{"meta":{"query_hash":"2a7ac3220984","filters":{"venue":"Journal of Design History"},"cohort_total":20,"direct_labels_cover":0,"predictions_cover":20,"exported":20,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/2a7ac3220984","api":"https://metacan.xera.ac/api/v1/cohort?venue=Journal+of+Design+History"},"results":[{"id":"W1990416888","doi":"10.1093/jdh/14.1.53","title":"Ahead of Their Time: The Sears Catalogue Prefabricated Houses","year":2001,"lang":"en","type":"article","venue":"Journal of Design History","topic":"Architecture and Art History Studies","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Art; Visual arts; Architectural engineering; Engineering","score_opus":0.06805481990861523,"score_gpt":0.20657459205778367,"score_spread":0.13851977214916844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1990416888","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4334129,0.23185836,0.0074005364,0.0072780005,0.010036811,0.0017170515,0.00013108889,0.0003509171,0.30781433],"genre_scores_gemma":[0.97996974,0.00028344977,0.00014972601,0.00044634266,0.000731541,0.0000034419234,0.000001661344,0.00002747367,0.018386627],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904776,0.00015433658,0.0003663559,0.00007802121,0.00020971581,0.00014379357],"domain_scores_gemma":[0.99893856,0.00023362825,0.0004151121,0.00016519678,0.00020318537,0.00004429189],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00039014837,0.00012436962,0.0002794853,0.00013899278,0.00025157092,0.000008385607,0.00028373385,0.00002518299,0.0005588967],"category_scores_gemma":[0.000041948744,0.00007059913,0.00016349113,0.000029378554,0.00060841965,0.00012483489,0.000025774612,0.00020835447,0.00003587423],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025408756,0.00017962178,0.000105326304,0.000022111442,0.00027288,0.000048473285,0.15164742,0.00010084553,0.0023097938,0.0012488024,0.839834,0.0039766505],"study_design_scores_gemma":[0.0001884977,0.0002900793,0.00020701073,0.00003304213,0.000060580816,0.00005802705,0.00090562715,0.000014383945,0.00017374664,0.00029295217,0.9976859,0.000090120346],"about_ca_topic_score_codex":0.000047034795,"about_ca_topic_score_gemma":0.00007731858,"teacher_disagreement_score":0.54655683,"about_ca_system_score_codex":0.00017132485,"about_ca_system_score_gemma":0.00013816358,"threshold_uncertainty_score":0.6119527},"labels":[],"label_agreement":null},{"id":"W1999514453","doi":"10.1093/jdh/epk012","title":"Phoebe Anna Traquair, 1852-1936","year":2006,"lang":"en","type":"article","venue":"Journal of Design History","topic":"History of Science and Natural History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Alberta College of Art + Design","funders":"","keywords":"Art","score_opus":0.053542704099070755,"score_gpt":0.19555164919465362,"score_spread":0.14200894509558287,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1999514453","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06863878,0.14878307,0.0032242434,0.0011224203,0.026562784,0.0004635268,0.000013407125,0.00022735633,0.7509644],"genre_scores_gemma":[0.76865333,0.00010640681,0.001878992,0.0012153743,0.004364216,0.0000036160372,0.0000019728102,0.00004626606,0.22372982],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984355,0.00010050341,0.00055055926,0.00015233587,0.00050747744,0.00025362833],"domain_scores_gemma":[0.998859,0.00007926982,0.00051307085,0.00015470218,0.00027635746,0.000117591364],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00070949143,0.0001680316,0.0003041532,0.00041516576,0.00030810578,0.000025556985,0.00037532442,0.000065422915,0.0029660517],"category_scores_gemma":[0.00002999212,0.00014121928,0.0002564949,0.000040719122,0.000737918,0.0007431849,0.000008902343,0.00035072217,0.00020687195],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000082107355,0.00012335517,0.000006663294,0.000011666099,0.000013076896,0.00010443211,0.009035457,0.000025042775,0.0044898964,0.0110765705,0.97267693,0.0023548196],"study_design_scores_gemma":[0.00035047758,0.0003024467,0.000051190415,0.0000302161,0.000036981808,0.00005586274,0.00038478483,0.000022137221,0.00018811716,0.00064888,0.99773526,0.00019364027],"about_ca_topic_score_codex":0.00011684159,"about_ca_topic_score_gemma":0.00012874856,"teacher_disagreement_score":0.70001453,"about_ca_system_score_codex":0.0012658195,"about_ca_system_score_gemma":0.00039409974,"threshold_uncertainty_score":0.99794537},"labels":[],"label_agreement":null},{"id":"W2007858000","doi":"10.1093/jdh/epn043","title":"Craft, Space and Interior Design 1855-2005","year":2009,"lang":"en","type":"article","venue":"Journal of Design History","topic":"Architecture, Design, and Social History","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Craft; Eclecticism; Studio; Interior design; The arts; Visual arts; Turkish; Art; Handicraft; Fine art; Space (punctuation); Art history; Decorative arts; Sculpture; Performance art; History; Visual arts