{"meta":{"query_hash":"b15a6a554fa2","filters":{"venue":"Journal of Folklore Research"},"cohort_total":6,"direct_labels_cover":0,"predictions_cover":6,"exported":6,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/b15a6a554fa2","api":"https://metacan.xera.ac/api/v1/cohort?venue=Journal+of+Folklore+Research"},"results":[{"id":"W168730023","doi":"","title":"Jack and His Masters: Real Worlds and Tale Worlds in Newfoundland Folktales","year":2016,"lang":"en","type":"article","venue":"Journal of Folklore Research","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"MAGIC (telescope); Reading (process); Social worlds; Perspective (graphical); Presentation (obstetrics); Sociology; Working class; History; Social class; Class (philosophy); Close reading; Genealogy; Gender studies; Media studies; Ethnology; Law; Social science; Literature; Politics; Political science; Art; Visual arts; Epistemology; Philosophy","score_opus":0.06167570227794499,"score_gpt":0.32772886541172375,"score_spread":0.26605316313377875,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W168730023","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8215096,0.0034199117,0.00030511603,0.008892705,0.00018282142,0.00003334621,0.00009680882,0.0000350997,0.1655245],"genre_scores_gemma":[0.95533776,0.00097583124,0.00016728333,0.0006156948,0.000029117566,0.000014230599,0.00003159702,0.000016247886,0.042812303],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99895287,0.00027807578,0.000025353433,0.00011700076,0.00014058474,0.00048599733],"domain_scores_gemma":[0.9990421,0.00028405176,0.00013847681,0.00004394554,0.00011056276,0.00038084923],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00096901954,0.00035869458,0.00032053931,0.0021233177,0.019787332,0.007229885,0.00084808114,0.0009530117,0.0061442237],"category_scores_gemma":[0.0016415883,0.00029750314,0.00015663159,0.0012767786,0.017916566,0.0030964937,0.004444156,0.0023034753,0.00034605412],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023319755,0.000031029245,0.004366194,0.000044527016,0.0000056815384,0.00112295,0.96241045,0.000036186953,0.0003396033,0.010820896,0.006999875,0.0137993675],"study_design_scores_gemma":[0.0000023550294,0.000019682308,0.017332293,0.000108741704,0.000006101605,0.0002483264,0.878734,0.000026869682,0.00008739383,0.0006406593,0.10277582,0.000017851571],"about_ca_topic_score_codex":0.6207546,"about_ca_topic_score_gemma":0.88564986,"teacher_disagreement_score":0.3792454,"about_ca_system_score_codex":0.020611824,"about_ca_system_score_gemma":0.007555528,"threshold_uncertainty_score":0.7629577},"labels":[],"label_agreement":null},{"id":"W2038163853","doi":"10.2979/jfr.2009.46.3.293","title":"Animated Architecture: Maria Luiza Mendez Lins and the Colonial Water Taps of Olinda, Brazil","year":2009,"lang":"en","type":"article","venue":"Journal of Folklore Research","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Wilfrid Laurier University","keywords":"Architecture; Colonialism; Painting; Graffiti; Archaeology; Bathing; Urbanism; Art; History; Art history; Visual arts","score_opus":0.037119340334410424,"score_gpt":0.414884318461406,"score_spread":0.37776497812699555,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2038163853","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51772386,0.017095814,0.0015141674,0.07338907,0.0006863676,0.00003844011,0.00004997758,0.000061280545,0.389441],"genre_scores_gemma":[0.9826104,0.0024782384,0.0002450782,0.0008850516,0.00006163466,0.000009080048,0.000004478587,0.000020367972,0.013685702],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994979,0.00026265436,0.0000070390374,0.000051588973,0.00007016173,0.00011059675],"domain_scores_gemma":[0.9996995,0.0001306926,0.000050867275,0.000023796081,0.00003756549,0.000057589787],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00074991863,0.00036610392,0.00020535357,0.0005476317,0.008568111,0.0031930204,0.00049923995,0.0009415344,0.0027474836],"category_scores_gemma":[0.001534614,0.00021434283,0.00014637515,0.00049403077,0.011823256,0.0018344834,0.0028046148,0.0013063716,0.00022331586],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027680297,0.00002922666,0.0026559872,0.00011853731,0.0000065123936,0.0011639718,0.6952552,0.000110478795,0.0010989271,0.26749787,0.010253087,0.02178243],"study_design_scores_gemma":[0.0000090774565,0.000035791,0.009034417,0.00042380687,0.00001537594,0.0008756829,0.38139623,0.00021978466,0.0004799037,0.02092015,0.58656365,0.000026143385],"about_ca_topic_score_codex":0.053616907,"about_ca_topic_score_gemma":0.18426901,"teacher_disagreement_score":0.053616907,"about_ca_system_score_codex":0.004035555,"about_ca_system_score_gemma":0.0021610805,"threshold_uncertainty_score":0.10660964},"labels":[],"label_agreement":null},{"id":"W2114398448","doi":"10.2979/jfolkrese.2010.47.3.307","title":"“Your