{"meta":{"query_hash":"77ed442e5610","filters":{"venue":"Ligeia"},"cohort_total":13,"direct_labels_cover":0,"predictions_cover":13,"exported":13,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/77ed442e5610","api":"https://metacan.xera.ac/api/v1/cohort?venue=Ligeia"},"results":[{"id":"W2936003836","doi":"10.3917/lige.145.0144","title":"« Do you like black animals ? »","year":2016,"lang":"fr","type":"article","venue":"Ligeia","topic":"Global Maritime and Colonial Histories","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Computer science","score_opus":0.017381240023221032,"score_gpt":0.27319408352435226,"score_spread":0.2558128435011312,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2936003836","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2040626,0.01840933,0.000042159936,0.07631555,0.008834868,0.0002626056,0.000095303556,0.00014481915,0.6918328],"genre_scores_gemma":[0.66970766,0.0013809336,0.00010133769,0.00047104273,0.0012496084,0.0000056307845,4.5195688e-7,0.00001106475,0.32707226],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99840146,0.00015581593,0.0001842533,0.0003241588,0.00034966687,0.0005846594],"domain_scores_gemma":[0.99922687,0.0001127246,0.000084919404,0.0002384487,0.00011137834,0.00022566075],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00024565365,0.00016408676,0.00020835221,0.000029283614,0.00034776598,0.0000744135,0.0003477344,0.00024190608,0.004504236],"category_scores_gemma":[0.00011210927,0.00013392109,0.00012491395,0.00036434742,0.0012284599,0.00027677158,0.00009107462,0.000081537226,0.009539036],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042979023,0.000096058,0.0051412294,0.000024454148,0.000038372433,0.000047807807,0.010681203,2.0434182e-7,0.00048797566,0.581454,0.27649775,0.12548798],"study_design_scores_gemma":[0.00017575102,0.00014648789,0.0018562963,0.0001024535,0.000034718054,0.0000016915137,0.0005823942,4.9808546e-7,0.00009159251,0.024305712,0.9724816,0.00022076785],"about_ca_topic_score_codex":0.0025164764,"about_ca_topic_score_gemma":0.0014097327,"teacher_disagreement_score":0.6959839,"about_ca_system_score_codex":0.0002830617,"about_ca_system_score_gemma":0.00017958815,"threshold_uncertainty_score":0.9964058},"labels":[],"label_agreement":null},{"id":"W2936182340","doi":"10.3917/lige.145.0122","title":"Le Centaure mourant de Bourdelle : autoportrait de l’artiste en bête","year":2016,"lang":"fr","type":"article","venue":"Ligeia","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art","score_opus":0.004769305995842289,"score_gpt":0.1941527747616772,"score_spread":0.1893834687658349,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2936182340","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.078621365,0.06645009,0.0010986546,0.08445495,0.0051705143,0.00037064028,0.0012767068,0.0002744067,0.76228267],"genre_scores_gemma":[0.4954852,0.00051421556,0.00029198237,0.0012610754,0.0028120836,0.000010600268,0.000017189454,0.000035970075,0.4995717],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99827105,0.00014370652,0.00032667557,0.00028852548,0.00016780786,0.0008022492],"domain_scores_gemma":[0.9991442,0.0001230825,0.000102091406,0.0003178628,0.0000579504,0.00025482418],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028436226,0.00026021985,0.0002511252,0.00006647899,0.00044805644,0.00027700182,0.0002438796,0.0002388739,0.006366811],"category_scores_gemma":[0.00002923421,0.00020188515,0.0002001599,0.000040838553,0.0002776821,0.0003204054,0.000055589524,0.00027295854,0.0006303274],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019396113,0.00011949954,0.00070182316,0.00010027828,0.00007328145,0.00016286266,0.01768721,0.0000023067753,0.0016559024,0.7206118,0.24761818,0.011247464],"study_design_scores_gemma":[0.00049676397,0.0001060755,0.0014696813,0.00041128066,0.00006202415,0.00007424158,0.0006566936,0.000042869728,0.002236043,0.011726357,0.9823884,0.000329601],"about_ca_topic_score_codex":0.0020842617,"about_ca_topic_score_gemma":0.0018827788,"teacher_disagreement_score":0.7347702,"about_ca_system_score_codex":0.000116992414,"about_ca_system_score_gemma":0.0003634606,"threshold_uncertainty_score":0.9945415},"labels":[],"label_agreement":null},{"id":"W2936703749","doi":"10.3917/lige.097.0111","title":"Salvador