education; Archaeology","score_opus":0.048157869521158796,"score_gpt":0.21683560536382163,"score_spread":0.16867773584266282,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2007858000","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012754977,0.17487086,0.60454106,0.008408126,0.015991956,0.0018064232,0.000016201171,0.0004394086,0.18117097],"genre_scores_gemma":[0.8513718,0.0010906556,0.022076143,0.003882557,0.005395653,0.000007179108,0.0000010931557,0.000100244404,0.11607467],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99846965,0.00032782654,0.00045890504,0.00015786843,0.00030744023,0.00027829374],"domain_scores_gemma":[0.99887615,0.00018989433,0.00042885312,0.00014258354,0.0001578027,0.00020469855],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008596328,0.00021449976,0.00041035438,0.0003065911,0.00031077536,0.000045181227,0.00023269703,0.000084045685,0.0007599578],"category_scores_gemma":[0.000076658966,0.00016813063,0.00017434274,0.00001952882,0.00043536778,0.00031158037,0.000011862591,0.0003967066,0.000024180175],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000680501,0.00015208674,0.000006335993,0.000025264428,0.00009739952,0.00023693712,0.1417892,0.000039690894,0.004825562,0.01745538,0.81815517,0.016536495],"study_design_scores_gemma":[0.0005370692,0.0010361572,0.00006521662,0.00007056688,0.00008713332,0.000091971786,0.00080677186,0.00004597923,0.00013367011,0.006416643,0.9904495,0.00025931362],"about_ca_topic_score_codex":0.000024479123,"about_ca_topic_score_gemma":0.000026486334,"teacher_disagreement_score":0.83861685,"about_ca_system_score_codex":0.0007008479,"about_ca_system_score_gemma":0.0003649757,"threshold_uncertainty_score":0.8321005},"labels":[],"label_agreement":null},{"id":"W2008868165","doi":"10.1093/jdh/epu031","title":"The Story of Design","year":2014,"lang":"en","type":"article","venue":"Journal of Design History","topic":"Design Education and Practice","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Beauty; Visual arts; Typeface; Table (database); Nonsense; Art; Selection (genetic algorithm); Quarter (Canadian coin); Column (typography); Art history; Table of contents; Computer science; History; Aesthetics; World Wide Web; Artificial intelligence","score_opus":0.04143165502259522,"score_gpt":0.23326028352232442,"score_spread":0.1918286284997292,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2008868165","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"methods","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005624876,0.012683762,0.9727303,0.0002352678,0.0038524799,0.000094715215,1.7561732e-7,0.000031960102,0.009808882],"genre_scores_gemma":[0.9595924,0.0009413354,0.034681063,0.00024760337,0.00063581584,0.0000058696687,1.5680685e-7,0.000059115206,0.003836612],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99859446,0.0006785881,0.00033326712,0.000045139375,0.0002292117,0.00011930775],"domain_scores_gemma":[0.9972144,0.0020828051,0.00028392984,0.00018142861,0.00015581127,0.0000816203],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036537803,0.00008681718,0.00016057996,0.00011355706,0.00006840848,0.000009159648,0.00025254357,0.00005002569,0.00009850467],"category_scores_gemma":[0.0006315607,0.00006606803,0.0000770602,0.00006310498,0.000061678285,0.00019681679,0.0000041275025,0.00037800006,0.000030620344],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012183603,0.000051260766,0.000010029292,0.000033300108,0.000096912496,0.000004294173,0.0017959386,0.016011866,0.023950163,0.0011184091,0.92428905,0.032516956],"study_design_scores_gemma":[0.0002320546,0.000170665,0.00022875967,0.00002293552,0.000047388807,0.00005256858,0.000125696,0.0032552313,0.0024648649,0.0002843078,0.99302334,0.00009221696],"about_ca_topic_score_codex":8.4005507e-7,"about_ca_topic_score_gemma":2.7507375e-7,"teacher_disagreement_score":0.9590299,"about_ca_system_score_codex":0.0003393638,"about_ca_system_score_gemma":0.00020962232,"threshold_uncertainty_score":0.26941758},"labels":[],"label_agreement":null},{"id":"W2033119360","doi":"10.1093/jdh/epv013","title":"The Good Women of Peterhouse: Patriarchal Community, Femininity and University Reform","year":2015,"lang":"en","type":"article","venue":"Journal of Design History","topic":"Historical Gender and Feminism Studies","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Femininity; Legend; Gender studies; Poetry; Romance; Girl; Sociology; Power (physics); Art; Aesthetics; Literature; Psychology","score_opus":0.14440782873419436,"score_gpt":0.28219221194865707,"score_spread":0.1377843832144627,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2033119360","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19699347,0.019216286,0.002588931,0.0012850978,0.0036429525,0.00036645913,0.000007830535,0.000054193013,0.77584475],"genre_scores_gemma":[0.9961915,0.00083706254,0.00034447238,0.000021758437,0.000108645036,2.587715e-7,3.5450803e-8,0.0000041750545,0.0024920746],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982514,0.0009643269,0.00020984629,0.0000424945,0.0003688387,0.00016311667],"domain_scores_gemma":[0.9986796,0.00045502878,0.0003014568,0.00010958344,0.00024173535,0.00021261809],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004680264,0.000059543097,0.0001948491,0.00006368532,0.0005890305,0.000005624951,0.0003383595,0.000053735374,0.0000062385075],"category_scores_gemma":[0.00036317017,0.000043741682,0.000053373427,0.00008902664,0.0007097624,0.00011717243,0.00007062135,0.00032674216,0.000001111674],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003737368,0.00011060934,0.0010097687,0.000010385837,0.00007361867,0.000021300379,0.9671978,9.748418e-7,0.00004438794,0.0020474426,0.024902303,0.004207689],"study_design_scores_gemma":[0.0006300845,0.0006684148,0.0011176487,0.000011304525,0.000033576256,0.000008464675,0.44372657,0.0000012998812,0.000005581059,0.0016847115,0.5520285,0.00008388921],"about_ca_topic_score_codex":0.0005951516,"about_ca_topic_score_gemma":0.00010479532,"teacher_disagreement_score":0.79919803,"about_ca_system_score_codex":0.0029877461,"about_ca_system_score_gemma":0.000724271,"threshold_uncertainty_score":0.7812852},"labels":[],"label_agreement":null},{"id":"W2075675075","doi":"10.1093/jdh/16.2.103","title":"The