{"meta":{"query_hash":"f42f21fc1244","filters":{"venue":"Literature film quarterly"},"cohort_total":2,"direct_labels_cover":0,"predictions_cover":2,"exported":2,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/f42f21fc1244","api":"https://metacan.xera.ac/api/v1/cohort?venue=Literature+film+quarterly"},"results":[{"id":"W138755695","doi":"","title":"Classic Demolition: Why Shakespeare is Not Exactly 'Our Contemporary' or, 'Dude, Where's My Hankie?'","year":2002,"lang":"en","type":"article","venue":"Literature film quarterly","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sermon; Lust; Passion; Literature; Art; Dialectic; Psychoanalysis; Philosophy; Art history; Theology; Psychology","score_opus":0.05118411548595374,"score_gpt":0.2381119876175454,"score_spread":0.18692787213159168,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W138755695","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028350199,0.03270649,0.0020504764,0.2191041,0.012192549,0.000025312203,0.00012370861,0.0002592821,0.7051879],"genre_scores_gemma":[0.46888274,0.008273648,0.0008014351,0.04148958,0.0035925845,0.00003176095,0.0001013178,0.0006237778,0.47620308],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984768,0.00063688064,0.000031991116,0.0002678693,0.0003672758,0.00021914666],"domain_scores_gemma":[0.9983576,0.0005667689,0.00010442699,0.000114196635,0.00057449116,0.0002825483],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00159848,0.00044881567,0.00028424084,0.0007012713,0.011328987,0.008208843,0.00081445585,0.002864601,0.020448513],"category_scores_gemma":[0.004773967,0.00025323604,0.00016168311,0.0006315079,0.014559333,0.0057301163,0.0019928378,0.0042718085,0.004916173],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035574034,0.000013945214,0.00063011935,0.000112739006,0.000005454435,0.00041576597,0.076709166,0.00002595835,0.00020931881,0.2689217,0.62979656,0.02312363],"study_design_scores_gemma":[0.000003929768,0.000006113683,0.00057385274,0.00011006136,0.0000020419104,0.00019801354,0.02388964,0.00002414172,0.000147745,0.007438323,0.96759754,0.000008587751],"about_ca_topic_score_codex":0.040183526,"about_ca_topic_score_gemma":0.07284758,"teacher_disagreement_score":0.040183526,"about_ca_system_score_codex":0.007229104,"about_ca_system_score_gemma":0.0020915552,"threshold_uncertainty_score":0.07989925},"labels":[],"label_agreement":null},{"id":"W38994740","doi":"10.1002/hbm.26720","title":"Reading (and writing) the ethics of authorship: Shakespeare in Love as postmodern metanarrative","year":2004,"lang":"en","type":"article","venue":"Literature film quarterly","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Fonds de recherche du Québec – Nature et technologies; Canadian Institutes of Health Research; Fonds de Recherche du Québec - Santé; Canadian Open Neuroscience Platform","keywords":"Postmodernism; Anachronism; Literature; Hollywood; Criticism; Art; Movie theater; Screenwriting; Aesthetics; Art history; Politics; Law","score_opus":0.026518137404975804,"score_gpt":0.2714556648171232,"score_spread":0.2449375274121474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W38994740","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0378322,0.019252656,0.030549958,0.13169108,0.06526267,0.000111918715,0.00072106544,0.0008460126,0.7137324],"genre_scores_gemma":[0.57027406,0.005222795,0.0074569294,0.010916808,0.010943612,0.000075794815,0.00024549817,0.00084101944,0.39402345],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975051,0.0011994486,0.00014509403,0.0004194207,0.0005532203,0.00017782177],"domain_scores_gemma":[0.9943988,0.0022440993,0.0007049503,0.00094563677,0.0012630501,0.00044347846],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023545865,0.00047213177,0.00030685536,0.0009293947,0.0028722414,0.0044860137,0.0005566515,0.0017049628,0.027372831],"category_scores_gemma":[0.0125672445,0.00021484432,0.00016305964,0.00077572616,0.009124477,0.004039516,0.0027323165,0.0026475466,0.007766446],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011854259,0.000018971863,0.0015535754,0.00030512767,0.000021783317,0.0005530871,0.030905215,0.00030575556,0.0009090827,0.4986613,0.37597927,0.09066832],"study_design_scores_gemma":[0.00000793072,0.000029356417,0.0010552696,0.00023441175,0.0000062395916,0.00056184485,0.0021738168,0.00028061273,0.0005757306,0.04583048,0.94921803,0.000026309352],"about_ca_topic_score_codex":0.0021195838,"about_ca_topic_score_gemma":0.0038724265,"teacher_disagreement_score":0.027372831,"about_ca_system_score_codex":0.001999594,"about_ca_system_score_gemma":0.0018184591,"threshold_uncertainty_score":0.09157127},"labels":[],"label_agreement":null}]}