{"meta":{"query_hash":"8762a48d9bed","filters":{"venue":"Metro Magazine: Media & Education Magazine"},"cohort_total":11,"direct_labels_cover":0,"predictions_cover":11,"exported":11,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/8762a48d9bed","api":"https://metacan.xera.ac/api/v1/cohort?venue=Metro+Magazine%3A+Media+%26+Education+Magazine"},"results":[{"id":"W2229458283","doi":"","title":"Generation why: 'Any questions for Ben?'","year":2012,"lang":"en","type":"article","venue":"Metro Magazine: Media & Education Magazine","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); History; Spring (device); Psychology; Engineering; Archaeology","score_opus":0.06528925064930446,"score_gpt":0.29755646795079194,"score_spread":0.23226721730148747,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2229458283","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022710983,0.0046570622,0.001441263,0.46079424,0.01717724,0.000046921043,0.00026477984,0.00037891662,0.4925286],"genre_scores_gemma":[0.12678425,0.0011605636,0.0004981131,0.13802254,0.0010422982,0.000032177428,0.0001426107,0.000346169,0.7319713],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930656,0.00027884645,0.000008678444,0.000059045,0.00010149492,0.00024534276],"domain_scores_gemma":[0.99920076,0.00015284875,0.000044989545,0.0000539629,0.00019255576,0.00035478966],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011027756,0.00055196125,0.00022887999,0.00023478232,0.010188414,0.0051577534,0.0005341081,0.003362922,0.07808053],"category_scores_gemma":[0.002831808,0.0002087698,0.00021300145,0.00022132204,0.002882894,0.0042853365,0.002681567,0.006127951,0.017910885],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002965943,0.000023638195,0.001440692,0.000030712843,0.0000031469538,0.00046638612,0.02716043,0.000013215791,0.0002646763,0.027594939,0.92380106,0.01917148],"study_design_scores_gemma":[0.000003606059,0.000009053287,0.00069278915,0.00007664334,0.000001731284,0.00024437637,0.05759753,0.000020948766,0.00011887735,0.0028535028,0.938371,0.000010002685],"about_ca_topic_score_codex":0.015129051,"about_ca_topic_score_gemma":0.036007993,"teacher_disagreement_score":0.07808053,"about_ca_system_score_codex":0.0013913468,"about_ca_system_score_gemma":0.0015095953,"threshold_uncertainty_score":0.26120543},"labels":[],"label_agreement":null},{"id":"W2255830139","doi":"","title":"Tales from the Islands: Raya Martin and contemporary Philippine film","year":2014,"lang":"en","type":"article","venue":"Metro Magazine: Media & Education Magazine","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Residence; History; Documentary film; Film director; Art history; Art; Media studies; Movie theater; Sociology; Demography","score_opus":0.019872577909362355,"score_gpt":0.2702867389589344,"score_spread":0.25041416104957204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2255830139","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3255954,0.059847344,0.0005951157,0.10597219,0.0023833774,0.00009170043,0.00026782224,0.00020752521,0.5050396],"genre_scores_gemma":[0.85089934,0.026715877,0.00047580845,0.0068726945,0.001123854,0.00007923896,0.00010004533,0.0002472797,0.113485746],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958676,0.00021548981,0.000005955405,0.000028410834,0.00006747705,0.00009597779],"domain_scores_gemma":[0.9994955,0.00012505958,0.000051383216,0.000022092228,0.00010667126,0.00019930012],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00072881434,0.00071682065,0.00022340658,0.0010799845,0.010450573,0.004997201,0.0008596175,0.001321132,0.009374767],"category_scores_gemma":[0.0017199331,0.00024623005,0.0001417625,0.0014934494,0.005772981,0.003056891,0.0033021066,0.0035176391,0.0010312771],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000084210245,0.00007368192,0.0026642391,0.00049649965,0.000021824995,0.004528446