Design of Moral Architecture at The York Retreat","year":2003,"lang":"en","type":"article","venue":"Journal of Design History","topic":"Historical Psychiatry and Medical Practices","field":"Psychology","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Architecture; History; Computer architecture; Computer science; Archaeology","score_opus":0.08749125506538015,"score_gpt":0.2983659707935532,"score_spread":0.21087471572817307,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2075675075","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004528358,0.36781338,0.31486073,0.00790607,0.03629188,0.0010992457,0.0000040852224,0.00005086509,0.26744536],"genre_scores_gemma":[0.7782597,0.0012348655,0.020783847,0.003782681,0.0024591275,0.000040020288,8.6125675e-7,0.00013865983,0.19330026],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99600774,0.002466422,0.0006184866,0.00014535627,0.00049113395,0.00027089007],"domain_scores_gemma":[0.995299,0.003061817,0.0009394574,0.00042324944,0.00010244234,0.00017407825],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0033418424,0.000154102,0.00029127605,0.000077399534,0.00026671533,0.0000064693118,0.00048092665,0.00014970367,0.001578151],"category_scores_gemma":[0.0010758104,0.00007732257,0.00022219245,0.00014974874,0.0004894567,0.00006174291,0.000012976343,0.0008344577,0.000076095814],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016486958,0.00023297724,0.00011100191,0.000009658912,0.00019349702,0.00007787283,0.0039805914,0.00026027474,0.0010138816,0.0053783976,0.98103714,0.006056012],"study_design_scores_gemma":[0.00062319863,0.0007523219,0.0001430617,0.000021446695,0.00014797834,0.00043358796,0.0003569061,0.0000043410146,0.00010642602,0.0021885037,0.9951252,0.000097057586],"about_ca_topic_score_codex":0.000013252526,"about_ca_topic_score_gemma":0.000004274373,"teacher_disagreement_score":0.7737313,"about_ca_system_score_codex":0.0005649478,"about_ca_system_score_gemma":0.00032603534,"threshold_uncertainty_score":0.9993345},"labels":[],"label_agreement":null},{"id":"W2091055879","doi":"10.1093/jdh/13.4.301","title":"John Cotton Dana and the Politics of Exhibiting Industrial Art in the US, 1909-1929","year":2000,"lang":"en","type":"article","venue":"Journal of Design History","topic":"Art History and Market Analysis","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Royal College of Physicians and Surgeons of Canada","funders":"","keywords":"Exhibition; Politics; Metropolitan area; Industrialisation; Work (physics); Art history; Art; Modern art; Visual arts; Political science; History; Performance art; Engineering; Archaeology; Law","score_opus":0.05444474523928768,"score_gpt":0.20583828778369911,"score_spread":0.15139354254441142,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2091055879","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46851477,0.015599871,0.00021448724,0.0015496588,0.0014137146,0.00046283877,0.000009645595,0.000016436545,0.5122186],"genre_scores_gemma":[0.974247,0.00027356052,0.00006834293,0.00077353156,0.0011642266,0.0000025915872,9.0649326e-7,0.000012209946,0.02345768],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983966,0.00059093843,0.00053519494,0.000071259,0.00026940648,0.00013664395],"domain_scores_gemma":[0.99889106,0.00047710698,0.0003820753,0.00013385783,0.00007642736,0.000039465474],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002148951,0.000099538636,0.00029949567,0.00015540386,0.00023880477,0.000022671184,0.00020809202,0.000045693443,0.0018531657],"category_scores_gemma":[0.00010603352,0.00005773392,0.00015107835,0.000034666034,0.0006698464,0.00018570147,0.000009642129,0.0003563472,0.000006449537],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014464323,0.00028160762,0.0004230351,0.000044802015,0.00027581106,0.00012927102,0.23048235,0.00016683058,0.00010339497,0.109495744,0.6472409,0.009909861],"study_design_scores_gemma":[0.0011148615,0.00013603772,0.000043125434,0.00005107492,0.00017431281,0.000034788944,0.002578593,0.0001074795,0.000009140158,0.0007501673,0.9949229,0.00007754394],"about_ca_topic_score_codex":0.00015415919,"about_ca_topic_score_gemma":0.00022069414,"teacher_disagreement_score":0.5057322,"about_ca_system_score_codex":0.00017997877,"about_ca_system_score_gemma":0.00015410695,"threshold_uncertainty_score":0.99905926},"labels":[],"label_agreement":null},{"id":"W2106036855","doi":"10.1093/jdh/eps046","title":"Ishbel Aberdeen's 'Irish' Dresses: Embroidery, Display and Meaning, 1886-1909","year":2012,"lang":"en","type":"article","venue":"Journal of Design History","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Irish; Craft; Celtic languages; Meaning (existential); Visual arts; Narrative; Object (grammar); Art; Consumption (sociology); History; Art history; Aesthetics; Literature; Ancient history; Computer