{"meta":{"query_hash":"796ac535d906","filters":{"venue":"Perspectives of New Music"},"cohort_total":2,"direct_labels_cover":0,"predictions_cover":2,"exported":2,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/796ac535d906","api":"https://metacan.xera.ac/api/v1/cohort?venue=Perspectives+of+New+Music"},"results":[{"id":"W4250882815","doi":"10.1353/pnm.2013.0018","title":"Conceiving Musical Photorealism: An Interview with Richard Beaudoin","year":2013,"lang":"en","type":"article","venue":"Perspectives of New Music","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":37,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Art; Composition (language); Notation; Period (music); Art history; History; Literature; Philosophy; Linguistics; Aesthetics","score_opus":0.03129762204872756,"score_gpt":0.25657317225596554,"score_spread":0.225275550207238,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4250882815","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03394424,0.06792373,0.005452096,0.78125614,0.01346416,0.00012094376,0.000059853173,0.00022875595,0.09755011],"genre_scores_gemma":[0.46955496,0.041123874,0.0117657725,0.29852304,0.008375539,0.0003075212,0.00008758279,0.00091057236,0.16935119],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.98103863,0.010851217,0.00031307034,0.0016859196,0.004723918,0.0013872533],"domain_scores_gemma":[0.9896644,0.0048346035,0.00051815045,0.00032940268,0.0021635485,0.00248988],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.015294709,0.00094357564,0.0010299222,0.0013796233,0.01982493,0.0064638997,0.0033620002,0.008406639,0.005246473],"category_scores_gemma":[0.020085609,0.00094114925,0.0007894221,0.0010903701,0.019797927,0.008675858,0.0054659117,0.021661026,0.0016330354],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055268476,0.00010236251,0.000816167,0.00016021592,0.000013310409,0.0025025192,0.52276677,0.00022131334,0.0020816047,0.047379117,0.39240742,0.031493925],"study_design_scores_gemma":[0.0000069665357,0.000055994697,0.00057893386,0.0002866007,0.000004500319,0.0015720375,0.15854032,0.00011885037,0.00017032649,0.002767765,0.83582866,0.000069025955],"about_ca_topic_score_codex":0.061279368,"about_ca_topic_score_gemma":0.068889305,"teacher_disagreement_score":0.061279368,"about_ca_system_score_codex":0.0117235435,"about_ca_system_score_gemma":0.0047947457,"threshold_uncertainty_score":0.121845365},"labels":[],"label_agreement":null},{"id":"W4300098618","doi":"10.1353/pnm.2013.0015","title":"Jacques Hétu's Style Composite: A TransformationalApproach to Modal Superimposition","year":2013,"lang":"en","type":"article","venue":"Perspectives of New Music","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Symphony; Tonality; Art; Art history; Musical; Literature","score_opus":0.030959091457750276,"score_gpt":0.2315165199507849,"score_spread":0.20055742849303462,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4300098618","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016168453,0.0023001772,0.11279731,0.0045139897,0.0009962108,0.00009183701,0.00006119239,0.00030708683,0.86276364],"genre_scores_gemma":[0.7392438,0.00259421,0.075309575,0.0012645051,0.0014155573,0.00016368522,0.00015346054,0.000640178,0.17921501],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985097,0.0005901539,0.000034741282,0.0002447983,0.00048812415,0.00013239536],"domain_scores_gemma":[0.999403,0.00018073425,0.000034978442,0.00014229924,0.00014900774,0.00008987718],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012799822,0.00066319946,0.00026532108,0.001985733,0.0044955024,0.006599693,0.0012505155,0.0012933698,0.011838698],"category_scores_gemma":[0.002169094,0.00027330185,0.00044992578,0.0013737123,0.013003533,0.004131705,0.003948663,0.0029299674,0.0016984596],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021387608,0.000012832412,0.00017270708,0.0000145805625,0.000002861813,0.0001225942,0.0079894895,0.00023826826,0.0004330632,0.96608657,0.0048596784,0.020046005],"study_design_scores_gemma":[0.000018932833,0.000048975297,0.0014056925,0.00011122499,0.000009911409,0.00085893896,0.00829751,0.004483107,0.0012054393,0.43816605,0.54535955,0.000034778335],"about_ca_topic_score_codex":0.007358884,"about_ca_topic_score_gemma":0.013434149,"teacher_disagreement_score":0.011838698,"about_ca_system_score_codex":0.0040078103,"about_ca_system_score_gemma":0.0016987392,"threshold_uncertainty_score":0.039604425},"labels":[],"label_agreement":null}]}