca_topic_score_codex":0.019397562,"about_ca_topic_score_gemma":0.669588,"teacher_disagreement_score":0.6501905,"about_ca_system_score_codex":0.0003996583,"about_ca_system_score_gemma":0.000049621023,"threshold_uncertainty_score":0.9993772},"labels":[],"label_agreement":null},{"id":"W2010835379","doi":"10.7202/1013158ar","title":"Iphigénie à Paris: Positioning Gluck Historically in Early Twentieth-Century France","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Opera; Art; Narrative; Musical; Literature; Art history","score_opus":0.019556918737057755,"score_gpt":0.20380628352416902,"score_spread":0.18424936478711126,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2010835379","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9590982,0.0020436603,0.00021736333,0.0011028831,0.009191508,0.000072376715,0.000016570728,0.000012023076,0.028245386],"genre_scores_gemma":[0.9953433,0.000015858897,0.000064808984,0.0011490725,0.0017921543,0.000005063966,0.0000029647144,0.000012296273,0.0016144664],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887705,0.00008163551,0.0004333754,0.000099051285,0.00012116413,0.00038773552],"domain_scores_gemma":[0.9990577,0.000051194584,0.0001978439,0.00011115895,0.0001753831,0.00040668205],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026040926,0.00011862317,0.00023126072,0.00070356985,0.00036438243,0.00008590109,0.00016588898,0.000075540105,0.0059595937],"category_scores_gemma":[0.00004788843,0.000111056324,0.0002060612,0.0001601295,0.00018980994,0.0005158058,0.000010031036,0.00048748354,0.00007907564],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000128469,0.0007983307,0.15670682,0.000059063146,0.0010472152,0.00045535722,0.48487648,0.00025220707,0.00040340802,0.13398735,0.20649022,0.01479507],"study_design_scores_gemma":[0.00045257734,0.00018888482,0.03066938,0.00011742331,0.0001512338,0.000095234085,0.0051745214,0.000018611881,0.000009117931,0.0007106552,0.9621715,0.00024084511],"about_ca_topic_score_codex":0.035554502,"about_ca_topic_score_gemma":0.27584234,"teacher_disagreement_score":0.7556813,"about_ca_system_score_codex":0.00032264192,"about_ca_system_score_gemma":0.00018263655,"threshold_uncertainty_score":0.9949491},"labels":[],"label_agreement":null},{"id":"W2012592097","doi":"10.7202/029957ar","title":"Musiques. Une Encyclopédie pour le XXI siècle. 2007. « 5. L’Unité de la musique », sous la direction de Jean-Jacques Nattiez. Arles-Paris : Actes Sud/Cité de la musique, 1253 p., ISBN 978-2-7427-6974-2 (couverture rigide)","year":2008,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.013396132854605232,"score_gpt":0.22497151474073135,"score_spread":0.21157538188612612,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2012592097","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73348856,0.00975377,0.004244751,0.012045064,0.004191609,0.00039015216,0.00039110478,0.00017267537,0.23532233],"genre_scores_gemma":[0.9568713,0.0074128746,0.00085652684,0.0046983557,0.0037934473,0.000040957373,0.000021979378,0.00014817601,0.026156427],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9932823,0.00314357,0.0012681516,0.00056739146,0.00034637307,0.0013922242],"domain_scores_gemma":[0.99378693,0.002434554,0.0009871951,0.00048477342,0.0008412752,0.001465287],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.002051609,0.0007800792,0.0010210356,0.0017245829,0.0032560318,0.0006147506,0.0007056995,0.0012044115,0.0077878437],"category_scores_gemma":[0.0012274712,0.0008062341,0.0011506956,0.000603764,0.0032154762,0.0008827505,0.00007740667,0.0034626834,0.00006005002],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029886403,0.0014595519,0.008619382,0.00024360523,0.0032297978,0.0082636895,0.09325855,0.0040738564,0.00078232656,0.054104406,0.8078508,0.017815225],"study_design_scores_gemma":[0.0011661266,0.0004323716,0.019360894,0.00068000244,0.0011305505,0.0075886967,0.010653498,0.00093660067,0.0002578186,0.014865046,0.9420117,0.0009166831],"about_ca_topic_score_codex":0.5428355,"about_ca_topic_score_gemma":0.7536305,"teacher_disagreement_score":0.2233827,"about_ca_system_score_codex":0.0017861534,"about_ca_system_score_gemma":0.0065070405,"threshold_uncertainty_score":0.9994972},"labels":[],"label_agreement":null},{"id":"W2014232157","doi":"10.7202/1013306ar","title":"Alexander Scriabin's and Igor Stravinsky's Influence upon Early Twentieth-Century Finnish Music: The Octatonic Collection in the Music of Uuno Klami, Aarre Merikanto and Väinö Raitio","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"University of Cambridge; Yale University","keywords":"Movement (music); Art; Style (visual arts); Musical; Literature; Art history; Musical analysis; Tone (literature); Poetry; History; Visual arts; Aesthetics","score_opus":0.024340178784309597,"score_gpt":0.2132939314444283,"score_spread":0.18895375266011868,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2014232157","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99346983,0.0011438692,0.000016369477,0.0009973288,0.001641932,0.00021760732,0.000027054577,0.000005532592,0.0024804736],"genre_scores_gemma":[0.9975004,0.00006270749,0.000013067575,0.0015638527,0.000528189,0.000015078414,0.0000028404422,0.00001350062,0.00030034504],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9984618,0.0002698831,0.00052295194,0.00016251007,0.00019534386,0.00038751413],"domain_scores_gemma":[0.9988201,0.00021329627,0.00031695396,0.00019357256,0.00023159018,0.00022443406],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00070843153,0.00018926631,0.00030548446,0.0005300399,0.0007340314,0.00019570196,0.0002486173,0.000097755525,0.0023288059],"category_scores_gemma":[0.00011272712,0.00012507876,0.00015735679,0.000299295,0.0007299952,0.00058498536,0.00002672313,0.000581574,0.0000039033903],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003073079,0.00053688115,0.05058525,0.00017342049,0.0013782308,0.00011476861,0.81040597,0.00018357944,0.0016406338,0.044679962,0.073262654,0.016731322],"study_design_scores_gemma":[0.0023676034,0.0009808526,0.6376686,0.00047575682,0.0011808579,0.0009048084,0.14956215,0.00017204176,0.00008511273,0.0020879812,0.2038012,0.00071301503],"about_ca_topic_score_codex":0.03131785,"about_ca_topic_score_gemma":0.5836654,"teacher_disagreement_score":0.66084385,"about_ca_system_score_codex":0.00009475298,"about_ca_system_score_gemma":0.00023879325,"threshold_uncertainty_score":0.9985832},"labels":[],"label_agreement":null},{"id":"W2016381783","doi":"10.7202/1013161ar","title":"Dark Mirrors and Dead Ringers: Music for Suspense Films about Twins","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Narrative; Art; Meaning (existential); Hierarchy; Literature; Art history; Musical instrument; Philosophy; Physics","score_opus":0.06647494334404933,"score_gpt":0.25169659908646447,"score_spread":0.18522165574241514,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2016381783","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9785337,0.00055513834,0.00018364713,0.0007499742,0.004474063,0.00014319709,0.00006746794,0.000011909511,0.01528094],"genre_scores_gemma":[0.99485266,0.0000053738045,0.00018134055,0.0017158831,0.0012556019,0.000011239458,0.0000052674172,0.000018652896,0.0019539867],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894565,0.00005054838,0.0003636498,0.00012132925,0.000085724976,0.00043308752],"domain_scores_gemma":[0.9987191,0.00013420147,0.00019164602,0.00012599115,0.00023086742,0.0005981686],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031833065,0.00015085576,0.00026633567,0.000588067,0.00064555276,0.00012545908,0.0001458894,0.00007346275,0.0077085993],"category_scores_gemma":[0.00012579135,0.00013100095,0.0002468848,0.00008232409,0.0003685509,0.00040642102,0.0000131299075,0.0002653438,0.000027937833],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019363474,0.0003042796,0.011770797,0.00012125952,0.0017946662,0.000112318616,0.29275554,0.000035994402,0.0006500654,0.13305616,0.54514694,0.014058366],"study_design_scores_gemma":[0.00084933126,0.00040663485,0.008054969,0.0001242383,0.00060949655,0.00031584591,0.030095663,0.00006302688,0.000060094255,0.0015873642,0.95745873,0.0003746054],"about_ca_topic_score_codex":0.015280739,"about_ca_topic_score_gemma":0.6556159,"teacher_disagreement_score":0.6403352,"about_ca_system_score_codex":0.00008701253,"about_ca_system_score_gemma":0.00018774817,"threshold_uncertainty_score":0.9931985},"labels":[],"label_agreement":null},{"id":"W2024355891","doi":"10.7202/1013113ar","title":"Privileging Narratives: Singing, the Polish Tatras, and Canada","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"CARE Canada; Canadian University Music Society","funders":"","keywords":"Narrative; Singing; Homeland; Centrality; Phrase; Diaspora; History; Aesthetics; Literature; Multiculturalism; Space (punctuation); Sociology; Art; Linguistics; Gender studies; Political science; Philosophy; Law; Acoustics","score_opus":0.01948526790801348,"score_gpt":0.181334945100252,"score_spread":0.16184967719223853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2024355891","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91330487,0.0011526851,0.000028775505,0.0015451674,0.0078003313,0.00006257934,0.000026338785,0.000005408711,0.07607383],"genre_scores_gemma":[0.99392945,9.987208e-7,0.00000948167,0.0013488629,0.002042926,0.0000012572714,7.5109926e-7,0.000007357288,0.002658892],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999461,0.000042901036,0.00015602227,0.00004470351,0.00008192164,0.00021346545],"domain_scores_gemma":[0.9994267,0.00002330817,0.00010603438,0.00006697557,0.00009326911,0.0002836695],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014169647,0.000077180564,0.00008733244,0.00010242475,0.0009284807,0.00010089855,0.00010246579,0.000017945444,0.0037945963],"category_scores_gemma":[0.00002748138,0.00005313123,0.00004493206,0.000029286093,0.00020614747,0.0002886446,0.0000042116676,0.0002492312,0.0000024580766],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002018923,0.0000057428615,0.0009938987,0.0000057670254,0.00005538489,0.00001426118,0.4592523,0.000004907679,0.0000152275425,0.020817846,0.5183798,0.00045285604],"study_design_scores_gemma":[0.000050873285,0.000016952055,0.0005873783,0.00003458682,0.000016557835,0.00019338608,0.156441,0.0000011307417,0.0000021186324,0.000065015294,0.84253097,0.000060010145],"about_ca_topic_score_codex":0.81819606,"about_ca_topic_score_gemma":0.99946564,"teacher_disagreement_score":0.3241512,"about_ca_system_score_codex":0.00020884738,"about_ca_system_score_gemma":0.00069377973,"threshold_uncertainty_score":0.9971161},"labels":[],"label_agreement":null},{"id":"W2025214502","doi":"10.7202/1013228ar","title":"In & Out of the Classroom: Reflections on Identity, Technology, and the Radio Project","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literacy, Media, and Education","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Identity (music); Sociology; Transgressive; Politics; Order (exchange); Identification (biology); Media studies; Pedagogy; Political science; Aesthetics; Law; Art","score_opus":0.07710114618272208,"score_gpt":0.3079898750605981,"score_spread":0.23088872887787604,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2025214502","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97807527,0.00031550875,0.00001549824,0.005258744,0.009098817,0.00013800176,0.00000947123,0.0000036235517,0.007085047],"genre_scores_gemma":[0.99654603,0.000010951023,0.000015327678,0.0003833629,0.0010385022,0.000008673926,4.3643428e-7,0.0000063197404,0.001990419],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99938345,0.000081786995,0.00024864404,0.000048028887,0.00008213573,0.00015592933],"domain_scores_gemma":[0.9994667,0.000064275635,0.00015592833,0.00013604527,0.000112157606,0.00006487978],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036727183,0.00006264225,0.00010805105,0.00084166497,0.00030303147,0.00007151406,0.00016169234,0.000036967846,0.00026838554],"category_scores_gemma":[0.00017526481,0.00003680734,0.000073845506,0.00019457794,0.00048706055,0.00042976055,0.000010018121,0.00034342593,0.00000923321],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023100862,0.000058589638,0.008500709,0.000012175455,0.00006205327,0.0000010284082,0.87530005,0.000002881011,0.000017152222,0.0783464,0.037130404,0.0005454281],"study_design_scores_gemma":[0.0009244235,0.00012855491,0.008617554,0.00026767532,0.00011245149,0.00029163744,0.3781257,0.0000040084474,0.000057746733,0.014517627,0.5968104,0.00014220072],"about_ca_topic_score_codex":0.022113929,"about_ca_topic_score_gemma":0.7485163,"teacher_disagreement_score":0.7264024,"about_ca_system_score_codex":0.00014620236,"about_ca_system_score_gemma":0.00030750473,"threshold_uncertainty_score":0.9843979},"labels":[],"label_agreement":null},{"id":"W2025295355","doi":"10.7202/1013225ar","title":"Local Logics and the Gendering of Music Technology: A Newfoundland Case Study","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sociology","score_opus":0.03126284176184617,"score_gpt":0.20302971070656217,"score_spread":0.171766868944716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2025295355","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98684824,0.0004877914,0.00024667074,0.00021051758,0.0010190723,0.00012679986,0.000009611189,0.0000075545017,0.011043771],"genre_scores_gemma":[0.99860895,7.4557175e-7,0.000012319506,0.00012457953,0.00038331636,0.000003534478,3.626163e-7,0.0000074170603,0.0008587524],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993602,0.000050753915,0.00029893752,0.00008018911,0.00007461419,0.00013529824],"domain_scores_gemma":[0.99944735,0.00002828215,0.00016817029,0.00011471145,0.00016069795,0.000080779566],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019799096,0.000093331844,0.00018096653,0.00033780714,0.0006615406,0.0000639419,0.000111307076,0.000043015007,0.0011319116],"category_scores_gemma":[0.000016940847,0.00006190596,0.000078103454,0.00009092291,0.00084070547,0.00010342185,0.000010767919,0.00029112428,0.0000022063275],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013889465,0.0002989725,0.0058652232,0.00005867593,0.00060981436,0.0098931985,0.7556703,0.0007312637,0.00006514357,0.16026552,0.057151955,0.00925104],"study_design_scores_gemma":[0.00201662,0.0004850114,0.0003583153,0.00006758761,0.00024577143,0.016584795,0.76297724,0.00009737306,0.000003836538,0.0032846343,0.21368787,0.00019092856],"about_ca_topic_score_codex":0.13401297,"about_ca_topic_score_gemma":0.97674924,"teacher_disagreement_score":0.84273624,"about_ca_system_score_codex":0.00010125965,"about_ca_system_score_gemma":0.00015802111,"threshold_uncertainty_score":0.9997812},"labels":[],"label_agreement":null},{"id":"W2026506040","doi":"10.7202/1013244ar","title":"Novák's Lucerna and the Historiographical Problem of \"Czech Modernism\"","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Czech; Modernism (music); Historiography; Anachronism; Folklore; Opera; Literature; Art; History; Art history; Philosophy; Law; Political science; Linguistics; Politics","score_opus":0.028870687679880186,"score_gpt":0.19758143467279438,"score_spread":0.1687107469929142,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2026506040","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93376136,0.0018178275,0.0005343936,0.0048374683,0.0031003247,0.00015218642,0.00002565233,0.000008608162,0.055762157],"genre_scores_gemma":[0.99753433,0.0000122717065,0.00006550216,0.00060287653,0.0008596183,0.0000036925248,6.3373824e-7,0.000007317213,0.0009137257],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992274,0.00008244893,0.00032811397,0.00006072438,0.000098224366,0.00020306243],"domain_scores_gemma":[0.999164,0.000092858376,0.00020436161,0.00009624265,0.00018382397,0.0002587076],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038930448,0.00008566517,0.00022524128,0.00042291265,0.0003393995,0.000039193208,0.00014231208,0.000048863425,0.0025654058],"category_scores_gemma":[0.000035658555,0.00005473197,0.00021873994,0.00008338432,0.0009276521,0.00018444075,0.000012126028,0.0002966296,0.0000052759515],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001632819,0.00013990304,0.0043562273,0.000038123093,0.0009921932,0.000017381906,0.19792059,0.000028666022,0.000115739844,0.7458902,0.042920273,0.0074174223],"study_design_scores_gemma":[0.0015658567,0.0002732118,0.0033454287,0.000091478854,0.00082451483,0.00036320015,0.01434554,0.0001354552,0.00003100772,0.012225787,0.9665484,0.00025016014],"about_ca_topic_score_codex":0.025935378,"about_ca_topic_score_gemma":0.36653593,"teacher_disagreement_score":0.9236281,"about_ca_system_score_codex":0.000053205196,"about_ca_system_score_gemma":0.000120370416,"threshold_uncertainty_score":0.9983464},"labels":[],"label_agreement":null},{"id":"W2026770814","doi":"10.7202/029954ar","title":"Pierre Boulez et le Théâtre de la Cruauté d’Antonin Artaud : De Pelléas à Rituel, in memoriam Bruno Maderna","year":2009,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.015119057413363064,"score_gpt":0.24368659002298163,"score_spread":0.22856753260961857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2026770814","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.725703,0.006434529,0.00049186277,0.06017954,0.007866971,0.000165688,0.000103969105,0.00002098399,0.19903345],"genre_scores_gemma":[0.96130294,0.00019992139,0.00014484044,0.00590654,0.0031185055,0.0000035120765,0.0000050310723,0.000026213926,0.02929249],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974815,0.0006469046,0.00070538995,0.00023804918,0.00016161361,0.000766508],"domain_scores_gemma":[0.9982711,0.00023679824,0.00031603832,0.0002132051,0.00019258627,0.0007702746],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010861993,0.00028757507,0.00049425894,0.0011238857,0.0006630499,0.00040202716,0.0003730206,0.00033592823,0.009080469],"category_scores_gemma":[0.00021074819,0.0003018638,0.00047277537,0.00027968083,0.00070654834,0.00045112692,0.00001639414,0.0015690477,0.000053677268],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012589889,0.0008434903,0.0022487123,0.000057550107,0.0006601753,0.0044529107,0.07209185,0.0023216277,0.00027464933,0.5610002,0.34034052,0.01558237],"study_design_scores_gemma":[0.0011196354,0.0004999442,0.024871469,0.0005533449,0.00036914076,0.001939961,0.016984696,0.0005405714,0.000049806258,0.014253613,0.938423,0.00039483793],"about_ca_topic_score_codex":0.17713715,"about_ca_topic_score_gemma":0.8486274,"teacher_disagreement_score":0.67149025,"about_ca_system_score_codex":0.00079219346,"about_ca_system_score_gemma":0.0032525572,"threshold_uncertainty_score":0.9999434},"labels":[],"label_agreement":null},{"id":"W2026808825","doi":"10.7202/1006374ar","title":"La musique populaire : vers une économie du don","year":2010,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.021375888617579834,"score_gpt":0.2051404939031842,"score_spread":0.18376460528560437,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2026808825","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8979157,0.0005188294,0.000009284033,0.01903459,0.02441484,0.00007820395,0.00011371715,0.000010288321,0.05790455],"genre_scores_gemma":[0.969421,0.00006081204,0.000036747944,0.0006316937,0.004523261,0.0000019495358,0.0000047852277,0.000023872633,0.02529585],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989407,0.00007869891,0.00044381604,0.00012975144,0.00008642766,0.00032061109],"domain_scores_gemma":[0.99867517,0.000056786772,0.00023893562,0.00015232763,0.00028980838,0.0005869998],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024912436,0.00018048787,0.00023878686,0.00044160426,0.000926088,0.0006564492,0.00026462108,0.00019759304,0.017588474],"category_scores_gemma":[0.0000938061,0.0001836601,0.0003480558,0.00010258196,0.000764178,0.0007959396,0.000014585617,0.0012422191,0.00016154397],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000465571,0.0001549709,0.0022847806,0.000118854776,0.00053807814,0.0020884813,0.21835935,0.00007409268,0.00056511274,0.45739442,0.2881669,0.030208409],"study_design_scores_gemma":[0.00031633733,0.00014550253,0.0016716875,0.00021093083,0.00011967509,0.0016902145,0.035634518,0.000015375314,0.000016683834,0.0012575476,0.9587257,0.00019583949],"about_ca_topic_score_codex":0.7733076,"about_ca_topic_score_gemma":0.99726576,"teacher_disagreement_score":0.6705588,"about_ca_system_score_codex":0.00050587073,"about_ca_system_score_gemma":0.0010375113,"threshold_uncertainty_score":0.98330957},"labels":[],"label_agreement":null},{"id":"W2034261208","doi":"10.7202/1018581ar","title":"Examining a Canadian Jazz Icon: Pitch-Class Hierarchy in Some Representative Examples of Kenny Wheeler","year":2013,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Chord (peer-to-peer); Melody; Jazz; Hierarchy; Class (philosophy); Computer science; Musical; History; Visual arts; Art; Artificial intelligence; Political science; Law","score_opus":0.0632093598468317,"score_gpt":0.2309090899564162,"score_spread":0.1676997301095845,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2034261208","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9714219,0.00014454378,0.000014894582,0.0017074443,0.0013776199,0.00014786131,0.000043309243,0.0000052651585,0.025137154],"genre_scores_gemma":[0.99600846,0.000007447623,0.000044310535,0.0012533761,0.00060592557,0.00001726861,0.000005436778,0.000016818949,0.0020409764],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99840397,0.00015917409,0.00065688195,0.00018851765,0.0001359413,0.00045553115],"domain_scores_gemma":[0.9982881,0.0001745214,0.00028187386,0.00019503465,0.0003949759,0.00066549634],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027988915,0.00016530845,0.00039646207,0.0020490452,0.000300425,0.00012369954,0.00028975282,0.00009194471,0.024337748],"category_scores_gemma":[0.00017181352,0.00015064982,0.00018126679,0.0002269772,0.00046663484,0.0006096476,0.00001684606,0.0004968022,0.00006345735],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007465885,0.00024262992,0.047538776,0.00008575537,0.0018039638,0.0009795418,0.48230058,0.00038226138,0.0014646517,0.20878768,0.23989981,0.016439673],"study_design_scores_gemma":[0.003153092,0.0017461346,0.20691289,0.00093367446,0.0005797457,0.000476733,0.3515214,0.0008024467,0.00036251242,0.02963796,0.40241212,0.0014612917],"about_ca_topic_score_codex":0.9016015,"about_ca_topic_score_gemma":0.99671096,"teacher_disagreement_score":0.17914972,"about_ca_system_score_codex":0.00034261637,"about_ca_system_score_gemma":0.0011015745,"threshold_uncertainty_score":0.97655416},"labels":[],"label_agreement":null},{"id":"W2036410675","doi":"10.7202/1013223ar","title":"In and Out of the Sound Studio","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":30,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Guelph; Queen's University; Memorial University of Newfoundland","funders":"","keywords":"Studio; Invisibility; Sound (geography); Terminology; Ethnography; Sociology; Visual arts; Aesthetics; Computer science; Linguistics; Art; Anthropology; Acoustics; Philosophy; Artificial intelligence","score_opus":0.04671937185781399,"score_gpt":0.21588197369704135,"score_spread":0.16916260183922735,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2036410675","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9588624,0.00048026268,0.0000035416756,0.0002715361,0.0052594217,0.000034803783,0.000008392794,7.962581e-7,0.03507883],"genre_scores_gemma":[0.9958818,7.869334e-7,0.0000023249015,0.0003602163,0.00063912425,6.7490345e-7,7.517882e-8,0.0000031622055,0.0031118165],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996505,0.000030336567,0.00014903067,0.000025595811,0.00004690317,0.00009767051],"domain_scores_gemma":[0.99970293,0.00001129936,0.00008403357,0.00005371815,0.00005401822,0.00009398256],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012200388,0.00004091624,0.000078268655,0.000115491,0.00016783463,0.00001674583,0.00007136395,0.000017534283,0.0028652367],"category_scores_gemma":[0.000021285878,0.000027179536,0.000050533297,0.000025980264,0.00017847493,0.00017856932,0.000004636434,0.00015350975,0.0000044148046],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000057001457,0.00002898655,0.0076746084,0.00001146198,0.000050080693,0.0000065619784,0.8240324,0.000004417781,0.000054072774,0.028320983,0.13949129,0.00031939783],"study_design_scores_gemma":[0.00016118515,0.00003898491,0.0053516957,0.000053512373,0.00002120638,0.00006579827,0.06271503,5.202141e-7,0.000010563142,0.0006143242,0.93091446,0.00005270083],"about_ca_topic_score_codex":0.005223765,"about_ca_topic_score_gemma":0.84005934,"teacher_disagreement_score":0.8348355,"about_ca_system_score_codex":0.00006658043,"about_ca_system_score_gemma":0.000087216315,"threshold_uncertainty_score":0.9980463},"labels":[],"label_agreement":null},{"id":"W2037692586","doi":"10.7202/1013243ar","title":"Great-Rag-Sketches, Source Study for Stravinsky's Piano-Rag-Music","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Improvisation; Art; Piano; Literature; Visual arts; Art history","score_opus":0.03676500885117232,"score_gpt":0.24564561633517498,"score_spread":0.20888060748400267,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2037692586","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84474516,0.00057045545,0.14556119,0.0012052588,0.006001622,0.00038182348,0.000012745526,0.00007239802,0.0014493412],"genre_scores_gemma":[0.9960688,0.0000027921717,0.0020370043,0.0004809902,0.0006172761,0.000025572512,6.5485034e-7,0.000017185926,0.0007497239],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99837655,0.00008736168,0.00048650964,0.00022412051,0.0001846063,0.0006408353],"domain_scores_gemma":[0.99838305,0.00013403225,0.00026096773,0.00046025286,0.00026490807,0.0004967931],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000664256,0.00021243919,0.00032813402,0.00083320716,0.0006731247,0.00012909113,0.00092372857,0.00012654073,0.00015073946],"category_scores_gemma":[0.00018187525,0.00019573349,0.0002265438,0.00052640546,0.00015486001,0.0006467602,0.000069593436,0.00045880818,0.000022713913],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009795118,0.0012490201,0.19806364,0.00007545628,0.002630979,0.000388035,0.25719348,0.00028187968,0.00027635705,0.03511862,0.30066904,0.20395552],"study_design_scores_gemma":[0.0042274115,0.0040445486,0.176977,0.00023725796,0.0005043031,0.004102537,0.07092933,0.00064926274,0.00021093822,0.0071251015,0.7294761,0.0015162295],"about_ca_topic_score_codex":0.0050718663,"about_ca_topic_score_gemma":0.15452226,"teacher_disagreement_score":0.42880702,"about_ca_system_score_codex":0.00027684332,"about_ca_system_score_gemma":0.00047210752,"threshold_uncertainty_score":0.8609055},"labels":[],"label_agreement":null},{"id":"W2038724113","doi":"10.7202/1018577ar","title":"The Loosening Role of Polyphony: Texture and Formal Functions in Mozart’s “Haydn” Quartets","year":2013,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":19,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"University of Oxford; University of Cambridge; McGill University","keywords":"MOZART; Polyphony; Contrast (vision); Texture (cosmology); Phrase; Computer science; Art; Cognitive science; Artificial intelligence; Literature; Psychology; Image (mathematics)","score_opus":0.010260440124281577,"score_gpt":0.1735803799264172,"score_spread":0.16331993980213563,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2038724113","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9822328,0.00052108854,0.000043449094,0.0020119566,0.0010133564,0.000079969504,0.000011855977,0.0000036563576,0.014081851],"genre_scores_gemma":[0.9978009,0.000004763063,0.000008818467,0.00032714556,0.0003389481,0.000006470531,0.0000011061111,0.0000063229954,0.0015055519],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992208,0.000050245733,0.00035066804,0.00007245809,0.000072311224,0.00023350047],"domain_scores_gemma":[0.9992808,0.0001013475,0.00015853198,0.00009490674,0.00018391703,0.0001804603],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016836426,0.00008491952,0.00016192273,0.00041848858,0.00054727116,0.00011093506,0.000119321725,0.000049375478,0.003126112],"category_scores_gemma":[0.000052685427,0.000058745412,0.00011522758,0.00009733497,0.00034516427,0.0003534764,0.000011531341,0.00032392223,0.00001932431],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001458032,0.0002615681,0.024394043,0.000049125152,0.0014428665,0.00009501034,0.3574558,0.00051755004,0.0023912566,0.19267456,0.16500746,0.25556496],"study_design_scores_gemma":[0.0012194782,0.0008609649,0.071464874,0.00021612446,0.00032777365,0.00043099967,0.3336441,0.0018126954,0.00009360803,0.01647969,0.5730084,0.00044129978],"about_ca_topic_score_codex":0.06421962,"about_ca_topic_score_gemma":0.8615961,"teacher_disagreement_score":0.79737645,"about_ca_system_score_codex":0.000048745274,"about_ca_system_score_gemma":0.00016651883,"threshold_uncertainty_score":0.99778515},"labels":[],"label_agreement":null},{"id":"W2040013036","doi":"10.7202/1013307ar","title":"Northern Ways to Think About Music: Glenn Gould's Idea of North as an Aesthetic Category","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Counterpoint; Musical; Metaphor; Perspective (graphical); Aesthetics; Meaning (existential); Epistemology; Value (mathematics); Sociology; Visual arts; Art; Philosophy; Linguistics; Pedagogy; Computer science","score_opus":0.08574569139242925,"score_gpt":0.22783837639191168,"score_spread":0.1420926849994824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2040013036","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9576952,0.00023596063,0.0000299802,0.0004225256,0.0035042977,0.00015490437,0.000059331596,0.000018579876,0.037879236],"genre_scores_gemma":[0.99685806,0.0000045239717,0.000040243045,0.0015365765,0.00097031955,0.0000062206036,0.0000035288708,0.000024728888,0.0005558179],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99859375,0.00005920798,0.0004868144,0.00014306132,0.00022678301,0.00049035985],"domain_scores_gemma":[0.9981031,0.00003798602,0.00027271674,0.00021225141,0.00056433247,0.00080961],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024126335,0.00020169385,0.00033446087,0.00052613125,0.00053154415,0.00016076944,0.0003733605,0.00005260187,0.004850015],"category_scores_gemma":[0.00009336911,0.00016477678,0.00021657621,0.00013895571,0.00037019682,0.00048146298,0.0000400782,0.00032132032,0.00029598182],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001457456,0.00064591045,0.0643396,0.00004951948,0.0006047297,0.00028900823,0.64644337,0.00046157287,0.000071103146,0.17639376,0.068640575,0.04191509],"study_design_scores_gemma":[0.00060308725,0.0020101988,0.07659119,0.00013997086,0.00026336967,0.00039114873,0.061570965,0.0000063931966,0.000027467253,0.0022521708,0.8555764,0.00056763465],"about_ca_topic_score_codex":0.111337595,"about_ca_topic_score_gemma":0.9022322,"teacher_disagreement_score":0.7908946,"about_ca_system_score_codex":0.0003257739,"about_ca_system_score_gemma":0.00030680373,"threshold_uncertainty_score":0.9960597},"labels":[],"label_agreement":null},{"id":"W2041156101","doi":"10.7202/1000042ar","title":"Samba : entre musique, danse et carnaval","year":2010,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Brazilian cultural history and politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.02502434040248755,"score_gpt":0.27437973650112735,"score_spread":0.2493553960986398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2041156101","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7665014,0.001210724,0.000041476425,0.021936437,0.054780304,0.000101701124,0.00013476326,0.00001169455,0.15528148],"genre_scores_gemma":[0.95045584,0.000052745483,0.00023767866,0.0025715001,0.003389804,0.0000011677702,0.000002447926,0.000018164616,0.04327062],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983258,0.00032935842,0.00044355812,0.00014348917,0.00021623539,0.00054151326],"domain_scores_gemma":[0.9975884,0.000114020644,0.00027494802,0.00016649862,0.00042664798,0.001429506],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005767375,0.00017792739,0.00022701178,0.00032413297,0.0007560442,0.00011094685,0.00039142734,0.00029176136,0.012829816],"category_scores_gemma":[0.00027981083,0.00018515262,0.00032331393,0.00042296213,0.0012164097,0.0006051712,0.000010241261,0.0015419153,0.00020466046],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001956401,0.000090306756,0.002121375,0.00003404854,0.00020653155,0.0007830184,0.28705993,0.00006207544,0.00073666597,0.21138644,0.476009,0.021491013],"study_design_scores_gemma":[0.0001894779,0.00011582062,0.0016367383,0.00011719872,0.00009621761,0.0010168424,0.021210235,0.0000066419916,0.00003622034,0.0015887427,0.9737938,0.00019208546],"about_ca_topic_score_codex":0.23878649,"about_ca_topic_score_gemma":0.9759336,"teacher_disagreement_score":0.73714715,"about_ca_system_score_codex":0.00068196986,"about_ca_system_score_gemma":0.004079312,"threshold_uncertainty_score":0.9880726},"labels":[],"label_agreement":null},{"id":"W2042329844","doi":"10.7202/1006380ar","title":"Les nouveaux enjeux de la granulation sonore : l’esthétique populaire de l’Intelligent Dance Music (IDM)","year":2011,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.0635105413624917,"score_gpt":0.2663176717369287,"score_spread":0.20280713037443704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2042329844","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67889094,0.00726762,0.2890084,0.006593978,0.0071277674,0.00018482078,0.000022205395,0.00006759001,0.010836674],"genre_scores_gemma":[0.9882656,0.00030371765,0.0095057525,0.0006578861,0.00053782103,0.000009838618,9.619056e-7,0.000024751043,0.00069371803],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977216,0.00041291126,0.0006424259,0.00029914084,0.00016252954,0.00076136354],"domain_scores_gemma":[0.99803835,0.00013272278,0.0004067801,0.00042484127,0.00042416944,0.00057311007],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0009813325,0.00028975197,0.000378202,0.00082593306,0.00085957226,0.00016703624,0.0009213107,0.00044935127,0.00075497926],"category_scores_gemma":[0.00034310386,0.00031350463,0.00031663475,0.00062007847,0.0008273592,0.0005191394,0.000073211435,0.0012168137,0.00002607433],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052955835,0.00028557767,0.062490735,0.00014067566,0.00058975886,0.0028576634,0.2535742,0.0007640825,0.00012512381,0.3708894,0.055984955,0.2522449],"study_design_scores_gemma":[0.0013851726,0.0015695378,0.34068912,0.0026538754,0.0005252466,0.027360043,0.032368,0.0063234647,0.00088787515,0.2306264,0.35413375,0.0014774844],"about_ca_topic_score_codex":0.13469757,"about_ca_topic_score_gemma":0.5833614,"teacher_disagreement_score":0.4486638,"about_ca_system_score_codex":0.0011603013,"about_ca_system_score_gemma":0.0021384654,"threshold_uncertainty_score":0.9999317},"labels":[],"label_agreement":null},{"id":"W2043899630","doi":"10.7202/1018584ar","title":"Constructing the Monk: Francis Poulenc and the Post-War Context","year":2013,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Autobiographical and Biographical Writing","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"Keele University; McGill University","keywords":"Seriousness; Period (music); Literature; Persona; Counterpoint; History; Biography; Art; Context (archaeology); Art history; Aesthetics; Humanities; Sociology; Law; Political science","score_opus":0.013012649461738881,"score_gpt":0.17269791128489523,"score_spread":0.15968526182315634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2043899630","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9560206,0.0010838443,0.000028493678,0.026443262,0.0012949915,0.00018155333,0.000026836651,0.000010369378,0.0149100395],"genre_scores_gemma":[0.9958569,0.000013502533,0.000013516352,0.0033842789,0.0005901657,0.0000060612215,6.242856e-7,0.00000742319,0.00012752222],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99919295,0.000086180116,0.00032791053,0.00007871042,0.00009788308,0.0002163568],"domain_scores_gemma":[0.9989063,0.00027716695,0.00016619354,0.00009319242,0.0003612229,0.00019592656],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002637915,0.000099982724,0.00015736547,0.00025989633,0.00097117637,0.00028078078,0.00019855477,0.00003843789,0.0027193697],"category_scores_gemma":[0.00013138252,0.000048217065,0.00021993335,0.000121224446,0.0018925723,0.00019646095,0.000014972144,0.0004627353,0.000016412987],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000067016284,0.00003557186,0.019916631,0.000027930066,0.0007680338,0.00005729842,0.15328595,0.0000021518838,0.00007483187,0.5706318,0.026417956,0.22871484],"study_design_scores_gemma":[0.001544744,0.00030462074,0.00808446,0.00020864727,0.00018838135,0.0011303014,0.8571683,0.00023202856,0.000016479322,0.020271437,0.110528186,0.00032239693],"about_ca_topic_score_codex":0.13421279,"about_ca_topic_score_gemma":0.48947024,"teacher_disagreement_score":0.7038824,"about_ca_system_score_codex":0.000020030791,"about_ca_system_score_gemma":0.0000627456,"threshold_uncertainty_score":0.99819225},"labels":[],"label_agreement":null},{"id":"W2044293026","doi":"10.7202/019292ar","title":"L’impact des politiques institutionnelles sur la création d’opéra au Canada entre 1980 et 2003 : Les cas de Montréal et Toronto1","year":2008,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.04879955075707373,"score_gpt":0.27115711207514,"score_spread":0.22235756131806625,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2044293026","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9525577,0.004592597,0.00021189978,0.014330376,0.0027016166,0.000110665926,0.0001410636,0.000008685072,0.025345434],"genre_scores_gemma":[0.9796005,0.0012277174,0.00013498287,0.00045186642,0.00068048947,0.0000029613714,0.000008369308,0.000012588798,0.017880514],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981646,0.0004252479,0.00043729023,0.00013249034,0.00026647525,0.0005739306],"domain_scores_gemma":[0.9978212,0.000111187845,0.00024786987,0.000080541715,0.0007984408,0.0009407612],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00042768318,0.0002014652,0.00022521055,0.00017931826,0.0013282652,0.0001227852,0.00019262738,0.00018837382,0.0017616581],"category_scores_gemma":[0.00059256365,0.00019002787,0.00014320968,0.00046514563,0.00062698097,0.00077384175,0.000012566476,0.00049553724,0.000003977247],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.000020512118,0.000060912538,0.105557166,0.000013124969,0.0002666252,0.00091720384,0.13516755,0.0022767654,0.000009152925,0.011529275,0.73257977,0.011601949],"study_design_scores_gemma":[0.00026199696,0.00011371525,0.2516548,0.00028744322,0.000049114424,0.0019553981,0.053777564,0.000031932497,0.000018811377,0.00014236085,0.69147867,0.0002281825],"about_ca_topic_score_codex":0.99983704,"about_ca_topic_score_gemma":0.99998826,"teacher_disagreement_score":0.14609765,"about_ca_system_score_codex":0.012485125,"about_ca_system_score_gemma":0.04532815,"threshold_uncertainty_score":0.99997187},"labels":[],"label_agreement":null},{"id":"W2044293716","doi":"10.7202/1003499ar","title":"Lévi-Strauss, homme de sens et de paradoxe","year":2011,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities; Soul; Art; Theology","score_opus":0.07729589235202333,"score_gpt":0.2448701174797661,"score_spread":0.16757422512774275,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2044293716","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88757324,0.002462109,0.00016187278,0.0072293044,0.0076864767,0.00008656965,0.00023693031,0.00001393033,0.09454958],"genre_scores_gemma":[0.96812856,0.00017289603,0.00021442077,0.0014127386,0.0024509556,0.0000017340163,0.0000027309723,0.000022892607,0.027593067],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99874574,0.00015059886,0.0004001957,0.000106044215,0.000096090735,0.0005013091],"domain_scores_gemma":[0.99870026,0.00003444694,0.0002021242,0.00012724558,0.0002247242,0.00071119156],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037059677,0.00016537766,0.00021303688,0.00035342714,0.00060649647,0.00038798028,0.000230731,0.00012428078,0.018937226],"category_scores_gemma":[0.000061561535,0.00016992778,0.00028726246,0.00006880068,0.0004264152,0.00061499595,0.000011981349,0.0007086381,0.00016571143],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032638607,0.00014269075,0.0022636703,0.00007018603,0.00043856414,0.0024610483,0.5320699,0.00003440736,0.00012322886,0.26444843,0.19630542,0.0016097685],"study_design_scores_gemma":[0.0003219287,0.00034744845,0.007845722,0.00043442118,0.00023625417,0.0045338464,0.07985016,0.000017427015,0.00006603578,0.0061104577,0.8999746,0.00026168898],"about_ca_topic_score_codex":0.5814202,"about_ca_topic_score_gemma":0.9641437,"teacher_disagreement_score":0.7036692,"about_ca_system_score_codex":0.00065612455,"about_ca_system_score_gemma":0.0013256593,"threshold_uncertainty_score":0.9819596},"labels":[],"label_agreement":null},{"id":"W2045557117","doi":"10.7202/1000041ar","title":"Enseignement à distance de la musique ou l’e-learning musical","year":2010,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.020830451239672237,"score_gpt":0.2328508162828036,"score_spread":0.21202036504313138,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2045557117","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6562303,0.00064238394,0.0009846599,0.0076268334,0.040924083,0.00014424484,0.00007452076,0.000021369591,0.29335165],"genre_scores_gemma":[0.96308845,0.000026054899,0.00040950975,0.0010172152,0.0054228664,0.000006798005,0.0000036856109,0.000039417646,0.02998599],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982443,0.00027627897,0.0005594243,0.0001922606,0.00021403044,0.0005137243],"domain_scores_gemma":[0.99771535,0.00024688008,0.00037953607,0.00021507553,0.00052292994,0.0009202495],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00062584557,0.00023130917,0.00025066512,0.00068988395,0.0011311688,0.00067318836,0.0003316876,0.00020034885,0.032499406],"category_scores_gemma":[0.0003547968,0.0002467903,0.00028109696,0.00014467917,0.0013122273,0.00041576906,0.000019410592,0.0020164174,0.00016809217],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015983036,0.00016072489,0.0005473904,0.00003984137,0.00019850158,0.00050712744,0.19803022,0.00015952185,0.0001967604,0.5698297,0.22422118,0.006093021],"study_design_scores_gemma":[0.00032788867,0.00017386042,0.0015990899,0.00024499407,0.00012330881,0.0009842821,0.043547448,0.000070649454,0.000024411012,0.0023065032,0.9503641,0.00023347182],"about_ca_topic_score_codex":0.07424532,"about_ca_topic_score_gemma":0.7042764,"teacher_disagreement_score":0.7261429,"about_ca_system_score_codex":0.000727246,"about_ca_system_score_gemma":0.0028585873,"threshold_uncertainty_score":0.99999845},"labels":[],"label_agreement":null},{"id":"W2046017221","doi":"10.7202/039108ar","title":"Pour une histoire sociale de la musique de George Crumb dans les années 1970","year":2010,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.026004971214381452,"score_gpt":0.229508944591098,"score_spread":0.20350397337671655,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2046017221","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8925939,0.00097494596,0.00013336021,0.014504793,0.0066534383,0.000063614774,0.00017936806,0.000014163127,0.08488238],"genre_scores_gemma":[0.92565197,0.00006240798,0.00013069024,0.00050344813,0.0037773256,0.0000029808248,0.0000035514486,0.000028532962,0.06983912],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987676,0.00016176574,0.00038657698,0.00012158969,0.000105977735,0.00045647187],"domain_scores_gemma":[0.9986677,0.00009826681,0.00023398419,0.0001226941,0.00031741444,0.00055990915],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037315904,0.0001835667,0.0002293014,0.0003388032,0.0024376926,0.00059711514,0.00028494766,0.0002478569,0.009286301],"category_scores_gemma":[0.0001694082,0.00019564596,0.0003538169,0.00009753728,0.0015983267,0.00048234232,0.000015716152,0.0013170086,0.000048719343],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023661336,0.00019433582,0.0046766438,0.000109670495,0.00033938792,0.001332358,0.42760536,0.000055321565,0.0110921655,0.36190403,0.18008964,0.0125774415],"study_design_scores_gemma":[0.00029299338,0.000094797724,0.008727289,0.00022830034,0.00016596408,0.0019581208,0.08232522,0.000026703368,0.000099635545,0.0071463953,0.89870924,0.00022536777],"about_ca_topic_score_codex":0.77209485,"about_ca_topic_score_gemma":0.9965485,"teacher_disagreement_score":0.7186196,"about_ca_system_score_codex":0.0009436715,"about_ca_system_score_gemma":0.0023913826,"threshold_uncertainty_score":0.998861},"labels":[],"label_agreement":null},{"id":"W2048221628","doi":"10.7202/1025556ar","title":"Son organisé, partition sonore, ordre musical : la pensée et la pratique cinématographiques d’Edgard Varèse et de Michel Fano","year":2014,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Art history","score_opus":0.07216637351764527,"score_gpt":0.29615883703805446,"score_spread":0.2239924635204092,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2048221628","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73772746,0.00052178063,0.10343876,0.05370514,0.004535736,0.00027162032,0.00006969168,0.00007961244,0.09965019],"genre_scores_gemma":[0.987802,0.00006875476,0.0020659552,0.007947933,0.00056080875,0.0000042692163,0.000006234245,0.000031989937,0.0015120268],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99733,0.0010062051,0.00057949615,0.0002884979,0.00022290181,0.00057291746],"domain_scores_gemma":[0.99709874,0.00034616815,0.00036990925,0.00029517538,0.00059313036,0.0012969018],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0010725026,0.00030642407,0.00035416824,0.00055834395,0.000260146,0.002262145,0.00046025222,0.00029523182,0.0002875261],"category_scores_gemma":[0.00057152315,0.0002697857,0.00031758062,0.00059912156,0.0003864382,0.0027147434,0.000060972478,0.0009724135,0.00004339056],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038353686,0.00033513806,0.0015301249,0.000085386,0.00029790692,0.0019278158,0.05795202,0.00060294796,0.0024758843,0.6434722,0.27773428,0.013547925],"study_design_scores_gemma":[0.0008384778,0.0012164384,0.038099945,0.0011564282,0.0001426956,0.024520876,0.00228246,0.002034289,0.00077871006,0.022760931,0.9054951,0.00067365187],"about_ca_topic_score_codex":0.045139343,"about_ca_topic_score_gemma":0.45747888,"teacher_disagreement_score":0.6277608,"about_ca_system_score_codex":0.00034109544,"about_ca_system_score_gemma":0.002910621,"threshold_uncertainty_score":0.99997544},"labels":[],"label_agreement":null},{"id":"W2057496060","doi":"10.7202/1013227ar","title":"Un entretien avec Diane Labrosse","year":2012,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.11747891826097817,"score_gpt":0.260869121668952,"score_spread":0.14339020340797382,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2057496060","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7678568,0.029030453,0.010687071,0.038920555,0.06710164,0.00024666073,0.00012206442,0.0000351683,0.08599963],"genre_scores_gemma":[0.9723814,0.00004195148,0.0005498533,0.001447552,0.0018822539,8.3261796e-7,0.0000016396265,0.000014876276,0.023679629],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982706,0.00009117893,0.0004884459,0.00013748981,0.00020778758,0.00080454757],"domain_scores_gemma":[0.99654704,0.00006670407,0.0002794939,0.00025667172,0.0004269554,0.002423119],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025019396,0.00021190387,0.00024056784,0.000453005,0.00026686455,0.0010219614,0.0004716773,0.00012648011,0.0022529962],"category_scores_gemma":[0.00018969257,0.0001800448,0.00027271485,0.0006359169,0.00024229065,0.004738747,0.00004700887,0.00045616168,0.0003439234],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025433226,0.00043402953,0.0055247652,0.000056991532,0.0005524554,0.002848292,0.286866,0.00024965522,0.0005371647,0.109485865,0.47394863,0.11947073],"study_design_scores_gemma":[0.00042445608,0.0004105185,0.017923161,0.00033115692,0.000083965526,0.01672023,0.002012963,0.0002005071,0.0005682042,0.0018078354,0.9591552,0.0003617894],"about_ca_topic_score_codex":0.052969046,"about_ca_topic_score_gemma":0.14770551,"teacher_disagreement_score":0.4852066,"about_ca_system_score_codex":0.00047722735,"about_ca_system_score_gemma":0.0008700482,"threshold_uncertainty_score":0.9986591},"labels":[],"label_agreement":null},{"id":"W2058662028","doi":"10.7202/1013224ar","title":"Gender, Genre and Electroacoustic Soundmaking Practices","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Posthumanist Ethics and Activism","field":"Social Sciences","cited_by":44,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Electroacoustic music; Context (archaeology); Studio; Categorization; Abstraction; Art; Sociology; Visual arts; Aesthetics; Literature; Linguistics; History; Epistemology; Composition (language); Philosophy; Archaeology","score_opus":0.10592739571019154,"score_gpt":0.3426953440641169,"score_spread":0.23676794835392534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2058662028","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95180714,0.0013465463,0.00082206214,0.0013761756,0.002032728,0.000060673974,0.0000033329081,0.000008450216,0.042542893],"genre_scores_gemma":[0.9982475,0.000044608256,0.00012563555,0.00033963192,0.0009658203,9.3495066e-7,1.973984e-7,0.000008080659,0.0002676009],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99917716,0.00012589613,0.00014931163,0.000058292746,0.00014820669,0.0003411487],"domain_scores_gemma":[0.9988683,0.00013872376,0.00032297842,0.000055008637,0.0001355435,0.00047948255],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00094540865,0.00006073217,0.00008682223,0.00026821924,0.0008433074,0.00015747751,0.00011785872,0.00006811831,0.0002982664],"category_scores_gemma":[0.0005867307,0.000059819813,0.00005068375,0.0001500994,0.000181768,0.00060117984,0.0000060953125,0.0003804555,0.000007278748],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003321556,0.0001670585,0.06054492,0.00005154174,0.0005853539,0.00019533646,0.64775884,0.00003097607,0.0034506877,0.24446751,0.013732468,0.02898208],"study_design_scores_gemma":[0.00051625364,0.00026705058,0.054040503,0.00013477444,0.0003237652,0.001858503,0.21987891,0.00004929032,0.00009768074,0.013235434,0.7090936,0.00050428236],"about_ca_topic_score_codex":0.047287155,"about_ca_topic_score_gemma":0.40345183,"teacher_disagreement_score":0.6953611,"about_ca_system_score_codex":0.00023298337,"about_ca_system_score_gemma":0.0010035088,"threshold_uncertainty_score":0.95905703},"labels":[],"label_agreement":null},{"id":"W2059870449","doi":"10.7202/019291ar","title":"Something to Sing About: A Preliminary List of Canadian Staged Dramatic Music Since 1867","year":2008,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Repertoire; Artifact (error); Musical; Scope (computer science); Politics; History; Visual arts; Foundation (evidence); Field (mathematics); Musicology; Literature; Art; Psychology; Political science; Archaeology; Computer science; Law","score_opus":0.050019809375784284,"score_gpt":0.20604259127739344,"score_spread":0.15602278190160915,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2059870449","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95902234,0.00029739828,0.00005810734,0.00040243828,0.004587797,0.00018094339,0.0000805133,0.000014586368,0.03535586],"genre_scores_gemma":[0.99434006,0.000009935515,0.00019180439,0.0011743547,0.00087667105,0.000007006113,0.0000036749052,0.000033430963,0.0033630605],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99842405,0.00007158199,0.00068272906,0.00015294497,0.00019902347,0.00046965582],"domain_scores_gemma":[0.99815583,0.000058547477,0.0002902476,0.00024005833,0.00035203595,0.00090330536],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033674602,0.0001892536,0.00033763744,0.0035165588,0.0011799593,0.00009371118,0.00032564538,0.000065087275,0.0023592284],"category_scores_gemma":[0.000100898746,0.0001903218,0.00019443184,0.000317454,0.000422875,0.00046323123,0.000012688648,0.00044488953,0.00004410422],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007853537,0.00007074292,0.0005497949,0.00014374382,0.00020520296,0.0006773511,0.886871,0.0005903615,0.00078357273,0.005972682,0.0988608,0.0051962603],"study_design_scores_gemma":[0.0005893748,0.0008801039,0.002348696,0.0010395738,0.00011858401,0.0010266914,0.047467988,0.00008601286,0.00017139864,0.00014204605,0.9456802,0.00044932542],"about_ca_topic_score_codex":0.72566885,"about_ca_topic_score_gemma":0.9900981,"teacher_disagreement_score":0.8468194,"about_ca_system_score_codex":0.000756219,"about_ca_system_score_gemma":0.0022318652,"threshold_uncertainty_score":0.99855274},"labels":[],"label_agreement":null},{"id":"W2063917837","doi":"10.7202/1000039ar","title":"Aspects de l’ethos musical dans l’antiquité grecque","year":2010,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Classical Antiquity Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Ethos; Philosophy","score_opus":0.033119979209427976,"score_gpt":0.28634404476440406,"score_spread":0.25322406555497606,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2063917837","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8300558,0.00043863137,0.0007124055,0.07760007,0.024471225,0.00013848615,0.00004756425,0.000019368625,0.06651647],"genre_scores_gemma":[0.97875434,0.000071623486,0.00058953796,0.0011121664,0.005307582,0.0000036529552,6.005809e-7,0.000030055726,0.0141304415],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99745804,0.0003596102,0.00060281955,0.00024854369,0.00036278277,0.00096821773],"domain_scores_gemma":[0.9968967,0.00036560223,0.0003367641,0.00022899026,0.00048580358,0.0016861615],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011374684,0.00024917908,0.0004120144,0.0005130827,0.0011307969,0.00019339152,0.0006357909,0.00037850987,0.0042363703],"category_scores_gemma":[0.0015794951,0.00025975498,0.0004829899,0.00091909803,0.00245337,0.00042488563,0.000048606318,0.0020593603,0.00015173001],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004063586,0.00041676848,0.0129208425,0.000067913075,0.00076830405,0.0030292964,0.26751977,0.000059063066,0.008119797,0.37525612,0.2631824,0.0686191],"study_design_scores_gemma":[0.00035678217,0.0003639954,0.01799635,0.0002777869,0.00024247287,0.0017980704,0.04578459,0.0000870633,0.0003167516,0.010480992,0.92191136,0.00038380994],"about_ca_topic_score_codex":0.18951221,"about_ca_topic_score_gemma":0.98498243,"teacher_disagreement_score":0.79547024,"about_ca_system_score_codex":0.00094658387,"about_ca_system_score_gemma":0.0038785196,"threshold_uncertainty_score":0.99998546},"labels":[],"label_agreement":null},{"id":"W2064060300","doi":"10.7202/1003496ar","title":"Lévi-Strauss, brèves réflexions sur ses inspirations, sa démarche et son legs","year":2011,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Emile Durkheim and Sociology","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.11461932742092452,"score_gpt":0.30156793497596857,"score_spread":0.18694860755504406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2064060300","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8511104,0.0062289764,0.0007164272,0.03079515,0.01669079,0.00024077468,0.000193481,0.000031093565,0.09399292],"genre_scores_gemma":[0.99036926,0.00060296094,0.00047195263,0.002726484,0.0012861682,0.000006983992,0.000006700999,0.000027877011,0.004501593],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.997225,0.00090075843,0.0007206989,0.0002280867,0.00023305422,0.00069241546],"domain_scores_gemma":[0.99753785,0.00026062725,0.0004143452,0.00021700739,0.0005583193,0.0010118376],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001138866,0.00023158763,0.000361228,0.00064802804,0.0010461652,0.00010771473,0.0005049206,0.0004039824,0.007251143],"category_scores_gemma":[0.0005487116,0.00024790582,0.0003849375,0.0006579892,0.0015098371,0.000891786,0.000022191729,0.0010477888,0.0001884745],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041096064,0.00032252734,0.027534809,0.000045879417,0.00069729384,0.00047753623,0.44899085,0.00009473385,0.00012768147,0.33369854,0.16884947,0.019119585],"study_design_scores_gemma":[0.00079792255,0.0010478277,0.059809256,0.0005566022,0.00040927282,0.0007943299,0.13011393,0.000038751215,0.00010847752,0.03045873,0.7751492,0.00071566756],"about_ca_topic_score_codex":0.42668483,"about_ca_topic_score_gemma":0.96061015,"teacher_disagreement_score":0.60629976,"about_ca_system_score_codex":0.00076566054,"about_ca_system_score_gemma":0.00602889,"threshold_uncertainty_score":0.9999973},"labels":[],"label_agreement":null},{"id":"W2064209463","doi":"10.7202/039111ar","title":"Music, History, Autonomy, and Presentness: When Composers and Philosophers Cross Swords. Martin Kaltenecker and François Nicolas, eds. 2006. Penser l’oeuvre musicale au XX siècle: avec, sans ou contre l’histoire? Paris: Centre de documentation de la musique contemporaine. 134 pp. ISBN: 2-9516440-9-4 (paper)","year":2009,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Humanities; Art; Philosophy; Art history","score_opus":0.013462913387621032,"score_gpt":0.22412519756480687,"score_spread":0.21066228417718583,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2064209463","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81683296,0.03953897,0.00018773924,0.11042278,0.0044313706,0.0007371711,0.00033644013,0.000048976395,0.02746356],"genre_scores_gemma":[0.95990354,0.0006158072,0.00017868777,0.010874726,0.0018939218,0.000016357322,0.00003250841,0.00005661476,0.026427863],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965254,0.00070570037,0.0010428163,0.0005627452,0.0002740871,0.00088925444],"domain_scores_gemma":[0.996748,0.0004025196,0.0006809788,0.0002865562,0.0004927208,0.0013892335],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0008821381,0.00055905856,0.0008336682,0.000527931,0.0015959961,0.000608686,0.00026685456,0.00048501234,0.008823366],"category_scores_gemma":[0.00020437156,0.0005834245,0.0003418367,0.0001343779,0.003208827,0.0010474749,0.000050691564,0.001133347,0.000010677714],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00046467115,0.00048639416,0.010830714,0.00020623923,0.0012184007,0.001114689,0.22798534,0.00017960528,0.000340796,0.0252567,0.7098132,0.022103269],"study_design_scores_gemma":[0.002954444,0.00048666136,0.016969211,0.00045944646,0.0009772418,0.00079438434,0.012586737,0.0007272946,0.000014987561,0.0044907113,0.95889765,0.0006412359],"about_ca_topic_score_codex":0.16837916,"about_ca_topic_score_gemma":0.5920322,"teacher_disagreement_score":0.423653,"about_ca_system_score_codex":0.0017471964,"about_ca_system_score_gemma":0.0018531339,"threshold_uncertainty_score":0.99970376},"labels":[],"label_agreement":null},{"id":"W2065082673","doi":"10.7202/1006376ar","title":"Bruce Springsteen, sociologie d’un rocker","year":2011,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.0868606842871064,"score_gpt":0.20774285973204462,"score_spread":0.12088217544493822,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2065082673","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4273787,0.014053967,0.0002272597,0.001481686,0.04135647,0.00015260545,0.00015273468,0.000024432711,0.5151721],"genre_scores_gemma":[0.9399406,0.0000341388,0.00012660664,0.0012119478,0.0031101278,0.0000026136872,0.0000017696018,0.000026734682,0.055545494],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99866146,0.00011887829,0.00051480933,0.0001560646,0.00011409872,0.000434693],"domain_scores_gemma":[0.9984768,0.000027145508,0.00033499207,0.00018432504,0.0003872509,0.0005894979],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024863728,0.0002147658,0.0002731673,0.0003618636,0.001186096,0.00009964487,0.00033816326,0.0001978322,0.12240402],"category_scores_gemma":[0.000061715305,0.00020434703,0.0003813805,0.00007840838,0.0007708244,0.00041611237,0.00001426224,0.0008369189,0.00044111809],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003052933,0.000096272524,0.0006633434,0.000045008688,0.00043211234,0.00080837007,0.3245035,0.000008519971,0.000028768181,0.10931809,0.55600774,0.008057748],"study_design_scores_gemma":[0.00024800812,0.0003061036,0.0014631046,0.00021987628,0.00018176434,0.0007793838,0.04650666,0.0000032685703,0.000036064957,0.0018335987,0.9481905,0.00023164033],"about_ca_topic_score_codex":0.071042314,"about_ca_topic_score_gemma":0.6229359,"teacher_disagreement_score":0.5518936,"about_ca_system_score_codex":0.00045846705,"about_ca_system_score_gemma":0.0008413798,"threshold_uncertainty_score":0.9351437},"labels":[],"label_agreement":null},{"id":"W2066217832","doi":"10.7202/1013110ar","title":"The Present State of Unpopular Music","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernism (music); State (computer science); Musical; History; Vocabulary; Popular music; Aesthetics; Literature; Art history; Art; Linguistics; Philosophy; Computer science","score_opus":0.04011356629751363,"score_gpt":0.20665091838503552,"score_spread":0.1665373520875219,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2066217832","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9031812,0.0034845064,0.000056722623,0.00064787385,0.014009847,0.00013967363,0.000058158894,0.000008882481,0.078413166],"genre_scores_gemma":[0.9894361,0.0000047588387,0.0000071359896,0.00020645378,0.0014469131,0.0000022809243,0.0000010037111,0.000009286453,0.0088860905],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999225,0.0000632414,0.00030865296,0.000044470908,0.00012112961,0.00023747377],"domain_scores_gemma":[0.9991396,0.0000312079,0.0002138949,0.00013462122,0.00020791656,0.00027276258],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025962022,0.00008049753,0.000117773496,0.00015879351,0.0006225242,0.000056698194,0.0001864408,0.000020095345,0.0052043097],"category_scores_gemma":[0.00003323052,0.000053337884,0.00014606853,0.000050762428,0.00028911664,0.00024972894,0.0000066479374,0.00022929776,0.000026837377],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020795589,0.00004583956,0.00030566737,0.000016689839,0.00019311275,0.000018927982,0.30284545,0.00006407595,0.00008188407,0.03002808,0.6539912,0.012388274],"study_design_scores_gemma":[0.00009455052,0.00006254179,0.00034341228,0.000034215394,0.0000341158,0.00006347741,0.017438505,0.0000033197114,0.000034070083,0.00040149892,0.9814284,0.00006193703],"about_ca_topic_score_codex":0.011091242,"about_ca_topic_score_gemma":0.63331217,"teacher_disagreement_score":0.62222093,"about_ca_system_score_codex":0.0001102837,"about_ca_system_score_gemma":0.0002013789,"threshold_uncertainty_score":0.99570507},"labels":[],"label_agreement":null},{"id":"W2067166113","doi":"10.7202/1009284ar","title":"Two-Part Transition or Two-Part Subordinate Theme?","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Piano sonata; Theme (computing); Movement (music); Exposition (narrative); Context (archaeology); Transition (genetics); Sonata cycle; Piano; Key (lock); Sonata form; Literature; Philosophy; Art; History; Computer science; Art history; Aesthetics; Chemistry","score_opus":0.05174832720469408,"score_gpt":0.24480257252337537,"score_spread":0.1930542453186813,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2067166113","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8851386,0.0003089077,0.00031195921,0.0037868114,0.012515925,0.00013976314,0.000092866336,0.000029830077,0.09767536],"genre_scores_gemma":[0.9867094,0.0000059346576,0.000032173495,0.0025032477,0.0055392697,0.0000073397423,0.000008380651,0.000018351324,0.005175895],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987242,0.000115824005,0.0004562214,0.00011657219,0.00013271577,0.00045446568],"domain_scores_gemma":[0.9987438,0.0000714108,0.00019686887,0.00015163717,0.00026314997,0.00057317666],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003917758,0.00016257123,0.00027572564,0.00059829175,0.0006212689,0.00011673011,0.00018339587,0.000054568285,0.053192638],"category_scores_gemma":[0.00005253466,0.00012431617,0.00030386818,0.00014846984,0.00031077213,0.0005845942,0.0000075891885,0.00038616455,0.00017519204],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036285384,0.00055192434,0.0011481411,0.00005221203,0.001890131,0.0003914123,0.23064339,0.00042083653,0.0003939992,0.20070587,0.54897565,0.014463597],"study_design_scores_gemma":[0.0007747672,0.0002461602,0.00021971595,0.00009131645,0.00042269306,0.00040402505,0.017719649,0.00005179677,0.000099024895,0.0008035517,0.9789124,0.00025487458],"about_ca_topic_score_codex":0.01774871,"about_ca_topic_score_gemma":0.706878,"teacher_disagreement_score":0.6891293,"about_ca_system_score_codex":0.00015563573,"about_ca_system_score_gemma":0.000288197,"threshold_uncertainty_score":0.9887922},"labels":[],"label_agreement":null},{"id":"W2070090692","doi":"10.7202/1000038ar","title":"De l’ubiquité poïétique dans l’oeuvre de Iannis Xenakis — Espace, Temps, Musique, Architecture","year":2010,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.008611072203848052,"score_gpt":0.2062907962127451,"score_spread":0.19767972400889705,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2070090692","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71698016,0.0071521704,0.0024667305,0.020514961,0.02658923,0.00028233166,0.00094954926,0.00004267813,0.2250222],"genre_scores_gemma":[0.9189768,0.000061005987,0.0007493602,0.0041242307,0.009277637,0.000008294581,0.000012846738,0.00007268756,0.06671717],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99779105,0.00022403445,0.0006264621,0.00024026912,0.00018511454,0.0009330418],"domain_scores_gemma":[0.9972998,0.00013544534,0.00035615172,0.0003712453,0.0004294205,0.0014079515],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00052286667,0.00038692003,0.00038765144,0.0011197462,0.00094328605,0.0008374165,0.0005364635,0.0004768949,0.011458904],"category_scores_gemma":[0.00017720652,0.0003784699,0.0005056091,0.00024704094,0.00079278025,0.00041338644,0.000022141412,0.0032238737,0.00004944508],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057308767,0.0001482897,0.0021807877,0.00017239626,0.0005387619,0.00208268,0.4096489,0.00034454765,0.0023012736,0.19005758,0.38116416,0.011303313],"study_design_scores_gemma":[0.00032535038,0.00039170886,0.0016125956,0.00056381896,0.00018980326,0.0067931903,0.012913545,0.000040857998,0.00033596787,0.0035600748,0.9728934,0.00037968042],"about_ca_topic_score_codex":0.1660245,"about_ca_topic_score_gemma":0.9530165,"teacher_disagreement_score":0.786992,"about_ca_system_score_codex":0.0005140809,"about_ca_system_score_gemma":0.0029109058,"threshold_uncertainty_score":0.9998667},"labels":[],"label_agreement":null},{"id":"W2070220430","doi":"10.7202/039112ar","title":"Survey of University-Based Music Programs in Canada","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Staffing; Music education; Institutional research; Higher education; Public relations; Library science; Political science; Sociology; Pedagogy; Computer science","score_opus":0.07421687609051056,"score_gpt":0.20027408714561784,"score_spread":0.12605721105510728,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2070220430","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9811824,0.000007701165,0.0000061303917,0.00024374372,0.0064067077,0.00007345187,0.000066577624,0.000002856691,0.012010426],"genre_scores_gemma":[0.99905264,2.2026919e-7,0.000029583014,0.00019132443,0.00015999579,4.6273894e-7,0.0000087148255,0.000008654935,0.0005483901],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992305,0.00009128824,0.00028253315,0.000082214734,0.00013230031,0.00018117439],"domain_scores_gemma":[0.9987354,0.000093421695,0.00021739159,0.00013529765,0.0005608083,0.00025767062],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027004888,0.000084453575,0.00015738171,0.00072328915,0.00013442374,0.000046264744,0.0002449958,0.000028817567,0.0057735173],"category_scores_gemma":[0.00008707029,0.00008699406,0.000060010512,0.00020821742,0.00020969319,0.00016887342,0.000005605225,0.00033775152,0.000006916759],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017283723,0.0004461743,0.56077826,0.00009491193,0.00037323637,0.0008776069,0.18255137,0.00061006774,0.00015438089,0.043937974,0.19479889,0.015204311],"study_design_scores_gemma":[0.0010949807,0.0002035436,0.24095476,0.0001799954,0.000053830536,0.000043581276,0.091126256,0.0001170587,0.000040001512,0.00009899812,0.66576326,0.00032375695],"about_ca_topic_score_codex":0.9985876,"about_ca_topic_score_gemma":0.9999976,"teacher_disagreement_score":0.47096434,"about_ca_system_score_codex":0.00049071776,"about_ca_system_score_gemma":0.010519457,"threshold_uncertainty_score":0.99513537},"labels":[],"label_agreement":null},{"id":"W2071742295","doi":"10.7202/1013226ar","title":"Le son généreux [pour une hyper-écoute]","year":2012,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.21298903639970515,"score_gpt":0.2803257594252701,"score_spread":0.06733672302556495,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2071742295","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44551113,0.01859099,0.033360872,0.080441386,0.058400013,0.00025493192,0.00007373117,0.00004603209,0.36332092],"genre_scores_gemma":[0.97615373,0.000024972029,0.0008476098,0.001830115,0.002247234,0.0000010405361,0.0000012745759,0.000019595811,0.018874433],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982067,0.000085663094,0.0005218084,0.00015882391,0.0002144096,0.00081261894],"domain_scores_gemma":[0.99680305,0.000064649794,0.0003015132,0.00028315722,0.0004879905,0.002059615],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026602193,0.00022569943,0.00028233248,0.0004937102,0.00040031257,0.00094022043,0.0005276272,0.00014111145,0.0005107078],"category_scores_gemma":[0.00015295051,0.00020339388,0.00032352697,0.00076936785,0.00021690413,0.0052659255,0.00004802431,0.0005124437,0.00034038676],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001702601,0.00039043292,0.0017697391,0.000041528405,0.0003308057,0.00080334913,0.042858504,0.0005436183,0.0010617594,0.31073916,0.5590618,0.08238224],"study_design_scores_gemma":[0.0005941962,0.0003969129,0.010999852,0.0004152012,0.00008447275,0.016225707,0.004732095,0.0004213032,0.0005618276,0.0059430553,0.9591797,0.00044565485],"about_ca_topic_score_codex":0.20960486,"about_ca_topic_score_gemma":0.4379073,"teacher_disagreement_score":0.53064257,"about_ca_system_score_codex":0.00042144954,"about_ca_system_score_gemma":0.0027391736,"threshold_uncertainty_score":0.9066567},"labels":[],"label_agreement":null},{"id":"W2079048818","doi":"10.7202/029956ar","title":"Wearing Two Hats: Anne Eggleston as Composer and Pedagogue","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Piano; Bridge (graph theory); Piano pedagogy; Art; Personality; Music education; Visual arts; Art history; Literature; Sociology; History; Psychology; Psychoanalysis","score_opus":0.030747049488710126,"score_gpt":0.30009409910613133,"score_spread":0.2693470496174212,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2079048818","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9629576,0.0011898447,0.000033147764,0.006312101,0.0011364073,0.00005861242,0.000004217007,0.000011740818,0.02829633],"genre_scores_gemma":[0.9932086,0.000026423806,0.000080850245,0.00403787,0.0007857613,6.030331e-7,0.0000015316124,0.000004012185,0.0018543418],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915576,0.00010350797,0.00023119492,0.000111738125,0.0001355392,0.0002622804],"domain_scores_gemma":[0.99902433,0.000029704146,0.00012691911,0.00007152501,0.00023751144,0.0005099839],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026271943,0.00009082334,0.00017008824,0.00033736278,0.0007866366,0.00023180092,0.00017172574,0.00007417592,0.00057686004],"category_scores_gemma":[0.00007896264,0.00007813481,0.00012362073,0.0003654692,0.00019032673,0.00038932273,0.00000395488,0.00029208686,0.000015951584],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015868204,0.00027691014,0.028974362,0.000023956729,0.0009890565,0.0016517973,0.51572233,0.00061566196,0.006567476,0.10646896,0.17347185,0.16507897],"study_design_scores_gemma":[0.0012655023,0.0008969888,0.03893557,0.0002973634,0.00037429028,0.0010351313,0.124237046,0.000069178175,0.00013496156,0.018764898,0.8133692,0.000619857],"about_ca_topic_score_codex":0.07102729,"about_ca_topic_score_gemma":0.6990558,"teacher_disagreement_score":0.63989735,"about_ca_system_score_codex":0.00014691513,"about_ca_system_score_gemma":0.0003789626,"threshold_uncertainty_score":0.93515885},"labels":[],"label_agreement":null},{"id":"W2080160007","doi":"10.7202/1013112ar","title":"Crossing the Rubicon: Debussy and the Eternal Present of the Past","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Heteroglossia; Literature; Art; Path (computing); History; Computer science","score_opus":0.032375606540614096,"score_gpt":0.21503387713198455,"score_spread":0.18265827059137046,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2080160007","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97404253,0.00073378114,0.00004709898,0.010448116,0.0028789106,0.00008317651,0.000009665697,0.0000019502568,0.011754739],"genre_scores_gemma":[0.99522805,0.0000033349738,0.00000365276,0.0014884453,0.0019740316,0.0000028023633,1.5055504e-7,0.0000052089154,0.0012943344],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922824,0.0001608451,0.00026912594,0.00004705415,0.00010438965,0.00019037159],"domain_scores_gemma":[0.9991988,0.00017542568,0.00022228625,0.00014565866,0.00012848403,0.00012932465],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043327353,0.000075171825,0.00014202438,0.00010023473,0.0012174537,0.00018036376,0.00025513594,0.000028236525,0.0016448087],"category_scores_gemma":[0.00006191586,0.000031178686,0.00021609737,0.00006450779,0.0019383507,0.00015059863,0.00002843388,0.00031919856,0.0000040072514],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001934935,0.00012614347,0.039486606,0.000037873764,0.001664512,0.000017229799,0.55581415,0.00018321813,0.00016100178,0.26389214,0.12367631,0.0147473235],"study_design_scores_gemma":[0.0010569447,0.00009714174,0.055736355,0.00012716465,0.00071880163,0.0005794184,0.03403139,0.00016151002,0.000074766605,0.0030131687,0.9042379,0.0001654034],"about_ca_topic_score_codex":0.022386521,"about_ca_topic_score_gemma":0.33458972,"teacher_disagreement_score":0.7805616,"about_ca_system_score_codex":0.000034750978,"about_ca_system_score_gemma":0.00014163775,"threshold_uncertainty_score":0.9992678},"labels":[],"label_agreement":null},{"id":"W2081553228","doi":"10.7202/1006377ar","title":"La genèse d’une reconnaissance réfléchie de la musique de film au Québec : le Prix Jutra","year":2011,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.034231610216918465,"score_gpt":0.2557254553097671,"score_spread":0.22149384509284864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2081553228","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83631665,0.0042095827,0.00044560188,0.011600601,0.0035240927,0.00010769958,0.000038887483,0.00001715636,0.14373972],"genre_scores_gemma":[0.98438096,0.00009163603,0.0004514942,0.0035841495,0.0015178084,0.000008143152,0.0000015524797,0.00002156764,0.009942703],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.997293,0.0011467666,0.00051186536,0.00021786104,0.00013999692,0.0006905358],"domain_scores_gemma":[0.9978385,0.00020385566,0.00037839837,0.00017334326,0.0003138552,0.0010920464],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011864335,0.0002249369,0.0003404264,0.00037850402,0.0010509738,0.00019769542,0.0005112606,0.0004488815,0.0029418257],"category_scores_gemma":[0.00030071096,0.0002172703,0.0004835592,0.0008896108,0.0016515652,0.00066202565,0.000016013819,0.0010689183,0.000039112314],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006855287,0.00027428052,0.014097478,0.000054189575,0.0009184812,0.0015831746,0.8083769,0.00016778102,0.00038179118,0.039113805,0.10742522,0.027538344],"study_design_scores_gemma":[0.00051723147,0.00031448988,0.0266626,0.00040455564,0.0004757987,0.0026612026,0.105194144,0.000073584975,0.00013264932,0.008365942,0.8547424,0.00045539677],"about_ca_topic_score_codex":0.93209296,"about_ca_topic_score_gemma":0.99612296,"teacher_disagreement_score":0.7473172,"about_ca_system_score_codex":0.0017816841,"about_ca_system_score_gemma":0.0126051,"threshold_uncertainty_score":0.9979696},"labels":[],"label_agreement":null},{"id":"W2082938387","doi":"10.7202/1013213ar","title":"Performance Strategies in Three Recordings of Bach’s Invention No. 1 in C Major: A Comparative Study","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Parallels; Scholarship; Phrase; Teleology; Cognitive science; Psychology; Linguistics; Engineering; Epistemology; Philosophy; Political science; Law","score_opus":0.09739562970917974,"score_gpt":0.3029358827579921,"score_spread":0.20554025304881235,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2082938387","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99421114,0.0000063355023,0.000029950555,0.0000337335,0.0017807145,0.00018334456,0.0000033516917,0.0000031860652,0.0037482635],"genre_scores_gemma":[0.9997473,0.0000044285944,0.000020896672,0.000083789906,0.00009351754,0.0000068273307,1.6503336e-7,0.0000055013143,0.00003759888],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9988757,0.000118779535,0.00043838867,0.00012732483,0.00016137335,0.00027847133],"domain_scores_gemma":[0.99940455,0.000039597136,0.00021477787,0.00010468592,0.00007565691,0.00016071793],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044242764,0.00009381425,0.0001891045,0.001069681,0.000086359905,0.000037030655,0.00020147047,0.00003265291,0.00017657987],"category_scores_gemma":[0.00011105918,0.000089749985,0.00005687851,0.00073163665,0.00013661232,0.0013319873,0.000013153796,0.00031647983,0.000021961592],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001507199,0.0007147869,0.59103316,0.00003147905,0.000009616412,0.00006586723,0.06542349,0.0007082393,0.3385682,0.00031967193,0.00081419264,0.0021605738],"study_design_scores_gemma":[0.0008673764,0.0009844829,0.9631532,0.00018998083,0.000013037838,0.0001940385,0.031348333,0.00056484126,0.0020722083,0.00018086335,0.00028315457,0.00014852257],"about_ca_topic_score_codex":0.0116593735,"about_ca_topic_score_gemma":0.3958773,"teacher_disagreement_score":0.38421795,"about_ca_system_score_codex":0.0002312812,"about_ca_system_score_gemma":0.00032943615,"threshold_uncertainty_score":0.9949221},"labels":[],"label_agreement":null},{"id":"W2085247511","doi":"10.7202/039110ar","title":"Madness in Linda Bouchard’s Black Burned Wood","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Yale University","keywords":"Paranoia; Musical; Poetry; Art; Anger; Literature; Cognitive dissonance; Visual arts; Psychology; Social psychology","score_opus":0.022545468172276588,"score_gpt":0.22651141421933163,"score_spread":0.20396594604705504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2085247511","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9039961,0.00021019833,0.000007965815,0.0018131572,0.010877892,0.00007295836,0.000039737497,0.000009579807,0.08297239],"genre_scores_gemma":[0.9938534,0.0000053280164,0.00003925464,0.00065916835,0.0021291208,0.0000033479819,0.0000023212503,0.000015242048,0.0032928432],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991027,0.000040918687,0.00036153992,0.00012245614,0.00008458791,0.0002878152],"domain_scores_gemma":[0.99919236,0.000037453767,0.00013266345,0.0001440859,0.000266291,0.00022717049],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025014806,0.00013165273,0.00022342942,0.0007981418,0.00028140296,0.00019117331,0.00022183021,0.00007697656,0.003959443],"category_scores_gemma":[0.00010906289,0.00011279664,0.00013741062,0.00009616104,0.0005089497,0.00023230557,0.000011074032,0.0008224029,0.000052369654],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000089770794,0.00012787379,0.0042815283,0.00004552718,0.0003201527,0.0010107881,0.68500805,0.000024938736,0.00054531166,0.12832269,0.17656443,0.0036589277],"study_design_scores_gemma":[0.0006380839,0.00022513009,0.005122018,0.00011096474,0.000041996325,0.00036316435,0.055715196,0.000009624738,0.00003674008,0.0025024083,0.9350129,0.00022180389],"about_ca_topic_score_codex":0.012662136,"about_ca_topic_score_gemma":0.9011692,"teacher_disagreement_score":0.88850707,"about_ca_system_score_codex":0.00006845913,"about_ca_system_score_gemma":0.0002765527,"threshold_uncertainty_score":0.99695104},"labels":[],"label_agreement":null},{"id":"W2086294628","doi":"10.7202/1000040ar","title":"Euler et les réseaux harmoniques","year":2010,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.03853178051363011,"score_gpt":0.2793739608408493,"score_spread":0.2408421803272192,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2086294628","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6659733,0.0069893906,0.00043077546,0.080071695,0.05631773,0.00010214734,0.00007162148,0.000018962526,0.19002438],"genre_scores_gemma":[0.9569284,0.00016812794,0.0005009153,0.0010157588,0.0024977247,0.000002098502,6.519471e-7,0.000012971094,0.03887337],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987459,0.00023147376,0.00036483453,0.00011777117,0.00017969728,0.0003602797],"domain_scores_gemma":[0.99843156,0.00016126335,0.00018551339,0.000099122,0.00037297746,0.0007495331],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000537468,0.00013302104,0.00020970922,0.00035403421,0.0008269899,0.000097484895,0.00027429062,0.00017528176,0.006597802],"category_scores_gemma":[0.00035476955,0.00012734039,0.00024229908,0.00042678643,0.0008110061,0.0004880218,0.000012463921,0.0011333647,0.00009609035],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001187008,0.00008883265,0.0074303914,0.0000186802,0.00023136634,0.00030385752,0.20468335,0.00001239166,0.00021864328,0.12601681,0.6171901,0.043793675],"study_design_scores_gemma":[0.00009521514,0.00012966609,0.0029421896,0.00008179774,0.000047725734,0.00013417288,0.006676577,0.00000624639,0.000013276959,0.0014587529,0.98828274,0.0001316372],"about_ca_topic_score_codex":0.3797002,"about_ca_topic_score_gemma":0.9098376,"teacher_disagreement_score":0.53013736,"about_ca_system_score_codex":0.00031679368,"about_ca_system_score_gemma":0.0013207683,"threshold_uncertainty_score":0.9943103},"labels":[],"label_agreement":null},{"id":"W2090035686","doi":"10.7202/1013215ar","title":"Glenn Gould, Conductor: Critical Reception, Chronicle, and Commentary","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Performance art; Art history; Art; Reading (process); Idyll; History; Literature; Philosophy; Linguistics","score_opus":0.04995358650799554,"score_gpt":0.2528748995577559,"score_spread":0.20292131304976035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2090035686","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97626,0.00079592696,0.000065855136,0.010949879,0.00338333,0.000034879587,0.000016958771,0.0000077074155,0.008485451],"genre_scores_gemma":[0.9918849,0.0000071041122,0.00003832915,0.0061979825,0.0016472675,0.0000015583569,0.0000013973157,0.0000060700672,0.00021537571],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993534,0.0000628982,0.00022191132,0.00006099155,0.0000578937,0.0002428714],"domain_scores_gemma":[0.9992216,0.000071623544,0.00005424944,0.00006967016,0.00012823302,0.0004546093],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019438294,0.000072490555,0.00012333199,0.0002552978,0.00044122676,0.000067573805,0.00007504098,0.000034134962,0.016325304],"category_scores_gemma":[0.00006430963,0.000063199295,0.000083982784,0.000050461644,0.0005115301,0.0004591405,0.000008975237,0.00020826732,0.000033597873],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003907717,0.00021147105,0.02682915,0.000027814967,0.000451299,0.000045459994,0.09116747,0.0000050413923,0.00057720055,0.36012435,0.51224566,0.008276021],"study_design_scores_gemma":[0.00041661112,0.0002688387,0.011158551,0.000049334136,0.00022925429,0.0004495903,0.026043275,0.000019732475,0.000059745125,0.002038619,0.9590774,0.000189011],"about_ca_topic_score_codex":0.0101288315,"about_ca_topic_score_gemma":0.26987106,"teacher_disagreement_score":0.4468318,"about_ca_system_score_codex":0.0000995032,"about_ca_system_score_gemma":0.00007275406,"threshold_uncertainty_score":0.9964628},"labels":[],"label_agreement":null},{"id":"W2094524143","doi":"10.7202/1013211ar","title":"Xenakis et le sérialisme : l’apport d’une analyse génétique de Metastasis","year":2012,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.23855820813099562,"score_gpt":0.31346380901981347,"score_spread":0.07490560088881784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2094524143","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65936524,0.012358808,0.06859785,0.093776464,0.027148386,0.00030805738,0.000176487,0.000050485585,0.13821821],"genre_scores_gemma":[0.98912483,0.000043304568,0.0019319594,0.0032228364,0.0011757312,0.0000020862344,0.0000034785896,0.000021293927,0.004474469],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99779207,0.0002701186,0.0006578949,0.0001794636,0.00022610881,0.00087434694],"domain_scores_gemma":[0.9962572,0.00008417368,0.00042318134,0.0003172511,0.00050048553,0.002417698],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00096524745,0.00025787446,0.00037883612,0.00073473196,0.00031775754,0.0011389185,0.00051596266,0.00014971699,0.000593904],"category_scores_gemma":[0.0002457794,0.00022715979,0.00048809574,0.0011079111,0.00021127441,0.005623831,0.000053575946,0.0005796719,0.00006829691],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003998238,0.00064570736,0.0048043164,0.0000646807,0.0017977275,0.0030757468,0.13548969,0.0018575515,0.0018099272,0.28000164,0.52704054,0.043372493],"study_design_scores_gemma":[0.0011017474,0.0007345767,0.025876602,0.0005401281,0.0005694944,0.036531076,0.015582785,0.00084367866,0.0026669805,0.0069937245,0.90763164,0.00092756347],"about_ca_topic_score_codex":0.35676295,"about_ca_topic_score_gemma":0.5666178,"teacher_disagreement_score":0.38059112,"about_ca_system_score_codex":0.0005533207,"about_ca_system_score_gemma":0.0037009085,"threshold_uncertainty_score":0.999898},"labels":[],"label_agreement":null},{"id":"W2094834613","doi":"10.7202/1013308ar","title":"Glenn Gould's Idea of North and the production of place in music","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Musical; Identity (music); Object (grammar); Visual arts; Art; Sense of place; Literature; Aesthetics; Art history; Sociology; Linguistics; Philosophy; Social science","score_opus":0.02606865908013487,"score_gpt":0.18798735522061263,"score_spread":0.16191869614047777,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2094834613","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9896848,0.00047367334,0.000003730135,0.00027698238,0.0021213007,0.0000678667,0.0000063133143,0.0000015886553,0.00736373],"genre_scores_gemma":[0.99859107,0.0000030998597,0.000006896439,0.000110123045,0.00050008844,0.0000016309656,3.350933e-7,0.000004108147,0.0007826524],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99946666,0.00006024682,0.00025337847,0.00004256521,0.00006602757,0.00011111335],"domain_scores_gemma":[0.9995239,0.00002483793,0.00016925376,0.00007685596,0.000113958624,0.00009122984],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023361597,0.00005406445,0.00012353447,0.00021096955,0.00014606366,0.000011876627,0.00007267219,0.000016794185,0.0010334272],"category_scores_gemma":[0.00006893437,0.00003744707,0.000059042854,0.00007669701,0.00038472435,0.00024935542,0.000004044539,0.00015515953,0.0000017537669],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017907996,0.000099405595,0.025668899,0.00006710659,0.00013005396,0.000008553174,0.8367187,0.00015053201,0.00025260367,0.08163918,0.05043032,0.0046556136],"study_design_scores_gemma":[0.0021718133,0.00039870112,0.18301545,0.00051031495,0.00023846065,0.0007347779,0.17364186,0.000028097265,0.00023614566,0.00086843054,0.63780904,0.00034692217],"about_ca_topic_score_codex":0.013561144,"about_ca_topic_score_gemma":0.79143786,"teacher_disagreement_score":0.7778767,"about_ca_system_score_codex":0.000055345765,"about_ca_system_score_gemma":0.00010218262,"threshold_uncertainty_score":0.9998798},"labels":[],"label_agreement":null},{"id":"W2098786151","doi":"10.7202/1003498ar","title":"L’expérience sensible et son devenir abstrait: comment deux amis ont lié d’amitié deux disciplines","year":2011,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Yale University","keywords":"Humanities; Philosophy","score_opus":0.05583512231507092,"score_gpt":0.2649680109041862,"score_spread":0.20913288858911527,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2098786151","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61408436,0.0037322543,0.0011238582,0.012281853,0.018370537,0.000247891,0.00073180214,0.000025061869,0.34940237],"genre_scores_gemma":[0.9878658,0.00014290542,0.00040350354,0.0016414963,0.0028768831,0.0000044447265,0.000011073571,0.000039816754,0.0070140674],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99791884,0.00010692718,0.0008696249,0.00024438108,0.0002603685,0.000599851],"domain_scores_gemma":[0.99741703,0.00007997243,0.00050333637,0.000295088,0.0008492608,0.00085533864],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043838756,0.0003142011,0.00042851557,0.00075791235,0.00093177735,0.00041718897,0.00037408102,0.00011628152,0.009905794],"category_scores_gemma":[0.00014043297,0.00029619722,0.0004955069,0.00016752236,0.00062094314,0.0003634825,0.00004257633,0.0005868448,0.0001076088],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064525106,0.0005835818,0.0033633998,0.00012228236,0.0016805987,0.002513618,0.41949153,0.0007074782,0.000030684983,0.42409092,0.14261276,0.004738625],"study_design_scores_gemma":[0.00062923174,0.0006298974,0.0038492852,0.00093822647,0.0010584916,0.00076648325,0.13483657,0.0004690103,0.00013313015,0.00762813,0.8484109,0.00065066194],"about_ca_topic_score_codex":0.4324367,"about_ca_topic_score_gemma":0.95439535,"teacher_disagreement_score":0.7057981,"about_ca_system_score_codex":0.0004339495,"about_ca_system_score_gemma":0.0014171697,"threshold_uncertainty_score":0.99994904},"labels":[],"label_agreement":null},{"id":"W2100474136","doi":"10.7202/1003501ar","title":"Mytheme and Motif: Lévi-Strauss and Wagner","year":2011,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Levi strauss; Mythology; Motif (music); Philosophy; Art history; Literature; Art; Humanities; Aesthetics","score_opus":0.06391352443234898,"score_gpt":0.19094653272532428,"score_spread":0.1270330082929753,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2100474136","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9510776,0.00020248229,0.000045052122,0.0006031903,0.0010323589,0.000035372206,0.000014096777,0.000005640578,0.04698421],"genre_scores_gemma":[0.9965344,0.0000088413,0.000058308156,0.00085908844,0.0004038424,0.0000013825575,5.8750373e-7,0.0000072368084,0.002126324],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99946076,0.000029976782,0.00021016011,0.00009061892,0.00004659271,0.0001618771],"domain_scores_gemma":[0.9993897,0.000023792152,0.000089201916,0.0000701199,0.00011416758,0.0003130028],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011544104,0.00008579896,0.00015096692,0.0003664318,0.0003123684,0.000065856744,0.000077071825,0.00004176092,0.010882147],"category_scores_gemma":[0.000027182494,0.00006882983,0.00007340486,0.00003923841,0.00042136727,0.00018215783,0.000009811604,0.00019895178,0.00001424106],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000093362796,0.0001676112,0.010437662,0.000056493172,0.0012666135,0.0006480183,0.58643174,0.0000043325235,0.0002836496,0.294311,0.06774169,0.03855781],"study_design_scores_gemma":[0.0015882574,0.0014108696,0.06876175,0.00021986039,0.0011183097,0.0022616035,0.11647967,0.00013557501,0.00015043397,0.027198685,0.7798594,0.0008155304],"about_ca_topic_score_codex":0.02555772,"about_ca_topic_score_gemma":0.60099965,"teacher_disagreement_score":0.71211773,"about_ca_system_score_codex":0.000024978814,"about_ca_system_score_gemma":0.000084935265,"threshold_uncertainty_score":0.99002206},"labels":[],"label_agreement":null},{"id":"W2110364754","doi":"10.7202/1030868ar","title":"The Cyclic Nature of Joni Mitchell's Court and Spark","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"SPARK (programming language); Scholarship; Romance; Perspective (graphical); Musical; Inference; Literature; Norm (philosophy); Computer science; Epistemology; Art; Philosophy; Artificial intelligence; Law; Political science","score_opus":0.029809319868950808,"score_gpt":0.20628311576270839,"score_spread":0.17647379589375758,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2110364754","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89263624,0.0037159757,0.000009960437,0.0021844427,0.0068492186,0.00007390138,0.000030499436,0.0000056671497,0.094494104],"genre_scores_gemma":[0.9931823,0.0000066622965,0.0000096768335,0.0004090147,0.00079839077,6.5427514e-7,6.8852256e-7,0.0000067440114,0.005585853],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994645,0.000039886938,0.00021247889,0.000054171735,0.00010370415,0.00012526498],"domain_scores_gemma":[0.99915755,0.00003199159,0.00015537873,0.000089832734,0.00029390014,0.00027132616],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022026946,0.000071842,0.0001145179,0.0001247257,0.0004058026,0.0000800676,0.00014176806,0.00005710195,0.0008187813],"category_scores_gemma":[0.00007151534,0.00004759988,0.000076062184,0.000038832422,0.0003546383,0.00012742772,0.000005322033,0.00039420166,0.000007704781],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025856498,0.000013149624,0.00016207209,0.0000072183234,0.0001081924,0.000037028996,0.12963769,0.000011063222,0.00006834913,0.030741062,0.8373511,0.0018372289],"study_design_scores_gemma":[0.00016715097,0.000096319556,0.00015951795,0.00004305675,0.000032277017,0.00015583575,0.04533367,0.0000035489606,0.000030460425,0.0007995397,0.95312244,0.000056167653],"about_ca_topic_score_codex":0.004494041,"about_ca_topic_score_gemma":0.63324696,"teacher_disagreement_score":0.6287529,"about_ca_system_score_codex":0.00008283383,"about_ca_system_score_gemma":0.00036290492,"threshold_uncertainty_score":0.8965081},"labels":[],"label_agreement":null},{"id":"W2111044829","doi":"10.7202/1009283ar","title":"Closure in Classical Themes: The Role of Melody and Texture in Cadences, Closural Function, and the Separated Cadence","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":44,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Cadence; Theme (computing); Closure (psychology); Function (biology); Rhythm; Mathematics; Art; Aesthetics; Psychology; Computer science; Acoustics; Physics; World Wide Web; Economics; Biology","score_opus":0.01580907763338856,"score_gpt":0.20492882644106233,"score_spread":0.18911974880767377,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2111044829","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9887405,0.0033714941,0.0000037960226,0.00358757,0.0005806768,0.00009065069,0.000008510301,0.0000017698077,0.0036150408],"genre_scores_gemma":[0.99869955,0.000021913998,0.000001956858,0.0005654283,0.00043854126,0.000005519155,6.7032045e-7,0.000004342519,0.0002620951],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9991015,0.00020210307,0.00033252666,0.00007532347,0.0000887544,0.0001997529],"domain_scores_gemma":[0.9993591,0.00019644924,0.00014731109,0.00008054532,0.00009374654,0.00012290572],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047495935,0.00009120945,0.0002106311,0.00027381149,0.00023474047,0.000049899147,0.00013001553,0.00006865685,0.0006791385],"category_scores_gemma":[0.00008602464,0.000048255086,0.00007299799,0.0001658411,0.0009838839,0.00022289087,0.000013941706,0.0005128739,0.000001922124],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035061347,0.000116733434,0.25938794,0.000021535308,0.00039684557,0.000022080301,0.2940435,0.00009600523,0.000111051704,0.4286075,0.011357159,0.0054890383],"study_design_scores_gemma":[0.003469103,0.0005001572,0.38933223,0.00033596338,0.00065719645,0.00059641903,0.30817348,0.001028413,0.00003917556,0.03606091,0.25935546,0.00045150396],"about_ca_topic_score_codex":0.032339327,"about_ca_topic_score_gemma":0.78864646,"teacher_disagreement_score":0.7563071,"about_ca_system_score_codex":0.000041082043,"about_ca_system_score_gemma":0.0001501076,"threshold_uncertainty_score":0.9741044},"labels":[],"label_agreement":null},{"id":"W2113624537","doi":"10.7202/1013229ar","title":"Musical Washing Machines, Composer-Performers, and Other Blurring Boundaries: How Women Make a Difference in Electroacoustic Music","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Appropriation; Musical; Art; Character (mathematics); Visual arts; Electroacoustic music; Documentation; Musical analysis; Performing arts; Aesthetics; Literature; Linguistics; Computer science; Philosophy","score_opus":0.03791728108904442,"score_gpt":0.21963130934131486,"score_spread":0.18171402825227045,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2113624537","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9830379,0.0002008829,0.00011548036,0.0004180378,0.0044773445,0.00010727346,0.000023595489,0.0000126576515,0.011606815],"genre_scores_gemma":[0.996082,0.0000027920237,0.000044607714,0.0011526481,0.001381625,0.000010727969,0.000001965609,0.000026938933,0.0012966837],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99869317,0.00007734696,0.00032990464,0.00014450766,0.00016900321,0.00058606174],"domain_scores_gemma":[0.99892646,0.000079972204,0.0001879957,0.00013868064,0.00012183409,0.00054506265],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032245956,0.0001912659,0.00026200523,0.0008988699,0.0006462054,0.0007990165,0.000190334,0.000054032644,0.003399067],"category_scores_gemma":[0.00007451122,0.00017253633,0.00007122652,0.00013402017,0.00047867533,0.00049368426,0.00001624676,0.0005113145,0.000013935949],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046550154,0.00016135357,0.020799963,0.00006802076,0.00020363646,0.000032483422,0.9148495,0.000017995835,0.00026076465,0.03917343,0.015192444,0.009193812],"study_design_scores_gemma":[0.00093787623,0.0002759216,0.012540251,0.0003209405,0.00008620341,0.00054452143,0.17446692,0.00022607077,0.00001074492,0.0012702767,0.8088286,0.0004916745],"about_ca_topic_score_codex":0.025702186,"about_ca_topic_score_gemma":0.5651166,"teacher_disagreement_score":0.79363614,"about_ca_system_score_codex":0.0007642003,"about_ca_system_score_gemma":0.00053496595,"threshold_uncertainty_score":0.997512},"labels":[],"label_agreement":null},{"id":"W2120888922","doi":"10.7202/019295ar","title":"Opera as Trans-Atlantic Culture in Pre-Confederation British North America: Mozart’s “Crudel! perchè finora” on an 1844 Toronto Concert Programme","year":2008,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Amateur; MOZART; Ballad; Opera; Musical; Art; Guitar; Colonialism; History; Art history; Visual arts; Literature; Archaeology; Poetry; Management","score_opus":0.04001911893592459,"score_gpt":0.2978221345025841,"score_spread":0.2578030155666595,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2120888922","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98721665,0.00023840186,0.00010564502,0.0006968473,0.00073147257,0.00023725227,0.000011349932,0.000019504376,0.010742895],"genre_scores_gemma":[0.99706197,0.00015790887,0.0000775313,0.0012708332,0.0004725867,0.0000146520015,0.000010220906,0.0000118559965,0.00092241744],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985249,0.0001949666,0.00038453584,0.0001880753,0.000282124,0.00042539064],"domain_scores_gemma":[0.99871695,0.000027603268,0.00010903372,0.0001076701,0.00027178662,0.00076696376],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016265013,0.0001223494,0.00021937549,0.00015068772,0.0008887662,0.00020121582,0.0002639027,0.00011042844,0.0010830691],"category_scores_gemma":[0.00016712656,0.0001326886,0.00012312642,0.00025334524,0.00030713156,0.00091536297,0.000003061033,0.000363034,0.000023592478],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014111107,0.0005351758,0.06906088,0.00001546919,0.00010570168,0.0024323228,0.8317546,0.002696738,0.00015225839,0.0013475048,0.042513378,0.04924481],"study_design_scores_gemma":[0.0012217718,0.0022839478,0.053290524,0.0002511636,0.000049128947,0.0008424791,0.058905106,0.00014021154,0.0000111758345,0.00017087431,0.88224024,0.00059339864],"about_ca_topic_score_codex":0.9051555,"about_ca_topic_score_gemma":0.9963815,"teacher_disagreement_score":0.83972687,"about_ca_system_score_codex":0.0015176092,"about_ca_system_score_gemma":0.0019496726,"threshold_uncertainty_score":0.99983007},"labels":[],"label_agreement":null},{"id":"W2123755173","doi":"10.7202/1013310ar","title":"Yrjö Kilpinen: Finnish Composer and German Lieder in the 1930s","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"German History and Society","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"German; Nazism; Ideology; Musical; Politics; Nazi Germany; Literature; Aryan race; Identity (music); Art; History; Art history; Aesthetics; Political science; Law; Ancient history; Archaeology","score_opus":0.038634675053982936,"score_gpt":0.22174322663397178,"score_spread":0.18310855157998884,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2123755173","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9704358,0.00049545115,0.0000046988457,0.0010421593,0.0021388992,0.000047191465,0.0000084562,0.0000030561623,0.025824297],"genre_scores_gemma":[0.9962594,0.0000058852984,0.0000076097185,0.0016035925,0.0009842584,0.0000018313242,0.0000011343343,0.0000064239052,0.0011298858],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99945503,0.000060825696,0.00018405255,0.000042729545,0.00006841155,0.00018896328],"domain_scores_gemma":[0.99960417,0.000037078542,0.00007037237,0.00007731933,0.000054336506,0.00015672272],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002692637,0.00006821983,0.00009390485,0.0001657538,0.00037755788,0.00008915424,0.00011533229,0.000028230708,0.0016180343],"category_scores_gemma":[0.000009331532,0.00005119845,0.00007414717,0.000037684764,0.00019386504,0.00027312333,0.000003677223,0.0002882507,0.000020841706],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004922516,0.00004160999,0.003578807,0.000010203175,0.000042178723,0.000031772182,0.7504683,0.000006289325,0.000016272754,0.02354016,0.22181971,0.00043975047],"study_design_scores_gemma":[0.00016744934,0.000046596233,0.013610636,0.000027425172,0.000020676373,0.00022064487,0.03440644,0.000005386312,0.0000017510171,0.00025805025,0.9511555,0.00007949229],"about_ca_topic_score_codex":0.006518338,"about_ca_topic_score_gemma":0.28907934,"teacher_disagreement_score":0.7293357,"about_ca_system_score_codex":0.00007580164,"about_ca_system_score_gemma":0.00007610614,"threshold_uncertainty_score":0.99929464},"labels":[],"label_agreement":null},{"id":"W2125439388","doi":"10.7202/1009288ar","title":"Poésie et musique : L’Horizon chimérique, de Jean de la Ville de Mirmont à Gabriel Fauré","year":2012,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.01417696761711855,"score_gpt":0.23201507867483506,"score_spread":0.2178381110577165,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2125439388","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45341966,0.03769575,0.0030661013,0.011999633,0.01398246,0.00020194933,0.00033269767,0.000032186163,0.47926956],"genre_scores_gemma":[0.96306896,0.00030224503,0.00041120173,0.0031441583,0.005928833,0.000006338353,0.000007941059,0.000049835806,0.02708051],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99782485,0.00053088897,0.00047346816,0.00012578045,0.00012626516,0.00091874495],"domain_scores_gemma":[0.9977543,0.00025943248,0.00024338895,0.00019167994,0.00020141971,0.0013498234],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010813078,0.00026291976,0.00027644844,0.0005924397,0.0005367082,0.0004883324,0.00025779812,0.00029248657,0.005853248],"category_scores_gemma":[0.0001999003,0.00026945255,0.00035067296,0.00012794668,0.0003951279,0.00065142906,0.000016256296,0.0013650001,0.000034912577],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040234758,0.00021882792,0.0041205008,0.00008480846,0.0003840393,0.0006882764,0.29012194,0.00013734444,0.00034279362,0.19846009,0.49905294,0.0063481834],"study_design_scores_gemma":[0.0003226027,0.00039142722,0.0024823486,0.0005431852,0.00012693646,0.003472933,0.017196158,0.000047960624,0.00015548048,0.001643262,0.9733421,0.00027559747],"about_ca_topic_score_codex":0.18567583,"about_ca_topic_score_gemma":0.6847371,"teacher_disagreement_score":0.5096493,"about_ca_system_score_codex":0.0010157846,"about_ca_system_score_gemma":0.0021003024,"threshold_uncertainty_score":0.99997574},"labels":[],"label_agreement":null},{"id":"W2126703831","doi":"10.7202/1030873ar","title":"Quand le metal flirte avec ABBA : Analyse des transformations formelles et thématiques de « Summer Night City »","year":2015,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.09729562245249997,"score_gpt":0.2548548691651037,"score_spread":0.15755924671260374,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2126703831","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7939659,0.0101200035,0.0061597894,0.0060212654,0.0047670784,0.00018680863,0.0006171796,0.00002339243,0.1781386],"genre_scores_gemma":[0.9788194,0.00007611382,0.00022153546,0.0007149346,0.00075863727,0.000005455032,0.000017746075,0.00002186606,0.019364355],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984979,0.0002158486,0.0005996488,0.0001183028,0.0001704309,0.00039784057],"domain_scores_gemma":[0.998034,0.000044060675,0.0002557808,0.00014356713,0.0006151382,0.0009074583],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006029474,0.0002243082,0.00032138109,0.00056389783,0.001212023,0.00042323326,0.00022854422,0.00013660302,0.0066536297],"category_scores_gemma":[0.00008634379,0.00020454662,0.00041524484,0.00015699226,0.0006927915,0.0016829178,0.000006442744,0.0006094766,0.000043877033],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003188171,0.000109914385,0.00028404157,0.00005317669,0.0005220413,0.0001435762,0.64042115,0.00026137094,0.000021607895,0.048309527,0.30743694,0.0024047608],"study_design_scores_gemma":[0.0004596643,0.00023758318,0.00021019414,0.00024124011,0.0003081481,0.0009134764,0.13606557,0.00015053293,0.00005083846,0.004778735,0.8563585,0.00022551889],"about_ca_topic_score_codex":0.10648183,"about_ca_topic_score_gemma":0.9553537,"teacher_disagreement_score":0.8488719,"about_ca_system_score_codex":0.0007212984,"about_ca_system_score_gemma":0.0030049249,"threshold_uncertainty_score":0.9942544},"labels":[],"label_agreement":null},{"id":"W2128972639","doi":"10.7202/019294ar","title":"Pathways And Pilgrimages: The In-Between Spaces in the Patria Cycle1","year":2008,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pilgrimage; Movement (music); Improvisation; Space (punctuation); Kuala lumpur; Visual arts; History; Art; Aesthetics; Computer science; Archaeology; Business","score_opus":0.058368054250936136,"score_gpt":0.21321603282647933,"score_spread":0.1548479785755432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2128972639","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9791867,0.00065733003,0.000001229508,0.0023525686,0.0005043468,0.000060188246,0.000014932627,0.0000019827387,0.017220732],"genre_scores_gemma":[0.9986623,0.00010286637,0.0000021922137,0.00035340886,0.00074936484,0.0000027318042,3.9254408e-7,0.000004534085,0.00012219214],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.999463,0.00006128927,0.00020321536,0.000049365015,0.0000691422,0.00015397232],"domain_scores_gemma":[0.9996584,0.00011106319,0.0000663673,0.000074935604,0.000039929648,0.00004929921],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002608439,0.00006984296,0.0001139077,0.0002762271,0.0004934987,0.000077994184,0.0001440892,0.000016739164,0.00018972388],"category_scores_gemma":[0.000018698833,0.000037768543,0.000050630293,0.00007476314,0.00030757103,0.00016145027,0.0000068195077,0.00029369406,0.000006500153],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012197576,0.000013670257,0.13696247,0.000007802074,0.000055317516,0.00015478245,0.8371982,0.000018825223,0.000004071965,0.002688343,0.018309364,0.0045749745],"study_design_scores_gemma":[0.00052266585,0.00027786277,0.34702316,0.00012084452,0.000038585877,0.00043042633,0.34361315,0.0000066054554,0.0000058063965,0.0013840673,0.3064277,0.00014915247],"about_ca_topic_score_codex":0.047150686,"about_ca_topic_score_gemma":0.82858557,"teacher_disagreement_score":0.7814349,"about_ca_system_score_codex":0.00004202647,"about_ca_system_score_gemma":0.00012904573,"threshold_uncertainty_score":0.9591944},"labels":[],"label_agreement":null},{"id":"W2131903602","doi":"10.7202/1030870ar","title":"Musicology, Performance, Slavery: Intellectual Despotism and the Politics of Musical Understanding","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Scholarship; Legitimacy; Musical; Musicology; Politics; Power (physics); Aesthetics; Discipline; Identity (music); Epistemology; Elite; Sociology; TRACE (psycholinguistics); Trope (literature); Music theory; Literature; Social science; Law; Political science; Art; Philosophy; Linguistics","score_opus":0.10174758724120136,"score_gpt":0.22493534024565848,"score_spread":0.12318775300445711,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2131903602","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9690665,0.00016436589,0.000518763,0.0023952774,0.002405455,0.00008591382,0.000011905995,0.0000059498593,0.025345894],"genre_scores_gemma":[0.9968227,0.000009678901,0.000026892192,0.0013580003,0.0007254957,0.0000022687545,0.0000012686945,0.000009894751,0.0010437745],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989469,0.00014380859,0.00042541767,0.00009933629,0.000130107,0.00025444443],"domain_scores_gemma":[0.99864846,0.00037726513,0.00020799114,0.00011958595,0.00029214937,0.00035455584],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00055539893,0.00012063757,0.0003243571,0.00058612734,0.00049036706,0.00007740335,0.00019286734,0.00007154418,0.0018728372],"category_scores_gemma":[0.00039155944,0.000081416605,0.00016210516,0.00013378628,0.0022914095,0.0001790019,0.00002852473,0.00038526373,0.000011553098],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002087803,0.000055462933,0.00063987955,0.000021215912,0.00055255165,0.000044016,0.24846092,0.00010435151,0.0000126203995,0.6607697,0.088046655,0.0010838507],"study_design_scores_gemma":[0.007581564,0.002750449,0.001795105,0.0003097907,0.0017422668,0.0016783569,0.35820675,0.0034934753,0.000069613394,0.06659156,0.5550823,0.0006987423],"about_ca_topic_score_codex":0.008191117,"about_ca_topic_score_gemma":0.20095633,"teacher_disagreement_score":0.59417814,"about_ca_system_score_codex":0.00021272305,"about_ca_system_score_gemma":0.0005844924,"threshold_uncertainty_score":0.9990396},"labels":[],"label_agreement":null},{"id":"W2132948865","doi":"10.7202/029963ar","title":"Karen Ahlquist, ed. 2006. Chorus and Community. Illinois: University of Illinois Press. 