science","score_opus":0.07218959158428248,"score_gpt":0.23536932234720126,"score_spread":0.16317973076291878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2106036855","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23067568,0.046123132,0.0011259756,0.0010587146,0.012836787,0.00047311903,0.000014623164,0.00016017254,0.7075318],"genre_scores_gemma":[0.9679688,0.0002829945,0.00042634137,0.0007550009,0.0015121691,0.0000024265585,0.0000010305648,0.00002424862,0.029026963],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989194,0.0001118503,0.00036382556,0.000088758454,0.00027926752,0.00023687899],"domain_scores_gemma":[0.99907786,0.00009963765,0.00035259765,0.00010104843,0.00017082623,0.00019805829],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00045046658,0.00015528616,0.00026124355,0.00010827415,0.00019329652,0.00007291545,0.000154416,0.000053179254,0.0025191084],"category_scores_gemma":[0.000070602226,0.00011157237,0.00011522947,0.0000143838615,0.00021729684,0.000820733,0.0000219273,0.00025794154,0.000064019005],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051693565,0.00014239766,0.00013692977,0.000043852546,0.00008192809,0.000023916824,0.1015972,0.0000026617467,0.0011649978,0.05369539,0.84122396,0.0018350552],"study_design_scores_gemma":[0.00043052598,0.00016990145,0.00037037476,0.00007440619,0.00008220613,0.00011714451,0.005896271,0.000012047873,0.00007756719,0.0002913481,0.99228454,0.00019368833],"about_ca_topic_score_codex":0.000017003538,"about_ca_topic_score_gemma":0.000029231562,"teacher_disagreement_score":0.7372931,"about_ca_system_score_codex":0.00016948621,"about_ca_system_score_gemma":0.000062535655,"threshold_uncertainty_score":0.9983927},"labels":[],"label_agreement":null},{"id":"W2748810498","doi":"10.1093/jdh/epx026","title":"An Examination of the 1960s Attempt at a New Brand Identity for the General Post Office","year":2017,"lang":"en","type":"article","venue":"Journal of Design History","topic":"Political and Economic history of UK and US","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Identity (music); Style (visual arts); Perspective (graphical); TRACE (psycholinguistics); Project commissioning; Jealousy; State (computer science); Publishing; Public relations; Corporate identity; Sociology; Management; Law; Political science; Psychology; Aesthetics; Computer science; Visual arts; Social psychology; Art","score_opus":0.08786732762855047,"score_gpt":0.3154354715546609,"score_spread":0.2275681439261104,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2748810498","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96484375,0.0028550588,0.0068729506,0.0035957755,0.005127191,0.0003514179,0.000009097587,0.000007258472,0.01633751],"genre_scores_gemma":[0.9782187,0.00004826978,0.0002443498,0.0002798395,0.00094018946,0.0000011678444,1.5124168e-7,0.0000048527163,0.020262528],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999225,0.00016622152,0.00022379291,0.00006449799,0.00019046111,0.00012998641],"domain_scores_gemma":[0.9988787,0.00018820405,0.0005026222,0.0001937998,0.00012420419,0.000112423026],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016555795,0.0000508395,0.00013000701,0.000027806396,0.0010650216,0.00003059358,0.00065079605,0.00005079244,0.00015948805],"category_scores_gemma":[0.00037118702,0.000031978638,0.00014822572,0.000011425147,0.0004035324,0.000500475,0.000018379353,0.00008061503,0.0000051000716],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015197884,0.00060894486,0.0042202584,0.00010448118,0.00033149647,0.000014012802,0.10967519,0.00031099436,0.03601579,0.13818523,0.6359067,0.07310714],"study_design_scores_gemma":[0.0007748846,0.00020454463,0.13754514,0.000025426269,0.000107539134,0.000007940405,0.000427803,0.00015855447,0.0002081294,0.0017477528,0.8586809,0.00011138783],"about_ca_topic_score_codex":0.0013310749,"about_ca_topic_score_gemma":0.0017003533,"teacher_disagreement_score":0.22277424,"about_ca_system_score_codex":0.00065195287,"about_ca_system_score_gemma":0.00054153585,"threshold_uncertainty_score":0.8191393},"labels":[],"label_agreement":null},{"id":"W2897404752","doi":"10.1093/jdh/epy002","title":"A Parisian Boudoir in London: The South Kensington Museum Sérilly Room","year":2018,"lang":"en","type":"article","venue":"Journal of Design History","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Period (music); Object (grammar); Context (archaeology); Ceiling (cloud); Art; Visual arts; Institution; Art history; History; Sociology; Archaeology; Aesthetics; Geography; Philosophy; Social science","score_opus":0.05139039950434562,"score_gpt":0.2089564595558394,"score_spread":0.1575660600514938,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2897404752","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06580125,0.08256607,0.003971946,0.014517703,0.037021585,0.0010493151,0.000009947968,0.00019932199,0.79486287],"genre_scores_gemma":[0.9829432,0.00004792963,0.00025438462,0.0009830509,0.003632816,0.0000024509957,2.1692821e-7,0.000019141818,0.012116805],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99885935,0.00013331173,0.0004188354,0.000106077634,0.00027741274,0.00020503996],"domain_scores_gemma":[0.999154,0.00006926329,0.00030786512,0.00013491523,0.00026908255,0.00006492046],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000501172,0.0001366867,0.00027546572,0.00012204939,0.00036689694,0.000032768312,0.00021555183,0.00004161031,0.0006612288],"category_scores_gemma":[0.000081760256,0.000079636935,0.00014078713,0.000041655185,0.00041707666,0.00016199214,0.000022472594,0.00030317032,0.000093977695],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012757817,0.00008355404,0.000114437105,0.000007984854,0.000057146408,0.000050955,0.3034833,0.00000271865,0.00014035286,0.008242528,0.6866518,0.0010376091],"study_design_scores_gemma":[0.0002837071,0.0003418267,0.00016047673,0.000041678446,0.000037713562,0.000015210069,0.0037343577,0.000012267428,0.00002111033,0.0005217705,0.99471414,0.00011576047],"about_ca_topic_score_codex":0.000050545394,"about_ca_topic_score_gemma":0.0009236012,"teacher_disagreement_score":0.917142,"about_ca_system_score_codex":0.00047842172,"about_ca_system_score_gemma":0.00012190884,"threshold_uncertainty_score":0.72399914},"labels":[],"label_agreement":null},{"id":"W2924586269","doi":"10.1093/jdh/epz013","title":"Design