{"meta":{"query_hash":"59a365fa034b","filters":{"venue":"Public"},"cohort_total":284,"direct_labels_cover":0,"predictions_cover":284,"exported":284,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/59a365fa034b","api":"https://metacan.xera.ac/api/v1/cohort?venue=Public"},"results":[{"id":"W1499274962","doi":"","title":"Canada's Daughter","year":2003,"lang":"en","type":"article","venue":"Public","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Daughter; Political science; Law","score_opus":0.013931334035153196,"score_gpt":0.2013247534397299,"score_spread":0.18739341940457668,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1499274962","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013251451,0.0054858206,0.00025843424,0.16645902,0.011827955,0.000095698226,0.0022817862,0.00023387991,0.8001059],"genre_scores_gemma":[0.022408994,0.00094431976,0.00014831059,0.014134104,0.00021622489,0.000012378059,0.0002003296,0.00004633557,0.961889],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986772,0.000047665504,0.0000149430625,0.00013454672,0.00046511873,0.0006604085],"domain_scores_gemma":[0.9983481,0.00005493205,0.000023093084,0.00002949102,0.0007423016,0.00080205745],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005562036,0.0005648507,0.0004712265,0.0013596922,0.030313628,0.0065562716,0.0011189535,0.0033286724,0.12500101],"category_scores_gemma":[0.001963853,0.000392763,0.00053863187,0.001448141,0.0019563222,0.0012587534,0.0019526993,0.0056427806,0.012745098],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016894359,0.000016002077,0.0011946722,0.00002459409,0.000004598557,0.00028884519,0.0008114452,0.000028169794,0.00006935457,0.01996532,0.9627536,0.014826521],"study_design_scores_gemma":[0.0000040068808,0.000004608642,0.0015342617,0.000027124233,0.0000042128286,0.00007400866,0.0016200097,0.0000148654335,0.000056021578,0.0003810352,0.99626994,0.000009810246],"about_ca_topic_score_codex":0.98733926,"about_ca_topic_score_gemma":0.9964844,"teacher_disagreement_score":0.12500101,"about_ca_system_score_codex":0.050805695,"about_ca_system_score_gemma":0.109735794,"threshold_uncertainty_score":0.41817003},"labels":[],"label_agreement":null},{"id":"W1506984603","doi":"","title":"Tracing out an Anglo-Bohemia: Musicmaking and Myth in Montréal","year":2001,"lang":"en","type":"article","venue":"Public","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":14,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mythology; Tracing; History; Art; Computer science; Literature","score_opus":0.0305127011327751,"score_gpt":0.253792602932792,"score_spread":0.2232799018000169,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1506984603","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5338697,0.006398619,0.0013667993,0.046861205,0.00046313953,0.00011569641,0.0007874949,0.00012822654,0.41000912],"genre_scores_gemma":[0.94487447,0.00083884556,0.00030886772,0.0009435631,0.00004034198,0.000017731563,0.00005591765,0.000052476946,0.05286773],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9982345,0.00032484552,0.000027986496,0.00019280633,0.00031874236,0.000901107],"domain_scores_gemma":[0.99840635,0.00033566024,0.00013614241,0.0000692254,0.0004716699,0.00058091606],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015876445,0.00046473395,0.00035229028,0.004045648,0.039537456,0.011953712,0.0021309745,0.0018581199,0.019706413],"category_scores_gemma":[0.0042478736,0.00040622576,0.00026107056,0.005616797,0.019607594,0.0033523266,0.0058553875,0.0038008254,0.00043146306],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014284087,0.000048524595,0.012563202,0.00013067301,0.000035213863,0.0008742028,0.6069019,0.000367225,0.0013065214,0.3067756,0.033960544,0.036893554],"study_design_scores_gemma":[0.000015063566,0.000024203731,0.050749682,0.00018659208,0.00003061314,0.00012087887,0.44080928,0.00027264774,0.0006340338,0.006718423,0.500326,0.000112665046],"about_ca_topic_score_codex":0.9954266,"about_ca_topic_score_gemma":0.9983469,"teacher_disagreement_score":0.13611731,"about_ca_system_score_codex":0.13611731,"about_ca_system_score_gemma":0.091829956,"threshold_uncertainty_score":0.9876048},"labels":[],"label_agreement":null},{"id":"W1605288866","doi":"","title":"The Image of the Local in Early Modern Canadian Poetry","year":2004,"lang":"en","type":"article","venue":"Public","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Aesthetics; Art; History; Literature","score_opus":0.009149590892308556,"score_gpt":0.2053282078534423,"score_spread":0.19617861696113376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1605288866","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21835615,0.0060559344,0.0021757942,0.029255508,0.00061248866,0.000046498644,0.00027924048,0.00011750953,0.7431009],"genre_scores_gemma":[0.96421635,0.00091508334,0.00033543535,0.00072954467,0.000054411492,0.0000075179896,0.000025343856,0.000057645037,0.033658747],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99811435,0.0004313661,0.000033850865,0.00018604774,0.00046456055,0.000769978],"domain_scores_gemma":[0.9976732,0.00060489343,0.00013340847,0.00014381048,0.00090457796,0.0005400964],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022254188,0.0005519907,0.000427122,0.005064564,0.05283236,0.018416394,0.0017643445,0.0024506908,0.014037706],"category_scores_gemma":[0.004914305,0.00035877543,0.00025618053,0.007446737,0.044204712,0.0041779703,0.0040862975,0.005427438,0.00052075397],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004164954,0.000012476393,0.0015010488,0.00007393637,0.0000072604944,0.00028911117,0.4517244,0.0001283765,0.0003090027,0.51806813,0.014602196,0.013242408],"study_design_scores_gemma":[0.000011133268,0.000018686853,0.010369663,0.00028369512,0.000038334663,0.00033199866,0.42823246,0.00024019819,0.00043638612,0.025798477,0.5341601,0.00007885959],"about_ca_topic_score_codex":0.98507243,"about_ca_topic_score_gemma":0.9932609,"teacher_disagreement_score":0.119429655,"about_ca_system_score_codex":0.119429655,"about_ca_system_score_gemma":0.07880911,"threshold_uncertainty_score":0.86652684},"labels":[],"label_agreement":null},{"id":"W1955953606","doi":"","title":"Intentional Disturbances: Making the Toronto Movement Scene","year":2001,"lang":"en","type":"article","venue":"Public","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movement (music); History; Aesthetics; Art","score_opus":0.030270357607005006,"score_gpt":0.2687720036688809,"score_spread":0.23850164606187588,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1955953606","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2085071,0.0025886197,0.0021875543,0.07744831,0.0008811489,0.00007456034,0.00059442484,0.000120044366,0.70759827],"genre_scores_gemma":[0.93893975,0.0007882275,0.00045982492,0.0012079153,0.00008804124,0.000016656137,0.00011272186,0.000090031404,0.05829678],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9975439,0.0005123827,0.000027618116,0.00022391498,0.00046222014,0.0012300095],"domain_scores_gemma":[0.9979855,0.00024301988,0.00020396542,0.00012400126,0.00041267855,0.0010308354],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014226063,0.00056346157,0.00028278554,0.0021893627,0.04327048,0.014435595,0.0020357447,0.0036554395,0.019911619],"category_scores_gemma":[0.0045024813,0.00040650062,0.00035412714,0.0036029252,0.03177551,0.004606018,0.007937476,0.004896847,0.0008257889],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000080616126,0.000024270443,0.0054777735,0.000081088176,0.000015518423,0.00049748376,0.36591265,0.00060734956,0.00037482186,0.5154839,0.08933093,0.022113606],"study_design_scores_gemma":[0.000012540366,0.000018793622,0.017157184,0.0001929286,0.000026342437,0.00007758779,0.46003434,0.00039815725,0.00032529858,0.01823451,0.503457,0.00006531553],"about_ca_topic_score_codex":0.9861892,"about_ca_topic_score_gemma":0.9952742,"teacher_disagreement_score":0.13937286,"about_ca_system_score_codex":0.13937286,"about_ca_system_score_gemma":0.09327265,"threshold_uncertainty_score":0.9982055},"labels":[],"label_agreement":null},{"id":"W2043208770","doi":"10.1386/public.23.45.128_1","title":"Spectacular infrastructure: The mediatic space of Montreal’s ‘Quartier des spectacles’","year":2012,"lang":"en","type":"article","venue":"Public","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Downtown; Public space; Plan (archaeology); Space (punctuation); Public art; Urban space; Aesthetics; Urban planning; Sociology; Architectural engineering; Art; Visual arts; Geography; Civil engineering; Economic geography; Engineering; Archaeology; Computer science","score_opus":0.020624683421897327,"score_gpt":0.28085141151041576,"score_spread":0.26022672808851843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2043208770","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18857111,0.0030011663,0.008654638,0.018274631,0.00036156896,0.00007154489,0.00062973704,0.00029852448,0.7801371],"genre_scores_gemma":[0.95004666,0.00053799216,0.0011601656,0.0004145305,0.00005704099,0.000025621512,0.000079987665,0.00006836561,0.04760961],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.999501,0.00014863828,0.0000034648965,0.00005744228,0.0001288566,0.0001606046],"domain_scores_gemma":[0.9996288,0.00007834047,0.000035628374,0.000041103936,0.00008659384,0.00012951437],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00050939026,0.000263457,0.00010522267,0.0007079901,0.0084600225,0.006505234,0.0007724572,0.0006786599,0.021178242],"category_scores_gemma":[0.0011209452,0.00020395174,0.00018366614,0.0010796372,0.008939256,0.0018910528,0.0025941988,0.001092128,0.00047011764],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011935416,0.000043932527,0.0060277036,0.0001500567,0.00002062842,0.0012446125,0.10342001,0.0013654879,0.002593786,0.7313718,0.073957086,0.07968547],"study_design_scores_gemma":[0.00001749087,0.00004795998,0.024970977,0.00013773362,0.00001586722,0.00023841506,0.053859204,0.00070722896,0.0007460188,0.014105542,0.9051056,0.000048137772],"about_ca_topic_score_codex":0.69580024,"about_ca_topic_score_gemma":0.88298553,"teacher_disagreement_score":0.30419976,"about_ca_system_score_codex":0.01612424,"about_ca_system_score_gemma":0.009493284,"threshold_uncertainty_score":0.61198246},"labels":[],"label_agreement":null},{"id":"W2234511975","doi":"","title":"Mediating a Common Sense of Place: The Toronto Archives' \"A Visual Legacy: The City of Toronto's Use of Photography, 1856-1997\"","year":2008,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Sense of place; Visual arts; Common sense; Media studies; History; Art history; Art; Sociology; Political science; Social science","score_opus":0.06795382253616278,"score_gpt":0.2694942516702256,"score_spread":0.20154042913406284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2234511975","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5641295,0.024259003,0.0016696949,0.05714126,0.00089830643,0.00008186043,0.0017566906,0.000098174176,0.34996554],"genre_scores_gemma":[0.980339,0.002196434,0.0002964551,0.00039120056,0.00007177443,0.0000149325015,0.00008702275,0.000046310222,0.016556926],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977689,0.0008450499,0.00007134274,0.00021346087,0.00046541772,0.00063588435],"domain_scores_gemma":[0.9956644,0.0014309009,0.0006680097,0.00037033673,0.000790448,0.0010758406],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030506093,0.00057041977,0.00037580295,0.003352542,0.029366646,0.015656143,0.0019548424,0.0021678002,0.0116628185],"category_scores_gemma":[0.0067818915,0.0005232612,0.0003104169,0.007012978,0.031015962,0.0058537503,0.009022279,0.0034785548,0.00042315826],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003224214,0.000007672228,0.0043968107,0.00010627214,0.000012699456,0.00055553304,0.895382,0.00010094813,0.00016926667,0.07466979,0.015039802,0.009526946],"study_design_scores_gemma":[0.000007984518,0.000012424257,0.024910845,0.00038689855,0.000036421832,0.00023463853,0.7210101,0.000066780776,0.0002622547,0.0030930804,0.24993531,0.00004320075],"about_ca_topic_score_codex":0.95978904,"about_ca_topic_score_gemma":0.9886275,"teacher_disagreement_score":0.094111875,"about_ca_system_score_codex":0.094111875,"about_ca_system_score_gemma":0.059996996,"threshold_uncertainty_score":0.6828326},"labels":[],"label_agreement":null},{"id":"W2242283997","doi":"","title":"Film Scenes: Paris, New York, Toronto","year":2001,"lang":"en","type":"article","venue":"Public","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Media studies; Sociology","score_opus":0.07110879563971198,"score_gpt":0.22968453979723166,"score_spread":0.15857574415751968,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2242283997","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016979856,0.16594651,0.0017343013,0.009464942,0.004324305,0.00014185083,0.081131175,0.0012527686,0.7190243],"genre_scores_gemma":[0.06096146,0.05235511,0.0015023645,0.00023407795,0.0007079973,0.00007357831,0.014383304,0.00057730556,0.86920476],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99972504,0.000028095536,0.000014750639,0.000071888775,0.000095613825,0.00006456112],"domain_scores_gemma":[0.99946076,0.00005008952,0.000056618246,0.000037609745,0.0002185043,0.00017649712],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034589812,0.0016336481,0.00045117296,0.004904605,0.003336211,0.006656932,0.00062067225,0.0009840041,0.2971517],"category_scores_gemma":[0.0011008185,0.00075734424,0.0002787311,0.013566852,0.00095692964,0.0028448692,0.00090657093,0.0014186518,0.038819753],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000066891065,0.000013345158,0.0014101636,0.0003745638,0.000015628577,0.00020759496,0.001459113,0.0003929513,0.00049702416,0.0061768503,0.9241856,0.065200254],"study_design_scores_gemma":[0.0000065381887,0.000008896185,0.019311758,0.00019570881,0.000012094739,0.000106235915,0.0018805676,0.00007947548,0.00016778044,0.000371258,0.9778479,0.0000117642285],"about_ca_topic_score_codex":0.45750132,"about_ca_topic_score_gemma":0.80994207,"teacher_disagreement_score":0.5424987,"about_ca_system_score_codex":0.009712584,"about_ca_system_score_gemma":0.0041760067,"threshold_uncertainty_score":0.99407154},"labels":[],"label_agreement":null},{"id":"W2243102186","doi":"","title":"Bollywood/Toronto: Transational Spectatorship","year":2004,"lang":"en","type":"article","venue":"Public","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Media studies; History; Sociology","score_opus":0.03119328195836211,"score_gpt":0.20839720794233704,"score_spread":0.17720392598397494,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2243102186","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006567446,0.010195605,0.0009892668,0.01370138,0.0018182426,0.000037378926,0.0016864915,0.0008789546,0.9641253],"genre_scores_gemma":[0.056932826,0.004298476,0.0005249306,0.00050560397,0.0003093932,0.000029826595,0.0007541618,0.00077036786,0.93587446],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99944896,0.00012033438,0.00001705188,0.00006886381,0.00018508398,0.00015978367],"domain_scores_gemma":[0.9984137,0.00028863671,0.00008631538,0.00018273124,0.00033937625,0.00068937324],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010153517,0.0010762557,0.00033987677,0.0022977183,0.006877098,0.007948233,0.0006924691,0.0019644808,0.25579733],"category_scores_gemma":[0.0014626831,0.00044356083,0.00025480593,0.0046944222,0.003252108,0.005007772,0.004629973,0.0024980344,0.033530567],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000063467014,0.000019038924,0.0009734593,0.00026192795,0.0000057182992,0.0005136048,0.023220373,0.000082802966,0.000925941,0.046261933,0.85428333,0.07338825],"study_design_scores_gemma":[0.000003079247,0.000004366791,0.0016441379,0.00009734294,0.000003507895,0.00010272408,0.009819914,0.00004298297,0.00025934857,0.00076808705,0.9872476,0.000006987382],"about_ca_topic_score_codex":0.27218616,"about_ca_topic_score_gemma":0.54963386,"teacher_disagreement_score":0.72781384,"about_ca_system_score_codex":0.007508317,"about_ca_system_score_gemma":0.0059253485,"threshold_uncertainty_score":0.8557273},"labels":[],"label_agreement":null},{"id":"W2247611509","doi":"","title":"The Publicness of Melodrama in the Cuban Special Period","year":2008,"lang":"en","type":"article","venue":"Public","topic":"Cuban History and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Period (music); History; Aesthetics; Art","score_opus":0.062143746312330155,"score_gpt":0.2804295828274856,"score_spread":0.21828583651515543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2247611509","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82907784,0.003495276,0.00016571127,0.027762659,0.00023636116,0.000032562468,0.00015785477,0.000015242869,0.13905644],"genre_scores_gemma":[0.9856936,0.0005376309,0.000045367993,0.0007467,0.000047179885,0.000013161202,0.000032807086,0.000006571906,0.012877057],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9991347,0.00014740911,0.000010802946,0.00003888139,0.00004112894,0.00062702876],"domain_scores_gemma":[0.9991848,0.0001603119,0.0001479874,0.000040949002,0.00013445063,0.00033155872],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012546213,0.00019058879,0.00023681694,0.0012857977,0.013832509,0.005633304,0.0006185451,0.0012693228,0.006078744],"category_scores_gemma":[0.0017433405,0.00022101079,0.00013900053,0.0012535427,0.005239602,0.0019450763,0.0035131774,0.0023581258,0.00016209032],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000500839,0.00018252675,0.043808654,0.00034172827,0.000029875006,0.0023938443,0.31028983,0.00025406762,0.0017462829,0.57910633,0.024214271,0.037131786],"study_design_scores_gemma":[0.00002643176,0.00007817809,0.10122303,0.0006300331,0.00004155354,0.0004862992,0.3796123,0.00030716768,0.0010961446,0.010266335,0.50617737,0.000055088993],"about_ca_topic_score_codex":0.37524298,"about_ca_topic_score_gemma":0.49856848,"teacher_disagreement_score":0.37524298,"about_ca_system_score_codex":0.019002222,"about_ca_system_score_gemma":0.010852942,"threshold_uncertainty_score":0.74611765},"labels":[],"label_agreement":null},{"id":"W2249677811","doi":"","title":"Biennialism in Montréal","year":2001,"lang":"en","type":"article","venue":"Public","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.01955746870034753,"score_gpt":0.23019771414572557,"score_spread":0.21064024544537804,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2249677811","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35860765,0.009042909,0.0009194845,0.08615491,0.0009832606,0.00014173311,0.0022105677,0.00016959789,0.5417698],"genre_scores_gemma":[0.811604,0.0015894137,0.00039535217,0.0022093684,0.000105664294,0.0000340862,0.00025471373,0.000049625884,0.1837577],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973423,0.00028724835,0.00004155899,0.00023843722,0.0005335768,0.0015568779],"domain_scores_gemma":[0.99743,0.00022344747,0.00017131623,0.000079459045,0.0008102071,0.0012855717],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013366134,0.00036234077,0.00045315264,0.0030195466,0.033983734,0.008825534,0.0018289386,0.0017986352,0.031524085],"category_scores_gemma":[0.0029883347,0.00044530944,0.00035288694,0.006092383,0.007715503,0.002322915,0.004225923,0.0038685382,0.00058655656],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011805592,0.000105891675,0.02427107,0.00016897479,0.00004533911,0.00075136014,0.07487162,0.0005458793,0.0005702187,0.7362179,0.11033983,0.05199382],"study_design_scores_gemma":[0.00002118229,0.00003036255,0.1024649,0.00016999416,0.00002774589,0.0001097815,0.050345737,0.00041705315,0.00031952522,0.006850818,0.83914655,0.00009640258],"about_ca_topic_score_codex":0.9973514,"about_ca_topic_score_gemma":0.99906105,"teacher_disagreement_score":0.2006162,"about_ca_system_score_codex":0.2006162,"about_ca_system_score_gemma":0.17859219,"threshold_uncertainty_score":0.9271719},"labels":[],"label_agreement":null},{"id":"W2262487997","doi":"","title":"Mr. Gupta and the Madam From Canada","year":2007,"lang":"en","type":"article","venue":"Public","topic":"Colonial History and Postcolonial Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Madam; Philosophy; Linguistics","score_opus":0.017826620654159804,"score_gpt":0.2555567731534629,"score_spread":0.23773015249930313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2262487997","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0089796,0.05070367,0.000102442486,0.8717895,0.0036881,0.000017257536,0.00016856939,0.000022515003,0.06452836],"genre_scores_gemma":[0.24815762,0.060683995,0.0006487085,0.18855593,0.0037477955,0.00004133085,0.00013106501,0.000112031244,0.4979215],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985001,0.00027205583,0.000029492976,0.00010520685,0.0004299289,0.00066318054],"domain_scores_gemma":[0.99584806,0.0008828535,0.00016930752,0.0000920473,0.0014534197,0.0015543193],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014107575,0.0005003771,0.00045776993,0.0014063162,0.026279232,0.0058778715,0.0011677159,0.004600023,0.015639773],"category_scores_gemma":[0.0049473615,0.00028640972,0.00021881088,0.0021959404,0.0074862405,0.0023052688,0.0029145302,0.006994645,0.0012248561],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005087672,0.000018514611,0.0035782794,0.00013235753,0.00001105171,0.0007088228,0.012387066,0.00007386892,0.00020399518,0.06553729,0.8876097,0.029688187],"study_design_scores_gemma":[0.000008271442,0.000006122628,0.0055902647,0.00020448318,0.000006717225,0.00022077202,0.020140534,0.000038324164,0.00012529943,0.0036272532,0.9700062,0.000025731197],"about_ca_topic_score_codex":0.95480907,"about_ca_topic_score_gemma":0.9899333,"teacher_disagreement_score":0.04519093,"about_ca_system_score_codex":0.038087483,"about_ca_system_score_gemma":0.062436022,"threshold_uncertainty_score":0.27634537},"labels":[],"label_agreement":null},{"id":"W2273988966","doi":"","title":"At the Scene of the Crossroads, \"Somewhere in this Silvered City:\" Diasporic Public Spheres in Toronto","year":2001,"lang":"en","type":"article","venue":"Public","topic":"Diaspora, migration, transnational identity","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"SPHERES; History; Media studies; Visual arts; Sociology; Art; Engineering","score_opus":0.044968766484231724,"score_gpt":0.31597258466070427,"score_spread":0.27100381817647257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2273988966","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4640149,0.012640571,0.00086344697,0.21447594,0.0014533156,0.00006985298,0.00084871904,0.00014397604,0.30548915],"genre_scores_gemma":[0.957786,0.0016557793,0.0001677205,0.0026632235,0.00009455473,0.000021877015,0.000065901964,0.000048916674,0.037496027],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987845,0.00036754523,0.000016009286,0.00009925515,0.00010738829,0.000625339],"domain_scores_gemma":[0.9984388,0.0002836756,0.000117418625,0.00005766529,0.00015214196,0.00095029717],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007412607,0.00046245212,0.00029541246,0.00090135826,0.050663047,0.013617678,0.0011559987,0.0036742664,0.013503243],"category_scores_gemma":[0.0020849819,0.00036747113,0.00027891135,0.002465859,0.02158916,0.004283776,0.007210406,0.0053340113,0.0006409764],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032922213,0.000012227591,0.0043208585,0.00006888907,0.000007502971,0.00067513774,0.79041326,0.00009227488,0.00018250906,0.1280561,0.07001681,0.0061215437],"study_design_scores_gemma":[0.0000046552113,0.0000074151803,0.009625259,0.000091193615,0.000012243813,0.00007271754,0.8289089,0.000040558796,0.0001073831,0.0026482362,0.15846193,0.000019487774],"about_ca_topic_score_codex":0.9503886,"about_ca_topic_score_gemma":0.9886634,"teacher_disagreement_score":0.057015765,"about_ca_system_score_codex":0.057015765,"about_ca_system_score_gemma":0.042865645,"threshold_uncertainty_score":0.41368026},"labels":[],"label_agreement":null},{"id":"W2288079777","doi":"","title":"First-Person Hypertext","year":2006,"lang":"en","type":"article","venue":"Public","topic":"Usability and User Interface Design","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Girl; Sitting; Art; Art history; Class (philosophy); Visual arts; Psychology; Medicine; Artificial intelligence; Computer science","score_opus":0.042159746916359035,"score_gpt":0.21344578951695584,"score_spread":0.1712860426005968,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2288079777","genre_codex":"other","genre_gemma":"methods","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"methods","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0030225127,0.001980554,0.027459059,0.002428179,0.0010614521,0.00022381329,0.012028614,0.06944209,0.8823539],"genre_scores_gemma":[0.032862056,0.0017686358,0.006135814,0.0011633239,0.0005120747,0.00023376416,0.01640056,0.00874519,0.9321787],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986278,0.00032275004,0.00010111008,0.0003025714,0.00043274608,0.0002131017],"domain_scores_gemma":[0.9972006,0.0005212695,0.00009608181,0.001056712,0.00046207762,0.000663307],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012655383,0.0012354578,0.0007720267,0.0020017703,0.002057729,0.010917106,0.001644736,0.0026255434,0.6648921],"category_scores_gemma":[0.0068629747,0.0006059172,0.0006024905,0.0033066769,0.0005697721,0.012513829,0.0077169784,0.0015661491,0.58806866],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000081947626,0.00007051955,0.00043285967,0.0002453378,0.000012226781,0.0001554808,0.000661251,0.00010531671,0.0013150803,0.011011804,0.82288855,0.16301958],"study_design_scores_gemma":[0.0000083785435,0.000014620231,0.00035482773,0.00005675711,0.0000036857455,0.00013570704,0.0001804023,0.0002077196,0.00045982844,0.0031909714,0.995376,0.000011189107],"about_ca_topic_score_codex":0.0013816311,"about_ca_topic_score_gemma":0.0024282592,"teacher_disagreement_score":0.6648921,"about_ca_system_score_codex":0.0010341869,"about_ca_system_score_gemma":0.0010624663,"threshold_uncertainty_score":0.47799075},"labels":[],"label_agreement":null},{"id":"W2313066366","doi":"10.1386/public.24.47.142_1","title":"Colin Low and Transitions 3D: Innovating immersive cinema","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McMaster University","funders":"","keywords":"Movie theater; Exhibition; Perspective (graphical); Animation; Ideology; Stereoscopy; Visual arts; Subject (documents); Space (punctuation); Film studies; Art; Sociology; Aesthetics; Media studies; Computer science; Political science; Politics; Library science","score_opus":0.028265788695222362,"score_gpt":0.20135438379588916,"score_spread":0.1730885951006668,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2313066366","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.057442676,0.01492086,0.0456552,0.18783726,0.0016616881,0.00014371354,0.00011411975,0.00032501417,0.69189954],"genre_scores_gemma":[0.83690304,0.010862254,0.030329896,0.00997377,0.00055310235,0.00013930202,0.000054438886,0.00021107544,0.11097313],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977276,0.0012238183,0.000039089307,0.00018263265,0.00065156864,0.0001752598],"domain_scores_gemma":[0.99572325,0.002500543,0.00014384018,0.0002157823,0.0008773032,0.00053928525],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034325633,0.00025151487,0.00013217803,0.0010825224,0.0033736997,0.0087523395,0.00069867104,0.0015503921,0.008925402],"category_scores_gemma":[0.008459303,0.00022518798,0.00013658381,0.0006909493,0.007800344,0.0046078963,0.0024537935,0.0018787106,0.0006940412],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049594706,0.00005806056,0.0017194115,0.00019899542,0.000007810216,0.0003133762,0.02600129,0.00069502677,0.0011915667,0.7157663,0.13983577,0.11416278],"study_design_scores_gemma":[0.000011575386,0.000033072083,0.001430848,0.0003120698,0.000007829594,0.00025314468,0.01292025,0.0017024139,0.0015639013,0.06301737,0.91871035,0.000037183196],"about_ca_topic_score_codex":0.045345716,"about_ca_topic_score_gemma":0.08975492,"teacher_disagreement_score":0.045345716,"about_ca_system_score_codex":0.0063957768,"about_ca_system_score_gemma":0.00293581,"threshold_uncertainty_score":0.09016359},"labels":[],"label_agreement":null},{"id":"W2313333224","doi":"10.1386/public.24.48.154_5","title":"Ori Gersht: History Repeating: Museum of Fine Arts, Boston","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Visual arts; The arts; Art; Art history","score_opus":0.08843669379083567,"score_gpt":0.19954469989752646,"score_spread":0.11110800610669079,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2313333224","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004895083,0.8006552,0.0001957459,0.10319255,0.03695803,0.000030030862,0.00018860263,0.00007899804,0.05821124],"genre_scores_gemma":[0.01411703,0.56595904,0.00054110406,0.04981656,0.050424907,0.000086323205,0.00054486917,0.0003083259,0.31820187],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977155,0.00039688664,0.00013731244,0.00033392658,0.001183859,0.00023253281],"domain_scores_gemma":[0.9951283,0.0010947647,0.00053804275,0.00033238417,0.0016417006,0.0012647274],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030492465,0.001008724,0.0010300159,0.0071021495,0.0036417143,0.006411192,0.0020864694,0.006479432,0.071166925],"category_scores_gemma":[0.011569355,0.0006456508,0.00045067843,0.007695855,0.0033841128,0.0086466465,0.0077521983,0.004619788,0.010275288],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000065908143,0.000006115461,0.00024983962,0.0006663575,0.0000057099214,0.00008738587,0.0005328314,0.000020557882,0.00007322604,0.005296288,0.9252845,0.06777061],"study_design_scores_gemma":[0.0000014329858,0.0000022607758,0.00060040527,0.0004553229,0.0000028795753,0.000055598644,0.00020684152,0.0000029044108,0.000011850647,0.000216648,0.9984402,0.0000036774557],"about_ca_topic_score_codex":0.05661331,"about_ca_topic_score_gemma":0.15444267,"teacher_disagreement_score":0.071166925,"about_ca_system_score_codex":0.008400512,"about_ca_system_score_gemma":0.008604213,"threshold_uncertainty_score":0.2380771},"labels":[],"label_agreement":null},{"id":"W2313409123","doi":"10.1386/public.24.47.132_1","title":"This side of paradise: Immersion and emersion in S3D and AR","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Virtual Reality Applications and Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Immersion (mathematics); Paradise; Illusion; Computer science; Imperfect; Computer graphics (images); Human–computer interaction; Computer vision; Artificial intelligence; Art; Mathematics; Psychology; Cognitive psychology; Art history; Philosophy; Linguistics; Geometry","score_opus":0.020195045840981404,"score_gpt":0.23937507013855022,"score_spread":0.21918002429756883,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2313409123","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5983009,0.001529604,0.021470929,0.0039286497,0.00020797149,0.000027629274,0.00005945989,0.00025468713,0.37422013],"genre_scores_gemma":[0.9934796,0.0001397637,0.00096013944,0.00008228289,0.000018068224,0.0000048602137,0.000010819714,0.00003533513,0.0052691186],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986002,0.00077743427,0.000029309856,0.00010998228,0.00028694136,0.00019617383],"domain_scores_gemma":[0.9984432,0.000863102,0.00013141932,0.00017260351,0.00018391693,0.00020580873],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013995017,0.00029105076,0.00023512237,0.00080393883,0.0018048733,0.0061936155,0.0005066758,0.0009236993,0.007639693],"category_scores_gemma":[0.0039616283,0.00020188869,0.0004164207,0.0004312669,0.0078774635,0.005091193,0.005944585,0.0016964814,0.00039965843],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008618839,0.00016303861,0.0048664478,0.0002956043,0.00004654415,0.0009808035,0.27091095,0.0016938766,0.016853712,0.6171594,0.0039050053,0.08226269],"study_design_scores_gemma":[0.00019030346,0.0013951882,0.02371095,0.00066672004,0.000117249045,0.0038098495,0.38706255,0.010926984,0.0121581415,0.24146521,0.31820422,0.000292561],"about_ca_topic_score_codex":0.0016450213,"about_ca_topic_score_gemma":0.0016846467,"teacher_disagreement_score":0.007639693,"about_ca_system_score_codex":0.00094632065,"about_ca_system_score_gemma":0.0005092113,"threshold_uncertainty_score":0.02555734},"labels":[],"label_agreement":null},{"id":"W2314156431","doi":"10.1386/public.25.50.123_7","title":"Retreat/no retreat","year":2014,"lang":"en","type":"article","venue":"Public","topic":"Diaspora, migration, transnational identity","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geology","score_opus":0.0335124411070159,"score_gpt":0.29926839141004846,"score_spread":0.26575595030303256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2314156431","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43464068,0.0006843808,0.0016158506,0.026924655,0.0035839963,0.0021419306,0.0032324346,0.00049652345,0.5266796],"genre_scores_gemma":[0.70505565,0.00033472574,0.0011465051,0.005774434,0.00036180593,0.00082252856,0.0007106351,0.00015775552,0.2856359],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.987397,0.0018278074,0.000437134,0.0005852077,0.0040954356,0.005657272],"domain_scores_gemma":[0.98675203,0.0015358203,0.001034177,0.0010905631,0.0055350526,0.004052318],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0060498905,0.00038050613,0.0004228687,0.0016009246,0.0073677916,0.0043430068,0.0018614685,0.0016491705,0.054465115],"category_scores_gemma":[0.021880012,0.00018916215,0.0003243907,0.001236548,0.002752394,0.0022032883,0.0048404275,0.0031963077,0.005268591],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002371751,0.0012981853,0.040583152,0.0008526562,0.000051858075,0.0025428021,0.057197835,0.00046677547,0.0043149465,0.050191082,0.43580562,0.4043234],"study_design_scores_gemma":[0.00020184851,0.0006883914,0.13869044,0.0005873662,0.00004492661,0.000648396,0.12953539,0.0006274663,0.003587354,0.00345974,0.7217629,0.00016578734],"about_ca_topic_score_codex":0.22104274,"about_ca_topic_score_gemma":0.34747568,"teacher_disagreement_score":0.22104274,"about_ca_system_score_codex":0.011497658,"about_ca_system_score_gemma":0.021471208,"threshold_uncertainty_score":0.43951225},"labels":[],"label_agreement":null},{"id":"W2314450891","doi":"10.1386/public.25.50.162_1","title":"Ownership and culture","year":2014,"lang":"en","type":"article","venue":"Public","topic":"Law in Society and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Property (philosophy); Cultural property; Articulation (sociology); Commons; Comprehension; Politics; Property rights; Sociology; Law and economics; Political science; Aesthetics; Environmental ethics; Epistemology; Law; Cultural heritage; Computer science; Art","score_opus":0.029723962135241228,"score_gpt":0.27718863495530177,"score_spread":0.24746467282006054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2314450891","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10773505,0.006651593,0.0031723597,0.028015833,0.00026733175,0.000020863356,0.000115895644,0.00002452071,0.8539965],"genre_scores_gemma":[0.97886616,0.0013679253,0.00022268084,0.0010192535,0.00010717612,0.000012977956,0.000019340841,0.0000117658265,0.018372774],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975783,0.0011902418,0.00009519619,0.00027832785,0.0004927754,0.00036509626],"domain_scores_gemma":[0.997361,0.0010627593,0.00042634225,0.00032974972,0.0003921533,0.0004279811],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022955702,0.00017636905,0.00022039002,0.0010906823,0.0037424683,0.009767134,0.00053406076,0.0010138613,0.012439509],"category_scores_gemma":[0.0046657533,0.00012577079,0.00014347368,0.0010577433,0.023006612,0.0057243705,0.0045374795,0.0016664776,0.00070686993],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006436305,0.000009524569,0.001575998,0.000016804883,0.000005068717,0.000057400197,0.011656732,0.000087165165,0.000112324444,0.974838,0.0029633075,0.008671202],"study_design_scores_gemma":[0.000008082167,0.000038413767,0.004158106,0.00036161998,0.000014984857,0.00021178873,0.033176735,0.00039399558,0.0004222306,0.67830116,0.28288603,0.000026873224],"about_ca_topic_score_codex":0.0075291507,"about_ca_topic_score_gemma":0.004702968,"teacher_disagreement_score":0.012439509,"about_ca_system_score_codex":0.0030049626,"about_ca_system_score_gemma":0.0026656725,"threshold_uncertainty_score":0.041614354},"labels":[],"label_agreement":null},{"id":"W2315779024","doi":"10.1386/public.25.50.7_1","title":"INTRODUCTION: \"Between the Exception and the Rule\"","year":2014,"lang":"en","type":"article","venue":"Public","topic":"Latin American and Latino Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Computer science","score_opus":0.020154045400087264,"score_gpt":0.27130569869988597,"score_spread":0.2511516532997987,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2315779024","genre_codex":"commentary","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005491109,0.016357444,0.0015939485,0.51387656,0.33607906,0.00013288175,0.0018209583,0.0002251784,0.12936492],"genre_scores_gemma":[0.015940603,0.012860866,0.0013674244,0.41289854,0.28799725,0.00030775194,0.0013548966,0.00050263683,0.26676998],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99788827,0.0005668331,0.0001296348,0.00037216162,0.0008361552,0.00020686445],"domain_scores_gemma":[0.99401134,0.0034626408,0.00031708408,0.00022680998,0.001628281,0.00035387895],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002730672,0.00095443573,0.00067382376,0.0013513371,0.0031440207,0.0048554284,0.0020881314,0.009903378,0.05582656],"category_scores_gemma":[0.010213594,0.0003896384,0.0010251104,0.0009904017,0.0033815631,0.004370998,0.0026381689,0.0114173805,0.01525238],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007732768,0.000004993783,0.000023407723,0.00006227647,9.1748564e-7,0.000013309633,0.00007835041,0.000012880839,0.00003744384,0.01114183,0.98550975,0.0031071818],"study_design_scores_gemma":[0.0000073753868,0.000009126142,0.00043498978,0.0005433998,0.0000034280129,0.000027170092,0.00020213437,0.00003012056,0.00005979955,0.0059423205,0.9927297,0.000010364435],"about_ca_topic_score_codex":0.010948677,"about_ca_topic_score_gemma":0.010999836,"teacher_disagreement_score":0.05582656,"about_ca_system_score_codex":0.00278862,"about_ca_system_score_gemma":0.0034295635,"threshold_uncertainty_score":0.18675846},"labels":[],"label_agreement":null},{"id":"W2316077462","doi":"10.1386/public.25.49.41_1","title":"The lived aesthetics of trauma","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Memory, Trauma, and Commemoration","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Aesthetics; Art","score_opus":0.06296122176364904,"score_gpt":0.3025721919667569,"score_spread":0.23961097020310784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2316077462","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18643394,0.011024515,0.008075609,0.041334953,0.0018213112,0.000031975705,0.000104722894,0.00013155853,0.75104135],"genre_scores_gemma":[0.98751116,0.00074123533,0.00025804638,0.0006809392,0.00022043522,0.000008923362,0.0000116750425,0.000039094728,0.010528454],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99851245,0.0009187474,0.000025685915,0.00009593006,0.00022271123,0.00022440167],"domain_scores_gemma":[0.99798465,0.00096238777,0.0002625495,0.00033310973,0.00018079714,0.0002764615],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017328918,0.00045184742,0.00028048817,0.001243182,0.007563513,0.010888145,0.00087705115,0.0021058517,0.010582115],"category_scores_gemma":[0.0045351004,0.00024676093,0.0002658934,0.0009817193,0.04146895,0.006753304,0.004783651,0.004931153,0.00046870814],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010989803,0.00005035334,0.0007988705,0.00013067927,0.000017333112,0.00052160234,0.20335434,0.0001926355,0.0006137514,0.77632385,0.00731041,0.010576237],"study_design_scores_gemma":[0.000041192314,0.000105038496,0.0035952106,0.0004299563,0.000039684062,0.0015984323,0.38765308,0.00027961953,0.00072354666,0.36749318,0.23799527,0.000045755598],"about_ca_topic_score_codex":0.0018029414,"about_ca_topic_score_gemma":0.0027431976,"teacher_disagreement_score":0.010888145,"about_ca_system_score_codex":0.0027779564,"about_ca_system_score_gemma":0.0016967867,"threshold_uncertainty_score":0.03540069},"labels":[],"label_agreement":null},{"id":"W2317637324","doi":"10.1386/public.25.49.128_7","title":"Review of: Critical Dialogues: Cross-Culture Perspectives on Curating and Artistic Practice (Organized by the Ontario Arts Council, Toronto, 18 March 2013).","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"The arts; Sociology; Visual arts; Media studies; Art","score_opus":0.11859781390052741,"score_gpt":0.3519513765363084,"score_spread":0.233353562635781,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2317637324","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003431261,0.89885515,0.00012494727,0.07094269,0.015783614,0.00006439602,0.00039230936,0.000019032923,0.013474714],"genre_scores_gemma":[0.013334926,0.91854465,0.00036109576,0.020891586,0.01486911,0.00017980042,0.00065503514,0.000044271328,0.031119484],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974542,0.00080885325,0.00025950742,0.00018280007,0.0010192832,0.00027544214],"domain_scores_gemma":[0.98410946,0.005070164,0.0011403207,0.00032079002,0.007280118,0.002079202],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005407123,0.0013400466,0.0016883478,0.005700002,0.004276214,0.006834476,0.0023265867,0.004114892,0.021854635],"category_scores_gemma":[0.011949664,0.00064337923,0.00039506136,0.010163986,0.005974366,0.003439903,0.0025271405,0.0032808788,0.0043220995],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039604653,0.000008929179,0.00014794487,0.0042039296,0.0000129137725,0.00008201072,0.0011502185,0.00003692137,0.00008551317,0.0020442223,0.95672196,0.035465945],"study_design_scores_gemma":[0.000010830804,0.0000088250945,0.002437561,0.0044340366,0.00002232995,0.00007770147,0.0014205731,0.00001358596,0.00004011086,0.0005168805,0.9910025,0.000015149455],"about_ca_topic_score_codex":0.35076347,"about_ca_topic_score_gemma":0.71232015,"teacher_disagreement_score":0.35076347,"about_ca_system_score_codex":0.024577886,"about_ca_system_score_gemma":0.046554312,"threshold_uncertainty_score":0.6974436},"labels":[],"label_agreement":null},{"id":"W2318103481","doi":"10.1386/public.24.47.149_1","title":"Perceptual artefacts, suspension of disbelief and realism in stereoscopic 3D film","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Advanced Optical Imaging Technologies","field":"Engineering","cited_by":33,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Realism; Illusion; Perception; Stereoscopy; Movie theater; Fidelity; Aesthetics; Scale (ratio); Psychology; Computer science; Visual arts; Art; Cognitive psychology; Artificial intelligence; Geography","score_opus":0.011804809845622901,"score_gpt":0.2064154410147653,"score_spread":0.1946106311691424,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2318103481","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82275206,0.0014163704,0.035556216,0.0041373344,0.0003161679,0.00007859368,0.00007187183,0.0002134917,0.13545784],"genre_scores_gemma":[0.99579006,0.00011001941,0.002270509,0.00008918238,0.000022447886,0.000010884373,0.000009411226,0.000022679142,0.0016748167],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9960401,0.0021632854,0.00017032509,0.00023084004,0.0011829598,0.00021254484],"domain_scores_gemma":[0.9922097,0.00456254,0.0011927675,0.0009685592,0.00076060725,0.00030577803],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004226172,0.00036204452,0.0001956081,0.001171419,0.0021885515,0.005704812,0.0007038276,0.0010500802,0.0036639452],"category_scores_gemma":[0.013952606,0.00036104425,0.00028703792,0.00043709166,0.008690429,0.003019993,0.0059129996,0.0019406583,0.00019752806],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012451422,0.00013026001,0.010718968,0.00096976856,0.00008587275,0.004283011,0.45439407,0.0027201439,0.07635704,0.36070302,0.005267706,0.083125],"study_design_scores_gemma":[0.00026892236,0.0015510651,0.059436448,0.0016863024,0.00022288239,0.01497943,0.3026904,0.016076284,0.056783814,0.25076726,0.29499343,0.0005437777],"about_ca_topic_score_codex":0.0009949352,"about_ca_topic_score_gemma":0.0009695902,"teacher_disagreement_score":0.005704812,"about_ca_system_score_codex":0.0010903333,"about_ca_system_score_gemma":0.0003761137,"threshold_uncertainty_score":0.02235043},"labels":[],"label_agreement":null},{"id":"W2318851173","doi":"10.1386/public.24.48.41_1","title":"The end of the world (as we know it)","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Psychoanalysis, Philosophy, and Politics","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Art history; Media studies; Art; Town hall; Visual arts; Sociology; History; Archaeology; Local government","score_opus":0.03706155259553271,"score_gpt":0.3196393721306543,"score_spread":0.28257781953512157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2318851173","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013193476,0.026681487,0.001642427,0.27052173,0.00851375,0.000021602198,0.0001557689,0.00011230167,0.67915744],"genre_scores_gemma":[0.56080157,0.010493786,0.0010577113,0.05149062,0.003165114,0.000041216023,0.00013450028,0.00023520076,0.37258026],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977223,0.0009512023,0.000033490654,0.00023310212,0.00044336249,0.0006163655],"domain_scores_gemma":[0.99850225,0.00023180625,0.00014615948,0.00020039782,0.00024394075,0.0006754799],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020090244,0.0003209714,0.00033046448,0.00060802,0.009924651,0.013500494,0.0005478366,0.0022386836,0.03036115],"category_scores_gemma":[0.0028853593,0.00022036713,0.0002832375,0.0005579431,0.016817447,0.008345662,0.0069540814,0.0061371466,0.004997471],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040447383,0.00002749943,0.0012871203,0.0000877282,0.0000114508375,0.00023964202,0.07321725,0.000039315342,0.00042613427,0.52796173,0.3703617,0.026299894],"study_design_scores_gemma":[0.000001743198,0.000006927746,0.00053430913,0.00012104897,0.0000027374447,0.000084375584,0.017414436,0.000008762948,0.00007129586,0.017087117,0.96465975,0.000007520543],"about_ca_topic_score_codex":0.020415852,"about_ca_topic_score_gemma":0.032696854,"teacher_disagreement_score":0.03036115,"about_ca_system_score_codex":0.0057723653,"about_ca_system_score_gemma":0.005241397,"threshold_uncertainty_score":0.10156816},"labels":[],"label_agreement":null},{"id":"W2319053587","doi":"10.1386/public.24.47.236_7","title":"On the intractable, now and then","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Art, Technology, and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Psychology","score_opus":0.025353828010798225,"score_gpt":0.1921099391409355,"score_spread":0.16675611113013727,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2319053587","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019800898,0.032581534,0.007165684,0.39210156,0.0029098284,0.000018631294,0.00022135899,0.000059346537,0.5451412],"genre_scores_gemma":[0.8197821,0.01796547,0.002054345,0.03993156,0.004837558,0.00007975358,0.00016223665,0.0001710594,0.11501595],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99792933,0.0010124019,0.000045663564,0.00031183934,0.00038859213,0.0003120333],"domain_scores_gemma":[0.99671644,0.001697315,0.00018440447,0.0006345037,0.00053614506,0.00023125335],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031400658,0.0005071561,0.0009917666,0.001462158,0.007052944,0.012032668,0.0010339894,0.004259448,0.01780008],"category_scores_gemma":[0.0068786065,0.00025138565,0.0004249413,0.0013656457,0.043017324,0.01999911,0.004088363,0.008480222,0.002115493],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010270436,0.000009480474,0.00012345033,0.000019665067,0.0000037148664,0.000026540156,0.0013639512,0.00007356141,0.000028873623,0.9831035,0.011998886,0.003238107],"study_design_scores_gemma":[0.000008353956,0.000004291939,0.00023905787,0.00013109826,0.0000054846228,0.000036186084,0.0038894862,0.00012085137,0.000051815936,0.85704243,0.13846269,0.00000827573],"about_ca_topic_score_codex":0.015578987,"about_ca_topic_score_gemma":0.015398438,"teacher_disagreement_score":0.01780008,"about_ca_system_score_codex":0.0068502924,"about_ca_system_score_gemma":0.004214141,"threshold_uncertainty_score":0.059547246},"labels":[],"label_agreement":null},{"id":"W2319119351","doi":"10.1386/public.24.47.200_1","title":"Transitions, images and stereoscopic 3D cinema","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Emily Carr University of Art and Design","funders":"","keywords":"Stereoscopy; Movie theater; Computer graphics (images); Computer science; Product (mathematics); Production (economics); Multimedia; Visual arts; Computer vision; Art; Mathematics; Geometry","score_opus":0.02802562943183771,"score_gpt":0.2028401548551013,"score_spread":0.1748145254232636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2319119351","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45488682,0.011166361,0.02256986,0.02304689,0.0007587587,0.000051491108,0.00044680948,0.00014327442,0.4869296],"genre_scores_gemma":[0.9908613,0.0008638769,0.0011658646,0.00019596181,0.00014902913,0.0000053045137,0.00003414776,0.000010321513,0.0067141284],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996779,0.00017126079,0.0000091876145,0.000035673038,0.000057107318,0.00004887029],"domain_scores_gemma":[0.9983321,0.0009307256,0.00032413332,0.0000873886,0.00016817996,0.00015751505],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005372787,0.00011916076,0.00009186967,0.00094042305,0.0005056565,0.0030549965,0.00023505333,0.000557288,0.014012307],"category_scores_gemma":[0.0035527707,0.00008756535,0.00011580378,0.00054217153,0.003066051,0.0022251755,0.00091767014,0.00062554074,0.00031256097],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015470177,0.000076844626,0.004182842,0.00014306403,0.000010703475,0.00040236203,0.006868233,0.0010756234,0.0012063036,0.926023,0.011265077,0.048591256],"study_design_scores_gemma":[0.00004238081,0.00013085257,0.030442217,0.0003146621,0.000017370787,0.0012917352,0.015720109,0.006624677,0.0013946551,0.74445516,0.19951452,0.0000517358],"about_ca_topic_score_codex":0.0023154104,"about_ca_topic_score_gemma":0.0014404258,"teacher_disagreement_score":0.014012307,"about_ca_system_score_codex":0.00086878566,"about_ca_system_score_gemma":0.00023981211,"threshold_uncertainty_score":0.046875834},"labels":[],"label_agreement":null},{"id":"W2319354341","doi":"10.1386/public.24.47.110_1","title":"Of motors, martians and jazz age cities : The stereoscopic inventions of Laurens Hammond","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Movie theater; Art; Shadowgraph; Jazz; Art history; Stereoscopy; Visual arts; Musical; Aesthetics; Computer science; Artificial intelligence; Optics; Physics","score_opus":0.04226533234238194,"score_gpt":0.2027397075908718,"score_spread":0.16047437524848984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2319354341","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25788766,0.016802602,0.0029161307,0.14420986,0.0010195856,0.000026549293,0.00018536753,0.0000546517,0.57689756],"genre_scores_gemma":[0.9261647,0.0052453433,0.0007985816,0.0034693219,0.0007450747,0.000013777948,0.00003300786,0.0000244062,0.06350583],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9992667,0.00032907826,0.000010692255,0.00009540543,0.00016519375,0.00013291958],"domain_scores_gemma":[0.99893373,0.0004534475,0.00016437557,0.00007609153,0.00015866006,0.00021381851],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012393437,0.00018912158,0.00010466347,0.0009966813,0.002600327,0.003591527,0.00031250468,0.00088740274,0.009918819],"category_scores_gemma":[0.003036784,0.00014141283,0.000088131565,0.00074820657,0.005089761,0.0029569748,0.0020110703,0.0012464682,0.0004510431],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009793762,0.000066114386,0.0056883967,0.00006319879,0.0000067875026,0.00054189784,0.019873645,0.00028434888,0.00048946677,0.8239865,0.08376949,0.065132186],"study_design_scores_gemma":[0.000013619622,0.00004644632,0.011262248,0.00017644888,0.0000073420933,0.00046692116,0.016727885,0.00052370847,0.00067337457,0.053037524,0.9170319,0.000032637614],"about_ca_topic_score_codex":0.025680186,"about_ca_topic_score_gemma":0.046054333,"teacher_disagreement_score":0.025680186,"about_ca_system_score_codex":0.004151224,"about_ca_system_score_gemma":0.0013331058,"threshold_uncertainty_score":0.05106139},"labels":[],"label_agreement":null},{"id":"W2319437434","doi":"10.1386/public.25.50.182_7","title":"Walter Benjamin: Retreat/Attack","year":2014,"lang":"en","type":"article","venue":"Public","topic":"Walter Benjamin Studies Compilation","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Column (typography); Art history; Psychoanalysis; History; Philosophy; Geology; Art; Psychology; Computer science; Telecommunications","score_opus":0.096204127916644,"score_gpt":0.2421865801080869,"score_spread":0.1459824521914429,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2319437434","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00087447715,0.06859067,0.00070593454,0.17533158,0.025891915,0.000025851921,0.00041960675,0.00024455588,0.72791535],"genre_scores_gemma":[0.038260568,0.021646408,0.00035599733,0.024960512,0.014442687,0.000057882993,0.00019687621,0.00061171816,0.89946747],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99841595,0.0004010083,0.00006265994,0.00017536651,0.0007119216,0.00023304806],"domain_scores_gemma":[0.99894553,0.0003744786,0.00012050293,0.00012121986,0.00027855946,0.00015970302],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016743548,0.00066477695,0.00045757802,0.0014669319,0.0050224694,0.0058247456,0.0009304707,0.004220517,0.08607487],"category_scores_gemma":[0.006218961,0.0003712281,0.0002747458,0.0015761144,0.0039532646,0.006498969,0.0023827867,0.006129145,0.026994007],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008659848,0.0000031281984,0.00002022744,0.000028470255,8.769096e-7,0.000028250988,0.000542027,0.000010816152,0.000024397252,0.05545901,0.9344677,0.009406316],"study_design_scores_gemma":[0.0000013195997,0.0000010639017,0.00005895068,0.00009982307,5.4662496e-7,0.000029373605,0.0002653865,0.000007224459,0.000039987397,0.00422996,0.9952632,0.0000030664355],"about_ca_topic_score_codex":0.020916183,"about_ca_topic_score_gemma":0.023916582,"teacher_disagreement_score":0.08607487,"about_ca_system_score_codex":0.004134135,"about_ca_system_score_gemma":0.0030870773,"threshold_uncertainty_score":0.2879491},"labels":[],"label_agreement":null},{"id":"W2319565805","doi":"10.1386/public.25.50.19_1","title":"A figure of ambivalent retreat: The case of Gisela Elsner","year":2014,"lang":"en","type":"article","venue":"Public","topic":"European history and politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"German; Politics; Interpretation (philosophy); Context (archaeology); Communism; Sociology; Aesthetics; Pleasure; History; Law; Psychology; Art; Linguistics; Philosophy; Political science","score_opus":0.04037855970719102,"score_gpt":0.2877270297229167,"score_spread":0.24734847001572569,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2319565805","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7885223,0.0012191742,0.0025321117,0.030990232,0.00034467055,0.000037420683,0.000032595257,0.00007994865,0.17624152],"genre_scores_gemma":[0.9831275,0.00018413097,0.00034916252,0.0016682723,0.000026412483,0.000009618247,0.000007564785,0.0000340635,0.014593352],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99610054,0.0021450238,0.00008298446,0.00042683101,0.0003994758,0.00084518234],"domain_scores_gemma":[0.9982357,0.0010258495,0.00019245053,0.00011506539,0.00013056361,0.00030037866],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038619381,0.00053568784,0.0005048229,0.0014051889,0.019302325,0.004863744,0.0011616041,0.0041548465,0.006357724],"category_scores_gemma":[0.0058809854,0.00043898443,0.00034685805,0.000770127,0.030470906,0.0052024215,0.006305598,0.0056098984,0.0007312322],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004570363,0.000057167745,0.0014149741,0.0000359651,0.000008153022,0.017067922,0.68270934,0.00025091838,0.0004482364,0.28527912,0.0055243787,0.007158144],"study_design_scores_gemma":[0.000019620355,0.000060204267,0.001581317,0.00027352388,0.000017724127,0.009220728,0.693513,0.0007329487,0.0012093609,0.047660444,0.24562886,0.000082276616],"about_ca_topic_score_codex":0.015428304,"about_ca_topic_score_gemma":0.02949893,"teacher_disagreement_score":0.019302325,"about_ca_system_score_codex":0.009176292,"about_ca_system_score_gemma":0.003387289,"threshold_uncertainty_score":0.066579044},"labels":[],"label_agreement":null},{"id":"W2320053351","doi":"10.1386/public.24.48.12_7","title":"That's All Folks…","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Race, History, and American Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Sociology","score_opus":0.04821304154932946,"score_gpt":0.2882562281080645,"score_spread":0.24004318655873505,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320053351","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00022169684,0.01867633,0.0004172779,0.726633,0.2275136,0.000013214531,0.00019240097,0.000042689582,0.02628984],"genre_scores_gemma":[0.012406988,0.028908085,0.000667865,0.45950532,0.3613541,0.00006306476,0.00034531156,0.00017554281,0.1365736],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986199,0.00042374263,0.000070497525,0.00022767039,0.00047787867,0.0001803209],"domain_scores_gemma":[0.99235076,0.0032106978,0.00031722133,0.00035886047,0.0029755319,0.00078683335],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002739696,0.00087083195,0.00068508805,0.0015012459,0.0035852357,0.0076234215,0.0014032332,0.008080672,0.05221771],"category_scores_gemma":[0.010157752,0.00037966567,0.0006092989,0.0011571561,0.0038304834,0.0074589136,0.0019314655,0.016442562,0.014041938],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000793511,0.000009626092,0.00008958419,0.000065789805,0.0000026483422,0.000015585018,0.00013281366,0.000010941006,0.000040632665,0.013569208,0.977368,0.008687184],"study_design_scores_gemma":[0.0000041826897,0.0000054075963,0.00042486185,0.00046166283,0.0000050436365,0.00003168597,0.0006031126,0.000022515242,0.000038943053,0.0062036943,0.99218845,0.000010508204],"about_ca_topic_score_codex":0.013611704,"about_ca_topic_score_gemma":0.016429866,"teacher_disagreement_score":0.05221771,"about_ca_system_score_codex":0.0028631042,"about_ca_system_score_gemma":0.0035790203,"threshold_uncertainty_score":0.17468566},"labels":[],"label_agreement":null},{"id":"W2320304686","doi":"10.1386/public.25.50.113_1","title":"Down the rabbit hole: Five theses on the subject of retreat in the time of global capital","year":2014,"lang":"en","type":"article","venue":"Public","topic":"Political and Economic history of UK and US","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Subjectivity; Subject (documents); Capitalism; Capital (architecture); Position (finance); History; Economic history; Political science; Sociology; Epistemology; Philosophy; Economics; Law; Library science; Archaeology; Computer science","score_opus":0.022228103287932774,"score_gpt":0.2489345395161151,"score_spread":0.22670643622818232,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320304686","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17808922,0.053900905,0.0060652313,0.47158253,0.02449693,0.00019208349,0.00019664725,0.00013152977,0.2653449],"genre_scores_gemma":[0.9048118,0.02091809,0.0020865009,0.023140265,0.0063260803,0.00017577673,0.00010551518,0.00020623831,0.04222982],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9929196,0.004176225,0.00022357696,0.00036878415,0.0009035381,0.0014082848],"domain_scores_gemma":[0.9906849,0.0056008855,0.0006692472,0.0004654474,0.0009168542,0.0016626319],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0108052045,0.0009814916,0.0007990657,0.0033151316,0.027078107,0.01629218,0.0017957507,0.005163029,0.0077497186],"category_scores_gemma":[0.013900334,0.00040717196,0.00066125835,0.0034888992,0.03751183,0.014779852,0.0130888885,0.01514698,0.0006346666],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000073878684,0.00007979633,0.0008642444,0.00024570085,0.000010210179,0.00065584487,0.4525028,0.00011239958,0.0003067992,0.48614314,0.039701913,0.019303285],"study_design_scores_gemma":[0.000008663178,0.000052560594,0.0014894456,0.0010509869,0.000006478509,0.00029003958,0.4756078,0.00009980462,0.0002774739,0.050946333,0.4701282,0.000042178523],"about_ca_topic_score_codex":0.014517536,"about_ca_topic_score_gemma":0.028370133,"teacher_disagreement_score":0.027078107,"about_ca_system_score_codex":0.011556488,"about_ca_system_score_gemma":0.008971147,"threshold_uncertainty_score":0.083848596},"labels":[],"label_agreement":null},{"id":"W2320648778","doi":"10.1386/public.25.49.31_7","title":"KU KLUX KLAN OF CANADA IMPERIAL DECREE, OPENING CEREMONY","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ceremony; Decree; Ancient history; Art; History; Archaeology","score_opus":0.023208939647576678,"score_gpt":0.18738496635590088,"score_spread":0.1641760267083242,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320648778","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0371207,0.016032549,0.0005844528,0.12215111,0.017268667,0.00034883563,0.002845158,0.00029738634,0.80335116],"genre_scores_gemma":[0.035587087,0.0015236028,0.00016620461,0.004585522,0.00040512017,0.00003188278,0.00014212872,0.0001280155,0.95743054],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963135,0.00026199917,0.00011960732,0.00044723283,0.0014031115,0.0014544678],"domain_scores_gemma":[0.99804246,0.00035517078,0.00007772412,0.000102492966,0.0009025977,0.0005195684],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013275766,0.00070835615,0.00069052534,0.0010640419,0.020319384,0.0107748,0.0012084864,0.0075382316,0.06685652],"category_scores_gemma":[0.007884804,0.0008612494,0.00048571918,0.0011858626,0.0034740798,0.0024958455,0.0033655392,0.011232004,0.008310279],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015199043,0.000042821306,0.001079769,0.00013680439,0.000022109256,0.0012226439,0.0042018364,0.00023953813,0.0006836514,0.050066788,0.9285012,0.013650893],"study_design_scores_gemma":[0.000005708061,0.000005974209,0.0024215288,0.0000748582,0.0000047730086,0.000047255406,0.0022498565,0.0000338815,0.00026085926,0.00057189487,0.9942984,0.000025063719],"about_ca_topic_score_codex":0.847659,"about_ca_topic_score_gemma":0.95580226,"teacher_disagreement_score":0.9331435,"about_ca_system_score_codex":0.035259668,"about_ca_system_score_gemma":0.04476202,"threshold_uncertainty_score":0.3064763},"labels":[],"label_agreement":null},{"id":"W2320863536","doi":"10.1386/public.24.48.71_1","title":"All that's frozen melts into air: Arctic cinemas at the end of the world","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Movie theater; Sublime; Adventure; Spectacle; Ideology; Danish; Arctic; Politics; The arctic; Art; Art history; Media studies; Visual arts; Aesthetics; History; Sociology; Political science; Law","score_opus":0.027165251286280227,"score_gpt":0.21398173141028612,"score_spread":0.1868164801240059,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320863536","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37938845,0.009836249,0.002867296,0.013381337,0.0026568144,0.000032746262,0.00014749957,0.00009033733,0.59159935],"genre_scores_gemma":[0.97412544,0.0033009322,0.000721939,0.00097020675,0.0005666875,0.000012806753,0.000053421456,0.00008324335,0.02016535],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99849725,0.001030954,0.00002652975,0.000100933474,0.00015677194,0.00018751447],"domain_scores_gemma":[0.9985545,0.00086166715,0.00010909413,0.00008025905,0.00015026201,0.0002442895],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019450791,0.00033637267,0.00023346483,0.0012558247,0.008089486,0.009958072,0.00037666698,0.0008428973,0.004785808],"category_scores_gemma":[0.0023191816,0.00015120607,0.0002274121,0.0008964963,0.006232236,0.0035721583,0.0028714382,0.0019182157,0.00045982152],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019824834,0.000051573086,0.0028564576,0.00029456013,0.000027403848,0.0013020969,0.8193929,0.00017909954,0.0016761433,0.120637886,0.02487367,0.028509878],"study_design_scores_gemma":[0.000007781717,0.00005042382,0.0048959376,0.0006406422,0.00003794512,0.00059121416,0.47336155,0.00014554815,0.0011548722,0.0061088116,0.5129757,0.000029606923],"about_ca_topic_score_codex":0.0097317975,"about_ca_topic_score_gemma":0.026605835,"teacher_disagreement_score":0.009958072,"about_ca_system_score_codex":0.0018917449,"about_ca_system_score_gemma":0.001220836,"threshold_uncertainty_score":0.01935029},"labels":[],"label_agreement":null},{"id":"W2320891213","doi":"10.1386/public.23.46.173_5","title":"Art and multitude by Antonio Negri","year":2012,"lang":"en","type":"article","venue":"Public","topic":"Political Economy and Marxism","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Multitude; Relation (database); Action (physics); Politics; Resistance (ecology); Political action; Epistemology; Sociology; Aesthetics; Art; Philosophy; Political science; Law; Physics","score_opus":0.03075822613028285,"score_gpt":0.29354676382865474,"score_spread":0.2627885376983719,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320891213","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0075539914,0.09886976,0.0043823277,0.14832757,0.012482256,0.000017504693,0.00007580017,0.00010221791,0.7281885],"genre_scores_gemma":[0.41926116,0.069706745,0.0069308667,0.045328397,0.035683487,0.00014370953,0.00011066075,0.0005451793,0.42228985],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99838793,0.00069926627,0.0000401382,0.0003206886,0.00040174444,0.00015023278],"domain_scores_gemma":[0.9991192,0.00052801654,0.00005695133,0.00007847562,0.00012137664,0.00009598139],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020227318,0.00081673305,0.0006253565,0.0018011446,0.005410758,0.007152064,0.0006639314,0.002364219,0.0069045834],"category_scores_gemma":[0.0031381992,0.00028440566,0.0004922825,0.0009877519,0.011650682,0.0052313497,0.003904406,0.005061804,0.0030955973],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000235577,0.000020507789,0.00018839522,0.000064640044,0.0000057864245,0.000115766234,0.004206985,0.00015759516,0.00014752771,0.862793,0.11686104,0.015415117],"study_design_scores_gemma":[0.00000344823,0.000008931685,0.00016724384,0.00014415052,0.0000026902958,0.00019203055,0.0006859355,0.00018166791,0.0000788285,0.091151126,0.90737474,0.000009139553],"about_ca_topic_score_codex":0.0010126353,"about_ca_topic_score_gemma":0.0014656843,"teacher_disagreement_score":0.007152064,"about_ca_system_score_codex":0.0030779438,"about_ca_system_score_gemma":0.00089401065,"threshold_uncertainty_score":0.023098111},"labels":[],"label_agreement":null},{"id":"W2321663710","doi":"10.1386/public.25.50.59_1","title":"Retreating in/from art institutions","year":2014,"lang":"en","type":"article","venue":"Public","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Overwork; Commit; Workload; Contradiction; Institution; Normalization (sociology); Working hours; Work (physics); Sociology; Public relations; Political science; Psychology; Labour economics; Social science; Management; Economics; Computer science; Engineering; Epistemology; Philosophy","score_opus":0.1175705033949666,"score_gpt":0.3165162680264598,"score_spread":0.19894576463149322,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2321663710","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5345505,0.0027043684,0.010902384,0.032156054,0.0012896237,0.0002902443,0.000079538615,0.00053316937,0.4174942],"genre_scores_gemma":[0.9227,0.00050672516,0.0019956685,0.003294088,0.00027762592,0.00007437683,0.000037334023,0.00018780811,0.070926376],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.98794055,0.0050605414,0.00055709743,0.00079174375,0.0024287784,0.0032213114],"domain_scores_gemma":[0.9838702,0.003112712,0.002479651,0.002953763,0.0024782103,0.005105404],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008633336,0.00054360955,0.0006158037,0.0018426558,0.022482997,0.011418957,0.0038057594,0.0034483415,0.02357611],"category_scores_gemma":[0.018845161,0.00030679628,0.0007268241,0.0014652237,0.017279524,0.006021215,0.01753613,0.007600944,0.0043312698],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023356415,0.00043982756,0.018937191,0.00054461916,0.000057290083,0.0045335814,0.40331456,0.0006222428,0.004795454,0.27200478,0.05047689,0.24404003],"study_design_scores_gemma":[0.000017269796,0.00021023717,0.014657039,0.0007831755,0.0000259421,0.0018628413,0.27200344,0.00051496836,0.0024182266,0.019568648,0.68784887,0.00008937694],"about_ca_topic_score_codex":0.0072037317,"about_ca_topic_score_gemma":0.013920891,"teacher_disagreement_score":0.02357611,"about_ca_system_score_codex":0.007673459,"about_ca_system_score_gemma":0.011375058,"threshold_uncertainty_score":0.07886994},"labels":[],"label_agreement":null},{"id":"W2321702718","doi":"10.1386/public.23.45.78_1","title":"Halifax’s Nocturne versus(?) the spectacle of neo-liberal civics","year":2012,"lang":"en","type":"article","venue":"Public","topic":"Sport and Mega-Event Impacts","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Spectacle; Politics; Enthusiasm; Civics; Meaning (existential); Sociology; Political science; The arts; Aesthetics; Choreography; Media studies; Public administration; Political economy; Gender studies; Law; Visual arts; Art; Dance; Social psychology","score_opus":0.11433015155991852,"score_gpt":0.35307118402440424,"score_spread":0.23874103246448572,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2321702718","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22856073,0.0025728364,0.0007782689,0.045979526,0.0008846706,0.000013219112,0.00010741965,0.000053145854,0.7210502],"genre_scores_gemma":[0.9675538,0.00047399526,0.00016908473,0.002280765,0.00022629167,0.000008293048,0.000023278048,0.000029583949,0.029234886],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9995322,0.00016053933,0.0000057319385,0.00006622204,0.00009625294,0.0001390557],"domain_scores_gemma":[0.99949265,0.00017455063,0.00006947675,0.000060505263,0.000048245438,0.00015454127],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008864686,0.00021802826,0.00017394505,0.0002976345,0.0050203064,0.007346351,0.00032569966,0.0009200094,0.011964192],"category_scores_gemma":[0.0010750372,0.000078083845,0.00011687386,0.00034353245,0.009137515,0.0020443168,0.0022359479,0.0020661002,0.00052829605],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005470609,0.00010350455,0.010840302,0.00028656292,0.000027846423,0.00068412296,0.10042527,0.00034341947,0.0015115011,0.67605066,0.12576579,0.08341402],"study_design_scores_gemma":[0.00003435562,0.00010950123,0.031497613,0.00027788896,0.000009169956,0.00034039942,0.07379336,0.0001570191,0.00055926666,0.021648265,0.8715477,0.000025506448],"about_ca_topic_score_codex":0.019973831,"about_ca_topic_score_gemma":0.04739358,"teacher_disagreement_score":0.9800262,"about_ca_system_score_codex":0.003942683,"about_ca_system_score_gemma":0.0008617029,"threshold_uncertainty_score":0.04002422},"labels":[],"label_agreement":null},{"id":"W2322094206","doi":"10.1386/public.25.49.90_7","title":"'For You The War Is Over': An airman remembers","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Military, Security, and Education Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"German; Uncanny; World War II; History; Phenomenon; Visual arts; Psychology; Media studies; Art; Sociology; Psychoanalysis; Archaeology","score_opus":0.06402086069312207,"score_gpt":0.3447217732821882,"score_spread":0.28070091258906615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2322094206","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34699816,0.023915088,0.0014613018,0.50562817,0.013940025,0.00013224223,0.00015460182,0.00023828677,0.107532136],"genre_scores_gemma":[0.78036714,0.009167718,0.0009362943,0.104321025,0.002264285,0.00007304845,0.00007563785,0.00020583358,0.102588944],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99788326,0.00090495043,0.000045891524,0.00018627022,0.0003605093,0.00061902055],"domain_scores_gemma":[0.9978993,0.00052429107,0.00023561313,0.00008509426,0.00049135886,0.00076436205],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018542822,0.0009571972,0.00062011194,0.0007587727,0.028502697,0.006422309,0.0015842121,0.0053433245,0.006337888],"category_scores_gemma":[0.007642495,0.00070333504,0.00041136544,0.0005376168,0.008914352,0.0061295317,0.0031247966,0.01450157,0.0014507863],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039186496,0.00006514141,0.0024306253,0.00008349722,0.000012467958,0.0063354336,0.824109,0.000028847971,0.00040601814,0.0072960285,0.14810397,0.011089718],"study_design_scores_gemma":[0.000003001647,0.000042462765,0.0016701304,0.00022256028,0.000011024296,0.0034502654,0.7847954,0.0000438284,0.00018573648,0.0007328304,0.2088213,0.000021473777],"about_ca_topic_score_codex":0.081256,"about_ca_topic_score_gemma":0.13682745,"teacher_disagreement_score":0.081256,"about_ca_system_score_codex":0.0051666843,"about_ca_system_score_gemma":0.005140911,"threshold_uncertainty_score":0.16156608},"labels":[],"label_agreement":null},{"id":"W2322278414","doi":"10.1386/public.25.50.145_1","title":"'The