{"meta":{"query_hash":"96324b915864","filters":{"venue":"Music Analysis"},"cohort_total":8,"direct_labels_cover":0,"predictions_cover":8,"exported":8,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/96324b915864","api":"https://metacan.xera.ac/api/v1/cohort?venue=Music+Analysis"},"results":[{"id":"W1551422245","doi":"10.1111/j.1468-2249.2011.00275.x","title":"I<scp>nside</scp> L<scp>uciano</scp> B<scp>erio</scp>'s S<scp>erialism</scp>","year":2009,"lang":"en","type":"article","venue":"Music Analysis","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Art; Computer science; Visual arts; Literature","score_opus":0.0635698920998469,"score_gpt":0.2304857086184485,"score_spread":0.1669158165186016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1551422245","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5735499,0.0024722824,0.0001970557,0.0005202828,0.0022284698,0.00087380316,0.00048083012,0.000994665,0.41868266],"genre_scores_gemma":[0.77477133,0.0006779261,0.0005089579,0.012465169,0.0062582023,0.00023616325,0.00058615406,0.00022623476,0.20426987],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9892399,0.00063808635,0.002146674,0.0026232286,0.0022327635,0.003119372],"domain_scores_gemma":[0.9902002,0.0043573063,0.0014016094,0.001976303,0.0010867277,0.0009778023],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.001393832,0.0019530093,0.0034661682,0.0016609905,0.00300192,0.0032352626,0.0020010853,0.0007549725,0.0023682087],"category_scores_gemma":[0.0061897426,0.001710903,0.002753837,0.0025510895,0.0016409935,0.001173476,0.0010467186,0.0011994242,0.0039137993],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000679493,0.001306688,0.0030838798,0.000098859244,0.006937533,0.00054497906,0.05543605,0.0006064747,0.0005292417,0.0617934,0.86695653,0.0026995614],"study_design_scores_gemma":[0.0013393646,0.00054610235,0.011753703,0.00006944925,0.00567865,0.000009365941,0.0454172,0.00035430267,0.00029095783,0.0044563008,0.92985606,0.00022854061],"about_ca_topic_score_codex":0.0017220867,"about_ca_topic_score_gemma":0.0040833554,"teacher_disagreement_score":0.21441278,"about_ca_system_score_codex":0.0004846103,"about_ca_system_score_gemma":0.00019334488,"threshold_uncertainty_score":0.99932134},"labels":[],"label_agreement":null},{"id":"W1894755479","doi":"10.1111/j.1468-2249.2011.00310.x","title":"R<scp>ethinking</scp> C<scp>onceptions of</scp> U<scp>nity</scp>: S<scp>chubert</scp>'<scp>s</scp><i>M<scp>oment musical</scp></i><scp>in</scp> A♭<scp>major</scp>, D. 780 (O<scp>p</scp>. 94) No. 2","year":2011,"lang":"en","type":"article","venue":"Music Analysis","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Tonality; Musical; Irony; Gesture; Epistemology; Aesthetics; Philosophy; Psychology; Linguistics; Literature; Art","score_opus":0.03915949364979649,"score_gpt":0.23447595754765654,"score_spread":0.19531646389786006,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1894755479","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7006777,0.009037958,0.0031119427,0.00045138103,0.007874074,0.005718906,0.003689849,0.0032941916,0.26614398],"genre_scores_gemma":[0.6295226,0.0056260605,0.0035154845,0.015537743,0.0155399125,0.00432187,0.007851303,0.0027560976,0.3153289],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9405477,0.006387745,0.01383438,0.013214183,0.010483233,0.015532783],"domain_scores_gemma":[0.908826,0.054651577,0.010531559,0.011796405,0.007081566,0.0071128705],"candidate_categories":["metaresearch","metaepi_narrow","metaepi_broad","bibliometrics","sts","scholarly_communication","open_science","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","metaepi_broad","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.010950439,0.011192922,0.016439274,0.013517188,0.009541617,0.005067056,0.012764858,0.0076604052,0.0027983587],"category_scores_gemma":[0.05542658,0.011138949,0.014662606,0.016863203,0.010176164,0.0061235796,0.0067677815,0.0125327455,0.012137425],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003379486,0.012546323,0.015656417,0.0019372825,0.027120102,0.0018971446,0.16999893,0.0033831773,0.003983651,0.030648299,0.7312023,0.0015925568],"study_design_scores_gemma":[0.008118295,0.0022841566,0.012557675,0.0011313694,0.02677018,0.00021871555,0.1047569,0.004948825,0.00456897,0.011589622,0.8221488,0.00090646895],"about_ca_topic_score_codex":0.010338491,"about_ca_topic_score_gemma":0.025361227,"teacher_disagreement_score":0.090946496,"about_ca_system_score_codex":0.00288861,"about_ca_system_score_gemma":0.002788228,"threshold_uncertainty_score":0.9981627},"labels":[],"label_agreement":null},{"id":"W1906682878","doi":"10.1111/j.1468-2249.2009.00274.x","title":"C<scp>harting</scp><i>M<scp>émoriale</scp></i>: P<scp>aradigmatic</scp> A<scp>nalysis and</scp> H<scp>armonic</scp> S<scp>chemata in</scp> B<scp>oulez</scp>'<scp>s</scp> ... <i><scp>explosante</scp>‐<scp>fixe</scp></i> ...","year":2008,"lang":"en","type":"article","venue":"Music Analysis","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Flute; Computer science; Art; Art history","score_opus":0.03867870344342192,"score_gpt":0.23163960717860488,"score_spread":0.19296090373518296,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1906682878","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8042404,0.023048498,0.0029730739,0.00075717893,0.008038683,0.0074181855,0.0050459895,0.00505625,0.14342175],"genre_scores_gemma":[0.67040646,0.017263563,0.004088978,0.018030945,0.02262353,0.0060377107,0.012709224,0.004715551,0.24412404],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9206811,0.0081585,0.019035019,0.017755736,0.013671787,0.02069782],"domain_scores_gemma":[0.87141097,0.08261212,0.01501747,0.014795398,0.006343767,0.009820309],"candidate_categories":["metaresearch","metaepi_narrow","metaepi_broad","bibliometrics","sts","scholarly_communication","open_science","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","metaepi_broad","bibliometrics","sts","open_science","research_integrity","insufficient_payload"],"category_scores_codex":[0.0146772815,0.01584468,0.023941016,0.016861377,0.013604132,0.008969426,0.015856894,0.009565804,0.0012374861],"category_scores_gemma":[0.09068468,0.015967017,0.017455466,0.02518061,0.011359602,0.009356412,0.0087938635,0.015115936,0.009673647],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041471674,0.009936293,0.022752486,0.0031479395,0.03524099,0.0042325268,0.120713465,0.0050372714,0.0064894343,0.012010677,0.77931464,0.0010828099],"study_design_scores_gemma":[0.012227417,0.002098695,0.0070233764,0.0016777599,0.039472245,0.00090907095,0.124520294,0.0139933685,0.011847779,0.0075219674,0.7773972,0.0013108312],"about_ca_topic_score_codex":0.005997824,"about_ca_topic_score_gemma":0.01437309,"teacher_disagreement_score":0.13383393,"about_ca_system_score_codex":0.0033100354,"about_ca_system_score_gemma":0.0039852653,"threshold_uncertainty_score":0.9996755},"labels":[],"label_agreement":null},{"id":"W2004580231","doi":"10.1111/j.1468-2249.2006.00235.x","title":"C<scp>o‐operating</scp>C<scp>ontinuities in the</scp>M<scp>usic of</scp>T<scp>homas</scp>A<scp>dès</scp>","year":2006,"lang":"en","type":"article","venue":"Music Analysis","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Temporalities; Postmodernism; Musical; Order (exchange); Perspective (graphical); Narrative; Variety (cybernetics); Consistency (knowledge bases); Sociology; Aesthetics; Epistemology; Computer science; Art; Literature; Visual arts; Philosophy; Theology; Artificial intelligence","score_opus":0.021619578554685555,"score_gpt":0.21536925819593766,"score_spread":0.19374967964125211,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2004580231","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77373946,0.0035796654,0.0005270815,0.00026583218,0.001129336,0.0010244431,0.00051589595,0.00047408405,0.21874422],"genre_scores_gemma":[0.8417096,0.00030827764,0.00034818597,0.0049629183,0.0045206635,0.00048895687,0.0011900209,0.00027485203,0.14619648],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98474276,0.0018569897,0.003975505,0.0030081177,0.0027493564,0.0036672798],"domain_scores_gemma":[0.97826165,0.014359438,0.0023541667,0.0029919152,0.0013413768,0.00069146574],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.003390974,0.0024362807,0.004589548,0.0036187386,0.002778397,0.0018955339,0.0031659375,0.0012913982,0.0013042729],"category_scores_gemma":[0.0063389954,0.0020182654,0.0039923536,0.005014298,0.0029063812,0.0013766899,0.00096429413,0.0023804405,0.00096434046],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000061678047,0.0029916647,0.028247338,0.0005035097,0.008509052,0.0005363903,0.13709189,0.005977612,0.0012731915,0.07512756,0.7385748,0.001160818],"study_design_scores_gemma":[0.0022712895,0.00052179996,0.021663537,0.00021538415,0.011397511,0.000037376547,0.10362003,0.0045304447,0.001447002,0.0075282296,0.84646344,0.0003039815],"about_ca_topic_score_codex":0.008499554,"about_ca_topic_score_gemma":0.04665234,"teacher_disagreement_score":0.10788861,"about_ca_system_score_codex":0.00035870352,"about_ca_system_score_gemma":0.00043819292,"threshold_uncertainty_score":0.9999211},"labels":[],"label_agreement":null},{"id":"W2005877799","doi":"10.1111/j.1468-2249.2010.00286.x","title":"B<scp>rahms