336 pp. ISBN-13: 978-0-252-03037-6 (cloth and compact disc)","year":2008,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Chorus; History; Media studies; Art; Sociology; Literature","score_opus":0.03874839605094665,"score_gpt":0.192359290998689,"score_spread":0.15361089494774235,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2132948865","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92887723,0.004190928,0.000019472005,0.00032775357,0.0015103979,0.00011680532,0.00041922793,0.000015354246,0.064522795],"genre_scores_gemma":[0.99393976,0.00038075726,0.000016801272,0.00017456073,0.0004028896,2.431979e-7,0.000009908152,0.000013730237,0.0050613596],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991098,0.00017000991,0.00027623255,0.00011246933,0.00011835042,0.00021314604],"domain_scores_gemma":[0.9988624,0.00004968379,0.0002470883,0.00019548925,0.00024264588,0.0004027102],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016860144,0.00016176704,0.00030166228,0.000204051,0.0016702602,0.00006228162,0.0002549685,0.00007399784,0.0030664082],"category_scores_gemma":[0.000030226134,0.00015241471,0.00012609482,0.000052205967,0.0009923873,0.0003356807,0.00002139869,0.0006501512,0.00000612241],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008379308,0.00011936071,0.0021059136,0.000050240855,0.0003032184,0.00020264775,0.30432165,0.000066152155,0.000072089635,0.0011845664,0.69037867,0.0011116826],"study_design_scores_gemma":[0.00054973597,0.00025139612,0.0042464063,0.000121098376,0.0001002597,0.00041681516,0.055912375,0.000014468422,0.000010554509,0.000066098146,0.9381342,0.00017662748],"about_ca_topic_score_codex":0.24730377,"about_ca_topic_score_gemma":0.71014804,"teacher_disagreement_score":0.46284428,"about_ca_system_score_codex":0.00014097283,"about_ca_system_score_gemma":0.00024348713,"threshold_uncertainty_score":0.99962944},"labels":[],"label_agreement":null},{"id":"W2137640522","doi":"10.7202/1030874ar","title":"« A garland on Pierre Boulez ». Quelques considérations sur Pour le Dr. Kalmus (1969/2005)","year":2015,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.06421483838599426,"score_gpt":0.27052687192610747,"score_spread":0.2063120335401132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2137640522","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30485502,0.028378319,0.00064264436,0.14741257,0.03761486,0.00033553405,0.00026105827,0.00004329047,0.4804567],"genre_scores_gemma":[0.8669914,0.00011566326,0.00014145739,0.0016851438,0.0024710812,0.000004854418,0.0000025676288,0.00001867653,0.12856916],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99799037,0.00039676332,0.00054468564,0.00019066255,0.00031169123,0.00056581077],"domain_scores_gemma":[0.99715084,0.00019329508,0.00028121573,0.0001489349,0.00066668575,0.0015590589],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006095782,0.00020496127,0.00034515755,0.00053031585,0.0009917243,0.00014548899,0.0002622606,0.00016283312,0.0010017863],"category_scores_gemma":[0.0006634633,0.00020262346,0.00025551041,0.000540542,0.0006485646,0.0005446179,0.000013026159,0.00058080436,0.00020877003],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023890276,0.00013380358,0.0013928444,0.000008618343,0.00018921931,0.00032212056,0.07363475,0.0001584643,0.0000075912776,0.0201917,0.9003891,0.0035478994],"study_design_scores_gemma":[0.0004852649,0.0003723228,0.0007457124,0.00022282774,0.00007543275,0.00021013118,0.023548277,0.00003823183,0.0000063080192,0.0026896643,0.9713976,0.0002082407],"about_ca_topic_score_codex":0.3274599,"about_ca_topic_score_gemma":0.8882936,"teacher_disagreement_score":0.5621364,"about_ca_system_score_codex":0.0016670462,"about_ca_system_score_gemma":0.008587352,"threshold_uncertainty_score":0.9999114},"labels":[],"label_agreement":null},{"id":"W2138967679","doi":"10.7202/1003500ar","title":"Structuralists contra Serialists? Claude Lévi-Strauss and Pierre Boulez on Avant-Garde Music","year":2011,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":22,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Denunciation; Metaphor; Literature; Philosophy; Art history; Art; Embodied cognition; Epistemology; Linguistics","score_opus":0.05787450645445464,"score_gpt":0.2200073758494412,"score_spread":0.16213286939498656,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2138967679","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9428969,0.00013988969,0.000023909786,0.00058444607,0.0060558217,0.00011415575,0.00010139702,0.000018071589,0.05006538],"genre_scores_gemma":[0.9934403,0.000008185544,0.000033135573,0.0023670685,0.0014173072,0.0000040362274,0.000005789229,0.000020224203,0.002704004],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99870116,0.000102877566,0.0004818325,0.00020820284,0.00013356133,0.0003723639],"domain_scores_gemma":[0.9986856,0.000053989585,0.00026851168,0.00018989308,0.00024650534,0.0005555169],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019117697,0.00021774464,0.00036329913,0.00059408654,0.00059927773,0.0001749324,0.00023757444,0.00011095866,0.032231174],"category_scores_gemma":[0.00007298195,0.00017947449,0.00022995054,0.000038676408,0.00059624773,0.00027310432,0.000014921294,0.00048845995,0.000051913],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00058245484,0.0002443191,0.0019739182,0.00008481535,0.0022030463,0.0015968381,0.46978217,0.000032842276,0.0005523715,0.2905152,0.21285884,0.019573156],"study_design_scores_gemma":[0.003079298,0.0024812697,0.0556262,0.00045195702,0.0013340485,0.0017866861,0.04149568,0.00011090978,0.0003831929,0.019428682,0.8724981,0.0013239627],"about_ca_topic_score_codex":0.038698927,"about_ca_topic_score_gemma":0.87916315,"teacher_disagreement_score":0.8404642,"about_ca_system_score_codex":0.0001308004,"about_ca_system_score_gemma":0.00024628037,"threshold_uncertainty_score":0.9686535},"labels":[],"label_agreement":null},{"id":"W2140056040","doi":"10.7202/1013245ar","title":"Composer en tant que catholique : une relecture de la musique vocale de Lili Boulanger","year":2012,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.015391942134720256,"score_gpt":0.2156315206949347,"score_spread":0.20023957856021443,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2140056040","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6576566,0.16105266,0.0009304382,0.035862803,0.01678415,0.00027045104,0.00022338006,0.00003945684,0.12718002],"genre_scores_gemma":[0.9643886,0.0006162377,0.00013887598,0.0013586235,0.004902687,0.000007891679,0.0000026142968,0.000024819326,0.028559666],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984482,0.00034758134,0.0003639374,0.000103492035,0.00010778768,0.00062900316],"domain_scores_gemma":[0.9985787,0.00014428532,0.00016871771,0.00010184847,0.00023192464,0.0007745203],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040697365,0.00021579077,0.0002867478,0.00021547597,0.0007751029,0.00012988287,0.00018495422,0.00020718579,0.0035927952],"category_scores_gemma":[0.00010940285,0.00017942327,0.0002654481,0.0001375139,0.00058610487,0.0002636081,0.000011574179,0.0009749763,0.000043490712],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022322087,0.00016601519,0.0011723425,0.00007175543,0.0003281913,0.00045073227,0.3741275,0.00008748017,0.00042002226,0.044344455,0.57428586,0.0045232833],"study_design_scores_gemma":[0.00017247132,0.00019071398,0.0047906027,0.0002363815,0.00014756226,0.0018498866,0.009940631,0.000013739435,0.000057365523,0.0012061878,0.9811772,0.00021722126],"about_ca_topic_score_codex":0.31052622,"about_ca_topic_score_gemma":0.7303196,"teacher_disagreement_score":0.4197934,"about_ca_system_score_codex":0.0017386698,"about_ca_system_score_gemma":0.0006756738,"threshold_uncertainty_score":0.997318},"labels":[],"label_agreement":null},{"id":"W2149852999","doi":"10.7202/1006378ar","title":"L’expérience musicale est une expérience sociale : de l’intellectualisation de la musique électronique à Lima (Pérou)","year":2011,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.045151030333214166,"score_gpt":0.26439036783769865,"score_spread":0.2192393375044845,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2149852999","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92850244,0.0007603324,0.004659453,0.0067473818,0.0037530388,0.00020980298,0.000019039724,0.000024071927,0.055324443],"genre_scores_gemma":[0.98493147,0.00023570946,0.00086800026,0.0009781368,0.001176124,0.00001474058,0.0000016196857,0.000024288334,0.01176991],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99726343,0.0006618345,0.0006184435,0.00024870766,0.00027362272,0.0009339476],"domain_scores_gemma":[0.9976086,0.00024736262,0.00041640896,0.00015353804,0.0004892786,0.001084805],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013595517,0.0002480478,0.0002898604,0.00029308873,0.001109022,0.00021414108,0.00054993556,0.0004136014,0.009445993],"category_scores_gemma":[0.00077485293,0.00026196108,0.00025588743,0.0013061754,0.0018393251,0.0006515327,0.000030186871,0.0010659313,0.000049846298],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030803447,0.00012591561,0.0021373637,0.000013793276,0.0001084424,0.00037838012,0.8524615,0.00006706226,0.00037267953,0.010568856,0.104727305,0.029007899],"study_design_scores_gemma":[0.000416947,0.0005746683,0.010722202,0.0004798397,0.00013968722,0.0021568625,0.2480227,0.00014593427,0.001684267,0.010707712,0.7243525,0.00059670385],"about_ca_topic_score_codex":0.55218077,"about_ca_topic_score_gemma":0.82913166,"teacher_disagreement_score":0.61962515,"about_ca_system_score_codex":0.0036926111,"about_ca_system_score_gemma":0.009477533,"threshold_uncertainty_score":0.99998325},"labels":[],"label_agreement":null},{"id":"W2159581974","doi":"10.7202/1018579ar","title":"Relire Ingarden : l’ontologie des oeuvres musicales, entre fictions et montagnes","year":2013,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Social and Cultural Dynamics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Humanities; Art; Philosophy; Art history","score_opus":0.041005065245207646,"score_gpt":0.2678767026472662,"score_spread":0.22687163740205857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2159581974","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8933305,0.005267222,0.00017210115,0.034611765,0.0138585875,0.00022612428,0.000064574226,0.000030774798,0.052438363],"genre_scores_gemma":[0.9750632,0.0005307459,0.0003793344,0.00088821666,0.0016450823,0.00001118654,0.0000037692814,0.000017567912,0.021460898],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99817884,0.00034467832,0.00049284205,0.00017217877,0.00023104485,0.00058038934],"domain_scores_gemma":[0.9978754,0.00016681157,0.00027836105,0.00012382794,0.0007026358,0.0008529602],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027084252,0.00020152982,0.00027988694,0.00026517696,0.0013794105,0.00029982993,0.00039258506,0.00028101396,0.0079887435],"category_scores_gemma":[0.000513477,0.0001880127,0.00037421566,0.0006349347,0.0011990304,0.00086915575,0.00002205283,0.0006922312,0.00023039998],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013065198,0.00018454768,0.017923374,0.000044872773,0.00051051384,0.0002491361,0.29897645,0.00055752427,0.00010629969,0.031930108,0.4968439,0.15266024],"study_design_scores_gemma":[0.00038167863,0.00038653676,0.06751234,0.0005407748,0.00025721415,0.00040715316,0.3706117,0.00017311939,0.0000056861068,0.024169372,0.53507966,0.00047473624],"about_ca_topic_score_codex":0.61075765,"about_ca_topic_score_gemma":0.97325087,"teacher_disagreement_score":0.36249322,"about_ca_system_score_codex":0.0010476749,"about_ca_system_score_gemma":0.0013510084,"threshold_uncertainty_score":0.99992067},"labels":[],"label_agreement":null},{"id":"W2162701418","doi":"10.7202/019298ar","title":"George et Ira Gershwin. 2000. Pardon My English: Vocal Score. Édité par Steven D. Bowen. Paroles et musique de George et Ira Gershwin. Livret de Herbert Fields et Morrie Ryskind. Miami, Floride : Warner Bros Music Corp. xxiii, 357 p. ISBN 0-7692-9201-1, ISBN 978-0-7692-9201-4 (couverture rigide).","year":2007,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"George (robot); Art; Miami; Art history; Humanities; Geology","score_opus":0.018287453987110264,"score_gpt":0.2236564569353641,"score_spread":0.20536900294825383,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2162701418","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87874544,0.007185503,0.001956004,0.011677833,0.03821154,0.0011421558,0.0018323385,0.00021261342,0.05903656],"genre_scores_gemma":[0.92092663,0.0009127692,0.00033653362,0.03449363,0.009256349,0.00007006101,0.00014142695,0.00031930007,0.033543304],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9916867,0.0011309242,0.0024108991,0.0010436189,0.0008729483,0.0028548925],"domain_scores_gemma":[0.99326384,0.00065063837,0.0013481197,0.0011023768,0.0010462406,0.0025887704],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.0042533376,0.0014409906,0.001513156,0.001899288,0.0018731551,0.00089001434,0.0012552527,0.0013522123,0.009455125],"category_scores_gemma":[0.00041749634,0.0014780649,0.0013112383,0.0004500466,0.0015749465,0.0017124442,0.00014214682,0.004794218,0.0001651365],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006630844,0.0005346412,0.0023249513,0.0003013039,0.0009756519,0.0023708055,0.21926525,0.0018238585,0.0003298172,0.008256074,0.75928026,0.0038742723],"study_design_scores_gemma":[0.0024605852,0.0011072509,0.0037239864,0.0018505002,0.0006631362,0.001727051,0.024626054,0.00033572054,0.00025502386,0.0007565297,0.9608824,0.0016117388],"about_ca_topic_score_codex":0.15969591,"about_ca_topic_score_gemma":0.7831941,"teacher_disagreement_score":0.62349826,"about_ca_system_score_codex":0.0032713201,"about_ca_system_score_gemma":0.0071589192,"threshold_uncertainty_score":0.99994427},"labels":[],"label_agreement":null},{"id":"W2165042151","doi":"10.7202/019296ar","title":"Report—Centre and periphery, roots and exile: Interpreting the music of István Anhalt and György Kurtág. Centre et périphérie, racines et exil : L’interprétation de la musique d’István Anhalt et de György Kurtág. Rozsa Centre, University of Calgary January 22–25 janvier, 2008","year":2008,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Art history","score_opus":0.020215163860370238,"score_gpt":0.21735247089580612,"score_spread":0.1971373070354359,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2165042151","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9465988,0.0072529847,0.00041241944,0.0050888136,0.0013314139,0.00033764043,0.0002898241,0.000013632951,0.038674463],"genre_scores_gemma":[0.99105275,0.0023576403,0.00029839357,0.0010402836,0.00021754407,0.0000014059389,0.000015904636,0.00003330786,0.0049827932],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99678576,0.0011123604,0.0008478037,0.00041007446,0.00026051523,0.00058351224],"domain_scores_gemma":[0.9968392,0.00074845453,0.0009800927,0.00024329509,0.0006335775,0.0005553468],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001055921,0.00042716207,0.0007052941,0.00045071228,0.0009506651,0.00022994303,0.00026390725,0.00024651032,0.0019184545],"category_scores_gemma":[0.0006145413,0.00039099518,0.00026663239,0.00020452576,0.0026236495,0.0005883034,0.00018777247,0.0008781772,0.0000027146023],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00087126595,0.00091132417,0.08645735,0.00068185653,0.0022585008,0.012361805,0.6837125,0.00078182487,0.00025172575,0.039852794,0.13822994,0.03362915],"study_design_scores_gemma":[0.0024794587,0.0007525256,0.14568318,0.0024868443,0.0008058792,0.011194323,0.2433804,0.0010191621,0.000035968485,0.0013076939,0.5900536,0.0008009112],"about_ca_topic_score_codex":0.1327139,"about_ca_topic_score_gemma":0.5393145,"teacher_disagreement_score":0.4518237,"about_ca_system_score_codex":0.00045648843,"about_ca_system_score_gemma":0.0010395236,"threshold_uncertainty_score":0.9998542},"labels":[],"label_agreement":null},{"id":"W2167154184","doi":"10.7202/1013111ar","title":"La musique dans la vie des jeunes enfants : recension, analyse et critique de quelques théories du développement musical","year":2012,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Sociology","score_opus":0.038834900047549054,"score_gpt":0.28465531654157367,"score_spread":0.2458204164940246,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2167154184","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8633131,0.002992133,0.00071102707,0.012929063,0.0122217145,0.00016267384,0.00014885969,0.000028983604,0.10749245],"genre_scores_gemma":[0.9892044,0.0011542686,0.00074446376,0.0028805004,0.00338966,0.000015981932,0.000010726037,0.000057482375,0.0025425064],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968098,0.0011731817,0.0007931122,0.00021627337,0.0002569756,0.00075066305],"domain_scores_gemma":[0.99680835,0.000451691,0.00038930416,0.00026208264,0.0008486671,0.001239917],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014595363,0.00035913548,0.00041490194,0.0010268847,0.0010452425,0.00063916197,0.00032446155,0.00024029071,0.007113706],"category_scores_gemma":[0.00051778666,0.00035311436,0.00034645986,0.00025476958,0.0017770573,0.0013725396,0.00004294985,0.0008597143,0.00006514209],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024863624,0.00033610847,0.02273434,0.00008849161,0.00043579206,0.00030205862,0.5306253,0.00003541491,0.0000668228,0.31526738,0.12797348,0.00210998],"study_design_scores_gemma":[0.0003109272,0.00015056638,0.017990343,0.00094634696,0.00034307112,0.002400043,0.20637335,0.000010449036,0.00012226841,0.0067014154,0.76429564,0.0003556128],"about_ca_topic_score_codex":0.12650925,"about_ca_topic_score_gemma":0.76032096,"teacher_disagreement_score":0.63632214,"about_ca_system_score_codex":0.0014519594,"about_ca_system_score_gemma":0.003192913,"threshold_uncertainty_score":0.99989206},"labels":[],"label_agreement":null},{"id":"W2171511503","doi":"10.7202/1009287ar","title":"Formal Mixture in the Sonata-Form Movements of Middle- and Late-Period Beethoven","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Tonality; Movement (music); Period (music); Sonata form; Sonata rondo form; Piano sonata; Literature; Art; History; Musical; Art history; Aesthetics","score_opus":0.0405388992705341,"score_gpt":0.21789541341926544,"score_spread":0.17735651414873133,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2171511503","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98465514,0.00030240984,0.00001872311,0.0007747655,0.00086154934,0.000059194444,0.00002665438,0.0000014501276,0.0133001],"genre_scores_gemma":[0.9976931,0.0000043378254,0.000018011193,0.0012962573,0.00044209676,0.0000030075782,0.0000023655775,0.0000048735474,0.00053595135],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992686,0.000054576463,0.00029371437,0.00004961454,0.00009058428,0.00024288998],"domain_scores_gemma":[0.9995015,0.00004398368,0.0001437056,0.000079936966,0.00008436376,0.00014645877],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00039941573,0.000079281715,0.00016391075,0.00034646934,0.00022751372,0.000043126485,0.00014819928,0.000047381443,0.0023311381],"category_scores_gemma":[0.00003458225,0.000052893323,0.00010711565,0.00007787975,0.00021146434,0.00039241085,0.000011340299,0.00027094572,0.0000043833593],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008595057,0.00025103707,0.022115916,0.00007009174,0.0005927284,0.000080723396,0.877161,0.000030267889,0.00015272453,0.07045322,0.013917669,0.015088633],"study_design_scores_gemma":[0.0019596969,0.0008188633,0.1256603,0.0003140253,0.0005019597,0.00054431043,0.24559116,0.00014089153,0.000100161815,0.0061083375,0.61777335,0.0004869012],"about_ca_topic_score_codex":0.011421966,"about_ca_topic_score_gemma":0.5124652,"teacher_disagreement_score":0.63156986,"about_ca_system_score_codex":0.00004467277,"about_ca_system_score_gemma":0.000087040156,"threshold_uncertainty_score":0.9985809},"labels":[],"label_agreement":null},{"id":"W2194864677","doi":"","title":"Why Diversity and Civic Engagement Don’t Talk to Each Other on College Campuses: The Need for Public Work","year":2007,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Service-Learning and Community Engagement","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Diversity (politics); Work (physics); Civic engagement; Public engagement; Sociology; Public university; Media studies; Political science; Public relations; Public administration; Engineering; Anthropology; Law","score_opus":0.07877624767322153,"score_gpt":0.28117998887813966,"score_spread":0.20240374120491814,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2194864677","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.968573,0.000043372856,0.0020152328,0.01970842,0.0012860515,0.00030004658,0.000009518938,0.000012410263,0.008051946],"genre_scores_gemma":[0.9902636,0.000003011621,0.00010255862,0.0088435635,0.00022875372,0.000004782444,3.8651203e-7,0.000008348698,0.0005450229],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887997,0.00034908325,0.00016184594,0.00008192423,0.00019163665,0.00033552112],"domain_scores_gemma":[0.99873656,0.0004213999,0.00009635172,0.00014149761,0.00017990434,0.00042431126],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0030323053,0.00007812647,0.00009616442,0.00042122297,0.005496436,0.00010783111,0.00039793595,0.000046329103,0.00037396525],"category_scores_gemma":[0.00026261987,0.00006564917,0.00007726968,0.000512774,0.00010666931,0.00012583134,0.00007674973,0.00041666365,0.000004202091],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024203284,0.00015463801,0.048446137,0.000015301152,0.00045056612,0.000050780327,0.7080232,0.000316761,0.00001782628,0.012794004,0.2087777,0.020711074],"study_design_scores_gemma":[0.00024425576,0.00017654737,0.011814752,0.000046936522,0.000026444335,0.000004987572,0.30470213,0.0000021841888,0.0000032353103,0.00012790348,0.6827746,0.00007599685],"about_ca_topic_score_codex":0.17007267,"about_ca_topic_score_gemma":0.921226,"teacher_disagreement_score":0.75115335,"about_ca_system_score_codex":0.0004430108,"about_ca_system_score_gemma":0.00022554075,"threshold_uncertainty_score":0.9957983},"labels":[],"label_agreement":null},{"id":"W2200819395","doi":"10.7202/1032697ar","title":"Anhalt’s Oppenheimer: The History of a Never-Finished Major Work","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Opera; Negotiation; Fantasy; Period (music); Musical; History; Art history; Literature; Art; Law; Political science; Aesthetics","score_opus":0.08878148005999602,"score_gpt":0.213969914804312,"score_spread":0.12518843474431596,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2200819395","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7135611,0.0032603573,0.00015606376,0.012783132,0.031727523,0.00021299883,0.000037844417,0.00002038476,0.2382406],"genre_scores_gemma":[0.9769917,0.0000020144928,0.0000236461,0.002341547,0.000970201,0.0000033997387,0.0000014878036,0.000010214742,0.019655747],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990516,0.000110507004,0.00040847957,0.0000889236,0.00013970875,0.00020083037],"domain_scores_gemma":[0.9986591,0.00007713483,0.0002876499,0.00018391633,0.0004331739,0.00035906362],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037867602,0.000103540406,0.00023800907,0.00040501915,0.0001745111,0.00003793472,0.00030522674,0.000051500512,0.009118651],"category_scores_gemma":[0.00013242564,0.00007174412,0.0002476617,0.000110389454,0.0006164576,0.00022091178,0.000014652138,0.00032918292,0.00005920047],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047551694,0.000039723713,0.00029913842,0.000004211086,0.00033582843,0.00004932199,0.056936875,0.000041598636,0.000008161787,0.012612722,0.9277641,0.0018607217],"study_design_scores_gemma":[0.0002953077,0.00018079035,0.000520902,0.00003697353,0.00022670679,0.000064062704,0.0112096695,0.000012348151,0.0000044773537,0.0007831756,0.98657644,0.00008914639],"about_ca_topic_score_codex":0.038798533,"about_ca_topic_score_gemma":0.51106614,"teacher_disagreement_score":0.47226757,"about_ca_system_score_codex":0.00035922567,"about_ca_system_score_gemma":0.0013971813,"threshold_uncertainty_score":0.99178714},"labels":[],"label_agreement":null},{"id":"W2224609704","doi":"10.7202/1032698ar","title":"“The Spectacle of a Young Man”: Glenn Gould, Graham Steed, and an Unpublished Concert Review for the Windsor Star","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Windsor; Spectacle; Context (archaeology); History; Art history; Law; Archaeology; Political science","score_opus":0.0658250505096798,"score_gpt":0.249557846481866,"score_spread":0.1837327959721862,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2224609704","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.715339,0.117129005,0.0001409236,0.020483982,0.032537017,0.002651027,0.0007463704,0.00004872188,0.11092393],"genre_scores_gemma":[0.99103034,0.00013409718,0.00001574527,0.0014642702,0.0012452886,0.000014363238,0.0000040658724,0.000014663653,0.006077155],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999225,0.00007096514,0.0003288014,0.000084273306,0.00012374442,0.00016717214],"domain_scores_gemma":[0.99861515,0.000058665188,0.0002383246,0.00017363012,0.00063964666,0.00027459214],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00052701513,0.000097463446,0.00017912046,0.000087234395,0.00079824706,0.00016986436,0.00025225585,0.00002913999,0.0009813404],"category_scores_gemma":[0.00014322298,0.000056198172,0.000107223736,0.00006876097,0.00040140233,0.0003408939,0.000007236742,0.0002096317,0.0000024830154],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005130572,0.000018300902,0.00008592008,0.0000761347,0.00015413699,0.000010973961,0.097372755,0.0000049228834,0.000015141969,0.018164324,0.8817604,0.002285648],"study_design_scores_gemma":[0.00031486774,0.00027649754,0.00010402218,0.00023954156,0.00012085912,0.00013545813,0.06711424,0.000016534254,0.000002933886,0.00036749578,0.9312333,0.000074281255],"about_ca_topic_score_codex":0.013666247,"about_ca_topic_score_gemma":0.79129666,"teacher_disagreement_score":0.7776304,"about_ca_system_score_codex":0.00012181047,"about_ca_system_score_gemma":0.00049096387,"threshold_uncertainty_score":0.9999319},"labels":[],"label_agreement":null},{"id":"W2235928116","doi":"","title":"The D ivide Within (Not Between) Liberal Arts and Professional Education","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Legal Education and Practice Innovations","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Liberal arts education; Liberal education; The arts; Pedagogy; Mathematics education; Sociology; Visual arts; Political science; Art; Higher education; Psychology; Law","score_opus":0.03698551778382118,"score_gpt":0.3348344261495152,"score_spread":0.297848908365694,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2235928116","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8254669,0.00013067332,0.00007361983,0.13015783,0.008047857,0.00012230173,0.000006293845,0.000008248646,0.035986293],"genre_scores_gemma":[0.9855264,0.000003974203,0.00018294755,0.0010490913,0.0016511243,0.0000056074086,0.0000023255864,0.0000053513018,0.011573219],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991744,0.00014493558,0.00029917373,0.000063128544,0.00016113525,0.00015723646],"domain_scores_gemma":[0.9987953,0.00026880403,0.00026079142,0.00006830368,0.00039427358,0.00021256975],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0007948827,0.000053166237,0.00006268969,0.00024449732,0.0016345094,0.00032000104,0.00012787325,0.000050349627,0.00021440428],"category_scores_gemma":[0.0005323488,0.000042326905,0.000037581012,0.0003636636,0.00023930706,0.0006317045,0.000004421965,0.00040577384,0.000011439637],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016733133,0.0000713321,0.039664943,0.0000048381294,0.0000578133,0.000005130961,0.04632808,0.000021891372,0.000077190685,0.28033784,0.60536987,0.028044313],"study_design_scores_gemma":[0.00009014538,0.0000261316,0.07369319,0.00004346587,0.000023772891,0.000047028727,0.028001042,0.0000024342514,0.000023337667,0.0098675275,0.88810706,0.000074850424],"about_ca_topic_score_codex":0.12854679,"about_ca_topic_score_gemma":0.71676856,"teacher_disagreement_score":0.5882218,"about_ca_system_score_codex":0.00022469732,"about_ca_system_score_gemma":0.007953653,"threshold_uncertainty_score":0.9996652},"labels":[],"label_agreement":null},{"id":"W2236857815","doi":"","title":"Freedom of a Christian--College: Looking through the Lens of Vocation","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Lens (geology); History; Philosophy; Sociology; Optics; Physics","score_opus":0.02173955371220513,"score_gpt":0.2616469773983359,"score_spread":0.2399074236861308,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2236857815","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49204624,0.0008602841,0.00805308,0.008087489,0.0035014355,0.00022285688,0.00025377522,0.000009021187,0.48696584],"genre_scores_gemma":[0.9986533,0.000006815556,0.00024906918,0.00013852828,0.0005666047,9.47558e-7,9.983278e-7,0.0000037382517,0.0003799973],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919015,0.0000921586,0.00033405813,0.000046815243,0.00017864518,0.00015816276],"domain_scores_gemma":[0.99898326,0.00013350055,0.00032713354,0.000084173735,0.00039698975,0.00007492369],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025252588,0.000051439838,0.00012240736,0.00014719181,0.0003655274,0.0000135006485,0.00019149699,0.000040746672,0.0002565448],"category_scores_gemma":[0.00016003654,0.00004292117,0.00011587173,0.00032883312,0.0012128877,0.0001614088,0.0000043563527,0.00013426795,0.0000020044936],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000045135444,0.000016154552,0.0013153026,0.0000042764914,0.00003515203,0.0000058937553,0.006083911,0.0007485075,0.00007665791,0.97988224,0.011711103,0.00011631047],"study_design_scores_gemma":[0.00039785518,0.00018964859,0.009682932,0.0002388278,0.00015771633,0.00013609343,0.08012843,0.000029238921,0.00019690854,0.010127638,0.8985308,0.00018392538],"about_ca_topic_score_codex":0.6330308,"about_ca_topic_score_gemma":0.73516744,"teacher_disagreement_score":0.9697546,"about_ca_system_score_codex":0.00019481152,"about_ca_system_score_gemma":0.0040442846,"threshold_uncertainty_score":0.71743876},"labels":[],"label_agreement":null},{"id":"W2244396835","doi":"","title":"The Lutheran Calling in Education: Context and Prospect","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Context (archaeology); History; Archaeology","score_opus":0.013441383918930863,"score_gpt":0.2701560523972615,"score_spread":0.25671466847833063,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2244396835","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9468182,0.0023252994,0.000026229072,0.009048465,0.0023586147,0.00011091029,9.212693e-7,0.0000034233763,0.039307956],"genre_scores_gemma":[0.99665487,0.000076076685,0.000027534074,0.00029271515,0.00053053873,0.0000041006083,2.1603594e-7,0.0000036062943,0.0024103697],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994452,0.00008282661,0.00020037462,0.000049223447,0.00008037772,0.0001419681],"domain_scores_gemma":[0.9994872,0.00006602394,0.00008353324,0.000051685012,0.00014492283,0.00016659834],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043128926,0.000038370497,0.00005799601,0.00018895863,0.0005800047,0.00018209762,0.000109606575,0.000030128258,0.00010034894],"category_scores_gemma":[0.000120644414,0.000030842508,0.000034366636,0.00021778194,0.00014969132,0.000058520603,0.0000014718497,0.00016025083,0.0000054806296],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002014748,0.000047724825,0.24331559,0.0000051434613,0.000036472975,0.000022962451,0.094944045,0.000070881004,0.00004805828,0.18967405,0.363055,0.10875993],"study_design_scores_gemma":[0.000368125,0.00005805211,0.09726418,0.00016003223,0.000014840949,0.0001416956,0.19082814,0.00001248205,0.00001528046,0.046265367,0.66470253,0.00016923765],"about_ca_topic_score_codex":0.2735634,"about_ca_topic_score_gemma":0.93953127,"teacher_disagreement_score":0.6659679,"about_ca_system_score_codex":0.00029068027,"about_ca_system_score_gemma":0.0023659647,"threshold_uncertainty_score":0.731274},"labels":[],"label_agreement":null},{"id":"W2244930635","doi":"","title":"Reinventing Lutheran Liberal Arts: A Preliminary Report on Project DAVID","year":2013,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical Legal Studies and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Liberal arts education; The arts; Art history; History; Visual arts; Art; Sociology; Political science; Law; Higher education","score_opus":0.04586903274614527,"score_gpt":0.28483135019822636,"score_spread":0.2389623174520811,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2244930635","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77544534,0.0002963026,0.0001401095,0.010920663,0.00523211,0.0004200343,0.000005522229,0.000032581615,0.20750731],"genre_scores_gemma":[0.9890453,0.000012963032,0.00019841685,0.0006980334,0.00101752,0.000012651142,6.638751e-7,0.000011573392,0.00900283],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99884534,0.000100166515,0.00035720735,0.00012337975,0.00023671378,0.000337205],"domain_scores_gemma":[0.99895483,0.00006813481,0.00022296714,0.00011057945,0.0002698824,0.0003735795],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047479558,0.00008894702,0.00015918276,0.00018008934,0.0011479866,0.000111034205,0.00018215274,0.00007677896,0.0007302111],"category_scores_gemma":[0.0004002525,0.00008010097,0.00023174455,0.00034600217,0.00018186751,0.0002561799,0.00000895261,0.00037510242,0.000039464587],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021088563,0.000076689386,0.003872383,0.000009698286,0.0001816216,0.0006737562,0.18768728,0.000035106394,0.00004046741,0.002261719,0.79362774,0.0115124555],"study_design_scores_gemma":[0.00017423059,0.00041380688,0.0038122742,0.000114986695,0.000024954941,0.00018907209,0.037358128,0.000014088208,0.000004245143,0.000449386,0.9572904,0.00015441839],"about_ca_topic_score_codex":0.3224222,"about_ca_topic_score_gemma":0.31114268,"teacher_disagreement_score":0.21359998,"about_ca_system_score_codex":0.00088479085,"about_ca_system_score_gemma":0.00090407435,"threshold_uncertainty_score":0.8829501},"labels":[],"label_agreement":null},{"id":"W2246186922","doi":"","title":"From the Publisher: Staying Connected","year":2013,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Publishing and Scholarly Communication","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.04620787413943208,"score_gpt":0.20283509969779287,"score_spread":0.15662722555836078,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2246186922","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9208901,0.00032177707,0.00006206871,0.016402673,0.0045953095,0.000082376275,0.000025525445,0.00001798273,0.05760217],"genre_scores_gemma":[0.9963967,0.0000019984393,0.000039215964,0.0012061816,0.0010907311,0.0000046276,0.000008801776,0.000009316208,0.0012424155],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999303,0.0001227089,0.00026071988,0.000058113248,0.000103069324,0.00015241772],"domain_scores_gemma":[0.9986246,0.00018877258,0.00016447363,0.00024354785,0.0005871453,0.00019144085],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027962762,0.00006660277,0.0000886673,0.00021086082,0.0006788878,0.0032116417,0.000564686,0.00003070519,0.009582695],"category_scores_gemma":[0.00041065304,0.000046233527,0.000084676016,0.000074904914,0.00013830414,0.002338206,0.000014824607,0.0005101777,0.00008126923],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000022315467,0.000010751928,0.0014100356,8.185414e-7,0.00009707033,0.0000040640107,0.10391407,0.0000082891875,0.000038926788,0.008363666,0.8804415,0.005708566],"study_design_scores_gemma":[0.00022904023,0.000058365884,0.008441282,0.00006542274,0.000032991862,0.000035075765,0.11764557,0.00006811193,0.0000041466437,0.008870695,0.8644353,0.00011398742],"about_ca_topic_score_codex":0.44011566,"about_ca_topic_score_gemma":0.7313168,"teacher_disagreement_score":0.29120114,"about_ca_system_score_codex":0.00011828719,"about_ca_system_score_gemma":0.0003215599,"threshold_uncertainty_score":0.9978231},"labels":[],"label_agreement":null},{"id":"W2248773718","doi":"","title":"The Value of Evoking Vocation and the Vocation of Evoking Value","year":2013,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Philosophy and Theoretical Science","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Value (mathematics); Mathematics; Statistics","score_opus":0.01626906260898094,"score_gpt":0.2559941995808055,"score_spread":0.23972513697182454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2248773718","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95556897,0.00046026573,0.0026534507,0.0055879466,0.0018641561,0.00017848024,0.000003247833,0.0000027077037,0.033680752],"genre_scores_gemma":[0.9995679,0.0000069509642,0.000042889988,0.00017340327,0.00015136316,0.000005899614,1.8663015e-7,0.000004607872,0.00004678543],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9990607,0.0002297573,0.000359628,0.00007552078,0.00012417832,0.00015021389],"domain_scores_gemma":[0.998747,0.00041921265,0.00031591527,0.00017195306,0.0002247,0.00012122248],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00091597554,0.0000592763,0.00011360436,0.00015953007,0.00025028715,0.000036184152,0.0002619426,0.000042668955,0.00020637894],"category_scores_gemma":[0.00032600015,0.00003524003,0.000077324345,0.00026884966,0.00078523025,0.00013799345,0.000011164979,0.0002001622,0.000006735517],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031568805,0.000013621731,0.0008989171,0.000004674389,0.00007423149,0.0000012586746,0.010580259,0.00009978588,0.00054045225,0.97449064,0.00039613174,0.012868437],"study_design_scores_gemma":[0.0014713015,0.00043213973,0.17230844,0.00032115693,0.000178198,0.00053388695,0.018763982,0.0022834488,0.0008130505,0.80108196,0.0016239079,0.00018850545],"about_ca_topic_score_codex":0.023142131,"about_ca_topic_score_gemma":0.008847276,"teacher_disagreement_score":0.17340869,"about_ca_system_score_codex":0.00006040814,"about_ca_system_score_gemma":0.00014417231,"threshold_uncertainty_score":0.98336285},"labels":[],"label_agreement":null},{"id":"W2252376050","doi":"","title":"Hope in the Face of Ecological Decline","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Face (sociological concept); Ecology; History; Geography; Sociology; Social science; Biology","score_opus":0.019060155192057476,"score_gpt":0.2176016784089717,"score_spread":0.19854152321691423,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2252376050","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9518711,0.00008607043,0.000010131211,0.0028412035,0.001443401,0.0000450997,0.000021155021,0.0000017648402,0.043680076],"genre_scores_gemma":[0.996745,0.0000011659276,0.00002404838,0.0020224485,0.0005872784,0.0000012705609,0.0000011851424,0.0000032616392,0.0006143543],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99954206,0.00003552566,0.00020893448,0.00004198998,0.000066245346,0.000105250125],"domain_scores_gemma":[0.9995783,0.00003913991,0.000111533926,0.00007779366,0.00011629917,0.0000769551],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016218972,0.000053616805,0.00010452498,0.00015720772,0.000104777384,0.0000634062,0.0002111943,0.00003452187,0.0037033232],"category_scores_gemma":[0.00005546557,0.000030920397,0.00008478652,0.00007084696,0.00023960118,0.000100051264,0.0000046488262,0.00048573271,0.0000069733137],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003736276,0.00018308668,0.0035285274,0.000011123962,0.00009583535,0.00027073795,0.633742,0.00004752784,0.0008527044,0.095422305,0.2596604,0.0061484547],"study_design_scores_gemma":[0.00014882459,0.00021832607,0.005630308,0.000020250414,0.000016767983,0.00022208125,0.070815526,0.000004196691,0.0000138673495,0.00054961944,0.9223026,0.000057600973],"about_ca_topic_score_codex":0.0075108344,"about_ca_topic_score_gemma":0.8262774,"teacher_disagreement_score":0.81876653,"about_ca_system_score_codex":0.000016260394,"about_ca_system_score_gemma":0.0001524027,"threshold_uncertainty_score":0.99909824},"labels":[],"label_agreement":null},{"id":"W2252753958","doi":"","title":"An Apostolate of Hope","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.018042556481760702,"score_gpt":0.2830254721232478,"score_spread":0.2649829156414871,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2252753958","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8762293,0.000019746414,0.00031532464,0.0008558319,0.0026700108,0.000031481242,0.000025752464,0.0000040353207,0.119848505],"genre_scores_gemma":[0.9985253,0.000002198996,0.00035352883,0.00025831716,0.0005233204,3.329654e-7,5.802233e-7,0.0000036300175,0.00033276033],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99943566,0.000055054024,0.00018858259,0.000043604978,0.00011306451,0.00016400087],"domain_scores_gemma":[0.9989225,0.000043619923,0.0001348703,0.00008266022,0.0003170823,0.00049924874],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027078364,0.00004184941,0.000090642825,0.00024170821,0.00029401967,0.000027330401,0.00020280937,0.00004920595,0.0013258806],"category_scores_gemma":[0.00015983073,0.00004171724,0.00007330318,0.00017656846,0.00078814494,0.0002002835,0.0000022749255,0.00024566014,0.000007684184],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000809881,0.000029551366,0.009224529,0.0000023773352,0.00004342508,0.00004239373,0.010376511,0.000048386904,0.0021866302,0.9704985,0.0042747157,0.0032648821],"study_design_scores_gemma":[0.0001481667,0.000186279,0.005352992,0.00002734832,0.000036221285,0.00019669015,0.012434901,0.000008301082,0.00014774613,0.0012314979,0.9801105,0.00011930165],"about_ca_topic_score_codex":0.23113625,"about_ca_topic_score_gemma":0.8437834,"teacher_disagreement_score":0.97583586,"about_ca_system_score_codex":0.00006928083,"about_ca_system_score_gemma":0.0053735566,"threshold_uncertainty_score":0.99958706},"labels":[],"label_agreement":null},{"id":"W2253798572","doi":"","title":"Dreaming God's Dream: A Sermon on Isaiah 56:1-2, 6-8","year":2011,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Biblical Studies and Interpretation","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sermon; Dream; Literature; Art; Theology; Philosophy; History; Psychology; Psychotherapist","score_opus":0.07002284409077295,"score_gpt":0.2140324607153725,"score_spread":0.14400961662459955,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2253798572","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45525596,0.0003463651,0.00020672767,0.0008813661,0.005380634,0.00010653558,0.000031532745,0.000021810347,0.5377691],"genre_scores_gemma":[0.9957351,0.000007533062,0.000032091117,0.0019123832,0.00089127815,0.0000033973615,0.000001118556,0.000014599559,0.0014025164],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924237,0.00003025375,0.00030459525,0.000096887685,0.00010362542,0.00022226606],"domain_scores_gemma":[0.9992431,0.000023744056,0.00015353375,0.00009894947,0.00023347749,0.0002471897],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000113040194,0.000111312904,0.00015013466,0.0005846787,0.000398519,0.00010630945,0.00015847551,0.000037751346,0.010447713],"category_scores_gemma":[0.00004670176,0.000092124654,0.00020375253,0.000094471776,0.00015749561,0.00024642068,0.000008393907,0.00026635278,0.00012133987],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013859912,0.00016755765,0.001011441,0.000022544764,0.00048206208,0.00017114793,0.3766446,0.000014111158,0.00006725524,0.1422044,0.43461788,0.044458374],"study_design_scores_gemma":[0.0004454695,0.0015919597,0.0032793642,0.00028202622,0.00011073293,0.00013316583,0.048537433,0.0000675711,0.00013961206,0.0027670022,0.9423561,0.00028958084],"about_ca_topic_score_codex":0.05577236,"about_ca_topic_score_gemma":0.53263414,"teacher_disagreement_score":0.5404791,"about_ca_system_score_codex":0.00016028882,"about_ca_system_score_gemma":0.00010155674,"threshold_uncertainty_score":0.9904569},"labels":[],"label_agreement":null},{"id":"W2254401331","doi":"","title":"From the Publisher","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Human auditory perception and evaluation","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science; History","score_opus":0.021024862968683555,"score_gpt":0.2060859194436746,"score_spread":0.18506105647499105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2254401331","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95482975,0.00011523951,0.003111744,0.0008266304,0.009521635,0.000041077255,0.000011118618,0.000027485214,0.031515308],"genre_scores_gemma":[0.9966398,9.439966e-7,0.00004811501,0.0001613599,0.0024689394,0.0000011756796,0.0000040641835,0.000009940155,0.0006656985],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995991,0.00002237589,0.00017132518,0.00003274724,0.00007866774,0.00009575627],"domain_scores_gemma":[0.9997022,0.000021666501,0.000031671032,0.00008069832,0.00007512375,0.00008863249],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011380782,0.00004852974,0.000051641982,0.00014452128,0.00009373553,0.00010159984,0.00011123051,0.000031576,0.021721072],"category_scores_gemma":[0.00001979168,0.000038214675,0.0000610282,0.00010772519,0.000030445573,0.00025139347,0.0000014834525,0.00017247244,0.0004743792],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[5.977461e-7,0.0000018544365,0.0005769041,5.6608314e-7,0.00001699514,0.0000044586573,0.0011109869,0.008552167,0.00029109215,0.000017792121,0.9880352,0.0013913882],"study_design_scores_gemma":[0.0003103291,0.000028037219,0.12787794,0.00004146287,0.00004189716,0.000092113354,0.0038548708,0.0022678722,0.000033826094,0.0024496652,0.8628616,0.00014039941],"about_ca_topic_score_codex":0.0054291417,"about_ca_topic_score_gemma":0.38702717,"teacher_disagreement_score":0.38159803,"about_ca_system_score_codex":0.00017919092,"about_ca_system_score_gemma":0.00009240183,"threshold_uncertainty_score":0.9791732},"labels":[],"label_agreement":null},{"id":"W2255515000","doi":"","title":"The Neglected Miracle of Pentecost","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Pentecostalism and Christianity Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Miracle; History; Philosophy; Theology","score_opus":0.01955621471188521,"score_gpt":0.20265830070966637,"score_spread":0.18310208599778116,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2255515000","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95518446,0.00044330393,0.000013143965,0.0015201581,0.006528212,0.00006230715,0.00007364727,0.000006494941,0.036168285],"genre_scores_gemma":[0.9977061,0.000019224493,0.00000958838,0.000120936274,0.00052397617,0.0000014719669,0.0000011043522,0.0000075341964,0.0016100638],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99940294,0.000021553924,0.00027854077,0.00004827789,0.000086565145,0.00016214483],"domain_scores_gemma":[0.9990812,0.000072803836,0.00018450458,0.00012298752,0.00039981163,0.0001386782],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009590027,0.00006981914,0.00011082235,0.00020140514,0.00070562004,0.00011292859,0.0002289837,0.000020824677,0.0021931892],"category_scores_gemma":[0.00015086857,0.000049080536,0.000117674914,0.00005437177,0.00041632942,0.0001286287,0.000010280293,0.00032469787,0.00001950804],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000062319035,0.00009638151,0.0011695771,0.00002186523,0.00047561072,0.00007918331,0.079299435,0.0000037826696,0.0032730112,0.036694676,0.86889386,0.009930322],"study_design_scores_gemma":[0.0001856569,0.00011210418,0.003552339,0.000029433526,0.000035291574,0.00010651763,0.01999826,0.000005042739,0.00015444006,0.0005747669,0.97517836,0.00006775832],"about_ca_topic_score_codex":0.039707843,"about_ca_topic_score_gemma":0.96475637,"teacher_disagreement_score":0.92504853,"about_ca_system_score_codex":0.00003075791,"about_ca_system_score_gemma":0.00023285914,"threshold_uncertainty_score":0.9987189},"labels":[],"label_agreement":null},{"id":"W2256955986","doi":"","title":"The State of Civil Discourse on Campus and in Society","year":2011,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Service-Learning and Community Engagement","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"State (computer science); Civil society; Media studies; Political science; Sociology; History; Law; Computer science; Programming language","score_opus":0.041860631110183226,"score_gpt":0.27376217053789814,"score_spread":0.2319015394277149,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2256955986","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9823737,0.00010087055,0.000021532627,0.00078117405,0.00047252062,0.00003708481,0.0000018297794,0.0000020212424,0.016209256],"genre_scores_gemma":[0.9994307,0.00007377901,0.00002363979,0.00014153525,0.00003631083,9.5240745e-7,8.105537e-8,0.0000032814096,0.0002896835],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993651,0.00022716864,0.00014445641,0.000034084598,0.000090483896,0.00013869508],"domain_scores_gemma":[0.99949914,0.00011085909,0.00010655926,0.000079674035,0.000071885064,0.0001318697],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008831615,0.000037583784,0.000063200896,0.000106736414,0.0005073205,0.00002694553,0.0001798445,0.00001927458,0.00010449693],"category_scores_gemma":[0.00006538377,0.000029204451,0.000052040104,0.00016440178,0.00023918177,0.00006725092,0.000008747939,0.000326994,0.0000014045895],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003986935,0.00005829678,0.020120267,0.000006301596,0.000105475825,0.000021756043,0.93475676,0.00022706254,0.000018004432,0.0021297105,0.004175211,0.038341306],"study_design_scores_gemma":[0.00040841196,0.0003175849,0.09703706,0.0002105115,0.000028084174,0.00001612953,0.86093986,0.00004711507,0.000034923516,0.0029130427,0.037926313,0.000120956014],"about_ca_topic_score_codex":0.28303358,"about_ca_topic_score_gemma":0.98254055,"teacher_disagreement_score":0.699507,"about_ca_system_score_codex":0.00011705432,"about_ca_system_score_gemma":0.00037056656,"threshold_uncertainty_score":0.7217408},"labels":[],"label_agreement":null},{"id":"W2257230522","doi":"","title":"John 3:16-17","year":2008,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Biblical Studies and Interpretation","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.048355729191327225,"score_gpt":0.21597577544147878,"score_spread":0.16762004625015156,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2257230522","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40526208,0.0009343158,0.00045991997,0.0023773154,0.0055424296,0.00007028087,0.00002741501,0.000015974445,0.5853103],"genre_scores_gemma":[0.9916148,0.000018889123,0.000016737604,0.0021202536,0.0009977005,0.0000015852862,0.0000010493172,0.0000077288505,0.0052212174],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99943346,0.000017172362,0.00024643302,0.00005786541,0.00008570783,0.00015936582],"domain_scores_gemma":[0.9993322,0.000023078723,0.00010405678,0.00006286591,0.00026914547,0.00020865195],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006244484,0.000069959235,0.00011571421,0.00044295873,0.00055940857,0.000066285786,0.00011242095,0.000023593737,0.011998817],"category_scores_gemma":[0.00004191762,0.00005784346,0.00013824562,0.000080082296,0.00023500453,0.00022747368,0.000005519646,0.0001876443,0.00006103678],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009428804,0.000015218334,0.00059030537,0.0000024907536,0.000088603745,0.000049273647,0.037972,0.0000075016965,0.0000071077416,0.008277135,0.950216,0.002764915],"study_design_scores_gemma":[0.00013258366,0.0001897649,0.0009477393,0.00003008783,0.00001659078,0.0002860926,0.0073821484,0.00001681097,0.000010181356,0.00039018193,0.9905249,0.0000729182],"about_ca_topic_score_codex":0.0348215,"about_ca_topic_score_gemma":0.6227411,"teacher_disagreement_score":0.5879196,"about_ca_system_score_codex":0.00015541769,"about_ca_system_score_gemma":0.00016148535,"threshold_uncertainty_score":0.98890436},"labels":[],"label_agreement":null},{"id":"W2258560057","doi":"","title":"Practicing Hope: The Charisms of Lutheran Higher Education","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformed Theology and Governance","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Sociology; Art","score_opus":0.02160447632123183,"score_gpt":0.2267472962929563,"score_spread":0.20514281997172448,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2258560057","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9082091,0.00013176019,0.000012036854,0.0046051834,0.011206948,0.000050390725,0.000008542984,0.000002527142,0.07577352],"genre_scores_gemma":[0.9873494,0.0000036724275,0.000016690012,0.000633624,0.0011977057,0.0000020407438,4.515294e-7,0.000006270277,0.010790141],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99957,0.000028189394,0.00019847117,0.000041704698,0.000059679696,0.000101950915],"domain_scores_gemma":[0.99928313,0.000044005348,0.0002886021,0.000111454974,0.00019387064,0.000078933],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018004536,0.000052618307,0.00008099701,0.00014177077,0.0002592102,0.000038620103,0.00016195879,0.000034109682,0.006567077],"category_scores_gemma":[0.000049907143,0.00003328482,0.00006946881,0.000038013037,0.00027421722,0.00022554318,0.0000034240788,0.00040999884,0.000017861952],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003802143,0.00007580062,0.0020476135,0.000013584385,0.00019106406,0.000011216041,0.10980351,0.000014328722,0.0017867775,0.8163847,0.055843253,0.01379014],"study_design_scores_gemma":[0.0001363404,0.00010388065,0.009879703,0.00005540388,0.000042949236,0.00019391974,0.009950506,0.000003299114,0.00024200708,0.0058437493,0.97347814,0.0000701096],"about_ca_topic_score_codex":0.03722648,"about_ca_topic_score_gemma":0.52683103,"teacher_disagreement_score":0.9176349,"about_ca_system_score_codex":0.000033775254,"about_ca_system_score_gemma":0.0005468613,"threshold_uncertainty_score":0.9943411},"labels":[],"label_agreement":null},{"id":"W2260910417","doi":"","title":"The Breadth and the Depth: Dimensions of Christian-Muslim Relations at Educational Institutions of the ELCA","year":2011,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Linguistic Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology; Genealogy; History; Mathematics education; Mathematics","score_opus":0.05407941876695902,"score_gpt":0.2657878677965967,"score_spread":0.21170844902963767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2260910417","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7992309,0.0029812204,0.00017492803,0.02483179,0.00950199,0.00036455182,0.00006133512,0.0000060736115,0.16284725],"genre_scores_gemma":[0.9981211,0.000076120945,0.00005255526,0.00007225366,0.00021520838,0.000004653731,2.1141993e-7,0.000002845835,0.0014550744],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99920833,0.00015697452,0.00030088422,0.0000529878,0.0001530875,0.00012773112],"domain_scores_gemma":[0.99853134,0.0005852689,0.0002445615,0.00012046763,0.00038479644,0.0001335535],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0004369323,0.00005200533,0.00010591039,0.000095582975,0.0026643178,0.0000107727365,0.00023060919,0.00003319315,0.00020115754],"category_scores_gemma":[0.0022856027,0.000024852372,0.00012007943,0.00033999557,0.0023171601,0.00003786662,0.000023719007,0.0001700144,0.0000034681566],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000397179,0.0000680087,0.03235128,0.0000056836925,0.00027254212,0.0000029073865,0.3756301,0.00005251949,0.00001781882,0.53522265,0.055259507,0.0010772801],"study_design_scores_gemma":[0.00071610615,0.00010068687,0.34732947,0.00020442324,0.00037317694,0.00009347137,0.12643959,0.000020573143,0.000014394957,0.02329828,0.50124896,0.00016085767],"about_ca_topic_score_codex":0.14969692,"about_ca_topic_score_gemma":0.8156892,"teacher_disagreement_score":0.66599226,"about_ca_system_score_codex":0.00023463891,"about_ca_system_score_gemma":0.001540329,"threshold_uncertainty_score":0.9986341},"labels":[],"label_agreement":null},{"id":"W2262228621","doi":"","title":"The Information Deluge: Navigating the Digital Age with Recent Scholars","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Library Science and Administration","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Computer science; Data science; World Wide Web","score_opus":0.01800567203921801,"score_gpt":0.24903123119825185,"score_spread":0.23102555915903383,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2262228621","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91147065,0.000027206699,0.00073836243,0.027672432,0.0015282957,0.00012423453,0.000004622632,0.000010097005,0.05842407],"genre_scores_gemma":[0.99882644,0.000008519166,0.000040828687,0.00073749805,0.00024323899,0.0000012846233,0.0000013082997,0.000002015513,0.00013883678],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993256,0.000077876306,0.00018362913,0.00003411887,0.00021142061,0.00016736134],"domain_scores_gemma":[0.9993167,0.00009947093,0.00016669705,0.00007649347,0.00014631417,0.00019436063],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00070293265,0.00004133533,0.00003967384,0.000052074593,0.0018075182,0.0013870134,0.0002856903,0.000022918324,0.000052378866],"category_scores_gemma":[0.00047820722,0.000022373019,0.000034051885,0.00035174203,0.00032019467,0.0025028759,0.000004617878,0.00028661,0.000014367842],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000308798,0.000014127647,0.017302154,0.0000032857404,0.000060777405,0.00002329815,0.12631848,0.00050765637,0.000021381911,0.05342445,0.021004219,0.7812893],"study_design_scores_gemma":[0.00009056038,0.00012949388,0.005342676,0.000047808524,0.000006395448,0.00005383215,0.060383633,0.000045661633,0.000013183927,0.0011298945,0.9327007,0.000056193516],"about_ca_topic_score_codex":0.006731671,"about_ca_topic_score_gemma":0.31663147,"teacher_disagreement_score":0.91169643,"about_ca_system_score_codex":0.00009406298,"about_ca_system_score_gemma":0.0011008355,"threshold_uncertainty_score":0.9998826},"labels":[],"label_agreement":null},{"id":"W2263238931","doi":"","title":"More Value than Many Sparrows: A Sermon on Matthew 10:26-31","year":2013,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sermon; Value (mathematics); History; Art; Mathematics; Archaeology; Statistics","score_opus":0.024333222093488014,"score_gpt":0.26625908697249107,"score_spread":0.24192586487900306,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2263238931","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64342594,0.000077927194,0.00021764814,0.01197352,0.002156397,0.00016546322,0.00003021209,0.000024513389,0.34192836],"genre_scores_gemma":[0.98786515,0.0000052850783,0.00012011836,0.002101543,0.0007936186,0.000005437361,9.0118004e-7,0.0000120493005,0.009095894],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989463,0.000100981124,0.00025463256,0.00009831727,0.00023167713,0.0003680837],"domain_scores_gemma":[0.99863917,0.00007381985,0.00015457738,0.00011962929,0.00026815358,0.0007446505],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020564238,0.00010361603,0.00014874405,0.00033712207,0.0006044602,0.00011464663,0.00026934745,0.000072178605,0.004753355],"category_scores_gemma":[0.00015083917,0.000097666416,0.00015151482,0.0002450588,0.000646322,0.00024387494,0.0000067325395,0.00026654845,0.0004960713],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015913918,0.000047314068,0.002977976,0.0000074975524,0.000109864064,0.00014579117,0.01263051,0.0003813317,0.000060507915,0.7328897,0.24886982,0.0018637741],"study_design_scores_gemma":[0.00023432454,0.00024178195,0.008431814,0.00016371705,0.00004969493,0.00021517993,0.029915668,0.000033861656,0.00002182655,0.0025332836,0.95791453,0.00024431836],"about_ca_topic_score_codex":0.3469851,"about_ca_topic_score_gemma":0.26974592,"teacher_disagreement_score":0.7303564,"about_ca_system_score_codex":0.00054482924,"about_ca_system_score_gemma":0.0038753084,"threshold_uncertainty_score":0.99615645},"labels":[],"label_agreement":null},{"id":"W2263358743","doi":"","title":"From the Publisher","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Human auditory perception and evaluation","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science; History","score_opus":0.02846189087091277,"score_gpt":0.22595449643338922,"score_spread":0.19749260556247644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2263358743","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9554392,0.00013342235,0.003196345,0.002838906,0.009877104,0.00005325058,0.000007974778,0.000035661094,0.028418124],"genre_scores_gemma":[0.99740356,0.0000023259956,0.000049920523,0.0006736439,0.0015597984,4.783897e-7,0.000001936032,0.0000059398667,0.00030239153],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99961686,0.000021833725,0.00015568025,0.000032675573,0.00007727928,0.000095654475],"domain_scores_gemma":[0.9996523,0.000016556907,0.000028709623,0.00008733569,0.000072176816,0.0001429046],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012083235,0.000048669175,0.000054285883,0.0001445127,0.00008880999,0.000096683216,0.00012577852,0.000031669515,0.018391173],"category_scores_gemma":[0.000036479953,0.000037900278,0.00006112719,0.000110693,0.00002000801,0.00028549132,8.656561e-7,0.00019853354,0.00040253095],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000010689081,0.0000023224945,0.00012452627,3.3760747e-7,0.000020987663,0.000005521112,0.0041472525,0.0037019174,0.00037455873,0.000014545471,0.9800199,0.011587024],"study_design_scores_gemma":[0.00046689084,0.00012318515,0.18040316,0.000078228506,0.000061074585,0.00015852667,0.008103724,0.0030333812,0.000040499228,0.003883013,0.8034342,0.00021410348],"about_ca_topic_score_codex":0.0005130404,"about_ca_topic_score_gemma":0.07254689,"teacher_disagreement_score":0.18027863,"about_ca_system_score_codex":0.00016148287,"about_ca_system_score_gemma":0.000093282026,"threshold_uncertainty_score":0.98250616},"labels":[],"label_agreement":null},{"id":"W2263560638","doi":"","title":"Professional Education/Liberal Arts Education: Not a Case of Either-Or but Both-And","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Higher Education Governance and Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Liberal arts education; Liberal education; Pedagogy; Mathematics education; The arts; Sociology; Political science; Visual arts; Higher education; Psychology; Art; Law","score_opus":0.022043773658001663,"score_gpt":0.31094764417084864,"score_spread":0.288903870512847,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2263560638","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97376,0.00025712923,0.000035222856,0.006070216,0.005701772,0.00012828526,0.000012303545,0.0000043469367,0.0140307145],"genre_scores_gemma":[0.96420425,0.0000088151555,0.00096815673,0.0008635426,0.0010358276,0.00001449323,0.0000016986722,0.0000073629826,0.03289587],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99912304,0.000070763825,0.0003674625,0.00009575386,0.00017053346,0.00017243397],"domain_scores_gemma":[0.9988326,0.000059143793,0.00029005948,0.00008289308,0.00042196875,0.0003133395],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002576052,0.00007727387,0.0001220552,0.0003305226,0.0004481895,0.000058072113,0.00010816991,0.000058285663,0.0015123269],"category_scores_gemma":[0.000087807544,0.0000692595,0.000057108977,0.00029958718,0.00017846924,0.00025991292,0.0000053474264,0.00014318064,0.0000084993835],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006611154,0.0006679258,0.041061327,0.00004220053,0.000098843135,0.0001897943,0.10916865,0.000020510533,0.00016809182,0.04041386,0.75668746,0.051415242],"study_design_scores_gemma":[0.00038863334,0.00011055546,0.106330685,0.0003939031,0.00005375188,0.0033028969,0.1102888,0.0000017236522,0.0001539122,0.0030875108,0.77561414,0.00027347624],"about_ca_topic_score_codex":0.21070206,"about_ca_topic_score_gemma":0.6835846,"teacher_disagreement_score":0.4728825,"about_ca_system_score_codex":0.0003626262,"about_ca_system_score_gemma":0.020199569,"threshold_uncertainty_score":0.99940044},"labels":[],"label_agreement":null},{"id":"W2265476093","doi":"","title":"From the Outgoing and Incoming Editors","year":2011,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Academic Writing and Publishing","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science; History","score_opus":0.05510619112690129,"score_gpt":0.20107702124654853,"score_spread":0.14597083011964723,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2265476093","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9240831,0.00033755245,0.00007318804,0.0021138059,0.013614531,0.00003234465,0.000028438079,0.00001040574,0.05970659],"genre_scores_gemma":[0.98352134,0.00000195372,0.000052257965,0.0005448835,0.015581792,5.3294247e-7,5.754634e-7,0.0000075055486,0.00028918503],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99953353,0.000036233534,0.00019127877,0.00005283644,0.000060705675,0.00012542059],"domain_scores_gemma":[0.99947023,0.00011494831,0.00011594183,0.00005835167,0.00008994537,0.0001505651],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026650514,0.00005592701,0.0000753386,0.00014045817,0.00047542402,0.0002104416,0.00016580264,0.000031795662,0.0014020051],"category_scores_gemma":[0.00015186002,0.000039685885,0.000047783495,0.000026008382,0.00015892256,0.00037836775,0.000010364643,0.00040123262,0.0000061722085],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000053675667,0.0000041004205,0.0059171,0.000002669093,0.0000697054,0.00002747864,0.61232346,0.0000014126744,0.000009644653,0.004587109,0.37322628,0.0038256522],"study_design_scores_gemma":[0.00015873295,0.000053700307,0.0037785661,0.00020396884,0.00005302522,0.00011089636,0.27614322,0.000020854126,0.000010190945,0.0036584914,0.7156981,0.000110235225],"about_ca_topic_score_codex":0.20068403,"about_ca_topic_score_gemma":0.3906187,"teacher_disagreement_score":0.34247184,"about_ca_system_score_codex":0.00004214214,"about_ca_system_score_gemma":0.0001431104,"threshold_uncertainty_score":0.9995108},"labels":[],"label_agreement":null},{"id":"W2269194527","doi":"","title":"\"Our Calling in Education\": An Educator's Perspective","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Mathematics education; Sociology; Pedagogy; Psychology; Computer science; Artificial intelligence","score_opus":0.02669630778791525,"score_gpt":0.3340196032933512,"score_spread":0.3073232955054359,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2269194527","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9147906,0.00048307874,0.00005873941,0.007148671,0.005255622,0.00010013365,0.0000023703974,0.000007910513,0.07215293],"genre_scores_gemma":[0.99561006,0.000018528413,0.00022964548,0.00041186373,0.00189353,0.000005200597,0.000001162516,0.000008778996,0.0018212401],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9990529,0.00016228475,0.0002899065,0.00010713711,0.0001437447,0.00024404419],"domain_scores_gemma":[0.9987565,0.000023582192,0.0001330971,0.00010008564,0.00052002363,0.00046666877],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004365087,0.00007020929,0.00010689462,0.0009046877,0.00037224873,0.00016072227,0.00022362209,0.00006525095,0.0003303508],"category_scores_gemma":[0.00017942907,0.000076986275,0.00007828252,0.00054269214,0.00007005368,0.00020846604,0.000002073309,0.00028089344,0.00002667445],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014303609,0.00028753452,0.11311322,0.000004502725,0.000037021382,0.000042636475,0.19906227,0.00060003373,0.00008942344,0.22089478,0.4587326,0.007121671],"study_design_scores_gemma":[0.00019269963,0.00006135045,0.04023319,0.00009979119,0.000016721917,0.00009482436,0.8516922,0.000006426618,0.000015032818,0.056156963,0.051241253,0.00018956029],"about_ca_topic_score_codex":0.6411054,"about_ca_topic_score_gemma":0.92958504,"teacher_disagreement_score":0.6526299,"about_ca_system_score_codex":0.0016729172,"about_ca_system_score_gemma":0.012403413,"threshold_uncertainty_score":0.99319535},"labels":[],"label_agreement":null},{"id":"W2270504506","doi":"","title":"Lutheran Colleges: Past and Prologue","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Prologue; History; Archaeology","score_opus":0.02794471426647169,"score_gpt":0.20422573929671367,"score_spread":0.17628102503024198,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2270504506","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94579995,0.00015336221,0.00019072733,0.0038551546,0.0012462453,0.00007890342,0.000027591295,0.000011582453,0.048636477],"genre_scores_gemma":[0.99733484,0.0000044297285,0.000021017717,0.0010117519,0.0005403197,5.9419807e-7,0.0000011830978,0.0000039963043,0.0010818744],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99955374,0.000023080647,0.00019817753,0.000045378285,0.00005686083,0.00012278612],"domain_scores_gemma":[0.99949306,0.000008735109,0.0000916045,0.00005413552,0.00013888943,0.00021358012],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000103252474,0.00006222139,0.000095103125,0.00029009138,0.000318086,0.00015209841,0.00007104314,0.000024819197,0.0012866926],"category_scores_gemma":[0.000014364074,0.00004978513,0.000050240513,0.000030444817,0.00010384883,0.00025040042,0.0000016807634,0.0001594422,0.000019830784],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012282757,0.00012249906,0.0023166006,0.000031479853,0.00024058331,0.00021349078,0.5974147,0.00010996823,0.00014344828,0.07630216,0.266134,0.056848265],"study_design_scores_gemma":[0.0007676441,0.00084743876,0.012024274,0.000097583405,0.00004120749,0.0007553643,0.040236603,0.00017570409,0.000021960883,0.0036936675,0.94111544,0.00022308668],"about_ca_topic_score_codex":0.006356319,"about_ca_topic_score_gemma":0.29716003,"teacher_disagreement_score":0.6749815,"about_ca_system_score_codex":0.000056782694,"about_ca_system_score_gemma":0.00013332063,"threshold_uncertainty_score":0.9996263},"labels":[],"label_agreement":null},{"id":"W2270804574","doi":"10.7202/1032704ar","title":"Keith Potter, Kyle Gann, and Pwyll Ap Siôn, eds. 2013. The Ashgate Research Companion to Minimalist and Postminimalist Music. Burlington VT: Ashgate. 458 pp. ISBN 978-1-4724-0278-3 (ebook), ISBN 978-1-4094-3549-5 (cloth). ISBN 978-1-4094-3550-1 (PDF)","year":2013,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Honour; Art history; Art; History; Media studies; Sociology; Archaeology","score_opus":0.06678062667121065,"score_gpt":0.2967703662317489,"score_spread":0.22998973956053825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2270804574","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8832841,0.0035270653,0.00002762725,0.09502855,0.0032888346,0.001542241,0.00013925807,0.000058037607,0.013104293],"genre_scores_gemma":[0.9543326,0.0008580285,0.00038757751,0.0041291052,0.0021443386,0.00008329475,0.000023879593,0.00009258976,0.037948597],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9944425,0.0007643595,0.0012469474,0.0007510844,0.0011307816,0.001664289],"domain_scores_gemma":[0.99454916,0.00040982966,0.0005421096,0.0005125097,0.0017339069,0.0022524733],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0023599004,0.00057969586,0.000719386,0.0009230572,0.0035096863,0.0018572356,0.0010879926,0.00041163398,0.00489789],"category_scores_gemma":[0.00058394205,0.00047216675,0.00026400198,0.0013698164,0.0016755534,0.0010443336,0.00025327204,0.0016950385,0.00044198468],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007715715,0.000069753165,0.0031926795,0.00002557531,0.00018679623,0.000110783876,0.01990468,0.000021433736,0.0008022866,0.0006271357,0.9687557,0.006226008],"study_design_scores_gemma":[0.00081285014,0.00061564654,0.023464771,0.0004307951,0.00009496379,0.00043033194,0.046899784,0.00005632793,0.00019139319,0.00046348083,0.9258755,0.00066416035],"about_ca_topic_score_codex":0.5263563,"about_ca_topic_score_gemma":0.6622017,"teacher_disagreement_score":0.13584538,"about_ca_system_score_codex":0.0011188558,"about_ca_system_score_gemma":0.0020337559,"threshold_uncertainty_score":0.999773},"labels":[],"label_agreement":null},{"id":"W2272511365","doi":"","title":"\"Annoying the Student with Her Rights:\" Human Life Coram Hominibus ; Reflections on Vocation, Hope, and Politics","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Contemporary Political Dynamics","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; Sociology; Gender studies; Media studies; Political science; Law","score_opus":0.04229094593589008,"score_gpt":0.2608017978736744,"score_spread":0.21851085193778433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2272511365","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8881859,0.000036323403,0.000060989118,0.00322708,0.0024022476,0.0001064295,0.000031159565,0.000013423597,0.10593644],"genre_scores_gemma":[0.9919051,6.9184546e-7,0.000016655978,0.0013499523,0.0013354368,0.000005482939,0.0000021153419,0.000012838231,0.005371745],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992384,0.00004098536,0.00027720048,0.00009901796,0.0001317459,0.00021269954],"domain_scores_gemma":[0.9989162,0.00006682158,0.00011549489,0.00015006878,0.00029356958,0.00045782022],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.000111308014,0.000111929556,0.00013214955,0.0002549391,0.0014636131,0.00023708625,0.00015958566,0.000039259696,0.00057921576],"category_scores_gemma":[0.000038181835,0.00006989758,0.00005932769,0.00007201116,0.00048786897,0.00015108583,0.00000710257,0.0005668076,0.00001404092],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009401904,0.00006744894,0.00055075454,0.0000044053545,0.0001019393,0.000030770967,0.026919253,0.000013569089,0.000020597821,0.9610548,0.011064238,0.00016281099],"study_design_scores_gemma":[0.00035508795,0.00073630485,0.0038658727,0.00005784847,0.00008724602,0.0001893958,0.012316908,0.000027477912,0.000003422308,0.0058461437,0.97632635,0.00018796317],"about_ca_topic_score_codex":0.03053304,"about_ca_topic_score_gemma":0.6956716,"teacher_disagreement_score":0.9652621,"about_ca_system_score_codex":0.000121852834,"about_ca_system_score_gemma":0.00031918305,"threshold_uncertainty_score":0.9998363},"labels":[],"label_agreement":null},{"id":"W2273629079","doi":"","title":"A Lutheran Ethic of Environmental Stewardship","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion, Ecology, and Ethics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Stewardship (theology); Environmental stewardship; Environmental ethics; Sociology; Philosophy; Environmental resource management; Political science; Environmental science; Law","score_opus":0.04691118480554973,"score_gpt":0.29129001592261516,"score_spread":0.24437883111706543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2273629079","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9738452,0.0007123022,0.00006580639,0.0035888113,0.0034369214,0.000062293635,0.000013969797,0.000003991377,0.018270725],"genre_scores_gemma":[0.9984874,0.000092897724,0.00006042762,0.0003997627,0.000642782,9.926325e-7,3.264087e-7,0.000007266577,0.0003081489],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989702,0.00024479738,0.00026746996,0.00004916488,0.00017291888,0.00029541433],"domain_scores_gemma":[0.9990658,0.000119548306,0.00018344444,0.00007843567,0.000057924226,0.00049485324],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012405779,0.0000594446,0.0001274559,0.00029213866,0.00034804078,0.000017790078,0.00018138238,0.00015644825,0.0013199821],"category_scores_gemma":[0.00021515964,0.000059276877,0.0001278213,0.0001459696,0.0004912373,0.00020270766,0.0000049576356,0.000402485,0.000028547021],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037391328,0.0001637285,0.1964958,0.000019804487,0.00026214286,0.000030582556,0.75500923,0.00006420703,0.0011821599,0.018634206,0.024559531,0.003541187],"study_design_scores_gemma":[0.000712615,0.00045390465,0.20814429,0.0001403097,0.00014418729,0.00028625943,0.33266518,0.000005856972,0.00018939652,0.005928637,0.45098898,0.00034036904],"about_ca_topic_score_codex":0.05426498,"about_ca_topic_score_gemma":0.50887716,"teacher_disagreement_score":0.4546122,"about_ca_system_score_codex":0.000330691,"about_ca_system_score_gemma":0.0008074353,"threshold_uncertainty_score":0.99959296},"labels":[],"label_agreement":null},{"id":"W2273848455","doi":"","title":"Rich and Poor in an Era of Globalized Religion and Economies: Challenges to Lutheran Colleges","year":2007,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Catholicism and Religious Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Economy; History; Economic history; Economics; Political science","score_opus":0.02548896850295857,"score_gpt":0.23559938667219743,"score_spread":0.21011041816923887,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2273848455","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9875622,0.004791928,0.000003424944,0.0018765925,0.0005085058,0.00008183841,0.000024204373,0.0000032085761,0.005148124],"genre_scores_gemma":[0.9980082,0.0011034106,0.00003061572,0.0005120636,0.00025418575,0.0000011820911,2.8941614e-7,0.00000744514,0.000082639766],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99939644,0.00001973057,0.0002970105,0.00008893073,0.0000432258,0.00015464998],"domain_scores_gemma":[0.9994606,0.000037792233,0.000094296716,0.000053141037,0.00012206857,0.00023211422],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021430114,0.00008292499,0.00020519558,0.00038878407,0.0001465934,0.00004404016,0.0000629706,0.000032100954,0.000044187138],"category_scores_gemma":[0.000023859133,0.00007232411,0.000035063025,0.000046435325,0.00015208189,0.0001034679,0.000009762735,0.000114036826,0.0000010091549],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002350924,0.00004933657,0.0035753094,0.000058811234,0.00013285229,0.00008408973,0.952504,0.000030486972,0.00017910443,0.021987427,0.011245216,0.009918297],"study_design_scores_gemma":[0.0031279018,0.003005591,0.035528496,0.0007409894,0.000117037685,0.0005409752,0.63735807,0.000021892478,0.00015670936,0.0032036586,0.3155896,0.0006090599],"about_ca_topic_score_codex":0.041441247,"about_ca_topic_score_gemma":0.9322416,"teacher_disagreement_score":0.89080036,"about_ca_system_score_codex":0.00006129709,"about_ca_system_score_gemma":0.00007812412,"threshold_uncertainty_score":0.96494186},"labels":[],"label_agreement":null},{"id":"W2274075377","doi":"","title":"Vocation and the Vocation of a Lutheran College (Cows, Colleges and Contentment)","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Contentment; Religious studies; Sociology; Psychology; Philosophy; Social psychology","score_opus":0.022463329868383803,"score_gpt":0.19652080457846102,"score_spread":0.1740574747100772,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2274075377","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.976518,0.00058330555,0.00022481072,0.002298605,0.0005564234,0.00016982477,0.000073654664,0.00000427599,0.019571126],"genre_scores_gemma":[0.9983588,0.000017063812,0.000012518659,0.0001407041,0.0001912117,0.0000031580723,0.0000027035383,0.0000040589407,0.0012697917],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99947685,0.000052477408,0.00028067926,0.000043085944,0.00007113277,0.00007576179],"domain_scores_gemma":[0.9994011,0.0000403189,0.0002010383,0.000055588313,0.00023466442,0.000067315144],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020959381,0.000058069883,0.000114389215,0.00020509375,0.00031166105,0.00008095656,0.000051706524,0.000020198042,0.00023052681],"category_scores_gemma":[0.000024048115,0.000039181272,0.0000422078,0.000038064798,0.00036043138,0.0002027928,0.0000034076859,0.000083892635,0.000001939555],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002995599,0.000085077125,0.0034516482,0.000088355446,0.00028186484,0.00001093877,0.15993342,0.00008875471,0.00018238887,0.775744,0.054399904,0.00543408],"study_design_scores_gemma":[0.015120132,0.0011522459,0.12551004,0.000581342,0.0005775217,0.0012042847,0.32120007,0.005759308,0.00035097363,0.034264382,0.49355063,0.0007290609],"about_ca_topic_score_codex":0.07021798,"about_ca_topic_score_gemma":0.5655991,"teacher_disagreement_score":0.74147964,"about_ca_system_score_codex":0.000055156677,"about_ca_system_score_gemma":0.0001276695,"threshold_uncertainty_score":0.9359735},"labels":[],"label_agreement":null},{"id":"W2275355198","doi":"","title":"Scarred Epistemologies: What a Theolog y of the Cross Has to Say about the Gay Marriage Ban","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Legal Systems and Judicial Processes","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology; Gender studies","score_opus":0.03686937369963159,"score_gpt":0.2859495322431794,"score_spread":0.24908015854354784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2275355198","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94283575,0.0010175988,0.00014108393,0.022092061,0.0069822143,0.00030162797,0.000018198085,0.000009915193,0.026601555],"genre_scores_gemma":[0.99652445,0.000009760113,0.000011085085,0.0006943504,0.0009783715,0.00000578398,1.9665391e-7,0.000008435766,0.0017675627],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985801,0.00029751816,0.0004422867,0.00010504724,0.00025876448,0.00031630896],"domain_scores_gemma":[0.99870425,0.00017717095,0.00033653705,0.00019582508,0.00039206294,0.00019413081],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0010596175,0.0000944406,0.00019013388,0.00017012385,0.001349609,0.00052484276,0.0007107809,0.00008794321,0.00032556543],"category_scores_gemma":[0.0005808966,0.000056084344,0.00020900948,0.000615509,0.0009608992,0.0003876763,0.00002526702,0.00024546016,0.0000102871445],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018141604,0.0001611584,0.1302968,0.000121033525,0.0005300863,0.0002160781,0.42502826,0.0044799307,0.0016800973,0.109019235,0.31055927,0.017726632],"study_design_scores_gemma":[0.000582242,0.00029751213,0.14910124,0.0011229782,0.00010359908,0.00023482325,0.16249819,0.000009470537,0.0006687888,0.01844916,0.66655254,0.00037948633],"about_ca_topic_score_codex":0.53512645,"about_ca_topic_score_gemma":0.9402117,"teacher_disagreement_score":0.4050853,"about_ca_system_score_codex":0.0002866663,"about_ca_system_score_gemma":0.001664633,"threshold_uncertainty_score":0.99995047},"labels":[],"label_agreement":null},{"id":"W2275417879","doi":"","title":"A Lutheran Dialectical Model for Higher Education","year":2013,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dialectic; Sociology; Psychology; Psychoanalysis; Philosophy; Epistemology","score_opus":0.05335348994273886,"score_gpt":0.3224980550646894,"score_spread":0.26914456512195056,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2275417879","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7153603,0.00039797285,0.00957473,0.049925253,0.019866316,0.00088211225,0.0000107381875,0.000029724177,0.2039529],"genre_scores_gemma":[0.96794724,0.000007902549,0.0006916932,0.0014794874,0.0010664534,0.000035809706,7.5329797e-7,0.000008537473,0.028762145],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993696,0.00005712558,0.00020544653,0.000067279936,0.00009876056,0.00020177539],"domain_scores_gemma":[0.9987344,0.00005540511,0.000091205424,0.00007205755,0.0004995813,0.0005473352],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021037179,0.000053301523,0.00008317845,0.0003778874,0.0004079898,0.00016247053,0.00015352083,0.00006258611,0.0032744766],"category_scores_gemma":[0.00017484908,0.00005163236,0.000109468405,0.00021344562,0.00009003133,0.00014112108,0.0000014971323,0.00013489237,0.00008640901],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000050808067,0.000026622653,0.00090312114,0.0000030114738,0.000030139488,4.544035e-7,0.023479415,0.00013940493,0.00006287275,0.04434133,0.922043,0.008965494],"study_design_scores_gemma":[0.00078248896,0.00022419255,0.008142735,0.0001519477,0.00010948607,0.000051922012,0.036644325,0.0024756084,0.000022791295,0.29440826,0.65649873,0.00048751518],"about_ca_topic_score_codex":0.036651332,"about_ca_topic_score_gemma":0.083012894,"teacher_disagreement_score":0.26554433,"about_ca_system_score_codex":0.0003694545,"about_ca_system_score_gemma":0.0044642254,"threshold_uncertainty_score":0.9976367},"labels":[],"label_agreement":null},{"id":"W2275825964","doi":"","title":"Living at the Intersection of Fear and Hope","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Interdisciplinary Cultural and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Intersection (aeronautics); Psychology; Geography; Cartography","score_opus":0.018794442371173618,"score_gpt":0.2679784850194676,"score_spread":0.24918404264829397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2275825964","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97104746,0.0000877545,0.000008711542,0.0023709487,0.0029809687,0.000053980104,0.0000038458475,0.0000034060113,0.023442924],"genre_scores_gemma":[0.99733865,0.000013286771,0.000019872037,0.00007872457,0.00053765,0.0000012365398,1.1934527e-7,0.0000037944333,0.0020066523],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9994133,0.000082210965,0.00018552854,0.00005731733,0.00011013672,0.00015149738],"domain_scores_gemma":[0.99932545,0.000100096986,0.00014512156,0.000049994847,0.00022839008,0.00015095873],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00047036156,0.000055516866,0.00010352109,0.000088959096,0.0013488232,0.00004629219,0.00013604533,0.000053672476,0.0007418221],"category_scores_gemma":[0.00022907401,0.000037905324,0.00009896142,0.00016425476,0.0006472456,0.00016007079,0.000033846456,0.00027902945,0.0000052791506],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025442152,0.000023563765,0.021151975,0.000009227017,0.00018273195,0.000019332765,0.9362902,0.0000076291817,0.0041039106,0.0075093824,0.016646521,0.014030054],"study_design_scores_gemma":[0.00026033114,0.0004085062,0.15534198,0.00023531061,0.0001196973,0.00034352753,0.60950845,0.00001344579,0.00021840638,0.0019534973,0.23132594,0.00027090905],"about_ca_topic_score_codex":0.09283421,"about_ca_topic_score_gemma":0.96586823,"teacher_disagreement_score":0.87303406,"about_ca_system_score_codex":0.0001841745,"about_ca_system_score_gemma":0.00022482453,"threshold_uncertainty_score":0.9999513},"labels":[],"label_agreement":null},{"id":"W2276660455","doi":"","title":"Lutheran Higher Education and the Public Intellectual","year":2007,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology; History; Political science","score_opus":0.04072620874242173,"score_gpt":0.22390559625662665,"score_spread":0.18317938751420493,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2276660455","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7561129,0.0009645423,0.0016545663,0.01018693,0.009985123,0.0001339283,0.000008382168,0.000014711233,0.22093892],"genre_scores_gemma":[0.99199295,0.000006350107,0.000008754641,0.0012966739,0.00096163986,9.994048e-7,0.0000010447684,0.0000061222677,0.0057254354],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99948114,0.000038710634,0.00023443523,0.000040843854,0.00007341638,0.00013145975],"domain_scores_gemma":[0.9993277,0.00007233709,0.0001047959,0.000068520916,0.00022964986,0.00019695332],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00042079625,0.00005848098,0.00007948756,0.0003493024,0.00043070954,0.00026552225,0.00010192763,0.000022781152,0.006104882],"category_scores_gemma":[0.0000671086,0.000036909303,0.0000615264,0.00004644868,0.00032720782,0.00026141218,0.0000043015657,0.0002062747,0.000037786314],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010096792,0.0000597962,0.00042091485,0.000012823282,0.000170432,0.0000107775,0.40852734,0.0000024813332,0.000009904603,0.36144084,0.12648845,0.10275527],"study_design_scores_gemma":[0.00034748146,0.000045377314,0.0015281946,0.000019615238,0.000016310953,0.00019569458,0.031200068,0.000020138463,0.0000036614213,0.0019587583,0.9646039,0.000060820093],"about_ca_topic_score_codex":0.025938256,"about_ca_topic_score_gemma":0.5572106,"teacher_disagreement_score":0.83811545,"about_ca_system_score_codex":0.00009326547,"about_ca_system_score_gemma":0.00031795056,"threshold_uncertainty_score":0.99480367},"labels":[],"label_agreement":null},{"id":"W2276789429","doi":"","title":"The Vocation of a Lutheran College--Living the Legacy of the Reformation in the Twenty-first Century","year":2007,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Sociology","score_opus":0.021812764514180634,"score_gpt":0.21372882344467192,"score_spread":0.1919160589304913,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2276789429","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9721242,0.00020943445,0.0002021075,0.0044095246,0.0021234145,0.00023969525,0.000022512251,0.000002750282,0.020666352],"genre_scores_gemma":[0.99928606,0.000018560357,0.000002839471,0.00027812843,0.00023450005,0.0000023090965,7.0579625e-7,0.000005060449,0.00017184971],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99893034,0.0001366537,0.00053878553,0.000036620684,0.00020808223,0.00014954839],"domain_scores_gemma":[0.9988393,0.00019122368,0.00046826972,0.00019999716,0.0002569435,0.000044246535],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014465812,0.00006869135,0.00008829984,0.00019374443,0.0009226954,0.00012531407,0.00040607716,0.00002656015,0.0001572667],"category_scores_gemma":[0.00012360203,0.000029017318,0.000123073,0.00016364724,0.00028248355,0.0003796474,0.000009962389,0.00029314923,0.00000311558],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005904028,0.00007151499,0.0021869042,0.000040175328,0.000107521635,0.0000029508192,0.90880805,0.00046015249,0.000042127424,0.06921564,0.01099888,0.008007025],"study_design_scores_gemma":[0.00037099997,0.00012337789,0.09529411,0.00035922535,0.00004784688,0.00013012173,0.5984159,0.00050581334,0.000066159555,0.00093148305,0.3036483,0.00010662603],"about_ca_topic_score_codex":0.03330107,"about_ca_topic_score_gemma":0.8335232,"teacher_disagreement_score":0.8002221,"about_ca_system_score_codex":0.00016800326,"about_ca_system_score_gemma":0.0002143593,"threshold_uncertainty_score":0.97313625},"labels":[],"label_agreement":null},{"id":"W2279160149","doi":"","title":"SCAM-ing Service-Learning and Mission Trips: A Satirical Essay","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Tourism, Volunteerism, and Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"TRIPS architecture; Service (business); Narrative; Term (time); Service-learning; Best practice; Public relations; Sociology; Business; Political science; Engineering; Marketing; Pedagogy; Law; Art; Literature; Transport engineering","score_opus":0.022222805616419483,"score_gpt":0.2769172119865211,"score_spread":0.2546944063701016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2279160149","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98034006,0.00058779406,0.0005273903,0.008167893,0.0011198954,0.00007490762,0.0000011474126,0.000019185845,0.009161709],"genre_scores_gemma":[0.9974635,0.000056877885,0.00043173195,0.00089597213,0.000467004,4.544132e-7,4.3174734e-7,0.000006509332,0.000677483],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99897635,0.00014545613,0.00028239936,0.00010696556,0.00020025436,0.00028858043],"domain_scores_gemma":[0.998873,0.000056722263,0.0001444217,0.000046797126,0.00019357669,0.000685477],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00053569005,0.000087706554,0.00014984724,0.00044496375,0.0007959104,0.00013706966,0.0001310832,0.00008694654,0.00045863763],"category_scores_gemma":[0.00020021715,0.00008409702,0.00008225296,0.00041327873,0.000067870766,0.0002240058,0.00000516202,0.00036215174,0.000009893036],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000726445,0.000072888586,0.021410316,0.000017865486,0.00013358703,0.00048968196,0.78352183,0.0002067838,0.0004915346,0.00068862585,0.058513544,0.13438067],"study_design_scores_gemma":[0.00090423145,0.0004302449,0.07449984,0.0004651839,0.000072504714,0.00042741402,0.2301861,0.00017881043,0.000042756412,0.001734463,0.69065905,0.0003994308],"about_ca_topic_score_codex":0.03747332,"about_ca_topic_score_gemma":0.27385908,"teacher_disagreement_score":0.63214546,"about_ca_system_score_codex":0.00045899575,"about_ca_system_score_gemma":0.0014140283,"threshold_uncertainty_score":0.9689362},"labels":[],"label_agreement":null},{"id":"W2279968631","doi":"","title":"Liberal Arts and Professional Education: A Call for Philosopher-Servants","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Legal Education and Practice Innovations","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Liberal arts education; The arts; Sociology; Media studies; Pedagogy; Political science; Visual arts; Management; Art; Higher education; Law; Economics","score_opus":0.04735761823137846,"score_gpt":0.3497705589858728,"score_spread":0.3024129407544943,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2279968631","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65970194,0.00032368148,0.00035753546,0.20039073,0.014459775,0.00042935173,0.000033349635,0.00001675678,0.12428687],"genre_scores_gemma":[0.985751,0.000002775804,0.0010097713,0.001854857,0.0020807714,0.000017078006,0.0000050644517,0.0000072280186,0.009271493],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99933904,0.00005905769,0.00025256057,0.00007547921,0.00011110567,0.00016275843],"domain_scores_gemma":[0.9988003,0.000117233714,0.00018348501,0.000056637466,0.00059551146,0.00024683317],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003432481,0.00005736344,0.000078360885,0.00030462895,0.00072147785,0.00015045637,0.00009953842,0.00005881381,0.00056482997],"category_scores_gemma":[0.00031738993,0.000057597044,0.000050552597,0.00029169265,0.00012801144,0.0006126242,0.0000031510895,0.00022490326,0.0000069595217],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022928803,0.00016360846,0.01215584,0.000012029095,0.000037519254,0.000004832834,0.02022442,0.000010889717,0.00006332627,0.19860189,0.76177424,0.0069284816],"study_design_scores_gemma":[0.00021126997,0.00004809482,0.014473707,0.00005609684,0.000024016657,0.00007267654,0.01219135,0.0000049767796,0.000008027415,0.018429583,0.95438915,0.00009103625],"about_ca_topic_score_codex":0.0696151,"about_ca_topic_score_gemma":0.61903065,"teacher_disagreement_score":0.5494155,"about_ca_system_score_codex":0.0002011796,"about_ca_system_score_gemma":0.0072753415,"threshold_uncertainty_score":0.99835247},"labels":[],"label_agreement":null},{"id":"W2281370564","doi":"","title":"Lutheran Identity, Academic Integrity, and Religious Diversity","year":2007,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Identity (music); Religious diversity; Academic integrity; Diversity (politics); Sociology; History; Genealogy; Anthropology; Psychology; Art; Aesthetics; Social psychology","score_opus":0.04942573018190098,"score_gpt":0.335726102228445,"score_spread":0.286300372046544,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2281370564","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9733004,0.00055516907,0.000825802,0.0036828553,0.0027686895,0.000070310016,0.0000028094114,0.000010503913,0.018783476],"genre_scores_gemma":[0.99767506,0.00034136936,0.00008034281,0.0007151957,0.0005310192,2.639555e-7,2.5973696e-7,0.0000051190086,0.00065138796],"study_design_codex":"observational","study_design_gemma":"qualitative","domain_scores_codex":[0.9990883,0.00008791314,0.00025781684,0.00008473618,0.00022439421,0.00025682355],"domain_scores_gemma":[0.9987132,0.00007915151,0.000142855,0.000069888134,0.00025472665,0.00074018445],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015663016,0.000064052765,0.00010601754,0.00057956565,0.00096575334,0.000104693034,0.00030077324,0.00012430416,0.0002598677],"category_scores_gemma":[0.00036854093,0.00006636461,0.000081146754,0.00035676776,0.00025249174,0.00023333722,0.000028288472,0.000826366,0.000024129671],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030009785,0.00001616711,0.42670473,0.0000070352075,0.00009734908,0.00014497868,0.24688801,0.000004354182,0.000105069914,0.024595916,0.28851962,0.0128867505],"study_design_scores_gemma":[0.001189082,0.00027546016,0.31098235,0.00035424996,0.00017319716,0.0010046574,0.32644013,0.0000052324817,0.000077648,0.19608009,0.16276385,0.0006540641],"about_ca_topic_score_codex":0.20139742,"about_ca_topic_score_gemma":0.78075373,"teacher_disagreement_score":0.5793563,"about_ca_system_score_codex":0.0004183962,"about_ca_system_score_gemma":0.0010305945,"threshold_uncertainty_score":0.80392057},"labels":[],"label_agreement":null},{"id":"W2283291673","doi":"","title":"Lutheran Heritage Across the Curriculum: Reflections from a Faculty/Staff Development Seminar","year":2007,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Hannah Arendt's Political Philosophy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Curriculum; Pedagogy; Sociology; Mathematics education; Library science; Medical education; Psychology; Medicine; Computer science","score_opus":0.07193972528969828,"score_gpt":0.36328281086067143,"score_spread":0.29134308557097316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2283291673","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95386237,0.00015296579,0.001585167,0.0047350787,0.0029452464,0.00016241675,0.000087282024,0.000029520239,0.03643993],"genre_scores_gemma":[0.9967117,0.000003433742,0.0005891639,0.00058979,0.0014049339,0.000004707892,0.0000043093974,0.00001727836,0.00067473727],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99817556,0.00014200222,0.0004860188,0.00015301241,0.000344135,0.0006992868],"domain_scores_gemma":[0.99821556,0.00014557526,0.00017558302,0.00016516588,0.00035557259,0.0009425409],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0009753671,0.00013902075,0.00016746279,0.00024644364,0.0020575223,0.00018624587,0.0004850158,0.00011644183,0.00063866685],"category_scores_gemma":[0.00035139002,0.0001127717,0.00017392734,0.0006402747,0.0004912267,0.00026420553,0.000019108345,0.0005489237,0.00009368767],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003676235,0.00023578352,0.005203455,0.000006813955,0.00047362995,0.00054558687,0.92145246,0.000058880833,0.00052304147,0.013002243,0.037685473,0.020775862],"study_design_scores_gemma":[0.00022930984,0.00009371774,0.003880318,0.000084378196,0.000030476982,0.00007683765,0.23232953,0.0000024351168,0.00017217857,0.004021572,0.7588757,0.00020349554],"about_ca_topic_score_codex":0.2236499,"about_ca_topic_score_gemma":0.95419824,"teacher_disagreement_score":0.7305483,"about_ca_system_score_codex":0.00112961,"about_ca_system_score_gemma":0.0013972295,"threshold_uncertainty_score":0.99924165},"labels":[],"label_agreement":null},{"id":"W2283318830","doi":"","title":"Leading from Within: Peer-Learning Consultations to Explore Our Callings and Campus Capacities for Leadership","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Education and Critical Thinking Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Peer review; Sociology; Psychology; Management; Pedagogy; Public relations; Political science","score_opus":0.23489638943533325,"score_gpt":0.3516594775835381,"score_spread":0.11676308814820485,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2283318830","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9296413,0.000116703755,0.0075821867,0.056077868,0.0041654455,0.00016607692,0.000013846286,0.00002130339,0.0022152844],"genre_scores_gemma":[0.9907108,0.0000015201176,0.0044825985,0.0015476971,0.00043005872,0.00001158316,0.0000033884194,0.0000095551095,0.002802792],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9991317,0.00009328643,0.00024337252,0.000098743236,0.00020473423,0.00022816635],"domain_scores_gemma":[0.99790645,0.00017119851,0.00009053296,0.000039569306,0.0008981685,0.00089408486],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007832327,0.00007124661,0.00012334167,0.0003063018,0.0006340969,0.00018087629,0.00011507214,0.000059092363,0.00004504847],"category_scores_gemma":[0.0039720675,0.000075327436,0.000043104643,0.00019748781,0.00015210222,0.00018303664,0.0000042749402,0.00024746187,0.000013273017],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011052375,0.000007999608,0.0035572364,0.0000050592907,0.000043810982,0.000007511573,0.9631805,0.00021613466,0.000021806012,0.007391214,0.024608929,0.0009487553],"study_design_scores_gemma":[0.00019748577,0.00007197447,0.00027313287,0.00010885787,0.000023154533,0.000013480189,0.93122345,0.000020499008,0.000030219328,0.0051811286,0.062758185,0.00009845051],"about_ca_topic_score_codex":0.03990812,"about_ca_topic_score_gemma":0.36557737,"teacher_disagreement_score":0.32566926,"about_ca_system_score_codex":0.00040631666,"about_ca_system_score_gemma":0.001901284,"threshold_uncertainty_score":0.9664852},"labels":[],"label_agreement":null},{"id":"W2284202512","doi":"","title":"Hope in a Period of Economic Decline","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cuban History and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Period (music); History; Economic history; Art","score_opus":0.020520447011573607,"score_gpt":0.266186934515687,"score_spread":0.24566648750411338,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2284202512","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9815124,0.0000416259,0.000012795016,0.0013936907,0.0029867576,0.000036165908,0.000006621518,0.0000020280777,0.014007901],"genre_scores_gemma":[0.99902594,0.0000056394556,0.00010056838,0.00011258716,0.00034642045,7.320664e-7,2.0664483e-7,0.0000040441328,0.00040385698],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944806,0.000050571747,0.0002476079,0.000051485033,0.00006212161,0.00014015914],"domain_scores_gemma":[0.9994591,0.00003350055,0.00012802788,0.00006973549,0.000073068484,0.00023655154],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00055679865,0.00004056472,0.000113899485,0.0002709536,0.00018467846,0.000021374497,0.00018499246,0.0000701955,0.0023709647],"category_scores_gemma":[0.00014178336,0.000044670745,0.00011837952,0.00013510353,0.00028659726,0.00015138193,0.0000048934944,0.00031810463,0.000010572522],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005602709,0.00012145024,0.18112591,0.00001742039,0.00012666115,0.00020627907,0.69417936,0.00036442647,0.003065171,0.037560895,0.06857871,0.014597673],"study_design_scores_gemma":[0.00064734597,0.00013776022,0.032637797,0.00005915567,0.0000253435,0.00012872016,0.076573074,0.000035215005,0.000063177366,0.0017727532,0.88773394,0.00018574274],"about_ca_topic_score_codex":0.1828028,"about_ca_topic_score_gemma":0.99122167,"teacher_disagreement_score":0.8191552,"about_ca_system_score_codex":0.00035117168,"about_ca_system_score_gemma":0.0020717664,"threshold_uncertainty_score":0.998541},"labels":[],"label_agreement":null},{"id":"W2284968002","doi":"","title":"\"We're Looking for a College--Not a Vocation\": Articulating Lutheran Higher Education to Prospective Students and Parents Seeking Relevance","year":2013,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Catholicism and Religious Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Relevance (law); Psychology; Pedagogy; Sociology; Political science","score_opus":0.03105293963816667,"score_gpt":0.265956379769668,"score_spread":0.23490344013150136,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2284968002","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9898794,0.00041205346,0.00008796605,0.0032222806,0.0025141072,0.00057129085,0.000026838517,0.000010398773,0.0032756408],"genre_scores_gemma":[0.99410564,0.000009741485,0.00013623598,0.0007719093,0.0008651524,0.000102685815,9.684401e-7,0.000014774151,0.0039929035],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99926585,0.000018883615,0.00028488488,0.00012192629,0.000112368005,0.00019608451],"domain_scores_gemma":[0.99902195,0.00005537985,0.00015418493,0.00007537452,0.00050541834,0.00018768387],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000093098206,0.0001058146,0.00015183014,0.0003211467,0.0006977102,0.0002553785,0.000090187576,0.00002416804,0.00016804373],"category_scores_gemma":[0.00006263531,0.00009231783,0.000065794215,0.00007218303,0.0000765166,0.00021194978,0.000014244606,0.00010914311,0.000011099263],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007509271,0.0001720106,0.02338503,0.00012605805,0.0005538139,0.000009527531,0.86290216,0.00016497748,0.00075173937,0.027480522,0.06741531,0.01696376],"study_design_scores_gemma":[0.002334495,0.0011188627,0.18531053,0.0026707205,0.00040118772,0.00020576581,0.43407124,0.0002298009,0.000118018404,0.019844139,0.35275424,0.0009410072],"about_ca_topic_score_codex":0.017324606,"about_ca_topic_score_gemma":0.22442763,"teacher_disagreement_score":0.42883092,"about_ca_system_score_codex":0.00022207414,"about_ca_system_score_gemma":0.00016761498,"threshold_uncertainty_score":0.9892191},"labels":[],"label_agreement":null},{"id":"W2286333699","doi":"","title":"Fumbling Toward Integrity: A Sermon on Mark 8:34-38, Pastor Kaj Munk, and Father Maximilian Kolbe","year":2011,"lang":"eo","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Biblical Studies and Interpretation","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sermon; Theology; Art; Philosophy","score_opus":0.10467420741138096,"score_gpt":0.2353273783772599,"score_spread":0.13065317096587892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2286333699","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7997377,0.004482878,0.00033710385,0.0045820423,0.00940548,0.000357302,0.00022135385,0.000028994737,0.18084714],"genre_scores_gemma":[0.9943541,0.0003075828,0.00009171406,0.0024791444,0.0012344734,0.000007113399,0.0000023583373,0.000042780386,0.0014807333],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99828047,0.00011936568,0.0006673889,0.00025985058,0.0002037027,0.00046922077],"domain_scores_gemma":[0.9983807,0.000058536218,0.00034933857,0.00017660086,0.0004274654,0.0006073145],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031276702,0.00031025065,0.00040898373,0.0011402565,0.0006969078,0.0003686952,0.00025704462,0.00016683218,0.00872675],"category_scores_gemma":[0.00009180382,0.00026621952,0.00030954074,0.00019978968,0.00039599815,0.00039750678,0.000035187928,0.0010652016,0.00008923067],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007678606,0.00036892333,0.004014279,0.0002757208,0.001516576,0.00045964704,0.6169988,0.0000070538754,0.000076211356,0.053207416,0.22836596,0.09394156],"study_design_scores_gemma":[0.0009955899,0.0033769328,0.010837183,0.0017335148,0.00034376333,0.0003365037,0.16225076,0.00021916909,0.000048609207,0.0027056818,0.8165051,0.00064719963],"about_ca_topic_score_codex":0.09739919,"about_ca_topic_score_gemma":0.47623017,"teacher_disagreement_score":0.5881391,"about_ca_system_score_codex":0.00044078735,"about_ca_system_score_gemma":0.00025918175,"threshold_uncertainty_score":0.999979},"labels":[],"label_agreement":null},{"id":"W2287465184","doi":"","title":"Sexuality over the Lifespan--Social Trends Pose Moral Dilemmas for Communities of Faith","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Family Dynamics and Relationships","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Faith; Human sexuality; Sociology; Gender studies; Psychology; Social psychology; Epistemology; Philosophy","score_opus":0.05817693128704143,"score_gpt":0.29385396738723313,"score_spread":0.2356770361001917,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2287465184","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9830935,0.00005895159,0.000323838,0.0033167698,0.0016533938,0.00007897117,0.00013914607,0.000005249104,0.011330198],"genre_scores_gemma":[0.9979244,0.0000024995918,0.00007202172,0.00013250347,0.000817794,0.000003351902,0.0000073961296,0.000007839742,0.0010321821],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99906486,0.00022100043,0.00031588777,0.000042299496,0.00015612452,0.00019984048],"domain_scores_gemma":[0.9991109,0.00020574547,0.0002425584,0.000086309396,0.0002498883,0.0001046471],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00065238605,0.00006737358,0.00013416233,0.00033034183,0.0011222123,0.00007231899,0.00025652075,0.00008045413,0.00017722933],"category_scores_gemma":[0.000057427136,0.000053065527,0.00017870862,0.00034258695,0.00051177177,0.00013797898,0.0000078532,0.00025340225,6.533361e-7],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007348804,0.00018864489,0.18917844,0.000025788995,0.00035318377,0.000013667695,0.23054284,0.0014559319,0.00006801659,0.40204558,0.17034954,0.0057048923],"study_design_scores_gemma":[0.0008130053,0.00023059321,0.6313934,0.0000658328,0.0001604019,0.00002640981,0.20679882,0.00053367513,0.000004469625,0.014594521,0.14513654,0.00024238424],"about_ca_topic_score_codex":0.4221292,"about_ca_topic_score_gemma":0.9621724,"teacher_disagreement_score":0.5400432,"about_ca_system_score_codex":0.00021479055,"about_ca_system_score_gemma":0.0006223033,"threshold_uncertainty_score":0.8631263},"labels":[],"label_agreement":null},{"id":"W2287760422","doi":"","title":"Learning Across Campus: Hearing Bok's Call to Conversation","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Critical Race Theory in Education","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Conversation; Psychology; Communication","score_opus":0.022955734094424505,"score_gpt":0.334983351439945,"score_spread":0.3120276173455205,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2287760422","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97697914,0.000009369196,0.004529355,0.008837062,0.0031803201,0.00007145341,0.0000016233379,0.000014337467,0.0063773235],"genre_scores_gemma":[0.99770296,0.0000013484396,0.00017794609,0.0006095032,0.0008540335,0.0000022974173,6.0918296e-7,0.000009379731,0.0006419208],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.998935,0.00025700664,0.00022562868,0.000091974434,0.00016465459,0.0003257469],"domain_scores_gemma":[0.99859124,0.00022179671,0.000091874,0.0000794927,0.00033820453,0.0006773673],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001386861,0.000060782004,0.00010317721,0.0002561318,0.00069583795,0.00014597697,0.00017303818,0.00006122507,0.0004711525],"category_scores_gemma":[0.003307306,0.000069196336,0.000067698194,0.00030562395,0.00017132265,0.00024857148,0.000007756139,0.00031855312,0.000090483234],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021058699,0.000025930125,0.011177016,0.000008441195,0.000037991096,0.000012093219,0.92354476,0.0025964973,0.00056585774,0.01645926,0.0051716934,0.04037939],"study_design_scores_gemma":[0.00029184617,0.00034163738,0.013640208,0.00016081538,0.000033195323,0.00007038254,0.67700666,0.00017744038,0.00013223499,0.00415617,0.30374652,0.0002428898],"about_ca_topic_score_codex":0.09142918,"about_ca_topic_score_gemma":0.7823458,"teacher_disagreement_score":0.6909166,"about_ca_system_score_codex":0.0007460988,"about_ca_system_score_gemma":0.0006386932,"threshold_uncertainty_score":0.91462106},"labels":[],"label_agreement":null},{"id":"W2289435311","doi":"","title":"The New (con)Texts of Jewish-Christian Engagement","year":2011,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Jewish and Middle Eastern Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Judaism; Religious studies; History; Literature; Art; Philosophy; Archaeology","score_opus":0.07065802693676228,"score_gpt":0.26855211405036156,"score_spread":0.1978940871135993,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2289435311","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.612354,0.015199154,0.002141807,0.005097029,0.015693214,0.0004008702,0.00002423301,0.000024044273,0.3490657],"genre_scores_gemma":[0.99733055,0.00006519108,0.00009054454,0.00012629128,0.00044101413,0.0000012024681,1.0377929e-7,0.000005976337,0.0019391387],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99910057,0.00012709167,0.0002927341,0.00006328277,0.00015631267,0.0002600027],"domain_scores_gemma":[0.9989794,0.00007148142,0.00021170196,0.00010592303,0.0002262002,0.0004052798],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00059589907,0.000066960616,0.00011915693,0.00018756452,0.00071690214,0.00004245147,0.00030920334,0.000035854828,0.00031228087],"category_scores_gemma":[0.00028553087,0.000051915642,0.00012483019,0.00020601321,0.00033724454,0.00012895306,0.00001389373,0.00019554618,0.000021277687],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042977743,0.00006329875,0.057346452,0.00001163445,0.0006804797,0.00012337173,0.34340593,0.0000060852803,0.00006187822,0.080209844,0.10222697,0.41582108],"study_design_scores_gemma":[0.00052683643,0.00037346664,0.040887967,0.00017439456,0.00013029757,0.00006044916,0.30109298,0.0000017352539,0.00019013247,0.0125048645,0.64384425,0.00021261525],"about_ca_topic_score_codex":0.18620597,"about_ca_topic_score_gemma":0.92836404,"teacher_disagreement_score":0.74215806,"about_ca_system_score_codex":0.000132479,"about_ca_system_score_gemma":0.0013027522,"threshold_uncertainty_score":0.81921315},"labels":[],"label_agreement":null},{"id":"W2289454170","doi":"","title":"Sojourners in a Pluralistic Land: The Promise and Peril of Christian Higher Education","year":2007,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Sociology","score_opus":0.025628764420529016,"score_gpt":0.30654621049868613,"score_spread":0.2809174460781571,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2289454170","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97153413,0.0004981446,0.0000217583,0.006033407,0.0018887095,0.00009866869,0.0000016113071,0.0000020127823,0.01992158],"genre_scores_gemma":[0.99795085,0.000033357228,0.000042050568,0.0003377125,0.00033369393,0.0000017677174,3.5363814e-7,0.0000039535257,0.001296279],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9993615,0.00007954896,0.00025482668,0.000050076855,0.0001059297,0.00014808985],"domain_scores_gemma":[0.9992865,0.00006803811,0.0001520746,0.000061022045,0.0001642665,0.00026809855],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007361279,0.000044658074,0.00008311446,0.00037893545,0.00020140353,0.00005357665,0.00012481034,0.000041075604,0.0004715099],"category_scores_gemma":[0.00019522685,0.00003480155,0.00004115642,0.0003001123,0.000195766,0.00005908006,0.0000024846504,0.00017969453,0.0000023208154],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000086028886,0.00010154019,0.3299974,0.000032669454,0.000096176926,0.000048636204,0.40413776,0.00006880978,0.00018505349,0.040140644,0.20042317,0.024682118],"study_design_scores_gemma":[0.00061753724,0.00013115641,0.6083288,0.0003396036,0.000056257577,0.00019079314,0.23236756,0.000006693286,0.000024124793,0.012158755,0.14556853,0.00021012583],"about_ca_topic_score_codex":0.17635943,"about_ca_topic_score_gemma":0.6465831,"teacher_disagreement_score":0.47022364,"about_ca_system_score_codex":0.00024678477,"about_ca_system_score_gemma":0.0020841875,"threshold_uncertainty_score":0.8291253},"labels":[],"label_agreement":null},{"id":"W2293681853","doi":"","title":"Putting Principles into Practice: An Interview with Kenneth Foster about Concordia's Sustainability Council","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Service-Learning and Community Engagement","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sustainability; Sociology; Psychology; Ecology","score_opus":0.10094876199204922,"score_gpt":0.32662151580998633,"score_spread":0.2256727538179371,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2293681853","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92670494,0.00144484,0.0018059418,0.023400776,0.0023708297,0.0003682887,0.000003929092,0.00005119358,0.04384925],"genre_scores_gemma":[0.9962188,0.00002579192,0.0011042582,0.0017052502,0.00054356956,0.000008773376,0.0000013929462,0.000017307397,0.00037484348],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968301,0.0017484021,0.0003688507,0.00011261881,0.00043328697,0.00050675723],"domain_scores_gemma":[0.99605066,0.00034979242,0.00037552492,0.00028243216,0.0020848175,0.00085678865],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.007318751,0.0001321576,0.000195249,0.000218896,0.0013559345,0.00024434278,0.00045701847,0.00008047753,0.00052462326],"category_scores_gemma":[0.0018259226,0.00011910844,0.000093184295,0.0003924965,0.00028420583,0.001332256,0.00003781469,0.00080031087,0.000010169887],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000078125806,0.0002609531,0.048489947,0.00009478239,0.00030581732,0.00008056163,0.8308735,0.00033809073,0.000007531648,0.0043287626,0.0072692716,0.10787266],"study_design_scores_gemma":[0.00017943705,0.00023601079,0.00566139,0.000104933,0.000063551925,0.000078502955,0.3262997,0.0000124286,0.0000026320295,0.00014366479,0.6671137,0.00010400272],"about_ca_topic_score_codex":0.25341034,"about_ca_topic_score_gemma":0.8890215,"teacher_disagreement_score":0.65984446,"about_ca_system_score_codex":0.0033817566,"about_ca_system_score_gemma":0.005272065,"threshold_uncertainty_score":0.99994415},"labels":[],"label_agreement":null},{"id":"W2296096955","doi":"","title":"From Alien to Citizen","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Asian American and Pacific Histories","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Alien; Citizen science; Alien species; Political science; Ecology; Biology; Invasive species; Botany; Law","score_opus":0.017391285576942542,"score_gpt":0.264035779375559,"score_spread":0.24664449379861647,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2296096955","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1941592,0.00011167523,0.0020292015,0.010002434,0.0047753374,0.00009594553,0.000040692183,0.00002041599,0.7887651],"genre_scores_gemma":[0.99413395,0.0000022527342,0.00048633723,0.0015163223,0.0011683342,4.569697e-7,6.6253557e-7,0.0000041182,0.0026875827],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935,0.0000687596,0.00017095222,0.00007109537,0.0001333666,0.00020579966],"domain_scores_gemma":[0.99894804,0.00003068336,0.00008087341,0.00008215144,0.00011935299,0.00073887437],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016309797,0.000054626464,0.00011164585,0.0003181706,0.0003593871,0.00005978272,0.00020856017,0.000037308866,0.0021152738],"category_scores_gemma":[0.00016767517,0.000057091143,0.00007923247,0.0003638035,0.00014421492,0.00011694299,0.0000018840136,0.00013444008,0.00009800243],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001581384,0.000012417899,0.00068786036,3.27678e-7,0.000033484226,0.00014211275,0.6129825,0.000021218633,0.00013957078,0.0018670764,0.33480093,0.049296662],"study_design_scores_gemma":[0.0000805341,0.00014334638,0.0015689255,0.000029404582,0.000012724622,0.000019122583,0.1824941,6.275e-7,0.00001341939,0.00139889,0.81414574,0.00009317891],"about_ca_topic_score_codex":0.19687267,"about_ca_topic_score_gemma":0.6082159,"teacher_disagreement_score":0.79997474,"about_ca_system_score_codex":0.00043340414,"about_ca_system_score_gemma":0.0010470612,"threshold_uncertainty_score":0.99879694},"labels":[],"label_agreement":null},{"id":"W2297001879","doi":"","title":"Attentional Commons and the Common Good: Technology and Higher Education","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Digital Education and Society","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Commons; Psychology; Cognitive psychology; Political science; Law","score_opus":0.025909420968686796,"score_gpt":0.2514049739461946,"score_spread":0.2254955529775078,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2297001879","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80813646,0.001564043,0.0033141389,0.13544394,0.006538221,0.00015081822,0.0000051081165,0.000026214837,0.044821065],"genre_scores_gemma":[0.9968441,0.0000029451971,0.0005141501,0.0012625285,0.00008451364,0.0000033352921,5.018188e-7,0.0000027121018,0.0012851795],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958545,0.000037520374,0.00014791875,0.00006734005,0.00007225157,0.00008953367],"domain_scores_gemma":[0.9993206,0.000036140642,0.000087603956,0.0001201815,0.00018156506,0.00025387647],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021077857,0.000049133963,0.00008058492,0.0002920797,0.00014926141,0.00017891366,0.00023024071,0.000036382342,0.000019290053],"category_scores_gemma":[0.000034382232,0.000037070444,0.0000351023,0.00032804962,0.00026791592,0.00030870555,0.000027997285,0.00016591726,0.0000040889518],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000040877208,0.000037255595,0.01162153,0.0000026333023,0.0000441251,0.000003531598,0.004785165,0.0000055630567,0.0000037941095,0.89060426,0.06714888,0.025739193],"study_design_scores_gemma":[0.0021005475,0.00026462888,0.12432615,0.00011096551,0.000052075764,0.0037641684,0.01933591,0.00043857697,0.000011882453,0.20425755,0.6450558,0.0002817495],"about_ca_topic_score_codex":0.0022688678,"about_ca_topic_score_gemma":0.014713827,"teacher_disagreement_score":0.6863467,"about_ca_system_score_codex":0.00008855201,"about_ca_system_score_gemma":0.0008440112,"threshold_uncertainty_score":0.821066},"labels":[],"label_agreement":null},{"id":"W2297110691","doi":"","title":"Vocation and the Common Good","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Computer