{"meta":{"query_hash":"987bf405f3c3","filters":{"venue":"Journal of European Popular Culture"},"cohort_total":14,"direct_labels_cover":0,"predictions_cover":14,"exported":14,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/987bf405f3c3","api":"https://metacan.xera.ac/api/v1/cohort?venue=Journal+of+European+Popular+Culture"},"results":[{"id":"W2312248707","doi":"10.1386/jepc.5.1.59_1","title":"Transnational connections in European crime film series (1908–1914)","year":2014,"lang":"en","type":"article","venue":"Journal of European Popular Culture","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"Arts and Humanities Research Council","keywords":"Movie theater; Modernization theory; Ethos; Ideology; Globalization; Sociology; History; Economic history; Art history; Political science; Law","score_opus":0.025691904135629186,"score_gpt":0.2190646099829024,"score_spread":0.1933727058472732,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2312248707","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30055523,0.008608423,0.0039017387,0.024485603,0.0041246107,0.00030243,0.0001751831,0.000075997916,0.65777075],"genre_scores_gemma":[0.9923026,0.00029705133,0.00085408805,0.00034170022,0.0006200042,6.6117883e-7,0.000012284537,0.00003156433,0.0055400343],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99870706,0.00012498918,0.0007627288,0.0001657193,0.00006318765,0.00017629792],"domain_scores_gemma":[0.9992495,0.000013392137,0.00041934857,0.00013395662,0.0000931888,0.00009060112],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010220982,0.00013906165,0.00034118473,0.00017416637,0.000098987686,0.00005226155,0.00021263778,0.000030843003,0.0001110364],"category_scores_gemma":[0.00037517815,0.00012433833,0.00017650533,0.00018390431,0.000042906948,0.00027327338,0.00002995974,0.00031691912,0.000120547295],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006285186,0.00027002775,0.033712886,0.00006825441,0.00016622039,0.00021319056,0.0072534196,0.00045060428,0.0005834841,0.90588635,0.0505855,0.00074722595],"study_design_scores_gemma":[0.00090336095,0.000178508,0.10568761,0.000031998334,0.0000137363395,0.00014054938,0.00039405387,0.000026316817,0.000022573546,0.0028195472,0.88961077,0.000170954],"about_ca_topic_score_codex":0.0000021784888,"about_ca_topic_score_gemma":0.000019577854,"teacher_disagreement_score":0.9030668,"about_ca_system_score_codex":0.00003745439,"about_ca_system_score_gemma":0.000006896498,"threshold_uncertainty_score":0.507037},"labels":[],"label_agreement":null},{"id":"W2331117835","doi":"10.1386/jepc.1.1.41_1","title":"A model small cinema: Icelandic film policy since 1978","year":2010,"lang":"en","type":"article","venue":"Journal of European Popular Culture","topic":"European Socioeconomic and Political Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"York University","keywords":"Icelandic; Sketch; Exhibition; Movie theater; Mainstream; Media studies; Political science; Sociology; Art; Visual arts; Law; Computer science; Philosophy","score_opus":0.038846296149828534,"score_gpt":0.23733351976677433,"score_spread":0.1984872236169458,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2331117835","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38350454,0.004520821,0.0016213052,0.0041502216,0.0010513257,0.0001390809,0.00019772202,0.000045936842,0.60476905],"genre_scores_gemma":[0.9674375,0.0006481212,0.00349399,0.002156801,0.0025612642,6.50252e-7,0.000007724424,0.00005274542,0.023641208],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99834585,0.000048842787,0.0009585793,0.00023832683,0.000048375212,0.0003600223],"domain_scores_gemma":[0.99859345,0.000014930028,0.00076324167,0.00028054573,0.000091946305,0.00025589837],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007686983,0.00022153048,0.000507381,0.00015361655,0.00016740