{"meta":{"query_hash":"9bb9600847e1","filters":{"venue":"Quêtes littéraires"},"cohort_total":14,"direct_labels_cover":0,"predictions_cover":14,"exported":14,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/9bb9600847e1","api":"https://metacan.xera.ac/api/v1/cohort?venue=Qu%C3%AAtes+litt%C3%A9raires"},"results":[{"id":"W2900925854","doi":"10.31743/ql.172","title":"La réception du témoignage à l’épreuve du silence. L’aîné des orphelins de Tierno Monénembo","year":2017,"lang":"en","type":"article","venue":"Quêtes littéraires","topic":"Middle East and Rwanda Conflicts","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Silence; Context (archaeology); Humanities; Duty; Criticism; Testimonial; Art; Sociology; Political science; Aesthetics; Law; History; Literature; Advertising","score_opus":0.043626714088793886,"score_gpt":0.3091631275110028,"score_spread":0.2655364134222089,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2900925854","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35653558,0.0674551,0.014060827,0.24746014,0.017497262,0.00011813328,0.00019678357,0.00019881061,0.29647738],"genre_scores_gemma":[0.9483694,0.0034398795,0.0008087596,0.0029800893,0.0006496534,0.000038636746,0.000012053551,0.000081008075,0.043620553],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9977375,0.0017088534,0.00003230325,0.00013356372,0.00016721868,0.00022044255],"domain_scores_gemma":[0.99846506,0.0008939863,0.00023941124,0.00009668237,0.00014303795,0.00016192162],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024752568,0.00057564117,0.00033633257,0.0003961656,0.0062130815,0.004127095,0.0005168486,0.0019115718,0.0023193294],"category_scores_gemma":[0.0063901944,0.00033142298,0.00019690827,0.00025951874,0.010204387,0.0028430652,0.002898022,0.003705844,0.0006078893],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003241194,0.000041891697,0.0008692783,0.00042924107,0.000018667408,0.0026112902,0.6242995,0.00015911149,0.007243547,0.2869107,0.053632963,0.023459656],"study_design_scores_gemma":[0.000012067215,0.00006173357,0.001646388,0.0006978942,0.000016049658,0.002201483,0.12410208,0.00019522508,0.003313684,0.0081688175,0.85954815,0.00003641923],"about_ca_topic_score_codex":0.0066577243,"about_ca_topic_score_gemma":0.008817671,"teacher_disagreement_score":0.0066577243,"about_ca_system_score_codex":0.0029486502,"about_ca_system_score_gemma":0.0016680381,"threshold_uncertainty_score":0.021394074},"labels":[],"label_agreement":null},{"id":"W2901372304","doi":"10.31743/ql.218","title":"L’écriture détournée par la sérigraphie dans les poèmes-estampes de Roland Giguère","year":2016,"lang":"en","type":"article","venue":"Quêtes littéraires","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Semiotics; Painting; Iconicity; Typography; Subversion; Rhyme; Literature; Visual arts; Humanities; Philosophy; Linguistics","score_opus":0.05022713050339762,"score_gpt":0.25925333873844747,"score_spread":0.20902620823504986,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2901372304","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29745084,0.055731665,0.012489714,0.074050635,0.0056373393,0.00009413489,0.00032209963,0.00043756654,0.55378604],"genre_scores_gemma":[0.79796916,0.007773476,0.0025932698,0.001866849,0.00052809576,0.00003647269,0.000048694463,0.00023964346,0.18894418],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985977,0.0007718113,0.000017862065,0.00013515366,0.0003592235,0.00011826789],"domain_scores_gemma":[0.99859804,0.00081942393,0.00007207414,0.00009186626,0.00027830165,0.00014037889],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014099509,0.0006693071,0.00038549706,0.00081582874,0.0063364236,0.0050252276,0.0004425284,0.0010742366,0.007865387],"category_scores_gemma":[0.004549527,0.00021737316,0.0002423317,0.00083995477,0.010345728,0.0018402368,0.0012764247,0.0039330325,0.0009423385],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027253816,0.000077299046,0.0027249411,0.00038871702,0.000030121628,0.0038811695,0.2760506,0.00084924663,0.0046606427,0.48091152,0.10762501,0.122528285],"study_design_scores_gemma":[0.000009919578,0.000023986146,0.0036571384,0.00015565682,0.000004625411,0.0009677509,0.01809833,0.0002764075,0.0008987809,0.003999254,0.9718793,0.000028833707],"about_ca_topic_score_codex":0.3434345,"about_ca_topic_score_gemma":0.37427983,"teacher_disagreement_score":0.3434345,"about_ca_system_score_codex":0.008485364,"about_ca_system_score_gemma":0.0042509926,"threshold_uncertainty_score":0.682871},"labels":[],"label_agreement":null},{"id":"W2936653670","doi":"10.31743/ql.4604","title":"Le