{"meta":{"query_hash":"d6218796fbeb","filters":{"venue":"Music Perception An Interdisciplinary Journal"},"cohort_total":139,"direct_labels_cover":0,"predictions_cover":139,"exported":139,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/d6218796fbeb","api":"https://metacan.xera.ac/api/v1/cohort?venue=Music+Perception+An+Interdisciplinary+Journal"},"results":[{"id":"W1763417752","doi":"10.1525/mp.2012.29.5.493","title":"Does Pathological Aging Affect Musical Learning and Memory?","year":2012,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Music Therapy and Health","field":"Psychology","cited_by":20,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Melody; Psychology; Cognitive psychology; Affect (linguistics); Musical; Communication","score_opus":0.04953367697314489,"score_gpt":0.4060632292465562,"score_spread":0.3565295522734113,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1763417752","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98809016,0.010211586,0.00024021958,0.000247797,0.00005160065,0.000011359366,0.00006360088,0.000010247526,0.0010733689],"genre_scores_gemma":[0.99666625,0.0026404967,0.00012421867,0.00013232646,0.00006914147,0.000004830226,0.000050611037,0.0000020186249,0.0003101411],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99986196,0.000043199423,0.000018490291,0.000025599693,0.000024402949,0.000026374459],"domain_scores_gemma":[0.9993789,0.0001234301,0.00026522766,0.000073424824,0.000059425573,0.00009960598],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041500432,0.00029591026,0.000380887,0.0004971182,0.00015590369,0.0003644926,0.00017241418,0.0005869516,0.00093136175],"category_scores_gemma":[0.0010808664,0.00010961609,0.00019042077,0.00023050673,0.0006415723,0.0004533071,0.0002193318,0.00023380834,0.00017474832],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.010420449,0.0015477022,0.61800444,0.00071178307,0.00047741557,0.006917008,0.0010945513,0.00025316846,0.18579252,0.0008246948,0.0010232301,0.17293309],"study_design_scores_gemma":[0.00004578179,0.003912865,0.98261374,0.000024834839,0.00014730406,0.0030728292,0.00038805843,0.00015630167,0.0074601895,0.0007976948,0.001368282,0.00001212774],"about_ca_topic_score_codex":0.0004881907,"about_ca_topic_score_gemma":0.00051811157,"teacher_disagreement_score":0.00093136175,"about_ca_system_score_codex":0.00012043412,"about_ca_system_score_gemma":0.00010564444,"threshold_uncertainty_score":0.0031157136},"labels":[],"label_agreement":null},{"id":"W1781461355","doi":"10.1525/mp.2012.29.5.479","title":"Memory for Melodies and Lyrics in Alzheimer's Disease","year":2012,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":85,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria; Queen's University","funders":"","keywords":"Melody; Lyrics; Psychology; Dementia; Audiology; Developmental psychology; Cognitive psychology; Musical; Disease; Medicine; Art; Literature; Internal medicine","score_opus":0.09617224923645257,"score_gpt":0.36547866424206454,"score_spread":0.269306415005612,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1781461355","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9992022,0.00036025635,0.00003807067,0.000014995243,0.0000037585583,0.0000031335512,0.00002202273,0.000001961362,0.00035351215],"genre_scores_gemma":[0.9995426,0.00012259293,0.00006051625,0.000017651975,0.0000064703763,0.000001669687,0.00004244216,5.2967164e-7,0.0002056498],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9996972,0.000052724154,0.000055698005,0.000054005162,0.00009535237,0.000045056997],"domain_scores_gemma":[0.9986161,0.00028121588,0.0005480989,0.00012126578,0.00026194783,0.00017146829],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009949062,0.0003474798,0.00047898025,0.0011465919,0.00046930477,0.00062091684,0.00030846894,0.00047522155,0.0013028522],"category_scores_gemma":[0.0037563662,0.00017947218,0.0002322637,0.00036953695,0.0004965045,0.0008446556,0.00054388505,0.00030394868,0.0003257944],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0020914907,0.0004903222,0.92816615,0.00013709844,0.00014571327,0.0007245062,0.0032329417,0.00010157217,0.009718092,0.000078423574,0.00022841514,0.05488527],"study_design_scores_gemma":[0.000022610326,0.0017094805,0.994422,0.000015703683,0.000051318955,0.0014668164,0.0007236067,0.00009160807,0.0010019059,0.0002143022,0.00027122186,0.000009518535],"about_ca_topic_score_codex":0.0021228965,"about_ca_topic_score_gemma":0.0027628883,"teacher_disagreement_score":0.0021228965,"about_ca_system_score_codex":0.00017133138,"about_ca_system_score_gemma":0.00012986393,"threshold_uncertainty_score":0.0052616},"labels":[],"label_agreement":null},{"id":"W1876449096","doi":"10.1525/mp.2012.29.5.501","title":"Episodic and Semantic Memory for Melodies in Alzheimer's Disease","year":2012,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":34,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Melody; Episodic memory; Psychology; Semantic memory; Audiology; Cognitive psychology; Cognition; Medicine; Musical; Psychiatry","score_opus":0.08066528927950208,"score_gpt":0.3567888408935848,"score_spread":0.27612355161408275,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1876449096","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99968994,0.00013487633,0.000018707742,0.000006533378,0.0000016978767,0.0000025133754,0.000009808509,5.075543e-7,0.00013545202],"genre_scores_gemma":[0.9996929,0.00007630471,0.000047366335,0.00001530417,0.0000058747914,0.0000028428444,0.00003103396,2.8825215e-7,0.00012806436],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9998745,0.00001820736,0.000023189083,0.000024544743,0.00003806701,0.000021515782],"domain_scores_gemma":[0.9995443,0.00009244202,0.00016876633,0.00002753209,0.000078320634,0.00008870668],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005706667,0.00032370858,0.00038042106,0.0007425868,0.00039087972,0.0004278113,0.00018110752,0.00043990606,0.001156023],"category_scores_gemma":[0.0017543808,0.00014170818,0.00017316084,0.00023045662,0.00027979343,0.0005955813,0.0003701619,0.00024378521,0.0001493896],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0022819617,0.000659306,0.9622136,0.000080802085,0.00011902696,0.00056215806,0.0029122618,0.000064936336,0.0070736725,0.000070366965,0.00013514471,0.023826893],"study_design_scores_gemma":[0.00004701872,0.0013330491,0.9955935,0.0000101062315,0.000046093865,0.001142263,0.00084678346,0.00013771956,0.0005007664,0.00017138086,0.00016411585,0.0000070943593],"about_ca_topic_score_codex":0.0014419751,"about_ca_topic_score_gemma":0.0025580637,"teacher_disagreement_score":0.0014419751,"about_ca_system_score_codex":0.00013758587,"about_ca_system_score_gemma":0.00010152416,"threshold_uncertainty_score":0.0038673282},"labels":[],"label_agreement":null},{"id":"W1955629953","doi":"10.1525/mp.2012.29.5.509","title":"Perception and Emotional Judgments of Music in Dementia of the Alzheimer Type: A Short Case Study","year":2012,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Dementia and Cognitive Impairment Research","field":"Medicine","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"International Laboratory for Brain, Music and Sound Research; Université de Montréal; Université de Sherbrooke","funders":"","keywords":"Psychology; Emotional expression; Anger; Perception; Facial expression; Prosody; Cognitive psychology; Affect (linguistics); Emotion perception; Musical; Communication; Social psychology; Neuroscience; Linguistics","score_opus":0.082300070456084,"score_gpt":0.39578732245909104,"score_spread":0.31348725200300703,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1955629953","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9938192,0.00164273,0.0006103409,0.00041450094,0.000048268223,0.00015571502,0.00013481268,0.00001286088,0.0031616094],"genre_scores_gemma":[0.9958599,0.0015901331,0.00050564477,0.00023290701,0.00008850655,0.00004266848,0.00011818471,0.000008747037,0.0015533302],"study_design_codex":"case_report","study_design_gemma":"case_report","domain_scores_codex":[0.9990313,0.00014040926,0.0001365446,0.00020126552,0.00028074873,0.00020971899],"domain_scores_gemma":[0.9988789,0.00025753694,0.00016716078,0.00011055272,0.0001924853,0.00039341702],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007401074,0.0012856482,0.00097079336,0.002941674,0.0036913059,0.0009554915,0.0009868898,0.0024962826,0.0020348849],"category_scores_gemma":[0.0029128734,0.00088995404,0.0012853207,0.0013677588,0.0018237099,0.00120505,0.0017577359,0.0016904057,0.00069318124],"study_design_candidate":"case_report","study_design_consensus":"case_report","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042006595,0.0021986135,0.16477998,0.00013698131,0.00010466206,0.8043415,0.010030904,0.00016805099,0.00305954,0.00046203847,0.0009282503,0.013369432],"study_design_scores_gemma":[0.000027899225,0.0009391251,0.0770841,0.00003828969,0.00006375832,0.9158263,0.0030707242,0.0002252323,0.0008139505,0.00019513415,0.001662988,0.000052532567],"about_ca_topic_score_codex":0.012514477,"about_ca_topic_score_gemma":0.014893087,"teacher_disagreement_score":0.012514477,"about_ca_system_score_codex":0.0018393095,"about_ca_system_score_gemma":0.0008314327,"threshold_uncertainty_score":0.02488327},"labels":[],"label_agreement":null},{"id":"W1965781664","doi":"10.1525/mp.2013.30.4.361","title":"Facial Mimicry in Response to Song","year":2012,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":49,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Singing; Psychology; Facial electromyography; Mimicry; Facial expression; Facial muscles; Stimulus (psychology); Audiology; Communication; Cognitive psychology; Electromyography; Emotional expression; Neuroscience; Acoustics; Medicine","score_opus":0.07010446398721096,"score_gpt":0.36441786283900934,"score_spread":0.2943133988517984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1965781664","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99759895,0.00012159448,0.0007838767,0.00002419407,0.000021233094,0.000020035643,0.000043477994,0.00001755089,0.0013690545],"genre_scores_gemma":[0.9979241,0.00006858657,0.0008314962,0.000032274645,0.000010608201,0.000025036523,0.000057678782,0.000007172776,0.0010430588],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9998387,0.000032947348,0.000007270266,0.00004132153,0.00004962406,0.000030104511],"domain_scores_gemma":[0.9997476,0.00009372868,0.000049874347,0.000028798871,0.000036935773,0.00004308389],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015154526,0.00018934858,0.0002291621,0.00016354717,0.000087735774,0.00014339299,0.000121805024,0.00030747472,0.0016269116],"category_scores_gemma":[0.001464488,0.000094431816,0.00015033915,0.00006662859,0.00016533544,0.00012983655,0.00029651207,0.0002853555,0.00019861475],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004427113,0.00002017416,0.0024089306,0.000037028367,0.000007970072,0.00026857102,0.00018426025,0.00005593319,0.99144965,0.000040548854,0.00005393533,0.0050303163],"study_design_scores_gemma":[0.00008858387,0.00495882,0.6283755,0.000035425146,0.00009551582,0.004226513,0.0008088469,0.004324106,0.3543307,0.00029790468,0.0024221777,0.000036008278],"about_ca_topic_score_codex":0.0003574755,"about_ca_topic_score_gemma":0.00056298106,"teacher_disagreement_score":0.0016269116,"about_ca_system_score_codex":0.00013279125,"about_ca_system_score_gemma":0.000079854726,"threshold_uncertainty_score":0.0054425597},"labels":[],"label_agreement":null},{"id":"W1984061769","doi":"10.1525/mp.2013.31.2.118","title":"Individual Differences in Music Reward Experiences","year":2012,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":434,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University; International Laboratory for Brain, Music and Sound Research","funders":"","keywords":"Psychology; Pleasure; Mood; Musical; Evocation; Cognitive psychology; Music and emotion; Social psychology; Music education; Neuroscience; Music history; Art","score_opus":0.1217534905631559,"score_gpt":0.3525927803373052,"score_spread":0.23083928977414928,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1984061769","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9992042,0.00003917196,0.00008502695,0.000009638321,0.0000020082653,0.0000034965997,0.000028703946,0.0000019635386,0.00062575896],"genre_scores_gemma":[0.99967945,0.000015921345,0.00004964204,0.00000651956,0.000001674213,0.0000036116369,0.000033645814,0.0000010723918,0.0002084544],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99963593,0.00011146957,0.000029748913,0.00007011376,0.00010383767,0.000048887116],"domain_scores_gemma":[0.9986834,0.0006427254,0.00024078792,0.00011313962,0.0001064708,0.00021346852],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00049128267,0.000085927284,0.00021765771,0.0003672428,0.00013489653,0.00041474524,0.00009268396,0.000254185,0.0020110703],"category_scores_gemma":[0.0028936258,0.00008435645,0.00015437603,0.00018449742,0.00024140143,0.00017194248,0.00036588253,0.00020168896,0.0001962923],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013171589,0.00031420717,0.930936,0.00008045859,0.0003143539,0.00042887006,0.009188927,0.00038598175,0.021945372,0.0003889857,0.0003812347,0.034318514],"study_design_scores_gemma":[0.000004844339,0.000089315465,0.9988218,0.0000017051772,0.0000070800006,0.0001028457,0.00048435747,0.000093143746,0.00015750848,0.00008244449,0.00015043245,0.0000045923316],"about_ca_topic_score_codex":0.0005286703,"about_ca_topic_score_gemma":0.00087540766,"teacher_disagreement_score":0.0020110703,"about_ca_system_score_codex":0.000091721566,"about_ca_system_score_gemma":0.000044915098,"threshold_uncertainty_score":0.0067276955},"labels":[],"label_agreement":null},{"id":"W1984187821","doi":"10.1525/mp.2008.26.1.41","title":"Memory for Verbal and Visual Material in Highly Trained Musicians","year":2008,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":170,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Psychology; Recall; Cognitive psychology; Cognition; Free recall; Perception; Visual perception; Neuroscience","score_opus":0.05830332595301085,"score_gpt":0.33872147839847283,"score_spread":0.280418152445462,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1984187821","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9997924,0.000029587189,0.00001603703,0.000005265096,6.734016e-7,8.331236e-7,0.0000045903894,0.0000013203035,0.00014933074],"genre_scores_gemma":[0.99972814,0.000024845476,0.000048420647,0.000009440735,0.0000028280801,9.316311e-7,0.000016045684,4.9110275e-7,0.00016873813],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99988294,0.000019862819,0.000014050074,0.000026859941,0.000031163006,0.000025127856],"domain_scores_gemma":[0.9989323,0.00030148888,0.00033494274,0.000096248754,0.00012162238,0.00021336437],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003061298,0.00022398456,0.00018440808,0.0006062147,0.0002264808,0.00032382988,0.0001935528,0.00027567914,0.0023787098],"category_scores_gemma":[0.0018838411,0.00010952936,0.0000812171,0.00016895293,0.00059256254,0.00027519383,0.00039056272,0.00022869935,0.00029725223],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0030054578,0.0011489853,0.8995826,0.00009760499,0.00010491659,0.001312126,0.0028972558,0.00022674825,0.042030625,0.00009548847,0.00024656777,0.049251597],"study_design_scores_gemma":[0.000038139897,0.0018841642,0.99268556,0.000006622982,0.000023704262,0.0011398258,0.00054839754,0.00013010764,0.0032696056,0.0000856078,0.00018090381,0.00000735991],"about_ca_topic_score_codex":0.0013208644,"about_ca_topic_score_gemma":0.0022363693,"teacher_disagreement_score":0.0023787098,"about_ca_system_score_codex":0.00014487661,"about_ca_system_score_gemma":0.00011968916,"threshold_uncertainty_score":0.007957578},"labels":[],"label_agreement":null},{"id":"W1985324210","doi":"10.1525/mp.2011.29.2.129","title":"Music Training and Nonmusical Abilities: Introduction","year":2011,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":21,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Psychology; Relevance (law); Cognition; Perception; Modularity (biology); Training (meteorology); The arts; Cognitive psychology; Music education; Music psychology; Cognitive science; Pedagogy; Political science; Visual arts; Art","score_opus":0.1408423655030689,"score_gpt":0.2945494671684296,"score_spread":0.15370710166536072,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1985324210","genre_codex":"review","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0071137985,0.8027569,0.0036958396,0.09512353,0.061863832,0.000056625428,0.00056217,0.00009310871,0.02873419],"genre_scores_gemma":[0.04563084,0.64033234,0.004586231,0.05680191,0.21891107,0.00027520827,0.00082194764,0.00021776164,0.032422736],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994435,0.000118465636,0.000068741385,0.0001534541,0.00015188167,0.00006389833],"domain_scores_gemma":[0.9967548,0.0019874177,0.00021206563,0.00010384772,0.0006119553,0.00032989777],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015412443,0.0011338562,0.0013596346,0.0031567556,0.0012329915,0.0047168224,0.0010777295,0.0032483973,0.012097605],"category_scores_gemma":[0.0036689618,0.0005233031,0.0007331165,0.0029662861,0.0027572068,0.005018123,0.002895923,0.0045090606,0.0020736577],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037276786,0.00034469212,0.012396131,0.00584027,0.00019502509,0.0005109723,0.0056442255,0.0006008064,0.0017581166,0.06510945,0.45590776,0.45131975],"study_design_scores_gemma":[0.000035277557,0.00027409015,0.025760692,0.0033602072,0.00007771836,0.0010058203,0.0024731783,0.0003878099,0.00030813404,0.034099184,0.9321181,0.000099808436],"about_ca_topic_score_codex":0.0038095866,"about_ca_topic_score_gemma":0.005403206,"teacher_disagreement_score":0.012097605,"about_ca_system_score_codex":0.0012738343,"about_ca_system_score_gemma":0.0010727359,"threshold_uncertainty_score":0.04047048},"labels":[],"label_agreement":null},{"id":"W1989741614","doi":"10.1525/mp.2013.31.2.139","title":"Empathy and Emotional Contagion as a Link Between Recognized and Felt Emotions in Music Listening","year":2012,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":115,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Psychology; Empathy; Active listening; Emotional contagion; Arousal; Preference; Situational ethics; Cognitive psychology; Valence (chemistry); Emotional expression; Emotional competence; Social psychology; Emotional intelligence; Communication","score_opus":0.07860561104930355,"score_gpt":0.3501821194098023,"score_spread":0.27157650836049874,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1989741614","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99847335,0.00005271317,0.0005446804,0.0000141275295,0.0000024325348,0.0000092122755,0.000009702886,0.000003286408,0.00089043495],"genre_scores_gemma":[0.9992393,0.00004132118,0.00046137552,0.00001613384,0.000005437545,0.0000144601845,0.000020640531,0.0000032578744,0.00019799828],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9987286,0.00050308113,0.000083194514,0.00018079116,0.00040940245,0.00009487882],"domain_scores_gemma":[0.99426264,0.0032904043,0.0014545543,0.00031712765,0.00025289046,0.0004222765],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013241513,0.00025087586,0.00023346017,0.0005286955,0.00029349985,0.0008715766,0.00017602279,0.00046767003,0.0019963726],"category_scores_gemma":[0.011556123,0.00025966528,0.00022848487,0.00019211939,0.0007317024,0.0005144341,0.0011523997,0.0007387555,0.00010443576],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0059872638,0.0012544859,0.4347457,0.0005944408,0.00048451533,0.0011441221,0.020425672,0.0010364489,0.4730263,0.0013382192,0.00019792814,0.059764937],"study_design_scores_gemma":[0.000021976166,0.00046348572,0.992812,0.000013567895,0.00005534178,0.0003207309,0.00077220995,0.00073896715,0.0043629967,0.0003261927,0.000092528404,0.000019929863],"about_ca_topic_score_codex":0.00033514143,"about_ca_topic_score_gemma":0.00050517096,"teacher_disagreement_score":0.0019963726,"about_ca_system_score_codex":0.00020225032,"about_ca_system_score_gemma":0.00017735966,"threshold_uncertainty_score":0.0070028305},"labels":[],"label_agreement":null},{"id":"W1992596581","doi":"10.1525/mp.2011.28.3.247","title":"Experiential and Cognitive Changes Following Seven Minutes Exposure to Music and Speech","year":2011,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":72,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"The Scarborough Hospital; University of Toronto","funders":"","keywords":"Psychology; Cognition; Stimulus (psychology); Experiential learning; Arousal; Cognitive psychology; Creativity; Music and emotion; Valence (chemistry); Emotional valence; Music education; Social psychology","score_opus":0.08092508423432167,"score_gpt":0.32706975764519053,"score_spread":0.24614467341086887,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1992596581","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99917406,0.000066902976,0.0002223673,0.00001551053,0.000009529306,0.00001793266,0.000036271293,0.000007331444,0.00045016134],"genre_scores_gemma":[0.99764794,0.00011887481,0.000698651,0.000041803745,0.000016826252,0.00009122596,0.00014275809,0.0000068585796,0.0012350366],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99979,0.000034233268,0.000012681031,0.000049361435,0.000063208216,0.00005056585],"domain_scores_gemma":[0.99921346,0.00031446994,0.00013826144,0.000077300814,0.0000711793,0.000185245],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027428987,0.000476806,0.00039353693,0.00019026831,0.00020323796,0.0005139009,0.00019154085,0.00036637398,0.0033673022],"category_scores_gemma":[0.0016661001,0.00017164042,0.00024337646,0.0001307829,0.0005411493,0.00018675887,0.0005943026,0.0007741628,0.0002055001],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.009961556,0.0030191338,0.014923626,0.0003198343,0.00011445931,0.00079818047,0.0057993545,0.00015423939,0.934853,0.00023545271,0.00020307554,0.029618166],"study_design_scores_gemma":[0.00037858958,0.029407447,0.7646974,0.000037991314,0.0002079297,0.0010291976,0.0053056115,0.0006947296,0.19512476,0.0009048789,0.0020975105,0.000114011294],"about_ca_topic_score_codex":0.00024167226,"about_ca_topic_score_gemma":0.0005497626,"teacher_disagreement_score":0.0033673022,"about_ca_system_score_codex":0.000163689,"about_ca_system_score_gemma":0.00015893707,"threshold_uncertainty_score":0.011264741},"labels":[],"label_agreement":null},{"id":"W1993388322","doi":"10.1525/mp.2003.20.3.307","title":"Time Tagging: A Key to Musicians' Superior Memory","year":2003,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":149,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Recall; Psychology; Association (psychology); Key (lock); Cognitive psychology; Mechanism (biology); Cognitive science; Communication; Computer science; Epistemology; Philosophy","score_opus":0.04360533960068318,"score_gpt":0.3219115625600677,"score_spread":0.2783062229593845,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1993388322","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9904372,0.0006671441,0.0028171972,0.0005372873,0.00010109584,0.000010424385,0.00014499524,0.000094090785,0.0051905657],"genre_scores_gemma":[0.99538165,0.00021795707,0.0018512734,0.00015520536,0.00007360546,0.0000053757235,0.000110019086,0.00002448582,0.0021804888],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9997749,0.000018192079,0.000020164258,0.00010273003,0.000047088437,0.000036937305],"domain_scores_gemma":[0.9979096,0.00052957644,0.00066446984,0.00045034906,0.00013953466,0.00030644232],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004954734,0.00016723046,0.00027700013,0.0004224076,0.00025781192,0.0014203868,0.00038794812,0.00070986693,0.006762176],"category_scores_gemma":[0.004375603,0.00019700744,0.0001130693,0.00034039773,0.00062101334,0.0021018602,0.00067920436,0.0004967244,0.0008932056],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0024369212,0.00028987892,0.05808961,0.00016718831,0.00006904217,0.00064367615,0.001300129,0.00042729324,0.7731636,0.00684178,0.0015992057,0.15497163],"study_design_scores_gemma":[0.00035028128,0.002337643,0.8036059,0.00007808254,0.00017958773,0.0040492397,0.0012021007,0.0046907044,0.14124416,0.032706503,0.009449418,0.00010643356],"about_ca_topic_score_codex":0.0005269181,"about_ca_topic_score_gemma":0.0007754468,"teacher_disagreement_score":0.006762176,"about_ca_system_score_codex":0.00021395301,"about_ca_system_score_gemma":0.00031375373,"threshold_uncertainty_score":0.02262175},"labels":[],"label_agreement":null},{"id":"W1996929759","doi":"10.1525/mp.2005.23.1.101","title":"Musical Excellence: Strategies and Techniques to Enhance Performance","year":2005,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":36,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Excellence; Icon; Musical; Citation; Download; Art; Library science; World Wide Web; Computer science; Visual arts; Art history; Political science","score_opus":0.0417837844250313,"score_gpt":0.32641270602956346,"score_spread":0.2846289216045322,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1996929759","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00016398254,0.9718973,0.00036676144,0.0043124883,0.0030968485,0.000017669272,0.000034203,0.000021026928,0.020089684],"genre_scores_gemma":[0.0027362574,0.9628973,0.00063973246,0.0021296595,0.0031324858,0.000035065917,0.00006897369,0.000026462378,0.028334068],"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9991441,0.00017129998,0.00007914568,0.0001142369,0.00043583912,0.000055513814],"domain_scores_gemma":[0.99891126,0.00052290055,0.00009379749,0.00004612216,0.0003446481,0.000081265745],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011778488,0.0011071507,0.0010712056,0.0031650567,0.000589297,0.0032215226,0.0016675474,0.002223811,0.023590496],"category_scores_gemma":[0.0033422923,0.00034175723,0.0004632578,0.0030582526,0.0016999041,0.0040176706,0.0016139353,0.0027353612,0.013424826],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043025822,0.00003516756,0.00008108879,0.005923605,0.000028942699,0.00006364677,0.00024497166,0.00010319891,0.00044170392,0.012443252,0.2727778,0.7078136],"study_design_scores_gemma":[0.000008052856,0.000022133352,0.0003255647,0.0023986804,0.000014324423,0.00023273163,0.00013686102,0.00002097521,0.00010892185,0.0016306763,0.99509203,0.000008937465],"about_ca_topic_score_codex":0.0025815107,"about_ca_topic_score_gemma":0.005715286,"teacher_disagreement_score":0.023590496,"about_ca_system_score_codex":0.0018244261,"about_ca_system_score_gemma":0.0020901682,"threshold_uncertainty_score":0.0789181},"labels":[],"label_agreement":null},{"id":"W1998549181","doi":"10.1525/mp.2003.21.1.105","title":"On the Nature of Early Music Training and Absolute Pitch: A Reply to Brown, Sachs, Cammuso, and Folstein","year":2003,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":54,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Absolute (philosophy); Absolute pitch; Perception; Psychology; Point (geometry); Musical; Cognitive psychology; Speech recognition; Computer science; Mathematics; Epistemology; Art; Philosophy; Visual arts; Neuroscience","score_opus":0.06598657986200021,"score_gpt":0.3226443224763816,"score_spread":0.25665774261438135,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1998549181","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00040118623,0.008882234,0.0002808271,0.97842306,0.011719853,0.0000018243034,0.000016804035,0.000015880876,0.00025836928],"genre_scores_gemma":[0.011084225,0.008915526,0.00078619167,0.92731005,0.04913471,0.00003111747,0.000026304815,0.000057517445,0.0026544144],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9931318,0.0020553856,0.0008188411,0.0015910934,0.0019621192,0.00044084343],"domain_scores_gemma":[0.9241295,0.057588175,0.002605764,0.0020632467,0.01062661,0.002986751],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.020454463,0.0014184396,0.0030281474,0.0013812082,0.0037885339,0.0046662297,0.0076352484,0.03748245,0.0026944394],"category_scores_gemma":[0.052808497,0.00084769056,0.0012902466,0.0014374171,0.015564683,0.013993465,0.0060099643,0.061309613,0.002343052],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024269412,0.00007289835,0.0011796413,0.0003008223,0.00007919103,0.00039126005,0.0015096385,0.00016290216,0.00041512388,0.022452388,0.9445524,0.028641105],"study_design_scores_gemma":[0.00031254627,0.00021183888,0.0068656686,0.0017692858,0.0001860032,0.0022063248,0.0060937814,0.0009616348,0.0018544386,0.17825072,0.80082965,0.00045817043],"about_ca_topic_score_codex":0.0049702707,"about_ca_topic_score_gemma":0.0066429595,"teacher_disagreement_score":0.03748245,"about_ca_system_score_codex":0.003018908,"about_ca_system_score_gemma":0.0033108029,"threshold_uncertainty_score":0.10817486},"labels":[],"label_agreement":null},{"id":"W2001529747","doi":"10.1525/mp.2010.28.2.195","title":"Musical Enculturation in Preschool Children: Acquisition of Key and Harmonic Knowledge","year":2010,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":118,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Chord (peer-to-peer); Harmony (color); Enculturation; Psychology; Musical; Perception; Key (lock); Harmony (Music); Cognitive psychology; Developmental psychology; Music perception; Communication; Computer science; Pedagogy; Literature; Art; Visual arts","score_opus":0.029217128837926872,"score_gpt":0.3249642533998107,"score_spread":0.29574712456188385,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2001529747","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.999089,0.0002097915,0.000025396554,0.000022967231,0.000004484695,0.0000040613136,0.00004157024,0.000006323094,0.0005964765],"genre_scores_gemma":[0.99859077,0.00029741807,0.00016118732,0.000029290497,0.0000031966385,0.00001612555,0.000104631734,0.000003504495,0.0007938898],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9996675,0.000035321482,0.0000334169,0.000068960566,0.00008340164,0.00011144366],"domain_scores_gemma":[0.9985526,0.00033266802,0.000443158,0.000111287096,0.0002537446,0.00030641435],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006824635,0.00036661702,0.0005787839,0.0013659416,0.0006673666,0.001164143,0.00027572855,0.00064798497,0.0020216],"category_scores_gemma":[0.0030733938,0.00037354752,0.00030104312,0.00053078186,0.0010158626,0.0010422191,0.0008547926,0.0007518642,0.0004448288],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006804741,0.00094656734,0.90260065,0.00022519876,0.000049890274,0.006123896,0.025161272,0.0001072474,0.02920134,0.0006219678,0.0005549582,0.033726577],"study_design_scores_gemma":[0.000007644866,0.000352721,0.99143934,0.000031692165,0.000020811898,0.0010863846,0.004467842,0.000042672185,0.0019061745,0.00016662362,0.00046743007,0.000010558279],"about_ca_topic_score_codex":0.011095131,"about_ca_topic_score_gemma":0.013729498,"teacher_disagreement_score":0.011095131,"about_ca_system_score_codex":0.00049273064,"about_ca_system_score_gemma":0.000685045,"threshold_uncertainty_score":0.02206111},"labels":[],"label_agreement":null},{"id":"W2005071489","doi":"10.1525/mp.2006.24.2.167","title":"Identifying Metrical and Temporal Structure With an Autocorrelation Phase Matrix","year":2006,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Music and Audio Processing","field":"Computer Science","cited_by":19,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Autocorrelation; Computer science; Autocorrelation matrix; Lag; Spatial analysis; Algorithm; Entropy (arrow of time); Task (project management); Matrix (chemical analysis); Artificial intelligence; Mathematics; Statistics; Physics; Engineering","score_opus":0.027394640702891156,"score_gpt":0.3457930934029543,"score_spread":0.3183984527000631,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2005071489","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.050568867,0.00020553387,0.945672,0.00011101137,0.000059757436,0.000036800884,0.00040629593,0.0010607948,0.0018790229],"genre_scores_gemma":[0.38418257,0.00030244526,0.61258966,0.00004436511,0.00011880274,0.000068337795,0.0008536732,0.00020437167,0.0016357048],"study_design_codex":"design_other","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9996712,0.000060192022,0.000024145134,0.00007310207,0.0001442701,0.000026971084],"domain_scores_gemma":[0.9986285,0.0005844693,0.00024038693,0.00025435042,0.0002298827,0.00006246391],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00052827917,0.00038944604,0.00032559753,0.0018325443,0.00042365325,0.00077629444,0.00043226974,0.00040076865,0.0026403014],"category_scores_gemma":[0.005423635,0.0002855672,0.00033368825,0.0015567413,0.00043738008,0.0013270595,0.0005976654,0.0006500559,0.00095044373],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004060321,0.00011938278,0.010192073,0.00024578077,0.00008463545,0.00033259814,0.00036330902,0.050307803,0.18157777,0.054005325,0.0030920727,0.6992732],"study_design_scores_gemma":[0.000040669132,0.00022269668,0.015454139,0.000035993526,0.000050892693,0.0008655401,0.00014269479,0.8786814,0.04356776,0.04710669,0.013711064,0.00012038105],"about_ca_topic_score_codex":0.0016922253,"about_ca_topic_score_gemma":0.002527155,"teacher_disagreement_score":0.0026403014,"about_ca_system_score_codex":0.0002511808,"about_ca_system_score_gemma":0.0005951563,"threshold_uncertainty_score":0.008832693},"labels":[],"label_agreement":null},{"id":"W2006430088","doi":"10.1525/mp.2011.29.2.157","title":"Music Training and Reading Readiness","year":2011,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":61,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Saint Mary's University; Western University","funders":"","keywords":"Reading (process); Psychology; Association (psychology); Music perception; Phonological awareness; Perception; Cognitive psychology; Auditory perception; Cognition; Music education; Developmental psychology; Linguistics; Pedagogy","score_opus":0.1671742914623736,"score_gpt":0.3427208632146456,"score_spread":0.17554657175227203,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2006430088","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.997823,0.00036156533,0.0000515977,0.00004288305,0.0000044263825,0.0000041276485,0.00006345935,0.000013100501,0.0016359369],"genre_scores_gemma":[0.998796,0.00015056074,0.00007079294,0.000011140582,0.0000061612795,0.0000040074397,0.00008024868,0.00000376411,0.0008773006],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9998747,0.000028787845,0.000012985354,0.000028332313,0.00002672945,0.000028515913],"domain_scores_gemma":[0.9984615,0.00044510138,0.0005913998,0.000054339263,0.000121570505,0.00032607012],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017200512,0.00017044824,0.0001461144,0.00040611427,0.00014986083,0.0004113582,0.00012781778,0.00025912686,0.0045268824],"category_scores_gemma":[0.0024202978,0.00007246811,0.00014373439,0.00018278963,0.00018237843,0.00016344132,0.00025761928,0.00027752697,0.00060718466],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00066458754,0.00067400857,0.9438829,0.00010701356,0.000086115186,0.0007861554,0.00047225447,0.0001808516,0.012772858,0.0001800172,0.00036700853,0.039826285],"study_design_scores_gemma":[0.0000034136194,0.0001834199,0.9987884,0.0000071090867,0.00001157885,0.0002533006,0.000052269686,0.00005596099,0.00040901153,0.000034251552,0.00019905735,0.0000021859794],"about_ca_topic_score_codex":0.0014650179,"about_ca_topic_score_gemma":0.0024511116,"teacher_disagreement_score":0.0045268824,"about_ca_system_score_codex":0.00013630888,"about_ca_system_score_gemma":0.00014772856,"threshold_uncertainty_score":0.015143931},"labels":[],"label_agreement":null},{"id":"W2007242470","doi":"10.1525/mp.2011.29.2.147","title":"Associations Between Length of Music Training and Reading Skills in Children","year":2011,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Reading and Literacy Development","field":"Psychology","cited_by":120,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Reading (process); Psychology; Reading comprehension; Comprehension; Perception; Cognitive psychology; Association (psychology); Developmental psychology; Linguistics","score_opus":0.06570961444091261,"score_gpt":0.34878476876884934,"score_spread":0.28307515432793673,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2007242470","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99956673,0.00012235947,0.000023318955,0.00001973942,0.0000015410103,0.0000011680612,0.000047625,0.0000044301273,0.00021300244],"genre_scores_gemma":[0.9993703,0.000098917306,0.000086721266,0.000008065742,0.000004730273,0.000004305004,0.00010552532,0.000003580428,0.00031786822],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9997427,0.000043755936,0.000033233646,0.000061269195,0.00007524713,0.000043855653],"domain_scores_gemma":[0.99603146,0.0013377749,0.0017445711,0.00013668578,0.00020510104,0.0005443638],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036748164,0.00022576502,0.00022586297,0.00072973385,0.00014790191,0.00034938645,0.00021270232,0.00039506285,0.002238344],"category_scores_gemma":[0.004178256,0.00016308871,0.00023239927,0.00037373434,0.0003348572,0.00028809125,0.00039798213,0.00042165647,0.00023670091],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025958673,0.00012436687,0.9914938,0.000027499535,0.00005041329,0.00019009311,0.00043864473,0.000104303384,0.0024545498,0.000025172378,0.00008616366,0.004745326],"study_design_scores_gemma":[0.0000016233225,0.00007092745,0.99959785,0.000003194551,0.000006168555,0.0000883344,0.00005843594,0.00003169296,0.00009607446,0.000007275935,0.000037222017,0.0000012509719],"about_ca_topic_score_codex":0.0038906864,"about_ca_topic_score_gemma":0.008191725,"teacher_disagreement_score":0.0038906864,"about_ca_system_score_codex":0.00027935018,"about_ca_system_score_gemma":0.00020121202,"threshold_uncertainty_score":0.007736087},"labels":[],"label_agreement":null},{"id":"W2016238244","doi":"10.1525/mp.2004.22.2.297","title":"Influences of Large-Scale Form on Continuous