{"meta":{"query_hash":"cd5b2a77c169","filters":{"venue":"Intonations"},"cohort_total":20,"direct_labels_cover":0,"predictions_cover":20,"exported":20,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/cd5b2a77c169","api":"https://metacan.xera.ac/api/v1/cohort?venue=Intonations"},"results":[{"id":"W1538704372","doi":"10.29173/inton53","title":"Unsung Heroes? A Cross-Cultural Analysis of Lip-Syncing in American and Indian Film","year":2011,"lang":"en","type":"article","venue":"Intonations","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hollywood; Ideology; Singing; Hostility; Movie theater; Aesthetics; Film industry; Musical; Feature (linguistics); Art; Media studies; History; Advertising; Sociology; Visual arts; Psychology; Political science; Acoustics; Linguistics; Law; Social psychology; Art history; Business; Politics","score_opus":0.036652916313172954,"score_gpt":0.2787719033785784,"score_spread":0.2421189870654054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1538704372","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95616186,0.0000505173,0.0000036200943,0.00008078148,0.0000427707,0.00004836382,0.000052608673,0.000018458923,0.043541007],"genre_scores_gemma":[0.99867177,0.0000044663993,0.00011155847,0.00006925531,0.00004404163,0.000012277135,0.000028512326,0.0000046972514,0.0010533944],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99950635,0.000016712109,0.00017781221,0.000115011586,0.000079615034,0.00010451258],"domain_scores_gemma":[0.9996402,0.000022576056,0.000087602515,0.00008744785,0.00012560296,0.00003651767],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00004868642,0.000071240334,0.00015960202,0.00024345194,0.00011169668,0.000069298236,0.0000703723,0.000021066731,0.0012300563],"category_scores_gemma":[0.000044105047,0.000056683373,0.00006000457,0.00027192585,0.0003209767,0.00018844777,0.00001631246,0.00007388008,0.0000067548726],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007397813,0.000088645415,0.18449904,0.000012173061,0.0003086581,0.0000065117665,0.7441645,0.00003500683,0.000057760575,0.06739598,0.00016857356,0.0032557442],"study_design_scores_gemma":[0.00027110722,0.000053821383,0.8266556,0.000025664647,0.00023213953,0.0000016735031,0.16493773,0.00035157843,0.00009972485,0.0007683822,0.0064259144,0.00017664341],"about_ca_topic_score_codex":0.0029303548,"about_ca_topic_score_gemma":0.032365553,"teacher_disagreement_score":0.6421566,"about_ca_system_score_codex":0.000014831581,"about_ca_system_score_gemma":0.0000119561155,"threshold_uncertainty_score":0.99968296},"labels":[],"label_agreement":null},{"id":"W2217614398","doi":"10.29173/inton50","title":"A Study in Violin Pedagogy: Teaching Techniques from Selected Works by Rachmaninoff, Prokofiev, Bartók, and Delerue","year":2011,"lang":"","type":"article","venue":"Intonations","topic":"Hermeneutics and Narrative Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Bartok; Violin; Extant taxon; Style (visual arts); Repertoire; Visual arts; Art; Literature; History; Art history; Musical","score_opus":0.04526561610108149,"score_gpt":0.3033652478712612,"score_spread":0.2580996317701797,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2217614398","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97440803,0.00085663,0.000120770426,0.0002558723,0.0001905194,0.0014504174,0.00017728649,0.00012720606,0.022413293],"genre_scores_gemma":[0.9962381,0.00016871514,0.00031465795,0.00011449279,0.0002564334,0.00026844,0.00007265158,0.00004648666,0.0025199868],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9973283,0.0005520261,0.0007764497,0.00062458817,0.00029291736,0.00042570985],"domain_scores_gemma":[0.99876887,0.00019025279,0.00022763613,0.0003020716,0.00037438484,0.0001368043],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006527574,0.00037681236,0.0004331877,0.00039482594,0.0011117836,0.0006211502,0.0002887703,0.00019998269,0.0014460474],"category_scores_gemma":[0.00019738975,0.00038785147,0.00006457414,0.00019008236,0.00036964062,0.00075068284,0.00018835597,0.000979427,0.000025779966],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014970054,0.00927358,0.20828947,0.000040431678,0.0006098512,0.00008111374,0.64008844,0.000001101712,0.0016484049,0.07389078,0.0076079527,0.058319144],"study_design_scores_gemma":[0.005569277,0.0036326377,0.6063861,0.0013927137,0.00092014484,0.0000140233415,0.20795333,0.0022116543,0.0062609506,0.03296087,0.12887071,0.0038275812],"about_ca_topic_score_codex":0.037143297,"about_ca_topic_score_gemma":0.28242782,"teacher_disagreement_score":0.43213513,"about_ca_system_score_codex":0.00014829016,"about_ca_system_score_gemma":0.000188415,"threshold_uncertainty_score":0.99985737},"labels":[],"label_agreement":null},{"id":"W2510328207","doi":"10.1353/chapter.242038","title":"2. In the Days of Bota Fogo: Culture and the Early Nationalist Struggle, 1947–61","year":2016,"lang":"en","type":"book-chapter","venue":"Intonations","topic":"African history and culture studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Nationalism; Political