{"meta":{"query_hash":"820ffc52e4fd","filters":{"venue":"Journal of Film Music"},"cohort_total":4,"direct_labels_cover":0,"predictions_cover":4,"exported":4,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/820ffc52e4fd","api":"https://metacan.xera.ac/api/v1/cohort?venue=Journal+of+Film+Music"},"results":[{"id":"W1996305876","doi":"10.1558/jfm.v6i1.5","title":"Listening to Ingmar Bergman's Monsters","year":2015,"lang":"en","type":"article","venue":"Journal of Film Music","topic":"Kierkegaardian Philosophy and Influence","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"Foghorn Therapeutics","keywords":"Silence; Art; Narrative; Aesthetics; Persona; Shadow (psychology); Psychoanalysis; Literature; Visual arts; Psychology; Humanities","score_opus":0.07497861124942139,"score_gpt":0.23829556027837348,"score_spread":0.1633169490289521,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1996305876","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6305117,0.0003075911,0.0000444981,0.00240363,0.002677936,0.000079372985,0.000009815716,0.000021059972,0.36394438],"genre_scores_gemma":[0.99243575,0.0000024900737,0.00037824138,0.003016177,0.0021942258,0.0000010903991,5.102897e-7,0.000012189476,0.0019593264],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991304,0.00003158188,0.00033050895,0.0000782212,0.0002683363,0.00016094156],"domain_scores_gemma":[0.9990949,0.000029439447,0.0001992324,0.00012018333,0.00030655897,0.00024968522],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003060054,0.00009706365,0.00019362105,0.00017968862,0.000103032326,0.00014834483,0.00021603589,0.000025900585,0.00034448737],"category_scores_gemma":[0.00011549098,0.00007819655,0.0001136319,0.000052494135,0.00007550144,0.0005380983,0.000039219754,0.00018613941,0.00012228104],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033125645,0.0001527372,0.0007392481,0.000051430143,0.00021679126,0.00040075358,0.21859567,0.001428033,0.00061877776,0.11845114,0.6418654,0.017148815],"study_design_scores_gemma":[0.00056616135,0.0005254319,0.0003064263,0.00016890083,0.000041968295,0.00008502563,0.0061745136,0.00003884116,0.0001164812,0.0049851025,0.9867861,0.00020501217],"about_ca_topic_score_codex":0.00002146628,"about_ca_topic_score_gemma":0.000019628258,"teacher_disagreement_score":0.36198506,"about_ca_system_score_codex":0.000045005927,"about_ca_system_score_gemma":0.00008327879,"threshold_uncertainty_score":0.37718952},"labels":[],"label_agreement":null},{"id":"W2972911767","doi":"10.1558/jfm.31885","title":"Ron Rodman, Tuning In: American Narrative Television Music","year":2019,"lang":"en","type":"article","venue":"Journal of Film Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Narrative; Index (typography); Art; Incidental music; Media studies; Literature; Art history; Music education; History; Visual arts; Music history; Sociology; Computer science","score_opus":0.024144034851517032,"score_gpt":0.21836437347344365,"score_spread":0.1942203386219266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2972911767","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9339588,0.0002421594,0.0000061033024,0.000168041,0.0015504616,0.00009169038,0.0000026749606,0.000010235233,0.06396982],"genre_scores_gemma":[0.98723626,0.000006940518,0.000058402253,0.00096283725,0.0011457897,0.0000012930892,0.0000023504106,0.00001464522,0.01057149],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99893445,0.00008302023,0.0003932385,0.00013108469,0.00027020194,0.00018800436],"domain_scores_gemma":[0.99911726,0.000039961822,0.0004745471,0.00014141899,0.00015466893,0.00007214475],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026883278,0.00014069304,0.00034346897,0.00018289163,0.00016287164,0.00006998386,0.00018168529,0.000035545676,0.020909002],"category_scores_gemma":[0.00002948997,0.000104194434,0.00013852709,0.00009040702,0.00013157255,0.00042591005,0.000023353661,0.00042825198,0.00012592855],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016250876,0.00021209902,0.0009441143,0.000067256544,0.000072109826,0.00013495593,0.67951953,0.00028098965,0.0033492062,0.009067836,0.28106603,0.025123356],"study_design_scores_gemma":[0.0006518465,0.0005385447,0.0023709375,0.0002511687,0.00002039288,0.00003221334,0.069277756,0.00010004712,0.000030204723,0.00021496162,0.9263229,0.00018904364],"about_ca_topic_score_codex":0.00007688039,"about_ca_topic_score_gemma":0.0013191749,"teacher_disagreement_score":0.6452568,"about_ca_system_score_codex":0.00009120865,"about_ca_system_score_gemma":0.00006932618,"threshold_uncertainty_score":0.979986},"labels":[],"label_agreement":null},{"id":"W3135010149","doi":"10.1558/jfm.17657","title":"Erik