{"meta":{"query_hash":"ad5ceded7008","filters":{"venue":"Orbis Litterarum"},"cohort_total":19,"direct_labels_cover":0,"predictions_cover":19,"exported":19,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/ad5ceded7008","api":"https://metacan.xera.ac/api/v1/cohort?venue=Orbis+Litterarum"},"results":[{"id":"W1496395911","doi":"10.1111/j.1600-0730.2011.01022.x","title":"Sentinelles de l’oubli et reflets furtifs. Permanence, rupture et régimes d’historicité dans<i>Dora Bruder</i>","year":2011,"lang":"fr","type":"article","venue":"Orbis Litterarum","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Chicoutimi","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.02998502870960339,"score_gpt":0.24763337260827853,"score_spread":0.21764834389867513,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1496395911","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11379346,0.009464236,0.010031971,0.023519365,0.0013809538,0.000090500456,0.00014883498,0.00012420883,0.84144646],"genre_scores_gemma":[0.81604093,0.0017707007,0.0019279356,0.001563094,0.00023690492,0.00007312375,0.00005957314,0.00011835066,0.17820945],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9989336,0.0004806569,0.000028352117,0.00017196976,0.00018094144,0.0002044731],"domain_scores_gemma":[0.99937123,0.00028680052,0.00008977736,0.00008428222,0.000104229795,0.00006365245],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011673438,0.0004296188,0.00030810066,0.0008261537,0.008425167,0.0040832194,0.0006463517,0.0019247925,0.008762697],"category_scores_gemma":[0.0022806157,0.00027033093,0.00020985768,0.0007319305,0.015078633,0.0044476283,0.003097243,0.0036415032,0.0010525299],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049517723,0.000009764213,0.00089568784,0.000086444816,0.000003208144,0.00040734635,0.14067146,0.00007147947,0.0007157249,0.83686507,0.0077192765,0.012505095],"study_design_scores_gemma":[0.00001078817,0.000040309234,0.0022895965,0.0003084702,0.000010165192,0.000541123,0.06413245,0.00020546997,0.00086803717,0.03828041,0.893287,0.000026255346],"about_ca_topic_score_codex":0.02205131,"about_ca_topic_score_gemma":0.055995036,"teacher_disagreement_score":0.02205131,"about_ca_system_score_codex":0.0058015804,"about_ca_system_score_gemma":0.0025004323,"threshold_uncertainty_score":0.043845892},"labels":[],"label_agreement":null},{"id":"W1527941730","doi":"10.1111/j.1600-0730.2011.01025.x","title":"Jenseits der Grenze zwischen Mensch und Tier. „Tier‐Werden“ und „Anders‐Werden“ in Günter Eichs Hörspiel „Sabeth“","year":2011,"lang":"de","type":"article","venue":"Orbis Litterarum","topic":"Ecology, Conservation, and Geographical Studies","field":"Environmental Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Humanities; Philosophy","score_opus":0.031192822859132177,"score_gpt":0.2583442150567517,"score_spread":0.22715139219761954,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1527941730","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10787751,0.11776946,0.01853856,0.08745307,0.0075462493,0.0001731173,0.00032871042,0.00016264727,0.6601507],"genre_scores_gemma":[0.68534124,0.0346109,0.0074655297,0.01775225,0.0010716419,0.00017591525,0.00021273042,0.00024727307,0.2531226],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9985536,0.00065091974,0.000044075616,0.00023605245,0.00034483965,0.00017058138],"domain_scores_gemma":[0.9988972,0.0006905818,0.00009595714,0.00009717171,0.00013690203,0.00008211618],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018112806,0.00043735316,0.00036972956,0.0012419748,0.0046574944,0.0058917366,0.0006031834,0.0021251037,0.008995013],"category_scores_gemma":[0.0023216545,0.00023912944,0.00038695175,0.0012288012,0.012862264,0.004074096,0.0044269823,0.0027649018,0.0010523875],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000106622734,0.000031805466,0.0024507123,0.00056973833,0.000029959334,0.00061141024,0.073437855,0.00023399168,0.0024612662,0.80711365,0.0337789,0.07917396],"study_design_scores_gemma":[0.000006437918,0.000034912686,0.0046803695,0.0007848758,0.000023555662,0.00032141994,0.015986644,0.0001340688,0.001260934,0.058858972,0.91788167,0.000026228892],"about_ca_topic_score_codex":0.016878746,"about_ca_topic_score_gemma":0.047005188,"teacher_disagreement_score":0.016878746,"about_ca_system_score_codex":0.0044584344,"about_ca_system_score_gemma":0.0042117243,"threshold_uncertainty_score":0.03356099},"labels":[],"label_agreement":null},{"id":"W1588575942","doi":"10.1111/j.1600-0730.2006.00860.x","title":"Writ in Water?","year":2006,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"German Colonialism and Identity Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Writ; German; Literature; German literature; Philosophy; Phenomenon; Art; History; Art