{"meta":{"query_hash":"59a365fa034b","filters":{"venue":"Public"},"cohort_total":284,"direct_labels_cover":0,"predictions_cover":284,"exported":284,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/59a365fa034b","api":"https://metacan.xera.ac/api/v1/cohort?venue=Public"},"results":[{"id":"W1499274962","doi":"","title":"Canada's Daughter","year":2003,"lang":"en","type":"article","venue":"Public","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Daughter; Political science; Law","score_opus":0.013931334035153196,"score_gpt":0.2013247534397299,"score_spread":0.18739341940457668,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1499274962","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006684591,0.00021426185,0.0000062882577,0.014927295,0.0006023262,0.00003423964,0.0000060570674,0.000017980448,0.97750694],"genre_scores_gemma":[0.8722629,0.000021707858,0.000023080695,0.0020600597,0.000109417095,0.0000039915103,0.0000013691297,0.000003570925,0.12551391],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995116,0.000050656,0.00003881741,0.000060849296,0.00015918113,0.0001789254],"domain_scores_gemma":[0.9997187,0.000012998679,0.000011887791,0.00006764087,0.000029929779,0.00015879695],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016719925,0.000019620482,0.000031167747,0.00008372943,0.00056112395,0.0002429566,0.00008811046,0.000021313685,0.004102732],"category_scores_gemma":[0.00021297323,0.000026796688,0.00001356953,0.00016310051,0.000103707636,0.00010690495,0.0000031309416,0.000038395156,0.00007733782],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[6.6075245e-8,0.0000032663863,0.0005259458,6.690954e-7,0.0000017691368,0.0000033314868,0.00044171515,4.8089852e-8,7.778936e-7,0.43597493,0.5612327,0.0018148267],"study_design_scores_gemma":[0.000024617668,6.5354476e-7,0.001057121,3.660278e-7,9.0880144e-7,2.884675e-7,0.00025480025,1.0857285e-7,6.8994376e-7,0.0004254621,0.998197,0.000037943046],"about_ca_topic_score_codex":0.9992727,"about_ca_topic_score_gemma":0.9999944,"teacher_disagreement_score":0.8655783,"about_ca_system_score_codex":0.000789638,"about_ca_system_score_gemma":0.006597617,"threshold_uncertainty_score":0.99903405},"labels":[],"label_agreement":null},{"id":"W1506984603","doi":"","title":"Tracing out an Anglo-Bohemia: Musicmaking and Myth in Montréal","year":2001,"lang":"en","type":"article","venue":"Public","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":14,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mythology; Tracing; History; Art; Computer science; Literature","score_opus":0.0305127011327751,"score_gpt":0.253792602932792,"score_spread":0.2232799018000169,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1506984603","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82928336,0.0011996202,0.000022318874,0.0062367064,0.00021703601,0.00007739187,0.000002585269,0.000051593663,0.16290937],"genre_scores_gemma":[0.9948609,0.00013567173,0.000039522107,0.0004706014,0.0002162549,0.0000048333536,0.00000164334,0.000005121352,0.0042654835],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993552,0.00005089086,0.00008171817,0.00013388901,0.00013142025,0.00024690747],"domain_scores_gemma":[0.9996933,0.000018864937,0.000025250136,0.0000768187,0.000021096554,0.00016471781],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035660758,0.000038540104,0.00007074715,0.00031404218,0.00050203846,0.0004806372,0.00009336735,0.000060182858,0.00019019216],"category_scores_gemma":[0.0001105506,0.00005302785,0.000016793703,0.00025165337,0.00015331038,0.00062454166,0.000013528373,0.00010260193,0.000017787623],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001226624,0.00017962113,0.05200127,0.000022459335,0.0000140220545,0.00026844774,0.22246405,0.00000848796,0.00012222453,0.08332699,0.027470395,0.61410975],"study_design_scores_gemma":[0.00012714454,0.000006608267,0.015049696,0.00000592228,0.0000024216017,0.0000027593203,0.0047086184,0.00003986382,4.4429956e-7,0.0005673586,0.9794062,0.00008295539],"about_ca_topic_score_codex":0.49323106,"about_ca_topic_score_gemma":0.98965925,"teacher_disagreement_score":0.9519358,"about_ca_system_score_codex":0.00035446006,"about_ca_system_score_gemma":0.00020313014,"threshold_uncertainty_score":0.5101436},"labels":[],"label_agreement":null},{"id":"W1605288866","doi":"","title":"The Image of the Local in Early Modern Canadian Poetry","year":2004,"lang":"en","type":"article","venue":"Public","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Aesthetics; Art; History; Literature","score_opus":0.009149590892308556,"score_gpt":0.2053282078534423,"score_spread":0.19617861696113376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1605288866","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.69241315,0.0005914439,0.000049150163,0.07207842,0.0006024474,0.00019323391,0.000021261449,0.000015296224,0.2340356],"genre_scores_gemma":[0.99714833,0.000019607756,0.000004136779,0.00023010014,0.0000415665,0.0000033739677,2.5560774e-7,0.0000030150059,0.0025496248],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99940234,0.00005009523,0.00007299294,0.00006156781,0.00016800674,0.0002449996],"domain_scores_gemma":[0.999645,0.000019011533,0.000023590414,0.00013346007,0.00003748608,0.00014143056],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003159047,0.000025423607,0.0000389439,0.00014327253,0.0007861224,0.00024180624,0.00035267114,0.000041561096,0.00005792595],"category_scores_gemma":[0.00013909246,0.000021416146,0.000034841647,0.0003654144,0.0008177987,0.00015982985,0.000014836827,0.00010455537,0.000030212183],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002980731,0.00003656211,0.014879703,0.000007150105,0.000012778285,0.000013890397,0.06996269,0.0000407217,0.000026976457,0.85934055,0.012565183,0.043110833],"study_design_scores_gemma":[0.00011227898,0.0000036010485,0.08525205,0.0000054948077,0.0000018115843,3.8253407e-7,0.0024959352,0.000007940462,0.0000027869341,0.013372968,0.8986906,0.000054192184],"about_ca_topic_score_codex":0.99662966,"about_ca_topic_score_gemma":0.99995613,"teacher_disagreement_score":0.8861254,"about_ca_system_score_codex":0.0012273486,"about_ca_system_score_gemma":0.0035727203,"threshold_uncertainty_score":0.63378525},"labels":[],"label_agreement":null},{"id":"W1955953606","doi":"","title":"Intentional Disturbances: Making the Toronto Movement Scene","year":2001,"lang":"en","type":"article","venue":"Public","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movement (music); History; Aesthetics; Art","score_opus":0.030270357607005006,"score_gpt":0.2687720036688809,"score_spread":0.23850164606187588,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1955953606","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012776092,0.004969074,0.00024530626,0.041808438,0.001460479,0.00017623161,0.00000848022,0.00007404693,0.93848187],"genre_scores_gemma":[0.9387557,0.00043011765,0.000032164673,0.0025656736,0.0006031607,0.000025562565,0.000003927465,0.000004601488,0.0575791],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993134,0.000046870337,0.00007597339,0.00009315871,0.00026629816,0.00020426926],"domain_scores_gemma":[0.99972373,0.000020267802,0.00003364859,0.000099625104,0.00005319189,0.000069547474],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034741752,0.00003266012,0.00004054183,0.000040932555,0.0011689776,0.0005692362,0.00023914015,0.00002335975,0.005361334],"category_scores_gemma":[0.00008997907,0.00003118978,0.000046230165,0.00013272688,0.0002685049,0.00035454924,0.000024639037,0.00004565704,0.00008244489],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002946993,0.000045026118,0.005666242,0.0000030474725,0.000017647531,0.0000040719992,0.0063329446,7.0056643e-7,0.0000038234607,0.75439256,0.18471013,0.048820857],"study_design_scores_gemma":[0.000040904557,0.000002966766,0.016628314,0.0000039538636,0.0000026528721,3.1827304e-7,0.0027946897,0.000006657574,5.7709276e-8,0.0022047844,0.9782709,0.00004380746],"about_ca_topic_score_codex":0.40396434,"about_ca_topic_score_gemma":0.97743106,"teacher_disagreement_score":0.9259796,"about_ca_system_score_codex":0.0012190454,"about_ca_system_score_gemma":0.00026460667,"threshold_uncertainty_score":0.9955479},"labels":[],"label_agreement":null},{"id":"W2043208770","doi":"10.1386/public.23.45.128_1","title":"Spectacular infrastructure: The mediatic space of Montreal’s ‘Quartier des spectacles’","year":2012,"lang":"en","type":"article","venue":"Public","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Downtown; Public space; Plan (archaeology); Space (punctuation); Public art; Urban space; Aesthetics; Urban planning; Sociology; Architectural engineering; Art; Visual arts; Geography; Civil engineering; Economic geography; Engineering; Archaeology; Computer science","score_opus":0.020624683421897327,"score_gpt":0.28085141151041576,"score_spread":0.26022672808851843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2043208770","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7260748,0.0018590556,0.00035009612,0.028824937,0.00088920275,0.0004063271,0.00000796222,0.00015422837,0.24143337],"genre_scores_gemma":[0.99720496,0.000115265226,0.00052159495,0.00022015287,0.0009149568,0.00002024132,0.0000029258704,0.000018605877,0.0009813231],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99770963,0.0003355145,0.00022663253,0.00016634706,0.0007243261,0.0008375629],"domain_scores_gemma":[0.9986741,0.00024323442,0.00017459174,0.00042328876,0.0001547374,0.00033003185],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014661087,0.0001431888,0.00020682695,0.000109583736,0.0004751568,0.00014349617,0.0006367729,0.00010052507,0.0012719717],"category_scores_gemma":[0.0016609452,0.00010181699,0.00010606533,0.00094465667,0.0010299273,0.0011314468,0.00011090145,0.00017552772,0.00012195091],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007211081,0.00015170875,0.4105572,0.000018896868,0.00011042578,0.0000014525491,0.08607095,0.000005668909,0.0002302617,0.45084673,0.044686884,0.007312585],"study_design_scores_gemma":[0.00029311047,0.000028397799,0.44201222,0.0000084147805,0.00004092925,0.0000045951574,0.020358792,0.000044099765,0.00036754017,0.023041705,0.513564,0.00023619602],"about_ca_topic_score_codex":0.0029524078,"about_ca_topic_score_gemma":0.0047943126,"teacher_disagreement_score":0.4688771,"about_ca_system_score_codex":0.00019676097,"about_ca_system_score_gemma":0.00025265198,"threshold_uncertainty_score":0.999641},"labels":[],"label_agreement":null},{"id":"W2234511975","doi":"","title":"Mediating a Common Sense of Place: The Toronto Archives' \"A Visual Legacy: The City of Toronto's Use of Photography, 1856-1997\"","year":2008,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Sense of place; Visual arts; Common sense; Media studies; History; Art history; Art; Sociology; Political science; Social science","score_opus":0.06795382253616278,"score_gpt":0.2694942516702256,"score_spread":0.20154042913406284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2234511975","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9873393,0.0014309492,0.000004589812,0.0001805284,0.0001745412,0.00034118307,0.00022436527,0.000035537865,0.010268983],"genre_scores_gemma":[0.9989695,0.00030304075,0.000020412852,0.00027705822,0.00021056751,0.000027438575,0.000044648987,0.000015273374,0.00013205937],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99843603,0.0002469866,0.0004715808,0.00017377529,0.00039307057,0.00027853803],"domain_scores_gemma":[0.9984012,0.0005866898,0.00040117596,0.00039092597,0.00014909658,0.00007091484],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031326647,0.00018971138,0.00035394778,0.0000367056,0.00045124532,0.000093273564,0.00033433817,0.000058790625,0.00054933527],"category_scores_gemma":[0.00008834243,0.00010536834,0.00034259085,0.00007823719,0.0011957337,0.0008020551,0.000111172194,0.00019261538,5.8644355e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007942592,0.0023389389,0.039171573,0.0003887921,0.0012433464,0.000009792114,0.6818589,0.000005990081,0.01501194,0.24036859,0.013986855,0.004821045],"study_design_scores_gemma":[0.003388188,0.0023311353,0.17501909,0.00028491428,0.0003989098,0.00006486945,0.0941262,0.0014217582,0.02695428,0.0013285503,0.69337046,0.0013116647],"about_ca_topic_score_codex":0.05563265,"about_ca_topic_score_gemma":0.08545526,"teacher_disagreement_score":0.6793836,"about_ca_system_score_codex":0.000011613587,"about_ca_system_score_gemma":0.000059438808,"threshold_uncertainty_score":0.950656},"labels":[],"label_agreement":null},{"id":"W2242283997","doi":"","title":"Film Scenes: Paris, New York, Toronto","year":2001,"lang":"en","type":"article","venue":"Public","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Media studies; Sociology","score_opus":0.07110879563971198,"score_gpt":0.22968453979723166,"score_spread":0.15857574415751968,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2242283997","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.060665354,0.10025685,0.001275196,0.020168772,0.0020512089,0.00023258557,0.00003486222,0.00016615017,0.815149],"genre_scores_gemma":[0.9232102,0.0067423675,0.00038496745,0.0011594458,0.00086078956,0.000030970776,0.000020802067,0.000023959212,0.06756647],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991249,0.0000037292482,0.00027500157,0.00024767962,0.000026929723,0.0003217603],"domain_scores_gemma":[0.99944746,0.000027902555,0.000096691634,0.00024995796,0.000016902943,0.00016107816],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015545661,0.00010405757,0.00024636224,0.00006089932,0.00007561251,0.00007657063,0.0001563738,0.000055812514,0.003694981],"category_scores_gemma":[0.00013915147,0.0001119147,0.00007486678,0.00014867091,0.000021829615,0.00025418858,0.000050726794,0.000056428857,0.0013239946],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000056767926,0.000073966956,0.2823776,0.000009629458,0.00005396166,0.0000034386348,0.0008512024,0.0000017470852,0.0000024035821,0.12171901,0.58280236,0.012099016],"study_design_scores_gemma":[0.0003376568,0.000021889315,0.031056052,0.0000032731982,0.0000023787234,0.00000347111,0.00028059699,0.00006149638,0.000003685364,0.003425141,0.9646647,0.00013968036],"about_ca_topic_score_codex":0.0034506703,"about_ca_topic_score_gemma":0.0027910767,"teacher_disagreement_score":0.8625449,"about_ca_system_score_codex":0.00009421907,"about_ca_system_score_gemma":0.000026988157,"threshold_uncertainty_score":0.9994536},"labels":[],"label_agreement":null},{"id":"W2243102186","doi":"","title":"Bollywood/Toronto: Transational Spectatorship","year":2004,"lang":"en","type":"article","venue":"Public","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Media studies; History; Sociology","score_opus":0.03119328195836211,"score_gpt":0.20839720794233704,"score_spread":0.17720392598397494,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2243102186","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10327875,0.000651827,0.00007845205,0.01047995,0.00075594586,0.00013423624,0.00004098683,0.00023680106,0.884343],"genre_scores_gemma":[0.99175584,0.0000023553807,0.000050997893,0.00062613655,0.0012929131,0.000014952613,0.000032322627,0.000011736512,0.006212713],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993877,0.000010346365,0.0001087825,0.00012948271,0.00016580039,0.00019788],"domain_scores_gemma":[0.9997109,0.0000074473323,0.000025776819,0.00010383795,0.000063123,0.00008892706],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00005274786,0.000090915586,0.00008069749,0.000020373256,0.00020201741,0.00022611683,0.00011556583,0.00003096705,0.015633168],"category_scores_gemma":[0.000015975284,0.0000726277,0.00006896002,0.000022301268,0.000071935385,0.00037165693,0.000005047911,0.00006803276,0.00043607538],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000029098778,0.00004566029,0.00016366523,0.00000553799,0.00001599515,0.0000022166148,0.03547288,7.851716e-7,0.000010403432,0.96121204,0.0025467107,0.0005211723],"study_design_scores_gemma":[0.00086567533,0.000051391675,0.002980482,0.000009776133,0.00001559988,0.000008189469,0.019733453,0.0000016753384,0.000058330963,0.031204361,0.94483685,0.00023423131],"about_ca_topic_score_codex":0.00014719303,"about_ca_topic_score_gemma":0.00444335,"teacher_disagreement_score":0.9422901,"about_ca_system_score_codex":0.000055268167,"about_ca_system_score_gemma":0.000058752543,"threshold_uncertainty_score":0.9852667},"labels":[],"label_agreement":null},{"id":"W2247611509","doi":"","title":"The Publicness of Melodrama in the Cuban Special Period","year":2008,"lang":"en","type":"article","venue":"Public","topic":"Cuban History and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Period (music); History; Aesthetics; Art","score_opus":0.062143746312330155,"score_gpt":0.2804295828274856,"score_spread":0.21828583651515543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2247611509","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7413578,0.00024912655,0.000004191428,0.03663861,0.00063400256,0.00018282767,0.0000024062479,0.000024364512,0.22090665],"genre_scores_gemma":[0.9952967,0.00011382962,0.000008582511,0.00026790897,0.0010543677,0.000018864928,0.0000013604954,0.000004150007,0.003234248],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985665,0.00039512312,0.00015534283,0.0001140627,0.0004725307,0.0002964328],"domain_scores_gemma":[0.9993308,0.00022158657,0.000072331226,0.0002257815,0.000097065466,0.000052422423],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0018657839,0.000059253267,0.000101399346,0.000033560078,0.0016312423,0.00011924743,0.0007098602,0.000071039656,0.00027172745],"category_scores_gemma":[0.00048350843,0.000036599624,0.00009613374,0.00063506345,0.0009918327,0.0002955642,0.000032785865,0.00017738246,0.000019980427],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006176006,0.00010587108,0.025280748,0.0000030234653,0.00000901657,0.0000058957635,0.304939,4.4881776e-7,0.0000049862747,0.57715404,0.08722982,0.0052609793],"study_design_scores_gemma":[0.00010684521,0.000008158198,0.03072734,0.0000010598354,0.0000015038491,0.0000022573345,0.027041947,0.0000025254055,0.0000017157136,0.0010448566,0.9410101,0.00005165182],"about_ca_topic_score_codex":0.00047928924,"about_ca_topic_score_gemma":0.0070482246,"teacher_disagreement_score":0.8537803,"about_ca_system_score_codex":0.00010062867,"about_ca_system_score_gemma":0.00039593628,"threshold_uncertainty_score":0.9996685},"labels":[],"label_agreement":null},{"id":"W2249677811","doi":"","title":"Biennialism in Montréal","year":2001,"lang":"en","type":"article","venue":"Public","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.01955746870034753,"score_gpt":0.23019771414572557,"score_spread":0.21064024544537804,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2249677811","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29666314,0.0010038593,0.00000842816,0.03679041,0.0005356904,0.00007432239,0.000002404182,0.000056197554,0.66486555],"genre_scores_gemma":[0.9614173,0.0004150593,0.000012906316,0.00056513364,0.00024427503,0.0000067673977,0.0000013146697,0.0000032812864,0.037333928],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99953455,0.000037849764,0.000053994587,0.00006743865,0.000117593525,0.000188589],"domain_scores_gemma":[0.9997938,0.000011946592,0.0000123642185,0.0000588974,0.00001756487,0.00010537921],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023542314,0.000019706402,0.0000389347,0.00034223162,0.00028674328,0.00025124763,0.000106352556,0.000036238067,0.0011953015],"category_scores_gemma":[0.00011945394,0.000027599857,0.000018614002,0.00040478748,0.00013396703,0.00022390368,0.000008398949,0.000049734113,0.00028119303],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004587761,0.00009126226,0.02797906,0.0000029928183,0.0000049374426,0.000116088464,0.030958166,0.0000019068412,0.000014896276,0.60171896,0.22128503,0.11782211],"study_design_scores_gemma":[0.00006498453,0.0000016594558,0.014524202,9.173288e-7,4.7601227e-7,5.3756423e-7,0.0005521329,0.0000028498664,4.5637627e-8,0.0010322725,0.9837846,0.0000352908],"about_ca_topic_score_codex":0.88911676,"about_ca_topic_score_gemma":0.99561864,"teacher_disagreement_score":0.7624996,"about_ca_system_score_codex":0.00040508917,"about_ca_system_score_gemma":0.0002898781,"threshold_uncertainty_score":0.9997177},"labels":[],"label_agreement":null},{"id":"W2262487997","doi":"","title":"Mr. Gupta and the Madam From Canada","year":2007,"lang":"en","type":"article","venue":"Public","topic":"Colonial History and Postcolonial Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Madam; Philosophy; Linguistics","score_opus":0.017826620654159804,"score_gpt":0.2555567731534629,"score_spread":0.23773015249930313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2262487997","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7623648,0.0025608335,0.000009015827,0.076306224,0.0011225538,0.00017074385,0.000011269493,0.00003203232,0.15742253],"genre_scores_gemma":[0.99475443,0.00007955907,0.000013088453,0.0015349725,0.0004064749,0.0000053385506,0.0000011314385,0.0000024938088,0.0032024786],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992971,0.00009017716,0.00008346404,0.000094097464,0.00020696166,0.00022821092],"domain_scores_gemma":[0.9992613,0.00050001405,0.000033016142,0.00007492343,0.000042758224,0.000087942964],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008488863,0.000046262725,0.00008316442,0.000012525388,0.0011263766,0.000049239803,0.00015437172,0.000031526175,0.00018504486],"category_scores_gemma":[0.00037631972,0.000033246408,0.00001767196,0.00013713531,0.00045007872,0.00006843447,0.000048050122,0.00007304796,0.0000068609634],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025411608,0.00004842764,0.11357189,0.0000054341285,0.000121181496,0.0000376028,0.078940935,3.117277e-7,0.000018457433,0.5202661,0.18628663,0.10044887],"study_design_scores_gemma":[0.00018792908,0.0000039350116,0.061237864,9.185713e-7,0.0000054534726,1.3240229e-7,0.0013483218,5.758528e-7,0.0000022448787,0.0013721993,0.93579453,0.000045890312],"about_ca_topic_score_codex":0.97343105,"about_ca_topic_score_gemma":0.9987093,"teacher_disagreement_score":0.7495079,"about_ca_system_score_codex":0.00015590279,"about_ca_system_score_gemma":0.00035920233,"threshold_uncertainty_score":0.86632913},"labels":[],"label_agreement":null},{"id":"W2273988966","doi":"","title":"At the Scene of the Crossroads, \"Somewhere in this Silvered City:\" Diasporic Public Spheres in Toronto","year":2001,"lang":"en","type":"article","venue":"Public","topic":"Diaspora, migration, transnational identity","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"SPHERES; History; Media studies; Visual arts; Sociology; Art; Engineering","score_opus":0.044968766484231724,"score_gpt":0.31597258466070427,"score_spread":0.27100381817647257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2273988966","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9280442,0.0016369971,0.0000047639537,0.016694244,0.0003303908,0.00041144495,0.000015220736,0.000033783035,0.052828964],"genre_scores_gemma":[0.9930268,0.0004194529,0.000017129707,0.00028292355,0.00010431981,0.000045911096,0.000012507425,0.000011203654,0.0060797436],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9975798,0.00039924486,0.0004047722,0.00026737992,0.0008786739,0.0004701171],"domain_scores_gemma":[0.9988671,0.00022851136,0.0001768647,0.00038577078,0.0002479777,0.000093796596],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012307422,0.00012813334,0.00018491743,0.00008386921,0.00038338927,0.00023454582,0.00093355967,0.00012827004,0.009590831],"category_scores_gemma":[0.0009265328,0.00009132946,0.000113336086,0.00162001,0.00046286112,0.0014564948,0.00011632848,0.00016167243,0.000028214088],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007971249,0.00018466816,0.9289369,0.0000053078957,0.000010500419,0.0000014162733,0.004997888,0.000009098488,0.000038226477,0.058939517,0.002702652,0.0041658347],"study_design_scores_gemma":[0.00036522344,0.000007409099,0.93533194,0.000010178915,0.000004693139,6.6545715e-7,0.012648468,0.000027952692,0.00003165261,0.0042611673,0.047187377,0.00012324621],"about_ca_topic_score_codex":0.26044208,"about_ca_topic_score_gemma":0.9825947,"teacher_disagreement_score":0.72215265,"about_ca_system_score_codex":0.0012489127,"about_ca_system_score_gemma":0.00057490147,"threshold_uncertainty_score":0.99131453},"labels":[],"label_agreement":null},{"id":"W2288079777","doi":"","title":"First-Person Hypertext","year":2006,"lang":"en","type":"article","venue":"Public","topic":"Usability and User Interface Design","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Girl; Sitting; Art; Art history; Class (philosophy); Visual arts; Psychology; Medicine; Artificial intelligence; Computer science","score_opus":0.042159746916359035,"score_gpt":0.21344578951695584,"score_spread":0.1712860426005968,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2288079777","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20358364,0.00045545358,0.6465443,0.07327797,0.0009776098,0.00024007862,0.0000031352643,0.0009184691,0.07399934],"genre_scores_gemma":[0.9906596,9.834355e-7,0.0072159693,0.00051139446,0.00007607259,0.000012252522,0.0000012122543,0.0000047473827,0.0015177677],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991993,0.000031837073,0.00009718181,0.00025601612,0.00016050675,0.00025521097],"domain_scores_gemma":[0.99935496,0.000060874685,0.000025204825,0.00044585028,0.00005645547,0.00005664218],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017944646,0.00007869277,0.00007938515,0.000063423664,0.00010739361,0.00031889926,0.0007280525,0.000041891322,0.000105882835],"category_scores_gemma":[0.00004000949,0.00007059838,0.000046708283,0.00028229275,0.000028958599,0.0006612488,0.000067978035,0.000074087475,0.0006009408],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005180357,0.00060089165,0.018213715,0.00003917582,0.000024675353,0.000021008012,0.0010156082,0.0002696205,0.00086734135,0.72971183,0.20999706,0.039233927],"study_design_scores_gemma":[0.00046941012,0.00012198273,0.051451746,0.00001159525,0.000004417044,0.000038866907,0.0000441409,0.10218355,0.0029172436,0.020372093,0.82193035,0.0004545779],"about_ca_topic_score_codex":0.00019547468,"about_ca_topic_score_gemma":0.00010543364,"teacher_disagreement_score":0.78707594,"about_ca_system_score_codex":0.000036147932,"about_ca_system_score_gemma":0.000030531057,"threshold_uncertainty_score":0.7724078},"labels":[],"label_agreement":null},{"id":"W2313066366","doi":"10.1386/public.24.47.142_1","title":"Colin Low and Transitions 3D: Innovating immersive cinema","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McMaster University","funders":"","keywords":"Movie theater; Exhibition; Perspective (graphical); Animation; Ideology; Stereoscopy; Visual arts; Subject (documents); Space (punctuation); Film studies; Art; Sociology; Aesthetics; Media studies; Computer science; Political science; Politics; Library science","score_opus":0.028265788695222362,"score_gpt":0.20135438379588916,"score_spread":0.1730885951006668,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2313066366","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9179913,0.0019955647,0.0012391051,0.031521205,0.00030254683,0.00028768502,0.000053110707,0.000030375235,0.046579104],"genre_scores_gemma":[0.9975029,0.00012617835,0.000535055,0.00088210066,0.00010348465,0.000078974306,0.000013305068,0.000009284336,0.0007486864],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9993558,0.000003375803,0.00024429144,0.00017544,0.00001579429,0.00020530968],"domain_scores_gemma":[0.99966145,0.000035014804,0.000083467035,0.0001003372,0.000057874804,0.000061886654],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011729473,0.00007523509,0.00018651468,0.00017740113,0.000113227085,0.00006660332,0.00005297448,0.0000361077,0.0006493741],"category_scores_gemma":[0.00014458233,0.00008198256,0.000026343076,0.00028536844,0.000048096867,0.00023828674,0.000027728944,0.00007465237,0.00035154403],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000056636786,0.0002572699,0.20058051,0.0002320661,0.00025770822,0.000005797812,0.008658239,0.000005381818,0.0005828619,0.70244586,0.056984123,0.029984515],"study_design_scores_gemma":[0.0037339588,0.00022079608,0.6608792,0.00008209043,0.000022031167,0.000031349762,0.0060230927,0.005951604,0.00021776544,0.047368307,0.27429253,0.0011772707],"about_ca_topic_score_codex":0.00015097173,"about_ca_topic_score_gemma":0.00003560309,"teacher_disagreement_score":0.6550776,"about_ca_system_score_codex":0.000017931254,"about_ca_system_score_gemma":0.000009261902,"threshold_uncertainty_score":0.71101904},"labels":[],"label_agreement":null},{"id":"W2313333224","doi":"10.1386/public.24.48.154_5","title":"Ori Gersht: History Repeating: Museum of Fine Arts, Boston","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Visual arts; The arts; Art; Art history","score_opus":0.08843669379083567,"score_gpt":0.19954469989752646,"score_spread":0.11110800610669079,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2313333224","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28281853,0.001139449,0.0000036115716,0.0067168144,0.0013831308,0.00025674753,0.000012771814,0.0001690927,0.70749986],"genre_scores_gemma":[0.9314311,0.000009500653,0.00007112196,0.0004054755,0.00043367792,0.00003423947,0.000023514402,0.000015588472,0.06757578],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992154,0.000017888513,0.0002355125,0.00015613245,0.00015468162,0.00022035993],"domain_scores_gemma":[0.9993691,0.000017908103,0.0001197369,0.00023428828,0.0001788937,0.000080104044],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009130211,0.00010991767,0.00015946983,0.000057916335,0.00010149061,0.0000914761,0.00014994075,0.000035030775,0.046119288],"category_scores_gemma":[0.000044643006,0.000082824416,0.00007986547,0.000022744009,0.00013010533,0.0004913021,0.000037607533,0.00009429168,0.00032603744],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000027750896,0.000096544405,0.00016714151,0.000067956506,0.000026127636,0.0000016593225,0.017482147,1.4343235e-7,0.0010412323,0.4479478,0.52478456,0.008381876],"study_design_scores_gemma":[0.00012550697,0.000050140716,0.00062569365,0.000013427577,0.0000058296073,0.0000011412602,0.0016076337,0.000033082277,0.00005339568,0.0002902134,0.99707377,0.000120150864],"about_ca_topic_score_codex":0.001290475,"about_ca_topic_score_gemma":0.00067982444,"teacher_disagreement_score":0.64861256,"about_ca_system_score_codex":0.00006326621,"about_ca_system_score_gemma":0.000031145086,"threshold_uncertainty_score":0.9547527},"labels":[],"label_agreement":null},{"id":"W2313409123","doi":"10.1386/public.24.47.132_1","title":"This side of paradise: Immersion and emersion in S3D and AR","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Virtual Reality Applications and Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Immersion (mathematics); Paradise; Illusion; Computer science; Imperfect; Computer graphics (images); Human–computer interaction; Computer vision; Artificial intelligence; Art; Mathematics; Psychology; Cognitive psychology; Art history; Philosophy; Linguistics; Geometry","score_opus":0.020195045840981404,"score_gpt":0.23937507013855022,"score_spread":0.21918002429756883,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2313409123","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9805006,0.0003041675,0.005143459,0.009832702,0.000018286739,0.00014512488,9.786554e-7,0.000014164471,0.00404055],"genre_scores_gemma":[0.9983578,0.00014197332,0.0012208851,0.00018257323,0.000004478031,0.000008861812,0.0000013184535,0.0000017946555,0.00008034325],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9995368,0.00002069228,0.00010324054,0.00013846398,0.0000837912,0.000117015355],"domain_scores_gemma":[0.99961275,0.000038170765,0.000038859172,0.00019100039,0.000027667458,0.000091550755],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013671472,0.00004422442,0.00007152554,0.000092318136,0.000033371376,0.00007806151,0.00014463416,0.000027172655,0.00002430431],"category_scores_gemma":[0.00003407045,0.00003725967,0.000008912742,0.00023757228,0.000036658555,0.00062038895,0.00012460187,0.000041378735,0.000023018847],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000028892648,0.00017579446,0.01831356,0.000049492963,0.000009108977,8.2259214e-7,0.001584238,0.000001818343,0.018752245,0.1605266,0.009480024,0.7911034],"study_design_scores_gemma":[0.00098166,0.00023583285,0.88424677,0.000049919458,0.0000052606974,0.000018397403,0.00036804032,0.0710632,0.003239488,0.015054659,0.02440534,0.00033144915],"about_ca_topic_score_codex":0.00043683563,"about_ca_topic_score_gemma":0.0000072459984,"teacher_disagreement_score":0.8659332,"about_ca_system_score_codex":0.000009905489,"about_ca_system_score_gemma":0.00001781667,"threshold_uncertainty_score":0.15194052},"labels":[],"label_agreement":null},{"id":"W2314156431","doi":"10.1386/public.25.50.123_7","title":"Retreat/no retreat","year":2014,"lang":"en","type":"article","venue":"Public","topic":"Diaspora, migration, transnational identity","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geology","score_opus":0.0335124411070159,"score_gpt":0.29926839141004846,"score_spread":0.26575595030303256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2314156431","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25045237,0.00004449898,0.0004453778,0.01929088,0.0005720401,0.00014734596,0.000008099426,0.00023687426,0.7288025],"genre_scores_gemma":[0.98024905,0.000026478112,0.00024269578,0.00038497915,0.0004705066,0.000011241686,0.00003126982,0.000008318501,0.01857545],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987585,0.000170896,0.00013170898,0.00018628853,0.00050052523,0.00025210177],"domain_scores_gemma":[0.999163,0.000120143726,0.000049892456,0.0001757924,0.00034552958,0.00014565427],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00096615887,0.00006902245,0.00008896708,0.00010114819,0.00039390603,0.0002868886,0.00026144224,0.000075897005,0.0014986591],"category_scores_gemma":[0.001277508,0.00007016299,0.000057343008,0.00043769175,0.00015653431,0.000749655,0.000014996862,0.00006964254,0.0010206666],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000019411875,0.00005457524,0.091895305,0.000003803238,0.000010269818,5.6103397e-7,0.0013315792,7.4609693e-7,0.000019388293,0.87734157,0.024837393,0.004502856],"study_design_scores_gemma":[0.00013255935,0.000014573659,0.14510536,0.00000271105,0.000006790947,2.439507e-7,0.00019394896,0.00004288544,0.000017805825,0.016148759,0.8382272,0.00010716927],"about_ca_topic_score_codex":0.0031199392,"about_ca_topic_score_gemma":0.02023406,"teacher_disagreement_score":0.8611928,"about_ca_system_score_codex":0.00012383296,"about_ca_system_score_gemma":0.00015401623,"threshold_uncertainty_score":0.9997572},"labels":[],"label_agreement":null},{"id":"W2314450891","doi":"10.1386/public.25.50.162_1","title":"Ownership and culture","year":2014,"lang":"en","type":"article","venue":"Public","topic":"Law in Society and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Property (philosophy); Cultural property; Articulation (sociology); Commons; Comprehension; Politics; Property rights; Sociology; Law and economics; Political science; Aesthetics; Environmental ethics; Epistemology; Law; Cultural heritage; Computer science; Art","score_opus":0.029723962135241228,"score_gpt":0.27718863495530177,"score_spread":0.24746467282006054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2314450891","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.039428096,0.0005369408,0.000059371247,0.06758643,0.00024810105,0.000081895414,0.0000012947665,0.00015481314,0.89190304],"genre_scores_gemma":[0.96977574,0.00014784554,0.00020314165,0.0015252208,0.00046111384,0.0000047426174,0.0000022131574,0.0000027138146,0.027877254],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99948466,0.000083543535,0.00003638317,0.00009070621,0.00013921906,0.00016547082],"domain_scores_gemma":[0.99975264,0.000023780602,0.00001721406,0.00005982115,0.000042099324,0.0001044244],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00039884783,0.00003664337,0.00004520268,0.000002027367,0.00042523598,0.00014874445,0.00010777499,0.000094833274,0.00016949105],"category_scores_gemma":[0.00023543798,0.000025794467,0.000024835128,0.00012120866,0.00017980626,0.00017736245,0.000016867029,0.000078743724,0.00003775393],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[3.7494522e-7,0.000009349015,0.0033958305,0.0000036389133,0.000004811713,1.0437841e-7,0.028502496,3.6285368e-8,0.000023335675,0.87430817,0.08592052,0.007831353],"study_design_scores_gemma":[0.00005784817,0.0000052174073,0.0008417044,0.0000014885957,0.000002251934,2.6453765e-7,0.003835399,0.0000029334058,0.0000056998483,0.01890853,0.9762905,0.00004815035],"about_ca_topic_score_codex":0.0000555221,"about_ca_topic_score_gemma":0.00029523214,"teacher_disagreement_score":0.9303477,"about_ca_system_score_codex":0.000013273193,"about_ca_system_score_gemma":0.000020262509,"threshold_uncertainty_score":0.32706144},"labels":[],"label_agreement":null},{"id":"W2315779024","doi":"10.1386/public.25.50.7_1","title":"INTRODUCTION: \"Between the Exception and the Rule\"","year":2014,"lang":"en","type":"article","venue":"Public","topic":"Latin American and Latino Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Computer science","score_opus":0.020154045400087264,"score_gpt":0.27130569869988597,"score_spread":0.2511516532997987,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2315779024","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025096333,0.00014621062,0.0012194151,0.74115694,0.00025096076,0.00012952495,3.5825317e-7,0.000064016494,0.23193626],"genre_scores_gemma":[0.9939025,0.00008570177,0.00004725947,0.0008763413,0.002908805,0.000013828019,6.113213e-7,0.0000020574637,0.0021628651],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926245,0.00031203558,0.000064408436,0.00008692907,0.00014999321,0.00012419678],"domain_scores_gemma":[0.9994742,0.00028606673,0.0000453777,0.0001232209,0.000042758387,0.000028365535],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012716767,0.00003608518,0.00006722324,0.000011707023,0.00091039087,0.00017395262,0.0001433011,0.00001593069,0.00013629688],"category_scores_gemma":[0.0006516603,0.000016905338,0.000020086018,0.00018119664,0.00090540206,0.00013640778,0.000049385446,0.000064446074,0.000028669063],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000001500096,0.0000033431402,0.012459728,0.0000011433158,0.000016373253,1.1210455e-8,0.014281317,1.8658532e-7,8.993448e-7,0.7394472,0.018754505,0.21503381],"study_design_scores_gemma":[0.00012152966,0.0000049051364,0.07970161,4.0995954e-7,0.000005933248,1.8265115e-7,0.001871933,0.000014474563,5.3351863e-7,0.009425647,0.9088215,0.000031337753],"about_ca_topic_score_codex":0.00034337855,"about_ca_topic_score_gemma":0.0000684069,"teacher_disagreement_score":0.9688062,"about_ca_system_score_codex":0.000011604491,"about_ca_system_score_gemma":0.000016320271,"threshold_uncertainty_score":0.70020825},"labels":[],"label_agreement":null},{"id":"W2316077462","doi":"10.1386/public.25.49.41_1","title":"The lived aesthetics of trauma","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Memory, Trauma, and Commemoration","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Aesthetics; Art","score_opus":0.06296122176364904,"score_gpt":0.3025721919667569,"score_spread":0.23961097020310784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2316077462","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8350497,0.00033943707,0.00019302279,0.009066895,0.00054073177,0.00020596082,0.0000010144354,0.000040378873,0.15456288],"genre_scores_gemma":[0.9950236,0.000012177867,0.000068619374,0.00028246743,0.0000776432,0.00006882586,0.000004643365,0.00000951561,0.004452509],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993326,0.00010330818,0.00017330884,0.000100870224,0.000103260434,0.00018664067],"domain_scores_gemma":[0.9992975,0.00008251094,0.00007442473,0.00038969106,0.00010440926,0.00005148939],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002109559,0.000061303384,0.00007781284,0.000035919173,0.000090790316,0.00006167613,0.00024200522,0.000053882777,0.0015712564],"category_scores_gemma":[0.00003227258,0.000041512867,0.000042473854,0.00011007685,0.000077275814,0.00007365598,0.00001459867,0.00008591401,0.00085565634],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011431748,0.00024003633,0.0035737695,0.000006428963,0.00004278525,7.7291196e-7,0.0034896089,5.98209e-7,0.00024674184,0.083306625,0.08522904,0.8238522],"study_design_scores_gemma":[0.0014214359,0.0004189437,0.4085559,0.0000087621875,0.000026983467,0.000026501844,0.007766039,0.00051713886,0.0011484144,0.017426165,0.5623689,0.0003148311],"about_ca_topic_score_codex":0.000094021896,"about_ca_topic_score_gemma":0.000035816185,"teacher_disagreement_score":0.82353735,"about_ca_system_score_codex":0.000007280315,"about_ca_system_score_gemma":0.000012970386,"threshold_uncertainty_score":0.9999223},"labels":[],"label_agreement":null},{"id":"W2317637324","doi":"10.1386/public.25.49.128_7","title":"Review of: Critical Dialogues: Cross-Culture Perspectives on Curating and Artistic Practice (Organized by the Ontario Arts Council, Toronto, 18 March 2013).","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"The arts; Sociology; Visual arts; Media studies; Art","score_opus":0.11859781390052741,"score_gpt":0.3519513765363084,"score_spread":0.233353562635781,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2317637324","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027876382,0.0888489,0.00012171503,0.024160776,0.00010330268,0.0008741101,0.0000759038,0.000050963205,0.8829767],"genre_scores_gemma":[0.9675408,0.0074013704,0.00016189626,0.0019385746,0.00038173047,0.00018055287,0.000033455843,0.000025864367,0.02233576],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99832076,0.00021048708,0.00027947142,0.00027692007,0.0005735859,0.00033879644],"domain_scores_gemma":[0.99621147,0.0011592573,0.000100868696,0.00024366625,0.0021530634,0.0001316951],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00083132146,0.00016046005,0.00024649818,0.000012564868,0.00070023036,0.0006587477,0.00018385694,0.000041895146,0.02985949],"category_scores_gemma":[0.00695524,0.00009712477,0.00004704809,0.000033462184,0.0011518118,0.0009906762,0.00008502154,0.00029763498,0.00025886713],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023584425,0.00026861424,0.00013052458,0.0005478903,0.000061145685,0.0000024348972,0.039889183,1.807237e-8,0.000027506472,0.6081379,0.34914094,0.0017702588],"study_design_scores_gemma":[0.00023170501,0.00024451836,0.0004773723,0.00038114222,0.000044443088,0.0000134548245,0.040561885,0.000020773245,0.0000055148666,0.0009837385,0.9568717,0.00016374691],"about_ca_topic_score_codex":0.037545845,"about_ca_topic_score_gemma":0.026885182,"teacher_disagreement_score":0.96475315,"about_ca_system_score_codex":0.00040935955,"about_ca_system_score_gemma":0.00023997869,"threshold_uncertainty_score":0.9908716},"labels":[],"label_agreement":null},{"id":"W2318103481","doi":"10.1386/public.24.47.149_1","title":"Perceptual artefacts, suspension of disbelief and realism in stereoscopic 3D film","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Advanced Optical Imaging Technologies","field":"Engineering","cited_by":33,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Realism; Illusion; Perception; Stereoscopy; Movie theater; Fidelity; Aesthetics; Scale (ratio); Psychology; Computer science; Visual arts; Art; Cognitive psychology; Artificial intelligence; Geography","score_opus":0.011804809845622901,"score_gpt":0.2064154410147653,"score_spread":0.1946106311691424,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2318103481","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99523216,0.00024677618,0.0013524786,0.00074842287,0.00005427634,0.000125436,0.0000023803498,0.0003378905,0.0019001663],"genre_scores_gemma":[0.99010295,0.00010110926,0.009684894,0.000024821189,0.00000725007,0.00001615437,0.0000045037045,0.000014456733,0.000043853503],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9994593,0.0000074439517,0.00014482961,0.000111181034,0.00007023128,0.00020698618],"domain_scores_gemma":[0.99967176,0.00004937601,0.000013956404,0.00019836794,0.000025488287,0.00004107428],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000037720558,0.0000860211,0.00013399332,0.00012125264,0.000011206064,0.000028830833,0.00010293755,0.00006023938,0.00007875435],"category_scores_gemma":[0.00014333401,0.00007823141,0.000010030231,0.00013853308,0.00009613443,0.00034336606,0.00008127055,0.00013978836,0.000025833198],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010649162,0.00031698332,0.11477342,0.0008350978,0.00008723126,0.000034510605,0.0034344902,0.0035150277,0.12918277,0.054775678,0.013996263,0.67903787],"study_design_scores_gemma":[0.0017458968,0.00018788359,0.7734699,0.00025918352,0.00001632268,0.000027869884,0.0026078783,0.17383122,0.010488545,0.027833354,0.008554243,0.0009776882],"about_ca_topic_score_codex":0.000042245683,"about_ca_topic_score_gemma":0.000027416194,"teacher_disagreement_score":0.6780602,"about_ca_system_score_codex":0.0000259334,"about_ca_system_score_gemma":0.000003900491,"threshold_uncertainty_score":0.31901845},"labels":[],"label_agreement":null},{"id":"W2318851173","doi":"10.1386/public.24.48.41_1","title":"The end of the world (as we know it)","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Psychoanalysis, Philosophy, and Politics","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Art history; Media studies; Art; Town hall; Visual arts; Sociology; History; Archaeology; Local government","score_opus":0.03706155259553271,"score_gpt":0.3196393721306543,"score_spread":0.28257781953512157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2318851173","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018375603,0.0014436383,0.0000032563605,0.17217927,0.0013359846,0.00016662935,0.00000878876,0.000022912753,0.8064639],"genre_scores_gemma":[0.8765522,0.00007528164,0.0000072571074,0.0033954936,0.00043725272,0.000052266554,0.0000020747127,0.000013506829,0.11946466],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99884486,0.00018376256,0.00025283874,0.00016280355,0.00019198182,0.00036372326],"domain_scores_gemma":[0.99842113,0.00034632735,0.00012303614,0.0009335968,0.00009354864,0.000082363586],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023124501,0.00010671555,0.00013510445,0.000094323455,0.0001637798,0.00007800829,0.0006901743,0.000056038993,0.0067633707],"category_scores_gemma":[0.00008187243,0.00005736963,0.00016084094,0.00047752762,0.0002821843,0.00007779039,0.000065098466,0.00019294831,0.0022466038],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003414959,0.000080600854,0.003865888,0.000004008608,0.00016363016,2.9222855e-7,0.0005151468,1.9057542e-7,0.00002143186,0.61673456,0.36787567,0.010735175],"study_design_scores_gemma":[0.0001470409,0.000013646605,0.014116384,0.000005651829,0.00002549989,0.0000033070432,0.00017497054,0.000008033273,0.000036989135,0.084290124,0.90111107,0.00006727658],"about_ca_topic_score_codex":0.00030229174,"about_ca_topic_score_gemma":0.00038488396,"teacher_disagreement_score":0.8581766,"about_ca_system_score_codex":0.000019181953,"about_ca_system_score_gemma":0.000044825643,"threshold_uncertainty_score":0.99853027},"labels":[],"label_agreement":null},{"id":"W2319053587","doi":"10.1386/public.24.47.236_7","title":"On the intractable, now and then","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Art, Technology, and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Psychology","score_opus":0.025353828010798225,"score_gpt":0.1921099391409355,"score_spread":0.16675611113013727,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2319053587","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37500528,0.00025147147,0.0000028921938,0.084947236,0.00014109741,0.00017826457,0.0000067965098,0.00015690229,0.53931004],"genre_scores_gemma":[0.9761112,0.000027392809,0.0000044987364,0.0028900425,0.00017481751,0.00004308996,0.0000032504715,0.0000058046076,0.020739928],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99966466,0.000012487927,0.00005105279,0.00008089695,0.000053297277,0.00013758626],"domain_scores_gemma":[0.9997308,0.000042120057,0.00002133535,0.0001391136,0.000041642958,0.000024962907],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006001791,0.000058692745,0.000050477352,0.000023219038,0.0002862068,0.00029624772,0.00012451802,0.000033871307,0.0069165444],"category_scores_gemma":[0.000041143136,0.00002894573,0.0000150209435,0.000010648655,0.00018227447,0.00019750369,0.000033150856,0.00012651224,0.00061350147],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[3.4103542e-7,0.000013633599,0.0000687904,0.000001246033,0.0000084386265,1.4003646e-7,0.0026146634,1.4202589e-8,0.000009951074,0.72915494,0.2651082,0.0030196568],"study_design_scores_gemma":[0.0000453235,0.000024073099,0.00067539595,0.0000023463401,0.0000029225582,0.0000012085318,0.0039543407,0.00001944351,0.000014777771,0.069709904,0.9254994,0.000050895527],"about_ca_topic_score_codex":0.00006285043,"about_ca_topic_score_gemma":0.00062707905,"teacher_disagreement_score":0.66039115,"about_ca_system_score_codex":0.000004430725,"about_ca_system_score_gemma":0.0000047643425,"threshold_uncertainty_score":0.99399126},"labels":[],"label_agreement":null},{"id":"W2319119351","doi":"10.1386/public.24.47.200_1","title":"Transitions, images and stereoscopic 3D cinema","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Emily Carr University of Art and Design","funders":"","keywords":"Stereoscopy; Movie theater; Computer graphics (images); Computer science; Product (mathematics); Production (economics); Multimedia; Visual arts; Computer vision; Art; Mathematics; Geometry","score_opus":0.02802562943183771,"score_gpt":0.2028401548551013,"score_spread":0.1748145254232636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2319119351","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8413015,0.012713675,0.0011681225,0.05390453,0.00044704173,0.0003448564,0.00007187757,0.0000814003,0.08996703],"genre_scores_gemma":[0.99524873,0.00053346064,0.00067314616,0.00056786893,0.00009125358,0.0000740071,0.000007855135,0.00000876048,0.0027949058],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99944764,0.000003876423,0.00018700138,0.0001704965,0.000013941671,0.00017704593],"domain_scores_gemma":[0.9997145,0.000021885446,0.000047322395,0.00012213,0.000022322372,0.00007182986],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008309627,0.00007190224,0.00017594207,0.00012481569,0.00007202635,0.00009145481,0.000054678596,0.000028462533,0.0011117541],"category_scores_gemma":[0.00005896172,0.00007287474,0.000025694699,0.0000971539,0.000044416982,0.00027535137,0.000024155792,0.000050769464,0.0006625539],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000037004863,0.00022936094,0.5549658,0.00022336082,0.00018711656,0.0000048481943,0.0027935714,5.738787e-7,0.00021765572,0.23575568,0.15030728,0.055311047],"study_design_scores_gemma":[0.0009429724,0.00007112414,0.65247005,0.000013027982,0.000007323616,0.000008615139,0.0004949025,0.00018388426,0.00004104945,0.020210776,0.3252611,0.00029516593],"about_ca_topic_score_codex":0.00011635883,"about_ca_topic_score_gemma":0.00002282454,"teacher_disagreement_score":0.21554491,"about_ca_system_score_codex":0.000010491611,"about_ca_system_score_gemma":0.000004763057,"threshold_uncertainty_score":0.99980134},"labels":[],"label_agreement":null},{"id":"W2319354341","doi":"10.1386/public.24.47.110_1","title":"Of motors, martians and jazz age cities : The stereoscopic inventions of Laurens Hammond","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Movie theater; Art; Shadowgraph; Jazz; Art history; Stereoscopy; Visual arts; Musical; Aesthetics; Computer science; Artificial intelligence; Optics; Physics","score_opus":0.04226533234238194,"score_gpt":0.2027397075908718,"score_spread":0.16047437524848984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2319354341","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9738769,0.0036866136,0.000060842343,0.009934187,0.00018987653,0.00017391157,0.000062948675,0.000008323145,0.012006431],"genre_scores_gemma":[0.99514693,0.0002300211,0.000093396586,0.00009004517,0.000027926619,0.000039248567,0.00000473297,0.0000054053357,0.0043622665],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9994859,0.0000071769796,0.0002678759,0.00009635574,0.000020610903,0.00012208779],"domain_scores_gemma":[0.99958104,0.000049697574,0.00013920554,0.00016573281,0.000031809494,0.000032528016],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012461976,0.000056128618,0.0001971154,0.000109696164,0.000048438244,0.000027451393,0.00008810737,0.000025797961,0.00034212336],"category_scores_gemma":[0.000105497864,0.00004533897,0.000044803357,0.00011351401,0.00015396724,0.00011189733,0.000060229526,0.000044863795,0.000020685995],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000015655669,0.000083786595,0.62467074,0.00014062604,0.0001338192,4.5813556e-7,0.0039465283,4.7204298e-7,0.0000814893,0.33745074,0.031177266,0.0023124875],"study_design_scores_gemma":[0.00041512185,0.00007469889,0.78621435,0.000017549783,0.000011741478,0.000001231782,0.0017168176,0.000078346435,0.00011318268,0.037396822,0.17384171,0.0001183965],"about_ca_topic_score_codex":0.00047836575,"about_ca_topic_score_gemma":0.0004242041,"teacher_disagreement_score":0.30005392,"about_ca_system_score_codex":0.0000067029437,"about_ca_system_score_gemma":0.000007159269,"threshold_uncertainty_score":0.37460107},"labels":[],"label_agreement":null},{"id":"W2319437434","doi":"10.1386/public.25.50.182_7","title":"Walter Benjamin: Retreat/Attack","year":2014,"lang":"en","type":"article","venue":"Public","topic":"Walter Benjamin Studies Compilation","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Column (typography); Art history; Psychoanalysis; History; Philosophy; Geology; Art; Psychology; Computer science; Telecommunications","score_opus":0.096204127916644,"score_gpt":0.2421865801080869,"score_spread":0.1459824521914429,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2319437434","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15141125,0.00010368853,0.00026957202,0.0058603487,0.0011857979,0.00013375327,0.000012397614,0.00025444885,0.84076875],"genre_scores_gemma":[0.9748308,0.0000047501394,0.00007926199,0.00091016205,0.001621546,0.000019891839,0.000037793197,0.000021550775,0.022474255],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991047,0.000049772236,0.00017813586,0.00020959279,0.00017990485,0.0002779176],"domain_scores_gemma":[0.9993717,0.0000738749,0.000063093124,0.0002904275,0.00013469727,0.00006620044],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017532057,0.00012675577,0.00014605912,0.000100521465,0.00032497346,0.00032130338,0.00016967593,0.000025771393,0.0023408027],"category_scores_gemma":[0.00007610978,0.000106428786,0.000055261382,0.00004443017,0.00012934345,0.0003531991,0.00008424641,0.0000870076,0.0010626952],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004490454,0.00007298808,0.0041600936,0.00002550506,0.000046088706,0.0000010138207,0.008806095,0.0000024709018,0.000011069212,0.82153416,0.13675047,0.028585533],"study_design_scores_gemma":[0.00020002949,0.000048360154,0.004409416,0.000006202542,0.000009281363,0.0000011008657,0.00028148104,0.00051694486,0.000016679413,0.0017750268,0.99258816,0.00014733602],"about_ca_topic_score_codex":0.000029627501,"about_ca_topic_score_gemma":0.00035097267,"teacher_disagreement_score":0.85583764,"about_ca_system_score_codex":0.000033731445,"about_ca_system_score_gemma":0.000008652545,"threshold_uncertainty_score":0.9997151},"labels":[],"label_agreement":null},{"id":"W2319565805","doi":"10.1386/public.25.50.19_1","title":"A figure of ambivalent retreat: The case of Gisela Elsner","year":2014,"lang":"en","type":"article","venue":"Public","topic":"European history and politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"German; Politics; Interpretation (philosophy); Context (archaeology); Communism; Sociology; Aesthetics; Pleasure; History; Law; Psychology; Art; Linguistics; Philosophy; Political science","score_opus":0.04037855970719102,"score_gpt":0.2877270297229167,"score_spread":0.24734847001572569,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2319565805","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51322484,0.00011914488,0.00001454707,0.0021859086,0.00015196594,0.00005683416,0.0000072286302,0.000014978864,0.48422456],"genre_scores_gemma":[0.98904395,0.000013344465,0.000021683258,0.0001815337,0.00014684767,0.0000014712839,8.4423783e-7,0.00000421415,0.010586102],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922156,0.00034567644,0.00011616024,0.00006570941,0.000113080765,0.00013779044],"domain_scores_gemma":[0.9994045,0.00016154963,0.00008058646,0.00020273197,0.00008826982,0.0000623619],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007893074,0.00003745867,0.00007423427,0.000029081635,0.00017286839,0.00001252314,0.00018019498,0.000029538589,0.0003522862],"category_scores_gemma":[0.00050913915,0.000026200238,0.0000487484,0.00013728188,0.0003234468,0.00006265691,0.000021384674,0.000061916144,0.00003042758],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002466618,0.000053115495,0.0027292967,0.000022773573,0.00001063591,0.0000114076665,0.0144447405,0.0000011788704,0.000030133553,0.962679,0.015999692,0.0040155454],"study_design_scores_gemma":[0.00007331013,0.000028894545,0.0011230733,0.000006064272,0.000011480813,0.0000053838726,0.0010697716,0.000011017528,0.0000648393,0.0010896191,0.99647534,0.000041198935],"about_ca_topic_score_codex":0.00093750726,"about_ca_topic_score_gemma":0.0006253346,"teacher_disagreement_score":0.98047566,"about_ca_system_score_codex":0.000020508953,"about_ca_system_score_gemma":0.00005911557,"threshold_uncertainty_score":0.38572872},"labels":[],"label_agreement":null},{"id":"W2320053351","doi":"10.1386/public.24.48.12_7","title":"That's All Folks…","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Race, History, and American Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Sociology","score_opus":0.04821304154932946,"score_gpt":0.2882562281080645,"score_spread":0.24004318655873505,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320053351","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13744628,0.00038416224,0.0001042191,0.03317382,0.00058574567,0.00020608839,0.0000015204113,0.00021876475,0.8278794],"genre_scores_gemma":[0.97096074,0.000084841304,0.00025152153,0.0029000987,0.00034107565,0.000038069487,0.0000022881975,0.000008161892,0.02541318],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907684,0.000089460256,0.00006858007,0.00014330474,0.00027552046,0.0003462814],"domain_scores_gemma":[0.9994884,0.000054996886,0.0000516409,0.00014577723,0.00006579243,0.000193392],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00031054963,0.000058367885,0.00008505223,0.000025390258,0.00039657735,0.00017932862,0.0002660741,0.000054312324,0.0029289732],"category_scores_gemma":[0.0001163941,0.00005499833,0.00007623351,0.00018607108,0.00039854783,0.00053430645,0.000022714647,0.00008093201,0.0011914751],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[2.595737e-7,0.000057656882,0.01402288,0.0000030106737,0.000023058818,7.3500894e-7,0.025759587,1.2141189e-7,0.000082975464,0.02537321,0.8749442,0.059732296],"study_design_scores_gemma":[0.000051318133,0.000006454543,0.0066321827,8.0087966e-7,0.0000025767342,1.3617702e-7,0.010050855,0.000005678638,0.000003555137,0.0006666285,0.9824986,0.00008124494],"about_ca_topic_score_codex":0.0053356574,"about_ca_topic_score_gemma":0.00036675588,"teacher_disagreement_score":0.8335145,"about_ca_system_score_codex":0.00011247434,"about_ca_system_score_gemma":0.00013320657,"threshold_uncertainty_score":0.9995862},"labels":[],"label_agreement":null},{"id":"W2320304686","doi":"10.1386/public.25.50.113_1","title":"Down the rabbit hole: Five theses on the subject of retreat in the time of global capital","year":2014,"lang":"en","type":"article","venue":"Public","topic":"Political and Economic history of UK and US","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Subjectivity; Subject (documents); Capitalism; Capital (architecture); Position (finance); History; Economic history; Political science; Sociology; Epistemology; Philosophy; Economics; Law; Library science; Archaeology; Computer science","score_opus":0.022228103287932774,"score_gpt":0.2489345395161151,"score_spread":0.22670643622818232,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320304686","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6511047,0.00004587723,4.5876584e-7,0.018487059,0.000052267118,0.000066313674,0.0000119575525,0.0000044172534,0.33022693],"genre_scores_gemma":[0.9979026,0.000008439191,8.669397e-7,0.00083248335,0.00010725685,0.0000061382907,8.078106e-7,0.0000015647594,0.0011398803],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991236,0.000315612,0.000120648234,0.00008191695,0.00015227386,0.00020598811],"domain_scores_gemma":[0.9990356,0.0006717194,0.00005437769,0.0001803526,0.00002307518,0.000034905028],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012470722,0.000051446517,0.00010493639,0.00001281552,0.00020838006,0.000032124306,0.00047451476,0.000037862006,0.00033962817],"category_scores_gemma":[0.00061865273,0.000022185328,0.00006737021,0.00012912399,0.0006023121,0.00006517712,0.000022538668,0.00007369226,0.000097724485],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000092663595,0.00005894861,0.0037675842,0.0000024261637,0.000009709612,2.4901456e-7,0.013819064,0.0000016680226,0.0000055813352,0.9722585,0.007116729,0.0029502506],"study_design_scores_gemma":[0.00056295417,0.000340907,0.20021656,0.00003537512,0.0000329377,0.0000021919245,0.028307207,0.00023051763,0.00010388378,0.15253364,0.61736506,0.00026878878],"about_ca_topic_score_codex":0.005072934,"about_ca_topic_score_gemma":0.0020743755,"teacher_disagreement_score":0.81972486,"about_ca_system_score_codex":0.00005336521,"about_ca_system_score_gemma":0.00007757158,"threshold_uncertainty_score":0.76687926},"labels":[],"label_agreement":null},{"id":"W2320648778","doi":"10.1386/public.25.49.31_7","title":"KU KLUX KLAN OF CANADA IMPERIAL DECREE, OPENING CEREMONY","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ceremony; Decree; Ancient history; Art; History; Archaeology","score_opus":0.023208939647576678,"score_gpt":0.18738496635590088,"score_spread":0.1641760267083242,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320648778","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6827457,0.00014054665,6.2121654e-7,0.0017075817,0.0005967915,0.00008751096,0.000018303117,0.000019346398,0.31468362],"genre_scores_gemma":[0.9939429,0.000012458176,0.000015404796,0.00026183622,0.0006717646,0.000018289365,0.000009393267,0.00000891912,0.0050590397],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99937105,0.000012035474,0.00015425164,0.00008745108,0.00013000156,0.00024523615],"domain_scores_gemma":[0.9996209,0.000027365944,0.000051066694,0.00012445221,0.00011633786,0.000059887057],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000062439656,0.00008424075,0.00014344024,0.000040211868,0.00026860525,0.00013343118,0.00014660573,0.000014415942,0.0087318765],"category_scores_gemma":[0.000018076002,0.00006367547,0.00003060398,0.000024825682,0.00007759471,0.00025505404,0.000060081733,0.000055144097,0.000044588396],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002781148,0.000056262146,0.022512164,0.00011173701,0.00025334445,0.0000031670415,0.051123857,0.0000033113672,0.0003311243,0.23086034,0.65860736,0.036109492],"study_design_scores_gemma":[0.00025443468,0.000047763973,0.005663702,0.000011076882,0.000008715022,0.0000013003382,0.005101133,0.000043093645,0.0001957298,0.00089440675,0.9876251,0.0001535042],"about_ca_topic_score_codex":0.55311537,"about_ca_topic_score_gemma":0.83288246,"teacher_disagreement_score":0.32901776,"about_ca_system_score_codex":0.000023521883,"about_ca_system_score_gemma":0.00016774234,"threshold_uncertainty_score":0.99217427},"labels":[],"label_agreement":null},{"id":"W2320863536","doi":"10.1386/public.24.48.71_1","title":"All that's frozen melts into air: Arctic cinemas at the end of the world","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Movie theater; Sublime; Adventure; Spectacle; Ideology; Danish; Arctic; Politics; The arctic; Art; Art history; Media studies; Visual arts; Aesthetics; History; Sociology; Political science; Law","score_opus":0.027165251286280227,"score_gpt":0.21398173141028612,"score_spread":0.1868164801240059,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320863536","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51112765,0.0042230063,0.000004440043,0.1801371,0.0017216881,0.0005417595,0.000058290952,0.000081965634,0.3021041],"genre_scores_gemma":[0.90484524,0.000020018368,0.000008212226,0.0044994415,0.0005851741,0.00002322483,0.000019249292,0.0000140477505,0.089985386],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988893,0.00012106921,0.00024678014,0.00015585983,0.00033522953,0.00025171938],"domain_scores_gemma":[0.99889636,0.0001290661,0.00018917731,0.0005138017,0.00019468911,0.00007690798],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027127453,0.00014079458,0.00019608239,0.00012408792,0.00044802646,0.00052812236,0.0004987161,0.000030287843,0.022477318],"category_scores_gemma":[0.000049252,0.00006361045,0.00025246336,0.0001233199,0.0003078869,0.00051193085,0.00017089977,0.00021261165,0.00019046455],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010896721,0.00013896427,0.0152649265,0.00009122951,0.00075344974,0.0000024520218,0.06875806,0.0000053046692,0.00011625292,0.3619021,0.54910946,0.0038469182],"study_design_scores_gemma":[0.00018501421,0.000010244089,0.007877448,0.000024137033,0.000105279054,0.0000026886423,0.0017208811,0.00004035702,0.00014384885,0.0104500465,0.9793281,0.000111941044],"about_ca_topic_score_codex":0.0029542414,"about_ca_topic_score_gemma":0.027488707,"teacher_disagreement_score":0.43021867,"about_ca_system_score_codex":0.000037577778,"about_ca_system_score_gemma":0.000026868673,"threshold_uncertainty_score":0.9902571},"labels":[],"label_agreement":null},{"id":"W2320891213","doi":"10.1386/public.23.46.173_5","title":"Art and multitude by Antonio Negri","year":2012,"lang":"en","type":"article","venue":"Public","topic":"Political Economy and Marxism","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Multitude; Relation (database); Action (physics); Politics; Resistance (ecology); Political action; Epistemology; Sociology; Aesthetics; Art; Philosophy; Political science; Law; Physics","score_opus":0.03075822613028285,"score_gpt":0.29354676382865474,"score_spread":0.2627885376983719,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320891213","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1549662,0.0006204751,0.00011651428,0.023026142,0.00036853604,0.00009157933,0.000007642328,0.00007753716,0.8207254],"genre_scores_gemma":[0.99067897,0.00006671405,0.00008794199,0.0014387436,0.0002563608,0.00000723953,0.0000027991173,0.00000258815,0.0074586263],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993903,0.000039459526,0.000055269913,0.00006813009,0.000061062776,0.00038578844],"domain_scores_gemma":[0.9995277,0.00006527506,0.000013355205,0.000053702795,0.000012379095,0.00032759638],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035391943,0.000036371082,0.00005416797,0.000017420793,0.00017590063,0.00008060139,0.00007118189,0.00004763765,0.00049381785],"category_scores_gemma":[0.00021643045,0.00003427108,0.000013914482,0.00004718747,0.00016095268,0.00054798543,0.000027775835,0.000050224313,0.000278677],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.404695e-7,0.000047796857,0.024618153,0.0000020509267,0.0000050956455,1.1434109e-7,0.0011202593,4.0632546e-9,0.000016993275,0.92451113,0.03877832,0.0108996155],"study_design_scores_gemma":[0.00006216327,0.0000028779305,0.009754765,6.552371e-7,0.000001638101,3.1744395e-7,0.00021738776,0.000002833762,0.000015049575,0.0013012551,0.9885903,0.000050756295],"about_ca_topic_score_codex":0.00045227035,"about_ca_topic_score_gemma":0.00019699415,"teacher_disagreement_score":0.949812,"about_ca_system_score_codex":0.000026808708,"about_ca_system_score_gemma":0.000034283436,"threshold_uncertainty_score":0.5406959},"labels":[],"label_agreement":null},{"id":"W2321663710","doi":"10.1386/public.25.50.59_1","title":"Retreating in/from art institutions","year":2014,"lang":"en","type":"article","venue":"Public","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Overwork; Commit; Workload; Contradiction; Institution; Normalization (sociology); Working hours; Work (physics); Sociology; Public relations; Political science; Psychology; Labour economics; Social science; Management; Economics; Computer science; Engineering; Epistemology; Philosophy","score_opus":0.1175705033949666,"score_gpt":0.3165162680264598,"score_spread":0.19894576463149322,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2321663710","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24700679,0.00003391805,0.0000772156,0.032248218,0.0002617641,0.00007267015,0.0000019278182,0.00006329731,0.7202342],"genre_scores_gemma":[0.9748315,0.0000130700355,0.00019661177,0.00028199927,0.00020030267,0.000008307365,0.000018265071,0.0000017240891,0.024448214],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994849,0.00004542465,0.000086529566,0.00009026884,0.00012381966,0.00016906147],"domain_scores_gemma":[0.9997761,0.000043272903,0.000022475771,0.000058554895,0.000031598964,0.000067970155],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002476218,0.000034873112,0.00005146509,0.000032056185,0.000267057,0.00011953204,0.00009947077,0.000047823323,0.0006835722],"category_scores_gemma":[0.00042240953,0.00003035902,0.000014076943,0.00029544183,0.00007239169,0.00020401197,0.000023678813,0.00007420801,0.00015148093],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000013441115,0.000053146538,0.29334763,0.0000017231746,0.000010145319,0.0000020569023,0.007166006,0.000005937149,0.000028735582,0.3711446,0.20167117,0.12656753],"study_design_scores_gemma":[0.000059251248,0.0000024104913,0.029080108,0.00000746461,7.251326e-7,6.810331e-8,0.0010289501,0.000016185857,0.0000052046926,0.0008765978,0.9688753,0.000047733894],"about_ca_topic_score_codex":0.0047872104,"about_ca_topic_score_gemma":0.023816746,"teacher_disagreement_score":0.7672041,"about_ca_system_score_codex":0.00010617805,"about_ca_system_score_gemma":0.00013383641,"threshold_uncertainty_score":0.9939961},"labels":[],"label_agreement":null},{"id":"W2321702718","doi":"10.1386/public.23.45.78_1","title":"Halifax’s Nocturne versus(?) the spectacle of neo-liberal civics","year":2012,"lang":"en","type":"article","venue":"Public","topic":"Sport and Mega-Event Impacts","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Spectacle; Politics; Enthusiasm; Civics; Meaning (existential); Sociology; Political science; The arts; Aesthetics; Choreography; Media studies; Public administration; Political economy; Gender studies; Law; Visual arts; Art; Dance; Social psychology","score_opus":0.11433015155991852,"score_gpt":0.35307118402440424,"score_spread":0.23874103246448572,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2321702718","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79679424,0.00032540044,0.00000903847,0.008905026,0.0014456778,0.00011831608,0.0000038061155,0.000044973913,0.19235355],"genre_scores_gemma":[0.99477035,0.000033347867,0.000047158766,0.00033932485,0.00091393606,0.000004356461,0.000005596032,0.000007874534,0.0038780402],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99889237,0.00006401254,0.00012255365,0.00007397148,0.00036501666,0.00048208795],"domain_scores_gemma":[0.99933803,0.00010433379,0.00008613976,0.0001874351,0.00006427083,0.00021978536],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008467467,0.000068641966,0.000100662415,0.000043926,0.00026709936,0.00006185929,0.00028815996,0.00005863478,0.0011166678],"category_scores_gemma":[0.0003638438,0.000048063248,0.00007200671,0.0003530922,0.00017037701,0.0004945126,0.000042997264,0.00009807993,0.00010136687],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046305035,0.00025553766,0.05976877,0.000009919448,0.00006638166,0.0000012749102,0.037462026,0.00000128576,0.00014793103,0.8212764,0.065965176,0.01499895],"study_design_scores_gemma":[0.0002863237,0.000020411968,0.04511566,0.0000028101085,0.000017461485,6.4708695e-7,0.0015805126,0.0000026084592,0.00016990739,0.0005273331,0.9521955,0.0000807869],"about_ca_topic_score_codex":0.0013565798,"about_ca_topic_score_gemma":0.0021821926,"teacher_disagreement_score":0.88623035,"about_ca_system_score_codex":0.000057074896,"about_ca_system_score_gemma":0.00016450226,"threshold_uncertainty_score":0.99979645},"labels":[],"label_agreement":null},{"id":"W2322094206","doi":"10.1386/public.25.49.90_7","title":"'For You The War Is Over': An airman remembers","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Military, Security, and Education Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"German; Uncanny; World War II; History; Phenomenon; Visual arts; Psychology; Media studies; Art; Sociology; Psychoanalysis; Archaeology","score_opus":0.06402086069312207,"score_gpt":0.3447217732821882,"score_spread":0.28070091258906615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2322094206","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68423474,0.0016266863,0.000013819881,0.2181108,0.0013987225,0.0006091058,0.000010439074,0.00010832833,0.093887374],"genre_scores_gemma":[0.9858791,0.00022357373,0.00006445826,0.003358861,0.0008207631,0.00014305967,0.0000061669602,0.000006307654,0.009497693],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99917984,0.000074327974,0.00010068914,0.00014532197,0.00020866835,0.00029114715],"domain_scores_gemma":[0.9993816,0.000088362984,0.000033020657,0.00019548846,0.00018449269,0.00011700915],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005687066,0.000058970432,0.0000697058,0.000032607095,0.000994862,0.00010602862,0.00027669658,0.000037907885,0.0019303159],"category_scores_gemma":[0.00027027758,0.000041601736,0.00004849132,0.00018009651,0.00021085447,0.000463503,0.000028887844,0.000051520507,0.00017257639],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[8.779874e-7,0.000053726882,0.015084132,0.000005676092,0.00001762417,1.5946808e-8,0.10862877,6.888817e-8,0.0000028055686,0.03165852,0.8404031,0.0041446723],"study_design_scores_gemma":[0.000057338908,0.000013280519,0.032736056,0.0000010228302,0.0000051490324,6.3856795e-8,0.04772603,0.000024828632,0.0000028478125,0.008353866,0.91101325,0.00006624798],"about_ca_topic_score_codex":0.013897039,"about_ca_topic_score_gemma":0.0058489027,"teacher_disagreement_score":0.30164438,"about_ca_system_score_codex":0.000040523028,"about_ca_system_score_gemma":0.0001028181,"threshold_uncertainty_score":0.9989821},"labels":[],"label_agreement":null},{"id":"W2322278414","doi":"10.1386/public.25.50.145_1","title":"'The