Ratings in Response to a Contemporary Piece in a Live Concert Setting","year":2004,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":70,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University; Centre for Interdisciplinary Research in Music Media and Technology","funders":"","keywords":"Dynamics (music); Musical; Active listening; Repetition (rhetorical device); Scale (ratio); Context (archaeology); Psychology; Presentation (obstetrics); Cognitive psychology; Visual arts; Communication; Art; Linguistics; History; Cartography; Geography","score_opus":0.0422753749233585,"score_gpt":0.35257108303452644,"score_spread":0.31029570811116797,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2016238244","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99720913,0.000033891138,0.0006341899,0.000010909161,0.000009298568,0.00002317047,0.000042207655,0.000015870344,0.002021408],"genre_scores_gemma":[0.99816823,0.000044899272,0.00089883374,0.000024724492,0.000012335155,0.00002917795,0.00009408352,0.000027891117,0.0006997915],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9992161,0.00024183528,0.000035507586,0.00019407304,0.00026201748,0.000050399987],"domain_scores_gemma":[0.9948955,0.0031764228,0.00053354475,0.00041599077,0.00045314748,0.0005253383],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005753938,0.00035131967,0.0002999862,0.0003095067,0.00015309892,0.0005589542,0.00019841165,0.00030254186,0.002297047],"category_scores_gemma":[0.013011216,0.00019963697,0.00017092688,0.00014505188,0.0004310698,0.00024786755,0.00056447805,0.00043204564,0.00035335706],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0056354105,0.00037231806,0.061161943,0.00013693741,0.0001169078,0.00062505296,0.0028644067,0.0006642277,0.8718296,0.0001317115,0.0002468077,0.056214605],"study_design_scores_gemma":[0.00005648547,0.0020370746,0.97988933,0.000010926611,0.000050662275,0.00044377218,0.00048334152,0.0015093003,0.015038277,0.00012978823,0.00031739537,0.000033635537],"about_ca_topic_score_codex":0.0005267564,"about_ca_topic_score_gemma":0.000958531,"teacher_disagreement_score":0.002297047,"about_ca_system_score_codex":0.00012518582,"about_ca_system_score_gemma":0.00008220573,"threshold_uncertainty_score":0.00768435},"labels":[],"label_agreement":null},{"id":"W2016588355","doi":"10.1525/mp.2004.21.3.373","title":"Singing in the Brain: Insights from Cognitive Neuropsychology","year":2004,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":76,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval; Health and Social Services Centre University Institute of Geriatrics of Sherbrooke; Université de Montréal; Institut Universitaire de Gériatrie de Montréal","funders":"","keywords":"Singing; Melody; Lyrics; Psychology; Cognitive psychology; Perception; Linguistics; Communication; Musical; Neuroscience; Art; Literature","score_opus":0.05966146542369261,"score_gpt":0.3548026913303271,"score_spread":0.2951412259066345,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2016588355","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29264465,0.6152015,0.018931253,0.014188402,0.00034051345,0.00004746102,0.00027670243,0.00020940427,0.05816015],"genre_scores_gemma":[0.7779859,0.20745386,0.009010529,0.0015602636,0.0007313865,0.00005962168,0.00011659808,0.000022857364,0.003058926],"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9999058,0.000025618792,0.000009741543,0.000021745498,0.000020411373,0.000016601989],"domain_scores_gemma":[0.999658,0.00018486018,0.000054401324,0.000024332583,0.00004079366,0.000037606405],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046675216,0.000511595,0.00052413956,0.0016597632,0.00029997647,0.0015546068,0.0004501319,0.0007955032,0.0010983668],"category_scores_gemma":[0.00094434095,0.00011251485,0.00014577122,0.0007733046,0.0029078808,0.0026136383,0.0006077978,0.0007817381,0.00022661277],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032861612,0.00035111705,0.05938222,0.002009119,0.00024131175,0.006775253,0.0040133623,0.002474652,0.018203411,0.058148645,0.003441325,0.84463096],"study_design_scores_gemma":[0.000061635066,0.0011153062,0.28440815,0.0009995537,0.00014319175,0.030002655,0.006004299,0.0025673625,0.004952857,0.611187,0.058413908,0.0001440026],"about_ca_topic_score_codex":0.00084279885,"about_ca_topic_score_gemma":0.001116487,"teacher_disagreement_score":0.0016597632,"about_ca_system_score_codex":0.00047777116,"about_ca_system_score_gemma":0.00047565976,"threshold_uncertainty_score":0.003674388},"labels":[],"label_agreement":null},{"id":"W2016769890","doi":"10.1525/mp.2009.27.1.17","title":"Identification of TV Tunes by Children with Cochlear Implants","year":2009,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Hearing Loss and Rehabilitation","field":"Neuroscience","cited_by":33,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Cochlear implant; Melody; Lyrics; Flute; Psychology; Music perception; Identification (biology); Audiology; Set (abstract data type); Perception; Speech recognition; Musical; Computer science; Art; Medicine; Visual arts; Literature; Neuroscience","score_opus":0.023619990101896304,"score_gpt":0.3218873486029882,"score_spread":0.2982673585010919,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2016769890","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9993262,0.00007837451,0.00011144695,0.000018715316,0.000005099944,0.000009846537,0.0000660712,0.000025481633,0.0003587391],"genre_scores_gemma":[0.99837375,0.00022656262,0.0006172225,0.00004706745,0.000004134305,0.000027126018,0.00014345188,0.0000073989004,0.0005532847],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99900216,0.00010651656,0.0001818864,0.00020171217,0.00032053477,0.00018721537],"domain_scores_gemma":[0.9965926,0.0014577195,0.000908786,0.00031843028,0.0004304107,0.00029198133],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011498902,0.0007874401,0.0008273681,0.0010392992,0.0004350869,0.0011292143,0.00047177167,0.00073971675,0.0021452468],"category_scores_gemma":[0.0072028115,0.0004843218,0.0004433334,0.0004159214,0.0011190722,0.0011978317,0.00102525,0.0008136732,0.0007329747],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015971713,0.0014142139,0.76217866,0.00067032734,0.000086617554,0.009133086,0.023263263,0.0004093317,0.121766865,0.00036255424,0.0012218534,0.077895984],"study_design_scores_gemma":[0.000119481396,0.0065719355,0.89237756,0.00014055597,0.00026494308,0.034067906,0.013809567,0.0012778736,0.04682583,0.0004600178,0.003946122,0.00013820342],"about_ca_topic_score_codex":0.004942479,"about_ca_topic_score_gemma":0.0045057335,"teacher_disagreement_score":0.004942479,"about_ca_system_score_codex":0.00035679524,"about_ca_system_score_gemma":0.0006394848,"threshold_uncertainty_score":0.009827435},"labels":[],"label_agreement":null},{"id":"W2017794475","doi":"10.1525/mp.2012.30.2.161","title":"The Song Remains the Same: A Replication and Extension of the MUSIC Model","year":2012,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":96,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"National Institute on Aging","keywords":"Replication (statistics); Extension (predicate logic); Psychology; Cognitive science; Communication; Linguistics; Computer science; Philosophy; Mathematics; Programming language; Statistics","score_opus":0.08787890727752135,"score_gpt":0.3492336281308772,"score_spread":0.26135472085335587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2017794475","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":"reproducibility","model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":"reproducibility","domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89300877,0.002461225,0.032265596,0.0053738286,0.0009533958,0.0009007343,0.0006969136,0.00014480148,0.06419482],"genre_scores_gemma":[0.9840008,0.000445001,0.012392318,0.0007548729,0.00017802409,0.00038786774,0.00025038133,0.000057702608,0.0015330215],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9880562,0.0055844444,0.00054805947,0.0036647262,0.0018293626,0.00031728132],"domain_scores_gemma":[0.91647255,0.032034706,0.0055380287,0.03653188,0.008203212,0.0012196306],"candidate_categories":["metaresearch"],"consensus_categories":[],"category_scores_codex":[0.027599152,0.0009503975,0.001342996,0.0016849554,0.0018516522,0.0032372968,0.0034939442,0.0015419261,0.012762809],"category_scores_gemma":[0.09558769,0.00068174105,0.0020368902,0.0019015707,0.0052754777,0.00601638,0.003933083,0.002344592,0.0012118228],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0067413477,0.0026746986,0.34407037,0.0034093563,0.0026276181,0.003940698,0.12817635,0.0026400958,0.020257575,0.18089384,0.006876794,0.29769117],"study_design_scores_gemma":[0.0020224345,0.002800104,0.5218866,0.0015171325,0.0026208786,0.005886187,0.056865443,0.023337517,0.0052086273,0.34351948,0.03370795,0.00062767015],"about_ca_topic_score_codex":0.0069224066,"about_ca_topic_score_gemma":0.0054931752,"teacher_disagreement_score":0.97240084,"about_ca_system_score_codex":0.0013239356,"about_ca_system_score_gemma":0.0019102023,"threshold_uncertainty_score":0.14596003},"labels":[],"label_agreement":null},{"id":"W2021330098","doi":"10.1525/mp.2003.21.1.119","title":"Learning the “Special Note”: Evidence for a Critical Period for Absolute Pitch Acquisition","year":2003,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":67,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Psychology; Period (music); Tone (literature); Audiology; Set (abstract data type); Perception; Developmental psychology; Speech recognition; Medicine; Computer science; Literature; Art","score_opus":0.10526806259929528,"score_gpt":0.40857977840864595,"score_spread":0.3033117158093507,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2021330098","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9981027,0.00020900376,0.00042371807,0.00005143287,0.000015723897,0.000009963056,0.000073142335,0.000025196206,0.0010891822],"genre_scores_gemma":[0.99717593,0.00018908801,0.0013691443,0.00007822213,0.0000147110495,0.000033352087,0.0002331056,0.000013827015,0.0008925481],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99950004,0.000034287954,0.00005130246,0.00013453755,0.00017023708,0.0001095153],"domain_scores_gemma":[0.99529344,0.000801081,0.0018480577,0.00052278483,0.00056742964,0.00096726965],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00074696273,0.00036987758,0.0004347426,0.0005534263,0.00034626614,0.0006451458,0.00046992477,0.00089581835,0.0033862828],"category_scores_gemma":[0.0039184326,0.00042757415,0.0002478952,0.00014243064,0.0011023774,0.0010087284,0.0010637064,0.0009969752,0.000806178],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0047270814,0.0013077231,0.24216144,0.00045990167,0.00010138879,0.004629033,0.0034212896,0.00022235437,0.62786824,0.0018037235,0.0014208202,0.11187696],"study_design_scores_gemma":[0.00006357348,0.0030453014,0.94430554,0.00006334327,0.000044397362,0.003961585,0.0005291961,0.00026642228,0.04443948,0.00086589524,0.0023831783,0.000032062744],"about_ca_topic_score_codex":0.0012099567,"about_ca_topic_score_gemma":0.0021028616,"teacher_disagreement_score":0.0033862828,"about_ca_system_score_codex":0.00025010947,"about_ca_system_score_gemma":0.00056250696,"threshold_uncertainty_score":0.01132828},"labels":[],"label_agreement":null},{"id":"W2021370281","doi":"10.1525/mp.2011.29.2.185","title":"Music Lessons, Emotional Intelligence, and IQ","year":2011,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Emotional Intelligence and Performance","field":"Psychology","cited_by":108,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Emotional intelligence; Psychology; Nonverbal communication; Test (biology); Intelligence quotient; Developmental psychology; Verbal reasoning; Cognitive psychology; Cognition","score_opus":0.18786294919351273,"score_gpt":0.39809295469143485,"score_spread":0.21023000549792212,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2021370281","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99695,0.00009263872,0.00009117379,0.000022507085,0.0000046165314,0.000007793723,0.000096829426,0.000011196458,0.002723171],"genre_scores_gemma":[0.99873513,0.000036069057,0.000117012416,0.000009217108,0.000007255277,0.0000074492646,0.0001352072,0.000002927092,0.00094972196],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99958867,0.000077096855,0.000043501896,0.0000750553,0.00013376481,0.00008186477],"domain_scores_gemma":[0.99467283,0.0012034811,0.0019502651,0.00040276756,0.00046930194,0.0013013689],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008226791,0.00044410324,0.0003208273,0.0014496483,0.00031855697,0.0010949471,0.00036301656,0.00043483335,0.00425999],"category_scores_gemma":[0.006956733,0.0001885661,0.00022320557,0.00057413656,0.0006527562,0.00056155847,0.0007958801,0.00060872507,0.0005888568],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00057019084,0.0005953402,0.9841649,0.000018615037,0.00012018767,0.00018928562,0.00075604,0.0003278413,0.0012873409,0.00021326407,0.000258977,0.011498121],"study_design_scores_gemma":[0.000007917412,0.00019359021,0.9989073,0.0000035322855,0.000015287682,0.00009543809,0.00012693486,0.0002459845,0.000165999,0.00011948354,0.00011321453,0.0000052736514],"about_ca_topic_score_codex":0.0027107839,"about_ca_topic_score_gemma":0.0028542422,"teacher_disagreement_score":0.00425999,"about_ca_system_score_codex":0.00020997517,"about_ca_system_score_gemma":0.00014699338,"threshold_uncertainty_score":0.014251113},"labels":[],"label_agreement":null},{"id":"W2023220203","doi":"10.2307/40285907","title":"Perceiving Emotion in Melody: Interactive Effects of Pitch and Rhythm","year":2000,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":135,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Melody; Rhythm; Duration (music); Psychology; Audiology; Speech recognition; Communication; Cognitive psychology; Acoustics; Computer science; Musical; Art; Physics; Literature","score_opus":0.021647849821163277,"score_gpt":0.3142895224165642,"score_spread":0.2926416725954009,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2023220203","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9976259,0.000103243576,0.0015561634,0.000019231526,0.000010388193,0.000015534972,0.000021843607,0.000010214624,0.0006375288],"genre_scores_gemma":[0.9962043,0.000088996916,0.003385836,0.000026428064,0.0000069469656,0.00002457327,0.000037912745,0.000018226297,0.0002068236],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99949217,0.00016338329,0.000043277116,0.000103278115,0.00015072704,0.00004714854],"domain_scores_gemma":[0.99853563,0.0008784636,0.00020768539,0.00012255565,0.00010347282,0.00015224134],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005180217,0.00045929322,0.0004120835,0.00017927823,0.0001198981,0.0007528899,0.00026868103,0.00036588308,0.0013960387],"category_scores_gemma":[0.003643078,0.0002905905,0.00025209418,0.00009735444,0.0005157047,0.00046620233,0.000536224,0.0005922424,0.00014855774],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006393986,0.0000662061,0.0017532551,0.00007313434,0.000023608156,0.00007263472,0.00015951965,0.00010365669,0.9941246,0.000049808503,0.000010828173,0.0029234185],"study_design_scores_gemma":[0.00021984024,0.005673941,0.32665566,0.000045884382,0.0003710602,0.0011559664,0.00045734993,0.006468915,0.6570755,0.0007447075,0.001044489,0.00008662468],"about_ca_topic_score_codex":0.00024369756,"about_ca_topic_score_gemma":0.0003928278,"teacher_disagreement_score":0.0013960387,"about_ca_system_score_codex":0.00015092906,"about_ca_system_score_gemma":0.00009510153,"threshold_uncertainty_score":0.0046702027},"labels":[],"label_agreement":null},{"id":"W2024925338","doi":"10.1525/mp.2015.32.3.254","title":"Symbolic and Motor Contributions to Vocal Imitation in Absolute Pitch","year":2015,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Baycrest Hospital; University of Toronto","funders":"","keywords":"Imitation; Psychology; Representation (politics); Perception; Dual (grammatical number); Cognitive psychology; Speech recognition; Task (project management); Communication; Computer science; Social psychology; Linguistics; Neuroscience","score_opus":0.07489843426896663,"score_gpt":0.3804333540949589,"score_spread":0.30553491982599223,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2024925338","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9779791,0.00023605699,0.012922713,0.00016975684,0.00002330061,0.000015852704,0.000025356381,0.000038112237,0.008589672],"genre_scores_gemma":[0.99730897,0.000060276245,0.0020609496,0.000021333386,0.000008308302,0.000007958214,0.000017893144,0.000008857851,0.00050538307],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9991992,0.00022918159,0.000054514316,0.00015911064,0.00026856337,0.000089397625],"domain_scores_gemma":[0.9967464,0.001800747,0.00058937696,0.0005189122,0.00014897081,0.00019560025],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010742085,0.00034478202,0.00027956362,0.0005469058,0.00020375484,0.0011282724,0.00036619816,0.0007224975,0.003016165],"category_scores_gemma":[0.014766818,0.00032908397,0.00028456055,0.00019250298,0.0013416902,0.0008768084,0.0018318841,0.0007023511,0.00021622263],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018228824,0.00032619768,0.107789345,0.0005444045,0.00021382124,0.0020913826,0.004574532,0.00818572,0.696907,0.025865417,0.0002497512,0.15142961],"study_design_scores_gemma":[0.0002030066,0.001396002,0.72895354,0.00015637976,0.00030141466,0.006535879,0.002380443,0.11708899,0.081113815,0.05963863,0.002080009,0.00015191664],"about_ca_topic_score_codex":0.00040777578,"about_ca_topic_score_gemma":0.00037472005,"teacher_disagreement_score":0.003016165,"about_ca_system_score_codex":0.0002215581,"about_ca_system_score_gemma":0.0002988122,"threshold_uncertainty_score":0.010090113},"labels":[],"label_agreement":null},{"id":"W2024974443","doi":"10.1525/mp.2012.30.2.117","title":"Perception of Dyads of Impulsive and Sustained Instrument Sounds","year":2012,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":35,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Dyad; Multidimensional scaling; Perception; Spectral envelope; Timbre; Psychology; Spectral shape analysis; Categorical variable; Acoustics; Mathematics; Speech recognition; Statistics; Computer science; Social psychology; Physics; Spectral line","score_opus":0.04188317994938416,"score_gpt":0.33184024427170783,"score_spread":0.28995706432232365,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2024974443","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.997898,0.000053421718,0.0008549635,0.000022941973,0.000011634358,0.0000082613005,0.000023134196,0.000008474335,0.0011189892],"genre_scores_gemma":[0.9988563,0.000038222115,0.00045907326,0.000013848547,0.000005635601,0.000009791231,0.000047056845,0.0000050370763,0.00056496356],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.999244,0.00023324578,0.00005094,0.00015948786,0.000243654,0.000068734094],"domain_scores_gemma":[0.99779713,0.00066437025,0.00047037462,0.00014128393,0.00042161814,0.00050527253],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008676953,0.00021354196,0.00054799824,0.0008240557,0.0004989818,0.0014803087,0.00025689596,0.0004056343,0.0027688437],"category_scores_gemma":[0.0059841354,0.00020450926,0.00019558235,0.00020533576,0.0005503897,0.00056052615,0.0017808895,0.00044403254,0.00030038258],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0056345733,0.00034015128,0.4539921,0.00032216086,0.00038724876,0.0018985346,0.05252897,0.00070861104,0.42105454,0.0013026033,0.00090948504,0.060921077],"study_design_scores_gemma":[0.000058091115,0.0011123655,0.9374937,0.000040468636,0.00013099777,0.0016207445,0.043903943,0.0031430502,0.0092866225,0.001166927,0.0019341124,0.000109087276],"about_ca_topic_score_codex":0.0011230455,"about_ca_topic_score_gemma":0.001460906,"teacher_disagreement_score":0.0027688437,"about_ca_system_score_codex":0.00027767863,"about_ca_system_score_gemma":0.00015168883,"threshold_uncertainty_score":0.009262681},"labels":[],"label_agreement":null},{"id":"W2027438839","doi":"10.1525/mp.2007.25.2.153","title":"Local Processing Advantage in Musicians: Evidence from Disembedding and Constructional Tasks","year":2007,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":76,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Psychology; Cognitive psychology; Visual processing; Information processing; Communication; Cognitive science; Perception","score_opus":0.05451499411590153,"score_gpt":0.36627942515705675,"score_spread":0.3117644310411552,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2027438839","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9953565,0.00045028093,0.00057248765,0.000057431815,0.0000068128024,0.000008847813,0.00004651334,0.000028361646,0.003472813],"genre_scores_gemma":[0.9963728,0.00035051984,0.0012375597,0.00010754222,0.000021704402,0.000013063184,0.00014035196,0.00003471613,0.0017217047],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.999451,0.00007343502,0.00005930168,0.00017785949,0.00017743984,0.000061011993],"domain_scores_gemma":[0.99486685,0.001998674,0.0011767887,0.0010551327,0.0002903457,0.0006121581],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010566461,0.0004778561,0.00046197124,0.0009786945,0.00024558412,0.00071092305,0.00038215655,0.00046034472,0.0076912055],"category_scores_gemma":[0.0073365592,0.00029322266,0.00015570744,0.00037572414,0.0011671515,0.0012226886,0.001146534,0.00043719207,0.001044884],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.008358283,0.0014044716,0.22055328,0.0012203635,0.0003158228,0.0018334892,0.007055554,0.00043823826,0.49629486,0.0018092792,0.0015034252,0.2592129],"study_design_scores_gemma":[0.0002595309,0.0020647307,0.95843935,0.00007640395,0.000103553735,0.0033160415,0.00097274035,0.0005797889,0.028262286,0.0025809086,0.0033087318,0.000035939243],"about_ca_topic_score_codex":0.0006112966,"about_ca_topic_score_gemma":0.0012983951,"teacher_disagreement_score":0.0076912055,"about_ca_system_score_codex":0.00012355458,"about_ca_system_score_gemma":0.0001534772,"threshold_uncertainty_score":0.025729656},"labels":[],"label_agreement":null},{"id":"W2028427866","doi":"10.1525/mp.2014.31.5.397","title":"Perceiving the Classical Cadence","year":2012,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":81,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Melody; Psychology; Perception; MOZART; Cadence; Closure (psychology); Cognitive psychology; Linguistics; Communication; Musical; Art; Visual arts; Literature; Acoustics; Philosophy","score_opus":0.08302846135283684,"score_gpt":0.36002150900968866,"score_spread":0.27699304765685184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2028427866","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9959227,0.000103580096,0.0011232051,0.00003085624,0.000008197232,0.0000030972622,0.000006466413,0.000007714626,0.0027942394],"genre_scores_gemma":[0.99909914,0.000047023103,0.00043421792,0.000021179012,0.00000636921,0.0000018532928,0.000011784522,0.0000026125253,0.00037589218],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9997048,0.000057890862,0.000012822188,0.000052763087,0.00013458577,0.00003716261],"domain_scores_gemma":[0.9987907,0.0004023268,0.0003180555,0.0000646582,0.0002068084,0.00021756956],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040905416,0.00020864942,0.00018498042,0.00055014424,0.00021059954,0.0009715909,0.00020524902,0.000465061,0.0018036608],"category_scores_gemma":[0.0053733937,0.00011424226,0.00010682683,0.00012795778,0.0008273929,0.00085802044,0.0008517129,0.0003330758,0.00014544079],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0024593764,0.00013461255,0.10361539,0.00042602472,0.0000831187,0.0010552331,0.09109918,0.0006184764,0.6776826,0.007947884,0.00059513934,0.11428299],"study_design_scores_gemma":[0.00007041006,0.001619365,0.8983926,0.00013733198,0.000069672635,0.002315551,0.058234405,0.0038264717,0.018773578,0.007257165,0.009140382,0.00016306757],"about_ca_topic_score_codex":0.0009181419,"about_ca_topic_score_gemma":0.0012073846,"teacher_disagreement_score":0.0018036608,"about_ca_system_score_codex":0.0002124269,"about_ca_system_score_gemma":0.000112315785,"threshold_uncertainty_score":0.006033838},"labels":[],"label_agreement":null},{"id":"W2031836641","doi":"10.1525/mp.2011.29.1.23","title":"Music Perception and Cognition Research from 1983 to 2010: A Categorical and Bibliometric Analysis of Empirical Articles in Music Perception","year":2011,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":42,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Perception; Categorical variable; Music perception; Psychology; Empirical research; Cognition; Set (abstract data type); Computer science; Statistics; Mathematics","score_opus":0.2981176104398338,"score_gpt":0.4326583482154517,"score_spread":0.13454073777561787,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2031836641","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":"methods","model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":"methods","domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4804283,0.4679226,0.00104812,0.003224861,0.00045796047,0.00028469966,0.03494339,0.00012330683,0.0115667265],"genre_scores_gemma":[0.6304985,0.3253112,0.0053872126,0.0006256703,0.0012476984,0.00057673815,0.033224825,0.000105086416,0.0030230132],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9842136,0.0020776698,0.006105758,0.0013297491,0.0056691044,0.00060412625],"domain_scores_gemma":[0.7517769,0.14139831,0.06458617,0.0049803364,0.033923298,0.0033349758],"candidate_categories":["metaresearch","bibliometrics"],"consensus_categories":[],"category_scores_codex":[0.010131201,0.0006174786,0.0015003056,0.132187,0.0012529261,0.0051725656,0.0009854143,0.0009450755,0.0027116025],"category_scores_gemma":[0.08386862,0.0005285174,0.0012459803,0.1834276,0.0015146444,0.0039691506,0.0020081946,0.0007343139,0.0009290556],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000785094,0.00017811958,0.5796368,0.07209038,0.0032909336,0.001999577,0.011981802,0.00059846713,0.00546343,0.003787332,0.016806161,0.30338183],"study_design_scores_gemma":[0.000032357057,0.00012876869,0.9142571,0.010859593,0.0018358595,0.0017708634,0.007144714,0.00019933988,0.0011284222,0.0007490299,0.061825063,0.00006889691],"about_ca_topic_score_codex":0.0046736947,"about_ca_topic_score_gemma":0.012042542,"teacher_disagreement_score":0.9898688,"about_ca_system_score_codex":0.0026029078,"about_ca_system_score_gemma":0.005951574,"threshold_uncertainty_score":0.05357951},"labels":[],"label_agreement":null},{"id":"W2031912963","doi":"10.1525/mp.2011.29.1.65","title":"The Effects of Stimulus Rate and Tapping Rate on Tapping Performance","year":2011,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Multisensory perception and integration","field":"Psychology","cited_by":34,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Baycrest Hospital","funders":"","keywords":"Tapping; Finger tapping; Asynchrony (computer programming); Stimulus onset asynchrony; Stimulus (psychology); Categorical variable; Interval (graph theory); Audiology; Psychology; Mathematics; Computer science; Statistics; Cognitive psychology; Cognition; Neuroscience; Engineering; Medicine; Combinatorics","score_opus":0.05862424225682515,"score_gpt":0.3414456243876714,"score_spread":0.28282138213084623,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2031912963","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99335396,0.0005598211,0.004236515,0.000030419025,0.0000384413,0.000054359083,0.00015049528,0.00007258866,0.0015034791],"genre_scores_gemma":[0.9960789,0.00028991263,0.002573655,0.000035519803,0.00003120319,0.00007712898,0.0001530646,0.00012359051,0.0006370418],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9987411,0.0003844939,0.00012529622,0.00028307416,0.00034326795,0.0001229248],"domain_scores_gemma":[0.9816461,0.014908009,0.0012460343,0.0010078152,0.00045802968,0.0007340005],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009899971,0.00062866387,0.0005741026,0.00036555203,0.00012964406,0.0006027274,0.00044692119,0.00045548496,0.0025401383],"category_scores_gemma":[0.016349696,0.0003460927,0.00033132537,0.0003345094,0.00037111063,0.00067650276,0.0005822961,0.00061035174,0.0005072409],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.009596989,0.0004582151,0.018333234,0.00036870132,0.00014504713,0.0002442029,0.00031630156,0.0014184983,0.9285825,0.0001609952,0.00013846607,0.040236846],"study_design_scores_gemma":[0.0002367116,0.010560518,0.7606693,0.000056286055,0.00042779825,0.0009922922,0.00014627086,0.01617928,0.2090111,0.0006276548,0.0009987156,0.000094006005],"about_ca_topic_score_codex":0.0004068222,"about_ca_topic_score_gemma":0.00030858803,"teacher_disagreement_score":0.0025401383,"about_ca_system_score_codex":0.00017944616,"about_ca_system_score_gemma":0.0001915328,"threshold_uncertainty_score":0.008497596},"labels":[],"label_agreement":null},{"id":"W2032589776","doi":"10.1525/mp.2010.28.2.155","title":"Sound Source Mechanics and Musical Timbre Perception: Evidence From Previous Studies","year":2010,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Music and Audio Processing","field":"Computer Science","cited_by":57,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Timbre; Perception; Multidimensional scaling; Musical; Pitch (Music); Identification (biology); Psychology; Sound (geography); Focus (optics); Acoustics; Cognitive psychology; Computer science; Speech recognition; Physics; Art","score_opus":0.061834786876738546,"score_gpt":0.3505562837196472,"score_spread":0.28872149684290865,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2032589776","genre_codex":"empirical","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9814855,0.0069756117,0.0030868228,0.00028002128,0.000043724358,0.000032335403,0.00013048504,0.000018051012,0.007947465],"genre_scores_gemma":[0.99566406,0.002489726,0.00096049893,0.000117590505,0.00011684144,0.000022856479,0.00015606168,0.000016096425,0.00045635077],"study_design_codex":"observational","study_design_gemma":"systematic_review","domain_scores_codex":[0.99840015,0.00034415134,0.00022373711,0.00044605092,0.0005120685,0.000073840005],"domain_scores_gemma":[0.95119107,0.03257899,0.008493212,0.003419226,0.0035510866,0.0007665071],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0053601074,0.00041952552,0.0006089154,0.0018432321,0.000565681,0.0017967726,0.0007507163,0.0011106705,0.007243111],"category_scores_gemma":[0.038601648,0.0004702487,0.00039143697,0.0014568967,0.0017880328,0.0015811588,0.0017258584,0.0005549944,0.0009866877],"study_design_candidate":"systematic_review","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.005376755,0.0009939226,0.76019573,0.004325553,0.0014077179,0.0010506237,0.014997969,0.0009816467,0.06763729,0.0026539988,0.0005176029,0.13986109],"study_design_scores_gemma":[0.000029344372,0.00033915913,0.99280316,0.00012239083,0.0001297158,0.0005673183,0.0009027646,0.00031704042,0.0026141473,0.001076396,0.001068587,0.000029918887],"about_ca_topic_score_codex":0.0009215109,"about_ca_topic_score_gemma":0.0011077889,"teacher_disagreement_score":0.007243111,"about_ca_system_score_codex":0.00021129988,"about_ca_system_score_gemma":0.00021634017,"threshold_uncertainty_score":0.028347313},"labels":[],"label_agreement":null},{"id":"W2038396298","doi":"10.1525/mp.2008.25.4.357","title":"SPEECH INTONATION PERCEPTION DEFICITS IN MUSICAL TONE DEAFNESS (CONGENITAL AMUSIA)","year":2008,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":137,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Intonation (linguistics); Psychology; Melody; Pitch (Music); Musical tone; Perception; Tone (literature); Audiology; Speech perception; Musical; Speech recognition; Pitch perception; Cognitive psychology; Linguistics; Computer science; Neuroscience","score_opus":0.07617692488757079,"score_gpt":0.35320122432489054,"score_spread":0.27702429943731977,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2038396298","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9987367,0.0001921824,0.00011431901,0.000077968456,0.0000059475315,0.0000068530203,0.00008050162,0.000009899634,0.00077568623],"genre_scores_gemma":[0.9992536,0.00013964491,0.00018912957,0.000042969274,0.000006223798,0.000004433083,0.000056976693,0.0000034093257,0.00030366407],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9996408,0.000027918364,0.000054453903,0.000066336564,0.00013534853,0.00007511458],"domain_scores_gemma":[0.9989506,0.00024792898,0.0003520466,0.000062686675,0.0001569326,0.00022977644],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042211777,0.0006384304,0.00053723133,0.0019836228,0.0005558779,0.00050525327,0.00023286881,0.0006398717,0.0031661387],"category_scores_gemma":[0.0030400932,0.00018594986,0.00015689587,0.00058144704,0.0018601514,0.0007343328,0.0009115257,0.00040449153,0.0003771042],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0019120281,0.0007603165,0.42426136,0.0005050176,0.00017718268,0.0384177,0.008238199,0.0003903091,0.42851403,0.0012756838,0.0014133641,0.094134726],"study_design_scores_gemma":[0.00003815835,0.0004916273,0.9493218,0.000034114393,0.000060054357,0.041807804,0.0014345509,0.0002258955,0.005482031,0.00054079446,0.00053534494,0.000027893504],"about_ca_topic_score_codex":0.023620471,"about_ca_topic_score_gemma":0.023296578,"teacher_disagreement_score":0.023620471,"about_ca_system_score_codex":0.0004926113,"about_ca_system_score_gemma":0.0005182363,"threshold_uncertainty_score":0.046966016},"labels":[],"label_agreement":null},{"id":"W2046032318","doi":"10.1525/mp.2007.24.5.473","title":"Physiological and Musico-Acoustic Correlates of the Chill Response","year":2007,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Multisensory perception and integration","field":"Psychology","cited_by":207,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Chills; Skin conductance; Active listening; Psychology; Heart rate; Audiology; Communication; Medicine; Internal medicine","score_opus":0.05785655442303411,"score_gpt":0.3769110191684041,"score_spread":0.31905446474536997,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2046032318","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.998485,0.00017628566,0.0005742268,0.00001154103,0.0000075169705,0.000016467595,0.00005556525,0.0000071770132,0.0006662555],"genre_scores_gemma":[0.9992362,0.000106595995,0.0003254377,0.000017360393,0.000017994576,0.000019819781,0.000063918174,0.000003727978,0.00020891034],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9998424,0.00004128997,0.000009720686,0.000039505678,0.000046903777,0.000019994326],"domain_scores_gemma":[0.9993693,0.00022100196,0.0001874979,0.000038453345,0.000086670334,0.00009700324],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021233494,0.00022730416,0.00021116858,0.00034742398,0.00013190834,0.00030192063,0.0000811308,0.00031921608,0.0016564204],"category_scores_gemma":[0.0021226632,0.00010673347,0.00010865772,0.00015451167,0.0002867767,0.0001550273,0.00025758342,0.00028035554,0.0002184769],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0022494784,0.00021374578,0.14479169,0.00028471687,0.0001254127,0.000967044,0.0020262448,0.0001885868,0.8239543,0.0000902971,0.00015694194,0.02495149],"study_design_scores_gemma":[0.000015493593,0.000671554,0.9901731,0.000006235887,0.000018869217,0.00085511216,0.0006163105,0.0001589982,0.007205393,0.000051038074,0.0002177364,0.00001019344],"about_ca_topic_score_codex":0.00026353865,"about_ca_topic_score_gemma":0.00031829407,"teacher_disagreement_score":0.0016564204,"about_ca_system_score_codex":0.00006790118,"about_ca_system_score_gemma":0.000053909305,"threshold_uncertainty_score":0.005541265},"labels":[],"label_agreement":null},{"id":"W2047771630","doi":"10.1525/mp.2002.20.2.151","title":"Effects of Musical Tempo and Mode on Arousal, Mood, and Spatial Abilities","year":2002,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":677,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Arousal; Mood; Psychology; Cognitive psychology; Active listening; MOZART; Low arousal theory; MIDI; Audiology; Mode (computer interface); Communication; Neuroscience; Social psychology; Art; Acoustics; Computer science","score_opus":0.03664605580279334,"score_gpt":0.30966464461958115,"score_spread":0.2730185888167878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2047771630","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9983815,0.00008904651,0.0003002916,0.000018903598,0.000010738063,0.00002053536,0.00006190099,0.000007696516,0.0011094724],"genre_scores_gemma":[0.9982963,0.0000892323,0.0006556495,0.000046820176,0.00001564688,0.00005556031,0.00009894284,0.000008860517,0.00073291897],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99979275,0.000069801026,0.000017586719,0.000046621306,0.000044536533,0.000028672797],"domain_scores_gemma":[0.99898833,0.00049444183,0.00015326036,0.00008463655,0.00009993797,0.00017936314],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028558166,0.00036695407,0.00033967706,0.0001723144,0.00018433055,0.00044837478,0.00011208854,0.00019055464,0.0021413297],"category_scores_gemma":[0.002147743,0.00017003107,0.00016124923,0.00008325101,0.00025331162,0.00015825925,0.00031398205,0.00041614746,0.00019922016],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.02067749,0.001951675,0.07354388,0.00026854296,0.0002503067,0.00033374658,0.0013198768,0.00022671845,0.85380036,0.00016126313,0.00027914517,0.047187023],"study_design_scores_gemma":[0.00032916194,0.009149655,0.9528784,0.000015926897,0.00015777089,0.0002701605,0.00030380004,0.00063924154,0.035208017,0.0002465709,0.00077331415,0.000028028438],"about_ca_topic_score_codex":0.00022507636,"about_ca_topic_score_gemma":0.0005350479,"teacher_disagreement_score":0.0021413297,"about_ca_system_score_codex":0.00009892871,"about_ca_system_score_gemma":0.00008307297,"threshold_uncertainty_score":0.007163465},"labels":[],"label_agreement":null},{"id":"W2048274089","doi":"10.1525/mp.2005.22.3.365","title":"Editorial: New Research