{"meta":{"query_hash":"9e07e0293a24","filters":{"venue":"Performing Ethos International Journal of Ethics in Theatre and Performance"},"cohort_total":12,"direct_labels_cover":0,"predictions_cover":12,"exported":12,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/9e07e0293a24","api":"https://metacan.xera.ac/api/v1/cohort?venue=Performing+Ethos+International+Journal+of+Ethics+in+Theatre+and+Performance"},"results":[{"id":"W2317669103","doi":"10.1386/peet.2.1.41_1","title":"The social neuroscience of empathy in the theatre of global ethics","year":2011,"lang":"en","type":"article","venue":"Performing Ethos International Journal of Ethics in Theatre and Performance","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Empathy; Skepticism; Social neuroscience; Bridge (graph theory); Psychology; Field (mathematics); Neuromarketing; Aesthetics; Social psychology; Epistemology; Art; Neuroscience; Social cognition","score_opus":0.1323301218169239,"score_gpt":0.358277816952378,"score_spread":0.22594769513545407,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2317669103","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.958401,0.00085671654,0.000010503556,0.0035178296,0.0011482431,0.000086265754,0.000018361727,0.0000032461267,0.03595779],"genre_scores_gemma":[0.9943401,0.0046819667,0.0000587427,0.0005029476,0.00037231503,0.000003674758,5.9481613e-7,0.0000066834987,0.000032947013],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9979123,0.00022117981,0.0007465618,0.00011530565,0.0007847204,0.00021992825],"domain_scores_gemma":[0.99810594,0.00080769043,0.00047167108,0.00013299145,0.00045935338,0.000022344959],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0048829312,0.0001506636,0.000258953,0.00011915301,0.00050318055,0.000056196925,0.00088411797,0.0001198364,0.000023473109],"category_scores_gemma":[0.00013814688,0.00008295025,0.000110837114,0.00012494922,0.0011448228,0.00043492648,0.0001141511,0.0014883763,7.0428695e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006673026,0.0001449015,0.12953971,0.00012833526,0.00004800949,0.000009780872,0.76024413,0.000027947126,0.000027246939,0.057139132,0.000061460676,0.051962014],"study_design_scores_gemma":[0.0036901173,0.0038281046,0.3928644,0.002836757,0.00019915118,0.0005156185,0.47833145,0.002572327,0.0021151984,0.057601914,0.054486573,0.000958407],"about_ca_topic_score_codex":0.00039259502,"about_ca_topic_score_gemma":0.001458525,"teacher_disagreement_score":0.2819127,"about_ca_system_score_codex":0.000038517188,"about_ca_system_score_gemma":0.00022014328,"threshold_uncertainty_score":0.64663374},"labels":[],"label_agreement":null},{"id":"W2323961547","doi":"10.1386/peet.1.1.85_1","title":"Whose story is it anyway? Exploring ethical dilemmas in performed research","year":2010,"lang":"en","type":"article","venue":"Performing Ethos International Journal of Ethics in Theatre and Performance","topic":"Art Education and Development","field":"Arts and Humanities","cited_by":18,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"CLARITY; Context (archaeology); Interpersonal communication; Field (mathematics); Engineering ethics; Sociology; Psychology; Pedagogy; Social psychology; Engineering; History","score_opus":0.30465276207547065,"score_gpt":0.43302153148084394,"score_spread":0.12836876940537328,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2323961547","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94770014,0.000119220465,0.000004683931,0.02907886,0.003033944,0.000085789856,0.000003324932,0.000006451626,0.019967604],"genre_scores_gemma":[0.9926618,0.002331203,0.00062664336,0.0018449419,0.0012604569,0.000019735979,0.0000028014115,0.000016933542,0.001235509],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99759537,0.0001865271,0.0006383339,0.00019750156,0.0010602865,0.00032195542],"domain_scores_gemma":[0.9975911,0.0011246563,0.00017106441,0.00014418675,0.000855315