{"meta":{"query_hash":"991d337c6786","filters":{"venue":"Musiques, recherches interdisciplinaires :"},"cohort_total":15,"direct_labels_cover":0,"predictions_cover":15,"exported":15,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/991d337c6786","api":"https://metacan.xera.ac/api/v1/cohort?venue=Musiques%2C+recherches+interdisciplinaires+%3A"},"results":[{"id":"W4398236331","doi":"10.62410/gjmhcv67","title":"Introduction : Pour un décloisonnement disciplinaire","year":2024,"lang":"fr","type":"article","venue":"Musiques, recherches interdisciplinaires :","topic":"Legal Systems and Institutions","field":"Business, Management and Accounting","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Computer science; Philosophy","score_opus":0.043970397083298245,"score_gpt":0.2996341338674921,"score_spread":0.25566373678419385,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4398236331","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010642954,0.10938496,0.008082037,0.28459138,0.34020436,0.0001969279,0.0028342356,0.0009176134,0.25272417],"genre_scores_gemma":[0.010934408,0.047885228,0.0066230376,0.09462111,0.1499674,0.0002723916,0.002247847,0.0011964845,0.68625206],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99861395,0.00032362275,0.00010656498,0.00026256827,0.00056773954,0.0001256149],"domain_scores_gemma":[0.99711573,0.0011989798,0.00015234067,0.00014510864,0.0010789541,0.00030886117],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015679417,0.0012302605,0.0006672544,0.0016389434,0.0022798574,0.0047639953,0.001297371,0.0038985373,0.14081034],"category_scores_gemma":[0.005816468,0.00037775654,0.0007964141,0.0012817663,0.0018289115,0.0053612236,0.0025060007,0.006318114,0.07337365],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016000979,0.000009522754,0.000060420814,0.00013697299,0.0000026024104,0.000020389683,0.00012453133,0.000028500708,0.00013095431,0.012614988,0.96975416,0.017100884],"study_design_scores_gemma":[0.0000021694605,0.000006367739,0.00018939665,0.00014147759,9.896895e-7,0.00004530485,0.00008909172,0.000016014677,0.000029348752,0.00211708,0.9973578,0.000005028023],"about_ca_topic_score_codex":0.004663903,"about_ca_topic_score_gemma":0.0054281787,"teacher_disagreement_score":0.14081034,"about_ca_system_score_codex":0.0018155073,"about_ca_system_score_gemma":0.0017589829,"threshold_uncertainty_score":0.47105753},"labels":[],"label_agreement":null},{"id":"W4399672433","doi":"10.62410/f7wevt31","title":"Vocalises sérielles: Séries dodécaphoniques cycliques","year":2024,"lang":"fr","type":"article","venue":"Musiques, recherches interdisciplinaires :","topic":"Medieval European Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Descendant; Physics; Humanities; Philosophy","score_opus":0.06715354499594937,"score_gpt":0.3273212045732782,"score_spread":0.2601676595773288,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399672433","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66101086,0.0052977474,0.016328575,0.0014202379,0.0013559065,0.00022588408,0.0010128531,0.00061212986,0.3127358],"genre_scores_gemma":[0.94228816,0.0017561313,0.003971877,0.00023707649,0.0006476009,0.00008836616,0.00047199128,0.0001313062,0.050407555],"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99971336,0.00008521408,0.000014505311,0.000055117656,0.00008357458,0.000048155693],"domain_scores_gemma":[0.9992613,0.000375573,0.00011119405,0.0000820146,0.00009940477,0.00007058251],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034650145,0.00042647086,0.00016743659,0.0010033528,0.0008334106,0.0010344884,0.00028100208,0.0005530875,0.019863313],"category_scores_gemma":[0.0022543042,0.000121928904,0.0001717326,0.0007236897,0.0009413522,0.00082897366,0.00080141745,0.00079236994,0.0028533563],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0021698033,0.00020852691,0.03188207,0.0012571219,0.00013258569,0.0037633125,0.059823412,0.0016001272,0.09513031,0.16606891,0.032419946,0.6055438],"study_design_scores_gemma":[0.00011928738,0.0011958821,0.21793067,0.00074753544,0.00009837921,0.012443862,0.03564344,0.0032841049,0.010646581,0.011053764,0.7066858,0.0001507665],"about_ca_topic_score_codex":0.0020422623,"about_ca_topic_score_gemma":0.0040654647,"teacher_disagreement_score":0.019863313,"about_ca_system_score_codex":0.00039266827,"about_ca_system_score_gemma":0.00027846656,"threshold_uncertainty_score":0.066449404},"labels":[],"label_agreement":null},{"id":"W4399672573","doi":"10.62410/apz4dw38","title":"Reconnaître