{"meta":{"query_hash":"818163828d14","filters":{"venue":"Journal - Association for Recorded Sound Collections"},"cohort_total":11,"direct_labels_cover":0,"predictions_cover":11,"exported":11,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/818163828d14","api":"https://metacan.xera.ac/api/v1/cohort?venue=Journal+-+Association+for+Recorded+Sound+Collections"},"results":[{"id":"W103339240","doi":"","title":"Glenn Gould in Concert, 1951-1960","year":2013,"lang":"en","type":"article","venue":"Journal - Association for Recorded Sound Collections","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); German; Scholarship; Variety (cybernetics); Visual arts; Art; Aesthetics; Media studies; History; Sociology; Computer science; Linguistics; Philosophy; Law; Artificial intelligence; Political science","score_opus":0.03018876368291606,"score_gpt":0.24332969135550753,"score_spread":0.21314092767259146,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W103339240","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008544315,0.046148963,0.00040507904,0.011809273,0.009266813,0.000046077672,0.0040130187,0.00027797112,0.91948843],"genre_scores_gemma":[0.028179906,0.0059492947,0.00019530338,0.0006287322,0.0006133874,0.000022010448,0.00073516124,0.00012370698,0.9635525],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997074,0.000025081574,0.000010885171,0.000074154326,0.00010869264,0.00007376864],"domain_scores_gemma":[0.9998117,0.000020700629,0.000017158069,0.000013844486,0.000044125172,0.00009246163],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00032194136,0.0005602567,0.00017471217,0.0011642062,0.0024460382,0.0031002744,0.0004921786,0.0010107211,0.11818822],"category_scores_gemma":[0.0010231921,0.00024666803,0.000116793424,0.0013712308,0.00088061555,0.001597672,0.0024486468,0.0012094019,0.041664194],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007339511,0.000011850793,0.0005341169,0.00012169944,0.000001783895,0.00017611205,0.0024349503,0.000032098917,0.00031327715,0.015176655,0.9101111,0.071013026],"study_design_scores_gemma":[0.0000012102358,0.000003143556,0.0012510542,0.00005656644,4.7129396e-7,0.000031898744,0.0004679112,0.0000021821256,0.000042254618,0.00014081917,0.9980008,0.0000016109408],"about_ca_topic_score_codex":0.04739673,"about_ca_topic_score_gemma":0.17466898,"teacher_disagreement_score":0.11818822,"about_ca_system_score_codex":0.0036641576,"about_ca_system_score_gemma":0.0010908679,"threshold_uncertainty_score":0.39537895},"labels":[],"label_agreement":null},{"id":"W1595992637","doi":"","title":"Recording Culture: Powwow Music and the Aboriginal Recording Industry","year":2013,"lang":"en","type":"article","venue":"Journal - Association for Recorded Sound Collections","topic":"Indigenous Studies and Ecology","field":"Health Professions","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Performative utterance; Visual arts; CONTEST; Musical; History; Aesthetics; Media studies; Art; Sociology","score_opus":0.029262682393832312,"score_gpt":0.35805862577614783,"score_spread":0.32879594338231555,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1595992637","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048973765,0.46928498,0.0013700306,0.05174069,0.006581561,0.00009297017,0.00007219185,0.00007354392,0.4218102],"genre_scores_gemma":[0.2724301,0.29169315,0.0019533504,0.005288191,0.0023709296,0.00012626116,0.00011109151,0.00011693876,0.42590994],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99957114,0.00016515933,0.000015409281,0.00003178583,0.00014446492,0.00007208935],"domain_scores_gemma":[0.9996532,0.00013487076,0.00004096211,0.000020037269,0.00006924394,0.00008168055],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006345396,0.00061576493,0.00033122496,0.00074050284,0.0043695746,0.0052329605,0.0009506847,0.0010584627,0.010235096],"category_scores_gemma":[