{"meta":{"query_hash":"a3ebe3695968","filters":{"venue":"Oxford Art Journal"},"cohort_total":7,"direct_labels_cover":0,"predictions_cover":7,"exported":7,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/a3ebe3695968","api":"https://metacan.xera.ac/api/v1/cohort?venue=Oxford+Art+Journal"},"results":[{"id":"W2039679828","doi":"10.1093/oxartj/kci021","title":"Hubert Damisch and Stephen Bann: A Conversation","year":2005,"lang":"de","type":"article","venue":"Oxford Art Journal","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Conversation; Media studies; Library science; Sociology; Art; Computer science","score_opus":0.028948127250258027,"score_gpt":0.24526321223215922,"score_spread":0.2163150849819012,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2039679828","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08336843,0.01792724,0.002024189,0.060431357,0.008138238,0.000688908,0.0002901184,0.00016661624,0.8269649],"genre_scores_gemma":[0.7662958,0.008642778,0.00048330845,0.004795993,0.020028137,0.000005023567,0.00005187919,0.00006870228,0.19962837],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982302,0.000093664064,0.000525886,0.00024100963,0.0003383286,0.0005708967],"domain_scores_gemma":[0.9989409,0.000061811144,0.00025645562,0.00018937445,0.00017527044,0.00037622728],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038576903,0.00027674713,0.00030347603,0.00013811143,0.0011504744,0.00087709335,0.00015856532,0.00011267895,0.00489137],"category_scores_gemma":[0.000030865674,0.00025107924,0.00014696871,0.0000027041795,0.00036299357,0.0007528808,0.00007871391,0.00052261224,0.000605693],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018351733,0.0004124218,0.0019836815,0.00013961218,0.0007904261,0.000095441515,0.38206652,0.000045085388,0.000060614235,0.098153606,0.41395077,0.102118306],"study_design_scores_gemma":[0.0011595117,0.00019834974,0.000693714,0.00009544985,0.00019587933,0.00012904734,0.0028879622,0.0014151298,0.00003116862,0.004014068,0.98886275,0.0003169433],"about_ca_topic_score_codex":0.000032963984,"about_ca_topic_score_gemma":0.0008062746,"teacher_disagreement_score":0.68292737,"about_ca_system_score_codex":0.00011258641,"about_ca_system_score_gemma":0.00016835777,"threshold_uncertainty_score":0.99999416},"labels":[],"label_agreement":null},{"id":"W2167659471","doi":"10.1093/oxartj/kcl034","title":"Jeff Wall – Introduction","year":2007,"lang":"en","type":"article","venue":"Oxford Art Journal","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Visual arts; Art; Art history; Art gallery; Berlin wall; Exhibition; Fall of man; Politics; Law","score_opus":0.021732822822124378,"score_gpt":0.2517290538437238,"score_spread":0.2299962310215994,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2167659471","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5915147,0.00030880983,0.0007656148,0.003820611,0.00571834,0.00013611253,0.000007010905,0.00013129103,0.3975975],"genre_scores_gemma":[0.95234835,0.00011558555,0.0001410453,0.0010107132,0.015976269,0.0000013406585,0.000012497753,0.00001598577,0.030378228],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992914,0.000016213193,0.00019498492,0.000092162816,0.00016393831,0.00024129041],"domain_scores_gemma":[0.9996181,0.000012051402,0.00008359984,0.000076144075,0.00010485556,0.00010525673],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00042410352,0.00009181709,0.00008963247,0.000105378036,0.00056709937,0.00021959178,0.000095685806,0.000033031145,0.0048804204],"category_scores_gemma":[0.000013348563,0.000066982575,0.00011736002,0.0000368533,0.000082595216,0.00032616744,0.0000107214055,0.00031605156,0.000105323525],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000164414,0.0002106048,0.0008254102,0.00001455131,0.00010742799,0.000051365274,0.022109047,0.0000034225232,0.0032116235,0.27021748,0.6856121,0.017472547],"study_design_scores_gemma":[0.0001888703,0.00011676384,0.0005378891,0.000008253582,0.000013219695,0.00013269128,0.00139679,0.0000038254548,0.00069754565,0.0024684654,0.9943346,0.00010110626],"about_ca_topic_score_codex":0.0000035322948,"about_ca_topic_score_gemma":0.00016094219,"teacher_disagreement_score":0.36721927,"about_ca_system_score_codex":0.000018912386,"about_ca_system_score_gemma":0.000011764984,"threshold_uncertainty_score":0.99602926},"labels":[],"label_agreement":null},{"id":"W4251629846","doi":"10.1093/oxartj/26.2.199","title":"NOTES FOR CONTRIBUTORS","year":2003,"lang":"en","type":"article","venue":"Oxford Art Journal","topic":"Art, Technology, and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Ministry of Minority Affairs; University of Alberta","keywords":"Volume (thermodynamics); Library science; History; Art; Art history; Computer