le travail des artistes à l’emploi à l’université: Le financement de la recherche et de la création au Québec et au Canada","year":2024,"lang":"fr","type":"article","venue":"Musiques, recherches interdisciplinaires :","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Political science; Philosophy","score_opus":0.1902676242426363,"score_gpt":0.39759392156083906,"score_spread":0.20732629731820276,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399672573","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":"incentives","model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":"incentives","domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59971535,0.0076359957,0.0051111607,0.10801359,0.00083845056,0.00014196214,0.00035294023,0.00015778333,0.27803272],"genre_scores_gemma":[0.9315613,0.0012295498,0.0010342071,0.0018487483,0.000059171063,0.000021386035,0.00004976017,0.000033088294,0.06416276],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9918572,0.0019760546,0.00013950084,0.00048726486,0.0029013634,0.002638715],"domain_scores_gemma":[0.9860021,0.0028362495,0.0008464231,0.0004757674,0.00413753,0.0057019824],"candidate_categories":["metaresearch","sts"],"consensus_categories":[],"category_scores_codex":[0.0070315273,0.00031356025,0.0003007591,0.0016929142,0.025229141,0.014831057,0.0015203152,0.0025367336,0.01208965],"category_scores_gemma":[0.012030089,0.0003009163,0.00033350414,0.0022283378,0.010248965,0.002110472,0.003943333,0.0031793432,0.0008782353],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003275247,0.00023740961,0.11780243,0.00033471713,0.00008013614,0.0028110105,0.16671483,0.002597553,0.0026431715,0.33122373,0.105985835,0.26924157],"study_design_scores_gemma":[0.000029438585,0.00007984033,0.12462969,0.00040517663,0.000032708893,0.0004763946,0.1488093,0.0021503996,0.0011454157,0.0075488435,0.7145385,0.00015419183],"about_ca_topic_score_codex":0.9742288,"about_ca_topic_score_gemma":0.9871581,"teacher_disagreement_score":0.9929685,"about_ca_system_score_codex":0.11751803,"about_ca_system_score_gemma":0.20306018,"threshold_uncertainty_score":0.85265696},"labels":[],"label_agreement":null},{"id":"W4399672672","doi":"10.62410/cn0f7a55","title":"“Brilliant Gathering at Bayreuth”: Early Wagnerism as told by Toronto’s Globe (1857-1876)","year":2024,"lang":"en","type":"article","venue":"Musiques, recherches interdisciplinaires :","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Globe; Paratext; Opera; Newspaper; Communication source; History; Media studies; Art; Visual arts; Art history; Literature; Sociology; Engineering; Telecommunications; Psychology","score_opus":0.11921832397066243,"score_gpt":0.3084833289240969,"score_spread":0.18926500495343448,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399672672","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6915506,0.009820688,0.0008879256,0.01834415,0.00080854876,0.000030589803,0.0012666159,0.00008393745,0.2772069],"genre_scores_gemma":[0.9492968,0.0015513343,0.000121492856,0.00041713996,0.0000677188,0.0000063891193,0.0001588839,0.000040968294,0.048339374],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930704,0.00016682113,0.000013060885,0.00007159037,0.00018808436,0.0002533944],"domain_scores_gemma":[0.9994326,0.00011069727,0.00008331654,0.000031996187,0.000094927505,0.00024646637],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000493118,0.00040