mélange du sacré et du profane dans les livrets de tragédies lyriques du librettiste Nicolas-François Guillard (1752-1814)","year":2013,"lang":"en","type":"article","venue":"Quêtes littéraires","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities; Mythology; Art history; Philosophy; Literature","score_opus":0.011404224634338645,"score_gpt":0.23669896584500955,"score_spread":0.2252947412106709,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2936653670","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16194054,0.0702829,0.0021608532,0.019016298,0.0019197942,0.000054594897,0.00023846026,0.00010783534,0.74427867],"genre_scores_gemma":[0.63210595,0.0098438505,0.0008813558,0.0010236687,0.0005151607,0.000045996283,0.00007912528,0.00009733978,0.35540754],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928313,0.00025941757,0.000013507119,0.00008723318,0.00019501208,0.00016179857],"domain_scores_gemma":[0.9997526,0.00007634565,0.000034720164,0.000015724856,0.000052041072,0.0000685373],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009722071,0.00043381815,0.00026809762,0.0011088358,0.008873083,0.004398684,0.00042381932,0.0012372973,0.0075181345],"category_scores_gemma":[0.0012928427,0.00024205275,0.00011945109,0.0010313208,0.008332972,0.0015602554,0.002137734,0.0025562176,0.0010928176],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023264847,0.000037336184,0.0040920563,0.0002565872,0.000008821156,0.0014038321,0.18859178,0.00022571384,0.0009933625,0.6031618,0.10072736,0.100268655],"study_design_scores_gemma":[0.000003893765,0.000013793332,0.0028358684,0.000087364635,0.0000011009884,0.00035086708,0.005741749,0.000020640904,0.00016437097,0.0012383569,0.9895314,0.000010482272],"about_ca_topic_score_codex":0.1071733,"about_ca_topic_score_gemma":0.20304945,"teacher_disagreement_score":0.1071733,"about_ca_system_score_codex":0.01157362,"about_ca_system_score_gemma":0.003502433,"threshold_uncertainty_score":0.21309894},"labels":[],"label_agreement":null},{"id":"W2937100985","doi":"10.31743/ql.4577","title":"L’errance de l’artiste dans La Montagne secrète de Gabrielle Roy","year":2014,"lang":"en","type":"article","venue":"Quêtes littéraires","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Art; Narrative; Art history; Humanism; Humanities; Literature; Philosophy; Theology","score_opus":0.012656387318900323,"score_gpt":0.24520513970400803,"score_spread":0.23254875238510772,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2937100985","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35380206,0.04198872,0.006655589,0.072260156,0.002840712,0.000067176414,0.00015884962,0.00027323628,0.5219536],"genre_scores_gemma":[0.87147135,0.0043096915,0.0013747999,0.0015757176,0.00036484754,0.000017921504,0.000020444642,0.00014281055,0.12072244],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99888057,0.0005593892,0.0000091428565,0.00010460352,0.00027228412,0.00017400343],"domain_scores_gemma":[0.9992893,0.0003141215,0.000070662616,0.000057207795,0.00012031469,0.00014844135],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016212688,0.0005616942,0.00030347006,0.00071588234,0.0109285265,0.0073756077,0.0007433897,0.001872626,0.0077347513],"category_scores_gemma":[0.0024794494,0.0002438647,0.00036763476,0.0006505223,0.012336845,0.0016134161,0.001487739,0.0037483273,0.0009015348],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034905897,0.00005404441,0.0036338556,0.00026359924,0.000035824614,0.00639712,0.33548832,0.001169985,0.0037887155,0.5186429,0.06988367,0.060293004],"study_design_scores_gemma":[0.000013546847,0.000034746467,0.0050628697,0.00017338393,0.000007948985,0.0016692126,0.047702078,0.0003376515,0.0007705335,0.004308048,0.93987966,0.000040401126],"about_ca_topic_score_codex":0.392824,"about_ca_topic_score_gemma":0.49961203,"teacher_disagreement_score":0.392824,"about_ca_system_score_codex":0.012782532,"about_ca_system_score_gemma":0.005362444,"threshold_uncertainty_score":0.781075},"labels":[],"label_agreement":null},{"id":"W2937143899","doi":"10.31743/ql.4616","title":"Sylvain