spectre of form: Letters from an absent sovereign'","year":2014,"lang":"en","type":"article","venue":"Public","topic":"American Environmental and Regional History","field":"Environmental Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Brock University","funders":"","keywords":"Elegance; Humanism; Sovereignty; Politics; Aesthetics; Enlightenment; Extension (predicate logic); Art; Literature; History; Philosophy; Law; Epistemology; Political science","score_opus":0.007197827944478981,"score_gpt":0.18112229741543256,"score_spread":0.17392446947095358,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2322278414","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9609737,0.000038086797,0.00046770243,0.0030567206,0.00009296873,0.000054978023,0.0000045512725,0.000015963378,0.035295356],"genre_scores_gemma":[0.9978106,0.000017293742,0.00024176518,0.0011710767,0.000065039305,0.000005057097,0.000009493891,0.000008215431,0.00067145354],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927944,0.000035608915,0.00010620246,0.00016150853,0.00024607152,0.00017119237],"domain_scores_gemma":[0.99955,0.000038479855,0.00007537366,0.0002417698,8.9354984e-7,0.00009347256],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000095702606,0.00007229342,0.00007356256,0.0000092896635,0.00013493389,0.0000074510835,0.00025998088,0.000017805574,0.0013345876],"category_scores_gemma":[0.0000072060056,0.000047998336,0.000045242123,0.00005411724,0.0012133151,0.00015408333,0.00009769348,0.000054357184,0.0003910364],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000109104054,0.0011277493,0.23750131,0.000011503424,0.0001191504,0.0000094694005,0.0048903865,0.00084940315,0.15839474,0.028069422,0.14249171,0.42642605],"study_design_scores_gemma":[0.00021270086,0.00008810553,0.4448926,0.000002361387,0.00000758042,0.0000028289842,0.0004024392,0.0005920056,0.0007932337,0.0050721252,0.5477552,0.0001788416],"about_ca_topic_score_codex":0.0005418571,"about_ca_topic_score_gemma":0.00013767875,"teacher_disagreement_score":0.4262472,"about_ca_system_score_codex":0.00011932778,"about_ca_system_score_gemma":0.0000029335308,"threshold_uncertainty_score":0.99957836},"labels":[],"label_agreement":null},{"id":"W2323460301","doi":"10.1386/public.25.49.50_7","title":"The everyday life of the Berlin Wall: College Station, Texas/Berlin, Germany","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Memory, Trauma, and Commemoration","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Sculpture; Context (archaeology); Cold war; Depiction; Art history; Berlin wall; Meaning (existential); History; Archaeology; Art; Visual arts; Law; Philosophy; Politics; Political science","score_opus":0.03003401116624355,"score_gpt":0.27719334715151817,"score_spread":0.24715933598527462,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2323460301","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8679371,0.00064132357,0.00022108539,0.05768034,0.0020539633,0.0010450619,0.000035279634,0.00008479019,0.070301056],"genre_scores_gemma":[0.9745432,0.000018415954,0.000037129936,0.0023824598,0.00017341187,0.00014515694,0.000015172394,0.000020745681,0.022664275],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9984739,0.0003556719,0.00040392752,0.00020323723,0.00024939913,0.00031386278],"domain_scores_gemma":[0.9982681,0.00031325917,0.00022584428,0.000761045,0.0003287921,0.000102936574],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005518976,0.00012681937,0.0001433518,0.000057733607,0.0002820702,0.00010017346,0.00056691805,0.000098077915,0.0021296206],"category_scores_gemma":[0.00020751313,0.00007480676,0.00008636932,0.0003507581,0.00013222576,0.0002145226,0.00005187312,0.00018996169,0.0009811933],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000267275,0.00027111283,0.018585032,0.000017593115,0.00014589395,5.9825663e-7,0.002779363,0.0000069188272,0.00016433108,0.12374963,0.8350488,0.019204007],"study_design_scores_gemma":[0.00075283984,0.000057654986,0.6028048,0.0000064076416,0.000022109076,0.0000050391377,0.0013578815,0.00043463436,0.00013505257,0.004956121,0.38930845,0.0001590084],"about_ca_topic_score_codex":0.00037642848,"about_ca_topic_score_gemma":0.00041641397,"teacher_disagreement_score":0.58421975,"about_ca_system_score_codex":0.000028725424,"about_ca_system_score_gemma":0.00012817114,"threshold_uncertainty_score":0.9997966},"labels":[],"label_agreement":null},{"id":"W2324779130","doi":"10.1386/public.25.49.4_1","title":"Introduction: Black holes in the sciences - trauma, culture, aesthetics","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Middle East and Rwanda Conflicts","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Embodied cognition; Empathy; Aesthetics; Perception; Coping (psychology); Psychology; Mental illness; Psychological trauma; Social psychology; Sociology; Psychoanalysis; Epistemology; Art; Psychotherapist; Mental health; Philosophy","score_opus":0.048618091695824935,"score_gpt":0.2887225236698007,"score_spread":0.2401044319739758,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2324779130","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35077974,0.00039773723,0.00004018117,0.26319993,0.00049104006,0.000361306,8.101929e-7,0.00006017032,0.3846691],"genre_scores_gemma":[0.9898187,0.00008120868,0.00008502455,0.0007996095,0.0012253633,0.00002411217,0.0000016139608,0.00000312609,0.007961272],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99877775,0.00020398285,0.00011679408,0.00017338937,0.00041175605,0.00031634854],"domain_scores_gemma":[0.9996407,0.000031653224,0.00004028286,0.00013408384,0.0000876436,0.00006562327],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011634952,0.00006623783,0.00007163099,0.000077613826,0.00057774974,0.0006121918,0.00051373517,0.000059721584,0.00073007925],"category_scores_gemma":[0.0001827648,0.000039833812,0.000033713266,0.0007725185,0.0017455901,0.00049618277,0.000020794496,0.000101232115,0.0004470801],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[5.9900964e-7,0.00006867953,0.003740217,0.0000028349907,0.0000026131547,6.4830976e-7,0.04485102,0.0000042306856,0.00001464792,0.87202126,0.055116054,0.024177207],"study_design_scores_gemma":[0.00007504243,0.000021615702,0.004353236,0.000002546233,0.0000016546313,0.0000015515342,0.018010765,0.000024520481,0.000011752951,0.008663193,0.968761,0.00007311965],"about_ca_topic_score_codex":0.0005096876,"about_ca_topic_score_gemma":0.00086290465,"teacher_disagreement_score":0.91364497,"about_ca_system_score_codex":0.000021707874,"about_ca_system_score_gemma":0.00009475579,"threshold_uncertainty_score":0.7993856},"labels":[],"label_agreement":null},{"id":"W2324781220","doi":"10.1386/public.24.48.95_1","title":"OFFSHORE: Extreme oil and our disappearing future","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Global Energy and Sustainability Research","field":"Energy","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Anthropocene; Modernity; Submarine pipeline; Environmental ethics; Addiction; History; Political science; Oceanography; Geology; Psychology; Philosophy; Law","score_opus":0.025759790867875356,"score_gpt":0.2508194090174056,"score_spread":0.22505961814953027,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2324781220","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7825156,0.0006612609,0.000010156042,0.050486017,0.00019165956,0.00004534342,0.0000011329395,0.00014400983,0.16594484],"genre_scores_gemma":[0.97983015,0.00006610163,0.00008685482,0.0002303815,0.00032471464,0.000049305057,0.000008832953,0.000013798725,0.019389838],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988369,0.00007609608,0.00012620442,0.00025092182,0.00022104279,0.00048888655],"domain_scores_gemma":[0.99927086,0.000018502535,0.000018308881,0.00029786292,0.00015574686,0.000238718],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019062047,0.00011314692,0.0001240831,0.000070755,0.00014300125,0.00025276767,0.00020243568,0.000104340375,0.00048617806],"category_scores_gemma":[0.00018830398,0.00009328913,0.000042161806,0.00025162273,0.000045159893,0.00039389712,0.00018468914,0.00018509306,0.00021168178],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006882074,0.00006217828,0.014175824,0.000057109355,0.000026529558,0.0000066725165,0.0001779499,0.00003225958,0.0001340287,0.27623403,0.0033884936,0.705698],"study_design_scores_gemma":[0.00044060277,0.000035772424,0.061107546,0.0000072308376,0.000004973194,0.000015423093,0.004623495,0.0014399523,0.000043158598,0.024245797,0.9077624,0.0002736327],"about_ca_topic_score_codex":0.002242862,"about_ca_topic_score_gemma":0.0005010082,"teacher_disagreement_score":0.90437394,"about_ca_system_score_codex":0.00005970826,"about_ca_system_score_gemma":0.00004862662,"threshold_uncertainty_score":0.5323309},"labels":[],"label_agreement":null},{"id":"W2325739268","doi":"10.1386/public.23.45.212_1","title":"Participatory art at the Vancouver 2010 Cultural Olympiad","year":2012,"lang":"en","type":"article","venue":"Public","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Olympiad; Crowds; Citizen journalism; Choreography; Visual arts; Participatory culture; Action (physics); Media studies; Sociology; Political science; Art; History; Dance; Computer science; Archaeology; Law","score_opus":0.1929729030072838,"score_gpt":0.3233253523690056,"score_spread":0.1303524493617218,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2325739268","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12926869,0.00070330274,0.000020384114,0.002571668,0.00063101493,0.00012723765,0.000019646086,0.000058243946,0.8665998],"genre_scores_gemma":[0.67278296,0.000008346099,0.0000025783436,0.0003340804,0.0007015605,0.000045517398,0.000008132401,0.0000072892326,0.32610956],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989747,0.000084508836,0.00010953813,0.00009613894,0.00024167816,0.0004934294],"domain_scores_gemma":[0.99942446,0.000101032216,0.0000332839,0.000187741,0.00009760765,0.00015589467],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00033842458,0.000088471934,0.00008436166,0.000023819459,0.00065787125,0.00014196057,0.00014210184,0.000022024138,0.039924342],"category_scores_gemma":[0.000080090176,0.000046611134,0.000054510783,0.000026532,0.0005187976,0.00046597142,0.00011023647,0.00010988178,0.0057764067],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004373779,0.00004455515,0.009094581,0.0000033827355,0.000020717882,4.269106e-7,0.005232437,6.580288e-8,0.000011695743,0.26693633,0.71760863,0.0010428091],"study_design_scores_gemma":[0.000094441966,0.000013890757,0.005775222,0.0000020293587,0.000009487484,0.0000010145465,0.00605858,0.000017755596,0.00004944429,0.00015212178,0.98774457,0.00008142426],"about_ca_topic_score_codex":0.000072982235,"about_ca_topic_score_gemma":0.0020999564,"teacher_disagreement_score":0.54351425,"about_ca_system_score_codex":0.00006669177,"about_ca_system_score_gemma":0.000026886455,"threshold_uncertainty_score":0.99499774},"labels":[],"label_agreement":null},{"id":"W2326010627","doi":"10.1386/public.25.49.110_1","title":"The sincerest form of irony: Fun and games in a post-September 11 world","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Comics; Seriousness; Animation; Irony; Sensibility; World trade center; Art; Anime; Visual arts; Aesthetics; Literature; History; Philosophy; Linguistics; Terrorism; Epistemology","score_opus":0.021152877970823363,"score_gpt":0.20172847942634015,"score_spread":0.1805756014555168,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2326010627","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9255382,0.0006461076,2.1453452e-7,0.008548499,0.00008773296,0.00013640909,0.0000075525104,0.000009232499,0.06502609],"genre_scores_gemma":[0.9879309,0.00003503748,0.000003888259,0.00019080745,0.000063291634,0.000030251385,0.000002632262,0.0000056499252,0.011737537],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995503,0.000017636803,0.00013804657,0.00008226176,0.00006549159,0.00014630845],"domain_scores_gemma":[0.9996069,0.000116804425,0.00005070039,0.00011543158,0.00007805595,0.00003208482],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010859309,0.000063616244,0.00009122225,0.00011101022,0.00013669813,0.0002779282,0.00009404345,0.000011686367,0.0012872724],"category_scores_gemma":[0.000021787639,0.00003840672,0.000029674291,0.000049668066,0.00024242354,0.00025154802,0.00004751353,0.00006037094,0.000013221483],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000041635317,0.00004325471,0.021739092,0.000012083513,0.000016476291,2.827019e-7,0.014647873,4.2983054e-8,0.00002765218,0.93864185,0.010213528,0.014653731],"study_design_scores_gemma":[0.00025877508,0.000038418108,0.115837306,0.000013244359,0.0000033686072,5.1741694e-7,0.008083628,0.00008813786,0.000009468389,0.04085949,0.83470947,0.00009818222],"about_ca_topic_score_codex":0.00086582114,"about_ca_topic_score_gemma":0.12304105,"teacher_disagreement_score":0.8977823,"about_ca_system_score_codex":0.0000058909554,"about_ca_system_score_gemma":0.000018213383,"threshold_uncertainty_score":0.9996257},"labels":[],"label_agreement":null},{"id":"W2326143061","doi":"10.1386/public.24.47.242_5","title":"Review of Frida &amp; Diego: Passion, Politics and Painting, Art Gallery of Ontario, Toronto","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Historical Gender and Feminism Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Passion; Painting; Politics; Art; Art history; Visual arts; Sociology; Political science; Psychology; Law","score_opus":0.04404309499666852,"score_gpt":0.2940714355765445,"score_spread":0.250028340579876,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2326143061","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0063761277,0.034075715,0.00006385676,0.003490092,0.00030440095,0.00029783277,0.0000037686245,0.00003185817,0.95535636],"genre_scores_gemma":[0.9402961,0.02488937,0.00055960665,0.0014688843,0.0001451112,0.000040044866,0.0000049801606,0.000008951809,0.032586925],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990829,0.000080483,0.00025699742,0.00011769575,0.00022894198,0.00023297191],"domain_scores_gemma":[0.9992737,0.000096482625,0.000112789654,0.0001367888,0.0002430583,0.00013713371],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00048580603,0.00006760673,0.0002321246,0.000016899461,0.00016348841,0.000015459504,0.00012011005,0.000045196834,0.002311335],"category_scores_gemma":[0.00068846124,0.00005544778,0.000057329333,0.000086400534,0.00018158543,0.00016049315,0.00006466107,0.000053000105,0.000021268428],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[6.5351014e-7,0.00009309365,0.03178276,0.0007656621,0.00003922569,1.4287785e-7,0.06930092,5.7295506e-9,0.000012320919,0.0110062165,0.87815803,0.008840955],"study_design_scores_gemma":[0.000039040067,0.000016165726,0.01376107,0.00018881187,0.000009187871,1.1689034e-7,0.0024368532,1.239785e-7,0.0000016344286,0.000979349,0.982501,0.000066696695],"about_ca_topic_score_codex":0.13734901,"about_ca_topic_score_gemma":0.11132768,"teacher_disagreement_score":0.93392,"about_ca_system_score_codex":0.0001779412,"about_ca_system_score_gemma":0.00023859492,"threshold_uncertainty_score":0.99860066},"labels":[],"label_agreement":null},{"id":"W2326805543","doi":"10.1386/public.24.47.123_1","title":"Industrial magic and light: 3D at the New York World’s Fair (1939)","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Animation; MAGIC (telescope); Context (archaeology); Engineering; Political science; Visual arts; Art; History; Physics","score_opus":0.07737205414480611,"score_gpt":0.20640954447219415,"score_spread":0.12903749032738804,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2326805543","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3702713,0.020098837,0.000034674573,0.29193425,0.0023583989,0.0006646159,0.00003138165,0.000085305815,0.31452125],"genre_scores_gemma":[0.8731454,0.00025026835,0.00006379699,0.0014631422,0.0009834566,0.000047280384,0.00000763289,0.000018301504,0.124020725],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991658,0.000007932598,0.00026338384,0.00024421397,0.000030577594,0.00028812344],"domain_scores_gemma":[0.9994191,0.00006889927,0.000120665194,0.00023731796,0.0000173562,0.00013664369],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018643282,0.00011339203,0.00022797343,0.00015091394,0.0001444537,0.00018403528,0.00015287194,0.000056924462,0.0027972222],"category_scores_gemma":[0.00019513712,0.00008640387,0.00004884555,0.0002978234,0.00006352019,0.00020088167,0.00015876767,0.00013844311,0.002765913],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000027548688,0.00001673856,0.084686615,0.000004042751,0.000037818136,4.683135e-7,0.0005149208,2.4841654e-7,0.0000040149425,0.032746494,0.870039,0.011946893],"study_design_scores_gemma":[0.00048309445,0.000017027309,0.026613472,0.0000031991642,0.000003909552,0.000002079131,0.00009044568,0.000028051889,0.000009817057,0.0059633167,0.96666855,0.00011706128],"about_ca_topic_score_codex":0.0005376745,"about_ca_topic_score_gemma":0.0008215746,"teacher_disagreement_score":0.5028741,"about_ca_system_score_codex":0.00005043933,"about_ca_system_score_gemma":0.000020498981,"threshold_uncertainty_score":0.99811435},"labels":[],"label_agreement":null},{"id":"W2327298556","doi":"10.1386/public.25.49.133_5","title":"Review of: Explosion in the Movie Machine, edited by Chris Gehman (Toronto: The Liaison of Independent Filmmakers of Toronto and the Images Festival, 2013).","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Art history; Media studies; Art; Cartography; History; Computer graphics (images); Sociology; Computer science; Geography","score_opus":0.020244872345983468,"score_gpt":0.22959563038767355,"score_spread":0.2093507580416901,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2327298556","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08098335,0.88194025,0.000016928698,0.027801806,0.0002557742,0.000963623,0.00012987018,0.0000063027856,0.007902123],"genre_scores_gemma":[0.6901784,0.3089129,0.000018161296,0.0005494133,0.00004425405,0.00015088748,0.0000111724585,0.000007856315,0.00012697677],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99891204,0.000074285716,0.0005960475,0.00016790202,0.00008229021,0.00016746456],"domain_scores_gemma":[0.9987549,0.0002948978,0.00046790164,0.00037989562,0.000072190305,0.000030219646],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011832205,0.000120505894,0.00046742338,0.000025183741,0.000055180473,0.000023699424,0.00033797228,0.000042187843,0.00044411616],"category_scores_gemma":[0.00051312835,0.00006210157,0.00009058461,0.000104711165,0.00019150233,0.00031040955,0.000114204006,0.00009914404,0.0000059275653],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036625446,0.00037437887,0.052093048,0.0022232735,0.00020605297,2.8720504e-7,0.0065117427,8.179632e-7,0.0001170412,0.018592697,0.8991152,0.020728849],"study_design_scores_gemma":[0.0040273825,0.00042956392,0.36536428,0.0013806347,0.000086631386,0.000006110552,0.006666046,0.0005323364,0.00024137876,0.0030749592,0.61771566,0.00047502783],"about_ca_topic_score_codex":0.028656926,"about_ca_topic_score_gemma":0.0035961245,"teacher_disagreement_score":0.60919505,"about_ca_system_score_codex":0.000037212478,"about_ca_system_score_gemma":0.000012234463,"threshold_uncertainty_score":0.97781134},"labels":[],"label_agreement":null},{"id":"W2328059038","doi":"10.1386/public.25.50.187_5","title":"Humboldt Magnussen: Viking Blood, Buddies in Bad Times Theatre, Toronto","year":2014,"lang":"en","type":"article","venue":"Public","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; History; Art","score_opus":0.015916995650837165,"score_gpt":0.2224148577630917,"score_spread":0.20649786211225452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2328059038","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.039469823,0.008258965,0.0000042810657,0.002891969,0.0009670727,0.00012643736,0.000013086845,0.00016771509,0.9481006],"genre_scores_gemma":[0.98404264,0.00014020212,0.000108471206,0.0011952796,0.0015900931,0.000044655073,0.000020029967,0.000025441155,0.012833154],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99873555,0.00010341488,0.00025554854,0.00031338297,0.00014561127,0.0004464984],"domain_scores_gemma":[0.99938154,0.000121049496,0.00006229952,0.00028627735,0.00009012859,0.000058685655],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036755973,0.00021144675,0.00030543382,0.00010931722,0.000341699,0.0004269537,0.00024033226,0.00006456741,0.0024591526],"category_scores_gemma":[0.000086458705,0.00016341622,0.000085755455,0.00004220612,0.00028723085,0.0005210256,0.00010477477,0.00015105572,0.0000903645],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010953219,0.000121489524,0.0038346637,0.000043211767,0.00007770418,0.000007980983,0.04309618,3.106681e-7,0.00002832135,0.92058915,0.024026772,0.008163275],"study_design_scores_gemma":[0.00039304202,0.00009747763,0.0030543476,0.000028422519,0.000025662304,0.0000053048047,0.006341965,0.000019135436,0.000016770648,0.0054591764,0.9843172,0.00024153882],"about_ca_topic_score_codex":0.00083263166,"about_ca_topic_score_gemma":0.018415993,"teacher_disagreement_score":0.9602904,"about_ca_system_score_codex":0.000026886017,"about_ca_system_score_gemma":0.000015116453,"threshold_uncertainty_score":0.9994953},"labels":[],"label_agreement":null},{"id":"W2328878762","doi":"10.1386/public.25.50.189_5","title":"Coming to Terms, Justina M. Barnicke Gallery, Toronto","year":2014,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Sociology; Media studies","score_opus":0.05854380319881641,"score_gpt":0.25557258040642694,"score_spread":0.19702877720761053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2328878762","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013990563,0.000066900626,0.0004754546,0.0046832166,0.000922682,0.00013719952,0.000024134115,0.00019139439,0.97950846],"genre_scores_gemma":[0.91903234,0.000006159267,0.00010670867,0.00475859,0.0019907022,0.00002228692,0.000022871793,0.00002109675,0.07403925],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989981,0.000038785573,0.00017845914,0.0002000438,0.00015223878,0.00043235713],"domain_scores_gemma":[0.99931264,0.00005236188,0.0000431672,0.0002849538,0.00007855896,0.00022831226],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020254563,0.00012959172,0.00015579577,0.000042495943,0.00035756896,0.00032906057,0.0002251603,0.000033020784,0.0030491774],"category_scores_gemma":[0.000111023124,0.00011619691,0.000059807197,0.0000012908284,0.000087196684,0.00034192266,0.00009992982,0.000071703085,0.00053173327],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000042022684,0.000064549655,0.00035465552,0.000030133056,0.000022495311,0.0000012481509,0.0656642,0.0000013200812,0.00002744768,0.72762865,0.19299755,0.013203537],"study_design_scores_gemma":[0.00015608592,0.00005516012,0.0006003113,0.000009621987,0.000009560454,0.0000015616101,0.0011857011,0.00018703722,0.000016142232,0.0021184385,0.9954874,0.0001729893],"about_ca_topic_score_codex":0.0024471672,"about_ca_topic_score_gemma":0.0682327,"teacher_disagreement_score":0.9054692,"about_ca_system_score_codex":0.00007563055,"about_ca_system_score_gemma":0.000026793343,"threshold_uncertainty_score":0.99786216},"labels":[],"label_agreement":null},{"id":"W2328930219","doi":"10.1386/public.23.45.224_7","title":"Seeing through spectacles","year":2012,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Visual arts; Optometry; Art; Geography; Medicine","score_opus":0.13329958231619857,"score_gpt":0.277283978078839,"score_spread":0.1439843957626404,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2328930219","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43183255,0.0011230314,0.000014892145,0.00054112973,0.00071979704,0.000062841864,0.000011613733,0.00016189128,0.56553227],"genre_scores_gemma":[0.99544007,0.0000108212635,0.000033749937,0.0006986212,0.0016724707,0.000009074789,0.000010848576,0.000008384929,0.0021159558],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994791,0.000016718799,0.00007132123,0.00006985146,0.00008929827,0.00027367083],"domain_scores_gemma":[0.9997784,0.00001323611,0.00002518915,0.000090795766,0.000032235068,0.000060156206],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007630878,0.00007143543,0.000067311856,0.0000319517,0.00025728391,0.00018989111,0.00008788521,0.000022071788,0.0037884086],"category_scores_gemma":[0.000013370964,0.0000531804,0.00006224381,0.000040553907,0.000077009354,0.00095152366,0.0000226304,0.0000812025,0.0002628168],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000001083534,0.00006401618,0.0026800374,0.00000694471,0.000016628901,2.6573315e-7,0.030329956,9.890721e-9,0.000121861165,0.95250463,0.013910028,0.00036454317],"study_design_scores_gemma":[0.00006258568,0.000011628974,0.0015024603,0.0000035946819,0.0000059145195,0.0000017116345,0.003519238,0.0000011580664,0.0004210171,0.0023192612,0.9920576,0.00009382728],"about_ca_topic_score_codex":0.0000772718,"about_ca_topic_score_gemma":0.00008533794,"teacher_disagreement_score":0.97814757,"about_ca_system_score_codex":0.0000068898607,"about_ca_system_score_gemma":0.000005182267,"threshold_uncertainty_score":0.9971223},"labels":[],"label_agreement":null},{"id":"W2329468626","doi":"10.1386/public.24.47.244_5","title":"Review of The Return of a Lake, Maria Thereza Alves at dOCUMENTA 13, Kassel","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Environmental Sustainability and Education","field":"Environmental Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Art","score_opus":0.008584492635420458,"score_gpt":0.21539902149362986,"score_spread":0.2068145288582094,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2329468626","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.966582,0.0012310044,0.0000026985126,0.015128499,0.00008322326,0.00053158775,0.0000042527754,0.000007694902,0.016429026],"genre_scores_gemma":[0.9946903,0.0014152258,0.00007537719,0.0013770468,0.000014534642,0.000060512877,0.000008234943,0.0000068374197,0.0023519218],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9991044,0.00010537362,0.00023446302,0.00015683551,0.00023176277,0.00016717127],"domain_scores_gemma":[0.99930924,0.000040393486,0.00015878078,0.00042597757,0.000009179734,0.000056451987],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00035256514,0.000080372134,0.00011783105,0.00000969808,0.000075747805,0.000011900891,0.0003382805,0.0000343695,0.02953188],"category_scores_gemma":[0.00013279646,0.000052315172,0.000081344486,0.00019808579,0.0002911211,0.00032889785,0.000384008,0.000059190097,0.00021529515],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002099434,0.0001995799,0.9209915,0.000554883,0.0000113237675,4.4495838e-8,0.000397148,0.0000027308702,0.0033501156,0.00014981629,0.06881896,0.0055218088],"study_design_scores_gemma":[0.000080853926,0.000021224641,0.8862971,0.00012567776,0.000012482569,0.0000021463845,0.00019129817,0.000012257984,0.0010468758,0.0014092178,0.11072934,0.00007149859],"about_ca_topic_score_codex":0.00083875953,"about_ca_topic_score_gemma":0.0003933081,"teacher_disagreement_score":0.041910384,"about_ca_system_score_codex":0.0001978331,"about_ca_system_score_gemma":0.000011504368,"threshold_uncertainty_score":0.97135526},"labels":[],"label_agreement":null},{"id":"W2329505202","doi":"10.1386/public.24.47.214_7","title":"A FILM FOR PINA Keynote of the Toronto International Stereoscopic 3D Conference","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Computer Graphics and Visualization Techniques","field":"Computer Science","cited_by":29,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Stereoscopy; Computer graphics (images); Visual arts; Art; Media studies; Art history; Computer science; Sociology; Artificial intelligence","score_opus":0.032349539407570446,"score_gpt":0.2885717140364345,"score_spread":0.25622217462886404,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2329505202","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"methods","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006133971,0.000035637968,0.9892353,0.001981838,0.00045751946,0.00030231974,0.0000041228755,0.00008682562,0.001762462],"genre_scores_gemma":[0.9788475,0.0000139471,0.020189933,0.00050087663,0.000037064656,0.00009969237,0.0000029712073,0.0000040489313,0.0003039844],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.99937165,0.000024709649,0.00016372652,0.00016017417,0.0001613568,0.0001183993],"domain_scores_gemma":[0.99909234,0.000038797334,0.00010142806,0.0003660269,0.0003663091,0.00003510338],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011284505,0.000063826665,0.00007619607,0.000041867293,0.000052264444,0.00027097767,0.0012346385,0.000029125375,0.000098969766],"category_scores_gemma":[0.000028906315,0.000046456043,0.000053104053,0.00012715938,0.000029167182,0.00063949934,0.00035445043,0.00003094658,0.000002482487],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.295162e-7,0.000029575409,0.0012051122,0.0000101099395,0.000011040028,2.3709953e-8,0.00027419146,4.6511127e-7,0.00009307294,0.9654611,0.0038622115,0.029052714],"study_design_scores_gemma":[0.0003890837,0.00013378313,0.025190156,0.000045392564,0.0000031121758,0.0000024893131,0.000027052085,0.8222121,0.002034417,0.05460427,0.09515744,0.0002007107],"about_ca_topic_score_codex":0.00020963371,"about_ca_topic_score_gemma":0.00007019947,"teacher_disagreement_score":0.97271353,"about_ca_system_score_codex":0.000031474534,"about_ca_system_score_gemma":0.00007151634,"threshold_uncertainty_score":0.2613044},"labels":[],"label_agreement":null},{"id":"W2330635098","doi":"10.1386/public.24.48.163_5","title":"Artificial Hells: Participatory Art and the Politics of Spectatorship by Claire Bishop","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Politics; Citizen journalism; Art; Sociology; Environmental ethics; Aesthetics; Political science; Art history; Law; Philosophy","score_opus":0.09507953856080416,"score_gpt":0.2558120646099438,"score_spread":0.16073252604913968,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2330635098","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76080555,0.0009959156,0.00006334861,0.01839509,0.0006326753,0.00048031402,0.00012702965,0.00011360245,0.21838649],"genre_scores_gemma":[0.9667806,0.000017778635,0.00000594128,0.0016327356,0.0006496689,0.000040333307,0.000015620122,0.00001823132,0.030839087],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99890363,0.00009170597,0.00028796485,0.00014493546,0.00017057965,0.0004011954],"domain_scores_gemma":[0.9992679,0.0001468816,0.00008938941,0.00022567171,0.000121224955,0.0001489352],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023198962,0.00012167992,0.00019256922,0.000054752873,0.000321357,0.00025179485,0.00013868246,0.00004210981,0.0015955442],"category_scores_gemma":[0.00010072782,0.00008326059,0.000065227476,0.000003873504,0.0013720485,0.0002609795,0.000050946728,0.00011628233,0.00023571066],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000036971458,0.000062313055,0.00053695723,0.000022904427,0.000031134266,3.2669368e-7,0.03770868,8.38242e-8,0.000020212841,0.8598874,0.101140134,0.00058615406],"study_design_scores_gemma":[0.0003323835,0.000046798745,0.0003162363,0.000009319834,0.00003815043,0.0000017148241,0.006560871,0.00035087956,0.0005283287,0.11920051,0.87243354,0.00018125739],"about_ca_topic_score_codex":0.0008148354,"about_ca_topic_score_gemma":0.0015197023,"teacher_disagreement_score":0.7712934,"about_ca_system_score_codex":0.000017740862,"about_ca_system_score_gemma":0.00005320502,"threshold_uncertainty_score":0.9993171},"labels":[],"label_agreement":null},{"id":"W2332801585","doi":"10.1386/public.24.47.250_5","title":"Review of Tonya K. Davidson, Ondine Park and Rob Shields (eds), Ecologies of Affect: Placing Nostalgia, Desire and Hope","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Affect (linguistics); Aesthetics; Psychology; Sociology; Social psychology; Art; Communication","score_opus":0.03338566402705282,"score_gpt":0.3138590621190513,"score_spread":0.28047339809199845,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2332801585","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94700354,0.031595632,0.0000021950314,0.0071702297,0.00011499799,0.00052894535,0.0000071479126,0.00006731561,0.013510019],"genre_scores_gemma":[0.9786021,0.020521471,0.00029049595,0.00024670968,0.000027407776,0.000036834892,0.000002973724,0.00000795899,0.0002640402],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9990335,0.0001253221,0.0002544018,0.00017566403,0.00016843247,0.00024269626],"domain_scores_gemma":[0.9989273,0.00041226586,0.00018623893,0.00015346623,0.00022069203,0.0001000303],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00055117474,0.00009817149,0.0002650359,0.00016615639,0.00021872659,0.00010136657,0.00018562374,0.00007445933,0.0006185326],"category_scores_gemma":[0.0013176925,0.00008746957,0.000057324032,0.0003558977,0.00048616732,0.00070778374,0.00012073257,0.00011449551,0.000010774988],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004625785,0.0008069947,0.5277427,0.012588759,0.0005649944,0.000008224776,0.01972741,0.000002909493,0.0042928653,0.13416581,0.23223521,0.06781788],"study_design_scores_gemma":[0.0007480268,0.0010084123,0.87598825,0.00444051,0.00022903045,0.0000162719,0.022693273,0.00003446413,0.00076348765,0.006539818,0.08674523,0.00079321925],"about_ca_topic_score_codex":0.0022506183,"about_ca_topic_score_gemma":0.0054589487,"teacher_disagreement_score":0.34824556,"about_ca_system_score_codex":0.000016587395,"about_ca_system_score_gemma":0.000044994664,"threshold_uncertainty_score":0.6772498},"labels":[],"label_agreement":null},{"id":"W2334092038","doi":"10.1386/public.25.49.74_1","title":"Catharsis in inuit art: A way to heal wounds","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Indigenous Studies and Ecology","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Catharsis; Government (linguistics); Aesthetics; Romance; Political science; History; Sociology; Art; Psychology; Psychoanalysis; Philosophy","score_opus":0.05010824892287266,"score_gpt":0.35850662582510573,"score_spread":0.30839837690223304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2334092038","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9019363,0.000046190737,0.0000108899485,0.042765398,0.0006507792,0.0010676783,0.000010784992,0.00005618635,0.053455777],"genre_scores_gemma":[0.9744729,0.000015407055,0.00012638808,0.010721864,0.0002245727,0.0011366801,0.000006323235,0.000015446158,0.013280417],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99797827,0.00013408116,0.0002991115,0.00019425608,0.00009128839,0.0013029911],"domain_scores_gemma":[0.99926436,0.00013610038,0.000052692143,0.00021020757,0.00015790082,0.00017871318],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00051167887,0.00009300596,0.00021323372,0.00018806425,0.0010909156,0.000015626512,0.00016245768,0.00014297677,0.0076781865],"category_scores_gemma":[0.0002047647,0.00008045695,0.00002886204,0.00034474896,0.000018393155,0.000117169286,0.00025316337,0.00035395246,0.021720998],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010013362,0.00015107737,0.34528255,0.000074609234,0.00002607814,0.000005336297,0.22393754,0.0000017250497,0.000029704053,0.0038414919,0.4146275,0.012012384],"study_design_scores_gemma":[0.0003720138,0.000111598885,0.5114132,0.000013268555,0.000002355075,0.0000010364431,0.016870042,0.000027350936,6.309426e-7,0.00045537163,0.47059786,0.00013527996],"about_ca_topic_score_codex":0.012003016,"about_ca_topic_score_gemma":0.3200143,"teacher_disagreement_score":0.3080113,"about_ca_system_score_codex":0.00060230435,"about_ca_system_score_gemma":0.00027300726,"threshold_uncertainty_score":0.99457616},"labels":[],"label_agreement":null},{"id":"W2334351941","doi":"10.1386/public.24.48.117_7","title":"Algorithms for the extinction event","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Paranormal Experiences and Beliefs","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Event (particle physics); Computer science; Physics; Astrophysics","score_opus":0.06520178133924062,"score_gpt":0.3541612878317876,"score_spread":0.288959506492547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2334351941","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32595515,0.0062940675,0.1914933,0.0606864,0.016750248,0.00417199,0.000025801533,0.0004655751,0.39415747],"genre_scores_gemma":[0.9700703,0.000009196672,0.00020132758,0.0009629764,0.00046765996,0.0014640169,0.0000050330373,0.000008177915,0.026811332],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99948734,0.000018951643,0.000094276875,0.000115085466,0.00006886121,0.00021548496],"domain_scores_gemma":[0.99962765,0.000074183765,0.000034234363,0.00017340838,0.00004860525,0.000041905634],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000139101,0.00004985062,0.00004746958,0.000020972795,0.00012248075,0.00006329481,0.00015592441,0.000036002493,0.006068614],"category_scores_gemma":[0.000023088845,0.000029194158,0.00004899736,0.00008570383,0.00003217817,0.00013531817,0.000017351153,0.000046435438,0.0011042202],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010971193,0.00016561727,0.0014872506,0.0000031377667,0.00005719273,4.0143345e-7,0.0018145205,0.0000047713493,0.0002047608,0.053858027,0.060537573,0.8818558],"study_design_scores_gemma":[0.00023447211,0.000063084924,0.036399957,5.6811064e-7,0.0000036048546,0.000006914436,0.0008964657,0.0018019812,0.000027545391,0.0005775189,0.959931,0.000056846115],"about_ca_topic_score_codex":0.00022914537,"about_ca_topic_score_gemma":0.000009374595,"teacher_disagreement_score":0.8993935,"about_ca_system_score_codex":0.0000101718,"about_ca_system_score_gemma":0.000008701395,"threshold_uncertainty_score":0.99967355},"labels":[],"label_agreement":null},{"id":"W2598588017","doi":"10.1386/public.27.54.5_7","title":"Transmissions: The Future Possibilities of Indigenous Digital and New Media Art","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg; NSCAD University; Concordia University","funders":"","keywords":"Indigenous; Digital media; Media arts; Computer science; Data science; Visual arts; World Wide Web; Art; Biology","score_opus":0.040200044923118045,"score_gpt":0.2014026092515629,"score_spread":0.16120256432844485,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2598588017","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9296408,0.0024581715,0.000008246578,0.018182842,0.00042302,0.00018298597,0.00019611901,0.00006376248,0.048844],"genre_scores_gemma":[0.9663071,0.00013205492,0.000005160266,0.00014552216,0.0007148838,0.00000449216,0.0000062711715,0.0000068170766,0.03267771],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995175,0.000010556247,0.00012471144,0.00009249947,0.00011186873,0.00014285959],"domain_scores_gemma":[0.99965924,0.000057961995,0.000034907254,0.00012187792,0.000044111755,0.00008191604],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000051599916,0.00007630549,0.00009215045,0.000021564601,0.00015501057,0.00022377101,0.00011674044,0.000025980697,0.0028092293],"category_scores_gemma":[0.000020766847,0.000029323079,0.000044148208,0.000018321596,0.00019568163,0.00044931602,0.000017838465,0.000041733892,0.000027381751],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016099895,0.000048678736,0.0006699965,0.000029650808,0.00003589385,0.0000010662225,0.16117336,4.1933514e-9,0.00012743898,0.40991974,0.03600405,0.39197403],"study_design_scores_gemma":[0.00014250037,0.00003943815,0.0012932558,0.000019624666,0.0000045592706,0.0000022982226,0.011468475,1.5711805e-7,0.000023326922,0.008712758,0.97822386,0.000069741036],"about_ca_topic_score_codex":0.00004289244,"about_ca_topic_score_gemma":0.0006438004,"teacher_disagreement_score":0.9422198,"about_ca_system_score_codex":0.0000055747314,"about_ca_system_score_gemma":0.000041009585,"threshold_uncertainty_score":0.99810237},"labels":[],"label_agreement":null},{"id":"W2600428739","doi":"10.1386/public.27.54.36_1","title":"A Brief (Media) History of the Indigenous Future","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Cultural Heritage Management and Preservation","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Indigenous; Futures contract; The Imaginary; Politics; Perspective (graphical); Sociology; Work (physics); Action (physics); Media studies; Social science; Political science; Engineering; Visual arts; Psychology; Law; Ecology; Art; Business","score_opus":0.09818442252104038,"score_gpt":0.18994336377825205,"score_spread":0.09175894125721167,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2600428739","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46681708,0.0012648437,0.0000056988088,0.016549397,0.0038792463,0.0002492939,0.00002211292,0.000082787585,0.51112956],"genre_scores_gemma":[0.88794136,0.000014004704,0.0000029545063,0.00032657315,0.00084327784,0.000008144535,0.0000040419714,0.0000045452957,0.110855095],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996293,0.00002167241,0.000079766935,0.00006096862,0.00011514265,0.00009315812],"domain_scores_gemma":[0.9997043,0.000020225436,0.000055021912,0.00014277495,0.00006182325,0.00001585502],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007340485,0.00004329458,0.00004871839,0.000025066347,0.000066776796,0.000028830185,0.0001758947,0.000015759435,0.003441112],"category_scores_gemma":[0.000023013981,0.00001979413,0.000042741147,0.000019036597,0.00009658577,0.00027956872,0.000048262522,0.000028902561,0.000026542986],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000054711572,0.00003171247,0.0022322757,0.000025075076,0.000021520715,4.936757e-7,0.072043866,1.4597597e-8,0.00015677758,0.62392324,0.23550686,0.06605272],"study_design_scores_gemma":[0.00010006434,0.0000071520694,0.006202923,0.0000060121893,0.0000044721123,1.4461911e-7,0.00069137115,4.9092256e-7,0.000008960159,0.0012119842,0.9917267,0.00003970634],"about_ca_topic_score_codex":0.00013845746,"about_ca_topic_score_gemma":0.0019268595,"teacher_disagreement_score":0.75621986,"about_ca_system_score_codex":0.00006087981,"about_ca_system_score_gemma":0.000024875815,"threshold_uncertainty_score":0.9974699},"labels":[],"label_agreement":null},{"id":"W2601095085","doi":"10.1386/public.27.54.104_7","title":"Tilllutarniit: History, Land and Resilience in Inuit Film and Video","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Cultural Heritage Management and Preservation","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Visual arts; Film festival; Feature film; Arctic char; Art; Arctic; Feature (linguistics); Archaeology; Art history; Geography; Media studies; History; Movie theater; Sociology","score_opus":0.07410342043630015,"score_gpt":0.21020961542157982,"score_spread":0.13610619498527965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2601095085","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94269603,0.0006859218,0.0000024040617,0.004603044,0.0001094477,0.000091915375,0.000007430158,0.00003172172,0.05177207],"genre_scores_gemma":[0.96606064,0.000063618485,0.0000064636642,0.00017266965,0.00008103246,0.000008349458,0.0000017000766,0.0000034782668,0.033602025],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996243,0.000019220688,0.000076455915,0.000115859795,0.00006149631,0.00010266949],"domain_scores_gemma":[0.9998265,0.000036525358,0.000023318904,0.00006473133,0.000020063151,0.000028865488],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011472917,0.00005134958,0.00005645095,0.000059919286,0.00005104,0.00009049668,0.000052228675,0.000014614714,0.0021815111],"category_scores_gemma":[0.000044705354,0.00003172647,0.0000069678517,0.000014847498,0.00009840787,0.00057625596,0.000052559193,0.000027898344,0.000016453456],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044499102,0.0000438849,0.2436975,0.00011288056,0.00001900002,0.000013125711,0.06690831,2.7341753e-7,0.00024198844,0.357221,0.056056827,0.2756407],"study_design_scores_gemma":[0.00023587508,0.000020289377,0.08176293,0.00001696758,0.0000021184528,5.7861826e-7,0.00030772967,0.00005270804,0.0000015186607,0.0017996022,0.9157241,0.00007559829],"about_ca_topic_score_codex":0.0003782786,"about_ca_topic_score_gemma":0.015681557,"teacher_disagreement_score":0.85966724,"about_ca_system_score_codex":0.00003486081,"about_ca_system_score_gemma":0.000006529718,"threshold_uncertainty_score":0.99873066},"labels":[],"label_agreement":null},{"id":"W2601247171","doi":"10.1386/public.27.54.78_1","title":"Deciphering the Refusal of the Digital and Binary Codes of Sovereignty/Self-Determination and Civilized/Savage","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Cultural and Social Studies in Latin America","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Indigenous; Sovereignty; Emancipation; Sociology; Self-determination; Media studies; Aesthetics; Visual arts; Law; Art; Political science; Politics","score_opus":0.025852182146563898,"score_gpt":0.21900533247578108,"score_spread":0.19315315032921718,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2601247171","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90340376,0.00027455823,0.0000016960299,0.0013557364,0.00009429435,0.000081315484,0.000032254764,0.000015028199,0.09474136],"genre_scores_gemma":[0.9988009,0.00013368326,0.000008542953,0.00003365783,0.000082178616,0.000004996323,4.054386e-7,0.0000035128328,0.00093213585],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996327,0.000022233342,0.00010803881,0.00006574823,0.00009440082,0.00007686553],"domain_scores_gemma":[0.9996311,0.00014309245,0.00008801499,0.00007130815,0.000053116983,0.000013331563],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0000679989,0.0000530165,0.00009287031,0.000008333283,0.0002501389,0.00006487208,0.00008062719,0.000012882876,0.00014440292],"category_scores_gemma":[0.00010128377,0.000020617732,0.000029808532,0.00002323703,0.00066403585,0.00017926541,0.00014204739,0.000026259137,5.4499253e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023799508,0.000085901505,0.012118458,0.00008384614,0.000109614135,4.0684412e-7,0.0471666,6.029773e-8,0.00096062024,0.63627446,0.0012244246,0.3019518],"study_design_scores_gemma":[0.0016260273,0.00056664477,0.13196026,0.0003369078,0.00011876655,0.0000101823625,0.04006413,0.00015504596,0.0008108825,0.04715473,0.77657866,0.0006177473],"about_ca_topic_score_codex":0.000025899028,"about_ca_topic_score_gemma":0.000054698845,"teacher_disagreement_score":0.77535427,"about_ca_system_score_codex":0.000008407179,"about_ca_system_score_gemma":0.0000062379254,"threshold_uncertainty_score":0.24466677},"labels":[],"label_agreement":null},{"id":"W2601319682","doi":"10.1386/public.27.54.206_5","title":"Girls’ Feminist Blogging in a Postfeminist Age, Jessalynn Keller","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Gender, Feminism, and Media","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Sociology; Gender studies; Feminism; Art","score_opus":0.06381158206981137,"score_gpt":0.3196948228198322,"score_spread":0.25588324075002084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2601319682","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32351485,0.00017449592,0.000025727217,0.026074033,0.001373651,0.00025471058,0.000013123899,0.00018636361,0.6483831],"genre_scores_gemma":[0.9721622,0.00011031026,0.00008610715,0.00095069373,0.0006289028,0.00004707065,0.0000045640213,0.000020549413,0.025989631],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979191,0.00016596125,0.00028230323,0.00036544932,0.00046081145,0.00080639607],"domain_scores_gemma":[0.9988715,0.00032573662,0.000093566014,0.00028565997,0.000067972425,0.00035553786],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00126954,0.00015072284,0.00021199328,0.00021523492,0.00035270758,0.00021217144,0.00049272925,0.00014905365,0.0008261461],"category_scores_gemma":[0.0009924058,0.000117158765,0.00008091923,0.00038513224,0.0005747482,0.00025475377,0.000086050015,0.00014385556,0.0003985364],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033119344,0.00054973905,0.25436303,0.000039576233,0.000056837995,0.0002466182,0.2745364,1.5715793e-7,0.001558108,0.30050656,0.057921287,0.11018855],"study_design_scores_gemma":[0.0006142107,0.000026197544,0.011768115,0.000033654404,0.000007279013,0.0000030600115,0.02187837,7.564302e-7,0.00008763594,0.002046397,0.96327305,0.00026129972],"about_ca_topic_score_codex":0.0006861219,"about_ca_topic_score_gemma":0.004655211,"teacher_disagreement_score":0.90535176,"about_ca_system_score_codex":0.0001517858,"about_ca_system_score_gemma":0.00046859178,"threshold_uncertainty_score":0.904572},"labels":[],"label_agreement":null},{"id":"W2601418749","doi":"10.1386/public.27.54.201_5","title":"The Ancients and the Postmoderns, Fredric Jameson","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Historical, Religious, and Philosophical Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Art; Philosophy; Literature","score_opus":0.02622107276612327,"score_gpt":0.18481045784995376,"score_spread":0.1585893850838305,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2601418749","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07708999,0.042711962,0.000043340104,0.40815195,0.0020896045,0.00044190427,0.000039802326,0.00017099774,0.46926045],"genre_scores_gemma":[0.98659,0.0017915654,0.0000013427968,0.0011901906,0.00078086305,0.00003150604,5.7734997e-7,0.000007943749,0.009605977],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992781,0.000059795926,0.00012276955,0.00013146938,0.00017727465,0.00023055515],"domain_scores_gemma":[0.99923956,0.00040043806,0.000043555458,0.00017742626,0.00008056418,0.000058465714],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00025128512,0.00008685584,0.00010690634,0.000018300716,0.0013740578,0.00023721177,0.00019683571,0.000021232032,0.00008414039],"category_scores_gemma":[0.00020067368,0.000028783292,0.00005226261,0.000027430588,0.00092491024,0.00008844102,0.00007804696,0.000069351816,0.00012971001],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016375143,0.000014330111,0.0002736248,0.000002265525,0.000023521945,3.944038e-7,0.0035908502,4.655853e-9,0.000001794784,0.92313236,0.050373096,0.022571377],"study_design_scores_gemma":[0.00037037753,0.000022141663,0.0002634255,0.0000039440815,0.000007765514,9.948781e-7,0.00011820804,0.0000051307093,6.722236e-7,0.10014858,0.8990002,0.00005853756],"about_ca_topic_score_codex":0.0001306987,"about_ca_topic_score_gemma":0.00035734038,"teacher_disagreement_score":0.90950006,"about_ca_system_score_codex":0.00002883593,"about_ca_system_score_gemma":0.000011295947,"threshold_uncertainty_score":0.99992603},"labels":[],"label_agreement":null},{"id":"W2602257803","doi":"10.1386/public.27.54.192_5","title":"Public Studio, What We Lose in Metrics","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Water Governance and Infrastructure","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Studio; Architectural engineering; Visual arts; Art; Engineering","score_opus":0.07866259836321886,"score_gpt":0.2891880007517644,"score_spread":0.2105254023885455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2602257803","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58572364,0.0038016166,0.00019845925,0.35085398,0.0020616597,0.00036010487,0.0000135888895,0.0001746256,0.056812312],"genre_scores_gemma":[0.99057376,0.0046321754,0.00006107653,0.00066376233,0.0003473474,0.000015668564,0.0000011260024,0.000009387816,0.0036956752],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99842757,0.00013034453,0.00017106411,0.00022739288,0.00049727305,0.0005463731],"domain_scores_gemma":[0.99931437,0.00011184084,0.000080985694,0.00020740218,0.00012256471,0.00016285422],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00069781113,0.00009515318,0.0001407105,0.00025009929,0.00016265297,0.0005735687,0.00047122964,0.00011135543,0.000874482],"category_scores_gemma":[0.0010424446,0.00006207567,0.00004788261,0.0013207496,0.00016789834,0.0040655,0.00009342311,0.00010204074,0.00020866412],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000410874,0.00009075017,0.21810274,0.000007067392,0.000021798476,0.000011088665,0.005670501,1.1380247e-7,0.00011106352,0.19582705,0.040847007,0.5393067],"study_design_scores_gemma":[0.00032630516,0.00001547445,0.03194477,0.000023001128,0.0000018746988,4.7017815e-7,0.0019644534,8.3104175e-7,0.000067888046,0.011750142,0.95377547,0.00012930842],"about_ca_topic_score_codex":0.00031178328,"about_ca_topic_score_gemma":0.0028193763,"teacher_disagreement_score":0.91292846,"about_ca_system_score_codex":0.0002624689,"about_ca_system_score_gemma":0.00023779375,"threshold_uncertainty_score":0.95749646},"labels":[],"label_agreement":null},{"id":"W2602722706","doi":"10.1386/public.27.54.58_1","title":"Aesthetics, Violence, and Indigeneity","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Anthropological Studies and Insights","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Aesthetics; Sociology; Art","score_opus":0.040458012655459445,"score_gpt":0.30606359604852285,"score_spread":0.2656055833930634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2602722706","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7624287,0.0016452504,0.0004951009,0.054180413,0.00028239633,0.00011493818,0.000003464118,0.0000995914,0.18075013],"genre_scores_gemma":[0.989363,0.009644782,0.000027758055,0.00035193152,0.00009814028,0.0000032563462,1.054963e-7,0.0000015845358,0.0005094372],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994907,0.000044778353,0.000052146235,0.00010272664,0.0001057923,0.00020387858],"domain_scores_gemma":[0.99975556,0.000043901076,0.000020116197,0.000049124894,0.000038519604,0.0000927543],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001752199,0.00003572366,0.00005632585,0.000013753302,0.000669068,0.000034951106,0.0000846185,0.000041366544,0.0006413901],"category_scores_gemma":[0.00015593562,0.000018432189,0.000015068992,0.00007440333,0.00083594094,0.000109431414,0.000047578436,0.000021812606,0.0000612609],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000010266823,0.00002230777,0.0879377,5.700994e-7,0.0000038585044,8.938198e-7,0.0008161068,2.074335e-9,0.000003956304,0.37972352,0.0014407755,0.53004926],"study_design_scores_gemma":[0.00007127186,0.000030050925,0.021363031,0.0000090618205,0.0000012253357,2.0702387e-7,0.0012088723,2.869859e-7,0.000012175057,0.0216208,0.95562404,0.000058991627],"about_ca_topic_score_codex":0.0007449229,"about_ca_topic_score_gemma":0.0011741883,"teacher_disagreement_score":0.9541832,"about_ca_system_score_codex":0.000022144472,"about_ca_system_score_gemma":0.000023220124,"threshold_uncertainty_score":0.7022772},"labels":[],"label_agreement":null},{"id":"W2603512944","doi":"10.1386/public.27.54.51_7","title":"Artwork (She Is Dancing With Herself, Dancing With Myself)","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Council of Professional Engineers","funders":"","keywords":"Dance; Art; Visual arts","score_opus":0.025763936973800392,"score_gpt":0.1873714770285562,"score_spread":0.1616075400547558,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2603512944","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.662216,0.000533917,0.00024370018,0.008101606,0.00045055954,0.00020244959,0.000021585305,0.00029443242,0.32793573],"genre_scores_gemma":[0.9807839,0.00005190389,0.00009900856,0.0010131643,0.0010727221,0.000032483997,0.000002405749,0.000030135614,0.016914282],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99895865,0.000016615322,0.000142218,0.0002346225,0.00021112901,0.00043674163],"domain_scores_gemma":[0.9994109,0.000054881624,0.00007317747,0.00026129602,0.0001230958,0.00007661519],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013672777,0.00018444321,0.00019546476,0.00008160079,0.0005959707,0.00021513872,0.00013930607,0.000023425047,0.0015778886],"category_scores_gemma":[0.000006283758,0.00008790182,0.0000378907,0.00007306164,0.00022691484,0.0007256703,0.000041446572,0.000090694564,0.00020544],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031660622,0.00020517259,0.08713485,0.0001928136,0.0009693679,0.000040040184,0.4475259,0.0000062941103,0.0001374076,0.21555853,0.13789658,0.11001644],"study_design_scores_gemma":[0.0006473792,0.0002427265,0.0010505934,0.00019377789,0.00003726639,0.0000100707275,0.011979823,0.000006717582,0.00015235087,0.00031138016,0.9850559,0.00031199792],"about_ca_topic_score_codex":0.00008434196,"about_ca_topic_score_gemma":0.0024923338,"teacher_disagreement_score":0.8471593,"about_ca_system_score_codex":0.000042501895,"about_ca_system_score_gemma":0.000057436682,"threshold_uncertainty_score":0.9993348},"labels":[],"label_agreement":null},{"id":"W2603913950","doi":"10.1386/public.27.54.98_1","title":"Arctic Cultural (Mis)Representation: Advocacy, Activism, and Artistic Expression on Social Media","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Indigenous Studies and Ecology","field":"Health Professions","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Representation (politics); Narrative; Arctic; The Internet; The arctic; Social media; Broadband; Expression (computer science); Media studies; Sociology; Political science; Art; Computer science; World Wide Web; Ecology; Law; Politics; Literature","score_opus":0.12273719676423812,"score_gpt":0.4103312751970557,"score_spread":0.2875940784328176,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2603913950","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96003115,0.00004400289,0.000077816774,0.02627421,0.0011953427,0.00042336798,0.0000149578855,0.000093435454,0.011845705],"genre_scores_gemma":[0.99652725,0.00007459863,0.00003693446,0.00086311,0.0010566311,0.00020979697,0.000011876539,0.000015524294,0.0012042695],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9982742,0.00026831796,0.00022913858,0.00025212104,0.00016328711,0.0008129398],"domain_scores_gemma":[0.9983227,0.0011144623,0.00013208848,0.00013037647,0.00017429546,0.00012604403],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002784915,0.00011882481,0.00020043744,0.00006221328,0.002838466,0.000014588421,0.00009090662,0.00013936587,0.0010788603],"category_scores_gemma":[0.0010752903,0.00007049808,0.000035236946,0.00009307784,0.00010288082,0.00018076274,0.0001350416,0.00021399431,0.00052628835],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00056217186,0.00047740852,0.29649994,0.00036471375,0.00017442471,0.000037852813,0.32872072,3.628137e-7,0.0062010917,0.03141381,0.26411477,0.07143272],"study_design_scores_gemma":[0.0032438478,0.00015399122,0.84140503,0.00013839532,0.000031835963,0.000006871789,0.062922545,0.000005759429,0.00016957906,0.003188561,0.08836365,0.00036991763],"about_ca_topic_score_codex":0.00012934246,"about_ca_topic_score_gemma":0.0010430873,"teacher_disagreement_score":0.5449051,"about_ca_system_score_codex":0.00022833311,"about_ca_system_score_gemma":0.00016122356,"threshold_uncertainty_score":0.9998343},"labels":[],"label_agreement":null},{"id":"W2605505435","doi":"10.1386/public.28.55.5_2","title":"Introduction: We Have Never Been Democratic","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Interdisciplinary Cultural and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto; University of Alberta","funders":"","keywords":"Democracy; Political science; Law; Politics","score_opus":0.06612522472290501,"score_gpt":0.3500286230061893,"score_spread":0.2839033982832843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2605505435","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044839054,0.00014717702,0.000012871635,0.62245095,0.001337018,0.0001207768,0.0000019325573,0.00006942424,0.3310208],"genre_scores_gemma":[0.87289476,0.00012067682,0.000044400524,0.00022380012,0.0057496927,0.000017870816,0.000002048015,0.000004378458,0.12094234],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99913967,0.00006791113,0.0001009353,0.00016628602,0.00023290934,0.00029228575],"domain_scores_gemma":[0.9994698,0.000019647108,0.000087269545,0.00018795951,0.00014629013,0.000089022506],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00031308105,0.00007365311,0.00011722447,0.000018780822,0.0062714545,0.00049997144,0.0003943845,0.00006035838,0.00075041223],"category_scores_gemma":[0.0004237298,0.000057659083,0.00006993608,0.000047028014,0.000491918,0.0011130652,0.00018730552,0.00009703043,0.00024365417],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000080800255,0.00006820505,0.013605964,0.0000100678035,0.000090255104,0.000006888848,0.052001018,3.5122486e-7,0.000029022318,0.3004014,0.5971416,0.036637112],"study_design_scores_gemma":[0.00008176638,0.000014708073,0.027271768,0.0000036942538,0.000008511045,5.7716363e-7,0.010652645,0.0000036585968,0.000008062495,0.022664992,0.93917936,0.00011026477],"about_ca_topic_score_codex":0.0009165625,"about_ca_topic_score_gemma":0.0059040496,"teacher_disagreement_score":0.82805574,"about_ca_system_score_codex":0.00009376213,"about_ca_system_score_gemma":0.000050838844,"threshold_uncertainty_score":0.99502224},"labels":[],"label_agreement":null},{"id":"W2605598882","doi":"10.1386/public.28.55.103_1","title":"Energy Demo(S): Towards a Rhthmanalysis of Capital and Extraction","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Capital (architecture); Politics; Representation (politics); Social capital; Energy (signal processing); Political economy; Political science; Sociology; History; Social science; Law","score_opus":0.04046258233018205,"score_gpt":0.344523403830753,"score_spread":0.3040608215005709,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2605598882","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88854724,0.00016798817,0.000030134384,0.0068187485,0.00021229677,0.000036064423,0.000004096547,0.000032244046,0.104151204],"genre_scores_gemma":[0.9979114,0.00012736575,0.00012087441,0.000031474574,0.000120791476,0.000009820899,0.0000022470758,0.00000461954,0.0016714297],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99928325,0.000049056674,0.000125478,0.00014217036,0.0002237305,0.00017633499],"domain_scores_gemma":[0.99926734,0.00004121476,0.00019210445,0.00023548002,0.00016639402,0.000097467426],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027407368,0.000057985613,0.000111041445,0.00020450482,0.00088555284,0.0003708385,0.0002672279,0.00005541803,0.00047721763],"category_scores_gemma":[0.0003800694,0.000058599453,0.000087167864,0.0001045016,0.0004295348,0.0010111603,0.00006615719,0.00006311962,0.0000073751867],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032572036,0.00043517747,0.15218425,0.000023909854,0.00056863483,0.000012070638,0.0141467955,0.0000018220195,0.002880242,0.6876938,0.007518055,0.13450274],"study_design_scores_gemma":[0.0004111935,0.00012783115,0.7063799,0.000018942083,0.00018498604,0.000009238662,0.026910767,0.0002481105,0.00082780194,0.019996962,0.24446633,0.0004179605],"about_ca_topic_score_codex":0.033444114,"about_ca_topic_score_gemma":0.08747618,"teacher_disagreement_score":0.6676968,"about_ca_system_score_codex":0.00002336617,"about_ca_system_score_gemma":0.00004758946,"threshold_uncertainty_score":0.97299224},"labels":[],"label_agreement":null},{"id":"W2605709257","doi":"10.1386/public.28.55.189_5","title":"Is Toronto Burning?: Three Years in the Making (and Unmaking) of the Toronto Art Scene, by Philip Monk","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Art; Media studies; Visual arts; History; Sociology","score_opus":0.058588903425462975,"score_gpt":0.29336571659699956,"score_spread":0.2347768131715366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2605709257","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7040694,0.0034011302,0.0000017082451,0.0026217024,0.00041009847,0.0003104249,0.00006149964,0.000025086852,0.289099],"genre_scores_gemma":[0.9974029,0.000050088882,0.0000033329284,0.0009110993,0.0001930613,0.000017822105,0.0000023846126,0.000008622206,0.0014106623],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992746,0.000040863193,0.00013846472,0.00015208739,0.00019840834,0.00019555786],"domain_scores_gemma":[0.9993156,0.0000229343,0.0001465948,0.00045332868,0.000041145784,0.000020390806],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002818066,0.00010406595,0.00012329464,0.000010841708,0.0005377334,0.00051695335,0.0006002101,0.000045929777,0.0011559858],"category_scores_gemma":[0.000043065542,0.00005915621,0.00008461139,0.000014208383,0.0002519594,0.0006150461,0.000109936016,0.00011220034,0.000005056874],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003984517,0.0003152103,0.07284462,0.00009141394,0.00015158253,0.0000035860567,0.2177413,1.6342788e-7,0.00067423936,0.51965785,0.17477617,0.013704006],"study_design_scores_gemma":[0.00024144446,0.000031689477,0.08746503,0.000054894645,0.000016485263,0.0000015756461,0.006018771,0.000026940159,0.000044420958,0.0015485565,0.9044244,0.00012577786],"about_ca_topic_score_codex":0.005447992,"about_ca_topic_score_gemma":0.12179115,"teacher_disagreement_score":0.72964823,"about_ca_system_score_codex":0.00002590229,"about_ca_system_score_gemma":0.000012911187,"threshold_uncertainty_score":0.9997571},"labels":[],"label_agreement":null},{"id":"W2605753998","doi":"10.1386/public.28.55.187_5","title":"NOW I SIT ME DOWN: FROM KLISMOS TO PLASTIC CHAIR: A NATURAL HISTORY BY WITOLD RYBCZYNSKI","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Natural history; Natural (archaeology); Art; Art history; History; Medicine; Archaeology","score_opus":0.04935137456581349,"score_gpt":0.23021290097570263,"score_spread":0.18086152640988915,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2605753998","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36426178,0.004285947,0.00031563023,0.032681353,0.022824492,0.0008056067,0.0014829218,0.0008412061,0.57250106],"genre_scores_gemma":[0.84036034,0.000008762098,0.000025706942,0.0028633967,0.0020968807,0.000034571854,0.000098127035,0.00003282489,0.15447937],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99861634,0.00002498925,0.00020872016,0.000349275,0.00027229934,0.0005283552],"domain_scores_gemma":[0.9987267,0.00008549608,0.00013291043,0.0006386512,0.00011967479,0.0002965212],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008547508,0.0002208029,0.00025241476,0.000091655995,0.0007625926,0.0005849824,0.0005974256,0.00006919835,0.002739966],"category_scores_gemma":[0.00021561125,0.00019920884,0.00010487033,0.0000012499376,0.0003379618,0.0006792972,0.00017859992,0.00022768418,0.001038651],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016682476,0.00009316987,0.00039410987,0.000016289809,0.00007783601,0.000009644908,0.04451451,4.0889705e-7,0.00019574145,0.060029086,0.8936894,0.0009631467],"study_design_scores_gemma":[0.00036021092,0.000042410666,0.001120828,0.000016638409,0.000025460366,0.0000011367921,0.00034285596,0.0002284433,0.000042582826,0.0014186471,0.9961094,0.000291361],"about_ca_topic_score_codex":0.0035042996,"about_ca_topic_score_gemma":0.023099456,"teacher_disagreement_score":0.4760986,"about_ca_system_score_codex":0.00023003173,"about_ca_system_score_gemma":0.0001045759,"threshold_uncertainty_score":0.99973917},"labels":[],"label_agreement":null},{"id":"W2605829183","doi":"10.1386/public.28.55.63_7","title":"To Tenant: Situating the Realtor Within","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Housing, Finance, and Neoliberalism","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Subjectivity; Speculation; Real estate; Perspective (graphical); Poverty; Capital (architecture); Gaze; Capital accumulation; Sociology; Law and economics; Political science; Political economy; Economics; Market economy; Epistemology; Philosophy; Law; Finance; Psychology; Psychoanalysis; Human capital; History; Art","score_opus":0.07015298014105878,"score_gpt":0.25231905149228046,"score_spread":0.18216607135122168,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2605829183","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61331916,0.00026903138,0.000945335,0.040198445,0.0014147155,0.00027985682,0.00005148523,0.00007849309,0.34344348],"genre_scores_gemma":[0.9890276,0.0000361565,0.00067041774,0.0019822703,0.0003644161,0.0000316159,0.0000027533963,0.000023215372,0.007861554],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989577,0.000009070563,0.0003425832,0.00030094874,0.000037309208,0.00035241674],"domain_scores_gemma":[0.9985466,0.000027761664,0.00040903618,0.0008776419,0.00003234173,0.00010659322],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00079764833,0.00010865592,0.00021586253,0.00009714503,0.0009153543,0.00060783996,0.0006996368,0.000059677346,0.00010089729],"category_scores_gemma":[0.00024950935,0.0000768681,0.000066053275,0.00010538494,0.00006769881,0.00038096975,0.00015408988,0.00013872616,0.001184662],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008473367,0.0000480757,0.040385604,0.000013761691,0.000027678614,0.0000064190112,0.0040931767,0.000015594882,0.00002820053,0.9286763,0.011099995,0.015596688],"study_design_scores_gemma":[0.00023538599,0.000035856745,0.08857955,0.000011883858,0.0000018339057,0.0000042406773,0.000048269576,0.00069344876,0.000050608196,0.005620685,0.9045147,0.00020356239],"about_ca_topic_score_codex":0.00097377546,"about_ca_topic_score_gemma":0.0004472578,"teacher_disagreement_score":0.92305565,"about_ca_system_score_codex":0.00004699928,"about_ca_system_score_gemma":0.000026236035,"threshold_uncertainty_score":0.999593},"labels":[],"label_agreement":null},{"id":"W2606374205","doi":"10.1386/public.28.55.171_7","title":"Living in Messy Times: An Interview with Kit Dobson","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Poetry; Globalization; Canadian literature; Politics; Transnationalism; Subject (documents); Sociology; Media studies; Field (mathematics); Art history; Political science; History; Art; Literature; Law; Library science","score_opus":0.05277998700296754,"score_gpt":0.28904476893877534,"score_spread":0.2362647819358078,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606374205","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26880896,0.0007771965,0.00002213347,0.017973017,0.00047353347,0.00018155201,0.000004390741,0.00007602384,0.7116832],"genre_scores_gemma":[0.98008054,0.00008352608,0.00002774137,0.00023883085,0.00012169837,0.000008841433,8.49673e-7,0.000005580849,0.0194324],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993733,0.00009669195,0.00006379494,0.00012170133,0.00014226086,0.00020225187],"domain_scores_gemma":[0.99949795,0.000018780946,0.000058323094,0.00024639716,0.000033015574,0.00014554047],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00069900125,0.000037130732,0.000076968776,0.00019705096,0.00099318,0.0016761223,0.00043660688,0.000039416864,0.0017120959],"category_scores_gemma":[0.00019921122,0.000042054347,0.000018975677,0.000086938235,0.00030715208,0.0011445475,0.000035992853,0.000080146754,0.000109122346],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007643922,0.00032187754,0.12782001,0.00010112752,0.00003908466,0.0000924156,0.1302289,0.000001256347,0.000010886575,0.2539517,0.048155792,0.4392693],"study_design_scores_gemma":[0.000052432955,0.000013345467,0.08625051,0.00004720063,0.0000024337223,4.350082e-7,0.0012822554,0.0000061408546,1.16654434e-7,0.00019948534,0.9120757,0.00006994278],"about_ca_topic_score_codex":0.44065085,"about_ca_topic_score_gemma":0.9870949,"teacher_disagreement_score":0.8639199,"about_ca_system_score_codex":0.00032370663,"about_ca_system_score_gemma":0.0004701904,"threshold_uncertainty_score":0.9993602},"labels":[],"label_agreement":null},{"id":"W2606409852","doi":"10.1386/public.28.55.25_1","title":"Attention’s Deficit","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Mind wandering and attention","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Alienation; Attention deficit disorder; Attention deficit; Psychology; Epistemology; Aesthetics; Sociology; Political science; Philosophy; Law; Psychiatry; Attention deficit hyperactivity disorder","score_opus":0.10773373047704439,"score_gpt":0.300696464165379,"score_spread":0.1929627336883346,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606409852","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94557345,0.000006643993,0.0005016003,0.0044373996,0.00037151983,0.00003923668,0.0000021521575,0.00006471808,0.049003255],"genre_scores_gemma":[0.9928315,0.0000058852756,0.00002540806,0.00014005505,0.000072595496,0.0000071064705,8.847466e-7,0.000005419327,0.006911111],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99948335,0.000017253078,0.000062122286,0.0001668338,0.00011703226,0.00015342404],"domain_scores_gemma":[0.9995153,0.000013534217,0.000063679385,0.00034399392,0.000014093066,0.000049432856],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000092607304,0.00004403529,0.000042700332,0.00003462709,0.00059143454,0.0004566842,0.0002756599,0.000021873984,0.00019523688],"category_scores_gemma":[0.00051980844,0.00003916958,0.00003699777,0.00002633394,0.000047294707,0.00032888688,0.00006748187,0.00005326045,0.0005804533],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000074476184,0.0002208346,0.18776561,0.00003130757,0.0000065427107,0.000031413834,0.000057886908,0.0000023498678,0.526461,0.17974488,0.005792306,0.09987841],"study_design_scores_gemma":[0.00094687403,0.00004941661,0.8168391,0.000026107093,0.000010466818,0.00005686129,0.000045692173,0.0011031494,0.029954413,0.0050974884,0.14548877,0.0003816655],"about_ca_topic_score_codex":0.000010111578,"about_ca_topic_score_gemma":0.0000044147328,"teacher_disagreement_score":0.6290735,"about_ca_system_score_codex":0.000009341699,"about_ca_system_score_gemma":0.000009973759,"threshold_uncertainty_score":0.7460747},"labels":[],"label_agreement":null},{"id":"W2606431765","doi":"10.1386/public.28.55.40_7","title":"Art, Politics and Systemic Change: An Interview with Astra Taylor","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Political and Economic history of UK and US","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"ASTRA; Politics; Political