175,0.00010026419,0.0005003385,0.00008382345,0.000106418796],"category_scores_gemma":[0.00042790326,0.00018849944,0.0003379107,0.00011964236,0.000110188535,0.00018507858,0.0001209886,0.0008279742,0.00089286175],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033180262,0.00017219826,0.017978692,0.000043094995,0.00020294446,0.00015523711,0.0029082804,0.0002826326,0.00042529675,0.93777096,0.03962849,0.00039897123],"study_design_scores_gemma":[0.0010498381,0.00015373007,0.008061365,0.000034299428,0.00003111898,0.000180113,0.00018581563,0.00052297965,0.000016669866,0.019490965,0.9698825,0.00039061575],"about_ca_topic_score_codex":0.000018421633,"about_ca_topic_score_gemma":0.0000133139165,"teacher_disagreement_score":0.930254,"about_ca_system_score_codex":0.000057778227,"about_ca_system_score_gemma":0.000029784374,"threshold_uncertainty_score":0.9998851},"labels":[],"label_agreement":null},{"id":"W2742710871","doi":"10.1386/jepc.8.1.39_1","title":"Mauerpark: Berlin’s gentrifying scene park","year":2017,"lang":"en","type":"article","venue":"Journal of European Popular Culture","topic":"Ecology, Conservation, and Geographical Studies","field":"Environmental Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Gentrification; Geography; Archaeology; History; Engineering; Civil engineering","score_opus":0.02233057785614632,"score_gpt":0.25431909618446175,"score_spread":0.23198851832831544,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2742710871","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9490118,0.0013875457,0.00012522165,0.0042179567,0.0006984417,0.00010760886,0.0000045338584,0.000018077271,0.04442881],"genre_scores_gemma":[0.99242216,0.0009917133,0.0022649623,0.00080349355,0.00043223763,4.8280276e-7,0.0000018381185,0.000014927013,0.003068204],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9988686,0.00013514087,0.00036038453,0.0001524029,0.00026208765,0.00022140908],"domain_scores_gemma":[0.9989562,0.000007747688,0.00058116065,0.00027246238,0.00004646577,0.0001359492],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00066660345,0.00012908452,0.00019855736,0.0000225888,0.0008467827,0.00011923361,0.0005982019,0.000049459613,0.00026340454],"category_scores_gemma":[0.00033182715,0.000089251815,0.00016787495,0.00006357025,0.00020278912,0.00032351707,0.0002314005,0.000300267,0.00017457332],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022811275,0.000072255825,0.94299066,0.0000058446753,0.00006331328,0.00024041031,0.000519561,0.00005116876,0.0009305091,0.00011585553,0.05029341,0.0046942183],"study_design_scores_gemma":[0.00029796452,0.00006767905,0.6448051,0.000021814758,0.000034966655,0.000052641775,0.00007423712,0.000008457805,0.000027634305,0.00032099968,0.3541969,0.00009161655],"about_ca_topic_score_codex":0.000024618494,"about_ca_topic_score_gemma":0.00012388351,"teacher_disagreement_score":0.3039035,"about_ca_system_score_codex":0.000036571288,"about_ca_system_score_gemma":0.000004242078,"threshold_uncertainty_score":0.65128535},"labels":[],"label_agreement":null},{"id":"W2807760114","doi":"10.1386/jepc.9.1.43_1","title":"Entangled states: Putting affect theory into play with John Burnside’s A Summer of Drowning","year":2018,"lang":"en","type":"article","venue":"Journal of European Popular Culture","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Burman University","funders":"","keywords":"Affect (linguistics); Mathematics; Psychology; Communication","score_opus":0.019066784604316076,"score_gpt":0.24177441631358287,"score_spread":0.2227076317092668,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2807760114","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8940382,0.0029140783,0.00011543347,0.00020101269,0.0006236266,0.00011939885,0.0000132493005,0.00002993351,0.10194506],"genre_scores_gemma":[0.9933621,0.00014669716,0.0005171059,0.00023154162,0.0023391217,3.68225e-7,0.0000043512578,0.000032402233,0.0033663071],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988173,0.00021304277,0.000416543,0.000109072455,0.00024932966,0.0001946863],"domain_scores_gemma":[0.9989084,0.000021268615,0.00051140814,0.0001296905,0.000367996,0.00006123862],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007493348,0.0001776813,0.00031290323,0.0000999461,0.00034677616,0.0000922814,0.00019529308,0.000020128535,0.00026183922],"category_scores_gemma":[0.00003888518,0.0000966602,0.0001386345,0.000052111907,0.00026700232,0.00032413864,0.000052224757,0.00025688563,0.00002813081],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007758072,0.00017600763,0.007899951,0.00020707768,0.0011614753,0.00035560373,0.91237086,0.000042108088,0.003067834,0.022021398,0.043288846,0.008633058],"study_design_scores_gemma":[0.001523558,0.003079269,0.0009374644,0.0013808894,0.00035744387,0.0001983978,0.06730339,0.000008673001,0.0016790907,0.0016203797,0.92155087,0.00036060467],"about_ca_topic_score_codex":0.00001578479,"about_ca_topic_score_gemma":0.00019127168,"teacher_disagreement_score":0.878262,"about_ca_system_score_codex":0.000020078587,"about_ca_system_score_gemma":0.00001607204,"threshold_uncertainty_score":0.39416888},"labels":[],"label_agreement":null},{"id":"W2921278407","doi":"10.1386/jepc.9.2.119_1","title":"Poland’s enchanted Bollywood","year":2018,"lang":"en","type":"article","venue":"Journal of European Popular Culture","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Entertainment; Hindi; Dance; Multiculturalism; Globalization; Popularity; Film industry; Geography; Economy; Political science; Media studies; Advertising; History; Visual arts; Art; Art history; Sociology; Business; Economics","score_opus":0.021457687928465974,"score_gpt":0.2231614399379607,"score_spread":0.20170375200949472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2921278407","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1264496,0.002726142,0.000078870704,0.0013430078,0.003558226,0.00014400715,0.000049940878,0.000091601134,0.8655586],"genre_scores_gemma":[0.9450544,0.000025979456,0.00020829943,0.0009893007,0.012575103,2.0565808e-7,0.000009078379,0.00003387745,0.041103765],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988723,0.00012677115,0.0004041226,0.00011871712,0.00027080317,0.00020727921],"domain_scores_gemma":[0.9988404,0.0000023103369,0.0003506707,0.0001616367,0.00050367677,0.00014133245],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024414508,0.00016859356,0.00022456331,0.00007472087,0.00028247538,0.0001984005,0.00030979156,0.000039040988,0.0015001083],"category_scores_gemma":[0.0000750648,0.00010138313,0.00021159623,0.00005491322,0.00013531168,0.00023847306,0.000031804182,0.00031539038,0.0004924493],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013074589,0.00016950224,0.00052910583,0.000029923222,0.00024460666,0.0006188978,0.23795383,4.9960386e-7,0.004268537,0.050663408,0.7033438,0.002047161],"study_design_scores_gemma":[0.00057620625,0.00046192313,0.00036451675,0.0000984569,0.00007300406,0.00028174953,0.011509337,0.0000012731222,0.00011644836,0.00028097295,0.98608136,0.00015473166],"about_ca_topic_score_codex":0.0000020940724,"about_ca_topic_score_gemma":0.00003051119,"teacher_disagreement_score":0.82445484,"about_ca_system_score_codex":0.000013744647,"about_ca_system_score_gemma":0.000016486376,"threshold_uncertainty_score":0.99941266},"labels":[],"label_agreement":null},{"id":"W3026128941","doi":"10.1386/jepc_00017_5","title":"The Road to Grantchester, James Runcie (2019)","year":2020,"lang":"en","type":"article","venue":"Journal of European Popular Culture","topic":"Posthumanist Ethics and Activism","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Art; Political