spectre of form: Letters from an absent sovereign'","year":2014,"lang":"en","type":"article","venue":"Public","topic":"American Environmental and Regional History","field":"Environmental Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Brock University","funders":"","keywords":"Elegance; Humanism; Sovereignty; Politics; Aesthetics; Enlightenment; Extension (predicate logic); Art; Literature; History; Philosophy; Law; Epistemology; Political science","score_opus":0.007197827944478981,"score_gpt":0.18112229741543256,"score_spread":0.17392446947095358,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2322278414","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06414839,0.0042897537,0.0031459723,0.13139787,0.002697743,0.000015582264,0.000059419122,0.00006838832,0.794177],"genre_scores_gemma":[0.9020653,0.0009837834,0.00048270824,0.008409804,0.0007817574,0.000014495252,0.000023482142,0.00011944803,0.0871192],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9966624,0.0019033082,0.00006930181,0.00038762996,0.00057720207,0.00040024274],"domain_scores_gemma":[0.9964624,0.0021005983,0.0001875175,0.00036673128,0.0005839197,0.0002987006],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024778706,0.00028786776,0.00034296274,0.00054405036,0.014610849,0.011816205,0.00079680316,0.0041850233,0.009291107],"category_scores_gemma":[0.009919522,0.00024869086,0.0001645304,0.00071160734,0.02650283,0.008327457,0.004728295,0.0068949517,0.0014450592],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024974484,0.000007932179,0.00025078555,0.000028321288,0.0000014327319,0.0003472546,0.13983761,0.000031016814,0.00011913364,0.81270933,0.038530823,0.008111386],"study_design_scores_gemma":[0.000008858908,0.000018830979,0.0005354197,0.00019761565,0.0000036855747,0.0004433171,0.08666238,0.00013264125,0.00016171843,0.112729646,0.799087,0.000018957471],"about_ca_topic_score_codex":0.015139592,"about_ca_topic_score_gemma":0.025920087,"teacher_disagreement_score":0.015139592,"about_ca_system_score_codex":0.007902258,"about_ca_system_score_gemma":0.0026210558,"threshold_uncertainty_score":0.057335198},"labels":[],"label_agreement":null},{"id":"W2323460301","doi":"10.1386/public.25.49.50_7","title":"The everyday life of the Berlin Wall: College Station, Texas/Berlin, Germany","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Memory, Trauma, and Commemoration","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Sculpture; Context (archaeology); Cold war; Depiction; Art history; Berlin wall; Meaning (existential); History; Archaeology; Art; Visual arts; Law; Philosophy; Politics; Political science","score_opus":0.03003401116624355,"score_gpt":0.27719334715151817,"score_spread":0.24715933598527462,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2323460301","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80294335,0.0054608835,0.0005046295,0.020341152,0.00080908067,0.000031687545,0.000769087,0.00010993673,0.16903014],"genre_scores_gemma":[0.9542835,0.002093713,0.00013592416,0.0005378182,0.00007099507,0.00001809162,0.00012432096,0.00004510269,0.042690556],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.999696,0.00010249295,0.000007636446,0.000046088546,0.00004744121,0.000100382196],"domain_scores_gemma":[0.9996587,0.00005665479,0.000052480736,0.000021165524,0.000021064458,0.00018994407],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003543014,0.0003627318,0.0001660467,0.0010082907,0.006659096,0.006297891,0.00048429644,0.00064737175,0.030728504],"category_scores_gemma":[0.00075545884,0.00021365499,0.0000701368,0.0015295191,0.0050025643,0.002055478,0.0035699422,0.0014034556,0.0020897824],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018325496,0.00013964722,0.015707826,0.00015905927,0.00002440265,0.0019312059,0.6867411,0.00022322714,0.0016598857,0.042869415,0.17388995,0.076471016],"study_design_scores_gemma":[0.000006387003,0.000026257629,0.022471903,0.0001368925,0.0000052733267,0.00022745322,0.63442814,0.00003065659,0.0002740879,0.0009242324,0.3414502,0.000018544451],"about_ca_topic_score_codex":0.026120236,"about_ca_topic_score_gemma":0.05325037,"teacher_disagreement_score":0.030728504,"about_ca_system_score_codex":0.003934921,"about_ca_system_score_gemma":0.0016001984,"threshold_uncertainty_score":0.10279703},"labels":[],"label_agreement":null},{"id":"W2324779130","doi":"10.1386/public.25.49.4_1","title":"Introduction: Black holes in the sciences - trauma, culture, aesthetics","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Middle East and Rwanda Conflicts","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Embodied cognition; Empathy; Aesthetics; Perception; Coping (psychology); Psychology; Mental illness; Psychological trauma; Social psychology; Sociology; Psychoanalysis; Epistemology; Art; Psychotherapist; Mental health; Philosophy","score_opus":0.048618091695824935,"score_gpt":0.2887225236698007,"score_spread":0.2401044319739758,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2324779130","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04959,0.09882002,0.019605072,0.45663393,0.03461802,0.00010405498,0.00044998777,0.00027270545,0.33990622],"genre_scores_gemma":[0.8291984,0.03928504,0.0073855156,0.03626623,0.016542014,0.00017300229,0.00016627554,0.00033096582,0.07065255],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9984414,0.00097319396,0.000055286648,0.00014515074,0.00024966136,0.0001351842],"domain_scores_gemma":[0.99723095,0.002019087,0.00018445514,0.00021826437,0.00020903222,0.00013826072],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0026107312,0.00062077836,0.000501778,0.0014164838,0.005125689,0.007089736,0.0005726953,0.0026722015,0.014714034],"category_scores_gemma":[0.0039755483,0.00019840596,0.00039100938,0.0018482299,0.027781652,0.007453155,0.0040614526,0.0066194865,0.0011918509],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029620154,0.000017666029,0.00057835755,0.00023796523,0.0000062013714,0.00014294693,0.05473212,0.00010813543,0.00029059645,0.86850506,0.05657454,0.018776705],"study_design_scores_gemma":[0.000006881825,0.000048040063,0.0012132069,0.0008606799,0.000007626993,0.0008234213,0.04456045,0.00021780466,0.00026852128,0.2959011,0.65606534,0.000026957903],"about_ca_topic_score_codex":0.0015585946,"about_ca_topic_score_gemma":0.0015359926,"teacher_disagreement_score":0.9948743,"about_ca_system_score_codex":0.0023259236,"about_ca_system_score_gemma":0.0014388689,"threshold_uncertainty_score":0.049223363},"labels":[],"label_agreement":null},{"id":"W2324781220","doi":"10.1386/public.24.48.95_1","title":"OFFSHORE: Extreme oil and our disappearing future","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Global Energy and Sustainability Research","field":"Energy","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Anthropocene; Modernity; Submarine pipeline; Environmental ethics; Addiction; History; Political science; Oceanography; Geology; Psychology; Philosophy; Law","score_opus":0.025759790867875356,"score_gpt":0.2508194090174056,"score_spread":0.22505961814953027,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2324781220","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1564917,0.016967803,0.0020765916,0.2677273,0.0018205704,0.00000927931,0.00021424338,0.00006580213,0.5546267],"genre_scores_gemma":[0.9276986,0.0154444715,0.00035707612,0.008078684,0.00043700825,0.000007536645,0.00007579124,0.000062449384,0.047838356],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99956137,0.00018866244,0.000008329608,0.000032603682,0.00011187596,0.000097078155],"domain_scores_gemma":[0.99941814,0.00025663493,0.00007566158,0.00004200167,0.00009796931,0.0001096587],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00064375525,0.0001637138,0.00013011231,0.00042227434,0.0036965986,0.005616326,0.00024704201,0.0016480843,0.011825735],"category_scores_gemma":[0.0012424226,0.0000770556,0.000112491354,0.0006340686,0.009004757,0.004947716,0.003555067,0.002297879,0.00076569244],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000120921264,0.000066066175,0.0072254394,0.00022777762,0.0000124753815,0.0015536692,0.08013194,0.00035289756,0.0012099509,0.67776054,0.13917196,0.09216623],"study_design_scores_gemma":[0.0000054065385,0.000027257913,0.0032966107,0.0004636708,0.000005700355,0.0005900461,0.16562344,0.0001146365,0.00050883205,0.0989002,0.73043996,0.000024272449],"about_ca_topic_score_codex":0.010884597,"about_ca_topic_score_gemma":0.02881939,"teacher_disagreement_score":0.011825735,"about_ca_system_score_codex":0.0019499293,"about_ca_system_score_gemma":0.0017959105,"threshold_uncertainty_score":0.039561033},"labels":[],"label_agreement":null},{"id":"W2325739268","doi":"10.1386/public.23.45.212_1","title":"Participatory art at the Vancouver 2010 Cultural Olympiad","year":2012,"lang":"en","type":"article","venue":"Public","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Olympiad; Crowds; Citizen journalism; Choreography; Visual arts; Participatory culture; Action (physics); Media studies; Sociology; Political science; Art; History; Dance; Computer science; Archaeology; Law","score_opus":0.1929729030072838,"score_gpt":0.3233253523690056,"score_spread":0.1303524493617218,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2325739268","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17451003,0.006935002,0.0025996848,0.017289713,0.0023547995,0.0003783825,0.0008185442,0.00014594667,0.79496783],"genre_scores_gemma":[0.60485715,0.0025143186,0.0024368023,0.0015951635,0.0001959434,0.00034243765,0.0004493135,0.00010300962,0.38750598],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9965328,0.0013184316,0.000035683443,0.00038243626,0.0009977465,0.0007328708],"domain_scores_gemma":[0.9977864,0.00034327718,0.000050468312,0.00016853715,0.0006752882,0.00097603106],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033804562,0.00055059406,0.00034022948,0.001082245,0.021357957,0.008269255,0.001082345,0.0015203448,0.011302079],"category_scores_gemma":[0.0037329828,0.00037106534,0.00029024718,0.00166226,0.006320878,0.0008117193,0.0042363578,0.0024504005,0.0012674545],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00045581878,0.00030695423,0.008431248,0.00048180803,0.00006433953,0.0021811675,0.19083212,0.0011042599,0.002195062,0.10989095,0.51404774,0.17000845],"study_design_scores_gemma":[0.0000426698,0.00007844076,0.013881534,0.0003206288,0.000012417761,0.00018054724,0.06522838,0.00016423907,0.00049170305,0.0039734105,0.9155888,0.000037308982],"about_ca_topic_score_codex":0.699661,"about_ca_topic_score_gemma":0.93362755,"teacher_disagreement_score":0.30033898,"about_ca_system_score_codex":0.020976664,"about_ca_system_score_gemma":0.025742466,"threshold_uncertainty_score":0.6042155},"labels":[],"label_agreement":null},{"id":"W2326010627","doi":"10.1386/public.25.49.110_1","title":"The sincerest form of irony: Fun and games in a post-September 11 world","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Comics; Seriousness; Animation; Irony; Sensibility; World trade center; Art; Anime; Visual arts; Aesthetics; Literature; History; Philosophy; Linguistics; Terrorism; Epistemology","score_opus":0.021152877970823363,"score_gpt":0.20172847942634015,"score_spread":0.1805756014555168,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2326010627","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5515847,0.0014238884,0.0018026313,0.030853251,0.0016659598,0.00004366595,0.00007024958,0.00010536814,0.41245028],"genre_scores_gemma":[0.96267205,0.00022267437,0.00017803097,0.0011738933,0.00015459443,0.000014364377,0.000016372906,0.0000837661,0.03548415],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99667066,0.0020222247,0.000048283982,0.00016706059,0.00034677444,0.00074504217],"domain_scores_gemma":[0.9967457,0.0018986013,0.00024547323,0.00017631539,0.00026212804,0.000671788],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033445326,0.00065016677,0.00039820245,0.0014716584,0.020832928,0.013331112,0.0009183703,0.0028561905,0.007720645],"category_scores_gemma":[0.006049027,0.0003433802,0.00024565976,0.0006938937,0.02310794,0.0067194873,0.007165526,0.006053323,0.00059947645],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056253335,0.00005365157,0.0011267655,0.000033854758,0.0000047023773,0.0009738778,0.8477607,0.0000698864,0.0002621324,0.12335018,0.019185554,0.007122477],"study_design_scores_gemma":[0.000012013803,0.00005795023,0.0018628438,0.00016789258,0.0000050449135,0.00054700696,0.5691562,0.0001989098,0.0003982943,0.011798755,0.4157675,0.000027496826],"about_ca_topic_score_codex":0.009076134,"about_ca_topic_score_gemma":0.022283027,"teacher_disagreement_score":0.020832928,"about_ca_system_score_codex":0.0040280316,"about_ca_system_score_gemma":0.0011800347,"threshold_uncertainty_score":0.029225588},"labels":[],"label_agreement":null},{"id":"W2326143061","doi":"10.1386/public.24.47.242_5","title":"Review of Frida &amp; Diego: Passion, Politics and Painting, Art Gallery of Ontario, Toronto","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Historical Gender and Feminism Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Passion; Painting; Politics; Art; Art history; Visual arts; Sociology; Political science; Psychology; Law","score_opus":0.04404309499666852,"score_gpt":0.2940714355765445,"score_spread":0.250028340579876,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2326143061","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00064118655,0.98304313,0.000035711324,0.004278912,0.0012088135,0.000008907648,0.00050619006,0.000006823338,0.010270384],"genre_scores_gemma":[0.010112787,0.96453243,0.00014361131,0.0012642562,0.0008788119,0.000017237884,0.00045049953,0.000022166476,0.022578157],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99906856,0.00013371767,0.0000859949,0.00009158494,0.00047478286,0.00014545622],"domain_scores_gemma":[0.9978527,0.00046611603,0.00018471666,0.00010389431,0.0011439497,0.00024858027],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018384053,0.0011719938,0.0011660457,0.011021495,0.0030640648,0.0045791473,0.0011531888,0.0013884697,0.025879595],"category_scores_gemma":[0.0031453033,0.00058712787,0.00042988756,0.02329489,0.0033968769,0.0016552316,0.0017377628,0.0010614652,0.0027622655],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046936377,0.000012996376,0.0012873078,0.014320523,0.0000678546,0.00020986295,0.0041357293,0.00014778241,0.00027079377,0.008119363,0.76402104,0.2073598],"study_design_scores_gemma":[0.0000016714903,0.0000028008,0.004408211,0.0030068713,0.000022479055,0.00007146949,0.0011465137,0.0000039447923,0.000027251586,0.00009719156,0.99120516,0.000006378888],"about_ca_topic_score_codex":0.8234335,"about_ca_topic_score_gemma":0.95931023,"teacher_disagreement_score":0.8234335,"about_ca_system_score_codex":0.024358504,"about_ca_system_score_gemma":0.043451756,"threshold_uncertainty_score":0.35521257},"labels":[],"label_agreement":null},{"id":"W2326805543","doi":"10.1386/public.24.47.123_1","title":"Industrial magic and light: 3D at the New York World’s Fair (1939)","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Animation; MAGIC (telescope); Context (archaeology); Engineering; Political science; Visual arts; Art; History; Physics","score_opus":0.07737205414480611,"score_gpt":0.20640954447219415,"score_spread":0.12903749032738804,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2326805543","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.616614,0.0031818182,0.002131048,0.008935688,0.00044518092,0.00010115336,0.0014081163,0.000045212222,0.36713776],"genre_scores_gemma":[0.94893926,0.0011068515,0.0012341017,0.00021213663,0.000102134305,0.000033585606,0.00022716133,0.000024099341,0.04812052],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99981254,0.00006758395,0.000003216964,0.000030448093,0.000054940956,0.000031283314],"domain_scores_gemma":[0.9995146,0.00026483397,0.00004308585,0.0000378733,0.00007546544,0.00006417912],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00077176595,0.00018497725,0.00010641619,0.0007425238,0.0025077953,0.0022384757,0.00029897544,0.00042672947,0.027100502],"category_scores_gemma":[0.0015090593,0.00014125193,0.00009617759,0.0006729134,0.0024239307,0.0012564546,0.0010035655,0.0007646493,0.0005537241],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010943506,0.0006498654,0.041519787,0.00053364324,0.00008643645,0.0028206278,0.15265377,0.0038749822,0.007757381,0.33463204,0.23291807,0.22145906],"study_design_scores_gemma":[0.00009016572,0.00027690784,0.16178893,0.0005191357,0.00004030984,0.00032996255,0.07083154,0.001943684,0.0033006219,0.015706945,0.74509174,0.000080113336],"about_ca_topic_score_codex":0.18241158,"about_ca_topic_score_gemma":0.3065519,"teacher_disagreement_score":0.18241158,"about_ca_system_score_codex":0.004741953,"about_ca_system_score_gemma":0.0007815776,"threshold_uncertainty_score":0.36269963},"labels":[],"label_agreement":null},{"id":"W2327298556","doi":"10.1386/public.25.49.133_5","title":"Review of: Explosion in the Movie Machine, edited by Chris Gehman (Toronto: The Liaison of Independent Filmmakers of Toronto and the Images Festival, 2013).","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Art history; Media studies; Art; Cartography; History; Computer graphics (images); Sociology; Computer science; Geography","score_opus":0.020244872345983468,"score_gpt":0.22959563038767355,"score_spread":0.2093507580416901,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2327298556","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007165801,0.97404456,0.000052498166,0.01124887,0.009855933,0.0000037808015,0.0001810438,0.000008321973,0.004533247],"genre_scores_gemma":[0.0016721527,0.9653547,0.000102959595,0.004434619,0.016828183,0.000008481895,0.0002753976,0.00001813868,0.01130529],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995728,0.000080475394,0.000040378723,0.00007446009,0.00017374282,0.000058102338],"domain_scores_gemma":[0.9977329,0.0008284698,0.00020414982,0.00006067718,0.00089163025,0.000282214],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00095660513,0.0013284284,0.0012149955,0.004773528,0.0008158537,0.0037697714,0.0012096248,0.0022681875,0.02321105],"category_scores_gemma":[0.004175283,0.0005542805,0.00043995766,0.0068371305,0.001512118,0.0033329164,0.0011101279,0.0028687883,0.009341687],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009633715,0.000005795389,0.000069984024,0.0010788304,0.000011293522,0.00002296661,0.000057927507,0.000047183607,0.0000399655,0.0020273153,0.95566285,0.04096631],"study_design_scores_gemma":[0.000002516942,0.0000055048254,0.00067958253,0.0011996019,0.0000096745825,0.00009043458,0.00007530554,0.000018438968,0.000026081174,0.00060372404,0.9972826,0.000006539611],"about_ca_topic_score_codex":0.029978983,"about_ca_topic_score_gemma":0.073913045,"teacher_disagreement_score":0.029978983,"about_ca_system_score_codex":0.004114624,"about_ca_system_score_gemma":0.004109818,"threshold_uncertainty_score":0.07764876},"labels":[],"label_agreement":null},{"id":"W2328059038","doi":"10.1386/public.25.50.187_5","title":"Humboldt Magnussen: Viking Blood, Buddies in Bad Times Theatre, Toronto","year":2014,"lang":"en","type":"article","venue":"Public","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; History; Art","score_opus":0.015916995650837165,"score_gpt":0.2224148577630917,"score_spread":0.20649786211225452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2328059038","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06287116,0.22782962,0.00054827577,0.2298316,0.011250366,0.000046155867,0.0009825942,0.00013041358,0.46650982],"genre_scores_gemma":[0.5594993,0.036101677,0.00025254214,0.0045271274,0.0014440096,0.000028543194,0.00012903917,0.00019445166,0.39782327],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908876,0.0003521225,0.000022869004,0.00009150559,0.00015315916,0.0002915289],"domain_scores_gemma":[0.9987301,0.00041085164,0.000094451854,0.000053353342,0.00014555262,0.000565634],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010160819,0.0006188231,0.00040801495,0.0010203609,0.020333586,0.008983374,0.00072662736,0.0024271496,0.028855542],"category_scores_gemma":[0.0024238473,0.0004155738,0.00015402345,0.0019910329,0.009672395,0.0031451313,0.003158384,0.0038903705,0.0018418893],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008536831,0.000024818111,0.0011214803,0.0003040342,0.000011038312,0.0005716005,0.21507394,0.00015237556,0.00032354062,0.1895587,0.5663743,0.026398819],"study_design_scores_gemma":[0.000003880523,0.0000076192596,0.0029067767,0.00030740543,0.0000046411456,0.00007288562,0.0777595,0.000031998658,0.00012603658,0.0024921936,0.91627586,0.000011147661],"about_ca_topic_score_codex":0.6858864,"about_ca_topic_score_gemma":0.9057891,"teacher_disagreement_score":0.31411362,"about_ca_system_score_codex":0.027760461,"about_ca_system_score_gemma":0.016680151,"threshold_uncertainty_score":0.631927},"labels":[],"label_agreement":null},{"id":"W2328878762","doi":"10.1386/public.25.50.189_5","title":"Coming to Terms, Justina M. Barnicke Gallery, Toronto","year":2014,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Sociology; Media studies","score_opus":0.05854380319881641,"score_gpt":0.25557258040642694,"score_spread":0.19702877720761053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2328878762","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014165123,0.2366082,0.0009973235,0.48536634,0.043968976,0.000040818606,0.0016984212,0.00037994207,0.22952342],"genre_scores_gemma":[0.01188823,0.07100955,0.000664693,0.012732661,0.004617238,0.000025877358,0.00030624785,0.00036955305,0.89838594],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993567,0.00009418746,0.000029369343,0.00013861067,0.00024264905,0.00013844013],"domain_scores_gemma":[0.99818474,0.00028752693,0.00005725175,0.00010072268,0.00055153784,0.0008182701],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009926405,0.0008508547,0.0005072167,0.0011114182,0.010109595,0.0058962707,0.0007056731,0.003135703,0.10663527],"category_scores_gemma":[0.0023989368,0.00075512676,0.00038051791,0.0012662092,0.0024209784,0.0035892955,0.0028305708,0.0064949244,0.028166626],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006733678,0.0000032890894,0.000072024886,0.000043811007,0.0000011481841,0.000047526068,0.00037832733,0.00002818298,0.00006248317,0.0035761169,0.98678917,0.008991288],"study_design_scores_gemma":[0.0000011135143,0.0000014607793,0.00029190927,0.000071476315,0.0000011359864,0.000028657174,0.0006578402,0.000009841354,0.000041955893,0.00056058605,0.9983298,0.000004194967],"about_ca_topic_score_codex":0.31646648,"about_ca_topic_score_gemma":0.6669216,"teacher_disagreement_score":0.68353355,"about_ca_system_score_codex":0.010182386,"about_ca_system_score_gemma":0.009901686,"threshold_uncertainty_score":0.62924886},"labels":[],"label_agreement":null},{"id":"W2328930219","doi":"10.1386/public.23.45.224_7","title":"Seeing through spectacles","year":2012,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Visual arts; Optometry; Art; Geography; Medicine","score_opus":0.13329958231619857,"score_gpt":0.277283978078839,"score_spread":0.1439843957626404,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2328930219","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02075594,0.0043203575,0.0048607634,0.008625619,0.00079358293,0.000012255482,0.0001145798,0.00015259389,0.9603643],"genre_scores_gemma":[0.64120454,0.005667899,0.0031752596,0.0031586164,0.0007345982,0.000033068914,0.0001545461,0.00028180322,0.34558967],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99939024,0.00023172692,0.00001123226,0.000092049246,0.00015943531,0.00011536206],"domain_scores_gemma":[0.99925655,0.00018559961,0.000081437625,0.00014917244,0.00017296619,0.00015427315],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005947599,0.0005422764,0.00020392939,0.0009336157,0.0038681524,0.008768041,0.00046860983,0.0016830676,0.061759368],"category_scores_gemma":[0.0025560984,0.00024957684,0.00040328564,0.0006913234,0.006116983,0.0063536526,0.0037786823,0.002472882,0.006603324],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011382644,0.00004360957,0.0018032697,0.00026776182,0.000033224915,0.00055335165,0.039807558,0.00031415303,0.004453879,0.71995413,0.119120225,0.11353509],"study_design_scores_gemma":[0.000015947837,0.000069522306,0.0048222113,0.0004205217,0.000029747862,0.0012216431,0.034390677,0.00028576134,0.0017517412,0.12178295,0.8351705,0.000038800597],"about_ca_topic_score_codex":0.00850853,"about_ca_topic_score_gemma":0.009920145,"teacher_disagreement_score":0.061759368,"about_ca_system_score_codex":0.0015424886,"about_ca_system_score_gemma":0.0012862269,"threshold_uncertainty_score":0.20660567},"labels":[],"label_agreement":null},{"id":"W2329468626","doi":"10.1386/public.24.47.244_5","title":"Review of The Return of a Lake, Maria Thereza Alves at dOCUMENTA 13, Kassel","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Environmental Sustainability and Education","field":"Environmental Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Art","score_opus":0.008584492635420458,"score_gpt":0.21539902149362986,"score_spread":0.2068145288582094,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2329468626","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021105371,0.9359289,0.000102025384,0.043006267,0.013803311,0.000021186357,0.0002734385,0.000014191424,0.004740101],"genre_scores_gemma":[0.018313719,0.9492235,0.00024547643,0.014748735,0.008155514,0.000034399905,0.00040283034,0.000034615725,0.008841228],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99856985,0.0003960852,0.00033692023,0.00014665138,0.00042865804,0.000121907986],"domain_scores_gemma":[0.9939189,0.0019600876,0.00065021013,0.0001497157,0.0029551117,0.0003659407],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035771246,0.00045128353,0.0007195124,0.0020242976,0.0010813567,0.0018586055,0.0012257578,0.0019475697,0.0066443975],"category_scores_gemma":[0.017916473,0.00021808688,0.00047071063,0.0017023741,0.0013959662,0.0015956258,0.0014002842,0.0016730593,0.0012430832],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025552185,0.000036936955,0.0015644865,0.03344821,0.00015264688,0.0025190306,0.0025636347,0.00015830874,0.00087289803,0.0062082284,0.6150049,0.33721524],"study_design_scores_gemma":[0.000007651231,0.000036671838,0.003470831,0.010126945,0.000070977956,0.0010422561,0.0013237029,0.000005726,0.00017599427,0.00032887052,0.9833981,0.000012295925],"about_ca_topic_score_codex":0.024684878,"about_ca_topic_score_gemma":0.055284936,"teacher_disagreement_score":0.024684878,"about_ca_system_score_codex":0.0027506603,"about_ca_system_score_gemma":0.01022752,"threshold_uncertainty_score":0.0490824},"labels":[],"label_agreement":null},{"id":"W2329505202","doi":"10.1386/public.24.47.214_7","title":"A FILM FOR PINA Keynote of the Toronto International Stereoscopic 3D Conference","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Computer Graphics and Visualization Techniques","field":"Computer Science","cited_by":29,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Stereoscopy; Computer graphics (images); Visual arts; Art; Media studies; Art history; Computer science; Sociology; Artificial intelligence","score_opus":0.032349539407570446,"score_gpt":0.2885717140364345,"score_spread":0.25622217462886404,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2329505202","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011227661,0.013490729,0.00928434,0.09339302,0.4092575,0.0006203605,0.0055094557,0.0014323732,0.45578465],"genre_scores_gemma":[0.052839663,0.0049067275,0.0047830106,0.0076230797,0.032278907,0.00019924263,0.0024958518,0.0011739065,0.8936997],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958354,0.000053154545,0.0000118983335,0.000055077184,0.00019518367,0.000101126],"domain_scores_gemma":[0.9991172,0.00010818103,0.000017933999,0.000043332315,0.0003285725,0.0003847449],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009833772,0.0013420301,0.0005619764,0.0010511206,0.0046293973,0.004012926,0.00067099545,0.0018099241,0.14267318],"category_scores_gemma":[0.001884459,0.0003892488,0.0007212314,0.00079946284,0.000580558,0.0012872841,0.0027952658,0.003932599,0.016224],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009600027,0.000012180959,0.000060067356,0.00005134625,0.0000050113426,0.0001257793,0.00019579199,0.00007927341,0.00079698407,0.0016736287,0.9898431,0.007060986],"study_design_scores_gemma":[0.000032036878,0.000047440364,0.00087862206,0.00009378736,0.000009428342,0.000079719895,0.0006438137,0.00025022367,0.00033768683,0.0007722427,0.9968393,0.000015566991],"about_ca_topic_score_codex":0.0309619,"about_ca_topic_score_gemma":0.13809957,"teacher_disagreement_score":0.14267318,"about_ca_system_score_codex":0.0021198057,"about_ca_system_score_gemma":0.0016045038,"threshold_uncertainty_score":0.47728932},"labels":[],"label_agreement":null},{"id":"W2330635098","doi":"10.1386/public.24.48.163_5","title":"Artificial Hells: Participatory Art and the Politics of Spectatorship by Claire Bishop","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Politics; Citizen journalism; Art; Sociology; Environmental ethics; Aesthetics; Political science; Art history; Law; Philosophy","score_opus":0.09507953856080416,"score_gpt":0.2558120646099438,"score_spread":0.16073252604913968,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2330635098","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0099212155,0.35003674,0.0011454468,0.39933997,0.005050547,0.00003916548,0.00007292685,0.000034547236,0.23435944],"genre_scores_gemma":[0.5413386,0.28985074,0.0011726855,0.062003095,0.025269732,0.00024455145,0.00013668364,0.0003352228,0.07964864],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98979914,0.0061380994,0.00025278967,0.00063626945,0.0024754382,0.00069841783],"domain_scores_gemma":[0.96537304,0.02832861,0.0011866353,0.0011696991,0.002799142,0.0011429132],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.011942375,0.0005879359,0.0008930716,0.0040219813,0.009592798,0.012268022,0.002122859,0.0077765174,0.013499344],"category_scores_gemma":[0.020792643,0.0007148437,0.00031192778,0.0047099795,0.03530635,0.015575799,0.008969813,0.010864932,0.0011450262],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007067472,0.000064505526,0.0003997697,0.001659175,0.000027238519,0.00027212893,0.04991513,0.00035230024,0.0002231705,0.5646592,0.27622074,0.106136054],"study_design_scores_gemma":[0.000018528403,0.000018626197,0.0011134469,0.0027085624,0.000011878312,0.00014297996,0.017814666,0.00014319831,0.00018032781,0.05122481,0.9265811,0.000041974505],"about_ca_topic_score_codex":0.02270523,"about_ca_topic_score_gemma":0.03612404,"teacher_disagreement_score":0.02270523,"about_ca_system_score_codex":0.007419894,"about_ca_system_score_gemma":0.0053418344,"threshold_uncertainty_score":0.063158035},"labels":[],"label_agreement":null},{"id":"W2332801585","doi":"10.1386/public.24.47.250_5","title":"Review of Tonya K. Davidson, Ondine Park and Rob Shields (eds), Ecologies of Affect: Placing Nostalgia, Desire and Hope","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Affect (linguistics); Aesthetics; Psychology; Sociology; Social psychology; Art; Communication","score_opus":0.03338566402705282,"score_gpt":0.3138590621190513,"score_spread":0.28047339809199845,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2332801585","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000026931612,0.990289,0.000067869696,0.0043979352,0.0046320865,0.0000030942142,0.000034136658,0.000003426845,0.00054565916],"genre_scores_gemma":[0.00033577657,0.9914904,0.00010987531,0.0027620753,0.0042965794,0.000006615904,0.00005328486,0.0000034289876,0.0009419354],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993191,0.00015441867,0.00013196698,0.00012236135,0.0002214738,0.000050694864],"domain_scores_gemma":[0.9949987,0.0026147368,0.000453032,0.00010906098,0.0014021193,0.00042237676],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024005466,0.0013741009,0.0025836725,0.005964463,0.0006710543,0.0023525367,0.0019360523,0.0026296533,0.0072399303],"category_scores_gemma":[0.0056304284,0.0007084862,0.0007555849,0.00806121,0.001287969,0.0037310254,0.0015723656,0.0039157905,0.005206273],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000084756066,0.000035473524,0.00023833872,0.013954758,0.00012294453,0.00013999923,0.00014778366,0.00018496669,0.00022279221,0.0026332547,0.6344524,0.34778252],"study_design_scores_gemma":[0.00001174996,0.000022791668,0.00082034635,0.005539784,0.000073524425,0.00045688552,0.00008380793,0.000026573327,0.000058210833,0.00060766423,0.9922805,0.000018201818],"about_ca_topic_score_codex":0.0064380355,"about_ca_topic_score_gemma":0.016689938,"teacher_disagreement_score":0.0072399303,"about_ca_system_score_codex":0.0018952471,"about_ca_system_score_gemma":0.003020533,"threshold_uncertainty_score":0.02421999},"labels":[],"label_agreement":null},{"id":"W2334092038","doi":"10.1386/public.25.49.74_1","title":"Catharsis in inuit art: A way to heal wounds","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Indigenous Studies and Ecology","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Catharsis; Government (linguistics); Aesthetics; Romance; Political science; History; Sociology; Art; Psychology; Psychoanalysis; Philosophy","score_opus":0.05010824892287266,"score_gpt":0.35850662582510573,"score_spread":0.30839837690223304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2334092038","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43905413,0.021567529,0.007551314,0.064250484,0.0050841407,0.00025517872,0.00006769257,0.00025213655,0.4619175],"genre_scores_gemma":[0.9336482,0.006450533,0.0046676886,0.0036406359,0.0008448191,0.00007122009,0.00001938661,0.000099771205,0.05055783],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99873143,0.00072198524,0.000037892092,0.00006828198,0.0002264202,0.00021401653],"domain_scores_gemma":[0.99893886,0.0004557802,0.00012874998,0.000106798274,0.00011777986,0.00025203888],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015746542,0.0003968448,0.00031562403,0.00089090085,0.010196861,0.0061317366,0.0010626556,0.0022846381,0.0098096505],"category_scores_gemma":[0.0024008113,0.00016879031,0.00034916453,0.00054435414,0.008596687,0.0018620896,0.0058967317,0.003023481,0.00089067896],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018054752,0.0007071728,0.0042841528,0.0019950122,0.00004618405,0.0051771165,0.5619311,0.00018686909,0.00999965,0.15747248,0.040818747,0.21720098],"study_design_scores_gemma":[0.00002561053,0.0003653099,0.0062137083,0.0013613026,0.000045687717,0.0066158925,0.30702424,0.00043341474,0.0033898721,0.015143842,0.65933037,0.00005077883],"about_ca_topic_score_codex":0.0058774957,"about_ca_topic_score_gemma":0.02414194,"teacher_disagreement_score":0.9941225,"about_ca_system_score_codex":0.0013384401,"about_ca_system_score_gemma":0.0021999038,"threshold_uncertainty_score":0.03281653},"labels":[],"label_agreement":null},{"id":"W2334351941","doi":"10.1386/public.24.48.117_7","title":"Algorithms for the extinction event","year":2013,"lang":"en","type":"article","venue":"Public","topic":"Paranormal Experiences and Beliefs","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Event (particle physics); Computer science; Physics; Astrophysics","score_opus":0.06520178133924062,"score_gpt":0.3541612878317876,"score_spread":0.288959506492547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2334351941","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024396406,0.00034185924,0.9626396,0.0008945645,0.00020922764,0.00020165351,0.0005749103,0.0035712183,0.0071705487],"genre_scores_gemma":[0.43256104,0.0002764438,0.5456874,0.00049839914,0.00032117884,0.000515405,0.0030677512,0.00083000836,0.01624228],"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99867946,0.00024641972,0.00012073192,0.00045262036,0.0002862933,0.00021449373],"domain_scores_gemma":[0.9948566,0.0032061096,0.00025925157,0.00075243483,0.00072702067,0.00019856173],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020602017,0.0009890524,0.0011666723,0.0016328418,0.0013785615,0.0029100054,0.0032747267,0.00227971,0.027299087],"category_scores_gemma":[0.01636154,0.0005105895,0.0013352336,0.0011443115,0.0009934759,0.0036890358,0.0028258734,0.0027178985,0.005455734],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010172421,0.00026904768,0.006710517,0.0002702713,0.00014308064,0.00020429182,0.00040859246,0.26934263,0.002226153,0.12926838,0.023733173,0.5664066],"study_design_scores_gemma":[0.00008168828,0.00003984709,0.00037432078,0.000027741879,0.00002362299,0.00006601712,0.0000784729,0.9101194,0.0009428321,0.085481994,0.0027517055,0.000012325256],"about_ca_topic_score_codex":0.0057775616,"about_ca_topic_score_gemma":0.00601788,"teacher_disagreement_score":0.027299087,"about_ca_system_score_codex":0.0015140682,"about_ca_system_score_gemma":0.0021537973,"threshold_uncertainty_score":0.09132451},"labels":[],"label_agreement":null},{"id":"W2598588017","doi":"10.1386/public.27.54.5_7","title":"Transmissions: The Future Possibilities of Indigenous Digital and New Media Art","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg; NSCAD University; Concordia University","funders":"","keywords":"Indigenous; Digital media; Media arts; Computer science; Data science; Visual arts; World Wide Web; Art; Biology","score_opus":0.040200044923118045,"score_gpt":0.2014026092515629,"score_spread":0.16120256432844485,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2598588017","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06091564,0.0270936,0.008936246,0.037080016,0.0016164299,0.000036069072,0.00014119245,0.00015704852,0.8640237],"genre_scores_gemma":[0.8526955,0.018940372,0.0045040073,0.0021720189,0.0022658815,0.000053626252,0.00006893126,0.00010602193,0.119193666],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898666,0.0003380685,0.000027401298,0.00011152388,0.00031611888,0.00022033748],"domain_scores_gemma":[0.9976412,0.001293134,0.0001314294,0.00031765678,0.00032699038,0.0002896317],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002233051,0.00039374334,0.0002968515,0.0013103536,0.0043496327,0.013611057,0.001240634,0.0020875412,0.040800553],"category_scores_gemma":[0.003685175,0.00019509792,0.0003568218,0.0011737484,0.014297744,0.008737781,0.004039307,0.0024847076,0.0018558934],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005629818,0.000027281589,0.0005710254,0.00021601519,0.000009177226,0.00022319065,0.022377646,0.00019888811,0.0006120652,0.916699,0.006777542,0.052231915],"study_design_scores_gemma":[0.000021643566,0.000071128125,0.0027121084,0.0008051901,0.000050085127,0.0008297456,0.04576537,0.0010090197,0.0012998444,0.29362565,0.65375566,0.000054652395],"about_ca_topic_score_codex":0.010163631,"about_ca_topic_score_gemma":0.013689098,"teacher_disagreement_score":0.040800553,"about_ca_system_score_codex":0.003077401,"about_ca_system_score_gemma":0.0024863048,"threshold_uncertainty_score":0.13649142},"labels":[],"label_agreement":null},{"id":"W2600428739","doi":"10.1386/public.27.54.36_1","title":"A Brief (Media) History of the Indigenous Future","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Cultural Heritage Management and Preservation","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Indigenous; Futures contract; The Imaginary; Politics; Perspective (graphical); Sociology; Work (physics); Action (physics); Media studies; Social science; Political science; Engineering; Visual arts; Psychology; Law; Ecology; Art; Business","score_opus":0.09818442252104038,"score_gpt":0.18994336377825205,"score_spread":0.09175894125721167,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2600428739","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019704463,0.33421683,0.0009736987,0.04685507,0.009397571,0.000052179057,0.00040828506,0.00005103989,0.5883409],"genre_scores_gemma":[0.37004372,0.45698267,0.00081283774,0.0066148755,0.01219262,0.000094606854,0.00031951198,0.000058249912,0.1528809],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994635,0.0002111409,0.00002774663,0.00006283226,0.00012808357,0.000106746396],"domain_scores_gemma":[0.99884737,0.0007805511,0.00008808249,0.000045076904,0.00013011853,0.000108678294],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00080022163,0.00034145356,0.00021149339,0.0039437525,0.005442609,0.005590251,0.0005263642,0.0016421261,0.018358214],"category_scores_gemma":[0.0020137979,0.00023316943,0.00017446297,0.0045549264,0.004836919,0.0045512933,0.0022141805,0.002545645,0.001193327],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013536258,0.000088947265,0.0012989918,0.0044659795,0.000020687612,0.0031664807,0.0890775,0.0003641284,0.0017681307,0.60966235,0.10737762,0.18257375],"study_design_scores_gemma":[9.736316e-7,0.0000132336545,0.0010313431,0.0010162642,0.0000040697946,0.00026455123,0.0060892114,0.000024183588,0.00017392797,0.003154992,0.98822033,0.000006921819],"about_ca_topic_score_codex":0.032144997,"about_ca_topic_score_gemma":0.036831092,"teacher_disagreement_score":0.032144997,"about_ca_system_score_codex":0.005180937,"about_ca_system_score_gemma":0.002283078,"threshold_uncertainty_score":0.06391579},"labels":[],"label_agreement":null},{"id":"W2601095085","doi":"10.1386/public.27.54.104_7","title":"Tilllutarniit: History, Land and Resilience in Inuit Film and Video","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Cultural Heritage Management and Preservation","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Visual arts; Film festival; Feature film; Arctic char; Art; Arctic; Feature (linguistics); Archaeology; Art history; Geography; Media studies; History; Movie theater; Sociology","score_opus":0.07410342043630015,"score_gpt":0.21020961542157982,"score_spread":0.13610619498527965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2601095085","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65615743,0.0039328896,0.0012858348,0.01212957,0.0013422265,0.00016062651,0.0009485745,0.0001457093,0.32389706],"genre_scores_gemma":[0.94840133,0.0015571291,0.00061719463,0.0006795214,0.00012492728,0.00006517389,0.0003198233,0.00012101696,0.048113905],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99944204,0.00019811607,0.000017229037,0.00006681506,0.00008276488,0.00019297586],"domain_scores_gemma":[0.9995653,0.00015034355,0.00004341542,0.000022738912,0.00004945946,0.00016879271],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007660967,0.0004241958,0.0002208865,0.001098889,0.011329168,0.0063087335,0.0008721211,0.0009849004,0.0164852],"category_scores_gemma":[0.0016240483,0.00020103712,0.0002202434,0.0014982041,0.004207319,0.002774842,0.0040055253,0.0015937019,0.00082370435],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000104575585,0.00006575923,0.003977191,0.00042121578,0.00001374407,0.0037598074,0.9107686,0.00013211512,0.0025507982,0.017104773,0.037210774,0.023890506],"study_design_scores_gemma":[0.0000046083237,0.00002260574,0.008018333,0.0004086473,0.000011549759,0.0005820522,0.6843598,0.00012549986,0.0006836245,0.000624297,0.30513796,0.000020992944],"about_ca_topic_score_codex":0.13206047,"about_ca_topic_score_gemma":0.3839452,"teacher_disagreement_score":0.13206047,"about_ca_system_score_codex":0.0064117564,"about_ca_system_score_gemma":0.0024072302,"threshold_uncertainty_score":0.26258355},"labels":[],"label_agreement":null},{"id":"W2601247171","doi":"10.1386/public.27.54.78_1","title":"Deciphering the Refusal of the Digital and Binary Codes of Sovereignty/Self-Determination and Civilized/Savage","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Cultural and Social Studies in Latin America","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Indigenous; Sovereignty; Emancipation; Sociology; Self-determination; Media studies; Aesthetics; Visual arts; Law; Art; Political science; Politics","score_opus":0.025852182146563898,"score_gpt":0.21900533247578108,"score_spread":0.19315315032921718,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2601247171","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2540033,0.006615867,0.019392706,0.12815417,0.00042872308,0.00003413132,0.000060393344,0.000057145906,0.5912536],"genre_scores_gemma":[0.99417204,0.0005888507,0.0007353712,0.0007730827,0.000060176513,0.000012936178,0.0000074951295,0.000017273596,0.0036326488],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9958698,0.0027068981,0.0000892645,0.00041565544,0.00052051706,0.0003977215],"domain_scores_gemma":[0.99198467,0.0053032152,0.00054782326,0.0011552408,0.0006618223,0.00034713195],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008630349,0.00021083905,0.00034078624,0.0010889268,0.004530709,0.01283642,0.0010622203,0.0020838988,0.004201851],"category_scores_gemma":[0.009636096,0.00015348817,0.00019162433,0.0010153871,0.08631806,0.008885084,0.006145022,0.004658432,0.00025788616],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005372617,0.0000044897774,0.00034875105,0.000026157852,0.0000020256148,0.000038596725,0.028146878,0.00004615077,0.00008098569,0.9668938,0.0005538632,0.003852987],"study_design_scores_gemma":[0.000012879099,0.000016341513,0.0018375941,0.00047002558,0.0000083361265,0.00013429356,0.11684759,0.00053164305,0.00050917553,0.7666456,0.112963915,0.000022610273],"about_ca_topic_score_codex":0.010974152,"about_ca_topic_score_gemma":0.010564022,"teacher_disagreement_score":0.01283642,"about_ca_system_score_codex":0.00508944,"about_ca_system_score_gemma":0.0047960863,"threshold_uncertainty_score":0.045642197},"labels":[],"label_agreement":null},{"id":"W2601319682","doi":"10.1386/public.27.54.206_5","title":"Girls’ Feminist Blogging in a Postfeminist Age, Jessalynn Keller","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Gender, Feminism, and Media","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Sociology; Gender studies; Feminism; Art","score_opus":0.06381158206981137,"score_gpt":0.3196948228198322,"score_spread":0.25588324075002084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2601319682","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7966298,0.003951816,0.00018032113,0.12523954,0.002280041,0.000031476782,0.00031880534,0.000039214156,0.07132903],"genre_scores_gemma":[0.92212754,0.0024484585,0.00013084404,0.011702591,0.00034708547,0.00003146513,0.00006270325,0.00011724389,0.06303205],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99878556,0.0004828454,0.000033613134,0.00015714313,0.00027993627,0.00026097734],"domain_scores_gemma":[0.9964044,0.0013139854,0.00048655592,0.00007600723,0.00046540267,0.0012537132],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019998138,0.00036232002,0.00030889828,0.0010716282,0.015827697,0.006754897,0.0006408613,0.0015908995,0.008775836],"category_scores_gemma":[0.006383619,0.00034738175,0.00016256442,0.0006789015,0.0042090616,0.004967192,0.0034104898,0.004697817,0.00097353174],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009074225,0.00014026141,0.023180733,0.00009992372,0.000018914969,0.0028477188,0.88497144,0.0000316316,0.0015628702,0.009697103,0.058253072,0.01910551],"study_design_scores_gemma":[0.0000034886662,0.000030502208,0.01188274,0.00009247731,0.0000074387335,0.00049853267,0.87103796,0.00002065974,0.00033907962,0.0004129372,0.11565539,0.0000187997],"about_ca_topic_score_codex":0.022708766,"about_ca_topic_score_gemma":0.07603472,"teacher_disagreement_score":0.022708766,"about_ca_system_score_codex":0.0021137795,"about_ca_system_score_gemma":0.003419997,"threshold_uncertainty_score":0.0451532},"labels":[],"label_agreement":null},{"id":"W2601418749","doi":"10.1386/public.27.54.201_5","title":"The Ancients and the Postmoderns, Fredric Jameson","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Historical, Religious, and Philosophical Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Art; Philosophy; Literature","score_opus":0.02622107276612327,"score_gpt":0.18481045784995376,"score_spread":0.1585893850838305,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2601418749","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014162928,0.22866195,0.0006035128,0.586837,0.01304997,0.000015599744,0.000093654184,0.000028138753,0.15654725],"genre_scores_gemma":[0.31692022,0.12807782,0.0010549873,0.07272021,0.017259773,0.000037801485,0.000050599854,0.00014068362,0.4637379],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999151,0.00041447292,0.000032132495,0.00011658975,0.0002027469,0.00008310423],"domain_scores_gemma":[0.9975612,0.0016589471,0.000101690835,0.000074333926,0.00032557143,0.0002782164],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002721877,0.0003632019,0.00035477575,0.0012770491,0.008234233,0.004682571,0.0005830953,0.0022585348,0.005006202],"category_scores_gemma":[0.003780182,0.00029321542,0.000090652116,0.0010888049,0.009803117,0.0049650595,0.0015374575,0.0040709614,0.0006526753],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054514156,0.000063730346,0.0005645337,0.00018598049,0.0000073577057,0.00018025504,0.03754191,0.00012834925,0.00023484702,0.42502323,0.50247055,0.03354464],"study_design_scores_gemma":[0.00000586368,0.00000866971,0.0006293316,0.00021071537,0.000002596425,0.00009131057,0.008811516,0.000047588055,0.000107035354,0.025124237,0.9649491,0.000012151902],"about_ca_topic_score_codex":0.043260355,"about_ca_topic_score_gemma":0.08302107,"teacher_disagreement_score":0.043260355,"about_ca_system_score_codex":0.004966046,"about_ca_system_score_gemma":0.0032423292,"threshold_uncertainty_score":0.08601713},"labels":[],"label_agreement":null},{"id":"W2602257803","doi":"10.1386/public.27.54.192_5","title":"Public Studio, What We Lose in Metrics","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Water Governance and Infrastructure","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Studio; Architectural engineering; Visual arts; Art; Engineering","score_opus":0.07866259836321886,"score_gpt":0.2891880007517644,"score_spread":0.2105254023885455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2602257803","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":"evaluation","model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":"evaluation","domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004611585,0.016516855,0.0076054186,0.9301402,0.007887934,0.0000146952425,0.00021772004,0.00029446624,0.03271117],"genre_scores_gemma":[0.6328234,0.0325966,0.018359374,0.23185858,0.031924013,0.0001971875,0.0005790884,0.0020762412,0.0495856],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9752646,0.013544326,0.0010361078,0.0016113163,0.006917046,0.0016265727],"domain_scores_gemma":[0.9088472,0.04825205,0.0041654897,0.011767789,0.019057775,0.007909699],"candidate_categories":["metaresearch"],"consensus_categories":[],"category_scores_codex":[0.035406277,0.0011130945,0.0014037892,0.0047552586,0.006384545,0.020080261,0.0019538037,0.006474369,0.02109121],"category_scores_gemma":[0.14085525,0.0006171645,0.0007989514,0.0049787886,0.041851178,0.05581249,0.010922935,0.013422969,0.003943292],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000076180135,0.000073063566,0.0038436712,0.00037121074,0.00007935347,0.000070509144,0.0035998195,0.00048284538,0.00013793362,0.53689367,0.3392664,0.11510536],"study_design_scores_gemma":[0.000023290388,0.00003962947,0.0019753086,0.001052553,0.000035033438,0.000082292754,0.0051681427,0.00049209007,0.00019719951,0.6445493,0.34633252,0.000052669922],"about_ca_topic_score_codex":0.014034684,"about_ca_topic_score_gemma":0.01604577,"teacher_disagreement_score":0.9645937,"about_ca_system_score_codex":0.007575176,"about_ca_system_score_gemma":0.010707195,"threshold_uncertainty_score":0.18724853},"labels":[],"label_agreement":null},{"id":"W2602722706","doi":"10.1386/public.27.54.58_1","title":"Aesthetics, Violence, and Indigeneity","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Anthropological Studies and Insights","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Aesthetics; Sociology; Art","score_opus":0.040458012655459445,"score_gpt":0.30606359604852285,"score_spread":0.2656055833930634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2602722706","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16673835,0.0109128645,0.0035986637,0.015646484,0.0005519027,0.00001732376,0.00004206008,0.0000413179,0.80245113],"genre_scores_gemma":[0.9899649,0.0011852349,0.00030243298,0.00031478,0.00011037179,0.0000086257,0.000007055092,0.000016754157,0.008089916],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9963793,0.0021853119,0.00007683137,0.0002745236,0.0007824112,0.00030163027],"domain_scores_gemma":[0.99807066,0.00096102385,0.0002366662,0.000379087,0.00017294948,0.00017964806],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028999173,0.0003874717,0.0004289947,0.0024471323,0.009244413,0.010429573,0.000979864,0.001260825,0.004968835],"category_scores_gemma":[0.003784902,0.00014543788,0.00019768483,0.0020500722,0.06409895,0.0033793414,0.006084044,0.0025355646,0.0002714073],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009028893,0.000013813357,0.0012617656,0.000042641364,0.0000047944277,0.00016186913,0.09384987,0.00009707096,0.00011801931,0.8944261,0.0022547657,0.0077601867],"study_design_scores_gemma":[0.0000064924106,0.000036630543,0.0043932134,0.00055317086,0.000014126897,0.0010576629,0.25245205,0.00038389632,0.00038045357,0.4666528,0.27404684,0.000022650282],"about_ca_topic_score_codex":0.004199888,"about_ca_topic_score_gemma":0.0072289878,"teacher_disagreement_score":0.010429573,"about_ca_system_score_codex":0.0038626369,"about_ca_system_score_gemma":0.0016400269,"threshold_uncertainty_score":0.028025508},"labels":[],"label_agreement":null},{"id":"W2603512944","doi":"10.1386/public.27.54.51_7","title":"Artwork (She Is Dancing With Herself, Dancing With Myself)","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Council of Professional Engineers","funders":"","keywords":"Dance; Art; Visual arts","score_opus":0.025763936973800392,"score_gpt":0.1873714770285562,"score_spread":0.1616075400547558,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2603512944","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028491186,0.00061049865,0.001668188,0.00554382,0.001023163,0.0000349432,0.00011634666,0.00015443767,0.96235746],"genre_scores_gemma":[0.44787276,0.0007069972,0.0008229837,0.0013611971,0.00050035113,0.00008493393,0.00012288897,0.000401039,0.54812694],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99837756,0.0005991847,0.000042104086,0.00015625644,0.00043690627,0.00038793706],"domain_scores_gemma":[0.99849224,0.0004163831,0.00008701879,0.00021273513,0.00018310864,0.0006085511],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001464384,0.00083160785,0.00047822477,0.0011848769,0.014567353,0.012945729,0.0011513009,0.0019482789,0.11130097],"category_scores_gemma":[0.00344652,0.00024307544,0.000339584,0.001356856,0.012023602,0.0050097853,0.007134887,0.005198351,0.01585364],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015178222,0.00032945123,0.0018363341,0.00034086418,0.000018699906,0.0006642879,0.29948536,0.0001867655,0.0033283234,0.4269701,0.19801165,0.06867625],"study_design_scores_gemma":[0.000012583238,0.00007502327,0.0034409536,0.00032596427,0.0000099568,0.00058839854,0.23167802,0.000073916584,0.0009880573,0.012440126,0.7503445,0.00002244968],"about_ca_topic_score_codex":0.005513095,"about_ca_topic_score_gemma":0.008201435,"teacher_disagreement_score":0.11130097,"about_ca_system_score_codex":0.0026056687,"about_ca_system_score_gemma":0.0021235885,"threshold_uncertainty_score":0.37233883},"labels":[],"label_agreement":null},{"id":"W2603913950","doi":"10.1386/public.27.54.98_1","title":"Arctic Cultural (Mis)Representation: Advocacy, Activism, and Artistic Expression on Social Media","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Indigenous Studies and Ecology","field":"Health Professions","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Representation (politics); Narrative; Arctic; The Internet; The arctic; Social media; Broadband; Expression (computer science); Media studies; Sociology; Political science; Art; Computer science; World Wide Web; Ecology; Law; Politics; Literature","score_opus":0.12273719676423812,"score_gpt":0.4103312751970557,"score_spread":0.2875940784328176,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2603913950","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80346334,0.00093898125,0.0005982222,0.006739461,0.00018420594,0.000026739346,0.000100457895,0.000030551037,0.18791807],"genre_scores_gemma":[0.99499583,0.00031235162,0.000111688285,0.0002134323,0.00003189059,0.000007822374,0.000011867842,0.000008946075,0.0043060826],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967068,0.0016635176,0.00006564987,0.0001564034,0.0007768457,0.0006308499],"domain_scores_gemma":[0.9947464,0.002938904,0.00065022666,0.00020932613,0.0007138235,0.0007413506],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004215418,0.00035078605,0.00018334875,0.0022052263,0.011175607,0.009693799,0.00074783765,0.000893389,0.006063787],"category_scores_gemma":[0.007716022,0.00015697248,0.00012261014,0.0016511305,0.009817745,0.0017725114,0.004930877,0.001221961,0.00036433837],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041631873,0.000028231094,0.01217094,0.00007315288,0.00000819634,0.00034758516,0.9576086,0.00004761256,0.00071143056,0.009368338,0.0030709337,0.0165233],"study_design_scores_gemma":[0.000002819918,0.000020825051,0.0138144,0.00014238982,0.000012178613,0.0001817434,0.93571967,0.00014919823,0.00041601394,0.0010608927,0.048462953,0.000016837017],"about_ca_topic_score_codex":0.25296116,"about_ca_topic_score_gemma":0.41907862,"teacher_disagreement_score":0.25296116,"about_ca_system_score_codex":0.0073545245,"about_ca_system_score_gemma":0.0085916165,"threshold_uncertainty_score":0.5029775},"labels":[],"label_agreement":null},{"id":"W2605505435","doi":"10.1386/public.28.55.5_2","title":"Introduction: We Have Never Been Democratic","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Interdisciplinary Cultural and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto; University of Alberta","funders":"","keywords":"Democracy; Political science; Law; Politics","score_opus":0.06612522472290501,"score_gpt":0.3500286230061893,"score_spread":0.2839033982832843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2605505435","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027481068,0.0064805425,0.0012540291,0.8847882,0.015292507,0.000015565023,0.0002240251,0.00006566694,0.08913131],"genre_scores_gemma":[0.21249631,0.0070138928,0.0012649369,0.6053899,0.020420827,0.00013338856,0.00028262983,0.00027996916,0.15271813],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99128354,0.003834192,0.0002923809,0.0015187066,0.0021936307,0.0008775724],"domain_scores_gemma":[0.98449206,0.00785233,0.0012399083,0.0012402827,0.0032076251,0.001967773],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008447779,0.0006123591,0.0006685842,0.0010413245,0.010337168,0.014449034,0.001530085,0.009745883,0.0333717],"category_scores_gemma":[0.021537745,0.00034220127,0.000377711,0.0016447266,0.020728938,0.013812099,0.0061067264,0.019937633,0.0074794763],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016571556,0.000020542917,0.00029984166,0.00016991716,0.00000650467,0.000059327987,0.007137749,0.000029931869,0.000092084876,0.5155435,0.4652979,0.011326138],"study_design_scores_gemma":[0.0000082694305,0.000011710044,0.00046184604,0.0005222338,0.0000062523645,0.000102193386,0.0068144486,0.000036637557,0.00009768673,0.07160331,0.9203149,0.000020450101],"about_ca_topic_score_codex":0.004799472,"about_ca_topic_score_gemma":0.005877418,"teacher_disagreement_score":0.0333717,"about_ca_system_score_codex":0.0060494826,"about_ca_system_score_gemma":0.007380898,"threshold_uncertainty_score":0.1116395},"labels":[],"label_agreement":null},{"id":"W2605598882","doi":"10.1386/public.28.55.103_1","title":"Energy Demo(S): Towards a Rhthmanalysis of Capital and Extraction","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Capital (architecture); Politics; Representation (politics); Social capital; Energy (signal processing); Political economy; Political science; Sociology; History; Social science; Law","score_opus":0.04046258233018205,"score_gpt":0.344523403830753,"score_spread":0.3040608215005709,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2605598882","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19524513,0.0024316765,0.24029027,0.05704935,0.0007051481,0.00015036899,0.00047561494,0.00036967068,0.5032827],"genre_scores_gemma":[0.9850273,0.0004731495,0.009819237,0.00037767153,0.00008712794,0.000046445683,0.00005727089,0.000053952284,0.0040578893],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9986607,0.000736417,0.000049826493,0.00024297358,0.00018376869,0.00012620882],"domain_scores_gemma":[0.9965025,0.0017105071,0.00040815893,0.0007464792,0.00038756832,0.00024474275],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036397302,0.00042926206,0.00038978885,0.0026416213,0.0018674034,0.0068230014,0.001136471,0.0011592158,0.008468939],"category_scores_gemma":[0.0077150725,0.00020947066,0.00034455233,0.0018436224,0.020910462,0.011088849,0.0047523123,0.0022390787,0.00040549008],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010341721,0.000009975477,0.0013729063,0.000019616942,0.000003972863,0.000027543227,0.0014977029,0.0005530093,0.000073779614,0.9904653,0.00062935735,0.005336564],"study_design_scores_gemma":[0.0000060002853,0.000018263356,0.003360778,0.00009278409,0.0000072071716,0.00007058918,0.007263065,0.0074851234,0.00038452967,0.9586196,0.022677055,0.000014990169],"about_ca_topic_score_codex":0.004575584,"about_ca_topic_score_gemma":0.006184699,"teacher_disagreement_score":0.008468939,"about_ca_system_score_codex":0.0027776817,"about_ca_system_score_gemma":0.0020441096,"threshold_uncertainty_score":0.028331399},"labels":[],"label_agreement":null},{"id":"W2605709257","doi":"10.1386/public.28.55.189_5","title":"Is Toronto Burning?: Three Years in the Making (and Unmaking) of the Toronto Art Scene, by Philip Monk","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Art; Media studies; Visual arts; History; Sociology","score_opus":0.058588903425462975,"score_gpt":0.29336571659699956,"score_spread":0.2347768131715366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2605709257","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03225153,0.15148346,0.0006626954,0.5484225,0.022460623,0.00006346939,0.0007215459,0.0001680958,0.24376602],"genre_scores_gemma":[0.31262928,0.060344543,0.00086164684,0.030485043,0.008369823,0.00006002935,0.0002608904,0.0006278049,0.586361],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984598,0.0004023332,0.000033212244,0.00018567602,0.0004352255,0.00048374693],"domain_scores_gemma":[0.9972881,0.00061223475,0.00017026352,0.00010117879,0.0006271509,0.0012011183],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020034297,0.0008334149,0.0004312071,0.0011846072,0.034422155,0.014622559,0.0011388828,0.004005563,0.022394782],"category_scores_gemma":[0.0035309554,0.00068647036,0.00034824485,0.0022411763,0.013283985,0.004920049,0.005396901,0.008356964,0.0021982412],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004728046,0.000015605066,0.0007883069,0.00017762711,0.000011108059,0.0005651781,0.09481633,0.00013139099,0.00033929496,0.02741903,0.8594092,0.016279567],"study_design_scores_gemma":[0.0000015101506,0.0000051413786,0.0017221792,0.00018739077,0.0000053357876,0.0001148884,0.05825888,0.000022875485,0.00010511659,0.0005077837,0.93905044,0.000018465267],"about_ca_topic_score_codex":0.8236546,"about_ca_topic_score_gemma":0.9524198,"teacher_disagreement_score":0.17634541,"about_ca_system_score_codex":0.04680804,"about_ca_system_score_gemma":0.030176353,"threshold_uncertainty_score":0.35476786},"labels":[],"label_agreement":null},{"id":"W2605753998","doi":"10.1386/public.28.55.187_5","title":"NOW I SIT ME DOWN: FROM KLISMOS TO PLASTIC CHAIR: A NATURAL HISTORY BY WITOLD RYBCZYNSKI","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Natural history; Natural (archaeology); Art; Art history; History; Medicine; Archaeology","score_opus":0.04935137456581349,"score_gpt":0.23021290097570263,"score_spread":0.18086152640988915,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2605753998","genre_codex":"commentary","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011255251,0.10423723,0.0010545093,0.71839565,0.016810002,0.000038967853,0.00019062337,0.000048723752,0.14796904],"genre_scores_gemma":[0.29346138,0.11660881,0.00086955196,0.15929839,0.009026131,0.00012687653,0.00016459775,0.0006449399,0.41979936],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99878556,0.0004224957,0.00004550056,0.00017998157,0.00025190844,0.00031453918],"domain_scores_gemma":[0.99851483,0.0006784032,0.00010197809,0.00007453629,0.00025351055,0.0003767248],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027508002,0.0004775424,0.0005607073,0.0010477543,0.014696085,0.00836724,0.00078019244,0.0025617126,0.012495583],"category_scores_gemma":[0.0051516183,0.0005237959,0.00020593574,0.0014474157,0.013850011,0.0137617225,0.004734461,0.013209626,0.0033176835],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006759917,0.00006011913,0.00028635838,0.00012420531,0.00000616624,0.00015004598,0.017465651,0.00007127445,0.00010137285,0.29422104,0.66539353,0.022052696],"study_design_scores_gemma":[0.0000048533475,0.0000073205824,0.00037162326,0.00025943882,0.000002199522,0.00008714137,0.010189997,0.000017182225,0.00008261268,0.015071908,0.97388905,0.000016681879],"about_ca_topic_score_codex":0.029838542,"about_ca_topic_score_gemma":0.07438561,"teacher_disagreement_score":0.029838542,"about_ca_system_score_codex":0.005159256,"about_ca_system_score_gemma":0.0056872335,"threshold_uncertainty_score":0.05932969},"labels":[],"label_agreement":null},{"id":"W2605829183","doi":"10.1386/public.28.55.63_7","title":"To Tenant: Situating the Realtor Within","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Housing, Finance, and Neoliberalism","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Subjectivity; Speculation; Real estate; Perspective (graphical); Poverty; Capital (architecture); Gaze; Capital accumulation; Sociology; Law and economics; Political science; Political economy; Economics; Market economy; Epistemology; Philosophy; Law; Finance; Psychology; Psychoanalysis; Human capital; History; Art","score_opus":0.07015298014105878,"score_gpt":0.25231905149228046,"score_spread":0.18216607135122168,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2605829183","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16377254,0.0026708536,0.016406555,0.11101104,0.0016533276,0.000034031582,0.000089800145,0.000093371855,0.70426846],"genre_scores_gemma":[0.9759998,0.00041214898,0.0005871852,0.0015064409,0.0001959909,0.000015167371,0.000016439237,0.0000562457,0.02121046],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996974,0.0021175805,0.000034264896,0.0002758125,0.00029044723,0.00030790537],"domain_scores_gemma":[0.99731666,0.0018158118,0.00018168155,0.00020459857,0.00025520613,0.00022595352],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003391986,0.00028314436,0.00025590663,0.0011822399,0.0075617884,0.010342019,0.0010382185,0.0026198355,0.008448071],"category_scores_gemma":[0.0059076464,0.00015622706,0.00016920976,0.0010400866,0.04109319,0.008238061,0.004607971,0.004057046,0.000574907],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012601986,0.000009591594,0.00030409885,0.000014767876,0.0000010096978,0.00016371877,0.10619272,0.000051164072,0.00009439807,0.88544345,0.004763221,0.0029492562],"study_design_scores_gemma":[0.000011341106,0.0000297066,0.0009762194,0.00034751228,0.0000064697992,0.00026730486,0.26288956,0.0008292814,0.0006351924,0.24884103,0.48514667,0.000019692718],"about_ca_topic_score_codex":0.008050704,"about_ca_topic_score_gemma":0.015418427,"teacher_disagreement_score":0.010342019,"about_ca_system_score_codex":0.0059692003,"about_ca_system_score_gemma":0.0021466203,"threshold_uncertainty_score":0.04330975},"labels":[],"label_agreement":null},{"id":"W2606374205","doi":"10.1386/public.28.55.171_7","title":"Living in Messy Times: An Interview with Kit Dobson","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Poetry; Globalization; Canadian literature; Politics; Transnationalism; Subject (documents); Sociology; Media studies; Field (mathematics); Art history; Political science; History; Art; Literature; Law; Library science","score_opus":0.05277998700296754,"score_gpt":0.28904476893877534,"score_spread":0.2362647819358078,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606374205","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41790947,0.015948242,0.0017345912,0.42096642,0.0047626686,0.00029506205,0.00045883827,0.00018952151,0.13773516],"genre_scores_gemma":[0.8430502,0.008605025,0.0013987168,0.06645351,0.00036552627,0.0002577173,0.00012897083,0.0004396169,0.0793008],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.990926,0.0039497945,0.00021083436,0.00078673847,0.002010032,0.002116546],"domain_scores_gemma":[0.9892179,0.0035966493,0.00051216554,0.00015037261,0.0017958506,0.004727113],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006933006,0.0010048202,0.0018443624,0.003116291,0.071262255,0.011197997,0.0028117876,0.008253335,0.01069956],"category_scores_gemma":[0.0122518195,0.0015411269,0.000659879,0.0048105516,0.025079008,0.008347414,0.006162073,0.020338424,0.0017783832],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015096052,0.000028141452,0.00066868466,0.000054186727,0.0000037194663,0.0014174448,0.95929796,0.000040169893,0.00035131472,0.0044043064,0.031054167,0.0026647975],"study_design_scores_gemma":[0.0000011987936,0.000009667894,0.000676636,0.00013333661,0.0000035172022,0.00022996156,0.9327121,0.000030618005,0.00005429969,0.0002982032,0.065820165,0.000030313486],"about_ca_topic_score_codex":0.74583143,"about_ca_topic_score_gemma":0.83980423,"teacher_disagreement_score":0.25416857,"about_ca_system_score_codex":0.053290058,"about_ca_system_score_gemma":0.029959092,"threshold_uncertainty_score":0.51133084},"labels":[],"label_agreement":null},{"id":"W2606409852","doi":"10.1386/public.28.55.25_1","title":"Attention’s Deficit","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Mind wandering and attention","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Alienation; Attention deficit disorder; Attention deficit; Psychology; Epistemology; Aesthetics; Sociology; Political science; Philosophy; Law; Psychiatry; Attention deficit hyperactivity disorder","score_opus":0.10773373047704439,"score_gpt":0.300696464165379,"score_spread":0.1929627336883346,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606409852","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09224589,0.036697876,0.0039254203,0.4000817,0.004969437,0.000025338279,0.00020023431,0.00018991352,0.4616643],"genre_scores_gemma":[0.9189089,0.011064833,0.00039989053,0.036872007,0.0028534797,0.000027886284,0.00006742308,0.000054635257,0.029750945],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919814,0.00019567563,0.000038890164,0.0001774156,0.00021216378,0.0001778591],"domain_scores_gemma":[0.9990127,0.00041574385,0.00013435939,0.00012403895,0.00016029316,0.00015285875],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010779867,0.00023439381,0.0003027502,0.00095044606,0.0013584314,0.002688006,0.00074405584,0.0024926413,0.0071112877],"category_scores_gemma":[0.003999511,0.00008866126,0.00017535256,0.000422881,0.013322747,0.0042660786,0.0025015147,0.0043404237,0.0007332311],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008887656,0.000045853692,0.0025947269,0.00017250182,0.000026438702,0.0013866524,0.011190758,0.00013950146,0.0016263926,0.82237387,0.08273497,0.0776194],"study_design_scores_gemma":[0.000029039804,0.00005922583,0.0062645236,0.000490322,0.000023981256,0.003139348,0.0066143093,0.00019242919,0.00139054,0.7119162,0.2698534,0.000026729078],"about_ca_topic_score_codex":0.0035501078,"about_ca_topic_score_gemma":0.0021575976,"teacher_disagreement_score":0.0071112877,"about_ca_system_score_codex":0.002327973,"about_ca_system_score_gemma":0.0011127738,"threshold_uncertainty_score":0.023789585},"labels":[],"label_agreement":null},{"id":"W2606431765","doi":"10.1386/public.28.55.40_7","title":"Art, Politics and Systemic Change: An Interview with Astra Taylor","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Political and Economic history of UK and US","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"ASTRA; Politics; Political