800148,0.00017394355,0.0009920723,0.01376639,0.0051540113,0.0005707034,0.0010354335,0.008580207],"category_scores_gemma":[0.001182188,0.00024479418,0.00013147887,0.0018038085,0.012036909,0.001604727,0.0026973304,0.0017943769,0.0008071016],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000074066396,0.000006744565,0.0061883265,0.000090438065,0.000009175407,0.0018940348,0.8917916,0.00011589077,0.00079503073,0.061298985,0.027142724,0.010593094],"study_design_scores_gemma":[0.0000046458395,0.000033386143,0.03149358,0.00019053835,0.000015523157,0.00040173848,0.38776118,0.000051919877,0.0006649142,0.0012928545,0.5780571,0.00003266025],"about_ca_topic_score_codex":0.775382,"about_ca_topic_score_gemma":0.9418684,"teacher_disagreement_score":0.22461802,"about_ca_system_score_codex":0.046189714,"about_ca_system_score_gemma":0.011613503,"threshold_uncertainty_score":0.45188165},"labels":[],"label_agreement":null},{"id":"W4399673090","doi":"10.62410/gg2zcd09","title":"The Yoruba Rythmic Deities: A Brief Analysis of Chucho Valdés’s Use Of Yoruba Rhythms related to My Own Performance Practice","year":2024,"lang":"en","type":"article","venue":"Musiques, recherches interdisciplinaires :","topic":"Cuban History and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Yoruba; Improvisation; Rhythm; Musical; Aesthetics; Jazz; Style (visual arts); Literature; Piano; History; Art; Visual arts; Linguistics; Philosophy; Art history","score_opus":0.08955457174763415,"score_gpt":0.3899647381463879,"score_spread":0.30041016639875373,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399673090","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7875412,0.01657998,0.0014006753,0.0077408236,0.0005398223,0.00008830882,0.00017624015,0.000026353522,0.18590651],"genre_scores_gemma":[0.9358562,0.010090608,0.0008507729,0.00085027615,0.00023806727,0.00006639365,0.00014379251,0.000052621675,0.051851217],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993894,0.00025340225,0.000016514054,0.000077025565,0.00009200748,0.00017157733],"domain_scores_gemma":[0.9996978,0.00011776385,0.00004715217,0.0000108461045,0.00006321076,0.00006325974],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00052362395,0.0004593729,0.00031899216,0.0017209388,0.0073212916,0.0033192162,0.00061718473,0.0008757089,0.0024046837],"category_scores_gemma":[0.0010004882,0.00019351553,0.00015284905,0.0015815113,0.0040516453,0.0013495544,0.0017994309,0.0018155852,0.00041338822],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000067305125,0.00006841316,0.0059785573,0.00027957952,0.00001233632,0.0013652652,0.8898804,0.000097483346,0.0032221721,0.059649803,0.008301347,0.031077325],"study_design_scores_gemma":[0.0000034337409,0.000044234246,0.03867779,0.00062191725,0.000011829578,0.0007444929,0.7042386,0.00017100408,0.0007083321,0.0017188553,0.2530298,0.000029672781],"about_ca_topic_score_codex":0.04125849,"about_ca_topic_score_gemma":0.10645576,"teacher_disagreement_score":0.04125849,"about_ca_system_score_codex":0.004392474,"about_ca_system_score_gemma":0.0015875855,"threshold_uncertainty_score":0.082036674},"labels":[],"label_agreement":null},{"id":"W4405357845","doi":"10.62410/d1f4eq71","title":"Introduction du volume 1, numéro 2","year":2024,"lang":"fr","type":"article","venue":"Musiques, recherches interdisciplinaires :","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Volume (thermodynamics); Physics; Thermodynamics","score_opus":0.07323899384056275,"score_gpt":0.32927683021030385,"score_spread":0.2560378363697411,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405357845","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017996237,0.10874622,0.026660109,0.025431141,0.41262645,0.00035548914,0.005110444,0.0018494535,0.4174211],"genre_scores_gemma":[0.012636569,0.06465682,0.016935186,0.013165918,0.23485565,0.0005878417,0.0075852037,0.002937893,0.646639],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99826837,0.00030607686,0.00015381562,0.00038409207,0.00077857805,0.000108907276],"domain_scores_gemma":[0.9969652,0.0010425037,0.00018778609,0.00032707155,0.0011502152,0.0003271561],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012639349,0.0019721452,0.001535611,0.0048503396,0.0013688286,0.0045385333,0.001750716,0.0015998473,0.20112915],"category_scores_gemma":[0.006582459,0.0005216308,0.001565771,0.00338703,0.001304887,0.003441656,0.0024715732,0.003501892,0.112009235],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004265099,0.000045634548,0.0001591976,0.0005928242,0.000011456643,0.00005176208,0.00004466117,0.00024573063,0.000494396,0.009924519,0.9205502,0.06783693],"study_design_scores_gemma":[0.0000048423944,0.00002291006,0.00023770578,0.00020893307,0.0000051937686,0.00010680399,0.00002071997,0.00012220278,0.00012631311,0.004601306,0.9945332,0.000009911995],"about_ca_topic_score_codex":0.0015593895,"about_ca_topic_score_gemma":0.0021397776,"teacher_disagreement_score":0.20112915,"about_ca_system_score_codex":0.0017963022,"about_ca_system_score_gemma":0.0015268691,"threshold_uncertainty_score":0.67284405},"labels":[],"label_agreement":null},{"id":"W4405357878","doi":"10.62410/vd5xyb57","title":"Recension - <i>Une phénoménologie de l'écoute</i>","year":2024,"lang":"fr","type":"article","venue":"Musiques, recherches interdisciplinaires :","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Philosophy; Humanities","score_opus":0.10730731252086827,"score_gpt":0.42678229802144296,"score_spread":0.3194749855005747,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405357878","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00037732103,0.8796805,0.00156782,0.029588334,0.017716087,0.00002969721,0.00038242943,0.00006937018,0.0705884],"genre_scores_gemma":[0.012290462,0.73794067,0.001570355,0.012583727,0.016476922,0.000068946494,0.0008845521,0.00018995155,0.21799435],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990551,0.00019533234,0.000069683774,0.00015583473,0.00043888588,0.00008521857],"domain_scores_gemma":[0.9985361,0.00057149987,0.00013104519,0.00010384021,0.00054873247,0.00010871314],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013681719,0.0008376712,0.0007896282,0.002883186,0.0009448302,0.0044551357,0.0013931837,0.0017361384,0.049092844],"category_scores_gemma":[0.002400334,0.00033776893,0.0006047578,0.0033874724,0.002905044,0.0067367335,0.0018790773,0.0028033147,0.026525531],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033778553,0.000019156838,0.00019027556,0.0019851462,0.000012549339,0.0000980276,0.0008224463,0.000084417596,0.0004500857,0.031217825,0.76374644,0.20133995],"study_design_scores_gemma":[0.0000016821108,0.0000055047567,0.00031222327,0.00072123425,0.0000028781683,0.000111920424,0.00029388058,0.000020007257,0.000101440644,0.0037218696,0.99470276,0.000004638278],"about_ca_topic_score_codex":0.0123308655,"about_ca_topic_score_gemma":0.013333446,"teacher_disagreement_score":0.049092844,"about_ca_system_score_codex":0.003218815,"about_ca_system_score_gemma":0.0038153601,"threshold_uncertainty_score":0.1642319},"labels":[],"label_agreement":null},{"id":"W4410769832","doi":"10.62410/4j53pj35","title":"Ce que la musique fend : un corps, un lieu, une machine","year":2025,"lang":"fr","type":"article","venue":"Musiques, recherches interdisciplinaires :","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Art; Humanities","score_opus":0.193186851542307,"score_gpt":0.36496634540682854,"score_spread":0.17177949386452154,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410769832","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0047996636,0.15056571,0.42033657,0.051206995,0.030456178,0.00009779689,0.0014557505,0.0023960653,0.33868527],"genre_scores_gemma":[0.14174692,0.07385516,0.2859538,0.011995387,0.028716901,0.00032668238,0.0028228574,0.0031268315,0.45145547],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99900275,0.00025592983,0.00006237318,0.0003052793