science; Law","score_opus":0.019293114020164565,"score_gpt":0.27355695367818833,"score_spread":0.2542638396580238,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2510328207","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000038409966,0.0017597878,0.000009856064,0.010798779,0.00016641895,0.0002824472,0.00013766576,0.000009648633,0.986797],"genre_scores_gemma":[0.14025848,0.0005108742,0.000032206124,0.00043238577,0.00043507037,0.00005364498,0.000009152676,0.000008801539,0.8582594],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903864,0.00009899954,0.00019279712,0.00014166193,0.0004333073,0.00009459243],"domain_scores_gemma":[0.99905956,0.00037902207,0.0001744827,0.0001343582,0.00023306244,0.000019513041],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047486307,0.00011112474,0.00016199014,0.00004747328,0.00085175066,0.000040639312,0.00031863176,0.0001306314,0.0002687076],"category_scores_gemma":[0.00023085313,0.00005450231,0.00007830084,0.000064707994,0.00207575,0.000111602465,0.00003963289,0.00019469873,0.000014750897],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004090609,0.000005434735,0.000008971897,0.0000023311934,0.000027301383,5.9488184e-7,0.089445285,9.4171625e-8,0.0000013324899,0.89268935,0.017526828,0.00028839198],"study_design_scores_gemma":[0.00013341322,0.0000066517587,0.0001827148,0.000025028738,0.000024016968,5.14683e-7,0.0025313862,9.181332e-8,1.6692381e-7,0.2704701,0.72656465,0.00006125734],"about_ca_topic_score_codex":0.0003097843,"about_ca_topic_score_gemma":0.006143898,"teacher_disagreement_score":0.70903784,"about_ca_system_score_codex":0.00007615793,"about_ca_system_score_gemma":0.00011993889,"threshold_uncertainty_score":0.76481867},"labels":[],"label_agreement":null},{"id":"W2896369385","doi":"10.29173/inton20","title":"La Sinfonía de Babel [Babel’s Symphony]","year":2018,"lang":"en","type":"article","venue":"Intonations","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Musical; Symphony; Appropriation; Art; Narrative; Citation; Repertoire; Literature; Visual arts; Computer science; Linguistics; Philosophy; World Wide Web","score_opus":0.012474195797721735,"score_gpt":0.2645531808918331,"score_spread":0.25207898509411136,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2896369385","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13454027,0.0001814569,0.573678,0.010787087,0.0007168197,0.000107020904,0.0000041418684,0.0008683562,0.27911684],"genre_scores_gemma":[0.9755536,0.000009057032,0.021745024,0.0008160574,0.00006917769,0.000020471196,6.669598e-7,0.0000032149162,0.0017827757],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994632,0.00003120544,0.000095207855,0.00015405966,0.00009425877,0.00016207363],"domain_scores_gemma":[0.9994058,0.00012641992,0.000028150973,0.00030484717,0.000104667626,0.00003012221],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018616367,0.000062395746,0.00006442859,0.00009252703,0.0003175805,0.000051308638,0.00048544357,0.00008716698,0.00003970867],"category_scores_gemma":[0.0001473701,0.00005857205,0.000026521748,0.00028521012,0.0002461961,0.00016178974,0.00019341371,0.00010147474,0.00022351224],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.85657e-7,0.000037470152,0.00088103546,0.0000013655276,0.000020661493,0.000004382497,0.0045063426,0.0000017049795,0.00016948779,0.94205,0.013682185,0.0386449],"study_design_scores_gemma":[0.00034224763,0.00008727312,0.03399996,0.00001683597,0.000010551453,0.00006621684,0.0002479599,0.007553968,0.0014456925,0.31274194,0.6432342,0.00025316843],"about_ca_topic_score_codex":0.00004067354,"about_ca_topic_score_gemma":0.00016559196,"teacher_disagreement_score":0.8410133,"about_ca_system_score_codex":0.000048764985,"about_ca_system_score_gemma":0.0000797951,"threshold_uncertainty_score":0.2872872},"labels":[],"label_agreement":null},{"id":"W2896699241","doi":"10.29173/inton25","title":"The BlipVert Method","year":2018,"lang":"en","type":"article","venue":"Intonations","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Improvisation; Electronic music; Studio; Composition (language); Style (visual arts); Musical; Musical composition; Ethos; Creativity; Visual arts; Popular music; Computer music; Computer science; Multimedia; Art; Literature; Psychology; Linguistics","score_opus":0.17713189087356987,"score_gpt":0.3115196201835261,"score_spread":0.1343877293099562,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2896699241","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012818614,0.00004070078,0.0003368532,0.008125649,0.0008471198,0.000062612344,0.000007513271,0.00006465183,0.989233],"genre_scores_gemma":[0.7884381,0.000015949125,0.001505554,0.003369368,0.0023403217,0.000071510585,0.000003317054,0.0000089706655,0.20424694],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996827,0.000022742952,0.00006179812,0.000062226034,0.00008363956,0.00008688705],"domain_scores_gemma":[0.99948305,0.00022903446,0.000018699542,0.000073929245,0.00018169059,0.00001362533],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012162606,0.00003588817,0.000035308887,0.000015338986,0.0012946478,0.00024842494,0.00011397093,0.000009102632,0.0040758527],"category_scores_gemma":[0.00013702906,0.000019597499,0.000025468307,0.000024575736,0.0004263305,0.0000547084,0.000059565908,0.000035168952,0.0011308097],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[9.545615e-7,0.000010513193,0.000009105084,1.515731e-7,0.000014949292,1.5175372e-7,0.0046009156,1.4105177e-7,0.000004274172,0.90243226,0.07732459,0.015601972],"study_design_scores_gemma":[0.00003496847,0.000026854137,0.00028245262,7.768079e-7,0.0000060563166,1.627339e-7,0.001458699,0.00004053409,0.000014553225,0.030969966,0.9671333,0.000031697207],"about_ca_topic_score_codex":0.00010677803,"about_ca_topic_score_gemma":0.0017695379,"teacher_disagreement_score":0.8898087,"about_ca_system_score_codex":0.00001586345,"about_ca_system_score_gemma":0.0000069124835,"threshold_uncertainty_score":0.9996469},"labels":[],"label_agreement":null},{"id":"W3134302647","doi":"10.29173/inton46","title":"Establishing