science; Law","score_opus":0.13204153505187322,"score_gpt":0.3154140089768768,"score_spread":0.1833724739250036,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606431765","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26053268,0.0071707596,0.0018288306,0.54396576,0.0022295008,0.000089462155,0.00006231888,0.00004494975,0.18407582],"genre_scores_gemma":[0.9264081,0.002435103,0.0006238866,0.032000493,0.00038317952,0.000107063584,0.000011184778,0.00006267278,0.037968185],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9904206,0.0065855435,0.00022716701,0.00059017737,0.000916551,0.001259911],"domain_scores_gemma":[0.9898589,0.007875485,0.0005845795,0.00024386743,0.00061842636,0.0008186496],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008020666,0.0003256056,0.00063195074,0.0010627533,0.024912775,0.0084762415,0.0010411667,0.007780643,0.003997902],"category_scores_gemma":[0.011369488,0.00078103703,0.00041192287,0.0015818019,0.026630795,0.008171557,0.004921492,0.015441203,0.00042372596],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043084987,0.000071628194,0.0009076884,0.00007048294,0.0000043514833,0.001348889,0.88950485,0.00011354621,0.00087099965,0.06251856,0.03904054,0.005505409],"study_design_scores_gemma":[0.000012952881,0.00004078015,0.0010444951,0.00023607427,0.000007456566,0.00059296895,0.67186916,0.00016537005,0.00042223762,0.0051304833,0.32044291,0.0000351394],"about_ca_topic_score_codex":0.026768178,"about_ca_topic_score_gemma":0.04288818,"teacher_disagreement_score":0.026768178,"about_ca_system_score_codex":0.0114365565,"about_ca_system_score_gemma":0.007456058,"threshold_uncertainty_score":0.08297837},"labels":[],"label_agreement":null},{"id":"W2606541296","doi":"10.1386/public.28.55.84_1","title":"Border, Theory, Contract: An Interview with Angela Mitropoulos","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Housing, Finance, and Neoliberalism","field":"Economics, Econometrics and Finance","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Politics; Speculation; Neoliberalism (international relations); Fordism; Work (physics); Critical theory; Sociology; Relation (database); Control (management); Political economy; Political science; Gender studies; Management; Economics; Economy; Law; Finance","score_opus":0.05446393883469967,"score_gpt":0.26391057375283855,"score_spread":0.2094466349181389,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606541296","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16465707,0.008769203,0.0040224334,0.7531563,0.002390374,0.00015723791,0.0001812853,0.000045521454,0.06662063],"genre_scores_gemma":[0.88802415,0.0069811204,0.0019745012,0.06367033,0.00086597295,0.00032906374,0.00005068342,0.00008964222,0.03801456],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9934418,0.00471871,0.00012737201,0.00034121546,0.0006062987,0.0007644456],"domain_scores_gemma":[0.98793125,0.009095907,0.00052489416,0.0001476039,0.0009208324,0.001379461],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008699028,0.00046903617,0.0007610281,0.0010280273,0.018078787,0.0051821433,0.0011659075,0.007189678,0.0045846016],"category_scores_gemma":[0.017057696,0.0008097385,0.00034597528,0.0012934825,0.014829377,0.010543498,0.004942671,0.014234692,0.0005351056],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059661088,0.00009884512,0.0013275004,0.00009309386,0.0000031071495,0.001615611,0.7661989,0.00029259457,0.0006557831,0.124138854,0.09900404,0.0065120244],"study_design_scores_gemma":[0.000010308997,0.00004347673,0.0007744703,0.00031488496,0.000002619081,0.00065307587,0.5766669,0.0003562731,0.00015468754,0.0082169995,0.41277286,0.00003350145],"about_ca_topic_score_codex":0.020675149,"about_ca_topic_score_gemma":0.019546159,"teacher_disagreement_score":0.020675149,"about_ca_system_score_codex":0.010600793,"about_ca_system_score_gemma":0.0061342823,"threshold_uncertainty_score":0.07691449},"labels":[],"label_agreement":null},{"id":"W2606648205","doi":"10.1386/public.28.55.158_1","title":"Creative Publics: DIY Political Culture and the 2015 Canadian Federal Election","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Educator Training and Historical Pedagogy","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Publics; Politics; Transformative learning; Agency (philosophy); Citizen journalism; Citizenship; Participatory culture; Political activism; Political science; Sociology; Public relations; Media studies; Public administration; Social science; Law; Pedagogy","score_opus":0.09425916723504658,"score_gpt":0.39026728452237786,"score_spread":0.2960081172873313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606648205","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7957173,0.00054324523,0.0011322257,0.015480415,0.00022797211,0.00012542358,0.00017207679,0.000060171555,0.1865412],"genre_scores_gemma":[0.9905489,0.0001603423,0.0002194177,0.00052057987,0.000010977488,0.000026344178,0.000039408296,0.00001613517,0.008457847],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9946055,0.0014808245,0.00006485266,0.00035580754,0.0013272158,0.0021657683],"domain_scores_gemma":[0.99500895,0.0013439762,0.00038833835,0.00030040214,0.0010343399,0.0019240256],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00606546,0.00038818934,0.0002982586,0.0018865964,0.038535032,0.00996055,0.001392268,0.0014193193,0.0086158],"category_scores_gemma":[0.009056312,0.00026090187,0.00024189378,0.002312973,0.0151369115,0.0018559544,0.0068205595,0.0035138235,0.00036942883],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010008163,0.00023944011,0.036710843,0.00011734441,0.000015306152,0.00042136744,0.7861381,0.00045610586,0.00095751666,0.07381165,0.028659534,0.07237258],"study_design_scores_gemma":[0.00001329953,0.000041391286,0.04017229,0.000120136865,0.000008814209,0.00007233164,0.765004,0.0002618698,0.00035343337,0.0023808866,0.19152719,0.00004440158],"about_ca_topic_score_codex":0.94204676,"about_ca_topic_score_gemma":0.9793255,"teacher_disagreement_score":0.0796881,"about_ca_system_score_codex":0.0796881,"about_ca_system_score_gemma":0.08786393,"threshold_uncertainty_score":0.5781803},"labels":[],"label_agreement":null},{"id":"W2606788126","doi":"10.1386/public.28.55.184_5","title":"The Ordinary Man of Cinema","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Movie theater; Art; Art history","score_opus":0.07181294048636147,"score_gpt":0.2469619491529363,"score_spread":0.17514900866657482,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606788126","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07636519,0.02770638,0.013871959,0.21253093,0.0057555274,0.0000458428,0.000411747,0.00013527677,0.66317725],"genre_scores_gemma":[0.9234466,0.0051811617,0.0012387254,0.00882304,0.005189507,0.000024621795,0.000070155686,0.000094056835,0.055932008],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970079,0.0020299435,0.000056814773,0.0002780997,0.00044709083,0.00018019506],"domain_scores_gemma":[0.9899324,0.0059447084,0.0007539785,0.0009541213,0.0013514888,0.0010633785],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031594292,0.0003514443,0.00032873184,0.0022977411,0.002625316,0.009698171,0.0005370445,0.0016977595,0.024191324],"category_scores_gemma":[0.015975269,0.00024110312,0.00016759711,0.0016167846,0.013798408,0.01014651,0.0019853238,0.00331771,0.0014855166],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005459015,0.000028207893,0.002698314,0.000107877386,0.000015895443,0.00009740586,0.008467466,0.000097530596,0.00021491907,0.9242295,0.04185652,0.022131832],"study_design_scores_gemma":[0.000016983377,0.000061806924,0.008065112,0.0005612168,0.000030003997,0.00043470584,0.020000868,0.0007588066,0.00033357172,0.4061883,0.56351155,0.000037063455],"about_ca_topic_score_codex":0.0036752913,"about_ca_topic_score_gemma":0.0034452297,"teacher_disagreement_score":0.024191324,"about_ca_system_score_codex":0.002261974,"about_ca_system_score_gemma":0.0012430488,"threshold_uncertainty_score":0.08092803},"labels":[],"label_agreement":null},{"id":"W2607005256","doi":"10.1386/public.28.55.33_7","title":"The Unknown Student","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Art Education and Development","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; Sociology; Visual arts; Mathematics education; Art; Art history; History; Psychology","score_opus":0.08150675839650458,"score_gpt":0.3075931943462532,"score_spread":0.22608643594974864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2607005256","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19120134,0.006539449,0.0009537463,0.18464029,0.0072997753,0.00006147947,0.00047115766,0.00006188075,0.60877085],"genre_scores_gemma":[0.6076782,0.0023041158,0.00014466382,0.022303652,0.001285941,0.00001756557,0.000116687246,0.00004706694,0.36610198],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989262,0.0003010004,0.000020928366,0.00014642165,0.00019548324,0.0004098093],"domain_scores_gemma":[0.99855953,0.00023756403,0.00013627643,0.00010472279,0.00026117146,0.00070070976],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007116151,0.00019730501,0.00025777356,0.00055916246,0.0105966525,0.0041428646,0.00049020274,0.0017169302,0.047098566],"category_scores_gemma":[0.0027793306,0.00014552403,0.00015311615,0.00049614825,0.0067430446,0.0031560413,0.0044267843,0.0035587803,0.004795454],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008632176,0.00009222801,0.018833194,0.0001245801,0.000008731777,0.0021567107,0.18948457,0.00006953117,0.00044705285,0.22350046,0.4890175,0.07617919],"study_design_scores_gemma":[0.0000028404293,0.000025289879,0.0055449083,0.00011781423,0.000002830157,0.0005432093,0.0669168,0.000028302476,0.00010842198,0.0022671735,0.92443055,0.000011926628],"about_ca_topic_score_codex":0.041418944,"about_ca_topic_score_gemma":0.07856647,"teacher_disagreement_score":0.047098566,"about_ca_system_score_codex":0.0037440811,"about_ca_system_score_gemma":0.0032808539,"threshold_uncertainty_score":0.15756041},"labels":[],"label_agreement":null},{"id":"W2607084069","doi":"10.1386/public.28.55.120_7","title":"An Introduction to the Poetry of James R. Louden","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Victoria","funders":"","keywords":"Poetry; Literature; Context (archaeology); Social justice; American poetry; History; Art; Sociology; Art history; Philosophy; Environmental ethics; Archaeology","score_opus":0.021823348214488676,"score_gpt":0.283431383833709,"score_spread":0.26160803561922036,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2607084069","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0077265776,0.10105211,0.003686912,0.042096637,0.025724286,0.00013047102,0.00070891937,0.0004137177,0.81846035],"genre_scores_gemma":[0.16688947,0.07458373,0.0052863713,0.0138869295,0.01674923,0.00010949313,0.0005549659,0.0006404439,0.7212994],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995553,0.00012271682,0.00001102696,0.00004933347,0.00018820989,0.00007327226],"domain_scores_gemma":[0.99944824,0.00021711834,0.000020386415,0.000017705826,0.00019329885,0.00010332608],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006223963,0.000611853,0.00033782964,0.0016873177,0.0056543346,0.003255473,0.0005005534,0.00071826414,0.019783435],"category_scores_gemma":[0.0012963166,0.0001956148,0.00013994344,0.0013501889,0.004578858,0.0015230748,0.0009001772,0.0026224847,0.004150333],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005081303,0.000038592974,0.00018273888,0.00024741716,0.0000036008114,0.00029862954,0.02015244,0.00013173012,0.000984112,0.18490046,0.73422986,0.058779623],"study_design_scores_gemma":[0.0000010025354,0.0000034770842,0.00018943509,0.00009046958,5.117902e-7,0.00005843317,0.0010103431,0.00001614399,0.000042644624,0.001985082,0.9965978,0.0000045909683],"about_ca_topic_score_codex":0.12859799,"about_ca_topic_score_gemma":0.22368139,"teacher_disagreement_score":0.871402,"about_ca_system_score_codex":0.005658763,"about_ca_system_score_gemma":0.004721019,"threshold_uncertainty_score":0.25569892},"labels":[],"label_agreement":null},{"id":"W2607126168","doi":"10.1386/public.28.55.72_1","title":"Visibilities of Exchange Across Forms: A Case Study of The House Of Mirth","year":2017,"lang":"en","type":"article","venue":"Public","topic":"American and British Literature Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Democracy; Reading (process); Adaptation (eye); Sociology; Media studies; Political science; Law; Psychology","score_opus":0.05074693021127366,"score_gpt":0.2844906246436776,"score_spread":0.23374369443240392,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2607126168","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.875933,0.0009539659,0.00106473,0.0047117565,0.00010960579,0.00007452905,0.000110909,0.000016613607,0.11702487],"genre_scores_gemma":[0.9863258,0.0005006238,0.00053533283,0.00029642432,0.00003182436,0.000032417982,0.000026530648,0.000028099876,0.0122228805],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9941036,0.0041796197,0.00009368013,0.00029536054,0.000445723,0.0008819523],"domain_scores_gemma":[0.9926952,0.005534538,0.0005035368,0.000470538,0.00033072766,0.00046545855],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035755578,0.00043298362,0.00066121964,0.0025505545,0.026344087,0.0070909876,0.0016832063,0.002942677,0.012560736],"category_scores_gemma":[0.00982503,0.00062840356,0.00026697555,0.0047557233,0.015950767,0.005952226,0.0056514693,0.003530491,0.0006375414],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005228285,0.00011572067,0.0025660351,0.00007951454,0.000006218742,0.0052948534,0.9245162,0.000054378215,0.00020285047,0.05591036,0.0032350218,0.007966635],"study_design_scores_gemma":[0.000007541218,0.000032636945,0.0026327039,0.00015344836,0.0000066826783,0.0013115619,0.948358,0.000093670686,0.000247508,0.0023052194,0.044838604,0.000012406857],"about_ca_topic_score_codex":0.07547725,"about_ca_topic_score_gemma":0.1957423,"teacher_disagreement_score":0.07547725,"about_ca_system_score_codex":0.008530672,"about_ca_system_score_gemma":0.0032355417,"threshold_uncertainty_score":0.15007585},"labels":[],"label_agreement":null},{"id":"W2761057736","doi":"10.1386/public.27.53.105_7","title":"‘Public Art as Collective Practice’: ‘Collective Breath Poster’","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Spectacle; Ephemeral key; White (mutation); Public art; Work (physics); Media studies; Visual arts; Sociology; Political science; Public relations; Art; Law; Engineering; Computer science","score_opus":0.09231417234737564,"score_gpt":0.2723877556264845,"score_spread":0.18007358327910883,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2761057736","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05104555,0.007536524,0.0032838478,0.1422557,0.029613549,0.00018102722,0.00037303375,0.00046389175,0.76524675],"genre_scores_gemma":[0.5793297,0.0020506852,0.002177018,0.010608558,0.010613531,0.0002105518,0.0002248461,0.0006341861,0.3941509],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99850297,0.0007106846,0.000023148377,0.00016867204,0.0003259223,0.0002686392],"domain_scores_gemma":[0.99767095,0.0010971145,0.000097031785,0.00034600735,0.00017717652,0.0006116582],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034716208,0.00057423254,0.00030580864,0.00086238957,0.008696496,0.009102474,0.00066577655,0.0039964193,0.046449367],"category_scores_gemma":[0.0035618606,0.00029133674,0.0003581564,0.00073313183,0.0092788385,0.004155287,0.007306851,0.005899866,0.0038819737],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019182613,0.00022093733,0.0004628897,0.00029876604,0.000011737961,0.0005658305,0.046718206,0.00021894618,0.0026889443,0.24199624,0.6603761,0.046249602],"study_design_scores_gemma":[0.000020908854,0.000058564772,0.0009705993,0.00016454152,0.0000041793746,0.00019692139,0.010542454,0.000094403396,0.0006910196,0.006698674,0.9805437,0.000014063429],"about_ca_topic_score_codex":0.0017165372,"about_ca_topic_score_gemma":0.004835783,"teacher_disagreement_score":0.046449367,"about_ca_system_score_codex":0.0023934485,"about_ca_system_score_gemma":0.0015040833,"threshold_uncertainty_score":0.1553886},"labels":[],"label_agreement":null},{"id":"W2761064839","doi":"10.1386/public.27.53.5_7","title":"Mega-event cities: Art/audiences/aftermaths","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Sport and Mega-Event Impacts","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University; University of British Columbia; Simon Fraser University","funders":"","keywords":"Mega-; The arts; Event (particle physics); Aesthetics; Sociology; Media studies; History; Visual arts; Art","score_opus":0.044314824947328066,"score_gpt":0.31497687974742816,"score_spread":0.2706620548001001,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2761064839","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.086388364,0.023676738,0.001486177,0.05094757,0.02909129,0.00014977268,0.0019829655,0.00047011106,0.805807],"genre_scores_gemma":[0.6060014,0.028211474,0.0012320243,0.0048211026,0.028189715,0.00022577023,0.0019733163,0.0011764733,0.3281687],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9990965,0.00026997193,0.000043259322,0.00009716765,0.00027664655,0.00021642187],"domain_scores_gemma":[0.9984237,0.0005798711,0.0001515886,0.00009938673,0.00022424717,0.000521166],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014056353,0.00078891893,0.00059258315,0.0022976473,0.005868651,0.011345625,0.0010648643,0.001527234,0.08418362],"category_scores_gemma":[0.0024647086,0.00029152483,0.0004830168,0.0038626478,0.0025600537,0.003671471,0.0075608976,0.0028854886,0.005427178],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024396439,0.00019004242,0.007967768,0.0012865153,0.000039371716,0.0007997645,0.09129349,0.0003818116,0.00072338124,0.09424283,0.67158145,0.13124967],"study_design_scores_gemma":[0.000010439025,0.000041813044,0.009079201,0.0005650713,0.000014999445,0.00018839311,0.055988204,0.00011428668,0.00032100032,0.0033270998,0.93032455,0.000024897232],"about_ca_topic_score_codex":0.0045934995,"about_ca_topic_score_gemma":0.0148772,"teacher_disagreement_score":0.08418362,"about_ca_system_score_codex":0.0020061429,"about_ca_system_score_gemma":0.0012078396,"threshold_uncertainty_score":0.28162223},"labels":[],"label_agreement":null},{"id":"W2761286893","doi":"10.1386/public.27.53.187_5","title":"A Theory of the Drone, Grégoire Chamayou (2015), New York: New Press","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Space Science and Extraterrestrial Life","field":"Physics and Astronomy","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Drone; Computer science; Aeronautics; Engineering; Biology","score_opus":0.047009948461102374,"score_gpt":0.24878380270833242,"score_spread":0.20177385424723004,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2761286893","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005726258,0.4175444,0.04165702,0.1648139,0.0088065015,0.000034548128,0.00067093706,0.0001465167,0.36059996],"genre_scores_gemma":[0.43817735,0.2637478,0.01762323,0.021364082,0.012821388,0.00021360615,0.0005433812,0.00023983896,0.24526933],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997303,0.00011605325,0.00001296639,0.00006658076,0.000050525858,0.000023513203],"domain_scores_gemma":[0.9997507,0.00012189906,0.000018005456,0.000023139732,0.00005876585,0.000027508586],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00058627734,0.00096082053,0.00051022705,0.0011714107,0.0023040443,0.0036411053,0.0011624559,0.0038418847,0.011147808],"category_scores_gemma":[0.0012969275,0.00043747388,0.0005065594,0.0014156887,0.0059864246,0.008101462,0.0013416697,0.0033983707,0.0021672156],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000057682455,0.0000043319455,0.00006500773,0.000043326378,0.000004655963,0.000028117427,0.0003281949,0.0004184393,0.000038615362,0.9422243,0.048881132,0.007958146],"study_design_scores_gemma":[0.000008289853,0.0000069831212,0.00023272686,0.00015020889,0.0000056565273,0.000105783074,0.00029730573,0.0009600839,0.000042985976,0.75985676,0.23832242,0.000010726405],"about_ca_topic_score_codex":0.01106187,"about_ca_topic_score_gemma":0.009862989,"teacher_disagreement_score":0.011147808,"about_ca_system_score_codex":0.003335163,"about_ca_system_score_gemma":0.0013512688,"threshold_uncertainty_score":0.037293077},"labels":[],"label_agreement":null},{"id":"W2761508048","doi":"10.1386/public.26.52.250_5","title":"Bridget Moser, Tender Offer: Part 1","year":2015,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tender offer; Legal tender; Art; Business; Advertising; Visual arts; Economics; Finance; Monetary economics","score_opus":0.26568244905682514,"score_gpt":0.27150964192561294,"score_spread":0.0058271928687878005,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2761508048","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001891539,0.21920799,0.0011241063,0.07381523,0.06927385,0.0011356515,0.0020006679,0.0005121038,0.63103884],"genre_scores_gemma":[0.005372523,0.031619072,0.00033412257,0.012719733,0.013594675,0.00022000154,0.0007615394,0.00016920273,0.93520916],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976477,0.00021080275,0.00006197524,0.00016324797,0.0016359983,0.00028030996],"domain_scores_gemma":[0.99616504,0.00054036564,0.0001791174,0.00011534101,0.0022831862,0.0007170793],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033565387,0.0005522765,0.00062607095,0.0023971663,0.0029140094,0.0036338037,0.0017590382,0.00482664,0.23632257],"category_scores_gemma":[0.0065874653,0.0005256645,0.000542911,0.0021393227,0.0010763889,0.0022437612,0.0020924152,0.0027357345,0.06805902],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017432118,0.000009515924,0.00002176182,0.00014077884,0.0000015494519,0.000023709666,0.000028969294,0.000020156744,0.00013019887,0.0011304434,0.98560125,0.012874119],"study_design_scores_gemma":[0.0000043934856,0.0000104841965,0.0004533203,0.0001267435,0.0000019433269,0.000025836283,0.00003959537,0.000010388095,0.000045118704,0.00013134757,0.99914646,0.00000434452],"about_ca_topic_score_codex":0.0559427,"about_ca_topic_score_gemma":0.11847468,"teacher_disagreement_score":0.23632257,"about_ca_system_score_codex":0.007052193,"about_ca_system_score_gemma":0.008292453,"threshold_uncertainty_score":0.79057777},"labels":[],"label_agreement":null},{"id":"W2762095449","doi":"10.1386/public.27.53.13_1","title":"Hosts and guests","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of British Columbia","funders":"","keywords":"Context (archaeology); Sight; Visual arts; Public space; Political science; Media studies; Aesthetics; Sociology; Advertising; History; Public relations; Art; Architectural engineering; Business; Archaeology; Engineering","score_opus":0.0522203111039642,"score_gpt":0.22555090719085172,"score_spread":0.17333059608688753,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2762095449","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06818265,0.0023619353,0.0017100968,0.018533403,0.02187074,0.00011233109,0.00055049534,0.0005000777,0.8861783],"genre_scores_gemma":[0.39784086,0.0010009835,0.0006618334,0.0039433064,0.004299049,0.000081366146,0.0002934922,0.00039879055,0.59148026],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99875474,0.0003189249,0.000037100213,0.000160773,0.00024351497,0.00048495558],"domain_scores_gemma":[0.99698037,0.0003359886,0.00018798318,0.00022103873,0.00034153755,0.0019329868],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010575423,0.00042230336,0.00026773414,0.0010263544,0.0074427975,0.0067031835,0.0005880046,0.0013881233,0.09860789],"category_scores_gemma":[0.003524676,0.0003224144,0.00028434358,0.0006402663,0.0022065528,0.00370881,0.005761019,0.0026639528,0.016275546],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018243979,0.00006612082,0.0057650325,0.00015508557,0.000009177564,0.0019444206,0.042816967,0.000086547596,0.0015720972,0.1567908,0.72974986,0.060861487],"study_design_scores_gemma":[0.0000030015165,0.000016014797,0.0011533163,0.00006466008,0.0000024483882,0.00042460213,0.013947291,0.000034830508,0.00017572225,0.0009716163,0.98319757,0.000008940114],"about_ca_topic_score_codex":0.0029522735,"about_ca_topic_score_gemma":0.004571253,"teacher_disagreement_score":0.09860789,"about_ca_system_score_codex":0.0013259402,"about_ca_system_score_gemma":0.00089243444,"threshold_uncertainty_score":0.3298763},"labels":[],"label_agreement":null},{"id":"W2762146331","doi":"10.1386/public.27.53.131_1","title":"Calgary (1988): A cultural Olympiad avant la lettre","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Vietnamese History and Culture Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Calgary","funders":"","keywords":"Olympiad; Exhibition; Event (particle physics); The arts; Context (archaeology); Politics; Martial arts; History; Sociology; Visual arts; Media studies; Political science; Art; Law; Archaeology","score_opus":0.03180196746042202,"score_gpt":0.2876858965514124,"score_spread":0.2558839290909904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2762146331","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6200557,0.005679132,0.00030490733,0.0412747,0.0014441279,0.00009269911,0.00029406385,0.000033200417,0.33082154],"genre_scores_gemma":[0.87201273,0.0021844164,0.00023637865,0.0026270382,0.00017033138,0.000024673538,0.00009651931,0.000028604665,0.12261933],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99979514,0.00004713221,0.0000034289462,0.000027055687,0.000031970725,0.00009529653],"domain_scores_gemma":[0.9997367,0.00002703791,0.00001913855,0.000007008643,0.000036134927,0.00017393762],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040501668,0.00022801937,0.00013501233,0.00028432676,0.009519707,0.00264453,0.00047633328,0.00069903233,0.0077706766],"category_scores_gemma":[0.00045083032,0.0001710335,0.00007481804,0.0006144658,0.0033849766,0.0006393903,0.0015464606,0.0021411567,0.00038481594],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031136288,0.00026042227,0.04333685,0.00031899565,0.000033544457,0.007927356,0.44477987,0.00049691764,0.0026619062,0.105366185,0.31189704,0.08260957],"study_design_scores_gemma":[0.000020369382,0.00007800582,0.08146491,0.0002046732,0.0000058566993,0.00021997592,0.259658,0.000054982338,0.00031313876,0.0011549421,0.6568092,0.000016025237],"about_ca_topic_score_codex":0.6234124,"about_ca_topic_score_gemma":0.88897586,"teacher_disagreement_score":0.37658763,"about_ca_system_score_codex":0.0133277,"about_ca_system_score_gemma":0.005586732,"threshold_uncertainty_score":0.75761086},"labels":[],"label_agreement":null},{"id":"W2762218608","doi":"10.1386/public.26.52.41_1","title":"From Havana Portraits from an Intimate Outsider","year":2015,"lang":"en","type":"article","venue":"Public","topic":"Cuban History and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Art history; Art; Geography; Genealogy; History; Sociology; Gender studies","score_opus":0.11282805418855825,"score_gpt":0.33978300606532835,"score_spread":0.22695495187677012,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2762218608","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23837101,0.015923547,0.001074807,0.046404485,0.0032975038,0.00006486507,0.00051911635,0.00012758891,0.69421715],"genre_scores_gemma":[0.83233696,0.00325195,0.00027680444,0.0037786486,0.00032958415,0.000025339437,0.00015186882,0.00018504946,0.15966387],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993399,0.00023797971,0.000009070391,0.00005421137,0.00011697947,0.00024181219],"domain_scores_gemma":[0.99961156,0.000093902556,0.000024299035,0.000022686654,0.00007903927,0.00016860377],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046509088,0.0007052446,0.00040013605,0.001367678,0.029026544,0.0067521203,0.00069107837,0.0014612066,0.010375762],"category_scores_gemma":[0.00091725925,0.00035132706,0.00026101954,0.0011892216,0.006724279,0.0022390317,0.0031865037,0.0053771185,0.0008163308],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013059951,0.000032104166,0.00243249,0.00010515533,0.000017614697,0.0037766965,0.81282103,0.00012708844,0.0012089825,0.064139046,0.10280097,0.012408195],"study_design_scores_gemma":[0.0000027344418,0.000009503993,0.0026248035,0.00031612205,0.000011739759,0.00085901556,0.48877203,0.000075922995,0.00032389967,0.001314567,0.5056671,0.00002257675],"about_ca_topic_score_codex":0.6299598,"about_ca_topic_score_gemma":0.8370611,"teacher_disagreement_score":0.6299598,"about_ca_system_score_codex":0.013290849,"about_ca_system_score_gemma":0.0047457293,"threshold_uncertainty_score":0.7444388},"labels":[],"label_agreement":null},{"id":"W2762264554","doi":"10.1386/public.27.53.22_1","title":"The illusion of inclusion: Agenda 21 and the commodification of Aboriginal culture in the Vancouver 2010 Olympic Games","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Sport and Mega-Event Impacts","field":"Social Sciences","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Western University","funders":"","keywords":"Commodification; Inclusion (mineral); Nothing; Indigenous; Power (physics); Media studies; Political science; Sociology; Gender studies; Economy","score_opus":0.0260782037438704,"score_gpt":0.31275130289313585,"score_spread":0.2866730991492655,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2762264554","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66268295,0.0033420634,0.0008828292,0.023873162,0.00030415575,0.000042138592,0.000038733397,0.000017824608,0.3088161],"genre_scores_gemma":[0.99022305,0.0006617966,0.00018197534,0.00060391397,0.00003206718,0.0000131242205,0.000011269032,0.000011986971,0.008260829],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9935267,0.0037849376,0.00013327415,0.00034600313,0.0010616516,0.0011474721],"domain_scores_gemma":[0.9949232,0.0018916221,0.00045261803,0.00034865912,0.0010918628,0.0012921529],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00603237,0.00053259317,0.00047315808,0.0027097822,0.027516477,0.018993383,0.0013199968,0.0021644724,0.0034661503],"category_scores_gemma":[0.005005314,0.0003839354,0.00024441755,0.0021387325,0.049491823,0.0032649918,0.011284881,0.0043137376,0.00021519407],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036538062,0.00002500029,0.0038918408,0.00008888938,0.000009648965,0.0004179076,0.8942924,0.00006445173,0.0003538602,0.08934644,0.0020435434,0.0094293365],"study_design_scores_gemma":[0.000008596516,0.000028803084,0.010768728,0.00044248626,0.000017174421,0.00017114084,0.87666917,0.0000957558,0.0002592043,0.012771977,0.098731965,0.000034971465],"about_ca_topic_score_codex":0.5865101,"about_ca_topic_score_gemma":0.7146724,"teacher_disagreement_score":0.41348988,"about_ca_system_score_codex":0.027316261,"about_ca_system_score_gemma":0.020915424,"threshold_uncertainty_score":0.83185},"labels":[],"label_agreement":null},{"id":"W2762429820","doi":"10.1386/public.26.52.59_1","title":"Miss Bienal inaugurates La Primavera del Amor: Genesis of a platform for research and intercultural artistic production in Cuba, June 2014–June 2015","year":2015,"lang":"en","type":"article","venue":"Public","topic":"Cuban History and Society","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Political science; Geography; Sociology; Art history","score_opus":0.184956264600436,"score_gpt":0.39288603233078995,"score_spread":0.20792976773035396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2762429820","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3712842,0.017896876,0.004032445,0.17755163,0.01207061,0.0007674028,0.0026205755,0.0004950214,0.41328126],"genre_scores_gemma":[0.5205793,0.0029216178,0.0023631512,0.0048737857,0.0005393804,0.00043893908,0.00049946277,0.00031678312,0.46746752],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9990958,0.0002761474,0.000017149103,0.000084900814,0.00013072547,0.0003952951],"domain_scores_gemma":[0.998487,0.00012569323,0.00011061205,0.00009450346,0.0003718322,0.0008103049],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021575296,0.00045595068,0.00027809618,0.000730987,0.01421728,0.0052566445,0.00080511905,0.0011328462,0.018916426],"category_scores_gemma":[0.0022768595,0.0004315042,0.00017808034,0.0005541732,0.0029506932,0.0024397261,0.005683479,0.0032153851,0.0022231173],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010224024,0.00019866395,0.026884025,0.0005139082,0.000025620826,0.003619422,0.1694715,0.00019134501,0.0067453533,0.07091483,0.61532325,0.10508974],"study_design_scores_gemma":[0.0000067565506,0.000031084608,0.008896693,0.00014917795,0.0000033121141,0.00020912405,0.06393883,0.000042169086,0.00055932376,0.00053813343,0.92560846,0.000016994749],"about_ca_topic_score_codex":0.2513035,"about_ca_topic_score_gemma":0.4596217,"teacher_disagreement_score":0.2513035,"about_ca_system_score_codex":0.008537123,"about_ca_system_score_gemma":0.010510836,"threshold_uncertainty_score":0.49968147},"labels":[],"label_agreement":null},{"id":"W2762759919","doi":"10.1386/public.27.53.35_1","title":"‘You just censored two native artists’: Art as antidote, resisting the Vancouver Olympics","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Sport and Mega-Event Impacts","field":"Social Sciences","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Carleton University","funders":"","keywords":"Resistance (ecology); Context (archaeology); Power (physics); Indigenous; Capitalism; Aesthetics; Art; Sociology; Media studies; Political science; History; Politics; Law","score_opus":0.04846898096369234,"score_gpt":0.33622561184757666,"score_spread":0.2877566308838843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2762759919","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40654984,0.003972471,0.0012309204,0.017624028,0.00070865697,0.0000441372,0.000030708943,0.00004205757,0.5697971],"genre_scores_gemma":[0.969858,0.00089771935,0.0002025987,0.0009606328,0.000079670586,0.000009508809,0.000009598388,0.000023897781,0.02795854],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99819034,0.00090050267,0.000021778027,0.00011159259,0.00038910846,0.00038668743],"domain_scores_gemma":[0.9988789,0.00041755295,0.00009850032,0.000076362056,0.00023907961,0.00028960517],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014374802,0.00047736286,0.00021980476,0.0011918725,0.017067486,0.012034539,0.0009618661,0.0016622245,0.0051581254],"category_scores_gemma":[0.002267086,0.00019932637,0.00016629102,0.00060017046,0.025218133,0.00182983,0.004278574,0.0032502583,0.00039302575],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006064584,0.000116178846,0.00603493,0.00015325403,0.000020984164,0.0011912041,0.7744424,0.00024420684,0.0006848029,0.15575796,0.02533975,0.03595369],"study_design_scores_gemma":[0.0000150007945,0.00006691393,0.008995243,0.0003767364,0.000017917544,0.00044144504,0.59758604,0.00026885534,0.0003988641,0.009534422,0.38226962,0.000028932222],"about_ca_topic_score_codex":0.20610125,"about_ca_topic_score_gemma":0.4434087,"teacher_disagreement_score":0.79389876,"about_ca_system_score_codex":0.00785583,"about_ca_system_score_gemma":0.0038655277,"threshold_uncertainty_score":0.4098032},"labels":[],"label_agreement":null},{"id":"W2763199720","doi":"10.1386/public.27.53.118_7","title":"‘The aesthetics of austerity’","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Austerity; Dialogic; Spectacle; Politics; Aesthetics; Sociology; Visual arts; Media studies; Art; Political science; Law; Literature","score_opus":0.04608295721253322,"score_gpt":0.29101810181173526,"score_spread":0.24493514459920204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2763199720","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031891353,0.0052311514,0.0031230885,0.041704368,0.0017830044,0.000018960913,0.00004051245,0.00010540618,0.9161021],"genre_scores_gemma":[0.89120275,0.001100291,0.0013230157,0.0042091855,0.0006033385,0.000029967696,0.000030033214,0.00021616244,0.10128532],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99471974,0.0034448823,0.00008349755,0.0003924992,0.0007965345,0.000562831],"domain_scores_gemma":[0.9983677,0.00064040924,0.00013952005,0.00026202406,0.0002269133,0.00036343245],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031914697,0.00063968473,0.00036658274,0.0016759505,0.011685253,0.009964675,0.0011156624,0.0024610432,0.018933756],"category_scores_gemma":[0.004472648,0.00029450416,0.0002960988,0.00087503734,0.05144059,0.005194141,0.0073948223,0.005199313,0.0020389296],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005925784,0.00002445855,0.00064262614,0.000108679844,0.00001038345,0.00023480899,0.21174689,0.000117850075,0.00052440166,0.6964272,0.06920431,0.020899093],"study_design_scores_gemma":[0.000015867901,0.000040469477,0.0025566048,0.00030133317,0.000006480589,0.00047036368,0.08078027,0.00015141613,0.0002056486,0.08899999,0.8264448,0.000026803134],"about_ca_topic_score_codex":0.007653921,"about_ca_topic_score_gemma":0.020608887,"teacher_disagreement_score":0.018933756,"about_ca_system_score_codex":0.004405535,"about_ca_system_score_gemma":0.0014221863,"threshold_uncertainty_score":0.06333971},"labels":[],"label_agreement":null},{"id":"W2763636438","doi":"10.1386/public.26.52.244_5","title":"Play, Precarity and Survival","year":2015,"lang":"en","type":"article","venue":"Public","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Precarity; Craft; Political science; Sociology; Geography; Gender studies; Archaeology","score_opus":0.16828576057941938,"score_gpt":0.2549189417305662,"score_spread":0.0866331811511468,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2763636438","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00023541841,0.9910745,0.000052816176,0.0040507657,0.0010901189,0.0000023120099,0.000015762727,0.000002319072,0.0034759853],"genre_scores_gemma":[0.0052510505,0.988429,0.00006895418,0.0017247056,0.0014339667,0.0000058309097,0.000030465953,0.0000039969264,0.0030521555],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991874,0.00026615482,0.00006121933,0.00010831975,0.00026662785,0.00011034372],"domain_scores_gemma":[0.9977405,0.00095437217,0.00019406274,0.000060440798,0.00085228647,0.00019830327],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017735611,0.0009954983,0.0011328959,0.0037042196,0.0014892479,0.0039904374,0.0009904484,0.0013720504,0.006093356],"category_scores_gemma":[0.0035573551,0.00036164487,0.00032559628,0.0039869235,0.007634583,0.0026727987,0.0019294057,0.00234307,0.0011527874],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016553032,0.00006535425,0.0020114013,0.013632092,0.00015796113,0.0003481804,0.0033889308,0.00072245765,0.00054091075,0.14487147,0.315544,0.5185517],"study_design_scores_gemma":[0.00000688579,0.00003637986,0.0029470557,0.015417864,0.00004394405,0.00024956997,0.0019757152,0.000058888098,0.00010460413,0.010797434,0.9683431,0.000018529608],"about_ca_topic_score_codex":0.09252802,"about_ca_topic_score_gemma":0.1300154,"teacher_disagreement_score":0.09252802,"about_ca_system_score_codex":0.0071298555,"about_ca_system_score_gemma":0.013729525,"threshold_uncertainty_score":0.18397886},"labels":[],"label_agreement":null},{"id":"W2763668656","doi":"10.1386/public.27.53.190_5","title":"Breaking and Entering: The Contemporary House Cut, Spliced, and Haunted","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Housing, Finance, and Neoliberalism","field":"Economics, Econometrics and Finance","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Theme (computing); Key (lock); Aesthetics; Visual arts; Art; Sociology; Computer science; World Wide Web","score_opus":0.05238090253294478,"score_gpt":0.21438733771401794,"score_spread":0.16200643518107316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2763668656","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020796815,0.8508539,0.0025355802,0.04051869,0.0038680204,0.000016354255,0.00008800505,0.000029302963,0.08129325],"genre_scores_gemma":[0.28989705,0.6695237,0.0014297744,0.012868876,0.0044262456,0.0000371485,0.00012212463,0.00009806087,0.021597024],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9978891,0.0009228792,0.00009265437,0.0002395983,0.00065009925,0.00020564764],"domain_scores_gemma":[0.9986141,0.0007273209,0.00017308096,0.0000626345,0.0003301464,0.000092793074],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019948408,0.0003472824,0.0006799394,0.001398681,0.0020839027,0.00645847,0.0007527891,0.0017115624,0.0057131373],"category_scores_gemma":[0.0035403566,0.0002405073,0.00023496618,0.003278463,0.009570172,0.006136489,0.0021305792,0.0023677624,0.00069310225],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000079410034,0.000033278797,0.0015907078,0.0023078432,0.00002506227,0.00063375506,0.036353525,0.00036146506,0.0003265991,0.5899268,0.12188484,0.2464768],"study_design_scores_gemma":[0.0000033655142,0.000022461267,0.0021681443,0.0028249375,0.000009404728,0.00046427627,0.022143923,0.00007467251,0.00017339044,0.029557647,0.94254136,0.000016400634],"about_ca_topic_score_codex":0.006838283,"about_ca_topic_score_gemma":0.011963307,"teacher_disagreement_score":0.006838283,"about_ca_system_score_codex":0.0043373504,"about_ca_system_score_gemma":0.0028564322,"threshold_uncertainty_score":0.03146988},"labels":[],"label_agreement":null},{"id":"W2764156280","doi":"10.1386/public.27.53.75_1","title":"Inelastic Olympic hopefuls: Rhythmic mis-interpellation in three auditions for the London 2012 ceremonies","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Neurology and Historical Studies","field":"Neuroscience","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Dance; Accordion; Visual arts; Solidarity; Rhythm; Art; Aesthetics; Political science; Law; Computer science","score_opus":0.06309111643986601,"score_gpt":0.26097587718617987,"score_spread":0.19788476074631386,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2764156280","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9574051,0.0016988917,0.0007038685,0.009955076,0.000991381,0.00003700987,0.00012854584,0.0000447495,0.029035555],"genre_scores_gemma":[0.9907438,0.0004377607,0.00017542746,0.0007975518,0.00011792016,0.00001604671,0.000052550997,0.00003924707,0.0076197414],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9974318,0.0010360848,0.000094878706,0.00027666718,0.0006370064,0.0005235362],"domain_scores_gemma":[0.9967571,0.00094950886,0.00080761063,0.0002495123,0.00045521345,0.00078106293],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026636843,0.00069519103,0.0006129783,0.0013988435,0.013308457,0.0049259616,0.0013276536,0.0019294784,0.005208293],"category_scores_gemma":[0.008727557,0.00070880353,0.0003292481,0.0011402881,0.010094875,0.0020247723,0.006357239,0.00581192,0.00062677095],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001785205,0.00010550314,0.0146915605,0.00017072,0.000055234446,0.008672023,0.9312592,0.000093957315,0.0012767152,0.008008394,0.019749323,0.015738882],"study_design_scores_gemma":[0.000020507157,0.0001665843,0.0634691,0.0005246126,0.000032147822,0.005591747,0.8113927,0.00013744143,0.00073841715,0.003202771,0.11456105,0.00016285066],"about_ca_topic_score_codex":0.04458793,"about_ca_topic_score_gemma":0.16145776,"teacher_disagreement_score":0.04458793,"about_ca_system_score_codex":0.0057931975,"about_ca_system_score_gemma":0.0021419495,"threshold_uncertainty_score":0.08865684},"labels":[],"label_agreement":null},{"id":"W2765183027","doi":"10.1386/public.28.56.216_5","title":"Hamilton Babylon: A History of the McMaster Film Board","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Art; History","score_opus":0.07039494292942128,"score_gpt":0.21287043318360632,"score_spread":0.14247549025418504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2765183027","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013395289,0.09834792,0.0007633203,0.22289808,0.014089804,0.00010898055,0.0012118851,0.00016181212,0.64902294],"genre_scores_gemma":[0.13699545,0.031887077,0.00061233557,0.01484955,0.0043619336,0.00005356415,0.00023540754,0.00028246237,0.81072223],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99811304,0.0005348215,0.000042804186,0.0002229438,0.000560401,0.00052590005],"domain_scores_gemma":[0.9966364,0.00084514514,0.00019054915,0.00019256595,0.000921529,0.0012138204],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018133853,0.00057783286,0.00032680444,0.0026705996,0.007607061,0.011185391,0.0012906736,0.002921631,0.08535121],"category_scores_gemma":[0.0063506877,0.0005629682,0.00019876403,0.0038984981,0.0057976567,0.0031160659,0.0024329568,0.0034370157,0.006229939],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007192305,0.000029533914,0.0007124839,0.00015413424,0.0000102511995,0.00017969475,0.0038824806,0.000060240098,0.00016854619,0.089965284,0.86563134,0.039134096],"study_design_scores_gemma":[0.000004010395,0.000006033743,0.0018089694,0.00016814022,0.0000031314712,0.000020299647,0.0020056835,0.000020706379,0.000103049024,0.0012821553,0.99456537,0.000012426286],"about_ca_topic_score_codex":0.39315727,"about_ca_topic_score_gemma":0.6521981,"teacher_disagreement_score":0.9800441,"about_ca_system_score_codex":0.019955866,"about_ca_system_score_gemma":0.010493768,"threshold_uncertainty_score":0.7817377},"labels":[],"label_agreement":null},{"id":"W2765692772","doi":"10.1386/public.28.56.176_1","title":"Y for YOU SEE/ACCELERATE THE GAP","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Abstract art; Schema (genetic algorithms); Aesthetics; Modernity; Meaning (existential); Perception; Historicity (philosophy); Modern art; Art; Object (grammar); Epistemology; Visual arts; Philosophy; Painting; Art history; Computer science; Performance art; Linguistics; Law","score_opus":0.2741301586891968,"score_gpt":0.31452108296278275,"score_spread":0.040390924273585926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2765692772","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00754108,0.009432372,0.0054593813,0.520161,0.016308432,0.000056688295,0.0001614134,0.00048774361,0.44039187],"genre_scores_gemma":[0.33134678,0.008020101,0.0043054335,0.1614805,0.005744869,0.0001399166,0.00015764481,0.0010069596,0.48779774],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976375,0.00091132004,0.000060782288,0.00033822068,0.0005486817,0.0005034511],"domain_scores_gemma":[0.9972338,0.0009185032,0.00024532096,0.00032875882,0.0005676842,0.0007059196],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031980006,0.0005786686,0.00045412776,0.0008783993,0.0066240034,0.00872908,0.0008379159,0.0050476934,0.07451568],"category_scores_gemma":[0.009170099,0.00024713436,0.00054224854,0.0005325919,0.010480221,0.01361324,0.009302724,0.009874875,0.022703776],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009049938,0.0000646162,0.0006779326,0.00015197652,0.0000111779045,0.00043346427,0.013281575,0.00008344559,0.0004802214,0.38349354,0.55544263,0.0457889],"study_design_scores_gemma":[0.000009191138,0.000016404472,0.00022493179,0.00014978801,0.0000041722174,0.00022327439,0.0060609416,0.000049648548,0.00022121743,0.03346585,0.9595645,0.000010135729],"about_ca_topic_score_codex":0.003515781,"about_ca_topic_score_gemma":0.0030110204,"teacher_disagreement_score":0.07451568,"about_ca_system_score_codex":0.002940013,"about_ca_system_score_gemma":0.0031949636,"threshold_uncertainty_score":0.24927974},"labels":[],"label_agreement":null},{"id":"W2889578961","doi":"10.1386/public.29.57.128_1","title":"Fugitives: Anarchival Materiality in Archives","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Oral History, Memory, Narrative Analysis","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria; Simon Fraser University","funders":"","keywords":"Materiality (auditing); Transformative learning; Photography; Resistance (ecology); Generative grammar; Visual arts; Art; Sociology; Aesthetics; Computer science; Artificial intelligence","score_opus":0.06219294233146628,"score_gpt":0.251629876918705,"score_spread":0.1894369345872387,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2889578961","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45511538,0.003259243,0.012569625,0.008055131,0.0002442435,0.00007714197,0.00012216748,0.00017138998,0.52038574],"genre_scores_gemma":[0.9927356,0.0002303796,0.00063412514,0.00008571539,0.000032867167,0.000009892598,0.000013956628,0.000028512413,0.006228866],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9964593,0.002145352,0.00009686146,0.00030273496,0.0006641563,0.00033160328],"domain_scores_gemma":[0.9944478,0.003015644,0.0006824223,0.0010860377,0.0004820017,0.0002859753],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004410861,0.00030412493,0.00025013404,0.0034145634,0.01352408,0.012523961,0.0012052044,0.0010155506,0.006440098],"category_scores_gemma":[0.007881989,0.00029336332,0.00018319217,0.0022351674,0.056592375,0.006961517,0.0075884946,0.0024555132,0.00033583373],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034544006,0.000020651103,0.0020797704,0.000085642896,0.0000080173,0.0005051609,0.4335139,0.00015708231,0.0003764229,0.5461814,0.001811149,0.015226291],"study_design_scores_gemma":[0.00001603992,0.000059567235,0.006638326,0.00059504126,0.000030747913,0.0011602144,0.44586328,0.00056121853,0.0016036875,0.14733541,0.39608756,0.00004894636],"about_ca_topic_score_codex":0.014510205,"about_ca_topic_score_gemma":0.025575366,"teacher_disagreement_score":0.014510205,"about_ca_system_score_codex":0.008115199,"about_ca_system_score_gemma":0.0034971219,"threshold_uncertainty_score":0.05888021},"labels":[],"label_agreement":null},{"id":"W2890090087","doi":"10.1386/public.29.57.236_1","title":"THE NiS+TS PSYCHOGEOGRAPHER’S TABLE: Countering the Official Halifax Explosion Archive","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Dalhousie University; University of Toronto","funders":"","keywords":"Materiality (auditing); Narrative; Storytelling; Invisibility; Visual arts; History; Media studies; Sculpture; Subject matter; Sociology; Art history; Aesthetics; Art; Literature; Computer science","score_opus":0.04448005832637673,"score_gpt":0.3315920104397182,"score_spread":0.28711195211334145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890090087","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47510442,0.00506157,0.006537628,0.13261762,0.0066812546,0.00017024382,0.00084868685,0.00064465695,0.3723339],"genre_scores_gemma":[0.939223,0.0014291429,0.0021685772,0.0037744055,0.0010768012,0.00007420262,0.00023872855,0.00028902604,0.0517262],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99656725,0.0018588686,0.00009254771,0.00020727658,0.00087999296,0.00039412698],"domain_scores_gemma":[0.99032706,0.0052159666,0.0007106336,0.001270219,0.001400874,0.0010753397],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0067612403,0.0004726717,0.00030368567,0.0025800674,0.01168309,0.013834819,0.0014519597,0.002221436,0.01459284],"category_scores_gemma":[0.015785525,0.00022583432,0.00025026168,0.0019072582,0.012529755,0.00657073,0.009524294,0.0037611944,0.0011206489],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033445802,0.00009278493,0.0049548107,0.0003781757,0.000025724934,0.002628514,0.56620055,0.0007482358,0.0016192439,0.14239286,0.20434226,0.076282375],"study_design_scores_gemma":[0.000023947861,0.00009079927,0.002307451,0.00036669904,0.000012058645,0.0006032984,0.25603202,0.00046373004,0.001499062,0.0054187863,0.7331514,0.00003077856],"about_ca_topic_score_codex":0.025354367,"about_ca_topic_score_gemma":0.050318338,"teacher_disagreement_score":0.9746456,"about_ca_system_score_codex":0.008064867,"about_ca_system_score_gemma":0.0047905226,"threshold_uncertainty_score":0.058514953},"labels":[],"label_agreement":null},{"id":"W2890128432","doi":"10.1386/public.29.57.217_7","title":"Making Pancakes: Intergenerational Cooking and Remediating the Archive","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Media, Gender, and Advertising","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Recipe; Performative utterance; Subject (documents); Event (particle physics); Sociology; Visual arts; Aesthetics; History; Art; Computer science; Library science; Archaeology","score_opus":0.13402145881547603,"score_gpt":0.3709358853772544,"score_spread":0.23691442656177839,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890128432","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8597724,0.00076750026,0.0053555095,0.005958985,0.00031637083,0.000057577337,0.00011604064,0.00009942971,0.12755619],"genre_scores_gemma":[0.9839333,0.00027636485,0.0017535513,0.0001949602,0.00005387109,0.000019419853,0.000031128224,0.00006435705,0.013673111],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9982981,0.0011558055,0.00003315017,0.00015060442,0.00021595298,0.00014624865],"domain_scores_gemma":[0.99683905,0.0019764449,0.00026369013,0.00047795725,0.0002479664,0.00019483794],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033216227,0.00048687065,0.00019023566,0.0010255509,0.0084137255,0.0039052183,0.0007329726,0.00092840916,0.005207819],"category_scores_gemma":[0.004755764,0.0002245949,0.00022332839,0.0007292295,0.0071910704,0.0029953453,0.0039960323,0.0018935737,0.0003739726],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048092144,0.00004565426,0.004021763,0.00005214392,0.000006621028,0.0014323178,0.94146043,0.00007340762,0.0021540879,0.021160299,0.0031779802,0.026367296],"study_design_scores_gemma":[0.0000073901797,0.000053348667,0.009902938,0.00017938949,0.000014875239,0.0012811944,0.7758309,0.00025774678,0.0032591538,0.0054403627,0.20374225,0.000030457106],"about_ca_topic_score_codex":0.005103289,"about_ca_topic_score_gemma":0.015362247,"teacher_disagreement_score":0.0084137255,"about_ca_system_score_codex":0.0018718622,"about_ca_system_score_gemma":0.00095970527,"threshold_uncertainty_score":0.017566621},"labels":[],"label_agreement":null},{"id":"W2890595286","doi":"10.1386/public.29.57.68_1","title":"Hip Hop Archives or an Archive of Hip Hop? A Remix Impulse","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Digital and Traditional Archives Management","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Ethos; Hop (telecommunications); Sociology; Aesthetics; Art; Political science; Telecommunications; Law; Engineering","score_opus":0.059864958396844914,"score_gpt":0.23571703806498726,"score_spread":0.17585207966814234,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890595286","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036721654,0.033364143,0.008104553,0.32698423,0.007104798,0.00007161546,0.00014968308,0.0002284193,0.5872709],"genre_scores_gemma":[0.8642853,0.016119022,0.003367122,0.014018,0.007500794,0.00007720907,0.00006103892,0.00022884781,0.09434272],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9944787,0.0030845725,0.00022640282,0.00032671067,0.0013192497,0.0005643634],"domain_scores_gemma":[0.988837,0.0061996076,0.00067124865,0.0021060759,0.0011877307,0.0009983556],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009364959,0.0004311064,0.00041241577,0.003706538,0.010505981,0.029684346,0.0013487886,0.0047192425,0.012484954],"category_scores_gemma":[0.016516415,0.00025574808,0.00022851386,0.0026290356,0.050042264,0.021467434,0.011869525,0.006337048,0.001406704],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015788883,0.0000119370025,0.00014676263,0.000047255995,0.0000016713808,0.00009730613,0.019558743,0.00004223769,0.000054881053,0.95664996,0.014796012,0.008577423],"study_design_scores_gemma":[0.00001095904,0.000030436931,0.00035950312,0.0008374516,0.000009365079,0.0004113495,0.062205046,0.0002606227,0.0005434999,0.15810356,0.77720624,0.000021875449],"about_ca_topic_score_codex":0.0042609633,"about_ca_topic_score_gemma":0.0036573731,"teacher_disagreement_score":0.029684346,"about_ca_system_score_codex":0.009868415,"about_ca_system_score_gemma":0.006690493,"threshold_uncertainty_score":0.071600676},"labels":[],"label_agreement":null},{"id":"W2890631552","doi":"10.1386/public.29.57.88_1","title":"SEARCHING FOR BLACK VOICESIN CANADA’S ARCHIVES: The Invisibility of a “Visible” Minority","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Digital and Traditional Archives Management","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Invisibility; Nova scotia; Hogan; George (robot); Visibility; Art history; History; Visual arts; Alley; Art; Sociology; Archaeology; Geography; Meteorology","score_opus":0.057642900991943274,"score_gpt":0.23079674857699395,"score_spread":0.17315384758505067,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890631552","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87468135,0.00077657105,0.0020211972,0.017689578,0.00017881073,0.00006843956,0.00005213057,0.00004608797,0.10448588],"genre_scores_gemma":[0.99116254,0.00015539507,0.000419972,0.00058992795,0.000016621932,0.000012873646,0.000009328168,0.000022116896,0.0076112663],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.991932,0.0030631477,0.00013000949,0.0005724195,0.0020163602,0.002286154],"domain_scores_gemma":[0.99081403,0.00398789,0.0009463974,0.000578167,0.0013034882,0.0023699636],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.008042533,0.000553669,0.000552986,0.0026223,0.07023161,0.01781929,0.0027387973,0.0024621333,0.0073887357],"category_scores_gemma":[0.01340035,0.00037915804,0.00029801272,0.0027185706,0.041644663,0.0050350386,0.012899053,0.0040864255,0.000308994],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023642078,0.00001861738,0.0037098902,0.000042337553,0.0000051568204,0.0009911587,0.9621297,0.000044808254,0.00047960444,0.020417672,0.002473911,0.009663444],"study_design_scores_gemma":[0.0000017517312,0.0000057992584,0.0013071537,0.0000855669,0.000006371068,0.00017237282,0.9714698,0.000041625368,0.0001796131,0.001209589,0.025509205,0.000011165962],"about_ca_topic_score_codex":0.7921609,"about_ca_topic_score_gemma":0.889773,"teacher_disagreement_score":0.9606682,"about_ca_system_score_codex":0.039331798,"about_ca_system_score_gemma":0.061924845,"threshold_uncertainty_score":0.4181261},"labels":[],"label_agreement":null},{"id":"W2890738478","doi":"10.1386/public.29.57.48_1","title":"Disrupting the Register: TreatyCard.ca and Indigenous Counter-Archives","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Indigenous Health, Education, and Rights","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Register (sociolinguistics); Indigenous; Colonialism; State (computer science); Documentation; Sovereignty; Government (linguistics); Key (lock); Identity (music); History; Genealogy; Political science; Law; Art; Computer science; Computer security; Linguistics","score_opus":0.025627531769414093,"score_gpt":0.3138020075664973,"score_spread":0.2881744757970832,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890738478","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10159918,0.0040563913,0.0027712274,0.038774453,0.00104109,0.00007319002,0.000062939536,0.00011441636,0.85150707],"genre_scores_gemma":[0.92307985,0.00093842787,0.0006534239,0.0030379687,0.00024367178,0.000050033475,0.00002990788,0.00009810719,0.07186865],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9903279,0.0040900917,0.00028446532,0.00095074135,0.0026604736,0.0016862848],"domain_scores_gemma":[0.990901,0.004728106,0.0006610615,0.001726726,0.00144822,0.0005349076],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0069282274,0.00032024487,0.00038586365,0.0030490435,0.032620404,0.02202228,0.0023210063,0.0043635443,0.008994188],"category_scores_gemma":[0.017889744,0.00034275372,0.00026239213,0.0034078197,0.05155586,0.008441934,0.009188782,0.007904681,0.0005843354],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011122717,0.000008203012,0.00032178633,0.00002070328,0.000002104852,0.00013845832,0.103244066,0.00004050843,0.00009947133,0.88089925,0.00878912,0.00642509],"study_design_scores_gemma":[0.000011860767,0.000016134627,0.0013874831,0.0002956592,0.000015262007,0.00022012854,0.13268217,0.00019064716,0.00055345194,0.03577656,0.8288072,0.00004345196],"about_ca_topic_score_codex":0.42778566,"about_ca_topic_score_gemma":0.47269377,"teacher_disagreement_score":0.57221437,"about_ca_system_score_codex":0.034813896,"about_ca_system_score_gemma":0.031835016,"threshold_uncertainty_score":0.85059136},"labels":[],"label_agreement":null},{"id":"W2890755219","doi":"10.1386/public.29.57.27_1","title":"Anarchival Impulses: A Performance Theory of Media","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Dance; Impulse (physics); Digital media; Media theory; Key (lock); Queer; Sociology; Art; Computer science; Visual arts; Media studies; Gender studies; Computer security; World Wide Web; Physics","score_opus":0.04904096124332435,"score_gpt":0.21735414896774538,"score_spread":0.16831318772442103,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890755219","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.051509123,0.0013599326,0.08954402,0.018806506,0.0003418575,0.000097017895,0.0001115008,0.0001251727,0.83810484],"genre_scores_gemma":[0.97640914,0.0004684484,0.004571404,0.00049343664,0.00039542906,0.0001149609,0.00003434114,0.000059218353,0.01745373],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99527174,0.0025541596,0.00011614108,0.00049280014,0.0008837439,0.0006813983],"domain_scores_gemma":[0.99270743,0.0040074647,0.00089633564,0.00083290786,0.0008830479,0.0006728187],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0044949176,0.0008261439,0.00040429377,0.0038038113,0.0032482368,0.013847698,0.0016486855,0.0030105368,0.018852321],"category_scores_gemma":[0.009171109,0.00028801517,0.0005453135,0.0025273846,0.028124522,0.013314068,0.0057878694,0.003467524,0.0016645478],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005043852,0.000008350524,0.00012422437,0.000010141824,0.0000014616381,0.000014959813,0.00089016254,0.00018258044,0.00003175036,0.9968907,0.00032993517,0.0015107017],"study_design_scores_gemma":[0.000018740964,0.000050233262,0.0006785324,0.00013362325,0.0000064097085,0.00007259236,0.0053822887,0.0034646264,0.00017374984,0.960241,0.029758941,0.000019214836],"about_ca_topic_score_codex":0.0016384621,"about_ca_topic_score_gemma":0.00076316134,"teacher_disagreement_score":0.018852321,"about_ca_system_score_codex":0.0046468894,"about_ca_system_score_gemma":0.0015294476,"threshold_uncertainty_score":0.06306732},"labels":[],"label_agreement":null},{"id":"W2890815710","doi":"10.1386/public.29.57.250_7","title":"CHERYL SIM - YMX: MIGRATION, LAND, AND LOSS AFTER MIRABEL - Immersive Installation as Counter-Archive","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Documentation; Embodied cognition; Point (geometry); Computer science; Work (physics); History; Visual arts; Sociology; Art; Engineering; Literature; Artificial intelligence","score_opus":0.021756723276569856,"score_gpt":0.24240490196950917,"score_spread":0.22064817869293932,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890815710","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.532645,0.0026467755,0.009364333,0.044604503,0.0025220904,0.00013356369,0.00029784648,0.0012920665,0.4064938],"genre_scores_gemma":[0.91616136,0.0005639078,0.0021416054,0.001016889,0.000263297,0.0000562311,0.00006453195,0.00039455475,0.0793376],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990539,0.0005327211,0.000010071904,0.000070050024,0.00018621542,0.00014689942],"domain_scores_gemma":[0.9989384,0.0004915242,0.00006538389,0.00015495496,0.00014210698,0.00020772438],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016848969,0.00046058086,0.00017896193,0.0005330045,0.008794425,0.0056376276,0.0009441273,0.0013888228,0.01527411],"category_scores_gemma":[0.0030529492,0.00020945388,0.00020323852,0.0004707643,0.008150858,0.0030970562,0.005299358,0.0027707824,0.0010518915],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022491178,0.00008041594,0.0021480236,0.00012931459,0.000009637161,0.0024827537,0.69258267,0.00047964524,0.003574852,0.115457736,0.14321578,0.039614294],"study_design_scores_gemma":[0.000017815128,0.00011923152,0.0026945104,0.00015855873,0.000009682168,0.001034019,0.25655562,0.00040261098,0.0034984369,0.003375537,0.73210174,0.0000321808],"about_ca_topic_score_codex":0.0120505085,"about_ca_topic_score_gemma":0.03179384,"teacher_disagreement_score":0.9879495,"about_ca_system_score_codex":0.0038757443,"about_ca_system_score_gemma":0.0014252192,"threshold_uncertainty_score":0.051096976},"labels":[],"label_agreement":null},{"id":"W2890954845","doi":"10.1386/public.29.57.208_1","title":"Efficacy and Archival Practice in Nunatsiavut: A Case Study of the Rigolet Inuktut Living Archives","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Indigenous Studies and Ecology","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"History; Space (punctuation); Geography; Safeguard; Political science; Law; Computer science","score_opus":0.05363079232065938,"score_gpt":0.4044113403395443,"score_spread":0.3507805480188849,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890954845","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9831913,0.00045265388,0.00028648847,0.0014936482,0.000036417125,0.000102039325,0.000016517166,0.000008909229,0.014411999],"genre_scores_gemma":[0.99571395,0.00018126405,0.00035613411,0.00016166932,0.000008792462,0.00005712752,0.0000068492022,0.000008554589,0.0035057182],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9868636,0.00918387,0.0003166582,0.00070533797,0.0012018919,0.0017286328],"domain_scores_gemma":[0.9857562,0.009729592,0.0011248732,0.00093809277,0.0009995588,0.0014517193],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.011406493,0.00042089648,0.00060732267,0.0025587743,0.028805649,0.007894304,0.004007698,0.0024729725,0.004908253],"category_scores_gemma":[0.017008454,0.000521104,0.00030348974,0.0026189152,0.02386499,0.0029819203,0.01000979,0.0030915136,0.00030402315],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014015475,0.00010478568,0.0035784023,0.000052576663,0.0000031926375,0.0011424468,0.9877936,0.00002651783,0.00019463619,0.003333372,0.00024401514,0.0035124659],"study_design_scores_gemma":[0.000003184133,0.00003318658,0.0028274702,0.000084654996,0.0000041142443,0.00022745886,0.9896259,0.0000381882,0.00010994818,0.00020167214,0.006837707,0.0000065691793],"about_ca_topic_score_codex":0.16965017,"about_ca_topic_score_gemma":0.35211164,"teacher_disagreement_score":0.8303498,"about_ca_system_score_codex":0.022977382,"about_ca_system_score_gemma":0.01664582,"threshold_uncertainty_score":0.3373254},"labels":[],"label_agreement":null},{"id":"W2891465749","doi":"10.1386/public.29.57.228_7","title":"ACTIVATING HISTORY: The Living Counter-Archive of Urban Vernacular Paths","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Southeast Asian Sociopolitical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Vernacular; Neighbourhood (mathematics); TRACE (psycholinguistics); Key (lock); Industrial city; Sociology; History; Computer science; Art; Regional science; Literature; Computer security","score_opus":0.04355981610739607,"score_gpt":0.2855291827089882,"score_spread":0.24196936660159213,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2891465749","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70256233,0.001368558,0.009148469,0.024944013,0.0009130709,0.00010228402,0.0002472494,0.00034578767,0.26036826],"genre_scores_gemma":[0.9795425,0.0002670902,0.0010167994,0.0006741036,0.00006680433,0.00002603171,0.00005519076,0.00009350852,0.018257968],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955598,0.00316575,0.00010245802,0.0002975987,0.00047924486,0.0003951942],"domain_scores_gemma":[0.9895746,0.004191093,0.0012137766,0.0030706762,0.0010602231,0.00088974764],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0063954284,0.00041173678,0.00027974093,0.001679135,0.013403943,0.009591312,0.0012976867,0.0013400007,0.0077800206],"category_scores_gemma":[0.011771318,0.0004102069,0.00012753607,0.0020184556,0.029391078,0.007708742,0.009527861,0.0029275112,0.0006387426],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024823667,0.00001146576,0.0024503716,0.000053520213,0.0000031272011,0.0003575556,0.86747634,0.000051704556,0.00034275957,0.10474317,0.008234232,0.016250985],"study_design_scores_gemma":[0.000006519892,0.00003426771,0.0022161726,0.00017809612,0.000009744516,0.00030485526,0.60195136,0.00022724965,0.0009917719,0.01204901,0.38200772,0.000023167659],"about_ca_topic_score_codex":0.014211046,"about_ca_topic_score_gemma":0.035264187,"teacher_disagreement_score":0.014211046,"about_ca_system_score_codex":0.0051049255,"about_ca_system_score_gemma":0.0040297,"threshold_uncertainty_score":0.03703904},"labels":[],"label_agreement":null},{"id":"W2891468040","doi":"10.1386/public.29.57.36_1","title":"Awakening from the Gendered Archive: Archiveology and Critical Cultural History","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Metaphor; Variety (cybernetics); Sociology; Film studies; Aesthetics; Media studies; Visual arts; Art; Linguistics; Philosophy; Movie theater; Computer science","score_opus":0.08895416079030936,"score_gpt":0.25173947246124084,"score_spread":0.16278531167093147,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2891468040","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24118836,0.029909419,0.02248916,0.10241476,0.0022488413,0.00008251817,0.00014290573,0.000116398674,0.6014076],"genre_scores_gemma":[0.98547953,0.002508345,0.00095905043,0.0010674476,0.00062354637,0.000037362577,0.000017576136,0.00006463314,0.009242447],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949586,0.0040192404,0.000076573,0.00028780877,0.00035806635,0.00029970307],"domain_scores_gemma":[0.9865514,0.010485171,0.0007665089,0.0009993595,0.00065361266,0.00054391526],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007545641,0.00035511176,0.00040981875,0.0030467848,0.007469434,0.01363102,0.0012794896,0.0022675444,0.005408485],"category_scores_gemma":[0.012221158,0.00021352079,0.00020675479,0.0019795622,0.056448177,0.014192707,0.0053052683,0.003989321,0.00030994788],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013470345,0.000010206675,0.00025262038,0.00004437693,0.0000022403265,0.0001400846,0.11003926,0.000057359328,0.00006722351,0.8812667,0.002775502,0.0053309943],"study_design_scores_gemma":[0.000014157174,0.000029352617,0.0009514045,0.00065901014,0.000008192863,0.00035802228,0.2158738,0.0003721109,0.00053067686,0.49207988,0.2891048,0.000018642682],"about_ca_topic_score_codex":0.0027847544,"about_ca_topic_score_gemma":0.002453161,"teacher_disagreement_score":0.01363102,"about_ca_system_score_codex":0.0059219,"about_ca_system_score_gemma":0.0022307828,"threshold_uncertainty_score":0.042966604},"labels":[],"label_agreement":null},{"id":"W2891569344","doi":"10.1386/public.29.57.96_1","title":"Commemoration and Decolonization in the Missing and Murdered Indigenous Women Database","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Gender, Security, and Conflict","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Alberta; University of Manitoba","funders":"","keywords":"Indigenous; Decolonization; Mainstream; Colonialism; Vision; Citizen journalism; Politics; Gender studies; Sociology; Political science; History; Law; Anthropology","score_opus":0.05134865482396023,"score_gpt":0.3148845198356604,"score_spread":0.2635358650117002,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2891569344","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88409024,0.0014511109,0.0059046685,0.01109757,0.000602109,0.0011293325,0.0067270924,0.00046473715,0.08853321],"genre_scores_gemma":[0.93731004,0.0012772,0.013180174,0.0014302842,0.00029396897,0.0008932059,0.0032537756,0.00038155465,0.041979805],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9924819,0.0038675317,0.00033362932,0.00061019696,0.0016985709,0.0010081393],"domain_scores_gemma":[0.97449434,0.012334608,0.0020023505,0.0044513172,0.004869235,0.0018481541],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.016766911,0.00028931862,0.00041644345,0.0053905803,0.009332624,0.007374878,0.0022634303,0.0008029007,0.0069671203],"category_scores_gemma":[0.030025199,0.00039536026,0.00020013154,0.0061432375,0.005687034,0.003281208,0.00878862,0.0017261445,0.0009380633],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013648912,0.000088985915,0.013036235,0.00025974476,0.000010484918,0.0008432497,0.899144,0.00006678187,0.0021239992,0.0076468964,0.016566847,0.060076308],"study_design_scores_gemma":[0.000014207682,0.00006771413,0.019013632,0.00044662735,0.000021333648,0.000240573,0.5672391,0.00019655551,0.0029859939,0.00092552387,0.4088092,0.000039574064],"about_ca_topic_score_codex":0.16198622,"about_ca_topic_score_gemma":0.37473965,"teacher_disagreement_score":0.83801377,"about_ca_system_score_codex":0.008188599,"about_ca_system_score_gemma":0.012884071,"threshold_uncertainty_score":0.32208675},"labels":[],"label_agreement":null},{"id":"W2891791798","doi":"10.1386/public.29.57.163_1","title":"Ice as a Counter-Archive: Permafrost, Archival Melt and Climate Futures","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Polar Research and Ecology","field":"Environmental Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Calgary","funders":"","keywords":"Permafrost; Earth science; Arctic; Climate change; Physical