history; Linguistics; Epistemology; Law","score_opus":0.009221005683677874,"score_gpt":0.18066440264262,"score_spread":0.17144339695894212,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1588575942","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029996296,0.015687637,0.0026096469,0.15515065,0.008498761,0.000047085836,0.00032018824,0.0001873464,0.7875024],"genre_scores_gemma":[0.48407918,0.008519409,0.001127371,0.02032552,0.0010334225,0.00003809619,0.00022282959,0.00032671407,0.48432752],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99883753,0.000515603,0.00003937751,0.00018933788,0.00019006751,0.00022814411],"domain_scores_gemma":[0.9995278,0.00012522092,0.000058245627,0.00007780054,0.00010868244,0.00010229419],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011241576,0.0004139474,0.00028766063,0.00047046933,0.006768924,0.005315227,0.0005642997,0.0015746789,0.029978741],"category_scores_gemma":[0.0029692238,0.00015669955,0.00018747555,0.00080308126,0.011335088,0.006921344,0.0033594237,0.0028001652,0.007916701],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054551383,0.000023674842,0.0008489294,0.00017733742,0.000012689377,0.0008199999,0.12239306,0.00004235367,0.0005082402,0.5387165,0.2775084,0.058894176],"study_design_scores_gemma":[0.0000034068485,0.0000103409875,0.00041204694,0.000115372786,0.0000028624345,0.00014507565,0.039487418,0.00002258253,0.00016869482,0.011098013,0.94852775,0.000006384479],"about_ca_topic_score_codex":0.01117742,"about_ca_topic_score_gemma":0.02300046,"teacher_disagreement_score":0.029978741,"about_ca_system_score_codex":0.0027734307,"about_ca_system_score_gemma":0.0020994262,"threshold_uncertainty_score":0.10028893},"labels":[],"label_agreement":null},{"id":"W1906115338","doi":"10.1111/j.1600-0730.2008.00903.x","title":"Displaced Majority: Robertson Davies and the Euro‐Canadian Diaspora","year":2008,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"","keywords":"Trilogy; Depiction; Diaspora; Narrative; Identity (music); Consciousness; History; National identity; Relation (database); Sociology; Aesthetics; Gender studies; Literature; Political science; Law; Art history; Art; Philosophy; Epistemology","score_opus":0.010645287393203218,"score_gpt":0.20775488344401877,"score_spread":0.19710959605081554,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1906115338","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11527258,0.032683067,0.0007094819,0.16683011,0.006626128,0.000040574647,0.00022876967,0.00008448576,0.6775247],"genre_scores_gemma":[0.7356204,0.010491749,0.00038573603,0.02429556,0.0004987265,0.000019794872,0.00005978999,0.00010629158,0.228522],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9990095,0.00014537969,0.000010515792,0.00012385381,0.00029852538,0.00041217802],"domain_scores_gemma":[0.9992854,0.00011733576,0.00003193438,0.00002258978,0.00031453936,0.00022826077],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007199078,0.00028104894,0.00021922916,0.00062167685,0.0218922,0.0067006443,0.00074927363,0.001516493,0.0071038106],"category_scores_gemma":[0.0018222098,0.0001467651,0.000099965764,0.0009675865,0.008076354,0.0015496652,0.0020805132,0.0019781808,0.0007478659],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010448719,0.000027077822,0.0037146397,0.00013912341,0.000012583198,0.0010525318,0.14671439,0.00016994886,0.0009126899,0.4427437,0.36120775,0.043201067],"study_design_scores_gemma":[0.0000033793726,0.0000053115937,0.0011837671,0.0000662838,0.0000042765905,0.0001427144,0.049577706,0.000032823904,0.00014652632,0.002432965,0.94638723,0.000016882785],"about_ca_topic_score_codex":0.9199526,"about_ca_topic_score_gemma":0.9443203,"teacher_disagreement_score":0.08004743,"about_ca_system_score_codex":0.030054156,"about_ca_system_score_gemma":0.03254999,"threshold_uncertainty_score":0.21805918},"labels":[],"label_agreement":null},{"id":"W1971924716","doi":"10.1034/j.1600-0730.2001.d01-31.x","title":"Interpreting Art, Interpreting Literature","year":2001,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Epistemology; Context (archaeology); Action (physics); Ontology; Work of art; Sociology; Philosophy; History; Aesthetics","score_opus":0.014346627631465032,"score_gpt":0.23916738323000272,"score_spread":0.2248207555985377,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1971924716","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035598297,0.04695085,0.038903352,0.061656486,0.0027738223,0.000065344975,0.00014220345,0.00016390714,0.81374586],"genre_scores_gemma":[0.92671853,0.022356885,0.013034029,0.0049100225,0.003051943,0.00018403615,0.00017412298,0.00028567645,0.029284785],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9900857,0.0068271644,0.00030810188,0.00087714504,0.0013180146,0.00058390235],"domain_scores_gemma":[0.9919531,0.0055539734,0.0006350972,0.000869311,0.0007572683,0.000231248],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.011071091,0.0010714015,0.00069911964,0.008115119,0.010421554,0.025756735,0.0018722188,0.0044718324,0.005364764],"category_scores_gemma":[0.017447814,0.0004454296,0.00060684996,0.0066737914,0.065