Presence at Our Wedding Is Present Enough”: Lies, Coding, Maintaining Personal Face, and the Cash Gift","year":2010,"lang":"en","type":"article","venue":"Journal of Folklore Research","topic":"Cultural History and Identity Formation","field":"Arts and Humanities","cited_by":17,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Cash; Taboo; Politeness; Face (sociological concept); Presentation (obstetrics); Sociology; Aesthetics; Law and economics; Law; History; Business; Political science; Art; Social science; Finance","score_opus":0.10089990118234353,"score_gpt":0.34142515564577824,"score_spread":0.2405252544634347,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2114398448","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9138447,0.0005477778,0.0039238515,0.006304021,0.00011074933,0.000034980014,0.000047442645,0.000020569434,0.07516595],"genre_scores_gemma":[0.993153,0.00016014898,0.00091485097,0.0001818865,0.000008554881,0.0000100513325,0.000010752329,0.0000147236,0.0055460692],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9982943,0.0012423977,0.000022074117,0.00009064545,0.00013513656,0.00021543152],"domain_scores_gemma":[0.9982918,0.000782941,0.00024222018,0.00018600558,0.00024666236,0.00025043276],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034831145,0.00035666907,0.00013878613,0.00086189917,0.011620829,0.005072054,0.0012700296,0.0007155461,0.0026222912],"category_scores_gemma":[0.0049787345,0.00021613501,0.000089532965,0.001015094,0.031499088,0.0024847055,0.0042889,0.0018649369,0.00025135282],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020405378,0.000009081052,0.003809579,0.000020577034,0.000001484573,0.00023783237,0.9423789,0.000033503788,0.0003888449,0.043361496,0.00097131764,0.008767022],"study_design_scores_gemma":[0.000002117269,0.0000111303,0.005448958,0.00006955476,0.000004348864,0.00016984253,0.9646672,0.000101142716,0.00043168484,0.0045132777,0.024568355,0.0000124826765],"about_ca_topic_score_codex":0.30311388,"about_ca_topic_score_gemma":0.5426384,"teacher_disagreement_score":0.30311388,"about_ca_system_score_codex":0.008721174,"about_ca_system_score_gemma":0.007879095,"threshold_uncertainty_score":0.60269916},"labels":[],"label_agreement":null},{"id":"W4365807343","doi":"10.2979/jfolkrese.59.3.03","title":"“My Mother, She Butchered Me, My Father, He Ate Me”: Vampires, Fairy Tales, and Feminist Filmmaking in The Moth Diaries","year":2022,"lang":"en","type":"article","venue":"Journal of Folklore Research","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; Jyväskylän Yliopisto","keywords":"Vampire; Queer; Romance; Human sexuality; Narrative; Movie theater; Exaggeration; Agency (philosophy); Art; Lesbian; Femininity; Gender studies; Psychoanalysis; Psychology; Literature; Sociology","score_opus":0.07684770402626069,"score_gpt":0.39367799738684117,"score_spread":0.3168302933605805,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4365807343","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5422008,0.0075491713,0.0016895994,0.040203974,0.001060554,0.000111326226,0.00016368438,0.00008177458,0.40693915],"genre_scores_gemma":[0.9369791,0.0016529438,0.0005903813,0.002502865,0.0002316839,0.00005219128,0.000031506916,0.0000782652,0.057881083],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99871266,0.0008928008,0.0000108297345,0.000085823056,0.00013147459,0.000166432],"domain_scores_gemma":[0.9992957,0.00041651967,0.00005402828,0.000032490305,0.000053103267,0.00014810295],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014160912,0.00046282276,0.00019688293,0.00053682463,0.011763415,0.0054560807,0.00069717114,0.0013922958,0.0042667957],"category_scores_gemma":[0.0020915181,0.00026429075,0.00017280094,0.00033026576,0.013284042,0.0027466451,0.0027891954,0.0034067302,0.00037134028],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057968136,0.00003982101,0.00084561354,0.0000818214,0.0000059282756,0.0009161199,0.90848684,0.00006386262,0.0014795293,0.05120383,0.027225077,0.009593611],"study_design_scores_gemma":[0.000009723936,0.000039163668,0.0025671725,0.00020941602,0.0000070936435,0.0005741907,0.57467705,0.000095186915,0.00085803063,0.0022881243,0.418654,0.000020895279],"about_ca_topic_score_codex":0.027901685,"about_ca_topic_score_gemma":0.087845355,"teacher_disagreement_score":0.027901685,"about_ca_system_score_codex":0.0052497666,"about_ca_system_score_gemma":0.0009995031,"threshold_uncertainty_score":0.055478573},"labels":[],"label_agreement":null},{"id":"W4388764680","doi":"10.2979/jfr.2023.a912089","title":"Fish