{"meta":{"query_hash":"affe540aa41a","filters":{"venue":"Journal of Curatorial Studies"},"cohort_total":81,"direct_labels_cover":0,"predictions_cover":81,"exported":81,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/affe540aa41a","api":"https://metacan.xera.ac/api/v1/cohort?venue=Journal+of+Curatorial+Studies"},"results":[{"id":"W2204152638","doi":"10.1386/jcs.4.3.414_1","title":"Gaming for Affect: Museum Online Games and the Embrace of Empathy","year":2015,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":33,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Arts and Humanities Research Council","keywords":"Empathy; Affect (linguistics); Perspective (graphical); Narrative; Video game; Sociology; Perspective-taking; Psychology; Aesthetics; Media studies; Social psychology; Visual arts; Multimedia; Art; Computer science; Literature; Communication","score_opus":0.14031342434171962,"score_gpt":0.3320637875911168,"score_spread":0.1917503632493972,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2204152638","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96422255,0.02540932,0.000010123865,0.0024492685,0.006705127,0.00024017357,0.000033560846,0.00000861753,0.0009212648],"genre_scores_gemma":[0.992438,0.0006516209,0.00010084279,0.000075085874,0.00644259,0.000004155643,5.0094684e-7,0.000007897067,0.0002793141],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992324,0.000050960356,0.00036835612,0.00005806796,0.00018617914,0.00010400827],"domain_scores_gemma":[0.9984997,0.00028594493,0.0004006182,0.00005662282,0.00071210513,0.000045014618],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00055606675,0.00010022525,0.00040631194,0.00002496504,0.00016119376,0.00005935551,0.00009487521,0.000020694286,0.000010018882],"category_scores_gemma":[0.0005284138,0.00004690892,0.00012053456,0.00002039029,0.00029755128,0.00021717719,0.000040461317,0.00009109404,3.761482e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0023574482,0.00019096406,0.00014526003,0.0002987514,0.0010934304,0.000009224056,0.63865227,0.000012149953,0.00031920607,0.24780636,0.1054577,0.003657259],"study_design_scores_gemma":[0.0072012134,0.0014094402,0.00011478988,0.0002777335,0.00031511002,0.000016741282,0.45224395,0.000027883454,0.00023071133,0.011109937,0.52685326,0.00019923797],"about_ca_topic_score_codex":0.00003147691,"about_ca_topic_score_gemma":0.00023516346,"teacher_disagreement_score":0.42139554,"about_ca_system_score_codex":0.000015549236,"about_ca_system_score_gemma":0.000029900251,"threshold_uncertainty_score":0.19128904},"labels":[],"label_agreement":null},{"id":"W2284664629","doi":"10.1386/jcs.3.2-3.401_5","title":"Book Reviews","year":2014,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design; York University","funders":"","keywords":"Art history; The arts; Art; German; Media studies; History; Sociology; Visual arts","score_opus":0.11971424696792093,"score_gpt":0.3321028951211078,"score_spread":0.21238864815318687,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2284664629","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004574586,0.5901228,0.0005092334,0.008679978,0.08797553,0.00048186668,0.000021620763,0.000080380574,0.307554],"genre_scores_gemma":[0.36547136,0.10419329,0.00049312547,0.026354585,0.35802564,0.00002269529,0.0000026708344,0.00010409007,0.14533253],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990063,0.00008500828,0.0005035344,0.000061146675,0.00018719514,0.000156841],"domain_scores_gemma":[0.9989901,0.00010763653,0.00039057282,0.00008742422,0.00035894875,0.0000652694],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005064873,0.00010819371,0.00042902658,0.000041291616,0.00025549857,0.00005598768,0.000111971916,0.000020696145,0.00024846755],"category_scores_gemma":[0.0004757494,0.0000692461,0.00016037172,0.0000012763754,0.00019120311,0.000273751,0.000030996456,0.00012655731,0.00006458243],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017250743,0.000021987918,0.00001548088,0.000032129446,0.00010131827,0.0000022741933,0.046276066,5.616438e-7,0.000011707718,0.053050764,0.8991258,0.0013446197],"study_design_scores_gemma":[0.0003202126,0.00018937529,0.000006093237,0.00007410979,0.0000676624,0.000003932543,0.000932636,0.0000014083481,0.00004081128,0.008911547,0.9893681,0.00008412225],"about_ca_topic_score_codex":0.000010824387,"about_ca_topic_score_gemma":0.00017157722,"teacher_disagreement_score":0.48592952,"about_ca_system_score_codex":0.00003389462,"about_ca_system_score_gemma":0.000025626594,"threshold_uncertainty_score":0.28237742},"labels":[],"label_agreement":null},{"id":"W2322397674","doi":"10.1386/jcs.3.1.50_1","title":"Integrated Practices: Huron-Wendat Traditions of Diplomacy and Museology","year":2014,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Carleton University","funders":"","keywords":"Museology; Exhibition; Diplomacy; Indigenous; Cultural heritage; Cultural institution; Institution; Anthropology; History; Sociology; Archaeology; Political science; Social science; Law","score_opus":0.13221001654238085,"score_gpt":0.328876739884878,"score_spread":0.19666672334249713,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2322397674","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97370416,0.0038091308,0.00001669465,0.0017210719,0.0065219197,0.00010147141,0.000030511874,0.000017352026,0.014077671],"genre_scores_gemma":[0.9945236,0.0012231192,0.00011850889,0.0000691304,0.0038414325,0.0000019263334,0.0000012733535,0.0000069773396,0.00021405799],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991483,0.00009851863,0.00043043913,0.00007294374,0.00014726269,0.00010255295],"domain_scores_gemma":[0.99820113,0.00028375848,0.00088950427,0.000059872087,0.0005194884,0.00004625893],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027360473,0.00010477146,0.00036590826,0.00004809324,0.000200162,0.000050669518,0.00008847733,0.000028785933,0.00020360242],"category_scores_gemma":[0.00054636644,0.000062978215,0.00007499025,0.000030474961,0.00032623287,0.00043473663,0.000019487912,0.00016121769,0.0000025141026],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033021017,0.00025267212,0.000565825,0.00018429455,0.0010238853,0.000015219645,0.098180324,0.0000020228758,0.0020236855,0.8304473,0.062282823,0.0046917195],"study_design_scores_gemma":[0.000756331,0.0007380498,0.00026720462,0.00010039316,0.00015154564,0.000022081127,0.022886794,0.000005575534,0.000116935815,0.008931109,0.9659171,0.00010684474],"about_ca_topic_score_codex":0.000041790245,"about_ca_topic_score_gemma":0.00029076243,"teacher_disagreement_score":0.9036343,"about_ca_system_score_codex":0.0000149158695,"about_ca_system_score_gemma":0.00002186742,"threshold_uncertainty_score":0.2568177},"labels":[],"label_agreement":null},{"id":"W2333162007","doi":"10.1386/jcs.2.2.170_1","title":"How to Occupy Retreat: dOCUMENTA (13) from Kassel to Banff","year":2013,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Siege; Politics; Proposition; State (computer science); History; Political science; Sociology; Law; Ancient history; Philosophy; Epistemology","score_opus":0.04177318612073482,"score_gpt":0.2797575090921282,"score_spread":0.23798432297139338,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2333162007","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9335651,0.0030959037,0.0000064468345,0.025918478,0.02063644,0.0003702905,0.000062824205,0.000034820903,0.016309723],"genre_scores_gemma":[0.96924746,0.00048028227,0.00011623373,0.0015516654,0.024762208,0.000023744096,8.91674e-7,0.00001848889,0.0037990378],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987311,0.000038057853,0.0003958397,0.00015129885,0.00041507132,0.00026865042],"domain_scores_gemma":[0.9986197,0.0001955428,0.00020570045,0.00015415049,0.0006376343,0.0001872998],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015393631,0.00022713206,0.0005299995,0.00013119889,0.00044189332,0.0004090908,0.00022105855,0.000029749335,0.0005099361],"category_scores_gemma":[0.00022623534,0.00014215504,0.00014411082,0.00006571896,0.00008222604,0.00060921145,0.000101405734,0.00016946871,0.0003557043],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027198874,0.00005831148,0.0009511312,0.000013131233,0.0007600955,0.00000986016,0.052796725,0.0000068297077,0.00017831988,0.004012288,0.9365216,0.004419755],"study_design_scores_gemma":[0.00063659466,0.0012252745,0.00082422333,0.00016034282,0.00008403458,0.000001402721,0.027461467,2.8813668e-7,0.0005072916,0.0029346354,0.9659431,0.00022132194],"about_ca_topic_score_codex":0.0002679615,"about_ca_topic_score_gemma":0.000702065,"teacher_disagreement_score":0.035682373,"about_ca_system_score_codex":0.000088420646,"about_ca_system_score_gemma":0.000028596773,"threshold_uncertainty_score":0.5796914},"labels":[],"label_agreement":null},{"id":"W2528400819","doi":"10.1386/jcs.5.2.186_1","title":"Space Matters: The Industrial Loft, Participatory Politics, and the Paula Cooper Gallery, circa 1968","year":2016,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Emily Carr University of Art and Design","funders":"","keywords":"Exhibition; Art gallery; Citizen journalism; Ephemeral key; Visual arts; Politics; Dance; Media studies; Framing (construction); Sociology; Art; Musical; Space (punctuation); Art history; History; Law; Political science; Archaeology; Computer science","score_opus":0.166474227973767,"score_gpt":0.3106662040435145,"score_spread":0.1441919760697475,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2528400819","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35244575,0.032720014,0.00021253785,0.50366414,0.08509129,0.0014960906,0.0002572212,0.00011609169,0.023996884],"genre_scores_gemma":[0.9675716,0.0013447695,0.0000032288053,0.002516499,0.02497738,0.000008586475,1.7247974e-7,0.000019327901,0.0035584092],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99838394,0.00026851942,0.0005302131,0.000110416295,0.0003594032,0.00034751854],"domain_scores_gemma":[0.9979508,0.00093368726,0.00038958437,0.00017347612,0.00044886,0.00010357612],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00089030777,0.00018267974,0.00042476985,0.000039386992,0.0007373157,0.00016662461,0.0002143259,0.000051612107,0.000115802635],"category_scores_gemma":[0.0006457323,0.000069331676,0.00014240637,0.000003965478,0.0020919305,0.000257571,0.00011699814,0.00023760082,0.000018813042],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003283015,0.000051603387,0.00028730795,0.000016739003,0.00092489575,0.000016816404,0.13694885,9.831283e-7,0.00003088935,0.29142424,0.56936854,0.0006008323],"study_design_scores_gemma":[0.0029945183,0.0001400571,0.00005240998,0.00010383747,0.0002188051,0.000015080328,0.011961041,0.000001299091,0.000083064646,0.015637279,0.9686606,0.00013202147],"about_ca_topic_score_codex":0.00014126013,"about_ca_topic_score_gemma":0.00060462824,"teacher_disagreement_score":0.6151259,"about_ca_system_score_codex":0.00006724841,"about_ca_system_score_gemma":0.00012409488,"threshold_uncertainty_score":0.7707805},"labels":[],"label_agreement":null},{"id":"W2554818735","doi":"10.1386/jcs.5.1.125_5","title":"Exhibition Reviews","year":2016,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University; Centre for Social Innovation","funders":"","keywords":"Exhibition; Art history; Art; PICASSO; The arts; Painting; Art gallery; Visual arts","score_opus":0.15890048249402805,"score_gpt":0.32408721151194786,"score_spread":0.1651867290179198,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2554818735","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6676934,0.07842704,0.000076279975,0.03041493,0.11108336,0.0007066085,0.000041822797,0.00014121553,0.11141538],"genre_scores_gemma":[0.9539928,0.016755585,0.000046475692,0.00034262417,0.021935044,0.000004462627,2.0275532e-7,0.000008782866,0.006914069],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926436,0.000053354634,0.0003904329,0.000048050173,0.00015792016,0.000085898035],"domain_scores_gemma":[0.9991463,0.000066982866,0.00032279265,0.000045241795,0.00038303583,0.00003569325],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002683405,0.00007948087,0.0002610212,0.000028398706,0.00014508147,0.00004055406,0.000071666145,0.000015154352,0.00076059386],"category_scores_gemma":[0.00034624807,0.00003234866,0.00013462332,0.000015778536,0.00011994826,0.00037231197,0.000015596452,0.00004998653,0.00013735288],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055078395,0.000039367686,0.000018511248,0.000030209443,0.0001308985,0.000008848781,0.028208615,4.8373533e-8,0.0031640425,0.21360244,0.7230866,0.03165533],"study_design_scores_gemma":[0.0003902988,0.00013390285,0.000015608008,0.00024970784,0.000025865767,0.000005616284,0.0049981363,1.642579e-8,0.0002685312,0.0040758653,0.98977244,0.000064031185],"about_ca_topic_score_codex":7.508565e-7,"about_ca_topic_score_gemma":0.000035165544,"teacher_disagreement_score":0.28629938,"about_ca_system_score_codex":0.0000334217,"about_ca_system_score_gemma":0.000010840448,"threshold_uncertainty_score":0.83279693},"labels":[],"label_agreement":null},{"id":"W2604144009","doi":"10.1386/jcs.5.3.283_2","title":"Guest Editors’ Introduction: Curating Cultural Diplomacy","year":2016,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Historical and Contemporary Political Dynamics","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University; Queen's University","funders":"","keywords":"Diplomacy; Political science; Media studies; Sociology; Law; Politics","score_opus":0.06400906638795985,"score_gpt":0.3007438933730186,"score_spread":0.23673482698505877,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2604144009","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06447953,0.008310348,0.00015333384,0.05849201,0.82835895,0.00025556775,0.000065625674,0.00016302937,0.03972159],"genre_scores_gemma":[0.44530356,0.00017218375,0.00003243472,0.000060000366,0.55122864,0.0000023860994,4.4335005e-7,0.000009546699,0.0031907908],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987035,0.000062482795,0.00058732135,0.000109476714,0.00033806727,0.00019917071],"domain_scores_gemma":[0.99831486,0.00020737879,0.00033323758,0.00008215215,0.0009561227,0.00010626434],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019743713,0.00014359865,0.00035144674,0.00004506084,0.0003426473,0.00007652927,0.00014057288,0.00003203072,0.00015380996],"category_scores_gemma":[0.0008496215,0.0000693465,0.00015441421,0.000035658883,0.00034736315,0.00087999715,0.000042884458,0.00014453803,0.00004658445],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007370748,0.000051402727,0.00008374512,0.000015447215,0.00018624638,0.00001563671,0.0051957807,2.1314764e-7,0.00029669935,0.38296857,0.61008626,0.0010262687],"study_design_scores_gemma":[0.00045458952,0.0002658148,0.00000931666,0.00005762627,0.00004242988,0.000010654965,0.002055094,5.2946524e-7,0.000063826694,0.008338956,0.98857766,0.0001234932],"about_ca_topic_score_codex":0.000007783919,"about_ca_topic_score_gemma":0.000011490793,"teacher_disagreement_score":0.38082406,"about_ca_system_score_codex":0.00015297672,"about_ca_system_score_gemma":0.000041945703,"threshold_uncertainty_score":0.28278682},"labels":[],"label_agreement":null},{"id":"W2604254487","doi":"10.1386/jcs.5.3.368_1","title":"The Art of Soft Power at Expo 67: Creative America and Cultural Diplomacy in the US Pavilion","year":2016,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McMaster University","funders":"","keywords":"Diplomacy; Pavilion; Exhibition; Hollywood; Power (physics); Government (linguistics); Culture of the United States; Soft power; Political science; Art; Aesthetics; Visual arts; Media studies; Sociology; History; Politics; Art history; Law","score_opus":0.04779659004534157,"score_gpt":0.35265381772724697,"score_spread":0.3048572276819054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2604254487","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9639151,0.0059291366,0.0000026602395,0.02408082,0.0015661318,0.00017962478,0.000003543867,0.0000041525864,0.004318826],"genre_scores_gemma":[0.9888644,0.0077106226,0.0000140272905,0.0000671886,0.0008838352,0.0000046969026,8.590572e-8,0.000002692122,0.002452405],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987533,0.00021427417,0.00035298808,0.00006810133,0.00044379584,0.00016750548],"domain_scores_gemma":[0.9984952,0.0006363342,0.00038212788,0.00004923677,0.00039680465,0.000040284416],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005737192,0.00008672991,0.00021501184,0.000017048864,0.0005599406,0.00004801551,0.0001703893,0.000037062055,0.000031165797],"category_scores_gemma":[0.0012025607,0.00002937366,0.00006331938,0.00016897725,0.0006702006,0.00023749232,0.00006879362,0.00009975444,0.0000026091766],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005538999,0.00006908186,0.03297264,0.000004974765,0.0003515835,0.000019660583,0.13076706,0.0000012133142,0.0012628667,0.0038693873,0.81598604,0.014141615],"study_design_scores_gemma":[0.00047169582,0.00017101494,0.0168005,0.0000804601,0.00002043186,0.00000410811,0.07844472,4.792545e-8,0.00017228218,0.0011283755,0.90263534,0.0000710553],"about_ca_topic_score_codex":0.00008426276,"about_ca_topic_score_gemma":0.00036946242,"teacher_disagreement_score":0.0866493,"about_ca_system_score_codex":0.00015310344,"about_ca_system_score_gemma":0.000066934015,"threshold_uncertainty_score":0.4306667},"labels":[],"label_agreement":null},{"id":"W2604697843","doi":"10.1386/jcs.5.3.312_1","title":"Inuit Art: Canada’s Soft Power Resource to Fight Communism","year":2016,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Queen's University","funders":"","keywords":"Soft power; Communism; Power (physics); Exhibition; Politics; Nationalism; Indigenous; Cultural policy; The arts; Sociology; Modernism (music); Political science; Government (linguistics); Political economy; Media studies; Aesthetics; History; Law; Art; Art history","score_opus":0.018275242198625093,"score_gpt":0.27035388500014834,"score_spread":0.25207864280152326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2604697843","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28526157,0.033533476,0.00010941743,0.39353156,0.095617265,0.0009091711,0.0003118114,0.0001076949,0.19061804],"genre_scores_gemma":[0.94527304,0.0013411798,0.000070307084,0.002571332,0.00865396,0.0000036992449,1.7664318e-7,0.000020831485,0.042065457],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986238,0.00015804562,0.00030961633,0.00007003954,0.0006050284,0.00023345473],"domain_scores_gemma":[0.99868506,0.0003062093,0.00021905199,0.00011025179,0.00041140398,0.00026799977],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00064750935,0.00007345345,0.00025188917,0.00016153885,0.000895685,0.00008289177,0.00032269626,0.000047855952,0.00032148883],"category_scores_gemma":[0.0015533,0.000058681835,0.000075576805,0.00015857787,0.0002712429,0.00019755465,0.000055862627,0.00012934471,0.000043555527],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035631103,0.00000887445,0.00006311758,0.0000021436217,0.00006984706,0.000034717374,0.021612495,6.330217e-7,0.000073080155,0.0034918983,0.97180605,0.0028015396],"study_design_scores_gemma":[0.00024312123,0.000059349924,0.00035444676,0.00007144168,0.000017481409,0.0000023470086,0.0054642246,4.4011697e-9,0.000010245166,0.00052577135,0.99316007,0.00009148357],"about_ca_topic_score_codex":0.62075794,"about_ca_topic_score_gemma":0.9987708,"teacher_disagreement_score":0.6600115,"about_ca_system_score_codex":0.0025550262,"about_ca_system_score_gemma":0.0035028036,"threshold_uncertainty_score":0.68889755},"labels":[],"label_agreement":null},{"id":"W2605149727","doi":"10.1386/jcs.5.3.390_1","title":"Experimental Diplomacy: Art and International Cultural Relations at 49th Parallel","year":2016,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Queen's University","funders":"","keywords":"Exhibition; Diplomacy; Mandate; Contemporary art; Soft power; Ideology; Power (physics); Art gallery; Software deployment; Political science; Sociology; Visual arts; Media studies; Art; Law; Art history; Politics; Engineering; Performance