{"meta":{"query_hash":"2f17815cc357","filters":{"venue":"Journal of Interdisciplinary Voice Studies"},"cohort_total":11,"direct_labels_cover":0,"predictions_cover":11,"exported":11,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/2f17815cc357","api":"https://metacan.xera.ac/api/v1/cohort?venue=Journal+of+Interdisciplinary+Voice+Studies"},"results":[{"id":"W2725602353","doi":"10.1386/jivs.2.2.97_2","title":"Voicing belonging: Traditional singing in a globalized world","year":2017,"lang":"en","type":"article","venue":"Journal of Interdisciplinary Voice Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Voice; Singing; Linguistics; History; Economics; Management; Philosophy","score_opus":0.11515327916290743,"score_gpt":0.34712543136825125,"score_spread":0.2319721522053438,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2725602353","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95624447,0.00080382737,0.0003098864,0.0017917,0.00010069666,0.000010343504,0.00003106775,0.000010147565,0.0406979],"genre_scores_gemma":[0.9980102,0.0002513394,0.00005264442,0.00015096515,0.000040651987,0.0000029046666,0.000011540714,0.0000071338127,0.001472689],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989619,0.00040916554,0.000025383517,0.0001606745,0.0001127718,0.00033008945],"domain_scores_gemma":[0.99889565,0.0002520549,0.00018805965,0.00011977329,0.000116265524,0.00042822535],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011318679,0.0003158197,0.00039132166,0.0017074717,0.0077271685,0.0070149307,0.0006645451,0.0011279978,0.007534575],"category_scores_gemma":[0.0016032798,0.00015769979,0.00015929177,0.0024148477,0.011390604,0.004813285,0.007471728,0.0022314282,0.00031784832],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001256886,0.000082753344,0.035463195,0.0001117838,0.00002105156,0.00091697986,0.8997926,0.00006806086,0.0014167465,0.020252805,0.0019659018,0.03978248],"study_design_scores_gemma":[0.0000040167533,0.000056635607,0.044571508,0.00007501947,0.000009276297,0.00030832872,0.9369659,0.00004549228,0.000095077456,0.0026550614,0.01520148,0.000012264193],"about_ca_topic_score_codex":0.009230357,"about_ca_topic_score_gemma":0.025976487,"teacher_disagreement_score":0.009230357,"about_ca_system_score_codex":0.0011805355,"about_ca_system_score_gemma":0.00093100726,"threshold_uncertainty_score":0.025205612},"labels":[],"label_agreement":null},{"id":"W2938054049","doi":"10.1386/jivs.4.1.101_1","title":"A singer’s perspective on Sirens and singing: An interview with coloratura soprano/conductor Barbara Hannigan","year":2019,"lang":"en","type":"article","venue":"Journal of Interdisciplinary Voice Studies","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Singing; Siren (mythology); Art; Visual arts; Vocal music; Meaning (existential); Mythology; History; Music; Literature; Aesthetics; Psychology; Music education; Acoustics","score_opus":0.04802126598388093,"score_gpt":0.31147223319843625,"score_spread":0.2634509672145553,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2938054049","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.69535476,0.013061714,0.0019425348,0.1163901,0.0023516861,0.0002619757,0.00015320614,0.0001219871,0.1703621],"genre_scores_gemma":[0.9397044,0.0053948085,0.000741718,0.011438768,0.00046186819,0.0001225117,0.00004393113,0.00012034379,0.0419716],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99260134,0.0052760863,0.00014680163,0.00041773394,0.0007137996,0.00084425666],"domain_scores_gemma":[0.9964593,0.0019211695,0.0002035141,0.00007037982,0.0004186297,0.00092704676],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0050414563,0.00077498506,0.0010471366,0.0017739631,0.028678041,0.008968286,0.0019446467,0.005030571,0.004829142],"category_scores_gemma":[0.00842206,0.0007891001,0.000400672,0.0015715439,0.017908528,0.005149688,0.004963877,0.009457158,0.00081748277],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012811565,0.000013491945,0.00029809226,0.00004330647