{"meta":{"query_hash":"90cabb150659","filters":{"venue":"Journal of Cultural Economics"},"cohort_total":29,"direct_labels_cover":0,"predictions_cover":29,"exported":29,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/90cabb150659","api":"https://metacan.xera.ac/api/v1/cohort?venue=Journal+of+Cultural+Economics"},"results":[{"id":"W1044682917","doi":"10.1007/s10824-018-9320-x","title":"The geography of music preferences","year":2018,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Social and Cultural Dynamics","field":"Social Sciences","cited_by":35,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Politics; Variation (astronomy); Musical; Metropolitan area; Bivariate analysis; Proposition; Race (biology); Preference; Sociology; Geographic variation; Economic geography; Social science; Geography; Political science; Economics; Demography; Gender studies","score_opus":0.03247490690141862,"score_gpt":0.28430533456703055,"score_spread":0.2518304276656119,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1044682917","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9745168,0.00025505308,0.000003193852,0.0011778469,0.001080126,0.000050384442,0.0000028078937,0.000004914842,0.022908885],"genre_scores_gemma":[0.99635327,0.0018818065,0.0001567525,0.000089136076,0.0011935051,5.690045e-7,4.1624497e-7,0.0000026972218,0.00032183577],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992414,0.000067049295,0.00036041168,0.00005351115,0.00011748012,0.00016014541],"domain_scores_gemma":[0.99874127,0.00009233154,0.0005545328,0.000055937897,0.00048274276,0.00007318782],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004812358,0.000063847096,0.00015680658,0.00002187671,0.00054224156,0.00009529115,0.0003883834,0.00006327182,0.00006822647],"category_scores_gemma":[0.00012652624,0.000034247983,0.00018821811,0.00011362846,0.00080227817,0.0003668832,0.000021895105,0.00010499138,0.000007664178],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004695852,0.00020726587,0.06636427,0.000024999987,0.00094569934,0.0000033053745,0.14673892,0.00011969963,0.0006120175,0.42145184,0.024185807,0.3388766],"study_design_scores_gemma":[0.00083403836,0.00080091605,0.0871987,0.0000743766,0.0001411501,0.000018690656,0.14721102,0.000102000435,0.0005195072,0.13303523,0.62963235,0.00043202797],"about_ca_topic_score_codex":0.00019839777,"about_ca_topic_score_gemma":0.0019468841,"teacher_disagreement_score":0.6054465,"about_ca_system_score_codex":0.00004324736,"about_ca_system_score_gemma":0.00010633647,"threshold_uncertainty_score":0.41705385},"labels":[],"label_agreement":null},{"id":"W1506106331","doi":"10.1023/a:1026352903371","title":"Valuing the Canadian Broadcasting Corporation","year":2003,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Economic and Environmental Valuation","field":"Economics, Econometrics and Finance","cited_by":30,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Corporation; Contingent valuation; Willingness to pay; Valuation (finance); Preference; Government (linguistics); Public broadcasting; Cultural economics; Broadcasting (networking); Public opinion; Economics; Business; Advertising; Political science; Marketing; The arts; Accounting; Finance; Computer science; Law","score_opus":0.147077940682435,"score_gpt":0.2132313651639253,"score_spread":0.06615342448149031,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1506106331","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9591931,0.0006492475,0.0002916106,0.000866427,0.00087333965,0.00008079613,0.000009915202,0.0000029357307,0.038032625],"genre_scores_gemma":[0.9977443,0.00021585012,0.0009932006,0.00041044224,0.00016957616,0.0000015466799,0.0000038570893,0.000010918118,0.000450302],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894476,0.00002070316,0.00073033164,0.00011282628,0.000016696575,0.0001746963],"domain_scores_gemma":[0.9988088,0.000030588013,0.00091216556,0.00011066211,0.000027852393,0.00010992598],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010948435,0.0000955006,0.00021597989,0.00008891979,0.0002411953,0.0001647321,0.00015527722,0.00006556648,0.000316586],"category_scores_gemma":[0.00013225748,0.000079989986,0.000124335,0.00004845857,0.00005035701,0.00066434784,0.000008995338,0.00017047796,0.0002453709],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009945298,0.000032178006,0.20288752,0.0000076148226,0.00014238083,0.0000035930577,0.0019179939,0.038296748,0.000064473985,0.7515347,0.0030248037,0.0020780314],"study_design_scores_gemma":[0.0024929452,0.0002987662,0.21791065,0.000042217245,0.00006434258,0.0006889172,0.004238374,0.012557744,0.00085314945,0.17381766,0.586067,0.0009682126],"about_ca_topic_score_codex":0.0024839314,"about_ca_topic_score_gemma":0.0068953005,"teacher_disagreement_score":0.5830422,"about_ca_system_score_codex":0.00064106943,"about_ca_system_score_gemma":0.0000725338,"threshold_uncertainty_score":0.38477394},"labels":[],"label_agreement":null},{"id":"W1553069513","doi":"10.1023/a:1015641715440","title":"Canadian versus American Art: What Pays Off and Why","year":2002,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Art History and Market Analysis","field":"Arts and Humanities","cited_by":24,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Bishop's University","funders":"Ministerstvo Školství, Mládeže a Tělovýchovy","keywords":"Painting; Valuation (finance); Nationality; Hedonic regression; Market value; Beauty; Cultural economics; The arts; Value (mathematics); Economics; Art; Sociology; Aesthetics; Political science; Art history; Visual arts; Econometrics; Law; Mathematics; Immigration; Statistics","score_opus":0.027923765481928615,"score_gpt":0.19401005841743266,"score_spread":0.16608629293550403,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1553069513","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89297134,0.0025156718,8.19483e-7,0.0058830944,0.0014197689,0.000033268218,0.000009374941,0.000006459949,0.09716023],"genre_scores_gemma":[0.9692972,0.011723481,0.00006921759,0.0016332094,0.0010164168,6.3831243e-7,0.0000035324736,0.000010698175,0.01624566],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99950683,0.000018515402,0.0002384597,0.000068014124,0.000033951874,0.00013422754],"domain_scores_gemma":[0.9994018,0.000029247847,0.00024081227,0.000059950104,0.00007663102,0.00019153162],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008670934,0.00008551804,0.00020943095,0.00009484083,0.00022063307,0.00028013205,0.0000885903,0.000017185463,0.0024122924],"category_scores_gemma":[0.000014198512,0.00006588452,0.000114306946,0.000013656774,0.00017612518,0.0011675092,0.000009345407,0.00010718531,0.00007145146],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002066257,0.00005485943,0.00023312794,0.00001309192,0.0007149378,0.000055301778,0.06712229,0.00016515637,0.000007722955,0.030337954,0.6650776,0.23601131],"study_design_scores_gemma":[0.0002511849,0.00013555252,0.000018968061,0.0000075413377,0.000064384294,0.000017271932,0.01267506,0.0002788494,0.000001543084,0.000090073096,0.9863614,0.000098170865],"about_ca_topic_score_codex":0.0021367567,"about_ca_topic_score_gemma":0.32786334,"teacher_disagreement_score":0.32572657,"about_ca_system_score_codex":0.00019969407,"about_ca_system_score_gemma":0.000022390508,"threshold_uncertainty_score":0.99849963},"labels":[],"label_agreement":null},{"id":"W1563835170","doi":"10.1023/a:1007652201187","title":"Win, Place or Show: Gauging the Economic Success of the Renoir and Barnes Art Exhibits","year":2000,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Economic and Environmental Valuation","field":"Economics, Econometrics and Finance","cited_by":25,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Visitor pattern; Enthusiasm; Tourism; The arts; Skepticism; Product (mathematics); Marketing; Cultural economics; Economics; Business; Political science; Law; Computer science; Psychology; Social