geography; Geology; Astrobiology; Geography; Oceanography","score_opus":0.010945622183109054,"score_gpt":0.2631237758404438,"score_spread":0.2521781536573347,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2891791798","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40594283,0.01487627,0.003055393,0.13785324,0.0010707226,0.00006612075,0.0024925966,0.00014046225,0.43450236],"genre_scores_gemma":[0.96854156,0.0040608766,0.0014811194,0.0016106695,0.00020512665,0.0000129721575,0.0003080514,0.000052386247,0.023727162],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9988368,0.00031822282,0.00002591184,0.00007311925,0.00041277817,0.00033309514],"domain_scores_gemma":[0.9977296,0.0005347925,0.00023355911,0.00026456127,0.00077078555,0.00046660868],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030350303,0.00017277837,0.00016643698,0.0025012088,0.012507079,0.010323772,0.0008532778,0.0007680419,0.008648424],"category_scores_gemma":[0.0044288132,0.00011385023,0.00013083627,0.003906595,0.013367237,0.0042320015,0.0039036924,0.0013667529,0.00027309815],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001681169,0.0000452182,0.041794762,0.00021688915,0.000027551165,0.00061311317,0.20881216,0.00084294385,0.00088597764,0.5486023,0.062392253,0.13559882],"study_design_scores_gemma":[0.000007718566,0.000015399952,0.033452887,0.00049212994,0.00001737456,0.00015308298,0.2145202,0.00049288006,0.00095232076,0.03873921,0.7111109,0.00004594425],"about_ca_topic_score_codex":0.84450793,"about_ca_topic_score_gemma":0.95506334,"teacher_disagreement_score":0.84450793,"about_ca_system_score_codex":0.04318307,"about_ca_system_score_gemma":0.03968711,"threshold_uncertainty_score":0.31331658},"labels":[],"label_agreement":null},{"id":"W2892042792","doi":"10.1386/public.29.57.184_1","title":"“ABSENTEE INFORMATION”: Lucy R. Lippard’s MoMA Library Intervention—From Decision to Stance","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Exhibition; Mainstream; Conceptualism; Underpinning; Politics; Sociology; Intervention (counseling); Art history; Aesthetics; Art; Epistemology; Philosophy; Political science; Psychology; Engineering; Law","score_opus":0.036972920506247536,"score_gpt":0.24880505481877738,"score_spread":0.21183213431252984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2892042792","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08387168,0.0070316168,0.018653365,0.41835257,0.00180594,0.000121720244,0.000028069735,0.00031627173,0.46981886],"genre_scores_gemma":[0.9015007,0.0013261364,0.0023663256,0.026840508,0.00048372787,0.00012168395,0.000008518074,0.00013692546,0.06721552],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9883388,0.008283122,0.00017085951,0.0006915767,0.0014340054,0.0010815893],"domain_scores_gemma":[0.98953,0.007983095,0.0003540531,0.0006093413,0.0008342277,0.0006892968],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0102929,0.00024027031,0.00041077944,0.0013290606,0.016300963,0.009157617,0.0016149837,0.005562946,0.005540288],"category_scores_gemma":[0.01888504,0.00035451475,0.00030930643,0.00079307775,0.03287259,0.0069301203,0.009737709,0.007537279,0.0010866413],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034752557,0.0000589981,0.00017860539,0.000041088562,0.0000033019285,0.00027062517,0.08575168,0.00013813286,0.00020298448,0.8645422,0.031769183,0.017008394],"study_design_scores_gemma":[0.000026164562,0.000060627837,0.00044019127,0.00028767285,0.000014708319,0.00022601159,0.03800716,0.0005247996,0.002029222,0.16217291,0.79616094,0.00004955294],"about_ca_topic_score_codex":0.016111467,"about_ca_topic_score_gemma":0.017561713,"teacher_disagreement_score":0.016300963,"about_ca_system_score_codex":0.012802289,"about_ca_system_score_gemma":0.0083028,"threshold_uncertainty_score":0.09288752},"labels":[],"label_agreement":null},{"id":"W2892345208","doi":"10.1386/public.29.57.154_1","title":"Considering Todd’s Tape: The Textual Transition of Videotape Miscellany","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Digital Humanities and Scholarship","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Saint Mary's University","funders":"","keywords":"Miscellany; Ephemeral key; Transition (genetics); Video tape; Tape recorder; Nova scotia; Visual arts; Video recording; History; Art; Multimedia; Literature; Computer science; Engineering; Archaeology","score_opus":0.06957209573979974,"score_gpt":0.2258796288399628,"score_spread":0.15630753310016304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2892345208","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82623154,0.0037029951,0.0038154013,0.020207113,0.0013139324,0.0000969375,0.0007577277,0.0001331026,0.1437414],"genre_scores_gemma":[0.987347,0.000887716,0.0008086169,0.00075682544,0.00024226165,0.000025525034,0.00013268298,0.000081208564,0.009718244],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9979494,0.0010293208,0.000055479966,0.00014392988,0.0005202979,0.0003015279],"domain_scores_gemma":[0.9900551,0.006382428,0.0006648534,0.0006592996,0.0016568516,0.00058150396],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023453473,0.0002658498,0.00021368371,0.0021807628,0.012135898,0.007438752,0.0009815061,0.0015816559,0.003211225],"category_scores_gemma":[0.013483123,0.00022382275,0.00010151583,0.0022900335,0.009595326,0.0027522263,0.0030325036,0.0024279172,0.00040474418],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008998891,0.000018085082,0.0025573468,0.0001577524,0.0000055544524,0.0027338488,0.9394852,0.00009282157,0.003768793,0.018762162,0.008915277,0.023413232],"study_design_scores_gemma":[0.000005703211,0.000031327843,0.01614392,0.0005360242,0.000013171608,0.00096162106,0.7812474,0.00019991917,0.0022058198,0.002035841,0.19658877,0.00003043571],"about_ca_topic_score_codex":0.2244307,"about_ca_topic_score_gemma":0.4006344,"teacher_disagreement_score":0.2244307,"about_ca_system_score_codex":0.0124297775,"about_ca_system_score_gemma":0.0042111087,"threshold_uncertainty_score":0.4462487},"labels":[],"label_agreement":null},{"id":"W2912134496","doi":"10.1386/public.29.58.42_1","title":"Smoke Screens and Cinematic Representations of the MOVE Bombing","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Representation (politics); Displacement (psychology); Criminology; Sociocultural evolution; Sociology; State (computer science); History; Gender studies; Visual arts; Art; Political science; Psychology; Law; Anthropology; Politics; Psychoanalysis","score_opus":0.041465055576905434,"score_gpt":0.2515961233329035,"score_spread":0.21013106775599805,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2912134496","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7607909,0.0025932575,0.0019294523,0.010936159,0.00092579034,0.000059125072,0.0003814685,0.00012791189,0.22225589],"genre_scores_gemma":[0.9834379,0.0009011566,0.00034214277,0.00057783746,0.00022334482,0.000019858664,0.000074526586,0.000055441375,0.014367836],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99961156,0.00021427235,0.0000077384475,0.000037108184,0.00006864498,0.000060698396],"domain_scores_gemma":[0.9991509,0.00059502147,0.00007403547,0.000043034863,0.000054734737,0.000082139],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006772827,0.0004641427,0.00017179172,0.001227266,0.004810444,0.0040631294,0.0004202504,0.0010242385,0.0072306003],"category_scores_gemma":[0.0017943248,0.0002103551,0.0001904745,0.0006473397,0.0052470285,0.002425296,0.0023129496,0.002012153,0.00045371457],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016289424,0.000056384255,0.002847911,0.00022853664,0.000018184499,0.0018071057,0.91912556,0.0001260253,0.004434511,0.04003363,0.017341154,0.01381815],"study_design_scores_gemma":[0.00001985899,0.00011074933,0.012503749,0.00045327918,0.00004219805,0.001158484,0.6296566,0.00035104115,0.0023969002,0.0040464993,0.3492253,0.000035333265],"about_ca_topic_score_codex":0.0054931208,"about_ca_topic_score_gemma":0.017360764,"teacher_disagreement_score":0.0072306003,"about_ca_system_score_codex":0.0015785964,"about_ca_system_score_gemma":0.000418851,"threshold_uncertainty_score":0.024188817},"labels":[],"label_agreement":null},{"id":"W2912282602","doi":"10.1386/public.29.58.100_1","title":"Fire, Earth, Ecstasy: Gossiping with the Gods","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Religious Studies and Spiritual Practices","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Ecstasy; Gossip; Earth (classical element); Astrobiology; Environmental science; Psychology; Psychiatry; Astronomy; Social psychology; Biology; Physics","score_opus":0.049834053177152546,"score_gpt":0.2416363994170593,"score_spread":0.19180234623990677,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2912282602","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5045802,0.011240204,0.0024944225,0.060492877,0.0040685395,0.000052035,0.00012563687,0.00018586582,0.4167603],"genre_scores_gemma":[0.9702644,0.0017394453,0.00039750265,0.0029519398,0.000873928,0.000014962443,0.000017936618,0.000091827205,0.023648001],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99853873,0.0010191894,0.00002139794,0.000073009716,0.00018778782,0.00015984199],"domain_scores_gemma":[0.9966917,0.0022957139,0.00026806828,0.00018414666,0.00014486072,0.00041557735],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026628422,0.00044484276,0.0003304793,0.00065476896,0.008636226,0.0049858075,0.00045146534,0.0013799603,0.0049958024],"category_scores_gemma":[0.0046914844,0.00016628912,0.0001508902,0.00051794195,0.016684938,0.004094948,0.0046202242,0.0028181565,0.0008487194],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001126434,0.00003896945,0.0012606118,0.00014517302,0.000016744927,0.0012566824,0.8461113,0.00011827475,0.0011752833,0.08209676,0.046008937,0.02165859],"study_design_scores_gemma":[0.000021005413,0.00007330351,0.003156426,0.000342152,0.000011471838,0.0008275923,0.660519,0.0001663854,0.00079432334,0.008429117,0.32562846,0.000030753323],"about_ca_topic_score_codex":0.0022238714,"about_ca_topic_score_gemma":0.004610349,"teacher_disagreement_score":0.008636226,"about_ca_system_score_codex":0.0014398552,"about_ca_system_score_gemma":0.0006555101,"threshold_uncertainty_score":0.016712606},"labels":[],"label_agreement":null},{"id":"W2912816569","doi":"10.1386/public.29.58.134_1","title":"The Cut of the Generic: An Interview with Jodi Dean","year":2018,"lang":"en","type":"article","venue":"Public","topic":"African history and culture studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Politics; Sociology; Democracy; Futures contract; CONTEST; Communism; Epistemology; Political science; Philosophy; Law; Economics","score_opus":0.06308346293904495,"score_gpt":0.2881821507485824,"score_spread":0.22509868780953746,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2912816569","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23801304,0.0069411797,0.0025004267,0.6819707,0.0032667336,0.00023248697,0.00022304429,0.00005821366,0.06679421],"genre_scores_gemma":[0.8422402,0.002706727,0.0012117602,0.12620799,0.0005983901,0.00024608077,0.00004259197,0.0001085858,0.026637658],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.98871756,0.0069251237,0.00029279842,0.00085552566,0.0014939093,0.0017151413],"domain_scores_gemma":[0.984493,0.009575274,0.001029132,0.00034111095,0.0016274811,0.0029340123],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.012086861,0.00040503094,0.0012042985,0.0011249931,0.02733584,0.008321474,0.001639824,0.0063596372,0.0044777934],"category_scores_gemma":[0.026963575,0.0010787694,0.00033012187,0.0016562414,0.022366028,0.009680615,0.007840677,0.018488798,0.0005743511],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039547147,0.00006661884,0.0013077133,0.00010558777,0.0000036533522,0.0012091817,0.8790134,0.000047352867,0.00062638894,0.033495247,0.0805879,0.0034973486],"study_design_scores_gemma":[0.000007770149,0.00002092683,0.0007179261,0.00014124419,0.0000027162819,0.0004509554,0.70587,0.000071679424,0.00014700314,0.0018854466,0.29065642,0.00002794922],"about_ca_topic_score_codex":0.023604728,"about_ca_topic_score_gemma":0.029481469,"teacher_disagreement_score":0.02733584,"about_ca_system_score_codex":0.015245264,"about_ca_system_score_gemma":0.007213086,"threshold_uncertainty_score":0.11061269},"labels":[],"label_agreement":null},{"id":"W2913070314","doi":"10.1386/public.29.58.140_1","title":"Phantasmagoric City: Technologies of Immersion and Settler Histories in Montreal’s CitéMémoire","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Visual arts; History; Rendering (computer graphics); Media studies; Art history; Art; Anthropology; Sociology; Computer science; Computer graphics (images)","score_opus":0.036302309163115554,"score_gpt":0.2149716560590084,"score_spread":0.17866934689589284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2913070314","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5694279,0.0036554066,0.018054595,0.008413812,0.00024109642,0.00024387418,0.0005115477,0.0009047447,0.39854705],"genre_scores_gemma":[0.9622125,0.00079824653,0.0027674004,0.00026469608,0.00003665608,0.000088744564,0.00010163046,0.00008895802,0.03364113],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99904114,0.00043237273,0.000013720951,0.000117477575,0.0001793379,0.00021598308],"domain_scores_gemma":[0.9988362,0.0005642592,0.000070097434,0.00014859256,0.00013492987,0.00024585112],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016057724,0.00051236677,0.00020859412,0.0012123389,0.0064612823,0.011182633,0.0011697988,0.0010848515,0.010846561],"category_scores_gemma":[0.0022546537,0.0002923197,0.0003063152,0.0012715082,0.011524298,0.003183762,0.0055931704,0.0010056563,0.0005549547],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017218247,0.000100931386,0.008758055,0.00030746261,0.000035633188,0.0016448164,0.80228156,0.00059558806,0.007989045,0.08838583,0.0142898,0.07543901],"study_design_scores_gemma":[0.000038768354,0.00018798705,0.0192591,0.00033112723,0.000058455957,0.0008371342,0.45135614,0.0007925759,0.0032032921,0.00585953,0.5179505,0.00012536437],"about_ca_topic_score_codex":0.28974172,"about_ca_topic_score_gemma":0.36796433,"teacher_disagreement_score":0.71025825,"about_ca_system_score_codex":0.011408403,"about_ca_system_score_gemma":0.0051216395,"threshold_uncertainty_score":0.5761105},"labels":[],"label_agreement":null},{"id":"W2913540738","doi":"10.1386/public.29.58.22_1","title":"Unsettling Inscriptions: An Interview with Michael Gaudio","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Colonialism, slavery, and trade","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Art; History; Sociology; Psychology","score_opus":0.09261608685797404,"score_gpt":0.33621554836906525,"score_spread":0.24359946151109121,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2913540738","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6083397,0.0038694206,0.003588985,0.26282942,0.0018783042,0.00020661505,0.0001247864,0.00009884143,0.1190639],"genre_scores_gemma":[0.9473412,0.0017022543,0.0011423365,0.020755894,0.00030546208,0.00013093482,0.00003905308,0.00010499858,0.028477825],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9930554,0.004630747,0.00013299247,0.0003795275,0.000954695,0.0008466162],"domain_scores_gemma":[0.99347794,0.0044042445,0.00044100237,0.00014226379,0.0006257828,0.0009087303],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0063308864,0.0006402206,0.00074942823,0.0015493806,0.03514737,0.0073732794,0.0019646839,0.007560503,0.005545279],"category_scores_gemma":[0.015852122,0.00084156025,0.0003847145,0.0019277646,0.017133873,0.0062679145,0.0061806496,0.015717098,0.0008040066],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010687105,0.000021252285,0.00039471744,0.000018282373,0.0000012075853,0.0013647316,0.9751052,0.000029902747,0.00047763475,0.012271695,0.008211983,0.0020927282],"study_design_scores_gemma":[0.0000021942315,0.000011746416,0.0002840424,0.00011845336,0.0000017274026,0.00036393525,0.89312667,0.0000773154,0.00018685017,0.0016621081,0.1041489,0.000016056014],"about_ca_topic_score_codex":0.05635783,"about_ca_topic_score_gemma":0.0835671,"teacher_disagreement_score":0.05635783,"about_ca_system_score_codex":0.011324789,"about_ca_system_score_gemma":0.0057177064,"threshold_uncertainty_score":0.11205959},"labels":[],"label_agreement":null},{"id":"W2913587433","doi":"10.1386/public.29.58.188_5","title":"Archiveology: Walter Benjamin and Archival Film Practices","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Obsolescence; Movie theater; Key (lock); Art history; Art; Sociology; Aesthetics; Visual arts; Media studies; Computer science","score_opus":0.07207655143154558,"score_gpt":0.26402844260405944,"score_spread":0.19195189117251388,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2913587433","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013052456,0.4562625,0.006566433,0.08210661,0.0030684257,0.000051596093,0.00015326671,0.00012228977,0.4386164],"genre_scores_gemma":[0.382877,0.45467705,0.005730852,0.008511477,0.005774929,0.0001541014,0.00014551535,0.00037574332,0.14175336],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948773,0.0029624654,0.00018433422,0.0003477609,0.0013838363,0.00024441656],"domain_scores_gemma":[0.99427104,0.0041221716,0.00041581097,0.0003541514,0.00059126946,0.00024549043],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0045261495,0.00034718358,0.00048174683,0.0034993575,0.0022559026,0.00991867,0.0011540843,0.0023634892,0.012480546],"category_scores_gemma":[0.008875477,0.0002714891,0.00021522319,0.0035334174,0.009286096,0.0077692177,0.0023530237,0.0028033147,0.001527605],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026314543,0.000026484735,0.00032529392,0.0006417276,0.000010472703,0.0002710382,0.027620709,0.00018306162,0.00023595977,0.742863,0.09661867,0.13117716],"study_design_scores_gemma":[0.0000044174853,0.000010010088,0.00050683157,0.0017043647,0.0000048566308,0.00024752333,0.008948383,0.00007927242,0.00023135984,0.034901794,0.95334893,0.000012182747],"about_ca_topic_score_codex":0.009560266,"about_ca_topic_score_gemma":0.008699357,"teacher_disagreement_score":0.012480546,"about_ca_system_score_codex":0.005147619,"about_ca_system_score_gemma":0.0023930247,"threshold_uncertainty_score":0.041751623},"labels":[],"label_agreement":null},{"id":"W2913773330","doi":"10.1386/public.29.58.68_7","title":"In memoriam... Mary Cecil, Victoria Callihoo (née Belcourt), and Eleanor (Helene) Thomas Garneau","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Art; Philosophy","score_opus":0.08354078971050097,"score_gpt":0.23223763764094812,"score_spread":0.14869684793044716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2913773330","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0045204395,0.008522381,0.0010503688,0.39835376,0.37982985,0.000114541595,0.0014449762,0.0005264217,0.20563735],"genre_scores_gemma":[0.034864627,0.0024692775,0.0004910376,0.019207759,0.040292688,0.00007431767,0.0005409596,0.00023899013,0.9018204],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989442,0.00011524759,0.00003593548,0.00017512396,0.00055339106,0.00017605987],"domain_scores_gemma":[0.99769115,0.00025029213,0.00008247125,0.00009445974,0.0013615176,0.00052011415],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001290555,0.000729382,0.00062113965,0.0007683036,0.006703381,0.0044631795,0.0012019726,0.0015326769,0.080269486],"category_scores_gemma":[0.0047617173,0.00024091628,0.0003419632,0.00047507207,0.0017590892,0.0018896231,0.0027293647,0.0059375274,0.023359204],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018198516,0.0000040087207,0.00012029994,0.000012996531,0.0000012651057,0.000073501695,0.000634204,0.0000095401465,0.00011314915,0.0010585431,0.9926967,0.0052574705],"study_design_scores_gemma":[0.000002468144,0.0000046356145,0.00049806555,0.000036664525,0.0000022625711,0.000050803017,0.0011707537,0.000016517266,0.00009621064,0.00023397173,0.99788266,0.0000048776874],"about_ca_topic_score_codex":0.07138012,"about_ca_topic_score_gemma":0.17180777,"teacher_disagreement_score":0.080269486,"about_ca_system_score_codex":0.0048984555,"about_ca_system_score_gemma":0.0025362729,"threshold_uncertainty_score":0.26852816},"labels":[],"label_agreement":null},{"id":"W2914144063","doi":"10.1386/public.29.58.180_5","title":"Nicolas Baier, Asterisms","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Historical, Religious, and Philosophical Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.08484875302295562,"score_gpt":0.2316537624687262,"score_spread":0.14680500944577057,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2914144063","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0043721255,0.025542285,0.00070511946,0.26441655,0.08515383,0.00021778216,0.0036669448,0.00091650506,0.6150089],"genre_scores_gemma":[0.004882821,0.0017655202,0.00012634046,0.0033043765,0.0011264319,0.00002164188,0.00025356453,0.00010382793,0.9884155],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919325,0.00007723507,0.000018928315,0.00015118605,0.00033471215,0.00022469413],"domain_scores_gemma":[0.9985305,0.00009761047,0.00004482887,0.00005387314,0.0006300911,0.0006430175],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010828329,0.00080258097,0.00037190877,0.0012881954,0.010368621,0.0031668716,0.00085515965,0.0021069138,0.23463242],"category_scores_gemma":[0.0019315685,0.00051028177,0.0002988002,0.00081911957,0.0013605788,0.0021028374,0.0029439349,0.0034173506,0.05208894],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005550164,0.000002323654,0.000043433003,0.000008102619,2.870505e-7,0.000019647845,0.000071556075,0.000011631807,0.000026114249,0.0007112592,0.99719125,0.0019088974],"study_design_scores_gemma":[0.0000020454113,0.0000024607207,0.0005305142,0.000023673447,6.620464e-7,0.000018719222,0.0004081355,0.000012566352,0.000059202277,0.00014109118,0.9987972,0.0000036682188],"about_ca_topic_score_codex":0.33765104,"about_ca_topic_score_gemma":0.6499113,"teacher_disagreement_score":0.33765104,"about_ca_system_score_codex":0.013767509,"about_ca_system_score_gemma":0.0106870355,"threshold_uncertainty_score":0.7849236},"labels":[],"label_agreement":null},{"id":"W2962835285","doi":"10.1386/public.30.59.200_5","title":"Sam Vernon, Rage Wave","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rage (emotion); Psychology; Neuroscience","score_opus":0.05910594676770272,"score_gpt":0.2173515355050035,"score_spread":0.15824558873730077,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2962835285","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009387116,0.050122086,0.0016643542,0.246994,0.19661772,0.00014622585,0.0008092856,0.0013644841,0.5013431],"genre_scores_gemma":[0.0027069084,0.006280374,0.00035890046,0.01603223,0.0068230117,0.00004718344,0.00020182435,0.000446181,0.96710336],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986405,0.00019600912,0.000041154566,0.00024599006,0.0006981803,0.00017811994],"domain_scores_gemma":[0.99714154,0.0002417227,0.000091602364,0.0001768265,0.0014621171,0.0008861323],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018065966,0.000711611,0.00051896344,0.0012424942,0.0046117604,0.005034924,0.0009742708,0.0024097553,0.2572453],"category_scores_gemma":[0.0053917407,0.00049877993,0.00036056494,0.00067676295,0.00088241126,0.0035367918,0.0037373512,0.004498809,0.16987921],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003936712,0.0000019989077,0.000017522687,0.000012256559,2.7518172e-7,0.000010189652,0.00003528703,0.000002067549,0.00003167314,0.00037658543,0.99255013,0.0069581927],"study_design_scores_gemma":[9.504523e-7,0.0000022859515,0.00008130495,0.0000249532,4.108723e-7,0.00003250671,0.00011066048,0.0000039005085,0.00002709763,0.000105320425,0.9996086,0.0000020659495],"about_ca_topic_score_codex":0.009100056,"about_ca_topic_score_gemma":0.023515612,"teacher_disagreement_score":0.2572453,"about_ca_system_score_codex":0.0012857659,"about_ca_system_score_gemma":0.0018995752,"threshold_uncertainty_score":0.86057127},"labels":[],"label_agreement":null},{"id":"W2962937857","doi":"10.1386/public.30.59.149_1","title":"Fermenting Communications: Fermentation Praxis as Interspecies Communication","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Thriving; Praxis; Anthropocentrism; Environmental ethics; Embodied cognition; Meaning (existential); Fermentation; Sociology; Communication; Epistemology; Biology; Political science; Social science; Law; Philosophy; Food science","score_opus":0.056319698107845616,"score_gpt":0.3707455636937235,"score_spread":0.31442586558587793,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2962937857","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18791947,0.015981913,0.16511473,0.047575004,0.0010945282,0.0001335819,0.00014266229,0.00033448145,0.58170366],"genre_scores_gemma":[0.97416884,0.003466893,0.011261432,0.0009840964,0.00029801572,0.00006617568,0.000035433724,0.0000941747,0.009624928],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9966658,0.0023899088,0.000079045334,0.00022378593,0.00036166975,0.00027980527],"domain_scores_gemma":[0.99636734,0.002151679,0.00060278893,0.0004589003,0.00021502141,0.0002042758],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003973757,0.0006944538,0.0003999006,0.0023322783,0.0053691776,0.012749898,0.0011308661,0.0023365626,0.0034389438],"category_scores_gemma":[0.0057938322,0.00032609643,0.0005281543,0.0022906763,0.046333566,0.017814673,0.006844744,0.0030278896,0.00052786496],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025557683,0.000012399618,0.0007087477,0.000077988574,0.0000071422783,0.00017414778,0.0836624,0.00026689383,0.0006172303,0.90361863,0.00070118567,0.010127607],"study_design_scores_gemma":[0.000017610499,0.00008165175,0.0022266961,0.0003853347,0.000028254928,0.0006540652,0.1253836,0.0014361708,0.0017873631,0.6805495,0.18739167,0.000058207697],"about_ca_topic_score_codex":0.0030190542,"about_ca_topic_score_gemma":0.0026718713,"teacher_disagreement_score":0.012749898,"about_ca_system_score_codex":0.0027603959,"about_ca_system_score_gemma":0.0025828579,"threshold_uncertainty_score":0.021015465},"labels":[],"label_agreement":null},{"id":"W2963050214","doi":"10.1386/public.30.59.72_1","title":"Animal Eyes: Gazing at the Animal in Video Games","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Anthropocentrism; Objectification; Realism; Subjectivity; Gaze; Video game; Panopticon; Aesthetics; Psychology; Sociology; Environmental ethics; Epistemology; Art; Computer science; Philosophy; Psychoanalysis; Multimedia","score_opus":0.030847318175181614,"score_gpt":0.31921573475231796,"score_spread":0.28836841657713636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2963050214","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68604946,0.00093682035,0.008803287,0.0050513144,0.00030022784,0.00007486444,0.00025200166,0.00028954013,0.29824245],"genre_scores_gemma":[0.9854477,0.00026792783,0.001416853,0.00047206978,0.000041909487,0.000025004088,0.00007848914,0.000064524014,0.012185538],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9994191,0.00038083966,0.000009630122,0.000052567073,0.00005576509,0.00008215603],"domain_scores_gemma":[0.9992299,0.00042991032,0.000105182786,0.00003872943,0.00005394986,0.00014234269],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043286933,0.00039676973,0.00011761049,0.00079883577,0.0018659375,0.0032445057,0.0004198834,0.0011412856,0.008481429],"category_scores_gemma":[0.002857398,0.00018650902,0.00016833561,0.0003591796,0.002643059,0.0024683997,0.0027158184,0.0010045652,0.00091426255],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006224903,0.00019401724,0.032574367,0.00041095613,0.00007135767,0.0043525663,0.74772084,0.00054188113,0.019762978,0.07498714,0.040908378,0.07785309],"study_design_scores_gemma":[0.00006626237,0.0004878159,0.058769654,0.0004704102,0.00008708961,0.004015017,0.53557026,0.0025301755,0.0048047616,0.021413844,0.37165564,0.00012902496],"about_ca_topic_score_codex":0.006555573,"about_ca_topic_score_gemma":0.011611817,"teacher_disagreement_score":0.008481429,"about_ca_system_score_codex":0.0008769054,"about_ca_system_score_gemma":0.0002857088,"threshold_uncertainty_score":0.028373241},"labels":[],"label_agreement":null},{"id":"W2963350911","doi":"10.1386/public.30.59.190_1","title":"On Talking to Bees","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Plant and animal studies","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Emily Carr University of Art and Design","funders":"","keywords":"Reflection (computer programming); Swarm behaviour; Pollinator; Sociology; Visual arts; Communication; Geography; Computer science; Ecology; Art; Artificial intelligence; Pollination; Biology; Pollen; Programming language","score_opus":0.04612564952198396,"score_gpt":0.1984766887603927,"score_spread":0.15235103923840876,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2963350911","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0066199303,0.053193208,0.0036213426,0.7493886,0.036507756,0.000072848125,0.00008610376,0.00011254803,0.15039766],"genre_scores_gemma":[0.1837071,0.03252998,0.0036431681,0.600018,0.0221733,0.0002522975,0.00008536949,0.00044783042,0.15714297],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.992023,0.005633132,0.00014972055,0.00067440624,0.00084731274,0.0006724712],"domain_scores_gemma":[0.99181986,0.005472083,0.00034534466,0.00044071773,0.0011698104,0.00075215247],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006498122,0.0011782774,0.00083415495,0.0011262251,0.01358523,0.011200675,0.0022365896,0.012099655,0.010719183],"category_scores_gemma":[0.01667872,0.00052014773,0.0009097722,0.0010136478,0.025708191,0.019663086,0.006019543,0.022944583,0.004627934],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011832057,0.00005007753,0.00046344657,0.00039009593,0.000034527886,0.0011548212,0.30633938,0.00019240154,0.0010036486,0.16779883,0.47974643,0.04270808],"study_design_scores_gemma":[0.00000804142,0.000019911742,0.00019358432,0.0003956571,0.00000538024,0.00029157999,0.04175327,0.000039706018,0.00010147577,0.013232311,0.9439417,0.00001748536],"about_ca_topic_score_codex":0.009539564,"about_ca_topic_score_gemma":0.010746831,"teacher_disagreement_score":0.01358523,"about_ca_system_score_codex":0.0040437314,"about_ca_system_score_gemma":0.0026850111,"threshold_uncertainty_score":0.035859227},"labels":[],"label_agreement":null},{"id":"W2963540006","doi":"10.1386/public.30.59.26_1","title":"Animals that Live in the Mirror: On Colonial Bestiaries and Interspecies Architecture","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Architecture; Ignorance; Theme (computing); Colonialism; Aesthetics; Ideal (ethics); Animal life; History; Environmental ethics; Visual arts; Art; Sociology; Ecology; Computer science; Archaeology; Epistemology; Biology; Philosophy; Zoology","score_opus":0.04284946117670047,"score_gpt":0.3141836533159547,"score_spread":0.27133419213925425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2963540006","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39063483,0.01008683,0.0013090066,0.014846844,0.0003078189,0.000010352758,0.000020076774,0.000021686172,0.58276254],"genre_scores_gemma":[0.9749126,0.0025314954,0.00036215963,0.0008655927,0.00008092195,0.0000056185804,0.0000059552444,0.000029343226,0.021206357],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99904436,0.00048465186,0.000013067367,0.0001239088,0.00010189545,0.00023198653],"domain_scores_gemma":[0.9995388,0.00020323956,0.00007191659,0.000058807716,0.000047938585,0.00007932303],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008353095,0.00024413271,0.00019031622,0.00070762745,0.009918796,0.0052135508,0.000582855,0.0012357609,0.0045636003],"category_scores_gemma":[0.0016747852,0.00022236991,0.00011979764,0.00060777576,0.024310797,0.004348675,0.0048060794,0.0020565738,0.00048318444],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004274428,0.000022781973,0.00438301,0.000037372178,0.0000068072127,0.0009950335,0.4836477,0.00006131653,0.0004976263,0.47072038,0.008788751,0.03079652],"study_design_scores_gemma":[0.000007658763,0.00006124553,0.011338279,0.00031057317,0.000012625913,0.0013209628,0.26453194,0.00015820887,0.00040734507,0.045835003,0.67597806,0.000038059276],"about_ca_topic_score_codex":0.027627936,"about_ca_topic_score_gemma":0.11700901,"teacher_disagreement_score":0.027627936,"about_ca_system_score_codex":0.0045466945,"about_ca_system_score_gemma":0.00094647135,"threshold_uncertainty_score":0.054934263},"labels":[],"label_agreement":null},{"id":"W2963686402","doi":"10.1386/public.30.59.46_1","title":"INCUBATOR Lab: Where Artists Collaborate with Life","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Science Education and Perceptions","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Windsor","funders":"","keywords":"Incubator; Living lab; Storytelling; The arts; Visual arts; Performing arts; Webcast; Sociology; Multimedia; Art; Computer science; World Wide Web; Narrative","score_opus":0.037235165156090926,"score_gpt":0.3281221090764631,"score_spread":0.2908869439203722,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2963686402","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06669702,0.00383557,0.046871748,0.023649786,0.0036656605,0.0005520364,0.0005319099,0.0032230937,0.8509732],"genre_scores_gemma":[0.64213246,0.0041441433,0.048607122,0.009300557,0.0016773029,0.0010465117,0.00065428816,0.002281955,0.29015565],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945205,0.0029372156,0.00010619841,0.0005311448,0.0009438419,0.0009611449],"domain_scores_gemma":[0.9930507,0.0016769526,0.00039630564,0.0009831515,0.000478822,0.0034139876],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0059012673,0.0008799294,0.00041972753,0.0022731295,0.020783005,0.0134360725,0.002564076,0.0022469042,0.059895918],"category_scores_gemma":[0.0066759256,0.0005909123,0.00078690524,0.0014208949,0.013593086,0.007992609,0.021239758,0.0034608373,0.0121230865],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003619521,0.00048442115,0.0068587624,0.000577052,0.000040069157,0.0013874467,0.25610298,0.00045018177,0.005618446,0.17177765,0.33018264,0.22615834],"study_design_scores_gemma":[0.000014836691,0.00003853222,0.0009797177,0.000165953,0.0000061757646,0.00024812768,0.051660176,0.00012522131,0.0005537461,0.010139664,0.9360354,0.00003245673],"about_ca_topic_score_codex":0.005093648,"about_ca_topic_score_gemma":0.015879417,"teacher_disagreement_score":0.059895918,"about_ca_system_score_codex":0.0036983255,"about_ca_system_score_gemma":0.0073217563,"threshold_uncertainty_score":0.2003718},"labels":[],"label_agreement":null},{"id":"W2964053648","doi":"10.1386/public.30.59.204_5","title":"Elvira Santamaria, Salt Cartographies II","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Salt lake; Salt (chemistry); Art; Geography; Chemistry; Geology; Geomorphology","score_opus":0.03686061266427908,"score_gpt":0.22192262414247238,"score_spread":0.1850620114781933,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2964053648","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004317335,0.020185906,0.00031719325,0.032076232,0.0066785687,0.00006233938,0.002370735,0.00022957896,0.93376225],"genre_scores_gemma":[0.01233137,0.004637327,0.00020340717,0.0020896948,0.000555288,0.000028194125,0.0004685719,0.00019844055,0.9794877],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958295,0.000056970366,0.000008097187,0.00005221149,0.00017315688,0.0001266589],"domain_scores_gemma":[0.99970585,0.000047620455,0.000018547305,0.000039280338,0.00012903218,0.00005960845],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046689124,0.0005737438,0.00025449903,0.001302194,0.007302028,0.0044518546,0.0005918135,0.0014232174,0.1492507],"category_scores_gemma":[0.0010435247,0.0004189055,0.00025589735,0.0019682373,0.001034971,0.0016636654,0.0021536087,0.00232966,0.02680567],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021395952,0.000008213034,0.00014480395,0.00003598342,0.0000013469476,0.000057027206,0.00063302496,0.000027218914,0.00013728447,0.009509409,0.9749171,0.014507115],"study_design_scores_gemma":[8.7885013e-7,8.713009e-7,0.00047238098,0.000020670223,5.067052e-7,0.000009279547,0.00036794314,0.000006002106,0.000034064684,0.00013699791,0.9989489,0.0000014229112],"about_ca_topic_score_codex":0.28712028,"about_ca_topic_score_gemma":0.6405188,"teacher_disagreement_score":0.28712028,"about_ca_system_score_codex":0.0058025816,"about_ca_system_score_gemma":0.0045727375,"threshold_uncertainty_score":0.5708981},"labels":[],"label_agreement":null},{"id":"W3015193231","doi":"10.1386/public_00026_4","title":"Tear Gas Epiphanies","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Religious Studies and Spiritual Practices","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Medicine","score_opus":0.1284241909068732,"score_gpt":0.2360502060572712,"score_spread":0.10762601515039799,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015193231","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0040416624,0.36345923,0.0013515215,0.17902298,0.035230137,0.00005218076,0.0003833732,0.00035106266,0.41610786],"genre_scores_gemma":[0.07930106,0.10389446,0.000825957,0.04514083,0.009664284,0.00006563222,0.0002595385,0.0004616599,0.7603865],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986118,0.00043425744,0.000042064155,0.00017275091,0.0005328009,0.00020630099],"domain_scores_gemma":[0.9991381,0.00026468575,0.000084654974,0.00007325083,0.00029043964,0.00014882625],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009979726,0.0008308174,0.00039644857,0.0013580357,0.0036915338,0.006311535,0.00088054745,0.0019380031,0.044918466],"category_scores_gemma":[0.0031594078,0.00038379544,0.00032089397,0.0015408099,0.005688876,0.006665334,0.0048543,0.0041369023,0.009005574],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002436292,0.0000076036968,0.00015747933,0.00020785606,0.000006084936,0.00016558413,0.0030854032,0.000035865036,0.00013532575,0.041707724,0.91104263,0.043424252],"study_design_scores_gemma":[0.0000011198697,0.000003005969,0.00014546803,0.0001593141,0.0000010084168,0.00007989019,0.0013609623,0.0000062901454,0.000030574105,0.001119473,0.9970898,0.000003122817],"about_ca_topic_score_codex":0.061186027,"about_ca_topic_score_gemma":0.0925608,"teacher_disagreement_score":0.061186027,"about_ca_system_score_codex":0.0072694365,"about_ca_system_score_gemma":0.003762469,"threshold_uncertainty_score":0.1502673},"labels":[],"label_agreement":null},{"id":"W3015345887","doi":"10.1386/public_00006_7","title":"Biometric Algorithms as Border Infrastructures","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Cross-Border Cooperation and Integration","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Nexus (standard); Affordance; Context (archaeology); Computer science; Biometrics; Computer security; Corporate governance; Focus (optics); Mediation; Business; Political science; Human–computer interaction; Law","score_opus":0.0528733670721488,"score_gpt":0.401232418252348,"score_spread":0.3483590511801992,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015345887","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08030404,0.0021540634,0.08614864,0.03294649,0.00023790938,0.00010749885,0.00014691122,0.00022878192,0.7977256],"genre_scores_gemma":[0.9763238,0.0009430569,0.00870546,0.0006646602,0.00007195636,0.000058704994,0.00004305312,0.00004329167,0.01314598],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9949686,0.0023861404,0.00014619718,0.0006707636,0.0010909347,0.00073732785],"domain_scores_gemma":[0.9957241,0.0018301787,0.00054875936,0.00094059017,0.00057679403,0.00037963793],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.005065828,0.00038750807,0.00035900588,0.0024284858,0.005912809,0.0149516435,0.0012093247,0.0039673676,0.014487341],"category_scores_gemma":[0.008576228,0.00035109738,0.00040003977,0.0019711938,0.039211694,0.011385306,0.008779448,0.003258106,0.0012280382],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000033115623,0.0000039256684,0.00024141005,0.000007563128,0.0000015049033,0.000032864482,0.001857481,0.0003504614,0.000088746114,0.993903,0.00042948333,0.0030803592],"study_design_scores_gemma":[0.000014475374,0.00003666661,0.0014415489,0.0002683555,0.000010288873,0.00016784611,0.010425143,0.0040509477,0.0006259669,0.8376328,0.1453006,0.000025421237],"about_ca_topic_score_codex":0.024610968,"about_ca_topic_score_gemma":0.013304025,"teacher_disagreement_score":0.9940872,"about_ca_system_score_codex":0.009569012,"about_ca_system_score_gemma":0.007892533,"threshold_uncertainty_score":0.069428325},"labels":[],"label_agreement":null},{"id":"W3015409588","doi":"10.1386/public_00007_7","title":"The Carceral Airport","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McMaster University","funders":"","keywords":"Biopower; Invisibility; Race (biology); Biometrics; Scrutiny; Globe; Colonialism; Governmentality; Racial profiling; Sociology; Computer security; Political science; Political economy; Criminology; Law; Gender studies; Politics; Computer science","score_opus":0.07011719731284523,"score_gpt":0.3288187055336621,"score_spread":0.2587015082208169,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015409588","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09028632,0.003769154,0.000522989,0.021705672,0.0023266214,0.000069440604,0.00092129235,0.000088548804,0.88030994],"genre_scores_gemma":[0.68576443,0.0022400962,0.0006495935,0.0034261527,0.00045257728,0.000032861495,0.0005845541,0.000051685278,0.30679804],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99934846,0.00009921057,0.000007881176,0.00009603327,0.00013431255,0.00031419404],"domain_scores_gemma":[0.9994324,0.000048194615,0.000036129233,0.000027457952,0.00017089686,0.00028498773],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000357422,0.00031812844,0.00014575996,0.00066879194,0.009351847,0.006837441,0.0006612905,0.0014851856,0.06588301],"category_scores_gemma":[0.0009602623,0.00012321938,0.00017767125,0.00092678866,0.0021310516,0.0013561635,0.0025564886,0.0019192594,0.0036346447],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027222768,0.0001290186,0.023091825,0.00032855564,0.000026288248,0.007899408,0.015507262,0.0010099275,0.0013868386,0.40005237,0.41408217,0.13621417],"study_design_scores_gemma":[0.000007090898,0.000034022,0.008097335,0.000104417646,0.0000037137622,0.00040313046,0.016479108,0.00012420483,0.00015785912,0.002122967,0.97244465,0.000021541757],"about_ca_topic_score_codex":0.2775693,"about_ca_topic_score_gemma":0.475372,"teacher_disagreement_score":0.2775693,"about_ca_system_score_codex":0.0075770514,"about_ca_system_score_gemma":0.00918131,"threshold_uncertainty_score":0.5519073},"labels":[],"label_agreement":null},{"id":"W3015561207","doi":"10.1386/public_00002_1","title":"Approaches to Biometrics in Experimental Sound Art","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Biometrics; Sound (geography); Computer science; Speech recognition; Acoustics; Artificial intelligence; Physics","score_opus":0.25860601510131015,"score_gpt":0.2679943053740895,"score_spread":0.009388290272779376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015561207","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23401941,0.0022986517,0.6167872,0.004113387,0.00025223524,0.00019322587,0.0003064705,0.00027325514,0.1417562],"genre_scores_gemma":[0.9282072,0.0005791002,0.05904229,0.00017624137,0.00009431524,0.00020675054,0.00007013313,0.000042222604,0.011581871],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978003,0.0013022028,0.00007391919,0.00032336588,0.00035981985,0.00014048604],"domain_scores_gemma":[0.99679947,0.0015404051,0.00022352992,0.0010358022,0.00029958997,0.00010124531],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027588354,0.00047652383,0.00044017617,0.002157201,0.0017036184,0.0052474216,0.001399525,0.0018280944,0.01278377],"category_scores_gemma":[0.007191619,0.0002869252,0.00044758865,0.0015828649,0.007736955,0.0040864064,0.0030546116,0.0016096146,0.0010094254],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001939657,0.00023077664,0.0032529596,0.00012987315,0.000029297848,0.00009221145,0.002449821,0.0031616038,0.010577758,0.90658313,0.00077941915,0.07251925],"study_design_scores_gemma":[0.000056447527,0.00024610257,0.010572836,0.00013390003,0.000042082833,0.00032413696,0.009232338,0.040834807,0.015375399,0.9017126,0.021397592,0.00007187111],"about_ca_topic_score_codex":0.0015823774,"about_ca_topic_score_gemma":0.002168831,"teacher_disagreement_score":0.01278377,"about_ca_system_score_codex":0.0016996235,"about_ca_system_score_gemma":0.0009098302,"threshold_uncertainty_score":0.042765975},"labels":[],"label_agreement":null},{"id":"W3015685113","doi":"10.1386/public_00023_4","title":"Beads they’re sewn so tight","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Indigenous; Exhibition; Sovereignty; Politics; Symbol (formal); Sociology; Resilience (materials science); Aesthetics; History; Visual arts; Anthropology; Environmental ethics; Media studies; Political science; Art; Art history; Law; Ecology; Philosophy; Linguistics","score_opus":0.10358039348994413,"score_gpt":0.22638857287447253,"score_spread":0.1228081793845284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015685113","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026808476,0.003581038,0.012645071,0.031343527,0.010829403,0.00023360478,0.00137516,0.0033369223,0.9098468],"genre_scores_gemma":[0.065625384,0.0014353879,0.005416782,0.002946249,0.00048123766,0.00008797396,0.0003724759,0.0014631654,0.92217135],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994054,0.00009483715,0.000011243983,0.00009094951,0.0002403068,0.00015737597],"domain_scores_gemma":[0.99944395,0.000057813035,0.000023127694,0.00011754804,0.00019427045,0.00016322435],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007860403,0.0011157384,0.00042928357,0.0007703769,0.008573225,0.0060239956,0.00073004444,0.0013089005,0.14296757],"category_scores_gemma":[0.0013457392,0.0004688766,0.0008320711,0.00065100665,0.0041070925,0.0027039123,0.0047416743,0.0031554713,0.028765557],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000112591326,0.000035428973,0.0007921151,0.00019908843,0.000021019057,0.00028931772,0.0099382205,0.00031735754,0.0028300341,0.018609988,0.924538,0.0423169],"study_design_scores_gemma":[0.0000049692494,0.000020059068,0.00082011824,0.00011630802,0.000005780213,0.00015830959,0.004288624,0.00007306362,0.00046400912,0.0006901078,0.99334323,0.000015333395],"about_ca_topic_score_codex":0.059727643,"about_ca_topic_score_gemma":0.1421947,"teacher_disagreement_score":0.14296757,"about_ca_system_score_codex":0.002479698,"about_ca_system_score_gemma":0.0021423388,"threshold_uncertainty_score":0.47827417},"labels":[],"label_agreement":null},{"id":"W3015699611","doi":"10.1386/public_00022_4","title":"Marnie Ellen Hertzler, Hi I Need To Be Loved","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Film festival; Art; Art history; Visual arts; Media studies; History; Sociology","score_opus":0.14743061960404788,"score_gpt":0.2563624197642379,"score_spread":0.10893180016019002,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015699611","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0025313962,0.7861887,0.00016687812,0.10277269,0.01677599,0.00003464705,0.00044549746,0.000058015255,0.09102617],"genre_scores_gemma":[0.04386883,0.71751434,0.00037944986,0.03020746,0.010055174,0.000052822943,0.00052694866,0.00018800386,0.1972069],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991731,0.00019440832,0.000036594873,0.00008195749,0.0004029686,0.00011095946],"domain_scores_gemma":[0.9975297,0.0005039234,0.00015088095,0.000068203655,0.0011469199,0.0006003671],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013259522,0.00044452355,0.00034280698,0.0014067647,0.0029323674,0.0046944427,0.00051188475,0.0013779551,0.022652578],"category_scores_gemma":[0.0041292827,0.0003163633,0.00013273655,0.00154252,0.002727158,0.0020548776,0.0014261873,0.0025141407,0.004233338],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022250024,0.000004700357,0.00037285345,0.00098552,0.000009116173,0.00013305643,0.005422881,0.000017373442,0.00021636812,0.004530785,0.9425807,0.045704316],"study_design_scores_gemma":[0.0000012775741,0.000003816643,0.0012027875,0.000990425,0.0000040326545,0.00011361973,0.002072385,0.0000021133678,0.000041062918,0.000093788105,0.9954705,0.0000040461528],"about_ca_topic_score_codex":0.36440828,"about_ca_topic_score_gemma":0.71120614,"teacher_disagreement_score":0.36440828,"about_ca_system_score_codex":0.012475615,"about_ca_system_score_gemma":0.010473162,"threshold_uncertainty_score":0.7245744},"labels":[],"label_agreement":null},{"id":"W3015758654","doi":"10.1386/public_00019_7","title":"Virtual Bodies Inc.","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Framing (construction); Transformative learning; Politics; Sociology; Aesthetics; Epistemology; Political science; Art; Philosophy; Geography; Law","score_opus":0.09608475408350145,"score_gpt":0.22370122230193767,"score_spread":0.12761646821843622,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015758654","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005826284,0.0017366128,0.0023664963,0.0015149085,0.00092351914,0.000050374438,0.00064077217,0.0019735289,0.9902111],"genre_scores_gemma":[0.005012101,0.0013428283,0.0014356007,0.0006780001,0.00016880846,0.000067471075,0.0005473208,0.0005803702,0.9901675],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990963,0.00016423244,0.000057034482,0.00018163625,0.00041854836,0.00008231227],"domain_scores_gemma":[0.9987116,0.00025659415,0.00010141476,0.00026778542,0.00027667158,0.00038593364],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008381463,0.0008754969,0.0004777853,0.0017845902,0.0017372353,0.007944121,0.0009932247,0.0021326889,0.6977149],"category_scores_gemma":[0.0027681985,0.0005962308,0.00042530886,0.0013618765,0.0010225874,0.004714349,0.005256624,0.0023727494,0.5007069],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011641204,0.00008063219,0.00039101797,0.00044319633,0.0000065873965,0.0002712294,0.00095732184,0.00015455204,0.0019561688,0.06995137,0.5810346,0.34463692],"study_design_scores_gemma":[0.000008009598,0.000011694399,0.00018169534,0.0001509347,0.000002899847,0.0001853364,0.00015347426,0.000067759785,0.00016575278,0.0026398788,0.99642736,0.000005237027],"about_ca_topic_score_codex":0.0013955456,"about_ca_topic_score_gemma":0.0031242766,"teacher_disagreement_score":0.6977149,"about_ca_system_score_codex":0.00067541306,"about_ca_system_score_gemma":0.0012466308,"threshold_uncertainty_score":0.43117297},"labels":[],"label_agreement":null},{"id":"W3015836921","doi":"10.1386/public_00024_4","title":"Candace Hicks, Many Mini Murder Scenes","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Law in Society and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Printmaking; Visual arts; Art; Scale (ratio); Composition (language); Art history; Literature; Cartography; Geography; Painting","score_opus":0.04807068941040747,"score_gpt":0.2920955602833812,"score_spread":0.2440248708729737,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015836921","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042275168,0.6112343,0.0005781869,0.012086857,0.0034778253,0.00007898914,0.00035995353,0.00010931243,0.32979938],"genre_scores_gemma":[0.36232603,0.44352734,0.0010713664,0.007425283,0.0022603977,0.00013066722,0.0006895105,0.00017437531,0.18239509],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993765,0.00020174713,0.000023301867,0.00008391469,0.00023190767,0.00008264239],"domain_scores_gemma":[0.9994973,0.0002451744,0.00007784537,0.00003723013,0.00009873515,0.00004372355],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00069209473,0.00046387312,0.00022994391,0.0011927941,0.0028638274,0.0037279853,0.0005954172,0.0011030717,0.019272448],"category_scores_gemma":[0.0015390291,0.00021683288,0.00020851675,0.0009801843,0.002637538,0.0021100682,0.0016005391,0.0011035858,0.002367368],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013155816,0.0000638523,0.0020748675,0.0049682525,0.000048707127,0.00094321324,0.04708162,0.000168707,0.0012133984,0.020473769,0.34575948,0.5770727],"study_design_scores_gemma":[0.0000026136854,0.00001911565,0.0045308797,0.0020351475,0.000008789438,0.00046731535,0.020121537,0.0000063904836,0.00027239215,0.0005582728,0.97196984,0.000007834371],"about_ca_topic_score_codex":0.0101006515,"about_ca_topic_score_gemma":0.036643147,"teacher_disagreement_score":0.019272448,"about_ca_system_score_codex":0.0015615952,"about_ca_system_score_gemma":0.0014718685,"threshold_uncertainty_score":0.064472735},"labels":[],"label_agreement":null},{"id":"W3016021811","doi":"10.1386/public_00013_7","title":"Health Biometrics and the Narrative Self","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Empathy and Medical Education","field":"Medicine","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Biometrics; Narrative; Psychology; State (computer science); Recall; Social psychology; Sociology; Cognitive psychology; Aesthetics; Computer science; Artificial intelligence; Literature; Art","score_opus":0.05037563429234819,"score_gpt":0.32790525539683396,"score_spread":0.27752962110448576,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3016021811","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14891766,0.019674111,0.020830758,0.2592405,0.0024106938,0.000055896195,0.000104453546,0.00010467951,0.54866123],"genre_scores_gemma":[0.97787845,0.0023516936,0.0011837998,0.0045274305,0.00031632444,0.00001932433,0.000016808366,0.000020986367,0.0136851175],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99371123,0.0049827057,0.000094684845,0.0002456472,0.0006591325,0.000306654],"domain_scores_gemma":[0.9952734,0.0027620613,0.0007260893,0.00025294747,0.00039684435,0.00058858516],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0055611786,0.00026967603,0.00022589506,0.00070104946,0.004265601,0.008150348,0.0005413038,0.0018233818,0.005655477],"category_scores_gemma":[0.00880494,0.00014250276,0.0001657928,0.00039260837,0.02602386,0.0059047733,0.0060827723,0.003419479,0.00065066793],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025137659,0.00003077185,0.0006863985,0.00006350606,0.000005479649,0.00028674357,0.15405445,0.000106837135,0.00033641164,0.8239313,0.008438125,0.012034968],"study_design_scores_gemma":[0.000017467482,0.000095382544,0.0015613419,0.0005966139,0.000009154484,0.0011664385,0.17310119,0.0005978433,0.0008521529,0.32361892,0.498348,0.00003556671],"about_ca_topic_score_codex":0.0010663754,"about_ca_topic_score_gemma":0.00081017,"teacher_disagreement_score":0.008150348,"about_ca_system_score_codex":0.0022297832,"about_ca_system_score_gemma":0.001802812,"threshold_uncertainty_score":0.02941066},"labels":[],"label_agreement":null},{"id":"W3016041563","doi":"10.1386/public_00015_7","title":"Animating the Kinetic Trace: Kate Bush, Hatsune Miku, and Posthuman Dance","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Human Motion and Animation","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Dance; Choreography; Posthuman; TRACE (psycholinguistics); Animation; Art; Computer science; Visual arts; Aesthetics; Philosophy","score_opus":0.027448431275567828,"score_gpt":0.19742772237545111,"score_spread":0.1699792910998833,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3016041563","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6430581,0.0053926813,0.084569,0.017855749,0.0010596629,0.00008108388,0.000080503996,0.0007288862,0.24717434],"genre_scores_gemma":[0.9696801,0.0006902278,0.009934361,0.00034459788,0.000026397005,0.000029268353,0.00001939726,0.00011016316,0.019165635],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99972636,0.00014981741,0.0000066827283,0.000045822857,0.00003850478,0.000032831143],"domain_scores_gemma":[0.9996933,0.00014424715,0.00002087301,0.00004679385,0.000034859073,0.00005998716],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006848678,0.00030778974,0.0001630651,0.000336151,0.0017280811,0.0017041366,0.0003685255,0.00065368257,0.0064324373],"category_scores_gemma":[0.0014090711,0.00016361252,0.00011415972,0.00019362185,0.0069446308,0.0021607575,0.0024884604,0.0009534695,0.0003371048],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037295214,0.00009592074,0.0041744644,0.00041805656,0.000033548327,0.0008090393,0.19439492,0.0027994215,0.025382373,0.6362107,0.017388806,0.11791984],"study_design_scores_gemma":[0.00007088317,0.00043315243,0.0071996883,0.00067457696,0.00005645546,0.0017453564,0.10519344,0.015471403,0.01726008,0.17758034,0.67418444,0.00013015061],"about_ca_topic_score_codex":0.0037666874,"about_ca_topic_score_gemma":0.0078046336,"teacher_disagreement_score":0.0064324373,"about_ca_system_score_codex":0.00060075335,"about_ca_system_score_gemma":0.0003917528,"threshold_uncertainty_score":0.021518648},"labels":[],"label_agreement":null},{"id":"W3109974142","doi":"10.1386/public.26.52.23_1","title":"The spaces between: Contemporary art from Havana","year":2015,"lang":"en","type":"article","venue":"Public","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; Art; Art history","score_opus":0.24261094313423331,"score_gpt":0.28159595182104974,"score_spread":0.038985008686816425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3109974142","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23269424,0.05464935,0.0014746282,0.011944768,0.0025615876,0.000059677775,0.0003125777,0.000119781165,0.6961833],"genre_scores_gemma":[0.9301206,0.005150343,0.0005848385,0.0009522924,0.0001825476,0.000025179763,0.00010085237,0.00016751287,0.06271581],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911267,0.00028575532,0.000018605726,0.00012840706,0.00013344266,0.00032116144],"domain_scores_gemma":[0.99966586,0.00010310522,0.000030363772,0.00003349719,0.00007159539,0.00009555064],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000837269,0.000655981,0.00037197417,0.0024982411,0.02545263,0.010780051,0.000916746,0.0010165448,0.008824992],"category_scores_gemma":[0.00083185715,0.0005158596,0.00032495684,0.0020127199,0.013370305,0.0016903816,0.0042164708,0.0031727701,0.0006750009],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002532247,0.000052107716,0.0038789331,0.00061099447,0.00005024061,0.002679296,0.7222709,0.0003119027,0.001998546,0.15203063,0.06980344,0.046059784],"study_design_scores_gemma":[0.000007893806,0.000023802271,0.007424893,0.00082870404,0.000022711483,0.0012433805,0.34094957,0.00004774137,0.0003928493,0.0033898526,0.64563346,0.000035242552],"about_ca_topic_score_codex":0.5448631,"about_ca_topic_score_gemma":0.8178799,"teacher_disagreement_score":0.5448631,"about_ca_system_score_codex":0.013953073,"about_ca_system_score_gemma":0.00662362,"threshold_uncertainty_score":0.9156346},"labels":[],"label_agreement":null},{"id":"W3130267911","doi":"10.1386/public_00029_1","title":"HOOS: Scenes of Educational Hospitality","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Education and experiences of immigrants and refugees","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of British Columbia","funders":"","keywords":"Hospitality; Somali; Refugee; Narrative; Reflection (computer programming); Sociology; Pedagogy; Poetry; Displacement (psychology); Psychology; Tourism; Art; History; Literature; Psychoanalysis; Computer science; Philosophy; Archaeology; Linguistics","score_opus":0.050382111144925405,"score_gpt":0.34764958591225065,"score_spread":0.29726747476732523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3130267911","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6532901,0.0023426102,0.0013858939,0.027608966,0.0011870775,0.00007699825,0.00022457122,0.00016327927,0.31372055],"genre_scores_gemma":[0.9697035,0.0006281149,0.0002811434,0.0010616431,0.00005334495,0.000015938445,0.00003650223,0.00004141332,0.0281784],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99907696,0.0003389709,0.000011062374,0.00003753834,0.000083732244,0.00045167014],"domain_scores_gemma":[0.9993168,0.00015858155,0.00010181045,0.000037917773,0.00006725032,0.00031750344],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000661132,0.0003477265,0.00019891307,0.0003905387,0.022534577,0.0038439822,0.0005684193,0.0014016244,0.009154061],"category_scores_gemma":[0.0014900862,0.0002651193,0.00018092543,0.00053120934,0.012813317,0.0027084372,0.004265643,0.0033206125,0.0004660006],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011492651,0.000047302186,0.0045024306,0.000116052004,0.000007066018,0.0045478074,0.8297694,0.00009457546,0.0008025088,0.10109194,0.047689807,0.011216295],"study_design_scores_gemma":[0.000004651835,0.000023099265,0.0017963549,0.00010118822,0.000004080425,0.00069474045,0.81993896,0.000023138378,0.00019914986,0.0012937159,0.1759092,0.000011672582],"about_ca_topic_score_codex":0.04887738,"about_ca_topic_score_gemma":0.157866,"teacher_disagreement_score":0.04887738,"about_ca_system_score_codex":0.0033963895,"about_ca_system_score_gemma":0.0044659753,"threshold_uncertainty_score":0.09718579},"labels":[],"label_agreement":null},{"id":"W3131114784","doi":"10.1386/public_00036_4","title":"Geoffrey Pugen’s Apocalyptic Utopias","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Humanities and Social Sciences","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Sublime; Humanity; Exhibition; Intersection (aeronautics); Art history; Centring; Natural (archaeology); Art; Aesthetics; Philosophy; History; Geography; Visual arts; Cartography; Archaeology; Theology","score_opus":0.18522958079290963,"score_gpt":0.3196231294991417,"score_spread":0.13439354870623205,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3131114784","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007973706,0.02210107,0.0034696735,0.39053875,0.01131041,0.000018734618,0.00011298938,0.0001385713,0.5643361],"genre_scores_gemma":[0.5447777,0.010660033,0.0021535454,0.111665756,0.0050633326,0.000064381216,0.00007320598,0.0003767956,0.32516527],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99880755,0.00062595657,0.000016894477,0.00016639497,0.0002286162,0.00015458387],"domain_scores_gemma":[0.9992968,0.00036386464,0.00003836137,0.00009104393,0.00011083802,0.00009916571],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012361889,0.0005423173,0.00028371965,0.00055422576,0.006258181,0.004770581,0.00039995002,0.0031644173,0.009130062],"category_scores_gemma":[0.0038847865,0.000186813,0.00025762123,0.00038485447,0.01317908,0.007096674,0.0029615008,0.007287038,0.0019576885],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022073074,0.000008386915,0.000074586125,0.00002320304,0.0000026277962,0.00007502301,0.004508579,0.00005417192,0.00009003431,0.755653,0.23422067,0.005267563],"study_design_scores_gemma":[0.00000985277,0.0000071491245,0.00013325005,0.000086777545,0.0000022683012,0.00011568061,0.0025499188,0.00009701742,0.00021676424,0.16328898,0.83348256,0.000009741353],"about_ca_topic_score_codex":0.007657065,"about_ca_topic_score_gemma":0.011975731,"teacher_disagreement_score":0.009130062,"about_ca_system_score_codex":0.003632863,"about_ca_system_score_gemma":0.0014326485,"threshold_uncertainty_score":0.030543089},"labels":[],"label_agreement":null},{"id":"W3132244675","doi":"10.1386/public_00035_4","title":"Jawa El Khash, The Upper Side of the Sky: Virtual Worlds as Sites for Ecological and Cultural Resurgence","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Archaeological Research and Protection","field":"Earth and Planetary Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Sky; Virtual reality; Natural (archaeology); Geography; Ecology; Metaverse; History; Art; Archaeology; Computer science; Biology; Human–computer interaction","score_opus":0.06584814648063049,"score_gpt":0.2842232812489901,"score_spread":0.21837513476835962,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3132244675","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3695547,0.016495336,0.008229021,0.025279166,0.0032421753,0.00011123693,0.0003020954,0.0003181281,0.5764681],"genre_scores_gemma":[0.93625647,0.0057927826,0.004740105,0.0019441567,0.00032613953,0.000033274573,0.00009341372,0.00009141842,0.05072226],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996244,0.00015672037,0.0000090511085,0.000021262087,0.00009422492,0.00009427588],"domain_scores_gemma":[0.9996387,0.00014017396,0.000025597004,0.000045695608,0.000053044347,0.000096798234],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010170077,0.0003523133,0.00012470294,0.0006667821,0.003407504,0.0061545433,0.00034571762,0.00070411805,0.00823329],"category_scores_gemma":[0.0008252127,0.00016390577,0.00018124415,0.0005020296,0.004218994,0.0036761921,0.003689223,0.0009119188,0.00070347515],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00056049385,0.0001979966,0.009283097,0.0011527161,0.000051538074,0.0020672856,0.15523694,0.0011235945,0.012340091,0.2839991,0.18464656,0.3493406],"study_design_scores_gemma":[0.000028914796,0.0001309356,0.010829795,0.0003872304,0.000029050783,0.0012895161,0.086636335,0.00040929863,0.0029244644,0.010815671,0.88647956,0.000039234103],"about_ca_topic_score_codex":0.002720812,"about_ca_topic_score_gemma":0.012745902,"teacher_disagreement_score":0.00823329,"about_ca_system_score_codex":0.0011082804,"about_ca_system_score_gemma":0.0009811172,"threshold_uncertainty_score":0.027543068},"labels":[],"label_agreement":null},{"id":"W3133029989","doi":"10.1386/public_00030_1","title":"Invisible Hospitalities of the Art School","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Art Education and Development","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Emily Carr University of Art and Design","funders":"","keywords":"Plural; Hospitality; Sociology; Politics; Process (computing); Visual arts; Pedagogy; Aesthetics; Gender studies; Political science; Art; Law; Linguistics; Computer science","score_opus":0.057089259730242536,"score_gpt":0.21785877112026295,"score_spread":0.1607695113900204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3133029989","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12936011,0.003549306,0.0084132105,0.029279105,0.0007428789,0.00006167263,0.00005918687,0.00018899399,0.8283456],"genre_scores_gemma":[0.95933706,0.0005786684,0.0007309207,0.0009179798,0.00014595476,0.000020332542,0.00001263829,0.000057337307,0.03819919],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99458486,0.0028125797,0.00012427212,0.0004286008,0.00071924384,0.001330548],"domain_scores_gemma":[0.99694425,0.0008779561,0.00037014743,0.00043381538,0.00021826655,0.0011554451],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002284874,0.00033210302,0.00035638188,0.0011034781,0.01903423,0.018568892,0.0011256556,0.002349194,0.015022142],"category_scores_gemma":[0.0038993983,0.00039026758,0.0004335945,0.00089086784,0.055436905,0.007961415,0.016592726,0.0065959306,0.0012658209],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017967734,0.00003908349,0.0007581013,0.000037196645,0.0000034507323,0.00014861458,0.031477626,0.00015645521,0.000132406,0.95250136,0.0043142554,0.010413486],"study_design_scores_gemma":[0.000028158904,0.00006365933,0.0032733367,0.00041120927,0.000018304992,0.00033554225,0.09358406,0.00047500822,0.0007837423,0.29571986,0.60525364,0.000053593758],"about_ca_topic_score_codex":0.0070501263,"about_ca_topic_score_gemma":0.018320858,"teacher_disagreement_score":0.01903423,"about_ca_system_score_codex":0.009228019,"about_ca_system_score_gemma":0.009587435,"threshold_uncertainty_score":0.066954315},"labels":[],"label_agreement":null},{"id":"W3133574514","doi":"10.1386/public_00038_1","title":"CoC Methodology: Generating Communities of Care Within Indigenous Spaces Through Trauma-Informed Visual Culture","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Participatory Visual Research Methods","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Indigenous; Theme (computing); Community practice; Sociology; Traditional knowledge; Visual arts; Media studies; Medicine; Art; Nursing; Computer science; Ecology","score_opus":0.7584089308578746,"score_gpt":0.6264424489732355,"score_spread":0.1319664818846391,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3133574514","genre_codex":"other","genre_gemma":"methods","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"methods","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24988241,0.0042617056,0.23207964,0.031204045,0.0016830764,0.0059867315,0.0005180939,0.00073091727,0.47365344],"genre_scores_gemma":[0.81768084,0.0017277404,0.13097629,0.0027946734,0.00014290596,0.004460006,0.00015005267,0.00032532288,0.041742243],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9825698,0.014253482,0.00019116653,0.00087201694,0.0015245014,0.0005890995],"domain_scores_gemma":[0.98366183,0.010386046,0.00073188427,0.0025884674,0.001554182,0.0010776405],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.022581916,0.0006658083,0.00035281377,0.002730689,0.008303833,0.008008193,0.0024951217,0.0015128792,0.009327053],"category_scores_gemma":[0.017784512,0.00038417854,0.00056540093,0.0014556575,0.021994334,0.003999205,0.013678633,0.002226749,0.0009485603],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009043482,0.0002090803,0.0027666197,0.0010490784,0.000030137107,0.0005214399,0.6106891,0.00041748225,0.0015013295,0.24328743,0.016888537,0.12254935],"study_design_scores_gemma":[0.00009851266,0.00033023048,0.0030759447,0.0018631575,0.000052220486,0.0008287885,0.5162353,0.0012966398,0.004556259,0.082018465,0.3895826,0.000061873354],"about_ca_topic_score_codex":0.0057742074,"about_ca_topic_score_gemma":0.013270771,"teacher_disagreement_score":0.022581916,"about_ca_system_score_codex":0.0056166905,"about_ca_system_score_gemma":0.011542863,"threshold_uncertainty_score":0.11942601},"labels":[],"label_agreement":null},{"id":"W3134264058","doi":"10.1386/public_00050_4","title":"Dornith Doherty’s Archiving Eden Exchange","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Garden of Eden; Art; Art history; Visual arts; History","score_opus":0.10644011223872726,"score_gpt":0.20063986542836362,"score_spread":0.09419975318963636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3134264058","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0031801846,0.015839988,0.0016346311,0.09517528,0.016259631,0.00008104645,0.0010156845,0.00039370064,0.86642],"genre_scores_gemma":[0.013133553,0.0040288637,0.0012518518,0.0034361554,0.0006662571,0.000018182616,0.00022390814,0.00022889183,0.9770124],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99820244,0.00026751184,0.000050528713,0.00020062117,0.0009742057,0.00030462426],"domain_scores_gemma":[0.99777454,0.0002700272,0.00007127243,0.00032823137,0.00080520415,0.0007506577],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024631652,0.00052545185,0.00025122726,0.0013967674,0.008824253,0.008715758,0.00069275254,0.002432111,0.09616721],"category_scores_gemma":[0.0035953089,0.0004121114,0.0002740596,0.0013549681,0.0041719894,0.0028245796,0.0045555513,0.0030760497,0.012089782],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011246209,0.00000589914,0.00014126323,0.00003508378,0.0000013032469,0.0000761941,0.0011687039,0.000035185574,0.00010804535,0.030579546,0.94966376,0.018173853],"study_design_scores_gemma":[5.146926e-7,7.719764e-7,0.00011361299,0.00002377924,3.601649e-7,0.00001901793,0.0003152923,0.0000054359243,0.000046375448,0.0004233886,0.9990491,0.0000023137582],"about_ca_topic_score_codex":0.29237375,"about_ca_topic_score_gemma":0.68498504,"teacher_disagreement_score":0.29237375,"about_ca_system_score_codex":0.010427575,"about_ca_system_score_gemma":0.016284104,"threshold_uncertainty_score":0.5813439},"labels":[],"label_agreement":null},{"id":"W3134334227","doi":"10.1386/public_00037_5","title":"Diversity Counts: Gender, Race, and Representation in Canadian Art Galleries","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Race (biology); Representation (politics); Diversity (politics); Racial diversity; Gender studies; Art; Sociology; Visual arts; Anthropology; Political science; Law","score_opus":0.14041870661600536,"score_gpt":0.29250918118742686,"score_spread":0.1520904745714215,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3134334227","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.074626714,0.56457114,0.010101954,0.14309739,0.0057502445,0.0001655153,0.0046620327,0.00015515542,0.19686995],"genre_scores_gemma":[0.60960007,0.3233539,0.009195736,0.012568979,0.0025504604,0.00018335508,0.0025463412,0.00025509458,0.039746124],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99400914,0.0008017479,0.0001980306,0.00036857073,0.004066996,0.0005555092],"domain_scores_gemma":[0.989532,0.0021791263,0.00051954825,0.00019459569,0.007070746,0.0005041049],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006094979,0.00056765106,0.0005776195,0.013409254,0.0067343153,0.0051064035,0.0014233054,0.00078647153,0.0032082545],"category_scores_gemma":[0.01770232,0.0003459433,0.00045686384,0.019988447,0.007685105,0.0034891411,0.0019351791,0.0023466775,0.00029964861],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005603103,0.000032397267,0.05673819,0.00096441666,0.000087907574,0.000116558505,0.031169547,0.0007291565,0.0002466713,0.118556716,0.28141904,0.5098834],"study_design_scores_gemma":[0.0000059771883,0.000022774044,0.2521356,0.0043014376,0.00008790017,0.00018295071,0.039229512,0.0009343891,0.00041023374,0.020397097,0.6820962,0.00019587355],"about_ca_topic_score_codex":0.97844565,"about_ca_topic_score_gemma":0.98944736,"teacher_disagreement_score":0.04910188,"about_ca_system_score_codex":0.04910188,"about_ca_system_score_gemma":0.042613316,"threshold_uncertainty_score":0.35626078},"labels":[],"label_agreement":null},{"id":"W3149194048","doi":"10.1386/public_00054_1","title":"<i>Them</i> and