science; Law","score_opus":0.13204153505187322,"score_gpt":0.3154140089768768,"score_spread":0.1833724739250036,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606431765","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7104736,0.00041452431,0.0000427916,0.02340725,0.00042556357,0.00017766455,0.000017773114,0.0000702349,0.26497063],"genre_scores_gemma":[0.9932718,0.00004206707,0.000030496605,0.000701595,0.00043096195,0.000015443607,0.0000021796968,0.0000049237888,0.0055004787],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993515,0.00005013459,0.000078676305,0.00013240527,0.000068574445,0.00031870877],"domain_scores_gemma":[0.9993677,0.000013921841,0.00005403962,0.00019130135,0.000027966578,0.0003450314],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003443955,0.000058824902,0.000112372014,0.000027466034,0.0008838367,0.0003163719,0.00023710751,0.000042664607,0.00016865274],"category_scores_gemma":[0.00005581865,0.000048069316,0.000017935077,0.00001263106,0.0004069282,0.000633689,0.000030855706,0.00005551631,0.00009921083],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000031810414,0.0000578613,0.013268195,0.00007465682,0.000020418822,0.00000857319,0.0073445123,1.9787072e-8,0.0000031050938,0.9147066,0.0017625823,0.06275029],"study_design_scores_gemma":[0.00017942594,0.00006717137,0.017266069,0.000033802604,0.0000100972475,0.000011711616,0.0015383172,0.000030978,9.801505e-7,0.0022291113,0.9784984,0.0001339292],"about_ca_topic_score_codex":0.0012846871,"about_ca_topic_score_gemma":0.0021760152,"teacher_disagreement_score":0.97673583,"about_ca_system_score_codex":0.000053145042,"about_ca_system_score_gemma":0.00005513894,"threshold_uncertainty_score":0.6797847},"labels":[],"label_agreement":null},{"id":"W2606541296","doi":"10.1386/public.28.55.84_1","title":"Border, Theory, Contract: An Interview with Angela Mitropoulos","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Housing, Finance, and Neoliberalism","field":"Economics, Econometrics and Finance","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Politics; Speculation; Neoliberalism (international relations); Fordism; Work (physics); Critical theory; Sociology; Relation (database); Control (management); Political economy; Political science; Gender studies; Management; Economics; Economy; Law; Finance","score_opus":0.05446393883469967,"score_gpt":0.26391057375283855,"score_spread":0.2094466349181389,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606541296","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.54117435,0.0044061076,0.004519554,0.007601883,0.00092985434,0.00035897235,0.00012619208,0.00014873067,0.44073433],"genre_scores_gemma":[0.9927591,0.00035463794,0.00042297324,0.0013994423,0.00021943876,0.00003446765,0.000018475148,0.00004370775,0.00474776],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99875486,0.000029705834,0.00033256362,0.00042381472,0.000039340808,0.00041971952],"domain_scores_gemma":[0.99825937,0.000023884024,0.00047991678,0.0010276121,0.000055142486,0.00015405832],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007416486,0.00018207611,0.00039514134,0.00013495635,0.00041412737,0.0006834561,0.0006903594,0.00010193253,0.0010450761],"category_scores_gemma":[0.0000502907,0.0001719635,0.00008728926,0.00007650458,0.00017947717,0.0011907117,0.00007898343,0.00017885306,0.00043949092],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002190567,0.00020421871,0.039398417,0.000026679676,0.00006447969,0.000019264055,0.0005030076,5.001423e-7,0.0000049410746,0.91688126,0.001343374,0.041531958],"study_design_scores_gemma":[0.00081683364,0.00012566592,0.11224683,0.00002221379,0.000006995382,0.000014284713,0.000027468686,0.00019015226,0.000021992153,0.00853259,0.8776855,0.00030950556],"about_ca_topic_score_codex":0.00045559413,"about_ca_topic_score_gemma":0.00045942803,"teacher_disagreement_score":0.9083487,"about_ca_system_score_codex":0.000043694283,"about_ca_system_score_gemma":0.000031191797,"threshold_uncertainty_score":0.9998681},"labels":[],"label_agreement":null},{"id":"W2606648205","doi":"10.1386/public.28.55.158_1","title":"Creative Publics: DIY Political Culture and the 2015 Canadian Federal Election","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Educator Training and Historical Pedagogy","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Publics; Politics; Transformative learning; Agency (philosophy); Citizen journalism; Citizenship; Participatory culture; Political activism; Political science; Sociology; Public relations; Media studies; Public administration; Social science; Law; Pedagogy","score_opus":0.09425916723504658,"score_gpt":0.39026728452237786,"score_spread":0.2960081172873313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606648205","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014002328,0.00019603872,0.0000054306456,0.27309173,0.000584264,0.00009487405,0.0000048225083,0.000034460736,0.71198606],"genre_scores_gemma":[0.97884387,0.000025852976,0.000020552367,0.0011470708,0.00093591085,0.000017310815,0.000003486228,0.000005064325,0.019000873],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989509,0.00015971721,0.00007330773,0.0001487175,0.00017089101,0.00049648347],"domain_scores_gemma":[0.9989796,0.00006864261,0.000047782807,0.00017278742,0.00013634434,0.000594836],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.000641556,0.00006431191,0.000100705554,0.00005355873,0.0046640113,0.0012174442,0.00027929468,0.000103024526,0.00015387073],"category_scores_gemma":[0.0023821287,0.000044389144,0.000035370926,0.00006721098,0.0010480735,0.00035466338,0.00002092998,0.0002027223,0.00002256697],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000029754253,0.000009523279,0.009193168,8.2502066e-7,0.000009456604,5.38467e-7,0.01608245,4.7268576e-9,2.3945248e-7,0.93202627,0.041128807,0.0015457671],"study_design_scores_gemma":[0.00025130672,0.000015020938,0.015334103,0.0000018569887,0.00000637544,0.0000016152902,0.018554868,0.000005476808,4.580259e-7,0.013199822,0.95255005,0.000079054],"about_ca_topic_score_codex":0.7654496,"about_ca_topic_score_gemma":0.80449563,"teacher_disagreement_score":0.96484154,"about_ca_system_score_codex":0.00035638042,"about_ca_system_score_gemma":0.0010585836,"threshold_uncertainty_score":0.9998194},"labels":[],"label_agreement":null},{"id":"W2606788126","doi":"10.1386/public.28.55.184_5","title":"The Ordinary Man of Cinema","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Movie theater; Art; Art history","score_opus":0.07181294048636147,"score_gpt":0.2469619491529363,"score_spread":0.17514900866657482,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606788126","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4592954,0.0061600353,0.000054989952,0.054943614,0.0011652389,0.0001271928,0.000027412707,0.000018984942,0.47820714],"genre_scores_gemma":[0.9920459,0.0006026641,0.000044414628,0.0000783026,0.000115509385,0.000013931416,0.0000011537414,0.0000056608374,0.007092471],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995348,0.0000024517992,0.00018978743,0.00010618268,0.00001656692,0.00015023963],"domain_scores_gemma":[0.9991939,0.000042378397,0.00023232333,0.00047351548,0.000025009724,0.000032837248],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028775004,0.00004806716,0.00015041667,0.00004398866,0.00038865104,0.00008066205,0.00032196962,0.000021137776,0.00008918671],"category_scores_gemma":[0.00054808403,0.000037048332,0.0000531828,0.00003370584,0.000112630565,0.00012170053,0.00012474015,0.00004369786,0.00014702223],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004593533,0.00003296614,0.30167177,0.000016644899,0.000052002204,0.0000014197801,0.00016542914,1.2264688e-7,0.000007647637,0.64423335,0.041761007,0.012053063],"study_design_scores_gemma":[0.00017894241,0.000019741063,0.33299243,0.0000025443276,0.0000014167911,9.625375e-7,0.000059844468,0.000028470453,0.000016816859,0.014383496,0.65226746,0.000047895457],"about_ca_topic_score_codex":0.000098932105,"about_ca_topic_score_gemma":0.000093717405,"teacher_disagreement_score":0.62984985,"about_ca_system_score_codex":0.000009290905,"about_ca_system_score_gemma":0.0000073442134,"threshold_uncertainty_score":0.29892287},"labels":[],"label_agreement":null},{"id":"W2607005256","doi":"10.1386/public.28.55.33_7","title":"The Unknown Student","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Art Education and Development","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; Sociology; Visual arts; Mathematics education; Art; Art history; History; Psychology","score_opus":0.08150675839650458,"score_gpt":0.3075931943462532,"score_spread":0.22608643594974864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2607005256","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.032826573,0.00007958923,0.000002688086,0.053336717,0.00186416,0.00006149229,6.3922306e-7,0.000031658506,0.9117965],"genre_scores_gemma":[0.7908817,0.000014692487,0.0000065631175,0.0004960797,0.00035743474,0.000020042284,0.0000012097212,0.0000030270287,0.20821923],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996514,0.000008348828,0.000066674074,0.000058599657,0.00010044803,0.00011458044],"domain_scores_gemma":[0.99955004,0.000020094238,0.00004775348,0.00027645915,0.000066117835,0.000039533992],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015255649,0.00003617943,0.000030273934,0.000012247113,0.002954676,0.0017250464,0.0003143341,0.0000058934856,0.0015264386],"category_scores_gemma":[0.00005425529,0.000020722116,0.000017843304,0.0000027142144,0.00014607873,0.00016014738,0.000076242926,0.00003401951,0.00070381747],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[3.3442603e-7,0.00001914542,0.0012962096,4.905245e-7,0.000007604587,1.2988149e-7,0.009417197,7.1690804e-9,1.2550201e-7,0.9012692,0.07625189,0.011737681],"study_design_scores_gemma":[0.000048445047,0.0000034557436,0.022379307,9.31171e-7,9.884988e-7,1.8170114e-7,0.0020759369,0.0000014998512,0.000002290346,0.002565036,0.97288626,0.000035691155],"about_ca_topic_score_codex":0.000018761277,"about_ca_topic_score_gemma":0.0007938101,"teacher_disagreement_score":0.8987042,"about_ca_system_score_codex":0.000014672775,"about_ca_system_score_gemma":0.00004936862,"threshold_uncertainty_score":0.9993863},"labels":[],"label_agreement":null},{"id":"W2607084069","doi":"10.1386/public.28.55.120_7","title":"An Introduction to the Poetry of James R. Louden","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Victoria","funders":"","keywords":"Poetry; Literature; Context (archaeology); Social justice; American poetry; History; Art; Sociology; Art history; Philosophy; Environmental ethics; Archaeology","score_opus":0.021823348214488676,"score_gpt":0.283431383833709,"score_spread":0.26160803561922036,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2607084069","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3551652,0.00017014636,0.000036931473,0.5497533,0.0022664557,0.00015866915,0.000011630548,0.00003471416,0.09240291],"genre_scores_gemma":[0.98823786,0.000014332431,0.000017901248,0.00022657278,0.0016890104,0.0000031181746,9.246856e-7,0.0000022045397,0.00980808],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995995,0.000040067906,0.000045108463,0.00007511725,0.00013959208,0.00010060564],"domain_scores_gemma":[0.99946976,0.000006642398,0.00004640997,0.00032826056,0.00005984244,0.00008911162],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00043382286,0.000017926575,0.000037070044,0.000099126955,0.0015544328,0.00068260095,0.00044504224,0.000023831326,0.0005140737],"category_scores_gemma":[0.00047076476,0.000017818551,0.00001892441,0.00007047272,0.00030807455,0.00037422407,0.000020085206,0.000038843926,0.00007429986],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000028321401,0.000030649833,0.0039663967,0.0000038281582,0.000008204917,5.044677e-7,0.02140313,0.000001675401,0.000090751506,0.22273782,0.6664646,0.085289605],"study_design_scores_gemma":[0.000017255754,0.0000071189943,0.028483383,5.5025333e-7,0.0000019639017,1.2032625e-7,0.0016007,9.096193e-7,0.0000052075593,0.00029185074,0.9695674,0.000023524042],"about_ca_topic_score_codex":0.34838063,"about_ca_topic_score_gemma":0.85563934,"teacher_disagreement_score":0.6330726,"about_ca_system_score_codex":0.0001197823,"about_ca_system_score_gemma":0.00023993423,"threshold_uncertainty_score":0.9997454},"labels":[],"label_agreement":null},{"id":"W2607126168","doi":"10.1386/public.28.55.72_1","title":"Visibilities of Exchange Across Forms: A Case Study of The House Of Mirth","year":2017,"lang":"en","type":"article","venue":"Public","topic":"American and British Literature Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Democracy; Reading (process); Adaptation (eye); Sociology; Media studies; Political science; Law; Psychology","score_opus":0.05074693021127366,"score_gpt":0.2844906246436776,"score_spread":0.23374369443240392,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2607126168","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98940116,0.00021849315,8.0393255e-7,0.00012190363,0.00007784022,0.00015271679,0.00013598255,0.000011813296,0.009879276],"genre_scores_gemma":[0.99711186,0.000008327852,0.0000036955357,0.00004512744,0.00008917547,0.000011325,0.0000011589003,0.000010387383,0.0027189236],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99926174,0.000039676128,0.00026515976,0.000113185015,0.00017830104,0.00014196726],"domain_scores_gemma":[0.99862707,0.000033580218,0.00041926093,0.00066702475,0.00022660586,0.00002646706],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019689368,0.00007771666,0.00026682933,0.000048658818,0.00035020246,0.00018322878,0.0003561308,0.000018052426,0.0002847565],"category_scores_gemma":[0.00008237859,0.00004871305,0.00013864455,0.00004087397,0.00068512576,0.0003470795,0.00016541262,0.00006079357,8.37893e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003838602,0.0019728504,0.07053236,0.0003980406,0.0006173558,0.00008815754,0.876232,5.913274e-7,0.000040756415,0.022417901,0.0033413568,0.024320206],"study_design_scores_gemma":[0.001618728,0.0008616451,0.01835154,0.00009734261,0.00020297294,0.0000649356,0.91264564,0.000033597677,0.0002683312,0.0005465129,0.06501964,0.0002890934],"about_ca_topic_score_codex":0.010390449,"about_ca_topic_score_gemma":0.03537657,"teacher_disagreement_score":0.06167828,"about_ca_system_score_codex":0.000006526994,"about_ca_system_score_gemma":0.000021374073,"threshold_uncertainty_score":0.9961994},"labels":[],"label_agreement":null},{"id":"W2761057736","doi":"10.1386/public.27.53.105_7","title":"‘Public Art as Collective Practice’: ‘Collective Breath Poster’","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Spectacle; Ephemeral key; White (mutation); Public art; Work (physics); Media studies; Visual arts; Sociology; Political science; Public relations; Art; Law; Engineering; Computer science","score_opus":0.09231417234737564,"score_gpt":0.2723877556264845,"score_spread":0.18007358327910883,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2761057736","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0037438346,0.00010972119,0.00019598134,0.050902553,0.00075025955,0.00041147435,0.00015597165,0.00025107322,0.9434791],"genre_scores_gemma":[0.55322427,0.000021356564,0.000025389922,0.0042148037,0.00079267996,0.000083543186,0.000015483482,0.000036410638,0.44158608],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99789286,0.00019174679,0.0003037771,0.00044984638,0.00038002853,0.0007817611],"domain_scores_gemma":[0.9976127,0.000552172,0.00019117403,0.00039914166,0.00092143554,0.00032337967],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00033598888,0.0002719796,0.00028400464,0.0003252557,0.0008552572,0.00072999176,0.0002911705,0.0000940899,0.0055175233],"category_scores_gemma":[0.0012379248,0.0001916768,0.00014322333,0.00001924049,0.0004814393,0.0019107139,0.00013190415,0.00017065032,0.0029546833],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000808582,0.00047099858,0.00038190864,0.0000118575745,0.0003369096,0.000027338074,0.1012207,4.152969e-8,0.000046212255,0.60257274,0.29046854,0.004381905],"study_design_scores_gemma":[0.00087737135,0.00030666942,0.00032169354,0.000017217031,0.00003987627,0.00004996873,0.0023442172,0.000005415658,0.00010748886,0.038890276,0.95672166,0.00031811898],"about_ca_topic_score_codex":0.00033170872,"about_ca_topic_score_gemma":0.0034292247,"teacher_disagreement_score":0.66625315,"about_ca_system_score_codex":0.0005829387,"about_ca_system_score_gemma":0.0011736879,"threshold_uncertainty_score":0.9978216},"labels":[],"label_agreement":null},{"id":"W2761064839","doi":"10.1386/public.27.53.5_7","title":"Mega-event cities: Art/audiences/aftermaths","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Sport and Mega-Event Impacts","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University; University of British Columbia; Simon Fraser University","funders":"","keywords":"Mega-; The arts; Event (particle physics); Aesthetics; Sociology; Media studies; History; Visual arts; Art","score_opus":0.044314824947328066,"score_gpt":0.31497687974742816,"score_spread":0.2706620548001001,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2761064839","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6042899,0.00017754786,0.00030145832,0.037733477,0.0009611351,0.00021925748,0.000009635803,0.00022819077,0.35607943],"genre_scores_gemma":[0.929893,0.0001924177,0.000052023293,0.00087178487,0.00043842348,0.000032055297,0.0000026332311,0.000009817435,0.06850786],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99830186,0.00007339823,0.00019229688,0.00021118447,0.00055439246,0.0006668406],"domain_scores_gemma":[0.9990823,0.00010621022,0.00009846337,0.00022087304,0.00010167961,0.00039046694],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00088532345,0.00011286738,0.00014830368,0.0001202,0.00035148597,0.00014966368,0.00037703663,0.000078732526,0.00392772],"category_scores_gemma":[0.00054798095,0.00007551042,0.00009223298,0.00031519838,0.00027688927,0.00087073765,0.000055838987,0.000057409696,0.0007983308],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013919012,0.00021169095,0.022519939,0.000015620853,0.00005181933,0.000024916384,0.010307055,1.8427717e-7,0.00046800662,0.70413685,0.18672824,0.07552179],"study_design_scores_gemma":[0.00020848298,0.000023151051,0.0041798544,0.000028811926,0.000007629461,0.0000014832079,0.00048209712,8.2659784e-7,0.00011335965,0.0030714972,0.9917384,0.00014441901],"about_ca_topic_score_codex":0.00014740405,"about_ca_topic_score_gemma":0.00087475555,"teacher_disagreement_score":0.80501014,"about_ca_system_score_codex":0.00015475632,"about_ca_system_score_gemma":0.00036805682,"threshold_uncertainty_score":0.9999797},"labels":[],"label_agreement":null},{"id":"W2761286893","doi":"10.1386/public.27.53.187_5","title":"A Theory of the Drone, Grégoire Chamayou (2015), New York: New Press","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Space Science and Extraterrestrial Life","field":"Physics and Astronomy","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Drone; Computer science; Aeronautics; Engineering; Biology","score_opus":0.047009948461102374,"score_gpt":0.24878380270833242,"score_spread":0.20177385424723004,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2761286893","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6206621,0.0014037845,0.02840721,0.11458123,0.005029843,0.0013928103,0.0001367678,0.00020258556,0.2281837],"genre_scores_gemma":[0.96129197,0.0000020111931,0.000045041495,0.000092743474,0.0008672721,0.000005923101,0.0000014284333,0.000008807225,0.037684802],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991366,0.000053670912,0.00014798962,0.00017742834,0.00019241482,0.00029187204],"domain_scores_gemma":[0.9992305,0.000060436534,0.00011270579,0.0003973803,0.000027193908,0.00017177338],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023138545,0.000100174046,0.00012211523,0.000026980815,0.00007705508,0.000068876725,0.00048665423,0.00002974431,0.0009460128],"category_scores_gemma":[0.000034300367,0.00004929509,0.000103423336,0.00017091712,0.00009848591,0.0002788058,0.0000944222,0.00005950337,0.00008298072],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025618354,0.00008528463,0.029264824,0.0000028302172,0.000049821705,1.3684564e-7,0.00057641,0.0000023027517,0.002234575,0.54395074,0.20641913,0.21738835],"study_design_scores_gemma":[0.0022413884,0.00007118928,0.018077692,0.000086397245,0.000035669746,9.98454e-7,0.0006426344,0.000020966345,0.014937903,0.12849821,0.8350288,0.0003580986],"about_ca_topic_score_codex":0.00094325485,"about_ca_topic_score_gemma":0.00002271476,"teacher_disagreement_score":0.6286097,"about_ca_system_score_codex":0.000009657428,"about_ca_system_score_gemma":0.00038533556,"threshold_uncertainty_score":0.9999673},"labels":[],"label_agreement":null},{"id":"W2761508048","doi":"10.1386/public.26.52.250_5","title":"Bridget Moser, Tender Offer: Part 1","year":2015,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tender offer; Legal tender; Art; Business; Advertising; Visual arts; Economics; Finance; Monetary economics","score_opus":0.26568244905682514,"score_gpt":0.27150964192561294,"score_spread":0.0058271928687878005,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2761508048","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33232486,0.00079056236,0.0000123659975,0.003674631,0.001965779,0.00020045118,0.00010478694,0.00040175684,0.6605248],"genre_scores_gemma":[0.98097086,0.000007974282,0.000007323419,0.0015765296,0.0010662121,0.00002312173,0.00005958116,0.000011510514,0.016276883],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930906,0.000030203055,0.000108379274,0.00014093742,0.00017511826,0.00023630058],"domain_scores_gemma":[0.9994687,0.000009822519,0.000033364162,0.00015837993,0.00015742498,0.00017232925],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015032841,0.0000991753,0.000103325634,0.0000594485,0.00015009151,0.0003271494,0.00015094317,0.000036085483,0.0015844423],"category_scores_gemma":[0.00003669063,0.00007322157,0.00007058379,0.00005417967,0.00011021468,0.0003896263,0.00003405413,0.00010842421,0.0003200826],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000059761487,0.00009849261,0.0008904119,0.0000066718385,0.000029640456,0.0000023223422,0.0067046518,1.366326e-7,0.000012679643,0.40268314,0.58886844,0.00069742254],"study_design_scores_gemma":[0.00022972639,0.000049612805,0.0003257449,0.0000036377726,0.00000765137,0.000002376403,0.0020065035,0.000014505373,0.00006360846,0.0025443528,0.99462956,0.00012272404],"about_ca_topic_score_codex":0.00012532939,"about_ca_topic_score_gemma":0.00027092797,"teacher_disagreement_score":0.648646,"about_ca_system_score_codex":0.000010691357,"about_ca_system_score_gemma":0.000036527155,"threshold_uncertainty_score":0.99932826},"labels":[],"label_agreement":null},{"id":"W2762095449","doi":"10.1386/public.27.53.13_1","title":"Hosts and guests","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of British Columbia","funders":"","keywords":"Context (archaeology); Sight; Visual arts; Public space; Political science; Media studies; Aesthetics; Sociology; Advertising; History; Public relations; Art; Architectural engineering; Business; Archaeology; Engineering","score_opus":0.0522203111039642,"score_gpt":0.22555090719085172,"score_spread":0.17333059608688753,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2762095449","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8988046,0.000279073,0.0000058790274,0.0037736602,0.00026502938,0.00005900863,0.000025541765,0.00010263698,0.09668458],"genre_scores_gemma":[0.993446,0.000026888143,0.0000030590973,0.00037597303,0.00028596594,0.0000071912764,0.0000017976922,0.0000042158986,0.005848939],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99969625,0.000010149654,0.00004502307,0.00008284763,0.00005115631,0.00011459644],"domain_scores_gemma":[0.9998153,0.000016590075,0.000014650924,0.00006438332,0.000035272486,0.000053827393],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000045571902,0.000047872018,0.00004550194,0.00003732635,0.000112052905,0.00012604547,0.000050110528,0.00001661678,0.0011586864],"category_scores_gemma":[0.000017695298,0.000024860603,0.000021425221,0.000015418575,0.00011325426,0.0002680785,0.000018463961,0.000023780294,0.000077092314],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000027398398,0.000025515648,0.0025621054,0.0000058099363,0.000013189354,0.0000011028566,0.0033511135,2.4721794e-10,0.0008462141,0.9608833,0.02076254,0.01154637],"study_design_scores_gemma":[0.00014591175,0.000029933477,0.004318426,0.0000087670305,0.0000026157302,0.0000015286424,0.00020571153,2.716275e-7,0.00020292071,0.0032924607,0.99172324,0.00006823572],"about_ca_topic_score_codex":0.000021236938,"about_ca_topic_score_gemma":0.00018151713,"teacher_disagreement_score":0.9709607,"about_ca_system_score_codex":0.0000027167414,"about_ca_system_score_gemma":0.000004626462,"threshold_uncertainty_score":0.99975437},"labels":[],"label_agreement":null},{"id":"W2762146331","doi":"10.1386/public.27.53.131_1","title":"Calgary (1988): A cultural Olympiad avant la lettre","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Vietnamese History and Culture Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Calgary","funders":"","keywords":"Olympiad; Exhibition; Event (particle physics); The arts; Context (archaeology); Politics; Martial arts; History; Sociology; Visual arts; Media studies; Political science; Art; Law; Archaeology","score_opus":0.03180196746042202,"score_gpt":0.2876858965514124,"score_spread":0.2558839290909904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2762146331","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018824082,0.0013121702,0.00007183725,0.085167155,0.00083530566,0.00014036486,0.0000069300395,0.00025054277,0.8933916],"genre_scores_gemma":[0.9164522,0.000104346494,0.00005406513,0.0005255558,0.0004129493,0.000035188637,0.0000016219473,0.0000068624167,0.08240719],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99891865,0.00019986092,0.00010442053,0.00018586003,0.00026421828,0.00032699024],"domain_scores_gemma":[0.9995639,0.000036811474,0.00004444411,0.000117771386,0.00010401363,0.00013311162],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00037323873,0.00009417601,0.00011918704,0.000030701794,0.0010759433,0.0000748187,0.0002212436,0.00007848009,0.0007665918],"category_scores_gemma":[0.00041811,0.000052203737,0.00008078076,0.0001291637,0.00049829483,0.00046181912,0.000048020556,0.000067837325,0.00051279203],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009781526,0.00009108459,0.0037966282,0.000008685898,0.00006296542,0.00002336237,0.086157635,2.3087008e-8,0.0010835668,0.3319613,0.47759914,0.099205814],"study_design_scores_gemma":[0.00017004706,0.000009986205,0.0010538475,0.000011854808,0.000006228338,0.000001960673,0.005657096,1.623901e-7,0.000009266528,0.00073617895,0.99222803,0.00011532555],"about_ca_topic_score_codex":0.00010528152,"about_ca_topic_score_gemma":0.0018804072,"teacher_disagreement_score":0.8976281,"about_ca_system_score_codex":0.00011489453,"about_ca_system_score_gemma":0.00010923758,"threshold_uncertainty_score":0.8393643},"labels":[],"label_agreement":null},{"id":"W2762218608","doi":"10.1386/public.26.52.41_1","title":"From Havana Portraits from an Intimate Outsider","year":2015,"lang":"en","type":"article","venue":"Public","topic":"Cuban History and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Art history; Art; Geography; Genealogy; History; Sociology; Gender studies","score_opus":0.11282805418855825,"score_gpt":0.33978300606532835,"score_spread":0.22695495187677012,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2762218608","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87528634,0.00029501156,0.0003632695,0.008015705,0.0014217694,0.00011291069,0.00007034723,0.00029223936,0.11414241],"genre_scores_gemma":[0.99485946,0.000006378228,0.00042170708,0.0010754219,0.000978459,0.000006548874,0.00007103095,0.000010853923,0.0025701432],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988073,0.000171826,0.00013441617,0.00023823656,0.00037198092,0.00027624844],"domain_scores_gemma":[0.9991072,0.000046520425,0.000060865084,0.00022211888,0.000119066695,0.00044425213],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000570969,0.00008089315,0.00012739388,0.000026811944,0.00029638765,0.00018907676,0.0002967262,0.00012024789,0.0014531655],"category_scores_gemma":[0.00027782973,0.00008333937,0.00006019411,0.00015341461,0.00018994402,0.0008189172,0.000037383947,0.00012101976,0.00028697072],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014610683,0.00025408829,0.11561148,0.0000018968997,0.000076273696,0.000020666315,0.37922955,0.0000065625577,0.00006488506,0.025471736,0.45734426,0.021904007],"study_design_scores_gemma":[0.0002522414,0.000011512243,0.022883339,0.0000023314317,0.000010346793,1.0282324e-7,0.017025933,0.00010774879,0.0000069482167,0.01866211,0.94086856,0.00016883876],"about_ca_topic_score_codex":0.0412714,"about_ca_topic_score_gemma":0.017520187,"teacher_disagreement_score":0.4835243,"about_ca_system_score_codex":0.00017133761,"about_ca_system_score_gemma":0.00034450018,"threshold_uncertainty_score":0.9994596},"labels":[],"label_agreement":null},{"id":"W2762264554","doi":"10.1386/public.27.53.22_1","title":"The illusion of inclusion: Agenda 21 and the commodification of Aboriginal culture in the Vancouver 2010 Olympic Games","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Sport and Mega-Event Impacts","field":"Social Sciences","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Western University","funders":"","keywords":"Commodification; Inclusion (mineral); Nothing; Indigenous; Power (physics); Media studies; Political science; Sociology; Gender studies; Economy","score_opus":0.0260782037438704,"score_gpt":0.31275130289313585,"score_spread":0.2866730991492655,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2762264554","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9448711,0.001278162,0.000024225395,0.042376444,0.00040468306,0.00031005425,0.0000049890427,0.0000089082005,0.010721416],"genre_scores_gemma":[0.9962813,0.0014169718,0.000008013301,0.00023277658,0.00008671319,0.0000107900405,0.0000012251957,0.0000024697772,0.0019597225],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99901444,0.00022273368,0.00015653738,0.000076510885,0.00037493173,0.0001548463],"domain_scores_gemma":[0.9992096,0.00030146984,0.00015887994,0.00020249683,0.000096569835,0.000030973668],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021504553,0.000053183434,0.000092238944,0.000029865245,0.0005642778,0.000032114098,0.0003948316,0.000051202343,0.00004304625],"category_scores_gemma":[0.00026837754,0.000017856577,0.000035538913,0.00027449368,0.0006184526,0.00020295163,0.00008511713,0.000065279484,0.0000015104911],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014682602,0.00016570139,0.015364758,0.000017641649,0.000024262004,0.0000010571936,0.18636674,5.228293e-7,0.0018760465,0.6120786,0.062039923,0.1219179],"study_design_scores_gemma":[0.00056697504,0.000015645293,0.03906087,0.000019920073,0.000009134544,4.6834953e-7,0.003992014,0.000004385701,0.00011398316,0.005412928,0.9507642,0.000039524373],"about_ca_topic_score_codex":0.0012067016,"about_ca_topic_score_gemma":0.009822229,"teacher_disagreement_score":0.8887242,"about_ca_system_score_codex":0.000027620968,"about_ca_system_score_gemma":0.00014216804,"threshold_uncertainty_score":0.54810345},"labels":[],"label_agreement":null},{"id":"W2762429820","doi":"10.1386/public.26.52.59_1","title":"Miss Bienal inaugurates La Primavera del Amor: Genesis of a platform for research and intercultural artistic production in Cuba, June 2014–June 2015","year":2015,"lang":"en","type":"article","venue":"Public","topic":"Cuban History and Society","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Political science; Geography; Sociology; Art history","score_opus":0.184956264600436,"score_gpt":0.39288603233078995,"score_spread":0.20792976773035396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2762429820","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99084693,0.0007916083,0.000040729232,0.005508643,0.00045341172,0.00043625192,0.0000108472295,0.000027552458,0.0018839951],"genre_scores_gemma":[0.9919057,0.00013265817,0.00050096295,0.000019858724,0.00021102623,0.00007091144,0.000013778091,0.000008151043,0.0071369535],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986262,0.00017229829,0.00021859314,0.0002455402,0.00038315958,0.00035422572],"domain_scores_gemma":[0.99884504,0.00017572139,0.00007386175,0.00012277164,0.0006028915,0.00017968318],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034037256,0.000081033184,0.00016650504,0.00015040842,0.00027410156,0.000094600204,0.0001741683,0.000111690126,0.000021776228],"category_scores_gemma":[0.0014960167,0.00007291115,0.00003916462,0.0004685564,0.0006501426,0.0005984416,0.0000554046,0.00016202504,0.000008824736],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033972107,0.00067734584,0.03215578,0.00021172156,0.00005840717,0.0000062563063,0.24860002,0.000017549288,0.0036876414,0.03241107,0.6721155,0.009718963],"study_design_scores_gemma":[0.00198775,0.0003717144,0.019436006,0.000088718814,0.000028896946,0.000020519283,0.10867899,0.00041923186,0.001229481,0.017050095,0.8501641,0.0005244928],"about_ca_topic_score_codex":0.0019228047,"about_ca_topic_score_gemma":0.0058858874,"teacher_disagreement_score":0.17804857,"about_ca_system_score_codex":0.00032696966,"about_ca_system_score_gemma":0.00038281822,"threshold_uncertainty_score":0.32844633},"labels":[],"label_agreement":null},{"id":"W2762759919","doi":"10.1386/public.27.53.35_1","title":"‘You just censored two native artists’: Art as antidote, resisting the Vancouver Olympics","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Sport and Mega-Event Impacts","field":"Social Sciences","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Carleton University","funders":"","keywords":"Resistance (ecology); Context (archaeology); Power (physics); Indigenous; Capitalism; Aesthetics; Art; Sociology; Media studies; Political science; History; Politics; Law","score_opus":0.04846898096369234,"score_gpt":0.33622561184757666,"score_spread":0.2877566308838843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2762759919","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45873964,0.00010079552,0.00013718578,0.027595447,0.0017103809,0.00029488932,0.000014664957,0.00018527475,0.5112217],"genre_scores_gemma":[0.9094337,0.000049748785,0.000089969086,0.00085937174,0.00071025704,0.000012977445,0.0000033729261,0.00001451512,0.08882609],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99823344,0.0001496032,0.00019748863,0.00023178884,0.0005811998,0.00060651125],"domain_scores_gemma":[0.99883944,0.00029680433,0.00015826218,0.00026040387,0.00021250863,0.00023257632],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001198058,0.000121763915,0.00014034944,0.000076451885,0.0008405467,0.00017274462,0.00037080827,0.00007086232,0.00092130475],"category_scores_gemma":[0.0027347468,0.00007052271,0.00007960774,0.00047558715,0.00034917655,0.0005877283,0.00006239148,0.000103216415,0.00051595084],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031201016,0.0001195583,0.018936403,0.0000068892055,0.00006080695,0.00002369681,0.006524024,6.491983e-7,0.0004898943,0.5325664,0.41120368,0.030036742],"study_design_scores_gemma":[0.0004020006,0.000016426817,0.008250006,0.00002504796,0.000014809719,0.0000013060803,0.0012739555,0.0000026848966,0.00026998072,0.0039856257,0.9856172,0.00014095508],"about_ca_topic_score_codex":0.00076185487,"about_ca_topic_score_gemma":0.010441406,"teacher_disagreement_score":0.5744135,"about_ca_system_score_codex":0.00016008255,"about_ca_system_score_gemma":0.0004089891,"threshold_uncertainty_score":0.999992},"labels":[],"label_agreement":null},{"id":"W2763199720","doi":"10.1386/public.27.53.118_7","title":"‘The aesthetics of austerity’","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Austerity; Dialogic; Spectacle; Politics; Aesthetics; Sociology; Visual arts; Media studies; Art; Political science; Law; Literature","score_opus":0.04608295721253322,"score_gpt":0.29101810181173526,"score_spread":0.24493514459920204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2763199720","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7572859,0.00020749378,0.00044176134,0.043796882,0.0009435486,0.000076803,0.000020958978,0.00004111309,0.19718555],"genre_scores_gemma":[0.98248905,0.000017624414,0.000021268044,0.00016312118,0.000025927742,0.0000014121485,2.722769e-7,0.0000028311506,0.017278466],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99962586,0.00003049462,0.00006441278,0.000058781916,0.000070982416,0.00014944658],"domain_scores_gemma":[0.9995898,0.00006463529,0.000041223968,0.00022619999,0.000037125916,0.000041015952],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013784257,0.000031536532,0.000045052377,0.00002099301,0.00004939497,0.000015726007,0.00021580975,0.000028306542,0.00067309616],"category_scores_gemma":[0.00006187306,0.000016938544,0.000026388976,0.00006018623,0.00012200894,0.00008197669,0.00003889007,0.000025373834,0.0006012598],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004822475,0.00015402655,0.041438363,0.0000041043704,0.000051325092,0.000003212687,0.00061052316,1.0340557e-8,0.0005257056,0.41713035,0.14389215,0.396142],"study_design_scores_gemma":[0.00031831212,0.00007910839,0.07697292,0.000004614771,0.0000032878288,0.000005217061,0.000119282806,1.7523006e-7,0.00013305042,0.0016436841,0.92067856,0.000041780182],"about_ca_topic_score_codex":0.000010490187,"about_ca_topic_score_gemma":0.0000051050615,"teacher_disagreement_score":0.77678645,"about_ca_system_score_codex":0.000007933817,"about_ca_system_score_gemma":0.000010937632,"threshold_uncertainty_score":0.7728179},"labels":[],"label_agreement":null},{"id":"W2763636438","doi":"10.1386/public.26.52.244_5","title":"Play, Precarity and Survival","year":2015,"lang":"en","type":"article","venue":"Public","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Precarity; Craft; Political science; Sociology; Geography; Gender studies; Archaeology","score_opus":0.16828576057941938,"score_gpt":0.2549189417305662,"score_spread":0.0866331811511468,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2763636438","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28391355,0.0005177532,0.000049562947,0.0019842132,0.0011378438,0.000118033124,0.000026348236,0.00018068869,0.712072],"genre_scores_gemma":[0.9866407,0.0000065856025,0.000020564741,0.00019339583,0.00063411536,0.000007854768,0.000009636367,0.0000088087845,0.01247836],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99945176,0.00003389144,0.00008688743,0.0001251348,0.00013581222,0.00016650691],"domain_scores_gemma":[0.99957454,0.000042628857,0.000023307273,0.00012272116,0.00009313896,0.0001436866],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026795693,0.00007174292,0.00009714416,0.000048163132,0.00012033987,0.00042441304,0.00008001123,0.00002558332,0.0009993318],"category_scores_gemma":[0.000071257105,0.000059832706,0.000021496753,0.000018479563,0.00012593041,0.0003018131,0.000041056825,0.00006620394,0.00013894745],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010759983,0.00006344669,0.0026727365,0.000009626823,0.000017566956,0.0000032018183,0.022124255,2.21603e-7,0.0000038888434,0.8103804,0.15987897,0.004834921],"study_design_scores_gemma":[0.00027785965,0.00004214647,0.0012720162,0.0000018123084,0.0000055500027,0.0000023151933,0.0018437576,0.000065144144,0.0000058437245,0.0066080154,0.9897763,0.00009921473],"about_ca_topic_score_codex":0.00033177115,"about_ca_topic_score_gemma":0.0015670701,"teacher_disagreement_score":0.82989734,"about_ca_system_score_codex":0.00001329371,"about_ca_system_score_gemma":0.00004587954,"threshold_uncertainty_score":0.9999139},"labels":[],"label_agreement":null},{"id":"W2763668656","doi":"10.1386/public.27.53.190_5","title":"Breaking and Entering: The Contemporary House Cut, Spliced, and Haunted","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Housing, Finance, and Neoliberalism","field":"Economics, Econometrics and Finance","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Theme (computing); Key (lock); Aesthetics; Visual arts; Art; Sociology; Computer science; World Wide Web","score_opus":0.05238090253294478,"score_gpt":0.21438733771401794,"score_spread":0.16200643518107316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2763668656","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9572591,0.002975444,0.00075225387,0.008345308,0.0002823132,0.00014752254,0.000045948473,0.00010145378,0.030090654],"genre_scores_gemma":[0.9966609,0.0006787343,0.000063266874,0.0009976028,0.00010740038,0.000016469257,8.4129306e-7,0.000031851872,0.0014429314],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991371,0.000013077209,0.00027590577,0.00030413855,0.000024048144,0.00024575094],"domain_scores_gemma":[0.9993755,0.00009680578,0.00017258566,0.00025821466,0.000016763865,0.00008013641],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031263285,0.00012174594,0.0002149194,0.00009602931,0.00014629049,0.00017768236,0.00014618637,0.0000612568,0.000057691996],"category_scores_gemma":[0.00004260637,0.00008494442,0.00003727477,0.00011001019,0.00013514282,0.00042131922,0.0001102443,0.00007203012,0.00006988261],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044112843,0.00010233955,0.37169164,0.000059500664,0.00012292917,0.000021698695,0.0023725731,1.8615484e-7,0.00057944003,0.576259,0.011997952,0.036748584],"study_design_scores_gemma":[0.0008128682,0.000030255902,0.097640514,0.000025779907,0.0000021030644,0.000031924446,0.000035521494,0.00007315511,0.0000621256,0.0020168007,0.8990747,0.00019430026],"about_ca_topic_score_codex":0.00029915597,"about_ca_topic_score_gemma":0.00005093963,"teacher_disagreement_score":0.8870767,"about_ca_system_score_codex":0.00002288187,"about_ca_system_score_gemma":0.000013281797,"threshold_uncertainty_score":0.3463933},"labels":[],"label_agreement":null},{"id":"W2764156280","doi":"10.1386/public.27.53.75_1","title":"Inelastic Olympic hopefuls: Rhythmic mis-interpellation in three auditions for the London 2012 ceremonies","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Neurology and Historical Studies","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Dance; Accordion; Visual arts; Solidarity; Rhythm; Art; Aesthetics; Political science; Law; Computer science","score_opus":0.06309111643986601,"score_gpt":0.26097587718617987,"score_spread":0.19788476074631386,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2764156280","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.669776,0.0031877607,0.07989362,0.22808476,0.0042032544,0.0021289308,0.00011358899,0.0003944236,0.012217669],"genre_scores_gemma":[0.9972263,0.000115861636,0.00001385591,0.0007473966,0.00014622266,0.00016502643,5.848929e-7,0.000010592331,0.0015741326],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991095,0.000060612816,0.00016861432,0.00026545787,0.00010562921,0.00029015925],"domain_scores_gemma":[0.99775106,0.001924022,0.00006919923,0.00018621983,0.000031874813,0.00003761639],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012654469,0.0001003211,0.000114694936,0.0001038592,0.00033415097,0.000031399213,0.00019663104,0.00004776655,0.00014710696],"category_scores_gemma":[0.0014558785,0.000055349035,0.00005492002,0.00023325406,0.00021724116,0.00029226282,0.000052519143,0.000090867594,0.00018711729],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009835551,0.0010447024,0.05763374,0.00013268512,0.00009631596,0.000053700875,0.0015095719,0.000113878894,0.14146377,0.37565625,0.12050875,0.3008031],"study_design_scores_gemma":[0.0023650539,0.00039800585,0.19162472,0.00004371626,0.000042361735,0.00005198512,0.000026336851,0.001682035,0.004390619,0.047212914,0.7517272,0.00043505593],"about_ca_topic_score_codex":0.000012321922,"about_ca_topic_score_gemma":0.0005770266,"teacher_disagreement_score":0.63121843,"about_ca_system_score_codex":0.000074483614,"about_ca_system_score_gemma":0.000025359714,"threshold_uncertainty_score":0.25700527},"labels":[],"label_agreement":null},{"id":"W2765183027","doi":"10.1386/public.28.56.216_5","title":"Hamilton Babylon: A History of the McMaster Film Board","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Art; History","score_opus":0.07039494292942128,"score_gpt":0.21287043318360632,"score_spread":0.14247549025418504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2765183027","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23054944,0.00738212,0.00003033537,0.011727408,0.0036138047,0.0001511838,0.000036624187,0.000017913235,0.7464912],"genre_scores_gemma":[0.9218108,0.00014219455,0.000030287258,0.00037641445,0.00011725229,0.000016854534,7.4801443e-7,0.000008192627,0.07749722],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99945176,0.000004419771,0.00021006734,0.00015115141,0.000026836644,0.00015576389],"domain_scores_gemma":[0.9990901,0.000018056358,0.0003043314,0.00052671443,0.000025042475,0.000035806093],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018222096,0.00006660162,0.00020120721,0.000054911194,0.00010772935,0.000030932086,0.00037917972,0.000037551094,0.00063426455],"category_scores_gemma":[0.0003064598,0.0000543485,0.00010311276,0.00002663977,0.00014659982,0.00016028761,0.00012930695,0.000071250346,0.00015850518],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007796909,0.00009073034,0.51700133,0.00006349242,0.00008708919,0.0000011103015,0.0031023903,9.613603e-7,0.000040119434,0.12702623,0.34776267,0.004816087],"study_design_scores_gemma":[0.00019501476,0.000008836162,0.23534027,0.0000047603703,0.0000021799758,4.0494308e-7,0.000024000426,0.000056302702,0.000012449418,0.001160806,0.76314104,0.000053923384],"about_ca_topic_score_codex":0.00018824227,"about_ca_topic_score_gemma":0.00014604653,"teacher_disagreement_score":0.6912614,"about_ca_system_score_codex":0.00009772086,"about_ca_system_score_gemma":0.000023734196,"threshold_uncertainty_score":0.69447523},"labels":[],"label_agreement":null},{"id":"W2765692772","doi":"10.1386/public.28.56.176_1","title":"Y for YOU SEE/ACCELERATE THE GAP","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Abstract art; Schema (genetic algorithms); Aesthetics; Modernity; Meaning (existential); Perception; Historicity (philosophy); Modern art; Art; Object (grammar); Epistemology; Visual arts; Philosophy; Painting; Art history; Computer science; Performance art; Linguistics; Law","score_opus":0.2741301586891968,"score_gpt":0.31452108296278275,"score_spread":0.040390924273585926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2765692772","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014656227,0.00011682258,0.00020410407,0.040687677,0.0013695619,0.0002844362,0.000108305074,0.000083730876,0.94248915],"genre_scores_gemma":[0.8030676,0.000009184077,0.000014301934,0.002116086,0.0017679663,0.00004911937,0.000012600889,0.000013433944,0.1929497],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99941874,0.000011312274,0.00009509942,0.00011295957,0.00007757338,0.0002843203],"domain_scores_gemma":[0.9993006,0.000034407425,0.00007435477,0.00042933386,0.00010409499,0.000057236917],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0001711303,0.00007682485,0.00008115113,0.000021400474,0.0019832328,0.001341637,0.00037650985,0.000021612621,0.00077874394],"category_scores_gemma":[0.00009384701,0.00004904697,0.00006848748,3.2856525e-7,0.00028344084,0.00036120464,0.00006527082,0.0000609771,0.00016320185],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000024628328,0.000019314837,0.00015630217,0.000010535925,0.000020731748,3.725522e-7,0.021664623,1.3946357e-7,0.000003754507,0.865187,0.11014908,0.002785683],"study_design_scores_gemma":[0.00017425435,0.000018255767,0.00038878093,0.0000024494116,0.000009775019,5.621119e-7,0.0006245146,0.00020952034,0.000027473347,0.036720026,0.96174634,0.00007802818],"about_ca_topic_score_codex":0.0004373975,"about_ca_topic_score_gemma":0.0059934515,"teacher_disagreement_score":0.8515973,"about_ca_system_score_codex":0.000011768942,"about_ca_system_score_gemma":0.000037489874,"threshold_uncertainty_score":0.99969506},"labels":[],"label_agreement":null},{"id":"W2889578961","doi":"10.1386/public.29.57.128_1","title":"Fugitives: Anarchival Materiality in Archives","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Oral History, Memory, Narrative Analysis","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria; Simon Fraser University","funders":"","keywords":"Materiality (auditing); Transformative learning; Photography; Resistance (ecology); Generative grammar; Visual arts; Art; Sociology; Aesthetics; Computer science; Artificial intelligence","score_opus":0.06219294233146628,"score_gpt":0.251629876918705,"score_spread":0.1894369345872387,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2889578961","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5616547,0.000065979606,0.000030772866,0.0017564392,0.000552934,0.00009804893,0.000039781426,0.00007335579,0.43572798],"genre_scores_gemma":[0.98627687,0.0000043858845,0.00006248328,0.0003145975,0.0012473149,0.000018049344,0.000025704616,0.000014439556,0.012036178],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99890405,0.00017893282,0.00022319896,0.00025540998,0.00014111325,0.00029730468],"domain_scores_gemma":[0.9995154,0.00004055175,0.000069267015,0.00023937682,0.000056481942,0.00007890984],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016963444,0.00012578061,0.00019925667,0.0003456718,0.00025777085,0.00020487783,0.00021884977,0.000018676365,0.007835498],"category_scores_gemma":[0.00006583404,0.000110638044,0.00007616219,0.00008355912,0.0010766593,0.00036543832,0.000051282514,0.00009080902,0.00042404042],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013006922,0.00046629063,0.009378865,0.000056635847,0.00013031611,0.000020249727,0.2523883,3.1390707e-7,0.0021091697,0.6990496,0.015909312,0.020360898],"study_design_scores_gemma":[0.00038887918,0.00016654385,0.017329516,0.000017413236,0.000014631274,0.0000010619837,0.009759178,0.00009460201,0.00044805682,0.013645262,0.9578438,0.00029109203],"about_ca_topic_score_codex":0.00034978474,"about_ca_topic_score_gemma":0.005256233,"teacher_disagreement_score":0.94193447,"about_ca_system_score_codex":0.000041751064,"about_ca_system_score_gemma":0.000049020262,"threshold_uncertainty_score":0.9930715},"labels":[],"label_agreement":null},{"id":"W2890090087","doi":"10.1386/public.29.57.236_1","title":"THE NiS+TS PSYCHOGEOGRAPHER’S TABLE: Countering the Official Halifax Explosion Archive","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Dalhousie University; University of Toronto","funders":"","keywords":"Materiality (auditing); Narrative; Storytelling; Invisibility; Visual arts; History; Media studies; Sculpture; Subject matter; Sociology; Art history; Aesthetics; Art; Literature; Computer science","score_opus":0.04448005832637673,"score_gpt":0.3315920104397182,"score_spread":0.28711195211334145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890090087","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47147834,0.00069403293,0.00015693475,0.066898614,0.008590315,0.0009825398,0.00007169482,0.0004967917,0.45063072],"genre_scores_gemma":[0.99592066,0.0002476214,0.000061613086,0.0006400279,0.0018042091,0.00006339193,0.000006426213,0.000016515265,0.0012395451],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981286,0.0002676637,0.00022345026,0.00025281913,0.0005234865,0.0006039898],"domain_scores_gemma":[0.9986274,0.00040780797,0.00013181867,0.00039585074,0.0003102548,0.00012682396],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00078779744,0.00012981809,0.00009880628,0.00012911143,0.0049286075,0.0010787947,0.0009894248,0.0000578444,0.0007647389],"category_scores_gemma":[0.0004505422,0.00008129974,0.000120970064,0.0008070557,0.001707681,0.0005072199,0.00013555898,0.00025215116,0.00032324676],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011415934,0.00027777062,0.019425841,0.0000059383515,0.00019328062,0.0000020999971,0.029279679,0.000002417596,0.0009130868,0.34810555,0.5925678,0.009112416],"study_design_scores_gemma":[0.000092429975,0.00007565745,0.010384083,0.0000124621065,0.000012525087,0.0000019543513,0.021035828,0.000041901014,0.000019669173,0.005898062,0.9623047,0.00012070178],"about_ca_topic_score_codex":0.0049447725,"about_ca_topic_score_gemma":0.21388812,"teacher_disagreement_score":0.5244423,"about_ca_system_score_codex":0.000034913675,"about_ca_system_score_gemma":0.0001012471,"threshold_uncertainty_score":0.99995816},"labels":[],"label_agreement":null},{"id":"W2890128432","doi":"10.1386/public.29.57.217_7","title":"Making Pancakes: Intergenerational Cooking and Remediating the Archive","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Media, Gender, and Advertising","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Recipe; Performative utterance; Subject (documents); Event (particle physics); Sociology; Visual arts; Aesthetics; History; Art; Computer science; Library science; Archaeology","score_opus":0.13402145881547603,"score_gpt":0.3709358853772544,"score_spread":0.23691442656177839,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890128432","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.75392747,0.000519566,0.015552138,0.018980192,0.0021254723,0.00026064643,0.000005288995,0.00012430969,0.20850495],"genre_scores_gemma":[0.9952928,0.000028630528,0.00075627136,0.0011126997,0.002516811,0.0000046497953,0.0000028749798,0.0000051733564,0.00028013252],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991457,0.00014426585,0.00010972798,0.00012951624,0.00023540288,0.00023538826],"domain_scores_gemma":[0.9995334,0.0002070051,0.000056354736,0.00007388068,0.00006626218,0.00006310942],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007504169,0.00004927481,0.00005258725,0.000040083683,0.0009829948,0.00022235073,0.00013606275,0.00002535037,0.00013496522],"category_scores_gemma":[0.0007899443,0.00003696985,0.000018388717,0.00013270369,0.00033910488,0.00019282507,0.000049652113,0.0000808838,0.000014882247],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006539198,0.000026842312,0.10428973,0.000015455476,0.00004614768,0.0000031314755,0.34600073,0.0000027266951,0.0017308678,0.37444288,0.011848813,0.16158612],"study_design_scores_gemma":[0.00045668666,0.00006127973,0.038633697,0.00012638014,0.000023632456,0.000009937372,0.0766998,0.00588624,0.00039399136,0.03587846,0.8413645,0.00046536318],"about_ca_topic_score_codex":0.00008487961,"about_ca_topic_score_gemma":0.0021921746,"teacher_disagreement_score":0.8295157,"about_ca_system_score_codex":0.000028215563,"about_ca_system_score_gemma":0.00012639374,"threshold_uncertainty_score":0.7560501},"labels":[],"label_agreement":null},{"id":"W2890595286","doi":"10.1386/public.29.57.68_1","title":"Hip Hop Archives or an Archive of Hip Hop? A Remix Impulse","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Digital and Traditional Archives Management","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Ethos; Hop (telecommunications); Sociology; Aesthetics; Art; Political science; Telecommunications; Law; Engineering","score_opus":0.059864958396844914,"score_gpt":0.23571703806498726,"score_spread":0.17585207966814234,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890595286","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17946377,0.000013640313,0.0001662694,0.0014099269,0.00025362842,0.00019293813,0.00028705224,0.00009766592,0.8181151],"genre_scores_gemma":[0.9833795,0.000010870873,0.00036430475,0.00058096653,0.00097305584,0.000030898605,0.00019204912,0.00002067012,0.014447729],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988982,0.00005069629,0.00024663954,0.00026838467,0.00021806931,0.0003180133],"domain_scores_gemma":[0.9992777,0.00013709736,0.000102019905,0.00027642696,0.000049656108,0.00015707208],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008468979,0.00015604007,0.00017639204,0.00024337751,0.00021627228,0.0002899577,0.00035576525,0.000008607391,0.0013425837],"category_scores_gemma":[0.00004001847,0.0001132769,0.0000994058,0.000054456104,0.00090973364,0.00062974094,0.0001401353,0.00008725572,0.00016213764],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010245479,0.0003558967,0.000061870946,0.000051884406,0.00007785006,0.000007428129,0.011819206,3.1741425e-7,0.00006979027,0.9192994,0.004585541,0.063568346],"study_design_scores_gemma":[0.00046238964,0.00093645364,0.007985388,0.00004761476,0.000024987026,0.0000070157384,0.0018571664,0.00023223496,0.00010335368,0.42402872,0.56404245,0.00027220143],"about_ca_topic_score_codex":0.00008270016,"about_ca_topic_score_gemma":0.00032813958,"teacher_disagreement_score":0.8039157,"about_ca_system_score_codex":0.0000074725435,"about_ca_system_score_gemma":0.00005154894,"threshold_uncertainty_score":0.9995703},"labels":[],"label_agreement":null},{"id":"W2890631552","doi":"10.1386/public.29.57.88_1","title":"SEARCHING FOR BLACK VOICESIN CANADA’S ARCHIVES: The Invisibility of a “Visible” Minority","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Digital and Traditional Archives Management","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Invisibility; Nova scotia; Hogan; George (robot); Visibility; Art history; History; Visual arts; Alley; Art; Sociology; Archaeology; Geography; Meteorology","score_opus":0.057642900991943274,"score_gpt":0.23079674857699395,"score_spread":0.17315384758505067,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890631552","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19096734,0.000010515059,0.00017260236,0.007685207,0.00017882994,0.0003414026,0.00025992809,0.00002073448,0.8003634],"genre_scores_gemma":[0.99250555,0.0000013163273,0.00007525509,0.0006374289,0.00052898354,0.00002160562,0.000041010586,0.0000058575165,0.0061829947],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919313,0.000038878192,0.00017811719,0.00016411931,0.0001989769,0.00022680037],"domain_scores_gemma":[0.99927855,0.0003196574,0.000067137895,0.0002032394,0.00006976214,0.00006168503],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018003781,0.00008348376,0.00010030801,0.000054822405,0.0003189882,0.00018707963,0.0003035437,0.0000040028795,0.00012766107],"category_scores_gemma":[0.00006950328,0.00005448305,0.00006798439,0.000031817766,0.00079435756,0.00021264453,0.00009112324,0.000062703424,0.000009188396],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001881179,0.00008301221,0.00018788621,0.00010140861,0.00004895708,2.7811828e-7,0.0037644664,0.0000010324119,0.0000032729317,0.9699611,0.009555999,0.016273757],"study_design_scores_gemma":[0.00017442222,0.000112384696,0.025801588,0.00001371421,0.000012247677,2.9827402e-7,0.00092965143,0.0009220245,0.00002757946,0.20927922,0.7626302,0.00009666401],"about_ca_topic_score_codex":0.07120816,"about_ca_topic_score_gemma":0.5180336,"teacher_disagreement_score":0.8015382,"about_ca_system_score_codex":0.00001728657,"about_ca_system_score_gemma":0.00021388887,"threshold_uncertainty_score":0.93497676},"labels":[],"label_agreement":null},{"id":"W2890738478","doi":"10.1386/public.29.57.48_1","title":"Disrupting the Register: TreatyCard.ca and Indigenous Counter-Archives","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Indigenous Health, Education, and Rights","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Register (sociolinguistics); Indigenous; Colonialism; State (computer science); Documentation; Sovereignty; Government (linguistics); Key (lock); Identity (music); History; Genealogy; Political science; Law; Art; Computer science; Computer security; Linguistics","score_opus":0.025627531769414093,"score_gpt":0.3138020075664973,"score_spread":0.2881744757970832,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890738478","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6357074,0.0003463827,0.000032124495,0.002762271,0.0004423643,0.00028126215,0.0000042026636,0.000046636942,0.36037737],"genre_scores_gemma":[0.9779966,0.0019896128,0.000070706454,0.0002035414,0.0017199408,0.000005405157,0.0000059697604,0.000009932384,0.017998312],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998706,0.00025147063,0.00014499712,0.00018681928,0.0002111363,0.0004996099],"domain_scores_gemma":[0.999273,0.00019321856,0.00008953697,0.00021202111,0.00008442734,0.00014777052],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00075857475,0.00008163695,0.00009459898,0.00007058782,0.010596325,0.00029898412,0.0002638938,0.000057597084,0.0000965148],"category_scores_gemma":[0.000017553268,0.00005027968,0.000032117478,0.00019185035,0.0009226151,0.0002302187,0.00000332944,0.00009727878,0.00006408322],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000034570737,0.000038425984,0.0067773336,0.000011529102,0.000010931831,6.8092925e-7,0.88558286,1.0257895e-8,6.98459e-7,0.10249675,0.00015715494,0.0049201804],"study_design_scores_gemma":[0.00007006064,0.00004974607,0.007936427,0.0000093925,0.0000067759656,0.0000055734718,0.01626318,0.0000047835765,0.0000054363186,0.0019367583,0.9736309,0.000080943355],"about_ca_topic_score_codex":0.054292146,"about_ca_topic_score_gemma":0.6032265,"teacher_disagreement_score":0.9734738,"about_ca_system_score_codex":0.00006355256,"about_ca_system_score_gemma":0.003414944,"threshold_uncertainty_score":0.9906917},"labels":[],"label_agreement":null},{"id":"W2890755219","doi":"10.1386/public.29.57.27_1","title":"Anarchival Impulses: A Performance Theory of Media","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Dance; Impulse (physics); Digital media; Media theory; Key (lock); Queer; Sociology; Art; Computer science; Visual arts; Media studies; Gender studies; Computer security; World Wide Web; Physics","score_opus":0.04904096124332435,"score_gpt":0.21735414896774538,"score_spread":0.16831318772442103,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890755219","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86300063,0.001086899,0.00033523637,0.0008935175,0.0005801681,0.00006483524,0.000039413,0.00002292115,0.13397636],"genre_scores_gemma":[0.9983918,0.00027921944,0.0002116863,0.0001494815,0.00032631026,0.000011153677,0.0000052219502,0.000008886045,0.00061623135],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9993323,0.0000071778672,0.0002656768,0.00015777611,0.0000261549,0.00021091325],"domain_scores_gemma":[0.99949694,0.00007940884,0.00012201333,0.00020241912,0.000041029514,0.000058194764],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041937028,0.00006987522,0.00021618351,0.00018308344,0.00006049786,0.000013428119,0.00016166393,0.000026195346,0.00054719055],"category_scores_gemma":[0.00038798925,0.00006789676,0.00005105922,0.00020708512,0.00020820185,0.00013695576,0.00007075533,0.00005343006,0.0003779987],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024429057,0.000078518715,0.25454,0.000045177545,0.00006669411,5.86168e-7,0.0040228358,1.7148962e-7,0.000027371889,0.7037936,0.0042995512,0.033101108],"study_design_scores_gemma":[0.00078258885,0.00025943576,0.6835893,0.00001846428,0.000007222551,0.000004823308,0.0006005444,0.00035237314,0.0004559876,0.08123111,0.23242758,0.00027057854],"about_ca_topic_score_codex":0.000015162204,"about_ca_topic_score_gemma":0.000021407684,"teacher_disagreement_score":0.62256247,"about_ca_system_score_codex":0.000014269679,"about_ca_system_score_gemma":0.00001758236,"threshold_uncertainty_score":0.5991353},"labels":[],"label_agreement":null},{"id":"W2890815710","doi":"10.1386/public.29.57.250_7","title":"CHERYL SIM - YMX: MIGRATION, LAND, AND LOSS AFTER MIRABEL - Immersive Installation as Counter-Archive","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Documentation; Embodied cognition; Point (geometry); Computer science; Work (physics); History; Visual arts; Sociology; Art; Engineering; Literature; Artificial intelligence","score_opus":0.021756723276569856,"score_gpt":0.24240490196950917,"score_spread":0.22064817869293932,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890815710","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97125,0.00019181136,0.000021738042,0.0010046401,0.00019869737,0.00014325256,0.00011650289,0.00003210623,0.027041262],"genre_scores_gemma":[0.99667823,0.000031304957,0.000007796139,0.0012381622,0.00062643684,0.000021802325,0.000116825155,0.000009818765,0.0012696064],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99938387,0.000028537244,0.00011599654,0.00017367816,0.00012146571,0.00017644926],"domain_scores_gemma":[0.9995717,0.000020850568,0.000053585543,0.000099256955,0.00018227022,0.000072369636],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007273564,0.00011334077,0.00009341581,0.00008911107,0.0002580575,0.00035489185,0.00006853161,0.00004357831,0.0017287777],"category_scores_gemma":[0.000018040397,0.00008910187,0.000045109577,0.000051463754,0.00033718182,0.0005418243,0.000030079987,0.00008506075,0.00014061114],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00058379746,0.00057167147,0.16810355,0.0001557088,0.00052375795,0.00002474199,0.3819903,2.3937e-7,0.0022314803,0.3753959,0.068392694,0.0020261554],"study_design_scores_gemma":[0.00044918907,0.00024999134,0.021719106,0.00002145978,0.000023799885,0.0000060071275,0.0030228645,0.000062211264,0.000245194,0.0049691973,0.9690117,0.00021924225],"about_ca_topic_score_codex":0.00062093063,"about_ca_topic_score_gemma":0.010664813,"teacher_disagreement_score":0.90061903,"about_ca_system_score_codex":0.000010007102,"about_ca_system_score_gemma":0.000020658936,"threshold_uncertainty_score":0.9991838},"labels":[],"label_agreement":null},{"id":"W2890954845","doi":"10.1386/public.29.57.208_1","title":"Efficacy and Archival Practice in Nunatsiavut: A Case Study of the Rigolet Inuktut Living Archives","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Indigenous Studies and Ecology","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"History; Space (punctuation); Geography; Safeguard; Political science; Law; Computer science","score_opus":0.05363079232065938,"score_gpt":0.4044113403395443,"score_spread":0.3507805480188849,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890954845","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.962753,0.000057087866,0.0000050623785,0.003031216,0.00032556712,0.0011780221,0.000002826621,0.0000169529,0.032630272],"genre_scores_gemma":[0.99874675,0.000020131853,0.00007654482,0.0006233433,0.00019553454,0.000105878586,2.7343836e-7,0.000011342427,0.00022020802],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9976484,0.0011211124,0.00033293528,0.00019593204,0.00010007744,0.00060150196],"domain_scores_gemma":[0.9959854,0.0033813783,0.00019918891,0.0002813412,0.00009646157,0.000056231984],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0009460437,0.00009091208,0.00019904962,0.0001116143,0.002131718,0.000010617014,0.00015696115,0.000042557567,0.000046771187],"category_scores_gemma":[0.0028727779,0.000061341285,0.000018135746,0.00021531462,0.00018321483,0.00010654547,0.00073853065,0.0004616895,0.000015308617],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051910927,0.0009351643,0.246277,0.000050036397,0.00005850996,0.00010265541,0.7471029,4.805806e-7,0.000012154321,0.0019225811,0.00029992888,0.0031866734],"study_design_scores_gemma":[0.0012965731,0.00061492244,0.56776243,0.00005820146,0.000027844417,0.00020013528,0.41830313,0.00006438521,7.146868e-7,0.00018976758,0.011384032,0.00009787685],"about_ca_topic_score_codex":0.009865969,"about_ca_topic_score_gemma":0.101965696,"teacher_disagreement_score":0.32879978,"about_ca_system_score_codex":0.000035589717,"about_ca_system_score_gemma":0.00025024515,"threshold_uncertainty_score":0.9991674},"labels":[],"label_agreement":null},{"id":"W2891465749","doi":"10.1386/public.29.57.228_7","title":"ACTIVATING HISTORY: The Living Counter-Archive of Urban Vernacular Paths","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Southeast Asian Sociopolitical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Vernacular; Neighbourhood (mathematics); TRACE (psycholinguistics); Key (lock); Industrial city; Sociology; History; Computer science; Art; Regional science; Literature; Computer security","score_opus":0.04355981610739607,"score_gpt":0.2855291827089882,"score_spread":0.24196936660159213,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2891465749","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42211425,0.0007285866,0.0003747106,0.008972724,0.00083444203,0.00026375338,0.000014376748,0.00013312155,0.566564],"genre_scores_gemma":[0.9982732,0.000004942356,0.00008320797,0.00029939727,0.0008232045,0.000013381705,4.059309e-7,0.000009347549,0.0004929448],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99869835,0.00026004246,0.00013123226,0.0001372041,0.00040233938,0.00037081615],"domain_scores_gemma":[0.99893034,0.00054323755,0.00009908332,0.00016671723,0.00017405416,0.00008658215],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007993304,0.000071950315,0.00012064924,0.000028863367,0.0005879017,0.000039289363,0.00035441216,0.000040528026,0.00047626387],"category_scores_gemma":[0.002843081,0.00005343617,0.00006881006,0.00015097536,0.0017061456,0.00014795933,0.00011832746,0.00011098772,0.00006117924],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000028060808,0.00005958406,0.08889373,0.00000968375,0.00007328576,7.3580185e-7,0.35157534,1.5925353e-8,0.00007846348,0.538212,0.017864281,0.0032300688],"study_design_scores_gemma":[0.00008168574,0.00004343434,0.04402409,0.00003805035,0.000012911842,3.0921936e-7,0.10311525,0.00002341581,0.000018789966,0.004478442,0.8480319,0.00013175642],"about_ca_topic_score_codex":0.00204629,"about_ca_topic_score_gemma":0.0005492036,"teacher_disagreement_score":0.8301676,"about_ca_system_score_codex":0.00034074587,"about_ca_system_score_gemma":0.00018172989,"threshold_uncertainty_score":0.6286365},"labels":[],"label_agreement":null},{"id":"W2891468040","doi":"10.1386/public.29.57.36_1","title":"Awakening from the Gendered Archive: Archiveology and Critical Cultural History","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Metaphor; Variety (cybernetics); Sociology; Film studies; Aesthetics; Media studies; Visual arts; Art; Linguistics; Philosophy; Movie theater; Computer science","score_opus":0.08895416079030936,"score_gpt":0.25173947246124084,"score_spread":0.16278531167093147,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2891468040","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7580069,0.031177878,0.0031149194,0.06012817,0.002804349,0.00017658778,0.00019270624,0.00008149865,0.144317],"genre_scores_gemma":[0.9962851,0.0002501308,0.0007709671,0.0014370393,0.00069290976,0.000016736754,0.000015104291,0.000007636283,0.0005243863],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931794,0.000018530694,0.0001780692,0.00023392832,0.000017830405,0.00023366981],"domain_scores_gemma":[0.999388,0.0003156702,0.00004904313,0.0001544652,0.000021329559,0.00007151248],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013694676,0.00007751371,0.00017065028,0.000050064864,0.00014659052,0.000030249757,0.0001277962,0.000028854398,0.0004497244],"category_scores_gemma":[0.0007604806,0.000060941522,0.000037093494,0.000037035355,0.0006286585,0.000096864664,0.00011721488,0.00011224474,0.00018148209],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009481093,0.000026370624,0.15236795,0.0000065032946,0.00006255707,0.0000029582445,0.0075790924,2.987906e-8,0.00006286522,0.7238749,0.11311381,0.0028934826],"study_design_scores_gemma":[0.00020628153,0.000031857206,0.2040321,0.000002392554,0.000004317135,0.0000058023247,0.00034398315,0.00020322524,0.0000031381335,0.051255323,0.743821,0.000090533635],"about_ca_topic_score_codex":0.000329756,"about_ca_topic_score_gemma":0.00032524814,"teacher_disagreement_score":0.6726196,"about_ca_system_score_codex":0.000038462207,"about_ca_system_score_gemma":0.000013960962,"threshold_uncertainty_score":0.49241668},"labels":[],"label_agreement":null},{"id":"W2891569344","doi":"10.1386/public.29.57.96_1","title":"Commemoration and Decolonization in the Missing and Murdered Indigenous Women Database","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Gender, Security, and Conflict","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Alberta; University of Manitoba","funders":"","keywords":"Indigenous; Decolonization; Mainstream; Colonialism; Vision; Citizen journalism; Politics; Gender studies; Sociology; Political science; History; Law; Anthropology","score_opus":0.05134865482396023,"score_gpt":0.3148845198356604,"score_spread":0.2635358650117002,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2891569344","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9880649,0.00020414448,0.0001442137,0.00766021,0.00006152364,0.00016304573,0.0000021107328,0.000015754393,0.0036841077],"genre_scores_gemma":[0.9987641,0.000069115566,0.000046885692,0.00092372304,0.00012539851,0.000010640857,0.000010505062,0.0000025797583,0.000047072197],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9993642,0.00017500338,0.00006717837,0.00009788773,0.00011664905,0.00017906773],"domain_scores_gemma":[0.9997319,0.000055363642,0.000029852377,0.000080157224,0.000049648002,0.000053104464],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00088204746,0.00003709172,0.000044015665,0.000053124695,0.00058975443,0.00031493217,0.000093769115,0.000034576893,0.00003455362],"category_scores_gemma":[0.00021000627,0.000030915675,0.00000336776,0.00022908603,0.0001533673,0.00029545475,0.00002534867,0.000045872042,0.0000031379136],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000048762054,0.00006090717,0.08483503,0.0000107573,0.000004683292,0.0000015418852,0.85324824,6.7140505e-8,0.00006746893,0.00972986,0.0004092687,0.051627286],"study_design_scores_gemma":[0.0010332227,0.00016031714,0.41366684,0.000013917309,0.000011452759,0.000007736318,0.22493142,0.00070986967,0.000051293628,0.014681715,0.3444139,0.00031830897],"about_ca_topic_score_codex":0.0010283833,"about_ca_topic_score_gemma":0.011290148,"teacher_disagreement_score":0.6283168,"about_ca_system_score_codex":0.000032208776,"about_ca_system_score_gemma":0.000091795526,"threshold_uncertainty_score":0.63001674},"labels":[],"label_agreement":null},{"id":"W2891791798","doi":"10.1386/public.29.57.163_1","title":"Ice as a Counter-Archive: Permafrost, Archival Melt and Climate Futures","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Polar Research and Ecology","field":"Environmental Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Calgary","funders":"","keywords":"Permafrost; Earth science; Arctic; Climate change; Physical