,0.73829645,0.00015039154,0.0009106124,0.043582715,0.16994688,0.03924409],"study_design_scores_gemma":[0.000004623812,0.000030923242,0.0062655658,0.00031858927,0.000009974365,0.00066421716,0.33104628,0.00008639485,0.00022235856,0.0010429745,0.6602832,0.000024923207],"about_ca_topic_score_codex":0.062349148,"about_ca_topic_score_gemma":0.14366928,"teacher_disagreement_score":0.062349148,"about_ca_system_score_codex":0.0042421226,"about_ca_system_score_gemma":0.0016791575,"threshold_uncertainty_score":0.123972476},"labels":[],"label_agreement":null},{"id":"W2258949491","doi":"","title":"See How They Run: Sailors on Shore 'Three Blind Mice'","year":2009,"lang":"en","type":"article","venue":"Metro Magazine: Media & Education Magazine","topic":"Commonwealth, Australian Politics and Federalism","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Feature (linguistics); Art history; Art; Media studies; Visual arts; History; Sociology; Philosophy","score_opus":0.044997412795349585,"score_gpt":0.33544602388138794,"score_spread":0.29044861108603837,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2258949491","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023322808,0.050004967,0.0015617888,0.19421071,0.022405963,0.000073551055,0.0002997702,0.0005378394,0.7075827],"genre_scores_gemma":[0.16507068,0.03564541,0.0016028739,0.054725286,0.004259783,0.00007962216,0.0002869171,0.000773696,0.7375556],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992624,0.0003162698,0.0000129138325,0.000043336546,0.00016779495,0.00019727173],"domain_scores_gemma":[0.9991248,0.00016820504,0.00006173665,0.000030844825,0.00019842073,0.00041606382],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008815541,0.0005639645,0.0001871987,0.00048530477,0.012192393,0.0064938995,0.0006545419,0.0022378955,0.034856126],"category_scores_gemma":[0.0026791363,0.00029260886,0.0002412857,0.00064466696,0.0039168117,0.0046118787,0.0028421122,0.0055887112,0.009984169],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021713538,0.000012358593,0.00032777694,0.000099922196,0.0000030040892,0.00017143789,0.030952154,0.000010487081,0.00017276849,0.0081934715,0.934725,0.02530997],"study_design_scores_gemma":[0.0000017606842,0.000008552658,0.00066635653,0.00014652555,0.0000017092075,0.00008015695,0.032180794,0.000006818071,0.00005098133,0.00051264715,0.9663382,0.000005392448],"about_ca_topic_score_codex":0.037809305,"about_ca_topic_score_gemma":0.17733383,"teacher_disagreement_score":0.037809305,"about_ca_system_score_codex":0.0024452377,"about_ca_system_score_gemma":0.0029132764,"threshold_uncertainty_score":0.11660528},"labels":[],"label_agreement":null},{"id":"W2263974332","doi":"","title":"Scanning Television: 51 Short Videos for Media Literacy Studies [Book Review]","year":2003,"lang":"en","type":"article","venue":"Metro Magazine: Media & Education Magazine","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Literacy; Media literacy; Media studies; Sociology; Advertising; Pedagogy; Business","score_opus":0.06455608083795049,"score_gpt":0.3841198869333199,"score_spread":0.3195638060953694,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2263974332","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007376448,0.9275583,0.0007934366,0.004092823,0.003853808,0.00022604596,0.0010148126,0.0002316865,0.06149144],"genre_scores_gemma":[0.0025104121,0.9001311,0.0014707812,0.0031731436,0.0022380564,0.0002741426,0.0015074816,0.0001265876,0.08856834],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99967086,0.00005459469,0.000025977117,0.000032999422,0.00018395175,0.000031537886],"domain_scores_gemma":[0.99848574,0.00062618655,0.00011377883,0.000032932898,0.0006293113,0.0001120422],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005012192,0.0009690302,0.00095415156,0.004096253,0.00047908322,0.0014449146,0.0011448108,0.0011763368,0.08190367