,0.0003133628,0.00006034379],"domain_scores_gemma":[0.99896634,0.0006061322,0.00003772488,0.00015727653,0.0001595975,0.00007289756],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00082711986,0.0010031315,0.0007037719,0.0020187832,0.0022623828,0.0063876095,0.0012500153,0.002381238,0.023487438],"category_scores_gemma":[0.0034806747,0.0006091656,0.0009203654,0.002660055,0.0060841967,0.007631177,0.002164052,0.003984705,0.0087193595],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037240505,0.000010473329,0.00039624664,0.0003694702,0.000014502111,0.00013156488,0.0008175725,0.00069989724,0.0007122268,0.6173337,0.2796853,0.0997918],"study_design_scores_gemma":[0.0000038420612,0.000009434625,0.00023541012,0.00014092645,0.0000059431577,0.00045896097,0.00021953606,0.0018484031,0.0003320084,0.12878896,0.86793894,0.000017724797],"about_ca_topic_score_codex":0.005821734,"about_ca_topic_score_gemma":0.008374998,"teacher_disagreement_score":0.023487438,"about_ca_system_score_codex":0.002295958,"about_ca_system_score_gemma":0.0015106471,"threshold_uncertainty_score":0.078573346},"labels":[],"label_agreement":null},{"id":"W4412090632","doi":"10.62410/dytzp793","title":"La création musicale environnementale productrice de sensibilité éco-esthétique vis-à-vis des paysages sonores urbains","year":2025,"lang":"fr","type":"article","venue":"Musiques, recherches interdisciplinaires :","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art","score_opus":0.06788191131448576,"score_gpt":0.34960420595328956,"score_spread":0.2817222946388038,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412090632","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29472193,0.0065377164,0.096389286,0.0060122525,0.0018444643,0.00023709492,0.00016168538,0.00073513587,0.5933604],"genre_scores_gemma":[0.83511,0.0025273978,0.04403645,0.00046823468,0.00053228094,0.00016837167,0.00007981238,0.0002822579,0.11679522],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978389,0.0012595917,0.00004766489,0.00021509516,0.0004945408,0.00014423438],"domain_scores_gemma":[0.99874496,0.0005934417,0.00008150584,0.00021717527,0.0002258567,0.00013694669],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003129339,0.0007032731,0.00034142603,0.0011780019,0.002815511,0.007568128,0.00061325444,0.001003435,0.0068905447],"category_scores_gemma":[0.0037635255,0.0002360381,0.0005084019,0.0009943126,0.00494413,0.0021788608,0.002414214,0.001744398,0.0010992576],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029131112,0.000096428244,0.0055400073,0.0005353736,0.00005311391,0.0010805859,0.112469636,0.0013545037,0.023421878,0.59329313,0.0093718385,0.25249225],"study_design_scores_gemma":[0.000054842225,0.0003253046,0.014028996,0.00031605148,0.000045876262,0.0016798957,0.03561596,0.00199337,0.009217891,0.023679497,0.9129635,0.00007891754],"about_ca_topic_score_codex":0.00467711,"about_ca_topic_score_gemma":0.0052599115,"teacher_disagreement_score":0.007568128,"about_ca_system_score_codex":0.001477905,"about_ca_system_score_gemma":0.0012755698,"threshold_uncertainty_score":0.023051143},"labels":[],"label_agreement":null},{"id":"W4412090638","doi":"10.62410/tsgg2r43","title":"Recension - <i>Béla Bartók in Italy: The Politics of Myth Making</i>","year":2025,"lang":"fr","type":"article","venue":"Musiques, recherches interdisciplinaires :","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Mythology; Politics; Political