geography; Geology; Astrobiology; Geography; Oceanography","score_opus":0.010945622183109054,"score_gpt":0.2631237758404438,"score_spread":0.2521781536573347,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2891791798","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88876575,0.00003743547,0.000032294498,0.0025313976,0.0000910681,0.00011191614,0.00008005853,0.000035838868,0.10831422],"genre_scores_gemma":[0.9978185,0.00009168246,0.00023148164,0.0012009019,0.00016696696,0.000015895372,0.000023936464,0.000010216871,0.00044041662],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99871457,0.00008488229,0.00009332377,0.0002667144,0.00021529813,0.0006252413],"domain_scores_gemma":[0.9994343,0.000057500893,0.000025626758,0.00019102948,0.0000061729684,0.00028538075],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00032604684,0.00009012495,0.00009080685,0.00004700043,0.00034095396,0.000113467664,0.00026118648,0.000028623854,0.0046900315],"category_scores_gemma":[0.00012356392,0.000075274,0.000024785082,0.00010094039,0.0006643195,0.00028128896,0.0005613049,0.00014046914,0.0032632945],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027354405,0.00034487742,0.7179346,0.000039210197,0.00006180387,0.00008008313,0.0036784953,0.0000010904404,0.045236334,0.014754656,0.1140619,0.1035334],"study_design_scores_gemma":[0.00027227978,0.00027088873,0.71323144,0.0000022122017,0.0000030530496,0.00007587672,0.000101281585,0.0004950236,0.00027572058,0.0025602754,0.2825918,0.00012015867],"about_ca_topic_score_codex":0.00038409026,"about_ca_topic_score_gemma":0.0024024781,"teacher_disagreement_score":0.1685299,"about_ca_system_score_codex":0.000040172723,"about_ca_system_score_gemma":0.000017955186,"threshold_uncertainty_score":0.99751276},"labels":[],"label_agreement":null},{"id":"W2892042792","doi":"10.1386/public.29.57.184_1","title":"“ABSENTEE INFORMATION”: Lucy R. Lippard’s MoMA Library Intervention—From Decision to Stance","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Exhibition; Mainstream; Conceptualism; Underpinning; Politics; Sociology; Intervention (counseling); Art history; Aesthetics; Art; Epistemology; Philosophy; Political science; Psychology; Engineering; Law","score_opus":0.036972920506247536,"score_gpt":0.24880505481877738,"score_spread":0.21183213431252984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2892042792","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3501488,0.00021438324,0.012511707,0.008977591,0.003938996,0.00040452156,0.0007476159,0.0005752989,0.6224811],"genre_scores_gemma":[0.95715225,0.000012168948,0.0005616647,0.0053427448,0.0020111406,0.00002514472,0.00018348623,0.000019324672,0.03469205],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989819,0.000024409888,0.00033332754,0.000148899,0.00021619651,0.00029524628],"domain_scores_gemma":[0.9992229,0.000051245817,0.00008471303,0.00030268257,0.00016502195,0.00017349106],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008856892,0.00012304707,0.0001257673,0.00017243395,0.00032221538,0.0008541489,0.00028732987,0.000037742055,0.00860828],"category_scores_gemma":[0.00009552798,0.00011068569,0.000086280445,0.000007809802,0.00014871845,0.003068963,0.00017512587,0.00007861025,0.0033341413],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003545204,0.00009262087,0.0009489105,0.000017368886,0.000041287163,0.0000012655541,0.07141987,7.4388356e-7,0.000002819997,0.3566522,0.514434,0.05635347],"study_design_scores_gemma":[0.00025885453,0.000082918974,0.0021772154,0.00003925714,0.000005668244,6.4102784e-7,0.0012802267,0.00016123673,0.00007610788,0.023796717,0.9719802,0.00014092332],"about_ca_topic_score_codex":0.00035450695,"about_ca_topic_score_gemma":0.0033870405,"teacher_disagreement_score":0.6070035,"about_ca_system_score_codex":0.000030778618,"about_ca_system_score_gemma":0.000046100777,"threshold_uncertainty_score":0.9974419},"labels":[],"label_agreement":null},{"id":"W2892345208","doi":"10.1386/public.29.57.154_1","title":"Considering Todd’s Tape: The Textual Transition of Videotape Miscellany","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Digital Humanities and Scholarship","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Saint Mary's University","funders":"","keywords":"Miscellany; Ephemeral key; Transition (genetics); Video tape; Tape recorder; Nova scotia; Visual arts; Video recording; History; Art; Multimedia; Literature; Computer science; Engineering; Archaeology","score_opus":0.06957209573979974,"score_gpt":0.2258796288399628,"score_spread":0.15630753310016304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2892345208","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35264304,0.00015493155,0.000010848926,0.0020940613,0.00027171877,0.00009470366,0.00002915716,0.0000531864,0.6446484],"genre_scores_gemma":[0.9899338,0.000004784532,0.000008167069,0.0010440157,0.0007817154,0.000007802232,0.000010135212,0.000012699926,0.008196877],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926627,0.000032621774,0.0001982289,0.000118755495,0.00017315768,0.00021094723],"domain_scores_gemma":[0.9994438,0.00007998148,0.000059757585,0.00018629644,0.00018547586,0.00004465281],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021234847,0.00009463383,0.0001127798,0.00005333038,0.0003565635,0.00061112054,0.00018897712,0.000023983373,0.007696927],"category_scores_gemma":[0.000041853713,0.00006468013,0.000073071875,0.0000270247,0.00063690345,0.00038656188,0.0000306814,0.000094071635,0.0001514114],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013800454,0.000055742654,0.000039082224,0.000023710116,0.00003631057,0.0000021940054,0.020617222,3.793529e-7,0.00010100459,0.9530512,0.02054673,0.005512612],"study_design_scores_gemma":[0.0001743203,0.0001291804,0.00016164649,0.000017919334,0.000012665911,0.0000063563775,0.00968546,0.000042194366,0.00027802403,0.0070891757,0.98228437,0.000118710064],"about_ca_topic_score_codex":0.00010088418,"about_ca_topic_score_gemma":0.001744815,"teacher_disagreement_score":0.96173763,"about_ca_system_score_codex":0.0000115144085,"about_ca_system_score_gemma":0.000028963024,"threshold_uncertainty_score":0.9932102},"labels":[],"label_agreement":null},{"id":"W2912134496","doi":"10.1386/public.29.58.42_1","title":"Smoke Screens and Cinematic Representations of the MOVE Bombing","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Representation (politics); Displacement (psychology); Criminology; Sociocultural evolution; Sociology; State (computer science); History; Gender studies; Visual arts; Art; Political science; Psychology; Law; Anthropology; Politics; Psychoanalysis","score_opus":0.041465055576905434,"score_gpt":0.2515961233329035,"score_spread":0.21013106775599805,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2912134496","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8464208,0.0003940314,0.000025804475,0.0054860595,0.0002607698,0.00009173307,0.000036884227,0.000020410504,0.14726348],"genre_scores_gemma":[0.99325174,0.000009218848,0.000037262977,0.00056538277,0.00042561014,0.000002894749,0.0000052008036,0.0000055009955,0.005697198],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99946076,0.0000430874,0.0001710998,0.000087111184,0.00013182504,0.00010613289],"domain_scores_gemma":[0.9994189,0.000042830816,0.0001030577,0.00021200157,0.00018552932,0.000037662892],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015379491,0.000055225133,0.00010298209,0.00008553634,0.00034560775,0.00029927623,0.00011757413,0.000015884621,0.001194831],"category_scores_gemma":[0.00007653321,0.00003292918,0.0000650352,0.000083164705,0.000241542,0.000268199,0.000047870275,0.00006676289,0.0000063416146],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000032097219,0.000050909483,0.0148257855,0.000043805492,0.00016378667,7.6842366e-7,0.061297216,4.357078e-7,0.00007919879,0.9067797,0.015605869,0.0011492997],"study_design_scores_gemma":[0.0018060299,0.00018760911,0.19906382,0.00032689766,0.0007611831,0.000041555704,0.05075562,0.0025616267,0.0009456081,0.10666332,0.6361905,0.0006962386],"about_ca_topic_score_codex":0.00037245054,"about_ca_topic_score_gemma":0.0005514891,"teacher_disagreement_score":0.8001164,"about_ca_system_score_codex":0.0000039537617,"about_ca_system_score_gemma":0.000014626963,"threshold_uncertainty_score":0.9997182},"labels":[],"label_agreement":null},{"id":"W2912282602","doi":"10.1386/public.29.58.100_1","title":"Fire, Earth, Ecstasy: Gossiping with the Gods","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Religious Studies and Spiritual Practices","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Ecstasy; Gossip; Earth (classical element); Astrobiology; Environmental science; Psychology; Psychiatry; Astronomy; Social psychology; Biology; Physics","score_opus":0.049834053177152546,"score_gpt":0.2416363994170593,"score_spread":0.19180234623990677,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2912282602","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1359229,0.0006977173,0.000021841459,0.04161374,0.00039806112,0.00012497851,0.0000054648563,0.000100834804,0.8211145],"genre_scores_gemma":[0.98167115,0.000082172664,0.000027262984,0.0026063642,0.0017721608,0.00001805864,0.0000020480115,0.000013442971,0.013807335],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927884,0.000033730717,0.00009802617,0.0001459529,0.00016621753,0.00027722667],"domain_scores_gemma":[0.9994046,0.00009341859,0.00007354442,0.00021444529,0.00017147885,0.000042509102],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020476742,0.00010029046,0.000100147074,0.00002330288,0.0014272823,0.0008316023,0.00019018413,0.000016442793,0.0013225351],"category_scores_gemma":[0.000042079937,0.00005053844,0.000035289973,0.000051232677,0.0005673249,0.00037668948,0.00006920428,0.000112446905,0.0004803084],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037339923,0.000061132516,0.00042012316,0.000015275315,0.00016882792,0.000004765436,0.031709608,5.4184414e-7,0.000004332128,0.61731416,0.3282936,0.021970302],"study_design_scores_gemma":[0.00011539557,0.0002228911,0.00024322151,0.000006383741,0.000013584336,0.0000033134136,0.005376264,0.00005966337,0.00000595728,0.00052531436,0.9933298,0.00009821654],"about_ca_topic_score_codex":0.00052049314,"about_ca_topic_score_gemma":0.0063758944,"teacher_disagreement_score":0.84574825,"about_ca_system_score_codex":0.000007647806,"about_ca_system_score_gemma":0.000026488235,"threshold_uncertainty_score":0.99987274},"labels":[],"label_agreement":null},{"id":"W2912816569","doi":"10.1386/public.29.58.134_1","title":"The Cut of the Generic: An Interview with Jodi Dean","year":2018,"lang":"en","type":"article","venue":"Public","topic":"African history and culture studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Politics; Sociology; Democracy; Futures contract; CONTEST; Communism; Epistemology; Political science; Philosophy; Law; Economics","score_opus":0.06308346293904495,"score_gpt":0.2881821507485824,"score_spread":0.22509868780953746,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2912816569","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21098903,0.0016395666,0.0000917256,0.031656314,0.0007039041,0.0002557382,0.000003364064,0.000065928245,0.75459445],"genre_scores_gemma":[0.9960003,0.000039747847,0.000023113393,0.00040466464,0.00024690077,0.000009098137,1.4567667e-7,0.0000028065444,0.0032732158],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99933875,0.00021465743,0.00006331992,0.000074417905,0.00016835645,0.00014051587],"domain_scores_gemma":[0.99956805,0.00002225852,0.00006323592,0.00016717083,0.00014290604,0.000036387468],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00046046567,0.000040430834,0.000055855948,0.000006472028,0.0013504307,0.000038507147,0.00039674228,0.000015990516,0.00006715983],"category_scores_gemma":[0.000088758396,0.000016671587,0.000028427436,0.00024177182,0.001232456,0.000109149085,0.00004701,0.00004253751,0.000010365653],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013333743,0.00009740858,0.012950471,0.000010072259,0.00010355301,4.898656e-7,0.21686532,1.7380968e-7,0.000059783484,0.6325354,0.07003981,0.067324184],"study_design_scores_gemma":[0.000025889907,0.00004430115,0.0033987383,0.0000038167864,0.0000067144383,2.6000228e-7,0.015487284,6.527529e-7,0.000017054428,0.0005089581,0.9804731,0.000033255048],"about_ca_topic_score_codex":0.00013693643,"about_ca_topic_score_gemma":0.022566456,"teacher_disagreement_score":0.9104333,"about_ca_system_score_codex":0.000028188471,"about_ca_system_score_gemma":0.000082471546,"threshold_uncertainty_score":0.9999497},"labels":[],"label_agreement":null},{"id":"W2913070314","doi":"10.1386/public.29.58.140_1","title":"Phantasmagoric City: Technologies of Immersion and Settler Histories in Montreal’s CitéMémoire","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Visual arts; History; Rendering (computer graphics); Media studies; Art history; Art; Anthropology; Sociology; Computer science; Computer graphics (images)","score_opus":0.036302309163115554,"score_gpt":0.2149716560590084,"score_spread":0.17866934689589284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2913070314","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91238105,0.0010723717,0.0000016472577,0.0027869092,0.00027427156,0.00008681608,0.000018486162,0.000085905,0.08329252],"genre_scores_gemma":[0.99510306,0.00007699659,0.000019318119,0.00005287046,0.00009784575,0.0000090367,0.0000066056023,0.000005746881,0.004628509],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99947244,0.000010373068,0.00013660901,0.0001338319,0.00008686394,0.00015986589],"domain_scores_gemma":[0.99971527,0.000012842117,0.00005392934,0.000118359145,0.00007906236,0.000020527767],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007140952,0.00008513849,0.00013591479,0.00010854797,0.0001249504,0.00006191463,0.0001003708,0.000044374123,0.0008572864],"category_scores_gemma":[0.000022059226,0.00006194271,0.000022890734,0.00006645885,0.00041524883,0.00029031877,0.00006319991,0.00006477454,0.0000127922585],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049419632,0.00020935282,0.019497951,0.00015149626,0.000046865596,0.000008694453,0.060908742,3.6129116e-8,0.0014296643,0.530762,0.04539683,0.3415389],"study_design_scores_gemma":[0.000529094,0.00023402198,0.007903369,0.000040321356,0.000012910808,0.0000039769143,0.058226757,0.000040899646,0.00090821687,0.00461741,0.92721283,0.00027016684],"about_ca_topic_score_codex":0.001159631,"about_ca_topic_score_gemma":0.008799328,"teacher_disagreement_score":0.881816,"about_ca_system_score_codex":0.000027481528,"about_ca_system_score_gemma":0.000009569399,"threshold_uncertainty_score":0.9386685},"labels":[],"label_agreement":null},{"id":"W2913540738","doi":"10.1386/public.29.58.22_1","title":"Unsettling Inscriptions: An Interview with Michael Gaudio","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Colonialism, slavery, and trade","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Art; History; Sociology; Psychology","score_opus":0.09261608685797404,"score_gpt":0.33621554836906525,"score_spread":0.24359946151109121,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2913540738","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9378151,0.0005118213,0.0005802551,0.029624686,0.0008281561,0.00024180171,0.0000073117158,0.00026621047,0.030124618],"genre_scores_gemma":[0.99617994,0.00008501798,0.0003211275,0.0016058054,0.0009267513,0.000020580086,0.000006839061,0.000010975169,0.00084294233],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989577,0.00018554364,0.00011316163,0.00019671851,0.00022720553,0.00031965392],"domain_scores_gemma":[0.99941665,0.000029601782,0.0000498012,0.00019206404,0.00014670216,0.0001651645],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000609584,0.00007840678,0.0001010965,0.00009149333,0.00056664326,0.00026489666,0.00028369413,0.00005497468,0.00035942538],"category_scores_gemma":[0.00009812925,0.00006772747,0.000033635595,0.0004301385,0.00038058043,0.00060180883,0.000027314598,0.000087738335,0.00013936216],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007245233,0.0009801716,0.05923101,0.00007933059,0.00022854377,0.00003403879,0.41981047,0.0000014863292,0.0003711455,0.32891095,0.023215799,0.16706459],"study_design_scores_gemma":[0.00021745829,0.00014852542,0.010305735,0.000027073109,0.000014742649,0.000003362529,0.003581438,0.000022725155,0.000034012704,0.001868902,0.98363006,0.00014599306],"about_ca_topic_score_codex":0.0013858142,"about_ca_topic_score_gemma":0.038032692,"teacher_disagreement_score":0.96041423,"about_ca_system_score_codex":0.00006459965,"about_ca_system_score_gemma":0.00021557431,"threshold_uncertainty_score":0.9795207},"labels":[],"label_agreement":null},{"id":"W2913587433","doi":"10.1386/public.29.58.188_5","title":"Archiveology: Walter Benjamin and Archival Film Practices","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Obsolescence; Movie theater; Key (lock); Art history; Art; Sociology; Aesthetics; Visual arts; Media studies; Computer science","score_opus":0.07207655143154558,"score_gpt":0.26402844260405944,"score_spread":0.19195189117251388,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2913587433","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7384459,0.0013775902,0.0004058987,0.020543274,0.00059773715,0.00011268633,0.00004283111,0.000038628903,0.23843548],"genre_scores_gemma":[0.99465126,0.00035049915,0.000816561,0.0007123724,0.0004991737,0.000019800607,0.000008272976,0.000009709548,0.0029323536],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99925953,0.000011277383,0.00019700856,0.00026322348,0.000017724702,0.00025124726],"domain_scores_gemma":[0.999381,0.00012970528,0.00022304709,0.00016453775,0.000019114024,0.000082589584],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002422205,0.00008238242,0.00018956824,0.00016435457,0.00011557836,0.000058574562,0.00010624159,0.0000247313,0.0002677189],"category_scores_gemma":[0.00078577746,0.00008174305,0.000028863773,0.000088577115,0.00022834449,0.0001977699,0.00012395058,0.00009064354,0.0004769997],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002019611,0.00009249208,0.4574607,0.000028850813,0.0001044284,0.000004661916,0.0029093858,9.899652e-8,0.00003633683,0.49783152,0.025193956,0.016317371],"study_design_scores_gemma":[0.0003134954,0.0001086345,0.3276172,0.000003240845,0.0000040713157,0.000011640568,0.00010927729,0.00031362206,0.000022742079,0.036009707,0.6353576,0.00012876782],"about_ca_topic_score_codex":0.00008053223,"about_ca_topic_score_gemma":0.0001299409,"teacher_disagreement_score":0.6101636,"about_ca_system_score_codex":0.000008564618,"about_ca_system_score_gemma":0.000011100952,"threshold_uncertainty_score":0.61310256},"labels":[],"label_agreement":null},{"id":"W2913773330","doi":"10.1386/public.29.58.68_7","title":"In memoriam... Mary Cecil, Victoria Callihoo (née Belcourt), and Eleanor (Helene) Thomas Garneau","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Art; Philosophy","score_opus":0.08354078971050097,"score_gpt":0.23223763764094812,"score_spread":0.14869684793044716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2913773330","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3255045,0.0006031853,0.00000269977,0.008404191,0.0050460743,0.0002624871,0.000034496712,0.00012476255,0.6600176],"genre_scores_gemma":[0.97515476,0.00009806608,0.00008385893,0.0024905547,0.0063402345,0.000043604352,0.000012187787,0.000020896168,0.015755849],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987283,0.00006149784,0.0002178,0.0003229863,0.00022125612,0.00044817914],"domain_scores_gemma":[0.9993866,0.00011177841,0.000064323016,0.00017024977,0.00015527278,0.00011176527],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026674193,0.00018437485,0.00025684253,0.00011507444,0.0003761498,0.00057505595,0.0002095408,0.000067484,0.009665842],"category_scores_gemma":[0.00015864927,0.00014249522,0.000046155765,0.00007976952,0.00055587786,0.00044554545,0.0002880047,0.0001474846,0.0004205254],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003137688,0.00017859139,0.0049224473,0.000021502907,0.000061708386,0.0000269674,0.00905013,4.766144e-8,0.00002755288,0.6255367,0.3578348,0.0023081903],"study_design_scores_gemma":[0.00044958235,0.00015323982,0.007717608,0.000007810206,0.000013409071,0.000001650823,0.0012560255,0.000009899509,0.000008249533,0.0054496494,0.9847355,0.00019738509],"about_ca_topic_score_codex":0.00042423396,"about_ca_topic_score_gemma":0.0041365423,"teacher_disagreement_score":0.6496502,"about_ca_system_score_codex":0.00006920836,"about_ca_system_score_gemma":0.000031602427,"threshold_uncertainty_score":0.9912394},"labels":[],"label_agreement":null},{"id":"W2914144063","doi":"10.1386/public.29.58.180_5","title":"Nicolas Baier, Asterisms","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Historical, Religious, and Philosophical Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.08484875302295562,"score_gpt":0.2316537624687262,"score_spread":0.14680500944577057,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2914144063","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016919222,0.0008431283,0.00003831178,0.010465086,0.002036536,0.00009086115,0.000012182655,0.00017770602,0.969417],"genre_scores_gemma":[0.9717476,0.000046695408,0.000029439238,0.0018862933,0.0052736467,0.000020350806,0.000004529059,0.000015188303,0.020976279],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992081,0.000025025272,0.00015617977,0.00017627211,0.00016587997,0.00026855653],"domain_scores_gemma":[0.9994796,0.00003742922,0.000040417268,0.00017477428,0.00015987597,0.000107904125],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000089248926,0.00010856547,0.00014744411,0.000057291196,0.00064888503,0.00020724075,0.00017449458,0.000037750244,0.004375568],"category_scores_gemma":[0.00006272208,0.000083891115,0.000066477936,0.00004699065,0.00046334785,0.00013619177,0.00006876565,0.00009571951,0.0025986375],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006997822,0.00007401421,0.00013031939,0.0000083899395,0.000027051556,0.000001981704,0.009157608,9.760191e-9,0.000012557036,0.6767995,0.3070138,0.006767792],"study_design_scores_gemma":[0.0001114349,0.00014894783,0.000059327624,0.000003480697,0.0000072668004,0.0000010400348,0.000121499965,0.000007931066,0.00000810969,0.02561603,0.97379345,0.0001214653],"about_ca_topic_score_codex":0.000114509196,"about_ca_topic_score_gemma":0.00046473517,"teacher_disagreement_score":0.9548284,"about_ca_system_score_codex":0.000040081228,"about_ca_system_score_gemma":0.000017897124,"threshold_uncertainty_score":0.99817795},"labels":[],"label_agreement":null},{"id":"W2962835285","doi":"10.1386/public.30.59.200_5","title":"Sam Vernon, Rage Wave","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rage (emotion); Psychology; Neuroscience","score_opus":0.05910594676770272,"score_gpt":0.2173515355050035,"score_spread":0.15824558873730077,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2962835285","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5852727,0.000120750345,0.0000019540807,0.00042717363,0.0006063501,0.00010515627,0.00002144194,0.000096155694,0.41334832],"genre_scores_gemma":[0.9733818,0.0000066036555,0.000004880788,0.00086489605,0.0003835464,0.000008715472,0.000027905691,0.000008887038,0.025312746],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994792,0.000016432998,0.00007960959,0.00012497953,0.00011257665,0.00018720095],"domain_scores_gemma":[0.9996943,0.000014759946,0.000028486651,0.00015027373,0.000056762114,0.00005542321],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000073936826,0.00007822522,0.00008720469,0.000055652472,0.00012006981,0.0002515827,0.000101685735,0.000030563835,0.013529814],"category_scores_gemma":[0.000009223621,0.000058679958,0.00007787411,0.000040085833,0.00005080809,0.00030740356,0.00002693365,0.0001014583,0.0010732982],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006669128,0.0000735151,0.0010395703,0.000025800959,0.000034210796,0.0000022789968,0.009236228,6.67559e-8,0.00045959442,0.94504666,0.04301033,0.0010650562],"study_design_scores_gemma":[0.00018016902,0.000046365065,0.00094736443,0.0000057016982,0.0000043365158,0.0000012521955,0.0011662357,0.000017897883,0.00017283186,0.0014301945,0.9959216,0.00010606483],"about_ca_topic_score_codex":0.00006191418,"about_ca_topic_score_gemma":0.00011653006,"teacher_disagreement_score":0.95291126,"about_ca_system_score_codex":0.000007470661,"about_ca_system_score_gemma":0.000012249961,"threshold_uncertainty_score":0.9997045},"labels":[],"label_agreement":null},{"id":"W2962937857","doi":"10.1386/public.30.59.149_1","title":"Fermenting Communications: Fermentation Praxis as Interspecies Communication","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Thriving; Praxis; Anthropocentrism; Environmental ethics; Embodied cognition; Meaning (existential); Fermentation; Sociology; Communication; Epistemology; Biology; Political science; Social science; Law; Philosophy; Food science","score_opus":0.056319698107845616,"score_gpt":0.3707455636937235,"score_spread":0.31442586558587793,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2962937857","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6040531,0.0002923743,0.0000036865192,0.02880548,0.0002025225,0.00036495077,0.0000020805971,0.00016171427,0.3661141],"genre_scores_gemma":[0.98979485,0.00047525746,0.00099412,0.000462118,0.000038224127,0.0000789197,0.000060295944,0.000011166671,0.00808504],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987173,0.00032971345,0.00023361048,0.0001637537,0.00029612545,0.00025948777],"domain_scores_gemma":[0.9984295,0.00019104479,0.00017819935,0.0008353816,0.00029109116,0.000074800395],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006518578,0.00008449092,0.00009774793,0.00025072964,0.0010414005,0.0005629063,0.0010498841,0.00005664098,0.00258205],"category_scores_gemma":[0.00039813123,0.00009602095,0.00007799289,0.00046691028,0.00036238928,0.0014395227,0.00029232205,0.00020450752,0.0015548704],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010150837,0.000278861,0.054998174,0.0000108857785,0.00008100826,1.9012344e-7,0.047919706,0.0000014887819,0.0014012073,0.88688093,0.0051510762,0.003266323],"study_design_scores_gemma":[0.0003501039,0.000079962556,0.06934667,0.00005362654,0.00002325278,0.0000023775688,0.27696514,0.000098621975,0.00007086544,0.012355847,0.6403669,0.0002866428],"about_ca_topic_score_codex":0.0027418751,"about_ca_topic_score_gemma":0.009197694,"teacher_disagreement_score":0.87452507,"about_ca_system_score_codex":0.0001797398,"about_ca_system_score_gemma":0.00006310024,"threshold_uncertainty_score":0.9992225},"labels":[],"label_agreement":null},{"id":"W2963050214","doi":"10.1386/public.30.59.72_1","title":"Animal Eyes: Gazing at the Animal in Video Games","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Anthropocentrism; Objectification; Realism; Subjectivity; Gaze; Video game; Panopticon; Aesthetics; Psychology; Sociology; Environmental ethics; Epistemology; Art; Computer science; Philosophy; Psychoanalysis; Multimedia","score_opus":0.030847318175181614,"score_gpt":0.31921573475231796,"score_spread":0.28836841657713636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2963050214","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8372263,0.0002654715,1.697356e-7,0.018337414,0.00026006036,0.00022709728,0.0000030181945,0.000080349375,0.14360014],"genre_scores_gemma":[0.9941183,0.000037877922,0.000029015002,0.0004656552,0.00017433437,0.000034764504,0.0000030488015,0.000012826414,0.005124209],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99846053,0.00017485314,0.00019829253,0.00027063303,0.00036925045,0.00052643224],"domain_scores_gemma":[0.9991693,0.00030900864,0.00008590759,0.00025016267,0.000092129216,0.00009352426],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00073326944,0.00010722055,0.00013110347,0.00022703559,0.0005271347,0.00036743056,0.0004998675,0.00007327942,0.0051071],"category_scores_gemma":[0.00039959414,0.00008672735,0.00010985536,0.00065302313,0.00029598913,0.0008092296,0.0001677447,0.00024467078,0.0015939575],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000084724285,0.00018329747,0.7777476,0.0000139812,0.0000526609,0.000007886903,0.022288179,0.000006349601,0.005845084,0.1566374,0.036369435,0.0007634141],"study_design_scores_gemma":[0.00022678597,0.00011591065,0.46155712,0.000016763131,0.000007810082,0.0000031216523,0.03179112,0.00005087853,0.00007141858,0.00072007574,0.50523293,0.00020605554],"about_ca_topic_score_codex":0.0030297295,"about_ca_topic_score_gemma":0.099520236,"teacher_disagreement_score":0.46886352,"about_ca_system_score_codex":0.00015308312,"about_ca_system_score_gemma":0.00007886532,"threshold_uncertainty_score":0.9991834},"labels":[],"label_agreement":null},{"id":"W2963350911","doi":"10.1386/public.30.59.190_1","title":"On Talking to Bees","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Plant and animal studies","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Emily Carr University of Art and Design","funders":"","keywords":"Reflection (computer programming); Swarm behaviour; Pollinator; Sociology; Visual arts; Communication; Geography; Computer science; Ecology; Art; Artificial intelligence; Pollination; Biology; Pollen; Programming language","score_opus":0.04612564952198396,"score_gpt":0.1984766887603927,"score_spread":0.15235103923840876,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2963350911","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9629548,0.000023052618,7.998681e-8,0.005669134,0.000043137825,0.000052535353,0.0000068931736,0.000037972208,0.031212375],"genre_scores_gemma":[0.9977252,0.0000031972695,0.000005044011,0.0010156402,0.00009188943,0.000003457973,0.000003871381,1.4944797e-7,0.0011515892],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99964356,0.0000060385555,0.000036214005,0.00010086655,0.00007663973,0.00013670628],"domain_scores_gemma":[0.99986947,0.000060672803,0.000009598798,0.00000763855,0.000011492906,0.000041133553],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000047088753,0.000040480027,0.000052303312,0.0000047536605,0.00006582151,0.00004779339,0.000093016075,0.000014648445,0.0005277189],"category_scores_gemma":[0.000026154878,0.00001194456,0.000021628524,0.00012032702,0.0000040280365,0.0000417143,0.000042787702,0.000026645135,0.0012947429],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030540148,0.000107961256,0.26051846,0.000004484508,0.000019651645,0.000003639971,0.00011000434,0.0000016812946,0.47131512,0.039605215,0.02601633,0.20226692],"study_design_scores_gemma":[0.00002205055,0.00015845441,0.69114906,0.000005178989,5.0204375e-7,6.2169767e-7,0.000057377027,0.0000033060878,0.00034858205,0.000326226,0.3078614,0.00006726878],"about_ca_topic_score_codex":0.000026963246,"about_ca_topic_score_gemma":0.00032506647,"teacher_disagreement_score":0.47096652,"about_ca_system_score_codex":0.0000051242864,"about_ca_system_score_gemma":6.6715603e-7,"threshold_uncertainty_score":0.99948287},"labels":[],"label_agreement":null},{"id":"W2963540006","doi":"10.1386/public.30.59.26_1","title":"Animals that Live in the Mirror: On Colonial Bestiaries and Interspecies Architecture","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Architecture; Ignorance; Theme (computing); Colonialism; Aesthetics; Ideal (ethics); Animal life; History; Environmental ethics; Visual arts; Art; Sociology; Ecology; Computer science; Archaeology; Epistemology; Biology; Philosophy; Zoology","score_opus":0.04284946117670047,"score_gpt":0.3141836533159547,"score_spread":0.27133419213925425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2963540006","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9116064,0.0001583527,2.2320282e-7,0.050079715,0.00023060461,0.00028040746,0.0000060273005,0.000035750854,0.03760254],"genre_scores_gemma":[0.99844867,0.00003679788,0.000055508743,0.00075083826,0.000057416346,0.000026626976,0.0000016868967,0.0000056928684,0.00061677163],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9989801,0.00020019223,0.000091119895,0.00018497533,0.00026981338,0.00027377807],"domain_scores_gemma":[0.99918723,0.00051772,0.000051464325,0.00014724929,0.00004729499,0.000049028808],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004043929,0.00008994683,0.00010700846,0.00020521674,0.00032820276,0.0004928448,0.00035211327,0.00006028997,0.00071207876],"category_scores_gemma":[0.00031175461,0.00006494188,0.00004950863,0.00024282499,0.00047366502,0.00023782384,0.000060158745,0.0002713825,0.00015649069],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009533657,0.00018684319,0.2377645,0.000012916412,0.000043859625,0.000009271915,0.27952537,0.0000013511253,0.00018025865,0.47577405,0.005636906,0.0007693259],"study_design_scores_gemma":[0.00022948359,0.00033252433,0.57383806,0.000028776429,0.000009043234,0.0000058233422,0.15674628,0.0000035888004,0.000014400024,0.0087566115,0.2598641,0.00017131091],"about_ca_topic_score_codex":0.005028489,"about_ca_topic_score_gemma":0.1891331,"teacher_disagreement_score":0.46701744,"about_ca_system_score_codex":0.00003476367,"about_ca_system_score_gemma":0.00003644737,"threshold_uncertainty_score":0.8256631},"labels":[],"label_agreement":null},{"id":"W2963686402","doi":"10.1386/public.30.59.46_1","title":"INCUBATOR Lab: Where Artists Collaborate with Life","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Science Education and Perceptions","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Windsor","funders":"","keywords":"Incubator; Living lab; Storytelling; The arts; Visual arts; Performing arts; Webcast; Sociology; Multimedia; Art; Computer science; World Wide Web; Narrative","score_opus":0.037235165156090926,"score_gpt":0.3281221090764631,"score_spread":0.2908869439203722,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2963686402","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8746242,0.00007326812,0.000032010517,0.018028835,0.0012031113,0.00014683318,0.000010254362,0.00007469557,0.10580683],"genre_scores_gemma":[0.952204,0.0000034626764,0.00014753279,0.0018984132,0.00014469035,0.00005017651,0.000009004759,0.000009839512,0.04553288],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992652,0.000060331782,0.00009475402,0.00021337175,0.0001365678,0.00022978456],"domain_scores_gemma":[0.9992459,0.000033422424,0.00004526135,0.00033527685,0.00014523626,0.00019494354],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017334642,0.00006662595,0.0000768081,0.0000934747,0.00007174004,0.00012142763,0.00017435965,0.000048050322,0.055894677],"category_scores_gemma":[0.00004012106,0.00005311418,0.000013817759,0.0007738897,0.000057643843,0.00019694497,0.000014782857,0.000083790255,0.020073833],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017124163,0.00019332755,0.62680674,0.000006418011,0.00002384155,0.000001345369,0.0040498967,0.0000022126856,0.00025913163,0.050385937,0.315661,0.0025930146],"study_design_scores_gemma":[0.00027225853,0.000050733215,0.46529087,0.000003027649,0.000002331086,0.000005560279,0.0033660142,0.000012624475,0.0000027722535,0.00004192604,0.5308644,0.00008743918],"about_ca_topic_score_codex":0.00007037486,"about_ca_topic_score_gemma":0.0002689014,"teacher_disagreement_score":0.21520342,"about_ca_system_score_codex":0.000026291867,"about_ca_system_score_gemma":0.00029489052,"threshold_uncertainty_score":0.98068917},"labels":[],"label_agreement":null},{"id":"W2964053648","doi":"10.1386/public.30.59.204_5","title":"Elvira Santamaria, Salt Cartographies II","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Salt lake; Salt (chemistry); Art; Geography; Chemistry; Geology; Geomorphology","score_opus":0.03686061266427908,"score_gpt":0.22192262414247238,"score_spread":0.1850620114781933,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2964053648","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33724234,0.00030304122,0.000009577453,0.0021004775,0.0013347556,0.00015585865,0.000052771553,0.0001890948,0.6586121],"genre_scores_gemma":[0.8767922,0.000035272667,0.000014624581,0.0017504932,0.00082532514,0.000012171148,0.00003855629,0.000021740661,0.12050961],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990341,0.000025124698,0.00016580785,0.00019583602,0.00017170206,0.00040744085],"domain_scores_gemma":[0.9994191,0.000033174263,0.000051666586,0.0002991955,0.00009001936,0.00010683034],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010820235,0.00013015667,0.00016239873,0.00017420163,0.00040339594,0.0002553346,0.00018711251,0.000042710704,0.0059545953],"category_scores_gemma":[0.000019353247,0.000113413334,0.00010466531,0.0000044818157,0.00021500236,0.00040681325,0.000101011756,0.00011625437,0.0008739531],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000034947775,0.00006789021,0.0036806765,0.000023476103,0.00004677208,0.0000013384099,0.057178866,2.8055237e-7,0.000041431507,0.8863188,0.051141337,0.001495655],"study_design_scores_gemma":[0.00022244375,0.00006981901,0.00081050204,0.0000057819316,0.000011738115,0.0000015376356,0.001649237,0.000028782006,0.000037600505,0.009519923,0.98747617,0.00016644204],"about_ca_topic_score_codex":0.0010642566,"about_ca_topic_score_gemma":0.0059023886,"teacher_disagreement_score":0.93633485,"about_ca_system_score_codex":0.000017156348,"about_ca_system_score_gemma":0.000046320023,"threshold_uncertainty_score":0.999904},"labels":[],"label_agreement":null},{"id":"W3015193231","doi":"10.1386/public_00026_4","title":"Tear Gas Epiphanies","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Religious Studies and Spiritual Practices","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Medicine","score_opus":0.1284241909068732,"score_gpt":0.2360502060572712,"score_spread":0.10762601515039799,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015193231","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03631661,0.0011740972,0.00001171404,0.17617545,0.0003027784,0.00008320912,0.00000883768,0.00018524943,0.78574204],"genre_scores_gemma":[0.98765975,0.00027297743,0.000027677333,0.007431084,0.0012791746,0.000009260861,0.000003676961,0.000011806099,0.0033045874],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993983,0.00001982981,0.00011703631,0.00013674283,0.00012975521,0.0001983355],"domain_scores_gemma":[0.9996585,0.000049640363,0.000048262944,0.000081288126,0.00007221066,0.00009006455],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000071137365,0.00008068948,0.00011401533,0.000022204433,0.00035873574,0.0004520067,0.00013928932,0.000014496297,0.0026867532],"category_scores_gemma":[0.00017547423,0.00006251165,0.000052126477,0.000029192544,0.000105755425,0.00036706508,0.000073296345,0.00009232626,0.0012188246],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007472576,0.00002829738,0.00017861059,0.000019881347,0.00005159297,0.000005424314,0.02444103,4.454102e-7,0.000012920106,0.5797184,0.38958538,0.0059505366],"study_design_scores_gemma":[0.00009755712,0.00008244495,0.00002540931,0.0000016532056,0.000007991594,7.0365587e-7,0.0059043732,0.00005596813,0.0000082900415,0.0016877194,0.99203897,0.00008894799],"about_ca_topic_score_codex":0.00016425802,"about_ca_topic_score_gemma":0.0002277897,"teacher_disagreement_score":0.9513431,"about_ca_system_score_codex":0.0000061564947,"about_ca_system_score_gemma":0.000013051194,"threshold_uncertainty_score":0.99955887},"labels":[],"label_agreement":null},{"id":"W3015345887","doi":"10.1386/public_00006_7","title":"Biometric Algorithms as Border Infrastructures","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Cross-Border Cooperation and Integration","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Nexus (standard); Affordance; Context (archaeology); Computer science; Biometrics; Computer security; Corporate governance; Focus (optics); Mediation; Business; Political science; Human–computer interaction; Law","score_opus":0.0528733670721488,"score_gpt":0.401232418252348,"score_spread":0.3483590511801992,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015345887","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23910367,0.0007163461,0.0123056425,0.32701382,0.0014446598,0.0006217382,0.0000307246,0.0008083904,0.417955],"genre_scores_gemma":[0.9910232,0.00004499489,0.00045332656,0.0063404497,0.00045884773,0.00000909846,0.000025940994,0.0000071271866,0.0016370551],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991519,0.000059238562,0.00012234364,0.00016083257,0.0003107878,0.0001949173],"domain_scores_gemma":[0.9994408,0.000030670417,0.000036480233,0.00007201406,0.00022532062,0.00019472816],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016895332,0.000065451684,0.000073124356,0.00015282047,0.00040067438,0.00060862256,0.00018889288,0.00006825213,0.007574921],"category_scores_gemma":[0.0017050295,0.00005847263,0.00003485147,0.0021074389,0.000109214605,0.0004785739,0.00002530409,0.00009497053,0.00039444648],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007612407,0.00006399665,0.0064588455,0.000007456207,0.000031135784,0.000002123474,0.03561886,0.000012277339,0.0010769633,0.34249625,0.10593503,0.50828946],"study_design_scores_gemma":[0.00012874114,0.000033150805,0.004264327,6.2938966e-7,0.000002002501,2.2891052e-7,0.0022452027,0.0005152398,0.00014861915,0.0004844982,0.99209017,0.000087196786],"about_ca_topic_score_codex":0.00086970744,"about_ca_topic_score_gemma":0.00046461006,"teacher_disagreement_score":0.8861551,"about_ca_system_score_codex":0.00003792573,"about_ca_system_score_gemma":0.0002715845,"threshold_uncertainty_score":0.99333227},"labels":[],"label_agreement":null},{"id":"W3015409588","doi":"10.1386/public_00007_7","title":"The Carceral Airport","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McMaster University","funders":"","keywords":"Biopower; Invisibility; Race (biology); Biometrics; Scrutiny; Globe; Colonialism; Governmentality; Racial profiling; Sociology; Computer security; Political science; Political economy; Criminology; Law; Gender studies; Politics; Computer science","score_opus":0.07011719731284523,"score_gpt":0.3288187055336621,"score_spread":0.2587015082208169,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015409588","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1605358,0.00015931878,0.0000035640053,0.38762397,0.00042805163,0.00013141072,0.0000023219638,0.00019801434,0.45091757],"genre_scores_gemma":[0.99544436,0.00003425561,0.000025045027,0.0016942996,0.00042034136,0.000014378699,0.0000013904997,0.000004662974,0.0023612643],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928427,0.000059524104,0.00008474535,0.000102429956,0.00022454564,0.00024446042],"domain_scores_gemma":[0.9995379,0.000086244,0.000034788638,0.000093826944,0.0000911178,0.00015610778],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021298653,0.000041170097,0.0000441194,0.000025151741,0.0012124364,0.00035503125,0.00035326567,0.000024052135,0.0006715178],"category_scores_gemma":[0.0005048794,0.00003125522,0.00006633974,0.0002975279,0.0002645262,0.00027544005,0.00004738116,0.000120595076,0.0003196365],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007783553,0.000028172852,0.030635145,0.000001978502,0.0000429602,0.0000042496977,0.017480442,0.0000011457472,0.000043718323,0.6122542,0.3362379,0.0032623133],"study_design_scores_gemma":[0.000030768995,0.000016163784,0.013333146,4.263318e-7,0.0000028991765,2.815596e-7,0.011288766,0.000014265903,0.0000027184844,0.0010397873,0.9742266,0.000044186767],"about_ca_topic_score_codex":0.00110729,"about_ca_topic_score_gemma":0.018795544,"teacher_disagreement_score":0.83490855,"about_ca_system_score_codex":0.000018899267,"about_ca_system_score_gemma":0.000072259754,"threshold_uncertainty_score":0.99910885},"labels":[],"label_agreement":null},{"id":"W3015561207","doi":"10.1386/public_00002_1","title":"Approaches to Biometrics in Experimental Sound Art","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Biometrics; Sound (geography); Computer science; Speech recognition; Acoustics; Artificial intelligence; Physics","score_opus":0.25860601510131015,"score_gpt":0.2679943053740895,"score_spread":0.009388290272779376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015561207","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.510868,0.0009525675,0.3343868,0.1304796,0.0003482624,0.00027151694,0.0000014014507,0.00057901785,0.022112863],"genre_scores_gemma":[0.9893525,0.0000014542202,0.00808044,0.0024250876,0.000029000797,0.000032895477,7.036941e-7,0.0000028247362,0.00007509193],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992949,0.000017322052,0.00010165409,0.00026139928,0.00011779341,0.00020696544],"domain_scores_gemma":[0.99966884,0.000029037046,0.000016989674,0.00019383541,0.000008825044,0.00008248446],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000118622265,0.00006883338,0.00010266693,0.00029797608,0.000061537554,0.0001044899,0.00058557495,0.00004554172,0.0000124689495],"category_scores_gemma":[0.00013559063,0.00006397487,0.00002161639,0.0021965601,0.0000372402,0.00021691476,0.00047392087,0.000087950546,0.0001984343],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000039893935,0.00022029385,0.019268865,0.000009761066,0.00002404365,0.00001911975,0.012377704,0.000007679634,0.00021194715,0.9206426,0.02614053,0.021073475],"study_design_scores_gemma":[0.0013732458,0.00066753576,0.026265197,0.0000076167134,0.0000037739512,0.000018592838,0.0031731399,0.017789837,0.0045912242,0.024828823,0.9202791,0.0010018988],"about_ca_topic_score_codex":0.0000021379146,"about_ca_topic_score_gemma":0.000005700495,"teacher_disagreement_score":0.89581376,"about_ca_system_score_codex":0.000027201042,"about_ca_system_score_gemma":0.000016402344,"threshold_uncertainty_score":0.26088193},"labels":[],"label_agreement":null},{"id":"W3015685113","doi":"10.1386/public_00023_4","title":"Beads they’re sewn so tight","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Indigenous; Exhibition; Sovereignty; Politics; Symbol (formal); Sociology; Resilience (materials science); Aesthetics; History; Visual arts; Anthropology; Environmental ethics; Media studies; Political science; Art; Art history; Law; Ecology; Philosophy; Linguistics","score_opus":0.10358039348994413,"score_gpt":0.22638857287447253,"score_spread":0.1228081793845284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015685113","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026631689,0.0005620985,0.00013319799,0.039642897,0.00062797783,0.00019233392,0.000051217,0.00048786224,0.9316707],"genre_scores_gemma":[0.97894317,0.000012380418,0.000021705824,0.006076429,0.0017350519,0.000014702095,0.000026541378,0.000022121927,0.01314791],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992004,0.000030406667,0.00014465432,0.00019673441,0.00016965087,0.00025814402],"domain_scores_gemma":[0.99951494,0.000044938282,0.00004025384,0.00016992934,0.00007135662,0.00015857976],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000088815024,0.00011888534,0.00013835754,0.000048956772,0.00032272298,0.0007665329,0.00021359582,0.000035807596,0.01556681],"category_scores_gemma":[0.00004356025,0.00009486369,0.000083056846,0.00003704438,0.000112884714,0.0003183982,0.00004797404,0.00011936891,0.0018372284],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000071402974,0.00004367938,0.00015886725,0.000018738274,0.00002557107,0.000007129702,0.042501032,5.9488497e-7,0.000041161125,0.64590675,0.30348724,0.0078020766],"study_design_scores_gemma":[0.00017333867,0.00005473794,0.00009509308,0.0000033897063,0.000009474542,7.7143034e-7,0.0027944506,0.00013453593,0.000036836253,0.0012455739,0.9953105,0.00014128989],"about_ca_topic_score_codex":0.00011890642,"about_ca_topic_score_gemma":0.0005577396,"teacher_disagreement_score":0.95231146,"about_ca_system_score_codex":0.00001827853,"about_ca_system_score_gemma":0.00007096582,"threshold_uncertainty_score":0.99893993},"labels":[],"label_agreement":null},{"id":"W3015699611","doi":"10.1386/public_00022_4","title":"Marnie Ellen Hertzler, Hi I Need To Be Loved","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Film festival; Art; Art history; Visual arts; Media studies; History; Sociology","score_opus":0.14743061960404788,"score_gpt":0.2563624197642379,"score_spread":0.10893180016019002,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015699611","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41790062,0.00042831677,0.000039508705,0.17534593,0.0007390726,0.00052982924,0.00015317286,0.0005928184,0.40427074],"genre_scores_gemma":[0.96372694,0.000008527323,0.000019574245,0.029506419,0.00082282315,0.000021206766,0.00003693039,0.000016894797,0.0058407024],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923974,0.000027176195,0.00012690178,0.00019661791,0.000151865,0.00025770313],"domain_scores_gemma":[0.9994826,0.000017245959,0.00003078494,0.00012479069,0.00007978656,0.00026484582],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000057282276,0.00012327594,0.00013696916,0.00005841102,0.0001827676,0.00035701654,0.00022356292,0.00003882231,0.007464349],"category_scores_gemma":[0.000053808497,0.0000990564,0.000100794095,0.00012190071,0.000051125833,0.00024169992,0.000064087326,0.00013515708,0.00052737247],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045290246,0.00011800468,0.00029404953,0.000038473674,0.000078914156,0.0000060213556,0.06900175,6.857183e-7,0.0016333405,0.23685975,0.6899167,0.0020070681],"study_design_scores_gemma":[0.00020346488,0.00010900206,0.00015756869,0.000003379727,0.000008345882,3.7692715e-7,0.0047618547,0.000031572483,0.00021226301,0.00021778127,0.9941395,0.00015487784],"about_ca_topic_score_codex":0.000092830975,"about_ca_topic_score_gemma":0.00023172112,"teacher_disagreement_score":0.5458263,"about_ca_system_score_codex":0.000008143772,"about_ca_system_score_gemma":0.000018807512,"threshold_uncertainty_score":0.99344295},"labels":[],"label_agreement":null},{"id":"W3015758654","doi":"10.1386/public_00019_7","title":"Virtual Bodies Inc.","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Framing (construction); Transformative learning; Politics; Sociology; Aesthetics; Epistemology; Political science; Art; Philosophy; Geography; Law","score_opus":0.09608475408350145,"score_gpt":0.22370122230193767,"score_spread":0.12761646821843622,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015758654","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22217327,0.00009445114,0.0000048760967,0.060439765,0.00041609054,0.000076497185,0.000028987391,0.0003949307,0.7163711],"genre_scores_gemma":[0.9779496,0.000008867371,0.0000055038145,0.0074007264,0.0006209725,0.0000057047973,0.000020332192,0.0000058475684,0.013982436],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99961096,0.000012975129,0.00007683942,0.00009146445,0.00008924181,0.00011854461],"domain_scores_gemma":[0.9997897,0.000010599593,0.000018687895,0.000048975242,0.000047487985,0.0000845237],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000023311713,0.00006060452,0.0000680656,0.000014922147,0.00016023783,0.00029240854,0.00010767822,0.000013618569,0.013982489],"category_scores_gemma":[0.0000444329,0.000042960943,0.00003184817,0.000013283179,0.00008455871,0.0002564492,0.000038067607,0.000061177256,0.0020871528],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000014730442,0.000010884734,0.000020582203,0.000003962167,0.000008867592,0.0000010777775,0.05127673,1.568432e-7,0.00003589553,0.79782987,0.14373764,0.0070728655],"study_design_scores_gemma":[0.000083089435,0.00004151402,0.00007742147,0.0000012812529,0.0000022165643,3.4166894e-7,0.016895022,0.00005747768,0.000014727404,0.00023846734,0.98251593,0.00007253312],"about_ca_topic_score_codex":0.000010686646,"about_ca_topic_score_gemma":0.00016468359,"teacher_disagreement_score":0.83877826,"about_ca_system_score_codex":0.000004357082,"about_ca_system_score_gemma":0.000009204021,"threshold_uncertainty_score":0.99868983},"labels":[],"label_agreement":null},{"id":"W3015836921","doi":"10.1386/public_00024_4","title":"Candace Hicks, Many Mini Murder Scenes","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Law in Society and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Printmaking; Visual arts; Art; Scale (ratio); Composition (language); Art history; Literature; Cartography; Geography; Painting","score_opus":0.04807068941040747,"score_gpt":0.2920955602833812,"score_spread":0.2440248708729737,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015836921","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0714651,0.001621915,0.00006132864,0.59634924,0.0005668975,0.00021285356,0.0000128402535,0.00034771764,0.32936212],"genre_scores_gemma":[0.97744375,0.00024808806,0.00020143582,0.01040181,0.0010062293,0.0000114862605,0.000006303245,0.000007615992,0.010673249],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991277,0.000073834206,0.00007761702,0.00016044722,0.00028443386,0.0002759864],"domain_scores_gemma":[0.99954647,0.000027714796,0.000031797677,0.00007864841,0.000085999505,0.00022934517],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019388064,0.00006348968,0.00008330458,0.0000024003032,0.0004911677,0.00017905686,0.00027972,0.00010790364,0.0016615972],"category_scores_gemma":[0.00023834007,0.000054068074,0.0000665454,0.0003437869,0.00017981062,0.00024510335,0.000042138567,0.00011628238,0.00021582247],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003479922,0.000036828143,0.008140739,0.000018466637,0.000031869615,0.000004367487,0.09354565,0.000001102717,0.00010588737,0.2465092,0.645966,0.0056364085],"study_design_scores_gemma":[0.000099018864,0.000006960125,0.0006957836,0.0000021681897,0.000004817759,2.135139e-7,0.012507864,0.000012270124,0.000025974814,0.0005435337,0.98601496,0.00008642063],"about_ca_topic_score_codex":0.00044187298,"about_ca_topic_score_gemma":0.00063602556,"teacher_disagreement_score":0.9059787,"about_ca_system_score_codex":0.000035208654,"about_ca_system_score_gemma":0.0001604465,"threshold_uncertainty_score":0.999251},"labels":[],"label_agreement":null},{"id":"W3016021811","doi":"10.1386/public_00013_7","title":"Health Biometrics and the Narrative Self","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Empathy and Medical Education","field":"Medicine","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Biometrics; Narrative; Psychology; State (computer science); Recall; Social psychology; Sociology; Cognitive psychology; Aesthetics; Computer science; Artificial intelligence; Literature; Art","score_opus":0.05037563429234819,"score_gpt":0.32790525539683396,"score_spread":0.27752962110448576,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3016021811","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24567382,0.0017323205,0.00013110109,0.7506344,0.00009727076,0.00020441346,8.872885e-7,0.000044764492,0.0014810425],"genre_scores_gemma":[0.9589019,0.00027183755,0.00024958132,0.040254183,0.00020847878,0.00001025504,0.000009499765,0.0000034146565,0.00009089695],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995522,0.000046355006,0.000087242675,0.000085215914,0.00012826755,0.00010075663],"domain_scores_gemma":[0.99947727,0.000087520944,0.000033348522,0.000062447114,0.000044422974,0.00029497108],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031718382,0.000035618807,0.00011183798,0.000050675797,0.00006966472,0.000015721163,0.00003108805,0.000021954947,0.000049553695],"category_scores_gemma":[0.0015532043,0.000019720806,0.000017042217,0.0006503541,0.00007166137,0.000040771924,0.000015248915,0.00011484212,0.0000130701965],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009968943,0.00022864254,0.0030993714,0.00023467903,0.00007907601,0.0000028159373,0.77565026,3.3200557e-8,0.000012403292,0.01958982,0.07064506,0.13035814],"study_design_scores_gemma":[0.007698867,0.00089958496,0.04600983,0.000040394916,0.00005609173,0.00006046079,0.13107932,0.0014052026,0.00006572708,0.0007483288,0.8117933,0.00014284387],"about_ca_topic_score_codex":0.000019360314,"about_ca_topic_score_gemma":0.0000011208293,"teacher_disagreement_score":0.7411483,"about_ca_system_score_codex":0.000019866735,"about_ca_system_score_gemma":0.00025364,"threshold_uncertainty_score":0.18594427},"labels":[],"label_agreement":null},{"id":"W3016041563","doi":"10.1386/public_00015_7","title":"Animating the Kinetic Trace: Kate Bush, Hatsune Miku, and Posthuman Dance","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Human Motion and Animation","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Dance; Choreography; Posthuman; TRACE (psycholinguistics); Animation; Art; Computer science; Visual arts; Aesthetics; Philosophy","score_opus":0.027448431275567828,"score_gpt":0.19742772237545111,"score_spread":0.1699792910998833,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3016041563","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9787965,0.0007453766,0.002714473,0.010220302,0.00006499024,0.00012720443,0.000003254228,0.00038401663,0.0069438857],"genre_scores_gemma":[0.99911827,0.000023923229,0.0002247841,0.00043379344,0.00010541734,0.000007052336,0.0000042848983,0.00001626323,0.000066233464],"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.99957013,0.000017073722,0.00011242074,0.00009069019,0.00008016067,0.00012954976],"domain_scores_gemma":[0.9998052,0.00001751801,0.000019311487,0.000075539974,0.000017518469,0.00006488486],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000080372774,0.000072655894,0.000066879606,0.000021772978,0.00008970568,0.000152211,0.00008922629,0.000021747774,0.00014810757],"category_scores_gemma":[0.000043982054,0.00005772246,0.00001702378,0.000118973694,0.000022553142,0.00016758968,0.000017009681,0.00010459833,0.000071691684],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029022367,0.0001458837,0.0067497613,0.0019108554,0.00024634018,0.000028416602,0.059071407,0.013475025,0.27481303,0.1815245,0.04583165,0.4161741],"study_design_scores_gemma":[0.0007108969,0.00008775733,0.136594,0.000050230676,0.0000198936,0.000017847446,0.0007131944,0.7048836,0.0015127807,0.0006289295,0.15435512,0.00042574797],"about_ca_topic_score_codex":0.0000017607301,"about_ca_topic_score_gemma":0.000006934173,"teacher_disagreement_score":0.6914086,"about_ca_system_score_codex":0.000009300236,"about_ca_system_score_gemma":0.000003224933,"threshold_uncertainty_score":0.23538537},"labels":[],"label_agreement":null},{"id":"W3109974142","doi":"10.1386/public.26.52.23_1","title":"The spaces between: Contemporary art from Havana","year":2015,"lang":"en","type":"article","venue":"Public","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; Art; Art history","score_opus":0.24261094313423331,"score_gpt":0.28159595182104974,"score_spread":0.038985008686816425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3109974142","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3973746,0.0013557755,0.0000117957625,0.010328101,0.0008276963,0.00013202522,0.00007898929,0.00015666538,0.5897344],"genre_scores_gemma":[0.9813786,0.000009768319,0.0000037050913,0.0005667667,0.001104373,0.000015275476,0.000061266735,0.0000110784995,0.016849134],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999272,0.000054219858,0.0001428273,0.00013241572,0.0001983263,0.00020025049],"domain_scores_gemma":[0.99934673,0.00013201497,0.00006085981,0.00020169804,0.000093894894,0.00016478627],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025621464,0.00009520843,0.00011671031,0.00004636224,0.00037054866,0.00072488684,0.000220332,0.000024895293,0.00034853423],"category_scores_gemma":[0.00005180274,0.00005775992,0.000057135814,0.000032655706,0.00031410443,0.00035480142,0.000056099267,0.00010106879,0.0006729453],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009886665,0.000037889342,0.0186775,0.0000017406039,0.00007710362,0.0000029543187,0.008676337,1.5350494e-8,0.0000033751635,0.21808463,0.7520868,0.0023417487],"study_design_scores_gemma":[0.00017693198,0.000043741973,0.0010673652,0.0000037225366,0.0000058328046,1.6966519e-7,0.0059914277,0.000009699496,0.000017504335,0.013751064,0.97884077,0.00009174287],"about_ca_topic_score_codex":0.000977918,"about_ca_topic_score_gemma":0.0013146821,"teacher_disagreement_score":0.58400404,"about_ca_system_score_codex":0.000009041408,"about_ca_system_score_gemma":0.00007127559,"threshold_uncertainty_score":0.86495745},"labels":[],"label_agreement":null},{"id":"W3130267911","doi":"10.1386/public_00029_1","title":"HOOS: Scenes of Educational Hospitality","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Education and experiences of immigrants and refugees","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of British Columbia","funders":"","keywords":"Hospitality; Somali; Refugee; Narrative; Reflection (computer programming); Sociology; Pedagogy; Poetry; Displacement (psychology); Psychology; Tourism; Art; History; Literature; Psychoanalysis; Computer science; Philosophy; Archaeology; Linguistics","score_opus":0.050382111144925405,"score_gpt":0.34764958591225065,"score_spread":0.29726747476732523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3130267911","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65471905,0.00035374204,0.0000059676195,0.28390667,0.0002489799,0.000049767783,0.0000026748426,0.000014958302,0.060698196],"genre_scores_gemma":[0.9977524,0.00007900676,0.00011793427,0.0011114927,0.00028618152,0.000006323729,0.000003846516,0.000001833543,0.00064095546],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994986,0.000036469322,0.00009621611,0.00008607694,0.00017148287,0.000111126],"domain_scores_gemma":[0.9996402,0.000037276583,0.00004640344,0.000049675924,0.00008403618,0.00014237071],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001298056,0.000031867705,0.00005889001,0.000019325287,0.0001709594,0.000047011883,0.00017187098,0.000025238613,0.0015924809],"category_scores_gemma":[0.00041793712,0.000025925458,0.000035699082,0.00022304544,0.00021206532,0.0001965478,0.000012281764,0.000027644192,0.00003431954],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000024601266,0.00014821485,0.12540376,0.000013278531,0.000010394904,4.7339203e-8,0.042027734,3.6746863e-7,0.00005668788,0.8020616,0.013934757,0.016340675],"study_design_scores_gemma":[0.00006419616,0.000018837218,0.057436883,0.00000381727,0.0000019392921,6.0232544e-8,0.03703592,0.0000037955508,0.00008609543,0.0015011663,0.9037746,0.00007266821],"about_ca_topic_score_codex":0.00057409913,"about_ca_topic_score_gemma":0.0001781074,"teacher_disagreement_score":0.8898399,"about_ca_system_score_codex":0.000008954725,"about_ca_system_score_gemma":0.00030756317,"threshold_uncertainty_score":0.9993202},"labels":[],"label_agreement":null},{"id":"W3131114784","doi":"10.1386/public_00036_4","title":"Geoffrey Pugen’s Apocalyptic Utopias","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Humanities and Social Sciences","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Sublime; Humanity; Exhibition; Intersection (aeronautics); Art history; Centring; Natural (archaeology); Art; Aesthetics; Philosophy; History; Geography; Visual arts; Cartography; Archaeology; Theology","score_opus":0.18522958079290963,"score_gpt":0.3196231294991417,"score_spread":0.13439354870623205,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3131114784","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15475428,0.0001306118,0.00010034131,0.15733601,0.0004841478,0.00016708024,0.0000036626734,0.0002508258,0.68677306],"genre_scores_gemma":[0.989421,0.000048955346,0.000060222137,0.0049165813,0.0010458141,0.000010594443,0.000001854322,0.0000053135586,0.0044896365],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99868125,0.00012219152,0.00011776687,0.00018444571,0.0004502176,0.00044414535],"domain_scores_gemma":[0.99937606,0.000060534385,0.000041133986,0.00007328218,0.00007510915,0.00037386274],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00048136292,0.000064918575,0.00010468039,0.000025967805,0.00096997974,0.00041799052,0.0004553223,0.000060925937,0.0032812732],"category_scores_gemma":[0.00062478066,0.00006031009,0.00006428222,0.00041010216,0.0003676417,0.0003998527,0.000057848763,0.00009568475,0.0005356235],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[8.234515e-7,0.00001477655,0.0026436208,0.0000034963941,0.000006089289,0.0000027982248,0.044950448,6.4142114e-7,0.000008474427,0.9317489,0.011276336,0.009343548],"study_design_scores_gemma":[0.00005465411,0.000019904473,0.0013720382,0.0000010870488,0.0000030081796,8.138406e-8,0.014640423,0.000053735217,0.0000025182112,0.004048485,0.9797073,0.00009673987],"about_ca_topic_score_codex":0.0020837046,"about_ca_topic_score_gemma":0.0035870995,"teacher_disagreement_score":0.968431,"about_ca_system_score_codex":0.000059919857,"about_ca_system_score_gemma":0.00025990792,"threshold_uncertainty_score":0.9976299},"labels":[],"label_agreement":null},{"id":"W3132244675","doi":"10.1386/public_00035_4","title":"Jawa El Khash, The Upper Side of the Sky: Virtual Worlds as Sites for Ecological and Cultural Resurgence","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Archaeological Research and Protection","field":"Earth and Planetary Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Sky; Virtual reality; Natural (archaeology); Geography; Ecology; Metaverse; History; Art; Archaeology; Computer science; Biology; Human–computer interaction","score_opus":0.06584814648063049,"score_gpt":0.2842232812489901,"score_spread":0.21837513476835962,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3132244675","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9480494,0.00027533525,0.00013307693,0.048660666,0.000055624867,0.0003491284,0.000036785194,0.00001832581,0.0024216084],"genre_scores_gemma":[0.9979164,0.000074630916,0.00013288252,0.0015443222,0.000089363886,0.000008634971,0.00001375962,0.0000010750766,0.00021894924],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99908084,0.00016709791,0.000117353964,0.0001676097,0.00021251649,0.0002546056],"domain_scores_gemma":[0.9989509,0.00071914215,0.00004306382,0.00008664498,0.000054342836,0.0001458904],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00042250054,0.0000675065,0.00009036442,0.000014633843,0.00031373414,0.00004941648,0.0002894218,0.000048847953,0.0011571913],"category_scores_gemma":[0.0028236466,0.000027503285,0.00006021856,0.00023815698,0.00040371437,0.00015251605,0.00007226017,0.00018494847,0.000035999477],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036132755,0.000017221835,0.8274877,0.00002182675,0.000033749235,0.0000025169666,0.0011227691,0.00018981009,0.0009962937,0.009574952,0.0039252834,0.15626657],"study_design_scores_gemma":[0.00014013832,0.00058464427,0.9385061,0.0000024662595,0.0000037239538,0.0000052501814,0.00033700105,0.0039797286,0.0003209977,0.012963218,0.043087784,0.00006891309],"about_ca_topic_score_codex":0.00027115608,"about_ca_topic_score_gemma":0.0008371991,"teacher_disagreement_score":0.15619765,"about_ca_system_score_codex":0.0000019379052,"about_ca_system_score_gemma":0.00004704708,"threshold_uncertainty_score":0.99975586},"labels":[],"label_agreement":null},{"id":"W3133029989","doi":"10.1386/public_00030_1","title":"Invisible Hospitalities of the Art School","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Art Education and Development","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Emily Carr University of Art and Design","funders":"","keywords":"Plural; Hospitality; Sociology; Politics; Process (computing); Visual arts; Pedagogy; Aesthetics; Gender studies; Political science; Art; Law; Linguistics; Computer science","score_opus":0.057089259730242536,"score_gpt":0.21785877112026295,"score_spread":0.1607695113900204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3133029989","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10771993,0.00009341584,0.000010761814,0.13871153,0.0006126297,0.00012067718,0.000008454887,0.00005585556,0.7526668],"genre_scores_gemma":[0.9501672,0.0000032996709,0.0000273968,0.0074507776,0.00022571652,0.000010434838,0.0000039330293,0.0000046021287,0.042106677],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996169,0.000013569711,0.00011315682,0.0000621638,0.00011231622,0.00008186034],"domain_scores_gemma":[0.99972314,0.000011068443,0.000039703078,0.00009200778,0.00006966023,0.00006440591],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000047391575,0.000041457934,0.000054365144,0.000018887984,0.0001223479,0.00009164901,0.00013374955,0.000008447728,0.009313029],"category_scores_gemma":[0.00009994048,0.000026829106,0.000033322973,0.00003679415,0.000088505425,0.00014438374,0.000050796152,0.000044503027,0.00057560724],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[7.19139e-7,0.00001733219,0.0037935125,0.000011235476,0.000009171841,3.4161626e-8,0.025924874,1.7418367e-7,0.000003429599,0.5295745,0.44044632,0.00021871035],"study_design_scores_gemma":[0.00005164052,0.000009665394,0.0032564623,0.0000033986537,0.0000017651607,9.160029e-8,0.0068842527,0.000005500168,0.00011583195,0.001378011,0.98825186,0.00004151689],"about_ca_topic_score_codex":0.000009543257,"about_ca_topic_score_gemma":0.00002549825,"teacher_disagreement_score":0.8424472,"about_ca_system_score_codex":0.00000951753,"about_ca_system_score_gemma":0.00012199574,"threshold_uncertainty_score":0.9915926},"labels":[],"label_agreement":null},{"id":"W3133574514","doi":"10.1386/public_00038_1","title":"CoC Methodology: Generating Communities of Care Within Indigenous Spaces Through Trauma-Informed Visual Culture","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Participatory Visual Research Methods","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Indigenous; Theme (computing); Community practice; Sociology; Traditional knowledge; Visual arts; Media studies; Medicine; Art; Nursing; Computer science; Ecology","score_opus":0.7584089308578746,"score_gpt":0.6264424489732355,"score_spread":0.1319664818846391,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3133574514","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9803109,0.0009879782,0.0024136673,0.0016465881,0.00016629796,0.00041691944,0.00002351908,0.00015006885,0.013884053],"genre_scores_gemma":[0.9437498,0.00008431504,0.055024806,0.0006907552,0.0002588556,0.000051213527,0.000021187245,0.000017631462,0.00010145748],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.993759,0.0042809616,0.0003799509,0.0001781223,0.00074613997,0.00065582857],"domain_scores_gemma":[0.99763596,0.001182966,0.00023092587,0.00018373935,0.00044083918,0.00032555964],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00307207,0.00015596366,0.0004061084,0.00007504023,0.0009680744,0.00023041757,0.00066671264,0.0001948116,0.00017545487],"category_scores_gemma":[0.007038696,0.0001384224,0.00009768443,0.00073731435,0.0009188164,0.000698073,0.00017754028,0.00045794898,0.000014808458],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028896557,0.000037192414,0.0094071105,0.00011435161,0.000057333036,0.0000028205548,0.966716,0.000035164732,0.0015453281,0.0148431,0.00024436662,0.0069683613],"study_design_scores_gemma":[0.00041018127,0.00055047305,0.0008732886,0.000027194099,0.000026439066,8.479437e-7,0.9227898,0.0004521653,0.013582792,0.0005647781,0.060453963,0.0002680625],"about_ca_topic_score_codex":0.003746028,"about_ca_topic_score_gemma":0.010804046,"teacher_disagreement_score":0.0602096,"about_ca_system_score_codex":0.00014136861,"about_ca_system_score_gemma":0.0011748722,"threshold_uncertainty_score":0.84264857},"labels":[],"label_agreement":null},{"id":"W3134264058","doi":"10.1386/public_00050_4","title":"Dornith Doherty’s Archiving Eden Exchange","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Garden of Eden; Art; Art history; Visual arts; History","score_opus":0.10644011223872726,"score_gpt":0.20063986542836362,"score_spread":0.09419975318963636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3134264058","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020825388,0.0007005376,0.000025718642,0.044112537,0.00042068327,0.00007571536,0.000009980017,0.00019953794,0.9523727],"genre_scores_gemma":[0.9649455,0.000020877174,0.000027238015,0.0039851335,0.0031215742,0.000025314934,0.000009611019,0.000012974623,0.027851773],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99940145,0.000018785195,0.000097661235,0.0001453933,0.00013071588,0.00020599335],"domain_scores_gemma":[0.99971473,0.000019340685,0.000027122458,0.00006910311,0.000049676226,0.00012000426],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00003931022,0.00009129653,0.00012091869,0.000022907434,0.0004073042,0.00015759745,0.00013704436,0.000012617962,0.006661331],"category_scores_gemma":[0.00005920311,0.00006440991,0.000058024,0.000039900773,0.00008911161,0.00017061277,0.00007695794,0.00009856575,0.000921587],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006299124,0.000045410125,0.00028165683,0.000053536867,0.000053665277,0.0000063291022,0.21958694,9.594485e-8,0.000034025335,0.2452433,0.5140505,0.020638242],"study_design_scores_gemma":[0.000082421735,0.00003865268,0.0001078417,0.0000030626397,0.0000068828303,3.276056e-7,0.0022492534,0.000010278866,0.0000025120385,0.00033905948,0.99705625,0.00010345616],"about_ca_topic_score_codex":0.000023819211,"about_ca_topic_score_gemma":0.00051864836,"teacher_disagreement_score":0.96286297,"about_ca_system_score_codex":0.000016308733,"about_ca_system_score_gemma":0.000009739161,"threshold_uncertainty_score":0.9998563},"labels":[],"label_agreement":null},{"id":"W3134334227","doi":"10.1386/public_00037_5","title":"Diversity Counts: Gender, Race, and Representation in Canadian Art Galleries","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Race (biology); Representation (politics); Diversity (politics); Racial diversity; Gender studies; Art; Sociology; Visual arts; Anthropology; Political science; Law","score_opus":0.14041870661600536,"score_gpt":0.29250918118742686,"score_spread":0.1520904745714215,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3134334227","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27521142,0.00020369107,0.0000050316467,0.20463316,0.00019595708,0.00016290777,0.0000067436035,0.00003804807,0.51954305],"genre_scores_gemma":[0.98776734,0.00010215372,0.0000117551945,0.0007302065,0.000045030807,0.0000013064091,0.0000056034883,9.203052e-7,0.01133567],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997082,0.000016077474,0.000031845153,0.00006070667,0.00007701815,0.00010615486],"domain_scores_gemma":[0.99980974,0.0000063819994,0.000008821885,0.000016626691,0.00002100361,0.0001374268],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007442178,0.000019262336,0.000030834002,0.000017188966,0.00030608624,0.00005100809,0.000042231582,0.000024958981,0.0010212283],"category_scores_gemma":[0.00010734438,0.000018890154,0.0000046510722,0.00015127654,0.00003808682,0.00013870896,0.00004548707,0.000034347435,0.000037711183],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[8.072103e-7,0.0000015670096,0.39007428,0.0000010872367,0.0000028223947,0.0000027570743,0.013429697,1.8747832e-7,4.0613884e-7,0.004226493,0.5898256,0.0024343098],"study_design_scores_gemma":[0.0000326134,0.000001247831,0.092071794,4.858886e-7,4.999516e-7,7.083295e-8,0.0037777391,0.000006136883,5.684841e-7,0.00008397237,0.9039991,0.00002580401],"about_ca_topic_score_codex":0.16885026,"about_ca_topic_score_gemma":0.51527834,"teacher_disagreement_score":0.71255594,"about_ca_system_score_codex":0.000071069175,"about_ca_system_score_gemma":0.0001458568,"threshold_uncertainty_score":0.999892},"labels":[],"label_agreement":null},{"id":"W3149194048","doi":"10.1386/public_00054_1","title":"<i>Them</i> and