science","score_opus":0.04810127340107516,"score_gpt":0.30412705707060766,"score_spread":0.2560257836695325,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3026128941","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26321116,0.012182414,0.0008054991,0.47135806,0.0032676666,0.0006384766,0.000028337417,0.00014012435,0.24836826],"genre_scores_gemma":[0.9807502,0.0009941058,0.00033350976,0.008894993,0.0027306133,2.8863423e-7,9.374875e-7,0.000025422984,0.0062699425],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983877,0.00046737326,0.0002814513,0.00010492473,0.00053524284,0.00022331228],"domain_scores_gemma":[0.9990749,0.000018447143,0.0002551127,0.000109564586,0.00023202832,0.0003099455],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014623774,0.00009640551,0.00014316653,0.000017240376,0.00075037696,0.00032154613,0.0006752724,0.00004262805,0.000015114153],"category_scores_gemma":[0.0007983319,0.000054965807,0.00015840122,0.00017026163,0.00009909351,0.0001484894,0.000067320485,0.00049615814,0.0001112146],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015625186,0.00011092168,0.00050935964,0.00001685458,0.00015839057,0.0006965232,0.30541146,0.000029022242,0.009845187,0.06169774,0.56365836,0.057709944],"study_design_scores_gemma":[0.00013782692,0.00012359473,0.0010394661,0.000028918694,0.00001698774,0.000011304388,0.0051355697,0.000001011597,0.00004335785,0.00042262732,0.99295324,0.0000860871],"about_ca_topic_score_codex":0.000031491403,"about_ca_topic_score_gemma":0.0000547119,"teacher_disagreement_score":0.717539,"about_ca_system_score_codex":0.000031032036,"about_ca_system_score_gemma":0.00007175594,"threshold_uncertainty_score":0.5771369},"labels":[],"label_agreement":null},{"id":"W3027387791","doi":"10.1386/jepc_00012_7","title":"Self-transformation in contemporary culture: An interview with Drew Lint","year":2020,"lang":"en","type":"article","venue":"Journal of European Popular Culture","topic":"Media, Religion, Digital Communication","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Lint; Transformation (genetics); Sociology; Psychology; Art; Computer science","score_opus":0.08984341787015653,"score_gpt":0.25830422151168153,"score_spread":0.168460803641525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3027387791","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04383499,0.017738044,0.00069918594,0.009341269,0.00041145468,0.0007070921,0.000031533265,0.00018221233,0.9270542],"genre_scores_gemma":[0.9957247,0.00073393603,0.00050658575,0.0021095783,0.00057944545,9.743267e-7,0.00006777281,0.000028743701,0.00024831193],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984816,0.00041561946,0.0006231467,0.00010494341,0.00026441846,0.000110276334],"domain_scores_gemma":[0.9989761,0.0000041604844,0.00041877068,0.00017387414,0.00027093178,0.00015612997],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004283509,0.00015860384,0.0002485864,0.000060932496,0.000097365424,0.0003246796,0.00042415166,0.000032171683,0.000026672695],"category_scores_gemma":[0.000039453622,0.00009931398,0.00010227811,0.00007549047,0.000052325344,0.0012962437,0.000032452994,0.00048322693,0.00003462556],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028177962,0.0005146218,0.00037647097,0.0005254417,0.00018926302,0.00033544475,0.86469513,0.000057240828,0.00026545595,0.08221919,0.046200875,0.004339107],"study_design_scores_gemma":[0.0010096034,0.0011900901,0.00013274606,0.000461179,0.00004308838,0.00007640224,0.004039962,0.00008922863,0.000043225456,0.00077824405,0.99192935,0.0002068727],"about_ca_topic_score_codex":0.000004884987,"about_ca_topic_score_gemma":0.000070272494,"teacher_disagreement_score":0.95188963,"about_ca_system_score_codex":0.000032869866,"about_ca_system_score_gemma":0.000037968446,"threshold_uncertainty_score":0.40499064},"labels":[],"label_agreement":null},{"id":"W4225265284","doi":"10.1386/jepc_00041_7","title":"On