{"meta":{"query_hash":"fb61ad895423","filters":{"venue":"Philosophy of Photography"},"cohort_total":15,"direct_labels_cover":0,"predictions_cover":15,"exported":15,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/fb61ad895423","api":"https://metacan.xera.ac/api/v1/cohort?venue=Philosophy+of+Photography"},"results":[{"id":"W2321382881","doi":"10.1386/pop.4.2.243_1","title":"Photography at a crossroads: Studio as genealogy, dispositif, spur","year":2013,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Studio; Allegory; Painting; Photography; Art; Art history; Visual arts; Order (exchange); Sociology","score_opus":0.024221672740122616,"score_gpt":0.24259002450104114,"score_spread":0.2183683517609185,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2321382881","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08622075,0.00507104,0.009784067,0.010920939,0.00047538275,0.000030063631,0.000045862816,0.00009134699,0.88736045],"genre_scores_gemma":[0.96766245,0.001534399,0.0015509203,0.0004646263,0.0001567364,0.000019585352,0.000014994873,0.000052164192,0.02854412],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9989222,0.0006518957,0.000024868645,0.00013978472,0.00015805099,0.000103262835],"domain_scores_gemma":[0.9983889,0.00095278275,0.00014508513,0.00021097645,0.00010843537,0.00019391054],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014259001,0.00028701604,0.0002084901,0.0014865757,0.004330009,0.0076164515,0.00066699495,0.0009438881,0.009654475],"category_scores_gemma":[0.0034837786,0.000237051,0.00013589191,0.0009830733,0.024197605,0.0054887645,0.004173426,0.00220611,0.00053825695],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021115127,0.000014770864,0.0006821168,0.000038146165,0.0000025686084,0.00019758147,0.05089776,0.00009951084,0.00019264665,0.9307615,0.0035570585,0.0135353],"study_design_scores_gemma":[0.000028578952,0.00010145606,0.004525857,0.0007379914,0.00002393362,0.001095783,0.13100047,0.00067438517,0.0013535928,0.2713622,0.58906454,0.00003119512],"about_ca_topic_score_codex":0.0066211424,"about_ca_topic_score_gemma":0.009994567,"teacher_disagreement_score":0.009654475,"about_ca_system_score_codex":0.0036534918,"about_ca_system_score_gemma":0.001557964,"threshold_uncertainty_score":0.032297373},"labels":[],"label_agreement":null},{"id":"W2321405903","doi":"10.1386/pop.2.1.57_1","title":"Dialectical inroads to a post-political photography: Democratic violence in the work of Lidwien van de Ven","year":2011,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Philosophy, Ethics, and Existentialism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Spectacle; Dialectic; Performative utterance; Politics; Aesthetics; Sociology; Identity (music); Identity politics; Reading (process); Democracy; Art; Philosophy; Epistemology; Law; Political science","score_opus":0.06292563739759215,"score_gpt":0.26519491984162774,"score_spread":0.20226928244403558,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2321405903","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20324849,0.016051207,0.028015418,0.07947959,0.0025165668,0.00007634101,0.000052945274,0.000112775,0.67044675],"genre_scores_gemma":[0.985664,0.0007980593,0.0012218687,0.0016071189,0.00012232612,0.000026974163,0.000007141092,0.00008115685,0.010471299],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.98679125,0.010520257,0.00019493404,0.00089546427,0.001020188,0.00057783053],"domain_scores_gemma":[0.9930172,0.005685581,0.0003154923,0.0004540165,0.0002308543,0.00029693067],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00851836,0.00037584826,0.0004192119,0.0014623299,0.013529756,0.012105249,0.0009817207,0.0032449437,0.0029552209],"category_scores_gemma":[0.014704856,0.00047220156,0.0002426672,0.0010053574,0.067654744,0.007850617,0.008584775,0.0064193583,0.00042080943],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001946