Trudel et le réenchantement du monde","year":2013,"lang":"en","type":"article","venue":"Quêtes littéraires","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Mysticism; Symbol (formal); Meaning (existential); Realm; The Symbolic; Object (grammar); Philosophy; Frame (networking); Everyday life; Literature; Art; Epistemology; History; Linguistics; Psychoanalysis; Computer science; Psychology","score_opus":0.021451414921694268,"score_gpt":0.3172864059712192,"score_spread":0.29583499104952493,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2937143899","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.069317065,0.18290871,0.006290634,0.23636575,0.0046071107,0.000040394778,0.00016115545,0.00017839881,0.50013083],"genre_scores_gemma":[0.8376253,0.023417696,0.0019454958,0.008477228,0.0010290681,0.00005536544,0.000043366825,0.00014796408,0.12725851],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984883,0.00081544404,0.000020500807,0.00018373171,0.00027593182,0.00021613919],"domain_scores_gemma":[0.9994821,0.0002578038,0.0000708826,0.000035229354,0.000075629265,0.000078362],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013409083,0.0005940237,0.00038802857,0.00079959386,0.0075788153,0.006176094,0.0006913132,0.0027557912,0.0036752357],"category_scores_gemma":[0.0021938214,0.00030398837,0.0003251558,0.00051845866,0.018909214,0.0031276436,0.0023086404,0.0053750025,0.0007855192],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048177804,0.000015671054,0.0004111294,0.00005972893,0.000009733998,0.00046115628,0.029676136,0.00008754402,0.00033979933,0.9299243,0.028662857,0.010303851],"study_design_scores_gemma":[0.000012441721,0.000014638012,0.0009576188,0.00010050437,0.0000036037297,0.0005771582,0.008787331,0.000099092846,0.00035164008,0.050119292,0.9389568,0.000019884661],"about_ca_topic_score_codex":0.089131884,"about_ca_topic_score_gemma":0.108325735,"teacher_disagreement_score":0.089131884,"about_ca_system_score_codex":0.010825677,"about_ca_system_score_gemma":0.004697465,"threshold_uncertainty_score":0.17722619},"labels":[],"label_agreement":null},{"id":"W2939375040","doi":"10.31743/ql.4608","title":"Le « sacré gauche » chez Georges Bataille et Hubert Aquin","year":2013,"lang":"en","type":"article","venue":"Quêtes littéraires","topic":"Rousseau and Enlightenment Thought","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Mysticism; Eroticism; Philosophy; Transcendence (philosophy); Temptation; Immanence; Psychoanalysis; Theology; Psychology; Sociology","score_opus":0.013620577214617197,"score_gpt":0.20308667978211217,"score_spread":0.18946610256749497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2939375040","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3287825,0.115517356,0.0059761633,0.21472536,0.00792518,0.000059332287,0.00024260786,0.00048721934,0.32628435],"genre_scores_gemma":[0.86792463,0.01176877,0.001580076,0.009272904,0.0021664419,0.000057250112,0.00004624791,0.00012706217,0.10705659],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99918336,0.00040491935,0.000009189842,0.00010435848,0.00019596593,0.00010229815],"domain_scores_gemma":[0.99937004,0.00034014691,0.0000665046,0.00003006209,0.00007111772,0.00012217708],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009661585,0.000666614,0.00043504522,0.0007027478,0.0064385994,0.003664417,0.000530371,0.0041778632,0.0048383744],"category_scores_gemma":[0.0023936727,0.0003079688,0.00035034225,0.00059678964,0.0070959753,0.0022732108,0.0010564538,0.0066345953,0.0007943708],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030435197,0.00007932079,0.0024053974,0.00020288098,0.000033273398,0.0046738763,0.13817626,0.00061892025,0.0022228928,0.7128739,0.08850729,0.049901653],"study_design_scores_gemma":[0.000026816286,0.000047001973,0.004768363,0.00022451846,0.0000076095494,0.0022791277,0.017604474,0.0002772359,0.00089778093,0.010638317,0.963179,0.000049701484],"about_ca_topic_score_codex":0.074326225,"about_ca_topic_score_gemma":0.06604513,"teacher_disagreement_score":0.074326225,"about_ca_system_score_codex":0.005298702,"about_ca_system_score_gemma":0.0018333172,"threshold_uncertainty_score":0.14778715},"labels":[],"label_agreement":null},{"id":"W2942180897","doi":"10.31743/ql.4636","title":"Les