0.0012403382,0.00036370207,0.00018842824,0.002476711,0.0032302146,0.0037518386,0.0021441674,0.0021435632,0.0014786081],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007099603,0.00009895449,0.002479596,0.0014166326,0.000027260146,0.0011403172,0.25779915,0.0001185676,0.0013980574,0.070906594,0.29743814,0.36710578],"study_design_scores_gemma":[0.000008591276,0.000059267993,0.012661981,0.0015942601,0.000021618724,0.0007834418,0.15932511,0.00009259723,0.000268342,0.005718897,0.819442,0.000023957124],"about_ca_topic_score_codex":0.07152393,"about_ca_topic_score_gemma":0.13501498,"teacher_disagreement_score":0.07152393,"about_ca_system_score_codex":0.0024655717,"about_ca_system_score_gemma":0.003656053,"threshold_uncertainty_score":0.14221525},"labels":[],"label_agreement":null},{"id":"W236400827","doi":"","title":"Samuel Barber: Historical Recordings 1935-1960","year":2013,"lang":"en","type":"article","venue":"Journal - Association for Recorded Sound Collections","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Symphony; Musical; Art; Art history; Opera; Drama; Lyricism; Lyrics; Literature; Humanities; Poetry","score_opus":0.029821424413942078,"score_gpt":0.22470096863852954,"score_spread":0.19487954422458745,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W236400827","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008444721,0.3957081,0.0008913862,0.014995522,0.008840315,0.00011077374,0.013887193,0.0003220183,0.55679995],"genre_scores_gemma":[0.06542117,0.11223719,0.0009132542,0.0018503041,0.002626519,0.00008547034,0.003699509,0.00027479033,0.81289184],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99937004,0.000095159674,0.000033845972,0.00013918187,0.0002611485,0.00010065848],"domain_scores_gemma":[0.9995372,0.000088559136,0.00010063203,0.000030287569,0.00018096808,0.00006222784],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00066875335,0.0008703392,0.00038702038,0.0049503036,0.0039590104,0.0026748753,0.00083221705,0.0011063109,0.067046545],"category_scores_gemma":[0.0016838361,0.00037063845,0.00016253744,0.009425661,0.0011777012,0.0020783828,0.001299914,0.0012681826,0.030434312],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050311013,0.000011545573,0.00045711454,0.00047309953,0.000005355884,0.00028929827,0.008714213,0.000024212783,0.0003054266,0.010361598,0.9097318,0.06957598],"study_design_scores_gemma":[4.939891e-7,0.0000013368842,0.0014808336,0.00017379448,0.0000014053663,0.000057126785,0.0005071643,0.0000022170789,0.00006140639,0.000106603904,0.99760497,0.0000025956322],"about_ca_topic_score_codex":0.18413012,"about_ca_topic_score_gemma":0.3290787,"teacher_disagreement_score":0.18413012,"about_ca_system_score_codex":0.0069591776,"about_ca_system_score_gemma":0.0023617866,"threshold_uncertainty_score":0.36611676},"labels":[],"label_agreement":null},{"id":"W254139420","doi":"","title":"Memphis Harp and Jug Blowers: 1929-1939","year":2011,"lang":"en","type":"article","venue":"Journal - Association for Recorded Sound Collections","topic":"Housing Market and Economics","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Blues; Great Depression; History; Newspaper; Art history; Law; Economic history; Political science","score_opus":0.050252150313821915,"score_gpt":0.21971501690260145,"score_spread":0.16946286658877954,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W254139420","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019963354,0.022628851,0.00036966617,0.017044265,0.008477717,0.00013421162,0.017074306,0.00018560757,0.9141221],"genre_scores_gemma":[0.03964748,0.004240431,0.0001503032,0.0014048405,0.00057743787,0.000050948147,0.00089496595,0.00011582509,0.9529177],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997967,0.000018679752,0.000006774965,0.000043279324,0.00006898059,0.000065541746],"domain_scores_gemma":[0.9998579,0.000022596925,0.000017