science","score_opus":0.0381681262954571,"score_gpt":0.2836514838949945,"score_spread":0.2454833575995374,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2297110691","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33130243,0.00059412746,0.0009793205,0.025577277,0.002922847,0.000111430105,0.000012152124,0.000007430115,0.638493],"genre_scores_gemma":[0.99798685,0.0000067396254,0.000047077483,0.00077973586,0.00040545414,8.263059e-7,3.216878e-7,0.000001816326,0.000771203],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995156,0.00013530048,0.00011753258,0.000027923907,0.00009962589,0.00010401022],"domain_scores_gemma":[0.9992562,0.0000965354,0.00007815085,0.000041994303,0.00018699266,0.00034013836],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005278003,0.000029607243,0.00006464017,0.00008920724,0.0003705074,0.000051059884,0.00009604562,0.000022160528,0.000063579675],"category_scores_gemma":[0.00025042484,0.00002196732,0.000033608965,0.000117996606,0.0010705591,0.00011027643,0.0000034126301,0.00011240588,0.000006140904],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007152178,0.0000025945146,0.0023312971,3.7950176e-7,0.000015246177,0.000005716435,0.011818889,0.000019552608,3.974232e-7,0.976237,0.008484184,0.0010775948],"study_design_scores_gemma":[0.00038390778,0.000043288044,0.0012158182,0.000015790953,0.000029577895,0.00015746782,0.039843217,0.0000107485375,0.0000012384189,0.0063008713,0.95195055,0.000047519592],"about_ca_topic_score_codex":0.282653,"about_ca_topic_score_gemma":0.72092897,"teacher_disagreement_score":0.96993613,"about_ca_system_score_codex":0.00017003821,"about_ca_system_score_gemma":0.0035212252,"threshold_uncertainty_score":0.72212386},"labels":[],"label_agreement":null},{"id":"W2297200530","doi":"","title":"Students in the Cloud: Creating Digital Citizens","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Online Learning and Analytics","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cloud computing; Computer science; Internet privacy; Operating system","score_opus":0.014395287405198465,"score_gpt":0.2617130626111808,"score_spread":0.24731777520598236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2297200530","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9750944,0.000050079434,0.008811908,0.0094058495,0.000780162,0.000036294197,0.0000022695865,0.000009878318,0.0058091874],"genre_scores_gemma":[0.998249,0.0000011547746,0.0003708882,0.0009339239,0.00028161865,1.9369963e-7,3.1471953e-7,0.0000024946326,0.00016043756],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9992944,0.000044658173,0.00023082398,0.0000755219,0.00017508428,0.00017950282],"domain_scores_gemma":[0.9994829,0.00005588006,0.00010109882,0.00014789206,0.00007464283,0.00013754859],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028202945,0.00006171434,0.00008870619,0.0003655375,0.00013617762,0.00045178615,0.0007867327,0.000024141249,0.000012180755],"category_scores_gemma":[0.00013242345,0.000046572623,0.0000807011,0.00044130487,0.00002317579,0.00026769447,0.0000108536005,0.00034793167,0.000009345796],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025963978,0.0007422591,0.36476332,0.000016011938,0.00030195017,0.0065841563,0.18087944,0.016934525,0.0001574767,0.04023731,0.062105123,0.32725245],"study_design_scores_gemma":[0.0032690389,0.0037471964,0.77778745,0.0012217283,0.00010456591,0.011272022,0.04634979,0.027788736,0.000037496695,0.04857932,0.07867813,0.0011645228],"about_ca_topic_score_codex":0.0011346143,"about_ca_topic_score_gemma":0.013957477,"teacher_disagreement_score":0.41302413,"about_ca_system_score_codex":0.00009120917,"about_ca_system_score_gemma":0.0002250631,"threshold_uncertainty_score":0.77886},"labels":[],"label_agreement":null},{"id":"W2297442225","doi":"","title":"About the Cover and Artist","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Art, Technology, and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cover (algebra); Art; Art history; Visual arts; Engineering","score_opus":0.04002687731142136,"score_gpt":0.21866492770524432,"score_spread":0.17863805039382297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2297442225","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7436667,0.0031450521,0.000090427005,0.009796108,0.0048389276,0.000111318026,0.00005225109,0.000027220305,0.238272],"genre_scores_gemma":[0.9906503,0.000007654928,0.0000072719627,0.0011692187,0.00060315436,0.0000012728046,7.4701694e-7,0.000005346774,0.0075550424],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996436,0.000018110248,0.0001274885,0.000043429063,0.000053679425,0.000113682836],"domain_scores_gemma":[0.99946404,0.0000108658505,0.00006928712,0.00007484777,0.00015527976,0.00022570252],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009635821,0.000053874468,0.000070625654,0.00011351978,0.0003127862,0.00011521491,0.00010819019,0.000030179777,0.0010206098],"category_scores_gemma":[0.000056990026,0.000034027897,0.00004245346,0.000021118107,0.00036919894,0.00013390635,0.000006563484,0.00021358505,0.000049365277],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008046001,0.000007346314,0.0006097978,0.0000020990187,0.00006739554,0.000044119235,0.12384689,0.000008766477,0.0000067775914,0.033783045,0.8397051,0.0019105766],"study_design_scores_gemma":[0.000106740554,0.000101359125,0.00015774317,0.000017763312,0.000020317584,0.0003153682,0.07014434,0.00000719228,0.000004781138,0.0016368773,0.9274435,0.000043999382],"about_ca_topic_score_codex":0.01025245,"about_ca_topic_score_gemma":0.5983899,"teacher_disagreement_score":0.5881375,"about_ca_system_score_codex":0.000055032822,"about_ca_system_score_gemma":0.00020994856,"threshold_uncertainty_score":0.9998926},"labels":[],"label_agreement":null},{"id":"W2297783079","doi":"","title":"Mentoring in the Academy: Of Gurus, Coaches, and Sponsors","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Mentoring and Academic Development","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology","score_opus":0.11192876281427866,"score_gpt":0.323353666730688,"score_spread":0.21142490391640933,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2297783079","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9867777,0.00065509835,0.000021765523,0.0014051659,0.002520363,0.000055498844,0.0000032952134,0.0000019818153,0.008559092],"genre_scores_gemma":[0.9988665,0.000007771427,0.00006764522,0.00023818837,0.00018994816,0.000002304993,2.3445051e-7,0.0000056796134,0.0006217154],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991389,0.0001342973,0.00032359932,0.00007371387,0.00011761387,0.00021188299],"domain_scores_gemma":[0.99941176,0.000077172,0.00014091897,0.000060094655,0.000030462526,0.000279575],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014491505,0.00006540957,0.000121299214,0.0004089341,0.000039682684,0.00001382964,0.00019343298,0.00006779591,0.0001126387],"category_scores_gemma":[0.00012499504,0.000050726892,0.00003104846,0.00020220816,0.00006157288,0.00006149584,0.000008051268,0.00039610034,0.0000069754856],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001982413,0.00012768563,0.31213012,0.000031899104,0.0004615527,0.00034870784,0.4687061,0.00022470349,0.00037631896,0.012404269,0.17585993,0.029130481],"study_design_scores_gemma":[0.0017787765,0.00028876166,0.16045743,0.00033989392,0.00006888166,0.0017829307,0.17429867,0.000013202253,0.00017465798,0.001065178,0.6594987,0.0002329212],"about_ca_topic_score_codex":0.007841734,"about_ca_topic_score_gemma":0.00576391,"teacher_disagreement_score":0.48363876,"about_ca_system_score_codex":0.00013750113,"about_ca_system_score_gemma":0.00020411369,"threshold_uncertainty_score":0.9987651},"labels":[],"label_agreement":null},{"id":"W2298734707","doi":"","title":"Facing Tornados and Climate Change: An Interview with Jim Dontje about Environmental Innovation at Gustavus","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"demographic modeling and climate adaptation","field":"Decision Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Climate change; History; Tornado; Sociology; Geography; Meteorology; Oceanography; Geology","score_opus":0.16254306944856306,"score_gpt":0.32216056723887987,"score_spread":0.1596174977903168,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2298734707","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9946479,0.000580472,0.0027762104,0.0004047009,0.0009862563,0.00010084794,0.00003651704,0.0000070353976,0.00046003034],"genre_scores_gemma":[0.9987145,0.000057700283,0.00032324687,0.0005729608,0.00023273028,0.000005235721,0.000006490305,0.0000136027165,0.00007349921],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9983446,0.00014241213,0.00062169303,0.00016926744,0.00038890724,0.00033313845],"domain_scores_gemma":[0.9986968,0.00006463938,0.0004419404,0.00020025077,0.00017147373,0.00042487466],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018067039,0.00013047359,0.00019449157,0.0011566791,0.00035926528,0.00018110813,0.00019787188,0.00005983217,0.00056080124],"category_scores_gemma":[0.00009234728,0.000099305566,0.000060164337,0.00058046286,0.00011458801,0.0013183317,0.000025609972,0.00019996132,0.000027155225],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014051524,0.0001234942,0.48509425,0.000025304887,0.00013114477,0.00006484349,0.052849505,0.00036797178,0.0018886679,0.0012035065,0.0023052406,0.45580557],"study_design_scores_gemma":[0.0019575332,0.001673633,0.83326274,0.0006858375,0.0002400077,0.0049795713,0.0908314,0.0043946565,0.00022813136,0.0009891556,0.059888884,0.000868474],"about_ca_topic_score_codex":0.0020097475,"about_ca_topic_score_gemma":0.08565365,"teacher_disagreement_score":0.45493707,"about_ca_system_score_codex":0.00021394723,"about_ca_system_score_gemma":0.00006481218,"threshold_uncertainty_score":0.9310308},"labels":[],"label_agreement":null},{"id":"W2298903227","doi":"10.7202/1032692ar","title":"Canadian Music: A Personal Perspective","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Digital Humanities and Scholarship","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Lament; Musicology; George (robot); Perspective (graphical); Musical; League; Music education; Music history; Sociology; Media studies; Performance art; Experiential learning; Visual arts; History; Art; Art history; Literature; Pedagogy","score_opus":0.08895995113312181,"score_gpt":0.23157625652550906,"score_spread":0.14261630539238723,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2298903227","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4271861,0.0003171893,0.0000061957066,0.0017513699,0.00474367,0.000076198114,0.00013799909,0.000012129033,0.56576914],"genre_scores_gemma":[0.98180383,7.326874e-7,0.000012363487,0.0013698058,0.0018458418,0.000002692744,0.000003882363,0.000022993376,0.0149378255],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99893016,0.00004229498,0.00028716307,0.00012581394,0.00019889689,0.00041565206],"domain_scores_gemma":[0.9970528,0.0000246232,0.000116771356,0.000109177156,0.0011185348,0.0015781221],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002614991,0.00015164395,0.00018596872,0.0010239827,0.00050438615,0.0007783374,0.0002679632,0.000048505037,0.009159062],"category_scores_gemma":[0.0001231901,0.0001428025,0.00019731505,0.0000868919,0.00027203618,0.000850211,0.000008779314,0.0004264679,0.00016594434],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024178275,0.000026509078,0.00052717567,0.0000044385615,0.00016938648,0.0005449548,0.4965616,0.000012965724,0.0000013231598,0.22833808,0.27254102,0.0012483835],"study_design_scores_gemma":[0.00028667002,0.00029184474,0.00016960443,0.00005073004,0.000033739263,0.000459584,0.36625054,0.000013772613,0.0000012875578,0.0073121665,0.6249543,0.00017573567],"about_ca_topic_score_codex":0.8648548,"about_ca_topic_score_gemma":0.9990706,"teacher_disagreement_score":0.55461776,"about_ca_system_score_codex":0.0019141783,"about_ca_system_score_gemma":0.003948801,"threshold_uncertainty_score":0.9917467},"labels":[],"label_agreement":null},{"id":"W2299246599","doi":"10.7202/1032696ar","title":"Providing the Taste of Learning: Nadia Boulanger’s Lasting Imprint on Canadian Music","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musicology; Musical; Taste; Legend; Art; Visual arts; Performance art; Art history; History; Psychology","score_opus":0.08631397848555768,"score_gpt":0.22746680636037145,"score_spread":0.14115282787481376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2299246599","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92046165,0.000104348976,0.00003712659,0.002771243,0.0031733378,0.000124789,0.000026372349,0.000010270358,0.07329085],"genre_scores_gemma":[0.99568194,9.578255e-7,0.000015181454,0.0011694966,0.0011292611,0.000004977449,0.0000032606113,0.000017617207,0.0019772982],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987026,0.0001549246,0.00044463217,0.00013663809,0.0001700959,0.00039113304],"domain_scores_gemma":[0.9980866,0.00012787346,0.00032053996,0.00016868452,0.00048035273,0.0008159683],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00060269353,0.00014998903,0.00026146756,0.0009059537,0.0006845791,0.0001334076,0.00031237374,0.00006964686,0.0029114746],"category_scores_gemma":[0.0004568542,0.00010847398,0.00022264828,0.00018001521,0.00035173338,0.00015219732,0.000015336484,0.0006638436,0.00005436743],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018688178,0.00016882768,0.009087815,0.00009288173,0.002095269,0.001286698,0.48819193,0.012140935,0.0005085458,0.14816067,0.30712986,0.03094968],"study_design_scores_gemma":[0.0005330947,0.000834291,0.0015989166,0.00020425474,0.000267184,0.00028476093,0.07185636,0.0005436021,0.000074361604,0.0008990012,0.92261344,0.00029074785],"about_ca_topic_score_codex":0.5968089,"about_ca_topic_score_gemma":0.99347365,"teacher_disagreement_score":0.6154836,"about_ca_system_score_codex":0.00040864496,"about_ca_system_score_gemma":0.0017877462,"threshold_uncertainty_score":0.998},"labels":[],"label_agreement":null},{"id":"W2299771953","doi":"10.7202/1032693ar","title":"The Wild Hunter, the Wandering Jew, and the Flying Dutchman: The Hunt In Wagner’s Der fliegende Holländer","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Opera; Musical; Legend; Art history; History; Literature; Art","score_opus":0.05565369436166589,"score_gpt":0.2201082757252965,"score_spread":0.16445458136363061,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2299771953","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8765741,0.0034468966,0.00023674063,0.08473102,0.005593067,0.00034637953,0.000009800738,0.000011650343,0.029050317],"genre_scores_gemma":[0.9921983,0.000032399592,0.0000031903198,0.0048272307,0.0009911341,0.00001621396,5.1902697e-7,0.000011294494,0.0019197019],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99874246,0.00028649153,0.00038768598,0.00011277439,0.0001626735,0.00030789504],"domain_scores_gemma":[0.99880356,0.00044435993,0.00017155791,0.00023793869,0.00016632915,0.00017625978],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0012972897,0.00013436207,0.00019037774,0.00017614193,0.0020810931,0.00045660994,0.00044410717,0.00004414393,0.00046460718],"category_scores_gemma":[0.00018531064,0.00005327762,0.00017896132,0.00012521063,0.0012007438,0.0001738032,0.00004683497,0.0006742001,0.0000110748715],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002650814,0.00005736078,0.0020420807,0.000011215653,0.0012747544,0.00013800853,0.56258667,0.0009808985,0.000019171097,0.23768643,0.16606663,0.028871706],"study_design_scores_gemma":[0.0016904132,0.0001239804,0.0035522478,0.00007938208,0.00035487599,0.00045045756,0.21275,0.0012072714,0.00000828061,0.010219294,0.7693467,0.00021710838],"about_ca_topic_score_codex":0.037382618,"about_ca_topic_score_gemma":0.89248925,"teacher_disagreement_score":0.8551066,"about_ca_system_score_codex":0.00011630941,"about_ca_system_score_gemma":0.00027460125,"threshold_uncertainty_score":0.99921805},"labels":[],"label_agreement":null},{"id":"W2301452080","doi":"","title":"Making the Common Good Common","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Legal Education and Practice Innovations","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.16638333527002278,"score_gpt":0.3935733161518743,"score_spread":0.22718998088185152,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2301452080","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3722477,0.00022876708,0.0002763215,0.17296998,0.01038388,0.00014473233,0.000008098307,0.000017451475,0.44372308],"genre_scores_gemma":[0.9952025,0.0000022446081,0.00008263786,0.0028178806,0.00073574594,0.000002172025,7.038906e-7,0.000005728925,0.0011504238],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990765,0.00026732244,0.00024866013,0.00004608568,0.00018826113,0.0001731962],"domain_scores_gemma":[0.99875575,0.0001660071,0.00022511613,0.00011646826,0.00043476684,0.00030190108],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011977344,0.000049579197,0.00007891599,0.00027457767,0.0008080529,0.00028093279,0.00030197756,0.000045141467,0.000667021],"category_scores_gemma":[0.00069585757,0.000040078838,0.00005843748,0.0006330423,0.00019647321,0.0005422165,0.000006371394,0.0005210458,0.000054295895],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001326242,0.000047536865,0.020851854,0.000001937303,0.000077424425,0.00003586671,0.2861087,0.00014455926,0.0000065293207,0.12306267,0.5592017,0.0104479585],"study_design_scores_gemma":[0.00008717205,0.000035895144,0.002238863,0.000020044738,0.000019205654,0.00009991239,0.093062736,0.000008165839,0.000002330148,0.0025306924,0.9018465,0.000048458383],"about_ca_topic_score_codex":0.24474967,"about_ca_topic_score_gemma":0.9018935,"teacher_disagreement_score":0.65714383,"about_ca_system_score_codex":0.0004440322,"about_ca_system_score_gemma":0.0041493988,"threshold_uncertainty_score":0.7602796},"labels":[],"label_agreement":null},{"id":"W2301805995","doi":"10.7202/1032699ar","title":"Neglected Canadian Orchestral Music","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Repertoire; Musical; Performance art; Visual arts; Art; Literature; History; Art history; Sociology; Aesthetics","score_opus":0.05801569301363827,"score_gpt":0.2724126167610948,"score_spread":0.21439692374745653,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2301805995","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.873929,0.00065027724,0.000037755504,0.0082493415,0.0070536197,0.00015604582,0.00004017431,0.00002680547,0.10985697],"genre_scores_gemma":[0.9912217,0.000003778947,0.00010501158,0.004002681,0.0016191339,0.000002906024,0.0000072968596,0.000010856065,0.0030266058],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984308,0.00023921962,0.0003454736,0.00014594421,0.0002446385,0.00059393287],"domain_scores_gemma":[0.99603605,0.000035108464,0.00016180184,0.00012995204,0.00090093684,0.002736178],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003597187,0.00013591627,0.00022639235,0.0009047012,0.0007500346,0.00027016504,0.0004060353,0.0001853457,0.0019122988],"category_scores_gemma":[0.0004931566,0.00012122199,0.00021933744,0.001223772,0.00032186386,0.00045692758,0.000006279805,0.00047398813,0.00007568822],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029534709,0.00004351894,0.009273773,0.0000057981883,0.00045175775,0.0008743674,0.16306427,0.00021165676,0.0001868983,0.010125456,0.80831635,0.007416596],"study_design_scores_gemma":[0.00040703008,0.00018956067,0.006678561,0.00004847068,0.0001488124,0.0002633754,0.063175306,0.000019777879,0.000012336008,0.0020959873,0.9266909,0.00026988488],"about_ca_topic_score_codex":0.92324764,"about_ca_topic_score_gemma":0.99947846,"teacher_disagreement_score":0.118374534,"about_ca_system_score_codex":0.0012075377,"about_ca_system_score_gemma":0.008205103,"threshold_uncertainty_score":0.9990001},"labels":[],"label_agreement":null},{"id":"W2302157014","doi":"10.7202/1032694ar","title":"Perspectives on the Late Piano Music of Oskar Morawetz and John Weinzweig","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"University of Toronto","keywords":"Piano; oskar; Violin; Performing arts; Psychology; Communication; Art; Visual arts; Art history","score_opus":0.05760765564097645,"score_gpt":0.21711821846282148,"score_spread":0.15951056282184503,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2302157014","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9429073,0.00030880992,0.000024397947,0.0038711654,0.0012385448,0.00007355901,0.000024668778,0.0000059116587,0.051545676],"genre_scores_gemma":[0.99529254,0.000007677538,0.000014221418,0.0012264862,0.0006419754,0.0000028837817,7.701863e-7,0.000010789776,0.0028026395],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9991443,0.00011123978,0.00031015326,0.00010551071,0.00013629065,0.00019251606],"domain_scores_gemma":[0.998782,0.000114548944,0.00021466184,0.00015815988,0.00041374314,0.00031691464],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034311044,0.00012256396,0.00023878938,0.0005068877,0.00033646027,0.000084389656,0.00018968458,0.000049286133,0.005629803],"category_scores_gemma":[0.0001772208,0.0000814034,0.00016830678,0.00011990589,0.00070430693,0.000154449,0.000015401847,0.00033858223,0.000028189274],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000109523746,0.0001345273,0.0005592204,0.00001528835,0.0008118384,0.00010549802,0.46749893,0.0001535265,0.00012591522,0.36752936,0.16048196,0.0024744058],"study_design_scores_gemma":[0.0012382997,0.0018043048,0.0030313928,0.00023597092,0.00059801276,0.0002467072,0.5297001,0.0002228997,0.00011928895,0.014999212,0.4473648,0.00043902054],"about_ca_topic_score_codex":0.01575797,"about_ca_topic_score_gemma":0.4185442,"teacher_disagreement_score":0.40278623,"about_ca_system_score_codex":0.00010116578,"about_ca_system_score_gemma":0.00033694145,"threshold_uncertainty_score":0.9952792},"labels":[],"label_agreement":null},{"id":"W2302299013","doi":"10.7202/1032695ar","title":"The Eventual Premiere of Issipile: Porpora and the Palchetti War","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Indictment; Context (archaeology); Opera; Art; History; Art history; Law; Humanities; Political science","score_opus":0.1023736424875048,"score_gpt":0.21478240135661647,"score_spread":0.11240875886911167,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2302299013","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86924434,0.0038620608,0.000015167978,0.008771589,0.0054267123,0.00024225395,0.00005261536,0.000009205977,0.11237608],"genre_scores_gemma":[0.9972436,0.000021346714,0.0000073578212,0.00034325576,0.00045826743,0.000003064832,3.1587913e-7,0.0000050946787,0.0019177285],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992929,0.00008939676,0.00027326087,0.000056926434,0.00013385076,0.00015367212],"domain_scores_gemma":[0.99898475,0.00016621422,0.00022369043,0.00009300308,0.00034473903,0.00018762093],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00050660485,0.00007736885,0.00015778496,0.00008721799,0.00054278155,0.0001311881,0.00020222923,0.000023335133,0.00050719257],"category_scores_gemma":[0.00029053984,0.000037785405,0.000100600795,0.000047181176,0.0012910432,0.00010531166,0.000029569235,0.00020019202,0.000008722158],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022815878,0.000044379165,0.0021794029,0.000010459696,0.00060682493,0.000061563354,0.27486503,0.000036532107,0.0000037490342,0.25834087,0.45047304,0.013150015],"study_design_scores_gemma":[0.0007398463,0.00023532796,0.00053041294,0.000034720648,0.00007485587,0.00007331126,0.17147315,0.000012730661,0.0000030193937,0.0039351434,0.8228235,0.000063967076],"about_ca_topic_score_codex":0.013450616,"about_ca_topic_score_gemma":0.24080841,"teacher_disagreement_score":0.37235048,"about_ca_system_score_codex":0.00008247114,"about_ca_system_score_gemma":0.00023589125,"threshold_uncertainty_score":0.9931189},"labels":[],"label_agreement":null},{"id":"W2302687810","doi":"","title":"Superheroes and Origin Stories: Tools to Discover and Claim One's Callings","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Genealogy; History; Sociology","score_opus":0.1142959432901209,"score_gpt":0.24982233236175072,"score_spread":0.13552638907162984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2302687810","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99240917,0.00030191164,0.00008819756,0.0020568462,0.0012648726,0.00005881497,0.00004197591,0.0000035874184,0.0037746164],"genre_scores_gemma":[0.99781686,0.000011611175,0.000050605824,0.0004060007,0.00050885556,0.0000018066792,7.709299e-7,0.000008215058,0.0011952611],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995167,0.000020300391,0.00017585848,0.00008181903,0.000073676194,0.00013160925],"domain_scores_gemma":[0.99918973,0.000037145128,0.000050751354,0.000059422408,0.00018680986,0.00047613043],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013895884,0.00007859546,0.00013413378,0.00032414135,0.00021487677,0.00036012256,0.00006728751,0.000021321612,0.00029280756],"category_scores_gemma":[0.000065464075,0.000067144036,0.000036854653,0.000047918722,0.00017583965,0.0003304074,0.000009980109,0.00014707894,0.000002956405],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007340633,0.000031874988,0.0060004736,0.000015366615,0.00022371253,0.000060782277,0.756948,0.000034696015,0.00010732425,0.18845011,0.043872245,0.0041820155],"study_design_scores_gemma":[0.00042215144,0.0005540005,0.0013163459,0.000108042324,0.000039220726,0.00010062439,0.13436949,0.000017630817,0.000012085475,0.0047157696,0.8581687,0.00017589523],"about_ca_topic_score_codex":0.03875188,"about_ca_topic_score_gemma":0.7857238,"teacher_disagreement_score":0.8142965,"about_ca_system_score_codex":0.00007638068,"about_ca_system_score_gemma":0.0002847542,"threshold_uncertainty_score":0.96764916},"labels":[],"label_agreement":null},{"id":"W2304114133","doi":"10.7202/1032701ar","title":"The Power of Stories: Canadian Music Scholarship’s Narratives and Counter-Narratives","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Scholarship; Power (physics); Diversity (politics); Nationalism; Institution; Government (linguistics); Political science; Sociology; Sovereignty; Media studies; Gender studies; History; Aesthetics; Literature; Social science; Art; Anthropology; Law; Linguistics; Philosophy","score_opus":0.0384289748406493,"score_gpt":0.2629435441652044,"score_spread":0.22451456932455507,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2304114133","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9371438,0.0028205593,0.000023511411,0.008322056,0.0057617067,0.00015447199,0.00007297693,0.000006425101,0.045694493],"genre_scores_gemma":[0.99703646,0.000038007358,0.00003733119,0.00026429625,0.0002665916,0.000002546013,6.1047933e-7,0.000010564217,0.0023435918],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99868953,0.00025199805,0.0003240137,0.000109349865,0.00026923718,0.00035584654],"domain_scores_gemma":[0.99724364,0.00006773228,0.00022980166,0.0001415895,0.0007466904,0.0015705646],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0010654915,0.00009607573,0.00017573003,0.0011825425,0.0020868736,0.0004799592,0.00033744678,0.000093973096,0.00058664544],"category_scores_gemma":[0.00060086726,0.000096501666,0.00009333968,0.00046258274,0.0021493922,0.0006003777,0.00000792577,0.0003730897,0.000010150013],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019561407,0.000009441861,0.0030125878,0.000004489666,0.00011072303,0.0000728421,0.8758092,0.0000070762762,0.000024150771,0.013594132,0.106247105,0.0010886673],"study_design_scores_gemma":[0.00012414927,0.00009179385,0.0024871277,0.000042534797,0.000009379467,0.00003861533,0.36326665,2.4960107e-7,0.0000010611374,0.0014474767,0.63241744,0.00007354338],"about_ca_topic_score_codex":0.98135114,"about_ca_topic_score_gemma":0.9999822,"teacher_disagreement_score":0.5261703,"about_ca_system_score_codex":0.0024732386,"about_ca_system_score_gemma":0.016794708,"threshold_uncertainty_score":0.99921227},"labels":[],"label_agreement":null},{"id":"W2321808860","doi":"10.7202/1025560ar","title":"Murray Dineen. 2011. Friendly Remainders: Essays in Musical Criticism after Adorno. Montreal and Kingston: McGill-Queen’s University Press. xi, 248 pp. ISBN 978-0-7735-3884-9 (hardcover), ISBN 978-0-7735-3919-8 (paperback)","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Queen (butterfly); Art history; Criticism; Art; Media studies; Humanities; Sociology; Visual arts; Literature","score_opus":0.03239484204775266,"score_gpt":0.2016256881463801,"score_spread":0.16923084609862743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2321808860","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7602565,0.0024302134,0.000054093565,0.006490769,0.008245576,0.0007059045,0.0011071771,0.00010466749,0.22060506],"genre_scores_gemma":[0.992364,0.00016852604,0.00008916604,0.0014543447,0.0013021221,0.000010790702,0.000005854622,0.00004349826,0.004561687],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99726695,0.00023368369,0.000660771,0.00042545778,0.0003740441,0.001039088],"domain_scores_gemma":[0.99746835,0.00023530214,0.00031146643,0.00027914063,0.00040143632,0.00130433],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00042219865,0.0004616047,0.0006589651,0.00051209354,0.00088886474,0.00031561288,0.00040244043,0.00021766337,0.0077973274],"category_scores_gemma":[0.00027941106,0.00043065357,0.00034679688,0.00014558723,0.0009167442,0.0013358576,0.000165154,0.0009384988,0.0000932601],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009815157,0.0012396746,0.01757052,0.00023321177,0.0014503484,0.0044169426,0.080796026,0.000112125825,0.000092346,0.12169184,0.7653733,0.006042155],"study_design_scores_gemma":[0.0013263572,0.00044560395,0.02008558,0.00021029293,0.00024459694,0.00015277688,0.03172137,0.000018406925,0.000007861992,0.00032366574,0.94491786,0.0005456218],"about_ca_topic_score_codex":0.10607848,"about_ca_topic_score_gemma":0.24130636,"teacher_disagreement_score":0.23210748,"about_ca_system_score_codex":0.0010110273,"about_ca_system_score_gemma":0.00025922633,"threshold_uncertainty_score":0.9998145},"labels":[],"label_agreement":null},{"id":"W2330056093","doi":"10.7202/1013313ar","title":"Jean-Jacques Nattiez, dir., avec la collaboration de Margaret Bent, Rossana Dalmonte et Mario Baroni. Musiques, une encyclopédie pour le XXI siècle. Volume 1, Musiques du XX siècle. Arles : Actes Sud; Paris: Cité de la Musique, 2003. v, 1492 p. ISBN 2-7427-4204-2 (couverture rigide)","year":2005,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Art; Humanities","score_opus":0.009029234057001673,"score_gpt":0.2241782472153948,"score_spread":0.21514901315839313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2330056093","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6518139,0.034712534,0.003782002,0.1321631,0.0061906492,0.001090016,0.0025927867,0.0002776958,0.1673773],"genre_scores_gemma":[0.94956005,0.0056519536,0.0012514353,0.0076767383,0.00386807,0.000053700343,0.00011570766,0.00015837177,0.03166395],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99341613,0.0024528042,0.0016219277,0.0007016428,0.00044476526,0.0013627302],"domain_scores_gemma":[0.9937451,0.000925671,0.0012936705,0.0005664232,0.0021206543,0.0013484752],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0020949603,0.00089636905,0.001120147,0.0014089186,0.0025911436,0.0015753728,0.00082439533,0.0010270627,0.012558756],"category_scores_gemma":[0.0014369978,0.0009284171,0.0007681087,0.00091074436,0.002103992,0.001865426,0.000109499924,0.002653997,0.00006197421],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024174579,0.0008978775,0.008884856,0.00015048144,0.0021780285,0.0015213387,0.05441335,0.0031261574,0.00018076037,0.07385214,0.82920957,0.025343733],"study_design_scores_gemma":[0.0011286739,0.0005098913,0.024446832,0.00068913156,0.0011682947,0.000766408,0.012322493,0.0026571106,0.00009639473,0.006554575,0.9487256,0.0009346193],"about_ca_topic_score_codex":0.48521277,"about_ca_topic_score_gemma":0.97392434,"teacher_disagreement_score":0.4887116,"about_ca_system_score_codex":0.002104206,"about_ca_system_score_gemma":0.008622247,"threshold_uncertainty_score":0.9996469},"labels":[],"label_agreement":null},{"id":"W2420197436","doi":"","title":"Toward an Adequate Theology of Christian Higher Education","year":2000,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Christian Theology and Mission","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Theology; Religious studies; Philosophy; History","score_opus":0.04408864089923285,"score_gpt":0.242093382826842,"score_spread":0.19800474192760914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2420197436","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8662867,0.00102947,0.00002389157,0.0015896609,0.005566202,0.00006024141,0.000023011811,0.00000899216,0.12541184],"genre_scores_gemma":[0.9808053,0.000011863788,0.000024464609,0.00043336966,0.0009394586,0.0000018412707,0.0000052011796,0.000009760175,0.017768782],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935955,0.00007634669,0.00028702387,0.00007927379,0.000048458358,0.00014932826],"domain_scores_gemma":[0.9993106,0.000021223996,0.00014242016,0.000120419536,0.00016405288,0.00024128126],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011293645,0.00008069187,0.00014367014,0.00034317185,0.00017470519,0.000024162942,0.00016138943,0.000056491073,0.13124576],"category_scores_gemma":[0.000011731496,0.00007071228,0.000089981135,0.00004326129,0.00034316123,0.00018286615,0.0000028242432,0.00018406277,0.00006757547],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002322411,0.00029629446,0.0006860629,0.00004234425,0.00026126092,0.00010962769,0.20183247,0.000077830024,0.00011553016,0.5916803,0.09310177,0.11156431],"study_design_scores_gemma":[0.00038591577,0.0007041965,0.00469748,0.00012999424,0.000102979866,0.00046523704,0.019882135,0.000009507183,0.00006647638,0.01575,0.9576282,0.00017788935],"about_ca_topic_score_codex":0.036019746,"about_ca_topic_score_gemma":0.11975753,"teacher_disagreement_score":0.8645264,"about_ca_system_score_codex":0.000059327645,"about_ca_system_score_gemma":0.00056375976,"threshold_uncertainty_score":0.9703995},"labels":[],"label_agreement":null},{"id":"W2427173817","doi":"","title":"Diversity, Integrity, and Lutheran Colleges","year":2000,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Diversity (politics); Academic integrity; History; Sociology; Library science; Computer science; Anthropology","score_opus":0.03127108540647443,"score_gpt":0.2636983568155256,"score_spread":0.23242727140905117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2427173817","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76655245,0.00013686532,0.000048603266,0.006775079,0.0008542761,0.00003857341,0.000025229789,0.000004882092,0.22556403],"genre_scores_gemma":[0.9916762,0.00004246824,0.00006722592,0.0011165813,0.00039919172,2.7119052e-7,1.8343474e-7,0.0000024930987,0.0066953683],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99947995,0.000075011296,0.000115590985,0.000049807404,0.00011341327,0.0001662151],"domain_scores_gemma":[0.9993164,0.000056537217,0.000043406508,0.000038537466,0.00012010529,0.00042501267],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019532,0.000046419755,0.000084146464,0.00016564738,0.0016828673,0.000038572474,0.00013677472,0.000042273914,0.0055229478],"category_scores_gemma":[0.000052317115,0.000046525558,0.00005414448,0.00015387688,0.00078519393,0.00019842267,0.00001364538,0.0002172102,0.000015976433],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002573724,0.000030463412,0.02887551,0.000004234634,0.00013131114,0.00023902094,0.065135404,0.000027319466,0.0000072989446,0.82820785,0.06974981,0.0075660576],"study_design_scores_gemma":[0.00013175228,0.00006003088,0.0023610087,0.00002356857,0.000024561106,0.000186452,0.011672158,0.000001389846,0.0000018371815,0.0021035534,0.98335916,0.000074529584],"about_ca_topic_score_codex":0.36381587,"about_ca_topic_score_gemma":0.699205,"teacher_disagreement_score":0.9136093,"about_ca_system_score_codex":0.00017632099,"about_ca_system_score_gemma":0.0022136911,"threshold_uncertainty_score":0.9996168},"labels":[],"label_agreement":null},{"id":"W2427803684","doi":"","title":"A Fifth Teat on a Cow","year":2000,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Financial Crisis of the 21st Century","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Animal science; Mathematics; Biology","score_opus":0.0246954316007516,"score_gpt":0.19087489105410738,"score_spread":0.16617945945335577,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2427803684","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9281209,0.0005869069,0.00008360713,0.0016679473,0.0023584713,0.00006792435,0.00009464014,0.000008173468,0.06701139],"genre_scores_gemma":[0.99613786,0.00003214132,0.0001243934,0.0011265523,0.00035014714,0.000002096346,0.0000012109731,0.000018799574,0.0022068291],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907434,0.00001287782,0.0004817997,0.00013702184,0.00003142332,0.00026251],"domain_scores_gemma":[0.9992235,0.000021855682,0.00020567977,0.00020295294,0.000042549735,0.00030348139],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023893529,0.00010554057,0.00024577894,0.00074132317,0.00014855366,0.00006400061,0.0002788377,0.00006892817,0.00962438],"category_scores_gemma":[0.000105782696,0.0001207377,0.00021111785,0.00025080537,0.00005488595,0.00018115608,0.000004491716,0.00030088783,0.0015620294],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00047041752,0.000513826,0.056229208,0.000050109054,0.00078812917,0.0009973263,0.024903703,0.0047359043,0.00005763173,0.12107743,0.69496137,0.095214926],"study_design_scores_gemma":[0.00056909904,0.0004247197,0.030447774,0.00008347176,0.000011878578,0.00027752042,0.000330819,0.00009199682,0.000015371217,0.009825228,0.9576917,0.00023041402],"about_ca_topic_score_codex":0.017402444,"about_ca_topic_score_gemma":0.06763762,"teacher_disagreement_score":0.26273033,"about_ca_system_score_codex":0.00037626523,"about_ca_system_score_gemma":0.00013750489,"threshold_uncertainty_score":0.99921536},"labels":[],"label_agreement":null},{"id":"W2428843548","doi":"","title":"From Pietism to Paradox: The Development of a Lutheran Philosophy of Education","year":2000,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pietism; Philosophy; Theology; Literature; Art history; Art; German; Linguistics","score_opus":0.030148897240049793,"score_gpt":0.29549094846529633,"score_spread":0.26534205122524657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2428843548","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9567332,0.00014936263,0.0001044707,0.005688933,0.0013159894,0.00010745824,0.0000064693577,0.0000020751627,0.035892025],"genre_scores_gemma":[0.997545,0.000013739583,0.00066229247,0.00045581278,0.00041397774,0.0000046795203,8.490487e-7,0.000004624623,0.00089901505],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919844,0.00009719776,0.00036619962,0.000058883328,0.00016659706,0.000112678186],"domain_scores_gemma":[0.9991992,0.000046737972,0.00015455742,0.000105840016,0.00021525107,0.00027838247],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003119903,0.000049909137,0.000103924314,0.00024204081,0.0002531174,0.000027710948,0.00025854216,0.000036105772,0.0026793382],"category_scores_gemma":[0.000075622745,0.000041098898,0.00007478401,0.00033646158,0.00009926155,0.000047123263,0.0000020895523,0.00011085664,0.000032800228],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002897713,0.000068430105,0.0026765324,0.0000045219,0.00011361573,0.0000012284385,0.71451885,0.00009280086,0.00028779116,0.0027045233,0.093721636,0.18578108],"study_design_scores_gemma":[0.0005657136,0.00022563538,0.07492836,0.0008256807,0.00009456274,0.000031520816,0.2611079,0.0000048140523,0.0008296823,0.060589842,0.60042256,0.00037370156],"about_ca_topic_score_codex":0.061405115,"about_ca_topic_score_gemma":0.238413,"teacher_disagreement_score":0.50670093,"about_ca_system_score_codex":0.00019421281,"about_ca_system_score_gemma":0.0041452697,"threshold_uncertainty_score":0.99823236},"labels":[],"label_agreement":null},{"id":"W2429102477","doi":"","title":"The Literature of Spiritual Reflection and Social Action","year":2000,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Theological Perspectives and Practices","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Action (physics); Reflection (computer programming); Sociology; Epistemology; History; Psychoanalysis; Philosophy; Psychology; Computer science; Physics","score_opus":0.0483829387547017,"score_gpt":0.33599996606207116,"score_spread":0.2876170273073695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2429102477","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96021944,0.00050946546,0.00001583878,0.007817055,0.0008086272,0.00004523393,0.0000047856906,0.0000043454475,0.030575216],"genre_scores_gemma":[0.99787587,0.00023252868,0.000020090085,0.0001020726,0.00058424793,5.8092274e-7,2.0579265e-7,0.0000025947313,0.0011818351],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993749,0.00020257499,0.000148661,0.000052867428,0.00009552213,0.00012545567],"domain_scores_gemma":[0.9994591,0.00012571533,0.00012923425,0.000033527605,0.0001517294,0.000100717814],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045846417,0.00004199034,0.00007196548,0.00010964718,0.0010980505,0.00011733588,0.000091736445,0.00006990929,0.00080586964],"category_scores_gemma":[0.00013210512,0.000030324225,0.00006666752,0.00023582547,0.0003654446,0.0003126642,0.0000021819599,0.00026171605,0.0000027066508],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00047663358,0.000063766754,0.0016679618,0.000013639765,0.00023139668,0.0000454968,0.43433526,0.000041389983,0.00073767296,0.07299767,0.017007954,0.47238117],"study_design_scores_gemma":[0.00024462008,0.00034186896,0.013499629,0.000048465165,0.000047307258,0.00016928157,0.1440984,0.0000042084253,0.000041806594,0.0113229705,0.83008105,0.00010038075],"about_ca_topic_score_codex":0.023134552,"about_ca_topic_score_gemma":0.47006428,"teacher_disagreement_score":0.8130731,"about_ca_system_score_codex":0.000111595495,"about_ca_system_score_gemma":0.00022589753,"threshold_uncertainty_score":0.9833705},"labels":[],"label_agreement":null},{"id":"W2438492106","doi":"","title":"Education for Peace and Justice","year":2000,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Peace and Human Rights Education","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Economic Justice; Criminology; Political science; History; Sociology; Law","score_opus":0.03213834273795173,"score_gpt":0.3096119185438724,"score_spread":0.27747357580592064,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2438492106","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9420383,0.00043133198,0.00013250018,0.0039582006,0.0025561561,0.000111110654,0.000004283415,0.00000486992,0.05076326],"genre_scores_gemma":[0.9862171,0.000056374844,0.00022336464,0.00041373348,0.0012809384,0.000004252584,0.0000011217628,0.000003986389,0.011799118],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996291,0.000033348613,0.00011508918,0.000050327846,0.000052512314,0.000119637036],"domain_scores_gemma":[0.999449,0.000037888723,0.000054082982,0.00004062985,0.00016333703,0.00025501888],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002082297,0.00003471135,0.000050880353,0.00020686684,0.0006210335,0.00007752444,0.00007591739,0.000031541174,0.0016869677],"category_scores_gemma":[0.0000656596,0.000034162185,0.000035850175,0.000088649474,0.000100491496,0.00022277868,5.918689e-7,0.00007247473,0.000011096819],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028038137,0.00007900323,0.0006674275,0.000027106438,0.000051767925,0.0000038702633,0.2610536,0.000028463244,0.00004729205,0.06401686,0.4284102,0.24558637],"study_design_scores_gemma":[0.00009512103,0.000053414864,0.0020948655,0.000036445515,0.00006180957,0.00003568846,0.036030684,0.0000051563457,0.0000042367083,0.0037774697,0.95774907,0.000056067383],"about_ca_topic_score_codex":0.039690614,"about_ca_topic_score_gemma":0.6392343,"teacher_disagreement_score":0.5995437,"about_ca_system_score_codex":0.00017049356,"about_ca_system_score_gemma":0.0021312232,"threshold_uncertainty_score":0.9992256},"labels":[],"label_agreement":null},{"id":"W2440146823","doi":"","title":"A View From the Other Side","year":2000,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Race, History, and American Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Computer science","score_opus":0.02205691635682415,"score_gpt":0.2533522500225117,"score_spread":0.23129533366568755,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2440146823","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70270056,0.0020180158,0.00011851709,0.01363947,0.0026140893,0.00011041481,0.000031983174,0.000015652091,0.27875134],"genre_scores_gemma":[0.99011284,0.00007901701,0.00008264078,0.0044726394,0.0012961613,0.0000016308857,2.2946152e-7,0.000008676122,0.0039461795],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923855,0.00017622122,0.00017611674,0.00006956597,0.0001427057,0.00019682813],"domain_scores_gemma":[0.999328,0.00009994348,0.000096060816,0.00010921401,0.000073964526,0.0002927948],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032086013,0.00005842736,0.00010410193,0.00005119012,0.0008438286,0.000063289954,0.00028203995,0.000040339655,0.013647836],"category_scores_gemma":[0.00006798257,0.000045342767,0.00016557158,0.00025633638,0.00042626302,0.00013149148,0.0000017410508,0.0002252419,0.00013099967],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011187726,0.000025848543,0.0030090315,0.0000012676567,0.0001666575,0.000050717397,0.3318772,0.00006243833,0.00007015333,0.00091588043,0.49107033,0.17273927],"study_design_scores_gemma":[0.00007187954,0.000021170861,0.0021567103,0.000030487496,0.00002097374,0.000011428165,0.043884158,0.0000018984667,0.0000018269071,0.00024717778,0.9534986,0.000053714797],"about_ca_topic_score_codex":0.59167993,"about_ca_topic_score_gemma":0.8878447,"teacher_disagreement_score":0.46242824,"about_ca_system_score_codex":0.0003502246,"about_ca_system_score_gemma":0.0010804598,"threshold_uncertainty_score":0.98725384},"labels":[],"label_agreement":null},{"id":"W2444446430","doi":"","title":"Faith, Understanding, and Action","year":2000,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion, Spirituality, and Psychology","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Action (physics); Faith; History; Sociology; Philosophy; Epistemology; Physics","score_opus":0.10133376397125976,"score_gpt":0.33938926611853,"score_spread":0.23805550214727023,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2444446430","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87889516,0.00023510534,0.0004191831,0.005489088,0.0021682475,0.00004886608,0.00000318315,0.0000081608805,0.11273301],"genre_scores_gemma":[0.9972544,0.00013213903,0.000026670015,0.00066356617,0.0005109727,5.4314927e-7,2.8066404e-7,0.0000046668183,0.0014067943],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993741,0.00011329393,0.00016791152,0.0000720234,0.00009216962,0.00018050834],"domain_scores_gemma":[0.9994359,0.000035438217,0.000065700064,0.000055748602,0.000055066037,0.00035213298],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033085718,0.000049667327,0.000084601015,0.00026896704,0.0005187876,0.00007640932,0.00009119114,0.00007659018,0.003133446],"category_scores_gemma":[0.00003774849,0.000050433482,0.00005719574,0.0001895943,0.00027914823,0.00018365598,0.0000011697592,0.00016958645,0.000022517554],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009624985,0.000068081186,0.04515435,0.000014769558,0.00024343294,0.00019792901,0.30132088,0.00006773332,0.000087118075,0.046974316,0.536009,0.06976613],"study_design_scores_gemma":[0.00061134796,0.00028326473,0.02695986,0.000077751145,0.000056755922,0.00066096126,0.16656439,0.000006275715,0.0000073750352,0.030580815,0.7739653,0.00022589992],"about_ca_topic_score_codex":0.22795461,"about_ca_topic_score_gemma":0.9206331,"teacher_disagreement_score":0.69267845,"about_ca_system_score_codex":0.00030079085,"about_ca_system_score_gemma":0.00037510923,"threshold_uncertainty_score":0.9977778},"labels":[],"label_agreement":null},{"id":"W2462195888","doi":"","title":"A Lutheran Learning Paradigm","year":2011,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cognitive science; Psychology","score_opus":0.062397129386477616,"score_gpt":0.28344599615218613,"score_spread":0.2210488667657085,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2462195888","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6811439,0.00019927057,0.00045576243,0.0013801571,0.0031555053,0.00006455807,9.737581e-7,0.000014360262,0.31358552],"genre_scores_gemma":[0.9963955,0.000028972781,0.00011898688,0.00028175666,0.00036470225,0.0000014124955,1.7107482e-7,0.000006299956,0.002802141],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99932414,0.00013979829,0.00018649915,0.00005363015,0.00010111267,0.00019484232],"domain_scores_gemma":[0.9991657,0.000025545854,0.00011729683,0.000058864094,0.00012292677,0.0005096523],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00039922222,0.000046757043,0.00007816962,0.0003551453,0.00050767633,0.00006291025,0.00017734981,0.00004589944,0.0038485753],"category_scores_gemma":[0.00019595523,0.000046356992,0.00009311408,0.0002480981,0.000117792704,0.00008487953,0.0000017160238,0.00026498162,0.00009121673],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002019027,0.000026714099,0.05915805,0.0000029206217,0.00011760154,0.00010423798,0.73458934,0.000038002076,0.00003808302,0.044837203,0.14468232,0.016385367],"study_design_scores_gemma":[0.00047005544,0.00029193395,0.033521306,0.0001358709,0.000058749014,0.00030666002,0.2226121,0.000010573649,0.00004696177,0.034011003,0.7082106,0.0003241932],"about_ca_topic_score_codex":0.111823946,"about_ca_topic_score_gemma":0.42017403,"teacher_disagreement_score":0.5635283,"about_ca_system_score_codex":0.00019888964,"about_ca_system_score_gemma":0.0014750048,"threshold_uncertainty_score":0.997062},"labels":[],"label_agreement":null},{"id":"W2465493876","doi":"","title":"\"In, With, and Under:\" The Tradition and the Teaching of Christian Ethics","year":2003,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Sociology; Epistemology","score_opus":0.03296803432406477,"score_gpt":0.28130743616672305,"score_spread":0.2483394018426583,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2465493876","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8834835,0.0005560942,0.001890393,0.033781752,0.0005899281,0.00011154399,0.000011158894,0.0000018205288,0.07957378],"genre_scores_gemma":[0.99870455,0.000024100229,0.00006718119,0.0010427872,0.00008271578,7.5388397e-7,8.324824e-8,0.000001922345,0.0000758816],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9993007,0.00035509467,0.00012350881,0.00003435639,0.00009332494,0.00009300605],"domain_scores_gemma":[0.9992934,0.00040827598,0.00008816952,0.00003740375,0.00006664285,0.000106111176],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009818171,0.00003468727,0.0000717752,0.00008528839,0.0006182031,0.00003136614,0.000060827788,0.000030097059,0.000034135202],"category_scores_gemma":[0.00029425055,0.000020600326,0.000022953323,0.00009459131,0.0020170854,0.000090709495,0.0000013821526,0.00039321787,1.5204141e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000048707902,0.0000025211564,0.0006985232,0.0000013803143,0.000013299914,0.0000036436636,0.021661423,0.000036894406,0.0000012618804,0.9772294,0.00027594191,0.00007079772],"study_design_scores_gemma":[0.0012887002,0.00020498627,0.009818814,0.00022771956,0.00012551631,0.0012855895,0.62509465,0.00002127705,0.000009076433,0.041339535,0.3204143,0.00016982733],"about_ca_topic_score_codex":0.18826938,"about_ca_topic_score_gemma":0.59075713,"teacher_disagreement_score":0.9358899,"about_ca_system_score_codex":0.00006969245,"about_ca_system_score_gemma":0.0021720517,"threshold_uncertainty_score":0.817136},"labels":[],"label_agreement":null},{"id":"W2491304933","doi":"","title":"Translations of the Sublime: Introduction","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Magical Realism, García Márquez","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sublime; Art; History; Art history","score_opus":0.030852890972045955,"score_gpt":0.20911838178486097,"score_spread":0.178265490812815,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2491304933","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91252464,0.0010157543,0.00019302515,0.011738171,0.02056421,0.00020110958,0.00014029763,0.000014769987,0.053608038],"genre_scores_gemma":[0.9942205,0.0000017498107,0.000027508806,0.00026514195,0.003718281,0.0000015296822,0.0000025644626,0.000010271153,0.0017524349],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992344,0.00006811772,0.00032002837,0.000052367952,0.00012981283,0.0001953017],"domain_scores_gemma":[0.99911535,0.00003642001,0.00017768837,0.00015086832,0.00030327763,0.0002163816],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020690175,0.000077019184,0.00011595177,0.00031586428,0.00025163245,0.00008309147,0.00017835009,0.000036169455,0.0039564366],"category_scores_gemma":[0.00009910073,0.00005245121,0.00018333875,0.00013309093,0.00025840584,0.00048791798,0.0000051374886,0.00030289133,0.000010912196],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030399133,0.0001300157,0.005123656,0.000031160263,0.0002624262,0.0000049988066,0.25388193,0.00008450563,0.0006649993,0.526448,0.20796204,0.0053758686],"study_design_scores_gemma":[0.00017736663,0.00006336468,0.006956138,0.000045523357,0.000082976425,0.00016124056,0.006653066,0.0000072867147,0.00022408259,0.0014553217,0.98408586,0.00008780155],"about_ca_topic_score_codex":0.007976474,"about_ca_topic_score_gemma":0.20622192,"teacher_disagreement_score":0.7761238,"about_ca_system_score_codex":0.00009666119,"about_ca_system_score_gemma":0.00022328169,"threshold_uncertainty_score":0.9986295},"labels":[],"label_agreement":null},{"id":"W2525145585","doi":"","title":"The impact of power distribution in actor training","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Human Motion and Animation","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Training (meteorology); Power (physics); Distribution (mathematics); Psychology; Computer science; Mathematics education; Mathematics; Geography; Physics; Meteorology","score_opus":0.042156754151956514,"score_gpt":0.25040017232717077,"score_spread":0.20824341817521425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2525145585","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99565977,0.000059243208,0.001993768,0.000047928766,0.0006079631,0.000024646493,0.0000148026875,0.000004928834,0.0015869394],"genre_scores_gemma":[0.9999061,0.0000018310936,0.000010868884,0.0000038047522,0.000054302087,5.0333756e-7,0.0000019553115,0.0000052216983,0.000015370839],"study_design_codex":"simulation_or_modeling","study_design_gemma":"observational","domain_scores_codex":[0.99960244,0.000019570505,0.00020079345,0.00002136191,0.000051862327,0.00010398321],"domain_scores_gemma":[0.9996427,0.000016226782,0.00004879593,0.000043795266,0.00008666194,0.00016180961],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001946444,0.000042471114,0.000067455214,0.0001651011,0.00003482993,0.000024102972,0.00006446978,0.000024720157,0.000100356636],"category_scores_gemma":[0.00008709633,0.000032071224,0.00006938184,0.00015026753,0.000025900383,0.00011745078,0.0000012169977,0.00014253757,0.0000042689967],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015080399,0.00011952451,0.040751275,0.000041698237,0.000816542,0.00018837748,0.22712284,0.36928815,0.010897728,0.005436768,0.26597896,0.07920733],"study_design_scores_gemma":[0.0030019484,0.0014081068,0.86091036,0.00061492244,0.000047910453,0.0009418582,0.062141195,0.03206764,0.0006257291,0.0028147874,0.034862727,0.0005628307],"about_ca_topic_score_codex":0.001983927,"about_ca_topic_score_gemma":0.05459667,"teacher_disagreement_score":0.8201591,"about_ca_system_score_codex":0.0004362432,"about_ca_system_score_gemma":0.0002428653,"threshold_uncertainty_score":0.9626545},"labels":[],"label_agreement":null},{"id":"W2528587317","doi":"","title":"Translations of the Sublime. The Early Modern Reception and Dissemination of Longinus' Peri Hupsous in Rhetoric, the Visual Arts, Architecture and the Theatre","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Giambattista Vico and Joyce","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sublime; Rhetoric; The arts; Architecture; Peri; Art; Literature; Visual arts; Philosophy; Linguistics","score_opus":0.01581444696030554,"score_gpt":0.2194333137070294,"score_spread":0.20361886674672386,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2528587317","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99145764,0.0011913836,0.00018220178,0.004417227,0.0006193966,0.00017352744,0.000027630169,0.0000017517252,0.001929237],"genre_scores_gemma":[0.9994115,0.000020578518,0.000004437636,0.00006327481,0.00025311366,0.000004725206,6.855516e-7,0.000007809264,0.0002338612],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99929,0.00015120058,0.00025860037,0.000050985014,0.00011664856,0.00013254932],"domain_scores_gemma":[0.9993111,0.00024795937,0.0001726947,0.00011525334,0.00009444938,0.000058581863],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004130459,0.00007973943,0.000118087984,0.00016039146,0.00042485053,0.00007826589,0.00013451022,0.000030363446,0.00014076619],"category_scores_gemma":[0.000042810414,0.00003529993,0.00008938537,0.000098135606,0.0006217006,0.00016687061,0.000008703829,0.0002896511,3.2417958e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007974445,0.000047466878,0.0101871425,0.00002287912,0.00010818974,0.0000010360044,0.93639225,0.00015771251,0.00030337588,0.02473748,0.0010497511,0.026912952],"study_design_scores_gemma":[0.0019946226,0.0005651199,0.65651697,0.0010253212,0.0006826756,0.0008523318,0.27959713,0.0014041542,0.00028531643,0.009218495,0.047411572,0.00044629758],"about_ca_topic_score_codex":0.009059137,"about_ca_topic_score_gemma":0.3429037,"teacher_disagreement_score":0.65679514,"about_ca_system_score_codex":0.000032535845,"about_ca_system_score_gemma":0.00007097749,"threshold_uncertainty_score":0.99753964},"labels":[],"label_agreement":null},{"id":"W2530927572","doi":"","title":"No Child Left Behind Meets Philip Melanchthon: A Reflective Conversation","year":2007,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Architectural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Conversation; Philosophy; Psychology; Psychoanalysis; Linguistics","score_opus":0.02512197561001657,"score_gpt":0.2170003103508452,"score_spread":0.1918783347408286,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2530927572","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2784885,0.00080912217,0.00023448677,0.0058727353,0.013022186,0.00019375779,0.00005532968,0.000033304565,0.7012906],"genre_scores_gemma":[0.99285823,0.000006478773,0.000037699094,0.00049694284,0.0022441547,7.478173e-7,0.000001831439,0.000009855125,0.004344052],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921095,0.00002953252,0.00029591282,0.00009880858,0.00012525798,0.00023956381],"domain_scores_gemma":[0.9991564,0.000058544552,0.0001482619,0.000067402754,0.00030398546,0.00026540025],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021105875,0.00010755621,0.00016098429,0.00040693287,0.0007066922,0.000051629337,0.000115325165,0.000031923948,0.004535755],"category_scores_gemma":[0.000094533076,0.000087858156,0.00014130566,0.00003701668,0.0002136808,0.00019712781,0.0000076668275,0.00031358926,0.00014520652],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020682285,0.000088738976,0.0013924433,0.000032138825,0.00067465927,0.0003958362,0.85599107,0.000039261075,0.00044533957,0.015123283,0.1091289,0.016481485],"study_design_scores_gemma":[0.00023349535,0.00022945173,0.0013121269,0.000062918145,0.00003917261,0.0002172605,0.007105884,0.000002836824,0.00008020278,0.0003354395,0.9902581,0.0001231135],"about_ca_topic_score_codex":0.018251996,"about_ca_topic_score_gemma":0.8039377,"teacher_disagreement_score":0.8811292,"about_ca_system_score_codex":0.00036995386,"about_ca_system_score_gemma":0.00010714971,"threshold_uncertainty_score":0.99637425},"labels":[],"label_agreement":null},{"id":"W2562901357","doi":"","title":"Why Interfaith Work is Not a Luxury: Lutherans as Neighboring Neighbors","year":2016,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion and Society Interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Work (physics); Sociology; Engineering","score_opus":0.030239686140106914,"score_gpt":0.2832883426033509,"score_spread":0.253048656463244,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2562901357","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7148363,0.00025027862,0.0057822675,0.1561822,0.017724441,0.00027364955,0.00004759611,0.00007332711,0.10482991],"genre_scores_gemma":[0.98260766,0.00012707079,0.00006715305,0.010220425,0.0010911915,0.0000050468684,2.3008025e-7,0.000021566191,0.0058596334],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985294,0.00015301298,0.00041773048,0.00016291779,0.00029338044,0.0004435883],"domain_scores_gemma":[0.99820143,0.00018704763,0.0002342748,0.00017961969,0.00038997317,0.0008076573],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037905495,0.00014320537,0.00020067547,0.00047852128,0.0007518654,0.00019206699,0.00040189587,0.00013425262,0.0068419925],"category_scores_gemma":[0.0002692759,0.00011239415,0.00038511324,0.0006171611,0.00032780936,0.0005348191,0.000010767427,0.00036549976,0.00024247695],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008779878,0.000051112984,0.0059933,0.0000042649735,0.0003741566,0.000104622166,0.19003887,0.000010544489,0.0008014709,0.006356791,0.77457887,0.02159817],"study_design_scores_gemma":[0.0003960242,0.00012306897,0.000848746,0.00033346927,0.00004200417,0.000089283305,0.037895888,0.0000019079146,0.0002144598,0.00086515094,0.95899993,0.00019004011],"about_ca_topic_score_codex":0.12999612,"about_ca_topic_score_gemma":0.35798228,"teacher_disagreement_score":0.26777136,"about_ca_system_score_codex":0.0008917148,"about_ca_system_score_gemma":0.0012467463,"threshold_uncertainty_score":0.9940659},"labels":[],"label_agreement":null},{"id":"W2569516561","doi":"","title":"Vocational Re-Formation for a Multi-Religious World","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Vocational education; History; Psychology; Pedagogy","score_opus":0.06518315080279041,"score_gpt":0.3306973368846872,"score_spread":0.2655141860818968,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2569516561","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33103603,0.0008249182,0.33373868,0.05441115,0.028717265,0.0015718432,0.000063356805,0.00010975699,0.24952702],"genre_scores_gemma":[0.99266434,0.000014935787,0.0022743193,0.00108271,0.0009079155,0.000013055261,0.0000037305467,0.000007885153,0.003031104],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991541,0.000104635954,0.00031690282,0.00007001045,0.00014567713,0.00020870254],"domain_scores_gemma":[0.99864143,0.00010968615,0.0002080131,0.00008373938,0.0005316078,0.0004255179],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007427437,0.00006153327,0.00009872139,0.0006651703,0.00056902325,0.00013202941,0.00019341029,0.000047273443,0.00028821314],"category_scores_gemma":[0.00074529415,0.00006287947,0.0001252886,0.00033502004,0.0000923242,0.00015285132,0.0000022001825,0.00014186732,0.000043565124],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012217844,0.000017467404,0.0016697627,0.0000069057905,0.00003133413,0.000001336376,0.039211035,0.00014121729,0.000029762426,0.019236907,0.9275446,0.012097462],"study_design_scores_gemma":[0.0006805764,0.00009817806,0.0037163193,0.00010083483,0.00003588739,0.00004002046,0.019324126,0.00065856584,0.00004173425,0.011301768,0.96382165,0.0001803355],"about_ca_topic_score_codex":0.01696525,"about_ca_topic_score_gemma":0.6931836,"teacher_disagreement_score":0.6762184,"about_ca_system_score_codex":0.00042002188,"about_ca_system_score_gemma":0.0013262107,"threshold_uncertainty_score":0.98958087},"labels":[],"label_agreement":null},{"id":"W2585125173","doi":"","title":"Religious Diversity and the Vocation of a Lutheran College","year":2016,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Religious diversity; Diversity (politics); Sociology; Religious studies; History; Anthropology; Philosophy","score_opus":0.026154721256038512,"score_gpt":0.18933543989419557,"score_spread":0.16318071863815706,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2585125173","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98815954,0.000110273424,0.00040246415,0.0025380899,0.0007384586,0.00006006779,0.00004517791,0.0000031776524,0.007942769],"genre_scores_gemma":[0.9990024,0.000021943675,0.0000047064605,0.00016836017,0.00013716775,5.0613136e-7,1.686034e-7,0.0000026892378,0.0006620615],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99961996,0.000041706928,0.00017471268,0.00003064216,0.00006692277,0.000066076325],"domain_scores_gemma":[0.99947155,0.00004323959,0.00014423771,0.00006134508,0.00019478438,0.000084849504],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019515585,0.00003966941,0.000084098465,0.00016027248,0.0005401329,0.000021780435,0.000086696746,0.000015348085,0.00047870754],"category_scores_gemma":[0.000043198448,0.000020356847,0.000058657763,0.000024611776,0.00035309806,0.00017234968,0.000014086519,0.00006120107,0.000006376624],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002861666,0.000030599356,0.004774544,0.000025765323,0.00026146692,0.000016316875,0.79096335,0.000008727383,0.00006882776,0.13774261,0.054740295,0.011081325],"study_design_scores_gemma":[0.014094638,0.00102944,0.044040386,0.0008903524,0.00042148834,0.001055006,0.23162016,0.00035957547,0.0002440261,0.054896798,0.65070075,0.0006473681],"about_ca_topic_score_codex":0.03878314,"about_ca_topic_score_gemma":0.37203708,"teacher_disagreement_score":0.59596044,"about_ca_system_score_codex":0.00005730354,"about_ca_system_score_gemma":0.0000957904,"threshold_uncertainty_score":0.9676177},"labels":[],"label_agreement":null},{"id":"W2594952250","doi":"10.7202/1038946ar","title":"Opus sorabjianum : les joies et les souffrances d’un biographe","year":2017,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.11757685218084749,"score_gpt":0.24839149329801027,"score_spread":0.1308146411171628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2594952250","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.69931525,0.027568234,0.00007907603,0.046086892,0.029383142,0.00021751992,0.0006420916,0.000027280303,0.1966805],"genre_scores_gemma":[0.9825347,0.0007676583,0.00009353103,0.0006939907,0.002276186,0.000006785695,0.0000017863753,0.00002651347,0.01359884],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99822253,0.0001788516,0.0005689949,0.00022747023,0.00022654183,0.0005756168],"domain_scores_gemma":[0.99772626,0.00014365137,0.00076107885,0.00031427914,0.0005661326,0.00048858154],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0004607226,0.00032087948,0.00047876348,0.0006414121,0.006672216,0.002634768,0.00079385575,0.00018397158,0.012679094],"category_scores_gemma":[0.00035954698,0.00027791245,0.0005871044,0.000077967445,0.0035318886,0.0008049899,0.00009096004,0.0008373003,0.0001107884],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000078798774,0.00029973773,0.03428034,0.00012285645,0.002499054,0.0014358413,0.078684494,0.00009341288,0.000032052194,0.4826153,0.26498562,0.1348725],"study_design_scores_gemma":[0.00044199036,0.0004581031,0.02066556,0.00043178158,0.0002538075,0.0001704244,0.06722854,0.0000056851527,0.0000128128595,0.002845728,0.9071863,0.00029924535],"about_ca_topic_score_codex":0.35244307,"about_ca_topic_score_gemma":0.79588586,"teacher_disagreement_score":0.6422007,"about_ca_system_score_codex":0.00017148306,"about_ca_system_score_gemma":0.00033922776,"threshold_uncertainty_score":0.9999673},"labels":[],"label_agreement":null},{"id":"W2595098500","doi":"10.7202/1038947ar","title":"Ethics and Musical Language: A Gramscian Reading of Dallapiccola’s Liriche greche and Their Influence","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Political theory and Gramsci","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Lyrics; Reading (process); Musical; Nexus (standard); Poetry; Literature; Period (music); Politics; Art; History; Linguistics; Aesthetics; Philosophy; Law; Political science; Computer science","score_opus":0.0611985786365982,"score_gpt":0.34790905836192015,"score_spread":0.28671047972532193,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2595098500","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9883731,0.00015531444,0.00006459535,0.003453655,0.00044443595,0.000054406315,0.000012789117,0.000004265431,0.007437415],"genre_scores_gemma":[0.9990084,0.000034358964,0.0000924011,0.00046191187,0.00022312389,8.246466e-7,1.4697011e-7,0.0000053324843,0.00017345927],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9990792,0.00026717497,0.00020307524,0.00009457778,0.00010842449,0.0002474903],"domain_scores_gemma":[0.9985147,0.00039950176,0.00018911963,0.0001521094,0.00018421956,0.00056033954],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016125398,0.00007490808,0.00016206004,0.00017458398,0.001266153,0.00018190702,0.00028024326,0.00013863189,0.000053838932],"category_scores_gemma":[0.0045692916,0.00006379589,0.000059124548,0.00009066441,0.0013532996,0.00032186016,0.000027856251,0.0006484045,0.0000012155543],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048386515,0.000044873126,0.025999201,0.00006225927,0.0001814697,0.00018885428,0.6494821,0.0000067533533,0.0022652007,0.25445276,0.00075562316,0.06651255],"study_design_scores_gemma":[0.0015781744,0.00087349064,0.26897806,0.0016093483,0.00023062195,0.00089702144,0.4081527,0.00009175086,0.0012211549,0.18811001,0.12735826,0.0008994256],"about_ca_topic_score_codex":0.10898624,"about_ca_topic_score_gemma":0.5382716,"teacher_disagreement_score":0.42928535,"about_ca_system_score_codex":0.00008275006,"about_ca_system_score_gemma":0.0006989623,"threshold_uncertainty_score":0.9738353},"labels":[],"label_agreement":null},{"id":"W2595895376","doi":"10.7202/1038942ar","title":"Fonctionnalisme technologique en musique","year":2017,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.19004867454191,"score_gpt":0.2964950109174576,"score_spread":0.10644633637554762,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2595895376","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35624048,0.005712107,0.095698565,0.19438073,0.07579114,0.0004480135,0.00010962493,0.00009176027,0.2715276],"genre_scores_gemma":[0.981427,0.00006315317,0.0010621077,0.0012658593,0.0013665387,0.0000020061675,6.0507e-7,0.00001438502,0.014798347],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985574,0.000089288726,0.0004856618,0.00021307003,0.00016769364,0.0004869034],"domain_scores_gemma":[0.9970486,0.00005841224,0.0006167639,0.0006756101,0.00068639225,0.00091420877],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0003548681,0.00021750503,0.00027152826,0.00057453994,0.0010420503,0.0031109774,0.0014000641,0.00029284958,0.00045230042],"category_scores_gemma":[0.0009108102,0.00018661875,0.00030704372,0.00022824226,0.0005375681,0.0050516976,0.000111132904,0.0008249931,0.00010290073],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021967802,0.00016262839,0.0016295692,0.000055780376,0.0004902686,0.0075233183,0.02634276,0.00039908267,0.0009107293,0.5065875,0.24360302,0.21227339],"study_design_scores_gemma":[0.000582891,0.0009161654,0.018915644,0.0009235347,0.000080658305,0.023028763,0.0021595396,0.00066864066,0.0009847537,0.039020874,0.9122271,0.00049146765],"about_ca_topic_score_codex":0.14115971,"about_ca_topic_score_gemma":0.5956427,"teacher_disagreement_score":0.66862404,"about_ca_system_score_codex":0.0005809736,"about_ca_system_score_gemma":0.0019030402,"threshold_uncertainty_score":0.9979239},"labels":[],"label_agreement":null},{"id":"W2596314647","doi":"10.7202/1038945ar","title":"Demographics of Tenure-Stream Music Faculty in Canadian Post-secondary Institutions","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Demographics; Ethnic group; Race (biology); Demographic economics; Snapshot (computer storage); Demography; Political science; Sociology; Gender studies; Economics; Database; Law","score_opus":0.09573499113993522,"score_gpt":0.2730550831936198,"score_spread":0.1773200920536846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2596314647","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8515314,0.000091085756,0.000003879608,0.0018281778,0.0070239026,0.00012842966,0.0006523884,0.0000059845197,0.13873476],"genre_scores_gemma":[0.9977351,0.0000050013864,0.000039813527,0.00057105353,0.00055619585,0.000004921261,0.000024805408,0.000015256638,0.0010478449],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987422,0.000039588434,0.0005325242,0.00014396342,0.00015338734,0.00038828564],"domain_scores_gemma":[0.99759334,0.000029253806,0.0004569732,0.00037122876,0.0007930329,0.0007561915],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023221908,0.00015830883,0.0002525544,0.0022529438,0.0012498993,0.0003343251,0.00048736477,0.000086011874,0.0059240027],"category_scores_gemma":[0.0002697948,0.00015518555,0.0002036643,0.00011990019,0.0008895528,0.000800744,0.000016402053,0.00049085007,0.000038283186],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043469172,0.00030201138,0.082839265,0.00010074911,0.00065217307,0.0009908694,0.34626907,0.00020580506,0.00011773079,0.38971004,0.16934651,0.009422299],"study_design_scores_gemma":[0.00061243784,0.00015848207,0.08713453,0.00026748612,0.000077256096,0.00019414528,0.043981526,0.0000097352695,0.000019655234,0.00076128764,0.8665324,0.00025105829],"about_ca_topic_score_codex":0.95306784,"about_ca_topic_score_gemma":0.99972373,"teacher_disagreement_score":0.6971859,"about_ca_system_score_codex":0.0004673326,"about_ca_system_score_gemma":0.008173702,"threshold_uncertainty_score":0.99744904},"labels":[],"label_agreement":null},{"id":"W2597092708","doi":"10.7202/1038943ar","title":"Addressing Common Parental Concerns about Factors That Could Influence Piano Students’ Autonomous Motivation, Diligence, and Performance","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Diligence; Piano; Psychology; Creativity; Sitting; Feeling; Competence (human resources); Developmental psychology; Social psychology; Applied psychology; Management; Medicine","score_opus":0.1607823338281348,"score_gpt":0.3070099630022962,"score_spread":0.1462276291741614,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2597092708","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98643005,0.00005848757,0.0000042364063,0.00017275572,0.004085377,0.00009629569,0.000039910206,0.000010252182,0.009102656],"genre_scores_gemma":[0.9981507,0.000011140708,0.000005714552,0.00023653008,0.00039795123,0.0000034405832,0.00000420722,0.000013075243,0.0011772176],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99910897,0.000028943694,0.00031030405,0.00012965758,0.00020766408,0.00021447756],"domain_scores_gemma":[0.9986322,0.000046490757,0.00050189014,0.00022653214,0.00028716476,0.00030574275],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011984807,0.00014277683,0.00018131721,0.0003344051,0.0021497628,0.0013028969,0.0004582254,0.000042577485,0.0014157434],"category_scores_gemma":[0.00007312372,0.00012864318,0.000063399835,0.000026012938,0.0007040864,0.0013489185,0.000034276723,0.0002681864,0.000013868025],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006034026,0.000022306413,0.9044205,0.000012126184,0.00006531114,0.000013641933,0.090451226,0.000028099445,0.0000059717386,0.0014267428,0.0027397603,0.0008083109],"study_design_scores_gemma":[0.0002519005,0.000105002786,0.9218981,0.0002920964,0.000040624247,0.00003990749,0.035451237,0.000018969331,0.0000526887,0.000072310395,0.041618943,0.0001581985],"about_ca_topic_score_codex":0.042189594,"about_ca_topic_score_gemma":0.29628333,"teacher_disagreement_score":0.25409374,"about_ca_system_score_codex":0.0002536708,"about_ca_system_score_gemma":0.00041856547,"threshold_uncertainty_score":0.99973387},"labels":[],"label_agreement":null},{"id":"W2597176154","doi":"10.7202/1038944ar","title":"Musiques et identités remixées","year":2017,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.3157629017055493,"score_gpt":0.470500428189036,"score_spread":0.15473752648348665,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2597176154","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6436253,0.0026766418,0.00042628546,0.12936427,0.062389445,0.000104605904,0.000036381778,0.0000100595325,0.16136698],"genre_scores_gemma":[0.9783678,0.0006053516,0.00070585805,0.001124704,0.0073793326,0.0000029149003,0.0000022139648,0.00001469633,0.011797121],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99839735,0.0005394104,0.000405975,0.00013578671,0.00017469686,0.0003467838],"domain_scores_gemma":[0.9976294,0.00035667434,0.0006332049,0.00023535422,0.0006215775,0.00052379083],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0027615083,0.00012155466,0.00019849265,0.00033263862,0.002271797,0.0003899845,0.00061835593,0.00018596093,0.0018033186],"category_scores_gemma":[0.0025688193,0.00013805304,0.00022184706,0.00013681057,0.0022929308,0.0010965333,0.0000143242805,0.0005358516,0.000065521985],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000046352047,0.000082165374,0.03859427,0.000032124906,0.00037778463,0.00007105664,0.33517128,0.000034419234,0.00003938259,0.47823054,0.12416654,0.0231958],"study_design_scores_gemma":[0.00023989152,0.00013524696,0.06143942,0.00054359646,0.000118841424,0.00024881246,0.28884766,0.000007952685,0.000010609604,0.01972728,0.6284497,0.00023098936],"about_ca_topic_score_codex":0.2352958,"about_ca_topic_score_gemma":0.7944993,"teacher_disagreement_score":0.5592035,"about_ca_system_score_codex":0.00044765454,"about_ca_system_score_gemma":0.003525714,"threshold_uncertainty_score":0.99910915},"labels":[],"label_agreement":null},{"id":"W2597475191","doi":"10.7202/1009293ar","title":"Analytical Approaches to World Music 1, no. 1.","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.2590045222030712,"score_gpt":0.22757378346215418,"score_spread":0.03143073874091701,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2597475191","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5863706,0.000016682163,0.000018113413,0.0029538309,0.009286863,0.00011920281,0.000032530144,0.0000184797,0.4011837],"genre_scores_gemma":[0.98086274,2.2136234e-7,0.00014218164,0.0017639801,0.0026042336,0.000005936469,9.3040046e-7,0.000013909254,0.014605846],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990007,0.000024366029,0.00033039044,0.00014777106,0.00015580612,0.00034094497],"domain_scores_gemma":[0.99875534,0.00006410729,0.00010560993,0.0001481297,0.00029774543,0.00062909926],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00021407033,0.00014536778,0.0002391527,0.00081107847,0.00048074956,0.00041118322,0.0003024179,0.000041181233,0.026390908],"category_scores_gemma":[0.00021735809,0.00011684621,0.00019856334,0.00017758484,0.0004097801,0.0001925169,0.00003486184,0.00056467747,0.0008007342],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038808357,0.000110071625,0.0028259675,0.000009902506,0.00030338514,0.00020025343,0.02980891,0.000049245118,0.00004201478,0.35373002,0.60770684,0.005174556],"study_design_scores_gemma":[0.0001640893,0.00019912697,0.0018417583,0.000022353019,0.000057402,0.000043406104,0.006095232,0.000033805274,0.000004301331,0.0005866875,0.9907969,0.00015493068],"about_ca_topic_score_codex":0.010693058,"about_ca_topic_score_gemma":0.8477015,"teacher_disagreement_score":0.8370085,"about_ca_system_score_codex":0.00012622889,"about_ca_system_score_gemma":0.0002065064,"threshold_uncertainty_score":0.99997723},"labels":[],"label_agreement":null},{"id":"W2599941844","doi":"","title":"Mapping Interfaith Encounters","year":2016,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion, Society, and Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.027567596838840785,"score_gpt":0.256607300641335,"score_spread":0.22903970380249425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2599941844","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96374875,0.0004909088,0.0056490526,0.005406197,0.0059286198,0.00007869858,0.000004887033,0.000015795573,0.018677102],"genre_scores_gemma":[0.9977389,0.00030680728,0.00024283663,0.0005615464,0.0005704824,0.0000019765773,1.3081346e-7,0.00000802639,0.00056927954],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903256,0.00008303885,0.00029318364,0.000092032176,0.00019679897,0.00030240932],"domain_scores_gemma":[0.99894476,0.00007441152,0.00015193054,0.000082597995,0.00026403906,0.00048228694],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005527339,0.000077034456,0.00011729885,0.00039506448,0.00043662186,0.00007772489,0.00025955105,0.000065282155,0.00089324714],"category_scores_gemma":[0.00019786623,0.000057399426,0.00014873258,0.00029089913,0.00026140938,0.00028032827,0.00000797964,0.0001246886,0.000063783074],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007287915,0.0000120214145,0.005256938,0.0000038178946,0.0001170033,0.00005769524,0.5530177,0.0000037561285,0.00032413774,0.0008314872,0.43511364,0.0052545257],"study_design_scores_gemma":[0.00041106204,0.00008634528,0.011403651,0.000425119,0.000014167105,0.00011676903,0.46438327,0.0000011807529,0.00007518644,0.0029884928,0.51988894,0.0002058259],"about_ca_topic_score_codex":0.15694608,"about_ca_topic_score_gemma":0.48129055,"teacher_disagreement_score":0.32434446,"about_ca_system_score_codex":0.0010027009,"about_ca_system_score_gemma":0.0017278184,"threshold_uncertainty_score":0.97804296},"labels":[],"label_agreement":null},{"id":"W2601186284","doi":"","title":"From the Publisher and Editor","year":2016,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Academic Writing and Publishing","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.02572450734715494,"score_gpt":0.19497093925926512,"score_spread":0.16924643191211017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2601186284","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8063845,0.0007370292,0.0001687414,0.07801321,0.053134255,0.0000630054,0.00014296194,0.000020263393,0.061336044],"genre_scores_gemma":[0.9619759,0.0000037003324,0.000010015277,0.0010142068,0.034054834,7.980835e-7,5.2901134e-7,0.0000070892847,0.0029329278],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99953705,0.00003484897,0.00016581245,0.000056684483,0.000076744414,0.00012882949],"domain_scores_gemma":[0.99930316,0.00020849043,0.00009374257,0.000068962996,0.00014900508,0.00017663802],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022969976,0.000052025753,0.000067098495,0.00011710706,0.00031205075,0.00047377055,0.00018117574,0.000034147903,0.0031236121],"category_scores_gemma":[0.00029955458,0.000026679367,0.000046716308,0.000023948456,0.00020588568,0.0007312869,0.0000084145095,0.00022910308,0.000013126671],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000020148739,0.0000012850088,0.00097021717,5.02597e-7,0.000023839273,0.00000414684,0.022512069,1.0200344e-7,0.000011788835,0.0035118745,0.96752775,0.0054344195],"study_design_scores_gemma":[0.0001274561,0.000018859439,0.0009201386,0.000087996574,0.000014987083,0.000035431018,0.022443913,8.558797e-7,0.000001548376,0.003036155,0.9732671,0.000045562716],"about_ca_topic_score_codex":0.061742406,"about_ca_topic_score_gemma":0.35830095,"teacher_disagreement_score":0.29655856,"about_ca_system_score_codex":0.000052686362,"about_ca_system_score_gemma":0.00018801122,"threshold_uncertainty_score":0.99778765},"labels":[],"label_agreement":null},{"id":"W2611234566","doi":"","title":"Types, Methods, and Sagas in Lutheran Higher Education: Learning from Childers","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology; History","score_opus":0.03022152118197473,"score_gpt":0.3301338692873683,"score_spread":0.2999123481053936,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2611234566","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8670398,0.0016140922,0.0005139215,0.012135161,0.0059638587,0.00009543915,0.0000011206064,0.000010632762,0.112625964],"genre_scores_gemma":[0.9940933,0.00005632332,0.001258195,0.0008225479,0.0007095005,0.0000018384325,8.876596e-7,0.0000065772983,0.0030508288],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990989,0.0004211435,0.00018511404,0.00008011873,0.000075138305,0.00013958535],"domain_scores_gemma":[0.9992968,0.00011392709,0.000100242505,0.000059032176,0.00009240618,0.00033760807],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00060569914,0.00005225563,0.000099968696,0.00034605246,0.00027242265,0.000101851845,0.00011089727,0.000056195975,0.0014780235],"category_scores_gemma":[0.00027146426,0.000053179825,0.000039878265,0.00023245637,0.000089178284,0.00007525755,0.00000267555,0.00028517673,0.000014113455],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023326636,0.00005531702,0.21902715,0.000007333992,0.00014055929,0.000009137722,0.19539794,0.00028838054,0.00020677588,0.040425457,0.18627717,0.35814145],"study_design_scores_gemma":[0.000298158,0.000057010016,0.13289562,0.00013479155,0.000026484362,0.000020655363,0.032035295,0.000021054519,0.000009250067,0.02393702,0.81040305,0.00016160547],"about_ca_topic_score_codex":0.15333675,"about_ca_topic_score_gemma":0.34842578,"teacher_disagreement_score":0.6241259,"about_ca_system_score_codex":0.00019206542,"about_ca_system_score_gemma":0.0011797644,"threshold_uncertainty_score":0.99943477},"labels":[],"label_agreement":null},{"id":"W2621259597","doi":"","title":"Laboratories for Living in a Diverse World","year":2016,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Biomedical and Engineering Education","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Geography","score_opus":0.01290723152618611,"score_gpt":0.19870416767052965,"score_spread":0.18579693614434353,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2621259597","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9687108,0.00026203954,0.020738792,0.00093500083,0.008561362,0.000072137314,0.00003078271,0.000032782547,0.000656333],"genre_scores_gemma":[0.999184,0.0000054933735,0.0002635387,0.000028560966,0.00029725523,0.000004879083,2.1399973e-7,0.00000908839,0.00020694514],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996557,0.000004716626,0.00013982333,0.000033521657,0.000032902375,0.00013331829],"domain_scores_gemma":[0.99965763,0.00006512019,0.00001694238,0.000042077772,0.000053596767,0.00016466175],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009200305,0.00004675076,0.00006625478,0.000515133,0.000024463463,0.0000129240225,0.000063554304,0.000026651507,0.00017249164],"category_scores_gemma":[0.00010629943,0.000036393183,0.000032623342,0.00028184126,0.000022923983,0.00012334331,0.000001763277,0.00007312182,0.000005198274],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037889364,0.000102908285,0.084850326,0.00059687754,0.00046438118,0.00013706648,0.038983587,0.006800164,0.017387008,0.0037098585,0.63825804,0.20867191],"study_design_scores_gemma":[0.0013576581,0.0002581438,0.13670631,0.0034608468,0.00006288327,0.00019084426,0.006289202,0.0018479642,0.0013851102,0.0013743171,0.84640014,0.0006665808],"about_ca_topic_score_codex":0.0010354226,"about_ca_topic_score_gemma":0.17345703,"teacher_disagreement_score":0.20814212,"about_ca_system_score_codex":0.00024027484,"about_ca_system_score_gemma":0.00012434719,"threshold_uncertainty_score":0.8416252},"labels":[],"label_agreement":null},{"id":"W2621744348","doi":"","title":"Making Dry Bones Stand: Lutheran Higher Education at Century's End","year":2003,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Catholicism and Religious Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dry cleaning; History; Engineering; Waste management","score_opus":0.040403326715523866,"score_gpt":0.24185294562439794,"score_spread":0.20144961890887408,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2621744348","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5874379,0.010794878,0.00001006599,0.0011728969,0.020240476,0.000113686474,0.000045226738,0.00001680536,0.38016802],"genre_scores_gemma":[0.97923833,0.00009365705,0.000022636279,0.0005850171,0.0010663577,0.0000033826932,0.0000012945698,0.000016457816,0.01897287],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993035,0.000040111307,0.00025769896,0.000085873915,0.00009809559,0.00021470021],"domain_scores_gemma":[0.9993794,0.00002193408,0.00014792706,0.000098827426,0.00019772822,0.00015416637],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009966763,0.00010983793,0.0001449237,0.00041330105,0.00071564864,0.00012153798,0.00008519754,0.000032792974,0.005814607],"category_scores_gemma":[0.000015966947,0.00009202033,0.00013354981,0.000053611082,0.00016900196,0.000119824486,0.0000062688337,0.00015908248,0.000039185743],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000416366,0.00011977627,0.0027456991,0.00005277424,0.00040814848,0.00009751074,0.34139383,0.000031586955,0.00015260953,0.29289812,0.35503727,0.007021024],"study_design_scores_gemma":[0.00015737567,0.00005909549,0.000686035,0.00010037714,0.00004930087,0.00013466238,0.021443194,3.0735245e-7,0.000014512346,0.0012207689,0.97602266,0.00011173019],"about_ca_topic_score_codex":0.013239124,"about_ca_topic_score_gemma":0.47484165,"teacher_disagreement_score":0.6209853,"about_ca_system_score_codex":0.00033115773,"about_ca_system_score_gemma":0.00047250112,"threshold_uncertainty_score":0.99509424},"labels":[],"label_agreement":null},{"id":"W2624695564","doi":"","title":"Jonah: The Anti-Hero of Vocation","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Jewish and Middle Eastern Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"HERO; Art; Literature; History","score_opus":0.057125085441786516,"score_gpt":0.29758091110903895,"score_spread":0.24045582566725243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2624695564","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94082844,0.0006511091,0.0001515666,0.0050259214,0.0033268512,0.000064949796,0.0000070454325,0.0000025779143,0.049941525],"genre_scores_gemma":[0.9985281,0.000027627624,0.000017780301,0.00010284298,0.00047171762,8.447134e-7,9.914131e-8,0.000003375809,0.00084757607],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99946946,0.000056510078,0.00016953662,0.000042437357,0.00012157226,0.00014050142],"domain_scores_gemma":[0.99910384,0.00003675427,0.0002970937,0.00014669482,0.00027850686,0.00013712834],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041264412,0.000040815317,0.00009299772,0.000120415425,0.0012783257,0.00009394715,0.0003681104,0.000029202389,0.00007142147],"category_scores_gemma":[0.0004292623,0.00003074104,0.00008619225,0.000068354144,0.0004884961,0.00021598408,0.000010425875,0.00011693636,0.000010085944],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001854358,0.00006129157,0.5763859,0.000019129171,0.00049363,0.000062679406,0.15001589,0.00004345985,0.00049025257,0.05703748,0.0295462,0.18582553],"study_design_scores_gemma":[0.0004007141,0.00013189595,0.6977533,0.00020126007,0.00009600672,0.00006828304,0.15154423,0.0000069401676,0.00013831283,0.0036800378,0.1458307,0.00014832584],"about_ca_topic_score_codex":0.15037705,"about_ca_topic_score_gemma":0.889074,"teacher_disagreement_score":0.73869693,"about_ca_system_score_codex":0.00008155519,"about_ca_system_score_gemma":0.00060033385,"threshold_uncertainty_score":0.9831977},"labels":[],"label_agreement":null},{"id":"W2625173464","doi":"","title":"Health Food in the Inner City: An Interview with Brian Noy about Augsburg's Campus Kitchen","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Consumer behavior in food and health","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Inner city; Psychology; Gerontology; Environmental health; Sociology; Medicine; Socioeconomics","score_opus":0.10077628041137944,"score_gpt":0.34316157421972965,"score_spread":0.24238529380835022,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2625173464","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97642165,0.0015309186,0.000108132226,0.017619342,0.0020169949,0.00026382343,0.000018361377,0.00001053837,0.0020102453],"genre_scores_gemma":[0.99608046,0.000044332697,0.00007054412,0.0030571069,0.000648777,0.000008500912,0.0000017599625,0.000013166293,0.00007536546],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99787945,0.0006709908,0.0004244814,0.00011103837,0.0002692905,0.00064473005],"domain_scores_gemma":[0.99834317,0.00006121666,0.00026760795,0.00019901838,0.00015138577,0.0009776189],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024831032,0.0001182406,0.00023932944,0.0005077058,0.00069125387,0.00012940985,0.0004413445,0.0000730475,0.0004214926],"category_scores_gemma":[0.00006456914,0.000088005654,0.000090433,0.0006177335,0.00023134764,0.0005119771,0.000008838885,0.0006098493,0.000007308408],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002280395,0.00020451532,0.2471627,0.000025773787,0.00007374193,0.00004573757,0.5846804,0.00000417566,0.000004058377,0.0035023042,0.009604848,0.15466896],"study_design_scores_gemma":[0.00056279596,0.00097539695,0.41904303,0.0004275022,0.000060790782,0.00047698326,0.16199197,0.000001282067,0.0000022524043,0.00022383546,0.41598463,0.00024951462],"about_ca_topic_score_codex":0.36802763,"about_ca_topic_score_gemma":0.9841306,"teacher_disagreement_score":0.616103,"about_ca_system_score_codex":0.00072440505,"about_ca_system_score_gemma":0.0031596404,"threshold_uncertainty_score":0.63618076},"labels":[],"label_agreement":null},{"id":"W2625335800","doi":"","title":"Grinding for the Common Good and Getting Roasted","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Mineral Processing and Grinding","field":"Engineering","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Grinding; Computer science; Engineering; Mechanical engineering","score_opus":0.037843744935179925,"score_gpt":0.2324385243350359,"score_spread":0.19459477939985598,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2625335800","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9904733,0.00082700973,0.0047955066,0.00033994278,0.0018004435,0.000058125046,0.0000054767065,0.000016752529,0.0016834479],"genre_scores_gemma":[0.9992132,0.0000022659983,0.00027568286,0.00005459196,0.00034873048,0.0000023842595,4.8726304e-7,0.000013577319,0.00008909073],"study_design_codex":"simulation_or_modeling","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995823,0.000009657028,0.00016709075,0.000039372466,0.00004795827,0.00015363118],"domain_scores_gemma":[0.9995431,0.0000691976,0.000046903693,0.000050518545,0.000067007735,0.00022327669],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025809146,0.000063077874,0.000086796426,0.00020104069,0.0001769293,0.00008423384,0.000088182234,0.000030300294,0.0000093394565],"category_scores_gemma":[0.00006966185,0.000048977745,0.00003851748,0.000114344424,0.000026545393,0.00012074364,0.0000043398272,0.00019307015,0.0000011143461],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000066902496,0.000027424137,0.059296843,0.00033569481,0.0011127879,0.00017979022,0.08977773,0.434949,0.0036507598,0.0018251922,0.15989494,0.24888292],"study_design_scores_gemma":[0.006467942,0.0012861647,0.03147676,0.0023697463,0.0007983218,0.011483552,0.123155035,0.40470576,0.0022112378,0.0043528527,0.40986764,0.0018249926],"about_ca_topic_score_codex":0.001926741,"about_ca_topic_score_gemma":0.05770593,"teacher_disagreement_score":0.2499727,"about_ca_system_score_codex":0.000111500485,"about_ca_system_score_gemma":0.000085309,"threshold_uncertainty_score":0.95948845},"labels":[],"label_agreement":null},{"id":"W2625558547","doi":"","title":"Religion in the Age of Trump","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion and Society Interactions","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.04497203710100523,"score_gpt":0.3224328188992247,"score_spread":0.2774607817982195,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2625558547","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86393607,0.00007175541,0.00008569166,0.01656656,0.0026367859,0.0000850236,0.000004254971,0.0000026145162,0.116611235],"genre_scores_gemma":[0.9984739,0.00009146765,0.000030327545,0.0007265619,0.00023834986,0.0000015168237,3.1231926e-7,0.0000033254103,0.00043425514],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992759,0.00012402274,0.00024903356,0.000047195328,0.00015443782,0.00014937622],"domain_scores_gemma":[0.99923617,0.000078301935,0.00025086568,0.00018587535,0.00013363334,0.00011514564],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006460256,0.000043791013,0.00010011319,0.00021306095,0.0008373247,0.00014512501,0.00051656767,0.000057039444,0.00016839275],"category_scores_gemma":[0.0005254214,0.00003476517,0.000171483,0.00012913118,0.00034094008,0.00023464268,0.0000051292423,0.00027933184,0.000009082675],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002878483,0.00010581402,0.053673,0.000010487019,0.000120140714,0.00042743923,0.5302101,0.0000975883,0.00042306827,0.05515127,0.35439104,0.0053613125],"study_design_scores_gemma":[0.00042851406,0.00014653304,0.10108586,0.00020902108,0.000035447458,0.00014073124,0.15525568,0.000010394094,0.000035616933,0.005481087,0.73704433,0.0001268248],"about_ca_topic_score_codex":0.38449234,"about_ca_topic_score_gemma":0.91047585,"teacher_disagreement_score":0.5259835,"about_ca_system_score_codex":0.00016997696,"about_ca_system_score_gemma":0.0005918014,"threshold_uncertainty_score":0.64401096},"labels":[],"label_agreement":null},{"id":"W2625632383","doi":"","title":"Distinctive Lutheran Contributions to the Conversation about Vocation","year":2016,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Conversation; Psychology; Linguistics; Sociology; Communication; Philosophy","score_opus":0.022964320833925335,"score_gpt":0.22786261715117262,"score_spread":0.2048982963172473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2625632383","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.728561,0.00013523166,0.12728925,0.09129107,0.011963616,0.00061174366,0.0011520064,0.00004758744,0.038948495],"genre_scores_gemma":[0.9970678,0.0000024351682,0.000007484787,0.0007055191,0.00084697775,0.0000062938902,0.000003386037,0.0000061603846,0.0013539578],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99938905,0.000059980604,0.00025362743,0.00005668179,0.00009903018,0.00014163487],"domain_scores_gemma":[0.9988066,0.00005249186,0.00014759044,0.0001044706,0.0006764739,0.00021235218],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023231246,0.00006710564,0.00008020719,0.00023703325,0.0005271303,0.00013721413,0.00013529658,0.000022773886,0.0028686738],"category_scores_gemma":[0.00019951018,0.000036577618,0.00007984783,0.00005710309,0.00013851919,0.00033857382,0.0000042564693,0.000106596446,0.00028949606],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011723794,0.00005976964,0.0012750383,0.0000106156085,0.0003233408,0.000013862097,0.5479482,0.00016289041,0.00043453166,0.15432283,0.22128336,0.07404833],"study_design_scores_gemma":[0.0005525329,0.0001810925,0.011927058,0.00011763991,0.000045281868,0.00006484717,0.024697585,0.00008046147,0.00011026728,0.0017776028,0.96030504,0.00014058941],"about_ca_topic_score_codex":0.017483294,"about_ca_topic_score_gemma":0.5333953,"teacher_disagreement_score":0.73902166,"about_ca_system_score_codex":0.00037238523,"about_ca_system_score_gemma":0.00030891047,"threshold_uncertainty_score":0.9980428},"labels":[],"label_agreement":null},{"id":"W2625796772","doi":"","title":"Dual Citizenship in Athens and Jerusalem: Ricoeur's Hermeneutics and the Promise of Lutheran Higher Education","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Hermeneutics and Narrative Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hermeneutics; Citizenship; Dual (grammatical number); Sociology; Philosophy; History; Theology; Art; Literature; Political science; Law; Politics","score_opus":0.03633073412153231,"score_gpt":0.23616302456973773,"score_spread":0.1998322904482054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2625796772","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9842505,0.00019915617,4.550774e-7,0.0013392129,0.0012098716,0.00009334432,0.000012506347,0.00000156286,0.012893397],"genre_scores_gemma":[0.9972643,0.000020783753,0.0000060706543,0.00029495967,0.0006036166,0.0000027535152,3.9482285e-7,0.000007684633,0.0017994258],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99941236,0.00008943509,0.00025441608,0.00006580851,0.00006402838,0.00011396124],"domain_scores_gemma":[0.9994082,0.00004625388,0.00013676823,0.000070497794,0.00022592665,0.00011236211],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026697895,0.000069618065,0.0001325186,0.00026258678,0.00021855003,0.000092071656,0.000060682414,0.00002623393,0.00079981895],"category_scores_gemma":[0.000028964287,0.00005039772,0.000038049806,0.000058376078,0.00077933556,0.00008363289,0.000008312233,0.00014291516,0.0000022211198],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031489637,0.00016873414,0.028634785,0.00008805851,0.00041963882,0.000038877984,0.5413084,0.000004618003,0.0005845218,0.3963029,0.02004044,0.012094088],"study_design_scores_gemma":[0.007694958,0.0018034233,0.28569338,0.000895693,0.00044538177,0.00049464643,0.08846295,0.00016143387,0.00025726957,0.16694276,0.4464033,0.00074480515],"about_ca_topic_score_codex":0.012801475,"about_ca_topic_score_gemma":0.6003124,"teacher_disagreement_score":0.58751094,"about_ca_system_score_codex":0.000054513737,"about_ca_system_score_gemma":0.00029893275,"threshold_uncertainty_score":0.9937724},"labels":[],"label_agreement":null},{"id":"W2625971493","doi":"","title":"Why Martin Luther and the Reformation Mattter 500 Years Later","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Martin luther; History; Art; Philosophy; Theology","score_opus":0.027240723399836006,"score_gpt":0.20968366126617374,"score_spread":0.18244293786633775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2625971493","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9188953,0.000048012924,0.00014367256,0.012666461,0.002150323,0.00008792414,0.000017144857,0.0000066243047,0.06598454],"genre_scores_gemma":[0.9955171,0.000003541095,0.000007001509,0.0021649094,0.00037395966,0.0000015051004,8.1581607e-7,0.000006287886,0.0019249017],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995415,0.000035690624,0.00020714532,0.000037046688,0.00007097361,0.00010765008],"domain_scores_gemma":[0.9994202,0.0000091541115,0.00021766346,0.00014803825,0.000100883095,0.00010402685],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002457828,0.000055596982,0.00008599605,0.00014156665,0.00077228935,0.0006769817,0.00015746753,0.000022628345,0.002885291],"category_scores_gemma":[0.000030502819,0.00003418243,0.00006409247,0.000007694279,0.0003480293,0.00062327925,0.000010871988,0.00016648303,0.000070682974],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017324847,0.000021932949,0.0029990782,0.000033464523,0.00026912818,0.000053619173,0.49537998,0.00003776515,0.000009595575,0.01846641,0.4633684,0.019187389],"study_design_scores_gemma":[0.0011266854,0.000056899302,0.023429267,0.00007741963,0.000042913616,0.00023007837,0.012451135,0.00040551418,0.000008165551,0.002987348,0.95905495,0.00012962024],"about_ca_topic_score_codex":0.040662058,"about_ca_topic_score_gemma":0.43735346,"teacher_disagreement_score":0.49568656,"about_ca_system_score_codex":0.00004568833,"about_ca_system_score_gemma":0.000049249385,"threshold_uncertainty_score":0.9980262},"labels":[],"label_agreement":null},{"id":"W2626572187","doi":"","title":"The Vocation of a Lutheran College","year":2001,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology; History","score_opus":0.03452849256501875,"score_gpt":0.21481865055855878,"score_spread":0.18029015799354003,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2626572187","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89477503,0.00021085369,0.0004910189,0.0023432833,0.0028373215,0.000086234126,0.000039828315,0.000006400486,0.09921001],"genre_scores_gemma":[0.99666935,0.000014392715,0.0000071194345,0.00013491588,0.0003234305,0.0000010764198,7.885455e-7,0.0000047242156,0.0028442123],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994858,0.00003273307,0.00027096682,0.00002819207,0.0000818929,0.00010042015],"domain_scores_gemma":[0.9993107,0.000028518896,0.00017381909,0.00008064215,0.0002992156,0.00010712764],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001864379,0.000044985176,0.00007143766,0.00019126052,0.00044719473,0.000071037735,0.00012283574,0.000016599723,0.0014601813],"category_scores_gemma":[0.000037143785,0.000029934938,0.00007829172,0.00005396035,0.00015456066,0.00018668278,0.0000022321035,0.00011565983,0.000022795293],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019440363,0.00011156855,0.0026461845,0.000033025342,0.00045883332,0.00006994426,0.44800314,0.00031932927,0.00017964224,0.26730153,0.22852905,0.05215335],"study_design_scores_gemma":[0.00025310766,0.00013016413,0.00226146,0.000043454933,0.000019326644,0.0001890462,0.047004346,0.00021232502,0.000023520028,0.0016644207,0.94813526,0.000063571184],"about_ca_topic_score_codex":0.02379626,"about_ca_topic_score_gemma":0.7197971,"teacher_disagreement_score":0.7196062,"about_ca_system_score_codex":0.0000788202,"about_ca_system_score_gemma":0.00025120116,"threshold_uncertainty_score":0.9994526},"labels":[],"label_agreement":null},{"id":"W2626572792","doi":"","title":"Academic Vocation: What the Lutheran University has to Offer","year":2004,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Catholicism and Religious Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology; Visual arts; Mathematics education; History; Art; Psychology","score_opus":0.04608787743292229,"score_gpt":0.21349899844787837,"score_spread":0.1674111210149561,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2626572792","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.916938,0.0018641887,0.00023135547,0.0583931,0.006830823,0.0001674045,0.000023511226,0.00001583764,0.01553579],"genre_scores_gemma":[0.9945903,0.00011452068,0.000007967723,0.0018178028,0.00091822306,5.8408045e-7,4.8151134e-7,0.000007062429,0.0025431043],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995378,0.000021350526,0.00014591956,0.000062822335,0.000079131634,0.00015296084],"domain_scores_gemma":[0.9994556,0.000021325783,0.00006875742,0.00009483859,0.00018777489,0.00017175307],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001047691,0.00007228395,0.000093229275,0.00030460113,0.0010133577,0.00018446275,0.00020768041,0.000028528802,0.00034799383],"category_scores_gemma":[0.000016308153,0.000051381223,0.00010137032,0.00008818891,0.00028694194,0.00026130382,0.000011491892,0.00026673413,0.00007492369],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023246103,0.000015835933,0.000080187885,0.0000053812714,0.00016044345,0.00007143057,0.8400438,0.0005326539,0.000049034832,0.05057173,0.10361212,0.0048341798],"study_design_scores_gemma":[0.0002182784,0.00009127236,0.0005161123,0.00010844108,0.000045491,0.00015134017,0.16392258,6.5878845e-7,0.00001583076,0.0013006642,0.8335542,0.00007513835],"about_ca_topic_score_codex":0.047334634,"about_ca_topic_score_gemma":0.7602678,"teacher_disagreement_score":0.7299421,"about_ca_system_score_codex":0.00023661628,"about_ca_system_score_gemma":0.0003928544,"threshold_uncertainty_score":0.95900923},"labels":[],"label_agreement":null},{"id":"W2629847302","doi":"","title":"Why Did the Chicken Cross the Road? : a Homily on Liminality and Vocation","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Wittgensteinian philosophy and applications","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Liminality; Homily; Art; Aesthetics; Literature","score_opus":0.0655222803188682,"score_gpt":0.2597123457029955,"score_spread":0.1941900653841273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2629847302","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8996604,0.00009947849,0.00001971055,0.05511094,0.0012260549,0.00013816885,0.000048344846,0.0000050358217,0.04369186],"genre_scores_gemma":[0.99531126,0.000005047372,0.0000029639841,0.0026243604,0.001380853,0.00000980327,9.078613e-7,0.0000075989274,0.0006572333],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99946994,0.000044373355,0.00019389136,0.00008330719,0.00008410065,0.00012439638],"domain_scores_gemma":[0.9990584,0.000054614728,0.00024532928,0.0003596314,0.00015862698,0.0001233909],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0002522851,0.000079907404,0.0000824364,0.0000829795,0.0034464595,0.0008864196,0.00038432566,0.000024291043,0.00028411997],"category_scores_gemma":[0.00008257788,0.000046166955,0.00008488076,0.00002031535,0.00080999045,0.00023783314,0.000014356871,0.0002716729,0.000017515193],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009776758,0.00009981415,0.0031546308,0.000021704867,0.00035324422,0.000032940923,0.22975752,0.00006679148,0.000059784383,0.6099564,0.124794275,0.03160516],"study_design_scores_gemma":[0.00039675695,0.00028676103,0.14419384,0.0001130936,0.00010223142,0.00021708774,0.014418105,0.00005021975,0.000039321476,0.021584034,0.81841743,0.00018108869],"about_ca_topic_score_codex":0.02851133,"about_ca_topic_score_gemma":0.41374204,"teacher_disagreement_score":0.6936232,"about_ca_system_score_codex":0.00004542725,"about_ca_system_score_gemma":0.00012846931,"threshold_uncertainty_score":0.9978509},"labels":[],"label_agreement":null},{"id":"W2634724040","doi":"","title":"Well, Well . . . Plumbing Our Depths, Telling Our Stories","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Educational Leadership and Practices","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Story telling; Art; Narrative; Literature","score_opus":0.06820277834501,"score_gpt":0.3269390343105223,"score_spread":0.2587362559655123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2634724040","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68417716,0.0007107756,0.0017815495,0.0935108,0.027843412,0.00018544603,0.000007895174,0.00004334017,0.19173963],"genre_scores_gemma":[0.9918605,0.00002275767,0.00038077397,0.00088576035,0.003540665,0.0000016754645,9.4202466e-7,0.000012921263,0.0032940218],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986992,0.00031759328,0.000288134,0.00011275575,0.0002518536,0.00033048922],"domain_scores_gemma":[0.9985772,0.00017768182,0.00028303138,0.00010305694,0.00030609572,0.0005529387],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012719769,0.00009275986,0.00013705083,0.0004079689,0.0009685651,0.0002434189,0.0003047885,0.00008951378,0.00043029748],"category_scores_gemma":[0.0008047645,0.000099555546,0.00011969288,0.00032826667,0.000068304915,0.0006492352,0.000004718236,0.00046136376,0.00015631599],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000061666506,0.00014740157,0.083366446,0.000056382723,0.0004312482,0.00009450961,0.44422588,0.0017975881,0.00019269968,0.037292495,0.41483122,0.017502464],"study_design_scores_gemma":[0.0000861893,0.000051362105,0.00089184317,0.0000560559,0.000034039324,0.000046052264,0.35868493,0.000012960495,0.000023130759,0.0006445672,0.6393656,0.0001032489],"about_ca_topic_score_codex":0.1380314,"about_ca_topic_score_gemma":0.81525993,"teacher_disagreement_score":0.67722857,"about_ca_system_score_codex":0.00035792537,"about_ca_system_score_gemma":0.0017589394,"threshold_uncertainty_score":0.8677085},"labels":[],"label_agreement":null},{"id":"W2635986866","doi":"","title":"The Prophetic Vocation and the Nature(s) of College: Reimagining College with Jim Farrell","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology; Art history; History; Art","score_opus":0.008261290322734064,"score_gpt":0.23607130172109342,"score_spread":0.22781001139835935,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2635986866","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3512577,0.0013860867,0.002301647,0.08949408,0.005207806,0.00075055903,0.00011266999,0.000016096456,0.54947335],"genre_scores_gemma":[0.9981954,0.000014566969,0.00010758381,0.0004189485,0.0002686756,0.0000028825777,2.2834396e-7,0.00000388441,0.0009878295],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921757,0.00022159329,0.00018803886,0.000052915348,0.00016491083,0.00015495757],"domain_scores_gemma":[0.9987794,0.0004169697,0.00020018156,0.00008362853,0.00035646348,0.00016334455],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007347431,0.000052890264,0.00010339926,0.00009280851,0.0010362515,0.000040520692,0.00017190061,0.00003806323,0.000036599115],"category_scores_gemma":[0.00044064797,0.000027297963,0.000043663866,0.0002518221,0.0026009094,0.000086336004,0.0000051695606,0.00030820837,0.00000112952],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000288256,0.000002964893,0.0004998375,0.000002088131,0.000029832756,0.0000031191555,0.0025532818,0.000026202215,0.0000021318187,0.99355596,0.002617962,0.000677775],"study_design_scores_gemma":[0.00073757686,0.00018351345,0.0018155954,0.00010860576,0.00009334979,0.000297012,0.042809114,0.00010146661,0.000013320606,0.0063632224,0.9473712,0.00010603251],"about_ca_topic_score_codex":0.035710383,"about_ca_topic_score_gemma":0.3837689,"teacher_disagreement_score":0.98719275,"about_ca_system_score_codex":0.00010996527,"about_ca_system_score_gemma":0.0034337908,"threshold_uncertainty_score":0.9707109},"labels":[],"label_agreement":null},{"id":"W2638031997","doi":"","title":"Honesty of Mind: On the Uses and Abuses of Socratic Ignorance in Environmental Studies, Religion, and the Classroom","year":2002,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion, Ecology, and Ethics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ignorance; Honesty; Socratic method; Socratic questioning; Psychology; Epistemology; Environmental ethics; Philosophy; Social psychology","score_opus":0.04945264811793934,"score_gpt":0.2701005659764987,"score_spread":0.22064791785855933,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2638031997","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9834398,0.0037709805,0.0000032622438,0.011528597,0.00033027487,0.000099409815,0.000004961218,6.8680373e-7,0.00082199665],"genre_scores_gemma":[0.9937763,0.005648302,0.000011580526,0.00041700783,0.0000654249,0.0000023615833,5.079227e-8,0.000003240375,0.00007573791],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9991507,0.00026341382,0.0002828741,0.000064139545,0.00011709757,0.00012178835],"domain_scores_gemma":[0.998899,0.00069520925,0.00020937927,0.000074269155,0.000047187845,0.0000749601],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00071496266,0.000057114266,0.00016439102,0.00014441805,0.0003045389,0.000015497493,0.000117261945,0.000056127275,0.00004754801],"category_scores_gemma":[0.00043675042,0.000035754085,0.00004656738,0.00013738532,0.0017080995,0.0000711812,0.0000070507726,0.00022137683,0.0000011289625],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011693828,0.00015593541,0.2228288,0.000043598066,0.00037197417,0.000047483667,0.6923755,0.00022355621,0.00017914195,0.026075616,0.055165574,0.002415911],"study_design_scores_gemma":[0.002978724,0.0011038394,0.15119065,0.00086016563,0.00022936445,0.00023578599,0.7592142,0.00015676764,0.00015916623,0.04745282,0.036062684,0.00035581636],"about_ca_topic_score_codex":0.025823232,"about_ca_topic_score_gemma":0.6391655,"teacher_disagreement_score":0.6133423,"about_ca_system_score_codex":0.00009929399,"about_ca_system_score_gemma":0.000121631565,"threshold_uncertainty_score":0.9806639},"labels":[],"label_agreement":null},{"id":"W2660220596","doi":"","title":"Alister McGrath: Glimpsing the Divine: The Search for Meaning in the Universe","year":2002,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Meaning (existential); Philosophy; Literature; Theology; Epistemology; Art","score_opus":0.11315147845532889,"score_gpt":0.2419229221322196,"score_spread":0.12877144367689072,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2660220596","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7212479,0.000744,0.00020521838,0.07641619,0.0074190837,0.00046838875,0.000027074604,0.000008327345,0.1934638],"genre_scores_gemma":[0.9932379,0.000005409992,0.0000055288183,0.002798253,0.000810555,0.0000025386887,2.7377752e-7,0.000004764484,0.003134759],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993931,0.000066823246,0.00016078122,0.000053914184,0.0001351454,0.00019024727],"domain_scores_gemma":[0.99949145,0.0001450523,0.000060824448,0.00011408654,0.00011112616,0.000077435994],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006745545,0.00005579233,0.000068856236,0.00021809306,0.0011039948,0.000122019286,0.00035411143,0.000013082087,0.001250464],"category_scores_gemma":[0.00005133697,0.000025784017,0.00008311081,0.000097490105,0.0005030078,0.00018963264,0.000006193621,0.00026901672,0.000010808145],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000560661,0.000012753042,0.00008472478,0.0000037731613,0.000020793856,0.000045636218,0.7915946,0.00007023761,0.000029317598,0.019458115,0.18267927,0.0059951292],"study_design_scores_gemma":[0.00015358653,0.00010317294,0.00012089911,0.000054104356,0.000021510363,0.00012370956,0.239286,0.00017075165,0.0000023656905,0.00012511692,0.7598026,0.000036221838],"about_ca_topic_score_codex":0.015247865,"about_ca_topic_score_gemma":0.6660273,"teacher_disagreement_score":0.6507795,"about_ca_system_score_codex":0.00013132986,"about_ca_system_score_gemma":0.00011543118,"threshold_uncertainty_score":0.9996625},"labels":[],"label_agreement":null},{"id":"W2663237542","doi":"","title":"Finding