tourments de l’absence dans Gazole de Bertrand Gervais","year":2012,"lang":"en","type":"article","venue":"Quêtes littéraires","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Romance; Reflexive pronoun; Lyrics; Identity (music); The Imaginary; Character (mathematics); Art; Sublime; Object (grammar); Philosophy; Literature; Emptiness; Psychoanalysis; Humanities; Art history; Aesthetics; Psychology; Theology","score_opus":0.019322424585287077,"score_gpt":0.271120046194749,"score_spread":0.2517976216094619,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2942180897","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23348151,0.13522084,0.004784713,0.26600358,0.01660144,0.000121837205,0.00042539946,0.0005226635,0.34283802],"genre_scores_gemma":[0.6894925,0.012480102,0.0013345977,0.018913887,0.0012421822,0.00006889061,0.0000984931,0.00027772476,0.27609167],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987941,0.0004112243,0.00001629367,0.00012172924,0.00032987856,0.00032675348],"domain_scores_gemma":[0.9995097,0.00010211475,0.00004267503,0.000013498758,0.00010150123,0.00023053538],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011133861,0.0013273105,0.00053615373,0.0010284695,0.017080786,0.0047484008,0.0012777384,0.0040571885,0.008263169],"category_scores_gemma":[0.0021247761,0.00054173014,0.00060043077,0.0007137127,0.00943522,0.0023404274,0.0022923562,0.009571258,0.0015059764],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042006595,0.00013109557,0.0051945844,0.0002684489,0.000055945846,0.013403942,0.34018555,0.0005678047,0.0025032978,0.2238006,0.35412645,0.059342284],"study_design_scores_gemma":[0.000017476626,0.00003129968,0.004050233,0.00019739928,0.000008031127,0.002857835,0.03260353,0.00011178807,0.00035479857,0.0024215716,0.9572874,0.000058577865],"about_ca_topic_score_codex":0.6158007,"about_ca_topic_score_gemma":0.7426953,"teacher_disagreement_score":0.38419932,"about_ca_system_score_codex":0.022818495,"about_ca_system_score_gemma":0.010359901,"threshold_uncertainty_score":0.7729239},"labels":[],"label_agreement":null},{"id":"W2997795127","doi":"10.31743/ql.5017","title":"L’empreinte de Roland Barthes sur l’univers frontalier hustonien","year":2019,"lang":"fr","type":"article","venue":"Quêtes littéraires","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.011359512250238357,"score_gpt":0.21971035391278557,"score_spread":0.20835084166254722,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2997795127","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25843778,0.0101842405,0.008497691,0.1573814,0.001258191,0.0000322406,0.00009754258,0.000109359775,0.56400156],"genre_scores_gemma":[0.86245835,0.0024642725,0.001658004,0.004441327,0.00020434067,0.000027330856,0.000023419854,0.00010719839,0.12861578],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967085,0.001857484,0.00005165049,0.0003925182,0.00058061373,0.00040907186],"domain_scores_gemma":[0.9960259,0.0024537772,0.00034734208,0.0002155556,0.0005463468,0.00041110817],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003138244,0.0003291499,0.00023555543,0.0008902687,0.008928397,0.006187592,0.00069774047,0.0021797079,0.01131425],"category_scores_gemma":[0.004965142,0.00019443179,0.00015769286,0.0010145516,0.014108817,0.00546797,0.0043618726,0.002945772,0.001047655],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005218255,0.000012449325,0.0018053061,0.00004516531,0.000004388237,0.00056429,0.11810137,0.00023245045,0.000546473,0.8360248,0.019899119,0.02271195],"study_design_scores_gemma":[0.000010976177,0.00002930142,0.0056336173,0.00031760984,0.000009761194,0.00030584773,0.078251064,0.0008369521,0.0015314856,0.06747689,0.8455329,0.00006346871],"about_ca_topic_score_codex":0.09283138,"about_ca_topic_score_gemma":0.16344568,"teacher_disagreement_score":0.09283138,"about_ca_system_score_codex":0.01380654,"about_ca_system_score_gemma":0.0070913467,"threshold_uncertainty_score":0.18458205},"labels":[],"label_agreement":null},{"id":"W2998089796","doi":"10.31743/ql.5009","title":"L’armée, livre