Nationalism, Technological Pragmatism and the Performance of Canadian-ness: The Case of the Contempra Telephone","year":2019,"lang":"en","type":"article","venue":"Journal of Design History","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Nationalism; Ideology; Symbol (formal); Pragmatism; Centennial; Identity (music); Icon; Design history; Media studies; Sociology; History; Engineering; Political science; Aesthetics; Law; Art; Computer science; Epistemology","score_opus":0.03927609916239141,"score_gpt":0.1926830432235137,"score_spread":0.1534069440611223,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2924586269","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.942196,0.02826282,0.002890503,0.004810484,0.0026726252,0.0021429565,0.00002898639,0.000029477318,0.016966159],"genre_scores_gemma":[0.99683744,0.00020184656,0.00023050727,0.00030924333,0.0000884931,0.000008320366,1.5132993e-7,0.000010794779,0.002313227],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985941,0.00041745635,0.0004991959,0.00008555717,0.0002637761,0.00013989792],"domain_scores_gemma":[0.99764115,0.0010382524,0.0006764259,0.00024833984,0.00034895423,0.000046873993],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002204468,0.00012070539,0.00030228254,0.00023916723,0.0002549439,0.000025115536,0.00037768163,0.00007095903,0.0004475571],"category_scores_gemma":[0.000177216,0.000053577976,0.000111411195,0.00008120743,0.0013280946,0.00018276898,0.000023638559,0.0003236576,0.0000054402853],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014149342,0.0002648142,0.00028353385,0.00026660925,0.000515519,0.00026430178,0.12412871,0.001129973,0.004869665,0.6616152,0.19704086,0.008205914],"study_design_scores_gemma":[0.0083623165,0.0019376082,0.0019002062,0.0007627201,0.0006311931,0.0064246436,0.025131613,0.009271058,0.004212845,0.0086126095,0.9319842,0.0007689987],"about_ca_topic_score_codex":0.0033314915,"about_ca_topic_score_gemma":0.0023290946,"teacher_disagreement_score":0.73494333,"about_ca_system_score_codex":0.0001641035,"about_ca_system_score_gemma":0.0005239843,"threshold_uncertainty_score":0.5036241},"labels":[],"label_agreement":null},{"id":"W2991143941","doi":"10.1093/jdh/epz052","title":"Meaning and ‘Material Reality’: Jane Morris’ Keepsake Books","year":2019,"lang":"en","type":"article","venue":"Journal of Design History","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"The arts; Amateur; Meaning (existential); Visual arts; Handicraft; Art; Art history; Fine art; Sociology; Aesthetics; History; Philosophy; Epistemology","score_opus":0.07335629612603294,"score_gpt":0.21701489376855226,"score_spread":0.14365859764251931,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991143941","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6747904,0.0017844837,0.00007618415,0.00038821815,0.007746688,0.00024512588,0.000009252482,0.000059428352,0.31490022],"genre_scores_gemma":[0.95966554,0.00006597001,0.00020284287,0.0003837699,0.00079190446,8.479156e-7,0.0000011001453,0.000014241918,0.038873795],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992519,0.00008472874,0.00028962726,0.00008033447,0.0001823674,0.00011104793],"domain_scores_gemma":[0.9994491,0.00003705995,0.00025339393,0.00007908009,0.00010927486,0.00007213955],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030553582,0.00009616493,0.0002122081,0.00006977017,0.00007588034,0.000058625432,0.00010030004,0.000034388533,0.0046954975],"category_scores_gemma":[0.000017266266,0.00007067989,0.000069661255,0.000005495518,0.0000977342,0.00025244892,0.000013534108,0.00013847051,0.000051605035],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004725338,0.0001240806,0.00006368587,0.0001535167,0.00017226103,0.0001243173,0.19759864,0.000025906369,0.045484953,0.21413946,0.5357234,0.0059172665],"study_design_scores_gemma":[0.00050767226,0.00034218119,0.00009980102,0.00008191476,0.000039266142,0.00008495975,0.004831474,0.000036789086,0.00029747983,0.00068023195,0.99284416,0.00015408703],"about_ca_topic_score_codex":0.000022816374,"about_ca_topic_score_gemma":0.000024365136,"teacher_disagreement_score":0.45712075,"about_ca_system_score_codex":0.00012616235,"about_ca_system_score_gemma":0.000050203027,"threshold_uncertainty_score":0.99621433},"labels":[],"label_agreement":null},{"id":"W4360988152","doi":"10.1093/jdh/epad008","title":"International Design Organizations: Histories, Legacies, Values","year":2023,"lang":"en","type":"article","venue":"Journal of Design History","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"World Anti-Doping Agency","funders":"","keywords":"Library science; Art history; Sociology; Art; Computer