,0.000113710106],"candidate_categories":["research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0093239015,0.00015566491,0.00022394687,0.0008454468,0.00043507386,0.00017258707,0.00047009072,0.00025441268,0.001095378],"category_scores_gemma":[0.0005466883,0.0001300918,0.000059098893,0.00009568281,0.0004467487,0.00083321944,0.00013641559,0.007827029,0.000027716203],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035302568,0.00019238672,0.070958,0.00012679708,0.000046583686,0.000032722888,0.81775695,0.000025198315,0.00022715978,0.03304205,0.0019237082,0.0753154],"study_design_scores_gemma":[0.0019411899,0.00044407323,0.030191727,0.0017397035,0.000013393471,0.00021982593,0.091434635,0.0025456995,0.002960779,0.0071000205,0.8608296,0.00057935604],"about_ca_topic_score_codex":0.00009711046,"about_ca_topic_score_gemma":0.0009580836,"teacher_disagreement_score":0.8589059,"about_ca_system_score_codex":0.0001442134,"about_ca_system_score_gemma":0.0006002683,"threshold_uncertainty_score":0.9998177},"labels":[],"label_agreement":null},{"id":"W2761748083","doi":"10.1386/peet.7.1.25_1","title":"Delegated performance: Interdisciplinary tensions, provocations and questions","year":2017,"lang":"en","type":"article","venue":"Performing Ethos International Journal of Ethics in Theatre and Performance","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Drama; Delegation; Citizen journalism; Performance practice; Performance studies; Set (abstract data type); Sociology; Value (mathematics); Performance management; Pedagogy; Psychology; Visual arts; Management; Art; Political science; Law; Computer science","score_opus":0.07388544332847005,"score_gpt":0.36371431281492284,"score_spread":0.2898288694864528,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2761748083","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9740863,0.0005570568,0.000010827684,0.0058036726,0.0014166512,0.00011053245,0.000015208537,0.00001594065,0.017983826],"genre_scores_gemma":[0.9864888,0.011223264,0.0003447441,0.00016104947,0.00096696295,0.000010854454,0.000005166978,0.000017780807,0.0007813654],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9985628,0.000050560644,0.0005810179,0.0001877658,0.000378918,0.00023889741],"domain_scores_gemma":[0.998335,0.00023480142,0.00043831696,0.00024139043,0.00066839455,0.00008208016],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0012338023,0.00021100481,0.0002944998,0.0003562503,0.0018203214,0.00037833248,0.00050591555,0.0001223867,0.00006837751],"category_scores_gemma":[0.00014443541,0.00014567381,0.00007674828,0.000028772027,0.000767816,0.0017058882,0.00040255432,0.0011988395,0.0000064720393],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00066088163,0.00020552681,0.3871479,0.00030780394,0.00034710442,0.00003520462,0.17501107,0.00017917887,0.00012167929,0.010181959,0.00039348914,0.4254082],"study_design_scores_gemma":[0.005822953,0.0036757323,0.78247523,0.009176174,0.00037246858,0.0019384469,0.040387962,0.033935297,0.00082523155,0.011759019,0.1077579,0.0018735918],"about_ca_topic_score_codex":0.00016071647,"about_ca_topic_score_gemma":0.00043240405,"teacher_disagreement_score":0.42353463,"about_ca_system_score_codex":0.00006985324,"about_ca_system_score_gemma":0.0001767373,"threshold_uncertainty_score":0.9994792},"labels":[],"label_agreement":null},{"id":"W2763834118","doi":"10.1386/peet.7.1.13_1","title":"Godots arrivent: More morality plays for our times","year":2017,"lang":"en","type":"article","venue":"Performing Ethos International Journal of Ethics in Theatre and Performance","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Morality; Nothing; Irish; Literature; Consumerism; Argument (complex