Land Relationships Through the Saskatoon Berry","year":2021,"lang":"en","type":"article","venue":"Intonations","topic":"Indigenous Studies and Ecology","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"","keywords":"Indigenous; Stewardship (theology); Kinship; Traditional knowledge; Natural (archaeology); Environmental ethics; Reading (process); Sociology; Metis; Section (typography); Anthropology; Ecology; Geography; Political science; Archaeology; Law; Philosophy","score_opus":0.10753212113037429,"score_gpt":0.3983733757377505,"score_spread":0.2908412546073762,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3134302647","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1333096,0.0010370436,0.0018758173,0.098551184,0.0026485743,0.00073251437,0.0000754972,0.00016179224,0.761608],"genre_scores_gemma":[0.9681457,0.00014007321,0.0013891461,0.0047440547,0.00067396584,0.000295764,0.00013015677,0.000021759983,0.024459347],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99855494,0.00044645366,0.000281545,0.0001554555,0.00012308246,0.00043851932],"domain_scores_gemma":[0.9971965,0.001985308,0.00009457468,0.00025581085,0.00043867715,0.000029122624],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00059489225,0.000072516916,0.00011197911,0.000026360904,0.009950675,0.000021684007,0.00011958998,0.00013245537,0.0010297324],"category_scores_gemma":[0.0012939579,0.00005358064,0.000042425665,0.00030453922,0.000053940228,0.00018581067,0.00018189475,0.00071752496,0.00059287745],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000067306682,0.00011970813,0.21821564,0.000042970245,0.00011540526,0.000017809161,0.32076928,0.00027085614,0.00004036895,0.28520963,0.17455897,0.00063262956],"study_design_scores_gemma":[0.00022905052,0.000012353439,0.07087271,0.000023063054,0.000027702896,0.000005888879,0.09325931,0.000064431,0.0000046095915,0.017076196,0.8183361,0.00008857063],"about_ca_topic_score_codex":0.0019878214,"about_ca_topic_score_gemma":0.2010734,"teacher_disagreement_score":0.8348361,"about_ca_system_score_codex":0.00018978975,"about_ca_system_score_gemma":0.00047928386,"threshold_uncertainty_score":0.9998835},"labels":[],"label_agreement":null},{"id":"W3135377760","doi":"10.29173/inton64","title":"“Having Walked Alongside You”: A Conversational Exchange on Territory and Sound in Motion","year":2021,"lang":"en","type":"article","venue":"Intonations","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Lethbridge","funders":"","keywords":"Conversation; Space (punctuation); Wonder; Sound (geography); Colonialism; Appropriation; Linguistics; Sociology; History; Visual arts; Psychology; Communication; Social psychology; Art; Archaeology; Acoustics","score_opus":0.11091846953244137,"score_gpt":0.247983066020425,"score_spread":0.13706459648798364,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3135377760","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.75065845,0.00023975248,0.000051244013,0.00639895,0.0007732587,0.00017308343,0.000067831395,0.00006783171,0.24156958],"genre_scores_gemma":[0.9942302,0.000008794382,0.00004323695,0.0007099962,0.00019467775,0.000028240464,0.000035149067,0.0000040005675,0.004745685],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99952567,0.000031616277,0.000098533375,0.00013906647,0.00011705817,0.00008805724],"domain_scores_gemma":[0.9996995,0.00012143392,0.000025957019,0.00004864426,0.0000839225,0.00002057918],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000068975125,0.000059866616,0.00007288078,0.000068923044,0.00021319302,0.00013977931,0.000031202417,0.000023410694,0.0024982148],"category_scores_gemma":[0.00010314458,0.00005657701,0.000021090049,0.000027463992,0.00012924103,0.00012125728,0.000048716196,0.000070315684,0.000055379194],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006491001,0.00022902519,0.0031163644,0.000014665626,0.00003286291,0.000050990282,0.03660476,0.000019149862,0.000054916887,0.94924974,0.0032203856,0.0074006272],"study_design_scores_gemma":[0.0011996097,0.00009818189,0.14518714,0.000056887904,0.000034948553,0.000007457383,0.020293603,0.0003832329,0.000067045534,0.052788746,0.7795426,0.00034049727],"about_ca_topic_score_codex":0.00029468944,"about_ca_topic_score_gemma":0.006279781,"teacher_disagreement_score":0.896461,"about_ca_system_score_codex":0.000078889025,"about_ca_system_score_gemma":0.000011377047,"threshold_uncertainty_score":0.9984136},"labels":[],"label_agreement":null},{"id":"W3159002900","doi":"10.29173/inton45","title":"We Other Fairies","year":2021,"lang":"en","type":"article","venue":"Intonations","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Queer; Carnivalesque; Aesthetics; Queer theory; Context (archaeology); Literature; Performativity; Poetry; Art; Style (visual arts); Dream; Performative utterance; Vision; Sociology; History; Gender