art","score_opus":0.09918188894180134,"score_gpt":0.3881351572305222,"score_spread":0.28895326828872087,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2605149727","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8924324,0.008745793,0.000028993465,0.06253402,0.013556805,0.00021108115,0.000010693139,0.0000337413,0.022446508],"genre_scores_gemma":[0.92715627,0.0025049192,0.0002453614,0.000052982352,0.004120515,0.0000046758187,5.792508e-7,0.00000473393,0.06590997],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991099,0.000051435578,0.00029107492,0.000079373924,0.0003353608,0.00013283329],"domain_scores_gemma":[0.9991903,0.000118940945,0.00022913278,0.000028422886,0.0003421623,0.00009109752],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023699204,0.00008096618,0.00015919082,0.000026803313,0.0004719462,0.0000545212,0.000106647596,0.000046990674,0.000311949],"category_scores_gemma":[0.0004240865,0.000043223605,0.00005862475,0.00006190278,0.00025975786,0.0004957177,0.00008934476,0.00006709722,0.000023426406],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001406772,0.000037802576,0.012485596,9.936434e-7,0.00031026546,0.000010082359,0.013822752,9.953421e-7,0.0020531917,0.009899162,0.959515,0.0017234968],"study_design_scores_gemma":[0.0007965443,0.00006298496,0.002074858,0.00004917279,0.000016326521,0.000010366676,0.0124518275,1.4479372e-7,0.00039001732,0.0012622095,0.9827905,0.000095020085],"about_ca_topic_score_codex":0.000012547407,"about_ca_topic_score_gemma":0.00007175458,"teacher_disagreement_score":0.06248104,"about_ca_system_score_codex":0.00041919047,"about_ca_system_score_gemma":0.00006299324,"threshold_uncertainty_score":0.36298764},"labels":[],"label_agreement":null},{"id":"W2605539890","doi":"10.1386/jcs.3.1.117_7","title":"Exhibition Reviews","year":2014,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Ontario College of Art and Design; University of Toronto; York University","funders":"","keywords":"Exhibition; Art history; Art; Cartography; Style (visual arts); Performance art; Painting; Visual arts; Geography","score_opus":0.14762720944760271,"score_gpt":0.3355409096818839,"score_spread":0.18791370023428117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2605539890","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09974831,0.12945452,0.0026281695,0.012692687,0.18444717,0.0010800301,0.000057674068,0.00018822505,0.5697032],"genre_scores_gemma":[0.9126998,0.0060380357,0.00017107521,0.0011499965,0.074200824,0.0000049778664,0.0000011720714,0.00001914155,0.0057149474],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99906844,0.00008829906,0.00047272356,0.0000578311,0.00017852821,0.0001341821],"domain_scores_gemma":[0.9990155,0.000090038215,0.00038570008,0.00007253034,0.0003825089,0.00005370747],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005606616,0.00009594972,0.00036003822,0.00004366061,0.00024663247,0.000054026994,0.00007826998,0.000020400992,0.0001023831],"category_scores_gemma":[0.00047708003,0.00006307009,0.00014055749,0.0000015059587,0.00015666956,0.00025029894,0.000022626735,0.00011062662,0.000048276517],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048996786,0.000067162895,0.00005649895,0.00009200977,0.00017950653,0.000004737262,0.11974742,0.000002064845,0.00010383169,0.27756006,0.5958163,0.0063214255],"study_design_scores_gemma":[0.00032314242,0.00019089993,0.000012079072,0.00009145888,0.0000582487,0.000004104322,0.0014152237,0.0000019852314,0.000077871606,0.02667053,0.9710789,0.000075576536],"about_ca_topic_score_codex":0.000013249782,"about_ca_topic_score_gemma":0.00031708766,"teacher_disagreement_score":0.8129515,"about_ca_system_score_codex":0.000036326295,"about_ca_system_score_gemma":0.000019460842,"threshold_uncertainty_score":0.25719237},"labels":[],"label_agreement":null},{"id":"W2776932666","doi":"10.1386/jcs.6.2.167_2","title":"Paradigms and Pedagogy in Curatorial Studies","year":2017,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design; York University","funders":"","keywords":"Sociology; Pedagogy; Engineering ethics; Psychology; Engineering","score_opus":0.17581070521657857,"score_gpt":0.42938740155463556,"score_spread":0.253576696338057,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2776932666","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9230374,0.035024334,2.6832913e-7,0.002368788,0.033689924,0.00013675715,0.000009636951,0.000012209584,0.0057206894],"genre_scores_gemma":[0.97078305,0.007478663,0.000020379524,0.00005126593,0.021207003,0.0000051156117,1.781006e-7,0.0000111177,0.00044320984],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99871767,0.000056688295,0.0005859769,0.00013647998,0.00028000315,0.00022316613],"domain_scores_gemma":[0.9984668,0.00013591412,0.00066069927,0.0001525249,0.00051458477,0.00006946011],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044771357,0.0001938672,0.0006660058,0.000058227433,0.00089312403,0.0003395346,0.00023068779,0.0000459176,0.0000488876],"category_scores_gemma":[0.00072786387,0.00012128181,0.000104765924,0.000015148173,0.00055959943,0.00090624834,0.00013006739,0.00023697756,0.0000055708706],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000888121,0.00019736325,0.0071637603,0.00027954864,0.0017468987,0.0003670253,0.27536112,0.0000030195274,0.0003228013,0.62071145,0.08423336,0.008725535],"study_design_scores_gemma":[0.0025028333,0.0005501122,0.001830949,0.00030218085,0.00011272619,0.00002150648,0.06540239,0.0000012753688,0.00006661616,0.016144224,0.9127667,0.0002984774],"about_ca_topic_score_codex":0.000076575416,"about_ca_topic_score_gemma":0.0019110919,"teacher_disagreement_score":0.82853335,"about_ca_system_score_codex":0.000056542372,"about_ca_system_score_gemma":0.0000476797,"threshold_uncertainty_score":0.68692786},"labels":[],"label_agreement":null},{"id":"W2780914625","doi":"10.1386/jcs.6.2.181_1","title":"Curating and the End of the Professions","year":2017,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Law in Society and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Negotiation; Relation (database); Identity (music); Sociology; Work (physics); Media studies; Aesthetics; Social science; Public relations; Political science; Art; Computer science; Engineering","score_opus":0.062266445883596415,"score_gpt":0.40445058878946333,"score_spread":0.3421841429058669,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2780914625","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.75082284,0.023369467,0.0000052713117,0.15705833,0.031768456,0.0005176276,0.000006139591,0.000009456493,0.036442433],"genre_scores_gemma":[0.99316967,0.0029891122,0.00004135438,0.00006213446,0.0033387984,0.0000015875547,6.3772707e-9,0.0000017239906,0.00039564312],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9990928,0.00022630247,0.00021019274,0.000035246292,0.00035024364,0.00008522724],"domain_scores_gemma":[0.9984165,0.00032698916,0.0007700267,0.000102475366,0.00036051386,0.000023494662],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0014331939,0.000045264598,0.00017978575,0.0000013900225,0.0037149815,0.00007102104,0.00035742993,0.00004514273,0.0000059938843],"category_scores_gemma":[0.0036095942,0.000017054954,0.000113755086,0.000039640952,0.002093764,0.00021504019,0.0001243457,0.00019644113,1.9315688e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000117986085,0.000035916455,0.010835714,0.000027909948,0.00045120594,0.000001717023,0.43308747,0.0000017695066,0.00035591135,0.5080786,0.044586778,0.0024190363],"study_design_scores_gemma":[0.0031501711,0.00006863303,0.010958153,0.00053991296,0.0003067438,0.0000058357355,0.43112165,0.0000018418542,0.000606953,0.13809475,0.41499174,0.00015360046],"about_ca_topic_score_codex":0.000057821006,"about_ca_topic_score_gemma":0.0002607116,"teacher_disagreement_score":0.37040496,"about_ca_system_score_codex":0.000018957764,"about_ca_system_score_gemma":0.00011017305,"threshold_uncertainty_score":0.997582},"labels":[],"label_agreement":null},{"id":"W2808185714","doi":"10.1386/jcs.7.1.2_1","title":"Disobedient Objects: Towards a Museum Insurgency","year":2018,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Exhibition; Expansive; Field (mathematics); Perspective (graphical); Visual arts; Social movement; Media studies; Sociology; Art; Political science; Law; Politics","score_opus":0.12056114764929603,"score_gpt":0.3416135727216902,"score_spread":0.22105242507239414,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2808185714","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44992557,0.020595785,0.00017753104,0.0055823047,0.22606686,0.0004872943,0.00015094229,0.00015393033,0.2968598],"genre_scores_gemma":[0.94748515,0.00091459096,0.000049374234,0.00029732188,0.04933914,0.0000022727252,4.94214e-7,0.000015680882,0.0018959871],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986523,0.000049535567,0.0005537451,0.0001027414,0.00036902665,0.00027264745],"domain_scores_gemma":[0.9982164,0.000063041756,0.0003626552,0.0001093289,0.0011407674,0.000107795604],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031721668,0.00015634278,0.00038692064,0.00009059592,0.00042049657,0.000080722355,0.00015870937,0.000033965123,0.00028566745],"category_scores_gemma":[0.00041342332,0.00010627867,0.00017347549,0.000004764563,0.00051999866,0.00032624215,0.00007934054,0.00015012272,0.000051962415],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017978002,0.00021126804,0.00030831865,0.000055888748,0.00078996754,0.00003466748,0.6939271,7.2854726e-7,0.00006967422,0.05117918,0.25126323,0.001980189],"study_design_scores_gemma":[0.00053829077,0.0006925654,0.00013217395,0.000070888316,0.0000920757,0.000008278348,0.015726557,0.0000019839642,0.00026796854,0.01114099,0.9711771,0.00015112558],"about_ca_topic_score_codex":0.00010651024,"about_ca_topic_score_gemma":0.0018121763,"teacher_disagreement_score":0.71991384,"about_ca_system_score_codex":0.00008353792,"about_ca_system_score_gemma":0.00013182053,"threshold_uncertainty_score":0.4333918},"labels":[],"label_agreement":null},{"id":"W2808422833","doi":"10.1386/jcs.7.1.32_1","title":"Montréal plus ou moins, 1972: Urban Knowledge Meets Conceptual Attitude","year":2018,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Exhibition; Everyday life; Visual arts; Presentation (obstetrics); The arts; Urban space; Urban planning; Aesthetics; Sociology; Art; Space (punctuation); Architecture; Art history; Political science; Engineering; Civil engineering; Regional science; Computer science; Law","score_opus":0.09912913215714882,"score_gpt":0.3609972265768192,"score_spread":0.2618680944196704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2808422833","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1024393,0.71914744,0.00006839383,0.007529507,0.10328512,0.00052712456,0.000012993548,0.00013110161,0.06685903],"genre_scores_gemma":[0.9169055,0.028610125,0.00018850886,0.00016018313,0.052070606,0.0000073535857,3.312234e-7,0.0000187426,0.0020386358],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99742186,0.00033395507,0.00069350295,0.00019852091,0.0008460066,0.0005061689],"domain_scores_gemma":[0.9967223,0.00044082687,0.00055043225,0.000117354175,0.0019329011,0.00023618861],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0012177269,0.00023881596,0.00075004273,0.000088732595,0.0017028406,0.0001720441,0.0004130102,0.00015146346,0.00004982584],"category_scores_gemma":[0.001983223,0.00018926174,0.00027172643,0.00039466997,0.002416675,0.0007990907,0.00015162064,0.00028579487,0.00009379312],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001675113,0.00013281775,0.00062169496,0.000012595004,0.00094411126,0.000034225603,0.2596791,0.0000019758875,0.000053299562,0.13394085,0.600836,0.0035757949],"study_design_scores_gemma":[0.001100897,0.00051136257,0.00024326387,0.00011342191,0.00010896155,0.000001912121,0.07225437,0.0000012752013,0.00007308605,0.0023245607,0.92304635,0.00022052908],"about_ca_topic_score_codex":0.000904667,"about_ca_topic_score_gemma":0.009937698,"teacher_disagreement_score":0.81446624,"about_ca_system_score_codex":0.0008109156,"about_ca_system_score_gemma":0.00051956787,"threshold_uncertainty_score":0.99959683},"labels":[],"label_agreement":null},{"id":"W2904901609","doi":"10.1386/jcs.7.2.272_1","title":"Bones of Contention: Curating the Work of nichola feldman-kiss","year":2018,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"KISS (TNC); Exhibition; Premise; Witness; Object (grammar); Relation (database); Visual arts; Art gallery; Sociology; Work (physics); Art; Aesthetics; Computer science; Engineering; Law; Epistemology; Political science; Philosophy; Artificial intelligence","score_opus":0.14308548454706996,"score_gpt":0.32546611851310836,"score_spread":0.1823806339660384,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2904901609","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9633547,0.012171373,0.0000055824303,0.0009977508,0.013031919,0.00012659513,0.000008543496,0.000008520804,0.010294993],"genre_scores_gemma":[0.98938656,0.0002660842,0.00003614794,0.000040452658,0.0095922295,0.0000014804724,1.6429186e-7,0.000006131927,0.00067074905],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99878156,0.00006311083,0.0006849296,0.000058775822,0.00030132508,0.000110322726],"domain_scores_gemma":[0.99731237,0.00014199995,0.00087722944,0.00009112935,0.0015521275,0.000025170923],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044454093,0.00010271336,0.00038068942,0.000025985846,0.00033791148,0.000051896943,0.00016976436,0.000025782498,0.00021270128],"category_scores_gemma":[0.00020321728,0.000050838604,0.00017931653,0.000057507747,0.0005200208,0.00028059277,0.000047536407,0.00012947571,0.000003393241],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012866756,0.00034776895,0.003467794,0.00032564107,0.0026633025,0.000015302414,0.36389282,0.0000030574909,0.0060577854,0.43290707,0.17785951,0.011173262],"study_design_scores_gemma":[0.0018032233,0.0019068641,0.0021161728,0.0011873151,0.00035370098,0.000014408705,0.15106373,0.000002167778,0.0029838209,0.009907561,0.82836753,0.00029353052],"about_ca_topic_score_codex":0.000023334545,"about_ca_topic_score_gemma":0.00017038718,"teacher_disagreement_score":0.650508,"about_ca_system_score_codex":0.000013319919,"about_ca_system_score_gemma":0.00002205521,"threshold_uncertainty_score":0.25989762},"labels":[],"label_agreement":null},{"id":"W2957103503","doi":"10.1386/jcs.8.1.26_1","title":"Quintessential Childhood: Showing Care in the Exhibition of the Dionnes","year":2019,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Waterloo; St. Jerome's University","funders":"","keywords":"FREAK; Exhibition; Presentation (obstetrics); Framing (construction); Sociology; Visual arts; History; Psychology; Art; Medicine; Computer science","score_opus":0.0296277120212402,"score_gpt":0.2570992484729342,"score_spread":0.227471536451694,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2957103503","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9870512,0.0017093132,1.1007485e-7,0.0008507772,0.006797998,0.00010550101,0.0000037744894,0.0000028034476,0.0034785264],"genre_scores_gemma":[0.9965147,0.00013746535,0.000001854829,0.000099325225,0.003147734,0.0000013706191,3.4634877e-7,0.0000035969558,0.00009361892],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99916816,0.00009394707,0.00031642252,0.00004831558,0.00029269594,0.000080436876],"domain_scores_gemma":[0.99927586,0.00008991318,0.00025418767,0.000072388895,0.0002985684,0.000009097048],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019115023,0.00007706723,0.00019978172,0.00002716648,0.0001608477,0.000054479926,0.00018495119,0.000018129644,0.0001112103],"category_scores_gemma":[0.00010336675,0.00003162687,0.00016241617,0.00004208103,0.00010363531,0.00020887022,0.000035276807,0.00015287925,0.0000048710485],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000071289425,0.000093654715,0.0013282665,0.00008121989,0.00015298603,0.0000033797148,0.9095491,0.000028184348,0.0010186048,0.07707623,0.009666656,0.00093039614],"study_design_scores_gemma":[0.0009326141,0.00025334183,0.0045256466,0.0004576521,0.00006396294,0.000009201221,0.92496943,7.384139e-7,0.0007297125,0.0016853784,0.066269256,0.0001030485],"about_ca_topic_score_codex":0.000011193101,"about_ca_topic_score_gemma":0.0004697615,"teacher_disagreement_score":0.075390846,"about_ca_system_score_codex":0.000021956901,"about_ca_system_score_gemma":0.000021037089,"threshold_uncertainty_score":0.12897064},"labels":[],"label_agreement":null},{"id":"W3032376239","doi":"10.1386/jcs.5.1.149_5","title":"Book Reviews","year":2016,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University; Université du Québec à Montréal","funders":"","keywords":"Queen (butterfly); Art history; Publishing; Art; Media studies; Humanities; Sociology","score_opus":0.07009270822903951,"score_gpt":0.2859064492526775,"score_spread":0.21581374102363798,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3032376239","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014398638,0.7552077,0.000047528443,0.20433396,0.022356262,0.00019606843,0.000009788667,0.00003516194,0.0034148959],"genre_scores_gemma":[0.060031503,0.75015444,0.00011103844,0.0034011966,0.07221201,0.00002105602,3.200899e-7,0.000032231826,0.11403619],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99883264,0.00006976127,0.00060467055,0.00008128152,0.00025827868,0.0001533678],"domain_scores_gemma":[0.99862367,0.00014723575,0.00047397337,0.00006660207,0.0006236373,0.00006489049],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00032256427,0.0001276347,0.0006040044,0.000032909356,0.0010831185,0.00003338438,0.00013355874,0.00002257531,0.00076171913],"category_scores_gemma":[0.0005253063,0.000050581646,0.00036995125,0.00003668283,0.00022098536,0.00033340053,0.000041483003,0.00008047412,0.00009409315],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025615369,0.000022109713,0.000022446993,0.000011952748,0.0003480085,0.0000064698006,0.023749923,4.9649767e-8,0.00006744141,0.009717164,0.96119976,0.0048290514],"study_design_scores_gemma":[0.00031407567,0.00014696998,0.00000289032,0.000088082415,0.00013885109,0.0000014967007,0.0015279779,2.0505238e-8,0.000014529485,0.0026120215,0.9950569,0.00009612884],"about_ca_topic_score_codex":0.0000079593865,"about_ca_topic_score_gemma":0.00007929502,"teacher_disagreement_score":0.20093277,"about_ca_system_score_codex":0.0005832405,"about_ca_system_score_gemma":0.000012186404,"threshold_uncertainty_score":0.834029},"labels":[],"label_agreement":null},{"id":"W3045559620","doi":"10.1386/jcs_00017_5","title":"I, I, I, I, I, I, I, Kathy Acker","year":2020,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Diverse Scientific and Economic Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Mathematics education; Mathematics","score_opus":0.15492774345420127,"score_gpt":0.2637403383564875,"score_spread":0.10881259490228626,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3045559620","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22848843,0.18943223,0.001496393,0.033155628,0.15588897,0.00072109693,0.0006342397,0.00017225952,0.39001074],"genre_scores_gemma":[0.9702879,0.0054234257,0.0013894624,0.0027689089,0.011942188,0.0000064761243,0.0000011971048,0.00004156008,0.008138865],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984151,0.000012992601,0.0010236575,0.00023612077,0.00007515633,0.00023695595],"domain_scores_gemma":[0.99852145,0.00007681472,0.00093196984,0.00011429253,0.00020292249,0.00015255788],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00062485214,0.00015905681,0.0007975655,0.00009912178,0.00014291388,0.00006992449,0.00029688762,0.000052581057,0.00119579],"category_scores_gemma":[0.0010200785,0.00014408138,0.00026383856,0.00023619531,0.00014421686,0.00044454457,0.00014038484,0.00017422915,0.0039827866],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010573657,0.0000386256,0.0041015237,0.000025769095,0.0007231434,0.000022332331,0.005658561,0.000044639823,0.000031373405,0.0494333,0.93962526,0.00018973216],"study_design_scores_gemma":[0.0011320676,0.00020106332,0.0002778906,0.000016806232,0.000027303682,0.000006098424,0.0033738413,0.000027853452,0.000092561604,0.008461686,0.98617697,0.00020584067],"about_ca_topic_score_codex":0.0000029087917,"about_ca_topic_score_gemma":6.356823e-7,"teacher_disagreement_score":0.7417995,"about_ca_system_score_codex":0.0000823656,"about_ca_system_score_gemma":0.000026510223,"threshold_uncertainty_score":0.99971724},"labels":[],"label_agreement":null},{"id":"W3045661646","doi":"10.1386/jcs_00014_5","title":"Winner of the 2020 Journal of Curatorial Studies Emerging Writer Award","year":2020,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Cultural Heritage Management and Preservation","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Queen (butterfly); Art history; Media studies; Art; Journal editor; Library science; Sociology; Computer