the Timbre of Gender","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Timbre; Semiotics; Knight; Opera; German; White (mutation); Sociology; Aesthetics; Art; Visual arts; Linguistics; Philosophy; Musical","score_opus":0.11418315329993693,"score_gpt":0.2043687426319922,"score_spread":0.09018558933205527,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3149194048","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14187856,0.0077710585,0.022731043,0.04344668,0.004180905,0.000051077262,0.00013758086,0.00038138224,0.7794217],"genre_scores_gemma":[0.8984279,0.0015234146,0.0029840542,0.0027361787,0.00087470585,0.0000315527,0.000037318732,0.00028337725,0.093101434],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99917334,0.00040234186,0.000021602616,0.00011882891,0.00018140131,0.000102439364],"domain_scores_gemma":[0.9993388,0.00030981947,0.000060757808,0.000107843836,0.00010486161,0.00007792914],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014067602,0.00047430015,0.00021692098,0.0007240698,0.0032203067,0.0074275257,0.0005266854,0.00095990556,0.007064715],"category_scores_gemma":[0.0029172977,0.00014685147,0.00028097074,0.0004993527,0.011884993,0.00351152,0.0026841585,0.0033468062,0.00092766195],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024150829,0.000025582529,0.0023822878,0.00019209855,0.000023999832,0.00025349396,0.23043291,0.00015542143,0.009760051,0.64790416,0.034564424,0.07406411],"study_design_scores_gemma":[0.000017302826,0.0001359043,0.0053533567,0.0004568914,0.00002814178,0.0007056807,0.12614064,0.0005553788,0.005228598,0.06376927,0.79754865,0.000060115828],"about_ca_topic_score_codex":0.004544897,"about_ca_topic_score_gemma":0.0059689432,"teacher_disagreement_score":0.0074275257,"about_ca_system_score_codex":0.0014115477,"about_ca_system_score_gemma":0.00061831257,"threshold_uncertainty_score":0.023633897},"labels":[],"label_agreement":null},{"id":"W3205108825","doi":"10.1386/public_00067_5","title":"Atmospheric Noise: The Indefinite Urbanism of Los Angeles","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":38,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Urbanism; Metaphysics; Noise (video); Governmentality; Sound (geography); Politics; Sociology; Acoustics; Geography; Political science; Archaeology; Philosophy; Epistemology; Computer science; Physics; Architecture; Artificial intelligence; Law","score_opus":0.036881230078094566,"score_gpt":0.29941615402627414,"score_spread":0.26253492394817957,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3205108825","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.086135216,0.029913297,0.009281674,0.22415383,0.0032954065,0.000024189785,0.00032127855,0.00032666707,0.64654845],"genre_scores_gemma":[0.9165412,0.010538885,0.001509101,0.0067460537,0.0015220599,0.00006410704,0.00007902004,0.00011198809,0.06288757],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99921334,0.0003542437,0.000021556745,0.00009433215,0.00019117999,0.00012535953],"domain_scores_gemma":[0.99948406,0.00018669291,0.00007791942,0.000038747858,0.0001390563,0.00007344138],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005700296,0.0003120245,0.00019963697,0.00070401334,0.005234924,0.0058233296,0.00063324464,0.00081568694,0.003201966],"category_scores_gemma":[0.0019445162,0.00019195807,0.00016922428,0.00081411254,0.009361305,0.002981723,0.0027504223,0.0020532883,0.0003956953],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034046516,0.000012790051,0.0016439102,0.00008736089,0.000009640884,0.00015835662,0.021643525,0.00070003944,0.00013967662,0.9014865,0.0524676,0.021616513],"study_design_scores_gemma":[0.000010061831,0.000017796632,0.0029051802,0.0001921996,0.000012962521,0.000067800516,0.020659458,0.0004908569,0.00013062535,0.060395677,0.9150842,0.0000330532],"about_ca_topic_score_codex":0.11746371,"about_ca_topic_score_gemma":0.19096674,"teacher_disagreement_score":0.11746371,"about_ca_system_score_codex":0.0070103547,"about_ca_system_score_gemma":0.003164297,"threshold_uncertainty_score":0.23355997},"labels":[],"label_agreement":null},{"id":"W3205759113","doi":"10.1386/public_00063_4","title":"ᖃᓪᓗᓈᖅᑕᐃᑦ ᓯᑯᓯᓛᕐᒥᑦ Printed Textiles from Kinngait Studios","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Chinese history and philosophy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Studio; Textile; Art; Visual arts; Architectural engineering; Engineering; History; Archaeology","score_opus":0.05960948672377454,"score_gpt":0.30030916496573196,"score_spread":0.24069967824195743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3205759113","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3386634,0.0055372035,0.00155452,0.003453125,0.0009129353,0.00011549,0.001058013,0.00013428618,0.648571],"genre_scores_gemma":[0.7819277,0.0047289324,0.0020864082,0.0005522801,0.00016164673,0.00006129517,0.00086389325,0.00024101677,0.20937684],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996524,0.000056518875,0.00001678994,0.000055009114,0.0001461963,0.0000730611],"domain_scores_gemma":[0.99953485,0.00013219223,0.00004408789,0.00009177154,0.00013928396,0.000057792768],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005649533,0.0003660083,0.00018636238,0.0017831535,0.006323562,0.003993881,0.0003676337,0.0004018331,0.019900924],"category_scores_gemma":[0.00087604806,0.00025734236,0.00024291419,0.002844112,0.002175553,0.0013429769,0.0015550398,0.0008962794,0.00096056884],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002931503,0.00007207857,0.021372143,0.0023603255,0.000057817473,0.011572911,0.5224361,0.0005909162,0.021811152,0.053787045,0.115777925,0.2498684],"study_design_scores_gemma":[0.0000065746344,0.000038945454,0.070774674,0.0005221288,0.00002793576,0.002169165,0.094874986,0.00018072472,0.0037512942,0.0013551627,0.82625276,0.00004567824],"about_ca_topic_score_codex":0.0899008,"about_ca_topic_score_gemma":0.31062207,"teacher_disagreement_score":0.9100992,"about_ca_system_score_codex":0.005048944,"about_ca_system_score_gemma":0.0025242346,"threshold_uncertainty_score":0.17875504},"labels":[],"label_agreement":null},{"id":"W3205944136","doi":"10.1386/public_00066_5","title":"Feral Atlas: The More-than-Human Anthropocene","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Anthropocene; Curiosity; Ambiguity; Environmental ethics; Geography; Sociology; Anthropology; Psychology; Computer science; Philosophy","score_opus":0.04917281624678403,"score_gpt":0.3661480567424293,"score_spread":0.31697524049564524,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3205944136","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.047251265,0.16303408,0.020332903,0.18625535,0.03641826,0.00016164753,0.0054378975,0.001300154,0.5398084],"genre_scores_gemma":[0.6274934,0.14388883,0.021988038,0.019387487,0.030932235,0.00039608788,0.006506691,0.0018149407,0.14759232],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986203,0.0006513681,0.00006610076,0.00014711151,0.0004004752,0.00011469497],"domain_scores_gemma":[0.9957663,0.0025943506,0.00037772697,0.0004672524,0.00035910244,0.00043527217],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002768878,0.0005463866,0.00037458434,0.0055617145,0.0045693745,0.007161354,0.0009935034,0.0011726063,0.013810021],"category_scores_gemma":[0.005178042,0.00018797227,0.00018610951,0.006274658,0.0074285134,0.0063812844,0.0035810154,0.0016501679,0.0011373054],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006555263,0.000025397947,0.0033876384,0.0010834887,0.0000149305115,0.00073655765,0.07221225,0.00026339572,0.0009342011,0.3105811,0.43839052,0.17230496],"study_design_scores_gemma":[6.201958e-7,0.0000038496073,0.0017221774,0.00016753531,0.0000017266051,0.00014107107,0.0073960978,0.000021477123,0.00009093929,0.0049965577,0.9854532,0.000004739277],"about_ca_topic_score_codex":0.007919158,"about_ca_topic_score_gemma":0.023604918,"teacher_disagreement_score":0.013810021,"about_ca_system_score_codex":0.0033009816,"about_ca_system_score_gemma":0.0028172373,"threshold_uncertainty_score":0.046199083},"labels":[],"label_agreement":null},{"id":"W3206292506","doi":"10.1386/public_00062_4","title":"Eye Camera Window: Takashi Homma on Le Corbusier","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Architecture, Modernity, and Design","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Witness; Window (computing); Perspective (graphical); Visual arts; Argument (complex analysis); Architecture; Art; Art history; Computer science","score_opus":0.02303492446814604,"score_gpt":0.21791078321518137,"score_spread":0.19487585874703534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3206292506","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31474742,0.03529013,0.0059552253,0.066499345,0.014161148,0.00027978365,0.0004978193,0.00078544975,0.56178373],"genre_scores_gemma":[0.5033647,0.008120929,0.0056562996,0.007931685,0.0014650442,0.00014176314,0.00021730392,0.00042571043,0.47267652],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99966216,0.00007071036,0.0000046839427,0.000059535625,0.00006655901,0.00013629986],"domain_scores_gemma":[0.999718,0.00005231145,0.000013558539,0.00002127832,0.00007259935,0.00012222941],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008762154,0.0007342758,0.00028201417,0.00040775366,0.011010097,0.0024690314,0.00054949464,0.0012206039,0.021483904],"category_scores_gemma":[0.00061755546,0.0003086201,0.0003951868,0.00043662355,0.002002914,0.0018790236,0.002077745,0.0021440755,0.0015430122],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005306087,0.0001323609,0.0035075324,0.00039797535,0.000038268,0.0052068164,0.15128832,0.00023574222,0.015357868,0.030431926,0.7230646,0.069807924],"study_design_scores_gemma":[0.00001112087,0.000070378155,0.0057210927,0.00012844658,0.000012545024,0.000657967,0.03180362,0.000078202385,0.00084928615,0.0007412054,0.9598872,0.000038806767],"about_ca_topic_score_codex":0.10735558,"about_ca_topic_score_gemma":0.37459257,"teacher_disagreement_score":0.10735558,"about_ca_system_score_codex":0.002815602,"about_ca_system_score_gemma":0.0019611155,"threshold_uncertainty_score":0.21346146},"labels":[],"label_agreement":null},{"id":"W3207247619","doi":"10.1386/public_00056_7","title":"Creative Ecologies: How Might We Live in the Ruins of the More-Than-Human Anthropocene?","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Creativity in Education and Neuroscience","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Anthropocene; Environmental ethics; History; Archaeology; Geography; Sociology; Anthropology; Philosophy","score_opus":0.08919114407048295,"score_gpt":0.3892664657837775,"score_spread":0.30007532171329454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3207247619","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000935194,0.08371142,0.0017890346,0.7629168,0.113287866,0.000020871885,0.0002553676,0.00013797704,0.03694551],"genre_scores_gemma":[0.05862928,0.14348811,0.004171504,0.27576497,0.38886687,0.00018362662,0.00061852654,0.00060523476,0.12767196],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9988939,0.00038364867,0.000063993364,0.00016409304,0.0003233383,0.00017112613],"domain_scores_gemma":[0.9925404,0.0048054396,0.00037514238,0.00031225456,0.00094676745,0.001019911],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030146886,0.0010291552,0.0009770464,0.0019626906,0.003994996,0.0118150925,0.0014717466,0.008807657,0.037909456],"category_scores_gemma":[0.008445994,0.00034364004,0.0008388502,0.0015725543,0.01004873,0.01357153,0.0043537235,0.011671494,0.0058721406],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002308368,0.000022149343,0.0003722232,0.00023806523,0.000006922766,0.0000957251,0.0012226269,0.00006099682,0.00007797254,0.09381904,0.8697405,0.034320757],"study_design_scores_gemma":[0.0000066934417,0.0000136740755,0.0010381549,0.00058664987,0.000005327649,0.00015827322,0.0024472494,0.00008030151,0.000050847575,0.051399168,0.94419193,0.000021827054],"about_ca_topic_score_codex":0.0043539465,"about_ca_topic_score_gemma":0.009951235,"teacher_disagreement_score":0.037909456,"about_ca_system_score_codex":0.0026933928,"about_ca_system_score_gemma":0.0025580102,"threshold_uncertainty_score":0.12681973},"labels":[],"label_agreement":null},{"id":"W4200008220","doi":"10.1386/public_00084_7","title":"Ongoing Conversations: Collaboration across positionality, time, and space","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Exhibition; Queer; The arts; Sociology; Context (archaeology); Space (punctuation); Social justice; White (mutation); Work (physics); Visual arts; Media studies; Aesthetics; Gender studies; Art; Social science; History; Engineering; Computer science","score_opus":0.04709707723402276,"score_gpt":0.28003143071393843,"score_spread":0.23293435347991567,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200008220","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5584003,0.0071063233,0.096609525,0.042964395,0.0009917358,0.00042798292,0.00018284074,0.00042937533,0.2928875],"genre_scores_gemma":[0.9870372,0.0008264753,0.005467813,0.00087698805,0.0001002439,0.00012956576,0.00004230442,0.00010001864,0.0054193567],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9360236,0.052739445,0.0009889408,0.003042529,0.0043261577,0.0028792876],"domain_scores_gemma":[0.9467995,0.03909273,0.003684027,0.0035140929,0.002859235,0.0040503526],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.028650334,0.0007580749,0.0007826135,0.0032454268,0.025659166,0.023519581,0.0025770357,0.0045285737,0.007096321],"category_scores_gemma":[0.047672857,0.00079479325,0.00054173864,0.0026553858,0.034527354,0.020286292,0.024706122,0.0047958475,0.0010091974],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031728523,0.000014001892,0.0016022797,0.00008447339,0.000016685575,0.0003733124,0.9497356,0.00008105362,0.00048206086,0.036489487,0.0010836745,0.010005648],"study_design_scores_gemma":[0.000012472204,0.00003260833,0.00096009497,0.00031924716,0.00002298917,0.00035764798,0.870925,0.00026024083,0.0003762722,0.036542714,0.09015837,0.000032303265],"about_ca_topic_score_codex":0.00646981,"about_ca_topic_score_gemma":0.0078683235,"teacher_disagreement_score":0.028650334,"about_ca_system_score_codex":0.004357954,"about_ca_system_score_gemma":0.00722701,"threshold_uncertainty_score":0.15151924},"labels":[],"label_agreement":null},{"id":"W4200125400","doi":"10.1386/public_00071_1","title":"Plant Stories are Love Stories Too: Moss + Curation","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Animal and Plant Science Education","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Praxis; Indigenous; Reflexivity; Context (archaeology); Sociology; Discipline; Colonialism; Media studies; Visual arts; Art; History; Anthropology; Political science; Social science; Ecology; Archaeology","score_opus":0.08130448325789154,"score_gpt":0.325437462620366,"score_spread":0.24413297936247447,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200125400","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1977873,0.009388057,0.019854952,0.0923985,0.0044806134,0.0003512218,0.00065338926,0.0021588514,0.67292714],"genre_scores_gemma":[0.6920554,0.0040736087,0.01299201,0.009111612,0.00062328443,0.0001937989,0.0003029795,0.001248207,0.27939913],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978956,0.0010053403,0.00003155513,0.00018809045,0.0006029097,0.00027648296],"domain_scores_gemma":[0.9956801,0.001139556,0.00031059101,0.00037859348,0.00042551698,0.0020656255],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002324101,0.0005379825,0.00031562673,0.0005150187,0.013285459,0.0059309597,0.00090990344,0.0015275221,0.024059977],"category_scores_gemma":[0.004919321,0.0002125837,0.00023832232,0.00060327566,0.00780884,0.004923646,0.009183232,0.003173075,0.003653726],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007809798,0.00006907402,0.00219275,0.0004182252,0.00001379866,0.0025456985,0.66095334,0.00009758647,0.004465832,0.04375896,0.18577397,0.099632755],"study_design_scores_gemma":[0.0000030525139,0.000016535196,0.0011807516,0.00010559524,0.000002904715,0.0006142196,0.09161112,0.000034584882,0.0004765289,0.0026782022,0.90326613,0.000010349355],"about_ca_topic_score_codex":0.01740627,"about_ca_topic_score_gemma":0.10700406,"teacher_disagreement_score":0.024059977,"about_ca_system_score_codex":0.003093563,"about_ca_system_score_gemma":0.0039854487,"threshold_uncertainty_score":0.08048868},"labels":[],"label_agreement":null},{"id":"W4200151980","doi":"10.1386/public_00083_1","title":"Curating the Living Room: A Queer Feminist Decolonial Intervention in Public and Private Spaces","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Historical Gender and Feminism Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"NSCAD University","funders":"","keywords":"Exhibition; Queer; Sociology; Gender studies; Ideology; Power (physics); White (mutation); Identity (music); Media studies; Museology; Aesthetics; Visual arts; Art; Political science; Politics; Law","score_opus":0.05320334585589526,"score_gpt":0.3177134056731968,"score_spread":0.2645100598173015,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200151980","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68104506,0.002400442,0.0166588,0.04516238,0.0005824369,0.0005358864,0.00009876727,0.00015972178,0.25335646],"genre_scores_gemma":[0.96744823,0.00045321003,0.0020683066,0.0018517704,0.00005457945,0.00022210524,0.000015148782,0.00006379433,0.027822915],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99045134,0.0065939175,0.00010193686,0.00088555785,0.0006042154,0.0013631316],"domain_scores_gemma":[0.9895313,0.006575637,0.0007627818,0.0015949461,0.0006504209,0.0008849648],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.015369859,0.00050479936,0.00045059877,0.0013788489,0.031025462,0.009677686,0.0024597943,0.0022283164,0.007919],"category_scores_gemma":[0.012548501,0.00042458376,0.00041269363,0.0012026934,0.056245748,0.008732975,0.016932802,0.004375227,0.00051782175],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031111973,0.00006430985,0.0009848302,0.00008167239,0.000003657793,0.00029444697,0.8296386,0.00007124401,0.00056456425,0.14915845,0.003683305,0.015423822],"study_design_scores_gemma":[0.000022000855,0.00006838598,0.002123872,0.00029633776,0.000012212386,0.00014076364,0.8078014,0.00014288384,0.0011936605,0.0141850095,0.17399319,0.000020309873],"about_ca_topic_score_codex":0.08652876,"about_ca_topic_score_gemma":0.26588058,"teacher_disagreement_score":0.08652876,"about_ca_system_score_codex":0.024962189,"about_ca_system_score_gemma":0.025215045,"threshold_uncertainty_score":0.1811142},"labels":[],"label_agreement":null},{"id":"W4200194827","doi":"10.1386/public_00069_1","title":"Surfacing, Voicing and Signalling Freedom in Relational Performance: Cheryl L’Hirondelle and Camille Turner’s Freedom Tours","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Colonialism; Indigenous; History; Art; Art history; Visual arts; Literature; Archaeology","score_opus":0.0249274301512488,"score_gpt":0.21827973046281654,"score_spread":0.19335230031156775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200194827","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48649025,0.012887895,0.0022808316,0.16542307,0.0017492814,0.000102708946,0.0003369141,0.00014988909,0.33057907],"genre_scores_gemma":[0.9464826,0.0025200557,0.0005076583,0.0052420236,0.00014460128,0.00002597815,0.000044832996,0.00011875104,0.044913433],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970835,0.0010635129,0.00002617061,0.00023448146,0.00056561065,0.0010266626],"domain_scores_gemma":[0.997113,0.00091729435,0.00015839415,0.00012510843,0.000434238,0.0012519879],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026377763,0.0005971469,0.0003989082,0.0013020564,0.044657793,0.016412336,0.0016979398,0.002721217,0.004942324],"category_scores_gemma":[0.0038818463,0.00045909252,0.00023414542,0.0016575758,0.05255375,0.0040107616,0.006427676,0.007071837,0.00040897852],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021115357,0.000014106267,0.001080984,0.000028972214,0.000005102281,0.0005243916,0.92733115,0.00008125086,0.00024370365,0.031794816,0.0320142,0.0068601593],"study_design_scores_gemma":[0.000004460274,0.000007394501,0.0021040211,0.00011483567,0.000004789668,0.00020347995,0.7720188,0.000073822026,0.00015383118,0.002131865,0.22315167,0.000031071562],"about_ca_topic_score_codex":0.94873416,"about_ca_topic_score_gemma":0.9805808,"teacher_disagreement_score":0.06541548,"about_ca_system_score_codex":0.06541548,"about_ca_system_score_gemma":0.04202772,"threshold_uncertainty_score":0.47462475},"labels":[],"label_agreement":null},{"id":"W4200216228","doi":"10.1386/public_00068_7","title":"“beyond unsettling: activating meshworks of care, practice and relations”","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Political and Economic history of UK and US","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"NSCAD University","funders":"","keywords":"Sociology","score_opus":0.02425853981927796,"score_gpt":0.2921080713082577,"score_spread":0.2678495314889798,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200216228","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019780595,0.032612253,0.004090366,0.84352034,0.02168677,0.000037805232,0.00009572922,0.0000719367,0.095906824],"genre_scores_gemma":[0.22718504,0.05198928,0.008067535,0.5187051,0.068109736,0.00051481643,0.00028491608,0.000666459,0.124477156],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9917047,0.0055010826,0.00016636205,0.0005800764,0.0012758371,0.0007719231],"domain_scores_gemma":[0.9840953,0.012546518,0.00049375533,0.0006847756,0.0010985213,0.0010811648],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008384148,0.00091832347,0.000691556,0.0020203113,0.0102308765,0.01985971,0.002990687,0.0128020365,0.024664672],"category_scores_gemma":[0.016601833,0.00046977762,0.00079428905,0.0029541631,0.04098184,0.029854897,0.009967892,0.019430697,0.0029496707],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001600185,0.000013854603,0.00013810299,0.00014827894,0.0000032501916,0.00006409292,0.017588802,0.00003299268,0.00007052098,0.7585145,0.20726232,0.01614734],"study_design_scores_gemma":[0.00000609539,0.000007951358,0.00032638706,0.00065665215,0.0000035297871,0.00008659782,0.015839534,0.00007135097,0.00006102926,0.1764277,0.8064988,0.000014366517],"about_ca_topic_score_codex":0.0074256347,"about_ca_topic_score_gemma":0.01393047,"teacher_disagreement_score":0.024664672,"about_ca_system_score_codex":0.0068872995,"about_ca_system_score_gemma":0.008735852,"threshold_uncertainty_score":0.082511544},"labels":[],"label_agreement":null},{"id":"W4200237240","doi":"10.1386/public_00076_1","title":"When Salmon meets Saran Wrap: Settler Colonial Placidity and Anti-Relationality in Ktaqmkuk","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Indigenous Studies and Ecology","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Vision; Colonialism; Indigenous; Painting; TRACE (psycholinguistics); White (mutation); Art; Sociology; Art history; Aesthetics; Environmental ethics; History; Anthropology; Ecology; Archaeology; Philosophy; Biology","score_opus":0.06707166795380913,"score_gpt":0.3647058067604959,"score_spread":0.29763413880668677,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200237240","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8674778,0.0019419463,0.0008623808,0.028062932,0.0003004733,0.000023529728,0.000053617932,0.000027852768,0.10124954],"genre_scores_gemma":[0.976987,0.0006171712,0.000300605,0.0019729326,0.000015546764,0.000007955229,0.000012819263,0.000026225722,0.020059712],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99881065,0.00036252104,0.000022341972,0.0001239765,0.00019261683,0.00048783934],"domain_scores_gemma":[0.99933296,0.00016733505,0.00009005071,0.00003381636,0.00011989443,0.000255969],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013392931,0.00021238271,0.0002627569,0.0006245465,0.029137393,0.004872439,0.0008405164,0.001446644,0.0066312426],"category_scores_gemma":[0.0015621948,0.00031767352,0.00014543037,0.0007816982,0.020436047,0.002216081,0.0048408983,0.0038835981,0.0003779835],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017598455,0.000012084922,0.004222919,0.000036594123,0.000003989808,0.00083094026,0.97085696,0.00002209232,0.00078928523,0.013201649,0.0051380857,0.0048678187],"study_design_scores_gemma":[0.0000015383072,0.000012146663,0.0049045845,0.00006755844,0.0000044924273,0.0002878355,0.93184,0.000024425053,0.00014959379,0.00065998995,0.062031705,0.000016105194],"about_ca_topic_score_codex":0.7012258,"about_ca_topic_score_gemma":0.9101869,"teacher_disagreement_score":0.7012258,"about_ca_system_score_codex":0.014924111,"about_ca_system_score_gemma":0.013140921,"threshold_uncertainty_score":0.6010674},"labels":[],"label_agreement":null},{"id":"W4200259102","doi":"10.1386/public_00082_1","title":"Mnemonic Fakery and Other Interpretive Strategies: Reclaiming Shingwauk Hall through Ethical Spectacle","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Participatory Visual Research Methods","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Exhibition; Redress; Spectacle; Misrepresentation; Foregrounding; Sociology; Mnemonic; Aesthetics; Engineering ethics; Psychology; Law; Visual arts; Engineering; Political science; Art","score_opus":0.6489601474562673,"score_gpt":0.6389518863026759,"score_spread":0.010008261153591436,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200259102","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9193678,0.0005657859,0.021345733,0.005521032,0.00024409805,0.00021253648,0.00004298154,0.00020560174,0.052494388],"genre_scores_gemma":[0.9852711,0.00018613822,0.006453968,0.00028327876,0.000021553207,0.000092446564,0.000013763501,0.000060852002,0.007616877],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.992664,0.0059925835,0.00010878682,0.00028478357,0.00042440745,0.0005255289],"domain_scores_gemma":[0.99520195,0.002663642,0.00045112928,0.001041707,0.00030488623,0.0003365732],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00808553,0.000798154,0.00032760866,0.001040597,0.010490675,0.006418243,0.0016853053,0.0013534797,0.0036327543],"category_scores_gemma":[0.009946265,0.0003434876,0.00044807504,0.00059888966,0.018073427,0.0045410194,0.008534411,0.0025934635,0.00038015188],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006405652,0.00006679411,0.0026547147,0.0001769938,0.000015297339,0.00073252694,0.9457143,0.0001617205,0.003213385,0.024153134,0.0015400398,0.02150706],"study_design_scores_gemma":[0.000008818528,0.000107020474,0.0022797605,0.00019756975,0.00002445075,0.00057258183,0.9338483,0.0003376764,0.0036138971,0.007970403,0.050998602,0.00004087243],"about_ca_topic_score_codex":0.0017966947,"about_ca_topic_score_gemma":0.007221922,"teacher_disagreement_score":0.010490675,"about_ca_system_score_codex":0.0020396274,"about_ca_system_score_gemma":0.002604016,"threshold_uncertainty_score":0.04276091},"labels":[],"label_agreement":null},{"id":"W4200261544","doi":"10.1386/public_00088_5","title":"A Bounded Land: Reflections on Settler Colonialism in Canada, Cole Harris, (Vancouver, BC: UBC Press, 2020), 344 pages","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Indigenous Studies and Ecology","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of British Columbia","funders":"","keywords":"Colonialism; Geographer; Indigenous; Immigration; History; Bounded function; Sociology; Geography; Cartography; Archaeology; Ecology; Mathematics","score_opus":0.0600023657859663,"score_gpt":0.35497081452783746,"score_spread":0.29496844874187117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200261544","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009444313,0.57169366,0.00019556505,0.36360714,0.009189328,0.00003779478,0.00029917798,0.00003339413,0.045499586],"genre_scores_gemma":[0.18605413,0.58389574,0.00088309677,0.0926234,0.0044129454,0.00008381886,0.00036043848,0.00020291303,0.13148354],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99779475,0.00044615558,0.000068681424,0.00014233767,0.00090050045,0.00064756157],"domain_scores_gemma":[0.99699044,0.00069803646,0.00013203415,0.000047615,0.0013367548,0.0007951842],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026408427,0.00082300836,0.0007394531,0.0023820717,0.02476687,0.0110973595,0.0024175143,0.004153253,0.0060721696],"category_scores_gemma":[0.004499486,0.0006226823,0.00033856815,0.007673888,0.014396307,0.0043569696,0.0033307548,0.005714847,0.00067466096],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024330384,0.000013952086,0.0015869974,0.0004987191,0.000011755849,0.00039803868,0.06987329,0.00008654611,0.00015641825,0.01601212,0.8772596,0.03407827],"study_design_scores_gemma":[0.0000043607183,0.0000042801034,0.004572023,0.0008201346,0.000008185561,0.00013814414,0.079379834,0.00001767798,0.00004895335,0.001014587,0.9139649,0.00002695025],"about_ca_topic_score_codex":0.9873656,"about_ca_topic_score_gemma":0.9959324,"teacher_disagreement_score":0.09510243,"about_ca_system_score_codex":0.09510243,"about_ca_system_score_gemma":0.14461559,"threshold_uncertainty_score":0.6900196},"labels":[],"label_agreement":null},{"id":"W4200286128","doi":"10.1386/public_00085_7","title":"“To dream it is to ride the ruin”: Meditations on Anti-Racism","year":2021,"lang":"en","type":"article","venue":"Public","topic":"COVID-19 and Mental Health","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Racism; Privilege (computing); Dream; Sociology; Institutional racism; Conversation; Anti-racism; Politics; Gender studies; Alliance; Psychological intervention; Media studies; Political science; Law; Psychology; Communication","score_opus":0.13637739935332852,"score_gpt":0.45653678311013096,"score_spread":0.3201593837568024,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200286128","genre_codex":"empirical","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55016077,0.019809015,0.0032667052,0.2905166,0.012500695,0.00018095053,0.00007275514,0.00018224753,0.12331021],"genre_scores_gemma":[0.9258876,0.0098937135,0.0020337778,0.038393725,0.0021102885,0.00017369099,0.000031912146,0.00011265142,0.0213627],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99731356,0.0020527067,0.000031249736,0.000095565745,0.0001590456,0.00034775713],"domain_scores_gemma":[0.9964265,0.0021752862,0.00024105805,0.0001599859,0.0002264548,0.0007708287],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036046272,0.00067121576,0.0004075737,0.00080690783,0.013704385,0.003953336,0.0009081751,0.0029828688,0.002849323],"category_scores_gemma":[0.006521934,0.00037403445,0.00045485908,0.0003849994,0.01560344,0.0042333603,0.004652201,0.013689742,0.0007257451],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015300328,0.00056444586,0.0019416488,0.00030250754,0.00003926801,0.0008337062,0.8901314,0.000106521955,0.002174047,0.018745229,0.05000244,0.035005756],"study_design_scores_gemma":[0.00004402764,0.00033284797,0.0065526157,0.00080868293,0.00003026071,0.000816953,0.77924824,0.00018199522,0.0011271769,0.009158564,0.20164104,0.000057569494],"about_ca_topic_score_codex":0.0032557843,"about_ca_topic_score_gemma":0.007140696,"teacher_disagreement_score":0.013704385,"about_ca_system_score_codex":0.0014823716,"about_ca_system_score_gemma":0.0012107303,"threshold_uncertainty_score":0.019063294},"labels":[],"label_agreement":null},{"id":"W4200342686","doi":"10.1386/public_00070_1","title":"Tunirrusiangit: Their Gifts","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Indigenous Studies and Ecology","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Winnipeg; Nunavut Research Institute","funders":"","keywords":"General partnership; Beauty; Cultural heritage; Visual arts; Art gallery; Art; Art history; Anthropology; Sociology; History; Archaeology; Aesthetics; Political science; Law","score_opus":0.09923830652618668,"score_gpt":0.3814500182608659,"score_spread":0.2822117117346792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200342686","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21289726,0.01018195,0.0017694352,0.1376821,0.013235205,0.00017172424,0.00052763196,0.00039488648,0.62313986],"genre_scores_gemma":[0.47300562,0.0020519895,0.0014797839,0.0076241284,0.0005921671,0.000064659514,0.00015212857,0.00033720973,0.5146923],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987312,0.00044338923,0.00002948034,0.00011221669,0.00029740974,0.00038632052],"domain_scores_gemma":[0.9986966,0.00009642272,0.000091225236,0.00007170916,0.00025271974,0.00079138327],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002287788,0.00045565673,0.0003169801,0.00052549766,0.012666213,0.005285767,0.00051810936,0.0011416157,0.03568231],"category_scores_gemma":[0.0030960036,0.00019312365,0.0002183757,0.0004807601,0.0029669576,0.0026838994,0.0048745363,0.0027314865,0.00640732],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035582777,0.0002256,0.009564434,0.00020397216,0.000018722885,0.0027143485,0.2295632,0.000096557334,0.0034775713,0.11582536,0.4994618,0.13849251],"study_design_scores_gemma":[0.000007205087,0.000020025815,0.0020786796,0.00008267376,0.0000034936518,0.00037666023,0.039626945,0.00004213387,0.00026626658,0.0012020877,0.9562827,0.0000111246145],"about_ca_topic_score_codex":0.018211186,"about_ca_topic_score_gemma":0.039041627,"teacher_disagreement_score":0.03568231,"about_ca_system_score_codex":0.00359488,"about_ca_system_score_gemma":0.003037636,"threshold_uncertainty_score":0.11936927},"labels":[],"label_agreement":null},{"id":"W4200387700","doi":"10.1386/public_00072_1","title":"Peaceful Weapons: The “Voices for the Wilderness” Festivals and the Stein Valley Nlaka’pamux Heritage Park","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Indigenous Studies and Ecology","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Wilderness; Indigenous; Sovereignty; Performative utterance; Colonialism; Dirt; Environmental ethics; Sociology; Political science; History; Geography; Law; Aesthetics; Politics; Art; Cartography; Philosophy; Ecology","score_opus":0.0668162013439975,"score_gpt":0.3637364016730796,"score_spread":0.29692020032908206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200387700","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8801591,0.0014255081,0.0004585462,0.020619217,0.0004983454,0.000030122163,0.000028718989,0.00002596138,0.09675449],"genre_scores_gemma":[0.9794063,0.00047155784,0.00013687662,0.00086505635,0.000079344,0.000009720767,0.000012702839,0.00001471429,0.019003738],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993125,0.0002960376,0.00000806243,0.00003582012,0.00006944436,0.00027804435],"domain_scores_gemma":[0.9993205,0.00021348252,0.000060740764,0.000025716905,0.000028971288,0.00035056449],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013529718,0.00018121272,0.000106687774,0.00042373122,0.013130968,0.003485363,0.00067076815,0.0008626682,0.0062280884],"category_scores_gemma":[0.0015574049,0.00017441007,0.00009331128,0.00028725227,0.008472917,0.00211914,0.005749271,0.0023087657,0.00025308106],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000062067826,0.00006458121,0.0058116005,0.0000688822,0.0000064622213,0.0013792851,0.92028594,0.0000624639,0.0008860702,0.03035342,0.014854218,0.026165055],"study_design_scores_gemma":[0.000003585853,0.000043240136,0.007300129,0.000055057484,0.000002105563,0.00016869327,0.8731302,0.000024465347,0.00018297236,0.0012355637,0.11784495,0.000008940697],"about_ca_topic_score_codex":0.022952938,"about_ca_topic_score_gemma":0.14665833,"teacher_disagreement_score":0.9770471,"about_ca_system_score_codex":0.00259356,"about_ca_system_score_gemma":0.0033261832,"threshold_uncertainty_score":0.04563868},"labels":[],"label_agreement":null},{"id":"W4200447644","doi":"10.1386/public_00074_1","title":"Grand Theft Terra Firma: Relationships and Cross-Cultural Art Production","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Digital Storytelling and Education","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cognitive reframing; Indigenous; Settlement (finance); Sociology; Visual arts; Art; Media studies; History; Computer science; Psychology; World Wide Web; Social psychology","score_opus":0.16295275644018428,"score_gpt":0.4177227017389863,"score_spread":0.25476994529880204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200447644","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27154687,0.003781775,0.0013941014,0.016126646,0.0003758973,0.000046340487,0.000046652964,0.00011453979,0.7065671],"genre_scores_gemma":[0.85469943,0.0012235829,0.0007753719,0.0006653755,0.0000721884,0.00002203262,0.00002584176,0.000084781095,0.14243133],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9980014,0.0008637784,0.000023120647,0.00016468293,0.0004332404,0.000513738],"domain_scores_gemma":[0.99829644,0.00064248365,0.000107503925,0.00013967263,0.00017867298,0.00063530443],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020636998,0.00041610122,0.00020164147,0.0013773377,0.024177363,0.012891903,0.0013241974,0.0016168923,0.025685113],"category_scores_gemma":[0.0022351523,0.00031155956,0.00014417956,0.0017190711,0.015361324,0.0031818983,0.00637805,0.0021087553,0.0012492577],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004762236,0.00008544593,0.004138331,0.00008712729,0.000009427946,0.0029965178,0.8140947,0.00011698648,0.001152387,0.07694001,0.039500624,0.060830846],"study_design_scores_gemma":[0.0000050694093,0.000026573056,0.005494164,0.00012583332,0.0000052783394,0.00080197444,0.5242389,0.00009954387,0.00026316918,0.002803368,0.466119,0.000017116456],"about_ca_topic_score_codex":0.255108,"about_ca_topic_score_gemma":0.58873516,"teacher_disagreement_score":0.255108,"about_ca_system_score_codex":0.0104057705,"about_ca_system_score_gemma":0.008368752,"threshold_uncertainty_score":0.5072462},"labels":[],"label_agreement":null},{"id":"W4200496369","doi":"10.1386/public_00079_1","title":"Even Now the Sun: Monuments to Impermanence","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Queen's University","funders":"","keywords":"Impermanence; Heap (data structure); Sculpture; Terracotta; Dominance (genetics); Art; Bronze; Visual arts; Fireworks; History; Art history; Archaeology; Computer science","score_opus":0.036680092410014076,"score_gpt":0.33712592606902836,"score_spread":0.3004458336590143,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200496369","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.100777864,0.0074073994,0.0024992942,0.02206094,0.0017288834,0.00001693205,0.00006225007,0.00017522198,0.86527115],"genre_scores_gemma":[0.9310253,0.0012747974,0.00043992672,0.0012585087,0.0002755846,0.000011709538,0.000021644122,0.000116384705,0.06557614],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99853265,0.0008419636,0.00001923405,0.00011678525,0.00016656522,0.00032279748],"domain_scores_gemma":[0.99902666,0.0003888872,0.00008682656,0.00020238246,0.000079429505,0.00021585537],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016037235,0.0004153841,0.0002794778,0.0006792898,0.017633813,0.010220398,0.00074341445,0.0016357681,0.013718249],"category_scores_gemma":[0.0023113063,0.00023489159,0.0002647258,0.0008514995,0.025925614,0.0044868467,0.006936066,0.0037355425,0.0012543501],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044694018,0.000028117393,0.00063745887,0.000075941294,0.000007004515,0.0004771378,0.20958517,0.000095553056,0.00026499468,0.738646,0.03180529,0.018332675],"study_design_scores_gemma":[0.000009083343,0.000023893997,0.0011204474,0.00015492078,0.0000075043963,0.0003102506,0.11177681,0.00008078188,0.00030824018,0.044289406,0.8419051,0.000013490623],"about_ca_topic_score_codex":0.010348487,"about_ca_topic_score_gemma":0.04126872,"teacher_disagreement_score":0.017633813,"about_ca_system_score_codex":0.006365479,"about_ca_system_score_gemma":0.0027127618,"threshold_uncertainty_score":0.046185017},"labels":[],"label_agreement":null},{"id":"W4200518869","doi":"10.1386/public_00078_1","title":"A letter to Agnes McCausland Richardson Etherington (1880-1854)","year":2021,"lang":"en","type":"letter","venue":"Public","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Bequest; Queen (butterfly); Art history; Indigenous; History; Law","score_opus":0.10416733277979298,"score_gpt":0.28400479313037524,"score_spread":0.17983746035058226,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200518869","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0043701674,0.014151189,0.0006710333,0.57798475,0.058004547,0.00009663852,0.0006641656,0.00034333405,0.34371418],"genre_scores_gemma":[0.012284525,0.0020330718,0.00032739164,0.103807606,0.0040774867,0.00005199053,0.00007990381,0.00014440947,0.8771936],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984074,0.00035964313,0.000079819874,0.00033703767,0.0006307787,0.0001852623],"domain_scores_gemma":[0.9978563,0.00073975703,0.00014237713,0.00010148468,0.0007866243,0.00037338008],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016684231,0.00051040214,0.0004405563,0.00075176725,0.008487551,0.004086241,0.00062747323,0.0047088796,0.05120348],"category_scores_gemma":[0.009490504,0.00050843874,0.00019593626,0.00063232426,0.0015201754,0.0035563293,0.00219842,0.0070162923,0.0348676],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000070159863,0.0000035492817,0.000101227284,0.000011226064,4.756696e-7,0.00018310727,0.0006776084,0.000004371015,0.00008185386,0.0027356988,0.9920873,0.0041065826],"study_design_scores_gemma":[0.0000010496909,0.0000034631,0.00018299464,0.000044436587,5.076153e-7,0.00021560457,0.0008080296,0.0000084771755,0.0000618905,0.0003156709,0.9983523,0.000005646246],"about_ca_topic_score_codex":0.022588385,"about_ca_topic_score_gemma":0.04065933,"teacher_disagreement_score":0.05120348,"about_ca_system_score_codex":0.0034338196,"about_ca_system_score_gemma":0.002886037,"threshold_uncertainty_score":0.17129272},"labels":[],"label_agreement":null},{"id":"W4200551607","doi":"10.1386/public_00086_5","title":"The Theatre of Regret: Literature, Art, and the Politics of Reconciliation in Canada","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Ontario College of Art and Design; University of Toronto","funders":"","keywords":"Regret; Politics; Commission; Political science; Political theatre; Media studies; Aesthetics; Sociology; Art; Law; Computer science","score_opus":0.00891868855061173,"score_gpt":0.19610520241190416,"score_spread":0.18718651386129243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200551607","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0403651,0.090068735,0.0029863156,0.42848808,0.003809047,0.000037599533,0.000199577,0.000079400634,0.4339662],"genre_scores_gemma":[0.90880674,0.03421229,0.0010327302,0.024650054,0.001025323,0.000038603102,0.000056757224,0.00011423627,0.030063324],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9792545,0.0064187148,0.00033317498,0.0010417941,0.0070512295,0.0059007052],"domain_scores_gemma":[0.98593694,0.0070067644,0.00085167715,0.00057895185,0.0039680502,0.0016576725],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.013215433,0.00061882514,0.0011243658,0.0046155863,0.06543827,0.02854927,0.0040633725,0.009005429,0.007279491],"category_scores_gemma":[0.02497959,0.00048431905,0.0006346962,0.010803116,0.09467394,0.008408269,0.009558857,0.012065733,0.00044356656],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024633477,0.000010269662,0.00055676495,0.00012338888,0.00001152715,0.00024381354,0.08529681,0.00040278028,0.000034411543,0.8378919,0.057093333,0.018310368],"study_design_scores_gemma":[0.000017934377,0.000012067977,0.0028657974,0.0010675079,0.00002709294,0.00016843891,0.14099865,0.00042599972,0.00017922485,0.10991863,0.7441893,0.00012918886],"about_ca_topic_score_codex":0.98085004,"about_ca_topic_score_gemma":0.988331,"teacher_disagreement_score":0.26662666,"about_ca_system_score_codex":0.26662666,"about_ca_system_score_gemma":0.2906036,"threshold_uncertainty_score":0.8506091},"labels":[],"label_agreement":null},{"id":"W4200555598","doi":"10.1386/public_00064_4","title":"The Way You Look Tonight","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Nostalgia and Consumer Behavior","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Feeling; Coronavirus disease 2019 (COVID-19); Aesthetics; Pandemic; Visual arts; History; Psychology; Psychoanalysis; Art; Media studies; Sociology; Social psychology; Medicine","score_opus":0.03458231665384271,"score_gpt":0.3066603173151953,"score_spread":0.27207800066135257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200555598","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013570882,0.021523409,0.005635101,0.21022932,0.051450253,0.0000627647,0.00023967809,0.0010295968,0.696259],"genre_scores_gemma":[0.12760815,0.008600531,0.0021473602,0.050110277,0.0051966007,0.00006091506,0.000091905684,0.0008121884,0.80537206],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999342,0.00026421767,0.000008466842,0.00007571399,0.00016834223,0.00014118713],"domain_scores_gemma":[0.9988919,0.00033147607,0.000067635854,0.000089127134,0.00024251238,0.00037732633],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007965948,0.0006056565,0.00028239083,0.00052676717,0.005245424,0.0070080054,0.00056846073,0.0019950478,0.05224043],"category_scores_gemma":[0.0032090014,0.00029285334,0.00038130535,0.00029207178,0.003789817,0.005800948,0.0030985037,0.005329927,0.012474217],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000066182896,0.000025827607,0.0004962927,0.00009129389,0.000010446389,0.00023836034,0.0071912315,0.000047599202,0.0009931402,0.031451993,0.92420816,0.03517941],"study_design_scores_gemma":[0.000003312679,0.00002283108,0.00036533645,0.000076728444,0.0000036273666,0.00021852081,0.005620143,0.000037512396,0.00023048701,0.0014893991,0.9919178,0.00001432046],"about_ca_topic_score_codex":0.008648972,"about_ca_topic_score_gemma":0.018499989,"teacher_disagreement_score":0.05224043,"about_ca_system_score_codex":0.0011668508,"about_ca_system_score_gemma":0.0007147681,"threshold_uncertainty_score":0.17476165},"labels":[],"label_agreement":null},{"id":"W4200568272","doi":"10.1386/public_00073_1","title":"Towards a Poetics of Conspiracy","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Ecocriticism and Environmental Literature","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"","keywords":"Poetics; Poetry; Normative; Context (archaeology); Colonialism; Sociology; Treaty; Law; Literature; Political science; History; Art","score_opus":0.03219190969001397,"score_gpt":0.21261511538415542,"score_spread":0.18042320569414144,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200568272","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.053970944,0.0060827457,0.007156005,0.07539751,0.000876994,0.00003174525,0.000023848605,0.00006223325,0.85639805],"genre_scores_gemma":[0.9335811,0.0018316101,0.0015232444,0.0050952206,0.0002958621,0.00003314644,0.000011908413,0.000051437106,0.05757661],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9974606,0.0012360571,0.000027046082,0.00014706516,0.00059740245,0.0005319271],"domain_scores_gemma":[0.99880445,0.00048426224,0.00011800438,0.00009975581,0.00022586025,0.0002676316],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021599312,0.00037778646,0.00024913275,0.0012075912,0.018561343,0.007974309,0.00087697594,0.0019232322,0.004170769],"category_scores_gemma":[0.0030885525,0.0001570093,0.00015405547,0.001261106,0.08396015,0.0046227574,0.0045220694,0.005903699,0.0005199579],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000040210602,0.0000055227238,0.00019658236,0.000009900495,7.707135e-7,0.00008272351,0.04312248,0.000033409106,0.00005607985,0.94608295,0.0064872066,0.003918344],"study_design_scores_gemma":[0.000008787191,0.0000147531955,0.00096907956,0.00014727366,0.0000023011946,0.00018039391,0.082887426,0.00018573402,0.0001888591,0.25748405,0.6579186,0.000012793617],"about_ca_topic_score_codex":0.12151179,"about_ca_topic_score_gemma":0.19357687,"teacher_disagreement_score":0.12151179,"about_ca_system_score_codex":0.010210827,"about_ca_system_score_gemma":0.0133034745,"threshold_uncertainty_score":0.24160904},"labels":[],"label_agreement":null},{"id":"W4226237161","doi":"10.1386/public_00087_5","title":"Slow Disturbance: Infrastructural Mediation on the Settler Colonial Resource Frontier","year":2021,"lang":"en","type":"article","venue":"Public","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":23,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Frontier; Disturbance (geology); Resource (disambiguation); Mediation; Protestantism; Colonialism; Order (exchange); History; Political science; Environmental resource management; Sociology; Geography; Business; Archaeology; Computer science; Law; Geology; Economics; Geomorphology","score_opus":0.012059190312530532,"score_gpt":0.21793084125370946,"score_spread":0.20587165094117893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4226237161","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3187793,0.003732117,0.0035575787,0.024633946,0.00018450376,0.000059843875,0.00008276826,0.000057451052,0.6489126],"genre_scores_gemma":[0.98952454,0.0005481973,0.00022451505,0.0005683539,0.000023792947,0.000010194402,0.000012101859,0.000014878671,0.009073349],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99781007,0.00050885946,0.000031430853,0.00018633118,0.0003486384,0.0011147193],"domain_scores_gemma":[0.9990663,0.00032446018,0.00013278131,0.00012204399,0.0001532336,0.00020114171],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014746808,0.0003432198,0.00033818232,0.0013476817,0.019364508,0.007788639,0.0011919673,0.0020602704,0.005608611],"category_scores_gemma":[0.0028860646,0.00022858623,0.00024224093,0.0019124164,0.04192585,0.0037128367,0.008600492,0.0043484885,0.00024756405],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031589665,0.000015279304,0.002955178,0.000056878864,0.000009295994,0.0019483604,0.20230792,0.00035092732,0.00042393547,0.7727895,0.0049587614,0.014152418],"study_design_scores_gemma":[0.000034374636,0.00004794091,0.021161783,0.00045421737,0.000032970773,0.0010544591,0.40127435,0.00047438787,0.00043964677,0.06310657,0.5118472,0.00007206817],"about_ca_topic_score_codex":0.6941318,"about_ca_topic_score_gemma":0.7801813,"teacher_disagreement_score":0.3058682,"about_ca_system_score_codex":0.031992976,"about_ca_system_score_gemma":0.017140387,"threshold_uncertainty_score":0.61533904},"labels":[],"label_agreement":null},{"id":"W4229801289","doi":"10.1386/public.31.59.204_5","title":"Elvira Santamaria, Salt Cartographies II","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology; Geography","score_opus":0.03686061266427908,"score_gpt":0.22192262414247238,"score_spread":0.1850620114781933,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229801289","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004317335,0.020185906,0.00031719325,0.032076232,0.0066785687,0.00006233938,0.002370735,0.00022957896,0.93376225],"genre_scores_gemma":[0.01233137,0.004637327,0.00020340717,0.0020896948,0.000555288,0.000028194125,0.0004685719,0.00019844055,0.9794877],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958295,0.000056970366,0.000008097187,0.00005221149,0.00017315688,0.0001266589],"domain_scores_gemma":[0.99970585,0.000047620455,0.000018547305,0.000039280338,0.00012903218,0.00005960845],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046689124,0.0005737438,0.00025449903,0.001302194,0.007302028,0.0044518546,0.0005918135,0.0014232174,0.1492507],"category_scores_gemma":[0.0010435247,0.0004189055,0.00025589735,0.0019682373,0.001034971,0.0016636654,0.0021536087,0.00232966,0.02680567],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021395952,0.000008213034,0.00014480395,0.00003598342,0.0000013469476,0.000057027206,0.00063302496,0.000027218914,0.00013728447,0.009509409,0.9749171,0.014507115],"study_design_scores_gemma":[8.7885013e-7,8.713009e-7,0.00047238098,0.000020670223,5.067052e-7,0.000009279547,0.00036794314,0.000006002106,0.000034064684,0.00013699791,0.9989489,0.0000014229112],"about_ca_topic_score_codex":0.28712028,"about_ca_topic_score_gemma":0.6405188,"teacher_disagreement_score":0.28712028,"about_ca_system_score_codex":0.0058025816,"about_ca_system_score_gemma":0.0045727375,"threshold_uncertainty_score":0.5708981},"labels":[],"label_agreement":null},{"id":"W4230000012","doi":"10.1386/public.29.57.276_5","title":"Exhibition Review","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Exhibition; Art; Art history","score_opus":0.08661307070295945,"score_gpt":0.25194754132482966,"score_spread":0.1653344706218702,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230000012","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000470649,0.8565495,0.00046265952,0.025520569,0.033430718,0.00016177283,0.0032876173,0.00023457044,0.079881966],"genre_scores_gemma":[0.0051086317,0.831379,0.00072125264,0.019169647,0.02675337,0.00036759616,0.0042576403,0.00022656404,0.112016335],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989209,0.00024884945,0.00013077489,0.00015952847,0.00037994818,0.00015998735],"domain_scores_gemma":[0.99540186,0.0013035149,0.00060342415,0.00026056863,0.0018436204,0.000587],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017971625,0.0010030173,0.00094112585,0.005932796,0.0010650458,0.0037042266,0.0016261355,0.0022187203,0.21637858],"category_scores_gemma":[0.00828004,0.00038335464,0.0012746856,0.005695955,0.00085371046,0.0027834268,0.0032300071,0.002047321,0.05645975],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047834365,0.00001674922,0.00013575662,0.0055381884,0.000041278334,0.00006925272,0.000051701554,0.000038297792,0.00007945309,0.0009874126,0.86482984,0.12816428],"study_design_scores_gemma":[0.0000071187974,0.0000097874145,0.00029470585,0.0050404626,0.000028979935,0.00011731793,0.00006163195,0.000004531193,0.000023706501,0.00016349893,0.99424416,0.000004073788],"about_ca_topic_score_codex":0.0055480804,"about_ca_topic_score_gemma":0.010748605,"teacher_disagreement_score":0.21637858,"about_ca_system_score_codex":0.0018912966,"about_ca_system_score_gemma":0.006361132,"threshold_uncertainty_score":0.7238585},"labels":[],"label_agreement":null},{"id":"W4231724976","doi":"10.1386/public.31.59.46_1","title":"INCUBATOR Lab: Where Artists Collaborate with Life","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Science Education and Perceptions","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Windsor","funders":"","keywords":"Incubator; Storytelling; Living lab; The arts; Visual arts; Performing arts; Webcast; Sociology; Multimedia; Art; World Wide Web; Computer science; Narrative","score_opus":0.037235165156090926,"score_gpt":0.3281221090764631,"score_spread":0.2908869439203722,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231724976","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06669702,0.00383557,0.046871748,0.023649786,0.0036656605,0.0005520364,0.0005319099,0.0032230937,0.8509732],"genre_scores_gemma":[0.64213246,0.0041441433,0.048607122,0.009300557,0.0016773029,0.0010465117,0.00065428816,0.002281955,0.29015565],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945205,0.0029372156,0.00010619841,0.0005311448,0.0009438419,0.0009611449],"domain_scores_gemma":[0.9930507,0.0016769526,0.00039630564,0.0009831515,0.000478822,0.0034139876],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0059012673,0.0008799294,0.00041972753,0.0022731295,0.020783005,0.0134360725,0.002564076,0.0022469042,0.059895918],"category_scores_gemma":[0.0066759256,0.0005909123,0.00078690524,0.0014208949,0.013593086,0.007992609,0.021239758,0.0034608373,0.0121230865],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003619521,0.00048442115,0.0068587624,0.000577052,0.000040069157,0.0013874467,0.25610298,0.00045018177,0.005618446,0.17177765,0.33018264,0.22615834],"study_design_scores_gemma":[0.000014836691,0.00003853222,0.0009797177,0.000165953,0.0000061757646,0.00024812768,0.051660176,0.00012522131,0.0005537461,0.010139664,0.9360354,0.00003245673],"about_ca_topic_score_codex":0.005093648,"about_ca_topic_score_gemma":0.015879417,"teacher_disagreement_score":0.059895918,"about_ca_system_score_codex":0.0036983255,"about_ca_system_score_gemma":0.0073217563,"threshold_uncertainty_score":0.2003718},"labels":[],"label_agreement":null},{"id":"W4234052801","doi":"10.1386/public.31.59.26_1","title":"Animals that Live in the Mirror: On Colonial Bestiaries and Interspecies Architecture","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Architecture; Ignorance; Theme (computing); Colonialism; Aesthetics; Ideal (ethics); Animal life; Environmental ethics; History; Art; Sociology; Visual arts; Computer science; Archaeology; Epistemology; Philosophy; Biology; Zoology","score_opus":0.04284946117670047,"score_gpt":0.3141836533159547,"score_spread":0.27133419213925425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234052801","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39063483,0.01008683,0.0013090066,0.014846844,0.0003078189,0.000010352758,0.000020076774,0.000021686172,0.58276254],"genre_scores_gemma":[0.9749126,0.0025314954,0.00036215963,0.0008655927,0.00008092195,0.0000056185804,0.0000059552444,0.000029343226,0.021206357],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904436,0.00048465186,0.000013067367,0.0001239088,0.00010189545,0.00023198653],"domain_scores_gemma":[0.9995388,0.00020323956,0.00007191659,0.000058807716,0.000047938585,0.00007932303],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008353095,0.00024413271,0.00019031622,0.00070762745,0.009918796,0.0052135508,0.000582855,0.0012357609,0.0045636003],"category_scores_gemma":[0.0016747852,0.00022236991,0.00011979764,0.00060777576,0.024310797,0.004348675,0.0048060794,0.0020565738,0.00048318444],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004274428,0.000022781973,0.00438301,0.000037372178,0.0000068072127,0.0009950335,0.4836477,0.00006131653,0.0004976263,0.47072038,0.008788751,0.03079652],"study_design_scores_gemma":[0.000007658763,0.00006124553,0.011338279,0.00031057317,0.000012625913,0.0013209628,0.26453194,0.00015820887,0.00040734507,0.045835003,0.67597806,0.000038059276],"about_ca_topic_score_codex":0.027627936,"about_ca_topic_score_gemma":0.11700901,"teacher_disagreement_score":0.027627936,"about_ca_system_score_codex":0.0045466945,"about_ca_system_score_gemma":0.00094647135,"threshold_uncertainty_score":0.054934263},"labels":[],"label_agreement":null},{"id":"W4234116776","doi":"10.1386/public.31.59.200_5","title":"Sam Vernon, Rage Wave","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rage (emotion); Geology; Neuroscience; Medicine; Psychology","score_opus":0.05910594676770272,"score_gpt":0.2173515355050035,"score_spread":0.15824558873730077,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234116776","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009387116,0.050122086,0.0016643542,0.246994,0.19661772,0.00014622585,0.0008092856,0.0013644841,0.5013431],"genre_scores_gemma":[0.0027069084,0.006280374,0.00035890046,0.01603223,0.0068230117,0.00004718344,0.00020182435,0.000446181,0.96710336],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986405,0.00019600912,0.000041154566,0.00024599006,0.0006981803,0.00017811994],"domain_scores_gemma":[0.99714154,0.0002417227,0.000091602364,0.0001768265,0.0014621171,0.0008861323],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018065966,0.000711611,0.00051896344,0.0012424942,0.0046117604,0.005034924,0.0009742708,0.0024097553,0.2572453],"category_scores_gemma":[0.0053917407,0.00049877993,0.00036056494,0.00067676295,0.00088241126,0.0035367918,0.0037373512,0.004498809,0.16987921],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003936712,0.0000019989077,0.000017522687,0.000012256559,2.7518172e-7,0.000010189652,0.00003528703,0.000002067549,0.00003167314,0.00037658543,0.99255013,0.0069581927],"study_design_scores_gemma":[9.504523e-7,0.0000022859515,0.00008130495,0.0000249532,4.108723e-7,0.00003250671,0.00011066048,0.0000039005085,0.00002709763,0.000105320425,0.9996086,0.0000020659495],"about_ca_topic_score_codex":0.009100056,"about_ca_topic_score_gemma":0.023515612,"teacher_disagreement_score":0.2572453,"about_ca_system_score_codex":0.0012857659,"about_ca_system_score_gemma":0.0018995752,"threshold_uncertainty_score":0.86057127},"labels":[],"label_agreement":null},{"id":"W4234671718","doi":"10.1386/public.27.54.54_7","title":"LEFT_CHANNEL","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Digital and Traditional Archives Management","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Channel (broadcasting); Computer science; Computer network","score_opus":0.06082943323956896,"score_gpt":0.18912715088828547,"score_spread":0.1282977176487165,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234671718","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42548335,0.0010096959,0.030602397,0.001140724,0.0016295393,0.0020268962,0.029873272,0.008089651,0.50014454],"genre_scores_gemma":[0.8016786,0.00044576422,0.021517102,0.0017280728,0.00015817548,0.0012276124,0.012592474,0.0044053374,0.1562468],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987722,0.000104171995,0.000038042785,0.00027792447,0.0005984254,0.00020920839],"domain_scores_gemma":[0.9963832,0.0010299379,0.00007463738,0.00091471407,0.0012971987,0.000300328],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00051311334,0.00046380103,0.0006708944,0.0004428996,0.0013237995,0.0013091218,0.0010720126,0.0012563588,0.19104317],"category_scores_gemma":[0.003472936,0.0003870514,0.00041840062,0.00044668902,0.0008054809,0.0014746393,0.0017082171,0.0011413846,0.020284077],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0071979533,0.0038836065,0.006107102,0.0020671608,0.00013824234,0.00093210774,0.0030120516,0.0041390047,0.4432047,0.0102359215,0.23672178,0.28236035],"study_design_scores_gemma":[0.0008453431,0.00579944,0.057426672,0.0004029596,0.00023005865,0.0013554271,0.0024624125,0.012725619,0.51887435,0.005743067,0.393741,0.00039362579],"about_ca_topic_score_codex":0.01581903,"about_ca_topic_score_gemma":0.013114968,"teacher_disagreement_score":0.19104317,"about_ca_system_score_codex":0.0007163385,"about_ca_system_score_gemma":0.0010546357,"threshold_uncertainty_score":0.63910306},"labels":[],"label_agreement":null},{"id":"W4235028875","doi":"10.1386/public.46.1.170_7","title":"Ahzhekewada [Let Us Look Back] – Revisioning the Indians of Canada Pavilion OCAD University, Toronto, 14–15 October 2011","year":2012,"lang":"en","type":"article","venue":"Public","topic":"Latin American and Latino Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pavilion; History; Art history; Archaeology","score_opus":0.018923848984493664,"score_gpt":0.24166398384052945,"score_spread":0.22274013485603578,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235028875","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05825258,0.1378237,0.0010743041,0.35898867,0.021884726,0.00013390086,0.0012886438,0.00041507243,0.4201385],"genre_scores_gemma":[0.32157204,0.07499707,0.0017389373,0.032529436,0.00220241,0.00005440835,0.00051210204,0.00074898044,0.5656447],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904543,0.00008714193,0.000020097095,0.00008410446,0.00037253654,0.0003906503],"domain_scores_gemma":[0.9987098,0.0000869324,0.000050315106,0.0000408669,0.00076110463,0.00035088527],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001191006,0.0005020354,0.00042033373,0.0019504024,0.023291567,0.007520337,0.0010993383,0.0012741855,0.012899205],"category_scores_gemma":[0.0020758968,0.0003366399,0.00027690746,0.003226903,0.007709617,0.0025368533,0.0026639237,0.0042880573,0.0012447307],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007741469,0.000029478704,0.0028429762,0.00039877553,0.000018828227,0.0007158449,0.055737328,0.00010425186,0.0007305696,0.08368513,0.7797449,0.075914554],"study_design_scores_gemma":[0.0000020528253,0.0000038579074,0.0034134395,0.00015105247,0.000008681327,0.00008396832,0.024693128,0.000016589702,0.00014958483,0.00077269605,0.9706789,0.000026112535],"about_ca_topic_score_codex":0.96961796,"about_ca_topic_score_gemma":0.98546404,"teacher_disagreement_score":0.049598314,"about_ca_system_score_codex":0.049598314,"about_ca_system_score_gemma":0.069703296,"threshold_uncertainty_score":0.35986263},"labels":[],"label_agreement":null},{"id":"W4235799540","doi":"10.1386/public.31.59.149_1","title":"Fermenting Communications: Fermentation Praxis as Interspecies Communication","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Thriving; Fermentation; Praxis; Embodied cognition; Conversation; Anthropocentrism; Sociology; Environmental ethics; Communication; Biology; Epistemology; Ecology; Social science; Philosophy; Food science","score_opus":0.056319698107845616,"score_gpt":0.3707455636937235,"score_spread":0.31442586558587793,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235799540","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18791947,0.015981913,0.16511473,0.047575004,0.0010945282,0.0001335819,0.00014266229,0.00033448145,0.58170366],"genre_scores_gemma":[0.97416884,0.003466893,0.011261432,0.0009840964,0.00029801572,0.00006617568,0.000035433724,0.0000941747,0.009624928],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9966658,0.0023899088,0.000079045334,0.00022378593,0.00036166975,0.00027980527],"domain_scores_gemma":[0.99636734,0.002151679,0.00060278893,0.0004589003,0.00021502141,0.0002042758],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003973757,0.0006944538,0.0003999006,0.0023322783,0.0053691776,0.012749898,0.0011308661,0.0023365626,0.0034389438],"category_scores_gemma":[0.0057938322,0.00032609643,0.0005281543,0.0022906763,0.046333566,0.017814673,0.006844744,0.0030278896,0.00052786496],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025557683,0.000012399618,0.0007087477,0.000077988574,0.0000071422783,0.00017414778,0.0836624,0.00026689383,0.0006172303,0.90361863,0.00070118567,0.010127607],"study_design_scores_gemma":[0.000017610499,0.00008165175,0.0022266961,0.0003853347,0.000028254928,0.0006540652,0.1253836,0.0014361708,0.0017873631,0.6805495,0.18739167,0.000058207697],"about_ca_topic_score_codex":0.0030190542,"about_ca_topic_score_gemma":0.0026718713,"teacher_disagreement_score":0.012749898,"about_ca_system_score_codex":0.0027603959,"about_ca_system_score_gemma":0.0025828579,"threshold_uncertainty_score":0.021015465},"labels":[],"label_agreement":null},{"id":"W4236867083","doi":"10.1386/public_00020_7","title":"Extravagant Fragility","year":2020,"lang":"en","type":"article","venue":"Public","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Fragility; Nationalism; Lithuanian; Reflection (computer programming); Art; Focus (optics); Art history; Political science; Philosophy; Optics; Law; Politics; Computer science","score_opus":0.16913898605539082,"score_gpt":0.2810809655223339,"score_spread":0.11194197946694309,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236867083","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08026942,0.0016928819,0.002762804,0.042235587,0.001026771,0.00002499413,0.00022238817,0.00018753878,0.87157774],"genre_scores_gemma":[0.9195481,0.0005981225,0.00048408227,0.0034891504,0.00034012814,0.000026174743,0.00008718401,0.000117237265,0.07530978],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972459,0.0011196696,0.000044976056,0.00021727264,0.000636833,0.0007354488],"domain_scores_gemma":[0.9965629,0.0011042589,0.00042323046,0.00061291753,0.0006991689,0.0005975055],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015886637,0.0005445996,0.00029148787,0.0011442471,0.0056536,0.0050067767,0.00095676957,0.0019953554,0.0679451],"category_scores_gemma":[0.008095139,0.00016502044,0.00031682814,0.00093430665,0.009330314,0.005066371,0.0074265697,0.0029595515,0.004649733],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012600495,0.00005858863,0.0057763644,0.00014706161,0.000028257462,0.002151868,0.052808333,0.00039029785,0.0007074282,0.7404307,0.11908785,0.07828731],"study_design_scores_gemma":[0.000014149674,0.000057076293,0.005339571,0.00037257466,0.000019918743,0.0015948131,0.039382383,0.00046284625,0.00054810516,0.124181226,0.8279912,0.000036086625],"about_ca_topic_score_codex":0.0043341843,"about_ca_topic_score_gemma":0.007029077,"teacher_disagreement_score":0.0679451,"about_ca_system_score_codex":0.003578697,"about_ca_system_score_gemma":0.001540292,"threshold_uncertainty_score":0.22729897},"labels":[],"label_agreement":null},{"id":"W4238726287","doi":"10.1386/public.29.57.5_1","title":"Introduction","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Posthumanist Ethics and Activism","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University; Queen's University; Concordia University","funders":"","keywords":"Computer science","score_opus":0.05243326468944395,"score_gpt":0.33200391343498487,"score_spread":0.27957064874554094,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238726287","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008845466,0.0096742455,0.004042038,0.14657637,0.35429165,0.00070758123,0.010063368,0.0013736929,0.47238654],"genre_scores_gemma":[0.008639574,0.0063966974,0.0019117884,0.05446752,0.100916736,0.00059958285,0.007225108,0.00083720736,0.8190058],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99825925,0.00023909657,0.00011044157,0.00030237698,0.0008858363,0.00020296081],"domain_scores_gemma":[0.9932568,0.0012051,0.0003481643,0.00047877067,0.004070919,0.000640273],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0025432429,0.0009943581,0.00066399755,0.002709009,0.0018946276,0.0051910793,0.0017604571,0.004385827,0.32524812],"category_scores_gemma":[0.009614591,0.00035132453,0.0010015903,0.0012140411,0.000993504,0.003091365,0.003792115,0.006487704,0.16877578],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013637239,0.000017055898,0.000070419184,0.00013733866,0.0000012049503,0.000025460859,0.00006147662,0.000028814033,0.0000920781,0.0047476646,0.9776767,0.017128233],"study_design_scores_gemma":[0.000002980821,0.0000064033266,0.0001924906,0.00019445803,0.0000011948683,0.0000140036345,0.000056047455,0.000015524014,0.00005223101,0.0011742293,0.9982864,0.000004016679],"about_ca_topic_score_codex":0.004743495,"about_ca_topic_score_gemma":0.0033530456,"teacher_disagreement_score":0.32524812,"about_ca_system_score_codex":0.002226195,"about_ca_system_score_gemma":0.003109876,"threshold_uncertainty_score":0.96245164},"labels":[],"label_agreement":null},{"id":"W4238777423","doi":"10.1386/public.25.50.169_7","title":"Afterword","year":2014,"lang":"en","type":"article","venue":"Public","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Impossibility; Buddhism; Relation (database); Metaphor; China; Position (finance); History; Sociology; Aesthetics; Art; Philosophy; Political science; Theology; Law; Archaeology","score_opus":0.021519013717751157,"score_gpt":0.1792821868069886,"score_spread":0.15776317308923743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238777423","genre_codex":"editorial","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007562003,0.003636655,0.0017261816,0.0973121,0.47976783,0.0006897803,0.0053342185,0.0013940596,0.409383],"genre_scores_gemma":[0.0048788185,0.0023485604,0.0007347136,0.019521253,0.066575326,0.00031312284,0.0037090138,0.0013644699,0.90055466],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99846363,0.00017947507,0.00016002274,0.00026246815,0.0007489219,0.00018553105],"domain_scores_gemma":[0.988993,0.001365112,0.0004825888,0.00050801726,0.0076139728,0.0010373767],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012515045,0.001355858,0.0010979135,0.002603012,0.0035188475,0.007027693,0.001509903,0.003959563,0.5534662],"category_scores_gemma":[0.011184384,0.00045993683,0.0008927827,0.0015945308,0.00087989337,0.00420856,0.0028089494,0.005259515,0.5430263],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012286317,0.0000069814714,0.000031751515,0.00005472041,8.324146e-7,0.000025617117,0.000032651467,0.0000067984984,0.000058699992,0.00072054163,0.9901315,0.008917665],"study_design_scores_gemma":[0.0000037808193,0.000009984318,0.00015877902,0.00010210135,0.0000012825824,0.000042661373,0.000095062984,0.000015978712,0.00007088912,0.0005678842,0.99892694,0.000004672778],"about_ca_topic_score_codex":0.0036768736,"about_ca_topic_score_gemma":0.0026589937,"teacher_disagreement_score":0.5534662,"about_ca_system_score_codex":0.0023878636,"about_ca_system_score_gemma":0.0020178326,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4238850661","doi":"10.1386/public.27.53.140_7","title":"Olympic