in Rhythm Perception and Production","year":2005,"lang":"en","type":"editorial","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"University College London","keywords":"Icon; Citation; Download; Library science; Perception; Computer science; World Wide Web; Psychology","score_opus":0.08837698766776546,"score_gpt":0.41175750048420046,"score_spread":0.323380512816435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2048274089","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00003964629,0.003364134,0.00008076374,0.014930639,0.98036677,0.0000139839985,0.00003517643,0.00005126767,0.0011177479],"genre_scores_gemma":[0.0005273382,0.0045420635,0.00008318468,0.00869447,0.9784275,0.000020935724,0.000045605662,0.00003997271,0.007618936],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99502486,0.0006248677,0.000708561,0.00062575354,0.0026303949,0.0003854915],"domain_scores_gemma":[0.9787459,0.006053258,0.0014455208,0.0006489161,0.010098149,0.0030082942],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004727297,0.0040855487,0.0042389417,0.004895258,0.0029218032,0.0061549135,0.004674531,0.012156516,0.03072313],"category_scores_gemma":[0.025690453,0.0012120266,0.0027433909,0.0018178808,0.0032064677,0.005569724,0.0016078386,0.01444955,0.020645352],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005319407,0.000011591223,0.000023120636,0.00020331467,0.000013374691,0.00012894056,0.000012183115,0.000016003623,0.000054237284,0.00016005205,0.9944771,0.004846911],"study_design_scores_gemma":[0.00006464838,0.000046394805,0.00025753185,0.00049503194,0.000056164008,0.0004255653,0.000078948,0.0001171253,0.00018209447,0.0006776637,0.9975758,0.000022937062],"about_ca_topic_score_codex":0.0010691233,"about_ca_topic_score_gemma":0.0022582167,"teacher_disagreement_score":0.03072313,"about_ca_system_score_codex":0.0028367513,"about_ca_system_score_gemma":0.0028904204,"threshold_uncertainty_score":0.10277909},"labels":[],"label_agreement":null},{"id":"W2053208494","doi":"10.1525/mp.2006.24.2.147","title":"Pitch and Timing in the Songs of Deaf Children With Cochlear Implants","year":2006,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Hearing Loss and Rehabilitation","field":"Neuroscience","cited_by":53,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"Social Sciences and Humanities Research Council of Canada; University of Toronto","keywords":"Cochlear implant; Audiology; Rhythm; Psychology; Pleasure; Cochlear implantation; Medicine; Acoustics; Physics; Neuroscience","score_opus":0.03328357514269674,"score_gpt":0.31461162033381446,"score_spread":0.2813280451911177,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2053208494","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9996252,0.0000487832,0.00004366884,0.0000033620688,0.000002532098,0.0000027573562,0.000078574834,0.0000025570441,0.00019253764],"genre_scores_gemma":[0.9992471,0.00007935866,0.00019768832,0.000006206687,0.0000025980332,0.0000057784805,0.00014451837,0.0000024460276,0.00031431377],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99978465,0.000020649257,0.000032807362,0.000049853894,0.00006372555,0.00004829476],"domain_scores_gemma":[0.9990945,0.00027269797,0.00024479153,0.00005740561,0.00015671857,0.00017398527],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034758844,0.00025649456,0.00035697065,0.0009043166,0.00018838009,0.00037951372,0.00016825843,0.00021381189,0.0017219597],"category_scores_gemma":[0.0023855008,0.00013376128,0.00019727772,0.00039106287,0.00046248033,0.00026383658,0.00045758937,0.00023246706,0.00030509286],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0023190668,0.000280158,0.8383192,0.00025111405,0.00012738808,0.0031063498,0.013230352,0.00037685252,0.08367348,0.00021553079,0.00032148894,0.057779007],"study_design_scores_gemma":[0.000013421389,0.00042524375,0.9919516,0.0000061812057,0.000023970977,0.002251283,0.0016870741,0.00015843268,0.0030593895,0.000034570294,0.0003714936,0.000017336562],"about_ca_topic_score_codex":0.0034301842,"about_ca_topic_score_gemma":0.0036726678,"teacher_disagreement_score":0.0034301842,"about_ca_system_score_codex":0.00019502481,"about_ca_system_score_gemma":0.0001754703,"threshold_uncertainty_score":0.0068204403},"labels":[],"label_agreement":null},{"id":"W2058140299","doi":"10.1525/mp.2010.27.5.413","title":"On the Prevalence of Congenital Amusia","year":2010,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":45,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Audiology; Psychology; Meaning (existential); Cutoff; Test (biology); Tone (literature); Developmental psychology; Medicine; Linguistics","score_opus":0.04770783793221279,"score_gpt":0.33041325444724007,"score_spread":0.2827054165150273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2058140299","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98969215,0.0019097117,0.00068795076,0.0004079333,0.000036664944,0.000015273105,0.00081539445,0.000014873317,0.0064200214],"genre_scores_gemma":[0.9981494,0.0008367577,0.0003168003,0.00009152511,0.000041772142,0.000010767024,0.00029753597,0.000005191876,0.00025017842],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9968362,0.0012130812,0.0003196532,0.00044285573,0.0010133738,0.00017475207],"domain_scores_gemma":[0.9909593,0.0041962108,0.002256217,0.0004176664,0.0018617777,0.00030888],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029973113,0.00021088647,0.00030295234,0.003583107,0.0002793105,0.0007487719,0.0005485007,0.00089208037,0.0026877618],"category_scores_gemma":[0.017198198,0.00016581443,0.00022230633,0.0013709586,0.0010318087,0.0010414693,0.00083404727,0.0004357718,0.0006502951],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009553339,0.000023490613,0.9834072,0.000041842854,0.00003813543,0.00021390374,0.00059016526,0.000038085673,0.00070416654,0.0002999152,0.0003405645,0.0142069785],"study_design_scores_gemma":[0.0000016499217,0.00007892395,0.99696475,0.00003939566,0.000025502253,0.0011786884,0.0005365014,0.000137967,0.00021003616,0.00014938661,0.000666836,0.0000103744205],"about_ca_topic_score_codex":0.004054253,"about_ca_topic_score_gemma":0.003191594,"teacher_disagreement_score":0.004054253,"about_ca_system_score_codex":0.0003188526,"about_ca_system_score_gemma":0.000250622,"threshold_uncertainty_score":0.015851498},"labels":[],"label_agreement":null},{"id":"W2062176563","doi":"10.1525/mp.2002.20.2.187","title":"Preference for Sensory Consonance in 2- and 4-Month-Old Infants","year":2002,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":239,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Consonance and dissonance; Consonant; Cognitive dissonance; Psychology; Preference; Perception; Audiology; Tone (literature); Sensory system; Task (project management); Communication; Cognitive psychology; Speech recognition; Mathematics; Computer science; Social psychology; Linguistics; Neuroscience; Medicine; Acoustics; Statistics","score_opus":0.12561478522566438,"score_gpt":0.3380744439224671,"score_spread":0.21245965869680272,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2062176563","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99945825,0.000096842705,0.00011373064,0.000010465568,0.000006211718,0.000003456557,0.00004449506,0.000010683888,0.00025587247],"genre_scores_gemma":[0.9979146,0.00020220327,0.00046216333,0.000033285978,0.0000064357946,0.000022901717,0.00013543047,0.000013984728,0.0012089566],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9997154,0.000038369497,0.000028048924,0.000071041206,0.00007179477,0.000075443466],"domain_scores_gemma":[0.99888974,0.0002833248,0.00026873586,0.00008947518,0.0001718891,0.00029679644],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045561197,0.00036563896,0.00060405274,0.00083734083,0.00022422709,0.0006132796,0.00026090484,0.0005027168,0.0022549157],"category_scores_gemma":[0.0028114817,0.00029829526,0.00028547194,0.00015543998,0.0005254909,0.000298651,0.0005292714,0.0005435378,0.00046484248],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0032329848,0.00031489335,0.08376857,0.0001778245,0.00007011587,0.0035934118,0.0034772546,0.00012298235,0.8814033,0.00026857253,0.0002973034,0.023272807],"study_design_scores_gemma":[0.00003973766,0.0037158383,0.9173541,0.000035085657,0.00011757352,0.0063132723,0.002357395,0.00047172297,0.06801479,0.000296866,0.0011935638,0.00009004021],"about_ca_topic_score_codex":0.001185106,"about_ca_topic_score_gemma":0.001376237,"teacher_disagreement_score":0.0022549157,"about_ca_system_score_codex":0.00015971794,"about_ca_system_score_gemma":0.00011164585,"threshold_uncertainty_score":0.007543385},"labels":[],"label_agreement":null},{"id":"W2064136345","doi":"10.1525/mp.2010.28.1.3","title":"The Ecology of Entrainment: Foundations of Coordinated Rhythmic Movement","year":2010,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":363,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"National Cancer Institute","keywords":"Entrainment (biomusicology); Rhythm; Movement (music); Cognitive science; Ecology; Communication; Psychology; Biology; Philosophy","score_opus":0.03289852734624651,"score_gpt":0.3342006241608025,"score_spread":0.301302096814556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2064136345","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2991472,0.011720787,0.55037403,0.008018998,0.00026670966,0.00007213873,0.00013958263,0.00036732122,0.12989327],"genre_scores_gemma":[0.9784038,0.0017653295,0.017137358,0.0002175817,0.0001789251,0.000044873384,0.00003559815,0.000036149773,0.0021803183],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9997117,0.00007321233,0.000012964021,0.00009365912,0.00005415448,0.000054360735],"domain_scores_gemma":[0.99910223,0.00038217544,0.00016433292,0.00012388124,0.00011683337,0.00011054264],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005469201,0.00023509726,0.00038354032,0.0007314061,0.00074672746,0.001809118,0.0008194169,0.0010568907,0.0021830644],"category_scores_gemma":[0.0022774034,0.00025792624,0.0002949335,0.00040854578,0.004579436,0.0026861222,0.0017644421,0.00095434475,0.00033625468],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055958495,0.000030179053,0.009747885,0.00020569545,0.000043816228,0.00066108594,0.0012977862,0.02408902,0.021338254,0.86732244,0.00094001554,0.07426793],"study_design_scores_gemma":[0.000019291701,0.00010818202,0.029851869,0.000064897424,0.00001866963,0.00069489086,0.00067909155,0.047834955,0.00199309,0.90726644,0.011406055,0.000062598294],"about_ca_topic_score_codex":0.0012824624,"about_ca_topic_score_gemma":0.0008161036,"teacher_disagreement_score":0.0021830644,"about_ca_system_score_codex":0.00072780414,"about_ca_system_score_gemma":0.00053217274,"threshold_uncertainty_score":0.007303059},"labels":[],"label_agreement":null},{"id":"W2066979082","doi":"10.1525/mp.2001.19.2.223","title":"Asymmetries in the Discrimination of Musical Intervals: Going Out-of-Tune Is More Noticeable Than Going In-Tune","year":2001,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":38,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Semitone; Melody; Interval (graph theory); Tone (literature); Perception; Psychology; Speech recognition; Musical; Mathematics; Audiology; Standard Chinese; Statistics; Linguistics; Computer science; Art; Literature; Philosophy; Combinatorics; Medicine","score_opus":0.09658926597642291,"score_gpt":0.3745912860740676,"score_spread":0.2780020200976447,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2066979082","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9979114,0.00006156096,0.0006676544,0.000018753379,0.000008771695,0.000006563234,0.00002176144,0.000014628188,0.0012889341],"genre_scores_gemma":[0.9983198,0.000068001675,0.00084620906,0.000040755407,0.000006925225,0.000007181679,0.000073683674,0.000016939586,0.00062041247],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9993777,0.00011660953,0.000058335438,0.00015770365,0.00020637458,0.000083252235],"domain_scores_gemma":[0.9961026,0.0019952564,0.0006555193,0.0003495271,0.00026953718,0.0006276545],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011132328,0.0004754816,0.00046003304,0.00042378376,0.00018935217,0.0008037002,0.00046706773,0.0007298576,0.0032840802],"category_scores_gemma":[0.0066930605,0.00033441055,0.00013241849,0.00011705454,0.00069495256,0.0007378377,0.0009288799,0.0005562807,0.0008155704],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0024617151,0.00011944367,0.008548773,0.00007716188,0.000021516198,0.00013920368,0.00027694047,0.000091783135,0.9744732,0.00013921298,0.00006948329,0.013581685],"study_design_scores_gemma":[0.00028986463,0.005957153,0.5714566,0.0000651758,0.00014198296,0.0021759046,0.0010275614,0.0062867682,0.40949497,0.0018086003,0.0011820579,0.00011328919],"about_ca_topic_score_codex":0.00070243276,"about_ca_topic_score_gemma":0.00080581446,"teacher_disagreement_score":0.0032840802,"about_ca_system_score_codex":0.00015183905,"about_ca_system_score_gemma":0.00015891054,"threshold_uncertainty_score":0.0109862685},"labels":[],"label_agreement":null},{"id":"W2071335018","doi":"10.1525/mp.2009.27.2.89","title":"A Distribution of Absolute Pitch Ability as Revealed by Computerized Testing","year":2009,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":85,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University; International Laboratory for Brain, Music and Sound Research","funders":"","keywords":"Range (aeronautics); Distribution (mathematics); Absolute (philosophy); Test (biology); Computer science; Mathematics; Speech recognition; Statistics; Psychology; Engineering","score_opus":0.054853403932458196,"score_gpt":0.3424914701426073,"score_spread":0.2876380662101491,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2071335018","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9979443,0.000029598816,0.0012636248,0.000011100626,0.0000017012276,0.000012815194,0.00006688777,0.00001820156,0.00065177854],"genre_scores_gemma":[0.9992575,0.000020018699,0.00046361,0.000011653909,0.0000021135,0.000012696549,0.00008722246,0.0000035067144,0.00014169326],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9978961,0.0004465674,0.00029845585,0.0005302146,0.0006861064,0.00014247041],"domain_scores_gemma":[0.9922599,0.0035983154,0.0016849837,0.0012698525,0.00078958005,0.0003973915],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013797632,0.0002734882,0.00030554665,0.0014985101,0.00021457326,0.00052560866,0.00033287358,0.00035848227,0.0016628505],"category_scores_gemma":[0.012141861,0.00019952412,0.00013560326,0.0005170418,0.0012117883,0.0005428735,0.0008511206,0.0004146743,0.00044037972],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00084897486,0.00018451303,0.9136708,0.000027708078,0.00006557079,0.0004189035,0.0008646327,0.0004457946,0.054999683,0.0002530629,0.00008828413,0.028132042],"study_design_scores_gemma":[0.000013869227,0.0011322043,0.9872924,0.0000053435865,0.000012031592,0.0014228747,0.00027643278,0.0008738361,0.00861378,0.00018902024,0.00015287747,0.00001521635],"about_ca_topic_score_codex":0.0006730013,"about_ca_topic_score_gemma":0.00054720853,"teacher_disagreement_score":0.0016628505,"about_ca_system_score_codex":0.00018575334,"about_ca_system_score_gemma":0.00017412742,"threshold_uncertainty_score":0.00729692},"labels":[],"label_agreement":null},{"id":"W2072170522","doi":"10.1525/mp.2007.25.1.43","title":"Perception and Production of Syncopated Rhythms","year":2007,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":173,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Columbia College","funders":"","keywords":"Rhythm; Psychology; Communication; Perception; Stimulus (psychology); Cognitive psychology; Neuroscience; Art; Aesthetics","score_opus":0.04680842846232508,"score_gpt":0.3392479401611143,"score_spread":0.29243951169878923,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2072170522","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99885976,0.000041204727,0.00066938344,0.0000068761638,0.000002018766,0.0000030450524,0.000009643475,0.0000029918112,0.00040510972],"genre_scores_gemma":[0.99893445,0.00005327588,0.0007379703,0.000009731856,0.0000029803646,0.0000040969503,0.00003015607,0.000003832649,0.00022355966],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99977976,0.000044445496,0.000015264566,0.000056020115,0.000085254534,0.000019349643],"domain_scores_gemma":[0.9986431,0.00053916406,0.00035998508,0.00010246735,0.00018952032,0.00016574614],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042666253,0.00017325513,0.0001749167,0.00024722295,0.000088010966,0.0005979839,0.00012178517,0.0003087449,0.0013088736],"category_scores_gemma":[0.0040356177,0.00014425656,0.000081702055,0.00008867766,0.00033628513,0.0004862461,0.00055460574,0.00022825539,0.00018467166],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00117763,0.00005221681,0.03452855,0.00012391932,0.000039271123,0.00020070288,0.0022576689,0.00020421435,0.9382245,0.00022370582,0.00008685535,0.022880826],"study_design_scores_gemma":[0.00009724608,0.0021275408,0.9132046,0.00003131244,0.000052550156,0.001268942,0.0025787782,0.004030314,0.07444256,0.0009788013,0.001138015,0.000049339287],"about_ca_topic_score_codex":0.00024377079,"about_ca_topic_score_gemma":0.0002992281,"teacher_disagreement_score":0.0013088736,"about_ca_system_score_codex":0.000073737734,"about_ca_system_score_gemma":0.000064624735,"threshold_uncertainty_score":0.0043786764},"labels":[],"label_agreement":null},{"id":"W2083220765","doi":"10.1525/mp.2012.30.2.147","title":"The Vocal Generosity Effect: How Bad Can Your Singing Be?","year":2012,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":67,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal; International Laboratory for Brain, Music and Sound Research","funders":"","keywords":"Melody; Timbre; Mistuning; Generosity; Singing; Tone (literature); Violin; Psychology; Context (archaeology); Speech recognition; Acoustics; Audiology; Computer science; Linguistics; Art; Philosophy; Musical; History; Physics; Visual arts","score_opus":0.06637640481507727,"score_gpt":0.3409969996236053,"score_spread":0.274620594808528,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2083220765","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96861756,0.0023044096,0.0056244615,0.003347717,0.00027662452,0.00003214274,0.00012291785,0.000098296485,0.019575747],"genre_scores_gemma":[0.99802244,0.00022951698,0.0007115392,0.0004064212,0.000068120826,0.000008273464,0.000032484637,0.000017594362,0.0005034576],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9977633,0.00078823307,0.00018553162,0.00028014625,0.0008618075,0.00012089732],"domain_scores_gemma":[0.97038865,0.019757368,0.005322851,0.0016571265,0.0015973229,0.0012767375],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006205684,0.00037511467,0.0005244034,0.0006398092,0.0006154965,0.0014447991,0.0004161276,0.0014915449,0.0027834016],"category_scores_gemma":[0.042063743,0.00024915792,0.00035670615,0.00023739434,0.0016000232,0.0016038142,0.0012922316,0.00092031405,0.0005146602],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0055574533,0.0003209459,0.65089566,0.00079704646,0.0009038276,0.0011070918,0.0062416825,0.001128806,0.076297745,0.0049724653,0.0030770565,0.24870019],"study_design_scores_gemma":[0.00007496134,0.001166079,0.96761984,0.00025217744,0.000284162,0.0025458531,0.0048332587,0.0019361125,0.00949183,0.007723296,0.003964277,0.00010816166],"about_ca_topic_score_codex":0.0004425438,"about_ca_topic_score_gemma":0.0008960317,"teacher_disagreement_score":0.006205684,"about_ca_system_score_codex":0.00034031254,"about_ca_system_score_gemma":0.00020775865,"threshold_uncertainty_score":0.032819152},"labels":[],"label_agreement":null},{"id":"W2085747923","doi":"10.1525/mp.2009.26.5.439","title":"Movement-Related Feedback and Temporal Accuracy in Clarinet Performance","year":2009,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":43,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Key (lock); Kinematics; Movement (music); Synchronization (alternating current); Speech recognition; Tone (literature); Computer science; Sensory system; Melody; Artificial intelligence; Computer vision; Communication; Psychology; Acoustics; Cognitive psychology","score_opus":0.03877356594881798,"score_gpt":0.3233069326797932,"score_spread":0.28453336673097523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2085747923","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.995895,0.00025674116,0.0019042139,0.000030932104,0.00001724166,0.00001031171,0.00014416,0.00005460177,0.0016868147],"genre_scores_gemma":[0.9982134,0.000083232924,0.00075946975,0.000011433655,0.000009785257,0.0000068557033,0.00012702536,0.000023829558,0.0007649867],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99960047,0.00005456211,0.000041235242,0.00009264985,0.00017700443,0.000034117085],"domain_scores_gemma":[0.9963086,0.0012733801,0.0014862482,0.0002852296,0.0004229131,0.00022347909],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006378192,0.00030770668,0.00026147935,0.00063945557,0.00013553642,0.0005253459,0.0002369622,0.00046142552,0.0024216452],"category_scores_gemma":[0.0144676715,0.00019905971,0.00010348804,0.00030223426,0.0002367314,0.00037652804,0.0004484541,0.00030259122,0.00040013035],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0060793622,0.00026713146,0.1397601,0.0002940919,0.000114485156,0.000445089,0.0010336892,0.0037811624,0.72969127,0.0003742999,0.00053779245,0.117621526],"study_design_scores_gemma":[0.00002834344,0.00041439725,0.97646743,0.00002580855,0.000024859444,0.00031041002,0.00011376335,0.0044258973,0.017688377,0.00020137851,0.0002801004,0.00001925325],"about_ca_topic_score_codex":0.002028299,"about_ca_topic_score_gemma":0.0021474294,"teacher_disagreement_score":0.0024216452,"about_ca_system_score_codex":0.00024821045,"about_ca_system_score_gemma":0.00014664898,"threshold_uncertainty_score":0.008101225},"labels":[],"label_agreement":null},{"id":"W2090919538","doi":"10.1525/mp.2009.26.3.235","title":"Music Training Facilitates Lexical Stress Processing","year":2009,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":58,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Modularity (biology); Stress (linguistics); Psychology; Contrast (vision); Repetition (rhetorical device); Cognitive psychology; Focus (optics); Linguistics; Computer science; Artificial intelligence","score_opus":0.11436287016252622,"score_gpt":0.36474721739442156,"score_spread":0.25038434723189534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2090919538","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9996685,0.000028327013,0.0000933696,0.000013776627,0.0000026563287,0.0000015067228,0.000005351188,0.000005079625,0.0001814405],"genre_scores_gemma":[0.99859196,0.000055376622,0.00048780694,0.000029497942,0.0000040475375,0.000006734239,0.000024237748,0.0000060046214,0.0007943403],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9998841,0.000023122131,0.0000075566336,0.00003778843,0.000020551055,0.00002695371],"domain_scores_gemma":[0.9995913,0.00013278902,0.000076662065,0.000040185045,0.000036897713,0.0001221667],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001629973,0.00022768982,0.00021125838,0.00015464934,0.00014973029,0.00028800062,0.00020249015,0.00024122313,0.0021249712],"category_scores_gemma":[0.0009215074,0.0001217782,0.00008413521,0.000054805798,0.00037598246,0.00018268632,0.0003393909,0.00028620253,0.00024240844],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011818485,0.00029703198,0.006244941,0.00005536334,0.000014546505,0.00017002509,0.0005985714,0.000033925917,0.9763051,0.000056594527,0.000057950496,0.014983992],"study_design_scores_gemma":[0.00026828164,0.013429597,0.6473338,0.00003757834,0.00011576543,0.0012391548,0.0023461513,0.0026343255,0.32837683,0.0007787129,0.0033909257,0.00004887673],"about_ca_topic_score_codex":0.001030702,"about_ca_topic_score_gemma":0.0021476164,"teacher_disagreement_score":0.0021249712,"about_ca_system_score_codex":0.00012805556,"about_ca_system_score_gemma":0.00015670987,"threshold_uncertainty_score":0.0071086884},"labels":[],"label_agreement":null},{"id":"W2091106910","doi":"10.1525/mp.2004.22.2.207","title":"Perception of Musical Similarity Among Contemporary Thematic Materials in Two Instrumentations","year":2004,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":35,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University; Centre for Interdisciplinary Research in Music Media and Technology","funders":"","keywords":"Melody; Piano; Timbre; Rhythm; Psychology; Similarity (geometry); Articulation (sociology); Perception; Pitch (Music); Movement (music); Musical; Communication; Pitch contour; Cognitive psychology; Linguistics; Dynamics (music); Speech recognition; Art; Computer science; Visual arts; Artificial intelligence; Aesthetics","score_opus":0.077496845611025,"score_gpt":0.37240201661643185,"score_spread":0.29490517100540686,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2091106910","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9978282,0.000027997523,0.0009251095,0.0000102799295,0.000004153681,0.000011548295,0.000017955328,0.000007771348,0.0011670215],"genre_scores_gemma":[0.99831593,0.000028357697,0.0011608081,0.000008069982,0.0000062730705,0.000010077969,0.00008542565,0.000009964965,0.0003750377],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9991223,0.00021088833,0.00008434677,0.0001661478,0.00033154275,0.000084774016],"domain_scores_gemma":[0.9961965,0.0019217492,0.000688238,0.00029865417,0.00050938624,0.0003856018],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013263312,0.00021130836,0.00030018933,0.0013255702,0.00057636667,0.0015500262,0.00034138683,0.0005501083,0.0026284594],"category_scores_gemma":[0.01039438,0.00023289991,0.00021943368,0.000563067,0.0012082936,0.0011009632,0.0014543365,0.0003633527,0.00024427893],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0080851065,0.00042877023,0.16157077,0.00042500492,0.0001825958,0.0013629046,0.047009625,0.0010515904,0.6402239,0.0034977344,0.0005217584,0.13564028],"study_design_scores_gemma":[0.00006692705,0.0030829648,0.9422949,0.00004636852,0.00009083799,0.001676709,0.021402529,0.0032849004,0.02271801,0.002006003,0.0032285603,0.000101303085],"about_ca_topic_score_codex":0.00052613195,"about_ca_topic_score_gemma":0.0007005098,"teacher_disagreement_score":0.0026284594,"about_ca_system_score_codex":0.000374801,"about_ca_system_score_gemma":0.000119265125,"threshold_uncertainty_score":0.008793056},"labels":[],"label_agreement":null},{"id":"W2092491808","doi":"10.1525/mp.2012.29.4.449","title":"Reply to Repp's (2012) Commentary on “The Effects of Stimulus Rate and Tapping Rate on Tapping Performance”","year":2012,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Baycrest Hospital; Université de Montréal","funders":"","keywords":"Tapping; Suite; Icon; Stimulus (psychology); Art history; Art; History; Computer science; Psychology; Management; Archaeology; Cognitive psychology; Economics","score_opus":0.04371898040269624,"score_gpt":0.3169866580023992,"score_spread":0.273267677599703,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2092491808","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00008902953,0.0010738693,0.000052156985,0.96237177,0.03542917,0.000011113285,0.000105001105,0.000042406886,0.0008255134],"genre_scores_gemma":[0.00084773556,0.0004822025,0.00009053358,0.9719296,0.022783296,0.00005778604,0.000030402005,0.00004214505,0.0037362492],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98984027,0.002213793,0.0010559361,0.0015181304,0.004219919,0.0011519078],"domain_scores_gemma":[0.9708825,0.013464347,0.0017548305,0.00079148094,0.010973225,0.0021336274],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008047701,0.0018675457,0.002627136,0.0016250237,0.007069691,0.0041590314,0.0059184143,0.07618703,0.017932445],"category_scores_gemma":[0.07638178,0.0017507584,0.0033146003,0.0017033273,0.0074218363,0.0066764792,0.0039701047,0.06973359,0.01726977],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002253954,0.0000039367565,0.00003484054,0.0000372203,0.0000048576394,0.00009321671,0.00009099189,0.000007843389,0.00003398073,0.000287246,0.9982704,0.0011128593],"study_design_scores_gemma":[0.0000654748,0.00004722962,0.0009875732,0.00047157882,0.000045538472,0.00054517284,0.0007698771,0.000083783954,0.00026569003,0.0027274427,0.9938933,0.00009732233],"about_ca_topic_score_codex":0.035499178,"about_ca_topic_score_gemma":0.033225812,"teacher_disagreement_score":0.07618703,"about_ca_system_score_codex":0.009689711,"about_ca_system_score_gemma":0.010479528,"threshold_uncertainty_score":0.07058513},"labels":[],"label_agreement":null},{"id":"W2092987312","doi":"10.1525/mp.2004.21.4.499","title":"Parsing of Melody: Quantification and Testing of the Local Grouping Rules of Lerdahl and Jackendoff's A Generative Theory of Tonal Music","year":2004,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":76,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Melody; Rhyme; Psychology; Generative grammar; Speech recognition; Sonority hierarchy; Parsing; Repetition (rhetorical device); Singing; Linguistics; Mathematics; Musical; Computer science; Artificial intelligence; Art; Philosophy; Acoustics; Literature","score_opus":0.10076085490630937,"score_gpt":0.32591706441442436,"score_spread":0.225156209508115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2092987312","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96893746,0.00005988008,0.03000282,0.000031732543,0.000004779115,0.00010145741,0.00003762975,0.00009588706,0.0007283744],"genre_scores_gemma":[0.98052394,0.000033655844,0.019068379,0.00002838104,0.0000046204755,0.00008645799,0.00009033749,0.000037557773,0.00012654853],"study_design_codex":"bench_or_experimental","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9971,0.00096671545,0.00018457662,0.00096181215,0.0006212423,0.00016556265],"domain_scores_gemma":[0.97407407,0.01899017,0.0026654827,0.0027762267,0.0011301922,0.00036385623],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008848433,0.0009086031,0.00045175184,0.0007325801,0.0004042959,0.0012735837,0.001392081,0.00066562527,0.0013016019],"category_scores_gemma":[0.026523964,0.00059858634,0.00053174124,0.00039930808,0.003106116,0.00205661,0.0017075911,0.0009801917,0.00017243158],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00413991,0.0019902634,0.080136605,0.00084982096,0.00038618373,0.00058248837,0.00918801,0.048445325,0.61198676,0.030864248,0.00042885187,0.21100165],"study_design_scores_gemma":[0.00046989732,0.0038132567,0.2700985,0.0000959205,0.00020364995,0.0006808678,0.0018742381,0.4617713,0.22011164,0.039518375,0.001023349,0.00033896262],"about_ca_topic_score_codex":0.0016882916,"about_ca_topic_score_gemma":0.0008583602,"teacher_disagreement_score":0.008848433,"about_ca_system_score_codex":0.00093551556,"about_ca_system_score_gemma":0.00054817006,"threshold_uncertainty_score":0.046795547},"labels":[],"label_agreement":null},{"id":"W2095018050","doi":"10.1525/mp.2009.26.4.335","title":"Music and Motion—How Music-Related Ancillary Body Movements Contribute to the Experience of Music","year":2009,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":102,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Motion (physics); Movement (music); Embodied cognition; Psychology; Torso; Perception; Musical; Kinematics; Communication; Motion capture; Gesture; Cognitive psychology; Performing arts; Music perception; Dynamics (music); Body posture; Computer science; Artificial intelligence; Physical medicine and rehabilitation; Aesthetics; Art; Visual arts; Neuroscience","score_opus":0.042572981278797745,"score_gpt":0.31740814253944494,"score_spread":0.2748351612606472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2095018050","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9925364,0.00040730592,0.0028731537,0.000078592864,0.000017887003,0.000011489496,0.000032436477,0.0000096572785,0.0040331716],"genre_scores_gemma":[0.9974821,0.00021090971,0.0016247366,0.000033219967,0.000008886483,0.0000097542725,0.000023479712,0.000008099109,0.00059880945],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99975365,0.00011557881,0.000009645609,0.000047414458,0.000044770026,0.000028937917],"domain_scores_gemma":[0.9996525,0.00018032375,0.000075213866,0.00002858796,0.000030281935,0.00003313707],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003135438,0.0001814169,0.00013833228,0.00022313345,0.00015541153,0.00078115053,0.00013893256,0.00037884948,0.0019342888],"category_scores_gemma":[0.002532407,0.00019922739,0.00014970472,0.00010979288,0.00046826867,0.0006954717,0.00057210255,0.00023939248,0.00012589859],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016408365,0.0000937371,0.02682857,0.0003271294,0.000063485066,0.00045872573,0.006499082,0.0006235856,0.8748884,0.0022516157,0.00027608627,0.08604874],"study_design_scores_gemma":[0.000109066576,0.0015610891,0.93902826,0.00015985474,0.00013681763,0.001840639,0.005716703,0.0045474498,0.037901208,0.0040116427,0.004894423,0.00009282138],"about_ca_topic_score_codex":0.00053151423,"about_ca_topic_score_gemma":0.00057477795,"teacher_disagreement_score":0.0019342888,"about_ca_system_score_codex":0.00010845328,"about_ca_system_score_gemma":0.00009161824,"threshold_uncertainty_score":0.006470859},"labels":[],"label_agreement":null},{"id":"W2095313760","doi":"10.1525/mp.2005.22.3.563","title":"The Neural Locus of Temporal Structure and Expectancies in Music: Evidence From Functional Neuroimaging At 3 Tesla","year":2005,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":50,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Timbre; Psychology; Functional magnetic resonance imaging; Neuroimaging; Temporal cortex; Loudness; Auditory cortex; Stimulus (psychology); Lateralization of brain function; Cognitive psychology; Neural correlates of consciousness; Neuroscience; Musical; Audiology; Cognition; Art; Literature","score_opus":0.06420979742259632,"score_gpt":0.32081429903267455,"score_spread":0.25660450161007825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2095313760","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99640477,0.00023383342,0.0021073406,0.00012621853,0.00000452479,0.000005746497,0.000060281127,0.000013452629,0.0010437855],"genre_scores_gemma":[0.996992,0.00023917912,0.002272091,0.00005041592,0.000010691892,0.000012082051,0.00009540892,0.0000078038765,0.00032027016],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9999615,0.000006486015,0.0000025145232,0.000012335109,0.000009364237,0.000007806798],"domain_scores_gemma":[0.9996476,0.00010959052,0.00014160185,0.000023407316,0.000035815123,0.000041881147],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020825726,0.000101520665,0.00009660657,0.000248551,0.00018259104,0.00034932303,0.00018295774,0.00029533927,0.0013844267],"category_scores_gemma":[0.0010369527,0.0001828184,0.00009294,0.00013856398,0.0005242911,0.00042882503,0.00020323232,0.00031049442,0.00011100635],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003562437,0.000039823713,0.011897195,0.00009476374,0.00003176089,0.0004629703,0.000460278,0.00008536357,0.9772471,0.00044224967,0.00010940556,0.008772785],"study_design_scores_gemma":[0.00006529051,0.00029413964,0.89984906,0.000027921247,0.00007877342,0.0033781333,0.00048118495,0.0010906489,0.09162953,0.002055682,0.0010270273,0.000022682847],"about_ca_topic_score_codex":0.0010449382,"about_ca_topic_score_gemma":0.003812373,"teacher_disagreement_score":0.0013844267,"about_ca_system_score_codex":0.00018823287,"about_ca_system_score_gemma":0.0001339056,"threshold_uncertainty_score":0.0046314},"labels":[],"label_agreement":null},{"id":"W2097553529","doi":"10.1525/mp.2008.26.2.157","title":"Eye Movements and Music Reading: Where Do We Look Next?","year":2008,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":61,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Reading (process); Eye movement; Cognitive psychology; Perception; Psychology; Cognitive science; Context (archaeology); Contrast (vision); Cognition; Focus (optics); Computer science; Artificial intelligence; Linguistics; History; Neuroscience","score_opus":0.07543793567169518,"score_gpt":0.33327985765519785,"score_spread":0.25784192198350264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2097553529","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0072516156,0.95731974,0.0019421685,0.027358446,0.00088453316,0.000026803957,0.000090938236,0.000049526592,0.00507619],"genre_scores_gemma":[0.069223285,0.91033274,0.0033401216,0.007662692,0.0041472088,0.00006753369,0.00015357652,0.00003454435,0.0050382894],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99964976,0.000118211414,0.000034425215,0.00008974672,0.000051209005,0.000056605575],"domain_scores_gemma":[0.998013,0.0011863032,0.0003228434,0.000078273915,0.00030076737,0.00009874737],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014941749,0.00075423275,0.0014250224,0.0014953086,0.0005417094,0.0030808055,0.0009553349,0.004680225,0.0062302905],"category_scores_gemma":[0.003782612,0.00026554987,0.0009881313,0.0015511601,0.0015494152,0.006997653,0.0008841416,0.0028482866,0.0017069522],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006859647,0.00023887296,0.013158277,0.007983406,0.00037001527,0.00155229,0.0025413493,0.00036050545,0.0048194337,0.019993916,0.01832979,0.92996615],"study_design_scores_gemma":[0.00023668802,0.0020116149,0.25260106,0.022142647,0.0014816226,0.010884741,0.017519604,0.0014138179,0.0046231677,0.2350909,0.4512474,0.00074670947],"about_ca_topic_score_codex":0.004393865,"about_ca_topic_score_gemma":0.004970403,"teacher_disagreement_score":0.0062302905,"about_ca_system_score_codex":0.0007877114,"about_ca_system_score_gemma":0.0010052669,"threshold_uncertainty_score":0.020842433},"labels":[],"label_agreement":null},{"id":"W2103108439","doi":"10.1525/mp.2008.25.3.241","title":"Is There an Asian Advantage for Pitch Memory?","year":2008,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":58,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Tone (literature); Musical; Psychology; Task (project management); Cognitive psychology; Affect (linguistics); Isolation (microbiology); Linguistics; History; Communication; Literature; Art; Engineering; Biology","score_opus":0.09078254039685942,"score_gpt":0.36934055707526886,"score_spread":0.27855801667840946,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2103108439","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9938985,0.00053672376,0.0000957832,0.00058629713,0.000038663024,0.0000030349136,0.0001583203,0.000009381917,0.0046733343],"genre_scores_gemma":[0.9981194,0.000317319,0.00020756002,0.00026029465,0.00002481025,0.0000030066233,0.00009149426,0.000009169459,0.0009668804],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99966335,0.000038709597,0.000040426497,0.00010471605,0.00007350079,0.00007925336],"domain_scores_gemma":[0.99866617,0.00024657464,0.00038025636,0.00017604123,0.00022342821,0.0003075679],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007731358,0.00041118727,0.00041814864,0.0005213669,0.00062127766,0.0012353036,0.0005243054,0.00042358163,0.009304771],"category_scores_gemma":[0.0018153327,0.00020761727,0.00037966095,0.00078466337,0.00067266915,0.0011520217,0.00056609174,0.00045496467,0.00096107775],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010273259,0.00025110875,0.9144706,0.00016324726,0.00036382128,0.0027239253,0.0054475074,0.00002738254,0.019633627,0.0016537718,0.0010365328,0.05320124],"study_design_scores_gemma":[0.000037425467,0.00051099574,0.9824499,0.000071011906,0.00021068806,0.0041289786,0.00688887,0.000095777854,0.0019490934,0.0007777544,0.0028509984,0.000028564997],"about_ca_topic_score_codex":0.013843532,"about_ca_topic_score_gemma":0.018731756,"teacher_disagreement_score":0.013843532,"about_ca_system_score_codex":0.00031508613,"about_ca_system_score_gemma":0.0004736423,"threshold_uncertainty_score":0.031127512},"labels":[],"label_agreement":null},{"id":"W2105694878","doi":"10.1525/mp.2012.29.5.521","title":"Music as an Aid to Learn New Verbal Information in Alzheimer's Disease","year":2012,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":86,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Lyrics; Psychology; Singing; Recall; Cognitive psychology; Literature; Art","score_opus":0.06920180417082723,"score_gpt":0.3527386387066167,"score_spread":0.2835368345357895,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2105694878","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9919315,0.006747159,0.00014430491,0.00009148877,0.000021062153,0.000015246907,0.000022872739,0.000017858994,0.0010085623],"genre_scores_gemma":[0.9959978,0.0023219336,0.00075612223,0.000068595924,0.00003032972,0.000010101449,0.000038585094,0.0000025820343,0.00077401445],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9998591,0.000056591947,0.0000228216,0.000014526004,0.00003173074,0.000015342841],"domain_scores_gemma":[0.9996278,0.00017240847,0.000062836,0.000030438228,0.000050929302,0.00005560286],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00052633556,0.00026327497,0.00041539557,0.00037323713,0.0002471193,0.0003167774,0.0001754059,0.00036897743,0.0011227106],"category_scores_gemma":[0.0015561315,0.00006733735,0.00017655834,0.00014907567,0.0002600074,0.00027074647,0.00023634324,0.0002375492,0.00016353391],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.02281361,0.0051953914,0.15347682,0.0020699587,0.00051929016,0.004806436,0.002262163,0.00033789632,0.09216782,0.00029281725,0.0012054954,0.71485233],"study_design_scores_gemma":[0.0015775706,0.055822704,0.8723884,0.0003951162,0.0010655641,0.013055285,0.0026818954,0.0012650545,0.042526625,0.0021449556,0.007003569,0.00007324532],"about_ca_topic_score_codex":0.00062769424,"about_ca_topic_score_gemma":0.0011276911,"teacher_disagreement_score":0.0011227106,"about_ca_system_score_codex":0.00012379988,"about_ca_system_score_gemma":0.00013333886,"threshold_uncertainty_score":0.0037558675},"labels":[],"label_agreement":null},{"id":"W2111300673","doi":"10.1525/mp.2006.23.4.345","title":"Infants Perception of Rhythmic Patterns","year":2006,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":133,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Tone (literature); Context (archaeology); Rhythm; Perception; Metric (unit); Sequence (biology); Speech recognition; Metre; Computer science; Communication; Psychology; Physics; Biology; Neuroscience; Engineering; Acoustics; Art","score_opus":0.03631988347942407,"score_gpt":0.32237157203115824,"score_spread":0.2860516885517342,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2111300673","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.997035,0.000098578465,0.0016188505,0.00002069798,0.0000057871566,0.000008022635,0.000035546233,0.00003675064,0.0011407488],"genre_scores_gemma":[0.996759,0.00011924989,0.0023195215,0.000027131158,0.000004421966,0.000016663866,0.000060648545,0.000016521546,0.0006769936],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99982375,0.000035503064,0.000011636972,0.0000459453,0.000056168305,0.000027052178],"domain_scores_gemma":[0.9992613,0.0003015137,0.00014206549,0.000067786415,0.00014568963,0.000081554674],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036266664,0.00020273107,0.0002698144,0.00017739077,0.00009921524,0.0003467678,0.00018880537,0.00035558688,0.001639439],"category_scores_gemma":[0.0021856762,0.00015763575,0.00012756015,0.000062745254,0.00023791025,0.0003074592,0.00033656353,0.00040508,0.00024092363],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041381732,0.000063544605,0.021565562,0.00011978164,0.000017396218,0.001174443,0.00241301,0.00019122878,0.9519203,0.0006405817,0.00016947233,0.021310853],"study_design_scores_gemma":[0.000056593115,0.0028505498,0.61877537,0.00008856017,0.00012505565,0.006198611,0.0031923223,0.0038865549,0.35864493,0.0013664493,0.004739263,0.00007571797],"about_ca_topic_score_codex":0.00033892304,"about_ca_topic_score_gemma":0.00038968484,"teacher_disagreement_score":0.001639439,"about_ca_system_score_codex":0.0001043044,"about_ca_system_score_gemma":0.00006695585,"threshold_uncertainty_score":0.005484402},"labels":[],"label_agreement":null},{"id":"W2114803040","doi":"10.1525/mp.2007.25.2.95","title":"Poor-Pitch Singing in the Absence of \"Tone Deafness\"","year":2007,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":194,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Semitone; Singing; Imitation; Pitch perception; Psychology; Speech recognition; Perception; Relative pitch; Tone (literature); Audiology; Communication; Acoustics; Computer science; Linguistics; Social psychology; Physics","score_opus":0.05545632716295329,"score_gpt":0.37120315675865256,"score_spread":0.3157468295956993,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2114803040","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99945444,0.0000601827,0.00014782955,0.000026650878,0.0000060422885,0.000005532546,0.000023956654,0.0000069181365,0.00026846217],"genre_scores_gemma":[0.9996462,0.000035477704,0.0001853788,0.00001756609,0.000006271595,0.0000023875675,0.00002792661,0.000001915711,0.000076864606],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9994041,0.00017640687,0.00012206047,0.00011452606,0.00010221171,0.00008067872],"domain_scores_gemma":[0.99646723,0.0013385664,0.0011487239,0.00024650546,0.00023748986,0.00056153734],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00083758193,0.00041330312,0.000521831,0.0013572276,0.0004381003,0.0003197198,0.00020551987,0.0006053838,0.0020963037],"category_scores_gemma":[0.0069635417,0.00022822907,0.00014480687,0.00024211738,0.0011558826,0.00038631138,0.000743474,0.0004584833,0.00021605322],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.009037433,0.00068825914,0.67143923,0.00040816737,0.00017310707,0.09539697,0.0029563052,0.0004921368,0.18254246,0.00041905494,0.00053297495,0.035913836],"study_design_scores_gemma":[0.00009619802,0.002756101,0.8248965,0.000038052367,0.00010926996,0.15703964,0.001160115,0.00091194233,0.011873632,0.0006614598,0.0004062827,0.000050679544],"about_ca_topic_score_codex":0.0007372634,"about_ca_topic_score_gemma":0.0011049138,"teacher_disagreement_score":0.0020963037,"about_ca_system_score_codex":0.00014927355,"about_ca_system_score_gemma":0.00017234858,"threshold_uncertainty_score":0.0070127845},"labels":[],"label_agreement":null},{"id":"W2120295438","doi":"10.1525/mp.2011.28.5.461","title":"Probing the Minor Tonal Hierarchy","year":2011,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":34,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"The Scarborough Hospital; University of Toronto","funders":"","keywords":"Tonality; Melody; Major and minor; Context (archaeology); Hierarchy; Minor (academic); Psychology; Perception; Tone (literature); Speech recognition; Computer science; Musical; Linguistics; Art; Humanities; Acoustics; History; Physics; Visual arts; Philosophy","score_opus":0.11612680511547482,"score_gpt":0.33353776310623284,"score_spread":0.21741095799075802,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2120295438","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9817075,0.00016136805,0.008622962,0.00018330006,0.00001851616,0.000013656009,0.00003981502,0.00002243004,0.009230356],"genre_scores_gemma":[0.996191,0.000103691535,0.003030844,0.00005736453,0.0000075465723,0.000008595596,0.000033582328,0.0000074809423,0.0005596748],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99972683,0.000080216225,0.00001326791,0.0000742792,0.000077755714,0.000027770036],"domain_scores_gemma":[0.9993383,0.0002213862,0.00012989786,0.0001119148,0.00011946672,0.00007896267],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034752567,0.0001874198,0.00014366834,0.00036912184,0.00035484476,0.0010365912,0.00022262151,0.00026519716,0.001963097],"category_scores_gemma":[0.0024406244,0.00015303996,0.000119380726,0.00016185663,0.0009301596,0.0011445998,0.0011721518,0.0006316521,0.00023846257],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001077628,0.00006989698,0.03722782,0.0003015652,0.00003780778,0.00019941044,0.016657978,0.00040578056,0.8294737,0.01698852,0.0005500435,0.09701002],"study_design_scores_gemma":[0.00008363814,0.0015306749,0.7823685,0.00017576817,0.00008901722,0.0016397565,0.026605785,0.012114259,0.09492559,0.06104494,0.019246984,0.00017517994],"about_ca_topic_score_codex":0.001086021,"about_ca_topic_score_gemma":0.0024418717,"teacher_disagreement_score":0.001963097,"about_ca_system_score_codex":0.00030152022,"about_ca_system_score_gemma":0.0001987447,"threshold_uncertainty_score":0.0065672398},"labels":[],"label_agreement":null},{"id":"W2120622750","doi":"10.1525/mp.2008.26.2.121","title":"Infants' Memory for Isolated Tones and the Effects of Interference","year":2008,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Tone (literature); Interference (communication); Audiology; Psychology; Duration (music); Developmental psychology; Acoustics; Computer science; Telecommunications; Physics; Medicine; Art","score_opus":0.03661660839443562,"score_gpt":0.315305604349129,"score_spread":0.27868899595469343,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2120622750","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9980635,0.00050108344,0.0006154061,0.00002307347,0.000007623916,0.000002922539,0.000031445976,0.000020051664,0.0007348044],"genre_scores_gemma":[0.9981193,0.0002265794,0.00090401154,0.000026250967,0.000007125141,0.000010629782,0.00007549964,0.000010835673,0.00061976165],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9995289,0.000053318006,0.00004663265,0.00009234402,0.0002175722,0.00006130752],"domain_scores_gemma":[0.9973436,0.0010708411,0.0007344897,0.000257184,0.00030553012,0.00028827015],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005052003,0.0003213152,0.00041556687,0.00033773255,0.00013925525,0.0004673628,0.00036907257,0.00034324682,0.0013981562],"category_scores_gemma":[0.0057198727,0.00021419693,0.00020770598,0.00011356288,0.00030689867,0.00044047608,0.00065878313,0.0005169831,0.00026024473],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0023711375,0.0002016229,0.10784212,0.00034297566,0.00011264164,0.0029090277,0.003662085,0.0002570676,0.8012598,0.00048748485,0.00043517246,0.08011883],"study_design_scores_gemma":[0.000026936686,0.002140187,0.8251256,0.00007974359,0.00014699607,0.006278984,0.00066281663,0.0012029079,0.16216716,0.0005810664,0.0015524139,0.00003504653],"about_ca_topic_score_codex":0.00092919724,"about_ca_topic_score_gemma":0.00076925335,"teacher_disagreement_score":0.0013981562,"about_ca_system_score_codex":0.00015198984,"about_ca_system_score_gemma":0.00016780132,"threshold_uncertainty_score":0.004677236},"labels":[],"label_agreement":null},{"id":"W2122696130","doi":"10.1525/mp.2006.24.1.89","title":"Multimodal Affective Interaction","year":2006,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":20,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Exaptation; Cognitive science; Domain (mathematical analysis); Affect (linguistics); Computer science; Psychology; Epistemology; Cognitive psychology; Communication; Philosophy; Evolutionary biology; Mathematics","score_opus":0.03970734598688012,"score_gpt":0.3426313933930734,"score_spread":0.3029240474061933,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2122696130","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15244187,0.0062935604,0.29802024,0.0045223925,0.0015345663,0.00028281493,0.00088459405,0.001888993,0.53413093],"genre_scores_gemma":[0.93694395,0.0011012413,0.029007947,0.000923825,0.0002803535,0.00018404431,0.00019284865,0.00014773477,0.031218098],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99949145,0.00018202669,0.00002114744,0.000116173,0.00012327377,0.00006594909],"domain_scores_gemma":[0.99958044,0.00017892872,0.000029050798,0.00006806775,0.00008008907,0.0000634362],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040243551,0.00044758033,0.00024761338,0.00031044116,0.0006781281,0.0020629712,0.00044027081,0.00076904445,0.022864142],"category_scores_gemma":[0.002505257,0.00013564709,0.00031596454,0.0002351811,0.000679216,0.0013493269,0.0024588597,0.0006375685,0.003055958],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008358941,0.00015140777,0.0033494453,0.0010202185,0.00017064065,0.0011031597,0.009159421,0.0051141246,0.30340353,0.15027757,0.027789336,0.49762523],"study_design_scores_gemma":[0.00014697092,0.00090960466,0.047199547,0.0006295917,0.00034736714,0.004652049,0.008679608,0.049442433,0.05176507,0.31351703,0.52233315,0.00037766193],"about_ca_topic_score_codex":0.00030534546,"about_ca_topic_score_gemma":0.000354974,"teacher_disagreement_score":0.022864142,"about_ca_system_score_codex":0.00037613214,"about_ca_system_score_gemma":0.00015306243,"threshold_uncertainty_score":0.07648814},"labels":[],"label_agreement":null},{"id":"W2132736703","doi":"10.1525/mp.2009.26.5.415","title":"Subdividing the Beat: Auditory and Motor Contributions to Synchronization","year":2009,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":27,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Metronome; Rhythm; Beat (acoustics); Audiology; Sensory system; Psychology; Melody; Communication; Synchronization (alternating current); Speech recognition; Cognitive psychology; Computer science; Acoustics; Musical; Medicine; Art","score_opus":0.03208984915259282,"score_gpt":0.3427108102321244,"score_spread":0.3106209610795316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2132736703","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98944795,0.00024409953,0.00756439,0.00005089191,0.000016848313,0.000025428331,0.000060636194,0.00004301128,0.0025467393],"genre_scores_gemma":[0.99658704,0.00009680692,0.0027422414,0.000014175144,0.000010319662,0.00001079587,0.000051096966,0.00001503465,0.00047246224],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99966824,0.00005137142,0.000037845257,0.00008739756,0.0001131427,0.00004198995],"domain_scores_gemma":[0.99856037,0.0007907522,0.00027852054,0.00010581988,0.0001635041,0.000100988866],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043480084,0.00032674344,0.00022216415,0.0004066386,0.0001551357,0.00053863006,0.00017759827,0.00032314955,0.0016822818],"category_scores_gemma":[0.007398313,0.00018428134,0.00013592638,0.00023367419,0.0002636241,0.00038794996,0.00052258704,0.00022968074,0.0002477305],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010648805,0.00006600083,0.040962406,0.00017161175,0.000053865995,0.00021055207,0.0008905151,0.0016237241,0.8649327,0.0004432659,0.00008220973,0.0894982],"study_design_scores_gemma":[0.00008998433,0.001374703,0.90161306,0.000056875186,0.00011437067,0.0007323664,0.000585597,0.015133269,0.0767612,0.0016511382,0.0018363309,0.000051128947],"about_ca_topic_score_codex":0.0008605956,"about_ca_topic_score_gemma":0.0011849847,"teacher_disagreement_score":0.0016822818,"about_ca_system_score_codex":0.0001316992,"about_ca_system_score_gemma":0.00022382743,"threshold_uncertainty_score":0.005627811},"labels":[],"label_agreement":null},{"id":"W2136792941","doi":"10.1525/mp.2008.25.4.331","title":"ON-LINE IDENTIFICATION OF CONGENITAL AMUSIA","year":2008,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":121,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal; Queen's University; International Laboratory for Brain, Music and Sound Research","funders":"","keywords":"Psychology; Audiology; Identification (biology); Population; Developmental psychology; Cognitive psychology; Neuroscience; Medicine","score_opus":0.09191516140438642,"score_gpt":0.3549169819053573,"score_spread":0.2630018205009709,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2136792941","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98612344,0.00046832633,0.005740597,0.00016696668,0.00008989163,0.00011304708,0.0001460153,0.00012680852,0.007024905],"genre_scores_gemma":[0.989364,0.00027840165,0.007260537,0.00015263302,0.00004129414,0.000052350497,0.00020090112,0.000038446567,0.0026113503],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99930274,0.00020141756,0.000053452146,0.00018267831,0.00016348933,0.00009620918],"domain_scores_gemma":[0.99848676,0.0005584747,0.00023686988,0.00013679305,0.00031077577,0.00027024598],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00059414544,0.0006358218,0.00045025485,0.0009121121,0.00026348865,0.00028162537,0.0005032473,0.0010202136,0.0050816108],"category_scores_gemma":[0.003993014,0.00013526388,0.00017432762,0.0001313543,0.00021585761,0.00038691008,0.00078669307,0.0005330797,0.0012670464],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0020261444,0.0008719114,0.48586562,0.00019824078,0.00008119554,0.033129692,0.0023120234,0.00012274703,0.32368484,0.000544622,0.0025736848,0.14858936],"study_design_scores_gemma":[0.000039049508,0.003962801,0.78099966,0.00009642677,0.00008349404,0.10836261,0.002119767,0.0023230764,0.09454634,0.0006256358,0.0067661824,0.00007492649],"about_ca_topic_score_codex":0.00059512083,"about_ca_topic_score_gemma":0.0010219032,"teacher_disagreement_score":0.0050816108,"about_ca_system_score_codex":0.000112824375,"about_ca_system_score_gemma":0.00015205405,"threshold_uncertainty_score":0.016999722},"labels":[],"label_agreement":null},{"id":"W2138738162","doi":"10.1525/mp.2009.27.2.139","title":"Music Training and Nonmusical Abilities: Commentary on Stoesz, Jakobson, Kilgour, and Lewycky (2007) and Jakobson, Lewycky, Kilgour, and Stoesz (2008)","year":2009,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":31,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Psychology; Training (meteorology); Cognitive psychology; Cognitive science; Physics","score_opus":0.055208919713052584,"score_gpt":0.3241089012020516,"score_spread":0.268899981488999,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2138738162","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00020308119,0.04804927,0.00013805088,0.85684496,0.09352175,0.000014700324,0.00026982254,0.00002940218,0.0009289456],"genre_scores_gemma":[0.0024237263,0.015350228,0.00020776544,0.903781,0.07548339,0.000057639987,0.000060920207,0.000033141805,0.0026020734],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955224,0.0010479671,0.00065070594,0.0010192873,0.0014834489,0.0002762137],"domain_scores_gemma":[0.9647964,0.023096368,0.0010777289,0.0007853345,0.008740897,0.0015032154],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007772637,0.0015696596,0.0028606893,0.00192234,0.0037252924,0.003066408,0.009610655,0.032540448,0.004910184],"category_scores_gemma":[0.02972565,0.00076207233,0.0019667018,0.0020303214,0.006208428,0.006792238,0.0026815338,0.04156435,0.006126473],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007675941,0.00001800208,0.00009032547,0.00035944054,0.000025423295,0.00012066613,0.00017899444,0.000024627572,0.000093320785,0.0016979927,0.99030733,0.007007197],"study_design_scores_gemma":[0.00011717349,0.0000627968,0.002035575,0.0032674337,0.00011312687,0.0005807807,0.00090489193,0.00014500697,0.00037112457,0.010854169,0.9814454,0.00010271871],"about_ca_topic_score_codex":0.04195257,"about_ca_topic_score_gemma":0.04950089,"teacher_disagreement_score":0.04195257,"about_ca_system_score_codex":0.006427179,"about_ca_system_score_gemma":0.0052982573,"threshold_uncertainty_score":0.08341676},"labels":[],"label_agreement":null},{"id":"W2141140635","doi":"10.1525/mp.2008.25.3.253","title":"Instrument Library (MUMS) Revised","year":2008,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Music and Audio Processing","field":"Computer Science","cited_by":14,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Scrutiny; Intonation (linguistics); Variety (cybernetics); Articulation (sociology); Sample (material); Installation; Musical; Computer science; Library science; World Wide Web; Linguistics; Artificial intelligence; Art; Visual arts; Programming language; Political science","score_opus":0.046753778395139355,"score_gpt":0.2894850151749283,"score_spread":0.24273123677978894,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2141140635","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009340863,0.0049078213,0.09243466,0.002628262,0.005038297,0.0018798125,0.16256991,0.121194124,0.6000063],"genre_scores_gemma":[0.016489098,0.002722439,0.09232979,0.0013975116,0.0009988984,0.0015075116,0.13594973,0.017785707,0.7308193],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970739,0.0002996536,0.0003989938,0.00041122528,0.0016107431,0.00020538403],"domain_scores_gemma":[0.99148315,0.00078088546,0.0003965656,0.0021525754,0.004749404,0.00043741523],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.003126758,0.001202015,0.001081421,0.009070338,0.0012701324,0.0054342113,0.0026861592,0.0009752784,0.34739402],"category_scores_gemma":[0.013366311,0.0011849744,0.0008477665,0.007822033,0.0005712972,0.0044828206,0.004091752,0.0015134988,0.31855476],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021834919,0.000045424425,0.00057669723,0.0007003531,0.000012192472,0.00012521555,0.00032215673,0.00022892849,0.0034234882,0.0051041846,0.58997345,0.39926964],"study_design_scores_gemma":[0.000009624532,0.00001889634,0.0008883937,0.00006287761,0.000005790864,0.00013322075,0.000049811824,0.0001290912,0.0013751393,0.00037726085,0.9969348,0.000015142453],"about_ca_topic_score_codex":0.004581264,"about_ca_topic_score_gemma":0.0053858017,"teacher_disagreement_score":0.34739402,"about_ca_system_score_codex":0.0016246476,"about_ca_system_score_gemma":0.0038883237,"threshold_uncertainty_score":0.9308632},"labels":[],"label_agreement":null},{"id":"W2141430619","doi":"10.1525/mp.2012.29.5.465","title":"Introduction to Special Issue: Dementia and Music","year":2012,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University; Université de Montréal","funders":"","keywords":"Icon; Citation; Perception; Computer science; Library science; Art; Visual arts; Information retrieval; World Wide Web; Psychology","score_opus":0.043315777511331435,"score_gpt":0.3287154086772002,"score_spread":0.2853996311658688,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2141430619","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00054153294,0.02716519,0.00053017825,0.033894464,0.9235868,0.00007821591,0.00017625943,0.00014126125,0.013886168],"genre_scores_gemma":[0.0012468298,0.01922035,0.00019537561,0.015627626,0.9438816,0.000057575184,0.00019580874,0.000068987705,0.019505838],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988977,0.0001423008,0.00023014101,0.00020495127,0.0003611536,0.00016374723],"domain_scores_gemma":[0.99375015,0.002027935,0.0005050366,0.0002505249,0.0016718417,0.0017944901],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015355708,0.0025672794,0.0033324251,0.0044374396,0.002097048,0.005727802,0.0022264207,0.007287787,0.0496493],"category_scores_gemma":[0.0065565486,0.0006166509,0.0020144053,0.0014335786,0.0013852656,0.0042402563,0.0030635055,0.0069845906,0.025799962],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004995402,0.00006559309,0.00034320453,0.00040602242,0.000013792949,0.0004026213,0.000045535126,0.00004907769,0.00020489741,0.0006406193,0.9624906,0.035288095],"study_design_scores_gemma":[0.00001918488,0.00012349187,0.0018553413,0.0006983229,0.000027206092,0.0022859054,0.00014063955,0.00012264776,0.000101973776,0.0019594366,0.9926421,0.00002371987],"about_ca_topic_score_codex":0.00094056106,"about_ca_topic_score_gemma":0.0020675764,"teacher_disagreement_score":0.0496493,"about_ca_system_score_codex":0.001406911,"about_ca_system_score_gemma":0.0015252634,"threshold_uncertainty_score":0.16609347},"labels":[],"label_agreement":null},{"id":"W2143746028","doi":"10.1525/mp.2013.30.5.480","title":"Failure to Apply Signal Detection Theory to the Montreal Battery of Evaluation of Amusia May Misdiagnose Amusia","year":2012,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neural and Behavioral Psychology Studies","field":"Neuroscience","cited_by":32,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Receiver operating characteristic; Cutoff; Metric (unit); Audiology; Psychology; Detection theory; Response bias; Statistics; Nonparametric statistics; Mathematics; Computer science; Medicine; Detector; Telecommunications; Engineering","score_opus":0.12619251882138222,"score_gpt":0.409645892316127,"score_spread":0.2834533734947448,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2143746028","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81775796,0.0027215073,0.1611401,0.002088139,0.00025017493,0.00032226442,0.00030542954,0.00037682996,0.015037684],"genre_scores_gemma":[0.9794096,0.00050643587,0.01874758,0.00048058477,0.00006373394,0.00009774741,0.000101090394,0.00002956645,0.0005636388],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9925816,0.0020978248,0.0009315378,0.00092351803,0.0031935582,0.00027191607],"domain_scores_gemma":[0.9684655,0.018066047,0.005339063,0.002270383,0.00542235,0.0004366712],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0160851,0.00068199506,0.0006032435,0.0033003606,0.0005448628,0.0014013054,0.0009934291,0.00092412974,0.0013300292],"category_scores_gemma":[0.09015976,0.00023561451,0.0005469124,0.00077323825,0.0017889207,0.0018010151,0.0015498026,0.0007997916,0.0006832308],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036161355,0.0001432461,0.65706056,0.00030665606,0.0003556928,0.000586668,0.0030233832,0.0018048445,0.012378509,0.0060926112,0.0016931103,0.31619304],"study_design_scores_gemma":[0.0000484532,0.0017545249,0.92281854,0.00028186876,0.00017155231,0.0063097207,0.0020582753,0.028330453,0.013111754,0.019143969,0.005828369,0.00014262322],"about_ca_topic_score_codex":0.005123841,"about_ca_topic_score_gemma":0.009045124,"teacher_disagreement_score":0.0160851,"about_ca_system_score_codex":0.0009435967,"about_ca_system_score_gemma":0.0008922524,"threshold_uncertainty_score":0.08506715},"labels":[],"label_agreement":null},{"id":"W2144682649","doi":"10.1525/mp.2005.23.2.137","title":"Analyzing Temporal Dynamics in Music","year":2005,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":44,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Musical; Dynamics (music); Computer science; Tension (geology); Proxy (statistics); Psychology; Visual arts; Art; Machine learning","score_opus":0.05240900692009149,"score_gpt":0.34030252487506213,"score_spread":0.28789351795497065,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2144682649","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17307045,0.0029017543,0.80459225,0.0005894209,0.00015155667,0.00006577764,0.00031189778,0.00048098696,0.017835911],"genre_scores_gemma":[0.8162076,0.0021704684,0.17749959,0.000076167606,0.00015915773,0.00007597652,0.00024953828,0.00014461146,0.0034169112],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9997892,0.000043631168,0.000013795724,0.00005819539,0.000071851166,0.00002334522],"domain_scores_gemma":[0.9995351,0.00025080232,0.0000739281,0.00005711408,0.00005800603,0.000025173673],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047117012,0.00028532773,0.00022708038,0.001349183,0.0004151919,0.0013573872,0.00031826674,0.00028963515,0.0030471554],"category_scores_gemma":[0.0036674107,0.00014552512,0.00027771413,0.0011410926,0.0010083225,0.0015766188,0.00077306695,0.0004254794,0.0002914223],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021981659,0.000046551235,0.0061123814,0.00030438096,0.000052002277,0.0004427319,0.0027910345,0.04809431,0.0851935,0.43691662,0.0019113347,0.41791528],"study_design_scores_gemma":[0.000034266315,0.00012277292,0.024759939,0.00010779357,0.000058934063,0.00083536387,0.0013351586,0.42246044,0.013874254,0.4979814,0.038337223,0.000092499475],"about_ca_topic_score_codex":0.0015185818,"about_ca_topic_score_gemma":0.0008345474,"teacher_disagreement_score":0.0030471554,"about_ca_system_score_codex":0.00040885495,"about_ca_system_score_gemma":0.0002540733,"threshold_uncertainty_score":0.010193765},"labels":[],"label_agreement":null},{"id":"W2145196605","doi":"10.1525/mp.2010.28.2.169","title":"Melodic Contour Similarity Using Folk Melodies","year":2010,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":44,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"The Scarborough Hospital; University of Toronto","funders":"","keywords":"Melody; Similarity (geometry); Fourier analysis; Pitch contour; Fourier transform; Artificial intelligence; Centrality; Computer science; Speech recognition; Pattern recognition (psychology); Psychology; Communication; Mathematics; Statistics; Mathematical analysis; Art","score_opus":0.08302497195713299,"score_gpt":0.3662373097010279,"score_spread":0.2832123377438949,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2145196605","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9738497,0.00007960421,0.022134112,0.000025290188,0.000010286974,0.000046333193,0.00013631608,0.000110792906,0.0036075555],"genre_scores_gemma":[0.9941695,0.000034948447,0.005435424,0.000007743059,0.0000044576354,0.000019751204,0.00011680532,0.000017131268,0.00019422758],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.999577,0.00008231262,0.000030440919,0.00015463452,0.00013626303,0.000019343559],"domain_scores_gemma":[0.99762684,0.0011940444,0.00047932862,0.0003298804,0.00025380423,0.00011623107],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00072986947,0.00029967833,0.000281883,0.00129912,0.00024905792,0.0016370455,0.00025494807,0.0003271823,0.0020616024],"category_scores_gemma":[0.00861576,0.00016174016,0.00041042358,0.00055227545,0.0005447652,0.0017714369,0.0008498054,0.0003677359,0.000381057],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0029818555,0.000489184,0.20553443,0.00086738094,0.0006061662,0.00034615968,0.004868428,0.015219073,0.5054381,0.010962627,0.00080518116,0.25188142],"study_design_scores_gemma":[0.00009538615,0.0013051587,0.7283373,0.00008807427,0.00015491045,0.00072895875,0.0011067209,0.19866528,0.053437952,0.0146245165,0.0012836864,0.00017200827],"about_ca_topic_score_codex":0.000831026,"about_ca_topic_score_gemma":0.0010245157,"teacher_disagreement_score":0.0020616024,"about_ca_system_score_codex":0.0003525611,"about_ca_system_score_gemma":0.00014244326,"threshold_uncertainty_score":0.0068967342},"labels":[],"label_agreement":null},{"id":"W2160055002","doi":"10.1525/mp.2011.28.5.505","title":"Musician Advantages in Music Perception: An Issue of Motivation, Not Just Ability","year":2011,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":24,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology; Promotion (chess); Regulatory focus theory; Perception; Prime (order theory); Ticket; Focus (optics); Social psychology; Cognitive psychology; Applied psychology; Computer science; Mathematics; Political science; Computer security","score_opus":0.12801693793519436,"score_gpt":0.35806076191224395,"score_spread":0.2300438239770496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2160055002","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.998323,0.00005789311,0.00026443574,0.00010722428,0.0000057410452,0.000007250789,0.000005877336,0.0000031423554,0.0012254949],"genre_scores_gemma":[0.9988217,0.000038562757,0.0005981543,0.000083726496,0.0000090491985,0.000018109871,0.000013016923,0.0000066753187,0.0004110059],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9993149,0.00029398565,0.000030450125,0.00013225127,0.00016304351,0.00006533715],"domain_scores_gemma":[0.9977379,0.00092013035,0.00048052124,0.00023481064,0.00007986919,0.0005466758],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001414684,0.00027267745,0.00031572304,0.000243421,0.00027490617,0.00068004214,0.0003154348,0.00044268495,0.0021125749],"category_scores_gemma":[0.005244341,0.00023125473,0.00018355306,0.00010775529,0.0009661727,0.0006065507,0.000919845,0.00074258115,0.00013371563],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.020199573,0.009205616,0.17561321,0.00030027833,0.00023881592,0.0004990648,0.0049737454,0.00049427187,0.6964342,0.0074963174,0.00039916296,0.08414563],"study_design_scores_gemma":[0.00045452523,0.003981592,0.9637339,0.000029377085,0.00008550943,0.00025412755,0.00084185426,0.0009063475,0.02465934,0.0040812306,0.0009306226,0.000041557843],"about_ca_topic_score_codex":0.00073942816,"about_ca_topic_score_gemma":0.0014107387,"teacher_disagreement_score":0.0021125749,"about_ca_system_score_codex":0.00030834394,"about_ca_system_score_gemma":0.00035748607,"threshold_uncertainty_score":0.007481694},"labels":[],"label_agreement":null},{"id":"W2160838747","doi":"10.1525/mp.2009.26.5.475","title":"Facial Expressions and Emotional Singing: A Study of Perception and Production with Motion Capture and Electromyography","year":2009,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":68,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; McGill University","funders":"","keywords":"Psychology; Imitation; Facial expression; Singing; Emotional expression; Perception; Stimulus (psychology); Facial electromyography; Cognitive psychology; Communication; Electromyography; Speech recognition; Social psychology; Computer science; Acoustics; Neuroscience","score_opus":0.03015742905498992,"score_gpt":0.3057313404851292,"score_spread":0.27557391143013926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2160838747","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99668664,0.00028307547,0.0020527549,0.000017194949,0.000005450524,0.000029014578,0.00003763786,0.0000048602487,0.00088344316],"genre_scores_gemma":[0.99666095,0.00023806262,0.0022308212,0.000022012628,0.000017902523,0.00004394528,0.00006145023,0.000008870534,0.0007160101],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9997681,0.000076261844,0.000011391544,0.000065884225,0.000050650793,0.000027664655],"domain_scores_gemma":[0.99968445,0.00015519928,0.000062691346,0.000026288622,0.000047108526,0.000024372477],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00037388506,0.00020021686,0.00022455977,0.0002398039,0.00014765038,0.0003198979,0.000118021446,0.0003312695,0.0011289906],"category_scores_gemma":[0.0020531993,0.00018907002,0.00013543255,0.00024788053,0.00045453096,0.00030471786,0.00022841868,0.00019336207,0.0002687361],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002124282,0.00034331504,0.0865429,0.00028813578,0.00012413159,0.0011546868,0.008394403,0.0003218666,0.80877423,0.0004543048,0.00027429225,0.091203526],"study_design_scores_gemma":[0.00010942883,0.0018024145,0.95585823,0.00002994061,0.00008137103,0.0033908947,0.0024674681,0.001823887,0.032017082,0.00038077068,0.0020042544,0.00003434653],"about_ca_topic_score_codex":0.0005502501,"about_ca_topic_score_gemma":0.0006920742,"teacher_disagreement_score":0.0011289906,"about_ca_system_score_codex":0.00009247156,"about_ca_system_score_gemma":0.000082464045,"threshold_uncertainty_score":0.003776908},"labels":[],"label_agreement":null},{"id":"W2161400596","doi":"10.1525/mp.2009.26.5.427","title":"Synchronization of Timing and Motion Among Performing Musicians","year":2009,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":314,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Auditory feedback; Psychology; Synchronization (alternating current); Piano; Visual feedback; Motion (physics); Communication; Rhythm; Audiology; Cognitive psychology; Speech recognition; Computer science; Acoustics; Computer vision; Neuroscience","score_opus":0.04427111096121504,"score_gpt":0.3222669951288105,"score_spread":0.27799588416759546,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2161400596","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99900633,0.000033586017,0.0005435876,0.00000474727,0.0000019247145,0.0000058369815,0.000035314213,0.0000063615585,0.0003623938],"genre_scores_gemma":[0.9991234,0.00002974438,0.0005715002,0.000004272695,0.00000530708,0.000007364631,0.000057027002,0.0000037759016,0.00019763349],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99978834,0.00004281327,0.000013831783,0.00007666723,0.000051828523,0.000026552048],"domain_scores_gemma":[0.999453,0.00020029195,0.00014600162,0.000033250803,0.00007832401,0.000089271394],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019791737,0.00017156157,0.00016684881,0.0005464957,0.00012844359,0.00017689908,0.000110938214,0.00016827512,0.0013237788],"category_scores_gemma":[0.002555104,0.00011009451,0.00006237793,0.00021068408,0.00018305809,0.00013945418,0.00025162497,0.00011819388,0.00019923899],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017208455,0.00014566144,0.2208122,0.00008190863,0.00006969756,0.00037547684,0.0017180726,0.0007991059,0.70708656,0.00012043601,0.00010739827,0.066962644],"study_design_scores_gemma":[0.0000177812,0.0005868443,0.98463506,0.000004761862,0.000021321168,0.00024070665,0.00023024951,0.0011849997,0.0127493,0.00008703421,0.00023013557,0.000011778666],"about_ca_topic_score_codex":0.00094422273,"about_ca_topic_score_gemma":0.0015224078,"teacher_disagreement_score":0.0013237788,"about_ca_system_score_codex":0.00011590254,"about_ca_system_score_gemma":0.00010956729,"threshold_uncertainty_score":0.004428506},"labels":[],"label_agreement":null},{"id":"W2162776886","doi":"10.1525/mp.2008.25.4.369","title":"A