{"meta":{"query_hash":"3482783c2b0f","filters":{"venue":"Journal of World Popular Music"},"cohort_total":10,"direct_labels_cover":0,"predictions_cover":10,"exported":10,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/3482783c2b0f","api":"https://metacan.xera.ac/api/v1/cohort?venue=Journal+of+World+Popular+Music"},"results":[{"id":"W2008841379","doi":"10.1558/jwpm.v1i2.26721","title":"Ruth Hellier, ed. 2013. &lt;i&gt;Women Singers in Global Contexts: Music, Biography, Identity&lt;/i&gt;","year":2015,"lang":"en","type":"article","venue":"Journal of World Popular Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Biography; Identity (music); Sociology; Media studies; Gerontology; Art history; Art; History; Medicine; Aesthetics","score_opus":0.02924531691042485,"score_gpt":0.2346464870270632,"score_spread":0.20540117011663836,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2008841379","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00034118444,0.8437438,0.0020246594,0.020954624,0.009537901,0.000024600067,0.0009506094,0.00056534796,0.121857285],"genre_scores_gemma":[0.00619264,0.6411951,0.0024510357,0.0030685074,0.0033896465,0.000067368106,0.00076223817,0.0005136739,0.34235978],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994374,0.000075567696,0.00005382317,0.00010013596,0.00027305653,0.000059988968],"domain_scores_gemma":[0.9993685,0.00022746222,0.00008110128,0.00004062967,0.0001660427,0.00011620392],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010064744,0.0021485188,0.00090498076,0.002662081,0.0010622684,0.0035229381,0.0012885905,0.0022242067,0.08666403],"category_scores_gemma":[0.0019008026,0.0011206393,0.00044677724,0.0028194606,0.0012243732,0.0064590755,0.0019095987,0.0023134947,0.081294596],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018333672,0.000006141626,0.0000914226,0.0003154027,0.0000034711607,0.000048841368,0.00038584677,0.000069532005,0.00015502567,0.0021666512,0.83144605,0.16529334],"study_design_scores_gemma":[0.0000029909481,0.0000048361744,0.00037982184,0.00082929083,0.0000042228676,0.00017189351,0.00039815696,0.000041032985,0.00012236105,0.0011590188,0.9968779,0.000008534016],"about_ca_topic_score_codex":0.015103708,"about_ca_topic_score_gemma":0.03358734,"teacher_disagreement_score":0.08666403,"about_ca_system_score_codex":0.001668003,"about_ca_system_score_gemma":0.0024572823,"threshold_uncertainty_score":0.28992003},"labels":[],"label_agreement":null},{"id":"W2095472334","doi":"10.1558/jwpm.v1i2.26616","title":"Lee Marshall, ed. 2013. &lt;i&gt;The International Recording Industries&lt;/i&gt;","year":2015,"lang":"en","type":"article","venue":"Journal of World Popular Music","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Media studies; Economic history; Sociology; History","score_opus":0.08052420887271211,"score_gpt":0.29312569787643994,"score_spread":0.21260148900372783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2095472334","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005734665,0.7371952,0.0036225608,0.036518887,0.010215998,0.000048519454,0.00341421,0.000770813,0.20764036],"genre_scores_gemma":[0.0077617313,0.50285286,0.0028574793,0.0026269082,0.00168709,0.00008748381,0.0015656797,0.00057000655,0.47999075],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995079,0.00007123554,0.0000491712,0.00009197084,0.00021553859,0.0000640922],"domain_scores_gemma":[0.9990497,0.00026637205,0.0001405745,0.000045602363,0.0003632166,0.00013448425],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008909026,0.0018420526,0.0008676143,0.0022787503,0.0013170388,0.00410719,0.0014204193,0.0022161915,0.11630973],"category_scores_gemma":[0.0024810478,0.0008668635,0.00043241336,0.0048196637,0.0009767956,0.0063843783,0.0016539453,0.0021807961,0.0854328],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001658903,0.0000042746515,0.00010071428,0.00028847516,0.0000026938994,0.000033023993,0.0002338586,0.00006314757,0.00009439943,0.0028198904,0.9037887,0.09255417],"study_design_scores_gemma":[0.0000021854999,0.0000035858723,0.00033401352,0.0007088993,0.0000050437898,0.00006908315,0.00030606228,0.00003585902,0.00016356731,0.0011569241,0.9972065,0.00000812055],"about_ca_topic_score_codex":0.035392933,"about_ca_topic_score_gemma":0.06679694,"teacher_disagreement_score":0.11630973,"about_ca_system_score_codex":0.002818453,"about_ca_system_score_gemma":0.0044188565,"threshold_uncertainty_score":0.38909483},"labels":[],"label_agreement":null},{"id":"W2315404100","doi":"10.1558/jwpm.v1i2.17285","title":"From