],"category_scores_gemma":[0.0024566231,0.0003639707,0.00048198015,0.0045817583,0.0003630371,0.0022324242,0.00072066876,0.00136308,0.031062815],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003202447,0.00003246537,0.00008390255,0.0027342925,0.000010286658,0.00007198287,0.00007778752,0.00003234796,0.00034364546,0.0003531887,0.5148586,0.48136955],"study_design_scores_gemma":[0.000026044816,0.000081568425,0.0019634448,0.0040804837,0.0000459205,0.0006522581,0.00015410167,0.000032892163,0.0002887685,0.00028836945,0.9923684,0.000017739743],"about_ca_topic_score_codex":0.009177307,"about_ca_topic_score_gemma":0.022144776,"teacher_disagreement_score":0.08190367,"about_ca_system_score_codex":0.0006028142,"about_ca_system_score_gemma":0.0013875042,"threshold_uncertainty_score":0.27399504},"labels":[],"label_agreement":null},{"id":"W2266683516","doi":"","title":"Meeting Mehta: A Conversation with the Director of 'Water'","year":2006,"lang":"en","type":"article","venue":"Metro Magazine: Media & Education Magazine","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Film director; Conversation; Hinduism; Chose; Sociology; Media studies; Gender studies; History; Art history; Religious studies; Political science; Movie theater; Philosophy; Law; Communication","score_opus":0.009172088662321195,"score_gpt":0.19998557320305843,"score_spread":0.19081348454073724,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2266683516","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.087189294,0.00733736,0.0012301331,0.71447647,0.01168919,0.00016053885,0.00034935703,0.00027432592,0.1772934],"genre_scores_gemma":[0.4373658,0.006379587,0.0022498462,0.23387603,0.0023664553,0.00015599732,0.00023424737,0.00044403,0.31692797],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99808925,0.000510321,0.000030912102,0.00016641521,0.0005077476,0.000695333],"domain_scores_gemma":[0.9960408,0.00059903204,0.00014199277,0.000054259093,0.0011431964,0.0020206731],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019891113,0.00051871344,0.00038507007,0.00079128414,0.031858828,0.0042039403,0.0013711276,0.004776308,0.012676885],"category_scores_gemma":[0.0060953605,0.000458935,0.00030078608,0.0010121039,0.0049236715,0.0028007992,0.0028888765,0.010365623,0.001480838],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060316706,0.000053019663,0.0026521552,0.0001144908,0.000016154516,0.002546794,0.15748881,0.000055393342,0.0027888794,0.006963972,0.80743486,0.019825052],"study_design_scores_gemma":[0.000006802599,0.000020414891,0.0023066136,0.00008056931,0.000008219355,0.00042122707,0.15589061,0.000053264648,0.00045212838,0.00025527828,0.84046376,0.000041144147],"about_ca_topic_score_codex":0.700903,"about_ca_topic_score_gemma":0.8983201,"teacher_disagreement_score":0.700903,"about_ca_system_score_codex":0.018481016,"about_ca_system_score_gemma":0.020240676,"threshold_uncertainty_score":0.6017169},"labels":[],"label_agreement":null},{"id":"W2297452201","doi":"","title":"Revelling in the 'Red Light Revolution': An interview with Sam Voutas","year":2012,"lang":"en","type":"article","venue":"Metro Magazine: Media & Education Magazine","topic":"Media Studies and Communication","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"China; KISS (TNC); Beijing; Sign (mathematics); Censorship; Sight; Sexual revolution; History; Media studies; Advertising; Economic history; Art history; Political