611295,0.025863137,0.0071026366,0.0037980317,0.00094352616],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000055686082,0.0000040830696,0.00015274365,0.000095566946,0.0000034263387,0.00008016521,0.03521799,0.00010983566,0.000055571094,0.9562203,0.0025445467,0.0055101947],"study_design_scores_gemma":[0.000011486138,0.000011860754,0.0003899524,0.0008013251,0.000015406575,0.00019857202,0.06286746,0.00028387248,0.00024155647,0.71015996,0.22500385,0.000014665741],"about_ca_topic_score_codex":0.006790845,"about_ca_topic_score_gemma":0.0061459364,"teacher_disagreement_score":0.025756735,"about_ca_system_score_codex":0.008573326,"about_ca_system_score_gemma":0.005373139,"threshold_uncertainty_score":0.062204123},"labels":[],"label_agreement":null},{"id":"W1994123524","doi":"10.1034/j.1600-0730.2002.570302.x","title":"Le lecteur en procès: Analyse rhétorique du modèle judiciaire dans <i>Les confessions</i> de Rousseau","year":2002,"lang":"fr","type":"article","venue":"Orbis Litterarum","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.022279159135902137,"score_gpt":0.2360658697176126,"score_spread":0.21378671058171045,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1994123524","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16034634,0.006361038,0.109690145,0.02083231,0.0007348352,0.00014046101,0.00022370766,0.00028404576,0.70138717],"genre_scores_gemma":[0.96356475,0.0012007621,0.007270462,0.0005131897,0.00017984047,0.0000799692,0.00008020858,0.00017222112,0.026938487],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99762976,0.0016922995,0.000049392464,0.00015753233,0.00036181902,0.00010925014],"domain_scores_gemma":[0.99679726,0.002400561,0.00020944985,0.00018912982,0.00030389943,0.00009967666],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024186391,0.0006045777,0.00032609983,0.0014110489,0.0039534993,0.008937997,0.00075982406,0.0015915267,0.004708723],"category_scores_gemma":[0.004912165,0.00031136477,0.00042418245,0.0012172161,0.013371841,0.0073352642,0.002172144,0.002977043,0.000877485],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037909635,0.000015876683,0.00075062265,0.000104076025,0.0000058688124,0.00017824446,0.14006376,0.00045188193,0.00081135926,0.84650993,0.0030438597,0.00802666],"study_design_scores_gemma":[0.00003756767,0.000108140266,0.0047087446,0.0011120943,0.000044954595,0.0006119953,0.176515,0.013823967,0.0033064405,0.32253805,0.47712526,0.00006775995],"about_ca_topic_score_codex":0.012893547,"about_ca_topic_score_gemma":0.011180978,"teacher_disagreement_score":0.012893547,"about_ca_system_score_codex":0.0065050274,"about_ca_system_score_gemma":0.0030034704,"threshold_uncertainty_score":0.04719752},"labels":[],"label_agreement":null},{"id":"W2054893927","doi":"10.1111/j.0105-7510.2004.00815.x","title":"La vision économique dans les ballades et les rondeaux de Charles d'Orléans","year":2004,"lang":"fr","type":"article","venue":"Orbis Litterarum","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.026476815360957858,"score_gpt":0.28366237740033484,"score_spread":0.257185562039377,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2054893927","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.090248585,0.00231156,0.0072455937,0.01389372,0.0003925129,0.000031577292,0.00012194682,0.000069482536,0.885685],"genre_scores_gemma":[0.7262053,0.0019818216,0.002946864,0.0012389664,0.00013883687,0.000054481414,0.00007574129,0.000084792744,0.2672732],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999199,0.00026664772,0.000020215393,0.00014925236,0.00022187547,0.00014295387],"domain_scores_gemma":[0.9994741,0.00020588533,0.00006416599,0.00004003491,0.00012824102,0.00008752371],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011072562,0.00033972305,0.00019727208,0.00072795985,0.0056304736,0.0072873356,0.00052841543,0.0013990327,0.011956263],"category_scores_gemma":[0.0016645201,0.00020215315,0.00022497316,0.00083449966,0.010404396,0.0021397767,0.0019016421,0.00326542,0.0012456237],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022137958,0.000005356482,0.00056981406,0.00003336041,0.0000020778677,0.00009137593,0.020995382,0.00013088011,0.00033025205,0.96637404,0.0048600812,0.006585285],"study_design_scores_gemma":[0.000014109301,0.000023123448,0.0053654276,0.00021426084,0.00000844682,0.0001885436,0.024036251,0.00036591635,0.0007487451,0.044949695,0.92405385,0.000031575462],"about_ca_topic_score_codex":0.123202674,"about_ca_topic_score_gemma":0.23000404,"teacher_disagreement_score":0.123202674,"about_ca_system_score_codex":0.007941563,"about_ca_system_score_gemma":0.007236726,"threshold_uncertainty_score":0.2449711},"labels":[],"label_agreement":null},{"id":"W2086397643","doi":"10.1034/j.1600-0730.2002.t01-1-570502.x","title":"Domesticating Nietzsche: Toward a Genealogy of Elisabeth Förster‐Nietzsche's ‘Novellen‐Eierchen’","year":2002,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Nietzsche, Schopenhauer, and