Words that Matter (Proverbs 1:20-21; 4:10-13)","year":2005,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Biblical Studies and Interpretation","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Linguistics; History; Philosophy","score_opus":0.03950431080634016,"score_gpt":0.22666834334306843,"score_spread":0.18716403253672825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2663237542","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48454127,0.0009892673,0.00059567014,0.0141737275,0.0066271294,0.0001557063,0.000073465555,0.000025227942,0.49281853],"genre_scores_gemma":[0.97765684,0.0000060726197,0.000038487044,0.0043952595,0.0018334113,0.0000036164577,0.0000022345741,0.000015418627,0.016048657],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919355,0.00002528561,0.00030179572,0.0000980916,0.00012317102,0.0002580973],"domain_scores_gemma":[0.9993159,0.00003552241,0.00016105127,0.000091214824,0.00016709445,0.00022921494],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011617896,0.0001154577,0.00015585116,0.0005733392,0.00044170412,0.00027876577,0.00016332758,0.000039810333,0.054352235],"category_scores_gemma":[0.000024262497,0.00009713102,0.00017892773,0.00008812405,0.0001365578,0.00047241905,0.000012489548,0.00025371194,0.00051398674],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019769854,0.000021488506,0.0018690896,0.000008505133,0.00013691235,0.000013371696,0.041720174,0.00005129167,0.0000174294,0.0022935583,0.943939,0.009909461],"study_design_scores_gemma":[0.00019241142,0.00012731345,0.0013883943,0.00008741476,0.00003499202,0.00006385538,0.011345017,0.00008850605,0.00002653527,0.00019759088,0.9863245,0.0001234985],"about_ca_topic_score_codex":0.010947021,"about_ca_topic_score_gemma":0.6386798,"teacher_disagreement_score":0.6277328,"about_ca_system_score_codex":0.0002546773,"about_ca_system_score_gemma":0.000097780496,"threshold_uncertainty_score":0.99563915},"labels":[],"label_agreement":null},{"id":"W2663874819","doi":"","title":"Semper Reformanda : Lutheran Higher Education in the Anthropocene","year":2016,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion, Ecology, and Ethics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Anthropocene; History; Philosophy; Environmental ethics","score_opus":0.03705949702752314,"score_gpt":0.323031120540581,"score_spread":0.2859716235130578,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2663874819","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7924449,0.00031129512,0.00003178303,0.10668661,0.0064877463,0.00008839436,0.0000032219011,0.0000047885724,0.09394131],"genre_scores_gemma":[0.99521977,0.00016964368,0.000014519079,0.0017689315,0.0007994916,0.0000024274214,1.7996707e-7,0.000004585905,0.0020204314],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922836,0.00020466391,0.00019794852,0.000056278277,0.000117949385,0.00019482392],"domain_scores_gemma":[0.9994146,0.00008804232,0.00009444996,0.000087035776,0.0001608043,0.00015503622],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00079201977,0.00004807064,0.000072161885,0.0002726197,0.00040265734,0.000042932683,0.00022726174,0.00008812374,0.0013183635],"category_scores_gemma":[0.00009925685,0.000027859074,0.000058877682,0.00023010558,0.00031676053,0.00022178671,0.0000023898149,0.00019650356,0.000030127105],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004365226,0.00015590682,0.13132888,0.000010074525,0.00009270892,0.000063891785,0.23711662,0.0000132797195,0.00020594077,0.08334228,0.5103124,0.03731437],"study_design_scores_gemma":[0.00024531918,0.00009378961,0.10779517,0.00009781456,0.000013208695,0.00006585567,0.035592835,2.9263688e-7,0.0000085424,0.013665461,0.8423351,0.000086599954],"about_ca_topic_score_codex":0.11028061,"about_ca_topic_score_gemma":0.81209826,"teacher_disagreement_score":0.70181763,"about_ca_system_score_codex":0.0004396789,"about_ca_system_score_gemma":0.0026631174,"threshold_uncertainty_score":0.99959457},"labels":[],"label_agreement":null},{"id":"W2671783409","doi":"","title":"Response to Robert Benne","year":2003,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Psychotherapy Techniques and Applications","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.025353399649220464,"score_gpt":0.3061500574127082,"score_spread":0.2807966577634877,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2671783409","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8804178,0.00024111185,0.030958151,0.0065849395,0.0032399276,0.0002524749,0.000028286733,0.000030901654,0.078246355],"genre_scores_gemma":[0.99107337,0.0000019220072,0.0017726857,0.002472917,0.00010617941,0.000024880432,3.482911e-7,0.000019801026,0.0045279237],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99917907,0.0001306517,0.00027506257,0.000116068004,0.00006030063,0.0002388673],"domain_scores_gemma":[0.99895716,0.00005670158,0.00009264063,0.00026410702,0.00012320516,0.0005061948],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043286034,0.00008516809,0.00011315525,0.00066278764,0.00012963545,0.000028650506,0.00019630631,0.00006501973,0.007518926],"category_scores_gemma":[0.000063189276,0.00008510223,0.00010921622,0.00043917596,0.000038757596,0.000049674567,0.0000018196964,0.00021083423,0.00017039308],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035361832,0.00014600794,0.0018319909,0.0000015702209,0.00020626036,0.0001606905,0.014511523,0.00005026028,0.008665746,0.042139806,0.91833085,0.013601702],"study_design_scores_gemma":[0.00025805805,0.00032329158,0.005566649,0.000023089706,0.000010850065,0.000863239,0.0017273714,5.472618e-7,0.00024170436,0.0012126291,0.9896715,0.00010105914],"about_ca_topic_score_codex":0.005777064,"about_ca_topic_score_gemma":0.061554197,"teacher_disagreement_score":0.11065549,"about_ca_system_score_codex":0.00016424865,"about_ca_system_score_gemma":0.0002576916,"threshold_uncertainty_score":0.99338835},"labels":[],"label_agreement":null},{"id":"W2676537286","doi":"","title":"The Impropriety of Jesus' Teaching: The Woman at the Well and The Vagina Monologues","year":2003,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Biblical Studies and Interpretation","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Appearance of impropriety; Vagina; Art; Medicine; Philosophy; Anatomy; Theology","score_opus":0.016547081815502646,"score_gpt":0.20321665930572702,"score_spread":0.18666957749022436,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2676537286","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7808204,0.007664105,0.000089483416,0.046766322,0.003474572,0.00033138646,0.000019584993,0.000007709906,0.16082641],"genre_scores_gemma":[0.9958278,0.0001272677,0.0000028139973,0.0015699189,0.00021790831,0.00000652173,2.3728045e-7,0.000006499588,0.0022410355],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99918884,0.0002174212,0.00026950103,0.000061516555,0.000099470555,0.0001632724],"domain_scores_gemma":[0.9990827,0.00034401938,0.0002005425,0.00015850134,0.00015218697,0.000062065155],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00073379447,0.00008296147,0.00010991547,0.000067450776,0.0023967887,0.0001991596,0.00024068107,0.000022736169,0.00041269689],"category_scores_gemma":[0.00018133868,0.000029446737,0.00013453038,0.00005456169,0.001370831,0.00008576624,0.000022573196,0.00040943592,0.0000063491407],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008783234,0.000017734148,0.0007104648,0.0000073428496,0.000552957,0.0000029240894,0.1840027,0.00002841403,0.000016185644,0.48018625,0.32731402,0.0070731915],"study_design_scores_gemma":[0.0002445116,0.00012255031,0.0008962998,0.000019440531,0.00006711581,0.00006881777,0.068335205,0.00007356662,0.000019806856,0.0033113603,0.9267953,0.000045998342],"about_ca_topic_score_codex":0.020336987,"about_ca_topic_score_gemma":0.51869524,"teacher_disagreement_score":0.59948134,"about_ca_system_score_codex":0.00006976901,"about_ca_system_score_gemma":0.00006964552,"threshold_uncertainty_score":0.99890196},"labels":[],"label_agreement":null},{"id":"W2690182127","doi":"","title":"The Marks of An ELCA College: One Bishop's Reflections","year":2002,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Catholicism and Religious Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Genealogy; History; Art history","score_opus":0.05587400393572233,"score_gpt":0.23348577419144959,"score_spread":0.17761177025572725,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2690182127","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6387135,0.002806408,0.000018380395,0.005076595,0.007376099,0.00017566215,0.00018087805,0.00001956543,0.34563294],"genre_scores_gemma":[0.99134654,0.00016753381,0.000024214396,0.00020160334,0.00089156005,0.000003817526,6.779283e-7,0.000012043288,0.0073520034],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999212,0.000046727375,0.00035172934,0.000069530644,0.00011488358,0.0002051036],"domain_scores_gemma":[0.9990606,0.00006316123,0.00017477096,0.00015619758,0.00036753333,0.00017779303],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015492852,0.000086907174,0.00015620052,0.00040065983,0.00134182,0.00009646208,0.0001871192,0.000032418673,0.0013701137],"category_scores_gemma":[0.000052469,0.00006277668,0.00014843515,0.00011798039,0.00046240544,0.00014174488,0.000009437863,0.00023968032,0.000016905802],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046244146,0.0002130037,0.000095718715,0.00002486453,0.00069465186,0.00010274409,0.24371554,0.00009961772,0.00025911283,0.07724585,0.66616905,0.011333626],"study_design_scores_gemma":[0.00031220523,0.00053557433,0.00031619376,0.00009139607,0.00012140879,0.00043180303,0.06633576,0.00005036566,0.000045577483,0.0025931946,0.92902404,0.00014245708],"about_ca_topic_score_codex":0.03007269,"about_ca_topic_score_gemma":0.90644336,"teacher_disagreement_score":0.87637067,"about_ca_system_score_codex":0.0001017425,"about_ca_system_score_gemma":0.00012660667,"threshold_uncertainty_score":0.9999583},"labels":[],"label_agreement":null},{"id":"W2696596982","doi":"","title":"Colleges Lead Way: Curiosity, Faith, Discernment, Mission are Key","year":2008,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Management and Marketing Education","field":"Business, Management and Accounting","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Discernment; Curiosity; Key (lock); Faith; Lead (geology); Astrobiology; Psychology; Computer science; Philosophy; Epistemology; Computer security; Geology; Social psychology; Biology","score_opus":0.03128767636354369,"score_gpt":0.21688558617838052,"score_spread":0.18559790981483684,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2696596982","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94707805,0.00009299728,0.00025052074,0.0055649304,0.004012182,0.00014101743,0.0000034099805,0.000027236076,0.042829636],"genre_scores_gemma":[0.9928298,0.000016008305,0.000068972855,0.0012342293,0.0017136072,0.0000024003555,0.000005058764,0.00002027069,0.00410968],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990665,0.00001853977,0.00031552635,0.00013844538,0.00020933914,0.00025167133],"domain_scores_gemma":[0.99910265,0.00002463996,0.00042314452,0.0001475674,0.0002262567,0.000075756965],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002484017,0.00013776262,0.00017185281,0.00090802595,0.0005696501,0.00016714339,0.00025708714,0.000049334238,0.0012282792],"category_scores_gemma":[0.00017952852,0.00012887933,0.00013599175,0.00048628164,0.000074828975,0.0007602222,0.000036935886,0.00020664628,0.00010095798],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003935182,0.00008903419,0.13311079,0.000074109346,0.00009312613,0.00017716947,0.001159458,0.00007237729,0.00013547113,0.0011791915,0.8609539,0.0029160255],"study_design_scores_gemma":[0.0007088432,0.000042223448,0.20063397,0.0003999285,0.00014330674,0.00021141591,0.0069760177,0.00031480097,0.00004849435,0.00072697364,0.78943706,0.00035699943],"about_ca_topic_score_codex":0.015216031,"about_ca_topic_score_gemma":0.098423526,"teacher_disagreement_score":0.083207496,"about_ca_system_score_codex":0.00020013168,"about_ca_system_score_gemma":0.00014534582,"threshold_uncertainty_score":0.99968475},"labels":[],"label_agreement":null},{"id":"W2720653686","doi":"","title":"Room at the Table: Reflections on Identity and Inclusion from a Lutheran-Friendly Muslim","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Inclusion (mineral); Identity (music); Table (database); Sociology; Art; Gender studies; Computer science; Database; Aesthetics","score_opus":0.05629489485944902,"score_gpt":0.36198797064667365,"score_spread":0.30569307578722466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2720653686","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93346,0.00017664426,0.00015961031,0.014148978,0.0038515162,0.000098765195,0.000025277004,0.000006424832,0.04807278],"genre_scores_gemma":[0.9952151,0.0001147219,0.000038060734,0.0008695358,0.00068646914,0.0000034369177,0.0000010082941,0.0000070538276,0.0030645833],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999111,0.00015037424,0.00019873354,0.00010785215,0.00023988052,0.00019216408],"domain_scores_gemma":[0.9988006,0.00009898048,0.00025671424,0.00025837973,0.00019230001,0.00039302534],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00064965995,0.00007173421,0.000098970995,0.00020265364,0.01372879,0.00047228334,0.00047551974,0.00006786589,0.0010714341],"category_scores_gemma":[0.000668645,0.000056128745,0.00007281028,0.0001481009,0.00027447575,0.00028076908,0.00011365702,0.00029609705,0.000030486859],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006837064,0.00004800043,0.0108580645,0.000003314852,0.00019520671,0.000067232344,0.5129928,0.000064886335,0.0011482177,0.009069371,0.44349724,0.021987315],"study_design_scores_gemma":[0.0009866218,0.0003206701,0.07410944,0.0002860744,0.00013405974,0.00015010488,0.1525377,0.000023937233,0.00013943984,0.057300746,0.71362597,0.00038524272],"about_ca_topic_score_codex":0.33163086,"about_ca_topic_score_gemma":0.957867,"teacher_disagreement_score":0.62623614,"about_ca_system_score_codex":0.0005591345,"about_ca_system_score_gemma":0.0009931542,"threshold_uncertainty_score":0.99984175},"labels":[],"label_agreement":null},{"id":"W2721945749","doi":"","title":"From Our Students: Gifty Arthur","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American and British Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Mathematics education; Computer science; Psychology","score_opus":0.014498024288675875,"score_gpt":0.21746963987024642,"score_spread":0.20297161558157054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2721945749","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94357425,0.00026021033,0.00065478485,0.0023411429,0.0051893084,0.000049467944,0.000111248184,0.00001705018,0.04780253],"genre_scores_gemma":[0.99194884,0.0000026437372,0.000044865497,0.0016907485,0.0036156974,0.0000010947145,0.0000069513926,0.000011639599,0.0026775135],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921614,0.00006354331,0.00029632065,0.00009762905,0.0001509101,0.00017544815],"domain_scores_gemma":[0.999137,0.000022466269,0.00017091968,0.00012622315,0.000237542,0.00030586787],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013519332,0.000094737414,0.0001989219,0.0004031486,0.0002223591,0.00038746584,0.00025194007,0.000027376016,0.0039022218],"category_scores_gemma":[0.000052678362,0.00008540569,0.00020297707,0.000076842014,0.00009558952,0.00024065723,0.000008057527,0.00024236724,0.000098689416],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032403954,0.00012903828,0.007787289,0.00000853301,0.0012638709,0.00030090622,0.21320358,0.000050487073,0.000070059825,0.011409442,0.7288639,0.036880497],"study_design_scores_gemma":[0.0003546863,0.00020847467,0.0022025334,0.00012064749,0.0001648258,0.00008575518,0.09186563,0.000028098812,0.00001032709,0.001339942,0.9034292,0.00018985574],"about_ca_topic_score_codex":0.06595267,"about_ca_topic_score_gemma":0.6201359,"teacher_disagreement_score":0.55418324,"about_ca_system_score_codex":0.000079400525,"about_ca_system_score_gemma":0.0001273516,"threshold_uncertainty_score":0.9970083},"labels":[],"label_agreement":null},{"id":"W2724653527","doi":"","title":"Journey Toward Pluralism: Reimagining Lutheran Identity in a Changing World","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pluralism (philosophy); Identity (music); Sociology; History; Art; Art history; Aesthetics; Epistemology; Philosophy","score_opus":0.052646639404788996,"score_gpt":0.24983618080759062,"score_spread":0.19718954140280162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2724653527","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8540254,0.00012459118,0.0044728955,0.005174438,0.0073647615,0.00011111819,0.000018245599,0.000027150334,0.1286814],"genre_scores_gemma":[0.9950312,0.0000026771136,0.00004513006,0.00083716575,0.0009799913,0.0000015029922,0.0000015246751,0.0000121329995,0.0030887246],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99905634,0.00007742969,0.0003956024,0.00007205107,0.00013123507,0.00026731825],"domain_scores_gemma":[0.9992774,0.000023006114,0.00019224935,0.000091881666,0.00016934739,0.000246098],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00053463853,0.0000956233,0.00016632125,0.0029871422,0.00030791093,0.0003816308,0.00018812774,0.00002287784,0.0030816433],"category_scores_gemma":[0.0000707,0.00007724298,0.0001129978,0.00029509777,0.0000958532,0.0010259664,0.000009091908,0.00044630197,0.00005772875],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000329111,0.000038991366,0.005083983,0.000038828777,0.00010827379,0.00010102613,0.86963,0.0005131395,0.000035250443,0.08932634,0.018967628,0.016123665],"study_design_scores_gemma":[0.0011027579,0.00013898984,0.004829094,0.0005711198,0.000041348405,0.00030577116,0.09656743,0.0026374108,0.000024366083,0.005779814,0.88762414,0.00037772855],"about_ca_topic_score_codex":0.047414303,"about_ca_topic_score_gemma":0.87188584,"teacher_disagreement_score":0.8686565,"about_ca_system_score_codex":0.00022312364,"about_ca_system_score_gemma":0.00017699941,"threshold_uncertainty_score":0.9978297},"labels":[],"label_agreement":null},{"id":"W2725721736","doi":"","title":"Reforming Lutheran Higher Education: Ecclesiological Reflection and Theological Leadership","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reflection (computer programming); Theology; Sociology; Political science; Philosophy; Computer science; Programming language","score_opus":0.21445721938745343,"score_gpt":0.28756328115611507,"score_spread":0.07310606176866163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2725721736","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8426986,0.0002687773,0.00006056943,0.0051978426,0.0044943974,0.000065078515,0.0000061820965,0.000014471423,0.14719412],"genre_scores_gemma":[0.98950505,0.000008830358,0.00003010745,0.0008360952,0.0012372991,0.0000020833495,0.0000012317748,0.0000060752222,0.008373208],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942255,0.000045720182,0.0002271795,0.00007934174,0.000069323774,0.00015589406],"domain_scores_gemma":[0.9992264,0.00001589151,0.00022849672,0.00014125118,0.00016377271,0.00022421709],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019519875,0.00008279256,0.00011946378,0.0001927595,0.0013473642,0.00038182014,0.00017712818,0.000061257895,0.0051004477],"category_scores_gemma":[0.000062513034,0.00005820081,0.00007160302,0.000013368352,0.00039587772,0.0005194378,0.0000098072405,0.00027667594,0.00002823093],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003405604,0.0002824638,0.02254003,0.00012263737,0.00043073753,0.00014670295,0.19337098,0.000043723012,0.0004566659,0.46060908,0.10003512,0.22162129],"study_design_scores_gemma":[0.00057736365,0.00057555374,0.1304715,0.00020420461,0.000057676065,0.00064634223,0.043409776,0.000053436615,0.000035430352,0.014898826,0.80874735,0.00032254055],"about_ca_topic_score_codex":0.01109407,"about_ca_topic_score_gemma":0.15924822,"teacher_disagreement_score":0.7087122,"about_ca_system_score_codex":0.000109616805,"about_ca_system_score_gemma":0.00020944701,"threshold_uncertainty_score":0.99995273},"labels":[],"label_agreement":null},{"id":"W2726642601","doi":"","title":"From Our Students: David Kamins","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Sports and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Mathematics education; Psychology","score_opus":0.016561516670912598,"score_gpt":0.22399800834200848,"score_spread":0.20743649167109587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2726642601","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9217334,0.00014451162,0.000244312,0.0016727897,0.008553287,0.000060976243,0.00013283014,0.000015099014,0.06744282],"genre_scores_gemma":[0.98271227,0.0000012650746,0.00004274376,0.0014561007,0.004313351,0.0000011772646,0.0000073725146,0.00001481097,0.011450931],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992858,0.000033851396,0.0002733771,0.00009238919,0.00013826946,0.00017631045],"domain_scores_gemma":[0.999175,0.000015999094,0.00018217537,0.00013671808,0.00017908143,0.00031101756],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011709817,0.000101194375,0.00016956728,0.000308505,0.00025158896,0.00030336398,0.00025291916,0.000030455587,0.008425408],"category_scores_gemma":[0.000029388764,0.00008343711,0.00012792367,0.000046270623,0.00009109112,0.00022684246,0.000008293795,0.00027808704,0.000050876155],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022024436,0.00007443572,0.00813791,0.0000058211003,0.00029161642,0.0001781198,0.28787848,0.000029141118,0.00002819364,0.0147534665,0.6786825,0.009918261],"study_design_scores_gemma":[0.0001845753,0.0001435385,0.0032379332,0.000067340145,0.000040287814,0.00004202174,0.06017663,0.0000059687372,0.0000027286073,0.00019905526,0.93579835,0.00010160022],"about_ca_topic_score_codex":0.0632991,"about_ca_topic_score_gemma":0.44212317,"teacher_disagreement_score":0.37882408,"about_ca_system_score_codex":0.00008845785,"about_ca_system_score_gemma":0.0001647208,"threshold_uncertainty_score":0.99248105},"labels":[],"label_agreement":null},{"id":"W2730409083","doi":"","title":"Farming and Eating Locally: An Interview with Garry Griffith about Augustana's Farm2Fork Program","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Rural development and sustainability","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology; History","score_opus":0.024305844318251876,"score_gpt":0.2278213287620265,"score_spread":0.2035154844437746,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2730409083","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9978891,0.00039257237,0.000029505973,0.00060716365,0.00029098842,0.00016893774,0.0000039663137,0.00001770945,0.0006000338],"genre_scores_gemma":[0.9989446,0.000009933593,0.00040609163,0.000235556,0.00028100787,0.000007690213,0.0000041619733,0.0000017121178,0.000109270586],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99903494,0.000090279376,0.00027188842,0.00011236957,0.00010886108,0.00038167977],"domain_scores_gemma":[0.99900174,0.000038287337,0.00013360221,0.00003865234,0.00017933264,0.0006083809],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004365733,0.00012381753,0.00016718547,0.000062411935,0.00032349338,0.00012562262,0.00014909118,0.00005508582,0.00024021478],"category_scores_gemma":[0.00004092492,0.000049694714,0.00005959861,0.00030445613,0.00010950865,0.0004938007,0.000015334785,0.00022816715,0.0000017055013],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022845945,0.00006380703,0.27338096,0.000022568087,0.000051385763,0.00003199758,0.0033359923,0.000004299411,0.00035235894,0.00010717192,0.0005636745,0.72206295],"study_design_scores_gemma":[0.00016485064,0.0010507912,0.918066,0.00025029067,0.00003257871,0.00051425287,0.025867075,0.000025773496,0.000039354985,0.00012327402,0.053632885,0.00023285547],"about_ca_topic_score_codex":0.007028378,"about_ca_topic_score_gemma":0.25785154,"teacher_disagreement_score":0.72183007,"about_ca_system_score_codex":0.00015094495,"about_ca_system_score_gemma":0.00010254904,"threshold_uncertainty_score":0.9995839},"labels":[],"label_agreement":null},{"id":"W2730665050","doi":"","title":"Martin Luther, Vocation, and Church Colleges: Nurturing Future Leaders for Faith and Community","year":2002,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Architecture, Design, and Social History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Faith; Sociology; Psychology; Theology; Philosophy","score_opus":0.061356972544930985,"score_gpt":0.21803235914813757,"score_spread":0.15667538660320657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2730665050","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97732943,0.0019405218,0.00022967666,0.0024849551,0.0024035021,0.00019913628,0.000053017036,0.000013375926,0.015346399],"genre_scores_gemma":[0.9946514,0.00002551642,0.0000631561,0.00039974265,0.0011337798,0.0000050466006,0.0000012436285,0.000013620751,0.0037065314],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944896,0.00010425093,0.00018173,0.00006047602,0.00005447457,0.00015012606],"domain_scores_gemma":[0.9994316,0.00008091963,0.00009590345,0.00007259004,0.00012782092,0.00019116458],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.000207572,0.00008656061,0.00012909934,0.00026634635,0.0017248626,0.00007114629,0.00008769532,0.00004342922,0.000491255],"category_scores_gemma":[0.000039916053,0.00008149501,0.000060329465,0.000033299697,0.0004408822,0.00012832145,0.0000044655917,0.0003794831,0.0000018277353],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017096543,0.000025454909,0.00024755253,0.00003918403,0.000079826794,0.0000056384833,0.9092469,0.000006143822,0.000017592965,0.0036410047,0.0814309,0.0052426923],"study_design_scores_gemma":[0.00045102992,0.00029138938,0.0008749068,0.00006451614,0.000051572475,0.000079854566,0.3658259,0.00005975023,0.0000037677735,0.0010408472,0.6311136,0.00014288098],"about_ca_topic_score_codex":0.008921181,"about_ca_topic_score_gemma":0.49573833,"teacher_disagreement_score":0.54968274,"about_ca_system_score_codex":0.00011467316,"about_ca_system_score_gemma":0.0000818872,"threshold_uncertainty_score":0.9995748},"labels":[],"label_agreement":null},{"id":"W2730998119","doi":"","title":"Post-Secular Religion on Campus: Conversing with Jacobsen and Jacobsen","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion and Society Interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Sociology","score_opus":0.010593398275469164,"score_gpt":0.2421012201905234,"score_spread":0.23150782191505426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2730998119","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9660752,0.00006878935,0.00055459887,0.008505024,0.0015348195,0.00009748828,0.000005217144,0.000015315723,0.023143575],"genre_scores_gemma":[0.99675137,0.000046799192,0.00012855872,0.0022982513,0.0003470815,0.0000013356412,0.0000010554863,0.000011484344,0.0004140644],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99906605,0.00016284728,0.00020766092,0.00011806202,0.00020096346,0.00024444005],"domain_scores_gemma":[0.9987117,0.0001352299,0.00016199985,0.00010403649,0.00034708288,0.00053992594],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036802999,0.00009638049,0.00014386945,0.00032261014,0.00078915,0.00014703632,0.00013157041,0.00009012162,0.00016185909],"category_scores_gemma":[0.00025880086,0.00008598537,0.00011320653,0.00022091325,0.00028531262,0.00023047879,0.0000046819023,0.00034077902,0.000023373826],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040796422,0.00021620905,0.038865417,0.000055168526,0.0011328596,0.00065116433,0.5090603,0.0017755999,0.0034366252,0.10136361,0.3248289,0.018206155],"study_design_scores_gemma":[0.0015715371,0.0018426566,0.0099506425,0.00070953806,0.00019795483,0.0013515607,0.18132633,0.0002689039,0.00022941014,0.0014667822,0.80049807,0.0005866436],"about_ca_topic_score_codex":0.115035094,"about_ca_topic_score_gemma":0.38127953,"teacher_disagreement_score":0.47566915,"about_ca_system_score_codex":0.0003304837,"about_ca_system_score_gemma":0.0005914954,"threshold_uncertainty_score":0.890858},"labels":[],"label_agreement":null},{"id":"W2731035499","doi":"","title":"A River Runs Through It: CLU as a Church-Related University","year":2001,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Catholicism and Religious Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.02780777976739914,"score_gpt":0.21095950075485417,"score_spread":0.18315172098745502,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2731035499","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6113733,0.00032894526,0.00002731111,0.0029834965,0.002500171,0.000061136605,0.000027004098,0.000015474709,0.38268316],"genre_scores_gemma":[0.9686432,0.00020641691,0.0000127483145,0.0007451527,0.00045277632,3.0843202e-7,0.000001493554,0.00001081368,0.029927082],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931484,0.0000331215,0.0002197082,0.00009327049,0.00009715851,0.00024191236],"domain_scores_gemma":[0.9993055,0.000027986103,0.00012882394,0.0001031951,0.00023805034,0.00019646557],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007730178,0.000109397326,0.00016977043,0.00041101297,0.0008139766,0.00006600506,0.00016837708,0.00004791771,0.0040991385],"category_scores_gemma":[0.000024775338,0.00009829648,0.00020480654,0.00012388494,0.00047324997,0.00023735009,0.000015967376,0.0002829072,0.0001858262],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042237356,0.000044296154,0.0004204827,0.0000061539417,0.0003820605,0.0013754544,0.57408506,0.000050318427,0.000018753462,0.058824588,0.36391953,0.00083107856],"study_design_scores_gemma":[0.0003752664,0.00015407676,0.0004743689,0.00006963868,0.00009148393,0.0010354499,0.06980854,0.000004314036,0.0000021434828,0.0022499047,0.9256145,0.00012032024],"about_ca_topic_score_codex":0.19118315,"about_ca_topic_score_gemma":0.7258042,"teacher_disagreement_score":0.561695,"about_ca_system_score_codex":0.00022013382,"about_ca_system_score_gemma":0.000335664,"threshold_uncertainty_score":0.9968113},"labels":[],"label_agreement":null},{"id":"W2732521327","doi":"","title":"Honoring the Word: Lutherans and Creative Writing","year":2003,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Word (group theory); Linguistics; History; Literature; Computer science; Art; Philosophy","score_opus":0.03614433936404849,"score_gpt":0.2137391841466625,"score_spread":0.177594844782614,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2732521327","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85573876,0.0002444404,0.0005074186,0.0005448921,0.001097034,0.00005052972,0.000009750708,0.0000055910646,0.1418016],"genre_scores_gemma":[0.9980383,0.0000072031726,0.000023590492,0.00028536312,0.00026285934,0.0000011166528,2.5557435e-7,0.000005809814,0.0013754962],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99954695,0.000053955922,0.00018586444,0.000040135612,0.00005409101,0.000118978896],"domain_scores_gemma":[0.9995699,0.000030791445,0.000090866655,0.00005490517,0.00012362935,0.00012989776],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002162684,0.00005705164,0.00007262075,0.00016055853,0.0006199804,0.0002224997,0.00006342811,0.000014898686,0.0024405993],"category_scores_gemma":[0.000049198014,0.000038352813,0.00005122727,0.000032857,0.00014585693,0.00024152736,0.0000020853097,0.00020076557,0.000011991789],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016315598,0.000023449926,0.003236491,0.000020146457,0.00024231806,0.00004362836,0.8547726,0.00015545344,0.000037652033,0.10479582,0.01631096,0.020345163],"study_design_scores_gemma":[0.00043817854,0.000113722774,0.0055046747,0.00013877633,0.000049654507,0.0005191919,0.33715823,0.000103122,0.00004505303,0.0025463656,0.65320534,0.00017772861],"about_ca_topic_score_codex":0.019368866,"about_ca_topic_score_gemma":0.37970206,"teacher_disagreement_score":0.63689435,"about_ca_system_score_codex":0.000061569204,"about_ca_system_score_gemma":0.00013138671,"threshold_uncertainty_score":0.9984713},"labels":[],"label_agreement":null},{"id":"W2734164577","doi":"","title":"Teaching as a Form of Servant Leadership","year":2001,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious, Philosophical, and Educational Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Contradiction; Servant; Servant leadership; Sociology; Pedagogy; Epistemology; Philosophy; Political science; Public relations; Engineering; Leadership style","score_opus":0.11891856700919867,"score_gpt":0.3252391503959149,"score_spread":0.20632058338671622,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2734164577","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8942175,0.00045209264,0.00005806251,0.033522896,0.0017121827,0.0000635596,0.0000028212673,0.000006083892,0.06996484],"genre_scores_gemma":[0.99687475,0.00007561025,0.00007365996,0.0008458164,0.0010238761,0.0000016917431,3.6698046e-7,0.0000060828784,0.0010981661],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99913734,0.00007675378,0.0002769395,0.00006657383,0.00019982063,0.00024255406],"domain_scores_gemma":[0.9990923,0.00009542858,0.00016418476,0.00006647794,0.00024327794,0.00033834355],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004947724,0.000064037486,0.00013747773,0.00033367012,0.0006575391,0.000035793677,0.00020614802,0.000052760246,0.00032180082],"category_scores_gemma":[0.00041598844,0.00006026034,0.00013405486,0.00022635523,0.0002499184,0.00018038052,0.000005284289,0.0002676876,0.00001927329],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007680223,0.00019001524,0.049432695,0.00004036821,0.00050754147,0.00018381339,0.7263617,0.00012288653,0.00015892698,0.080549575,0.12442772,0.017947953],"study_design_scores_gemma":[0.00040265865,0.00043712344,0.014438196,0.00035189747,0.00010039782,0.00053268234,0.3932579,0.0000099854005,0.000026051903,0.12342985,0.46673688,0.00027638508],"about_ca_topic_score_codex":0.33250663,"about_ca_topic_score_gemma":0.68530285,"teacher_disagreement_score":0.35279623,"about_ca_system_score_codex":0.0003133488,"about_ca_system_score_gemma":0.0011948816,"threshold_uncertainty_score":0.6719383},"labels":[],"label_agreement":null},{"id":"W2734756816","doi":"","title":"Richard T. Hughes: How Christian Faith Can Sustain the Life of the Mind","year":2002,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion, Spirituality, and Psychology","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Faith; Christian faith; Philosophy; History; Environmental ethics; Theology","score_opus":0.04403594984313051,"score_gpt":0.2774797368709565,"score_spread":0.233443787027826,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2734756816","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84016234,0.001142354,0.000067808345,0.13618584,0.0043120366,0.00017514382,0.000028799026,0.0000039064735,0.017921744],"genre_scores_gemma":[0.99564755,0.000038067563,0.000012805391,0.0018113888,0.0008079664,0.0000019645697,2.0680014e-7,0.0000075901785,0.0016724714],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99865746,0.00043343374,0.00027963694,0.00009602114,0.00022922896,0.00030419303],"domain_scores_gemma":[0.99870926,0.00012253714,0.00029145295,0.00021806842,0.00027733803,0.00038136772],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006678302,0.00008674443,0.00015357525,0.00022906688,0.00076664204,0.00008730331,0.0005781437,0.00009168489,0.0009933015],"category_scores_gemma":[0.00056414417,0.000056209694,0.00020723444,0.0005409709,0.0007477218,0.00008452803,0.000009115321,0.00034712418,0.000007905845],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006671571,0.00003231441,0.015709806,0.000006100093,0.00013694931,0.0000267873,0.25646862,0.000032575757,0.000019575338,0.0015151998,0.7239215,0.0021239347],"study_design_scores_gemma":[0.0003892351,0.00017022545,0.035207085,0.00007989471,0.00010593535,0.00015194462,0.3780059,0.000012038807,0.000020434589,0.0010831848,0.5845987,0.00017539259],"about_ca_topic_score_codex":0.34776962,"about_ca_topic_score_gemma":0.9381867,"teacher_disagreement_score":0.5904171,"about_ca_system_score_codex":0.00018443391,"about_ca_system_score_gemma":0.0008353142,"threshold_uncertainty_score":0.99991995},"labels":[],"label_agreement":null},{"id":"W2742770774","doi":"","title":"Who Said You Have Only One Calling","year":2008,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Biblical Studies and Interpretation","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Computer science","score_opus":0.06272599985992526,"score_gpt":0.22222087814561797,"score_spread":0.1594948782856927,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2742770774","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7926084,0.0011096968,0.0007520816,0.002768927,0.0035666698,0.0000991052,0.000045368866,0.00001777199,0.19903201],"genre_scores_gemma":[0.99299306,0.000040917876,0.000045249755,0.0017014766,0.0014829393,0.0000014259809,0.0000015357095,0.000012044936,0.0037213645],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999233,0.000024296423,0.00033443657,0.0000818129,0.000119716125,0.00020671725],"domain_scores_gemma":[0.999165,0.000028732575,0.00013827652,0.000074835494,0.00034224798,0.00025092394],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008893781,0.000089765366,0.00017388612,0.00047883336,0.0006696303,0.000094903495,0.00012586678,0.000033691555,0.004650247],"category_scores_gemma":[0.0000561557,0.00008033861,0.00015563458,0.00007059945,0.00023957486,0.00025553178,0.0000075842745,0.00027185338,0.000050198603],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000077210694,0.00013594868,0.0072389147,0.000030343463,0.00077299494,0.00030666764,0.32343236,0.00016644629,0.00006713948,0.056929104,0.58226925,0.02857361],"study_design_scores_gemma":[0.00026210674,0.0003579083,0.0035455127,0.00014322926,0.000044140677,0.0003369357,0.014465868,0.00011629807,0.000022828699,0.00040588088,0.98014945,0.00014984753],"about_ca_topic_score_codex":0.06024054,"about_ca_topic_score_gemma":0.736708,"teacher_disagreement_score":0.6764674,"about_ca_system_score_codex":0.00017557555,"about_ca_system_score_gemma":0.00025238658,"threshold_uncertainty_score":0.9962596},"labels":[],"label_agreement":null},{"id":"W2748270506","doi":"","title":"Resistance in the Age of Trump: An interview with Ivonne Wallace Fuentes","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Political and Social Dynamics","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Resistance (ecology); History; Psychoanalysis; Art history; Psychology; Biology","score_opus":0.04659476510518184,"score_gpt":0.2436485542775346,"score_spread":0.19705378917235275,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2748270506","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92134905,0.000146712,0.00009515224,0.006012631,0.00055661815,0.00007599398,0.000048177957,0.0000028597437,0.07171279],"genre_scores_gemma":[0.99720716,0.0000059123263,0.00004162206,0.00073081395,0.00025712873,0.0000017414238,0.0000012405417,0.0000073735528,0.0017469754],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993734,0.0000831859,0.00023150662,0.00005825685,0.0000905084,0.00016314068],"domain_scores_gemma":[0.99932575,0.000037942642,0.00020846938,0.00019385296,0.00012442586,0.00010956467],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021506785,0.0000705226,0.000164175,0.00013107125,0.00038793474,0.00015756523,0.00040966252,0.000017743425,0.00039927315],"category_scores_gemma":[0.000059594844,0.000045477824,0.00007720614,0.000028215958,0.000666378,0.0002260382,0.0000068764502,0.0002029572,0.0000021784851],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007976665,0.00013578277,0.0037050839,0.00007240653,0.00015438243,0.00054803444,0.39270198,0.000011407132,0.000012898573,0.59184825,0.0069446983,0.0037853324],"study_design_scores_gemma":[0.0011501333,0.001675941,0.06751435,0.0014208654,0.00017167813,0.00017910021,0.36553586,0.00004898245,0.0000066528105,0.024847986,0.53699,0.00045848085],"about_ca_topic_score_codex":0.07009028,"about_ca_topic_score_gemma":0.97779965,"teacher_disagreement_score":0.90770936,"about_ca_system_score_codex":0.00010136945,"about_ca_system_score_gemma":0.00018872049,"threshold_uncertainty_score":0.9361021},"labels":[],"label_agreement":null},{"id":"W2750531602","doi":"","title":"Dual Citizenship: Reflections on Educating Citizens at Augsburg College","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Sociology and Education Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Citizenship; Dual (grammatical number); Citizenship education; Sociology; Pedagogy; Media studies; Mathematics education; Political science; Art; Psychology; Literature; Law","score_opus":0.09643920682078896,"score_gpt":0.36888975739525687,"score_spread":0.2724505505744679,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2750531602","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8257785,0.00013082271,0.000013724999,0.020811995,0.0063834595,0.00008261361,0.000016562673,0.000020066625,0.14676228],"genre_scores_gemma":[0.9893455,0.00001645023,0.00008901547,0.0025182415,0.0017800984,0.0000043887817,0.0000011894155,0.0000065946383,0.0062385174],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99887186,0.00020745832,0.00029547547,0.00011927898,0.00014674166,0.00035915573],"domain_scores_gemma":[0.9986652,0.0002716648,0.00018244708,0.00010062549,0.00033026037,0.00044980473],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00050716434,0.000096194686,0.0001628585,0.00052639894,0.0027823225,0.000037212765,0.00013628081,0.00010998771,0.0014691143],"category_scores_gemma":[0.0008822881,0.00009976881,0.00014409155,0.00048813928,0.0003494917,0.00008244819,0.000004769818,0.00036756005,0.00008100504],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021491398,0.00004678327,0.004404523,0.0000015083676,0.00014194878,0.000049414088,0.16945843,0.000038828493,0.0001357586,0.032741465,0.79192555,0.0010342654],"study_design_scores_gemma":[0.00054182083,0.00057901157,0.10299679,0.00015600144,0.00011833877,0.000602282,0.6012024,0.0000012725035,0.00008451164,0.023802733,0.26953083,0.00038396896],"about_ca_topic_score_codex":0.008253006,"about_ca_topic_score_gemma":0.13977477,"teacher_disagreement_score":0.5223948,"about_ca_system_score_codex":0.0011360237,"about_ca_system_score_gemma":0.0018036983,"threshold_uncertainty_score":0.99944365},"labels":[],"label_agreement":null},{"id":"W2750614429","doi":"","title":"\"Our Calling in Education\": Working Together to Generate a Strong Social Statement on Public Schools, Lutheran Schools and Colleges, and the Faith Formation of Children and Young People","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Faith; Statement (logic); Sociology; Pedagogy; Gender studies; Political science; Theology; Law; Philosophy","score_opus":0.02360337266785004,"score_gpt":0.2769485709504321,"score_spread":0.25334519828258206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2750614429","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9837872,0.00032672743,0.00017540714,0.0139475465,0.00038907994,0.0002970662,0.000007832216,0.0000027499414,0.0010664136],"genre_scores_gemma":[0.999054,0.000074671,0.00014472798,0.0002286936,0.00032570647,0.000013263451,0.0000021572582,0.0000067364313,0.00015003404],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9990188,0.00021313847,0.00034332857,0.0000910151,0.00015084604,0.00018286676],"domain_scores_gemma":[0.9993697,0.00002346552,0.00019592704,0.000049943967,0.00015714903,0.00020383376],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00082025316,0.00007477124,0.0001373368,0.0004629706,0.0005675923,0.00032348259,0.00009164497,0.000042995816,0.000014290139],"category_scores_gemma":[0.00009662657,0.00006288238,0.000030886607,0.00035055837,0.000051869923,0.00016490322,0.000006895715,0.00022526659,7.827792e-7],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015104614,0.000093769086,0.61866117,0.000018211911,0.00013102424,0.000002484678,0.22487155,0.0005467398,0.00012983111,0.047115594,0.083800346,0.024478225],"study_design_scores_gemma":[0.0024607521,0.00014179035,0.55718404,0.0003934945,0.000059565646,0.00008519578,0.43016422,0.00013274419,0.00003232045,0.005383283,0.003629409,0.0003331721],"about_ca_topic_score_codex":0.11629937,"about_ca_topic_score_gemma":0.7034551,"teacher_disagreement_score":0.58715576,"about_ca_system_score_codex":0.00034303317,"about_ca_system_score_gemma":0.0011212904,"threshold_uncertainty_score":0.88958526},"labels":[],"label_agreement":null},{"id":"W2750711900","doi":"","title":"Robert Benne: Quality With Soul: How Six Premier Colleges and Universities Keep Faith With Their Religious Traditions","year":2002,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Soul; Faith; Quality (philosophy); Theology; Management; Religious studies; Sociology; Philosophy; Epistemology; Economics","score_opus":0.022310558807350438,"score_gpt":0.22842577449567494,"score_spread":0.2061152156883245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2750711900","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9054045,0.000314598,0.000727197,0.010384656,0.00030833663,0.00011904516,0.00020444173,0.000017385204,0.08251985],"genre_scores_gemma":[0.9960502,0.00005530037,0.00025274412,0.0003867875,0.00022382918,0.0000017694259,0.0000016510489,0.000007754599,0.003019956],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992045,0.00012326779,0.00013535033,0.00010342785,0.0001696246,0.00026380148],"domain_scores_gemma":[0.9988387,0.00015207495,0.00014662549,0.00008482541,0.0002711415,0.0005066176],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013647127,0.000105052226,0.00016387519,0.00024734088,0.0009420827,0.00010942554,0.00013313211,0.000052364237,0.0003023837],"category_scores_gemma":[0.00002602693,0.00008391202,0.000057472935,0.0002930205,0.0015163033,0.0003215116,0.000003248729,0.00022207413,0.0000014687974],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011173994,0.00012583025,0.01838392,0.000028780069,0.00081826636,0.0005133352,0.24051505,0.0008317388,0.000014042957,0.6677399,0.069481835,0.0014355351],"study_design_scores_gemma":[0.0006058815,0.0005359185,0.0022689202,0.00015935928,0.00012522892,0.00067595765,0.4217235,0.0000199578,0.0000072258836,0.000368667,0.5732025,0.00030688872],"about_ca_topic_score_codex":0.09055074,"about_ca_topic_score_gemma":0.8291981,"teacher_disagreement_score":0.7386474,"about_ca_system_score_codex":0.00050553045,"about_ca_system_score_gemma":0.002133662,"threshold_uncertainty_score":0.91550535},"labels":[],"label_agreement":null},{"id":"W2752080828","doi":"","title":"Vocational Discernment: Personal Recollections","year":2002,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Legal Education and Practice Innovations","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Discernment; Vocational education; Psychology; Philosophy; Pedagogy; Epistemology","score_opus":0.07887919405590774,"score_gpt":0.3086591120516482,"score_spread":0.22977991799574046,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2752080828","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07840023,0.00023655183,0.0009788662,0.15458465,0.010441549,0.00017527486,0.00003368311,0.000025773872,0.75512344],"genre_scores_gemma":[0.97546375,0.000021182088,0.00023238538,0.00095599255,0.0009923858,0.0000061521255,0.0000015240641,0.0000071587688,0.022319483],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99909854,0.00012120447,0.00027181554,0.000077183075,0.00022993656,0.00020133865],"domain_scores_gemma":[0.99877477,0.0001263156,0.00018311602,0.000066951405,0.00046168454,0.00038714195],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037887145,0.000060835493,0.000074697695,0.00059018395,0.0013904162,0.00021084072,0.00015726326,0.00005525043,0.033527713],"category_scores_gemma":[0.00078484067,0.000065065964,0.0000959129,0.00091513497,0.00019154293,0.0007217387,0.0000029119437,0.00041209624,0.00018318114],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005537036,0.000138838,0.004486596,0.0000027273124,0.00011541595,0.00001529048,0.15141226,0.00002379349,0.000031699426,0.040833227,0.7899691,0.012965548],"study_design_scores_gemma":[0.00012717032,0.000040243023,0.0032770282,0.000017020246,0.00002348178,0.00010118905,0.039563898,0.00004293654,0.0000034902903,0.00058848143,0.9561326,0.00008244459],"about_ca_topic_score_codex":0.059087966,"about_ca_topic_score_gemma":0.581258,"teacher_disagreement_score":0.8970635,"about_ca_system_score_codex":0.0007365744,"about_ca_system_score_gemma":0.0020244177,"threshold_uncertainty_score":0.99990964},"labels":[],"label_agreement":null},{"id":"W2752476522","doi":"","title":"A Church, the Human Condition, and the Fissured Face of Peace","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Face (sociological concept); History; Philosophy; Linguistics","score_opus":0.0159316364332128,"score_gpt":0.26590236050410204,"score_spread":0.24997072407088924,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2752476522","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70926136,0.0007865027,0.00081893144,0.019332606,0.00088935596,0.00017822172,0.00006836441,0.000005781655,0.26865888],"genre_scores_gemma":[0.99718326,0.000006852933,0.0000132250125,0.00037002782,0.0003571016,0.0000014754788,9.307042e-7,0.000002469049,0.0020646704],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993424,0.00016550231,0.00019523967,0.000038726757,0.00012700351,0.00013114072],"domain_scores_gemma":[0.99929684,0.00018378078,0.00016291373,0.0000639859,0.00018514313,0.000107315296],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042633526,0.0000434806,0.00009315166,0.000085908716,0.0008944624,0.000041149557,0.00015766878,0.000026115309,0.00031070612],"category_scores_gemma":[0.00011917676,0.000027540556,0.00007229459,0.00015077429,0.0026933788,0.00007233348,0.0000045114184,0.00014798019,0.0000015516464],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000038936987,0.0000051130687,0.0012396597,0.0000013234485,0.000029390798,0.0000049117616,0.007279263,0.00008106809,0.000028365004,0.9576047,0.033658337,0.00006395765],"study_design_scores_gemma":[0.00051214086,0.000049563412,0.013655401,0.000038432594,0.00008018485,0.00014797223,0.03715239,0.000006420629,0.000017669243,0.007201553,0.94105667,0.000081590595],"about_ca_topic_score_codex":0.36232483,"about_ca_topic_score_gemma":0.6050287,"teacher_disagreement_score":0.95040315,"about_ca_system_score_codex":0.00007893027,"about_ca_system_score_gemma":0.0013218115,"threshold_uncertainty_score":0.9923867},"labels":[],"label_agreement":null},{"id":"W2754557277","doi":"","title":"From Our Students: Danya Tazyeen","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"South Asian Studies and Diaspora","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mathematics education; Computer science; Psychology","score_opus":0.030280781415290316,"score_gpt":0.23406843850433312,"score_spread":0.2037876570890428,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2754557277","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9353132,0.00018755435,0.00018652764,0.0014873574,0.008658566,0.00006316033,0.00009099338,0.0000152229895,0.05399739],"genre_scores_gemma":[0.9931926,0.0000015627741,0.000035380428,0.00083035335,0.004380213,0.000001909193,0.0000030496449,0.000014698606,0.0015402396],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992074,0.000038934242,0.00029817485,0.000095481024,0.00014829545,0.00021172689],"domain_scores_gemma":[0.9991449,0.000029372173,0.00016146842,0.00013592951,0.00019711732,0.00033122418],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014762845,0.00010611739,0.00018682174,0.00030278944,0.00035059504,0.00022371465,0.00026858464,0.000028694472,0.002144847],"category_scores_gemma":[0.00007762865,0.00009189383,0.00014711877,0.00004502997,0.00007571654,0.0001680354,0.000015004397,0.00019769926,0.00017127703],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038114034,0.00007816137,0.02230694,0.000009085025,0.00070234895,0.00014549997,0.39237416,0.00003153099,0.00001150802,0.013429352,0.55914927,0.011724025],"study_design_scores_gemma":[0.0005454872,0.00020085591,0.007807798,0.000081415936,0.00008857547,0.000026917194,0.3413854,0.00000794789,0.0000050162953,0.0014591292,0.6482264,0.0001651156],"about_ca_topic_score_codex":0.0881179,"about_ca_topic_score_gemma":0.5682733,"teacher_disagreement_score":0.4801554,"about_ca_system_score_codex":0.00009498045,"about_ca_system_score_gemma":0.00012280623,"threshold_uncertainty_score":0.9987673},"labels":[],"label_agreement":null},{"id":"W2755129688","doi":"","title":"Reclaiming Grundtvig at Grand View College","year":2008,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Education, Healthcare and Sociology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Appropriation; Variety (cybernetics); Ethos; Institution; Danish; Sociology; Emigration; Social worlds; Pedagogy; Social science; Political science; Law; Epistemology","score_opus":0.14793160274058453,"score_gpt":0.3867125347608897,"score_spread":0.23878093202030515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2755129688","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.972216,0.0017491174,0.000035674486,0.005324773,0.005332412,0.0001120045,0.00002255811,0.0000069554617,0.015200494],"genre_scores_gemma":[0.9884034,0.00009492794,0.000054181422,0.0009980011,0.0006712441,0.000010851176,0.000003164822,0.000016368307,0.009747887],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986491,0.0003192478,0.00039319528,0.00013833967,0.00010867739,0.00039143473],"domain_scores_gemma":[0.99853843,0.0001863703,0.000142671,0.00019521597,0.00032748753,0.0006097953],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00049934525,0.00009413561,0.00020968226,0.0006139666,0.0009781485,0.00000913363,0.00020662796,0.00014758616,0.0079409145],"category_scores_gemma":[0.000114053044,0.000092593466,0.00014087312,0.0003423974,0.00030342132,0.000091466674,0.000008264661,0.0005403983,0.0002146998],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000066054294,0.00006534598,0.19765168,0.000018397732,0.0002637194,0.0009729223,0.07576565,0.0000034732448,0.000052382064,0.0019141454,0.7201933,0.0030329162],"study_design_scores_gemma":[0.0011016662,0.00069308863,0.27995834,0.0001327309,0.00005222077,0.020354325,0.038411513,0.0000021011244,0.00002625453,0.0009269046,0.6580742,0.00026665773],"about_ca_topic_score_codex":0.031821873,"about_ca_topic_score_gemma":0.40776774,"teacher_disagreement_score":0.37594587,"about_ca_system_score_codex":0.0005898907,"about_ca_system_score_gemma":0.0015703135,"threshold_uncertainty_score":0.99296594},"labels":[],"label_agreement":null},{"id":"W2760015246","doi":"","title":"Interfaith Campus Organizing at California Lutheran University","year":2016,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Mormonism, Religion, and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology; Media studies; Library science; Computer science","score_opus":0.018620862253306,"score_gpt":0.16586949937922466,"score_spread":0.14724863712591865,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2760015246","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9358483,0.0003041526,0.00038401628,0.001167397,0.0043260455,0.000059838152,0.0001350304,0.000023412254,0.057751823],"genre_scores_gemma":[0.98114395,0.000021029053,0.000013040574,0.00020594776,0.0005934658,1.6063527e-7,8.3185034e-7,0.00001609062,0.018005492],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993891,0.000040799365,0.00019666803,0.000092922506,0.00008151342,0.00019896023],"domain_scores_gemma":[0.99918824,0.000028668395,0.00015070061,0.00011009258,0.00020392219,0.00031837812],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009551409,0.00009709175,0.00013188578,0.00049423845,0.0006286127,0.000042970918,0.00018121394,0.00003788952,0.009066708],"category_scores_gemma":[0.00001937754,0.00007331119,0.00012095658,0.000045151788,0.00027649567,0.00017760566,0.000011298563,0.0001322905,0.00026142306],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016149685,0.000053932625,0.0038924287,0.000023741773,0.00042874433,0.00071037025,0.23190221,0.0000072311923,0.0022453659,0.025149195,0.723299,0.012126239],"study_design_scores_gemma":[0.00035451498,0.00010538153,0.00018860177,0.0000916582,0.000039549523,0.0002100876,0.008041754,0.0000012781918,0.000059941656,0.00016249498,0.99063045,0.00011429633],"about_ca_topic_score_codex":0.03511096,"about_ca_topic_score_gemma":0.84091526,"teacher_disagreement_score":0.8058043,"about_ca_system_score_codex":0.0010501512,"about_ca_system_score_gemma":0.00040038308,"threshold_uncertainty_score":0.9918391},"labels":[],"label_agreement":null},{"id":"W2760517347","doi":"","title":"Lutheran Higher Education in Global Context: Called to Serve the World","year":2008,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Context (archaeology); History; Computer science; Archaeology","score_opus":0.03690590344674817,"score_gpt":0.32017180657533384,"score_spread":0.2832659031285857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2760517347","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85995376,0.00027815448,0.00001754475,0.034568608,0.0051553953,0.00017341519,0.0000037931763,0.000005652301,0.09984368],"genre_scores_gemma":[0.9702097,0.000010717318,0.000038848597,0.0051504634,0.00062763644,0.000007148718,3.8987474e-7,0.0000045743304,0.023950525],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991372,0.00017673646,0.00025694582,0.000074680065,0.00014982399,0.00020461447],"domain_scores_gemma":[0.9990598,0.000043724503,0.00009241098,0.000101999634,0.00023536535,0.00046672605],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031960785,0.00006139473,0.0000992785,0.0003306782,0.00047166197,0.00007035535,0.0002685796,0.000037856073,0.0016056851],"category_scores_gemma":[0.00010586028,0.00005042657,0.00008094196,0.0008250634,0.00011257298,0.00007466392,0.0000035383066,0.00019776326,0.000072174436],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014039764,0.000025093905,0.068183616,8.47454e-7,0.000021792466,0.000018116709,0.034001853,0.00005900201,0.000004245803,0.011238857,0.8810775,0.0053549954],"study_design_scores_gemma":[0.00023040005,0.000038103495,0.24473953,0.00007472907,0.000009582818,0.00008593354,0.02670368,0.0000010475258,0.0000026763996,0.0027252997,0.7252801,0.000108896],"about_ca_topic_score_codex":0.34075052,"about_ca_topic_score_gemma":0.9777091,"teacher_disagreement_score":0.6369586,"about_ca_system_score_codex":0.00096653664,"about_ca_system_score_gemma":0.0048729363,"threshold_uncertainty_score":0.999307},"labels":[],"label_agreement":null},{"id":"W2762888526","doi":"","title":"Wilhelm Löhe and Higher Education","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Philosophy, Science, and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.033599381816978816,"score_gpt":0.21593804013569745,"score_spread":0.18233865831871865,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2762888526","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34704497,0.0013194522,0.000006682758,0.0062425816,0.009807558,0.0000507569,0.0000091401425,0.000010109325,0.6355087],"genre_scores_gemma":[0.9858174,0.000004473095,0.00001783188,0.0021620805,0.0016182117,5.284065e-7,4.771404e-7,0.00000349723,0.010375498],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996149,0.0000135875225,0.0001406093,0.000060353465,0.00006352463,0.00010701921],"domain_scores_gemma":[0.9995022,0.000007280467,0.00007392706,0.00006222605,0.00012255298,0.00023183785],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007020381,0.000054423625,0.00007280952,0.00042184032,0.00034022558,0.00010381946,0.00009152932,0.0000149116095,0.0021170136],"category_scores_gemma":[0.0000080055825,0.0000490309,0.0000464333,0.0000409215,0.00018366442,0.00028862263,0.0000015802023,0.00012476207,0.00001944472],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011548602,0.00007548365,0.00026508138,0.0000072485313,0.000033925164,0.000029453213,0.06939832,0.0000045433967,0.00014072284,0.5516999,0.33877787,0.039555963],"study_design_scores_gemma":[0.00008139653,0.000140072,0.005195366,0.000036835565,0.000017456128,0.00008814071,0.002732296,0.0000014416577,0.000002489908,0.011766096,0.97986764,0.000070765054],"about_ca_topic_score_codex":0.0077265343,"about_ca_topic_score_gemma":0.17045732,"teacher_disagreement_score":0.6410898,"about_ca_system_score_codex":0.00013259832,"about_ca_system_score_gemma":0.00050504185,"threshold_uncertainty_score":0.9988811},"labels":[],"label_agreement":null},{"id":"W2765610202","doi":"","title":"Ethical Deliberation and the Biblical Text--A Lutheran Contribution to Reading the Bible","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reading (process); Deliberation; Biblical studies; Philosophy; Literature; Theology; Linguistics; Art; Political science; Law","score_opus":0.0206028130726984,"score_gpt":0.2201259913772342,"score_spread":0.1995231783045358,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2765610202","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91479194,0.00017861366,0.0069647217,0.058708355,0.0016532294,0.00026424052,0.000029356088,0.00001646587,0.017393049],"genre_scores_gemma":[0.99548393,0.0000045316983,0.0000114794275,0.0031731257,0.0008187312,0.0000044028093,0.0000026045936,0.000005550587,0.0004956154],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992844,0.00012628979,0.00028157144,0.000053235388,0.000115802635,0.00013870545],"domain_scores_gemma":[0.99930817,0.000098370845,0.000097351374,0.00007759329,0.00029313721,0.00012535857],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00065068126,0.000065449065,0.00009745882,0.000505197,0.0009241505,0.00051909365,0.00010256799,0.000048815877,0.0005339495],"category_scores_gemma":[0.00010992688,0.000034727702,0.0000691914,0.0001705253,0.00027092546,0.0001919994,0.0000061351793,0.00041540692,0.000026884229],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015423325,0.000019734125,0.00034546942,0.000006390965,0.00008063905,0.000009728589,0.06400482,0.0005257372,0.00010766349,0.77531826,0.1540988,0.0053284913],"study_design_scores_gemma":[0.0014211962,0.00016621461,0.0069209877,0.00007999315,0.00007086928,0.00037817642,0.0098645035,0.002205483,0.000057706256,0.0119739445,0.966687,0.00017388757],"about_ca_topic_score_codex":0.04492069,"about_ca_topic_score_gemma":0.51095486,"teacher_disagreement_score":0.8125882,"about_ca_system_score_codex":0.00008187344,"about_ca_system_score_gemma":0.000117936564,"threshold_uncertainty_score":0.96143925},"labels":[],"label_agreement":null},{"id":"W2766212930","doi":"","title":"Lutheran Education in the None Zone","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.015403090795851504,"score_gpt":0.28550227648178267,"score_spread":0.27009918568593116,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2766212930","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.837771,0.0003063333,0.00015852792,0.009699522,0.00233235,0.00009598427,0.0000013527585,0.0000032012217,0.14963171],"genre_scores_gemma":[0.99408764,0.0000148877225,0.00006627621,0.0009162143,0.0009418766,0.000003677976,8.8826164e-7,0.0000037393513,0.003964823],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992893,0.00017028893,0.0002108127,0.000047266465,0.00013228491,0.00015007112],"domain_scores_gemma":[0.99950755,0.000046224344,0.000095088144,0.00007786179,0.00014494917,0.00012833369],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00058521033,0.000041155916,0.000060209975,0.00039705756,0.00031211533,0.000114989474,0.0002140767,0.000037567403,0.000488668],"category_scores_gemma":[0.00007934267,0.00003345824,0.00005897021,0.00041872126,0.00008827917,0.00007455253,9.869613e-7,0.00019038936,0.000031314947],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000056659464,0.00007173193,0.02563073,0.0000019899862,0.000011788609,0.000017164344,0.07607196,0.00009366055,0.000055868924,0.030238884,0.84898525,0.018815314],"study_design_scores_gemma":[0.00031803088,0.00006375022,0.11242191,0.0000996066,0.000021872955,0.00018550015,0.20545307,0.0000052133073,0.000010431554,0.020003397,0.6612573,0.00015986827],"about_ca_topic_score_codex":0.4071114,"about_ca_topic_score_gemma":0.91716725,"teacher_disagreement_score":0.51005584,"about_ca_system_score_codex":0.00029854273,"about_ca_system_score_gemma":0.0037797096,"threshold_uncertainty_score":0.6705042},"labels":[],"label_agreement":null},{"id":"W2786467037","doi":"","title":"Report on \"Vocation for Life\" Initiative","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Migration, Aging, and Tourism Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.0637076299293613,"score_gpt":0.31179759824195946,"score_spread":0.24808996831259816,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2786467037","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9516122,0.0003637656,0.005817248,0.0056623705,0.010135909,0.0002605286,0.000015890615,0.000015487147,0.026116602],"genre_scores_gemma":[0.99612856,0.00001296912,0.00013393533,0.00052754814,0.002481624,0.000008795142,0.0000018699596,0.000005829475,0.0006988972],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999328,0.00006562916,0.00022575053,0.000053555985,0.00011663052,0.00021038928],"domain_scores_gemma":[0.99891657,0.000106956206,0.0002207891,0.00005838887,0.00034006962,0.00035724675],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00064794614,0.000053607855,0.000091552116,0.00029541564,0.00067422166,0.00003606208,0.00007460847,0.000038404807,0.00019426666],"category_scores_gemma":[0.001021817,0.000051104256,0.00008750936,0.00016309335,0.00009018669,0.00029082058,0.0000018578374,0.00009965964,0.000010529282],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013198879,0.000037722963,0.025084417,0.000004440207,0.00011751554,0.000013788255,0.7043477,0.00001940013,0.000004812441,0.013193821,0.25587305,0.0012901402],"study_design_scores_gemma":[0.0003673578,0.00023406389,0.17200863,0.00008246968,0.00009577636,0.00009521566,0.052827213,0.000007846097,0.00005130345,0.0026070785,0.7714208,0.00020228597],"about_ca_topic_score_codex":0.07254871,"about_ca_topic_score_gemma":0.756053,"teacher_disagreement_score":0.6835043,"about_ca_system_score_codex":0.00024532477,"about_ca_system_score_gemma":0.00091906224,"threshold_uncertainty_score":0.93362725},"labels":[],"label_agreement":null},{"id":"W2787118855","doi":"","title":"Called to Serve","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Educational Leadership and Practices","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.06032480320035736,"score_gpt":0.3404111192310539,"score_spread":0.2800863160306965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2787118855","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8652565,0.000023941422,0.00007221173,0.053009707,0.00796865,0.00006277805,0.0000042807987,0.000005621764,0.07359629],"genre_scores_gemma":[0.994229,0.0000013071738,0.00052910624,0.0018205984,0.0014037719,0.0000018229554,3.319389e-7,0.0000048654983,0.0020091783],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993947,0.000082427956,0.000151366,0.000056189063,0.00013519557,0.00018012403],"domain_scores_gemma":[0.99866915,0.00015463437,0.000090366666,0.00007037218,0.00030417278,0.0007112994],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00062524574,0.000042520387,0.00006457234,0.00034718585,0.00041058596,0.000102524806,0.00022286299,0.000054995315,0.0049526403],"category_scores_gemma":[0.00096786924,0.00004276045,0.000063499814,0.0002976782,0.000098874225,0.00028870805,0.0000026527885,0.00037397735,0.00012341712],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044744735,0.00009279804,0.03986794,0.000008796249,0.00017720295,0.00011893488,0.45971206,0.00007458687,0.0017680138,0.08532416,0.40002337,0.01278738],"study_design_scores_gemma":[0.00006248805,0.00004423093,0.007817133,0.0000144407495,0.000013942266,0.000059633116,0.06457105,6.6532755e-7,0.000026695652,0.00065853936,0.9266654,0.000065743436],"about_ca_topic_score_codex":0.18421875,"about_ca_topic_score_gemma":0.9776398,"teacher_disagreement_score":0.7934211,"about_ca_system_score_codex":0.000108280714,"about_ca_system_score_gemma":0.0024577728,"threshold_uncertainty_score":0.99595696},"labels":[],"label_agreement":null},{"id":"W2788586276","doi":"","title":"Calling and Learning: On Losing and Then Finding Myself","year":2000,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion, Spirituality, and Psychology","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reflexive pronoun; Computer science; Psychology; Epistemology; Philosophy","score_opus":0.048028575093872365,"score_gpt":0.3161256957619276,"score_spread":0.26809712066805524,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2788586276","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96302664,0.00032061234,0.00003903181,0.0019359636,0.0006286936,0.000034382647,8.852396e-7,0.0000056662298,0.034008104],"genre_scores_gemma":[0.99798274,0.00012421588,0.00004884855,0.0006070231,0.00039787972,3.8921533e-7,1.8423664e-7,0.000005753164,0.0008329954],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929273,0.00018680636,0.00016096656,0.000088171924,0.00008195814,0.00018939177],"domain_scores_gemma":[0.99942917,0.00010984686,0.00006547888,0.00004111079,0.000045534496,0.0003088691],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005331327,0.000056577934,0.000096986936,0.0002472424,0.00081248616,0.00010347434,0.000073141455,0.000067468856,0.0005561549],"category_scores_gemma":[0.000108033084,0.00005536518,0.000039324517,0.00012681267,0.00020547298,0.00010470577,0.0000019679198,0.00033196073,0.0000082511215],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005575239,0.00003015327,0.041866336,0.000010447942,0.00011791349,0.00016357326,0.84397537,0.0004310817,0.00008439871,0.0045150495,0.013111467,0.09563844],"study_design_scores_gemma":[0.0013271751,0.0010707754,0.076113686,0.0006189492,0.000121718294,0.0011537954,0.31579807,0.000112185226,0.000024269197,0.008128075,0.5949291,0.00060223276],"about_ca_topic_score_codex":0.08239734,"about_ca_topic_score_gemma":0.31406617,"teacher_disagreement_score":0.5818176,"about_ca_system_score_codex":0.000086853805,"about_ca_system_score_gemma":0.00017200244,"threshold_uncertainty_score":0.923713},"labels":[],"label_agreement":null},{"id":"W2788705423","doi":"","title":"Freedom, Humor, and Community: A Lutheran Vision for Higher Education","year":2002,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology; Sociology","score_opus":0.05954563050253061,"score_gpt":0.32008038694557933,"score_spread":0.26053475644304874,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2788705423","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9289107,0.0007979551,0.00009720699,0.011942885,0.00513936,0.00019609509,0.0000073971664,0.000009978725,0.052898455],"genre_scores_gemma":[0.98974353,0.00005119815,0.00021585236,0.0008342604,0.00062658655,0.000007088171,9.0466676e-7,0.0000074314744,0.008513175],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99932486,0.00021198866,0.00018247713,0.00004955355,0.000084381994,0.00014671596],"domain_scores_gemma":[0.99905854,0.000107808926,0.00010862725,0.00009162652,0.00024852625,0.00038489327],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00045967032,0.00005315449,0.000085923915,0.00033801078,0.001149195,0.00014617312,0.00014832863,0.000053917698,0.0012446011],"category_scores_gemma":[0.00016070968,0.000052805422,0.000065635606,0.00018326116,0.00013012678,0.00011136592,0.0000029065775,0.00026611754,0.000012748883],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008409407,0.000082290746,0.003137649,0.000009140103,0.00004378589,0.0000016577187,0.1352289,0.000007176292,0.00008711688,0.0113983,0.8257368,0.024258774],"study_design_scores_gemma":[0.0005157449,0.00033125,0.013650978,0.00016292029,0.00004724332,0.0000693513,0.09932357,0.00002637935,0.0000045961697,0.017082708,0.8686028,0.0001824287],"about_ca_topic_score_codex":0.046731643,"about_ca_topic_score_gemma":0.34640315,"teacher_disagreement_score":0.2996715,"about_ca_system_score_codex":0.00021994568,"about_ca_system_score_gemma":0.0005415312,"threshold_uncertainty_score":0.9996684},"labels":[],"label_agreement":null},{"id":"W2789037084","doi":"","title":"Emily Dickinson in Columbus, Ohio","year":2003,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American and British Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.014113919639035766,"score_gpt":0.19206537480157715,"score_spread":0.17795145516254138,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2789037084","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72650254,0.0012164479,0.00011366648,0.0010590702,0.0029535042,0.0000768471,0.000037978556,0.000009720665,0.2680302],"genre_scores_gemma":[0.9959321,0.000009835705,0.000043214473,0.0013840667,0.00032542285,0.0000015693706,0.0000016686377,0.000009767905,0.0022923227],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926573,0.000064257656,0.000304996,0.00008121379,0.000084919266,0.00019889748],"domain_scores_gemma":[0.9993958,0.000021793636,0.00012049947,0.00008344452,0.00016259696,0.0002158653],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015103545,0.000077692406,0.00017432847,0.0006834803,0.0001504058,0.00018217099,0.0001090069,0.000028515396,0.005052463],"category_scores_gemma":[0.00006969334,0.000078600155,0.0001402239,0.00017897612,0.00016947927,0.00021588677,0.0000020996526,0.0002678437,0.000020041707],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032337655,0.00019949043,0.02304287,0.000027429302,0.0005233992,0.0021606262,0.2690113,0.00015945408,0.000099332006,0.082815476,0.6033922,0.018536096],"study_design_scores_gemma":[0.00023795693,0.00011138014,0.0013520456,0.000093885676,0.000036501428,0.00027693892,0.030355794,0.0000070689784,0.0000092330465,0.00041511486,0.96698266,0.000121447396],"about_ca_topic_score_codex":0.049014684,"about_ca_topic_score_gemma":0.8761051,"teacher_disagreement_score":0.82709044,"about_ca_system_score_codex":0.00016953374,"about_ca_system_score_gemma":0.00029155947,"threshold_uncertainty_score":0.99585706},"labels":[],"label_agreement":null},{"id":"W2794201752","doi":"","title":"\"The Earth is the Lord's And the Fullness Thereof\": Six Theses Regarding Global Education at the Colleges of the Church","year":2003,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion, Society, and Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Earth (classical element); Mathematics education; Theology; History; Pedagogy; Philosophy; Sociology; Psychology; Mathematics; Mathematical physics","score_opus":0.01654568505092472,"score_gpt":0.26060625805661736,"score_spread":0.24406057300569264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2794201752","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9208509,0.008559463,0.000035881945,0.033311453,0.004417767,0.00036217124,0.000007771298,0.0000040963655,0.032450538],"genre_scores_gemma":[0.9952202,0.0013231769,0.0000074716695,0.0010835581,0.00026216198,0.00001240356,9.94422e-8,0.0000057481243,0.002085174],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984154,0.00065832236,0.00027217035,0.000091601556,0.00032670068,0.00023577792],"domain_scores_gemma":[0.9984247,0.00075170933,0.00021918758,0.00022141894,0.00026928072,0.00011371197],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0019800602,0.000092591625,0.00011189187,0.000035208024,0.0041189934,0.00028653335,0.000497567,0.000054218322,0.0002134882],"category_scores_gemma":[0.0005147804,0.00003568651,0.00020275316,0.0005478797,0.001460536,0.00010435632,0.000022055418,0.0002249316,0.0000035923986],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043598644,0.000019708541,0.007260347,0.000008107491,0.0003955816,0.0000021020007,0.44644114,0.000054439362,0.000019925175,0.06311565,0.47646883,0.006170564],"study_design_scores_gemma":[0.00019435753,0.000019883657,0.012984792,0.000087395805,0.00005946014,0.00015012603,0.41961035,0.000005656676,0.00006231875,0.005892088,0.5608625,0.00007107292],"about_ca_topic_score_codex":0.11164502,"about_ca_topic_score_gemma":0.5177993,"teacher_disagreement_score":0.4061543,"about_ca_system_score_codex":0.00037230164,"about_ca_system_score_gemma":0.0030361216,"threshold_uncertainty_score":0.9971775},"labels":[],"label_agreement":null},{"id":"W2794346863","doi":"","title":"Do You Teach in a Different Manner in a Lutheran College? Unraveling the Lutheran Knot and Highlighting the Glory in the Theology of the Cross","year":2003,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Glory; Knot (papermaking); Theology; Art; Philosophy; Physics; Engineering","score_opus":0.02735222497785501,"score_gpt":0.2252153318579734,"score_spread":0.1978631068801184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2794346863","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98721075,0.00029416915,0.000015596272,0.004168364,0.00069643324,0.0001852273,0.000015736256,0.0000015025599,0.0074122013],"genre_scores_gemma":[0.9989053,0.00001002089,0.0000017367609,0.00063030317,0.00013354805,0.000008145213,2.548353e-7,0.00000788818,0.00030279366],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9986138,0.0005471265,0.00042576864,0.00007983783,0.000122093,0.00021140378],"domain_scores_gemma":[0.999354,0.00016320129,0.00019071532,0.00017820268,0.000069574104,0.00004429462],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010815233,0.0001098547,0.00015857136,0.0002551871,0.00048453468,0.00014598388,0.00033175122,0.00004286371,0.00031765812],"category_scores_gemma":[0.00009478338,0.0000442727,0.00008868551,0.00013360468,0.00040139534,0.0001119421,0.000012016868,0.000595784,0.0000013959293],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055683246,0.0000769296,0.032373298,0.000018389139,0.000061771054,0.000025358793,0.8652602,0.00077647524,0.000038800845,0.09930882,0.0009301271,0.0010741889],"study_design_scores_gemma":[0.0026309018,0.00021215838,0.30465418,0.00052555033,0.000052366962,0.00065414363,0.60488147,0.0013387527,0.000051680112,0.014938695,0.06973863,0.00032147998],"about_ca_topic_score_codex":0.02612729,"about_ca_topic_score_gemma":0.7745245,"teacher_disagreement_score":0.74839723,"about_ca_system_score_codex":0.00012413405,"about_ca_system_score_gemma":0.00015640618,"threshold_uncertainty_score":0.9803578},"labels":[],"label_agreement":null},{"id":"W2795783376","doi":"10.7202/1043820ar","title":"Cadre pédagogique pour l’enseignement-apprentissage de l’improvisation musicale classique fondé sur la pratique des experts du domaine","year":2018,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Improvisation; Humanities; Art; Sociology; Visual arts","score_opus":0.030487356603982236,"score_gpt":0.23671378725438666,"score_spread":0.2062264306504044,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2795783376","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87157637,0.0008339498,0.0075215395,0.012316829,0.016152278,0.00036727515,0.00015550351,0.00003601083,0.09104026],"genre_scores_gemma":[0.9513657,0.00009687579,0.0005885065,0.001626691,0.008733075,0.00002633343,0.000012081039,0.00006349738,0.03748725],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974131,0.0005392528,0.0008045638,0.00029593226,0.00024945842,0.00069767993],"domain_scores_gemma":[0.99641085,0.0002586051,0.00057592004,0.0002961685,0.001522135,0.00093634357],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00073815166,0.00034792043,0.00034428446,0.0009289451,0.0016256395,0.0007500342,0.00036454212,0.00029337627,0.023542231],"category_scores_gemma":[0.00046082525,0.00036210133,0.00029802954,0.00021391641,0.0020724654,0.0010857318,0.000033063392,0.0006124598,0.000110061344],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036249112,0.0002932453,0.00054840225,0.00008338436,0.0002962393,0.0003713139,0.2853376,0.000019577208,0.0009115315,0.07723325,0.62709785,0.0077713947],"study_design_scores_gemma":[0.00083373144,0.00061525014,0.001583598,0.0007578158,0.00018237744,0.0015441856,0.110105455,0.0001573031,0.0006879452,0.0043253065,0.8788231,0.00038395356],"about_ca_topic_score_codex":0.07504154,"about_ca_topic_score_gemma":0.7799696,"teacher_disagreement_score":0.70492804,"about_ca_system_score_codex":0.002723852,"about_ca_system_score_gemma":0.0070916815,"threshold_uncertainty_score":0.9998831},"labels":[],"label_agreement":null},{"id":"W2796274583","doi":"10.7202/1043821ar","title":"Quels sont les paradigmes didactiques présents dans les méthodes de guitare destinées aux débutants : expérimentation d’une méthodologie d’analyse","year":2018,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.15654999910073847,"score_gpt":0.37910336659010996,"score_spread":0.2225533674893715,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2796274583","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9720357,0.007001343,0.0034586214,0.006726141,0.00469754,0.00018208008,0.000098618824,0.000032392636,0.005767557],"genre_scores_gemma":[0.9900885,0.000292948,0.0027445285,0.0011282846,0.0029456622,0.000011365495,0.000012228194,0.00002624752,0.0027501995],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9958563,0.0016716236,0.00085741974,0.0003580532,0.0003432923,0.000913352],"domain_scores_gemma":[0.9967029,0.00033651764,0.0007175512,0.00021292655,0.0010822493,0.00094783376],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012339302,0.00036209784,0.00053607457,0.00061584223,0.002230835,0.00042354126,0.0006093393,0.00041087836,0.0020126353],"category_scores_gemma":[0.0007527084,0.00031802562,0.00053304335,0.0012255578,0.0018711607,0.0010079012,0.000029504658,0.0006297202,0.000032361382],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017251822,0.00037344644,0.27367204,0.000099814875,0.0029506893,0.00083609705,0.54019743,0.0003891603,0.008076394,0.016107872,0.055550635,0.10157391],"study_design_scores_gemma":[0.0009833697,0.0016717822,0.14946856,0.0013458416,0.00279358,0.0012426607,0.76276684,0.00042869092,0.0045955596,0.013338039,0.060176596,0.0011884961],"about_ca_topic_score_codex":0.39394993,"about_ca_topic_score_gemma":0.9508761,"teacher_disagreement_score":0.5569262,"about_ca_system_score_codex":0.0014663715,"about_ca_system_score_gemma":0.002311798,"threshold_uncertainty_score":0.99992716},"labels":[],"label_agreement":null},{"id":"W2796302305","doi":"","title":"Editing Early Music: Principles, Historiography, Future Directions","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Historiography; History; Literature; Computer science; Art; Archaeology","score_opus":0.12590676833081824,"score_gpt":0.21612635023818236,"score_spread":0.09021958190736412,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2796302305","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5787821,0.0020392975,0.000041931788,0.0028452422,0.057615712,0.00019433573,0.000100084966,0.00008150356,0.35829982],"genre_scores_gemma":[0.98374355,0.00000999175,0.00009589518,0.0005083179,0.011470621,0.000007913402,0.0000021099395,0.000018971998,0.004142601],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988803,0.00005953816,0.00037853824,0.00014048348,0.000214845,0.00032626814],"domain_scores_gemma":[0.99827135,0.00003666158,0.0002501802,0.0001264976,0.0007207157,0.00059458567],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002568628,0.00015798389,0.00023365417,0.00074890786,0.0007688743,0.00036554906,0.00024023122,0.0000592237,0.0026435095],"category_scores_gemma":[0.00014804422,0.00013494429,0.0002550174,0.00020318403,0.00035225094,0.00038230707,0.00002726236,0.0004107947,0.000076894976],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027048964,0.00009883183,0.0050277305,0.000009860952,0.00044408068,0.00030175317,0.1768214,0.000047722973,0.000005773366,0.07545068,0.73331386,0.008451277],"study_design_scores_gemma":[0.00024919768,0.00027734516,0.0017618979,0.000035144676,0.000068982125,0.00007818726,0.04283419,0.0000025429315,8.7250777e-7,0.0003907854,0.9541668,0.00013404188],"about_ca_topic_score_codex":0.051277634,"about_ca_topic_score_gemma":0.6614763,"teacher_disagreement_score":0.61019874,"about_ca_system_score_codex":0.0005444933,"about_ca_system_score_gemma":0.00034436776,"threshold_uncertainty_score":0.9982682},"labels":[],"label_agreement":null},{"id":"W2796451403","doi":"10.7202/1043822ar","title":"De la musique à l’architecture : le mystère des pans de verre « ondulatoires » du couvent de la tourette de le corbusier et Xenakis","year":2018,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Contemporary art, education, critique","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01666584500592037,"score_gpt":0.2838637501978259,"score_spread":0.2671979051919055,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2796451403","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8779893,0.0012564063,0.009976179,0.0849476,0.0020265847,0.00015602385,0.00005810863,0.000023048293,0.023566734],"genre_scores_gemma":[0.9863514,0.00016544496,0.0018321151,0.003193946,0.0021569598,0.000012308678,0.000002503556,0.00004747657,0.006237885],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9946308,0.0037135868,0.0004405216,0.00021770393,0.00019439888,0.00080295856],"domain_scores_gemma":[0.99729055,0.00059466786,0.00028208044,0.00021209956,0.00040745808,0.0012131622],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0037445426,0.00023622751,0.00026120237,0.00049787096,0.0014913019,0.00028687657,0.00049517385,0.00037248596,0.001223875],"category_scores_gemma":[0.00079942285,0.00027837,0.0002800894,0.00050582114,0.002410106,0.00086465635,0.000021575897,0.0010721508,0.000011123276],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000515131,0.0002625844,0.03867666,0.000053272383,0.00026905214,0.0006555619,0.60531074,0.002214109,0.000775778,0.026813304,0.3165467,0.00837071],"study_design_scores_gemma":[0.00055039814,0.00025758275,0.044988442,0.00077598775,0.00011214663,0.004601685,0.0803516,0.00022317532,0.00036449486,0.030194864,0.8372117,0.0003679232],"about_ca_topic_score_codex":0.5488868,"about_ca_topic_score_gemma":0.9296915,"teacher_disagreement_score":0.52495915,"about_ca_system_score_codex":0.002531983,"about_ca_system_score_gemma":0.030230992,"threshold_uncertainty_score":0.99996686},"labels":[],"label_agreement":null},{"id":"W2797682828","doi":"10.7202/1043866ar","title":"The “Szymanowski Clash”: Harmonic Conflict and Ambiguity in the Szymanowski Mazurkas","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Harmonic; Ambiguity; Musical; Vocabulary; Semitone; Linguistics; Hum; Perception; Computer science; Communication; Psychology; Speech recognition; Epistemology; Philosophy; Acoustics; History; Art; Literature; Physics; Performance art","score_opus":0.04951741710284153,"score_gpt":0.23850758128963753,"score_spread":0.188990164186796,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2797682828","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84774387,0.00082278776,0.00003614542,0.010853822,0.0031514575,0.00015749017,0.000018594059,0.000008368317,0.13720746],"genre_scores_gemma":[0.98882365,0.00004647582,0.0000056002773,0.0037934694,0.0015136844,0.0000074290765,0.0000010171343,0.000009208805,0.0057994705],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99882656,0.00019121835,0.00039551416,0.0001311467,0.00013136218,0.0003241707],"domain_scores_gemma":[0.9989653,0.00021729927,0.00017311136,0.00021028679,0.00024571386,0.00018827332],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006922199,0.00013056761,0.00018933593,0.00033807187,0.001392219,0.00026003955,0.00039502978,0.00006097505,0.0027148575],"category_scores_gemma":[0.000116773626,0.000075632466,0.00015210065,0.00014658128,0.0014826725,0.00017499356,0.000020876583,0.0005056541,0.0000557618],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012248498,0.000121089746,0.0020730002,0.00001716704,0.0006283285,0.0002587453,0.18265842,0.000009212385,0.000097667405,0.2086565,0.56682795,0.038529437],"study_design_scores_gemma":[0.00028260564,0.00026953375,0.0064391014,0.00003290771,0.00010156695,0.00018665091,0.018012673,0.00006188303,0.000013366463,0.0015645191,0.97292715,0.00010805751],"about_ca_topic_score_codex":0.016684534,"about_ca_topic_score_gemma":0.93652594,"teacher_disagreement_score":0.9198414,"about_ca_system_score_codex":0.000092311224,"about_ca_system_score_gemma":0.0002753004,"threshold_uncertainty_score":0.99990785},"labels":[],"label_agreement":null},{"id":"W2797925852","doi":"10.7202/1043868ar","title":"La Musicologie du cinéma : enjeux disciplinaires et problèmes méthodologiques","year":2018,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy; Political science","score_opus":0.08166276742659266,"score_gpt":0.2939739858006762,"score_spread":0.2123112183740835,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2797925852","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67663115,0.003494237,0.0025021432,0.09305417,0.02266785,0.00028906844,0.0002038967,0.000055519577,0.20110196],"genre_scores_gemma":[0.9750372,0.00018198775,0.0006269173,0.0039579864,0.0069226916,0.0000119974775,0.0000055096925,0.000035824236,0.0132198855],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99680346,0.0012889956,0.0007992518,0.0002995223,0.0001741883,0.0006345605],"domain_scores_gemma":[0.99681365,0.00071543833,0.0005173535,0.00026517003,0.0010488916,0.0006395086],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0016749313,0.00033717923,0.0005633919,0.0010012635,0.0013612225,0.00042726015,0.000510931,0.00038210905,0.023809342],"category_scores_gemma":[0.0009464749,0.00028989566,0.0005633745,0.0002618895,0.0038711783,0.0005709952,0.000079285615,0.0010681225,0.00019200175],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000109248256,0.0003035977,0.0014546922,0.000086202526,0.0010692689,0.0009089152,0.10767672,0.00006336998,0.00006082149,0.4632742,0.3966244,0.028368559],"study_design_scores_gemma":[0.0004296626,0.0018197888,0.008118425,0.00048650135,0.000609812,0.0010098717,0.020717742,0.00008636249,0.000052129388,0.020058058,0.9462393,0.0003723383],"about_ca_topic_score_codex":0.0475199,"about_ca_topic_score_gemma":0.88197553,"teacher_disagreement_score":0.8344556,"about_ca_system_score_codex":0.00036736965,"about_ca_system_score_gemma":0.0018720063,"threshold_uncertainty_score":0.9999553},"labels":[],"label_agreement":null},{"id":"W2798003243","doi":"10.7202/1043867ar","title":"L’enseignement et l’action créative : de l’inférence comme indice de professionnalisation du futur enseignant de musique","year":2018,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.26777022298820863,"score_gpt":0.4277651362076492,"score_spread":0.1599949132194406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2798003243","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8749259,0.00049020903,0.03278173,0.06895384,0.014021361,0.00023191397,0.000028125349,0.000016596283,0.008550292],"genre_scores_gemma":[0.9818241,0.00024923103,0.0032507994,0.0066955383,0.007119973,0.000020904421,0.000007913178,0.00001848634,0.0008130717],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99618715,0.0023226223,0.00050113385,0.00017745583,0.00021550259,0.00059612165],"domain_scores_gemma":[0.99706143,0.00061250373,0.0006090344,0.000117304844,0.00094423554,0.0006555121],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0051511503,0.0001687682,0.00019255733,0.00046205148,0.0016912884,0.00009276637,0.00028001712,0.00027700275,0.0011527011],"category_scores_gemma":[0.001354838,0.00018553376,0.00014488297,0.000542529,0.0014301583,0.0006439747,0.000011935924,0.00072013034,0.000025299321],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017295406,0.00012421675,0.011417222,0.000026013813,0.00016278848,0.000021088303,0.88984054,0.000117690084,0.00034137428,0.056869943,0.03492865,0.0061331885],"study_design_scores_gemma":[0.0004436494,0.00054288295,0.07425388,0.00077130325,0.00015070202,0.0006180099,0.8204362,0.00041227412,0.00016760836,0.01723644,0.08467714,0.00028993274],"about_ca_topic_score_codex":0.11652623,"about_ca_topic_score_gemma":0.42405647,"teacher_disagreement_score":0.30753022,"about_ca_system_score_codex":0.0031250936,"about_ca_system_score_gemma":0.011971199,"threshold_uncertainty_score":0.9997604},"labels":[],"label_agreement":null},{"id":"W2800030417","doi":"","title":"Vocation on Campus: Reading Mark Tranvik's Martin Luther and the Called Life at Pacific Lutheran University","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Archaeological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reading (process); Martin luther; History; Art history; Theology; Philosophy; Linguistics","score_opus":0.023873141447012757,"score_gpt":0.17856437120902444,"score_spread":0.1546912297620117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2800030417","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9033524,0.00019087903,0.00012795594,0.009896045,0.0023710104,0.00011835708,0.000018293942,0.000011642844,0.08391343],"genre_scores_gemma":[0.9875523,0.000011908737,0.000012409437,0.0004296958,0.0008833911,6.747764e-7,4.0878297e-7,0.0000052004543,0.011103996],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944854,0.000106338965,0.00014978372,0.00008331424,0.00006919234,0.00014281398],"domain_scores_gemma":[0.9994599,0.00009051407,0.00009297394,0.00006287103,0.0001071766,0.00018653274],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018248893,0.000076190336,0.00013172976,0.00013386078,0.0011930767,0.000029384226,0.00009616686,0.000025504523,0.0022199007],"category_scores_gemma":[0.00007044007,0.00004698114,0.00008206449,0.000050014496,0.0011041163,0.00005887843,0.000011090057,0.0001525626,0.000042537093],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001385321,0.00006437427,0.0021554958,0.000015143814,0.00046625902,0.00009555426,0.72396773,0.000015536383,0.00003970161,0.10448077,0.15628366,0.011030474],"study_design_scores_gemma":[0.0008387658,0.00033673045,0.0010891894,0.000046002006,0.000051477098,0.000032100623,0.037288487,0.000070668364,0.0000023488196,0.0013897748,0.95874584,0.000108593726],"about_ca_topic_score_codex":0.010627855,"about_ca_topic_score_gemma":0.43342677,"teacher_disagreement_score":0.8024622,"about_ca_system_score_codex":0.00019466157,"about_ca_system_score_gemma":0.000051796054,"threshold_uncertainty_score":0.9986922},"labels":[],"label_agreement":null},{"id":"W2800145957","doi":"","title":"Vocation for Emerging Adulthood: Within and Beyond College","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Education Systems and Policy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Psychology","score_opus":0.034454939985729585,"score_gpt":0.32582900053253544,"score_spread":0.29137406054680587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2800145957","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9693766,0.00010025278,0.0008538536,0.008773787,0.005972225,0.00018199213,0.00003164362,0.000006076997,0.014703522],"genre_scores_gemma":[0.9959649,0.0000031144993,0.0004111678,0.00052386423,0.0021544015,0.00000511131,5.284516e-7,0.0000056188396,0.000931283],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994551,0.0000602964,0.00021393812,0.000057711866,0.000071224305,0.00014176375],"domain_scores_gemma":[0.99897903,0.000049792165,0.00016327242,0.000049426846,0.00045039871,0.0003080835],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005532244,0.00004149585,0.000073933006,0.00033378619,0.0006983177,0.00005575181,0.000080269325,0.00004127842,0.00020015365],"category_scores_gemma":[0.0002743368,0.000041862255,0.000038377326,0.00023501071,0.00016097743,0.00018181252,0.000001929655,0.00006593721,0.0000062226427],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013885932,0.000014285246,0.007153019,0.000013417478,0.000061089144,0.0000023630148,0.728082,0.000004060207,0.000120408105,0.11168612,0.14762351,0.0052258535],"study_design_scores_gemma":[0.00027619745,0.00019446007,0.0027857833,0.000076477816,0.000025680914,0.00007171744,0.4568845,0.000029601106,0.00005443205,0.0026137535,0.5368836,0.00010382213],"about_ca_topic_score_codex":0.057188652,"about_ca_topic_score_gemma":0.75549483,"teacher_disagreement_score":0.6983062,"about_ca_system_score_codex":0.00016212685,"about_ca_system_score_gemma":0.0014417821,"threshold_uncertainty_score":0.9490896},"labels":[],"label_agreement":null},{"id":"W2800598114","doi":"","title":"About the Cover and Issue","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Human auditory perception and evaluation","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cover (algebra); Computer science; History; Engineering","score_opus":0.026912673737774933,"score_gpt":0.24630059593901266,"score_spread":0.21938792220123773,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2800598114","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9722005,0.00016002801,0.0018137122,0.00041419597,0.0053754286,0.00004311002,0.000003413605,0.000014438731,0.019975148],"genre_scores_gemma":[0.9967502,0.000009881771,0.000027286527,0.0003988205,0.0016401361,7.8645667e-7,3.3013038e-7,0.0000075748057,0.0011650369],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99969643,0.000017688137,0.00011905735,0.00002939518,0.000053393385,0.000084029074],"domain_scores_gemma":[0.99965954,0.000011299278,0.000023825236,0.000059905753,0.00008634784,0.00015906857],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011804964,0.00004260343,0.00004608738,0.00015539248,0.0001422867,0.000045855668,0.00005972692,0.000025171657,0.026558347],"category_scores_gemma":[0.000028984283,0.000033151297,0.000027492639,0.00007469334,0.000096773205,0.00012545806,0.0000019130762,0.000120956036,0.0014569755],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003544054,0.0000020533405,0.00039840702,0.0000055082005,0.000047217323,0.0000052243136,0.016555369,0.00093995297,0.0007057675,0.000025746938,0.9720682,0.00924302],"study_design_scores_gemma":[0.00015255553,0.00009083719,0.011641992,0.000036751186,0.000018368952,0.00022326158,0.0028313356,0.0029645136,0.00005140623,0.000091026806,0.98182994,0.00006798477],"about_ca_topic_score_codex":0.00015450371,"about_ca_topic_score_gemma":0.034396302,"teacher_disagreement_score":0.0342418,"about_ca_system_score_codex":0.00008921771,"about_ca_system_score_gemma":0.000080662714,"threshold_uncertainty_score":0.9993205},"labels":[],"label_agreement":null},{"id":"W2802122563","doi":"","title":"Called to Compassion over the Course of a Life: A Buddhist Perspective","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion, Spirituality, and Psychology","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Compassion; Buddhism; Perspective (graphical); Life course approach; Course (navigation); Psychoanalysis; Psychology; History; Philosophy; Art; Developmental psychology; Theology; Visual arts; Engineering; Archaeology","score_opus":0.04003367941913114,"score_gpt":0.3522495024256189,"score_spread":0.31221582300648776,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2802122563","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94954896,0.00021557327,0.00042801216,0.021117002,0.0037398718,0.00012927207,0.000013609382,0.000004997633,0.024802674],"genre_scores_gemma":[0.9961213,0.000006304784,0.00004261151,0.0023372031,0.0012340967,0.0000022494116,1.6278776e-7,0.0000063568164,0.00024975245],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99898446,0.0002478471,0.0002827472,0.000097488046,0.0001651313,0.00022233758],"domain_scores_gemma":[0.99831736,0.00009497893,0.00018258851,0.00014682968,0.0007387794,0.0005194797],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005918989,0.000071435185,0.00016604426,0.00027381198,0.0005726762,0.000040543255,0.000321652,0.00007020529,0.0011842736],"category_scores_gemma":[0.0003048056,0.000052838124,0.00013687742,0.00044635253,0.0007643845,0.00007633118,0.000008331375,0.00019934378,0.00002588845],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000085644184,0.00006545129,0.012952086,0.000002052363,0.00014255263,0.000013676197,0.3183214,0.0000118750695,0.00011505528,0.012089686,0.65558225,0.00061826495],"study_design_scores_gemma":[0.0008051917,0.0008879656,0.20795386,0.00013453295,0.00008003594,0.00009490868,0.4988293,0.0000126729055,0.000028080996,0.0044792765,0.28648221,0.00021195151],"about_ca_topic_score_codex":0.51279974,"about_ca_topic_score_gemma":0.9632407,"teacher_disagreement_score":0.45044094,"about_ca_system_score_codex":0.00031977703,"about_ca_system_score_gemma":0.0016914788,"threshold_uncertainty_score":0.9997288},"labels":[],"label_agreement":null},{"id":"W2802236481","doi":"","title":"Vocation and Civil Discourse: Discerning and Defining","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Labor Movements and Unions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology; Linguistics; History; Philosophy","score_opus":0.01930592453544109,"score_gpt":0.2842526755941906,"score_spread":0.2649467510587495,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2802236481","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9830254,0.00017104745,0.00035166257,0.0024303496,0.0009597744,0.00003236193,0.0000062074437,0.00000386224,0.013019386],"genre_scores_gemma":[0.9989029,0.000023104378,0.000094544615,0.0002736035,0.0003035866,6.144376e-7,4.3237353e-7,0.000004472523,0.0003967004],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9995579,0.000044888176,0.000118776,0.000059323807,0.00007670879,0.00014240922],"domain_scores_gemma":[0.99946,0.000027871496,0.00008183941,0.00003905899,0.00012026699,0.00027095166],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026850172,0.000040902873,0.000058625283,0.00019732068,0.00078307505,0.00011425017,0.00005903926,0.000027516106,0.0003059412],"category_scores_gemma":[0.000121683464,0.000037113026,0.000018635905,0.00014545149,0.00036343263,0.00024037871,0.000006833054,0.00009641467,0.0000013073851],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014524367,0.000031375665,0.1406288,0.0000059893423,0.00015922906,0.00003595912,0.3230229,0.000008432065,0.0003567493,0.391244,0.01812633,0.12636572],"study_design_scores_gemma":[0.00057896704,0.00037598333,0.47140786,0.00027711803,0.00010224873,0.0001199919,0.19958077,0.000058831352,0.000032878794,0.0049039116,0.32229438,0.00026706638],"about_ca_topic_score_codex":0.09814175,"about_ca_topic_score_gemma":0.9377751,"teacher_disagreement_score":0.83963335,"about_ca_system_score_codex":0.000085595435,"about_ca_system_score_gemma":0.0003718089,"threshold_uncertainty_score":0.9078638},"labels":[],"label_agreement":null},{"id":"W2808412540","doi":"10.7202/1043869ar","title":"Rubén López-Cano et Ursula San Cristobal Opazo. 2014. Investigación artística en música. Problemas, métodos, experiencias y modelos. Mexico et Barcelone : Fondo Nacional para la Cultura y las Artes et ESMuC. p. 259. ISBN : 978-84-697-1948-0","year":2016,"lang":"es","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Multidisciplinary Research Papers Compilation","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Humanities; Art","score_opus":0.05047682909845577,"score_gpt":0.34508462393124884,"score_spread":0.2946077948327931,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2808412540","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8121508,0.000888925,0.005177783,0.15117241,0.0027832394,0.0013215026,0.0008832241,0.00012017154,0.02550197],"genre_scores_gemma":[0.9943407,0.0005456965,0.0014830385,0.0012693463,0.0007209292,0.00008020722,0.000035769895,0.000087345805,0.0014369194],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99212533,0.0028456124,0.0013627829,0.00079782074,0.0015436532,0.0013247824],"domain_scores_gemma":[0.9934459,0.0013577456,0.00081065716,0.0005618217,0.0012213043,0.002602574],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.003476532,0.0006754107,0.00079118967,0.0012617682,0.0014442416,0.0007296598,0.0011939958,0.0004910347,0.0033073039],"category_scores_gemma":[0.0022119144,0.0005590075,0.00052310235,0.0009710967,0.0019522296,0.0021656088,0.00019918002,0.001551085,0.0002709108],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00086445577,0.001080516,0.041675694,0.00015255889,0.0015312206,0.0013116414,0.22344904,0.0048432085,0.034303524,0.32651526,0.3571518,0.0071210866],"study_design_scores_gemma":[0.008345945,0.0035174284,0.13131142,0.0061095566,0.00068315107,0.0026662732,0.09262777,0.0055358475,0.0016725712,0.025617467,0.7179093,0.0040033166],"about_ca_topic_score_codex":0.020827513,"about_ca_topic_score_gemma":0.2453898,"teacher_disagreement_score":0.36075747,"about_ca_system_score_codex":0.0017863391,"about_ca_system_score_gemma":0.00845326,"threshold_uncertainty_score":0.99985576},"labels":[],"label_agreement":null},{"id":"W2888128067","doi":"","title":"It's Time to Rewrite the Rules of Civility","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Labor Movements and Unions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Civility; Computer science; Law; Political science","score_opus":0.021147637465053964,"score_gpt":0.2712633632801188,"score_spread":0.2501157258150648,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2888128067","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8787598,0.000028191997,0.00013873437,0.018980829,0.0013870867,0.00010243192,0.00004640493,0.000004205658,0.10055231],"genre_scores_gemma":[0.99446744,0.0000023420062,0.0000719236,0.0022095055,0.00057454273,8.769151e-7,2.7094848e-7,0.0000039079314,0.0026691956],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992997,0.000106562424,0.00021476821,0.000055615932,0.00014711474,0.00017621976],"domain_scores_gemma":[0.9989876,0.000052621843,0.00010652397,0.00012318656,0.00043559293,0.00029444185],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006236046,0.000044029486,0.00008476233,0.00020307572,0.0005455324,0.00004656188,0.00028554557,0.000030939063,0.0063734143],"category_scores_gemma":[0.00028036523,0.000032189182,0.000076581324,0.00029800134,0.00035379222,0.000117503354,0.000010291995,0.00010813228,0.000052160554],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033511777,0.000077622964,0.0036450338,0.0000033206636,0.00023446057,0.00002121991,0.18423785,0.000021191827,0.0010837195,0.041214474,0.7449775,0.024450118],"study_design_scores_gemma":[0.0000789583,0.00014542691,0.033604708,0.000048267684,0.000020308888,0.0000069891694,0.009237447,0.000003511935,0.00006133207,0.0007742694,0.95596695,0.000051859563],"about_ca_topic_score_codex":0.1544749,"about_ca_topic_score_gemma":0.90740454,"teacher_disagreement_score":0.7529296,"about_ca_system_score_codex":0.00015313098,"about_ca_system_score_gemma":0.00077895133,"threshold_uncertainty_score":0.9945349},"labels":[],"label_agreement":null},{"id":"W2893538957","doi":"10.7202/1043870ar","title":"Jean-Christophe Branger et Malou Haine. 