language and gender: An interview with Olivier Lallart about PD","year":2022,"lang":"en","type":"article","venue":"Journal of European Popular Culture","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Scholarship; Film director; Romance; Psychoanalysis; Documentary film; Sociology; American film; Psychology; Art history; Movie theater; Gender studies; Media studies; Art; Political science; Law","score_opus":0.04211497766527316,"score_gpt":0.268945648512598,"score_spread":0.22683067084732483,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4225265284","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63082224,0.014634803,0.00004385968,0.0006185205,0.0006042832,0.0001186151,0.00010414116,0.000031042557,0.35302252],"genre_scores_gemma":[0.98854244,0.00015623252,0.00008661044,0.0014099797,0.0014970344,5.1345495e-7,0.000020671949,0.00002767757,0.00825884],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990179,0.0002539668,0.00023097686,0.000109198554,0.00027835954,0.000109616776],"domain_scores_gemma":[0.9994145,0.0000037643013,0.00023197776,0.00014098661,0.000113940114,0.00009485551],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00044500557,0.00011373621,0.00018506937,0.00007568694,0.00030429853,0.00020045876,0.00018230453,0.000008130165,0.0012900578],"category_scores_gemma":[0.000025371344,0.00006907813,0.00009753367,0.000027929636,0.000041213058,0.000093061986,0.000056426154,0.00030012242,0.000010160426],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023201054,0.00092918763,0.00067979627,0.0001427441,0.0010426133,0.005440948,0.35208383,0.00048726494,0.00021628036,0.5526306,0.078951076,0.0071636215],"study_design_scores_gemma":[0.000435464,0.0006625735,0.00023148394,0.00005341454,0.00027036367,0.000157534,0.023315366,0.000023202116,0.000003005468,0.00054959365,0.97413075,0.00016724592],"about_ca_topic_score_codex":0.00000688164,"about_ca_topic_score_gemma":0.000049155413,"teacher_disagreement_score":0.8951797,"about_ca_system_score_codex":0.000015892341,"about_ca_system_score_gemma":0.000011497752,"threshold_uncertainty_score":0.9996229},"labels":[],"label_agreement":null},{"id":"W4231057789","doi":"10.1386/jepc_00007_5","title":"Reviews","year":2019,"lang":"en","type":"article","venue":"Journal of European Popular Culture","topic":"Culinary Culture and Tourism","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of British Columbia","funders":"","keywords":"Pornography; Media studies; Sociology; Narrative; Art history; Religious studies; Art; Political science; Law; Philosophy; Literature","score_opus":0.024734388326763636,"score_gpt":0.2282650740132466,"score_spread":0.20353068568648297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231057789","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92496943,0.010862385,0.00000311274,0.0016861596,0.00074524095,0.00021321539,0.000006702483,0.00002436486,0.061489414],"genre_scores_gemma":[0.9395853,0.0023751464,0.00073473336,0.0020226792,0.0046729734,5.125682e-7,0.00003551824,0.0000038403286,0.050569262],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989333,0.00021068759,0.00039751278,0.00011778994,0.0001956723,0.00014501506],"domain_scores_gemma":[0.99935883,0.000005602906,0.00036973789,0.00005797078,0.00010113817,0.000106726606],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005090994,0.00012350125,0.0002553748,0.000007919019,0.000060339447,0.000051760126,0.00033382562,0.000045977966,0.00064386264],"category_scores_gemma":[0.000045068304,0.00003412239,0.00030071105,0.00016669054,0.000010874953,0.00019260231,0.00004419667,0.00027410354,0.00082500884],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005324727,0.00016539394,0.0062424615,0.00002253918,0.00004786509,0.00034575732,0.00072667364,0.000004885145,0.4765