Hegel","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Novella; Ideology; Fantasy; Philosophy; Realm; Psychoanalysis; Literature; History; Art; Psychology; Law; Politics; Political science","score_opus":0.063817685777316,"score_gpt":0.25346260550623717,"score_spread":0.18964491972892117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2086397643","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21965332,0.022365486,0.010534731,0.041755043,0.0037440215,0.000108333596,0.00022769226,0.00021314205,0.7013982],"genre_scores_gemma":[0.90779907,0.0030310985,0.0014539915,0.0016138455,0.00044947985,0.000047227455,0.00006075928,0.00014251938,0.08540218],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990338,0.0005573762,0.000021613161,0.0001472085,0.00012320734,0.0001167993],"domain_scores_gemma":[0.99937755,0.00029465105,0.00009907844,0.000071347386,0.00009549139,0.00006185175],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013435225,0.00037399487,0.00022456214,0.00069966813,0.0039511696,0.005184135,0.00069214846,0.0011125305,0.0034462446],"category_scores_gemma":[0.0026439857,0.00021411199,0.00013046975,0.00032020698,0.012113965,0.0028322414,0.0028362738,0.0017981029,0.00071913813],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006987231,0.000032363565,0.00049970247,0.00013390118,0.000010627388,0.00086171186,0.15086281,0.00023999065,0.0010721636,0.8142233,0.01895005,0.013043539],"study_design_scores_gemma":[0.000007628852,0.000031907006,0.000566033,0.00021076667,0.000006671579,0.0006991862,0.03390375,0.00017684887,0.0012505727,0.027070785,0.93605596,0.000019778869],"about_ca_topic_score_codex":0.0028364032,"about_ca_topic_score_gemma":0.0060983975,"teacher_disagreement_score":0.005184135,"about_ca_system_score_codex":0.002729658,"about_ca_system_score_gemma":0.0012146137,"threshold_uncertainty_score":0.019805133},"labels":[],"label_agreement":null},{"id":"W2101268612","doi":"10.1111/j.1600-0730.2010.00998.x","title":"“Lost in the meantime”. Tristram Shandy and Deleuzian Stuttering","year":2010,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Narrative; Teleology; HERO; Literature; Interim; Stuttering; Focus (optics); Aesthetics; Philosophy; Epistemology; History; Art; Linguistics","score_opus":0.014564475406223288,"score_gpt":0.2141318242263574,"score_spread":0.1995673488201341,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2101268612","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15636057,0.023100015,0.015471961,0.16139662,0.00267387,0.000053694926,0.00011206148,0.00022329317,0.64060783],"genre_scores_gemma":[0.95713973,0.0019540456,0.0012944776,0.0055810586,0.00027023262,0.000046392244,0.000016384005,0.000086048916,0.033611722],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983,0.0011149873,0.000034545425,0.00017546692,0.00023298054,0.00014198109],"domain_scores_gemma":[0.9988747,0.0005781271,0.00012667905,0.00017186045,0.0001444469,0.00010418338],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019043718,0.0006296653,0.00028334337,0.00090185995,0.0063051623,0.005238362,0.0008952437,0.0018089525,0.0029452788],"category_scores_gemma":[0.0041672573,0.00020856624,0.00027951057,0.00057689927,0.036268223,0.0050143176,0.0040572234,0.004373159,0.00052797364],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023221512,0.0000058743476,0.00017317869,0.00003731643,0.000003863761,0.00034650572,0.07210755,0.00009320363,0.00017869266,0.9148743,0.00814162,0.0040146825],"study_design_scores_gemma":[0.000025919006,0.000053921947,0.0006336352,0.0003019414,0.000017864792,0.001308023,0.0843047,0.00047042666,0.0011267237,0.4884413,0.42327747,0.000038124894],"about_ca_topic_score_codex":0.0047223526,"about_ca_topic_score_gemma":0.006942671,"teacher_disagreement_score":0.0063051623,"about_ca_system_score_codex":0.0037822418,"about_ca_system_score_gemma":0.0021713895,"threshold_uncertainty_score":0.027442217},"labels":[],"label_agreement":null},{"id":"W2101967064","doi":"10.1111/oli.12022","title":"Beckett and Beyond","year":2013,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":30,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Linguistics; Yesterday; Argument (complex analysis); Literature; Colonialism; History; Philosophy; Art","score_opus":0.028648867347025937,"score_gpt":0.2087503419081875,"score_spread":0.18010147456116157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2101967064","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005837226,0.042693246,0.0015985428,0.097296074,0.007972073,0.000015920965,0.00006399136,0.00008956564,0.8444333],"genre_scores_gemma":[0.33074543,0.033268344,0.0023417058,0.058079332,0.0046207905,0.00012894456,0.000097524426,0.00028966402,0.5704283],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99868876,0.0005914583,0.000027079048,0.00027829455,0.0001854998,0.00022899354],"domain_scores_gemma":[0.99917346,0.00039865347,0.000050293263,0.000083810795,0.00012568443,0.00016810177],