{"meta":{"query_hash":"61abf7b9aae6","filters":{"venue":"Non Plus"},"cohort_total":4,"direct_labels_cover":1,"predictions_cover":4,"exported":4,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/61abf7b9aae6","api":"https://metacan.xera.ac/api/v1/cohort?venue=Non+Plus"},"results":[{"id":"W1687878807","doi":"10.11606/issn.2316-3976.v3i5p20-36","title":"MANUELS DE FLE ET MAÎTRISE DE LA LANGUE ÉCRITE","year":2015,"lang":"fr","type":"article","venue":"Non Plus","topic":"French Language Learning Methods","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Guelph","funders":"","keywords":"Humanities; Art","score_opus":0.04891786707529875,"score_gpt":0.4035629155249712,"score_spread":0.35464504844967243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1687878807","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21365133,0.00461317,0.028499234,0.020190366,0.0006343088,0.00016720395,0.0005833776,0.0004977408,0.7311633],"genre_scores_gemma":[0.75692934,0.0032258984,0.01121468,0.0013403628,0.00020597535,0.00014496711,0.00039661126,0.0004223334,0.22611983],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959241,0.00169255,0.00019003272,0.00051960006,0.0012851631,0.00038845334],"domain_scores_gemma":[0.99350893,0.0023281332,0.00081949314,0.0007136776,0.0017355537,0.0008943268],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0041921255,0.0004950598,0.00028856518,0.0017509183,0.005877574,0.009375449,0.0009097522,0.0014903581,0.024976127],"category_scores_gemma":[0.009671859,0.00032136668,0.00045519395,0.001785721,0.006387982,0.008772439,0.0048705107,0.002598989,0.005761828],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019081474,0.00008694312,0.016759586,0.00054127554,0.00003606692,0.0017518013,0.41774055,0.0005833143,0.0073521202,0.32105404,0.03400564,0.19989786],"study_design_scores_gemma":[0.000008815077,0.00008803186,0.015687173,0.0005136648,0.000018835293,0.00094248215,0.095185004,0.00047270412,0.0014965002,0.015742108,0.8697774,0.00006724451],"about_ca_topic_score_codex":0.027616844,"about_ca_topic_score_gemma":0.04081063,"teacher_disagreement_score":0.027616844,"about_ca_system_score_codex":0.0066453484,"about_ca_system_score_gemma":0.0053709173,"threshold_uncertainty_score":0.08355349},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"not_applicable","genre":"other","about_ca_system":false,"about_ca_topic":false,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"design_other","genre":"other","about_ca_system":false,"about_ca_topic":false,"confidence":"low"}],"label_agreement":"split"},{"id":"W2236084988","doi":"10.11606/issn.2316-3976.v4i7p125-138","title":"TRADUZINDO YVES THÉRIAULT, PRECURSOR DA LITERATURA FANTÁSTICA MODERNA DO QUEBEC","year":2015,"lang":"pt","type":"article","venue":"Non Plus","topic":"Short Stories in Global Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.03632476848922233,"score_gpt":0.2681644466740322,"score_spread":0.23183967818480988,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2236084988","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12493996,0.09417048,0.004685504,0.07394092,0.0031222904,0.000059625625,0.0016559642,0.00020592991,0.6972193],"genre_scores_gemma":[0.6929103,0.017700486,0.0011692336,0.0051702284,0.00028715044,0.000034171655,0.00034240112,0.00010755323,0.2822785],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994622,0.00013258233,0.000013315932,0.000096743584,0.00016055748,0.00013452041],"domain_scores_gemma":[0.9990639,0.00021535267,0.00006772367,0.0000518799,0.00046365324,0.00013745946],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000583934,0.00042680046,0.00027382086,0.001694846,0.010390476,0.005147351,0.0006618548,0.0013067544,0.014313134],"category_scores_gemma":[0.0011993621,0.00016294852,0.00016690484,0.0026756476,0.0072590346,0.0017979743,0.001067346,0.0019216907,0.00081459014],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013399581,0.000037606456,0.011953388,0.0005758369,0.000041962434,0.0014310371,0.16629823,0.0004906543,0.0014275238,0.45106718,0.25069988,0.11584281],"study_design_scores_gemma":[0.000003918106,0.000011222859,0.010396856,0.0003257018,0.000012565039,0.0003537858,0.028572887,0.00024845928,0.00032060212,0.0023214875,0.957402,0.000030500727],"about_ca_topic_score_codex":0.94995534,"about_ca_topic_score_gemma":0.97497624,"teacher_disagreement_score":0.050044656,"about_ca_system_score_codex":0.039176516,"about_ca_system_score_gemma":0.02111842,"threshold_uncertainty_score":0.28424686},"labels":[],"label_agreement":null},{"id":"W2332531859","doi":"10.11606/issn.2316-3976.v4i8p72-86","title":"CREDIBILITÉ ET POSTURE D'AUTEUR DANS LES ENTRETIENS TELÉVISÉS (CHRISTINE ANGOT, MICHEL HOUELLEBECQ, DANY LAFERRIERE)","year":2016,"lang":"fr","type":"article","venue":"Non Plus","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art; Auteur theory; Philosophy; Art history","score_opus":0.016024326658509544,"score_gpt":0.23792778495104464,"score_spread":0.2219034582925351,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2332531859","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36893412,0.010435373,0.006090673,0.05612321,0.0005535067,0.000027447131,0.00009656914,0.000049385195,0.5576897],"genre_scores_gemma":[0.9669471,0.0011785483,0.00039744627,0.0009982954,0.00009238893,0.000011884708,0.000009177425,0.000014407184,0.030350642],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975503,0.0011509099,0.000055476557,0.00031906748,0.00045662548,0.00046758403],"domain_scores_gemma":[0.9947962,0.0031919624,0.0007007479,0.00022281853,0.0006014681,0.00048676532],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036463751,0.00029721114,0.0002337486,0.0017173839,0.009101881,0.008692648,0.00055715424,0.0026160604,0.01140781],"category_scores_gemma":[0.00742445,0.00020090914,0.00022181954,0.0011713114,0.01881635,0.0048535927,0.0022015467,0.0025241745,0.000798381],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048964477,0.000021127169,0.004557693,0.000059025264,0.000008093362,0.0004269243,0.16076297,0.00015904983,0.00036137417,0.8053808,0.006156349,0.022057595],"study_design_scores_gemma":[0.000048102876,0.0000956173,0.047842737,0.0010092735,0.000029014049,0.0010332869,0.22481166,0.0006733355,0.00109649,0.19721311,0.52600586,0.0001415294],"about_ca_topic_score_codex":0.0937108,"about_ca_topic_score_gemma":0.08645021,"teacher_disagreement_score":0.0937108,"about_ca_system_score_codex":0.010034486,"about_ca_system_score_gemma":0.00429689,"threshold_uncertainty_score":0.18633068},"labels":[],"label_agreement":null},{"id":"W2891652471","doi":"10.11606/issn.2316-3976.v6i12p110-128","title":"Défaut de justice et narrations compensatoires chez Sophie Bienvenu, Lydie Salvayre et Julia Deck","year":2017,"lang":"fr","type":"article","venue":"Non Plus","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Economic Justice; Art; Narrative; Ethnology; Sociology; Literature; Political science; Law","score_opus":0.3389860533113763,"score_gpt":0.39530371251669955,"score_spread":0.05631765920532322,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2891652471","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32131645,0.046611134,0.01365165,0.21370642,0.014878985,0.00008040318,0.00019235515,0.0005667814,0.38899583],"genre_scores_gemma":[0.8831271,0.0095694,0.0017844394,0.00610392,0.0016375873,0.000053280983,0.000053641954,0.00033343406,0.09733732],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99751127,0.0017978391,0.00003139143,0.00016228273,0.00032301425,0.00017422187],"domain_scores_gemma":[0.9977186,0.001563963,0.00015806724,0.00007847629,0.00025522936,0.00022571672],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018491237,0.00049233297,0.00043265044,0.00068803475,0.007496717,0.0057925745,0.0005412091,0.0016830548,0.0049185837],"category_scores_gemma":[0.008255236,0.0002621918,0.00026625823,0.0004797072,0.009063625,0.0029960377,0.0025886847,0.0038853071,0.0013357577],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012018256,0.00003913861,0.0009973157,0.00023652207,0.000022156526,0.0019264662,0.5332053,0.00033038825,0.0011499167,0.28598315,0.1441235,0.03186599],"study_design_scores_gemma":[0.0000073047695,0.000041476353,0.0012980251,0.00024020691,0.000010870994,0.0011050046,0.10306762,0.00042770375,0.0013085051,0.010271564,0.8821733,0.00004841213],"about_ca_topic_score_codex":0.010625819,"about_ca_topic_score_gemma":0.016777826,"teacher_disagreement_score":0.010625819,"about_ca_system_score_codex":0.003276673,"about_ca_system_score_gemma":0.0013609527,"threshold_uncertainty_score":0.023774087},"labels":[],"label_agreement":null}]}