CASE STUDY OF MUSIC AND TEXT DYSLEXIA","year":2008,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University; Université de Montréal; McGill University; Queen's University; International Laboratory for Brain, Music and Sound Research","funders":"","keywords":"Dyslexia; Dissociation (chemistry); Reading (process); Psychology; Repetition (rhetorical device); Developmental dyslexia; Cognitive psychology; Rhythm; Linguistics; Art","score_opus":0.1134496876506955,"score_gpt":0.35205994437135324,"score_spread":0.23861025672065772,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2162776886","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95772326,0.0036351555,0.0033049292,0.0035096544,0.0005475675,0.0003662611,0.00042212236,0.00022731142,0.030263733],"genre_scores_gemma":[0.9908443,0.0009394481,0.0024386924,0.0011972904,0.0006758188,0.00005824683,0.00014066706,0.00005438265,0.0036511447],"study_design_codex":"case_report","study_design_gemma":"case_report","domain_scores_codex":[0.99858665,0.00013468934,0.00017017593,0.0004188039,0.00026496986,0.00042469866],"domain_scores_gemma":[0.9974421,0.00078693475,0.00052653614,0.00022616435,0.00016155378,0.00085663574],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005856049,0.0025497687,0.0013703267,0.0059090406,0.0047609713,0.0020302266,0.0022231722,0.0062388964,0.0052805725],"category_scores_gemma":[0.0068395655,0.0012945518,0.0014142125,0.0034774027,0.0025471528,0.0025675956,0.0033591045,0.0036758077,0.0017382501],"study_design_candidate":"case_report","study_design_consensus":"case_report","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013383384,0.000029458992,0.00232269,0.000011831469,0.000004474458,0.9961403,0.00036631533,0.000022104812,0.0002648264,0.00012565448,0.00011294896,0.0005861018],"study_design_scores_gemma":[0.000005962599,0.0000256872,0.0015566071,0.00000771572,0.0000060255243,0.9974974,0.00020358452,0.000065218315,0.00012550734,0.00013239491,0.0003683902,0.00000560301],"about_ca_topic_score_codex":0.0051356065,"about_ca_topic_score_gemma":0.006870347,"teacher_disagreement_score":0.0062388964,"about_ca_system_score_codex":0.0021960365,"about_ca_system_score_gemma":0.0010755064,"threshold_uncertainty_score":0.017665327},"labels":[],"label_agreement":null},{"id":"W2165192183","doi":"10.1525/mp.2015.32.4.344","title":"The Effects of Absolute Pitch and Tone Language on Pitch Processing and Encoding in Musicians","year":2015,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Baycrest Hospital; University of Toronto","funders":"","keywords":"Tone (literature); Mandarin Chinese; Psychology; Encoding (memory); Task (project management); Absolute pitch; Speech recognition; Audiology; Linguistics; Cognitive psychology; Computer science; Perception; Neuroscience; Medicine","score_opus":0.041089148314826386,"score_gpt":0.3545248900828549,"score_spread":0.3134357417680285,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2165192183","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9996742,0.00003145764,0.000063011925,0.000010315709,0.000001679475,0.0000022066095,0.0000071131794,0.0000015322026,0.00020858753],"genre_scores_gemma":[0.99930453,0.000037875743,0.0002750923,0.000019254554,0.0000032439798,0.000010134213,0.000019972102,0.000005035652,0.00032490297],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9996538,0.00008570557,0.00004800042,0.000091049966,0.000058869366,0.00006256818],"domain_scores_gemma":[0.9982969,0.0007982068,0.0003411956,0.00013953983,0.00010182397,0.0003222529],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00050905073,0.00029133173,0.00020738499,0.0003162819,0.00023899064,0.0005333163,0.00020206353,0.00026608945,0.0028430002],"category_scores_gemma":[0.0049615013,0.00017789485,0.000105104045,0.00010800547,0.0006768713,0.0004810876,0.00061314716,0.00031755844,0.00021678576],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.018370777,0.0010941788,0.11924636,0.00029516945,0.000083253115,0.0012619239,0.01130544,0.00018310366,0.79060227,0.00054609246,0.00019644848,0.056814995],"study_design_scores_gemma":[0.0001973889,0.0035603202,0.96234286,0.000026219339,0.000063953004,0.0011050457,0.0029399602,0.0006271637,0.027610056,0.0010318982,0.00046558824,0.000029670393],"about_ca_topic_score_codex":0.001603096,"about_ca_topic_score_gemma":0.002695452,"teacher_disagreement_score":0.0028430002,"about_ca_system_score_codex":0.00022536778,"about_ca_system_score_gemma":0.00026631253,"threshold_uncertainty_score":0.009510756},"labels":[],"label_agreement":null},{"id":"W2186775857","doi":"10.1525/mp.2015.32.3.227","title":"Theoretical Perspectives on Singing Accuracy","year":2015,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":27,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"BELLA; Icon; Art; Art history; Library science; Cartography; Humanities; Computer science; Geography","score_opus":0.08082282901543464,"score_gpt":0.37402748082514453,"score_spread":0.2932046518097099,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2186775857","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07403042,0.07518965,0.074137695,0.12731418,0.0021052551,0.00008117839,0.0004787213,0.000112365364,0.64655066],"genre_scores_gemma":[0.956436,0.019512374,0.009675084,0.0029901136,0.002437163,0.00012114534,0.00020382355,0.000057221077,0.008567044],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99206877,0.003909827,0.0004247954,0.0010528532,0.002013483,0.0005303455],"domain_scores_gemma":[0.9789234,0.015659837,0.0015707661,0.0010387646,0.0022729258,0.00053434883],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008054342,0.0010265954,0.00072717917,0.0058623864,0.0024734018,0.006394177,0.002059801,0.00320584,0.010411811],"category_scores_gemma":[0.024021761,0.000455133,0.0008992557,0.0037904491,0.02473584,0.008910326,0.004081414,0.0040000137,0.0014708976],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015939278,0.000026023346,0.0013597932,0.00011527594,0.000012039611,0.000050405306,0.0032712717,0.0005207358,0.000058108897,0.9820755,0.001456939,0.0110380165],"study_design_scores_gemma":[0.000014322955,0.000028816878,0.0025167174,0.00032302272,0.000014578288,0.00015035352,0.0031183043,0.0017829747,0.00010939744,0.9732342,0.018684424,0.000022920392],"about_ca_topic_score_codex":0.004178655,"about_ca_topic_score_gemma":0.0016341109,"teacher_disagreement_score":0.010411811,"about_ca_system_score_codex":0.0045494447,"about_ca_system_score_gemma":0.0017123397,"threshold_uncertainty_score":0.042595983},"labels":[],"label_agreement":null},{"id":"W2194293139","doi":"10.1525/mp.2015.32.4.355","title":"Low-Skip Bias","year":2015,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Melody; Speech recognition; Range (aeronautics); Singing; Vocal music; Psychology; Computer science; Music education; Acoustics; Art; Literature; Music","score_opus":0.16734920454155022,"score_gpt":0.3713139356313139,"score_spread":0.20396473108976365,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2194293139","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97791684,0.00042947836,0.0068017147,0.00008560083,0.000046583613,0.00007614025,0.00037482835,0.00011761968,0.01415115],"genre_scores_gemma":[0.99378335,0.00010463381,0.0019236231,0.00016316853,0.00003274518,0.00003358469,0.00036173756,0.000058794638,0.003538371],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99890566,0.00017552951,0.00017187545,0.0003154768,0.00029486546,0.00013668922],"domain_scores_gemma":[0.9945956,0.0019335322,0.0012672513,0.0007001975,0.0009424919,0.00056096737],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016077934,0.0003211379,0.0003838397,0.0007948588,0.0005299922,0.0005950868,0.00037574887,0.000338172,0.008287592],"category_scores_gemma":[0.0100378115,0.00015042334,0.00020213598,0.0003601134,0.0006211755,0.0006124002,0.0013508449,0.0003222171,0.0011344845],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018279752,0.0002104228,0.72412306,0.000830586,0.00022708994,0.0012213412,0.0036725563,0.00041613923,0.12557313,0.0027643433,0.0021568532,0.13697653],"study_design_scores_gemma":[0.000027111124,0.00031522824,0.9790692,0.00006998252,0.000080272395,0.0021966107,0.0009566005,0.0011638541,0.0088074785,0.0029071183,0.0043768953,0.000029692035],"about_ca_topic_score_codex":0.0010667021,"about_ca_topic_score_gemma":0.0032344777,"teacher_disagreement_score":0.008287592,"about_ca_system_score_codex":0.0003084295,"about_ca_system_score_gemma":0.00026740786,"threshold_uncertainty_score":0.027724743},"labels":[],"label_agreement":null},{"id":"W2225000570","doi":"10.1525/mp.2014.31.3.254","title":"The Tonal-Metric Hierarchy","year":2012,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":46,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"The Scarborough Hospital; University of Toronto","funders":"","keywords":"Tonality; Hierarchy; Metric (unit); Mathematics; Speech recognition; Computer science; Musical; Engineering; Art","score_opus":0.06497391990286945,"score_gpt":0.3565673461294791,"score_spread":0.29159342622660966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2225000570","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86215645,0.0020479003,0.07069926,0.0007827711,0.00008890541,0.000078283934,0.0008906735,0.0003071272,0.062948585],"genre_scores_gemma":[0.98991966,0.00027879613,0.0074825734,0.00007242999,0.000029446164,0.000018506858,0.00025958617,0.000052161755,0.0018868619],"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99942327,0.00010001085,0.000036553905,0.00017543096,0.00019821215,0.000066433095],"domain_scores_gemma":[0.9989417,0.00031403592,0.00015296119,0.00020459491,0.00028929272,0.00009746553],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004627571,0.00015741643,0.000233807,0.0012360134,0.00059432274,0.0016819047,0.00031023315,0.00021744778,0.0040706266],"category_scores_gemma":[0.0037092504,0.0002216798,0.00018873031,0.0011583539,0.0015116524,0.002002488,0.0009894557,0.0005912883,0.00069327967],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00114622,0.00009778316,0.129015,0.00067509414,0.00020088069,0.00062605157,0.013321446,0.0034339265,0.16802287,0.16308881,0.005551603,0.5148204],"study_design_scores_gemma":[0.000044967266,0.0003105696,0.7956571,0.000095366355,0.00008625769,0.0013851674,0.0041919863,0.018455097,0.006073054,0.13163663,0.041907698,0.00015604807],"about_ca_topic_score_codex":0.0030340294,"about_ca_topic_score_gemma":0.003736602,"teacher_disagreement_score":0.0040706266,"about_ca_system_score_codex":0.00042870326,"about_ca_system_score_gemma":0.00047546707,"threshold_uncertainty_score":0.013617635},"labels":[],"label_agreement":null},{"id":"W2268167716","doi":"10.1525/mp.2015.33.1.3","title":"Listening, Imagining, Performing","year":2015,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Melody; Psychology; Coherence (philosophical gambling strategy); Optimal distinctiveness theory; Perception; Musical; Music and emotion; Cognitive psychology; Active listening; Hum; Consciousness; Performing arts; Tonality; Cognitive science; Communication; Visual arts; Art; Music history; Social psychology; Neuroscience","score_opus":0.09746329347718781,"score_gpt":0.366926045677312,"score_spread":0.2694627522001242,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2268167716","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13737547,0.018125143,0.038117666,0.009163776,0.0011454497,0.00011670968,0.0002958944,0.00030138242,0.7953584],"genre_scores_gemma":[0.9211333,0.0106721325,0.01929178,0.0023326003,0.0004943053,0.00011061886,0.00024645135,0.00009408509,0.04562478],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99953115,0.00016922454,0.000027134476,0.00009945314,0.00013508649,0.000037880793],"domain_scores_gemma":[0.99959916,0.0001505132,0.000049578302,0.000056199187,0.000056093064,0.000088496745],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000549338,0.0003697366,0.00015220637,0.00041285672,0.0010835016,0.004018881,0.00037561796,0.00081647234,0.004276992],"category_scores_gemma":[0.0023980902,0.00010560304,0.00016990594,0.00042406906,0.006345566,0.0023381237,0.0011390488,0.0009556081,0.0010857297],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013564668,0.00008474583,0.0060569337,0.0011689278,0.00003294426,0.0006613801,0.11906835,0.0006619878,0.02774803,0.5855379,0.021487674,0.2373555],"study_design_scores_gemma":[0.000021970793,0.00022376105,0.024921924,0.00064748636,0.000045743276,0.0019907996,0.04909146,0.0007867662,0.0032939762,0.298144,0.620758,0.000074147334],"about_ca_topic_score_codex":0.002155895,"about_ca_topic_score_gemma":0.0018584215,"teacher_disagreement_score":0.004276992,"about_ca_system_score_codex":0.00056897436,"about_ca_system_score_gemma":0.00094368256,"threshold_uncertainty_score":0.014307976},"labels":[],"label_agreement":null},{"id":"W2270424381","doi":"10.1525/mp.2015.33.1.70","title":"Auditory Scene Analysis","year":2015,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Noise Effects and Management","field":"Health Professions","cited_by":20,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Princess Margaret Cancer Centre; Baycrest Hospital","funders":"","keywords":"Perception; Psychology; Cognitive science; Cognitive neuroscience; Neuroscience; Cognition","score_opus":0.12476180090793342,"score_gpt":0.4751662644624699,"score_spread":0.35040446355453647,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2270424381","genre_codex":"methods","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013528648,0.050460383,0.6713672,0.0070354613,0.008850248,0.0003513012,0.0048932885,0.008549994,0.23496342],"genre_scores_gemma":[0.19535218,0.05263026,0.35492733,0.005425708,0.0038212559,0.0003726173,0.0097581195,0.003618198,0.37409446],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995197,0.0000708706,0.00002423825,0.00010679283,0.00024409036,0.000034276603],"domain_scores_gemma":[0.9994979,0.00014803969,0.000022698941,0.00007726083,0.00022119447,0.000032874923],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00061150605,0.0007931787,0.0004921854,0.0015251058,0.00065786456,0.0031849486,0.0008453598,0.0012835561,0.036737785],"category_scores_gemma":[0.0023989722,0.00039291973,0.00086380745,0.001180964,0.00071311544,0.0020970122,0.0016868921,0.0013108323,0.020627953],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019863555,0.000032398697,0.00082261785,0.00096570764,0.00011090221,0.00057607767,0.00063772727,0.0025059828,0.030247511,0.031561606,0.2508094,0.6815315],"study_design_scores_gemma":[0.000029298273,0.00009288162,0.0043256213,0.0004102147,0.00007092161,0.0032282001,0.00056247355,0.012842216,0.0154859135,0.040688105,0.92217034,0.000093812974],"about_ca_topic_score_codex":0.001413622,"about_ca_topic_score_gemma":0.001649692,"teacher_disagreement_score":0.036737785,"about_ca_system_score_codex":0.0005523894,"about_ca_system_score_gemma":0.0004995429,"threshold_uncertainty_score":0.12290007},"labels":[],"label_agreement":null},{"id":"W2303007610","doi":"10.1525/mp.2015.33.1.12","title":"Progress in Understanding Auditory Scene Analysis","year":2015,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Music and Audio Processing","field":"Computer Science","cited_by":40,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Generality; Polyphony; Style (visual arts); Musical; Psychology; Cognitive science; Natural (archaeology); Auditory scene analysis; Communication; Musical analysis; Cognitive psychology; Computer science; Perception; History; Visual arts; Art; Neuroscience","score_opus":0.10542501220459012,"score_gpt":0.3551690133860398,"score_spread":0.24974400118144968,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2303007610","genre_codex":"methods","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01901339,0.1334815,0.75624245,0.027341235,0.0021227836,0.00009609945,0.0004768708,0.0012343139,0.059991363],"genre_scores_gemma":[0.28974888,0.1779486,0.5011341,0.00581061,0.0080665285,0.00022154528,0.0019855828,0.0010208349,0.014063226],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99839395,0.00044001566,0.0001389061,0.0004964277,0.00043269387,0.00009792352],"domain_scores_gemma":[0.9919784,0.0047915964,0.00030524324,0.0015761208,0.0011384084,0.00021020498],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0041433917,0.0014352212,0.0010593251,0.0029331201,0.0012398189,0.00901742,0.003561617,0.0028736154,0.008961064],"category_scores_gemma":[0.010213594,0.0008612486,0.0014904836,0.0020726474,0.006886611,0.023229523,0.0048912694,0.0058247596,0.004458902],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010479126,0.00007412157,0.0022270118,0.0032965327,0.00012002754,0.00016637811,0.0032590202,0.006335747,0.007272398,0.557187,0.010590502,0.4093664],"study_design_scores_gemma":[0.000019499828,0.00008798097,0.0029774138,0.0008572838,0.000069576905,0.0004086295,0.0019009727,0.02632259,0.004078635,0.6693662,0.29378772,0.0001234972],"about_ca_topic_score_codex":0.0025625192,"about_ca_topic_score_gemma":0.0015389257,"teacher_disagreement_score":0.00901742,"about_ca_system_score_codex":0.001310177,"about_ca_system_score_gemma":0.0021857792,"threshold_uncertainty_score":0.02997768},"labels":[],"label_agreement":null},{"id":"W2325298065","doi":"10.1525/mp.2015.33.2.163","title":"Sleep Consolidation of Musical Competence","year":2015,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Sleep and Wakefulness Research","field":"Neuroscience","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Psychology; Cognitive psychology; Competence (human resources); Morning; Sleep (system call); Musical; Sleep inertia; Consolidation (business); Motor skill; Evening; Audiology; Developmental psychology; Cognition; Social psychology; Sleep deprivation; Computer science; Neuroscience; Medicine; Sleep debt","score_opus":0.13839277947459278,"score_gpt":0.38718209219221594,"score_spread":0.24878931271762317,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2325298065","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99575496,0.0009275336,0.0008538877,0.00007473073,0.00003807529,0.000027886697,0.00020081161,0.000032354812,0.002089747],"genre_scores_gemma":[0.99708647,0.00031624813,0.0003456139,0.000038957114,0.000012820355,0.00004258976,0.00045035905,0.000009261548,0.0016976285],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9999062,0.000012187541,0.000010789987,0.000027595535,0.000021900616,0.00002127498],"domain_scores_gemma":[0.9995647,0.00005932953,0.000108068896,0.000069114576,0.00010822494,0.000090616886],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016714596,0.00022764163,0.00038145063,0.0002826783,0.00019199084,0.00032227056,0.00022602174,0.00022804309,0.0029910894],"category_scores_gemma":[0.00086314057,0.0001237148,0.00022836488,0.00009622327,0.00038103719,0.00028618018,0.00053345104,0.00057506724,0.0003186423],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.003217282,0.00031629307,0.02033079,0.0003302595,0.0001462333,0.00015806103,0.00066649396,0.00014328392,0.9336825,0.0003585155,0.0003661599,0.04028416],"study_design_scores_gemma":[0.0000937166,0.0022353863,0.9220949,0.000062845545,0.00005465012,0.0001513885,0.0004342546,0.0006208527,0.07227279,0.00063410157,0.0013250745,0.000019931751],"about_ca_topic_score_codex":0.0020916725,"about_ca_topic_score_gemma":0.004947026,"teacher_disagreement_score":0.0029910894,"about_ca_system_score_codex":0.0002476854,"about_ca_system_score_gemma":0.00024835367,"threshold_uncertainty_score":0.010006189},"labels":[],"label_agreement":null},{"id":"W2325514100","doi":"10.1525/mp.2011.29.2.165","title":"Effect of Music Training on Promoting Preliteracy Skills: Preliminary Causal Evidence","year":2011,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":97,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University; Baycrest Hospital","funders":"","keywords":"Psychology; Phonological awareness; Reading (process); Training (meteorology); Music education; Cognitive psychology; Pedagogy; Linguistics; Literacy","score_opus":0.10324959810689549,"score_gpt":0.364417876167117,"score_spread":0.2611682780602215,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2325514100","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99014974,0.0048363614,0.0004445179,0.00053330656,0.00006391411,0.00012495278,0.00018135327,0.000025890631,0.003640034],"genre_scores_gemma":[0.9947596,0.0029502853,0.001229417,0.00014691723,0.000066927234,0.00007244535,0.00009118472,0.000007745313,0.00067562883],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99877614,0.0006035085,0.00009947549,0.00023460551,0.00017010307,0.00011622578],"domain_scores_gemma":[0.9863238,0.010036404,0.0018971667,0.0006243517,0.00025250675,0.00086576777],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017673193,0.00047812017,0.00039800303,0.0005393498,0.00045879415,0.00045061423,0.00042777616,0.0009744444,0.0066612256],"category_scores_gemma":[0.0124566965,0.00019637577,0.0006387,0.00020084689,0.00075808616,0.00040285604,0.00055757735,0.00051142264,0.00029591084],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.07039227,0.019927831,0.68576545,0.004814546,0.003672994,0.0021789283,0.002268007,0.00057321804,0.024061967,0.0040135337,0.00071586174,0.18161537],"study_design_scores_gemma":[0.0019010883,0.019347683,0.9648767,0.0005159698,0.0019669416,0.0005587294,0.00043968833,0.00039904175,0.0063555413,0.0012724891,0.002340688,0.000025484547],"about_ca_topic_score_codex":0.0018749823,"about_ca_topic_score_gemma":0.0026920792,"teacher_disagreement_score":0.0066612256,"about_ca_system_score_codex":0.00026652336,"about_ca_system_score_gemma":0.00065266754,"threshold_uncertainty_score":0.02228403},"labels":[],"label_agreement":null},{"id":"W2336109932","doi":"10.1525/mp.2014.32.2.186","title":"Absolute Judgment of Musical Interval Width","year":2014,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Relative pitch; Absolute pitch; Pitch (Music); Interval (graph theory); Absolute (philosophy); Tone (literature); Perception; Musical tone; Psychology; Pitch perception; Salient; Musical; Speech recognition; Intonation (linguistics); Audiology; Mathematics; Acoustics; Communication; Linguistics; Art; Computer science; Artificial intelligence; Literature; Physics; Combinatorics; Philosophy","score_opus":0.056145301959656765,"score_gpt":0.3366101905157642,"score_spread":0.2804648885561074,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2336109932","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9751502,0.00040300415,0.016309934,0.000064003514,0.000055381977,0.000021879725,0.000051257677,0.00005773728,0.007886713],"genre_scores_gemma":[0.9928964,0.000090470814,0.0062495773,0.000056492914,0.000015560092,0.000015835347,0.0000484808,0.000020209805,0.00060708506],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99901354,0.00017577362,0.00008334326,0.00030431146,0.0003709007,0.000052091647],"domain_scores_gemma":[0.99801207,0.0009427299,0.00029623404,0.00020431018,0.00032226357,0.00022233525],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00086042745,0.00025805907,0.00026083196,0.0005739428,0.00022199495,0.0008078103,0.0005225574,0.0004749009,0.0030828814],"category_scores_gemma":[0.008198709,0.0002507922,0.0001278039,0.00019024401,0.00057800004,0.0014960684,0.0010244382,0.0008166961,0.00040882672],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014130559,0.000050345418,0.011774141,0.00015234698,0.000031311618,0.000108230764,0.001463733,0.00017325171,0.93840283,0.0021199114,0.00013066731,0.044180054],"study_design_scores_gemma":[0.00017175425,0.0035052137,0.60570705,0.0001655351,0.00014100887,0.0026011707,0.004759849,0.014093265,0.35165495,0.012658104,0.004387666,0.00015444246],"about_ca_topic_score_codex":0.00038178987,"about_ca_topic_score_gemma":0.0005268852,"teacher_disagreement_score":0.0030828814,"about_ca_system_score_codex":0.0001859215,"about_ca_system_score_gemma":0.00014927454,"threshold_uncertainty_score":0.010313213},"labels":[],"label_agreement":null},{"id":"W2340432268","doi":"10.1525/mp.2015.33.1.96","title":"Effects of Emergent-Level Structure on Melodic Processing Difficulty","year":2015,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University; Toronto Metropolitan University","funders":"","keywords":"Melody; Cohesion (chemistry); Expectancy theory; Psychology; Realization (probability); Cognitive psychology; Computer science; Artificial intelligence; Mathematics; Social psychology; Statistics; Chemistry","score_opus":0.09039825865804853,"score_gpt":0.35099942136768386,"score_spread":0.26060116270963535,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2340432268","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9964606,0.00011924148,0.0016422065,0.0000326918,0.000016556973,0.000100906436,0.00012315137,0.000046988367,0.0014578151],"genre_scores_gemma":[0.99501556,0.00008403349,0.0034440341,0.00005544954,0.000015825348,0.0002865274,0.00022841645,0.00006423524,0.0008059759],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99818844,0.0004278346,0.00032748503,0.00050444057,0.00040970466,0.00014211422],"domain_scores_gemma":[0.95576775,0.034662236,0.0043508266,0.0026935097,0.0011176037,0.0014081072],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017135775,0.0009515746,0.0007306353,0.00035114906,0.00023384314,0.0018282884,0.0006727701,0.00082186935,0.005049169],"category_scores_gemma":[0.026129046,0.00059450854,0.00034280223,0.00018355585,0.0008035138,0.0012541972,0.0015675223,0.001414001,0.00031424468],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0171916,0.00478509,0.029032556,0.00082959206,0.00037912445,0.0003521915,0.0018849071,0.002551352,0.9156257,0.0008484189,0.00026713178,0.026252415],"study_design_scores_gemma":[0.002877541,0.02501952,0.75872505,0.00013177126,0.0009030253,0.00062850886,0.0007054795,0.017913518,0.1843747,0.0059383344,0.0024818496,0.0003007446],"about_ca_topic_score_codex":0.0005226409,"about_ca_topic_score_gemma":0.000639654,"teacher_disagreement_score":0.005049169,"about_ca_system_score_codex":0.00045946968,"about_ca_system_score_gemma":0.0002652159,"threshold_uncertainty_score":0.016891181},"labels":[],"label_agreement":null},{"id":"W2399077397","doi":"10.1525/mp.2015.33.1.1","title":"Introduction to the Two Special Issues of Music Perception on BKN25","year":2015,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McGill University","funders":"","keywords":"Icon; Citation; Perception; Download; Library science; Computer science; World Wide Web; Psychology","score_opus":0.08073447918207945,"score_gpt":0.36493532245737487,"score_spread":0.28420084327529543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2399077397","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007095144,0.17812063,0.020338653,0.10567288,0.06430756,0.00038195957,0.002811505,0.0010821553,0.62018955],"genre_scores_gemma":[0.07897804,0.18912639,0.016218288,0.023188017,0.075809464,0.0005140815,0.0033519259,0.0009374835,0.6118763],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999566,0.000049407732,0.000031624837,0.000096398304,0.00020941162,0.000047269987],"domain_scores_gemma":[0.99914396,0.00026479637,0.000040150702,0.000042824337,0.0002951353,0.00021309638],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008011135,0.0007353514,0.0005365755,0.001782994,0.0011560974,0.0024169981,0.0008617024,0.00186336,0.10320717],"category_scores_gemma":[0.0022191752,0.0004364488,0.0007240022,0.0012148555,0.0014770405,0.0027167005,0.0020808794,0.0032904607,0.023373302],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008681841,0.00007681144,0.0007258085,0.0007411938,0.00001049621,0.00028989496,0.0009198549,0.0001951664,0.0027756505,0.03196865,0.61259407,0.34961557],"study_design_scores_gemma":[0.0000064304577,0.00003906548,0.0045689824,0.00043092397,0.000004671512,0.0003291217,0.00034829014,0.00009092243,0.00027535757,0.015136027,0.9787459,0.000024278248],"about_ca_topic_score_codex":0.0049514733,"about_ca_topic_score_gemma":0.008793245,"teacher_disagreement_score":0.10320717,"about_ca_system_score_codex":0.0020154754,"about_ca_system_score_gemma":0.0019520053,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W2406340451","doi":"10.1525/mp.2016.33.3.306","title":"Effects of Repetition on Attention in Two-Part Counterpoint","year":2016,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Melody; Counterpoint; Musical; Repetition (rhetorical device); Polyphony; Salience (neuroscience); Psychology; Novelty; Active listening; Perception; Cognitive psychology; Musical form; Flute; Linguistics; Communication; Speech recognition; Art; Computer science; Visual arts; Social psychology; Philosophy","score_opus":0.03153769580693692,"score_gpt":0.33712174848699944,"score_spread":0.3055840526800625,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2406340451","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.994951,0.0001503932,0.0011214075,0.000039235856,0.000030032492,0.000030127445,0.000017974244,0.000037966725,0.0036219677],"genre_scores_gemma":[0.99684566,0.000089113266,0.0016829831,0.0000794312,0.000025458072,0.0000642416,0.00003288564,0.00003652844,0.0011438114],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9993175,0.00015640192,0.000036759255,0.00020068904,0.00021959867,0.00006907811],"domain_scores_gemma":[0.99561787,0.003182226,0.00047096593,0.0003424517,0.00016796555,0.00021857441],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005455176,0.0004582144,0.0003629705,0.00034087137,0.00030066766,0.0007055034,0.0005631628,0.0006377171,0.0057690684],"category_scores_gemma":[0.010679441,0.0003121197,0.0002676425,0.00015217588,0.00062271435,0.0008508405,0.0012688169,0.00056272437,0.0002821263],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.009758781,0.0008447973,0.009581042,0.000522255,0.00012529995,0.0007856446,0.0059417556,0.0007780816,0.90694803,0.0009632609,0.0003475579,0.06340351],"study_design_scores_gemma":[0.0015149367,0.017842302,0.86391354,0.00020600142,0.0006660108,0.002343218,0.003859677,0.0099795265,0.08660116,0.0069479253,0.005926875,0.0001989237],"about_ca_topic_score_codex":0.0007722968,"about_ca_topic_score_gemma":0.00074615446,"teacher_disagreement_score":0.0057690684,"about_ca_system_score_codex":0.00023935756,"about_ca_system_score_gemma":0.00016756308,"threshold_uncertainty_score":0.019299448},"labels":[],"label_agreement":null},{"id":"W2487150041","doi":"10.1525/mp.2016.33.3.287","title":"Auditory Scene Analysis and the Perception of Sound Mass in Ligeti’s Continuum","year":2016,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Perception; Timbre; Psychology; Sound (geography); Auditory scene analysis; Rhythm; Cognitive psychology; Communication; Acoustics; Speech recognition; Computer science; Musical; Art; Physics; Visual arts","score_opus":0.016517580215246155,"score_gpt":0.28459753830950485,"score_spread":0.2680799580942587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2487150041","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9957526,0.00004423789,0.0011457067,0.00003172927,0.000007679985,0.000010391911,0.000010015031,0.000013872971,0.0029838276],"genre_scores_gemma":[0.9978701,0.00002029826,0.0014899696,0.000026104528,0.0000051001916,0.000012040597,0.00002631494,0.000010092218,0.0005399189],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99946076,0.00013188653,0.000033220535,0.0001165982,0.00018851452,0.000069078924],"domain_scores_gemma":[0.9984049,0.0008912137,0.00019014743,0.00015519647,0.00015816964,0.00020029936],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008700731,0.00022188535,0.00039111546,0.0013895638,0.0008340839,0.0019456196,0.00039767195,0.0005370247,0.0027664406],"category_scores_gemma":[0.0047755917,0.00026029386,0.00023010884,0.0005076511,0.0014380633,0.0011217496,0.002039541,0.0007211833,0.0002337847],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0053847195,0.000492814,0.061114278,0.0002877418,0.00007066229,0.0019898417,0.043727502,0.0016495865,0.8068681,0.0076423977,0.0006286169,0.07014375],"study_design_scores_gemma":[0.00010687819,0.0035765022,0.9102612,0.00006544308,0.000104589315,0.0017560313,0.027780106,0.008039268,0.037941165,0.0057920995,0.0044498807,0.00012681984],"about_ca_topic_score_codex":0.001143772,"about_ca_topic_score_gemma":0.0015247675,"teacher_disagreement_score":0.0027664406,"about_ca_system_score_codex":0.00047439215,"about_ca_system_score_gemma":0.00017200431,"threshold_uncertainty_score":0.009254634},"labels":[],"label_agreement":null},{"id":"W2512444678","doi":"10.1525/mp.2016.34.1.1","title":"Analysis, Performance, and Tension Perception of an Unmeasured Prelude for Harpsichord","year":2016,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Harpsichord; Tension (geology); Perception; Anticipation (artificial intelligence); Psychology; Acoustics; Computer science; Artificial intelligence; Physics; Classical mechanics","score_opus":0.026923805046067405,"score_gpt":0.2992317440122955,"score_spread":0.2723079389662281,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2512444678","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9978917,0.000023628067,0.00085408177,0.000011549923,0.0000042266824,0.00000931892,0.000019592502,0.0000061241985,0.0011797517],"genre_scores_gemma":[0.9979938,0.000024963003,0.00093476824,0.000008830589,0.000009008708,0.000011397505,0.00005459716,0.000008213934,0.0009543646],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99885714,0.00025579665,0.00006639787,0.00032760913,0.00036444067,0.00012850418],"domain_scores_gemma":[0.9964618,0.0013590361,0.0007548394,0.00027436126,0.00056157686,0.00058829796],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014182803,0.00041725708,0.000245453,0.0010188227,0.0009839733,0.0013104747,0.0003581463,0.00044640814,0.0023345628],"category_scores_gemma":[0.006740407,0.00022514205,0.00018111044,0.0002995595,0.00089732435,0.00040533606,0.0017852385,0.00047024334,0.00048116676],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0029115914,0.00042550935,0.5612034,0.00024260161,0.00018405657,0.0012343187,0.068627596,0.00059582153,0.2642514,0.0009001657,0.0004768304,0.09894677],"study_design_scores_gemma":[0.000014593592,0.00080762553,0.975712,0.000019308605,0.000019496823,0.00049793633,0.014772894,0.0006836221,0.0056634336,0.00022879176,0.0015475977,0.000032718268],"about_ca_topic_score_codex":0.0012707424,"about_ca_topic_score_gemma":0.0036799263,"teacher_disagreement_score":0.0023345628,"about_ca_system_score_codex":0.00038707207,"about_ca_system_score_gemma":0.00020979125,"threshold_uncertainty_score":0.0078098774},"labels":[],"label_agreement":null},{"id":"W2516230309","doi":"10.1525/mp.2017.34.3.335","title":"Perceptual Learning of Pitch Direction in Congenital Amusia","year":2017,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":25,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology; Audiology; Perception; Pitch (Music); Speech recognition; Computer science; Neuroscience; Medicine","score_opus":0.06557698119952152,"score_gpt":0.3588381506847479,"score_spread":0.2932611694852264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2516230309","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99955314,0.00006635238,0.00017179898,0.000008867036,0.0000019138474,0.0000057853076,0.000004813684,0.0000033233446,0.00018392659],"genre_scores_gemma":[0.9993781,0.000087472494,0.00028712352,0.000009303874,0.0000024994465,0.0000058253763,0.000014837959,0.0000011883001,0.00021357993],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9997794,0.000040404437,0.000021078215,0.000045488625,0.00007691591,0.000036696645],"domain_scores_gemma":[0.99951446,0.00014031837,0.00010218499,0.00006000275,0.00007105336,0.0001119955],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042967492,0.00032287207,0.00023964184,0.00036560098,0.00019950359,0.00014939428,0.00018984209,0.00024358513,0.0011127547],"category_scores_gemma":[0.0019172599,0.0001322504,0.00011487442,0.000080852136,0.0005071783,0.00030409737,0.0003912592,0.0003363927,0.00013882491],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0031762356,0.0019832852,0.19325186,0.00025235163,0.000064103646,0.0021546772,0.0021618265,0.00068176055,0.67113715,0.00022633665,0.00028788295,0.12462252],"study_design_scores_gemma":[0.000056568697,0.005682038,0.95962316,0.000015299547,0.000031145126,0.0024388274,0.0004949902,0.0010666962,0.029844832,0.0003356909,0.00039384502,0.000016903785],"about_ca_topic_score_codex":0.0018330056,"about_ca_topic_score_gemma":0.0025861042,"teacher_disagreement_score":0.0018330056,"about_ca_system_score_codex":0.00019045018,"about_ca_system_score_gemma":0.0002859328,"threshold_uncertainty_score":0.0037225485},"labels":[],"label_agreement":null},{"id":"W2548742412","doi":"10.1525/mp.2016.34.1.56","title":"Hearing the Beat","year":2016,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":35,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Beat (acoustics); Psychology; Rhythm; Perception; Speech recognition; Music perception; Audiology; Communication; Computer