2014. Ernest van Dyck et Jules Massenet : Un interprète au service d’un compositeur. Paris : VRIN, 172 p. Coll. « MusicologieS ». ISBN : 978-2-7116-2547","year":2016,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.02539051420544868,"score_gpt":0.2551403052821713,"score_spread":0.2297497910767226,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2893538957","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53567535,0.016032198,0.0009840025,0.40447602,0.020856902,0.0006008187,0.0008012928,0.000097257034,0.02047616],"genre_scores_gemma":[0.95304793,0.0011745899,0.0004568339,0.026319034,0.0020958788,0.000022494722,0.000028164664,0.000063041014,0.016792022],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945053,0.0017137026,0.0012985448,0.00065830286,0.00054542907,0.0012787568],"domain_scores_gemma":[0.99483275,0.0008112059,0.0010586313,0.0005021026,0.0013878905,0.0014074054],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013557243,0.0006737302,0.0009716625,0.000791197,0.0016140236,0.0006474091,0.0012157252,0.00065218436,0.011743575],"category_scores_gemma":[0.00037128993,0.0005163817,0.0008475777,0.0016029638,0.0012204888,0.0014279757,0.00014214743,0.0011803809,0.0005003936],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022957125,0.00044778653,0.017516514,0.00011426233,0.0025390445,0.0012850433,0.06710639,0.00052273483,0.0019817008,0.008445235,0.86364913,0.036162574],"study_design_scores_gemma":[0.0011905171,0.00057905435,0.017624598,0.00078549265,0.0008981348,0.0006314424,0.021067262,0.00007240309,0.00011029185,0.0024643592,0.9537612,0.0008152008],"about_ca_topic_score_codex":0.20389064,"about_ca_topic_score_gemma":0.9318796,"teacher_disagreement_score":0.72798896,"about_ca_system_score_codex":0.0015099678,"about_ca_system_score_gemma":0.0020740547,"threshold_uncertainty_score":0.9997288},"labels":[],"label_agreement":null},{"id":"W2895858394","doi":"10.7202/1051599ar","title":"“Listening Out” to Experimental Music in Canada: Publics, Subjects, Places","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Active listening; Craft; Visual arts; John Cage; Media studies; Aesthetics; History; Sociology; Art; Performance art; Art history; Communication","score_opus":0.039345944360155136,"score_gpt":0.2114926470379701,"score_spread":0.17214670267781496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2895858394","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9193772,0.00017306683,0.00000883215,0.0004178715,0.0094537595,0.00008872507,0.000035044104,0.0000067800893,0.07043872],"genre_scores_gemma":[0.9917671,1.8754845e-7,0.000021137483,0.0022175312,0.001951619,0.000005031702,0.000001937893,0.000015014732,0.004020418],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989904,0.000047085126,0.00035715057,0.0001337822,0.00015476637,0.0003167751],"domain_scores_gemma":[0.9990377,0.000018271689,0.00012535111,0.00012150534,0.00023353704,0.00046364774],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014436126,0.00013217003,0.00018491669,0.00051234855,0.00048565597,0.00014334776,0.00024662365,0.00003334471,0.01963968],"category_scores_gemma":[0.00005245203,0.00012394166,0.00007393212,0.000107550666,0.00016326344,0.00030300015,0.000011939009,0.0002772895,0.00004847939],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028613384,0.000020256468,0.0005781823,0.0000053499157,0.000043915268,0.00016860585,0.37059504,0.000024894376,0.00017691389,0.002901006,0.62481296,0.0006442866],"study_design_scores_gemma":[0.00023631036,0.00019199822,0.00038584342,0.000090754584,0.0000105204945,0.00009260292,0.16994442,0.00001009462,0.00015474229,0.00002152502,0.82869834,0.00016286293],"about_ca_topic_score_codex":0.9694657,"about_ca_topic_score_gemma":0.9999884,"teacher_disagreement_score":0.20388538,"about_ca_system_score_codex":0.0016265381,"about_ca_system_score_gemma":0.0028662747,"threshold_uncertainty_score":0.9812565},"labels":[],"label_agreement":null},{"id":"W2896103812","doi":"10.7202/1051595ar","title":"A Portrait of Composer Steven Gellman for His Seventieth Birthday","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Biography; Portrait; Art history; Art; Literature; History","score_opus":0.10120803566498651,"score_gpt":0.23582889406767804,"score_spread":0.13462085840269153,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2896103812","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91131043,0.00015327099,0.00036829946,0.0012080385,0.007164664,0.00026547792,0.00025683167,0.000014790194,0.079258166],"genre_scores_gemma":[0.9938113,0.0000019382444,0.00014694312,0.00045841755,0.0010605999,0.0000044266017,0.000001830921,0.0000119032,0.004502658],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991725,0.00002862657,0.00037587908,0.00009282985,0.000105037245,0.00022510857],"domain_scores_gemma":[0.99880356,0.00005906747,0.0002688259,0.00008881124,0.00059278664,0.00018695793],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001965163,0.000102669954,0.00023690067,0.00034865158,0.00037616678,0.000087533575,0.00019364091,0.000035045865,0.006824872],"category_scores_gemma":[0.000052872187,0.00008463068,0.00023224151,0.00006418235,0.0005830197,0.00014296084,0.0000125189335,0.00012019763,0.00002672377],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017875737,0.000251105,0.0018590017,0.00008139897,0.0013839139,0.00008758276,0.16463938,0.000023057017,0.00029929433,0.20954111,0.6090497,0.012605733],"study_design_scores_gemma":[0.0004233953,0.0010815702,0.0009938785,0.000070750626,0.00008924199,0.00003375301,0.01593578,0.000009944637,0.000055887904,0.0020420197,0.97915,0.0001137639],"about_ca_topic_score_codex":0.011189832,"about_ca_topic_score_gemma":0.44934785,"teacher_disagreement_score":0.43815804,"about_ca_system_score_codex":0.0001111497,"about_ca_system_score_gemma":0.00021370746,"threshold_uncertainty_score":0.99539477},"labels":[],"label_agreement":null},{"id":"W2896210624","doi":"10.7202/1051597ar","title":"True Reflections on Barron’s Reflections of Canada: “Canada 150: Music and Belonging”","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Art history","score_opus":0.060049309417481295,"score_gpt":0.25129965079638183,"score_spread":0.19125034137890054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2896210624","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6960744,0.00007709143,0.00004529824,0.0042864666,0.020662623,0.00015789279,0.00016970246,0.000014805301,0.2785117],"genre_scores_gemma":[0.9903079,0.0000023819766,0.00005909533,0.0016202332,0.0017615041,0.000005210476,0.0000029863531,0.000022241436,0.0062184264],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986776,0.00006445597,0.0004988542,0.0001750292,0.00026028344,0.000323758],"domain_scores_gemma":[0.9980363,0.000094148294,0.0003086264,0.00022463444,0.0008264166,0.000509873],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014707053,0.00017087071,0.00023667075,0.0007950515,0.0012053314,0.00010432542,0.00019859681,0.000043933167,0.0077748704],"category_scores_gemma":[0.00014015668,0.00016714238,0.000079471334,0.00023340182,0.0004317825,0.00022612995,0.0000118877815,0.0003308581,0.000007327607],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003336002,0.000056541183,0.00025717428,0.000020260206,0.00031492603,0.000058913934,0.07843284,0.00007096184,0.00014342656,0.09174742,0.8280394,0.0008247961],"study_design_scores_gemma":[0.0002837287,0.00037716172,0.0017811606,0.00013618522,0.00008074784,0.00017864803,0.054112468,0.000010423765,0.00017866977,0.00064785103,0.9420056,0.00020736964],"about_ca_topic_score_codex":0.9958365,"about_ca_topic_score_gemma":0.9999946,"teacher_disagreement_score":0.2942335,"about_ca_system_score_codex":0.0012712257,"about_ca_system_score_gemma":0.009974395,"threshold_uncertainty_score":0.99563813},"labels":[],"label_agreement":null},{"id":"W2896728296","doi":"10.7202/1051600ar","title":"Writing for CBC Wartime Radio Drama: John Weinzweig, Socialism, and the Twelve-Tone Dilemma","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Drama; Politics; Socialism; Literature; Radio program; Media studies; History; Communism; Sociology; Art; Political science; Law","score_opus":0.018474448822733386,"score_gpt":0.2613609189570315,"score_spread":0.24288647013429812,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2896728296","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9205093,0.0015187669,0.0010058794,0.028977381,0.009732937,0.00060566195,0.00011522232,0.00003159117,0.037503254],"genre_scores_gemma":[0.9931822,0.000034933164,0.00010222794,0.0008530476,0.0034835928,0.000008222874,8.597475e-7,0.000013994377,0.0023209448],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99889714,0.00015344251,0.00031557193,0.00011234232,0.0001626965,0.0003588213],"domain_scores_gemma":[0.99863094,0.00017872427,0.00019894946,0.000099486475,0.00038457394,0.0005073545],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00094666885,0.00007948758,0.00018631545,0.0006664456,0.003419247,0.0005923591,0.00025556344,0.000088311055,0.00096584426],"category_scores_gemma":[0.0004931267,0.00008125848,0.00018983566,0.0002980141,0.002585903,0.0003172913,0.00000929126,0.00023733031,0.000021769896],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014929821,0.00002842246,0.0013690589,0.0000212081,0.00033786436,0.00007750892,0.29259095,0.0000069087796,0.000069550806,0.101207964,0.5766437,0.027497584],"study_design_scores_gemma":[0.0008595801,0.00009130386,0.0010731983,0.000060595554,0.00009060446,0.00008829789,0.029233001,0.000023300545,0.0000040444497,0.0024791192,0.96587074,0.00012620862],"about_ca_topic_score_codex":0.8407677,"about_ca_topic_score_gemma":0.9978527,"teacher_disagreement_score":0.38922706,"about_ca_system_score_codex":0.0010838634,"about_ca_system_score_gemma":0.002668117,"threshold_uncertainty_score":0.9999474},"labels":[],"label_agreement":null},{"id":"W2896794770","doi":"10.7202/1051594ar","title":"The Message of the Carillon: Bells as Instruments of Colonialism in Twentieth-Century Canada","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Colonialism; Context (archaeology); Politics; Harmony (color); Rhetorical question; History; Parliament; Archaeology; Art; Law; Political science; Literature; Visual arts","score_opus":0.009122062541561766,"score_gpt":0.21871428629290748,"score_spread":0.20959222375134573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2896794770","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96946526,0.00034261085,7.0130125e-7,0.0026847797,0.008716371,0.000109406225,0.000040376035,9.285214e-7,0.01863957],"genre_scores_gemma":[0.9977187,0.000053728967,0.0000031047086,0.00027030462,0.00020803374,0.0000011191412,2.0470837e-7,0.000005200436,0.0017396229],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99884135,0.00018010268,0.00036764372,0.00006540273,0.00030708875,0.00023840182],"domain_scores_gemma":[0.99894047,0.0000549022,0.00033113916,0.00015368816,0.0002763534,0.00024345817],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047370087,0.000056050576,0.00013506034,0.00038956487,0.00101704,0.000067434914,0.00049144996,0.000058960795,0.00049409014],"category_scores_gemma":[0.00024900987,0.000049383983,0.000105690895,0.0005578474,0.0012961794,0.000111130495,0.0000130153785,0.00023222559,0.0000022496877],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011926958,0.00009698367,0.05070588,0.000048362363,0.00046727055,0.000167215,0.33310533,0.00005739319,0.00071116164,0.029182753,0.56176287,0.02357551],"study_design_scores_gemma":[0.00019930345,0.00005623043,0.015738431,0.00008306647,0.000026364243,0.000019470965,0.020479312,0.0000011356665,0.00007255167,0.00027478155,0.96299005,0.00005933007],"about_ca_topic_score_codex":0.9996038,"about_ca_topic_score_gemma":0.99999857,"teacher_disagreement_score":0.40122715,"about_ca_system_score_codex":0.0021957683,"about_ca_system_score_gemma":0.016168095,"threshold_uncertainty_score":0.9894093},"labels":[],"label_agreement":null},{"id":"W2896861573","doi":"10.7202/1051596ar","title":"The Jack Pine: Preserving the Northern Ontario Landscape through Painting, Music, and Short Film","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Piano; Visual arts; Art; Landscape painting; Art history; Performance art","score_opus":0.03327366041489106,"score_gpt":0.2195074688628303,"score_spread":0.18623380844793924,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2896861573","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8984592,0.00046584627,0.0000947995,0.0025811668,0.0019151167,0.000073695206,0.000009797237,0.0000071066233,0.09639329],"genre_scores_gemma":[0.99055004,0.0000080146065,0.000007412762,0.00072076265,0.0018429575,0.0000029962525,0.0000011378372,0.000011708773,0.0068549756],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99910676,0.00007164776,0.00031613253,0.000103307044,0.00013148662,0.00027068454],"domain_scores_gemma":[0.9990754,0.00010452578,0.00011160617,0.00021016573,0.00035481513,0.00014346898],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004018224,0.00011342167,0.0001392465,0.000102109385,0.00196884,0.0005331887,0.00031932766,0.000030423555,0.0048050513],"category_scores_gemma":[0.00008492441,0.00006467431,0.00014467402,0.000065710636,0.0005111334,0.0002596691,0.000027491475,0.0003494364,0.000018270273],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004111747,0.000045983954,0.03247228,0.000015140024,0.0010089433,0.000090213776,0.5491257,0.00006207003,0.000023407161,0.038395356,0.37078142,0.007938393],"study_design_scores_gemma":[0.00011727576,0.00016356462,0.0056967577,0.00007025763,0.00013075501,0.00014681484,0.06554917,0.00015479102,0.0000074927243,0.0018996282,0.92594403,0.00011948946],"about_ca_topic_score_codex":0.2649401,"about_ca_topic_score_gemma":0.99910307,"teacher_disagreement_score":0.734163,"about_ca_system_score_codex":0.000089514346,"about_ca_system_score_gemma":0.00031056374,"threshold_uncertainty_score":0.99933046},"labels":[],"label_agreement":null},{"id":"W2897526585","doi":"10.7202/1051598ar","title":"Une approche contextualiste des relations voix/gestes dans les improvisations de Tanya Tagaq : un « acte performanciel »","year":2018,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.05284202078038168,"score_gpt":0.22931121989249995,"score_spread":0.17646919911211828,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2897526585","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93009895,0.001523659,0.0017666785,0.008132841,0.003782956,0.00016830301,0.00038258734,0.00002345948,0.05412059],"genre_scores_gemma":[0.91091824,0.000069081434,0.00042694082,0.00030786116,0.0023476675,0.0000070663077,0.000012698476,0.000029598468,0.08588088],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99841833,0.00011998312,0.0006355713,0.00016333394,0.0001518616,0.0005109457],"domain_scores_gemma":[0.99782306,0.00008690652,0.00035577596,0.0001858844,0.0009693537,0.0005790299],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032438003,0.00023156358,0.00024448402,0.0004771212,0.0037305471,0.00071260077,0.00030100104,0.00017127652,0.0069300337],"category_scores_gemma":[0.00020605097,0.00022937552,0.0003085085,0.00027820942,0.0022380932,0.0012083249,0.000021727632,0.00068084203,0.00018289052],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026793903,0.00011940648,0.0030179655,0.00008368372,0.00047913546,0.00008874668,0.8353944,0.000089875306,0.0015232421,0.08850307,0.06169296,0.008980762],"study_design_scores_gemma":[0.00043610024,0.0005447841,0.010790561,0.0005059163,0.00037581203,0.0009805547,0.25101545,0.0003656084,0.000167078,0.0029082722,0.73159486,0.00031498345],"about_ca_topic_score_codex":0.45282686,"about_ca_topic_score_gemma":0.97552866,"teacher_disagreement_score":0.6699019,"about_ca_system_score_codex":0.0009937324,"about_ca_system_score_gemma":0.0011597851,"threshold_uncertainty_score":0.99756646},"labels":[],"label_agreement":null},{"id":"W2898019185","doi":"10.7202/1051602ar","title":"A Tribe Called Red’s Halluci Nation: Sonifying Embodied Global Allegiances, Decolonization, And Indigenous Activism","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Indigenous; Oppression; Tribe; Gender studies; Decolonization; Aotearoa; Sociology; Media studies; Identity (music); Political science; Politics; Anthropology; Law; Aesthetics","score_opus":0.08889728597370454,"score_gpt":0.24146252424319636,"score_spread":0.1525652382694918,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898019185","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85567224,0.0005558573,0.00034020483,0.0040008593,0.006243355,0.0002865763,0.00006772402,0.000040017963,0.13279314],"genre_scores_gemma":[0.9968845,0.000017139717,0.00013600137,0.0007617016,0.0013553554,0.00000560121,0.000001961578,0.000009190075,0.00082849857],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990485,0.00005561806,0.000317619,0.00014734281,0.00014666311,0.00028428374],"domain_scores_gemma":[0.9986292,0.000044770244,0.00023237086,0.0000792847,0.000747243,0.00026712398],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018566052,0.00013519701,0.00021869077,0.00023924331,0.0012157781,0.00045340246,0.00016731398,0.00005059733,0.0026962445],"category_scores_gemma":[0.0001946195,0.00011891216,0.000080302234,0.00012627374,0.00053710816,0.00035871076,0.000026525904,0.00017236483,0.000031259533],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029474555,0.00029961704,0.01702818,0.000058111866,0.0019580289,0.0007443199,0.49657345,0.000061803235,0.000027254899,0.17747054,0.2468802,0.058603738],"study_design_scores_gemma":[0.0012883567,0.0009608226,0.012175044,0.00013782835,0.00014561755,0.00038625786,0.039544433,0.000046189856,0.0000073592482,0.0043003256,0.94065833,0.00034943572],"about_ca_topic_score_codex":0.018093834,"about_ca_topic_score_gemma":0.76371825,"teacher_disagreement_score":0.74562436,"about_ca_system_score_codex":0.00047409715,"about_ca_system_score_gemma":0.00044537967,"threshold_uncertainty_score":0.99821544},"labels":[],"label_agreement":null},{"id":"W2899287087","doi":"","title":"Sprigs of Mint","year":2018,"lang":"hu","type":"article","venue":"Intersections Canadian Journal of Music","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Computer science","score_opus":0.03007993629871247,"score_gpt":0.2465240868401425,"score_spread":0.21644415054143,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899287087","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9704322,0.0007556772,0.00035067726,0.0007497653,0.01354307,0.00018448767,0.0004707703,0.000010084866,0.013503234],"genre_scores_gemma":[0.9954098,0.000007995686,0.00042328495,0.00024676282,0.0028615335,0.0000013374349,0.0000023616444,0.000116834024,0.000930093],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99664485,0.0002620195,0.0016046095,0.00026053676,0.00044191684,0.00078607263],"domain_scores_gemma":[0.993573,0.00010432776,0.001480278,0.0005613116,0.0025003767,0.0017806673],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009609671,0.00034613835,0.00063300354,0.0036590833,0.00037150978,0.00011707816,0.000791596,0.0002300059,0.016314464],"category_scores_gemma":[0.0006543654,0.0003692244,0.0006398782,0.0014753949,0.0015531151,0.00046098814,0.00003533981,0.00086638826,0.0029390827],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00057211064,0.0004402595,0.024762128,0.00015508609,0.0032701911,0.001553922,0.07484047,0.00020115994,0.027996683,0.0020004087,0.85084915,0.013358414],"study_design_scores_gemma":[0.0048209364,0.01032552,0.09305763,0.005532719,0.0022698217,0.01717712,0.060183417,0.0005504944,0.023756528,0.0014616376,0.7791287,0.0017355266],"about_ca_topic_score_codex":0.20034929,"about_ca_topic_score_gemma":0.9057338,"teacher_disagreement_score":0.70538455,"about_ca_system_score_codex":0.0016686836,"about_ca_system_score_gemma":0.0064507606,"threshold_uncertainty_score":0.99987596},"labels":[],"label_agreement":null},{"id":"W2899812537","doi":"","title":"Lutheran Higher Education in the Land of Anxiety","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Anxiety; Psychology; History; Sociology; Psychiatry","score_opus":0.03407412008303577,"score_gpt":0.23517051261106975,"score_spread":0.20109639252803396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899812537","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9003556,0.000063466214,0.000020736376,0.00091826817,0.0021038132,0.00004147599,0.000009550707,0.0000017259924,0.09648539],"genre_scores_gemma":[0.99711674,0.0000027723006,0.0000092248965,0.00063195353,0.000864486,8.7487746e-7,0.0000011467856,0.0000034147306,0.0013693832],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99959016,0.000040829633,0.00019775786,0.000029248497,0.00006594927,0.00007606635],"domain_scores_gemma":[0.9995608,0.000009826168,0.000106850704,0.000073462434,0.0001923764,0.000056718884],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016643741,0.000040056315,0.00006220119,0.00023344882,0.00013421003,0.00006014603,0.000118063595,0.000017749466,0.004284654],"category_scores_gemma":[0.00000902458,0.00002619049,0.000047656762,0.00004848398,0.0001401453,0.00017212323,0.0000016953184,0.00011863178,0.000022569147],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006401874,0.00019988064,0.039518934,0.000039051258,0.000109497996,0.0000074151767,0.650975,0.000028891822,0.00007327784,0.057270385,0.21503516,0.036678508],"study_design_scores_gemma":[0.00023543587,0.00016344668,0.065330595,0.00007300119,0.000015672393,0.000072049384,0.021729555,0.000023439672,0.000018458997,0.0016857547,0.91058254,0.00007006727],"about_ca_topic_score_codex":0.05715345,"about_ca_topic_score_gemma":0.66745317,"teacher_disagreement_score":0.69554734,"about_ca_system_score_codex":0.00005264423,"about_ca_system_score_gemma":0.00037338134,"threshold_uncertainty_score":0.99662554},"labels":[],"label_agreement":null},{"id":"W2908098590","doi":"","title":"Luther, the Catechisms, and Intellectual Disability","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Intellectual disability; History; Psychology; Psychiatry","score_opus":0.039380228595958994,"score_gpt":0.217655808207616,"score_spread":0.178275579611657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2908098590","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9704036,0.000095080926,0.0003359496,0.0017236334,0.002011564,0.00005551809,0.00001722579,0.00000788396,0.025349531],"genre_scores_gemma":[0.9979503,0.000004295348,0.000009082718,0.00043967503,0.000881343,8.8353204e-7,5.38927e-7,0.0000054937104,0.00070839224],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99951726,0.000044479944,0.00020228942,0.000050673956,0.00006413517,0.00012117544],"domain_scores_gemma":[0.9994407,0.00004813006,0.000078407524,0.000099688776,0.00018037688,0.00015267327],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021100922,0.00006185205,0.000075936965,0.00009899108,0.0006454868,0.00017424386,0.00012546215,0.000020809732,0.005696962],"category_scores_gemma":[0.00010971891,0.000038071496,0.000053400872,0.00003709693,0.0010551468,0.00019040643,0.000008190743,0.00019464029,0.000069602174],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004714459,0.000041491523,0.0014901977,0.000013580006,0.00013957046,0.0000083996465,0.7891779,0.0000050141075,0.000026712885,0.017528443,0.1581066,0.033414967],"study_design_scores_gemma":[0.00019355424,0.00029730768,0.0032704733,0.000033624514,0.00003037022,0.00026338367,0.060034633,0.00020376124,0.000040374824,0.0018580233,0.93365985,0.00011466801],"about_ca_topic_score_codex":0.04405345,"about_ca_topic_score_gemma":0.7557591,"teacher_disagreement_score":0.7755532,"about_ca_system_score_codex":0.00008509934,"about_ca_system_score_gemma":0.00013370908,"threshold_uncertainty_score":0.99521196},"labels":[],"label_agreement":null},{"id":"W2948077900","doi":"10.7202/1059894ar","title":"Texts—Textures—Intertexts: Brian Cherney’s Transfiguration (1990)","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Apotheosis; Intertextuality; Art; Literature; The Holocaust; Judaism; Art history; Philosophy; Theology","score_opus":0.021202109724077947,"score_gpt":0.20291061762817603,"score_spread":0.1817085079040981,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948077900","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8433271,0.00019727823,0.00032652734,0.0034105072,0.0072163222,0.00016728828,0.000042527485,0.000020100864,0.14529236],"genre_scores_gemma":[0.98400235,0.0000024565632,0.000014727198,0.00209058,0.0012798831,0.0000033750082,0.0000075750263,0.000017346905,0.012581711],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989056,0.00007567219,0.00045191383,0.00015547176,0.00013318927,0.00027816682],"domain_scores_gemma":[0.99898624,0.00004727813,0.00018838844,0.00016896064,0.0002743359,0.00033477368],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019321575,0.00015144785,0.00027249148,0.0006478048,0.0002956663,0.0001792297,0.00025019175,0.00009125805,0.053439625],"category_scores_gemma":[0.000036756992,0.00012864861,0.00034420512,0.00011026608,0.00019917557,0.00037939276,0.000005745983,0.00042240426,0.0005425836],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029256052,0.0003653243,0.0024583817,0.0001161136,0.0024121813,0.00043265452,0.25711152,0.0005448086,0.00381425,0.22342692,0.45931053,0.049714748],"study_design_scores_gemma":[0.0007998114,0.0005104658,0.001998251,0.00014265333,0.00024646195,0.00024758966,0.011650978,0.00017242145,0.00013020576,0.0024261412,0.9813662,0.00030883],"about_ca_topic_score_codex":0.018493785,"about_ca_topic_score_gemma":0.7212765,"teacher_disagreement_score":0.70278275,"about_ca_system_score_codex":0.00015523403,"about_ca_system_score_gemma":0.0003411584,"threshold_uncertainty_score":0.9880422},"labels":[],"label_agreement":null},{"id":"W2948180711","doi":"10.7202/1059889ar","title":"Commissioning Brian Cherney’s String Trio","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cello; Violin; German; String (physics); Reputation; Performance art; Art history; Art; Viola; Commission; Visual arts; History; Law; Political science; Mathematics; Piano","score_opus":0.030562487967958192,"score_gpt":0.19146703331421955,"score_spread":0.16090454534626136,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948180711","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7141709,0.0001911639,0.00002813517,0.0002699268,0.006587573,0.00006639477,0.000010598698,0.000011186761,0.27866414],"genre_scores_gemma":[0.9679371,5.6446595e-7,0.000014945943,0.00043512465,0.0010270113,7.49882e-7,0.0000015534881,0.000011270675,0.030571654],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99937487,0.000034000423,0.00024789214,0.00007651831,0.00009269992,0.00017399476],"domain_scores_gemma":[0.9992954,0.000017566994,0.00014524728,0.00011040263,0.00014472171,0.00028663204],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014195162,0.00008733748,0.00014339462,0.0002751218,0.0004164925,0.00013058238,0.00016853667,0.000040190585,0.051882606],"category_scores_gemma":[0.00002676725,0.000075904,0.00013747466,0.00004908013,0.000076064025,0.00024818795,0.000005265041,0.000353633,0.00018418988],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036242043,0.000040295494,0.0017486903,0.000037058453,0.000211932,0.00016394473,0.4329004,0.00019402083,0.00046676132,0.07755635,0.47944468,0.0071996124],"study_design_scores_gemma":[0.00026759921,0.00009068535,0.00024802625,0.00013737816,0.000021191716,0.00012039783,0.030364908,0.000011620603,0.000016820532,0.00016739078,0.968456,0.00009803547],"about_ca_topic_score_codex":0.012869943,"about_ca_topic_score_gemma":0.527744,"teacher_disagreement_score":0.5148741,"about_ca_system_score_codex":0.00020411701,"about_ca_system_score_gemma":0.00037375742,"threshold_uncertainty_score":0.9937034},"labels":[],"label_agreement":null},{"id":"W2948219053","doi":"10.7202/1059895ar","title":"Performance Practice of Brian Cherney’s Music: Interviews with Marina Thibeault, Julia Den Boer, and Paul Vaillancourt","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Performance practice; Performance art; Interpretation (philosophy); Art; Art history; Visual arts; History; Musical; Philosophy; Linguistics","score_opus":0.020535861242017135,"score_gpt":0.20645106781918168,"score_spread":0.18591520657716454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948219053","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9083428,0.00028022064,0.00002867561,0.0014150321,0.0015561476,0.00013421386,0.000021005404,0.000007341717,0.08821457],"genre_scores_gemma":[0.99350905,0.000033464934,0.000115115465,0.0015653574,0.00048763346,0.0000038015573,0.0000031080594,0.000017677894,0.0042647845],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998848,0.00009623639,0.00047196748,0.00017087767,0.00015613016,0.0002567598],"domain_scores_gemma":[0.99846053,0.00010113023,0.00047183599,0.00020659243,0.000478393,0.00028151742],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003834339,0.00016932127,0.00038363703,0.00044785737,0.00022019522,0.00009777073,0.00021988555,0.00007251287,0.008037072],"category_scores_gemma":[0.00007243727,0.00012808092,0.00014305543,0.00012547172,0.00031378272,0.00051866606,0.000026877104,0.00043175148,0.000060128546],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018329202,0.0007814308,0.06937346,0.0009794496,0.0076831696,0.00089705276,0.44199264,0.00050339696,0.0006867531,0.03004523,0.34387386,0.101350635],"study_design_scores_gemma":[0.0010120545,0.0015119772,0.008877134,0.00040147506,0.0006179052,0.0009951615,0.025226284,0.00026455938,0.000038637605,0.00015379772,0.96058226,0.00031876087],"about_ca_topic_score_codex":0.019781386,"about_ca_topic_score_gemma":0.5467642,"teacher_disagreement_score":0.6167084,"about_ca_system_score_codex":0.00009401426,"about_ca_system_score_gemma":0.00030512223,"threshold_uncertainty_score":0.99286973},"labels":[],"label_agreement":null},{"id":"W2948345098","doi":"10.7202/1059885ar","title":"Brian Cherney in Conversation with Chris Paul Harman","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Conversation; Art history; Art; Philosophy; Linguistics","score_opus":0.030394374687507806,"score_gpt":0.2241295107525413,"score_spread":0.1937351360650335,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948345098","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8671084,0.000045945217,0.00011808952,0.0008858714,0.00033979292,0.0000998319,0.000016447315,0.0000038247804,0.1313818],"genre_scores_gemma":[0.99549836,0.0000026048178,0.000011861766,0.00014158837,0.00023663111,0.000001932194,0.000002358905,0.000009042439,0.0040956233],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944806,0.00003941996,0.00016818721,0.00006774764,0.000107432534,0.00016917026],"domain_scores_gemma":[0.99947685,0.000028113049,0.00007781708,0.00006643342,0.00017590923,0.00017487328],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014658009,0.000062043895,0.0001076226,0.00037246436,0.00009445048,0.000081264116,0.00009080492,0.000019510302,0.015366352],"category_scores_gemma":[0.000018430652,0.000050183706,0.0000391837,0.00006117355,0.00013392567,0.00021963198,0.000003833445,0.00021819457,0.00016958678],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006120778,0.00020092011,0.23977412,0.00012375785,0.00069536373,0.0011442796,0.44852215,0.00037207262,0.00037155423,0.1674941,0.122604154,0.01808544],"study_design_scores_gemma":[0.0028032756,0.0018880558,0.054118104,0.00056190626,0.000063562366,0.00040168554,0.42602584,0.00064320926,0.00015097244,0.0008032981,0.5121178,0.00042230854],"about_ca_topic_score_codex":0.05041392,"about_ca_topic_score_gemma":0.69255424,"teacher_disagreement_score":0.64214027,"about_ca_system_score_codex":0.00020198774,"about_ca_system_score_gemma":0.00042225284,"threshold_uncertainty_score":0.9855337},"labels":[],"label_agreement":null},{"id":"W2948350555","doi":"10.7202/1059892ar","title":"Brian Cherney’s Illuminations","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Vision; Meditation; Variety (cybernetics); String (physics); Mysticism; Art; Literature; Visual arts; Jewish mysticism; Philosophy; Aesthetics; Computer science; Artificial intelligence; Theoretical physics; Theology","score_opus":0.013861690130103441,"score_gpt":0.20924863325162116,"score_spread":0.19538694312151772,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948350555","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8935218,0.00024214126,0.051099237,0.006013042,0.007103643,0.00010317819,0.000004720788,0.000048916325,0.041863352],"genre_scores_gemma":[0.99658996,0.0000030022625,0.0012880476,0.00046584083,0.00009313856,0.0000015859155,1.9776758e-7,0.000004271724,0.0015539502],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99937123,0.000027029982,0.00021366528,0.0001081146,0.00008861904,0.00019133512],"domain_scores_gemma":[0.9992552,0.000036349815,0.000113757844,0.00024753268,0.00018533015,0.00016183163],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017646307,0.00007224198,0.00012624967,0.00058336114,0.00018745293,0.00005733677,0.0005605062,0.00006484754,0.00037931537],"category_scores_gemma":[0.00007514565,0.000068435664,0.000099031575,0.00039271518,0.00011026025,0.00031806462,0.000028729854,0.00026727436,0.00013003158],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010970013,0.00012153834,0.041015126,0.000030644456,0.0007345314,0.0005450447,0.0907517,0.00031963558,0.00086952304,0.59818655,0.19250102,0.07491369],"study_design_scores_gemma":[0.0015312159,0.00088794896,0.096954085,0.00022501704,0.000064853244,0.0039616986,0.018538894,0.0019948687,0.00032903,0.03047808,0.84431493,0.0007193429],"about_ca_topic_score_codex":0.0032187442,"about_ca_topic_score_gemma":0.10562606,"teacher_disagreement_score":0.6518139,"about_ca_system_score_codex":0.00014009805,"about_ca_system_score_gemma":0.00042863347,"threshold_uncertainty_score":0.91069394},"labels":[],"label_agreement":null},{"id":"W2948388825","doi":"10.7202/1059886ar","title":"Brian Cherney as Scholar and Creative Artist","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"University of Toronto","keywords":"Scholarship; Musicology; German; Subject (documents); Criticism; Art history; Art; Performance art; Music history; Visual arts; Music education; Sociology; History; Literature; Library science; Political science; Law; Computer science","score_opus":0.021226282304006094,"score_gpt":0.21338487654917454,"score_spread":0.19215859424516846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948388825","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83477443,0.000121390105,0.00001074125,0.0010546035,0.001304251,0.00005183357,0.000013579155,0.000004980891,0.16266419],"genre_scores_gemma":[0.9812562,0.000004178925,0.000018309707,0.0016926441,0.00054636,0.0000014611054,0.0000016531922,0.000008671952,0.016470533],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935895,0.000057935802,0.00022887642,0.00010655896,0.000074290685,0.00017339969],"domain_scores_gemma":[0.99921566,0.00003557324,0.00012608987,0.00009451987,0.00020103494,0.00032709757],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018435699,0.00009131359,0.00018759245,0.00038445106,0.00035821978,0.00017096185,0.00010752248,0.000047543173,0.043268383],"category_scores_gemma":[0.00009217109,0.0000784031,0.000119778895,0.00006454239,0.00023787694,0.00029380128,0.00000937433,0.00038321858,0.00030123367],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018942427,0.00019422598,0.016021086,0.00006314116,0.0023763056,0.00065455504,0.30494756,0.00007382201,0.0010997448,0.48510465,0.16462277,0.024652706],"study_design_scores_gemma":[0.00051223126,0.00046586103,0.008034921,0.00009042399,0.00017531875,0.0003123681,0.026548145,0.000035125824,0.000051085262,0.0037353532,0.95984876,0.00019043032],"about_ca_topic_score_codex":0.04241567,"about_ca_topic_score_gemma":0.5719482,"teacher_disagreement_score":0.795226,"about_ca_system_score_codex":0.00007941842,"about_ca_system_score_gemma":0.0002507549,"threshold_uncertainty_score":0.96396095},"labels":[],"label_agreement":null},{"id":"W2948574695","doi":"10.7202/1059893ar","title":"Leçons de Tenebrae: Brian Cherney, Paul Celan, and a Music of Witness","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature and Cultural Memory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Witness; Intertextuality; Art; The Holocaust; Reading (process); Choir; Composition (language); Philosophy; Linguistics; Theology; Visual arts","score_opus":0.019693444278846655,"score_gpt":0.19009298217401446,"score_spread":0.17039953789516782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948574695","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9725126,0.0004399587,0.0000071391282,0.00046541123,0.0017619343,0.00007025817,0.0000404324,0.0000053226863,0.024696916],"genre_scores_gemma":[0.9931667,0.0000032901867,0.000020161526,0.00057209015,0.0006409833,0.0000013972316,0.000002543899,0.000011569919,0.005581256],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993611,0.000035763587,0.00025261243,0.00008486837,0.00007889507,0.00018673846],"domain_scores_gemma":[0.9992909,0.000022829729,0.00014726401,0.0001020313,0.00019766911,0.00023932157],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011449398,0.000099182,0.00018473307,0.00024633168,0.00014369705,0.00011525979,0.00012637555,0.000048032627,0.004568347],"category_scores_gemma":[0.000019951034,0.00007772723,0.000103853934,0.00006112604,0.00016939359,0.0002678686,0.000008169078,0.00024227393,0.000019630479],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012887851,0.00012723313,0.015872685,0.00032096644,0.00080962066,0.00041403418,0.682838,0.00004693808,0.009208518,0.084692635,0.19384767,0.0116928285],"study_design_scores_gemma":[0.002035367,0.0013480651,0.019671649,0.0012878154,0.00032344204,0.0030086788,0.15475927,0.000053911728,0.0010598201,0.0065555633,0.8092158,0.00068063627],"about_ca_topic_score_codex":0.01238288,"about_ca_topic_score_gemma":0.39592454,"teacher_disagreement_score":0.6153681,"about_ca_system_score_codex":0.00007377116,"about_ca_system_score_gemma":0.0002823975,"threshold_uncertainty_score":0.9963416},"labels":[],"label_agreement":null},{"id":"W2948597623","doi":"10.7202/1059888ar","title":"Ascending Music: Meaning and Expression in the Chamber Music of Brian Cherney","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Musical expression; Meaning (existential); Piano; Violin; Musical; Expression (computer science); Chamber music; Composition (language); Musical composition; Set (abstract data type); Music; Tracing; Visual arts; Art; Linguistics; Computer science; Literature; Music education; Art history; Epistemology; Philosophy; Programming language","score_opus":0.03848938639507078,"score_gpt":0.22098346477302785,"score_spread":0.18249407837795706,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948597623","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95716864,0.00011019255,0.000019488132,0.00046139615,0.0014486816,0.00010035022,0.000009034974,0.0000035020694,0.040678743],"genre_scores_gemma":[0.99776834,0.0000035212945,0.000022298997,0.0009941052,0.00052744406,0.0000027374572,0.0000016899589,0.000010822989,0.00066903385],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989677,0.00012928982,0.00040634934,0.00013037573,0.00013801309,0.00022825724],"domain_scores_gemma":[0.9992146,0.00011857946,0.00024745497,0.00015369471,0.00012319547,0.00014247815],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00046349925,0.00011916894,0.00026544882,0.00061195146,0.00022736944,0.00008505407,0.00017543216,0.00006358004,0.010275948],"category_scores_gemma":[0.00006365269,0.000084435305,0.00014974915,0.00014463683,0.00021277797,0.00024930268,0.000019037445,0.00040249398,0.000016434775],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012038614,0.00020640246,0.020353343,0.00013496118,0.0004872243,0.00034212664,0.8239403,0.000294892,0.0058322186,0.092770405,0.046429846,0.009087935],"study_design_scores_gemma":[0.0040513985,0.0014058265,0.064525545,0.002291011,0.00071092264,0.0013610916,0.39777485,0.0009894475,0.0007067928,0.008037369,0.5170074,0.0011383047],"about_ca_topic_score_codex":0.016413229,"about_ca_topic_score_gemma":0.6586041,"teacher_disagreement_score":0.6421908,"about_ca_system_score_codex":0.000066880515,"about_ca_system_score_gemma":0.00013987251,"threshold_uncertainty_score":0.9906288},"labels":[],"label_agreement":null},{"id":"W2948700773","doi":"10.7202/1059887ar","title":"Music as Refuge: Stillness in Brian Cherney’s Mature Piano Works","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Silence; Piano; Style (visual arts); MAGIC (telescope); Art; History; Literature; Art history; Visual arts; Aesthetics","score_opus":0.0187226911226314,"score_gpt":0.2107510676634626,"score_spread":0.1920283765408312,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948700773","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.949094,0.00017744047,0.000013224403,0.0014303076,0.005552374,0.000131528,0.00001674406,0.00001262447,0.043571785],"genre_scores_gemma":[0.985728,0.000003860601,0.000012721897,0.0029677574,0.001190958,0.0000050222447,0.0000060301345,0.000023923882,0.010061678],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986032,0.00010397927,0.00050624483,0.00021233172,0.00016427792,0.0004099262],"domain_scores_gemma":[0.9988242,0.0000591212,0.00024200726,0.00024769892,0.00023063786,0.00039636303],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002906083,0.00019322564,0.00038729474,0.0010504966,0.00025185107,0.00022164203,0.0003426958,0.00017026745,0.05596551],"category_scores_gemma":[0.00007581647,0.00017129513,0.00027672638,0.00026542819,0.00022363965,0.00042118938,0.000020022117,0.0009039346,0.00047450847],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00087867683,0.000776024,0.027233446,0.00023630013,0.0026136523,0.0029480048,0.2732945,0.002086048,0.0005612535,0.41333157,0.22825707,0.047783446],"study_design_scores_gemma":[0.001657869,0.0005245147,0.01938542,0.00064649957,0.00023004954,0.00034480434,0.02038482,0.00009842081,0.000026910622,0.0040383996,0.95213246,0.0005298299],"about_ca_topic_score_codex":0.02736224,"about_ca_topic_score_gemma":0.806218,"teacher_disagreement_score":0.7788558,"about_ca_system_score_codex":0.0002772761,"about_ca_system_score_gemma":0.0005242081,"threshold_uncertainty_score":0.97911465},"labels":[],"label_agreement":null},{"id":"W2948728285","doi":"10.7202/1059896ar","title":"Ziad Kreidy. 2018. La facture du piano et ses métamorphoses. Château-Gontier (Fr) : Éditions Aedam Musicae, coll. « Musiques xxe–xxie siècles », 128 p. ISBN 978-2-919046485","year":2019,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Piano; Humanities; Art history","score_opus":0.06477576102474476,"score_gpt":0.2584652372002465,"score_spread":0.19368947617550175,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948728285","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55918795,0.012671272,0.0140527245,0.11616958,0.05026619,0.0015235791,0.0017084017,0.00023544986,0.24418488],"genre_scores_gemma":[0.9514253,0.0004732438,0.0011179037,0.0068033757,0.001489887,0.000010825418,0.000027234637,0.00007456694,0.038577635],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99617165,0.0003913731,0.0011275307,0.0006394929,0.0005546315,0.0011153404],"domain_scores_gemma":[0.99499863,0.0003489909,0.00078510446,0.0007532147,0.0011243665,0.001989696],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004741504,0.00070587546,0.00079853553,0.0012102602,0.0007852157,0.0033362652,0.0011843112,0.00046771162,0.0034525443],"category_scores_gemma":[0.0002897169,0.00060982734,0.00081904477,0.0012332333,0.00072006945,0.0059449472,0.00017752183,0.0014118784,0.00049337285],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033609205,0.0002872784,0.00058519765,0.00007467637,0.00045110594,0.0015333793,0.013166854,0.00092298025,0.000623982,0.024326166,0.94940823,0.008586517],"study_design_scores_gemma":[0.0009613695,0.0008926187,0.009713661,0.001133402,0.00017306722,0.009105492,0.0026587413,0.000587007,0.00039898328,0.004029304,0.969487,0.0008593462],"about_ca_topic_score_codex":0.10051734,"about_ca_topic_score_gemma":0.3684527,"teacher_disagreement_score":0.3922374,"about_ca_system_score_codex":0.000901787,"about_ca_system_score_gemma":0.0034301132,"threshold_uncertainty_score":0.9996353},"labels":[],"label_agreement":null},{"id":"W2948807825","doi":"10.7202/1059890ar","title":"Brian Cherney’s String Trio: Transcendent Pedagogy and the Spiritualization of Technique","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Parallels; Impermanence; String (physics); Musical; Perspective (graphical); Musical expression; Expression (computer science); Consciousness; Architecture; Power (physics); Epistemology; Philosophy; Art; Literature; Aesthetics; Visual arts; Computer science; Theoretical physics; Theology; Physics","score_opus":0.03266193254068971,"score_gpt":0.23764771267314203,"score_spread":0.2049857801324523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948807825","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.946933,0.00025300295,0.0005098564,0.0019760693,0.004332196,0.00038032918,0.000024463472,0.000008604262,0.045582503],"genre_scores_gemma":[0.9977136,0.000007750239,0.000021137053,0.00019825844,0.00030666485,0.0000042010383,0.0000011900114,0.000009168085,0.0017380016],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993384,0.00006306743,0.0003191244,0.00006975294,0.00010344629,0.000106249856],"domain_scores_gemma":[0.9992867,0.000050224375,0.00020506622,0.00010580021,0.00024523956,0.00010695159],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026277595,0.00007270269,0.00015400408,0.00039757096,0.00014706176,0.00009505628,0.00013258758,0.000030710435,0.004224331],"category_scores_gemma":[0.00003301527,0.000054681303,0.00009411697,0.00006218308,0.00027151417,0.00019619487,0.0000047714466,0.00015983723,0.00001017105],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007112637,0.000044163426,0.0017331003,0.000057395755,0.00019833057,0.000009750749,0.44768608,0.000075689764,0.00035175378,0.5401256,0.0071842107,0.0024627913],"study_design_scores_gemma":[0.0035144922,0.00039496896,0.003395473,0.0005126788,0.00023094262,0.0003854467,0.2903943,0.00006449755,0.000698209,0.0045686387,0.6955288,0.00031156957],"about_ca_topic_score_codex":0.036260165,"about_ca_topic_score_gemma":0.36199826,"teacher_disagreement_score":0.6883446,"about_ca_system_score_codex":0.00008814892,"about_ca_system_score_gemma":0.0005015316,"threshold_uncertainty_score":0.9966859},"labels":[],"label_agreement":null},{"id":"W2948971972","doi":"10.7202/1059884ar","title":"Brian Cherney: Collaborator and Composer","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"German; Musical; Art history; Art; Performance art; History; Literature; Visual arts","score_opus":0.01048364557899512,"score_gpt":0.2127417992703121,"score_spread":0.20225815369131697,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948971972","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9423168,0.00045691253,0.000010583321,0.002159165,0.0034332206,0.000084293344,0.000024347244,0.000005803791,0.051508892],"genre_scores_gemma":[0.992173,0.00003358742,0.000027737242,0.00045928426,0.00033366145,5.602914e-7,3.8411758e-7,0.0000068842337,0.0069649103],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994205,0.000063269224,0.00015310722,0.00006993303,0.00011220852,0.00018094009],"domain_scores_gemma":[0.9990048,0.000024739764,0.00009184096,0.000069892296,0.00019683219,0.0006118911],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025413197,0.000045093653,0.00010829491,0.0008041222,0.00052995037,0.00030297408,0.00013016435,0.00005946271,0.003717657],"category_scores_gemma":[0.000059568385,0.000059310783,0.000052508578,0.00033835505,0.00030209776,0.00023940283,0.0000029613575,0.00016796346,0.0001060759],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004840197,0.000048652626,0.059481002,0.000042206208,0.00029024878,0.00042318585,0.23480523,0.00004496296,0.00081495114,0.046809938,0.6423869,0.014804337],"study_design_scores_gemma":[0.00017554987,0.00004422202,0.007480108,0.00003128234,0.000013899771,0.000041551535,0.012797345,0.0000021402598,0.000001918497,0.00017249146,0.9791691,0.000070395225],"about_ca_topic_score_codex":0.8586739,"about_ca_topic_score_gemma":0.9990916,"teacher_disagreement_score":0.33678222,"about_ca_system_score_codex":0.00084813446,"about_ca_system_score_gemma":0.003636083,"threshold_uncertainty_score":0.9971931},"labels":[],"label_agreement":null},{"id":"W2952511322","doi":"","title":"Rooted and Open as Resource for Expanding Opportunities on Your Own Campus","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Distributed and Parallel Computing Systems","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Resource (disambiguation); Computer science; Data science; History; Computer network","score_opus":0.06892556239636205,"score_gpt":0.28967870349133074,"score_spread":0.22075314109496869,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2952511322","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91646194,0.00013643855,0.056631844,0.0022374704,0.0034785352,0.0004233059,0.000034806468,0.000025743111,0.020569906],"genre_scores_gemma":[0.99684656,0.0000010205613,0.0004459744,0.00054172566,0.0001587495,0.0000036006154,0.000002923671,0.000008789248,0.001990665],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99914384,0.00007577903,0.0002788742,0.00016280304,0.00010368871,0.00023500233],"domain_scores_gemma":[0.9989458,0.0001223258,0.00022331107,0.00022100455,0.00013597085,0.00035160728],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005159714,0.00010359664,0.00019467725,0.00041165022,0.00023898811,0.00054627616,0.0007806799,0.000049049704,0.000042626743],"category_scores_gemma":[0.00007730218,0.00009503916,0.00007556264,0.00016816433,0.000028274562,0.0003306614,0.000057177527,0.00016900353,0.000012584294],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031593489,0.00020730236,0.009720371,0.00023799231,0.001166063,0.0010567709,0.07668089,0.021013245,0.000997762,0.18680623,0.4857957,0.21600173],"study_design_scores_gemma":[0.0028226597,0.0027976497,0.0035494422,0.0014314128,0.000046955593,0.0037321968,0.01713192,0.01370461,0.00015542968,0.0039357473,0.9499896,0.00070233806],"about_ca_topic_score_codex":0.0052829552,"about_ca_topic_score_gemma":0.0072607677,"teacher_disagreement_score":0.46419394,"about_ca_system_score_codex":0.00013068924,"about_ca_system_score_gemma":0.00057826424,"threshold_uncertainty_score":0.79862833},"labels":[],"label_agreement":null},{"id":"W2953794263","doi":"","title":"Finding Flourishing : Teaching Self-Care as Course Content","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Higher Education and Employability","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Flourishing; Course (navigation); Content (measure theory); Psychology; Medical education; Mathematics education; Computer science; Medicine; Social psychology; Engineering; Mathematics","score_opus":0.044505369426047284,"score_gpt":0.3209787114916802,"score_spread":0.27647334206563295,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2953794263","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96236736,0.00012487636,0.000046562356,0.0031331556,0.0061380407,0.0001220071,0.0000035801563,0.000020431506,0.028043969],"genre_scores_gemma":[0.99715227,0.0000023427237,0.00027806772,0.0004920261,0.0005978091,0.0000016946003,8.620404e-7,0.000009717535,0.0014651956],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99888754,0.00023521195,0.00026968177,0.000109804685,0.00020950698,0.0002882587],"domain_scores_gemma":[0.998745,0.000094080395,0.00015700363,0.00012566414,0.0003111765,0.0005670366],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000817835,0.00007713743,0.00013286869,0.00026791322,0.0007212149,0.00018283329,0.00025861553,0.00007232662,0.0026663102],"category_scores_gemma":[0.00024531243,0.00007903819,0.00013916273,0.00017733467,0.000072385825,0.00035491696,0.000006455273,0.0004758144,0.00017773565],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000065683366,0.000049759903,0.47423598,0.000013306127,0.000092360104,0.000025727937,0.5007411,0.00005127236,0.000057059526,0.0036880441,0.016300054,0.0047387476],"study_design_scores_gemma":[0.00037740584,0.0001556532,0.06350635,0.00019458674,0.00006407335,0.000081096165,0.48409277,0.0000060645725,0.000023036006,0.00040978988,0.45086586,0.00022330863],"about_ca_topic_score_codex":0.16017388,"about_ca_topic_score_gemma":0.49157587,"teacher_disagreement_score":0.4345658,"about_ca_system_score_codex":0.00102149,"about_ca_system_score_gemma":0.0028083608,"threshold_uncertainty_score":0.99824536},"labels":[],"label_agreement":null},{"id":"W2955217238","doi":"10.7202/1059883ar","title":"How I Might Have Become a Composer","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Piano; Musical; Reading (process); History; Performance art; Visual arts; Art history; Literature; Media studies; Art; Sociology; Political science; Law","score_opus":0.022786175655373785,"score_gpt":0.24771377051858226,"score_spread":0.22492759486320849,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2955217238","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94235814,0.00062239275,0.00004368049,0.014066548,0.004730527,0.00012709055,0.000017134988,0.0000113952365,0.03802312],"genre_scores_gemma":[0.9779862,0.000007907536,0.0000531989,0.002615023,0.00093006087,0.0000014180202,0.0000024442727,0.0000063948273,0.018397337],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990829,0.00013157289,0.00020193028,0.0001117545,0.00017751972,0.00029432552],"domain_scores_gemma":[0.99885195,0.000041312447,0.00016690476,0.00010695135,0.00036943762,0.0004634184],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023943765,0.00009349925,0.00020167332,0.00039531835,0.0004270408,0.00033664578,0.00028859224,0.00010628851,0.0024906443],"category_scores_gemma":[0.00005556877,0.00007507034,0.00026251405,0.0003678265,0.0001695322,0.00045758797,0.0000054601383,0.00031440603,0.00006530786],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000692039,0.00015070221,0.10061159,0.00003566606,0.0015115092,0.0005527861,0.2490222,0.00014849113,0.002533241,0.03893407,0.5961009,0.010329621],"study_design_scores_gemma":[0.00025139586,0.00011295467,0.0033305383,0.00004433887,0.00007588096,0.000074589014,0.041638672,0.000012963254,0.00002452274,0.00092519727,0.9533617,0.00014726861],"about_ca_topic_score_codex":0.035849392,"about_ca_topic_score_gemma":0.8416317,"teacher_disagreement_score":0.8057823,"about_ca_system_score_codex":0.00022571173,"about_ca_system_score_gemma":0.00046459815,"threshold_uncertainty_score":0.9984212},"labels":[],"label_agreement":null},{"id":"W2961898626","doi":"","title":"From Our Students: Annie Schone","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Educational Leadership and Practices","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.0643848260872666,"score_gpt":0.3627402233365029,"score_spread":0.2983553972492363,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2961898626","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92065513,0.00018995875,0.00034118537,0.04254718,0.008501336,0.0000562688,0.0000110690335,0.000009396338,0.02768849],"genre_scores_gemma":[0.993678,0.000008049081,0.00023140064,0.0012140172,0.0035397438,0.0000012997411,0.000001403423,0.000006290437,0.0013198247],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99899894,0.00027401818,0.00019859178,0.000077565106,0.00026056217,0.00019034244],"domain_scores_gemma":[0.99881333,0.00017923364,0.00018053042,0.00008657201,0.00024834977,0.00049197854],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00081611326,0.00005664926,0.000093416376,0.0002909536,0.00045910195,0.00020724972,0.00035684588,0.000057196507,0.0011665474],"category_scores_gemma":[0.0009482931,0.000057476198,0.00007509215,0.00023315128,0.00007679134,0.0005090128,0.0000044512744,0.0002868746,0.00013345886],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044190023,0.00018330205,0.17124274,0.000007246329,0.00044650878,0.00005752042,0.39552096,0.000093817085,0.00014540588,0.010759452,0.4044507,0.017048143],"study_design_scores_gemma":[0.00018176016,0.000065368346,0.021478191,0.000059301346,0.000041592444,0.000015602807,0.30783707,0.000001841586,0.0000115569355,0.0027495064,0.6674622,0.000095995616],"about_ca_topic_score_codex":0.27493757,"about_ca_topic_score_gemma":0.7605418,"teacher_disagreement_score":0.48560423,"about_ca_system_score_codex":0.00022004485,"about_ca_system_score_gemma":0.001184785,"threshold_uncertainty_score":0.9997465},"labels":[],"label_agreement":null},{"id":"W2965642599","doi":"10.7202/1059891ar","title":"Experiencing Time in Brian Cherney’s String Quartet No. 4 (1994)","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Counterpoint; Movement (music); Spacetime; Coherence (philosophical gambling strategy); String (physics); Cohesion (chemistry); Linguistics; Literature; Philosophy; Epistemology; Mathematics; Sociology; Art; Aesthetics; Theoretical physics; Physics; Statistics","score_opus":0.018055885636654057,"score_gpt":0.19393770347933728,"score_spread":0.17588181784268322,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2965642599","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9293325,0.00005044045,0.000010478014,0.0002941632,0.0027183774,0.000064680244,0.000008361745,0.00000743455,0.067513555],"genre_scores_gemma":[0.9912878,0.0000012232829,0.000014305049,0.000644094,0.00085040013,0.0000026197058,0.0000020251375,0.000011643727,0.0071858657],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99905735,0.0000565582,0.00038586263,0.00012680398,0.0000966135,0.00027678534],"domain_scores_gemma":[0.9993034,0.00004916729,0.00014774672,0.00012764883,0.00013222641,0.00023980973],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021455623,0.00010993425,0.00024661902,0.000724999,0.00017236611,0.000105672145,0.00018600363,0.00005813167,0.039467983],"category_scores_gemma":[0.00005180703,0.0001019754,0.0001698596,0.000116624644,0.000113123264,0.00036142446,0.00000965962,0.00035351876,0.0006996865],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018810786,0.000315119,0.019031007,0.00008434913,0.0009920007,0.00095542864,0.7787678,0.0013198231,0.0057839407,0.056931,0.12529229,0.01033909],"study_design_scores_gemma":[0.0017131763,0.0008812143,0.005748926,0.0004517574,0.00014297724,0.0002393036,0.08611861,0.0012137057,0.00013356475,0.0009876313,0.9017062,0.0006629447],"about_ca_topic_score_codex":0.04033084,"about_ca_topic_score_gemma":0.70559084,"teacher_disagreement_score":0.7764139,"about_ca_system_score_codex":0.00022362811,"about_ca_system_score_gemma":0.00030097403,"threshold_uncertainty_score":0.9660597},"labels":[],"label_agreement":null},{"id":"W2973113312","doi":"","title":"Rooted and Open : Background, Purpose, and Challenges","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cooperative Studies and Economics","field":"Business, Management and Accounting","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.06014858783024658,"score_gpt":0.2195575808594851,"score_spread":0.1594089930292385,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2973113312","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95997626,0.0014125282,0.000009325609,0.003731808,0.0009923356,0.000118269454,0.0000020665623,0.000002825618,0.0337546],"genre_scores_gemma":[0.99842143,0.00014228965,0.00002622449,0.00075517234,0.00037772863,0.0000015390825,6.017526e-7,0.000008794918,0.0002662416],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995868,0.0000045293395,0.00015712614,0.00009843803,0.000025675183,0.00012740273],"domain_scores_gemma":[0.99966323,0.000014779376,0.0001049152,0.00006617012,0.00011151083,0.00003940536],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013864264,0.000074984026,0.00015542738,0.00025722684,0.00017290658,0.00039045655,0.00012888826,0.000024236613,0.0005241251],"category_scores_gemma":[0.000019581143,0.00006894264,0.000026803822,0.00008507634,0.000042662603,0.0008710636,0.00006482799,0.000103429054,0.000038774055],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023693762,0.00013007046,0.35323375,0.0006308782,0.0014461875,0.00019448913,0.011906329,0.0003302191,0.00026182822,0.15892154,0.09780569,0.37490207],"study_design_scores_gemma":[0.0008190473,0.00007696683,0.11849803,0.000100177516,0.000041522162,0.000100358404,0.027372032,0.00033028677,0.0000010204534,0.00071634725,0.85175836,0.00018585238],"about_ca_topic_score_codex":0.016924962,"about_ca_topic_score_gemma":0.5364435,"teacher_disagreement_score":0.7539527,"about_ca_system_score_codex":0.000043722714,"about_ca_system_score_gemma":0.000053969383,"threshold_uncertainty_score":0.9896214},"labels":[],"label_agreement":null},{"id":"W2980381649","doi":"10.7202/1051601ar","title":"Le crossover en musique classique au Québec : portrait d’une pratique établie chez l’Orchestre symphonique de Québec","year":2018,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Political science","score_opus":0.024355937698893864,"score_gpt":0.2539621755006314,"score_spread":0.22960623780173753,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2980381649","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.728696,0.0010365996,0.0006503109,0.20492668,0.005780256,0.00029439607,0.00004910624,0.000025363679,0.058541276],"genre_scores_gemma":[0.91020745,0.00005984338,0.00025523925,0.0024278,0.0043371143,0.000013455618,0.0000029084842,0.00003818598,0.082657985],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970767,0.0004786301,0.00084392616,0.00026324275,0.00026561474,0.0010718802],"domain_scores_gemma":[0.9966765,0.00017415956,0.00056191394,0.00020220233,0.0007262749,0.0016589656],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010919598,0.00032938848,0.00039810923,0.0003541992,0.0015973042,0.00024866438,0.0005180496,0.0006212177,0.005680261],"category_scores_gemma":[0.00045485893,0.0003375784,0.00033555977,0.00096451526,0.0019278486,0.00081196905,0.00003795318,0.0011942154,0.00008329699],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.000055346074,0.00017059398,0.033404354,0.00003807745,0.00051457103,0.0003700422,0.4547676,0.000076043216,0.00033938544,0.016983517,0.47310063,0.02017982],"study_design_scores_gemma":[0.0003549843,0.0002592269,0.023766821,0.00034276157,0.000084684245,0.0011000955,0.07625958,0.000014348353,0.00046724678,0.0002566745,0.89672565,0.00036790853],"about_ca_topic_score_codex":0.99792737,"about_ca_topic_score_gemma":0.9999493,"teacher_disagreement_score":0.42362502,"about_ca_system_score_codex":0.010513599,"about_ca_system_score_gemma":0.1549841,"threshold_uncertainty_score":0.9999076},"labels":[],"label_agreement":null},{"id":"W2989459781","doi":"","title":"Marked by Lutheran Higher Education","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.020516380373304187,"score_gpt":0.20378998025610984,"score_spread":0.18327359988280564,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2989459781","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7247827,0.00018235155,0.000029520716,0.0013022211,0.00839321,0.00007451747,0.00002837579,0.000008989221,0.2651981],"genre_scores_gemma":[0.93935174,0.0000020885545,0.000008786102,0.0009948862,0.00050514337,0.0000012766649,0.0000060717716,0.000008982129,0.05912102],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995008,0.000029301578,0.0002169239,0.00005131406,0.0000808504,0.00012079944],"domain_scores_gemma":[0.9993938,0.000009753776,0.00012715891,0.000089491,0.00018659979,0.00019317213],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009160049,0.00006629322,0.000090137146,0.00026377154,0.00015813965,0.00015832821,0.00011200079,0.000027659979,0.048352476],"category_scores_gemma":[0.000005946944,0.000056155688,0.000079390644,0.00003439755,0.000052656615,0.00035405435,0.0000024071821,0.00016673973,0.00042669103],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025306954,0.000059600952,0.0019535178,0.000021398835,0.000102709986,0.0000033876765,0.04094768,0.000015478676,0.00015508075,0.019839244,0.9271967,0.009679918],"study_design_scores_gemma":[0.0001700336,0.000067089204,0.0017614905,0.000037691818,0.0000109098655,0.00002937887,0.0058350894,0.000015846665,0.000010318227,0.00042324088,0.9915614,0.00007747012],"about_ca_topic_score_codex":0.027580721,"about_ca_topic_score_gemma":0.11012145,"teacher_disagreement_score":0.21456905,"about_ca_system_score_codex":0.00014777295,"about_ca_system_score_gemma":0.00039166328,"threshold_uncertainty_score":0.9788947},"labels":[],"label_agreement":null},{"id":"W2990731963","doi":"","title":"The Vocation of White People in a Racist Society","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"White (mutation); Sociology; Gender studies; History; Biology","score_opus":0.013249098296367152,"score_gpt":0.2573898965886233,"score_spread":0.24414079829225618,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2990731963","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91164386,0.00011538079,0.00027704288,0.004209517,0.0015585877,0.000085269996,0.000011439972,0.0000020913146,0.0820968],"genre_scores_gemma":[0.9981971,0.00001560591,0.000057122215,0.00017931194,0.00013699362,9.06593e-7,4.386432e-7,0.0000022800386,0.001410269],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994244,0.0000684538,0.00020158953,0.000037838243,0.000118663505,0.00014902742],"domain_scores_gemma":[0.9993505,0.00012171235,0.00014154451,0.000062797604,0.00019856448,0.00012486835],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042478307,0.000033594453,0.00007851968,0.00009093346,0.00039637162,0.00002228243,0.00014562871,0.000030563744,0.00027053664],"category_scores_gemma":[0.00011707357,0.000028041926,0.00009544652,0.0002963354,0.000341157,0.0001106036,0.00000494056,0.00013813193,0.000007856219],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001571529,0.00002878172,0.20788996,0.0000098718165,0.00007174292,0.000006383406,0.10924735,0.00064243557,0.000057710004,0.6650866,0.015051297,0.001892142],"study_design_scores_gemma":[0.0002991483,0.000106541156,0.053560033,0.00009412817,0.000022162709,0.000053794534,0.13424048,0.00006622211,0.000010295431,0.0010972893,0.81033456,0.00011534583],"about_ca_topic_score_codex":0.14506488,"about_ca_topic_score_gemma":0.87722284,"teacher_disagreement_score":0.79528326,"about_ca_system_score_codex":0.00029762505,"about_ca_system_score_gemma":0.004304,"threshold_uncertainty_score":0.8606282},"labels":[],"label_agreement":null},{"id":"W2991669585","doi":"","title":"Reconciled Diversity: Reflections on our Calling to Embrace our Religious Neighbors","year":2011,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion, Society, and Development","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Diversity (politics); Data science; Epistemology; Sociology; History; Computer science; Anthropology; Philosophy","score_opus":0.10906989910046301,"score_gpt":0.3157652172464126,"score_spread":0.2066953181459496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991669585","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.946459,0.00018939709,0.0009580037,0.0056679496,0.0086342655,0.00020563859,0.000008499308,0.000033767552,0.03784349],"genre_scores_gemma":[0.99557453,0.0002517946,0.0008293361,0.0020722803,0.00065737957,0.0000037966538,4.4547494e-7,0.00001385155,0.00059655256],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9986879,0.0001309795,0.0003358033,0.0001769717,0.00026010093,0.00040822665],"domain_scores_gemma":[0.9982268,0.000028753637,0.000181564,0.00014205396,0.0004301051,0.0009907054],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00061806955,0.000125442,0.00018190792,0.00060769595,0.0017145921,0.00008191815,0.00035480454,0.00012364522,0.00011169169],"category_scores_gemma":[0.00030899295,0.00013057553,0.0002180153,0.0006643583,0.00004015579,0.00019113495,0.00002881139,0.00036820854,0.00012105406],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003081573,0.00003084209,0.0021449386,0.0000024408027,0.00011277123,0.00010077195,0.6647942,0.00010951247,0.000028031176,0.00046750944,0.3318559,0.00032224733],"study_design_scores_gemma":[0.000357853,0.00040719713,0.010520307,0.00016518324,0.00006814488,0.00010757295,0.91461045,0.0000030565195,0.000067037574,0.0031050462,0.07026176,0.00032639646],"about_ca_topic_score_codex":0.5003465,"about_ca_topic_score_gemma":0.77432734,"teacher_disagreement_score":0.2739809,"about_ca_system_score_codex":0.0013675413,"about_ca_system_score_gemma":0.0016960588,"threshold_uncertainty_score":0.99958503},"labels":[],"label_agreement":null},{"id":"W2991731235","doi":"","title":"Response: Tat for Teat","year":2000,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Pacific and Southeast Asian Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.0321873717290768,"score_gpt":0.2870638950951373,"score_spread":0.2548765233660605,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991731235","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7741495,0.00045632466,0.00080727256,0.012064209,0.0030838312,0.00021662393,0.000069340465,0.00001935703,0.20913355],"genre_scores_gemma":[0.98111755,0.000009053902,0.00017148243,0.00022485493,0.0004122771,0.0000041788703,2.5981288e-7,0.000006547245,0.018053818],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992578,0.00014186904,0.00018169133,0.00006496872,0.00010305847,0.00025062694],"domain_scores_gemma":[0.99928045,0.00010913817,0.000057113357,0.00006311984,0.00015084354,0.00033932],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007021136,0.000057257592,0.00011443056,0.0002426914,0.0008035134,0.000051074876,0.00014226559,0.00004648851,0.0022309385],"category_scores_gemma":[0.00025735315,0.00005433764,0.00013736171,0.00019686107,0.00024847084,0.00012065279,0.0000014869553,0.000110754285,0.000054747616],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007402618,0.00004042128,0.0034076925,0.000005990218,0.00026432183,0.0001220119,0.48933843,0.000074179225,0.00007921692,0.0060891886,0.4053258,0.09451249],"study_design_scores_gemma":[0.00020090386,0.000093407296,0.0014802384,0.000026502052,0.000018089804,0.00004031619,0.106052965,0.0000023558948,0.0000039019756,0.0006299486,0.89138657,0.000064810694],"about_ca_topic_score_codex":0.012868037,"about_ca_topic_score_gemma":0.37825045,"teacher_disagreement_score":0.48606077,"about_ca_system_score_codex":0.00022191637,"about_ca_system_score_gemma":0.0009576946,"threshold_uncertainty_score":0.9986811},"labels":[],"label_agreement":null},{"id":"W2991755534","doi":"","title":"What it Means to Build the Bridge: Identity and Diversity at ELCA Colleges","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Higher Education Research Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Bridge (graph theory); Diversity (politics); Identity (music); Genealogy; Geography; Library science; History; Sociology; Computer science; Anthropology; Biology; Art; Aesthetics","score_opus":0.0513426286116968,"score_gpt":0.34364811863965533,"score_spread":0.2923054900279585,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991755534","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90655464,0.00015343964,0.000121262296,0.08662704,0.0029054338,0.00011766924,0.000007260844,0.0000043021364,0.003508967],"genre_scores_gemma":[0.9946504,0.00012004297,0.00002382691,0.0015820782,0.00042352334,0.00000262857,1.4348566e-7,0.000003480511,0.0031938525],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989867,0.0002460477,0.00013575907,0.00008945053,0.00030086705,0.00024118197],"domain_scores_gemma":[0.9987031,0.00020638741,0.00006952852,0.0001000565,0.00036253995,0.0005583843],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0010588903,0.00005649891,0.000097292585,0.00026900205,0.0029624547,0.00029875955,0.0003423792,0.00002978492,0.0005987184],"category_scores_gemma":[0.00075245026,0.000046414363,0.000058781337,0.00040324172,0.00039650718,0.0005803874,0.00009977497,0.00016842704,0.000036493835],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011992546,0.000017506361,0.10786183,0.0000061789087,0.00012740746,0.000014394807,0.2820228,0.00003639894,0.00002039177,0.0041191275,0.6033355,0.0024264725],"study_design_scores_gemma":[0.00012050965,0.00007235625,0.26262563,0.00005891712,0.000027650785,0.000021940983,0.092859596,0.0000026386842,0.000005969612,0.0007620253,0.6433622,0.000080518366],"about_ca_topic_score_codex":0.19876559,"about_ca_topic_score_gemma":0.98123515,"teacher_disagreement_score":0.7824696,"about_ca_system_score_codex":0.0005652478,"about_ca_system_score_gemma":0.0004839793,"threshold_uncertainty_score":0.99833554},"labels":[],"label_agreement":null},{"id":"W2991847427","doi":"","title":"Things That Renew Hope","year":2000,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Computer science","score_opus":0.01974664954621228,"score_gpt":0.18832230124979718,"score_spread":0.1685756517035849,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991847427","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28416392,0.0008732317,0.000021512362,0.0027044609,0.002718394,0.000060529135,0.000036934875,0.000019560825,0.7094014],"genre_scores_gemma":[0.9491217,0.000009888894,0.000032567492,0.0036658153,0.0012660068,9.758351e-7,0.0000025984552,0.000010906339,0.04588953],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994726,0.00002454875,0.0001734562,0.00007037576,0.00008689347,0.00017211432],"domain_scores_gemma":[0.9994505,0.000010058797,0.00008693171,0.00009224205,0.00011402987,0.00024624975],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006230373,0.000089325404,0.00012428175,0.00019105604,0.00031979554,0.00022671679,0.00015597027,0.000032179447,0.05411313],"category_scores_gemma":[0.000007815959,0.00006932646,0.00013721663,0.00005903439,0.00016731166,0.00047408152,0.0000020605119,0.0002782594,0.00011733439],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021533897,0.00001814101,0.000118982745,0.0000054273555,0.00012531345,0.00017846728,0.33696038,0.000020151087,0.000021961225,0.011421456,0.6215426,0.029565636],"study_design_scores_gemma":[0.000100743666,0.00010178173,0.00008542588,0.000063456086,0.000026953496,0.00028010228,0.02065003,0.0000019107322,0.000009375001,0.00032320185,0.9782716,0.00008541586],"about_ca_topic_score_codex":0.02021615,"about_ca_topic_score_gemma":0.2527888,"teacher_disagreement_score":0.66495776,"about_ca_system_score_codex":0.00006795565,"about_ca_system_score_gemma":0.00020846252,"threshold_uncertainty_score":0.98630834},"labels":[],"label_agreement":null},{"id":"W2991859172","doi":"","title":"What Could the Lutheran Colleges and Universities Contribute to the ELCA Discussion of Sexuality--But What Would They Actually Contribute?","year":2006,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Theology and Canon Law Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Human sexuality; Sociology; Library science; Gender studies; Computer science","score_opus":0.015028052639333218,"score_gpt":0.21637397472953646,"score_spread":0.20134592209020324,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991859172","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9289978,0.003643984,0.00005712891,0.060970966,0.004203698,0.00023713053,0.00030428814,0.000008884257,0.0015761238],"genre_scores_gemma":[0.99098295,0.00020204262,0.0000020110706,0.0016134981,0.0005282441,0.0000042599436,0.000003291191,0.000009332192,0.0066543715],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99903226,0.00018022596,0.00031081968,0.00009987368,0.00013203242,0.0002447964],"domain_scores_gemma":[0.99893916,0.00022237981,0.00021252382,0.00015423077,0.00035139002,0.000120303055],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004207099,0.00014137638,0.0002561323,0.00017635532,0.0012445687,0.00038072257,0.000256612,0.00007560781,0.000509977],"category_scores_gemma":[0.0000295188,0.00006918922,0.000113913986,0.00005928767,0.00076523697,0.0006294394,0.000031613414,0.00037262784,0.000004276931],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00050959375,0.0000900258,0.00069709716,0.000035177636,0.0012093413,0.00009866203,0.5510214,0.00033782178,0.00023160657,0.33565855,0.103221625,0.0068891],"study_design_scores_gemma":[0.00040931156,0.0002382578,0.0009445118,0.00017724259,0.00010833635,0.00007574211,0.6055209,0.00000361855,0.00004527916,0.002516874,0.38985893,0.000100957426],"about_ca_topic_score_codex":0.018352408,"about_ca_topic_score_gemma":0.8015532,"teacher_disagreement_score":0.78320074,"about_ca_system_score_codex":0.000121806755,"about_ca_system_score_gemma":0.00030614005,"threshold_uncertainty_score":0.98818445},"labels":[],"label_agreement":null},{"id":"W2991861143","doi":"","title":"Reforming Our Visions of City Nature","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Environmental and Regional History","field":"Environmental Science","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Vision; Political science; Sociology; Anthropology","score_opus":0.014173142913205403,"score_gpt":0.23095991612395378,"score_spread":0.21678677321074838,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991861143","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9766218,0.000061166895,0.000085682,0.0012388235,0.0011220089,0.000032963362,0.000009782062,0.0000018291507,0.020825919],"genre_scores_gemma":[0.9981883,0.00000933389,0.00021686361,0.0002313473,0.00010043579,5.6546094e-7,3.9746718e-7,0.000006834481,0.0012459288],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9994102,0.0000131640145,0.00019551824,0.0000862358,0.000152134,0.0001427335],"domain_scores_gemma":[0.999121,0.000005878431,0.00035254186,0.0002214821,0.000011124906,0.00028799122],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010901969,0.00007200948,0.00012000258,0.00010564978,0.0004916015,0.000008650607,0.00038879082,0.00006552082,0.0011641602],"category_scores_gemma":[0.000036329337,0.00005912672,0.00013139381,0.000051796986,0.00077693537,0.0002539659,0.00004737375,0.00033480665,0.000039783],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011484845,0.00030203143,0.64100105,0.000022033168,0.00030013148,0.00077451015,0.016980639,0.0024584911,0.024700211,0.00032855585,0.2630045,0.050012976],"study_design_scores_gemma":[0.0004202853,0.00031514076,0.7630062,0.0001512709,0.00005744795,0.0009577656,0.0186993,0.000045049605,0.0008180286,0.00039912778,0.21485731,0.00027307414],"about_ca_topic_score_codex":0.029561551,"about_ca_topic_score_gemma":0.079828255,"teacher_disagreement_score":0.12200514,"about_ca_system_score_codex":0.00047144687,"about_ca_system_score_gemma":0.00008004534,"threshold_uncertainty_score":0.9997489},"labels":[],"label_agreement":null},{"id":"W2991885400","doi":"","title":"Building on a Firm Foundation: ELCA Inter-Religious Relations","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Foundation (evidence); Geography; Archaeology","score_opus":0.02511094689754678,"score_gpt":0.3003124766974927,"score_spread":0.27520152979994594,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991885400","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.75956434,0.00010106493,0.013993667,0.019371511,0.009998303,0.00019230555,0.0000037000545,0.000039721985,0.19673541],"genre_scores_gemma":[0.995367,0.000017572409,0.0005965292,0.0011233663,0.0010588743,0.0000044266635,0.0000010817414,0.000011349431,0.0018198155],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99888,0.00019843596,0.00035530832,0.00011355955,0.00020062675,0.00025204007],"domain_scores_gemma":[0.99854237,0.00018634046,0.0002131346,0.00014928181,0.00034935173,0.00055954274],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00067745603,0.00008753217,0.00012710156,0.00072630076,0.0008293666,0.00022156913,0.00026784392,0.00008022831,0.0012972502],"category_scores_gemma":[0.0010961908,0.0000898437,0.00014421344,0.00044765417,0.00014328162,0.00013386295,0.0000048366064,0.00034380704,0.0002779682],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016787457,0.0000325482,0.0061749145,0.000004119423,0.00008655143,0.00001722307,0.04603723,0.0005957572,0.000049876282,0.113382705,0.7839937,0.04960859],"study_design_scores_gemma":[0.00034985252,0.0002481104,0.003368611,0.00024223811,0.000039760813,0.00009490429,0.010477255,0.000088159715,0.00001574003,0.051521905,0.9333405,0.00021296744],"about_ca_topic_score_codex":0.025486568,"about_ca_topic_score_gemma":0.264367,"teacher_disagreement_score":0.23888044,"about_ca_system_score_codex":0.0006671493,"about_ca_system_score_gemma":0.00140559,"threshold_uncertainty_score":0.9996157},"labels":[],"label_agreement":null},{"id":"W2991951999","doi":"","title":"Original Song Lyrics: \"Just a Little\"","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Lyrics; History; Art; Literature","score_opus":0.048498577892354684,"score_gpt":0.22452567619717725,"score_spread":0.17602709830482258,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991951999","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5402246,0.0002615943,0.0002219548,0.00067866384,0.016357942,0.00007612283,0.00004605466,0.000022053346,0.44211102],"genre_scores_gemma":[0.9778563,8.2107107e-7,0.00004721879,0.0007643,0.006459032,0.000001564418,0.0000014727315,0.000011586598,0.014857708],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931425,0.00003282104,0.00024581776,0.0000873633,0.00010318592,0.00021657429],"domain_scores_gemma":[0.99900293,0.000013000392,0.00013404708,0.0001119397,0.0004098019,0.00032825605],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013549082,0.00009840554,0.00012695146,0.00034979536,0.0007741868,0.00015023492,0.0001860781,0.00004206796,0.06622781],"category_scores_gemma":[0.000035249133,0.00008360169,0.00013170778,0.000075173055,0.00043582142,0.00028511445,0.0000045428073,0.00027258645,0.0003775803],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019805673,0.000018888555,0.00018360004,0.000007760903,0.00007784231,0.00010334917,0.18105799,0.000002273637,0.000030438488,0.044459075,0.77187735,0.0021616616],"study_design_scores_gemma":[0.00014246245,0.00028535296,0.00010251082,0.00005964636,0.000036844947,0.00028691153,0.026929175,0.0000065530166,0.00001036003,0.00031124745,0.9717299,0.00009904986],"about_ca_topic_score_codex":0.012660484,"about_ca_topic_score_gemma":0.80873126,"teacher_disagreement_score":0.79607075,"about_ca_system_score_codex":0.00021349669,"about_ca_system_score_gemma":0.000548576,"threshold_uncertainty_score":0.9939143},"labels":[],"label_agreement":null},{"id":"W2991957792","doi":"","title":"Paul Dovre: The Future of Religious Colleges: The Proceedings of the Harvard Conference on the Future of Religious Colleges October 6-7, 2000","year":2002,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Library science; Sociology; Computer science","score_opus":0.017602120615537686,"score_gpt":0.22965466559572087,"score_spread":0.2120525449801832,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991957792","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.675805,0.0031539863,0.000008158904,0.14348647,0.005036821,0.00077491446,0.00045842194,0.000011634979,0.17126459],"genre_scores_gemma":[0.9944784,0.00076738046,0.00001447953,0.0017288153,0.0010679018,0.0000070043657,2.9157167e-7,0.000009271813,0.0019264743],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984333,0.00016693844,0.0004959679,0.000112186164,0.00049537455,0.00029622775],"domain_scores_gemma":[0.99762917,0.00031971448,0.00069820776,0.0002226494,0.0009502993,0.00017995997],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005413652,0.00014548647,0.00025375502,0.00013205741,0.0009866266,0.000058649704,0.00093448535,0.00011499723,0.0005978004],"category_scores_gemma":[0.0001834404,0.000069654605,0.0002808853,0.00080191164,0.0024956786,0.00009297306,0.00002249819,0.0005527584,0.0000066242565],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002470222,0.000032690485,0.0009123292,0.000009438815,0.00012360477,0.0000057548737,0.027405,0.000035624904,0.00004001654,0.44285095,0.5282062,0.0003536263],"study_design_scores_gemma":[0.00018491273,0.00018029544,0.000852155,0.00019663773,0.00010231767,0.00014542817,0.11833509,0.000009279265,0.00009202957,0.0021570183,0.87764096,0.00010389036],"about_ca_topic_score_codex":0.02431523,"about_ca_topic_score_gemma":0.19572417,"teacher_disagreement_score":0.44069394,"about_ca_system_score_codex":0.00025119525,"about_ca_system_score_gemma":0.0029594477,"threshold_uncertainty_score":0.98218197},"labels":[],"label_agreement":null},{"id":"W2991959743","doi":"","title":"The Identity, Mission, Vision, and Goals of a Lutheran College vis à vis Bacon's \"Of Studies\" and Newman's \"The Idea of a University\"","year":2002,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Catholicism and Religious Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Identity (music); Theology; Sociology; Media studies; Art history; Philosophy; History; Aesthetics","score_opus":0.030061268774794495,"score_gpt":0.23394084758134714,"score_spread":0.20387957880655266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991959743","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97541976,0.016189627,0.000007590154,0.0035032288,0.0007525578,0.00012421448,0.000080202466,0.0000025524196,0.0039202725],"genre_scores_gemma":[0.99580914,0.0021284004,0.000006499461,0.000080372694,0.00010214753,2.7147084e-7,9.664528e-8,0.0000062064964,0.0018668651],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99928594,0.000076211996,0.00032623357,0.00006976081,0.00011798656,0.00012388865],"domain_scores_gemma":[0.998824,0.00021559997,0.0003030956,0.00010964645,0.00044768178,0.00009997771],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027098163,0.00009047651,0.00025317527,0.00029392773,0.0007448987,0.000033379514,0.00015850934,0.000025159768,0.0001062552],"category_scores_gemma":[0.00007859659,0.000053850203,0.00011229063,0.00011444972,0.001075335,0.00013168024,0.000041219937,0.00011624337,7.0557047e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014066893,0.00008698656,0.0014212354,0.00025629168,0.0018469864,0.00010022477,0.61756325,0.000023587509,0.0005822877,0.076218665,0.29755554,0.0042042653],"study_design_scores_gemma":[0.0014941808,0.0010122843,0.004657425,0.0010397319,0.0005783459,0.0003874645,0.60690665,0.000054429453,0.000098696415,0.004236591,0.37929228,0.0002419231],"about_ca_topic_score_codex":0.02302582,"about_ca_topic_score_gemma":0.4460414,"teacher_disagreement_score":0.4230156,"about_ca_system_score_codex":0.000042507552,"about_ca_system_score_gemma":0.000070141694,"threshold_uncertainty_score":0.9834799},"labels":[],"label_agreement":null},{"id":"W2992015037","doi":"","title":"Polarization, Incivility, and a Need for \"Change\"","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Social and Intergroup Psychology","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Incivility; Computer science; Psychology; Political science; Computer security; Social psychology","score_opus":0.06751791375971286,"score_gpt":0.3315072656579449,"score_spread":0.263989351898232,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992015037","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9693285,0.000121091376,0.0026547213,0.009383855,0.0059022144,0.00019421903,0.000017288667,0.000010073438,0.012387984],"genre_scores_gemma":[0.9957119,0.000004564893,0.00014365962,0.0015192253,0.0021732408,0.0000039594756,5.8994607e-7,0.000005416204,0.00043740196],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99946254,0.00006691284,0.00016098743,0.000067603556,0.00006054465,0.0001814003],"domain_scores_gemma":[0.99911666,0.000048081787,0.00009038615,0.000044716457,0.00042769834,0.00027243755],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035296904,0.00004475555,0.00008601179,0.00027351748,0.0005677577,0.00005126174,0.000116167284,0.0000728643,0.0004324235],"category_scores_gemma":[0.000351488,0.000045275236,0.000056180714,0.00022477696,0.00044153107,0.00020827947,0.000004965694,0.000084913234,0.0000061190794],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012754068,0.00007515782,0.16025043,0.00001607378,0.0002465538,0.000018224919,0.54757285,2.7166908e-7,0.0010702938,0.070407376,0.16166049,0.058554742],"study_design_scores_gemma":[0.0006869927,0.0009265894,0.091847844,0.000071171584,0.000055074466,0.00009237188,0.06893929,0.000018106126,0.000032910408,0.018656617,0.81848073,0.00019227152],"about_ca_topic_score_codex":0.11785128,"about_ca_topic_score_gemma":0.8826668,"teacher_disagreement_score":0.7648155,"about_ca_system_score_codex":0.00012621205,"about_ca_system_score_gemma":0.0003569769,"threshold_uncertainty_score":0.888023},"labels":[],"label_agreement":null},{"id":"W2992084547","doi":"","title":"Serving Two Masters: Teaching and Writing Between Academy and Church","year":2000,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mathematics education; Computer science; History; Visual arts; Art; Psychology","score_opus":0.0441349426240434,"score_gpt":0.33372142005730526,"score_spread":0.2895864774332619,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992084547","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9518343,0.0002533957,0.000041647876,0.005919871,0.0002302136,0.00004924552,0.0000020998746,0.0000066738703,0.041662507],"genre_scores_gemma":[0.9970119,0.000057167505,0.0003384791,0.00064154825,0.00076550734,8.408351e-7,2.7634053e-7,0.0000066054354,0.0011776863],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99913794,0.00021698681,0.00023422837,0.000086984626,0.0001087523,0.00021508308],"domain_scores_gemma":[0.99918,0.00012348901,0.00007937684,0.0000385717,0.00004282599,0.0005357337],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010068085,0.00006085434,0.000107125656,0.00028192523,0.0009772305,0.00024781708,0.00011854855,0.000054275828,0.00072424515],"category_scores_gemma":[0.00011771448,0.00006358668,0.000036666428,0.00012927527,0.000116316405,0.00019692985,0.000005248237,0.00053514057,0.000007794263],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000069663915,0.0000065788877,0.24239375,0.000013680956,0.00009736938,0.000025831387,0.19578393,0.000025763136,0.00009729883,0.0031872792,0.0344851,0.5238764],"study_design_scores_gemma":[0.001361298,0.00018937352,0.42425913,0.0010806471,0.00017677041,0.00085798226,0.28058988,0.000093129034,0.000018005747,0.014437429,0.27624574,0.00069061085],"about_ca_topic_score_codex":0.042738352,"about_ca_topic_score_gemma":0.040948823,"teacher_disagreement_score":0.52318585,"about_ca_system_score_codex":0.00014459623,"about_ca_system_score_gemma":0.00032156418,"threshold_uncertainty_score":0.97655135},"labels":[],"label_agreement":null},{"id":"W2992197395","doi":"","title":"Moving Forward by Looking Back: Lutheran Vocation as Foundation for Interfaith Ministry","year":2016,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion, Society, and Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Christian ministry; Foundation (evidence); Theology; Philosophy; Political science; Law","score_opus":0.02089188921839083,"score_gpt":0.27995325906070734,"score_spread":0.25906136984231654,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992197395","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9258306,0.0003727748,0.056832384,0.006643125,0.003852755,0.00024760287,0.000013621336,0.000014390562,0.0061927494],"genre_scores_gemma":[0.9970275,0.00012310669,0.0005204548,0.0004285238,0.00054941786,0.0000083372415,0.0000026247528,0.000012707774,0.001327283],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990692,0.000064685715,0.00032123996,0.00011537735,0.00016834764,0.00026113514],"domain_scores_gemma":[0.9989095,0.000119178076,0.00023252348,0.00007619044,0.00034630368,0.00031633675],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005636081,0.000084643485,0.00011281053,0.00019127906,0.000569428,0.00013788432,0.0001869368,0.00008532153,0.00048109904],"category_scores_gemma":[0.00027456682,0.00007096165,0.00013838193,0.00016623356,0.00014325179,0.0003652296,0.000005114169,0.000085428845,0.000043593172],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058831298,0.00003913394,0.0032819074,0.000022592501,0.0002397841,0.0000062048853,0.3529636,0.000011339418,0.0025039036,0.00168539,0.57957983,0.05960751],"study_design_scores_gemma":[0.0013079951,0.0003521524,0.0021037029,0.000584753,0.00007010661,0.0000805309,0.3058847,0.000021951662,0.0011393804,0.010300716,0.6777478,0.00040625315],"about_ca_topic_score_codex":0.07942266,"about_ca_topic_score_gemma":0.23248488,"teacher_disagreement_score":0.15306222,"about_ca_system_score_codex":0.0010049611,"about_ca_system_score_gemma":0.0015202556,"threshold_uncertainty_score":0.92670757},"labels":[],"label_agreement":null},{"id":"W2992207702","doi":"","title":"Reflections on Our Shared Commitments","year":2007,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Educational Leadership and Practices","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology","score_opus":0.213949616664614,"score_gpt":0.4440855520695553,"score_spread":0.2301359354049413,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992207702","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2752291,0.00013658499,0.00048946665,0.059178278,0.014743907,0.00016989686,0.000020841366,0.000023259845,0.6500087],"genre_scores_gemma":[0.9941653,0.000005153177,0.00024085374,0.0016565471,0.0012963746,0.0000012865008,0.0000013805359,0.00000675968,0.0026263334],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915296,0.00012469871,0.00022331743,0.00007065014,0.00017415806,0.00025419213],"domain_scores_gemma":[0.99879295,0.0001866675,0.00017408366,0.00007863828,0.00025759055,0.0005100571],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010367302,0.000059597674,0.000074712065,0.00062146084,0.0008408018,0.00010361755,0.0001948367,0.00006334239,0.00088848104],"category_scores_gemma":[0.0005332853,0.00006123481,0.0000871953,0.00042287295,0.00006911895,0.0003580425,0.0000021472742,0.00034481325,0.00010148647],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016119596,0.00035687143,0.025299026,0.000010506112,0.00043820462,0.00020051375,0.40986335,0.00012771413,0.00022531365,0.09212212,0.45424777,0.016947383],"study_design_scores_gemma":[0.00012659369,0.00013124231,0.012282097,0.000046448502,0.000023834033,0.000055335775,0.27292356,2.9401167e-7,0.000022734934,0.00092257,0.7133855,0.00007976065],"about_ca_topic_score_codex":0.072285905,"about_ca_topic_score_gemma":0.88897294,"teacher_disagreement_score":0.816687,"about_ca_system_score_codex":0.0005591863,"about_ca_system_score_gemma":0.0014189095,"threshold_uncertainty_score":0.9728244},"labels":[],"label_agreement":null},{"id":"W2992213497","doi":"","title":"The Lutheran Theological Tradition and Recruiting Lutheran Students","year":2002,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical Legal Studies and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Theology; Sociology; Religious studies; Philosophy; History","score_opus":0.06443459299106656,"score_gpt":0.2762069297512646,"score_spread":0.21177233676019802,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992213497","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93616533,0.0020110346,0.00013209137,0.009959526,0.0022156169,0.00013508767,0.0000055662404,0.000012352946,0.04936338],"genre_scores_gemma":[0.9975615,0.00032954957,0.000022210812,0.00034479293,0.00043648726,0.0000026417886,7.325397e-8,0.0000044712733,0.0012982754],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991435,0.00018347107,0.00019396188,0.000068695466,0.00019141487,0.00021897846],"domain_scores_gemma":[0.9993122,0.0001644027,0.000095132185,0.00004834946,0.00009300243,0.00028686642],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0006078849,0.000057500263,0.000096785945,0.00004729294,0.0026797792,0.00013530438,0.00019691858,0.00005459257,0.00051230035],"category_scores_gemma":[0.0002049193,0.00003999417,0.00010121433,0.00017290657,0.00041257622,0.00009900198,0.000005753606,0.00026922274,0.0000069243215],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021786478,0.00009549512,0.019508861,0.0000046385067,0.0003309905,0.0001042595,0.725764,0.000013477719,0.00003942281,0.040906824,0.10972182,0.10348845],"study_design_scores_gemma":[0.00027766067,0.00017532973,0.009265548,0.00003176761,0.00002508136,0.000042194384,0.12124346,0.000025610572,7.342465e-7,0.001798701,0.86700237,0.00011155599],"about_ca_topic_score_codex":0.0297899,"about_ca_topic_score_gemma":0.42236298,"teacher_disagreement_score":0.7572805,"about_ca_system_score_codex":0.00036656475,"about_ca_system_score_gemma":0.00007029129,"threshold_uncertainty_score":0.9986186},"labels":[],"label_agreement":null},{"id":"W2992326054","doi":"","title":"The Musician's Vocation","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicians’ Health and Performance","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.028397554660689814,"score_gpt":0.2826122401502361,"score_spread":0.2542146854895463,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992326054","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94496393,0.00034959396,0.0006550347,0.010266413,0.014782297,0.00016936593,0.000005153586,0.000009745293,0.028798474],"genre_scores_gemma":[0.98866636,0.00002201672,0.00010829913,0.0051627294,0.005103732,0.0000025126658,0.0000011240303,0.0000103629,0.0009228535],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991879,0.000029132578,0.00032223953,0.00006753683,0.00012699996,0.00026619583],"domain_scores_gemma":[0.99863476,0.00004251716,0.00015674725,0.00017857002,0.00050492754,0.00048247827],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035117113,0.000071352966,0.00012068826,0.00030180824,0.00056200894,0.00003634906,0.00011516782,0.000051542884,0.00057741103],"category_scores_gemma":[0.00015871177,0.000049703267,0.000084938394,0.000310723,0.00020528448,0.00010565928,0.0000037520617,0.00029368393,0.00010690014],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040243007,0.00005500254,0.020359827,0.00006801618,0.00021354365,0.0001446315,0.013355244,0.000011310643,0.00074875745,0.0025669613,0.68141794,0.2806563],"study_design_scores_gemma":[0.000484557,0.0008659968,0.062493015,0.00018889004,0.00005209659,0.0013091126,0.0017941941,0.00018741153,0.00020323141,0.00016756624,0.9321792,0.00007473184],"about_ca_topic_score_codex":0.008435432,"about_ca_topic_score_gemma":0.3559195,"teacher_disagreement_score":0.34748408,"about_ca_system_score_codex":0.00021902207,"about_ca_system_score_gemma":0.0015811746,"threshold_uncertainty_score":0.99816746},"labels":[],"label_agreement":null},{"id":"W2992392965","doi":"","title":"A College with a Calling: Vocation at Augsburg","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Political and Social Issues","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.024568185556351787,"score_gpt":0.27579940636149497,"score_spread":0.2512312208051432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992392965","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9568019,0.000024823097,0.0000787262,0.00472267,0.0014702195,0.00006367027,0.000013090209,0.000009202422,0.036815707],"genre_scores_gemma":[0.99483466,0.0000022000984,0.00012887419,0.00026049645,0.0008235678,0.0000022048334,4.954113e-7,0.0000064142832,0.0039410675],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992992,0.000055904617,0.00016044469,0.00006397295,0.00015985555,0.00026057375],"domain_scores_gemma":[0.9988553,0.0000627917,0.000083024584,0.0000633099,0.00027088565,0.0006646719],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002762695,0.0000557521,0.00010256001,0.00019567492,0.00081046845,0.000048692957,0.00015091318,0.00007947957,0.0010124005],"category_scores_gemma":[0.00025357353,0.00004822825,0.00006560562,0.00025270545,0.0004172542,0.00015587061,0.0000042254374,0.00027452057,0.00002663114],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000113590046,0.00015137278,0.029056491,0.000016969774,0.00030693784,0.0007794411,0.33677128,0.0000333334,0.0033526174,0.57117283,0.051450137,0.006794959],"study_design_scores_gemma":[0.0004487538,0.00023616228,0.011037379,0.000072805946,0.00007307819,0.00024003642,0.060686983,0.000019446898,0.00032270735,0.007949913,0.9186582,0.0002545428],"about_ca_topic_score_codex":0.20892596,"about_ca_topic_score_gemma":0.9573728,"teacher_disagreement_score":0.86720806,"about_ca_system_score_codex":0.00031874893,"about_ca_system_score_gemma":0.0016027755,"threshold_uncertainty_score":0.9999008},"labels":[],"label_agreement":null},{"id":"W2992543531","doi":"10.7202/1051593ar","title":"Marshall Mcluhan and Higher Music Education","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Media, Communication, and Education","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Improvisation; Interpretation (philosophy); Music education; Sociology; Musicology; Epistemology; Aesthetics; Pedagogy; Visual arts; Art; Philosophy; Linguistics","score_opus":0.04974526781130165,"score_gpt":0.30893696238180446,"score_spread":0.25919169457050284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992543531","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8584368,0.00055385934,0.00010838067,0.006694522,0.011527697,0.00010788819,0.0000027423055,0.000011131339,0.12255695],"genre_scores_gemma":[0.9929286,0.00005663406,0.00042498,0.00081339217,0.0027091454,0.0000040778323,0.0000020989396,0.000007712067,0.0030533064],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992449,0.00015342265,0.00021297988,0.00008018435,0.00012066253,0.0001878096],"domain_scores_gemma":[0.9986612,0.000058003832,0.00014742494,0.00015905291,0.0004920222,0.00048228787],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004135908,0.000060969298,0.00008268391,0.00042645546,0.00072876044,0.000098430915,0.00023153081,0.00006484793,0.0037408117],"category_scores_gemma":[0.00020426078,0.000064012434,0.000041598818,0.00030972218,0.00037365436,0.0003064539,0.0000070335086,0.00015748787,0.000042961918],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014149833,0.00011566803,0.01916772,0.00001568279,0.00008338143,0.0000035033015,0.4631842,7.419406e-7,0.0001769394,0.020786833,0.2966319,0.19981928],"study_design_scores_gemma":[0.00014083032,0.00012154029,0.08046548,0.00010980628,0.000042062617,0.00005072985,0.07248594,0.0000045203074,0.00001654539,0.0058853743,0.8405421,0.00013508867],"about_ca_topic_score_codex":0.12530312,"about_ca_topic_score_gemma":0.8245223,"teacher_disagreement_score":0.69921917,"about_ca_system_score_codex":0.0003167478,"about_ca_system_score_gemma":0.0030427568,"threshold_uncertainty_score":0.9971699},"labels":[],"label_agreement":null},{"id":"W2992666163","doi":"","title":"\"Greed is an Unbelieving Scoundrel\": The Common Good as Commitment to Social Justice","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Human Behavior and Motivation","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Economic Justice; Social justice; Sociology; Psychology; Political science; Criminology; Social psychology; Law","score_opus":0.12500023830475812,"score_gpt":0.3628383191668271,"score_spread":0.23783808086206895,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992666163","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9699996,0.00004045888,0.000270342,0.004261753,0.005289567,0.00016669437,0.000022289541,0.000010378247,0.019938901],"genre_scores_gemma":[0.9930584,2.7533824e-7,0.00003113766,0.004570943,0.0009895954,0.000008425031,0.0000031368397,0.000019392808,0.0013187124],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989247,0.00018920805,0.0003240052,0.00011920252,0.00018190073,0.00026099852],"domain_scores_gemma":[0.99873495,0.00003691922,0.00015741844,0.0002123161,0.0002879067,0.00057049317],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004735124,0.0001096309,0.00014613757,0.0003703804,0.00047363446,0.00010410872,0.00031708577,0.0000756928,0.0015416908],"category_scores_gemma":[0.000047998456,0.00009391484,0.00009200768,0.0002564509,0.000077952514,0.00015049655,0.000012830505,0.0003888273,0.00022512738],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013018642,0.00021462938,0.010937494,0.0000061150818,0.00022457186,0.00022206861,0.3478605,0.00008976019,0.00025915887,0.009360468,0.60925865,0.02143641],"study_design_scores_gemma":[0.0025407693,0.0030279134,0.23014277,0.00014696845,0.00086154597,0.0020643724,0.28600457,0.000019638703,0.000095139156,0.001378727,0.47317165,0.00054592226],"about_ca_topic_score_codex":0.045521535,"about_ca_topic_score_gemma":0.3329307,"teacher_disagreement_score":0.2874092,"about_ca_system_score_codex":0.0005140723,"about_ca_system_score_gemma":0.00044302922,"threshold_uncertainty_score":0.99937105},"labels":[],"label_agreement":null},{"id":"W2992669493","doi":"","title":"Luther's Sutra: An Indian, Subaltern (Dalit) Perspective","year":2017,"lang":"ceb","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Vietnamese History and Culture Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subaltern; Perspective (graphical); History; Philosophy; Sociology; Art; Political science; Visual arts; Law","score_opus":0.04771414305160716,"score_gpt":0.3196306868955177,"score_spread":0.27191654384391056,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992669493","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7959779,0.0037463254,0.00004642009,0.018634297,0.026155028,0.00034157027,0.00017644014,0.000022005166,0.15490004],"genre_scores_gemma":[0.99078435,0.00005658306,0.000022538112,0.00029994073,0.0036776075,0.0000036340011,9.089052e-7,0.000026155467,0.005128292],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99783224,0.000373902,0.0004986042,0.0003063859,0.0003535964,0.00063528743],"domain_scores_gemma":[0.99627626,0.000023107077,0.00087910297,0.0004843324,0.0010595311,0.0012776771],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00087088346,0.00027631203,0.0004408628,0.000460653,0.008939153,0.00059244735,0.0011938908,0.0002247348,0.0019143093],"category_scores_gemma":[0.00057083723,0.0002682106,0.0004368301,0.0002165039,0.0018664642,0.0013178374,0.00003126804,0.00086851866,0.00010316143],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039923747,0.00009207767,0.0046887635,0.000014194231,0.00054797786,0.00075961737,0.9593246,0.000012173722,0.000034954133,0.010480039,0.020745702,0.003259978],"study_design_scores_gemma":[0.0004612306,0.00050300534,0.010450696,0.00024163109,0.00021240748,0.00025800694,0.8486448,0.0000028404802,0.000007425869,0.00329599,0.1355635,0.00035848457],"about_ca_topic_score_codex":0.3157816,"about_ca_topic_score_gemma":0.9821743,"teacher_disagreement_score":0.6663927,"about_ca_system_score_codex":0.0020769045,"about_ca_system_score_gemma":0.003059631,"threshold_uncertainty_score":0.999977},"labels":[],"label_agreement":null},{"id":"W2992848554","doi":"","title":"Educating for Peace: 21st Century Models for Thinking Globally and Acting Locally","year":2003,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Education and Critical Thinking Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Systems thinking; Computer science; Artificial intelligence","score_opus":0.04233243504932842,"score_gpt":0.3087305593262794,"score_spread":0.266398124276951,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992848554","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34120864,0.003924426,0.28937882,0.0558312,0.038764004,0.0024616013,0.00006271013,0.00009898512,0.26826963],"genre_scores_gemma":[0.9767497,0.000038623657,0.020983452,0.0015424967,0.0003825301,0.0000134733,9.644889e-7,0.000010967336,0.0002777719],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907166,0.000071882576,0.00027326023,0.00010827619,0.00015796664,0.0003169703],"domain_scores_gemma":[0.99868345,0.00025267855,0.00012565809,0.000051554543,0.0004547725,0.00043187966],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013316245,0.00007522647,0.000113904214,0.00018625519,0.0012085903,0.00025238158,0.00016755628,0.00006219646,0.00008912275],"category_scores_gemma":[0.0013423811,0.000079070844,0.000086839216,0.00016037456,0.000102366714,0.00024487195,0.0000044732365,0.0001541445,7.885291e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011637955,0.00004487978,0.0006604964,0.00004056396,0.00008841714,0.0000026006646,0.1788991,0.00016453114,0.00002203011,0.77321184,0.010222205,0.036631692],"study_design_scores_gemma":[0.00042206625,0.00009589223,0.00012239673,0.00031048164,0.000052703523,0.000073847805,0.4121423,0.00010188854,0.000022622526,0.09595546,0.4904859,0.00021441477],"about_ca_topic_score_codex":0.004379521,"about_ca_topic_score_gemma":0.11461888,"teacher_disagreement_score":0.6772564,"about_ca_system_score_codex":0.0004541726,"about_ca_system_score_gemma":0.003202837,"threshold_uncertainty_score":0.9295622},"labels":[],"label_agreement":null},{"id":"W2993035033","doi":"","title":"Conciliatory and Queer: the Radical Love of Lutheran Higher Education","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"German Social Sciences and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Queer; Gender studies; Queer theory; Sociology; Psychoanalysis; Literature; Psychology; Art; Religious studies; Philosophy","score_opus":0.01797119549567856,"score_gpt":0.2565104322672631,"score_spread":0.23853923677158456,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993035033","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9158161,0.0010577862,0.000004562713,0.004918969,0.0041791964,0.000079709396,0.000002998573,0.0000017547966,0.07393888],"genre_scores_gemma":[0.9919504,0.0000157046,0.000011041738,0.00053159887,0.00035699227,4.0302137e-7,8.428769e-8,0.0000027501678,0.0071310177],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99941576,0.00010082758,0.00015198278,0.000053282918,0.00015645809,0.00012166385],"domain_scores_gemma":[0.9994017,0.00004621936,0.00013511495,0.000059069505,0.00014037856,0.00021755869],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00044879795,0.00003739523,0.00008348244,0.00011797564,0.00021480244,0.000028161812,0.00016591522,0.000046465066,0.0028533363],"category_scores_gemma":[0.000029768367,0.00002932886,0.00006266043,0.00016534439,0.000611884,0.00012593955,0.0000037798397,0.00014084623,0.00002523107],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024036492,0.00006054346,0.063427776,0.000020875612,0.00012444623,0.0000078536195,0.6216316,0.000025556896,0.000722183,0.0997697,0.19494832,0.019237066],"study_design_scores_gemma":[0.00010102523,0.00005533676,0.042170078,0.000029285213,0.000018310007,0.000008632272,0.04288974,0.0000013891032,0.0000035163455,0.0009500502,0.9137209,0.000051730953],"about_ca_topic_score_codex":0.105581075,"about_ca_topic_score_gemma":0.4127022,"teacher_disagreement_score":0.7187726,"about_ca_system_score_codex":0.00025580538,"about_ca_system_score_gemma":0.0023312422,"threshold_uncertainty_score":0.9980582},"labels":[],"label_agreement":null},{"id":"W2993121505","doi":"","title":"Can a Christian Be a Journalist","year":2001,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Media, Religion, Digital Communication","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.05875454015194558,"score_gpt":0.23570269160377072,"score_spread":0.17694815145182513,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993121505","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42964476,0.0009414375,0.0001522691,0.015914265,0.004609495,0.00013663799,0.00007847812,0.000027326134,0.5484953],"genre_scores_gemma":[0.9957235,0.00004712611,0.00003224752,0.0010505614,0.001073811,0.0000029734902,0.00000732626,0.000019934027,0.0020425261],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99900043,0.000063892614,0.0004422784,0.000079756755,0.00016312159,0.0002505204],"domain_scores_gemma":[0.99846935,0.000048924892,0.00026976122,0.00023669128,0.00044692043,0.0005283207],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002197972,0.00011707708,0.00016594847,0.0007359965,0.0006076527,0.00049217395,0.00037135027,0.00003794601,0.0029513233],"category_scores_gemma":[0.00012847572,0.000108867636,0.00016334563,0.00012157422,0.0003086869,0.0003276074,0.000011612321,0.00039180066,0.00002829217],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007444389,0.00014798804,0.002983012,0.000028500579,0.00045336224,0.0009215219,0.27661252,0.00012288723,0.00006404606,0.14863642,0.55211884,0.017836476],"study_design_scores_gemma":[0.0005432605,0.0003334052,0.0007085234,0.00024700136,0.00008402863,0.0043318192,0.013268531,0.00006884424,0.000014299599,0.01919701,0.9609238,0.00027947573],"about_ca_topic_score_codex":0.13138768,"about_ca_topic_score_gemma":0.93448406,"teacher_disagreement_score":0.8030964,"about_ca_system_score_codex":0.00031517955,"about_ca_system_score_gemma":0.0007989495,"threshold_uncertainty_score":0.9979601},"labels":[],"label_agreement":null},{"id":"W2993159237","doi":"","title":"\"Faithful Nones\" and the Importance of a Rooted and Open Pedagogy","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Open Education and E-Learning","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mathematics education; Sociology; Psychology","score_opus":0.01808924771407727,"score_gpt":0.27168165282362466,"score_spread":0.2535924051095474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993159237","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.981925,0.0001849593,0.0012338988,0.0057374844,0.00088697695,0.00012941573,7.378665e-7,0.0000023872158,0.00989912],"genre_scores_gemma":[0.99832815,0.000008682311,0.00065391226,0.00045368492,0.000034232602,0.0000013564777,1.3657835e-7,0.0000034370764,0.0005164356],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9994645,0.000071570415,0.00020915472,0.00008944934,0.000061787985,0.0001035193],"domain_scores_gemma":[0.9993032,0.00007024201,0.00019651717,0.00014551156,0.00012479087,0.00015968709],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040638534,0.00005099931,0.00013888437,0.00017948564,0.00011388875,0.00020131776,0.0004791701,0.000021610007,0.00018870979],"category_scores_gemma":[0.000072320305,0.000037441558,0.000030670457,0.00020740216,0.00008830412,0.00042738955,0.00006586427,0.00018554702,0.000005692784],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000141058,0.00007423556,0.6210295,0.00005594305,0.0003448766,0.0000708035,0.12919231,0.0006729893,0.00051332643,0.2069557,0.013216527,0.02773271],"study_design_scores_gemma":[0.007160699,0.0010844285,0.76126623,0.00047280983,0.00009549616,0.0062346538,0.12736751,0.017016225,0.00014879208,0.005711953,0.07285744,0.0005837615],"about_ca_topic_score_codex":0.01239048,"about_ca_topic_score_gemma":0.10167555,"teacher_disagreement_score":0.20124376,"about_ca_system_score_codex":0.000034725424,"about_ca_system_score_gemma":0.0006162294,"threshold_uncertainty_score":0.9941861},"labels":[],"label_agreement":null},{"id":"W2993183221","doi":"","title":"Engaging the Local Community: Why Bother?","year":2008,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Education Systems and Policy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.09628019733300887,"score_gpt":0.31709881322340666,"score_spread":0.2208186158903978,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993183221","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9258705,0.00019055784,0.0011711756,0.0143274525,0.0031464284,0.00007057397,0.00000415542,0.000008471922,0.055210732],"genre_scores_gemma":[0.99555624,0.000010624286,0.00001829337,0.0025291212,0.0009363032,0.0000017248183,1.7370482e-7,0.000006083472,0.0009414467],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988475,0.00063373515,0.00019163561,0.00003001329,0.000117629235,0.00017950941],"domain_scores_gemma":[0.99912316,0.00017146139,0.00011707323,0.00012382519,0.0001727388,0.00029172728],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00093570404,0.00004608728,0.000078177865,0.00022948596,0.00271393,0.000055085955,0.00029627784,0.00003691791,0.0007069111],"category_scores_gemma":[0.00016484069,0.00003601328,0.00008343919,0.00030166336,0.0004633885,0.00013970268,0.00000445545,0.00049362564,0.000028567076],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000018443161,0.0000144081005,0.010337105,0.0000019765607,0.00004304337,0.000017521968,0.7909733,0.000051575567,0.000011387336,0.0052829166,0.18935457,0.0039103646],"study_design_scores_gemma":[0.000054472443,0.000020422147,0.0026176916,0.000025965035,0.0000058123715,0.00024187747,0.3783409,0.0000022821723,0.000004812129,0.00020072571,0.6184471,0.000037955026],"about_ca_topic_score_codex":0.6640251,"about_ca_topic_score_gemma":0.88890386,"teacher_disagreement_score":0.42909253,"about_ca_system_score_codex":0.00028383045,"about_ca_system_score_gemma":0.0018092133,"threshold_uncertainty_score":0.9985844},"labels":[],"label_agreement":null},{"id":"W2993204157","doi":"","title":"The Promise and Peril of the Interfaith Classroom","year":2016,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Education and Islamic Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology","score_opus":0.02473563763168501,"score_gpt":0.2651196906702839,"score_spread":0.2403840530385989,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993204157","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94542223,0.00028884108,0.000026268548,0.033546858,0.0028594527,0.00006935782,0.000003585788,0.0000018765478,0.017781526],"genre_scores_gemma":[0.99569166,0.000077394354,0.000009040054,0.00012948192,0.00019374398,0.0000015895031,7.231708e-9,0.0000025340394,0.0038945395],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995247,0.00009421992,0.00014934389,0.000037307153,0.00008336057,0.0001110825],"domain_scores_gemma":[0.9994058,0.000127812,0.00012517322,0.00007134428,0.00017685915,0.00009299638],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031863968,0.000034019053,0.000056772165,0.000068863366,0.0005905928,0.00003148803,0.00017700583,0.00001957256,0.0002097457],"category_scores_gemma":[0.0004924121,0.000015291012,0.00005292753,0.0001243671,0.0006511371,0.00007494439,0.000009586015,0.0000764035,0.000002151523],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004061216,0.0000404985,0.16437533,0.000010038134,0.00032206616,0.0000044559806,0.4318569,0.0000012583741,0.0009874057,0.0787856,0.2130143,0.11056151],"study_design_scores_gemma":[0.00030201708,0.00009071957,0.07261431,0.00021757717,0.00003228456,0.000043474694,0.19659898,0.0000010027419,0.00014358712,0.003779487,0.72610015,0.000076393364],"about_ca_topic_score_codex":0.012123874,"about_ca_topic_score_gemma":0.6498793,"teacher_disagreement_score":0.6377554,"about_ca_system_score_codex":0.0001352846,"about_ca_system_score_gemma":0.0008151007,"threshold_uncertainty_score":0.9944545},"labels":[],"label_agreement":null},{"id":"W2993238549","doi":"","title":"Poetry: After Months of Clouds, the Sun; First Bird","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; History; Art","score_opus":0.0297554526369019,"score_gpt":0.22644144752037576,"score_spread":0.19668599488347385,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993238549","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9476418,0.0005693551,0.00003437571,0.0057362285,0.0035886315,0.000065196706,0.00007314335,0.000006676707,0.04228459],"genre_scores_gemma":[0.9966721,0.000010642159,0.0000053174426,0.00030260885,0.0009797728,0.0000027917504,3.3670358e-7,0.000013585999,0.0020128237],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992588,0.000031068736,0.00032867718,0.000072053444,0.00012084161,0.00018855836],"domain_scores_gemma":[0.9988849,0.000039575625,0.00028997243,0.00034077832,0.00026167775,0.00018310662],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021750049,0.00009226941,0.00018330506,0.00023913335,0.0010527954,0.00031687037,0.00044463694,0.000032052267,0.0050112116],"category_scores_gemma":[0.00010741778,0.00006318149,0.00027002988,0.000030514124,0.0005317816,0.0002775075,0.00001688955,0.00022758354,0.0000319459],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026845987,0.00032090442,0.07704786,0.00013546683,0.0029445763,0.0011229403,0.3168554,0.00025505217,0.00012478739,0.24065885,0.34851885,0.011746832],"study_design_scores_gemma":[0.0004944333,0.0002943119,0.03986217,0.00032536854,0.00041100878,0.00018619941,0.040376354,0.000121464145,0.00007516843,0.0031741422,0.9144153,0.00026406994],"about_ca_topic_score_codex":0.10665954,"about_ca_topic_score_gemma":0.9146057,"teacher_disagreement_score":0.80794615,"about_ca_system_score_codex":0.00005905064,"about_ca_system_score_gemma":0.00017556059,"threshold_uncertainty_score":0.99589837},"labels":[],"label_agreement":null},{"id":"W2993302565","doi":"","title":"Called for Life","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Educational Leadership and Practices","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.08314289553720192,"score_gpt":0.34965034522949073,"score_spread":0.2665074496922888,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993302565","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8448788,0.00011355728,0.00053892675,0.07816386,0.017516397,0.00017178585,0.000015968035,0.000009601723,0.05859109],"genre_scores_gemma":[0.9947895,0.0000026674093,0.0006429256,0.0010977898,0.0021383201,0.0000041760673,6.8119516e-7,0.000005162575,0.0013187787],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99948114,0.000054505617,0.00015474699,0.000048826238,0.00009512503,0.00016562911],"domain_scores_gemma":[0.9985932,0.00033872377,0.00012993072,0.000053599502,0.00033450665,0.0005500017],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006651854,0.000038492686,0.00006565933,0.00023939925,0.00050238305,0.0000871525,0.00017432943,0.00006148567,0.0022381833],"category_scores_gemma":[0.00222704,0.000038228023,0.00008801719,0.00014285791,0.00014871923,0.00027910844,0.0000012310212,0.00028092184,0.000019990128],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000081106686,0.00010438442,0.018937955,0.000019047453,0.0002793679,0.00002341225,0.27200642,0.000035065936,0.00088792416,0.21785466,0.4776338,0.012136848],"study_design_scores_gemma":[0.00012829356,0.000042859647,0.001965802,0.000009109934,0.000022777154,0.00002493351,0.056925535,0.0000028581696,0.000012163308,0.0018670802,0.93894255,0.000056045552],"about_ca_topic_score_codex":0.06536015,"about_ca_topic_score_gemma":0.9284002,"teacher_disagreement_score":0.8630401,"about_ca_system_score_codex":0.000067410234,"about_ca_system_score_gemma":0.0040661516,"threshold_uncertainty_score":0.9986739},"labels":[],"label_agreement":null},{"id":"W2993304593","doi":"","title":"Sense of Vocation","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Scheduling and Timetabling Solutions","field":"Decision Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sense (electronics); Engineering; Electrical engineering","score_opus":0.09259193457445508,"score_gpt":0.3426845377894289,"score_spread":0.25009260321497384,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993304593","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98446405,0.000036301975,0.005324102,0.0011043348,0.005137205,0.000029617046,0.000012951303,0.0000041921253,0.0038872687],"genre_scores_gemma":[0.997208,6.615874e-7,0.0019016269,0.00009421714,0.00027675787,4.9616773e-7,4.1433603e-7,0.0000053105546,0.000512523],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998763,0.000068112386,0.00058635673,0.00009802958,0.00032760235,0.00015688734],"domain_scores_gemma":[0.99756694,0.00033230553,0.00038134123,0.00028154603,0.0010981658,0.0003397112],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0017466872,0.000059198257,0.0001549518,0.001300352,0.0001675818,0.00008080763,0.00023133821,0.00006299956,0.0013315409],"category_scores_gemma":[0.004391078,0.00004829467,0.00017163184,0.00083569373,0.00015459194,0.00021080989,0.0000073323677,0.0003663247,0.000091459675],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018351788,0.00054452964,0.15014438,0.000022476537,0.0008674217,0.00058327895,0.053115226,0.014871046,0.15650867,0.071301855,0.3565362,0.1953214],"study_design_scores_gemma":[0.0027820626,0.0011941,0.37000534,0.0003066414,0.0004479797,0.015023137,0.039896134,0.008617112,0.01835357,0.108062744,0.43426478,0.0010463888],"about_ca_topic_score_codex":0.009565187,"about_ca_topic_score_gemma":0.25926384,"teacher_disagreement_score":0.24969867,"about_ca_system_score_codex":0.000037178987,"about_ca_system_score_gemma":0.0010008806,"threshold_uncertainty_score":0.9995814},"labels":[],"label_agreement":null},{"id":"W2993351002","doi":"","title":"On Sharing the Sacred Sauna","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Indian and Buddhist Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.038370801615297205,"score_gpt":0.21254859952957905,"score_spread":0.17417779791428184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993351002","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68374324,0.0002925459,0.00001596403,0.003896449,0.004141,0.0000684429,0.000015524343,0.000011289508,0.30781555],"genre_scores_gemma":[0.99201256,0.0000041775297,0.000003208669,0.0026479745,0.0009846863,6.6400554e-7,4.2375856e-7,0.000005289604,0.004341005],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99947906,0.000015067461,0.00019236935,0.000060783692,0.00008068045,0.00017202],"domain_scores_gemma":[0.9995417,0.000028981365,0.000089155474,0.000102670594,0.00012367696,0.00011382251],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012621272,0.00007423263,0.00009415481,0.00026856665,0.0007807632,0.00017717104,0.00019264017,0.000017056873,0.0021796809],"category_scores_gemma":[0.00004419094,0.000048598544,0.00011856389,0.00004117391,0.0001420615,0.00010858109,0.0000037089228,0.00023470307,0.00006679694],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055308014,0.000056788507,0.0004924262,0.00000660474,0.00023898906,0.00023931522,0.21113749,0.00016855789,0.000029719522,0.40346542,0.37174046,0.012368916],"study_design_scores_gemma":[0.00043319052,0.00076822436,0.006764796,0.00017666248,0.000058566322,0.00024810634,0.027185291,0.000024345996,0.000029975661,0.018312752,0.9457775,0.00022064107],"about_ca_topic_score_codex":0.0044871024,"about_ca_topic_score_gemma":0.31663013,"teacher_disagreement_score":0.57403696,"about_ca_system_score_codex":0.00012598636,"about_ca_system_score_gemma":0.000110444904,"threshold_uncertainty_score":0.99873245},"labels":[],"label_agreement":null},{"id":"W2993373127","doi":"","title":"Impelled