science; Physics; Thermodynamics","score_opus":0.02537490127870353,"score_gpt":0.23928297333950513,"score_spread":0.2139080720608016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251629846","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07916162,0.002929503,0.013006034,0.015520056,0.0070280004,0.00086406653,0.00023818034,0.00050937687,0.88074315],"genre_scores_gemma":[0.9466954,0.00024669844,0.0009921971,0.0015281079,0.002027938,0.000026586598,0.000018697283,0.00003245323,0.04843192],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993402,0.000018786664,0.00018097676,0.00009144838,0.00008921896,0.00027938458],"domain_scores_gemma":[0.99955446,0.000049815117,0.00009341498,0.00008814435,0.00014359121,0.00007055473],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020591768,0.00010488931,0.00014014237,0.000048224567,0.0008113536,0.00016666498,0.00011263091,0.00006112379,0.0022154718],"category_scores_gemma":[0.00017856948,0.000075093194,0.00012843974,0.0000106496655,0.00012577872,0.00016845863,0.000008204927,0.00020934461,0.000049260183],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016066511,0.000049120907,0.00042202324,0.000005662434,0.000059743415,0.0000068407126,0.0032191537,0.0000023231205,0.000080113045,0.78019863,0.21284375,0.0030965866],"study_design_scores_gemma":[0.0004743856,0.00012180869,0.000021049254,0.000010556137,0.000023764254,0.0000741573,0.0019069072,0.000005893894,0.00036873965,0.035581008,0.9612999,0.000111815934],"about_ca_topic_score_codex":0.0000010471598,"about_ca_topic_score_gemma":0.00019821961,"teacher_disagreement_score":0.8675338,"about_ca_system_score_codex":0.000021103178,"about_ca_system_score_gemma":0.00003244298,"threshold_uncertainty_score":0.9986966},"labels":[],"label_agreement":null},{"id":"W4324193015","doi":"10.1093/oxartj/kcac029","title":"The Morbid Symptoms of Capitalist Culture: Stuart Brisley’s Placement with Hille & Co. Furniture Factory (1970–1972)","year":2023,"lang":"en","type":"article","venue":"Oxford Art Journal","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Factory (object-oriented programming); Art; Computer science","score_opus":0.036177071271719784,"score_gpt":0.29841740158287317,"score_spread":0.2622403303111534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4324193015","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8857698,0.0010712496,0.000065772685,0.018108623,0.0017712498,0.0006578773,0.000055771467,0.00015675928,0.09234293],"genre_scores_gemma":[0.5117282,0.0036678563,0.00010600911,0.00031107254,0.0010178587,0.000025774376,0.00006278541,0.000031443906,0.483049],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99792147,0.000118985125,0.00035161464,0.00016496646,0.00093156565,0.000511392],"domain_scores_gemma":[0.99900794,0.0000960301,0.0002716277,0.0001572987,0.00023803048,0.00022905332],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00076175004,0.00017433282,0.00020482659,0.00005347663,0.0019338952,0.00029954995,0.0003869674,0.0001090383,0.0008568921],"category_scores_gemma":[0.00009276921,0.00009527127,0.00010958126,0.00036245887,0.0003604665,0.00021153963,0.0000589571,0.00044334127,0.00007888528],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047473586,0.000030529958,0.013142529,0.0000047402104,0.00015368848,0.000017010902,0.015284833,0.00008146544,0.00008138084,0.000633286,0.9674383,0.0030848102],"study_design_scores_gemma":[0.00036043767,0.00011412992,0.00720758,0.00004702672,0.000021105938,0.00002140706,0.022967594,0.0000024175138,0.000078266,0.00011568923,0.96889883,0.00016551615],"about_ca_topic_score_codex":0.000117203934,"about_ca_topic_score_gemma":0.0027676877,"teacher_disagreement_score":0.39070606,"about_ca_system_score_codex":0.00021554201,"about_ca_system_score_gemma":0.00036967968,"threshold_uncertainty_score":0.99936545},"labels":[],"label_agreement":null},{"id":"W4362464199","doi":"10.1093/oxartj/kcad005","title":"Photographic Power","year":2023,"lang":"en","type":"article","venue":"Oxford Art Journal","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Power (physics); Physics","score_opus":0.03350387996586723,"score_gpt":0.2557360015822011,"score_spread":0.22223212161633388,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4362464199","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66965455,0.00011387679,0.000010841041,0.0005994543,0.0020183965,0.00008990274,0.000024459869,0.00024862355,0.32723987],"genre_scores_gemma":[0.9789548,0.00027901618,0.000012489989,0.0007268573,0.00089269364,0.0000069032308,0.000013116852,0.000018708128,0.019095406],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99913454,0.000028821472,0.00018603355,0.000109960114,0.00022276009,0.00031786616],"domain_scores_gemma":[0.99958855,0.000019895919,0.00007203868,0.000103360595,0.00008493232,0.00013119719],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023585846,0.00012106039,0.00012213587,0.00026519233,0.0007687422,0.0003357045,0.00016848659,0.000037305366,0.008373176],"category_scores_gemma":[0.0000122776955,0.0000877639,0.00023827393,0.00016719729,0