des hommes : passeurs de symboles et personnages liminaires dans Servitude et grandeur militaires d’Alfred de Vigny","year":2019,"lang":"fr","type":"article","venue":"Quêtes littéraires","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.017098874450506132,"score_gpt":0.23853370536905028,"score_spread":0.22143483091854416,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2998089796","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5620396,0.011847618,0.008621235,0.075571455,0.001309098,0.00012442378,0.00012492482,0.00011722156,0.34024438],"genre_scores_gemma":[0.8935412,0.0026069663,0.0015607392,0.0028306653,0.0001525551,0.00006195248,0.000021159636,0.000062881416,0.09916184],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9978788,0.0016427685,0.000017666798,0.0001268246,0.00015948669,0.00017437652],"domain_scores_gemma":[0.9991278,0.00051476934,0.00007333878,0.00004445639,0.000080503574,0.0001590926],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019666024,0.00044782014,0.00030364486,0.0005541124,0.010792023,0.0050294683,0.00066894456,0.0020144312,0.005941509],"category_scores_gemma":[0.002988062,0.00025540424,0.00021477447,0.0004747961,0.014738893,0.0036130352,0.0035104041,0.0039633582,0.00069315673],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002923043,0.000016379296,0.0007143789,0.000054866676,0.0000029954829,0.0008011452,0.8739872,0.00005522712,0.00047461214,0.10786199,0.008680089,0.007321783],"study_design_scores_gemma":[0.000005947693,0.000060874812,0.0026469582,0.00019900381,0.000005887006,0.00064182945,0.44873035,0.000098416,0.0005416805,0.0076446333,0.5393936,0.000030800024],"about_ca_topic_score_codex":0.028787686,"about_ca_topic_score_gemma":0.043125104,"teacher_disagreement_score":0.028787686,"about_ca_system_score_codex":0.0058890637,"about_ca_system_score_gemma":0.0021221268,"threshold_uncertainty_score":0.057240248},"labels":[],"label_agreement":null},{"id":"W3195393780","doi":"","title":"Sylvain Trudel et le réenchantement du monde","year":2013,"lang":"fr","type":"article","venue":"Quêtes littéraires","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mysticism; Symbol (formal); Meaning (existential); Realm; The Symbolic; Object (grammar); Everyday life; Philosophy; Literature; Art; Aesthetics; Epistemology; History; Linguistics; Psychology; Psychoanalysis","score_opus":0.02493531523299339,"score_gpt":0.331287911013776,"score_spread":0.3063525957807826,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3195393780","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07327827,0.18498571,0.006324324,0.23708998,0.0046012304,0.000039503997,0.00016245662,0.0001834924,0.49333504],"genre_scores_gemma":[0.8427835,0.02295857,0.0018804322,0.0081186695,0.0010131148,0.00005273138,0.0000426921,0.00014533312,0.123004936],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99854976,0.00078373053,0.000019556457,0.00017589638,0.0002635139,0.00020747253],"domain_scores_gemma":[0.9994804,0.00026037876,0.00007192288,0.00003552196,0.000075463715,0.00007630813],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013142595,0.0005972659,0.00038311732,0.00079489395,0.007316497,0.006012834,0.0006684844,0.0026729691,0.0036913375],"category_scores_gemma":[0.0021917287,0.00029666306,0.00032853728,0.0005070657,0.018606322,0.0030238116,0.0022084129,0.005280382,0.00077586144],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048605365,0.00001587561,0.00042061048,0.00005967357,0.000010026764,0.00045830026,0.02946409,0.00008793827,0.0003520152,0.9307483,0.028016336,0.010318244],"study_design_scores_gemma":[0.000012985349,0.000015430309,0.0010595848,0.00010221183,0.000003766992,0.0005906956,0.008951334,0.000101150115,0.00036471887,0.051515054,0.9372629,0.000020226666],"about_ca_topic_score_codex":0.08777263,"about_ca_topic_score_gemma":0.10440171,"teacher_disagreement_score":0.08777263,"about_ca_system_score_codex":0.010739873,"about_ca_system_score_gemma":0.0045318166,"threshold_uncertainty_score":0.17452347},"labels":[],"label_agreement":null},{"id":"W4200111815","doi":"10.31743/ql.13322","title":"Habiter