,0.0000013229869,0.0010353392,0.98826236,0.000013825048,0.00035396562,0.0042112605,0.004477266,0.0012769313],"study_design_scores_gemma":[0.000001632286,0.000015381207,0.00023116995,0.000089905145,0.0000016936804,0.00037043795,0.95733494,0.000017453174,0.000057323443,0.0001678069,0.041704766,0.0000075428707],"about_ca_topic_score_codex":0.07317306,"about_ca_topic_score_gemma":0.12453598,"teacher_disagreement_score":0.07317306,"about_ca_system_score_codex":0.007855733,"about_ca_system_score_gemma":0.00557456,"threshold_uncertainty_score":0.14549428},"labels":[],"label_agreement":null},{"id":"W2984656311","doi":"10.1386/jivs_00007_1","title":"The moaning of (un-)life: Animacy, muteness and eugenics in cinematic and televisual representation","year":2019,"lang":"en","type":"article","venue":"Journal of Interdisciplinary Voice Studies","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Mirroring; Zombie; Eugenics; Representation (politics); Trope (literature); Subject (documents); Literature; Sociology; History; Art; Communication; Politics; Political science; Computer science","score_opus":0.025481920991595304,"score_gpt":0.39539940466001205,"score_spread":0.36991748366841676,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2984656311","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58404875,0.0046908287,0.013994992,0.008296966,0.00032886543,0.000032283926,0.00007663685,0.00008550388,0.38844517],"genre_scores_gemma":[0.99606115,0.00031758737,0.00037900414,0.00009131638,0.000030152978,0.000005081512,0.0000068362197,0.000013625884,0.0030953453],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999046,0.00068694196,0.000018815928,0.000054038377,0.00011247935,0.000081729864],"domain_scores_gemma":[0.99839777,0.0011318129,0.00015856934,0.00015936738,0.00008634505,0.00006625212],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015945922,0.00028836136,0.00014917008,0.0013552706,0.0022342985,0.0056319153,0.00034242368,0.00078484806,0.0042496645],"category_scores_gemma":[0.0032500976,0.00010102507,0.0000824451,0.00077045354,0.01733074,0.0033406042,0.0029218185,0.0010451359,0.00017511229],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006889781,0.000017129933,0.0017843028,0.00019639201,0.000009276348,0.00052006973,0.45539704,0.00017335104,0.0028388833,0.51538795,0.0013297751,0.022276862],"study_design_scores_gemma":[0.000025478734,0.00011154389,0.01412001,0.0010124887,0.00006031613,0.0016851173,0.5632032,0.0011979388,0.004221088,0.11723424,0.29707697,0.000051539093],"about_ca_topic_score_codex":0.0020539684,"about_ca_topic_score_gemma":0.002248107,"teacher_disagreement_score":0.0056319153,"about_ca_system_score_codex":0.001519627,"about_ca_system_score_gemma":0.0005418543,"threshold_uncertainty_score":0.014216542},"labels":[],"label_agreement":null},{"id":"W2987590309","doi":"10.1386/jivs_00004_1","title":"Ballad of the dork-o-phone: Towards a crip vocal technoscience","year":2019,"lang":"en","type":"article","venue":"Journal of Interdisciplinary Voice Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":17,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Technoscience; Phone; Phenomenology (philosophy); Audiology; Psychology; Communication; Sociology; Linguistics; Medicine; Philosophy","score_opus":0.03342251140167035,"score_gpt":0.2942106819047585,"score_spread":0.26078817050308817,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2987590309","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2009982,0.0043529007,0.022383485,0.030638117,0.0012117543,0.00007163884,0.000022350596,0.00013285065,0.7401887],"genre_scores_gemma":[0.9475633,0.0011813759,0.003045719,0.0011561938,0.00015405922,0.000021948026,0.000006552279,0.000058801535,0.046812076],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9982681,0.0009813886,0.00004718849,0.00015561712,0.00036878526,0.00017875791],"domain_scores_gemma":[0.99901664,0.00049828645,0.000090113164,0.00010579082,0.000118149495,0.00017101305],