psychology","score_opus":0.050618106916638456,"score_gpt":0.21505025815659837,"score_spread":0.1644321512399599,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1563835170","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9872038,0.00094840204,0.000008567944,0.002158529,0.0004328061,0.0001398429,0.000045765988,0.0000035755115,0.009058737],"genre_scores_gemma":[0.9909963,0.0038596736,0.00013215846,0.00035419545,0.00025044466,0.0000029965597,0.000002796709,0.000017475642,0.0043839365],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.998469,0.000028918348,0.0010932528,0.00019801012,0.000022913964,0.00018793278],"domain_scores_gemma":[0.99849933,0.00009561988,0.0010835434,0.0002386019,0.000013292352,0.000069579415],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007092932,0.00016690086,0.00044486087,0.000054017306,0.00015941523,0.00010326708,0.00040270193,0.000082607614,0.002161122],"category_scores_gemma":[0.00003313528,0.00010428892,0.00019813071,0.000041698757,0.00019400798,0.0007580895,0.00006376851,0.00019997817,0.00016264571],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011051731,0.00026843013,0.5372379,0.00016167045,0.001236539,0.0000068618215,0.01137324,0.3158009,0.00026234367,0.060791537,0.033274606,0.038480803],"study_design_scores_gemma":[0.004572906,0.0005121388,0.63321126,0.00016953977,0.0001485021,0.00068144937,0.0030979484,0.022030951,0.0016922578,0.014693328,0.31812134,0.0010683746],"about_ca_topic_score_codex":0.00005876094,"about_ca_topic_score_gemma":0.00010985462,"teacher_disagreement_score":0.29376996,"about_ca_system_score_codex":0.00029430122,"about_ca_system_score_gemma":0.000041448115,"threshold_uncertainty_score":0.99875104},"labels":[],"label_agreement":null},{"id":"W1965181832","doi":"10.1007/s10824-014-9234-1","title":"Economics of motion pictures: the state of the art","year":2014,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":68,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Cultural economics; The arts; State (computer science); Motion (physics); Economics; Art; Social science; Visual arts; Political science; Sociology; Computer science; Computer vision","score_opus":0.02054225343124613,"score_gpt":0.20527435700532182,"score_spread":0.18473210357407568,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1965181832","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9891514,0.00075860287,0.00018587493,0.0025625494,0.001224529,0.00010141055,0.000040086088,0.0000020075772,0.0059735067],"genre_scores_gemma":[0.99590623,0.002545996,0.00014941933,0.0002170289,0.00027713476,0.0000014233278,0.0000012765483,0.000010154074,0.00089134957],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985739,0.00002100072,0.0011363223,0.000106475636,0.00002108543,0.00014122752],"domain_scores_gemma":[0.9974302,0.000097588556,0.0020896979,0.00024048856,0.00009866946,0.00004333899],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00065103505,0.00012031351,0.0005249003,0.00007019475,0.00006757167,0.000025560521,0.00037923778,0.000045698704,0.000038660306],"category_scores_gemma":[0.0002136191,0.00007087435,0.0003383799,0.000062101855,0.0001557799,0.00022009498,0.00006637816,0.00017218705,0.00001697345],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00068396254,0.0007193036,0.15331167,0.00044018828,0.0028580278,0.0000015430684,0.02861926,0.17918092,0.00079345214,0.51064223,0.058763012,0.0639864],"study_design_scores_gemma":[0.0034067684,0.0005896292,0.17371117,0.0001233791,0.00013863183,0.00009656368,0.0022293627,0.00798044,0.0059330906,0.19838277,0.606821,0.0005872231],"about_ca_topic_score_codex":0.000018981083,"about_ca_topic_score_gemma":0.00008421589,"teacher_disagreement_score":0.548058,"about_ca_system_score_codex":0.00007140473,"about_ca_system_score_gemma":0.000025121004,"threshold_uncertainty_score":0.28901717},"labels":[],"label_agreement":null},{"id":"W1966846469","doi":"10.1007/s10824-012-9171-9","title":"Black notes and white noise: a hedonic approach to auction prices of classical music manuscripts","year":2012,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Art History and Market Analysis","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"University of Ottawa","keywords":"Classical music; Common value auction; Cultural economics; Symphony; Economics; Value (mathematics); Index (typography); Hedonic regression; Order (exchange); Art; Musical; Literature; Visual arts; Econometrics; Mathematics; The arts; Microeconomics; Computer science; Statistics","score_opus":0.054181244694801525,"score_gpt":0.21946690437933042,"score_spread":0.1652856596845289,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1966846469","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98012275,0.00026671993,0.000116859715,0.00040948408,0.00044456185,0.00005276299,0.0000045492197,0.000004548307,0.018577743],"genre_scores_gemma":[0.9953509,0.00010017216,0.00068960496,0.00014457849,0.0011214202,9.993289e-7,0.0000022908525,0.000006715415,0.0025833095],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993267,0.000024338882,0.00038091335,0.00007495679,0.000057106787,0.00013599498],"domain_scores_gemma":[0.99930924,0.000024480063,0.00037252487,0.0000663357,0.00010454056,0.00012287166],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024605484,0.00009870738,0.00028016683,0.0000968988,0.00011378265,0.00006247503,0.0000877475,0.00003556213,0.00019003029],"category_scores_gemma":[0.000023218714,0.00007093278,0.00014399568,0.00001964811,0.0001584235,0.00089079933,0.000029686938,0.00011147517,0.000010753025],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012738811,0.0015262665,0.009505357,0.0005336233,0.001881259,0.0000035493342,0.67122954,0.0058057606,0.0015286633,0.17790838,0.10661895,0.022184795],"study_design_scores_gemma":[0.00071794586,0.00039224554,0.007634342,0.00004977742,0.0004983119,0.000075052514,0.025098875,0.0013456142,0.00016299635,0.00061688677,0.9630106,0.0003973596],"about_ca_topic_score_codex":0.000009182585,"about_ca_topic_score_gemma":0.00010270438,"teacher_disagreement_score":0.85639167,"about_ca_system_score_codex":0.000065484426,"about_ca_system_score_gemma":0.000016479395,"threshold_uncertainty_score":0.2892555},"labels":[],"label_agreement":null},{"id":"W1974208472","doi":"10.1007/s10824-005-1065-7","title":"Quarter Notes and Banknotes. The Economics of Music Composition in the Eighteenth and Nineteenth Centuries","year":2005,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Art History and Market Analysis","field":"Arts and Humanities","cited_by":25,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cultural economics; Quarter (Canadian coin); Composition (language); The arts; Economics; Agricultural economics; Art; History; Visual arts; Literature; Archaeology","score_opus":0.019557813510567,"score_gpt":0.19548147092834833,"score_spread":0.17592365741778132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1974208472","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9925758,0.0011267709,0.0000026890004,0.0030853539,0.00011441778,0.000049735925,0.000008261855,0.0000014055847,0.0030355297],"genre_scores_gemma":[0.9971303,0.0018130455,0.000064239954,0.00039946457,0.0005279275,7.7736917e-7,0.0000030800663,0.0000035663759,0.00005763856],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99940354,0.000047931193,0.00037700628,0.000062558705,0.00002931563,0.00007967255],"domain_scores_gemma":[0.9993833,0.00013926557,0.00034108598,0.00006781349,0.000045168705,0.00002340034],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027563836,0.00008603282,0.00020007377,0.00005208164,0.0001741031,0.00010706963,0.000108570544,0.000022214488,0.00012280507],"category_scores_gemma":[0.000007241135,0.00004488708,0.00008410679,0.000009415737,0.00027037872,0.0005104659,0.000017506205,0.00011542985,0.0000013620718],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006385859,0.0002778266,0.005892375,0.000098097866,0.0007379741,0.000005291852,0.43533465,0.002965794,0.00015172614,0.48034218,0.013802918,0.059752584],"study_design_scores_gemma":[0.0022997034,0.0006234416,0.014723174,0.00009950296,0.00058802956,0.00016022143,0.0721408,0.0053495425,0.00034565217,0.006631988,0.8965103,0.00052762136],"about_ca_topic_score_codex":0.000022884713,"about_ca_topic_score_gemma":0.0010208106,"teacher_disagreement_score":0.8827074,"about_ca_system_score_codex":0.000032523832,"about_ca_system_score_gemma":0.000011732171,"threshold_uncertainty_score":0.18304421},"labels":[],"label_agreement":null},{"id":"W1977904994","doi":"10.1007/s10824-004-3587-9","title":"Convention on Cultural Diversity","year":2004,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"World Trade Organization Law","field":"Social