science","score_opus":0.21954479896217957,"score_gpt":0.31785019647058993,"score_spread":0.09830539750841036,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3045661646","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83120453,0.040327206,0.000021754917,0.03908323,0.08619024,0.00041948815,0.000029665225,0.000022546925,0.0027013102],"genre_scores_gemma":[0.9434392,0.0023182651,0.00006373772,0.00033450025,0.05351218,0.0000015951176,4.2707194e-7,0.000015759319,0.00031434122],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976403,0.00016989106,0.0011988812,0.00009314435,0.000734805,0.0001629672],"domain_scores_gemma":[0.99569595,0.00019055896,0.0016313982,0.00009621612,0.002327381,0.000058472007],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006330743,0.00019169565,0.00069042086,0.000052753818,0.0003282972,0.000108890126,0.00039733457,0.000035921097,0.00011942259],"category_scores_gemma":[0.001106123,0.000101933816,0.00038234176,0.0001489918,0.0002494646,0.00087033847,0.00021172555,0.0003264951,0.000002707897],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000998004,0.00007978166,0.0021113,0.00037368733,0.0034331908,0.000034664834,0.19046795,0.00009089473,0.0014372101,0.017853994,0.78184205,0.001277267],"study_design_scores_gemma":[0.0016648566,0.0006561105,0.00019148643,0.00033279223,0.00051753514,0.0000056120175,0.066864364,0.000008138942,0.0006371621,0.003394291,0.9255489,0.00017872194],"about_ca_topic_score_codex":0.0000069062226,"about_ca_topic_score_gemma":0.000047122376,"teacher_disagreement_score":0.14370689,"about_ca_system_score_codex":0.000050192823,"about_ca_system_score_gemma":0.00004898077,"threshold_uncertainty_score":0.41567403},"labels":[],"label_agreement":null},{"id":"W3106673881","doi":"10.1386/jcs_00025_7","title":"Lahore Biennale 02: Between the Sun and the MOON","year":2020,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Spatial and Cultural Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Royal Alberta Museum; University of Alberta","funders":"","keywords":"New moon; Astrobiology; Art; Geography; Ancient history; Art history; Astronomy; History; Physics","score_opus":0.10883299656008912,"score_gpt":0.35455681775721837,"score_spread":0.24572382119712927,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3106673881","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5872602,0.050870284,0.0000120495715,0.35414413,0.0037809925,0.00032872814,0.0000058386254,0.00002382655,0.0035739597],"genre_scores_gemma":[0.97787565,0.0077096694,0.000009889575,0.0005282691,0.013792795,0.0000032833716,6.7222075e-8,0.000003494443,0.00007686302],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987354,0.00026874454,0.00029446144,0.00007497378,0.0004662406,0.00016015179],"domain_scores_gemma":[0.99857354,0.00066595664,0.0002770823,0.00004006972,0.00036600878,0.000077319135],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00095397345,0.00009420407,0.00033607124,0.000007882184,0.0013501603,0.00008932569,0.0002486704,0.000033224824,0.000015265718],"category_scores_gemma":[0.0019377931,0.000036362315,0.00011702599,0.00022054106,0.00090994354,0.00015452677,0.0001171856,0.00020903567,0.0000058634964],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000895843,0.000029732271,0.041427985,0.000035483197,0.0026385617,0.000018342607,0.67473686,0.000008963791,0.00010224802,0.054094333,0.19885144,0.027160207],"study_design_scores_gemma":[0.0015987945,0.00022773865,0.008224523,0.000036863457,0.00034735564,0.0000019439196,0.10890873,0.0000013209667,0.00007369604,0.010263838,0.8701735,0.00014167807],"about_ca_topic_score_codex":0.00021143157,"about_ca_topic_score_gemma":0.00033992922,"teacher_disagreement_score":0.6713221,"about_ca_system_score_codex":0.000026742797,"about_ca_system_score_gemma":0.00004005316,"threshold_uncertainty_score":0.99994993},"labels":[],"label_agreement":null},{"id":"W3108140576","doi":"10.1386/jcs_00022_1","title":"From the Shore to the Coast: Curating the Front Line of Climate Change","year":2020,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Ephemeral key; Anthropocene; Exhibition; Shore; Climate change; Discipline; Event (particle physics); History; Geography; Environmental ethics; Sociology; Archaeology; Social science; Oceanography; Geology; Ecology","score_opus":0.13635881582559903,"score_gpt":0.397325535869292,"score_spread":0.2609667200436929,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3108140576","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4398469,0.01301375,0.000013909989,0.5322875,0.012902476,0.00067407935,0.00009147053,0.000025422945,0.0011445255],"genre_scores_gemma":[0.9717192,0.0028607328,0.00008417677,0.0014486881,0.023860434,0.00001293435,2.9817394e-7,0.000007540633,0.0000060079133],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99824315,0.00031980086,0.0005100611,0.00009671378,0.00061655213,0.00021371833],"domain_scores_gemma":[0.9973263,0.0011989636,0.00058779103,0.0001246059,0.00068496383,0.000077374854],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010203981,0.00011313723,0.0002925082,0.000022636796,0.0012033352,0.00011115965,0.00068079645,0.000034222394,0.00006090531],"category_scores_gemma":[0.002757586,0.0000486787,0.00020678512,0.000286053,0.00032592478,0.00026920522,0.00022121985,0.0003545145,0.000014181635],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033399204,0.000052206942,0.004052461,0.000009241166,0.0006516222,0.00000699595,0.830742,0.000079990685,0.00028620506,0.0038962495,0.15765335,0.002235661],"study_design_scores_gemma":[0.00028039294,0.00044002966,0.0036082983,0.00012891326,0.00021489013,0.0000012409972,0.73281485,0.000014647766,0.000080888465,0.0012048853,0.2611029,0.00010806399],"about_ca_topic_score_codex":0.0010939735,"about_ca_topic_score_gemma":0.025252465,"teacher_disagreement_score":0.5318723,"about_ca_system_score_codex":0.00003172547,"about_ca_system_score_gemma":0.000043352436,"threshold_uncertainty_score":0.99253416},"labels":[],"label_agreement":null},{"id":"W3109122057","doi":"10.1386/jcs_00024_7","title":"Sky Hopinka, Around the Edge of Encircling Lake","year":2020,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Sky; Enhanced Data Rates for GSM Evolution; Geography; Astronomy; Cartography; Computer science; Meteorology; Physics; Artificial intelligence","score_opus":0.17175964898822074,"score_gpt":0.3183121868322435,"score_spread":0.14655253784402275,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3109122057","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.732184,0.050931092,0.0006279908,0.042405736,0.075259,0.00074342627,0.00024772208,0.0001053864,0.09749569],"genre_scores_gemma":[0.96763754,0.0006683029,0.000021030044,0.0006872111,0.03059248,0.0000010733729,4.0287364e-7,0.000009789052,0.00038217913],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989467,0.00004995279,0.000502591,0.00006720155,0.00028149976,0.00015203128],"domain_scores_gemma":[0.998715,0.00020925583,0.00043243443,0.00007195915,0.0005082882,0.00006308849],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024864406,0.00010433208,0.00035344574,0.000023801513,0.00030399626,0.000056126242,0.00018023424,0.000023399123,0.00006185933],"category_scores_gemma":[0.00038218652,0.0000615988,0.0001637646,0.0000040807354,0.00034481965,0.00018711698,0.000058422953,0.00019033132,0.000008375842],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016754107,0.00008577056,0.00064978196,0.00015991344,0.0011303426,0.000023249117,0.76299006,0.000047718077,0.0002495008,0.122858904,0.11051316,0.001124064],"study_design_scores_gemma":[0.00047971483,0.00027176348,0.00005933653,0.000054993056,0.000121063,0.0000032658556,0.026422756,0.000010845508,0.00024503612,0.007969104,0.9642728,0.00008934111],"about_ca_topic_score_codex":0.000019314406,"about_ca_topic_score_gemma":0.0006871253,"teacher_disagreement_score":0.85375965,"about_ca_system_score_codex":0.000018460387,"about_ca_system_score_gemma":0.00007705217,"threshold_uncertainty_score":0.25119263},"labels":[],"label_agreement":null},{"id":"W3109440308","doi":"10.1386/jcs_00026_7","title":"Poems for Impending Doom","year":2020,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Art","score_opus":0.17061476081213547,"score_gpt":0.4420547244055243,"score_spread":0.27143996359338884,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3109440308","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78810483,0.01785164,0.00021719567,0.11127401,0.06526334,0.0010693795,0.00003946319,0.00015997112,0.01602015],"genre_scores_gemma":[0.9847372,0.0008151522,0.0005710237,0.00022743037,0.013582626,0.000004647941,1.6298569e-7,0.000007901976,0.000053847816],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989104,0.00006519129,0.00038275434,0.00008670235,0.0003497166,0.00020519945],"domain_scores_gemma":[0.99822414,0.00046327614,0.00039567926,0.000036820154,0.00074143795,0.00013863329],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00050445384,0.00008502799,0.00028338452,0.000069007314,0.00069608056,0.00009720584,0.00022968095,0.000041387022,0.00005561939],"category_scores_gemma":[0.0031104034,0.000070144015,0.00024231049,0.00021608302,0.00016612536,0.00047823996,0.000040174073,0.00016160448,0.000009335589],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009909254,0.00012406953,0.0045174146,0.00006799209,0.0017844378,0.000034416276,0.1636075,0.00004608153,0.0044795084,0.11361078,0.70954555,0.0011913477],"study_design_scores_gemma":[0.00078038435,0.0006858481,0.00029356653,0.00004459934,0.00014006808,0.0000029939542,0.15775406,0.0000028103684,0.0002630981,0.007046033,0.8328324,0.00015413605],"about_ca_topic_score_codex":0.000041114356,"about_ca_topic_score_gemma":0.0005519511,"teacher_disagreement_score":0.19663236,"about_ca_system_score_codex":0.00006609997,"about_ca_system_score_gemma":0.00007933468,"threshold_uncertainty_score":0.53537595},"labels":[],"label_agreement":null},{"id":"W3174462397","doi":"10.1386/jcs_00037_7","title":"Will Kwan, Terra Economicus","year":2021,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Urbanization and City Planning","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Homo economicus; Humanities; Philosophy; Economics; Neoclassical economics","score_opus":0.07346345031134108,"score_gpt":0.38386733621178326,"score_spread":0.3104038859004422,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3174462397","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7137422,0.03421046,0.0005298276,0.038606696,0.078470334,0.00020613724,0.000012919466,0.0000930905,0.13412833],"genre_scores_gemma":[0.98569316,0.0020730996,0.00028030146,0.00036632203,0.01016934,5.5697615e-7,3.9283026e-7,0.000006276692,0.0014105616],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992019,0.000115781644,0.0002799416,0.000060155864,0.00021970124,0.00012253165],"domain_scores_gemma":[0.9988757,0.00012993369,0.00024013658,0.000040608476,0.00064239814,0.00007124883],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046366916,0.00005369791,0.00020274795,0.00003053966,0.00033337178,0.000077862205,0.0000979006,0.00004051376,0.0001843251],"category_scores_gemma":[0.0012510685,0.00004617313,0.00007259138,0.00014615673,0.00008444563,0.00047920953,0.000027976808,0.000101971,0.000011065271],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014743158,0.00021161973,0.035134878,0.000032106014,0.0013393764,0.0003632337,0.1364568,0.0001378813,0.0013400231,0.17748943,0.6394753,0.007871944],"study_design_scores_gemma":[0.00037375602,0.000032464897,0.00047477926,0.000030058713,0.000032021817,0.0000077402865,0.023220897,7.540099e-7,0.00025865826,0.0026057016,0.97288835,0.00007483597],"about_ca_topic_score_codex":0.000013255058,"about_ca_topic_score_gemma":0.00016163068,"teacher_disagreement_score":0.33341306,"about_ca_system_score_codex":0.00010825329,"about_ca_system_score_gemma":0.0003008325,"threshold_uncertainty_score":0.25640598},"labels":[],"label_agreement":null},{"id":"W3175678904","doi":"10.1386/jcs_00033_7","title":"A Call to Otherness: Inscribing Digital Vernaculars into the Art Institution","year":2021,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Exhibition; Institution; The arts; Sociology; Relevance (law); Aesthetics; Visual arts; Frame (networking); Apprehension; Inclusion (mineral); Contemporary art; Space (punctuation); Media studies; Art; Social science; Art history; Epistemology; Computer science; Political science; Law; Performance art; Philosophy","score_opus":0.05324400246894463,"score_gpt":0.27916643605407504,"score_spread":0.22592243358513042,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3175678904","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94153714,0.008307021,0.000056850487,0.007406245,0.017578775,0.0001515666,0.000014348973,0.000026172886,0.024921862],"genre_scores_gemma":[0.99028885,0.00025340958,0.000032919274,0.00045872715,0.0071088974,0.0000034360482,8.1711727e-7,0.0000083581135,0.0018446004],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99913377,0.000030230436,0.00032898373,0.00008296024,0.00030312024,0.00012093449],"domain_scores_gemma":[0.9990008,0.000044049124,0.00015508283,0.000081108104,0.0006658937,0.00005305231],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001586464,0.00010716524,0.00023088758,0.000021933076,0.00041665413,0.0003722646,0.00012543022,0.000020836314,0.00008164773],"category_scores_gemma":[0.00031140394,0.00005715553,0.00013197892,0.000055378674,0.000113255584,0.0005147629,0.00007222236,0.00014141276,0.00004665488],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028633905,0.00021197966,0.00045720753,0.000085667445,0.0013136788,0.00035551915,0.4286891,0.00008004423,0.0022497482,0.32284403,0.22596079,0.017465917],"study_design_scores_gemma":[0.0002797632,0.000098675046,0.00004836231,0.00012021801,0.000035108424,0.000014786318,0.027440945,7.743e-7,0.00016960227,0.0012603736,0.970441,0.000090381145],"about_ca_topic_score_codex":0.000026157619,"about_ca_topic_score_gemma":0.0008131049,"teacher_disagreement_score":0.74448025,"about_ca_system_score_codex":0.00008106881,"about_ca_system_score_gemma":0.00006663354,"threshold_uncertainty_score":0.3589756},"labels":[],"label_agreement":null},{"id":"W348322070","doi":"","title":"Review: David Bowie Is : Curated by Geoffrey Marsh and Victoria Broackes, organized by the Victoria and Albert Museum, London, 23 March-11 August 2013. Travelling to the Art Gallery of Ontario, Toranto, 25 September-27 November 2013, and other locations","year":2014,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Marsh; Art history; Art gallery; Art; Environmental ethics; Archaeology; Geography; Exhibition; Biology; Wetland; Ecology; Philosophy","score_opus":0.023623086526829647,"score_gpt":0.24930034239009558,"score_spread":0.22567725586326592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W348322070","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50065786,0.40644354,0.000081199876,0.055599224,0.023393473,0.0033215284,0.0007152766,0.00007622643,0.009711672],"genre_scores_gemma":[0.6325317,0.21971376,0.00039908054,0.01590851,0.029286407,0.00014942745,0.000088744055,0.00038535817,0.101537004],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979873,0.00017396636,0.00087856123,0.0002575873,0.00040691497,0.00029572623],"domain_scores_gemma":[0.9979104,0.00031398924,0.00057605165,0.00023971585,0.0008075581,0.00015232376],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00081964565,0.00035058768,0.00075659715,0.00003784732,0.00059714884,0.0002641301,0.00024167816,0.00008104074,0.00085106556],"category_scores_gemma":[0.00013953987,0.00018504645,0.00010411963,0.00009768383,0.0003285929,0.00040706753,0.00011437781,0.00031164332,0.000015950442],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000094478724,0.0000533974,0.0005046324,0.00015902343,0.00040274064,6.692959e-7,0.020028701,4.5740364e-7,0.0005758025,0.00080933445,0.9772554,0.0001153794],"study_design_scores_gemma":[0.00097540015,0.0001972483,0.00023143194,0.0005992281,0.0002779284,0.000014745202,0.0019968057,0.000003571822,0.00006514419,0.00018966837,0.9952008,0.00024800823],"about_ca_topic_score_codex":0.006816167,"about_ca_topic_score_gemma":0.08984273,"teacher_disagreement_score":0.18672976,"about_ca_system_score_codex":0.00007617124,"about_ca_system_score_gemma":0.00007952542,"threshold_uncertainty_score":0.9997975},"labels":[],"label_agreement":null},{"id":"W4205488378","doi":"10.1386/jcs.1.3.369_7","title":"EXHIBITION REVIEWS","year":2012,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University; University of Ottawa","funders":"","keywords":"Exhibition; The arts; Art history; Wainwright; Art; Art gallery; Visual arts; Performance art; History; Archaeology","score_opus":0.19623082605134232,"score_gpt":0.3384202092213181,"score_spread":0.14218938316997579,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205488378","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4087799,0.38417432,0.00001621184,0.0023046662,0.10212382,0.0004423141,0.000014520502,0.000051588213,0.10209266],"genre_scores_gemma":[0.94597316,0.005893054,0.00007660425,0.00020797898,0.046634797,0.000003731352,4.5312385e-7,0.0000075159883,0.0012027273],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924046,0.00004750979,0.0003879534,0.000032585784,0.00015603976,0.00013545188],"domain_scores_gemma":[0.99929136,0.00003082435,0.00032102692,0.000043533033,0.00025642145,0.000056856155],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043583757,0.000083803105,0.00028129746,0.000022257726,0.00018705173,0.000045094355,0.00005688676,0.00001665116,0.0005638281],"category_scores_gemma":[0.00013555514,0.00004634721,0.00013211263,0.000018431123,0.0000663901,0.00065124605,0.000016814487,0.00009671353,0.000065666485],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000598411,0.000111921916,0.0002184522,0.00008908305,0.00018133174,0.000004064309,0.07919457,1.6883402e-7,0.00054859626,0.24581087,0.66702604,0.0067550624],"study_design_scores_gemma":[0.00018465397,0.000087850734,0.000051018378,0.00008479337,0.000041532086,0.000006507162,0.0064149895,4.185756e-8,0.00007595371,0.00072600186,0.99226,0.00006670621],"about_ca_topic_score_codex":0.0000038250446,"about_ca_topic_score_gemma":0.00002021023,"teacher_disagreement_score":0.53719324,"about_ca_system_score_codex":0.00003087179,"about_ca_system_score_gemma":0.0000067719266,"threshold_uncertainty_score":0.61735225},"labels":[],"label_agreement":null},{"id":"W4231688214","doi":"10.1386/jcs.6.1.157_5","title":"Book Review","year":2017,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Rangeland Management and Livestock Ecology","field":"Environmental Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; History; Art","score_opus":0.02645472122703736,"score_gpt":0.326770731843389,"score_spread":0.30031601061635166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231688214","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01589413,0.88700706,0.000061862505,0.030059632,0.0173119,0.00040729842,0.000001127054,0.000014561851,0.049242448],"genre_scores_gemma":[0.03928467,0.9210706,0.0007205519,0.011934735,0.0077026673,0.00001710376,2.846459e-7,0.000022314223,0.019247126],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994365,0.000026280757,0.00021541909,0.00005697109,0.00016955528,0.00009525487],"domain_scores_gemma":[0.99931425,0.000029831277,0.00046218213,0.00013479943,0.000022583214,0.000036354246],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034271154,0.000059808906,0.00022924956,0.000008760011,0.0002773397,0.000019542396,0.00026802914,0.000016383732,0.0012151287],"category_scores_gemma":[0.0003852466,0.000038931194,0.00006900992,0.0000165814,0.00012293135,0.00037838425,0.00018499918,0.00006889614,0.000112020476],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011975742,0.000011471799,0.0036899988,0.000026537204,0.000057300032,0.000017337641,0.00003705935,0.000001614875,0.000015240852,0.00004814923,0.99427634,0.001806997],"study_design_scores_gemma":[0.00026932434,0.00011245877,0.019361624,0.0001130207,0.000063014195,0.000005785498,0.000018581934,3.0704538e-7,0.000010306095,0.00026624784,0.9797328,0.000046536337],"about_ca_topic_score_codex":0.0000036257388,"about_ca_topic_score_gemma":0.0000085071715,"teacher_disagreement_score":0.034063514,"about_ca_system_score_codex":0.000039143004,"about_ca_system_score_gemma":0.000004307731,"threshold_uncertainty_score":0.9996979},"labels":[],"label_agreement":null},{"id":"W4231880064","doi":"10.1386/jcs.7.2.287_5","title":"Exhibition Reviews","year":2018,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Technology, Environment, Urban Planning","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Exhibition; Bridging (networking); Art history; Art; Visual arts; Computer