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0028583668,0.00029391036,0.00019153228,0.0008248707,0.00553459,0.009023993,0.00061871606,0.0018564874,0.006524474],"category_scores_gemma":[0.0024240285,0.00014376057,0.00015940178,0.00033870584,0.0177282,0.005410615,0.0051317806,0.0027926364,0.0010031249],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007034027,0.000034026467,0.0010119117,0.00014276401,0.0000042860765,0.00083190965,0.1936726,0.00020681786,0.0027972385,0.7510942,0.0073175314,0.042816333],"study_design_scores_gemma":[0.000008441203,0.000115742965,0.0015761742,0.00044502702,0.000006990112,0.001780557,0.3349899,0.00081624126,0.001985853,0.0655315,0.5927097,0.000033770255],"about_ca_topic_score_codex":0.0015273846,"about_ca_topic_score_gemma":0.0031334949,"teacher_disagreement_score":0.9944654,"about_ca_system_score_codex":0.0024260033,"about_ca_system_score_gemma":0.0015892772,"threshold_uncertainty_score":0.021826565},"labels":[],"label_agreement":null},{"id":"W2987957662","doi":"10.1386/jivs_00008_1","title":"Singing tone: Disability and pianistic voices","year":2019,"lang":"en","type":"article","venue":"Journal of Interdisciplinary Voice Studies","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Singing; Piano; Embodied cognition; Foregrounding; Aesthetics; Tone (literature); Intonation (linguistics); Lyricism; Musical expression; Musical; Natural (archaeology); Movement (music); Sensibility; Art; Communication; Psychology; Visual arts; Linguistics; History; Acoustics; Literature; Philosophy","score_opus":0.033058285544294144,"score_gpt":0.3358100560329591,"score_spread":0.302751770488665,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2987957662","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87911636,0.002448959,0.002242885,0.004528784,0.00025761576,0.000022589977,0.000049687736,0.00003930016,0.11129389],"genre_scores_gemma":[0.9970182,0.00026054162,0.00010922879,0.00010656834,0.000032510063,0.0000054542097,0.000005551334,0.0000030957644,0.0024586862],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993007,0.00026724412,0.000031012674,0.000079837606,0.0001991921,0.00012206227],"domain_scores_gemma":[0.99921167,0.00036038295,0.00014123644,0.000056675923,0.00006995179,0.0001600005],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006106942,0.00029997705,0.00021505807,0.00092089956,0.001542349,0.0033359127,0.0003885266,0.00087453146,0.006327741],"category_scores_gemma":[0.0028819798,0.00006911551,0.00010373525,0.00034442588,0.008038501,0.0011102839,0.0038761587,0.0008518018,0.0003698903],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004602624,0.00028534606,0.047940057,0.0006387363,0.000037999107,0.011230028,0.5554153,0.00032608744,0.017316412,0.15849194,0.007591427,0.2002664],"study_design_scores_gemma":[0.000042950418,0.00055358437,0.068311006,0.00074088515,0.00005328851,0.02739999,0.73326874,0.000674565,0.0036602959,0.06984733,0.09536082,0.00008652119],"about_ca_topic_score_codex":0.0013494618,"about_ca_topic_score_gemma":0.0013387277,"teacher_disagreement_score":0.006327741,"about_ca_system_score_codex":0.00063936296,"about_ca_system_score_gemma":0.0003110651,"threshold_uncertainty_score":0.02116841},"labels":[],"label_agreement":null},{"id":"W3133918567","doi":"10.1386/jivs_00025_1","title":"Stutter and phenomena: The phenomenology and deconstruction of delayed auditory feedback","year":2020,"lang":"en","type":"article","venue":"Journal of Interdisciplinary Voice Studies","topic":"Marxism and Critical Theory","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Stuttering; Phenomenology (philosophy); Consciousness; Psychology; Deconstruction (building); Différance; Conversation; Demonstrative; Auditory