studies; Psychology; Anthropology","score_opus":0.04022279617912694,"score_gpt":0.25491262908359424,"score_spread":0.2146898329044673,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3159002900","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012803001,0.0010789466,0.000029910183,0.012280116,0.0005085817,0.000025498497,0.00004491035,0.00006830565,0.97316074],"genre_scores_gemma":[0.8598731,0.000109613684,0.000071737995,0.0006304474,0.00055761717,0.00001361146,0.000009013786,0.0000063549287,0.13872851],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99975544,0.0000066882185,0.00006119705,0.00005582339,0.000055012384,0.00006582583],"domain_scores_gemma":[0.99979717,0.0000260554,0.000011127179,0.000070474365,0.00008476544,0.000010404177],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000018180763,0.000039110342,0.00004543337,0.000024024715,0.00027752365,0.000060962127,0.000032083153,0.000008493811,0.007856402],"category_scores_gemma":[0.000008601944,0.000032227028,0.000028531795,0.000020380243,0.00008829486,0.000106306004,0.00001763216,0.000033918666,0.00043192838],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[7.194431e-7,0.000021155081,0.00017271981,0.000004404884,0.000026564652,0.000001155524,0.057076596,0.0000021388892,0.00002381577,0.9025281,0.03248231,0.0076603177],"study_design_scores_gemma":[0.0000435873,0.0000056301437,0.00010365373,0.000007286731,0.000006295801,8.8762556e-7,0.009890758,0.000006826806,0.0002875048,0.010085099,0.9795155,0.000046971247],"about_ca_topic_score_codex":0.00004947495,"about_ca_topic_score_gemma":0.00548576,"teacher_disagreement_score":0.94703317,"about_ca_system_score_codex":0.000006769885,"about_ca_system_score_gemma":0.000020183605,"threshold_uncertainty_score":0.9930506},"labels":[],"label_agreement":null},{"id":"W4230842966","doi":"10.29173/inton69","title":"Editorial Preface","year":2021,"lang":"en","type":"article","venue":"Intonations","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"","keywords":"The arts; Discipline; Dialogic; Mandate; Style (visual arts); Drama; Sociology; Excellence; Identity (music); Creativity; Visual arts; Media studies; Art; Pedagogy; Aesthetics; Political science; Social science; Law","score_opus":0.09974845090496696,"score_gpt":0.2489373492345785,"score_spread":0.14918889832961152,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230842966","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036108692,0.000059553422,0.000012409232,0.0027353787,0.08151158,0.000039937167,0.00003008618,0.00007933357,0.91192085],"genre_scores_gemma":[0.54132754,0.000020615917,0.0003221039,0.0014295315,0.24043506,0.00006691115,0.0000484036,0.000012276345,0.21633758],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996765,0.000011717494,0.000055981036,0.00007534323,0.000114228176,0.00006621488],"domain_scores_gemma":[0.9996204,0.00005874011,0.00001313072,0.000053142947,0.00023812432,0.000016481508],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000026690494,0.00003455484,0.000044865184,0.00001159446,0.00024853862,0.00017432038,0.000045278524,0.000015462256,0.009367192],"category_scores_gemma":[0.00015343292,0.000028973462,0.000027459297,0.000020086014,0.00008358515,0.000074703064,0.00005553026,0.000046750698,0.0005584225],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.3182493e-7,0.000029122357,0.000008864934,5.360578e-7,0.0000096350905,9.08602e-7,0.0023541397,0.0000016875271,0.000017324406,0.53623587,0.46085554,0.0004859425],"study_design_scores_gemma":[0.00007247785,0.000008657658,0.00008155242,0.0000015245339,0.00000655366,1.387562e-7,0.0012021069,0.0000023262771,0.000027476197,0.0077982345,0.99075854,0.000040408544],"about_ca_topic_score_codex":0.00003920451,"about_ca_topic_score_gemma":0.00042935074,"teacher_disagreement_score":0.6955833,"about_ca_system_score_codex":0.00002041437,"about_ca_system_score_gemma":0.000021880067,"threshold_uncertainty_score":0.9915384},"labels":[],"label_agreement":null},{"id":"W4246281466","doi":"10.1353/chapter.242046","title":"Index","year":2016,"lang":"en","type":"paratext","venue":"Intonations","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Index (typography); Computer science; World Wide Web","score_opus":0.023957088593720886,"score_gpt":0.3260734663728954,"score_spread":0.30211637777917455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246281466","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000023680946,0.00045833056,0.0023195476,0.0008227055,0.0027989314,0.00024230477,0.0036432003,0.00013939626,0.9895519],"genre_scores_gemma":[0.017686533,0.00006848883,0.00012730155,0.00012940493,0.0011385613,0.000186733,0.0009864778,0.00017810162,0.9794984],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986761,0.0000603404,0.0002655472,0.00032936074,0.0004004098,0.00026819756],"domain_scores_gemma":[0.99868906,0.00014465503,0.00019725488,0.00051014073,0.00036764663,0.00009124056],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001145465,0.00023719655,0.00021876585,0.00055407,0.00012022739,0.000059478956,0.00041522147,0.00036133887,0.09104082],"category_scores_gemma":[0.00015412204,0.00019515044,0.00011213804,0.0003296973,0.00011868122,0.00013060942,0.0000972207,0.00030967416,0.8756133],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000023214184,0.00002982145,0.0000086281725,0.0000069913553,0.000060560946,0.000001140443,0.000045247747,0.000016281929,0.00027770986,0.0034155978,0.9934383,0.0026974136],"study_design_scores_gemma":[0.00018986236,0.0000064389906,0.0002046911,0.00008698033,0.000017376142,0.000004046697,0.000004822505,0.000016096905,0.00012655222,0.0013990176,0.9976763,0.00026777262],"about_ca_topic_score_codex":0.00006334139,"about_ca_topic_score_gemma":0.000115753945,"teacher_disagreement_score":0.7845725,"about_ca_system_score_codex":0.00041784177,"about_ca_system_score_gemma":0.0004095685,"threshold_uncertainty_score":0.9097901},"labels":[],"label_agreement":null},{"id":"W4386845956","doi":"10.29173/inton79","title":"Puppetry