science","score_opus":0.11183281426325292,"score_gpt":0.2916474471265855,"score_spread":0.1798146328633326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4360988152","genre_codex":"methods","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006393811,0.03506852,0.48453245,0.11628236,0.12656151,0.0026229795,0.000024911633,0.0016832219,0.22683026],"genre_scores_gemma":[0.04752008,0.004758526,0.029627346,0.00076271454,0.0039719907,0.000014480233,0.0000141942655,0.00006388332,0.9132668],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984648,0.00024354091,0.00037050617,0.00009755098,0.00063473947,0.00018884552],"domain_scores_gemma":[0.9985491,0.00020612222,0.0003200038,0.0000727471,0.00072764594,0.00012435211],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015270824,0.00008879712,0.00015292883,0.00022351659,0.0003076804,0.0000505264,0.00039231664,0.00009348182,0.0018187391],"category_scores_gemma":[0.0012111221,0.00007990216,0.000055527955,0.00051196845,0.00017490197,0.0004474179,0.000026805614,0.00017996145,0.000062397485],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002139439,0.000021197593,0.00015696154,0.0000014986031,0.000039450366,0.00003992313,0.014053815,0.00019706899,0.00031515677,0.0013094466,0.9818003,0.0020437713],"study_design_scores_gemma":[0.00016134931,0.00004833085,0.00021701939,0.00001818002,0.000017192115,0.000010613226,0.003308849,0.00003653964,0.00008923903,0.0004105521,0.99557793,0.00010422473],"about_ca_topic_score_codex":0.00013309308,"about_ca_topic_score_gemma":0.000015774913,"teacher_disagreement_score":0.68643653,"about_ca_system_score_codex":0.003327258,"about_ca_system_score_gemma":0.0018282583,"threshold_uncertainty_score":0.9990937},"labels":[],"label_agreement":null},{"id":"W4383197098","doi":"10.1093/jdh/epad018","title":"Follow the Boots: A Case Study of Design and Global Value Chains","year":2023,"lang":"en","type":"article","venue":"Journal of Design History","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Factory (object-oriented programming); Competition (biology); Production (economics); Globalization; Business; Value (mathematics); Product (mathematics); Supply chain; Product design; Fashion design; Clothing; Global value chain; Meaning (existential); Marketing; Industrial organization; Commerce; Economic geography; Computer science; Economics; Geography; Market economy; Mathematics","score_opus":0.12401312999206303,"score_gpt":0.26536128495947087,"score_spread":0.14134815496740782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4383197098","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9385224,0.015218264,0.030569294,0.00053684344,0.0052529606,0.002031992,0.000022531047,0.00016969259,0.0076760445],"genre_scores_gemma":[0.995685,0.00008355617,0.00029639393,0.00015644066,0.0004745616,0.0000107899405,2.1120472e-7,0.000022619119,0.0032704363],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980974,0.0005488778,0.0005685717,0.00014895301,0.00041638184,0.00021980965],"domain_scores_gemma":[0.9984636,0.0005257426,0.00046048034,0.0002283005,0.00021273976,0.00010915385],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018049615,0.00017773938,0.0003765308,0.00019867883,0.00030777953,0.000055314194,0.00023286739,0.00004703797,0.00017377936],"category_scores_gemma":[0.000101844205,0.00012068818,0.00014542855,0.00008641774,0.00026297977,0.00021012666,0.000033748605,0.00020239675,0.000012947001],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009347495,0.0012022576,0.00030061117,0.000087301974,0.00069847144,0.012119359,0.3766942,0.0018728478,0.00036095537,0.020146633,0.57863194,0.006950662],"study_design_scores_gemma":[0.013898184,0.01989088,0.0017478365,0.00040498792,0.0023702562,0.012442489,0.41192877,0.013483797,0.00009645924,0.009478206,0.51267886,0.0015792878],"about_ca_topic_score_codex":0.00035420063,"about_ca_topic_score_gemma":0.00021588472,"teacher_disagreement_score":0.06595311,"about_ca_system_score_codex":0.00028500106,"about_ca_system_score_gemma":0.0002669019,"threshold_uncertainty_score":0.4921521},"labels":[],"label_agreement":null},{"id":"W4390838984","doi":"10.1093/jdh/epad051","title":"Architecture after CovidInteriors in the Era of Covid-19: Interior Design between the Public and Private Realms","year":2024,"lang":"en","type":"article","venue":"Journal of Design History","topic":"Architecture, Design, and Social History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Publishing; Architecture; Coronavirus disease 2019 (COVID-19); Interior design; Art history; Library science; History; Sociology; Management; Art; Political science; Law; Visual arts; Medicine; Computer science","score_opus":0.06004940455611467,"score_gpt":0.25564751127963353,"score_spread":0.19559810672351885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390838984","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21976301,0.22850403,0.50058943,0.031862155,0.009041112,0.0033922375,0.00010904724,0.0002273477,0.006511622],"genre_scores_gemma":[0.99560624,0.0003246888,0.000674051,0.001722879,0.000916807,0.000025060586,9.303204e-7,0.000037435544,0.00069188385],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970916,0.0013936055,0.0006681486,0.00018625402,0.00040870963,0.00025170177],"domain_scores_gemma":[0.9977492,0.0014603714,0.00033419707,0.00022877168,0.00007985791,0.00014756914],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002877278,0.00022625172,0.00041462475,0.00037324842,0.00024271203,0.000107395404,0.0005595801,0.00009027084,0.00034347764],"category_scores_gemma":[0.00027444266,0.00012617439,0.00023198746,0.0000811749,0.0012177471,0.00021803065,0.000043773525,0.0010252836,0.000004611679],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00083898107,0.000085907006,0.00022755456,0.00050487276,0.00032911042,0.0005805352,0.8727702,0.000047098943,0.000777952,0.017481552,0.083960555,0.022395689],"study_design_scores_gemma":[0.00031281015,0.0006032238,0.0003076459,0.00021409607,0.00013229578,0.00013017004,0.0028529924,0.000026218671,0.000025381303,0.009273933,0.9859256,0.0001956138],"about_ca_topic_score_codex":0.0000719977,"about_ca_topic_score_gemma":0.00019804969,"teacher_disagreement_score":0.9019651,"about_ca_system_score_codex":0.00064224063,"about_ca_system_score_gemma":0.0008427462,"threshold_uncertainty_score":0.5145242},"labels":[],"label_agreement":null},{"id":"W4412415365","doi":"10.1093/jdh/epaf005","title":"Hibernia