Sciences","cited_by":51,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Convention; Negotiation; Political science; Credibility; Cultural diversity; Mandate; Diversity (politics); Cultural policy; Liberalization; Law; Public administration; Law and economics; International trade; Economics","score_opus":0.03309736718629192,"score_gpt":0.28175399011268,"score_spread":0.24865662292638807,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1977904994","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96480596,0.000023317787,0.000017785267,0.0166249,0.0008480565,0.000052710504,0.0000021259211,0.000014315615,0.01761082],"genre_scores_gemma":[0.9977218,0.00024826286,0.0002898084,0.00036238058,0.00049831445,1.0132099e-7,0.0000017015744,0.000003881054,0.0008737382],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994279,0.00003628332,0.00022977583,0.00006587088,0.00011943473,0.00012074626],"domain_scores_gemma":[0.9993257,0.000017288845,0.00031333047,0.00004305121,0.00019027626,0.00011033935],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022417946,0.00006316116,0.00012475219,0.000038380553,0.00045792182,0.000101002945,0.00020709155,0.000051941,0.00017792803],"category_scores_gemma":[0.00008297431,0.00005096562,0.000109834014,0.00008900379,0.00012530359,0.0008642271,0.000032078002,0.00012681317,0.00007364256],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051475436,0.000098908364,0.0027064604,0.0000035998457,0.00006969165,0.00000977014,0.018410781,0.0047232253,0.00012624133,0.97017187,0.0029318335,0.0006961586],"study_design_scores_gemma":[0.004859473,0.00043970003,0.033285756,0.00010892754,0.00012816265,0.00008429717,0.03300155,0.000012976441,0.0035293512,0.02607014,0.89787406,0.0006056255],"about_ca_topic_score_codex":0.00011263769,"about_ca_topic_score_gemma":0.0002712863,"teacher_disagreement_score":0.9441017,"about_ca_system_score_codex":0.00046460435,"about_ca_system_score_gemma":0.0000882618,"threshold_uncertainty_score":0.35220107},"labels":[],"label_agreement":null},{"id":"W1980498107","doi":"10.1007/s10824-006-9007-6","title":"The welfare and equity implications of competition in television broadcasting: the role of viewer tastes","year":2006,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Merger and Competition Analysis","field":"Economics, Econometrics and Finance","cited_by":5,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"Syracuse University","keywords":"Economic surplus; Distribution (mathematics); Advertising; Cultural economics; Welfare; Equity (law); Economics; Competition (biology); Consumer welfare; Quality (philosophy); Marketing; Business; Broadcasting (networking); The arts; Market economy; Computer science","score_opus":0.020943403058604475,"score_gpt":0.2420382248699989,"score_spread":0.22109482181139442,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1980498107","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9795442,0.0048685796,0.00011418296,0.0034147976,0.000082276594,0.00006348811,0.0000393077,0.0000014840168,0.01187164],"genre_scores_gemma":[0.9978837,0.0018421344,0.00013084631,0.00003014373,0.00005913816,0.0000015078135,0.0000042833276,0.0000036883662,0.000044606557],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9988483,0.000019655665,0.00094529043,0.00007807953,0.000021090744,0.00008759344],"domain_scores_gemma":[0.9985837,0.000074819654,0.0010927991,0.00012338342,0.00010213457,0.000023167408],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00054235535,0.00006555594,0.00027743474,0.00008158544,0.00010224457,0.00004482981,0.00018625395,0.000030978572,0.00007637363],"category_scores_gemma":[0.000049162194,0.000042348107,0.00013546218,0.00011349435,0.000083423205,0.00016759548,0.000045948036,0.00009744291,0.0000028846134],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021820013,0.00006738901,0.051249787,0.000014351803,0.00004853359,1.1944825e-7,0.00020660176,0.0022530078,0.00034057905,0.9367656,0.00013338788,0.008898814],"study_design_scores_gemma":[0.0009164842,0.00014181626,0.5742071,0.000070688155,0.00004795497,0.000045883422,0.0034628753,0.0059456164,0.0010329791,0.2541634,0.15972778,0.00023737176],"about_ca_topic_score_codex":0.000111231326,"about_ca_topic_score_gemma":0.00014501986,"teacher_disagreement_score":0.6826022,"about_ca_system_score_codex":0.00004133905,"about_ca_system_score_gemma":0.000010200129,"threshold_uncertainty_score":0.17269057},"labels":[],"label_agreement":null},{"id":"W1992725247","doi":"10.1007/s10824-014-9231-4","title":"Innovation, experience and artists’ age-valuation profiles: evidence from eighteenth-century rococo and neoclassical painters","year":2014,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Art History and Market Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal; McGill University","funders":"McGill University","keywords":"Valuation (finance); Painting; The arts; Cultural economics; Earnings; Originality; Style (visual arts); Socioeconomic status; Economics; Art; Sociology; Visual arts; Demography; Social science; Accounting","score_opus":0.047378894358892455,"score_gpt":0.24847879328742847,"score_spread":0.20109989892853603,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1992725247","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9972516,0.00042454846,0.00037649288,0.00049178785,0.00030523352,0.00005362736,0.0000027227838,0.0000060954103,0.0010879171],"genre_scores_gemma":[0.9972774,0.0009312368,0.00042178034,0.00027691753,0.000610123,0.000002938343,0.0000059938243,0.000004975687,0.0004686395],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921554,0.00007063568,0.00043985073,0.00012004783,0.00006849887,0.00008540925],"domain_scores_gemma":[0.9991799,0.000103390295,0.00041529487,0.00006530431,0.0001794131,0.00005666923],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003593774,0.000095802054,0.00020571814,0.00007305425,0.00019667014,0.00020344942,0.000082219434,0.000030409987,0.0002533642],"category_scores_gemma":[0.00017228242,0.00007050057,0.000050028797,0.000020729447,0.00024982254,0.0010815805,0.000028058661,0.00010679747,0.0000053597364],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008195278,0.00018428957,0.017008958,0.00011781081,0.000615143,0.000021171543,0.47533038,0.00021037691,0.0046618963,0.26865783,0.04294337,0.18942924],"study_design_scores_gemma":[0.0010644392,0.0004900849,0.009385898,0.00033186207,0.00024387371,0.00003443198,0.031616546,0.008887818,0.00048053992,0.006680515,0.940262,0.00052196643],"about_ca_topic_score_codex":0.000019898169,"about_ca_topic_score_gemma":0.000080137186,"teacher_disagreement_score":0.89731866,"about_ca_system_score_codex":0.00006001576,"about_ca_system_score_gemma":0.000019641166,"threshold_uncertainty_score":0.287493},"labels":[],"label_agreement":null},{"id":"W2006931408","doi":"10.1007/s10824-007-9046-7","title":"The law of one price, noise and “irrational exuberance”: the auction market for Picasso prints","year":2007,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Art History and Market Analysis","field":"Arts and Humanities","cited_by":25,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University; University of Toronto","funders":"","keywords":"PICASSO; Common value auction; Irrational number; Collectable; Art; Economics; Art history; Advertising; Visual arts; Business; Microeconomics; Mathematics","score_opus":0.024429217230437703,"score_gpt":0.22318146034435565,"score_spread":0.19875224311391795,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2006931408","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9296221,0.0005119309,0.00040864863,0.0026034513,0.00090871303,0.00018567778,0.000014530564,0.000004340902,0.065740585],"genre_scores_gemma":[0.99216413,0.00031475423,0.00020696952,0.00015430087,0.0008582551,0.0000018397567,0.0000015258393,0.000004399436,0.006293809],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994237,0.000020117985,0.0003733911,0.00004814772,0.00005151256,0.000083161765],"domain_scores_gemma":[0.9990516,0.0001959864,0.0004549236,0.000058618043,0.00020927504,0.00002960498],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00087105006,0.000056644833,0.0001313566,0.000017112194,0.0005212552,0.00007338258,0.000094066665,0.000019862435,0.00012259498],"category_scores_gemma":[0.000034948676,0.000029688306,0.00011653827,0.000008832136,0.0002456248,0.00033000245,0.000012959907,0.00008202188,0.0000011375661],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015897072,0.00012262858,0.00027896938,0.00004637776,0.00074798195,8.175919e-7,0.027013775,0.00022339933,0.0003183763,0.9322884,0.020919224,0.016450338],"study_design_scores_gemma":[0.00034476517,0.000075307405,0.0018325347,0.0000101030955,0.0000865384,0.0000126934765,0.004112934,0.00037123103,0.00009217702,0.0055306004,0.9874667,0.000064395914],"about_ca_topic_score_codex":0.000008528593,"about_ca_topic_score_gemma":0.0011361786,"teacher_disagreement_score":0.9665475,"about_ca_system_score_codex":0.000045339562,"about_ca_system_score_gemma":0.000019076037,"threshold_uncertainty_score":0.40091264},"labels":[],"label_agreement":null},{"id":"W2049269306","doi":"10.1007/s10824-012-9189-z","title":"Learning