938,0.00001137091,0.00023183023,0.000051212526,0.000004086355,0.00016681186,0.22747585,0.000115810646,0.00023631568,0.76331276,0.0025792175,0.005795245],"study_design_scores_gemma":[0.000019589625,0.000033148714,0.00083986064,0.00057906465,0.00001089726,0.0005900095,0.22461398,0.00046288673,0.0010086439,0.35626566,0.4155355,0.00004077101],"about_ca_topic_score_codex":0.005769796,"about_ca_topic_score_gemma":0.008800712,"teacher_disagreement_score":0.013529756,"about_ca_system_score_codex":0.0063813874,"about_ca_system_score_gemma":0.0028609475,"threshold_uncertainty_score":0.04630047},"labels":[],"label_agreement":null},{"id":"W2323596569","doi":"10.1386/pop.6.1-2.71_1","title":"Levinas and the photographic undergone","year":2015,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Philosophy, Ethics, and Existentialism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dawson College","funders":"","keywords":"Art; Art history","score_opus":0.0829691153492602,"score_gpt":0.25641487073053965,"score_spread":0.17344575538127943,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2323596569","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048762053,0.0052134274,0.010022313,0.033440396,0.00058991194,0.000026157706,0.00005722398,0.000065576605,0.9018229],"genre_scores_gemma":[0.9530564,0.00092972635,0.0015729907,0.0018774988,0.00013810031,0.000024041026,0.000020882982,0.000047429632,0.042332854],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9973763,0.0015928764,0.00007873711,0.00037689667,0.0003309018,0.00024431484],"domain_scores_gemma":[0.99824417,0.00076863123,0.00015772619,0.00032427235,0.00036337913,0.00014180332],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019873146,0.00026114698,0.0002632692,0.0009807443,0.0050724414,0.0056419056,0.000545346,0.0020370802,0.008190218],"category_scores_gemma":[0.0044854754,0.00021761331,0.0002809477,0.0006612243,0.030874373,0.0065361746,0.0043076877,0.003405717,0.00076382275],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000042536244,0.0000015617752,0.000042108517,0.0000060500497,7.113763e-7,0.000024453515,0.0026789631,0.000023407656,0.00004251595,0.99536043,0.0008285802,0.0009869692],"study_design_scores_gemma":[0.000011241809,0.000012617539,0.00024477555,0.00007885263,0.0000048551788,0.00014468818,0.004435875,0.00016987801,0.00022949078,0.8204102,0.17424673,0.000010817175],"about_ca_topic_score_codex":0.005956753,"about_ca_topic_score_gemma":0.0051162313,"teacher_disagreement_score":0.008190218,"about_ca_system_score_codex":0.007621401,"about_ca_system_score_gemma":0.0019663302,"threshold_uncertainty_score":0.055297434},"labels":[],"label_agreement":null},{"id":"W2330556673","doi":"10.1386/pop.4.2.217_1","title":"In favour of Heroines: Lincoln Clarkes’s Vancouver photographs","year":2013,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Western University","funders":"","keywords":"Photography; Representation (politics); Postmodernism; Identity (music); Politics; Visual arts; Art; Sociology; History; Aesthetics; Literature; Law; Political science","score_opus":0.0225664247286441,"score_gpt":0.2320093984594588,"score_spread":0.20944297373081472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2330556673","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27815986,0.0043083574,0.002008401,0.040267482,0.0014099003,0.000044144366,0.00007194878,0.000060150265,0.67366976],"genre_scores_gemma":[0.9095566,0.0015684149,0.0005317888,0.0014592136,0.0001199969,0.000012058672,0.000018750006,0.00006342429,0.086669765],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981108,0.0011688909,0.000025468096,0.00012635649,0.00033868974,0.0002297392],"domain_scores_gemma":[0.9980551,0.0010488668,0.00010627888,0.00014568177,0.00037065937,0.00027349222],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015573032,0.0002781309,0.00019579881,0.0010372635,0.017865155,0.007994254