feedback; Aesthetics; Philosophy; Epistemology; Metaphysics; Communication; Linguistics; Neuroscience","score_opus":0.0436008310090317,"score_gpt":0.29114498921146614,"score_spread":0.24754415820243444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3133918567","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7105046,0.04431154,0.05825857,0.033494428,0.0009675023,0.00014769203,0.000215982,0.00036043444,0.15173922],"genre_scores_gemma":[0.9914294,0.0033414324,0.0020724377,0.00060757424,0.000095462354,0.000056761022,0.000020166784,0.000050057617,0.0023265993],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9975713,0.0018097243,0.000098333105,0.00013246913,0.0002488614,0.00013922116],"domain_scores_gemma":[0.9930855,0.005830956,0.00025634916,0.00035949232,0.0002854915,0.00018226828],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003122875,0.0006279713,0.00054895756,0.0016907976,0.003839453,0.0052999817,0.0010446208,0.0023957037,0.001316248],"category_scores_gemma":[0.008760075,0.00035484272,0.00058769336,0.0014315404,0.022471476,0.009366278,0.0042964416,0.0031802866,0.00017612975],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010418782,0.000025508474,0.00073854625,0.00017701257,0.00000951411,0.0011724423,0.81174856,0.00036579106,0.0018228345,0.17144497,0.0011901085,0.011200504],"study_design_scores_gemma":[0.00006936852,0.00029561046,0.0038643342,0.0009945072,0.000035812893,0.0041415202,0.5785024,0.0022586167,0.0023953156,0.20993453,0.19729766,0.000210309],"about_ca_topic_score_codex":0.0032585629,"about_ca_topic_score_gemma":0.00175363,"teacher_disagreement_score":0.0052999817,"about_ca_system_score_codex":0.0023777753,"about_ca_system_score_gemma":0.0010715598,"threshold_uncertainty_score":0.017252088},"labels":[],"label_agreement":null},{"id":"W3134832565","doi":"10.1386/jivs_00023_1","title":"A warm and sympathetic thing: Voice and dysfluency in Robert Browning’s ‘Mr Sludge, “The Medium”’","year":2020,"lang":"en","type":"article","venue":"Journal of Interdisciplinary Voice Studies","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Browning; Vitality; Metaphor; Literature; Aesthetics; Psychology; Philosophy; Art; Linguistics; Biology; Horticulture; Theology","score_opus":0.03456393576763891,"score_gpt":0.28285296651589564,"score_spread":0.24828903074825673,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3134832565","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5865506,0.030859618,0.008225955,0.07892006,0.0028493635,0.000040074636,0.00009562985,0.00015225064,0.29230645],"genre_scores_gemma":[0.9816815,0.0019972767,0.0004185229,0.0026710785,0.00033336395,0.000011900425,0.000013538916,0.000056463552,0.012816237],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887484,0.00075315975,0.00002304449,0.00009555282,0.00014544591,0.00010795683],"domain_scores_gemma":[0.99905235,0.00064658275,0.00008974511,0.00004689864,0.000060669878,0.00010370206],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011522428,0.0003735304,0.0001926104,0.00061694544,0.0051357555,0.003377423,0.00048440308,0.0015544217,0.0019006116],"category_scores_gemma":[0.0029675683,0.00013146695,0.00012066011,0.00023246086,0.014856006,0.003018354,0.0026824,0.0032081308,0.00032839229],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000611887,0.000020162484,0.001061304,0.00008386506,0.0000062016366,0.0013735453,0.82452744,0.0000895828,0.0020622099,0.14521885,0.011530474,0.013965166],"study_design_scores_gemma":[0.000013987552,0.00011938139,0.0052416045,0.00034375038,0.000011996956,0.0034691875,0.4537325,0.00017640767,0.0026471792,0.028389642,0.50578445,0.00006996652],"about_ca_topic_score_codex":0.007961724,"about_ca_topic_score_gemma":0.015972711,"teacher_disagreement_score":0.007961724,"about_ca_system_score_codex":0.0018152844,"about_ca_system_score_gemma":0.0008225243,"threshold_uncertainty_score":0.015830755},"labels":[],"label_agreement":null},{"id":"W3135492103","doi":"10.1386/jivs_00027_7","title":"‘Visualizing dysfluency’: An interview with Conor Foran","year":2020,"lang":"en","type":"article","venue":"Journal of Interdisciplinary Voice Studies","topic":"Stuttering Research and Treatment","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Set (abstract data type); Embodied