science","score_opus":0.1172094647109804,"score_gpt":0.3186879118248764,"score_spread":0.20147844711389598,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231880064","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76812166,0.11289602,0.00021339732,0.005297195,0.07148871,0.0006216557,0.000023892533,0.00020726718,0.041130215],"genre_scores_gemma":[0.96185905,0.0034203695,0.00034861092,0.0002646154,0.033104934,0.0000051180477,5.131283e-7,0.00001524914,0.0009815291],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991466,0.00004280888,0.00044831744,0.00007502226,0.00016159636,0.00012566663],"domain_scores_gemma":[0.9991475,0.00004724826,0.00052109064,0.00009059615,0.0001663627,0.000027199449],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041161507,0.00009961614,0.00031304648,0.00007471079,0.00025001197,0.000037960373,0.000114676026,0.000032928125,0.00023962399],"category_scores_gemma":[0.00034864325,0.00006857117,0.000085769054,0.000026388781,0.0004396857,0.00026197793,0.00004295673,0.0001508904,0.00012874595],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000076185126,0.000052813823,0.00032929535,0.00002926584,0.00021507626,0.000018502302,0.017338166,3.346857e-7,0.0012100325,0.0826278,0.8930493,0.005053237],"study_design_scores_gemma":[0.00027709364,0.00037960036,0.00005982594,0.0001177566,0.00005065713,0.000010415707,0.0025965371,3.4859852e-7,0.00048345,0.0038604648,0.99208593,0.0000779192],"about_ca_topic_score_codex":0.000002059775,"about_ca_topic_score_gemma":0.000027678754,"teacher_disagreement_score":0.19373742,"about_ca_system_score_codex":0.00006209363,"about_ca_system_score_gemma":0.000009727454,"threshold_uncertainty_score":0.27962512},"labels":[],"label_agreement":null},{"id":"W4232034779","doi":"10.1386/jcs.2.2.279_5","title":"Book Reviews","year":2013,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Art history; Art; Humanities; Media studies; Sociology","score_opus":0.09281733283068719,"score_gpt":0.2965366046474113,"score_spread":0.20371927181672408,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232034779","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036963057,0.8350667,0.000003658825,0.0071644033,0.03740215,0.00059142866,0.000005388105,0.000039119946,0.082764134],"genre_scores_gemma":[0.43133032,0.2102942,0.0005535019,0.016845588,0.2018488,0.00011775704,0.0000022076806,0.0000929926,0.13891463],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916595,0.000039024533,0.00046632127,0.000050491144,0.00016209195,0.000116111536],"domain_scores_gemma":[0.99902695,0.000036398225,0.00033322707,0.00005873998,0.00049396406,0.00005074162],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017740711,0.000099102486,0.0003544396,0.000022248214,0.00018993784,0.00011837193,0.00010430596,0.000017059383,0.004929545],"category_scores_gemma":[0.000121973484,0.000052083793,0.00015034666,0.000016279528,0.000094780415,0.00066063326,0.000023924073,0.00011324894,0.00026818173],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000072052844,0.000016069538,0.000007766447,0.000024289757,0.000077557925,0.000002759995,0.010414804,8.26201e-8,0.000101177604,0.014717065,0.9724314,0.0021998184],"study_design_scores_gemma":[0.00019706611,0.00013154875,0.00001881346,0.00008104091,0.00002740529,0.00000386458,0.00402427,1.8461662e-7,0.000026663276,0.0012591641,0.99415624,0.00007374597],"about_ca_topic_score_codex":0.000017840624,"about_ca_topic_score_gemma":0.00002452894,"teacher_disagreement_score":0.6247725,"about_ca_system_score_codex":0.000024123256,"about_ca_system_score_gemma":0.000011385805,"threshold_uncertainty_score":0.9959801},"labels":[],"label_agreement":null},{"id":"W4233235150","doi":"10.1386/jcs.1.1.121_5","title":"BOOK REVIEWS","year":2012,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Art history; The arts; Studio; Publishing; Media studies; Art; Sociology; Visual arts; Literature","score_opus":0.1719182119413867,"score_gpt":0.4107790093066595,"score_spread":0.2388607973652728,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233235150","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007222233,0.9328183,0.000010563198,0.016602945,0.029938675,0.00022673159,8.0859013e-7,0.00001500662,0.013164749],"genre_scores_gemma":[0.11207927,0.60984236,0.0011637065,0.0049584894,0.15221828,0.000020538644,6.019107e-7,0.000027367138,0.11968941],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989089,0.00012760959,0.00038811838,0.000034917113,0.0003200207,0.00022046112],"domain_scores_gemma":[0.9990952,0.000083191946,0.0003498183,0.00003608793,0.00030443986,0.00013126274],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001396103,0.0000699358,0.0002769853,0.000022040862,0.00033476573,0.000029516557,0.000111999914,0.000045964134,0.00034239065],"category_scores_gemma":[0.0011796394,0.000043183943,0.00009814774,0.00013636667,0.00010749403,0.00054134143,0.000029405763,0.00012989473,0.00003245118],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009783697,0.000015621212,0.001180687,0.0000035676994,0.000053815227,0.0000011732155,0.010015663,7.105744e-8,0.000014817182,0.0011271059,0.98349077,0.004086909],"study_design_scores_gemma":[0.00012610295,0.000026598558,0.0002211827,0.00004640291,0.000026100946,0.0000023479124,0.0064522657,5.5540252e-9,0.00005691473,0.00010955082,0.9928706,0.000061872306],"about_ca_topic_score_codex":0.000023675579,"about_ca_topic_score_gemma":0.000025204208,"teacher_disagreement_score":0.32297596,"about_ca_system_score_codex":0.00016903608,"about_ca_system_score_gemma":0.00008775688,"threshold_uncertainty_score":0.37489375},"labels":[],"label_agreement":null},{"id":"W4233743140","doi":"10.1386/jcs.5.1.56_1","title":"Haunted by Queer Affect: Geoffrey Farmer’s The Intellection of Lady Spider House and Allyson Mitchell’s Killjoy’s Kastle","year":2016,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Alberta University of the Arts","funders":"","keywords":"Queer; Performative utterance; Uncanny; Shame; Feeling; Affect theory; Aesthetics; Affect (linguistics); Sociology; Visual arts; Art; Gender studies; Psychology; Social psychology; Communication","score_opus":0.0502899721053731,"score_gpt":0.2998461691112166,"score_spread":0.24955619700584347,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233743140","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97787374,0.01298794,0.000056492852,0.0018135644,0.006188729,0.00020379624,0.000037756185,0.000029027542,0.0008089627],"genre_scores_gemma":[0.99434054,0.0025157037,0.0000055028095,0.00011333535,0.00247911,0.0000040270183,2.4912165e-7,0.000014800938,0.0005267553],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898064,0.00011255161,0.00039450094,0.000099050405,0.00025818002,0.00015505734],"domain_scores_gemma":[0.998608,0.0003000558,0.00041989522,0.00007992834,0.00054508407,0.000047048205],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042071595,0.00015449824,0.00034897853,0.00006046415,0.0002838824,0.00006026928,0.000115290764,0.000051787865,0.00009539937],"category_scores_gemma":[0.0003159149,0.00006719944,0.00015628916,0.00005668946,0.00036363097,0.0002840759,0.00004216128,0.00016528252,0.0000036162135],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011572983,0.00039932097,0.0028860038,0.00011266349,0.0024841756,0.000007829027,0.09615962,9.093469e-7,0.068632625,0.018606747,0.80650413,0.0030486635],"study_design_scores_gemma":[0.0018036644,0.0014600282,0.00068961334,0.0003360812,0.00031079177,0.000016373937,0.018336425,0.0000010609733,0.024432957,0.0026978243,0.9496663,0.0002488538],"about_ca_topic_score_codex":0.0001070459,"about_ca_topic_score_gemma":0.00038842004,"teacher_disagreement_score":0.14316219,"about_ca_system_score_codex":0.000026413867,"about_ca_system_score_gemma":0.000021324931,"threshold_uncertainty_score":0.27403137},"labels":[],"label_agreement":null},{"id":"W4235312235","doi":"10.1386/jcs.1.3.383_5","title":"BOOK REVIEWS","year":2012,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design; University of Waterloo","funders":"","keywords":"Intellect; Irish; Art history; Art; Media studies; Sociology; Theology; Philosophy","score_opus":0.10892383123947998,"score_gpt":0.31622383553505745,"score_spread":0.2073000042955775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235312235","genre_codex":"review","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006669435,0.908249,0.0000045146085,0.0011965939,0.031090088,0.00008762349,0.0000016977782,0.00001418074,0.058689337],"genre_scores_gemma":[0.32251292,0.1799756,0.0003755389,0.007385073,0.41246313,0.00004301567,0.0000012862654,0.0000661209,0.0771773],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99900395,0.000054975324,0.0004848226,0.000045223365,0.00021657441,0.00019445512],"domain_scores_gemma":[0.9990786,0.00006198286,0.00034602784,0.000056198725,0.00037723014,0.00007997556],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000416309,0.00012142824,0.00047179637,0.00003270388,0.00039436348,0.00002591925,0.000091046,0.000018710138,0.0005769235],"category_scores_gemma":[0.00034389948,0.00006693336,0.0001950623,0.000028620656,0.00015862449,0.00054247386,0.000034495246,0.00013811947,0.00015712171],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019434872,0.000046553698,0.000065333006,0.000020181751,0.00015317732,0.0000014158755,0.058900174,3.3214295e-8,0.000019540857,0.03305448,0.9069552,0.0007645161],"study_design_scores_gemma":[0.00017350323,0.00010652799,0.000011127336,0.000044814933,0.00009101199,0.0000040198,0.0039893673,1.2077619e-8,0.000022075876,0.00036869314,0.9950991,0.000089700625],"about_ca_topic_score_codex":0.0000015577846,"about_ca_topic_score_gemma":0.000013438637,"teacher_disagreement_score":0.7282734,"about_ca_system_score_codex":0.00006629713,"about_ca_system_score_gemma":0.000010655413,"threshold_uncertainty_score":0.63169074},"labels":[],"label_agreement":null},{"id":"W4235700672","doi":"10.1386/jcs.6.1.153_5","title":"Exhibition Review","year":2017,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Art history; Art; Visual arts","score_opus":0.18651782309351791,"score_gpt":0.37514691939141603,"score_spread":0.18862909629789812,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235700672","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1961161,0.28992853,0.000004555782,0.05610592,0.109405555,0.0006027236,0.00003288053,0.000089181274,0.34771457],"genre_scores_gemma":[0.89365524,0.08097533,0.000034032302,0.0009818876,0.020691182,0.0000034602322,5.844469e-7,0.000009261287,0.003648997],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999354,0.00002554841,0.00030041227,0.000044915596,0.00019912535,0.00007597932],"domain_scores_gemma":[0.9986651,0.000026489368,0.0005859815,0.000101925965,0.0005870976,0.00003338612],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025031556,0.000074498814,0.000271499,0.000014668269,0.0006908809,0.00016936952,0.00016182745,0.00001291099,0.0004478929],"category_scores_gemma":[0.0005549757,0.000042720185,0.00012991553,0.000005157863,0.00017402881,0.0005172146,0.00003384389,0.000093766605,0.000044765802],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027069349,0.00003738778,0.000021636186,0.0003150995,0.00021769776,0.000024013762,0.013804198,1.0405407e-7,0.00010958071,0.1661627,0.8119115,0.0073689595],"study_design_scores_gemma":[0.00030207017,0.000105988605,0.000082015395,0.0014151684,0.00007396768,0.000009039085,0.0045661437,1.1727187e-7,0.00004565279,0.002829148,0.9904951,0.00007559574],"about_ca_topic_score_codex":0.000003213689,"about_ca_topic_score_gemma":0.000057746263,"teacher_disagreement_score":0.69753915,"about_ca_system_score_codex":0.000018858966,"about_ca_system_score_gemma":0.000015062865,"threshold_uncertainty_score":0.5313767},"labels":[],"label_agreement":null},{"id":"W4236048906","doi":"10.1386/jcs.4.1.185_5","title":"Book Reviews","year":2015,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Exhibition; Art history; Art; Media studies; Sociology","score_opus":0.25896597913566677,"score_gpt":0.34498640281491166,"score_spread":0.0860204236792449,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236048906","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010249066,0.8697846,0.000003760167,0.0033068117,0.039920926,0.00021091667,0.000005702039,0.00002655802,0.07649166],"genre_scores_gemma":[0.348329,0.15698953,0.0007443084,0.015399799,0.3437257,0.00004344217,0.000003542995,0.00011353006,0.13465114],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99914736,0.000049309412,0.00043378444,0.000048433652,0.00021798133,0.00010310921],"domain_scores_gemma":[0.9989031,0.000025496705,0.0003291306,0.000056752167,0.00060228363,0.0000832481],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004168943,0.000093451716,0.00036055903,0.000022313845,0.000121410834,0.000072207964,0.00010152611,0.000016584348,0.00042446802],"category_scores_gemma":[0.000264636,0.000050491733,0.000124541,0.000018348543,0.00009148748,0.00043837292,0.000025980116,0.000107045846,0.00007490054],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003525303,0.000017406905,0.00000774594,0.000015371843,0.00006909859,0.000009390516,0.02374169,2.8622418e-7,0.000014166894,0.019993478,0.9552297,0.0008664085],"study_design_scores_gemma":[0.0003678421,0.00022140183,0.0000023530501,0.000071148635,0.000036350204,0.0000068060967,0.008065348,1.474145e-7,0.000017962107,0.0012116587,0.9899278,0.00007114286],"about_ca_topic_score_codex":0.0000064363135,"about_ca_topic_score_gemma":0.000036258174,"teacher_disagreement_score":0.7127951,"about_ca_system_score_codex":0.000041358024,"about_ca_system_score_gemma":0.00003081165,"threshold_uncertainty_score":0.46476272},"labels":[],"label_agreement":null},{"id":"W4236365954","doi":"10.1386/jcs.2.3.411_5","title":"Book Reviews","year":2013,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art history; History; Art; Media studies; Sociology","score_opus":0.12762277054731372,"score_gpt":0.3266639360803667,"score_spread":0.19904116553305298,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236365954","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008935876,0.75939804,0.000069421345,0.010369447,0.056845665,0.000766477,0.000017235314,0.000060831182,0.16353704],"genre_scores_gemma":[0.27760994,0.17036735,0.00052418694,0.02708544,0.2546061,0.00008172474,0.0000027853714,0.000111821544,0.26961064],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990013,0.000052768108,0.0005325546,0.00005896409,0.0001832441,0.00017115934],"domain_scores_gemma":[0.9988534,0.000072841656,0.0003734643,0.00008163717,0.00054486323,0.000073779716],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002309167,0.000111717294,0.00040272184,0.000042257874,0.0002383724,0.00009094347,0.000112682166,0.000021164686,0.001261751],"category_scores_gemma":[0.00024338365,0.00006952286,0.00015817962,0.0000013877773,0.00019636568,0.0005373765,0.000034159813,0.000130767,0.0002479974],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000061117057,0.000021079084,0.000015301473,0.00002330398,0.000107611035,0.0000028089498,0.04556894,2.0810923e-7,0.000018887758,0.011561908,0.94178766,0.0008861675],"study_design_scores_gemma":[0.0002554707,0.00013085404,0.000014380658,0.00006543783,0.000051421914,0.0000043358623,0.0023487853,6.6514724e-7,0.000038786635,0.008782561,0.9882228,0.000084511026],"about_ca_topic_score_codex":0.000047463454,"about_ca_topic_score_gemma":0.00013437122,"teacher_disagreement_score":0.5890307,"about_ca_system_score_codex":0.000040874045,"about_ca_system_score_gemma":0.000032870932,"threshold_uncertainty_score":0.99965125},"labels":[],"label_agreement":null},{"id":"W4236772601","doi":"10.1386/jcs.5.3.421_5","title":"Book Reviews","year":2016,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Exhibition; Art history; Alliance; Media studies; Power (physics); Art; Sociology; History","score_opus":0.08125542593624903,"score_gpt":0.29593722641356573,"score_spread":0.21468180047731672,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236772601","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008684025,0.8734441,0.00003445512,0.012845726,0.039210558,0.00018274544,0.0000072261155,0.000035296223,0.073371515],"genre_scores_gemma":[0.15128575,0.37441444,0.00026433408,0.006847719,0.22334383,0.000050181767,4.3721337e-7,0.00007478508,0.2437185],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990242,0.0000498251,0.0005076088,0.00006941592,0.00021305688,0.00013588126],"domain_scores_gemma":[0.99889386,0.00010646461,0.00035639683,0.000064413325,0.0005277471,0.00005114236],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027487663,0.00011867315,0.0004667681,0.000033546552,0.00031879696,0.000023113682,0.00011126145,0.000017529008,0.0007591258],"category_scores_gemma":[0.00051996583,0.000048428315,0.0001973048,0.000022900416,0.00023381037,0.00034571617,0.000034209676,0.000072725314,0.00017410457],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003383863,0.00002142676,0.000015114153,0.00001273186,0.00015068398,0.0000057137263,0.014348286,8.999392e-9,0.00014532641,0.03182986,0.9493846,0.004052392],"study_design_scores_gemma":[0.00033710914,0.00019088032,0.0000037848442,0.00013433927,0.000058323418,0.0000029660325,0.0011179943,4.1349004e-9,0.000054061846,0.0019430487,0.99607044,0.00008705474],"about_ca_topic_score_codex":0.0000010469262,"about_ca_topic_score_gemma":0.00003255046,"teacher_disagreement_score":0.49902964,"about_ca_system_score_codex":0.00007693677,"about_ca_system_score_gemma":0.000016620575,"threshold_uncertainty_score":0.8311895},"labels":[],"label_agreement":null},{"id":"W4237815198","doi":"10.1386/jcs.2.2.263_7","title":"Exhibition Reviews","year":2013,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Exhibition; Art history; White (mutation); Visual arts; Art; History","score_opus":0.12219176364706241,"score_gpt":0.30110502050198773,"score_spread":0.17891325685492532,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4237815198","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65989316,0.1397963,0.00001596758,0.00811523,0.06329354,0.0010541664,0.000011483108,0.000072947885,0.1277472],"genre_scores_gemma":[0.95448154,0.008570234,0.00015067369,0.0005133405,0.032246187,0.00001937323,7.269729e-7,0.000012980826,0.0040049166],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992256,0.000040327006,0.0004346315,0.00004727757,0.00015330916,0.00009884698],"domain_scores_gemma":[0.9990299,0.000030526546,0.00032661774,0.000048414477,0.0005230809,0.000041510153],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019739362,0.00008700456,0.00029533854,0.000023478295,0.00018246492,0.00011270302,0.00007221865,0.000016642807,0.0018715783],"category_scores_gemma":[0.00012345804,0.00004704877,0.00013052183,0.00001858322,0.00007777044,0.00058579654,0.000017369299,0.00009811147,0.00019858684],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015988051,0.00003854663,0.000023729186,0.00005457503,0.00010834264,0.000004495737,0.021734722,2.3987369e-7,0.0007008749,0.06742038,0.9015943,0.008303829],"study_design_scores_gemma":[0.0002141891,0.0001424198,0.000041037787,0.00010708069,0.000025516352,0.0000043190266,0.0066568223,2.839415e-7,0.000055049153,0.004584324,0.98809797,0.00007102073],"about_ca_topic_score_codex":0.000022054592,"about_ca_topic_score_gemma":0.000046982575,"teacher_disagreement_score":0.2945884,"about_ca_system_score_codex":0.000025767664,"about_ca_system_score_gemma":0.00000871504,"threshold_uncertainty_score":0.99904084},"labels":[],"label_agreement":null},{"id":"W4239213991","doi":"10.1386/jcs.4.2.341_5","title":"Book Reviews","year":2015,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Art History and Market Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Art; Media studies; Humanities; Sociology","score_opus":0.18752151635205389,"score_gpt":0.32754949362088615,"score_spread":0.14002797726883226,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239213991","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023522577,0.85470706,0.000036681646,0.0018186696,0.032299783,0.00012925702,0.0000029600894,0.000022957951,0.10863039],"genre_scores_gemma":[0.1958365,0.16677591,0.0011103328,0.013518162,0.29496518,0.00004020696,0.000004033025,0.00011910606,0.32763058],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990739,0.000099001976,0.00046701267,0.000051720723,0.00021715755,0.000091193375],"domain_scores_gemma":[0.99873567,0.00005355125,0.00043072834,0.00007026048,0.00062785076,0.000081967366],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00084924116,0.00008820115,0.00042563875,0.00006320598,0.00018385866,0.000033118384,0.000102752405,0.000015300664,0.0004617008],"category_scores_gemma":[0.0005830565,0.000055698532,0.00018779997,0.000025742314,0.00014734943,0.00043322105,0.000028337829,0.000101608704,0.000078814344],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000063990876,0.000019354396,0.00001409874,0.000010491932,0.00017900068,0.000009518454,0.025312543,7.713592e-7,0.0000037052325,0.007090823,0.96628183,0.0010138986],"study_design_scores_gemma":[0.0002882784,0.00018649215,6.286958e-7,0.00003536995,0.00015597975,0.000003572688,0.0045748204,4.7429074e-7,0.000007610988,0.0014301172,0.9932483,0.00006836489],"about_ca_topic_score_codex":0.000003938364,"about_ca_topic_score_gemma":0.000055283195,"teacher_disagreement_score":0.6879311,"about_ca_system_score_codex":0.000074362186,"about_ca_system_score_gemma":0.00005387086,"threshold_uncertainty_score":0.50553},"labels":[],"label_agreement":null},{"id":"W4239346752","doi":"10.1386/jcs.4.1.181_7","title":"Web Review","year":2015,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Performative