688875,0.000009209359,0.00005189895,0.00004082517],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023753583,0.0004341814,0.00016476918,0.00088572985,0.0045215753,0.0023628497,0.00042212242,0.0012416666,0.15131661],"category_scores_gemma":[0.0008818704,0.00033240867,0.00013762931,0.0015437324,0.0010197359,0.0018196874,0.0012184277,0.0021334146,0.030030288],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008126681,0.00001719763,0.0010752558,0.00012354986,0.0000028876282,0.00037630627,0.003568579,0.000023837116,0.00030050302,0.011936082,0.9437704,0.03872414],"study_design_scores_gemma":[0.0000028197553,0.0000041259404,0.003205862,0.00007321974,8.5583935e-7,0.000036712612,0.0012214632,0.0000039995098,0.000109523884,0.0002599544,0.99507856,0.0000028781053],"about_ca_topic_score_codex":0.09688284,"about_ca_topic_score_gemma":0.23927969,"teacher_disagreement_score":0.15131661,"about_ca_system_score_codex":0.004005719,"about_ca_system_score_gemma":0.0017001842,"threshold_uncertainty_score":0.5062045},"labels":[],"label_agreement":null},{"id":"W2598659536","doi":"","title":"The Last Word on Recordings by Enrico Caruso, the Use of \"Copy Matrices\" by the Gramophone & Typewriter Company and Various Other Discographical Subjects","year":2015,"lang":"en","type":"article","venue":"Journal - Association for Recorded Sound Collections","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Order (exchange); Art history; Classics; History","score_opus":0.048233446142763356,"score_gpt":0.24831918902745195,"score_spread":0.2000857428846886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2598659536","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036892025,0.050915703,0.0075014224,0.18844637,0.1124881,0.00017383922,0.002431547,0.0017911074,0.63256276],"genre_scores_gemma":[0.047482565,0.021959353,0.0055179102,0.04432863,0.03181508,0.00019153555,0.0015717625,0.0036035485,0.84352976],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984674,0.00042921165,0.00007704101,0.00021174068,0.00071794336,0.00009661826],"domain_scores_gemma":[0.997051,0.0010848733,0.00025497566,0.00031690075,0.0010598016,0.00023237373],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00084325887,0.0009725324,0.00043025595,0.0018928277,0.005078798,0.0051204367,0.0010344973,0.0017085571,0.072277136],"category_scores_gemma":[0.00902921,0.00035354865,0.0002561187,0.0026281795,0.0035222953,0.004131935,0.0021228297,0.0035548308,0.038978774],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012670154,0.0000021919734,0.000045876597,0.00007854757,0.0000014216129,0.000035046967,0.0009940595,0.000006008857,0.00014690582,0.004984231,0.983528,0.010165049],"study_design_scores_gemma":[9.3360245e-7,0.0000020398618,0.000121784586,0.000069756556,7.4183197e-7,0.00007795016,0.0004240203,0.000008475248,0.000080772144,0.00030714026,0.9989033,0.0000030496549],"about_ca_topic_score_codex":0.020624591,"about_ca_topic_score_gemma":0.04167176,"teacher_disagreement_score":0.072277136,"about_ca_system_score_codex":0.0018956927,"about_ca_system_score_gemma":0.0017071116,"threshold_uncertainty_score":0.24179107},"labels":[],"label_agreement":null},{"id":"W285352620","doi":"","title":"From Berliner to RCA Victor: The Birth and Rise of the Recording Industry in Canada","year":2012,"lang":"en","type":"article","venue":"Journal - Association for Recorded Sound Collections","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Portrait; Art; Listing (finance)","score_opus":0.05172182434948028,"score_gpt":0.23037897766593302,"score_spread":0.17865715331645274,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W285352620","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06750688,0.09455807,0.002106653,0.13867708,0.008665631,0.00015615385,0.017386828,0.000857845,0.6700849],"genre_scores_gemma":[0.20794383,0.046148613,0.002826812,0.007961748,0.00054172135,0.00004732087,0.004530205,0.0006064886,0.72939324],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971649,0.00006782074,0.000047732825,0.00027166744,0.0014778764,0.0009698835],"domain_scores_gemma":[0.9960045,0.00013673019,0.00011055063,0.0000770303,0.00226046,0.0014106986],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001065438,0.000560919,0.00039731155,0.0029006205,0.01639202,0.011458071,0.0017269045,0.0017284859,0.053979818],"category_scores_gemma":[0.002434206,0.00059499464,0.00030969564,0.007346717,0.0040288963,0.0032363553,0.003303347,0.0034127869,0.0062261317],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008259616,0.000028536957,0.006178994,0.0003467242,0.000017028466,0.0006594759,0.009980479,0.00015419108,0.001034184,0.030602792,0.80154276,0.1493723],"study_design_scores_gemma":[0.0000036498634,0.000007761768,0.019931111,0.0002000027,0.000009852818,0.00015651781,0.009393026,0.00005153432,0.00032096353,0.00044025044,0.9694439,0.000041430518],"about_ca_topic_score_codex":0.99574786,"about_ca_topic_score_gemma":0.99845743,"teacher_disagreement_score":0.09183398,"about_ca_system_score_codex":0.09183398,"about_ca_system_score_gemma":0.15539807,"threshold_uncertainty_score":0.6663053},"labels":[],"label_agreement":null},{"id":"W323594416","doi":"","title":"Wagner: Tristan Und Isolde-Act II (Uncut)","year":2013,"lang":"en","type":"article","venue":"Journal - Association for Recorded Sound Collections","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Symphony; Opera; Art; Studio; Art history; Period (music); Humanities; History; Visual arts","score_opus":0.024828054160638283,"score_gpt":0.24938949227697338,"score_spread":0.2245614381163351,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W323594416","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021656782,0.0027116768,0.000630638,0.0012633941,0.0021888113,0.0000734046,0.0028666335,0.0008046038,0.9872952],"genre_scores_gemma":[0.0054911384,0.0006440742,0.00017493573,0.00017640178,0.000092513146,0.00003772615,0.0012003292,0.0003389024,0.991844],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997621,0.00001394667,0.000010549116,0.000054499837,0.00007667371,0.000082247185],"domain_scores_gemma":[0.9997714,0.000011788539,0.000018056366,0.000025030467,0.0000809444,0.00009276163],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019494878,0.001062612,0.00019272594,0.00073218264,0.0011873738,0.0023316692,0.0005509074,0.0008057637,0.5820616],"category_scores_gemma":[0.00053909206,0.0003283037,0.0001612085,0.0009141994,0.00035289756,0.001451697,0.002103483,0.0009267702,0.45010838],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058525668,0.0000107406295,0.00031827518,0.00006156045,0.0000016031131,0.00009047731,0.00013785357,0.00005056726,0.00085088675,0.0039267163,0.91044617,0.084046595],"study_design_scores_gemma":[0.0000019997983,0.000005889596,0.00066398294,0.000027892384,4.904869e-7,0.000044477507,0.00010555176,0.000015096242,0.00017566117,0.00009398843,0.998862,0.0000030820174],"about_ca_topic_score_codex":0.019052302,"about_ca_topic_score_gemma":0.050986104,"teacher_disagreement_score":0.5820616,"about_ca_system_score_codex":0.0013317588,"about_ca_system_score_gemma":0.0008087908,"threshold_uncertainty_score":0.5961384},"labels":[],"label_agreement":null},{"id":"W347722413","doi":"","title":"Lil' Son Jackson, Volume 1, 1948-1950: Rockin' and Rollin'; Volume 2, 1950-1952: Restless Blues","year":2010,"lang":"en","type":"article","venue":"Journal - Association for Recorded Sound Collections","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Blues; Guitar; Gospel; Art