about movies: the impact of movie release types on the nationwide box office","year":2012,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Consumer Market Behavior and Pricing","field":"Business, Management and Accounting","cited_by":30,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Hollywood; Box office; Unobservable; Studio; Counterfactual thinking; Advertising; Sample (material); Marketing; Appeal; Business; Economics; Art; Visual arts; Political science; Psychology; Econometrics; Social psychology","score_opus":0.025162668716150405,"score_gpt":0.2610229513114066,"score_spread":0.2358602825952562,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2049269306","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98981214,0.0004708533,0.000005200289,0.0008153322,0.00025755796,0.000068233196,0.000001190317,0.0000058911564,0.008563604],"genre_scores_gemma":[0.9983501,0.00027874007,0.00001489055,0.0003321245,0.0008187777,9.781421e-7,0.0000020654277,0.0000098530545,0.00019250672],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9993166,0.00003156514,0.0003630863,0.000050735165,0.00008324068,0.00015480182],"domain_scores_gemma":[0.99863994,0.00026483348,0.0007851056,0.00010235157,0.00019242635,0.000015322255],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009643503,0.00010869635,0.00017494398,0.00007016557,0.00018016859,0.00016012773,0.00023155221,0.000032376618,0.00032470812],"category_scores_gemma":[0.00043548597,0.00005087098,0.00022827568,0.00010500789,0.000042545264,0.0010348703,0.000047463145,0.0002806066,0.000042804902],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001418054,0.000471525,0.6252012,0.00016950732,0.0010987249,0.000006814667,0.005425795,0.0679963,0.0026437591,0.023326753,0.02800256,0.24423896],"study_design_scores_gemma":[0.0009777248,0.00009623942,0.8451372,0.00020771535,0.00045623656,0.000054267588,0.006628321,0.0055701365,0.0003293561,0.0006362157,0.13946357,0.00044302968],"about_ca_topic_score_codex":0.00020738418,"about_ca_topic_score_gemma":0.000016618038,"teacher_disagreement_score":0.24379593,"about_ca_system_score_codex":0.000042764583,"about_ca_system_score_gemma":0.000028483617,"threshold_uncertainty_score":0.35553262},"labels":[],"label_agreement":null},{"id":"W2079463165","doi":"10.1007/s10824-012-9181-7","title":"Australian films at the Australian box office: performance, distribution, and subsidies","year":2012,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":41,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Box office; Publicity; Subsidy; Ceteris paribus; Corporation; Cultural economics; Distribution (mathematics); Government (linguistics); Advertising; Economics; Business; Marketing; Finance; The arts; Political science; Law; Market economy","score_opus":0.037672976094256586,"score_gpt":0.23953053144126965,"score_spread":0.20185755534701305,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2079463165","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9898673,0.002914952,0.0000032632784,0.004129645,0.0010963825,0.000079522455,0.0001288573,0.0000055574033,0.0017745099],"genre_scores_gemma":[0.9837425,0.00610002,0.0000968999,0.0001263876,0.00056169124,0.0000032849307,0.000020254443,0.00000946343,0.00933952],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99881417,0.000009018604,0.0007022479,0.00011507278,0.000025848463,0.00033366235],"domain_scores_gemma":[0.99893826,0.00004554963,0.00066736666,0.00012734559,0.00006197178,0.00015953204],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004919192,0.0001583447,0.00039748487,0.00004741795,0.00025060188,0.000070895796,0.00015610264,0.00007489873,0.00027359612],"category_scores_gemma":[0.000076111464,0.00010983732,0.00014323059,0.00006695506,0.0001694531,0.0006853078,0.00007007438,0.00019928747,0.00014066506],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015854505,0.00010764122,0.5995968,0.0000827711,0.00044318708,0.0000026200887,0.0050499416,0.00027042485,0.000084674626,0.018262915,0.37449434,0.0014461647],"study_design_scores_gemma":[0.0005545661,0.00008790893,0.29085335,0.00001699992,0.000033115353,0.00018239047,0.0019130519,0.000023440609,0.0005510561,0.00019581657,0.7053875,0.00020083576],"about_ca_topic_score_codex":0.000020884889,"about_ca_topic_score_gemma":0.00003058215,"teacher_disagreement_score":0.33089313,"about_ca_system_score_codex":0.00014270084,"about_ca_system_score_gemma":0.000012190953,"threshold_uncertainty_score":0.4479036},"labels":[],"label_agreement":null},{"id":"W2117936128","doi":"10.1007/s10824-010-9125-z","title":"Superstars and heavy tails in recorded entertainment: empirical analysis of the market for DVDs","year":2010,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Consumer Market Behavior and Pricing","field":"Business, Management and Accounting","cited_by":24,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Box office; Revenue; Advertising; Motion picture; Cultural economics; Entertainment; Economics; Sample (material); Distribution (mathematics); Empirical distribution function; Empirical research; Empirical evidence; Econometrics; Marketing; Business; The arts; Statistics; Mathematics; Computer science; Finance; Art","score_opus":0.024249497623294706,"score_gpt":0.2640478567532118,"score_spread":0.2397983591299171,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2117936128","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.997319,0.000030214209,0.000008280727,0.0014438769,0.00039731187,0.00010118601,0.0000046622995,0.000001928209,0.0006935545],"genre_scores_gemma":[0.9991977,0.00004201268,0.00018604271,0.00034442206,0.0001424335,0.0000017373096,0.0000023765567,0.000005789834,0.00007748212],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9992515,0.000010490914,0.00047230202,0.000091824724,0.000052116076,0.00012180333],"domain_scores_gemma":[0.9992911,0.00009178323,0.00040556974,0.000098413424,0.00009967433,0.0000134438005],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00057854387,0.00009093102,0.00030376567,0.00022328518,0.000054309072,0.00013203642,0.0001790647,0.000049733488,0.00015995472],"category_scores_gemma":[0.00010999856,0.000059269925,0.00023995133,0.00021746154,0.000047892743,0.0005524939,0.00006232169,0.00017298745,3.127042e-7],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034897716,0.00004984822,0.9876111,0.000033613025,0.00022007598,9.806487e-7,0.0002699325,0.00007216423,0.0008790984,0.00020743399,0.0012254952,0.009081282],"study_design_scores_gemma":[0.0013900911,0.000023064049,0.9352252,0.00003465252,0.0011775236,0.000010682214,0.0013709004,0.010239965,0.00016836963,0.00047421234,0.04968705,0.00019828149],"about_ca_topic_score_codex":0.00010002486,"about_ca_topic_score_gemma":0.0013814614,"teacher_disagreement_score":0.052385893,"about_ca_system_score_codex":0.000024353558,"about_ca_system_score_gemma":0.000017516903,"threshold_uncertainty_score":0.24169575},"labels":[],"label_agreement":null},{"id":"W2300127171","doi":"10.1007/s10824-016-9271-z","title":"Balancing the score: the financial impact of resource dependence on symphony orchestras","year":2016,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"HEC Montréal","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Symphony; Cultural economics; Revenue; Incentive; The arts; Finance; Control (management); Economics; Government (linguistics); Business; Management; Political science; Art; Art history; Market