analysis); Philosophy; Aesthetics; Art; Epistemology; Linguistics; Law","score_opus":0.1933447321741618,"score_gpt":0.405652243327648,"score_spread":0.2123075111534862,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2763834118","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96917474,0.00030404094,0.00009049389,0.010935168,0.0025154864,0.000120359015,0.000042247015,0.000008990281,0.016808486],"genre_scores_gemma":[0.99503165,0.00081003824,0.00064239145,0.00045683008,0.0017611521,0.0000071660083,0.0000058289907,0.000015374113,0.0012695588],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988279,0.000030026666,0.0004167131,0.00013651475,0.0004007415,0.00018814308],"domain_scores_gemma":[0.9986427,0.00019069173,0.000448362,0.00017536418,0.00048319946,0.000059674538],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016392851,0.00014557668,0.00022910461,0.00015766655,0.0006234333,0.0003272402,0.0005972532,0.00011605374,0.00006330014],"category_scores_gemma":[0.00020490306,0.00011518875,0.00011215615,0.000006633004,0.00019502756,0.0008645664,0.00009810283,0.00075374177,0.0000038043418],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0025040845,0.00037295665,0.20600635,0.0007300905,0.0006036481,0.00008662349,0.3593773,0.00038386497,0.0003270771,0.15703255,0.002245694,0.27032977],"study_design_scores_gemma":[0.012853255,0.0022050666,0.10700793,0.0061235237,0.00035734722,0.0007239629,0.053240966,0.045275968,0.008944262,0.07085332,0.6902233,0.002191131],"about_ca_topic_score_codex":0.00011234953,"about_ca_topic_score_gemma":0.00017494941,"teacher_disagreement_score":0.68797755,"about_ca_system_score_codex":0.00004629259,"about_ca_system_score_gemma":0.00011065841,"threshold_uncertainty_score":0.4795008},"labels":[],"label_agreement":null},{"id":"W2990180196","doi":"10.1386/peet_00003_1","title":"From melancholic to happy immigrant: Staging simpleton in the comedies of migration","year":2019,"lang":"en","type":"article","venue":"Performing Ethos International Journal of Ethics in Theatre and Performance","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Ottawa","funders":"","keywords":"Comedy; Laughter; Immigration; Literature; Art; Representation (politics); History; Aesthetics; Sociology; Politics; Law; Political science","score_opus":0.03949109609373665,"score_gpt":0.3119514822893198,"score_spread":0.27246038619558316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2990180196","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9882684,0.0005696594,0.000009246233,0.0051187538,0.0009911825,0.00012283762,0.000026781396,0.000003734367,0.004889424],"genre_scores_gemma":[0.9958995,0.0023889702,0.00013021717,0.00071809674,0.00074351317,0.0000051144148,0.000006269637,0.000009023624,0.00009928537],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9984648,0.00008152256,0.00060605945,0.00012242656,0.0005506983,0.00017446054],"domain_scores_gemma":[0.9985252,0.0008106141,0.00025203178,0.00012809983,0.00025746075,0.000026585612],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018583824,0.00014404369,0.00029303692,0.00037161313,0.00011277268,0.000078745026,0.00042117163,0.000068333735,0.00013658499],"category_scores_gemma":[0.00006391332,0.00009452076,0.00006709874,0.00007911143,0.00013138358,0.000529722,0.00006660562,0.00081843336,0.000006552482],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039572763,0.000061332874,0.2795592,0.000091166665,0.00007334572,0.000005544396,0.6851444,0.0003823978,0.00029329132,0.0021562804,0.0001330773,0.031704213],"study_design_scores_gemma":[0.0044906014,0.0024430284,0.2967345,0.0075136865,0.0001293427,0.00010684473,0.39670596,0.006999663,0.004384729,0.009691288,0.26969644,0.0011038911],"about_ca_topic_score_codex":0.0015284077,"about_ca_topic_score_gemma":0.004294238,"teacher_disagreement_score":0.28843847,"about_ca_system_score_codex":0.00004131024,"about_ca_system_score_gemma":0.000059117065,"threshold_uncertainty_score":0.38544446},"labels":[],"label_agreement":null},{"id":"W3009316018","doi":"10.1386/peet.4.2.139_5","title":"Reviews","year":2015,"lang":"en","type":"article","venue":"Performing