Dalí et le “réalisme magique” du cinéma : procédés filmiques en peinture","year":2010,"lang":"fr","type":"article","venue":"Ligeia","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art","score_opus":0.006153828327740585,"score_gpt":0.21853014678312732,"score_spread":0.21237631845538674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2936703749","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04362885,0.014599132,0.000098898265,0.11510552,0.0066482923,0.00046268737,0.0005302156,0.00032579858,0.8186006],"genre_scores_gemma":[0.70961344,0.00034906887,0.00076996814,0.0071396325,0.0073150406,0.0000529215,0.00013072575,0.0000777552,0.27455145],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979907,0.00026336958,0.0004205096,0.0004730574,0.00024030125,0.0006120082],"domain_scores_gemma":[0.99861753,0.00030347583,0.00008071922,0.0005070906,0.00024194077,0.0002492496],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00052052847,0.00042418606,0.00039042867,0.00008992427,0.0004257374,0.0008551772,0.00041023092,0.00048769946,0.009590245],"category_scores_gemma":[0.00021777561,0.00037433894,0.0002511859,0.000064377746,0.0007001018,0.00066086045,0.00013044444,0.0015442471,0.00060065155],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030423278,0.00027549153,0.000034688816,0.00021507769,0.000049859664,0.00008389223,0.014740193,3.2314352e-7,0.0012138089,0.8556847,0.12361727,0.004054272],"study_design_scores_gemma":[0.00028374253,0.00018874338,0.00038338144,0.00020163791,0.000064330394,0.00004923279,0.0012349256,0.00003811816,0.001662926,0.11652475,0.87893087,0.0004373238],"about_ca_topic_score_codex":0.00079089054,"about_ca_topic_score_gemma":0.0016439327,"teacher_disagreement_score":0.75531363,"about_ca_system_score_codex":0.000020205807,"about_ca_system_score_gemma":0.00018404616,"threshold_uncertainty_score":0.99987084},"labels":[],"label_agreement":null},{"id":"W2938476099","doi":"10.3917/lige.145.0210","title":"« Sous le plus grand chapiteau du monde »","year":2016,"lang":"fr","type":"article","venue":"Ligeia","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.02772499413574887,"score_gpt":0.23190265031843418,"score_spread":0.20417765618268532,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2938476099","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.053617235,0.20184623,0.001006148,0.13652928,0.011864664,0.00043737987,0.000062673615,0.00022954245,0.59440684],"genre_scores_gemma":[0.6937151,0.030754793,0.00006656992,0.00045211767,0.0027343724,0.00001836376,7.684847e-7,0.000019004212,0.27223894],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99831223,0.00016311387,0.00022393864,0.00030340024,0.00035658432,0.0006407348],"domain_scores_gemma":[0.9992692,0.00018872238,0.0000960292,0.00015996158,0.00008272419,0.00020336227],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032115297,0.00019237059,0.00030108244,0.000035626595,0.0010203186,0.0000633893,0.00028106692,0.00021211899,0.0005539126],"category_scores_gemma":[0.00017663045,0.00014925194,0.00017400265,0.00029568243,0.0013746311,0.00025491454,0.00009660861,0.00010457778,0.0012296948],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014920744,0.000114190916,0.0014815