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011091887,0.000531102,0.00031984758,0.0011474201,0.011224533,0.00851724,0.0004239361,0.0028093047,0.01721844],"category_scores_gemma":[0.0026609292,0.00021412996,0.00019426501,0.0009942316,0.01079072,0.007048381,0.0031807579,0.0047301757,0.0036162606],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012740429,0.000009175283,0.0001463858,0.00002681133,0.0000012352233,0.00006425181,0.006085801,0.000014682222,0.000035493915,0.842363,0.1345433,0.016697092],"study_design_scores_gemma":[0.0000021974063,0.0000057659113,0.00009139569,0.00013163965,0.0000013076017,0.00009019041,0.002667369,0.000020131476,0.000048926326,0.0416644,0.9552709,0.0000058240553],"about_ca_topic_score_codex":0.009219391,"about_ca_topic_score_gemma":0.011494884,"teacher_disagreement_score":0.01721844,"about_ca_system_score_codex":0.0035418554,"about_ca_system_score_gemma":0.0037050676,"threshold_uncertainty_score":0.057601452},"labels":[],"label_agreement":null},{"id":"W2298759068","doi":"10.1111/oli.12082","title":"Deviance and the Subversive Grotesque in Barbara Gowdy's <i>We So Seldom Look on Love</i>","year":2016,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Deviance (statistics); Psychoanalytic theory; Normative; Sociology; Relation (database); Psychoanalysis; Carnivalesque; Aesthetics; Epistemology; Psychology; Philosophy; Computer science","score_opus":0.007347158577855329,"score_gpt":0.24023755685319878,"score_spread":0.23289039827534344,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2298759068","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6523849,0.013879534,0.00081260275,0.047742043,0.0006561713,0.00004036069,0.00019616642,0.00006928987,0.28421903],"genre_scores_gemma":[0.9677665,0.0039201416,0.00027640385,0.0024126673,0.0001654514,0.00002554328,0.000055033754,0.00010710746,0.025271133],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977266,0.0010637717,0.000038866536,0.00018953573,0.0006023514,0.00037892815],"domain_scores_gemma":[0.998073,0.00089587993,0.00035025543,0.00011814883,0.00024187558,0.00032079083],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001167455,0.00054247753,0.0005061713,0.0023887951,0.02735043,0.009902668,0.0011333034,0.0022501037,0.0041205115],"category_scores_gemma":[0.00406077,0.00037983348,0.00014576176,0.002365747,0.03849627,0.0041676015,0.006658654,0.0046595796,0.00041212633],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017072107,0.00000896692,0.0011937943,0.000074896954,0.0000055755513,0.0009501479,0.92484444,0.000016710734,0.00030191333,0.057694264,0.009178768,0.0057134437],"study_design_scores_gemma":[0.0000029469375,0.000011514489,0.004606978,0.00023453309,0.000009821364,0.00068281306,0.7296703,0.00002066277,0.00025447208,0.003098526,0.26138285,0.000024596478],"about_ca_topic_score_codex":0.34862345,"about_ca_topic_score_gemma":0.6003598,"teacher_disagreement_score":0.34862345,"about_ca_system_score_codex":0.0134035405,"about_ca_system_score_gemma":0.0053783045,"threshold_uncertainty_score":0.6931885},"labels":[],"label_agreement":null},{"id":"W2766460392","doi":"10.1111/oli.12150","title":"Unredemptive Recognition","year":2017,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Cybernetics and Technology in Society","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Douglas College","funders":"","keywords":"Psychology","score_opus":0.06294031584127537,"score_gpt":0.2536471449918073,"score_spread":0.19070682915053194,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2766460392","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010247215,0.0031159786,0.0068334145,0.020715276,0.004001807,0.000034170018,0.000041884712,0.00010564648,0.9549046],"genre_scores_gemma":[0.59176856,0.0023588676,0.0021288514,0.012629629,0.0030006303,0.000105041574,0.00013959318,0.0004595235,0.3874094],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9896339,0.0037709563,0.00035880582,0.0016518524,0.0035280017,0.0010565188],"domain_scores_gemma":[0.993313,0.0025195607,0.00065109844,0.0016716752,0.0013709691,0.0004735528],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004023466,0.0008274312,0.00051081536,0.0013402299,0.0069389404,0.011821039,0.0022758867,0.0040928563,0.01902131],"category_scores_gemma":[0.01568187,0.00028179566,0.00054960226,0.0010800522,0.02350044,0.010695131,0.009262887,0.0071905362,0.005783612],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019022593,0.000013418624,0.00019687896,0.00007035518,0.000003720926,0.00030784408,0.04297369,0.000037002515,0.00030229086,0.9082516,0.028753072,0.019071164],"study_design_scores_gemma":[0.0000051430898,0.000012953534,0.00018634145,0.00018630804,0.0000050192907,0.0005384643,0.012063278,0.000080810954,0.0005074923,0.057056945,0.9293429,0.000014216149],"about_ca_topic_score_codex":0.0028655312,"about_ca_topic_score_gemma":0.0033055237,"teacher_disagreement_score":0.01902131,"about_ca_system_score_codex":0.0057180747,"about_ca_system_score_gemma":0.0033370308,"threshold_uncertainty_score":0.06363261},"labels":[],"label_agreement":null},{"id":"W2799313780","doi":"10.1111/oli.12182","title":"The