Ethos International Journal of Ethics in Theatre and Performance","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia; Queen's University","funders":"","keywords":"Art history; Indigenous; Media studies; Sociology; State (computer science); Art","score_opus":0.16182277778703322,"score_gpt":0.44162843212009556,"score_spread":0.27980565433306237,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3009316018","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93498886,0.002653491,0.000023940647,0.008963705,0.00231139,0.0000986381,0.0000016362407,0.0000104663695,0.050947886],"genre_scores_gemma":[0.9777509,0.018788688,0.0018350411,0.0005027318,0.00073512323,0.0000033012334,8.9064224e-7,0.000006844414,0.00037649137],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99831676,0.0002201881,0.0004947471,0.00009970996,0.00068903907,0.00017953113],"domain_scores_gemma":[0.9984253,0.00037658197,0.00030084196,0.00008151917,0.00068466255,0.00013110474],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0065436778,0.0000950853,0.00018979085,0.00036894024,0.00020283116,0.00009964744,0.00046523652,0.00013515752,0.000080189384],"category_scores_gemma":[0.0010848717,0.00008070576,0.00007883444,0.00016343854,0.0002609252,0.00088997977,0.00006383175,0.0011469636,0.000015437103],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00068981765,0.00026873974,0.4172681,0.00009734371,0.00014438908,0.000067504436,0.39078462,0.00031766295,0.00012774095,0.020953178,0.0047435905,0.16453731],"study_design_scores_gemma":[0.0012860614,0.0006020357,0.014244831,0.0014591235,0.000045157874,0.00028463418,0.05923144,0.00067351095,0.0002297979,0.011038318,0.9105009,0.00040417322],"about_ca_topic_score_codex":0.0004170705,"about_ca_topic_score_gemma":0.001840642,"teacher_disagreement_score":0.9057573,"about_ca_system_score_codex":0.00012317066,"about_ca_system_score_gemma":0.00028076087,"threshold_uncertainty_score":0.49830496},"labels":[],"label_agreement":null},{"id":"W4238263256","doi":"10.1386/peet.8.1.3_1","title":"Becoming ethical through relational interaction: An examination of a performance among internally displaced persons in Nigeria","year":2018,"lang":"en","type":"article","venue":"Performing Ethos International Journal of Ethics in Theatre and Performance","topic":"Participatory Visual Research Methods","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Dignity; Ethos; Value (mathematics); Sociology; Dialogic; Social psychology; Psychology; Environmental ethics; Engineering ethics; Political science; Pedagogy; Law","score_opus":0.4302656915420667,"score_gpt":0.5895366023082658,"score_spread":0.1592709107661991,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238263256","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9886483,0.000057737983,0.0011915523,0.0012528459,0.0009025933,0.00012698365,0.000003818914,0.0000084359535,0.0078077656],"genre_scores_gemma":[0.9937173,0.0003910809,0.004882204,0.00017497297,0.0006446188,0.00000902542,0.00000263158,0.000015060216,0.0001631028],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9957594,0.0013927403,0.0009041227,0.0002291982,0.0013767859,0.0003377318],"domain_scores_gemma":[0.9964443,0.0018283033,0.0005162645,0.00013348617,0.00094824773,0.00012938479],"candidate_categories":["research_integrity"],"consensus_categories":[],"category_scores_codex":[0.017135352,0.00015992079,0.0003061837,0.0005495832,0.00029760433,0.00008000473,0.0005724704,0.00043601694,0.0001454661],"category_scores_gemma":[0.002298688,0.0001508734,0.0000721311,0.00034138106,0.0010321235,0.0022325837,0.0001163545,0.002713263,0.0000026668206],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009160046,0.00018150272,0.61616665,0.00008129637,0.000052902695,0.000014785575,0.3246072,0.00027887488,0.0009321456,0.0031420963,0.00001121714,0.05361531],"study_design_scores_gemma":[0.0025277573,0.0018893991,0.87156093,0.0037146346,0.000031469383,0.00010341317,0.040494863,0.06316793,0.0078632515,0.0019508841,0.0061696377,0.00052584044],"about_ca_topic_score_codex":0.00029135053,"about_ca_topic_score_gemma":0.0019339492,"teacher_disagreement_score":0.28411233,"about_ca_system_score_codex":0.00037856452,"about_ca_system_score_gemma":0.0005982365,"threshold_uncertainty_score":0.99958754},"labels":[],"label_agreement":null},{"id":"W4238454801","doi":"10.1386/peet.1.1.69_1","title":"Close