utterance; Appropriation; Web application; World Wide Web; Art; Computer science; Sociology; Aesthetics; Epistemology; Philosophy","score_opus":0.24726419402954503,"score_gpt":0.4253954282548291,"score_spread":0.1781312342252841,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239346752","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02161482,0.73674023,0.000005585308,0.14940389,0.042666446,0.00040218266,0.000003116467,0.000042627235,0.04912111],"genre_scores_gemma":[0.16340163,0.7441938,0.00113663,0.003415414,0.05321265,0.0000129615,8.591664e-7,0.00002436172,0.034601696],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99881196,0.00010824384,0.00035026026,0.000045866786,0.0005493614,0.00013433628],"domain_scores_gemma":[0.99823153,0.000065230546,0.00029188977,0.0000371643,0.00122357,0.00015060503],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014384054,0.00006313864,0.00027781905,0.000018888857,0.00017352888,0.000030272575,0.00013873329,0.000036190297,0.00005894448],"category_scores_gemma":[0.0026867453,0.000040041832,0.000071748334,0.0002136615,0.00010997712,0.00021790505,0.000034093933,0.000121917714,0.000016121665],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011893523,0.000008945233,0.00031405553,0.000014425245,0.00006707884,0.000010151149,0.0027423343,3.0121106e-7,0.0000036329297,0.0010009304,0.99302626,0.0028000022],"study_design_scores_gemma":[0.00025687518,0.00005825975,0.00002189562,0.0003764928,0.00003546604,0.000004121851,0.00976507,4.5071467e-8,0.0000086241735,0.0007253139,0.98868996,0.00005790431],"about_ca_topic_score_codex":0.00003937695,"about_ca_topic_score_gemma":0.00012999093,"teacher_disagreement_score":0.14598846,"about_ca_system_score_codex":0.00021424126,"about_ca_system_score_gemma":0.000594624,"threshold_uncertainty_score":0.3216479},"labels":[],"label_agreement":null},{"id":"W4239581867","doi":"10.1386/jcs.8.1.97_5","title":"Exhibition Reviews","year":2019,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Vietnamese History and Culture Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Exhibition; Art history; Art; Performance art; Visual arts; History","score_opus":0.06379756860256847,"score_gpt":0.38582183866067704,"score_spread":0.3220242700581086,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239581867","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15959172,0.47614223,0.000053864624,0.017778726,0.11072768,0.0012120071,0.000004216403,0.00007799006,0.23441157],"genre_scores_gemma":[0.9442157,0.03303559,0.0003173525,0.00031536756,0.017301217,0.000008621317,2.498328e-7,0.000011018965,0.0047948705],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99878794,0.00023918069,0.00039094203,0.00007295432,0.00036909917,0.00013989532],"domain_scores_gemma":[0.9988801,0.000043165117,0.0004501727,0.0000605672,0.0005127295,0.000053248008],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014026283,0.000084061336,0.00040955836,0.000035109075,0.00057929964,0.000020224044,0.000122345,0.000044964232,0.00012091876],"category_scores_gemma":[0.001055646,0.00005671734,0.0001714086,0.00016652832,0.00014959529,0.0003527177,0.000022789354,0.00014119559,0.00012727626],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015582376,0.00009024006,0.0017513345,0.00009751915,0.00036283565,0.000016354128,0.2429478,0.000003965959,0.0011045752,0.060281802,0.6861369,0.0070508374],"study_design_scores_gemma":[0.00026599428,0.00010780538,0.000046809117,0.00011374912,0.00003756393,0.0000017253426,0.039197136,2.4591506e-8,0.0000165808,0.0025517098,0.95759016,0.00007074692],"about_ca_topic_score_codex":0.000003928205,"about_ca_topic_score_gemma":0.000078395824,"teacher_disagreement_score":0.784624,"about_ca_system_score_codex":0.00014870793,"about_ca_system_score_gemma":0.00007720435,"threshold_uncertainty_score":0.44555628},"labels":[],"label_agreement":null},{"id":"W4240048379","doi":"10.1386/jcs.6.2.293_5","title":"Symposium Review","year":2017,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Vietnamese History and Culture Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Presentation (obstetrics); Art history; Library science; Art; History; Computer science; Medicine","score_opus":0.09671219898476133,"score_gpt":0.4569827846208841,"score_spread":0.3602705856361228,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240048379","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018375689,0.646155,0.000007749815,0.117267966,0.046524994,0.0002930724,0.000003014805,0.000028863564,0.18788178],"genre_scores_gemma":[0.36642396,0.59837615,0.00023118997,0.0008522431,0.029612346,0.000011636329,1.2730442e-7,0.000015132679,0.004477203],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987901,0.0001425149,0.00035060896,0.000076130884,0.00047921162,0.00016147009],"domain_scores_gemma":[0.9979055,0.000036633268,0.00086683035,0.00015827522,0.0009534953,0.00007929434],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0014347099,0.000093873125,0.00045008073,0.000018503253,0.004166636,0.00006669321,0.0004228723,0.000040097286,0.00003260052],"category_scores_gemma":[0.003799141,0.00006388447,0.00018521333,0.0000474506,0.00056536554,0.00051037094,0.00007095856,0.0001555204,0.000016618402],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052379837,0.000051446503,0.00071563973,0.0002635182,0.00056278985,0.0000589638,0.05510002,3.633493e-7,0.000113826056,0.028218908,0.9118252,0.0030369463],"study_design_scores_gemma":[0.00021634187,0.00006577627,0.00008529984,0.0008498465,0.00013492326,0.0000033151152,0.009707817,1.0514682e-8,0.0000073241463,0.0018137865,0.9870326,0.00008298164],"about_ca_topic_score_codex":0.000011535058,"about_ca_topic_score_gemma":0.00017167303,"teacher_disagreement_score":0.3645864,"about_ca_system_score_codex":0.000111890775,"about_ca_system_score_gemma":0.000140489,"threshold_uncertainty_score":0.9971298},"labels":[],"label_agreement":null},{"id":"W4240452630","doi":"10.1386/jcs.2.2.275_7","title":"Website Review","year":2013,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Digital Media and Visual Art","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Ingenuity; World Wide Web; Art; Library science; History; Computer science; Philosophy","score_opus":0.04123085412960361,"score_gpt":0.34469131486970744,"score_spread":0.30346046074010385,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240452630","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.072532214,0.70946157,0.013459636,0.07010206,0.10728102,0.0012447335,0.000002345117,0.00021944898,0.02569698],"genre_scores_gemma":[0.75732464,0.18447646,0.022554241,0.012319363,0.021759288,0.00005326602,3.9752106e-7,0.00003851004,0.0014738502],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904776,0.000035183424,0.0003833386,0.00007343112,0.00033190244,0.00012837503],"domain_scores_gemma":[0.99878556,0.00012547305,0.00026133267,0.0001178192,0.00061995705,0.00008988257],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026820425,0.000081268285,0.00030762874,0.000035492387,0.000046854886,0.000090172885,0.00038670606,0.00001496849,0.0000138190735],"category_scores_gemma":[0.00056578417,0.000050220533,0.000100263234,0.00019293716,0.000031422078,0.0013242771,0.00013407273,0.000091305985,0.00020177691],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005509031,0.00008573516,0.00041627366,0.00026603215,0.00022202227,0.000036370773,0.0005770328,6.3061367e-7,0.00039221076,0.017938357,0.9085322,0.07152762],"study_design_scores_gemma":[0.00068407063,0.0008833054,0.0009553692,0.0023251546,0.000052359603,0.00011664993,0.00012660274,0.000032948315,0.00068980275,0.030071862,0.963787,0.00027487124],"about_ca_topic_score_codex":9.826067e-7,"about_ca_topic_score_gemma":2.6421844e-7,"teacher_disagreement_score":0.6847924,"about_ca_system_score_codex":0.00002291607,"about_ca_system_score_gemma":0.000041921197,"threshold_uncertainty_score":0.25935015},"labels":[],"label_agreement":null},{"id":"W4240696826","doi":"10.1386/jcs.5.2.257_5","title":"Exhibition Reviews","year":2016,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Exhibition; Art history; Art; The arts; Studio; Visual arts; History","score_opus":0.15536738673034195,"score_gpt":0.34910113294724837,"score_spread":0.19373374621690642,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240696826","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6795153,0.18586305,0.00017293157,0.007733473,0.09340586,0.00079274643,0.00008117139,0.00011179221,0.032323685],"genre_scores_gemma":[0.9651582,0.012042836,0.000028264734,0.00020671205,0.021721272,0.000004849294,1.881886e-7,0.0000071629884,0.0008304802],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992744,0.00005804223,0.0003686517,0.000051178904,0.00015477686,0.0000929923],"domain_scores_gemma":[0.9991091,0.000066536384,0.00034485935,0.000047783367,0.00039466567,0.00003708613],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033536315,0.00008474571,0.00027624826,0.00004406402,0.00016650069,0.000034622357,0.00007319711,0.000020049654,0.00024836313],"category_scores_gemma":[0.00025042903,0.000036231453,0.00018170173,0.000026955138,0.00013212682,0.00038017487,0.00001416052,0.0000671557,0.000030944328],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020293804,0.000097007316,0.00012750809,0.000060730767,0.00033772227,0.0000139104,0.027379338,3.4079484e-8,0.012765604,0.2052057,0.7446901,0.00911942],"study_design_scores_gemma":[0.0004315361,0.00024189825,0.000019439034,0.00028056765,0.000044378754,0.0000046936884,0.0015482029,9.095125e-9,0.0013673854,0.006951305,0.9890412,0.00006940174],"about_ca_topic_score_codex":0.000001697995,"about_ca_topic_score_gemma":0.000024142246,"teacher_disagreement_score":0.28564292,"about_ca_system_score_codex":0.000021503309,"about_ca_system_score_gemma":0.000011420105,"threshold_uncertainty_score":0.2719402},"labels":[],"label_agreement":null},{"id":"W4241386785","doi":"10.1386/jcs.4.2.238_1","title":"Curating Massive Media","year":2015,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Exhibition; Spectacle; Digital media; Invocation; Space (punctuation); Architecture; Public space; New media; Identity (music); Media studies; Publics; Sociology; Visual arts; Public art; Aesthetics; Art; Political science; World Wide Web; Computer science; Architectural engineering; Engineering; Law; Anthropology","score_opus":0.2568015737024533,"score_gpt":0.3482125589823186,"score_spread":0.0914109852798653,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241386785","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3335958,0.052008104,0.00043211476,0.014618927,0.2689325,0.00057221885,0.00015334199,0.000212093,0.3294749],"genre_scores_gemma":[0.95436347,0.00023880607,0.00015479437,0.00024461705,0.043645855,0.0000018810675,8.263742e-7,0.000015075723,0.0013346903],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988417,0.00005498104,0.00046083765,0.00006803666,0.00038170858,0.00019274677],"domain_scores_gemma":[0.99796396,0.00018973277,0.00041562313,0.00006771736,0.0012210049,0.00014193609],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036837874,0.000119451775,0.00033821046,0.000058649646,0.00022090887,0.00008662594,0.000120089164,0.000028137687,0.000046054593],"category_scores_gemma":[0.0011834952,0.00008189064,0.00010151652,0.0000025107145,0.00025227523,0.00040754597,0.000050126295,0.00016765698,0.000024646413],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000074782736,0.000046758985,0.0001585034,0.00001747871,0.00034185767,0.00005460331,0.6137587,0.000015674857,0.000022217382,0.113988854,0.27080542,0.00071517774],"study_design_scores_gemma":[0.0008778814,0.0002235091,0.000015114397,0.000059890357,0.00009001169,0.000010344995,0.07696255,0.000007640712,0.00012824943,0.04614717,0.8753402,0.0001373905],"about_ca_topic_score_codex":0.000036507667,"about_ca_topic_score_gemma":0.0006497273,"teacher_disagreement_score":0.62076765,"about_ca_system_score_codex":0.00008592374,"about_ca_system_score_gemma":0.00014374741,"threshold_uncertainty_score":0.33394033},"labels":[],"label_agreement":null},{"id":"W4241443076","doi":"10.1386/jcs.4.3.505_7","title":"Conference Review","year":2015,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Paradise; Art gallery; Art history; Visual arts; Media studies; Sociology; Exhibition","score_opus":0.42417342272589975,"score_gpt":0.3918293350658187,"score_spread":0.03234408766008107,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241443076","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0074632536,0.56756675,0.00014400092,0.017998572,0.07004872,0.00041310428,0.00004821192,0.00007289315,0.33624452],"genre_scores_gemma":[0.8345063,0.08208061,0.0002299262,0.0047922195,0.060940746,0.000007832703,0.000001931769,0.00003355906,0.017406918],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990807,0.00005068764,0.0003994467,0.000052529424,0.00028408074,0.00013255197],"domain_scores_gemma":[0.9980306,0.000053545464,0.00030467784,0.000071269635,0.0014332838,0.000106626576],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042481738,0.00009212182,0.0003700273,0.000027119364,0.00011614845,0.000046419253,0.00011371995,0.000015669148,0.00009718487],"category_scores_gemma":[0.00055117655,0.000060369504,0.00009072039,0.0000017014456,0.00020104865,0.0002534484,0.000036597976,0.000115694,0.00003533364],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026669719,0.000033378696,0.00002872001,0.00015180092,0.00019474319,0.000018106892,0.07909807,4.7672495e-7,0.0000032742505,0.11045237,0.80926603,0.0007263776],"study_design_scores_gemma":[0.00034765588,0.00018295494,0.0000028278118,0.00046982663,0.00009519755,0.000009887999,0.004821024,7.935471e-7,0.000014025987,0.019880597,0.97409844,0.00007677477],"about_ca_topic_score_codex":0.000023360259,"about_ca_topic_score_gemma":0.00027952093,"teacher_disagreement_score":0.827043,"about_ca_system_score_codex":0.00004705341,"about_ca_system_score_gemma":0.00014910311,"threshold_uncertainty_score":0.24617968},"labels":[],"label_agreement":null},{"id":"W4242116129","doi":"10.1386/jcs.4.2.317_7","title":"Exhibition Reviews","year":2015,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Art history; Art; Exhibition; Art gallery; Humanities","score_opus":0.33835467820529036,"score_gpt":0.35252886259673616,"score_spread":0.014174184391445799,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242116129","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3521041,0.2968519,0.000030361176,0.006938328,0.12503047,0.00069646776,0.00002244681,0.000091645394,0.21823427],"genre_scores_gemma":[0.930402,0.006757136,0.00021433397,0.0004962688,0.058003876,0.000007572941,0.0000012312427,0.000016750308,0.0041008354],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992055,0.00005092867,0.0004044043,0.000045357585,0.00020597536,0.00008779965],"domain_scores_gemma":[0.9989041,0.000021405382,0.00032267434,0.00004678145,0.0006369549,0.00006804534],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004627723,0.00008205803,0.00030040703,0.000023548228,0.00011676145,0.000068824695,0.00007029978,0.000016180902,0.00016150478],"category_scores_gemma":[0.0002673159,0.000045615456,0.00010819489,0.000020933163,0.00007507631,0.00038907374,0.000018858918,0.0000927485,0.000055632187],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000072125666,0.000038603564,0.000021874139,0.000031969623,0.000089289846,0.000014110292,0.045809373,7.6919827e-7,0.00009102379,0.08434257,0.8664586,0.0030296762],"study_design_scores_gemma":[0.0003763273,0.00022566166,0.0000048562506,0.000088622815,0.000031873446,0.000007158587,0.012528219,2.1426398e-7,0.000034979697,0.0041507175,0.9824868,0.000064570006],"about_ca_topic_score_codex":0.0000079860065,"about_ca_topic_score_gemma":0.00006942194,"teacher_disagreement_score":0.5782979,"about_ca_system_score_codex":0.000044104236,"about_ca_system_score_gemma":0.000023524877,"threshold_uncertainty_score":0.18601443},"labels":[],"label_agreement":null},{"id":"W4242731843","doi":"10.1386/jcs.3.1.155_5","title":"Book Reviews","year":2014,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Cultural Heritage Management and Preservation","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Art history; Art; Media studies; Sociology","score_opus":0.2066275139933579,"score_gpt":0.3101768410098532,"score_spread":0.1035493270164953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242731843","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019315792,0.53310835,0.00014646357,0.013579122,0.06544131,0.00069214415,0.0000041723156,0.0000806062,0.36763203],"genre_scores_gemma":[0.44801378,0.10221528,0.0007271899,0.016325083,0.2662498,0.000037421923,0.0000069507887,0.00006977193,0.16635472],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999319,0.0000683865,0.00034962918,0.000041433737,0.00014878911,0.00007271785],"domain_scores_gemma":[0.9992743,0.00006218203,0.00030521938,0.000051997613,0.00028497216,0.000021344078],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000496054,0.0000705543,0.00024386593,0.000028215654,0.00016320671,0.00007875515,0.00009316598,0.000010708879,0.0005378534],"category_scores_gemma":[0.0002976201,0.00004138848,0.00009616664,0.00001832688,0.0000532536,0.00049232447,0.000028894905,0.00007093238,0.000040159357],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023158645,0.0000087979315,0.00002606979,0.000035620982,0.00006445075,8.115094e-7,0.0073173842,6.2172944e-7,0.000019562602,0.06694931,0.9214975,0.004056708],"study_design_scores_gemma":[0.00022284582,0.00012444094,0.000016526932,0.000059921254,0.00004302251,5.138984e-7,0.00095636246,0.000001951677,0.000014254413,0.0030382455,0.99546623,0.00005568346],"about_ca_topic_score_codex":0.0000037154107,"about_ca_topic_score_gemma":0.000040636052,"teacher_disagreement_score":0.4308931,"about_ca_system_score_codex":0.000015906502,"about_ca_system_score_gemma":0.0000033197168,"threshold_uncertainty_score":0.5889118},"labels":[],"label_agreement":null},{"id":"W4246412798","doi":"10.1386/jcs.7.1.137_5","title":"Symposium Review","year":2018,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Media studies; Sociology; Library science; Visual arts; History; Art; Computer science","score_opus":0.1387111446568532,"score_gpt":0.4054052058640021,"score_spread":0.2666940612071489,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246412798","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006233161,0.24958076,0.00012505874,0.013843359,0.012680689,0.0003312112,0.000016816037,0.00003310654,0.7171559],"genre_scores_gemma":[0.8333072,0.08903145,0.0001282721,0.0009580111,0.06834407,0.0000067630936,4.4420162e-7,0.00001979634,0.008203971],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991205,0.000066015025,0.00032541304,0.00005305448,0.0003078016,0.00012723263],"domain_scores_gemma":[0.9979815,0.00012305337,0.00020543658,0.000060758874,0.0015782147,0.000051050774],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00047227897,0.000072800765,0.00028875927,0.000032421944,0.0002909781,0.000035989953,0.000110841385,0.000010828886,0.0009958647],"category_scores_gemma":[0.00041290387,0.00004344475,0.0000832639,0.000029767862,0.0005061399,0.00016953322,0.000041446867,0.00009994717,0.00011701822],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007379418,0.000036916623,0.000080207275,0.0001973992,0.00031291373,0.00001561449,0.0065499055,2.7716471e-8,0.00006513357,0.26629946,0.72474056,0.0016280753],"study_design_scores_gemma":[0.00020184623,0.0005355788,0.000011186212,0.00071069977,0.000073725365,0.000007908271,0.005178038,4.397452e-7,0.00009220577,0.0021198096,0.99100924,0.00005935232],"about_ca_topic_score_codex":0.0000042959928,"about_ca_topic_score_gemma":0.000017854336,"teacher_disagreement_score":0.82707405,"about_ca_system_score_codex":0.00003452474,"about_ca_system_score_gemma":0.000054661134,"threshold_uncertainty_score":0.9999174},"labels":[],"label_agreement":null},{"id":"W4246463827","doi":"10.1386/jcs.3.2-3.381_5","title":"Exhibition Reviews","year":2014,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Art; Barbarian; Art history; Praise; Humanities; Cartography; Visual