science; Law; Sociology; Business","score_opus":0.052111511475944325,"score_gpt":0.3349395112901829,"score_spread":0.28282799981423856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2297452201","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63540107,0.008796474,0.00079518533,0.29892415,0.0033858006,0.00016402332,0.00010198621,0.00012980733,0.0523015],"genre_scores_gemma":[0.91540855,0.0022344182,0.00047316463,0.05787179,0.00047821508,0.000102875805,0.00002330493,0.00006744727,0.023340253],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9957883,0.0026574743,0.0000816237,0.00020360002,0.00031390614,0.00095510675],"domain_scores_gemma":[0.99581486,0.0012034808,0.00030532634,0.00008548602,0.0005308052,0.0020600816],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038410053,0.0005759375,0.0006998809,0.001087918,0.030541865,0.0046466184,0.0015672051,0.005236456,0.0037296505],"category_scores_gemma":[0.0074791117,0.00071783416,0.00041510895,0.0011034328,0.010280501,0.004598166,0.0045241863,0.011123949,0.0004891365],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021164251,0.000056997014,0.0022947453,0.000088635454,0.0000068178415,0.002136572,0.95236015,0.000026040045,0.0006500458,0.0057611824,0.031361353,0.005236297],"study_design_scores_gemma":[0.0000029936189,0.00004184476,0.0010085482,0.00013462667,0.000003180309,0.00074872636,0.9104331,0.00003980176,0.00015359638,0.0005609365,0.08685258,0.000019966397],"about_ca_topic_score_codex":0.03211054,"about_ca_topic_score_gemma":0.046586163,"teacher_disagreement_score":0.03211054,"about_ca_system_score_codex":0.005546113,"about_ca_system_score_gemma":0.005103035,"threshold_uncertainty_score":0.0638473},"labels":[],"label_agreement":null},{"id":"W2300571777","doi":"","title":"Look Out for Sarah Watt","year":2005,"lang":"en","type":"article","venue":"Metro Magazine: Media & Education Magazine","topic":"Political and Economic history of UK and US","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Watt; Film festival; Media studies; Art history; Visual arts; History; Library science; Art; Sociology; Power (physics); Computer science","score_opus":0.03518724607742859,"score_gpt":0.32655942080238265,"score_spread":0.2913721747249541,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2300571777","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001010758,0.0147448825,0.0009897568,0.56184083,0.21064955,0.0000719579,0.00024479828,0.00067812856,0.20976923],"genre_scores_gemma":[0.005955887,0.004284435,0.0005175635,0.15200089,0.011915671,0.000047535803,0.00011097166,0.00034140237,0.8248257],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99893457,0.00024099782,0.000023994895,0.00013639862,0.00046772452,0.0001963535],"domain_scores_gemma":[0.9965154,0.0003301804,0.00009521473,0.00013106942,0.0013463352,0.0015817916],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012620847,0.00063516764,0.00040778218,0.0007049866,0.0056017325,0.005793371,0.0008519235,0.0037213322,0.14986953],"category_scores_gemma":[0.007862209,0.00038086867,0.00048501435,0.00041190622,0.0013046104,0.0045885635,0.003254404,0.009236411,0.078005835],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003885211,0.000004749322,0.000025314566,0.0000100482775,6.657444e-7,0.000031624477,0.00011373118,0.000002060203,0.000027917336,0.00052153174,0.9941964,0.0050619263],"study_design_scores_gemma":[0.0000025337952,0.0000070391725,0.00011694845,0.00004891427,0.000001455236,0.000097593955,0.0011038977,0.0000064390083,0.000033834298,0.00040248642,0.99817395,0.00000486597],"about_ca_topic_score_codex":0.0073871515,"about_ca_topic_score_gemma":0.025886869,"teacher_disagreement_score":0.14986953,"about_ca_system_score_codex":0.0013383854,"about_ca_system_score_gemma":0.002138951,"threshold_uncertainty_score":0.5013635},"labels":[],"label_agreement":null},{"id":"W2302027193","doi":"","title":"Hamish Koci: Animator","year":2005,"lang":"en","type":"article","venue":"Metro Magazine: Media & Education Magazine","topic":"Art Education and Development","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Girl; Animation; Visual arts; Art; Art