proximity","year":2010,"lang":"en","type":"article","venue":"Performing Ethos International Journal of Ethics in Theatre and Performance","topic":"Art Therapy and Mental Health","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Refugee; Nexus (standard); Meaning (existential); Beauty; Resilience (materials science); Power (physics); Aesthetics; Sociology; Internally displaced person; Psychological resilience; Psychology; Social psychology; Political science; Art; Engineering; Law; Psychotherapist","score_opus":0.053913944980260975,"score_gpt":0.34324067240937667,"score_spread":0.2893267274291157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238454801","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97800916,0.00014653511,0.000014926202,0.0025358365,0.0027799534,0.00006165933,0.0000053010094,0.000007091648,0.016439512],"genre_scores_gemma":[0.9952914,0.0014520638,0.00053486146,0.00083022664,0.0013553834,0.0000023778387,0.0000019343536,0.000009082942,0.0005226439],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989917,0.000040760362,0.00037460963,0.000090514244,0.0003560794,0.00014629861],"domain_scores_gemma":[0.9992062,0.00020952089,0.00018630824,0.00007807784,0.00025720746,0.000062696236],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019273544,0.000097952485,0.0001401798,0.00016423262,0.0002190793,0.00006796426,0.0002570552,0.00009507363,0.00031732648],"category_scores_gemma":[0.000052576033,0.00007423136,0.000048053902,0.000019928884,0.00022356499,0.0006739443,0.000044570068,0.0016971537,0.0000059443287],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008522032,0.0002762433,0.07407035,0.00018452536,0.00008016825,0.00003214006,0.24730895,0.000011916114,0.0009649535,0.15436882,0.00015117473,0.52169853],"study_design_scores_gemma":[0.0034096264,0.0015395347,0.013472546,0.0012695902,0.000041950912,0.0009562306,0.014493721,0.0030603483,0.007347115,0.031291198,0.9224372,0.00068096415],"about_ca_topic_score_codex":0.00006728445,"about_ca_topic_score_gemma":0.0005902576,"teacher_disagreement_score":0.922286,"about_ca_system_score_codex":0.000030925657,"about_ca_system_score_gemma":0.00013312837,"threshold_uncertainty_score":0.73733824},"labels":[],"label_agreement":null},{"id":"W4310251553","doi":"10.1386/peet_00042_1","title":"Caring for our futures: Epistolary praxis and the promise of slow","year":2022,"lang":"en","type":"article","venue":"Performing Ethos International Journal of Ethics in Theatre and Performance","topic":"Posthumanist Ethics and Activism","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Praxis; Active listening; Futures contract; Reading (process); Visual arts; Poetry; Embodied cognition; Literature; Aesthetics; History; Art; Sociology; Linguistics; Epistemology; Communication; Philosophy","score_opus":0.045837875449429286,"score_gpt":0.3656313336853638,"score_spread":0.3197934582359345,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4310251553","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97773105,0.0012265841,0.000080902995,0.01681213,0.0008956686,0.00020290726,0.000013867356,0.0000035968649,0.0030332648],"genre_scores_gemma":[0.99535275,0.0032125225,0.00052338914,0.00035019557,0.00038017257,0.000016249252,0.0000011948014,0.0000075902676,0.00015595809],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9984892,0.00026331798,0.00035560306,0.000099499564,0.00065014075,0.00014225785],"domain_scores_gemma":[0.99821067,0