science; Acoustics; Neuroscience","score_opus":0.10304642152047776,"score_gpt":0.3538998091088059,"score_spread":0.25085338758832815,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2548742412","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9265471,0.00509673,0.015220205,0.0007817371,0.0004059327,0.000072517105,0.0011696895,0.0005349891,0.05017103],"genre_scores_gemma":[0.97076887,0.0017574469,0.008705599,0.00071681064,0.000077746336,0.00003791024,0.00050202006,0.000052067557,0.017381445],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99973637,0.00002135409,0.000016226908,0.00008282794,0.00009429515,0.000048920338],"domain_scores_gemma":[0.9993536,0.00014989242,0.00012705589,0.00009395543,0.00011330206,0.00016220364],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00037838478,0.00036442743,0.00024462573,0.00032821827,0.00023395843,0.00095123646,0.00024273545,0.0005637261,0.011713691],"category_scores_gemma":[0.0025371837,0.00017415849,0.00015912617,0.0001091739,0.00048189238,0.0009929617,0.00093048933,0.00039980302,0.0034165466],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00074512674,0.00025220765,0.11742049,0.00058721233,0.00008959057,0.002711679,0.004647441,0.00026485234,0.30022898,0.005959115,0.019289829,0.5478036],"study_design_scores_gemma":[0.000073368734,0.0022873045,0.81372434,0.00037840914,0.00010107433,0.0136917215,0.004313216,0.0011669708,0.050566033,0.006952855,0.10660258,0.00014201309],"about_ca_topic_score_codex":0.0011171998,"about_ca_topic_score_gemma":0.0014938775,"teacher_disagreement_score":0.011713691,"about_ca_system_score_codex":0.000107106935,"about_ca_system_score_gemma":0.00015556467,"threshold_uncertainty_score":0.03918618},"labels":[],"label_agreement":null},{"id":"W2580415109","doi":"10.1525/mp.2017.34.3.319","title":"Effects of Interpersonal Movement Synchrony on Infant Helping Behaviors","year":2017,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Action Observation and Synchronization","field":"Psychology","cited_by":41,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"Natural Sciences and Engineering Research Council of Canada; McMaster University","keywords":"Helpfulness; Psychology; Interpersonal communication; Prosocial behavior; Mood; Context (archaeology); Active listening; Developmental psychology; Communication; Social psychology; Cognitive psychology","score_opus":0.036180131599380265,"score_gpt":0.3724429722527502,"score_spread":0.3362628406533699,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2580415109","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.999153,0.00010223613,0.00021820632,0.000016430246,0.0000049221267,0.000006006585,0.000021201735,0.000010391581,0.00046757772],"genre_scores_gemma":[0.99895287,0.000116877425,0.00060558954,0.000016285354,0.0000048434313,0.000026345251,0.000032870536,0.000007889109,0.0002364168],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9995908,0.00011893821,0.000031882813,0.00008169632,0.00010311686,0.000073567826],"domain_scores_gemma":[0.9985103,0.0006966853,0.0003413483,0.00008307026,0.000079550184,0.0002890266],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036932266,0.00039311158,0.0002776527,0.0002547962,0.0001793102,0.00028056733,0.00017682335,0.00020372725,0.0015787685],"category_scores_gemma":[0.0020990707,0.00015783789,0.00019100848,0.00006879179,0.0004549211,0.00016384077,0.00076437904,0.00051395036,0.00009207701],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0034571292,0.0006333711,0.021010116,0.00022274951,0.00005788285,0.00060584047,0.0011967276,0.00026695244,0.9445699,0.0002167526,0.00013014692,0.027632495],"study_design_scores_gemma":[0.00014590414,0.0114887,0.76867473,0.00007163865,0.0002179375,0.00062018336,0.0013352175,0.0017825527,0.21407825,0.00031341155,0.0012360832,0.000035512607],"about_ca_topic_score_codex":0.0004479877,"about_ca_topic_score_gemma":0.000840259,"teacher_disagreement_score":0.0015787685,"about_ca_system_score_codex":0.000204875,"about_ca_system_score_gemma":0.00021354765,"threshold_uncertainty_score":0.0052815676},"labels":[],"label_agreement":null},{"id":"W2580973729","doi":"10.1525/mp.2017.34.3.253","title":"Individual Differences in Music-Perceived Emotions","year":2017,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":44,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology; Sadness; Anger; Alexithymia; Emotion classification; Happiness; Perception; Cognitive psychology; Social psychology","score_opus":0.1332568358129051,"score_gpt":0.3644769823615867,"score_spread":0.23122014654868162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2580973729","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.999275,0.00002639555,0.0000904626,0.0000057475613,0.000002544787,0.000006563446,0.000027266908,0.0000024104615,0.00056373083],"genre_scores_gemma":[0.99948955,0.000020937332,0.000113256116,0.000007153994,0.0000025917932,0.000007823329,0.000048819857,0.0000015302594,0.00030831716],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9997614,0.000044756158,0.000028577226,0.0000610047,0.00007191017,0.00003237032],"domain_scores_gemma":[0.9987031,0.0005700133,0.0003439627,0.0000942526,0.000119213066,0.00016942123],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040729094,0.00016441935,0.00020095547,0.0004245577,0.00013657117,0.0005081587,0.00010348459,0.00027041676,0.0028809756],"category_scores_gemma":[0.0033477272,0.00009815302,0.00013040831,0.00016267668,0.00018643381,0.00019132017,0.00028599525,0.00023485665,0.00028670125],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00143162,0.0004179442,0.87365216,0.000100469304,0.00023794093,0.0004997364,0.0059142024,0.00028534292,0.08874923,0.00018694908,0.00023529155,0.028289216],"study_design_scores_gemma":[0.000007020672,0.00016813271,0.9983115,0.0000021084343,0.000009743799,0.00019045157,0.00035787607,0.00015205512,0.0006574713,0.00005077631,0.00008758312,0.000005297531],"about_ca_topic_score_codex":0.0004201194,"about_ca_topic_score_gemma":0.00072345627,"teacher_disagreement_score":0.0028809756,"about_ca_system_score_codex":0.00007088145,"about_ca_system_score_gemma":0.00004505276,"threshold_uncertainty_score":0.009637773},"labels":[],"label_agreement":null},{"id":"W2581120365","doi":"10.1525/mp.2017.34.3.327","title":"Global Music Recordings Support the Motor Constraint Hypothesis for Human and Avian Song Contour","year":2017,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":68,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Institute for Advanced Research","funders":"","keywords":"Melody; Ethnomusicology; Singing; Problem of universals; Constraint (computer-aided design); Musical; Psychology; Parallels; Pitch contour; Music theory; Cognitive psychology; Linguistics; Communication; Art; Literature; Artificial intelligence; Computer science; Mathematics; Acoustics; Philosophy","score_opus":0.10745718514985876,"score_gpt":0.3642905457973357,"score_spread":0.25683336064747697,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2581120365","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98179805,0.000496866,0.008226167,0.000082021485,0.000017889282,0.000021587239,0.00049574027,0.00004542158,0.008816182],"genre_scores_gemma":[0.9968405,0.00010653207,0.0020944285,0.000040467337,0.000013672069,0.000013236368,0.00041165337,0.000030566167,0.00044894704],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99945146,0.00005861088,0.000044700184,0.0003116717,0.000102132464,0.000031471238],"domain_scores_gemma":[0.9983199,0.0005010366,0.00050374074,0.0002733569,0.0002624364,0.000139532],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000523165,0.00025555308,0.00024100726,0.0009011325,0.00037719033,0.0007220343,0.0001863423,0.00028577176,0.0036391441],"category_scores_gemma":[0.0034316403,0.00015115994,0.00016966666,0.0006970313,0.0010826513,0.00061530585,0.00085572945,0.00024528176,0.00043492558],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012465119,0.00005350102,0.5945543,0.0005030207,0.00047806452,0.00047108816,0.008554113,0.00086503534,0.24913047,0.002267319,0.0009842414,0.14089239],"study_design_scores_gemma":[0.0000044732737,0.000047796217,0.9964753,0.000010650801,0.000014385351,0.00028768918,0.0005911661,0.0003533505,0.0011892735,0.0004668116,0.0005490464,0.000010119698],"about_ca_topic_score_codex":0.0020498966,"about_ca_topic_score_gemma":0.0043778014,"teacher_disagreement_score":0.0036391441,"about_ca_system_score_codex":0.00016477342,"about_ca_system_score_gemma":0.00012627996,"threshold_uncertainty_score":0.0121741295},"labels":[],"label_agreement":null},{"id":"W2582662284","doi":"10.1525/mp.2017.34.3.313","title":"Generality of the Memory Advantage for Vocal Melodies","year":2017,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":14,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Melody; Timbre; Psychology; Attractiveness; Lyrics; Singing; Communication; Audiology; Art; Literature; Acoustics; Musical","score_opus":0.09853057567178233,"score_gpt":0.389440868806655,"score_spread":0.2909102931348727,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2582662284","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9962302,0.00026392244,0.00029365643,0.0000495352,0.000021136972,0.0000066385282,0.00009037757,0.000013875059,0.0030306538],"genre_scores_gemma":[0.9983152,0.00008811149,0.00028656467,0.000047154947,0.000015391519,0.000009731038,0.00010960321,0.0000062523704,0.0011219921],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9995154,0.000037025435,0.0000565397,0.00017473748,0.00014630528,0.000069874695],"domain_scores_gemma":[0.9981945,0.00040974133,0.00045805407,0.00038729358,0.00022056037,0.00032983025],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00064779946,0.0003324312,0.00026202138,0.00043199005,0.0002055924,0.0006942195,0.00047609909,0.00053471193,0.008156558],"category_scores_gemma":[0.0025295059,0.00020141549,0.00033980177,0.00010804709,0.00064082304,0.00073639036,0.00089812675,0.0004905466,0.0011037261],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0030180255,0.00088971405,0.35071573,0.0005643557,0.00025225457,0.0029841976,0.005045159,0.00012710167,0.51191974,0.0013378862,0.0011842994,0.12196151],"study_design_scores_gemma":[0.00006865971,0.0021401742,0.94835943,0.0000647561,0.00010400323,0.003775523,0.0017697073,0.00014325889,0.040181093,0.00075935514,0.002597095,0.000036872192],"about_ca_topic_score_codex":0.0012235314,"about_ca_topic_score_gemma":0.001979306,"teacher_disagreement_score":0.008156558,"about_ca_system_score_codex":0.00014753317,"about_ca_system_score_gemma":0.00020677115,"threshold_uncertainty_score":0.02728641},"labels":[],"label_agreement":null},{"id":"W2615019929","doi":"10.1525/mp.2016.33.3.344","title":"Playing with the Edge","year":2016,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":17,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"School of Electronic Engineering and Computer Science, Queen Mary University of London; Queen Mary University of London; McGill University","keywords":"Tonality; Tipping point (physics); Perception; Melody; Salient; Computer science; Psychology; Musical; Artificial intelligence; Engineering; Visual arts; Art","score_opus":0.026845001117675796,"score_gpt":0.286698201235515,"score_spread":0.2598532001178392,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2615019929","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.271864,0.0018431535,0.17271154,0.0047130287,0.0019854952,0.00011611566,0.00027582725,0.0017649763,0.5447259],"genre_scores_gemma":[0.88735425,0.0005717704,0.035485942,0.0011344855,0.00021273976,0.000043231954,0.0001532272,0.0003587774,0.07468563],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"design_other","domain_scores_codex":[0.9997002,0.00006558306,0.000009138796,0.000080975005,0.00008918888,0.000054993598],"domain_scores_gemma":[0.99961877,0.00017509502,0.000021763732,0.000059385162,0.000056861732,0.0000680431],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034930272,0.00046765647,0.00026584396,0.0004026061,0.0014558544,0.0029125826,0.00056964887,0.0010433362,0.025041638],"category_scores_gemma":[0.0022538044,0.000165925,0.00037204562,0.00022238305,0.0015348354,0.0034655028,0.0027487262,0.0009889841,0.0040530926],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001223685,0.000117266776,0.005434229,0.0006048302,0.00008257133,0.002208616,0.038625877,0.00371243,0.060770437,0.49101245,0.044187743,0.3520199],"study_design_scores_gemma":[0.00012821775,0.0007425216,0.010160573,0.000566612,0.000113551425,0.0038859888,0.024753,0.034671918,0.016204119,0.21362518,0.69493216,0.00021629351],"about_ca_topic_score_codex":0.00063136796,"about_ca_topic_score_gemma":0.00087260036,"teacher_disagreement_score":0.025041638,"about_ca_system_score_codex":0.00033958722,"about_ca_system_score_gemma":0.00024275862,"threshold_uncertainty_score":0.08377266},"labels":[],"label_agreement":null},{"id":"W2747327734","doi":"10.1525/mp.2017.35.1.38","title":"Psychophysiological Indices of Music-Evoked Emotions in Musicians","year":2017,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Psychology; Facial electromyography; Arousal; Valence (chemistry); Stimulus (psychology); Active listening; Skin conductance; Cognitive psychology; Emotional valence; Facial expression; Psychophysiology; Music psychology; Audiology; Communication; Cognition; Social psychology; Neuroscience; Music education","score_opus":0.09700640806193087,"score_gpt":0.3793814659286227,"score_spread":0.2823750578666918,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2747327734","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9977208,0.000120254226,0.0012166816,0.000011097398,0.0000033058102,0.000034299068,0.00008373852,0.000012300746,0.000797532],"genre_scores_gemma":[0.9973425,0.00011057222,0.0019602461,0.000026031152,0.000012137851,0.00005333117,0.00013026615,0.000006973925,0.0003580347],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9998048,0.00004477919,0.000019000507,0.000050619044,0.00006365408,0.000017210637],"domain_scores_gemma":[0.9996581,0.00010462766,0.000108751665,0.000027615064,0.000044111202,0.000056802994],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000331242,0.0002478314,0.00016165273,0.00061112124,0.00011794113,0.00031741225,0.000114367824,0.00025966155,0.0014654044],"category_scores_gemma":[0.0015995898,0.00010776444,0.0001264296,0.00025676543,0.00037536936,0.00017507523,0.00028543465,0.0002076432,0.00018971723],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016438765,0.00024585697,0.09483435,0.00023282018,0.000092283626,0.0001757109,0.0010240226,0.0002731206,0.8757077,0.00012696444,0.00011338876,0.025529923],"study_design_scores_gemma":[0.00002413708,0.0005997409,0.9796005,0.0000048778124,0.000019332088,0.000304367,0.00026290724,0.00044258387,0.018514263,0.000079904166,0.00013919914,0.000008257809],"about_ca_topic_score_codex":0.00018716122,"about_ca_topic_score_gemma":0.0004484406,"teacher_disagreement_score":0.0014654044,"about_ca_system_score_codex":0.00011275124,"about_ca_system_score_gemma":0.000053928434,"threshold_uncertainty_score":0.004902303},"labels":[],"label_agreement":null},{"id":"W2749497138","doi":"10.1525/mp.2017.35.1.122","title":"David R. Keane (1943-2017)","year":2017,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Queen's University","funders":"","keywords":"Icon; Citation; Download; Information retrieval; Search engine optimization; Computer science; World Wide Web; Library science; Art history; Art; Search engine","score_opus":0.09375253008329426,"score_gpt":0.33141176227348185,"score_spread":0.23765923219018759,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2749497138","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000705079,0.08022186,0.0014995335,0.09247835,0.099782825,0.000101058016,0.0017745685,0.0011992694,0.7222375],"genre_scores_gemma":[0.0020817404,0.011105031,0.0002647762,0.004302292,0.0030310834,0.000024204084,0.00019796999,0.00016663066,0.97882617],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992969,0.000077055614,0.000035771605,0.000132738,0.00037390256,0.00008362409],"domain_scores_gemma":[0.9986532,0.00013885592,0.00007087125,0.0000789641,0.00064061553,0.00041753208],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008147936,0.0005952933,0.00052473537,0.001450684,0.0020755858,0.00350262,0.0007789358,0.0021752694,0.45923686],"category_scores_gemma":[0.0037498053,0.0003152469,0.00031475018,0.00093309424,0.0008211147,0.0024024027,0.0025773775,0.002248734,0.36705458],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000052715027,0.0000028105085,0.00003426804,0.000031301635,6.909598e-7,0.00001706705,0.000028923232,0.000006341671,0.000030121704,0.0010305748,0.97593033,0.022882245],"study_design_scores_gemma":[7.5688786e-7,0.0000025212303,0.000071117414,0.00004419134,4.591812e-7,0.000043631037,0.000034194796,0.0000031054394,0.000030900585,0.00017600135,0.9995907,0.0000023376815],"about_ca_topic_score_codex":0.0047455328,"about_ca_topic_score_gemma":0.012732851,"teacher_disagreement_score":0.45923686,"about_ca_system_score_codex":0.0021894847,"about_ca_system_score_gemma":0.0020410963,"threshold_uncertainty_score":0.771333},"labels":[],"label_agreement":null},{"id":"W2766268321","doi":"10.1525/mp.2017.35.2.144","title":"Blending Between Bassoon and Horn Players","year":2017,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Unison; Timbre; Formant; French horn; Orchestration; Speech recognition; Performing arts; Acoustics; Psychology; Communication; Computer science; Musical","score_opus":0.10183355719630147,"score_gpt":0.3764010531746818,"score_spread":0.27456749597838037,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2766268321","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9976549,0.00002826796,0.0010744755,0.000025184856,0.00002208484,0.000029121617,0.000019592522,0.000011679565,0.0011345703],"genre_scores_gemma":[0.9925136,0.00004564279,0.003468672,0.000037260306,0.000009057735,0.000059857273,0.00006812207,0.000016962002,0.003780694],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99947613,0.000105178304,0.00004124978,0.00014392124,0.00011073873,0.00012292825],"domain_scores_gemma":[0.9994019,0.00012839354,0.000046356534,0.000060180744,0.00006863791,0.00029452535],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007657858,0.0003493147,0.00053308735,0.00036275949,0.0005108122,0.00090582104,0.00038777583,0.00033632503,0.004680165],"category_scores_gemma":[0.0025873075,0.0001661376,0.00026160353,0.00012211112,0.00057727,0.00048617384,0.0015909245,0.00051272,0.0009052886],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0154826585,0.0027437047,0.069653094,0.00038922043,0.00017345659,0.0016732789,0.014894114,0.00052340457,0.76329833,0.0012168477,0.0009836109,0.12896831],"study_design_scores_gemma":[0.00087609264,0.03700313,0.6962611,0.00023896694,0.0004541424,0.003756462,0.04361528,0.0125537515,0.18419845,0.0056429585,0.015147693,0.00025194857],"about_ca_topic_score_codex":0.00095354894,"about_ca_topic_score_gemma":0.0020215241,"teacher_disagreement_score":0.004680165,"about_ca_system_score_codex":0.00019283735,"about_ca_system_score_gemma":0.00024944387,"threshold_uncertainty_score":0.01565671},"labels":[],"label_agreement":null},{"id":"W2770056741","doi":"10.1525/mp.2017.35.2.200","title":"Can You Tell a Prodigy From a Professional Musician?","year":2017,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Music and Audio Processing","field":"Computer Science","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal; International Laboratory for Brain, Music and Sound Research; University of Ottawa","funders":"","keywords":"CLIPS; Psychology; Margin (machine learning); Cognitive psychology; Computer science; Artificial intelligence; Machine learning","score_opus":0.04052661371524901,"score_gpt":0.3377423125768495,"score_spread":0.2972156988616005,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2770056741","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93378645,0.011411023,0.0038687056,0.01206687,0.00044273617,0.000103343766,0.0006171618,0.000087821965,0.037616074],"genre_scores_gemma":[0.96500045,0.010641798,0.0048421007,0.00483959,0.0002988754,0.00011479897,0.0007249868,0.00004614935,0.013491235],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99884063,0.00042169902,0.00007910616,0.00018758878,0.00035080826,0.000120263205],"domain_scores_gemma":[0.9914209,0.004459539,0.001757575,0.00032950085,0.00093412405,0.001098291],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023603376,0.00036029125,0.0005796465,0.0009755706,0.0013495942,0.0023325535,0.00070315244,0.0016218153,0.011218645],"category_scores_gemma":[0.018935222,0.00022774127,0.00016414694,0.00057743693,0.0014462458,0.003513159,0.0011853651,0.0011241147,0.0051435307],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012175615,0.0008039536,0.391586,0.0026011283,0.00013638324,0.004601746,0.111020654,0.00018024303,0.005149382,0.0064514126,0.04626883,0.4299827],"study_design_scores_gemma":[0.00009257043,0.0013735067,0.38697636,0.0022919716,0.00016079633,0.011708071,0.35746658,0.0006788456,0.00247553,0.009220193,0.22734594,0.0002095608],"about_ca_topic_score_codex":0.0027924678,"about_ca_topic_score_gemma":0.0068075545,"teacher_disagreement_score":0.011218645,"about_ca_system_score_codex":0.00051372166,"about_ca_system_score_gemma":0.00054238446,"threshold_uncertainty_score":0.037530065},"labels":[],"label_agreement":null},{"id":"W2783185622","doi":"10.1525/mp.2018.35.3.253","title":"Activity Analysis and Coordination in Continuous Responses to Music","year":2018,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":22,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Coherence (philosophical gambling strategy); Psychology; Musical; Nonparametric statistics; Cognitive psychology; Event (particle physics); Computer science; Communication; Econometrics; Statistics; Mathematics; Art","score_opus":0.056389770076871834,"score_gpt":0.3621120123558871,"score_spread":0.30572224227901523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2783185622","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95030993,0.00021938285,0.044127326,0.00005080359,0.000035798857,0.00015628099,0.00065263396,0.00018418388,0.0042637824],"genre_scores_gemma":[0.98416334,0.00011375596,0.014316315,0.000018660068,0.000027279695,0.00014112686,0.00039258364,0.000043945252,0.00078285875],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9987594,0.00039677595,0.00010423952,0.00033325105,0.0003232081,0.00008305003],"domain_scores_gemma":[0.9974331,0.0014422379,0.0004058436,0.00020981426,0.0003470394,0.00016189377],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008780842,0.00030855183,0.00028864606,0.0012169587,0.0001997,0.00072684936,0.0002207143,0.0003309781,0.0025157807],"category_scores_gemma":[0.0065336046,0.00013025755,0.00029937705,0.0009015898,0.0005354188,0.00040537916,0.00064487284,0.00026147338,0.0004721158],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0021456783,0.00026769884,0.09912152,0.0006962096,0.00029306932,0.00044735195,0.005445041,0.00330531,0.65122086,0.001216951,0.00092155713,0.23491882],"study_design_scores_gemma":[0.000051357536,0.0008749982,0.9541609,0.000040225088,0.000081143386,0.0006189755,0.0017201621,0.011983675,0.027597751,0.0012533519,0.001535989,0.000081490034],"about_ca_topic_score_codex":0.0007961596,"about_ca_topic_score_gemma":0.0010756232,"teacher_disagreement_score":0.0025157807,"about_ca_system_score_codex":0.00015869916,"about_ca_system_score_gemma":0.00015319823,"threshold_uncertainty_score":0.008416176},"labels":[],"label_agreement":null},{"id":"W2793982348","doi":"10.1525/mp.2018.35.4.425","title":"Time Dilation Caused by Oddball Serial Position and Pitch Deviancy","year":2018,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Oddball paradigm; Psychology; Audiology; Stimulus (psychology); Duration (music); Homogeneous; Developmental psychology; Electroencephalography; Mathematics; Cognitive psychology; Event-related potential; Acoustics; Neuroscience; Medicine; Physics","score_opus":0.032248953308232714,"score_gpt":0.31795807804759413,"score_spread":0.2857091247393614,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2793982348","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99828655,0.0001920925,0.0010832751,0.000013053708,0.00001850113,0.0000110799965,0.000026017278,0.000013469541,0.0003560194],"genre_scores_gemma":[0.99854857,0.00009382292,0.0010569302,0.000020093386,0.000017342258,0.000015922244,0.000050485196,0.000010920313,0.0001859156],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99978,0.000039492665,0.000025584757,0.00006486598,0.00006609824,0.000023926483],"domain_scores_gemma":[0.99794525,0.0009761529,0.00056748866,0.00017126062,0.00013508172,0.00020489747],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035525806,0.00022486359,0.0003354155,0.00035016175,0.00013791109,0.00020732549,0.0002123149,0.00034007075,0.0018779115],"category_scores_gemma":[0.0028865738,0.00015638684,0.00016685216,0.00018103344,0.00031436034,0.00028440973,0.0003818648,0.00030526685,0.00013144201],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001938286,0.000048238715,0.0073730634,0.00007774957,0.000012660487,0.0003178301,0.00014703274,0.00009168962,0.98388416,0.00009336269,0.000031720465,0.005984205],"study_design_scores_gemma":[0.00013491613,0.0021334286,0.7903435,0.000019281448,0.000071284274,0.0019221477,0.000158505,0.0028069264,0.20116709,0.00065027404,0.000560444,0.000032252985],"about_ca_topic_score_codex":0.0002821992,"about_ca_topic_score_gemma":0.0002694026,"teacher_disagreement_score":0.0018779115,"about_ca_system_score_codex":0.0001867854,"about_ca_system_score_gemma":0.00009288728,"threshold_uncertainty_score":0.0062822104},"labels":[],"label_agreement":null},{"id":"W2888339737","doi":"10.1525/mp.2018.36.1.24","title":"Short-term Recognition of Timbre Sequences","year":2018,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Timbre; Speech recognition; Psychology; Pitch (Music); Perception; Pattern recognition (psychology); Cognitive psychology; Communication; Computer science; Musical","score_opus":0.1072272911585703,"score_gpt":0.36877215723597084,"score_spread":0.2615448660774006,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2888339737","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99726886,0.00013661486,0.0019111227,0.000011752349,0.000010361437,0.000007719148,0.000026669934,0.000021271178,0.00060563075],"genre_scores_gemma":[0.99599177,0.0001184772,0.0019699798,0.00003255486,0.000013497186,0.0000131447005,0.00017121578,0.00001314099,0.0016762186],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9996656,0.000051828978,0.000026498603,0.00012532731,0.000094980256,0.00003583312],"domain_scores_gemma":[0.99818265,0.0007422335,0.00032946948,0.00035004347,0.00023439187,0.00016113988],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006426221,0.00019389027,0.00028704997,0.00023370472,0.00011636321,0.0005208448,0.00035136388,0.0005089001,0.0033212597],"category_scores_gemma":[0.0034842687,0.00014222407,0.00019884288,0.00013234981,0.00025909673,0.0008458597,0.00050552766,0.00042320605,0.00085165363],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010800043,0.00014914722,0.011999156,0.00009967111,0.000029416879,0.000050588667,0.00033384227,0.00018442147,0.94894314,0.000113094895,0.000065924396,0.036951605],"study_design_scores_gemma":[0.000064263964,0.007204561,0.54925084,0.000040855677,0.000089817404,0.00096659927,0.0005608264,0.004929649,0.43476963,0.0007499678,0.0013114894,0.00006151386],"about_ca_topic_score_codex":0.00043294195,"about_ca_topic_score_gemma":0.00058590394,"teacher_disagreement_score":0.0033212597,"about_ca_system_score_codex":0.00012457446,"about_ca_system_score_gemma":0.00012309256,"threshold_uncertainty_score":0.011110723},"labels":[],"label_agreement":null},{"id":"W2888382744","doi":"10.1525/mp.2018.36.1.77","title":"Effects of Musical Context on the Recognition of Musical Motives During Listening","year":2018,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Active listening; Musical; Similarity (geometry); Context (archaeology); Psychology; Violin; Identification (biology); Linguistics; Natural (archaeology); Cognitive psychology; Speech recognition; Communication; Computer science; Artificial intelligence; Acoustics; Art; Visual arts; Image (mathematics); Geography","score_opus":0.05286561049208392,"score_gpt":0.3224083125552339,"score_spread":0.26954270206314995,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2888382744","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9985936,0.0000673496,0.00030908218,0.000011895101,0.0000052820646,0.00001508105,0.000018912193,0.000009484045,0.0009693401],"genre_scores_gemma":[0.9988558,0.00005052019,0.0008258127,0.000023347504,0.000008038689,0.000023717932,0.000041560776,0.000008668443,0.0001624869],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99935406,0.00018725649,0.00005546002,0.00020453242,0.00013211703,0.00006649384],"domain_scores_gemma":[0.9963565,0.0020680993,0.00071622536,0.00024876825,0.0002730507,0.00033736625],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00067707937,0.00032797272,0.00030261083,0.000363173,0.0003132904,0.0010996143,0.00021337038,0.00057850266,0.0015822306],"category_scores_gemma":[0.010460465,0.00024310441,0.00020795924,0.00013470011,0.0005563057,0.00063165143,0.00091139285,0.000418946,0.00014613502],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0075181774,0.00047790696,0.105841406,0.0005470558,0.00021184898,0.00061775435,0.0150647955,0.00047726862,0.8245033,0.0003512106,0.00022522452,0.04416414],"study_design_scores_gemma":[0.00006360653,0.0020489995,0.9800495,0.00002961055,0.00009571694,0.00037452436,0.002760074,0.0009090217,0.012899286,0.0003178656,0.00039051726,0.00006131108],"about_ca_topic_score_codex":0.0004134921,"about_ca_topic_score_gemma":0.0007077361,"teacher_disagreement_score":0.0015822306,"about_ca_system_score_codex":0.00013231448,"about_ca_system_score_gemma":0.00009993136,"threshold_uncertainty_score":0.005293131},"labels":[],"label_agreement":null},{"id":"W2968232576","doi":"10.1525/mp.2019.36.5.435","title":"Electrophysiological Correlates of Key and Harmony Processing in 3-year-old Children","year":2019,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University; MacEwan University","funders":"","keywords":"Chord (peer-to-peer); Psychology; Electroencephalography; Perception; Negativity effect; Event-related potential; Syntax; Musical; Cognitive psychology; Harmony (color); Key (lock); Developmental psychology; Linguistics; Communication; Neuroscience; Computer science","score_opus":0.026566850113912337,"score_gpt":0.29996350849035575,"score_spread":0.2733966583764434,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2968232576","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9993979,0.000111659945,0.00006631102,0.0000101062815,0.000004863126,0.000005251552,0.00012023898,0.0000069971197,0.0002765825],"genre_scores_gemma":[0.9987752,0.00022095654,0.00026788752,0.0000339088,0.0000048400725,0.000022681514,0.0002447775,0.000004979422,0.00042466682],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9998416,0.000009353438,0.000018168292,0.00004628489,0.00003673878,0.000047953745],"domain_scores_gemma":[0.9994205,0.000115106755,0.00019307884,0.000034053475,0.00008789985,0.00014932503],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035870276,0.00045275287,0.00044798045,0.0007335033,0.00026739662,0.0005509353,0.0002242596,0.00056105026,0.0012648869],"category_scores_gemma":[0.001231617,0.00023359287,0.00040957742,0.00026287138,0.0005792105,0.00040925096,0.00042843996,0.0006429076,0.00036049538],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011910393,0.00060317095,0.77325416,0.00022936448,0.000093541166,0.01039212,0.008466395,0.00014318727,0.17875463,0.00031388697,0.0005344882,0.026024142],"study_design_scores_gemma":[0.00000779681,0.000233152,0.994303,0.000007900958,0.000019483,0.0019308197,0.00078891567,0.000041127834,0.0023840829,0.000051697756,0.00022328757,0.000008681015],"about_ca_topic_score_codex":0.0028502038,"about_ca_topic_score_gemma":0.0035703122,"teacher_disagreement_score":0.0028502038,"about_ca_system_score_codex":0.00021479966,"about_ca_system_score_gemma":0.00019184317,"threshold_uncertainty_score":0.00566715},"labels":[],"label_agreement":null},{"id":"W2968373527","doi":"10.1525/mp.2019.36.5.480","title":"Vowel Formant Structure Predicts Metric Position in Hip-hop Lyrics","year":2019,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Music and Audio Processing","field":"Computer Science","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Formant; Beat (acoustics); Vowel; Lyrics; Speech recognition; Acoustics; Linguistics; Psychology; Audiology; Mathematics; Computer science; Physics","score_opus":0.016254740476284876,"score_gpt":0.2861840817196569,"score_spread":0.26992934124337203,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2968373527","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99648607,0.00008942303,0.0008509803,0.000012486907,0.0000047894537,0.000009036093,0.0001086752,0.00001808809,0.0024204794],"genre_scores_gemma":[0.9985928,0.00004126394,0.00041827958,0.0000055885957,0.000003752972,0.0000065234262,0.00028616638,0.0000242577,0.00062126934],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9997849,0.000043055436,0.000020642863,0.00005666011,0.000060905215,0.000033842327],"domain_scores_gemma":[0.99860615,0.0006399857,0.00026002945,0.00009736423,0.00025143215,0.0001451138],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004117158,0.00027198237,0.00021807067,0.0006372809,0.00030692763,0.0012321315,0.00013144252,0.00030576522,0.0031661626],"category_scores_gemma":[0.004192241,0.00023877632,0.00015979426,0.00032248325,0.0003151048,0.0004079986,0.0005357351,0.00030998568,0.0015885668],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014124783,0.00016082583,0.60711455,0.00018778467,0.00010485795,0.00029585164,0.0042931205,0.0018353886,0.3209317,0.0010613037,0.0007990448,0.06180302],"study_design_scores_gemma":[0.000008250988,0.00012243129,0.9921476,0.000011791029,0.0000123628915,0.00018770529,0.00050045777,0.003165258,0.0031120807,0.0002220537,0.00049690943,0.000013176517],"about_ca_topic_score_codex":0.0023525343,"about_ca_topic_score_gemma":0.003662513,"teacher_disagreement_score":0.0031661626,"about_ca_system_score_codex":0.00022196215,"about_ca_system_score_gemma":0.00012886953,"threshold_uncertainty_score":0.010591865},"labels":[],"label_agreement":null},{"id":"W2974036807","doi":"10.1525/mp.2019.37.1.66","title":"Acoustically Expressing Affect","year":2019,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":19,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Psychology; Valence (chemistry); Arousal; Active listening; Interpersonal communication; Affect (linguistics); Cognitive psychology; Social psychology; Speech recognition; Communication; Computer science; Physics","score_opus":0.05035117999931114,"score_gpt":0.3488338806911138,"score_spread":0.29848270069180266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2974036807","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95705694,0.00035015828,0.011338261,0.00018876477,0.00011607631,0.00006224861,0.00016455157,0.000086383254,0.03063667],"genre_scores_gemma":[0.99309677,0.0001828925,0.004182744,0.00011156126,0.000048189086,0.000040215444,0.00007043506,0.00003869437,0.0022285355],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9995552,0.00015306154,0.000023273917,0.00009447274,0.00014184407,0.00003224537],"domain_scores_gemma":[0.9994708,0.0002171131,0.00011389259,0.000068759,0.00008540833,0.000044064127],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00038104446,0.00026759223,0.00016825441,0.00021915957,0.00027302135,0.0010144694,0.00014105071,0.00033817376,0.003055467],"category_scores_gemma":[0.003265577,0.00011178359,0.00015438044,0.00014693284,0.00045458344,0.0003840696,0.0007207845,0.000370394,0.00042290014],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00057444174,0.000060331873,0.01851375,0.00031769188,0.000090565925,0.0002641027,0.0064081256,0.0006909821,0.88272303,0.0032355133,0.0008948884,0.086226545],"study_design_scores_gemma":[0.00010261162,0.0013649322,0.8341147,0.00023375923,0.00036624432,0.0015477259,0.00828833,0.005977412,0.112048134,0.010025299,0.025768828,0.00016199288],"about_ca_topic_score_codex":0.00019131544,"about_ca_topic_score_gemma":0.00035082366,"teacher_disagreement_score":0.003055467,"about_ca_system_score_codex":0.00019171882,"about_ca_system_score_gemma":0.00008550698,"threshold_uncertainty_score":0.010221481},"labels":[],"label_agreement":null},{"id":"W2974126951","doi":"10.1525/mp.2019.37.1.57","title":"Vowel Content Influences Relative Pitch Perception in Vocal Melodies","year":2019,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":16,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Brightness; Interval (graph theory); Melody; Perception; Vowel; Mathematics; Psychology; Pitch contour; Speech recognition; Acoustics; Audiology; Communication; Computer science; Physics; Optics; Art; Musical; Combinatorics","score_opus":0.08718373369307542,"score_gpt":0.3460483499586816,"score_spread":0.2588646162656062,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2974126951","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99824166,0.000087720095,0.0009643079,0.000009334073,0.000007230726,0.0000045394436,0.000011638976,0.000008963,0.00066457153],"genre_scores_gemma":[0.9989981,0.000057326713,0.0006985472,0.000009642199,0.0000035658381,0.0000036084216,0.000020895846,0.000011509119,0.00019685182],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9998573,0.00003463645,0.000011957567,0.00003691123,0.000041598836,0.00001758009],"domain_scores_gemma":[0.9991524,0.00050013,0.00011323248,0.00003770471,0.00009485547,0.00010164722],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019874718,0.0001610776,0.00017066712,0.00017676974,0.000117003765,0.00057228224,0.00012643405,0.00026253477,0.0014167575],"category_scores_gemma":[0.002252053,0.00019630278,0.00013419538,0.000056255787,0.0002533882,0.0003307201,0.00031481052,0.00025434815,0.00017471984],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026925924,0.000011293549,0.002083604,0.000023979777,0.0000063069733,0.000042892894,0.00011323838,0.000055919732,0.99444073,0.00004321492,0.0000075078588,0.0029020116],"study_design_scores_gemma":[0.000064589214,0.0013756423,0.70689005,0.000031521948,0.000084751904,0.00046975276,0.00050905294,0.0044055707,0.2849903,0.00061447674,0.0005249907,0.000039339433],"about_ca_topic_score_codex":0.00043059283,"about_ca_topic_score_gemma":0.00053187914,"teacher_disagreement_score":0.0014167575,"about_ca_system_score_codex":0.00014177468,"about_ca_system_score_gemma":0.00010038761,"threshold_uncertainty_score":0.0047394633},"labels":[],"label_agreement":null},{"id":"W3007551847","doi":"10.1525/mp.2020.37.3.185","title":"Cross-Cultural