,0.0005392234,0.0014139957,0.008302039],"category_scores_gemma":[0.0044241357,0.00024504965,0.00009078059,0.0010927223,0.013945465,0.0030265208,0.0029198702,0.0037124942,0.0007538401],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006868303,0.000021112075,0.0010885184,0.000091190894,0.0000043665646,0.0011056083,0.6768454,0.00010664815,0.00071946223,0.23878472,0.047274787,0.033889562],"study_design_scores_gemma":[0.000005629152,0.000018891413,0.0014028688,0.00021997622,0.0000047043823,0.0002911939,0.35408014,0.00013621106,0.00063097884,0.009010441,0.63417906,0.0000199023],"about_ca_topic_score_codex":0.25061283,"about_ca_topic_score_gemma":0.5749986,"teacher_disagreement_score":0.74938715,"about_ca_system_score_codex":0.012295857,"about_ca_system_score_gemma":0.0042895763,"threshold_uncertainty_score":0.49830818},"labels":[],"label_agreement":null},{"id":"W2333679859","doi":"10.1386/pop.2.2.315_1","title":"Index marks the spot? The photo-diagram's referential system","year":2012,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Indexicality; Salient; Index (typography); Diagram; Photography; Juncture; Iconicity; History; Visual arts; Art; Computer science; Linguistics; Philosophy","score_opus":0.039163282204443074,"score_gpt":0.24053443407400638,"score_spread":0.2013711518695633,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2333679859","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.057315324,0.0040182127,0.09154036,0.025519548,0.001579364,0.00005948489,0.00033473963,0.00046735155,0.8191657],"genre_scores_gemma":[0.95153415,0.0013141258,0.012277766,0.0007484519,0.0003533328,0.000058242316,0.000105753374,0.00018605024,0.03342213],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9981438,0.0010524802,0.0000702827,0.0003146334,0.00030780575,0.00011091304],"domain_scores_gemma":[0.9977991,0.0011650976,0.00018171624,0.00044951186,0.000282032,0.00012248674],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022435295,0.00029043926,0.0002736956,0.002337003,0.0036627585,0.009627644,0.0008785119,0.0011969125,0.011930637],"category_scores_gemma":[0.007962876,0.00024487963,0.00020234329,0.0019564275,0.019380871,0.014774256,0.0037523783,0.0018862213,0.001306009],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011748162,0.0000017501931,0.00011379138,0.00001987175,9.5319297e-7,0.000038663395,0.008404823,0.000045223558,0.00014158002,0.98441446,0.0014949217,0.0053122523],"study_design_scores_gemma":[0.000029199025,0.000031348754,0.0006461286,0.00023999871,0.000017070928,0.0003778413,0.025587147,0.0008283775,0.0012354251,0.45109057,0.519891,0.000025868852],"about_ca_topic_score_codex":0.0045880238,"about_ca_topic_score_gemma":0.003981952,"teacher_disagreement_score":0.011930637,"about_ca_system_score_codex":0.003851739,"about_ca_system_score_gemma":0.001716703,"threshold_uncertainty_score":0.039911985},"labels":[],"label_agreement":null},{"id":"W2763667775","doi":"10.1386/pop.5.2.133_1","title":"Of civil and social contracts: Azoulay after Hobbes","year":2014,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Political Theology and Sovereignty","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Citizenship; Social contract; Monster; Ideology; State (computer science); Law; Law and economics; Debt; Social citizenship; Sociology; Philosophy; Political science; Politics; Economics; Art