.0010369589,0.0003524514,0.00006895076,0.00029275852,0.00003821191],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009421512,0.00007901338,0.00018558996,0.00013912287,0.0008784003,0.000053600364,0.00040971232,0.00008589565,0.0000072324005],"category_scores_gemma":[0.0004576937,0.000057863366,0.0000712281,0.00007645888,0.00027186045,0.00026940115,0.00013373664,0.0012881355,5.9014777e-8],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00314815,0.00017085703,0.04484837,0.000322923,0.00023546578,0.000016803773,0.624656,0.0005916202,0.0003829323,0.17684239,0.00013620945,0.14864826],"study_design_scores_gemma":[0.019909969,0.0027614604,0.032708254,0.0025721032,0.0003214651,0.00091463723,0.45607612,0.025654497,0.0029995118,0.2018964,0.25283754,0.0013480622],"about_ca_topic_score_codex":0.000401605,"about_ca_topic_score_gemma":0.00018513679,"teacher_disagreement_score":0.2527013,"about_ca_system_score_codex":0.00008552743,"about_ca_system_score_gemma":0.00037730986,"threshold_uncertainty_score":0.6756034},"labels":[],"label_agreement":null},{"id":"W4310251593","doi":"10.1386/peet_00048_1","title":"Performing in the pandemic: The COVID-19 chronicles of Asian mother artists","year":2022,"lang":"en","type":"article","venue":"Performing Ethos International Journal of Ethics in Theatre and Performance","topic":"Art Therapy and Mental Health","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pandemic; Coronavirus disease 2019 (COVID-19); Curiosity; Narrative; Coping (psychology); China; Identity (music); Studio; Psychology; Sociology; Gender studies; History; Aesthetics; Social psychology; Visual arts; Medicine; Art; Literature; Disease","score_opus":0.130429996244069,"score_gpt":0.37890250423828403,"score_spread":0.24847250799421502,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4310251593","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9804469,0.0013127751,0.000017065948,0.011300799,0.0006307113,0.00014249375,0.000015507907,0.0000042008946,0.0061295517],"genre_scores_gemma":[0.99194103,0.002329369,0.000045279838,0.0051301937,0.00036965965,0.000014381427,0.0000029099506,0.000009884682,0.00015727244],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982289,0.00030194066,0.0005453774,0.000100529425,0.00064077287,0.00018248227],"domain_scores_gemma":[0.9987603,0.0006732531,0.00032623045,0.000116959294,0.000083036066,0.000040211955],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0058269957,0.000109968816,0.00016956872,0.00019235937,0.0006325861,0.000045299163,0.0005983639,0.000045919413,0.00043926892],"category_scores_gemma":[0.00006259431,0.00006516019,0.00006773037,0.00006427037,0.00030726363,0.0002887953,0.00010120491,0.0015027425,9.0836e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00070407987,0.00018340252,0.10330188,0.00016473662,0.000056795085,0.00002101779,0.7620354,0.0011679318,0.00006307532,0.027264668,0.00021568623,0.10482128],"study_design_scores_gemma":[0.0027979126,0.001499546,0.009977145,0.00048100465,0.00003670881,0.0014820521,0.26237348,0.005368639,0.00020874648,0.013404231,0.7020094,0.00036115234],"about_ca_topic_score_codex":0.00033749553,"about_ca_topic_score_gemma":0.0012929544,"teacher_disagreement_score":0.70179373,"about_ca_system_score_codex":0.00020410761,"about_ca_system_score_gemma":0.00032105378,"threshold_uncertainty_score":0.6528752},"labels":[],"label_agreement":null},{"id":"W4400118124","doi":"10.1386/peet_00060_5","title":"Theatricality of the Closet: Fashion, Performance, and Subjectivity between Victorian Britain and Meiji Japan, Michelle Liu Carriger (2023)","year":2024,"lang":"en","type":"article","venue":"Performing Ethos International Journal of Ethics in Theatre and Performance","topic":"Asian Culture and Media Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Closet; Subjectivity; Meiji period; Art history; Art; Gender