economy; Law","score_opus":0.04339017442664307,"score_gpt":0.2892104546610549,"score_spread":0.24582028023441183,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2300127171","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98344344,0.00011749859,0.0000079199035,0.013353277,0.00028778176,0.00009667275,0.0000050261724,0.0000035783664,0.0026848193],"genre_scores_gemma":[0.99623865,0.0005028936,0.000024491526,0.00020184701,0.00068065606,0.0000010126856,2.342099e-7,0.000004181386,0.0023460337],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990077,0.000099855926,0.00041398514,0.00008204108,0.0001763133,0.00022010154],"domain_scores_gemma":[0.9987463,0.00031917443,0.00057958474,0.00010818271,0.0001591337,0.0000876727],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00087902474,0.0001028291,0.00018770323,0.00001964166,0.0003469359,0.00008866709,0.0005133962,0.000081462196,0.0001473401],"category_scores_gemma":[0.0005233216,0.00003534104,0.00022766186,0.00009512496,0.00029319627,0.00029105408,0.000036245998,0.00020385848,0.000008411906],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010986577,0.00016781813,0.049846034,0.000013394788,0.00056872814,0.000030412335,0.060166713,0.0051805056,0.0032188368,0.03414383,0.49331656,0.35224852],"study_design_scores_gemma":[0.0016595835,0.0008508519,0.24608125,0.0004676376,0.00008842594,0.00016731133,0.025875054,0.000038558563,0.003157359,0.0039363876,0.71714824,0.00052932],"about_ca_topic_score_codex":0.00038984965,"about_ca_topic_score_gemma":0.0006574224,"teacher_disagreement_score":0.3517192,"about_ca_system_score_codex":0.0005008611,"about_ca_system_score_gemma":0.000523835,"threshold_uncertainty_score":0.26683855},"labels":[],"label_agreement":null},{"id":"W2307954217","doi":"10.1007/s10824-015-9265-2","title":"An economic perspective on rock concerts and climate change: Should carbon offsets compensating emissions be included in the ticket price?","year":2016,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Climate Change Policy and Economics","field":"Economics, Econometrics and Finance","cited_by":7,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec en Outaouais; Université du Québec à Montréal","funders":"","keywords":"Greenhouse gas; Ticket; Carbon footprint; Popularity; Carbon offset; Climate change; Carbon neutrality; Context (archaeology); Global warming; Perspective (graphical); Business; Natural resource economics; Environmental economics; Economics; Political science; Geography; Computer science; Ecology","score_opus":0.17948582820002387,"score_gpt":0.34019190842671143,"score_spread":0.16070608022668756,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2307954217","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97526497,0.0004259714,0.000003920083,0.016146243,0.00046592418,0.0002463345,0.00027721707,0.000010151364,0.007159271],"genre_scores_gemma":[0.9926427,0.004488022,0.00008675297,0.00197631,0.0007343045,0.0000145876165,0.0000062503673,0.00002864447,0.000022399694],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.997959,0.000054664844,0.0011572107,0.000363814,0.000029031067,0.000436273],"domain_scores_gemma":[0.99794376,0.0002789707,0.0012580206,0.00029102206,0.000046815476,0.00018140888],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010716111,0.00026989763,0.00068663724,0.00025890453,0.00017166376,0.00017112712,0.00043128105,0.00016298612,0.000110613924],"category_scores_gemma":[0.00012450901,0.00018647163,0.00015205258,0.000061146246,0.000084635234,0.0009013049,0.00009013558,0.00029898086,0.000036154077],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009999138,0.000618463,0.16205592,0.000093549774,0.00034135452,0.00004640152,0.07972297,0.001869546,0.00035558868,0.7483119,0.0013840146,0.004200363],"study_design_scores_gemma":[0.030552812,0.006564464,0.40130657,0.001614278,0.00026068834,0.0022344359,0.14416161,0.10188421,0.0016064825,0.22331038,0.080033496,0.0064705815],"about_ca_topic_score_codex":0.00035053724,"about_ca_topic_score_gemma":0.00055856054,"teacher_disagreement_score":0.5250015,"about_ca_system_score_codex":0.0009104083,"about_ca_system_score_gemma":0.000034184835,"threshold_uncertainty_score":0.7604093},"labels":[],"label_agreement":null},{"id":"W2785470326","doi":"10.1007/s10824-018-9319-3","title":"Cultural participation in major Chinese cities","year":2018,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":36,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Highbrow; Elitism; Cultural economics; Socioeconomic status; China; Sociology of Education; Economic growth; Political science; Sociology; Development economics; The arts; Social science; Economics; Politics","score_opus":0.05254474969567919,"score_gpt":0.34081219916127414,"score_spread":0.28826744946559496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2785470326","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98248166,0.00010136713,0.0000023180967,0.005500235,0.00085512246,0.00007387765,0.0000019912086,0.0000078388075,0.010975614],"genre_scores_gemma":[0.9905508,0.00031423641,0.00025799053,0.0002095036,0.0014839272,0.00000200595,0.000002258561,0.000004242456,0.007175007],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99900436,0.00005641537,0.00050264416,0.000084751606,0.0001130208,0.00023881916],"domain_scores_gemma":[0.99914277,0.000034839395,0.0003356705,0.00004780476,0.00032022467,0.00011869735],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041267832,0.000101194724,0.00021243887,0.00005482819,0.00022670154,0.00018234951,0.00019511573,0.0000900228,0.0004856109],"category_scores_gemma":[0.00021239754,0.00006599573,0.00008905012,0.00015331627,0.00024808143,0.0010270458,0.000025919106,0.00015842235,0.00002991719],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006641789,0.0003101574,0.26575986,0.000025647892,0.00031091916,0.000040919007,0.34680164,0.00060650555,0.00093431125,0.022437148,0.2968273,0.06528143],"study_design_scores_gemma":[0.0014677208,0.00026181812,0.173722,0.00007723909,0.000029287396,0.00003370916,0.07716695,0.00012840629,0.0005870289,0.0034716618,0.74261385,0.00044029905],"about_ca_topic_score_codex":0.0005366139,"about_ca_topic_score_gemma":0.0074501093,"teacher_disagreement_score":0.44578657,"about_ca_system_score_codex":0.00034197766,"about_ca_system_score_gemma":0.00013936206,"threshold_uncertainty_score":0.53170985},"labels":[],"label_agreement":null},{"id":"W2899211191","doi":"10.1007/s10824-018-9334-4","title":"Cultural and economic value: a critical review","year":2018,"lang":"en","type":"review","venue":"Journal of Cultural Economics","topic":"Art History and Market Analysis","field":"Arts and Humanities","cited_by":67,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Blackberry (Canada)","funders":"","keywords":"Cultural economics; Value (mathematics); The arts; Order (exchange); Sociology; Economics; Positive economics; Social science; Political science; Law","score_opus":0.133129582160419,"score_gpt":0.3410853324119455,"score_spread":0.2079557502515265,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899211191","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00003888537,0.98179036,5.5391683e-7,0.00026407326,0.001541466,0.00013533674,0.000053112028,0.000008850584,0.016167384],"genre_scores_gemma":[0.00000715097,0.99187446,0.00011217355,0.00033938838,0.0038991373,0.000005157564,0.000020275038,0.000027250613,0.0037150022],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99785924,0.00015077922,0.0014704088,0.00023624717,0.00006229118,0.00022102734],"domain_scores_gemma":[0.9979923,0.00017055667,0.0012646705,0.00018045888,0.00020084217,0.00019116934],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00056999945,0.0003882063,0.0022799848,0.00011804392,0.0002890011,0.0002812558,0.00034228901,0.00012908193,0.0020979126],"category_scores_gemma":[0.00013603852,0.0002453337,0.0012805288,0.000014688978,0.00060968735,0.0009439996,0.0000808695,0.0004016725,0.0002444519],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001996746,0.000041240084,3.2346725e-7,0.025747573,0.0013761228,0.00002115069,0.0026070075,7.2674635e-7,1.4931375e-8,0.08579819,0.45902583,0.42536187],"study_design_scores_gemma":[0.000084592575,0.00011412342,4.8510252e-8,0.010893695,0.0030146856,0.00039151678,0.00029201966,0.000006669359,2.2200972e-8,0.00025743523,0.9846239,0.00032126944],"about_ca_topic_score_codex":0.000015444211,"about_ca_topic_score_gemma":0.00010145478,"teacher_disagreement_score":0.5255981,"about_ca_system_score_codex":0.0003223421,"about_ca_system_score_gemma":0.00020961347,"threshold_uncertainty_score":0.9999999},"labels":[],"label_agreement":null},{"id":"W2930090948","doi":"10.1007/s10824-019-09343-6","title":"Relationships