632,0.00054791395,0.4619232,0.053356856],"study_design_scores_gemma":[0.00013936016,0.00036546905,0.011355012,0.000072142946,0.00001947154,0.0002654249,0.00013411412,4.9373597e-7,0.00014526359,0.00008644733,0.98731,0.0001067954],"about_ca_topic_score_codex":0.0000015787683,"about_ca_topic_score_gemma":0.0000043364203,"teacher_disagreement_score":0.5253868,"about_ca_system_score_codex":0.000011174219,"about_ca_system_score_gemma":0.0000022925517,"threshold_uncertainty_score":0.999953},"labels":[],"label_agreement":null},{"id":"W4252998212","doi":"10.1386/jepc.6.2.129_1","title":"Welcome to Europe! Linking the EU Parliament LUX Film Prize and the impact of migration films to the emergence of a European public sphere","year":2015,"lang":"en","type":"article","venue":"Journal of European Popular Culture","topic":"European Union Policy and Governance","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Parliament; Public sphere; Acknowledgement; European commission; Political science; Politics; European union; Scope (computer science); Political economy; Sociology; Media studies; Law; Public administration","score_opus":0.047668548921410175,"score_gpt":0.31185866783010235,"score_spread":0.26419011890869215,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252998212","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7434247,0.0047221784,0.00075164833,0.052397866,0.0012860893,0.0012226491,0.000077034914,0.000037967286,0.19607985],"genre_scores_gemma":[0.9922997,0.00093869027,0.0003487575,0.0014582194,0.0010666392,8.986789e-7,0.0000018241789,0.000033048695,0.0038522673],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9943885,0.0035339044,0.0007776775,0.00017899316,0.00082078815,0.00030012437],"domain_scores_gemma":[0.99740946,0.00006036201,0.0010881829,0.00042313428,0.000715653,0.0003032168],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006148169,0.00019613573,0.00029446892,0.000050697854,0.00038840176,0.00020387163,0.0013776841,0.000027932325,0.000048613667],"category_scores_gemma":[0.0025714915,0.000084134655,0.00024739275,0.0007512912,0.0002732248,0.0002798888,0.00027005613,0.00042232603,0.00004114357],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000520127,0.00023206972,0.00763027,0.00003427054,0.00033347387,0.00009340843,0.3025809,0.005029199,0.0027379596,0.050694823,0.6259959,0.00411762],"study_design_scores_gemma":[0.0008180918,0.00049308786,0.046640247,0.00024793248,0.000061144965,0.000042591924,0.0112000825,0.000036714384,0.000058004713,0.00009357456,0.94012475,0.00018377308],"about_ca_topic_score_codex":0.00047507923,"about_ca_topic_score_gemma":0.0004541225,"teacher_disagreement_score":0.31412888,"about_ca_system_score_codex":0.000033669945,"about_ca_system_score_gemma":0.00012698038,"threshold_uncertainty_score":0.34309116},"labels":[],"label_agreement":null},{"id":"W4367157159","doi":"10.1386/jepc_00047_7","title":"Crime, history and the making of Operation Hyacinth: An interview with Marcin Ciastoń","year":2022,"lang":"en","type":"article","venue":"Journal of European Popular Culture","topic":"European history and politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Officer; Romance; Scholarship; Sociology; Lesbian; Sexual abuse; Psychoanalysis; Law; Criminology; Gender studies; Psychology; Political science; Poison control; Suicide