Delocalization to Performances of Japaneseness","year":2015,"lang":"en","type":"article","venue":"Journal of World Popular Music","topic":"Asian Culture and Media Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Period (music); Popular music; Gender studies; History; Sociology; Visual arts; Art; Aesthetics","score_opus":0.0730747861240079,"score_gpt":0.3372064551839408,"score_spread":0.2641316690599329,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2315404100","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7965912,0.00092432223,0.0017519388,0.002831843,0.00010507764,0.000018799828,0.000025865025,0.00002678288,0.19772418],"genre_scores_gemma":[0.9953186,0.00025444233,0.00014278259,0.00011847155,0.000021714299,0.0000057711145,0.000011032705,0.000020769347,0.004106405],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99820244,0.0007635413,0.00006496529,0.00022101501,0.00036935863,0.00037869584],"domain_scores_gemma":[0.99724424,0.0008162207,0.0007206029,0.00023937339,0.000468016,0.0005114915],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020309505,0.00037141767,0.00018697143,0.0014448053,0.0044489163,0.0053257956,0.0006115005,0.00075856055,0.0046498217],"category_scores_gemma":[0.005377899,0.00024244127,0.0001643891,0.000979619,0.014261413,0.004487647,0.0072950833,0.0023794207,0.00031479727],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001373982,0.000036022437,0.025387939,0.00015835126,0.000015415606,0.00084981095,0.82397634,0.00006886181,0.00515077,0.10911769,0.0016771907,0.033424273],"study_design_scores_gemma":[0.0000087791595,0.00007160099,0.041503437,0.00021447023,0.000015115309,0.000431836,0.8965238,0.00009195713,0.0013614033,0.0071098628,0.052637592,0.000030246374],"about_ca_topic_score_codex":0.014310128,"about_ca_topic_score_gemma":0.025218049,"teacher_disagreement_score":0.014310128,"about_ca_system_score_codex":0.003177361,"about_ca_system_score_gemma":0.001579779,"threshold_uncertainty_score":0.028453648},"labels":[],"label_agreement":null},{"id":"W2482566034","doi":"10.1558/jwpm.v3i1.27607","title":"Christopher A. Scales. 2012. &lt;i&gt;Recording Culture: Powwow Music and the Aboriginal Recording Industry&lt;/i&gt;","year":2016,"lang":"en","type":"article","venue":"Journal of World Popular Music","topic":"Indigenous Health, Education, and Rights","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Music industry; Art history; Art; Media studies; Visual arts; Sociology; Music education","score_opus":0.016574604282125982,"score_gpt":0.2856151999202086,"score_spread":0.26904059563808264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2482566034","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021954852,0.47960216,0.0036938724,0.14369132,0.02849617,0.00025178312,0.0031264157,0.00084715284,0.33809572],"genre_scores_gemma":[0.024242057,0.24413012,0.0045183934,0.0068190154,0.002817666,0.00023223144,0.00094905606,0.00064026687,0.71565115],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99918205,0.00007512386,0.000064481275,0.00008189157,0.0005358047,0.000060747985],"domain_scores_gemma":[0.99579763,0.0007863651,0.00025090488,0.000106568696,0.0025085956,0.0005499106],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012304813,0.0013126832,0.00046395755,0.002156674,0.0025005047,0.0020995692,0.001484251,0.0021118221,0.12011975],"category_scores_gemma":[0.005374151,0.00062510953,0.00026583613,0.003178775,0.0011533876,0.0038142912,0.0018093367,0.002632533,0.05088369],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016669039,0.000007709167,0.00014136224,0.00027387662,0.0000013410918,0.00004933535,0.00059177104,0.000023247188,0.00020593462,0.000864464,0.8842176,0.11360662],"study_design_scores_gemma":[0.0000052237965,0.000011686246,0.0026678953,0.00075432216,0.000004606895,0.0001110808,0.0022206937,0.00004524871,0.00025908274,0.0007735187,0.99313027,0.00001642439],"about_ca_topic_score_codex":0.0935752,"about_ca_topic_score_gemma":0.22013345,"teacher_disagreement_score":0.12011975,"about_ca_system_score_codex":0.0025673332,"about_ca_system_score_gemma":0.0034409217,"threshold_uncertainty_score":0.40184063},"labels":[],"label_agreement":null},{"id":"W2569823053","doi":"10.1558/jwpm.v3i2.28407","title":"Christopher J. Smith. 