{"meta":{"query_hash":"1e74e43c0b74","filters":{"venue":"Punctum International Journal of Semiotics"},"cohort_total":5,"direct_labels_cover":0,"predictions_cover":5,"exported":5,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/1e74e43c0b74","api":"https://metacan.xera.ac/api/v1/cohort?venue=Punctum+International+Journal+of+Semiotics"},"results":[{"id":"W3134702438","doi":"10.18680/hss.2020.0028","title":"Irish on the walls: the branding of a language","year":2021,"lang":"en","type":"article","venue":"Punctum International Journal of Semiotics","topic":"Linguistics, Language Diversity, and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rebranding; Irish; Logo (programming language); Quarter (Canadian coin); Media studies; Space (punctuation); Northern ireland; History; Sociology; Visual arts; Aesthetics; Linguistics; Art; Archaeology","score_opus":0.03282316814568201,"score_gpt":0.2597508470103675,"score_spread":0.22692767886468548,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3134702438","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27847406,0.0012684963,0.00336828,0.007920786,0.00068641355,0.000033394357,0.000053065174,0.00006402609,0.7081315],"genre_scores_gemma":[0.97266555,0.00033554953,0.000845444,0.0007096664,0.00009609384,0.000014440775,0.000021630032,0.00007697902,0.025234554],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9962619,0.0024533034,0.000045378412,0.00026457623,0.00047643235,0.0004983033],"domain_scores_gemma":[0.99863154,0.0004960512,0.00019236312,0.0001991698,0.00021704129,0.00026378466],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022269026,0.0005720668,0.00026564457,0.001176905,0.009659691,0.015016094,0.0010695624,0.0020042886,0.0054368717],"category_scores_gemma":[0.004358281,0.0003535768,0.00027417482,0.0011663567,0.03460877,0.0066274526,0.0067398776,0.003336019,0.0009349185],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013064929,0.00003751377,0.0021869198,0.000084692074,0.0000109562,0.0010295234,0.6953094,0.00010018795,0.00094251306,0.27752164,0.0075504337,0.01509567],"study_design_scores_gemma":[0.00002476044,0.00009478115,0.002448165,0.00031281583,0.000022179309,0.0010673736,0.64931077,0.00030073654,0.0009771315,0.024209576,0.32116538,0.0000664175],"about_ca_topic_score_codex":0.01559226,"about_ca_topic_score_gemma":0.020971226,"teacher_disagreement_score":0.01559226,"about_ca_system_score_codex":0.005963098,"about_ca_system_score_gemma":0.002338848,"threshold_uncertainty_score":0.04326552},"labels":[],"label_agreement":null},{"id":"W4234674691","doi":"10.18680/hss.2019.0017","title":"The war film as moral space","year":2019,"lang":"en","type":"article","venue":"Punctum International Journal of Semiotics","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Film Studies Association of Canada","funders":"","keywords":"Space (punctuation); Psychology; Philosophy; Linguistics","score_opus":0.0116737780435402,"score_gpt":0.28504501123549647,"score_spread":0.2733712331919563,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234674691","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023140065,0.0014227885,0.0023158384,0.010286055,0.0007511925,0.000021193946,0.00006603743,0.00004177256,0.96195495],"genre_scores_gemma":[0.93307495,0.0004512853,0.00068364205,0.0009081435,0.00048072272,0.000053154246,0.000039234397,0.00009538184,0.06421348],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9978102,0.001512827,0.000035567497,0.00014496507,0.00018636532,0.00031012594],"domain_scores_gemma":[0.99870324,0.0006487647,0.00011408788,0.0001895744,0.0001267361,0.00021752522],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019167017,0.0006568353,0.00032255426,0.0016742081,0.007718387,0.012377121,0.0008026674,0.0024382249,0.012898756],"category_scores_gemma":[0.003006066,0.00024009353,0.00023986975,0.0012751622,0.02752287,0.006154132,0.004704727,0.0038042285,0.0010552176],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014133026,0.0000065749373,0.00005716969,0.000018149934,0.0000014090544,0.0000762401,0.022116307,0.000031109936,0.00011761746,0.97327155,0.002973974,0.0013157163],"study_design_scores_gemma":[0.000048661983,0.00007196846,0.0010371185,0.00019841654,0.0000146346165,0.00031215214,0.05533787,0.00036626408,0.00054799323,0.37523118,0.5668049,0.000028907234],"about_ca_topic_score_codex":0.0029231622,"about_ca_topic_score_gemma":0.0038060234,"teacher_disagreement_score":0.012898756,"about_ca_system_score_codex":0.0052979635,"about_ca_system_score_gemma":0.0013910069,"threshold_uncertainty_score":0.043150604},"labels":[],"label_agreement":null},{"id":"W4251769600","doi":"10.18680/hss.2020.0016","title":"Tattooing: Imprinting the Self","year":2020,"lang":"en","type":"article","venue":"Punctum International Journal of Semiotics","topic":"Tattoo and Body Piercing Complications","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ethnography; Semiotics; Modernity; Meaning (existential); Imprinting (psychology); Sociology; Aesthetics; Perspective (graphical); Context (archaeology); Anthropology; Epistemology; Art; Visual