the Lacemaker: Reading Gender, Class, and Empire in the Discourse of Nineteenth-century Irish Lace","year":2025,"lang":"en","type":"article","venue":"Journal of Design History","topic":"Irish and British Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; Concordia University","keywords":"Irish; Reading (process); Empire; Class (philosophy); History; Literature; Art; Ancient history; Linguistics; Philosophy","score_opus":0.04312421942792054,"score_gpt":0.31582048532685336,"score_spread":0.2726962658989328,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412415365","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3752997,0.31279203,0.0012271143,0.03441122,0.0034125724,0.0010155748,0.0000067520127,0.000029083983,0.27180597],"genre_scores_gemma":[0.98934877,0.007861305,0.00015634505,0.0008569819,0.00020051847,0.0000035442984,1.323613e-7,0.0000049851483,0.0015674074],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984383,0.00062803813,0.0003152264,0.00008464609,0.00035779594,0.00017601316],"domain_scores_gemma":[0.9989838,0.0005006776,0.00027928318,0.000097721706,0.00010567191,0.000032847296],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023739045,0.000077460456,0.00020701699,0.00009481812,0.00025918437,0.000024219522,0.00028707527,0.000058407895,0.000015428723],"category_scores_gemma":[0.00031259912,0.00004885093,0.00007814546,0.0001661903,0.00051776815,0.00014671218,0.000028195274,0.00028104044,7.282983e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006188276,0.00006624212,0.006899778,0.00002051183,0.000043715856,0.00003636951,0.025247753,0.0000070612355,0.00010248968,0.0005709745,0.96488947,0.002053742],"study_design_scores_gemma":[0.00072175614,0.00010193007,0.02800246,0.00021769863,0.00013427489,0.000023774553,0.052255258,0.00001833201,0.00001724921,0.00038937406,0.91799873,0.00011919099],"about_ca_topic_score_codex":0.00020640608,"about_ca_topic_score_gemma":0.000119193355,"teacher_disagreement_score":0.6140491,"about_ca_system_score_codex":0.00030690705,"about_ca_system_score_gemma":0.0004014868,"threshold_uncertainty_score":0.19934629},"labels":[],"label_agreement":null},{"id":"W4416536159","doi":"10.1093/jdh/epaf033","title":"De la tierra somos. Tradición y exploraciones en barro. (To the earth we belong. Tradition and explorations in clay.)","year":2025,"lang":"en","type":"article","venue":"Journal of Design History","topic":"Latin American history and culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Tierra; Earth (classical element); Earth history; Figure of the Earth","score_opus":0.036643222682063485,"score_gpt":0.23230607588674249,"score_spread":0.195662853204679,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416536159","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3753291,0.1495314,0.09314136,0.08189731,0.013054173,0.0028388,0.000075035314,0.00030944293,0.28382337],"genre_scores_gemma":[0.9918072,0.00037833778,0.00092524313,0.001122435,0.0004655669,0.000027385971,0.0000011395417,0.000012826521,0.0052598477],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989218,0.0004800948,0.00027829874,0.0000882099,0.0001292545,0.00010230642],"domain_scores_gemma":[0.9994456,0.0002184631,0.00013877465,0.000088713154,0.00005611863,0.00005228616],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006299113,0.00009926133,0.00017892473,0.00020303295,0.00022450234,0.000042127853,0.00013024757,0.000045753324,0.00037932704],"category_scores_gemma":[0.000059510712,0.00007084416,0.00006359016,0.0000545085,0.00023596939,0.00031080743,0.0000065218383,0.0003088892,0.0000075367143],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001549675,0.00017039076,0.000029155986,0.000029886729,0.000056746692,0.000059673966,0.53261656,0.0005257435,0.0015969971,0.1697279,0.2875925,0.0074394895],"study_design_scores_gemma":[0.0003048968,0.00015932076,0.00022045952,0.00012233466,0.00005088709,0.00003344129,0.015920445,0.00009101736,0.000065389795,0.004613827,0.9783164,0.00010154368],"about_ca_topic_score_codex":0.000011566447,"about_ca_topic_score_gemma":0.00004664017,"teacher_disagreement_score":0.6907239,"about_ca_system_score_codex":0.00029522437,"about_ca_system_score_gemma":0.0002523511,"threshold_uncertainty_score":0.4153365},"labels":[],"label_agreement":null},{"id":"W7124141542","doi":"10.1093/jdh/epaf042","title":"Knoll International Canada: A Bellwether of Changing Attitudes in Internationalism and Nationalism","year":2025,"lang":"en","type":"article","venue":"Journal of Design History","topic":"Architecture, Design, and Social History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Humber Polytechnic","funders":"","keywords":"Internationalism (politics); Nationalism; Transnationalism; Economic