the Timbre of Gender","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Timbre; Semiotics; Knight; Opera; German; White (mutation); Sociology; Aesthetics; Art; Visual arts; Linguistics; Philosophy; Musical","score_opus":0.11418315329993693,"score_gpt":0.2043687426319922,"score_spread":0.09018558933205527,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3149194048","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1771696,0.0003706076,0.00006524059,0.11715101,0.00009852742,0.000104530736,0.000012321744,0.000040544168,0.70498765],"genre_scores_gemma":[0.9854717,0.000008338689,0.0000064639507,0.013098388,0.00024248504,0.0000046581713,0.000002249083,0.0000025289767,0.0011631871],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997079,0.000031757183,0.00007654775,0.00006635567,0.00005059662,0.00006688715],"domain_scores_gemma":[0.9997799,0.00006230634,0.000029838771,0.000057558867,0.000034592802,0.000035833644],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000083368766,0.00003625705,0.00009864987,0.0000091641605,0.00009964132,0.000041269566,0.00007664276,0.000013719025,0.006026808],"category_scores_gemma":[0.00004633453,0.000019280355,0.000045135286,0.000026065074,0.00038195553,0.000052852723,0.000040537303,0.000052684944,0.000048339658],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011628996,0.000011295465,0.0001314817,0.000010677752,0.000047713256,2.8425043e-7,0.011605261,1.992786e-7,0.000007563663,0.96566665,0.021286998,0.0012202306],"study_design_scores_gemma":[0.00042364158,0.000012120153,0.00022061406,7.006381e-7,0.000052915435,5.7240356e-7,0.0010045427,0.0003442125,0.0000122875,0.0101187965,0.9877648,0.000044843935],"about_ca_topic_score_codex":0.000021413425,"about_ca_topic_score_gemma":0.000040709834,"teacher_disagreement_score":0.96647775,"about_ca_system_score_codex":8.6329493e-7,"about_ca_system_score_gemma":0.000008003491,"threshold_uncertainty_score":0.9948818},"labels":[],"label_agreement":null},{"id":"W3205108825","doi":"10.1386/public_00067_5","title":"Atmospheric Noise: The Indefinite Urbanism of Los Angeles","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":38,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Urbanism; Metaphysics; Noise (video); Governmentality; Sound (geography); Politics; Sociology; Acoustics; Geography; Political science; Archaeology; Philosophy; Epistemology; Computer science; Physics; Architecture; Artificial intelligence; Law","score_opus":0.036881230078094566,"score_gpt":0.29941615402627414,"score_spread":0.26253492394817957,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3205108825","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67793596,0.0018433762,0.000013527149,0.014975601,0.0005765365,0.0001474121,0.000030465133,0.000097341595,0.3043798],"genre_scores_gemma":[0.9957834,0.000068337504,0.0003276639,0.00043007632,0.00013449171,0.000017389217,0.0000052848013,0.000007766461,0.0032256125],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990047,0.0001557271,0.00015187458,0.00013916277,0.00030615367,0.00024233539],"domain_scores_gemma":[0.9990862,0.00021855459,0.000091782415,0.00023385456,0.00030031902,0.000069298185],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002782658,0.00006530275,0.00009872101,0.00001959163,0.00047190118,0.00017287963,0.00032662993,0.00005289655,0.0025073122],"category_scores_gemma":[0.0005440889,0.000052707335,0.00010924653,0.00083574734,0.0003740792,0.00028733042,0.0000794742,0.00014237424,0.000047891957],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007084878,0.00035868102,0.07245053,0.00001973173,0.00015063619,0.000012277125,0.010493298,0.0000072370285,0.0011211985,0.81658363,0.09549462,0.00330106],"study_design_scores_gemma":[0.00012954629,0.000027938355,0.12459886,0.000011879754,0.000028696179,0.0000038730586,0.02855995,0.000019667006,0.00017914905,0.007020122,0.83927584,0.0001445063],"about_ca_topic_score_codex":0.0010814333,"about_ca_topic_score_gemma":0.029316474,"teacher_disagreement_score":0.8095635,"about_ca_system_score_codex":0.000024467727,"about_ca_system_score_gemma":0.00015962834,"threshold_uncertainty_score":0.9984045},"labels":[],"label_agreement":null},{"id":"W3205759113","doi":"10.1386/public_00063_4","title":"ᖃᓪᓗᓈᖅᑕᐃᑦ ᓯᑯᓯᓛᕐᒥᑦ Printed Textiles from Kinngait Studios","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Chinese history and philosophy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Studio; Textile; Art; Visual arts; Architectural engineering; Engineering; History; Archaeology","score_opus":0.05960948672377454,"score_gpt":0.30030916496573196,"score_spread":0.24069967824195743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3205759113","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53979164,0.00085696456,0.000044687,0.024593739,0.0011595763,0.00012442976,0.000029990515,0.00020210553,0.43319687],"genre_scores_gemma":[0.9944689,0.000019960047,0.00013298827,0.0008632636,0.0009452459,0.0000142278905,0.000034570054,0.00001005855,0.0035107287],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988075,0.00024270317,0.00014262566,0.00026719624,0.00032826958,0.00021171298],"domain_scores_gemma":[0.9992138,0.0001485574,0.000050974202,0.00025304098,0.00017243843,0.00016117773],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002803124,0.0000924362,0.00014727113,0.00005163784,0.00053847407,0.00014453936,0.00026881462,0.00008008775,0.0024086244],"category_scores_gemma":[0.00071832596,0.00009117017,0.00008592966,0.0004811266,0.000158718,0.00026379406,0.000088941575,0.00014505991,0.00039191236],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015618058,0.0005310167,0.03505018,0.000015417396,0.00015454614,0.00010802922,0.040322885,0.0000027815738,0.0014357206,0.88161343,0.02163178,0.019118564],"study_design_scores_gemma":[0.00017938593,0.0000065560234,0.0113322195,0.000007834187,0.000009701247,6.627051e-7,0.0005935464,0.000004884303,0.00007893229,0.08886578,0.89878,0.0001404807],"about_ca_topic_score_codex":0.0007149623,"about_ca_topic_score_gemma":0.0035007945,"teacher_disagreement_score":0.8771482,"about_ca_system_score_codex":0.000100573685,"about_ca_system_score_gemma":0.0003155269,"threshold_uncertainty_score":0.9985033},"labels":[],"label_agreement":null},{"id":"W3205944136","doi":"10.1386/public_00066_5","title":"Feral Atlas: The More-than-Human Anthropocene","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Anthropocene; Curiosity; Ambiguity; Environmental ethics; Geography; Sociology; Anthropology; Psychology; Computer science; Philosophy","score_opus":0.04917281624678403,"score_gpt":0.3661480567424293,"score_spread":0.31697524049564524,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3205944136","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78049517,0.0002659384,0.0000025252373,0.08406433,0.00058101263,0.000097657634,0.000005430812,0.0001297278,0.13435823],"genre_scores_gemma":[0.98993117,0.00006565371,0.000060352624,0.00073253846,0.00046831847,0.000014850891,0.000014069686,0.000010823501,0.008702224],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99865794,0.00018142437,0.00015070006,0.0002186991,0.00037820835,0.00041303673],"domain_scores_gemma":[0.99911845,0.00011069624,0.000059318616,0.0002956316,0.0002929514,0.00012295511],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031917464,0.00009108883,0.000102541715,0.000088014094,0.0020384777,0.0006240093,0.00043298278,0.00005864018,0.0047932314],"category_scores_gemma":[0.0003801809,0.00007251367,0.00013815468,0.00065535336,0.0007512015,0.00048683677,0.00011220325,0.0002116236,0.0002404131],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005621155,0.00047834666,0.078308344,0.000009229543,0.00016242464,0.000044276207,0.01828299,0.0000030590813,0.0009632838,0.7703138,0.130549,0.000879599],"study_design_scores_gemma":[0.00019717298,0.00004077446,0.19693911,0.000011127526,0.000027529326,0.000010715344,0.055721577,0.000011573939,0.00033250608,0.007286854,0.7391642,0.00025689686],"about_ca_topic_score_codex":0.002863322,"about_ca_topic_score_gemma":0.06820931,"teacher_disagreement_score":0.76302695,"about_ca_system_score_codex":0.00005621422,"about_ca_system_score_gemma":0.00013021039,"threshold_uncertainty_score":0.9992607},"labels":[],"label_agreement":null},{"id":"W3206292506","doi":"10.1386/public_00062_4","title":"Eye Camera Window: Takashi Homma on Le Corbusier","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Architecture, Modernity, and Design","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Witness; Window (computing); Perspective (graphical); Visual arts; Argument (complex analysis); Architecture; Art; Art history; Computer science","score_opus":0.02303492446814604,"score_gpt":0.21791078321518137,"score_spread":0.19487585874703534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3206292506","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76373124,0.0014424961,0.055036988,0.0032670912,0.0009988159,0.00019389934,0.000026800424,0.000981832,0.17432083],"genre_scores_gemma":[0.9966379,0.00002514018,0.0005410605,0.0006777999,0.00024244095,0.000016571475,0.000027346625,0.000043437303,0.0017883026],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991642,0.000038558752,0.00011798208,0.00018336483,0.00017409271,0.00032177224],"domain_scores_gemma":[0.99942905,0.00005398317,0.000014643731,0.00032595798,0.00004835802,0.00012803831],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008226176,0.00014012658,0.00014661685,0.00008683383,0.0000940432,0.00007579815,0.00014241315,0.00007574068,0.00028133974],"category_scores_gemma":[0.00006657399,0.00014179584,0.00006537069,0.00017121108,0.000026885215,0.00011651328,0.0000392065,0.00024943502,0.00033379637],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009853506,0.0012872608,0.036459632,0.00072720426,0.0010473435,0.0010627724,0.008631958,0.17825222,0.04512784,0.045275796,0.3028793,0.37915012],"study_design_scores_gemma":[0.0016977981,0.00010142213,0.07259109,0.000046271194,0.000033364253,0.00006553847,0.0002366152,0.02981693,0.022183893,0.0063399086,0.86571,0.0011771605],"about_ca_topic_score_codex":0.00001454842,"about_ca_topic_score_gemma":0.00003746853,"teacher_disagreement_score":0.5628307,"about_ca_system_score_codex":0.00003803578,"about_ca_system_score_gemma":0.0000742352,"threshold_uncertainty_score":0.5782267},"labels":[],"label_agreement":null},{"id":"W3207247619","doi":"10.1386/public_00056_7","title":"Creative Ecologies: How Might We Live in the Ruins of the More-Than-Human Anthropocene?","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Creativity in Education and Neuroscience","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Anthropocene; Environmental ethics; History; Archaeology; Geography; Sociology; Anthropology; Philosophy","score_opus":0.08919114407048295,"score_gpt":0.3892664657837775,"score_spread":0.30007532171329454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3207247619","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.850836,0.00016702183,0.0000077197,0.11870773,0.00071433437,0.00018346484,0.000018715229,0.000016680622,0.029348372],"genre_scores_gemma":[0.99277383,0.000059772334,0.000013625793,0.0014014356,0.000050400537,0.00006231844,0.0000037770462,0.000006317718,0.0056285053],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9986185,0.0005420666,0.00013574252,0.00026643614,0.00019679191,0.0002404723],"domain_scores_gemma":[0.998707,0.00046199103,0.00011593913,0.00058513787,0.00009740658,0.00003252039],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00029271646,0.00009584586,0.0001347355,0.00007524341,0.00018615148,0.00008401939,0.00057148386,0.00005912355,0.0018060289],"category_scores_gemma":[0.000705017,0.000056025074,0.00007316283,0.0008127221,0.0006226477,0.000120036115,0.00009726209,0.00020477062,0.000032033204],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001846893,0.005170816,0.5606646,0.000039432372,0.00006854348,0.000050658764,0.18317027,0.000003832927,0.006167659,0.118592314,0.12188184,0.004171548],"study_design_scores_gemma":[0.00022777628,0.00006304859,0.89537966,0.0000120611,0.000008072255,0.000022203836,0.0645258,0.000006084851,0.0025473593,0.0005701601,0.03655425,0.000083547406],"about_ca_topic_score_codex":0.00013670849,"about_ca_topic_score_gemma":0.0005916659,"teacher_disagreement_score":0.33471504,"about_ca_system_score_codex":0.000039432016,"about_ca_system_score_gemma":0.00014228057,"threshold_uncertainty_score":0.99910647},"labels":[],"label_agreement":null},{"id":"W4200008220","doi":"10.1386/public_00084_7","title":"Ongoing Conversations: Collaboration across positionality, time, and space","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Exhibition; Queer; The arts; Sociology; Context (archaeology); Space (punctuation); Social justice; White (mutation); Work (physics); Visual arts; Media studies; Aesthetics; Gender studies; Art; Social science; History; Engineering; Computer science","score_opus":0.04709707723402276,"score_gpt":0.28003143071393843,"score_spread":0.23293435347991567,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200008220","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.585402,0.00083938654,0.0003051961,0.06789916,0.00073555927,0.00025085444,0.0009399727,0.00023252178,0.34339535],"genre_scores_gemma":[0.9359219,0.000021772532,0.00009584556,0.0019166198,0.00043776652,0.000008623881,0.0002957047,0.000009358713,0.06129241],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944466,0.00003684593,0.000104427105,0.00013266821,0.00011314545,0.00016824],"domain_scores_gemma":[0.9994122,0.000053940832,0.000037318463,0.00010176394,0.00032898446,0.00006583842],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000104379746,0.00006239942,0.000076309596,0.00002470033,0.00045783183,0.0006487755,0.000034968198,0.000025891177,0.0012731709],"category_scores_gemma":[0.00007764999,0.00006582679,0.00002072018,0.0000049579817,0.0001533357,0.0004695624,0.000046936293,0.000040408424,0.00011490666],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000020305556,0.000056228855,0.0006671771,0.000020646517,0.000035328027,0.0000046754662,0.08632099,0.0000019261013,0.00020394257,0.8932739,0.018999716,0.00041342058],"study_design_scores_gemma":[0.0002879373,0.000015286967,0.0012280951,0.000009654639,0.000012083862,0.0000078177645,0.00733303,0.0004676767,0.0002564439,0.011270015,0.97898036,0.00013157974],"about_ca_topic_score_codex":0.00014496065,"about_ca_topic_score_gemma":0.006697124,"teacher_disagreement_score":0.95998067,"about_ca_system_score_codex":0.00003350731,"about_ca_system_score_gemma":0.0001180501,"threshold_uncertainty_score":0.9996398},"labels":[],"label_agreement":null},{"id":"W4200125400","doi":"10.1386/public_00071_1","title":"Plant Stories are Love Stories Too: Moss + Curation","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Animal and Plant Science Education","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Praxis; Indigenous; Reflexivity; Context (archaeology); Sociology; Discipline; Colonialism; Media studies; Visual arts; Art; History; Anthropology; Political science; Social science; Ecology; Archaeology","score_opus":0.08130448325789154,"score_gpt":0.325437462620366,"score_spread":0.24413297936247447,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200125400","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9203186,0.0009211363,0.00074597495,0.020500079,0.0066378596,0.00009931795,0.0001525961,0.000083395855,0.050541017],"genre_scores_gemma":[0.97525483,0.000013023432,0.00008424224,0.00044749648,0.0005386912,0.000010924945,0.00018202355,0.0000055173246,0.023463253],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991951,0.00006677635,0.000120089964,0.00023204312,0.00016387225,0.00022209722],"domain_scores_gemma":[0.99944586,0.00008080466,0.00007907243,0.00017754419,0.00014127136,0.00007543626],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016080872,0.000077664256,0.0000910087,0.000044688393,0.00010833423,0.0001376705,0.00011455102,0.00006578955,0.0023846885],"category_scores_gemma":[0.00016661655,0.00006982038,0.000025745638,0.00029975458,0.000047417325,0.00049692433,0.000021833548,0.0001002626,0.0010178817],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043764172,0.00030455526,0.24776928,0.000020689004,0.0000449231,0.000055337463,0.03589732,0.0000028072664,0.0007720025,0.3518858,0.35800925,0.005194265],"study_design_scores_gemma":[0.00013303092,0.00004414718,0.2953104,0.0000073330543,0.000007803343,0.000081013684,0.02651131,0.000024091996,0.00027632344,0.0011972935,0.6762344,0.00017282604],"about_ca_topic_score_codex":0.000112112764,"about_ca_topic_score_gemma":0.0003566463,"teacher_disagreement_score":0.3506885,"about_ca_system_score_codex":0.00004340602,"about_ca_system_score_gemma":0.00012947757,"threshold_uncertainty_score":0.9997599},"labels":[],"label_agreement":null},{"id":"W4200151980","doi":"10.1386/public_00083_1","title":"Curating the Living Room: A Queer Feminist Decolonial Intervention in Public and Private Spaces","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Historical Gender and Feminism Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"NSCAD University","funders":"","keywords":"Exhibition; Queer; Sociology; Gender studies; Ideology; Power (physics); White (mutation); Identity (music); Media studies; Museology; Aesthetics; Visual arts; Art; Political science; Politics; Law","score_opus":0.05320334585589526,"score_gpt":0.3177134056731968,"score_spread":0.2645100598173015,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200151980","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.621376,0.006068773,0.00055665494,0.05860074,0.0014981674,0.00041797094,0.000004940635,0.00017004852,0.31130674],"genre_scores_gemma":[0.99791306,0.00014253832,0.0001181328,0.00021747245,0.0001902885,0.000039120583,0.0000010167324,0.000005997018,0.0013723663],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986988,0.00033665574,0.00019198924,0.00020936252,0.000229324,0.00033392097],"domain_scores_gemma":[0.99928534,0.00038160253,0.000069652495,0.000103709,0.00007345092,0.00008626442],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012232852,0.00007746891,0.0001246179,0.000058423928,0.0008254129,0.00053318363,0.00016186229,0.000059299484,0.00011425128],"category_scores_gemma":[0.0028717704,0.00006203723,0.00005022548,0.00055208395,0.00015834082,0.00027564712,0.00018854384,0.00016033635,0.000009329072],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000029411317,0.00019128266,0.53142303,0.000032379132,0.00004453839,0.00001783871,0.3132801,3.4709439e-7,0.000040261257,0.11028315,0.0026336918,0.04205042],"study_design_scores_gemma":[0.0003207405,0.00004412922,0.19575293,0.00006693055,0.000016680426,0.000006148659,0.15667066,0.00010795164,0.000012059265,0.0038125545,0.6428867,0.00030251424],"about_ca_topic_score_codex":0.0004892008,"about_ca_topic_score_gemma":0.00892366,"teacher_disagreement_score":0.640253,"about_ca_system_score_codex":0.00013097857,"about_ca_system_score_gemma":0.00013204236,"threshold_uncertainty_score":0.63484925},"labels":[],"label_agreement":null},{"id":"W4200194827","doi":"10.1386/public_00069_1","title":"Surfacing, Voicing and Signalling Freedom in Relational Performance: Cheryl L’Hirondelle and Camille Turner’s Freedom Tours","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Colonialism; Indigenous; History; Art; Art history; Visual arts; Literature; Archaeology","score_opus":0.0249274301512488,"score_gpt":0.21827973046281654,"score_spread":0.19335230031156775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200194827","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9609587,0.0029788977,0.000031227795,0.0025654333,0.00024768565,0.000078010315,0.0000065271815,0.000022439244,0.033111066],"genre_scores_gemma":[0.99142957,0.0008634398,0.00023652939,0.000088577406,0.00014822414,0.000005384388,0.000009367884,0.0000075272305,0.0072113695],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911976,0.00006733018,0.00013806569,0.00019852465,0.00022016648,0.00025615256],"domain_scores_gemma":[0.99957967,0.00008046354,0.000042136897,0.000069195274,0.0000706118,0.0001579322],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00052110356,0.000061349805,0.00011080379,0.00023945699,0.000758482,0.00036401555,0.00006637977,0.00009050622,0.00047239743],"category_scores_gemma":[0.00019736927,0.0000830563,0.000021801989,0.00031379212,0.00031898537,0.0004776399,0.000042427622,0.00018082204,0.000009880539],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020034731,0.00016611912,0.70533884,0.00016455488,0.00008038558,0.000102576996,0.09445673,0.0042555616,0.0011125193,0.14698967,0.022391926,0.024921114],"study_design_scores_gemma":[0.000785939,0.000019554729,0.1708375,0.00006543661,0.000016340984,0.000009609369,0.009261097,0.0060603837,0.000010402434,0.00053191255,0.81205565,0.0003461912],"about_ca_topic_score_codex":0.1321191,"about_ca_topic_score_gemma":0.762626,"teacher_disagreement_score":0.7896637,"about_ca_system_score_codex":0.0003244344,"about_ca_system_score_gemma":0.00065402774,"threshold_uncertainty_score":0.8736602},"labels":[],"label_agreement":null},{"id":"W4200216228","doi":"10.1386/public_00068_7","title":"“beyond unsettling: activating meshworks of care, practice and relations”","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Political and Economic history of UK and US","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"NSCAD University","funders":"","keywords":"Sociology","score_opus":0.02425853981927796,"score_gpt":0.2921080713082577,"score_spread":0.2678495314889798,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200216228","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15364277,0.0016094509,0.00006281638,0.01267096,0.00018043397,0.0000305584,0.0000034889974,0.000019790721,0.8317797],"genre_scores_gemma":[0.99566954,0.00006121538,0.00065952796,0.00040677038,0.00011204888,0.0000019876934,0.0000037747604,0.0000026881407,0.0030824249],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99950224,0.000077951336,0.000102526836,0.000095701485,0.000074893454,0.00014669576],"domain_scores_gemma":[0.99932027,0.0003517107,0.00005166262,0.000060541915,0.00011573346,0.0001000591],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026173887,0.00003103152,0.00007347163,0.00002498186,0.000304552,0.00004375784,0.000045050747,0.000049457318,0.000232925],"category_scores_gemma":[0.001782674,0.000033149707,0.000022402492,0.00010327808,0.00012334128,0.00034417404,0.000020699239,0.00007696895,0.000011599073],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000030086978,0.000027110726,0.002047426,0.000011571456,0.000013732497,0.0000021941053,0.017318683,0.0000015906804,0.000026778922,0.9596081,0.0010736407,0.019866208],"study_design_scores_gemma":[0.000093899704,0.000007687832,0.001074936,0.000006894619,0.000007691661,0.0000016371129,0.023545407,0.000016283315,0.000044686538,0.0085477475,0.9665949,0.000058282352],"about_ca_topic_score_codex":0.0002816039,"about_ca_topic_score_gemma":0.00025485514,"teacher_disagreement_score":0.9655212,"about_ca_system_score_codex":0.000052449413,"about_ca_system_score_gemma":0.00024396076,"threshold_uncertainty_score":0.25503653},"labels":[],"label_agreement":null},{"id":"W4200237240","doi":"10.1386/public_00076_1","title":"When Salmon meets Saran Wrap: Settler Colonial Placidity and Anti-Relationality in Ktaqmkuk","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Indigenous Studies and Ecology","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Vision; Colonialism; Indigenous; Painting; TRACE (psycholinguistics); White (mutation); Art; Sociology; Art history; Aesthetics; Environmental ethics; History; Anthropology; Ecology; Archaeology; Philosophy; Biology","score_opus":0.06707166795380913,"score_gpt":0.3647058067604959,"score_spread":0.29763413880668677,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200237240","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92242885,0.0004138531,0.000013104851,0.06222635,0.0007478482,0.00038577925,0.00005557944,0.000038323367,0.013690289],"genre_scores_gemma":[0.996305,0.0001029449,0.00016360328,0.002086713,0.00022922836,0.000083012324,0.00008657126,0.000011686855,0.0009312557],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99801046,0.0004792359,0.00034916107,0.00028052158,0.0001358444,0.0007447912],"domain_scores_gemma":[0.9990134,0.00039823132,0.00009932136,0.00017358235,0.0002197318,0.00009570597],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00097251707,0.00010652,0.00027484825,0.00007189529,0.0015821175,0.000015124386,0.00007690192,0.00023395792,0.0014285829],"category_scores_gemma":[0.00045141717,0.000102702645,0.00003139335,0.00017496261,0.00006777269,0.00012809676,0.00025202293,0.00043438358,0.00016094168],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020775227,0.00011859393,0.95418185,0.00007820756,0.000035394954,0.000025497908,0.0148682585,0.0000022316888,0.000055277043,0.015126534,0.015210954,0.0002764097],"study_design_scores_gemma":[0.000830215,0.000022086435,0.8570062,0.000013747678,0.00000738224,0.000004565912,0.0015468955,0.000041837717,0.0000066804773,0.0033698936,0.13704076,0.00010971271],"about_ca_topic_score_codex":0.0022108036,"about_ca_topic_score_gemma":0.08839026,"teacher_disagreement_score":0.12182981,"about_ca_system_score_codex":0.00022921535,"about_ca_system_score_gemma":0.00058600015,"threshold_uncertainty_score":0.9997177},"labels":[],"label_agreement":null},{"id":"W4200259102","doi":"10.1386/public_00082_1","title":"Mnemonic Fakery and Other Interpretive Strategies: Reclaiming Shingwauk Hall through Ethical Spectacle","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Participatory Visual Research Methods","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Exhibition; Redress; Spectacle; Misrepresentation; Foregrounding; Sociology; Mnemonic; Aesthetics; Engineering ethics; Psychology; Law; Visual arts; Engineering; Political science; Art","score_opus":0.6489601474562673,"score_gpt":0.6389518863026759,"score_spread":0.010008261153591436,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200259102","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51397014,0.0009923333,0.0072943834,0.02888701,0.0003508287,0.00023819465,0.000009458284,0.00019332467,0.44806436],"genre_scores_gemma":[0.9934412,0.000077169105,0.0034754353,0.0018647605,0.00021296536,0.000029457173,8.165689e-7,0.000019386522,0.00087876094],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957456,0.0023649042,0.00020381846,0.00039766415,0.0006034418,0.00068456447],"domain_scores_gemma":[0.99769044,0.0015227554,0.000056944435,0.0002326505,0.0002000759,0.00029712755],"candidate_categories":["metaresearch","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0037068503,0.000116358235,0.00020019471,0.000054395794,0.0005712923,0.00084287865,0.00027796975,0.00025699293,0.0013183978],"category_scores_gemma":[0.010865383,0.00011511408,0.000062989915,0.0005224228,0.00076406647,0.0007510963,0.00021183469,0.0007864594,0.00006263273],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001723133,0.000087455555,0.005534155,0.000025607515,0.000054819884,0.00005110944,0.08781729,0.0000011563332,0.0019014145,0.8979872,0.00085966464,0.0056629195],"study_design_scores_gemma":[0.00042667016,0.00013619305,0.006136211,0.0001795479,0.000026653963,0.000010318118,0.1709261,0.00049740117,0.0029378803,0.1768561,0.64129466,0.000572286],"about_ca_topic_score_codex":0.0013687039,"about_ca_topic_score_gemma":0.004291951,"teacher_disagreement_score":0.7211311,"about_ca_system_score_codex":0.0002125779,"about_ca_system_score_gemma":0.0014423273,"threshold_uncertainty_score":0.9995945},"labels":[],"label_agreement":null},{"id":"W4200261544","doi":"10.1386/public_00088_5","title":"A Bounded Land: Reflections on Settler Colonialism in Canada, Cole Harris, (Vancouver, BC: UBC Press, 2020), 344 pages","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Indigenous Studies and Ecology","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of British Columbia","funders":"","keywords":"Colonialism; Geographer; Indigenous; Immigration; History; Bounded function; Sociology; Geography; Cartography; Archaeology; Ecology; Mathematics","score_opus":0.0600023657859663,"score_gpt":0.35497081452783746,"score_spread":0.29496844874187117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200261544","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5796238,0.0021259845,0.0000141004075,0.115108944,0.017235216,0.0023895248,0.0006214097,0.00020284022,0.28267813],"genre_scores_gemma":[0.95176315,0.0011940715,0.00009803964,0.012535236,0.00068876,0.00093953515,0.000119521945,0.00004348791,0.032618195],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974053,0.00043817906,0.000401393,0.00033946912,0.00020813299,0.0012075078],"domain_scores_gemma":[0.9987637,0.0003589205,0.00013613928,0.00031396412,0.00028261408,0.00014465516],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038190812,0.00015478926,0.00033625498,0.00005092502,0.0025627846,0.000024767141,0.0001524383,0.00018383002,0.0016210367],"category_scores_gemma":[0.0003759382,0.00014853326,0.000042094598,0.00034937332,0.000031231582,0.00008050636,0.00020001672,0.0006840054,0.000122046884],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029461395,0.000120451936,0.05143505,0.000066773835,0.00005962502,0.000108729895,0.005886848,0.000022797727,0.000008539888,0.0010787259,0.9410576,0.0001253664],"study_design_scores_gemma":[0.00086104596,0.000056458597,0.04570542,0.000026847938,0.000012286238,0.0000028135496,0.009642459,0.000028874676,0.000010772802,0.00027962177,0.9432083,0.00016510034],"about_ca_topic_score_codex":0.9290406,"about_ca_topic_score_gemma":0.9999227,"teacher_disagreement_score":0.3721393,"about_ca_system_score_codex":0.0022464893,"about_ca_system_score_gemma":0.0072203525,"threshold_uncertainty_score":0.9992916},"labels":[],"label_agreement":null},{"id":"W4200286128","doi":"10.1386/public_00085_7","title":"“To dream it is to ride the ruin”: Meditations on Anti-Racism","year":2021,"lang":"en","type":"article","venue":"Public","topic":"COVID-19 and Mental Health","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Racism; Privilege (computing); Dream; Sociology; Institutional racism; Conversation; Anti-racism; Politics; Gender studies; Alliance; Psychological intervention; Media studies; Political science; Law; Psychology; Communication","score_opus":0.13637739935332852,"score_gpt":0.45653678311013096,"score_spread":0.3201593837568024,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200286128","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34924918,0.00009095279,0.00024195785,0.57069856,0.002161375,0.00033704686,0.0000675368,0.000059289767,0.07709408],"genre_scores_gemma":[0.7882254,0.000010046419,0.00008624286,0.19258882,0.00032519078,0.00012980396,0.000026448686,0.000014786167,0.018593265],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988929,0.00009927011,0.00016527997,0.00029199556,0.00020693406,0.0003436306],"domain_scores_gemma":[0.9987931,0.00031835915,0.00002879103,0.000511325,0.00007774272,0.00027065023],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00028747498,0.000088420864,0.0001079011,0.00011260065,0.0001873155,0.000058774545,0.00020871336,0.00004984715,0.0038905283],"category_scores_gemma":[0.0002633778,0.000069151385,0.000050549326,0.00056657736,0.000018849174,0.00005240868,0.00007091407,0.00014553979,0.0061284993],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013634312,0.00028205573,0.0021427304,0.00001215584,0.000031003627,0.000022223332,0.013352379,0.0000018563354,0.00019180955,0.028666792,0.9065199,0.04876345],"study_design_scores_gemma":[0.00020380582,0.000083901105,0.0777185,0.00000955406,0.0000063210746,0.000008494534,0.0020383424,0.000003302444,0.00021555484,0.00038412953,0.919248,0.00008010426],"about_ca_topic_score_codex":0.00036409986,"about_ca_topic_score_gemma":0.0009800184,"teacher_disagreement_score":0.4389762,"about_ca_system_score_codex":0.000119869095,"about_ca_system_score_gemma":0.0002547338,"threshold_uncertainty_score":0.99702007},"labels":[],"label_agreement":null},{"id":"W4200342686","doi":"10.1386/public_00070_1","title":"Tunirrusiangit: Their Gifts","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Indigenous Studies and Ecology","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Winnipeg; Nunavut Research Institute","funders":"","keywords":"General partnership; Beauty; Cultural heritage; Visual arts; Art gallery; Art; Art history; Anthropology; Sociology; History; Archaeology; Aesthetics; Political science; Law","score_opus":0.09923830652618668,"score_gpt":0.3814500182608659,"score_spread":0.2822117117346792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200342686","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33280122,0.0009087906,0.000088138935,0.050309394,0.0021146622,0.000320898,0.000025166084,0.00015294514,0.61327875],"genre_scores_gemma":[0.9732104,0.00013131958,0.000115468276,0.00923184,0.0004822186,0.000113782175,0.00003259734,0.000017216287,0.016665176],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998494,0.00018301465,0.0001837062,0.00016135957,0.000063152555,0.0009147589],"domain_scores_gemma":[0.99914306,0.00017082306,0.00005417639,0.00024319664,0.00029981037,0.00008894213],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003448946,0.000074926655,0.00016010793,0.000040024755,0.0027575777,0.0000092759865,0.000103748236,0.00011601955,0.0054036663],"category_scores_gemma":[0.00024296403,0.000060261227,0.000047157155,0.00020898238,0.000023973254,0.000059971884,0.00028420018,0.00027409557,0.0020863186],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016097849,0.00035815052,0.29384315,0.00025005965,0.0002797823,0.00013864809,0.13025887,0.0000010476621,0.0003406197,0.19880278,0.35591042,0.019800391],"study_design_scores_gemma":[0.0002228355,0.000016113281,0.03022939,0.0000061405967,0.0000036256324,0.0000039324173,0.027067898,0.000009334534,0.000013066473,0.00082648685,0.94152534,0.000075820266],"about_ca_topic_score_codex":0.00021183693,"about_ca_topic_score_gemma":0.013177208,"teacher_disagreement_score":0.6404092,"about_ca_system_score_codex":0.0001268974,"about_ca_system_score_gemma":0.00058360334,"threshold_uncertainty_score":0.99869066},"labels":[],"label_agreement":null},{"id":"W4200387700","doi":"10.1386/public_00072_1","title":"Peaceful Weapons: The “Voices for the Wilderness” Festivals and the Stein Valley Nlaka’pamux Heritage Park","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Indigenous Studies and Ecology","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Wilderness; Indigenous; Sovereignty; Performative utterance; Colonialism; Dirt; Environmental ethics; Sociology; Political science; History; Geography; Law; Aesthetics; Politics; Art; Cartography; Philosophy; Ecology","score_opus":0.0668162013439975,"score_gpt":0.3637364016730796,"score_spread":0.29692020032908206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200387700","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27234778,0.023570418,0.00030508713,0.6716422,0.00276148,0.004645962,0.000059774793,0.00011837337,0.024548942],"genre_scores_gemma":[0.95635396,0.0029188993,0.00007812602,0.014590665,0.0009509217,0.0028263922,0.000014655069,0.000040455667,0.02222595],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970152,0.001101052,0.0003740686,0.00028931003,0.00017320503,0.0010471614],"domain_scores_gemma":[0.99103945,0.0077868467,0.00020440025,0.00054638553,0.00035512677,0.000067760884],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0033410094,0.00017268189,0.00032077462,0.000022022972,0.011328086,0.000096073185,0.00043624896,0.00014015425,0.0003847325],"category_scores_gemma":[0.0019646417,0.000073568764,0.00011155182,0.00020314139,0.0003535292,0.00010122572,0.0005792933,0.00052757363,0.00007682308],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00043088078,0.00029137117,0.06576676,0.00065632095,0.001311417,0.000020530515,0.2785741,0.000013923251,0.000036596994,0.2854149,0.34906623,0.018416954],"study_design_scores_gemma":[0.00137107,0.00004336278,0.027020743,0.000020821984,0.00007034192,0.00000610197,0.18264169,0.00011250487,0.0000022566153,0.0019515118,0.7866476,0.000111984904],"about_ca_topic_score_codex":0.0011666418,"about_ca_topic_score_gemma":0.03366632,"teacher_disagreement_score":0.68400615,"about_ca_system_score_codex":0.00007188672,"about_ca_system_score_gemma":0.0005191518,"threshold_uncertainty_score":0.989959},"labels":[],"label_agreement":null},{"id":"W4200447644","doi":"10.1386/public_00074_1","title":"Grand Theft Terra Firma: Relationships and Cross-Cultural Art Production","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Digital Storytelling and Education","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cognitive reframing; Indigenous; Settlement (finance); Sociology; Visual arts; Art; Media studies; History; Computer science; Psychology; World Wide Web; Social psychology","score_opus":0.16295275644018428,"score_gpt":0.4177227017389863,"score_spread":0.25476994529880204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200447644","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9077002,0.00035634503,0.000037612557,0.01657218,0.0016362926,0.00015264373,0.0000041059207,0.00009867018,0.07344196],"genre_scores_gemma":[0.9421853,0.000046918398,0.00010412457,0.00022233117,0.0004852012,0.000049760692,0.00013160417,0.000009155337,0.056765612],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911666,0.00016643027,0.00019003228,0.00020336872,0.00010333485,0.00022020262],"domain_scores_gemma":[0.99924475,0.000121982106,0.00006834291,0.00016048914,0.00030928708,0.00009514054],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044692538,0.00006741603,0.00007910659,0.000038936232,0.00096208,0.000118839744,0.000039299815,0.00008647383,0.00026122245],"category_scores_gemma":[0.0014428123,0.000056361307,0.000021491487,0.00018676757,0.00006595729,0.0007336688,0.000029904388,0.000329405,0.00043178946],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018541632,0.0001538842,0.76599747,0.00017328629,0.000027211721,0.0000015447625,0.01142656,0.000008773756,0.00021377638,0.008878038,0.19938792,0.013712964],"study_design_scores_gemma":[0.00018181415,0.0000076173856,0.34454566,0.000036768575,0.0000063906,0.000009139435,0.0019143287,0.000016490134,0.000043676046,0.0017296559,0.65142107,0.00008737049],"about_ca_topic_score_codex":0.000011276524,"about_ca_topic_score_gemma":0.00006638316,"teacher_disagreement_score":0.4520332,"about_ca_system_score_codex":0.000060029044,"about_ca_system_score_gemma":0.00015351291,"threshold_uncertainty_score":0.7399639},"labels":[],"label_agreement":null},{"id":"W4200496369","doi":"10.1386/public_00079_1","title":"Even Now the Sun: Monuments to Impermanence","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Queen's University","funders":"","keywords":"Impermanence; Heap (data structure); Sculpture; Terracotta; Dominance (genetics); Art; Bronze; Visual arts; Fireworks; History; Art history; Archaeology; Computer science","score_opus":0.036680092410014076,"score_gpt":0.33712592606902836,"score_spread":0.3004458336590143,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200496369","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26561514,0.00020468226,0.0001301214,0.4845484,0.0009490442,0.00026772465,0.000007678115,0.00014930054,0.24812792],"genre_scores_gemma":[0.961607,0.00006205332,0.0002146216,0.00597079,0.00037724897,0.00005362565,0.0000057126795,0.000010025962,0.03169897],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983593,0.00021434478,0.00011539374,0.00024089588,0.0005573881,0.00051264156],"domain_scores_gemma":[0.9990011,0.00011979534,0.000036912686,0.00038424996,0.00020743099,0.0002505295],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00077703776,0.00007815797,0.0000916023,0.000041770178,0.00056720583,0.0004735533,0.0006693829,0.000051470295,0.0014108522],"category_scores_gemma":[0.0010288983,0.000062203246,0.000050157214,0.0009946888,0.00010316283,0.0005548472,0.00023248127,0.00010950451,0.0013845635],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000051736333,0.00019411779,0.08135851,0.0000070052765,0.000075145275,0.000035809135,0.041627504,0.000008162863,0.00084299926,0.22145692,0.6283262,0.026062507],"study_design_scores_gemma":[0.0000673056,0.00000667203,0.010340198,0.0000030402934,0.000002971082,0.000002121955,0.0032697557,0.000013129204,0.00011167068,0.0009981567,0.9850953,0.000089630485],"about_ca_topic_score_codex":0.00078282214,"about_ca_topic_score_gemma":0.010347951,"teacher_disagreement_score":0.6959918,"about_ca_system_score_codex":0.0001875684,"about_ca_system_score_gemma":0.00051296264,"threshold_uncertainty_score":0.999502},"labels":[],"label_agreement":null},{"id":"W4200518869","doi":"10.1386/public_00078_1","title":"A letter to Agnes McCausland Richardson Etherington (1880-1854)","year":2021,"lang":"en","type":"letter","venue":"Public","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Bequest; Queen (butterfly); Art history; Indigenous; History; Law","score_opus":0.10416733277979298,"score_gpt":0.28400479313037524,"score_spread":0.17983746035058226,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200518869","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00027917777,0.00031180287,0.000114173825,0.6812553,0.0003292107,0.0002194275,0.00013487606,0.00008474055,0.3172713],"genre_scores_gemma":[0.005154887,0.000025805646,0.000048209862,0.6347637,0.022392713,0.00017650069,0.00039101802,0.00008359767,0.33696356],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976496,0.00019266464,0.0002527932,0.00052588497,0.0006245021,0.00075456273],"domain_scores_gemma":[0.99881923,0.00019393726,0.000075575794,0.00044228978,0.00033259843,0.00013638304],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00024368617,0.00032607652,0.00041138544,0.0002566154,0.0003609744,0.0011246429,0.00039079477,0.00027389827,0.027017279],"category_scores_gemma":[0.00016172683,0.00026759857,0.0001546096,0.00008621075,0.00020076847,0.00016315468,0.00023610405,0.0012344671,0.0019615134],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000039452343,0.000022274766,0.00005188467,0.00011863468,0.00009162391,0.00021675737,0.0031365496,9.8904856e-8,0.0000060931998,0.008491476,0.9852003,0.0026604035],"study_design_scores_gemma":[0.000114297916,0.000066355155,0.000038956663,0.00006272777,0.000023595592,0.0000048454867,0.00039465845,0.0000059476947,0.000011450441,0.00027415124,0.99865323,0.00034975697],"about_ca_topic_score_codex":0.00037785442,"about_ca_topic_score_gemma":0.00046114784,"teacher_disagreement_score":0.046491567,"about_ca_system_score_codex":0.00010559596,"about_ca_system_score_gemma":0.00013004633,"threshold_uncertainty_score":0.99997765},"labels":[],"label_agreement":null},{"id":"W4200551607","doi":"10.1386/public_00086_5","title":"The Theatre of Regret: Literature, Art, and the Politics of Reconciliation in Canada","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Ontario College of Art and Design; University of Toronto","funders":"","keywords":"Regret; Politics; Commission; Political science; Political theatre; Media studies; Aesthetics; Sociology; Art; Law; Computer science","score_opus":0.00891868855061173,"score_gpt":0.19610520241190416,"score_spread":0.18718651386129243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200551607","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47708565,0.027632767,0.0000016123257,0.12842482,0.0007986428,0.00022658399,0.000106027415,0.0000058189808,0.3657181],"genre_scores_gemma":[0.9893715,0.00090983993,0.0000034961433,0.00023925987,0.000040394938,0.0000022685529,0.0000028143554,0.0000014034391,0.009429034],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995149,0.00013610389,0.00009161856,0.00004116973,0.00012778184,0.000088442466],"domain_scores_gemma":[0.99956614,0.00017978525,0.00004454704,0.00008450805,0.00009331245,0.000031708183],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00039478307,0.000017138449,0.000053875032,0.000038264105,0.00023546918,0.00009888606,0.000075022996,0.00001850459,0.000039339724],"category_scores_gemma":[0.00035704926,0.00001308458,0.0000149094285,0.00024430733,0.00028222034,0.00006397361,0.000009385878,0.000052851352,3.1224636e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004917687,0.0000062243503,0.007214178,0.00001952011,0.000011245093,0.0000032534829,0.0156914,6.4829544e-7,0.000003854176,0.92768323,0.034413405,0.014948125],"study_design_scores_gemma":[0.000113342045,0.0000014294021,0.0069465707,0.000010385386,0.0000024902624,5.0643604e-7,0.0040667835,0.0000084415215,0.000005207104,0.004518826,0.9843073,0.000018716],"about_ca_topic_score_codex":0.9897196,"about_ca_topic_score_gemma":0.99995625,"teacher_disagreement_score":0.9498939,"about_ca_system_score_codex":0.0003325503,"about_ca_system_score_gemma":0.003991044,"threshold_uncertainty_score":0.70799404},"labels":[],"label_agreement":null},{"id":"W4200555598","doi":"10.1386/public_00064_4","title":"The Way You Look Tonight","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Nostalgia and Consumer Behavior","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Feeling; Coronavirus disease 2019 (COVID-19); Aesthetics; Pandemic; Visual arts; History; Psychology; Psychoanalysis; Art; Media studies; Sociology; Social psychology; Medicine","score_opus":0.03458231665384271,"score_gpt":0.3066603173151953,"score_spread":0.27207800066135257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200555598","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70080847,0.0046610218,0.00003485582,0.023057144,0.0024871943,0.00010657292,0.0000099029085,0.00010814663,0.2687267],"genre_scores_gemma":[0.87797874,0.000020365846,0.000021978314,0.00053607346,0.000095912896,0.000063237254,0.000013452904,0.000014208171,0.121256],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991801,0.00009222875,0.00011701348,0.00019623568,0.0001094349,0.00030502604],"domain_scores_gemma":[0.99922204,0.00007827657,0.000026543117,0.00051493925,0.0000794232,0.00007875915],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013167721,0.00007159385,0.000070715716,0.000021929935,0.0001785964,0.0001379492,0.00020397347,0.000056554512,0.0063061747],"category_scores_gemma":[0.000039130045,0.000050028382,0.000062130755,0.00017619113,0.000060881597,0.000056616132,0.00006071344,0.00013190637,0.0025990577],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000138139685,0.000291508,0.082487755,0.0000034741943,0.00012463484,0.00023372662,0.0010880841,1.2986317e-8,0.0016761986,0.28190458,0.11593018,0.516246],"study_design_scores_gemma":[0.0002093822,0.000008879139,0.101828426,0.0000011481071,0.000015082325,0.00004417147,0.00056513445,4.0903055e-7,0.0005361167,0.00044193948,0.8962699,0.00007939824],"about_ca_topic_score_codex":0.000022737,"about_ca_topic_score_gemma":0.00005343608,"teacher_disagreement_score":0.7803397,"about_ca_system_score_codex":0.000015013986,"about_ca_system_score_gemma":0.00006194985,"threshold_uncertainty_score":0.9981775},"labels":[],"label_agreement":null},{"id":"W4200568272","doi":"10.1386/public_00073_1","title":"Towards a Poetics of Conspiracy","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Ecocriticism and Environmental Literature","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"","keywords":"Poetics; Poetry; Normative; Context (archaeology); Colonialism; Sociology; Treaty; Law; Literature; Political science; History; Art","score_opus":0.03219190969001397,"score_gpt":0.21261511538415542,"score_spread":0.18042320569414144,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200568272","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14602341,0.0016178805,0.000011717855,0.0045713005,0.00038432656,0.000035541965,0.00013600389,0.00002847036,0.84719133],"genre_scores_gemma":[0.9891814,0.000029150078,0.0001311632,0.0011357691,0.00015248364,0.000002843039,0.000049617123,0.000006478544,0.009311115],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996123,0.000013890166,0.00010347802,0.000078911326,0.00008328352,0.000108179716],"domain_scores_gemma":[0.999756,0.000013860076,0.000020204383,0.00012588895,0.000046236917,0.00003780476],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000034319655,0.000048397906,0.00008072861,0.000022255092,0.000056257504,0.00010663444,0.000058308764,0.000018113771,0.007347988],"category_scores_gemma":[0.000033559583,0.000043098447,0.000041108215,0.000020672844,0.00012127056,0.00014318683,0.000040864652,0.000053922868,0.000057178153],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[9.615364e-7,0.00008755713,0.0004710419,0.000043586628,0.0000122702795,0.000010834952,0.004464283,1.08242055e-7,0.00021046001,0.9873357,0.0047119744,0.0026512658],"study_design_scores_gemma":[0.000114560884,0.000016845392,0.000495327,0.0000090119165,0.000007289263,0.000004903545,0.001422671,0.0000051872357,0.0009833792,0.004307845,0.9925726,0.000060390037],"about_ca_topic_score_codex":0.000012387172,"about_ca_topic_score_gemma":0.000043822638,"teacher_disagreement_score":0.9878606,"about_ca_system_score_codex":0.0000069254447,"about_ca_system_score_gemma":0.00002373094,"threshold_uncertainty_score":0.9935594},"labels":[],"label_agreement":null},{"id":"W4226237161","doi":"10.1386/public_00087_5","title":"Slow Disturbance: Infrastructural Mediation on the Settler Colonial Resource Frontier","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":23,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Frontier; Disturbance (geology); Resource (disambiguation); Mediation; Protestantism; Colonialism; Order (exchange); History; Political science; Environmental resource management; Sociology; Geography; Business; Archaeology; Computer science; Law; Geology; Economics; Geomorphology","score_opus":0.012059190312530532,"score_gpt":0.21793084125370946,"score_spread":0.20587165094117893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4226237161","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.416155,0.00067305326,0.000023722236,0.32369462,0.002768408,0.00020765238,0.00006517794,0.00008612963,0.2563262],"genre_scores_gemma":[0.94461435,0.00003061103,0.000021496053,0.003068004,0.0010263233,0.000016151218,0.000033339144,0.000006795264,0.051182937],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991161,0.00016651039,0.00007597313,0.00012321354,0.00032119759,0.00019699516],"domain_scores_gemma":[0.99956685,0.000085925145,0.000040628758,0.00013927829,0.00007012548,0.00009719956],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026785405,0.000041524447,0.000059580274,0.000076318356,0.0010475287,0.00058756856,0.00016909212,0.000060270213,0.002332278],"category_scores_gemma":[0.0006932332,0.000039847586,0.000043176067,0.00029799188,0.00029914142,0.00016411325,0.000021100774,0.00013677607,0.0001287678],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000032960893,0.000009428852,0.0018224982,0.0000017227734,0.000008815323,0.0000044861686,0.008120211,0.0000016525686,0.000008811797,0.12361527,0.8594608,0.0069430456],"study_design_scores_gemma":[0.00006584192,0.0000037763425,0.039619338,0.0000017908733,0.000003136734,3.5606126e-7,0.00081153394,0.000005839736,0.000003174896,0.00153179,0.95790154,0.00005186064],"about_ca_topic_score_codex":0.018215878,"about_ca_topic_score_gemma":0.38653636,"teacher_disagreement_score":0.5284593,"about_ca_system_score_codex":0.00050472404,"about_ca_system_score_gemma":0.0006760662,"threshold_uncertainty_score":0.99857974},"labels":[],"label_agreement":null},{"id":"W4229801289","doi":"10.1386/public.31.59.204_5","title":"Elvira Santamaria, Salt Cartographies II","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology; Geography","score_opus":0.03686061266427908,"score_gpt":0.22192262414247238,"score_spread":0.1850620114781933,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229801289","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33724234,0.00030304122,0.000009577453,0.0021004775,0.0013347556,0.00015585865,0.000052771553,0.0001890948,0.6586121],"genre_scores_gemma":[0.8767922,0.000035272667,0.000014624581,0.0017504932,0.00082532514,0.000012171148,0.00003855629,0.000021740661,0.12050961],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990341,0.000025124698,0.00016580785,0.00019583602,0.00017170206,0.00040744085],"domain_scores_gemma":[0.9994191,0.000033174263,0.000051666586,0.0002991955,0.00009001936,0.00010683034],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010820235,0.00013015667,0.00016239873,0.00017420163,0.00040339594,0.0002553346,0.00018711251,0.000042710704,0.0059545953],"category_scores_gemma":[0.000019353247,0.000113413334,0.00010466531,0.0000044818157,0.00021500236,0.00040681325,0.000101011756,0.00011625437,0.0008739531],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000034947775,0.00006789021,0.0036806765,0.000023476103,0.00004677208,0.0000013384099,0.057178866,2.8055237e-7,0.000041431507,0.8863188,0.051141337,0.001495655],"study_design_scores_gemma":[0.00022244375,0.00006981901,0.00081050204,0.0000057819316,0.000011738115,0.0000015376356,0.001649237,0.000028782006,0.000037600505,0.009519923,0.98747617,0.00016644204],"about_ca_topic_score_codex":0.0010642566,"about_ca_topic_score_gemma":0.0059023886,"teacher_disagreement_score":0.93633485,"about_ca_system_score_codex":0.000017156348,"about_ca_system_score_gemma":0.000046320023,"threshold_uncertainty_score":0.999904},"labels":[],"label_agreement":null},{"id":"W4230000012","doi":"10.1386/public.29.57.276_5","title":"Exhibition Review","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Exhibition; Art; Art history","score_opus":0.08661307070295945,"score_gpt":0.25194754132482966,"score_spread":0.1653344706218702,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230000012","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008588628,0.0031746416,0.0000036139033,0.010167073,0.0004181442,0.0001027683,0.0000068623353,0.000105814695,0.9774324],"genre_scores_gemma":[0.9613856,0.00053997344,0.000017406644,0.008520929,0.0018380656,0.000019113893,0.00002403495,0.0000073108004,0.027647577],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99965334,0.000011552082,0.000079766716,0.00007576209,0.0000703603,0.00010919692],"domain_scores_gemma":[0.99973655,0.0000034016039,0.000023505545,0.000094233954,0.000106591266,0.00003573923],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007561639,0.000044989836,0.00006012895,0.000012797995,0.00016967453,0.00011958209,0.0000620098,0.000009336173,0.046566274],"category_scores_gemma":[0.000016104985,0.000030667437,0.00003242988,0.000020592786,0.00008635951,0.0002549051,0.000014003303,0.000029946443,0.0018473819],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.1396527e-7,0.000013167055,0.000006533679,0.00007871763,0.0000033620706,3.7970503e-7,0.0010398213,2.1353323e-10,0.000017256169,0.6613734,0.3241967,0.013270303],"study_design_scores_gemma":[0.000033128726,0.000026578136,0.000055891727,0.000095586875,0.0000035305006,0.0000011053467,0.00014277385,0.0000016727208,0.00001068456,0.00073158427,0.99884427,0.000053188167],"about_ca_topic_score_codex":0.000032043758,"about_ca_topic_score_gemma":0.00035523545,"teacher_disagreement_score":0.95279694,"about_ca_system_score_codex":0.0000068694285,"about_ca_system_score_gemma":0.00000633334,"threshold_uncertainty_score":0.9989298},"labels":[],"label_agreement":null},{"id":"W4231724976","doi":"10.1386/public.31.59.46_1","title":"INCUBATOR Lab: Where Artists Collaborate with Life","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Science Education and Perceptions","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Windsor","funders":"","keywords":"Incubator; Storytelling; Living lab; The arts; Visual arts; Performing arts; Webcast; Sociology; Multimedia; Art; World Wide Web; Computer science; Narrative","score_opus":0.037235165156090926,"score_gpt":0.3281221090764631,"score_spread":0.2908869439203722,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231724976","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8746242,0.00007326812,0.000032010517,0.018028835,0.0012031113,0.00014683318,0.000010254362,0.00007469557,0.10580683],"genre_scores_gemma":[0.952204,0.0000034626764,0.00014753279,0.0018984132,0.00014469035,0.00005017651,0.000009004759,0.000009839512,0.04553288],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992652,0.000060331782,0.00009475402,0.00021337175,0.0001365678,0.00022978456],"domain_scores_gemma":[0.9992459,0.000033422424,0.00004526135,0.00033527685,0.00014523626,0.00019494354],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017334642,0.00006662595,0.0000768081,0.0000934747,0.00007174004,0.00012142763,0.00017435965,0.000048050322,0.055894677],"category_scores_gemma":[0.00004012106,0.00005311418,0.000013817759,0.0007738897,0.000057643843,0.00019694497,0.000014782857,0.000083790255,0.020073833],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017124163,0.00019332755,0.62680674,0.000006418011,0.00002384155,0.000001345369,0.0040498967,0.0000022126856,0.00025913163,0.050385937,0.315661,0.0025930146],"study_design_scores_gemma":[0.00027225853,0.000050733215,0.46529087,0.000003027649,0.000002331086,0.000005560279,0.0033660142,0.000012624475,0.0000027722535,0.00004192604,0.5308644,0.00008743918],"about_ca_topic_score_codex":0.00007037486,"about_ca_topic_score_gemma":0.0002689014,"teacher_disagreement_score":0.21520342,"about_ca_system_score_codex":0.000026291867,"about_ca_system_score_gemma":0.00029489052,"threshold_uncertainty_score":0.98068917},"labels":[],"label_agreement":null},{"id":"W4234052801","doi":"10.1386/public.31.59.26_1","title":"Animals that Live in the Mirror: On Colonial Bestiaries and Interspecies Architecture","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Architecture; Ignorance; Theme (computing); Colonialism; Aesthetics; Ideal (ethics); Animal life; Environmental ethics; History; Art; Sociology; Visual arts; Computer science; Archaeology; Epistemology; Philosophy; Biology; Zoology","score_opus":0.04284946117670047,"score_gpt":0.3141836533159547,"score_spread":0.27133419213925425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234052801","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9116064,0.0001583527,2.2320282e-7,0.050079715,0.00023060461,0.00028040746,0.0000060273005,0.000035750854,0.03760254],"genre_scores_gemma":[0.99844867,0.00003679788,0.000055508743,0.00075083826,0.000057416346,0.000026626976,0.0000016868967,0.0000056928684,0.00061677163],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9989801,0.00020019223,0.000091119895,0.00018497533,0.00026981338,0.00027377807],"domain_scores_gemma":[0.99918723,0.00051772,0.000051464325,0.00014724929,0.00004729499,0.000049028808],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004043929,0.00008994683,0.00010700846,0.00020521674,0.00032820276,0.0004928448,0.00035211327,0.00006028997,0.00071207876],"category_scores_gemma":[0.00031175461,0.00006494188,0.00004950863,0.00024282499,0.00047366502,0.00023782384,0.000060158745,0.0002713825,0.00015649069],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009533657,0.00018684319,0.2377645,0.000012916412,0.000043859625,0.000009271915,0.27952537,0.0000013511253,0.00018025865,0.47577405,0.005636906,0.0007693259],"study_design_scores_gemma":[0.00022948359,0.00033252433,0.57383806,0.000028776429,0.000009043234,0.0000058233422,0.15674628,0.0000035888004,0.000014400024,0.0087566115,0.2598641,0.00017131091],"about_ca_topic_score_codex":0.005028489,"about_ca_topic_score_gemma":0.1891331,"teacher_disagreement_score":0.46701744,"about_ca_system_score_codex":0.00003476367,"about_ca_system_score_gemma":0.00003644737,"threshold_uncertainty_score":0.8256631},"labels":[],"label_agreement":null},{"id":"W4234116776","doi":"10.1386/public.31.59.200_5","title":"Sam Vernon, Rage Wave","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rage (emotion); Geology; Neuroscience; Medicine; Psychology","score_opus":0.05910594676770272,"score_gpt":0.2173515355050035,"score_spread":0.15824558873730077,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234116776","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5852727,0.000120750345,0.0000019540807,0.00042717363,0.0006063501,0.00010515627,0.00002144194,0.000096155694,0.41334832],"genre_scores_gemma":[0.9733818,0.0000066036555,0.000004880788,0.00086489605,0.0003835464,0.000008715472,0.000027905691,0.000008887038,0.025312746],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994792,0.000016432998,0.00007960959,0.00012497953,0.00011257665,0.00018720095],"domain_scores_gemma":[0.9996943,0.000014759946,0.000028486651,0.00015027373,0.000056762114,0.00005542321],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000073936826,0.00007822522,0.00008720469,0.000055652472,0.00012006981,0.0002515827,0.000101685735,0.000030563835,0.013529814],"category_scores_gemma":[0.000009223621,0.000058679958,0.00007787411,0.000040085833,0.00005080809,0.00030740356,0.00002693365,0.0001014583,0.0010732982],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006669128,0.0000735151,0.0010395703,0.000025800959,0.000034210796,0.0000022789968,0.009236228,6.67559e-8,0.00045959442,0.94504666,0.04301033,0.0010650562],"study_design_scores_gemma":[0.00018016902,0.000046365065,0.00094736443,0.0000057016982,0.0000043365158,0.0000012521955,0.0011662357,0.000017897883,0.00017283186,0.0014301945,0.9959216,0.00010606483],"about_ca_topic_score_codex":0.00006191418,"about_ca_topic_score_gemma":0.00011653006,"teacher_disagreement_score":0.95291126,"about_ca_system_score_codex":0.000007470661,"about_ca_system_score_gemma":0.000012249961,"threshold_uncertainty_score":0.9997045},"labels":[],"label_agreement":null},{"id":"W4234671718","doi":"10.1386/public.27.54.54_7","title":"LEFT_CHANNEL","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Digital and Traditional Archives Management","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Channel (broadcasting); Computer science; Computer network","score_opus":0.06082943323956896,"score_gpt":0.18912715088828547,"score_spread":0.1282977176487165,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234671718","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011772631,0.000004723675,0.00012530354,0.015403102,0.0002368757,0.000032467535,0.000034739456,0.000075709926,0.9723145],"genre_scores_gemma":[0.90120494,0.000002798369,0.0000062973854,0.0005250855,0.00034630654,0.000010116258,0.0000065534978,0.0000042349643,0.09789368],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99967813,0.0000040818195,0.000051886862,0.00007624078,0.00007626283,0.000113389244],"domain_scores_gemma":[0.9998452,0.000023527,0.00001275885,0.000061246836,0.000017183953,0.00004007285],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000023752287,0.00004017291,0.000032964956,0.00004463007,0.00007441531,0.00013323627,0.00008325931,0.0000019112033,0.0021295075],"category_scores_gemma":[0.000007470705,0.00002180341,0.000030136356,0.000007897875,0.00009251348,0.00039448505,0.000030728697,0.000010974491,0.0015042666],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[8.5940246e-7,0.00003057552,0.000016299999,0.000002165493,0.000009488607,9.996616e-7,0.00021210892,1.21481465e-8,0.0000035596145,0.91932654,0.016278844,0.06411856],"study_design_scores_gemma":[0.000073651376,0.000013569014,0.0010374096,0.000004122754,0.0000010584002,3.8819354e-7,0.00003347115,0.000001170086,0.0000048664,0.1747153,0.82407254,0.000042474057],"about_ca_topic_score_codex":0.000004171091,"about_ca_topic_score_gemma":0.000014805155,"teacher_disagreement_score":0.8894323,"about_ca_system_score_codex":0.0000052018363,"about_ca_system_score_gemma":0.000004819693,"threshold_uncertainty_score":0.9992732},"labels":[],"label_agreement":null},{"id":"W4235028875","doi":"10.1386/public.46.1.170_7","title":"Ahzhekewada [Let Us Look Back] – Revisioning the Indians of Canada Pavilion OCAD University, Toronto, 14–15 October 2011","year":2012,"lang":"en","type":"article","venue":"Public","topic":"Latin American and Latino Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pavilion; History; Art history; Archaeology","score_opus":0.018923848984493664,"score_gpt":0.24166398384052945,"score_spread":0.22274013485603578,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235028875","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05882155,0.002616687,0.000049134487,0.011322592,0.0005666426,0.00021721136,0.000014465577,0.000034171342,0.92635757],"genre_scores_gemma":[0.986996,0.00039028047,0.00012998086,0.00067420304,0.00017035876,0.0000010180759,0.000002513057,0.000005876384,0.011629781],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986693,0.0002377906,0.0001310956,0.000119502125,0.00040029595,0.0004419711],"domain_scores_gemma":[0.9991855,0.00017909307,0.00014561162,0.00019949915,0.00012562753,0.00016468432],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00058967224,0.00008879974,0.000153953,0.000021844715,0.0006347718,0.00003739823,0.00036187572,0.00004468274,0.0014298144],"category_scores_gemma":[0.00018382071,0.00006634558,0.00004815367,0.00022639606,0.00026400955,0.0005342752,0.00013510176,0.00008742271,0.000022230794],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007438089,0.00008868719,0.38755333,0.000024442206,0.0001219429,0.0000036168335,0.03399159,0.0000026291978,0.000015199587,0.25720862,0.29684946,0.024133028],"study_design_scores_gemma":[0.00009985774,0.00001204706,0.067686796,0.000011252617,0.000012344906,5.7181757e-7,0.015371106,0.0000039815513,0.0000069717544,0.000026777574,0.91665465,0.000113649214],"about_ca_topic_score_codex":0.8056901,"about_ca_topic_score_gemma":0.86833435,"teacher_disagreement_score":0.92817444,"about_ca_system_score_codex":0.0003346243,"about_ca_system_score_gemma":0.000675522,"threshold_uncertainty_score":0.999483},"labels":[],"label_agreement":null},{"id":"W4235799540","doi":"10.1386/public.31.59.149_1","title":"Fermenting Communications: Fermentation Praxis as Interspecies Communication","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Thriving; Fermentation; Praxis; Embodied cognition; Conversation; Anthropocentrism; Sociology; Environmental ethics; Communication; Biology; Epistemology; Ecology; Social science; Philosophy; Food science","score_opus":0.056319698107845616,"score_gpt":0.3707455636937235,"score_spread":0.31442586558587793,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235799540","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6040531,0.0002923743,0.0000036865192,0.02880548,0.0002025225,0.00036495077,0.0000020805971,0.00016171427,0.3661141],"genre_scores_gemma":[0.98979485,0.00047525746,0.00099412,0.000462118,0.000038224127,0.0000789197,0.000060295944,0.000011166671,0.00808504],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987173,0.00032971345,0.00023361048,0.0001637537,0.00029612545,0.00025948777],"domain_scores_gemma":[0.9984295,0.00019104479,0.00017819935,0.0008353816,0.00029109116,0.000074800395],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006518578,0.00008449092,0.00009774793,0.00025072964,0.0010414005,0.0005629063,0.0010498841,0.00005664098,0.00258205],"category_scores_gemma":[0.00039813123,0.00009602095,0.00007799289,0.00046691028,0.00036238928,0.0014395227,0.00029232205,0.00020450752,0.0015548704],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010150837,0.000278861,0.054998174,0.0000108857785,0.00008100826,1.9012344e-7,0.047919706,0.0000014887819,0.0014012073,0.88688093,0.0051510762,0.003266323],"study_design_scores_gemma":[0.0003501039,0.000079962556,0.06934667,0.00005362654,0.00002325278,0.0000023775688,0.27696514,0.000098621975,0.00007086544,0.012355847,0.6403669,0.0002866428],"about_ca_topic_score_codex":0.0027418751,"about_ca_topic_score_gemma":0.009197694,"teacher_disagreement_score":0.87452507,"about_ca_system_score_codex":0.0001797398,"about_ca_system_score_gemma":0.00006310024,"threshold_uncertainty_score":0.9992225},"labels":[],"label_agreement":null},{"id":"W4236867083","doi":"10.1386/public_00020_7","title":"Extravagant Fragility","year":2020,"lang":"en","type":"article","venue":"Public","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Fragility; Nationalism; Lithuanian; Reflection (computer programming); Art; Focus (optics); Art history; Political science; Philosophy; Optics; Law; Politics; Computer science","score_opus":0.16913898605539082,"score_gpt":0.2810809655223339,"score_spread":0.11194197946694309,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236867083","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03261567,0.0021719022,0.00036264953,0.11991072,0.00042516945,0.0001386505,0.000004663452,0.00027201575,0.84409857],"genre_scores_gemma":[0.9955776,0.00011665567,0.00006846412,0.0024126368,0.0006263452,0.000006214044,9.958829e-7,0.0000032684668,0.0011878166],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927247,0.00007462772,0.00007564749,0.00012221663,0.00022497041,0.00023009512],"domain_scores_gemma":[0.99963105,0.00004151308,0.000021222355,0.00004996395,0.00005804459,0.00019822699],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022088703,0.000044587254,0.00008369367,0.000009596569,0.00045490323,0.00008292157,0.00016458721,0.00004011129,0.0007435786],"category_scores_gemma":[0.0008086412,0.00004246668,0.000041390056,0.00026044247,0.00021738271,0.00013095232,0.000035780675,0.00007534963,0.00018846577],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000020685447,0.00003925123,0.010114366,0.0000061411265,0.000021740243,0.0000038318603,0.059477516,1.6994285e-7,0.000020595702,0.77232134,0.13471581,0.023277197],"study_design_scores_gemma":[0.00005138106,0.000008839654,0.0072957515,5.0464587e-7,0.0000018846406,1.6586647e-8,0.0022619376,0.000009402834,0.0000043291775,0.0027260326,0.9875825,0.000057396293],"about_ca_topic_score_codex":0.0016897942,"about_ca_topic_score_gemma":0.0013244108,"teacher_disagreement_score":0.9629619,"about_ca_system_score_codex":0.00006040349,"about_ca_system_score_gemma":0.00009068428,"threshold_uncertainty_score":0.8141664},"labels":[],"label_agreement":null},{"id":"W4238726287","doi":"10.1386/public.29.57.5_1","title":"Introduction","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Posthumanist Ethics and Activism","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University; Queen's University; Concordia University","funders":"","keywords":"Computer science","score_opus":0.05243326468944395,"score_gpt":0.33200391343498487,"score_spread":0.27957064874554094,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238726287","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11208956,0.000016654545,0.00026986244,0.21779409,0.0012410642,0.00005186367,5.933928e-7,0.000116206174,0.6684201],"genre_scores_gemma":[0.9868187,0.000007161077,0.00005053749,0.00041512007,0.005649852,0.000002156121,9.1351853e-7,0.0000025020597,0.00705308],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958146,0.000045126424,0.00003298946,0.00007773923,0.00012792826,0.00013478751],"domain_scores_gemma":[0.99975294,0.000014526141,0.00001687532,0.000073108924,0.00009736781,0.000045165372],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005250371,0.000020406877,0.000024392437,0.000027756254,0.00047702235,0.000117094205,0.00009146902,0.00003225788,0.0016019173],"category_scores_gemma":[0.00026639094,0.000019260806,0.00001157273,0.00012707617,0.00026172254,0.00020771817,0.000013196389,0.000054266595,0.00052413857],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.873103e-7,0.0000114738605,0.00014995362,3.2379526e-7,0.0000018098843,8.928657e-8,0.002818016,3.1504945e-9,0.00013225048,0.9612348,0.02483758,0.010813195],"study_design_scores_gemma":[0.000019262034,0.000010273659,0.0010156054,3.0809156e-7,6.226614e-7,1.6738846e-7,0.00030884947,0.0000027283222,0.00010648046,0.018572345,0.9799358,0.000027520982],"about_ca_topic_score_codex":0.00030021655,"about_ca_topic_score_gemma":0.0008686038,"teacher_disagreement_score":0.9550983,"about_ca_system_score_codex":0.000028507735,"about_ca_system_score_gemma":0.000072147785,"threshold_uncertainty_score":0.99931073},"labels":[],"label_agreement":null},{"id":"W4238777423","doi":"10.1386/public.25.50.169_7","title":"Afterword","year":2014,"lang":"en","type":"article","venue":"Public","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Impossibility; Buddhism; Relation (database); Metaphor; China; Position (finance); History; Sociology; Aesthetics; Art; Philosophy; Political science; Theology; Law; Archaeology","score_opus":0.021519013717751157,"score_gpt":0.1792821868069886,"score_spread":0.15776317308923743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238777423","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05504808,0.00009440469,0.000044790493,0.005389169,0.00045562463,0.000026631593,0.0000072580906,0.00017770824,0.93875635],"genre_scores_gemma":[0.9485866,5.560377e-7,0.000038706312,0.0013413383,0.0012927455,0.0000056253148,0.0000105109075,0.000007079995,0.048716854],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99964577,0.000018362887,0.000059332368,0.00008074405,0.000061430954,0.00013436879],"domain_scores_gemma":[0.99977887,0.0000206969,0.0000145481545,0.00010512556,0.000038441183,0.00004232438],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000091934584,0.000047900183,0.000050205752,0.000038441405,0.00011970996,0.0004247857,0.000076609744,0.000016316873,0.0019653172],"category_scores_gemma":[0.00002886267,0.000037731355,0.000027424032,0.000014707084,0.00004344948,0.00012428481,0.000010836069,0.00006971052,0.00028701173],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[7.2691535e-7,0.000011441887,0.00017709383,0.0000057526427,0.000003090424,2.8464783e-7,0.003029427,3.672101e-8,0.0000037937643,0.9571016,0.021085387,0.018581374],"study_design_scores_gemma":[0.00007022931,0.000013616076,0.000549097,0.000005220891,0.0000015353302,9.331224e-7,0.00017003423,0.00002556004,0.0000039249194,0.0025505086,0.9965513,0.0000580564],"about_ca_topic_score_codex":0.0000138427295,"about_ca_topic_score_gemma":0.00006819999,"teacher_disagreement_score":0.9754659,"about_ca_system_score_codex":0.0000033553963,"about_ca_system_score_gemma":0.0000047406106,"threshold_uncertainty_score":0.998947},"labels":[],"label_agreement":null},{"id":"W4238850661","doi":"10.1386/public.27.53.140_7","title":"Olympic homonationalisms","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Sport and Mega-Event Impacts","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Queer; Colonialism; Indigenous; Resistance (ecology); Lesbian; Politics; Gender studies; Political science; Media studies; Sociology; History; Ethnology; Law","score_opus":0.06540169163638862,"score_gpt":0.32508739530140035,"score_spread":0.25968570366501176,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238850661","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6166212,0.00014894932,0.00018460763,0.062572695,0.00071470544,0.000085067375,0.000004189536,0.00012295642,0.31954563],"genre_scores_gemma":[0.9467314,0.000022756069,0.00003146395,0.0004445304,0.00031586573,0.000009663514,0.0000022079294,0.000003834025,0.052438278],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999329,0.000027497446,0.000060392184,0.00008224121,0.00026534722,0.0002355392],"domain_scores_gemma":[0.9996159,0.000055719287,0.000028564451,0.00008196161,0.00006571723,0.00015210161],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037586738,0.00003519402,0.00004144858,0.000056333058,0.00016118937,0.000051787825,0.00014046626,0.000036441346,0.0035333454],"category_scores_gemma":[0.00028397996,0.000023447787,0.00002923285,0.00017620462,0.000083090345,0.00039131747,0.000013571422,0.000016151478,0.0004583747],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[6.559981e-7,0.000020742553,0.0061857235,3.0674286e-7,0.0000040693335,0.0000011095598,0.0005921258,6.2876753e-9,0.00005547473,0.9442717,0.009918269,0.03894984],"study_design_scores_gemma":[0.00013019946,0.0000042839274,0.027205879,0.0000027966594,0.0000019260856,4.018024e-7,0.00008066517,9.2189694e-8,0.000034069573,0.0073364833,0.96515465,0.000048548205],"about_ca_topic_score_codex":0.00019571492,"about_ca_topic_score_gemma":0.00033503416,"teacher_disagreement_score":0.9552364,"about_ca_system_score_codex":0.00006423803,"about_ca_system_score_gemma":0.00018385588,"threshold_uncertainty_score":0.9973776},"labels":[],"label_agreement":null},{"id":"W4239988251","doi":"10.1386/public.31.59.179_1","title":"Umwelt Microbiana","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Science Education and Perceptions","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Witness; Mythology; Empathy; Aesthetics; Art; Sociology; Art history; Environmental ethics; Philosophy; Psychology; Literature; Social psychology","score_opus":0.06574489979330564,"score_gpt":0.36579082212417113,"score_spread":0.30004592233086547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239988251","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6427208,0.000020694855,0.00002615445,0.011206749,0.002060915,0.000054586788,0.0000023309756,0.000039546147,0.34386823],"genre_scores_gemma":[0.9008144,7.552483e-7,0.00008647386,0.0024216126,0.00010245273,0.000010434821,0.000008420955,0.0000037686905,0.096551694],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99956983,0.000024742994,0.000059058366,0.0001345845,0.00005135956,0.0001603927],"domain_scores_gemma":[0.9996245,0.000019269533,0.000016213795,0.00024596255,0.000029405861,0.00006465782],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012314276,0.00003352406,0.0000363464,0.000084885345,0.000040367686,0.00004766531,0.00015440225,0.000030813168,0.1411768],"category_scores_gemma":[0.000016072496,0.000030812393,0.000023956518,0.00024605828,0.000026874231,0.00009128173,0.00001054128,0.0000542065,0.06836723],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000001806659,0.00016890382,0.16042216,0.0000021660203,0.000010703025,3.7254966e-7,0.004274381,4.063141e-7,0.0030470218,0.11499527,0.69743764,0.019639187],"study_design_scores_gemma":[0.000077080804,0.0000071913864,0.33270505,5.2818586e-7,6.731359e-7,0.000005781441,0.0011367132,0.0000028752331,0.000004725921,0.000114055976,0.66590464,0.000040681185],"about_ca_topic_score_codex":0.000054167856,"about_ca_topic_score_gemma":0.000019919029,"teacher_disagreement_score":0.2580936,"about_ca_system_score_codex":0.000015061323,"about_ca_system_score_gemma":0.000039927112,"threshold_uncertainty_score":0.93235815},"labels":[],"label_agreement":null},{"id":"W4241817178","doi":"10.1386/public.30.59.179_1","title":"Umwelt Microbiana","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Science Education and Perceptions","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Witness; Mythology; Empathy; Aesthetics; Art; Sociology; Art history; Environmental ethics; Philosophy; Literature; Psychology; Social psychology","score_opus":0.06574489979330564,"score_gpt":0.36579082212417113,"score_spread":0.30004592233086547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241817178","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6427208,0.000020694855,0.00002615445,0.011206749,0.002060915,0.000054586788,0.0000023309756,0.000039546147,0.34386823],"genre_scores_gemma":[0.9008144,7.552483e-7,0.00008647386,0.0024216126,0.00010245273,0.000010434821,0.000008420955,0.0000037686905,0.096551694],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99956983,0.000024742994,0.000059058366,0.0001345845,0.00005135956,0.0001603927],"domain_scores_gemma":[0.9996245,0.000019269533,0.000016213795,0.00024596255,0.000029405861,0.00006465782],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012314276,0.00003352406,0.0000363464,0.000084885345,0.000040367686,0.00004766531,0.00015440225,0.000030813168,0.1411768],"category_scores_gemma":[0.000016072496,0.000030812393,0.000023956518,0.00024605828,0.000026874231,0.00009128173,0.00001054128,0.0000542065,0.06836723],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000001806659,0.00016890382,0.16042216,0.0000021660203,0.000010703025,3.7254966e-7,0.004274381,4.063141e-7,0.0030470218,0.11499527,0.69743764,0.019639187],"study_design_scores_gemma":[0.000077080804,0.0000071913864,0.33270505,5.2818586e-7,6.731359e-7,0.000005781441,0.0011367132,0.0000028752331,0.000004725921,0.000114055976,0.66590464,0.000040681185],"about_ca_topic_score_codex":0.000054167856,"about_ca_topic_score_gemma":0.000019919029,"teacher_disagreement_score":0.2580936,"about_ca_system_score_codex":0.000015061323,"about_ca_system_score_gemma":0.000039927112,"threshold_uncertainty_score":0.93235815},"labels":[],"label_agreement":null},{"id":"W4243601914","doi":"10.1386/public.29.58.184_5","title":"Record Shop","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Human auditory perception and evaluation","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.05464693187053183,"score_gpt":0.26436019441452624,"score_spread":0.20971326254399442,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243601914","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7295373,0.0000130262615,0.0046938867,0.0004536271,0.0021722198,0.000053411623,9.938224e-7,0.0006922328,0.2623833],"genre_scores_gemma":[0.9957037,0.0000055737023,0.00025654025,0.00012381365,0.0012533064,0.000007261869,0.000005497991,0.00001083634,0.0026334766],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997146,0.000008527133,0.000059526483,0.00005111195,0.00006915114,0.00009704563],"domain_scores_gemma":[0.9998199,0.0000042497186,0.000005032665,0.00009393198,0.000035789926,0.000041120442],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009355767,0.000036217414,0.00003150544,0.000051580162,0.000037123227,0.000037369402,0.000049914524,0.000025304966,0.060405906],"category_scores_gemma":[0.000020054622,0.00003686393,0.000013513064,0.000075517986,0.000018332432,0.0001253536,0.000005780566,0.00003621216,0.035190374],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[8.9747346e-7,0.000008657895,0.001138361,0.000008035152,0.000009120908,2.0200896e-7,0.00041528314,0.000031281077,0.0035525733,0.00023189283,0.8515781,0.14302559],"study_design_scores_gemma":[0.00007706692,0.000013802153,0.015839653,0.0000017238011,0.0000015317912,7.4100404e-7,0.000029375387,0.02603011,0.00010518956,0.00020924887,0.9576231,0.00006844796],"about_ca_topic_score_codex":1.6591338e-7,"about_ca_topic_score_gemma":0.000025140376,"teacher_disagreement_score":0.26616642,"about_ca_system_score_codex":0.00003222695,"about_ca_system_score_gemma":0.000005462172,"threshold_uncertainty_score":0.96556085},"labels":[],"label_agreement":null},{"id":"W4245272054","doi":"10.1386/public.25.49.125_7","title":"Drama Trauma","year":2013,"lang":"en","type":"article","venue":"Public","topic":"American and British Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Drama; Medicine; Art; Literature","score_opus":0.017710785746524862,"score_gpt":0.18654937333133972,"score_spread":0.16883858758481485,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245272054","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.091625266,0.0002651869,0.000021444504,0.0067146537,0.00015511292,0.000065006585,0.0000072672756,0.000110995104,0.9010351],"genre_scores_gemma":[0.9433132,0.0000034778777,0.000050203074,0.0025209798,0.00053619995,0.00002397728,0.000021549664,0.000007879427,0.053522546],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995075,0.00001607423,0.00009851061,0.00010874624,0.000093425544,0.00017577063],"domain_scores_gemma":[0.9996564,0.000013462101,0.000028918383,0.00012025021,0.000109782435,0.000071201204],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00003413795,0.0000622452,0.00009494513,0.000074253156,0.00013235523,0.00094221963,0.00011127062,0.0000151438535,0.04642994],"category_scores_gemma":[0.000013972862,0.000050395378,0.00007122946,0.000052909007,0.00013456904,0.00048482048,0.000014847692,0.00006427475,0.0019190444],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[5.110729e-7,0.00006301154,0.0002862271,0.000004925733,0.00005398275,0.0000027546355,0.005875558,5.452365e-8,0.000013017126,0.45121822,0.33176783,0.21071391],"study_design_scores_gemma":[0.000059886526,0.000015289446,0.0007194896,0.0000022042746,0.0000072239723,0.0000018370567,0.0016477979,0.00004278474,0.000004949497,0.0014952759,0.9959182,0.00008502634],"about_ca_topic_score_codex":0.00060530996,"about_ca_topic_score_gemma":0.00017454039,"teacher_disagreement_score":0.8516879,"about_ca_system_score_codex":0.000008250891,"about_ca_system_score_gemma":0.000008089294,"threshold_uncertainty_score":0.9988581},"labels":[],"label_agreement":null},{"id":"W4247748103","doi":"10.1386/public.29.58.23_1","title":"Unsettling Inscriptions: An Interview with Michael Gaudio","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Colonialism, slavery, and trade","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Materiality (auditing); Modernity; Scholarship; Representation (politics); Reading (process); Colonialism; Sociology; Anthropology; Art; Aesthetics; Visual arts; Art history; History; Literature; Epistemology; Archaeology; Philosophy; Politics; Linguistics","score_opus":0.09261608685797404,"score_gpt":0.33621554836906525,"score_spread":0.24359946151109121,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247748103","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9378151,0.0005118213,0.0005802551,0.029624686,0.0008281561,0.00024180171,0.0000073117158,0.00026621047,0.030124618],"genre_scores_gemma":[0.99617994,0.00008501798,0.0003211275,0.0016058054,0.0009267513,0.000020580086,0.000006839061,0.000010975169,0.00084294233],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989577,0.00018554364,0.00011316163,0.00019671851,0.00022720553,0.00031965392],"domain_scores_gemma":[0.99941665,0.000029601782,0.0000498012,0.00019206404,0.00014670216,0.0001651645],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000609584,0.00007840678,0.0001010965,0.00009149333,0.00056664326,0.00026489666,0.00028369413,0.00005497468,0.00035942538],"category_scores_gemma":[0.00009812925,0.00006772747,0.000033635595,0.0004301385,0.00038058043,0.00060180883,0.000027314598,0.000087738335,0.00013936216],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007245233,0.0009801716,0.05923101,0.00007933059,0.00022854377,0.00003403879,0.41981047,0.0000014863292,0.0003711455,0.32891095,0.023215799,0.16706459],"study_design_scores_gemma":[0.00021745829,0.00014852542,0.010305735,0.000027073109,0.000014742649,0.000003362529,0.003581438,0.000022725155,0.000034012704,0.001868902,0.98363006,0.00014599306],"about_ca_topic_score_codex":0.0013858142,"about_ca_topic_score_gemma":0.038032692,"teacher_disagreement_score":0.96041423,"about_ca_system_score_codex":0.00006459965,"about_ca_system_score_gemma":0.00021557431,"threshold_uncertainty_score":0.9795207},"labels":[],"label_agreement":null},{"id":"W4248196157","doi":"10.1386/public_00009_7","title":"Biometric Aesthetics","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Law in Society and Culture","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Biometrics; Eugenics; Face (sociological concept); Sociology; Photography; Identification (biology); Reading (process); Galton's problem; Diversity (politics); Aesthetics; Biometric data; Epistemology; Computer science; Visual arts; Social science; Law; Political science; Philosophy; Art; Artificial intelligence; Anthropology; Ecology; Biology","score_opus":0.07288829630401826,"score_gpt":0.30037876937502994,"score_spread":0.22749047307101167,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248196157","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033377927,0.0010685793,0.00016194471,0.4308073,0.00032525984,0.00013322967,0.0000051194697,0.00034202423,0.5337786],"genre_scores_gemma":[0.9911575,0.0002522851,0.00024875414,0.006199806,0.00038676354,0.0000035637865,0.0000026862426,0.0000041127305,0.001744563],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993968,0.00004588154,0.000052814747,0.00009214403,0.0002309271,0.00018144093],"domain_scores_gemma":[0.9996671,0.000018669542,0.000020890508,0.000051961822,0.000057895413,0.00018347053],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017136034,0.000035008954,0.000048378268,0.0000063801945,0.00029652717,0.00012504647,0.00021832765,0.00006998782,0.00061439263],"category_scores_gemma":[0.00031084294,0.000030151448,0.00004886957,0.001608872,0.00013014453,0.00013884682,0.000025185827,0.00007435869,0.00033158326],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000010261381,0.000045251916,0.003750356,0.000006829638,0.000013188764,0.000002314106,0.04375928,5.1454924e-7,0.00005013668,0.7014364,0.22136922,0.029565483],"study_design_scores_gemma":[0.000049349233,0.000009333713,0.00017867208,4.3532916e-7,0.0000021627018,1.2112575e-7,0.0034368378,0.0000073475558,0.000011446648,0.0011099387,0.99514604,0.00004832215],"about_ca_topic_score_codex":0.000032481294,"about_ca_topic_score_gemma":0.000017653663,"teacher_disagreement_score":0.9577795,"about_ca_system_score_codex":0.00002186254,"about_ca_system_score_gemma":0.00006924809,"threshold_uncertainty_score":0.67271686},"labels":[],"label_agreement":null},{"id":"W4249802184","doi":"10.1386/public.23.45.35_1","title":"NIGHTSENSE","year":2012,"lang":"en","type":"article","venue":"Public","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Exhibition; Context (archaeology); Locale (computer software); Interrogation; Capital (architecture); Value (mathematics); Citizenship; Aesthetics; Space (punctuation); Visual arts; Sociology; Art; Political science; History; Politics; Archaeology; Law","score_opus":0.11500675359218167,"score_gpt":0.3129872209517968,"score_spread":0.19798046735961516,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249802184","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24302329,0.0003622386,0.000020028743,0.065194815,0.00089735945,0.00009775356,9.461016e-7,0.000117163196,0.6902864],"genre_scores_gemma":[0.89068365,0.000024236519,0.000048992802,0.00032635944,0.000515875,0.0000045201928,0.0000018651273,0.0000020123734,0.10839251],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942476,0.000034157576,0.000051553976,0.000043651035,0.00014574648,0.00030014096],"domain_scores_gemma":[0.9997061,0.00001820447,0.00001576644,0.000047247344,0.000036525358,0.00017617283],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028122554,0.00003140042,0.000035544297,0.000017402515,0.00028967584,0.000077938406,0.000072869676,0.000040983126,0.002595386],"category_scores_gemma":[0.00010738851,0.000023937433,0.00001763206,0.0001650335,0.000057377085,0.0003112739,0.000019015326,0.00004555048,0.0003397924],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[5.926381e-7,0.000033238783,0.048581112,6.2442354e-7,0.0000070153737,4.6245134e-7,0.0068351757,1.8539136e-8,0.0000090901785,0.16086386,0.73558027,0.048088524],"study_design_scores_gemma":[0.000026590875,0.0000013154987,0.011377572,6.1830804e-7,9.0548036e-7,4.075732e-7,0.0014662627,1.4870739e-7,0.000017052029,0.00020826027,0.98685443,0.000046440233],"about_ca_topic_score_codex":0.00051103474,"about_ca_topic_score_gemma":0.00038022693,"teacher_disagreement_score":0.6476603,"about_ca_system_score_codex":0.00006153447,"about_ca_system_score_gemma":0.000057772508,"threshold_uncertainty_score":0.99831635},"labels":[],"label_agreement":null},{"id":"W4253493022","doi":"10.1386/public.31.59.190_1","title":"On Talking to Bees","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Plant and animal studies","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Emily Carr University of Art and Design","funders":"","keywords":"Reflection (computer programming); Swarm behaviour; Pollinator; Sociology; Visual arts; Geography; Communication; Computer science; Ecology; Artificial intelligence; Art; Pollination; Biology","score_opus":0.04612564952198396,"score_gpt":0.1984766887603927,"score_spread":0.15235103923840876,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253493022","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9629548,0.000023052618,7.998681e-8,0.005669134,0.000043137825,0.000052535353,0.0000068931736,0.000037972208,0.031212375],"genre_scores_gemma":[0.9977252,0.0000031972695,0.000005044011,0.0010156402,0.00009188943,0.000003457973,0.000003871381,1.4944797e-7,0.0011515892],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99964356,0.0000060385555,0.000036214005,0.00010086655,0.00007663973,0.00013670628],"domain_scores_gemma":[0.99986947,0.000060672803,0.000009598798,0.00000763855,0.000011492906,0.000041133553],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000047088753,0.000040480027,0.000052303312,0.0000047536605,0.00006582151,0.00004779339,0.000093016075,0.000014648445,0.0005277189],"category_scores_gemma":[0.000026154878,0.00001194456,0.000021628524,0.00012032702,0.0000040280365,0.0000417143,0.000042787702,0.000026645135,0.0012947429],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030540148,0.000107961256,0.26051846,0.000004484508,0.000019651645,0.000003639971,0.00011000434,0.0000016812946,0.47131512,0.039605215,0.02601633,0.20226692],"study_design_scores_gemma":[0.00002205055,0.00015845441,0.69114906,0.000005178989,5.0204375e-7,6.2169767e-7,0.000057377027,0.0000033060878,0.00034858205,0.000326226,0.3078614,0.00006726878],"about_ca_topic_score_codex":0.000026963246,"about_ca_topic_score_gemma":0.00032506647,"teacher_disagreement_score":0.47096652,"about_ca_system_score_codex":0.0000051242864,"about_ca_system_score_gemma":6.6715603e-7,"threshold_uncertainty_score":0.99948287},"labels":[],"label_agreement":null},{"id":"W4254315389","doi":"10.1386/public.23.45.228_5","title":"BOOK REVIEW","year":2012,"lang":"en","type":"article","venue":"Public","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Subjectivity; Creativity; Sociology; Art history; Media studies; Humanities; Art; Political science; Law; Epistemology; Philosophy","score_opus":0.09739281660295955,"score_gpt":0.32799644416912443,"score_spread":0.23060362756616487,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254315389","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001204907,0.5055099,0.0000032257296,0.24034284,0.000342397,0.00013898783,5.6392764e-7,0.000059312315,0.25348228],"genre_scores_gemma":[0.010940611,0.070540175,0.000050549857,0.09299379,0.00093269855,0.00003788886,0.000007976846,0.0000056929803,0.8244906],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942374,0.000039333037,0.000069477355,0.000045045217,0.00015510588,0.00026730698],"domain_scores_gemma":[0.9997112,0.000013512295,0.000023191084,0.000055639477,0.00004011382,0.00015631742],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00039826462,0.000033101933,0.00005466973,0.00000975436,0.00019531405,0.000041726842,0.00009703832,0.000028740813,0.021782782],"category_scores_gemma":[0.00017241339,0.000025291914,0.000023422686,0.0001673582,0.000042388016,0.00040586124,0.000022627764,0.00004799141,0.00045029598],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[5.54148e-8,0.0000073336964,0.0012365066,0.0000067956803,0.00000218009,7.017848e-8,0.0003238026,6.2998534e-10,2.739086e-7,0.004512447,0.98071444,0.013196075],"study_design_scores_gemma":[0.000014646436,0.0000011042202,0.0012064857,0.000026525953,0.0000023768212,3.4114603e-7,0.00016936757,2.6640883e-8,0.0000027191172,0.000010172477,0.99852043,0.000045823523],"about_ca_topic_score_codex":0.00014464403,"about_ca_topic_score_gemma":0.000034888944,"teacher_disagreement_score":0.5710083,"about_ca_system_score_codex":0.00005847229,"about_ca_system_score_gemma":0.00006729351,"threshold_uncertainty_score":0.97911143},"labels":[],"label_agreement":null},{"id":"W4256335616","doi":"10.1386/public.31.59.72_1","title":"Animal Eyes: Gazing at the Animal in Video Games","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Anthropocentrism; Objectification; Realism; Gaze; Subjectivity; Video game; Panopticon; Aesthetics; Psychology; Sociology; Environmental ethics; Art; Epistemology; Computer science; Philosophy; Multimedia; Psychoanalysis","score_opus":0.030847318175181614,"score_gpt":0.31921573475231796,"score_spread":0.28836841657713636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4256335616","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8372263,0.0002654715,1.697356e-7,0.018337414,0.00026006036,0.00022709728,0.0000030181945,0.000080349375,0.14360014],"genre_scores_gemma":[0.9941183,0.000037877922,0.000029015002,0.0004656552,0.00017433437,0.000034764504,0.0000030488015,0.000012826414,0.005124209],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99846053,0.00017485314,0.00019829253,0.00027063303,0.00036925045,0.00052643224],"domain_scores_gemma":[0.9991693,0.00030900864,0.00008590759,0.00025016267,0.000092129216,0.00009352426],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00073326944,0.00010722055,0.00013110347,0.00022703559,0.0005271347,0.00036743056,0.0004998675,0.00007327942,0.0051071],"category_scores_gemma":[0.00039959414,0.00008672735,0.00010985536,0.00065302313,0.00029598913,0.0008092296,0.0001677447,0.00024467078,0.0015939575],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000084724285,0.00018329747,0.7777476,0.0000139812,0.0000526609,0.000007886903,0.022288179,0.000006349601,0.005845084,0.1566374,0.036369435,0.0007634141],"study_design_scores_gemma":[0.00022678597,0.00011591065,0.46155712,0.000016763131,0.000007810082,0.0000031216523,0.03179112,0.00005087853,0.00007141858,0.00072007574,0.50523293,0.00020605554],"about_ca_topic_score_codex":0.0030297295,"about_ca_topic_score_gemma":0.099520236,"teacher_disagreement_score":0.46886352,"about_ca_system_score_codex":0.00015308312,"about_ca_system_score_gemma":0.00007886532,"threshold_uncertainty_score":0.9991834},"labels":[],"label_agreement":null},{"id":"W4256666410","doi":"10.1386/public_00001_1","title":"Introduction","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Biometrics; Context (archaeology); Politics; Narrative; Corporate governance; Manifold (fluid mechanics); Computer science; Sociology; Aesthetics; Political science; Computer security; Engineering; Business; Linguistics; Law; Art; History; Philosophy; Mechanical engineering","score_opus":0.04586002928800641,"score_gpt":0.18977320065360037,"score_spread":0.14391317136559395,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4256666410","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028659994,0.00013610318,0.000022257867,0.9591776,0.0002312602,0.000021401567,0.0000016849847,0.00007915695,0.011670543],"genre_scores_gemma":[0.9708354,0.000053841737,0.000012993313,0.002718893,0.007819788,0.000006199676,0.000010416953,0.0000042071165,0.018538289],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996654,0.000009595005,0.000066551715,0.000094467876,0.00007554116,0.00008846136],"domain_scores_gemma":[0.9998214,0.0000046993437,0.000018252293,0.000035009994,0.00006134011,0.00005930029],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000022662816,0.000040088416,0.00007345328,0.000008460881,0.0008895027,0.000092298964,0.000053604235,0.000008767325,0.005972907],"category_scores_gemma":[0.000050808783,0.000027173328,0.000056164874,0.000043043052,0.000047041784,0.00012193686,0.000019408735,0.00004690994,0.0005641486],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000012575656,0.000012460911,0.000038530783,0.000004283436,0.000033063643,3.9909492e-7,0.0533093,5.5661224e-7,0.000010629727,0.30308285,0.63921225,0.004294413],"study_design_scores_gemma":[0.000030029012,0.000016170905,0.000010013426,1.2250801e-7,0.000009084416,5.3254038e-8,0.0017121655,0.000028726941,0.0000012224335,0.00047389825,0.99767417,0.000044364642],"about_ca_topic_score_codex":0.00005815985,"about_ca_topic_score_gemma":0.00014780108,"teacher_disagreement_score":0.9564587,"about_ca_system_score_codex":0.00011205506,"about_ca_system_score_gemma":0.000002488205,"threshold_uncertainty_score":0.99493575},"labels":[],"label_agreement":null},{"id":"W4283583192","doi":"10.1386/public_00090_7","title":"Fervor Forever","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Conversation; Theme (computing); Art history; Art; Sociology; History; Communication; Computer science; World Wide Web","score_opus":0.10684746288505181,"score_gpt":0.2383048882228293,"score_spread":0.1314574253377775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4283583192","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031098593,0.00016026462,0.00004950594,0.008039402,0.0010769517,0.0001148512,0.00013057407,0.00015743135,0.9591724],"genre_scores_gemma":[0.7849227,0.0000015516601,0.000010092221,0.003565485,0.00048791568,0.000044894878,0.000035326742,0.000011500588,0.21092054],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99940246,0.000025882922,0.000088408866,0.00010308776,0.00014419676,0.00023597028],"domain_scores_gemma":[0.99972457,0.000015540647,0.000025959991,0.00014214449,0.00003191968,0.00005983997],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000100650985,0.000057901627,0.00006722829,0.000058019134,0.0006513839,0.00012183956,0.0001474861,0.000007689978,0.02081134],"category_scores_gemma":[0.000013032873,0.00005455677,0.00005137333,0.000001434986,0.000075833545,0.000163536,0.00012218855,0.0000945741,0.00017480373],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000014159859,0.00004660363,0.00018590357,0.0000046465584,0.000012449996,0.000002297276,0.033991586,0.0000012871951,0.0000013862534,0.8060385,0.15825287,0.0014610798],"study_design_scores_gemma":[0.000112042995,0.000028033297,0.00013048088,3.8156207e-7,0.0000045547577,0.0000023938294,0.0018533391,0.00009447267,0.0000029756843,0.019282226,0.9784099,0.00007921405],"about_ca_topic_score_codex":0.00033104062,"about_ca_topic_score_gemma":0.0017176777,"teacher_disagreement_score":0.82015705,"about_ca_system_score_codex":0.000041009742,"about_ca_system_score_gemma":0.00004164107,"threshold_uncertainty_score":0.98008376},"labels":[],"label_agreement":null},{"id":"W4283585899","doi":"10.1386/public_00097_1","title":"Alexander Wilson: Queer Parrhesiast","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Feminism; Queer theory; Politics; Gender studies; Sociology; Environmentalism; Identity (music); Body politic; Socialism; Human sexuality; Aesthetics; Philosophy; Law; Political science","score_opus":0.0256687391437953,"score_gpt":0.22998044866397388,"score_spread":0.20431170952017857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4283585899","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018749688,0.0008667073,0.000027586686,0.045408595,0.0010556633,0.00012006395,0.000018739767,0.00011958658,0.9336334],"genre_scores_gemma":[0.87377954,0.000032608154,0.000012830084,0.0016351059,0.00026271705,0.0000437412,0.0000051441616,0.000006263914,0.12422208],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99917865,0.00011789748,0.0000598335,0.00010774631,0.00031151457,0.000224342],"domain_scores_gemma":[0.9996869,0.000018952622,0.000025147878,0.00009847852,0.000024222702,0.00014628946],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041369733,0.000029421592,0.000050163442,0.00021078835,0.0022120033,0.0003491547,0.00021264693,0.000020014193,0.03591229],"category_scores_gemma":[0.00006270265,0.00004307171,0.00004105414,0.0003362064,0.00018310275,0.00019089818,0.00004279739,0.000109470115,0.00017989255],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000001823969,0.000034401248,0.0021493756,0.0000023581465,0.000009497125,0.000014324851,0.013223663,0.0000044995145,0.0000029823325,0.21103866,0.7584446,0.0150738],"study_design_scores_gemma":[0.000055105775,0.000005590441,0.0028145825,2.8913445e-7,0.0000021872077,0.0000012232013,0.0025539766,0.0000034167608,8.7767916e-8,0.0003539446,0.99415046,0.000059148017],"about_ca_topic_score_codex":0.2361987,"about_ca_topic_score_gemma":0.6949363,"teacher_disagreement_score":0.8550298,"about_ca_system_score_codex":0.00071340473,"about_ca_system_score_gemma":0.00078849477,"threshold_uncertainty_score":0.999087},"labels":[],"label_agreement":null},{"id":"W4283592189","doi":"10.1386/public_00102_1","title":"Two Hungry Children: A Prodigal Return","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Latin American and Latino Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Conversation; Visual arts; Art; Sociology; Art history; Aesthetics; History; Media studies; Gender studies; Communication","score_opus":0.023776184344485713,"score_gpt":0.29462123884804287,"score_spread":0.27084505450355717,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4283592189","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15112586,0.00046705356,0.000026415273,0.035670504,0.00042307482,0.00033605972,0.000011477306,0.00031446584,0.81162506],"genre_scores_gemma":[0.9936018,0.000016873726,0.0002364034,0.0012216875,0.00024665095,0.00007859049,0.0000057840916,0.000006389723,0.004585826],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99878573,0.00022475448,0.000096848096,0.0001740929,0.0004080533,0.0003105234],"domain_scores_gemma":[0.999628,0.000041736268,0.00006439634,0.0001437065,0.000039965686,0.00008219199],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005154782,0.000059619793,0.000095015064,0.000053383643,0.0014952603,0.000105198706,0.00032364237,0.000010945354,0.0012867916],"category_scores_gemma":[0.00019496023,0.000057272562,0.00004749182,0.00057194976,0.00018701178,0.00017842649,0.00025131763,0.00015869373,0.000020114283],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000058135556,0.00017893552,0.35058817,0.0000026322434,0.00008139118,0.000005895785,0.03766592,0.0000040085224,0.000022332602,0.5017686,0.048482403,0.061193902],"study_design_scores_gemma":[0.000437761,0.000081198385,0.06994253,0.000001507954,0.0000097212815,0.0000057915036,0.014929047,0.00004379056,0.0000072442986,0.0028123742,0.9114371,0.00029195167],"about_ca_topic_score_codex":0.0011523314,"about_ca_topic_score_gemma":0.00029109485,"teacher_disagreement_score":0.8629547,"about_ca_system_score_codex":0.000088135435,"about_ca_system_score_gemma":0.00020876834,"threshold_uncertainty_score":0.9998047},"labels":[],"label_agreement":null},{"id":"W4283592504","doi":"10.1386/public_00098_7","title":"Alexander Wilson: Heart and Mind","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Queer; Body politic; Art history; Mind–body problem; Performance art; Art; Sociology; Psychoanalysis; History; Psychology; Gender studies; Philosophy; Politics; Epistemology; Law; Political science; Archaeology","score_opus":0.08963443994924959,"score_gpt":0.24664642247245738,"score_spread":0.1570119825232078,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4283592504","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3517741,0.0011344716,0.000020488586,0.021758435,0.0009626403,0.00018925479,0.00012947708,0.000096797026,0.6239343],"genre_scores_gemma":[0.8852391,0.0000055148744,0.000015823836,0.0031804412,0.00041616414,0.000021941136,0.000018765222,0.000010157937,0.1110921],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994016,0.000030769246,0.0000855321,0.0001329856,0.00012913336,0.00021996422],"domain_scores_gemma":[0.9997384,0.000022537975,0.00002061879,0.00011407578,0.000024347548,0.00008000812],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011585143,0.00006553533,0.0000823261,0.000056479774,0.0006134788,0.00016587734,0.000069633184,0.000010420114,0.013704108],"category_scores_gemma":[0.000009846655,0.00006221149,0.00003012296,0.000001574926,0.00013599056,0.00015830976,0.00010489804,0.00009617144,0.000048762384],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000074006075,0.00015250818,0.0026176393,0.00001941479,0.000045681987,0.0000066331545,0.14476693,0.0000023349803,0.000028545204,0.46813133,0.38013828,0.004083317],"study_design_scores_gemma":[0.00015404969,0.00004217794,0.00051411724,7.013507e-7,0.0000054917464,0.000011272981,0.0021854807,0.0000955884,0.0000049914747,0.0021551603,0.994744,0.00008697606],"about_ca_topic_score_codex":0.00019830647,"about_ca_topic_score_gemma":0.0008917464,"teacher_disagreement_score":0.6146057,"about_ca_system_score_codex":0.000019843548,"about_ca_system_score_gemma":0.000033587712,"threshold_uncertainty_score":0.9871975},"labels":[],"label_agreement":null},{"id":"W4283650461","doi":"10.1386/public_00111_4","title":"This Book Will Break Your Heart: Between Certain Death and a Possible Future and What AIDS Teaches","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Foucault, Power, and Ethics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Human immunodeficiency virus (HIV); Psychoanalysis; Psychology; History; Medicine; Epistemology; Literature; Philosophy; Art; Virology","score_opus":0.04774078520626037,"score_gpt":0.31707831368977885,"score_spread":0.2693375284835185,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4283650461","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6564674,0.031776343,0.00000708668,0.2687656,0.0009632929,0.00044452614,0.000050623064,0.0002502619,0.041274883],"genre_scores_gemma":[0.973631,0.002149849,0.0001504737,0.003255005,0.0008841428,0.000034091656,0.000020166442,0.000019464193,0.019855758],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99829865,0.00037043128,0.000136863,0.00029579943,0.0004614916,0.0004367585],"domain_scores_gemma":[0.99929917,0.00017235549,0.0000525306,0.00016012942,0.000055919052,0.0002598672],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0013679557,0.000121707904,0.00018520503,0.00011577616,0.0016589884,0.00088395475,0.00021736321,0.00013245994,0.000802742],"category_scores_gemma":[0.00014919338,0.00011584419,0.000047075242,0.00028212447,0.00024642187,0.0017856543,0.00019649783,0.0004617778,0.000010983925],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021926086,0.0001368997,0.45264375,0.0000611061,0.00010303441,0.000012056601,0.27458733,7.8828737e-7,0.000029290073,0.1135968,0.082016006,0.07679101],"study_design_scores_gemma":[0.00018630452,0.00008411822,0.015119377,0.000006652904,0.000015816646,0.000006059915,0.042496838,0.0000061057876,0.000002903899,0.003285505,0.9386341,0.00015624474],"about_ca_topic_score_codex":0.0022528693,"about_ca_topic_score_gemma":0.0006049576,"teacher_disagreement_score":0.85661805,"about_ca_system_score_codex":0.00008962612,"about_ca_system_score_gemma":0.00027394376,"threshold_uncertainty_score":0.9996407},"labels":[],"label_agreement":null},{"id":"W4283653719","doi":"10.1386/public_00093_1","title":"Dancing Through the Archive: Researching René Highway’s Final Choreography: Prism, Mirror, Lens","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Prism; Film director; Choreography; Context (archaeology); Visual arts; Art; Lens (geology); Indigenous; Dance; Art history; Optics; Movie theater; History; Physics; Archaeology","score_opus":0.12768069894223474,"score_gpt":0.3392246140599002,"score_spread":0.21154391511766543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4283653719","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68990344,0.0010253896,0.00069262984,0.042062346,0.0016551409,0.0004593607,0.00017816888,0.00025709433,0.2637664],"genre_scores_gemma":[0.99219435,0.000029484845,0.0005533178,0.0027103534,0.00012005081,0.00007269353,0.000057792135,0.000022953278,0.0042390213],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99760777,0.0005708073,0.00017903314,0.00037807328,0.00054224255,0.0007220629],"domain_scores_gemma":[0.9988389,0.0002824822,0.00010338373,0.0006546812,0.000027741587,0.00009283032],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008618548,0.0001405338,0.00015152256,0.00018729256,0.0014339199,0.00015456024,0.0010400517,0.000035270554,0.0026161775],"category_scores_gemma":[0.00012502166,0.00011845772,0.0001465365,0.00063689606,0.00022730835,0.00046177383,0.00060720736,0.00096233975,0.00019038862],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003296322,0.00073526945,0.045139287,0.000025463287,0.00038534988,0.0001357171,0.04635926,0.000009549415,0.0005618392,0.25042766,0.6383784,0.017512592],"study_design_scores_gemma":[0.0005669216,0.00020444836,0.13672015,0.000006243079,0.000013318306,0.00003848412,0.0032554953,0.000021241887,0.000013068715,0.0068209283,0.85217756,0.00016216822],"about_ca_topic_score_codex":0.0018370537,"about_ca_topic_score_gemma":0.00007951824,"teacher_disagreement_score":0.3022909,"about_ca_system_score_codex":0.00006525367,"about_ca_system_score_gemma":0.0000873497,"threshold_uncertainty_score":0.99986607},"labels":[],"label_agreement":null},{"id":"W4283657881","doi":"10.1386/public_00112_5","title":"Queer Memory Beyond the Archive: Reading LGBTQ Pasts on Screen Towards Queer Futures","year":2022,"lang":"en","type":"article","venue":"Public","topic":"European history and politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Queer; Futures contract; Reading (process); Strengths and weaknesses; Queer theory; Gender studies; Sociology; Media studies; Psychology; Political science","score_opus":0.03545032506044391,"score_gpt":0.2866738413085381,"score_spread":0.2512235162480942,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4283657881","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042025957,0.00024712307,0.000023801664,0.022453245,0.0012726582,0.00019205533,0.000068596164,0.00012873016,0.93358785],"genre_scores_gemma":[0.94944763,0.000020765818,0.000052976593,0.008922515,0.0014305324,0.000030794738,0.000020626794,0.000022618957,0.04005153],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975757,0.0010628973,0.00013762979,0.00021163112,0.0005869883,0.00042512504],"domain_scores_gemma":[0.99922025,0.00021145913,0.00006886455,0.00030105645,0.0000417984,0.00015657571],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001548958,0.00010074207,0.00009882568,0.000099554534,0.0024764219,0.0001321379,0.0006529653,0.000027991853,0.0014822431],"category_scores_gemma":[0.00027660647,0.00008053792,0.00008293024,0.00025385723,0.00027904732,0.00014621177,0.00017451476,0.00041292974,0.000120097764],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013697364,0.000036600486,0.0004482021,0.00000350342,0.000018747249,0.000011052462,0.038119957,0.000023668234,0.000015792702,0.6764489,0.2762173,0.008642617],"study_design_scores_gemma":[0.000080153506,0.00003892253,0.0047341976,0.000002021648,0.000007738876,0.0000018205849,0.006364381,0.000006440185,0.000009601138,0.002858082,0.98578155,0.00011506866],"about_ca_topic_score_codex":0.0013502723,"about_ca_topic_score_gemma":0.0008927135,"teacher_disagreement_score":0.9074217,"about_ca_system_score_codex":0.00019589487,"about_ca_system_score_gemma":0.0002722736,"threshold_uncertainty_score":0.99943054},"labels":[],"label_agreement":null},{"id":"W4306408296","doi":"10.1386/public_00127_1","title":"The Language of Blindness and its Rapport with Sight: Immersive Descriptive Audio and Rainbow On Mars","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Subtitles and Audiovisual Media","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Sight; Blindness; Closeness; Privilege (computing); Psychology; Rainbow; Visual arts; Computer science; Art; Optometry; Computer security; Medicine; Astronomy","score_opus":0.04774205113785935,"score_gpt":0.21873398175730852,"score_spread":0.17099193061944917,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4306408296","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98256636,0.0012302446,5.791234e-7,0.0016318674,0.00018444883,0.00015658306,0.0000439924,0.000010224269,0.014175703],"genre_scores_gemma":[0.9906622,0.000037417867,0.0000018950864,0.00023327334,0.00008925016,0.0000367928,0.000008729612,0.000010481596,0.008919913],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994518,0.00004363466,0.000080913676,0.00012138775,0.00016115553,0.00014110416],"domain_scores_gemma":[0.9996504,0.0001042596,0.00006973808,0.00008010864,0.00004814873,0.000047307964],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001742863,0.000075802825,0.00010211134,0.00005905158,0.00041863986,0.00008321621,0.000083296036,0.00000962093,0.00060831645],"category_scores_gemma":[0.000027510541,0.000045663935,0.000018853587,0.000043193922,0.00015996073,0.00008584716,0.0000726324,0.00010124117,0.0000032414578],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004591792,0.0003277349,0.0017940161,0.00009322174,0.00039486634,0.00007933222,0.4984853,0.000003884388,0.0008523939,0.44136605,0.019301975,0.036842026],"study_design_scores_gemma":[0.0011773262,0.0010788884,0.002389525,0.000022001726,0.00004780625,0.00001973423,0.4216656,0.00009651642,0.000721034,0.0003401557,0.57217157,0.00026980613],"about_ca_topic_score_codex":0.000045542216,"about_ca_topic_score_gemma":0.00012413427,"teacher_disagreement_score":0.5528696,"about_ca_system_score_codex":0.000012618845,"about_ca_system_score_gemma":0.000040602936,"threshold_uncertainty_score":0.6660639},"labels":[],"label_agreement":null},{"id":"W4306408314","doi":"10.1386/public_00121_1","title":"We’re waving hands! Creating a graphic novel in Quebec Sign Language","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Sign language; Agency (philosophy); Inscribed figure; Sign (mathematics); American Sign Language; Linguistics; Sociology; Queer; Sign system; Psychology; Communication; Gender studies","score_opus":0.046276461058444456,"score_gpt":0.25586187276828876,"score_spread":0.2095854117098443,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4306408314","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4866682,0.0012180901,0.000043766573,0.0031148386,0.00033067755,0.00014038704,0.00007955165,0.0001126373,0.50829184],"genre_scores_gemma":[0.97902626,0.0000065757386,0.000019509807,0.00034400748,0.00060709234,0.000049416136,0.00005984873,0.000016493565,0.019870799],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999084,0.000039218845,0.00019864457,0.00019122842,0.00022736777,0.00025955308],"domain_scores_gemma":[0.9995822,0.00007024724,0.000077251,0.0001724456,0.000045186614,0.00005269963],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028478226,0.000100701545,0.00015551368,0.00033997867,0.0005419257,0.0004581593,0.00019025356,0.000014578877,0.008159743],"category_scores_gemma":[0.00012363828,0.00009403937,0.00009355893,0.00015293829,0.00005038699,0.00013930541,0.00012714311,0.00017638787,0.000013005075],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000056491285,0.00026191366,0.0029327676,0.00002554192,0.000063696694,0.00003849193,0.11197773,0.000097968405,0.00008153122,0.8798302,0.0017612352,0.0029232723],"study_design_scores_gemma":[0.0014284138,0.00010083623,0.0007135258,0.000046449186,0.0001076975,0.0000030611366,0.37840715,0.008010349,0.000023280514,0.0030653293,0.60746384,0.00063005026],"about_ca_topic_score_codex":0.045654036,"about_ca_topic_score_gemma":0.17565216,"teacher_disagreement_score":0.8767649,"about_ca_system_score_codex":0.000057007594,"about_ca_system_score_gemma":0.00006809698,"threshold_uncertainty_score":0.99274695},"labels":[],"label_agreement":null},{"id":"W4306408326","doi":"10.1386/public_00120_7","title":"In conversation: Excerpts from interviews with George Kerscher, Farrah Little, Daniella Levy-Pinto, Amy Rollason and Adam Rallo.","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Jewish Identity and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Arts Foundation; Toronto Arts Council","funders":"","keywords":"George (robot); Conversation; Art; Art history; Psychology; Communication","score_opus":0.029129297098333878,"score_gpt":0.26469768778355995,"score_spread":0.2355683906852261,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4306408326","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9482403,0.0013311424,0.00006797581,0.026770048,0.0005246063,0.00033189793,0.000024538358,0.00006788667,0.02264163],"genre_scores_gemma":[0.9949701,0.00025793927,0.000110950044,0.0014080147,0.00017474861,0.000058391033,0.000029132065,0.000011839279,0.0029789095],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99822235,0.00046119298,0.0001975217,0.00031689904,0.00047026557,0.0003317888],"domain_scores_gemma":[0.9994164,0.00010264892,0.00010369333,0.00017651186,0.000059649523,0.00014110825],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011148739,0.000110681875,0.00019434399,0.00007482785,0.00051414315,0.00030831955,0.00033327652,0.00008066567,0.002620884],"category_scores_gemma":[0.00012613618,0.00011583049,0.000059811075,0.00055847055,0.00020953432,0.0007137945,0.0002041639,0.00030176766,0.000027647471],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040406696,0.00053398346,0.5657428,0.000056804776,0.00022354741,0.00005088695,0.2855258,0.00003259449,0.00017434919,0.058895845,0.07515609,0.013566884],"study_design_scores_gemma":[0.001007873,0.00006276136,0.07156244,0.000012063348,0.000014300529,0.0000014841955,0.05889282,0.0001209094,0.000006825202,0.0026964755,0.8653891,0.0002329258],"about_ca_topic_score_codex":0.026338378,"about_ca_topic_score_gemma":0.03427183,"teacher_disagreement_score":0.790233,"about_ca_system_score_codex":0.00026660136,"about_ca_system_score_gemma":0.0002254349,"threshold_uncertainty_score":0.99829084},"labels":[],"label_agreement":null},{"id":"W4306408328","doi":"10.1386/public_00128_7","title":"Artworks from BEING Studio","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Architecture and Computational Design","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Studio; Art; Visual arts","score_opus":0.00886885639809972,"score_gpt":0.16591230133703566,"score_spread":0.15704344493893593,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4306408328","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63300043,0.0014147734,0.30261067,0.0017030559,0.0011040542,0.00016388412,0.000024239343,0.0009772973,0.05900162],"genre_scores_gemma":[0.99874705,0.0000018567647,0.0007250616,0.00022987968,0.00013700651,0.00003816421,0.000030146679,0.000012175061,0.00007865693],"study_design_codex":"simulation_or_modeling","study_design_gemma":"not_applicable","domain_scores_codex":[0.99962544,0.000018971306,0.000058771795,0.00006901774,0.00012094328,0.00010684504],"domain_scores_gemma":[0.9998327,0.00005561889,0.0000058595147,0.000070503316,0.0000062748004,0.000029055753],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00004930875,0.000045259756,0.000048592145,0.000043259406,0.000108784465,0.00002191748,0.00010115361,0.000008392715,0.0003875686],"category_scores_gemma":[0.0000047116455,0.000049112507,0.000021991431,0.0001336857,0.0000041730905,0.000038685448,0.00005476808,0.0001342541,0.00003008321],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000037546206,0.000028255281,0.0029594894,0.0000047158173,0.00012748745,0.000019164512,0.0012965138,0.84532857,0.00026842247,0.013215997,0.024563793,0.11218386],"study_design_scores_gemma":[0.00039630244,0.000046888068,0.03167703,0.0000038107494,0.000016823727,0.00001251912,0.00024107647,0.32420412,0.00010628365,0.09432639,0.5485713,0.0003974531],"about_ca_topic_score_codex":0.000005092894,"about_ca_topic_score_gemma":0.00000275527,"teacher_disagreement_score":0.5240075,"about_ca_system_score_codex":0.000031114614,"about_ca_system_score_gemma":0.00000933623,"threshold_uncertainty_score":0.42436042},"labels":[],"label_agreement":null},{"id":"W4306408342","doi":"10.1386/public_00130_1","title":"Stretching Our Stories (SOS): Digital Worldmaking in Troubled Times","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Participatory Visual Research Methods","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University; Centre for Social Innovation; Brandon University; Brock University","funders":"","keywords":"Coronavirus disease 2019 (COVID-19); Intersectionality; Sociology; Normative; The arts; 2019-20 coronavirus outbreak; Media studies; Pandemic; Ableism; Aesthetics; Movie theater; Inequality; Severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2); Work (physics); Public relations; Visual arts; Political science; Gender studies; Art; Law; Medicine; Engineering","score_opus":0.5971609094179193,"score_gpt":0.6173829014844245,"score_spread":0.020221992066505212,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4306408342","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91538197,0.00013095308,0.000060763912,0.0070988503,0.00038686057,0.0002281884,0.000008878768,0.00013808727,0.07656544],"genre_scores_gemma":[0.99506414,0.0000025715794,0.00021023497,0.00008736433,0.00016976932,0.0001295638,0.0000033254382,0.000014264465,0.0043187495],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99650335,0.0013409513,0.0001988832,0.000246631,0.00096725405,0.0007428989],"domain_scores_gemma":[0.99915063,0.00035272943,0.000065617445,0.00016608558,0.00005432352,0.00021059153],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004598441,0.000087183354,0.00015685355,0.0002962801,0.00088888867,0.0005775851,0.0005107861,0.000029393354,0.0005161799],"category_scores_gemma":[0.003391702,0.00009616151,0.000054045868,0.0012223072,0.00008551593,0.0010978978,0.00034423903,0.00040268723,0.00002341134],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058175734,0.00041925797,0.44739646,0.000014920284,0.000045297227,0.00008079521,0.071755566,0.00016119795,0.00013667501,0.38990963,0.006006014,0.084016025],"study_design_scores_gemma":[0.0006085624,0.00009603498,0.016029386,0.000010490039,0.000004675549,0.0000011860863,0.1273294,0.0009054799,0.000046577894,0.012586513,0.8420256,0.00035612754],"about_ca_topic_score_codex":0.00069180236,"about_ca_topic_score_gemma":0.0010314231,"teacher_disagreement_score":0.8360196,"about_ca_system_score_codex":0.0005975726,"about_ca_system_score_gemma":0.0006690094,"threshold_uncertainty_score":0.6836703},"labels":[],"label_agreement":null},{"id":"W4306408363","doi":"10.1386/public_00113_7","title":"Introduction: Access Aesthetics— Toward a Prefigurative Cultural Politics","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Social Media and Politics","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary; York University","funders":"","keywords":"Politics; Aesthetics; Sociology; Political science; Art; Law","score_opus":0.08984817170888561,"score_gpt":0.37110546721660487,"score_spread":0.2812572955077193,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4306408363","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5110823,0.00018962823,0.00003404017,0.39508665,0.0052593276,0.00037710945,0.00005209245,0.0002693808,0.087649494],"genre_scores_gemma":[0.98851705,0.000030129911,0.00005111438,0.0013036076,0.004696345,0.00012241068,0.000029379922,0.000010065919,0.00523991],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982397,0.00040284012,0.00014101497,0.00018174753,0.00054136006,0.0004933708],"domain_scores_gemma":[0.99930185,0.00008073787,0.00007048895,0.00013167295,0.00019760018,0.00021767318],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025508134,0.0000832546,0.00011461305,0.00007208316,0.001452369,0.0003135194,0.0004842485,0.000046629386,0.0027597847],"category_scores_gemma":[0.0006373923,0.000084576146,0.000063452506,0.0005612503,0.0003285515,0.00047303032,0.00015898106,0.00024839057,0.000050301194],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000027862136,0.00007673779,0.00483309,0.0000046170194,0.00001766783,0.000003157143,0.093015365,0.0000037941873,0.000007604087,0.81262416,0.0868435,0.0025675104],"study_design_scores_gemma":[0.000097325115,0.000032848893,0.00038974165,5.100127e-7,0.0000084556705,0.0000034944028,0.06878268,0.000006082456,0.00004104298,0.010800758,0.9197268,0.00011024679],"about_ca_topic_score_codex":0.0012853171,"about_ca_topic_score_gemma":0.00008881104,"teacher_disagreement_score":0.8328833,"about_ca_system_score_codex":0.0004005735,"about_ca_system_score_gemma":0.0004921763,"threshold_uncertainty_score":0.9998476},"labels":[],"label_agreement":null},{"id":"W4306408372","doi":"10.1386/public_00123_1","title":"Relational Praxis Art: Confronting Epistemic Injustice In Lumpen Community","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Art Therapy and Mental Health","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Praxis; Gentrification; Injustice; Sociology; Agency (philosophy); Capitalism; Politics; Neighbourhood (mathematics); Environmental ethics; Criminology; Political science; Social science; Economic growth; Law","score_opus":0.1268187324686636,"score_gpt":0.2734384491218426,"score_spread":0.14661971665317902,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4306408372","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7332575,0.0001438276,0.0000133789945,0.005736328,0.0004628498,0.0002272426,0.000051304716,0.000060823608,0.26004678],"genre_scores_gemma":[0.9819306,0.0000050708827,0.000027214197,0.0017174018,0.00011280652,0.00007337884,0.00014922398,0.000009576567,0.015974712],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99896216,0.00038974098,0.00020313245,0.0000847742,0.000159037,0.00020116742],"domain_scores_gemma":[0.9995624,0.00015231183,0.0000770208,0.0001359237,0.000026326281,0.000046037694],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00096668396,0.00006359055,0.00009417216,0.000092379705,0.0014688044,0.000051859257,0.00015903523,0.000013282243,0.007467059],"category_scores_gemma":[0.000034481578,0.00006747686,0.000026580716,0.00004742303,0.000079326506,0.0002692477,0.0001416497,0.0004967729,0.00011102254],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036621943,0.0002968013,0.007824805,0.00004487731,0.000012645187,0.000002382762,0.09742796,0.000017429627,0.000014193679,0.87882787,0.011868816,0.0036255852],"study_design_scores_gemma":[0.00036205858,0.000095037445,0.0033834162,0.000008191519,0.0000029039263,0.000005222366,0.032096993,0.00023784506,0.0000016165583,0.004818165,0.95889395,0.00009459466],"about_ca_topic_score_codex":0.0008896791,"about_ca_topic_score_gemma":0.0046392814,"teacher_disagreement_score":0.9470251,"about_ca_system_score_codex":0.00017892645,"about_ca_system_score_gemma":0.00007753932,"threshold_uncertainty_score":0.99983114},"labels":[],"label_agreement":null},{"id":"W4306408377","doi":"10.1386/public_00125_7","title":"Act Normal – Excerpts","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Ethics and Legal Issues in Pediatric Healthcare","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Institution; Psychology; Medicine; Law; Political science","score_opus":0.05722125238389454,"score_gpt":0.34603296579301734,"score_spread":0.2888117134091228,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4306408377","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65055394,0.0016243693,0.0000366171,0.12792872,0.001224397,0.00033451212,0.00002597433,0.00020443926,0.21806705],"genre_scores_gemma":[0.987836,0.00004516055,0.0001674414,0.0058796396,0.0005686258,0.00004879295,0.000050428163,0.000014950857,0.0053889686],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989471,0.00006915384,0.00014333992,0.00015415892,0.0004140768,0.00027217699],"domain_scores_gemma":[0.9993736,0.000061755134,0.000035262958,0.00024188605,0.000077533456,0.00020994255],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005741599,0.00006228442,0.000120311706,0.00011119035,0.00024199019,0.000021915002,0.00011422737,0.000045952158,0.0039787292],"category_scores_gemma":[0.00021683927,0.00005903481,0.00005345582,0.0003380663,0.000023335844,0.00007089235,0.00014986646,0.0007091301,0.000068453664],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022991406,0.0011421668,0.46678632,0.0007143208,0.00015889316,0.0009230665,0.008168259,0.000021468859,0.0002974093,0.13649513,0.21323173,0.17183132],"study_design_scores_gemma":[0.00034625802,0.00019600448,0.021767765,0.0000018154963,0.000010336784,0.00008498669,0.00022330487,0.000083325765,0.000008351499,0.00025527785,0.97695494,0.000067609726],"about_ca_topic_score_codex":0.0001605745,"about_ca_topic_score_gemma":0.000009728777,"teacher_disagreement_score":0.76372325,"about_ca_system_score_codex":0.00010702763,"about_ca_system_score_gemma":0.00038888038,"threshold_uncertainty_score":0.9969318},"labels":[],"label_agreement":null},{"id":"W4306408379","doi":"10.1386/public_00114_1","title":"Balancing Form and Function: The Politics of Access Aesthetics","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Disability Rights and Representation","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Aesthetics; Politics; Normative; Meaning (existential); Function (biology); Sociology; Art; Epistemology; Political science; Philosophy; Law","score_opus":0.058726572233497705,"score_gpt":0.3293230874776526,"score_spread":0.2705965152441549,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4306408379","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86727315,0.00011408892,0.0001078456,0.05883492,0.00040122803,0.00018890786,0.000005821357,0.000025440411,0.07304859],"genre_scores_gemma":[0.99815524,0.000010973805,0.0000059080658,0.00020710225,0.000065679706,0.000010953229,0.0000022114978,0.0000018216731,0.0015400975],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994723,0.00008016961,0.00007002503,0.000058197213,0.0002192958,0.00010002047],"domain_scores_gemma":[0.999752,0.000058434045,0.00003654746,0.00008051317,0.000041972973,0.000030555784],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004366643,0.000021192609,0.000035654633,0.000019328421,0.00084566453,0.00009765328,0.00014270714,0.000010506949,0.0002896305],"category_scores_gemma":[0.00004727985,0.000013497791,0.000017055489,0.00016996812,0.00025384466,0.00018277111,0.0000875123,0.000047111134,6.2244953e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000014691104,0.000032820462,0.036418665,0.0000046335936,0.000004615446,8.666118e-8,0.0070169102,0.0000073033007,0.0000024430524,0.947312,0.0010914359,0.008107606],"study_design_scores_gemma":[0.00010544261,0.00003278571,0.034914862,8.7465946e-7,0.000010082136,0.0000013180535,0.02065512,0.0001304751,0.000009745768,0.163983,0.7801081,0.00004820286],"about_ca_topic_score_codex":0.0011009878,"about_ca_topic_score_gemma":0.00040283898,"teacher_disagreement_score":0.783329,"about_ca_system_score_codex":0.000030134968,"about_ca_system_score_gemma":0.00007705844,"threshold_uncertainty_score":0.6504253},"labels":[],"label_agreement":null},{"id":"W4306408395","doi":"10.1386/public_00115_3","title":"Access Entanglements: Approaching Accessible Publishing Through Engagement and Dissensus","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Art Therapy and Mental Health","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Publishing; Conversation; Centring; Inclusion (mineral); Sociology; Generative grammar; Universal design; Visual arts; Epistemology; Media studies; Computer science; World Wide Web; Art; Communication; Philosophy; Social science; Literature; Artificial intelligence","score_opus":0.2388481105882798,"score_gpt":0.338364532599808,"score_spread":0.09951642201152819,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4306408395","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4457483,0.0012172173,0.00013955752,0.014279826,0.0015497946,0.00069722993,0.00012309953,0.00025197538,0.53599304],"genre_scores_gemma":[0.993787,0.000059652186,0.00008674842,0.0026209662,0.00035578193,0.0002157616,0.00013939815,0.000021794443,0.0027129063],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985334,0.00020823139,0.00023504056,0.00028464152,0.0003473085,0.00039132242],"domain_scores_gemma":[0.99951696,0.000057490342,0.00011564545,0.00018286622,0.000029418754,0.000097588265],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00082295935,0.00013184345,0.00013253772,0.000105305946,0.0029445307,0.0025083076,0.0004340041,0.000014286598,0.0050877915],"category_scores_gemma":[0.000022090207,0.00012037867,0.000037762016,0.00008523018,0.000077536526,0.0041996874,0.00088894076,0.00035814097,0.0000055532],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002577722,0.00028335073,0.0025052638,0.000065330685,0.00007253101,0.000005701036,0.04900588,0.0000047526887,0.000010818201,0.9052159,0.017116696,0.02568798],"study_design_scores_gemma":[0.00047459637,0.0000781985,0.00029601657,0.0000062095664,0.000010616156,0.000004693028,0.054329254,0.000086938126,0.000018628341,0.00572847,0.9388062,0.00016017452],"about_ca_topic_score_codex":0.0005591906,"about_ca_topic_score_gemma":0.00032939194,"teacher_disagreement_score":0.9216895,"about_ca_system_score_codex":0.00013926245,"about_ca_system_score_gemma":0.00004610643,"threshold_uncertainty_score":0.99852717},"labels":[],"label_agreement":null},{"id":"W4306408398","doi":"10.1386/public_00124_7","title":"Spiral Staircase Slides","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Architecture, Modernity, and Design","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Spiral (railway); sort; Architecture; Geography; Geology; Visual arts; Computer science; Art; Engineering; Archaeology; Information retrieval","score_opus":0.029084470699047314,"score_gpt":0.2184435063365867,"score_spread":0.1893590356375394,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4306408398","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9107834,0.0010772512,0.036796138,0.00061173545,0.0007283177,0.00019900074,0.000045828405,0.0013186062,0.048439715],"genre_scores_gemma":[0.99887884,0.0000030642893,0.0003245276,0.00023935626,0.00010174168,0.00004805342,0.000012910643,0.000024692914,0.00036679764],"study_design_codex":"simulation_or_modeling","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993976,0.000029989384,0.00008326196,0.000097009266,0.00015823838,0.00023390338],"domain_scores_gemma":[0.9997136,0.000025015468,0.000008911589,0.00016612562,0.000009683343,0.00007665413],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012201243,0.000078628385,0.00007397512,0.000100695775,0.0001623946,0.000041512052,0.00015133068,0.000015625821,0.0007722149],"category_scores_gemma":[0.000019865824,0.00008252473,0.00003940601,0.0001388811,0.000013411914,0.000087774795,0.0000799105,0.00019437875,0.00004875864],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052497122,0.00038544057,0.025368296,0.00030334629,0.00028794125,0.00043438323,0.0072735106,0.35565865,0.005078192,0.026142934,0.23491727,0.34409752],"study_design_scores_gemma":[0.0006228036,0.00013753278,0.005383512,0.0000022359238,0.000014773678,0.00011184814,0.00040637015,0.07911243,0.00086014206,0.012379203,0.9003996,0.00056951353],"about_ca_topic_score_codex":0.000011698966,"about_ca_topic_score_gemma":0.000009340222,"teacher_disagreement_score":0.66548234,"about_ca_system_score_codex":0.0000549096,"about_ca_system_score_gemma":0.000019550856,"threshold_uncertainty_score":0.84552115},"labels":[],"label_agreement":null},{"id":"W4379030567","doi":"10.1386/public_00149_1","title":"Autoethnography and Somatic Modes of Attention","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Autoethnography; Embodied cognition; Dance; Context (archaeology); Ethnography; Aesthetics; Sociology; Psychology; Gender studies; Visual arts; Anthropology; Epistemology; Art; History","score_opus":0.06550647903681758,"score_gpt":0.3121651511322227,"score_spread":0.24665867209540512,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379030567","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9766248,0.000080674865,0.00009093855,0.0010637928,0.00011236595,0.000041922896,0.000008759533,0.00007925043,0.021897504],"genre_scores_gemma":[0.9988743,0.000011129659,0.00005670254,0.000049138383,0.000010724715,0.0000026907667,0.000007459732,0.0000029307014,0.000984924],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9996599,0.000022849208,0.00006022194,0.00007356931,0.000065742024,0.000117705174],"domain_scores_gemma":[0.9997874,0.000026327443,0.000032541695,0.0001019804,0.000016246211,0.000035493074],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000119916665,0.00003296794,0.00006118264,0.00017557893,0.000034694545,0.000016626036,0.00006616548,0.000029796332,0.00018395578],"category_scores_gemma":[0.000022200978,0.000032431035,0.00002876019,0.00031975567,0.00005568471,0.00014816935,0.00003055152,0.000030789954,0.00017299874],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022788528,0.0002651219,0.77396363,0.00015894359,0.00019373038,0.000007224206,0.0043829815,0.0000030158587,0.00478656,0.12456405,0.04072539,0.05092655],"study_design_scores_gemma":[0.00026373068,0.000042237676,0.99426895,0.000008351454,0.00000860885,0.0000014161025,0.0011138843,0.00020233872,0.00003315045,0.0023508256,0.0016609995,0.00004549379],"about_ca_topic_score_codex":0.000027408727,"about_ca_topic_score_gemma":0.0000020913103,"teacher_disagreement_score":0.22030532,"about_ca_system_score_codex":0.000002149265,"about_ca_system_score_gemma":0.0000038275093,"threshold_uncertainty_score":0.22236066},"labels":[],"label_agreement":null},{"id":"W4379030572","doi":"10.1386/public_00152_1","title":"Saurian Gestures: Animating and Being Animated by Dinosaurs","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Gesture; Animation; Dance; Visual arts; Perception; Reflection (computer programming); Art; Aesthetics; Communication; Psychology; Computer science; Epistemology; Philosophy; Artificial intelligence","score_opus":0.029004578003975153,"score_gpt":0.29163768283443636,"score_spread":0.2626331048304612,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379030572","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9335812,0.00021426594,0.000017476794,0.004601247,0.0002529832,0.000082162514,0.000034343775,0.0003523275,0.060864042],"genre_scores_gemma":[0.99670345,0.000021003872,0.00006915866,0.0005709324,0.000056772064,0.000005102467,0.000047223177,0.0000129367845,0.0025134229],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9991546,0.00004609196,0.0000995414,0.00020801762,0.00011568382,0.00037605473],"domain_scores_gemma":[0.9995793,0.00008093543,0.00004733543,0.00014813924,0.000022169004,0.00012210476],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002122811,0.00009148662,0.00010946665,0.000118079275,0.00018370735,0.00014805672,0.00015501918,0.000072601775,0.0003867907],"category_scores_gemma":[0.00013513154,0.000093493436,0.000023459865,0.00038942727,0.00005025953,0.00029604873,0.00009048443,0.00011808707,0.00050288707],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030105672,0.00012364537,0.18265112,0.000047800102,0.00013862613,0.000050406892,0.009278382,4.4592707e-7,0.0052628103,0.03541527,0.7345988,0.03240261],"study_design_scores_gemma":[0.0010816214,0.00017607676,0.77964175,0.000032305037,0.000022674427,0.000023231692,0.0042156596,0.00011966074,0.00015280546,0.0016800492,0.21249314,0.00036103462],"about_ca_topic_score_codex":0.00007315422,"about_ca_topic_score_gemma":0.000007220668,"teacher_disagreement_score":0.59699064,"about_ca_system_score_codex":0.000014772351,"about_ca_system_score_gemma":0.000008918117,"threshold_uncertainty_score":0.6463764},"labels":[],"label_agreement":null},{"id":"W4379030575","doi":"10.1386/public_00156_4","title":"Review of Moving or Being Moved (2020) by Sabine Gruffat","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"History","score_opus":0.03869163902809372,"score_gpt":0.2611963826019393,"score_spread":0.22250474357384556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379030575","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17143914,0.06001992,0.00021197826,0.054226432,0.0012401293,0.000909383,0.00040107328,0.0011922834,0.71035963],"genre_scores_gemma":[0.8891085,0.010737761,0.000015302943,0.003130124,0.00046063482,0.000035873603,0.0001953733,0.000027932221,0.0962885],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999224,0.00008646499,0.00024584075,0.00013643043,0.00012484132,0.00018238623],"domain_scores_gemma":[0.9994771,0.000096120944,0.000099812605,0.00016376757,0.0001149017,0.000048284433],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00051764195,0.00009136747,0.00024745913,0.00008972647,0.00017699123,0.00007173386,0.00015401993,0.000015120188,0.013937727],"category_scores_gemma":[0.0002255343,0.00006434744,0.00010412377,0.00026622493,0.000094028495,0.00025703036,0.000054083965,0.00006887957,0.0002468598],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010771787,0.00006295654,0.00010324191,0.0022057856,0.00016290395,0.000006489408,0.004686645,4.996958e-7,0.00060854014,0.7150016,0.26683548,0.010315109],"study_design_scores_gemma":[0.00016325239,0.000041015544,0.000017376773,0.00092851865,0.000062130275,8.072779e-7,0.001879338,0.00014290953,0.00019934417,0.006577135,0.98982173,0.00016646138],"about_ca_topic_score_codex":0.00002957468,"about_ca_topic_score_gemma":0.00006355924,"teacher_disagreement_score":0.7229862,"about_ca_system_score_codex":0.000012477545,"about_ca_system_score_gemma":0.000021281574,"threshold_uncertainty_score":0.9869637},"labels":[],"label_agreement":null},{"id":"W4379030576","doi":"10.1386/public_00148_7","title":"SMALL BRIEF DANCES: Alphonso Lingis, Jonathan Osborn, and a Satin Bowerbird Introduction by Mila Volpe","year":2023,"lang":"en","type":"article","venue":"Public","topic":"African cultural and philosophical studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Conversation; Art; Art history; Philosophy; Linguistics","score_opus":0.06562600134192229,"score_gpt":0.2749323756153096,"score_spread":0.2093063742733873,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379030576","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53076994,0.0030703212,0.000019870744,0.44597778,0.0007688393,0.00030138626,0.000056185007,0.0005868818,0.018448798],"genre_scores_gemma":[0.9905563,0.0013205245,0.000080187536,0.000577205,0.001971513,0.000037354926,0.000039402323,0.000010398668,0.0054071234],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987476,0.00010787048,0.00015656807,0.000320856,0.00027406734,0.0003930268],"domain_scores_gemma":[0.99943393,0.00011504442,0.000065042346,0.00009761065,0.00011332386,0.00017503093],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005270751,0.000114388466,0.00015638937,0.000048347498,0.0008385652,0.00016943859,0.00017739917,0.00008069049,0.00012156614],"category_scores_gemma":[0.00078730105,0.000091002694,0.0000435371,0.0008472855,0.00039677613,0.00020347159,0.00010178611,0.00014532947,0.000072691495],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030069234,0.00013602444,0.018834153,0.000053315933,0.00012652065,0.000007709372,0.03066616,0.0000019565339,0.0014567939,0.1675881,0.6954624,0.08563679],"study_design_scores_gemma":[0.00011722584,0.000034605462,0.006050107,0.000005550929,0.00000773659,6.824562e-7,0.002204385,0.000013068077,0.00002971047,0.0111760525,0.9802128,0.00014806652],"about_ca_topic_score_codex":0.0019766379,"about_ca_topic_score_gemma":0.0020818382,"teacher_disagreement_score":0.45978636,"about_ca_system_score_codex":0.00004987524,"about_ca_system_score_gemma":0.000040899045,"threshold_uncertainty_score":0.644965},"labels":[],"label_agreement":null},{"id":"W4379030577","doi":"10.1386/public_00147_1","title":"Dancing with Death: (Re)Embodying Grief and Dying","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Grief, Bereavement, and Mental Health","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Indigenous; Grief; Girl; Ballet; Metaphor; Perspective (graphical); Psychoanalysis; Sociology; History; Art; Psychology; Literature; Philosophy; Visual arts; Theology; Psychiatry; Developmental psychology","score_opus":0.08642327277888083,"score_gpt":0.34833905112458463,"score_spread":0.2619157783457038,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379030577","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9409978,0.00021407664,0.00017967903,0.0019786926,0.00048041643,0.00023327395,0.0000058021296,0.0002735422,0.055636756],"genre_scores_gemma":[0.99606174,0.000034637887,0.00014656335,0.0009254307,0.00014126685,0.00007070812,0.000034033666,0.000030601455,0.0025550306],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9987051,0.000057053385,0.00016587446,0.0003323144,0.00015934315,0.00058034534],"domain_scores_gemma":[0.9993847,0.00008149655,0.00006451372,0.00024159884,0.00002683529,0.00020082775],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040919727,0.00012744442,0.00014710096,0.00016692442,0.00025230984,0.000069467336,0.00010258615,0.000057130226,0.00024170811],"category_scores_gemma":[0.000016473112,0.000108631146,0.000019121424,0.00037740526,0.00003727526,0.00017092716,0.00007190219,0.00015142669,0.00025678772],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011387109,0.00028853363,0.7056613,0.00054313143,0.0002488733,0.00023106919,0.027192155,0.000003532252,0.0013587048,0.16560553,0.016539665,0.08221365],"study_design_scores_gemma":[0.0045478465,0.00068792043,0.87133515,0.00027101234,0.000065403525,0.00017350909,0.023589524,0.00026355247,0.00038721733,0.003882468,0.09393666,0.0008597132],"about_ca_topic_score_codex":0.0005159157,"about_ca_topic_score_gemma":0.0002650273,"teacher_disagreement_score":0.16567388,"about_ca_system_score_codex":0.00005555538,"about_ca_system_score_gemma":0.00004005342,"threshold_uncertainty_score":0.44298494},"labels":[],"label_agreement":null},{"id":"W4379030583","doi":"10.1386/public_00137_1","title":"take care","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Posthumanist Ethics and Activism","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia Hospital","funders":"","keywords":"Human sexuality; White (mutation); Gender studies; Autonomy; Sociology; Order (exchange); Aesthetics; Art; Political