arts; History; Philosophy","score_opus":0.040872396938655325,"score_gpt":0.329194706205855,"score_spread":0.2883223092671997,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251769600","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0584964,0.0110598095,0.013962129,0.009484817,0.0011977525,0.00003301148,0.00006291828,0.00017202224,0.90553117],"genre_scores_gemma":[0.8665187,0.0031286236,0.0030322287,0.0012475683,0.00018268218,0.00003888731,0.00003662023,0.0001590058,0.12565559],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99963903,0.00015212002,0.000009984074,0.000044339882,0.00008942896,0.00006505928],"domain_scores_gemma":[0.99972993,0.000117356394,0.000023808247,0.000058749003,0.00003647634,0.0000336334],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000504092,0.00034230063,0.00018016418,0.00055919075,0.004265793,0.0050915,0.00035508978,0.0009244327,0.007741214],"category_scores_gemma":[0.0009336441,0.0001641958,0.00022311155,0.00077041093,0.019009987,0.0044130515,0.0038427354,0.0018056983,0.0010166105],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012082947,0.000004771,0.00019139033,0.000034535442,0.0000025132053,0.00020300315,0.0457608,0.00007285705,0.0004637498,0.93126893,0.007405883,0.01457944],"study_design_scores_gemma":[0.000007445388,0.0000317994,0.00079605257,0.00019623514,0.000007035705,0.0008300498,0.026524188,0.00027083445,0.0011139202,0.25321913,0.7169881,0.000015218544],"about_ca_topic_score_codex":0.0021983648,"about_ca_topic_score_gemma":0.003092688,"teacher_disagreement_score":0.007741214,"about_ca_system_score_codex":0.0011861303,"about_ca_system_score_gemma":0.0008946328,"threshold_uncertainty_score":0.025896966},"labels":[],"label_agreement":null},{"id":"W4406117787","doi":"10.18680/hss.2024.0007","title":"Meaning in motion: A kinesemiotic approach to videogame analysis in Street Fighter V","year":2024,"lang":"en","type":"article","venue":"Punctum International Journal of Semiotics","topic":"Digital Games and Media","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"Arts and Humanities Research Council","keywords":"Meaning (existential); Motion (physics); Motion analysis; Aeronautics; Aesthetics; Art; Advertising; Visual arts; Sociology; Psychology; Engineering; Transport engineering; Computer science; Artificial intelligence; Business; Psychotherapist","score_opus":0.021650435069836018,"score_gpt":0.31388595706785827,"score_spread":0.2922355219980223,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406117787","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67569536,0.0029060848,0.23129652,0.0027724013,0.00012575656,0.0005607266,0.00065337005,0.00016264955,0.08582712],"genre_scores_gemma":[0.9266847,0.0008270657,0.06518897,0.00018304851,0.000028778066,0.00038931376,0.00031084078,0.00010392914,0.006283284],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9985409,0.00096143864,0.00005416859,0.00020280365,0.00014526534,0.00009547998],"domain_scores_gemma":[0.99855286,0.0010780462,0.0001381923,0.00007869576,0.00009247882,0.00005965207],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001680569,0.00042471982,0.00024806612,0.0044430927,0.0020690775,0.004684852,0.000809401,0.00072425406,0.0030863215],"category_scores_gemma":[0.0040679253,0.00019074677,0.00033173055,0.0026786267,0.007647575,0.0031142933,0.0030729074,0.0010466011,0.00028171454],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000084440544,0.00008007725,0.013524935,0.00053904584,0.000028606417,0.001134192,0.67206156,0.00085265934,0.007793648,0.20959963,0.0022544777,0.092046656],"study_design_scores_gemma":[0.000024801813,0.00011283996,0.051888842,0.0011362573,0.000047965354,0.0013157399,0.7038111,0.0067465156,0.005291488,0.089838654,0.13970825,0.00007752663],"about_ca_topic_score_codex":0.005797168,"about_ca_topic_score_gemma":0.012605248,"teacher_disagreement_score":0.005797168,"about_ca_system_score_codex":0.0023423298,"about_ca_system_score_gemma":0.0012785603,"threshold_uncertainty_score":0.016994834},"labels":[],"label_agreement":null},{"id":"W4409517408","doi":"10.18680/hss.2024.0024","title":"Voices in the museum: Exploring soundscapes in curatorial practices","year":2024,"lang":"en","type":"article","venue":"Punctum International Journal of Semiotics","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Soundscape; Visual arts; Art; Sound (geography); Acoustics; Physics","score_opus":0.11778908787098037,"score_gpt":0.31795902652855507,"score_spread":0.2001699386575747,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409517408","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78792465,0.003013922,0.017643372,0.003320044,0.0002238395,0.00011031199,0.000120755816,0.0002645866,0.18737853],"genre_scores_gemma":[0.9926051,0.0003664562,0.0019230673,0.000105292864,0.000028919525,0.000027452412,0.000024902529,0.000056267698,0.0048627323],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9966119,0.0022684205,0.00007698186,0.00025306048,0.00038749925,0.00040205222],"domain_scores_gemma":[0.99732757,0.0018137669,0.00022466546,0.00024716737,0.00014239916,0.00024432087],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026908005,0.00059378427,0.0003435061,0.0023363605,0.0060167876,0.010019088,0.0010512973,0.0016011419,0.004240413],"category_scores_gemma":[0.0050105406,0.00032908304,0.0006108566,0.0014953463,0.013815582,0.0055889604,0.008620616,0.0013585661,0.00035961764],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060444116,0.000018239292,0.0025323862,0.00020862799,0.000020553192,0.0012220974,0.95525706,0.00019109556,0.003029598,0.02387026,0.0008026544,0.0127869565],"study_design_scores_gemma":[0.00001898146,0.00008675891,0.008314614,0.00041392216,0.00004830316,0.0013986396,0.87451315,0.00052009354,0.002223193,0.011186983,0.10121961,0.000055773595],"about_ca_topic_score_codex":0.0058198986,"about_ca_topic_score_gemma":0.012965155,"teacher_disagreement_score":0.010019088,"about_ca_system_score_codex":0.0024988628,"about_ca_system_score_gemma":0.0016169677,"threshold_uncertainty_score":0.0181306},"labels":[],"label_agreement":null}]}