homonationalisms","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Sport and Mega-Event Impacts","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Queer; Colonialism; Indigenous; Resistance (ecology); Lesbian; Politics; Gender studies; Political science; Media studies; Sociology; History; Ethnology; Law","score_opus":0.06540169163638862,"score_gpt":0.32508739530140035,"score_spread":0.25968570366501176,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238850661","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12901843,0.0015411287,0.0005104335,0.009385575,0.00036451043,0.00001351009,0.000083933715,0.00003344427,0.8590491],"genre_scores_gemma":[0.9545793,0.0007464694,0.0001048444,0.0007511111,0.000071520444,0.000009211752,0.000032361357,0.000028408744,0.043676715],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9992423,0.00026741615,0.000010157442,0.00008729969,0.00012238196,0.000270516],"domain_scores_gemma":[0.99967873,0.000056394372,0.00003604369,0.000046341964,0.000048751765,0.00013381949],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046175416,0.00021653167,0.000115939234,0.00058613403,0.008069392,0.0048330068,0.00033578937,0.0005291097,0.01395306],"category_scores_gemma":[0.00073723076,0.0001685473,0.00011846525,0.0006863932,0.009642296,0.0014587299,0.0029634826,0.0017434418,0.0005599441],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044012697,0.000038155256,0.0069469158,0.0001156479,0.000016480193,0.00042560248,0.18971637,0.00015496473,0.00071473967,0.7155354,0.05411954,0.03217211],"study_design_scores_gemma":[0.00000831442,0.000019760864,0.022157924,0.00016319405,0.000009752157,0.00014569366,0.16607992,0.00008143785,0.00025625472,0.010385946,0.80067784,0.0000139688],"about_ca_topic_score_codex":0.091417566,"about_ca_topic_score_gemma":0.2960243,"teacher_disagreement_score":0.091417566,"about_ca_system_score_codex":0.00448795,"about_ca_system_score_gemma":0.0016349645,"threshold_uncertainty_score":0.18177086},"labels":[],"label_agreement":null},{"id":"W4239988251","doi":"10.1386/public.31.59.179_1","title":"Umwelt Microbiana","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Science Education and Perceptions","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Witness; Mythology; Empathy; Aesthetics; Art; Sociology; Art history; Environmental ethics; Philosophy; Psychology; Literature; Social psychology","score_opus":0.06574489979330564,"score_gpt":0.36579082212417113,"score_spread":0.30004592233086547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239988251","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023205582,0.008669544,0.002263137,0.013868842,0.0037911078,0.000059806986,0.00022132354,0.00044948977,0.94747114],"genre_scores_gemma":[0.21067171,0.007553905,0.0032878164,0.004708794,0.001125653,0.00010839426,0.00032296573,0.0003846074,0.77183616],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989918,0.0002956089,0.000022296808,0.00013639487,0.00038547796,0.0001684801],"domain_scores_gemma":[0.99950445,0.00014465599,0.00005481189,0.00007330404,0.00008491343,0.00013783888],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009888498,0.00035067005,0.00017048024,0.0008899545,0.0048938626,0.0070882756,0.00052450557,0.0010368021,0.069702126],"category_scores_gemma":[0.0019970976,0.00017332421,0.0002379958,0.0007879137,0.0018475984,0.0026222612,0.0040748836,0.0015638376,0.0101891495],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016910142,0.0001963428,0.0031933032,0.00046024038,0.000010802737,0.0011589612,0.03429633,0.00012055974,0.0077626747,0.26320842,0.27491525,0.41450804],"study_design_scores_gemma":[0.0000020314824,0.000015376061,0.00092027755,0.0001055582,0.0000019323668,0.00014851194,0.0031477513,0.00002297358,0.00053824234,0.0027883118,0.9923051,0.0000037961847],"about_ca_topic_score_codex":0.004462813,"about_ca_topic_score_gemma":0.009472447,"teacher_disagreement_score":0.069702126,"about_ca_system_score_codex":0.0018434584,"about_ca_system_score_gemma":0.0017725688,"threshold_uncertainty_score":0.23317683},"labels":[],"label_agreement":null},{"id":"W4241817178","doi":"10.1386/public.30.59.179_1","title":"Umwelt Microbiana","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Science Education and Perceptions","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Witness; Mythology; Empathy; Aesthetics; Art; Sociology; Art history; Environmental ethics; Philosophy; Literature; Psychology; Social psychology","score_opus":0.06574489979330564,"score_gpt":0.36579082212417113,"score_spread":0.30004592233086547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241817178","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023205582,0.008669544,0.002263137,0.013868842,0.0037911078,0.000059806986,0.00022132354,0.00044948977,0.94747114],"genre_scores_gemma":[0.21067171,0.007553905,0.0032878164,0.004708794,0.001125653,0.00010839426,0.00032296573,0.0003846074,0.77183616],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989918,0.0002956089,0.000022296808,0.00013639487,0.00038547796,0.0001684801],"domain_scores_gemma":[0.99950445,0.00014465599,0.00005481189,0.00007330404,0.00008491343,0.00013783888],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009888498,0.00035067005,0.00017048024,0.0008899545,0.0048938626,0.0070882756,0.00052450557,0.0010368021,0.069702126],"category_scores_gemma":[0.0019970976,0.00017332421,0.0002379958,0.0007879137,0.0018475984,0.0026222612,0.0040748836,0.0015638376,0.0101891495],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016910142,0.0001963428,0.0031933032,0.00046024038,0.000010802737,0.0011589612,0.03429633,0.00012055974,0.0077626747,0.26320842,0.27491525,0.41450804],"study_design_scores_gemma":[0.0000020314824,0.000015376061,0.00092027755,0.0001055582,0.0000019323668,0.00014851194,0.0031477513,0.00002297358,0.00053824234,0.0027883118,0.9923051,0.0000037961847],"about_ca_topic_score_codex":0.004462813,"about_ca_topic_score_gemma":0.009472447,"teacher_disagreement_score":0.069702126,"about_ca_system_score_codex":0.0018434584,"about_ca_system_score_gemma":0.0017725688,"threshold_uncertainty_score":0.23317683},"labels":[],"label_agreement":null},{"id":"W4243601914","doi":"10.1386/public.29.58.184_5","title":"Record Shop","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Human auditory perception and evaluation","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.05464693187053183,"score_gpt":0.26436019441452624,"score_spread":0.20971326254399442,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243601914","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006927671,0.00042811083,0.0009467374,0.0018340395,0.0023451326,0.00042709053,0.027128944,0.0061313463,0.96006584],"genre_scores_gemma":[0.00069182966,0.00008881108,0.00013499545,0.00012726235,0.00014441689,0.000039016457,0.004083302,0.00054909167,0.99414116],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998453,0.00012637886,0.000054669286,0.00020515975,0.0009302411,0.00023047952],"domain_scores_gemma":[0.9912579,0.00077851734,0.00023272853,0.0017828632,0.0042694616,0.0016786108],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015080975,0.0013437151,0.001478649,0.003874544,0.0044697993,0.007437945,0.0023267306,0.0025342978,0.9536612],"category_scores_gemma":[0.006542946,0.00094086275,0.0008909812,0.004066403,0.0008431351,0.0027037004,0.00337977,0.0019172253,0.9100788],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031370102,0.000020899306,0.00006960485,0.000045010915,0.0000015766532,0.000021835735,0.00002134279,0.0000133236,0.00008110747,0.00022527875,0.9854767,0.013991933],"study_design_scores_gemma":[0.000021435564,0.000020707737,0.0007266013,0.0000367781,0.0000026409996,0.000022721539,0.000080276004,0.00006721731,0.00014011696,0.00015406475,0.9987197,0.000007829831],"about_ca_topic_score_codex":0.051923394,"about_ca_topic_score_gemma":0.11863319,"teacher_disagreement_score":0.9536612,"about_ca_system_score_codex":0.0031151283,"about_ca_system_score_gemma":0.0048981206,"threshold_uncertainty_score":0.10324234},"labels":[],"label_agreement":null},{"id":"W4245272054","doi":"10.1386/public.25.49.125_7","title":"Drama Trauma","year":2013,"lang":"en","type":"article","venue":"Public","topic":"American and British Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Drama; Medicine; Art; Literature","score_opus":0.017710785746524862,"score_gpt":0.18654937333133972,"score_spread":0.16883858758481485,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245272054","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033477712,0.0037589937,0.00041054728,0.017144429,0.002100431,0.00003861221,0.00060676085,0.00011395209,0.9423486],"genre_scores_gemma":[0.5960111,0.0044798665,0.00029059293,0.006627848,0.0011745744,0.00011155869,0.00070550205,0.00026888298,0.39033002],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99710673,0.00094703434,0.000066285436,0.00022971087,0.0007946705,0.0008554319],"domain_scores_gemma":[0.9981331,0.0005198621,0.00021596774,0.00022191986,0.00040142826,0.0005077551],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013470979,0.0005539997,0.000452365,0.003068983,0.013628461,0.010833916,0.00086151075,0.0019861006,0.11118215],"category_scores_gemma":[0.0056805285,0.00025122368,0.0003988888,0.004177082,0.006631183,0.003683941,0.00735418,0.004015416,0.015199744],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018271281,0.00009621661,0.0030083626,0.00043676302,0.000027501006,0.0012099763,0.10230813,0.000098137054,0.00061889517,0.32734293,0.49937528,0.065294966],"study_design_scores_gemma":[0.000007670352,0.000022665485,0.005272515,0.0003520868,0.000009631903,0.00068819604,0.09263605,0.00002602363,0.00025916973,0.0065237237,0.8941885,0.000013699216],"about_ca_topic_score_codex":0.016693741,"about_ca_topic_score_gemma":0.029837543,"teacher_disagreement_score":0.11118215,"about_ca_system_score_codex":0.0070921294,"about_ca_system_score_gemma":0.0049622967,"threshold_uncertainty_score":0.37194133},"labels":[],"label_agreement":null},{"id":"W4247748103","doi":"10.1386/public.29.58.23_1","title":"Unsettling Inscriptions: An Interview with Michael Gaudio","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Colonialism, slavery, and trade","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Materiality (auditing); Modernity; Scholarship; Representation (politics); Reading (process); Colonialism; Sociology; Anthropology; Art; Aesthetics; Visual arts; Art history; History; Literature; Epistemology; Archaeology; Philosophy; Politics; Linguistics","score_opus":0.09261608685797404,"score_gpt":0.33621554836906525,"score_spread":0.24359946151109121,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247748103","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47103196,0.0073725297,0.0034841306,0.3820415,0.002583279,0.0002282135,0.0001416849,0.00010144418,0.13301522],"genre_scores_gemma":[0.9009043,0.003624783,0.0015859241,0.045536727,0.0004976501,0.00019572502,0.000053953994,0.00014887872,0.047452126],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99483585,0.0032602567,0.00009826511,0.00031183442,0.00083755946,0.00065630296],"domain_scores_gemma":[0.99572134,0.0027122176,0.00028777958,0.00008823518,0.0004825621,0.0007079873],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005096655,0.00063646503,0.0006941622,0.0012102604,0.03327249,0.0067278435,0.0018108074,0.007302858,0.004495084],"category_scores_gemma":[0.012471011,0.00080906216,0.0003945156,0.001696714,0.015270432,0.006545029,0.0053098225,0.01671091,0.0007780107],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012783506,0.000024856909,0.00045324775,0.000025174197,0.0000015589084,0.0013680594,0.9619972,0.00003769157,0.00056480366,0.01521076,0.017408613,0.0028953198],"study_design_scores_gemma":[0.0000027802057,0.000013913377,0.0003559264,0.00015371204,0.0000021969445,0.00046286438,0.82639927,0.00007761028,0.0002006715,0.0022094422,0.17010091,0.000020706586],"about_ca_topic_score_codex":0.066732764,"about_ca_topic_score_gemma":0.10610324,"teacher_disagreement_score":0.066732764,"about_ca_system_score_codex":0.010496419,"about_ca_system_score_gemma":0.0059761847,"threshold_uncertainty_score":0.1326887},"labels":[],"label_agreement":null},{"id":"W4248196157","doi":"10.1386/public_00009_7","title":"Biometric Aesthetics","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Law in Society and Culture","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Biometrics; Eugenics; Face (sociological concept); Sociology; Photography; Identification (biology); Reading (process); Galton's problem; Diversity (politics); Aesthetics; Biometric data; Epistemology; Computer science; Visual arts; Social science; Law; Political science; Philosophy; Art; Artificial intelligence; Anthropology; Ecology; Biology","score_opus":0.07288829630401826,"score_gpt":0.30037876937502994,"score_spread":0.22749047307101167,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248196157","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005570447,0.0038328946,0.020092187,0.02692921,0.0015100563,0.000025161426,0.000112858856,0.00016382747,0.94176334],"genre_scores_gemma":[0.7337784,0.0048000845,0.012975298,0.011736284,0.003044405,0.00020458622,0.00024301242,0.00044795588,0.23276986],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99264,0.0034151133,0.00023600085,0.0008726376,0.002349397,0.00048697903],"domain_scores_gemma":[0.9970324,0.0011200024,0.0002728888,0.00075400283,0.00059654895,0.00022420328],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0047002947,0.0008255363,0.0003794511,0.0023068893,0.0058082733,0.011930436,0.0011510404,0.0035245589,0.021973355],"category_scores_gemma":[0.008940815,0.00032946287,0.00056740927,0.0014000762,0.02678849,0.007145745,0.0054310192,0.0040684137,0.0050997892],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004765291,0.0000028650911,0.000055543547,0.000011614215,0.0000011145249,0.000024637828,0.0014335886,0.000057135065,0.00007063209,0.98574084,0.007096856,0.0055004507],"study_design_scores_gemma":[0.000006911147,0.000014402694,0.00026852917,0.00011959621,0.000003753686,0.00047061528,0.0021724403,0.00057894015,0.00018893702,0.48737332,0.5087845,0.00001809941],"about_ca_topic_score_codex":0.0023589446,"about_ca_topic_score_gemma":0.0015284489,"teacher_disagreement_score":0.021973355,"about_ca_system_score_codex":0.0048266193,"about_ca_system_score_gemma":0.0014204078,"threshold_uncertainty_score":0.07350814},"labels":[],"label_agreement":null},{"id":"W4249802184","doi":"10.1386/public.23.45.35_1","title":"NIGHTSENSE","year":2012,"lang":"en","type":"article","venue":"Public","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Exhibition; Context (archaeology); Locale (computer software); Interrogation; Capital (architecture); Value (mathematics); Citizenship; Aesthetics; Space (punctuation); Visual arts; Sociology; Art; Political science; History; Politics; Archaeology; Law","score_opus":0.11500675359218167,"score_gpt":0.3129872209517968,"score_spread":0.19798046735961516,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249802184","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009206369,0.0010305664,0.011745258,0.0016825292,0.001530465,0.0001919601,0.009300351,0.007353013,0.9579595],"genre_scores_gemma":[0.062322553,0.0009172617,0.012079771,0.00084200205,0.00029928196,0.00018168511,0.008417836,0.006396533,0.90854317],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993352,0.000078460034,0.000013375992,0.00010937492,0.00033883756,0.00012473999],"domain_scores_gemma":[0.99916196,0.0001253727,0.000024213728,0.0002173899,0.00026480723,0.0002063865],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005827522,0.0006937886,0.00030914813,0.0010296494,0.00326347,0.003973951,0.0011791773,0.00094740285,0.29433504],"category_scores_gemma":[0.0013516388,0.0004455608,0.00050264015,0.0011173056,0.0010473431,0.0014598264,0.00364282,0.0010885763,0.074721135],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019028582,0.000042225387,0.0013766458,0.0005282938,0.000013489058,0.00052451785,0.0075902487,0.0004461734,0.0066742385,0.020373136,0.860476,0.1017647],"study_design_scores_gemma":[0.0000036684419,0.000007172549,0.00060056016,0.000032459568,0.0000018900672,0.00007451919,0.00067863986,0.000077297496,0.0003302497,0.00025122156,0.99793434,0.000007976247],"about_ca_topic_score_codex":0.06682575,"about_ca_topic_score_gemma":0.2525049,"teacher_disagreement_score":0.29433504,"about_ca_system_score_codex":0.00229948,"about_ca_system_score_gemma":0.0023778647,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4253493022","doi":"10.1386/public.31.59.190_1","title":"On Talking to Bees","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Plant and animal studies","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Emily Carr University of Art and Design","funders":"","keywords":"Reflection (computer programming); Swarm behaviour; Pollinator; Sociology; Visual arts; Geography; Communication; Computer science; Ecology; Artificial intelligence; Art; Pollination; Biology","score_opus":0.04612564952198396,"score_gpt":0.1984766887603927,"score_spread":0.15235103923840876,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253493022","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0066199303,0.053193208,0.0036213426,0.7493886,0.036507756,0.000072848125,0.00008610376,0.00011254803,0.15039766],"genre_scores_gemma":[0.1837071,0.03252998,0.0036431681,0.600018,0.0221733,0.0002522975,0.00008536949,0.00044783042,0.15714297],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.992023,0.005633132,0.00014972055,0.00067440624,0.00084731274,0.0006724712],"domain_scores_gemma":[0.99181986,0.005472083,0.00034534466,0.00044071773,0.0011698104,0.00075215247],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006498122,0.0011782774,0.00083415495,0.0011262251,0.01358523,0.011200675,0.0022365896,0.012099655,0.010719183],"category_scores_gemma":[0.01667872,0.00052014773,0.0009097722,0.0010136478,0.025708191,0.019663086,0.006019543,0.022944583,0.004627934],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011832057,0.00005007753,0.00046344657,0.00039009593,0.000034527886,0.0011548212,0.30633938,0.00019240154,0.0010036486,0.16779883,0.47974643,0.04270808],"study_design_scores_gemma":[0.00000804142,0.000019911742,0.00019358432,0.0003956571,0.00000538024,0.00029157999,0.04175327,0.000039706018,0.00010147577,0.013232311,0.9439417,0.00001748536],"about_ca_topic_score_codex":0.009539564,"about_ca_topic_score_gemma":0.010746831,"teacher_disagreement_score":0.01358523,"about_ca_system_score_codex":0.0040437314,"about_ca_system_score_gemma":0.0026850111,"threshold_uncertainty_score":0.035859227},"labels":[],"label_agreement":null},{"id":"W4254315389","doi":"10.1386/public.23.45.228_5","title":"BOOK REVIEW","year":2012,"lang":"en","type":"article","venue":"Public","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Subjectivity; Creativity; Sociology; Art history; Media studies; Humanities; Art; Political science; Law; Epistemology; Philosophy","score_opus":0.09739281660295955,"score_gpt":0.32799644416912443,"score_spread":0.23060362756616487,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254315389","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00037018294,0.7875084,0.00092521246,0.036838904,0.0291176,0.00017520122,0.0031597407,0.0002536753,0.14165115],"genre_scores_gemma":[0.0034812368,0.75416857,0.0016110475,0.031079834,0.019058447,0.00023691425,0.0042563993,0.00025668356,0.18585083],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988632,0.00019514197,0.00012282348,0.00015464128,0.0005700376,0.00009422655],"domain_scores_gemma":[0.99551105,0.001753918,0.00035652416,0.00023594784,0.0016955041,0.0004471043],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010912109,0.0006789879,0.0014246928,0.004096107,0.000838835,0.004604523,0.0025268593,0.0027367119,0.25381318],"category_scores_gemma":[0.010943019,0.00034035408,0.00084614597,0.005632011,0.0007955374,0.0034520535,0.002008771,0.0028254997,0.12400484],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027636017,0.000021160635,0.00006193378,0.0026392187,0.000018554723,0.000097674434,0.0000535845,0.000050218252,0.000055235076,0.0027726118,0.85229087,0.14191137],"study_design_scores_gemma":[0.0000067413303,0.0000067311157,0.00008814874,0.0021278032,0.0000132432415,0.00024733765,0.000032219723,0.000006357577,0.00001765438,0.0007268721,0.9967229,0.000003992247],"about_ca_topic_score_codex":0.0035079448,"about_ca_topic_score_gemma":0.0057109576,"teacher_disagreement_score":0.25381318,"about_ca_system_score_codex":0.0019115027,"about_ca_system_score_gemma":0.0050519435,"threshold_uncertainty_score":0.8490897},"labels":[],"label_agreement":null},{"id":"W4256335616","doi":"10.1386/public.31.59.72_1","title":"Animal Eyes: Gazing at the Animal in Video Games","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Anthropocentrism; Objectification; Realism; Gaze; Subjectivity; Video game; Panopticon; Aesthetics; Psychology; Sociology; Environmental ethics; Art; Epistemology; Computer science; Philosophy; Multimedia; Psychoanalysis","score_opus":0.030847318175181614,"score_gpt":0.31921573475231796,"score_spread":0.28836841657713636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4256335616","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68604946,0.00093682035,0.008803287,0.0050513144,0.00030022784,0.00007486444,0.00025200166,0.00028954013,0.29824245],"genre_scores_gemma":[0.9854477,0.00026792783,0.001416853,0.00047206978,0.000041909487,0.000025004088,0.00007848914,0.000064524014,0.012185538],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994191,0.00038083966,0.000009630122,0.000052567073,0.00005576509,0.00008215603],"domain_scores_gemma":[0.9992299,0.00042991032,0.000105182786,0.00003872943,0.00005394986,0.00014234269],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043286933,0.00039676973,0.00011761049,0.00079883577,0.0018659375,0.0032445057,0.0004198834,0.0011412856,0.008481429],"category_scores_gemma":[0.002857398,0.00018650902,0.00016833561,0.0003591796,0.002643059,0.0024683997,0.0027158184,0.0010045652,0.00091426255],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006224903,0.00019401724,0.032574367,0.00041095613,0.00007135767,0.0043525663,0.74772084,0.00054188113,0.019762978,0.07498714,0.040908378,0.07785309],"study_design_scores_gemma":[0.00006626237,0.0004878159,0.058769654,0.0004704102,0.00008708961,0.004015017,0.53557026,0.0025301755,0.0048047616,0.021413844,0.37165564,0.00012902496],"about_ca_topic_score_codex":0.006555573,"about_ca_topic_score_gemma":0.011611817,"teacher_disagreement_score":0.008481429,"about_ca_system_score_codex":0.0008769054,"about_ca_system_score_gemma":0.0002857088,"threshold_uncertainty_score":0.028373241},"labels":[],"label_agreement":null},{"id":"W4256666410","doi":"10.1386/public_00001_1","title":"Introduction","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Biometrics; Context (archaeology); Politics; Narrative; Corporate governance; Manifold (fluid mechanics); Computer science; Sociology; Aesthetics; Political science; Computer security; Engineering; Business; Linguistics; Law; Art; History; Philosophy; Mechanical engineering","score_opus":0.04586002928800641,"score_gpt":0.18977320065360037,"score_spread":0.14391317136559395,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4256666410","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018696557,0.007591201,0.006043432,0.03785738,0.02118658,0.00024877774,0.00697595,0.0013289567,0.9168981],"genre_scores_gemma":[0.018404726,0.007920382,0.004239994,0.012161483,0.0077514704,0.00029635846,0.008767611,0.00083194376,0.93962604],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99825865,0.00023437127,0.00009601934,0.000448281,0.0007419973,0.00022067447],"domain_scores_gemma":[0.9975337,0.00036819463,0.000118086566,0.00028202127,0.0013275874,0.00037037706],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0012123488,0.00089648005,0.00054828165,0.0016047125,0.0024019307,0.0068517327,0.0019471684,0.0030777098,0.4307431],"category_scores_gemma":[0.0051786564,0.00033225756,0.0005958422,0.0015382869,0.0010418652,0.004158879,0.0033878654,0.0031152526,0.24568291],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035459165,0.000035247936,0.00044015388,0.00024165501,0.000004184696,0.0001139093,0.00073283,0.00012574602,0.0003080057,0.059378963,0.8404852,0.098098665],"study_design_scores_gemma":[0.0000017851225,0.000006263768,0.00020169011,0.00012465945,8.778317e-7,0.0000451107,0.00014267476,0.00001796148,0.000049087834,0.0030542472,0.9963517,0.0000039128336],"about_ca_topic_score_codex":0.004434266,"about_ca_topic_score_gemma":0.0035096535,"teacher_disagreement_score":0.5692569,"about_ca_system_score_codex":0.0026922468,"about_ca_system_score_gemma":0.0029659462,"threshold_uncertainty_score":0.8119759},"labels":[],"label_agreement":null},{"id":"W4283583192","doi":"10.1386/public_00090_7","title":"Fervor Forever","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Conversation; Theme (computing); Art history; Art; Sociology; History; Communication; Computer science; World Wide Web","score_opus":0.10684746288505181,"score_gpt":0.2383048882228293,"score_spread":0.1314574253377775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4283583192","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024489714,0.021264262,0.0013052396,0.19854106,0.03216065,0.00003722285,0.00042059977,0.00042428158,0.7433976],"genre_scores_gemma":[0.00809759,0.0023564058,0.00024100457,0.020835174,0.00095175265,0.000012265909,0.00011987777,0.00016610365,0.9672199],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928516,0.0001249061,0.000014262744,0.00015493354,0.00028786663,0.00013282143],"domain_scores_gemma":[0.9990602,0.00015186847,0.000034390476,0.000060447255,0.00031720885,0.0003759175],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006086453,0.00044878208,0.0002874446,0.00075319206,0.005205203,0.003934041,0.000715527,0.0024567624,0.1918227],"category_scores_gemma":[0.0033129328,0.00020299527,0.00019170876,0.00045158647,0.0011300541,0.002558049,0.0026751107,0.003145776,0.07112533],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009840724,0.0000068099334,0.00007315038,0.000017154065,7.9772485e-7,0.000057374848,0.00037112003,0.000007528009,0.0001136151,0.011679715,0.9673245,0.020338459],"study_design_scores_gemma":[7.287827e-7,0.000001580924,0.00006093582,0.00002093303,3.5448122e-7,0.000038096678,0.0003206155,0.000005111825,0.000036634978,0.0005625741,0.9989507,0.0000016260698],"about_ca_topic_score_codex":0.017759416,"about_ca_topic_score_gemma":0.04723708,"teacher_disagreement_score":0.1918227,"about_ca_system_score_codex":0.00217508,"about_ca_system_score_gemma":0.0018844223,"threshold_uncertainty_score":0.6417109},"labels":[],"label_agreement":null},{"id":"W4283585899","doi":"10.1386/public_00097_1","title":"Alexander Wilson: Queer Parrhesiast","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Feminism; Queer theory; Politics; Gender studies; Sociology; Environmentalism; Identity (music); Body politic; Socialism; Human sexuality; Aesthetics; Philosophy; Law; Political science","score_opus":0.0256687391437953,"score_gpt":0.22998044866397388,"score_spread":0.20431170952017857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4283585899","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020192845,0.08801848,0.0016857863,0.24691132,0.007610241,0.00005713371,0.00037785398,0.00030566865,0.63484067],"genre_scores_gemma":[0.30716997,0.021002207,0.000761901,0.018441383,0.00080569513,0.000044674798,0.00008924472,0.00016718343,0.65151775],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987974,0.0003007458,0.000019246472,0.00019113705,0.0003194795,0.00037191113],"domain_scores_gemma":[0.9991381,0.00021118895,0.00007980315,0.000058925867,0.0002373096,0.0002746965],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010636512,0.0004929451,0.00022673249,0.00083241536,0.017492674,0.005236929,0.0006687552,0.0024438854,0.015873643],"category_scores_gemma":[0.0026710848,0.000258253,0.00012602686,0.0015209921,0.0132770045,0.0028071615,0.0020556648,0.0029958698,0.0018963334],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002594074,0.000009885888,0.0005415468,0.000078845784,0.0000033031038,0.0005050892,0.07169713,0.000069596026,0.0003057501,0.34691507,0.55446917,0.025378693],"study_design_scores_gemma":[0.0000016700103,0.0000020567509,0.00037502043,0.000049532588,0.0000010807878,0.00007052419,0.007562924,0.000010767216,0.000058472742,0.0022149726,0.9896478,0.0000052017517],"about_ca_topic_score_codex":0.7760854,"about_ca_topic_score_gemma":0.8934528,"teacher_disagreement_score":0.22391462,"about_ca_system_score_codex":0.041343708,"about_ca_system_score_gemma":0.02345822,"threshold_uncertainty_score":0.45046657},"labels":[],"label_agreement":null},{"id":"W4283592189","doi":"10.1386/public_00102_1","title":"Two Hungry Children: A Prodigal Return","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Latin American and Latino Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Conversation; Visual arts; Art; Sociology; Art history; Aesthetics; History; Media studies; Gender studies; Communication","score_opus":0.023776184344485713,"score_gpt":0.29462123884804287,"score_spread":0.27084505450355717,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4283592189","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0341407,0.02161611,0.0005990883,0.8035722,0.022727223,0.00004518377,0.00009253768,0.00008277647,0.11712426],"genre_scores_gemma":[0.51203954,0.016711649,0.0008144954,0.21430275,0.012954012,0.00020688353,0.000094157804,0.00049668597,0.24237983],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958222,0.002012109,0.000088368506,0.00031955287,0.00071260385,0.0010452085],"domain_scores_gemma":[0.99549955,0.0018982296,0.00024418932,0.00027540512,0.0008229154,0.0012596688],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0041603073,0.00078670395,0.00076533604,0.0009305891,0.03566865,0.010556564,0.002104879,0.010578675,0.008899056],"category_scores_gemma":[0.011617516,0.00050124974,0.0004612067,0.0009752654,0.027505033,0.009390816,0.010480894,0.02039913,0.0014956554],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045324843,0.000070234644,0.0005558278,0.000100293415,0.000010268332,0.0033458048,0.40149504,0.000035752706,0.00028108235,0.16000234,0.4180414,0.016016599],"study_design_scores_gemma":[0.000009962819,0.000015423124,0.00038680312,0.00022728316,0.0000062537356,0.00076807616,0.19782431,0.000017992672,0.00016921721,0.0068008755,0.793756,0.000017769693],"about_ca_topic_score_codex":0.061429307,"about_ca_topic_score_gemma":0.1268105,"teacher_disagreement_score":0.061429307,"about_ca_system_score_codex":0.013680044,"about_ca_system_score_gemma":0.010397421,"threshold_uncertainty_score":0.12214351},"labels":[],"label_agreement":null},{"id":"W4283592504","doi":"10.1386/public_00098_7","title":"Alexander Wilson: Heart and Mind","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Queer; Body politic; Art history; Mind–body problem; Performance art; Art; Sociology; Psychoanalysis; History; Psychology; Gender studies; Philosophy; Politics; Epistemology; Law; Political science; Archaeology","score_opus":0.08963443994924959,"score_gpt":0.24664642247245738,"score_spread":0.1570119825232078,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4283592504","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03695716,0.13529158,0.0006759487,0.53214437,0.008977645,0.000045564182,0.00030490762,0.00013004027,0.28547284],"genre_scores_gemma":[0.37861413,0.040147237,0.0005831297,0.12524407,0.0016144577,0.00006256978,0.00009885614,0.00014223882,0.4534934],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99905103,0.0003389513,0.000015296619,0.00008954178,0.00019969825,0.00030551193],"domain_scores_gemma":[0.9984164,0.0004028244,0.00009280949,0.000037953763,0.0003330248,0.00071693654],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009990751,0.00030868102,0.00022317003,0.0008540371,0.014031188,0.0042107045,0.000580327,0.0021966686,0.009251625],"category_scores_gemma":[0.0033389442,0.00025862633,0.0001561989,0.0012569106,0.009284855,0.0026539606,0.0018966374,0.004387466,0.0017555518],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002152343,0.000013059202,0.0014859936,0.00006262191,0.0000051408783,0.00044282796,0.12466694,0.00003624565,0.00019995427,0.04408793,0.81163853,0.017339366],"study_design_scores_gemma":[0.0000026387515,0.000004896817,0.001948884,0.00012264235,0.000002343776,0.0001607056,0.038962353,0.0000061763108,0.00004022812,0.001620191,0.9571193,0.0000095990845],"about_ca_topic_score_codex":0.549252,"about_ca_topic_score_gemma":0.7496955,"teacher_disagreement_score":0.549252,"about_ca_system_score_codex":0.01524978,"about_ca_system_score_gemma":0.012792608,"threshold_uncertainty_score":0.90680516},"labels":[],"label_agreement":null},{"id":"W4283650461","doi":"10.1386/public_00111_4","title":"This Book Will Break Your Heart: Between Certain Death and a Possible Future and What AIDS Teaches","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Foucault, Power, and Ethics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Human immunodeficiency virus (HIV); Psychoanalysis; Psychology; History; Medicine; Epistemology; Literature; Philosophy; Art; Virology","score_opus":0.04774078520626037,"score_gpt":0.31707831368977885,"score_spread":0.2693375284835185,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4283650461","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022438439,0.16249937,0.002988903,0.22051446,0.09512973,0.00008412785,0.00011756805,0.00017336561,0.5162486],"genre_scores_gemma":[0.019888278,0.068574056,0.002459931,0.07318091,0.032459475,0.00014116564,0.000104926,0.0003042532,0.802887],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999164,0.0003415822,0.00002473283,0.00006003115,0.000333237,0.00007641431],"domain_scores_gemma":[0.9975904,0.0017111811,0.000100324396,0.000058736983,0.00023894434,0.00030042994],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011307773,0.00064877316,0.00074805645,0.0007727407,0.0036280765,0.007805871,0.0006792105,0.0027876853,0.021188194],"category_scores_gemma":[0.005150951,0.00032197943,0.0004656518,0.00072784163,0.0046246513,0.0063356394,0.002265488,0.008896647,0.0075147087],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011880911,0.000031512416,0.00009155497,0.00018338789,0.0000045914685,0.00008788296,0.0043393713,0.00004288677,0.00009962519,0.108532056,0.8432856,0.04328957],"study_design_scores_gemma":[0.0000027768613,0.000011926281,0.00013396966,0.00040460567,0.0000021446217,0.000121403056,0.0023884568,0.000018436569,0.000027752925,0.010488589,0.986395,0.0000049609707],"about_ca_topic_score_codex":0.0025967527,"about_ca_topic_score_gemma":0.008441559,"teacher_disagreement_score":0.021188194,"about_ca_system_score_codex":0.0020934858,"about_ca_system_score_gemma":0.0034028098,"threshold_uncertainty_score":0.070881605},"labels":[],"label_agreement":null},{"id":"W4283653719","doi":"10.1386/public_00093_1","title":"Dancing Through the Archive: Researching René Highway’s Final Choreography: Prism, Mirror, Lens","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Prism; Film director; Choreography; Context (archaeology); Visual arts; Art; Lens (geology); Indigenous; Dance; Art history; Optics; Movie theater; History; Physics; Archaeology","score_opus":0.12768069894223474,"score_gpt":0.3392246140599002,"score_spread":0.21154391511766543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4283653719","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28001356,0.009688869,0.004777429,0.033476435,0.0014584467,0.00005500759,0.00010083499,0.00011845819,0.670311],"genre_scores_gemma":[0.93987375,0.0023228708,0.0011475945,0.0010070633,0.00021478106,0.000029590346,0.000027563983,0.00015561559,0.055221174],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9977124,0.0015540752,0.000033090357,0.00020404985,0.0002700006,0.00022641773],"domain_scores_gemma":[0.99798584,0.0012239405,0.00015008938,0.00019032808,0.00025746823,0.00019226993],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002782384,0.00040392755,0.0002536555,0.0011124033,0.010193022,0.0072262543,0.0009506258,0.0013474963,0.0062210388],"category_scores_gemma":[0.008002082,0.00023162898,0.00019793982,0.0009466143,0.016041389,0.0049971608,0.0033800995,0.0027802375,0.0005754662],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025521227,0.000021526803,0.0010604112,0.000098769015,0.000006656791,0.00025198207,0.80345386,0.00009718388,0.0003170822,0.15650775,0.019828357,0.018330844],"study_design_scores_gemma":[0.0000044502603,0.000032818873,0.0037480257,0.0002534606,0.0000082703455,0.00038184022,0.5607673,0.00009778051,0.00040138167,0.0063876444,0.4278978,0.00001915429],"about_ca_topic_score_codex":0.04694661,"about_ca_topic_score_gemma":0.11360437,"teacher_disagreement_score":0.04694661,"about_ca_system_score_codex":0.003670775,"about_ca_system_score_gemma":0.0031320339,"threshold_uncertainty_score":0.093346715},"labels":[],"label_agreement":null},{"id":"W4283657881","doi":"10.1386/public_00112_5","title":"Queer Memory Beyond the Archive: Reading LGBTQ Pasts on Screen Towards Queer Futures","year":2022,"lang":"en","type":"article","venue":"Public","topic":"European history and politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Queer; Futures contract; Reading (process); Strengths and weaknesses; Queer theory; Gender studies; Sociology; Media studies; Psychology; Political science","score_opus":0.03545032506044391,"score_gpt":0.2866738413085381,"score_spread":0.2512235162480942,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4283657881","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036407288,0.9323938,0.0003720292,0.027499856,0.0013023188,0.000009486473,0.00006430489,0.000016787702,0.034700703],"genre_scores_gemma":[0.03660363,0.94748247,0.00026239431,0.0056513823,0.0013236203,0.000020262063,0.00008339149,0.000025006042,0.008547932],"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9991974,0.00040574317,0.00004812024,0.000049264945,0.00020486246,0.000094549236],"domain_scores_gemma":[0.99768245,0.0017360506,0.0001482933,0.00003761615,0.0002962167,0.000099266545],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014731003,0.0003107835,0.0005151439,0.0024703813,0.00208683,0.0056680106,0.0005840943,0.001689249,0.0058521517],"category_scores_gemma":[0.0047392673,0.00023053572,0.00026156215,0.0038369277,0.0050660274,0.008320144,0.0014296548,0.0025930505,0.0009125146],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000062577186,0.00004431711,0.0016775925,0.007292035,0.00006282936,0.0009072141,0.12766667,0.00016108797,0.00073311036,0.18563959,0.20187044,0.4738825],"study_design_scores_gemma":[0.000004172411,0.000017401635,0.003353815,0.008869081,0.000029766017,0.0005911062,0.041506864,0.000027997781,0.00021741954,0.012372336,0.93299174,0.000018328608],"about_ca_topic_score_codex":0.029269056,"about_ca_topic_score_gemma":0.06508554,"teacher_disagreement_score":0.029269056,"about_ca_system_score_codex":0.0034593577,"about_ca_system_score_gemma":0.004314653,"threshold_uncertainty_score":0.05819744},"labels":[],"label_agreement":null},{"id":"W4306408296","doi":"10.1386/public_00127_1","title":"The Language of Blindness and its Rapport with Sight: Immersive Descriptive Audio and Rainbow On Mars","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Subtitles and Audiovisual Media","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Sight; Blindness; Closeness; Privilege (computing); Psychology; Rainbow; Visual arts; Computer science; Art; Optometry; Computer security; Medicine; Astronomy","score_opus":0.04774205113785935,"score_gpt":0.21873398175730852,"score_spread":0.17099193061944917,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4306408296","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5511462,0.0032002905,0.021528052,0.014272757,0.00087207765,0.00009226458,0.00016478053,0.0005640685,0.40815955],"genre_scores_gemma":[0.9816491,0.00036060208,0.0019794323,0.0003122942,0.00006683917,0.000026332455,0.000017663438,0.00007272877,0.015514992],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99735546,0.0017838664,0.000043249882,0.00015638255,0.00035170373,0.00030935233],"domain_scores_gemma":[0.9982058,0.0010554203,0.00018881219,0.00014998937,0.00011962176,0.0002803935],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022428392,0.0005396375,0.00021731101,0.000922413,0.006143793,0.0055253725,0.00090575503,0.0013049099,0.00808202],"category_scores_gemma":[0.0052419165,0.00026331513,0.00033942133,0.00046064146,0.017151548,0.0041514765,0.008905941,0.0021944365,0.0005859838],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012252518,0.00003150956,0.00095069583,0.0001532222,0.000011243793,0.0010415132,0.8585576,0.00020061909,0.003106097,0.10990809,0.006190073,0.019726973],"study_design_scores_gemma":[0.000019879726,0.0002055349,0.0054335836,0.0003643409,0.000026923622,0.0020586792,0.6153888,0.00042881258,0.0017816231,0.014448058,0.3597601,0.00008356947],"about_ca_topic_score_codex":0.009040395,"about_ca_topic_score_gemma":0.013002047,"teacher_disagreement_score":0.009040395,"about_ca_system_score_codex":0.0024564248,"about_ca_system_score_gemma":0.00089276995,"threshold_uncertainty_score":0.027037084},"labels":[],"label_agreement":null},{"id":"W4306408314","doi":"10.1386/public_00121_1","title":"We’re waving hands! Creating a graphic novel in Quebec Sign Language","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Sign language; Agency (philosophy); Inscribed figure; Sign (mathematics); American Sign Language; Linguistics; Sociology; Queer; Sign system; Psychology; Communication; Gender studies","score_opus":0.046276461058444456,"score_gpt":0.25586187276828876,"score_spread":0.2095854117098443,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4306408314","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24987826,0.0042372537,0.012330399,0.06497697,0.0036382366,0.00028535404,0.0009580106,0.00070584385,0.6629897],"genre_scores_gemma":[0.7784744,0.0013147985,0.0052605127,0.0032107485,0.00013096143,0.00010281976,0.00022925122,0.0003648754,0.21091162],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9985215,0.0008144694,0.000014977598,0.000119694414,0.0002804776,0.00024889066],"domain_scores_gemma":[0.9985139,0.00048713843,0.000070912865,0.00008567955,0.00043219794,0.00041018391],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017580981,0.0006534159,0.00029923924,0.001067007,0.024849162,0.011337038,0.0014960719,0.0021234672,0.030040437],"category_scores_gemma":[0.0032666698,0.0002654195,0.00034164518,0.0009122317,0.013462696,0.002428003,0.002915743,0.0033189163,0.0018301237],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012508548,0.00012594038,0.0022708033,0.0002041799,0.000016380754,0.0041899374,0.4507173,0.00089219253,0.00367377,0.24865319,0.24231306,0.046818193],"study_design_scores_gemma":[0.000009289996,0.000024571838,0.0011588921,0.00016014083,0.000007420594,0.00045695552,0.18893512,0.000406674,0.0009095792,0.002098099,0.80579656,0.000036748217],"about_ca_topic_score_codex":0.8812939,"about_ca_topic_score_gemma":0.9544658,"teacher_disagreement_score":0.11870611,"about_ca_system_score_codex":0.050570898,"about_ca_system_score_gemma":0.023034045,"threshold_uncertainty_score":0.36691928},"labels":[],"label_agreement":null},{"id":"W4306408326","doi":"10.1386/public_00120_7","title":"In conversation: Excerpts from interviews with George Kerscher, Farrah Little, Daniella Levy-Pinto, Amy Rollason and Adam Rallo.","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Jewish Identity and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Arts Foundation; Toronto Arts Council","funders":"","keywords":"George (robot); Conversation; Art; Art history; Psychology; Communication","score_opus":0.029129297098333878,"score_gpt":0.26469768778355995,"score_spread":0.2355683906852261,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4306408326","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62636673,0.011571755,0.009134534,0.062420722,0.0048280433,0.0009130366,0.0037758315,0.00039231146,0.28059703],"genre_scores_gemma":[0.86708635,0.004273012,0.0036916658,0.011962977,0.0004547843,0.0011680401,0.00078841764,0.0003552511,0.110219456],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9975751,0.001697209,0.00006244242,0.000116651674,0.00021839717,0.00033014436],"domain_scores_gemma":[0.99381614,0.004791685,0.00034396068,0.00009683781,0.00038431282,0.0005671367],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001767055,0.0011179257,0.00057717646,0.000968546,0.011364543,0.0027303565,0.0010823832,0.004124006,0.009246295],"category_scores_gemma":[0.0096464725,0.00053759373,0.00024542003,0.0018250967,0.0050162,0.0025787519,0.0036399376,0.0048780646,0.003463004],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009247969,0.000037394835,0.00040399638,0.0002000444,0.0000053182976,0.0020494326,0.94613874,0.000044405857,0.0024574983,0.0023782032,0.040713586,0.005478873],"study_design_scores_gemma":[0.000011284957,0.000018840045,0.0019194774,0.00034994626,0.0000051498546,0.0004889545,0.85552675,0.000060790953,0.00059122324,0.00089879206,0.14010532,0.000023496958],"about_ca_topic_score_codex":0.019340416,"about_ca_topic_score_gemma":0.064093955,"teacher_disagreement_score":0.019340416,"about_ca_system_score_codex":0.0027297854,"about_ca_system_score_gemma":0.0015981597,"threshold_uncertainty_score":0.038455725},"labels":[],"label_agreement":null},{"id":"W4306408328","doi":"10.1386/public_00128_7","title":"Artworks from BEING Studio","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Architecture and Computational Design","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Studio; Art; Visual arts","score_opus":0.00886885639809972,"score_gpt":0.16591230133703566,"score_spread":0.15704344493893593,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4306408328","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008332714,0.003221451,0.0022263473,0.0017781511,0.0021241666,0.00015410018,0.0020317747,0.00056496024,0.9795664],"genre_scores_gemma":[0.03468044,0.004302346,0.0043782056,0.0006842173,0.00047342127,0.000084587795,0.0028908714,0.0008553785,0.9516506],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991592,0.00006117559,0.000020290901,0.000066116816,0.0005236716,0.00016955679],"domain_scores_gemma":[0.99915516,0.00006379802,0.000018383518,0.00011590201,0.00022187822,0.00042494002],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00064395467,0.0009621213,0.0003669135,0.0029812355,0.00589558,0.0056652864,0.0009327622,0.00068902195,0.17033425],"category_scores_gemma":[0.0012116279,0.00038332303,0.00067279,0.003535765,0.0012364961,0.0014932937,0.003621104,0.0015803702,0.028443713],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007572775,0.00004621412,0.0007421579,0.00025747888,0.000008485673,0.0003676838,0.0054480038,0.0002698806,0.0017360484,0.010409782,0.8280828,0.15255569],"study_design_scores_gemma":[0.0000031170282,0.000010390044,0.0014011648,0.00008968963,0.0000025604518,0.00018967784,0.0010989805,0.00002763145,0.00014734939,0.0005240621,0.9964999,0.00000549664],"about_ca_topic_score_codex":0.05666651,"about_ca_topic_score_gemma":0.37664077,"teacher_disagreement_score":0.17033425,"about_ca_system_score_codex":0.0026163133,"about_ca_system_score_gemma":0.0039949887,"threshold_uncertainty_score":0.5698248},"labels":[],"label_agreement":null},{"id":"W4306408342","doi":"10.1386/public_00130_1","title":"Stretching Our Stories (SOS): Digital Worldmaking in Troubled Times","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Participatory Visual Research Methods","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University; Centre for Social Innovation; Brandon University; Brock University","funders":"","keywords":"Coronavirus disease 2019 (COVID-19); Intersectionality; Sociology; Normative; The arts; 2019-20 coronavirus outbreak; Media studies; Pandemic; Ableism; Aesthetics; Movie theater; Inequality; Severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2); Work (physics); Public relations; Visual arts; Political science; Gender studies; Art; Law; Medicine; Engineering","score_opus":0.5971609094179193,"score_gpt":0.6173829014844245,"score_spread":0.020221992066505212,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4306408342","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6236635,0.003875813,0.021319417,0.030605927,0.0028123045,0.00030188964,0.00042923624,0.00041928177,0.3165727],"genre_scores_gemma":[0.9745564,0.0009859599,0.0035865651,0.0014240326,0.00026501642,0.00012677498,0.00010582763,0.00020294997,0.018746542],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.994836,0.0035249295,0.00010184879,0.0003928057,0.0005553105,0.0005891653],"domain_scores_gemma":[0.99044764,0.005681335,0.0007100324,0.0009885936,0.0004702813,0.001702128],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005991398,0.0008259927,0.0003724624,0.0019231534,0.017201811,0.015223924,0.0015315295,0.002474874,0.0132368915],"category_scores_gemma":[0.016097624,0.00044631833,0.0005222353,0.0015861742,0.023403822,0.012706623,0.0185877,0.004397033,0.001148948],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000079226236,0.000041698753,0.0017831294,0.00018369374,0.0000136816725,0.0009937154,0.90603906,0.000108605076,0.0007225253,0.05032441,0.011254548,0.0284557],"study_design_scores_gemma":[0.000009098975,0.00003863505,0.0009123896,0.00020637426,0.00001025349,0.00055115647,0.798537,0.00015029965,0.000644495,0.01257549,0.1863399,0.000024835734],"about_ca_topic_score_codex":0.0019451984,"about_ca_topic_score_gemma":0.0048164222,"teacher_disagreement_score":0.017201811,"about_ca_system_score_codex":0.0024904772,"about_ca_system_score_gemma":0.0018976047,"threshold_uncertainty_score":0.04428178},"labels":[],"label_agreement":null},{"id":"W4306408363","doi":"10.1386/public_00113_7","title":"Introduction: Access Aesthetics— Toward a Prefigurative Cultural Politics","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Social Media and Politics","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary; York University","funders":"","keywords":"Politics; Aesthetics; Sociology; Political science; Art; Law","score_opus":0.08984817170888561,"score_gpt":0.37110546721660487,"score_spread":0.2812572955077193,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4306408363","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021700785,0.06708127,0.022381367,0.55682904,0.12560105,0.00010325187,0.00063940714,0.00027830442,0.2249162],"genre_scores_gemma":[0.08420473,0.06444473,0.01643023,0.30468467,0.27908987,0.00035628423,0.0007713767,0.0012453183,0.2487729],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9976152,0.00090893195,0.00010953627,0.00033272486,0.00090317806,0.00013035125],"domain_scores_gemma":[0.9927918,0.0048775515,0.00026900767,0.00033771317,0.00135626,0.00036762992],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029477614,0.0009920247,0.000520425,0.001736583,0.0035736063,0.009509232,0.0019762085,0.006371348,0.02256174],"category_scores_gemma":[0.007950192,0.00032683404,0.0006479492,0.001958628,0.00957193,0.01174961,0.0038053307,0.015870754,0.0059053274],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000125121105,0.00002328872,0.00012366264,0.00016375733,0.000003959839,0.000032282256,0.0017725922,0.00010246226,0.00017271646,0.4325621,0.5494834,0.015547298],"study_design_scores_gemma":[0.0000028381116,0.000012986173,0.00029543685,0.00040997536,0.0000028100133,0.00012475497,0.0009848032,0.00018846332,0.000087033644,0.084759526,0.913118,0.0000134103],"about_ca_topic_score_codex":0.0021526457,"about_ca_topic_score_gemma":0.0023876806,"teacher_disagreement_score":0.02256174,"about_ca_system_score_codex":0.0023826985,"about_ca_system_score_gemma":0.0015330644,"threshold_uncertainty_score":0.07547653},"labels":[],"label_agreement":null},{"id":"W4306408372","doi":"10.1386/public_00123_1","title":"Relational Praxis Art: Confronting Epistemic Injustice In Lumpen Community","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Art Therapy and Mental Health","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Praxis; Gentrification; Injustice; Sociology; Agency (philosophy); Capitalism; Politics; Neighbourhood (mathematics); Environmental ethics; Criminology; Political science; Social science; Economic growth; Law","score_opus":0.1268187324686636,"score_gpt":0.2734384491218426,"score_spread":0.14661971665317902,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4306408372","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7180848,0.0022395593,0.020708164,0.027435612,0.0007315898,0.0003514145,0.00003352902,0.0003933457,0.23002197],"genre_scores_gemma":[0.971419,0.00068234233,0.0048923697,0.0016434347,0.00008243317,0.0001474047,0.000016042106,0.000083800485,0.021033175],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9956449,0.0028832792,0.000069790156,0.0002844712,0.00053809106,0.0005793784],"domain_scores_gemma":[0.9969318,0.0017343151,0.0002835658,0.0004009814,0.00015015867,0.0004992865],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0051813023,0.000644125,0.0003189058,0.0011179338,0.01437472,0.00815636,0.0020908117,0.0027406747,0.007202948],"category_scores_gemma":[0.007744686,0.00030182334,0.00043323793,0.000474936,0.031885415,0.005838203,0.016151933,0.0051289527,0.0009642912],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000071068884,0.0003233398,0.0012040744,0.00022626195,0.000017588618,0.0013977574,0.8796878,0.0002497327,0.0017672874,0.058962077,0.0064616883,0.049631342],"study_design_scores_gemma":[0.000053844902,0.00024515088,0.0015588446,0.00039524861,0.000029389486,0.0017475081,0.816441,0.0008654027,0.0019382075,0.035933163,0.14074787,0.000044299464],"about_ca_topic_score_codex":0.0047849673,"about_ca_topic_score_gemma":0.015316967,"teacher_disagreement_score":0.01437472,"about_ca_system_score_codex":0.0029563732,"about_ca_system_score_gemma":0.003445981,"threshold_uncertainty_score":0.027401626},"labels":[],"label_agreement":null},{"id":"W4306408377","doi":"10.1386/public_00125_7","title":"Act Normal – Excerpts","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Ethics and Legal Issues in Pediatric Healthcare","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Institution; Psychology; Medicine; Law; Political science","score_opus":0.05722125238389454,"score_gpt":0.34603296579301734,"score_spread":0.2888117134091228,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4306408377","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009318476,0.0006103715,0.0015612537,0.018319977,0.0053188736,0.0005274772,0.005361275,0.0007679177,0.966601],"genre_scores_gemma":[0.01295232,0.0005478416,0.0023399966,0.043012805,0.002139638,0.0017245597,0.0038178728,0.00060047244,0.93286467],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99005353,0.0023736707,0.0006636652,0.00065083307,0.005311033,0.0009472637],"domain_scores_gemma":[0.98796123,0.00393642,0.00051162124,0.0009811018,0.006183561,0.00042601413],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0053592836,0.000955375,0.00083813834,0.0016951899,0.0046169623,0.004700783,0.002516318,0.009201307,0.22078261],"category_scores_gemma":[0.025501614,0.0007485381,0.00083942513,0.0014026386,0.002339794,0.0024883102,0.0027380236,0.0050207498,0.22969273],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020534933,0.000018694916,0.00006229541,0.00006762729,0.0000011964694,0.00009436489,0.000319391,0.000052343257,0.00012266093,0.016877906,0.9773845,0.004978524],"study_design_scores_gemma":[0.000008129491,0.000008855055,0.00051961554,0.0002074732,0.0000018544537,0.00009991805,0.00030066157,0.000060480146,0.00012810023,0.004407515,0.9942379,0.000019412124],"about_ca_topic_score_codex":0.029561095,"about_ca_topic_score_gemma":0.038056087,"teacher_disagreement_score":0.22078261,"about_ca_system_score_codex":0.0040628957,"about_ca_system_score_gemma":0.006601654,"threshold_uncertainty_score":0.73859143},"labels":[],"label_agreement":null},{"id":"W4306408379","doi":"10.1386/public_00114_1","title":"Balancing Form and Function: The Politics of Access Aesthetics","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Disability Rights and Representation","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Aesthetics; Politics; Normative; Meaning (existential); Function (biology); Sociology; Art; Epistemology; Political science; Philosophy; Law","score_opus":0.058726572233497705,"score_gpt":0.3293230874776526,"score_spread":0.2705965152441549,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4306408379","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.056838024,0.0020074057,0.038608797,0.02415817,0.00047626463,0.000042481664,0.000028295379,0.00014045708,0.8777],"genre_scores_gemma":[0.97140163,0.00045582475,0.0029930817,0.0008762078,0.00020707247,0.000050050407,0.000010555103,0.0001369799,0.023868594],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9913647,0.005443592,0.00017150819,0.0006032976,0.0015536624,0.00086325395],"domain_scores_gemma":[0.9969728,0.0017381534,0.00019239998,0.0005856332,0.00023479016,0.00027610746],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0069552534,0.00051876984,0.0004382962,0.0022981982,0.009610541,0.01658553,0.0012370038,0.003346644,0.008398074],"category_scores_gemma":[0.007840569,0.00030688348,0.00048205594,0.0013442854,0.09475259,0.015146077,0.012943414,0.0044548633,0.00084549916],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000075004127,0.0000043757655,0.000095185336,0.0000121580815,0.000001002924,0.000051206134,0.020120917,0.0000515153,0.000103385086,0.975901,0.0006110789,0.0030405947],"study_design_scores_gemma":[0.000016536867,0.00003317832,0.00049162563,0.00020592786,0.000009331834,0.00043350778,0.043311045,0.00043016576,0.00038474,0.7934784,0.16118388,0.000021621068],"about_ca_topic_score_codex":0.0028228397,"about_ca_topic_score_gemma":0.0027123052,"teacher_disagreement_score":0.01658553,"about_ca_system_score_codex":0.0048143608,"about_ca_system_score_gemma":0.0024384256,"threshold_uncertainty_score":0.036783338},"labels":[],"label_agreement":null},{"id":"W4306408395","doi":"10.1386/public_00115_3","title":"Access Entanglements: Approaching Accessible Publishing Through Engagement and Dissensus","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Art Therapy and Mental Health","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Publishing; Conversation; Centring; Inclusion (mineral); Sociology; Generative grammar; Universal design; Visual arts; Epistemology; Media studies; Computer science; World Wide Web; Art; Communication; Philosophy; Social science; Literature; Artificial intelligence","score_opus":0.2388481105882798,"score_gpt":0.338364532599808,"score_spread":0.09951642201152819,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4306408395","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.099170394,0.0048747053,0.12316103,0.0925304,0.0016216283,0.00028711485,0.0001700332,0.00023313731,0.6779516],"genre_scores_gemma":[0.9558678,0.00088890473,0.012152049,0.0037799082,0.00035817,0.0003831457,0.00007119587,0.0002594846,0.026239334],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.96270365,0.028048966,0.0007563487,0.00222495,0.003797894,0.0024681394],"domain_scores_gemma":[0.94774026,0.04206802,0.0014983105,0.004337871,0.0022168863,0.0021386554],"candidate_categories":["scholarly_communication","open_science"],"consensus_categories":[],"category_scores_codex":[0.033247493,0.0006883236,0.0009723651,0.0033075116,0.020692868,0.027761504,0.0037106974,0.0073836874,0.013297866],"category_scores_gemma":[0.053057216,0.0006303901,0.0009190876,0.0035450615,0.074590705,0.03537581,0.028545195,0.010037067,0.0015347506],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026124864,0.000024176303,0.00024204944,0.000054879605,0.000008135241,0.00024804648,0.21264672,0.0001667826,0.00014530343,0.7766372,0.0025824923,0.0072182068],"study_design_scores_gemma":[0.000021881297,0.000018706929,0.00017915212,0.00020782446,0.000011580643,0.0001160661,0.14314726,0.0006704875,0.00027230405,0.733465,0.12186556,0.000024177602],"about_ca_topic_score_codex":0.0038957312,"about_ca_topic_score_gemma":0.004168621,"teacher_disagreement_score":0.9962893,"about_ca_system_score_codex":0.008181194,"about_ca_system_score_gemma":0.007984444,"threshold_uncertainty_score":0.17583162},"labels":[],"label_agreement":null},{"id":"W4306408398","doi":"10.1386/public_00124_7","title":"Spiral Staircase Slides","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Architecture, Modernity, and Design","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Spiral (railway); sort; Architecture; Geography; Geology; Visual arts; Computer science; Art; Engineering; Archaeology; Information retrieval","score_opus":0.029084470699047314,"score_gpt":0.2184435063365867,"score_spread":0.1893590356375394,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4306408398","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008914739,0.0006794254,0.0047387,0.0065307836,0.0017994011,0.000064792985,0.0006301895,0.0010815002,0.9755603],"genre_scores_gemma":[0.15874475,0.00089786056,0.0037183424,0.0025933385,0.00043892767,0.00005150369,0.00048334934,0.00069929747,0.8323727],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99963105,0.000061333085,0.000005254436,0.00003174096,0.00015649918,0.00011410569],"domain_scores_gemma":[0.9993362,0.00008301141,0.00002183326,0.000090345784,0.00033367952,0.00013493924],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00032025523,0.0007405113,0.0001599072,0.00095881196,0.003962319,0.0044576065,0.00056442455,0.0012801582,0.13834219],"category_scores_gemma":[0.0016375125,0.00024851735,0.00027759737,0.00085754844,0.0029514087,0.0020028015,0.0015168642,0.001810032,0.022234917],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010732685,0.000018506176,0.0006657044,0.00008292769,0.0000053407684,0.00044785294,0.0055290987,0.0006275422,0.001855833,0.1291113,0.8162304,0.04531815],"study_design_scores_gemma":[0.0000059671042,0.000011419692,0.00047180214,0.000050459756,0.0000020200232,0.00011010005,0.0025022228,0.00026495918,0.00026132024,0.0022059125,0.99410325,0.000010500176],"about_ca_topic_score_codex":0.16002512,"about_ca_topic_score_gemma":0.34200722,"teacher_disagreement_score":0.16002512,"about_ca_system_score_codex":0.005130919,"about_ca_system_score_gemma":0.0025065027,"threshold_uncertainty_score":0.46280074},"labels":[],"label_agreement":null},{"id":"W4379030567","doi":"10.1386/public_00149_1","title":"Autoethnography and Somatic Modes of Attention","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Autoethnography; Embodied cognition; Dance; Context (archaeology); Ethnography; Aesthetics; Sociology; Psychology; Gender studies; Visual arts; Anthropology; Epistemology; Art; History","score_opus":0.06550647903681758,"score_gpt":0.3121651511322227,"score_spread":0.24665867209540512,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379030567","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7536877,0.0025054524,0.017827267,0.010034597,0.00050485734,0.00023735777,0.00014920963,0.00008793073,0.21496563],"genre_scores_gemma":[0.9789652,0.00095035555,0.0023458677,0.0008572452,0.000075749114,0.00012477643,0.00004073965,0.000033018663,0.01660715],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9927804,0.006060655,0.00010948425,0.00032958752,0.0003676362,0.00035236476],"domain_scores_gemma":[0.9949704,0.0035254057,0.00035887465,0.00054346456,0.00026769517,0.00033416963],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003697911,0.0004026021,0.00018435605,0.001172384,0.0045387354,0.0034457685,0.0007067665,0.0010423269,0.0040002004],"category_scores_gemma":[0.0060769576,0.0001842982,0.00019871476,0.0008160764,0.014492726,0.0026721088,0.004490277,0.0017184486,0.0003535997],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003615505,0.00006339052,0.0026898587,0.00016977583,0.0000085844085,0.0006159056,0.92157066,0.00010845279,0.0014014845,0.058003206,0.0021935808,0.013138906],"study_design_scores_gemma":[0.000016271932,0.000063309206,0.0039576427,0.0004981958,0.0000071920563,0.0011649706,0.8627569,0.00022580386,0.0010839041,0.017267354,0.11293843,0.000019965726],"about_ca_topic_score_codex":0.0023377747,"about_ca_topic_score_gemma":0.0047133984,"teacher_disagreement_score":0.0045387354,"about_ca_system_score_codex":0.0020709895,"about_ca_system_score_gemma":0.0014884319,"threshold_uncertainty_score":0.019556701},"labels":[],"label_agreement":null},{"id":"W4379030572","doi":"10.1386/public_00152_1","title":"Saurian Gestures: Animating and Being Animated by Dinosaurs","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Gesture; Animation; Dance; Visual arts; Perception; Reflection (computer programming); Art; Aesthetics; Communication; Psychology; Computer science; Epistemology; Philosophy; Artificial intelligence","score_opus":0.029004578003975153,"score_gpt":0.29163768283443636,"score_spread":0.2626331048304612,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379030572","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.838164,0.0016770513,0.0037133468,0.0020048888,0.00018379359,0.00003129147,0.000046220135,0.0000737267,0.15410577],"genre_scores_gemma":[0.98428404,0.00058052177,0.0026077346,0.00029609827,0.00003671958,0.000018266956,0.000028218281,0.00004835811,0.0121000605],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99912626,0.00047247094,0.000017145323,0.00010144226,0.00013229657,0.0001503542],"domain_scores_gemma":[0.9994273,0.00026914832,0.00009347794,0.000044297067,0.000049050148,0.00011665414],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009485887,0.0005223675,0.00027976945,0.0006621141,0.003671668,0.003799432,0.00055220677,0.0014849585,0.0037956308],"category_scores_gemma":[0.0031014802,0.0003065454,0.0003955963,0.00044936236,0.009533001,0.0018805687,0.0035168084,0.0015318358,0.00039009925],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008532646,0.000021683933,0.0094177155,0.00018579375,0.00003057589,0.0005826236,0.9388035,0.00014673952,0.0105281705,0.017767021,0.0021880341,0.020242909],"study_design_scores_gemma":[0.000017079981,0.00022310035,0.056271806,0.00043842642,0.000071534785,0.0013121023,0.849176,0.00042311894,0.0016044026,0.005861907,0.08450817,0.00009227637],"about_ca_topic_score_codex":0.0071997195,"about_ca_topic_score_gemma":0.01678526,"teacher_disagreement_score":0.0071997195,"about_ca_system_score_codex":0.00068473135,"about_ca_system_score_gemma":0.0005525861,"threshold_uncertainty_score":0.014315605},"labels":[],"label_agreement":null},{"id":"W4379030575","doi":"10.1386/public_00156_4","title":"Review of Moving or Being Moved (2020) by Sabine Gruffat","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"History","score_opus":0.03869163902809372,"score_gpt":0.2611963826019393,"score_spread":0.22250474357384556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379030575","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000034157343,0.94865245,0.00007494279,0.03005297,0.015378554,0.000012334062,0.00006234302,0.000015378972,0.0057169334],"genre_scores_gemma":[0.0016259425,0.9561233,0.0002660884,0.019221772,0.010611091,0.00005247053,0.00014364666,0.000045212495,0.011910544],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99404585,0.0021964712,0.00046872644,0.00045639795,0.0024920085,0.00034046016],"domain_scores_gemma":[0.9782642,0.0066892267,0.0013802097,0.00047868383,0.011779299,0.0014083772],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010516867,0.0011210857,0.0016210004,0.0065466166,0.0015983598,0.0056487797,0.0022993772,0.004704285,0.021343399],"category_scores_gemma":[0.024546774,0.0008502525,0.00074684527,0.0058883913,0.0033564493,0.0072296895,0.0031439385,0.0061875987,0.014827929],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018220857,0.0000053041194,0.00003564162,0.002720248,0.000014777473,0.000025642114,0.0001468361,0.00003935529,0.000032760658,0.0044075036,0.91309416,0.07945959],"study_design_scores_gemma":[0.000004546888,0.000008261618,0.00014424337,0.003967495,0.000009436064,0.00005428687,0.000104022096,0.0000065793474,0.000021240397,0.00066088,0.9950113,0.000007751811],"about_ca_topic_score_codex":0.017768353,"about_ca_topic_score_gemma":0.02247924,"teacher_disagreement_score":0.021343399,"about_ca_system_score_codex":0.0071921675,"about_ca_system_score_gemma":0.012899994,"threshold_uncertainty_score":0.07140082},"labels":[],"label_agreement":null},{"id":"W4379030576","doi":"10.1386/public_00148_7","title":"SMALL BRIEF DANCES: Alphonso Lingis, Jonathan Osborn, and a Satin Bowerbird Introduction by Mila Volpe","year":2023,"lang":"en","type":"article","venue":"Public","topic":"African cultural and philosophical studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Conversation; Art; Art history; Philosophy; Linguistics","score_opus":0.06562600134192229,"score_gpt":0.2749323756153096,"score_spread":0.2093063742733873,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379030576","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009011557,0.07269354,0.0022201266,0.45901653,0.33480018,0.00020773371,0.0009978543,0.00065282866,0.12851004],"genre_scores_gemma":[0.0077780783,0.02984107,0.0014068519,0.09928515,0.09136441,0.0003371486,0.00062074844,0.0008062462,0.76856035],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992055,0.000298305,0.000037365648,0.00014516433,0.00022104457,0.00009250511],"domain_scores_gemma":[0.99612904,0.0012663837,0.00017861454,0.00012715616,0.0009795339,0.0013192624],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019048622,0.0019066345,0.0012463422,0.0017618487,0.005828312,0.0040675695,0.0013780699,0.003139651,0.19771399],"category_scores_gemma":[0.006303313,0.0007223193,0.0008987953,0.001402499,0.0017689982,0.00544327,0.0044503207,0.00789666,0.078421555],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011842483,0.000008721497,0.000022353173,0.00003953308,0.0000012831077,0.000017691418,0.00019044463,0.000008974882,0.00006393341,0.00078279944,0.99475116,0.0041012587],"study_design_scores_gemma":[0.00000406572,0.000007269888,0.00019118501,0.000092043985,0.0000016354386,0.000034654262,0.00074861734,0.0000123875425,0.000026480215,0.0007860871,0.9980901,0.0000054728453],"about_ca_topic_score_codex":0.006148022,"about_ca_topic_score_gemma":0.01589352,"teacher_disagreement_score":0.19771399,"about_ca_system_score_codex":0.0023407182,"about_ca_system_score_gemma":0.0018889316,"threshold_uncertainty_score":0.66141915},"labels":[],"label_agreement":null},{"id":"W4379030577","doi":"10.1386/public_00147_1","title":"Dancing with Death: (Re)Embodying Grief and Dying","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Grief, Bereavement, and Mental Health","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Indigenous; Grief; Girl; Ballet; Metaphor; Perspective (graphical); Psychoanalysis; Sociology; History; Art; Psychology; Literature; Philosophy; Visual arts; Theology; Psychiatry; Developmental psychology","score_opus":0.08642327277888083,"score_gpt":0.34833905112458463,"score_spread":0.2619157783457038,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379030577","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44595304,0.017538054,0.019185258,0.058762077,0.0023974425,0.000080023885,0.000047731246,0.00014091612,0.45589548],"genre_scores_gemma":[0.9809856,0.0039343005,0.0014474614,0.0030090697,0.0002574299,0.000033195218,0.000012919027,0.000050950446,0.010269087],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.997624,0.0016972345,0.00003754177,0.00011700725,0.0002677794,0.00025636848],"domain_scores_gemma":[0.99775714,0.0014840054,0.00022625909,0.00016390739,0.00013741445,0.00023134076],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0039289454,0.0005981603,0.00030382845,0.001259651,0.007908923,0.007256451,0.00077102974,0.0020952406,0.0020368039],"category_scores_gemma":[0.004877859,0.00019075896,0.0002961513,0.0004982957,0.05810772,0.0065709264,0.008082674,0.0058788606,0.0002781129],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015395139,0.000021692187,0.0005089203,0.000073041316,0.000007433997,0.00040159226,0.89876145,0.00006302443,0.00040888428,0.090166524,0.0020490116,0.007523004],"study_design_scores_gemma":[0.000012726678,0.00005918187,0.0013513337,0.00039454075,0.000017422884,0.0015096099,0.8170863,0.00014081823,0.0006276855,0.06010441,0.11866781,0.000028210663],"about_ca_topic_score_codex":0.004694291,"about_ca_topic_score_gemma":0.008267437,"teacher_disagreement_score":0.007908923,"about_ca_system_score_codex":0.0023963286,"about_ca_system_score_gemma":0.0018998275,"threshold_uncertainty_score":0.020778477},"labels":[],"label_agreement":null},{"id":"W4379030583","doi":"10.1386/public_00137_1","title":"take care","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Posthumanist Ethics and Activism","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia Hospital","funders":"","keywords":"Human sexuality; White (mutation); Gender studies; Autonomy; Sociology; Order (exchange); Aesthetics; Art; Political