Work in Music Cognition","year":2020,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":156,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto; McMaster University; Université de Montréal","funders":"Japan Society for the Promotion of Science; Arts and Humanities Research Council; Harvard Data Science Initiative, Harvard University; European Commission; Vlaamse regering; Fonds Wetenschappelijk Onderzoek; National Institutes of Health; Keio University; National Science Foundation","keywords":"Terminology; Field (mathematics); Psychology; Discipline; Position paper; Work (physics); Cognition; Sociology; Engineering ethics; Cognitive science; Social science; Computer science; Engineering; Linguistics","score_opus":0.11122134022559656,"score_gpt":0.37619825513234123,"score_spread":0.2649769149067447,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3007551847","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70364726,0.04534001,0.012651475,0.011298942,0.0006481887,0.00004013694,0.00004529503,0.00004112526,0.22628765],"genre_scores_gemma":[0.9907651,0.004998245,0.0015938812,0.000746896,0.000081934035,0.00002493543,0.000016454505,0.000022341448,0.0017502864],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99034405,0.0064756796,0.00027713866,0.001365444,0.0011279722,0.00040979203],"domain_scores_gemma":[0.96420425,0.028765213,0.001712215,0.0024955801,0.0017706568,0.001052039],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.016384063,0.00063152716,0.00056153093,0.0043480676,0.0044889385,0.008279358,0.0011664007,0.0011158373,0.005729027],"category_scores_gemma":[0.019853903,0.00034947807,0.0006960797,0.0036518965,0.018668221,0.006721569,0.0060747867,0.0021222855,0.00029497457],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007692096,0.00031454896,0.07396239,0.00078469515,0.0005197186,0.00056512066,0.59424394,0.0010099607,0.0011462518,0.16278943,0.001984233,0.16260275],"study_design_scores_gemma":[0.000030794443,0.00014362688,0.21885365,0.0021753204,0.0002215917,0.0012305633,0.5246862,0.0009267852,0.0016169124,0.20048878,0.0494783,0.00014747668],"about_ca_topic_score_codex":0.010077235,"about_ca_topic_score_gemma":0.016657133,"teacher_disagreement_score":0.016384063,"about_ca_system_score_codex":0.0030788276,"about_ca_system_score_gemma":0.0020174282,"threshold_uncertainty_score":0.086648226},"labels":[],"label_agreement":null},{"id":"W3007619607","doi":"10.1525/mp.2020.37.3.196","title":"Exploring the Effects of Effectors","year":2020,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Psychology; Rhythm; Movement (music); Active listening; Perception; Tone (literature); Synchronizing; Cognitive psychology; Communication; Synchronization (alternating current); Kinematics; Speech recognition; Computer science; Neuroscience","score_opus":0.12830071682584843,"score_gpt":0.3278201021734454,"score_spread":0.199519385347597,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3007619607","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9805608,0.0001789857,0.014504716,0.000073136696,0.000023010849,0.00003244369,0.00007319712,0.000079327976,0.0044743354],"genre_scores_gemma":[0.99330527,0.000054518085,0.005369019,0.000055694392,0.0000066648213,0.000038930335,0.00005985071,0.000039568113,0.0010704481],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99931836,0.00016575198,0.00005776758,0.00024175395,0.000109938,0.00010636773],"domain_scores_gemma":[0.99659926,0.002451748,0.00026238765,0.0003829576,0.000131658,0.00017204043],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007271265,0.00047379828,0.00035005677,0.00020045678,0.00018102601,0.0007104381,0.00042778125,0.00060820114,0.0058991946],"category_scores_gemma":[0.0071983254,0.00019647242,0.00038025627,0.00010423758,0.0005322372,0.00064642134,0.001162054,0.0005969486,0.00060241757],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014911665,0.00065130886,0.0065535074,0.00030509586,0.000068787296,0.00018170319,0.00079717045,0.0036531424,0.9362402,0.001161828,0.0000869145,0.048809215],"study_design_scores_gemma":[0.00032758128,0.015979834,0.40165925,0.00018527788,0.00049449055,0.0014522373,0.0010886946,0.04017443,0.52209026,0.00870169,0.007757111,0.00008929001],"about_ca_topic_score_codex":0.00030966432,"about_ca_topic_score_gemma":0.0004046672,"teacher_disagreement_score":0.0058991946,"about_ca_system_score_codex":0.0002028873,"about_ca_system_score_gemma":0.00026249723,"threshold_uncertainty_score":0.01973474},"labels":[],"label_agreement":null},{"id":"W3024143135","doi":"10.1525/mp.2020.37.4.359","title":"Joint Speech and Its Relation to Joint Action","year":2020,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Animal Vocal Communication and Behavior","field":"Biochemistry, Genetics and Molecular Biology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Linguistics; Joint (building); Perspective (graphical); Psychology; Joint attention; Context (archaeology); Musical; Communication; Computer science; History; Artificial intelligence; Art; Autism; Engineering; Literature; Developmental psychology","score_opus":0.127595147047066,"score_gpt":0.3638125314597232,"score_spread":0.2362173844126572,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3024143135","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.045419175,0.046231467,0.07339576,0.16303533,0.0067277057,0.000039055307,0.00010773997,0.00012571442,0.66491807],"genre_scores_gemma":[0.9578421,0.0051748306,0.0042556627,0.009190627,0.0030941786,0.00005962027,0.000041155585,0.000098087345,0.020243758],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9944596,0.0027956094,0.0001906628,0.0010588459,0.0010007495,0.0004945478],"domain_scores_gemma":[0.9940234,0.0040991595,0.00046879362,0.00045799956,0.00058812427,0.00036259333],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0053703366,0.00050281314,0.00047213788,0.0013261309,0.0057434216,0.006802111,0.0016416376,0.0062148334,0.006046298],"category_scores_gemma":[0.008146079,0.00021296204,0.0005644006,0.00093137554,0.046344496,0.0075480477,0.005714709,0.0050556767,0.0008908712],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017398004,0.000003965031,0.0001777952,0.000041280888,0.0000040020554,0.00010626239,0.01613411,0.00009142788,0.00012972567,0.97587323,0.002686925,0.00473392],"study_design_scores_gemma":[0.000012257893,0.000041706677,0.0016400341,0.00028679756,0.000012346379,0.00052687473,0.012538289,0.00071801216,0.00044250587,0.7248562,0.25889027,0.00003471343],"about_ca_topic_score_codex":0.004611082,"about_ca_topic_score_gemma":0.003907083,"teacher_disagreement_score":0.006802111,"about_ca_system_score_codex":0.0027063154,"about_ca_system_score_gemma":0.002020647,"threshold_uncertainty_score":0.028401375},"labels":[],"label_agreement":null},{"id":"W3037167409","doi":"10.1525/mp.2020.37.5.373","title":"Classical Rondos and Sonatas as Stylistic Categories","year":2020,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Psychology; Categorization; Happiness; Piano sonata; Movement (music); Speech recognition; Linguistics; Cognitive psychology; Art; Social psychology; Computer science; Aesthetics; Philosophy","score_opus":0.07207952314662065,"score_gpt":0.34133475571867816,"score_spread":0.2692552325720575,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3037167409","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94844764,0.00035851597,0.010125614,0.00006944868,0.000049695827,0.00013277508,0.00027729583,0.0000843483,0.040454533],"genre_scores_gemma":[0.99232626,0.000090438356,0.004741827,0.000018592784,0.000015494623,0.00006500632,0.00022378626,0.00002263131,0.002495933],"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9994221,0.00013679068,0.00006346645,0.00013243333,0.00018454796,0.000060633378],"domain_scores_gemma":[0.99898154,0.0003705208,0.00024695921,0.0001610093,0.00012438145,0.00011563381],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005548624,0.00030255545,0.00020144391,0.0013156496,0.00050185045,0.0014324799,0.00023902733,0.0002620114,0.004063313],"category_scores_gemma":[0.002423671,0.00011884076,0.00018749664,0.0006937337,0.0016347824,0.0010668442,0.0014402171,0.00030597197,0.00046975116],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.003406094,0.0002252867,0.19517095,0.0011067875,0.00016960854,0.0013425729,0.057096165,0.001448913,0.26816657,0.09754224,0.0036478734,0.37067688],"study_design_scores_gemma":[0.00008656983,0.0008780997,0.881079,0.00019480387,0.000081884624,0.0027113787,0.02340839,0.005541117,0.009733559,0.02488149,0.051252432,0.00015129671],"about_ca_topic_score_codex":0.00079069246,"about_ca_topic_score_gemma":0.0025093094,"teacher_disagreement_score":0.004063313,"about_ca_system_score_codex":0.00037256718,"about_ca_system_score_gemma":0.00018240156,"threshold_uncertainty_score":0.013593137},"labels":[],"label_agreement":null},{"id":"W3087173707","doi":"10.1525/mp.2020.38.1.27","title":"The Influence of Rate and Accentuation on Subjective Rhythmization","year":2020,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Stress (linguistics); Psychology; Tone (literature); Variation (astronomy); Rhythm; Duration (music); Speech recognition; Communication; Mathematics; Combinatorics; Pattern recognition (psychology); Statistics; Linguistics; Cognitive psychology; Computer science; Physics","score_opus":0.04966068450263527,"score_gpt":0.3259684640521164,"score_spread":0.2763077795494811,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3087173707","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9959072,0.000072183,0.002614163,0.000007620951,0.00001303113,0.00003450906,0.000033069005,0.000015118466,0.0013031225],"genre_scores_gemma":[0.99735165,0.000042360964,0.002044002,0.000013545254,0.000008675206,0.00005045181,0.000048868056,0.00001649411,0.00042399706],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9991456,0.0003166514,0.00007151202,0.00022095944,0.0002008343,0.000044483008],"domain_scores_gemma":[0.9966546,0.002123906,0.00045241168,0.00033639462,0.0002353058,0.00019725593],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009642788,0.00032771955,0.00020516373,0.00019080097,0.00013273794,0.00043830456,0.00017332734,0.00020136576,0.0020179495],"category_scores_gemma":[0.0067498246,0.00016305156,0.00015598252,0.00007551569,0.00030226624,0.00030059947,0.00042508857,0.00026972283,0.00024812054],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0029064803,0.0002352152,0.019282801,0.00011627818,0.000039734343,0.00009025285,0.00074518094,0.00035811486,0.95934415,0.00019310282,0.000047865728,0.016640805],"study_design_scores_gemma":[0.00014959736,0.0075085424,0.76815873,0.00003419069,0.0001348074,0.0005136741,0.00046727335,0.0050967666,0.21620679,0.00053831405,0.0011267089,0.000064586806],"about_ca_topic_score_codex":0.00018373692,"about_ca_topic_score_gemma":0.00022859189,"teacher_disagreement_score":0.0020179495,"about_ca_system_score_codex":0.000114541246,"about_ca_system_score_gemma":0.00010068154,"threshold_uncertainty_score":0.006750703},"labels":[],"label_agreement":null},{"id":"W3107953674","doi":"10.1525/mp.2020.38.2.214","title":"Semantic Dimensions of Sound Mass Music","year":2020,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Music and Audio Processing","field":"Computer Science","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University; Centre for Interdisciplinary Research in Music Media and Technology","funders":"Agence Nationale de la Recherche","keywords":"Perception; Semantics (computer science); Psychology; Music psychology; Cronbach's alpha; Computer science; Pitch (Music); Representation (politics); Cognitive psychology; Musical; Conceptualization; Natural language processing; Artificial intelligence; Music education; Developmental psychology; Art; Psychometrics","score_opus":0.05618477965505743,"score_gpt":0.3117113064222135,"score_spread":0.2555265267671561,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3107953674","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96211165,0.00026723355,0.027505452,0.00015933992,0.000025494048,0.000032993445,0.000064497326,0.0000326917,0.0098007],"genre_scores_gemma":[0.99513113,0.00004355871,0.0045927386,0.00001849941,0.000017222144,0.000016151775,0.00003702997,0.000007526439,0.00013617116],"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99867815,0.00043531484,0.00010601794,0.00024164424,0.0004874737,0.00005131036],"domain_scores_gemma":[0.99546117,0.0019832442,0.0011805462,0.0005612149,0.0005698313,0.00024398041],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017821463,0.0002671752,0.00020978408,0.0018899956,0.00042405695,0.0016444111,0.00034433397,0.00038256258,0.0021947464],"category_scores_gemma":[0.010366973,0.00020645378,0.00023896285,0.0009967706,0.0019168257,0.0028198923,0.0014616695,0.00041906105,0.00014150362],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0024032274,0.0003865363,0.15133394,0.001529213,0.0002714422,0.00078215246,0.08406431,0.0030825266,0.27166986,0.123506315,0.0009266357,0.36004385],"study_design_scores_gemma":[0.00012146183,0.0020945712,0.6986138,0.00021833165,0.00021883468,0.0022060762,0.043261286,0.019118298,0.020063147,0.19922994,0.014616904,0.00023735416],"about_ca_topic_score_codex":0.00027216345,"about_ca_topic_score_gemma":0.00040406777,"teacher_disagreement_score":0.0021947464,"about_ca_system_score_codex":0.0003356911,"about_ca_system_score_gemma":0.00020295425,"threshold_uncertainty_score":0.009425044},"labels":[],"label_agreement":null},{"id":"W3156688482","doi":"10.1525/mp.2021.38.4.386","title":"Establishing the Reliability and Validity of Web-based Singing Research","year":2021,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Singing; Cronbach's alpha; Psychology; Task (project management); Convergent validity; Robustness (evolution); Reliability (semiconductor); Scale (ratio); Internal consistency; Developmental psychology; Psychometrics; Engineering","score_opus":0.15333280215495051,"score_gpt":0.4041328948728553,"score_spread":0.2508000927179048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3156688482","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":"methods","model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":"methods","domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9709103,0.00029267347,0.01866913,0.000087693166,0.00015192971,0.0010850423,0.00046288132,0.000116517884,0.008223756],"genre_scores_gemma":[0.97563136,0.00017961535,0.020500865,0.00008096501,0.0000946891,0.0016820732,0.0006661759,0.000056390018,0.0011079472],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9833657,0.0066215917,0.0025330174,0.0018176526,0.0051905783,0.00047142207],"domain_scores_gemma":[0.9166977,0.042368285,0.0058462294,0.009096648,0.02490379,0.0010873995],"candidate_categories":["metaresearch"],"consensus_categories":[],"category_scores_codex":[0.028582092,0.0004448417,0.00058505655,0.0024454636,0.0007369144,0.0014197025,0.0007813106,0.00061788666,0.0017849708],"category_scores_gemma":[0.060749304,0.00032007208,0.0009090872,0.0012981193,0.00094507815,0.001195459,0.0014603977,0.0006568321,0.0010079214],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008100686,0.0018192177,0.8165783,0.00057392387,0.00050904695,0.0001881569,0.008094705,0.0010764025,0.014480049,0.0010353388,0.0010766807,0.153758],"study_design_scores_gemma":[0.00009046794,0.0024840822,0.97345316,0.00022610936,0.00018508371,0.0004054217,0.003395895,0.0046502803,0.008693283,0.00078050705,0.005569089,0.000066513],"about_ca_topic_score_codex":0.0012557566,"about_ca_topic_score_gemma":0.0022315695,"teacher_disagreement_score":0.9714179,"about_ca_system_score_codex":0.00037409598,"about_ca_system_score_gemma":0.0008710743,"threshold_uncertainty_score":0.15115839},"labels":[],"label_agreement":null},{"id":"W3162974920","doi":"10.1525/mp.2021.38.5.425","title":"Probe Tone Paradigm Reveals Less Differentiated Tonal Hierarchy in Rock Music","year":2021,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Lethbridge","funders":"","keywords":"Hierarchy; Tone (literature); Pitch (Music); Representation (politics); Musical; Style (visual arts); Musical form; Classical music; Western music; Linguistics; Psychology; Computer science; Cognitive science; Art; Literature; Philosophy","score_opus":0.08180760107041851,"score_gpt":0.35398210059693247,"score_spread":0.27217449952651396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3162974920","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9901134,0.000074539064,0.005870318,0.0001504509,0.00004728963,0.00005446461,0.00007218239,0.00003894731,0.0035782864],"genre_scores_gemma":[0.99166846,0.0000729156,0.0059840055,0.0003616305,0.000015325451,0.000122024045,0.00010326342,0.000034223845,0.0016379522],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9996145,0.00006453859,0.000029689549,0.00012450916,0.000108683365,0.000058079833],"domain_scores_gemma":[0.9990546,0.00041026558,0.00012065029,0.00015328018,0.000083299565,0.00017799118],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004481541,0.00025818212,0.0004171561,0.00035713063,0.00041191268,0.00052218203,0.00042849916,0.0007552789,0.0049292278],"category_scores_gemma":[0.0030920075,0.00023947284,0.00015085914,0.00015619444,0.0009648017,0.0008060091,0.0013715109,0.0012125116,0.0005757701],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00085902616,0.00017088182,0.0013825973,0.000064705775,0.0000065929175,0.00017883447,0.0006734932,0.00001658441,0.9899678,0.000606002,0.00010628736,0.0059672324],"study_design_scores_gemma":[0.00065610715,0.010325315,0.42400217,0.00009725897,0.00010600359,0.0056326413,0.0047591515,0.0050440137,0.5321511,0.00974657,0.0073343473,0.00014532801],"about_ca_topic_score_codex":0.0005503469,"about_ca_topic_score_gemma":0.0008951306,"teacher_disagreement_score":0.0049292278,"about_ca_system_score_codex":0.00017250163,"about_ca_system_score_gemma":0.00022272258,"threshold_uncertainty_score":0.016489863},"labels":[],"label_agreement":null},{"id":"W3166247477","doi":"10.1525/mp.2021.38.5.499","title":"Music to Your Ears","year":2021,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Phonetics and Phonology Research","field":"Psychology","cited_by":21,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal; International Laboratory for Brain, Music and Sound Research","funders":"Agence Nationale de la Recherche","keywords":"Sonority hierarchy; Linguistics; Prosody; Perception; Phrase; Psychology; Repetition (rhetorical device); Transformation (genetics); Stress (linguistics); Speech perception; Computer science; Speech recognition; Cognitive psychology","score_opus":0.10939531204980664,"score_gpt":0.43492273073627585,"score_spread":0.3255274186864692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3166247477","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03473459,0.019507693,0.012277544,0.045397423,0.029268065,0.0001526475,0.0015692175,0.0046131024,0.8524797],"genre_scores_gemma":[0.10071717,0.0073298705,0.0071876016,0.016927041,0.0073698345,0.000049976265,0.000505397,0.0006960017,0.8592172],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99983144,0.000019942005,0.000006792358,0.000032589982,0.00007892498,0.000030280942],"domain_scores_gemma":[0.99957234,0.000053089305,0.00003354085,0.000048086305,0.00013227084,0.00016072455],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025054003,0.00056957826,0.00032220758,0.00046498765,0.00096352847,0.0020920937,0.0003696004,0.0009966418,0.25067538],"category_scores_gemma":[0.001818595,0.00012353162,0.0003368277,0.00021645242,0.00063099567,0.0017050479,0.0014054332,0.0010931997,0.15730077],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003873808,0.00007977916,0.0026944207,0.0005251654,0.00003475913,0.0014164721,0.0018615065,0.00005418631,0.026746918,0.0073960745,0.5174525,0.44135088],"study_design_scores_gemma":[0.000025265066,0.00019891075,0.004879511,0.00017881094,0.000013836657,0.0031072416,0.001394127,0.00008094503,0.002354037,0.0031191055,0.98461795,0.000030252488],"about_ca_topic_score_codex":0.00053443806,"about_ca_topic_score_gemma":0.0011478809,"teacher_disagreement_score":0.25067538,"about_ca_system_score_codex":0.00020644689,"about_ca_system_score_gemma":0.0002505952,"threshold_uncertainty_score":0.8385927},"labels":[],"label_agreement":null},{"id":"W3172223392","doi":"10.1525/mp.2021.38.5.473","title":"Instrument Timbre Enhances Perceptual Segregation in Orchestral Music","year":2021,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":25,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University; University of Toronto","funders":"Agence Nationale de la Recherche","keywords":"Timbre; Orchestration; STREAMS; Perception; Speech recognition; Musical; Psychology; Communication; Cognitive psychology; Computer science; Art; Visual arts; Neuroscience","score_opus":0.08287802218152797,"score_gpt":0.3420027936013282,"score_spread":0.2591247714198002,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3172223392","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9934549,0.00016571692,0.0034083503,0.000034007397,0.0000104714745,0.000015059493,0.000019687153,0.000023497068,0.0028683443],"genre_scores_gemma":[0.99643433,0.00012059269,0.0027369438,0.000029310115,0.000011053303,0.00001023108,0.000053983124,0.000013140486,0.0005903449],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9996506,0.000073320494,0.000024686326,0.00008614476,0.00012406941,0.00004117754],"domain_scores_gemma":[0.99930763,0.00029399834,0.00015253757,0.00008003736,0.00007473354,0.000091156646],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00050579273,0.00026047163,0.0003521642,0.0004479433,0.00023473127,0.0006956656,0.00025457962,0.0005067238,0.0025704599],"category_scores_gemma":[0.003592179,0.00026790827,0.00019898893,0.00019739289,0.00057192397,0.00074965105,0.0010073953,0.00031471628,0.0003356663],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014015636,0.000070775575,0.005666909,0.00013211867,0.000026523714,0.00008927542,0.00042876598,0.00022741425,0.96828485,0.0002635582,0.00005668259,0.0233516],"study_design_scores_gemma":[0.0000984121,0.0017666267,0.8495768,0.000050240502,0.00009963846,0.00060765655,0.00071684027,0.0039778072,0.13953264,0.0023032117,0.0012341542,0.00003598706],"about_ca_topic_score_codex":0.00028679092,"about_ca_topic_score_gemma":0.00041572776,"teacher_disagreement_score":0.0025704599,"about_ca_system_score_codex":0.00024268453,"about_ca_system_score_gemma":0.00012145557,"threshold_uncertainty_score":0.008598983},"labels":[],"label_agreement":null},{"id":"W3177724977","doi":"10.1525/mp.2021.39.1.21","title":"The Perceptual Attraction of Pre-Dominant Chords","year":2021,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Chord (peer-to-peer); Semitone; Psychology; Attraction; Perception; Chromatic scale; Mathematics; Tonic (physiology); Cognitive psychology; Social psychology; Communication; Speech recognition; Combinatorics; Linguistics; Computer science; Neuroscience","score_opus":0.05616628814244467,"score_gpt":0.3541201125384954,"score_spread":0.2979538243960507,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3177724977","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9951807,0.00006675676,0.00039904143,0.00001461268,0.000010382002,0.000013954731,0.000025833937,0.000007711923,0.0042809],"genre_scores_gemma":[0.9990563,0.000040547584,0.00040074694,0.000015354342,0.000006398872,0.0000046436653,0.00003829881,0.0000032520131,0.00043445942],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9997328,0.00004608892,0.00001910658,0.000055947334,0.00011300184,0.000033065513],"domain_scores_gemma":[0.99757653,0.0009805686,0.00048842357,0.0001881706,0.0002902505,0.0004760405],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043722038,0.00019264015,0.0001601121,0.00048630405,0.00021882214,0.000807454,0.00014384037,0.00029719956,0.003366429],"category_scores_gemma":[0.004927984,0.00012908403,0.0001475001,0.0001303587,0.00031764383,0.00032072852,0.0006635345,0.0003924123,0.00021039945],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0068204184,0.00034835088,0.41234723,0.0006739833,0.00025709628,0.0008853502,0.008640168,0.0007165345,0.48623484,0.0021668714,0.001232847,0.079676405],"study_design_scores_gemma":[0.000042643795,0.0007287848,0.9923259,0.00002384918,0.000029821713,0.00039249973,0.0014935905,0.0006306121,0.0030958971,0.00041833395,0.00079710066,0.000020977335],"about_ca_topic_score_codex":0.0011902427,"about_ca_topic_score_gemma":0.0024812769,"teacher_disagreement_score":0.003366429,"about_ca_system_score_codex":0.00017211832,"about_ca_system_score_gemma":0.00012452078,"threshold_uncertainty_score":0.01126188},"labels":[],"label_agreement":null},{"id":"W3188536678","doi":"10.1525/mp.2021.39.2.118","title":"Reassessing Syntax-Related ERP Components Using Popular Music Chord Sequences","year":2021,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"P3a; Psychology; Cognition; Chord (peer-to-peer); Cognitive psychology; Syntax; P600; Context (archaeology); Cognitive science; Computer science; Event-related potential; Artificial intelligence; Neuroscience","score_opus":0.1258611239182091,"score_gpt":0.3696017297021933,"score_spread":0.24374060578398418,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3188536678","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97482026,0.00011305253,0.020385006,0.00008076133,0.00003640136,0.00010207378,0.00031564597,0.00012296725,0.0040239333],"genre_scores_gemma":[0.98303396,0.0001196785,0.015954016,0.00006217839,0.000021931688,0.000071053786,0.00025504423,0.000047324986,0.0004348705],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9998394,0.00003011421,0.000013083081,0.00006279113,0.00004147458,0.000013002901],"domain_scores_gemma":[0.9993716,0.00028937825,0.0001099686,0.00009438741,0.00009666796,0.00003804344],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041048738,0.00034171552,0.00012240652,0.00039450038,0.00017182661,0.0004267897,0.00019021788,0.00029719103,0.0019691086],"category_scores_gemma":[0.0035561367,0.00012424917,0.00017872556,0.00030994552,0.00033452376,0.0008393308,0.00032974192,0.00043066996,0.00029467154],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041415208,0.00015032588,0.024013683,0.00052439974,0.000071174756,0.00034700328,0.001096252,0.0007940137,0.89495647,0.0017554935,0.00044356252,0.07543342],"study_design_scores_gemma":[0.00007240006,0.0010171719,0.8828916,0.00008045337,0.00011884252,0.0016953648,0.00088295544,0.014318898,0.08773763,0.008232695,0.002884471,0.000067585584],"about_ca_topic_score_codex":0.00056187704,"about_ca_topic_score_gemma":0.0017556497,"teacher_disagreement_score":0.0019691086,"about_ca_system_score_codex":0.00012144446,"about_ca_system_score_gemma":0.0001340524,"threshold_uncertainty_score":0.006587267},"labels":[],"label_agreement":null},{"id":"W3216983395","doi":"10.1525/mp.2021.39.2.103","title":"Perception of Music and Speech Prosody After Severe Traumatic Brain Injury","year":2021,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neurobiology of Language and Bilingualism","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Agence Nationale de la Recherche","keywords":"Prosody; Psychology; Emotional prosody; Melody; Audiology; Perception; Medicine; Speech recognition; Neuroscience; Musical","score_opus":0.04232361840301248,"score_gpt":0.33868178511764474,"score_spread":0.2963581667146323,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3216983395","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.999778,0.000043964406,0.000023793138,0.000008477655,0.0000016335521,0.000002220176,0.000017253298,8.6965383e-7,0.00012377213],"genre_scores_gemma":[0.99979454,0.000045998673,0.00002453169,0.000008893225,0.0000036348042,0.00000193232,0.000036721885,4.0496207e-7,0.00008340077],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9998696,0.000015831793,0.00001857688,0.000018624334,0.000031423842,0.00004589809],"domain_scores_gemma":[0.9996263,0.0000558744,0.00013102496,0.0000138262185,0.000054328983,0.00011854155],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013776349,0.0002658171,0.00039052436,0.0007092066,0.00047700718,0.00039799578,0.00011013493,0.00032012153,0.0013272124],"category_scores_gemma":[0.0011285987,0.00013091102,0.0002227162,0.00029713294,0.00038742903,0.0003021856,0.00038914505,0.00032364376,0.00033224394],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00064005377,0.00018346148,0.9721923,0.00005344041,0.000044980614,0.0036384214,0.0028540667,0.00010953721,0.00816454,0.00002656363,0.00011471041,0.011977941],"study_design_scores_gemma":[0.000009428876,0.0008052376,0.99084866,0.0000050382628,0.000016722131,0.0055306186,0.0019347658,0.00011027432,0.00057194947,0.000032425818,0.00012490606,0.000009943693],"about_ca_topic_score_codex":0.0016912057,"about_ca_topic_score_gemma":0.0026970932,"teacher_disagreement_score":0.0016912057,"about_ca_system_score_codex":0.00016782132,"about_ca_system_score_gemma":0.00019369995,"threshold_uncertainty_score":0.0044400096},"labels":[],"label_agreement":null},{"id":"W4210935134","doi":"10.1525/mp.2022.39.3.229","title":"Beat Perception and Production in Musicians and Dancers","year":2022,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":17,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Royal Ottawa Mental Health Centre; University of Ottawa; Western University","funders":"","keywords":"Beat (acoustics); Tapping; Stimulus (psychology); Perception; Psychology; Speech recognition; Communication; Dance; Audiology; Cognitive psychology; Computer science; Engineering; Acoustics; Art; Neuroscience; Visual arts","score_opus":0.04506704048204508,"score_gpt":0.3212479114187028,"score_spread":0.2761808709366577,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210935134","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99946934,0.000058239948,0.00011978415,0.000008134523,0.0000020804816,0.0000020746209,0.000008829267,0.0000027891367,0.00032879424],"genre_scores_gemma":[0.99910384,0.00004560848,0.0002208354,0.000014411583,0.000006130591,0.0000037622979,0.000027296213,0.000003239872,0.0005749669],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99964297,0.00006205775,0.00002824046,0.00010933017,0.00010157413,0.000055882047],"domain_scores_gemma":[0.99897385,0.0003025764,0.0002542245,0.00008944807,0.00012313157,0.00025672888],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046666656,0.0002761284,0.00029564745,0.0008116717,0.00015632258,0.00043007697,0.00017108292,0.0003595131,0.0027680409],"category_scores_gemma":[0.0034940238,0.00016998679,0.0001323127,0.00014319923,0.0004893167,0.00036472443,0.0005746654,0.00021860299,0.00033049885],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00569253,0.00052488694,0.3338136,0.00020119092,0.00016360989,0.0013883492,0.007822416,0.000520955,0.57123584,0.00024560437,0.0002663309,0.07812464],"study_design_scores_gemma":[0.000036753092,0.00073683896,0.9920906,0.000009339672,0.000015180197,0.000668603,0.0009861632,0.0005160647,0.0046180114,0.00012459002,0.00018499016,0.000012922187],"about_ca_topic_score_codex":0.0011904847,"about_ca_topic_score_gemma":0.0018607377,"teacher_disagreement_score":0.0027680409,"about_ca_system_score_codex":0.0001251221,"about_ca_system_score_gemma":0.0000754007,"threshold_uncertainty_score":0.009259999},"labels":[],"label_agreement":null},{"id":"W4224289536","doi":"10.1525/mp.2022.39.4.361","title":"Measuring Children’s Harmonic Knowledge with Implicit and Explicit Tests","year":2022,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"MacEwan University; University of Toronto","funders":"Agence Nationale de la Recherche","keywords":"Chord (peer-to-peer); Psychology; Timbre; Tonic (physiology); Subdominant; Cognition; Piano; Implicit knowledge; Cognitive psychology; Developmental psychology; Musical; Social psychology; Computer science; Acoustics; Cognitive science","score_opus":0.07035895829631905,"score_gpt":0.3176309718214309,"score_spread":0.24727201352511186,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4224289536","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9963212,0.00011657063,0.0003906905,0.000012262457,0.0000054071147,0.000052638243,0.00029815623,0.000024749828,0.0027782368],"genre_scores_gemma":[0.9930353,0.00014395498,0.0020270138,0.000024494633,0.0000058953865,0.00011395241,0.0006920226,0.000011468279,0.0039459546],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9977379,0.00012482658,0.000215484,0.0003382592,0.0012969596,0.00028662328],"domain_scores_gemma":[0.9894834,0.0025312814,0.0028885447,0.0012291403,0.0028170554,0.0010505791],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019719885,0.0009888884,0.00055822183,0.0012273752,0.0005889014,0.0012963156,0.0007866132,0.0009187046,0.0029290859],"category_scores_gemma":[0.008338995,0.00048392423,0.00057456456,0.0006117346,0.0014584276,0.0009837197,0.0011087958,0.0011786001,0.0006011374],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00148025,0.0036156573,0.8589132,0.00053843163,0.00027032994,0.0008241772,0.014101112,0.0016244496,0.052849717,0.0010201123,0.0011143611,0.063648276],"study_design_scores_gemma":[0.000039534454,0.001169595,0.98607326,0.000029236571,0.000054521082,0.00028545488,0.00077108556,0.00078623835,0.009462981,0.00016653692,0.0011051649,0.00005624227],"about_ca_topic_score_codex":0.06835571,"about_ca_topic_score_gemma":0.10657108,"teacher_disagreement_score":0.06835571,"about_ca_system_score_codex":0.0011122385,"about_ca_system_score_gemma":0.0014989346,"threshold_uncertainty_score":0.1359157},"labels":[],"label_agreement":null},{"id":"W4224305565","doi":"10.1525/mp.2022.39.4.341","title":"Song Imitation in Congenital Amusia","year":2022,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Economic and Social Research Council","keywords":"Psychology; Lyrics; Imitation; Audiology; Perception; Pitch (Music); Syllable; Pitch perception; Timbre; Cognitive psychology; Speech recognition; Musical; Neuroscience; Acoustics; Computer science","score_opus":0.06502928846057734,"score_gpt":0.3423078465623679,"score_spread":0.2772785581017906,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4224305565","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99899477,0.00021050278,0.0003784074,0.000023106126,0.0000056689696,0.000004920014,0.000013327525,0.000009844239,0.00035937628],"genre_scores_gemma":[0.999642,0.000056774406,0.00020231408,0.000007595795,0.0000052974833,0.0000021483195,0.000013384438,0.0000026786188,0.00006786225],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.999382,0.00010173314,0.0001063098,0.00013959575,0.00018579434,0.00008446265],"domain_scores_gemma":[0.9983771,0.0005302211,0.0006014412,0.0001108442,0.0001428123,0.00023760219],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00049143675,0.0005138779,0.0005054096,0.0014270943,0.00037474345,0.00026827943,0.00025513239,0.0006414601,0.0014976878],"category_scores_gemma":[0.004330297,0.00018971597,0.00021816591,0.00038400022,0.0010863199,0.0003158314,0.0008478226,0.0004087431,0.00015598905],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017145874,0.00020951092,0.6649053,0.00020861212,0.00010953174,0.094048,0.0027754402,0.00046166286,0.19165887,0.00045349318,0.00023639483,0.04321856],"study_design_scores_gemma":[0.000017882712,0.00092771207,0.87433666,0.000018463643,0.00004983525,0.11540779,0.0006030054,0.0008564213,0.0073253945,0.00025053063,0.00018411325,0.000022297716],"about_ca_topic_score_codex":0.0027949824,"about_ca_topic_score_gemma":0.0032914912,"teacher_disagreement_score":0.0027949824,"about_ca_system_score_codex":0.00040066533,"about_ca_system_score_gemma":0.00028037452,"threshold_uncertainty_score":0.005557418},"labels":[],"label_agreement":null},{"id":"W4238000292","doi":"10.1525/mp.2004.22.2.171","title":"Prolog","year":2004,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Centre for Interdisciplinary Research in Music Media and Technology; McGill University","funders":"","keywords":"Icon; Citation; Download; Computer science; Information retrieval; Search engine optimization; Table of contents; World Wide Web; Search engine; Library science; Programming language","score_opus":0.027830043764951178,"score_gpt":0.3063822033665083,"score_spread":0.2785521596015571,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238000292","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0056417594,0.0022324084,0.08516689,0.009181365,0.002133085,0.0010777812,0.051456243,0.02797065,0.81513983],"genre_scores_gemma":[0.07462422,0.004439913,0.11398693,0.005279036,0.0010422335,0.0011337143,0.08762144,0.020812642,0.69106],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99844235,0.0003623293,0.00015148967,0.00035520803,0.00043176426,0.00025673545],"domain_scores_gemma":[0.9982469,0.00060423114,0.000081451835,0.00032799243,0.0005712227,0.00016830905],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001163229,0.0011232343,0.00068909815,0.0014882684,0.0017468318,0.005510254,0.0015908623,0.0009712623,0.27575782],"category_scores_gemma":[0.0067519126,0.0007867755,0.0011665901,0.0016647658,0.0008766209,0.0060802936,0.0029088766,0.0019430169,0.16774458],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003297955,0.00010226014,0.00065232354,0.00065074716,0.00003113611,0.00024289111,0.00022724237,0.0012137945,0.0008231222,0.107591726,0.73697674,0.15115832],"study_design_scores_gemma":[0.000059562073,0.000019251725,0.00015695061,0.000099283716,0.000011210301,0.00018535962,0.00012631425,0.0010153822,0.00072946126,0.02501301,0.97256505,0.000019226516],"about_ca_topic_score_codex":0.006770261,"about_ca_topic_score_gemma":0.0075684865,"teacher_disagreement_score":0.27575782,"about_ca_system_score_codex":0.0026638792,"about_ca_system_score_gemma":0.0037724732,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4239324644","doi":"10.1525/mp.2006.24.2.i","title":"Table