history; Psychology","score_opus":0.0217267225271107,"score_gpt":0.25893210491767643,"score_spread":0.23720538239056574,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2302027193","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005131547,0.010732862,0.051506303,0.018798683,0.029077223,0.00046718385,0.003546115,0.024660876,0.8560793],"genre_scores_gemma":[0.017881567,0.0034761534,0.019242346,0.0055475608,0.0014264513,0.00019392437,0.0019194542,0.0052111675,0.9451013],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997309,0.000044003948,0.00001133223,0.00007157383,0.00011216565,0.000030056544],"domain_scores_gemma":[0.9993368,0.00009762969,0.000021684262,0.00007313813,0.0002536551,0.00021714778],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00069734425,0.0010459935,0.0003943915,0.00088870723,0.0016185457,0.0020977696,0.000686194,0.0011450999,0.21540508],"category_scores_gemma":[0.002029508,0.00036636402,0.00027349548,0.00044219953,0.00068877515,0.002462946,0.002089827,0.0016882265,0.13055693],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007425386,0.000020577947,0.00014556265,0.00015881924,0.0000034136033,0.00014264052,0.0006050177,0.00010078782,0.0033356203,0.004948247,0.9258158,0.0646492],"study_design_scores_gemma":[0.000005779983,0.0000069535045,0.00010353644,0.000029355193,0.0000027363026,0.00016752847,0.00011850039,0.00014213267,0.00051047595,0.0002651516,0.99864084,0.0000070150622],"about_ca_topic_score_codex":0.0017620643,"about_ca_topic_score_gemma":0.0060678255,"teacher_disagreement_score":0.21540508,"about_ca_system_score_codex":0.00061393634,"about_ca_system_score_gemma":0.00067807094,"threshold_uncertainty_score":0.7206018},"labels":[],"label_agreement":null},{"id":"W2304392733","doi":"","title":"Hot Docs: The Toronto Documentary Forum - Two Perspectives","year":2000,"lang":"en","type":"article","venue":"Metro Magazine: Media & Education Magazine","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Media studies; Documentary evidence; Documentary film; History; Visual arts; Political science; Sociology; Art; Law","score_opus":0.01445223912360955,"score_gpt":0.25748370138071514,"score_spread":0.2430314622571056,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2304392733","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0072541237,0.05447884,0.00033241426,0.5654388,0.04115844,0.00011966559,0.0041012955,0.00016939097,0.3269471],"genre_scores_gemma":[0.063113496,0.017535362,0.00045797063,0.05238376,0.020899052,0.00011660917,0.0015886889,0.00034713745,0.84355783],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949557,0.0005074363,0.00012367692,0.00026212036,0.0021183705,0.0020327058],"domain_scores_gemma":[0.9895158,0.001697244,0.0007090756,0.0003143061,0.0025593964,0.005204256],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004716175,0.0013160933,0.00081033213,0.0035828296,0.020093456,0.034170024,0.0025751267,0.014294398,0.08585432],"category_scores_gemma":[0.008357667,0.0007285328,0.00062103046,0.007276628,0.005213954,0.0063477335,0.005354601,0.009560871,0.010814755],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028833345,0.000013303781,0.00025309675,0.00007741079,0.0000035289283,0.000115599425,0.0016062123,0.000021839589,0.000076057666,0.010610012,0.98317873,0.004015406],"study_design_scores_gemma":[0.000008440816,0.000004958608,0.0017677329,0.00012338176,0.0000046722225,0.000018876919,0.0040627215,0.000020969725,0.000045268655,0.0004989937,0.99342865,0.000015331218],"about_ca_topic_score_codex":0.7125633,"about_ca_topic_score_gemma":0.90666807,"teacher_disagreement_score":0.28743672,"about_ca_system_score_codex":0.050477613,"about_ca_system_score_gemma":0.04801082,"threshold_uncertainty_score":0.578259},"labels":[],"label_agreement":null},{"id":"W2603144122","doi":"","title":"The big steal","year":2016,"lang":"en","type":"article","venue":"Metro Magazine: Media & Education Magazine","topic":"Youth Education and Societal Dynamics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Girl; Appeal; Guardian; Front (military); Quarter (Canadian coin); History; Art; Psychology; Law; Political science; Engineering","score_opus":0.025104053483531286,"score_gpt":0.31427617701681515,"score_spread":0.28917212353328386,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2603144122","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.071699545,0.007405748,0.0019172801,0.085361116,0.010105679,0.00005011414,0.00030339364,0.00032620798,0.8228308],"genre_scores_gemma":[0.27098882,0.0032775046,0.0012121733,0.022117881,0.0008945841,0.000023527482,0.00015153494,0.00021388142,0.7011201],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992211,0.00017661981,0.000016962706,0.00012306578,0.00023732003,0.00022497699],"domain_scores_gemma":[0.99886996,0.00008659795,0.00005758246,0.000071076436,0.00024649705,0.0006681883],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00091982004,0.0003825894,0.000226581,0.00037953738,0.0073116017,0.0035398433,0.00042820963,0.0015011202,0.032990437],"category_scores_gemma":[0.002213059,0.00026960688,0.0002592989,0.00027434557,0.0036674263,0.0049263705,0.004831897,0.0032969303,0.007917188],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000108397544,0.00008453949,0.0039875256,0.00016115615,0.000014264842,0.0008668315,0.049152173,0.000046493686,0.0016417013,0.08774046,0.752128,0.104068406],"study_design_scores_gemma":[0.0000018744188,0.000033110995,0.0021713355,0.00008499501,0.0000029224877,0.00033554583,0.017182289,0.000022292064,0.00015832763,0.0017568666,0.9782382,0.000012170637],"about_ca_topic_score_codex":0.028103031,"about_ca_topic_score_gemma":0.065041706,"teacher_disagreement_score":0.032990437,"about_ca_system_score_codex":0.0016525075,"about_ca_system_score_gemma":0.002510016,"threshold_uncertainty_score":0.11036396},"labels":[],"label_agreement":null},{"id":"W2625767964","doi":"","title":"Breaking the ice: 'The crossing'","year":2014,"lang":"en","type":"article","venue":"Metro Magazine: Media & Education Magazine","topic":"Geographic Information Systems Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Adventure; Traverse; Face (sociological concept); Geography; Visual arts; History; Cartography; Art; Sociology; Art history; Social science","score_opus":0.017865873946513622,"score_gpt":0.30610140033318034,"score_spread":0.2882355263866667,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2625767964","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07477112,0.013779478,0.0032431101,0.14989741,0.0074810134,0.00005543079,0.00018264071,0.00030857313,0.75028133],"genre_scores_gemma":[0.56345266,0.008556049,0.0018340803,0.03244299,0.0006518022,0.000051059425,0.00024901956,0.0006725793,0.39208975],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99819654,0.0005043129,0.000021501133,0.00016646802,0.0003834061,0.00072774105],"domain_scores_gemma":[0.99884284,0.00015307796,0.000058581838,0.00007182616,0.0002800634,0.0005936383],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016199218,0.00070502824,0.00046781634,0.0008871255,0.044375833,0.014627438,0.0012498635,0.0035462673,0.019525819],"category_scores_gemma":[0.0040798504,0.00042011522,0.00034384552,0.0015685614,0.020912923,0.0074158353,0.006535372,0.009081539,0.003262074],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048128455,0.000023393786,0.002020885,0.000087898334,0.0000105805675,0.0010756442,0.426768,0.0001047842,0.00038201615,0.10801365,0.4209864,0.040478673],"study_design_scores_gemma":[0.0000030333172,0.000009345858,0.0012830781,0.00019901102,0.0000043689265,0.00029234402,0.23755492,0.00003572112,0.00009713379,0.0041639917,0.75633895,0.000018126233],"about_ca_topic_score_codex":0.60046494,"about_ca_topic_score_gemma":0.8146615,"teacher_disagreement_score":0.60046494,"about_ca_system_score_codex":0.013957575,"about_ca_system_score_gemma":0.018126402,"threshold_uncertainty_score":0.803776},"labels":[],"label_agreement":null}]}