and Public Spectacle","year":2023,"lang":"en","type":"article","venue":"Intonations","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Spectacle; Surprise; Visual arts; Event (particle physics); History; Media studies; Aesthetics; Sociology; Art; Political science; Law","score_opus":0.0476610955933151,"score_gpt":0.25185919759147785,"score_spread":0.20419810199816274,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386845956","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.387841,0.00016487447,0.0000027531728,0.009873346,0.0004168354,0.000047686517,0.000031334923,0.0002321454,0.60139006],"genre_scores_gemma":[0.9818779,0.00010213154,0.000008032108,0.00012214133,0.00033063107,0.000011775564,0.000013343764,0.0000044160406,0.017529598],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99973494,0.0000042097,0.000053284406,0.00005766391,0.000054113945,0.00009576691],"domain_scores_gemma":[0.9998516,0.000032127162,0.000009769741,0.000050868483,0.000036478865,0.00001917871],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000038973023,0.000035718796,0.00003887049,0.000096904645,0.00037873135,0.00008712498,0.00003458369,0.000007874609,0.0011288332],"category_scores_gemma":[0.000013858152,0.000029870278,0.000013757434,0.00005277528,0.00009716786,0.00015624952,0.00003102695,0.00003459528,0.0005889482],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[6.5091496e-7,0.000012393874,0.002854645,0.0000058994433,0.000020934676,0.0000010839832,0.020757554,5.9858644e-7,0.000013714425,0.9144503,0.04766609,0.0142161725],"study_design_scores_gemma":[0.000057423647,0.000012158338,0.0069100372,0.0000029796884,0.0000035327457,7.652801e-7,0.0070841173,0.00007056887,0.000010592626,0.009358355,0.9764379,0.00005152555],"about_ca_topic_score_codex":0.00005858967,"about_ca_topic_score_gemma":0.0017737449,"teacher_disagreement_score":0.92877185,"about_ca_system_score_codex":0.000005726941,"about_ca_system_score_gemma":0.000007796217,"threshold_uncertainty_score":0.9997843},"labels":[],"label_agreement":null},{"id":"W4386845959","doi":"10.29173/inton85","title":"Live-streamed performance &amp; intercultural education","year":2023,"lang":"en","type":"article","venue":"Intonations","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Experiential learning; General partnership; Pedagogy; Intercultural learning; Presentation (obstetrics); Music education; Psychology; Space (punctuation); Multimedia; Sociology; Computer science; Political science","score_opus":0.08383136823910563,"score_gpt":0.2825266294759841,"score_spread":0.19869526123687847,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386845959","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70259076,0.000012844311,0.000002357487,0.002245051,0.0026259092,0.00010269168,0.000015240855,0.0002284977,0.29217663],"genre_scores_gemma":[0.8168951,0.000016233453,0.00007319326,0.00036538986,0.0006342206,0.00008651426,0.0003036122,0.000008160333,0.18161754],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994747,0.000015119168,0.00013643534,0.0001234074,0.00013382707,0.000116514384],"domain_scores_gemma":[0.9994364,0.000043411288,0.00004742711,0.00014507658,0.00028496637,0.000042725896],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000055737873,0.000074192285,0.00005569491,0.00019352748,0.0003473744,0.00016788134,0.00012663734,0.000020035131,0.008762482],"category_scores_gemma":[0.000055367665,0.000065331624,0.00003556489,0.000110966925,0.00010931851,0.000384638,0.00002918707,0.000070416754,0.013288824],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000016572252,0.00010228393,0.00034222932,0.000011850844,0.000018670386,1.5878864e-7,0.21030177,0.0000140978445,0.000034010656,0.40709752,0.36715075,0.014925012],"study_design_scores_gemma":[0.000054971362,0.0000085943475,0.0027561148,0.00002376961,0.000008767553,0.0000010564704,0.019506851,0.0000770389,0.000020185922,0.0020728633,0.9753746,0.000095209485],"about_ca_topic_score_codex":0.0002343477,"about_ca_topic_score_gemma":0.0011164731,"teacher_disagreement_score":0.60822386,"about_ca_system_score_codex":0.00006531858,"about_ca_system_score_gemma":0.0001193294,"threshold_uncertainty_score":0.99214363},"labels":[],"label_agreement":null},{"id":"W4386845961","doi":"10.29173/inton84","title":"Crossing an Impossible Threshold","year":2023,"lang":"en","type":"article","venue":"Intonations","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Brock University; University of Alberta","funders":"","keywords":"Liminality; Aesthetics; Experiential learning; Space (punctuation); Grief; Sociology; Isolation (microbiology); Process (computing); Performing arts; Point (geometry); Visual arts; Psychology; Art; Computer