arts; Geography; Archaeology","score_opus":0.132727758936212,"score_gpt":0.38700898746331097,"score_spread":0.254281228527099,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246463827","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34509584,0.16289061,0.0011521911,0.16908753,0.15749009,0.001840231,0.0000055091455,0.00016719938,0.1622708],"genre_scores_gemma":[0.8350076,0.0693912,0.0017591163,0.0011049912,0.07423913,0.000013596959,9.1808823e-7,0.000018699257,0.018464753],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99896747,0.00018264126,0.00037848068,0.0000487174,0.00029927498,0.00012340168],"domain_scores_gemma":[0.9990145,0.00010269069,0.00036166472,0.000035450215,0.00041781735,0.00006786817],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015847381,0.000061214014,0.00025768147,0.000023634531,0.00033542194,0.000041802752,0.00009653978,0.000042971657,0.00007759996],"category_scores_gemma":[0.0021401308,0.0000391003,0.00008506611,0.00013840389,0.000099020464,0.00021001587,0.000019633844,0.00010919916,0.000017302084],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016373222,0.000012674658,0.00035156775,0.000006592787,0.000039636037,0.0000015770731,0.005497508,7.8036743e-7,0.00007251928,0.0070875157,0.9598382,0.027075043],"study_design_scores_gemma":[0.00017853957,0.000061528925,0.00013236086,0.00007828662,0.000017691316,0.0000013797995,0.0036873615,1.1528215e-7,0.00007629584,0.0022700278,0.9934409,0.000055496217],"about_ca_topic_score_codex":0.000034552468,"about_ca_topic_score_gemma":0.00014533388,"teacher_disagreement_score":0.48991176,"about_ca_system_score_codex":0.00011988208,"about_ca_system_score_gemma":0.00006423289,"threshold_uncertainty_score":0.25798282},"labels":[],"label_agreement":null},{"id":"W4247402504","doi":"10.1386/jcs.6.2.255_5","title":"Exhibition Reviews","year":2017,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Exhibition; Art; Art history; Closet; Visual arts; Cartography; History; Archaeology; Geography","score_opus":0.2335580919738549,"score_gpt":0.4289548571002414,"score_spread":0.19539676512638648,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247402504","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.062418126,0.4774977,0.00014897922,0.022610635,0.118189685,0.00077901804,0.0000067874807,0.00006171089,0.31828737],"genre_scores_gemma":[0.7950427,0.164265,0.00040547474,0.00016381148,0.038065888,0.000007679653,1.1374334e-7,0.000009743794,0.002039577],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987523,0.00016257988,0.00041124533,0.00007174793,0.00041820534,0.00018391998],"domain_scores_gemma":[0.9981016,0.000117616306,0.0009873974,0.00011932111,0.0005930301,0.000081060665],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.001738388,0.00008886704,0.00044327154,0.000030368126,0.002711103,0.00015407077,0.00031685331,0.0000552351,0.000029236533],"category_scores_gemma":[0.0073022502,0.000065266424,0.00019126592,0.000051988307,0.0005916827,0.0005311329,0.00006410139,0.00013940867,0.00002105742],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058422433,0.00007175292,0.0023754498,0.000032697622,0.00033156527,0.000033402583,0.048721302,4.3021743e-7,0.000108932785,0.14103107,0.7825948,0.024640199],"study_design_scores_gemma":[0.00031752154,0.000067066074,0.0010164038,0.00010368876,0.00004567847,6.630121e-7,0.004011009,5.4587975e-8,0.000027625734,0.016880518,0.9774485,0.00008122956],"about_ca_topic_score_codex":0.00027022132,"about_ca_topic_score_gemma":0.0010361597,"teacher_disagreement_score":0.7326246,"about_ca_system_score_codex":0.00022052911,"about_ca_system_score_gemma":0.00009535346,"threshold_uncertainty_score":0.99858725},"labels":[],"label_agreement":null},{"id":"W4248265186","doi":"10.1386/jcs.2.1.125_5","title":"BOOK REVIEWS","year":2013,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Urbanization and City Planning","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Art history; Art; Taste; Feminism; Media studies; Sociology; Psychology; Gender studies","score_opus":0.08185943578315777,"score_gpt":0.38626103369232173,"score_spread":0.304401597909164,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248265186","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024687102,0.8163923,0.00039003266,0.035889115,0.03896765,0.0009033672,0.0000014293765,0.00007802792,0.082690984],"genre_scores_gemma":[0.37152493,0.44120398,0.0030326473,0.02390361,0.10080784,0.000045151774,0.0000011521288,0.000057455534,0.059423234],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991213,0.0001457479,0.0003185549,0.000038272105,0.00026626472,0.00010987539],"domain_scores_gemma":[0.998938,0.00009784546,0.00031582077,0.0000339814,0.00054345565,0.00007085438],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006499234,0.000049195463,0.0002161579,0.000031735693,0.00028126832,0.000060691043,0.00011338107,0.00003048063,0.00055371475],"category_scores_gemma":[0.0016874281,0.000034644665,0.00006553936,0.00014105569,0.00008132118,0.00049340987,0.000015154513,0.00008857973,0.00011794586],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000028396041,0.000009097015,0.0008448574,0.0000039021475,0.000032426276,0.0000013355973,0.008242485,5.9307365e-7,0.000043508982,0.0025881657,0.98717606,0.0010547255],"study_design_scores_gemma":[0.0001256706,0.000028645583,0.00019740092,0.0000392816,0.000014677808,8.46774e-7,0.003750564,2.4585296e-7,0.000016500486,0.00072787475,0.99505633,0.00004193946],"about_ca_topic_score_codex":0.00003302741,"about_ca_topic_score_gemma":0.000018000466,"teacher_disagreement_score":0.37518832,"about_ca_system_score_codex":0.000055185974,"about_ca_system_score_gemma":0.00006644708,"threshold_uncertainty_score":0.60627884},"labels":[],"label_agreement":null},{"id":"W4251555541","doi":"10.1386/jcs.5.1.100_1","title":"Curators and Instagram: Affect, Relationality and Keeping in Touch","year":2016,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"Academy of Finland","keywords":"Immediacy; Context (archaeology); Affect (linguistics); Modalities; Dichotomy; Aesthetics; Relevance (law); Sight; Sociology; Psychology; Art; Epistemology; History; Communication; Political science; Social science","score_opus":0.08205136353197177,"score_gpt":0.3048648539659855,"score_spread":0.22281349043401372,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251555541","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.991171,0.004025799,0.0000020445402,0.0011841861,0.0017028493,0.00005793777,0.0000048983056,0.0000057939783,0.0018454681],"genre_scores_gemma":[0.99674994,0.0011356424,0.000021811135,0.000045534744,0.0018991987,0.000001620699,8.823679e-8,0.0000044594676,0.00014172841],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929523,0.000049489383,0.0003218797,0.000079612,0.00014918293,0.00010458645],"domain_scores_gemma":[0.9993708,0.00018571639,0.0001842191,0.000034313965,0.00018031814,0.000044648186],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026465638,0.00009115389,0.000246463,0.000043388394,0.00016094274,0.000061198545,0.0000381748,0.000026357784,0.000044624558],"category_scores_gemma":[0.0002223778,0.00004714296,0.000035616038,0.000024966808,0.0001962907,0.000522247,0.00003553862,0.0000881284,0.0000012303245],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031993314,0.00008623456,0.03439976,0.00014692881,0.00035840986,0.00006168066,0.06346778,6.329566e-7,0.001647932,0.87290436,0.00972453,0.016881796],"study_design_scores_gemma":[0.0064456062,0.0010258559,0.048364688,0.0016623256,0.00013516952,0.00006236462,0.036476575,0.0000032376895,0.00042948814,0.08799678,0.8166615,0.000736431],"about_ca_topic_score_codex":0.000023341363,"about_ca_topic_score_gemma":0.00037274216,"teacher_disagreement_score":0.8069369,"about_ca_system_score_codex":0.00003793014,"about_ca_system_score_gemma":0.000016105025,"threshold_uncertainty_score":0.19224341},"labels":[],"label_agreement":null},{"id":"W4251644622","doi":"10.1386/jcs.4.1.163_7","title":"Exhibition Reviews","year":2015,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Archaeological Research and Protection","field":"Earth and Planetary Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University; University of Toronto; Queen's University","funders":"","keywords":"Exhibition; KISS (TNC); Art history; Art; Art gallery; Mount; SAINT; White (mutation); Visual arts; Engineering; Computer science","score_opus":0.27881153815133436,"score_gpt":0.38121130837794026,"score_spread":0.1023997702266059,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251644622","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5741418,0.36943367,0.0049704653,0.006943971,0.026970025,0.0008936387,0.000018617318,0.00005042828,0.016577372],"genre_scores_gemma":[0.9796969,0.012417006,0.0023026783,0.00010895465,0.005399346,7.0387443e-7,0.0000013233746,0.000001228486,0.00007181859],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904376,0.00019177698,0.00027053183,0.000049849856,0.00032391163,0.000120152814],"domain_scores_gemma":[0.9992039,0.00012495903,0.00018488015,0.000036186146,0.0002981239,0.0001519342],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015908979,0.00005323765,0.0001990465,0.0000398735,0.000075880496,0.000012633504,0.00008204468,0.000026537045,0.0001348407],"category_scores_gemma":[0.0031849963,0.000029167204,0.000059376613,0.00012365704,0.00007995349,0.0002433642,0.000010299245,0.00015349464,0.000099766854],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0019460707,0.000023535094,0.049066346,0.00006561349,0.0001674003,0.00013446774,0.0026826502,0.00037695622,0.00015126189,0.0004893594,0.20487386,0.7400225],"study_design_scores_gemma":[0.0009535431,0.003033148,0.011534626,0.00009451269,0.000023322902,0.000080862206,0.0010227514,0.000031851578,0.00029209853,0.12399064,0.8588072,0.00013545105],"about_ca_topic_score_codex":0.000038153543,"about_ca_topic_score_gemma":0.0001048258,"teacher_disagreement_score":0.73988706,"about_ca_system_score_codex":0.000009426249,"about_ca_system_score_gemma":0.000052183626,"threshold_uncertainty_score":0.3812968},"labels":[],"label_agreement":null},{"id":"W4251888459","doi":"10.1386/jcs.4.3.477_5","title":"Exhibition Reviews","year":2015,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Art history; Art; Miller; Visual arts; Politics; Adventure; Innovator; Performance art; Political science; Law","score_opus":0.3292755157121226,"score_gpt":0.42903035237517084,"score_spread":0.09975483666304824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251888459","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26660213,0.35242513,0.00019727754,0.12952355,0.14515689,0.001482558,0.000006278441,0.00011606841,0.10449015],"genre_scores_gemma":[0.71495706,0.11642475,0.0033607231,0.0014044626,0.11745818,0.00002643633,0.0000020673892,0.000033094377,0.046333205],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99892896,0.00013906334,0.0003738664,0.000044970835,0.00039280736,0.000120301345],"domain_scores_gemma":[0.998662,0.000047643007,0.00034056013,0.000031834938,0.00079135003,0.00012659753],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016124509,0.000059730177,0.0002452144,0.000024296,0.0001994289,0.0000427908,0.00009461812,0.000042783187,0.00003776561],"category_scores_gemma":[0.002272529,0.00003807081,0.00006960483,0.00017000506,0.00009834813,0.00028465135,0.000023616227,0.00010687148,0.000020385476],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023021295,0.000011366634,0.0003060475,0.0000025844492,0.00003270715,0.0000058474343,0.01075722,8.071238e-7,0.000014957064,0.0016016592,0.9812471,0.0059966543],"study_design_scores_gemma":[0.00025980815,0.00006923002,0.00004167275,0.00005982209,0.000017387134,0.0000026764278,0.019258395,4.0629818e-8,0.00004898883,0.0021383609,0.9780502,0.000053427506],"about_ca_topic_score_codex":0.000060127535,"about_ca_topic_score_gemma":0.00016544305,"teacher_disagreement_score":0.44835496,"about_ca_system_score_codex":0.00025005353,"about_ca_system_score_gemma":0.00022593969,"threshold_uncertainty_score":0.27205938},"labels":[],"label_agreement":null},{"id":"W4253001566","doi":"10.1386/jcs.4.3.364_1","title":"The Museum of Everyday Life: Objects and Affects of Glorious Obscurity","year":2015,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Everyday life; Materiality (auditing); Exhibition; Vernacular; Art; Visual arts; Aesthetics; Object (grammar); Politics; Art history; Literature; Computer science; Epistemology; Philosophy; Political science","score_opus":0.07418524674561287,"score_gpt":0.3820036448895861,"score_spread":0.3078183981439732,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253001566","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9639567,0.02108035,5.8763544e-7,0.0024819658,0.010361129,0.00014523094,0.0000037864486,0.000008875971,0.0019613833],"genre_scores_gemma":[0.9932328,0.00484489,0.000056304274,0.0000120732275,0.0018218103,0.0000017504849,3.91742e-8,0.0000048547804,0.000025471829],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99839246,0.00026367666,0.00043124316,0.00007415578,0.0006592249,0.00017922431],"domain_scores_gemma":[0.99631655,0.0012254821,0.00079979777,0.00009287591,0.0014193337,0.00014594663],"candidate_categories":["metaresearch"],"consensus_categories":[],"category_scores_codex":[0.0015687755,0.000095918775,0.00038121536,0.000085524254,0.00047638657,0.000045388668,0.00023538926,0.00005447718,0.0000032359499],"category_scores_gemma":[0.008831293,0.000062092244,0.00013525519,0.00027008224,0.0008148473,0.0003493534,0.000088888446,0.00018554549,8.625112e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0030056664,0.0008446972,0.06480022,0.0002459081,0.0052442355,0.000056523917,0.4704527,0.00006977124,0.002227215,0.07519093,0.37642565,0.0014364824],"study_design_scores_gemma":[0.0034315623,0.003568207,0.024282055,0.00042115478,0.0006640239,0.000022112425,0.6837301,0.0000028168863,0.0017430137,0.029157577,0.25253764,0.00043968778],"about_ca_topic_score_codex":0.00036228044,"about_ca_topic_score_gemma":0.0071580573,"teacher_disagreement_score":0.21327744,"about_ca_system_score_codex":0.000054416083,"about_ca_system_score_gemma":0.00022634439,"threshold_uncertainty_score":0.99951774},"labels":[],"label_agreement":null},{"id":"W4253055749","doi":"10.1386/jcs.7.1.127_5","title":"Book Reviews","year":2018,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Western University","funders":"","keywords":"Exhibition; Media studies; Art history; Sociology; Art","score_opus":0.10946779594309516,"score_gpt":0.298776537585655,"score_spread":0.1893087416425598,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253055749","genre_codex":"review","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009933698,0.9261238,0.000004398532,0.0025710366,0.029756537,0.00009814785,0.0000024787957,0.000018496752,0.04043175],"genre_scores_gemma":[0.09182947,0.27299634,0.00039479914,0.00939504,0.41300628,0.000034665754,0.0000010620954,0.00005215973,0.21229017],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99901116,0.000043589273,0.0005090808,0.000073261435,0.00022141817,0.0001414892],"domain_scores_gemma":[0.9985378,0.000052165535,0.0003836816,0.000059514794,0.0009159023,0.000050982835],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023348803,0.00012366635,0.00045497398,0.000029724106,0.0005009863,0.00004375368,0.00012950691,0.000018182045,0.0012972768],"category_scores_gemma":[0.0003755361,0.00006498029,0.00017123308,0.000037767222,0.00047423752,0.00030311503,0.000038558206,0.00011049397,0.0001676756],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028956005,0.00002257166,0.000006074841,0.000014833462,0.00013588827,0.000003644214,0.014835274,2.0362728e-8,0.00003179441,0.011904477,0.9708248,0.0021916963],"study_design_scores_gemma":[0.00022262716,0.00050408574,0.000006262983,0.00007085777,0.0000629197,0.000004063725,0.0015203748,7.4551025e-8,0.000059744598,0.0013572376,0.9960988,0.000092938135],"about_ca_topic_score_codex":0.000006963085,"about_ca_topic_score_gemma":0.00007195135,"teacher_disagreement_score":0.65312743,"about_ca_system_score_codex":0.00007048561,"about_ca_system_score_gemma":0.000014432408,"threshold_uncertainty_score":0.99961567},"labels":[],"label_agreement":null},{"id":"W4255045192","doi":"10.1386/jcs.4.2.309_7","title":"Gallery Guide: Through and Through","year":2015,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Art, Technology, and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Computer science","score_opus":0.1269493448530311,"score_gpt":0.3337739492780323,"score_spread":0.20682460442500117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255045192","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18608338,0.27779537,0.00019447821,0.031920176,0.06869906,0.0005367603,0.000053334326,0.0003255375,0.43439192],"genre_scores_gemma":[0.91121775,0.0209417,0.0018855477,0.0022656075,0.054584533,0.000011671344,0.000002086957,0.000053537013,0.0090375645],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990759,0.00003411759,0.00039284932,0.000090633584,0.0002513197,0.00015520123],"domain_scores_gemma":[0.9987781,0.000050499522,0.00029141473,0.000084305444,0.00075083715,0.000044815588],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024098202,0.0001351158,0.00036197403,0.000022146758,0.00027211948,0.00007263283,0.00012798086,0.00006410505,0.000041167437],"category_scores_gemma":[0.000367101,0.000084120154,0.00007449719,0.000021207372,0.00041732806,0.00062623515,0.00007872064,0.00020897554,0.000010622921],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050320334,0.000030227957,0.00009226666,0.000011219681,0.00029804825,0.000022704964,0.09016118,9.619881e-7,0.000016433978,0.1058491,0.80319726,0.0002702892],"study_design_scores_gemma":[0.0006193697,0.00028510345,0.0000076181045,0.000035781693,0.000067890745,0.00002902473,0.07366527,1.802219e-7,0.00006849717,0.06660605,0.8585206,0.00009456881],"about_ca_topic_score_codex":0.000029267292,"about_ca_topic_score_gemma":0.00023953106,"teacher_disagreement_score":0.7251344,"about_ca_system_score_codex":0.000042147592,"about_ca_system_score_gemma":0.000049516275,"threshold_uncertainty_score":0.34303203},"labels":[],"label_agreement":null},{"id":"W4313276925","doi":"10.1386/jcs_00074_5","title":"Contemporary Art and Feminism, Jacqueline Millner and Catriona Moore","year":2022,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Feminism; Art; Sociology; Gender studies","score_opus":0.10396359126545199,"score_gpt":0.3026050234124273,"score_spread":0.1986414321469753,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313276925","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65088564,0.20234708,0.00002879477,0.014534237,0.035000805,0.0005597558,0.00049108313,0.00007378205,0.096078835],"genre_scores_gemma":[0.9863351,0.0013489185,0.000024347057,0.0005888553,0.006426667,0.000005124567,0.0000028336337,0.000012548541,0.005255585],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990667,0.000065780885,0.00038609366,0.00009442415,0.00025547366,0.00013154183],"domain_scores_gemma":[0.99925023,0.00013308915,0.0002595021,0.00005639095,0.0002226417,0.00007814108],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033262995,0.00011743497,0.00033228917,0.00006577666,0.0006982187,0.00005709013,0.0000665765,0.000017588824,0.00009893861],"category_scores_gemma":[0.00008085579,0.00008805875,0.00006237088,0.0000027734145,0.00030046926,0.0001836143,0.0001381497,0.00020150085,0.0000016745369],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001886003,0.00008637594,0.0006026855,0.00004324432,0.00042156555,0.000074299,0.1963656,0.0000033384097,0.00003983171,0.030025523,0.77163225,0.00051667605],"study_design_scores_gemma":[0.00083799247,0.00040936845,0.00005034178,0.000015212,0.000057121346,0.000042042167,0.02960506,0.00000417635,0.000018487794,0.0065816296,0.9622691,0.0001094558],"about_ca_topic_score_codex":0.000040522744,"about_ca_topic_score_gemma":0.000112041664,"teacher_disagreement_score":0.3354495,"about_ca_system_score_codex":0.000036677575,"about_ca_system_score_gemma":0.00007875031,"threshold_uncertainty_score":0.53702044},"labels":[],"label_agreement":null},{"id":"W4313276962","doi":"10.1386/jcs_00076_5","title":"Okwui Enwezor: The Art of Curating, Jane Chin Davidson and Alpesh Kantilal Patel (eds)","year":2022,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Chin; Art; Art history; Sociology; Medicine; Anatomy","score_opus":0.05776612038148816,"score_gpt":0.33650638460736654,"score_spread":0.2787402642258784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313276962","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9419707,0.021208758,0.000004623695,0.022467956,0.010792293,0.0003238374,0.00002200741,0.000015699181,0.0031941466],"genre_scores_gemma":[0.98795277,0.004988031,0.000075341115,0.00012205136,0.0031246739,0.000008099535,8.536001e-7,0.0000076224987,0.0037205687],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99811697,0.00025006843,0.00052648835,0.00009689226,0.00081023306,0.00019935404],"domain_scores_gemma":[0.9986547,0.00024355476,0.0006385677,0.00006463301,0.00033117557,0.00006732651],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014996185,0.00011127899,0.00033475313,0.000036042,0.0012500964,0.00006241035,0.0002460736,0.000039581213,0.00016679734],"category_scores_gemma":[0.0006360552,0.000067068766,0.000092288334,0.00026240834,0.0002986264,0.00019510499,0.00020056531,0.00036451276,0.0000014180151],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021974118,0.000101252386,0.010336041,0.000017489945,0.0004780947,0.000030196237,0.058580615,0.000038380833,0.0006220393,0.004646117,0.9097477,0.015182316],"study_design_scores_gemma":[0.0003990522,0.00022379079,0.00150905,0.000028966331,0.000049562736,0.0000133908825,0.04771277,0.0000014923693,0.00019926531,0.0007240165,0.9490411,0.00009751368],"about_ca_topic_score_codex":0.00016756616,"about_ca_topic_score_gemma":0.00027384475,"teacher_disagreement_score":0.045982078,"about_ca_system_score_codex":0.00011543393,"about_ca_system_score_gemma":0.0002084443,"threshold_uncertainty_score":0.96148574},"labels":[],"label_agreement":null},{"id":"W4386025359","doi":"10.1386/jcs_00082_7","title":"Exposure: Native Art and Political Ecology","year":2023,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Conservation Techniques and Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The arts; Politics; Ecology; Anthropology; Political ecology; Geography; Art history; Art; Sociology; Biology; Political science; Visual arts; Law","score_opus":0.09101850166111794,"score_gpt":0.3317986443240619,"score_spread":0.24078014266294398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386025359","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9032022,0.0049446346,0.000013926102,0.038288858,0.017169625,0.00027377915,0.000033722914,0.00019089608,0.035882365],"genre_scores_gemma":[0.9918763,0.0012968698,0.000039300783,0.0003311022,0.0043947436,0.000007607627,4.8767913e-7,0.0000073727297,0.0020462065],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99925214,0.00004371238,0.0003252662,0.00006442694,0.00015412587,0.0001603276],"domain_scores_gemma":[0.99874467,0.00043635318,0.00015284272,0.000036549907,0.00058714685,0.000042452575],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031824489,0.00008403102,0.00029308218,0.00010177017,0.00027154785,0.000043984506,0.000052684543,0.000024105937,0.000050130493],"category_scores_gemma":[0.00063473056,0.00005816332,0.000060816004,0.000048358062,0.00030195076,0.00013750535,0.0000699299,0.000109328255,0.000013740847],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043415293,0.000017563514,0.001755421,0.000017662223,0.00026627418,0.000024251243,0.014326946,1.3016933e-7,0.000011976793,0.72567385,0.25726497,0.0005975641],"study_design_scores_gemma":[0.000511058,0.0006176881,0.0030032096,0.000035475125,0.000056711106,0.000011214757,0.031666372,0.0000019424917,0.000073484516,0.06644322,0.8974694,0.00011023566],"about_ca_topic_score_codex":0.000004827497,"about_ca_topic_score_gemma":0.00012702803,"teacher_disagreement_score":0.6592306,"about_ca_system_score_codex":0.000035649216,"about_ca_system_score_gemma":0.00003199266,"threshold_uncertainty_score":0.23718314},"labels":[],"label_agreement":null},{"id":"W4390819699","doi":"10.1386/jcs_00095_1","title":"Affidamento as Curatorial Methodology: Feminist Approaches to Pedagogy and Curating in the Work of EMILIA-AMALIA","year":2023,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Praxis; Sociology; Feminism; Feminist philosophy; Work (physics); Feminist pedagogy; Gender studies; Political science; Engineering; Law","score_opus":0.3728986236452155,"score_gpt":0.45024265759055254,"score_spread":0.07734403394533707,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390819699","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9748139,0.0025332181,0.00001652779,0.009716254,0.010755386,0.00035681148,0.000009249026,0.000019091442,0.0017795794],"genre_scores_gemma":[0.99036103,0.000790239,0.00096457376,0.00020511,0.0075206268,0.000014994155,6.327315e-7,0.000012173965,0.00013060702],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.996807,0.0012180884,0.00070396956,0.00017635914,0.0007310092,0.0003635733],"domain_scores_gemma":[0.996862,0.0021901485,0.00048731282,0.00012491911,0.00022800888,0.00010762284],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0078943875,0.00016071965,0.0005678132,0.00010816955,0.00050524814,0.00008883973,0.00039932455,0.00013995601,0.0000076014203],"category_scores_gemma":[0.0053238356,0.000110368,0.0001527472,0.0011833705,0.00043634648,0.00021069968,0.00013249245,0.00030645693,0.000008139372],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00046414664,0.000083959836,0.02663356,0.000069724316,0.00032559555,0.00005828365,0.86250246,0.000028452414,0.00024890958,0.045869682,0.06077556,0.002939653],"study_design_scores_gemma":[0.0011850169,0.000568498,0.0037874484,0.00019346215,0.00014515698,0.00001129198,0.8437083,0.0000016545348,0.00024288287,0.012197495,0.13766602,0.00029278477],"about_ca_topic_score_codex":0.00020426532,"about_ca_topic_score_gemma":0.00035957282,"teacher_disagreement_score":0.07689046,"about_ca_system_score_codex":0.000081396116,"about_ca_system_score_gemma":0.00032414228,"threshold_uncertainty_score":0.63735133},"labels":[],"label_agreement":null},{"id":"W4390827216","doi":"10.1386/jcs_00093_1","title":"Radical Curating, Black Community Archives and the Sir George Williams Affair","year":2023,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Oral History, Memory, Narrative Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; George (robot); Sociology; Racism; Event (particle physics); Visual arts; Reflection (computer programming); Media studies; Art history; History; Art; Gender studies; Computer science","score_opus":0.07424688425019947,"score_gpt":0.2997640591697967,"score_spread":0.22551717491959722,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390827216","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9560871,0.011397763,0.0000105393,0.011087035,0.007861196,0.00026739022,0.000023728082,0.00007843801,0.01318682],"genre_scores_gemma":[0.987229,0.00222515,0.000021901036,0.00015037757,0.00680316,0.000005464119,0.0000016578573,0.000018460387,0.0035448133],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978436,0.000842556,0.00059795956,0.00009804207,0.00040051498,0.00021727983],"domain_scores_gemma":[0.99741894,0.0014976097,0.0005490258,0.00017509036,0.00027843218,0.00008088692],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0012421656,0.00019157762,0.0006430002,0.00015166125,0.0015570372,0.00012338365,0.00028850583,0.00003165446,0.00007958294],"category_scores_gemma":[0.00094581465,0.0001060084,0.00025939502,0.00012584716,0.003490872,0.0003026923,0.00013996937,0.00064131577,0.000024946066],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008251651,0.00014405079,0.00070166227,0.00011252948,0.0021310118,0.000048015932,0.6504039,0.0000258346,0.00025775214,0.10651737,0.23722209,0.0016105985],"study_design_scores_gemma":[0.0031600352,0.0005089458,0.0003352414,0.00015382738,0.0004509623,0.0000097152615,0.29052386,0.00009400019,0.000089312685,0.026102116,0.67829025,0.00028173183],"about_ca_topic_score_codex":0.00004920447,"about_ca_topic_score_gemma":0.0005948355,"teacher_disagreement_score":0.44106817,"about_ca_system_score_codex":0.00004408691,"about_ca_system_score_gemma":0.00005025591,"threshold_uncertainty_score":0.9997428},"labels":[],"label_agreement":null},{"id":"W4390827460","doi":"10.1386/jcs_00094_1","title":"A Museum for Future Fossils: On Curating Ecological Crisis in the Vernacular Museum","year":2023,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Anthropocene; Exhibition; Vernacular; Museum informatics; Museology; Climate change; Action (physics); Visual arts; History; Sociology; Ecology; Environmental ethics; Art; Literature; Biology","score_opus":0.14095145205969253,"score_gpt":0.3486680725146848,"score_spread":0.20771662045499226,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390827460","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9283157,0.0030369156,0.0000026285325,0.04200225,0.023554364,0.0005999733,0.000048910595,0.000063718886,0.0023755562],"genre_scores_gemma":[0.97759974,0.00068893185,0.00002684009,0.000613544,0.020933235,0.000040469873,0.000001550932,0.000012313029,0.00008335861],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986028,0.00010855912,0.0005195206,0.00012884388,0.0003738525,0.00026644295],"domain_scores_gemma":[0.99889064,0.0003591641,0.00030790438,0.00009726445,0.00030823826,0.000036813413],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00080664485,0.00017052905,0.00039324156,0.000074260155,0.00055236707,0.00019293414,0.00025788147,0.000059086997,0.000059869744],"category_scores_gemma":[0.00035671474,0.00008208191,0.00025713776,0.00011261186,0.00009033697,0.00025812673,0.000035785517,0.00028927362,0.000013298341],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038420694,0.00022036822,0.00008393839,0.00010370558,0.00036523258,0.00017227141,0.18950772,0.00004395375,0.00008745852,0.19809042,0.60954595,0.001394799],"study_design_scores_gemma":[0.00091774197,0.0007830028,0.0005400925,0.00008015717,0.000050151997,0.0000056739705,0.24970344,0.000012050773,0.000015405714,0.004907619,0.74284405,0.00014059719],"about_ca_topic_score_codex":0.000014301681,"about_ca_topic_score_gemma":0.0003734763,"teacher_disagreement_score":0.1931828,"about_ca_system_score_codex":0.00005723164,"about_ca_system_score_gemma":0.000026410367,"threshold_uncertainty_score":0.42484167},"labels":[],"label_agreement":null},{"id":"W4402051856","doi":"10.1386/jcs_00102_5","title":"AI in Museums: Reflections, Perspectives and Applications, Sonja Theil and Johannes C. Bernhardt (eds)","year":2024,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Engineering physics; Art; Engineering","score_opus":0.04581763062878081,"score_gpt":0.3387875797916753,"score_spread":0.2929699491628945,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402051856","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30645058,0.6691951,0.000017701223,0.010766857,0.006127398,0.00042316245,0.000032548945,0.00008010936,0.0069065415],"genre_scores_gemma":[0.9524854,0.038443208,0.000037861777,0.00010321582,0.008188121,0.00002286161,4.0470053e-7,0.00001319905,0.00070574926],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929327,0.000036576723,0.00029533895,0.00012768469,0.00013746321,0.00010967339],"domain_scores_gemma":[0.99951285,0.000090616166,0.000082672996,0.00004502572,0.0002284889,0.000040338877],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022156167,0.00011775387,0.00024688928,0.00009770311,0.0002715015,0.00029400227,0.000051926523,0.000030093152,0.00004383788],"category_scores_gemma":[0.00004439045,0.00007482436,0.000053678843,0.00006134108,0.00019049102,0.00047955613,0.00003521831,0.00020666615,0.0000032604012],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012633695,0.00015726799,0.00021176871,0.00038024192,0.00070388446,0.00004053015,0.32934242,0.000001761953,0.00070725876,0.60223806,0.043010406,0.023080043],"study_design_scores_gemma":[0.00024464744,0.00016037837,0.00015852536,0.00018241414,0.000050989373,0.000023797165,0.105956934,0.0000029827543,0.000021055492,0.010394964,0.8826949,0.00010840945],"about_ca_topic_score_codex":0.000046910514,"about_ca_topic_score_gemma":0.0006861998,"teacher_disagreement_score":0.8396845,"about_ca_system_score_codex":0.000042354197,"about_ca_system_score_gemma":0.00002833927,"threshold_uncertainty_score":0.30512488},"labels":[],"label_agreement":null},{"id":"W4402053330","doi":"10.1386/jcs_00103_5","title":"The Art of Ectoplasm: Encounters with Winnipeg’s Ghost Photographs, Serena Keshavjee (ed.)","year":2024,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Art; Geography","score_opus":0.025926682406036208,"score_gpt":0.2840453760844306,"score_spread":0.2581186936783944,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402053330","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80587184,0.119526885,0.000022873515,0.001744894,0.045064524,0.00062372664,0.00019404401,0.00012461457,0.026826598],"genre_scores_gemma":[0.99141407,0.0035936271,0.00001346829,0.00006269046,0.004298151,0.000007560331,0.0000010731325,0.000017290622,0.0005920488],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986142,0.000057013396,0.0005180112,0.00011838332,0.00048507334,0.00020730171],"domain_scores_gemma":[0.99856514,0.00028900395,0.00032070672,0.00010837062,0.0006602464,0.000056544388],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041452455,0.0002004544,0.00040215522,0.0001168206,0.00045039508,0.00028185078,0.00021867047,0.00003973045,0.000081996506],"category_scores_gemma":[0.000061556464,0.00009266587,0.00029187766,0.0001305297,0.000608138,0.0003739335,0.00003097287,0.00033133719,0.000007779202],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017547854,0.00021777078,0.00097068475,0.00043013142,0.0065826173,0.00015234452,0.14402445,0.0000085002775,0.0029599082,0.086451285,0.75528586,0.001161691],"study_design_scores_gemma":[0.00052412355,0.0010940845,0.000042597996,0.00062423805,0.00028007937,0.000035481582,0.03022484,0.0000029195232,0.0021575384,0.0016467088,0.96319544,0.00017195508],"about_ca_topic_score_codex":0.000025093965,"about_ca_topic_score_gemma":0.000605687,"teacher_disagreement_score":0.2079096,"about_ca_system_score_codex":0.000025211215,"about_ca_system_score_gemma":0.00008408357,"threshold_uncertainty_score":0.37788045},"labels":[],"label_agreement":null},{"id":"W4402054742","doi":"10.1386/jcs_00101_5","title":"Arts-Based Interventions and Social Change in Europe, Andrea Kárpáti (ed.)","year":2024,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"The arts; Psychological intervention; Psychology; Political science; Sociology; Art; Visual arts; Psychiatry","score_opus":0.29643819933856674,"score_gpt":0.46190916342926636,"score_spread":0.1654709640906996,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402054742","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68083245,0.13758206,0.000038830807,0.14510727,0.03200317,0.00066065235,0.000029554545,0.00009332955,0.0036526672],"genre_scores_gemma":[0.9867784,0.004439063,0.000057381243,0.00013716871,0.0075004003,0.000009245749,7.981724e-7,0.000008465927,0.0010691221],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990592,0.00009227527,0.00034349298,0.00008322578,0.00026909166,0.00015272002],"domain_scores_gemma":[0.9993764,0.00010890878,0.00011402385,0.00001960494,0.0003351365,0.00004589168],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00072147476,0.00007974986,0.00021842304,0.00008828834,0.0002843395,0.00014755991,0.0000773291,0.000052501568,0.000056141722],"category_scores_gemma":[0.0003134258,0.000057981135,0.00008486052,0.00039028667,0.00015693395,0.00029331955,0.000038214097,0.0001947952,0.0000038113355],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016548001,0.00016063472,0.009527033,0.00027691753,0.00050986616,0.00035855573,0.12595892,0.000002244786,0.00007853283,0.03000814,0.76323825,0.06971544],"study_design_scores_gemma":[0.0003365577,0.00008989542,0.003655035,0.0004396596,0.00004099337,0.0000026873943,0.0073491503,0.000002284073,0.00001706239,0.00032494834,0.9876464,0.00009529588],"about_ca_topic_score_codex":0.00019902189,"about_ca_topic_score_gemma":0.0014883014,"teacher_disagreement_score":0.30594587,"about_ca_system_score_codex":0.0001274579,"about_ca_system_score_gemma":0.0001558024,"threshold_uncertainty_score":0.2364402},"labels":[],"label_agreement":null},{"id":"W4402055209","doi":"10.1386/jcs_00100_5","title":"Counter Revanchist Art in the Global City: Walls, Blockades and Barricades as Repertoires of Creative Action, Leah Modigliani","year":2024,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Action (physics); Visual arts; Sociology; Art; Physics","score_opus":0.10047806587744243,"score_gpt":0.3623291745956291,"score_spread":0.2618511087181866,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402055209","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8095485,0.07858473,0.000030414101,0.011071052,0.013111265,0.00038447045,0.00018943922,0.000046219677,0.08703392],"genre_scores_gemma":[0.98890156,0.0036232944,0.000011681524,0.00023703776,0.004826257,0.0000036267513,5.7899916e-7,0.0000074746154,0.0023884901],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998899,0.000084625164,0.00045418463,0.00010978552,0.0003057495,0.000146655],"domain_scores_gemma":[0.9991851,0.00020707693,0.0001815468,0.00007512993,0.00031353798,0.000037594968],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035500852,0.00013509089,0.00033772516,0.000058742222,0.00022265576,0.00015271614,0.00010836029,0.000035794168,0.000057185618],"category_scores_gemma":[0.00031171492,0.00007797401,0.000100268975,0.000010016501,0.00049065903,0.00033163506,0.000036411002,0.0001921648,0.00000432514],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035755255,0.00017251895,0.0014626087,0.00031575168,0.001204108,0.00015559072,0.48024824,0.000008705306,0.000074107505,0.27065924,0.2439296,0.0014119853],"study_design_scores_gemma":[0.00033438375,0.000339643,0.0002972852,0.00033625314,0.00012951004,0.00005578872,0.042790443,0.0000086354285,0.00011084938,0.057638768,0.89784956,0.00010887973],"about_ca_topic_score_codex":0.00024247887,"about_ca_topic_score_gemma":0.0026021576,"teacher_disagreement_score":0.65391994,"about_ca_system_score_codex":0.0001100547,"about_ca_system_score_gemma":0.00008978052,"threshold_uncertainty_score":0.3179688},"labels":[],"label_agreement":null},{"id":"W4402055477","doi":"10.1386/jcs_00096_1","title":"Curating the Unseen: Sound, Space and Attention in the Séance and the Smart Home","year":2024,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Digital Media and Philosophy","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Sound (geography); Space (punctuation); Computer science; Psychology; Acoustics; Physics","score_opus":0.027417105370661537,"score_gpt":0.2868066953882386,"score_spread":0.25938959001757705,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402055477","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67817014,0.11796041,0.0030811275,0.17897664,0.019533543,0.00041530104,0.0000023074956,0.000028324494,0.0018321708],"genre_scores_gemma":[0.9965927,0.0012344157,0.00008948361,0.00020127009,0.0018640779,0.0000046320233,2.770591e-8,0.0000028103857,0.000010577428],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99910253,0.00015996683,0.00024070544,0.000094786505,0.0002993116,0.00010270328],"domain_scores_gemma":[0.9983323,0.0013414227,0.00011951588,0.00010573809,0.000081045975,0.00001996925],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012978546,0.000084605555,0.00016567385,0.00003271389,0.00019459777,0.0005871366,0.00030160812,0.00001729185,1.2170422e-7],"category_scores_gemma":[0.00029330832,0.000031706655,0.000051158742,0.00026337907,0.00022205037,0.0006165887,0.000118875614,0.00023487481,0.0000013960604],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007612028,0.000020216623,0.002623517,0.000060829265,0.0001789677,0.00006591498,0.028478142,0.000008447961,0.000050203133,0.95615274,0.002898713,0.009386214],"study_design_scores_gemma":[0.0012478038,0.00025745845,0.004751436,0.00034342948,0.0000630196,0.00030666622,0.004304661,0.0007443768,0.00001583603,0.96210074,0.0257113,0.00015326423],"about_ca_topic_score_codex":0.0000032181408,"about_ca_topic_score_gemma":0.00000869232,"teacher_disagreement_score":0.31842253,"about_ca_system_score_codex":0.000013133762,"about_ca_system_score_gemma":0.000024382067,"threshold_uncertainty_score":0.5661771},"labels":[],"label_agreement":null},{"id":"W4409233571","doi":"10.1386/jcs_00115_7","title":"Standing Ground III, Mighty and Real","year":2024,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"MacEwan University","funders":"","keywords":"Geology; Geodesy","score_opus":0.12056450470210017,"score_gpt":0.3426835122784871,"score_spread":0.22211900757638692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409233571","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6989127,0.10880979,0.00015217222,0.0032738885,0.07839164,0.00023614624,0.00008262487,0.00013842182,0.11000261],"genre_scores_gemma":[0.968587,0.0056197206,0.000023625618,0.000060651044,0.021684313,0.0000010820829,3.8193926e-7,0.000012336461,0.004010879],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919575,0.000025607762,0.0003286038,0.00008244916,0.00021072481,0.00015684497],"domain_scores_gemma":[0.9994283,0.00015948403,0.00010448183,0.000042959462,0.0002013186,0.00006347567],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002768062,0.00010602112,0.0002654891,0.00007203755,0.00032506938,0.00025317524,0.000053739754,0.000024759767,0.000057352707],"category_scores_gemma":[0.00005215221,0.0000707033,0.00008083044,0.0000026537307,0.0002453961,0.0003943557,0.000039370523,0.00014389608,0.0000039855454],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000106284344,0.000024314666,0.00008851789,0.00013418165,0.0007455755,0.00011726068,0.35827678,5.674623e-7,0.00007120994,0.5327053,0.10656202,0.0011679727],"study_design_scores_gemma":[0.00038333435,0.00020556233,0.00003871895,0.00018262821,0.00013916372,0.000021846432,0.016583433,0.000007686014,0.000044468183,0.044002663,0.93827754,0.00011293507],"about_ca_topic_score_codex":0.00013692449,"about_ca_topic_score_gemma":0.00092034764,"teacher_disagreement_score":0.8317155,"about_ca_system_score_codex":0.0000749601,"about_ca_system_score_gemma":0.00005333277,"threshold_uncertainty_score":0.28831968},"labels":[],"label_agreement":null},{"id":"W4414833231","doi":"10.1386/jcs_00122_5","title":"Charles