prevention","score_opus":0.05457200956428123,"score_gpt":0.28696146249646404,"score_spread":0.2323894529321828,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367157159","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2491904,0.04779431,0.0006877812,0.0048083095,0.0030699286,0.0007419788,0.000032699503,0.00006698907,0.6936076],"genre_scores_gemma":[0.9903554,0.00016203446,0.00045488522,0.0019323473,0.00043526612,5.2443573e-7,0.0000020931877,0.00002069915,0.0066367867],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99574816,0.003368467,0.00032494336,0.00009115626,0.0003527236,0.00011456981],"domain_scores_gemma":[0.9992252,0.000011455831,0.00044020824,0.00013523782,0.00013471469,0.000053155596],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029819217,0.00008254941,0.00017732829,0.00005333717,0.0004554503,0.00002888159,0.00035594424,0.000013342336,0.00017684631],"category_scores_gemma":[0.00010449351,0.000051486586,0.000074888536,0.00007453908,0.0002885927,0.00022552574,0.0000711991,0.00038583245,0.0000021684539],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007137314,0.00028815056,0.0011110154,0.00010893173,0.00015445058,0.00047400178,0.5990226,0.00040710205,0.0010291806,0.27384454,0.1182245,0.004621801],"study_design_scores_gemma":[0.0005006605,0.00031106672,0.0011648871,0.00005391949,0.00006897709,0.000107331325,0.011192986,0.0000061925175,0.0000024930778,0.000046867946,0.98646796,0.000076672644],"about_ca_topic_score_codex":0.00001466153,"about_ca_topic_score_gemma":0.000029947663,"teacher_disagreement_score":0.86824346,"about_ca_system_score_codex":0.0001738102,"about_ca_system_score_gemma":0.00008199045,"threshold_uncertainty_score":0.35030016},"labels":[],"label_agreement":null},{"id":"W4388112714","doi":"10.1386/jepc_00056_7","title":"‘A normal life’: Karel Tuytschaever on the dramas of Easy Tiger","year":2023,"lang":"en","type":"article","venue":"Journal of European Popular Culture","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Karel; Film director; Silence; Feeling; Scholarship; Short Film; Sociology; Movie theater; Aesthetics; Visual arts; Psychoanalysis; Tiger; Art; Media studies; Psychology; Art history; Law; Political science; Social psychology; Computer science","score_opus":0.04408518375251822,"score_gpt":0.24529533925433084,"score_spread":0.20121015550181262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388112714","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44075125,0.00092897454,0.000009302094,0.0034238647,0.0018093575,0.00019385938,0.00005339418,0.00008163158,0.5527484],"genre_scores_gemma":[0.89962214,0.00007028328,0.000013827864,0.0019988744,0.0028212576,3.665807e-7,0.000012010349,0.000035797093,0.09542546],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986037,0.00026539445,0.0004518187,0.00010080203,0.00038154458,0.00019675767],"domain_scores_gemma":[0.9990678,0.00002033156,0.0003728064,0.00019042112,0.00024494372,0.000103727194],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007427995,0.0001631617,0.00023045561,0.00008418731,0.00029489826,0.00011188055,0.000388143,0.000032736698,0.00095842377],"category_scores_gemma":[0.00017501858,0.00008036283,0.00029004412,0.000086140135,0.00013515519,0.00022256636,0.00006881173,0.0004372637,0.0008135171],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008716144,0.00010296018,0.000081311504,0.00002519746,0.00016211974,0.00018121231,0.056135725,0.000062985164,0.0011844721,0.30772507,0.6339631,0.00028866148],"study_design_scores_gemma":[0.00028631202,0.00030147526,0.00034021275,0.00012583088,0.000050908497,0.00001871945,0.0070926934,0.000005395729,0.00018202397,0.00071867456,0.99075407,0.00012370855],"about_ca_topic_score_codex":0.0000020754942,"about_ca_topic_score_gemma":0.000005085763,"teacher_disagreement_score":0.45887086,"about_ca_system_score_codex":0.000008522896,"about_ca_system_score_gemma":0.000018591401,"threshold_uncertainty_score":0.9999645},"labels":[],"label_agreement":null},{"id":"W4400885170","doi":"10.1386/jepc_00068_7","title":"The Lesson and/or the master: Alex MacKeith and writing today","year":2024,"lang":"en","type":"article","venue":"Journal of European Popular Culture","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cape Breton University","funders":"","keywords":"Psychology; Mathematics education; Visual