2013. &lt;i&gt;The Creolization of American Culture: William Sidney Mount and the Roots of Blackface Minstrelsy&lt;/i&gt;","year":2017,"lang":"en","type":"article","venue":"Journal of World Popular Music","topic":"Asian Culture and Media Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Blackface; Creolization; Mount; Art; Art history; Engineering; Literature","score_opus":0.015740021692280313,"score_gpt":0.27665476012176826,"score_spread":0.2609147384294879,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2569823053","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015407196,0.4956624,0.0020565204,0.18115108,0.02334029,0.000071409,0.0021183784,0.0004605434,0.29359868],"genre_scores_gemma":[0.01363011,0.1462349,0.0014128145,0.0058924006,0.002190936,0.0000772168,0.00046218958,0.00039996105,0.8296995],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99962807,0.000045145705,0.000022909866,0.00006255488,0.00018965425,0.000051674037],"domain_scores_gemma":[0.99868363,0.00023677427,0.00011275747,0.000042519925,0.000702934,0.00022139291],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006113715,0.0012220803,0.0004137184,0.0015183592,0.0025141814,0.0028728147,0.0010660235,0.0027337878,0.11470012],"category_scores_gemma":[0.0021358603,0.0005676857,0.00022521634,0.0024587356,0.0016426945,0.005182111,0.0018272072,0.0026173037,0.05882588],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010237376,0.000003926811,0.000120834455,0.00010908741,0.0000010250403,0.000030937525,0.00043032313,0.000018372091,0.00010451897,0.0023341596,0.94445664,0.05238004],"study_design_scores_gemma":[0.0000028327383,0.000003479652,0.00093280984,0.000394607,0.0000024936896,0.00005816397,0.001076438,0.000018059403,0.00018173529,0.0013619382,0.9959585,0.00000886714],"about_ca_topic_score_codex":0.06994521,"about_ca_topic_score_gemma":0.18865111,"teacher_disagreement_score":0.11470012,"about_ca_system_score_codex":0.0033612093,"about_ca_system_score_gemma":0.003678846,"threshold_uncertainty_score":0.38371015},"labels":[],"label_agreement":null},{"id":"W2907482178","doi":"10.1558/jwpm.37844","title":"Archival Activism","year":2018,"lang":"en","type":"article","venue":"Journal of World Popular Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Queen's University; Toronto Metropolitan University","funders":"","keywords":"Institution; Subculture (biology); Political science; State (computer science); Cultural institution; Law; Media studies; Sociology; Public relations; Computer science","score_opus":0.046532444320921656,"score_gpt":0.23606635121978903,"score_spread":0.18953390689886737,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2907482178","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05252793,0.0046963166,0.0032024449,0.027378669,0.000890334,0.0000696803,0.00014159064,0.00010365141,0.9109894],"genre_scores_gemma":[0.78122693,0.0027229749,0.0017973855,0.0057934225,0.00095097185,0.000107338405,0.00010614099,0.00011852363,0.20717627],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99532926,0.0020079343,0.00014590775,0.0006514744,0.0010235689,0.0008418148],"domain_scores_gemma":[0.99438804,0.0022659786,0.0004568033,0.0012558636,0.0006930215,0.00094030687],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005005777,0.0003569269,0.0002565391,0.0017779396,0.015611932,0.014209903,0.0011834663,0.0025713707,0.016623918],"category_scores_gemma":[0.007184031,0.0002677801,0.00023419989,0.0020929857,0.023977777,0.004728712,0.012478471,0.004226435,0.0013774235],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039506453,0.00003992829,0.0017616156,0.00017368424,0.000009218931,0.0002529806,0.15370123,0.00009735187,0.00050982664,0.74079776,0.057169516,0.045447364],"study_design_scores_gemma":[0.000005784923,0.000012833873,0.0011542107,0.00021829562,0.000006766395,0.00018668252,0.04202529,0.00007898216,0.0004743401,0.01780678,0.9380215,0.000008543033],"about_ca_topic_score_codex":0.014720174,"about_ca_topic_score_gemma":0.0319212,"teacher_disagreement_score":0.016623918,"about_ca_system_score_codex":0.009694797,"about_ca_system_score_gemma":0.0063296505,"threshold_uncertainty_score":0.07034105},"labels":[],"label_agreement":null},{"id":"W2996797135","doi":"10.1558/jwpm.40174","title":"Currents