nationalism; Conservatism","score_opus":0.027076301735435196,"score_gpt":0.22477540387610961,"score_spread":0.19769910214067443,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7124141542","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40539822,0.10751986,0.023799198,0.009927986,0.040172324,0.0011972481,0.000113114475,0.0000731301,0.41179892],"genre_scores_gemma":[0.9824349,0.00009285406,0.00042115996,0.0005977063,0.0003628656,0.0000032893208,0.0000015412286,0.000009124819,0.01607653],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990599,0.00008642011,0.0003795962,0.000080023914,0.00030103055,0.00009302247],"domain_scores_gemma":[0.99917924,0.00019555014,0.00028112935,0.000047667014,0.0002669395,0.000029483446],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004758237,0.00008501125,0.00019624819,0.0006233814,0.00007278284,0.000008606019,0.00018466264,0.000034311794,0.00032061845],"category_scores_gemma":[0.00008608062,0.00008117355,0.00005761497,0.000033470318,0.00018472661,0.00012473673,0.00002376608,0.00016928205,3.730238e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002614333,0.00022539274,0.0017884065,0.000117351585,0.0004067187,0.00008249,0.13162917,0.00025365668,0.0007833976,0.7610939,0.09867302,0.0046850652],"study_design_scores_gemma":[0.00083145854,0.0000542778,0.002663737,0.00027588347,0.000034794462,0.00001107637,0.0014091984,0.00014962375,0.00007929909,0.0064302133,0.9879111,0.0001493404],"about_ca_topic_score_codex":0.013308966,"about_ca_topic_score_gemma":0.08142289,"teacher_disagreement_score":0.88923806,"about_ca_system_score_codex":0.0011513043,"about_ca_system_score_gemma":0.00091373036,"threshold_uncertainty_score":0.9932615},"labels":[],"label_agreement":null},{"id":"W7125149902","doi":"10.1093/jdh/epaf051","title":"Ornament and Symbol in French Romantic Architecture: Simon-Claude Constant-Dufeux. by Ralph Ghoche","year":2025,"lang":"en","type":"article","venue":"Journal of Design History","topic":"Architecture, Modernity, and Design","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Symbol (formal); Romance; Old French","score_opus":0.01295288572328642,"score_gpt":0.20504343641488487,"score_spread":0.19209055069159844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7125149902","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1130051,0.07594128,0.805467,0.00017569945,0.0011215365,0.00036135476,0.0000053246295,0.000090891845,0.00383181],"genre_scores_gemma":[0.99356204,0.0005248305,0.005172828,0.0002302366,0.000070209215,0.0000065806107,8.9871816e-7,0.00003161805,0.00040077968],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985501,0.00016893214,0.00055644894,0.00016525784,0.00026586704,0.0002933797],"domain_scores_gemma":[0.99919385,0.00030685743,0.00012746209,0.00018869592,0.00004632408,0.00013681682],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00051194895,0.0002450264,0.00044888316,0.00050647696,0.00004972245,0.000020957797,0.00023684245,0.0001344138,0.00004688906],"category_scores_gemma":[0.00008029086,0.00022456248,0.00009469255,0.00013307476,0.00012293397,0.00009341932,0.000027735663,0.0006953743,0.0000036219285],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00051731284,0.0004688014,0.00616812,0.0009632964,0.0007613062,0.0008435303,0.010172565,0.09700074,0.18901181,0.00047529384,0.6518229,0.041794315],"study_design_scores_gemma":[0.032536257,0.0043278434,0.034063164,0.007082931,0.0020951792,0.002008936,0.001839882,0.1763856,0.07162979,0.09315951,0.56752825,0.007342635],"about_ca_topic_score_codex":0.000022479357,"about_ca_topic_score_gemma":0.000025215393,"teacher_disagreement_score":0.88055694,"about_ca_system_score_codex":0.00072659826,"about_ca_system_score_gemma":0.00020360273,"threshold_uncertainty_score":0.91573924},"labels":[],"label_agreement":null},{"id":"W7165678628","doi":"10.1093/jdh/epaf055","title":"Knoll Internacional de México S. A.: The Interiors of the Bacardí Mies van der Rohe Building in Tultitlán","year":2025,"lang":"en","type":"article","venue":"Journal of Design History","topic":"Architecture, Design, and Social History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Negotiation; Interpreter; Perspective (graphical); Performance art; Architecture","score_opus":0.02715858142109268,"score_gpt":0.23138249565484312,"score_spread":0.20422391423375044,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7165678628","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66393274,0.080197535,0.05246783,0.0043966356,0.024219733,0.0013401824,0.000022523933,0.000079959485,0.17334288],"genre_scores_gemma":[0.98478466,0.000066569446,0.00048316567,0.00067257596,0.0003961503,0.000005042339,1.1018545e-7,0.0000149060315,0.013576823],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985838,0.00041383566,0.0004928724,0.000092445145,0.00024524287,0.00017179744],"domain_scores_gemma":[0.9989905,0.00030388706,0.00037763905,0.00015901892,0.0001347986,0.00003418032],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008347501,0.00013251932,0.00027543854,0.00025061055,0.00021779485,0.000017562217,0.00055630546,0.00006272944,0.0003325265],"category_scores_gemma":[0.00014685812,0.000080500926,0.0002883301,0.000046284516,0.0006464958,0.000110916764,0.00005523457,0.0005175825,0.0000026015057],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007779549,0.00036796142,0.0031561116,0.00019787098,0.0005878346,0.00006740779,0.523009,0.0006875867,0.010215326,0.1816329,0.26670003,0.012599987],"study_design_scores_gemma":[0.0005186548,0.00011559194,0.0024878301,0.00044720495,0.000110139445,0.00002046795,0.0043125465,0.000075525175,0.0005702372,0.009820862,0.9813719,0.00014906163],"about_ca_topic_score_codex":0.000115584895,"about_ca_topic_score_gemma":0.0005170595,"teacher_disagreement_score":0.71467185,"about_ca_system_score_codex":0.001023663,"about_ca_system_score_gemma":0.00053333637,"threshold_uncertainty_score":0.3640932},"labels":[],"label_agreement":null}]}