les interstices et leurs possibilités : les discours utopiques et méta-utopiques dans Les Furtifs, « C@PTCH@ » et « Hyphe…? » d’Alain Damasio","year":2021,"lang":"fr","type":"article","venue":"Quêtes littéraires","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Philosophy","score_opus":0.09800436544766354,"score_gpt":0.3208576881796695,"score_spread":0.22285332273200592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200111815","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10847972,0.016076036,0.02744046,0.070863366,0.00093365024,0.00005590981,0.00006667425,0.00011962479,0.7759646],"genre_scores_gemma":[0.9245255,0.004554739,0.0028279738,0.004465725,0.00032991494,0.00008925122,0.000026887035,0.00014183133,0.06303832],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964233,0.0020271344,0.000081254206,0.00040357138,0.00073121185,0.0003335488],"domain_scores_gemma":[0.99795413,0.001145441,0.00028688426,0.00024476784,0.00022342015,0.0001454161],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026958429,0.0004658856,0.00035245324,0.0008026375,0.007478924,0.0070035397,0.0008142111,0.0028414973,0.0050844685],"category_scores_gemma":[0.004658823,0.00029235092,0.00030031873,0.0008873872,0.0377299,0.0071098027,0.0047342563,0.00621676,0.00093353615],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000068692616,0.000005686829,0.0002372643,0.000035714445,0.0000022163158,0.00010021102,0.04625328,0.000041981562,0.00014676095,0.9466822,0.0022947362,0.0041930852],"study_design_scores_gemma":[0.000018063787,0.000029585099,0.0016864736,0.0003789974,0.00001210311,0.0005279189,0.051772315,0.00034743783,0.0006614467,0.4036135,0.5409134,0.000038829432],"about_ca_topic_score_codex":0.008154166,"about_ca_topic_score_gemma":0.01057191,"teacher_disagreement_score":0.008154166,"about_ca_system_score_codex":0.0045255204,"about_ca_system_score_gemma":0.0039870106,"threshold_uncertainty_score":0.032835126},"labels":[],"label_agreement":null},{"id":"W4313303890","doi":"10.31743/ql.14863","title":"Le monde comme vestige chez Barbey d’Aurevilly","year":2022,"lang":"fr","type":"article","venue":"Quêtes littéraires","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.05200624478370097,"score_gpt":0.26072117960519253,"score_spread":0.20871493482149156,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313303890","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25790086,0.041259196,0.005614407,0.060685407,0.0010861249,0.0000286657,0.00013096063,0.00012600189,0.63316846],"genre_scores_gemma":[0.88137925,0.004244012,0.0009027869,0.0013573223,0.00020444306,0.000014914378,0.000021288628,0.00009062836,0.11178535],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991961,0.00042599457,0.0000075721887,0.00011641391,0.00009288197,0.00016090172],"domain_scores_gemma":[0.9996538,0.00016195925,0.00004977744,0.000028111142,0.000044307188,0.00006196681],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008719175,0.0002908372,0.00030169706,0.00064067077,0.010338071,0.0036902102,0.00039093225,0.0017054424,0.0063062673],"category_scores_gemma":[0.001447386,0.00024474098,0.00015381299,0.0006954438,0.012781676,0.002051829,0.00208376,0.00246724,0.000637316],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007770003,0.0000112995795,0.0011917435,0.00006040433,0.0000059948743,0.00059669773,0.14946231,0.00009023251,0.000505549,0.81236815,0.019651927,0.015977856],"study_design_scores_gemma":[0.000006950286,0.000026946434,0.003884719,0.0001346026,0.0000056141994,0.00037016618,0.027589638,0.00008534233,0.00032916322,0.021728313,0.94581753,0.000021047517],"about_ca_topic_score_codex":0.15641318,"about_ca_topic_score_gemma":0.20768498,"teacher_disagreement_score":0.15641318,"about_ca_system_score_codex":0.006728768,"about_ca_system_score_gemma":0.002505163,"threshold_uncertainty_score":0.31100553},"labels":[],"label_agreement":null},{"id":"W4313303943","doi":"10.31743/ql.14865","title":"En