and the</scp>P<scp>rinciple of</scp>D<scp>estabilised</scp>B<scp>eginnings</scp>","year":2009,"lang":"en","type":"article","venue":"Music Analysis","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Cognitive dissonance; Melody; Context (archaeology); Destabilisation; Literature; History; Musical; Psychology; Art; Archaeology; Social psychology","score_opus":0.029132966197305196,"score_gpt":0.2594223696095463,"score_spread":0.23028940341224108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2005877799","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97089815,0.00034436316,0.0019187022,0.00029531264,0.0007562659,0.00090924127,0.00011065365,0.00039140807,0.024375899],"genre_scores_gemma":[0.97785735,0.0006481133,0.00026942336,0.0062842034,0.0005500129,0.00009478572,0.000042260934,0.000095999494,0.014157849],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9905008,0.0008469651,0.0015609678,0.002731816,0.0022737489,0.0020857083],"domain_scores_gemma":[0.98921543,0.00613568,0.0012187249,0.002310331,0.00035081923,0.0007690384],"candidate_categories":["metaresearch","metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0021439365,0.0011172799,0.001830872,0.0015571654,0.0013189362,0.00072449056,0.002021112,0.0004552311,0.00006383119],"category_scores_gemma":[0.015245136,0.00091422675,0.0012943655,0.007902559,0.0022852793,0.0013808574,0.0006274783,0.0010344946,0.00024260757],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019791963,0.0016119068,0.01202454,0.00020419204,0.0004449672,0.00031464815,0.03837651,0.0060792463,0.84590954,0.0065553356,0.0821808,0.006278536],"study_design_scores_gemma":[0.0104471985,0.0021875354,0.24692917,0.00031073485,0.009038615,0.00040887916,0.031995285,0.08184524,0.15675773,0.010120071,0.44926932,0.00069022516],"about_ca_topic_score_codex":0.00032885093,"about_ca_topic_score_gemma":0.00015343766,"teacher_disagreement_score":0.6891518,"about_ca_system_score_codex":0.00018114145,"about_ca_system_score_gemma":0.00027171138,"threshold_uncertainty_score":0.9999812},"labels":[],"label_agreement":null},{"id":"W2095381037","doi":"10.1111/j.1468-2249.2008.00269.x","title":"P<scp>erformance</scp>, G<scp>rouping and</scp>S<scp>chenkerian</scp>A<scp>lternative</scp>R<scp>eadings in</scp>S<scp>ome</scp>P<scp>assages from</scp>B<scp>eethoven</scp>’<scp>s</scp>‘L<scp>ebewohl</scp>’ S<scp>onata</scp>","year":2008,"lang":"en","type":"article","venue":"Music Analysis","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Set (abstract data type); Computer science","score_opus":0.03464717048115701,"score_gpt":0.23550950619937808,"score_spread":0.20086233571822107,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2095381037","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82143444,0.025557755,0.0036818248,0.0005897197,0.009253375,0.007625706,0.007055711,0.004964154,0.11983729],"genre_scores_gemma":[0.6962419,0.018635243,0.004036345,0.013534134,0.017704433,0.0045398185,0.011591524,0.004251094,0.2294655],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.92042595,0.0076388237,0.017274972,0.019015396,0.013792301,0.021852573],"domain_scores_gemma":[0.87125325,0.08519061,0.014927626,0.012485852,0.0065833647,0.00955932],"candidate_categories":["metaresearch","metaepi_narrow","metaepi_broad","bibliometrics","sts","scholarly_communication","open_science","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","metaepi_broad","bibliometrics","sts","open_science","research_integrity","insufficient_payload"],"category_scores_codex":[0.013311317,0.017155293,0.022707416,0.018155757,0.014431491,0.009867598,0.017038774,0.010697488,0.001125649],"category_scores_gemma":[0.076356776,0.017709885,0.014236788,0.022031002,0.012557278,0.012751383,0.009827563,0.01807877,0.008356599],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006307465,0.009514531,0.061338753,0.003173865,0.035987332,0.006193814,0.16337869,0.0066373125,0.008936347,0.012140293,0.6896787,0.0029572689],"study_design_scores_gemma":[0.013662864,0.0025779943,0.02963969,0.002371516,0.02097521,0.0007726976,0.1306562,0.015121257,0.012751587,0.007208186,0.7628279,0.0014349519],"about_ca_topic_score_codex":0.010394298,"about_ca_topic_score_gemma":0.016061747,"teacher_disagreement_score":0.12519255,"about_ca_system_score_codex":0.004753399,"about_ca_system_score_gemma":0.0037973374,"threshold_uncertainty_score":0.99978745},"labels":[],"label_agreement":null},{"id":"W2573249804","doi":"10.1111/musa.12084","title":"Two Approaches to Tonal Space in the Music of Muddy Waters","year":2017,"lang":"en","type":"article","venue":"Music Analysis","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sonority hierarchy; Chord (peer-to-peer); Blues; Melody; Space (punctuation); Timbre; Speech recognition; Computer science; Repertoire; Categorization; Major and minor; Tonality; Linguistics; Mathematics; Musical; Acoustics; Artificial intelligence; Art; Visual arts; Philosophy; Physics","score_opus":0.24441493026474237,"score_gpt":0.26260418012884745,"score_spread":0.018189249864105084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2573249804","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90288925,0.0000250196,0.00020072161,0.0052730134,0.0001533842,0.00016184448,0.000020897507,0.000014190804,0.09126169],"genre_scores_gemma":[0.9946061,0.000001454427,0.00011641949,0.0015559135,0.00038692012,0.000040222836,0.000023902825,0.000008725803,0.003260342],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9985471,0.0001394642,0.00034413076,0.000357962,0.0003025625,0.00030878792],"domain_scores_gemma":[0.99863124,0.00011577247,0.00021420841,0.00091125746,0.000057090918,0.0000704373],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00066665857,0.0001846683,0.0005371952,0.00044732905,0.0006458636,0.00022869943,0.00082315586,0.000049689046,0.0057733078],"category_scores_gemma":[0.00007021634,0.000115463554,0.00049013365,0.00027403177,0.00052866695,0.00016077192,0.00016006595,0.00017060286,0.000080739344],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013741085,0.0009115564,0.038169082,0.000058676913,0.004970586,0.00006352681,0.19679303,0.004181735,0.00018148124,0.72681534,0.018807907,0.00890968],"study_design_scores_gemma":[0.0043837456,0.0006918945,0.43943396,0.00012792522,0.028584369,0.0000071843488,0.09298935,0.018111493,0.0010078852,0.02738515,0.3842231,0.0030539306],"about_ca_topic_score_codex":0.00505893,"about_ca_topic_score_gemma":0.062412623,"teacher_disagreement_score":0.69943017,"about_ca_system_score_codex":0.000020410716,"about_ca_system_score_gemma":0.000021030799,"threshold_uncertainty_score":0.99513555},"labels":[],"label_agreement":null},{"id":"W4376958695","doi":"10.1111/musa.12210","title":"Hearing Durational Process in A Huli Song","year":2023,"lang":"en","type":"article","venue":"Music Analysis","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Duration (music); Rhythm; Projection (relational algebra); Event (particle physics); Key (lock); Notation; Process (computing); Quality (philosophy); Psychology; Chorus; Realisation; Communication; Linguistics; Aesthetics; Computer science; Epistemology; Literature; Art; Philosophy; Algorithm","score_opus":0.1961703928371657,"score_gpt":0.2717276193322475,"score_spread":0.07555722649508179,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4376958695","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89910257,0.000023932665,0.000014513656,0.0008112208,0.00009710907,0.000066029,0.00000962829,0.000117783726,0.09975719],"genre_scores_gemma":[0.9958377,0.0000023204268,0.000007213708,0.00031863418,0.00017243161,0.00003418401,0.00002583882,0.0000042948423,0.0035974043],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9992617,0.000019592919,0.0001575538,0.00018760125,0.00019328752,0.000180273],"domain_scores_gemma":[0.99975204,0.00005459598,0.000037859634,0.000074535084,0.000056039713,0.000024927536],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014559976,0.00007876222,0.00020126083,0.00033541795,0.00024414898,0.00018209293,0.000090386,0.00001923388,0.0057071648],"category_scores_gemma":[0.000047481488,0.00006340852,0.00011612203,0.0007088856,0.000104410756,0.00011145818,0.000070041235,0.000065266766,0.00045018265],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000067475936,0.0004390321,0.2701265,0.00010167398,0.003694113,0.00024951316,0.20526582,0.024017358,0.00004115973,0.4529946,0.037779685,0.00522305],"study_design_scores_gemma":[0.0009962947,0.00012357566,0.61210847,0.000038940067,0.0011191989,4.842965e-7,0.10164452,0.035624307,0.00000939736,0.011713768,0.23574224,0.00087881245],"about_ca_topic_score_codex":0.00043233766,"about_ca_topic_score_gemma":0.00444427,"teacher_disagreement_score":0.44128084,"about_ca_system_score_codex":0.000030966974,"about_ca_system_score_gemma":0.000013243744,"threshold_uncertainty_score":0.99520177},"labels":[],"label_agreement":null}]}