science; Pedagogy","score_opus":0.07321381658048377,"score_gpt":0.3092264619610953,"score_spread":0.23601264538061156,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386845961","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5719385,0.00006573847,0.0000045079482,0.0011392778,0.0005378083,0.00004935038,0.000032535103,0.0003254441,0.42590684],"genre_scores_gemma":[0.97220504,0.000017022145,0.000018138624,0.00014385868,0.00057811564,0.000017334183,0.000033832734,0.000007873467,0.026978798],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996287,0.000004357427,0.00008301981,0.00007843246,0.00007827154,0.00012718335],"domain_scores_gemma":[0.9997898,0.000019579227,0.000015432728,0.000096978074,0.000055896373,0.000022311635],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007178998,0.000050452218,0.0000503942,0.00013658564,0.0011779044,0.00030092374,0.00006920137,0.00001204641,0.0010052953],"category_scores_gemma":[0.000004899362,0.000041836713,0.000026063699,0.0000882432,0.00016097364,0.00033669022,0.000024003974,0.000047730126,0.0006513356],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000035921205,0.00003765998,0.0015656386,0.0000088959405,0.000027401209,0.0000026428052,0.14886792,0.00009649063,0.00018400645,0.80153394,0.031831257,0.015840568],"study_design_scores_gemma":[0.0000964007,0.000035484856,0.0030102218,0.000009523875,0.000007686643,6.929275e-7,0.0070771896,0.00085911585,0.00012877559,0.01742341,0.9712452,0.00010628922],"about_ca_topic_score_codex":0.00010484877,"about_ca_topic_score_gemma":0.0024206827,"teacher_disagreement_score":0.93941396,"about_ca_system_score_codex":0.000009628045,"about_ca_system_score_gemma":0.000022562104,"threshold_uncertainty_score":0.9999079},"labels":[],"label_agreement":null},{"id":"W4386845976","doi":"10.29173/inton89","title":"Alterations","year":2023,"lang":"en","type":"article","venue":"Intonations","topic":"Digital Education and Society","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Medicine","score_opus":0.028723976009733487,"score_gpt":0.3113756283701185,"score_spread":0.28265165236038503,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386845976","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012568084,0.00001681405,0.5107328,0.07036796,0.0015784758,0.00015534146,0.000009370335,0.0019219472,0.40264913],"genre_scores_gemma":[0.9732346,0.000006479181,0.008624248,0.0010897014,0.000046444835,0.00003903342,0.000023629958,0.0000030556453,0.0169328],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99966985,0.0000070004694,0.00006365425,0.00008906198,0.00009541599,0.00007503213],"domain_scores_gemma":[0.99968755,0.00004664937,0.000011389418,0.00015167226,0.00006602559,0.000036681904],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0000647051,0.0000264729,0.000022359727,0.00006721434,0.00012332045,0.00016422362,0.00022808605,0.000012534364,0.00003351966],"category_scores_gemma":[0.00006100478,0.000026831627,0.000026221815,0.0007395223,0.000013090743,0.00040106077,0.000049364244,0.000028125734,0.0015359824],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[1.3508997e-8,0.000014972237,0.000035729434,3.7841104e-7,0.000002252108,2.872314e-7,0.0014117206,0.00008615568,0.000048538892,0.9189427,0.06766634,0.011790939],"study_design_scores_gemma":[0.00011857933,0.000012502601,0.020279188,0.000004021638,0.0000015474526,0.0000039804354,0.00034695075,0.08875652,0.00041198873,0.13274705,0.75715595,0.0001617466],"about_ca_topic_score_codex":0.0000035444898,"about_ca_topic_score_gemma":0.000004547273,"teacher_disagreement_score":0.96066654,"about_ca_system_score_codex":0.000016429849,"about_ca_system_score_gemma":0.00006573081,"threshold_uncertainty_score":0.9992414},"labels":[],"label_agreement":null},{"id":"W4386846033","doi":"10.29173/inton76","title":"Mixity","year":2023,"lang":"en","type":"article","venue":"Intonations","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Function (biology); Diversity (politics); Context (archaeology); Experiential learning; Sociology; Studio; Public relations; Value (mathematics); Aesthetics; Political science; Visual arts; Pedagogy; History; Computer science; Art","score_opus":0.10504619152956744,"score_gpt":0.3488187919436002,"score_spread":0.24377260041403276,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386846033","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019626377,0.0001566252,0.00007729942,0.01202151,0.00069724576,0.000073555646,0.0000057499255,0.00036826197,0.96697336],"genre_scores_gemma":[0.94965446,0.00022861447,0.0000906497,0.0001548074,0.0003138026,0.00002150874,0.000004940382,0.0000027687272,0.049528453],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99960667,0.000030033169,0.00004413348,0.000052186475,0.0001527574,0.00011424346],"domain_scores_gemma":[0.9997709,0.000092755436,0.00001042237,0.000035259753,0.00005869499,0.000032012143],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019121994,0.000021505706,0.000032598637,0.000040139974,0.00071683706,0.000022930615,0.00007191225,0.00002499706,0.00025613286],"category_scores_gemma":[0.00039077297,0.00002240099,0.000024964264,0.0004891298,0.00014494389,0.00005337633,0.000017644008,0.000031490217,0.00078994053],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[1.0694067e-7,0.0000071002737,0.00061101705,3.6925536e-7,0.0000053397102,7.580164e-7,0.018126504,0.0000021954543,0.0000055845862,0.8230882,0.15251991,0.0056328634],"study_design_scores_gemma":[0.000023945968,0.000001736327,0.020371413,9.919662e-7,0.000001571768,1.0665315e-8,0.002553753,0.000011405142,0.000003613819,0.055312406,0.9216875,0.000031694923],"about_ca_topic_score_codex":0.0034971512,"about_ca_topic_score_gemma":0.011914677,"teacher_disagreement_score":0.9300281,"about_ca_system_score_codex":0.00007584949,"about_ca_system_score_gemma":0.00004783614,"threshold_uncertainty_score":0.9999881},"labels":[],"label_agreement":null},{"id":"W4386846039","doi":"10.29173/inton83","title":"Eusebius