quête des mystères de la mémoire sensorielle : manipuler la mémoire affective. Le cas de « Sauvée » de Guy de Maupassant","year":2022,"lang":"fr","type":"article","venue":"Quêtes littéraires","topic":"Olfactory and Sensory Function Studies","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.037763150846688534,"score_gpt":0.27390348921788715,"score_spread":0.23614033837119863,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313303943","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18784691,0.08610703,0.036287516,0.09031527,0.0038045095,0.00008510899,0.00023348702,0.00025402236,0.5950662],"genre_scores_gemma":[0.8678436,0.017708184,0.006415422,0.007386042,0.0006926763,0.00007720511,0.00005288099,0.00012171776,0.0997023],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99937856,0.00029954044,0.000019854466,0.00010634574,0.00013691548,0.000058729136],"domain_scores_gemma":[0.99919766,0.00040158167,0.000119772034,0.00009296985,0.000116877076,0.00007107956],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011648689,0.0004793525,0.00021765025,0.0008426238,0.0026707214,0.004311463,0.0005419538,0.002380411,0.0064653335],"category_scores_gemma":[0.0029200937,0.00020368143,0.00031072422,0.0004381272,0.013322283,0.006468933,0.0021410629,0.0030310077,0.0010266331],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000177966,0.000048902155,0.0031005186,0.0007005462,0.000041193693,0.0021603855,0.1836375,0.00019668874,0.015964756,0.6469267,0.019815512,0.12722942],"study_design_scores_gemma":[0.000017114338,0.00018336289,0.012110652,0.0008259093,0.00004332813,0.0054309205,0.10810396,0.0004412327,0.0074107856,0.13380453,0.7315415,0.000086708635],"about_ca_topic_score_codex":0.004752303,"about_ca_topic_score_gemma":0.0067763655,"teacher_disagreement_score":0.0064653335,"about_ca_system_score_codex":0.0015341465,"about_ca_system_score_gemma":0.0011095194,"threshold_uncertainty_score":0.021628737},"labels":[],"label_agreement":null},{"id":"W4390445470","doi":"10.31743/ql.16856","title":"La pondération des mises de des Grieux et de Manon Lescaut","year":2023,"lang":"fr","type":"article","venue":"Quêtes littéraires","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.04051092377770915,"score_gpt":0.32594108502040386,"score_spread":0.2854301612426947,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390445470","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21542901,0.019034145,0.0062714946,0.03954091,0.0023599078,0.000040575465,0.000116302166,0.00012388603,0.7170837],"genre_scores_gemma":[0.78694445,0.0028590567,0.001269497,0.0022984091,0.00022658515,0.000019169252,0.000034921242,0.00007215692,0.2062758],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998166,0.0007401821,0.000037856957,0.00031752425,0.00037689536,0.00036163707],"domain_scores_gemma":[0.9990808,0.00024603377,0.00012653445,0.00008482661,0.0002174481,0.0002443721],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021714142,0.00050228095,0.00027671744,0.0010350257,0.011976497,0.007422163,0.00053426187,0.0019584452,0.01061398],"category_scores_gemma":[0.0025285098,0.00026569652,0.00026223232,0.0011839962,0.014166517,0.0037403298,0.0034609213,0.004273137,0.0008705279],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010026202,0.00002089101,0.0021686926,0.00007010279,0.000010958969,0.00026461968,0.104338504,0.000083383085,0.0005692685,0.8544144,0.008651291,0.029307611],"study_design_scores_gemma":[0.000020267818,0.000071889925,0.008942475,0.000265898,0.000014491762,0.00031951795,0.04653306,0.00017008322,0.0009430834,0.035852652,0.9068235,0.00004296934],"about_ca_topic_score_codex":0.07588784,"about_ca_topic_score_gemma":0.23343351,"teacher_disagreement_score":0.07588784,"about_ca_system_score_codex":0.010954905,"about_ca_system_score_gemma":0.007174704,"threshold_uncertainty_score":0.1508922},"labels":[],"label_agreement":null}]}