arts; Art","score_opus":0.042931360783878304,"score_gpt":0.2601331278547772,"score_spread":0.21720176707089892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400885170","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5134413,0.21070579,0.0001338824,0.07687764,0.0026073,0.00032286395,0.0000799919,0.00010621742,0.19572501],"genre_scores_gemma":[0.9468519,0.0021040356,0.000022837741,0.00056167773,0.0019410505,3.3146955e-7,0.0000013679629,0.000018527655,0.048498247],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991037,0.0001888594,0.00030451154,0.000094010065,0.00017384045,0.00013507027],"domain_scores_gemma":[0.9996308,0.00003739702,0.00010100717,0.000098716046,0.00007708152,0.000054978864],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.000779583,0.000107021675,0.00013178957,0.00002867122,0.00062162534,0.0013220203,0.00017064215,0.000015512667,0.00009853809],"category_scores_gemma":[0.00003654548,0.000035979738,0.00010485657,0.00003207733,0.00012693515,0.00020881902,0.000057019595,0.00034953663,0.000011561343],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009714161,0.00005594458,0.00039661225,0.00019834076,0.000724442,0.0017987762,0.11198891,0.000005410316,0.00062575366,0.6224232,0.15689704,0.10478845],"study_design_scores_gemma":[0.000099126344,0.00008928027,0.00024118504,0.00021965592,0.00015196447,0.00037126994,0.015458332,0.00006803677,0.0000067750125,0.0007320777,0.9824869,0.00007536673],"about_ca_topic_score_codex":0.0000034949787,"about_ca_topic_score_gemma":0.00006302668,"teacher_disagreement_score":0.8255899,"about_ca_system_score_codex":0.000008558021,"about_ca_system_score_gemma":0.0000078287985,"threshold_uncertainty_score":0.99971473},"labels":[],"label_agreement":null},{"id":"W4413811301","doi":"10.1386/jepc_00080_7","title":"Trust and betrayal in Kristian Lever’s I Need You to See Me","year":2025,"lang":"en","type":"article","venue":"Journal of European Popular Culture","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cape Breton University","funders":"","keywords":"Betrayal; Lever; Psychology; Social psychology; Engineering","score_opus":0.017986835377907205,"score_gpt":0.2402722851777697,"score_spread":0.22228544979986248,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413811301","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8281564,0.0016758018,0.00012054383,0.0030520807,0.00048388806,0.000100285106,0.00002627944,0.000016794076,0.16636793],"genre_scores_gemma":[0.9455318,0.00003413083,0.0001226107,0.0008498442,0.0005503301,2.38558e-7,0.0000035311011,0.000010564355,0.05289695],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904615,0.0002329196,0.00036313827,0.000109838445,0.000120270146,0.00012770912],"domain_scores_gemma":[0.9995666,0.0000063543976,0.00013449021,0.000092423725,0.00011818643,0.000081933205],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004976806,0.00012357556,0.0002537208,0.00022898015,0.00015961775,0.0001595665,0.00017588359,0.000022117947,0.00027944858],"category_scores_gemma":[0.00008722136,0.00008530825,0.00011389232,0.00011133721,0.000061675426,0.00017419012,0.000040129817,0.00028569862,0.00002229147],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005083028,0.00038411532,0.013521493,0.0001170854,0.00070372794,0.0011169212,0.2149229,0.00015426373,0.0058305524,0.5977515,0.15781987,0.0071692755],"study_design_scores_gemma":[0.0007651286,0.00020005954,0.0032360738,0.00022884393,0.00013560314,0.000016175083,0.030494437,0.000009981416,0.000082394865,0.0026680478,0.961977,0.00018622546],"about_ca_topic_score_codex":0.000010699278,"about_ca_topic_score_gemma":0.00016651965,"teacher_disagreement_score":0.80415714,"about_ca_system_score_codex":0.000024433668,"about_ca_system_score_gemma":0.00001217852,"threshold_uncertainty_score":0.34787697},"labels":[],"label_agreement":null}]}