science; Law; Business","score_opus":0.09906409963070124,"score_gpt":0.3611131185408233,"score_spread":0.26204901891012206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379030583","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002826401,0.0013616693,0.0020812717,0.043650456,0.008945546,0.00017059443,0.00033156524,0.0008435596,0.93978894],"genre_scores_gemma":[0.0145079205,0.0008539839,0.0015961018,0.014243793,0.00074390176,0.00012395672,0.000253043,0.00037135932,0.96730596],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997715,0.0003590727,0.00006104436,0.00038839164,0.0009414826,0.0005350851],"domain_scores_gemma":[0.996933,0.00020763403,0.000148491,0.00035582806,0.0006457374,0.0017093433],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011206794,0.0008740853,0.00038169668,0.00078238646,0.0071493722,0.0066154245,0.0018552727,0.003989668,0.38936192],"category_scores_gemma":[0.0054390845,0.00044144728,0.0006676376,0.0004675747,0.0026908284,0.004615216,0.008268286,0.004666883,0.15293863],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002769641,0.000049167716,0.00042575857,0.00007142694,0.0000024594365,0.0002270446,0.0022777005,0.000013721495,0.00022170665,0.014235614,0.914262,0.0681857],"study_design_scores_gemma":[0.0000029053394,0.000011200521,0.00021463551,0.000041854306,0.0000012491015,0.00019633162,0.0012072931,0.000008739761,0.00005049267,0.0010206612,0.9972403,0.0000043001323],"about_ca_topic_score_codex":0.00748096,"about_ca_topic_score_gemma":0.028081888,"teacher_disagreement_score":0.6106381,"about_ca_system_score_codex":0.0029486865,"about_ca_system_score_gemma":0.004408353,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4379030587","doi":"10.1386/public_00139_1","title":"Introduction to PUBLIC 67","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Business","score_opus":0.05943856344896877,"score_gpt":0.30896957373880374,"score_spread":0.24953101028983496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379030587","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00036793234,0.027580963,0.00079646416,0.21833454,0.6170932,0.000059486578,0.0006177393,0.00022514707,0.13492456],"genre_scores_gemma":[0.008140874,0.021845426,0.0004886943,0.105452076,0.58053845,0.00015863206,0.00070523605,0.0009063022,0.28176427],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961357,0.0007071292,0.00021979753,0.00043668872,0.0020447124,0.00045593383],"domain_scores_gemma":[0.99157965,0.004496901,0.0003626962,0.0004586915,0.002191275,0.0009108478],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025593475,0.0011369046,0.0009378877,0.004481208,0.0051163696,0.009733677,0.0014689035,0.0068355734,0.07411752],"category_scores_gemma":[0.012589162,0.00044833566,0.000860637,0.002545869,0.004765558,0.005939532,0.005543171,0.012161185,0.024544118],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000676097,0.000006200689,0.0000121831345,0.00008221699,9.640653e-7,0.00003532704,0.00019356246,0.000011824255,0.000031087737,0.0072819768,0.9833014,0.00903655],"study_design_scores_gemma":[0.0000015964224,0.0000027018039,0.000064924534,0.00016663039,9.441853e-7,0.00002428078,0.00014646244,0.0000049068194,0.000012802676,0.0016567374,0.9979151,0.0000028829147],"about_ca_topic_score_codex":0.008506424,"about_ca_topic_score_gemma":0.0137719065,"teacher_disagreement_score":0.07411752,"about_ca_system_score_codex":0.005069004,"about_ca_system_score_gemma":0.0056418846,"threshold_uncertainty_score":0.24794775},"labels":[],"label_agreement":null},{"id":"W4379030597","doi":"10.1386/public_00135_7","title":"Multiversal Embodiments: Immer Collective’s 100 Years of Cinematic Solitude in 300 Moving Pieces (2022)","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Solitude; Superimposition; Aesthetics; Art; Visual arts; Literature; Computer science; Artificial intelligence","score_opus":0.04693641538264345,"score_gpt":0.32032457044958446,"score_spread":0.27338815506694103,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379030597","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5912224,0.0028693124,0.005306763,0.010045192,0.0009517996,0.00004869899,0.00011137533,0.00020475303,0.38923958],"genre_scores_gemma":[0.9562943,0.00064525387,0.0012571154,0.00058290444,0.0001280449,0.000019889894,0.00006718353,0.00011398285,0.04089126],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99901044,0.00037588624,0.00001551052,0.00011787563,0.0002691472,0.00021114424],"domain_scores_gemma":[0.99889874,0.0003380057,0.00008042665,0.000119919954,0.00013600523,0.00042699793],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015025416,0.00041066197,0.00021780343,0.001117575,0.008789093,0.005884613,0.00074906193,0.0011335571,0.007275285],"category_scores_gemma":[0.0029054638,0.0002697655,0.00029374813,0.00060294947,0.010178767,0.0035054616,0.006725311,0.0028793295,0.0005755989],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060135593,0.00003372828,0.0027277188,0.0000693384,0.000018314293,0.0004524938,0.8996475,0.00012154432,0.0027766388,0.051244013,0.011065914,0.03178274],"study_design_scores_gemma":[0.000006884163,0.00009858283,0.0125890765,0.00019712759,0.000022775932,0.0005872859,0.54613346,0.00019621868,0.0008766705,0.007685016,0.43156198,0.000044909226],"about_ca_topic_score_codex":0.039907716,"about_ca_topic_score_gemma":0.14249085,"teacher_disagreement_score":0.039907716,"about_ca_system_score_codex":0.003202966,"about_ca_system_score_gemma":0.00180263,"threshold_uncertainty_score":0.07935089},"labels":[],"label_agreement":null},{"id":"W4379030600","doi":"10.1386/public_00142_7","title":"In My Body: An African contemporary dance perspective","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Dance; Rite; Vernacular; Perspective (graphical); Visual arts; Art; Singing; History; Sociology; Anthropology; Humanities; Literature; Theology; Philosophy; Management","score_opus":0.09508169835630144,"score_gpt":0.353153638372997,"score_spread":0.2580719400166956,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379030600","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31160733,0.06286931,0.0018969894,0.19405955,0.0033994461,0.00005786131,0.000058461344,0.00002322528,0.42602786],"genre_scores_gemma":[0.9258367,0.029411312,0.00062693015,0.013666363,0.00080319063,0.000048513066,0.000018763356,0.000038091963,0.029550228],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9980951,0.0011811676,0.00002719718,0.00012581775,0.00014939233,0.0004212561],"domain_scores_gemma":[0.9991097,0.000392954,0.00008619386,0.000023763494,0.000093274786,0.00029408088],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031411452,0.00054615724,0.00044153634,0.0019163404,0.023162268,0.005752725,0.0011610996,0.0024041908,0.008278661],"category_scores_gemma":[0.002571048,0.00037092634,0.00022106139,0.001288537,0.023504233,0.006522966,0.005368154,0.007250192,0.000612308],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024333107,0.000046480534,0.0013520275,0.00012759585,0.000006276554,0.000575785,0.9202701,0.000016810198,0.0002953833,0.060604714,0.0066371085,0.010043349],"study_design_scores_gemma":[0.000004556479,0.000023401244,0.0017307099,0.0006534341,0.000005734426,0.0004466557,0.9017912,0.000019876654,0.0000619116,0.004657405,0.09059768,0.0000073258716],"about_ca_topic_score_codex":0.020044073,"about_ca_topic_score_gemma":0.043698266,"teacher_disagreement_score":0.023162268,"about_ca_system_score_codex":0.0029623527,"about_ca_system_score_gemma":0.0027538156,"threshold_uncertainty_score":0.039854825},"labels":[],"label_agreement":null},{"id":"W4379030605","doi":"10.1386/public_00138_1","title":"IMAGE TO ACTION: Steve Paxton’s Proxy as Chance Machine","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Proxy (statistics); Action (physics); Sociology; Art history; Art; Psychology; Computer science; Machine learning; Physics","score_opus":0.07626806704433305,"score_gpt":0.36481657543590096,"score_spread":0.2885485083915679,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379030605","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008752796,0.02294968,0.004827046,0.64309204,0.023341117,0.00003691519,0.000035236444,0.00011731467,0.29684794],"genre_scores_gemma":[0.3642479,0.01289226,0.0029421207,0.0921821,0.0066266116,0.00011936082,0.00002730692,0.00039790716,0.5205645],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99717736,0.0017140439,0.00004238314,0.0002622816,0.0005368049,0.00026700128],"domain_scores_gemma":[0.99788266,0.0010903145,0.00008159125,0.00011942543,0.00023056369,0.0005953789],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001992393,0.0004641352,0.00027068195,0.00044551643,0.0078088325,0.006682189,0.0007222635,0.0047531603,0.009512479],"category_scores_gemma":[0.008774777,0.00034211256,0.00020848076,0.000320664,0.014947717,0.0069238814,0.0037193738,0.009500097,0.0024473404],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003313541,0.000030659303,0.00017054165,0.000046268968,0.000004051969,0.0002672629,0.04829805,0.00009640761,0.00025182485,0.19424477,0.7306576,0.025899475],"study_design_scores_gemma":[0.0000041558806,0.000013228602,0.0001356076,0.00012262065,0.0000012985172,0.00019510106,0.014222096,0.000052868054,0.00018128415,0.015078083,0.9699817,0.00001190886],"about_ca_topic_score_codex":0.008231223,"about_ca_topic_score_gemma":0.0141352,"teacher_disagreement_score":0.009512479,"about_ca_system_score_codex":0.002964252,"about_ca_system_score_gemma":0.00170503,"threshold_uncertainty_score":0.031822443},"labels":[],"label_agreement":null},{"id":"W4391100969","doi":"10.1386/public_00170_1","title":"Making Worlds in the Pluriverse Panel at Congress: “Challenges in the Pluriverse”","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Virtual Reality Applications and Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Social worlds; Sociology; Media studies; Political science; Library science; Social science; Computer science","score_opus":0.3086893833774646,"score_gpt":0.3393197302502273,"score_spread":0.030630346872762726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391100969","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016989876,0.0027943028,0.0025535196,0.5883324,0.05453199,0.0008976885,0.003399792,0.0003060344,0.33019432],"genre_scores_gemma":[0.15160273,0.00307251,0.0024244925,0.1670924,0.016596194,0.0028191726,0.0027013323,0.0010608938,0.6526302],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99215263,0.002867285,0.00019630067,0.0005179065,0.0020242273,0.0022415302],"domain_scores_gemma":[0.98385423,0.0075644995,0.00046490357,0.00048684594,0.0026281774,0.005001269],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.013066942,0.0007751073,0.00059341453,0.00083403854,0.019817205,0.010476453,0.0018582278,0.009610115,0.052732885],"category_scores_gemma":[0.02570843,0.00060548884,0.0006597045,0.001278246,0.003520172,0.007864233,0.0105396975,0.016251208,0.01036644],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019730354,0.00001858111,0.00020339478,0.000078893565,0.0000016804324,0.00010717897,0.007793181,0.000037703492,0.00023772981,0.011366071,0.9747104,0.0054255915],"study_design_scores_gemma":[0.000006070429,0.000009060927,0.0009373912,0.00011513341,0.0000015906678,0.000018423698,0.01916076,0.00003153452,0.00015534839,0.001227671,0.9783155,0.000021501006],"about_ca_topic_score_codex":0.02743038,"about_ca_topic_score_gemma":0.07652519,"teacher_disagreement_score":0.052732885,"about_ca_system_score_codex":0.0060543735,"about_ca_system_score_gemma":0.013285866,"threshold_uncertainty_score":0.17640907},"labels":[],"label_agreement":null},{"id":"W4391114202","doi":"10.1386/public_00169_1","title":"Worlds Meeting Worlds: Murmuration, Aesthetics, and Odeimin Runners","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Caribbean and African Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Flourishing; Indigenous; Colonialism; Aesthetics; Nature versus nurture; Sociology; Movie theater; Work (physics); Visual arts; History; Anthropology; Art; Psychology; Social psychology; Ecology; Archaeology","score_opus":0.025465981516807703,"score_gpt":0.21417249266947264,"score_spread":0.18870651115266493,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114202","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12164435,0.0041813836,0.0065256194,0.011314193,0.0010497606,0.000059064663,0.000027673654,0.00015449115,0.8550434],"genre_scores_gemma":[0.91722614,0.00080595317,0.002204584,0.00061374233,0.000117417956,0.000052743435,0.00001811773,0.00014170389,0.07881968],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980361,0.0013304087,0.00002937947,0.000115461706,0.0002002061,0.00028846532],"domain_scores_gemma":[0.99927455,0.00024925685,0.000072478404,0.00008379067,0.00006155106,0.00025843625],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018838655,0.00073800015,0.00028309712,0.0014717747,0.015562746,0.010807121,0.0010256779,0.0014764413,0.011091411],"category_scores_gemma":[0.002665159,0.00028578346,0.00024750386,0.0009603479,0.020708142,0.0056667877,0.009873491,0.003068798,0.00084987585],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005064128,0.000027227135,0.00061826705,0.000104588995,0.000003791528,0.0007483669,0.42446506,0.00009523963,0.00065862725,0.5445358,0.0106083695,0.018084059],"study_design_scores_gemma":[0.0000088610905,0.000037528684,0.0009332243,0.00025732082,0.0000062131344,0.00075228786,0.3225073,0.0002677662,0.00047358818,0.042795014,0.63193655,0.000024280766],"about_ca_topic_score_codex":0.0042553185,"about_ca_topic_score_gemma":0.01341735,"teacher_disagreement_score":0.015562746,"about_ca_system_score_codex":0.0034181187,"about_ca_system_score_gemma":0.0015951451,"threshold_uncertainty_score":0.037104487},"labels":[],"label_agreement":null},{"id":"W4391114206","doi":"10.1386/public_00164_1","title":"The Other World: Diasporas and Their Memories of War","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Historical and Contemporary Political Dynamics","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"John Abbott College","funders":"","keywords":"Diaspora; Genocide; Framing (construction); Solidarity; Narrative; Gender studies; Refugee; Sociology; History; Comfort women; Politics of memory; Politics; Political science; Art; Literature; Law","score_opus":0.04662779441802029,"score_gpt":0.2139566368954198,"score_spread":0.16732884247739951,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114206","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8192749,0.013570683,0.0014577565,0.02798035,0.0016396124,0.00008567456,0.00020875352,0.000059092024,0.13572313],"genre_scores_gemma":[0.98432493,0.0031567286,0.00014764434,0.0019126516,0.00015835499,0.000038055325,0.00003896733,0.00004455661,0.010178166],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99703705,0.0019503719,0.000058229896,0.00018065097,0.00017634472,0.00059736584],"domain_scores_gemma":[0.9980374,0.0008060122,0.00026549477,0.00016705596,0.0001843218,0.00053968205],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026774218,0.0010233247,0.00077753305,0.0016757908,0.020812191,0.01521074,0.001329496,0.0024247053,0.0060568047],"category_scores_gemma":[0.005603055,0.0005873988,0.0003265805,0.0016442562,0.02510576,0.011313252,0.011667177,0.0066542556,0.0007127792],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030185998,0.000016031954,0.0008670381,0.000034955112,0.000006620571,0.0005628135,0.98625875,0.00001010024,0.00013974341,0.008263699,0.001434235,0.002375853],"study_design_scores_gemma":[0.0000021714147,0.000015352514,0.0005694658,0.00006837047,0.0000036982092,0.00029827873,0.9747775,0.000008812911,0.00007347417,0.00084418576,0.023330517,0.00000808177],"about_ca_topic_score_codex":0.010926629,"about_ca_topic_score_gemma":0.016267827,"teacher_disagreement_score":0.020812191,"about_ca_system_score_codex":0.0024888974,"about_ca_system_score_gemma":0.0022596398,"threshold_uncertainty_score":0.021726072},"labels":[],"label_agreement":null},{"id":"W4391114207","doi":"10.1386/public_00172_1","title":"Making Worlds in the Pluriverse Panel at Congress: “Survival through the Pluriverse”","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Virtual Reality Applications and Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Social worlds; Sociology; Political science; Library science; Media studies; Social science; Computer science","score_opus":0.19664455778442164,"score_gpt":0.33851270867277383,"score_spread":0.1418681508883522,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114207","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010970312,0.0027778496,0.0032891165,0.3429898,0.06348127,0.00066348084,0.0025333983,0.00046529208,0.5728294],"genre_scores_gemma":[0.07865096,0.0014869723,0.0016468783,0.06642293,0.010225047,0.00079908135,0.0017697727,0.00083381095,0.8381645],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99349445,0.0018269487,0.000143863,0.0005055603,0.0020250387,0.002004187],"domain_scores_gemma":[0.9906508,0.0017651072,0.00026832157,0.00040999244,0.0021528183,0.0047529195],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010512155,0.0006750444,0.00046676488,0.00075057714,0.015397109,0.010510042,0.0014711595,0.006798903,0.08367315],"category_scores_gemma":[0.016050747,0.0005058436,0.0006509037,0.0008781897,0.0033759128,0.007284159,0.010514417,0.010791203,0.018325973],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001648275,0.000012763378,0.00015982025,0.00004192161,0.0000015912793,0.00005303225,0.0028198895,0.000022912685,0.0002035922,0.016170692,0.97336733,0.0071300725],"study_design_scores_gemma":[0.0000038468656,0.0000065364725,0.00055517966,0.000053687138,0.0000015473659,0.000010468998,0.0031602879,0.000012221093,0.00012632884,0.00075324514,0.99530506,0.000011745192],"about_ca_topic_score_codex":0.037649482,"about_ca_topic_score_gemma":0.096720725,"teacher_disagreement_score":0.08367315,"about_ca_system_score_codex":0.005902574,"about_ca_system_score_gemma":0.014219137,"threshold_uncertainty_score":0.27991456},"labels":[],"label_agreement":null},{"id":"W4391114211","doi":"10.1386/public_00166_1","title":"Belle Park Pluriverses","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Indigenous Health, Education, and Rights","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Queen's University","funders":"","keywords":"Prison; National park; Poetry; Indigenous; Wetland; Natural park; Harm; Geography; Resistance (ecology); Garbage; Space (punctuation); Archaeology; Art; Ecology; Political science; Engineering; Computer science; Law; Literature","score_opus":0.0395893961915931,"score_gpt":0.31849905510236093,"score_spread":0.2789096589107678,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114211","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002405495,0.001586229,0.00028314395,0.002027427,0.0015556962,0.00007838897,0.0029019155,0.00057093264,0.98859066],"genre_scores_gemma":[0.009610883,0.00078406255,0.0002665739,0.00037895553,0.0002119788,0.00006204584,0.002019503,0.00032072255,0.98634523],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999421,0.000052852796,0.000016485954,0.00010597485,0.00023331959,0.00017042879],"domain_scores_gemma":[0.9989642,0.00006865681,0.000054798777,0.0001564613,0.0002734997,0.00048241485],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00060957327,0.00068363204,0.0003422838,0.0014292111,0.004399626,0.0044224407,0.0013762992,0.0010323878,0.5226465],"category_scores_gemma":[0.0016230798,0.00038459993,0.00017640201,0.0012280395,0.0009002485,0.0028588371,0.0052824663,0.001301641,0.13329454],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004680065,0.000026039097,0.0004596391,0.00012772989,0.0000022928973,0.0003205869,0.00042951546,0.000024045257,0.00025915093,0.02086967,0.9075271,0.069907464],"study_design_scores_gemma":[0.0000013248726,0.0000023189525,0.00021720381,0.000015819094,2.918514e-7,0.000069829,0.000084124775,0.0000060696816,0.000030006686,0.00014042079,0.9994307,0.000001945469],"about_ca_topic_score_codex":0.04993127,"about_ca_topic_score_gemma":0.164694,"teacher_disagreement_score":0.5226465,"about_ca_system_score_codex":0.0020165904,"about_ca_system_score_gemma":0.0039010379,"threshold_uncertainty_score":0.68088686},"labels":[],"label_agreement":null},{"id":"W4391114212","doi":"10.1386/public_00163_1","title":"Making Worlds in the Pluriverse Panel at Congress: “Dolleen on the Pluriverse”","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Virtual Reality Applications and Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Social worlds; Sociology; Panel data; Political science; Media studies; Library science; Social science; Economics; Computer science","score_opus":0.2053493218797945,"score_gpt":0.32097488920524464,"score_spread":0.11562556732545015,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114212","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009658028,0.0031149038,0.003039977,0.25283092,0.10489503,0.0010737551,0.004500851,0.00054577825,0.6203408],"genre_scores_gemma":[0.04090036,0.0013001455,0.0011365449,0.044166368,0.010567255,0.0008384281,0.0016589577,0.00065137405,0.89878064],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952278,0.0010290572,0.00011440305,0.00045261005,0.001733844,0.001442337],"domain_scores_gemma":[0.9944073,0.0013557763,0.00015028995,0.0002453476,0.001438547,0.002402819],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0073959497,0.0007760415,0.00052757846,0.00072999985,0.0142858485,0.008049863,0.0012691396,0.0069112475,0.10165429],"category_scores_gemma":[0.011262771,0.0005701823,0.0007639825,0.0008652478,0.002367715,0.0045688218,0.008350331,0.010689284,0.021978173],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023985318,0.000011705965,0.00010434329,0.000047002242,0.0000016157521,0.00006560959,0.0015742533,0.00002401086,0.00027885605,0.007104766,0.98644906,0.004314875],"study_design_scores_gemma":[0.000004148482,0.000006979229,0.00045646145,0.00004869818,0.0000016123199,0.000009272459,0.0017661299,0.000010598947,0.00013057626,0.0003646802,0.9971896,0.000011276034],"about_ca_topic_score_codex":0.04735139,"about_ca_topic_score_gemma":0.122301996,"teacher_disagreement_score":0.10165429,"about_ca_system_score_codex":0.005139055,"about_ca_system_score_gemma":0.010744474,"threshold_uncertainty_score":0.3400675},"labels":[],"label_agreement":null},{"id":"W4391114215","doi":"10.1386/public_00159_1","title":"“Making Worlds in the Pluriverse” Panel, at Congress, January 12, 2023","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Virtual Reality Applications and Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Social worlds; Sociology; Political science; Media studies; Library science; Social science; Computer science","score_opus":0.15087373891270575,"score_gpt":0.3212813025117248,"score_spread":0.17040756359901907,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114215","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005255426,0.00928614,0.0018065932,0.23180752,0.18825965,0.00060866814,0.004780738,0.00052496477,0.55767035],"genre_scores_gemma":[0.025654411,0.004009143,0.0009841924,0.040945493,0.025151864,0.00073362613,0.0025576877,0.00063345383,0.89933014],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99864274,0.0002931629,0.000051860992,0.00014584877,0.00047638797,0.00038995492],"domain_scores_gemma":[0.99761117,0.0005326392,0.00008599616,0.000088690445,0.0007878979,0.0008937015],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030012394,0.00063427654,0.00042334062,0.00068382453,0.007311587,0.0068115336,0.00089658215,0.004203551,0.075329654],"category_scores_gemma":[0.008496657,0.0003490858,0.0004119702,0.0010603959,0.0012509575,0.0035858015,0.0035693403,0.0068129245,0.024694452],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010768921,0.0000035930943,0.000037231715,0.000027554033,5.209966e-7,0.000026212401,0.00045267006,0.000006755582,0.00008006321,0.0014995985,0.99402547,0.0038295616],"study_design_scores_gemma":[0.0000019718188,0.0000031218424,0.0004120942,0.00004595698,5.5705453e-7,0.000007859089,0.0009543363,0.0000049550345,0.00003793272,0.00018848346,0.9983388,0.000003810071],"about_ca_topic_score_codex":0.015263723,"about_ca_topic_score_gemma":0.056974005,"teacher_disagreement_score":0.075329654,"about_ca_system_score_codex":0.002861451,"about_ca_system_score_gemma":0.0046114344,"threshold_uncertainty_score":0.25200284},"labels":[],"label_agreement":null},{"id":"W4391114216","doi":"10.1386/public_00174_1","title":"A Message From the Pluriverse: The Spiritually Fluid Gift of Philip Cote’s Walls of Welcome","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mural; Humanity; Panorama; Indigenous; Painting; Power (physics); Art history; History; Art; Environmental ethics; Aesthetics; Sociology; Philosophy; Visual arts; Law; Political science","score_opus":0.0545979149267915,"score_gpt":0.24672371551737984,"score_spread":0.19212580059058834,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114216","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3039519,0.007094877,0.006151316,0.129639,0.0037985775,0.000048566293,0.000086544846,0.000117174364,0.549112],"genre_scores_gemma":[0.96285397,0.000943366,0.00058473484,0.0029810613,0.00024394433,0.000017719938,0.000012440466,0.00007681285,0.032285985],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99822253,0.0011976949,0.000018439687,0.00010418201,0.00024656247,0.00021054115],"domain_scores_gemma":[0.99760455,0.0011682061,0.00020320292,0.00018322663,0.00020332077,0.00063744985],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022196125,0.0004732136,0.00024966348,0.0005644536,0.012852374,0.010498781,0.0005329791,0.0017968256,0.0059130643],"category_scores_gemma":[0.0045804298,0.00026207487,0.00016330939,0.0003835597,0.026636858,0.007811919,0.0075476915,0.0051785135,0.00046203684],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054258908,0.00002112452,0.0010972471,0.0001001667,0.000006720299,0.00089015585,0.6576396,0.000056913897,0.0006898036,0.29787016,0.030692825,0.010880928],"study_design_scores_gemma":[0.000010102321,0.000039301733,0.0011580983,0.0003236347,0.000007871944,0.00076598895,0.44879603,0.000121313955,0.00063824013,0.017401291,0.5307109,0.00002729771],"about_ca_topic_score_codex":0.012979327,"about_ca_topic_score_gemma":0.02824585,"teacher_disagreement_score":0.012979327,"about_ca_system_score_codex":0.0032875203,"about_ca_system_score_gemma":0.0019263213,"threshold_uncertainty_score":0.02580756},"labels":[],"label_agreement":null},{"id":"W4391114218","doi":"10.1386/public_00167_1","title":"New Canadian Experimental Eco-Cinema: Placemaking, Immersiveness, and Alternate Ecologies of Relationality","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Placemaking; Movie theater; Aesthetics; Perception; Natural (archaeology); Solitude; Sociology; Diversity (politics); Environmental ethics; Art; Geography; Visual arts; Architecture; Anthropology; Epistemology; Archaeology; Urban design; Philosophy; Literature","score_opus":0.05293218888958579,"score_gpt":0.34819345509051386,"score_spread":0.2952612662009281,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114218","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6721158,0.0015845707,0.004524331,0.0054713567,0.0004452168,0.00040740438,0.0005054503,0.00012644015,0.31481946],"genre_scores_gemma":[0.9744052,0.00096403103,0.004440317,0.00036057303,0.000045334527,0.0002110548,0.00015591572,0.00004125552,0.019376244],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99849606,0.0006566566,0.0000267558,0.0002207461,0.00040263298,0.00019704094],"domain_scores_gemma":[0.99715436,0.0011464249,0.00014048268,0.00042430186,0.00061919057,0.0005152108],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020752244,0.00050421746,0.00022177811,0.0010820264,0.009940857,0.0033736404,0.0015146082,0.00062155246,0.015154451],"category_scores_gemma":[0.005626833,0.00031721106,0.00018371678,0.001148033,0.0097896205,0.0014539936,0.0029283492,0.0017886703,0.00030092517],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00095704675,0.0017110152,0.021212012,0.0009879938,0.00006387505,0.00080581196,0.5886512,0.0006788238,0.029430198,0.15700522,0.037475795,0.161021],"study_design_scores_gemma":[0.00016416992,0.0007743557,0.08101644,0.00046215174,0.00011325635,0.00038920977,0.389338,0.0009306148,0.00736658,0.01049374,0.50875723,0.00019419192],"about_ca_topic_score_codex":0.76027006,"about_ca_topic_score_gemma":0.95212686,"teacher_disagreement_score":0.23972994,"about_ca_system_score_codex":0.01645901,"about_ca_system_score_gemma":0.017098103,"threshold_uncertainty_score":0.48228347},"labels":[],"label_agreement":null},{"id":"W4391114220","doi":"10.1386/public_00157_1","title":"Introduction: Making Worlds in the Pluriverse","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Contemporary Sociological Theory and Practice","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Panel discussion; Political science; Library science; Media studies; Sociology; Computer science; Advertising; Business","score_opus":0.13822951765706462,"score_gpt":0.37904751277566445,"score_spread":0.24081799511859983,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114220","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012704259,0.03317954,0.005250003,0.119715415,0.011134399,0.00007297849,0.0004834704,0.00013547842,0.8173244],"genre_scores_gemma":[0.4968514,0.042900432,0.0051632053,0.03099797,0.0088389795,0.0003806185,0.0006676311,0.00034163776,0.4138581],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988887,0.00052874064,0.000036729743,0.00019897008,0.000215493,0.00013141516],"domain_scores_gemma":[0.9988549,0.0006865476,0.000091460446,0.00007378654,0.00017294943,0.000120484874],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009831036,0.0006152311,0.00024656364,0.00093995285,0.009023357,0.005937024,0.00074278074,0.002504067,0.01955438],"category_scores_gemma":[0.002390715,0.00020883669,0.00021436364,0.0012591094,0.010416102,0.008953342,0.004101277,0.004729808,0.0020662232],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017164528,0.000016322107,0.0004728278,0.0002146537,0.0000025981694,0.00012669123,0.04960463,0.00006323187,0.00012411065,0.7230446,0.20077349,0.025539663],"study_design_scores_gemma":[0.0000016260183,0.000005226743,0.0003943,0.00021324845,0.0000015425929,0.00007478597,0.0073423386,0.000025037933,0.000054217853,0.013801524,0.9780823,0.0000039142687],"about_ca_topic_score_codex":0.013753733,"about_ca_topic_score_gemma":0.018867679,"teacher_disagreement_score":0.01955438,"about_ca_system_score_codex":0.00410295,"about_ca_system_score_gemma":0.0031518782,"threshold_uncertainty_score":0.06541592},"labels":[],"label_agreement":null},{"id":"W4391114221","doi":"10.1386/public_00158_1","title":"Thinking Across Worlds: Pluriversal Potentiality","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Indigenous; Ontology; Sociology; Politics; Aesthetics; Epistemology; Consciousness; Anthropology; Art; Philosophy; Ecology; Political science; Law; Biology","score_opus":0.058137721291242804,"score_gpt":0.367321233319294,"score_spread":0.3091835120280512,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114221","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.059127875,0.004935005,0.042656515,0.03957702,0.0007174897,0.00005247067,0.000078338395,0.00009432227,0.8527609],"genre_scores_gemma":[0.977985,0.0013126814,0.00375002,0.0012120287,0.00017677514,0.00007566122,0.000031312633,0.000059790647,0.015396732],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971494,0.001731053,0.00007264973,0.00034038085,0.000377589,0.00032889406],"domain_scores_gemma":[0.99751425,0.0012816307,0.00022524304,0.0004263374,0.0002380584,0.00031447335],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038706206,0.0004980441,0.00034942146,0.0019333812,0.009507448,0.011828951,0.0010405335,0.0022287532,0.007761168],"category_scores_gemma":[0.004028529,0.00028748708,0.00051333813,0.0013708188,0.05815332,0.022003483,0.012851927,0.0040771775,0.0005756543],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004783729,0.0000033321624,0.00017176173,0.000020947422,0.0000020097302,0.00005386707,0.012575192,0.000053361804,0.000069155874,0.98331213,0.00077133026,0.0029621837],"study_design_scores_gemma":[0.000007685645,0.000015830043,0.0003248704,0.00012763172,0.0000059240388,0.0001940097,0.028318465,0.00028124603,0.00020947885,0.8513019,0.11919925,0.000013724005],"about_ca_topic_score_codex":0.0028850015,"about_ca_topic_score_gemma":0.0043419264,"teacher_disagreement_score":0.011828951,"about_ca_system_score_codex":0.004355774,"about_ca_system_score_gemma":0.003530925,"threshold_uncertainty_score":0.031603515},"labels":[],"label_agreement":null},{"id":"W4391114222","doi":"10.1386/public_00171_1","title":"From Abiyala to Turtle Island","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Exhibition; Materiality (auditing); Indigenous; Amazon rainforest; Context (archaeology); Turtle (robot); The arctic; Visual arts; Aesthetics; Geography; History; Sociology; Environmental ethics; Anthropology; Art; Archaeology; Ecology; Oceanography","score_opus":0.1077919167400734,"score_gpt":0.3077984744880419,"score_spread":0.20000655774796847,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114222","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7435061,0.0035418863,0.000938617,0.0027055782,0.00025819812,0.00013169867,0.00037464633,0.00008563856,0.24845766],"genre_scores_gemma":[0.93808126,0.0024733078,0.0020068183,0.00070586835,0.000036081674,0.00013704588,0.00032811187,0.00004660902,0.056184795],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998547,0.000018341263,0.0000050536164,0.000023110868,0.000020928128,0.00007788471],"domain_scores_gemma":[0.99981815,0.000034975386,0.00001399295,0.000011898222,0.00003523246,0.00008583041],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022525177,0.00019411965,0.00015782795,0.000527399,0.0055192313,0.0013608536,0.0004666563,0.0003247908,0.013380669],"category_scores_gemma":[0.00033936746,0.0001590808,0.00014838418,0.0010184898,0.0013716415,0.00058639643,0.0022013967,0.001115654,0.0009618665],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00061876007,0.00037754813,0.1218786,0.0020938981,0.00005567534,0.017903993,0.27576125,0.00042689536,0.01623823,0.040304285,0.024135772,0.50020516],"study_design_scores_gemma":[0.000044956752,0.00025058904,0.30871767,0.0012062392,0.000053665055,0.0069355415,0.21295866,0.00032074054,0.0017148441,0.0041214353,0.46361908,0.00005666603],"about_ca_topic_score_codex":0.15113474,"about_ca_topic_score_gemma":0.4349652,"teacher_disagreement_score":0.8488653,"about_ca_system_score_codex":0.001971964,"about_ca_system_score_gemma":0.005695372,"threshold_uncertainty_score":0.30051005},"labels":[],"label_agreement":null},{"id":"W4391114224","doi":"10.1386/public_00168_1","title":"The Multiscalar Worlds of Remediation: Sitting Halfway Down a Meandering Path","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cityscape; Cognitive reframing; Politics; Sociology; Geography; Aesthetics; Environmental ethics; Political science; Art; Visual arts; Psychology; Law; Philosophy","score_opus":0.04445470618317532,"score_gpt":0.3193263227066532,"score_spread":0.27487161652347786,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114224","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21441928,0.009072087,0.04285837,0.11626145,0.0023345777,0.0001328689,0.00029800602,0.00092560524,0.61369777],"genre_scores_gemma":[0.88465244,0.0021360386,0.009761728,0.004099073,0.00031817652,0.00005193792,0.0000698205,0.00035907657,0.098551795],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990067,0.0004898494,0.000009679245,0.00011721949,0.0001384269,0.00023822002],"domain_scores_gemma":[0.99907446,0.00025912977,0.00006783867,0.00018806392,0.000118498036,0.00029194125],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014786271,0.00071245374,0.0003182085,0.0013196272,0.01702218,0.009859515,0.0015000348,0.002118908,0.018664522],"category_scores_gemma":[0.0019729845,0.00034408047,0.00034277496,0.00090229703,0.035887856,0.0076650805,0.010270755,0.0036136054,0.0019573467],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000807238,0.00006394371,0.004900491,0.00014736489,0.000027660168,0.0012587374,0.5129509,0.00045649926,0.0025426156,0.34104043,0.06349968,0.073030986],"study_design_scores_gemma":[0.000010470603,0.000050784023,0.0028999597,0.00019162509,0.000013844866,0.00045497788,0.28761905,0.00027920585,0.0007314005,0.040793214,0.6669148,0.000040708623],"about_ca_topic_score_codex":0.075454235,"about_ca_topic_score_gemma":0.2584313,"teacher_disagreement_score":0.075454235,"about_ca_system_score_codex":0.0066295154,"about_ca_system_score_gemma":0.004452155,"threshold_uncertainty_score":0.15003008},"labels":[],"label_agreement":null},{"id":"W4391114225","doi":"10.1386/public_00162_1","title":"Making Worlds in the Pluriverse Panel at Congress: “On the colonialism…”","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Colonialism; Social worlds; Sociology; Media studies; Panel discussion; Political science; Social science; Law; Advertising; Business","score_opus":0.17762099081672736,"score_gpt":0.37604651101157854,"score_spread":0.19842552019485118,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114225","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.050783593,0.0020589468,0.0022663346,0.48464948,0.026515506,0.0007995537,0.003741018,0.00020952412,0.42897606],"genre_scores_gemma":[0.33458975,0.0019294352,0.0016187279,0.08603904,0.007927695,0.0019167603,0.0019620792,0.0006309344,0.56338555],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954332,0.001980277,0.00010280427,0.00030541228,0.000847036,0.0013313831],"domain_scores_gemma":[0.9877201,0.00687276,0.0003762881,0.0003757984,0.0015263443,0.0031287086],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008671898,0.0005458994,0.00039995112,0.00072448736,0.017052574,0.00621711,0.001187539,0.0052164104,0.030732162],"category_scores_gemma":[0.017563278,0.0004226247,0.00036497158,0.0010846277,0.0046560843,0.004469742,0.008185242,0.010591385,0.0036245275],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037951388,0.00002040303,0.00056183944,0.00008887302,0.000002790188,0.00024529014,0.05059908,0.000045926172,0.00053777563,0.01881738,0.9209116,0.008131081],"study_design_scores_gemma":[0.000008103731,0.000008563484,0.002340325,0.00013227414,0.0000022484737,0.00001985421,0.047674038,0.000035905723,0.0002669179,0.0013048965,0.94818574,0.000021091184],"about_ca_topic_score_codex":0.06524143,"about_ca_topic_score_gemma":0.17964756,"teacher_disagreement_score":0.06524143,"about_ca_system_score_codex":0.006619709,"about_ca_system_score_gemma":0.010168761,"threshold_uncertainty_score":0.12972337},"labels":[],"label_agreement":null},{"id":"W4391114227","doi":"10.1386/public_00160_1","title":"Negotiating Pluriversality","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Foucault, Power, and Ethics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Negotiation; Presumption; Power (physics); Sociology; Life world; Epistemology; Argument (complex analysis); Aesthetics; Law and economics; Law; Political science; Social science; Art; Philosophy","score_opus":0.15167888624789935,"score_gpt":0.3997709177571195,"score_spread":0.24809203150922013,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114227","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.055395775,0.0022809303,0.1807917,0.034352314,0.0006227975,0.00017012728,0.00004027158,0.00019741885,0.7261486],"genre_scores_gemma":[0.97215635,0.0004543454,0.008715441,0.002581874,0.000108892316,0.00018440191,0.000027706605,0.00012784908,0.01564302],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.97568786,0.015094859,0.0007572248,0.0030406874,0.0032389718,0.0021805174],"domain_scores_gemma":[0.9868133,0.007520589,0.0010341337,0.002696912,0.0011955645,0.00073941704],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.024112212,0.0010994048,0.0008546969,0.0026391451,0.012048578,0.014009238,0.0028264297,0.007638168,0.00760221],"category_scores_gemma":[0.024377866,0.0006890315,0.0011304246,0.0013394967,0.080236875,0.029504629,0.026909407,0.01009934,0.0010040533],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000035372925,0.0000036776553,0.00008003836,0.000012732085,0.0000037566335,0.000066470864,0.0056838766,0.00009261787,0.000059120805,0.9919208,0.00029895618,0.0017743601],"study_design_scores_gemma":[0.000007909244,0.000022454715,0.00012364803,0.00014850475,0.000009778075,0.00019046142,0.008444241,0.00047637042,0.0003657009,0.91359484,0.07659393,0.000022154793],"about_ca_topic_score_codex":0.0027496768,"about_ca_topic_score_gemma":0.0025283403,"teacher_disagreement_score":0.024112212,"about_ca_system_score_codex":0.007452085,"about_ca_system_score_gemma":0.0059860274,"threshold_uncertainty_score":0.12751907},"labels":[],"label_agreement":null},{"id":"W4391114229","doi":"10.1386/public_00173_1","title":"The Pluriverse, Beyond the Concept of Practice: On the Reality of Occurrence, Utopianism, and Prison Abolition","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Criminal Justice and Corrections Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Prison; Epistemology; Theme (computing); Social reality; Sociology; Social worlds; Redistribution (election); Environmental ethics; Aesthetics; Criminology; Social science; Political science; Philosophy; Law; Computer science; Politics","score_opus":0.04777569917884761,"score_gpt":0.35088986332140726,"score_spread":0.30311416414255965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114229","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35548863,0.011230228,0.049598083,0.052496254,0.00046669718,0.000046310837,0.000049537986,0.00005602057,0.53056824],"genre_scores_gemma":[0.9962632,0.0006355282,0.00076693844,0.00028420493,0.00004737566,0.000013876577,0.000004129883,0.000010260353,0.001974562],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956393,0.003021191,0.00011153841,0.00026717916,0.0005594825,0.0004011733],"domain_scores_gemma":[0.99590516,0.002849366,0.00038584325,0.00041619258,0.00022658598,0.00021678941],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038588627,0.0002898871,0.0003982205,0.0016315815,0.0066904807,0.008024119,0.0010029628,0.0021399916,0.0018482025],"category_scores_gemma":[0.0055475435,0.00020632567,0.00033304596,0.0011062887,0.073681064,0.009856103,0.008335215,0.0037549625,0.00010941987],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000047596536,0.0000051607044,0.00024507774,0.000010512256,8.351058e-7,0.000042107895,0.01280511,0.00007562223,0.000028539189,0.9849953,0.00015988812,0.0016270768],"study_design_scores_gemma":[0.000008391107,0.00003210707,0.0012998484,0.00028429436,0.000007061454,0.00020122707,0.035159577,0.00077953766,0.0002417838,0.9271921,0.03477647,0.000017638617],"about_ca_topic_score_codex":0.005531473,"about_ca_topic_score_gemma":0.006974402,"teacher_disagreement_score":0.008024119,"about_ca_system_score_codex":0.004158449,"about_ca_system_score_gemma":0.0032280444,"threshold_uncertainty_score":0.030171812},"labels":[],"label_agreement":null},{"id":"W4391114233","doi":"10.1386/public_00165_1","title":"Making Worlds in the Pluriverse Panel at Congress: “Mary Bunch, on world-building”","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Religious Studies and Spiritual Practices","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Social worlds; Sociology; Political science; Media studies; Environmental ethics; Library science; Social science; Philosophy; Computer science","score_opus":0.2138408940513754,"score_gpt":0.32125220218074363,"score_spread":0.10741130812936822,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391114233","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0076874546,0.0071863304,0.0008131472,0.5184408,0.07137026,0.00052959577,0.0012867121,0.00016699852,0.39251876],"genre_scores_gemma":[0.055908952,0.003213313,0.00048807586,0.08754204,0.010863952,0.00051553256,0.00062678976,0.00035630868,0.84048504],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976707,0.0005932471,0.000047533485,0.00023306363,0.00066688284,0.00078859],"domain_scores_gemma":[0.99680626,0.0008338048,0.00009233467,0.00009788619,0.0006377001,0.0015319426],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037067332,0.00075612694,0.00046456206,0.0004990436,0.019181099,0.0061885044,0.00097259437,0.0056430562,0.053733524],"category_scores_gemma":[0.005668922,0.00048075776,0.00041547455,0.00076094904,0.0034264028,0.0038307256,0.0062309485,0.010362282,0.0094657745],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009127675,0.0000058911965,0.000058229816,0.000023041554,7.517517e-7,0.000053253374,0.002117027,0.000011304395,0.000118993594,0.004231085,0.99149245,0.001878885],"study_design_scores_gemma":[0.000004363678,0.0000051952675,0.00054825627,0.00006843416,0.0000013105762,0.000013870068,0.0047795847,0.000008411916,0.000111971734,0.00037919072,0.994069,0.000010447813],"about_ca_topic_score_codex":0.08529501,"about_ca_topic_score_gemma":0.27206424,"teacher_disagreement_score":0.08529501,"about_ca_system_score_codex":0.0065049133,"about_ca_system_score_gemma":0.010160499,"threshold_uncertainty_score":0.17975658},"labels":[],"label_agreement":null},{"id":"W4399556417","doi":"10.1386/public_00181_1","title":"Introduction: The Witch Institute","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Witch; Politics; Space (punctuation); Sociology; Media studies; Visual arts; Art; Political science; Law; Linguistics; Philosophy","score_opus":0.031349741675401215,"score_gpt":0.23888821227728643,"score_spread":0.2075384706018852,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399556417","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019054243,0.05959896,0.0010842425,0.14809793,0.24451263,0.00015110086,0.0013639536,0.00036530348,0.5429204],"genre_scores_gemma":[0.025256885,0.042999007,0.001046736,0.04494067,0.13521793,0.0002041619,0.0011028692,0.00064825127,0.7485835],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926275,0.0001474872,0.000041359093,0.0001812306,0.00025501734,0.00011213837],"domain_scores_gemma":[0.99923396,0.0002220189,0.00006266549,0.00004870619,0.0002313745,0.00020130962],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008344909,0.0008558562,0.00036519967,0.0018404024,0.004364605,0.0065235253,0.00082066143,0.0030735706,0.07197097],"category_scores_gemma":[0.0024403133,0.00039788958,0.00033806628,0.0016784526,0.0015523141,0.0045760316,0.0027249826,0.0053927354,0.028142087],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008672564,0.000011624634,0.000065367094,0.000095976255,6.937332e-7,0.00005324722,0.0007878695,0.000009471902,0.0000753156,0.014392438,0.9710298,0.0134694865],"study_design_scores_gemma":[8.02605e-7,0.000004184726,0.00016571106,0.00010297705,5.3238756e-7,0.000034482433,0.0003404909,0.0000038422672,0.000020002517,0.00074868614,0.9985764,0.0000020034101],"about_ca_topic_score_codex":0.0033699821,"about_ca_topic_score_gemma":0.0064049074,"teacher_disagreement_score":0.07197097,"about_ca_system_score_codex":0.001917209,"about_ca_system_score_gemma":0.0016268579,"threshold_uncertainty_score":0.24076688},"labels":[],"label_agreement":null},{"id":"W4399556449","doi":"10.1386/public_00189_1","title":"INCANTATIONS","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Queen's University","funders":"","keywords":"Witch; Spell; Incantation; Art history; Art; History; China; Archaeology; Sociology; Anthropology; Literature","score_opus":0.027594398125284136,"score_gpt":0.26163731548634445,"score_spread":0.2340429173610603,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399556449","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013360619,0.006423588,0.019483512,0.031701386,0.078142546,0.0010876483,0.018200269,0.010346892,0.8212535],"genre_scores_gemma":[0.038826045,0.002851046,0.012842947,0.0073120394,0.009022802,0.0010619077,0.017089635,0.0103483545,0.90064526],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9928226,0.0012172165,0.00030609267,0.0008912814,0.0043747453,0.00038816925],"domain_scores_gemma":[0.97617394,0.0044348245,0.00048122235,0.004664512,0.011600075,0.002645411],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0059842295,0.0011546154,0.00084458117,0.002955804,0.003904124,0.0052450052,0.0020947314,0.0015865256,0.20395558],"category_scores_gemma":[0.020738944,0.0005697629,0.0007360448,0.0024205246,0.0017017365,0.0028965839,0.0039047603,0.004279316,0.07186079],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013414184,0.00005930942,0.0002980404,0.00010503931,0.0000057353486,0.00014737646,0.000628826,0.000056801615,0.0014848185,0.0047405404,0.9413241,0.05101526],"study_design_scores_gemma":[0.000006878552,0.000030754152,0.000340803,0.00005070072,0.0000028770078,0.0001616335,0.000230639,0.000048801343,0.00083488104,0.0010438741,0.9972371,0.000010987692],"about_ca_topic_score_codex":0.0031773911,"about_ca_topic_score_gemma":0.0073821037,"teacher_disagreement_score":0.20395558,"about_ca_system_score_codex":0.0019844547,"about_ca_system_score_gemma":0.0025872937,"threshold_uncertainty_score":0.6822994},"labels":[],"label_agreement":null},{"id":"W4399556451","doi":"10.1386/public_00192_1","title":"Garden of Future Blackness: A terraform artwork","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Urban Agriculture and Sustainability","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University; McMaster University","funders":"","keywords":"Acre; Witch; Visual arts; Art; Art history; Archaeology; Landscape architecture; History; Ecology; Engineering; Agroforestry; Civil engineering","score_opus":0.010122555751092603,"score_gpt":0.18721630283236432,"score_spread":0.1770937470812717,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399556451","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1014523,0.0024411094,0.009060926,0.016181296,0.00469924,0.00021239743,0.00036559466,0.0004241219,0.865163],"genre_scores_gemma":[0.38722873,0.0018148447,0.015685935,0.0023788766,0.00048307137,0.00020488861,0.00018655737,0.00057578174,0.5914413],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996675,0.00013162906,0.000004025337,0.000039506078,0.00008513114,0.0000721686],"domain_scores_gemma":[0.99975866,0.000050281753,0.000012390655,0.000036227328,0.000030819334,0.00011154164],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007369856,0.000483607,0.000160389,0.00045396635,0.009047044,0.0026243536,0.00051851943,0.00094382826,0.025271844],"category_scores_gemma":[0.00064125995,0.00014509061,0.0002449548,0.0003560786,0.0037744646,0.0014605827,0.0039206347,0.0017337012,0.0017732565],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016494762,0.00016883781,0.0019036165,0.00023371857,0.000011554818,0.0018636798,0.12816678,0.0009029781,0.0046047824,0.21849202,0.52732,0.116167024],"study_design_scores_gemma":[0.000004048207,0.00002399086,0.0008051374,0.00009303447,0.0000017410191,0.00031380035,0.027728131,0.00009397559,0.0002791911,0.0027728674,0.9678753,0.000008810129],"about_ca_topic_score_codex":0.0046889605,"about_ca_topic_score_gemma":0.03736732,"teacher_disagreement_score":0.025271844,"about_ca_system_score_codex":0.0014000628,"about_ca_system_score_gemma":0.0012264217,"threshold_uncertainty_score":0.08454269},"labels":[],"label_agreement":null},{"id":"W4399556459","doi":"10.1386/public_00193_1","title":"This Circle is a Mercle","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Transformative learning; Gesture; Grief; Reflexivity; Aesthetics; Meditation; Queer; Sociology; Repetition (rhetorical device); Accountability; Visual arts; Art; Gender studies; Psychology; History; Philosophy; Political science; Psychotherapist; Pedagogy; Archaeology; Anthropology; Law; Linguistics","score_opus":0.08110256232094325,"score_gpt":0.26589775141768807,"score_spread":0.1847951890967448,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399556459","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07088429,0.004354547,0.009387665,0.058005,0.002596165,0.00008888291,0.000074791686,0.0005860287,0.8540226],"genre_scores_gemma":[0.85789686,0.0011432221,0.0030106222,0.00887246,0.000496303,0.00008044826,0.000043058713,0.0002895676,0.12816755],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974382,0.001282127,0.00003428912,0.00029196552,0.00048775476,0.00046570651],"domain_scores_gemma":[0.9981238,0.00048345435,0.00014632048,0.00035187468,0.00023906777,0.0006554991],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016945226,0.00044804285,0.00030872723,0.0011417511,0.018716805,0.010001548,0.0008841753,0.002522421,0.01371692],"category_scores_gemma":[0.0042254035,0.00031025833,0.00045873318,0.00056193303,0.02584224,0.009750675,0.011435388,0.0042919153,0.0021735923],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005541153,0.000045674402,0.0011626364,0.00010062172,0.000011529952,0.001139594,0.27938658,0.00009455096,0.0007378586,0.53691036,0.14017966,0.040175464],"study_design_scores_gemma":[0.000008656635,0.000043136148,0.0011877515,0.0001837586,0.0000067674646,0.0012441267,0.1002399,0.00013326919,0.00042144116,0.030795893,0.8657046,0.000030724612],"about_ca_topic_score_codex":0.0054357424,"about_ca_topic_score_gemma":0.011589532,"teacher_disagreement_score":0.018716805,"about_ca_system_score_codex":0.002955409,"about_ca_system_score_gemma":0.0028019166,"threshold_uncertainty_score":0.04588765},"labels":[],"label_agreement":null},{"id":"W4399556462","doi":"10.1386/public_00198_4","title":"Carole Itter: Only When I’m Hauling Water Do I Wonder If I’m Getting Any Stronger","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of British Columbia","funders":"","keywords":"Craft; Plural; Weaving; Aesthetics; Politics; Assemblage (archaeology); Space (punctuation); Ambivalence; Wonder; Visual arts; Art; Sociology; Art history; History; Archaeology; Law; Engineering; Political science; Philosophy; Epistemology; Mechanical engineering","score_opus":0.037383831706899524,"score_gpt":0.2265975432670839,"score_spread":0.18921371156018438,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399556462","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034867834,0.5140758,0.0018725753,0.065669395,0.009082058,0.00007017762,0.0003706833,0.00011152738,0.37387994],"genre_scores_gemma":[0.30325025,0.33691052,0.002088493,0.022426257,0.0024646204,0.00008847107,0.00054813473,0.00048406638,0.3317393],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99805874,0.00038562657,0.00006505537,0.0001912961,0.0010550122,0.00024428676],"domain_scores_gemma":[0.9965049,0.0012142981,0.00015240625,0.00012650089,0.0016832929,0.00031857722],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013971945,0.00056615163,0.00032571642,0.0031018886,0.008524689,0.009535695,0.0007803396,0.0017532554,0.007914806],"category_scores_gemma":[0.0050081713,0.0003176187,0.00014821858,0.005483197,0.005373012,0.0016855733,0.0014052952,0.002608955,0.0015322077],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048046943,0.000025053543,0.0035824017,0.0016483227,0.00002834983,0.0005119184,0.059964992,0.00016200833,0.00072405185,0.03104319,0.6838011,0.21846046],"study_design_scores_gemma":[0.0000010525249,0.0000037654856,0.0028410074,0.000976976,0.000004923274,0.00024702033,0.015071378,0.000015641837,0.00018091327,0.00042344333,0.9802244,0.000009488004],"about_ca_topic_score_codex":0.5826807,"about_ca_topic_score_gemma":0.8633883,"teacher_disagreement_score":0.5826807,"about_ca_system_score_codex":0.012791072,"about_ca_system_score_gemma":0.012080161,"threshold_uncertainty_score":0.83955395},"labels":[],"label_agreement":null},{"id":"W4399556463","doi":"10.1386/public_00195_1","title":"Appendix: The Witch Institute Symposium Schedule","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Witch; Schedule; History; Art history; Art; Computer science; Ecology; Biology","score_opus":0.031195542473615667,"score_gpt":0.24585301737594822,"score_spread":0.21465747490233256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399556463","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00071590743,0.00042973092,0.0016113372,0.0042290976,0.009003943,0.0035487846,0.13687836,0.0019700564,0.8416127],"genre_scores_gemma":[0.0043277917,0.0010342521,0.002796808,0.0014028854,0.0017776395,0.0037855173,0.07950969,0.0011120351,0.9042533],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998701,0.00020046617,0.0001251431,0.000118041906,0.0006140454,0.00024130986],"domain_scores_gemma":[0.9911487,0.0012623195,0.0004082034,0.0005793751,0.0050192326,0.0015821864],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0019568317,0.0011263641,0.0007890614,0.0035685995,0.0027024918,0.0029253785,0.0014708758,0.0014424688,0.8525275],"category_scores_gemma":[0.012694826,0.0010574266,0.00052736735,0.0040930486,0.00027513926,0.0026441477,0.0018974319,0.0022415323,0.6514771],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012750445,0.00001065929,0.000016875429,0.00003390993,2.2536186e-7,0.0000064368614,0.000010596753,0.000012376389,0.000013318891,0.00038659442,0.99510527,0.0043909843],"study_design_scores_gemma":[0.000017799863,0.00001385492,0.00070814585,0.000052370968,8.8000945e-7,0.00001726374,0.00007074785,0.000020842643,0.00003161804,0.0004285124,0.99863106,0.000006767389],"about_ca_topic_score_codex":0.01278619,"about_ca_topic_score_gemma":0.01981075,"teacher_disagreement_score":0.8525275,"about_ca_system_score_codex":0.00257688,"about_ca_system_score_gemma":0.0046509714,"threshold_uncertainty_score":0.21035153},"labels":[],"label_agreement":null},{"id":"W4399556467","doi":"10.1386/public_00188_1","title":"The Powers: Consult the Fates: A Conversation with Emily Pelstring, Katherine Kline, and Jessica Mensch","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Witch; Patriarchy; Mythology; Oracle; White (mutation); Art history; Comedy; Art; Sociology; Literature; History; Media studies; Gender studies; Computer science","score_opus":0.012016622524349133,"score_gpt":0.26938399838949073,"score_spread":0.2573673758651416,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399556467","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23361932,0.007598377,0.001765999,0.6513303,0.004731055,0.00013563292,0.00006888319,0.00007825046,0.10067223],"genre_scores_gemma":[0.8440574,0.0047617815,0.001167777,0.08922562,0.0016278328,0.00021240937,0.000026666465,0.00021880674,0.05870174],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9898761,0.0077854837,0.00011073553,0.00041584414,0.00086598884,0.00094581716],"domain_scores_gemma":[0.98530686,0.010723914,0.00048170384,0.000280891,0.0007663948,0.0024402058],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.011360601,0.00066575466,0.0006700864,0.0014399415,0.03232164,0.011423288,0.0014463031,0.006391729,0.006870435],"category_scores_gemma":[0.023014588,0.0008075332,0.00027200443,0.001060461,0.023080198,0.011853594,0.0065983585,0.013371117,0.00089846994],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028670613,0.000054002296,0.00045725025,0.000054666223,0.0000062371896,0.0011289429,0.89263284,0.00003334068,0.00032313494,0.023467477,0.07558756,0.006225878],"study_design_scores_gemma":[0.000005426437,0.000026044263,0.00042303253,0.00016572063,0.0000029415653,0.00024661355,0.8034343,0.000055174107,0.0002015919,0.0024396658,0.1929792,0.000020219637],"about_ca_topic_score_codex":0.015141972,"about_ca_topic_score_gemma":0.030601619,"teacher_disagreement_score":0.03232164,"about_ca_system_score_codex":0.005524933,"about_ca_system_score_gemma":0.0037680205,"threshold_uncertainty_score":0.060081303},"labels":[],"label_agreement":null},{"id":"W4399564328","doi":"10.1386/public_00196_4","title":"Faye Driscoll: Weathering","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"The Scarborough Hospital; University of Toronto","funders":"","keywords":"Weathering; Archaeology; Art; Geology; Geography; Geomorphology","score_opus":0.04291891247883428,"score_gpt":0.2328528478302683,"score_spread":0.18993393535143402,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399564328","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012392391,0.7566939,0.0026947304,0.06337254,0.020669622,0.000022667,0.0001493469,0.0002795265,0.15487845],"genre_scores_gemma":[0.039732613,0.55582225,0.0030027567,0.03596021,0.010670076,0.00006661189,0.00027380264,0.000845521,0.3536263],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99878436,0.00034901508,0.00005125497,0.0001850119,0.00046784154,0.00016262442],"domain_scores_gemma":[0.998247,0.0006346747,0.000114119095,0.00011135302,0.0005947412,0.0002981252],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011047375,0.0007508175,0.0003958413,0.0014434452,0.002954749,0.00423602,0.0006440685,0.0021837251,0.029798077],"category_scores_gemma":[0.005550838,0.00030959645,0.00023677584,0.001648972,0.0030887036,0.005352194,0.002531027,0.0031150528,0.010290831],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029768686,0.000005522804,0.00020381322,0.0006189765,0.0000069231055,0.00011166116,0.002913282,0.00010082367,0.00025446786,0.02268167,0.80862063,0.16445257],"study_design_scores_gemma":[5.7097526e-7,0.0000014622528,0.000103011254,0.00028032542,6.8530096e-7,0.00005926523,0.00042051356,0.0000037917318,0.000059831073,0.0006878044,0.99837947,0.000003296501],"about_ca_topic_score_codex":0.052880052,"about_ca_topic_score_gemma":0.06780228,"teacher_disagreement_score":0.052880052,"about_ca_system_score_codex":0.003830358,"about_ca_system_score_gemma":0.0035496561,"threshold_uncertainty_score":0.1051445},"labels":[],"label_agreement":null},{"id":"W4399564413","doi":"10.1386/public_00190_1","title":"Witches in Swamps, Sirens at Sea, and Leviathans of the Deep: Feminist Figures that Haunt our Social Media Worlds","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Gender, Feminism, and Media","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Resistance (ecology); Social media; Digital media; Digital culture; Face (sociological concept); Art; Sociology; Literature; Media studies; History; Law; Political science; Social science","score_opus":0.06904405256948688,"score_gpt":0.30441211481128955,"score_spread":0.23536806224180268,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399564413","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5987136,0.0054318146,0.0027006804,0.03634699,0.0005864754,0.00002731577,0.000059555405,0.000084887004,0.35604873],"genre_scores_gemma":[0.97448415,0.0006018136,0.00021512347,0.001500866,0.00010661435,0.000013849013,0.000008626169,0.000054932414,0.023014048],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9977939,0.00138426,0.000030622985,0.00020354912,0.000261283,0.00032637708],"domain_scores_gemma":[0.9975472,0.0015952595,0.00028799125,0.00016490163,0.00015845237,0.00024625048],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025899827,0.00044149777,0.00031967656,0.0014928415,0.014480908,0.008888737,0.00077159534,0.002206197,0.006541632],"category_scores_gemma":[0.006027588,0.00035016492,0.00014360562,0.0009744592,0.042686895,0.007910966,0.006029608,0.0033442685,0.0005663095],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026197742,0.000010891928,0.0009001985,0.000032711156,0.0000045689562,0.00047486706,0.7912106,0.000033008357,0.0004809084,0.19487189,0.0040047774,0.0079493085],"study_design_scores_gemma":[0.0000058178057,0.00003956598,0.0013051677,0.00022195,0.000008235958,0.0004300152,0.652992,0.00009058203,0.0007384666,0.02908376,0.3150588,0.000025637972],"about_ca_topic_score_codex":0.008283106,"about_ca_topic_score_gemma":0.01578851,"teacher_disagreement_score":0.014480908,"about_ca_system_score_codex":0.0035558664,"about_ca_system_score_gemma":0.0014538115,"threshold_uncertainty_score":0.025799692},"labels":[],"label_agreement":null},{"id":"W4399564416","doi":"10.1386/public_00180_1","title":"After the Witch of Malleghem (2021)","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Witch; Queen (butterfly); Rhetoric; Art; The arts; Visual arts; Art history; History; Theology; Philosophy","score_opus":0.030738276475953508,"score_gpt":0.23645089254496432,"score_spread":0.2057126160690108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399564416","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06621426,0.0032399774,0.0035056875,0.013007867,0.004112751,0.00006311585,0.0003127459,0.00044103735,0.9091025],"genre_scores_gemma":[0.48241606,0.000765136,0.0015404675,0.0018496374,0.0002898488,0.000024395034,0.000099088444,0.00038219366,0.5126332],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997398,0.000083248415,0.0000043715117,0.00004272835,0.00006674848,0.00006302014],"domain_scores_gemma":[0.999853,0.00005025255,0.000011814533,0.0000280469,0.000021867836,0.000035029716],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00039624,0.00030225443,0.00011260673,0.0003566971,0.005302694,0.0034153487,0.00027157736,0.0012718551,0.026619654],"category_scores_gemma":[0.0012730962,0.0001430746,0.00014737611,0.00033322984,0.0049854214,0.0014326731,0.002071072,0.0017875197,0.0037541632],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022211712,0.000030005465,0.00096791825,0.00025551923,0.000012774718,0.0014807102,0.2107821,0.00018270724,0.0039561912,0.3931129,0.29245043,0.09654663],"study_design_scores_gemma":[0.0000046110763,0.00001842639,0.00063788914,0.00008695635,0.000003281795,0.00032261867,0.013466753,0.000041833675,0.0010626534,0.0024991883,0.98184776,0.000008020023],"about_ca_topic_score_codex":0.010199076,"about_ca_topic_score_gemma":0.038226742,"teacher_disagreement_score":0.026619654,"about_ca_system_score_codex":0.0014432851,"about_ca_system_score_gemma":0.00058979314,"threshold_uncertainty_score":0.089051604},"labels":[],"label_agreement":null},{"id":"W4399564458","doi":"10.1386/public_00183_1","title":"Materializing Magic: How the Witches of Instagram Make the Invisible Visible Through Digital Photography and Editing Techniques","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"MAGIC (telescope); Witch; Art; Visual arts; Photography; Craft; Digital media; Meaning (existential); Commodification; Embodied cognition; Context (archaeology); Aesthetics; Computer science; History; Epistemology; World Wide Web; Philosophy","score_opus":0.042119462524093744,"score_gpt":0.30961346075779905,"score_spread":0.2674939982337053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399564458","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1389513,0.006346751,0.04116168,0.014509355,0.000604681,0.00011598585,0.00013247314,0.00052192813,0.7976559],"genre_scores_gemma":[0.9218097,0.003989599,0.016652929,0.0010928761,0.00017585703,0.00009073156,0.000060457896,0.0003764255,0.055751573],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99853027,0.0009287205,0.000026577069,0.00014745248,0.00021542738,0.0001515945],"domain_scores_gemma":[0.99814653,0.0012213362,0.000109056105,0.00032522733,0.00009215933,0.000105584644],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001967548,0.00050355034,0.0001729455,0.0016260156,0.005769137,0.010692259,0.0010714924,0.0013045849,0.010716225],"category_scores_gemma":[0.0042247535,0.00035339245,0.0002908067,0.0009214525,0.029415233,0.0098111695,0.006303797,0.001980462,0.0013668134],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000070327376,0.00003582508,0.0011896545,0.0002640043,0.000013002632,0.000798705,0.24953648,0.0004457808,0.0026135086,0.66634434,0.013978967,0.064709365],"study_design_scores_gemma":[0.000028674363,0.000055520217,0.0018888308,0.00057930185,0.000030169269,0.0009561891,0.11534224,0.0007977067,0.003780689,0.16326457,0.7132182,0.00005781702],"about_ca_topic_score_codex":0.0045288126,"about_ca_topic_score_gemma":0.0104128085,"teacher_disagreement_score":0.010716225,"about_ca_system_score_codex":0.0019360727,"about_ca_system_score_gemma":0.0011615399,"threshold_uncertainty_score":0.035849333},"labels":[],"label_agreement":null},{"id":"W4404906974","doi":"10.1386/public_00219_1","title":"Fogscapes: Notes on Fujiko Nakaya’s Sculptural Practice","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Japanese History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Art; Visual arts","score_opus":0.04381196143138995,"score_gpt":0.3282485995649604,"score_spread":0.28443663813357045,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404906974","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70561934,0.006804099,0.0026008931,0.006727822,0.0005276738,0.00004306976,0.0000467917,0.00007791432,0.27755246],"genre_scores_gemma":[0.97741073,0.0011146715,0.0006309172,0.0002859766,0.00006650509,0.0000105340705,0.0000077328195,0.000029560382,0.020443443],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99968135,0.00008601451,0.000013293447,0.00006085676,0.00004868675,0.00010972608],"domain_scores_gemma":[0.9997032,0.00012003909,0.000027751063,0.000046604768,0.000023656943,0.000078616344],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007032282,0.00041472705,0.00024855905,0.0006386583,0.011559446,0.0028032055,0.0006251858,0.0011765806,0.0025366938],"category_scores_gemma":[0.0009585479,0.00030786838,0.0002122987,0.00088140374,0.011932662,0.002075328,0.0034692662,0.0022210015,0.00019978303],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006133445,0.000022318745,0.0016635173,0.00011373972,0.0000071101217,0.0027132595,0.90016305,0.00011121423,0.0028153802,0.071064636,0.0064297183,0.014834705],"study_design_scores_gemma":[0.000016267088,0.00011446664,0.020540576,0.0002906735,0.000036302026,0.0017740771,0.49523643,0.0004191622,0.0016488825,0.01550774,0.4643448,0.00007056337],"about_ca_topic_score_codex":0.030762233,"about_ca_topic_score_gemma":0.10835637,"teacher_disagreement_score":0.030762233,"about_ca_system_score_codex":0.0035218098,"about_ca_system_score_gemma":0.0015614562,"threshold_uncertainty_score":0.061166346},"labels":[],"label_agreement":null},{"id":"W4404906975","doi":"10.1386/public_00214_1","title":"An Archive of Suffering: Hunger Stones and the (N)Ec(r)opoetics of Climate Crisis","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Ecocriticism and Environmental Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University; University of Calgary","funders":"","keywords":"Political science","score_opus":0.011717716305867392,"score_gpt":0.2121584469703391,"score_spread":0.20044073066447168,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404906975","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14538161,0.025742162,0.002380774,0.12329691,0.0039237016,0.000020746673,0.000111303976,0.00011467572,0.6990281],"genre_scores_gemma":[0.9491103,0.0049674027,0.0003305991,0.0055964775,0.0009763916,0.0000196402,0.000023888757,0.00009988013,0.03887546],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982685,0.0010913098,0.000042925156,0.00009543828,0.0002584929,0.00024332119],"domain_scores_gemma":[0.9980496,0.0012058215,0.00021658905,0.00019307567,0.00014380521,0.0001910546],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023033319,0.00043728336,0.00041399477,0.001205774,0.014605701,0.01176401,0.0008447985,0.0029471866,0.0067455904],"category_scores_gemma":[0.0050983285,0.00021012378,0.00022564903,0.0016258399,0.03423481,0.007834874,0.00803201,0.005309903,0.000546521],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035748813,0.00001577064,0.00042971846,0.00011771401,0.000007003814,0.0010818184,0.3532298,0.00009921762,0.0002325868,0.59628916,0.038866036,0.009595466],"study_design_scores_gemma":[0.000013457113,0.000025009504,0.00092078693,0.00038340737,0.000010129018,0.00089882326,0.24738206,0.00015380669,0.00043212937,0.07206497,0.6776902,0.000025190804],"about_ca_topic_score_codex":0.0030174402,"about_ca_topic_score_gemma":0.006087363,"teacher_disagreement_score":0.014605701,"about_ca_system_score_codex":0.0032249773,"about_ca_system_score_gemma":0.0020797895,"threshold_uncertainty_score":0.023398995},"labels":[],"label_agreement":null},{"id":"W4404906980","doi":"10.1386/public_00226_4","title":"Alexis Kyle Mitchell: The Treasury of Human Inheritance (2024)","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Reproductive Health and Technologies","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Treasury; Inheritance (genetic algorithm); Genealogy; History; Biology; Genetics; Archaeology; Gene","score_opus":0.07266872309101838,"score_gpt":0.3464856146923552,"score_spread":0.2738168916013368,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404906980","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021029767,0.658522,0.0005190119,0.1807786,0.030034639,0.00001902706,0.00005244784,0.00003414764,0.1279372],"genre_scores_gemma":[0.0875524,0.57598716,0.0010741984,0.088611804,0.028474133,0.000060089238,0.000091203554,0.00010162767,0.21804743],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990011,0.00029488944,0.000039193248,0.000105183775,0.0004589916,0.00010075335],"domain_scores_gemma":[0.9993339,0.00023699648,0.00005966486,0.000028605189,0.00018267914,0.00015809412],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009307536,0.0003488363,0.00020041721,0.00058838696,0.0021887794,0.003252689,0.00064817397,0.0029931136,0.008034199],"category_scores_gemma":[0.0031302331,0.00016340331,0.00015447602,0.00061213935,0.0036958735,0.0021815856,0.0017056178,0.0038857167,0.002097613],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022324011,0.000009204178,0.0003222081,0.00046594115,0.000006114178,0.0004660347,0.006253454,0.000048764687,0.00023681564,0.050428126,0.8534939,0.08824708],"study_design_scores_gemma":[9.724005e-7,0.0000031442835,0.0002745845,0.00033869917,0.0000010742245,0.00033891597,0.0007061911,0.000005791479,0.000048558144,0.000810201,0.9974686,0.0000032553717],"about_ca_topic_score_codex":0.04267767,"about_ca_topic_score_gemma":0.07834341,"teacher_disagreement_score":0.04267767,"about_ca_system_score_codex":0.0044076834,"about_ca_system_score_gemma":0.003251159,"threshold_uncertainty_score":0.08485854},"labels":[],"label_agreement":null},{"id":"W4404906981","doi":"10.1386/public_00201_1","title":"Collisions, Echoes, Swallowings","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Posthumanist