665,0.000023089307,0.0001000739,0.000047858335,0.055744354,0.0000015228541,0.00010875958,0.5948518,0.26737827,0.08013361],"study_design_scores_gemma":[0.00064937846,0.00005776969,0.0023636532,0.00009760199,0.000027612383,0.0000014723357,0.0018336487,0.000009307497,0.00007315035,0.036362693,0.9582573,0.00026641003],"about_ca_topic_score_codex":0.016219687,"about_ca_topic_score_gemma":0.008133251,"teacher_disagreement_score":0.69087905,"about_ca_system_score_codex":0.0003584297,"about_ca_system_score_gemma":0.00019975433,"threshold_uncertainty_score":0.99954796},"labels":[],"label_agreement":null},{"id":"W2939036786","doi":"10.3917/lige.141.0077","title":"Des bruits à l’opéra","year":2015,"lang":"fr","type":"article","venue":"Ligeia","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Medicine","score_opus":0.09437668148466388,"score_gpt":0.2586937995397872,"score_spread":0.16431711805512333,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2939036786","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029672727,0.085310936,0.000058324513,0.0025505163,0.0036488432,0.00006828824,0.000071379254,0.000082825776,0.87853616],"genre_scores_gemma":[0.18430503,0.00016519276,0.00015836237,0.0005463304,0.003410377,0.0000048370352,0.000014603731,0.000017205,0.81137806],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990084,0.000076009084,0.00022496803,0.00018933961,0.00017678693,0.00032449834],"domain_scores_gemma":[0.9992945,0.00004522608,0.00005013192,0.00017482128,0.0001305177,0.00030477621],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013108837,0.0001614126,0.00020172789,0.00005664496,0.00037283942,0.00020429412,0.00015293303,0.000075101016,0.005371595],"category_scores_gemma":[0.00004362379,0.00014151323,0.00011891534,0.00007407595,0.00046439917,0.00042651352,0.0000432842,0.0001483912,0.003950765],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020226034,0.00020526676,0.00038339198,0.00007860743,0.00005932276,0.00007618326,0.05529969,0.0000074955024,0.000005848648,0.54401845,0.3749242,0.024921278],"study_design_scores_gemma":[0.00016217856,0.00017517869,0.000099351375,0.00007237762,0.000063639774,0.000008752737,0.0011493113,0.000047296235,0.00003375899,0.015573916,0.9824104,0.00020386667],"about_ca_topic_score_codex":0.0033334326,"about_ca_topic_score_gemma":0.00047090265,"teacher_disagreement_score":0.6074861,"about_ca_system_score_codex":0.00008892271,"about_ca_system_score_gemma":0.00005984677,"threshold_uncertainty_score":0.9968248},"labels":[],"label_agreement":null},{"id":"W2967886049","doi":"10.3917/lige.101.0146","title":"“Ich steh auf Berlin”. Entretien avec Blixa Bargeld, chanteur et leader du groupe Einstürzende Neubauten","year":2010,"lang":"fr","type":"article","venue":"Ligeia","topic":"Literature and Cultural Memory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Philosophy","score_opus":0.011835638832510553,"score_gpt":0.21382429670333325,"score_spread":0.2019886578708227,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2967886049","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58837646,0.016561076,0.00001301479,0.067193784,0.030553576,0.0008076459,0.00052302517,0.00038054097,0.29559085],"genre_scores_gemma":[0.5659018,0.00039752564,0.000096437136,0.0059363027,0.009556994,0.00003061621,0.00018574676,0.000072944684,0.41782162],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972456,0.0001593576,0.00056611054,0.0006653982,0.00044089457,0.000922625],"domain_scores_gemma":[0.998525,0.0001031517,0.00017995131,0.0005955142,0.00026003,0.00033632125],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00030676837,0.00059870945,0.0005166503,0.00015938349,0.0007087074,0.0010941402,0.00053063786,0.00048512706,0.014832046],"category_scores_gemma