and Contradictions in the Ethnomusicology of Popular Music","year":2019,"lang":"en","type":"article","venue":"Journal of World Popular Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Ethnomusicology; Musicology; Popular music; Music history; Sociology; Aesthetics; Politics; Folk music; Social science; Musical; Music education; Media studies; Art; Literature; Law; Political science; Pedagogy","score_opus":0.04730295397076035,"score_gpt":0.23678956103663482,"score_spread":0.18948660706587447,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2996797135","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42991897,0.098533876,0.011654876,0.2439938,0.002092005,0.00011484496,0.000071648945,0.00007304844,0.21354698],"genre_scores_gemma":[0.97855556,0.012025664,0.0017059548,0.0044508963,0.0008496118,0.00008940805,0.000015706612,0.00006198226,0.0022452641],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9542857,0.0357057,0.0011319907,0.0031353934,0.0040917094,0.0016495534],"domain_scores_gemma":[0.9365197,0.05570405,0.0021649457,0.0026762094,0.0019315836,0.0010035383],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.049918752,0.00048800735,0.00095572695,0.010095075,0.02039691,0.029857485,0.0023847122,0.005095371,0.0024532322],"category_scores_gemma":[0.037676696,0.0009433949,0.00046682006,0.008987718,0.15022257,0.027228845,0.01397426,0.0075063948,0.00024467005],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002432285,0.000029120496,0.001558992,0.00022590856,0.0000112711505,0.0002568269,0.6367616,0.00006089792,0.0001823953,0.34445515,0.0010588692,0.015374708],"study_design_scores_gemma":[0.00001664963,0.00003715749,0.0059804725,0.0016381425,0.000020390706,0.0003925637,0.7149254,0.00028031753,0.00026313827,0.17969261,0.09670469,0.000048459915],"about_ca_topic_score_codex":0.014088747,"about_ca_topic_score_gemma":0.023270931,"teacher_disagreement_score":0.049918752,"about_ca_system_score_codex":0.01920316,"about_ca_system_score_gemma":0.008924284,"threshold_uncertainty_score":0.26399875},"labels":[],"label_agreement":null},{"id":"W3206091025","doi":"10.1558/jwpm.19682","title":"Farzaneh Hemmasi. 2020. Tehrangeles Dreaming: Intimacy and Imagination in Southern California’s Iranian Pop Music.","year":2021,"lang":"en","type":"article","venue":"Journal of World Popular Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Psychology; Art; Psychoanalysis; Art history","score_opus":0.02483795441013677,"score_gpt":0.21740299784757824,"score_spread":0.19256504343744146,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3206091025","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010255473,0.8224446,0.00028553454,0.03382335,0.008887226,0.000021993881,0.0011220662,0.00019331659,0.13219646],"genre_scores_gemma":[0.023596412,0.43776196,0.0013551526,0.00542407,0.005267756,0.00009254187,0.001334909,0.00023763523,0.52492964],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9996935,0.00003340872,0.000018375209,0.000038617844,0.00017027622,0.000045872857],"domain_scores_gemma":[0.99944466,0.00012467966,0.000041059346,0.000020333044,0.00023928552,0.00013001196],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005166577,0.0013466022,0.00052851916,0.0015351534,0.0020133953,0.0025913527,0.0009505892,0.0023892508,0.10449606],"category_scores_gemma":[0.0009381196,0.0006746623,0.0002920882,0.0021423704,0.0011337175,0.003909624,0.0015725483,0.0021762063,0.042670082],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021466321,0.0000062057156,0.00016801493,0.00018689032,0.000002219587,0.000045592446,0.0005849138,0.000021749433,0.00010274533,0.0022963155,0.87340504,0.12315891],"study_design_scores_gemma":[0.000005948717,0.000008722992,0.001876443,0.0005112057,0.0000053427443,0.000105107705,0.0011063633,0.000017777907,0.00008109238,0.0008688127,0.9954057,0.0000074712384],"about_ca_topic_score_codex":0.05296284,"about_ca_topic_score_gemma":0.12355745,"teacher_disagreement_score":0.10449606,"about_ca_system_score_codex":0.0019745426,"about_ca_system_score_gemma":0.0019695829,"threshold_uncertainty_score":0.34957415},"labels":[],"label_agreement":null},{"id":"W4255211975","doi":"10.1558/jwpm.v1i2.26722","title":"Ruth Hellier, ed. 2013. Women Singers in Global Contexts: Music, Biography. Identity. University of Illinois Press. 