history; Art; Mathematics","score_opus":0.015866482371660755,"score_gpt":0.2682977681479575,"score_spread":0.25243128577629675,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2763667775","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07261672,0.02750711,0.021111678,0.1331707,0.0019073101,0.000036846854,0.000046375382,0.00003754168,0.74356574],"genre_scores_gemma":[0.9678417,0.0029639625,0.0017866248,0.0036863198,0.00055728585,0.000037101774,0.000009080899,0.000032834414,0.02308516],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99599934,0.0027726933,0.00005888866,0.00037822456,0.00046649744,0.00032440113],"domain_scores_gemma":[0.996831,0.0022501345,0.00016327464,0.00027489645,0.00031643405,0.00016421598],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005165677,0.0002781821,0.00045781338,0.0010720586,0.0064622248,0.008545457,0.00056891225,0.0038525846,0.005765246],"category_scores_gemma":[0.0073517435,0.00017752901,0.00031887693,0.0008430065,0.03523712,0.008874735,0.003907573,0.0047055534,0.00047733966],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000050051653,0.0000016028822,0.000018673913,0.0000032122844,4.9779004e-7,0.000013472949,0.002054732,0.000026106438,0.00001336958,0.9966344,0.00046773782,0.00076129864],"study_design_scores_gemma":[0.000009932562,0.000013813453,0.00032455954,0.00013207748,0.0000034701404,0.000046368903,0.00451281,0.00026027235,0.00008985769,0.875208,0.11938848,0.000010324596],"about_ca_topic_score_codex":0.010342609,"about_ca_topic_score_gemma":0.0061071874,"teacher_disagreement_score":0.010342609,"about_ca_system_score_codex":0.00894915,"about_ca_system_score_gemma":0.0021079509,"threshold_uncertainty_score":0.064930916},"labels":[],"label_agreement":null},{"id":"W4232007207","doi":"10.1386/pop.6.1-2.73_1","title":"Levinas and the photographic undergone","year":2015,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Philosophy, Ethics, and Existentialism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dawson College","funders":"","keywords":"Photography; Face (sociological concept); Ambiguity; Consciousness; Object (grammar); Aesthetics; Reading (process); Art; Philosophy; Visual arts; Epistemology; Linguistics","score_opus":0.0829691153492602,"score_gpt":0.25641487073053965,"score_spread":0.17344575538127943,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232007207","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03317654,0.010596396,0.01103019,0.043438923,0.0006970001,0.000026722859,0.000061334606,0.0000751711,0.9008978],"genre_scores_gemma":[0.9019701,0.0022800846,0.0031177937,0.004120045,0.00024637883,0.000046616486,0.000030894593,0.000091600705,0.08809645],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9978732,0.0012928987,0.00005899169,0.00031470114,0.00024321489,0.0002169013],"domain_scores_gemma":[0.9987128,0.0006111179,0.000106409876,0.00021647186,0.00024003952,0.00011317091],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016672481,0.00031260302,0.000258255,0.00090622285,0.0051280987,0.0055916854,0.000501261,0.0023254547,0.00770262],"category_scores_gemma":[0.0033695993,0.00022377026,0.0003080372,0.0006512375,0.029241994,0.0070761,0.0037224195,0.0035257717,0.00096111576],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000035500043,0.0000014881639,0.000031574225,0.0000061624587,5.69458e-7,0.000018692237,0.002050583,0.000017592954,0.0000342539,0.995776,0.0011304196,0.0009291282],"study_design_scores_gemma":[0.000010754445,0.000010958152,0.00018601847,0.00007147071,0.0000037307207,0.0001290453,0.003316073,0.00012674848,0.00017129439,0.78063595,0.21532835,0.000009503246],"about_ca_topic_score_codex":0.0074582356,"about_ca_topic_score_gemma":0.0073005725,"teacher_disagreement_score":0.008296509,"about_ca_system_score_codex":0.008296509,"about_ca_system_score_gemma":0.0022134855,"threshold_uncertainty_score":0.060195625},"labels":[],"label_agreement":null},{"id":"W4235255545","doi":"10.1386/pop.5.2.171_5","title":"Review","year":2014,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Digital Media and Philosophy","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"George Brown College","funders":"","keywords":"Art; Art