":[0.00005694409,0.00048430543,0.00034878097,0.0001512556,0.0005119707,0.0010652678,0.00017898592,0.0014366853,0.0030034145],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006183591,0.00037900437,0.0004289727,0.00023167393,0.00022094362,0.00023093232,0.24180415,0.0000012476333,0.002662165,0.626461,0.118660316,0.008857699],"study_design_scores_gemma":[0.00066711317,0.0002472952,0.0012388262,0.00019358298,0.0001892757,0.00010839305,0.003666434,0.0001235207,0.001054724,0.0019445488,0.9898788,0.0006874952],"about_ca_topic_score_codex":0.0004239166,"about_ca_topic_score_gemma":0.0022559266,"teacher_disagreement_score":0.8712185,"about_ca_system_score_codex":0.000035518522,"about_ca_system_score_gemma":0.00008124409,"threshold_uncertainty_score":0.99994284},"labels":[],"label_agreement":null},{"id":"W3092618987","doi":"10.3917/lige.181.0143","title":"Le mème comme descendance prolifique du Net.Art","year":2020,"lang":"fr","type":"article","venue":"Ligeia","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.3329167795490694,"score_gpt":0.2876699253329822,"score_spread":0.04524685421608721,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3092618987","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0068902043,0.004709629,0.03944008,0.43032378,0.0020133012,0.0005046841,0.000037217895,0.00039362448,0.51568747],"genre_scores_gemma":[0.9184549,0.00016069018,0.002614461,0.025646456,0.0011552952,0.000009261401,0.000011021123,0.000025942592,0.051922016],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99830663,0.00007844077,0.00030676427,0.00050325366,0.00024299059,0.00056189665],"domain_scores_gemma":[0.9986882,0.000055914134,0.00011249284,0.00037190467,0.0001467694,0.00062469306],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008477323,0.00027068562,0.00028759727,0.000020790016,0.00020421114,0.0015193028,0.0006786711,0.00013169303,0.000070252914],"category_scores_gemma":[0.0001279151,0.00023486333,0.000135541,0.00048060995,0.00016239544,0.0027710174,0.00041148666,0.00027131307,0.0021410375],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016778285,0.00014900137,0.00022933245,0.0000885665,0.000024283236,0.00023943323,0.005691751,0.00007029283,0.0011614485,0.59789824,0.3851248,0.009306057],"study_design_scores_gemma":[0.00032716242,0.00024256842,0.0017378766,0.000118053526,0.000008416653,0.00010551996,0.000031517073,0.009172264,0.0045138104,0.0058491146,0.97752947,0.00036425164],"about_ca_topic_score_codex":0.00043484173,"about_ca_topic_score_gemma":0.00014943787,"teacher_disagreement_score":0.91156465,"about_ca_system_score_codex":0.000035426106,"about_ca_system_score_gemma":0.0002790065,"threshold_uncertainty_score":0.9995172},"labels":[],"label_agreement":null},{"id":"W4393934345","doi":"10.3917/lige.209.0036","title":"Sedna, déesse-sirène et figure de survie dans l’art inuit canadien","year":2024,"lang":"fr","type":"article","venue":"Ligeia","topic":"Indigenous Studies and Ecology","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.02740688187071361,"score_gpt":0.3558860794616313,"score_spread":0.3284791975909177,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393934345","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41292623,0.03102819,0.00021787282,0.1535637,0.02496308,0.0017070358,0.0014945457,0.0003582381,0.37374112],"genre_scores_gemma":[0.52257,0.0025333895,0.00020933284,0.0069527635,0.001804793,0.00015418461,0.00008992985,0.00009909419,0.4655865],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952031,0.00086547906,0.00056295405,0.0005200592,0.00017619129,0.0026722508],"domain_scores_gemma":[0.9980925,0.00083772023,0.00009378149,0.00043097523,0.00014767732,0.0003973875],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0019071617,0.00034