264pp. ISBN 978-0-2520-37245 (pbk).","year":2015,"lang":"en","type":"article","venue":"Journal of World Popular Music","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Biography; Identity (music); Sociology; Media studies; Art; Art history; Aesthetics","score_opus":0.03251201836928424,"score_gpt":0.216258730696734,"score_spread":0.18374671232744974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255211975","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00019754327,0.9604199,0.0008908415,0.008952237,0.0047467295,0.000010203193,0.00035145067,0.00017082058,0.02426022],"genre_scores_gemma":[0.0038845374,0.91885877,0.0015015126,0.0016298206,0.0025563058,0.000042599953,0.00040034088,0.00019000629,0.07093608],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993948,0.000103495404,0.00007454359,0.00009197789,0.00027922317,0.000055858054],"domain_scores_gemma":[0.9986872,0.0005841933,0.00013165834,0.00007808924,0.0003577036,0.00016111573],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013208614,0.0026244498,0.001292964,0.0039531086,0.0012054134,0.0028649522,0.0015528403,0.0022574563,0.0482879],"category_scores_gemma":[0.0031077273,0.0015597645,0.00058043154,0.0032944602,0.0013279717,0.0053972104,0.0020100533,0.0025559573,0.05281836],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003771443,0.000015023441,0.0002203932,0.00082635594,0.000010592027,0.00008391493,0.0006160265,0.00014032001,0.00017654574,0.0026064736,0.7338385,0.26142818],"study_design_scores_gemma":[0.0000066578677,0.000012298066,0.00080381363,0.0025070703,0.000013886223,0.0004061301,0.00058415724,0.00006985232,0.00017643833,0.003063037,0.99233997,0.0000167442],"about_ca_topic_score_codex":0.011424364,"about_ca_topic_score_gemma":0.023612652,"teacher_disagreement_score":0.0482879,"about_ca_system_score_codex":0.0012286905,"about_ca_system_score_gemma":0.002954448,"threshold_uncertainty_score":0.16153914},"labels":[],"label_agreement":null},{"id":"W4403489247","doi":"10.1558/jwpm.26150","title":"Performing Gender in Late Spanish Folk Revival","year":2024,"lang":"en","type":"article","venue":"Journal of World Popular Music","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Queen's University; Queen's University Belfast","keywords":"History; Art; Psychology","score_opus":0.045803148642446,"score_gpt":0.2531848221230707,"score_spread":0.2073816734806247,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403489247","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68465894,0.0093363905,0.00095012365,0.0036515552,0.00054010074,0.000038878163,0.00006143355,0.000032787688,0.30072978],"genre_scores_gemma":[0.96636593,0.0011420371,0.00015795427,0.00042847454,0.00009958118,0.000016921527,0.000022563576,0.00003777074,0.031728823],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99819225,0.0008561851,0.000034551776,0.00019665627,0.000255259,0.00046514743],"domain_scores_gemma":[0.9992136,0.00032716675,0.00009258856,0.000068887326,0.00014655961,0.00015131722],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034855555,0.00053319684,0.00045037243,0.0013679196,0.0062056105,0.006692217,0.0007716295,0.001436417,0.006407885],"category_scores_gemma":[0.0025295059,0.00015869536,0.0002131386,0.0011228021,0.0100994585,0.001974806,0.003803061,0.0013720001,0.0006907228],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019085406,0.00012429383,0.00821124,0.00017709387,0.000010333307,0.0014416467,0.8505612,0.0000417359,0.0013965846,0.08317997,0.0046642073,0.050000824],"study_design_scores_gemma":[0.000013799753,0.000091702765,0.016754163,0.0002999732,0.000007710009,0.00044020856,0.76619524,0.00003897282,0.0004046803,0.0036434114,0.21209198,0.000018154682],"about_ca_topic_score_codex":0.018157901,"about_ca_topic_score_gemma":0.03953352,"teacher_disagreement_score":0.018157901,"about_ca_system_score_codex":0.0053532957,"about_ca_system_score_gemma":0.0020998,"threshold_uncertainty_score":0.03884113},"labels":[],"label_agreement":null}]}