elephant in the room","year":2018,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Translation Studies and Practices","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Content (measure theory); Poetry; Literature; World literature; Buddhism; Translation studies; Epistemology; Literary theory; History; Philosophy; Sociology; Literary criticism; Art","score_opus":0.03864516140445198,"score_gpt":0.26885835082767395,"score_spread":0.23021318942322197,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2799313780","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023335543,0.008946883,0.01995512,0.23374087,0.015943969,0.00006245251,0.00018972729,0.00068182306,0.6971436],"genre_scores_gemma":[0.521052,0.0058793584,0.009339893,0.02995333,0.004032049,0.000115887735,0.00015109147,0.0015746678,0.42790177],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99823076,0.0009291936,0.000044823493,0.00031705978,0.00022160445,0.00025654302],"domain_scores_gemma":[0.9980404,0.0005435376,0.00009267161,0.00055302324,0.00022973199,0.00054065575],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027753767,0.0007297784,0.00056235713,0.0011280612,0.013869008,0.009656317,0.0012624898,0.0032165714,0.04883447],"category_scores_gemma":[0.0067679044,0.00036875042,0.0005833588,0.00086127355,0.025817808,0.01920139,0.009459008,0.008265009,0.012947416],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000096812306,0.000052412033,0.00083524437,0.00011564352,0.000014313275,0.00072529336,0.05113858,0.0001154651,0.00064459204,0.7832359,0.13159321,0.031432576],"study_design_scores_gemma":[0.000013300229,0.00003417898,0.0002836504,0.00027398742,0.000008267788,0.00033988908,0.034952443,0.00016156843,0.00029069965,0.10851942,0.8550995,0.00002309725],"about_ca_topic_score_codex":0.0030401913,"about_ca_topic_score_gemma":0.0051411986,"teacher_disagreement_score":0.04883447,"about_ca_system_score_codex":0.0014578196,"about_ca_system_score_gemma":0.0030324084,"threshold_uncertainty_score":0.16336757},"labels":[],"label_agreement":null},{"id":"W2900365438","doi":"10.1111/oli.12212","title":"Fight, love, and flee","year":2018,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Homelessness and Social Issues","field":"Health Professions","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"White (mutation); Cognitive dissonance; Legend; Power (physics); Subjectivity; Interpretation (philosophy); Psychoanalysis; Hegemony; History; Art; Sociology; Literature; Psychology; Philosophy; Epistemology; Social psychology; Politics; Law; Political science","score_opus":0.040364000273985144,"score_gpt":0.4034539829993296,"score_spread":0.3630899827253445,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2900365438","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03872041,0.012727651,0.001773439,0.113974646,0.0033024063,0.000027408109,0.000086929685,0.00008802714,0.82929915],"genre_scores_gemma":[0.6098249,0.005415965,0.0007363503,0.017521385,0.0007461771,0.00002415164,0.000049762908,0.00007820156,0.36560303],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989423,0.00038463742,0.000015204494,0.00008372559,0.00026530653,0.00030878582],"domain_scores_gemma":[0.9989839,0.00015619634,0.000083727806,0.00006981263,0.00015113161,0.00055526703],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010505354,0.00036720638,0.000231238,0.000675136,0.017131953,0.006584567,0.0004415605,0.0016605012,0.012119159],"category_scores_gemma":[0.002228905,0.00019251271,0.00016506798,0.0005082282,0.023629984,0.0032656963,0.003755995,0.0038669782,0.0017079535],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000062442254,0.00006414201,0.0038706483,0.000085171516,0.000016647147,0.0007019223,0.14956264,0.00006485269,0.0005571621,0.50450724,0.2888546,0.051652543],"study_design_scores_gemma":[0.000007749303,0.000020000349,0.0021851007,0.00012900685,0.0000032547146,0.0002968203,0.075878754,0.000032113534,0.00014682171,0.01770972,0.9035803,0.0000104147475],"about_ca_topic_score_codex":0.06483263,"about_ca_topic_score_gemma":0.17317215,"teacher_disagreement_score":0.06483263,"about_ca_system_score_codex":0.004980686,"about_ca_system_score_gemma":0.0049909577,"threshold_uncertainty_score":0.12891054},"labels":[],"label_agreement":null},{"id":"W3203323627","doi":"10.1111/oli.12329","title":"Growing into epistemic knowledge through performance: Rosanna Raymond’s “Soli I Tai—Soli I Uta” at Berlin’s Ethnological Museum","year":2021,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Performative utterance; Aotearoa; Sociology; Intervention (counseling); Aesthetics; Art; Psychology; Gender