between artistic movements and careers of modern artists: evidence from hedonic regressions with auction data","year":2019,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Art History and Market Analysis","field":"Arts and Humanities","cited_by":17,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"RMIT University; Fonds de Recherche du Québec-Société et Culture; Trinity College Dublin","keywords":"Creativity; Cultural economics; Valuation (finance); Hedonic regression; Context (archaeology); Association (psychology); Movement (music); The arts; Regression analysis; Sociology; Economics; Art; Aesthetics; Visual arts; Psychology; Econometrics; History; Social psychology","score_opus":0.11508201099759231,"score_gpt":0.25663594177893484,"score_spread":0.14155393078134254,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2930090948","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9978246,0.0007190694,0.0002037414,0.00016559534,0.00016036814,0.00005108515,0.000085596046,0.000003456372,0.0007864835],"genre_scores_gemma":[0.99768317,0.00029164954,0.00035543417,0.000014376174,0.00021644276,4.0835016e-7,0.000037486992,0.0000057389902,0.0013952758],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99929947,0.000050055743,0.0003841689,0.00011851794,0.00007611242,0.00007169601],"domain_scores_gemma":[0.9989005,0.00013645322,0.0005811661,0.00020495921,0.00011566235,0.000061293766],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024966314,0.00007907002,0.00024400155,0.00005364351,0.000149966,0.000054033226,0.00016840878,0.000029635998,0.0002255903],"category_scores_gemma":[0.000061131825,0.000054788794,0.000044435445,0.0000139634,0.00011176538,0.0013002852,0.00004978544,0.00016491947,0.0000071704694],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018500584,0.00026708507,0.7060319,0.00032988365,0.005026173,0.000022799271,0.19387414,0.018413018,0.0011991691,0.017211737,0.017101403,0.038672615],"study_design_scores_gemma":[0.0093139745,0.003857131,0.35038075,0.0070864926,0.00817711,0.00013096942,0.16196269,0.08723844,0.00062245986,0.0699388,0.29812512,0.0031660597],"about_ca_topic_score_codex":0.00009720034,"about_ca_topic_score_gemma":0.0011738784,"teacher_disagreement_score":0.35565117,"about_ca_system_score_codex":0.00007041874,"about_ca_system_score_gemma":0.000044084714,"threshold_uncertainty_score":0.24700557},"labels":[],"label_agreement":null},{"id":"W2944535301","doi":"10.1007/s10824-019-09353-4","title":"Ticket resale, bots, and the fair price ticketing curse","year":2019,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Auction Theory and Applications","field":"Decision Sciences","cited_by":24,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"University of Victoria","keywords":"Ticket; Curse; Profit (economics); Economics; Business; Winner's curse; Microeconomics; Industrial organization; Marketing; Commerce; Computer security; Computer science; Common value auction","score_opus":0.04537442805455188,"score_gpt":0.33676780967208575,"score_spread":0.29139338161753386,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2944535301","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9830249,0.00017308832,0.00032758212,0.0068018236,0.00035569485,0.000099520636,0.0000025832132,0.0000041626754,0.009210637],"genre_scores_gemma":[0.9944074,0.0001846429,0.00062178896,0.00041508436,0.00023595298,0.000001115674,2.7098832e-7,0.0000039211645,0.0041298275],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99890673,0.000118346834,0.00062187976,0.000117605465,0.00013915142,0.0000962586],"domain_scores_gemma":[0.9977521,0.00095949846,0.0008115057,0.00019795033,0.00020932053,0.00006964369],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029277802,0.00006897729,0.00021952206,0.000046720248,0.00013871245,0.00023953231,0.00040504747,0.00003602282,0.00023794099],"category_scores_gemma":[0.000660255,0.00003357697,0.00011260603,0.00010749059,0.00018177167,0.00058879046,0.00006257987,0.00017899564,0.00027314032],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010668134,0.000085390675,0.006434528,0.000011357949,0.00016836899,0.000003179975,0.008828572,0.00731694,0.00083673606,0.8821345,0.039308634,0.05380501],"study_design_scores_gemma":[0.0031148759,0.00011396824,0.009719957,0.00003162592,0.00005508697,0.0007108921,0.02546419,0.0054035503,0.0005842797,0.3194407,0.63509727,0.00026359328],"about_ca_topic_score_codex":0.0000013473098,"about_ca_topic_score_gemma":0.0000014732469,"teacher_disagreement_score":0.59578866,"about_ca_system_score_codex":0.000024768042,"about_ca_system_score_gemma":0.000035406043,"threshold_uncertainty_score":0.3510757},"labels":[],"label_agreement":null},{"id":"W2998719201","doi":"10.1007/s10824-020-09379-z","title":"Hollywood studio filmmaking in the age of Netflix: a tale of two institutional logics","year":2020,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":104,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Studio; Filmmaking; Institutional logic; Movie theater; Hollywood; Heuristics; Film industry; Product (mathematics); Advertising; Marketing; Analytics; Production (economics); Service (business); Perspective (graphical); Computer science; Business; Multimedia; Sociology; Economics; Visual arts; Data science; Art; Telecommunications; Artificial intelligence; Microeconomics","score_opus":0.09370611315981026,"score_gpt":0.26765686940871275,"score_spread":0.1739507562489025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2998719201","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98812056,0.0025321841,0.000090398775,0.0023985107,0.00031375897,0.00009660774,0.00005240086,0.0000017465618,0.0063938224],"genre_scores_gemma":[0.9972359,0.0013607733,0.0005910431,0.0005033996,0.00026785425,0.0000017143643,0.0000037527238,0.0000047985927,0.000030777246],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99866265,0.000012313625,0.001054543,0.00010849385,0.000034860805,0.00012713572],"domain_scores_gemma":[0.9987306,0.00007441967,0.0010105474,0.00008443101,0.00006238731,0.00003762159],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041172112,0.00010384493,0.0005796422,0.00008418285,0.000039606406,0.00001892274,0.00028725291,0.000040733375,0.000038387905],"category_scores_gemma":[0.0002405042,0.00007649556,0.00020512703,0.00014524047,0.00012200921,0.0002478774,0.00005620696,0.0001978746,0.0000069654993],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005308578,0.00084821734,0.2911714,0.00040344943,0.0011358605,0.00019087324,0.06481598,0.05945795,0.0016854053,0.56772584,0.006626676,0.0054074754],"study_design_scores_gemma":[0.022767678,0.0034948958,0.41702193,0.00050349225,0.00026621803,0.0005712113,0.03326023,0.0048349667,0.002441078,0.06307472,0.45010412,0.0016594704],"about_ca_topic_score_codex":0.000026407646,"about_ca_topic_score_gemma":0.00006355655,"teacher_disagreement_score":0.5046511,"about_ca_system_score_codex":0.00005329326,"about_ca_system_score_gemma":0.000040450523,"threshold_uncertainty_score":0.31193984},"labels":[],"label_agreement":null},{"id":"W3142813899","doi":"10.1007/s10824-021-09410-x","title":"The China museum visit boom: Government or demand driven?","year":2021,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Diverse Aspects of Tourism Research","field":"Social Sciences","cited_by":8,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Boom; Government (linguistics); China; Space (punctuation); Population growth; Quality (philosophy); Government expenditure; Population; Economics; Business; Agricultural economics; Economic growth; Geography; Public