Heine: James Newton Howard’s Signs: A Film Score Guide","year":2021,"lang":"en","type":"article","venue":"Journal of Film Music","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Filmography; Musical; Index (typography); Art history; Performance art; Art; History; Literature; Movie theater; Computer science","score_opus":0.03503149355942809,"score_gpt":0.2183753734091244,"score_spread":0.18334387984969633,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3135010149","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7055195,0.0068273614,0.000085496664,0.0017055286,0.009840163,0.0001624854,0.00005768511,0.00006953382,0.27573222],"genre_scores_gemma":[0.81220233,0.00063178095,0.00039272237,0.005157633,0.008914544,0.000010649592,0.000023042445,0.0000727372,0.17259455],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99846333,0.000058975107,0.0006509305,0.0001655356,0.00035982247,0.00030142386],"domain_scores_gemma":[0.998737,0.000043786393,0.0003915844,0.00026300704,0.00041196932,0.00015265141],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028420036,0.00020371767,0.0004070702,0.00018296759,0.00028317404,0.00016406878,0.00025222165,0.00006612175,0.009703634],"category_scores_gemma":[0.00006329997,0.00016367102,0.00030410677,0.00006176569,0.00017746014,0.00048655373,0.000050624847,0.00034341437,0.00010211142],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005758438,0.00011929337,0.00005582016,0.00008018038,0.00010459554,0.0003429339,0.02815656,0.000057252,0.003347285,0.0026238363,0.9568382,0.008216498],"study_design_scores_gemma":[0.0007004636,0.00027196246,0.00013891312,0.00024006658,0.00007642402,0.00021986416,0.006386613,0.000034800265,0.0008934014,0.00025111035,0.99057245,0.00021390161],"about_ca_topic_score_codex":0.000084742394,"about_ca_topic_score_gemma":0.00040596334,"teacher_disagreement_score":0.10668282,"about_ca_system_score_codex":0.00012227858,"about_ca_system_score_gemma":0.00040947253,"threshold_uncertainty_score":0.99120164},"labels":[],"label_agreement":null},{"id":"W3180267295","doi":"10.1558/jfm.19491","title":"Nathan Platte, Making Music in Selznick’s Hollywood","year":2021,"lang":"en","type":"article","venue":"Journal of Film Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Hollywood; Art; Visual arts; Literature; Art history","score_opus":0.05278880553466981,"score_gpt":0.2273868527879993,"score_spread":0.1745980472533295,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3180267295","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77457714,0.001630019,0.0000102792765,0.00035957698,0.0035178913,0.00006241837,0.000014588833,0.00001748365,0.21981062],"genre_scores_gemma":[0.98189795,0.00000971571,0.00012435488,0.0024055063,0.0021570579,0.0000017711045,0.0000036692222,0.000018392162,0.013381583],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99878997,0.00007975678,0.0004726533,0.00014156524,0.00029553543,0.0002204951],"domain_scores_gemma":[0.9992128,0.000041289753,0.00029920784,0.000158435,0.00022075082,0.00006748563],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027362962,0.00014375971,0.0003056591,0.00015091442,0.00019979489,0.00012208338,0.00018885337,0.0000716946,0.026832556],"category_scores_gemma":[0.000062395935,0.0001203009,0.00019175572,0.00010224492,0.00007553714,0.00035329745,0.00003525291,0.0005082716,0.00006208301],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008292592,0.00046152025,0.00037241672,0.00013968603,0.00014384124,0.0031991187,0.20724767,0.0001132513,0.0024541367,0.04455482,0.7336349,0.0075957137],"study_design_scores_gemma":[0.0007893155,0.00008059117,0.0008785279,0.00030386247,0.000041675088,0.00030900995,0.011423916,0.000021356052,0.000111842906,0.00094419596,0.98489755,0.0001981822],"about_ca_topic_score_codex":0.000010233344,"about_ca_topic_score_gemma":0.0041878736,"teacher_disagreement_score":0.25126263,"about_ca_system_score_codex":0.000079887,"about_ca_system_score_gemma":0.0001860862,"threshold_uncertainty_score":0.9740571},"labels":[],"label_agreement":null}]}