of Contents","year":2006,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Music and Audio Processing","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Psychology; Visual arts","score_opus":0.029297348708640213,"score_gpt":0.29785632416492325,"score_spread":0.26855897545628304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239324644","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00033315053,0.006650556,0.0015730564,0.007919252,0.042917866,0.0002854666,0.00634546,0.001981034,0.93199414],"genre_scores_gemma":[0.0012214982,0.0032081618,0.00050775264,0.0018171715,0.005107119,0.000082181745,0.0028996724,0.0007164135,0.98443997],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991762,0.00008017143,0.00005143965,0.00018551496,0.00043234706,0.00007423241],"domain_scores_gemma":[0.9974056,0.00035909488,0.000091254435,0.00025209063,0.0013573746,0.00053470593],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006237169,0.0009567965,0.0011118202,0.0020280106,0.0015411034,0.005718457,0.00148985,0.0017700739,0.85139954],"category_scores_gemma":[0.0054937224,0.00041206606,0.00056533254,0.0017979797,0.0004030481,0.0033983707,0.0023274182,0.001995719,0.7996678],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009112465,0.000010161521,0.000039133192,0.00008455697,0.000001393816,0.000022613915,0.000014877145,0.000025259782,0.00009781232,0.00095273677,0.9585848,0.040157627],"study_design_scores_gemma":[0.0000017600789,0.00000472226,0.000081969316,0.00006379455,8.9095283e-7,0.000036347064,0.000018901152,0.000017152917,0.00003313458,0.00030834222,0.9994306,0.0000023060136],"about_ca_topic_score_codex":0.0018210079,"about_ca_topic_score_gemma":0.0022881038,"teacher_disagreement_score":0.14860046,"about_ca_system_score_codex":0.0015208117,"about_ca_system_score_gemma":0.0017779592,"threshold_uncertainty_score":0.21196043},"labels":[],"label_agreement":null},{"id":"W4240361100","doi":"10.1525/mp.2007.24.4.401","title":"Review: <i>Hearing in Time: Psychological Aspects of Meter</i>, by Justin London","year":2007,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Hearing Loss and Rehabilitation","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Psychology; Metre; Audiology; Psychoanalysis; Medicine; Physics","score_opus":0.058527712779071005,"score_gpt":0.38497203402943164,"score_spread":0.32644432125036066,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240361100","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000041854008,0.97282517,0.00004160937,0.011584119,0.015124664,0.000004717624,0.000020421254,0.000004336358,0.00035316797],"genre_scores_gemma":[0.00083866104,0.9448166,0.0000876382,0.01724186,0.034458593,0.000023489469,0.000047678557,0.000008660664,0.0024767653],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993266,0.00013049456,0.00013661022,0.00017132406,0.00018208678,0.00005290408],"domain_scores_gemma":[0.9976763,0.0012339344,0.00015071314,0.000049506958,0.0006358738,0.0002535872],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015985135,0.0018523555,0.0028004863,0.0028093115,0.0010165569,0.0027873404,0.0017176879,0.006085716,0.0043593324],"category_scores_gemma":[0.0047943546,0.00071811804,0.00076763507,0.0033619266,0.0023243485,0.004564913,0.0021806872,0.006583198,0.0039243163],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014087686,0.000027492677,0.00017039194,0.007745239,0.000056868175,0.00028597147,0.00016134491,0.00006859585,0.00034614498,0.0007884556,0.87341577,0.116792776],"study_design_scores_gemma":[0.000076438,0.000069003516,0.0014135283,0.004051563,0.0000964102,0.0018494992,0.0002575329,0.00004974153,0.00012193495,0.0009225615,0.9910568,0.000034890134],"about_ca_topic_score_codex":0.0057301377,"about_ca_topic_score_gemma":0.009660992,"teacher_disagreement_score":0.006085716,"about_ca_system_score_codex":0.0016034127,"about_ca_system_score_gemma":0.002212365,"threshold_uncertainty_score":0.014583409},"labels":[],"label_agreement":null},{"id":"W4281563126","doi":"10.1525/mp.2022.39.5.423","title":"Perceived Motor Synchrony With the Beat is More Strongly Related to Groove Than Measured Synchrony","year":2022,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":46,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Beat (acoustics); Groove (engineering); Psychology; Communication; Physics; Acoustics; Engineering; Mechanical engineering","score_opus":0.033567327218894834,"score_gpt":0.3069145482415187,"score_spread":0.2733472210226239,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4281563126","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99458176,0.00015300106,0.002714155,0.000036960042,0.000021112988,0.000028081671,0.00009507448,0.000026670592,0.0023431622],"genre_scores_gemma":[0.99887985,0.000052856376,0.0007555793,0.000014748995,0.000009744698,0.000013291418,0.00007029759,0.0000074585337,0.00019609332],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99949455,0.00008902345,0.000060404942,0.00013039222,0.00018345998,0.000042064934],"domain_scores_gemma":[0.9940614,0.002401287,0.0022670862,0.0003659527,0.00045450413,0.00044978404],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005828253,0.00026154367,0.00019401734,0.00032602617,0.00010301927,0.000551417,0.00020645693,0.00040041195,0.0042715915],"category_scores_gemma":[0.014102226,0.00017214229,0.00021441844,0.00016257899,0.0003285332,0.00043218263,0.00085114286,0.000361897,0.0002876642],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0023250135,0.00021416994,0.6874114,0.00071887823,0.0003267334,0.00046659543,0.004090311,0.0010693695,0.25700995,0.0005655826,0.00040002904,0.04540195],"study_design_scores_gemma":[0.000015742367,0.0003471573,0.9958417,0.00002279807,0.000021291033,0.00016829596,0.00047652968,0.00066372944,0.0019259196,0.000289315,0.00021264136,0.000014912776],"about_ca_topic_score_codex":0.00046957997,"about_ca_topic_score_gemma":0.00075755565,"teacher_disagreement_score":0.0042715915,"about_ca_system_score_codex":0.00009699074,"about_ca_system_score_gemma":0.00007667526,"threshold_uncertainty_score":0.014289916},"labels":[],"label_agreement":null},{"id":"W4319459552","doi":"10.1525/mp.2023.40.3.253","title":"Timbre Semantic Associations Vary Both Between and Within Instruments","year":2023,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Register (sociolinguistics); Flute; Timbre; Loudness; Violin; Bass (fish); Psychology; Linguistics; Audiology; Acoustics; Musical; Art; Visual arts","score_opus":0.08419133948105055,"score_gpt":0.3578890215008872,"score_spread":0.27369768201983663,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4319459552","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.994772,0.000053836764,0.0019166969,0.000016450083,0.000005740934,0.000021020302,0.00007368381,0.000013517552,0.0031270753],"genre_scores_gemma":[0.9983015,0.000037660247,0.0010969712,0.000016936609,0.000005973401,0.000021375237,0.00014761003,0.000012037753,0.00035993248],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99929273,0.00018304882,0.000057083787,0.00020621222,0.00018233864,0.00007855087],"domain_scores_gemma":[0.9966935,0.0016507956,0.00071290025,0.00043811073,0.00037271052,0.00013196512],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014326089,0.00025705277,0.00023359888,0.00069275056,0.00031658777,0.0015484587,0.000237869,0.00041630157,0.003757962],"category_scores_gemma":[0.009572862,0.00021633727,0.00030851772,0.00047161095,0.0006193432,0.0012322454,0.0010953633,0.00034237292,0.0006794915],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001823436,0.00024669405,0.6857559,0.00035888224,0.00030100512,0.0003240549,0.01864311,0.000985109,0.16698086,0.0023652485,0.0005827001,0.121632956],"study_design_scores_gemma":[0.00002279516,0.00023003464,0.98705983,0.000025809099,0.00005022021,0.00021579523,0.005482517,0.0011581654,0.0035314523,0.0011599306,0.0010328154,0.00003057949],"about_ca_topic_score_codex":0.0004851567,"about_ca_topic_score_gemma":0.0010040527,"teacher_disagreement_score":0.003757962,"about_ca_system_score_codex":0.00016201536,"about_ca_system_score_gemma":0.00009693868,"threshold_uncertainty_score":0.012571633},"labels":[],"label_agreement":null},{"id":"W4376869810","doi":"10.1525/mp.2023.40.4.347","title":"Sandra Trehub (1938–2023)","year":2023,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McMaster University","funders":"","keywords":"Icon; Citation; Download; Perception; Library science; Visual arts; Art; Art history; Psychology; World Wide Web; Computer science","score_opus":0.08545367716372183,"score_gpt":0.36514114291265193,"score_spread":0.2796874657489301,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4376869810","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00071298855,0.027253633,0.0010543605,0.025709897,0.037337273,0.00011168024,0.0020055769,0.0018675759,0.903947],"genre_scores_gemma":[0.0014152756,0.0032714724,0.00020598198,0.0010387298,0.0010121263,0.000017991779,0.00017942849,0.00019565431,0.9926634],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921536,0.00005659425,0.00003110522,0.00020960743,0.00038245902,0.00010483726],"domain_scores_gemma":[0.998836,0.00012498135,0.00007168142,0.00007625893,0.00038095046,0.0005102395],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007608323,0.0009821123,0.00070456206,0.0013169453,0.00164685,0.0038942844,0.0009993355,0.0025604654,0.7339324],"category_scores_gemma":[0.0026856484,0.0004785339,0.0004276245,0.0012273191,0.00057599734,0.0026576866,0.0021138287,0.0020237532,0.6430671],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033373482,0.000009750715,0.000068764384,0.00008160959,0.0000019447625,0.00006983781,0.00004574963,0.000020849746,0.00023599635,0.00095222355,0.9273297,0.07115014],"study_design_scores_gemma":[0.0000012955912,0.000004136717,0.000104666644,0.000036640387,7.424064e-7,0.00005011975,0.000026244457,0.000007304843,0.000051812658,0.00007293416,0.99964154,0.0000025583006],"about_ca_topic_score_codex":0.005560878,"about_ca_topic_score_gemma":0.014770822,"teacher_disagreement_score":0.7339324,"about_ca_system_score_codex":0.002002161,"about_ca_system_score_gemma":0.0021362049,"threshold_uncertainty_score":0.37951314},"labels":[],"label_agreement":null},{"id":"W4376869822","doi":"10.1525/mp.2023.40.4.277","title":"Anti-Colonial Strategies in Cross-cultural Music Science Research","year":2023,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":32,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta; McMaster University; Memorial University of Newfoundland","funders":"","keywords":"Colonialism; Psychology; Cognitive science; History; Archaeology","score_opus":0.30472840814120294,"score_gpt":0.4461672758589545,"score_spread":0.14143886771775155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4376869822","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16780257,0.04313723,0.06691006,0.3594137,0.005147101,0.0006330647,0.0001038522,0.00013948638,0.35671294],"genre_scores_gemma":[0.9316179,0.0063533178,0.015392832,0.030389028,0.00094223407,0.0007560431,0.000025866833,0.00014748411,0.014375385],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.894417,0.085557275,0.0042006634,0.0060230005,0.0068645696,0.0029375658],"domain_scores_gemma":[0.84366935,0.118780814,0.007942366,0.018187402,0.008606694,0.00281334],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.12954883,0.00051014096,0.00091014575,0.0027791376,0.015135305,0.013626589,0.002412275,0.004647355,0.002685721],"category_scores_gemma":[0.11091932,0.00065408886,0.00059686584,0.003366008,0.07716779,0.01338074,0.014097938,0.01205688,0.00042304693],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024068555,0.00001642551,0.0009952635,0.00019857204,0.000026105923,0.00028489946,0.16237928,0.000059416037,0.0002430597,0.81864524,0.0027217204,0.0144060245],"study_design_scores_gemma":[0.000055837947,0.000054210595,0.0037641798,0.0020316287,0.00006475537,0.0010711738,0.07580567,0.0005856157,0.001149284,0.44205737,0.4732989,0.00006133095],"about_ca_topic_score_codex":0.007982578,"about_ca_topic_score_gemma":0.00984722,"teacher_disagreement_score":0.9848647,"about_ca_system_score_codex":0.008907502,"about_ca_system_score_gemma":0.008701483,"threshold_uncertainty_score":0.6851279},"labels":[],"label_agreement":null},{"id":"W4386464308","doi":"10.1525/mp.2023.41.1.74","title":"Albert S. Bregman (1936–2023)","year":2023,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McGill University","funders":"","keywords":"Icon; Perception; Citation; Psychology; Visual arts; Library science; Computer science; Art","score_opus":0.07636574721529285,"score_gpt":0.360418814865826,"score_spread":0.2840530676505332,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386464308","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016097127,0.125919,0.0035067268,0.10652243,0.06428278,0.0000949835,0.001037534,0.0006509852,0.69637585],"genre_scores_gemma":[0.006167575,0.016906692,0.0010102934,0.0054275203,0.0031519881,0.000026320806,0.00013867558,0.00020153368,0.96696943],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99948955,0.000059080823,0.000022989107,0.00013533526,0.00023814796,0.00005483303],"domain_scores_gemma":[0.9992804,0.00009724969,0.00003904708,0.000033752494,0.00033266706,0.00021684373],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000850494,0.00073338416,0.00039026517,0.001151433,0.0017304058,0.0023847087,0.0006513706,0.0022349632,0.2816564],"category_scores_gemma":[0.0024140154,0.00033064696,0.00028093002,0.00087000174,0.0009509415,0.0025307152,0.0015601825,0.002217626,0.19218619],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019304383,0.000009200708,0.00016029473,0.000063142346,0.0000016195562,0.00006631096,0.000114049166,0.000023575903,0.00017124074,0.006280292,0.8964186,0.09667249],"study_design_scores_gemma":[0.0000010073396,0.000004479202,0.00014470499,0.00004891678,6.244575e-7,0.00010405825,0.000034034292,0.000009186309,0.000064959335,0.00062634744,0.99895847,0.000003204639],"about_ca_topic_score_codex":0.00759715,"about_ca_topic_score_gemma":0.012040636,"teacher_disagreement_score":0.2816564,"about_ca_system_score_codex":0.002349443,"about_ca_system_score_gemma":0.0018247641,"threshold_uncertainty_score":0.9422346},"labels":[],"label_agreement":null},{"id":"W4393077920","doi":"10.1525/mp.2024.41.4.233","title":"From Commitment to Action","year":2024,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Diversity and Career in Medicine","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University; McMaster University","funders":"","keywords":"Action (physics); Psychology; Cognitive science; Computer science; Physics","score_opus":0.09235979384998753,"score_gpt":0.42010145337722393,"score_spread":0.3277416595272364,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393077920","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009840035,0.0075462586,0.0032973355,0.9036454,0.035849545,0.000027299864,0.000044879776,0.000099576595,0.048505727],"genre_scores_gemma":[0.100322776,0.0067946846,0.0044912905,0.8093562,0.015715303,0.00018739847,0.00013331218,0.00046333467,0.06253573],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.93150294,0.037338153,0.00256496,0.006984915,0.015274547,0.006334494],"domain_scores_gemma":[0.9434719,0.021473011,0.0024038195,0.0047170506,0.0104697365,0.017464362],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.036713485,0.0014037872,0.0014856099,0.0013805322,0.014136143,0.025234465,0.0036318086,0.024890533,0.020317229],"category_scores_gemma":[0.07149186,0.00075854606,0.001462227,0.00085138914,0.036757275,0.023958711,0.028090145,0.05735272,0.009516227],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007234632,0.00006234514,0.00031043784,0.00028151466,0.000037918027,0.00020635827,0.016269892,0.00010788384,0.00026596498,0.357031,0.5904038,0.03495053],"study_design_scores_gemma":[0.00001457522,0.000020978712,0.00009793664,0.000499849,0.0000075325765,0.0000883358,0.0059430953,0.00006223338,0.00010672906,0.08170732,0.9114251,0.000026328838],"about_ca_topic_score_codex":0.0050680973,"about_ca_topic_score_gemma":0.0064843916,"teacher_disagreement_score":0.036713485,"about_ca_system_score_codex":0.011518825,"about_ca_system_score_gemma":0.025720883,"threshold_uncertainty_score":0.19416177},"labels":[],"label_agreement":null},{"id":"W4393078045","doi":"10.1525/mp.2024.41.4.275","title":"The Vocal Advantage in Memory for Melodies is Based on Contour","year":2024,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Melody; Violin; Recall; Speech recognition; Singing; Vocal music; Psychology; Audiology; Communication; Cognitive psychology; Computer science; Acoustics; Art; Music education; Medicine; Musical; Visual arts","score_opus":0.05472704527408027,"score_gpt":0.3695932692902683,"score_spread":0.314866224016188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393078045","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9974954,0.0003196926,0.0006766369,0.00003808677,0.0000137102825,0.0000050770104,0.00003914683,0.000015632926,0.0013966336],"genre_scores_gemma":[0.99789524,0.00013919294,0.00044653125,0.000037571608,0.000010254614,0.0000047426506,0.00010344532,0.000009618869,0.0013533379],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99968255,0.00003176095,0.000033589462,0.00009383251,0.00011338747,0.000044981418],"domain_scores_gemma":[0.9976428,0.0009071537,0.00053092267,0.00047870635,0.00022934239,0.00021115241],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005518082,0.00020844777,0.00029768303,0.0002651514,0.00015754424,0.00066688884,0.00029151232,0.00032009496,0.0074935607],"category_scores_gemma":[0.0034482433,0.0001475395,0.00020367191,0.00008576176,0.00048302143,0.0006139606,0.00048184625,0.00040209293,0.0007992854],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0031580199,0.000310786,0.07612715,0.00019239222,0.00011932561,0.00039866762,0.00055562146,0.00010039469,0.8339285,0.00021018928,0.00018960735,0.08470941],"study_design_scores_gemma":[0.0000735627,0.003538168,0.87126595,0.00003178042,0.0000902899,0.0016245712,0.0006525404,0.0005289105,0.11977223,0.0007734222,0.0016134643,0.00003494503],"about_ca_topic_score_codex":0.00043473387,"about_ca_topic_score_gemma":0.0009017088,"teacher_disagreement_score":0.0074935607,"about_ca_system_score_codex":0.00011979444,"about_ca_system_score_gemma":0.0001097753,"threshold_uncertainty_score":0.025068462},"labels":[],"label_agreement":null},{"id":"W4396985929","doi":"10.1525/mp.2024.41.5.378","title":"Jazz Piano Training Modulates Neural Oscillations and Executive Functions in Older Adults","year":2024,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Baycrest Hospital; University of Toronto; York University","funders":"","keywords":"Piano; Jazz; Psychology; Training (meteorology); Executive functions; Neural system; Cognitive psychology; Neuroscience; Communication; Physical medicine and rehabilitation; Speech recognition; Computer science; Physics; Art; Cognition; Visual arts; Acoustics; Medicine; Meteorology","score_opus":0.0510683322452832,"score_gpt":0.32909474670847816,"score_spread":0.278026414463195,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396985929","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9996313,0.00013432905,0.000027442811,0.000011294204,0.0000034389382,0.000007268605,0.000011313005,0.0000015165068,0.00017210974],"genre_scores_gemma":[0.9992567,0.00017181011,0.000086092834,0.000027699489,0.000009477616,0.00001597041,0.000030081565,5.361596e-7,0.0004017077],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9999654,0.0000056906433,0.0000038351486,0.000009375712,0.000005439156,0.0000101858695],"domain_scores_gemma":[0.9999094,0.0000149981015,0.000024411393,0.0000040542222,0.000013564162,0.000033507906],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011038075,0.00028019922,0.00021036755,0.000155519,0.0001421373,0.00014491557,0.0000809417,0.00024759874,0.0009937553],"category_scores_gemma":[0.00041118078,0.00007685167,0.000092726215,0.00006222761,0.000091951355,0.00011767668,0.00013142484,0.0001538388,0.00011334413],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.024160607,0.015996201,0.45348376,0.00076023646,0.00050267734,0.001340356,0.0038457676,0.00032991893,0.26227903,0.00008678952,0.0008808361,0.23633382],"study_design_scores_gemma":[0.00017083288,0.0059828176,0.9919843,0.0000120506475,0.0000615699,0.00010534008,0.0002181359,0.00009429179,0.0011191469,0.000028647442,0.00021994658,0.0000029629946],"about_ca_topic_score_codex":0.0009176575,"about_ca_topic_score_gemma":0.0021617757,"teacher_disagreement_score":0.0009937553,"about_ca_system_score_codex":0.00007207088,"about_ca_system_score_gemma":0.000074581614,"threshold_uncertainty_score":0.003324449},"labels":[],"label_agreement":null},{"id":"W4404393422","doi":"10.1525/mp.2024.42.2.109","title":"The Effect of Aural and Visual Presentation Formats on Categorical and Dimensional Judgements of Emotion for Sung and Spoken Expressive Performances","year":2024,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Multisensory perception and integration","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Categorical variable; Presentation (obstetrics); Psychology; Cognitive psychology; Speech recognition; Computer science; Communication; Natural language processing; Linguistics; Machine learning","score_opus":0.030094376846785707,"score_gpt":0.40728153483596363,"score_spread":0.3771871579891779,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404393422","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99337244,0.00025908535,0.0029146466,0.000038557482,0.0000625478,0.00007093255,0.00007050025,0.000042321313,0.0031690416],"genre_scores_gemma":[0.9946891,0.00020566254,0.004083793,0.00006110214,0.00006012146,0.00012358649,0.00009197184,0.00005361862,0.000631024],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9987249,0.00056870596,0.00011611314,0.00020388367,0.00030200664,0.00008440397],"domain_scores_gemma":[0.990482,0.0069134873,0.0008988366,0.0005327823,0.0007654832,0.00040743058],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010826477,0.00041131605,0.00028393292,0.00041279063,0.00019374207,0.0011494149,0.000275579,0.00046065747,0.004366263],"category_scores_gemma":[0.019846767,0.00020896795,0.0002986618,0.00016907655,0.0004468441,0.00081433443,0.00084761623,0.00036109984,0.00035369358],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.018046949,0.0004849883,0.024465304,0.001085309,0.00021217436,0.00045273596,0.0028442894,0.0007383181,0.86282134,0.0003433778,0.00029138106,0.08821384],"study_design_scores_gemma":[0.001117128,0.021305755,0.8377786,0.00050412794,0.0007929367,0.0026781976,0.007347428,0.007982026,0.114670515,0.0020481658,0.003503554,0.0002715075],"about_ca_topic_score_codex":0.00013308748,"about_ca_topic_score_gemma":0.00025215308,"teacher_disagreement_score":0.004366263,"about_ca_system_score_codex":0.00012271658,"about_ca_system_score_gemma":0.000090194684,"threshold_uncertainty_score":0.014606535},"labels":[],"label_agreement":null},{"id":"W4406983555","doi":"10.1525/mp.2025.2325705","title":"Instrument Timbre Combinations Influence the Relative Prominence of Perceptual Layers in Orchestral Music","year":2025,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University; Western University","funders":"","keywords":"Timbre; Perception; Psychology; Speech recognition; Communication; Art; Computer science; Visual arts; Musical; Neuroscience","score_opus":0.05395397950484232,"score_gpt":0.34295179115839913,"score_spread":0.2889978116535568,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406983555","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99742764,0.00007867863,0.00085401104,0.000008867966,0.0000038983885,0.000009421589,0.000025127352,0.000013245125,0.0015790424],"genre_scores_gemma":[0.99875855,0.00005912833,0.000743772,0.000005816033,0.0000042939982,0.000006998234,0.000045454013,0.000011280686,0.00036471494],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99969697,0.00007179618,0.000028455373,0.00005878753,0.00009860543,0.000045413704],"domain_scores_gemma":[0.99851805,0.00073026656,0.00029512515,0.000103453924,0.00015852433,0.00019465233],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005016372,0.00026470888,0.0002717872,0.00080533355,0.00025799387,0.0011220259,0.00014483393,0.00026376513,0.0026059574],"category_scores_gemma":[0.0049876813,0.00025575806,0.0001765649,0.00034354816,0.0005357757,0.0005936482,0.00094259076,0.00029637216,0.00044997726],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002292667,0.00012209103,0.063749455,0.00013256044,0.00009848462,0.00025038415,0.0013159126,0.00055065076,0.89083326,0.0003360451,0.0001388391,0.040179703],"study_design_scores_gemma":[0.000020279314,0.0004432414,0.978212,0.000015972082,0.000050373816,0.00022327008,0.00050860445,0.0013848138,0.018340223,0.0004889056,0.00029213898,0.000020108646],"about_ca_topic_score_codex":0.0004506754,"about_ca_topic_score_gemma":0.00068746874,"teacher_disagreement_score":0.0026059574,"about_ca_system_score_codex":0.00014916214,"about_ca_system_score_gemma":0.00011022097,"threshold_uncertainty_score":0.008717775},"labels":[],"label_agreement":null},{"id":"W4408439976","doi":"10.1525/mp.2025.2321624","title":"Metric Accent Affects Perception of Key Center in Pop-Music Chord Loops","year":2025,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Lethbridge","funders":"","keywords":"Chord (peer-to-peer); Stress (linguistics); Center (category theory); Key (lock); Metric (unit); Perception; Speech recognition; Computer science; Mathematics; Psychology; Linguistics; Engineering; Philosophy; Chemistry","score_opus":0.04468239608333394,"score_gpt":0.3485208241935406,"score_spread":0.3038384281102066,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408439976","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9970401,0.000040614836,0.00093325175,0.000019054443,0.000013266723,0.000013270482,0.000014948532,0.000017388758,0.0019080057],"genre_scores_gemma":[0.9985045,0.000029828245,0.0009786729,0.00003179785,0.0000049852465,0.0000127337225,0.000022188211,0.000014250854,0.0004011432],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9997069,0.00006633848,0.00001943024,0.00009681879,0.000076746146,0.00003371818],"domain_scores_gemma":[0.9983752,0.00084605865,0.00031374142,0.000107755266,0.00014113961,0.00021609511],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004890297,0.00026149632,0.00021334231,0.00021090418,0.00021361752,0.0010837127,0.00021190636,0.0004606544,0.0033821303],"category_scores_gemma":[0.007759203,0.00020167223,0.000110868,0.000075126176,0.0005137611,0.0006548953,0.0006282937,0.0003900206,0.00031873162],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0030327702,0.00016393031,0.016518673,0.00010650203,0.000025710178,0.00020938591,0.0022886973,0.00022220226,0.96498334,0.0004533696,0.00012338426,0.011872101],"study_design_scores_gemma":[0.0002782201,0.003385238,0.89832366,0.000055134537,0.00011748481,0.0005766152,0.0036645464,0.0045464016,0.08484385,0.002534576,0.001604701,0.00006951312],"about_ca_topic_score_codex":0.0006156907,"about_ca_topic_score_gemma":0.0007666883,"teacher_disagreement_score":0.0033821303,"about_ca_system_score_codex":0.00016556971,"about_ca_system_score_gemma":0.000107362364,"threshold_uncertainty_score":0.0113143325},"labels":[],"label_agreement":null},{"id":"W4409499267","doi":"10.1525/mp.2025.2427447","title":"Marching to Your Own Beat","year":2025,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Rhythm; Beat (acoustics); Entrainment (biomusicology); Synchronization (alternating current); Perception; Link (geometry); Computer science; Speech recognition; Psychology; Communication; Art; Physics; Telecommunications; Computer network; Neuroscience; Acoustics; Aesthetics; Channel (broadcasting)","score_opus":0.06496500181182648,"score_gpt":0.3864507420334341,"score_spread":0.32148574022160764,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409499267","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40238887,0.004360198,0.18222438,0.012612477,0.0061387112,0.00012638206,0.00055133284,0.0025278125,0.38906986],"genre_scores_gemma":[0.88832366,0.0015641056,0.037886012,0.002392432,0.00062140514,0.000035950707,0.00023515445,0.00048071225,0.06846068],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99977535,0.000045525372,0.0000078680405,0.000069218986,0.00007799887,0.000024146935],"domain_scores_gemma":[0.9994943,0.00015030464,0.000067022534,0.00006757126,0.00010441556,0.00011631013],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033538433,0.00019993777,0.00013866402,0.0002184569,0.0006633869,0.0014005962,0.00027245007,0.00059492403,0.014246165],"category_scores_gemma":[0.0033886428,0.00012399115,0.0002138219,0.00017790943,0.0006898965,0.0011345705,0.00092276913,0.00065244985,0.0049238773],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00078816386,0.0000922875,0.017188111,0.0005957543,0.00010626694,0.0012971743,0.014268647,0.0017882407,0.24573256,0.14229824,0.07874423,0.4971004],"study_design_scores_gemma":[0.00008856256,0.0007635542,0.06477417,0.00035513952,0.00013521445,0.0047552865,0.0089316005,0.016683567,0.046374362,0.13776156,0.71916044,0.00021665066],"about_ca_topic_score_codex":0.0006835597,"about_ca_topic_score_gemma":0.0008738222,"teacher_disagreement_score":0.014246165,"about_ca_system_score_codex":0.00018062654,"about_ca_system_score_gemma":0.0002068879,"threshold_uncertainty_score":0.047658145},"labels":[],"label_agreement":null},{"id":"W4409727447","doi":"10.1525/mp.2025.2408517","title":"Modeling and Perception of Melodic Contour Families","year":2025,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Music and Audio Processing","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Melody; Perception; Computer science; Psychology; Artificial intelligence; Speech recognition; Cognitive psychology; Art; Visual arts; Neuroscience","score_opus":0.02484271359466794,"score_gpt":0.3121946308389565,"score_spread":0.28735191724428855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409727447","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9041405,0.00009069296,0.09294757,0.000063455576,0.000007123431,0.000031427207,0.000037682123,0.00006778508,0.0026138586],"genre_scores_gemma":[0.9851273,0.000043185108,0.0145531,0.0000052026467,0.0000018640644,0.000016139758,0.000027303731,0.000009232017,0.0002166671],"study_design_codex":"simulation_or_modeling","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9997086,0.000108833,0.000010994962,0.000087202185,0.00006131668,0.000023045452],"domain_scores_gemma":[0.9986381,0.0008469016,0.00014901403,0.00016862215,0.00011930936,0.00007806841],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00080848293,0.00033255955,0.0002591565,0.00052440487,0.0002106644,0.0010358992,0.00058979116,0.0004677191,0.0011899932],"category_scores_gemma":[0.004811873,0.00032923272,0.000466705,0.0002532119,0.00044766735,0.0012962063,0.0005565181,0.00041825647,0.0001372287],"study_design_candidate":"simulation_or_modeling","study_design_consensus":"simulation_or_modeling","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0022468716,0.00048313208,0.053415623,0.0004100137,0.00021776865,0.0007389211,0.007927587,0.4572854,0.27922118,0.044095457,0.00091244496,0.15304556],"study_design_scores_gemma":[0.00002808936,0.000115463634,0.010896748,0.000013857399,0.00001900043,0.00011764655,0.00026338047,0.97755367,0.0034529208,0.00723051,0.00028561204,0.00002308832],"about_ca_topic_score_codex":0.0033444515,"about_ca_topic_score_gemma":0.0016149445,"teacher_disagreement_score":0.0033444515,"about_ca_system_score_codex":0.00052323705,"about_ca_system_score_gemma":0.0002445968,"threshold_uncertainty_score":0.006649971},"labels":[],"label_agreement":null},{"id":"W4412397638","doi":"10.1525/mp.2025.2476898","title":"Perceived and Induced Affective Responses to Musical Sounds","year":2025,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Musical; Psychology; Cognitive psychology; Art; Visual arts","score_opus":0.05660510973795958,"score_gpt":0.3746678000755254,"score_spread":0.31806269033756585,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412397638","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99847573,0.000028028146,0.00060083816,0.000009575793,0.0000053152908,0.000026599884,0.00004216714,0.0000066768516,0.00080508296],"genre_scores_gemma":[0.99833727,0.000035233294,0.0010272452,0.000026110123,0.000008672912,0.000071144306,0.00008824656,0.000007697027,0.0003983037],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99931765,0.00026228637,0.0000432,0.00013559374,0.00019049195,0.000050703395],"domain_scores_gemma":[0.9974486,0.001531679,0.00046376482,0.00018283496,0.0001931645,0.00017993394],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010173096,0.00022402387,0.00022852782,0.0001540941,0.00018027106,0.00053430157,0.00014110345,0.0002807252,0.0029440834],"category_scores_gemma":[0.0064409426,0.0001748892,0.00023010005,0.000094158815,0.00032993752,0.00023898175,0.0005043386,0.000360606,0.0002228768],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0063718795,0.0009291196,0.27028006,0.0006686858,0.0003553823,0.00034575327,0.0074592954,0.0010693893,0.66250056,0.0004198343,0.0004489952,0.049151026],"study_design_scores_gemma":[0.00005654419,0.001160735,0.989472,0.000012336514,0.00005566708,0.00013717648,0.00070680206,0.0006912219,0.007276816,0.00014334913,0.00026479308,0.00002260891],"about_ca_topic_score_codex":0.00028804678,"about_ca_topic_score_gemma":0.00063685095,"teacher_disagreement_score":0.0029440834,"about_ca_system_score_codex":0.00014722961,"about_ca_system_score_gemma":0.00007342038,"threshold_uncertainty_score":0.009848952},"labels":[],"label_agreement":null},{"id":"W4416368373","doi":"10.1525/mp.2025.2466347","title":"Tap, Move, or Dance? How Groove Ratings Differ Across Movement Descriptors","year":2025,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Dance; Movement (music); Affect (linguistics); Groove (engineering); Test (biology)","score_opus":0.05814406017598985,"score_gpt":0.3615407048470334,"score_spread":0.30339664467104355,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416368373","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.997118,0.00021955858,0.00067606167,0.00004159433,0.000027173146,0.00005403809,0.00007664908,0.000008772482,0.001778232],"genre_scores_gemma":[0.9985368,0.00009791708,0.0004647277,0.000050998024,0.000011310948,0.00006092597,0.00012222874,0.000013285968,0.00064180023],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9975458,0.0007787426,0.00016752203,0.00055041653,0.0008208502,0.00013657371],"domain_scores_gemma":[0.9903951,0.0059033274,0.0016395857,0.00064993725,0.0008599266,0.000552092],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034562207,0.00021622366,0.00049312745,0.0004982437,0.00021495699,0.0014376089,0.0003072728,0.0005199936,0.0026256035],"category_scores_gemma":[0.02187335,0.0002328011,0.00035865014,0.00035091033,0.0006240565,0.0007382396,0.0006480057,0.00046552205,0.00039764767],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0050181723,0.0011161607,0.78611046,0.0007392179,0.0011232077,0.00025104554,0.026367722,0.00051992916,0.069621496,0.00084657886,0.00145442,0.106831595],"study_design_scores_gemma":[0.00004726999,0.00087019015,0.9929449,0.000026241652,0.0000730332,0.00010669924,0.0030097254,0.0005480976,0.001264217,0.00027551904,0.0008058119,0.000028154152],"about_ca_topic_score_codex":0.0013247813,"about_ca_topic_score_gemma":0.0021596486,"teacher_disagreement_score":0.0034562207,"about_ca_system_score_codex":0.00018575208,"about_ca_system_score_gemma":0.00018534252,"threshold_uncertainty_score":0.01827848},"labels":[],"label_agreement":null},{"id":"W7083177681","doi":"10.1525/mp.2025.2488483","title":"Continuous Response to Perceived Affective Intentions in Music Listening","year":2025,"lang":"en","type":"article","venue":"Music Perception An Interdisciplinary Journal","topic":"Forest Insect Ecology and Management","field":"Environmental Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Active listening; Valence (chemistry); Perception; Musical; Arousal; Music psychology; Music and emotion","score_opus":0.013568302820444952,"score_gpt":0.298520118178324,"score_spread":0.28495181535787906,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7083177681","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99846184,0.000015352172,0.0005675264,0.0000063870316,0.0000039410575,0.000011735634,0.000010572497,0.0000041564494,0.00091852417],"genre_scores_gemma":[0.9991196,0.00002031488,0.00037622248,0.000017984088,0.000007039608,0.000021842085,0.000031212956,0.0000040560535,0.00040168915],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9997789,0.000053777265,0.000009511733,0.00004661897,0.000080783146,0.000030289693],"domain_scores_gemma":[0.9994405,0.00023835756,0.000091574046,0.00003370598,0.00009641966,0.000099377095],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029706638,0.00021620118,0.00017403366,0.00029526942,0.00020156208,0.00044671757,0.00011451427,0.00029864043,0.0014715503],"category_scores_gemma":[0.0023116353,0.00014083488,0.00013434148,0.0001102605,0.00040046484,0.00020287454,0.0005362598,0.0002852589,0.00012781219],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0021279186,0.00020568143,0.10435215,0.00015822581,0.00008564237,0.0002852049,0.011856925,0.0002678869,0.8504102,0.00018085576,0.00015251034,0.029916769],"study_design_scores_gemma":[0.000022588221,0.00047556355,0.9886429,0.00000740206,0.000026273132,0.000100101985,0.0022698904,0.0006488749,0.0074580847,0.000118087846,0.00021147901,0.000018834022],"about_ca_topic_score_codex":0.0007320024,"about_ca_topic_score_gemma":0.00076558953,"teacher_disagreement_score":0.0014715503,"about_ca_system_score_codex":0.00008401839,"about_ca_system_score_gemma":0.00007272759,"threshold_uncertainty_score":0.004922807},"labels":[],"label_agreement":null}]}