finance; Demography; Sociology; Engineering","score_opus":0.0258841554885005,"score_gpt":0.31382083641013647,"score_spread":0.287936680921636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3142813899","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9115549,0.0006365174,0.000008114178,0.039003447,0.0010504419,0.00009968853,0.000006853755,0.000007633562,0.047632445],"genre_scores_gemma":[0.96945655,0.012792321,0.0004927488,0.00020833923,0.0012649484,0.0000010425687,4.2381836e-7,0.0000089470805,0.015774697],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987606,0.00013882341,0.0003238805,0.00010226923,0.00039088377,0.0002835722],"domain_scores_gemma":[0.99899757,0.00018379552,0.0003191231,0.00012416652,0.00018510463,0.0001902405],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008309025,0.00008162504,0.00018041389,0.000013711706,0.0006502092,0.0005685216,0.0005021683,0.00005565477,0.00046466832],"category_scores_gemma":[0.0005627094,0.000047571244,0.000169941,0.0000758436,0.00017519051,0.0006295615,0.000120123696,0.00025213655,0.000045736244],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018061859,0.0008729717,0.00904295,0.00005845379,0.0025181544,0.004507262,0.058861233,0.006809454,0.0018348645,0.23852219,0.59178,0.083386265],"study_design_scores_gemma":[0.00093652174,0.00017595896,0.006392131,0.00003873362,0.000050538212,0.00010126361,0.052183796,0.00019987948,0.00095926237,0.0036037832,0.9351473,0.00021086134],"about_ca_topic_score_codex":0.000075806965,"about_ca_topic_score_gemma":0.0012032925,"teacher_disagreement_score":0.34336725,"about_ca_system_score_codex":0.00047150464,"about_ca_system_score_gemma":0.0004221953,"threshold_uncertainty_score":0.5482267},"labels":[],"label_agreement":null},{"id":"W3153778675","doi":"10.1007/s10824-021-09415-6","title":"Flocking to the crowd: Cultural entrepreneur mobility guided by homophily, market size, or amenities?","year":2021,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":8,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Homophily; Relocation; Cultural economics; Economic geography; Creative class; Competition (biology); Popularity; The arts; Marketing; Urban economics; Creativity; Economics; Advertising; Sociology; Business; Political science; Microeconomics; Social science","score_opus":0.05488949725715804,"score_gpt":0.30904819388750016,"score_spread":0.25415869663034213,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3153778675","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93508685,0.00043603865,0.0000047014437,0.050254155,0.0013742635,0.00021962452,0.00003905341,0.00001840726,0.012566902],"genre_scores_gemma":[0.7496808,0.003201149,0.0010177089,0.0047250343,0.0022966857,0.000014263349,0.000011441057,0.000021657299,0.23903126],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980904,0.00021153394,0.0007965333,0.00023145758,0.00025825636,0.0004118309],"domain_scores_gemma":[0.9980957,0.00026208538,0.00046328956,0.00018515653,0.0007009539,0.0002928198],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007563577,0.00020289303,0.0003779903,0.000020462207,0.00068987865,0.00074980553,0.000546824,0.00012580298,0.003555303],"category_scores_gemma":[0.001154433,0.000114047674,0.0002491106,0.00024327182,0.00017102987,0.0007183185,0.0001476633,0.00033772757,0.000020703466],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000090338486,0.000048847876,0.00066031667,0.0000051540815,0.00010593363,0.00002371148,0.009380501,0.000268799,0.00020760208,0.0001758496,0.9839292,0.0051037353],"study_design_scores_gemma":[0.0003411582,0.000047679212,0.001193919,0.000034329263,0.000033095475,0.00012194981,0.046196517,0.000016100175,0.0011159172,0.00016143157,0.95052016,0.00021775908],"about_ca_topic_score_codex":0.00043281968,"about_ca_topic_score_gemma":0.002237201,"teacher_disagreement_score":0.22646436,"about_ca_system_score_codex":0.0006113459,"about_ca_system_score_gemma":0.0004929847,"threshold_uncertainty_score":0.9973556},"labels":[],"label_agreement":null},{"id":"W3182326240","doi":"10.1007/s10824-021-09425-4","title":"Some economics of movie exhibition: increasing returns and Imax revenue premium","year":2021,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":6,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Cultural economics; Exhibition; Economics; Revenue; The arts; Art; Visual arts; Finance","score_opus":0.028559560400357367,"score_gpt":0.2248014026619141,"score_spread":0.19624184226155672,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3182326240","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97717196,0.017867172,0.000008668792,0.0021311722,0.0008879928,0.000060875627,0.00016238865,0.0000035476703,0.001706251],"genre_scores_gemma":[0.95223236,0.04419089,0.0017536232,0.00028352693,0.0009694232,0.000001789989,0.000009810183,0.00001807286,0.00054048485],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99839866,0.000019944515,0.0011699683,0.00020459353,0.000017653618,0.00018918185],"domain_scores_gemma":[0.998182,0.00009715917,0.0012956542,0.00016521024,0.00013918681,0.00012081412],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005078352,0.00015379218,0.00075502094,0.00009420342,0.00007117296,0.00006588172,0.00012433204,0.00009749336,0.00005250649],"category_scores_gemma":[0.00031072387,0.0001577725,0.00022283253,0.00006327991,0.00009880753,0.00071018265,0.00008686524,0.00019832386,0.000010240427],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011203873,0.0010255678,0.2627345,0.0014672679,0.0036391828,0.00024844625,0.023300441,0.0032929955,0.0077832136,0.64213187,0.038703363,0.014552801],"study_design_scores_gemma":[0.012323859,0.0011044728,0.16493408,0.0010240248,0.0004265729,0.0054082074,0.01715761,0.0015794856,0.023908705,0.36621293,0.4033758,0.0025442634],"about_ca_topic_score_codex":0.000026111078,"about_ca_topic_score_gemma":0.000055854784,"teacher_disagreement_score":0.36467242,"about_ca_system_score_codex":0.00014289701,"about_ca_system_score_gemma":0.000075020165,"threshold_uncertainty_score":0.6433776},"labels":[],"label_agreement":null},{"id":"W3210184453","doi":"10.1007/s10824-023-09480-z","title":"The impact of social media activities on theater demand","year":2023,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Digital Marketing and Social Media","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Ticket; Advertising; nobody; Cultural economics; Social media; Context (archaeology); The arts; Consumption (sociology); Subject (documents); Business; Marketing; Sociology; Computer science; Political science; Social science; World Wide Web; History; Law","score_opus":0.031889316044346055,"score_gpt":0.32363593029971494,"score_spread":0.29174661425536885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3210184453","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9614772,0.000024503051,1.06112196e-7,0.0014206241,0.000679036,0.000032823584,0.000008447899,0.000009226292,0.036348026],"genre_scores_gemma":[0.9976904,0.00060802227,0.0000032957091,0.000017018083,0.0010409543,6.845001e-7,8.288315e-7,0.000005414253,0.0006334082],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9992335,0.00012607941,0.00026717864,0.00004531369,0.00013454483,0.00019340063],"domain_scores_gemma":[0.99848133,0.0009923315,0.00033352483,0.000036622576,0.00008677149,0.0000694302],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011743312,0.000067358975,0.00019159332,0.00004079863,0.00037111389,0.0001462699,0.00021028292,0.00006206886,0.000020760808],"category_scores_gemma":[0.00071579334,0.000036851903,0.00027290842,0.000100751044,0.00028984508,0.00029398888,0.000017595246,0.00012919221,0.000010189827],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014298602,0.00017565282,0.006874144,0.00002168778,0.0009545502,0.000018276667,0.61388856,0.0011908313,0.00038752603,0.0746723,0.122022726,0.1783639],"study_design_scores_gemma":[0.0022770101,0.00093892333,0.21829958,0.00016594282,0.00011355396,0.000014907661,0.574333,0.00012531318,0.00076964323,0.070605144,0.13160084,0.0007561292],"about_ca_topic_score_codex":0.000037889393,"about_ca_topic_score_gemma":0.00015970768,"teacher_disagreement_score":0.21142544,"about_ca_system_score_codex":0.00013762232,"about_ca_system_score_gemma":0.00016349646,"threshold_uncertainty_score":0.28543454},"labels":[],"label_agreement":null},{"id":"W4377098261","doi":"10.1007/s10824-023-09477-8","title":"For those about to rock… is stability a determinant of rock bands success?","year":2023,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Sports Analytics and Performance","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Center for Interuniversity Research and Analysis on Organizations","funders":"","keywords":"Interpretation (philosophy); Stability (learning theory); Cultural