history; Humanities","score_opus":0.01694835150852178,"score_gpt":0.23301970637508554,"score_spread":0.21607135486656376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235255545","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00022253394,0.93054825,0.0005645581,0.013019641,0.012679361,0.00008719775,0.0017322617,0.00015781027,0.040988326],"genre_scores_gemma":[0.0023648527,0.95156413,0.000602664,0.010383336,0.006171291,0.00010716019,0.0020704034,0.000065835884,0.02667023],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99914443,0.00015542995,0.00011103863,0.00016715706,0.0003424908,0.00007950041],"domain_scores_gemma":[0.99743515,0.00094753015,0.0002515311,0.00015918093,0.0009787689,0.00022792051],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011009213,0.00089123886,0.0015777766,0.0035272308,0.00061394856,0.0031838072,0.0022912475,0.0020618995,0.103384905],"category_scores_gemma":[0.0076722396,0.00034923843,0.0007981601,0.003724098,0.0005630801,0.0028535668,0.0017131796,0.002226319,0.05443896],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006233706,0.000021626995,0.000116761454,0.009841823,0.0000717706,0.000103967606,0.00006280849,0.00008189436,0.00018810632,0.004000102,0.6657508,0.31969798],"study_design_scores_gemma":[0.000006907451,0.0000093266735,0.0001597966,0.003494317,0.000035689834,0.00015560577,0.000028169889,0.000006135282,0.000029680414,0.0008474081,0.99522203,0.000004994551],"about_ca_topic_score_codex":0.0025723455,"about_ca_topic_score_gemma":0.0032129285,"teacher_disagreement_score":0.103384905,"about_ca_system_score_codex":0.0017061537,"about_ca_system_score_gemma":0.0049596652,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4243530381","doi":"10.1386/pop.5.1.77_5","title":"Reviews","year":2014,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"George Brown College","funders":"","keywords":"Photography; Humanities; Art; Globalization; Media studies; Art history; Sociology; Political science; Visual arts; Law","score_opus":0.05373289625254825,"score_gpt":0.2557010360685159,"score_spread":0.20196813981596767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243530381","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00040705586,0.50027615,0.0015492502,0.033865646,0.08705332,0.00026784962,0.005924224,0.00090107374,0.36975554],"genre_scores_gemma":[0.0047197123,0.4718052,0.0017864396,0.030184431,0.038249765,0.00032001032,0.007931901,0.00061212166,0.44439033],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983119,0.00022809516,0.00015588685,0.00031501878,0.00083106087,0.00015804949],"domain_scores_gemma":[0.99673575,0.0006687852,0.00024205931,0.0003350264,0.0016381512,0.00038019006],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012476787,0.0011602743,0.0014135932,0.004039443,0.0009026784,0.005285637,0.0023303085,0.0026189026,0.32674244],"category_scores_gemma":[0.006636459,0.00042394965,0.00093802344,0.0036198806,0.00085429556,0.0034380564,0.0024280169,0.002513947,0.24390851],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002282533,0.000013659502,0.00004097036,0.001715595,0.000010788761,0.000055205517,0.000045797806,0.000046009118,0.00016963386,0.0031727147,0.89711475,0.09759202],"study_design_scores_gemma":[0.0000030405008,0.000003995649,0.000055707496,0.00071177183,0.0000041762814,0.0000587952,0.000020994847,0.000003963201,0.00002438294,0.0005449706,0.99856585,0.000002496782],"about_ca_topic_score_codex":0.0033316207,"about_ca_topic_score_gemma":0.003775937,"teacher_disagreement_score":0.6732576,"about_ca_system_score_codex":0.0026978217,"about_ca_system_score_gemma":0.0053065843,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4244848558","doi":"10.1386/pop.4.1.113_5","title":"Reviews","year":2013,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Art; Painting; Politics; Publishing; Media studies; Sociology; Humanities; Political