Trade Futures: Counter-Archives and Sex Worker Worlds at the Margins of St. John's Harbour","year":2023,"lang":"en","type":"article","venue":"Journal of Folklore Research","topic":"Sex work and related issues","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Folklore; Scholarship; Sociology; Power (physics); Oppression; Ethnography; Custodians; Gender studies; Anthropology; Politics; History; Archaeology; Law; Political science","score_opus":0.04793963703401615,"score_gpt":0.37891150522679184,"score_spread":0.3309718681927757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388764680","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86524594,0.000657949,0.0006490699,0.010682801,0.00012235422,0.0000151811555,0.00007832096,0.000019002015,0.12252936],"genre_scores_gemma":[0.9745213,0.00025389955,0.00019176789,0.000517876,0.000014737811,0.0000069922894,0.000017575781,0.000013909542,0.024461985],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.999114,0.00037266818,0.000011468618,0.00007836945,0.00011631934,0.00030723316],"domain_scores_gemma":[0.99911004,0.00034660296,0.00009962469,0.000062232866,0.0001312336,0.00025032513],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012876838,0.00025156117,0.00014398267,0.00077419926,0.025305307,0.005899069,0.0006398323,0.0009323468,0.008449661],"category_scores_gemma":[0.0011245265,0.00016159726,0.00013502044,0.00084161764,0.02230041,0.0020731222,0.005051313,0.0021137432,0.00028793418],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003053454,0.0000136513445,0.0067963814,0.00002852482,0.000003922213,0.00083858427,0.95775324,0.00004109835,0.000609616,0.023169234,0.0035270327,0.0071881716],"study_design_scores_gemma":[0.0000010707396,0.0000109674265,0.0038948725,0.00004507103,0.0000032098471,0.00011666522,0.9475551,0.00002505917,0.00019888529,0.0006949114,0.04744833,0.000005771507],"about_ca_topic_score_codex":0.5349984,"about_ca_topic_score_gemma":0.8171758,"teacher_disagreement_score":0.46500158,"about_ca_system_score_codex":0.013615136,"about_ca_system_score_gemma":0.01096665,"threshold_uncertainty_score":0.9354801},"labels":[],"label_agreement":null},{"id":"W4389362822","doi":"10.2979/jfolkrese.60.2_3.04","title":"Fish Trade Futures: Counter-Archives and Sex Worker Worlds at the Margins of St. John's Harbour","year":2023,"lang":"en","type":"article","venue":"Journal of Folklore Research","topic":"Sex work and related issues","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Folklore; Scholarship; Sociology; Power (physics); Oppression; Custodians; Ethnography; Identity (music); Gender studies; Masculinity; Anthropology; Aesthetics; Politics; History; Archaeology; Law; Art; Political science","score_opus":0.04793963703401615,"score_gpt":0.37891150522679184,"score_spread":0.3309718681927757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389362822","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86524594,0.000657949,0.0006490699,0.010682801,0.00012235422,0.0000151811555,0.00007832096,0.000019002015,0.12252936],"genre_scores_gemma":[0.9745213,0.00025389955,0.00019176789,0.000517876,0.000014737811,0.0000069922894,0.000017575781,0.000013909542,0.024461985],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.999114,0.00037266818,0.000011468618,0.00007836945,0.00011631934,0.00030723316],"domain_scores_gemma":[0.99911004,0.00034660296,0.00009962469,0.000062232866,0.0001312336,0.00025032513],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012876838,0.00025156117,0.00014398267,0.00077419926,0.025305307,0.005899069,0.0006398323,0.0009323468,0.008449661],"category_scores_gemma":[0.0011245265,0.00016159726,0.00013502044,0.00084161764,0.02230041,0.0020731222,0.005051313,0.0021137432,0.00028793418],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003053454,0.0000136513445,0.0067963814,0.00002852482,0.000003922213,0.00083858427,0.95775324,0.00004109835,0.000609616,0.023169234,0.0035270327,0.0071881716],"study_design_scores_gemma":[0.0000010707396,0.0000109674265,0.0038948725,0.00004507103,0.0000032098471,0.00011666522,0.9475551,0.00002505917,0.00019888529,0.0006949114,0.04744833,0.000005771507],"about_ca_topic_score_codex":0.5349984,"about_ca_topic_score_gemma":0.8171758,"teacher_disagreement_score":0.46500158,"about_ca_system_score_codex":0.013615136,"about_ca_system_score_gemma":0.01096665,"threshold_uncertainty_score":0.9354801},"labels":[],"label_agreement":null}]}