studies; History; Sociology; Literature; Archaeology; Philosophy","score_opus":0.032137258972604124,"score_gpt":0.3470956680824145,"score_spread":0.3149584091098104,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400118124","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98269826,0.0029592975,0.000020690004,0.006426777,0.0010936128,0.00011720149,0.000014352464,0.0000076868055,0.0066621336],"genre_scores_gemma":[0.9824432,0.016131597,0.00013440558,0.000104920335,0.0009047367,0.0000029282987,0.000001002869,0.0000084879575,0.0002686972],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9982954,0.00022148904,0.00042874613,0.00017433628,0.000671433,0.00020855904],"domain_scores_gemma":[0.99844515,0.00091432984,0.00017102099,0.000087009816,0.00029711935,0.00008535285],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0039886674,0.00014042843,0.00027261305,0.00016444817,0.0004061321,0.00008382573,0.0002787999,0.00021859678,0.0000105478985],"category_scores_gemma":[0.0003253653,0.00009275822,0.00007160497,0.00024721728,0.00057992246,0.00047849925,0.00014062216,0.0012059897,6.105417e-7],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005475002,0.000023027143,0.82522273,0.00020820086,0.0001151399,0.000003475008,0.112947114,0.000005530736,0.00007607199,0.0017237386,0.00009650243,0.059523724],"study_design_scores_gemma":[0.0010812182,0.00047547376,0.8145367,0.0024940893,0.00023783675,0.00013572931,0.034354907,0.0009390609,0.0013219161,0.0040686787,0.13984793,0.000506481],"about_ca_topic_score_codex":0.00022501277,"about_ca_topic_score_gemma":0.0004964801,"teacher_disagreement_score":0.13975143,"about_ca_system_score_codex":0.00008985707,"about_ca_system_score_gemma":0.00032386696,"threshold_uncertainty_score":0.52394927},"labels":[],"label_agreement":null},{"id":"W4400118436","doi":"10.1386/peet_00059_5","title":"Sustainable Theatre: Theory, Context, Practice, Iphigenia Taxopoulou (2023)","year":2024,"lang":"en","type":"article","venue":"Performing Ethos International Journal of Ethics in Theatre and Performance","topic":"Cultural Heritage Management and Preservation","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Context (archaeology); Psychology; Sociology; History; Archaeology","score_opus":0.07487847020064793,"score_gpt":0.3255919694568833,"score_spread":0.2507134992562354,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400118436","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.52939695,0.0146299945,0.00032770511,0.024213536,0.0061462726,0.00036386264,0.000021783735,0.00006919514,0.4248307],"genre_scores_gemma":[0.97930217,0.0045690397,0.00021051716,0.0009059075,0.0015541768,0.0000072540915,0.00000915136,0.000016975797,0.013424822],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99846953,0.00014577077,0.00048184945,0.00015574825,0.0005306328,0.00021648854],"domain_scores_gemma":[0.9981241,0.0009460484,0.00017261288,0.00009704192,0.00061495265,0.00004521871],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0039103464,0.00015856508,0.0001770874,0.00032956115,0.00025775278,0.00061545405,0.00034193374,0.00010084996,0.00068930036],"category_scores_gemma":[0.00020517144,0.00011546112,0.00008602908,0.00008368075,0.0001738169,0.0028399297,0.00011284793,0.0011571517,0.000017906039],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00058792916,0.000059931794,0.0013843325,0.00039940438,0.00023984416,0.00017331429,0.117164366,0.000059098198,0.000025749883,0.6511844,0.0018715512,0.22685009],"study_design_scores_gemma":[0.00036718533,0.00022757908,0.00015591172,0.00066686055,0.000060647784,0.00010948069,0.04349867,0.002312908,0.000080448226,0.0234284,0.92890835,0.00018358458],"about_ca_topic_score_codex":0.00029324126,"about_ca_topic_score_gemma":0.0002509006,"teacher_disagreement_score":0.92703676,"about_ca_system_score_codex":0.000100814184,"about_ca_system_score_gemma":0.00011674538,"threshold_uncertainty_score":0.7547356},"labels":[],"label_agreement":null}]}