history; Art; Prologue; History; Literature; Management","score_opus":0.015308572409597121,"score_gpt":0.22516160491304932,"score_spread":0.2098530325034522,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W347722413","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015657997,0.24161054,0.0011924183,0.03596726,0.01688741,0.000079982405,0.0009219088,0.00056913705,0.7012056],"genre_scores_gemma":[0.0070550297,0.041158594,0.00042644865,0.0047196657,0.002721264,0.00004084047,0.00031455752,0.00035965315,0.943204],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994436,0.000058820624,0.0000226279,0.00008695339,0.0003325485,0.000055455253],"domain_scores_gemma":[0.999316,0.00019267589,0.00011079587,0.000032149266,0.00024483787,0.00010358885],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005121134,0.00067890214,0.0002318307,0.002032,0.0016170061,0.003250833,0.0007625881,0.0016222819,0.12665823],"category_scores_gemma":[0.0024166105,0.00032381288,0.00016794009,0.0016352494,0.0010303544,0.003355526,0.0014167292,0.0018574479,0.045613628],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016318447,0.000006815066,0.00012246786,0.00022285483,0.0000015247243,0.00004300539,0.00044527097,0.00000981757,0.00021290686,0.0062079085,0.9357488,0.056962244],"study_design_scores_gemma":[7.015329e-7,0.0000024048284,0.00019775883,0.00008697061,6.319148e-7,0.00003434777,0.00007566068,0.0000023460757,0.00006477305,0.00014115998,0.9993919,0.0000012642955],"about_ca_topic_score_codex":0.018960586,"about_ca_topic_score_gemma":0.05246861,"teacher_disagreement_score":0.12665823,"about_ca_system_score_codex":0.003808834,"about_ca_system_score_gemma":0.0020957643,"threshold_uncertainty_score":0.42371398},"labels":[],"label_agreement":null},{"id":"W348023204","doi":"","title":"William Kapell Rediscovered","year":2008,"lang":"en","type":"article","venue":"Journal - Association for Recorded Sound Collections","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Concerto; Studio; Autograph; Amateur; Art; Piano; Art history; Nothing; Exhibition; History; Visual arts; Humanities; Philosophy; Archaeology","score_opus":0.11045858482078716,"score_gpt":0.2441940038535104,"score_spread":0.13373541903272324,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W348023204","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008988161,0.006365743,0.00047243648,0.010179707,0.0069892076,0.000025493002,0.0003095352,0.0007687329,0.9739904],"genre_scores_gemma":[0.0019233044,0.0008352692,0.00010039709,0.0012501271,0.00030679378,0.0000052612186,0.00006945872,0.00016405583,0.9953453],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915457,0.00008503457,0.000026706786,0.00018189542,0.00042181383,0.00013001189],"domain_scores_gemma":[0.9988381,0.00010643663,0.000049951588,0.00015931395,0.0004516666,0.00039446942],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040034764,0.0006242207,0.00028552665,0.001080834,0.0023133338,0.005253082,0.0008232449,0.002003357,0.52757686],"category_scores_gemma":[0.0029774862,0.00035186016,0.00022892407,0.0008450723,0.0009792104,0.002385493,0.0030004722,0.0025253464,0.40726927],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012086645,0.000006667766,0.00010582637,0.00005661189,0.0000012328153,0.0001268325,0.00026251373,0.000011919236,0.00022669778,0.006329514,0.930405,0.062455017],"study_design_scores_gemma":[3.9101616e-7,0.0000015735545,0.000058687565,0.0000182003,3.772168e-7,0.00005565161,0.00004639435,0.000003774574,0.000046097575,0.00014125551,0.9996259,0.0000018056347],"about_ca_topic_score_codex":0.016813135,"about_ca_topic_score_gemma":0.04174778,"teacher_disagreement_score":0.52757686,"about_ca_system_score_codex":0.0024588725,"about_ca_system_score_gemma":0.0016146984,"threshold_uncertainty_score":0.67385423},"labels":[],"label_agreement":null},{"id":"W612432241","doi":"","title":"Transatlantic Roots Music: Folk, Blues, and National Identities","year":2014,"lang":"en","type":"article","venue":"Journal - Association for Recorded Sound Collections","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Blues; Folk music; Wynn; History; Popular