and Florestan, Pierrot and Harlequin","year":2023,"lang":"en","type":"article","venue":"Intonations","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Impromptu; Violin; Art; Visual arts; Piano; Literature; Veneration; Polyphony; Musical; Aesthetics; Art history; History","score_opus":0.041896109029071704,"score_gpt":0.23369292571661618,"score_spread":0.19179681668754447,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386846039","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8698101,0.00018024235,0.000039118302,0.012502549,0.0003168197,0.000106941035,0.00004797413,0.00018884675,0.116807416],"genre_scores_gemma":[0.979132,0.000045834593,0.000026352238,0.00063391216,0.00019222689,0.000022779426,0.000022341288,0.000004780461,0.019919788],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996592,0.000014016473,0.0000781726,0.00010504503,0.00005445244,0.00008915571],"domain_scores_gemma":[0.9997549,0.00008919889,0.000015946332,0.000056191508,0.000044443117,0.000039322702],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007488029,0.000047366826,0.00006749444,0.000111527195,0.0003185271,0.0000737855,0.00003525357,0.00002298356,0.0017715032],"category_scores_gemma":[0.000054935736,0.000039818653,0.000017584354,0.000059491096,0.00022059909,0.000088704975,0.000042415773,0.000054277793,0.00012366347],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000023856514,0.000018150326,0.00046851664,0.0000069843877,0.00003991561,0.0000054985485,0.012256594,0.000003046409,0.00009633587,0.94778365,0.03040231,0.008916627],"study_design_scores_gemma":[0.00015620746,0.000029454275,0.01626524,0.0000060753528,0.00004651962,0.0000018324947,0.0013932171,0.00073775236,0.000013700241,0.039466724,0.9417812,0.00010203078],"about_ca_topic_score_codex":0.000066675224,"about_ca_topic_score_gemma":0.004296594,"teacher_disagreement_score":0.9113789,"about_ca_system_score_codex":0.0000045766133,"about_ca_system_score_gemma":0.000008259858,"threshold_uncertainty_score":0.99914104},"labels":[],"label_agreement":null},{"id":"W4399596231","doi":"10.29173/inton86","title":"3 Stories from the Chthulucene","year":2024,"lang":"en","type":"article","venue":"Intonations","topic":"Linguistics and language evolution","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Psychology","score_opus":0.038141151155808156,"score_gpt":0.2724308745430464,"score_spread":0.23428972338723822,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399596231","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044687357,0.014457492,0.0015901879,0.016917488,0.014596374,0.00020995829,0.00088041637,0.0005993722,0.90606135],"genre_scores_gemma":[0.9827493,0.000012517263,0.000048786358,0.00022026441,0.003622277,0.000010149777,0.00006525643,0.0000063298353,0.013265145],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997312,0.0000092571445,0.000062017054,0.00006622869,0.000078962265,0.000052372463],"domain_scores_gemma":[0.99969023,0.00014625299,0.0000079421,0.00008141242,0.00006354087,0.000010623532],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000048345337,0.000036456862,0.000026679827,0.000018572466,0.00024225083,0.00026532463,0.000066916924,0.00001058549,0.0039537274],"category_scores_gemma":[0.00008866364,0.000022376988,0.00002589857,0.000022086193,0.00007275108,0.000052913267,0.0000140802695,0.00006268824,0.000282046],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[3.116883e-7,0.0000050641574,0.000009054462,0.0000012354465,0.00001625076,0.0000017284676,0.043110423,0.000001939305,0.000009845911,0.91834563,0.03536238,0.003136117],"study_design_scores_gemma":[0.000015690286,0.0000037961536,0.00021845585,0.000011783678,0.00001410214,2.1500024e-7,0.0022849482,0.00071812567,0.000013856075,0.029027741,0.9676551,0.000036175596],"about_ca_topic_score_codex":0.0019345661,"about_ca_topic_score_gemma":0.0045760754,"teacher_disagreement_score":0.9380619,"about_ca_system_score_codex":0.000021553167,"about_ca_system_score_gemma":0.000024091984,"threshold_uncertainty_score":0.99695677},"labels":[],"label_agreement":null},{"id":"W4413781462","doi":"10.29173/inton96","title":"Reconsidering Metronomic Precision","year":2025,"lang":"en","type":"article","venue":"Intonations","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Computer