cognition; Typeface; Visual arts; Art; Computer science; Artificial intelligence","score_opus":0.1969372670392216,"score_gpt":0.4822529679447503,"score_spread":0.2853157009055287,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3135492103","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31955013,0.016133107,0.005073644,0.5921773,0.0055496846,0.00042442168,0.00030720723,0.00038115872,0.060403395],"genre_scores_gemma":[0.8052921,0.0062209363,0.005035596,0.12808591,0.0006753419,0.00050186383,0.00011776717,0.0004966422,0.05357379],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.98261684,0.01212923,0.0004076816,0.0010213967,0.0019086171,0.0019162461],"domain_scores_gemma":[0.989361,0.004340389,0.0006219855,0.00023356576,0.0022635607,0.003179472],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.012004267,0.0011121676,0.0015283354,0.0018566931,0.036636986,0.008544937,0.0024412898,0.007813453,0.0036409944],"category_scores_gemma":[0.023001239,0.0013228209,0.00079758296,0.0015329724,0.014895157,0.010275017,0.00562797,0.020722339,0.00094056333],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006156804,0.00011979007,0.001442523,0.00012042968,0.000010320353,0.0029027986,0.8872346,0.00011377213,0.00095908076,0.006693155,0.089624085,0.010717855],"study_design_scores_gemma":[0.0000055561795,0.00007765945,0.0010385053,0.00026703344,0.0000061900664,0.0023621186,0.76734436,0.00017253477,0.00027604413,0.001310654,0.2270383,0.0001009992],"about_ca_topic_score_codex":0.09248817,"about_ca_topic_score_gemma":0.14618015,"teacher_disagreement_score":0.09248817,"about_ca_system_score_codex":0.015196775,"about_ca_system_score_gemma":0.014308198,"threshold_uncertainty_score":0.18389964},"labels":[],"label_agreement":null},{"id":"W3135537418","doi":"10.1386/jivs_00024_1","title":"Talking heads and shitting in the street: Stuttering Parrhesia in three modes","year":2020,"lang":"en","type":"article","venue":"Journal of Interdisciplinary Voice Studies","topic":"Posthumanist Ethics and Activism","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Face (sociological concept); Power (physics); Politics; Lexicon; Aesthetics; Mode (computer interface); Sociology; Philosophy; Literature; Linguistics; Law; Art; Political science; Computer science","score_opus":0.10448258400004468,"score_gpt":0.40486572068230514,"score_spread":0.30038313668226047,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3135537418","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80889434,0.002774749,0.013838082,0.026980208,0.0006477448,0.0001009993,0.00008252415,0.00016891987,0.1465125],"genre_scores_gemma":[0.9922692,0.00045150303,0.000919932,0.0014726684,0.00006926552,0.000043172444,0.000013360023,0.00004347969,0.00471748],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99575716,0.0029590065,0.00011840298,0.000295046,0.00040493722,0.00046550573],"domain_scores_gemma":[0.99788994,0.0012663137,0.00030299267,0.00014426679,0.00013581204,0.0002606476],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029256274,0.00065129215,0.00045237405,0.0013545391,0.0103558,0.008181752,0.0007950913,0.0042029284,0.0031795243],"category_scores_gemma":[0.0064490493,0.00037107858,0.00044911075,0.00062838924,0.026360665,0.006107902,0.009396105,0.004714443,0.0007318293],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064757274,0.000029175197,0.002027454,0.00009185967,0.00000859123,0.0019627367,0.91821414,0.00008358073,0.0013424106,0.06556866,0.0022392452,0.008367342],"study_design_scores_gemma":[0.000016121561,0.000110431334,0.0024885624,0.00038215314,0.000020987656,0.004410136,0.9230177,0.0004070851,0.0012773003,0.02937127,0.038434066,0.00006415268],"about_ca_topic_score_codex":0.0032881438,"about_ca_topic_score_gemma":0.0059540286,"teacher_disagreement_score":0.0103558,"about_ca_system_score_codex":0.0021015343,"about_ca_system_score_gemma":0.0013374602,"threshold_uncertainty_score":0.015472412},"labels":[],"label_agreement":null},{"id":"W4242964338","doi":"10.1386/jivs.2.2.201_5","title":"Reviews","year":2017,"lang":"en","type":"article","venue":"Journal