021607,0.00050365913,0.00012780633,0.0023704092,0.000049792143,0.0003031045,0.00083101087,0.008366828],"category_scores_gemma":[0.00021108461,0.00033795054,0.00015359532,0.00042149017,0.00014693428,0.00013154192,0.00031141684,0.0016564187,0.010305961],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001905565,0.000079405894,0.009399143,0.00140396,0.0002346719,0.0010809308,0.3968813,0.000022087439,0.000031339743,0.033286486,0.5541228,0.0034388155],"study_design_scores_gemma":[0.00021024543,0.00028336231,0.010646134,0.0005980062,0.00012973511,0.000059548132,0.036223587,0.0003829117,0.000015168146,0.0016813576,0.94942373,0.00034622193],"about_ca_topic_score_codex":0.17841363,"about_ca_topic_score_gemma":0.96004915,"teacher_disagreement_score":0.7816355,"about_ca_system_score_codex":0.00242258,"about_ca_system_score_gemma":0.003907058,"threshold_uncertainty_score":0.99990726},"labels":[],"label_agreement":null},{"id":"W7124692066","doi":"10.3917/lige.141.0242d","title":"L’Annuaire théâtral, Jeanne Bovet et Yves Jubinville éditeurs Université de Montréal, Québec, 2015","year":2015,"lang":"","type":"article","venue":"Ligeia","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Face (sociological concept); Context (archaeology); Exposition (narrative); Identity (music); Subject (documents)","score_opus":0.020063856662354804,"score_gpt":0.2562951035039039,"score_spread":0.2362312468415491,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7124692066","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26664266,0.10047571,0.000016282107,0.2218409,0.0029165922,0.0007207181,0.00031301109,0.00037215572,0.40670195],"genre_scores_gemma":[0.5715862,0.0048966156,0.00012740535,0.013763212,0.0012800966,0.000014032172,0.00009991499,0.000043769407,0.40818876],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960981,0.00078220735,0.0004814291,0.00076557667,0.00078104116,0.0010916531],"domain_scores_gemma":[0.99742764,0.00014669615,0.0003554294,0.0004955659,0.0004773986,0.0010972436],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008806942,0.00050910236,0.0006682606,0.00015895715,0.0016974421,0.00047956497,0.0008877965,0.00061310775,0.0012667802],"category_scores_gemma":[0.00025700845,0.00043246246,0.0004982652,0.001368732,0.00071454473,0.0009643286,0.0003459206,0.0005255063,0.00058423803],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013056307,0.00022624113,0.0018722852,0.000016587092,0.00029082168,0.0001301263,0.070885055,0.00013520112,0.00016589994,0.0061662407,0.9189613,0.0010196643],"study_design_scores_gemma":[0.00058433815,0.00025348627,0.0009294846,0.000045997138,0.00041310408,0.000013445564,0.035444543,0.0001309924,0.00013852867,0.0011886944,0.96027046,0.00058694504],"about_ca_topic_score_codex":0.11047881,"about_ca_topic_score_gemma":0.42778563,"teacher_disagreement_score":0.31730682,"about_ca_system_score_codex":0.0009219558,"about_ca_system_score_gemma":0.0010594045,"threshold_uncertainty_score":0.9998127},"labels":[],"label_agreement":null},{"id":"W7124695501","doi":"10.3917/lige.101.0213b","title":"L’avenir de l’art , Hervé Fisher, VLB Editeur, Montréal (Québec) 2010","year":2010,"lang":"","type":"article","venue":"Ligeia","topic":"Contemporary art, education, critique","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identification (biology); Data collection; Work (physics); Calibration","score_opus":0.013029165217406748,"score_gpt":0.2694326125327239,"score_spread":0.2564034473153171,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7124695501","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20832253,0.0035856299,0.000114928596,0.40482578,0.028893681,0.0012284634,0.00006746204,0.00038740487,0.3525741],"genre_scores_gemma":[0.5251217,0.0015321388,0.000795998,0.0015730412,0.008839146,0.00008971668,0.000023580373,0.00008193861,0.46194276],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99505115,0.0009646772,0.000873509,0.00093293877,0.00079343765,0.0013842992],"domain_scores_gemma":[0.9964497,0.0006273797,0.0003706791,0.0011228967,0.0003826986,0.0010466215],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0034082143,0.00052852614,0.0005323106,0.00017651754,0.0018088359,0.000550542,0.0012569432,0.00078323705,0.012067393],"category_scores_gemma":[0.0010036712,0.00061360345,0.00036851867,0.00066628837,0.0008692409,0.0028927051,0.00015339375,0.0015844093,0.0029940102],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036256606,0.00047859797,0.029703196,0.000035346107,0.000051455707,0.000034875477,0.025137482,0.0000013821298,0.001254365,0.0034347177,0.93416893,0.0056633735],"study_design_scores_gemma":[0.00040698482,0.00010899992,0.019328281,0.000055124172,0.00006047276,0.000019756735,0.0044259904,0.00009081872,0.0007016521,0.0038362078,0.97030485,0.00066087913],"about_ca_topic_score_codex":0.27827534,"about_ca_topic_score_gemma":0.7440022,"teacher_disagreement_score":0.4657269,"about_ca_system_score_codex":0.0003757576,"about_ca_system_score_gemma":0.0054520206,"threshold_uncertainty_score":0.9996315},"labels":[],"label_agreement":null},{"id":"W7124739594","doi":"10.3917/lige.137.0218e","title":"Études Littéraires-Manifestes , Université Laval, Québec 2014","year":2015,"lang":"","type":"article","venue":"Ligeia","topic":"Caribbean and African Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Process (computing); Identification (biology); Product (mathematics)","score_opus":0.01783579454790092,"score_gpt":0.19672845000713343,"score_spread":0.1788926554592325,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7124739594","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03476648,0.06844749,0.0000028419768,0.010426792,0.0025374994,0.00036955305,0.0006700449,0.00026925394,0.88251007],"genre_scores_gemma":[0.675616,0.0006522663,0.0000128867905,0.001120048,0.0033628633,0.0000040202394,0.00006333396,0.000040595365,0.31912795],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99803865,0.0000982061,0.00037808134,0.0005107299,0.00041851785,0.0005558325],"domain_scores_gemma":[0.998468,0.000051286057,0.00018092322,0.00047148758,0.0003391072,0.00048919633],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017028845,0.00048359457,0.00047497437,0.00011056282,0.000626225,0.0009515102,0.00043722513,0.00021086827,0.002395783],"category_scores_gemma":[0.000025687452,0.0003966613,0.0003474383,0.00011386889,0.00031200508,0.0004859825,0.0001591775,0.00044117565,0.0012144411],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008817789,0.00016519646,0.0003404524,0.000052993153,0.00014835087,0.000122304,0.081447005,0.0000026358766,0.00004208449,0.3008326,0.61522436,0.0015338162],"study_design_scores_gemma":[0.0006526583,0.00039043522,0.00015822008,0.00013613325,0.00019298232,0.000024890898,0.059201337,0.000010557046,0.0001255243,0.00060998654,0.9379534,0.00054386444],"about_ca_topic_score_codex":0.023075283,"about_ca_topic_score_gemma":0.07577296,"teacher_disagreement_score":0.64084953,"about_ca_system_score_codex":0.0002015303,"about_ca_system_score_gemma":0.00073669903,"threshold_uncertainty_score":0.99984854},"labels":[],"label_agreement":null},{"id":"W7124750131","doi":"10.3917/lige.117.0234c","title":"L’art dans l’action-L’action dans l’art , Richard Martel, InterEditeurs, Québec, 2012","year":2012,"lang":"","type":"article","venue":"Ligeia","topic":"Contemporary art, education, critique","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Natural (archaeology); Subject (documents); Work (physics)","score_opus":0.0518898224529184,"score_gpt":0.3241052360069911,"score_spread":0.2722154135540727,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7124750131","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13791502,0.005201883,0.0052845944,0.11697729,0.05454699,0.0023752516,0.00015944376,0.0008540478,0.6766855],"genre_scores_gemma":[0.58486366,0.001937288,0.0001528826,0.00055743766,0.008085042,0.00012266856,0.00011237072,0.00009075651,0.40407792],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99261343,0.0021454417,0.0012913382,0.0009900266,0.0011005447,0.0018592037],"domain_scores_gemma":[0.9959419,0.00055071805,0.00070676435,0.0010989326,0.0003736415,0.0013280836],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0034989393,0.000753892,0.0006837691,0.00037733288,0.002049186,0.0005306672,0.0009107434,0.000634594,0.015844798],"category_scores_gemma":[0.00038367242,0.0008791573,0.00046995288,0.0010885877,0.00083496334,0.016414331,0.00014537037,0.00098457,0.012599382],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007863862,0.00093292224,0.07336797,0.000073325224,0.00014018851,0.0000051118404,0.07529223,0.0000015008335,0.0012298628,0.0033815228,0.8419482,0.0035485395],"study_design_scores_gemma":[0.00033577933,0.00016909189,0.03488356,0.00010065489,0.00018275628,0.000038127546,0.06543683,0.000030818268,0.0012307073,0.00042371266,0.8963306,0.00083738373],"about_ca_topic_score_codex":0.024098169,"about_ca_topic_score_gemma":0.17352864,"teacher_disagreement_score":0.44694862,"about_ca_system_score_codex":0.0013416469,"about_ca_system_score_gemma":0.0017000556,"threshold_uncertainty_score":0.9993659},"labels":[],"label_agreement":null},{"id":"W7124765890","doi":"10.3917/lige.129.0243e","title":"Dramaturgy of Sound in the Avant-Garde and Postdramatic Theatre , Mladen Ovadija, McGill-Queen’s University Press, Montréal-London-Ithaca, 2013","year":2014,"lang":"","type":"article","venue":"Ligeia","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dramaturgy; Sound (geography); Sound design; Sound production; Drama","score_opus":0.008877442437677047,"score_gpt":0.18634843256006628,"score_spread":0.17747099012238923,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7124765890","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66654354,0.009487186,0.000009220539,0.006698841,0.0011128248,0.0013084763,0.00064620783,0.00007441761,0.31411925],"genre_scores_gemma":[0.9759956,0.009428228,0.000021687321,0.00025776762,0.00035808314,0.0000063729713,0.000012639763,0.000029360572,0.013890274],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978154,0.00033646228,0.0005294072,0.00040165507,0.00034458717,0.0005725215],"domain_scores_gemma":[0.9984614,0.00046873256,0.00028940526,0.0005900867,0.00010297378,0.00008735872],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00045291,0.00044264432,0.0006974174,0.00015667437,0.0010376483,0.00017135874,0.00048692126,0.0001699497,0.00030461536],"category_scores_gemma":[0.000016545537,0.00031630186,0.00017893779,0.00004120896,0.00071013987,0.00043700787,0.00024615065,0.00045364024,0.000060822822],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014302868,0.0011137876,0.017271863,0.0030875406,0.0014430844,0.00009742314,0.58982897,0.00023602371,0.00006151594,0.26481465,0.09023021,0.030384667],"study_design_scores_gemma":[0.0013548825,0.0005273405,0.009845084,0.00038387874,0.00034535234,0.00001403518,0.026445657,0.00051873387,0.00005020425,0.0033718394,0.95662194,0.00052103],"about_ca_topic_score_codex":0.020279374,"about_ca_topic_score_gemma":0.008353748,"teacher_disagreement_score":0.8663918,"about_ca_system_score_codex":0.00004470102,"about_ca_system_score_gemma":0.000025934261,"threshold_uncertainty_score":0.9999289},"labels":[],"label_agreement":null}]}