economics; Cover (algebra); Psychology; Sociology; The arts; Visual arts; Computer science; Engineering; Linguistics; Art; Philosophy","score_opus":0.067766505748758,"score_gpt":0.2848547894631466,"score_spread":0.21708828371438857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4377098261","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9963093,0.0003365832,0.0008125098,0.0008667115,0.0006529685,0.00016506012,0.00032196118,0.0000068612394,0.00052803545],"genre_scores_gemma":[0.99704623,0.001305549,0.0003321799,0.00028369256,0.0002725387,0.0000067757433,0.0000084986395,0.00001811007,0.0007264438],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99807596,0.0000036526446,0.001392489,0.00021500359,0.00003272099,0.00028014727],"domain_scores_gemma":[0.9981695,0.000054323576,0.0011977198,0.00022633995,0.0001988042,0.00015332249],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00079222425,0.0001548997,0.0006790684,0.00023937732,0.00008239551,0.00007997102,0.00033631152,0.000087886634,0.00027491676],"category_scores_gemma":[0.00009774178,0.00013641205,0.00038053226,0.00020235305,0.000015725615,0.00045524648,0.000058253303,0.00011889888,0.00007870023],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016550326,0.0006574498,0.62655604,0.0010808345,0.0012211713,0.000025607203,0.019224973,0.20401737,0.00061922305,0.049659856,0.07968697,0.015595501],"study_design_scores_gemma":[0.0028271105,0.0012383158,0.12969339,0.00017324688,0.000076861164,0.000047768062,0.0013072676,0.22441995,0.0055776057,0.011708242,0.62198704,0.000943214],"about_ca_topic_score_codex":0.000045978442,"about_ca_topic_score_gemma":0.000032843844,"teacher_disagreement_score":0.54230005,"about_ca_system_score_codex":0.00011824189,"about_ca_system_score_gemma":0.00005123425,"threshold_uncertainty_score":0.5562722},"labels":[],"label_agreement":null},{"id":"W4398172561","doi":"10.1007/s10824-024-09510-4","title":"The countervailing effects of spatial competition in the performing arts: examining local versus traded market performance","year":2024,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Cultural economics; Competition (biology); The arts; Economics; Market competition; Economic geography; Business; Market economy; Political science","score_opus":0.04617604469534982,"score_gpt":0.27902277707227346,"score_spread":0.23284673237692366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4398172561","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99240184,0.0006864038,0.00002677014,0.0021355255,0.0015668989,0.00010530478,8.9080305e-7,0.000004274483,0.0030721056],"genre_scores_gemma":[0.99723333,0.001855671,0.000032773813,0.000038093687,0.00045996852,0.0000022971908,9.597784e-7,0.0000036502583,0.00037323116],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991087,0.000079664664,0.00041908296,0.000068567286,0.00015428507,0.00016972306],"domain_scores_gemma":[0.9990742,0.00058246404,0.00019935342,0.000046123056,0.00006382726,0.000033990902],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012078519,0.000080793274,0.0001475877,0.000029833334,0.0003001534,0.0002658869,0.00024098562,0.00005797549,0.000038533446],"category_scores_gemma":[0.000095004114,0.000041995492,0.00007585426,0.00009099527,0.00018123865,0.00048822776,0.000017098779,0.0002966865,0.0000018574913],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012716324,0.00010219658,0.0034421755,0.00035992416,0.00040752263,0.00007318001,0.15794261,0.0041860547,0.00035950888,0.013663387,0.02071044,0.79748136],"study_design_scores_gemma":[0.0018054065,0.0007497124,0.016493985,0.0013476013,0.00010027022,0.000088340224,0.22777355,0.017908748,0.0012751723,0.00019205788,0.73191833,0.00034684475],"about_ca_topic_score_codex":0.00015892432,"about_ca_topic_score_gemma":0.0009151781,"teacher_disagreement_score":0.7971345,"about_ca_system_score_codex":0.00029328951,"about_ca_system_score_gemma":0.00015125016,"threshold_uncertainty_score":0.25639534},"labels":[],"label_agreement":null},{"id":"W4402679275","doi":"10.1007/s10824-024-09522-0","title":"Beyond the big screen: secondary channel releases and their impact on the theatrical market","year":2024,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Cultural economics; Channel (broadcasting); The arts; Economics; Business; Marketing; Advertising; Visual arts; Art; Telecommunications; Engineering","score_opus":0.02885966672259413,"score_gpt":0.22998601778824965,"score_spread":0.20112635106565552,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402679275","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8983994,0.038195252,0.000022328146,0.028817363,0.0015663136,0.00016242676,0.00025919362,0.000012547024,0.03256515],"genre_scores_gemma":[0.9820398,0.0145612825,0.000014178709,0.0011476722,0.0012903817,0.0000043147284,0.0000022401257,0.000017958642,0.00092218333],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989708,0.000026044194,0.00058383937,0.00017786236,0.000023735254,0.00021772589],"domain_scores_gemma":[0.99878025,0.00061799254,0.00030190143,0.00016935098,0.000036228586,0.00009424617],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007396959,0.00020677577,0.00043848238,0.00012011927,0.0001879461,0.0002576133,0.00024876883,0.000065092376,0.00021946405],"category_scores_gemma":[0.00013194712,0.000085860614,0.0003705207,0.0001121825,0.00014318562,0.00023693085,0.00006719307,0.0004529934,0.000042617987],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006301996,0.0001637003,0.0027746435,0.00009637867,0.003187918,0.000050530623,0.0111850565,0.00052100973,0.000034293334,0.19575126,0.7017859,0.08381907],"study_design_scores_gemma":[0.0016651188,0.0015062679,0.052826907,0.00020409394,0.00014277214,0.0012787314,0.0121009955,0.009934566,0.00021422532,0.19870214,0.72055316,0.0008709936],"about_ca_topic_score_codex":0.000026844584,"about_ca_topic_score_gemma":0.000017994342,"teacher_disagreement_score":0.08364037,"about_ca_system_score_codex":0.00010335644,"about_ca_system_score_gemma":0.000053591968,"threshold_uncertainty_score":0.35012943},"labels":[],"label_agreement":null},{"id":"W4414584229","doi":"10.1007/s10824-025-09559-9","title":"QR code-enabled tips to street performers at the Edinburgh Fringe Festival","year":2025,"lang":"en","type":"article","venue":"Journal of Cultural Economics","topic":"Sexuality, Behavior, and Technology","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"European Commission; University of East Anglia; Trent University; Nottingham Trent University","keywords":"Payment; Code (set theory); Digital signage; Signage; The arts; Camera phone; Tourism; Cash","score_opus":0.03967921491767801,"score_gpt":0.3361434873094568,"score_spread":0.2964642723917788,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414584229","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9646139,0.00024859136,0.000016996428,0.00653653,0.0031501628,0.0001504344,0.000016597749,0.000023304536,0.025243457],"genre_scores_gemma":[0.9401609,0.000085388245,0.00014521352,0.0012372688,0.00042689827,0.000009991039,0.000004302043,0.000013111435,0.057916936],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99875563,0.00004808286,0.00060288794,0.0001986381,0.000068579175,0.00032619367],"domain_scores_gemma":[0.9990075,0.00011735481,0.00033794527,0.00029858103,0.00013346047,0.00010512284],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043448654,0.00017431198,0.00035866318,0.00014115925,0.00019239374,0.000053908232,0.0005298574,0.00019308817,0.0010401821],"category_scores_gemma":[0.000078247314,0.00011267132,0.0001682401,0.00013333511,0.00013041204,0.00015372684,0.00014170715,0.00045672414,0.00008486794],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010534365,0.0003514057,0.12694697,0.000013783519,0.0008733336,0.000073438394,0.006500653,0.000539586,0.0018237373,0.037095882,0.7675735,0.057154268],"study_design_scores_gemma":[0.0018816678,0.00039524265,0.028120864,0.00003494104,0.00019165997,0.00039576605,0.017985743,0.0000337008,0.0016730628,0.0011421929,0.9478463,0.00029887425],"about_ca_topic_score_codex":0.000073011906,"about_ca_topic_score_gemma":0.00039331126,"teacher_disagreement_score":0.18027279,"about_ca_system_score_codex":0.0003265459,"about_ca_system_score_gemma":0.00007046077,"threshold_uncertainty_score":0.999873},"labels":[],"label_agreement":null}]}