of Interdisciplinary Voice Studies","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Modernity; Art; Drama; Musical; Art history; History; Theology; Humanities; Philosophy; Literature","score_opus":0.31313900489932145,"score_gpt":0.3958693858924271,"score_spread":0.08273038099310565,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242964338","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005779132,0.22123782,0.002103923,0.036567744,0.096751615,0.00048449056,0.008400885,0.0015421502,0.63233346],"genre_scores_gemma":[0.005514916,0.1756017,0.0020234042,0.026014948,0.031101087,0.00041157103,0.009004068,0.0010097382,0.74931866],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979334,0.00027887445,0.00019458307,0.00043400112,0.0009547665,0.00020437436],"domain_scores_gemma":[0.99699295,0.0005184489,0.0002011773,0.00033992392,0.001504563,0.00044287322],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012361865,0.0012516207,0.0015906434,0.003729847,0.0013421816,0.0079529835,0.002419416,0.0032562716,0.47611505],"category_scores_gemma":[0.007178323,0.0004904129,0.001118242,0.0032978363,0.00091545284,0.0043957825,0.0032618325,0.0029378054,0.37219375],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026331498,0.000018076587,0.000067340654,0.0014881731,0.000010974781,0.00008402728,0.00007263873,0.000048659742,0.00018233949,0.0044568237,0.88234025,0.11120436],"study_design_scores_gemma":[0.0000034057339,0.000004443579,0.000059194637,0.0005109118,0.0000037516131,0.00006988808,0.000030448711,0.000005887241,0.00002827946,0.0006202749,0.9986607,0.0000027930637],"about_ca_topic_score_codex":0.002923718,"about_ca_topic_score_gemma":0.003282306,"teacher_disagreement_score":0.52388495,"about_ca_system_score_codex":0.0030372778,"about_ca_system_score_gemma":0.0063344026,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4410772621","doi":"10.1386/jivs_00093_5","title":"Echo, Amit Pinchevski (2023)","year":2024,"lang":"en","type":"article","venue":"Journal of Interdisciplinary Voice Studies","topic":"Sound Studies and Aurality","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Echo (communications protocol); Computer science; Computer security","score_opus":0.06440365694206732,"score_gpt":0.45292025000129904,"score_spread":0.3885165930592317,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410772621","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000115865485,0.91843534,0.00039782812,0.029558565,0.04048319,0.00001717119,0.00022459865,0.00008614564,0.010681264],"genre_scores_gemma":[0.0026235387,0.7939693,0.00067896204,0.03088557,0.038276378,0.000066635024,0.0004707504,0.00016261602,0.13286616],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995017,0.00006877595,0.00005356133,0.00010571469,0.0002128836,0.000057199984],"domain_scores_gemma":[0.9984224,0.00045715764,0.00012345056,0.000036736626,0.00066765497,0.000292545],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011097965,0.0017156466,0.0013398003,0.0026455554,0.0008320834,0.0030159443,0.0012201524,0.0032132799,0.056428183],"category_scores_gemma":[0.0041411514,0.0006621832,0.0005568951,0.003039677,0.00073734776,0.0056699673,0.002014069,0.004173991,0.06208182],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001867854,0.000005957326,0.000055222532,0.00048371946,0.00000422975,0.000040596984,0.000039068596,0.000022811972,0.000061577346,0.00032710456,0.90426236,0.09467869],"study_design_scores_gemma":[0.0000058463556,0.000010407307,0.00040545448,0.0006778846,0.00000738066,0.00045269626,0.00010506138,0.00001715132,0.000052955995,0.0005500446,0.9977054,0.000009787526],"about_ca_topic_score_codex":0.0057037976,"about_ca_topic_score_gemma":0.009336491,"teacher_disagreement_score":0.056428183,"about_ca_system_score_codex":0.0011814687,"about_ca_system_score_gemma":0.0017541359,"threshold_uncertainty_score":0.18877107},"labels":[],"label_agreement":null}]}