music; Musical; Meaning (existential); Art history; Literature; Sociology; Media studies; Classics; Art; Philosophy; Linguistics","score_opus":0.027595460334087364,"score_gpt":0.2290022106659117,"score_spread":0.20140675033182434,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W612432241","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027742816,0.503429,0.001051731,0.11429291,0.0065262094,0.000027774397,0.0001811538,0.00006758979,0.34668082],"genre_scores_gemma":[0.3923674,0.26916364,0.0014095189,0.014092766,0.0053486675,0.000106327956,0.00030101108,0.00018045264,0.31703016],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99962664,0.00016085288,0.0000108381155,0.00005300153,0.00008830207,0.000060358678],"domain_scores_gemma":[0.99937505,0.0002586072,0.000066434455,0.000030712286,0.000100017,0.00016916374],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00065226643,0.00057353434,0.00033747376,0.0011489558,0.0044041607,0.008325316,0.00065247476,0.0015166114,0.010774682],"category_scores_gemma":[0.0014747152,0.00024561337,0.00012863812,0.002095448,0.0044746376,0.005213984,0.002295066,0.0027476088,0.002042587],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000065743625,0.00005190655,0.003086431,0.00069003174,0.000027285716,0.00035185044,0.14208628,0.00006248061,0.00045425651,0.1611611,0.46432948,0.22763321],"study_design_scores_gemma":[0.00000565845,0.00001724482,0.008130506,0.0010953398,0.000009016895,0.00020166632,0.09455649,0.00003591645,0.00012526882,0.019128175,0.8766794,0.000015191833],"about_ca_topic_score_codex":0.02585979,"about_ca_topic_score_gemma":0.07419207,"teacher_disagreement_score":0.02585979,"about_ca_system_score_codex":0.0026786255,"about_ca_system_score_gemma":0.0029972827,"threshold_uncertainty_score":0.051418543},"labels":[],"label_agreement":null},{"id":"W903817244","doi":"","title":"Paramount's Rise and Fall: The Roots and History of Paramount Records","year":2013,"lang":"en","type":"article","venue":"Journal - Association for Recorded Sound Collections","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Blues; History; Management; Law; Sociology; Art history; Political science; Economics","score_opus":0.022710648380522516,"score_gpt":0.21262217988778698,"score_spread":0.18991153150726447,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W903817244","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012582079,0.35638738,0.0017409944,0.13771215,0.017958624,0.000045355762,0.00075030926,0.00023515575,0.472588],"genre_scores_gemma":[0.15051939,0.1484644,0.0020708798,0.014170977,0.008476933,0.000061016188,0.0007210806,0.0005428148,0.6749725],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99731845,0.00067340204,0.00013718934,0.00039296524,0.0010624566,0.00041560753],"domain_scores_gemma":[0.99751365,0.00063174794,0.00022246891,0.00020663795,0.0006684444,0.0007570752],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022411433,0.0005111395,0.00042337817,0.0044102157,0.010417906,0.019923322,0.0015911979,0.0027365896,0.03666667],"category_scores_gemma":[0.0068714693,0.0008663198,0.00021338524,0.009410931,0.011104091,0.01493999,0.0051698615,0.00632846,0.008908676],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005007552,0.000022633942,0.0006564299,0.00030286913,0.0000071471723,0.0002624901,0.037511274,0.000028655184,0.00026738457,0.18372352,0.6492225,0.127945],"study_design_scores_gemma":[0.0000010817771,0.000004306664,0.0005379202,0.00024467875,0.0000012556018,0.00008916049,0.0034134963,0.0000047377284,0.000042609314,0.0017409162,0.99391395,0.00000589635],"about_ca_topic_score_codex":0.065606326,"about_ca_topic_score_gemma":0.105553195,"teacher_disagreement_score":0.065606326,"about_ca_system_score_codex":0.010429415,"about_ca_system_score_gemma":0.00841392,"threshold_uncertainty_score":0.13044894},"labels":[],"label_agreement":null}]}