.00012709691,0.00028090848,0.000026368169,0.00032931258,0.0006133563],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051533403,0.000113281654,0.0023771892,0.000014460023,0.00016591355,0.00015433335,0.029365161,0.0000030306778,0.0017808565,0.13923532,0.8251458,0.0015931338],"study_design_scores_gemma":[0.00022691525,0.0001176851,0.0013261853,0.00002353784,0.000012100288,0.000056948043,0.0025926295,0.000011021397,0.00011667356,0.0052703875,0.99010706,0.0001388322],"about_ca_topic_score_codex":0.0000028827324,"about_ca_topic_score_gemma":0.000054582375,"teacher_disagreement_score":0.30930024,"about_ca_system_score_codex":0.0000060769053,"about_ca_system_score_gemma":0.000019655445,"threshold_uncertainty_score":0.9925333},"labels":[],"label_agreement":null},{"id":"W4392409732","doi":"10.1093/oxartj/kcad030","title":"Rescue Politics: Richard Mosse’s Thermal Imaging and the Containment of Migration","year":2023,"lang":"uk","type":"article","venue":"Oxford Art Journal","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Containment (computer programming); Politics; Political science; Sociology; Computer science; Law","score_opus":0.018238911412698768,"score_gpt":0.23939463708724784,"score_spread":0.22115572567454908,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392409732","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8982916,0.003855193,0.000040105482,0.04103169,0.002059083,0.00025601906,0.00002131993,0.00002295128,0.05442203],"genre_scores_gemma":[0.96254003,0.003460774,0.000014896445,0.0009906291,0.0018212098,0.000004388269,0.0000045150023,0.000012410129,0.031151148],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985802,0.00010295023,0.0004206509,0.00012590528,0.0004277916,0.0003424792],"domain_scores_gemma":[0.9992986,0.00010201383,0.00020043981,0.00012929378,0.00013307303,0.00013661162],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014210854,0.00013150566,0.00024491522,0.00015100537,0.0012177456,0.00017975291,0.00016849687,0.000023669145,0.00071739254],"category_scores_gemma":[0.0000657011,0.0000782396,0.000104552964,0.00005770552,0.0013487609,0.00028113386,0.000046092286,0.0003035756,0.000047932583],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038643394,0.00013149218,0.006591839,0.00014981162,0.00022892206,0.00017761067,0.4524346,0.00008344078,0.0028321715,0.3119498,0.19270211,0.03233179],"study_design_scores_gemma":[0.0017923485,0.00015588026,0.0031956045,0.00023949628,0.000095289,0.000084279825,0.043732975,0.0016848942,0.000061097635,0.0022898528,0.94654566,0.00012264424],"about_ca_topic_score_codex":0.0001355522,"about_ca_topic_score_gemma":0.00022148604,"teacher_disagreement_score":0.75384355,"about_ca_system_score_codex":0.00005659408,"about_ca_system_score_gemma":0.00017631245,"threshold_uncertainty_score":0.9366037},"labels":[],"label_agreement":null},{"id":"W4399793557","doi":"10.1093/oxartj/kcae001","title":"The Sun Is God: Turner,  Angerstein, and Insurance","year":2024,"lang":"en","type":"article","venue":"Oxford Art Journal","topic":"Law, Economics, and Judicial Systems","field":"Economics, Econometrics and Finance","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Art","score_opus":0.02133002238697082,"score_gpt":0.21328852074444032,"score_spread":0.1919584983574695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399793557","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50391746,0.108673036,0.0010565049,0.016564446,0.010702564,0.00030826515,0.00023911579,0.000095925134,0.35844266],"genre_scores_gemma":[0.97132695,0.019499736,0.00005128032,0.0006269247,0.0014225075,0.0000067880364,0.000001789091,0.000030280937,0.007033752],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987174,0.000015735592,0.00063993863,0.00026057914,0.000036301546,0.00033002417],"domain_scores_gemma":[0.9993479,0.00008298043,0.00021666488,0.00019214806,0.000021796941,0.00013849998],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00096491596,0.000120343604,0.00028553992,0.00010860617,0.0004855647,0.0009134383,0.00021473417,0.00007953004,0.00030137604],"category_scores_gemma":[0.00004099167,0.00011396866,0.00014851528,0.00011503554,0.00014363384,0.00040657466,0.000045901274,0.00029377828,0.0005388383],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043375712,0.00004058601,0.14261979,0.00008179624,0.00039539253,0.000064599095,0.0025253184,0.00001579442,0.000021947691,0.60703385,0.2037274,0.04343014],"study_design_scores_gemma":[0.00020167863,0.000043964883,0.006624303,0.000038901384,0.000003955156,0.00015883864,0.000090650465,0.0006394835,0.000012876813,0.09646402,0.895563,0.00015832298],"about_ca_topic_score_codex":0.000033684355,"about_ca_topic_score_gemma":0.00006154491,"teacher_disagreement_score":0.6918356,"about_ca_system_score_codex":0.00008846916,"about_ca_system_score_gemma":0.00003150592,"threshold_uncertainty_score":0.88083065},"labels":[],"label_agreement":null}]}