science; Law; Business","score_opus":0.09906409963070124,"score_gpt":0.3611131185408233,"score_spread":0.26204901891012206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379030583","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23661715,0.00007819994,0.0000073119513,0.026476756,0.00042823626,0.000071549075,0.0000062476242,0.00037773937,0.7359368],"genre_scores_gemma":[0.99300855,0.00003427089,0.000007234735,0.00029553298,0.00020000088,0.000007421835,0.000007847201,0.000004614558,0.0064345286],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994311,0.00004179973,0.000036558828,0.000080874954,0.00019686724,0.00021283192],"domain_scores_gemma":[0.9997327,0.00004891319,0.000014146631,0.0000771109,0.00006019225,0.00006697302],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000332286,0.000027237247,0.000034895704,0.00005102468,0.00046866332,0.00014677076,0.00015370201,0.00004407696,0.0002378291],"category_scores_gemma":[0.00019607182,0.000026169591,0.000024021017,0.00033057207,0.000084393745,0.00012563432,0.000029126051,0.00007569884,0.00069100305],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[2.8400686e-7,0.0000066513016,0.0019633316,0.000004350067,0.0000038237336,0.0000043062164,0.03347086,2.022822e-7,0.000038051334,0.9321827,0.007352139,0.024973255],"study_design_scores_gemma":[0.000029950883,0.0000034578034,0.008222878,0.000001399405,7.447117e-7,5.2205888e-8,0.0083860345,0.0000036611825,0.000011045671,0.008423069,0.9748758,0.000041890697],"about_ca_topic_score_codex":0.00039598704,"about_ca_topic_score_gemma":0.0012532414,"teacher_disagreement_score":0.9675237,"about_ca_system_score_codex":0.000031918895,"about_ca_system_score_gemma":0.0001344622,"threshold_uncertainty_score":0.8881677},"labels":[],"label_agreement":null},{"id":"W4379030587","doi":"10.1386/public_00139_1","title":"Introduction to PUBLIC 67","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Business","score_opus":0.05943856344896877,"score_gpt":0.30896957373880374,"score_spread":0.24953101028983496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379030587","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53224444,0.00003191631,0.0002299114,0.33862793,0.0039794743,0.000153638,0.000018662577,0.00062346784,0.12409053],"genre_scores_gemma":[0.94805473,0.0000040870427,0.000055631775,0.0019216723,0.001541804,0.000018204397,0.000046204772,0.000011619719,0.048346076],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907744,0.000045038345,0.00008381178,0.00024420887,0.0001462029,0.00040331748],"domain_scores_gemma":[0.9993623,0.000023583267,0.000025431054,0.00033566554,0.00006231615,0.00019072587],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000305934,0.00006814613,0.00007787626,0.0003390401,0.00010562957,0.00013212807,0.00024872858,0.0000540436,0.0071744346],"category_scores_gemma":[0.00029233377,0.00007151946,0.000036525526,0.0011146592,0.000026658552,0.00038970672,0.000096366166,0.000095946605,0.04622641],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007204754,0.000052494495,0.005626833,0.0000022955437,0.000024260822,0.0000038086096,0.00049036666,8.074936e-7,0.00008902016,0.045781083,0.9198563,0.028065499],"study_design_scores_gemma":[0.00014803458,0.00005420738,0.1335726,7.0368293e-7,0.0000024281997,0.0000045790125,0.00041646478,0.0000036335857,0.00001746303,0.00028519344,0.865418,0.00007667095],"about_ca_topic_score_codex":0.00003391012,"about_ca_topic_score_gemma":0.000011853789,"teacher_disagreement_score":0.41581026,"about_ca_system_score_codex":0.000036489524,"about_ca_system_score_gemma":0.000021923137,"threshold_uncertainty_score":0.99373317},"labels":[],"label_agreement":null},{"id":"W4379030597","doi":"10.1386/public_00135_7","title":"Multiversal Embodiments: Immer Collective’s 100 Years of Cinematic Solitude in 300 Moving Pieces (2022)","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Solitude; Superimposition; Aesthetics; Art; Visual arts; Literature; Computer science; Artificial intelligence","score_opus":0.04693641538264345,"score_gpt":0.32032457044958446,"score_spread":0.27338815506694103,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379030597","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9698648,0.00014492511,0.000029446057,0.0006990849,0.00049281743,0.00020292054,0.000038214952,0.00006641911,0.028461415],"genre_scores_gemma":[0.9931479,0.000018458735,0.0000659181,0.00015709261,0.000032877004,0.0000156352,0.000014300624,0.000011482,0.006536319],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9989029,0.00009825789,0.00019245235,0.0002214118,0.0002081625,0.00037677877],"domain_scores_gemma":[0.99942434,0.00014437741,0.000098502445,0.00021313499,0.00004630386,0.00007332874],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00035090113,0.00009320701,0.00021351759,0.00049885374,0.0000480765,0.000029473467,0.00026880292,0.00007053742,0.0018257577],"category_scores_gemma":[0.00022058262,0.000106834246,0.00005854067,0.001013475,0.00006284235,0.00029337648,0.00012479314,0.00013071345,0.0009721865],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035038928,0.0023613104,0.6343045,0.00025024972,0.0010448567,0.00023206572,0.057370827,0.00015436641,0.002402657,0.01198588,0.26361012,0.025932755],"study_design_scores_gemma":[0.0016149117,0.00011248955,0.987917,0.000040607298,0.000014675267,0.0000018466322,0.005297752,0.00022381422,0.000061218736,0.00026518127,0.004301248,0.00014924801],"about_ca_topic_score_codex":0.0005963552,"about_ca_topic_score_gemma":0.000087080436,"teacher_disagreement_score":0.35361248,"about_ca_system_score_codex":0.00009195158,"about_ca_system_score_gemma":0.00007106224,"threshold_uncertainty_score":0.9998057},"labels":[],"label_agreement":null},{"id":"W4379030600","doi":"10.1386/public_00142_7","title":"In My Body: An African contemporary dance perspective","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Dance; Rite; Vernacular; Perspective (graphical); Visual arts; Art; Singing; History; Sociology; Anthropology; Humanities; Literature; Theology; Philosophy; Management","score_opus":0.09508169835630144,"score_gpt":0.353153638372997,"score_spread":0.2580719400166956,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379030600","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49631527,0.00015708181,0.000006578574,0.011561559,0.00047321708,0.000113508286,0.00003328275,0.00016458795,0.4911749],"genre_scores_gemma":[0.9902262,0.000004946693,0.000013497416,0.0009898759,0.00010699324,0.000014319664,0.000015283631,0.000010472576,0.008618417],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99909234,0.00010004486,0.00009338187,0.00026768257,0.00012132608,0.0003252453],"domain_scores_gemma":[0.99945897,0.00004761186,0.000041703104,0.00028173352,0.000047388163,0.00012260598],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002602274,0.00008296756,0.00012477694,0.0002520807,0.000057039033,0.000053899817,0.00029344886,0.000058814723,0.0006988983],"category_scores_gemma":[0.00009578482,0.00008912494,0.000033205266,0.00076762046,0.000080211954,0.00075519556,0.00006265467,0.00015373756,0.001756494],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001490467,0.00070173305,0.10602217,0.000009101261,0.00008685697,0.00035327274,0.039927773,0.0000014525864,0.00019702822,0.49436268,0.35649344,0.0016954241],"study_design_scores_gemma":[0.0010331337,0.00022085402,0.7227647,0.0000069854486,0.0000029146386,0.0000061953797,0.0413918,0.000034755307,0.000021555328,0.004640782,0.22965696,0.00021936836],"about_ca_topic_score_codex":0.0011142016,"about_ca_topic_score_gemma":0.000098645956,"teacher_disagreement_score":0.6167425,"about_ca_system_score_codex":0.00007521238,"about_ca_system_score_gemma":0.00006531265,"threshold_uncertainty_score":0.99902076},"labels":[],"label_agreement":null},{"id":"W4379030605","doi":"10.1386/public_00138_1","title":"IMAGE TO ACTION: Steve Paxton’s Proxy as Chance Machine","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Proxy (statistics); Action (physics); Sociology; Art history; Art; Psychology; Computer science; Machine learning; Physics","score_opus":0.07626806704433305,"score_gpt":0.36481657543590096,"score_spread":0.2885485083915679,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379030605","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6230147,0.00010044506,0.00036384148,0.0654597,0.002608919,0.0004843342,0.000097322605,0.00072941533,0.30714133],"genre_scores_gemma":[0.9162076,0.000013307889,0.00015091176,0.002912036,0.00026278713,0.00005051762,0.000035923276,0.000017340199,0.080349565],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990404,0.0000431652,0.000091456,0.00025256033,0.00017442684,0.0003979493],"domain_scores_gemma":[0.9993675,0.000031772088,0.000039720646,0.00032101938,0.000054409462,0.0001856128],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00020167515,0.00009734711,0.00010984221,0.00017742437,0.00011481808,0.00009512381,0.0002779245,0.000057936573,0.0046399487],"category_scores_gemma":[0.00011327233,0.0000984449,0.000044884877,0.00069094455,0.00002960149,0.0003748827,0.00011601922,0.00013478726,0.03514065],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017118362,0.0003519469,0.016975574,0.00003822422,0.00015076056,0.00013315355,0.005216031,0.0000010713792,0.0017064844,0.01723503,0.8600265,0.09799408],"study_design_scores_gemma":[0.0005910589,0.00024385983,0.1865336,0.000009897576,0.000008150376,0.000020738773,0.0009835745,0.000041625,0.00037877483,0.0004734364,0.81049234,0.00022295583],"about_ca_topic_score_codex":0.00015494812,"about_ca_topic_score_gemma":0.000028291333,"teacher_disagreement_score":0.29319292,"about_ca_system_score_codex":0.000040915,"about_ca_system_score_gemma":0.00002765939,"threshold_uncertainty_score":0.99626994},"labels":[],"label_agreement":null},{"id":"W4391100969","doi":"10.1386/public_00170_1","title":"Making Worlds in the Pluriverse Panel at Congress: “Challenges in the Pluriverse”","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Virtual Reality Applications and Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Social worlds; Sociology; Media studies; Political science; Library science; Social science; Computer science","score_opus":0.3086893833774646,"score_gpt":0.3393197302502273,"score_spread":0.030630346872762726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391100969","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5277927,0.0009768063,0.0016970974,0.4056454,0.00076356466,0.0013550651,0.000013969284,0.00046222616,0.0612932],"genre_scores_gemma":[0.9976719,0.00036119978,0.00010361352,0.0015094358,0.000038694798,0.000089314446,0.000003979631,0.000005163932,0.00021670482],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985772,0.00022643906,0.00016516446,0.00028357253,0.0003584451,0.00038917927],"domain_scores_gemma":[0.99866927,0.00042490062,0.00006132655,0.0007730999,0.000030135634,0.000041263243],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012249982,0.000103538805,0.00010154643,0.00024675124,0.000165083,0.00030365257,0.0017873694,0.000049343736,0.000016324635],"category_scores_gemma":[0.00014620049,0.00006444028,0.000041612984,0.0015999912,0.00007365354,0.00049672055,0.00038820045,0.0001939648,0.00028844032],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005607909,0.00016922956,0.0026985242,0.000022347192,0.000010782311,0.00008966374,0.04626717,0.00017067726,0.000041687108,0.83411974,0.021519305,0.09488528],"study_design_scores_gemma":[0.00065107894,0.00006134094,0.19605584,0.000047972146,0.000004840743,0.000027592107,0.010849276,0.020424532,0.00001557323,0.013832767,0.75773907,0.00029008393],"about_ca_topic_score_codex":0.00009420526,"about_ca_topic_score_gemma":0.0017012927,"teacher_disagreement_score":0.8202869,"about_ca_system_score_codex":0.0000771957,"about_ca_system_score_gemma":0.000050833576,"threshold_uncertainty_score":0.3707413},"labels":[],"label_agreement":null},{"id":"W4391114202","doi":"10.1386/public_00169_1","title":"Worlds Meeting Worlds: Murmuration, Aesthetics, and Odeimin Runners","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Caribbean and African Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Flourishing; Indigenous; Colonialism; Aesthetics; Nature versus nurture; Sociology; Movie theater; Work (physics); Visual arts; History; Anthropology; Art; Psychology; Social psychology; Ecology; Archaeology","score_opus":0.025465981516807703,"score_gpt":0.21417249266947264,"score_spread":0.18870651115266493,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114202","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23182225,0.0018414796,0.0000054152792,0.034076978,0.0011558437,0.00025906943,0.000115101175,0.00083310175,0.72989076],"genre_scores_gemma":[0.9391267,0.00004239477,0.000016048085,0.0011089043,0.00069173804,0.000014949812,0.0001188808,0.000015939358,0.058864463],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992793,0.000024165705,0.00014181361,0.00017966163,0.0001306029,0.0002444129],"domain_scores_gemma":[0.9996368,0.000024138822,0.00004398859,0.00011748805,0.00008981981,0.00008775892],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014777062,0.000113553106,0.000112909045,0.00013466054,0.0003667563,0.0008387525,0.00008707139,0.00003302551,0.00029863042],"category_scores_gemma":[0.00002787636,0.000088315166,0.000050142644,0.00016242215,0.00012309056,0.00026875184,0.00003831489,0.00011935833,0.000090572605],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000031434945,0.00001661603,0.0003591511,0.00001581973,0.000018328901,0.000006608729,0.028698241,0.0000011397085,0.000036076286,0.76758564,0.19677487,0.0064843805],"study_design_scores_gemma":[0.00013208702,0.000016125474,0.00018649345,0.000021452703,0.000010239672,0.0000029987004,0.018653316,0.00007638248,0.000014032393,0.0015490778,0.9791969,0.00014088236],"about_ca_topic_score_codex":0.000015167845,"about_ca_topic_score_gemma":0.00046166696,"teacher_disagreement_score":0.782422,"about_ca_system_score_codex":0.000009531102,"about_ca_system_score_gemma":0.000016883627,"threshold_uncertainty_score":0.80881095},"labels":[],"label_agreement":null},{"id":"W4391114206","doi":"10.1386/public_00164_1","title":"The Other World: Diasporas and Their Memories of War","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Historical and Contemporary Political Dynamics","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"John Abbott College","funders":"","keywords":"Diaspora; Genocide; Framing (construction); Solidarity; Narrative; Gender studies; Refugee; Sociology; History; Comfort women; Politics of memory; Politics; Political science; Art; Literature; Law","score_opus":0.04662779441802029,"score_gpt":0.2139566368954198,"score_spread":0.16732884247739951,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114206","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20750882,0.0023720777,0.00002099819,0.03389022,0.001170417,0.00019701342,0.00016717071,0.0003170424,0.75435627],"genre_scores_gemma":[0.933022,0.000027930739,0.0000014542914,0.00024744205,0.00020492973,0.000009707993,0.0000048259208,0.0000084758885,0.06647319],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995495,0.000023102792,0.00011832349,0.00007416135,0.00006961593,0.00016531239],"domain_scores_gemma":[0.9995743,0.00018790872,0.000028303848,0.00011515013,0.000040801362,0.000053525277],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013131098,0.00006088913,0.00008995896,0.00005578021,0.00024017933,0.00006105515,0.00010442,0.000011599832,0.00020482208],"category_scores_gemma":[0.000042532924,0.00003154769,0.00003508089,0.00008232112,0.00036304432,0.000102349,0.000040769726,0.00005186606,0.000053176187],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000022089953,0.000009166614,0.00023211664,0.00000765946,0.00001227801,3.637673e-7,0.005584985,4.5959673e-8,0.0000022153656,0.98102355,0.0072288867,0.0058965366],"study_design_scores_gemma":[0.000043409058,0.000013308104,0.00044975642,0.0000025596023,0.0000018690392,1.1486993e-7,0.0027920299,0.00013696167,0.0000047792723,0.044593062,0.9519161,0.000046023397],"about_ca_topic_score_codex":0.00017280108,"about_ca_topic_score_gemma":0.0013725068,"teacher_disagreement_score":0.94468725,"about_ca_system_score_codex":0.000007714162,"about_ca_system_score_gemma":0.000015640047,"threshold_uncertainty_score":0.22426581},"labels":[],"label_agreement":null},{"id":"W4391114207","doi":"10.1386/public_00172_1","title":"Making Worlds in the Pluriverse Panel at Congress: “Survival through the Pluriverse”","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Virtual Reality Applications and Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Social worlds; Sociology; Political science; Library science; Media studies; Social science; Computer science","score_opus":0.19664455778442164,"score_gpt":0.33851270867277383,"score_spread":0.1418681508883522,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114207","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3770403,0.00031289415,0.043603923,0.4126127,0.0037930168,0.0022247941,0.00004726365,0.0014230829,0.15894204],"genre_scores_gemma":[0.9956898,0.000053448857,0.0002544977,0.0025197766,0.00007996775,0.00006867007,0.000007112843,0.000007995286,0.0013187086],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99843633,0.00018402652,0.00018249461,0.0003038805,0.000439915,0.00045333628],"domain_scores_gemma":[0.99846345,0.0004137637,0.00008488166,0.0009361445,0.000051391286,0.000050338465],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00074486155,0.00012297575,0.000115084025,0.0001025013,0.00041448683,0.00048992445,0.0019409122,0.000049307153,0.000043436434],"category_scores_gemma":[0.00015893519,0.00007345053,0.000064992404,0.0020009668,0.00013884292,0.0007245385,0.0006907526,0.00019867066,0.00063704577],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000052417195,0.00007417642,0.0017193678,0.000009249837,0.00001972047,0.000029094075,0.015959641,0.00025275038,0.00006496907,0.90764475,0.0582578,0.015963247],"study_design_scores_gemma":[0.00036418615,0.000028087254,0.029922824,0.00001612294,0.000005852188,0.000011163862,0.0023348562,0.01462528,0.000026735657,0.01240859,0.9400635,0.0001928176],"about_ca_topic_score_codex":0.00020187546,"about_ca_topic_score_gemma":0.0005653736,"teacher_disagreement_score":0.89523613,"about_ca_system_score_codex":0.00008868061,"about_ca_system_score_gemma":0.00007427648,"threshold_uncertainty_score":0.8188147},"labels":[],"label_agreement":null},{"id":"W4391114211","doi":"10.1386/public_00166_1","title":"Belle Park Pluriverses","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Indigenous Health, Education, and Rights","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Queen's University","funders":"","keywords":"Prison; National park; Poetry; Indigenous; Wetland; Natural park; Harm; Geography; Resistance (ecology); Garbage; Space (punctuation); Archaeology; Art; Ecology; Political science; Engineering; Computer science; Law; Literature","score_opus":0.0395893961915931,"score_gpt":0.31849905510236093,"score_spread":0.2789096589107678,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114211","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49793994,0.00005219399,0.0000035973228,0.0049269297,0.0009970393,0.00014144964,0.000002639767,0.00021924783,0.49571696],"genre_scores_gemma":[0.86981773,0.0033187228,0.000039511713,0.00010739246,0.0008683111,0.000003643777,0.000019872776,0.0000073852652,0.12581745],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990983,0.00009776975,0.00007858283,0.000113029666,0.00020802762,0.00040431035],"domain_scores_gemma":[0.99956197,0.000080578,0.000029958703,0.000101406455,0.000082749604,0.00014333028],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00058258465,0.000040040228,0.000053822245,0.000110825684,0.0092655495,0.000053076605,0.00016436247,0.00005612944,0.00062606536],"category_scores_gemma":[0.000014138192,0.000033925422,0.000026567002,0.00062052085,0.00011222835,0.0001975026,0.0000017833446,0.000051684543,0.0015696835],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[5.168799e-7,0.000028482586,0.002016975,0.0000058642145,0.0000042363263,0.000001183708,0.40776044,3.990126e-7,3.7293813e-7,0.5800692,0.009691326,0.00042102608],"study_design_scores_gemma":[0.00003791267,0.000006017721,0.0019117215,0.0000017285234,0.000001482761,1.4483629e-7,0.0070357798,0.000002741252,0.000006750767,0.0028652558,0.98807955,0.000050895505],"about_ca_topic_score_codex":0.05292644,"about_ca_topic_score_gemma":0.53492683,"teacher_disagreement_score":0.97838825,"about_ca_system_score_codex":0.00007631376,"about_ca_system_score_gemma":0.005979724,"threshold_uncertainty_score":0.9996554},"labels":[],"label_agreement":null},{"id":"W4391114212","doi":"10.1386/public_00163_1","title":"Making Worlds in the Pluriverse Panel at Congress: “Dolleen on the Pluriverse”","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Virtual Reality Applications and Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Social worlds; Sociology; Panel data; Political science; Media studies; Library science; Social science; Economics; Computer science","score_opus":0.2053493218797945,"score_gpt":0.32097488920524464,"score_spread":0.11562556732545015,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114212","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5979636,0.000060366525,0.003687389,0.3143931,0.00097150827,0.0013123705,0.000023527698,0.0006397378,0.08094845],"genre_scores_gemma":[0.9938448,0.0000245644,0.00008595942,0.0041059167,0.000049654584,0.00007550477,0.0000047446197,0.0000066202915,0.0018022084],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986716,0.00015709577,0.00014685356,0.00027002482,0.00037865082,0.00037576543],"domain_scores_gemma":[0.99844676,0.0005252735,0.00007058237,0.0008604012,0.000038176146,0.000058793816],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008106431,0.00010850603,0.00009344925,0.0001728075,0.00034494282,0.0004005728,0.0016319837,0.00004232246,0.00006500965],"category_scores_gemma":[0.00020769626,0.00006276066,0.000054468666,0.0017517341,0.000086095635,0.0003380554,0.00046080418,0.00018122765,0.0010518238],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000065287295,0.00007932679,0.0014306408,0.0000058345745,0.000014982397,0.000025093395,0.0061066034,0.00018114022,0.00007202709,0.84648603,0.1254623,0.020129474],"study_design_scores_gemma":[0.0004902996,0.000070843715,0.0588242,0.00003952875,0.000005596357,0.000009490295,0.0016033321,0.03499083,0.000081880746,0.009770389,0.89384496,0.00026865312],"about_ca_topic_score_codex":0.00007396081,"about_ca_topic_score_gemma":0.00021909222,"teacher_disagreement_score":0.83671564,"about_ca_system_score_codex":0.00009263957,"about_ca_system_score_gemma":0.000057761343,"threshold_uncertainty_score":0.999726},"labels":[],"label_agreement":null},{"id":"W4391114215","doi":"10.1386/public_00159_1","title":"“Making Worlds in the Pluriverse” Panel, at Congress, January 12, 2023","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Virtual Reality Applications and Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Social worlds; Sociology; Political science; Media studies; Library science; Social science; Computer science","score_opus":0.15087373891270575,"score_gpt":0.3212813025117248,"score_spread":0.17040756359901907,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114215","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.54959977,0.000413772,0.016705085,0.21577734,0.0019735754,0.001620965,0.00004527809,0.0013665245,0.21249773],"genre_scores_gemma":[0.9958521,0.00004234429,0.00019863361,0.001627891,0.000055654687,0.000065457505,0.0000137307425,0.000005203801,0.0021389935],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988331,0.0000866517,0.0001536062,0.00025556714,0.00029594355,0.0003751357],"domain_scores_gemma":[0.9989888,0.0002100851,0.00005521282,0.0006477769,0.00003131696,0.000066804016],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00063996686,0.00008804049,0.00009161106,0.0002012155,0.000194875,0.0003686108,0.001199528,0.00004209448,0.00003417638],"category_scores_gemma":[0.00012665692,0.00006570144,0.00003949267,0.001746566,0.00005528529,0.00055460096,0.00046836302,0.00013226955,0.00096599635],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004756158,0.00012575724,0.010174105,0.000019737345,0.000019649631,0.000068239104,0.004338022,0.0001445416,0.00022815203,0.45053747,0.45205998,0.08227959],"study_design_scores_gemma":[0.0002701362,0.00003155808,0.16895427,0.000019504001,0.0000026370003,0.000014388434,0.00032496123,0.02373848,0.000036290563,0.0067966953,0.79961574,0.0001953745],"about_ca_topic_score_codex":0.000081826765,"about_ca_topic_score_gemma":0.00043082595,"teacher_disagreement_score":0.44625235,"about_ca_system_score_codex":0.00006728519,"about_ca_system_score_gemma":0.00006265969,"threshold_uncertainty_score":0.9998119},"labels":[],"label_agreement":null},{"id":"W4391114216","doi":"10.1386/public_00174_1","title":"A Message From the Pluriverse: The Spiritually Fluid Gift of Philip Cote’s Walls of Welcome","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mural; Humanity; Panorama; Indigenous; Painting; Power (physics); Art history; History; Art; Environmental ethics; Aesthetics; Sociology; Philosophy; Visual arts; Law; Political science","score_opus":0.0545979149267915,"score_gpt":0.24672371551737984,"score_spread":0.19212580059058834,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114216","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8367298,0.00052258204,0.0000029746616,0.019058254,0.0008176771,0.00030795802,0.00037799473,0.00013389272,0.14204887],"genre_scores_gemma":[0.9846231,0.00003943575,0.0000015160861,0.00082027604,0.0005182919,0.000012443135,0.000041942745,0.00001324629,0.013929791],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99906975,0.00011278452,0.00022963845,0.0001347756,0.0002558042,0.0001972738],"domain_scores_gemma":[0.9990822,0.00031006,0.00010757881,0.00035201473,0.00011373863,0.000034421304],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00045203348,0.00010798542,0.00017897192,0.000044719898,0.00028023112,0.0000962573,0.0005198227,0.000032964865,0.0061748526],"category_scores_gemma":[0.000098648976,0.00005397936,0.0001318605,0.0000971582,0.00049217424,0.00014767778,0.0001509578,0.00011906696,0.00036819762],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014879837,0.00006322598,0.0002816791,0.000018016737,0.000101552316,0.0000022365437,0.061474256,0.0000016698939,0.0014878289,0.82298285,0.11290111,0.0006706775],"study_design_scores_gemma":[0.00023866704,0.000041905878,0.0011793866,0.000020394546,0.000032384556,2.1845204e-7,0.013522856,0.000018416968,0.0005299735,0.012400802,0.9719254,0.0000895963],"about_ca_topic_score_codex":0.0003359952,"about_ca_topic_score_gemma":0.0009944298,"teacher_disagreement_score":0.8590243,"about_ca_system_score_codex":0.000006535888,"about_ca_system_score_gemma":0.000034071487,"threshold_uncertainty_score":0.99473363},"labels":[],"label_agreement":null},{"id":"W4391114218","doi":"10.1386/public_00167_1","title":"New Canadian Experimental Eco-Cinema: Placemaking, Immersiveness, and Alternate Ecologies of Relationality","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Placemaking; Movie theater; Aesthetics; Perception; Natural (archaeology); Solitude; Sociology; Diversity (politics); Environmental ethics; Art; Geography; Visual arts; Architecture; Anthropology; Epistemology; Archaeology; Urban design; Philosophy; Literature","score_opus":0.05293218888958579,"score_gpt":0.34819345509051386,"score_spread":0.2952612662009281,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114218","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9307989,0.00012746501,9.1376097e-7,0.012190701,0.00036157106,0.00012291186,0.000015109479,0.00006278045,0.056319665],"genre_scores_gemma":[0.9975447,0.000036724767,0.00008102144,0.000083789506,0.000073141644,0.000010654617,0.000013209465,0.0000052223563,0.0021515035],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99924827,0.00005867181,0.00012454983,0.00014428553,0.00016292547,0.00026131756],"domain_scores_gemma":[0.999467,0.00012753968,0.00007111211,0.000086343905,0.00006922844,0.00017876168],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027067465,0.000059755523,0.00008938391,0.00030468413,0.00043608336,0.00009137471,0.00016146754,0.00004975489,0.0013373758],"category_scores_gemma":[0.00023956894,0.000065031476,0.00004147822,0.000371482,0.00019893929,0.00040690426,0.000056696525,0.00006841369,0.000059245154],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019885863,0.000047296635,0.39117974,0.000012935508,0.000109109875,0.00001327718,0.012931232,0.00002911445,0.0004275488,0.52483565,0.06996357,0.0004306715],"study_design_scores_gemma":[0.00032886476,0.00006230399,0.83541393,0.000013929452,0.000012664865,0.0000024114286,0.046128515,0.000052314757,0.00023911169,0.009882738,0.107661486,0.00020172878],"about_ca_topic_score_codex":0.37978807,"about_ca_topic_score_gemma":0.83571786,"teacher_disagreement_score":0.5149529,"about_ca_system_score_codex":0.00009929957,"about_ca_system_score_gemma":0.00029586675,"threshold_uncertainty_score":0.99957556},"labels":[],"label_agreement":null},{"id":"W4391114220","doi":"10.1386/public_00157_1","title":"Introduction: Making Worlds in the Pluriverse","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Contemporary Sociological Theory and Practice","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Panel discussion; Political science; Library science; Media studies; Sociology; Computer science; Advertising; Business","score_opus":0.13822951765706462,"score_gpt":0.37904751277566445,"score_spread":0.24081799511859983,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114220","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.124397635,0.00009158598,0.000013144219,0.4876201,0.0008409985,0.00014856205,6.6313356e-7,0.00017271948,0.38671458],"genre_scores_gemma":[0.99189013,0.000055486078,0.000011340074,0.0013267989,0.0011845613,0.00001485512,0.0000025723104,0.0000017856202,0.005512468],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984706,0.0010023388,0.00007347495,0.00011069349,0.00015539322,0.00018749318],"domain_scores_gemma":[0.99906725,0.0007483164,0.00003216279,0.000109047156,0.00002023678,0.000022964552],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00410575,0.000033934,0.000047611193,0.00005885734,0.00041871634,0.00011536402,0.00025250894,0.000043446005,0.0013062822],"category_scores_gemma":[0.0017387855,0.000024159937,0.000029023993,0.001127218,0.00015839217,0.00044839835,0.000031782154,0.00018027402,0.0005159227],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007681711,0.000016951495,0.004003439,0.0000010973738,0.0000032313394,0.000014476827,0.021632189,0.0000026054665,0.0000022527297,0.9160393,0.048389763,0.009887014],"study_design_scores_gemma":[0.000038359998,0.0000055192827,0.0038028806,9.08977e-7,0.0000010412222,3.6962595e-7,0.019822262,0.0000048381016,1.8908403e-7,0.031209921,0.9450797,0.000034012388],"about_ca_topic_score_codex":0.00007494315,"about_ca_topic_score_gemma":0.00028521408,"teacher_disagreement_score":0.89668995,"about_ca_system_score_codex":0.000025131863,"about_ca_system_score_gemma":0.000045080007,"threshold_uncertainty_score":0.99960667},"labels":[],"label_agreement":null},{"id":"W4391114221","doi":"10.1386/public_00158_1","title":"Thinking Across Worlds: Pluriversal Potentiality","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Indigenous; Ontology; Sociology; Politics; Aesthetics; Epistemology; Consciousness; Anthropology; Art; Philosophy; Ecology; Political science; Law; Biology","score_opus":0.058137721291242804,"score_gpt":0.367321233319294,"score_spread":0.3091835120280512,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114221","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86552435,0.00004164815,0.000013647491,0.03667429,0.0016276545,0.00016386874,0.000019365361,0.0011308447,0.094804324],"genre_scores_gemma":[0.9921427,0.000026753489,0.00007922588,0.00033067339,0.00034397776,0.000016184651,0.000014515438,0.000009742269,0.007036263],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984132,0.000117600284,0.00013868167,0.0002184297,0.00052004267,0.0005920303],"domain_scores_gemma":[0.9993453,0.000119989076,0.000063356354,0.00018353667,0.00014753923,0.00014029654],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0011349205,0.000076876044,0.00009119715,0.00019117858,0.0019105267,0.00079270825,0.0005519441,0.00006604996,0.0010999062],"category_scores_gemma":[0.00045903338,0.0000825888,0.00012381673,0.00129337,0.00034700218,0.0008179647,0.00020365004,0.00018369054,0.0013176631],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001906203,0.00020242426,0.11174846,0.000018089748,0.00019140818,0.000048457943,0.14358357,0.000022586846,0.0002098879,0.56287235,0.17565045,0.0054332456],"study_design_scores_gemma":[0.00018332587,0.000018382958,0.17196842,0.000010188064,0.0000115081175,0.0000010307451,0.085059665,0.000044704713,0.000012839733,0.02094849,0.72150874,0.000232714],"about_ca_topic_score_codex":0.0041266493,"about_ca_topic_score_gemma":0.057870865,"teacher_disagreement_score":0.54585826,"about_ca_system_score_codex":0.0000623084,"about_ca_system_score_gemma":0.000060814207,"threshold_uncertainty_score":0.9998132},"labels":[],"label_agreement":null},{"id":"W4391114222","doi":"10.1386/public_00171_1","title":"From Abiyala to Turtle Island","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Exhibition; Materiality (auditing); Indigenous; Amazon rainforest; Context (archaeology); Turtle (robot); The arctic; Visual arts; Aesthetics; Geography; History; Sociology; Environmental ethics; Anthropology; Art; Archaeology; Ecology; Oceanography","score_opus":0.1077919167400734,"score_gpt":0.3077984744880419,"score_spread":0.20000655774796847,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114222","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14215168,0.00003157705,0.00015678341,0.0099188145,0.00013310516,0.00010247482,0.00017861949,0.00016952376,0.8471574],"genre_scores_gemma":[0.8823259,0.0000041860053,0.000017305274,0.0002372663,0.0008412257,0.000028338269,0.000060001395,0.000009534822,0.116476275],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993832,0.000022991771,0.000068875146,0.00012757845,0.00016263491,0.00023472036],"domain_scores_gemma":[0.9996088,0.000095946074,0.000009455046,0.00011682062,0.00006403795,0.000104925595],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000106036416,0.00005297093,0.000071205875,0.000087768,0.0001860157,0.00023274272,0.00012240063,0.000013440919,0.02022012],"category_scores_gemma":[0.000071521885,0.000041401054,0.000024442274,0.00007330152,0.00006787693,0.000099182944,0.000077593184,0.000055503584,0.01242821],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004594263,0.000017684622,0.0009092847,0.0000033098543,0.00001963754,0.0000067213014,0.009755613,5.019772e-7,0.00003058531,0.42449033,0.555217,0.00954471],"study_design_scores_gemma":[0.00007679472,0.000023346154,0.0026092408,0.00000360533,0.0000020337927,8.148783e-8,0.005525249,0.00010242944,0.000018076285,0.005555622,0.9860205,0.00006300761],"about_ca_topic_score_codex":0.00067320454,"about_ca_topic_score_gemma":0.0011830128,"teacher_disagreement_score":0.7401742,"about_ca_system_score_codex":0.000015983383,"about_ca_system_score_gemma":0.000025797599,"threshold_uncertainty_score":0.98834074},"labels":[],"label_agreement":null},{"id":"W4391114224","doi":"10.1386/public_00168_1","title":"The Multiscalar Worlds of Remediation: Sitting Halfway Down a Meandering Path","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cityscape; Cognitive reframing; Politics; Sociology; Geography; Aesthetics; Environmental ethics; Political science; Art; Visual arts; Psychology; Law; Philosophy","score_opus":0.04445470618317532,"score_gpt":0.3193263227066532,"score_spread":0.27487161652347786,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114224","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8937936,0.00021784224,0.000018499764,0.037171748,0.0011121813,0.00027937116,0.000005065465,0.00041362777,0.06698808],"genre_scores_gemma":[0.9975739,0.000110238245,0.00009831659,0.00004268845,0.00023851679,0.000030895797,0.000004365955,0.000007668634,0.0018934174],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988431,0.00011557294,0.00020199097,0.00013133122,0.00038281787,0.0003252359],"domain_scores_gemma":[0.998911,0.0005454751,0.00011933348,0.00016738843,0.00018085695,0.00007589709],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012306143,0.00005924101,0.000081519735,0.0001730664,0.0012084747,0.00022638972,0.0003114715,0.000039793784,0.00013770968],"category_scores_gemma":[0.001628368,0.000047502024,0.00008561327,0.0010881805,0.00022544929,0.0003531875,0.000083643725,0.00012817187,0.00009347141],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002333489,0.00024426368,0.2808159,0.00006285134,0.0003598086,0.000018795461,0.1482546,0.00012961806,0.003595115,0.44036332,0.07723443,0.048897948],"study_design_scores_gemma":[0.0003397695,0.00005077008,0.24254294,0.000047414487,0.00002557637,0.0000012532361,0.12913167,0.0013929653,0.00017579152,0.0046168813,0.62139034,0.0002845956],"about_ca_topic_score_codex":0.00074160757,"about_ca_topic_score_gemma":0.016995328,"teacher_disagreement_score":0.54415596,"about_ca_system_score_codex":0.000032121407,"about_ca_system_score_gemma":0.000049929902,"threshold_uncertainty_score":0.9483792},"labels":[],"label_agreement":null},{"id":"W4391114225","doi":"10.1386/public_00162_1","title":"Making Worlds in the Pluriverse Panel at Congress: “On the colonialism…”","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Colonialism; Social worlds; Sociology; Media studies; Panel discussion; Political science; Social science; Law; Advertising; Business","score_opus":0.17762099081672736,"score_gpt":0.37604651101157854,"score_spread":0.19842552019485118,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114225","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77081114,0.000018697117,4.4401872e-8,0.14118247,0.0009977366,0.00026937723,0.000005504469,0.00011926508,0.08659577],"genre_scores_gemma":[0.9904614,0.000030428344,0.0000029404464,0.0022288016,0.00016786944,0.00009677668,0.0000035903115,0.0000071612617,0.0070010046],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99856967,0.00036621877,0.00012077825,0.0001583226,0.00040071656,0.00038429617],"domain_scores_gemma":[0.99864304,0.000964923,0.00006644359,0.00023056538,0.00005955379,0.000035487446],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0011574461,0.00007563723,0.00007347255,0.00024260195,0.00126717,0.00037827942,0.0006953725,0.00004860584,0.0012369497],"category_scores_gemma":[0.0006858123,0.00004789329,0.00007559401,0.0013949841,0.0004245826,0.0002225868,0.00011566763,0.00021896281,0.0010109646],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018919034,0.00007104156,0.024743022,0.0000030185786,0.000025727722,0.000035515295,0.0534116,0.000015507536,0.00003220749,0.4951166,0.42628387,0.0002429739],"study_design_scores_gemma":[0.00009737193,0.000021309223,0.05476481,0.000013548205,0.0000061759592,9.105183e-7,0.059113167,0.000040356394,0.0000029190762,0.0027007097,0.88315177,0.00008693855],"about_ca_topic_score_codex":0.00123281,"about_ca_topic_score_gemma":0.13904157,"teacher_disagreement_score":0.49241588,"about_ca_system_score_codex":0.000085884014,"about_ca_system_score_gemma":0.000038277547,"threshold_uncertainty_score":0.9997669},"labels":[],"label_agreement":null},{"id":"W4391114227","doi":"10.1386/public_00160_1","title":"Negotiating Pluriversality","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Foucault, Power, and Ethics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Negotiation; Presumption; Power (physics); Sociology; Life world; Epistemology; Argument (complex analysis); Aesthetics; Law and economics; Law; Political science; Social science; Art; Philosophy","score_opus":0.15167888624789935,"score_gpt":0.3997709177571195,"score_spread":0.24809203150922013,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114227","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22721285,0.00009898556,0.000085639615,0.09817919,0.002517597,0.00014899751,0.0000086141845,0.0010776919,0.67067045],"genre_scores_gemma":[0.9898626,0.00008701521,0.000042396943,0.00043373005,0.00036531934,0.0000052852583,0.0000076339165,0.0000059323306,0.009190069],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989724,0.000135122,0.00008256524,0.00012445358,0.00032808247,0.00035735645],"domain_scores_gemma":[0.9994402,0.00020609316,0.00003301378,0.000110005945,0.00008825871,0.00012242164],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012244801,0.00004302911,0.000058845988,0.0000638041,0.0005914088,0.0002012288,0.00020338844,0.00008407346,0.00024749333],"category_scores_gemma":[0.0016797823,0.000043939435,0.000034664878,0.0006307379,0.00017328851,0.00028690722,0.00005297831,0.0001389874,0.00091403385],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000013590898,0.000022161323,0.02214737,0.000010240106,0.000012476797,0.000005474533,0.060956035,0.00002105783,0.00001218536,0.8422973,0.068416126,0.0060981805],"study_design_scores_gemma":[0.00006545877,0.0000043251753,0.01042602,0.0000023980263,0.000002076864,9.472934e-8,0.013002518,0.0002507957,0.0000019611148,0.006141684,0.97002697,0.000075721844],"about_ca_topic_score_codex":0.003290095,"about_ca_topic_score_gemma":0.0014262251,"teacher_disagreement_score":0.9016108,"about_ca_system_score_codex":0.0000491876,"about_ca_system_score_gemma":0.00020646428,"threshold_uncertainty_score":0.99986386},"labels":[],"label_agreement":null},{"id":"W4391114229","doi":"10.1386/public_00173_1","title":"The Pluriverse, Beyond the Concept of Practice: On the Reality of Occurrence, Utopianism, and Prison Abolition","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Criminal Justice and Corrections Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Prison; Epistemology; Theme (computing); Social reality; Sociology; Social worlds; Redistribution (election); Environmental ethics; Aesthetics; Criminology; Social science; Political science; Philosophy; Law; Computer science; Politics","score_opus":0.04777569917884761,"score_gpt":0.35088986332140726,"score_spread":0.30311416414255965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114229","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8100694,0.00043009504,0.000088585264,0.122939564,0.0007095775,0.00044678882,0.00006530335,0.00006043256,0.06519026],"genre_scores_gemma":[0.99827224,0.0008706016,0.000003094536,0.00025001733,0.000071121474,0.000014876685,0.000004743237,0.0000016236363,0.0005116569],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9989394,0.0003522772,0.0001395629,0.00009633915,0.0003289947,0.000143431],"domain_scores_gemma":[0.9976685,0.0017083489,0.00017262354,0.00019928838,0.00022185643,0.00002940483],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00146911,0.000043790817,0.00007258424,0.000041622487,0.00085707795,0.00008981709,0.00021488412,0.000031759504,0.000050168957],"category_scores_gemma":[0.0015448665,0.000022029788,0.000050874256,0.00080866535,0.0005794207,0.00015214001,0.000040776515,0.000106303174,0.000008258514],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011819956,0.000041095413,0.00035491315,0.0000054596235,0.000035823305,3.4167851e-7,0.033983488,0.000008245558,0.000009718392,0.8898905,0.00899126,0.06666736],"study_design_scores_gemma":[0.00005986842,0.000040527644,0.0044881306,0.00000662263,0.00012855182,3.9037621e-7,0.5400846,0.00012264996,0.000060936633,0.0029866954,0.45197558,0.000045421537],"about_ca_topic_score_codex":0.005092497,"about_ca_topic_score_gemma":0.0038011794,"teacher_disagreement_score":0.88690376,"about_ca_system_score_codex":0.000019316774,"about_ca_system_score_gemma":0.00010686647,"threshold_uncertainty_score":0.7698366},"labels":[],"label_agreement":null},{"id":"W4391114233","doi":"10.1386/public_00165_1","title":"Making Worlds in the Pluriverse Panel at Congress: “Mary Bunch, on world-building”","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Religious Studies and Spiritual Practices","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Social worlds; Sociology; Political science; Media studies; Environmental ethics; Library science; Social science; Philosophy; Computer science","score_opus":0.2138408940513754,"score_gpt":0.32125220218074363,"score_spread":0.10741130812936822,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114233","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3309562,0.00043805956,3.6040967e-7,0.039199002,0.0017008852,0.0002797566,0.0000150784745,0.00020831931,0.62720233],"genre_scores_gemma":[0.9588295,0.00021760908,0.000005193607,0.0041279034,0.00060417206,0.00005659596,0.000010300487,0.000018639885,0.036130037],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99867994,0.00010756,0.00021270527,0.00024450826,0.0003207914,0.00043450875],"domain_scores_gemma":[0.99896896,0.0005766622,0.00010622951,0.0002629384,0.000051275874,0.000033937526],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005445178,0.00015416606,0.0001715468,0.00033017746,0.00081652007,0.0005434891,0.00035433716,0.000025861085,0.0009382132],"category_scores_gemma":[0.00014270491,0.000101427766,0.000082088554,0.0002717289,0.00019331693,0.00030319704,0.00020254079,0.00024378976,0.0009228582],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033997785,0.000068188325,0.0022649171,0.000023227207,0.00004335896,0.000087376844,0.0212836,0.00002073474,0.0000039499914,0.4149762,0.55854285,0.0026515678],"study_design_scores_gemma":[0.00023227766,0.00004293067,0.0017009452,0.000036247075,0.000010610934,0.0000016721215,0.008286035,0.0001000852,0.000001410811,0.002401775,0.9870416,0.00014440874],"about_ca_topic_score_codex":0.0003474947,"about_ca_topic_score_gemma":0.016169388,"teacher_disagreement_score":0.62787336,"about_ca_system_score_codex":0.00006576673,"about_ca_system_score_gemma":0.000015835569,"threshold_uncertainty_score":0.9999751},"labels":[],"label_agreement":null},{"id":"W4399556417","doi":"10.1386/public_00181_1","title":"Introduction: The Witch Institute","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Witch; Politics; Space (punctuation); Sociology; Media studies; Visual arts; Art; Political science; Law; Linguistics; Philosophy","score_opus":0.031349741675401215,"score_gpt":0.23888821227728643,"score_spread":0.2075384706018852,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399556417","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0065291068,0.013405466,0.000031527594,0.38168645,0.017184075,0.00012764648,0.000017173024,0.00040215536,0.5806164],"genre_scores_gemma":[0.90599906,0.00006750936,0.00001573533,0.0014884532,0.020260552,0.00004100377,0.00002137223,0.000011391259,0.07209493],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994536,0.000022501292,0.000095375064,0.00018210078,0.00008505702,0.0001613882],"domain_scores_gemma":[0.999691,0.0000238345,0.000011705844,0.00018437614,0.000067921326,0.000021171947],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000189187,0.00008374218,0.00007588896,0.00006771464,0.00045545737,0.00090627617,0.0001383462,0.000020650703,0.0019096653],"category_scores_gemma":[0.00004518086,0.00004524796,0.000051121948,0.000074774856,0.0004718287,0.0004431136,0.00004538868,0.00017833187,0.0005139116],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[9.395729e-7,0.000005139862,0.0000070759806,0.000010998473,0.00003366069,0.000003225657,0.012347457,1.2508723e-7,0.0000015774863,0.6201899,0.36458564,0.0028142214],"study_design_scores_gemma":[0.000031006293,0.000017082593,0.00008452287,0.0000051358193,0.0000141468945,0.000016052903,0.0018299674,0.000010232184,0.0000022675154,0.0054483586,0.99247694,0.00006431581],"about_ca_topic_score_codex":0.000020561625,"about_ca_topic_score_gemma":0.00032035823,"teacher_disagreement_score":0.8994699,"about_ca_system_score_codex":0.000012552021,"about_ca_system_score_gemma":0.000024559658,"threshold_uncertainty_score":0.9990027},"labels":[],"label_agreement":null},{"id":"W4399556449","doi":"10.1386/public_00189_1","title":"INCANTATIONS","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Queen's University","funders":"","keywords":"Witch; Spell; Incantation; Art history; Art; History; China; Archaeology; Sociology; Anthropology; Literature","score_opus":0.027594398125284136,"score_gpt":0.26163731548634445,"score_spread":0.2340429173610603,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399556449","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018837335,0.0022031514,0.7885406,0.090131946,0.0012907743,0.000053456544,0.0000014207574,0.0021917552,0.09674956],"genre_scores_gemma":[0.9946521,0.000015401416,0.0036642398,0.00036348362,0.00002869248,0.000014338234,4.391135e-7,0.0000014032186,0.0012599236],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99970424,0.0000069160715,0.00004078067,0.00010892246,0.000047796766,0.00009133237],"domain_scores_gemma":[0.9997797,0.000036989815,0.000003767104,0.00014963602,0.000014443349,0.000015435],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007418759,0.00002740584,0.000028821552,0.00009138141,0.00008904698,0.00016689043,0.00025607916,0.000021079406,0.000022820626],"category_scores_gemma":[0.000029675857,0.000022301138,0.00001552555,0.00037479211,0.000029322402,0.0002712397,0.00011032258,0.000060900922,0.000212853],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[1.6095715e-8,0.0000030855138,0.00013913796,0.000002342347,0.000007125375,0.000004709807,0.00038658705,8.008508e-8,0.0000062456625,0.94126356,0.014604922,0.04358222],"study_design_scores_gemma":[0.00002146085,0.000007669297,0.0023815338,0.0000031285688,0.0000012675449,0.000012658602,0.00002820564,0.004752374,0.000020779304,0.12296241,0.86975724,0.000051275503],"about_ca_topic_score_codex":0.0000036728209,"about_ca_topic_score_gemma":0.000012459582,"teacher_disagreement_score":0.97581476,"about_ca_system_score_codex":0.00000891187,"about_ca_system_score_gemma":0.00003413165,"threshold_uncertainty_score":0.27358657},"labels":[],"label_agreement":null},{"id":"W4399556451","doi":"10.1386/public_00192_1","title":"Garden of Future Blackness: A terraform artwork","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Urban Agriculture and Sustainability","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University; McMaster University","funders":"","keywords":"Acre; Witch; Visual arts; Art; Art history; Archaeology; Landscape architecture; History; Ecology; Engineering; Agroforestry; Civil engineering","score_opus":0.010122555751092603,"score_gpt":0.18721630283236432,"score_spread":0.1770937470812717,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399556451","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96284276,0.002078543,0.000003325139,0.0198162,0.0003771803,0.00016870657,0.000021951557,0.0001749363,0.014516418],"genre_scores_gemma":[0.9966,0.000026879281,0.000012239648,0.00012852218,0.0010366152,0.000013703884,0.000039727478,5.060602e-7,0.0021418324],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923295,0.000030029503,0.00015057313,0.00020390679,0.00015792953,0.00022460602],"domain_scores_gemma":[0.9996955,0.00006522339,0.000024483623,0.00005052334,0.00008753689,0.000076778786],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019090206,0.000092706876,0.00012267733,0.000010600161,0.00006227278,0.00011425283,0.00019122325,0.0000862793,0.00090181973],"category_scores_gemma":[0.00002971629,0.000025682491,0.00011995713,0.00054262637,0.00004447186,0.00016397619,0.00005197401,0.00010939299,0.000049257484],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033635744,0.00041774267,0.039576937,0.00027907215,0.00014242485,0.000040480267,0.0018024427,0.0000018692017,0.021054843,0.05139214,0.24459027,0.64066815],"study_design_scores_gemma":[0.000024354513,0.00007276079,0.086241275,0.000011865923,0.000008373055,0.0000064358346,0.0011691785,0.00002508303,0.00013941998,0.0018888323,0.9103095,0.000102924365],"about_ca_topic_score_codex":0.000029085088,"about_ca_topic_score_gemma":0.0002494622,"teacher_disagreement_score":0.6657192,"about_ca_system_score_codex":0.00002752332,"about_ca_system_score_gemma":0.000014575128,"threshold_uncertainty_score":0.9874294},"labels":[],"label_agreement":null},{"id":"W4399556459","doi":"10.1386/public_00193_1","title":"This Circle is a Mercle","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Transformative learning; Gesture; Grief; Reflexivity; Aesthetics; Meditation; Queer; Sociology; Repetition (rhetorical device); Accountability; Visual arts; Art; Gender studies; Psychology; History; Philosophy; Political science; Psychotherapist; Pedagogy; Archaeology; Anthropology; Law; Linguistics","score_opus":0.08110256232094325,"score_gpt":0.26589775141768807,"score_spread":0.1847951890967448,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399556459","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006271144,0.0012246227,0.000055916043,0.015226344,0.0011581345,0.00007148328,0.000085317006,0.00037791955,0.97552913],"genre_scores_gemma":[0.73206836,0.000021555998,0.00000936153,0.0031388404,0.00095812866,0.0000114483155,0.000011037326,0.000017801929,0.2637635],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993043,0.0000134740085,0.00010963473,0.00017012925,0.00012723471,0.00027521348],"domain_scores_gemma":[0.9996538,0.000029341105,0.000011773034,0.0001707098,0.000046668712,0.00008768094],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000095804244,0.00007532872,0.00008268116,0.000088633475,0.00020573803,0.00061079534,0.000115815565,0.000027219992,0.023379037],"category_scores_gemma":[0.000016070377,0.00007081071,0.00007752869,0.0000030049619,0.00013064702,0.00036247025,0.0000406502,0.00009997717,0.0051950715],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.881563e-7,0.000023640532,0.000016458836,0.000035421413,0.000033928347,0.000005750157,0.1106566,2.1583137e-8,0.000008928148,0.45372808,0.42161354,0.013877122],"study_design_scores_gemma":[0.00004779212,0.00001575413,0.000041255415,0.000010204144,0.000011578976,0.0000023951786,0.0004356757,0.00033614313,0.000048581558,0.0151166,0.98383343,0.000100561236],"about_ca_topic_score_codex":0.00065246626,"about_ca_topic_score_gemma":0.0011497008,"teacher_disagreement_score":0.72579724,"about_ca_system_score_codex":0.000027592663,"about_ca_system_score_gemma":0.00006351807,"threshold_uncertainty_score":0.9955795},"labels":[],"label_agreement":null},{"id":"W4399556462","doi":"10.1386/public_00198_4","title":"Carole Itter: Only When I’m Hauling Water Do I Wonder If I’m Getting Any Stronger","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of British Columbia","funders":"","keywords":"Craft; Plural; Weaving; Aesthetics; Politics; Assemblage (archaeology); Space (punctuation); Ambivalence; Wonder; Visual arts; Art; Sociology; Art history; History; Archaeology; Law; Engineering; Political science; Philosophy; Epistemology; Mechanical engineering","score_opus":0.037383831706899524,"score_gpt":0.2265975432670839,"score_spread":0.18921371156018438,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399556462","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5465067,0.004707572,0.0007350758,0.017575737,0.004628592,0.0004783962,0.00007991011,0.0014879341,0.42380008],"genre_scores_gemma":[0.9478946,0.000008272938,0.000082903665,0.0009976614,0.0024941764,0.000025862806,0.00004396891,0.000058069545,0.04839452],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99836165,0.00004798912,0.00028132176,0.000397171,0.00027832788,0.000633542],"domain_scores_gemma":[0.9993926,0.00007159431,0.000027934066,0.00028636347,0.000094946496,0.00012651137],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00037141205,0.00021882111,0.0001994276,0.00022840434,0.00038261182,0.0028753327,0.0002218059,0.000067782035,0.01501909],"category_scores_gemma":[0.000017046254,0.00015538899,0.00014792696,0.00003515924,0.00011101713,0.0008313122,0.00009287311,0.0002752924,0.0016187355],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018517581,0.0001634386,0.0016723437,0.00031647706,0.0003537898,0.00012366805,0.21434988,0.000023347477,0.0009928417,0.3525343,0.354794,0.07465738],"study_design_scores_gemma":[0.00015157493,0.000032278098,0.00010886335,0.000044149147,0.000027612745,0.000010737649,0.0039744712,0.0006452986,0.00016853212,0.0048094853,0.98974067,0.00028630864],"about_ca_topic_score_codex":0.00015987924,"about_ca_topic_score_gemma":0.0002635331,"teacher_disagreement_score":0.6349467,"about_ca_system_score_codex":0.000060165727,"about_ca_system_score_gemma":0.00007565401,"threshold_uncertainty_score":0.9991586},"labels":[],"label_agreement":null},{"id":"W4399556463","doi":"10.1386/public_00195_1","title":"Appendix: The Witch Institute Symposium Schedule","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Witch; Schedule; History; Art history; Art; Computer science; Ecology; Biology","score_opus":0.031195542473615667,"score_gpt":0.24585301737594822,"score_spread":0.21465747490233256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399556463","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016885236,0.013221323,0.000037836464,0.09015916,0.008278432,0.00021901453,0.00005276534,0.00048200533,0.87066424],"genre_scores_gemma":[0.9632845,0.00007780456,0.000021975618,0.0016725055,0.0025734173,0.00005656546,0.000047403228,0.000018409646,0.03224744],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991866,0.000033351185,0.00013690749,0.00023592,0.00012887381,0.00027837],"domain_scores_gemma":[0.999586,0.000044855453,0.000019570607,0.00024125238,0.00006762903,0.000040716204],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002446603,0.00013529946,0.00012046983,0.00010073905,0.0005951816,0.0013122248,0.00025925576,0.00003766399,0.0012716935],"category_scores_gemma":[0.000029843171,0.00007579669,0.0000848625,0.00008448667,0.00055564917,0.00054931344,0.0000961894,0.0002501215,0.0014735477],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000019439508,0.000015242015,0.00004330334,0.000035080408,0.000075051066,0.000011915902,0.020031935,3.2952698e-7,0.000015132821,0.8629454,0.11596506,0.00085965084],"study_design_scores_gemma":[0.00006415056,0.000026126241,0.000054922,0.000021606818,0.000023912207,0.000013983988,0.0022029441,0.00004104672,0.000009663455,0.004068018,0.993363,0.00011058185],"about_ca_topic_score_codex":0.00003887589,"about_ca_topic_score_gemma":0.00047353492,"teacher_disagreement_score":0.9463993,"about_ca_system_score_codex":0.000017542212,"about_ca_system_score_gemma":0.00004520522,"threshold_uncertainty_score":0.9997245},"labels":[],"label_agreement":null},{"id":"W4399556467","doi":"10.1386/public_00188_1","title":"The Powers: Consult the Fates: A Conversation with Emily Pelstring, Katherine Kline, and Jessica Mensch","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Witch; Patriarchy; Mythology; Oracle; White (mutation); Art history; Comedy; Art; Sociology; Literature; History; Media studies; Gender studies; Computer science","score_opus":0.012016622524349133,"score_gpt":0.26938399838949073,"score_spread":0.2573673758651416,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399556467","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36213955,0.017440306,0.00042423763,0.5344218,0.0011755947,0.00077877246,0.000023828854,0.00035600018,0.08323992],"genre_scores_gemma":[0.99345285,0.00061430526,0.00003324597,0.0005272771,0.0002278331,0.000024565908,0.000007659292,0.0000061493392,0.00510613],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991671,0.00010598239,0.000093919814,0.00015165596,0.0002770422,0.0002043048],"domain_scores_gemma":[0.9992281,0.00040601977,0.000033971137,0.00013335426,0.000119061886,0.000079445235],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007488154,0.0000692285,0.00007313084,0.000039406794,0.00046608582,0.0009105412,0.00015327494,0.000046552395,0.00008088626],"category_scores_gemma":[0.00031224932,0.000031276973,0.0000312323,0.000525939,0.0003578299,0.00023099214,0.000020650217,0.00016002965,0.0000151954755],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034204386,0.00004434376,0.008713524,0.000052180836,0.00062915904,0.00002764359,0.3408238,0.0000014120017,0.00016635864,0.5602906,0.037112914,0.052103885],"study_design_scores_gemma":[0.00010944398,0.00001857155,0.00030446798,0.000019410385,0.00004810407,0.0000019456043,0.020750562,0.00020773185,0.000014749886,0.00073020736,0.9777373,0.000057510908],"about_ca_topic_score_codex":0.00041472504,"about_ca_topic_score_gemma":0.0014128846,"teacher_disagreement_score":0.94062436,"about_ca_system_score_codex":0.000027576703,"about_ca_system_score_gemma":0.00023078987,"threshold_uncertainty_score":0.87803704},"labels":[],"label_agreement":null},{"id":"W4399564328","doi":"10.1386/public_00196_4","title":"Faye Driscoll: Weathering","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"The Scarborough Hospital; University of Toronto","funders":"","keywords":"Weathering; Archaeology; Art; Geology; Geography; Geomorphology","score_opus":0.04291891247883428,"score_gpt":0.2328528478302683,"score_spread":0.18993393535143402,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399564328","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08946053,0.0036582446,0.000014641035,0.0048182253,0.001683783,0.00005674218,0.000012966036,0.00038414975,0.89991075],"genre_scores_gemma":[0.9556767,0.00008717487,0.0000067611377,0.00015365217,0.0012591692,0.00001782074,0.0000029058913,0.000011748186,0.042784095],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99960214,0.0000052693763,0.00007045707,0.00009421227,0.00006853629,0.00015940628],"domain_scores_gemma":[0.99985456,0.00001863629,0.0000061526657,0.0000783977,0.000018025525,0.00002422706],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007002673,0.00006398873,0.00006374493,0.00006896551,0.00020679431,0.00049065583,0.00006874899,0.0000104824585,0.0033601895],"category_scores_gemma":[0.000003459119,0.000045980738,0.00004429666,0.000033274944,0.000059581263,0.0003257376,0.00003135597,0.000066192704,0.000963223],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000015020743,0.000013696641,0.00033499705,0.00006204959,0.000075288706,0.0000059148033,0.04497235,5.481349e-7,0.000017320008,0.82910264,0.058427095,0.066986606],"study_design_scores_gemma":[0.000026863498,0.000016194877,0.00006911352,0.00001676928,0.0000060926104,0.0000012935021,0.002088893,0.00010559862,0.0000147306855,0.001422595,0.9961627,0.00006911384],"about_ca_topic_score_codex":0.000052863914,"about_ca_topic_score_gemma":0.00044133462,"teacher_disagreement_score":0.9377356,"about_ca_system_score_codex":0.000012329445,"about_ca_system_score_gemma":0.000016356194,"threshold_uncertainty_score":0.9998146},"labels":[],"label_agreement":null},{"id":"W4399564413","doi":"10.1386/public_00190_1","title":"Witches in Swamps, Sirens at Sea, and Leviathans of the Deep: Feminist Figures that Haunt our Social Media Worlds","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Gender, Feminism, and Media","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Resistance (ecology); Social media; Digital media; Digital culture; Face (sociological concept); Art; Sociology; Literature; Media studies; History; Law; Political science; Social science","score_opus":0.06904405256948688,"score_gpt":0.30441211481128955,"score_spread":0.23536806224180268,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399564413","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91360265,0.004084962,0.000005451191,0.029259466,0.00195803,0.0003388106,0.00005789436,0.00008903877,0.050603706],"genre_scores_gemma":[0.9960493,0.00025833573,0.0000140145,0.00025832828,0.00052854803,0.000033751614,0.000008031923,0.000013811251,0.0028359003],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984928,0.00015502336,0.00018172848,0.00025091303,0.0005020378,0.00041753988],"domain_scores_gemma":[0.9993359,0.0002950601,0.00006269738,0.00013464715,0.00003301082,0.00013868998],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008246259,0.00012441176,0.00019333717,0.00010815059,0.00032177652,0.00015658073,0.00031514824,0.00014383819,0.00008827627],"category_scores_gemma":[0.0004202465,0.000092102884,0.0000950541,0.00048697065,0.00031130077,0.00014119677,0.00012861817,0.00019610453,0.0000149160005],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010875592,0.0000857012,0.2459075,0.00013950764,0.000056266523,0.00001486186,0.6628962,4.6571782e-7,0.0002213561,0.033828214,0.03427661,0.022562439],"study_design_scores_gemma":[0.0003871037,0.000018786523,0.23181921,0.00009181314,0.00005475797,0.0000042248666,0.27051437,0.000033043416,0.0006505999,0.004076284,0.49201745,0.0003323603],"about_ca_topic_score_codex":0.0004700808,"about_ca_topic_score_gemma":0.05268997,"teacher_disagreement_score":0.45774084,"about_ca_system_score_codex":0.00011542391,"about_ca_system_score_gemma":0.00037751993,"threshold_uncertainty_score":0.964596},"labels":[],"label_agreement":null},{"id":"W4399564416","doi":"10.1386/public_00180_1","title":"After the Witch of Malleghem (2021)","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Witch; Queen (butterfly); Rhetoric; Art; The arts; Visual arts; Art history; History; Theology; Philosophy","score_opus":0.030738276475953508,"score_gpt":0.23645089254496432,"score_spread":0.2057126160690108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399564416","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18433642,0.00577578,0.00001941593,0.01505187,0.0013170141,0.00013866264,0.000032235544,0.000111006324,0.7932176],"genre_scores_gemma":[0.9538272,0.000011778867,0.0000023947362,0.00048088035,0.0008178092,0.00002137911,0.0000037043146,0.000008439984,0.04482644],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996042,0.000020702506,0.000087672124,0.00008376228,0.000091984286,0.000111629786],"domain_scores_gemma":[0.9997742,0.00003452921,0.000011437067,0.000117734264,0.00004045732,0.00002161226],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014251785,0.000056261753,0.00005897933,0.000032912543,0.000081463215,0.00025766922,0.00010832422,0.00001433749,0.014637172],"category_scores_gemma":[0.000009368601,0.000028905262,0.00006168559,0.000034399298,0.00012879224,0.00018512443,0.00003554012,0.0000768036,0.0005370957],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000047058015,0.000016159067,0.000020495538,0.000024935933,0.00002839823,0.0000033583576,0.015562474,4.3126043e-8,0.000028182756,0.94432145,0.03590974,0.0040800394],"study_design_scores_gemma":[0.000024112402,0.000019272587,0.000048773913,0.000016212934,0.000009567931,0.0000017651452,0.0018268351,0.00001611308,0.000049594302,0.010244399,0.987697,0.000046339195],"about_ca_topic_score_codex":0.000011202071,"about_ca_topic_score_gemma":0.000105629995,"teacher_disagreement_score":0.9517873,"about_ca_system_score_codex":0.0000043136724,"about_ca_system_score_gemma":0.000017999419,"threshold_uncertainty_score":0.9862636},"labels":[],"label_agreement":null},{"id":"W4399564458","doi":"10.1386/public_00183_1","title":"Materializing Magic: How the Witches of Instagram Make the Invisible Visible Through Digital Photography and Editing Techniques","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"MAGIC (telescope); Witch; Art; Visual arts; Photography; Craft; Digital media; Meaning (existential); Commodification; Embodied cognition; Context (archaeology); Aesthetics; Computer science; History; Epistemology; World Wide Web; Philosophy","score_opus":0.042119462524093744,"score_gpt":0.30961346075779905,"score_spread":0.2674939982337053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399564458","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7444339,0.002239354,0.000083135295,0.09687454,0.0013576328,0.0008684521,0.000087855056,0.0008083719,0.15324678],"genre_scores_gemma":[0.99842465,0.00022258183,0.00024697577,0.00027184005,0.00039748612,0.000054374705,0.0000064270503,0.000016664531,0.0003590111],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99888605,0.00008389313,0.000176641,0.0002156943,0.00032083556,0.0003168695],"domain_scores_gemma":[0.9992678,0.0002444503,0.000090073605,0.00020724558,0.00014642891,0.00004398893],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0006079318,0.00012223888,0.00012420017,0.00019597595,0.0007216085,0.0036304437,0.00041228623,0.00006267116,0.00008610881],"category_scores_gemma":[0.00026005757,0.0000739263,0.00011681347,0.0009795344,0.000987438,0.0014771754,0.00016276629,0.00019904741,0.0000055595465],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023260833,0.00020624576,0.023766039,0.0002997682,0.0005083758,0.000012925766,0.093816124,4.6270765e-7,0.0070441067,0.76688737,0.069264725,0.03817063],"study_design_scores_gemma":[0.00004659965,0.00006798468,0.001451571,0.0001075427,0.000032221982,0.00000863508,0.08339867,0.00001631116,0.0022968908,0.026575185,0.8858317,0.00016665162],"about_ca_topic_score_codex":0.0016611206,"about_ca_topic_score_gemma":0.002624449,"teacher_disagreement_score":0.816567,"about_ca_system_score_codex":0.000016983853,"about_ca_system_score_gemma":0.000048935693,"threshold_uncertainty_score":0.99740386},"labels":[],"label_agreement":null},{"id":"W4404906974","doi":"10.1386/public_00219_1","title":"Fogscapes: Notes on Fujiko Nakaya’s Sculptural Practice","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Japanese History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Art; Visual arts","score_opus":0.04381196143138995,"score_gpt":0.3282485995649604,"score_spread":0.28443663813357045,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404906974","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023452438,0.0032714377,0.000017437764,0.13900986,0.0025515938,0.00018774881,0.0000059855042,0.00060015405,0.83090335],"genre_scores_gemma":[0.9805587,0.00004453553,0.00006220122,0.0026838754,0.00091364695,0.000019810139,0.000007160624,0.000010478242,0.015699597],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99879694,0.00019650854,0.00009245778,0.00023371151,0.0003971835,0.0002832157],"domain_scores_gemma":[0.99922556,0.00034371324,0.000026244728,0.00013299889,0.0000956096,0.00017588971],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000621036,0.00009297839,0.000082279585,0.000067855304,0.00055169995,0.00047211206,0.00021892253,0.0001059608,0.0011065253],"category_scores_gemma":[0.0022854304,0.00007103711,0.000083127576,0.00045123365,0.00012726401,0.0010128468,0.000019138826,0.0002375084,0.001670806],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008765521,0.00007336155,0.000043140524,0.00002148379,0.000037762533,0.00003304671,0.05236236,0.0000019423867,0.00008157327,0.8562279,0.07195548,0.019153193],"study_design_scores_gemma":[0.0000423917,0.000022982225,0.00009291521,0.000017735318,0.000014391284,0.000003834127,0.006908668,0.000012578476,0.000009010594,0.0011942482,0.9915737,0.000107528125],"about_ca_topic_score_codex":0.0003140956,"about_ca_topic_score_gemma":0.000628611,"teacher_disagreement_score":0.95710623,"about_ca_system_score_codex":0.00015267216,"about_ca_system_score_gemma":0.00029940638,"threshold_uncertainty_score":0.9998066},"labels":[],"label_agreement":null},{"id":"W4404906975","doi":"10.1386/public_00214_1","title":"An Archive of Suffering: Hunger Stones and the (N)Ec(r)opoetics of Climate Crisis","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Ecocriticism and Environmental Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University; University of Calgary","funders":"","keywords":"Political science","score_opus":0.011717716305867392,"score_gpt":0.2121584469703391,"score_spread":0.20044073066447168,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404906975","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92657167,0.004467816,0.0000204837,0.0046341256,0.00037729787,0.0001450937,0.0004798654,0.000046074078,0.063257575],"genre_scores_gemma":[0.99903977,0.00036742233,0.0000426336,0.00015898989,0.00011129213,0.000006622816,0.000027693324,0.0000104861565,0.00023506317],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995272,0.000034393386,0.00013853675,0.00010053227,0.00008278711,0.0001165306],"domain_scores_gemma":[0.99972105,0.000074706826,0.00002216376,0.00013799932,0.000012920255,0.00003115684],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013392554,0.00006738759,0.0001179703,0.000052780117,0.00007636942,0.00018260918,0.000087981956,0.000016097189,0.00040146481],"category_scores_gemma":[0.0000064752585,0.00004135214,0.000042617838,0.000019543812,0.0004175652,0.00020905859,0.00004906136,0.000075509306,0.000005201762],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013400173,0.00003760174,0.0003168798,0.00019204359,0.000025413703,0.0000016224334,0.032152083,6.4595173e-7,0.00021041039,0.96541524,0.0007119344,0.00092274515],"study_design_scores_gemma":[0.0012213725,0.00044278044,0.012586337,0.00024266676,0.00027053617,0.000026984584,0.05495506,0.0020411538,0.0013813274,0.0745146,0.8518131,0.0005041147],"about_ca_topic_score_codex":0.000042796757,"about_ca_topic_score_gemma":0.000052456227,"teacher_disagreement_score":0.8909006,"about_ca_system_score_codex":0.0000030005426,"about_ca_system_score_gemma":0.000004257292,"threshold_uncertainty_score":0.4395758},"labels":[],"label_agreement":null},{"id":"W4404906980","doi":"10.1386/public_00226_4","title":"Alexis Kyle Mitchell: The Treasury of Human Inheritance (2024)","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Reproductive Health and Technologies","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Treasury; Inheritance (genetic algorithm); Genealogy; History; Biology; Genetics; Archaeology; Gene","score_opus":0.07266872309101838,"score_gpt":0.3464856146923552,"score_spread":0.2738168916013368,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404906980","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85947216,0.023338728,0.000026623053,0.06305965,0.00045925385,0.0003635552,0.0000060693787,0.00042655456,0.05284739],"genre_scores_gemma":[0.9915681,0.00019874464,0.000104111634,0.0002387851,0.00017056953,0.000046669025,0.0000039728625,0.000013951319,0.00765509],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992177,0.000020715857,0.00017158367,0.00022511242,0.0001646767,0.0002002365],"domain_scores_gemma":[0.99930197,0.000049795126,0.000031296662,0.00048050625,0.00008584678,0.000050611696],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00032495987,0.00007593741,0.00015294268,0.00011208414,0.000058563095,0.000023724246,0.000119864286,0.000060547336,0.00019360747],"category_scores_gemma":[0.00035485261,0.000045320034,0.0000593608,0.0004920116,0.00017497147,0.0000786215,0.000038202594,0.00023481314,0.000054554475],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000071829476,0.00043927098,0.10280389,0.002488906,0.00033256796,0.000097746626,0.0011933469,2.7363384e-7,0.043393258,0.193838,0.23421131,0.42112958],"study_design_scores_gemma":[0.0003397532,0.00038568504,0.11830009,0.00017861805,0.00005109058,0.00008352225,0.0005990768,0.000031372067,0.016940689,0.012802857,0.85015774,0.0001294813],"about_ca_topic_score_codex":0.00005545161,"about_ca_topic_score_gemma":0.00001343273,"teacher_disagreement_score":0.6159465,"about_ca_system_score_codex":0.000037558446,"about_ca_system_score_gemma":0.00012296379,"threshold_uncertainty_score":0.2119866},"labels":[],"label_agreement":null},{"id":"W4404906981","doi":"10.1386/public_00201_1","title":"Collisions, Echoes, Swallowings","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Posthumanist