studies","score_opus":0.04000929640337673,"score_gpt":0.3385745797371203,"score_spread":0.29856528333374355,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3203323627","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7633895,0.0029249322,0.0027873802,0.029289952,0.00066582,0.00013169822,0.00013023517,0.00020118387,0.20047937],"genre_scores_gemma":[0.9648112,0.0006559498,0.0011015818,0.0010818564,0.00008598606,0.00005705445,0.000029594974,0.0001303814,0.03204631],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9937828,0.004471327,0.000054689513,0.00040026073,0.00045321518,0.0008376326],"domain_scores_gemma":[0.99673516,0.0017497465,0.00021477632,0.0002508981,0.00019061673,0.0008587899],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0050501507,0.0008541551,0.00058818987,0.0023240403,0.032726888,0.0092666475,0.0022476641,0.002546501,0.009532592],"category_scores_gemma":[0.004796116,0.00068849715,0.0004327014,0.0010571475,0.028992005,0.004974904,0.013169997,0.0070547974,0.00086050166],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034129123,0.000048552574,0.0007306195,0.00005321022,0.000006066488,0.00073628384,0.96241176,0.00005623513,0.0006626181,0.020724654,0.009130719,0.005405123],"study_design_scores_gemma":[0.0000050190242,0.00003791741,0.0012158898,0.0001566351,0.000006310763,0.0005072374,0.7334902,0.00008998469,0.0008046641,0.0019932853,0.2616636,0.000029240955],"about_ca_topic_score_codex":0.027973687,"about_ca_topic_score_gemma":0.10484607,"teacher_disagreement_score":0.032726888,"about_ca_system_score_codex":0.009537249,"about_ca_system_score_gemma":0.003785999,"threshold_uncertainty_score":0.06919789},"labels":[],"label_agreement":null},{"id":"W4249455729","doi":"10.1111/j.1600-0730.2008.00935.x","title":"Gebannte Virtuosität","year":2008,"lang":"de","type":"article","venue":"Orbis Litterarum","topic":"German Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.020096211243044382,"score_gpt":0.2045869643565689,"score_spread":0.1844907531135245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249455729","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.059606634,0.0050713513,0.005172679,0.014740259,0.001111185,0.00009858345,0.00050674425,0.000114098984,0.91357845],"genre_scores_gemma":[0.6813519,0.0043629725,0.004308147,0.0051898668,0.0003056969,0.00032133513,0.00062798255,0.00025814638,0.30327395],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99551857,0.0019425316,0.00015084236,0.0006878779,0.0012003955,0.00049974426],"domain_scores_gemma":[0.9979673,0.000748217,0.00018648356,0.00036301982,0.0004040387,0.0003308984],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002822629,0.0006230224,0.000597946,0.0011946924,0.0040687616,0.010711237,0.0008267101,0.0014236795,0.054179806],"category_scores_gemma":[0.006196013,0.0003140422,0.00053745636,0.0012511589,0.0052625495,0.0072824694,0.0067050667,0.0045138276,0.010542373],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011949768,0.00013383922,0.0055327252,0.0003464474,0.00004504111,0.0003962342,0.029371802,0.00021261018,0.0006195318,0.8617347,0.024086066,0.07740148],"study_design_scores_gemma":[0.00002713641,0.000086950786,0.0068040686,0.00052176864,0.00002745406,0.00042089119,0.013298377,0.00026694676,0.0007477823,0.12135683,0.85641134,0.000030474082],"about_ca_topic_score_codex":0.004491816,"about_ca_topic_score_gemma":0.005920306,"teacher_disagreement_score":0.054179806,"about_ca_system_score_codex":0.0039253696,"about_ca_system_score_gemma":0.0037190523,"threshold_uncertainty_score":0.1812495},"labels":[],"label_agreement":null},{"id":"W4399827454","doi":"10.1111/oli.12460","title":"Potential sites of transgression in Michael Crummey's <i>The Innocents</i>: Questioning theoretical and ethical boundaries","year":2024,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Marine transgression; Psychoanalysis; Philosophy; Sociology; Psychology; Geology; Paleontology","score_opus":0.008402403410794672,"score_gpt":0.24063717799092008,"score_spread":0.2322347745801254,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399827454","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35510135,0.010062873,0.0026095572,0.14219849,0.0010514902,0.00006804247,0.00004458357,0.00007383412,0.48878983],"genre_scores_gemma":[0.9808708,0.00077097974,0.00032661436,0.0026197552,0.00012813183,0.000016861728,0.000004362724,0.000028801564,0.015233558],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99601763,0.0021908332,0.00006517158,0.00032965877,0.000652379,0.0007444081],"domain_scores_gemma":[0.9936027,0.0043988116,0.0004707313,0.00032291515,0.0006960043,0.00050884235],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0047878684,0.0004948062,0.0006322956,0.001593447,0.028509913,0.015101005,0.0018987211,0.0065108454,0.0028287033],"category_scores_gemma":[0.008688019,0.00038368022,0.00019278366,0.0012895537,0.067174904,0.0040337844,0.005903615,0.009313642,0.00022569398],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024590276,0.0000106678,0.00046355612,0.000033522796,0.000003526715,0.00075089425,0.4606968,0.00005172047,0.00019546495,0.5266343,0.0080106165,0.0031243789],"study_design_scores_gemma":[0.000018133213,0.000034859542,0.0015255347,0.000638991,0.00001732975,0.0009333743,0.5376124,0.0002409774,0.0010523177,0.07365237,0.384209,0.000064792905],"about_ca_topic_score_codex":0.19699995,"about_ca_topic_score_gemma":0.32044262,"teacher_disagreement_score":0.19699995,"about_ca_system_score_codex":0.020522928,"about_ca_system_score_gemma":0.009879217,"threshold_uncertainty_score":0.3917066},"labels":[],"label_agreement":null},{"id":"W4408764023","doi":"10.1111/oli.12480","title":"A