to Pluralism: Thoughts About Teaching in a Lutheran University","year":2003,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Education, Psychology, and Social Research","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pluralism (philosophy); Sociology; Epistemology; Pedagogy; Philosophy; Mathematics education; Psychology","score_opus":0.04696184628539157,"score_gpt":0.3645257393729915,"score_spread":0.3175638930875999,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993373127","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9163151,0.00004972467,0.00011775048,0.0041209986,0.0019436496,0.000102364094,0.0000032177704,0.000004201544,0.077343024],"genre_scores_gemma":[0.9945394,0.000019625824,0.00015915837,0.00031039416,0.0003891957,5.7728386e-7,2.2766243e-7,0.000005667767,0.004575764],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99854803,0.0007452844,0.00016124033,0.00009173989,0.00014217975,0.00031150877],"domain_scores_gemma":[0.99905473,0.00012139768,0.00006133706,0.00007782895,0.00013351296,0.0005511703],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014793333,0.00005450412,0.000107851636,0.0007537361,0.0007311818,0.000058791662,0.0002388442,0.00007604363,0.0006402037],"category_scores_gemma":[0.0007968469,0.00006018238,0.000077823046,0.0005723925,0.00015099338,0.00017503537,0.0000031071052,0.00040664535,0.000015888334],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027736161,0.00007511514,0.04831911,0.0000025889506,0.00005215353,0.00011757827,0.86547154,0.00004190211,0.000094300805,0.052367743,0.028164558,0.005265699],"study_design_scores_gemma":[0.000326337,0.000064348096,0.02279974,0.000048228798,0.0000074753557,0.00001772326,0.36062357,7.09385e-7,0.000004462631,0.00123838,0.61477053,0.00009850791],"about_ca_topic_score_codex":0.19430678,"about_ca_topic_score_gemma":0.9660924,"teacher_disagreement_score":0.7717856,"about_ca_system_score_codex":0.00084138336,"about_ca_system_score_gemma":0.0019099318,"threshold_uncertainty_score":0.8110584},"labels":[],"label_agreement":null},{"id":"W2993496793","doi":"","title":"Vocation and Dharma throughout Life's Stages: A Hindu Perspective","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion, Spirituality, and Psychology","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dharma; Hinduism; Perspective (graphical); History; Sociology; Gender studies; Religious studies; Buddhism; Art; Philosophy; Visual arts; Archaeology","score_opus":0.053107568759889,"score_gpt":0.3635199606681512,"score_spread":0.3104123919082622,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993496793","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.918842,0.0006925143,0.00079591334,0.017710863,0.0045173652,0.00011473755,0.000010414729,0.000013177932,0.05730302],"genre_scores_gemma":[0.99566114,0.000057428228,0.00007356552,0.0018713684,0.0020523171,0.0000016789947,3.9006585e-7,0.0000075468806,0.00027456213],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99910057,0.0001944659,0.00022483693,0.00012193798,0.00012868957,0.00022951775],"domain_scores_gemma":[0.9986209,0.000057239227,0.00014918957,0.00009298883,0.00058283244,0.00049684546],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005246938,0.00007302602,0.00012211985,0.0003429681,0.00065511157,0.00010013068,0.00015863801,0.000091505564,0.0010265576],"category_scores_gemma":[0.00033213792,0.00007265226,0.00006877391,0.0002786003,0.0007262257,0.0002660185,0.0000053071944,0.00021236515,0.000033662116],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004080207,0.00004228124,0.030679673,0.0000049061423,0.00017069424,0.000036035035,0.6971161,0.0000029898476,0.00008400648,0.02898872,0.24065754,0.0021762685],"study_design_scores_gemma":[0.00073195493,0.0006307812,0.06820259,0.00007773709,0.00008416246,0.00023662766,0.77879965,0.00000723508,0.000031463333,0.019086808,0.13184233,0.0002686284],"about_ca_topic_score_codex":0.39628035,"about_ca_topic_score_gemma":0.8437407,"teacher_disagreement_score":0.44746038,"about_ca_system_score_codex":0.00033033555,"about_ca_system_score_gemma":0.0011655766,"threshold_uncertainty_score":0.99988663},"labels":[],"label_agreement":null},{"id":"W2993517209","doi":"","title":"Lutheran Identity and Diversity in Education","year":2003,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Diversity (politics); Identity (music); Sociology; Genealogy; Gender studies; History; Anthropology; Art; Aesthetics","score_opus":0.04111598049995903,"score_gpt":0.30922330057891884,"score_spread":0.2681073200789598,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993517209","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95590174,0.00029282394,0.000058265356,0.00086087774,0.0020679857,0.00004617043,6.982551e-7,0.0000018301567,0.04076962],"genre_scores_gemma":[0.99878633,0.00007004014,0.000060160175,0.0003004248,0.00008989836,6.309463e-7,1.1226947e-7,0.000001891219,0.00069048366],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99951464,0.0001336399,0.0001177596,0.000046312092,0.00008304386,0.000104618484],"domain_scores_gemma":[0.9994867,0.000019723326,0.000060587572,0.000039576666,0.000115581875,0.0002778403],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004741216,0.000030383291,0.000053918873,0.0003742295,0.00043439268,0.00007335788,0.00008677042,0.000033055298,0.00047424578],"category_scores_gemma":[0.00026788513,0.00003341238,0.000030258341,0.00026404625,0.000077995624,0.00018003331,0.0000032604157,0.00012452457,0.000007771254],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004580811,0.00003621652,0.6900201,0.000003945411,0.000021713735,0.000012044426,0.16052334,0.000010777238,0.000020256592,0.083793685,0.056630433,0.008922918],"study_design_scores_gemma":[0.00055639393,0.00006981542,0.4136695,0.00014027659,0.000033477343,0.00015338401,0.3296593,0.0000019334668,0.00001579531,0.108832546,0.14662343,0.00024413528],"about_ca_topic_score_codex":0.1561367,"about_ca_topic_score_gemma":0.831472,"teacher_disagreement_score":0.6753352,"about_ca_system_score_codex":0.0003217058,"about_ca_system_score_gemma":0.0018986883,"threshold_uncertainty_score":0.84948266},"labels":[],"label_agreement":null},{"id":"W2993517866","doi":"","title":"Gift and Calling: A Lutheran Perspective on Higher Education","year":2011,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Sociology; Aesthetics; Epistemology; Psychology; Pedagogy; Art; Visual arts; Philosophy","score_opus":0.06706319502608744,"score_gpt":0.31590092317278756,"score_spread":0.24883772814670013,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993517866","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6341733,0.0002738767,0.000023773826,0.0043016193,0.0036779286,0.00008239124,0.0000018039459,0.0000071515697,0.35745817],"genre_scores_gemma":[0.99287623,0.00003186993,0.0001039199,0.0010275673,0.0005451776,0.0000028475001,1.6424325e-7,0.0000064459955,0.0054057576],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9994546,0.00008943675,0.00014190692,0.000078556994,0.00009564044,0.0001398296],"domain_scores_gemma":[0.99904907,0.000025429044,0.00009561374,0.00006637922,0.00031051648,0.00045300226],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020741016,0.000055266446,0.00007386022,0.00038205646,0.00035211004,0.00006419622,0.00011044092,0.000050498442,0.0019795727],"category_scores_gemma":[0.00009414641,0.000052865773,0.000054748805,0.00018383484,0.00013388693,0.0000740039,0.0000016176099,0.00018740863,0.000027986767],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003487264,0.00007636779,0.010530933,0.0000027184653,0.00008931936,0.000012680081,0.43120033,0.0000033093052,0.00003371614,0.40546346,0.14602917,0.006523128],"study_design_scores_gemma":[0.0005420407,0.0005162452,0.1091484,0.00021394936,0.00008565715,0.00010732569,0.4762149,0.0000020997215,0.000058416816,0.11928264,0.2934374,0.00039095792],"about_ca_topic_score_codex":0.1541519,"about_ca_topic_score_gemma":0.23111704,"teacher_disagreement_score":0.35870296,"about_ca_system_score_codex":0.0004679122,"about_ca_system_score_gemma":0.0020912993,"threshold_uncertainty_score":0.9989328},"labels":[],"label_agreement":null},{"id":"W2993630144","doi":"","title":"Vocation of the Lutheran College and Religious Diversity","year":2011,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Religious diversity; Diversity (politics); Religious studies; Sociology; History; Anthropology; Philosophy","score_opus":0.046981092874975594,"score_gpt":0.1855359392421443,"score_spread":0.1385548463671687,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993630144","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9715883,0.00005676407,0.00005958544,0.0002152574,0.0010565292,0.000044335702,0.000033004817,0.0000025273218,0.026943676],"genre_scores_gemma":[0.999345,0.0000054950024,0.000011326581,0.00014019999,0.00008211512,2.467959e-7,2.2244119e-7,0.000002748487,0.00041263568],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9996682,0.000026771979,0.00015372799,0.000029204319,0.00006008575,0.000062012026],"domain_scores_gemma":[0.99953777,0.0000069134403,0.00013782013,0.000066339795,0.00016623038,0.00008494604],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009514081,0.000038500584,0.000063101965,0.00013933303,0.00039733324,0.000017764705,0.000104542174,0.00001735189,0.00069636625],"category_scores_gemma":[0.000016954562,0.000026557964,0.000054984015,0.00003190601,0.00017281093,0.00015220435,0.000013357326,0.000097356045,0.0000042865527],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003943485,0.000036653128,0.014343687,0.00002272323,0.0001189835,0.000009655791,0.9254589,0.000007167102,0.000028938968,0.027102422,0.030767178,0.002064219],"study_design_scores_gemma":[0.0022870365,0.00096115656,0.3699482,0.00047031132,0.0003492471,0.00084825314,0.36455336,0.00031632447,0.00063303876,0.025934817,0.23312312,0.0005751165],"about_ca_topic_score_codex":0.0780057,"about_ca_topic_score_gemma":0.5445763,"teacher_disagreement_score":0.5609056,"about_ca_system_score_codex":0.000047248646,"about_ca_system_score_gemma":0.00011413846,"threshold_uncertainty_score":0.92813396},"labels":[],"label_agreement":null},{"id":"W2993748401","doi":"","title":"Building an Interfaith Bridge","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Linguistic Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Bridge (graph theory); Computer science; Medicine","score_opus":0.04733972508628864,"score_gpt":0.2987259143913205,"score_spread":0.25138618930503187,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993748401","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.829823,0.00017954521,0.018566571,0.002112035,0.013559849,0.0000715823,0.000005757726,0.000027408463,0.13565424],"genre_scores_gemma":[0.996632,0.000002502887,0.00051168154,0.00026069084,0.0021169337,7.298882e-7,1.1251806e-7,0.00000573847,0.00046962444],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928564,0.00011511643,0.00019389833,0.000072026916,0.00012238034,0.00021094122],"domain_scores_gemma":[0.999025,0.00007939108,0.0000948914,0.0000672555,0.00024038898,0.00049307215],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00049653754,0.00005544958,0.00011705936,0.00026852085,0.00062379823,0.00005272255,0.00020390959,0.000036704143,0.00039093653],"category_scores_gemma":[0.001228061,0.000051740717,0.00007265872,0.00020526866,0.00019362809,0.000102000566,0.000005376813,0.00017498177,0.000016121705],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038585204,0.000117016505,0.021830224,0.000014525427,0.00025179083,0.00018863694,0.3714308,0.00014910598,0.00023484147,0.29104644,0.15312283,0.1615752],"study_design_scores_gemma":[0.0001077368,0.00017029083,0.005947673,0.000044979246,0.000022390635,0.000030602245,0.00526284,0.000022179687,0.0000061926376,0.0025187845,0.9857751,0.00009118751],"about_ca_topic_score_codex":0.1936646,"about_ca_topic_score_gemma":0.7550369,"teacher_disagreement_score":0.83265233,"about_ca_system_score_codex":0.00036677462,"about_ca_system_score_gemma":0.00040654352,"threshold_uncertainty_score":0.8117049},"labels":[],"label_agreement":null},{"id":"W2993776589","doi":"","title":"Higher Education in the Age of Trump","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Higher Education Governance and Development","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.03818068818060662,"score_gpt":0.32231464045958425,"score_spread":0.28413395227897764,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993776589","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8879659,0.00009776177,0.00000984979,0.01290311,0.004824369,0.000063029685,0.0000018767272,9.828279e-7,0.09413309],"genre_scores_gemma":[0.9941859,0.000011684633,0.00007675246,0.0007023248,0.00039905842,0.0000026984962,3.7443786e-7,0.0000023496036,0.004618823],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99946624,0.00006472776,0.00018251514,0.000039856004,0.00013903789,0.00010762684],"domain_scores_gemma":[0.99939907,0.000026862896,0.00023282504,0.00013247406,0.00012258347,0.00008621723],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041251542,0.000033680342,0.00006587213,0.00017278582,0.0004165905,0.000094672614,0.00037946645,0.000029838986,0.0007597666],"category_scores_gemma":[0.000112824055,0.000027056141,0.00004507515,0.00010502071,0.0001555044,0.00021765089,0.0000030624542,0.000113425835,0.00000915514],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012495583,0.00016942216,0.35440028,0.000009836671,0.000050169325,0.000051549545,0.2855366,0.000012613693,0.00007965217,0.062437713,0.26570764,0.03153205],"study_design_scores_gemma":[0.00005654371,0.000011262502,0.57096356,0.000038404338,0.0000038164926,0.000004877284,0.009326564,3.8009706e-8,0.000004871381,0.0011370471,0.41842824,0.000024752895],"about_ca_topic_score_codex":0.21582216,"about_ca_topic_score_gemma":0.7778265,"teacher_disagreement_score":0.5620043,"about_ca_system_score_codex":0.00022179977,"about_ca_system_score_gemma":0.0041151782,"threshold_uncertainty_score":0.8318911},"labels":[],"label_agreement":null},{"id":"W2993861453","doi":"","title":"Putting the Kind Back in Human","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.028413713199203494,"score_gpt":0.28968335579802024,"score_spread":0.26126964259881674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993861453","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8947568,0.00011066698,0.000089540605,0.009315894,0.0026307234,0.0000688157,0.0000019503575,0.0000031404534,0.093022496],"genre_scores_gemma":[0.99591225,0.0000022579534,0.00007156625,0.0008089548,0.0016268458,7.2670787e-7,2.7543192e-7,0.0000039028555,0.0015732332],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999238,0.00014585198,0.0002139532,0.00005949616,0.00012669674,0.00021600389],"domain_scores_gemma":[0.9993226,0.000056162375,0.000106470005,0.000084011124,0.0002020839,0.00022869387],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00078103173,0.000045465644,0.00008715389,0.00040584267,0.00055513583,0.00010756313,0.00023391412,0.000053873486,0.002030034],"category_scores_gemma":[0.00022693761,0.000033864504,0.000088757326,0.0005925931,0.0003206894,0.00015907448,0.000004467599,0.00027664524,0.000033184795],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006710821,0.000034299348,0.046887953,0.000005843854,0.00018616286,0.00018913131,0.8082261,0.00002216162,0.0009640287,0.013969108,0.11273649,0.016771996],"study_design_scores_gemma":[0.00025790243,0.00011544703,0.013343004,0.00015038434,0.000054894223,0.00006087561,0.06727579,0.000009456324,0.00007954547,0.0037905606,0.9147623,0.00009981561],"about_ca_topic_score_codex":0.16182564,"about_ca_topic_score_gemma":0.97660965,"teacher_disagreement_score":0.814784,"about_ca_system_score_codex":0.00019625128,"about_ca_system_score_gemma":0.0007064079,"threshold_uncertainty_score":0.99888223},"labels":[],"label_agreement":null},{"id":"W2993949488","doi":"","title":"Women in Leadership: Obstacles, Opportunities, and Entry Points","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Gender Diversity and Inequality","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science; Computer science","score_opus":0.3991283967786325,"score_gpt":0.28469992995468874,"score_spread":0.11442846682394375,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993949488","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.966477,0.00023478609,0.000020067273,0.005785843,0.0010458943,0.00004284067,0.000010533359,0.0000044758926,0.026378576],"genre_scores_gemma":[0.9978395,0.000034898774,0.00002681989,0.0006508581,0.00013079516,5.53165e-7,5.663314e-7,0.0000028727347,0.0013131036],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9991132,0.0002000766,0.00016736155,0.000062010564,0.00014207006,0.0003152738],"domain_scores_gemma":[0.99871933,0.000031342617,0.00007663701,0.00005041239,0.00012612723,0.0009961175],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012225932,0.000048849386,0.00010260811,0.00037697906,0.00017406885,0.00006422475,0.000132844,0.00005703024,0.00040802997],"category_scores_gemma":[0.00028358883,0.000054821747,0.00002955386,0.00016937223,0.0002056574,0.00033328764,0.0000088110555,0.00018789727,0.0000066517287],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003592181,0.00004130896,0.07899123,0.000012313014,0.00005582422,0.0003853629,0.85035574,0.000015691825,0.0000045644542,0.0071658106,0.05472273,0.008213496],"study_design_scores_gemma":[0.00032764336,0.000067623456,0.01030865,0.000031415322,0.000005649569,0.000034206452,0.8363073,0.0000019502143,0.0000014317009,0.0018105796,0.15103458,0.00006899575],"about_ca_topic_score_codex":0.14535196,"about_ca_topic_score_gemma":0.74746525,"teacher_disagreement_score":0.6021133,"about_ca_system_score_codex":0.0009255622,"about_ca_system_score_gemma":0.0021279133,"threshold_uncertainty_score":0.8603392},"labels":[],"label_agreement":null},{"id":"W2993959484","doi":"","title":"Lutheran Colleges, the Lutheran Tradition, and the Future of Service-Learning","year":2011,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Service-Learning and Community Engagement","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Service (business); Service-learning; Sociology; History; Pedagogy; Business; Marketing","score_opus":0.03753588784797251,"score_gpt":0.23161830156489002,"score_spread":0.1940824137169175,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993959484","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.952161,0.0012964136,0.00006190845,0.017590685,0.0012845113,0.00016464565,0.000004595771,0.000011338738,0.027424874],"genre_scores_gemma":[0.99816394,0.00007107491,0.00003910169,0.0011084848,0.00037195475,0.0000038564554,4.326244e-7,0.000008587739,0.000232594],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9982602,0.0011396549,0.00022870055,0.000054150125,0.0001580362,0.00015925757],"domain_scores_gemma":[0.9990221,0.00019698784,0.00021712272,0.00014113936,0.00026037343,0.00016224245],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0017036737,0.00007322994,0.00013022743,0.0001584839,0.0017405902,0.000058441616,0.0004307428,0.00005258694,0.0008454469],"category_scores_gemma":[0.00005514244,0.000046672903,0.00008973248,0.00041691284,0.0003552882,0.00010903542,0.000010578552,0.00065494253,0.000003664205],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007739721,0.000027790747,0.0014363616,0.000008201567,0.00016535318,0.000006964246,0.9609246,0.00009382566,0.000013704533,0.030105283,0.0019577304,0.0051827566],"study_design_scores_gemma":[0.00065099564,0.00011853373,0.0063797752,0.00006892311,0.000065831475,0.00004898385,0.83695906,0.00003960316,0.000009603467,0.0015149935,0.15406877,0.000074911404],"about_ca_topic_score_codex":0.21425538,"about_ca_topic_score_gemma":0.77845955,"teacher_disagreement_score":0.5642042,"about_ca_system_score_codex":0.000075385855,"about_ca_system_score_gemma":0.00044275765,"threshold_uncertainty_score":0.999559},"labels":[],"label_agreement":null},{"id":"W2993980442","doi":"","title":"Celebrating the Reformation: The Lutheran Foundation of a Called Life","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Foundation (evidence); History; Art history; Art; Archaeology","score_opus":0.05732148491245332,"score_gpt":0.2378332078827841,"score_spread":0.18051172297033077,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993980442","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8943518,0.00005132313,0.0007542418,0.010041505,0.0029427272,0.00014375256,0.000015868789,0.0000063181437,0.09169251],"genre_scores_gemma":[0.99822474,0.0000028318123,0.000012167053,0.00043455203,0.00065700186,0.000002300125,0.000001397307,0.0000053045005,0.00065972697],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993205,0.000057397072,0.00036173433,0.000034048466,0.00012298234,0.00010335383],"domain_scores_gemma":[0.9986949,0.000031761097,0.00060447707,0.00023538407,0.00033522956,0.000098265664],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041851946,0.00006077146,0.00009450067,0.000111824294,0.00218457,0.00050167314,0.00036163622,0.000020604457,0.0018188937],"category_scores_gemma":[0.00017533096,0.000031604854,0.000103409075,0.000019846018,0.00031031406,0.0006053122,0.000009750066,0.00021616144,0.000027569411],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006966366,0.000040400337,0.0014274503,0.000049483704,0.0004044404,0.0000087692215,0.8301279,0.0004314294,0.00008633623,0.08693857,0.045079473,0.035336122],"study_design_scores_gemma":[0.0013203211,0.00034576925,0.02568889,0.00028576428,0.0001428793,0.00024065848,0.22091609,0.006057264,0.00011083182,0.0038408875,0.74074847,0.00030219904],"about_ca_topic_score_codex":0.040349852,"about_ca_topic_score_gemma":0.61871964,"teacher_disagreement_score":0.69566894,"about_ca_system_score_codex":0.00006854933,"about_ca_system_score_gemma":0.0003327644,"threshold_uncertainty_score":0.99911445},"labels":[],"label_agreement":null},{"id":"W2993999394","doi":"","title":"Negotiating Legitimate and Conflicting Values","year":2016,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Global Peace and Security Dynamics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Negotiation; Political science; Law","score_opus":0.022468446637405055,"score_gpt":0.2832055816392441,"score_spread":0.26073713500183904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993999394","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9728056,0.00017504221,0.0007276202,0.0031421545,0.0015083157,0.00004652116,0.000010477806,0.00000974432,0.021574482],"genre_scores_gemma":[0.9989349,0.000038617072,0.000096429445,0.00019061219,0.00032620569,4.3522095e-7,1.2225354e-7,0.000004742668,0.00040791117],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999359,0.00007233236,0.00017724,0.000061591236,0.00010388675,0.00022593682],"domain_scores_gemma":[0.99921334,0.000094180854,0.00011917658,0.00004502529,0.00017542177,0.00035285475],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00039169664,0.00005092309,0.00008808474,0.00019220746,0.00050110155,0.00012118888,0.00010562586,0.00004531906,0.00014510602],"category_scores_gemma":[0.00041685443,0.000040783638,0.000047082387,0.000114244365,0.00022137661,0.00032827095,0.000006595569,0.00010175489,0.000007030849],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038638977,0.000052608928,0.14868791,0.000030489367,0.0003986539,0.00050672994,0.4424569,0.00033225724,0.0016367598,0.25066805,0.04817534,0.10701563],"study_design_scores_gemma":[0.0015854173,0.00043072237,0.021883741,0.0010180045,0.0001488725,0.0008635581,0.37943453,0.00061182346,0.00004078007,0.016422084,0.57685864,0.0007018109],"about_ca_topic_score_codex":0.094600596,"about_ca_topic_score_gemma":0.5248461,"teacher_disagreement_score":0.5286833,"about_ca_system_score_codex":0.00018578926,"about_ca_system_score_gemma":0.0004470577,"threshold_uncertainty_score":0.9114285},"labels":[],"label_agreement":null},{"id":"W2994016690","doi":"","title":"Diversity and Dialogue: Twenty Years and Counting","year":2016,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Feminist Epistemology and Gender Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Diversity (politics); Geography; History; Genealogy; Sociology; Anthropology","score_opus":0.03898881762509722,"score_gpt":0.25312258906511736,"score_spread":0.21413377144002016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994016690","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99327594,0.00022410537,0.000062726685,0.0021706217,0.0009873544,0.000022720656,0.0000049374926,0.000002991539,0.0032485723],"genre_scores_gemma":[0.99918276,0.00006837064,0.00001653428,0.00013925838,0.00014271823,2.3021896e-7,3.0017194e-8,0.0000016316409,0.000448444],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9996206,0.000056625235,0.00008354221,0.000055510376,0.000055510518,0.00012816809],"domain_scores_gemma":[0.9995891,0.00008737569,0.000060080907,0.000028250952,0.000060923092,0.00017430901],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0003326232,0.000033306114,0.00007186948,0.000117415526,0.0018457174,0.000013605885,0.000062235486,0.000037093258,0.00006924835],"category_scores_gemma":[0.00017328154,0.000027218799,0.000023841198,0.000060101553,0.0004823621,0.00011394947,0.000053443204,0.00006660646,0.0000021176932],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009047198,0.000004889106,0.7984949,0.0000033691933,0.00008420418,0.00009578477,0.17567013,1.6960692e-7,0.000013101013,0.0028794864,0.0072946833,0.015450267],"study_design_scores_gemma":[0.00035673092,0.00007478444,0.89357835,0.00006713122,0.00004274907,0.00013464334,0.040479876,3.3407576e-7,0.0000037962145,0.002923626,0.06223688,0.00010111936],"about_ca_topic_score_codex":0.046630494,"about_ca_topic_score_gemma":0.641835,"teacher_disagreement_score":0.5952045,"about_ca_system_score_codex":0.00007978371,"about_ca_system_score_gemma":0.00015143976,"threshold_uncertainty_score":0.9994537},"labels":[],"label_agreement":null},{"id":"W2994025452","doi":"","title":"Integrity and Fragmentation: Can the Lutheran Center Hold?","year":2000,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Fragmentation (computing); Center (category theory); History; Computer science; Operating system; Chemistry","score_opus":0.03594993657158084,"score_gpt":0.21514518911941116,"score_spread":0.1791952525478303,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994025452","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96083355,0.00008824834,0.00002867562,0.003818283,0.0009481073,0.000054979624,0.00004688772,0.000005827697,0.03417547],"genre_scores_gemma":[0.9956691,0.00001799169,0.000008506165,0.0015018989,0.00045221468,0.000001412747,0.000002694409,0.0000058445758,0.0023403247],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99950016,0.000046565623,0.00020762734,0.000048392583,0.000078669735,0.000118570744],"domain_scores_gemma":[0.99956983,0.0000149095895,0.00006903785,0.00007552957,0.00010514476,0.00016551865],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013107304,0.000067187786,0.00007652553,0.00013058659,0.000506271,0.00024522442,0.00010442631,0.000021448193,0.014381347],"category_scores_gemma":[0.000008699096,0.000043595486,0.00006039399,0.000030989446,0.00019514842,0.00022866434,0.0000025120414,0.00032327487,0.000036530622],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064345404,0.000067680856,0.0045998893,0.000021301317,0.00026058842,0.00005221693,0.7497259,0.00010218086,0.00001527362,0.011472346,0.12235741,0.11126086],"study_design_scores_gemma":[0.0005288831,0.00013555474,0.008739064,0.00006589433,0.000031568095,0.00044113625,0.04928826,0.00016410922,0.000008786307,0.0011180383,0.9393421,0.000136648],"about_ca_topic_score_codex":0.057704236,"about_ca_topic_score_gemma":0.6995062,"teacher_disagreement_score":0.81698465,"about_ca_system_score_codex":0.00007640068,"about_ca_system_score_gemma":0.00013906242,"threshold_uncertainty_score":0.98651963},"labels":[],"label_agreement":null},{"id":"W2994112339","doi":"","title":"Say Something Theological: A Meditation on the Vocation of Lutheran Colleges and Universities to Serve the Common Good","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Catholicism and Religious Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Meditation; Theology; Religious studies; Philosophy; Sociology","score_opus":0.05370075128571266,"score_gpt":0.2398426843713377,"score_spread":0.18614193308562504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994112339","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9604977,0.0003120634,0.000021719918,0.018216042,0.00097073254,0.00010455605,0.000023099159,0.000004087392,0.019849999],"genre_scores_gemma":[0.9977429,0.000015641737,0.00000691406,0.001060835,0.0002618464,0.0000022156137,5.7000955e-7,0.000004353749,0.0009047152],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99951065,0.00010181972,0.00015604199,0.000044213717,0.00010103234,0.00008624681],"domain_scores_gemma":[0.99923736,0.0002356061,0.00011715115,0.00007313256,0.00025151062,0.00008526575],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040366012,0.000060125578,0.00010559659,0.00021630207,0.0004842129,0.000059551057,0.000119708566,0.00002011781,0.00006479731],"category_scores_gemma":[0.00006548989,0.000031283125,0.0000488666,0.00006869238,0.00029940007,0.00007096598,0.000012175197,0.00013948492,0.0000029981052],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034870358,0.000012257872,0.00014299488,0.0000051186184,0.0000981613,0.0000059479216,0.7403068,0.00016515181,0.000015959418,0.2214913,0.03718984,0.0005316019],"study_design_scores_gemma":[0.0002468029,0.0006053604,0.0015786063,0.00012233826,0.00007182425,0.000058493286,0.91286904,0.000026749698,0.00004298473,0.009390384,0.07490724,0.00008018219],"about_ca_topic_score_codex":0.03223332,"about_ca_topic_score_gemma":0.5770672,"teacher_disagreement_score":0.54483384,"about_ca_system_score_codex":0.000088635774,"about_ca_system_score_gemma":0.00014580766,"threshold_uncertainty_score":0.9742111},"labels":[],"label_agreement":null},{"id":"W2994208761","doi":"","title":"Between Suspicion and Trust","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Intelligence, Security, War Strategy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.03753937220143332,"score_gpt":0.2962512945538822,"score_spread":0.2587119223524489,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994208761","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94814515,0.00019304562,0.00030030863,0.0036917566,0.0011020314,0.00007273523,0.0000064856868,0.000009566344,0.046478935],"genre_scores_gemma":[0.99837863,0.000020902931,0.000073066156,0.00026753728,0.0008657911,3.104213e-7,4.9097673e-7,0.0000045319016,0.00038875904],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915755,0.00009115845,0.00024673247,0.000083891835,0.00014972773,0.00027092008],"domain_scores_gemma":[0.999075,0.000043942062,0.000112287205,0.000068307134,0.00019529102,0.0005051911],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043114615,0.000071955146,0.00012811794,0.00044002614,0.00048885023,0.0001145001,0.00018850772,0.000087768676,0.00045961168],"category_scores_gemma":[0.00015819137,0.00007406141,0.00007236373,0.00029737825,0.00021113394,0.00025319256,0.000003131296,0.00028262183,0.000014897614],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004785565,0.00009671572,0.13129164,0.00001735026,0.00025987273,0.0007171564,0.31314173,0.000081005564,0.00036978998,0.24744193,0.04471426,0.26182067],"study_design_scores_gemma":[0.00070907,0.0019430832,0.26306295,0.00031785268,0.0002109255,0.0005456144,0.16045359,0.000038868926,0.00052584684,0.07072855,0.50067216,0.00079146365],"about_ca_topic_score_codex":0.06957263,"about_ca_topic_score_gemma":0.5750302,"teacher_disagreement_score":0.5054576,"about_ca_system_score_codex":0.00025276054,"about_ca_system_score_gemma":0.000818058,"threshold_uncertainty_score":0.93662316},"labels":[],"label_agreement":null},{"id":"W2994219974","doi":"","title":"One Life, Many Callings: Vocation Across the Lifespan","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Migration, Aging, and Tourism Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Sociology; Psychology","score_opus":0.03510809031249206,"score_gpt":0.29211424262837643,"score_spread":0.25700615231588436,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994219974","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9767186,0.0003004619,0.0023367023,0.0125556905,0.0033346675,0.00010560902,0.000007624802,0.000013862261,0.0046267514],"genre_scores_gemma":[0.9936547,0.000052414944,0.00007809942,0.0009721596,0.0039431322,0.0000031820796,4.905925e-7,0.000007434494,0.0012883778],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990691,0.00011615357,0.0002592454,0.00008377071,0.00019288284,0.00027886222],"domain_scores_gemma":[0.9986909,0.0000684061,0.00019583257,0.00010799388,0.0006389819,0.0002978861],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00071701757,0.000066902314,0.000104152634,0.00015451518,0.002108503,0.00015549453,0.00026020344,0.000051753923,0.00034264085],"category_scores_gemma":[0.0005427765,0.00005618058,0.00007842732,0.00038297952,0.00055821205,0.00021520305,0.000008345665,0.00019484133,0.0000537956],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000071697114,0.000015892734,0.004737162,0.0000028341299,0.00010347628,0.0000044105823,0.92028034,0.000008732438,0.000021478667,0.0030365414,0.06937929,0.0024026688],"study_design_scores_gemma":[0.0003704889,0.0002952224,0.19252,0.0001260762,0.00010562486,0.000033565477,0.13023525,0.000064727166,0.00006505977,0.0023246103,0.67360747,0.00025188408],"about_ca_topic_score_codex":0.41534466,"about_ca_topic_score_gemma":0.98131883,"teacher_disagreement_score":0.7900451,"about_ca_system_score_codex":0.00019462392,"about_ca_system_score_gemma":0.0010630931,"threshold_uncertainty_score":0.9991906},"labels":[],"label_agreement":null},{"id":"W2994321934","doi":"","title":"The Vocation of Intersections on its Twentieth Birthday","year":2016,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Architecture and Art History Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art; Art history","score_opus":0.04346555611036076,"score_gpt":0.22130393846724655,"score_spread":0.1778383823568858,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994321934","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8225484,0.0011262519,0.0010612352,0.014348806,0.02521393,0.00026577068,0.00012374995,0.00003123432,0.13528061],"genre_scores_gemma":[0.98983127,0.000023177778,0.0000046870523,0.00018233653,0.0006692808,0.0000038651615,2.701324e-7,0.000009880067,0.009275234],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993193,0.000051609524,0.0003022092,0.00007042597,0.00010123448,0.0001551893],"domain_scores_gemma":[0.9991128,0.00014424787,0.00021758869,0.00011944388,0.0002949925,0.00011095278],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001578502,0.000085653985,0.000115020564,0.00040067753,0.0008771955,0.000033070155,0.00016280216,0.000018644965,0.00085894146],"category_scores_gemma":[0.00012034493,0.0000463483,0.00015202745,0.000055225984,0.00039347587,0.0001315038,0.000008313647,0.00014144089,0.00005009532],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016377834,0.00010523721,0.0009666671,0.000027008164,0.000881183,0.000029026134,0.3245798,0.00007055942,0.0015735403,0.14203744,0.44324508,0.0863207],"study_design_scores_gemma":[0.00019116745,0.0003917838,0.0006452294,0.00015876352,0.00003406759,0.00003383316,0.014592384,0.000002024969,0.0002505914,0.0009111046,0.9827095,0.00007955208],"about_ca_topic_score_codex":0.0022127929,"about_ca_topic_score_gemma":0.55660963,"teacher_disagreement_score":0.55439687,"about_ca_system_score_codex":0.00014679367,"about_ca_system_score_gemma":0.00018063835,"threshold_uncertainty_score":0.9404807},"labels":[],"label_agreement":null},{"id":"W2994366197","doi":"","title":"Risky Speech--Gifted Friendships","year":2016,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Language, Discourse, Communication Strategies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology","score_opus":0.054199348691043495,"score_gpt":0.2518319091737732,"score_spread":0.1976325604827297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994366197","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68199337,0.0004648163,0.00035104435,0.0067683556,0.004101192,0.000103502054,0.0001365798,0.000041039646,0.3060401],"genre_scores_gemma":[0.99275637,0.00001127078,0.0000860416,0.000320182,0.00078987906,0.0000028820987,0.0000016998919,0.000017564094,0.0060141166],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991205,0.0000862182,0.0003498307,0.00008604705,0.00012637892,0.0002310693],"domain_scores_gemma":[0.9987522,0.000092766335,0.00022612375,0.0002941974,0.0003505,0.00028426418],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021343034,0.00011050755,0.00014851162,0.0005351219,0.0003594798,0.00019791658,0.00039045932,0.000037518676,0.015847465],"category_scores_gemma":[0.000115222414,0.00007416053,0.00013982959,0.00007351371,0.0003967808,0.0004990623,0.000013897487,0.00021881194,0.00020870952],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005767304,0.00010948743,0.0020090032,0.000017824183,0.00053314917,0.00042584635,0.15824828,0.000010572285,0.00078770024,0.39607292,0.39603734,0.045690216],"study_design_scores_gemma":[0.0006545762,0.00019423413,0.0012733691,0.00025714826,0.000073707735,0.0004881271,0.10276426,0.000002985986,0.00024685636,0.010152853,0.88362837,0.00026354412],"about_ca_topic_score_codex":0.013717987,"about_ca_topic_score_gemma":0.65266144,"teacher_disagreement_score":0.63894343,"about_ca_system_score_codex":0.00017638193,"about_ca_system_score_gemma":0.0005143842,"threshold_uncertainty_score":0.99284977},"labels":[],"label_agreement":null},{"id":"W2994428314","doi":"","title":"The Dangers of \"Vocation\" for Students Thinking about Career","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Career Development and Diversity","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology; Pedagogy; Sociology; Mathematics education","score_opus":0.08445207632891172,"score_gpt":0.316689687379543,"score_spread":0.2322376110506313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994428314","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9746731,0.00028749206,0.00066481193,0.002442074,0.006056828,0.00019914529,0.000015389629,0.0000060829057,0.015655067],"genre_scores_gemma":[0.99872273,0.0000065025088,0.00013592513,0.000117650045,0.00022205798,0.0000016479811,8.316767e-7,0.0000030316455,0.00078960333],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999287,0.00004856842,0.00016521239,0.000043457396,0.00030695373,0.00014876909],"domain_scores_gemma":[0.9987012,0.000085499196,0.00014367637,0.000058500613,0.0007481632,0.0002629291],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010769347,0.00003832372,0.00007113647,0.00016596266,0.00065193453,0.00010155904,0.0003900886,0.000032968695,0.000033926586],"category_scores_gemma":[0.0003865558,0.000032089632,0.00008113802,0.00018400484,0.00015601609,0.00015357489,0.000012387774,0.00007920893,0.0000025715965],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050012335,0.000021789769,0.2321893,0.0000060565717,0.00024276141,0.000012157214,0.5305344,0.00007900048,0.000012158694,0.0079959445,0.22088838,0.007968065],"study_design_scores_gemma":[0.00076704816,0.000120243494,0.052031938,0.00008230776,0.00008409555,0.000011133373,0.43411213,0.0000050831836,0.00003811055,0.0033826656,0.5092291,0.00013611058],"about_ca_topic_score_codex":0.06552531,"about_ca_topic_score_gemma":0.77520895,"teacher_disagreement_score":0.7096836,"about_ca_system_score_codex":0.00043160332,"about_ca_system_score_gemma":0.0018119166,"threshold_uncertainty_score":0.94069743},"labels":[],"label_agreement":null},{"id":"W2994429599","doi":"","title":"Women Presidents in Higher Education: How They Experience Their Calling","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Workplace Spirituality and Leadership","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Media studies; History; Gender studies; Political science; Sociology","score_opus":0.1961603522920243,"score_gpt":0.32097478594702467,"score_spread":0.12481443365500036,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994429599","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9615567,0.00020097916,0.000015999205,0.01918979,0.0038469424,0.00007339654,0.00000160778,0.0000065555178,0.015108039],"genre_scores_gemma":[0.99289185,0.000003226524,0.000036612488,0.0007412674,0.00092548144,0.000009581499,2.70524e-7,0.0000062804447,0.005385435],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99899715,0.00023365354,0.00018358149,0.00008809962,0.00018469492,0.000312848],"domain_scores_gemma":[0.9988693,0.000050226485,0.000108935514,0.00009469801,0.00019416276,0.00068265304],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007600665,0.00006897808,0.00011144493,0.00035332085,0.00021898323,0.0001677691,0.0003028658,0.00007512876,0.00075179164],"category_scores_gemma":[0.00025379224,0.00006635588,0.00004876363,0.0003225512,0.00017408094,0.0004762711,0.0000056860804,0.00027837843,0.000011688949],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001691305,0.000039569033,0.026894191,0.0000039804904,0.000019909188,0.00002620471,0.9553043,0.00011612759,0.000010686875,0.0035207747,0.012313825,0.001733484],"study_design_scores_gemma":[0.00020303177,0.000054343716,0.010374142,0.00011575879,0.0000037648974,0.00002108106,0.7650722,0.0000017322267,0.0000083890345,0.0025789943,0.22145735,0.000109199034],"about_ca_topic_score_codex":0.113301486,"about_ca_topic_score_gemma":0.8057026,"teacher_disagreement_score":0.6924011,"about_ca_system_score_codex":0.0011001959,"about_ca_system_score_gemma":0.00346808,"threshold_uncertainty_score":0.8926031},"labels":[],"label_agreement":null},{"id":"W2994444989","doi":"","title":"Mars, Mammon--and Other Options","year":2004,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Space Science and Extraterrestrial Life","field":"Physics and Astronomy","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mars Exploration Program; Astrobiology; Environmental science; Physics","score_opus":0.021427255301757993,"score_gpt":0.23804935782687736,"score_spread":0.21662210252511938,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994444989","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98593444,0.000057717978,0.0024614567,0.0012876894,0.0013185584,0.00004677252,0.00002555808,0.0000033636716,0.008864424],"genre_scores_gemma":[0.99879885,6.3204294e-7,0.00028381622,0.00018267304,0.00053091353,0.0000012829751,5.3569255e-7,0.000005971379,0.0001953153],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99955416,0.000012688364,0.00015322643,0.000065464,0.00005652658,0.00015790926],"domain_scores_gemma":[0.9995032,0.000008728975,0.00007288793,0.00006920518,0.000042335807,0.00030366328],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010051721,0.00006086338,0.00008155841,0.0002258479,0.00015906365,0.00007832375,0.00009499086,0.000018628712,0.00081740523],"category_scores_gemma":[0.0000062685926,0.000054252,0.000072217,0.00015350213,0.00008445659,0.00016450197,0.0000045274555,0.00013740246,0.00003181216],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009936131,0.00029152687,0.45366043,0.000015221986,0.0009082301,0.00023157988,0.029043058,0.013286495,0.0062547144,0.39448437,0.060125697,0.04159932],"study_design_scores_gemma":[0.0074900654,0.0015001707,0.075284734,0.00080509734,0.00041788252,0.0015987449,0.09009737,0.00014451366,0.003897788,0.15027519,0.6668865,0.0016019472],"about_ca_topic_score_codex":0.05969098,"about_ca_topic_score_gemma":0.072867684,"teacher_disagreement_score":0.6067608,"about_ca_system_score_codex":0.00005204483,"about_ca_system_score_gemma":0.00046666383,"threshold_uncertainty_score":0.94657063},"labels":[],"label_agreement":null},{"id":"W2994538836","doi":"","title":"Sharing Leadership within Colleges and Universities","year":2015,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Higher Education Governance and Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Management; Political science; Pedagogy; Sociology; Economics","score_opus":0.10829670544140754,"score_gpt":0.2894650546817981,"score_spread":0.18116834924039057,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994538836","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9664756,0.0002651214,0.000056225355,0.0058287093,0.0023167564,0.000033338976,0.0000023510704,0.00000535314,0.025016546],"genre_scores_gemma":[0.99036825,0.000005502481,0.0002006637,0.00037942748,0.00021628202,4.3064924e-7,1.6743175e-7,0.0000029122623,0.008826375],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9995533,0.000033143773,0.000113516464,0.000050287847,0.00012197671,0.0001277326],"domain_scores_gemma":[0.99922913,0.000019333866,0.000086311,0.000034684897,0.00019191256,0.00043863864],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003524353,0.000037016216,0.000060594004,0.00022553498,0.00027696497,0.00007511312,0.00010559031,0.000030062864,0.00019526985],"category_scores_gemma":[0.00006501719,0.00003874187,0.000020509606,0.00018993077,0.00014680429,0.00026975665,0.0000045731513,0.00009795056,0.000008512734],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012696328,0.000010658317,0.04892572,0.00000487021,0.000056674176,0.00006552387,0.8317199,0.000084014115,0.0000051978163,0.029030466,0.08942805,0.00065628],"study_design_scores_gemma":[0.00017793989,0.00003800906,0.0076099294,0.000059000562,0.00001026302,0.00004622639,0.80598,0.0000027629765,0.000011309417,0.0007868752,0.18520766,0.00006998862],"about_ca_topic_score_codex":0.08377247,"about_ca_topic_score_gemma":0.64110196,"teacher_disagreement_score":0.5573295,"about_ca_system_score_codex":0.0006191711,"about_ca_system_score_gemma":0.0042806873,"threshold_uncertainty_score":0.92232877},"labels":[],"label_agreement":null},{"id":"W2994559141","doi":"","title":"A College Degree or a College Experience? Reflecting on Selingo's College (Un)Bound","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Higher Education Governance and Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Degree (music); Mathematics education; Psychology; Physics","score_opus":0.08628242658074815,"score_gpt":0.34779905371895065,"score_spread":0.2615166271382025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994559141","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9063935,0.000041488234,0.00022361861,0.004703179,0.005915088,0.00022621758,0.000060831415,0.00002274474,0.08241333],"genre_scores_gemma":[0.9854459,0.000009730352,0.0009033048,0.0015810127,0.0009872953,0.00002042357,6.347187e-7,0.00001770147,0.011033963],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99819,0.00023094476,0.00048904424,0.00019727064,0.00042472268,0.00046802431],"domain_scores_gemma":[0.99805564,0.00024075794,0.00033837446,0.00016356328,0.00044500598,0.00075668993],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00086489524,0.0001493684,0.00023525802,0.0005719726,0.0016844941,0.00009955137,0.0003705394,0.00011327073,0.0024856627],"category_scores_gemma":[0.0009493275,0.00013723863,0.00011910749,0.0011788586,0.00020306736,0.00029631364,0.000009914531,0.00032922387,0.000066706445],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029842282,0.0002685119,0.0069371946,0.000020661135,0.00027891062,0.0005564286,0.505892,0.00010611562,0.0001784315,0.08427456,0.38932538,0.011863413],"study_design_scores_gemma":[0.00060490234,0.0003151591,0.0042664045,0.00019430989,0.000021223752,0.00021353543,0.13430266,0.000017060995,0.000112236885,0.00085599866,0.8588458,0.00025073625],"about_ca_topic_score_codex":0.039721556,"about_ca_topic_score_gemma":0.7553664,"teacher_disagreement_score":0.71564484,"about_ca_system_score_codex":0.0013426607,"about_ca_system_score_gemma":0.005403172,"threshold_uncertainty_score":0.9996152},"labels":[],"label_agreement":null},{"id":"W2995049426","doi":"","title":"In a Diverse Society, Why Should Lutheran College/Universities Claim their Theological Roots?","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Catholicism and Religious Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Theology; Sociology; Religious studies; Philosophy","score_opus":0.03605749659305146,"score_gpt":0.22137299799617852,"score_spread":0.18531550140312705,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2995049426","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9300717,0.00047773038,0.000010777077,0.0025482648,0.0029792208,0.00011083079,0.00009888934,0.000010057107,0.063692525],"genre_scores_gemma":[0.98850304,0.000057027075,0.000008276462,0.0021590246,0.0004892769,0.00000156059,0.0000010474573,0.000010796756,0.008769945],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99924386,0.00004574127,0.00023612799,0.000108843175,0.00010071224,0.00026469099],"domain_scores_gemma":[0.999436,0.00006391352,0.00010258317,0.00010623057,0.00015301246,0.00013824868],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015199855,0.00013432355,0.00024467698,0.00039607365,0.00043564316,0.00007427055,0.00020930573,0.00006675303,0.0052200854],"category_scores_gemma":[0.0000063240523,0.000099845216,0.0002998399,0.0000917727,0.0003785292,0.00023191991,0.000029074048,0.00035398168,0.00005565098],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006304671,0.000059004084,0.0015275828,0.00002163823,0.00029668058,0.00026715567,0.52396905,0.00019076742,0.000056369478,0.06060779,0.412719,0.00022190907],"study_design_scores_gemma":[0.0006217043,0.00024000241,0.00067561487,0.00008717095,0.00003462614,0.00018508415,0.55301535,0.000046235025,0.0000064764154,0.0023918438,0.4425317,0.00016417495],"about_ca_topic_score_codex":0.051909573,"about_ca_topic_score_gemma":0.7450265,"teacher_disagreement_score":0.69311696,"about_ca_system_score_codex":0.0002996283,"about_ca_system_score_gemma":0.00031228692,"threshold_uncertainty_score":0.9956893},"labels":[],"label_agreement":null},{"id":"W2995342795","doi":"","title":"Deep Roots, Big Questions, Bold Goals","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Education Studies and Reforms","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology; History; Cognitive science","score_opus":0.024087997089300345,"score_gpt":0.27276222204016665,"score_spread":0.2486742249508663,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2995342795","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79517937,0.0007609586,0.00030561833,0.007975107,0.02807202,0.00019573602,0.000010002856,0.000019117144,0.16748208],"genre_scores_gemma":[0.98958826,0.000077815355,0.00006444009,0.0004400518,0.00097402936,0.0000018396121,6.0199926e-7,0.00000659378,0.00884637],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921185,0.000059276328,0.00023056481,0.00007907418,0.00017050152,0.00024873068],"domain_scores_gemma":[0.9989859,0.000036571077,0.00014991018,0.0000969188,0.00032088143,0.0004098601],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003670124,0.00006588051,0.00012618465,0.00040589515,0.0005491507,0.00009205496,0.00019916623,0.000058821643,0.0025214283],"category_scores_gemma":[0.00013555565,0.000054299675,0.00012435246,0.00036215142,0.00014269397,0.00020903764,0.000008121881,0.00018701653,0.00030197384],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032861557,0.00020564192,0.22139466,0.00003159222,0.00074574235,0.000115020695,0.21240966,0.0008983848,0.00012665549,0.07396322,0.36789098,0.12218557],"study_design_scores_gemma":[0.00015411357,0.000064207416,0.018279245,0.00005457105,0.000021908341,0.000029193789,0.12261574,0.0000045022116,0.0000033051972,0.0004315203,0.85824716,0.00009451137],"about_ca_topic_score_codex":0.13658127,"about_ca_topic_score_gemma":0.7312783,"teacher_disagreement_score":0.594697,"about_ca_system_score_codex":0.00045410127,"about_ca_system_score_gemma":0.0014040952,"threshold_uncertainty_score":0.9983904},"labels":[],"label_agreement":null},{"id":"W3003172536","doi":"10.7202/1066617ar","title":"Le geste sonore comme objet d’analyse pour observer les pratiques musicales distinctives d’improvisateurs jazz","year":2020,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Jazz; Art history","score_opus":0.10976296498321825,"score_gpt":0.28354373824800816,"score_spread":0.1737807732647899,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3003172536","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9389999,0.00025635483,0.002465679,0.05087166,0.004665876,0.00023604713,0.00019174354,0.000033827386,0.0022789275],"genre_scores_gemma":[0.98747075,0.000088389694,0.00026922344,0.009254559,0.0012993435,0.000006793258,0.0000037725206,0.00005022942,0.001556939],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.99686944,0.00058154546,0.00086314586,0.0005824891,0.00036934664,0.0007340329],"domain_scores_gemma":[0.9969442,0.00021925311,0.0006270898,0.00030908888,0.00034344956,0.0015569411],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033474676,0.00038489816,0.0005000762,0.0005394868,0.0009462123,0.00052767113,0.00081608,0.00020293912,0.0010839942],"category_scores_gemma":[0.0014639323,0.00039752788,0.00048253877,0.0010060284,0.0012193318,0.0015927443,0.000079531186,0.0012404979,0.00010869112],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028573524,0.0008245996,0.01743692,0.00034214958,0.00026580392,0.0048952266,0.11634026,0.0024228012,0.6179731,0.008965719,0.19178784,0.038459886],"study_design_scores_gemma":[0.004208174,0.0063338666,0.2754428,0.0018697873,0.0012636097,0.008347319,0.1606482,0.010607325,0.024167858,0.00233018,0.50183666,0.0029442012],"about_ca_topic_score_codex":0.033877533,"about_ca_topic_score_gemma":0.3528644,"teacher_disagreement_score":0.5938052,"about_ca_system_score_codex":0.00036019052,"about_ca_system_score_gemma":0.003874183,"threshold_uncertainty_score":0.99984765},"labels":[],"label_agreement":null},{"id":"W3003376356","doi":"10.7202/1066624ar","title":"William Cheng. 2016. Just Vibrations: The Purpose of Sounding Good. Ann Arbor: University of Michigan Press. 160 pp. 17 images. ISBN 978-0-472-07325-2 (hardcover), ISBN 978–0–472–05325–4 (paperback), ISBN 978-0-472-90056-5 (open access)","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Depth sounding; Art history; Media studies; History; Art; Sociology; Cartography; Geography","score_opus":0.06539131880916016,"score_gpt":0.277704436864711,"score_spread":0.21231311805555086,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3003376356","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47165972,0.01303106,0.0008725838,0.014527102,0.014848366,0.0030479608,0.0039760335,0.00013025582,0.47790694],"genre_scores_gemma":[0.9775425,0.000719237,0.00009267439,0.00066066714,0.0014584159,0.0000065585423,0.000027159225,0.00005390415,0.019438839],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975487,0.00029310022,0.00084917893,0.00038621356,0.0003425498,0.00058024004],"domain_scores_gemma":[0.9961882,0.0001752575,0.0014546515,0.0009033325,0.00076522026,0.00051332364],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00084146974,0.0004161097,0.0006721331,0.000340434,0.002947698,0.0016716716,0.002903599,0.00016418488,0.005538574],"category_scores_gemma":[0.00025074166,0.0003479174,0.00054329797,0.00013747733,0.0013274993,0.0038999494,0.00037787412,0.0008299425,0.000059653295],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005129976,0.00048525917,0.001544379,0.00021275876,0.0018626824,0.00019272979,0.100362696,0.00031684176,0.0032785865,0.038635086,0.849974,0.0026219857],"study_design_scores_gemma":[0.0012849136,0.00041951824,0.0015581083,0.0007023011,0.00051068247,0.00010885984,0.04210985,0.000056098048,0.0011064959,0.0014998537,0.9501337,0.0005096239],"about_ca_topic_score_codex":0.049379293,"about_ca_topic_score_gemma":0.52427214,"teacher_disagreement_score":0.50588286,"about_ca_system_score_codex":0.00022821034,"about_ca_system_score_gemma":0.0011483671,"threshold_uncertainty_score":0.9998973},"labels":[],"label_agreement":null},{"id":"W3003518998","doi":"10.7202/1066616ar","title":"Predictors of Piano Student Dropouts","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Piano; Attrition; Likert scale; Psychology; Musical; Mathematics education; Scale (ratio); Music education; Developmental psychology; Pedagogy; Visual arts; Medicine; Art; Geography","score_opus":0.05360638831801103,"score_gpt":0.23000244478309567,"score_spread":0.17639605646508463,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3003518998","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9093968,0.00007031803,0.00003963364,0.0024965373,0.00867123,0.00008308153,0.000048131657,0.000010454552,0.07918381],"genre_scores_gemma":[0.9963035,0.0000017803468,0.000018372179,0.0009451698,0.0016060885,0.0000012797389,0.000001547033,0.000010993626,0.0011112669],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992226,0.00003330991,0.00037213176,0.00007733383,0.00016239214,0.00013222994],"domain_scores_gemma":[0.99886954,0.000024932528,0.00023669905,0.00008690843,0.0003658745,0.00041607328],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007172479,0.00008246545,0.00015627538,0.0003439161,0.0001552628,0.0000860836,0.0002257386,0.000022887662,0.0126478635],"category_scores_gemma":[0.00005573158,0.000075078264,0.00012838548,0.000084171916,0.00021626295,0.00022013178,0.000009887761,0.0001696575,0.0000699799],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014972422,0.000065580054,0.0072735613,0.000021849892,0.00034428967,0.000059891896,0.658387,0.00007177437,0.000078493904,0.034655705,0.29860446,0.00042240918],"study_design_scores_gemma":[0.00034679344,0.00038363907,0.0027492407,0.00007783339,0.00009486685,0.000032158663,0.1369171,0.000008530279,0.00007797045,0.0001311022,0.8590647,0.00011605843],"about_ca_topic_score_codex":0.00856216,"about_ca_topic_score_gemma":0.14057313,"teacher_disagreement_score":0.56046027,"about_ca_system_score_codex":0.0001117269,"about_ca_system_score_gemma":0.00062391534,"threshold_uncertainty_score":0.9980399},"labels":[],"label_agreement":null},{"id":"W3003553070","doi":"10.7202/1066618ar","title":"Les enjeux de la cartographie sonore par rapport à la frontière de la neutralité","year":2020,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Geographic Information Systems Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.044245696157093374,"score_gpt":0.27969054834159085,"score_spread":0.23544485218449748,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3003553070","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8092549,0.0054091415,0.0012800159,0.039717317,0.0039095813,0.00024624786,0.00010976078,0.000044241227,0.1400288],"genre_scores_gemma":[0.9966968,0.00036073956,0.00031938608,0.00095155666,0.0011041124,0.0000091656775,0.0000015146991,0.000020710351,0.00053599884],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971926,0.00115299,0.0006691119,0.00014205517,0.00025244168,0.00059079315],"domain_scores_gemma":[0.9975548,0.00036675486,0.00044565974,0.00011525415,0.00039793903,0.0011196038],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019439122,0.00021241106,0.00034922964,0.00062806916,0.0009820526,0.0002887771,0.0003897429,0.00034796717,0.00074101775],"category_scores_gemma":[0.0003797732,0.00023070355,0.0004920819,0.0010850852,0.0018665874,0.0004461221,0.000021122947,0.00088233664,0.000024011764],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019706535,0.00003948932,0.23335156,0.00012707841,0.00076164916,0.00053176016,0.4601077,0.00058912596,0.000026018952,0.026225964,0.26940244,0.0088175],"study_design_scores_gemma":[0.00037603546,0.000116367366,0.05462145,0.00025796238,0.00017144314,0.00082729914,0.20512728,0.000040781313,0.000007337812,0.0011674241,0.7370662,0.00022037585],"about_ca_topic_score_codex":0.26885197,"about_ca_topic_score_gemma":0.38976964,"teacher_disagreement_score":0.4676638,"about_ca_system_score_codex":0.000348669,"about_ca_system_score_gemma":0.0027850517,"threshold_uncertainty_score":0.9407818},"labels":[],"label_agreement":null},{"id":"W3003888460","doi":"10.7202/1066619ar","title":"Developing Variation in Gilles Tremblay’s Croissant: Transformation and Identity","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Variation (astronomy); Transformational leadership; Sonority hierarchy; Identity (music); Style (visual arts); Focus (optics); String (physics); Sociology; Transformation (genetics); Linguistics; Literature; Art; Philosophy; Aesthetics; Psychology; Mathematics","score_opus":0.05920239416683561,"score_gpt":0.23989608311010882,"score_spread":0.1806936889432732,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3003888460","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97692055,0.00007835097,0.004049068,0.011592762,0.00062477397,0.000057082056,0.000009396963,0.00000602977,0.0066619855],"genre_scores_gemma":[0.9979066,0.000008294249,0.00005349791,0.0016809346,0.00030818625,0.0000013890835,0.0000015492955,0.0000040985874,0.000035406774],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994202,0.00004289441,0.00029743277,0.00006783473,0.00006156736,0.00011004099],"domain_scores_gemma":[0.99958813,0.00002471255,0.00009695406,0.000028133041,0.00010940883,0.00015265195],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013507942,0.00006286479,0.00013419084,0.00035186886,0.0002222759,0.000085961605,0.00007317982,0.000034600263,0.001376326],"category_scores_gemma":[0.000063034895,0.00005812987,0.00006118018,0.00011468148,0.00009165831,0.00069495145,0.0000040219015,0.00016876399,0.000008232924],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046403613,0.000024359437,0.0013870951,0.000055999477,0.00018613563,0.000077795754,0.4867909,0.00024069648,0.0003429123,0.50230265,0.0023200575,0.00622499],"study_design_scores_gemma":[0.0045825792,0.0011468999,0.1855421,0.00066398433,0.00079835707,0.0004597995,0.17619208,0.0066836397,0.00028086884,0.043615054,0.5786859,0.0013487395],"about_ca_topic_score_codex":0.017240008,"about_ca_topic_score_gemma":0.8177193,"teacher_disagreement_score":0.8004793,"about_ca_system_score_codex":0.00008696222,"about_ca_system_score_gemma":0.00017538924,"threshold_uncertainty_score":0.9995366},"labels":[],"label_agreement":null},{"id":"W3004038399","doi":"10.7202/1066621ar","title":"Ruth Crawford’s String Quartet, Mvt. 3: An Analysis of Dynamic Counterpoint, Contour Similarity, and Musical Form","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Counterpoint; Similarity (geometry); Movement (music); String (physics); Dynamics (music); Sequence (biology); Musical; Texture (cosmology); Art; Mathematics; Literature; Computer science; Physics; Artificial intelligence; Aesthetics; Image (mathematics)","score_opus":0.021290626876579875,"score_gpt":0.2420390861159565,"score_spread":0.22074845923937664,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3004038399","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85531384,0.00012399202,0.14052033,0.003069111,0.0006167232,0.000060652088,0.000031054908,0.00002545308,0.00023885824],"genre_scores_gemma":[0.9977197,0.000009045078,0.001315864,0.00087703305,0.00005655506,0.0000014109793,0.0000013552118,0.0000059064255,0.000013152773],"study_design_codex":"qualitative","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9988746,0.000051155977,0.00045793105,0.00021861159,0.00015006629,0.00024764962],"domain_scores_gemma":[0.9988086,0.000071183065,0.00025223778,0.00024300213,0.00022386962,0.00040109133],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024925097,0.00013474184,0.0004165649,0.000890164,0.00023622392,0.00009238579,0.000548858,0.0000934301,0.000061962],"category_scores_gemma":[0.00012020425,0.00012812638,0.00019305164,0.0008774415,0.00020817402,0.00046206382,0.00006608077,0.00037405491,9.864409e-7],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003054889,0.0005831172,0.14448158,0.00025956647,0.01822644,0.0024612227,0.47757518,0.0027570066,0.0027065002,0.16375418,0.02319818,0.16369154],"study_design_scores_gemma":[0.0030808623,0.0048641027,0.3253456,0.00026030446,0.0026968105,0.0012585582,0.054864626,0.58073574,0.0001242135,0.012518737,0.0129475575,0.0013028707],"about_ca_topic_score_codex":0.005813096,"about_ca_topic_score_gemma":0.38972625,"teacher_disagreement_score":0.57797873,"about_ca_system_score_codex":0.00012756493,"about_ca_system_score_gemma":0.00028504734,"threshold_uncertainty_score":0.8787702},"labels":[],"label_agreement":null},{"id":"W3004055425","doi":"10.7202/1066620ar","title":"A Synthesis of Animation and Jazz in Begone Dull Care","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Jazz; Animation; Narrative; Visual arts; Art; Movement (music); Aesthetics; Literature","score_opus":0.03171491713449184,"score_gpt":0.19451951151991018,"score_spread":0.16280459438541833,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3004055425","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9897697,0.002626216,0.00013044698,0.002450504,0.00032879243,0.000046381138,0.000056348304,0.0000014279284,0.004590211],"genre_scores_gemma":[0.99958706,0.00007253606,0.000106682295,0.00013316076,0.00007818437,0.000002023017,4.193043e-7,0.000004665443,0.000015293765],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9994978,0.000005842474,0.00033333065,0.00006625452,0.000013479041,0.00008330121],"domain_scores_gemma":[0.9995845,0.000026004209,0.00017340282,0.000037864374,0.000045689507,0.00013254404],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0000765366,0.000045459652,0.00020247264,0.00039246265,0.00003144748,0.000009889282,0.000049386203,0.000025855928,0.00017718658],"category_scores_gemma":[0.00031085845,0.000051660856,0.00004905483,0.00017965963,0.00003565939,0.000083746956,0.0000058373253,0.00008870865,0.0000054113953],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008741719,0.00005276061,0.7490353,0.0003434884,0.00026534716,0.00015222159,0.2020367,0.00031272866,0.00041363807,0.009624525,0.014530171,0.023145692],"study_design_scores_gemma":[0.002528932,0.0011969121,0.74785906,0.00067463994,0.000105759354,0.00025706156,0.161415,0.0008917419,0.0011152939,0.0026573974,0.08068873,0.0006094476],"about_ca_topic_score_codex":0.009684266,"about_ca_topic_score_gemma":0.14671949,"teacher_disagreement_score":0.13703522,"about_ca_system_score_codex":0.00007961453,"about_ca_system_score_gemma":0.000060271457,"threshold_uncertainty_score":0.99691033},"labels":[],"label_agreement":null},{"id":"W3004304423","doi":"10.7202/1066615ar","title":"Eccentric/Exzentrisch: On Gould, Gulda, and Becoming a Cultural Icon","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Studies and Postmodernism","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Icon; Musical; Kabuki; Eccentric; Art; Cultural history; Ambivalence; Visual arts; Literature; Performance art; Art history; Sociology; Psychology; Anthropology; Engineering; Computer science","score_opus":0.08882991283233861,"score_gpt":0.2979438515956109,"score_spread":0.20911393876327228,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3004304423","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9536675,0.0004230826,0.000027089412,0.033090238,0.0013372314,0.00009844263,0.000014490826,0.000009480721,0.011332427],"genre_scores_gemma":[0.99631613,0.00009846366,0.000026453987,0.0023164963,0.0008952213,8.852629e-7,6.116276e-7,0.000005213468,0.00034053242],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992508,0.00007055696,0.00019633249,0.000097956574,0.00013969363,0.0002446315],"domain_scores_gemma":[0.9990314,0.000047284248,0.000113400805,0.000034731773,0.0001339927,0.00063915993],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012582273,0.000082780905,0.00013844579,0.00008762528,0.0008132739,0.00014189565,0.00013177346,0.000051679464,0.000536213],"category_scores_gemma":[0.00024097528,0.00006761359,0.00010174752,0.0001949942,0.00013493298,0.00018543296,0.000012284115,0.00026280308,0.000022484339],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000120018165,0.000039971714,0.02086214,0.000020692953,0.00036614022,0.00041275017,0.62131214,0.0001928089,0.00038622905,0.009503256,0.30493817,0.041845657],"study_design_scores_gemma":[0.0006602018,0.00039115376,0.0076598385,0.00009203674,0.000065747205,0.000099656674,0.14205498,0.00008086853,0.000034140343,0.00023071795,0.8484041,0.0002265823],"about_ca_topic_score_codex":0.0702528,"about_ca_topic_score_gemma":0.43413705,"teacher_disagreement_score":0.5434659,"about_ca_system_score_codex":0.00019731431,"about_ca_system_score_gemma":0.00019815686,"threshold_uncertainty_score":0.9359385},"labels":[],"label_agreement":null},{"id":"W3014609539","doi":"","title":"Business as Usual? Marketing, God, and the Limits of Christian Callings","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religion, Society, and Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology; Religious studies; Philosophy","score_opus":0.02938901958940621,"score_gpt":0.2620827131846221,"score_spread":0.2326936935952159,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3014609539","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9697718,0.0020426358,0.00020354422,0.02183494,0.0009651519,0.00009985833,0.00000365509,0.0000056239383,0.005072789],"genre_scores_gemma":[0.99667394,0.0011549499,0.00012317627,0.0015531443,0.0004180531,0.0000014182001,3.180838e-7,0.0000066693083,0.00006835323],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99906766,0.0001763378,0.00029893103,0.00008354179,0.0001967687,0.0001767276],"domain_scores_gemma":[0.9987462,0.00017347898,0.00021618708,0.00005266132,0.0003988674,0.00041261],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00090530736,0.00007042334,0.0001620679,0.00009476886,0.00045791123,0.00007682128,0.0002029174,0.000058572063,0.00024173934],"category_scores_gemma":[0.0011910268,0.000054177184,0.00009809616,0.00043987425,0.00051834696,0.00009777098,0.000009507982,0.00018761404,0.0000052397745],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000109422755,0.00001155073,0.0038947018,0.000029751536,0.00014537698,0.000041020703,0.81539017,0.000043197102,0.00004099655,0.0016762275,0.17731743,0.0013001389],"study_design_scores_gemma":[0.0017192786,0.000145185,0.068419546,0.00034694822,0.00013185515,0.0001578498,0.6526141,0.000060300103,0.000055007204,0.0019729617,0.27408573,0.0002912021],"about_ca_topic_score_codex":0.35393447,"about_ca_topic_score_gemma":0.27327782,"teacher_disagreement_score":0.16277605,"about_ca_system_score_codex":0.000114072944,"about_ca_system_score_gemma":0.0014601786,"threshold_uncertainty_score":0.73998296},"labels":[],"label_agreement":null},{"id":"W3014750312","doi":"","title":"The Responsible Professional: Vocation and Economic Life","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Labor Movements and Unions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology","score_opus":0.0302110833913057,"score_gpt":0.2788389703829096,"score_spread":0.2486278869916039,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3014750312","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87805295,0.00025430854,0.000058158726,0.11353508,0.0025068878,0.000091991955,0.000009902177,0.0000057895727,0.005484943],"genre_scores_gemma":[0.9962746,0.00004456234,0.000024515068,0.002419889,0.000481259,0.0000015106526,2.7448615e-7,0.000003850274,0.0007495447],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99950695,0.00010491501,0.00015344744,0.00004840399,0.00006562746,0.00012067355],"domain_scores_gemma":[0.9992384,0.00008771466,0.00009314663,0.00004143857,0.00008367482,0.00045567006],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034612702,0.00003353615,0.00004992397,0.00007976957,0.00095759187,0.00010037061,0.00012382661,0.000026396268,0.00027867415],"category_scores_gemma":[0.00033625946,0.000024895688,0.00003117483,0.000114077564,0.0001366993,0.00015891892,0.0000066960924,0.00012656795,0.00000497836],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007323764,0.000016337419,0.012221514,0.0000032588212,0.00015446002,0.000018886067,0.106271155,0.00012231477,0.00020752278,0.52063626,0.34337303,0.016902002],"study_design_scores_gemma":[0.00014164577,0.000061105355,0.0350947,0.000015995904,0.000012353708,0.000004475449,0.036140807,0.000036821028,0.000009513148,0.0010365517,0.9273986,0.000047434016],"about_ca_topic_score_codex":0.051393293,"about_ca_topic_score_gemma":0.8022122,"teacher_disagreement_score":0.75081885,"about_ca_system_score_codex":0.00012780749,"about_ca_system_score_gemma":0.0027213222,"threshold_uncertainty_score":0.95492357},"labels":[],"label_agreement":null},{"id":"W3015553332","doi":"","title":"Responding to Student Hunger at NECU Institutions","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Dietetics, Nutrition, and Education","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology","score_opus":0.16191042529591626,"score_gpt":0.4185572574009874,"score_spread":0.25664683210507117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015553332","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9484183,0.00014785194,0.00093054736,0.027796729,0.010600757,0.00022950077,0.00003866695,0.000019336396,0.011818317],"genre_scores_gemma":[0.9881647,0.000013738108,0.00026336225,0.007813775,0.0020787478,0.000016063877,0.00000581864,0.00001641163,0.0016273882],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986506,0.00016179877,0.0005466097,0.00013369192,0.00015477338,0.0003525047],"domain_scores_gemma":[0.99793965,0.000099539255,0.00018312583,0.00013351844,0.00041974272,0.0012244232],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030194476,0.00009941202,0.00017205255,0.001064887,0.001149806,0.0000272662,0.00021049181,0.00008319045,0.0023306443],"category_scores_gemma":[0.00050120684,0.00010235468,0.00010426234,0.0008330713,0.000052194122,0.00018409714,0.000027971893,0.0004819901,0.0006600807],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010925746,0.00005119002,0.046718147,0.00008808597,0.000112910784,0.000063336316,0.25099775,0.0003410464,0.0010711121,0.0029027043,0.696572,0.00097247364],"study_design_scores_gemma":[0.0005602134,0.0003184262,0.038918402,0.0005160113,0.000059698865,0.000043787553,0.12646273,0.000008969841,0.000043851218,0.00008925468,0.8328234,0.00015528862],"about_ca_topic_score_codex":0.003704615,"about_ca_topic_score_gemma":0.1700336,"teacher_disagreement_score":0.16632898,"about_ca_system_score_codex":0.001268962,"about_ca_system_score_gemma":0.0020622844,"threshold_uncertainty_score":0.99858135},"labels":[],"label_agreement":null},{"id":"W3015726148","doi":"","title":"Guest Editorial: Moral Deliberation in NECU Classrooms","year":2020,"lang":"en","type":"editorial","venue":"Intersections Canadian Journal of Music","topic":"Education and Critical Thinking Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Deliberation; Sociology; Mathematics education; Political science; Psychology; Law","score_opus":0.02913862405626304,"score_gpt":0.29985103205438296,"score_spread":0.2707124079981199,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015726148","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00035176918,0.000083213105,0.000041224754,0.0062476937,0.9864005,0.00011567603,0.000026969552,0.000014383228,0.0067185834],"genre_scores_gemma":[0.018808141,0.000039922958,0.00015112202,0.00039007893,0.979598,0.000008229931,0.000036045014,0.000024574534,0.0009439104],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977158,0.0002870369,0.00065515377,0.00019042187,0.00077779574,0.0003738104],"domain_scores_gemma":[0.9975607,0.0003208328,0.0002586371,0.00010353254,0.0009521157,0.000804227],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00094314985,0.00016541747,0.00030767315,0.00068580953,0.00038512345,0.0003185351,0.00042740113,0.00061866385,0.00066435116],"category_scores_gemma":[0.004162217,0.00018361725,0.00015260548,0.00056014745,0.00019220961,0.00028172752,0.000011702962,0.0016587785,0.00006839897],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007948551,0.000017478354,0.00010191197,0.0000081897015,0.000025546726,0.0000407237,0.021416875,0.000004834213,8.301717e-7,0.0007046305,0.9772493,0.0004217216],"study_design_scores_gemma":[0.00020805188,0.000069491536,0.00006101596,0.00021237745,0.000027571934,0.0000028653124,0.009144302,9.284474e-7,8.586727e-7,0.0015416362,0.98856133,0.00016958237],"about_ca_topic_score_codex":0.07333273,"about_ca_topic_score_gemma":0.8008683,"teacher_disagreement_score":0.72753555,"about_ca_system_score_codex":0.0019620073,"about_ca_system_score_gemma":0.014755657,"threshold_uncertainty_score":0.99082977},"labels":[],"label_agreement":null},{"id":"W3015993470","doi":"","title":"ELCA Social Teaching for the Classroom","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Educational Practices and Policies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mathematics education; Social studies; Computer science; Psychology","score_opus":0.09457131912854332,"score_gpt":0.3568812323239625,"score_spread":0.2623099131954192,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015993470","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21255627,0.00033930966,0.0025622763,0.7320215,0.004417783,0.00021253615,0.000034037424,0.000011743629,0.04784455],"genre_scores_gemma":[0.9895682,0.000008622341,0.00012203462,0.005171604,0.004651987,0.0000030326405,4.2742897e-7,0.0000053488857,0.00046875086],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99945194,0.00009998521,0.00014664533,0.000042016032,0.00010258683,0.00015681566],"domain_scores_gemma":[0.9990457,0.00040985952,0.00013816099,0.000028759032,0.00014456957,0.0002328915],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00048242038,0.00003937873,0.00006198714,0.00007136716,0.0017397162,0.00013202787,0.00021829843,0.00003342239,0.00037947515],"category_scores_gemma":[0.000883926,0.000031429747,0.000115050476,0.00011984421,0.00012634235,0.00021658996,0.000003583641,0.0003138947,0.000009621303],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014884845,0.00000988156,0.0009033367,0.0000047291187,0.00009475466,0.0000024486887,0.28427643,0.000070266935,0.000029823199,0.06633923,0.6363672,0.011887008],"study_design_scores_gemma":[0.00006464182,0.000040508978,0.0010065973,0.0000061313826,0.000031159518,0.0000070087217,0.12758513,0.000025403535,0.0000012751219,0.0012473483,0.869949,0.000035778034],"about_ca_topic_score_codex":0.0669282,"about_ca_topic_score_gemma":0.45319596,"teacher_disagreement_score":0.77701193,"about_ca_system_score_codex":0.00012969885,"about_ca_system_score_gemma":0.001521331,"threshold_uncertainty_score":0.9995599},"labels":[],"label_agreement":null},{"id":"W3016105587","doi":"","title":"Gen Z is Made for Lutheran Higher Education","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Generational Differences and Trends","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art","score_opus":0.08750728756026037,"score_gpt":0.30582914547374124,"score_spread":0.21832185791348085,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3016105587","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7250142,0.0007518965,0.0015789417,0.21101296,0.009934109,0.00026875053,0.000114293965,0.000017854867,0.051306996],"genre_scores_gemma":[0.98883784,0.0000047933295,0.00027833553,0.004587855,0.0018175149,0.000004989146,0.000002824271,0.000005653542,0.004460181],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995271,0.000031909713,0.00014829855,0.00006600196,0.00009668386,0.00013001608],"domain_scores_gemma":[0.9992651,0.00002031114,0.000080719554,0.000033953314,0.0001990725,0.00040087738],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000078934885,0.000046561465,0.00007013594,0.00012475971,0.00032449266,0.000077823606,0.00013181222,0.00003998302,0.003703374],"category_scores_gemma":[0.000035301906,0.00004513797,0.00009686137,0.00017160964,0.00005110032,0.000117142175,0.0000018745234,0.00008094757,0.00001726115],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031952626,0.000053776403,0.008173941,0.000015286718,0.00018946733,0.000005732266,0.11758677,0.000102416816,0.0007106729,0.08055323,0.7576737,0.034903068],"study_design_scores_gemma":[0.00018085692,0.00011819532,0.011730998,0.000016955888,0.000033851717,0.0000047803746,0.008761813,0.000030567946,0.000040793777,0.0035273102,0.9754651,0.000088773],"about_ca_topic_score_codex":0.025379471,"about_ca_topic_score_gemma":0.21749935,"teacher_disagreement_score":0.26382366,"about_ca_system_score_codex":0.00011369234,"about_ca_system_score_gemma":0.0015916365,"threshold_uncertainty_score":0.9972074},"labels":[],"label_agreement":null},{"id":"W3023583300","doi":"","title":"Making Diversity Matter: Inclusion is the Key","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Gender Diversity and Inequality","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Key (lock); Diversity (politics); Inclusion (mineral); Sociology; Computer science; Anthropology; Computer security","score_opus":0.09949437593105301,"score_gpt":0.2784497643460162,"score_spread":0.1789553884149632,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3023583300","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9281508,0.00004079943,0.000110994915,0.011013305,0.002362503,0.00007566143,0.000011172549,0.0000042402257,0.05823054],"genre_scores_gemma":[0.99509805,0.0000044915687,0.00002319167,0.0034505147,0.00017365211,1.154816e-7,2.2671944e-7,0.0000025889558,0.0012471768],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991959,0.00016086089,0.00013379696,0.00007276843,0.00023823035,0.00019848018],"domain_scores_gemma":[0.9993766,0.000045744662,0.0001273032,0.000110978166,0.00016042161,0.0001789604],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00071803277,0.00005096993,0.00008278587,0.00018798053,0.0029271042,0.00006892604,0.0004650921,0.000052701253,0.008133653],"category_scores_gemma":[0.000043027158,0.000042817897,0.00012661898,0.00022498588,0.00013360307,0.0002797386,0.00022008031,0.00023573809,0.00027535766],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011030342,0.000012402032,0.3608606,0.000005706477,0.000059451144,0.000019323512,0.5637321,0.00003317446,0.00001786282,0.001790932,0.07255468,0.0009027588],"study_design_scores_gemma":[0.0003820921,0.0001048933,0.16757008,0.0001160237,0.00007599385,0.000051999374,0.2700098,0.000019580399,0.000021037678,0.004181815,0.55725455,0.00021211883],"about_ca_topic_score_codex":0.18385497,"about_ca_topic_score_gemma":0.5144512,"teacher_disagreement_score":0.48469988,"about_ca_system_score_codex":0.00036728565,"about_ca_system_score_gemma":0.00044247956,"threshold_uncertainty_score":0.99837095},"labels":[],"label_agreement":null},{"id":"W3025117141","doi":"","title":"The Perils and Promise of Privilege","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Military and Defense Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Privilege (computing); History; Computer science; Computer security","score_opus":0.014670540419614414,"score_gpt":0.24071172398977975,"score_spread":0.22604118357016534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3025117141","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96095484,0.00085231377,0.0000056849403,0.0012257639,0.0010950263,0.00007974204,0.000004123381,0.0000015944278,0.035780933],"genre_scores_gemma":[0.9985208,0.00007353888,0.000018794663,0.00005108154,0.00012390975,7.7733614e-7,3.9307842e-8,0.0000021785531,0.0012088727],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995281,0.00006909156,0.00014957202,0.000040722232,0.0000874335,0.00012508144],"domain_scores_gemma":[0.99948514,0.000101988546,0.00007731964,0.00006063678,0.00013193871,0.00014296565],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041235253,0.000034471286,0.00008226045,0.000096145886,0.00043008573,0.000020880903,0.00009633831,0.000021255295,0.0002663325],"category_scores_gemma":[0.00017684729,0.000024433031,0.000053283795,0.00011647144,0.00030458174,0.0000993645,0.000006153146,0.00009697845,0.000005397806],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013681105,0.00004441008,0.1706179,0.000056462635,0.0005223675,0.00006338541,0.64689606,0.00004359182,0.0006037021,0.09462747,0.061568573,0.024819277],"study_design_scores_gemma":[0.00039768775,0.0003779533,0.05489571,0.00013870331,0.00004405377,0.000094732284,0.27483344,0.000010586097,0.000046541514,0.0031642653,0.66586435,0.00013201153],"about_ca_topic_score_codex":0.030975677,"about_ca_topic_score_gemma":0.6928022,"teacher_disagreement_score":0.6618265,"about_ca_system_score_codex":0.00004975584,"about_ca_system_score_gemma":0.00045796353,"threshold_uncertainty_score":0.97547716},"labels":[],"label_agreement":null},{"id":"W3029993976","doi":"","title":"Seeing in a New Way: A Meditation","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Architectural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Meditation; Computer science; History; Archaeology","score_opus":0.02819186180852727,"score_gpt":0.19381621144870997,"score_spread":0.1656243496401827,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3029993976","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9410137,0.00032474333,0.000032877095,0.0019115666,0.004163618,0.00005559595,0.0000034496973,0.0000050846293,0.052489348],"genre_scores_gemma":[0.99334615,0.000002411623,0.000026860303,0.00021237427,0.00071359216,5.3622415e-7,4.1086454e-7,0.0000047257913,0.005692942],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995638,0.000016486663,0.00018255404,0.000048862377,0.000064547305,0.00012372283],"domain_scores_gemma":[0.99967116,0.00003317199,0.000063116175,0.000034746918,0.0000561233,0.00014169399],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000060248884,0.000051814313,0.0001029674,0.0003683229,0.000113262075,0.00003527698,0.00006791989,0.000013141875,0.0029158709],"category_scores_gemma":[0.000038159124,0.00004128013,0.00006388126,0.00006279718,0.00004131951,0.0001559527,0.0000037626244,0.00016554627,0.00008818627],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004343172,0.00003140628,0.00811141,0.000031688334,0.0001378735,0.00018052892,0.7831758,0.00041017597,0.0002269269,0.042367265,0.10019755,0.06508589],"study_design_scores_gemma":[0.00032585085,0.00019023698,0.0030311097,0.00012932178,0.000010799172,0.000053414045,0.017291712,0.00002971399,0.0000062675826,0.0017487055,0.9770844,0.000098464116],"about_ca_topic_score_codex":0.07369287,"about_ca_topic_score_gemma":0.87987906,"teacher_disagreement_score":0.87688684,"about_ca_system_score_codex":0.00018587727,"about_ca_system_score_gemma":0.00020669245,"threshold_uncertainty_score":0.9979956},"labels":[],"label_agreement":null},{"id":"W3032604657","doi":"","title":"The \"V\" Word: Different Dimensions of Vocation in a Religiously Diverse Classroom","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Word (group theory); Linguistics; Psychology; Philosophy","score_opus":0.019656107129356983,"score_gpt":0.27343692891221033,"score_spread":0.2537808217828533,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3032604657","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9852708,0.00020599124,0.000022512837,0.0029566374,0.0030535236,0.00015077242,0.0000022358604,0.0000033234846,0.008334222],"genre_scores_gemma":[0.9977782,0.0002437106,0.000018244655,0.0001377567,0.000116832,0.0000028454538,5.097389e-7,0.0000051638567,0.0016967366],"study_design_codex":"observational","study_design_gemma":"qualitative","domain_scores_codex":[0.9990187,0.00017081462,0.00034813248,0.00007248068,0.00018784819,0.00020201337],"domain_scores_gemma":[0.99897057,0.00017377312,0.00022201923,0.00014209344,0.00024223373,0.0002493299],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045791513,0.000059899452,0.00012048267,0.00040650554,0.0003220202,0.000058977505,0.0002431299,0.000054979995,0.00022094099],"category_scores_gemma":[0.00029196255,0.000041080104,0.00010590959,0.0003969631,0.0001319905,0.00006887126,0.000007268462,0.00024219164,0.00003757936],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000078666824,0.000094310606,0.4283449,0.000012884244,0.00014484386,0.000025519894,0.17148018,0.00051278947,0.0005779088,0.03044221,0.3469199,0.021365901],"study_design_scores_gemma":[0.0016231227,0.00041305638,0.36446777,0.00072092906,0.000091587055,0.00007844048,0.40413713,0.00010299538,0.000119588454,0.03192535,0.19586931,0.0004507],"about_ca_topic_score_codex":0.074248835,"about_ca_topic_score_gemma":0.7520934,"teacher_disagreement_score":0.6778445,"about_ca_system_score_codex":0.0004245701,"about_ca_system_score_gemma":0.001275313,"threshold_uncertainty_score":0.9319158},"labels":[],"label_agreement":null},{"id":"W3032872259","doi":"","title":"Learning the Language of Inclusive Pedagogy","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Collaborative Teaching and Inclusion","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Linguistics; Sociology; Pedagogy; Computer science; Mathematics education; Psychology; Philosophy","score_opus":0.01309311933113237,"score_gpt":0.31285018880341886,"score_spread":0.2997570694722865,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3032872259","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95508415,0.00016258453,0.000072631265,0.0022933504,0.0011489139,0.00006562918,0.0000021550804,0.0000040228542,0.041166596],"genre_scores_gemma":[0.99692065,0.0000074602412,0.000022149623,0.0001309859,0.00026483598,4.3357383e-7,3.4052678e-7,0.0000046253695,0.0026485259],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9991764,0.0003149958,0.00017172203,0.0000481933,0.00015386746,0.00013485512],"domain_scores_gemma":[0.9992102,0.00013495376,0.00019210718,0.00007230974,0.00026611437,0.00012431596],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00076222525,0.000043621152,0.00009885978,0.00024231336,0.0005932644,0.0000306102,0.00021567797,0.00003716112,0.001286087],"category_scores_gemma":[0.00045768428,0.00003268646,0.00007473308,0.00033606376,0.00014392732,0.00012734023,0.000019690911,0.00033926897,0.00001960054],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014812354,0.000013038808,0.020649765,0.0000045188663,0.000048835722,0.000018856641,0.95754486,0.0007703431,0.0015369805,0.004214515,0.0034039167,0.011779538],"study_design_scores_gemma":[0.0002054767,0.00028729058,0.0052993074,0.00008722652,0.00002076847,0.000028089367,0.82852024,0.00007208079,0.00009330557,0.00023166138,0.16507925,0.000075280084],"about_ca_topic_score_codex":0.24592933,"about_ca_topic_score_gemma":0.8096608,"teacher_disagreement_score":0.56373143,"about_ca_system_score_codex":0.00033869606,"about_ca_system_score_gemma":0.0014254701,"threshold_uncertainty_score":0.9996269},"labels":[],"label_agreement":null},{"id":"W3085614233","doi":"","title":"The American Myth of White Supremacy: A Review of Myths America Lives By","year":2019,"lang":"en","type":"review","venue":"Intersections Canadian Journal of Music","topic":"Race, History, and American Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mythology; White supremacy; White (mutation); History; Art; Political science; Classics; Law; Racism; Biology","score_opus":0.032705845135331604,"score_gpt":0.32439462444765854,"score_spread":0.29168877931232695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3085614233","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000023063203,0.98421985,0.000040567033,0.0008418792,0.0015742293,0.00039147964,0.0001475204,0.000005674232,0.012755765],"genre_scores_gemma":[0.0003477995,0.99651587,0.000094307805,0.0008190957,0.00032701946,0.000011541451,0.00000493393,0.00003595472,0.0018434839],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99670815,0.00093175273,0.001248669,0.000212003,0.00046396957,0.00043543457],"domain_scores_gemma":[0.99412054,0.0004962204,0.003933626,0.00041731156,0.00054424035,0.00048809184],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010096766,0.00027622544,0.0019674257,0.00035002918,0.00075134105,0.00003475293,0.0010205726,0.000081276994,0.00035651383],"category_scores_gemma":[0.00060412346,0.00020727259,0.0015709593,0.0014781207,0.0026185594,0.00013201576,0.000027997923,0.0006836339,0.000017095259],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000031151774,0.000022092783,0.000013748455,0.0043480033,0.00041647407,0.0000068720606,0.0148724355,4.5294232e-7,5.8203614e-7,0.00003908085,0.3787828,0.6014943],"study_design_scores_gemma":[0.000041680123,0.00018858793,0.0000026747298,0.02311701,0.0006236978,0.000040259627,0.025419818,2.0920301e-7,9.012011e-8,0.0000038983057,0.95038724,0.00017480772],"about_ca_topic_score_codex":0.05452019,"about_ca_topic_score_gemma":0.041397944,"teacher_disagreement_score":0.6013195,"about_ca_system_score_codex":0.0008524464,"about_ca_system_score_gemma":0.0072876965,"threshold_uncertainty_score":0.9983401},"labels":[],"label_agreement":null},{"id":"W3098192721","doi":"","title":"The Long Pilgrimage of 2020-21","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Tourism and Spaces","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pilgrimage; History; Ancient history","score_opus":0.019231103191000652,"score_gpt":0.25121020565068874,"score_spread":0.23197910245968809,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3098192721","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87254757,0.0024813216,0.00044726304,0.037321944,0.0030207718,0.00013851082,0.000013594057,0.000011614367,0.084017426],"genre_scores_gemma":[0.997684,0.0003053413,0.000036152072,0.0004058278,0.0007309044,5.8951457e-7,1.5124782e-7,0.0000052938544,0.00083175977],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992356,0.000103019614,0.00024038274,0.00005639131,0.00017210218,0.00019255362],"domain_scores_gemma":[0.9990173,0.00009668943,0.00018003519,0.00007012683,0.00019208218,0.00044375067],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034329132,0.000050675117,0.00010756416,0.0000848268,0.00055109145,0.00008883139,0.00032983278,0.0000394491,0.00022259659],"category_scores_gemma":[0.00035833046,0.000038307724,0.00012522477,0.0003231188,0.00032374545,0.00011976427,0.0000073189576,0.00020848484,0.000015632597],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029457855,0.00001176872,0.010348357,0.000009327798,0.00013492654,0.00027184124,0.09777161,0.00012358755,0.00020687036,0.002031971,0.87380475,0.015255502],"study_design_scores_gemma":[0.00026427262,0.0002657807,0.005438522,0.00006772952,0.0000566197,0.00006851894,0.06411867,0.00003011977,0.00016599418,0.0010038923,0.92838264,0.0001372523],"about_ca_topic_score_codex":0.06847454,"about_ca_topic_score_gemma":0.71173966,"teacher_disagreement_score":0.6432651,"about_ca_system_score_codex":0.000080948994,"about_ca_system_score_gemma":0.0011036779,"threshold_uncertainty_score":0.9377286},"labels":[],"label_agreement":null},{"id":"W3098605321","doi":"10.7202/1071675ar","title":"Inside Chinese Theatre: Cantonese Opera in Canada","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Opera; China; History; Immigration; Period (music); Chinese culture; Visual arts; Art history; Art; Archaeology; Aesthetics","score_opus":0.020546815839713604,"score_gpt":0.17868485446986082,"score_spread":0.15813803863014722,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3098605321","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95213395,0.00026844832,0.0000033969977,0.0014823229,0.004032642,0.000069966896,0.00004460892,0.0000057006655,0.04195898],"genre_scores_gemma":[0.9956758,0.00000779145,0.0000059346817,0.0027565176,0.0011604349,0.0000036371678,0.0000020825162,0.000016435148,0.00037137108],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991065,0.000034660687,0.00039481345,0.00009884453,0.00011599292,0.0002491536],"domain_scores_gemma":[0.999207,0.000018502767,0.000102562495,0.00009659464,0.00009879163,0.00047650823],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008247423,0.00012714464,0.0002155162,0.00031161393,0.00021400722,0.0000548195,0.00021042592,0.000022266096,0.0035585638],"category_scores_gemma":[0.00001960322,0.00010535906,0.0000771013,0.000108497756,0.00010174663,0.00026197283,0.000008094975,0.0003411496,0.000021584065],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014560655,0.000049439837,0.039231375,0.00008014163,0.00021525387,0.0021163428,0.6777224,0.0014681026,0.00022944932,0.002246869,0.2550686,0.021426395],"study_design_scores_gemma":[0.00061653415,0.00014241891,0.004217819,0.00008788012,0.000021569413,0.00025691438,0.036952198,0.00015772722,0.000012089565,0.0000444672,0.9572663,0.00022413129],"about_ca_topic_score_codex":0.99402577,"about_ca_topic_score_gemma":0.99997455,"teacher_disagreement_score":0.7021977,"about_ca_system_score_codex":0.00093803456,"about_ca_system_score_gemma":0.0046885954,"threshold_uncertainty_score":0.9973523},"labels":[],"label_agreement":null},{"id":"W3100342615","doi":"10.7202/1071673ar","title":"Echo and the Recovery of the Past in R. Murray Schafer’s The Princess of The Stars","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Performing arts; Meaning (existential); Environmentalism; Interpretation (philosophy); Echo (communications protocol); Identity (music); Musical; Sound (geography); Aesthetics; Art; Visual arts; History; Psychology; Acoustics; Philosophy; Linguistics; Computer science; Physics; Political science","score_opus":0.017846530200356217,"score_gpt":0.19903196968358353,"score_spread":0.1811854394832273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3100342615","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93707734,0.00047649228,0.0024001051,0.057472575,0.0014454506,0.00016356473,0.000006619406,0.0000041152834,0.0009537063],"genre_scores_gemma":[0.9985008,0.000025288462,0.000069793314,0.0013082634,0.00005188307,0.0000026823957,1.4608466e-8,0.0000026288071,0.000038617614],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99919665,0.00017665383,0.00029403792,0.00008536073,0.00012146214,0.0001258513],"domain_scores_gemma":[0.99914694,0.00016161447,0.0002558971,0.0003004138,0.000087645814,0.000047516853],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043067685,0.00006872317,0.00015233435,0.000099343684,0.0002852305,0.000030485187,0.0011793658,0.000041275714,0.000012418471],"category_scores_gemma":[0.00023396035,0.000029239953,0.000117560216,0.0005786691,0.0007048988,0.00010895378,0.00014691966,0.00046926225,3.757667e-7],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030665196,0.00013050981,0.24029963,0.00014562951,0.0013775018,0.000072370516,0.46419704,0.004523785,0.0008639978,0.16663557,0.07187581,0.04957151],"study_design_scores_gemma":[0.004731485,0.00079547556,0.7999056,0.0011023083,0.00024402993,0.0009994213,0.07259091,0.0040275934,0.0013001577,0.052435692,0.06130501,0.0005623229],"about_ca_topic_score_codex":0.0041501317,"about_ca_topic_score_gemma":0.14455988,"teacher_disagreement_score":0.55960596,"about_ca_system_score_codex":0.000046852078,"about_ca_system_score_gemma":0.00031442917,"threshold_uncertainty_score":0.87104964},"labels":[],"label_agreement":null},{"id":"W3100805653","doi":"","title":"Finding Purpose in Chaos: Reflection In and Beyond the Public Health Classroom","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Public Health Policies and Education","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"CHAOS (operating system); Reflection (computer programming); Sociology; Mathematics education; Psychology; Computer science; Computer security; Programming language","score_opus":0.16769329101609134,"score_gpt":0.42013021457584765,"score_spread":0.25243692355975633,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3100805653","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63194245,0.0002683466,0.00019694667,0.36221164,0.0026310016,0.00031094978,0.0000081059,0.000006370223,0.002424188],"genre_scores_gemma":[0.96657836,0.00007722991,0.000042446165,0.03238469,0.00078346615,0.000024054782,0.0000026123944,0.000012446248,0.00009466642],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99780566,0.00060432416,0.00076232717,0.000120966964,0.00010614405,0.0006005787],"domain_scores_gemma":[0.9983837,0.000196156,0.00034715433,0.00010004778,0.00012071412,0.00085225055],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016432846,0.00008939268,0.0002079302,0.0008628113,0.0006596837,0.000036017398,0.00015212646,0.00010349861,0.0002515616],"category_scores_gemma":[0.00066865765,0.000073584815,0.00003756566,0.0008018236,0.000057261197,0.0003019005,0.000017769416,0.001260926,0.000015177183],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003928283,0.000058006823,0.19335513,0.00021726913,0.000032660864,0.000031390766,0.5415354,0.00006276353,0.000048063415,0.0068777874,0.21501571,0.042726573],"study_design_scores_gemma":[0.0009152037,0.0003627159,0.15867975,0.00025974234,0.000004127024,0.00011045604,0.24558026,0.00059361313,7.263669e-7,0.0006758354,0.592687,0.00013057046],"about_ca_topic_score_codex":0.09297444,"about_ca_topic_score_gemma":0.78989404,"teacher_disagreement_score":0.6969196,"about_ca_system_score_codex":0.0014176734,"about_ca_system_score_gemma":0.0056752632,"threshold_uncertainty_score":0.9999616},"labels":[],"label_agreement":null},{"id":"W3100996964","doi":"10.7202/1071677ar","title":"Des orgues et des hommes à Québec sous le Régime français : sur la piste du premier facteur d’orgue du Canada","year":2020,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.017771647470197497,"score_gpt":0.19213145954289043,"score_spread":0.17435981207269294,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3100996964","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89366424,0.013230921,0.00026418187,0.057053477,0.0052305236,0.00013987058,0.00042527838,0.000022663738,0.029968819],"genre_scores_gemma":[0.9867035,0.0005243598,0.000053861437,0.0028746089,0.00127406,0.0000026246541,0.000003151679,0.00004287111,0.00852097],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978695,0.00044837798,0.00053507864,0.00023298041,0.00031433348,0.0005997331],"domain_scores_gemma":[0.9967677,0.00024810806,0.0002962306,0.00014005597,0.00053159473,0.002016333],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003890757,0.00022839842,0.00037450923,0.0005610596,0.0023166724,0.00058415055,0.0005424199,0.00017705679,0.005054634],"category_scores_gemma":[0.0010632175,0.00030442787,0.00030334757,0.0007223607,0.0021287748,0.00088739436,0.000027145767,0.0007070094,0.00006471125],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.000019892315,0.000041596715,0.011419239,0.00007814198,0.0002709831,0.0013953558,0.27201733,0.00034744453,0.000028813452,0.00083446875,0.6990479,0.014498801],"study_design_scores_gemma":[0.00031740818,0.00011584191,0.0121142445,0.00018425258,0.000110692716,0.0006013695,0.02969959,0.000029187093,0.0000072285884,0.000098511504,0.95643675,0.000284944],"about_ca_topic_score_codex":0.99998105,"about_ca_topic_score_gemma":0.9999998,"teacher_disagreement_score":0.2573888,"about_ca_system_score_codex":0.007247325,"about_ca_system_score_gemma":0.05052079,"threshold_uncertainty_score":0.9999408},"labels":[],"label_agreement":null},{"id":"W3101617504","doi":"","title":"Learning from Luther on Covid-19","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Patient Dignity and Privacy","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Coronavirus disease 2019 (COVID-19); Severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2); 2019-20 coronavirus outbreak; Virology; Biology; Medicine; Outbreak; Internal medicine; Infectious disease (medical specialty)","score_opus":0.12906957535001393,"score_gpt":0.292295102946018,"score_spread":0.1632255275960041,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3101617504","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9745109,0.00007706966,0.0010840782,0.01620543,0.0006300149,0.00006388294,0.000015316959,0.0000133793565,0.0073999264],"genre_scores_gemma":[0.98146504,0.0000030642366,0.00007677212,0.017749049,0.00051067985,5.8687215e-7,0.000005214702,0.000010599937,0.00017901731],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994409,0.000056940044,0.00018844426,0.00008066331,0.00010588893,0.00012717006],"domain_scores_gemma":[0.9984448,0.00007571257,0.0000987421,0.00007091468,0.00006589724,0.0012439217],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007158486,0.00006827648,0.00014161943,0.0002320359,0.00012548288,0.000019134199,0.00008437203,0.000046601814,0.0037394045],"category_scores_gemma":[0.0010108968,0.00006285653,0.000114081544,0.00017444413,0.000039660546,0.00006229307,0.000005071424,0.00051279116,0.00013915314],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002138885,0.00023559968,0.25789067,0.0001247871,0.0015775792,0.006780283,0.24526173,0.007649483,0.006689746,0.00050779554,0.44058394,0.030559503],"study_design_scores_gemma":[0.0031195346,0.00407133,0.019939046,0.00031186722,0.00023730964,0.0005549292,0.018415362,0.00047582662,0.0004236058,0.00045773992,0.9517442,0.00024926465],"about_ca_topic_score_codex":0.013317552,"about_ca_topic_score_gemma":0.020106269,"teacher_disagreement_score":0.51116025,"about_ca_system_score_codex":0.00021869918,"about_ca_system_score_gemma":0.00094648456,"threshold_uncertainty_score":0.99777424},"labels":[],"label_agreement":null},{"id":"W3102183115","doi":"","title":"Radical Hospitality on Haunted Grounds: Anti-Racism in Lutheran Higher Education","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hospitality; Racism; Sociology; Religious studies; Gender studies; History; Pedagogy; Philosophy; Archaeology; Tourism","score_opus":0.04454200927378765,"score_gpt":0.30884272334589286,"score_spread":0.2643007140721052,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3102183115","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9187969,0.00014734881,0.000039441376,0.041904572,0.004110655,0.00011440878,0.00000378302,0.00001037991,0.034872532],"genre_scores_gemma":[0.9925303,0.000022062613,0.00004728635,0.0055468297,0.0010183553,0.0000036814415,0.0000016085155,0.000008645867,0.00082126586],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989454,0.0002094734,0.00031865077,0.00011818908,0.00019632386,0.00021192756],"domain_scores_gemma":[0.9988505,0.000043821394,0.00013637856,0.0000848057,0.00015326383,0.00073122064],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032051353,0.00007841,0.00014076213,0.00036250145,0.0002540132,0.00012791989,0.00023029244,0.00008582567,0.0016632184],"category_scores_gemma":[0.00026124623,0.00007923592,0.00010140559,0.00057476084,0.00013782251,0.00012775477,0.000002850321,0.0003870466,0.000061013874],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059539943,0.00020768135,0.09221396,0.000014013427,0.00009427857,0.00008483404,0.14936326,0.00012696077,0.00015616286,0.051436443,0.6842547,0.021988144],"study_design_scores_gemma":[0.00094914273,0.00039733047,0.43740284,0.00030062057,0.000039127513,0.00004205656,0.08863353,0.000020698571,0.000029799294,0.01099261,0.4607644,0.00042783082],"about_ca_topic_score_codex":0.049266595,"about_ca_topic_score_gemma":0.102027915,"teacher_disagreement_score":0.34518886,"about_ca_system_score_codex":0.0005578571,"about_ca_system_score_gemma":0.0028403548,"threshold_uncertainty_score":0.9992494},"labels":[],"label_agreement":null},{"id":"W3102422949","doi":"","title":"Activism, Justice, and the Danger of Silence","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Political Philosophy and Ethics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Silence; Economic Justice; Criminology; Political science; History; Sociology; Law; Art; Aesthetics","score_opus":0.07135654458520947,"score_gpt":0.29925087132490213,"score_spread":0.22789432673969268,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3102422949","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6060036,0.0005589488,0.0010478672,0.18759015,0.002258958,0.00016059805,0.000029962328,0.000009672668,0.20234029],"genre_scores_gemma":[0.9966237,0.000020724887,0.000026825282,0.0027178072,0.0005559481,4.7549187e-7,5.0558043e-8,0.000002693917,0.000051793202],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9994286,0.0001310421,0.00014848368,0.00004324832,0.00011762291,0.00013104091],"domain_scores_gemma":[0.99906147,0.0002871087,0.00008528135,0.000041393814,0.00012846988,0.00039625232],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003679222,0.000036315658,0.0000961385,0.00006555677,0.0002907816,0.000027419737,0.00015203982,0.00004326797,0.00015407425],"category_scores_gemma":[0.0011701627,0.000026785998,0.000060437553,0.0001759777,0.0010004167,0.00012717581,0.0000069739503,0.00029660453,0.0000033168178],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007172284,0.000011624285,0.00025755787,0.000038326583,0.00008164731,0.00003412231,0.26266792,0.00003963492,0.00010284326,0.72640884,0.0074488767,0.0028368728],"study_design_scores_gemma":[0.0030117566,0.00076088513,0.0062228115,0.00046360094,0.0011540172,0.00019227233,0.42696708,0.00048511443,0.00036392387,0.2668989,0.29295713,0.0005224894],"about_ca_topic_score_codex":0.029309029,"about_ca_topic_score_gemma":0.067446396,"teacher_disagreement_score":0.45950997,"about_ca_system_score_codex":0.000041531777,"about_ca_system_score_gemma":0.0006357645,"threshold_uncertainty_score":0.9771549},"labels":[],"label_agreement":null},{"id":"W3102462411","doi":"","title":"Leadership in Lutheran Key at a Time of Pandemics","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Key (lock); Pandemic; History; Political science; Coronavirus disease 2019 (COVID-19); Computer security; Computer science; Medicine","score_opus":0.14740294849573293,"score_gpt":0.21300300411226297,"score_spread":0.06560005561653004,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3102462411","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97815424,0.00010902143,0.000090182366,0.0030361225,0.00046601947,0.000053013886,0.000038063175,0.000006265418,0.01804705],"genre_scores_gemma":[0.9975579,0.0000024868698,0.000010846883,0.0013210091,0.00024433018,4.7544535e-7,0.00000199914,0.0000074698974,0.000853533],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993738,0.000037238344,0.0003240321,0.000047478286,0.00008045251,0.00013701577],"domain_scores_gemma":[0.99945164,0.000017912604,0.00015024024,0.000050964216,0.00010754555,0.0002217121],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011717574,0.00006254125,0.0001407458,0.0002489272,0.00009547856,0.000036561083,0.000115605806,0.00003081523,0.0039269365],"category_scores_gemma":[0.000046406283,0.000055238954,0.00009001731,0.000058575468,0.00011203135,0.00018463626,0.000005013362,0.00020443005,0.00007327262],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011531789,0.00003260832,0.005385047,0.000075284384,0.0001075144,0.00006076008,0.9478576,0.0003423061,0.0004807346,0.0023439412,0.040830027,0.0023688194],"study_design_scores_gemma":[0.003438547,0.0013312665,0.011913094,0.0007141717,0.000115719005,0.0004150605,0.2745454,0.0060198936,0.0005141325,0.0009997175,0.6992661,0.00072692084],"about_ca_topic_score_codex":0.014510195,"about_ca_topic_score_gemma":0.48184747,"teacher_disagreement_score":0.67331225,"about_ca_system_score_codex":0.00013138232,"about_ca_system_score_gemma":0.00018936401,"threshold_uncertainty_score":0.9969836},"labels":[],"label_agreement":null},{"id":"W3102499598","doi":"","title":"Called to Flourish: An Ethic of Care","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Ethics in medical practice","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.14263983951139622,"score_gpt":0.4496332203970543,"score_spread":0.3069933808856581,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3102499598","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8629553,0.00031323195,0.005333905,0.091655016,0.008052424,0.0005306395,0.00007335049,0.000029956904,0.031056216],"genre_scores_gemma":[0.9765462,0.0000068283134,0.0014167981,0.020741712,0.0011627049,0.0000058952514,0.000002115985,0.000024679382,0.00009302478],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9969345,0.0014598401,0.000785658,0.00014635401,0.00033300763,0.00034069087],"domain_scores_gemma":[0.99498254,0.0011223521,0.00039865906,0.0002188442,0.0012920417,0.0019855471],"candidate_categories":["metaresearch","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015982569,0.000107099724,0.00030134217,0.0003809708,0.0006369514,0.000010974471,0.000430252,0.00029261308,0.0030082946],"category_scores_gemma":[0.01205439,0.000102433856,0.00011221601,0.0004705094,0.00013517535,0.00020877796,0.000033382992,0.005143202,0.00014225673],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037440646,0.00005193855,0.010905823,0.0005859896,0.00024368394,0.0004590962,0.7575772,0.00062218576,0.0016551948,0.0042065172,0.21925415,0.00406382],"study_design_scores_gemma":[0.0017719637,0.0029415898,0.008405932,0.0015390224,0.00023007124,0.0001279315,0.63661003,0.0001391879,0.00017157463,0.0014088614,0.3462732,0.00038062935],"about_ca_topic_score_codex":0.03730005,"about_ca_topic_score_gemma":0.53414935,"teacher_disagreement_score":0.49684927,"about_ca_system_score_codex":0.00036921914,"about_ca_system_score_gemma":0.0042460384,"threshold_uncertainty_score":0.9979031},"labels":[],"label_agreement":null},{"id":"W3102674118","doi":"10.7202/1071678ar","title":"Fragments from a Broken Country: Jérôme Blais, in Discussion with Philipp Reisner","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature and Cultural Memory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"History","score_opus":0.02244570265148396,"score_gpt":0.18375630203083115,"score_spread":0.1613105993793472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3102674118","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.969469,0.00043449472,0.000018586108,0.009193009,0.0017786998,0.00012355554,0.00017098183,0.000012951496,0.018798735],"genre_scores_gemma":[0.99427277,0.0000028873624,0.000022237931,0.0030781662,0.0014543141,0.0000023519951,0.000015374608,0.000012626805,0.0011392666],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993188,0.000034368943,0.0002445051,0.00011096737,0.00012409281,0.00016727993],"domain_scores_gemma":[0.99941266,0.000008695865,0.00010525342,0.0000735305,0.0000947055,0.00030517596],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000040736602,0.000110396875,0.00016331491,0.0001502157,0.00016509012,0.00018075256,0.00014401699,0.00003696935,0.0053294934],"category_scores_gemma":[0.000017769744,0.000061371284,0.000059736303,0.00009209252,0.00009211425,0.00038630332,0.0000067305205,0.00034577466,0.00003580414],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002385385,0.00006892433,0.0085374415,0.00003118755,0.0003217203,0.0009956325,0.7338229,0.00010176034,0.00059526315,0.0035011382,0.24788629,0.0038992253],"study_design_scores_gemma":[0.0008652046,0.00035672766,0.002272786,0.00044432865,0.000057340967,0.000056451416,0.047359284,0.000029294039,0.000044090004,0.0002611519,0.9480491,0.00020421743],"about_ca_topic_score_codex":0.017728416,"about_ca_topic_score_gemma":0.5836966,"teacher_disagreement_score":0.7001628,"about_ca_system_score_codex":0.00011171305,"about_ca_system_score_gemma":0.00019123177,"threshold_uncertainty_score":0.9955798},"labels":[],"label_agreement":null},{"id":"W3103598668","doi":"10.7202/1071679ar","title":"Claude Abromont. 