Ethics and Activism","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geology; Physics","score_opus":0.05350774676761278,"score_gpt":0.346618050112329,"score_spread":0.2931103033447162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404906981","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17313693,0.001403555,0.00017622186,0.13557208,0.0018209486,0.00017726814,0.000011397002,0.00069063186,0.68701094],"genre_scores_gemma":[0.9862896,0.00015318631,0.000050023926,0.0006211359,0.0002960417,0.000009376259,0.000003172613,0.00000847091,0.012568969],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992092,0.000060539925,0.000069348636,0.00014499389,0.00028353973,0.00023235478],"domain_scores_gemma":[0.9995961,0.000155051,0.000010177435,0.000090909605,0.000041673244,0.00010609636],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009150882,0.00004684926,0.00005347383,0.0000752965,0.00046993094,0.00076437293,0.00019691256,0.00007367414,0.00046199452],"category_scores_gemma":[0.00028461227,0.000041290707,0.00004947771,0.00032190976,0.0001096351,0.00038358246,0.00003506365,0.0001768806,0.00043147843],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[2.4874853e-7,0.000012660581,0.0003874807,0.000004319457,0.000007580527,0.000008417096,0.003465056,5.098133e-8,0.000057411602,0.97832495,0.011032001,0.0066997963],"study_design_scores_gemma":[0.000020397965,0.0000051180414,0.0006937019,0.000013036223,0.0000027752146,4.018241e-7,0.00048749542,0.00004196906,0.000019996101,0.028321313,0.97033364,0.0000601796],"about_ca_topic_score_codex":0.00067349663,"about_ca_topic_score_gemma":0.00046381156,"teacher_disagreement_score":0.9593016,"about_ca_system_score_codex":0.00007656349,"about_ca_system_score_gemma":0.0003526182,"threshold_uncertainty_score":0.7370866},"labels":[],"label_agreement":null},{"id":"W4404906982","doi":"10.1386/public_00222_1","title":"The Systemic Sublime","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Philosophy, Ethics, and Existentialism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Sublime; Art; Aesthetics","score_opus":0.0859951692883369,"score_gpt":0.26265927370082937,"score_spread":0.17666410441249247,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404906982","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010740661,0.014728363,0.000015361167,0.0750093,0.010419579,0.00015236715,0.00004148897,0.00059085013,0.888302],"genre_scores_gemma":[0.9611761,0.0000964745,9.5258514e-7,0.0004926465,0.0030504952,0.000023244653,0.000011013155,0.000017299779,0.03513179],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992637,0.000044254986,0.00014721073,0.00014182254,0.0001765603,0.00022646277],"domain_scores_gemma":[0.99950033,0.00012825076,0.00001983151,0.00021343396,0.00008510324,0.000053019343],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041048217,0.0000808885,0.00007493816,0.00006635405,0.0005810255,0.0023771354,0.00024104585,0.000034302262,0.00046106975],"category_scores_gemma":[0.000047117406,0.000049037502,0.00008680423,0.00003966923,0.00024595117,0.00031172924,0.00004259426,0.0001926345,0.0014570111],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000010830482,0.0000054319225,0.0000031749332,0.00004799153,0.000035297853,0.0000042105385,0.007717511,5.8748295e-8,0.000008910541,0.9564559,0.03410525,0.0016151952],"study_design_scores_gemma":[0.000033082462,0.000009814496,0.000004056537,0.000026835749,0.000010479235,0.000010674853,0.0010041218,0.000102973754,0.0000032905693,0.088002935,0.91072065,0.00007110424],"about_ca_topic_score_codex":0.00009363726,"about_ca_topic_score_gemma":0.00027554392,"teacher_disagreement_score":0.9504354,"about_ca_system_score_codex":0.000026317939,"about_ca_system_score_gemma":0.00006516508,"threshold_uncertainty_score":0.99932045},"labels":[],"label_agreement":null},{"id":"W4404906990","doi":"10.1386/public_00227_4","title":"Richard Mosse: Broken Spectre","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Ecocriticism and Environmental Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"History","score_opus":0.020190331868326798,"score_gpt":0.19882829182685474,"score_spread":0.17863795995852794,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404906990","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05521637,0.006378797,0.00000998523,0.009915342,0.0014912197,0.00007726812,0.00014478709,0.00032579765,0.9264404],"genre_scores_gemma":[0.9107645,0.000029153125,0.000018416073,0.00077495805,0.0011854707,0.000011083879,0.00006467919,0.00001707645,0.08713465],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994516,0.000009485904,0.000085086074,0.00015876371,0.00009959397,0.00019549206],"domain_scores_gemma":[0.9997864,0.000019284875,0.00000625904,0.00012138175,0.000007532058,0.000059137594],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000049346098,0.00008455449,0.000067258254,0.00006247466,0.00012298678,0.000989454,0.00009782881,0.000023675693,0.013890022],"category_scores_gemma":[0.000006065497,0.00006737039,0.000053149764,0.000032527405,0.00007594649,0.00044615666,0.00003385834,0.00012441784,0.0021880162],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[7.424044e-7,0.000021856717,0.00008698415,0.000041665022,0.000016864295,0.000026154974,0.0049633402,1.0903761e-7,0.00005034042,0.851925,0.13956097,0.0033059665],"study_design_scores_gemma":[0.000037436188,0.000015355785,0.00017789,0.000015553565,0.000007224854,0.0000089011455,0.00050035695,0.000055597746,0.000032455297,0.0052145272,0.9938393,0.000095362935],"about_ca_topic_score_codex":0.000020747435,"about_ca_topic_score_gemma":0.00006678947,"teacher_disagreement_score":0.85554814,"about_ca_system_score_codex":0.000024686346,"about_ca_system_score_gemma":0.000008517477,"threshold_uncertainty_score":0.9985889},"labels":[],"label_agreement":null},{"id":"W4404906996","doi":"10.1386/public_00225_1","title":"A Machine to Listen to the Sky: Transducing Space Weather","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Space exploration and regulation","field":"Physics and Astronomy","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Sky; Space weather; Space (punctuation); Meteorology; Computer science; Geography; Operating system","score_opus":0.016789217817016457,"score_gpt":0.2555729346388496,"score_spread":0.23878371682183316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404906996","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06285101,0.00030680536,0.24805589,0.6127188,0.001053715,0.0006426206,0.0000358184,0.00023243723,0.07410289],"genre_scores_gemma":[0.9845631,4.03198e-7,0.00025948515,0.0004198401,0.00055910845,0.000048470774,0.00001705815,0.000014734885,0.014117809],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995548,0.000019894062,0.00006574135,0.00013869486,0.00009490837,0.00012594741],"domain_scores_gemma":[0.9997279,0.000017349637,0.000007765909,0.00014604825,0.000021958303,0.00007896801],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000122028745,0.000065423905,0.000052433712,0.000068936715,0.000076536424,0.00027116737,0.00008812578,0.000011529463,0.00083972147],"category_scores_gemma":[0.00000380377,0.000041008316,0.000048004877,0.00035478018,0.000005570315,0.00012784798,0.000018703626,0.000061354505,0.00066461344],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008547267,0.000058841048,0.0033069076,0.0000127831845,0.000101726495,9.836407e-7,0.014670559,0.0013950965,0.0024060982,0.6544909,0.07427747,0.2492701],"study_design_scores_gemma":[0.000059216793,0.000013795469,0.0014984419,0.000012797252,0.00000697627,3.0493243e-7,0.00054631743,0.004420226,0.00025533902,0.0007233873,0.9923847,0.00007851967],"about_ca_topic_score_codex":0.00009576654,"about_ca_topic_score_gemma":0.000050498962,"teacher_disagreement_score":0.9217121,"about_ca_system_score_codex":0.000014011661,"about_ca_system_score_gemma":0.000027109578,"threshold_uncertainty_score":0.91943616},"labels":[],"label_agreement":null},{"id":"W4404907012","doi":"10.1386/public_00203_1","title":"Breathing in Disaster: Christina Battle’s Forecast","year":2024,"lang":"en","type":"article","venue":"Public","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Battle; Breathing; Aeronautics; History; Environmental science; Meteorology; Operations research; Engineering; Geography; Medicine; Archaeology; Anesthesia","score_opus":0.058876229637722266,"score_gpt":0.24564645771429824,"score_spread":0.18677022807657598,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404907012","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21585359,0.0024098826,0.00004589771,0.012672894,0.0037906442,0.00010157543,0.0000101008445,0.00019746718,0.76491797],"genre_scores_gemma":[0.97435755,0.0000106126345,0.000013196527,0.0003268609,0.00074196974,0.000010835695,0.000006562867,0.000007702922,0.02452474],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99939567,0.000009261848,0.000111407084,0.00014986034,0.00013330903,0.00020046618],"domain_scores_gemma":[0.99978215,0.000042159256,0.00001101816,0.000084150786,0.000017844879,0.00006270078],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000245782,0.00006228276,0.000079457524,0.00018908542,0.00009669478,0.00024013553,0.000110364985,0.000014279289,0.0026804232],"category_scores_gemma":[0.000048136404,0.00004677982,0.00002787379,0.00006703642,0.00020035221,0.0005068118,0.0000195932,0.00010582878,0.00039987956],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000302299,0.000061990366,0.0005618306,0.00015499127,0.000009287569,0.00014804081,0.22816263,6.3668983e-7,0.00006813821,0.48481166,0.10801558,0.17800218],"study_design_scores_gemma":[0.000065296466,0.00002607924,0.00012642588,0.00008141761,0.0000027106116,0.000009911004,0.0037639155,0.00035391396,0.0000016966969,0.0004184574,0.99508643,0.00006372034],"about_ca_topic_score_codex":0.0002203237,"about_ca_topic_score_gemma":0.001043447,"teacher_disagreement_score":0.8870709,"about_ca_system_score_codex":0.00005144354,"about_ca_system_score_gemma":0.00004491416,"threshold_uncertainty_score":0.99823123},"labels":[],"label_agreement":null},{"id":"W4404907015","doi":"10.1386/public_00228_4","title":"Indiscernible Thresholds, Escaped Veillances at Art Museum","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McMaster University","funders":"","keywords":"Art; Visual arts; Computer graphics (images); Computer science","score_opus":0.05227603210339182,"score_gpt":0.2532793847539819,"score_spread":0.20100335265059005,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404907015","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44599947,0.0035056656,0.0000022285424,0.003911774,0.0018676177,0.00016155059,0.00011414289,0.000646021,0.54379153],"genre_scores_gemma":[0.9589559,0.00007852526,0.0000028856027,0.00037188473,0.00088177295,0.000034442433,0.00009168641,0.00001816056,0.039564755],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991845,0.000018274388,0.00012314937,0.00022651527,0.00017353673,0.00027403384],"domain_scores_gemma":[0.99969023,0.000024883124,0.000022581222,0.0001459975,0.00003496595,0.0000813162],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001005049,0.00012882442,0.00011627188,0.0001401868,0.00030937162,0.0008900048,0.0001643691,0.00004724063,0.010452869],"category_scores_gemma":[0.000008387517,0.00009131328,0.00011938935,0.00010558256,0.0001302871,0.00041483346,0.000057664307,0.0001462906,0.0020812748],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000072789135,0.00005281218,0.001190952,0.00008776771,0.000087222616,0.000012768834,0.010021292,2.1466973e-7,0.00037484898,0.43234143,0.5553032,0.0005202094],"study_design_scores_gemma":[0.000078692814,0.000038987208,0.0002905832,0.0000225562,0.000010232122,0.0000052605037,0.00066007156,0.0000418155,0.00017756634,0.0017573525,0.99676764,0.00014923091],"about_ca_topic_score_codex":0.000024158888,"about_ca_topic_score_gemma":0.0011068648,"teacher_disagreement_score":0.51295644,"about_ca_system_score_codex":0.000020246793,"about_ca_system_score_gemma":0.000024796385,"threshold_uncertainty_score":0.99869573},"labels":[],"label_agreement":null},{"id":"W4404938787","doi":"10.1386/public_00223_1","title":"On Comparisons in Map Art","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Geographic Information Systems Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science; Mathematics","score_opus":0.05023477897193989,"score_gpt":0.32674283134023896,"score_spread":0.27650805236829906,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404938787","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02359761,0.00031959033,0.00011322375,0.04087591,0.0012777622,0.00017259794,0.0000031048446,0.00022403208,0.9334162],"genre_scores_gemma":[0.9931294,0.000012215632,0.000017846196,0.00023731876,0.000072026276,0.000030099032,0.0000025726638,0.00000235141,0.006496208],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993427,0.00004405983,0.00012480796,0.00007138969,0.00022883726,0.00018825397],"domain_scores_gemma":[0.9997385,0.00011061616,0.00001543247,0.000063854764,0.00003349188,0.000038085072],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00067660084,0.00003843399,0.000065989385,0.00025427176,0.0001590691,0.0002129667,0.00009479945,0.000031261723,0.00021544175],"category_scores_gemma":[0.000099347264,0.000034239238,0.000028573784,0.00057260727,0.00007168302,0.00025377027,0.000018790271,0.000082671,0.002787585],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[3.1010975e-7,0.0000082328215,0.009863989,0.000010067688,0.0000061531523,7.551129e-7,0.0083636325,0.000002831306,1.160334e-7,0.78753924,0.19362222,0.0005824312],"study_design_scores_gemma":[0.000034159308,0.000004826749,0.006704067,0.000020964075,7.00358e-7,9.981802e-8,0.0053855083,0.0000948369,2.2197491e-7,0.002102399,0.9856105,0.000041753552],"about_ca_topic_score_codex":0.0004211569,"about_ca_topic_score_gemma":0.004083645,"teacher_disagreement_score":0.9695318,"about_ca_system_score_codex":0.00005107052,"about_ca_system_score_gemma":0.000055744124,"threshold_uncertainty_score":0.9979889},"labels":[],"label_agreement":null},{"id":"W4404938790","doi":"10.1386/public_00213_1","title":"Rock, stone","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Building materials and conservation","field":"Earth and Planetary Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geology; Archaeology; Geography","score_opus":0.026902942061912988,"score_gpt":0.21345469464903016,"score_spread":0.18655175258711718,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404938790","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9805162,0.0011547836,0.00034443394,0.0052609374,0.00093597587,0.000031783817,0.000016960143,0.0001594535,0.011579462],"genre_scores_gemma":[0.9988057,0.000018229233,0.00008910363,0.0002733488,0.00013929144,4.659839e-7,0.000044706576,0.0000011977623,0.0006279599],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99968183,0.000012674991,0.0000524687,0.00008580393,0.00006807924,0.00009912356],"domain_scores_gemma":[0.9998756,0.000023386227,0.0000060624134,0.000051486393,0.000008855232,0.00003460522],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012551079,0.0000321711,0.000032612174,0.00003846237,0.00004121916,0.00027300327,0.00005818156,0.000018630688,0.005021016],"category_scores_gemma":[0.000013033578,0.000024568062,0.000013373188,0.00012960374,0.000005469401,0.00022525869,0.0000027952033,0.000028463215,0.001435334],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000086626915,0.000011990739,0.27632457,0.000096125405,0.0000362101,0.000029475548,0.0001745019,0.00029925528,0.0012585386,0.031703316,0.029200304,0.6608571],"study_design_scores_gemma":[0.000040390074,0.000024744037,0.3337344,0.000012053222,0.000004555029,0.000013326836,0.00002230408,0.02970367,0.00018807194,0.0034204514,0.632736,0.00010003174],"about_ca_topic_score_codex":0.00038890349,"about_ca_topic_score_gemma":0.00017182375,"teacher_disagreement_score":0.660757,"about_ca_system_score_codex":0.0000010278578,"about_ca_system_score_gemma":0.000026896656,"threshold_uncertainty_score":0.99934214},"labels":[],"label_agreement":null},{"id":"W4404938817","doi":"10.1386/public_00199_7","title":"Affects, Atmospheres","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Ecocriticism and Environmental Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Environmental science","score_opus":0.016769835746147953,"score_gpt":0.19618417049705586,"score_spread":0.1794143347509079,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404938817","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.057135023,0.007460236,0.000010590345,0.0048762136,0.0014524533,0.00006276431,0.000046169735,0.00030861303,0.92864794],"genre_scores_gemma":[0.9472055,0.000020207051,0.000025042076,0.00062755635,0.00072845834,0.000010799776,0.000029359797,0.000013119999,0.051339988],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996182,0.000009367938,0.000046092642,0.00011388591,0.00006802136,0.00014445857],"domain_scores_gemma":[0.99983954,0.000025250618,0.0000037800764,0.00008508808,0.0000039017027,0.000042435368],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000039294613,0.00006282304,0.000047692363,0.000013409874,0.00009826137,0.00084057165,0.00006634415,0.000017628667,0.012683802],"category_scores_gemma":[0.000005224238,0.000047877296,0.000039824125,0.000019776642,0.000072009556,0.00036815263,0.000023433793,0.000079844605,0.0012002762],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.1475442e-7,0.00001230406,0.0000668472,0.00003937766,0.000010300251,0.000013074201,0.0024369545,1.16538715e-7,0.000024717849,0.88971984,0.10172022,0.0059558223],"study_design_scores_gemma":[0.000025538286,0.000015215901,0.00010454286,0.000018220984,0.0000047668013,0.0000030640035,0.00038740376,0.00006815183,0.00002208214,0.0035303805,0.9957518,0.00006884613],"about_ca_topic_score_codex":0.000011730057,"about_ca_topic_score_gemma":0.00006937608,"teacher_disagreement_score":0.8940316,"about_ca_system_score_codex":0.000013885212,"about_ca_system_score_gemma":0.000005914772,"threshold_uncertainty_score":0.9995774},"labels":[],"label_agreement":null},{"id":"W4404983653","doi":"10.1386/public_00209_1","title":"The Liberation of the Chinook Wind","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Indigenous Health, Education, and Rights","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Chinook wind; Liberation; Political science; History; Environmental science; Fishery; Chemistry; Biology; Oncorhynchus","score_opus":0.016452960813356364,"score_gpt":0.2941376165441777,"score_spread":0.27768465573082135,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404983653","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41579908,0.0012607946,0.00001282578,0.030638013,0.0033464544,0.00033386896,0.0000020794473,0.00004824165,0.54855865],"genre_scores_gemma":[0.94459856,0.0010688093,0.000007268605,0.000055025666,0.00067535264,0.0000011300463,0.0000013001986,0.000003488831,0.053589042],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999348,0.00015114558,0.00008977549,0.00006312471,0.00018977396,0.00015817583],"domain_scores_gemma":[0.9996402,0.00012189192,0.000027619384,0.000114331,0.00006333365,0.000032626976],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00079893303,0.000027187984,0.000028407076,0.000021693482,0.004537327,0.00019977431,0.00019075286,0.00003507552,0.000067029774],"category_scores_gemma":[0.00001194865,0.000012228197,0.000030708383,0.00027232378,0.00015458261,0.00016340268,9.15264e-7,0.000071817696,0.00003723887],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[2.124698e-7,0.000008898006,0.00019686126,0.000005610109,0.0000035342632,2.6359512e-8,0.16635953,2.4339164e-7,9.851614e-7,0.83085144,0.0010393065,0.0015333445],"study_design_scores_gemma":[0.000009382386,0.0000035897174,0.0025736466,0.000005146946,0.0000022139532,2.1902689e-7,0.0010754757,0.0000120341465,0.00003086294,0.009122793,0.98714554,0.000019070498],"about_ca_topic_score_codex":0.011596088,"about_ca_topic_score_gemma":0.39142075,"teacher_disagreement_score":0.9861063,"about_ca_system_score_codex":0.000058032918,"about_ca_system_score_gemma":0.0072030807,"threshold_uncertainty_score":0.9984252},"labels":[],"label_agreement":null},{"id":"W4404983663","doi":"10.1386/public_00210_1","title":"Walking Body as Barometer: Trans Ecologies of Gichigami (Lake Superior)","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Water Governance and Infrastructure","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McMaster University","funders":"","keywords":"Barometer; Geography; Environmental science; Psychology; Meteorology","score_opus":0.015841601397207545,"score_gpt":0.2778025754647482,"score_spread":0.26196097406754065,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404983663","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9250746,0.0006981421,0.000040644747,0.007455512,0.0008853112,0.00011172927,0.00003704312,0.00018068601,0.06551632],"genre_scores_gemma":[0.99750435,0.00020589613,0.0000834877,0.00016872484,0.00021461336,0.000009403381,0.0000069838607,0.0000096246995,0.0017969062],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989879,0.00006389279,0.00015775357,0.00018220149,0.0002933667,0.00031486718],"domain_scores_gemma":[0.99966687,0.00007353121,0.000028361093,0.00011913094,0.000045346824,0.00006673806],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003042448,0.0000857434,0.00014129774,0.00009258917,0.00015331735,0.0002805355,0.00030753372,0.000099435805,0.0021595294],"category_scores_gemma":[0.00017825357,0.000069877555,0.000094560535,0.00039278655,0.00019450832,0.00069886015,0.0000330721,0.00013054286,0.000047963982],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022264006,0.0001304746,0.0807946,0.0003606821,0.00033944604,0.00010878002,0.16902812,0.000010073734,0.014260829,0.5305581,0.037426736,0.1669599],"study_design_scores_gemma":[0.000076800265,0.00005871053,0.04471352,0.000029755049,0.000013289358,0.0000023033144,0.0025953157,0.000013497137,0.0011813607,0.0079410765,0.94324744,0.00012694222],"about_ca_topic_score_codex":0.00041012687,"about_ca_topic_score_gemma":0.0028823938,"teacher_disagreement_score":0.90582067,"about_ca_system_score_codex":0.00004081894,"about_ca_system_score_gemma":0.00022825372,"threshold_uncertainty_score":0.99875265},"labels":[],"label_agreement":null},{"id":"W4414832959","doi":"10.1386/public_00254_4","title":"Sheilah ReStack: Susan’s Sword","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Political and Economic history of UK and US","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; SWORD; Closing (real estate); Window (computing)","score_opus":0.03322915467075687,"score_gpt":0.3291433220232689,"score_spread":0.295914167352512,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414832959","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05562191,0.00017336047,0.000032758435,0.038937904,0.00064493273,0.000041874748,0.0000020302161,0.000071901784,0.9044733],"genre_scores_gemma":[0.8689214,0.000045131514,0.00002962193,0.0018296675,0.00019217536,0.000006975593,0.0000015922974,0.0000019955182,0.12897143],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993647,0.00004329533,0.00009304712,0.000115916024,0.00006281778,0.00032026164],"domain_scores_gemma":[0.9996607,0.000059963822,0.00001348714,0.00009845814,0.000026265418,0.00014117904],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003133316,0.000041070034,0.000075461874,0.00006562448,0.0004310624,0.00008000514,0.00018788068,0.0000517549,0.001444528],"category_scores_gemma":[0.00018409832,0.00004052526,0.000042621334,0.00013369138,0.00019039914,0.00015324233,0.00002643795,0.00006303955,0.00037303078],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000013366265,0.000016792414,0.002191827,0.000002576184,0.000004501553,7.085492e-7,0.00043344242,7.651854e-8,0.0000016902371,0.875388,0.1132059,0.008753144],"study_design_scores_gemma":[0.00006590687,0.0000033172128,0.0029055204,0.000002747449,0.0000022202178,5.827335e-8,0.0004549686,0.000005884028,0.0000028521029,0.028911568,0.96759754,0.000047439902],"about_ca_topic_score_codex":0.0011322882,"about_ca_topic_score_gemma":0.0014382286,"teacher_disagreement_score":0.85439163,"about_ca_system_score_codex":0.00013294762,"about_ca_system_score_gemma":0.00030073506,"threshold_uncertainty_score":0.99946827},"labels":[],"label_agreement":null},{"id":"W4414833247","doi":"10.1386/public_00243_1","title":"Queer Toronto on Cable: Rescuing, Remediating, and Reactivating This Show May Be Offenstive to Heterosexuals (1978-1979)","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McGill University","funders":"","keywords":"Queer; Obsolescence; Lesbian; Blueprint; Human sexuality; Politics","score_opus":0.03216273437969141,"score_gpt":0.2969671313872686,"score_spread":0.2648043970075772,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414833247","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10695803,0.00055738364,0.00002556229,0.024714043,0.0012841639,0.00042222667,0.000035721445,0.00014183228,0.86586106],"genre_scores_gemma":[0.78872764,0.00012954802,0.00028301752,0.0075337063,0.00049859466,0.0000718971,0.000010130466,0.0000173798,0.20272811],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985397,0.00016085226,0.00018194743,0.000341834,0.00036104847,0.000414619],"domain_scores_gemma":[0.99905455,0.0002412125,0.00007832486,0.00021404806,0.00012965173,0.00028220972],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00086691795,0.00010384521,0.00017192282,0.00030255818,0.0012320563,0.00076258054,0.00022127699,0.00011922701,0.00072379684],"category_scores_gemma":[0.0027883707,0.00013043654,0.000035995337,0.00036823118,0.0002324861,0.00053093146,0.00007251338,0.00016303941,0.000024713465],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019592835,0.000058996564,0.007298487,0.000041251908,0.000052800977,0.000008395516,0.05877383,0.0000023017071,0.00044142007,0.14488198,0.7408741,0.047546815],"study_design_scores_gemma":[0.00012041892,0.00003477298,0.005197564,0.000045426164,0.0000069525227,2.0311796e-7,0.0040636794,0.000004991673,0.000027098778,0.00012863147,0.99023044,0.00013982665],"about_ca_topic_score_codex":0.67115474,"about_ca_topic_score_gemma":0.9308734,"teacher_disagreement_score":0.6817696,"about_ca_system_score_codex":0.0018499199,"about_ca_system_score_gemma":0.0007226939,"threshold_uncertainty_score":0.94761056},"labels":[],"label_agreement":null},{"id":"W4414833251","doi":"10.1386/public_00236_1","title":"Crossing Fonds -- Pollinating Access and Interpretation – Building a Space for Online Collaboration","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Private Equity and Venture Capital","field":"Business, Management and Accounting","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Library and Archives Canada; University of British Columbia; Ontario College of Art and Design","funders":"","keywords":"Reinterpretation; Interpretation (philosophy); Space (punctuation); Range (aeronautics); Key (lock); The Internet","score_opus":0.026128828314095628,"score_gpt":0.3247144850692614,"score_spread":0.2985856567551658,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414833251","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8689389,0.00027016137,0.102872655,0.023434076,0.0006388291,0.00035424283,0.0000091549655,0.00013778657,0.003344164],"genre_scores_gemma":[0.9957206,0.000003182708,0.0018107494,0.0017687628,0.00043931056,0.000025428713,0.00009479342,0.0000100720745,0.00012709323],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9993595,0.0000056022204,0.00017196106,0.00019715742,0.00008236313,0.00018341678],"domain_scores_gemma":[0.99944466,0.000066753426,0.00013877254,0.00008727048,0.00025432347,0.000008243351],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00029888656,0.00009495313,0.00011162352,0.00031108936,0.00040164866,0.003725218,0.00016596036,0.000053713797,0.000008454601],"category_scores_gemma":[0.0009007794,0.00009650316,0.000030279325,0.00065947254,0.000041470896,0.0032970067,0.00023220704,0.0000685283,0.0000011413626],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000063300475,0.00009573004,0.015785728,0.000634567,0.000043035398,8.5800826e-7,0.00018872936,0.000064011365,0.0030810516,0.8632508,0.0030068993,0.11378531],"study_design_scores_gemma":[0.002545519,0.000027271859,0.034404095,0.00045113522,0.00013140979,0.0000013605111,0.0010229518,0.54275733,0.00088903046,0.14685586,0.27034375,0.00057029794],"about_ca_topic_score_codex":0.000035507397,"about_ca_topic_score_gemma":0.00011894118,"teacher_disagreement_score":0.7163949,"about_ca_system_score_codex":0.000040042312,"about_ca_system_score_gemma":0.000050555464,"threshold_uncertainty_score":0.997309},"labels":[],"label_agreement":null},{"id":"W7084574625","doi":"10.1386/public_00245_1","title":"Pulsating Abundance","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Multiple Myeloma Research and Treatments","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Ephemera; Queer; Feeling; Modernity; Diaspora; Colonialism; Temporality; Photography","score_opus":0.03895993679046997,"score_gpt":0.3549889728242578,"score_spread":0.31602903603378785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7084574625","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70585585,0.00074346043,0.00048960035,0.02062434,0.00011931718,0.00034307194,0.000004069823,0.00012121905,0.27169907],"genre_scores_gemma":[0.9848935,0.000015725906,0.0008369688,0.0005551633,0.000036803875,0.000034495413,0.000018207631,0.000004448548,0.01360469],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9994419,0.000014308158,0.00007736221,0.00011927673,0.00012971066,0.00021741714],"domain_scores_gemma":[0.9996095,0.00004123875,0.000012029884,0.00017202986,0.00006535954,0.000099895915],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008850091,0.000048512455,0.00008872418,0.00011072733,0.00006670651,0.00003519355,0.000050003368,0.000023443486,0.00021601934],"category_scores_gemma":[0.00040323756,0.00003821966,0.0000333541,0.00026329682,0.000025246985,0.0000601123,0.000033981825,0.00008152149,0.0001357325],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004631751,0.00020340167,0.69073343,0.00009000267,0.00013841185,0.000053539225,0.000034249188,1.8134197e-7,0.0012192368,0.00988556,0.005547243,0.29204842],"study_design_scores_gemma":[0.002490487,0.00007295633,0.85460204,0.000073211326,0.000018252744,0.000014119479,0.00004874711,0.001028679,0.002084745,0.0007749915,0.13872641,0.0000653535],"about_ca_topic_score_codex":0.000039834886,"about_ca_topic_score_gemma":0.000012139364,"teacher_disagreement_score":0.29198307,"about_ca_system_score_codex":0.00006226476,"about_ca_system_score_gemma":0.0001320761,"threshold_uncertainty_score":0.23652603},"labels":[],"label_agreement":null},{"id":"W7084586170","doi":"10.1386/public_00231_2","title":"Introduction: Against Oblivion: Community Archives, Building Alliances","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Bacterial Genetics and Biotechnology","field":"Biochemistry, Genetics and Molecular Biology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University; Queen's University","funders":"","keywords":"Context (archaeology); Public policy; Government (linguistics); Work (physics)","score_opus":0.012455104564616737,"score_gpt":0.24535791555816253,"score_spread":0.2329028109935458,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7084586170","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9709605,0.0010705189,0.0019894768,0.01844742,0.000814434,0.00011032402,0.0000088214065,0.000046321453,0.006552212],"genre_scores_gemma":[0.99452233,0.0006390579,0.0016682079,0.00077697006,0.0007300926,0.000018361243,0.00013276328,0.0000084702515,0.0015037516],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924237,0.000108596956,0.00014891931,0.00022959692,0.00004607819,0.00022447116],"domain_scores_gemma":[0.99935824,0.000010513862,0.00004633454,0.0005004274,0.00004175135,0.000042740437],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000170523,0.000111047346,0.000106934065,0.00008380049,0.00021541122,0.00006748942,0.00037349472,0.00016032759,0.00002153987],"category_scores_gemma":[0.000115031835,0.00010715707,0.000053908185,0.00020159702,0.00016617212,0.0000033452645,0.0003162094,0.00021605795,0.0000056812755],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020151838,0.00007847684,0.0008876548,0.000017703285,0.000054100477,3.7807646e-7,0.000009818893,0.0000067835604,0.93213284,0.0056049605,0.010197854,0.050989266],"study_design_scores_gemma":[0.00017557875,0.00007385929,0.0034549497,0.000006269541,0.0000053243766,0.0000033128542,0.000040841092,0.000019205474,0.19066235,0.0007112661,0.80474305,0.00010399508],"about_ca_topic_score_codex":0.000008954153,"about_ca_topic_score_gemma":0.000037784284,"teacher_disagreement_score":0.7945452,"about_ca_system_score_codex":0.000008125543,"about_ca_system_score_gemma":0.000071115785,"threshold_uncertainty_score":0.43697384},"labels":[],"label_agreement":null},{"id":"W7084608490","doi":"10.1386/public_00256_4","title":"Richard Mosse: Broken Spectre at Centre Phi - Afterword","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Microbial infections and disease research","field":"Immunology and Microbiology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Exposition (narrative); Context (archaeology); Narrative","score_opus":0.011872203655232148,"score_gpt":0.2611967779493486,"score_spread":0.24932457429411645,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7084608490","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8946009,0.008660744,0.00011990525,0.012828236,0.001008105,0.00036444055,0.00012853536,0.0002418959,0.08204721],"genre_scores_gemma":[0.90764713,0.00012312943,0.000012756082,0.00044105496,0.000041095536,0.00002201086,0.00018082946,0.000009793269,0.09152222],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988753,0.00012761704,0.00016728105,0.00029699848,0.000028216755,0.0005045549],"domain_scores_gemma":[0.99941474,0.00006609011,0.00003185804,0.00033859405,0.00009920486,0.000049522987],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013573689,0.0001312876,0.00016816503,0.00024771164,0.00033321383,0.00006745878,0.0002035394,0.00015774881,0.013064942],"category_scores_gemma":[0.000095705895,0.00011846597,0.000114955124,0.00044847783,0.00012743073,0.000100658515,0.00027258563,0.00021467425,0.0042201425],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011782465,0.00043900273,0.046134494,0.00006119148,0.00036985436,0.000012246024,0.0000869809,7.784553e-7,0.21426989,0.01896218,0.71032566,0.009219885],"study_design_scores_gemma":[0.0008392695,0.00002056922,0.00950585,0.000017032655,0.00002502198,0.000023282455,0.0000614936,0.000002211963,0.014400681,0.0004203446,0.97453856,0.00014567233],"about_ca_topic_score_codex":0.00013828807,"about_ca_topic_score_gemma":0.00025536327,"teacher_disagreement_score":0.2642129,"about_ca_system_score_codex":0.00014652134,"about_ca_system_score_gemma":0.00013425217,"threshold_uncertainty_score":0.9965552},"labels":[],"label_agreement":null},{"id":"W7084609265","doi":"10.1386/public_00240_1","title":"Toward a Pan African Audiovisual Archival Movement in a Decolonized Global Context","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Food Security and Health in Diverse Populations","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Context (archaeology); Geopolitics; Movement (music); Politics; Order (exchange); Key (lock)","score_opus":0.20208349449624113,"score_gpt":0.4772016256990219,"score_spread":0.2751181312027808,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7084609265","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7729124,0.00023028607,0.00041565887,0.085080154,0.0013929296,0.0017691881,0.00015338366,0.0001752303,0.13787076],"genre_scores_gemma":[0.9875369,0.000025370427,0.0002624791,0.010553613,0.00009238815,0.00046299503,0.000042631313,0.00000693596,0.001016663],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99744654,0.00056302716,0.00064611045,0.00030693627,0.00022496346,0.0008124058],"domain_scores_gemma":[0.99895495,0.0003181736,0.00013608877,0.00026891092,0.000121546254,0.00020031918],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00074917905,0.00014347292,0.00032351792,0.00025615198,0.00058476196,0.000026249856,0.0002814122,0.00013976647,0.0004978845],"category_scores_gemma":[0.0007012901,0.00014537621,0.00007322151,0.00086126797,0.00006940296,0.00013907778,0.00027603048,0.00053829787,0.0003192937],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014850803,0.00030759524,0.3450363,0.00024509945,0.00004038803,0.000007301589,0.0055168434,0.0000021264962,0.0000031822524,0.62207067,0.014944866,0.01167712],"study_design_scores_gemma":[0.0029242155,0.00008593437,0.8162775,0.00015026539,0.000014268536,3.1596983e-7,0.007761652,0.00048295542,0.0000011085062,0.03882962,0.13330966,0.00016251203],"about_ca_topic_score_codex":0.0039883014,"about_ca_topic_score_gemma":0.020721968,"teacher_disagreement_score":0.58324105,"about_ca_system_score_codex":0.0008178635,"about_ca_system_score_gemma":0.0013862246,"threshold_uncertainty_score":0.9971473},"labels":[],"label_agreement":null},{"id":"W7084610551","doi":"10.1386/public_00234_1","title":"Tryleather.net: Performance Research and the Embodied Archive","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Rocket and propulsion systems research","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Queen's University","funders":"","keywords":"Expansive; Embodied cognition; Process (computing); Work (physics)","score_opus":0.052643289962386555,"score_gpt":0.3095905396208,"score_spread":0.2569472496584135,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7084610551","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5335482,0.0022371532,0.00020769727,0.0031580587,0.00017599444,0.0004281872,0.000003406983,0.000117954216,0.4601234],"genre_scores_gemma":[0.99159396,0.00048761396,0.000025536843,0.000029580277,0.000068586116,0.00009568688,0.0000026465775,0.000011070448,0.0076853456],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989963,0.0001430814,0.00013250641,0.00012491,0.00026390873,0.00033927403],"domain_scores_gemma":[0.9992612,0.00032201386,0.000006354755,0.00026475894,0.00008633413,0.000059346883],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013348977,0.0000714509,0.000119196964,0.00023826065,0.00023825638,0.0001854972,0.00027658156,0.00004251362,0.00006485431],"category_scores_gemma":[0.00009511707,0.000044209548,0.0000217189,0.00048184514,0.00018596614,0.00009845024,0.00012618786,0.00037881878,0.000105456005],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020426027,0.000041820822,0.015426886,0.0006836854,0.00019339906,0.0000042582133,0.0033755226,0.000049480466,0.0008413991,0.054279555,0.101056516,0.82384324],"study_design_scores_gemma":[0.0026846696,0.00008043393,0.01690464,0.00012479366,0.00000567522,0.000011388399,0.0010418094,0.056989063,0.0024521549,0.01764149,0.90181667,0.00024719725],"about_ca_topic_score_codex":0.000027159831,"about_ca_topic_score_gemma":0.000019551397,"teacher_disagreement_score":0.823596,"about_ca_system_score_codex":0.000025828462,"about_ca_system_score_gemma":0.00003320728,"threshold_uncertainty_score":0.18324997},"labels":[],"label_agreement":null},{"id":"W7084611393","doi":"10.1386/public_00253_4","title":"Grounding","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Agricultural Innovations and Practices","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Exhibition; Ground; Exposition (narrative); Window (computing)","score_opus":0.037520854785729044,"score_gpt":0.25221574748890274,"score_spread":0.2146948927031737,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7084611393","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85233206,0.00010414912,0.000019351495,0.051842924,0.0001579896,0.000050770344,0.0000022425932,0.000073634284,0.095416896],"genre_scores_gemma":[0.99246025,0.000009859562,0.00003680023,0.00089995377,0.000078027886,0.000008615436,0.000025723868,6.710875e-8,0.006480698],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99966085,0.000018711615,0.0000734333,0.00008833562,0.000050566516,0.00010813091],"domain_scores_gemma":[0.99976933,0.00010978353,0.00002779235,0.00001760841,0.00005688182,0.000018586008],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012178158,0.00003879229,0.000040296156,0.00000878056,0.0001961877,0.00016308283,0.000112281334,0.000027683502,0.00075379055],"category_scores_gemma":[0.000066459754,0.000010532709,0.000021005062,0.0007591403,0.000011327804,0.00029777634,0.000033549928,0.00005156244,0.0000446761],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000025029376,0.000049755727,0.022944253,0.0000027629121,0.000015213581,6.431869e-7,0.000010465545,1.3448312e-7,0.045980334,0.2871428,0.033501383,0.6103497],"study_design_scores_gemma":[0.000016501377,0.000009084394,0.20267637,0.000002481815,0.00000186403,9.443992e-7,0.00013508917,0.000008669178,0.00017353996,0.0016572658,0.7952786,0.000039594048],"about_ca_topic_score_codex":0.000061286606,"about_ca_topic_score_gemma":0.000086254775,"teacher_disagreement_score":0.7617772,"about_ca_system_score_codex":0.0000107154865,"about_ca_system_score_gemma":0.0000030850547,"threshold_uncertainty_score":0.82534784},"labels":[],"label_agreement":null},{"id":"W7104509053","doi":"10.1386/public_00258_5","title":"Glitchy Vision: A Feminist History of the Social Photo","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Photography; Reading (process); CONTEST; Narrative; Visual culture; Social history (medicine); Social media","score_opus":0.044509332317814676,"score_gpt":0.2773715093536657,"score_spread":0.23286217703585105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104509053","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.100376666,0.00059118774,0.0000011382261,0.0020941612,0.001610352,0.00012189383,0.000032906846,0.000047571684,0.89512414],"genre_scores_gemma":[0.95279753,0.0000018200273,0.0000011431995,0.0019154612,0.00019403949,0.000015845737,0.0000031163268,0.000003611584,0.045067456],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995288,0.000033278782,0.00011903152,0.0000943005,0.00011153324,0.00011303513],"domain_scores_gemma":[0.9997071,0.000017561448,0.000055757915,0.00012716965,0.00007485448,0.000017552966],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000094203664,0.000065880864,0.000096863434,0.000052533625,0.00025982654,0.00005919219,0.00022555937,0.000036439596,0.0015522769],"category_scores_gemma":[0.000019267804,0.000041829073,0.00015052267,0.000071413495,0.00034864058,0.000081943304,0.00005719146,0.00010471492,0.000006960737],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000065739396,0.00007452932,0.00019871866,0.000026632506,0.000023401532,1.4665919e-7,0.020122893,4.1555026e-9,0.00025827656,0.64546776,0.3334064,0.0004146743],"study_design_scores_gemma":[0.0001251778,0.000014405497,0.00095707393,0.000012605705,0.000012142098,1.6185854e-7,0.0024381846,0.0000025330676,0.00012304758,0.001464787,0.99480087,0.00004903577],"about_ca_topic_score_codex":0.00011920147,"about_ca_topic_score_gemma":0.0002922477,"teacher_disagreement_score":0.85242087,"about_ca_system_score_codex":0.00005025479,"about_ca_system_score_gemma":0.00010834718,"threshold_uncertainty_score":0.99936044},"labels":[],"label_agreement":null},{"id":"W7117455334","doi":"10.1386/public_00270_2","title":"To Feed an Army","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Culinary Culture and Tourism","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Theme (computing); Psychological resilience; Resilience (materials science); Bridge (graph theory)","score_opus":0.028080570047587777,"score_gpt":0.24297630374791265,"score_spread":0.2148957337003249,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117455334","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90407354,0.00004697298,0.0000055322903,0.05189846,0.0001283211,0.00008679951,0.0000044880817,0.00008452647,0.043671373],"genre_scores_gemma":[0.98692894,0.0000021190012,0.000056176523,0.0035250147,0.0002293123,0.000012207319,0.00003113253,1.6899003e-7,0.009214912],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995434,0.000020617825,0.00006461493,0.0001533827,0.0000640094,0.00015393517],"domain_scores_gemma":[0.9997971,0.000018007686,0.000009982318,0.000039230952,0.000037040747,0.00009865795],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000078305864,0.00005308186,0.000060587616,0.000009666093,0.000116226154,0.00010113367,0.00018343162,0.000038512226,0.000484549],"category_scores_gemma":[0.00002720017,0.000016872411,0.000031580366,0.0004191236,0.000008878533,0.00012094268,0.00005094526,0.00004471643,0.0001314786],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020496347,0.00033336188,0.015512891,0.0000041296926,0.000021741827,0.000008657107,0.00018235696,0.0000013593199,0.14935629,0.029697096,0.19914508,0.6057165],"study_design_scores_gemma":[0.00003470673,0.00006881282,0.18365964,0.0000021626365,0.0000020364648,8.902217e-7,0.00009275383,0.0000053122767,0.00043352816,0.001426389,0.8142149,0.000058857164],"about_ca_topic_score_codex":0.00010438768,"about_ca_topic_score_gemma":0.00055870385,"teacher_disagreement_score":0.6150698,"about_ca_system_score_codex":0.000008299044,"about_ca_system_score_gemma":0.0000047941894,"threshold_uncertainty_score":0.5305472},"labels":[],"label_agreement":null},{"id":"W7117456543","doi":"10.1386/public_00278_1","title":"Time is of the Essence","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Posthumanist Ethics and Activism","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Foregrounding; Performative utterance; Work (physics); Architecture; Multidisciplinary approach; Wilderness","score_opus":0.029077449755641752,"score_gpt":0.32053632926645387,"score_spread":0.2914588795108121,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117456543","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1005478,0.00004579799,0.000051285508,0.13563512,0.00021201011,0.00007268169,0.0000033220547,0.000020659445,0.76341134],"genre_scores_gemma":[0.9724984,0.0000060760763,0.000004771181,0.0012036422,0.0000206831,0.000001755454,1.0681264e-7,0.0000010092466,0.02626353],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996165,0.000052126106,0.00004602109,0.000053959568,0.00013917148,0.00009222073],"domain_scores_gemma":[0.9997121,0.00007311206,0.000028015404,0.00011346635,0.00005808887,0.000015221107],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036561253,0.000020441179,0.00003687475,0.000019075784,0.00030190454,0.000041172956,0.00028521137,0.00003201825,0.0002925346],"category_scores_gemma":[0.00023440285,0.000014199807,0.00002826205,0.00025523696,0.00027825084,0.000073514755,0.00005031834,0.00006477343,0.000026270869],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[2.0609797e-7,0.000012904372,0.0007381638,0.0000022388135,0.0000037028667,3.496198e-8,0.0021478264,3.5592937e-8,0.00033187424,0.9898528,0.0056804763,0.0012297775],"study_design_scores_gemma":[0.000045445373,0.0000027877418,0.010271939,0.00001542639,0.0000036530141,3.794742e-8,0.0005795262,0.00002914827,0.0009775492,0.15893583,0.829099,0.000039628223],"about_ca_topic_score_codex":0.0003808891,"about_ca_topic_score_gemma":0.00014517205,"teacher_disagreement_score":0.8719506,"about_ca_system_score_codex":0.000015462942,"about_ca_system_score_gemma":0.00023371697,"threshold_uncertainty_score":0.32030487},"labels":[],"label_agreement":null},{"id":"W7117456818","doi":"10.1386/public_00276_1","title":"Ache of Being","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Posthumanist Ethics and Activism","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Face (sociological concept); Dream; Feeling; Space (punctuation); Order (exchange)","score_opus":0.04848015746900577,"score_gpt":0.3512858126091371,"score_spread":0.30280565514013136,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117456818","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11512179,0.000072665105,0.00016956512,0.025572589,0.00014882039,0.000035215493,6.066769e-7,0.000025688572,0.85885304],"genre_scores_gemma":[0.9942516,0.000015176677,0.000037748407,0.0003178131,0.000032458036,0.0000020432697,4.2062746e-7,0.0000011953338,0.0053415103],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99965304,0.00004228213,0.000050780127,0.000050282717,0.00010228251,0.00010135213],"domain_scores_gemma":[0.99976504,0.000078721045,0.000021083682,0.00006201798,0.000052020576,0.000021126116],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00050861604,0.00001914636,0.000042172334,0.000045860175,0.00017807099,0.00004532044,0.00013709265,0.000036553334,0.000089385874],"category_scores_gemma":[0.00030947008,0.000018206467,0.000021095866,0.00018661167,0.00010799281,0.000093359384,0.000026906759,0.000062969404,0.0000060742973],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[2.4118893e-7,0.000012438204,0.0017623251,0.0000030466997,0.0000043478894,1.0325551e-7,0.0023834114,1.5964343e-8,0.00012569492,0.9846947,0.00045537518,0.010558299],"study_design_scores_gemma":[0.000063822656,0.000004400513,0.006942285,0.000011054543,0.0000035796093,2.3275486e-8,0.0014148011,0.0000072734747,0.0005265809,0.19752465,0.79346174,0.000039771618],"about_ca_topic_score_codex":0.0004939384,"about_ca_topic_score_gemma":0.0003796872,"teacher_disagreement_score":0.8791298,"about_ca_system_score_codex":0.000018850718,"about_ca_system_score_gemma":0.00016765701,"threshold_uncertainty_score":0.1369596},"labels":[],"label_agreement":null},{"id":"W7117470223","doi":"10.1386/public_00268_1","title":"Beyond Borders: Sandra Brewster’s Artistic Exploration of Afro-Caribbean Identity in Canada","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Caribbean history, culture, and politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Brewster; Identity (music); Scholarship; Space (punctuation); Immigration; Black British","score_opus":0.029393311460355055,"score_gpt":0.3097520146357458,"score_spread":0.28035870317539074,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117470223","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32537973,0.0020996276,0.0018169403,0.01797615,0.0048690587,0.0007238508,0.0002367191,0.00008594617,0.64681196],"genre_scores_gemma":[0.9976989,0.000058545043,0.000029744591,0.0005741575,0.00008890398,0.000012941322,0.000027762491,0.000004135719,0.0015049125],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988725,0.00013477476,0.00024478484,0.00014509831,0.00032083323,0.00028201044],"domain_scores_gemma":[0.9994483,0.000081002,0.00007755367,0.00015830035,0.00014573263,0.00008909461],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034231873,0.00007465615,0.00015370519,0.00013127885,0.00018199414,0.000087287954,0.00021766273,0.00005869461,0.00013832202],"category_scores_gemma":[0.000445059,0.00008362514,0.000036547648,0.0005971119,0.00013543929,0.0007792993,0.000029313842,0.00010361439,0.0000049182704],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005437698,0.000047180743,0.026120735,0.00005803007,0.000017565584,0.0000044734848,0.017113114,0.000009694433,0.000017636987,0.89747095,0.057334665,0.0018005131],"study_design_scores_gemma":[0.0004917471,0.000015392852,0.023769327,0.00003817291,0.000033985954,3.1098352e-7,0.057683762,0.000047788246,0.00005302351,0.050973363,0.8666448,0.00024832613],"about_ca_topic_score_codex":0.93070143,"about_ca_topic_score_gemma":0.99857235,"teacher_disagreement_score":0.8464976,"about_ca_system_score_codex":0.000995815,"about_ca_system_score_gemma":0.0031171476,"threshold_uncertainty_score":0.5529686},"labels":[],"label_agreement":null},{"id":"W7117470392","doi":"10.1386/public_00273_1","title":"The Possible Impossibilities of Home: Afrobeats and the Refusal of Unlivability","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Colonialism; Depiction; Futures contract; Consciousness; Perception; African culture","score_opus":0.014114880702181119,"score_gpt":0.20711163049862047,"score_spread":0.19299674979643935,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117470392","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7049158,0.003934098,0.0000026587716,0.0035189253,0.00049965736,0.00021536993,0.00003862253,0.00002229731,0.28685257],"genre_scores_gemma":[0.96943766,0.000022780114,0.0000034378825,0.00013238261,0.00007425784,0.000015921598,0.0000022721715,0.0000025881118,0.030308697],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99936,0.00011052148,0.00021700218,0.0001003905,0.00010165263,0.00011040167],"domain_scores_gemma":[0.9992001,0.00025950774,0.00008145613,0.00029578444,0.00014588852,0.000017276661],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005875116,0.00006652328,0.00014828809,0.00002725845,0.0004877863,0.0000945705,0.00019560319,0.000026938198,0.00058611465],"category_scores_gemma":[0.0001399975,0.000030255904,0.000064765336,0.000050964314,0.0018844447,0.00011108128,0.000059103015,0.0000899721,0.0000012601215],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046651978,0.000028800685,0.000474418,0.000061812134,0.000030875588,4.7561603e-8,0.02821807,1.2352636e-7,0.000019174498,0.9557364,0.013733192,0.0016504579],"study_design_scores_gemma":[0.0006787173,0.00004062904,0.003156207,0.000026732492,0.000033306384,4.7656297e-7,0.02117338,0.000019732108,0.00011081124,0.099387966,0.87529624,0.00007578617],"about_ca_topic_score_codex":0.0001736934,"about_ca_topic_score_gemma":0.0017471979,"teacher_disagreement_score":0.8615631,"about_ca_system_score_codex":0.00001282391,"about_ca_system_score_gemma":0.000081646154,"threshold_uncertainty_score":0.69433147},"labels":[],"label_agreement":null},{"id":"W7117472683","doi":"10.1386/public_00279_4","title":"Tarralik Duffy: Klik My Heels","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Face (sociological concept); Government (linguistics); Perspective (graphical); Work (physics); Subject (documents)","score_opus":0.06512358268218095,"score_gpt":0.26529754165851405,"score_spread":0.2001739589763331,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117472683","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011538279,0.00032073967,0.00019903693,0.0167809,0.0012954347,0.00011975652,0.000046014815,0.00021252115,0.9694873],"genre_scores_gemma":[0.70316243,0.000011502681,0.000019586416,0.0058936495,0.00056352664,0.000017849661,0.000024743846,0.00001004913,0.29029664],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991591,0.000027409838,0.00016760804,0.0001740198,0.000114140195,0.00035770686],"domain_scores_gemma":[0.9994977,0.000037211663,0.000034259487,0.00024929678,0.000096530726,0.00008496329],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011058969,0.00011178087,0.00014307072,0.00013296299,0.00035106577,0.00033696953,0.00019320457,0.000038839673,0.0031120991],"category_scores_gemma":[0.00005141144,0.00009956972,0.00007754697,0.0000038408434,0.00020868266,0.00028226513,0.000071848975,0.00010632289,0.0003901181],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000019558775,0.00004100301,0.00021105452,0.000018690023,0.000031422038,0.0000015130224,0.01725791,3.0262672e-7,0.000005386586,0.81425625,0.16638401,0.0017904865],"study_design_scores_gemma":[0.00017076379,0.000012940056,0.00033182543,0.0000084269495,0.000012889766,5.18718e-7,0.0011681365,0.000053968586,0.00004292677,0.041245416,0.9568422,0.00010998106],"about_ca_topic_score_codex":0.000695283,"about_ca_topic_score_gemma":0.00473799,"teacher_disagreement_score":0.7904582,"about_ca_system_score_codex":0.00003722326,"about_ca_system_score_gemma":0.000100447636,"threshold_uncertainty_score":0.9977992},"labels":[],"label_agreement":null},{"id":"W7117477200","doi":"10.1386/public_00274_2","title":"Fragile Foundations","year":2025,"lang":"en","type":"article","venue":"Public","topic":"African studies and sociopolitical issues","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Future Earth","funders":"","keywords":"Thriving; Dignity; Declaration; Plan (archaeology); Legislation","score_opus":0.047152475658181515,"score_gpt":0.4014760331275556,"score_spread":0.35432355746937405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117477200","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0102025755,0.00017472099,0.00059801055,0.06266005,0.0002311569,0.000053987,0.0000015747825,0.000083564715,0.92599434],"genre_scores_gemma":[0.9603922,0.00004101008,0.000114263625,0.00096242013,0.00012419368,0.000015712852,0.000001272238,0.0000015151306,0.038347457],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995064,0.00004622607,0.000058980884,0.00007368903,0.00010291378,0.00021177165],"domain_scores_gemma":[0.9996463,0.00013240066,0.000009574151,0.00006882856,0.00008506718,0.000057805693],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017720231,0.00002797781,0.000056094337,0.000033961922,0.00084221724,0.00009771873,0.0001124183,0.000029740488,0.000650629],"category_scores_gemma":[0.0005701646,0.00002640768,0.000029750234,0.00030602308,0.00029220336,0.00009459292,0.000039452538,0.00004268642,0.00011095087],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[9.8167206e-8,0.000013155428,0.0026552146,8.767738e-7,0.0000080357295,1.18562134e-7,0.0032650093,2.2904938e-8,2.7405733e-7,0.97541785,0.01630982,0.0023295514],"study_design_scores_gemma":[0.000026762254,0.0000017987954,0.0019493132,0.000001302426,0.000003077539,5.2292473e-9,0.01807195,0.000002753721,6.7220947e-7,0.0662156,0.9136996,0.000027143264],"about_ca_topic_score_codex":0.0014162699,"about_ca_topic_score_gemma":0.00084936555,"teacher_disagreement_score":0.9501896,"about_ca_system_score_codex":0.00006909221,"about_ca_system_score_gemma":0.0001257017,"threshold_uncertainty_score":0.7123931},"labels":[],"label_agreement":null},{"id":"W7117477350","doi":"10.1386/public_00262_2","title":"Where the Land Remembers Us","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Indigenous Health, Education, and Rights","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Space (punctuation); Collective memory; Land tenure; Identity (music); Carry (investment); Recall","score_opus":0.01799771882617597,"score_gpt":0.30786898170778015,"score_spread":0.2898712628816042,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117477350","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18719,0.0005558222,0.00000823415,0.027322235,0.0010175629,0.00017892744,8.1837686e-7,0.00004248506,0.7836839],"genre_scores_gemma":[0.81441796,0.0036600775,0.000033406825,0.00065160793,0.00065730826,0.000005052668,0.0000038073026,0.000004552781,0.18056624],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992859,0.00014651782,0.000078361445,0.00008838608,0.0001388612,0.00026198896],"domain_scores_gemma":[0.99959904,0.000087012566,0.00002768938,0.00013730966,0.00009247122,0.00005650201],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0007063636,0.000035883215,0.000045626453,0.000044079545,0.0049442067,0.0001255457,0.00022068275,0.000052879,0.0002907715],"category_scores_gemma":[0.000012146532,0.00002149606,0.000022682485,0.00034161098,0.0001259117,0.00011326807,9.4333376e-7,0.00007746128,0.00007756204],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000010079126,0.000029432325,0.033052806,0.000013682414,0.000008787237,2.0880222e-7,0.09364699,3.0783e-7,8.5543576e-8,0.8607279,0.011692253,0.00082653447],"study_design_scores_gemma":[0.00003878333,0.000002630325,0.008133467,0.0000051718744,0.0000031305997,1.2705785e-7,0.0020062258,0.00000152825,0.000001677651,0.0029906628,0.9867866,0.000029993282],"about_ca_topic_score_codex":0.13166568,"about_ca_topic_score_gemma":0.94714075,"teacher_disagreement_score":0.9750944,"about_ca_system_score_codex":0.00009366724,"about_ca_system_score_gemma":0.008049809,"threshold_uncertainty_score":0.9975736},"labels":[],"label_agreement":null},{"id":"W7117482833","doi":"10.1386/public_00264_1","title":"On Earth as It is in Heaven: Abolition as a Spiritual Homecoming","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Theological Perspectives and Practices","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Homecoming; White (mutation); Christianity; Colonialism; Sexual ethics; Patriarchy; Christian ethics; Heterosexism","score_opus":0.0395666488526099,"score_gpt":0.38800865995175504,"score_spread":0.34844201109914513,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117482833","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2951654,0.00009424668,0.000007799107,0.12137322,0.00013217541,0.00008168234,0.0000013881763,0.000028859677,0.5831152],"genre_scores_gemma":[0.9793972,0.00009243938,0.000030413177,0.010243958,0.00009176613,0.000010664077,0.0000010061234,0.0000022390896,0.010130322],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908847,0.00022047872,0.0000980971,0.0001842573,0.0001646187,0.00024407545],"domain_scores_gemma":[0.9993449,0.0004274536,0.000038930644,0.00008785318,0.000036573645,0.000064279644],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006663841,0.00005631498,0.000093961055,0.00012406513,0.00024862983,0.00018522234,0.00014779794,0.0000788477,0.0031378334],"category_scores_gemma":[0.0015910342,0.000051199204,0.000039626175,0.000439903,0.00010657606,0.00036816666,0.000032626787,0.00017163703,0.00036393883],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019685798,0.00008398728,0.0008743909,0.0000019712888,0.000005471468,0.0000031525085,0.004826215,0.0000010170569,0.000009226547,0.9863854,0.0018387883,0.005950704],"study_design_scores_gemma":[0.00019608777,0.00006776089,0.010679353,0.000015759111,0.0000025193176,3.4704857e-7,0.011746752,0.000009697535,0.000030709794,0.30312324,0.6740538,0.000073989235],"about_ca_topic_score_codex":0.0034323526,"about_ca_topic_score_gemma":0.0017536273,"teacher_disagreement_score":0.6842318,"about_ca_system_score_codex":0.000067390414,"about_ca_system_score_gemma":0.00015140054,"threshold_uncertainty_score":0.9977734},"labels":[],"label_agreement":null},{"id":"W7117486907","doi":"10.1386/public_00280_4","title":"Fred Herzog: Vitality—Iconic Images, Hidden Stories","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Diverse academic research themes","field":"Decision Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Storytelling; Theme (computing); Feature (linguistics)","score_opus":0.20990325960988468,"score_gpt":0.45955625482788937,"score_spread":0.2496529952180047,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117486907","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31696945,0.0036457975,0.0013745512,0.09637262,0.0020844543,0.000616005,0.00011096417,0.000392708,0.57843345],"genre_scores_gemma":[0.8918734,0.000059928585,0.0002883837,0.0008599805,0.00010100919,0.00003043246,0.00000572928,0.000009196588,0.106771894],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99594414,0.00040130012,0.0005080394,0.00060397765,0.0019491618,0.0005933652],"domain_scores_gemma":[0.99635804,0.0016058963,0.00012792338,0.0010940374,0.00059742894,0.0002166761],"candidate_categories":["metaresearch","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0048207324,0.00015136259,0.0002975006,0.00068349624,0.0002468784,0.0013162674,0.002613947,0.00012518662,0.002576882],"category_scores_gemma":[0.021906676,0.00011492347,0.00013785058,0.0021852527,0.00035755098,0.0014714557,0.0010042752,0.00036837274,0.0020528461],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014860414,0.000051872783,0.028499866,0.0000062306744,0.000057262092,0.000011005229,0.0002614482,6.0470524e-7,0.00072160293,0.110423975,0.7182832,0.14166813],"study_design_scores_gemma":[0.00030353328,0.000015610722,0.013594629,0.000008057105,0.000005151166,0.0000016672582,0.0015699783,0.000050807845,0.0010059699,0.14358845,0.8397352,0.00012091785],"about_ca_topic_score_codex":0.00016006472,"about_ca_topic_score_gemma":0.00003158427,"teacher_disagreement_score":0.57490396,"about_ca_system_score_codex":0.00015797764,"about_ca_system_score_gemma":0.000521685,"threshold_uncertainty_score":0.99972045},"labels":[],"label_agreement":null},{"id":"W7117488748","doi":"10.1386/public_00259_2","title":"Introduction: An Invitation to Dream about “Home”","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Caribbean history, culture, and politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Dream; Politics; Conceptual framework; Period (music)","score_opus":0.02148285372185004,"score_gpt":0.3168303993631197,"score_spread":0.29534754564126964,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117488748","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16037402,0.0004102949,0.0007609027,0.2039095,0.008252578,0.00045150323,0.000024197061,0.00039609292,0.6254209],"genre_scores_gemma":[0.92363876,0.000023391458,0.00032276945,0.006792216,0.0045058946,0.000033472017,0.000051283954,0.000007725196,0.06462447],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992286,0.00010134157,0.000101494814,0.00016919315,0.00017526202,0.00022408432],"domain_scores_gemma":[0.9994328,0.000024952275,0.000023381255,0.00016993398,0.00018925726,0.00015967124],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036575555,0.000054279135,0.0000725896,0.00013604473,0.0004581608,0.00018541,0.000162805,0.00006468409,0.00030630897],"category_scores_gemma":[0.0003872395,0.000057886547,0.000031184736,0.00053315447,0.00009370694,0.00032065518,0.000015014713,0.00007256056,0.00012545973],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000017476156,0.000027697932,0.00063070643,0.0000037598743,0.000004818673,1.8043325e-7,0.011051909,0.0000021739256,0.000024015933,0.6279033,0.35481495,0.0055347695],"study_design_scores_gemma":[0.000056925197,0.00001419455,0.004381028,0.0000019881559,0.000005968017,1.829925e-7,0.004175701,0.0000022384104,0.0000163746,0.0038328185,0.98744357,0.00006901566],"about_ca_topic_score_codex":0.00094562606,"about_ca_topic_score_gemma":0.004725478,"teacher_disagreement_score":0.7632648,"about_ca_system_score_codex":0.0002556879,"about_ca_system_score_gemma":0.00023366776,"threshold_uncertainty_score":0.35238487},"labels":[],"label_agreement":null},{"id":"W7117490010","doi":"10.1386/public_00282_5","title":"Tender Labour by Jennifer E. Shaw","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Migration and Labor Dynamics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Kinship; Ethnography; Framing (construction); Domestic work; Family reunification","score_opus":0.015149038411994548,"score_gpt":0.30178664881303635,"score_spread":0.2866376104010418,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117490010","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1794918,0.00044633844,0.0020760575,0.130929,0.0006394725,0.00017220358,0.000032131273,0.0002452569,0.68596774],"genre_scores_gemma":[0.7810847,0.00008538706,0.00006882944,0.004476112,0.000052230575,0.000008888881,0.000009600572,0.0000028885959,0.21421134],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994164,0.00006544136,0.00007749515,0.00010498111,0.00014825088,0.00018739082],"domain_scores_gemma":[0.99969083,0.000032617074,0.000018872573,0.0000946215,0.00009340088,0.000069630296],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028072187,0.00004174588,0.00005124649,0.00005688592,0.00023997077,0.00018295471,0.00016652053,0.000060757247,0.0018035867],"category_scores_gemma":[0.00021522777,0.000038788643,0.000023587027,0.00049292337,0.00006684622,0.00016861323,0.000020072417,0.00006580625,0.00008243982],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.6753968e-7,0.00002268836,0.009532571,0.0000020269822,0.000005982436,1.5824298e-7,0.0013009153,3.7212698e-7,0.000019218423,0.82708377,0.15877669,0.003255157],"study_design_scores_gemma":[0.000074242074,0.000001687228,0.0037259,0.0000016488112,0.0000018086943,2.784269e-8,0.0016385727,0.00012238014,0.000004203337,0.0033716918,0.9910114,0.000046437483],"about_ca_topic_score_codex":0.000628791,"about_ca_topic_score_gemma":0.008471026,"teacher_disagreement_score":0.8322347,"about_ca_system_score_codex":0.000046746733,"about_ca_system_score_gemma":0.00018224955,"threshold_uncertainty_score":0.9991089},"labels":[],"label_agreement":null},{"id":"W7118578309","doi":"10.1386/public_00270_1","title":"To Feed an Army","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Culinary Culture and Tourism","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Theme (computing); Psychological resilience; Resilience (materials science); Bridge (graph theory)","score_opus":0.028080570047587777,"score_gpt":0.24297630374791265,"score_spread":0.2148957337003249,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7118578309","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90407354,0.00004697298,0.0000055322903,0.05189846,0.0001283211,0.00008679951,0.0000044880817,0.00008452647,0.043671373],"genre_scores_gemma":[0.98692894,0.0000021190012,0.000056176523,0.0035250147,0.0002293123,0.000012207319,0.00003113253,1.6899003e-7,0.009214912],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995434,0.000020617825,0.00006461493,0.0001533827,0.0000640094,0.00015393517],"domain_scores_gemma":[0.9997971,0.000018007686,0.000009982318,0.000039230952,0.000037040747,0.00009865795],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000078305864,0.00005308186,0.000060587616,0.000009666093,0.000116226154,0.00010113367,0.00018343162,0.000038512226,0.000484549],"category_scores_gemma":[0.00002720017,0.000016872411,0.000031580366,0.0004191236,0.000008878533,0.00012094268,0.00005094526,0.00004471643,0.0001314786],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020496347,0.00033336188,0.015512891,0.0000041296926,0.000021741827,0.000008657107,0.00018235696,0.0000013593199,0.14935629,0.029697096,0.19914508,0.6057165],"study_design_scores_gemma":[0.00003470673,0.00006881282,0.18365964,0.0000021626365,0.0000020364648,8.902217e-7,0.00009275383,0.0000053122767,0.00043352816,0.001426389,0.8142149,0.000058857164],"about_ca_topic_score_codex":0.00010438768,"about_ca_topic_score_gemma":0.00055870385,"teacher_disagreement_score":0.6150698,"about_ca_system_score_codex":0.000008299044,"about_ca_system_score_gemma":0.0000047941894,"threshold_uncertainty_score":0.5305472},"labels":[],"label_agreement":null},{"id":"W7118638887","doi":"10.1386/public_00262_1","title":"Where the Land Remembers Us","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Indigenous Health, Education, and Rights","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Space (punctuation); Collective memory; Land tenure; Identity (music); Carry (investment); Recall","score_opus":0.01799771882617597,"score_gpt":0.30786898170778015,"score_spread":0.2898712628816042,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7118638887","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18719,0.0005558222,0.00000823415,0.027322235,0.0010175629,0.00017892744,8.1837686e-7,0.00004248506,0.7836839],"genre_scores_gemma":[0.81441796,0.0036600775,0.000033406825,0.00065160793,0.00065730826,0.000005052668,0.0000038073026,0.000004552781,0.18056624],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992859,0.00014651782,0.000078361445,0.00008838608,0.0001388612,0.00026198896],"domain_scores_gemma":[0.99959904,0.000087012566,0.00002768938,0.00013730966,0.00009247122,0.00005650201],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0007063636,0.000035883215,0.000045626453,0.000044079545,0.0049442067,0.0001255457,0.00022068275,0.000052879,0.0002907715],"category_scores_gemma":[0.000012146532,0.00002149606,0.000022682485,0.00034161098,0.0001259117,0.00011326807,9.4333376e-7,0.00007746128,0.00007756204],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000010079126,0.000029432325,0.033052806,0.000013682414,0.000008787237,2.0880222e-7,0.09364699,3.0783e-7,8.5543576e-8,0.8607279,0.011692253,0.00082653447],"study_design_scores_gemma":[0.00003878333,0.000002630325,0.008133467,0.0000051718744,0.0000031305997,1.2705785e-7,0.0020062258,0.00000152825,0.000001677651,0.0029906628,0.9867866,0.000029993282],"about_ca_topic_score_codex":0.13166568,"about_ca_topic_score_gemma":0.94714075,"teacher_disagreement_score":0.9750944,"about_ca_system_score_codex":0.00009366724,"about_ca_system_score_gemma":0.008049809,"threshold_uncertainty_score":0.9975736},"labels":[],"label_agreement":null},{"id":"W7119083665","doi":"10.1386/public_00274_1","title":"Fragile Foundations","year":2025,"lang":"en","type":"article","venue":"Public","topic":"African studies and sociopolitical issues","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Future Earth","funders":"","keywords":"Thriving; Dignity; Declaration; Plan (archaeology); Legislation","score_opus":0.047152475658181515,"score_gpt":0.4014760331275556,"score_spread":0.35432355746937405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7119083665","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0102025755,0.00017472099,0.00059801055,0.06266005,0.0002311569,0.000053987,0.0000015747825,0.000083564715,0.92599434],"genre_scores_gemma":[0.9603922,0.00004101008,0.000114263625,0.00096242013,0.00012419368,0.000015712852,0.000001272238,0.0000015151306,0.038347457],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995064,0.00004622607,0.000058980884,0.00007368903,0.00010291378,0.00021177165],"domain_scores_gemma":[0.9996463,0.00013240066,0.000009574151,0.00006882856,0.00008506718,0.000057805693],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017720231,0.00002797781,0.000056094337,0.000033961922,0.00084221724,0.00009771873,0.0001124183,0.000029740488,0.000650629],"category_scores_gemma":[0.0005701646,0.00002640768,0.000029750234,0.00030602308,0.00029220336,0.00009459292,0.000039452538,0.00004268642,0.00011095087],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[9.8167206e-8,0.000013155428,0.0026552146,8.767738e-7,0.0000080357295,1.18562134e-7,0.0032650093,2.2904938e-8,2.7405733e-7,0.97541785,0.01630982,0.0023295514],"study_design_scores_gemma":[0.000026762254,0.0000017987954,0.0019493132,0.000001302426,0.000003077539,5.2292473e-9,0.01807195,0.000002753721,6.7220947e-7,0.0662156,0.9136996,0.000027143264],"about_ca_topic_score_codex":0.0014162699,"about_ca_topic_score_gemma":0.00084936555,"teacher_disagreement_score":0.9501896,"about_ca_system_score_codex":0.00006909221,"about_ca_system_score_gemma":0.0001257017,"threshold_uncertainty_score":0.7123931},"labels":[],"label_agreement":null}]}