science","score_opus":0.03829621224748534,"score_gpt":0.27419508039540136,"score_spread":0.23589886814791602,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413781462","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.057743788,0.0002743213,0.88105285,0.008457171,0.0006095793,0.00006367236,5.0301225e-7,0.00027945123,0.05151865],"genre_scores_gemma":[0.961013,0.000010217967,0.03666031,0.00025610937,0.0000075843204,0.000020613546,2.8271094e-7,9.25641e-7,0.0020309403],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99966514,0.000011732234,0.000090154586,0.00012839721,0.00003396316,0.00007060938],"domain_scores_gemma":[0.99956906,0.00014015159,0.000016713162,0.00023145325,0.000034808563,0.000007841758],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010098208,0.0000362553,0.000052902382,0.00016878847,0.00017353622,0.000032278902,0.00027966898,0.00003321007,0.000013585596],"category_scores_gemma":[0.000139419,0.00003484306,0.000021672091,0.00025664098,0.000029523371,0.00012790703,0.00018196208,0.00006328663,0.00003507953],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[3.2314523e-7,0.000014496816,0.00076193246,0.0000012465539,0.00002238612,5.382456e-7,0.00047616087,0.00003192391,0.00008780063,0.82611877,0.00670856,0.16577585],"study_design_scores_gemma":[0.00021873982,0.000015910742,0.024321245,0.000025783347,0.000007728765,0.0000034573625,0.00014541508,0.011929562,0.0026378173,0.68476486,0.27579147,0.00013800943],"about_ca_topic_score_codex":0.0000040629475,"about_ca_topic_score_gemma":0.000061188475,"teacher_disagreement_score":0.90326923,"about_ca_system_score_codex":0.000034429926,"about_ca_system_score_gemma":0.00003380906,"threshold_uncertainty_score":0.14208587},"labels":[],"label_agreement":null},{"id":"W4413810141","doi":"10.29173/inton88","title":"On Shimmers","year":2025,"lang":"en","type":"article","venue":"Intonations","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Embodied cognition; Aesthetics; Temporality; Eroticism; Sociology; Dismissal; Illusion; Epistemology; Phenomenon; Identity (music); Impulse (physics); Art; Philosophy; Psychology; Gender studies; Law; Human sexuality","score_opus":0.020541776475492508,"score_gpt":0.2625026144773886,"score_spread":0.24196083800189608,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413810141","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018692235,0.00006084694,0.000017064702,0.0042161862,0.00054647843,0.000033480905,0.000009651214,0.000037400452,0.97638667],"genre_scores_gemma":[0.9277846,0.000011807481,0.000008149839,0.0011250664,0.00009321799,0.000013350193,0.0000041647054,0.0000016774262,0.070957966],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99981636,0.00000359372,0.000048297625,0.000044417655,0.00003587068,0.000051438496],"domain_scores_gemma":[0.9998532,0.000047432502,0.000007101269,0.000054393997,0.000032218988,0.0000056746785],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00002156014,0.000032023043,0.00003323987,0.000072089024,0.00027641837,0.000028696124,0.00003957366,0.000006735462,0.0013854739],"category_scores_gemma":[0.000009694712,0.000025554416,0.000020627189,0.000022439497,0.000057926536,0.00004553081,0.00000909816,0.000035595232,0.00025389076],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000018302082,0.000013573232,0.000038748192,0.00000174242,0.000015076769,8.611676e-8,0.005126948,0.0000054803527,0.0000018119708,0.92571944,0.059346884,0.009728388],"study_design_scores_gemma":[0.0000580035,0.000013422577,0.00038475898,0.000010998613,0.0000057892257,2.7844996e-8,0.0013848437,0.000016690889,0.000038915696,0.031919237,0.9661363,0.00003106412],"about_ca_topic_score_codex":0.00005143502,"about_ca_topic_score_gemma":0.00081927737,"teacher_disagreement_score":0.90909237,"about_ca_system_score_codex":0.000011653555,"about_ca_system_score_gemma":0.0000106878015,"threshold_uncertainty_score":0.9995274},"labels":[],"label_agreement":null},{"id":"W7146977074","doi":"10.29173/inton52","title":"When Revolution Conflicts with Resolution: A Contemporary Issue Based on the Revisit of a Modern Compositional Approach","year":2012,"lang":"","type":"article","venue":"Intonations","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Consonance and dissonance; Counterpoint; Chord (peer-to-peer); Harmony (Music); Harmony (color); Doctrine; Quality (philosophy)","score_opus":0.07360822986684826,"score_gpt":0.24685947860441923,"score_spread":0.17325124873757097,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7146977074","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012529634,0.0050525954,0.040979452,0.05530208,0.0005464021,0.0018716013,0.0007847255,0.00008923257,0.88284427],"genre_scores_gemma":[0.9890468,0.000011567421,0.0007167197,0.003854769,0.0009966979,0.00014996216,0.00031840877,0.000018515486,0.004886574],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978969,0.00044214973,0.0005331463,0.0002886431,0.00053220754,0.0003069323],"domain_scores_gemma":[0.99789584,0.00056685926,0.00037962964,0.00044179597,0.0005886892,0.00012720565],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00067168317,0.00025535602,0.00038157465,0.00021892569,0.0011266147,0.000080495316,0.0002465329,0.0001459657,0.006938683],"category_scores_gemma":[0.00008106335,0.00017068136,0.00020985093,0.00017457992,0.0011140859,0.00032436583,0.000049592098,0.00037694175,0.00008852839],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030188548,0.001774981,0.0002196328,0.000097745826,0.00038828375,8.2302785e-7,0.017171074,0.0013734384,0.00006641123,0.9332824,0.044900272,0.00042306932],"study_design_scores_gemma":[0.0013406071,0.00060036895,0.0032077532,0.00048493847,0.0007482201,0.000007066993,0.0014258703,0.14572062,0.00008987202,0.0068493043,0.8390027,0.00052265776],"about_ca_topic_score_codex":0.00020534967,"about_ca_topic_score_gemma":0.000068673,"teacher_disagreement_score":0.97651714,"about_ca_system_score_codex":0.00009624297,"about_ca_system_score_gemma":0.00018336474,"threshold_uncertainty_score":0.9939691},"labels":[],"label_agreement":null}]}