2019. Guide de l’analyse musicale. Dijon (Fr) : Éditions Universitaires de Dijon, 457 p. ISBN 978-2-36441-318-4 (couverture souple)","year":2020,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Contemporary art, education, critique","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.023060471834196242,"score_gpt":0.2645533811440559,"score_spread":0.24149290930985967,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3103598668","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21671984,0.0080645485,0.010224128,0.73147845,0.009898684,0.00048763875,0.00057209545,0.000083054605,0.022471547],"genre_scores_gemma":[0.95807964,0.000812862,0.0010266837,0.0056535844,0.0049099983,0.000007632737,0.000024322977,0.00006405633,0.029421236],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957021,0.0013522587,0.0009754561,0.00045053213,0.00044096957,0.0010787068],"domain_scores_gemma":[0.99452645,0.0003398727,0.00060309144,0.0003667602,0.0008588067,0.0033050254],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001251764,0.00040363538,0.0005338797,0.0008336565,0.0018884299,0.00030110442,0.0010099229,0.00042518254,0.008234571],"category_scores_gemma":[0.0009381135,0.00049064856,0.0007248001,0.0016532273,0.0008917489,0.0026528996,0.00004336659,0.0014096834,0.00015036455],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002749996,0.00011895063,0.0033522975,0.000032774202,0.00036951646,0.0005928775,0.07103719,0.0007464056,0.00028239793,0.004313788,0.9172269,0.0018994171],"study_design_scores_gemma":[0.0005091986,0.00033721118,0.0037755251,0.00040712368,0.00055490935,0.000420903,0.117458165,0.00061563705,0.00006603885,0.0031265437,0.87223005,0.0004987214],"about_ca_topic_score_codex":0.42460203,"about_ca_topic_score_gemma":0.8704864,"teacher_disagreement_score":0.7413598,"about_ca_system_score_codex":0.0032288744,"about_ca_system_score_gemma":0.014897278,"threshold_uncertainty_score":0.9997545},"labels":[],"label_agreement":null},{"id":"W3103937578","doi":"10.7202/1071672ar","title":"La musique actuelle au Québec : enjeux et perspectives méthodologiques d’une analyse génétique","year":2020,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.31301108675472505,"score_gpt":0.3348211765240792,"score_spread":0.02181008976935417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3103937578","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5784565,0.0068393336,0.08200796,0.2505058,0.0034434814,0.00024414383,0.00007396492,0.00006933722,0.07835943],"genre_scores_gemma":[0.98915404,0.00012335822,0.0023384898,0.006211716,0.0008283879,0.0000020635323,0.0000015120079,0.000023803412,0.0013166104],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99751914,0.00079518784,0.0006082588,0.00034759333,0.00020285335,0.0005269748],"domain_scores_gemma":[0.9962444,0.0003934132,0.0004113365,0.0002571835,0.000864894,0.001828811],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00051346456,0.00032137628,0.0004563369,0.0004666752,0.00033709762,0.0011137996,0.00069078483,0.00023429924,0.000553096],"category_scores_gemma":[0.0014238688,0.00027267364,0.0004948048,0.0010487966,0.0005013193,0.002960412,0.00008930776,0.0011135584,0.000053494172],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006202841,0.00016389467,0.00091636163,0.000067528665,0.000637769,0.0047656316,0.82805926,0.0014236361,0.0011264017,0.07116799,0.066233836,0.025375687],"study_design_scores_gemma":[0.00185754,0.005687378,0.03580614,0.001719482,0.0005217599,0.027178664,0.32975328,0.0035470866,0.0029275473,0.014170863,0.574806,0.0020242748],"about_ca_topic_score_codex":0.8178417,"about_ca_topic_score_gemma":0.98164606,"teacher_disagreement_score":0.50857216,"about_ca_system_score_codex":0.0013220296,"about_ca_system_score_gemma":0.011587032,"threshold_uncertainty_score":0.9999725},"labels":[],"label_agreement":null},{"id":"W3104534459","doi":"","title":"A New Image for an Ancient Call: Lutheran Higher Education Amidst Pandemics Today","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Tourism and Spaces","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pandemic; History; Image (mathematics); Art history; Genealogy; Coronavirus disease 2019 (COVID-19); Computer science; Artificial intelligence; Medicine","score_opus":0.040181581001683786,"score_gpt":0.2999299103164604,"score_spread":0.2597483293147766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3104534459","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8684315,0.0020126426,0.012486575,0.056290977,0.013547793,0.0007371049,0.00006675326,0.00007747416,0.046349168],"genre_scores_gemma":[0.98929465,0.00004346931,0.0012344065,0.0032956095,0.0029722704,0.0000041555713,0.0000024271828,0.0000138710675,0.0031391685],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921435,0.000066388144,0.00022171471,0.00011199661,0.0001402465,0.0002453001],"domain_scores_gemma":[0.9983846,0.000031337968,0.00013950958,0.00007647675,0.00024497742,0.001123098],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022860689,0.00007761089,0.0001242584,0.00017480741,0.00040061836,0.00015822986,0.0002458114,0.00007095906,0.00023505162],"category_scores_gemma":[0.000093937575,0.000074974625,0.0001171851,0.000257397,0.00009006564,0.0002997987,0.0000035727853,0.00016502432,0.000008591752],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002142749,0.000017116437,0.0010074723,0.000005030571,0.000029107665,0.0000067961982,0.055427942,0.000029361796,0.00057220884,0.0016152246,0.93234,0.008928273],"study_design_scores_gemma":[0.00025136044,0.00027888487,0.0010953199,0.000031167263,0.00003632963,0.000013861743,0.0154723255,0.000029390503,0.000028738641,0.0012750336,0.98136663,0.00012094149],"about_ca_topic_score_codex":0.1863922,"about_ca_topic_score_gemma":0.6635511,"teacher_disagreement_score":0.47715887,"about_ca_system_score_codex":0.00030039993,"about_ca_system_score_gemma":0.0038063326,"threshold_uncertainty_score":0.8190257},"labels":[],"label_agreement":null},{"id":"W3104552595","doi":"10.7202/1071676ar","title":"Constructing and Negotiating Chinese Cultural Identity in Diaspora Through Music and Martial Arts","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Martial Arts: Techniques, Psychology, and Education","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Martial arts; Luck; Percussion; Dance; Chinatown; Negotiation; Diaspora; Identity (music); Musical; Visual arts; Embodied cognition; Aesthetics; Sociology; Media studies; Art; Gender studies; History; Epistemology; Social science","score_opus":0.05778746853664683,"score_gpt":0.34472745775256397,"score_spread":0.2869399892159171,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3104552595","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9889658,0.00021688265,0.00056214747,0.004792371,0.0017467863,0.00009464884,0.0000035409623,0.000012498147,0.0036053036],"genre_scores_gemma":[0.99788064,0.000033231267,0.00048336294,0.00071059866,0.000872496,0.0000020552177,8.559989e-7,0.0000053704825,0.000011363604],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9991827,0.00011025072,0.00028392038,0.00012277954,0.00009365197,0.00020667247],"domain_scores_gemma":[0.9993248,0.00005025128,0.00016388476,0.000041542073,0.000098337114,0.00032116228],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003459469,0.000077896795,0.00014095496,0.00015228851,0.00034940685,0.0001637359,0.000092340844,0.0000642649,0.00022820581],"category_scores_gemma":[0.0005150545,0.00007590651,0.000037014473,0.0003469139,0.00031349852,0.0008921383,0.000012351708,0.00026779325,0.0000016895704],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026097612,0.000019854271,0.35095727,0.00001990725,0.00003247417,0.00007172708,0.61911374,0.00001979192,0.00017614364,0.0067224535,0.0061220094,0.016718555],"study_design_scores_gemma":[0.00068308733,0.00021458935,0.15141533,0.00014588739,0.000042291642,0.00038443189,0.82942945,0.00020320753,0.000017598353,0.0064158537,0.010717387,0.0003308663],"about_ca_topic_score_codex":0.15783836,"about_ca_topic_score_gemma":0.73416245,"teacher_disagreement_score":0.5763241,"about_ca_system_score_codex":0.00013711727,"about_ca_system_score_gemma":0.00025170375,"threshold_uncertainty_score":0.8477697},"labels":[],"label_agreement":null},{"id":"W3104727562","doi":"","title":"Called to the Moment: A New Vocation for Lutheran Colleges","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Catholicism and Religious Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Moment (physics); History; Sociology; Physics","score_opus":0.054190488706377486,"score_gpt":0.2287892818697726,"score_spread":0.1745987931633951,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3104727562","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3168327,0.0033912603,0.01211969,0.6097403,0.014043674,0.0018070413,0.00042025922,0.00005386607,0.04159123],"genre_scores_gemma":[0.9882296,0.0000131558,0.00004490071,0.005265039,0.0026468136,0.00001136457,0.0000011644439,0.000010558627,0.0037774048],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995333,0.000013472347,0.00019303623,0.00006168413,0.000062582665,0.00013592374],"domain_scores_gemma":[0.9993924,0.00003054385,0.00007229436,0.00005793691,0.00017687012,0.00026995837],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007064751,0.000067965426,0.00011242229,0.00014409484,0.00052868563,0.0001076648,0.0001369926,0.000014617417,0.00033016034],"category_scores_gemma":[0.000047920534,0.00004526554,0.00011731315,0.00006584614,0.00005448268,0.00005030787,0.000006350515,0.00008870689,0.000028407323],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026956664,0.0000043259793,0.000009663546,0.0000049909554,0.00008216852,0.0000028195818,0.31740785,0.00010433215,0.000021892223,0.009569603,0.67115974,0.0016056409],"study_design_scores_gemma":[0.00027078186,0.00025220882,0.000046166697,0.000024094015,0.00004427234,0.000016465701,0.03486958,0.00002716409,0.000012218709,0.00028107144,0.964097,0.00005893488],"about_ca_topic_score_codex":0.026097953,"about_ca_topic_score_gemma":0.7133104,"teacher_disagreement_score":0.68721247,"about_ca_system_score_codex":0.00006794061,"about_ca_system_score_gemma":0.0003049953,"threshold_uncertainty_score":0.98038733},"labels":[],"label_agreement":null},{"id":"W3105805524","doi":"10.7202/1071674ar","title":"Mlle Aimée : étude sur la vie et l’image d’une actrice française à l’étranger au XIXème siècle","year":2020,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.026834891337269986,"score_gpt":0.24183428188527334,"score_spread":0.21499939054800335,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3105805524","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3938793,0.012037948,0.0006553513,0.3215918,0.0110610165,0.0002544175,0.0002394646,0.00004103719,0.2602397],"genre_scores_gemma":[0.9878198,0.00027551444,0.00012345386,0.004081789,0.0020102928,0.0000035882356,0.0000013919864,0.000025741514,0.005658436],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99794847,0.0003746442,0.0005456076,0.00022475353,0.0003290777,0.00057746173],"domain_scores_gemma":[0.9974527,0.00038979476,0.00025475537,0.000113630165,0.00034100274,0.0014481583],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00048717196,0.00022492863,0.00040473888,0.00028010432,0.001006989,0.000117826494,0.00040604887,0.00017081137,0.003244432],"category_scores_gemma":[0.0006046971,0.0002278713,0.000394077,0.0014813961,0.00071435573,0.0008913093,0.000025427733,0.0008786386,0.00023578576],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005380654,0.00015973838,0.0021115842,0.00006775971,0.00038733365,0.0013036621,0.4773707,0.00008613437,0.00026707514,0.004037383,0.4977521,0.016402723],"study_design_scores_gemma":[0.00033668647,0.00028805295,0.006029377,0.00016165867,0.00012309202,0.00008769724,0.009845805,0.000033845485,0.000009075503,0.00008844824,0.98276585,0.00023038064],"about_ca_topic_score_codex":0.38108608,"about_ca_topic_score_gemma":0.7729455,"teacher_disagreement_score":0.5939405,"about_ca_system_score_codex":0.0007061953,"about_ca_system_score_gemma":0.0022559245,"threshold_uncertainty_score":0.9976667},"labels":[],"label_agreement":null},{"id":"W3106341234","doi":"","title":"Through Truth to Freedom - by Way of Reconciliation","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Forgiveness and Related Behaviors","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Epistemology; Philosophy","score_opus":0.04154984779752987,"score_gpt":0.2733067893341771,"score_spread":0.23175694153664725,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3106341234","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9844249,0.00022058086,0.0017288788,0.0031592206,0.005098255,0.00008737166,0.00008945281,0.0000068717745,0.0051844907],"genre_scores_gemma":[0.9988331,0.0000027944611,0.00012282204,0.00058816024,0.00018868229,0.0000026246546,0.0000032424412,0.000013899044,0.00024466257],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922186,0.000049330174,0.00037621148,0.00010595771,0.000082442944,0.00016420134],"domain_scores_gemma":[0.9992436,0.00002795921,0.00018760544,0.000092646354,0.00013867949,0.00030947407],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008526871,0.00008045964,0.00017247266,0.00018916528,0.00006423103,0.00001296648,0.00016270143,0.00010075834,0.003755245],"category_scores_gemma":[0.000060348488,0.000074476106,0.00012538793,0.00034223468,0.000055087225,0.000100383564,0.0000050377594,0.0002637999,0.00008433027],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003073199,0.0001654688,0.009957325,0.000028188997,0.0007271304,0.00030514502,0.16727047,0.0015214176,0.0108261015,0.0038366078,0.7828751,0.022179708],"study_design_scores_gemma":[0.0061026793,0.008477441,0.042152487,0.0006690959,0.0008265486,0.0014129293,0.13283397,0.00012520447,0.007868668,0.0007701934,0.79755706,0.0012037187],"about_ca_topic_score_codex":0.028418086,"about_ca_topic_score_gemma":0.024689589,"teacher_disagreement_score":0.034436494,"about_ca_system_score_codex":0.00012305737,"about_ca_system_score_gemma":0.00019359397,"threshold_uncertainty_score":0.9971554},"labels":[],"label_agreement":null},{"id":"W3119095141","doi":"","title":"Old and New Ideas of the Liberal Arts: A Review of Claiming Our Callings","year":2015,"lang":"en","type":"review","venue":"Intersections Canadian Journal of Music","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Liberal arts education; The arts; Sociology; Genealogy; Art history; History; Art; Visual arts; Political science; Law; Higher education","score_opus":0.12130554822863726,"score_gpt":0.36379999621452574,"score_spread":0.24249444798588848,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3119095141","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000035231566,0.9844517,0.000023923732,0.0012881511,0.0012942229,0.00018532405,0.000058861908,0.0000018290959,0.012660747],"genre_scores_gemma":[0.0019194527,0.99505997,0.00011443774,0.000642408,0.0006031412,0.0000017091347,0.0000014140381,0.0000107600445,0.0016467207],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985218,0.00022412268,0.00071078626,0.000084882835,0.00025977928,0.00019864127],"domain_scores_gemma":[0.9978121,0.000093152084,0.0009694566,0.00013229776,0.0004296079,0.00056341814],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00064692966,0.00013152171,0.0007794129,0.00022401485,0.0001890066,0.000021709635,0.0003448003,0.000106186846,0.00007437125],"category_scores_gemma":[0.00060724566,0.0000955363,0.00044411025,0.0004025505,0.00048728674,0.00009381864,0.000018099527,0.00040373605,0.0000014546752],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004382079,0.000028307895,0.00015863465,0.016368639,0.0006758299,0.000055793695,0.006903924,0.0000038913354,1.7281123e-7,0.3562048,0.23507227,0.38452333],"study_design_scores_gemma":[0.000038631468,0.000029439696,0.0000028686452,0.04899201,0.00045803635,0.00020715986,0.0010982851,6.430791e-8,4.3202128e-8,0.00021330199,0.94888234,0.00007784648],"about_ca_topic_score_codex":0.12594835,"about_ca_topic_score_gemma":0.17796062,"teacher_disagreement_score":0.71381,"about_ca_system_score_codex":0.0003784827,"about_ca_system_score_gemma":0.025298037,"threshold_uncertainty_score":0.98022765},"labels":[],"label_agreement":null},{"id":"W3121044889","doi":"","title":"The Courage to Change: Creating New Hearts with Palmer and Zajonc","year":2014,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Service-Learning and Community Engagement","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Courage; Psychology; Theology; Philosophy","score_opus":0.044899715290245557,"score_gpt":0.2752214066174364,"score_spread":0.23032169132719083,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3121044889","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.935846,0.00019771911,0.0007927335,0.028599605,0.0008575594,0.00013246939,8.418923e-7,0.000012334562,0.033560764],"genre_scores_gemma":[0.996909,0.000012005512,0.00018801873,0.001557904,0.0005011297,0.0000024677813,1.2381214e-7,0.00000615291,0.00082318654],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927884,0.0002560433,0.00010407152,0.00004727386,0.00012421524,0.00018955511],"domain_scores_gemma":[0.99907386,0.00018783889,0.00006882156,0.000095368174,0.00010602774,0.0004681009],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0008175595,0.00004959796,0.00006870979,0.00012656847,0.001728819,0.00017845398,0.00016440492,0.000022225106,0.00013113963],"category_scores_gemma":[0.00017332287,0.00003613746,0.000024590132,0.00019540668,0.000078791556,0.000096210446,0.000010463029,0.00027315362,0.000007193621],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042016774,0.000016755062,0.021773163,0.000007205906,0.00013563772,0.00003002672,0.66154027,0.00029157434,0.000022135495,0.0076786075,0.038719736,0.26974285],"study_design_scores_gemma":[0.00016433743,0.0002659322,0.016539583,0.00012618623,0.000020586085,0.00004280595,0.13949946,0.000027222177,0.0000033443505,0.00014250482,0.8430922,0.00007582205],"about_ca_topic_score_codex":0.30920103,"about_ca_topic_score_gemma":0.9435312,"teacher_disagreement_score":0.8043725,"about_ca_system_score_codex":0.00009639243,"about_ca_system_score_gemma":0.0003127723,"threshold_uncertainty_score":0.9995708},"labels":[],"label_agreement":null},{"id":"W3122016246","doi":"","title":"The Challenge of Inclusion in the Ethics Classroom","year":2020,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Legal Education and Practice Innovations","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Inclusion (mineral); Sociology; Engineering ethics; Social science; Engineering","score_opus":0.12908029156784992,"score_gpt":0.37137822837466816,"score_spread":0.24229793680681824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3122016246","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.032939084,0.000224496,0.00013867485,0.90832835,0.0013936823,0.000089530186,0.0000032735534,0.0000024428825,0.056880444],"genre_scores_gemma":[0.9940036,0.00008021586,0.000031591397,0.0054167714,0.00039191206,0.0000017956789,2.9602106e-7,0.0000029751466,0.00007082656],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987949,0.0004934294,0.00028616158,0.00004366086,0.00026000806,0.000121828256],"domain_scores_gemma":[0.9984049,0.0008089255,0.00022070254,0.000079548634,0.00035473538,0.0001311513],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.002328563,0.000037011916,0.000061033592,0.00014209512,0.0013592378,0.000093123504,0.00043920655,0.00006296383,0.00027503085],"category_scores_gemma":[0.0038602834,0.000024325002,0.00005352347,0.0007812231,0.00021387354,0.0002573448,0.00002339258,0.0010852328,0.000006333177],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009544662,0.000021882728,0.000470459,0.0000035557202,0.000016030748,0.00000795725,0.8589727,0.000028687156,0.000018911345,0.10825316,0.025791163,0.0064059515],"study_design_scores_gemma":[0.0000744553,0.000060927636,0.0006954008,0.00002016583,0.000008035349,0.0000063333564,0.18018632,0.000012585095,0.000003888103,0.005168351,0.8137343,0.000029250321],"about_ca_topic_score_codex":0.09265224,"about_ca_topic_score_gemma":0.8668115,"teacher_disagreement_score":0.9610645,"about_ca_system_score_codex":0.00013156493,"about_ca_system_score_gemma":0.003898095,"threshold_uncertainty_score":0.9999409},"labels":[],"label_agreement":null},{"id":"W3122016731","doi":"","title":"In the Beginning of the Reformation Was the Word","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Word (group theory); Linguistics; History; Computer science; Philosophy","score_opus":0.050382463341915165,"score_gpt":0.2367460962603242,"score_spread":0.18636363291840902,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3122016731","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92018193,0.000037770093,0.00004224942,0.014716584,0.0025412508,0.00008968507,0.0000100826255,0.0000015386306,0.062378887],"genre_scores_gemma":[0.99831307,0.000002679057,0.0000027359715,0.0007351538,0.00035423788,0.0000016152262,2.9686632e-7,0.0000031358968,0.0005870641],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99943197,0.00006643252,0.0002562979,0.000026740277,0.00011923503,0.00009932653],"domain_scores_gemma":[0.99918675,0.000025212938,0.00036768997,0.0002586949,0.00012468958,0.000036962734],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004538138,0.000048571248,0.00006848805,0.00012243485,0.0012379132,0.00029512684,0.0005565456,0.00001787508,0.00044752966],"category_scores_gemma":[0.000097171,0.000020990676,0.00009227161,0.000030135356,0.00028937243,0.00055387226,0.000011846659,0.0002917033,0.000009581189],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020379985,0.00002691979,0.0032355648,0.000021529278,0.00007328901,0.000012516736,0.85652155,0.00028956035,0.00002008238,0.051797062,0.079235844,0.008745693],"study_design_scores_gemma":[0.00044838153,0.00008159547,0.09672895,0.0002624436,0.00004356451,0.00026404863,0.18030447,0.00045212696,0.000049472616,0.004348181,0.71689326,0.00012352214],"about_ca_topic_score_codex":0.056233857,"about_ca_topic_score_gemma":0.6696635,"teacher_disagreement_score":0.6762171,"about_ca_system_score_codex":0.00007448789,"about_ca_system_score_gemma":0.00015678917,"threshold_uncertainty_score":0.9521152},"labels":[],"label_agreement":null},{"id":"W3126559051","doi":"","title":"Both Priest and Beggar: Luther Among the Poor","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art","score_opus":0.0348544767382256,"score_gpt":0.21632691337346815,"score_spread":0.18147243663524254,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3126559051","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9142107,0.000071872884,0.000067148554,0.002759095,0.0019045027,0.000056544486,0.00002083205,0.0000049026626,0.080904424],"genre_scores_gemma":[0.9949006,0.0000045637944,0.000005894562,0.0003842259,0.0004993867,0.0000011319383,4.52584e-7,0.0000070440756,0.0041966895],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995761,0.000021791668,0.00016807983,0.000044169225,0.00006924212,0.00012064246],"domain_scores_gemma":[0.9993437,0.000013274595,0.00020765285,0.00015246592,0.00011089174,0.00017202456],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016677975,0.0000624328,0.00008014054,0.0001191732,0.0016864447,0.00078975764,0.0002096735,0.000021883634,0.0019875732],"category_scores_gemma":[0.000057675938,0.00003937357,0.000059363992,0.000008081784,0.0005468673,0.0004926727,0.00001094238,0.00020149103,0.000021913562],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050905695,0.00005202731,0.058906566,0.000040559953,0.0004959483,0.00014071031,0.592409,0.000029476942,0.000030002773,0.071044035,0.24516581,0.03163496],"study_design_scores_gemma":[0.0003452091,0.000107180436,0.14430289,0.0000831068,0.000047301517,0.00019909696,0.032574892,0.00016916517,0.000009105778,0.001157862,0.82086325,0.00014095516],"about_ca_topic_score_codex":0.10034234,"about_ca_topic_score_gemma":0.863518,"teacher_disagreement_score":0.76317567,"about_ca_system_score_codex":0.00004510352,"about_ca_system_score_gemma":0.00013640133,"threshold_uncertainty_score":0.9996132},"labels":[],"label_agreement":null},{"id":"W3128958531","doi":"","title":"Roots and Shoots : Tending to Lutheran Higher Education","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Shoot; Horticulture; Botany; History; Biology","score_opus":0.023053535164069654,"score_gpt":0.30073360241023206,"score_spread":0.2776800672461624,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3128958531","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9119986,0.00017608271,0.00001686658,0.006675855,0.006112957,0.000113512186,0.0000013240813,0.000005312109,0.07489949],"genre_scores_gemma":[0.98397756,0.000013693101,0.00009103277,0.0013092945,0.00057257153,0.0000025650918,3.2494376e-7,0.000006621501,0.014026363],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99941987,0.000064612745,0.00016098571,0.0000785525,0.000110085915,0.00016589809],"domain_scores_gemma":[0.9990489,0.00002837057,0.000073630414,0.00007429123,0.00017117054,0.0006036419],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026170604,0.000051588064,0.000082162645,0.00048305604,0.0002551905,0.00013798244,0.00012375633,0.0000432244,0.0024604956],"category_scores_gemma":[0.00006566725,0.00005123182,0.00004431843,0.0002818592,0.000036227815,0.00010314096,0.0000033627732,0.00013208122,0.00010794924],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020459776,0.000037528127,0.22064044,0.000010602273,0.000087845045,0.000009760693,0.11800788,0.00006367707,0.0009980551,0.03960759,0.56921715,0.051299017],"study_design_scores_gemma":[0.00021543508,0.000114795694,0.2226782,0.00018999095,0.000018519924,0.000067026616,0.052387323,0.0000016610619,0.00001729515,0.004880524,0.7192333,0.00019594298],"about_ca_topic_score_codex":0.03416975,"about_ca_topic_score_gemma":0.14405441,"teacher_disagreement_score":0.15001614,"about_ca_system_score_codex":0.00031805452,"about_ca_system_score_gemma":0.0017130395,"threshold_uncertainty_score":0.9984514},"labels":[],"label_agreement":null},{"id":"W3136508660","doi":"10.7202/1075345ar","title":"Reflets de la colonialité dans la scène des musiques nouvelles","year":2021,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.022326639235156126,"score_gpt":0.2360151268576692,"score_spread":0.21368848762251308,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3136508660","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53363734,0.006354604,0.0001436779,0.001728399,0.005563787,0.000049470484,0.00020562284,0.000012289573,0.45230478],"genre_scores_gemma":[0.9396416,0.000121576435,0.00021216355,0.00091568986,0.002388545,0.000005248669,0.0000043037285,0.00003026141,0.056680627],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99822116,0.00070193753,0.0004242309,0.00015237514,0.00012517716,0.00037510417],"domain_scores_gemma":[0.9983783,0.00018536927,0.00020321585,0.00015947538,0.0004925098,0.00058117526],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004940468,0.00019477143,0.00026813245,0.00026151972,0.0013331566,0.00041654165,0.00020500016,0.00022236689,0.020234544],"category_scores_gemma":[0.0002356134,0.00020134743,0.0003001143,0.00013300902,0.0018056269,0.0002965385,0.000011713406,0.0007393409,0.00003933461],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025917763,0.0001472695,0.000189295,0.00011533499,0.00035615097,0.006945866,0.5021471,0.000120457305,0.0007615109,0.19940035,0.28585616,0.003934628],"study_design_scores_gemma":[0.00021171589,0.00013840488,0.00042628133,0.0007223726,0.00018431262,0.0070132124,0.09913675,0.0000071715867,0.00022099674,0.0024603643,0.8892945,0.00018391716],"about_ca_topic_score_codex":0.060517672,"about_ca_topic_score_gemma":0.91164637,"teacher_disagreement_score":0.8511287,"about_ca_system_score_codex":0.0009753537,"about_ca_system_score_gemma":0.0036708743,"threshold_uncertainty_score":0.999967},"labels":[],"label_agreement":null},{"id":"W3136680104","doi":"10.7202/1075347ar","title":"To All Who Should Be Concerned","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Inclusion (mineral); Normative; Order (exchange); Content (measure theory); Power (physics); Indigenous; White (mutation); Music education; Sociology; Art; Humanities; Pedagogy; Gender studies; Mathematics; Epistemology; Philosophy; Physics; Chemistry","score_opus":0.15541508209207283,"score_gpt":0.278596697416767,"score_spread":0.12318161532469418,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3136680104","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5600766,0.00017469744,0.00010616056,0.0332331,0.020617727,0.0001164609,0.00010099256,0.000020407517,0.38555384],"genre_scores_gemma":[0.9546597,0.000002238078,0.000069490474,0.01783555,0.0015414449,0.0000030813976,0.000004455256,0.000015200625,0.025868827],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992186,0.00004243603,0.00028331572,0.00010984372,0.00014094119,0.00020490197],"domain_scores_gemma":[0.99849993,0.000039158032,0.00010210104,0.00015270065,0.00067491183,0.0005312219],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009447195,0.00009375703,0.00015117493,0.00043704273,0.0002529971,0.00030119336,0.00017113927,0.00003128462,0.037726507],"category_scores_gemma":[0.000103902894,0.00009227611,0.0001267404,0.00010117953,0.000111584835,0.00024255626,0.000012134168,0.00020499375,0.00016737753],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004831959,0.00002104786,0.00011127989,0.000003996374,0.00011834146,0.00018577145,0.1577979,0.000034092107,0.000058835314,0.06308729,0.7779668,0.0006098102],"study_design_scores_gemma":[0.00014982963,0.00006839095,0.00016436978,0.00005869279,0.000038276383,0.00013458722,0.054710254,0.0000027806734,0.00011770163,0.0003582727,0.94409627,0.00010057807],"about_ca_topic_score_codex":0.024148172,"about_ca_topic_score_gemma":0.75456595,"teacher_disagreement_score":0.7304178,"about_ca_system_score_codex":0.00026057745,"about_ca_system_score_gemma":0.0012117847,"threshold_uncertainty_score":0.9823501},"labels":[],"label_agreement":null},{"id":"W3136910119","doi":"10.7202/1075339ar","title":"Exploring Decolonization, Music, and Pedagogy","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Decolonization; Pedagogy; Sociology; Political science","score_opus":0.13141851255321485,"score_gpt":0.24613833818198283,"score_spread":0.11471982562876798,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3136910119","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9426593,0.00007076703,0.000036707883,0.00072028604,0.010576633,0.00007650418,0.000005949628,0.000008982788,0.045844834],"genre_scores_gemma":[0.9944289,0.000007338248,0.000038729773,0.0005344845,0.00091178657,0.0000036989597,0.0000017194463,0.000013730392,0.0040596505],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993889,0.00002735129,0.0002445006,0.00009399518,0.00008745484,0.00015785245],"domain_scores_gemma":[0.99911773,0.000042324104,0.00013726395,0.00010442346,0.00035646508,0.00024176227],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010070833,0.00008346776,0.00012184737,0.0006337095,0.0002683482,0.00019893145,0.000110198096,0.000020254802,0.01764871],"category_scores_gemma":[0.000044617365,0.00008059194,0.000054857566,0.00007166509,0.00012007686,0.0007089093,0.000008941159,0.00015007221,0.00019508389],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016018832,0.000051180086,0.012930448,0.00003848706,0.00020873982,0.000060700306,0.6647363,0.0002064657,0.000054875985,0.2298479,0.08614328,0.0057056583],"study_design_scores_gemma":[0.00031242092,0.00014020318,0.0051271385,0.00007726954,0.00003769404,0.0001471547,0.107650526,0.000030059064,0.000015335365,0.0005481002,0.88576955,0.00014457278],"about_ca_topic_score_codex":0.014256143,"about_ca_topic_score_gemma":0.45532912,"teacher_disagreement_score":0.79962623,"about_ca_system_score_codex":0.00013019142,"about_ca_system_score_gemma":0.00052895496,"threshold_uncertainty_score":0.992308},"labels":[],"label_agreement":null},{"id":"W3136990615","doi":"10.7202/1075343ar","title":"How We Got into Drum Circles, and How to Get Out: De-Essentializing African Music","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"African cultural and philosophical studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Drum; Appropriation; Representation (politics); Singing; Visual arts; Art; History; Sociology; Linguistics; Acoustics; Political science; Philosophy","score_opus":0.050296454401615,"score_gpt":0.2648258811753381,"score_spread":0.2145294267737231,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3136990615","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38753918,0.0018214562,0.000779664,0.5984053,0.0025858397,0.00013318902,0.00003278469,0.00002092196,0.008681662],"genre_scores_gemma":[0.9954349,0.00008321805,0.0003353231,0.0009983289,0.0013442953,0.0000039042907,8.2313807e-7,0.0000098981345,0.001789322],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988755,0.0001818653,0.00015784726,0.00017174668,0.00021727165,0.000395789],"domain_scores_gemma":[0.99840885,0.000082416,0.00011861345,0.00008729226,0.00035098262,0.0009518571],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028069795,0.000119286786,0.00022173866,0.00021060521,0.0010955253,0.00042886683,0.00020033763,0.00007331449,0.00018960514],"category_scores_gemma":[0.00056518236,0.00010997517,0.0001305481,0.00052846916,0.00030618053,0.00025599,0.000039598825,0.00028924376,0.000005355766],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003254542,0.00007086826,0.0052634752,0.00005900729,0.0005935226,0.0011472295,0.70084023,0.000026942167,0.0043063876,0.024292745,0.19887595,0.064491086],"study_design_scores_gemma":[0.00015347765,0.00010157251,0.0018328911,0.00012376434,0.000063433086,0.000117560616,0.20261241,0.0000025190222,0.00008584317,0.008587425,0.78610843,0.00021064407],"about_ca_topic_score_codex":0.027533423,"about_ca_topic_score_gemma":0.8481841,"teacher_disagreement_score":0.8206507,"about_ca_system_score_codex":0.00045246928,"about_ca_system_score_gemma":0.00071985926,"threshold_uncertainty_score":0.97894233},"labels":[],"label_agreement":null},{"id":"W3137100602","doi":"10.7202/1075346ar","title":"The Long and Narrow Road: An Inuit Student’s Journey Through Post-Secondary Music","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Indigenous Health, Education, and Rights","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Canadian University Music Society; University of British Columbia","funders":"","keywords":"Curriculum; Context (archaeology); Indigenous; Music education; Pedagogy; Eurocentrism; Isolation (microbiology); Sociology; History; Anthropology; Archaeology; Ecology","score_opus":0.026271919633582826,"score_gpt":0.3013750170101281,"score_spread":0.27510309737654526,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3137100602","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9631871,0.0019996767,0.000012551205,0.0025530993,0.006044473,0.00014329102,0.000014963805,0.000007915949,0.02603691],"genre_scores_gemma":[0.9917017,0.0007752063,0.00005596084,0.00058824,0.001545619,9.37028e-7,0.0000026403318,0.000014203405,0.005315451],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982577,0.00046634115,0.00039800484,0.00014975533,0.00026362567,0.00046460202],"domain_scores_gemma":[0.9979723,0.00010127534,0.00022855782,0.0001813001,0.00082737755,0.00068919355],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009269199,0.000108652705,0.00015620654,0.00021051457,0.009218831,0.0004292962,0.00032178545,0.00010367219,0.0013416971],"category_scores_gemma":[0.000037706835,0.0000839012,0.00009953018,0.00035133708,0.00039805533,0.0006746304,0.0000018851651,0.0005143589,0.000011816237],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000063119273,0.0000433922,0.0014013657,0.000006835963,0.00006382108,0.00014786521,0.98271626,0.0000054330067,0.0000058493665,0.009788407,0.0018268356,0.003987643],"study_design_scores_gemma":[0.00024244569,0.00019151934,0.035472795,0.00006120838,0.000045953188,0.00082872226,0.39866298,0.0000012513237,0.00002075636,0.0014737019,0.5628427,0.00015593179],"about_ca_topic_score_codex":0.6433008,"about_ca_topic_score_gemma":0.9998051,"teacher_disagreement_score":0.5840533,"about_ca_system_score_codex":0.0006629301,"about_ca_system_score_gemma":0.051596962,"threshold_uncertainty_score":0.9995712},"labels":[],"label_agreement":null},{"id":"W3137626356","doi":"10.7202/1075348ar","title":"Dylan Robinson. 2020. Hungry Listening: Resonant Theory for Indigenous Sound Studies. Minneapolis: University of Minnesota Press. 319 pp. ISBN 978-1-5179-0768-6 (hardcover), ISBN 978-1-5179-0769-3 (paperback)","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Active listening; Indigenous; Media studies; Sociology; Communication","score_opus":0.05559030357221818,"score_gpt":0.22285846736293535,"score_spread":0.16726816379071718,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3137626356","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9142636,0.031230314,0.00011917677,0.003170549,0.01332306,0.001866915,0.0024724929,0.00008925942,0.03346463],"genre_scores_gemma":[0.9792555,0.0016500449,0.0001547488,0.000854094,0.0013743138,0.000010743584,0.000027968423,0.00007090092,0.016601704],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974408,0.00020968626,0.00075761153,0.00044245445,0.0003554049,0.00079404993],"domain_scores_gemma":[0.996734,0.00051110255,0.0007875076,0.0003915332,0.0011187214,0.00045711722],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00064876984,0.00042563616,0.0009026565,0.00031270014,0.0011712674,0.0002680143,0.00078987604,0.00017590467,0.0028245249],"category_scores_gemma":[0.0002917614,0.0003860879,0.0006608585,0.00018395897,0.00096939004,0.00057421956,0.00016328243,0.00055044517,0.00009191489],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009510102,0.0003592652,0.0018650129,0.00032229818,0.0035545088,0.00058926933,0.19115183,0.00023668788,0.00013887632,0.03800123,0.7593808,0.003449211],"study_design_scores_gemma":[0.0014001093,0.0013824493,0.00063392293,0.0002727641,0.00044084623,0.00012212523,0.12201324,0.000014767635,0.00001661906,0.0017559837,0.87152666,0.00042052],"about_ca_topic_score_codex":0.021825224,"about_ca_topic_score_gemma":0.2947774,"teacher_disagreement_score":0.27295217,"about_ca_system_score_codex":0.00082503963,"about_ca_system_score_gemma":0.0008205617,"threshold_uncertainty_score":0.9998591},"labels":[],"label_agreement":null},{"id":"W3137683654","doi":"10.7202/1075341ar","title":"Decolonizing Desires and Unsettling Musicology: A Settler’s Personal Story of Researching and Teaching Indigenous Music at an American University","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Indigenous; Musicology; Colonialism; Decolonization; Curriculum; Sociology; Power (physics); Visual arts; Media studies; Section (typography); Pedagogy; History; Art; Political science; Archaeology; Law","score_opus":0.0702632681669357,"score_gpt":0.25047421091062677,"score_spread":0.18021094274369107,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3137683654","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99575293,0.00016716756,0.000022193617,0.0006632262,0.0009326145,0.00006190913,0.000046867277,0.000007860307,0.0023452416],"genre_scores_gemma":[0.9982471,0.000009211691,0.00028632354,0.00039000812,0.00031897513,4.834374e-7,0.000004738433,0.000014328839,0.0007288427],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9988277,0.00040959555,0.00020533921,0.00017503102,0.00013332268,0.0002490045],"domain_scores_gemma":[0.9987179,0.00024568112,0.00024299524,0.00010318028,0.00030306017,0.0003871507],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0004772627,0.00011072552,0.00021638471,0.0007741875,0.0016771546,0.00013596761,0.00012232641,0.000034555876,0.0007706219],"category_scores_gemma":[0.00016839194,0.00012136492,0.000066235356,0.00007672792,0.0007951487,0.00040875282,0.00004391716,0.00055388233,0.0000020762366],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048348233,0.000071531176,0.012437257,0.000040853727,0.00022974783,0.0004987814,0.9645282,0.000025893212,0.00073772157,0.008284953,0.0050861374,0.008010568],"study_design_scores_gemma":[0.0006197449,0.00056437455,0.029045723,0.00023740264,0.00015846959,0.0009473209,0.82263476,0.000100869955,0.000054108405,0.00025505075,0.14509214,0.0002900543],"about_ca_topic_score_codex":0.034183,"about_ca_topic_score_gemma":0.73780113,"teacher_disagreement_score":0.7036181,"about_ca_system_score_codex":0.00046424224,"about_ca_system_score_gemma":0.0011978043,"threshold_uncertainty_score":0.9996225},"labels":[],"label_agreement":null},{"id":"W3137891554","doi":"","title":"Translation in university dissertations : A study of swedish (and finnish) dissertations of the 19th century and earlier","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Translation Studies and Practices","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Library science; Computer science","score_opus":0.03414888719646108,"score_gpt":0.23218139107376856,"score_spread":0.19803250387730748,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3137891554","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9944109,0.00013910502,0.000012153258,0.00045023992,0.00036080484,0.00009729323,0.000024629588,0.0000011764145,0.0045037474],"genre_scores_gemma":[0.9998003,0.000018149918,0.000017595055,0.000013415614,0.00004333886,4.20614e-7,4.9378167e-7,0.000003205005,0.00010306521],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99956954,0.000054034837,0.00020350741,0.000051783954,0.000060300834,0.00006082191],"domain_scores_gemma":[0.99949014,0.00009782075,0.00015369948,0.00005135031,0.00015690924,0.000050104118],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008500411,0.00004621989,0.00009383743,0.00022643858,0.00031716083,0.00002376559,0.000057314883,0.000012649863,0.00019568922],"category_scores_gemma":[0.000016713346,0.00003721742,0.000033460114,0.00011647258,0.00021258091,0.00024271307,0.0000031843117,0.00009559509,2.4866827e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008052551,0.0001312761,0.085584715,0.000019790861,0.0001634762,0.0000042382626,0.89939654,0.00003466152,0.000081164384,0.0048019546,0.00019822219,0.009503406],"study_design_scores_gemma":[0.0006796847,0.00032613002,0.42372808,0.00008058888,0.00012763827,0.000009121281,0.5452825,0.000038630726,0.0000092194505,0.00015040564,0.029503187,0.00006482109],"about_ca_topic_score_codex":0.03990582,"about_ca_topic_score_gemma":0.94550884,"teacher_disagreement_score":0.90560305,"about_ca_system_score_codex":0.00001389463,"about_ca_system_score_gemma":0.00008183872,"threshold_uncertainty_score":0.9664875},"labels":[],"label_agreement":null},{"id":"W3138534296","doi":"10.7202/1075342ar","title":"Building Relationships, Sustaining Communities: Decolonial Directions in Higher Ed Bluegrass Pedagogy","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Colonialism; Identity (music); Style (visual arts); Sociology; Resource (disambiguation); Higher education; Media studies; History; Political science; Aesthetics; Art; Archaeology; Law; Computer science","score_opus":0.0777635074837632,"score_gpt":0.26678442274650205,"score_spread":0.18902091526273884,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3138534296","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87523305,0.0012287991,0.00017570863,0.0017031849,0.011680578,0.000093117655,0.00003365546,0.000027415721,0.10982451],"genre_scores_gemma":[0.98960084,0.0000057058946,0.00013022468,0.00038119,0.001095323,0.000006449516,0.00000702097,0.000016363732,0.008756876],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99890876,0.0002594047,0.00039686597,0.0000860639,0.000097244156,0.0002516835],"domain_scores_gemma":[0.9989548,0.00013835731,0.00015192955,0.00014420334,0.00039540205,0.00021535766],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027245184,0.00011449016,0.00018903457,0.00058206095,0.0012818461,0.00016959384,0.00015532698,0.00007815034,0.023271171],"category_scores_gemma":[0.00011459504,0.00011939175,0.00013995434,0.00017648704,0.00018573961,0.0003286556,0.000011663306,0.0008594597,0.00001746994],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026220048,0.00013002397,0.006218947,0.00002934841,0.00020785582,0.0007703361,0.65714645,0.0009991515,0.000059216065,0.20017107,0.13203289,0.0022084953],"study_design_scores_gemma":[0.00028951536,0.000047570553,0.0022944678,0.00012901449,0.0000394753,0.00023807543,0.19564083,0.000024005069,0.0000041843628,0.00074543443,0.80041766,0.00012975109],"about_ca_topic_score_codex":0.036032274,"about_ca_topic_score_gemma":0.9751673,"teacher_disagreement_score":0.939135,"about_ca_system_score_codex":0.0005480231,"about_ca_system_score_gemma":0.0011158806,"threshold_uncertainty_score":0.9859053},"labels":[],"label_agreement":null},{"id":"W3138950768","doi":"10.7202/1075344ar","title":"Decolonization in “Wild Schools”: Local Music Pedagogies in Indonesia’s Taman Siswa School System","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Asian Studies and History","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Decolonization; Colonialism; Independence (probability theory); Institution; Government (linguistics); Political science; Certification; Pedagogy; Sociology; Public administration; Law","score_opus":0.025891745137132074,"score_gpt":0.2642640136929526,"score_spread":0.23837226855582053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3138950768","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95423424,0.0012850391,0.0011498396,0.0029666605,0.0036927618,0.00018049867,0.0000066233642,0.00001993258,0.036464408],"genre_scores_gemma":[0.9989723,0.00003307962,0.00007391275,0.00013527804,0.0003985856,0.0000078041385,0.0000012436948,0.000012855897,0.000364925],"study_design_codex":"observational","study_design_gemma":"qualitative","domain_scores_codex":[0.99850523,0.00027293037,0.000482363,0.0001586433,0.00021352513,0.0003673235],"domain_scores_gemma":[0.9989396,0.00004925551,0.00018515112,0.00011782204,0.00031478947,0.00039340043],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00049695146,0.00010729223,0.00025306392,0.0009560628,0.00048631337,0.0000935983,0.00020446221,0.00012344343,0.00039518822],"category_scores_gemma":[0.00030213114,0.00012332613,0.00010739816,0.0010361444,0.00019059349,0.0003274334,0.000018137462,0.00052961445,0.00003156154],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000082784136,0.00021100076,0.5942587,0.00013922244,0.00023366966,0.0063991183,0.26341665,0.0046739527,0.00006425233,0.019841466,0.085047364,0.025631819],"study_design_scores_gemma":[0.0005198065,0.000051553892,0.09937275,0.00038663988,0.000023425482,0.00015542921,0.8746759,0.000045462446,0.00000441894,0.00008366977,0.024514342,0.00016660141],"about_ca_topic_score_codex":0.14231631,"about_ca_topic_score_gemma":0.9861909,"teacher_disagreement_score":0.8438746,"about_ca_system_score_codex":0.00319032,"about_ca_system_score_gemma":0.0047507486,"threshold_uncertainty_score":0.8633951},"labels":[],"label_agreement":null},{"id":"W3139306653","doi":"10.7202/1075340ar","title":"Expanding the University Music Ensemble: Lessons from an Intercultural Collaboration","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Indigenous; Curriculum; Sociology; Music education; Pedagogy; Gesture; Visual arts; Order (exchange); Mathematics education; Psychology; Art; Computer science","score_opus":0.06800158585084407,"score_gpt":0.25448770694544415,"score_spread":0.18648612109460008,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3139306653","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9596577,0.0000818264,0.0001268997,0.005547132,0.009171112,0.000055862158,0.00010328068,0.000012338808,0.025243841],"genre_scores_gemma":[0.99396247,0.000004581748,0.000045276887,0.00086923613,0.0013596623,6.1680504e-7,0.000024725852,0.000009385347,0.0037240244],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9992399,0.00015112832,0.00021030846,0.00012473317,0.00011864267,0.00015523958],"domain_scores_gemma":[0.9985752,0.00006696475,0.00016788454,0.00017569603,0.0007772827,0.00023696624],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010072265,0.0000978641,0.00012151284,0.00025837572,0.0009648191,0.00045958973,0.00022556324,0.000036394642,0.010924644],"category_scores_gemma":[0.00006268129,0.00008001678,0.0000956885,0.0001886702,0.0002064761,0.0007905497,0.000014270608,0.00024495675,0.000050946528],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017616707,0.00005350792,0.00018272149,0.000003667589,0.0002030345,0.00023756073,0.7606989,0.000077542456,0.0008579888,0.055801902,0.17939503,0.0024705206],"study_design_scores_gemma":[0.00019071098,0.00004185893,0.00056437287,0.0000573774,0.00007177059,0.00007060247,0.5708299,0.000015188023,0.0001799258,0.0005355555,0.42734897,0.00009377613],"about_ca_topic_score_codex":0.03437926,"about_ca_topic_score_gemma":0.9087384,"teacher_disagreement_score":0.87435913,"about_ca_system_score_codex":0.00041168116,"about_ca_system_score_gemma":0.001209066,"threshold_uncertainty_score":0.9899795},"labels":[],"label_agreement":null},{"id":"W3170565860","doi":"","title":"Leadership in a Pandemic: Grace-Filled Lessons in Unprecedented Times","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Leadership, Courage, and Heroism Studies","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pandemic; Coronavirus disease 2019 (COVID-19); History; Political science; Medicine; Internal medicine","score_opus":0.22073767061255706,"score_gpt":0.3317360654112616,"score_spread":0.11099839479870455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3170565860","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96606517,0.0025830495,0.00006560681,0.016198335,0.0029345485,0.0001088974,0.000011791251,0.0000140935545,0.012018488],"genre_scores_gemma":[0.9944359,0.000033425702,0.000034432498,0.00060562044,0.00020197776,0.000011175169,0.000002577635,0.000022548877,0.004652311],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99824005,0.0003101845,0.0005495506,0.00022098319,0.00012311533,0.00055610156],"domain_scores_gemma":[0.99901986,0.0001754797,0.00016175657,0.00019642142,0.00016937428,0.0002771085],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000417705,0.0001635076,0.00035509444,0.0011659502,0.0001118824,0.000046961897,0.0002124139,0.00015472833,0.0036513347],"category_scores_gemma":[0.00021742648,0.00016892068,0.00017449941,0.0007993958,0.00013552567,0.00014067165,0.000011640151,0.0008616025,0.00008925904],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029824697,0.00060034,0.31437093,0.00008503088,0.0010319169,0.009772055,0.5339501,0.00032442785,0.0007739759,0.0042325193,0.12308655,0.011473934],"study_design_scores_gemma":[0.0025353283,0.000164759,0.121381156,0.00051054807,0.00006264392,0.0018193974,0.86257476,0.000016716298,0.00004511447,0.00073440943,0.009854643,0.0003005529],"about_ca_topic_score_codex":0.028547896,"about_ca_topic_score_gemma":0.9171084,"teacher_disagreement_score":0.88856053,"about_ca_system_score_codex":0.00048702827,"about_ca_system_score_gemma":0.000731772,"threshold_uncertainty_score":0.99725944},"labels":[],"label_agreement":null},{"id":"W3171241865","doi":"","title":"Keeping Close From a Distance: Pandemic Reflections of a Library Coordinator","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Library Science and Administration","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pandemic; History; Library science; Coronavirus disease 2019 (COVID-19); Geography; Media studies; Computer science; Sociology; Medicine","score_opus":0.04120193848359355,"score_gpt":0.2999489444448001,"score_spread":0.25874700596120653,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3171241865","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9617263,0.00041308568,0.0007187268,0.0035474144,0.002350585,0.00005248808,0.00006866057,0.000015702719,0.031107033],"genre_scores_gemma":[0.99725735,0.00004477185,0.0004317884,0.00045478405,0.00047655465,0.0000012400318,0.0000055389096,0.000006066387,0.0013219259],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990977,0.0001390586,0.00031280902,0.00010784331,0.00016034217,0.00018224123],"domain_scores_gemma":[0.9991062,0.00009279296,0.0001964061,0.00010327786,0.00013813456,0.00036317052],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016963338,0.000057521003,0.00013306852,0.00024342202,0.00043247957,0.00013043226,0.00020241951,0.000063445106,0.0019989305],"category_scores_gemma":[0.00021598589,0.000060681945,0.00012263937,0.00083444617,0.00023191757,0.0013375083,0.000008730719,0.00020038213,0.0000063192983],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000103103885,0.00027168338,0.54218024,0.00003755479,0.00043015537,0.0010637111,0.22644883,0.00013892906,0.01434905,0.09016994,0.10033618,0.024470642],"study_design_scores_gemma":[0.0006779991,0.0002918573,0.04583001,0.000577432,0.000108892185,0.00020797824,0.19984439,0.000035905246,0.0038151713,0.03824627,0.7099766,0.00038745528],"about_ca_topic_score_codex":0.023215339,"about_ca_topic_score_gemma":0.5070628,"teacher_disagreement_score":0.6096405,"about_ca_system_score_codex":0.00011009311,"about_ca_system_score_gemma":0.0051864465,"threshold_uncertainty_score":0.99891335},"labels":[],"label_agreement":null},{"id":"W3172674040","doi":"","title":"Unconventional Wisdom and Talking About God: A Review of Beckstrom's 'Leading Lutheran Higher Education in a Secular Age'","year":2021,"lang":"en","type":"review","venue":"Intersections Canadian Journal of Music","topic":"Catholicism and Religious Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Secular variation; Religious studies; History; Philosophy; Theology; Sociology; Demography","score_opus":0.04716866583787028,"score_gpt":0.29951591713257325,"score_spread":0.252347251294703,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3172674040","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002505281,0.988919,0.0000017135147,0.000150675,0.0028443187,0.0002020197,0.00006199165,0.0000028309103,0.0075669005],"genre_scores_gemma":[0.001986458,0.99319685,0.00001863433,0.0002581742,0.00090308517,0.000017306464,0.000030112775,0.000027836675,0.0035615403],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99850726,0.0001288452,0.0008774147,0.00015878571,0.00013544153,0.00019227451],"domain_scores_gemma":[0.9987799,0.000055341854,0.0006075849,0.00013124297,0.00027883094,0.00014710933],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026833365,0.00022305152,0.0011333214,0.00089485233,0.00018936925,0.000095828844,0.00014056757,0.000080260106,0.0015363097],"category_scores_gemma":[0.000041393076,0.00018909118,0.00057235674,0.0001559406,0.00024224681,0.00009757435,0.00002017609,0.0004386752,0.0000047952603],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000052110313,0.00016883072,0.000039703253,0.0871923,0.0019415506,0.00061791355,0.053283866,0.0000019514994,0.0000010299023,0.0396192,0.1053373,0.71179116],"study_design_scores_gemma":[0.00008342124,0.00003242582,0.000008895063,0.16216354,0.0005081803,0.000500053,0.0017870034,5.730882e-8,3.25969e-8,0.00014206015,0.8346401,0.00013424564],"about_ca_topic_score_codex":0.016544148,"about_ca_topic_score_gemma":0.23717578,"teacher_disagreement_score":0.72930276,"about_ca_system_score_codex":0.0003009143,"about_ca_system_score_gemma":0.0020185334,"threshold_uncertainty_score":0.9993764},"labels":[],"label_agreement":null},{"id":"W3179879784","doi":"","title":"Preaching in Christ Chapel on Yom HaShoah: Reflections on Interfaith Relations at a Lutheran College","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Jewish and Middle Eastern Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Chapel; Theology; Religious studies; Art; Philosophy; History","score_opus":0.06896938044745111,"score_gpt":0.30953996259153527,"score_spread":0.24057058214408417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3179879784","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76334023,0.00047825987,0.000114052425,0.004886649,0.0029882824,0.00013565292,0.00005886322,0.000015628502,0.22798239],"genre_scores_gemma":[0.9898685,0.000019062274,0.000049054655,0.0005775064,0.00042128473,0.000007515529,0.0000018970485,0.000014251811,0.009040887],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9987034,0.00024808766,0.0003458718,0.00016981745,0.00020208536,0.0003307249],"domain_scores_gemma":[0.99903375,0.0001422512,0.00014708606,0.00013341491,0.00020178039,0.00034172696],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003695135,0.00011555667,0.0001880704,0.0007227546,0.0011601979,0.00007493225,0.0001538193,0.000082247134,0.0003898147],"category_scores_gemma":[0.0004417954,0.00011894412,0.00014490195,0.00068404776,0.00016593296,0.00017629936,0.000015214892,0.0005106545,0.00007809301],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036604598,0.0009877856,0.12361741,0.000031183055,0.000981879,0.0023872715,0.6110511,0.002801793,0.001263622,0.17538585,0.055003975,0.0261221],"study_design_scores_gemma":[0.0023572189,0.0011534935,0.0596997,0.0017860971,0.00013114254,0.00064997043,0.50354034,0.000084040985,0.00018359306,0.0037888929,0.42591286,0.0007126445],"about_ca_topic_score_codex":0.03699622,"about_ca_topic_score_gemma":0.98210865,"teacher_disagreement_score":0.94511247,"about_ca_system_score_codex":0.0015111709,"about_ca_system_score_gemma":0.0010708189,"threshold_uncertainty_score":0.9694165},"labels":[],"label_agreement":null},{"id":"W3183694755","doi":"","title":"Down and out: First Year Students Encounter Lutheran Theology","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Religious Education and Schools","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Theology; Art; Philosophy; History; Sociology; Religious studies; Psychology","score_opus":0.021298182207877155,"score_gpt":0.3009734174397206,"score_spread":0.27967523523184346,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3183694755","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9381884,0.0003595588,0.0001031102,0.0068075,0.0040520253,0.00005282835,0.0000055077007,0.000004975729,0.050426126],"genre_scores_gemma":[0.9934214,0.00012570118,0.000054584856,0.00078914,0.00040431347,0.0000013479853,4.5701321e-7,0.000004927853,0.0051981355],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99934506,0.00011432671,0.00016897821,0.00007608088,0.00013264723,0.00016290981],"domain_scores_gemma":[0.9992295,0.000048623766,0.00007211892,0.0000754276,0.00022262937,0.00035169633],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030892456,0.000048447357,0.00009273529,0.00018377037,0.0003838904,0.00015339423,0.00015796103,0.000053611933,0.0027673673],"category_scores_gemma":[0.00019067951,0.000046800902,0.00006008462,0.0001353508,0.00014557381,0.00006194006,0.0000072443577,0.00017099027,0.00005094959],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016126833,0.000044150253,0.34446865,0.0000064735946,0.00020921881,0.0002331062,0.28722677,0.000013076933,0.00005664779,0.012076699,0.35269833,0.0029507652],"study_design_scores_gemma":[0.0010049668,0.00015254412,0.08578966,0.00017971008,0.000079465026,0.0004713037,0.21530421,0.0000027222918,0.000039737606,0.017940374,0.6787343,0.00030102054],"about_ca_topic_score_codex":0.013538959,"about_ca_topic_score_gemma":0.7384354,"teacher_disagreement_score":0.72489643,"about_ca_system_score_codex":0.00016755794,"about_ca_system_score_gemma":0.001046387,"threshold_uncertainty_score":0.9981442},"labels":[],"label_agreement":null},{"id":"W3183710444","doi":"","title":"Vocation Outside of Career: Discovering Purpose Through Comics","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Educational Games and Gamification","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Visual arts; History; Sociology; Art; Literature","score_opus":0.0538777741500079,"score_gpt":0.3026610446697362,"score_spread":0.24878327051972832,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3183710444","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93572545,0.0011366331,0.012786231,0.002579064,0.0064426274,0.00009663449,0.000061134415,0.000009801592,0.041162446],"genre_scores_gemma":[0.9964777,0.000012913352,0.00062024174,0.00024043614,0.00026561882,0.000003856301,0.0000128375605,0.000018448718,0.0023479257],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993099,0.00005448786,0.0003315675,0.0000940186,0.00008236014,0.00012767587],"domain_scores_gemma":[0.9990974,0.000040927785,0.00024574954,0.00019323759,0.0002961665,0.0001265115],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010160165,0.00006515667,0.0001240867,0.00021475727,0.00005238943,0.000022632903,0.00011784998,0.000052779735,0.0008568868],"category_scores_gemma":[0.00007269348,0.00007047512,0.00010143204,0.0002602429,0.00006310546,0.000121336525,0.000005583938,0.00015134696,0.000014698554],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011112932,0.00069788285,0.118939996,0.00012529215,0.0014744645,0.0003230118,0.296748,0.002015888,0.012121474,0.22567925,0.29214826,0.049615324],"study_design_scores_gemma":[0.0015990421,0.0004245602,0.33089727,0.000540715,0.00031180488,0.0032352179,0.26734632,0.000059305192,0.0043538404,0.0056180493,0.38507068,0.0005432115],"about_ca_topic_score_codex":0.03416252,"about_ca_topic_score_gemma":0.20263055,"teacher_disagreement_score":0.2200612,"about_ca_system_score_codex":0.00014776901,"about_ca_system_score_gemma":0.00059878244,"threshold_uncertainty_score":0.97226906},"labels":[],"label_agreement":null},{"id":"W3192372673","doi":"","title":"Why Lutheran Colleges Need to Engage Civil Society","year":2012,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Catholicism and Religious Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science; Civil society; Law; Media studies; Sociology; History","score_opus":0.03177072646935899,"score_gpt":0.21685279867480023,"score_spread":0.18508207220544123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3192372673","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86773086,0.0028503241,0.00016380544,0.0107218,0.013099195,0.000217077,0.00013736427,0.00003232883,0.105047226],"genre_scores_gemma":[0.98906946,0.000027589074,0.00005059765,0.0053197257,0.0021618512,0.000004742224,8.347624e-7,0.000017293081,0.0033479154],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992212,0.000034687964,0.00024099776,0.00006292268,0.000102002894,0.00033816887],"domain_scores_gemma":[0.9991362,0.000043313696,0.00008618072,0.000097346514,0.00019805675,0.00043886708],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022725345,0.00011301249,0.00017446539,0.00031144635,0.0008556457,0.0001078671,0.00013241607,0.000034156885,0.0017133601],"category_scores_gemma":[0.000032976084,0.00009263457,0.00024793134,0.00008890261,0.00015531534,0.00017204383,0.00001322942,0.00025147476,0.00005727663],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000046902637,0.000016025926,0.00021870715,0.0000047215094,0.00010484879,0.0000056060294,0.34477976,0.000008396814,0.00005224261,0.0030420145,0.65157837,0.000184633],"study_design_scores_gemma":[0.0001662345,0.000091608796,0.00027954057,0.000044635115,0.00004681965,0.00010691349,0.106975555,0.0000017433716,0.000019776282,0.00009689926,0.8920596,0.00011063997],"about_ca_topic_score_codex":0.04504597,"about_ca_topic_score_gemma":0.7442467,"teacher_disagreement_score":0.69920075,"about_ca_system_score_codex":0.000154288,"about_ca_system_score_gemma":0.00014979241,"threshold_uncertainty_score":0.9991992},"labels":[],"label_agreement":null},{"id":"W3194402112","doi":"","title":"(Re)Defining Vocation: Gladly Challenging a Vocational Giant","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Higher Education and Employability","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Vocational education; Psychology; Pedagogy","score_opus":0.048646678112196175,"score_gpt":0.31210656725883523,"score_spread":0.26345988914663904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3194402112","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6920629,0.0019292266,0.0062828315,0.1209951,0.017556679,0.00019808392,0.000028873854,0.00005729802,0.16088898],"genre_scores_gemma":[0.9965501,0.000017529414,0.0007627121,0.00074956665,0.00070768635,0.0000037748246,0.000003922647,0.000007752377,0.00119697],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99893934,0.00017987585,0.00031066904,0.00011681536,0.00021528096,0.00023804302],"domain_scores_gemma":[0.99838835,0.0001146345,0.00012982532,0.000128232,0.00074556493,0.0004933671],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006207565,0.00006725314,0.00011047848,0.00028525415,0.00073555385,0.00011483131,0.00016592312,0.00006246233,0.0051542483],"category_scores_gemma":[0.0006643128,0.00007642553,0.000114010334,0.0005322546,0.00014958657,0.00023374466,0.0000059919785,0.0002356292,0.00008081366],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018730925,0.00030062508,0.071261026,0.000040404775,0.0003392056,0.00026386898,0.58958405,0.00074689207,0.00021571548,0.17259738,0.10841682,0.05621531],"study_design_scores_gemma":[0.00044256164,0.00007280811,0.13286968,0.00021104378,0.00006263259,0.00022393162,0.2376413,0.000031312517,0.000084468185,0.005257722,0.62276614,0.0003364021],"about_ca_topic_score_codex":0.03192007,"about_ca_topic_score_gemma":0.7232303,"teacher_disagreement_score":0.6913102,"about_ca_system_score_codex":0.0005940035,"about_ca_system_score_gemma":0.005879519,"threshold_uncertainty_score":0.9997562},"labels":[],"label_agreement":null},{"id":"W3194425331","doi":"","title":"Teaching as an Expression of a Love Ethic","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Critical and Liberation Pedagogy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Expression (computer science); Philosophy; Epistemology; Sociology; Psychology; Psychoanalysis; Computer science; Programming language","score_opus":0.04972939616286947,"score_gpt":0.35402142510529716,"score_spread":0.3042920289424277,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3194425331","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9037779,0.00007385101,0.0005546772,0.008290795,0.0012712106,0.000028114633,0.0000062191234,0.0000039122706,0.08599335],"genre_scores_gemma":[0.99527085,0.000003055796,0.00027688942,0.0006697586,0.00045534666,2.6419602e-7,7.9384637e-7,0.00000432906,0.0033187212],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990965,0.0003055444,0.00022950825,0.00006783408,0.00015828699,0.00014232755],"domain_scores_gemma":[0.9990111,0.000091001035,0.00007786217,0.00007373495,0.00032646014,0.00041983067],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043552855,0.000041329153,0.00009822092,0.00018703319,0.00025817254,0.000056180532,0.000111086796,0.00007014433,0.005070718],"category_scores_gemma":[0.00070357695,0.000040981726,0.00008284689,0.00014065942,0.00014136333,0.00027657236,0.0000057977604,0.00034997184,0.000019657238],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003881754,0.00024191545,0.0022985365,0.00003000958,0.00007158017,0.0006356787,0.64586747,0.00012314021,0.034789566,0.2775485,0.018147653,0.020207154],"study_design_scores_gemma":[0.00050764513,0.0003854446,0.0017935983,0.00037588138,0.00005859536,0.0004949951,0.4200845,0.000033153516,0.006807324,0.025675636,0.5435435,0.00023967991],"about_ca_topic_score_codex":0.117723525,"about_ca_topic_score_gemma":0.69892496,"teacher_disagreement_score":0.58120143,"about_ca_system_score_codex":0.000101009246,"about_ca_system_score_gemma":0.0020779548,"threshold_uncertainty_score":0.99583876},"labels":[],"label_agreement":null},{"id":"W3195076777","doi":"","title":"Shelter in Place: Reflections from March 22, 2020","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Posthumanist Ethics and Activism","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geography; History","score_opus":0.06326712057208317,"score_gpt":0.33590631940707216,"score_spread":0.272639198834989,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3195076777","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87615186,0.00031092533,0.00024741015,0.018957896,0.004302241,0.00006901976,0.000057067224,0.000009273366,0.09989432],"genre_scores_gemma":[0.9963874,0.000043151427,0.00016452013,0.00069218635,0.0007125806,0.0000021251972,0.0000027708634,0.000008905793,0.0019863558],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898195,0.00022482013,0.00024666596,0.000116341966,0.00017538147,0.00025482758],"domain_scores_gemma":[0.99909055,0.00014305853,0.00008846584,0.00010297267,0.00023564519,0.0003393311],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00042715686,0.00006572867,0.00012518719,0.0003165786,0.0004866104,0.00014706951,0.00017890555,0.00009929762,0.004978372],"category_scores_gemma":[0.0003217934,0.00007285267,0.000103782004,0.0005171028,0.00016027749,0.00022391329,0.000010937239,0.0006409898,0.000031343938],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015384318,0.00062917,0.03182058,0.000029701332,0.00084217277,0.01069294,0.5318058,0.0007851882,0.010931809,0.06743849,0.31468824,0.030182067],"study_design_scores_gemma":[0.00048061035,0.000075254815,0.020202316,0.00018121715,0.00003269337,0.00017387238,0.059444267,0.000022003556,0.00017172683,0.013725981,0.905274,0.00021610524],"about_ca_topic_score_codex":0.26363045,"about_ca_topic_score_gemma":0.98453593,"teacher_disagreement_score":0.7209055,"about_ca_system_score_codex":0.00057621713,"about_ca_system_score_gemma":0.0032223917,"threshold_uncertainty_score":0.9959312},"labels":[],"label_agreement":null},{"id":"W3195736984","doi":"","title":"Witnessing and Empty Empathy: A Comparison Between Joe Sacco’s Palestine and Jérôme Ruillier’s The Strange","year":2019,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Middle East and Rwanda Conflicts","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Palestine; Empathy; History; Ancient history; Art; Psychology; Social psychology","score_opus":0.04844563107929321,"score_gpt":0.28623616295232734,"score_spread":0.23779053187303414,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3195736984","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9899831,0.00072452624,0.00010077582,0.0025446487,0.0008686458,0.00012059364,0.000009971546,0.0000059761833,0.0056417827],"genre_scores_gemma":[0.9987174,0.000016799057,0.000045279045,0.00013583136,0.0005289704,8.2423315e-7,7.5085387e-7,0.000007631796,0.0005465009],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9991432,0.00012311879,0.00024290974,0.00009923646,0.00015836222,0.00023316909],"domain_scores_gemma":[0.9991277,0.00011513492,0.00016772725,0.000079253565,0.00012445306,0.00038574325],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005749779,0.000086319305,0.00018459548,0.00020839782,0.00064186304,0.00019977838,0.00014879109,0.00007039759,0.0002452623],"category_scores_gemma":[0.00008978526,0.000064965425,0.000050847942,0.00019058357,0.00033309072,0.00021323207,0.000010519982,0.00031053886,0.0000072749317],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014541227,0.000010201533,0.7792322,0.000016649086,0.0000957556,0.000021244785,0.17023548,0.00001448536,0.00006800656,0.0014351183,0.0011992101,0.047657114],"study_design_scores_gemma":[0.0007848034,0.00022615005,0.7143644,0.00034580802,0.00014119035,0.00015079488,0.11862747,0.000111637266,0.000018951341,0.00069344137,0.16426435,0.00027098824],"about_ca_topic_score_codex":0.038923,"about_ca_topic_score_gemma":0.53908837,"teacher_disagreement_score":0.50016534,"about_ca_system_score_codex":0.00008486052,"about_ca_system_score_gemma":0.00056460313,"threshold_uncertainty_score":0.9674769},"labels":[],"label_agreement":null},{"id":"W3212869655","doi":"10.47200/intersections.v6i2.686","title":"REGRESI LINEAR BERGANDA DALAM UJI PENGARUH SIKAP DAN PERILAKU TERHADAP KEINGINAN MENABUNG SANTRI PADA BANK SYARIAH","year":2021,"lang":"ms","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Islamic Finance and Communication","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Usury; Islam; Boarding school; Object (grammar); Research Object; Sharia; Economy; Psychology; Classical economics; Economics; Sociology; Business; Theology; Philosophy; Computer science; Business administration; Artificial intelligence","score_opus":0.02400446241407062,"score_gpt":0.25763042664094854,"score_spread":0.23362596422687792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3212869655","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9264091,0.0043925233,0.0005387351,0.021066532,0.009785225,0.00032050785,0.00003475773,0.00003287856,0.037419714],"genre_scores_gemma":[0.9889508,0.000876663,0.00033877607,0.000595627,0.0019017283,0.0000064236674,0.0000175895,0.000044805813,0.0072676023],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966778,0.00070166984,0.00095846714,0.0003560023,0.00048651945,0.0008195449],"domain_scores_gemma":[0.9968753,0.00021280588,0.00066351274,0.000679719,0.0009725219,0.00059614546],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001050284,0.00032514473,0.00052685593,0.00053010124,0.002064068,0.00042177527,0.0009737036,0.0002803047,0.0010974406],"category_scores_gemma":[0.00074872066,0.000352765,0.00045191305,0.0012517294,0.00045387718,0.0007120828,0.00008055932,0.0014065591,0.00004053884],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024978697,0.00072841387,0.021298576,0.00027899197,0.0023186274,0.0067501203,0.5769098,0.0018873492,0.008898111,0.059908938,0.16501522,0.1557561],"study_design_scores_gemma":[0.0011181965,0.0005565775,0.0086272005,0.0014174385,0.00044032233,0.0011866703,0.17019798,0.0005296874,0.0015972706,0.0008659704,0.81263083,0.000831884],"about_ca_topic_score_codex":0.06507256,"about_ca_topic_score_gemma":0.76752114,"teacher_disagreement_score":0.7024486,"about_ca_system_score_codex":0.0013731566,"about_ca_system_score_gemma":0.0070611886,"threshold_uncertainty_score":0.9998924},"labels":[],"label_agreement":null},{"id":"W3214545061","doi":"10.47200/intersections.v6i2.898","title":"PENINGKATAN AKTIVITAS DAN HASIL BELAJAR FISIKA MATERI HUKUM TERMODINAMIKA MENGGUNAKAN APLIKASI ZOOM CLOUD MEETINGS PADA SISWA KELAS XI IPA-1 SMA NEGERI 1 SIBORONGBORONG SEMESTER 2 TAHUN PELAJARAN 2020/2021","year":2021,"lang":"id","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Educational Methods and Outcomes","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mathematics education; Academic year; Psychology; Action research; SMA*; Class (philosophy); Mathematics; Physics; Computer science; Artificial intelligence; Combinatorics","score_opus":0.02677627175676617,"score_gpt":0.2904336423776177,"score_spread":0.26365737062085154,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3214545061","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9324144,0.0025210215,0.0007738261,0.022113096,0.025011746,0.00044453685,0.00023914546,0.00003626523,0.01644596],"genre_scores_gemma":[0.97975135,0.0002390274,0.003950972,0.0014145528,0.004175241,0.000020147003,0.000047404475,0.00013160816,0.010269695],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9928525,0.0018537852,0.0018061858,0.0009074465,0.0009987733,0.0015812736],"domain_scores_gemma":[0.99352235,0.0008835875,0.0013423396,0.0007337351,0.0013260695,0.002191914],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0020824866,0.0007761427,0.0011677247,0.0007623255,0.002578605,0.0013337156,0.0011999345,0.0005192822,0.0072752032],"category_scores_gemma":[0.0011442511,0.00084175257,0.0010041957,0.0015284324,0.00091956323,0.0011841657,0.00015632047,0.0015777719,0.000101410566],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004300069,0.0016857355,0.1880848,0.0008463669,0.006368604,0.012186499,0.54190814,0.0013181412,0.010402753,0.0067597544,0.14864747,0.081361726],"study_design_scores_gemma":[0.001438172,0.0007038477,0.08261845,0.0018109609,0.001053535,0.0020400493,0.2783073,0.00012451556,0.0013931983,0.00066628715,0.6281328,0.0017108374],"about_ca_topic_score_codex":0.046745576,"about_ca_topic_score_gemma":0.4749137,"teacher_disagreement_score":0.47948536,"about_ca_system_score_codex":0.0020003954,"about_ca_system_score_gemma":0.0062624076,"threshold_uncertainty_score":0.999703},"labels":[],"label_agreement":null},{"id":"W3216560198","doi":"10.47200/intersections.v6i2.820","title":"Integrasi Pendidikan Akidah dan Matematika dalam Novel Guru Aini Karya Andrea Hirata","year":2021,"lang":"id","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Education and Character Development","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Faith; Islam; Worship; Value (mathematics); Monotheism; Theology; Philosophy; Morality; Sociology; Mathematics education; Religious studies; Pedagogy; Epistemology; Psychology; Mathematics","score_opus":0.047770552988365085,"score_gpt":0.28389641661093934,"score_spread":0.23612586362257426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3216560198","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9011121,0.0007842262,0.00043566973,0.017655347,0.024857236,0.0002787672,0.00009949332,0.000024249593,0.054752942],"genre_scores_gemma":[0.9730126,0.00014315902,0.00038008828,0.0015933788,0.0012002736,0.00000768032,0.000029810071,0.000035839414,0.023597132],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971022,0.00031695646,0.0010810304,0.00034037651,0.00049410993,0.0006653152],"domain_scores_gemma":[0.99630725,0.000121085846,0.000678505,0.0003511917,0.001067503,0.0014744792],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00087021437,0.00030325036,0.000460978,0.00075914856,0.0009928507,0.0006564121,0.0006609339,0.00021855102,0.010378815],"category_scores_gemma":[0.0004843042,0.00031748394,0.00034549565,0.0010483317,0.00033819527,0.00061512634,0.000043703236,0.0008741994,0.00024185037],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004995674,0.0010059968,0.053903893,0.00023859004,0.0015746537,0.0014362931,0.64981747,0.000013090265,0.0036275391,0.012727512,0.26468852,0.010916528],"study_design_scores_gemma":[0.0007315801,0.00016316315,0.0827644,0.0011555079,0.00020052165,0.0015411348,0.3585442,0.000010065393,0.0008549133,0.000115142706,0.55336356,0.0005558174],"about_ca_topic_score_codex":0.020222617,"about_ca_topic_score_gemma":0.64840156,"teacher_disagreement_score":0.6281789,"about_ca_system_score_codex":0.00137908,"about_ca_system_score_gemma":0.011978467,"threshold_uncertainty_score":0.9999277},"labels":[],"label_agreement":null},{"id":"W3217784843","doi":"","title":"Vocational Discernment: A Comprehensive College Program","year":2002,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Education and Islamic Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Discernment; Vocational education; Mathematics education; Engineering; Computer science; Psychology; Pedagogy; Philosophy; Epistemology","score_opus":0.06402271756812275,"score_gpt":0.3076098973267047,"score_spread":0.24358717975858193,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3217784843","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55609506,0.0011265837,0.00010603914,0.03401481,0.008541973,0.00045199986,0.000052001255,0.000036965896,0.39957458],"genre_scores_gemma":[0.9937556,0.000044774235,0.00019480281,0.0004795184,0.00054354424,0.00000964491,5.558454e-7,0.0000049233527,0.0049666683],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931437,0.00007143097,0.00019386866,0.00006344699,0.00017300354,0.00018387349],"domain_scores_gemma":[0.99920994,0.000056749574,0.00010990965,0.000056630113,0.00031352666,0.00025325164],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001012045,0.000055563196,0.00009019939,0.00025066437,0.0006133403,0.000047333906,0.00013988919,0.000031811618,0.003980823],"category_scores_gemma":[0.00012138293,0.000054397275,0.000081466715,0.00032266506,0.00028488087,0.00013429514,0.0000042760003,0.00013215304,0.00006265339],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000061157884,0.00023835331,0.0089024585,0.000007923715,0.00024381532,0.00004342356,0.21144995,0.000024003735,0.000016660635,0.06435683,0.6757904,0.038920023],"study_design_scores_gemma":[0.00017295263,0.00008291686,0.010231116,0.000033656608,0.000018604525,0.00004581483,0.1096638,0.000022217338,0.0000023025902,0.0004896345,0.8791615,0.00007552494],"about_ca_topic_score_codex":0.012879684,"about_ca_topic_score_gemma":0.35240513,"teacher_disagreement_score":0.43766052,"about_ca_system_score_codex":0.00041575683,"about_ca_system_score_gemma":0.00046276758,"threshold_uncertainty_score":0.99692965},"labels":[],"label_agreement":null},{"id":"W4205553230","doi":"10.7202/1071671ar","title":"Éditorial","year":2020,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.039591404261962455,"score_gpt":0.2332498409744216,"score_spread":0.19365843671245916,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205553230","genre_codex":"editorial","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3509455,0.012277555,0.0025751148,0.11193897,0.4967332,0.00042478694,0.0015686073,0.000060030638,0.023476252],"genre_scores_gemma":[0.93690664,0.000014934789,0.00032737968,0.0017412006,0.059681714,0.0000014141655,0.0000033304225,0.000114922295,0.0012084881],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975182,0.00029930478,0.0009013666,0.00022395629,0.0003499748,0.0007071977],"domain_scores_gemma":[0.99445647,0.000094546354,0.00056725286,0.00019876735,0.0008050797,0.0038778763],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00039185415,0.00028274715,0.00042768117,0.00089384045,0.00032885763,0.0002444838,0.00056361797,0.00024551406,0.016095325],"category_scores_gemma":[0.0011205348,0.00033910686,0.00054262194,0.001277715,0.0004383022,0.00072831695,0.000021377624,0.0014661775,0.006184184],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010408875,0.00003458043,0.0007836838,0.000030160862,0.00044649592,0.0018518728,0.014710481,0.0011092223,0.0010376238,0.000978335,0.9751358,0.0037776746],"study_design_scores_gemma":[0.0010765301,0.0009557153,0.00056464237,0.00031520246,0.00034239228,0.0026957744,0.0064710765,0.0003149481,0.00018958711,0.00020687566,0.9865682,0.00029904145],"about_ca_topic_score_codex":0.08061922,"about_ca_topic_score_gemma":0.5408985,"teacher_disagreement_score":0.5859611,"about_ca_system_score_codex":0.0017244902,"about_ca_system_score_gemma":0.0063045667,"threshold_uncertainty_score":0.9999061},"labels":[],"label_agreement":null},{"id":"W4230127051","doi":"10.7202/1032691ar","title":"Introduction","year":2013,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.014180285774470471,"score_gpt":0.20513605903035168,"score_spread":0.1909557732558812,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230127051","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98156863,0.00008138119,0.00049654115,0.0047168336,0.006118757,0.00012349183,0.000010965076,0.000022587781,0.0068608024],"genre_scores_gemma":[0.99563587,8.164507e-7,0.00031266717,0.0002209624,0.0027404362,0.0000052735913,0.0000017676043,0.000035025972,0.0010471748],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99902266,0.000066064866,0.0003767551,0.00010625115,0.00013739722,0.00029087433],"domain_scores_gemma":[0.9983324,0.000018936047,0.0002198215,0.00018714738,0.0006066242,0.0006351167],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022518249,0.000104362465,0.00014129857,0.0012921646,0.00017343249,0.00012071654,0.00020081883,0.00005235913,0.02156365],"category_scores_gemma":[0.00022889828,0.00010049362,0.0001369605,0.0005333144,0.00011385924,0.0007013987,0.000005544326,0.00036900604,0.006401109],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000604352,0.000016448734,0.0017339354,0.000002448563,0.00008773944,0.00003109725,0.0015626646,0.00027372615,0.0067137578,0.00037344143,0.9849004,0.0042983065],"study_design_scores_gemma":[0.0009271018,0.0005642413,0.0633469,0.000090791014,0.00013240673,0.009244035,0.012739166,0.00026914032,0.0018178733,0.0025494508,0.90785474,0.0004641461],"about_ca_topic_score_codex":0.068323195,"about_ca_topic_score_gemma":0.32705212,"teacher_disagreement_score":0.25872892,"about_ca_system_score_codex":0.0006350564,"about_ca_system_score_gemma":0.00059688365,"threshold_uncertainty_score":0.99437255},"labels":[],"label_agreement":null},{"id":"W4237034120","doi":"10.7202/1009281ar","title":"A Note from the Editors","year":2010,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Computer science; History","score_opus":0.019487282319880426,"score_gpt":0.20812335846250676,"score_spread":0.18863607614262634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4237034120","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90449417,0.0000353681,0.00011089888,0.015507907,0.049674336,0.000052001098,0.000068373345,0.000009497593,0.030047439],"genre_scores_gemma":[0.9666055,4.5751165e-7,0.000029331915,0.0025558048,0.029822975,0.0000017747604,0.0000023034083,0.0000069583657,0.0009749299],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994226,0.00003711114,0.00022527407,0.00007229203,0.00008420094,0.0001585171],"domain_scores_gemma":[0.99915177,0.00016300708,0.0001227521,0.00014484656,0.00019519261,0.00022243541],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015694807,0.00007635161,0.00012082935,0.00017967013,0.0005660859,0.0001336975,0.00026872614,0.000053924614,0.030057264],"category_scores_gemma":[0.00014812809,0.00004836858,0.0001929361,0.000060047758,0.0004030904,0.00013989107,0.000008402671,0.0006364942,0.000107859],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001149508,0.000025311774,0.0005806815,0.0000010541851,0.00021658784,0.000057303,0.057415936,0.000009242836,0.0003956328,0.02031969,0.9162851,0.004681954],"study_design_scores_gemma":[0.00010784612,0.00004374725,0.001458931,0.000010736718,0.000103136816,0.000030332027,0.0041144793,0.000020657328,0.000021371512,0.0022378443,0.9917861,0.00006482121],"about_ca_topic_score_codex":0.10703068,"about_ca_topic_score_gemma":0.96251553,"teacher_disagreement_score":0.85548484,"about_ca_system_score_codex":0.00003180004,"about_ca_system_score_gemma":0.00031455944,"threshold_uncertainty_score":0.97082937},"labels":[],"label_agreement":null},{"id":"W4243437799","doi":"10.7202/1013304ar","title":"Introduction","year":2005,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.015679439502994063,"score_gpt":0.22154603099959722,"score_spread":0.20586659149660316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243437799","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9728378,0.00020945544,0.0008717346,0.010386969,0.005678826,0.0000808514,0.000025163337,0.00003118993,0.009877991],"genre_scores_gemma":[0.99073935,0.00000139569,0.0006751102,0.00029768955,0.007216192,0.0000014326437,0.0000018055949,0.0000348483,0.0010321832],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999012,0.00005969516,0.00039247447,0.000108511194,0.00014641411,0.0002809339],"domain_scores_gemma":[0.99866706,0.000016119895,0.00021907713,0.000178587,0.00036074393,0.0005583993],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003438821,0.000103673214,0.00013885535,0.0013774993,0.0001835323,0.00006656436,0.00019453521,0.00005181421,0.00751709],"category_scores_gemma":[0.00019556495,0.00010532078,0.00014804823,0.00052060693,0.00010121542,0.00054560136,0.0000048109146,0.00038923457,0.0023666802],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028594406,0.00003377698,0.0011174728,0.0000024083338,0.000120511155,0.000060045884,0.0031720682,0.003136019,0.00460345,0.0008037569,0.97059184,0.016330082],"study_design_scores_gemma":[0.00035463786,0.00013829303,0.0037974305,0.000024667333,0.000051837204,0.003949302,0.0018970818,0.000121491496,0.0009928348,0.00012710807,0.98841166,0.00013366829],"about_ca_topic_score_codex":0.00895375,"about_ca_topic_score_gemma":0.5963709,"teacher_disagreement_score":0.5874171,"about_ca_system_score_codex":0.0010539198,"about_ca_system_score_gemma":0.00073097786,"threshold_uncertainty_score":0.9984101},"labels":[],"label_agreement":null},{"id":"W4244978150","doi":"10.7202/019293ar","title":"Barnardo Boys","year":2008,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Opera; Parallels; Preference; Visual arts; Art; Literature; History; Art history; Engineering","score_opus":0.027572390794272584,"score_gpt":0.22383248154194776,"score_spread":0.19626009074767517,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244978150","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6871481,0.0007897132,0.00020176539,0.004728419,0.008474776,0.00009058415,0.000023563996,0.000018876333,0.29852417],"genre_scores_gemma":[0.98620427,0.00006954035,0.000051180345,0.0004217327,0.0007680424,8.263494e-7,3.273106e-7,0.0000070444066,0.012477032],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992748,0.000069796464,0.00019454533,0.00006175539,0.00016275374,0.00023634141],"domain_scores_gemma":[0.9988373,0.00002322556,0.0000982577,0.00008024394,0.00019534258,0.0007656331],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023065737,0.000046138,0.000100339006,0.0013849114,0.0018315928,0.00011326373,0.00021129283,0.00005972357,0.005032116],"category_scores_gemma":[0.00018863629,0.00006174366,0.00014065964,0.00035438224,0.0006358133,0.00026459928,0.0000029729572,0.00022761435,0.00013890245],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006468175,0.000016566366,0.0033386431,0.0000029481366,0.00005835151,0.001037115,0.10264614,0.000036248694,0.000029729197,0.005885176,0.88265884,0.0042837933],"study_design_scores_gemma":[0.00009694965,0.000033359644,0.0043770913,0.00001573635,0.000011611754,0.00037998648,0.008940479,7.8679756e-7,0.00000154172,0.00016185237,0.98591346,0.00006717124],"about_ca_topic_score_codex":0.94838285,"about_ca_topic_score_gemma":0.9993577,"teacher_disagreement_score":0.29905614,"about_ca_system_score_codex":0.0015315627,"about_ca_system_score_gemma":0.006859496,"threshold_uncertainty_score":0.9994679},"labels":[],"label_agreement":null},{"id":"W4246744470","doi":"10.7202/1000046ar","title":"Contributors","year":2009,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.01705619259003233,"score_gpt":0.2322171115514037,"score_spread":0.21516091896137138,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246744470","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97946066,0.00023740728,0.0005987519,0.0016944108,0.0028455968,0.000086816945,0.00006315686,0.00002686808,0.014986319],"genre_scores_gemma":[0.9983298,9.1485043e-7,0.000110456866,0.0007972042,0.00047430722,5.1153563e-7,0.0000015709326,0.000019277824,0.00026594428],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989501,0.00006103886,0.00039393327,0.00008784951,0.0001514177,0.00035565003],"domain_scores_gemma":[0.99835336,0.000029823777,0.00023131043,0.00015411989,0.00040629573,0.00082510896],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031477198,0.00011368708,0.00018913257,0.0012073375,0.00018652584,0.00007847175,0.000247384,0.000059889702,0.0015429581],"category_scores_gemma":[0.00027967745,0.000111020076,0.00019649281,0.00053834054,0.00007666871,0.00029330372,0.0000024454284,0.00037466467,0.0005472128],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013964987,0.000135661,0.010949151,0.000004142794,0.00039723245,0.002196397,0.0084966505,0.0010887714,0.0121894665,0.006589166,0.93456894,0.02324474],"study_design_scores_gemma":[0.003555928,0.0024925289,0.18502164,0.00038760502,0.0003171018,0.014717278,0.008417306,0.00018859477,0.002440762,0.0066267676,0.77497625,0.0008582531],"about_ca_topic_score_codex":0.010523805,"about_ca_topic_score_gemma":0.2928194,"teacher_disagreement_score":0.28229558,"about_ca_system_score_codex":0.0007290332,"about_ca_system_score_gemma":0.0010042478,"threshold_uncertainty_score":0.99936974},"labels":[],"label_agreement":null},{"id":"W4310910907","doi":"10.7202/1105865ar","title":"From the Studio to the Stage: Bruno Mars, Liveness, and the Out-of-Tune Voice in “Locked Out of Heaven” (2012)","year":2023,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Studio; Liveness; Heaven; Mars Exploration Program; Computer science; Art; Visual arts; Lyrics; Aesthetics; Literature; Physics","score_opus":0.045510359192060444,"score_gpt":0.23216950103106967,"score_spread":0.18665914183900922,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4310910907","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9703123,0.001582644,0.0000456024,0.013372447,0.008236455,0.00037539817,0.00032479834,0.000007892362,0.0057424908],"genre_scores_gemma":[0.99175537,0.000017628528,0.0000034343623,0.0009389953,0.0008660123,0.000008325625,0.0000024542812,0.000009616431,0.006398167],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908924,0.00019104789,0.00034375032,0.00008695183,0.00013342402,0.00015556524],"domain_scores_gemma":[0.99914324,0.00022792569,0.0001872227,0.00019840826,0.0001502684,0.000092946444],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00058879185,0.00009498166,0.00020899107,0.00014466635,0.00044157577,0.000059156213,0.0003051795,0.000031302803,0.001698289],"category_scores_gemma":[0.000104226165,0.00004878003,0.00011414077,0.00011356553,0.0004158294,0.000104349085,0.00002616016,0.00031772154,0.00002475561],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007836402,0.00001573464,0.00026971186,0.000011659626,0.00015939496,0.000022454687,0.6676073,0.00008911454,0.00002858793,0.0034368273,0.32676196,0.0015188862],"study_design_scores_gemma":[0.0004343488,0.000073443065,0.0030658296,0.00014378315,0.00005845894,0.000005392353,0.14751686,0.000011345705,0.0000068892928,0.00036341758,0.8482556,0.000064639185],"about_ca_topic_score_codex":0.0631055,"about_ca_topic_score_gemma":0.95077914,"teacher_disagreement_score":0.8876736,"about_ca_system_score_codex":0.00007087449,"about_ca_system_score_gemma":0.00024534223,"threshold_uncertainty_score":0.9992143},"labels":[],"label_agreement":null},{"id":"W4321463404","doi":"10.7202/1096483ar","title":"À la recherche d’une approche gnoséologique du phénomène musical et de son histoire","year":2023,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.13927677920982376,"score_gpt":0.2804986091561094,"score_spread":0.14122182994628565,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321463404","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5539701,0.0028491532,0.00066248834,0.39629278,0.006657095,0.00012665942,0.000090196154,0.00005505106,0.03929649],"genre_scores_gemma":[0.92028046,0.0018956466,0.00026637007,0.0016420191,0.0030273483,0.0000144366,0.000010791837,0.000037051894,0.07282591],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976131,0.0009797054,0.00051843596,0.00019936397,0.00016652988,0.00052287616],"domain_scores_gemma":[0.99768585,0.00097248063,0.0002460927,0.0001293842,0.00037518024,0.0005910317],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0016687594,0.0002303493,0.0004221915,0.00040691547,0.00296523,0.00018764146,0.000284713,0.0003883894,0.0019434062],"category_scores_gemma":[0.0014145189,0.00019728634,0.00060357637,0.0005082423,0.0008320922,0.00021821416,0.00003227612,0.0017326748,0.00012941772],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015915239,0.000075852964,0.00012019747,0.000037730242,0.00044866267,0.0007790381,0.43579847,0.00018445015,0.000028391609,0.024513531,0.5202318,0.017765969],"study_design_scores_gemma":[0.00021301501,0.00022834943,0.0004888919,0.00018283888,0.0002606009,0.00031900007,0.103798665,0.00011401593,0.0000017778705,0.0037953553,0.89038277,0.00021471607],"about_ca_topic_score_codex":0.2514408,"about_ca_topic_score_gemma":0.78130823,"teacher_disagreement_score":0.5298674,"about_ca_system_score_codex":0.009228253,"about_ca_system_score_gemma":0.0009696317,"threshold_uncertainty_score":0.99896896},"labels":[],"label_agreement":null},{"id":"W4321463448","doi":"10.7202/1096479ar","title":"Au-delà des « vagues » #moiaussi : cinq ans de mobilisation féministe en musique au Québec (2017–2022)","year":2023,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03294498889804832,"score_gpt":0.25758411684782206,"score_spread":0.22463912794977375,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321463448","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9464305,0.0015174145,0.00026448217,0.013887523,0.011884557,0.0001615242,0.00014336915,0.000033506876,0.02567711],"genre_scores_gemma":[0.9546129,0.00039782724,0.00006038793,0.0004977562,0.0027230277,0.000011016998,0.0000058869323,0.00003442247,0.041656747],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9974344,0.0005469961,0.00059295475,0.00023727787,0.00029772954,0.00089063897],"domain_scores_gemma":[0.997297,0.00024623593,0.00033876498,0.00022293263,0.00033285597,0.0015622362],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014725171,0.00019599122,0.00030001544,0.0027216522,0.002926545,0.00021493548,0.0004792897,0.00029182553,0.0028320272],"category_scores_gemma":[0.0006875772,0.0002701189,0.00038055112,0.001538522,0.002237851,0.0007759528,0.00002121193,0.0006792617,0.00039393784],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.000012154585,0.000036125548,0.0071909647,0.00007065116,0.0001669171,0.00065930816,0.908155,0.0004913358,0.00009442518,0.0038697796,0.056081783,0.023171546],"study_design_scores_gemma":[0.00025678487,0.0002243044,0.03569811,0.00039926148,0.00018033852,0.0005688551,0.5282187,0.00009166147,0.000007052768,0.001292323,0.43276325,0.0002993957],"about_ca_topic_score_codex":0.9985685,"about_ca_topic_score_gemma":0.99999106,"teacher_disagreement_score":0.37993634,"about_ca_system_score_codex":0.023187447,"about_ca_system_score_gemma":0.03978572,"threshold_uncertainty_score":0.9999751},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"qualitative","genre":"empirical","about_ca_system":false,"about_ca_topic":true,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"qualitative","genre":"empirical","about_ca_system":false,"about_ca_topic":true,"confidence":"low"}],"label_agreement":"agree"},{"id":"W4321463466","doi":"10.7202/1096484ar","title":"Jacinthe Harbec. 2021. Ballets russes et Ballets suédois : La musique à la croisée des arts 1917–1924. Paris : Vrin, 504 p. ISBN 978-2-7116-2956-5","year":2023,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"The arts; Art; Humanities; Visual arts","score_opus":0.031363265127713716,"score_gpt":0.23586463699931487,"score_spread":0.20450137187160117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321463466","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41933787,0.019754084,0.00028833165,0.40539342,0.013348205,0.00044242715,0.0007113607,0.00010529567,0.140619],"genre_scores_gemma":[0.83997655,0.01117295,0.000089943256,0.0017911602,0.0028114358,0.00002737404,0.000025321677,0.00008722135,0.14401802],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966151,0.0005883439,0.001027641,0.00040961584,0.00039969987,0.0009596064],"domain_scores_gemma":[0.99675786,0.0006446234,0.000458084,0.00029032238,0.0007816556,0.0010674404],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00083884667,0.0005218726,0.0008061938,0.0007568228,0.0049700835,0.00082071614,0.00047394886,0.00031104288,0.015697373],"category_scores_gemma":[0.0003948969,0.0004511048,0.0010838745,0.0006359112,0.0013939721,0.0005987687,0.00009582089,0.0012360635,0.0005600856],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024647714,0.00012732329,0.000302166,0.000086597276,0.0012988861,0.0014791471,0.17003481,0.00035833314,0.000020670663,0.0202497,0.79940915,0.0066085793],"study_design_scores_gemma":[0.00039507967,0.00026221888,0.0010731403,0.00050471246,0.0004828152,0.00037858126,0.045165733,0.000049660604,0.000004757436,0.0022997512,0.9488954,0.0004881767],"about_ca_topic_score_codex":0.3739948,"about_ca_topic_score_gemma":0.9389074,"teacher_disagreement_score":0.56491256,"about_ca_system_score_codex":0.0028965923,"about_ca_system_score_gemma":0.00077498873,"threshold_uncertainty_score":0.99979407},"labels":[],"label_agreement":null},{"id":"W4321463477","doi":"10.7202/1096480ar","title":"Working Interviews: Blending Fieldwork and Technical Work on Tour with Cirque du Soleil","year":2023,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cirque; Ethnography; Musical; Participant observation; Sociology; Mode (computer interface); Performing arts; Visual arts; Emotional labor; Aesthetics; Media studies; Psychology; Art; Social science; Social psychology; Computer science; Anthropology; Geography","score_opus":0.04442932411772871,"score_gpt":0.21945121971731313,"score_spread":0.17502189559958442,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321463477","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9385751,0.0003111719,0.000054127217,0.0030968972,0.0034176835,0.00008590814,0.0000052629484,0.00003428606,0.054419603],"genre_scores_gemma":[0.99707204,0.000042047253,0.000014949797,0.00039031357,0.0012249156,0.0000047657286,7.625616e-7,0.000012410389,0.0012377778],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994147,0.000021242866,0.00019870805,0.00008414964,0.000073536605,0.00020768397],"domain_scores_gemma":[0.9995761,0.0000766622,0.000082202016,0.00007810276,0.00005830933,0.00012863892],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001691732,0.00009958597,0.00015233515,0.00047467434,0.000608511,0.00016658564,0.000101371195,0.000029150227,0.0007177514],"category_scores_gemma":[0.000018542536,0.000073743686,0.00006835856,0.0001454026,0.00017822755,0.00011395964,0.000014537234,0.00030624255,0.000027093154],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025765863,0.000049787737,0.03475245,0.00005824206,0.0006144122,0.0007474296,0.25873178,0.00037301617,0.00002693201,0.017467128,0.5928465,0.094074674],"study_design_scores_gemma":[0.00051285955,0.0009940326,0.008784021,0.0025174136,0.00009793261,0.00050023163,0.069157735,0.000016118736,0.000023770752,0.0006507293,0.9164138,0.00033134336],"about_ca_topic_score_codex":0.0020634432,"about_ca_topic_score_gemma":0.49674234,"teacher_disagreement_score":0.4946789,"about_ca_system_score_codex":0.0000635062,"about_ca_system_score_gemma":0.000082779916,"threshold_uncertainty_score":0.7858874},"labels":[],"label_agreement":null},{"id":"W4321463512","doi":"10.7202/1096476ar","title":"Éditorial : Pour des musicologies alternatives","year":2023,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Computer science","score_opus":0.08002591067962686,"score_gpt":0.27916814011114605,"score_spread":0.19914222943151919,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321463512","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7672695,0.0044028903,0.021373432,0.030191395,0.16848142,0.00014204353,0.000050380026,0.00014822508,0.007940701],"genre_scores_gemma":[0.98137224,0.00025335076,0.0016147662,0.00034658067,0.0056586256,0.00000676554,7.004383e-7,0.000016753815,0.010730213],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982213,0.00017900424,0.0005027094,0.00023967262,0.00019642104,0.0006608918],"domain_scores_gemma":[0.9981612,0.00032828876,0.0002870407,0.00028217907,0.0005768746,0.00036442073],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00059704133,0.00021406567,0.00032812863,0.0013756444,0.0008929637,0.00025312786,0.0009666579,0.00022626799,0.0005333887],"category_scores_gemma":[0.00095455954,0.00021437029,0.0002679112,0.0013395698,0.0011907506,0.00073042937,0.00013258215,0.0007183769,0.00030026003],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015349959,0.00005264843,0.0032580888,0.00003820197,0.00059476844,0.0023154211,0.060732707,0.00046373892,0.00012756695,0.053473864,0.794304,0.08462362],"study_design_scores_gemma":[0.00093399786,0.0009030621,0.029956495,0.00056847377,0.00012510689,0.0022658207,0.02577381,0.0011964522,0.00017849512,0.11305574,0.8245618,0.00048075],"about_ca_topic_score_codex":0.01936145,"about_ca_topic_score_gemma":0.30237508,"teacher_disagreement_score":0.28301364,"about_ca_system_score_codex":0.00046662803,"about_ca_system_score_gemma":0.0017609043,"threshold_uncertainty_score":0.9871687},"labels":[],"label_agreement":null},{"id":"W4321463515","doi":"10.7202/1096478ar","title":"In Auditory Absentia: Music(ology), Modern Art, and Aesthetic Experience","year":2023,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Musical; Art; The arts; Performing arts; Visual arts; Aesthetics; Principal (computer security); Music; Literature; Music education; Computer science","score_opus":0.0342335612761224,"score_gpt":0.22911835059734206,"score_spread":0.19488478932121966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321463515","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9835312,0.00009899406,0.00004054442,0.002199536,0.0039998,0.000051227093,0.000009031685,0.000013207664,0.010056508],"genre_scores_gemma":[0.9928578,0.000011444284,0.000008750267,0.0014787843,0.00069837994,0.000008182266,0.0000018955138,0.000010338005,0.0049244077],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911463,0.000059674312,0.0003202273,0.00014250993,0.000084338746,0.0002785983],"domain_scores_gemma":[0.999395,0.000044252785,0.000111572124,0.000110072986,0.000096519885,0.0002425907],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017853393,0.00010661779,0.00020818131,0.0010257513,0.0002965012,0.00007118046,0.00014517385,0.000064840424,0.006829395],"category_scores_gemma":[0.000042884116,0.00009735436,0.00010891271,0.00017583705,0.0005144675,0.00025784655,0.000017892016,0.00031257904,0.00014459761],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040012143,0.000087607084,0.0018910359,0.000023452088,0.00016561672,0.0018876599,0.3160019,0.000470445,0.00033716738,0.022883734,0.645036,0.011175387],"study_design_scores_gemma":[0.00083215523,0.00031889929,0.009102614,0.00014408496,0.00013412425,0.00083295343,0.042679317,0.0014119656,0.00001903055,0.012051177,0.932064,0.00040965722],"about_ca_topic_score_codex":0.0063170088,"about_ca_topic_score_gemma":0.64555454,"teacher_disagreement_score":0.6392376,"about_ca_system_score_codex":0.00007385332,"about_ca_system_score_gemma":0.00016107876,"threshold_uncertainty_score":0.9940785},"labels":[],"label_agreement":null},{"id":"W4321463518","doi":"10.7202/1096485ar","title":"Chloé Huvet. 2022. Composer pour l’image à l’ère numérique : Star Wars, d’une trilogie à l’autre. Paris : Vrin, 432 p. ISBN 978-2-7116-2895-7","year":2023,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Physics","score_opus":0.14189199903720542,"score_gpt":0.28244848479167367,"score_spread":0.14055648575446825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321463518","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45263872,0.022418642,0.024963208,0.35271543,0.055425566,0.0012877039,0.0012501996,0.00047334415,0.0888272],"genre_scores_gemma":[0.9200362,0.0011660862,0.0011741171,0.003005688,0.0023271483,0.000010402851,0.000035672638,0.00009426722,0.07215042],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99584734,0.00025049783,0.0012613047,0.00058876484,0.0005511652,0.0015009167],"domain_scores_gemma":[0.99487364,0.00026806316,0.00064214197,0.00070441334,0.0011141587,0.002397581],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00059342786,0.0005985504,0.00074624806,0.0013859731,0.00078781164,0.002194698,0.0013051914,0.00034395893,0.0021590618],"category_scores_gemma":[0.0002946908,0.0005346547,0.0007358824,0.0030027411,0.000448928,0.004192663,0.0001753857,0.001418956,0.0009021372],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040036055,0.00015478255,0.00020537751,0.000060642586,0.00034498647,0.007995219,0.013602617,0.0011622284,0.00134634,0.0054440466,0.9596181,0.010025633],"study_design_scores_gemma":[0.0014735328,0.0013650476,0.0060221124,0.00099098,0.0001051844,0.008336347,0.012094015,0.008322626,0.00083148363,0.009294083,0.95013833,0.0010262612],"about_ca_topic_score_codex":0.09859779,"about_ca_topic_score_gemma":0.39587525,"teacher_disagreement_score":0.4673975,"about_ca_system_score_codex":0.00095590804,"about_ca_system_score_gemma":0.0030123964,"threshold_uncertainty_score":0.9998758},"labels":[],"label_agreement":null},{"id":"W4321463533","doi":"10.7202/1096481ar","title":"La musicologie par l’art radiophonique","year":2023,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.24575967702714996,"score_gpt":0.2961989297381355,"score_spread":0.05043925271098554,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321463533","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4817809,0.003442173,0.0097625125,0.062351905,0.059901286,0.0003646055,0.00014858448,0.0001719263,0.3820761],"genre_scores_gemma":[0.9635015,0.00010298071,0.00030271435,0.0017372908,0.00084458344,0.0000027286098,0.0000033328313,0.000019280282,0.0334856],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982516,0.00018486286,0.0005111066,0.00021128112,0.00019463358,0.000646505],"domain_scores_gemma":[0.9976379,0.00020680345,0.00024278046,0.0002767742,0.00038783567,0.0012478743],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004818745,0.00021490926,0.00028571583,0.0008773249,0.00031620104,0.001317006,0.0006099599,0.0002061777,0.00083223934],"category_scores_gemma":[0.00037686108,0.00018607885,0.00033166952,0.0015677105,0.0003742439,0.0021890546,0.000064416075,0.0006508396,0.0009086356],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006446788,0.0000378808,0.00015044972,0.000020161762,0.00012257555,0.0072633647,0.011770365,0.0006783897,0.0003429418,0.015632281,0.94154024,0.022434926],"study_design_scores_gemma":[0.0003154642,0.0004887619,0.008459482,0.00034939562,0.00004021978,0.011256886,0.0014013549,0.0007693451,0.0002783236,0.00606676,0.9703048,0.00026920007],"about_ca_topic_score_codex":0.027929023,"about_ca_topic_score_gemma":0.2797039,"teacher_disagreement_score":0.4817206,"about_ca_system_score_codex":0.00048157037,"about_ca_system_score_gemma":0.0023631076,"threshold_uncertainty_score":0.9998693},"labels":[],"label_agreement":null},{"id":"W4321463534","doi":"10.7202/1096482ar","title":"What Does Musicology Have to Do With Archiving? Three Experiences of Engagement","year":2023,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Digital and Traditional Archives Management","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Musical; Musicology; Romance; Musical instrument; Visual arts; Object (grammar); Art; Art history; Electronic music; History; Library science; Literature; Computer science; Acoustics","score_opus":0.043198787735455456,"score_gpt":0.22175276929276322,"score_spread":0.17855398155730776,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321463534","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94449973,0.0000112164735,0.00012915448,0.0013353738,0.002839682,0.00012057528,0.000023652607,0.000009396413,0.051031232],"genre_scores_gemma":[0.99736094,0.0000039084744,0.000046151785,0.0004575681,0.00033591778,0.000023639808,0.0000032527462,0.000009285319,0.0017593184],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99926025,0.000025968162,0.00025178478,0.000107804146,0.00015207802,0.0002021163],"domain_scores_gemma":[0.9994088,0.000073938805,0.00011227496,0.00009494434,0.00009714807,0.00021291932],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012681673,0.00009177578,0.00014088157,0.0008148394,0.0002346847,0.00026222458,0.00021393353,0.000006349534,0.0012894432],"category_scores_gemma":[0.000017853221,0.00006134094,0.000086498774,0.0000937976,0.00029497757,0.00043961641,0.000027483527,0.00011524315,0.000032352316],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005838289,0.00007237117,0.00055271824,0.000032907767,0.00032334035,0.00024078591,0.8080246,0.0005499391,0.000012533556,0.15015927,0.020231642,0.01974153],"study_design_scores_gemma":[0.00027305694,0.0012883247,0.011376922,0.00041772675,0.000045452434,0.000045429533,0.7180075,0.000029906527,0.000035880494,0.015966535,0.25231814,0.00019512304],"about_ca_topic_score_codex":0.0019833173,"about_ca_topic_score_gemma":0.308657,"teacher_disagreement_score":0.30667368,"about_ca_system_score_codex":0.000041720334,"about_ca_system_score_gemma":0.00012759864,"threshold_uncertainty_score":0.99962354},"labels":[],"label_agreement":null},{"id":"W4321463557","doi":"10.7202/1096477ar","title":"Applying a Mad Studies Framework to Opera: Poulenc’s Dialogues des Carmélites","year":2023,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Opera; Metaphor; History; Literature; Art; Visual arts; Linguistics; Philosophy","score_opus":0.14222548827272172,"score_gpt":0.28822564462984585,"score_spread":0.14600015635712413,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321463557","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94755715,0.005028327,0.00032881481,0.0033544588,0.016448338,0.00030941825,0.00012501664,0.00011088264,0.026737612],"genre_scores_gemma":[0.9877292,0.00003943633,0.00015192003,0.0009968214,0.0017890107,0.00003161841,0.0000029300713,0.000015622554,0.009243461],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908566,0.000056322173,0.00033516574,0.00011760087,0.00011731914,0.0002879494],"domain_scores_gemma":[0.998934,0.00018603171,0.00007457704,0.000105888714,0.00032167815,0.0003778275],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018760646,0.00012362088,0.00024222367,0.000950264,0.00081555784,0.00017345093,0.0001955301,0.000033123575,0.0012298818],"category_scores_gemma":[0.00038884088,0.00009985035,0.00017404705,0.00033946824,0.0002221472,0.00028925948,0.000019234902,0.00026028973,0.00022802794],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017634846,0.000023532284,0.0015791842,0.00003992312,0.00048511484,0.00035373756,0.70151716,0.00029680505,0.000051424588,0.013638341,0.2677571,0.014240057],"study_design_scores_gemma":[0.00006674737,0.00019617369,0.00036037655,0.00035480098,0.00006510983,0.00004429662,0.07502532,0.000013293134,0.000011976733,0.004963414,0.9187422,0.00015628131],"about_ca_topic_score_codex":0.019982232,"about_ca_topic_score_gemma":0.29216325,"teacher_disagreement_score":0.6509851,"about_ca_system_score_codex":0.0002402611,"about_ca_system_score_gemma":0.00016602935,"threshold_uncertainty_score":0.99968314},"labels":[],"label_agreement":null},{"id":"W4367157295","doi":"10.7202/1091834ar","title":"Machines et imaginaires musicaux (1900–1950)","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Art, Technology, and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.021086118961061565,"score_gpt":0.23000337582392147,"score_spread":0.2089172568628599,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367157295","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4503391,0.047074903,0.00018993304,0.21747462,0.06373221,0.00044609152,0.0027728383,0.000121568475,0.21784873],"genre_scores_gemma":[0.95117277,0.000100138175,0.00005084412,0.0039935694,0.0019475985,0.000014192087,0.000015083918,0.000041197465,0.042664587],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984443,0.0002059544,0.00048907317,0.00018800347,0.00020702764,0.00046562],"domain_scores_gemma":[0.99873716,0.00004363899,0.00032845486,0.00023079925,0.00027664218,0.00038329198],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032918883,0.0002351927,0.00028916585,0.0008255104,0.0021842136,0.00024227843,0.00049688783,0.000086656844,0.03244103],"category_scores_gemma":[0.000067888606,0.00023667452,0.00035511612,0.00015123351,0.000813235,0.00042102826,0.000064823595,0.0015168046,0.00006318849],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000208127,0.00010645002,0.0005417243,0.000024064768,0.0002980527,0.0007716997,0.08744762,0.0002775405,0.000034337318,0.10478414,0.79543805,0.010255484],"study_design_scores_gemma":[0.0003091885,0.00047968887,0.0005624949,0.00008373177,0.00015605289,0.0029624193,0.07475882,0.00007447847,0.000005080849,0.0051770015,0.91520447,0.00022654523],"about_ca_topic_score_codex":0.17256308,"about_ca_topic_score_gemma":0.88033974,"teacher_disagreement_score":0.70777667,"about_ca_system_score_codex":0.0005605954,"about_ca_system_score_gemma":0.0010311026,"threshold_uncertainty_score":0.9991148},"labels":[],"label_agreement":null},{"id":"W4367157297","doi":"10.7202/1091838ar","title":"Le rêve et la science : Henry Deutsch de la Meurthe, Icare et la musique aéronautique en France avant la Première Guerre mondiale","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Art; Humanities","score_opus":0.009646412016336278,"score_gpt":0.23284896593160295,"score_spread":0.22320255391526667,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367157297","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7645438,0.0045548086,0.00030235614,0.066913456,0.003315935,0.00020588495,0.0005190243,0.000029508914,0.15961528],"genre_scores_gemma":[0.9771536,0.0006243083,0.000094375726,0.0011102636,0.0004994391,0.00002436629,0.000004883873,0.000028421711,0.020460326],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968071,0.001634197,0.0004615546,0.0002654076,0.00035113376,0.00048059513],"domain_scores_gemma":[0.99818313,0.0005147815,0.00027904188,0.00016629465,0.00033788165,0.00051886064],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0018358233,0.00023741175,0.00037425722,0.0004258194,0.005192605,0.0003957464,0.00055480044,0.00013110996,0.0016484084],"category_scores_gemma":[0.00022567752,0.00022468469,0.0004300978,0.0003369693,0.0016526646,0.0004259967,0.000120306206,0.0017337705,0.000009470984],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023263967,0.00020137096,0.0011854725,0.000048829734,0.0004560715,0.0010407644,0.60763603,0.0037984527,0.0001269355,0.35701552,0.021492373,0.006974922],"study_design_scores_gemma":[0.0002654242,0.00017127056,0.0010676308,0.00012494865,0.00013906605,0.00076861784,0.088294975,0.00009546461,0.0000047234466,0.0025751106,0.90624493,0.000247825],"about_ca_topic_score_codex":0.15076053,"about_ca_topic_score_gemma":0.57369906,"teacher_disagreement_score":0.8847526,"about_ca_system_score_codex":0.0023126472,"about_ca_system_score_gemma":0.0025192106,"threshold_uncertainty_score":0.99926424},"labels":[],"label_agreement":null},{"id":"W4367157302","doi":"10.7202/1091843ar","title":"Clark, Caryl, et Sarah Day-O’Connell. 