science; Humanities; Art; Literature; Law","score_opus":0.05625593783061395,"score_gpt":0.3242830649124615,"score_spread":0.26802712708184756,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412090638","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00061792525,0.8924279,0.0001558452,0.0212494,0.0070565143,0.000007028477,0.00010689573,0.000027233684,0.078351356],"genre_scores_gemma":[0.052385204,0.6130558,0.00045725642,0.008781052,0.013215019,0.00005633838,0.00039841482,0.00015042652,0.3115005],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994672,0.00014208948,0.000023110239,0.00008364855,0.00019071135,0.00009326591],"domain_scores_gemma":[0.9996625,0.00013670464,0.000050463295,0.000022548704,0.00007104572,0.00005685495],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007644351,0.0007521327,0.0005357984,0.0016208445,0.001438679,0.0050898436,0.000784275,0.0018457929,0.03197659],"category_scores_gemma":[0.0010558974,0.00046789792,0.00028148608,0.0019436614,0.002490431,0.004502849,0.0017911948,0.002156567,0.012049232],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048757804,0.000019003019,0.00019810628,0.0009738187,0.0000073727438,0.00009385718,0.0015147825,0.000064803804,0.0002127751,0.034353808,0.8416572,0.12085587],"study_design_scores_gemma":[0.000003486045,0.0000054406228,0.0012067514,0.0008169032,0.000002866479,0.00009821587,0.0005128752,0.000016960463,0.000044654706,0.0022285203,0.99505913,0.0000042271554],"about_ca_topic_score_codex":0.010338969,"about_ca_topic_score_gemma":0.02055984,"teacher_disagreement_score":0.03197659,"about_ca_system_score_codex":0.0036962198,"about_ca_system_score_gemma":0.0025892658,"threshold_uncertainty_score":0.10697234},"labels":[],"label_agreement":null},{"id":"W4417442570","doi":"10.62410/55gana49","title":"Créer malgré, créer avec, créer ensemble","year":2025,"lang":"","type":"article","venue":"Musiques, recherches interdisciplinaires :","topic":"Philosophy, Sociology, Political Theory","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Measure (data warehouse); Volume (thermodynamics); Noise (video); Class (philosophy); Set (abstract data type)","score_opus":0.0936792966114209,"score_gpt":0.4159501056989132,"score_spread":0.32227080908749234,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417442570","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000891743,0.22307777,0.006923654,0.13157824,0.29102018,0.000102385246,0.0018100425,0.0010413777,0.3435546],"genre_scores_gemma":[0.011486289,0.060947385,0.00359595,0.021789456,0.10446992,0.00014412923,0.0011305537,0.0013271711,0.79510915],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9982393,0.0004696617,0.000112956404,0.00038115992,0.0006683067,0.00012863112],"domain_scores_gemma":[0.99641377,0.0019067107,0.00018268637,0.00021892403,0.00092745357,0.00035043267],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017044205,0.0011744463,0.00087781326,0.003339585,0.002221102,0.0048792292,0.001139306,0.0023893837,0.15041839],"category_scores_gemma":[0.0062750233,0.00042225324,0.00063809153,0.0024840636,0.0021721108,0.0050884043,0.002309561,0.004081961,0.055631842],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012677172,0.0000061055534,0.00006868964,0.0000870925,0.0000024747767,0.00001558262,0.00009085972,0.000032450618,0.000069352085,0.008725803,0.96956575,0.021323193],"study_design_scores_gemma":[0.0000013267287,0.0000033507497,0.0001173734,0.000065677574,9.537858e-7,0.00003611053,0.00005195366,0.00002081968,0.000030372581,0.0012858243,0.9983827,0.0000036146037],"about_ca_topic_score_codex":0.0048642172,"about_ca_topic_score_gemma":0.010098926,"teacher_disagreement_score":0.15041839,"about_ca_system_score_codex":0.0022230875,"about_ca_system_score_gemma":0.0021310628,"threshold_uncertainty_score":0.50319964},"labels":[],"label_agreement":null},{"id":"W4417442579","doi":"10.62410/f6saaa81","title":"Lawrence English — <i>WhiteOut</i> : entre <i>anemoia</i>, souvenirs et expériences réelles du territoire [recension]","year":2025,"lang":"","type":"article","venue":"Musiques, recherches interdisciplinaires :","topic":"Legal and cultural studies analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Context (archaeology); Field (mathematics); Period (music); Feature (linguistics)","score_opus":0.02545704148320068,"score_gpt":0.3020172014938137,"score_spread":0.27656016001061307,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417442579","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006415554,0.84249854,0.0002576253,0.06309452,0.01052488,0.000024459014,0.0007840982,0.000096327516,0.082077906],"genre_scores_gemma":[0.014483718,0.46386084,0.0004890882,0.015995013,0.0028685238,0.00006092352,0.00057890953,0.00017639871,0.5014866],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994143,0.00012221043,0.000051390212,0.00009542289,0.00025077892,0.00006596237],"domain_scores_gemma":[0.9986695,0.00030720312,0.00014895065,0.00004346998,0.0006963201,0.00013461385],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010376642,0.00052192475,0.0004957521,0.0023007176,0.0018979829,0.0030613015,0.0010731295,0.0017292869,0.054921173],"category_scores_gemma":[0.0021008633,0.0004610676,0.00019067166,0.0037967295,0.0011451107,0.00334993,0.0011678988,0.0014732457,0.015736645],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013218788,0.0000043797827,0.00011460311,0.00079360063,0.00000299465,0.00005486162,0.00051358144,0.000011491081,0.00011054063,0.0034470991,0.9528682,0.04206544],"study_design_scores_gemma":[0.000001708165,0.0000025181946,0.00061968825,0.0006829943,0.0000028280062,0.000035506295,0.00037498225,0.0000031500406,0.000038455437,0.00011945619,0.99811494,0.0000037352581],"about_ca_topic_score_codex":0.25324386,"about_ca_topic_score_gemma":0.44051263,"teacher_disagreement_score":0.25324386,"about_ca_system_score_codex":0.004624818,"about_ca_system_score_gemma":0.007271288,"threshold_uncertainty_score":0.5035397},"labels":[],"label_agreement":null},{"id":"W4417442584","doi":"10.62410/c1gmfm59","title":"Listening to the Aesthetics of Popular Culture","year":2025,"lang":"","type":"article","venue":"Musiques, recherches interdisciplinaires :","topic":"African Studies and Ethnography","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Popular music; Electronic dance music; Dance; Subject (documents); Popular culture; Politics; Music history; Metaphor; Dilemma","score_opus":0.06386793934359732,"score_gpt":0.38233603318559184,"score_spread":0.31846809384199454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417442584","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06141291,0.012418092,0.004566742,0.023945352,0.001505185,0.00002714798,0.00005568189,0.00012507105,0.8959439],"genre_scores_gemma":[0.9450872,0.0039620143,0.0009995829,0.0039893338,0.0016603435,0.000041314892,0.000028664206,0.0001757006,0.044055834],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.994919,0.0035439571,0.000092614486,0.00034563537,0.00068092434,0.00041782498],"domain_scores_gemma":[0.9983835,0.0008552384,0.00016015311,0.00024007735,0.00018940277,0.00017158536],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024662837,0.00064711383,0.00036790894,0.0017628773,0.008973191,0.014400929,0.0010285911,0.002121095,0.009028765],"category_scores_gemma":[0.0045937416,0.00020985868,0.00028885255,0.0019977156,0.033566907,0.0069733844,0.0050875354,0.003296313,0.0013361253],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000068060566,0.000026670647,0.0011149824,0.00026332954,0.000022155536,0.00048631066,0.33290413,0.00016549771,0.0010925449,0.607146,0.020919625,0.035790708],"study_design_scores_gemma":[0.000019879628,0.0000679855,0.002447359,0.00062683615,0.0000260032,0.00094513234,0.19329183,0.00020974725,0.0006063563,0.10107777,0.70063514,0.000045958404],"about_ca_topic_score_codex":0.0024718118,"about_ca_topic_score_gemma":0.0031902364,"teacher_disagreement_score":0.014400929,"about_ca_system_score_codex":0.002529572,"about_ca_system_score_gemma":0.0008545748,"threshold_uncertainty_score":0.030204237},"labels":[],"label_agreement":null},{"id":"W4417442913","doi":"10.62410/n0bt1b66","title":"Mieux comprendre le processus de co-création d’une chanson : la réflexivité au service d’un projet de recherche-création","year":2025,"lang":"","type":"article","venue":"Musiques, recherches interdisciplinaires :","topic":"Diverse Music Education Insights","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Context (archaeology); Sandbox (software development); Order (exchange)","score_opus":0.21230014719219703,"score_gpt":0.40084671880336953,"score_spread":0.1885465716111725,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417442913","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36494437,0.022224376,0.1985264,0.22137268,0.005924863,0.00097449333,0.00013691181,0.0011207428,0.18477526],"genre_scores_gemma":[0.95335716,0.0020383904,0.015855316,0.00312886,0.00034169984,0.00039117018,0.000027510778,0.0002423946,0.024617497],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9181443,0.064577736,0.0014690886,0.0045592347,0.00847221,0.0027775106],"domain_scores_gemma":[0.9300374,0.04836516,0.0038049663,0.0049560564,0.007419487,0.0054170606],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.054362856,0.001106849,0.00089006685,0.0021920707,0.013218499,0.021792127,0.0027747473,0.007584484,0.003697853],"category_scores_gemma":[0.0835543,0.0008660751,0.0011946253,0.0018317655,0.030899886,0.019771777,0.013020239,0.014431213,0.0011871934],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000116017705,0.00010531325,0.0020232683,0.00025543512,0.00003687596,0.0016573814,0.7213357,0.0003250141,0.002043361,0.23301905,0.0043695923,0.034712963],"study_design_scores_gemma":[0.00007186187,0.00023217656,0.0024450272,0.00090148265,0.000032272837,0.002245463,0.4454096,0.0014614433,0.003679505,0.05254571,0.4908394,0.00013610223],"about_ca_topic_score_codex":0.012139687,"about_ca_topic_score_gemma":0.0075762053,"teacher_disagreement_score":0.054362856,"about_ca_system_score_codex":0.009468095,"about_ca_system_score_gemma":0.016465828,"threshold_uncertainty_score":0.28750163},"labels":[],"label_agreement":null},{"id":"W4417442940","doi":"10.62410/dqqnah83","title":"La culture au Québec au temps de la pandémie. Réaction, adaptation, normalisation, résistance et hybridation [recension]","year":2025,"lang":"","type":"article","venue":"Musiques, recherches interdisciplinaires :","topic":"Psychodrama and Leishmaniasis Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université Laval","funders":"","keywords":"Line (geometry); Context (archaeology); Measure (data warehouse); Relation (database); Power (physics)","score_opus":0.05221692667512573,"score_gpt":0.3992754443736395,"score_spread":0.34705851769851376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417442940","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00021922695,0.9912595,0.00006218276,0.0032193803,0.0016458385,0.000004840399,0.000055007604,0.000006473378,0.0035275377],"genre_scores_gemma":[0.0066334736,0.9777776,0.00016181712,0.0026246582,0.0007948638,0.000012863304,0.00009843885,0.000009203532,0.011887142],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999283,0.00013069499,0.000052310035,0.00010149166,0.00031906134,0.00011353417],"domain_scores_gemma":[0.99862385,0.0002695369,0.00009660567,0.00003880848,0.0008273502,0.00014377163],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011438205,0.000893664,0.001092586,0.0021812744,0.001606502,0.0025216867,0.001412793,0.0016368359,0.008341173],"category_scores_gemma":[0.0019530877,0.00042597268,0.00041708292,0.0057249977,0.0042378088,0.0017471786,0.0008098659,0.0018108253,0.0016012685],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000079473415,0.000042486103,0.0016717626,0.0074239043,0.000083013125,0.000508765,0.0026695079,0.00032835413,0.0008584029,0.014344128,0.5183156,0.45367467],"study_design_scores_gemma":[0.000005256247,0.00001954703,0.0077255797,0.0028209046,0.000026398193,0.00036244508,0.0011085991,0.00003814675,0.00012921295,0.0008353136,0.98690146,0.00002717291],"about_ca_topic_score_codex":0.898778,"about_ca_topic_score_gemma":0.93304634,"teacher_disagreement_score":0.10122198,"about_ca_system_score_codex":0.019918121,"about_ca_system_score_gemma":0.029934488,"threshold_uncertainty_score":0.20363617},"labels":[],"label_agreement":null}]}