Ethics and Activism","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geology; Physics","score_opus":0.05350774676761278,"score_gpt":0.346618050112329,"score_spread":0.2931103033447162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404906981","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19311477,0.005892931,0.10472815,0.010764256,0.0063933404,0.000271302,0.00066180126,0.0014775108,0.6766958],"genre_scores_gemma":[0.7823531,0.0027625405,0.021554885,0.0033349816,0.0011635411,0.0002060681,0.0003818661,0.0009113758,0.18733159],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99817157,0.00038395505,0.000076676806,0.0003227839,0.0008203835,0.0002247469],"domain_scores_gemma":[0.9980106,0.0007637485,0.00021842917,0.0003934456,0.00038743962,0.00022630834],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012921109,0.0007746886,0.00047163988,0.0009796083,0.0034249427,0.0045597465,0.0011343651,0.0025701432,0.03419966],"category_scores_gemma":[0.013176376,0.0005588559,0.00055961247,0.0005964965,0.0046638297,0.0053167474,0.0072937957,0.0022111654,0.0074860915],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011189884,0.00017654005,0.011413602,0.0014748626,0.00019059682,0.007875631,0.1148644,0.0024734891,0.040660016,0.39391646,0.09844408,0.32739127],"study_design_scores_gemma":[0.00010310569,0.0004609622,0.014071189,0.0016130412,0.0001430423,0.009216506,0.061904415,0.004041414,0.008784841,0.12070039,0.7786985,0.0002625975],"about_ca_topic_score_codex":0.0017509102,"about_ca_topic_score_gemma":0.0015601678,"teacher_disagreement_score":0.03419966,"about_ca_system_score_codex":0.0007107286,"about_ca_system_score_gemma":0.00087442726,"threshold_uncertainty_score":0.11440927},"labels":[],"label_agreement":null},{"id":"W4404906982","doi":"10.1386/public_00222_1","title":"The Systemic Sublime","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Philosophy, Ethics, and Existentialism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Sublime; Art; Aesthetics","score_opus":0.0859951692883369,"score_gpt":0.26265927370082937,"score_spread":0.17666410441249247,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404906982","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.062205993,0.008799445,0.06983527,0.07867322,0.0012921838,0.00010747192,0.00010109522,0.00039627138,0.7785891],"genre_scores_gemma":[0.97571915,0.0008655102,0.0036182345,0.0043825298,0.00024637367,0.000091052185,0.00002645341,0.00012387858,0.014926742],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9903722,0.006448507,0.00020540407,0.001302698,0.0010165112,0.00065471604],"domain_scores_gemma":[0.99521,0.0025965662,0.00035939232,0.0009068366,0.0004898855,0.0004374353],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00780932,0.0005492192,0.00043699352,0.0012265291,0.006751427,0.01263096,0.0009631329,0.0026528086,0.0063671563],"category_scores_gemma":[0.00809228,0.00037808839,0.00053350034,0.0007645477,0.06830262,0.014446086,0.010327743,0.005286261,0.000863115],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010273548,0.000008343577,0.00025887607,0.000037679878,0.0000038257026,0.0000707698,0.024337852,0.00007268717,0.0001804778,0.969787,0.0022882475,0.002944037],"study_design_scores_gemma":[0.000016839474,0.000034181743,0.00057531794,0.00017817345,0.000008401237,0.00037978624,0.02136408,0.00049019454,0.00041638353,0.7620425,0.21447262,0.000021491009],"about_ca_topic_score_codex":0.0016087099,"about_ca_topic_score_gemma":0.0011741633,"teacher_disagreement_score":0.01263096,"about_ca_system_score_codex":0.007361211,"about_ca_system_score_gemma":0.0034732313,"threshold_uncertainty_score":0.053409636},"labels":[],"label_agreement":null},{"id":"W4404906990","doi":"10.1386/public_00227_4","title":"Richard Mosse: Broken Spectre","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Ecocriticism and Environmental Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"History","score_opus":0.020190331868326798,"score_gpt":0.19882829182685474,"score_spread":0.17863795995852794,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404906990","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004142955,0.095918566,0.0018012469,0.16820268,0.025059808,0.00012135382,0.00048226997,0.00046327105,0.7038079],"genre_scores_gemma":[0.046177763,0.032455258,0.00094753416,0.023527144,0.0037290973,0.00005644341,0.00028227898,0.00056563335,0.89225894],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99895346,0.00018503598,0.000012682087,0.00010383311,0.0004914458,0.00025358392],"domain_scores_gemma":[0.9988771,0.00019469744,0.000037049038,0.000058505182,0.0005277909,0.00030487872],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000939051,0.00074634433,0.00023782522,0.0012126196,0.008312641,0.0057243733,0.0013234951,0.0025048996,0.06168158],"category_scores_gemma":[0.0028294956,0.00038661915,0.00030666878,0.0010454626,0.004195023,0.0031403077,0.002266606,0.0038694993,0.010161002],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000083110135,0.0000054963357,0.00012219281,0.00008045969,0.0000021588305,0.00013161502,0.0018571165,0.000042002746,0.00020870812,0.008216565,0.97407997,0.015245391],"study_design_scores_gemma":[0.0000011919375,0.0000020180626,0.0002583171,0.000106657564,0.0000010783939,0.000053963457,0.0012249489,0.00000893832,0.00007005375,0.00022278882,0.9980453,0.0000047111657],"about_ca_topic_score_codex":0.5683385,"about_ca_topic_score_gemma":0.73517555,"teacher_disagreement_score":0.5683385,"about_ca_system_score_codex":0.011043617,"about_ca_system_score_gemma":0.008480482,"threshold_uncertainty_score":0.86840725},"labels":[],"label_agreement":null},{"id":"W4404906996","doi":"10.1386/public_00225_1","title":"A Machine to Listen to the Sky: Transducing Space Weather","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Space exploration and regulation","field":"Physics and Astronomy","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Sky; Space weather; Space (punctuation); Meteorology; Computer science; Geography; Operating system","score_opus":0.016789217817016457,"score_gpt":0.2555729346388496,"score_spread":0.23878371682183316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404906996","genre_codex":"methods","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2715109,0.0018169357,0.6678021,0.0041785436,0.0010099239,0.0001282809,0.00032653278,0.0029834039,0.050243326],"genre_scores_gemma":[0.8664656,0.0008194495,0.1203445,0.0011331992,0.00028109996,0.000091349575,0.00026435748,0.00035334413,0.010247047],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996556,0.00012448817,0.000010154979,0.00009808178,0.0000626216,0.000049142975],"domain_scores_gemma":[0.99905866,0.00061785773,0.000058851998,0.00008330046,0.000098593984,0.00008271529],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005603039,0.0004513317,0.0002626522,0.000343364,0.00049493264,0.0018056348,0.00048079836,0.00078757666,0.004113104],"category_scores_gemma":[0.004628536,0.00023935983,0.00030852773,0.000257192,0.0014153497,0.0025856714,0.0014646001,0.0010899818,0.0012456],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010969547,0.00041794157,0.011894988,0.0004001715,0.00014294704,0.0006140889,0.0074478015,0.038432624,0.15008233,0.07765962,0.022457555,0.6893529],"study_design_scores_gemma":[0.00013776401,0.00085059385,0.020835368,0.00028584676,0.00016239427,0.00080296403,0.005155237,0.54027176,0.0669142,0.23848149,0.12588458,0.00021785742],"about_ca_topic_score_codex":0.0005034095,"about_ca_topic_score_gemma":0.000558109,"teacher_disagreement_score":0.004113104,"about_ca_system_score_codex":0.00025684206,"about_ca_system_score_gemma":0.00019464454,"threshold_uncertainty_score":0.013759732},"labels":[],"label_agreement":null},{"id":"W4404907012","doi":"10.1386/public_00203_1","title":"Breathing in Disaster: Christina Battle’s Forecast","year":2024,"lang":"en","type":"article","venue":"Public","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Battle; Breathing; Aeronautics; History; Environmental science; Meteorology; Operations research; Engineering; Geography; Medicine; Archaeology; Anesthesia","score_opus":0.058876229637722266,"score_gpt":0.24564645771429824,"score_spread":0.18677022807657598,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404907012","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012579004,0.0677885,0.0013986516,0.70041597,0.03130168,0.000036578876,0.000136286,0.000107816966,0.18623559],"genre_scores_gemma":[0.45960492,0.10851717,0.002564124,0.163436,0.021917578,0.00016625691,0.00021840578,0.00041494108,0.24316058],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99889046,0.00044429323,0.000029163995,0.00014246978,0.00027446638,0.00021912521],"domain_scores_gemma":[0.99801886,0.0012312414,0.00008203999,0.00005858193,0.0002419739,0.00036727486],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015662854,0.00044277782,0.00024484462,0.0009664904,0.010502853,0.0072307815,0.00083576527,0.0029568383,0.00594543],"category_scores_gemma":[0.005796882,0.00023704872,0.00020857718,0.00071396545,0.008208598,0.0057927696,0.0033856765,0.009755432,0.001016693],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002399109,0.000017084678,0.000366569,0.00015205423,0.0000043269974,0.00035744728,0.056698628,0.00018493734,0.00015362096,0.086810224,0.82716763,0.028063452],"study_design_scores_gemma":[0.0000030488538,0.00000941907,0.00042625188,0.00033247477,0.0000021250396,0.00017488055,0.031125743,0.00007813559,0.00010726845,0.0045434902,0.9631811,0.000016131098],"about_ca_topic_score_codex":0.0518317,"about_ca_topic_score_gemma":0.09016023,"teacher_disagreement_score":0.0518317,"about_ca_system_score_codex":0.0054176035,"about_ca_system_score_gemma":0.005435394,"threshold_uncertainty_score":0.10306001},"labels":[],"label_agreement":null},{"id":"W4404907015","doi":"10.1386/public_00228_4","title":"Indiscernible Thresholds, Escaped Veillances at Art Museum","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McMaster University","funders":"","keywords":"Art; Visual arts; Computer graphics (images); Computer science","score_opus":0.05227603210339182,"score_gpt":0.2532793847539819,"score_spread":0.20100335265059005,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404907015","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.104515314,0.018863587,0.010338842,0.07324291,0.004267397,0.00008356946,0.00063456147,0.0010949103,0.78695905],"genre_scores_gemma":[0.731923,0.005881255,0.0035781804,0.0036623657,0.00076177606,0.000047852125,0.00015811945,0.0007196933,0.25326774],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99884486,0.00041827944,0.00002747166,0.00014757208,0.0003235905,0.000238146],"domain_scores_gemma":[0.99841595,0.0004994336,0.00010686602,0.00027522352,0.00014007489,0.00056240876],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001669266,0.00056326744,0.00031754965,0.0012544187,0.0136963045,0.012133223,0.00082433445,0.0013211721,0.02413065],"category_scores_gemma":[0.0031414067,0.0004498717,0.00043125273,0.0008229578,0.014508494,0.004879007,0.00787421,0.004330525,0.0017351658],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014778797,0.000042358155,0.002415002,0.00025638592,0.000024736411,0.001762081,0.2641324,0.000410875,0.0030024177,0.29517886,0.3699227,0.062704474],"study_design_scores_gemma":[0.000005926871,0.000017675513,0.0017991494,0.00023678505,0.000007948582,0.00058179034,0.060879275,0.00012229299,0.0005777632,0.007526077,0.92822295,0.000022329372],"about_ca_topic_score_codex":0.062881,"about_ca_topic_score_gemma":0.20705874,"teacher_disagreement_score":0.062881,"about_ca_system_score_codex":0.0076141553,"about_ca_system_score_gemma":0.00275733,"threshold_uncertainty_score":0.12502998},"labels":[],"label_agreement":null},{"id":"W4404938787","doi":"10.1386/public_00223_1","title":"On Comparisons in Map Art","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Geographic Information Systems Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science; Mathematics","score_opus":0.05023477897193989,"score_gpt":0.32674283134023896,"score_spread":0.27650805236829906,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404938787","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015229235,0.012269368,0.0054159393,0.017671708,0.0012916431,0.000044905726,0.0002993525,0.00009062127,0.9476872],"genre_scores_gemma":[0.9151556,0.014755599,0.008389797,0.0030758851,0.0014881308,0.00029596736,0.00071149896,0.00073177146,0.05539579],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.980163,0.012370554,0.00066549185,0.0015024777,0.0042195534,0.0010788986],"domain_scores_gemma":[0.97976595,0.011749399,0.00075606996,0.0032380966,0.0040052175,0.00048537363],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.013131099,0.00062558067,0.00065427215,0.015412029,0.012959934,0.019005751,0.0022160935,0.0018901387,0.027303483],"category_scores_gemma":[0.049001932,0.0002898125,0.00040603997,0.019778986,0.037371084,0.025025658,0.009801511,0.0032780953,0.0017454206],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004162094,0.0000104471455,0.0007264621,0.00014002876,0.000010376932,0.00004062753,0.035795845,0.00013778948,0.000042556905,0.90279627,0.017172983,0.04308495],"study_design_scores_gemma":[0.000013052884,0.000036248297,0.006435912,0.0009770977,0.000014349591,0.00013064747,0.089180335,0.00022405323,0.00020378928,0.35813954,0.544624,0.000020969064],"about_ca_topic_score_codex":0.029502464,"about_ca_topic_score_gemma":0.04770548,"teacher_disagreement_score":0.029502464,"about_ca_system_score_codex":0.013785935,"about_ca_system_score_gemma":0.0051771556,"threshold_uncertainty_score":0.10002446},"labels":[],"label_agreement":null},{"id":"W4404938790","doi":"10.1386/public_00213_1","title":"Rock, stone","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Building materials and conservation","field":"Earth and Planetary Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geology; Archaeology; Geography","score_opus":0.026902942061912988,"score_gpt":0.21345469464903016,"score_spread":0.18655175258711718,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404938790","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018862246,0.020650998,0.0015870173,0.024370067,0.0051535587,0.000028543749,0.00023955046,0.0002158467,0.9458683],"genre_scores_gemma":[0.04112246,0.015410985,0.0015615091,0.007792092,0.0013725085,0.000038004822,0.00024213997,0.00035796,0.93210244],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992343,0.0001757947,0.000029636625,0.00015836747,0.00027710455,0.00012475332],"domain_scores_gemma":[0.99970824,0.000053946766,0.000021821921,0.000045257962,0.00007878051,0.00009191588],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046669724,0.0007067598,0.00033581274,0.0012855037,0.0050016507,0.00691092,0.000902227,0.0022801014,0.10524767],"category_scores_gemma":[0.0015517813,0.00023542454,0.00025105823,0.0013058374,0.005873822,0.006328448,0.0029090398,0.0032882409,0.035397165],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003809476,0.000017750732,0.00025978457,0.000121975434,0.0000034803084,0.0002803305,0.004945243,0.00006605646,0.00020635637,0.37587786,0.53217864,0.08600449],"study_design_scores_gemma":[9.539729e-7,0.0000029223127,0.000057733007,0.000038400605,5.3865347e-7,0.00012754701,0.00068823394,0.000006527832,0.000018150704,0.003233922,0.9958234,0.0000016882253],"about_ca_topic_score_codex":0.023964087,"about_ca_topic_score_gemma":0.061463173,"teacher_disagreement_score":0.10524767,"about_ca_system_score_codex":0.0031278117,"about_ca_system_score_gemma":0.0020439734,"threshold_uncertainty_score":0.35208857},"labels":[],"label_agreement":null},{"id":"W4404938817","doi":"10.1386/public_00199_7","title":"Affects, Atmospheres","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Ecocriticism and Environmental Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Environmental science","score_opus":0.016769835746147953,"score_gpt":0.19618417049705586,"score_spread":0.1794143347509079,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404938817","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01006923,0.07748249,0.0016463082,0.14562263,0.014391509,0.000021255932,0.00013212787,0.00008929218,0.7505452],"genre_scores_gemma":[0.6881669,0.075129785,0.0011576966,0.043313157,0.026134342,0.0001143277,0.00013395394,0.00022870216,0.1656211],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983014,0.0009124659,0.00004637381,0.00016880386,0.0003499309,0.00022104979],"domain_scores_gemma":[0.9988213,0.0006834191,0.00011956262,0.0000809282,0.0000989893,0.00019587771],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017071603,0.00055024464,0.00037853088,0.0012171146,0.006112503,0.01215177,0.000693937,0.0022603495,0.016410334],"category_scores_gemma":[0.004173158,0.00020100531,0.00024791813,0.001293347,0.016757065,0.0066289813,0.0043880222,0.0032348603,0.001448074],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022955273,0.000022393939,0.0008578169,0.00016801206,0.0000109606735,0.00012320145,0.032258373,0.0001100254,0.00008116912,0.82220286,0.11478156,0.029360652],"study_design_scores_gemma":[0.00000425167,0.000010461946,0.00097445684,0.0001811382,0.0000049682317,0.000099668345,0.012017964,0.000023101682,0.000025309762,0.07897757,0.9076734,0.000007588795],"about_ca_topic_score_codex":0.00508485,"about_ca_topic_score_gemma":0.009188096,"teacher_disagreement_score":0.016410334,"about_ca_system_score_codex":0.002504952,"about_ca_system_score_gemma":0.002252967,"threshold_uncertainty_score":0.054897964},"labels":[],"label_agreement":null},{"id":"W4404983653","doi":"10.1386/public_00209_1","title":"The Liberation of the Chinook Wind","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Indigenous Health, Education, and Rights","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Chinook wind; Liberation; Political science; History; Environmental science; Fishery; Chemistry; Biology; Oncorhynchus","score_opus":0.016452960813356364,"score_gpt":0.2941376165441777,"score_spread":0.27768465573082135,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404983653","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028902661,0.0039065657,0.0014317416,0.0225531,0.0027204023,0.000054326872,0.00009680491,0.00007773213,0.9402568],"genre_scores_gemma":[0.41237676,0.0025878358,0.0013129755,0.0077817314,0.0006350622,0.00008977943,0.00008513118,0.00022216086,0.57490855],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99928635,0.00016649869,0.000016113747,0.000068485475,0.00022394124,0.0002386005],"domain_scores_gemma":[0.99959856,0.000100949066,0.000023962144,0.00007912566,0.00007134888,0.00012610923],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010431296,0.00026086232,0.00017332421,0.00034994583,0.010330726,0.003616539,0.000500235,0.0013063119,0.022796702],"category_scores_gemma":[0.002410982,0.00012881143,0.00022823513,0.0005599975,0.010212346,0.0019121186,0.0047393595,0.0032441434,0.0022849685],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000086950844,0.000022379216,0.00096885016,0.00016056004,0.00000921904,0.0005793158,0.10478417,0.00006853836,0.0014992135,0.6661059,0.16354355,0.06217123],"study_design_scores_gemma":[0.000012786795,0.00001644013,0.0011084655,0.0001541477,0.0000048508678,0.00012588825,0.015929885,0.000043601347,0.00027961485,0.017963843,0.9643485,0.000011957472],"about_ca_topic_score_codex":0.05251668,"about_ca_topic_score_gemma":0.18607743,"teacher_disagreement_score":0.05251668,"about_ca_system_score_codex":0.0032429532,"about_ca_system_score_gemma":0.007135911,"threshold_uncertainty_score":0.10442197},"labels":[],"label_agreement":null},{"id":"W4404983663","doi":"10.1386/public_00210_1","title":"Walking Body as Barometer: Trans Ecologies of Gichigami (Lake Superior)","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Water Governance and Infrastructure","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McMaster University","funders":"","keywords":"Barometer; Geography; Environmental science; Psychology; Meteorology","score_opus":0.015841601397207545,"score_gpt":0.2778025754647482,"score_spread":0.26196097406754065,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404983663","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8745486,0.0016645445,0.00067698845,0.008190847,0.00019855554,0.000035048306,0.00016344762,0.000035882567,0.1144861],"genre_scores_gemma":[0.9647666,0.00089114014,0.00052664836,0.0013121787,0.000048573584,0.00004139875,0.00010667245,0.00007203653,0.032234754],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9994215,0.00024419653,0.000007669916,0.000089779634,0.000082775805,0.00015413815],"domain_scores_gemma":[0.99965346,0.00006158814,0.00003517952,0.000019593112,0.000044470402,0.00018579909],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007053471,0.00033505898,0.00025281194,0.0009820696,0.013938994,0.0030652273,0.0007587582,0.0006860358,0.010826167],"category_scores_gemma":[0.0007960428,0.00018649976,0.000120319324,0.0010393491,0.010208047,0.0030818705,0.0054121003,0.0024596,0.0004857988],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025051733,0.000024516026,0.004106609,0.000046219564,0.0000026892699,0.00057862734,0.97225386,0.00001630648,0.00040772656,0.009782406,0.0051207934,0.0076352195],"study_design_scores_gemma":[0.0000025209326,0.000043771666,0.019406457,0.00011366638,0.000003614015,0.00026849733,0.89977133,0.00004703791,0.000096615164,0.0010499866,0.07918404,0.000012327164],"about_ca_topic_score_codex":0.12879397,"about_ca_topic_score_gemma":0.4537689,"teacher_disagreement_score":0.87120605,"about_ca_system_score_codex":0.0045762006,"about_ca_system_score_gemma":0.0027436283,"threshold_uncertainty_score":0.25608855},"labels":[],"label_agreement":null},{"id":"W4414832959","doi":"10.1386/public_00254_4","title":"Sheilah ReStack: Susan’s Sword","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Political and Economic history of UK and US","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; SWORD; Closing (real estate); Window (computing)","score_opus":0.03322915467075687,"score_gpt":0.3291433220232689,"score_spread":0.295914167352512,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414832959","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002297484,0.8155744,0.00016501408,0.06282813,0.026415441,0.000045202556,0.00038822362,0.000073631825,0.092212476],"genre_scores_gemma":[0.05074168,0.60346353,0.00044945203,0.04454842,0.013410625,0.00010070608,0.0007382568,0.00024387556,0.2863034],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99910045,0.00020523544,0.000044760833,0.000081423656,0.00044789506,0.00012020411],"domain_scores_gemma":[0.99705577,0.00079599017,0.00017825176,0.00018512797,0.0014418379,0.00034293355],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016549518,0.00044265456,0.00031038464,0.0013957954,0.0018212091,0.0031528533,0.0008084991,0.00155041,0.030336844],"category_scores_gemma":[0.003996964,0.000274127,0.00030478468,0.0012813343,0.0014808071,0.0015018979,0.0011907904,0.0016880141,0.0052919886],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048056343,0.000008021444,0.00021068421,0.00093094946,0.000013950332,0.00007353773,0.00042880335,0.000022489254,0.00020334823,0.0023154553,0.9463917,0.049352992],"study_design_scores_gemma":[0.0000032850467,0.0000069479074,0.0011747377,0.000912299,0.0000062449367,0.00006913033,0.00035893478,0.0000033769843,0.00006271786,0.00009671725,0.9973014,0.000004246887],"about_ca_topic_score_codex":0.19193497,"about_ca_topic_score_gemma":0.3339467,"teacher_disagreement_score":0.19193497,"about_ca_system_score_codex":0.005030265,"about_ca_system_score_gemma":0.006693847,"threshold_uncertainty_score":0.38163555},"labels":[],"label_agreement":null},{"id":"W4414833247","doi":"10.1386/public_00243_1","title":"Queer Toronto on Cable: Rescuing, Remediating, and Reactivating This Show May Be Offenstive to Heterosexuals (1978-1979)","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McGill University","funders":"","keywords":"Queer; Obsolescence; Lesbian; Blueprint; Human sexuality; Politics","score_opus":0.03216273437969141,"score_gpt":0.2969671313872686,"score_spread":0.2648043970075772,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414833247","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.575225,0.0039046695,0.0006890922,0.02242956,0.00055955653,0.00011087295,0.0008525495,0.00016855009,0.39606014],"genre_scores_gemma":[0.86613494,0.0020678279,0.000414848,0.0010716855,0.00007316603,0.00002897248,0.0002774556,0.000069460155,0.12986158],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9992539,0.0001536184,0.000009027328,0.00004585929,0.0001660178,0.00037152317],"domain_scores_gemma":[0.9991985,0.00022193482,0.000069576425,0.000087214816,0.00016140328,0.00026144076],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00083427026,0.0003338292,0.00015031923,0.0008262958,0.023233922,0.004571158,0.0009208245,0.001144993,0.022325816],"category_scores_gemma":[0.0024724042,0.00021122495,0.0001496445,0.0014013641,0.007255345,0.0013383192,0.0028347299,0.0020117527,0.0013490109],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015841109,0.000045576373,0.016319942,0.00015777287,0.000019467036,0.0031333405,0.6462205,0.00023693088,0.0026054147,0.08633043,0.1734752,0.07129699],"study_design_scores_gemma":[0.000009508104,0.00004470894,0.023481067,0.00016484615,0.000020863452,0.00045386574,0.37994358,0.000101765465,0.0017755501,0.0007309261,0.59324366,0.000029601066],"about_ca_topic_score_codex":0.90190953,"about_ca_topic_score_gemma":0.9789123,"teacher_disagreement_score":0.09809047,"about_ca_system_score_codex":0.025216643,"about_ca_system_score_gemma":0.020924158,"threshold_uncertainty_score":0.19733626},"labels":[],"label_agreement":null},{"id":"W4414833251","doi":"10.1386/public_00236_1","title":"Crossing Fonds -- Pollinating Access and Interpretation – Building a Space for Online Collaboration","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Private Equity and Venture Capital","field":"Business, Management and Accounting","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Library and Archives Canada; University of British Columbia; Ontario College of Art and Design","funders":"","keywords":"Reinterpretation; Interpretation (philosophy); Space (punctuation); Range (aeronautics); Key (lock); The Internet","score_opus":0.026128828314095628,"score_gpt":0.3247144850692614,"score_spread":0.2985856567551658,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414833251","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.084794454,0.0025376226,0.4117414,0.03708147,0.001756353,0.0005662871,0.00049507554,0.0065110903,0.45451623],"genre_scores_gemma":[0.79408175,0.0006865728,0.15172943,0.0024541882,0.0007144629,0.0004809067,0.00034654234,0.0025209882,0.046985175],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9678995,0.02230959,0.0011782945,0.0023868638,0.0045004417,0.001725277],"domain_scores_gemma":[0.9271359,0.036929827,0.0025398382,0.024898762,0.003928114,0.0045675295],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.036829524,0.00057112024,0.0008809672,0.007331956,0.015479706,0.032354012,0.0027282697,0.005461465,0.027849808],"category_scores_gemma":[0.068762325,0.00094411796,0.0011300839,0.004838643,0.029795507,0.043414358,0.030149976,0.0047603343,0.004310378],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012950628,0.000064502325,0.0029535221,0.0001553348,0.000028340819,0.0005594592,0.15298766,0.00057625613,0.0009843383,0.690568,0.022084456,0.12890859],"study_design_scores_gemma":[0.000029904902,0.000053212305,0.00088700803,0.0006650597,0.00002350383,0.0006569148,0.0387274,0.0021142547,0.0009268897,0.44142902,0.5143977,0.00008917522],"about_ca_topic_score_codex":0.0028787903,"about_ca_topic_score_gemma":0.002974454,"teacher_disagreement_score":0.967646,"about_ca_system_score_codex":0.0040168064,"about_ca_system_score_gemma":0.009360161,"threshold_uncertainty_score":0.1947754},"labels":[],"label_agreement":null},{"id":"W7084574625","doi":"10.1386/public_00245_1","title":"Pulsating Abundance","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Multiple Myeloma Research and Treatments","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Ephemera; Queer; Feeling; Modernity; Diaspora; Colonialism; Temporality; Photography","score_opus":0.03895993679046997,"score_gpt":0.3549889728242578,"score_spread":0.31602903603378785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7084574625","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015509364,0.004595965,0.0074764835,0.016553847,0.0024327638,0.00008461984,0.0011454553,0.0005053612,0.95169616],"genre_scores_gemma":[0.32869262,0.008630421,0.007686941,0.0068401773,0.0030599015,0.00017528363,0.0014235525,0.0009335698,0.64255756],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998973,0.0001644435,0.000042277232,0.00024642798,0.00040864787,0.00016518617],"domain_scores_gemma":[0.9988894,0.0002403351,0.000121978635,0.0002728402,0.00031482035,0.00016062376],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011059574,0.0004304752,0.00038519787,0.0018804577,0.0031770018,0.0067598447,0.00094275654,0.0013005709,0.105652265],"category_scores_gemma":[0.0046680192,0.00025903867,0.00034409654,0.002641448,0.00258176,0.0071066963,0.005285346,0.0018988043,0.02168899],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013680824,0.00004163151,0.003517115,0.00026291027,0.000025609686,0.0005049302,0.00515316,0.0002972842,0.0012549513,0.6044648,0.20419869,0.18014212],"study_design_scores_gemma":[0.000005542261,0.000014490104,0.0010231637,0.00008586515,0.000004794351,0.00017344161,0.0014450926,0.00012460297,0.00020432228,0.027040007,0.96987075,0.000007862881],"about_ca_topic_score_codex":0.0028232504,"about_ca_topic_score_gemma":0.004586025,"teacher_disagreement_score":0.105652265,"about_ca_system_score_codex":0.0022753738,"about_ca_system_score_gemma":0.0013885094,"threshold_uncertainty_score":0.35344207},"labels":[],"label_agreement":null},{"id":"W7084586170","doi":"10.1386/public_00231_2","title":"Introduction: Against Oblivion: Community Archives, Building Alliances","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Bacterial Genetics and Biotechnology","field":"Biochemistry, Genetics and Molecular Biology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University; Queen's University","funders":"","keywords":"Context (archaeology); Public policy; Government (linguistics); Work (physics)","score_opus":0.012455104564616737,"score_gpt":0.24535791555816253,"score_spread":0.2329028109935458,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7084586170","genre_codex":"commentary","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013838367,0.022480315,0.0019883967,0.6673594,0.08179519,0.00008330329,0.00016702154,0.00030078532,0.22444168],"genre_scores_gemma":[0.071582586,0.027041744,0.004230218,0.3076217,0.09916872,0.00029226515,0.0002777697,0.0008899093,0.48889506],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99534684,0.0016771794,0.00021715793,0.0003492458,0.001800913,0.00060860894],"domain_scores_gemma":[0.9929282,0.0038674723,0.0003837886,0.0004304531,0.0013033005,0.0010868495],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004959458,0.0006945798,0.0004132306,0.0011391324,0.010926129,0.016066711,0.0016593933,0.010568818,0.04092569],"category_scores_gemma":[0.011661278,0.00038749957,0.00044704624,0.0010402288,0.010328547,0.015397881,0.006647237,0.011554734,0.009232733],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000073358556,0.000018863166,0.0000613248,0.00008098078,0.0000013317887,0.000057811518,0.0023689808,0.00002968054,0.000051994284,0.1268113,0.85605395,0.01445643],"study_design_scores_gemma":[0.0000016992919,0.0000045771017,0.00007082603,0.00015721969,6.966708e-7,0.0000543906,0.0014373031,0.000011155591,0.000019833844,0.006942295,0.99129534,0.000004707291],"about_ca_topic_score_codex":0.005831388,"about_ca_topic_score_gemma":0.010387109,"teacher_disagreement_score":0.04092569,"about_ca_system_score_codex":0.004425501,"about_ca_system_score_gemma":0.0055660885,"threshold_uncertainty_score":0.13691002},"labels":[],"label_agreement":null},{"id":"W7084608490","doi":"10.1386/public_00256_4","title":"Richard Mosse: Broken Spectre at Centre Phi - Afterword","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Microbial infections and disease research","field":"Immunology and Microbiology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Exposition (narrative); Context (archaeology); Narrative","score_opus":0.011872203655232148,"score_gpt":0.2611967779493486,"score_spread":0.24932457429411645,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7084608490","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00009494384,0.2919238,0.00040156595,0.3666365,0.32803413,0.000050602728,0.00017549309,0.00021622465,0.012466786],"genre_scores_gemma":[0.0031703531,0.23892468,0.00073345815,0.38046327,0.21401104,0.00011955974,0.0003728646,0.00039928805,0.16180547],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971029,0.0005074534,0.00016850783,0.0002540336,0.0015380015,0.00042906147],"domain_scores_gemma":[0.9885895,0.0021948349,0.0005949529,0.00028452196,0.005344518,0.0029916211],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035052453,0.0016327897,0.0015984426,0.0019900033,0.0022566821,0.0052068974,0.0033160485,0.009973983,0.06475834],"category_scores_gemma":[0.01801639,0.0007743067,0.0011716852,0.0017112576,0.0026142013,0.0060048024,0.0029789656,0.0154875275,0.035172086],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009532262,0.000002329452,0.000029216913,0.00009345695,0.0000024971741,0.000040762214,0.000016502723,0.0000045152133,0.000019398285,0.00020007709,0.9933634,0.0062184366],"study_design_scores_gemma":[0.000009197372,0.000010514282,0.00016958368,0.00049446034,0.000006094248,0.00022475982,0.00006962303,0.0000062492613,0.000033102664,0.0002570625,0.9987079,0.000011541635],"about_ca_topic_score_codex":0.06504641,"about_ca_topic_score_gemma":0.104201816,"teacher_disagreement_score":0.06504641,"about_ca_system_score_codex":0.005474766,"about_ca_system_score_gemma":0.008994592,"threshold_uncertainty_score":0.2166382},"labels":[],"label_agreement":null},{"id":"W7084609265","doi":"10.1386/public_00240_1","title":"Toward a Pan African Audiovisual Archival Movement in a Decolonized Global Context","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Food Security and Health in Diverse Populations","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Context (archaeology); Geopolitics; Movement (music); Politics; Order (exchange); Key (lock)","score_opus":0.20208349449624113,"score_gpt":0.4772016256990219,"score_spread":0.2751181312027808,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7084609265","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.405623,0.014402057,0.006715072,0.2099415,0.0025466038,0.00015491036,0.000053259322,0.00007643509,0.36048713],"genre_scores_gemma":[0.9604054,0.00439104,0.0027596538,0.0074554975,0.00039285162,0.00006603797,0.000017547316,0.00004661015,0.02446545],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99707735,0.0018711438,0.000057848556,0.00016528313,0.00022640354,0.00060187903],"domain_scores_gemma":[0.9975998,0.001346952,0.00024784106,0.00018202435,0.00018310224,0.00044024363],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005935774,0.00040659192,0.00021259689,0.0013493771,0.015066882,0.011697143,0.000708042,0.0030856307,0.005790438],"category_scores_gemma":[0.005423192,0.00022126698,0.00018383996,0.001183127,0.021346278,0.007983583,0.010873934,0.0067381565,0.00045155507],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039615927,0.000061700026,0.0011033076,0.00017500749,0.000005144683,0.0009902301,0.5171195,0.00007734934,0.001522578,0.43160704,0.009412713,0.037885766],"study_design_scores_gemma":[0.000008919231,0.000056297995,0.0019503486,0.00046781922,0.000007076873,0.0007340238,0.51935476,0.00010617815,0.0008714729,0.03366062,0.44276717,0.000015270789],"about_ca_topic_score_codex":0.0046914537,"about_ca_topic_score_gemma":0.007654652,"teacher_disagreement_score":0.015066882,"about_ca_system_score_codex":0.0033175494,"about_ca_system_score_gemma":0.0051991083,"threshold_uncertainty_score":0.03139174},"labels":[],"label_agreement":null},{"id":"W7084610551","doi":"10.1386/public_00234_1","title":"Tryleather.net: Performance Research and the Embodied Archive","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Rocket and propulsion systems research","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Queen's University","funders":"","keywords":"Expansive; Embodied cognition; Process (computing); Work (physics)","score_opus":0.052643289962386555,"score_gpt":0.3095905396208,"score_spread":0.2569472496584135,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7084610551","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05393229,0.015239822,0.01061673,0.042049542,0.0010927839,0.00014350483,0.00069334236,0.00061913405,0.8756128],"genre_scores_gemma":[0.69298023,0.015911609,0.0107842125,0.0020928723,0.00054437935,0.00026317663,0.0005613567,0.0006817054,0.2761805],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99591464,0.0016301001,0.00007629753,0.000336377,0.0014819247,0.00056064146],"domain_scores_gemma":[0.9958347,0.0018519571,0.00024292714,0.00064822653,0.0007230111,0.00069921394],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006990192,0.0006664199,0.00036186885,0.0041578645,0.015395266,0.022795025,0.0019915095,0.0019632268,0.022138828],"category_scores_gemma":[0.007103279,0.0002567647,0.00019980532,0.0061832042,0.027555045,0.008755025,0.007995862,0.0024920604,0.0022337895],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006736105,0.000053667536,0.0014283194,0.00036801797,0.000011399192,0.0002810506,0.1595015,0.00049274485,0.0008085204,0.6375465,0.057394158,0.14204685],"study_design_scores_gemma":[0.0000061749292,0.000026354468,0.0017224897,0.00055519724,0.0000067009687,0.00012031685,0.11233747,0.00017946692,0.0007305834,0.021160707,0.86312926,0.000025190935],"about_ca_topic_score_codex":0.30914092,"about_ca_topic_score_gemma":0.4778164,"teacher_disagreement_score":0.30914092,"about_ca_system_score_codex":0.03184607,"about_ca_system_score_gemma":0.032356393,"threshold_uncertainty_score":0.61468303},"labels":[],"label_agreement":null},{"id":"W7084611393","doi":"10.1386/public_00253_4","title":"Grounding","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Agricultural Innovations and Practices","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Exhibition; Ground; Exposition (narrative); Window (computing)","score_opus":0.037520854785729044,"score_gpt":0.25221574748890274,"score_spread":0.2146948927031737,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7084611393","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006896991,0.7371617,0.003678551,0.010461703,0.0066178064,0.00009056819,0.0019906503,0.00032052185,0.23278157],"genre_scores_gemma":[0.035860095,0.80492765,0.0043084645,0.0058260034,0.0014230718,0.00007904172,0.0042962683,0.00035573574,0.14292371],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99882156,0.00016564444,0.0000870719,0.00016273567,0.0005446781,0.00021833414],"domain_scores_gemma":[0.9985782,0.00031984434,0.00013703802,0.00009217545,0.00078207103,0.00009073663],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012561375,0.0006672353,0.00036708318,0.0031399885,0.0013450768,0.0029924477,0.0012572244,0.0008381359,0.032196343],"category_scores_gemma":[0.002818781,0.00020025697,0.00043983373,0.005373108,0.001898901,0.0021296924,0.0012941591,0.00111868,0.008463051],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004998268,0.00002587778,0.0007504702,0.0044804933,0.00002734534,0.00018495243,0.0010717019,0.00025629607,0.00071024976,0.01215847,0.26302502,0.7172592],"study_design_scores_gemma":[8.461006e-7,0.00000824621,0.0013805466,0.0017485837,0.00000799941,0.00011610719,0.0005216696,0.000007376841,0.00012997785,0.0002737894,0.9957997,0.0000050674907],"about_ca_topic_score_codex":0.095722295,"about_ca_topic_score_gemma":0.18734346,"teacher_disagreement_score":0.96780366,"about_ca_system_score_codex":0.004640513,"about_ca_system_score_gemma":0.006071436,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W7104509053","doi":"10.1386/public_00258_5","title":"Glitchy Vision: A Feminist History of the Social Photo","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Photography; Reading (process); CONTEST; Narrative; Visual culture; Social history (medicine); Social media","score_opus":0.044509332317814676,"score_gpt":0.2773715093536657,"score_spread":0.23286217703585105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104509053","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05089768,0.03672114,0.0070176944,0.12479761,0.0023913307,0.000059904854,0.00011737496,0.00008971078,0.77790755],"genre_scores_gemma":[0.83377737,0.017838847,0.0024292804,0.012619646,0.0013631395,0.00017119388,0.000049055823,0.00027658834,0.13147491],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975514,0.0017305679,0.000024061488,0.00017354368,0.0002673519,0.00025318455],"domain_scores_gemma":[0.99723345,0.0021813058,0.00011546593,0.00013885438,0.0001664772,0.00016455431],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029511184,0.00038696136,0.0003058034,0.0018959977,0.01427476,0.0076507307,0.000884785,0.00245141,0.008801994],"category_scores_gemma":[0.0037783037,0.00028727693,0.0001823181,0.0013631664,0.038437612,0.0077904155,0.004927032,0.004597314,0.000798795],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021442223,0.000015210297,0.00022977323,0.00006924031,0.0000022765987,0.0002395634,0.19752139,0.000055464723,0.00014037882,0.7450972,0.03577816,0.020829823],"study_design_scores_gemma":[0.0000035831138,0.000010545789,0.0003101162,0.00028159987,0.0000015063383,0.00018756145,0.08580063,0.00006640654,0.00023528817,0.044011284,0.86908334,0.000008130834],"about_ca_topic_score_codex":0.016583407,"about_ca_topic_score_gemma":0.034868076,"teacher_disagreement_score":0.016583407,"about_ca_system_score_codex":0.007887006,"about_ca_system_score_gemma":0.003196923,"threshold_uncertainty_score":0.057224512},"labels":[],"label_agreement":null},{"id":"W7117455334","doi":"10.1386/public_00270_2","title":"To Feed an Army","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Culinary Culture and Tourism","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Theme (computing); Psychological resilience; Resilience (materials science); Bridge (graph theory)","score_opus":0.028080570047587777,"score_gpt":0.24297630374791265,"score_spread":0.2148957337003249,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117455334","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036191337,0.0064712367,0.0065935487,0.06391546,0.022780612,0.00028914746,0.00068414083,0.0008223305,0.8622522],"genre_scores_gemma":[0.08212215,0.0032717527,0.0058186464,0.013423796,0.0013984969,0.000105521955,0.0004056292,0.0002836324,0.8931703],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990158,0.00028172362,0.000030422843,0.00010616367,0.0002637825,0.00030214273],"domain_scores_gemma":[0.9991794,0.00006796548,0.000061923594,0.00009512075,0.00018928244,0.00040622335],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010936528,0.0010533434,0.00045180286,0.00070465176,0.008858543,0.005111132,0.00083669205,0.0019702502,0.11366166],"category_scores_gemma":[0.0027547546,0.00024284865,0.0005611636,0.00042538266,0.0028610986,0.003947634,0.0060924725,0.0035781632,0.056547806],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000121385325,0.00023120192,0.0028178224,0.00040520896,0.0000381859,0.0013560774,0.032097846,0.00013307764,0.0026110949,0.072572656,0.7103137,0.17730172],"study_design_scores_gemma":[0.0000038039611,0.0000834358,0.00073964417,0.00017671243,0.0000039437377,0.0003782293,0.013060346,0.00003241122,0.00015333289,0.0019803836,0.98337674,0.000011019697],"about_ca_topic_score_codex":0.0033130052,"about_ca_topic_score_gemma":0.010815275,"teacher_disagreement_score":0.11366166,"about_ca_system_score_codex":0.0010288517,"about_ca_system_score_gemma":0.0021313822,"threshold_uncertainty_score":0.38023615},"labels":[],"label_agreement":null},{"id":"W7117456543","doi":"10.1386/public_00278_1","title":"Time is of the Essence","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Posthumanist Ethics and Activism","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Foregrounding; Performative utterance; Work (physics); Architecture; Multidisciplinary approach; Wilderness","score_opus":0.029077449755641752,"score_gpt":0.32053632926645387,"score_spread":0.2914588795108121,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117456543","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037152175,0.0121734375,0.014572469,0.107812606,0.006273572,0.000058994276,0.00013093045,0.00014493604,0.8216809],"genre_scores_gemma":[0.8435531,0.004755945,0.0028035215,0.016552024,0.0016576158,0.00007140424,0.00008583435,0.0002705733,0.13024992],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99664825,0.0015694166,0.000093233124,0.0004994366,0.0006234087,0.00056621846],"domain_scores_gemma":[0.99637586,0.0011597291,0.00027314693,0.0007406798,0.00056380813,0.0008866501],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031637992,0.000536588,0.00038306895,0.000840255,0.0111476295,0.013785981,0.0008239485,0.0024620008,0.012166262],"category_scores_gemma":[0.005313198,0.00028222828,0.00034748108,0.0006431309,0.057005808,0.012445662,0.006655674,0.004460026,0.0016269796],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038248454,0.000015844163,0.00046867615,0.00009424192,0.000010968811,0.0001574527,0.06341023,0.00012522445,0.0005793927,0.89433324,0.026634356,0.014132077],"study_design_scores_gemma":[0.0000073670226,0.00002298133,0.0005884508,0.00021825884,0.0000081561675,0.0001619106,0.029353067,0.00005520421,0.00021940665,0.11497169,0.8543734,0.000020079724],"about_ca_topic_score_codex":0.020339018,"about_ca_topic_score_gemma":0.024762161,"teacher_disagreement_score":0.020339018,"about_ca_system_score_codex":0.0072271917,"about_ca_system_score_gemma":0.006577045,"threshold_uncertainty_score":0.052437246},"labels":[],"label_agreement":null},{"id":"W7117456818","doi":"10.1386/public_00276_1","title":"Ache of Being","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Posthumanist Ethics and Activism","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Face (sociological concept); Dream; Feeling; Space (punctuation); Order (exchange)","score_opus":0.04848015746900577,"score_gpt":0.3512858126091371,"score_spread":0.30280565514013136,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117456818","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0069694733,0.003506686,0.00568511,0.035328288,0.002622303,0.00004785316,0.00007736374,0.00011172232,0.94565123],"genre_scores_gemma":[0.48224345,0.0052732425,0.0033055206,0.02126714,0.0011239096,0.00016627279,0.00018808413,0.00034835975,0.48608404],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9944418,0.0027274634,0.00016036858,0.0006891302,0.0012504793,0.0007308157],"domain_scores_gemma":[0.9968592,0.00059082755,0.00027341288,0.0008350655,0.0007294161,0.0007120532],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003417984,0.0007174836,0.0006064435,0.00084437046,0.008604754,0.009895256,0.0012900432,0.0030745496,0.033876803],"category_scores_gemma":[0.008765004,0.00025377455,0.0005568834,0.00069235923,0.034173187,0.009644618,0.010718667,0.007931497,0.011606926],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018014236,0.000021796812,0.00031995223,0.00006616947,0.000008744692,0.00011958285,0.05179501,0.000032712807,0.0002772486,0.85569024,0.07044909,0.021201445],"study_design_scores_gemma":[0.000004695764,0.000021582126,0.00027648022,0.00023142816,0.0000036913511,0.000318722,0.022420086,0.000037555455,0.00015667878,0.068127625,0.90839034,0.0000111314675],"about_ca_topic_score_codex":0.0051090857,"about_ca_topic_score_gemma":0.005487146,"teacher_disagreement_score":0.033876803,"about_ca_system_score_codex":0.00357102,"about_ca_system_score_gemma":0.004225225,"threshold_uncertainty_score":0.11332923},"labels":[],"label_agreement":null},{"id":"W7117470223","doi":"10.1386/public_00268_1","title":"Beyond Borders: Sandra Brewster’s Artistic Exploration of Afro-Caribbean Identity in Canada","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Caribbean history, culture, and politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Brewster; Identity (music); Scholarship; Space (punctuation); Immigration; Black British","score_opus":0.029393311460355055,"score_gpt":0.3097520146357458,"score_spread":0.28035870317539074,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117470223","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42201918,0.017735021,0.0030847488,0.11457621,0.0017439064,0.000112270274,0.0002761618,0.00018607087,0.44026646],"genre_scores_gemma":[0.88870114,0.006879771,0.0018559064,0.006043515,0.00010284915,0.000032606575,0.0000555644,0.00016370251,0.096164934],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981456,0.00045555615,0.000021887485,0.00014063506,0.0005465022,0.000689824],"domain_scores_gemma":[0.99836594,0.0003655567,0.00005922617,0.000058198955,0.0005154507,0.00063564745],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001608595,0.00063234085,0.0004621095,0.0020732956,0.05530116,0.0120555395,0.0017082309,0.0016624159,0.00672476],"category_scores_gemma":[0.0031682341,0.00031427463,0.00031146454,0.0027345677,0.017674863,0.0027131708,0.004777296,0.004013696,0.00049045164],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057930596,0.000044047993,0.003961549,0.00011222869,0.000019841607,0.0015112979,0.79775846,0.00040303756,0.00090052007,0.07139705,0.078776576,0.04505747],"study_design_scores_gemma":[0.0000035387288,0.000009429576,0.0026565986,0.00020561968,0.000015631185,0.00027299058,0.55761755,0.00020001439,0.00033291316,0.0032318977,0.43541482,0.000039012113],"about_ca_topic_score_codex":0.9858942,"about_ca_topic_score_gemma":0.9961188,"teacher_disagreement_score":0.07529518,"about_ca_system_score_codex":0.07529518,"about_ca_system_score_gemma":0.09018059,"threshold_uncertainty_score":0.5463073},"labels":[],"label_agreement":null},{"id":"W7117470392","doi":"10.1386/public_00273_1","title":"The Possible Impossibilities of Home: Afrobeats and the Refusal of Unlivability","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Colonialism; Depiction; Futures contract; Consciousness; Perception; African culture","score_opus":0.014114880702181119,"score_gpt":0.20711163049862047,"score_spread":0.19299674979643935,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117470392","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85060346,0.004017222,0.0021852062,0.0035682665,0.00033725405,0.000017465409,0.000026939815,0.000019784655,0.13922438],"genre_scores_gemma":[0.99508023,0.0005783009,0.00021976321,0.00011948194,0.00003960564,0.000005376361,0.0000047225567,0.000011004405,0.0039416016],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99946326,0.0003048241,0.000014931396,0.00004575936,0.000058267815,0.00011300628],"domain_scores_gemma":[0.99942386,0.00035074123,0.00006469746,0.000050080027,0.000032122516,0.00007846616],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009981818,0.00032691914,0.00026661486,0.0007508139,0.0060299174,0.004440158,0.00038181295,0.00080992724,0.0024450074],"category_scores_gemma":[0.0016556177,0.00011934203,0.00011801605,0.0005600941,0.014091411,0.0026920266,0.0022784404,0.0012593834,0.00017627154],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001307477,0.000020509144,0.0035833078,0.00017592049,0.0000063038674,0.0018853354,0.80430526,0.00010487495,0.0017255185,0.15562783,0.0025923627,0.029842073],"study_design_scores_gemma":[0.000010344946,0.000057871195,0.009327906,0.0007468544,0.00001121204,0.0016845398,0.811771,0.00022504783,0.0009110075,0.015012422,0.1602175,0.000024406902],"about_ca_topic_score_codex":0.003001859,"about_ca_topic_score_gemma":0.0072469763,"teacher_disagreement_score":0.0060299174,"about_ca_system_score_codex":0.0011278362,"about_ca_system_score_gemma":0.0005604508,"threshold_uncertainty_score":0.008183062},"labels":[],"label_agreement":null},{"id":"W7117472683","doi":"10.1386/public_00279_4","title":"Tarralik Duffy: Klik My Heels","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Face (sociological concept); Government (linguistics); Perspective (graphical); Work (physics); Subject (documents)","score_opus":0.06512358268218095,"score_gpt":0.26529754165851405,"score_spread":0.2001739589763331,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117472683","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013910545,0.7767905,0.00038009463,0.12312632,0.030644774,0.000025937385,0.00039579807,0.00010172402,0.067143865],"genre_scores_gemma":[0.048678838,0.64295244,0.00064477394,0.06392938,0.007860933,0.00006734234,0.0006572796,0.00033708924,0.23487198],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99891126,0.00029604943,0.00004882657,0.000118294876,0.00037560635,0.0002499516],"domain_scores_gemma":[0.9969964,0.00081128074,0.00016279792,0.00014123223,0.0013600688,0.00052829087],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021771519,0.0009250159,0.00051549263,0.0019617893,0.0027318187,0.005370935,0.0009893945,0.0020877498,0.018579694],"category_scores_gemma":[0.0044309013,0.00038716744,0.000294496,0.0038613656,0.002866225,0.0034857658,0.0020418386,0.0039454703,0.0051580397],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035441903,0.000010144364,0.00023816375,0.00091078435,0.000017369737,0.00012572102,0.0008962314,0.00012795428,0.00024837512,0.0136805335,0.9416574,0.042051904],"study_design_scores_gemma":[0.000004344564,0.000003191551,0.00061382394,0.0007264145,0.000005098047,0.000053518535,0.0007026733,0.000012178612,0.000105686646,0.0005855264,0.9971775,0.000010031744],"about_ca_topic_score_codex":0.19876377,"about_ca_topic_score_gemma":0.30205825,"teacher_disagreement_score":0.19876377,"about_ca_system_score_codex":0.010268147,"about_ca_system_score_gemma":0.0248031,"threshold_uncertainty_score":0.39521372},"labels":[],"label_agreement":null},{"id":"W7117477200","doi":"10.1386/public_00274_2","title":"Fragile Foundations","year":2025,"lang":"en","type":"article","venue":"Public","topic":"African studies and sociopolitical issues","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Future Earth","funders":"","keywords":"Thriving; Dignity; Declaration; Plan (archaeology); Legislation","score_opus":0.047152475658181515,"score_gpt":0.4014760331275556,"score_spread":0.35432355746937405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117477200","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008345266,0.0034521108,0.012693244,0.051635057,0.001947386,0.00008567951,0.00019358716,0.00019278075,0.92145497],"genre_scores_gemma":[0.55268484,0.0051970906,0.009329211,0.016217472,0.0009072184,0.00023957877,0.00027775962,0.00034486825,0.41480193],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9964612,0.0011393087,0.000102395694,0.00072445977,0.00068158447,0.0008910192],"domain_scores_gemma":[0.99636805,0.00062059384,0.000255304,0.0007809744,0.000923123,0.0010519753],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0042344173,0.00066090486,0.0005022637,0.0010586003,0.011855808,0.008995187,0.001412875,0.0032409332,0.06816465],"category_scores_gemma":[0.008134213,0.00033459425,0.00040691858,0.00075669785,0.020999866,0.0077320985,0.01022922,0.0051540947,0.012267277],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012872816,0.0000116975825,0.00021045603,0.00002633184,0.0000048768825,0.0001187395,0.002408697,0.00007025421,0.0000968522,0.9471011,0.03863805,0.011299929],"study_design_scores_gemma":[0.000005778575,0.00001623452,0.00029043315,0.00017018006,0.0000045077727,0.00015277888,0.0024401103,0.00010676117,0.00010430575,0.23541965,0.76127833,0.000010978543],"about_ca_topic_score_codex":0.00788285,"about_ca_topic_score_gemma":0.0111871,"teacher_disagreement_score":0.06816465,"about_ca_system_score_codex":0.0063660825,"about_ca_system_score_gemma":0.0083351005,"threshold_uncertainty_score":0.22803348},"labels":[],"label_agreement":null},{"id":"W7117477350","doi":"10.1386/public_00262_2","title":"Where the Land Remembers Us","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Indigenous Health, Education, and Rights","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Space (punctuation); Collective memory; Land tenure; Identity (music); Carry (investment); Recall","score_opus":0.01799771882617597,"score_gpt":0.30786898170778015,"score_spread":0.2898712628816042,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117477350","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25951797,0.015442307,0.0039775637,0.19341697,0.004931849,0.00010023223,0.00033998274,0.00029766618,0.5219756],"genre_scores_gemma":[0.9084012,0.0044517084,0.00086543366,0.012505897,0.00033570637,0.000052387382,0.000094631876,0.00009413466,0.07319887],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9986627,0.00071210973,0.000025092691,0.00013644138,0.00014375476,0.0003197729],"domain_scores_gemma":[0.9991054,0.00021610802,0.00011659421,0.00008436497,0.00018190868,0.00029565944],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010318544,0.00055651116,0.00035338098,0.00079493754,0.019349346,0.005788001,0.0006361285,0.0022672077,0.009306978],"category_scores_gemma":[0.0027837034,0.00020289079,0.0003008727,0.0007091854,0.024139738,0.00920666,0.0052691107,0.0054609706,0.001872495],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027921204,0.00003240476,0.0014594833,0.00015121765,0.000010095902,0.0007811045,0.8839633,0.0000276797,0.00054798997,0.053034097,0.045576345,0.014388485],"study_design_scores_gemma":[0.000004024338,0.0000249402,0.001313849,0.00022145273,0.000009186465,0.00050253543,0.66920316,0.000024419382,0.00024021324,0.006379305,0.32205853,0.000018308327],"about_ca_topic_score_codex":0.037475426,"about_ca_topic_score_gemma":0.058231436,"teacher_disagreement_score":0.037475426,"about_ca_system_score_codex":0.003776147,"about_ca_system_score_gemma":0.004321952,"threshold_uncertainty_score":0.07451463},"labels":[],"label_agreement":null},{"id":"W7117482833","doi":"10.1386/public_00264_1","title":"On Earth as It is in Heaven: Abolition as a Spiritual Homecoming","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Theological Perspectives and Practices","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Homecoming; White (mutation); Christianity; Colonialism; Sexual ethics; Patriarchy; Christian ethics; Heterosexism","score_opus":0.0395666488526099,"score_gpt":0.38800865995175504,"score_spread":0.34844201109914513,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117482833","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5859029,0.005278195,0.004898986,0.13110763,0.0014810285,0.000045576835,0.000016083282,0.00006474489,0.27120483],"genre_scores_gemma":[0.972585,0.0006354821,0.00052578514,0.0049649696,0.00008894003,0.00001566986,0.0000036258282,0.000042160522,0.021138417],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9963175,0.0024865512,0.00003948846,0.00014304018,0.00035286963,0.00066059275],"domain_scores_gemma":[0.99801326,0.0009289946,0.00025141588,0.00014962189,0.00015098475,0.00050574454],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0050547607,0.00028251795,0.00037480224,0.00056508096,0.020648224,0.0066494476,0.0008254353,0.0036589233,0.0028956726],"category_scores_gemma":[0.003488478,0.0002839708,0.00022007337,0.00043018744,0.05438583,0.004966784,0.008313864,0.009523088,0.00033417664],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002887401,0.000067107336,0.0006171814,0.000042586264,0.0000039410565,0.00046679244,0.6910339,0.000059634265,0.0008339875,0.28742513,0.006300058,0.013120735],"study_design_scores_gemma":[0.000015017513,0.00006486554,0.0011191372,0.00022813669,0.000008569575,0.00047577394,0.6960977,0.00020246672,0.0011195625,0.057213817,0.2434206,0.000034395827],"about_ca_topic_score_codex":0.009461058,"about_ca_topic_score_gemma":0.01883702,"teacher_disagreement_score":0.020648224,"about_ca_system_score_codex":0.0041436413,"about_ca_system_score_gemma":0.004551676,"threshold_uncertainty_score":0.030064344},"labels":[],"label_agreement":null},{"id":"W7117486907","doi":"10.1386/public_00280_4","title":"Fred Herzog: Vitality—Iconic Images, Hidden Stories","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Diverse academic research themes","field":"Decision Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Storytelling; Theme (computing); Feature (linguistics)","score_opus":0.20990325960988468,"score_gpt":0.45955625482788937,"score_spread":0.2496529952180047,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117486907","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0046285344,0.7907311,0.0022915334,0.07212026,0.0052142176,0.00004109212,0.0001246449,0.00007543077,0.12477316],"genre_scores_gemma":[0.102777734,0.7787285,0.0026060587,0.019581486,0.002679415,0.000060652226,0.00018612329,0.00015809928,0.09322203],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99890566,0.0004805467,0.000029837413,0.000077563775,0.00038069248,0.00012565314],"domain_scores_gemma":[0.998626,0.00073048205,0.00007649942,0.00004194509,0.00037895882,0.00014614998],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014221119,0.0004435538,0.00029787066,0.0010857343,0.0015723596,0.004700451,0.0006849147,0.0015473792,0.008912908],"category_scores_gemma":[0.0029807352,0.00019219489,0.0001492334,0.0017347059,0.0039766245,0.0032209437,0.0012910615,0.0018704302,0.0014495068],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000069215144,0.000027548005,0.0005731123,0.0028672754,0.000028140275,0.00057513156,0.009732451,0.00037069948,0.0009427736,0.13846618,0.46158004,0.3847675],"study_design_scores_gemma":[0.0000031554919,0.000007910264,0.0004163534,0.0009938799,0.000007096283,0.0001796651,0.0028912271,0.00004218391,0.00045584876,0.0043866443,0.9906035,0.000012528318],"about_ca_topic_score_codex":0.07954149,"about_ca_topic_score_gemma":0.14589025,"teacher_disagreement_score":0.07954149,"about_ca_system_score_codex":0.004922496,"about_ca_system_score_gemma":0.0043095,"threshold_uncertainty_score":0.15815705},"labels":[],"label_agreement":null},{"id":"W7117488748","doi":"10.1386/public_00259_2","title":"Introduction: An Invitation to Dream about “Home”","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Caribbean history, culture, and politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Dream; Politics; Conceptual framework; Period (music)","score_opus":0.02148285372185004,"score_gpt":0.3168303993631197,"score_spread":0.29534754564126964,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117488748","genre_codex":"commentary","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014810516,0.009889476,0.0010188865,0.79658616,0.13591819,0.000047379028,0.0003466355,0.00021551123,0.054496836],"genre_scores_gemma":[0.04407592,0.012301398,0.0018225544,0.5440886,0.1736432,0.00019808218,0.0004463219,0.0010899666,0.22233401],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99772865,0.0011156753,0.00007067711,0.0002550142,0.00052119925,0.00030885392],"domain_scores_gemma":[0.995939,0.002083226,0.00021143767,0.00031762203,0.0006625509,0.0007860914],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023217106,0.0011678609,0.00060445984,0.0011909067,0.0098888995,0.008918862,0.0019149674,0.00944598,0.020836152],"category_scores_gemma":[0.007248222,0.00042367814,0.00069363584,0.0010752344,0.008640072,0.010258091,0.0054592853,0.015837912,0.008295736],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000997314,0.000007170016,0.00006206425,0.000049106977,0.0000012939162,0.00007897251,0.0035305775,0.000011556616,0.000055784334,0.010228968,0.98248404,0.0034804286],"study_design_scores_gemma":[0.0000014500106,0.000003850823,0.00011229471,0.00006994189,9.060833e-7,0.00011192137,0.003423886,0.000016440184,0.000022126527,0.0012991237,0.99493223,0.000005826487],"about_ca_topic_score_codex":0.007989808,"about_ca_topic_score_gemma":0.018844772,"teacher_disagreement_score":0.020836152,"about_ca_system_score_codex":0.0028347475,"about_ca_system_score_gemma":0.0028103201,"threshold_uncertainty_score":0.06970388},"labels":[],"label_agreement":null},{"id":"W7117490010","doi":"10.1386/public_00282_5","title":"Tender Labour by Jennifer E. Shaw","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Migration and Labor Dynamics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Kinship; Ethnography; Framing (construction); Domestic work; Family reunification","score_opus":0.015149038411994548,"score_gpt":0.30178664881303635,"score_spread":0.2866376104010418,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117490010","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015608304,0.07690548,0.0017493091,0.79250157,0.022606164,0.000029828461,0.000102225786,0.00008437437,0.090412706],"genre_scores_gemma":[0.24704045,0.08471281,0.0032074433,0.27417868,0.008016521,0.00013755965,0.00010217384,0.0002210771,0.38238323],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987822,0.000536652,0.00003556736,0.0001717957,0.0003182962,0.00015543526],"domain_scores_gemma":[0.99810946,0.0006365396,0.00009983044,0.000039801405,0.00046155867,0.00065278815],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016859134,0.00038360563,0.00024680683,0.00081075885,0.0065220543,0.0030841143,0.0006714707,0.0015387982,0.0046233456],"category_scores_gemma":[0.004448211,0.00025957593,0.00014486251,0.00076679065,0.0068550464,0.0035434566,0.0026953174,0.005328168,0.0011887007],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020210391,0.000018535737,0.0012268368,0.00008538432,0.000004172751,0.00035546484,0.020282287,0.00006848945,0.00019771997,0.032122035,0.91343194,0.032186814],"study_design_scores_gemma":[0.0000022460745,0.000011181481,0.001407718,0.00028057225,0.0000024877857,0.00032280394,0.023664901,0.00005007394,0.00007932832,0.005774578,0.9683871,0.000017065584],"about_ca_topic_score_codex":0.11181898,"about_ca_topic_score_gemma":0.16395761,"teacher_disagreement_score":0.11181898,"about_ca_system_score_codex":0.004333802,"about_ca_system_score_gemma":0.0074428646,"threshold_uncertainty_score":0.22233623},"labels":[],"label_agreement":null},{"id":"W7118578309","doi":"10.1386/public_00270_1","title":"To Feed an Army","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Culinary Culture and Tourism","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Theme (computing); Psychological resilience; Resilience (materials science); Bridge (graph theory)","score_opus":0.028080570047587777,"score_gpt":0.24297630374791265,"score_spread":0.2148957337003249,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7118578309","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036191337,0.0064712367,0.0065935487,0.06391546,0.022780612,0.00028914746,0.00068414083,0.0008223305,0.8622522],"genre_scores_gemma":[0.08212215,0.0032717527,0.0058186464,0.013423796,0.0013984969,0.000105521955,0.0004056292,0.0002836324,0.8931703],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990158,0.00028172362,0.000030422843,0.00010616367,0.0002637825,0.00030214273],"domain_scores_gemma":[0.9991794,0.00006796548,0.000061923594,0.00009512075,0.00018928244,0.00040622335],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010936528,0.0010533434,0.00045180286,0.00070465176,0.008858543,0.005111132,0.00083669205,0.0019702502,0.11366166],"category_scores_gemma":[0.0027547546,0.00024284865,0.0005611636,0.00042538266,0.0028610986,0.003947634,0.0060924725,0.0035781632,0.056547806],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000121385325,0.00023120192,0.0028178224,0.00040520896,0.0000381859,0.0013560774,0.032097846,0.00013307764,0.0026110949,0.072572656,0.7103137,0.17730172],"study_design_scores_gemma":[0.0000038039611,0.0000834358,0.00073964417,0.00017671243,0.0000039437377,0.0003782293,0.013060346,0.00003241122,0.00015333289,0.0019803836,0.98337674,0.000011019697],"about_ca_topic_score_codex":0.0033130052,"about_ca_topic_score_gemma":0.010815275,"teacher_disagreement_score":0.11366166,"about_ca_system_score_codex":0.0010288517,"about_ca_system_score_gemma":0.0021313822,"threshold_uncertainty_score":0.38023615},"labels":[],"label_agreement":null},{"id":"W7118638887","doi":"10.1386/public_00262_1","title":"Where the Land Remembers Us","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Indigenous Health, Education, and Rights","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Space (punctuation); Collective memory; Land tenure; Identity (music); Carry (investment); Recall","score_opus":0.01799771882617597,"score_gpt":0.30786898170778015,"score_spread":0.2898712628816042,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7118638887","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25951797,0.015442307,0.0039775637,0.19341697,0.004931849,0.00010023223,0.00033998274,0.00029766618,0.5219756],"genre_scores_gemma":[0.9084012,0.0044517084,0.00086543366,0.012505897,0.00033570637,0.000052387382,0.000094631876,0.00009413466,0.07319887],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986627,0.00071210973,0.000025092691,0.00013644138,0.00014375476,0.0003197729],"domain_scores_gemma":[0.9991054,0.00021610802,0.00011659421,0.00008436497,0.00018190868,0.00029565944],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010318544,0.00055651116,0.00035338098,0.00079493754,0.019349346,0.005788001,0.0006361285,0.0022672077,0.009306978],"category_scores_gemma":[0.0027837034,0.00020289079,0.0003008727,0.0007091854,0.024139738,0.00920666,0.0052691107,0.0054609706,0.001872495],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027921204,0.00003240476,0.0014594833,0.00015121765,0.000010095902,0.0007811045,0.8839633,0.0000276797,0.00054798997,0.053034097,0.045576345,0.014388485],"study_design_scores_gemma":[0.000004024338,0.0000249402,0.001313849,0.00022145273,0.000009186465,0.00050253543,0.66920316,0.000024419382,0.00024021324,0.006379305,0.32205853,0.000018308327],"about_ca_topic_score_codex":0.037475426,"about_ca_topic_score_gemma":0.058231436,"teacher_disagreement_score":0.037475426,"about_ca_system_score_codex":0.003776147,"about_ca_system_score_gemma":0.004321952,"threshold_uncertainty_score":0.07451463},"labels":[],"label_agreement":null},{"id":"W7119083665","doi":"10.1386/public_00274_1","title":"Fragile Foundations","year":2025,"lang":"en","type":"article","venue":"Public","topic":"African studies and sociopolitical issues","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Future Earth","funders":"","keywords":"Thriving; Dignity; Declaration; Plan (archaeology); Legislation","score_opus":0.047152475658181515,"score_gpt":0.4014760331275556,"score_spread":0.35432355746937405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7119083665","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008345266,0.0034521108,0.012693244,0.051635057,0.001947386,0.00008567951,0.00019358716,0.00019278075,0.92145497],"genre_scores_gemma":[0.55268484,0.0051970906,0.009329211,0.016217472,0.0009072184,0.00023957877,0.00027775962,0.00034486825,0.41480193],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9964612,0.0011393087,0.000102395694,0.00072445977,0.00068158447,0.0008910192],"domain_scores_gemma":[0.99636805,0.00062059384,0.000255304,0.0007809744,0.000923123,0.0010519753],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0042344173,0.00066090486,0.0005022637,0.0010586003,0.011855808,0.008995187,0.001412875,0.0032409332,0.06816465],"category_scores_gemma":[0.008134213,0.00033459425,0.00040691858,0.00075669785,0.020999866,0.0077320985,0.01022922,0.0051540947,0.012267277],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012872816,0.0000116975825,0.00021045603,0.00002633184,0.0000048768825,0.0001187395,0.002408697,0.00007025421,0.0000968522,0.9471011,0.03863805,0.011299929],"study_design_scores_gemma":[0.000005778575,0.00001623452,0.00029043315,0.00017018006,0.0000045077727,0.00015277888,0.0024401103,0.00010676117,0.00010430575,0.23541965,0.76127833,0.000010978543],"about_ca_topic_score_codex":0.00788285,"about_ca_topic_score_gemma":0.0111871,"teacher_disagreement_score":0.06816465,"about_ca_system_score_codex":0.0063660825,"about_ca_system_score_gemma":0.0083351005,"threshold_uncertainty_score":0.22803348},"labels":[],"label_agreement":null}]}