2019. The Cambridge Haydn Encyclopedia. Cambridge : Cambridge University Press, xxxvii + 486 p. ISBN 978-1-107-12901-6","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Encyclopedia; Art; Art history; Philosophy","score_opus":0.02006322427210577,"score_gpt":0.2015379087218498,"score_spread":0.18147468444974402,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367157302","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3254627,0.028940996,0.0006413288,0.08004196,0.05159226,0.0011762037,0.010315296,0.00008322649,0.50174606],"genre_scores_gemma":[0.66714084,0.0010731783,0.000015945512,0.005687931,0.0033063462,0.0000132876185,0.00009150842,0.0000687766,0.32260218],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948021,0.0018701152,0.0010500058,0.00058792956,0.0005450973,0.0011447145],"domain_scores_gemma":[0.9961835,0.00053731626,0.00087826024,0.00072194694,0.0005963234,0.0010826179],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015824018,0.000584931,0.00081587734,0.001064074,0.0052641495,0.0004242924,0.0014131868,0.0002576052,0.008880347],"category_scores_gemma":[0.00015570568,0.00056069356,0.0011169947,0.00058646186,0.0017141178,0.000882605,0.00031624944,0.0032640991,0.00013474583],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000103704624,0.00021482554,0.00031392407,0.00003605306,0.0011121223,0.0015639632,0.008631761,0.0010143706,0.000014482424,0.15415043,0.8313856,0.0014587637],"study_design_scores_gemma":[0.0008569426,0.00055073184,0.0028410163,0.000095686184,0.0014026553,0.0011832453,0.025974402,0.00032362808,0.0000070263454,0.000035457306,0.9661541,0.0005751095],"about_ca_topic_score_codex":0.4746591,"about_ca_topic_score_gemma":0.48948637,"teacher_disagreement_score":0.34167814,"about_ca_system_score_codex":0.001534537,"about_ca_system_score_gemma":0.003246858,"threshold_uncertainty_score":0.99968445},"labels":[],"label_agreement":null},{"id":"W4367157320","doi":"10.7202/1091840ar","title":"Malcolm Forsyth’s Double Concerto: Forging a New Simplicity","year":2022,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Concerto; Simplicity; Realm; Cello; MOZART; Style (visual arts); Simple (philosophy); Violin concerto; Literature; Classical music; Musical; Art; Piano; Art history; Philosophy; History; Epistemology","score_opus":0.06058896640233798,"score_gpt":0.23320463791410764,"score_spread":0.17261567151176965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367157320","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8989534,0.0002140802,0.0006125714,0.006796127,0.007256876,0.00018422506,0.00007533217,0.000026660246,0.08588073],"genre_scores_gemma":[0.98405176,8.480439e-7,0.000023144341,0.0032587103,0.0012703611,0.0000101484075,0.000004684992,0.000013449552,0.011366906],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990165,0.00005504843,0.00035750197,0.00012407346,0.0001451235,0.0003017423],"domain_scores_gemma":[0.9990454,0.00004978083,0.00021055217,0.00012898799,0.00013897696,0.00042634306],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020737147,0.00011215451,0.00022411981,0.00058477785,0.0013681595,0.00011718822,0.00028035525,0.000028788654,0.06652277],"category_scores_gemma":[0.000024611187,0.000107307875,0.00029205804,0.00015734514,0.00015660937,0.00021272677,0.000036462592,0.00049005134,0.00002774488],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001721025,0.000085025706,0.0007869756,0.000011702839,0.0006474753,0.00032812712,0.08738729,0.0021521985,0.000091684495,0.15835598,0.74141824,0.0085632065],"study_design_scores_gemma":[0.0007108503,0.00029479133,0.00015980372,0.000012677691,0.00014164872,0.00029099252,0.018572202,0.000093381605,0.000021961798,0.003021579,0.9765321,0.00014800587],"about_ca_topic_score_codex":0.11078785,"about_ca_topic_score_gemma":0.780436,"teacher_disagreement_score":0.6696481,"about_ca_system_score_codex":0.00032807325,"about_ca_system_score_gemma":0.00086817634,"threshold_uncertainty_score":0.99993193},"labels":[],"label_agreement":null},{"id":"W4367157325","doi":"10.7202/1091842ar","title":"Charity Marsh et Mark V. Campbell (sous la dir.). 2020. We Still Here: Hip Hop North of the 49th Parallel. Montréal et Kingston : McGill-Queen’s University Press, 328 p. ISBN 978-0-2280-0350-2","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queen (butterfly); Marsh; Art; Art history; Biology","score_opus":0.012558421001468582,"score_gpt":0.19699907929922633,"score_spread":0.18444065829775774,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367157325","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.662075,0.023279157,0.0001063671,0.18339345,0.034692287,0.0015903285,0.010744161,0.00006598582,0.0840533],"genre_scores_gemma":[0.92879987,0.0031459348,0.000044169676,0.001067765,0.00026504282,0.000004654369,0.0000075905514,0.000034241635,0.06663072],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962277,0.0017654998,0.0005210285,0.00030840276,0.00059679634,0.000580569],"domain_scores_gemma":[0.99756056,0.0001849888,0.0007751948,0.00034421787,0.0002852167,0.00084980193],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010072095,0.00023761878,0.0003980469,0.00067362364,0.0024724614,0.00015495422,0.0009762837,0.000177488,0.0032656717],"category_scores_gemma":[0.0001620898,0.0002948009,0.0005570935,0.0010758507,0.0012624351,0.00053116115,0.00015375258,0.001744484,0.000013669879],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00014617179,0.0002504533,0.0036170508,0.000091955786,0.00044644953,0.0013140931,0.0439479,0.0044565257,0.000011194875,0.019610088,0.92102873,0.0050794007],"study_design_scores_gemma":[0.00048521525,0.0001682703,0.010530999,0.0001291771,0.00022345713,0.0002896375,0.019474942,0.000031072846,8.8960047e-7,0.00023427658,0.9681686,0.0002634447],"about_ca_topic_score_codex":0.9844965,"about_ca_topic_score_gemma":0.9979466,"teacher_disagreement_score":0.2667249,"about_ca_system_score_codex":0.0059449,"about_ca_system_score_gemma":0.005885277,"threshold_uncertainty_score":0.9999504},"labels":[],"label_agreement":null},{"id":"W4367157326","doi":"10.7202/1091835ar","title":"Un « divertissement cinématographique » : machine/nature dans la musique de Tibor Harsányi pour le dessin animé La Joie de vivre (1934)","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.011577303921052108,"score_gpt":0.22376611230051607,"score_spread":0.21218880837946397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367157326","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85369813,0.009815476,0.0017743864,0.018040944,0.0052735256,0.00029601797,0.0010469101,0.0000449755,0.11000961],"genre_scores_gemma":[0.98140323,0.00008774886,0.00017710004,0.003197804,0.0011802531,0.000020282792,0.000014307611,0.000060645743,0.013858634],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974913,0.0010158379,0.0004914916,0.00021536663,0.00020019815,0.00058579096],"domain_scores_gemma":[0.9985159,0.00012539038,0.00030004108,0.00019125044,0.00018730629,0.00068007904],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008630341,0.00029613764,0.00030622672,0.0007076295,0.0028475272,0.00037833708,0.00047549917,0.00020539621,0.0071487543],"category_scores_gemma":[0.000059587663,0.00030464874,0.00043333072,0.00022531641,0.00046676258,0.00032381003,0.0000721655,0.0021301424,0.000013357557],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009659943,0.00050660525,0.0019982038,0.000085531734,0.00081232557,0.003747577,0.19270541,0.00075778534,0.002035282,0.5378983,0.2563773,0.0029790637],"study_design_scores_gemma":[0.00060510094,0.00039999545,0.002010182,0.0003123558,0.00023009353,0.005602888,0.08736221,0.00013939444,0.0003079771,0.00981302,0.89286983,0.0003469667],"about_ca_topic_score_codex":0.077619694,"about_ca_topic_score_gemma":0.488889,"teacher_disagreement_score":0.6364925,"about_ca_system_score_codex":0.00083720154,"about_ca_system_score_gemma":0.0023072953,"threshold_uncertainty_score":0.9999406},"labels":[],"label_agreement":null},{"id":"W4367157339","doi":"10.7202/1091841ar","title":"Littérature, musique et émotions : entre l’art des mots et l’art des sons. La mésomusique dans la prose fictionnelle d’Alfredo Bryce Echenique","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Art; Humanities","score_opus":0.016370255648449995,"score_gpt":0.21566889050964191,"score_spread":0.19929863486119193,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367157339","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13490689,0.01500369,0.003509799,0.018414011,0.014139177,0.00078529754,0.0044538653,0.00012443052,0.80866283],"genre_scores_gemma":[0.7988121,0.0004784118,0.00058064685,0.0026670163,0.0015438275,0.00007102129,0.0001424125,0.00009751179,0.19560705],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99611914,0.0016711332,0.0008228091,0.00036663082,0.0003047339,0.00071556325],"domain_scores_gemma":[0.99751323,0.00031929518,0.00041717023,0.0003632407,0.00058460794,0.0008024592],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001176767,0.0004650311,0.00043344073,0.0011971194,0.002714606,0.00104144,0.00047310337,0.00029779793,0.010801691],"category_scores_gemma":[0.00019727036,0.00050084334,0.00057981146,0.0005936669,0.0011386927,0.0011038288,0.00008204523,0.0029559724,0.00006456303],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004374515,0.00039785504,0.00043350627,0.00012507394,0.0003709864,0.0008309036,0.22331583,0.0019768528,0.00011002926,0.18653081,0.5846251,0.0012392617],"study_design_scores_gemma":[0.0005066499,0.0006761457,0.0011523996,0.0007121844,0.00020180452,0.007434341,0.045596585,0.000059631937,0.000055206478,0.010420076,0.93275076,0.0004342328],"about_ca_topic_score_codex":0.020162407,"about_ca_topic_score_gemma":0.75049186,"teacher_disagreement_score":0.7303294,"about_ca_system_score_codex":0.0012163465,"about_ca_system_score_gemma":0.0028610881,"threshold_uncertainty_score":0.9999956},"labels":[],"label_agreement":null},{"id":"W4367157341","doi":"10.7202/1091836ar","title":"Hear the Machine, Fear the Machine: George Antheil’s Ballet Mécanique and Listener Ambivalence in the Twentieth Century","year":2022,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Johns Hopkins University; University of Minnesota","keywords":"Ballet; Ambivalence; George (robot); Piano; Art; Firth; Art history; Visual arts; Psychology; Psychoanalysis; Dance","score_opus":0.019639462013823644,"score_gpt":0.20670532794292937,"score_spread":0.18706586592910573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367157341","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9101953,0.0027259241,0.000035593028,0.06445375,0.0041962387,0.0003558402,0.0002354355,0.000010788407,0.017791118],"genre_scores_gemma":[0.98589236,0.000059448466,0.0000038613116,0.011945944,0.00043239858,0.000020361422,0.0000041375556,0.000010919152,0.0016305891],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984987,0.00060082256,0.00031511372,0.00013027177,0.00019168099,0.00026342025],"domain_scores_gemma":[0.9992251,0.00020103934,0.00016156446,0.00022776121,0.000071346345,0.000113217975],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000977797,0.0001277856,0.00016962166,0.0002599983,0.0020274601,0.00019550289,0.0005615011,0.000028166392,0.0077621457],"category_scores_gemma":[0.00005279008,0.00006446824,0.00018543012,0.00018654627,0.0005140098,0.000112821865,0.000059311074,0.0010345068,0.0000056042077],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001653417,0.00030222238,0.005853516,0.00003340498,0.0007569252,0.0006327216,0.41233656,0.00084206095,0.00007286187,0.19145623,0.37848726,0.009060911],"study_design_scores_gemma":[0.00023667292,0.00018669701,0.0064939866,0.000018605935,0.0001212415,0.00057968963,0.053133193,0.00035525538,0.0000012165654,0.001104179,0.9376491,0.00012020983],"about_ca_topic_score_codex":0.10405965,"about_ca_topic_score_gemma":0.7871037,"teacher_disagreement_score":0.6830441,"about_ca_system_score_codex":0.00010328386,"about_ca_system_score_gemma":0.00020444232,"threshold_uncertainty_score":0.99927175},"labels":[],"label_agreement":null},{"id":"W4367157396","doi":"10.7202/1091839ar","title":"La bibliothèque du compositeur : Vincent d’Indy, ses lectures épiques et « l’épopée musicale »","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Digital Humanities and Scholarship","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.03059710591198093,"score_gpt":0.22860052729098562,"score_spread":0.1980034213790047,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367157396","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7429207,0.007920986,0.00006154759,0.00995825,0.01306789,0.00017893146,0.00074511406,0.000029071907,0.22511753],"genre_scores_gemma":[0.97889614,0.00016574458,0.00001573756,0.0036771114,0.0021805412,0.000011674199,0.000015966054,0.000053973305,0.014983123],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976534,0.00063151034,0.00064290146,0.00021265444,0.0003473702,0.0005121318],"domain_scores_gemma":[0.9981979,0.00031149932,0.0003482793,0.00020497791,0.00035098576,0.00058635615],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00068510656,0.00029059165,0.00036386348,0.002201133,0.002048751,0.0022952794,0.0005546283,0.00008556027,0.024834665],"category_scores_gemma":[0.00008882358,0.0003044841,0.00045791868,0.0003518974,0.0006856662,0.0011939568,0.00010143217,0.0016559068,0.000033696033],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000079847356,0.00034588124,0.00077507546,0.0000666264,0.00040419053,0.0018330205,0.118013054,0.0010911652,0.000022424249,0.5536593,0.3191094,0.0045999987],"study_design_scores_gemma":[0.00034523226,0.000896656,0.00077910075,0.00021736731,0.00010676835,0.0029066075,0.037805308,0.000035215184,0.000014460518,0.0030703605,0.95351964,0.00030328598],"about_ca_topic_score_codex":0.11673535,"about_ca_topic_score_gemma":0.6820586,"teacher_disagreement_score":0.63441026,"about_ca_system_score_codex":0.0013168572,"about_ca_system_score_gemma":0.0015327039,"threshold_uncertainty_score":0.99994075},"labels":[],"label_agreement":null},{"id":"W4367157401","doi":"10.7202/1091837ar","title":"Machines, Films, and Operas: A (Mostly) Soviet Perspective","year":2022,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Opera; Futurist; Cult; Criticism; Ballet; Soviet union; Modernity; Perspective (graphical); Art; Literature; Art history; Aesthetics; History; Visual arts; Philosophy; Epistemology; Political science; Law; Dance","score_opus":0.026782749562312767,"score_gpt":0.21319734129737164,"score_spread":0.18641459173505887,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367157401","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93804914,0.011535214,0.00018063087,0.010769794,0.0046384237,0.0001506544,0.00043857336,0.000008806555,0.034228742],"genre_scores_gemma":[0.99799174,0.000048684888,0.00015084812,0.0006229133,0.000110536195,0.000010129584,0.0000016337993,0.000011496687,0.0010520086],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935263,0.000016042995,0.000305975,0.00012885896,0.000027035792,0.00016948117],"domain_scores_gemma":[0.99945134,0.000025660518,0.0001684097,0.000087299384,0.00006059241,0.00020672129],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023567393,0.00008060652,0.00022049001,0.0006308077,0.00038884106,0.000035171346,0.00012131568,0.000018702436,0.0040939506],"category_scores_gemma":[0.00010027854,0.00009067431,0.00009537328,0.0002347405,0.00006257401,0.0001035554,0.000032230622,0.0002960944,0.0000116952615],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007896316,0.00014615469,0.13702224,0.00003047571,0.0009486916,0.0005341905,0.09449287,0.0007966007,0.00006180645,0.3284234,0.43463472,0.0028298672],"study_design_scores_gemma":[0.0022219028,0.00123533,0.060067274,0.000037131347,0.000075148804,0.003459495,0.18345097,0.00083588413,0.000008652929,0.03535441,0.71263576,0.0006180206],"about_ca_topic_score_codex":0.026126646,"about_ca_topic_score_gemma":0.10512542,"teacher_disagreement_score":0.293069,"about_ca_system_score_codex":0.00025052333,"about_ca_system_score_gemma":0.00016513756,"threshold_uncertainty_score":0.99681646},"labels":[],"label_agreement":null},{"id":"W4386940197","doi":"10.7202/1105864ar","title":"Transmettre des savoirs stylistiques à des élèves clavecinistes et organistes : l’apport de Bernardo Pasquini (1637–1710)","year":2023,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.05427695848899511,"score_gpt":0.2902102803568881,"score_spread":0.235933321867893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386940197","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93456066,0.0076849563,0.00039605008,0.016672594,0.004540683,0.00014549372,0.00020306197,0.00007163384,0.035724852],"genre_scores_gemma":[0.96744645,0.0016259805,0.0006941501,0.0006785663,0.0011775763,0.0000070738065,0.000005578543,0.00004174924,0.028322864],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.996977,0.00075296767,0.0007428357,0.0002647189,0.0003357491,0.00092675886],"domain_scores_gemma":[0.99734837,0.00049879396,0.00028930744,0.00015688203,0.0004990072,0.0012076702],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0015200626,0.0003013795,0.00048339466,0.0006907936,0.001957744,0.00020968678,0.00045760343,0.00021329777,0.0022577776],"category_scores_gemma":[0.00063648645,0.00029605153,0.00044098173,0.001766243,0.0027654464,0.00072328193,0.000024625408,0.0006705965,0.00011181295],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033241606,0.00011399943,0.040123187,0.00015544116,0.00058833574,0.0012598854,0.7752904,0.00009115832,0.00013627899,0.011360933,0.13983336,0.03101373],"study_design_scores_gemma":[0.0002479311,0.0005898795,0.03669308,0.00062857725,0.00021431738,0.00035732205,0.13480946,0.000015047102,0.00004593949,0.010091639,0.815954,0.00035279623],"about_ca_topic_score_codex":0.13382202,"about_ca_topic_score_gemma":0.7372049,"teacher_disagreement_score":0.67612064,"about_ca_system_score_codex":0.0018177747,"about_ca_system_score_gemma":0.0026144641,"threshold_uncertainty_score":0.99994916},"labels":[],"label_agreement":null},{"id":"W4386940199","doi":"10.7202/1105862ar","title":"Alban Berg’s Lulu as a Foucauldian Heterotopia","year":2023,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Spatial and Cultural Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Heterotopia (medicine); Opera; Michel foucault; Realm; Metaphysics; Epistemology; Sociology; Aesthetics; Art history; Philosophy; Art; History; Politics; Political science","score_opus":0.045384152396442,"score_gpt":0.2960356156009959,"score_spread":0.2506514632045539,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386940199","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9459993,0.00009972412,0.0000095651985,0.010486758,0.0039071077,0.00010893346,0.0000072693565,0.00003078819,0.039350532],"genre_scores_gemma":[0.99330395,0.00003610599,0.000011618658,0.000519958,0.00087815395,0.0000070600468,0.0000010124775,0.0000071331306,0.0052349805],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991128,0.00007205476,0.0002098056,0.000085851476,0.00018655372,0.0003329445],"domain_scores_gemma":[0.9991319,0.00003750904,0.00009560174,0.00006473065,0.00019146103,0.00047877012],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023564372,0.000078078985,0.00012830125,0.0003287081,0.0009475007,0.00009740839,0.0002178943,0.000057408484,0.0016106555],"category_scores_gemma":[0.0002117103,0.00006783044,0.00015452769,0.00064775784,0.00019221334,0.00018840989,0.000011258377,0.00018056533,0.00033562648],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033224856,0.00004097452,0.032267313,0.000014579616,0.0005231329,0.0009748801,0.35684815,0.00016432659,0.00038351814,0.014742959,0.53363925,0.060367674],"study_design_scores_gemma":[0.00022984936,0.00016926661,0.019243391,0.00008101926,0.000035284877,0.000090657035,0.07711841,0.00000610777,0.00004438297,0.0026460572,0.90015644,0.00017916216],"about_ca_topic_score_codex":0.39041665,"about_ca_topic_score_gemma":0.9563317,"teacher_disagreement_score":0.565915,"about_ca_system_score_codex":0.00026610712,"about_ca_system_score_gemma":0.000571851,"threshold_uncertainty_score":0.999302},"labels":[],"label_agreement":null},{"id":"W4386940200","doi":"10.7202/1105861ar","title":"Jeunes hommes en quête d’un avenir : de quelques musiciens d’Église de passage à Québec sous le Régime français","year":2023,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science; Philosophy","score_opus":0.012130249512243533,"score_gpt":0.2157111339589185,"score_spread":0.20358088444667496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386940200","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9092228,0.010668504,0.00027558574,0.054280676,0.009606543,0.0001710693,0.00026992324,0.00007126076,0.015433655],"genre_scores_gemma":[0.95805836,0.0006806322,0.00010277021,0.0017299108,0.002044602,0.0000092655555,0.000003112768,0.000049635135,0.03732171],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972466,0.00054929545,0.00056812796,0.00024445067,0.00030630594,0.0010851701],"domain_scores_gemma":[0.9972451,0.00025341148,0.00031094998,0.00023722781,0.00027775345,0.0016756088],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012191957,0.00022485282,0.000374723,0.002511465,0.0024434004,0.0005451455,0.0006180486,0.00032263328,0.0036382028],"category_scores_gemma":[0.00056214904,0.00031496971,0.0005290048,0.001474357,0.0014646876,0.0005921398,0.000029734028,0.0008505798,0.00041409384],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.000014468871,0.00006765139,0.005239327,0.000051203555,0.0002850277,0.0024640353,0.41533133,0.0005906708,0.00013558014,0.0033042214,0.54893863,0.02357788],"study_design_scores_gemma":[0.00030834903,0.00012298072,0.010036601,0.0002453767,0.0001633142,0.00057047524,0.07879997,0.0001224447,0.000018555213,0.0016133275,0.90768313,0.00031549082],"about_ca_topic_score_codex":0.99823284,"about_ca_topic_score_gemma":0.9999145,"teacher_disagreement_score":0.3587445,"about_ca_system_score_codex":0.007470731,"about_ca_system_score_gemma":0.027922295,"threshold_uncertainty_score":0.99993026},"labels":[],"label_agreement":null},{"id":"W4386940201","doi":"10.7202/1105866ar","title":"La musique instrumentale produite au Québec durant la décennie 2010 : établissement d’un corpus et analyse du phénomène","year":2023,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.0214277477401575,"score_gpt":0.25751761572485493,"score_spread":0.23608986798469744,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386940201","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94174504,0.0017353438,0.000021179632,0.039709285,0.007940025,0.00019786206,0.00012526626,0.000029560766,0.00849645],"genre_scores_gemma":[0.98286206,0.00032823835,0.000052504933,0.0035403422,0.001532437,0.000016549244,0.000025506548,0.000028044957,0.011614346],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966278,0.0011234517,0.00079422153,0.00034534515,0.00036745495,0.00074170006],"domain_scores_gemma":[0.997509,0.00023143244,0.0005413286,0.00023621415,0.00046321863,0.0010188059],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0016618797,0.00032080157,0.0004924712,0.001070771,0.0012445966,0.00042659589,0.00052907394,0.00033291863,0.002578809],"category_scores_gemma":[0.0002762191,0.00028586137,0.0006193746,0.0025278456,0.0009854223,0.00084616774,0.000052133244,0.0010317735,0.0001490583],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011264908,0.0006110223,0.09597253,0.00012558799,0.0040231002,0.005925597,0.4910301,0.0008972054,0.0020703839,0.00891548,0.2970385,0.09327786],"study_design_scores_gemma":[0.0008548657,0.00032568708,0.074881025,0.00040411187,0.0008656535,0.0017115631,0.102551796,0.00013573817,0.00012277362,0.00061949855,0.8170071,0.0005201752],"about_ca_topic_score_codex":0.8048824,"about_ca_topic_score_gemma":0.9931004,"teacher_disagreement_score":0.5199686,"about_ca_system_score_codex":0.0017689213,"about_ca_system_score_gemma":0.0052282843,"threshold_uncertainty_score":0.99995935},"labels":[],"label_agreement":null},{"id":"W4386940202","doi":"10.7202/1105868ar","title":"Márta Grabócz, dir. 2021. Narratologie musicale : topiques, théories et stratégies analytiques. Paris : Hermann Éditeurs, 567 p. ISBN 979-1-0370-0637-0","year":2023,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03186781428999798,"score_gpt":0.2614678577758611,"score_spread":0.22960004348586316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386940202","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7102731,0.041698135,0.0006133908,0.12895422,0.030646754,0.0005670421,0.002336169,0.00021953134,0.08469167],"genre_scores_gemma":[0.87669927,0.0021427926,0.00004108924,0.0009458973,0.0036904595,0.000013133727,0.0000780023,0.000062100175,0.11632724],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964244,0.0007974822,0.0011197046,0.00042038568,0.00034141637,0.0008966241],"domain_scores_gemma":[0.9969517,0.00037060247,0.0006039518,0.00045086897,0.0008203466,0.00080254045],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010976493,0.00052814314,0.00085996854,0.0017228532,0.0015602361,0.0009263934,0.0006042386,0.0002657128,0.022035178],"category_scores_gemma":[0.00029764476,0.00049113197,0.0008913549,0.0008979428,0.001532002,0.0012130352,0.00006323339,0.0013819361,0.0002995517],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006835457,0.00013606525,0.0012886239,0.00010285123,0.001659196,0.0020738218,0.085086115,0.0006455955,0.00007761872,0.15832978,0.7424978,0.008034155],"study_design_scores_gemma":[0.00035390558,0.0005571193,0.0007347899,0.0005740098,0.00048459615,0.00027461842,0.12461624,0.00014056641,0.00012469826,0.016621716,0.85496545,0.0005522857],"about_ca_topic_score_codex":0.06427376,"about_ca_topic_score_gemma":0.7211715,"teacher_disagreement_score":0.6568977,"about_ca_system_score_codex":0.0004298143,"about_ca_system_score_gemma":0.0015375628,"threshold_uncertainty_score":0.999754},"labels":[],"label_agreement":null},{"id":"W4386940203","doi":"10.7202/1105867ar","title":"The Shortest Distance Between Gamelan and Electronics: Creating a “nexus of understanding” at Martin Bartlett’s Summer Intensives (Vancouver, 1986–1992)","year":2023,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The arts; Visual arts; Indonesian; Electronic music; Nexus (standard); Electronic dance music; Dance; Identity (music); History; Event (particle physics); Performing arts; Art; Art history; Media studies; Sociology; Engineering; Aesthetics; Linguistics","score_opus":0.05731123533864136,"score_gpt":0.2216585314113014,"score_spread":0.16434729607266005,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386940203","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9333048,0.0025384333,0.00023582925,0.0013239519,0.004404121,0.00022836789,0.00017904567,0.000036835216,0.057748653],"genre_scores_gemma":[0.99329674,0.000018982577,0.0000029993812,0.00014735886,0.0005021603,0.0000029517712,0.0000044834474,0.00001561195,0.0060087224],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990373,0.000056599303,0.00037114864,0.00011240122,0.00012872106,0.00029381385],"domain_scores_gemma":[0.9991335,0.00015490131,0.00024210545,0.000121471516,0.00015263539,0.00019536706],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002494641,0.00012123372,0.00020269354,0.0002179099,0.001174098,0.00009179973,0.00014657622,0.00004088848,0.0006927956],"category_scores_gemma":[0.000111717265,0.00009007074,0.00011565615,0.000116241165,0.0005173316,0.00014343127,0.000016011765,0.00030454565,0.000007789623],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056944995,0.000011253973,0.0057702498,0.000034787783,0.0003445564,0.00008804599,0.20285058,0.000042453637,0.00014543932,0.04081282,0.7484736,0.0013692906],"study_design_scores_gemma":[0.00023572007,0.00021860098,0.0006523617,0.000194956,0.00009202057,0.00004075999,0.15597405,0.000047282112,0.000024173767,0.0025480287,0.8398202,0.00015187016],"about_ca_topic_score_codex":0.004732452,"about_ca_topic_score_gemma":0.92435765,"teacher_disagreement_score":0.9196252,"about_ca_system_score_codex":0.00041981108,"about_ca_system_score_gemma":0.00022577698,"threshold_uncertainty_score":0.90303314},"labels":[],"label_agreement":null},{"id":"W4386940206","doi":"10.7202/1105863ar","title":"SLIDE in a Leading Role: Pitch Structure in Barrie Cabena’s Sonata Festiva","year":2023,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Chord (peer-to-peer); Melody; Sonata form; Contemplation; Art; Literature; Visual arts; Computer science; Musical; Philosophy; Epistemology","score_opus":0.02954870989056302,"score_gpt":0.22774568780607365,"score_spread":0.19819697791551064,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386940206","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98689497,0.00009221628,0.000006993429,0.0022570686,0.001798423,0.00006460252,0.00005007432,0.000012303241,0.008823374],"genre_scores_gemma":[0.9968364,0.000004309204,0.000009666048,0.0008073405,0.00059297244,0.0000036898157,0.000007657916,0.000014240837,0.0017237153],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988473,0.00008349415,0.00043110581,0.00015043639,0.00010988053,0.00037778437],"domain_scores_gemma":[0.99931306,0.00008479191,0.00012000934,0.00011735883,0.000106433654,0.00025835025],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002466708,0.00012943616,0.00027874397,0.0020130526,0.00023225536,0.00009976365,0.00022965555,0.00008520344,0.008140404],"category_scores_gemma":[0.00017656099,0.000118155265,0.00012748806,0.00047466837,0.00016068119,0.00025651485,0.00001823846,0.00063457066,0.000059000224],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015533165,0.00014638624,0.05247035,0.00009966163,0.00071698264,0.0064226626,0.57880414,0.008320507,0.0020855058,0.09386825,0.22498603,0.031924218],"study_design_scores_gemma":[0.0024124365,0.00046386453,0.109632775,0.0008409012,0.00023797991,0.00057644147,0.11174223,0.002367021,0.00013987874,0.02796959,0.7426186,0.0009982532],"about_ca_topic_score_codex":0.06203458,"about_ca_topic_score_gemma":0.9830778,"teacher_disagreement_score":0.9210433,"about_ca_system_score_codex":0.00027238412,"about_ca_system_score_gemma":0.00048111347,"threshold_uncertainty_score":0.99276626},"labels":[],"label_agreement":null},{"id":"W4386940207","doi":"10.7202/1105860ar","title":"Editorial","year":2023,"lang":"es","type":"editorial","venue":"Intersections Canadian Journal of Music","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.018085675149113644,"score_gpt":0.2554236522118713,"score_spread":0.23733797706275767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386940207","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018629552,0.00024400643,0.00002686616,0.00028331834,0.9907461,0.0003023174,0.0046810806,0.00008830695,0.0017650578],"genre_scores_gemma":[0.011264392,0.00008077753,0.000037166694,0.00002953779,0.9854523,0.000016304322,0.00016663512,0.00074306736,0.0022098434],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99189144,0.000627327,0.0025930803,0.00068551156,0.002398708,0.0018039304],"domain_scores_gemma":[0.98497033,0.0019877777,0.002826189,0.00087429484,0.005485203,0.0038562284],"candidate_categories":["metaresearch","metaepi_narrow","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["research_integrity","insufficient_payload"],"category_scores_codex":[0.0025805724,0.0010609264,0.0015943256,0.009353482,0.0009947644,0.0011194327,0.002143396,0.002526809,0.0030033279],"category_scores_gemma":[0.014006353,0.0011749386,0.0017751714,0.0029711002,0.0007465906,0.0008235173,0.000089910274,0.007535173,0.015079494],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00021779642,0.00004989271,0.00006986861,0.000081458675,0.0015379579,0.0011019084,0.0027890347,0.00025701878,0.00011641492,0.000034322948,0.99335575,0.00038857234],"study_design_scores_gemma":[0.001657867,0.0010397285,0.000089214474,0.0021154191,0.0010581065,0.00033189816,0.003240618,0.000011627293,0.000011914847,0.00018407368,0.9893643,0.00089521654],"about_ca_topic_score_codex":0.23964822,"about_ca_topic_score_gemma":0.8365334,"teacher_disagreement_score":0.5968852,"about_ca_system_score_codex":0.0074501853,"about_ca_system_score_gemma":0.035648745,"threshold_uncertainty_score":0.9999175},"labels":[],"label_agreement":null},{"id":"W4405240523","doi":"10.7202/1114855ar","title":"Un paradigme contemporain d’un principe hétérophonique propre au Moyen-Orient","year":2021,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Political and Social Issues","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.03104159610157014,"score_gpt":0.26954691172020295,"score_spread":0.2385053156186328,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405240523","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8253188,0.0066929907,0.0005249723,0.057187814,0.016529132,0.00022730259,0.00012541843,0.000018275916,0.093375295],"genre_scores_gemma":[0.96785825,0.00013878678,0.00026030012,0.0012740691,0.0029964265,0.000007241634,0.000003499535,0.000025047162,0.027436404],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968504,0.0008180452,0.00074905704,0.00025477775,0.0003862798,0.0009414937],"domain_scores_gemma":[0.99653435,0.00017376774,0.00031301085,0.00020492138,0.00073479005,0.0020391615],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008089534,0.00023526567,0.00045694143,0.00024374221,0.0011358523,0.0001939096,0.0003647177,0.00031770885,0.004144755],"category_scores_gemma":[0.00080035604,0.00024831446,0.0004532023,0.00085899205,0.0011649311,0.0003983711,0.00003170744,0.0008154756,0.00010134171],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039816478,0.00051102013,0.0059080203,0.00010031805,0.0010576429,0.010236392,0.32795838,0.00007036556,0.00022456738,0.58818847,0.020707155,0.04499784],"study_design_scores_gemma":[0.00050022843,0.00030003168,0.004099638,0.00047890597,0.00016832464,0.00083514233,0.06301846,0.00002405782,0.00081634976,0.027805386,0.90155435,0.0003990987],"about_ca_topic_score_codex":0.3069435,"about_ca_topic_score_gemma":0.7202882,"teacher_disagreement_score":0.8808472,"about_ca_system_score_codex":0.0021191007,"about_ca_system_score_gemma":0.010171089,"threshold_uncertainty_score":0.9999969},"labels":[],"label_agreement":null},{"id":"W4405240525","doi":"10.7202/1114856ar","title":"MusCan 2024 conference Report","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"X-ray Diffraction in Crystallography","field":"Materials Science","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.029399697792859707,"score_gpt":0.2528877711373694,"score_spread":0.22348807334450968,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405240525","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96237826,0.00012838672,0.0030136253,0.0011701088,0.013078165,0.000048616716,0.000032151627,0.000016805152,0.020133894],"genre_scores_gemma":[0.9957158,0.0000058501555,0.00092439796,0.00033117077,0.00039809296,0.0000033461783,0.000002818436,0.000014244675,0.0026042853],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986842,0.00008979472,0.000533353,0.00019381588,0.00021776992,0.0002810189],"domain_scores_gemma":[0.9979815,0.000053294865,0.0003245488,0.000294642,0.00082707655,0.0005189573],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00035911205,0.000114178365,0.00019558433,0.00053316006,0.00021273726,0.0002102321,0.00023074671,0.000071914816,0.02129355],"category_scores_gemma":[0.00032747493,0.00011631833,0.00018972608,0.0004859644,0.00016171025,0.0003326442,0.000017460523,0.00032531083,0.000082367915],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003426333,0.00013370425,0.014480032,0.000046291287,0.0002323645,0.022015048,0.005482691,0.0006800048,0.703664,0.0019366355,0.2490921,0.0022028417],"study_design_scores_gemma":[0.0010312753,0.0003863073,0.04718479,0.00052739226,0.00024103188,0.09605961,0.029181162,0.00006990585,0.039225668,0.004060522,0.78120303,0.0008292907],"about_ca_topic_score_codex":0.009730338,"about_ca_topic_score_gemma":0.24263228,"teacher_disagreement_score":0.66443837,"about_ca_system_score_codex":0.00021273906,"about_ca_system_score_gemma":0.002250691,"threshold_uncertainty_score":0.99686396},"labels":[],"label_agreement":null},{"id":"W4405240532","doi":"10.7202/1114854ar","title":"Composing Heterophony: Arranging and Adapting Global Musics for Intercultural Ensembles","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology; Computer science; Human–computer interaction","score_opus":0.047852299789950176,"score_gpt":0.23210778450359262,"score_spread":0.18425548471364245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405240532","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98891467,0.00043139208,0.0020374204,0.0014552624,0.002920719,0.000053851138,0.00005466897,0.000009027925,0.0041229622],"genre_scores_gemma":[0.99678624,0.0000036787158,0.00044825213,0.0013878021,0.0010642426,0.0000022910217,0.000006427753,0.000008405884,0.00029264952],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992084,0.00004948663,0.00031426994,0.00012770716,0.00006316775,0.00023697443],"domain_scores_gemma":[0.9990835,0.00007692545,0.00014124424,0.00007203685,0.0003966391,0.00022962465],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001253732,0.00011298502,0.00022743024,0.00015506512,0.00070777035,0.00024840186,0.00008713567,0.0000450941,0.000800559],"category_scores_gemma":[0.00009115179,0.00010046442,0.00021861917,0.00007948161,0.0001992565,0.0002032275,0.000015643742,0.00017550011,0.000002919021],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028217098,0.00024698544,0.002859852,0.00029631122,0.0037444353,0.0014993588,0.5619396,0.0011274398,0.0110607715,0.21680813,0.08259307,0.117541865],"study_design_scores_gemma":[0.0023072443,0.0007265429,0.0012743267,0.000957674,0.0012450143,0.0040593664,0.29240528,0.002678351,0.00078891416,0.009658423,0.6829647,0.0009341919],"about_ca_topic_score_codex":0.0057746763,"about_ca_topic_score_gemma":0.59502566,"teacher_disagreement_score":0.6003716,"about_ca_system_score_codex":0.00013314513,"about_ca_system_score_gemma":0.00021540519,"threshold_uncertainty_score":0.876556},"labels":[],"label_agreement":null},{"id":"W4405240553","doi":"10.7202/1114853ar","title":"Exploring Elaboration in Balinese Music","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Elaboration; Psychology; Sociology; Aesthetics; Art; Humanities","score_opus":0.15603488468619053,"score_gpt":0.23491932803881815,"score_spread":0.07888444335262762,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405240553","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9762074,0.00016074038,0.000094811156,0.0017211452,0.004076955,0.00003319577,0.000012165676,0.00000642125,0.017687209],"genre_scores_gemma":[0.99652416,0.00001080573,0.000040013776,0.001076513,0.0012318179,0.000006302637,0.0000057934585,0.000009162162,0.0010954516],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991153,0.00008542659,0.00039677543,0.000111777146,0.000089678266,0.00020103728],"domain_scores_gemma":[0.99907964,0.000049457445,0.00011770808,0.00011188563,0.0004378327,0.00020349486],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019015983,0.00009113341,0.0001929865,0.00069519255,0.00022869742,0.00011277355,0.0001046289,0.000036692367,0.013087983],"category_scores_gemma":[0.00016790429,0.00008622026,0.0001421255,0.00028833575,0.00011463685,0.00053394586,0.000008908074,0.0003080865,0.000044660723],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011960357,0.00057432347,0.008859549,0.00009698401,0.0010716914,0.006676893,0.4985571,0.0030488044,0.0027684004,0.32769147,0.10158629,0.048948906],"study_design_scores_gemma":[0.0012753444,0.00027878745,0.0129340505,0.0003322884,0.0002704563,0.00047584766,0.11629543,0.00032197608,0.00048865477,0.004397366,0.86240715,0.000522653],"about_ca_topic_score_codex":0.016964503,"about_ca_topic_score_gemma":0.9442017,"teacher_disagreement_score":0.9272372,"about_ca_system_score_codex":0.00015576296,"about_ca_system_score_gemma":0.00059168885,"threshold_uncertainty_score":0.98958164},"labels":[],"label_agreement":null},{"id":"W4405240559","doi":"10.7202/1114858ar","title":"Antoni Pizà, ed. 2022. The Way of the Moderns: Six Perspectives on Modernism in Music. Brepols. 172 pp. ISBN: 978-2-503-59773‑7 (hardcover)","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Modernism (music); Art history; Art; History","score_opus":0.028521244402114048,"score_gpt":0.22016720967439532,"score_spread":0.19164596527228128,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405240559","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.944869,0.002827334,0.00011223002,0.009235595,0.0046698228,0.00020684101,0.00014515786,0.000011148787,0.037922878],"genre_scores_gemma":[0.9928514,0.00012731884,0.000014357351,0.0025312756,0.0010998244,0.000009476298,0.0000027153956,0.000022576838,0.0033410501],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981398,0.00030399542,0.0006098517,0.0002736443,0.00029622126,0.00037646588],"domain_scores_gemma":[0.99826205,0.0001954499,0.00037420483,0.00045733975,0.00050549407,0.00020543899],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034780745,0.00022315829,0.00040730782,0.00037461665,0.0007001567,0.00016327469,0.0005114989,0.000110211884,0.0102807265],"category_scores_gemma":[0.00024507643,0.00014421536,0.00059149315,0.00027622195,0.0006678864,0.00024041961,0.000055483593,0.0009384333,0.000024839082],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017952792,0.00077469525,0.0015280494,0.000060365383,0.0018028277,0.0007140371,0.47164306,0.007350794,0.001369508,0.229125,0.2799814,0.0054707457],"study_design_scores_gemma":[0.0023129492,0.00086905144,0.01346211,0.0008952297,0.001051525,0.00092783925,0.34363964,0.0036315077,0.0009200226,0.0152450055,0.61608243,0.0009626682],"about_ca_topic_score_codex":0.02463228,"about_ca_topic_score_gemma":0.6697483,"teacher_disagreement_score":0.64511603,"about_ca_system_score_codex":0.0003114117,"about_ca_system_score_gemma":0.0009138009,"threshold_uncertainty_score":0.990624},"labels":[],"label_agreement":null},{"id":"W4405240562","doi":"10.7202/1114851ar","title":"Inhabiting Time: Towards A Heterophony of Temporalities and Traditions","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Temporalities; Temporality; History; Aesthetics; Sociology; Geography; Art; Epistemology; Political science; Philosophy; Law","score_opus":0.026586473500725873,"score_gpt":0.196584941986415,"score_spread":0.1699984684856891,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405240562","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.969062,0.00062781863,0.000015636366,0.0009241006,0.0009043733,0.00002517726,0.00024211378,0.0000072624302,0.02819157],"genre_scores_gemma":[0.9948188,0.0000053222448,0.000113814094,0.00023054735,0.0005765524,0.0000010182074,0.000007784685,0.0000098095725,0.004236321],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993729,0.000047319863,0.0003040579,0.00007123162,0.00007484661,0.00012966932],"domain_scores_gemma":[0.99928766,0.000035804827,0.00012712457,0.000071091,0.00031106293,0.00016727227],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009847081,0.00007728327,0.00016337771,0.0002915223,0.0002382605,0.0001648031,0.0000587732,0.000032330725,0.0023023617],"category_scores_gemma":[0.00004678067,0.000073614145,0.0001096482,0.00006461106,0.00021337993,0.00018098803,0.000003810498,0.00021887293,0.0000032745222],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036686084,0.00015120419,0.0016663126,0.00030789137,0.0006998584,0.0011614135,0.7785705,0.000039605387,0.0033439547,0.096089244,0.10288386,0.015049472],"study_design_scores_gemma":[0.001017203,0.00056070916,0.004185112,0.0016952802,0.00018455354,0.0044360096,0.19434291,0.000056847333,0.0013633799,0.0035793374,0.78812546,0.0004531763],"about_ca_topic_score_codex":0.0064379196,"about_ca_topic_score_gemma":0.08741708,"teacher_disagreement_score":0.68524164,"about_ca_system_score_codex":0.000040348325,"about_ca_system_score_gemma":0.00037804098,"threshold_uncertainty_score":0.99860966},"labels":[],"label_agreement":null},{"id":"W4405240565","doi":"10.7202/1114848ar","title":"Introduction: Layers of Meaning Explored through a Productively Unstable Concept","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Meaning (existential); Epistemology; Sociology; Psychology; Philosophy","score_opus":0.04391205761458282,"score_gpt":0.2064733043973379,"score_spread":0.16256124678275508,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405240565","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48520413,0.0043419013,0.0011753446,0.012143974,0.049291085,0.0003791462,0.00022990107,0.000060111874,0.4471744],"genre_scores_gemma":[0.9847317,0.0000034916827,0.00018158394,0.00030792432,0.0042767953,0.0000027546475,0.000006382994,0.000013313348,0.010476066],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99913603,0.0000713646,0.00035139621,0.00013986825,0.00012693997,0.00017439712],"domain_scores_gemma":[0.99866503,0.000013953591,0.00023521726,0.00015096672,0.0007984524,0.00013636184],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011169529,0.000102508144,0.00021260443,0.0001550623,0.00040190158,0.00006384875,0.000117506126,0.000035858167,0.026375536],"category_scores_gemma":[0.00010779877,0.00009592595,0.00014946428,0.00013770402,0.00031983957,0.00052745605,0.000006809889,0.00027707525,0.000013865934],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017102637,0.00003445717,0.000014447518,0.000018241944,0.00017753572,0.00008291471,0.43884885,0.00022702312,0.00085611496,0.09760031,0.46160728,0.000515743],"study_design_scores_gemma":[0.00020326635,0.000098243174,0.000011286984,0.00006845129,0.0000544255,0.00031029215,0.15484986,0.0000014523839,0.0014976223,0.00086597167,0.8419451,0.000094025105],"about_ca_topic_score_codex":0.004950526,"about_ca_topic_score_gemma":0.29208168,"teacher_disagreement_score":0.49952754,"about_ca_system_score_codex":0.00017912916,"about_ca_system_score_gemma":0.00079105137,"threshold_uncertainty_score":0.9745145},"labels":[],"label_agreement":null},{"id":"W4405240568","doi":"10.7202/1114857ar","title":"Sabine Mecking, Manuela Schwartz et Yvonne Wasserloos (éd.). 2021. Rechtsextremismus — Musik und Medien. Göttingen: V &amp; R unipress, 376 p. ISBN: 978-3-8471-1327-0 (couverture rigide)","year":2021,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"German legal, social, and political studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Physics","score_opus":0.044756432413063575,"score_gpt":0.30772184129070346,"score_spread":0.26296540887763986,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405240568","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25237596,0.15499456,0.0008115254,0.2611163,0.07281083,0.0007380185,0.00083829416,0.00010212828,0.25621235],"genre_scores_gemma":[0.88853174,0.005430262,0.00087734114,0.0063992795,0.01043572,0.000017136299,0.00004403962,0.0001139281,0.08815057],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99413806,0.0013704435,0.0012927185,0.0006125779,0.0008869098,0.0016992758],"domain_scores_gemma":[0.99423933,0.0007187222,0.0007130739,0.00050850055,0.0016558288,0.0021645515],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015906021,0.00060296175,0.00094527,0.00052084186,0.0023358099,0.0005280247,0.00079713546,0.00072723156,0.017796872],"category_scores_gemma":[0.0020449697,0.0006424143,0.0008336798,0.0016651291,0.001610596,0.0008875167,0.00012585009,0.0023262352,0.0004456561],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003268339,0.00025070578,0.0016456692,0.0001548213,0.0015937801,0.0017205839,0.075589485,0.0001059212,0.00013431041,0.02861779,0.88138914,0.008765121],"study_design_scores_gemma":[0.0006978949,0.00014970978,0.00100603,0.00094299833,0.0007163277,0.000439765,0.031755053,0.00002465947,0.00006323451,0.0067744297,0.9568185,0.00061136374],"about_ca_topic_score_codex":0.19029598,"about_ca_topic_score_gemma":0.93169653,"teacher_disagreement_score":0.74140054,"about_ca_system_score_codex":0.0020081624,"about_ca_system_score_gemma":0.0055753933,"threshold_uncertainty_score":0.99997544},"labels":[],"label_agreement":null},{"id":"W4405240582","doi":"10.7202/1114850ar","title":"L’hétérophonie « statistique » et l’oralité dans <i>Momente</i> et <i>Telemusik</i> de Karlheinz Stockhausen","year":2021,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Media, Communication, and Education","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04321987432913956,"score_gpt":0.32459195977433125,"score_spread":0.2813720854451917,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405240582","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72350633,0.010773784,0.021563614,0.14668116,0.03534599,0.0003462306,0.00040368,0.00003229556,0.06134691],"genre_scores_gemma":[0.97139263,0.0027528505,0.004562784,0.0067219306,0.0011269813,0.000014015053,0.000041962103,0.0000399912,0.01334684],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961437,0.0019081109,0.00072317856,0.0002270888,0.00034801176,0.0006498899],"domain_scores_gemma":[0.9965134,0.0004111421,0.00048311462,0.00044238337,0.00087521196,0.0012747315],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0019797634,0.0002156824,0.00031138436,0.00036961283,0.0007843966,0.00029921907,0.0005757509,0.00020276301,0.0027953284],"category_scores_gemma":[0.00074167823,0.00025940215,0.00023791502,0.001081441,0.0005551143,0.0007129245,0.000032535292,0.0009530815,0.000069919304],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019528012,0.00032570778,0.014307999,0.000068640344,0.00033215494,0.00035246435,0.59461904,0.0009324662,0.0007900165,0.040689547,0.33657968,0.01098278],"study_design_scores_gemma":[0.00049906486,0.00020802762,0.00985871,0.0005891411,0.00019649383,0.0008944947,0.19869022,0.00008661872,0.00027913845,0.008850301,0.7794661,0.00038170078],"about_ca_topic_score_codex":0.3487568,"about_ca_topic_score_gemma":0.9525423,"teacher_disagreement_score":0.6037855,"about_ca_system_score_codex":0.00196181,"about_ca_system_score_gemma":0.01661362,"threshold_uncertainty_score":0.9999858},"labels":[],"label_agreement":null},{"id":"W4405240585","doi":"10.7202/1114849ar","title":"Analyzing Heterophony","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.04821523777969442,"score_gpt":0.26556157158746607,"score_spread":0.21734633380777166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405240585","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99033016,0.000020763242,0.0011966747,0.0005866795,0.003986482,0.000023987826,0.0000059353592,0.000007737164,0.0038415946],"genre_scores_gemma":[0.99711776,0.000014915851,0.000068886206,0.0020155944,0.00026495318,7.7377877e-7,2.5361442e-7,0.00000841816,0.00050844834],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9991391,0.00008488368,0.00024428612,0.00016796326,0.0001288244,0.00023498783],"domain_scores_gemma":[0.99923044,0.000040281047,0.00010726195,0.00015120528,0.00011928172,0.00035152948],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000105399704,0.000074686475,0.00010976747,0.0004419306,0.00026037142,0.00011638251,0.00018638256,0.000032255168,0.0011257698],"category_scores_gemma":[0.00047339045,0.00007331757,0.0001369698,0.0006495438,0.00011565389,0.0003428154,0.000012535625,0.00024960123,0.000060681],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000035959524,0.000016765178,0.0004856527,0.0000023470216,0.0000034722968,0.00099941,0.0013044977,0.0001115234,0.98870414,0.00015170302,0.0042812694,0.0039356006],"study_design_scores_gemma":[0.0017268728,0.000877426,0.04735766,0.0004321541,0.00013995556,0.043403912,0.009365097,0.0006015647,0.6839412,0.0024211374,0.20874731,0.0009857282],"about_ca_topic_score_codex":0.0012531355,"about_ca_topic_score_gemma":0.042130526,"teacher_disagreement_score":0.304763,"about_ca_system_score_codex":0.00014058847,"about_ca_system_score_gemma":0.00074748835,"threshold_uncertainty_score":0.99978733},"labels":[],"label_agreement":null},{"id":"W4405240617","doi":"10.7202/1114852ar","title":"Claiming Space: Structural aspects of heterophony in the Vietnamese tradition of <i>Vọng Cổ</i> Performance","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Vietnamese History and Culture Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Vietnamese; Space (punctuation); Sociology; Philosophy; Linguistics","score_opus":0.02503449341743561,"score_gpt":0.25011097160239276,"score_spread":0.22507647818495716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405240617","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9831363,0.00072336016,0.000011251507,0.0018201615,0.0013635848,0.000056304405,0.0000073411356,0.0000017983594,0.0128798755],"genre_scores_gemma":[0.9995484,0.000024647623,0.00004403154,0.000111594105,0.00020527755,0.0000015624793,6.629436e-7,0.0000039327088,0.000059909853],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9990643,0.00019555484,0.0003045567,0.00007195356,0.00020523753,0.00015839755],"domain_scores_gemma":[0.9993238,0.00002679512,0.00022295077,0.00008934658,0.00024479226,0.0000923187],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034913118,0.00006955531,0.00017675097,0.00018566742,0.0005349967,0.000019555455,0.00017840948,0.000046341458,0.00019304489],"category_scores_gemma":[0.00013977574,0.000055500648,0.00013330909,0.00050295814,0.00031681955,0.00023059135,0.000004886443,0.0002689911,9.714336e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034072797,0.000043376287,0.0078098224,0.00007560467,0.00012765496,0.0002203332,0.97101617,0.00047603634,0.002552308,0.010608408,0.0036625515,0.0033736494],"study_design_scores_gemma":[0.00058150286,0.00031882466,0.04437795,0.0006107961,0.000088838045,0.00047093202,0.93574023,0.000027865246,0.0008341268,0.0019976355,0.01475493,0.00019635899],"about_ca_topic_score_codex":0.0052465745,"about_ca_topic_score_gemma":0.5700183,"teacher_disagreement_score":0.5647718,"about_ca_system_score_codex":0.00024736955,"about_ca_system_score_gemma":0.000899618,"threshold_uncertainty_score":0.7931286},"labels":[],"label_agreement":null},{"id":"W4410110471","doi":"10.7202/1117690ar","title":"Heitor Villa-Lobos et les Maîtres du Ballet russe : collaboration et héritage artistique avec Adolphe Bolm, Léonide Massine, George Balanchine et Serge Lifar","year":2021,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Ballet; George (robot); Art history; Dance; Visual arts","score_opus":0.013883795407747888,"score_gpt":0.23388760410489134,"score_spread":0.22000380869714345,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410110471","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6604271,0.007426638,0.001885438,0.2607649,0.021732114,0.00034689918,0.002661975,0.000053626885,0.044701304],"genre_scores_gemma":[0.9485421,0.0005102449,0.0002723287,0.012443024,0.003221654,0.000016901025,0.00015234767,0.00006003795,0.03478134],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964899,0.0011173644,0.0010731188,0.0004063063,0.00029563598,0.0006177062],"domain_scores_gemma":[0.9966181,0.0003315094,0.00058805867,0.00034301207,0.0012874864,0.0008318351],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008541584,0.00044977412,0.00071153475,0.00074227015,0.0011051025,0.000844062,0.00029988695,0.0003738648,0.028772058],"category_scores_gemma":[0.00061546394,0.00044528916,0.0005477127,0.00047151916,0.00051164185,0.0008256509,0.000060803966,0.0013983214,0.000109278895],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014175983,0.0006029355,0.0029311136,0.00018194062,0.0017128591,0.0043936134,0.05528594,0.0017165367,0.00057217386,0.34629062,0.5837741,0.0023963996],"study_design_scores_gemma":[0.0008867813,0.00040084956,0.009672734,0.0006141022,0.0006000991,0.0010788051,0.023013202,0.0005778807,0.000095349824,0.001058228,0.96149236,0.00050961424],"about_ca_topic_score_codex":0.08128454,"about_ca_topic_score_gemma":0.974288,"teacher_disagreement_score":0.89300346,"about_ca_system_score_codex":0.0004152264,"about_ca_system_score_gemma":0.0028882409,"threshold_uncertainty_score":0.9997999},"labels":[],"label_agreement":null},{"id":"W4410110496","doi":"10.7202/1117686ar","title":"The Canadian Electronic Ensemble: Past, Present, and Future","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Research Data Management Practices","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.033883885720360184,"score_gpt":0.27829404002781993,"score_spread":0.24441015430745974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410110496","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05979412,0.015038053,0.052886523,0.7776747,0.012509795,0.00062290253,0.000047523576,0.000049284317,0.08137709],"genre_scores_gemma":[0.993929,0.00069962017,0.0005547506,0.00085834134,0.0016196265,0.0000048451334,0.0000020812272,0.000010423495,0.0023212759],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985789,0.00020346863,0.00022007074,0.00018534937,0.0002397757,0.000572456],"domain_scores_gemma":[0.99809843,0.00013861919,0.00012390422,0.0004958058,0.00035787484,0.0007853866],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0007439624,0.00009050854,0.00009291669,0.00046949304,0.0009494824,0.003107672,0.0011055141,0.000042293213,0.000056961937],"category_scores_gemma":[0.0001311803,0.00007272726,0.00005806465,0.0006795665,0.000088554654,0.0044833836,0.0000879167,0.0005674977,0.000009035928],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012166714,0.000025059491,0.0021734412,0.000017919308,0.00057562673,0.0029719516,0.0025027758,0.00007040925,0.00012316788,0.36856535,0.42500973,0.19795242],"study_design_scores_gemma":[0.00012014695,0.00006864525,0.0037220814,0.000012303935,0.000012520486,0.0012888908,0.0012610259,0.00021296467,0.00003477528,0.0011482426,0.99204266,0.00007574329],"about_ca_topic_score_codex":0.27111718,"about_ca_topic_score_gemma":0.99300396,"teacher_disagreement_score":0.9341349,"about_ca_system_score_codex":0.00048478157,"about_ca_system_score_gemma":0.005086879,"threshold_uncertainty_score":0.9979272},"labels":[],"label_agreement":null},{"id":"W4410110509","doi":"10.7202/1117687ar","title":"The Canadian Electronic Ensemble in the 1970s and 1980s","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.018625077081938314,"score_gpt":0.2510630414120384,"score_spread":0.23243796433010008,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410110509","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85984474,0.0071614003,0.000007682986,0.06557108,0.0019074664,0.00013108182,0.000009800241,0.0000043169166,0.06536242],"genre_scores_gemma":[0.9927484,0.00009815829,0.0000068783984,0.005209131,0.00039180974,0.0000031929467,0.0000013203052,0.0000033532697,0.0015377552],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99882203,0.00032685243,0.0001932815,0.0000888985,0.00013840414,0.00043054103],"domain_scores_gemma":[0.9991472,0.000116853626,0.00007156984,0.00010024463,0.00023735382,0.00032680217],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00073972257,0.000067387125,0.00010246549,0.00019764515,0.0018801296,0.00045476144,0.00026249373,0.000076370576,0.00020384208],"category_scores_gemma":[0.0002433384,0.000041242787,0.000099692355,0.00073186925,0.0002519363,0.00014968851,0.0000047656504,0.0004769587,0.0000054928646],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022924627,0.000048647813,0.020654442,0.000008342547,0.00055272743,0.0014845486,0.32224068,0.0000753792,0.00024360754,0.4182687,0.19801396,0.038386013],"study_design_scores_gemma":[0.00011436416,0.000040670453,0.0073658414,0.00001888074,0.00004651389,0.00029823347,0.07692145,0.000006523989,0.000007087879,0.0056492547,0.9094528,0.0000784026],"about_ca_topic_score_codex":0.82705504,"about_ca_topic_score_gemma":0.9999612,"teacher_disagreement_score":0.71143883,"about_ca_system_score_codex":0.00047556034,"about_ca_system_score_gemma":0.004194394,"threshold_uncertainty_score":0.9994193},"labels":[],"label_agreement":null},{"id":"W4410110514","doi":"10.7202/1117684ar","title":"Des nouvelles du comité éditorial conjoint dialogues","year":2021,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Health, Medicine and Society","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.06300403189862841,"score_gpt":0.3183847240294561,"score_spread":0.2553806921308277,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410110514","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7472991,0.008945041,0.0009939829,0.048728596,0.18536653,0.0002667734,0.00023229358,0.000016246055,0.008151437],"genre_scores_gemma":[0.94490796,0.0014699247,0.00070165435,0.008051825,0.040998656,0.0000066221605,0.000015571277,0.00004660658,0.003801151],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952242,0.0020379839,0.0013067827,0.00022634612,0.00028173733,0.00092294393],"domain_scores_gemma":[0.9939397,0.0013674537,0.00050618703,0.0002814113,0.0018062887,0.0020989552],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0019748958,0.00024453498,0.0006162499,0.00035425343,0.0018307406,0.00006069339,0.0002447149,0.0009567617,0.008682734],"category_scores_gemma":[0.004011452,0.0002473006,0.00043935684,0.0005681895,0.0006927284,0.00029883417,0.000035400353,0.0038893798,0.00025748753],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029161522,0.00009612308,0.008591964,0.00030037714,0.00027937398,0.0013361691,0.18684585,0.000022803952,0.00008288749,0.001690195,0.793908,0.00681708],"study_design_scores_gemma":[0.0013219903,0.00038432385,0.007842288,0.0020095538,0.00018846864,0.0010315456,0.24193823,0.000031646672,0.000036908517,0.0008086845,0.74421,0.00019633661],"about_ca_topic_score_codex":0.14423443,"about_ca_topic_score_gemma":0.8238565,"teacher_disagreement_score":0.67962205,"about_ca_system_score_codex":0.0017953742,"about_ca_system_score_gemma":0.028214892,"threshold_uncertainty_score":0.9999979},"labels":[],"label_agreement":null},{"id":"W4410110604","doi":"10.7202/1117685ar","title":"Introduction: CEE 50","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Global Energy and Sustainability Research","field":"Energy","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.015959381016383264,"score_gpt":0.24093129423539436,"score_spread":0.2249719132190111,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410110604","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.864081,0.0008952377,0.0007465926,0.028823176,0.008376208,0.00005975812,0.000010767298,0.000024377327,0.09698283],"genre_scores_gemma":[0.9905863,0.000008047608,0.00017406902,0.00032264183,0.0018221205,0.0000018466213,0.0000036158503,0.000010894391,0.0070704888],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989677,0.00013066472,0.00029310124,0.00013630425,0.00016006065,0.0003121743],"domain_scores_gemma":[0.9982988,0.000033819728,0.000062956286,0.00023084301,0.00089530746,0.00047827367],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023618128,0.00008465746,0.0001477283,0.00035222387,0.00022616748,0.000079775054,0.0001727366,0.00007584346,0.010519677],"category_scores_gemma":[0.0005999914,0.00008516751,0.00016886758,0.0005542186,0.00011449021,0.00019087516,0.000015709633,0.0003928488,0.00007775061],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019925914,0.00027738136,0.005124301,0.00008970857,0.0009907874,0.0060796617,0.0072346404,0.05656707,0.0033606011,0.3334086,0.47217607,0.11449191],"study_design_scores_gemma":[0.00023371835,0.00009648532,0.0015519965,0.000016153184,0.000019508128,0.00259712,0.0072833016,0.000029736144,0.00070956955,0.0068644877,0.9805008,0.00009709824],"about_ca_topic_score_codex":0.046138134,"about_ca_topic_score_gemma":0.5840334,"teacher_disagreement_score":0.53789526,"about_ca_system_score_codex":0.0005264931,"about_ca_system_score_gemma":0.0019050699,"threshold_uncertainty_score":0.9903848},"labels":[],"label_agreement":null},{"id":"W4410110965","doi":"10.7202/1117692ar","title":"Understanding Microtuning Through Recording Analysis: The Transcription and Analysis of Microtuning in Five Recordings from a Variety of Musical Traditions","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music and Audio Processing","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Variety (cybernetics); Musical; Transcription (linguistics); Musical analysis; Cognitive science; Communication; Psychology; Art; Computer science; Linguistics; Literature; Philosophy; Artificial intelligence","score_opus":0.07874509742710986,"score_gpt":0.24428448032543962,"score_spread":0.16553938289832976,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410110965","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51529247,0.00020627181,0.4830421,0.0009993968,0.0002486388,0.000030044017,0.000022499024,0.0000031367615,0.00015545591],"genre_scores_gemma":[0.98913145,0.000032920947,0.010501443,0.00026549085,0.00004542832,0.0000016218778,0.0000067546443,0.000006149241,0.000008758751],"study_design_codex":"qualitative","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.99853987,0.00017504916,0.0006876954,0.0002363207,0.00015275332,0.00020831426],"domain_scores_gemma":[0.9987008,0.00026176663,0.00047940563,0.00022055296,0.00021021561,0.00012726613],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046518145,0.00012088165,0.0004906161,0.001402119,0.00028375207,0.00014103785,0.00031335978,0.000070415,0.00010523533],"category_scores_gemma":[0.00008208408,0.000110520734,0.00039778312,0.004772861,0.0001664983,0.0006108037,0.00002004327,0.00037086775,1.1107791e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000099351506,0.00029442683,0.082502276,0.0001470002,0.027419414,0.00055723987,0.6403222,0.035514332,0.16201475,0.023537856,0.0023766859,0.025214449],"study_design_scores_gemma":[0.004028027,0.0006168404,0.258678,0.0042544794,0.029595891,0.0009837666,0.29763126,0.34435943,0.016115153,0.040019624,0.001972743,0.0017448014],"about_ca_topic_score_codex":0.023908358,"about_ca_topic_score_gemma":0.21591958,"teacher_disagreement_score":0.47383896,"about_ca_system_score_codex":0.00025121483,"about_ca_system_score_gemma":0.00046130622,"threshold_uncertainty_score":0.9825915},"labels":[],"label_agreement":null},{"id":"W4410111081","doi":"10.7202/1117694ar","title":"Le portfolio de produit musical (PPM) comme outil de professionnalisation en musique","year":2021,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.043046409816460546,"score_gpt":0.29273956745225904,"score_spread":0.2496931576357985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410111081","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8471883,0.00402374,0.0010533573,0.10816434,0.010772646,0.00020905015,0.000064239895,0.000020931666,0.028503412],"genre_scores_gemma":[0.9626449,0.000072172654,0.0005013673,0.014880639,0.0037495603,0.000009373596,0.000015794592,0.000019782075,0.018106425],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99658215,0.0015314138,0.0006392132,0.00026411784,0.00027338383,0.0007097249],"domain_scores_gemma":[0.99723405,0.00013092645,0.00039291,0.00020416292,0.00097251276,0.0010654387],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012666077,0.00021198875,0.00038593306,0.0003745578,0.0010606378,0.00026403627,0.00037348058,0.0004389415,0.0034371773],"category_scores_gemma":[0.0007211343,0.00020878043,0.0004913508,0.0012665519,0.0005199485,0.00059218693,0.00003088397,0.0011100898,0.00002984984],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005690225,0.00061337615,0.012917007,0.00011877185,0.0012470884,0.0032182701,0.3776222,0.00046702803,0.0027958227,0.15251744,0.42164388,0.02678221],"study_design_scores_gemma":[0.0006610895,0.00020428428,0.014648915,0.00066792703,0.0006144101,0.0025711549,0.13901791,0.00017744751,0.00033629217,0.016021227,0.82461935,0.0004599883],"about_ca_topic_score_codex":0.1022516,"about_ca_topic_score_gemma":0.82166034,"teacher_disagreement_score":0.71940875,"about_ca_system_score_codex":0.0012295226,"about_ca_system_score_gemma":0.011690968,"threshold_uncertainty_score":0.99747384},"labels":[],"label_agreement":null},{"id":"W4410111486","doi":"10.7202/1117693ar","title":"Les caractéristiques musicales soutenant la méditation d’attention focalisée chez des pratiquants expérimentés","year":2021,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music Therapy and Health","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Council of Ontario Universities","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.08076599127093674,"score_gpt":0.3675845748656281,"score_spread":0.28681858359469137,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410111486","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9467097,0.01145355,0.0073859603,0.007976035,0.0126833115,0.0002027748,0.00016470377,0.000019837487,0.01340414],"genre_scores_gemma":[0.99059236,0.00037543432,0.0010467159,0.0010723249,0.0017472549,0.000012167938,0.000027730224,0.000050773553,0.0050752116],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962105,0.001630529,0.0009890968,0.00031987813,0.00021839858,0.0006315834],"domain_scores_gemma":[0.9971163,0.00029768792,0.0006202468,0.00029743268,0.00082099123,0.0008473046],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001118017,0.00028353534,0.000439452,0.00062552164,0.0006075336,0.00020504056,0.00022181885,0.00042305616,0.0097301705],"category_scores_gemma":[0.0002702843,0.00029759287,0.0003894052,0.00046863596,0.0005749222,0.00039969914,0.000015446622,0.0010240449,0.00008291899],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039958805,0.0015225307,0.018814307,0.0005494712,0.002244068,0.006835254,0.31889936,0.00015291649,0.008766359,0.059090506,0.18262291,0.4001027],"study_design_scores_gemma":[0.0033188616,0.0017401377,0.35481864,0.0032621853,0.00070529804,0.013075181,0.15525861,0.00013546755,0.0009121843,0.0071135624,0.45877945,0.0008804097],"about_ca_topic_score_codex":0.119099855,"about_ca_topic_score_gemma":0.69010806,"teacher_disagreement_score":0.5710082,"about_ca_system_score_codex":0.0008918063,"about_ca_system_score_gemma":0.002644831,"threshold_uncertainty_score":0.9999476},"labels":[],"label_agreement":null},{"id":"W4410111501","doi":"10.7202/1117695ar","title":"Alexa Woloshyn. An Orchestra at My Fingertips: A History of the Canadian Electronic Ensemble. McGill-Queen’s University Press. 266 pp. ISBN: 978-0-2280-1734-9 (paperback)","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Digital Humanities and Scholarship","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queen (butterfly); Art history; Art; Media studies; Sociology; Zoology; Biology","score_opus":0.04383268019086598,"score_gpt":0.18647271181311598,"score_spread":0.14264003162225,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410111501","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61437804,0.001153097,0.0000013005349,0.0016164096,0.0034530284,0.00015405685,0.00035365386,0.000018477034,0.37887195],"genre_scores_gemma":[0.9141147,0.00004129991,0.000007190618,0.0008178764,0.00031907184,0.0000011804134,0.000009420905,0.00002687316,0.08466238],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984445,0.00017037871,0.0003865268,0.00021136588,0.00022382448,0.0005634344],"domain_scores_gemma":[0.9981009,0.000054968845,0.00026502128,0.00035388354,0.0005730741,0.00065219816],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020612712,0.00020319047,0.00026775192,0.00023824853,0.00092451746,0.00017044284,0.00051025924,0.000104624814,0.00479793],"category_scores_gemma":[0.00007484103,0.00018995158,0.00032776402,0.00009187046,0.00046757096,0.00072829676,0.00003894233,0.00068937254,0.000012770317],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00011313524,0.00019144992,0.0011994314,0.00009197964,0.00078750704,0.0010297495,0.07161849,0.00017650139,0.0002529497,0.3944956,0.52789795,0.0021452573],"study_design_scores_gemma":[0.00028376048,0.00021370398,0.0007646882,0.000115095114,0.000098449214,0.00024661983,0.012598308,0.0000069552275,0.00006929466,0.0003892623,0.98500836,0.00020550164],"about_ca_topic_score_codex":0.60700226,"about_ca_topic_score_gemma":0.99594015,"teacher_disagreement_score":0.45711043,"about_ca_system_score_codex":0.0058106193,"about_ca_system_score_gemma":0.005743145,"threshold_uncertainty_score":0.99989337},"labels":[],"label_agreement":null},{"id":"W4410117857","doi":"10.7202/1117688ar","title":"Grand Opera, Musical Brothel: COMUS’s <i>Nightbloom</i>, the CEE, and the Innovation of Canadian Opera<b/>","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Council of Ontario Universities","funders":"","keywords":"Opera; Musical; Art; Humanities; Advertising; Art history; Business; Visual arts","score_opus":0.026466103215096317,"score_gpt":0.1879205279032791,"score_spread":0.16145442468818277,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410117857","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9236524,0.0008423789,0.000018002067,0.0067306273,0.0043321457,0.00019591254,0.00008848079,0.0000057608213,0.06413429],"genre_scores_gemma":[0.9914747,0.000058421843,0.000013223406,0.0037375982,0.000818155,0.000006307118,0.000005153234,0.000016425212,0.0038700271],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99889445,0.00011715205,0.00050192,0.00010836409,0.00013500846,0.00024308499],"domain_scores_gemma":[0.99877167,0.0000693136,0.00016410022,0.00021242499,0.00056824944,0.0002142491],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004823665,0.00012713017,0.00023796193,0.00083598006,0.0009747698,0.00017866606,0.00023872004,0.000047575235,0.0020844012],"category_scores_gemma":[0.00006806151,0.00007751107,0.00011183155,0.0003261562,0.0009768378,0.00022318611,0.000013271372,0.0003856295,0.0000090437725],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011961703,0.00005294261,0.00041381095,0.000047793106,0.00042510225,0.00014422231,0.43569455,0.00007224801,0.0004199077,0.28237614,0.27107576,0.009157916],"study_design_scores_gemma":[0.00095248275,0.00007015432,0.00054906076,0.00008854681,0.00007333344,0.00036475156,0.019510346,0.000025680156,0.00008853271,0.00030505902,0.9778662,0.00010585361],"about_ca_topic_score_codex":0.5122495,"about_ca_topic_score_gemma":0.98956203,"teacher_disagreement_score":0.70679045,"about_ca_system_score_codex":0.00014350013,"about_ca_system_score_gemma":0.0014314646,"threshold_uncertainty_score":0.9988278},"labels":[],"label_agreement":null},{"id":"W4410117898","doi":"10.7202/1117696ar","title":"Annelies Fryberger. 2023. Juger le singulier : l’évaluation de la musique contemporaine en France et aux États-Unis. Symétrie recherche. Lyon : Symétrie, 224 p. ISBN : 978-2-36485-214-3 (papier), 978-2-36485-255-6 (pdf)","year":2021,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Physics; Philosophy","score_opus":0.05668205831570663,"score_gpt":0.2791597227242512,"score_spread":0.22247766440854458,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410117898","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49589863,0.06450401,0.0011341902,0.3821216,0.010189028,0.00043112304,0.0004882627,0.00006156838,0.045171577],"genre_scores_gemma":[0.65442747,0.008010879,0.0008709674,0.006023436,0.004549712,0.00004093878,0.00008008688,0.000110374356,0.32588616],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99417895,0.002498858,0.0013813837,0.000528365,0.00052457437,0.00088786375],"domain_scores_gemma":[0.99456024,0.0012071672,0.00072873454,0.00036306275,0.0022221936,0.00091861363],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0025359234,0.00058343605,0.0010169848,0.00056553533,0.005610535,0.0007114433,0.00042792928,0.0005858963,0.011012834],"category_scores_gemma":[0.0021904719,0.0005709101,0.0010556694,0.0008663088,0.001331,0.00082645676,0.000071684466,0.0022688117,0.00016942121],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000082361825,0.00046264852,0.0006895292,0.00019259044,0.0026013812,0.0015873348,0.36133254,0.00067805464,0.00052485673,0.048751812,0.5703218,0.012775081],"study_design_scores_gemma":[0.00087731186,0.00028535048,0.0005636406,0.0006493321,0.00063635304,0.00032457346,0.05248327,0.00015847792,0.00006021713,0.0125113875,0.93082273,0.00062738016],"about_ca_topic_score_codex":0.1561699,"about_ca_topic_score_gemma":0.4828359,"teacher_disagreement_score":0.37609816,"about_ca_system_score_codex":0.005956223,"about_ca_system_score_gemma":0.005449386,"threshold_uncertainty_score":0.99967426},"labels":[],"label_agreement":null},{"id":"W4410117932","doi":"10.7202/1117691ar","title":"Le son du <i>Xūn</i> : musique, rencontre interculturelle, singularité","year":2021,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Linguistics and language evolution","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.011266731622927111,"score_gpt":0.19088412811421074,"score_spread":0.17961739649128364,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410117932","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16139762,0.08151584,0.0026002703,0.03449332,0.0918876,0.00026753286,0.0007219288,0.00004126521,0.6270746],"genre_scores_gemma":[0.95975876,0.00017241387,0.00017663493,0.001537534,0.008767956,0.0000015994311,0.000020365736,0.00003465359,0.029530093],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984649,0.0001568911,0.00061840715,0.00019368624,0.0001558529,0.00041026244],"domain_scores_gemma":[0.9974382,0.00006076908,0.00031028985,0.00020619394,0.0014645963,0.0005199599],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024826315,0.00021324321,0.00031248562,0.00037111802,0.0009136524,0.00050449866,0.00020453273,0.00016612808,0.007948289],"category_scores_gemma":[0.0004914893,0.00022675305,0.00039393242,0.00015634055,0.0003658837,0.000252678,0.00002555769,0.00070898945,0.000055740045],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025453583,0.00022027013,0.00021423999,0.00009865247,0.00054151245,0.005230123,0.12778984,0.00016707805,0.00017591834,0.49707964,0.35950014,0.008957129],"study_design_scores_gemma":[0.00047196128,0.00015798802,0.0001389851,0.00068039686,0.0001958982,0.002278438,0.054333564,0.00012034193,0.0000995066,0.0025387453,0.9387436,0.00024056665],"about_ca_topic_score_codex":0.28107074,"about_ca_topic_score_gemma":0.9431368,"teacher_disagreement_score":0.7983611,"about_ca_system_score_codex":0.00038838133,"about_ca_system_score_gemma":0.0029474176,"threshold_uncertainty_score":0.9929586},"labels":[],"label_agreement":null},{"id":"W4410117993","doi":"10.7202/1117689ar","title":"Avoiding ‘Rona and Passing the Track: When 50 Years of the Canadian Electronic Ensemble Challenges the Limits of Pandemic-Era Live Improvisation","year":2021,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Improvisation; Pandemic; Track (disk drive); Coronavirus disease 2019 (COVID-19); 2019-20 coronavirus outbreak; Computer science; Virology; Medicine; Visual arts; Art; Operating system","score_opus":0.035878074264181145,"score_gpt":0.22579073370874522,"score_spread":0.1899126594445641,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410117993","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.974336,0.0051864716,0.0012491875,0.017671794,0.0008587298,0.00009144651,0.000004058885,0.0000061474525,0.0005961349],"genre_scores_gemma":[0.99921465,0.00022055808,0.000106123734,0.00033087426,0.0000642527,0.0000024072206,1.0821108e-7,0.0000045816328,0.00005641628],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99907786,0.00019447357,0.00024415876,0.000111846515,0.0001156092,0.00025605594],"domain_scores_gemma":[0.9990173,0.00023201268,0.00021346525,0.00025634517,0.00019251897,0.00008836031],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006549639,0.000075404656,0.00013610184,0.00017717686,0.0007431808,0.000056607932,0.00046911958,0.00007492632,0.000013024587],"category_scores_gemma":[0.0002761889,0.000048291236,0.000091159476,0.00021564765,0.00024924547,0.00013712092,0.000036882495,0.0006644609,5.194843e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001341199,0.00004114043,0.007856281,0.000048160644,0.00086438435,0.000075316995,0.39159715,0.00023099297,0.0040933294,0.117554285,0.004469012,0.47315654],"study_design_scores_gemma":[0.0016241211,0.0009753463,0.55443513,0.001215355,0.00050947146,0.0075626727,0.20828825,0.00269086,0.005662871,0.11549854,0.100688756,0.0008486191],"about_ca_topic_score_codex":0.095572874,"about_ca_topic_score_gemma":0.9790643,"teacher_disagreement_score":0.8834914,"about_ca_system_score_codex":0.00024986526,"about_ca_system_score_gemma":0.0021696317,"threshold_uncertainty_score":0.9104498},"labels":[],"label_agreement":null},{"id":"W7104176697","doi":"10.7202/1121318ar","title":"Éditorial : « Formation à la médiation de la musique et l’exercice du métier »","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Contemporary art, education, critique","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Intersection (aeronautics); Game studies; Resilience (materials science)","score_opus":0.017776807768131942,"score_gpt":0.2814683374480711,"score_spread":0.26369152967993914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104176697","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66043,0.001148474,0.00719793,0.18166526,0.07545098,0.0004385991,0.00017150358,0.000032934626,0.073464334],"genre_scores_gemma":[0.98520815,0.0002321833,0.0002995255,0.0012292847,0.0063229348,0.000028125976,0.000012294724,0.000023940032,0.006643554],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9933473,0.005324104,0.00053006463,0.00013536702,0.00032169846,0.00034144972],"domain_scores_gemma":[0.9979942,0.00057192787,0.0004513985,0.00012943367,0.00037203846,0.00048101912],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0057484433,0.00014133764,0.00017835254,0.0006868422,0.001404417,0.00024228891,0.00033853835,0.00015916905,0.0027096746],"category_scores_gemma":[0.0005177132,0.00018753333,0.0002004286,0.00072318705,0.00031401237,0.002834441,0.00001938045,0.0009500956,0.000016592932],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032775446,0.00010544138,0.0015773142,0.000019230833,0.00006437253,0.00011123088,0.24090296,0.0014088842,0.000053774984,0.072550714,0.67921317,0.003960165],"study_design_scores_gemma":[0.00032797048,0.00014303082,0.0016898443,0.00006902928,0.000057456182,0.00090463733,0.08509851,0.00015144928,0.000016574268,0.006203257,0.9051764,0.00016181571],"about_ca_topic_score_codex":0.26272523,"about_ca_topic_score_gemma":0.47177678,"teacher_disagreement_score":0.32477817,"about_ca_system_score_codex":0.003166997,"about_ca_system_score_gemma":0.013321434,"threshold_uncertainty_score":0.99989563},"labels":[],"label_agreement":null},{"id":"W7104177004","doi":"10.7202/1121321ar","title":"La formation à la médiation de la musique au CNSMDP : neutralité scientifique et excellence artistique, deux axiomes à revisiter (2021–22)","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Contemporary art, education, critique","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Context (archaeology); National library; Historical heritage","score_opus":0.02648085175388193,"score_gpt":0.3010994764031199,"score_spread":0.274618624649238,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104177004","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81237036,0.0018213147,0.016393587,0.10200156,0.007652855,0.0005385856,0.00018464755,0.000029543826,0.059007514],"genre_scores_gemma":[0.98035854,0.00036718312,0.00050905044,0.0013931614,0.00070964027,0.000050726856,0.000017669976,0.0000304446,0.016563576],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.988969,0.009056838,0.00077423686,0.00027051513,0.0003890525,0.00054034835],"domain_scores_gemma":[0.996964,0.001048149,0.00060392445,0.00024551636,0.0004587458,0.00067966175],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.010362158,0.00021833381,0.00025776023,0.0011457795,0.001608367,0.00047380343,0.00050222134,0.0002074911,0.003586043],"category_scores_gemma":[0.0006932647,0.00027512625,0.00026285136,0.0013384003,0.0007526478,0.0039575244,0.00003997251,0.001199692,0.000024810097],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039927403,0.00024773472,0.0122790225,0.00020992933,0.00011252771,0.00051847147,0.41363248,0.0014088314,0.0003360104,0.2676608,0.28562832,0.017925909],"study_design_scores_gemma":[0.00029698553,0.00012590442,0.014798825,0.0005024739,0.00007585623,0.0018949531,0.05744503,0.00018094074,0.00008513627,0.010702874,0.9135738,0.00031722564],"about_ca_topic_score_codex":0.17173418,"about_ca_topic_score_gemma":0.49775958,"teacher_disagreement_score":0.6279455,"about_ca_system_score_codex":0.0034338057,"about_ca_system_score_gemma":0.016253224,"threshold_uncertainty_score":0.9999701},"labels":[],"label_agreement":null},{"id":"W7104177677","doi":"10.7202/1121319ar","title":"Présentation des articles hors thème","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Intersection (aeronautics); Resilience (materials science)","score_opus":0.0627388572975559,"score_gpt":0.24058033085740915,"score_spread":0.17784147355985325,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104177677","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86768967,0.0026589786,0.000080893544,0.0099648405,0.06802358,0.00014428134,0.00022529591,0.000012024379,0.05120042],"genre_scores_gemma":[0.9593069,0.000018700255,0.00008093975,0.00079917355,0.0034042979,0.000010942031,0.0000066290972,0.00002490654,0.036347497],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99857455,0.0002246143,0.0004872891,0.00012646102,0.000248245,0.00033882886],"domain_scores_gemma":[0.99857193,0.000070966365,0.0003365768,0.00013659139,0.00042814206,0.00045576677],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031554056,0.00014008927,0.00016414991,0.001027556,0.002388201,0.00036634627,0.00024946057,0.000032676715,0.08099584],"category_scores_gemma":[0.00006868102,0.000159742,0.00020988351,0.00025784606,0.0007090723,0.0006235446,0.000024972009,0.000480565,0.0001512739],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019433535,0.00014300177,0.0009622441,0.00002652019,0.00022748123,0.00020167789,0.3326357,0.0010314005,0.000025767677,0.12588197,0.53172004,0.0071248],"study_design_scores_gemma":[0.00023375601,0.00029626887,0.0010180548,0.00007013406,0.00011613132,0.00059375365,0.26970568,0.00003325496,0.000018258861,0.0050778682,0.7227057,0.00013110558],"about_ca_topic_score_codex":0.15147927,"about_ca_topic_score_gemma":0.5562487,"teacher_disagreement_score":0.40476942,"about_ca_system_score_codex":0.0013300738,"about_ca_system_score_gemma":0.0016407875,"threshold_uncertainty_score":0.99891055},"labels":[],"label_agreement":null},{"id":"W7104178012","doi":"10.7202/1121320ar","title":"Penser l’articulation disciplinaire entre médiation culturelle et musicologie : recherche participative avec des étudiants en musicologie du Conservatoire national supérieur de musique et de danse de Paris (CNSMDP)","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Contemporary art, education, critique","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Local Development; Order (exchange); Participatory democracy","score_opus":0.15117067954961128,"score_gpt":0.37950217740013925,"score_spread":0.22833149785052798,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104178012","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81155646,0.0006354649,0.0020714784,0.17859732,0.0023831632,0.00045409086,0.00017368946,0.000033609344,0.004094722],"genre_scores_gemma":[0.9880449,0.00038689122,0.0018669897,0.0051448247,0.00070593413,0.0001667884,0.000043581844,0.000041659558,0.003598394],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9856112,0.011922382,0.00080071174,0.00035949386,0.00044981105,0.00085639383],"domain_scores_gemma":[0.9952051,0.0020808375,0.0006237426,0.00018593845,0.0010423703,0.00086199766],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.010262599,0.0003035617,0.00034921156,0.00047563796,0.002230897,0.00023784883,0.00046142985,0.00036852763,0.0033564235],"category_scores_gemma":[0.0045020315,0.00035442668,0.00029891133,0.0011999406,0.0007314389,0.00234745,0.0000789599,0.0016260982,0.000016073407],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00008805332,0.0005011746,0.15110095,0.000033670683,0.00022906663,0.00029704472,0.58072877,0.014050125,0.00031912274,0.012103855,0.23959,0.000958172],"study_design_scores_gemma":[0.001446234,0.00084394624,0.26975092,0.0003812936,0.00036763493,0.0013448747,0.521209,0.00408781,0.00024779182,0.056501113,0.14301842,0.0008009685],"about_ca_topic_score_codex":0.07265069,"about_ca_topic_score_gemma":0.7798519,"teacher_disagreement_score":0.70720124,"about_ca_system_score_codex":0.012136999,"about_ca_system_score_gemma":0.03435423,"threshold_uncertainty_score":0.99989074},"labels":[],"label_agreement":null},{"id":"W7104178286","doi":"10.7202/1121323ar","title":"Les trajectoires des musiciens intervenants en France","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Representation (politics); Field (mathematics); Tourism; Subject (documents)","score_opus":0.05868046514132166,"score_gpt":0.2448919123843909,"score_spread":0.18621144724306923,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104178286","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87393177,0.0074222363,0.000113594506,0.004906995,0.04805636,0.00016343965,0.0006346515,0.000016617008,0.064754315],"genre_scores_gemma":[0.93427986,0.000030327476,0.00007370996,0.00071224617,0.002364285,0.000014042137,0.000005197132,0.000039221377,0.062481105],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979507,0.00037572658,0.0006688116,0.00020360202,0.00029219745,0.00050901703],"domain_scores_gemma":[0.9982494,0.00014631067,0.00042582417,0.00021573427,0.0004429994,0.0005197174],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004673905,0.00023128497,0.00029366146,0.0012406857,0.0030476337,0.0003530521,0.0005610309,0.000062979525,0.09513102],"category_scores_gemma":[0.000118241966,0.0002515005,0.000403398,0.00028788374,0.001106571,0.0005142251,0.00005199535,0.0009348028,0.00009309295],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026334583,0.00033914245,0.0017747704,0.000095189076,0.00047780093,0.0006158091,0.5727834,0.0013349038,0.000029067744,0.10400618,0.2730503,0.045467056],"study_design_scores_gemma":[0.0003075786,0.00046122537,0.0024498794,0.0002720144,0.000112509966,0.0009333217,0.16914442,0.000031654403,0.000010798242,0.0010519078,0.82501227,0.0002124026],"about_ca_topic_score_codex":0.29992157,"about_ca_topic_score_gemma":0.6415352,"teacher_disagreement_score":0.55196196,"about_ca_system_score_codex":0.0015355079,"about_ca_system_score_gemma":0.0015405043,"threshold_uncertainty_score":0.99999374},"labels":[],"label_agreement":null},{"id":"W7104178436","doi":"10.7202/1121325ar","title":"Canadian Music Studies and/under the Second Trump Presidency","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Scholarship; Presidency; Politics; Sovereignty; Musical; Context (archaeology); Cultural studies; Conversation; Music education","score_opus":0.044093594241482535,"score_gpt":0.2199113083542679,"score_spread":0.17581771411278535,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104178436","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67118615,0.13998756,0.0000061936535,0.044252723,0.053332858,0.0004465993,0.0011531465,0.0000142148765,0.08962054],"genre_scores_gemma":[0.8108183,0.000053812455,0.000007027728,0.0068671675,0.002169771,0.000019190351,0.0000023720231,0.000026553153,0.1800358],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982047,0.00034941916,0.00050769025,0.00019794003,0.0002089341,0.0005312898],"domain_scores_gemma":[0.9983042,0.00011925766,0.0002797844,0.0002295269,0.00029708486,0.00077013444],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00053002586,0.0002412173,0.0003053004,0.0006411095,0.0063928836,0.0002498721,0.00039279534,0.00007156362,0.1478325],"category_scores_gemma":[0.0000517576,0.00020204377,0.00024315433,0.00017811643,0.0008732394,0.0003518241,0.00003961549,0.0012320734,0.00003633103],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000091202655,0.0000135309965,0.000046769317,0.0000499132,0.00043494062,0.0003176665,0.21355258,0.00015914308,0.000004475874,0.04381548,0.74041164,0.0011847717],"study_design_scores_gemma":[0.00017500327,0.00022768066,0.0003173294,0.00008937462,0.00015291707,0.0015262084,0.27264458,0.000006253004,8.9377886e-7,0.0029451807,0.72175074,0.00016384412],"about_ca_topic_score_codex":0.7010316,"about_ca_topic_score_gemma":0.9995532,"teacher_disagreement_score":0.29852155,"about_ca_system_score_codex":0.001995771,"about_ca_system_score_gemma":0.003172627,"threshold_uncertainty_score":0.99490064},"labels":[],"label_agreement":null},{"id":"W7104178618","doi":"10.7202/1121328ar","title":"Giacomo Fronzi. 2017. Philosophical Considerations on Contemporary Music: Sounding Constellations. Translated from Italian into English by Ruth Anne Henderson. Cambridge Scholars Publishing, 245 + xiv pp. ISBN 978–1-4438–1698–4 (hardcover)","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Depth sounding","score_opus":0.056516631259210505,"score_gpt":0.22972666766418764,"score_spread":0.17321003640497715,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104178618","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6716374,0.05347475,0.0005665383,0.11714361,0.04833795,0.001127035,0.018378453,0.00015675944,0.08917752],"genre_scores_gemma":[0.979691,0.00008209302,0.00008431145,0.010194937,0.0042786454,0.000034610122,0.0006910109,0.00009242842,0.004850943],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99442333,0.0012949138,0.0018059957,0.00080406194,0.00074949407,0.0009221775],"domain_scores_gemma":[0.9948514,0.00096076593,0.0010408706,0.00056771917,0.0010556929,0.0015235123],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011368344,0.0006846473,0.0010667739,0.0016205331,0.0059660915,0.002565787,0.000704479,0.00047989964,0.05030719],"category_scores_gemma":[0.000889844,0.00077916373,0.0010314794,0.00060583866,0.0016415352,0.0029263492,0.00008506479,0.004208759,0.00010999801],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014705179,0.00045207012,0.00049141084,0.000029077735,0.0021188026,0.0008625832,0.045041636,0.0008414279,0.000102937505,0.05972821,0.8897366,0.00044820562],"study_design_scores_gemma":[0.002457786,0.0009449386,0.00017582413,0.0003323203,0.0010394534,0.0003884563,0.047986783,0.000554651,0.000027443977,0.010021017,0.9351757,0.0008956055],"about_ca_topic_score_codex":0.15809178,"about_ca_topic_score_gemma":0.3545371,"teacher_disagreement_score":0.30805364,"about_ca_system_score_codex":0.0015415804,"about_ca_system_score_gemma":0.003296092,"threshold_uncertainty_score":0.99946594},"labels":[],"label_agreement":null},{"id":"W7104178756","doi":"10.7202/1121327ar","title":"Sondage national sur les pratiques musicales au Canada","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Musical; Social function; Social impact","score_opus":0.0512200831534534,"score_gpt":0.22289897478008963,"score_spread":0.17167889162663624,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104178756","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7200808,0.0028672942,0.00003610041,0.034013573,0.06696167,0.00022797401,0.002401777,0.000015389931,0.1733954],"genre_scores_gemma":[0.94437724,0.000010659809,0.00003521592,0.0021882346,0.0048459475,0.00001425017,0.000024589779,0.00003141922,0.048472438],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978006,0.00029076773,0.00065546477,0.0001869723,0.0006303579,0.00043582692],"domain_scores_gemma":[0.99727935,0.00023570938,0.0004907012,0.0001454259,0.0012587344,0.00059008657],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043493055,0.00021647094,0.00025684186,0.00081434194,0.002881458,0.00028548844,0.00041608536,0.000054512915,0.08386353],"category_scores_gemma":[0.00026993846,0.00024712627,0.00021158441,0.00020648593,0.0004927407,0.00047187266,0.000042992273,0.0008783057,0.000023381497],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.000009069979,0.000086179294,0.0003708503,0.000027050963,0.000208477,0.00023692781,0.064876385,0.0009514393,0.0000039730967,0.20090729,0.7311202,0.0012021486],"study_design_scores_gemma":[0.00022944192,0.00016762747,0.0015630472,0.000098643395,0.00007308727,0.00051455246,0.11550921,0.00005277129,0.000005005375,0.00056485593,0.8810075,0.00021425862],"about_ca_topic_score_codex":0.99500865,"about_ca_topic_score_gemma":0.9998997,"teacher_disagreement_score":0.22429642,"about_ca_system_score_codex":0.0065285643,"about_ca_system_score_gemma":0.047287405,"threshold_uncertainty_score":0.9999981},"labels":[],"label_agreement":null},{"id":"W7104178829","doi":"10.7202/1121324ar","title":"Annie Secord’s “Personal Service”: The Role of Affluent Women in Edmonton’s Early Music Culture","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Newspaper; Period (music); Musical development; Work (physics)","score_opus":0.011114129632978599,"score_gpt":0.1976775892535811,"score_spread":0.1865634596206025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104178829","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96176666,0.009282821,9.666898e-7,0.0069656763,0.007363256,0.00017162475,0.0003313666,0.0000038397416,0.014113785],"genre_scores_gemma":[0.9852067,0.00007337638,0.000006528955,0.0013414498,0.00077246566,0.000021647997,0.0000020807865,0.00001885382,0.012556846],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975942,0.00050591223,0.00055435294,0.00017761865,0.0004733696,0.0006945493],"domain_scores_gemma":[0.9982495,0.00005467557,0.00042674458,0.00016920062,0.00027343153,0.0008264997],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010411118,0.0001513621,0.0003047963,0.0014510399,0.0017359718,0.00019534337,0.0006939824,0.00011511427,0.019533282],"category_scores_gemma":[0.00006487589,0.00017684525,0.00027794475,0.0017745127,0.0006960284,0.00040497538,0.00004383174,0.0011965688,0.000033863456],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00005097733,0.00010649865,0.0029328458,0.000026251095,0.00017479117,0.0002327183,0.9197364,0.00066032057,0.00009508184,0.001550276,0.06205693,0.0123769175],"study_design_scores_gemma":[0.00023504405,0.0002958202,0.0067324564,0.00006435961,0.000040433093,0.00015391514,0.30672133,0.000039513096,8.446891e-7,0.0007194643,0.6848727,0.0001241291],"about_ca_topic_score_codex":0.9749284,"about_ca_topic_score_gemma":0.99946517,"teacher_disagreement_score":0.6228158,"about_ca_system_score_codex":0.011070759,"about_ca_system_score_gemma":0.008023558,"threshold_uncertainty_score":0.99956363},"labels":[],"label_agreement":null},{"id":"W7104178949","doi":"10.7202/1121326ar","title":"National Survey on Music Practices in Canada","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Diversity (politics); Snapshot (computer storage); Recreation; Music education","score_opus":0.1331495264819791,"score_gpt":0.26776686789725535,"score_spread":0.13461734141527623,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104178949","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7855345,0.0010879192,0.000001790786,0.0098696295,0.06933926,0.00018855066,0.0021303715,0.0000039387405,0.13184401],"genre_scores_gemma":[0.9758091,0.000008328667,0.0000074806017,0.0034886561,0.0014830162,0.000011454838,0.000033243123,0.000024717709,0.019134011],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974587,0.00064483157,0.0006603993,0.0001988908,0.0006456111,0.00039154713],"domain_scores_gemma":[0.9971463,0.0005612335,0.0010133503,0.00015087175,0.0007068088,0.00042143365],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010119342,0.00018423452,0.00024113167,0.0014092841,0.0011196369,0.00022954709,0.0004126324,0.000035476474,0.08450741],"category_scores_gemma":[0.0006443907,0.0002182006,0.0001111894,0.00040452447,0.00019300982,0.00045078289,0.000029061599,0.0010878855,0.00006181572],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.000044135362,0.00014669902,0.007632211,0.00001220182,0.00014535889,0.0004179427,0.03111511,0.008784469,6.1805247e-7,0.023190163,0.9279493,0.00056179863],"study_design_scores_gemma":[0.00036741333,0.00022126028,0.041938484,0.000094441246,0.000031270083,0.00026305937,0.07654297,0.00008234713,9.1574276e-7,0.0004196932,0.87983525,0.00020290606],"about_ca_topic_score_codex":0.9996272,"about_ca_topic_score_gemma":0.99999434,"teacher_disagreement_score":0.19027458,"about_ca_system_score_codex":0.009894089,"about_ca_system_score_gemma":0.040057216,"threshold_uncertainty_score":0.99390674},"labels":[],"label_agreement":null},{"id":"W7104181659","doi":"10.7202/1121322ar","title":"Opéra et public étudiant : comment favoriser la rencontre ? La pratique de la recherche au service de la formation professionnelle en médiation de la musique","year":2022,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Publics; Public space; Identity (music); Public service","score_opus":0.3678058197587556,"score_gpt":0.46451619253302245,"score_spread":0.09671037277426686,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104181659","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5915673,0.00047758906,0.006779743,0.3298801,0.003217505,0.00038121638,0.000080198166,0.000030054513,0.067586325],"genre_scores_gemma":[0.9881797,0.00032522556,0.0034232514,0.005745201,0.0012026244,0.00011921722,0.000026408557,0.000025332856,0.0009530516],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9633241,0.03541047,0.00045141022,0.00015552518,0.00021393139,0.00044452728],"domain_scores_gemma":[0.9871624,0.011353798,0.0005025755,0.0001262271,0.00035807546,0.0004969275],"candidate_categories":["metaresearch","sts","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.029766634,0.00016451141,0.00019764907,0.00037795975,0.0014655251,0.00022511616,0.00037506456,0.00056192634,0.0005182997],"category_scores_gemma":[0.0041638617,0.00018782343,0.00014113764,0.00079046254,0.0005100796,0.00074337394,0.000035964036,0.0023307898,0.0000045312154],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.000011243554,0.00024257922,0.011410616,0.00004787437,0.00013983816,0.000031620853,0.80279094,0.0014544891,0.00010846769,0.11811505,0.06174425,0.003902999],"study_design_scores_gemma":[0.00046316156,0.00008944456,0.01962581,0.00020369666,0.00006853916,0.00068373536,0.5970061,0.00052266376,0.000010279017,0.014493034,0.36665592,0.00017764066],"about_ca_topic_score_codex":0.08568927,"about_ca_topic_score_gemma":0.27440098,"teacher_disagreement_score":0.3966124,"about_ca_system_score_codex":0.0073931413,"about_ca_system_score_gemma":0.026272886,"threshold_uncertainty_score":0.99997085},"labels":[],"label_agreement":null},{"id":"W7138873225","doi":"10.7202/1123489ar","title":"Migration Shaping Musical Careers: The Experiences of Women Artists encountered in Montreal","year":2022,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Negotiation; Sociocultural evolution; Dynamics (music); Power (physics); Mobilities; Exploratory research","score_opus":0.050298243848302136,"score_gpt":0.22751797630418855,"score_spread":0.1772197324558864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7138873225","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9882557,0.000057217872,0.0000059365457,0.00058015547,0.004456134,0.00007835951,0.000014682498,0.0000030272267,0.0065488005],"genre_scores_gemma":[0.9987137,9.475525e-7,0.0000043004493,0.0003676966,0.00036866442,0.000045322653,0.0000018982471,0.0000060763173,0.00049144396],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9990404,0.00010614094,0.00036876398,0.00008463269,0.00019887183,0.00020117845],"domain_scores_gemma":[0.9993264,0.00005655554,0.00022255539,0.000108971195,0.00015318449,0.0001322978],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003077262,0.00007257184,0.00013261042,0.00055049016,0.00041311485,0.000099452176,0.00025582296,0.0000136373355,0.012522605],"category_scores_gemma":[0.000054606684,0.000059407863,0.00007856427,0.00014045306,0.0002429405,0.00024542672,0.00001719592,0.0002287402,0.000004954112],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013474795,0.000031745774,0.00042401184,0.0000029135524,0.000026929034,0.000022905615,0.9834598,0.00022935675,0.000015266041,0.0029636477,0.012243666,0.0005663024],"study_design_scores_gemma":[0.00016605834,0.00015525486,0.0016603557,0.000025237374,0.000008628448,0.00005219929,0.91540813,0.00009052081,0.000007505485,0.00030828384,0.08205632,0.0000615232],"about_ca_topic_score_codex":0.13640057,"about_ca_topic_score_gemma":0.8679102,"teacher_disagreement_score":0.7315096,"about_ca_system_score_codex":0.00077879877,"about_ca_system_score_gemma":0.00054667325,"threshold_uncertainty_score":0.9883801},"labels":[],"label_agreement":null},{"id":"W7138899800","doi":"10.7202/1123488ar","title":"Migrant Women Musicians: From Gendered Differentiations to Multisource Inequalities","year":2022,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Inequality; Face (sociological concept); Social inequality; Thematic analysis; Immigration; Gender inequality; Musical","score_opus":0.04126321147480171,"score_gpt":0.19788513251347745,"score_spread":0.15662192103867573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7138899800","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9840199,0.00014645419,0.00014553219,0.00061835244,0.0055548293,0.00011125861,0.0008231463,0.000017570783,0.008562953],"genre_scores_gemma":[0.9884938,3.5727246e-7,0.000028568835,0.0030218854,0.0011056522,0.000043423326,0.000022672113,0.000018666504,0.0072649596],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988813,0.0001325565,0.00037971098,0.00013165217,0.00019469652,0.0002801013],"domain_scores_gemma":[0.99907875,0.000040405375,0.000171497,0.00015944497,0.00014677834,0.0004031313],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001443344,0.00012871527,0.00020000128,0.0005347529,0.0015655986,0.00013069592,0.00028590977,0.000024194751,0.10843098],"category_scores_gemma":[0.000041672396,0.00012644277,0.0001517494,0.00010801422,0.000091773705,0.00015685394,0.000023938055,0.00038089568,0.000042565578],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002160687,0.000041010615,0.00009484763,0.0000038734233,0.00013166426,0.000043661053,0.8157649,0.00028076782,0.00013957871,0.0051563573,0.17740566,0.000916074],"study_design_scores_gemma":[0.00020643207,0.0001369964,0.00043722888,0.000016641858,0.000026054091,0.000021802804,0.2916952,0.000012523151,0.0000029557996,0.00055964466,0.706764,0.000120543074],"about_ca_topic_score_codex":0.06425287,"about_ca_topic_score_gemma":0.74494594,"teacher_disagreement_score":0.68069303,"about_ca_system_score_codex":0.00068442937,"about_ca_system_score_gemma":0.0003221079,"threshold_uncertainty_score":0.9997342},"labels":[],"label_agreement":null},{"id":"W7138908858","doi":"10.7202/1123494ar","title":"Renihan, Colleen, John Spilker, and Trudi Wright, eds. Sound Pedagogy: Radical Care in Music. Urbana: University of Illinois Press, 2024. 280 pages. Paperback","year":2022,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sound (geography); Panel discussion","score_opus":0.026095600029285283,"score_gpt":0.19501228905921314,"score_spread":0.16891668902992785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7138908858","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8899632,0.017681781,0.000011450392,0.0008154574,0.007830038,0.00036885607,0.000696597,0.000017939023,0.08261465],"genre_scores_gemma":[0.9847998,0.00013105692,0.00002074701,0.00024114865,0.00058085215,0.0000021809938,0.0000130317685,0.000016410879,0.014194793],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99888176,0.00015763952,0.0003369,0.00018651543,0.0001921868,0.0002450143],"domain_scores_gemma":[0.9991062,0.000034609442,0.00022836603,0.00015638914,0.00017854806,0.00029583],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016346082,0.00015184408,0.00029968662,0.00030472063,0.0009967764,0.000050768926,0.0002543915,0.000065244014,0.025410114],"category_scores_gemma":[0.000019371575,0.00015680179,0.0001970551,0.00013513505,0.00050852564,0.00020539861,0.00003729202,0.00064234954,0.000004303577],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013167669,0.00007163998,0.00039497533,0.000049951264,0.00016009485,0.00059208745,0.23934309,0.00013179044,0.000024100993,0.003984545,0.752922,0.002194042],"study_design_scores_gemma":[0.00070947426,0.0003050296,0.00024854817,0.000047990954,0.00009266792,0.0001411033,0.110423036,0.0000098502405,0.0000021579253,0.00013190878,0.8877384,0.00014984216],"about_ca_topic_score_codex":0.03574424,"about_ca_topic_score_gemma":0.9222734,"teacher_disagreement_score":0.88652915,"about_ca_system_score_codex":0.0004970779,"about_ca_system_score_gemma":0.00076188863,"threshold_uncertainty_score":0.9754808},"labels":[],"label_agreement":null},{"id":"W7138942826","doi":"10.7202/1123493ar","title":"Travailler sa voix en cours d’éducation musicale et « prendre place », au prisme du capital émotionnel des adolescents","year":2022,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Qualitative analysis; Capital (architecture); Post modernism","score_opus":0.03591394247531659,"score_gpt":0.22338292767811954,"score_spread":0.18746898520280295,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7138942826","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9701832,0.00004257553,0.00008247461,0.0028894239,0.014142501,0.00016400265,0.00013587024,0.000020304138,0.012339627],"genre_scores_gemma":[0.9907884,0.0000029011646,0.000029173194,0.00079406844,0.0017545616,0.000020877105,0.000021892045,0.000028996968,0.006559103],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.998589,0.00025072976,0.00040327702,0.00017522147,0.00028238544,0.00029939524],"domain_scores_gemma":[0.99873865,0.000058010028,0.0002804955,0.0001702891,0.00036340766,0.00038912514],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038620274,0.00016124315,0.00016963854,0.0007654773,0.001331569,0.00022226533,0.00031573485,0.000036775844,0.016494418],"category_scores_gemma":[0.00008953653,0.00016864264,0.00016873331,0.00013238395,0.00028938713,0.00053949637,0.00003005681,0.00051055534,0.00008258408],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018728155,0.00021925432,0.0020411788,0.000017809767,0.00009975374,0.00003529392,0.82673454,0.00052649435,0.000017688251,0.009825662,0.1598377,0.00062591024],"study_design_scores_gemma":[0.0007086946,0.00029063955,0.023890171,0.00014889392,0.00010470272,0.00048786766,0.51693374,0.000043529795,0.000008214729,0.0010596976,0.45603657,0.000287261],"about_ca_topic_score_codex":0.045209132,"about_ca_topic_score_gemma":0.57833624,"teacher_disagreement_score":0.53312707,"about_ca_system_score_codex":0.0019033066,"about_ca_system_score_gemma":0.0023280357,"threshold_uncertainty_score":0.9999686},"labels":[],"label_agreement":null},{"id":"W7138979557","doi":"10.7202/1123492ar","title":"La musique instrumentale et la systématique musicale : exploration de la relation entre l’instrument et l’univers mélodique et biphonique du dotâr","year":2022,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Relation (database); Lafora disease; Interpretation (philosophy)","score_opus":0.017342708737773722,"score_gpt":0.22284216375910793,"score_spread":0.2054994550213342,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7138979557","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87386245,0.000021412414,0.0017986649,0.007250605,0.0010891332,0.00019204477,0.00009164146,0.000034340457,0.11565973],"genre_scores_gemma":[0.994498,0.00004091212,0.00011872431,0.004213119,0.0002216528,0.000048717477,0.000041482395,0.00002572631,0.0007916522],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966235,0.002344728,0.00043276162,0.00018248292,0.00018212687,0.00023437664],"domain_scores_gemma":[0.9987642,0.00036435615,0.00032870233,0.00014356377,0.00012747175,0.00027170175],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015677179,0.0001797034,0.00024223863,0.0007565232,0.0007278999,0.0002419857,0.00021958233,0.00011986973,0.008686867],"category_scores_gemma":[0.00009735172,0.00018208267,0.00024626532,0.00016633749,0.0003161157,0.0006023186,0.000052236348,0.0011246457,0.000010026471],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000080927246,0.00031489125,0.0011864295,0.000029059278,0.00040511737,0.00053808844,0.32625216,0.005227957,0.00040644102,0.6271148,0.0349374,0.0035067264],"study_design_scores_gemma":[0.001132308,0.0004539806,0.003047554,0.00015993134,0.00022046588,0.0014832725,0.087236986,0.0005307645,0.00011193167,0.011028784,0.89423,0.00036401625],"about_ca_topic_score_codex":0.019511852,"about_ca_topic_score_gemma":0.39466774,"teacher_disagreement_score":0.8592926,"about_ca_system_score_codex":0.0007545534,"about_ca_system_score_gemma":0.0012614587,"threshold_uncertainty_score":0.9922193},"labels":[],"label_agreement":null},{"id":"W7139025923","doi":"10.7202/1123491ar","title":"“I Saw It in a Dream”: Moroccan Women <i>Ša‘bī</i> Musicians in Brussels","year":2022,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Multiculturalism, Politics, Migration, Gender","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Musical; Field (mathematics); Musical instrument; Narrative","score_opus":0.08762069959100961,"score_gpt":0.3414884822392112,"score_spread":0.2538677826482016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139025923","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9776343,0.00005389586,0.0000113033675,0.009272058,0.0019676692,0.00018973563,0.00004423127,0.000009122152,0.010817703],"genre_scores_gemma":[0.9879503,0.000008462532,0.00003366994,0.009057824,0.00035492572,0.000027338807,0.0000031990426,0.00001572662,0.0025485267],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99790686,0.00037113993,0.0005646275,0.0001682923,0.0003364887,0.0006526014],"domain_scores_gemma":[0.99889433,0.00007119001,0.0002118995,0.00013629979,0.00016040645,0.0005258544],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009588049,0.00012547593,0.00022549587,0.0011487996,0.0005568131,0.00010048974,0.0004088454,0.00006641702,0.0029020982],"category_scores_gemma":[0.00021725844,0.00014104255,0.00010689789,0.000805755,0.00024762168,0.0003368251,0.000023652576,0.0006016721,0.000011957992],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017286813,0.00008379218,0.03741881,0.0000053044196,0.0000408996,0.00028801325,0.90876913,0.0027920483,0.00010087382,0.00227407,0.047522157,0.00068762264],"study_design_scores_gemma":[0.0004534606,0.00008854653,0.020905998,0.000030838088,0.000008571145,0.00009872145,0.5219397,0.000053928517,0.0000069624853,0.00023842957,0.4560043,0.00017052126],"about_ca_topic_score_codex":0.5910437,"about_ca_topic_score_gemma":0.98684394,"teacher_disagreement_score":0.40848213,"about_ca_system_score_codex":0.009986874,"about_ca_system_score_gemma":0.0050180983,"threshold_uncertainty_score":0.9980094},"labels":[],"label_agreement":null},{"id":"W7139074239","doi":"10.7202/1123490ar","title":"Immigration Policy and Gender of “Talent”: Iranian Musicians’ Mobility towards France via the <i>Passeport talent</i>","year":2022,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Diaspora, migration, transnational identity","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Immigration; Power (physics); Face (sociological concept); Immigration policy; Gender relations; Government (linguistics); Censorship","score_opus":0.029714208268044832,"score_gpt":0.2834216334307971,"score_spread":0.2537074251627523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139074239","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98747635,0.0002865607,0.0013847643,0.0055220393,0.0015420059,0.00024277193,0.00011404807,0.000008553626,0.003422889],"genre_scores_gemma":[0.9985081,0.000024822859,0.000052344065,0.0006903513,0.0003747678,0.0000137671295,0.0000060094126,0.000009916866,0.0003199392],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99829274,0.00028566216,0.0004960475,0.0001448761,0.0005495421,0.00023112005],"domain_scores_gemma":[0.9987292,0.00006924488,0.00036845214,0.00015383263,0.0004402885,0.00023894393],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013124527,0.00010006882,0.00016086377,0.00049383147,0.0011829195,0.000075181524,0.00032386673,0.000046775778,0.0007507172],"category_scores_gemma":[0.0001794336,0.00009688892,0.00016469379,0.00084612874,0.00045292533,0.00045903932,0.000017830807,0.00030900261,0.0000016204679],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000108024105,0.0006713686,0.23955184,0.000107607106,0.0007700123,0.00014823796,0.6190166,0.0051364293,0.0024034139,0.07918822,0.023209454,0.029688818],"study_design_scores_gemma":[0.0006635575,0.0002602703,0.7466087,0.000032907683,0.00016632526,0.00029422875,0.09933328,0.00016926364,0.000101448735,0.013760728,0.13826372,0.00034560869],"about_ca_topic_score_codex":0.337206,"about_ca_topic_score_gemma":0.8399284,"teacher_disagreement_score":0.5196833,"about_ca_system_score_codex":0.000628796,"about_ca_system_score_gemma":0.0027170593,"threshold_uncertainty_score":0.909818},"labels":[],"label_agreement":null}]}