Campbell, How Many Colours Has the Sea","year":2025,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Power (physics); Natural (archaeology); Period (music)","score_opus":0.08822089188409009,"score_gpt":0.29748119340766743,"score_spread":0.20926030152357733,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414833231","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3862118,0.1209225,0.00007316987,0.29958075,0.14278412,0.00057036564,0.000019802204,0.000058734775,0.049778745],"genre_scores_gemma":[0.9721914,0.0018084124,0.000015712074,0.0012471261,0.012198474,0.000004998014,1.9932845e-7,0.000005593891,0.012528081],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991551,0.00004981554,0.00024200432,0.00007164868,0.00032829636,0.00015313062],"domain_scores_gemma":[0.99893445,0.00018234392,0.0002444987,0.000082877676,0.0005141058,0.00004171428],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006686987,0.00009737237,0.00028532653,0.0000835266,0.0010184775,0.00012942194,0.00024041608,0.000020620497,0.000068239504],"category_scores_gemma":[0.0003876112,0.000048887345,0.000098926575,0.00006072264,0.001076185,0.00025206932,0.000035524998,0.00018727388,0.000008546304],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005604095,0.000029495259,0.00019785426,0.00002280888,0.00021220717,0.000016510663,0.041223753,0.0000010697371,0.00011335549,0.04534284,0.91064245,0.0021416445],"study_design_scores_gemma":[0.00039615648,0.00016167502,0.00007777732,0.00010354854,0.00009237163,0.0000036464016,0.041946676,9.563681e-7,0.00009143883,0.0016013598,0.9554719,0.000052541836],"about_ca_topic_score_codex":0.000018288925,"about_ca_topic_score_gemma":0.00021622148,"teacher_disagreement_score":0.5859796,"about_ca_system_score_codex":0.0000769062,"about_ca_system_score_gemma":0.00016968105,"threshold_uncertainty_score":0.7833408},"labels":[],"label_agreement":null},{"id":"W4414833235","doi":"10.1386/jcs_00125_5","title":"Sonia Boyce: Feeling Her Way","year":2025,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Feeling; Ambivalence; Reflection (computer programming)","score_opus":0.035425649089545506,"score_gpt":0.29935165874317776,"score_spread":0.2639260096536323,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414833235","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.54706365,0.095676,0.000063205945,0.015924633,0.120222576,0.00035504712,0.00002422657,0.00011730124,0.22055335],"genre_scores_gemma":[0.9747943,0.00027183638,0.000053955642,0.00035829868,0.016271593,0.0000025408124,2.8007878e-7,0.000008799103,0.008238374],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991496,0.000031622236,0.0003927178,0.000074882904,0.00020462548,0.00014650139],"domain_scores_gemma":[0.99899304,0.000064706575,0.00021723147,0.000068070716,0.0006201376,0.000036802983],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019894307,0.00011952341,0.00032937748,0.000064754466,0.00036274228,0.00012424498,0.00012584947,0.000037358135,0.00019308698],"category_scores_gemma":[0.0002346057,0.000075123586,0.00014977365,0.00005179595,0.00009828385,0.00017914012,0.000032651966,0.00020125938,0.000021147518],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021725493,0.00007909693,0.0007976197,0.00009734017,0.0011743773,0.00004320909,0.0985461,0.000009765955,0.00017664688,0.20500208,0.6903445,0.003511999],"study_design_scores_gemma":[0.0007665913,0.00009328601,0.00011372139,0.0001981075,0.00013994802,0.000004139065,0.06381372,8.116805e-7,0.00013981573,0.0076118833,0.9270162,0.000101789396],"about_ca_topic_score_codex":0.0000039104516,"about_ca_topic_score_gemma":0.00005064035,"teacher_disagreement_score":0.42773065,"about_ca_system_score_codex":0.000038917336,"about_ca_system_score_gemma":0.00005180294,"threshold_uncertainty_score":0.30634508},"labels":[],"label_agreement":null},{"id":"W4414833236","doi":"10.1386/jcs_00126_5","title":"Alex Da Corte, Ear Worm","year":2025,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Medicine and Dermatology Studies History","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Feature (linguistics); Context (archaeology); Sound (geography)","score_opus":0.047424565916390875,"score_gpt":0.38650702907023904,"score_spread":0.33908246315384816,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414833236","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35842523,0.30602586,0.00030859624,0.031356625,0.07145913,0.0006013353,0.0000039923825,0.000088644396,0.23173058],"genre_scores_gemma":[0.9140373,0.025111891,0.001427462,0.031193106,0.018122667,0.000019606772,0.0000021604053,0.000042875337,0.010042921],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986809,0.000042332606,0.00065735204,0.00010735702,0.00033002027,0.00018206963],"domain_scores_gemma":[0.998427,0.0002357245,0.00031782358,0.0001444957,0.0007853594,0.00008963719],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003365625,0.00014300374,0.0008596662,0.0001955174,0.0001644549,0.000005467415,0.00008753826,0.000076503704,0.000013401823],"category_scores_gemma":[0.0009889422,0.00009600433,0.00016571571,0.00025963402,0.00027707464,0.00007701062,0.00006066464,0.00034039604,0.000013023145],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00060840696,0.00008967359,0.011141096,0.00013902107,0.0016040191,0.00041281778,0.0006303922,4.3378526e-7,0.00031427815,0.0011135775,0.98250145,0.0014448111],"study_design_scores_gemma":[0.003977541,0.00055291294,0.004926706,0.00052442995,0.00077375356,0.00016798085,0.00362884,0.000001229517,0.00028063895,0.00061070395,0.98445797,0.00009732285],"about_ca_topic_score_codex":0.0000019016185,"about_ca_topic_score_gemma":0.0000027367191,"teacher_disagreement_score":0.5556121,"about_ca_system_score_codex":0.00014676801,"about_ca_system_score_gemma":0.00027523423,"threshold_uncertainty_score":0.3914943},"labels":[],"label_agreement":null},{"id":"W4414833239","doi":"10.1386/jcs_00119_1","title":"The Cultural Biography of Museum Objects and the Contingency of Knowledge Production","year":2025,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Royal Ontario Museum","funders":"","keywords":"Contingency; Value (mathematics); Knowledge production; Embodied cognition; Biography; Cultural knowledge; Production (economics); Data collection","score_opus":0.03242437760434452,"score_gpt":0.29899855990324936,"score_spread":0.26657418229890484,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414833239","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86671984,0.10091453,4.910335e-7,0.003115397,0.01699184,0.0002763795,0.0000053905587,0.0000076212605,0.011968526],"genre_scores_gemma":[0.99130285,0.0064326697,0.0000057026195,0.000010542564,0.0017307043,0.0000034068262,9.0187314e-8,0.0000025030427,0.0005115221],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916977,0.00008780316,0.00046757166,0.000056449677,0.00013392259,0.000084493484],"domain_scores_gemma":[0.9981875,0.00019444125,0.00046234438,0.000069259404,0.0010742792,0.00001221551],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00051411055,0.00008682736,0.00030980236,0.000040248142,0.00046224537,0.00004969633,0.000114400624,0.000018189805,0.0000054063858],"category_scores_gemma":[0.0003657589,0.000032800155,0.00015719037,0.00008943132,0.0008729102,0.00015648291,0.000044547527,0.00010582408,1.9201492e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010176316,0.000125828,0.0010419945,0.00034059738,0.0020633764,9.000009e-7,0.24748349,9.0740224e-7,0.0022041146,0.65939295,0.080586255,0.0057419306],"study_design_scores_gemma":[0.0027141431,0.00042237403,0.0017133068,0.0006554469,0.000445458,0.000004986504,0.24086164,0.0000016257552,0.003506208,0.014735266,0.7347763,0.00016321127],"about_ca_topic_score_codex":0.000040825325,"about_ca_topic_score_gemma":0.0004969068,"teacher_disagreement_score":0.65419006,"about_ca_system_score_codex":0.0000080955715,"about_ca_system_score_gemma":0.000023764138,"threshold_uncertainty_score":0.35552645},"labels":[],"label_agreement":null},{"id":"W4414833240","doi":"10.1386/jcs_00121_2","title":"Intervention","year":2025,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Francis Xavier University; Mount Allison University","funders":"","keywords":"","score_opus":0.039669660373501975,"score_gpt":0.41125545352367376,"score_spread":0.3715857931501718,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414833240","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85214144,0.0571641,0.0007663333,0.0016920706,0.078211695,0.00021841198,0.000009663328,0.000072016344,0.009724242],"genre_scores_gemma":[0.9963089,0.00028062193,0.00018820245,0.000031835985,0.0028933226,0.0000017535639,1.3060844e-7,0.000009673023,0.00028555002],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886405,0.00010485998,0.00058763975,0.00006087883,0.00026997508,0.00011262004],"domain_scores_gemma":[0.99834305,0.00013180809,0.00048098914,0.00007247337,0.0009429733,0.000028717192],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00085006387,0.00008945033,0.00032567204,0.0001867113,0.000088815585,0.000030989537,0.00014221433,0.00003149747,0.000016338441],"category_scores_gemma":[0.0016915257,0.00006541635,0.00020926876,0.00033783793,0.0000649761,0.0002649096,0.00007120529,0.00016471345,0.0000689333],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013796017,0.0003464077,0.007987992,0.000127973,0.0034681028,0.000056508707,0.0013942132,0.000041965282,0.010554464,0.035027586,0.9286442,0.010971029],"study_design_scores_gemma":[0.006656974,0.00071790593,0.0063726883,0.0013628287,0.00065740023,0.000033564545,0.0057731243,0.0000073038314,0.013214529,0.05092573,0.91403264,0.00024528784],"about_ca_topic_score_codex":0.00000340726,"about_ca_topic_score_gemma":0.000011359283,"teacher_disagreement_score":0.14416744,"about_ca_system_score_codex":0.00020042036,"about_ca_system_score_gemma":0.000055704273,"threshold_uncertainty_score":0.26676014},"labels":[],"label_agreement":null},{"id":"W4414833243","doi":"10.1386/jcs_00117_7","title":"Spectres in the Museum: A Curatorial Case for Hauntology","year":2025,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Mount Allison University","funders":"","keywords":"Exhibition; Ideology; Framing (construction); Natural (archaeology); Narrative; Natural heritage","score_opus":0.09224131015402806,"score_gpt":0.3631025477430528,"score_spread":0.2708612375890247,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414833243","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86024326,0.01875845,0.00003058631,0.016797256,0.085512586,0.0009463656,0.000059100323,0.000031258507,0.01762112],"genre_scores_gemma":[0.9841884,0.00026198494,0.0000474266,0.00033215273,0.014864183,0.000023122526,4.8293697e-7,0.000006082005,0.00027619803],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989165,0.00009667688,0.00054131995,0.00009667682,0.00015533817,0.00019347615],"domain_scores_gemma":[0.9987531,0.00047182385,0.00024337764,0.00009080781,0.0004192236,0.000021681111],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00051376893,0.0001374497,0.00039546858,0.000083381216,0.00042732302,0.00013875209,0.0001950126,0.00004367358,0.000054043798],"category_scores_gemma":[0.00040668604,0.000071527946,0.00017064437,0.0000731951,0.00016403342,0.00023233349,0.000029952775,0.0002007773,0.000001851802],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005125088,0.00012824897,0.0001342751,0.00008929493,0.00036734203,0.00056430703,0.07971467,0.0000020271239,0.000075955366,0.6827242,0.23486662,0.00082058983],"study_design_scores_gemma":[0.0015594453,0.00033800054,0.000036425005,0.00007465474,0.00010425738,0.00012800693,0.05226726,0.0000031684672,0.000030765175,0.01679084,0.92856354,0.00010366385],"about_ca_topic_score_codex":0.00010717689,"about_ca_topic_score_gemma":0.005276901,"teacher_disagreement_score":0.6936969,"about_ca_system_score_codex":0.00005255739,"about_ca_system_score_gemma":0.000064242464,"threshold_uncertainty_score":0.32866663},"labels":[],"label_agreement":null},{"id":"W4414833244","doi":"10.1386/jcs_00120_1","title":"Rising to the Occasion: Valuations of Indigenous Agency and Decolonization in Royal Tours, Historic Sites and Twelve Angry Crinolines in Thunder Bay, ON","year":2025,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Indigenous Studies and Ecology","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"St. Francis Xavier University; NSCAD University","funders":"","keywords":"Thunder; Indigenous; Situated; Decolonization; Narrative; Agency (philosophy); Resistance (ecology)","score_opus":0.07400468945460609,"score_gpt":0.43113557015404763,"score_spread":0.35713088069944154,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414833244","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9798627,0.012380165,0.00003477515,0.0029674175,0.0038600897,0.00055198174,0.0000033541455,0.0000034164877,0.00033611958],"genre_scores_gemma":[0.99586916,0.0027818126,0.00010672231,0.00031555785,0.0008167343,0.000024630213,4.1029867e-7,0.0000060898114,0.000078890385],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99841124,0.0003126081,0.0007060597,0.0001156442,0.00015210014,0.00030234217],"domain_scores_gemma":[0.99814963,0.00082619634,0.00035294623,0.00007599843,0.00056429254,0.0000309205],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011815176,0.000108861175,0.00042084174,0.0002735006,0.0012996492,0.000006323397,0.000081113314,0.000093123745,0.000006189093],"category_scores_gemma":[0.001398404,0.00007300647,0.000029943318,0.00037419304,0.000050713195,0.00005692189,0.00015414403,0.00031620602,0.0000011824496],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004576475,0.00015999813,0.7249173,0.00017513901,0.00017786378,0.00001642165,0.2613907,0.00057858427,0.000038646227,0.001034869,0.008846465,0.0022063965],"study_design_scores_gemma":[0.0018412941,0.0009355798,0.9139862,0.00051004067,0.0001151795,0.000003071242,0.0731774,0.000030754247,0.000013375951,0.0030289318,0.0062208055,0.00013737698],"about_ca_topic_score_codex":0.0004025928,"about_ca_topic_score_gemma":0.03451817,"teacher_disagreement_score":0.1890689,"about_ca_system_score_codex":0.00047905557,"about_ca_system_score_gemma":0.00031992226,"threshold_uncertainty_score":0.99959826},"labels":[],"label_agreement":null},{"id":"W7084582566","doi":"10.1386/jcs_00124_5","title":"Pacita Abad","year":2025,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Machine Learning in Bioinformatics","field":"Biochemistry, Genetics and Molecular Biology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Natural (archaeology); Context (archaeology); Exposition (narrative)","score_opus":0.01127605096772747,"score_gpt":0.3516388569143813,"score_spread":0.3403628059466538,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7084582566","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9218719,0.025269734,0.0043738885,0.002807994,0.023973811,0.00019326423,0.000007428793,0.000016388834,0.021485578],"genre_scores_gemma":[0.99176675,0.0016050545,0.0022421023,0.0003485574,0.0031826003,0.0000016224815,0.0000017110772,0.0000073438396,0.00084423175],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993539,0.000037662732,0.000332076,0.000051979,0.00012812675,0.00009625937],"domain_scores_gemma":[0.99926955,0.000031141408,0.00023043554,0.000102222,0.00034056298,0.000026069558],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003196518,0.00008166207,0.0001781917,0.000044505836,0.00007168417,0.000017058583,0.00013744301,0.000068324654,0.0000031773266],"category_scores_gemma":[0.0012049242,0.000059995207,0.00009082272,0.000080360056,0.000054719425,0.000004832227,0.00008587543,0.00014060106,0.000002551766],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000840078,0.0001452107,0.028900739,0.00026993308,0.0029891322,0.000018786408,0.0012426913,0.00043578964,0.08835041,0.00821026,0.8556916,0.012905357],"study_design_scores_gemma":[0.0011837035,0.0005043724,0.0014112807,0.00009143629,0.00008417987,0.000024871824,0.0008001987,0.000015189203,0.019329188,0.0011913122,0.9752237,0.00014057072],"about_ca_topic_score_codex":7.0652175e-7,"about_ca_topic_score_gemma":0.0000024105634,"teacher_disagreement_score":0.119532086,"about_ca_system_score_codex":0.000016079566,"about_ca_system_score_gemma":0.00007667212,"threshold_uncertainty_score":0.24465336},"labels":[],"label_agreement":null},{"id":"W7084591839","doi":"10.1386/jcs_00118_7","title":"Land Collaborations","year":2025,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Pregnancy and Medication Impact","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Indigenous; Politics; Traditional knowledge; Training (meteorology); Land use","score_opus":0.05028475957370652,"score_gpt":0.4085385208674728,"score_spread":0.35825376129376624,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7084591839","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6333924,0.18451722,0.00236218,0.09357048,0.046479013,0.00078472216,0.00002050085,0.00007626466,0.03879726],"genre_scores_gemma":[0.99286723,0.0033961192,0.0003533894,0.00053598714,0.0019722513,0.00000297651,4.935942e-7,0.000002839771,0.00086871797],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944466,0.00002125431,0.0002742184,0.00003530862,0.00016002022,0.000064531014],"domain_scores_gemma":[0.9989433,0.00010815694,0.00014519806,0.00006224527,0.00068786764,0.000053215343],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002100323,0.00004646233,0.0002316807,0.00008473955,0.00006721731,0.000007336223,0.00003539953,0.000029562465,0.000012014849],"category_scores_gemma":[0.0019562093,0.00003032609,0.000050902505,0.00026183872,0.00004493898,0.00007887362,0.000011244944,0.00010360683,0.0000032521812],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011068118,0.0003386265,0.078196265,0.00026636588,0.0026318203,0.00009509332,0.0026658468,0.0000113606975,0.0042914217,0.012420449,0.88925517,0.008720772],"study_design_scores_gemma":[0.0073599108,0.00072632555,0.038928844,0.0021953192,0.00086923386,0.00009513961,0.0025682428,0.000004727883,0.005343663,0.0045724567,0.93722415,0.00011197448],"about_ca_topic_score_codex":8.318565e-7,"about_ca_topic_score_gemma":0.0000028379895,"teacher_disagreement_score":0.35947487,"about_ca_system_score_codex":0.000058125628,"about_ca_system_score_gemma":0.00044486404,"threshold_uncertainty_score":0.23419066},"labels":[],"label_agreement":null},{"id":"W7158599615","doi":"10.1386/jcs_00134_5","title":"Carmen and Antonio Papalia and Guests, Impaired at Tangled: A 4/20 Disability Culture Celebration!","year":2025,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Disability Rights and Representation","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"The Scarborough Hospital; University of Toronto","funders":"","keywords":"Eugenics; Disability studies; Medical model of disability; Social model of disability","score_opus":0.02662591115201667,"score_gpt":0.37404367935398913,"score_spread":0.34741776820197245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7158599615","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97883743,0.0055667236,0.000005383978,0.009778984,0.0032794757,0.00023519648,0.0000074933073,0.000013903451,0.0022753798],"genre_scores_gemma":[0.99532217,0.002400789,0.00007458117,0.00004036479,0.0014192263,0.0000037342597,7.6106824e-7,0.0000026145103,0.0007357529],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886423,0.00022497166,0.00034233427,0.00013651283,0.00029635342,0.00013560597],"domain_scores_gemma":[0.99911654,0.00018946668,0.0001917635,0.0000681181,0.00035203045,0.00008206451],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00069690944,0.00009424342,0.00028057542,0.000021466478,0.00071804307,0.0001032777,0.00007568826,0.00007344128,0.00001175946],"category_scores_gemma":[0.00069991185,0.000058263788,0.00006005563,0.00016544478,0.0009732321,0.00035243324,0.00006968193,0.000092380214,4.734144e-7],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00058406696,0.00036669345,0.668308,0.0002528789,0.00084183045,0.00001225727,0.17063017,0.0000053421213,0.0018798552,0.06927482,0.080232255,0.0076117776],"study_design_scores_gemma":[0.0036252544,0.00053433405,0.16540521,0.00027131967,0.0005083559,0.000010149892,0.12527521,0.000009690876,0.0007465968,0.14515291,0.557997,0.00046399582],"about_ca_topic_score_codex":0.00024606535,"about_ca_topic_score_gemma":0.003912552,"teacher_disagreement_score":0.5029028,"about_ca_system_score_codex":0.00020840822,"about_ca_system_score_gemma":0.00009261216,"threshold_uncertainty_score":0.55226797},"labels":[],"label_agreement":null}]}