genealogy of fish women and other imagined identities: “The mechanics of fluids” in Larissa Lai's <i>Salt Fish Girl</i>","year":2025,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fish <Actinopterygii>; Girl; Salt lake; Literature; Philosophy; Art; Fishery; Psychology; Geology; Geomorphology; Biology; Developmental psychology","score_opus":0.012109894566563452,"score_gpt":0.22320955297383085,"score_spread":0.2110996584072674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408764023","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7999011,0.00070173887,0.0018372876,0.010444064,0.00012702154,0.000032223146,0.0000870601,0.000053643587,0.18681578],"genre_scores_gemma":[0.9904164,0.00009625174,0.0001576468,0.00018387997,0.000010138137,0.0000070427172,0.000012462751,0.000016959995,0.009099212],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908507,0.00045893103,0.000010733444,0.000095961455,0.00014209654,0.0002072307],"domain_scores_gemma":[0.99914265,0.00027059764,0.000117019306,0.00006136945,0.00010949672,0.0002989803],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001125297,0.0004246927,0.00024425515,0.0011925788,0.02367278,0.0059424243,0.0010680183,0.0013622085,0.005605032],"category_scores_gemma":[0.0017871761,0.0002653044,0.00015273207,0.00071822444,0.031249259,0.0034694918,0.0038496046,0.0024861903,0.00031084218],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019670671,0.000009773461,0.0020908304,0.000012704677,0.0000025785723,0.00082584866,0.92615527,0.000043802367,0.0003110336,0.0665085,0.0017638361,0.0022560947],"study_design_scores_gemma":[0.0000062824565,0.00002235272,0.0036168492,0.00007602125,0.000008733656,0.00057030946,0.8718416,0.00031625232,0.0004506677,0.006201896,0.1168555,0.0000335412],"about_ca_topic_score_codex":0.255465,"about_ca_topic_score_gemma":0.39880025,"teacher_disagreement_score":0.255465,"about_ca_system_score_codex":0.015168676,"about_ca_system_score_gemma":0.006711898,"threshold_uncertainty_score":0.507956},"labels":[],"label_agreement":null},{"id":"W4413406524","doi":"10.1111/oli.70009","title":"Supplementing, restructuring, resisting: Maps of Underground space in poetry, embodied performativity, and the “misrepresentationalism” of Harry Beck's Tube diagram","year":2025,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Digital Humanities and Scholarship","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"","keywords":"Performativity; Embodied cognition; Poetry; Restructuring; Diagram; Space (punctuation); Tube (container); Literature; Art; Aesthetics; Art history; Philosophy; Epistemology; Law; Computer science; Linguistics; Engineering; Political science; Mechanical engineering","score_opus":0.021414483886871186,"score_gpt":0.2492001346760063,"score_spread":0.2277856507891351,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413406524","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4822712,0.0030217096,0.054102667,0.03599932,0.0010680206,0.000034564484,0.00009190706,0.00029499695,0.42311564],"genre_scores_gemma":[0.9919442,0.0002663417,0.0013744822,0.0002149449,0.000033989963,0.000008141363,0.000007379657,0.000036819198,0.006113775],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985618,0.0011264022,0.000023943045,0.00007149027,0.0001356321,0.00008082288],"domain_scores_gemma":[0.9983302,0.0011342809,0.00012488352,0.00018636536,0.00013593002,0.00008848763],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016521676,0.00031911352,0.00013099994,0.00091946305,0.0032598316,0.005872714,0.00034429884,0.00076927204,0.0022312053],"category_scores_gemma":[0.004429574,0.0001590893,0.000116067444,0.0007055481,0.02924677,0.004659887,0.0025073444,0.001510325,0.00027275726],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027100443,0.0000052911005,0.00038435432,0.000027857008,0.0000019906597,0.00016202127,0.18507841,0.00029854148,0.00038661633,0.80267423,0.0040018987,0.0069516553],"study_design_scores_gemma":[0.000019174084,0.000052764775,0.0011092591,0.00022811901,0.000012051221,0.00068795506,0.3128344,0.0025804257,0.0023909425,0.2761705,0.4038624,0.000051986182],"about_ca_topic_score_codex":0.004993854,"about_ca_topic_score_gemma":0.0046803094,"teacher_disagreement_score":0.005872714,"about_ca_system_score_codex":0.0016160067,"about_ca_system_score_gemma":0.0009194845,"threshold_uncertainty_score":0.011724949},"labels":[],"label_agreement":null}]}