science; Law; Literature","score_opus":0.05127718498262858,"score_gpt":0.24899201086611325,"score_spread":0.19771482588348466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244848558","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00043516484,0.5494493,0.0016098935,0.042023845,0.07761443,0.00025801838,0.00501188,0.0007606717,0.32283682],"genre_scores_gemma":[0.0056097885,0.5031806,0.001864115,0.036757495,0.03404759,0.00034491328,0.007735239,0.0006077778,0.40985242],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99818134,0.00023851541,0.00016178364,0.0003214437,0.0009393267,0.00015752131],"domain_scores_gemma":[0.99646014,0.0006394301,0.00025514507,0.00032823227,0.0019001502,0.00041697052],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012758924,0.0010336235,0.0013123975,0.0034471129,0.0009541579,0.0052772895,0.0023008522,0.0028412219,0.29352868],"category_scores_gemma":[0.0071392795,0.00039194687,0.00092174404,0.0033448664,0.0008591585,0.0034159443,0.0023475606,0.0027267623,0.21970193],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024328896,0.00001540398,0.0000490933,0.0018017153,0.000012964093,0.000060720966,0.000047550784,0.000045794302,0.00017936275,0.0035220876,0.88791525,0.106325634],"study_design_scores_gemma":[0.0000030173971,0.0000047705184,0.00006562802,0.0008394683,0.0000050272624,0.00006398894,0.00002460506,0.000004959192,0.00003205618,0.00061552355,0.9983382,0.0000027661272],"about_ca_topic_score_codex":0.003300795,"about_ca_topic_score_gemma":0.0042723464,"teacher_disagreement_score":0.7064713,"about_ca_system_score_codex":0.0027458498,"about_ca_system_score_gemma":0.005468123,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4385961336","doi":"10.1386/pop_00060_1","title":"Landscape and autopsy: Photography and the natural history of capital","year":2022,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Temporality; Sublime; Temptation; Photography; Natural history; Natural (archaeology); Capital (architecture); Agency (philosophy); Art history; History; Art; Aesthetics; Visual arts; Sociology; Archaeology; Philosophy; Social science; Epistemology","score_opus":0.014954117188509874,"score_gpt":0.2483546888420693,"score_spread":0.23340057165355943,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385961336","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18726873,0.1042214,0.009529684,0.15611711,0.002671802,0.0000409373,0.0002963718,0.000062903055,0.539791],"genre_scores_gemma":[0.9619212,0.015510744,0.0014088586,0.0038185548,0.0011324093,0.000015999423,0.000036422,0.000031371266,0.016124485],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99889815,0.0007604232,0.000034766203,0.000092489354,0.000126647,0.000087502216],"domain_scores_gemma":[0.99723047,0.0019328338,0.0003603733,0.00022824544,0.00015480471,0.00009339646],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018503538,0.00020361287,0.0001298789,0.0018245815,0.0026492341,0.0042632194,0.0005116313,0.0014647648,0.0038688288],"category_scores_gemma":[0.006040198,0.00016898758,0.000097883174,0.0011723243,0.020188706,0.0063736336,0.0023812107,0.0020534876,0.00020863011],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005518153,0.000015652937,0.004752796,0.00015309853,0.00001286337,0.00082736113,0.08941246,0.0001723199,0.00030706835,0.84258235,0.022538496,0.03917039],"study_design_scores_gemma":[0.000011389731,0.00004944653,0.023830399,0.0008475395,0.000018687344,0.0018570448,0.09855085,0.0003399174,0.0008825746,0.18347257,0.69008386,0.00005568459],"about_ca_topic_score_codex":0.012788743,"about_ca_topic_score_gemma":0.03100113,"teacher_disagreement_score":0.012788743,"about_ca_system_score_codex":0.0030743948,"about_ca_system_score_gemma":0.00079919625,"threshold_uncertainty_score":0.025428593},"labels":[],"label_agreement":null},{"id":"W4400206530","doi":"10.1386/pop_00095_7","title":"Analog(ue) photography","year":2024,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Cybernetics and Technology in Society","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Photography; Encyclopedia; Scope (computer science); Field (mathematics); Construct (python library); Computer science; Identity (music); Digital photography; Visual arts; Art; Aesthetics; Library science; Mathematics","score_opus":0.022697887374924716,"score_gpt":0.2271288495279487,"score_spread":0.20443096215302398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400206530","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004644757,0.010550549,0.0062520225,0.0018418604,0.0042921724,0.00006034241,0.000494198,0.00027114432,0.971593],"genre_scores_gemma":[0.2560492,0.024012975,0.013067824,0.005621571,0.0064607104,0.00020262325,0.0012498207,0.00075086456,0.69258446],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924755,0.00022106548,0.00006724996,0.00012998049,0.00024091796,0.00009321678],"domain_scores_gemma":[0.9991509,0.00040481583,0.000060185364,0.00013480734,0.00017586384,0.000073480485],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047599446,0.0004330893,0.00025367487,0.0030754604,0.0020089392,0.005836026,0.00055256055,0.00094238337,0.08472268],"category_scores_gemma":[0.0022043157,0.00014791447,0.00027412333,0.0025069008,0.0025548756,0.0057244734,0.00260893,0.0014208988,0.009908592],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000635948,0.000023097575,0.0006457696,0.0008096553,0.0000070209962,0.00046565192,0.0063079507,0.00011384714,0.0015119942,0.5895902,0.24073952,0.15972169],"study_design_scores_gemma":[0.0000015634656,0.000010731159,0.0005605028,0.00015862686,0.0000014787286,0.00037613444,0.00091726775,0.00003533727,0.00024796682,0.0059798085,0.99170613,0.000004515555],"about_ca_topic_score_codex":0.002683519,"about_ca_topic_score_gemma":0.00424086,"teacher_disagreement_score":0.08472268,"about_ca_system_score_codex":0.0013742521,"about_ca_system_score_gemma":0.0005608313,"threshold_uncertainty_score":0.28342563},"labels":[],"label_agreement":null},{"id":"W4410192753","doi":"10.1386/pop_00106_1","title":"The sleep of reason produces monsters: Steven Shearer’s Profaned Travelers","year":2025,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Sleep (system call); Art history; History; Psychology; Psychoanalysis; Humanities; Computer science; Operating system","score_opus":0.013460127019037088,"score_gpt":0.2841664232151621,"score_spread":0.270706296196125,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410192753","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.54615915,0.01697344,0.0015475701,0.13859555,0.003086055,0.0000781342,0.000215485,0.00026423525,0.29308036],"genre_scores_gemma":[0.8789519,0.0040525375,0.0006008092,0.0073279142,0.000477626,0.000021558955,0.000053687698,0.00018734651,0.10832676],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981217,0.0011023744,0.000031363314,0.00012690846,0.00028062105,0.00033700417],"domain_scores_gemma":[0.9982931,0.00067996944,0.00015545326,0.0001131855,0.00023411351,0.0005241947],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019056122,0.000629915,0.0003447365,0.0013573562,0.022897596,0.010032331,0.00078071334,0.002682257,0.006707672],"category_scores_gemma":[0.003963791,0.00045674932,0.000285089,0.00090998027,0.016036903,0.0043192566,0.004922667,0.005701375,0.0012765129],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028387492,0.000022009266,0.0012748919,0.000057348247,0.000008282579,0.0013551777,0.92587847,0.00002949522,0.0002999388,0.017873203,0.04396843,0.009204275],"study_design_scores_gemma":[0.000003778907,0.000019618674,0.0011247919,0.00011075944,0.000005001366,0.00059511646,0.6669094,0.000031803156,0.00018424707,0.0013754591,0.32961866,0.000021366886],"about_ca_topic_score_codex":0.08638307,"about_ca_topic_score_gemma":0.29904297,"teacher_disagreement_score":0.08638307,"about_ca_system_score_codex":0.005685233,"about_ca_system_score_gemma":0.0027397964,"threshold_uncertainty_score":0.17176056},"labels":[],"label_agreement":null},{"id":"W4410192947","doi":"10.1386/pop_00110_5","title":"Mortevivum: Photography and the Politics of the Visual, Kimberly Juanita Brown (2024)","year":2025,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Art; Photography; Politics; Visual arts; Art history; Political science; Law","score_opus":0.018187679178457768,"score_gpt":0.2517778102290791,"score_spread":0.23359013105062132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410192947","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00017287105,0.9353468,0.00014412463,0.025364479,0.0052726823,0.0000040287937,0.00004719528,0.000021113858,0.033626743],"genre_scores_gemma":[0.013486101,0.7561076,0.0004919886,0.01134561,0.010603589,0.00003174441,0.00013092978,0.00009892434,0.20770355],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99920064,0.00030099635,0.000030874362,0.000105348656,0.00027069694,0.000091397575],"domain_scores_gemma":[0.9990307,0.0004209922,0.00009102768,0.000051072708,0.00025740714,0.00014891474],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011291218,0.0009237098,0.00057563704,0.0025826036,0.0025535938,0.0066456413,0.0009500984,0.0029436313,0.04302665],"category_scores_gemma":[0.0028981185,0.0005500828,0.0003363284,0.0027129967,0.00395141,0.0066317143,0.002426592,0.0031135841,0.013627519],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016053416,0.0000068639674,0.000098530596,0.00036869128,0.000004533786,0.00004084687,0.00059969246,0.000037526144,0.00006438628,0.030177101,0.9030527,0.06553316],"study_design_scores_gemma":[0.0000017642726,0.000002344034,0.0003879898,0.00075314444,0.0000020418313,0.00007706832,0.00048046076,0.0000085010215,0.000026480564,0.0033197224,0.9949367,0.000003838905],"about_ca_topic_score_codex":0.03270114,"about_ca_topic_score_gemma":0.051908933,"teacher_disagreement_score":0.04302665,"about_ca_system_score_codex":0.006266107,"about_ca_system_score_gemma":0.0043263207,"threshold_uncertainty_score":0.14393848},"labels":[],"label_agreement":null},{"id":"W7128795837","doi":"10.1386/pop_00124_5","title":"The Perception Machine: Our Photographic Future between the Eye and AI, Joanna Zylinska (2023)","year":2025,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Perception; Photography; Visual perception","score_opus":0.017778850913044472,"score_gpt":0.2733046296831134,"score_spread":0.25552577877006893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7128795837","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001905922,0.9348426,0.0012287803,0.03912903,0.005870267,0.0000058902415,0.000043581305,0.00004975993,0.018639592],"genre_scores_gemma":[0.013987663,0.8765913,0.0027404972,0.016294358,0.014142588,0.000042404987,0.000126318,0.0001522415,0.07592261],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9991635,0.00029265415,0.000050305043,0.000120075245,0.00030601962,0.00006756269],"domain_scores_gemma":[0.9986084,0.0006487755,0.00008634637,0.000056841272,0.00046343877,0.00013628649],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017142507,0.0006547637,0.00058602734,0.001827555,0.0013317328,0.0058413893,0.0006779491,0.0023827448,0.01797172],"category_scores_gemma":[0.003075158,0.00044576434,0.00034706545,0.0020695361,0.0035012153,0.009457163,0.0016094054,0.0039956947,0.008000107],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002705845,0.000009737968,0.00013388321,0.0008464383,0.000009981549,0.00005536119,0.00064678775,0.000103754435,0.00025934563,0.059273023,0.75464976,0.18398483],"study_design_scores_gemma":[0.0000029822388,0.000006771326,0.00039451732,0.0005403656,0.00000329171,0.00018096268,0.00038864693,0.000044569533,0.00007142453,0.014697032,0.9836624,0.000007120116],"about_ca_topic_score_codex":0.009716667,"about_ca_topic_score_gemma":0.013825908,"teacher_disagreement_score":0.01797172,"about_ca_system_score_codex":0.0035181171,"about_ca_system_score_gemma":0.0032284386,"threshold_uncertainty_score":0.060121417},"labels":[],"label_agreement":null}]}